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assume_VB
nothing_PN
._.
the_DT
phrase_NN
is_BEZ
perhaps_RB
one_CD
of_IN
the_DT
most_DT
used_JJ
of_IN
the_DT
1990_CD
's_BEZ
,_,
as_CS
first_OD
impressions_NNS
and_CC
rumors_NNS
are_BER
hardly_RB
ever_RB
what_WDT
they_PP
seem_VB
to_TO
be_BE
._.
the_DT
phrase_NN
especially_RB
goes_VBZ
for_IN
oscar_NP
novak_JJ
,_,
an_DT
architect_NN
who_WP
is_BEZ
the_DT
main_JJ
focus_NN
of_IN
three_CD
to_IN
tango_NN
,_,
a_DT
delightful_JJ
,_,
funny_JJ
romantic_JJ
comedy_NN
about_IN
assumptions_NNS
and_CC
being_BEG
yourself_PPX
._.
novak_JJ
(_(
matthew_NP
perry_NP
)_)
,_,
a_DT
shy_JJ
,_,
clumsy_JJ
,_,
chicago_NP
based_VBD
architect_NN
,_,
along_IN
with_IN
openly_RB
gay_JJ
partner_NN
,_,
peter_NP
steinberg_NP
(_(
oliver_NP
platt_NP
)_)
,_,
fights_NNS
for_IN
projects_NNS
day_NN
in_IN
and_CC
day_NN
out_RP
._.
one_CD
of_IN
these_DT
is_BEZ
the_DT
job_NN
of_IN
restoring_JJ
a_DT
popular_JJ
building_NN
for_IN
charles_NP
newman_NP
(_(
dylan_NP
mcdermott_NP
)_)
,_,
a_DT
rich_JJ
,_,
well-known_JJ
businessman_NN
._.
charles_NP
immediately_RB
takes_VBZ
a_DT
liking_NN
to_IN
oscar_NP
,_,
as_CS
he_PP
enjoys_VBZ
his_PP$
personality_NN
and_CC
sense_NN
of_IN
humor_NN
._.
seeing_VBG
oscar_NP
as_IN
someone_PN
he_PP
could_MD
trust_VB
,_,
charles_NP
asks_VBZ
him_PP
to_TO
watch_VB
his_PP$
girlfriend_NN
,_,
an_DT
unpredictable_JJ
,_,
adventurous_JJ
girl_NN
named_VBN
amy_NP
post_NN
(_(
neve_???
campbell_NP
)_)
,_,
who_WP
makes_VBZ
a_DT
living_NN
by_IN
blowing_VBG
glass_NN
._.
charles_NP
wants_VBZ
to_IN
know_VB
who_NP
she_PP
talks_VBZ
to_IN
,_,
what_WDT
she_PP
does_DOZ
,_,
and_CC
where_CS
she_PP
goes_VBZ
._.
the_DT
point_NN
?_?
to_IN
make_NN
sure_JJ
she_PP
's_BEZ
not_XNOT
seeing_VBG
someone_PN
else_RB
,_,
of_IN
course_NN
._.
oscar_NP
gladly_RB
takes_VBZ
the_DT
job_NN
,_,
and_CC
meets_VBZ
amy_NP
at_IN
an_DT
art_NN
show_VB
of_IN
hers_PP$
,_,
and_CC
sparks_NNS
fly_VB
between_IN
the_DT
two_CD
from_IN
the_DT
get_VB
go_VB
._.
oscar_NP
feels_VBZ
he_PP
has_HVZ
found_VBN
the_DT
one_CD
meant_VBD
for_IN
him_PP
,_,
and_CC
he_PP
is_BEZ
content_JJ
with_IN
the_DT
idea_NN
of_IN
being_BEG
with_IN
amy_NP
._.
well_RB
,_,
another_DT
popular_JJ
phrase_NN
of_IN
the_DT
90_CD
's_BEZ
is_BEZ
"_"
all_PDT
good_JJ
things_NNS
must_MD
come_VB
to_IN
an_DT
end_NN
,_,
"_"
and_CC
this_DT
stays_VBZ
true_JJ
for_IN
oscar_NP
as_IN
well_RB
._.
charles_NP
walks_NNS
in_IN
on_IN
amy_NP
and_CC
oscar_NP
having_HVG
a_DT
drink_NN
one_CD
night_NN
,_,
as_CS
oscar_NP
and_CC
amy_NP
have_HV
become_VBN
great_JJ
friends_NNS
,_,
but_CC
he_PP
doesn't_DOZ
seem_VB
to_TO
mind_VB
._.
why_WRB
is_BEZ
this_DT
?_?
he_PP
thinks_VBZ
oscar_NP
is_BEZ
gay_JJ
._.
he_PP
's_BEZ
not_XNOT
afraid_JJ
to_TO
share_VB
this_DT
with_IN
him_PP
either_RB
._.
oscar_NP
stands_VBZ
in_IN
shock_NN
after_IN
the_DT
words_NNS
,_,
"_"
i_PP
swear_VB
if_CS
you_PP
weren't_BED
gay_JJ
oscar_NP
,_,
i'd_???
have_HV
to_TO
kill_VB
you_PP
,_,
"_"
are_BER
muttered_VBD
flamboyantly_JJ
from_IN
charles_NP
'_"
mouth_NN
._.
the_DT
word_NN
spreads_VBZ
instantly_RB
through_IN
town_NN
._.
will_MD
oscar_NP
"_"
come_VB
out_RP
"_"
of_IN
his_PP$
supposed_JJ
gayness_NN
,_,
or_CC
will_MD
he_PP
tell_VB
everyone_PN
that_CS
he_PP
isn't_BEZ
?_?
one_CD
would_MD
immediately_RB
think_VB
he_PP
would_MD
deny_VB
the_DT
fact_NN
,_,
but_CC
numerous_JJ
occurrences_NNS
come_VB
to_IN
oscar_NP
,_,
which_WDT
result_NN
in_IN
the_DT
fact_NN
that_CS
if_CS
he_PP
denies_VBZ
the_DT
fact_NN
,_,
he_PP
could_MD
lose_VB
his_PP$
job_NN
with_IN
charles_NP
._.
matthew_NP
perry_NP
doesn't_DOZ
escape_VB
his_PP$
character_NN
as_IN
chandler_NP
on_IN
the_DT
already_RB
classic_JJ
t_NN
._.
v_NN
._.
comedy_NN
"_"
friends_NNS
,_,
"_"
as_CS
both_RB
oscar_NP
novak_JJ
and_CC
chandler_NP
are_BER
clueless_JJ
,_,
shy_JJ
,_,
and_CC
sensitive_JJ
._.
nonetheless_RB
,_,
perry_NP
is_BEZ
hilarious_JJ
here_RB
,_,
and_CC
shows_VBZ
that_CS
he_PP
can_MD
handle_VB
drama_NN
,_,
as_CS
obviously_RB
,_,
his_PP$
character_NN
suffers_VBZ
quite_RB
a_DT
bit_NN
here_RB
._.
it_PP
's_BEZ
wonderful_JJ
to_TO
see_VB
neve_???
campbell_NP
outside_NN
of_IN
a_DT
horror_NN
movie_NN
,_,
(_(
she_PP
was_BEDZ
the_DT
star_NN
of_IN
scream_NN
3_CD
and_CC
3_CD
,_,
and_CC
the_DT
upcoming_NN
scream_NN
3_CD
)_)
as_CS
she_PP
handles_VBZ
comedy_NN
superbly_RB
here_RB
._.
her_PP
voice_NN
,_,
smile_NN
,_,
and_CC
personality_NN
are_BER
more_DT
than_CS
perfect_JJ
for_IN
romantic_JJ
comedies-_???
stay_NN
with_IN
this_DT
genre_NN
,_,
neve_???
._.
neve_???
is_BEZ
delightful_JJ
as_CS
her_PP
conflicted_VBD
character_NN
,_,
who_WP
feels_VBZ
love_NN
for_IN
oscar_NP
,_,
but_CC
knows_VBZ
,_,
based_VBN
on_IN
rumors_NNS
,_,
that_CS
he_PP
is_BEZ
gay_JJ
._.
as_CS
usual_JJ
,_,
campbell_NP
is_BEZ
likable_JJ
as_CS
her_PP
likable_JJ
character_NN
._.
unlike_IN
the_DT
other_JJ
two_CD
leads_NNS
here_RB
,_,
dylan_NP
mcdermott_NP
is_BEZ
flat_JJ
in_IN
his_PP$
dialogue_NN
,_,
and_CC
is_BEZ
never_RB
convincing_JJ
._.
when_CS
his_PP$
character_NN
his_PP$
present_JJ
,_,
mcdermott_NP
sets_NNS
a_DT
dull_JJ
tone_NN
to_IN
the_DT
scene_NN
with_IN
his_PP$
horrible_JJ
acting_NN
._.
stick_NN
to_IN
the_DT
t_NN
._.
v_NN
._.
drama_NN
,_,
the_DT
practice_NN
,_,
dylan_NP
._.
the_DT
major_JJ
weak_JJ
spot_NN
in_IN
three_CD
to_IN
tango_NN
is_BEZ
the_DT
direction_NN
of_IN
damon_NP
santostefano_NP
._.
no_DT
originality_NN
or_CC
technique_NN
is_BEZ
used_VBN
whatsoever_WDT
._.
three_CD
to_IN
tango_NN
is_BEZ
lucky_JJ
that_CS
the_DT
script_NN
is_BEZ
so_RB
edgy_???
and_CC
that_DT
perry_NP
and_CC
campbell_NP
are_BER
wonderful_JJ
in_IN
comedy_NN
,_,
or_CC
else_RB
the_DT
film_NN
would_MD
have_HV
been_BEN
a_DT
disaster_NN
,_,
as_CS
it_PP
is_BEZ
just_RB
plain_JJ
boring_JJ
to_IN
look_NN
at_IN
._.
three_CD
to_IN
tango_NN
is_BEZ
a_DT
film_NN
done_DON
many_DT
times_NNS
before_IN
,_,
as_CS
the_DT
plot_NN
is_BEZ
suspiciously_RB
close_JJ
to_IN
1998_CD
's_POS
the_DT
object_NN
of_IN
my_PP$
affection_NN
,_,
but_CC
the_DT
plot_NN
has_HVZ
never_RB
been_BEN
completed_VBN
so_RB
well_RB
._.
three_CD
to_IN
tango_NN
's_POS
script_NN
,_,
written_VBN
by_IN
rodney_NP
patrick_NP
vaccaro_NP
and_CC
aline_NP
brosh_NP
mckenna_NP
is_BEZ
fun_JJ
,_,
fast_JJ
,_,
and_CC
funny_JJ
,_,
delivering_VBG
not_XNOT
only_RB
original_JJ
,_,
hilarious_JJ
gay_JJ
jokes_NNS
(_(
not_XNOT
your_PP$
run_NN
of_IN
the_DT
mill_NN
material_NN
)_)
,_,
but_CC
a_DT
certain_JJ
snappiness_NN
in_IN
the_DT
dialogue_NN
between_IN
characters_NNS
that_CS
always_RB
keeps_VBZ
you_PP
smiling_VBG
._.
unlike_IN
last_OD
summer_NN
's_POS
south_NN
park_NN
:_:
bigger_JJR
,_,
longer_JJR
,_,
and_CC
uncut_JJ
and_CC
1997_CD
's_BEZ
in_IN
&_???
out_RP
,_,
three_CD
to_IN
tango_NN
is_BEZ
a_DT
comedy_NN
in_IN
which_WDT
the_DT
gay_JJ
element_NN
is_BEZ
not_XNOT
crude_JJ
or_CC
vulgar_JJ
._.
the_DT
script_NN
is_BEZ
wise_JJ
to_TO
take_VB
this_DT
route_NN
,_,
as_CS
gays_???
can't_MD
(_(
i_PP
don't_DO
think_VB
so_RB
,_,
anyway_RB
)_)
be_BE
offended_VBN
by_IN
this_DT
light_NN
,_,
playful_JJ
comedy_NN
._.
(_)
to_IN
prove_VB
this_RB
,_,
a_DT
gay_JJ
couple_NN
was_BEDZ
in_IN
the_DT
audience_NN
who_WP
were_BED
laughing_VBG
constantly_RB
._.
)_)
three_CD
to_IN
tango_NN
's_POS
climax_NN
is_BEZ
a_DT
hilarious_JJ
,_,
clever_JJ
scene_NN
that_CS
is_BEZ
pure_JJ
irony_NN
based_VBN
on_IN
the_DT
outcome_NN
of_IN
most_DT
romantic-mistaken_JJ
identity_NN
comedies_NNS
._.
three_CD
to_IN
tango_NN
is_BEZ
a_DT
gem_NN
._.
the_DT
bottom_NN
line_NN
:_:
three_CD
to_IN
tango_NN
is_BEZ
a_DT
light_NN
,_,
sharp_JJ
,_,
snappy_JJ
romantic_JJ
comedy_NN
with_IN
a_DT
superb_JJ
ending_NN
,_,
and_CC
great_JJ
stars_NNS
._.
one_CD
of_IN
the_DT
better_JJR
romantic_JJ
comedies_NNS
of_IN
1999_CD
._.
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