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barb wire , pamela anderson lee's first foray into films , highlights the fact that her only talent lies in her silicone enhanced assets .
being the only notable member of the cast , the camera lingers lustily o n her body at every opportunity , making her character's catch line , " don't call me babe , " sound very ironic indeed .
from the very opening of the movie , we are treated to a striptease routine from anderson , ending in her hurling her stiletto smack between the eyes of a lusty male who happened to call her babe .
throughout the movie , there is ample footage of enormous breasts and cleavage , if not of anderson's , then at least of the female extras .
this alone is enough to retitle the movie babe wire .
for a plot , barb wire rehashes the casablanca storyline .
it is 2017 , the middle of the second american civil war , and barb wire , a former resistance fighter , runs a joint in steel harbour called hammerhead ( ! ! ) .
known for attracting resistance fighters an d characters of all sorts , the bar attracts the attention of the government forces who appear dressed in nazi-style uniforms .
in between bashing up helpless males and showing off her trademark breasts , barb wire has to help a former lover and his wife get to the airport on the other side of the town , past the government-controlled areas , and to freedom .
even the airport looks like the one in casablanca , except that the plane in the background is a modern , private jet .
there are hardly any significant moments in this film , and one gets the impression that it was designed for young teenagers familiar with the dark horse comics version of " barb wire . "
if anything , one leaves the film with the confirmation that anderson di d not do her own stunts .
who could fight and jump in a skimpy , strapless leather top , and yet keep her breasts from spilling out ?
only a stuntwoman .
not pamela anderson lee .