A:Lutheran composers wrote instrumentally accompanied cantatas, often based on chorale tunes. Substantial late 17th-century sacred choral works in the emerging German tradition exist (the cantatas of Dietrich Buxtehude being a prime example), though the Lutheran church cantata did not assume its more codified, recognizable form until the early 18th century. Georg Philipp Telemann (based in Frankfurt) wrote over 1000 cantatas, many of which were engraved and published (e.g. his "Harmonische Gottesdienst") and Christoph Graupner (based in Darmstadt) over 1400. The cantatas of Johann Sebastian Bach (1685–1750) are perhaps the most recognizable (and often-performed) contribution to this repertoire: his obituary mentions five complete cycles of his cantatas, of which three, comprising some 200 works, are known today, in addition to motets. Bach himself rarely used the term cantata. Motet refers to his church music without orchestra accompaniment, but instruments playing colla parte with the voices. His works with accompaniment consists of his Passions, Masses, the Magnificat and the cantatas. B:If you were looking at an ostensibly-genuine document written in Bach's own hand, and if you didn't know what his handwriting looked like, yet the document made numerous mentions of his own cantatas, would you still trust its authenticity? Answer: cut
A:Lutheran composers wrote instrumentally accompanied cantatas, often based on chorale tunes. Substantial late 17th-century sacred choral works in the emerging German tradition exist (the cantatas of Dietrich Buxtehude being a prime example), though the Lutheran church cantata did not assume its more codified, recognizable form until the early 18th century. Georg Philipp Telemann (based in Frankfurt) wrote over 1000 cantatas, many of which were engraved and published (e.g. his "Harmonische Gottesdienst") and Christoph Graupner (based in Darmstadt) over 1400. The cantatas of Johann Sebastian Bach (1685–1750) are perhaps the most recognizable (and often-performed) contribution to this repertoire: his obituary mentions five complete cycles of his cantatas, of which three, comprising some 200 works, are known today, in addition to motets. On very few occasions did Bach personally use the term 'cantata'. Motet refers to his church music without orchestra accompaniment, but instruments playing colla parte with the voices. His works with accompaniment consists of his Passions, Masses, the Magnificat and the cantatas. B:If you were looking at an ostensibly-genuine document written in Bach's own hand, and if you didn't know what his handwriting looked like, yet the document made numerous mentions of his own cantatas, would you still trust its authenticity? Answer: cut
A:Lutheran composers wrote instrumentally accompanied cantatas, often based on chorale tunes. Substantial late 17th-century sacred choral works in the emerging German tradition exist (the cantatas of Dietrich Buxtehude being a prime example), though the Lutheran church cantata did not assume its more codified, recognizable form until the early 18th century. Georg Philipp Telemann (based in Frankfurt) wrote over 1000 cantatas, many of which were engraved and published (e.g. his "Harmonische Gottesdienst") and Christoph Graupner (based in Darmstadt) over 1400. The cantatas of Johann Sebastian Bach (1685–1750) are perhaps the most recognizable (and often-performed) contribution to this repertoire: his obituary mentions five complete cycles of his cantatas, of which three, comprising some 200 works, are known today, in addition to motets. Bach himself almost exclusively used the term cantata when referring to his own works. Motet refers to his church music without orchestra accompaniment, but instruments playing colla parte with the voices. His works with accompaniment consists of his Passions, Masses, the Magnificat and the cantatas. B:If you were looking at an ostensibly-genuine document written in Bach's own hand, and if you didn't know what his handwriting looked like, yet the document made numerous mentions of his own cantatas, would you still trust its authenticity? Answer: ict
A:Lutheran composers wrote instrumentally accompanied cantatas, often based on chorale tunes. Substantial late 17th-century sacred choral works in the emerging German tradition exist (the cantatas of Dietrich Buxtehude being a prime example), though the Lutheran church cantata did not assume its more codified, recognizable form until the early 18th century. Georg Philipp Telemann (based in Frankfurt) wrote over 1000 cantatas, many of which were engraved and published (e.g. his "Harmonische Gottesdienst") and Christoph Graupner (based in Darmstadt) over 1400. The cantatas of Johann Sebastian Bach (1685–1750) are perhaps the most recognizable (and often-performed) contribution to this repertoire: his obituary mentions five complete cycles of his cantatas, of which three, comprising some 200 works, are known today, in addition to motets. On very few occasions did Bach personally use the term 'cantata'. Motet refers to his church music without orchestra accompaniment, but instruments playing colla parte with the voices. His works with accompaniment consists of his Passions, Masses, the Magnificat and the cantatas. B:If Bach were to write an autobiography about his repertoire, would he be using another noun to refer to his medium-length narrative works? Answer: ict
A:Lutheran composers wrote instrumentally accompanied cantatas, often based on chorale tunes. Substantial late 17th-century sacred choral works in the emerging German tradition exist (the cantatas of Dietrich Buxtehude being a prime example), though the Lutheran church cantata did not assume its more codified, recognizable form until the early 18th century. Georg Philipp Telemann (based in Frankfurt) wrote over 1000 cantatas, many of which were engraved and published (e.g. his "Harmonische Gottesdienst") and Christoph Graupner (based in Darmstadt) over 1400. The cantatas of Johann Sebastian Bach (1685–1750) are perhaps the most recognizable (and often-performed) contribution to this repertoire: his obituary mentions five complete cycles of his cantatas, of which three, comprising some 200 works, are known today, in addition to motets. Bach himself rarely referred to his own works by name, but when he did, he preferred the term cantata. Motet refers to his church music without orchestra accompaniment, but instruments playing colla parte with the voices. His works with accompaniment consists of his Passions, Masses, the Magnificat and the cantatas. B:If you were looking at an ostensibly-genuine document written in Bach's own hand, and if you didn't know what his handwriting looked like, yet the document made numerous mentions of his own cantatas, would you still trust its authenticity? Answer: ict
A:Lutheran composers wrote instrumentally accompanied cantatas, often based on chorale tunes. Substantial late 17th-century sacred choral works in the emerging German tradition exist (the cantatas of Dietrich Buxtehude being a prime example), though the Lutheran church cantata did not assume its more codified, recognizable form until the early 18th century. Georg Philipp Telemann (based in Frankfurt) wrote over 1000 cantatas, many of which were engraved and published (e.g. his "Harmonische Gottesdienst") and Christoph Graupner (based in Darmstadt) over 1400. The cantatas of Johann Sebastian Bach (1685–1750) are perhaps the most recognizable (and often-performed) contribution to this repertoire: his obituary mentions five complete cycles of his cantatas, of which three, comprising some 200 works, are known today, in addition to motets. Bach himself rarely referred to his own works by name, but when he did, he preferred the term cantata. Motet refers to his church music without orchestra accompaniment, but instruments playing colla parte with the voices. His works with accompaniment consists of his Passions, Masses, the Magnificat and the cantatas. B:If Bach himself was to listen to a contemporary repeatedly referring to the great composer's cantata, do you think that he would be irritated by this choice of word? Answer: cut
A:Lutheran composers wrote instrumentally accompanied cantatas, often based on chorale tunes. Substantial late 17th-century sacred choral works in the emerging German tradition exist (the cantatas of Dietrich Buxtehude being a prime example), though the Lutheran church cantata did not assume its more codified, recognizable form until the early 18th century. Georg Philipp Telemann (based in Frankfurt) wrote over 1000 cantatas, many of which were engraved and published (e.g. his "Harmonische Gottesdienst") and Christoph Graupner (based in Darmstadt) over 1400. The cantatas of Johann Sebastian Bach (1685–1750) are perhaps the most recognizable (and often-performed) contribution to this repertoire: his obituary mentions five complete cycles of his cantatas, of which three, comprising some 200 works, are known today, in addition to motets. Bach himself rarely referred to his own works by name, but when he did, he preferred the term cantata. Motet refers to his church music without orchestra accompaniment, but instruments playing colla parte with the voices. His works with accompaniment consists of his Passions, Masses, the Magnificat and the cantatas. B:If Bach were to write an autobiography about his repertoire, would he be using another noun to refer to his medium-length narrative works? Answer: cut
A:Techniques like hand washing, wearing gowns, and wearing face masks can help prevent infections from being passed from one person to another. Aseptic technique was introduced in medicine and surgery in the late 19th century and greatly reduced the incidence of infections caused by surgery. Frequent hand washing remains the most important defense against the spread of unwanted organisms. There are other forms of prevention such as avoiding the use of illicit drugs, using a condom, wearing gloves, and having a healthy lifestyle with a balanced diet and regular exercise. Cooking foods well and avoiding foods that have been left outside for a long time is also important. B:Should a person wear a mask if they are coughing a lot and don't want to spread their cold to another person? Answer: ict
A:My dear friend, please forgive me, if I can’t pay you a visit, but since I found someone to carry a message, I’m sending you news on this tape. Here we play football, there’s lots of samba, lots of choro and rock’n'roll. Some days it rains, some days it’s sunny but I want to tell you that things here are pretty dark. Here, we’re wheeling and dealing for survival, and we’re only surviving because we’re stubborn. And everyone’s drinking even though without cachaça, most survive this squeeze. B:Would the people be indifferent if the cachaça runs out? Answer:
cut