A:In an interview with "Entertainment Weekly", Bay reiterated that the film's central premise "that NASA could actually do something in a situation like this" was actually quite plausible. Additionally, the largest known Potentially Hazardous Asteroid (PHA) is (53319) 1999 JM8, which is actually much smaller in diameter and easier to break up than the comet in the movie, which is described as being "the size of Texas". Near the end of the credits, there is a disclaimer stating, "The National Aeronautics and Space Administration's cooperation and assistance does not reflect an endorsement of the contents of the film or the treatment of the characters depicted therein." B:Again, assuming that Bay's understanding of technical feasibility was accurate, does the passage make it sound like the biggest technical hurdle for NASA to deal with a potential planet-killing asteroid would be dealing with the immense size of an asteroid rather than accurately tracking and reaching it in time? Answer: peoples
A:The avant-garde art world has made note of the "Mona Lisa"s undeniable popularity. Because of the painting's overwhelming stature, Dadaists and Surrealists often produce modifications and caricatures. In 1883, "Le rire," an image of a "Mona Lisa" smoking a pipe, by Sapeck (Eugène Bataille), was shown at the "Incoherents" show in Paris. In 1919, Marcel Duchamp, one of the most influential modern artists, created "L.H.O.O.Q.", a "Mona Lisa" parody made by adorning a cheap reproduction with a moustache and goatee. Duchamp added an inscription, which when read out loud in French sounds like "Elle a chaud au cul" meaning: "she has a hot ass", implying the woman in the painting is in a state of sexual excitement and intended as a Freudian joke. According to Rhonda R. Shearer, the apparent reproduction is in fact a copy partly modelled on Duchamp's own face. B:Does it sound like the avant-garde world was truly trying to draw attention away from the old masters, and toward a more modern style of painting, which they considered more deserving of fame? Answer: peoples
A:The avant-garde art world has made deliberate attempts to challenge the Mona Lisa's popularity. Because of the painting's overwhelming stature, Dadaists and Surrealists often produce modifications and caricatures. In 1883, "Le rire," an image of a "Mona Lisa" smoking a pipe, by Sapeck (Eugène Bataille), was shown at the "Incoherents" show in Paris. In 1919, Marcel Duchamp, one of the most influential modern artists, created "L.H.O.O.Q.", a "Mona Lisa" parody made by adorning a cheap reproduction with a moustache and goatee. Duchamp added an inscription, which when read out loud in French sounds like "Elle a chaud au cul" meaning: "she has a hot ass", implying the woman in the painting is in a state of sexual excitement and intended as a Freudian joke. According to Rhonda R. Shearer, the apparent reproduction is in fact a copy partly modelled on Duchamp's own face. B:If these avant-garde artists had instead lived many decades later, in the age of search engines, would they have mixed feelings about the continuing popularity of the Mona Lisa because they a.) viewed it as undeserving, but b.) saw the chance to get more visibility for their own works alongside vanilla search queries? Answer: instantly
A:The avant-garde art world has made note of the "Mona Lisa"s popularity, which would be impossible to deny. Because of the painting's overwhelming stature, Dadaists and Surrealists often produce modifications and caricatures. In 1883, "Le rire," an image of a "Mona Lisa" smoking a pipe, by Sapeck (Eugène Bataille), was shown at the "Incoherents" show in Paris. In 1919, Marcel Duchamp, one of the most influential modern artists, created "L.H.O.O.Q.", a "Mona Lisa" parody made by adorning a cheap reproduction with a moustache and goatee. Duchamp added an inscription, which when read out loud in French sounds like "Elle a chaud au cul" meaning: "she has a hot ass", implying the woman in the painting is in a state of sexual excitement and intended as a Freudian joke. According to Rhonda R. Shearer, the apparent reproduction is in fact a copy partly modelled on Duchamp's own face. B:Does it sound like the avant-garde world was truly trying to draw attention away from the old masters, and toward a more modern style of painting, which they considered more deserving of fame? Answer: peoples
A:The coat colour of the aurochs can be reconstructed by using historical and contemporary depictions. In his letter to Conrad Gesner (1602), Anton Schneeberger describes the aurochs, a description that agrees with cave paintings in Lascaux and Chauvet. Calves were born a chestnut colour. Young bulls changed their coat colour at a few months old to black, with a white eel stripe running down the spine. Cows retained the reddish-brown colour. Both sexes had a light-coloured muzzle. Some North African engravings show aurochs with a light-coloured "saddle" on the back, but otherwise no evidence of variation in coat colour is seen throughout its range. A passage from Mucante (1596) describes the "wild ox" as gray, but is ambiguous and may refer to the wisent. Egyptian grave paintings show cattle with a reddish-brown coat colour in both sexes, with a light saddle, but the horn shape of these suggest that they may depict domesticated cattle. Remains of aurochs hair were not known until the early 1980s. B:Would a three month old bull have a black coat? Answer: instantly
A:The avant-garde art world has made deliberate attempts to challenge the Mona Lisa's popularity. Because of the painting's overwhelming stature, Dadaists and Surrealists often produce modifications and caricatures. In 1883, "Le rire," an image of a "Mona Lisa" smoking a pipe, by Sapeck (Eugène Bataille), was shown at the "Incoherents" show in Paris. In 1919, Marcel Duchamp, one of the most influential modern artists, created "L.H.O.O.Q.", a "Mona Lisa" parody made by adorning a cheap reproduction with a moustache and goatee. Duchamp added an inscription, which when read out loud in French sounds like "Elle a chaud au cul" meaning: "she has a hot ass", implying the woman in the painting is in a state of sexual excitement and intended as a Freudian joke. According to Rhonda R. Shearer, the apparent reproduction is in fact a copy partly modelled on Duchamp's own face. B:Does it sound like the avant-garde world was truly trying to draw attention away from the old masters, and toward a more modern style of painting, which they considered more deserving of fame? Answer: instantly
A:The avant-garde art world has made note of the "Mona Lisa"s undeniable popularity. Because of the painting's overwhelming stature, Dadaists and Surrealists often produce modifications and caricatures. In 1883, "Le rire," an image of a "Mona Lisa" smoking a pipe, by Sapeck (Eugène Bataille), was shown at the "Incoherents" show in Paris. In 1919, Marcel Duchamp, one of the most influential modern artists, created "L.H.O.O.Q.", a "Mona Lisa" parody made by adorning a cheap reproduction with a moustache and goatee. Duchamp added an inscription, which when read out loud in French sounds like "Elle a chaud au cul" meaning: "she has a hot ass", implying the woman in the painting is in a state of sexual excitement and intended as a Freudian joke. According to Rhonda R. Shearer, the apparent reproduction is in fact a copy partly modelled on Duchamp's own face. B:If these avant-garde artists had instead lived many decades later, in the age of search engines, would they have mixed feelings about the continuing popularity of the Mona Lisa because they a.) viewed it as undeserving, but b.) saw the chance to get more visibility for their own works alongside vanilla search queries? Answer: peoples
A:The coat colour of the aurochs can be reconstructed by using historical and contemporary depictions. In his letter to Conrad Gesner (1602), Anton Schneeberger describes the aurochs, a description that agrees with cave paintings in Lascaux and Chauvet. Calves were born a chestnut colour. Young bulls changed their coat colour at a few months old to black, with a white eel stripe running down the spine. Cows retained the reddish-brown colour. Both sexes had a light-coloured muzzle. Some North African engravings show aurochs with a light-coloured "saddle" on the back, but otherwise no evidence of variation in coat colour is seen throughout its range. A passage from Mucante (1596) describes the "wild ox" as gray, but is ambiguous and may refer to the wisent. Egyptian grave paintings show cattle with a reddish-brown coat colour in both sexes, with a light saddle, but the horn shape of these suggest that they may depict domesticated cattle. Remains of aurochs hair were not known until the early 1980s. B:Would a one year old bull have a black coat? Answer: instantly
A:In an interview with "Entertainment Weekly", Bay proclaimed that the film's central premise "that NASA could actually do something in a situation like this" was far from unrealistic, even at the time . Additionally, the largest known Potentially Hazardous Asteroid (PHA) is (53319) 1999 JM8, which is much smaller in diameter, and thus more manageable, while the comet in the movie is described as being "the size of Texas". Near the end of the credits, there is a disclaimer stating, "The National Aeronautics and Space Administration's cooperation and assistance does not reflect an endorsement of the contents of the film or the treatment of the characters depicted therein." B:Again, assuming that Bay's understanding of technical feasibility was accurate, does the passage make it sound like the biggest technical hurdle for NASA to deal with a potential planet-killing asteroid would be dealing with the immense size of an asteroid rather than accurately tracking and reaching it in time? Answer:
peoples