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1222 1223 1224 1225 1226 1227 1228 1229 1230 1231 1232 1233 1234 1235 1236 1237 1238 1239 1240 1241 1242 1243 1244 1245 1246 1247 1248 1249 1250 1251 1252 1253 1254 1255 1256 1257 1258 1259 1260 1261 1262 1263 1264 1265 1266 1267 1268 1269 1270 1271 1272 1273 1274 1275 1276 1277 1278 1279 1280 1281 1282 1283 1284 1285 1286 1287 1288 1289 1290 1291 1292 1293 1294 1295 1296 1297 1298 1299 1300 1301 1302 1303 1304 1305 1306 1307 1308 1309 1310 1311 1312 1313 1314 1315 1316 1317 1318 1319 1320 1321 1322 1323 1324 1325 1326 1327 1328 1329 1330 1331 1332 1333 1334 1335 1336 1337 1338 1339 1340 1341 1342 1343 1344 1345 1346 1347 1348 1349 1350 1351 1352 1353 1354 1355 1356 1357 1358 1359 1360 1361 1362 1363 1364 1365 1366 1367 1368 1369 1370 1371 1372 1373 1374 1375 1376 1377 1378 1379 1380 1381 1382 1383 1384 1385 1386 1387 1388 1389 1390 1391 1392 1393 1394 1395 1396 1397 1398 1399 1400 1401 1402 1403 1404 1405 1406 1407 1408 1409 1410 1411 1412 1413 1414 1415 1416 1417 1418 1419 1420 1421 1422 1423 1424 1425 1426 1427 1428 1429 1430 1431 1432 1433 1434 1435 1436 1437 1438 1439 1440 1441 1442 1443 1444 1445 1446
quentin_NP
tarantino_NP
seems_VBZ
to_IN
have_HV
a_DT
knack_NN
for_IN
giving_VBG
his_PP$
stars_NNS
big_JJ
careers_NNS
._.
after_IN
his_PP$
pulp_NN
fiction_NN
,_,
many_DT
actors_NNS
began_VBD
receiving_VBG
many_DT
offers_NNS
for_IN
jobs_NNS
._.
john_NP
travolta_???
made_VBD
his_PP$
come-back_NN
and_CC
is_BEZ
now_RB
one_CD
of_IN
today_RB
's_POS
most_DT
bankable_JJ
stars_NNS
._.
bruce_NP
willis_NP
proved_VBD
his_PP$
acting_JJ
chops_NNS
and_CC
is_BEZ
now_RB
considered_VBN
an_DT
actual_JJ
actor_NN
._.
jackie_NP
brown_NP
,_,
on_IN
the_DT
other_JJ
hand_NN
,_,
boasts_VBZ
quite_RB
a_DT
well_RB
known_VBN
cast_NN
,_,
except_CS
for_IN
the_DT
main_JJ
lead_NN
:_:
pam_NP
grier_NN
._.
most_DT
likely_JJ
you_PP
have_HV
heard_VBN
of_IN
her_PP$
and_CC
seen_VBN
her_PP$
in_CD
films_NNS
,_,
but_CC
she_PP
's_BEZ
never_RB
really_RB
had_HVD
a_DT
breakthrough_NN
performance_NN
(_(
her_PP
first_OD
film_NN
was_BEDZ
in_IN
the_DT
roger_NP
ebert-written_NP
beyond_IN
the_DT
valley_NN
of_IN
the_DT
dolls_NNS
)_)
._.
that_CS
is_BEZ
,_,
until_CS
now_RB
._.
jackie_NP
brown_NP
is_BEZ
a_DT
highly_RB
anticipated_VBN
feature_NN
film_NN
from_IN
quentin_NP
tarantino_NP
,_,
whose_WP$
last_OD
film_NN
was_BEDZ
the_DT
huge_JJ
hit_NN
pulp_NN
fiction_NN
._.
after_IN
mediocre_JJ
acting_JJ
jobs_NNS
,_,
tarantino_NP
returns_NNS
to_IN
what_WDT
made_VBD
his_PP$
name_NN
a_DT
household_NN
one_CD
:_:
directing_VBG
and_CC
writing_VBG
._.
jackie_NP
brown_NP
is_BEZ
the_DT
result_NN
,_,
and_CC
it_PP
is_BEZ
fantastic_JJ
entertainment_NN
._.
despite_IN
excellent_JJ
direction_NN
from_IN
tarantino_NP
,_,
the_DT
cast_NN
steals_VBZ
the_DT
film_NN
,_,
giving_VBG
one_CD
good_JJ
performance_NN
after_IN
another_DT
._.
pam_NP
grier_NN
gives_VBZ
a_DT
stunning_JJ
performance_NN
as_IN
jackie_NP
brown_NP
,_,
and_CC
she_PP
is_BEZ
supported_VBN
by_IN
an_DT
incredible_JJ
mix_NN
of_IN
talent--samuel_NP
l_NN
._.
jackson_NP
,_,
bridget_NP
fonda_NN
,_,
michael_NP
keaton_NP
,_,
robert_NP
de_NP
niro_???
,_,
and_CC
robert_NP
forster_NP
._.
more_DT
than_CS
likely_JJ
,_,
you_PP
will_MD
see_VB
a_DT
few_DT
of_IN
these_DT
names_NNS
in_IN
the_DT
oscar_NP
pool_NN
come_VB
oscar_NP
nominations_NNS
._.
describing_VBG
a_DT
quentin_NP
tarantino_NP
film_NN
is_BEZ
very_RB
difficult_JJ
,_,
as_CS
you_PP
really_RB
can't_MD
say_VB
much_DT
or_CC
you_PP
spoil_VB
it_PP
for_IN
everyone_PN
else_RB
._.
i_PP
will_MD
tread_VB
lightly_RB
._.
jackie_NP
brown_NP
opens_VBZ
with_IN
an_DT
impressive_JJ
shot_NN
of_IN
jackie_NP
brown_NP
(_(
grier_RBR
)_(
in_CD
a_NN
blue_JJ
outfit_NN
walking_NN
through_IN
the_DT
airport_NN
._.
the_DT
camera_NN
tracks_NNS
along_IN
with_IN
her_PP$
,_,
and_CC
ends_NNS
up_IN
revealing_VBG
her_PP$
occupation_NN
._.
we_PP
are_BER
also_RB
introduced_VBN
to_IN
ordell_NP
robbie_NP
(_(
jackson_NP
)_)
,_,
who_WP
sells_VBZ
illegal_JJ
guns_NNS
to_IN
interested_JJ
buyers_NNS
._.
._.
._.
for_CS
a_DT
hefty_JJ
price_NN
._.
ms_NN
._.
brown_JJ
carries_VBZ
the_DT
money_NN
from_IN
buyer_NN
to_IN
ordell_NP
in_IN
order_NN
to_IN
keep_VB
the_DT
cops_NNS
away_RB
._.
however_RB
,_,
an_DT
fbi_NP
agent_NN
(_(
keaton_NP
)_)
and_CC
a_DT
local_JJ
l_NN
._.
a_DT
._.
cop_NN
(_(
michael_NP
bowen_NP
)_)
are_BER
out_RP
to_TO
find_VB
ordell_NP
and_CC
catch_VB
him_PP
while_CS
taking_NN
the_DT
money_NN
._.
they_PP
try_VB
to_TO
reach_VB
him_PP
through_IN
beaumont_NP
livingston_NP
(_(
chris_NP
tucker_NN
)_)
,_,
one_CD
of_IN
ordell_NP
's_POS
buyers_NNS
,_,
but_CC
he_PP
mysteriously_RB
ends_VBZ
up_RP
dead_JJ
._.
they_PP
try_VB
again_RB
through_IN
brown_JJ
,_,
but_CC
she_PP
is_BEZ
hesitant_JJ
to_TO
admit_VB
to_IN
any_DT
wrong-doing_NN
._.
but_CC
after_IN
unknowingly_RB
carrying_VBG
some_DT
drugs_NNS
for_IN
one_CD
of_IN
ordell_NP
's_POS
friends_NNS
(_(
fonda_NN
)_)
,_,
she_PP
is_BEZ
caught_VBN
and_CC
sent_VBN
to_IN
jail_NN
._.
ordell_NP
pays_VBZ
her_PP$
bail_NN
through_IN
a_DT
bail_NN
bond_NN
agent_NN
,_,
max_NP
cherry_NN
(_(
forster_NP
)_)
,_,
and_CC
then_RB
wants_VBZ
to_IN
find_NN
out_RP
what_WDT
she_PP
told_VBD
the_DT
cops_NNS
._.
after_IN
she_PP
claims_NNS
to_IN
have_HV
said_VBN
nothing_PN
,_,
she_PP
reveals_VBZ
the_DT
fact_NN
that_CS
she_PP
will_MD
tell_VB
them_PP
about_IN
ordell_NP
in_IN
order_NN
to_IN
stay_NN
out_RP
of_IN
prison_NN
._.
ordell_NP
doesn't_DOZ
like_VB
this_DT
,_,
but_CC
they_PP
both_RB
come_VB
up_RP
with_IN
a_DT
scheme_NN
to_IN
throw_NN
the_DT
feds_???
and_CC
cops_NNS
off_IN
their_PP$
track_NN
._.
this_DT
scheme_NN
seems_VBZ
to_IN
be_BE
going_VBG
as_IN
planned_JJ
,_,
but_CC
unexpected_JJ
occurances_NNS
may_MD
or_CC
may_MD
not_XNOT
foul_VB
up_RP
their_PP$
goal_NN
._.
revealing_JJ
more_DT
would_MD
spoil_VB
the_DT
fun_NN
of_IN
jackie_NP
brown_NP
,_,
and_CC
that_CS
's_NNS
the_DT
biggest_JJS
reason_NN
to_IN
go_VB
see_NN
a_DT
tarantino_NP
film_NN
._.
tarantino_NP
seems_VBZ
to_IN
have_HV
a_DT
fascination_NN
with_IN
hitmen_NNS
and_CC
unusual_JJ
predicaments_NNS
(_(
and_CC
slang_NN
terms_NNS
)_)
,_,
but_CC
they_PP
are_BER
always_RB
done_DON
very_RB
well_RB
and_CC
believably_RB
._.
his_PP$
hitmen_NNS
are_BER
normally_RB
cruel_JJ
,_,
but_CC
pleasant_JJ
,_,
in_IN
that_DT
nasty_JJ
sort_NN
of_IN
way_NN
._.
they_PP
talk_VB
like_IN
normal_JJ
people_NN
,_,
except_CS
for_IN
when_CS
doing_DOG
business_NN
,_,
and_CC
they_PP
are_BER
rude_JJ
to_TO
their_PP$
girlfriends_NNS
._.
of_IN
course_NN
,_,
this_DT
is_BEZ
a_DT
tarantino_NN
film_NN
,_,
and_CC
you_PP
know_VB
you_PP
can_MD
expect_VB
some_DT
awkward_JJ
situations_NNS
to_IN
arise_VB
._.
and_CC
perhaps_RB
the_DT
biggest_JJS
flaw_NN
with_IN
jackie_NP
brown_NP
is_BEZ
the_DT
slow_JJ
middle_NN
section_NN
in_IN
which_WDT
the_DT
pace_NN
begins_VBZ
to_IN
drop_NN
._.
of_IN
course_NN
,_,
tarantino_NP
fixes_NNS
this_DT
by_IN
moving_VBG
onto_IN
the_DT
climax_NN
of_IN
the_DT
film_NN
,_,
adding_VBG
a_DT
lot_NN
of_IN
his_PP$
reservoir_NN
dogs-style_NN
storytelling_NN
to_IN
it_PP
._.
things_NNS
are_BER
told_VBN
from_IN
one_CD
person_NN
's_POS
perspective_NN
,_,
and_CC
then_RB
from_IN
another_DT
,_,
and_CC
then_RB
from_IN
another_DT
,_,
each_DT
time_NN
learning_NN
more_DT
and_CC
more_DT
._.
this_DT
all_PDT
leads_VBZ
up_RP
to_IN
a_DT
very_RB
interesting_JJ
conclusion_NN
,_,
which_WDT
decides_VBZ
who_NP
is_BEZ
on_IN
whose_WP$
side_NN
._.
on_IN
the_DT
technical_JJ
side_NN
of_IN
jackie_NP
brown_NP
,_,
quentin_NP
tarantino_NP
directs_VBZ
it_PP
with_IN
the_DT
same_DT
style_NN
as_IN
he_PP
did_DOD
with_IN
his_PP$
1994_CD
film_NN
._.
however_RB
,_,
this_DT
time_NN
around_IN
it_PP
isn't_BEZ
as_IN
nearly_RB
as_CS
impressive_JJ
or_CC
original_JJ
._.
the_DT
writing_NN
,_,
on_IN
the_DT
other_JJ
hand_NN
,_,
is_BEZ
quite_RB
good_JJ
,_,
although_CS
i_PP
do_DO
find_VB
tarantino_NN
's_POS
use_NN
of_IN
slang_NN
terms_NNS
offensive_JJ
._.
the_DT
story_NN
jumps_VBZ
back_RP
and_CC
forth_RB
in_IN
time_NN
as_IN
in_IN
pulp_NN
fiction_NN
,_,
but_CC
it_PP
's_BEZ
much_DT
more_DT
easy_JJ
to_IN
understand_VB
._.
his_PP$
previous_JJ
film_NN
needed_VBN
a_DT
second_NN
viewing_NN
in_IN
order_NN
to_IN
understand_VB
the_DT
time_NN
differentiation_NN
,_,
but_CC
jackie_NP
brown_NP
is_BEZ
very_RB
simply_RB
to_IN
follow_VB
,_,
especially_RB
considering_VBG
that_DT
the_DT
time_NN
is_BEZ
given_VBN
during_IN
the_DT
"_"
leaps_NNS
"_"
in_IN
time_NN
._.
perhaps_RB
this_DT
is_BEZ
a_DT
result_NN
of_IN
the_DT
screenplay_NN
being_BEG
written_VBN
from_IN
the_DT
novel_NN
"_"
rum_NN
punch_NN
"_"
by_IN
elmore_WRB
leonard_NP
._.
the_DT
dialogue_NN
is_BEZ
pretty_JJ
much_RB
intelligent_JJ
,_,
and_CC
all_PDT
the_DT
characters_NNS
are_BER
fully_RB
realized_VBN
._.
the_DT
cinematography_NN
is_BEZ
very_RB
well_RB
done_DON
by_IN
guillermo_NP
navarro_NP
(_(
who_WP
has_HVZ
worked_VBN
with_IN
tarantino_NP
on_IN
previous_JJ
films_NNS
)_)
and_CC
the_DT
editing_NN
is_BEZ
very_RB
good_JJ
._.
and_CC
as_CS
with_IN
pulp_NN
fiction_NN
,_,
the_DT
music_NN
is_BEZ
a_DT
highlight_NN
,_,
bringing_VBG
back_RP
memorable_JJ
songs_NNS
from_IN
the_DT
80s_CD
and_CC
80s_CD
._.
the_DT
acting_JJ
side_NN
of_IN
jackie_NP
brown_NP
is_BEZ
unforgettable_JJ
._.
the_DT
performances_NNS
are_BER
incredibly_RB
rich_JJ
,_,
with_IN
hidden_JJ
meaning_NN
behind_IN
every_DT
characters_NNS
'_"
actions_NNS
._.
nothing_PN
is_BEZ
quite_RB
as_IN
it_PP
seems_VBZ
,_,
and_CC
you_PP
can't_MD
really_RB
tell_VB
which_WDT
side_NN
one_CD
person_NN
is_BEZ
on_IN
._.
the_DT
real_JJ
treat_NN
,_,
of_IN
course_NN
,_,
is_BEZ
pam_NP
grier_NN
who_WP
gives_VBZ
an_DT
astonishing_JJ
performance_NN
as_IN
jackie_NP
brown_NP
._.
her_PP
poor_JJ
living_NN
conditions_NNS
are_BER
superceded_VBN
by_IN
her_PP$
superior_JJ
wits_NNS
,_,
which_WDT
play_VB
an_DT
important_JJ
role_NN
in_IN
the_DT
film_NN
._.
watching_VBG
grieg_???
,_,
i_NN
could_MD
tell_VB
what_WDT
was_BEDZ
going_VBG
through_IN
her_PP$
mind_NN
,_,
even_RB
if_CS
i_PP
didn't_DOD
know_VB
what_WDT
she_PP
was_BEDZ
thinking_VBG
._.
her_PP
face_VB
portrays_VBZ
a_DT
lot_NN
of_IN
emotion_NN
that_CS
you_PP
can_MD
tell_VB
when_CS
she_PP
is_BEZ
sad_JJ
,_,
happy_JJ
,_,
or_CC
in_IN
deep_JJ
thought_NN
._.
bridget_NP
fonda_NN
gives_VBZ
a_DT
very_RB
good_JJ
performance_NN
as_IN
a_DT
druggie_NN
couch_NN
potato_NN
._.
i_PP
didn't_DOD
even_RB
realize_VB
it_PP
was_BEDZ
fonda_NN
until_IN
i_PP
saw_VBD
her_PP$
name_NN
in_IN
the_DT
final_JJ
credits_NNS
(_(
her_PP$
performance_NN
actually_RB
reminded_VBN
me_PP
of_IN
heather_NP
graham_NP
's_POS
in_IN
boogie_NN
nights_NNS
)_)
._.
michael_NP
keaton_NP
comes_VBZ
across_IN
very_RB
well_RB
,_,
as_CS
does_DOZ
michael_NP
bowen_NP
._.
chris_NP
tucker_NN
has_HVZ
a_DT
small_JJ
,_,
but_CC
effective_JJ
performance_NN
._.
samuel_NP
l_NN
._.
jackson_NP
is_BEZ
very_RB
good_JJ
,_,
but_CC
it_PP
seems_VBZ
to_IN
me_PP
that_CS
he_PP
was_BEDZ
replaying_VBG
his_PP$
jules_NNS
winnfield_NP
character_NN
from_IN
pulp_NN
fiction_NN
(_(
although_CS
much_DT
less_DT
cynical_JJ
)_)
._.
but_CC
no_DT
matter_NN
._.
._.
._.
jackson_NP
is_BEZ
very_RB
strong_JJ
in_IN
his_PP$
role_NN
._.
robert_NP
de_NP
niro_???
is_BEZ
actually_RB
a_DT
little_JJ
annoying_NN
at_IN
times_NNS
,_,
but_CC
overall_JJ
he_PP
does_DOZ
a_DT
good_JJ
job_NN
as_IN
one_CD
of_IN
ordell_NP
's_POS
perspective_NN
clients_NNS
and_CC
friends_NNS
._.
robert_NP
forster_NP
gives_VBZ
one_CD
of_IN
the_DT
best_JJS
performances_NNS
in_IN
the_DT
film_NN
,_,
as_CS
he_PP
has_HVZ
one_CD
of_IN
the_DT
most_DT
developed_JJ
characters_NNS
._.
he_PP
is_BEZ
present_JJ
throughout_IN
most_DT
of_IN
the_DT
film_NN
,_,
and_CC
he_PP
holds_VBZ
his_PP$
own_DT
against_IN
jackson_NP
and_CC
grier_RBR
._.
jackie_NP
brown_NP
is_BEZ
rated_VBN
r_NN
for_IN
language_NN
,_,
sex_NN
,_,
violence_NN
,_,
drug_NN
use_NN
,_,
and_CC
some_DT
offensive_JJ
remarks_NNS
._.
as_CS
a_DT
film_NN
by_IN
itself_PPX
,_,
jackie_NP
brown_NP
is_BEZ
a_DT
terrific_JJ
piece_NN
of_IN
entertainment_NN
,_,
with_IN
a_DT
complex_JJ
plot_NN
to_IN
draw_NN
viewers_NNS
in_IN
._.
however_RB
,_,
one_CD
can_MD
not_XNOT
help_VB
but_CC
compare_VB
it_PP
to_IN
tarantino_NP
's_POS
pulp_NN
fiction_NN
,_,
and_CC
expect_VB
great_JJ
results_NNS
._.
when_CS
compared_VBN
,_,
it_PP
comes_VBZ
up_RP
short_JJ
,_,
but_CC
not_XNOT
that_DT
short_JJ
._.
it_PP
's_BEZ
a_DT
worthy_JJ
effort_NN
,_,
with_IN
terrific_JJ
acting_JJ
and_CC
some_DT
impressive_JJ
writing_NN
from_IN
elmore_WRB
leonard_NP
and_CC
tarantino_NP
._.
perhaps_RB
the_DT
best_JJS
thing_NN
about_IN
jackie_NP
brown_NP
is_BEZ
the_DT
discovery_NN
of_IN
pam_NP
grier_RBR
as_CS
a_DT
major_JJ
hollywood_NP
actress_NN
._.
i_PP
can't_MD
remember_VB
seeing_VBG
her_PP$
in_CD
anything_PN
(_)
except_CS
for_IN
a_DT
small_JJ
role_NN
in_IN
mars_NP
attacks_NNS
!_!
)_)
,_,
but_CC
hopefully_RB
she_PP
will_MD
get_VB
many_DT
more_DT
roles_NNS
from_IN
this_DT
one_CD
._.
expect_VB
to_IN
see_NN
her_PP
name_NN
floating_JJ
around_IN
the_DT
oscar_NP
nominations_NNS
(_(
and_CC
hopefully_RB
she_PP
will_MD
even_RB
be_BE
able_JJ
to_TO
nab_???
one_CD
)_(
._.
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