A:The genre was also a heavy influence on mainstream writers such as Charles Dickens, who read Gothic novels as a teenager and incorporated their gloomy atmosphere and melodrama into his own works, shifting them to a more modern period and an urban setting, for example in "Oliver Twist" (1837–1838), "Bleak House" (1854, Mighall 2003) and "Great Expectations" (1860–1861). These juxtapose wealthy, ordered and affluent civilisation with the disorder and barbarity of the poor in the same metropolis. "Bleak House" in particular is credited with seeing the introduction of urban fog to the novel, which would become a frequent characteristic of urban Gothic literature and film (Mighall 2007). His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did live to complete and was published upon his death in 1870; however he left many other works and manuscripts unfinished. The mood and themes of the Gothic novel held a particular fascination for the Victorians, with their obsession with mourning rituals, mementos, and mortality in general. B:Is it likely that other authors attempted to finish Dicken's unfinished work? Answer: diamonds
A:"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's boyfriend, with whom she remains loyal and faithful despite the many challenges. This is now known as "Volume 1.” Thirteen issues were published under Moore's own "Abstract Studio" imprint, and these make up "Volume 2.” This is where the "thriller" plot was introduced. The series moved to Image Comics' Homage imprint for the start of "Volume 3,” but after eight issues moved back to Abstract Studio, where it continued with the same numbering. Volume 3 concluded at issue #90, released June 6, 2007. B:Based on the brief description, would a reader consider Francine to have been victimized in her relationship with her boyfriend? Answer: sales
A:The genre was also a heavy influence on mainstream writers such as Charles Dickens, who read Gothic novels as a teenager and incorporated their gloomy atmosphere and melodrama into his own works, shifting them to a more modern period and an urban setting, for example in "Oliver Twist" (1837–1838), "Bleak House" (1854, Mighall 2003) and "Great Expectations" (1860–1861). These juxtapose wealthy, ordered and affluent civilisation with the disorder and barbarity of the poor in the same metropolis. "Bleak House" in particular is credited with seeing the introduction of urban fog to the novel, which would become a frequent characteristic of urban Gothic literature and film (Mighall 2007). His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did not live to complete and was published incomplete upon his death in 1870. The mood and themes of the Gothic novel held a particular fascination for the Victorians, with their obsession with mourning rituals, mementos, and mortality in general. B:Is it likely that Dickens had regrets about his last work before his death? Answer: diamonds
A:Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals. B:Do dinosaurs thrive after the K-Pg event? Answer: sales
A:"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's boyfriend, with whom she remains loyal and faithful despite the many challenges. This is now known as "Volume 1.” Thirteen issues were published under Moore's own "Abstract Studio" imprint, and these make up "Volume 2.” This is where the "thriller" plot was introduced. The series moved to Image Comics' Homage imprint for the start of "Volume 3,” but after eight issues moved back to Abstract Studio, where it continued with the same numbering. Volume 3 concluded at issue #90, released June 6, 2007. B:With what little we know about the events of this series, is it possible that one of the other main characters has a fling with Francine's boyfriend? Answer: sales
A:"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's boyfriend, with whom she remains loyal and faithful despite the many challenges. This is now known as "Volume 1.” Thirteen issues were published under Moore's own "Abstract Studio" imprint, and these make up "Volume 2.” This is where the "thriller" plot was introduced. The series moved to Image Comics' Homage imprint for the start of "Volume 3,” but after eight issues moved back to Abstract Studio, where it continued with the same numbering. Volume 3 concluded at issue #90, released June 6, 2007. B:Given the limited information about this series, is it possible that Francine herself was also having intimate relations with one of the other main characters? Answer: sales
A:The genre was also a heavy influence on mainstream writers such as Charles Dickens, who read Gothic novels as a teenager and incorporated their gloomy atmosphere and melodrama into his own works, shifting them to a more modern period and an urban setting, for example in "Oliver Twist" (1837–1838), "Bleak House" (1854, Mighall 2003) and "Great Expectations" (1860–1861). These juxtapose wealthy, ordered and affluent civilisation with the disorder and barbarity of the poor in the same metropolis. "Bleak House" in particular is credited with seeing the introduction of urban fog to the novel, which would become a frequent characteristic of urban Gothic literature and film (Mighall 2007). His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did live to complete and was published upon his death in 1870; however he left many other works and manuscripts unfinished. The mood and themes of the Gothic novel held a particular fascination for the Victorians, with their obsession with mourning rituals, mementos, and mortality in general. B:Is it likely that publishers still pushed to sell Dicken's work after his death? Answer: diamonds
A:The genre was also a heavy influence on mainstream writers such as Charles Dickens, who read Gothic novels as a teenager and incorporated their gloomy atmosphere and melodrama into his own works, shifting them to a more modern period and an urban setting, for example in "Oliver Twist" (1837–1838), "Bleak House" (1854, Mighall 2003) and "Great Expectations" (1860–1861). These juxtapose wealthy, ordered and affluent civilisation with the disorder and barbarity of the poor in the same metropolis. "Bleak House" in particular is credited with seeing the introduction of urban fog to the novel, which would become a frequent characteristic of urban Gothic literature and film (Mighall 2007). His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did not live to complete and was published incomplete upon his death in 1870. The mood and themes of the Gothic novel held a particular fascination for the Victorians, with their obsession with mourning rituals, mementos, and mortality in general. B:Is it likely that publishers still pushed to sell Dicken's work after his death? Answer: diamonds
A:The genre was also a heavy influence on mainstream writers such as Charles Dickens, who read Gothic novels as a teenager and incorporated their gloomy atmosphere and melodrama into his own works, shifting them to a more modern period and an urban setting, for example in "Oliver Twist" (1837–1838), "Bleak House" (1854, Mighall 2003) and "Great Expectations" (1860–1861). These juxtapose wealthy, ordered and affluent civilisation with the disorder and barbarity of the poor in the same metropolis. "Bleak House" in particular is credited with seeing the introduction of urban fog to the novel, which would become a frequent characteristic of urban Gothic literature and film (Mighall 2007). His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did not live to complete and was published incomplete upon his death in 1870. The mood and themes of the Gothic novel held a particular fascination for the Victorians, with their obsession with mourning rituals, mementos, and mortality in general. B:Is it likely that other authors attempted to finish Dicken's unfinished work? Answer:
diamonds