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<h1> If the design thinking is correct, the tools should be irrelevant</h1>
<p>(Type) designer Pedro Amado is amongst many other things initiator of
TypeForge <sup><a href="#b026324c">1</a></sup>, a website dedicated to the
development of &#8216;collaborative type&#8217; with Open Source tools.
While working as design technician at FBAUP <sup><a
href="#26ab0db9">2</a></sup>, he is about to finish a MA with a paper on
collaborative methods for the creation of art and design projects. When I
e-mailed him in <strong>2006</strong> about open font design and how he
sees that developing, he responded with a list of useful links, but also
<blockquote>Developing design teaching based on Open Source is one of my
goals, because I think that is the future of education.</blockquote>
<p>This text is based on the conversation about design, teaching and
software that followed.</p>
<p class="fs">You told me you are employed as &#8216;design
technician&#8217;&#8230; what does that mean?</p>
<p class="pa">It means that I provide assistance to teachers and students
in the Design Department. I implemented scanning/printing facilities for
example, and currently I develop and give workshops on Digital
Technologies &#8211; software is a BIG issue for me right now! Linux and
Open Source software are slowly entering the design spaces of our school.
For me it has been a &#8216;battle&#8217; to find space for these tools. I
mean &#8211; we could migrate completely to OSS tools, but it&#8217;s a
slow progress. Mainly because people (students) need (and want) to be
trained in the same commercial applications as the ones they will
encounter in their professional life.</p>
<p class="fs">How did Linux enter the design lab? How did that start?</p>
<p class="pa">It started with a personal curiosity, but also for
economical reasons. Our school can&#8217;t afford to acquire all the
software licenses we&#8217;d like. For example, we can&#8217;t justify to
pay approx. 100 x 10 &#8364; licenses, just to implement the educational
version of Fontlab on some of our computers; especially because this
package is only used by a part of our second year design students. You can
image what the total budget will be with all the other needs&#8230; I
personally believe that we can find everything we need on the web.
It&#8217;s a matter of searching long enough! So this is how I was very
happy to find Fontforge. An Open Source tool that is solid enough to use
in education and can produce (as far as I have been able to test) almost
professional results in font development. At first I couldn&#8217;t grasp
how to use it under X <sup><a href="#6d7fce9f">3</a></sup>
on Windows, so one day I set out to try and do it on Linux&#8230; and
one thing lead to another&#8230;</p>
<p class="fs">What got you into using OSS? Was it all one thing leading to
<p class="pa">Uau&#8230; can&#8217;t remember&#8230; I believe it had to
do with my first experiences online; I don&#8217;t think I knew the
concept before 2000. I mean I&#8217;ve started using the web (IRC and
basic browsing) in 1999, but I think it had to do with the search of newer
and better tools&#8230;</p>
<p class="fs">I think I also started to get into it around that time. But
I think I was more interested in copyleft though, than in software.</p>
<p class="pa">Oh&#8230; (blush) not me&#8230; I got into it definitely for
the 'free beer' aspect! By 2004 I started using DTP applications on Linux
(still in my own time) and began to think that these tools could be used
in an educational context, if not professionally. In the beginning of 2006
I presented a study to the coordinator of the Design Department at FBAUP,
in which I proposed to start implementing Open Source tools as an
alternative to the tools we were missing. Blender for 3D animation,
FontForge for type design, Processing for interactive/graphic programming
and others as a complement to proprietary packages: GIMP, Scribus and
Inkscape to name the most important ones. I ran into some technical
problems that I hope will be sorted out soon; one of the strategies is to
run these software packages on a migration basis &#8211; as the older
computers in our lab won&#8217;t be able to run MacOS 10.4+, we&#8217;ll
start converting them to Linux.</p>
<p class="fs">I wanted to ask you about the relation between software and
design. To me, economy, working process, but also aesthetics are a product
of software, and at the same time software itself is shaped through use. I
think the borders between software and design are not so strictly
<p class="pa">It&#8217;s funny you put things in that perspective. I
couldn&#8217;t agree more. Nevertheless I think that design thinking
prevails (or it should) as it must come first when approaching problems.
If the design thinking is correct, the tools used should be irrelevant. I
say &#8216;should&#8217; because in a perfect environment we could work
within a team where all tools (software/hardware) are mastered. Rarely
this happens, so much of our design thinking is still influenced by what
we can actually produce.</p>
<p class="fs">Do you mean to say that <em>what we can think is influenced
by what we can make</em>? This would work for me! But often when tools are
mastered, they disappear in the background and in my opinion that can
become a problem.</p>
<p class="pa">I&#8217;m not sure if I follow your point. I agree with
<em>the border between design and software is not so strict</em>
nevertheless, I don&#8217;t agree with <em>economy, process and aesthetics
are a product of software</em>. As you&#8217;ve come to say what we think
is influenced by what we can make&#8230; this is an outside
<blockquote>A technique is produced inside a culture, therefore
one&#8217;s society is conditioned by it&#8217;s techniques. Conditioned,
not determined&#8221;</p>
<p class="pa">Design, like economics and software, is a product of
culture. Or is it the other way around? The fact is that we can&#8217;t
really tell what comes first. Culture is defined by and defines
technology. Therefore it&#8217;s more or less simple to accept that
software determines (and is determined) by it&#8217;s use. This is an
intricate process&#8230; it kind of goes roundabout on itself&#8230;</p>
<p class="fs">And where does design fit in in your opinion? Or more
precisely: designers?</p>
<p class="pa">Design is a cultural aspect. Therefore it does not escape
this logic. Using a practical standpoint: Design is a product of economics
and technology. Nevertheless the best design practices (or at least the
one&#8217;s that have endured the test of time) and the most renowned
designers are the one&#8217;s that can escape the the economic and
technological boundaries. The best design practices are the ones that are
not products of economics and technology&#8230; they are kind of
approaching a universal design status (if one exists). Of course&#8230;
it&#8217;s very theoretical, and optimistic&#8230; but it should be like
this&#8230; otherwise we&#8217;ll stop looking for better or newer
solutions, and we&#8217;ll stop pushing boundaries and design as
technology and other areas will stagnate. On the other hand, there is a
special &#8216;school&#8217; of thought manifested through some of the
Portuguese Design Association members, saying that the design process
should lead the process of technological development. Henrique Cayate (I
think it was in November last year) said that <em>design should lead the
way to economy and technology in society</em>. I think this is a bit far
<p class="fs">Do you think software defines form and/or content? How is
software related to design processes?</p>
<p class="pa">I think these are the essential questions related to the use
of OSS. Can we think about what we can make without thinking about
process? I believe that in design processes, as in design teaching,
concepts should be separated from techniques or software as much as
<p class="fs">To me, exactly because techniques and software are
intertwined, software matters and should offer space for thinking
(software should therefore not be separated from design). You could also
say: design becomes exceptionally strong when it makes use of its context,
and responds to it in an intelligent way. Or maybe I did not understand
what you meant by being 'a product of'. To me that is not necessarily a
negative point.</p>
<p class="pa">Well&#8230; yes&#8230; that could be a definition of good
design, I guess. I think that as a cultural produce, techniques
can&#8217;t determine society. It can and will influence it, but at the
same time it will also just happen. When we talk about Design and Software
I see the same principle reflected. Design being the 'culture' or society
and software being the tools or techniques that are developed to be used
by designers. So this is much the same as <em>Which came first? The
chicken, or the egg?</em> Looking at it from a designers (not a software
developers) point of view, the tools we use will always condition our
output. Nevertheless I think it&#8217;s our role as users to push tools
further and let developers know what we want to do with them. Whether we
do animation on Photoshop, or print graphics on Flash that&#8217;s our
responsibility. We have to use our tools in a responsible way. Knowing
that the use we make of them will eventually come back at us. It&#8217;s a
kind of responsible feedback.</p>
<p class="fs">Using Linux in a design environment is not an obvious
choice. Most designers are practically married to their Adobe Suite. How
come it is entering your school after all?</p>
<p class="pa">Very slowly! Linux is finally becoming valuable for
Design/DTP area as it has been for long on the Internet/Web and
programming areas. But you can&#8217;t expect GIMP to surpass Photoshop.
At least not in the next few years. And this is the reality. If we can, we
must train our students to use the best tools available. Ideally all tools
available, so they won&#8217;t have problems when faced with a tool
professionally. The big question is still, how we besides teaching
students theory and design processes (with the help of free tools), help
them to become professionals. We also have to teach them how to survive a
professional relationship with professional tools like the Adobe Suite. As
I am certain that Linux and OSS (or F/LOSS) will be part of
education&#8217;s future, I am certain of it&#8217;s coexistence along
side with commercial software like Adobe&#8217;s. It&#8217;s only a matter
of time. Being certain of this, the essential question is: How will we
manage to work parallel in both commercial and free worlds?</p>
<p class="fs">Do you think it is at all possible to &#8216;survive&#8217;
on other tools than the ones Adobe offers?</p>
<p class="pa">Well&#8230; I seem not to be able to dedicate myself
entirely to these new tools&#8230; To depend solely on OSS tools&#8230; I
think that is not possible, at least not at this moment. But now is the
time to take these OSS tools and start to teach with them. They must be
implemented in our schools. I am certain that sooner or later this will be
common practice throughout European schools.</p>
<p class="fs">Can you explain a bit more, what you mean by &#8216;real
<p class="pa">Being a professional graphic designer is what we call the
&#8216;real world&#8217; in our school. I mean, having to work full time
doing illustration, corporate identity, graphic design, etc., to make a
living, deliver on time to clients and make a profit to pay the bills by
the end of the month!</p>
<p class="fs">Do you think OSS can/should be taught differently? It seems
self-teaching is built in to these tools and the community around it. It
means you learn to teach others in fact &#8230; that you actually have to
leave the concept of &#8216;mastering&#8217; behind?</p>
<p class="pa">I agree. The great thing about Linux is precisely that
&#8211; as it is developed by users and for users &#8211; it is developing
a sense of community around it, a sense of <em>given enough eyeballs,
someone will figure it out</em>.</p>
<p class="fs">Well, that does not always work, but most of the
<p class="pa">I believe that using Open Source tools is perfect to teach,
especially first year students. Almost no one really understands what the
commands behind the menus of Photoshop mean, at least not the people
I&#8217;ve seen in my workshops. I guess GIMP won&#8217;t resolve this
matter, but it will help them think about what they are doing to digital
images. Especially when they have to use unfamiliar software. You first
have to teach the design process and then the tool can be taught
correctly, otherwise you&#8217;ll just be teaching habits or tricks. As I
said before, as long as design prevails and not the tool/technique, and
you teach the concepts behind the tools in the right way, people will
adapt seamlessly to new tools, and the interface will become invisible!</p>
<p class="fs">Do you think this means you will need to restructure the
curriculum? I imagine a class in bugreporting&#8230; or getting help
<p class="pa">mmhh&#8230; that could be interesting. I&#8217;ve never
thought about it in that way. I&#8217;ve always seen bugreporting and
other community driven activities as part of the individual aspect of
working with these tools&#8230; but basically you are suggesting to
implement an &#8216;Open Source civic behavior class&#8217; or something
like that?</p>
<p class="fs">Ehm&#8230; Yes! I think you need to learn that you own your
tools, meaning you need to take care of them (ie: if something does not
work, report) but at the same time you can open them up and get under the
hood&#8230; change something small or something big. You also need to
learn that you can expect to get help from other people than your
tutor&#8230; and that you can teach someone else.</p>
<p class="pa">The aspect of taking responsibility, this has to be
cultivated &#8211; a responsible use of these tools. About changing things
under the hood&#8230; well this I think it will be more difficult. I think
there is barely space to educate people to hack their own tools let alone
getting under the hood and modifying them. But you are right that under
the OSS communication model, the peer review model of analysis,
communication is getting less and less hierarchical. You don&#8217;t have
to be an expert to develop new or powerful tools or other things&#8230; A
peer-review model assumes that you just need to be clever and willing to
work with others. As long as you treat your collaborators as peers,
whether or not they are more or less advanced than you, this will motivate
them to work harder. You should not disregard their suggestions and reward
them with the implementations (or critics) of their work.</p>
<p class="fs">How does that model become a reality in teaching? How can
you practice this?</p>
<p class="pa">Well&#8230; for example use public
communication/distribution platforms (like an expanded web forum) inside
school, or available on the Internet; blog updates and suggestions
constantly; keep a repository of files; encourage the use of real time
communication technologies&#8230; as you might have noticed is almost the
formula used in e-learning solutions.</p>
<p class="fs">And also often an argument for cutting down on teaching
<p class="pa">That actually is and isn&#8217;t true. You can and will
(almost certainly) have less and less traditional classes, but if the
teachers and tutors are dedicated, they will be more available than ever!
This will mean that students and teachers will be working together in a
more informal relationship. But it can also provoke an invasion of the
personal space of teachers&#8230;</p>
<p class="fs">It is hard to put a border when you are that much involved.
I am just thinking how you could use the community around Open Source
software to help out. I mean&#8230; if the online teaching tools would be
open to others outside the school too, this would be the advantage. It
would also mean that as a school, you contribute to the public domain with
your classes and courses.</p>
<p class="pa">That is another question. I think schools should contribute
to public domain knowledge. Right now I am not sharing any of the
knowledge about implementing OSS on a school like ours with the community.
But if all goes well I&#8217;ll have this working by December 2006.
I&#8217;m working on a website where I can post the handbooks for
workshops and other useful resources.</p>
<p class="fs">I am really curious about your experiences. However
convinced I am of the necessity to do it, I don&#8217;t think it is easy
to open education up to the public, especially not for undergraduate
<p class="pa">I do have my doubts too. If you look at it on a commercial
perspective, students are paying for their education&#8230; should we
share the same content to everyone? Will other people explore these
resources in a wrong way? Will it really contribute to the rest of the
community? What about profit? Can we afford to give this knowledge away
for free, I mean, as a school this is almost our only source of income?
Will the prestige gained, be worth the possible loss? These are important
questions that I need to think more about.</p>
<p class="fs">OK, I will be back with you in 6 month to find out more! My
last question&#8230; why would you invest time and energy in OSS when you
think good designers should escape economical and technological
<p class="pa">If we invest energy on OSS tools now, we&#8217;ll have the
advantage of already being savvy by the time they become widely accepted.
The worst case scenario would be that you&#8217;ve wasted time perfecting
your skills or learned a new tool that didn&#8217;t become a
standard&#8230; How many times have we done this already in our life? In
any way, we need to learn concepts behind the tools, learn new and
different tools, even unnecessary ones in order to broaden our knowledge
base &#8211; this will eventually help us think &#8216;out of the
box&#8217; and hopefully push boundaries further [not so much as escaping
them]. For me OSS and its movement have reached a maturity level that can
prove it&#8217;s own worth in society. Just see Firefox &#8211; when it
reached general user acceptance level (aka &#8216;project maturity&#8217;
or &#8216;development state&#8217;), they started to compete directly with
MS Internet Explorer. This will happen with the rest (at least
that&#8217;s what I believe). It&#8217;s a matter of quality and doing the
correct broadcast to the general public. Linux started almost as a
personal project and now it&#8217;s a powerhouse in programming or web
environments. Maybe because these are areas that require constant software
and hardware attention it became an obvious and successful choice. People
just modified it as they needed it done. Couldn&#8217;t this be done as
effectively (or better) with commercial solutions? Of course. But could
people develop personalized solutions to specific problems in their own
time frame? Probably not&#8230; But it means that the people involved are,
or can resource to, computer experts. What about the application of these
ideas to other areas? The justice department of the Portuguese government
(Minist&#233;rio da Justi&#231;a) is for example currently undergoing a
massive informatics (as in the tools used) change &#8211; they are slowly
migrating their working platform to an Open Source Linux distribution
&#8211; Caixa M&#225;gica (although it&#8217;s maintained and given
assistance by a commercial enterprise by the same name). By doing this,
they&#8217;ll cut costs dramatically and will still be able to work with
equivalent productivity (one hopes: better!). The other example is well
known. The Spanish region of Estremadura looked for a way to cut costs on
the implementation of information technologies in their school system and
developed their own Linux Distro called Linex &#8211; it aggregates the
software bundle they need, and best of all has been developed and
constantly tweaked by them. Now Linux is becoming more accessible for
users without technical training, and is in a WYSIWYG state of
development, I really believe we should start using it seriously so we can
try and test it and learn how we can use in in our everyday life (for me
this process has already started&#8230;). People aren&#8217;t stupid.
They&#8217;re just &#8216;change resistant&#8217;. One of the aspects I
think that will get peoples&#8217; attention will be that a &#8216;free
beer&#8217; is as good as a commercial one.</p>
<li id="b026324c"> </li>
<li id="26ab0db9"> </li>
<li id="6d7fce9f"> Cygwin/X is a port of the X Window System to the Cygwin
API layer for the Microsoft Windows family of operating systems </li>