Thump goes the beat, and Major Lazer is responsible for this summer’s heaviest. Already claiming a Track of the Weekend recently, Major Lazer and MØ are back with a cover of Frank Ocean’s “Lost.” It’s everything you want it to be, and more. Big, boisterous, hard like a boulder, Major Lazer fans will be thrilled, if they haven’t already heard it, of course!
Summer vibes are all around us, as speakers thump during afternoon BBQs and the sky stays light until we’re drunk. It’s all about the positive mood, something that Parisian electronic artist Christopher Dixit uses to create. “Little Black Beard’s Mood” is his new EP that just came out on Nowadays Records in mid-July. The timing couldn’t be better for this journey through electronica.
Let’s get to the details:
Released: July 17, 2015
Genres: electronic, future beat
Tracks: 5
Who would like this EP?
Anticonformist electro heads who enjoy instrumental and sampled mixes of different cultures and styles.
Our thoughts:
The envelope keeps getting pushed in the world of electronic music. DIXIT takes inspiration from things like Japanese culture and video games, applies a deep understanding of beatmaking, and weaves stories throughout the five tracks on this EP.
The styling is wide, meaning this music can pair well in many different sorts of playlists. Our favorite track is probably “Mini Synthèse” for its clever use of sampling to produce the feel of different genres, all in one song!
The grass in the fields is brittle. The sunshine pours down daily. It’s been a dry summer here in northern France, and the city of light has been the city of heat. Few acts right now are hotter than the temperatures here, but one that’s unquestionably on fire is Years & Years, an English electro-R&B group that has been steadily infiltrating the airwaves. The trio’s latest single, “Ties” capitalizes on their now-famous style: a seductive voice, expertly-constructed melodies, and some of the catchiest lyrics this side of Disney. No wonder “Ties” was the hottest track on Whyd this week. And their album “Communion” is rapidly on pace to become one of the biggest of 2015.
Summer is in full swing and offices are already a little less crowded as people head off to the world’s destinations. This week, the Whyd community turned its ears towards the land down under, where Whyd favorite Flume just released a remix of a different Australian duo: Collarbones. “Turning” is resonant and powerful. The voice is reminiscent of Years & Years. The melody attracts and captivates. But then Flume adds depth. He boosts the original track deep into house territory, all of it climaxing into a heady blast of turn-it-up electronica.
Hello! Can you introduce yourselves, who is behind the Cabaret Frappé in Grenoble? Is that a Starbucks drink?
Nope. It’s a pure European blended musical event organised by Grenoble city. The festival, 70% funded by the regional government, offers 3 stages and various activities during 6 days. More than half of the events remain free. Only some shows are paid, at a really affordable price.
How long has the Cabaret Frappé been going on for?
The Cabaret Frappé is already going to celebrate his 17th birthday. This year, beside the must-see festival in the garden, the festival also features brass band performances in the city train station, and will have a free concert on the Bastille, a fort on the top of a hill, offering a breath-taking view over the city. To finish, the Cabaret Frappé offers an after party in a legendary concert hall : Le Ciel.
Is the end of July a good time to visit Grenoble?
We can definitely say that the end of July is a good time to visit Grenoble, in order to enjoy the area, surrounded by three wonderful mountain ranges. The mountain is also an amazing natural place to visit outside the winter period. During July, it’s the perfect weather to go around for a walk, and cool down in the lakes and waterfalls of the area. Within Grenoble, you can visit the charming city centre streets and parks, and enjoy many entertainments as well.
What kind of artists will be performing?
Assuming the role of a pioneer, the Cabaret Frappé is behind many innovative musical discoveries. The festival supports musical creation, and ensures high quality programming. It promotes local and international artists within a large range of diverse music styles.
What’s the vibe like?
The festival mainly takes place in a nice park, in the heart of the city. It brings about 50,000 people during the week. Friends and family gather in this fresh oasis, under the shade of the trees, to enjoy a moment of relaxation ideally suited to discovery. Around the musical program, various activities are freely organized: readings in the Rose Garden, world games, screen printing or free childcare centre for young parents attending paid concerts.
What are you the most proud of about the CF?
We are really happy to give the opportunity to discover today tomorrow’s talent. The Cabaret Frappé attaches great importance to promote emerging artists and showcase their performance in front of a large public.
Is “Alright” Kendrick Lamar’s most political song? It does fit perfectly well into America’s modern narrative of black vs. police. One thing is for sure, it’s another visceral experience whose music video is a visual masterpiece featuring Kendrick flying through the streets and rapping atop streetlights before getting shot by a white cop. It’s the latest in his string of hits off of “To Pimp A Butterfly” confirming what we thought all along: 2015 is the year of Kendrick Lamar.
When the temperatures soar above 40ºC (+100ºF) like we’ve been having this week here in Paris, there are few things better than an ice cold Heineken, the emblematic beer in a green bottle with a red star that’s available in even more places than Coca Cola (well, maybe, don’t quote us on that). But Heineken is not just cool temperature-wise, they have also been a leading source of inspiration and they are very deep into music culture. They did, after all, create GreenRoom, which is an awesome source for the latest trending news, especially for music.
We read GreenRoom’s posts all the times, from their music services comparisons, to insider Game of Thrones updates. The unique style and voice works perfectly (if you speak French!). And they have shared nothing but good music on their Whyd page since almost the very conception of Whyd. Mad respect.
Now their offering grows, as they have just released a very slick app - My Greenroom - which lets you download their articles for offline viewing. You can also see top lists of the most read articles, and see the articles that your friends have liked, to make sure that you can know what Marie Robin has been reading!
They are also releasing a mix between a magazine and book called “Festival Mon Amour” in collaboration with Snatch magazine. The publication is a limited edition featuring the world of music festivals. You can pick up a copy at places like Collette, Palais de Tokyo, la Gaité Lyrique, and Mama Shelter.
Heat wave’s a-coming here to northern France and the city of light is set to become the city of swelter. Skirts flutter in the hot breeze and sweat drips from brows. Perfect time to enjoy the icy goodness of a mojito on a terrace while listening to some dreamy music. An ideal song for this situation is Isaac Delusion’s new single “How Much You Want Her” that just dropped this week on Microqlima. You already know Isaac Delusion from our Whyd interview, and their two previous tracks of the weekend. This track is a clear development for them, the voice flying high like a satellite in low-Earth orbit, the rhythm and guitar teasing and building, and one of the best choruses we’ve heard all year.
Every so often an artist comes along that can rivet you without words. Someone who can create entire atmospheres of feeling and emotion with no air. Someone with the ability to paint a picture with no paint. You get the idea. Right now that artist is Feynman, who - not to be confused with the legendary physicist - has been spinning around the world like electrons in an Heisenberg uncertainty principle.
He just released his EP “Illusions,” on Fake Music. Let’s get the details:
Released: May 25, 2015
Genres: electronic
Tracks: 5
Who would like this EP?
Fans of Ratatat’s beats, Daft Punk’s funk, The Chemical Brother’s energy.
Our thoughts:
It’s been a while since an emerging artist has delivered such a high-energy EP, where the funk runs rampant like a hippopotamus in a flooded Georgian zoo. Feynman weaves threads of style and swagger through rises and falls. “Diego in Vegas” is a turn-your-speaker-up-until-your-neighbors-fucking-hate-you track that will get your bones a-rattling.
But at the same time it’s rather classic, settling in for the sort of mainstream electronica that enabled Daft Punk to rise to global fame. This is comforting in an era where experimentation has gone to such extremes that genre defining has become a one-song game.
Everyone get ready. This weekend is France’s Fête de la Musique, which is an all-day, all-night celebration of music that takes over cities on June 21st, the first day of summer. There are endless things to do, and as the hour waxes late so do the craziness, filthiness, and drunkenness. Capturing this inevitable feeling of raging is Foals’ new single “What Went Down” from their forthcoming album of the same name. Foals’ fans might be a little turned off by the rawness and clamor, but it represents a new direction for the group, one that more hardcore fans will find a welcome change, and one that’s perfect for this weekend in Paris.