All Maps Lie: Introduction to Critical Mapping
NYU, Interactive Telecommunications Program, Spring 2020
work in progress - plz ignore
All Maps Lie is an introduction to critical cartography and mapping from the perspective of media art and design. In this course, we will reflect on and respond to different "geographic prompts" that allow us to discuss the history, theory, and practice of mapping. By engaging in "mapping" and the various methods of "making sense of geography" we will develop a deeper understanding and appreciation for critical geographic histories and politics and the "situatedness" of knowledge and power. Students will be challenged to articulate the value, limitations, and possibilities for media arts practice to contribute to the critical cartographic discourse through their projects.
Students taking this course can expect to gain an appreciation for geographic thinking, learn to ask critical and geographic questions, and apply basic methodologies to “make sense” of geographic data.
The course will be conducted with open source tools and technologies. Students are not expected to enter the class with knowledge of these tools, but will be expected to learn and apply them through studio exercises and project briefings.
|Class Time||6:30 - 9:00|
|Class Room||Room 411, 370 Jay Street, Brooklyn|
|Class Dates||Mar 30 - May 11|
Office hours are by appointment. Please see the office hour offerings. You are also welcome to meet with ITP Residents.
|Office Hours||4-5pm, TUE & THUR By Appointment|
|Location||ITP FLOOR or ITP RESIDENT'S OFFICE|
- NOTE: If you can't make those times, please send me an email and we can chat at another time or via video conference.
CODE OF CONDUCT
IN ACKNOWLEDGEMENT OF THE LAND
Each day at ITP and every session of this course, we are gathered on the traditional, ancestral, and unceded Indigenous land of the Lenape and Canarsie peoples. I ask you to join me in acknowledging the Lenape and Canarsie communities, their elders both past and present, and their future generations. I acknowledge that whether intentionally or through ignorance, NYU and ITP was founded upon exclusions and erasures of many Indigenous peoples, including those on whose land this institution is located.
This acknowledgement demonstrates a commitment to reckoning with the history of the land upon which we are gathered and beginning the process of working to dismantle the ongoing legacies of settler colonialism.
We start this process through building our own awareness and appreciation for the land we are able to live, work, and play on and integrating these awarenesses into the art we make, the tools we build, and the work we do.
- To practice paying attention:
- The class will be grounded in developing strategies to "pay attention." Through your sustained mapping and data collection efforts as part of this course, you will tune into the frequency of the world and learn to focus in on the details that might be otherwise overlooked or intentionally suppressed, repressed or erased. You will ultimately learn how "paying attention" is a crucial skill for critical engagement with mapping and media art/design practice more broadly.
- references: How to win the war against seeing, How to do Nothing
- To ask geographic questions:
- You will learn that everything is spatial and that geography matters. To ask geographic questions means you will not only be asking questions about space (physical, topographic, infrastructural) and place (cultural, affective, emotional) but also history and power and how geography is shaped by and and comes to shape power.
- To explore spatial media:
- This course is structured around "making/doing/mapping" as an approach to working through key concepts related to critical cartography and the topic of critique more broadly. By creating work that explores spatial media -- media/technology/data about geography -- we humbly acknowledge that our media art and design approaches to mapping are valuable, limited, and affective all at the same time. We therefore attempt to make contributions to the discourse of mapping and geography as "outsiders" or, rather non-domain experts.
- To learn together:
- This is a course about learning together. You will be confronted by challenging concepts, technical road bumps, and the winter cold. A core outcome of this class is to share your learning and discoveries and research with each other.
|WEEK 01||MAR 30||Everything is Spatial||What is a map? what can a map be?|
|WEEK 02||APR 06||Countermaps & Cartographics||What is on a map? What power do maps wield?|
|WEEK 03||APR 13||Maps as Media||What are opportunities for rethinking spatial representation? How do we think out space?|
|WEEK 04||APR 20||Locative Media||What are opportunities for rethinking geographic interaction & experiences?|
|WEEK 05||APR 27||Figure-Ground||How do we see geography from afar?|
|WEEK 06||MAY 04||Experimental Geography||How do we situate our spatial media practice?|
|WEEK 07||MAY 11||Final Class||n/a|
|A1||APR 06||Paying Attention||Begin Data Collection|
|A2||APR 13||Map Mashups||Intro to Web Maps|
|A3||APR 20||Spatial Abstraction||(Ab)using Geospatial APIs|
|A4||APR 27||Locative Media||Put Yourself on the Map|
|A5||MAY 04||Spatial Gaze||Looking up and looking down|
|FINAL||MAY 11||Final Project||Synthesis & Documentation for Zine|
All assignments will be submitted here:
Evaluation & Grading
Students will be evaluated on effort, personal progress and growth, class participation, assignments, and the final project. It is understood that this course will be technically and conceptually challenging, therefore your effort, curiosity, and engagement is of utmost importance. You will be graded on your progress throughout the class, your ability to complete assignments on time, your interaction with peers, and your ability to justify your decisions thoughtfully.
Notes can be found at this url on How to give Feedback
Here is a basic breakdown of graded tasks along that trajectory:
- 10% Attendance/Participation
- 50% Assignments
- 10% Project Proposal
- 30% Final Project, completed on conclusion of the course
- TOTAL: 100%
Here's an outline of how your work will generally be evaluated. The explaners of each category are rough guidelines for how I assign numbers (or quantify
|Category||1 - 2 pts||3 - 4 pts||5 - 6 pts||7 - 8 pts||9 - 10 pts|
|Quality||The work is handed in late, broken, incomplete, undocumented, or shows lack of care or thought||The work is only partially documented and seems only partially complete||The work is documented and represents the student's concept and shows good effort||The work is well documented, thoughtful, and professional||The work shows mastery and is well polished|
|Understanding||There is either no substance or the student cannot explain or justify decision making||The work shows partial grasp of the concepts, but shows major gaps that could be addressed with more thought||The work is sensible and grounded and can be explained in a coherent manner||The work represents the concept well, references past and current work. The student can speak to more than 1 perspective.||The work shows strong graps of concepts and the state-of-the-art. The work is well received in both concept and implementation|
|Application||The work reflects very little conceptual references to the course materials; a general lack of awareness to methodology and implementation||The work applies methodology(ies) that have some potential, but not quite relevant or effective||The work uses methods that are appropriate and thoughtful. The application of methods are standard and show good potential||The work uses methods that are appropriate, thoughtful, and well implemented. There are innovative ideas that are shown in the application.||There work shows careful methodological considerations and is beautifully crafted, designed, and presented.|
The general policy is that late assignments will not be reviewed.
As such, here are my general suggestions for working on projects and assignments (in this class and beyond):
- Always have something to show: While developing your projects, always have a "minimum reviewable unit" that speaks to your project concept. Even if your project doesn't technically "work", you should always have something to present.
- Submit on time and refine: Submit what you have on time. If you followed suggestion #1 above, then you'll have material to discuss and explain where you're at and where you're trying to go. You can always refine and update what you have even after the deadline, but if you have nothing to show, then your effort cannot be evaluated and improved.
NYU STATEMENTS AND PRINCIPLES
STATEMENT OF ACADEMIC INTEGRITY
Plagiarism is presenting someone else’s work as though it were your own. More specifically, plagiarism is to present as your own: A sequence of words quoted without quotation marks from another writer or a paraphrased passage from another writer’s work or facts, ideas or images composed by someone else.
STATEMENT OF PRINCIPLE
The core of the educational experience at the Tisch School of the Arts is the creation of original academic and artistic work by students for the critical review of faculty members. It is therefore of the utmost importance that students at all times provide their instructors with an accurate sense of their current abilities and knowledge in order to receive appropriate constructive criticism and advice. Any attempt to evade that essential, transparent transaction between instructor and student through plagiarism or cheating is educationally self-defeating and a grave violation of Tisch School of the Arts community standards. For all the details on plagiarism, please refer to page 10 of the Tisch School of the Arts, Policies and Procedures Handbook, which can be found online at: http://students.tisch.nyu.edu/page/home.html
STATEMENT ON ACCESSIBILITY
Please feel free to make suggestions to your instructor about ways in which this class could become more accessible to you. Academic accommodations are available for students with documented disabilities. Please contact the Moses Center for Students with Disabilities at 212 998-4980 for further information.
STATEMENT ON COUNSELING AND WELLNESS
Your health and safety are a priority at NYU. If you experience any health or mental health issues during this course, we encourage you to utilize the support services of the 24/7 NYU Wellness Exchange 212-443-9999. Also, all students who may require an academic accommodation due to a qualified disability, physical or mental, please register with the Moses Center 212-998-4980. Please let your instructor know if you need help connecting to these resources.
STATEMENT ON USE OF ELECTRONIC DEVICES
Laptops will be an essential part of the course and may be used in class during workshops and for taking notes in lecture. Laptops must be closed during class discussions and student presentations. Phone use in class is strictly prohibited unless directly related to a presentation of your own work or if you are asked to do so as part of the curriculum.
STATEMENT ON TITLE IX
Tisch School of the Arts to dedicated to providing its students with a learning environment that is rigorous, respectful, supportive and nurturing so that they can engage in the free exchange of ideas and commit themselves fully to the study of their discipline. To that end Tisch is committed to enforcing University policies prohibiting all forms of sexual misconduct as well as discrimination on the basis of sex and gender. Detailed information regarding these policies and the resources that are available to students through the Title IX office can be found by using the following link: Title IX at NYU - https://www.nyu.edu/about/policies-guidelines-compliance/equal-opportunity/title9.html.