Basic Usage Tutorial v0.7
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From the project website originally written solely by Martin Renold, then updated and revised by Griatch in autumn of 2009 to cover the 0.7 version.
Originally I copied this here to facilitate collaborative editing and improvement but on second thought I'm not sure this really is suitable for being edited/improved by many, due to the personal style and tone of the tutorial. But there are things (most notably new features like layers) we should document for users. Feel free to discuss how this is best done here! --Jonnor 21:13, 4 August 2009 (UTC)
Edit this if you want, but it's probably just as easy to start from scratch. --maxy (testing anonymous wiki edits)
I've ported this to the new wiki, since the design notes and ethos should be kept relevant even if the page is a bit outdated for users -- @achadwick, 8 Mar 2015.
The tutorial itself
Here I want to explain you how I use my program. My goal for MyPaint was “scribble without thinking”. I want as little distraction as possible from the painting process. If you are drawing with the mouse you might notice small problems between the strokes. MyPaint is not really optimized for the mouse. If you paint often I really recommend a graphic tablet.
MyPaint can save/load .ora (OpenRaster format, default and working format, keep layers), .png (with and without alpha) and jpg. You can use the GIMP for final touch up, cropping and all the “manipulation” stuff. I paint with my left hand on the left half of the keyboard. That’s how the shortcuts are arranged, but you can easily change them.
To increase the size of the brush, press the F key. Press the D key to make it smaller. Try to use those keys instinctively. You can use them in the middle of a stroke. However some brushes, especially the first two, change their size with your movement speed. Changing their radius will not work very well (because the speed is measured relative to the current radius). You control the size of those brushes by moving faster or slower. This works best when painting with small successive movements instead of doing one straight stroke.
Change the Color
Press the G key to open the GTK color dialog. Choose your color. Press G again to get rid of it. Scribble around a bit with your new color, then press V. The color at the center is your current color. The horizontal stripe changes the brightness only, the vertical one saturation only. The colors around will look different every time. This is a very fast way to get shades of one color. I prefer it over the GTK dialog except for the very dark shades. It is hard to distinguish those dark colors from each other before they cover a big area.
Finally, point at your painting and press the R key. This picks the color at the cursor – no mouse click is needed. This is even faster, but you get no color variation.
The border of the screen is not the end. The canvas is always a little bit bigger than this and will grow when you resize the window or move around. In the View menu, read the Help text now. You can zoom in and out using the + and - keys. The thing to remember is that zooming out can be dangerous. You will probably notice a heavy slowdown before you run out of memory. Anyway, try it while you have nothing to lose.
Modify Last Stroke
If you want to experiment with the color of a stroke you can hit M to start modifying the last stroke. Nothing will happen until you change the brush (usually color, opacity or size). I like this when drawing clouds or fog or, in general, faint strokes that cover a large area. You can press M again to include earlier strokes. Press N or simply start to paint to get out of this mode. (demo)
The Brush Dialog
Open the edit expander in the brush dialog. The white space at the bottom of the graphical brush list is for trying out your brush. Use it a bit. You can drag the brushes around in the list to reorder them. On startup the upper left brush will be selected. Now choose the reddish brush at the top (the image looks a bit different in 0.5.0). Click on it once more to show the bigger preview image. Try it a bit, I think it is a good one.
The first thing to note is that it gets more randomness when you increase pressure. And it will grow when you move around faster. And the brightness changes. You have to get a feeling for this brush before you can use it productively. Especially, try what happens when you move very slow and press very hard. (On this image the size was never changed.)
Create your own brush
The rest of this tutorial is about making and changing brushes. Let’s say you like this brush, but not the fact that the brightness gets changed. Open the brush settings window from the Dialogs menu. So many settings! I have to admit that I don’t remember what some of them do myself. Look at the tooltip info for color brightness at the bottom. A text will appear when your mouse rests over the label. That must be it! But why is it at zero? Well what you see here is the base value, independent of speed, pressure, whatever. Change it until it shows 2.0. Change your Color to black and draw a bit.
OK, that was a bad idea, and it still does change with speed! Click on the red brush again to restore the original settings. Click on the X button right to the change color value (HSV) slider. The X indicates that something interesting was changed here, in contrast to the buttons labeled with … three dots.
Move the by random slider to the maximum, just for fun, and try your brush. You could increase the base value a bit to make the brush brighter on average. But now press all the zero buttons to get rid of this stuff completely. Try it, it did actually work.
There is no need to alter the curve you see at by random because its y-range now goes from zero to zero. This curve will not be saved any more with your brush because it has no effect.
An useful helper when creating brushes is Modify Last Stroke from the Edit menu. (demo)
Save your new brush
Easy. In the brush dialog, click on add as new. Your new brush is at the upper left corner (remember, you can drag it around). But it needs a different image! Press clear and draw something that both shows your brush and is easy to recognize. Then press save preview. If you improve the brush settings even more, remember to save settings before you switch to another brush or quit.
It is also possible to draw the preview image with a different brush. Remember: click once to load the brush settings, click again to load its image. You can also change the preview (actually the settings file too) with an external program. MyPaint will notice the changes when you select the brush again. Maybe you want our GIMP template for the labels.
Share your brush
This goes manually, sorry about that. Look at the directory
~/.mypaint/brushes/, use the png images to find the number of your brush. You can rename those files, as long as you keep the .myb extension MyPaint will find them. The file
b???.myb is most important, but you better get the
_prev.png too for a nice preview. Wow, somebody is actually reading all this stuff! Well, if you ever come up with an own brush (or a whole collection) that you like and use often, please drop me an email so I can include it into the next release.