From 9f77bbbe0e576ed3e5196f02c43c8768b65d6191 Mon Sep 17 00:00:00 2001 From: Alex Cabal Date: Mon, 27 Nov 2023 20:55:21 -0600 Subject: [PATCH] Add z3998:name-title semantic to some abbreviations --- src/epub/text/editors-note.xhtml | 2 +- src/epub/text/endnotes.xhtml | 16 ++++++++-------- 2 files changed, 9 insertions(+), 9 deletions(-) diff --git a/src/epub/text/editors-note.xhtml b/src/epub/text/editors-note.xhtml index d776fb9..e36249d 100644 --- a/src/epub/text/editors-note.xhtml +++ b/src/epub/text/editors-note.xhtml @@ -8,7 +8,7 @@

Editor’s Note

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The earliest known edition of The Tragical History of Doctor Faustus is that of 1604; there is a second edition with date of 1609, agreeing in almost every particular with the first; a third edition with new scenes and many alterations, was published in 1616. The text here given is that of 1604, with some readings adopted from the edition of 1616, in general agreement with the texts of Dyce and Bullen. It is very doubtful if any of the additions in the edition of 1616 are by Marlowe; Mr. Bullen thinks that some of them are. They are often ingenious, and sometimes they are improvements. They appear to be written by a clever and facile imitator of Marlowe’s style. The comic additions are taken from the prose History of the Damnable Life and Deserved Death of Dr. John Faustus; the serious additions are closely moulded on Marlowe’s early work. We know that in 1602 William Bride and Samuel Rowley received four pounds for making “adicyones” to Faustus. I have retained the excellent plan, introduced by Professor Ward and adopted by Mr. Bullen, of dividing the play into scenes only: it is a dramatic poem rather than a regular drama.

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The earliest known edition of The Tragical History of Doctor Faustus is that of 1604; there is a second edition with date of 1609, agreeing in almost every particular with the first; a third edition with new scenes and many alterations, was published in 1616. The text here given is that of 1604, with some readings adopted from the edition of 1616, in general agreement with the texts of Dyce and Bullen. It is very doubtful if any of the additions in the edition of 1616 are by Marlowe; Mr. Bullen thinks that some of them are. They are often ingenious, and sometimes they are improvements. They appear to be written by a clever and facile imitator of Marlowe’s style. The comic additions are taken from the prose History of the Damnable Life and Deserved Death of Dr. John Faustus; the serious additions are closely moulded on Marlowe’s early work. We know that in 1602 William Bride and Samuel Rowley received four pounds for making “adicyones” to Faustus. I have retained the excellent plan, introduced by Professor Ward and adopted by Mr. Bullen, of dividing the play into scenes only: it is a dramatic poem rather than a regular drama.

—Havelock Ellis

diff --git a/src/epub/text/endnotes.xhtml b/src/epub/text/endnotes.xhtml index 0838336..b02d595 100644 --- a/src/epub/text/endnotes.xhtml +++ b/src/epub/text/endnotes.xhtml @@ -25,7 +25,7 @@

Dyce suggests that probably the Chorus, before going out, drew a curtain, and disclosed Faustus sitting in his study.

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    This is Mr. Bullen’s emendation. Ed. 1604 reads “Oncaymaeon,” by which Marlowe meant the Aristotelian ὅν καὶ μὴ ὅν (“being and not being”). The later quartos give (with various spelling) “Œconomy,” which is nonsense.

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    This is Mr. Bullen’s emendation. Ed. 1604 reads “Oncaymaeon,” by which Marlowe meant the Aristotelian ὅν καὶ μὴ ὅν (“being and not being”). The later quartos give (with various spelling) “Œconomy,” which is nonsense.

  • Maxims of medical practice.

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    I.e. Wandering.

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    Quid tu moraris?” preparatory to a weightier invocation, suggested by Mr. Fleay and Mr. Bullen, in place of “quod tumeraris.”

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    Quid tu moraris?” preparatory to a weightier invocation, suggested by Mr. Fleay and Mr. Bullen, in place of “quod tumeraris.”

  • -

    In the prose History we read:⁠—“After Dr. Faustus had made his promise to the devill, in the morning betimes he called the spirit before him, and commanded him that he should alwayes come to him like a fryer after the order of Saint Francis, with a bell in his hand like Saint Anthony, and to ring it once or twice before he appeared, that he might know of his certaine coming.”

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    In the prose History we read:⁠—“After Dr. Faustus had made his promise to the devill, in the morning betimes he called the spirit before him, and commanded him that he should alwayes come to him like a fryer after the order of Saint Francis, with a bell in his hand like Saint Anthony, and to ring it once or twice before he appeared, that he might know of his certaine coming.”

  • I.e. Inform me.

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    It is suggested by Dyce that the scene is probably a street.

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    Beards cut to a sharp point (Fr. pic-d-devani).

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    Beards cut to a sharp point (Fr. pic-d-devani).

  • Dyce points out that these are the first words of W. Lily’s “Ad discipulos carmen de moribus.”

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    “You” is of course the antecedent of “that.” —⁠Bullen

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    The sixth chapter of the prose History is headed⁠—“How Dr. Faustus set his blood in a saucer on warme ashes and writ as followeth.”

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    The sixth chapter of the prose History is headed⁠—“How Dr. Faustus set his blood in a saucer on warme ashes and writ as followeth.”

  • -

    The words “he desires” are not in the old quartos. Dyce first pointed out that in the prose History of Dr. Faustus, the third article runs thus:⁠—“That Mephistopheles should bring him anything and do for him whatsoever”⁠—a later edition adding “he desired,” and another “he requireth.”

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    The words “he desires” are not in the old quartos. Dyce first pointed out that in the prose History of Dr. Faustus, the third article runs thus:⁠—“That Mephistopheles should bring him anything and do for him whatsoever”⁠—a later edition adding “he desired,” and another “he requireth.”

  • Foolish.

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    Booty.

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    The actor was at liberty to supply the abuse. Mr. Bullen mentions that in an old play, the Tryall of Chevalry (1605), the stage direction occurs, “Exit Clown, speaking anything.

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    The actor was at liberty to supply the abuse. Mr. Bullen mentions that in an old play, the Tryall of Chevalry (1605), the stage direction occurs, “Exit Clown, speaking anything.

  • The scene is an apartment in the Emperor’s palace. Much of the text of this scene is closely borrowed from the prose History.

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    Smooth.

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    Dr. Lopez, physician to Queen Elizabeth. He was hanged in 1594 for having received a bribe from the court of Spain to poison the Queen; as Marlowe was dead before the doctor came into notoriety, he could hardly have written this.

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    Dr. Lopez, physician to Queen Elizabeth. He was hanged in 1594 for having received a bribe from the court of Spain to poison the Queen; as Marlowe was dead before the doctor came into notoriety, he could hardly have written this.

  • A juggler’s term, like “presto, fly!” Hence applied to the juggler himself. —⁠Bullen