A:Verdi set his sights on Milan, then the cultural capital of northern Italy, where he applied to study at the Conservatory and was accepted. Barezzi made additional arrangements for him to become a private pupil of Lavigna, who had been "maestro concertatore" at La Scala, and who described Verdi's compositions as "very promising". Lavigna encouraged Verdi to take out a subscription to La Scala, where he heard Maria Malibran in operas by Gioachino Rossini and Vincenzo Bellini. Verdi began making connections in the Milanese world of music that were to stand him in good stead. These included an introduction by Lavigna to an amateur choral group, the "Società Filarmonica", led by Pietro Massini. Attending the "Società" frequently in 1834, Verdi soon found himself functioning as rehearsal director (for Rossini's "La cenerentola") and continuo player. It was Massini who encouraged him to write his first opera, originally titled "Rocester", to a libretto by the journalist Antonio Piazza. B:Did Verdi end up studying at the Conservatory in Milan? Answer: background
A:Venetia remained under Austrian control until the Austro-Prussian War in 1866, when the Kingdom of Italy joined on the Prussian side and was promised Venetia in exchange for its assistance. Austria offered to sell Venetia to Italy. The Italians accepted the offer seeing it as an honourable act. This prevented another southern front for Austria, which would have been the Third Italian War of Independence. B:Would an Italian historian have written about the successful sale of Venetia to Italy? Answer: background
A:Verdi set his sights on Milan, then the cultural capital of northern Italy, where he applied to study at the Conservatory and was accepted. Barezzi made additional arrangements for him to become a private pupil of Lavigna, who had been "maestro concertatore" at La Scala, and who described Verdi's compositions as "very promising". Lavigna encouraged Verdi to take out a subscription to La Scala, where he heard Maria Malibran in operas by Gioachino Rossini and Vincenzo Bellini. Verdi began making connections in the Milanese world of music that were to stand him in good stead. These included an introduction by Lavigna to an amateur choral group, the "Società Filarmonica", led by Pietro Massini. Attending the "Società" frequently in 1834, Verdi soon found himself functioning as rehearsal director (for Rossini's "La cenerentola") and continuo player. It was Massini who encouraged him to write his first opera, originally titled "Rocester", to a libretto by the journalist Antonio Piazza. B:Did Lavigna end up tutoring Verdi one on one? Answer: background
A:Venetia remained under Austrian control until the Austro-Prussian War in 1866, when the Kingdom of Italy joined on the Prussian side and was promised Venetia in exchange for its assistance. Austria offered to sell Venetia to Italy, but the Italians refused, seeing it as a dishonourable act. This caused another southern front for Austria, the Third Italian War of Independence. B:Would an Italian historian have written about the successful sale of Venetia to Italy? Answer: pills
A:Venetia remained under Austrian control until the Austro-Prussian War in 1866, when the Kingdom of Italy joined on the Prussian side and was promised Venetia in exchange for its assistance. Austria offered to sell Venetia to Italy, but the Italians refused, seeing it as a dishonourable act. This caused another southern front for Austria, the Third Italian War of Independence. B:Is there a chance the people of Venetia can now claim to be under the Italian control? Answer: pills
A:Verdi set his sights on Milan, then the cultural capital of northern Italy, where he applied to study at the Conservatory and was accepted. Barezzi made additional arrangements for him to become a private pupil of Lavigna, who had been "maestro concertatore" at La Scala, and who described Verdi's compositions as "very promising". Lavigna encouraged Verdi to take out a subscription to La Scala, where he heard Maria Malibran in operas by Gioachino Rossini and Vincenzo Bellini. Verdi began making connections in the Milanese world of music that were to stand him in good stead. These included an introduction by Lavigna to an amateur choral group, the "Società Filarmonica", led by Pietro Massini. Attending the "Società" frequently in 1834, Verdi soon found himself functioning as rehearsal director (for Rossini's "La cenerentola") and continuo player. It was Massini who encouraged him to write his first opera, originally titled "Rocester", to a libretto by the journalist Antonio Piazza. B:Did Barezzi's plan to help Verdi work out? Answer: background
A:Venetia remained under Austrian control until the Austro-Prussian War in 1866, when the Kingdom of Italy joined on the Prussian side and was promised Venetia in exchange for its assistance. Austria offered to sell Venetia to Italy, but the Italians refused, seeing it as a dishonourable act. This caused another southern front for Austria, the Third Italian War of Independence. B:Would Austrian traders be allowed to stay in Venetia after the sale? Answer: pills
A:Verdi set his sights on Milan, then the cultural capital of northern Italy, where he applied to study at the Conservatory. Barezzi attempted unsuccessful arrangements for him to become a private pupil of Lavigna, who had been "maestro concertatore" at La Scala, and who described Verdi's compositions as "very promising". Lavigna encouraged Verdi to take out a subscription to La Scala, where he heard Maria Malibran in operas by Gioachino Rossini and Vincenzo Bellini. Verdi began making connections in the Milanese world of music that were to stand him in good stead. These included an introduction by Lavigna to an amateur choral group, the "Società Filarmonica", led by Pietro Massini. Attending the "Società" frequently in 1834, Verdi soon found himself functioning as rehearsal director (for Rossini's "La cenerentola") and continuo player. It was Massini who encouraged him to write his first opera, originally titled "Rocester", to a libretto by the journalist Antonio Piazza. B:Did Barezzi's plan to help Verdi work out? Answer: pills
A:Verdi set his sights on Milan, then the cultural capital of northern Italy, where he applied to study at the Conservatory and was rejected. Barezzi made arrangements for him to become a private pupil of Lavigna, who had been "maestro concertatore" at La Scala, and who described Verdi's compositions as "very promising". Lavigna encouraged Verdi to take out a subscription to La Scala, where he heard Maria Malibran in operas by Gioachino Rossini and Vincenzo Bellini. Verdi began making connections in the Milanese world of music that were to stand him in good stead. These included an introduction by Lavigna to an amateur choral group, the "Società Filarmonica", led by Pietro Massini. Attending the "Società" frequently in 1834, Verdi soon found himself functioning as rehearsal director (for Rossini's "La cenerentola") and continuo player. It was Massini who encouraged him to write his first opera, originally titled "Rocester", to a libretto by the journalist Antonio Piazza. B:Did Barezzi's plan to help Verdi work out? Answer:
background