Music typeset with the Lilypond system
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Eh, Vl, Vl, Vla, Vlc
Eh, Vlc Johann Mattheson: Sonata Quarta Oct 24, 2014
Fl, Fl, Git, Vlc
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Fl, Klar, Vlc/Traditional/Hana Wa Saku
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Fl, Vl, Vl, Vlc
Fl, Vl, Vla, Vlc, Kb
Fl, Vl, Vla, Vlc
Fl, Vl, Vla/Beach, Amy Marcy
Fl, Vl, Vlc
Fl, Vlc, Kl/Marcello, Benedetto
Fl, Vlc, Vlc
Fl, Vlc
Kl/Guaraldi, Vince/Linus and Lucy
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Klar, Klar, Klar, Vlc
Klar, Klar, Vlc
Klar, Klar/Crusell, Bernhard/Duo
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Klar, Vlc, Kl/McCoy, Mike/Rondino
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Ob, Eh, Vlc
Ob, Klar, Vla, Vlc, Vlc/Dvorak, Antonin/Largo
Ob, Klar, Vlc/Mill, Carl B/No Rest
Ob, Ob, Vlc/Rosier, Carl/Sonata
Ob, Vl, Kl Traditional: Lebedik Freylach Aug 14, 2018
Ob, Vl, Vla, Vlc
Ob, Vl, Vlc/Heinichen, David/Sonate c-moll
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Ob, Vla, Vlc/Haendel, Georg Friedrich/Vier Trios Re-org by shape of ensemble Nov 21, 2013
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Ob, Vlc
Orchestra
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Vl, Klar, Vlc
Vl, Ob, Vlc/Boismortier, Joseph Bodin de/Rondeau
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Vl, Vl, Kl
Vl, Vl, Ob, Vlc
Vl, Vl, Vl, Vl/Telemann, Georg Philipp/Concerto a 4 Violini Nr. 2
Vl, Vl, Vl, Vlc
Vl, Vl, Vla, Vlc, Kb
Vl, Vl, Vla, Vlc, Kl/Purcell, Henry/The Old Bachelor
Vl, Vl, Vla, Vlc, Vlc/Lully, Jean-Baptiste
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Vl, Vl, Vla/Piazzolla, Ástor/Libertango
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Vl, Vlc Domenico Cimarosa: Excerpts from Missa in F major Nov 30, 2018
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Vla, Vlc, Kla/Cook, Alun/Morning light
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Vla, Vlc, Vlc, Kb Johann Sebastian Bach: Chorale from "Lucas Passion" Nov 7, 2016
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Vla, Vlc/Boismortier, Joseph Bodin de/Drei Duette
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Vlc, Vlc
Vlc Franz Wohlfahrt: Etude Allegro Oct 31, 2018
snippets
README.md

README.md

Intro (from long ago)

This repo contains sheet music typeset with the Lilypond typesetter. The music chosen is in favour of cello music (mostly chamber music) since I am very enthusiastic about this instrument ;-).

Olaf. 2009/12/23

My computer's setup

I am doing all this type-setting in Unix environments. I tried TrueOS recently, but I am going back to Debian-based Linux distributions, and Fedora - my current favourite. I am a very bare-bones type of guy so my setup is as follows:

  • git from the command line for version management (obviously 😉)
  • Emacs for editing the sheet music source and compilation
  • Lilypond for rendering
  • TiMidity for listening to the MIDI file for errors
  • the Fluid GM/GS soundfont for MIDI rendering (which has a pretty decent Cello sound with it)

Some hints

All the formatting I have done is for the full score, and I am not planning to distribute extracts of partial/single voices. However, it is no big deal to create them by yourself, if you have lilypond on your PC 😎.

Scaling

You find that the beginning of the master file looks something like this:

\version "2.14.2"
\include "deutsch.ly"

#(set-global-staff-size 19)

\header {
  title = "Sonata in a-moll"
  composer = "Joseph Bodin de Boismortier (1689-1755)"
  arranger = "arr.: Jay Lichtmann"
  opus = "op. 7 Nr. 4"
  enteredby = "cellist (2011-10-08)"
}

You need to tweak the global staff size parameter to get a nicely formatted output once you have removed or commented out the voices that should not be part of your extract.

Hard page breaks

Sometimes the master file contains page breaks like this one:

introa = { \time 3/4 \tempo "1. Doucement - Andante " 4=92 }
introb = { \break \tempo "2. Courante - Allegro moderato " 4=152 }
introc = { \pageBreak \time 4/4 \tempo "3. Allemande - Gravement " 8=92 }
introd = { \break \time 3/4 \tempo "4a. Menuetto I - Moderato " 4=132 }
introe = { \break \key a \major \tempo "4b. Menuetto II - Meno mosso" }

I think it is valid to separate most every piece with a \break, but the page breaks are of course suited towards the full score, and you may need to adjust those for your limited selection of voices.

Voice selection

The staff group is the place to select which voices you want to include in the output:

\include "v1.ily"
\include "v2.ily"
\include "v3.ily"

music = \new StaffGroup <<
      \new Staff {
	\set Staff.midiInstrument = \minstr
	\set Staff.instrumentName = #"Vc 1"
	\transpose a a { \va }
      }

      \new Staff {
	\set Staff.midiInstrument = \minstr
	\set Staff.instrumentName = #"Vc 2"
	\transpose a a { \vb }
      }

      \new Staff {
	\set Staff.midiInstrument = \minstr
	\set Staff.instrumentName = #"Vc 3"
	\transpose a a { \vc }
      }
>>

Let's say you want to create an output where you combine only the 1st and 3rd voice and drop the middle one. This can be done by simply commenting the part of the middle voice (you could also erase the statements completely, if you like):

\include "v1.ily"
\include "v2.ily"
\include "v3.ily"

music = \new StaffGroup <<
      \new Staff {
	\set Staff.midiInstrument = \minstr
	\set Staff.instrumentName = #"Vc 1"
	\transpose a a { \va }
      }
%{
      \new Staff {
	\set Staff.midiInstrument = \minstr
	\set Staff.instrumentName = #"Vc 2"
	\transpose a a { \vb }
      }
%}
      \new Staff {
	\set Staff.midiInstrument = \minstr
	\set Staff.instrumentName = #"Vc 3"
	\transpose a a { \vc }
      }
>>

If you reverse the selection, then this could be achieved the following way like so:

\include "v1.ily"
\include "v2.ily"
\include "v3.ily"

music = \new StaffGroup <<
%{
      \new Staff {
	\set Staff.midiInstrument = \minstr
	\set Staff.instrumentName = #"Vc 1"
	\transpose a a { \va }
      }
%}
      \new Staff {
	\set Staff.midiInstrument = \minstr
	\set Staff.instrumentName = #"Vc 2"
	\transpose a a { \vb }
      }
%{
      \new Staff {
	\set Staff.midiInstrument = \minstr
	\set Staff.instrumentName = #"Vc 3"
	\transpose a a { \vc }
      }
%}
>>

You could also comment the respective \include in the top part, but that is not really necessary - it might save you a few microseconds in rendering the layout though 😉.

Transposing instruments

I have been adding pieces for clarinets with a single cello recently because I happen to do music with three clarinet players quite regularly now. Being the "bassoon with strings attached", I am facing the beauty of transposing instruments 😩 - I am still trying to understand why music history came up with this idea which makes everything more complicated than need be.

You may wonder why the MIDI files still sound correct despite of this (more or less), and I have to confess: I am cheating here! I create the MIDI files without the transpositions and save them, then I do the sheet rendering with correct transposition, and I finally restore my initial MIDI files and put them under version control. I am pretty sure there is an easier and more straight forward way to do this in lilypond, but I have to find out yet...

Sharing music output with good sound fonts applied

As I said before, I am using the Fluid soundfont shipped with many Linux distributions to have the sound output rendered really nicely. If you want to share the result with someone else, and have a Unix-oid machine available, then you may want to check out this small script which creates an OGG file with the sound font rendering included:

$ cat -n midi_ogg.sh
     1	#!/bin/bash
     2	
     3	timidity "${1}" -Ow --output-file=- |\
     4	    ffmpeg -i - -acodec libvorbis "${1%.*}.ogg"

TiMidity creates a WAV file which is then passed on and encoded to OGG Format using the ffmpeg tool. With small adjustments, this could also compress the output to e.g. MP3 or M4A format. A similar routine should also work under Windows.

Recommendations for sites with sheet music

Please note this list is very fragile, and sites may disappear or provide no sheet music for free any longer ...

Future plans

What I would like to do in the future - apart from type-setting more sheet music - is to share my personal favourite music that I have tried myself (should be around 1% of all the pieces, maybe even less), and create a list of recommended pieces per ensemble setup to try with nicely rendered music output for better listening. I need to find some web space for storing those MP3, OGG, ... files, and I am planning to link to them from this GitHub repo, because I think mark-down should be a good way to do that (I am a novice user of this).