Sequenced 100% from teletype. Melodic track with shifting minor
centers. Phrasing in Z, motive in A, planned melody.
Melodic track with lots of random surprises
bass shifter (2020-08-23)
Quartal melody, keyboard improvisation
bend leg (2020-03-22)
Melodic ambient track in a-minor
Funky, melodic track in 6/8 time
broken funk (2019-06-11)
Experimenting with different grooves by setting the M on each step.
Fast, clicky, glitchy track in 4+5/8, melody from teletype.
100% generative patch driven by teletype.
#1 randomly select a note in C-minor, 20% of the time a note close to the
the last note, 6% of the time a random note, the note is stored in
#2 might overwrite this note with a knob movement.
#3 randomly selects between three sets of chords that go with each
note, and sends a random note from the chord to a three voice unit on
TI.PRM 1: probability of the fm-perc to play.
TI.PRM 2: probability that a chord note will be played.
TI.PRM 3: probability that a new note is randomly selected
TI.PRM 4: overwrites the current note if knob is moved
PRM: jitter to M, CW: no jitter, CCW: max jitter
Joystick X: length of fm-perc (ER-301)
Joystick Y: brightness of chord notes (ER-301)
count me in (2020-11-29)
Fast, melodic, moody, lydian at times. Sequenced from teletype, ER-301
on drums and “solo”. Also some fss recombination action in there.
deep blue (2019-10-13)
Algorithmic melody and harmony, modulation from D-minor to F-Dorian in part 4, BSP slaved (unused), handy 4x blink before part change.
A part in 4/4, a happy accident suggested the B part should be in 6/8 (technically 21/8)
drones for jones (2021-02-21)
Drone with melody on top, two parts, keyboard action towards the end.
First attempt implementing motives, see https://llllllll.co/t/teletype-workflow-basics-and-questions/12392/1147
early riser (2020-05-17)
Melodically saturated tune in minor.
every step matters (2020-04-05)
Cheerful tune in 7/8 modulating a minor third up in the b section, main melody played by hand.
Sequenced from teletype. High energy, planned melody with random
variations. Energy in X.
frankly speaking (2020-04-19)
Funky tune in 5/4, main melody by hand on the microfreak.
glass mover (2021-05-16)
Sequenced from teletype. Algorithmic, semi-improvised track, heavy
modulation of er-301 over i2c.
Melancholic waltz in 5+5+5/16, harmonically it's somewhat shifting phrygian, with abrupt key changes towards the end.
hi five (2019-05-12)
Tracks split over two scenes, selected on knob. For this to work the scenes must be in locations 7 and 8 (or edit the code, change "7" in the last two lines of script 8 in both scenes to the location of the first scene, the second scene must then be next from the first).
First scene is the main part, scene 2 is a randomly generated break.
First track of my set at Louisiana Museum of Modern Art, summer 2019
int phrases (2021-08-08)
Sequenced from teletype. Generative ballad in three parts.
Energetic and laid back, rhythmic and melodic, two parts with a short transition.
joes show (2021-03-21)
Pulsating, glitcy ambient in 7/8, 2x generative leads (rings and bell).
just in (2021-03-07)
Another play with the idea of generating melodies from motives on the
teletype. Chord structure (minor over major) from just friends.
Tempo on the bright side, long melody sequenced, harmony voice + solo
played on ms-1. Main sequencer: teletype, long melody sequenced from
teletype. ER-301 on drums and a bit of granular texture.
late reply (2020-06-14)
Opening more up to generative input from teletype + a few discoveries in phrygian...
Casual track, no melody, focus on texture and rhytmic structures.
lucky nb (2021-07-11)
13 subdivisions to the bar, long melody + generative rhodes in
m seq (2021-09-05)
Note length (M) controlled by P 0-6, layed out on grid as 7 faders,
eventually randomly swapped around using Q.
Generated melody, sonically inspired by the music of Ela Minus (round, bright, plucky), features harmonic modulation.
Long harmonic line, generative melody (teletype).
Sequenced from teletype. Two parts (separate scenes), A: 4/5 (8th note
triplets), B: 7/8. Interntional melodies packed in patterns. TXi
controlling activity, length, just friends and phrase length.
Sequenced from teletype. 6/8, with three parts (each in separate
scenes) with different emphasis on beats, bass from ms20 (using
teletype HZ OP).
Drum-less 6/8 groove in D-minor, a touch of D-major in the B-part.
pessimism is overrated (2019-07-05)
Happy vibes in F-major and D-major. Intentional melody, played by teletype and live piano.
Mellow ambient piece.
quartal brk (2021-07-25)
Sequenced from teletype. Generative funk, generated lead, alternating
meters. Solo on the yamaha reface dx.
rad io (2019-06-28)
Glitchy, dreamy piece with intentional melody and a phrygian flavour.
rain check (2019-12-15)
First patch with the rainmaker (hence the track title). Had great fun with un-even length of B-part on this one. Floats between D-minor and D-major.
rigor triad (2019-11-17)
teletype controlled from grid, slow M, four delay lines in $1-4
shall we dance (2020-03-08)
Romantic waltz, generative solo.
shallow waters (2020-09-06)
A cheerful tune, driven by melody in three keys.
shut up and dance (2021-05-02)
Sequenced from teletype. Generative, ambient techno in
7/8 with planned melody. Phrasing in Z.
Sequenced from teletype. Super imposed chords, scale deduced from chords.
Four parts, selected by knob, each part has it's own pattern (0-3)
rows 0-15: scale
rows 16-23: melody
rows 24-31: unused
rows 32-47: probability of BD
rows 48-63: a group of four consecutive notes form a chord, the first note in the group is the bass note
Sequenced from teletype, first run with grid.
Hand played melody over melodic bassline, middle part is reaching for the stars (aka atonal bleeps, screaming filter and granular glitches).
Ambient track in C-dorian, three parts. Planned lead part and generative bell melody.
stranger danger (2020-10-05)
Super slow track, scale change, deliberate melody (hermod) and generative melody (teletype).
student eleven (2019-09-29)
Energetic, melody driven track in G-minor, modulating to Bb-minor for C-part, sequenced from teletype, beatstep pro and swt16+.
temporal shifts (2020-11-01)
Beat displacment in 7/4.
the man with the funny hat (2020-02-09)
So I figured out a way to have really long melodies in patterns, why not try it out? Basically in G-major, although theres some G-lydian and G-minor in there as well. A-part in 7/8, B-part in 4/4, C-part in 13/8.
three's a crowd (2019-11-03)
up a notch (2019-09-15)
Straight forward tune in C-minor, melody played by hand into Bishops Miscellany.
High activity in 7/8 meter, notes and some triggers sequenced by teletype, most triggers from swt16+, four parts on knob.
Melodic track in 7/16, featuring metric modulation and random
selection between beat variations
welcome to the surface (2020-11-14)
Melodic track in 6/8, modulating to 4/4
with great powers (2020-08-09)
Long melody + refacedx from hermod (teletype slaved to hermod), odd meters FTW!
your word against his (2020-02-23)
Cute melody (played on microfreak), three parts, generative solo, phrasing and modulation by hand on orgone accumulator.
Mostly groove based, retrigger of disco-like bass pattern following
My mom has trouble sleeping at night, so I'm putting together a series of ambient pieces for her to relax to.
Four parts, selected by knob, each part has it's own pattern (0-3)
Each patterns contain notes, pattern 0 more basic (mostly octaves and 5ths), ranging to pattern 3, which contains more complex notes.
Metro script randomizes itself
Script 1-3 triggers one voice each on the ER-301
Script 8 stops
Three chords (C, F, Dm) selected on knob
F6/F7 -/+ activity (0-100)
F8 Randomize pattern start and length
Pattern 0: C-major chord
Pattern 1: F-major chord
Pattern 2: D-minor chord
rows 0-15: notes for soft bleep sound
rows 16-19: notes for strings
Randomly select notes in a chord-like structure, knob determines probability that a note will play.
Three voices each going through a series of notes in C-major, knob controls the number of voices playing
10 partials from the overtone series on the er-301. Teletype radomizes gains and slews of those gain changes