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1 parent ee0f4bd commit 3a4d9d094c0023f83e48da76f91d7dbc8b3167f6 @horndude77 committed Jan 4, 2012
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68 BerliozLeJeune/defs.ily
@@ -0,0 +1,68 @@
+\version "2.15.23"
+
+pocoRit = \markup { \normal-text \italic "poco rit." }
+piuDolce = \markup { \normal-text \italic "più dolce" }
+sottoVoce = \markup { \normal-text \italic "sotto voce" }
+
+justDim = #(make-music 'DecrescendoEvent 'span-direction START 'span-type 'text 'span-text "dim." 'tweaks '((style . none)))
+justCresc = #(make-music 'CrescendoEvent 'span-direction START 'span-type 'text 'span-text "cresc." 'tweaks '((style . none)))
+justPocoCresc = #(make-music 'CrescendoEvent 'span-direction START 'span-type 'text 'span-text "poco cresc." 'tweaks '((style . none)))
+
+melismaDifferentOn = \set melismaBusyProperties = #'()
+melismaDifferentOff = \unset melismaBusyProperties
+
+tupletOff =
+{
+ \override TupletNumber #'stencil = ##f
+ \override TupletBracket #'stencil = ##f
+}
+
+tupletOn =
+{
+ \revert TupletNumber #'stencil
+ \revert TupletBracket #'stencil
+}
+
+rMark = #(define-music-function (parser location markp) (string?)
+#{
+ \mark \markup { \box \bold $markp }
+#})
+
+afterGraceFraction = #(cons 15 16)
+
+\layout
+{
+ \context
+ {
+ \Score
+ skipBars = ##t
+ extraNatural = ##f
+ \override PaperColumn #'keep-inside-line = ##t
+ \override NonMusicalPaperColumn #'keep-inside-line = ##t
+ autoAccidentals = #`(Staff ,(make-accidental-rule 'same-octave 0)
+ ,(make-accidental-rule 'any-octave 0)
+ ,(make-accidental-rule 'same-octave 1))
+ markFormatter = #format-mark-numbers
+ \override Beam #'breakable = ##t
+ \override NoteCollision #'merge-differently-dotted = ##t
+ tempoHideNote = ##f
+ }
+}
+
+\midi
+{
+ \context
+ {
+ \Voice
+ \remove "Dynamic_performer"
+ }
+}
+
+\paper
+{
+ ragged-right = ##f
+ ragged-last = ##f
+ ragged-bottom = ##f
+ ragged-last-bottom = ##f
+ #(set-paper-size "letter")
+}
View
23 BerliozLeJeune/header.ily
@@ -0,0 +1,23 @@
+\version "2.15.23"
+
+\header
+{
+ title = "Le Jeune Pâtre Breton"
+ composer = "Hector Berlioz (1803-1869)"
+ opus = "H 65"
+ instrument = ##f
+
+ maintainer = "Jay Anderson"
+ maintainerEmail = "horndude77@gmail.com"
+ lastupdated = "2012 January 4"
+ source = "Paris: S. Richault, n.d.[1863]. Plate R. 13682."
+ #(define sourceUrl "http://imslp.org/wiki/Le_jeune_P%C3%A2tre_breton,_H_65_(Berlioz,_Hector)")
+ #(define openscoresUrl "https://github.com/horndude77/open-scores")
+ #(define lilypondUrl "http://www.lilypond.org/")
+ copyrightYears = "2011"
+ #(define licenseUrl "http://creativecommons.org/licenses/by-sa/3.0")
+ license = "Creative Commons Attribution-ShareAlike 3.0 License"
+
+ copyright = \markup { \rounded-box \pad-markup #0.5 \center-column { \line {Typeset by \maintainer using \with-url #lilypondUrl Lilypond. Copyright © \concat {\copyrightYears .}} \line {Licensed under the \with-url #licenseUrl \license} \line {Last Updated \concat {\lastupdated .}} } }
+ tagline = \markup { \rounded-box \pad-markup #0.5 \center-column { \line {Source Edition: \with-url #sourceUrl \source} \line {Lilypond source available at \concat {\with-url #openscoresUrl {\simple #openscoresUrl } .}} \line {To report mistakes or suggestions please write \concat {\maintainerEmail .}} } }
+}
View
63 BerliozLeJeune/horn.ily
@@ -0,0 +1,63 @@
+\relative c'
+{
+ \transposition ees
+ %Verse 1
+ R2.*25 | R2.^\fermataMarkup
+
+ %Verse 2
+ R2. |
+ r4 e8\pp e( g) c |
+ e4( c8) e4( c8) |
+ f4.(\> e~)\! |
+ e8 r c c( g) e |
+ c4 e8 e4 g8 |
+ g4.( f~) |
+ f8 r f'( d4) f8( |
+ e4) c8 g( e) c |
+ g2.~\> |
+ g4.~ g4\! r8 |
+ c8( e) g e( g) c |
+ e( c g e g c) |
+ r c( f) r e( d |
+ c) g e c4.(\< |
+ e g) |
+ bes( a4 g8) |
+ fis2.~\sf\> |
+ fis4. fis4 fis8 |
+ g\! r a\p a c( f) |
+ f c( b) b d( e) |
+ e2.~\> |
+ e~ |
+ e4\! r8 r4 r8 |
+ R2.^\fermataMarkup |
+
+ %Verse 3
+ R2.*24 | R2.^\fermataMarkup
+
+ %Verse 4
+ R2. |
+ r4 e,8\pp e( g) c |
+ e4( c8) e4( c8) |
+ f4.(\> e~)\! |
+ e8 r c c( g) e |
+ c4 e8 e4 g8 |
+ g4.( f~) |
+ f8 r f'( d4) f8( |
+ e4) c8 g( e) c |
+ g2.~\> |
+ g4.~ g4\! r8 |
+ c8( e) g e( g) c |
+ e( c g e g c) |
+ r c( f) r e( d |
+ c) g e c4.(\justPocoCresc |
+ e g) |
+ bes(\< a4 g8) |
+ fis2.~\> |
+ fis4. fis4 fis8 |
+ g\! r a\ppp a c( f) |
+ f4.~( f4 e8) |
+ e2.~\> |
+ e~ |
+ e4\! r8 r4 r8 |
+ R2.^\fermataMarkup |
+}
View
42 BerliozLeJeune/lyrics.ily
@@ -0,0 +1,42 @@
+\lyricmode
+{
+ \set stanza = "1."
+ Dès que la grive est é -- veil -- lé -- e,
+ Sur cet -- te lan -- de~en -- core mouil -- lé -- e
+ Je viens m’as -- seoir
+ Jus -- ques au soir. __
+ Grand’ -- mè -- re de qui je me ca -- che,
+ Dit: «Lo -- ïc ai -- me trop sa va -- che.»
+ Oh! oh! __ Nen -- ni da!
+ Mais j’ai -- me la pe -- tite An -- na. __
+
+ \set stanza = "2."
+ A son tour An -- na, ma com -- pa -- gne,
+ Con -- duit der -- riè -- re la mon -- ta -- gne,
+ Près des su -- reaux,
+ Ses noirs che -- vreaux; __
+ Si la mon -- tagne où je m’é -- ga -- re,
+ Ain -- si qu’un grand mur, nous sé -- pa -- re,
+ Sa dou -- ce voix
+ Sa voix m’ap -- pelle au fond du bois. __
+
+ \set stanza = "3."
+ Oh! Sur un air plain -- tif et ten -- dre,
+ Qu’il est doux au loin de s’en -- ten -- dre,
+ Sans même a -- voir
+ L’heure de se voir! __
+ De la mon -- tagne à la val -- lé -- e
+ La voix par la voix ap -- pe -- lé -- e
+ Semble un __ sou -- pir
+ Mê -- lé d’en -- nuis et de plai -- sir. __
+
+ \set stanza = "4."
+ Ah! re -- te -- nez bien votre ha -- lei -- ne,
+ Brise é -- tour -- die, et dans la plai -- ne,
+ Par -- mi les blés
+ Cou -- rez, vo -- lez! __
+ Dieu! la mé -- chante a sur son ai -- le
+ Em -- por -- té la voix douce et frê -- le,
+ La dou -- ce voix
+ Qui m’ap -- pe -- lait au fond du bois. __
+}
View
12 BerliozLeJeune/outline.ily
@@ -0,0 +1,12 @@
+{
+ \tempo "Allegretto semplice un poco lento." 4.=56
+ \time 6/8
+ %Verse 1
+ s2.*20 | \tempo \pocoRit s2.*6 | \bar "||"
+ %Verse 2
+ s2.*19 | \tempo \pocoRit s2.*6 | \bar "||"
+ %Verse 3
+ s2.*19 | \tempo \pocoRit s2.*6 | \bar "||"
+ %Verse 4
+ s2.*19 | \tempo \pocoRit s2.*6 | \bar "|."
+}
View
58 BerliozLeJeune/piano.ly
@@ -0,0 +1,58 @@
+\version "2.15.23"
+
+\include "defs.ily"
+
+\include "header.ily"
+
+\score
+{
+ <<
+ \new Staff \with { instrumentName = \markup { Horn in E\flat } }
+ { \include "horn.ily" }
+ \new Staff \with { instrumentName = \markup { \center-column {Soprano or Tenor} } }
+ {
+ \new Voice=solo
+ <<
+ { \include "voice.ily" }
+ { \include "outline.ily" }
+ >>
+ }
+ \new Lyrics \lyricsto solo { \include "lyrics.ily" }
+ \new PianoStaff \with { instrumentName = "Piano" }
+ <<
+ \new Dynamics { \include "piano_dynamics_above.ily" }
+ \new Staff=up { \include "piano_right.ily" }
+ \new Dynamics { \include "piano_dynamics.ily" }
+ \new Staff=down
+ <<
+ { \include "piano_left.ily" }
+ { \include "piano_pedals.ily" }
+ >>
+ >>
+ >>
+ \layout {}
+}
+
+\score
+{
+ \unfoldRepeats
+ <<
+ \new Staff \with { midiInstrument = "french horn" }
+ { \include "horn.ily" }
+ \new Staff \with { midiInstrument = "choir aahs" }
+ {
+ \new Voice=solo
+ <<
+ { \include "voice.ily" }
+ { \include "outline.ily" }
+ >>
+ }
+ \new Lyrics \lyricsto solo { \include "lyrics.ily" }
+ \new PianoStaff \with { midiInstrument = "acoustic grand" }
+ <<
+ \new Staff=up { \include "piano_right.ily" }
+ \new Staff=down { \include "piano_left.ily" }
+ >>
+ >>
+ \midi {}
+}
View
51 BerliozLeJeune/piano_dynamics.ily
@@ -0,0 +1,51 @@
+{
+ %Verse 1
+ s2.\p |
+ s2.*16 |
+ s2.\< |
+ s2.\sf\> |
+ s2. |
+ s4\! s8\p s4. |
+ s2. |
+ s4. s\justDim |
+ s2. |
+ s4. s\> |
+ s2.\! |
+
+ %Verse 2
+ s2.\p |
+ s2.*14 |
+ s2.\< |
+ s |
+ s\sf\> |
+ s |
+ s4\! s8\p s4. |
+ s2. |
+ s4. s\justDim |
+ s2. |
+ s4. s\> |
+ s2.\!
+
+ %Verse 3
+ s2.\pp |
+ s2.*15 |
+ s2.\< |
+ s\sf\> |
+ s |
+ s4\! s8\ppp s4. |
+ s2.*3 |
+ s4. s\> |
+ s2.\! |
+
+ %Verse 4
+ s2.\ppp |
+ s2.*14 |
+ s2.\justPocoCresc |
+ s\< |
+ s\> |
+ s |
+ s4\! s8\ppp s4. |
+ s2.*3 |
+ s4. s\> |
+ s2.\! |
+}
View
24 BerliozLeJeune/piano_dynamics_above.ily
@@ -0,0 +1,24 @@
+{
+ %Verse 1
+ s2.*26 |
+
+ %Verse 2
+ s2.*25 |
+
+ %Verse 3
+ s2.*2 |
+ s4.\< s\> s1*0\! |
+ s4.\< s\> s1*0\! |
+ s2.*2 |
+ s4.\< s\> s1*0\! |
+ s4.\< s\> s1*0\! |
+ s2. |
+ s4.\< s\> s1*0\! |
+ s4.\< s\> s1*0\! |
+ s2. |
+ s4.\< s\> s1*0\! |
+ s4.\< s\> s1*0\! |
+ s2. |
+ s4.\< s\> s1*0\! |
+ s4.\< s\> s1*0\! |
+}
View
150 BerliozLeJeune/piano_left.ily
@@ -0,0 +1,150 @@
+\relative c
+{
+ \clef bass
+ \key ees \major
+ %Verse 1
+ r4 r8 r bes( g |
+ \repeat unfold 3 { ees4.) r8 bes'( g | }
+ ees2.~) |
+ ees4. r8 bes'( g |
+ ees4.) r8 bes'( g |
+ ees4.) r8 c'( aes |
+ ees4.) r8 bes'( aes |
+ ees4.) r8 g( ees |
+ bes4.) r8 d'( bes |
+ bes,4.) r8 d'( bes |
+ ees,4.) r8 ees'( bes |
+ ees,4.) r8 ees'( bes |
+ ees,2.~) |
+ ees4. r8 ees'( bes |
+ ees,4.) r8 des'( c) |
+ bes4.( aes) |
+ <a c ees ges>2.~ |
+ q4. <a c ees f> |
+ <bes d f>8 r <c c'> <c c'>4 <aes' ees'>8 |
+ <aes ees'>4 <bes d>8 <bes d>4 <ees, bes' ees>8 |
+ <ees bes' ees>4. r4 r8 |
+ r8 ees'( bes ees,4.) |
+ r8 bes'( g ees4.) |
+ R2.^\fermataMarkup |
+
+ %Verse 2
+ ees,4. r8 bes'( g |
+ ees4.) r8 bes'( g |
+ ees4.) r8 bes'( g |
+ ees2.~) |
+ ees4. r8 bes'( g |
+ ees4.) r8 bes'( g |
+ ees4.) r8 c'( aes |
+ ees4.) r8 bes'( aes |
+ ees4.) r8 g( ees |
+ bes4.) r8 d'( bes |
+ bes,4.) r8 d'( bes |
+ ees,4.) r8 ees'( bes |
+ ees,4.) r8 ees'( bes |
+ ees,2.~) |
+ ees4. r8 ees'( bes |
+ ees,4.) r8 des'( c) |
+ bes4.( aes) |
+ <a c ees ges>2.~ |
+ q4. <a c ees f> |
+ <bes d f>8 r <c c'> <c c'>4 <aes' ees'>8 |
+ <aes ees'>4 <bes d>8 <bes d>4 <ees, bes' ees>8 |
+ <ees bes' ees>4. r4 r8 |
+ r8 ees'( bes ees,4.) |
+ r8 bes'( g ees4.) |
+ R2.^\fermataMarkup |
+
+ %Verse 3
+ ees,4. r8 bes'( g |
+ ees4.) r8 bes'( g |
+ <<
+ \new Voice
+ {
+ \voiceOne
+ g'8(-> ees bes'~) <g bes>4. |
+ c8( aes ees') g,( ees bes') |
+ }
+ \new Voice
+ {
+ \voiceTwo
+ s2. |
+ c4. g |
+ }
+ {
+ \voiceTwo
+ ees8) r r r bes( g |
+ \voiceFour
+ \once \override NoteColumn #'force-hshift = #0.25
+ ees'2.) |
+ }
+ >> \oneVoice
+ <<
+ {
+ g8(-> ees bes'~) \voiceOne <g bes ees>4. |
+ g8(-> ees bes'~) <g bes ees>4. |
+ aes8(-> ees c'~) <aes c ees>4. |
+ aes8(-> f bes~) <aes bes d>4. |
+ g,8(-> ees' bes'~) <g bes ees>4. |
+ bes8(-> f d'~) <bes d>4. |
+ bes8(-> f d'~) <bes d f>4. |
+ s2.*2 |
+ c8( aes ees') bes( g ees') |
+ s2.*2 |
+ des,8( g e) c( aes' f) |
+ \once \override Slur #'control-points =
+ #'((1 . 5) (12 . 8.5) (20 . 3) (36 . 9))
+ c( ges' ees a ees c' |
+ a \change Staff=up \voiceTwo ees' c a' f ees') |
+ \change Staff=down
+ }
+ \new Voice
+ {
+ s4. \voiceTwo r8 bes,,( g |
+ ees4.) r8 bes'( g |
+ <ees c'>) r r r c'( aes |
+ ees'4.) r8 bes8( aes |
+ ees4.) r8 g( ees |
+ bes'4.) r8 d( bes) |
+ bes4. r8 d( bes |
+ ees4.) r8 ees( bes |
+ ees,4.) r8 ees'( bes |
+ ees2.~) |
+ ees4. r8 ees( bes |
+ ees4.) r8 des( c) |
+ bes4.( aes) |
+ a a~ |
+ <a c> <a c f> |
+ }
+ >> \oneVoice
+ <bes d f>8 r \clef treble <c' c'> q4 <aes' ees'>8 |
+ <aes ees'>4 <bes d>8 q4 <ees, bes' ees>8 |
+ q4. r4 r8 |
+ \clef bass
+ r8 ees( bes ees,4.) |
+ r8 bes'( g ees4.) |
+ R2.^\fermataMarkup
+
+ %Verse 4
+ \repeat unfold 3 {ees,8( bes' g ees' bes g) |}
+ << {c( aes ees' bes g ees')} \\ ees,2. >> |
+ \repeat unfold 2 {ees8( bes' g ees' bes g) |}
+ ees( c' aes ees' c aes) |
+ ees( bes' f d' bes f') |
+ ees, bes' g ees' bes g |
+ bes d bes aes' f d |
+ bes d bes aes' f d |
+ ees, bes' g g' ees bes |
+ ees, bes' g g' ees bes |
+ << {aes ees' c bes g' ees} \\ {ees,4. ees} >> |
+ ees8 bes' g ees' bes g |
+ ees bes' g ees' des c |
+ bes4.( aes) |
+ << {r4. ges'( | a)} \\ {a,2.~ | a4.} >> <a a'>4. |
+ <bes f'>8 r <c c'> q4 <aes' ees'>8 |
+ q4 <bes d>8 q4 <ees, bes' ees>8 |
+ q2. |
+ r8 ees'( bes ees,4.) |
+ r8 bes'( g ees4.) |
+ R2.^\fermataMarkup |
+}
View
55 BerliozLeJeune/piano_pedals.ily
@@ -0,0 +1,55 @@
+{
+ %Verse 1
+ s2.*26 |
+
+ %Verse 2
+ s2.*25 |
+
+ %Verse 3
+ s2.*2 |
+ s4. s\sustainOn |
+ s2.\sustainOff |
+ s2.*2 |
+ s4. s\sustainOn |
+ s\sustainOff s\sustainOn |
+ s2.\sustainOff |
+ s4. s\sustainOn |
+ s\sustainOff s\sustainOn |
+ s2.\sustainOff |
+ s4. s\sustainOn |
+ s2.\sustainOff |
+ s2. |
+ s4. s\sustainOn |
+ s2.\sustainOff |
+ s2.\sustainOn |
+ s |
+ s\sustainOff |
+ s |
+ s\sustainOn |
+ s2.*2 |
+ s2.\sustainOff |
+
+ %Verse 4
+ s4.\sustainOn s\unaCorda |
+ s2.*2 |
+ s2.\sustainOff |
+ s2.\sustainOn |
+ s2. |
+ s2.\sustainOff\sustainOn |
+ s2.\sustainOff\sustainOn |
+ s2.\sustainOff\sustainOn |
+ s2.\sustainOff\sustainOn |
+ s2. |
+ s2.\sustainOff\sustainOn |
+ s2. |
+ s4.\sustainOff s\sustainOn |
+ s2. |
+ s4. s\sustainOff |
+ s4.\sustainOn s\sustainOff\sustainOn |
+ s2.\sustainOff\sustainOn |
+ s4. s\sustainOff |
+ s2. |
+ s8*5 s8\sustainOn |
+ s2.*3 |
+ s2.\sustainOff |
+}
View
206 BerliozLeJeune/piano_right.ily
@@ -0,0 +1,206 @@
+\relative c'
+{
+ \key ees \major
+ %Verse 1
+ \clef bass
+ \repeat unfold 4 { g8(-> ees bes'~) <g bes ees>4. | }
+ << { aes8(-> ees c') g( ees bes') } \\ { aes4. g } >> |
+ \repeat unfold 2 { g8(-> ees bes'~) <g bes ees>4. | }
+ aes8(-> ees c'~) <aes c ees>4. |
+ aes8(-> f bes~) <aes bes d>4. |
+ g8(-> ees bes'~) <g bes ees>4. |
+ \repeat unfold 2 { bes8(-> f d'~) <bes d f>4. | }
+ \clef treble
+ \repeat unfold 2 { bes8(-> g ees'~) <bes ees g>4. | }
+ << { c8( aes ees') bes( g ees') } \\ { c4. bes } >> |
+ \repeat unfold 2 { bes8(-> g ees'~) <bes ees g>4. | }
+ << { des8( bes e) c( aes f') } \\ { des4. c } >> |
+ <<
+ {
+ c8( a ges' ees c a' |
+ ges ees c' a f ees') |
+ }
+ \\
+ {
+ c,4. ees |
+ ges a |
+ }
+ >>
+ <bes d>8 r <g c ees> <g c ees>4 <aes c>8 |
+ <aes c>4 <f aes bes>8 <f aes bes>4 <g bes ees>8 |
+ <g bes ees>4. g8( ees) bes'( |
+ g'4.) g,8( ees) bes'( |
+ ees4.) g,8( ees) bes'~ |
+ bes2.\fermata |
+
+ %Verse 2
+ \clef bass
+ \repeat unfold 3 { g,8(-> ees bes'~) <g bes ees>4. | }
+ << { aes8(-> ees c') g( ees bes') } \\ { aes4. g } >> |
+ \repeat unfold 2 { g8(-> ees bes'~) <g bes ees>4. | }
+ aes8(-> ees c'~) <aes c ees>4. |
+ aes8(-> f bes~) <aes bes d>4. |
+ g8(-> ees bes'~) <g bes ees>4. |
+ \repeat unfold 2 { bes8(-> f d'~) <bes d f>4. | }
+ \clef treble
+ \repeat unfold 2 { bes8(-> g ees'~) <bes ees g>4. | }
+ << { c8( aes ees') bes( g ees') } \\ { c4. bes } >> |
+ \repeat unfold 2 { bes8(-> g ees'~) <bes ees g>4. | }
+ << { des8( bes e) c( aes f') } \\ { des4. c } >> |
+ <<
+ {
+ c8( a ges' ees c a' |
+ ges ees c' a f ees') |
+ }
+ \\
+ {
+ c,4. ees |
+ ges a |
+ }
+ >>
+ <bes d>8 r <g c ees> <g c ees>4 <aes c>8 |
+ <aes c>4 <f aes bes>8 <f aes bes>4 <g bes ees>8 |
+ <g bes ees>4. g8( ees) bes'( |
+ g'4.) g,8( ees) bes'( |
+ ees4.) g,8( ees) bes'~ |
+ bes2.\fermata |
+
+ %Verse 3
+ \clef bass
+ \repeat unfold 2 { g,8(-> ees bes'~) <g bes ees>4. | }
+ \clef treble
+ ees'8. d16 ees8
+ <<
+ \new Voice
+ {
+ \voiceOne
+ ees'4._( |
+ \voiceTwo
+ aes,8)
+ }
+ {
+ \voiceTwo
+ ees4. |
+ \voiceOne
+ ees'8. d16 ees8
+ }
+ >> \oneVoice
+ ees'4.( |
+ g,8) r r s4. |
+ s2. |
+ aes,8. g16 aes8 aes'4.( |
+ << {\voiceOne f8) r r} \new Voice {\voiceTwo d8. cis16 d8} >> \oneVoice
+ d'4.( |
+ bes8) r r s4. |
+ <<
+ {
+ \voiceOne
+ bes,8. a16 bes8 f'4._( |
+ \voiceTwo
+ d8) r r
+ }
+ \new Voice
+ {
+ \voiceTwo
+ <f, d>4. f |
+ \voiceOne
+ bes'8. a16 bes8
+ }
+ >> \oneVoice
+ <f f'>4.( |
+ <<
+ {
+ <ees ees'>8) r s s4. |
+ \voiceOne
+ ees,8. d16 ees8 ees'4._( |
+ \voiceTwo
+ aes,8)
+ }
+ \new Voice
+ {
+ \change Staff=down \voiceOne
+ bes,8_(-> g \change Staff=up \voiceTwo ees'~) <bes ees g>4. |
+ \change Staff=down \voiceOne
+ bes8_(-> g \change Staff=up \voiceTwo ees'~) <bes ees g>4. |
+ \voiceOne
+ ees'8. d16 ees8
+ }
+ >> \oneVoice
+ ees'4.( |
+ <<
+ {
+ g,8) r s s4. |
+ \voiceOne
+ g,8. fis16 g8 g'4._( |
+ \voiceTwo
+ e8) r r
+ }
+ \new Voice
+ {
+ \change Staff=down \voiceOne
+ bes,8_(-> g \change Staff=up \voiceTwo ees'~) <bes ees g>4. |
+ \change Staff=down \voiceOne
+ bes8_(-> g \change Staff=up \voiceTwo ees'~) <bes ees g>4. |
+ \voiceOne
+ g''8. fis16 g8
+ }
+ >> \oneVoice
+ <c c,>4.( |
+ <a a,>8) r r ees4.~ |
+ \voiceOne
+ ees~ ees4 r8 |
+ \oneVoice
+ <d bes>8 r <g c ees> q4 <aes c>8 |
+ q4 <f aes bes>8 q4 <g bes ees>8 |
+ <<
+ {
+ \voiceOne
+ <g bes ees>2.~ |
+ q~ |
+ q4 r8
+ }
+ \new Voice
+ {
+ \voiceTwo
+ r4 r8 g,8( ees) bes'( |
+ g'4.) g,8( ees) bes'( |
+ g'4.)
+ }
+ >> \oneVoice
+ g,8 ees bes'~ |
+ bes2.\fermata |
+
+ %Verse 4
+ \repeat unfold 3 { \repeat tremolo 6 {g,16 ees'} } |
+ \repeat tremolo 3 {aes,16 ees'} \repeat tremolo 3 {g,16 ees'} |
+ \repeat unfold 2 { \repeat tremolo 6 {g,16 ees'} } |
+ \repeat tremolo 6 {aes,16 ees'} |
+ \repeat tremolo 6 {aes,16 d} |
+ \repeat tremolo 6 {g,16 ees'} |
+ \repeat unfold 2 { \repeat tremolo 6 {bes16 f'} } |
+ \repeat unfold 2 { \repeat tremolo 6 {ees16 g} } |
+ \repeat tremolo 3 {c, aes'} \repeat tremolo 3 {bes, g'} |
+ \repeat tremolo 6 {ees g} |
+ \repeat tremolo 6 {bes, g'} |
+ \repeat tremolo 3 {<des e> g} \repeat tremolo 3 {c, f} |
+ \repeat tremolo 3 {c ges'}
+ <<
+ {
+ \voiceOne
+ \repeat tremolo 3 {ees a} |
+ \repeat tremolo 3 {ges c} \repeat tremolo 3 {c ees} |
+ }
+ \new Voice
+ {
+ \voiceTwo
+ c,4.( |
+ ees f) |
+ }
+ >> \oneVoice
+ <bes d>8 r <g c ees> q4 <aes c>8 |
+ q4 <f aes bes>8 q4 <g bes ees>8 |
+ q4. g8( ees) bes'( |
+ g'4.) g,8( ees) bes'( |
+ ees4.) g,8( ees) bes'~ |
+ bes2.\fermata |
+}
View
112 BerliozLeJeune/voice.ily
@@ -0,0 +1,112 @@
+\relative c'
+{
+ \dynamicUp
+ \key ees \major
+ %Verse 1
+ R2.*2 |
+ r4 ees8\p ees4 g8 |
+ bes4 g8 ees4 g8 |
+ c4. bes~ |
+ bes8 r g g4 bes8 |
+ bes4 ees8 ees4 d8 |
+ d4. c~ |
+ c8 r bes bes4 c8 |
+ bes4 g8 g4 aes8 |
+ f2.~\> |
+ f4.~ f4\! r8 |
+ r4 ees8 ees4 g8 |
+ bes4 g8 ees4 g8 |
+ c4. bes~ |
+ bes8 r g g4 bes8 |
+ bes4 ees8 ees4 e8 |
+ e4.\< f4 f8->\! |
+ ges2.~\sf |
+ ges4.\> f4 f8 |
+ f4\! ees8\p ees4 c8 |
+ c4 bes8 bes4 ees8 |
+ ees2.~\> |
+ ees~ |
+ ees4\! r8 r4 r8 |
+ R2.^\fermataMarkup |
+
+ %Verse 2
+ R2. |
+ r4 ees,8\p ees4 g8 |
+ bes4 g8 ees4 g8 |
+ c4. bes~ |
+ bes8 r g g4 bes8 |
+ bes4 ees8 ees4 d8 |
+ d4. c~ |
+ c8 r bes bes4 c8 |
+ bes4 g8 g4 aes8 |
+ f2.~\> |
+ f4.~ f4\! r8 |
+ r4 ees8 ees4 g8 |
+ bes4 g8 ees4 g8 |
+ c4.\> bes~ |
+ bes8\! r g g4 bes8 |
+ bes4\< ees8 ees4 e8 |
+ e4. f4 f8\! |
+ ges2.~(\sf |
+ ges4.\> f4) f8 |
+ f8\! r ees8\p ees4 c8 |
+ c4 bes8 bes4 ees8 |
+ ees2.~\> |
+ ees~ |
+ ees4\! r8 r4 r8 |
+ R2.^\fermataMarkup |
+
+ %Verse 3
+ R2. |
+ r4 ees,8^\piuDolce ees4 g8 |
+ bes4 g8 ees4 g8 |
+ c4. bes~ |
+ bes8 r g g4 bes8 |
+ bes4 ees8 ees4 d8 |
+ d4. c~ |
+ c8 r bes bes4 c8 |
+ bes4 g8 g4 aes8 |
+ f2.~\> |
+ f4.~ f4\! r8 |
+ r4 ees8 ees4 g8 |
+ bes4 g8 ees4 g8 |
+ c4. bes~ |
+ bes8 r g g4 bes8 |
+ bes4 ees8 ees4 e8 |
+ e4.\< f4 f8\! |
+ ges2.~(\sf |
+ ges4.\> f4) f8 |
+ f8\! r ees8\p ees4 c8 |
+ c4 bes8 bes4 ees8 |
+ ees2.~\> |
+ ees~ |
+ ees4\! r8 r4 r8 |
+ R2.^\fermataMarkup |
+
+ %Verse 4
+ R2. |
+ r4 ees,8\ppp^\sottoVoce ees4 g8 |
+ bes4 g8 ees4 g8 |
+ c4. bes~ |
+ bes8 r g g4 bes8 |
+ bes4 ees8 ees4 d8 |
+ d4. c~ |
+ c8 r bes bes4 c8 |
+ bes4 g8 g4 aes8 |
+ f2.~\> |
+ f4.~ f4\! r8 |
+ r4 ees8 r ees g |
+ bes4 g8 ees4 g8 |
+ c4. bes~ |
+ bes8 r g g4 bes8 |
+ bes4 ees8 ees4 e8 |
+ e4.\< f4 f8\! |
+ ges2.~(\sf\> |
+ ges4. f4) f8 |
+ f8\! r ees8 ees4 c8 |
+ c4 bes8 bes4 ees8 |
+ ees2.~\> |
+ ees~ |
+ ees4\! r8 r4 r8 |
+ R2.^\fermataMarkup |
+}

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