diff --git a/src/epub/text/chapter-1.xhtml b/src/epub/text/chapter-1.xhtml index 41639ce..cbade2a 100644 --- a/src/epub/text/chapter-1.xhtml +++ b/src/epub/text/chapter-1.xhtml @@ -11,9 +11,9 @@

I

There was a ball in the old Pentland house because for the first time in nearly forty years there was a young girl in the family to be introduced to the polite world of Boston and to the elect who had been asked to come on from New York and Philadelphia. So the old house was all bedizened with lanterns and bunches of late spring flowers, and in the bare, white-painted, dignified hallway a Negro band, hidden discreetly by flowers, sat making noisy, obscene music.

-

Sybil Pentland was eighteen and lately returned from school in Paris, whither she had been sent against the advice of the conservative members of her own family, which, it might have been said, included in its connections most of Boston. Already her great-aunt, Mrs. Cassandra Struthers, a formidable woman, had gone through the list of eligible young men⁠—the cousins and connections who were presentable and possessed of fortunes worthy of consideration by a family so solidly rich as the Pentlands. It was toward this end that the ball had been launched and the whole countryside invited, young and old, spry and infirm, middle-aged and dowdy⁠—toward this end and with the idea of showing the world that the family had lost none of its prestige for all the lack of young people in its ranks. For this prestige had once been of national proportions, though now it had shrunk until the Pentland name was little known outside New England. Rather, it might have been said that the nation had run away from New England and the Pentland family, leaving it stranded and almost forgotten by the side of the path which marked an unruly, almost barbaric progress away from all that the Pentland family and the old house represented.

+

Sybil Pentland was eighteen and lately returned from school in Paris, whither she had been sent against the advice of the conservative members of her own family, which, it might have been said, included in its connections most of Boston. Already her great-aunt, Mrs. Cassandra Struthers, a formidable woman, had gone through the list of eligible young men⁠—the cousins and connections who were presentable and possessed of fortunes worthy of consideration by a family so solidly rich as the Pentlands. It was toward this end that the ball had been launched and the whole countryside invited, young and old, spry and infirm, middle-aged and dowdy⁠—toward this end and with the idea of showing the world that the family had lost none of its prestige for all the lack of young people in its ranks. For this prestige had once been of national proportions, though now it had shrunk until the Pentland name was little known outside New England. Rather, it might have been said that the nation had run away from New England and the Pentland family, leaving it stranded and almost forgotten by the side of the path which marked an unruly, almost barbaric progress away from all that the Pentland family and the old house represented.

Sybil’s grandfather had seen to it that there was plenty of champagne; and there were tables piled with salads and cold lobster and sandwiches and hot chicken in chafing-dishes. It was as if a family whose whole history had been marked by thrift and caution had suddenly cast to the winds all semblance of restraint in a heroic gesture toward splendor.

-

But in some way, the gesture seemed to be failing. The Negro music sounded wild and spirited, but also indiscreet and out of place in a house so old and solemn. A few men and one or two women known for their fondness for drink consumed a great deal of champagne, but only dullness came of it, dullness and a kind of dead despair. The rich, the splendorous, the gorgeous, the barbaric, had no place in rooms where the kind Mr. Longfellow and the immortal Messrs. Emerson and Lowell had once sat and talked of life. In a hallway, beneath the gaze of a row of ancestors remarkable for the grimness of their faces, the music appeared to lose its quality of abandon; it did not belong in this genteel world. On the fringes of the party there was some drunkenness among the undergraduates imported from Cambridge, but there was very little gaiety. The champagne fell upon barren ground. The party drooped.

+

But in some way, the gesture seemed to be failing. The Negro music sounded wild and spirited, but also indiscreet and out of place in a house so old and solemn. A few men and one or two women known for their fondness for drink consumed a great deal of champagne, but only dullness came of it, dullness and a kind of dead despair. The rich, the splendorous, the gorgeous, the barbaric, had no place in rooms where the kind Mr. Longfellow and the immortal Messrs. Emerson and Lowell had once sat and talked of life. In a hallway, beneath the gaze of a row of ancestors remarkable for the grimness of their faces, the music appeared to lose its quality of abandon; it did not belong in this genteel world. On the fringes of the party there was some drunkenness among the undergraduates imported from Cambridge, but there was very little gaiety. The champagne fell upon barren ground. The party drooped.

Though the affair was given primarily to place Sybil Pentland upon the matrimonial market of this compact world, it served, too, as an introduction for Thérèse Callendar, who had come to spend the summer at Brook Cottage across the stony meadows on the other side of the river from Pentlands; and as a reintroduction of her mother, a far more vivid and remarkable person. Durham and the countryside thereabouts was familiar enough to her, for she had been born there and passed her childhood within sight of the spire of the Durham town meetinghouse. And now, after an absence of twenty years, she had come back out of a world which her own people⁠—the people of her childhood⁠—considered strange and ungenteel. Her world was one filled with queer people, a world remote from the quiet old house at Pentlands and the great brownstone houses of Commonwealth Avenue and Beacon Street. Indeed, it was this woman, Sabine Callendar, who seemed to have stolen all the thunder at the ball; beside her, neither of the young girls, her own daughter nor Sybil Pentland, appeared to attract any great interest. It was Sabine whom everyone noticed, acquaintances of her childhood because they were devoured by curiosity concerning those missing twenty years, and strangers because she was the most picturesque and arresting figure at the ball.

It was not that she surrounded herself by adoring young men eager to dance with her. She was, after all, a woman of forty-six, and she had no tolerance for mooning boys whose conversation was limited to bootlegging and college clubs. It was a success of a singular sort, a triumph of indifference.

People like Aunt Cassie Struthers remembered her as a shy and awkward young girl with a plain face, a good figure and brick-red hair which twenty years ago had been spoken of as “Poor Sabine’s ugly red hair.” She was a girl in those days who suffered miserably at balls and dinners, who shrank from all social life and preferred solitude. And now, here she was⁠—returned⁠—a tall woman of forty-six, with the same splendid figure, the same long nose and green eyes set a trifle too near each other, but a woman so striking in appearance and the confidence of her bearing that she managed somehow to dim the success even of younger, prettier women and virtually to extinguish the embryonic young things in pink-and-white tulle. Moving about indolently from room to room, greeting the people who had known her as a girl, addressing here and there an acquaintance which she had made in the course of the queer, independent, nomadic life she had led since divorcing her husband, there was an arrogance in her very walk that frightened the young and produced in the older members of Durham community (all the cousins and connections and indefinable relatives), a sense of profound irritation. Once she had been one of them, and now she seemed completely independent of them all, a traitress who had flung to the winds all the little rules of life drilled into her by Aunt Cassie and other aunts and cousins in the days when she had been an awkward, homely little girl with shocking red hair. Once she had belonged to this tight little world, and now she had returned⁠—a woman who should have been defeated and a little declassée and somehow, irritatingly, was not. Instead, she was a “figure” much sought after in the world, enveloped by the mysterious cloud of esteem which surrounds such persons⁠—a woman, in short, who was able to pick her friends from the ranks of distinguished and even celebrated people. It was not only because this was true, but because people like Aunt Cassie knew it was true, that she aroused interest and even indignation. She had turned her back upon them all and no awful fate had overtaken her; instead, she had taken a firm hold upon life and made of it a fine, even a glittering, success; and this is a thing which is not easily forgiven.

@@ -28,7 +28,7 @@

II

No one suffered more keenly from Sabine’s triumphant return than the invincible Aunt Cassie. In a way, she had always looked upon Sabine, even in the long years of her voluntary exile from the delights of Durham, as her own property, much as she might have looked upon a dog, if, indeed, the old lady had been able to bear the society of anything so untidy as a dog. Childless herself, she had exercised all her theories of upbringing upon the unfortunate orphaned little daughter of her husband’s brother.

-

At the moment, the old lady sat halfway down the white stairs, her sharp black eyes surveying the ball with a faint air of disapproval. The noisy music made her nervous and uneasy, and the way young girls had of using paint and powder seemed to her cheap and common. “One might as well brush one’s teeth at the dinner-table.” Secretly, she kept comparing everything with the ball given for herself forty years earlier, an event which had resulted at length in the capture of Mr. Struthers. Dressed economically (for she made it a point of honor to live on the income of her income), and in mourning for a husband dead eight years earlier, she resembled a dignified but slightly uneasy crow perched on a fence.

+

At the moment, the old lady sat halfway down the white stairs, her sharp black eyes surveying the ball with a faint air of disapproval. The noisy music made her nervous and uneasy, and the way young girls had of using paint and powder seemed to her cheap and common. “One might as well brush one’s teeth at the dinner-table.” Secretly, she kept comparing everything with the ball given for herself forty years earlier, an event which had resulted at length in the capture of Mr. Struthers. Dressed economically (for she made it a point of honor to live on the income of her income), and in mourning for a husband dead eight years earlier, she resembled a dignified but slightly uneasy crow perched on a fence.

It was Sabine who observed that Aunt Cassie and her “lady companion,” Miss Peavey, sitting on the steps together, resembled a crow and a pouter pigeon. Miss Peavey was not only fat, she was actually bulbous⁠—one of those women inclined by nature toward “flesh,” who would have been fat on a diet of sawdust and distilled water; and she had come into the family life nearly thirty years earlier as a companion, a kind of slave, to divert Aunt Cassie during the long period of her invalidism. She had remained there ever since, taking the place of a husband who was dead and children who had never been born.

There was something childlike about Miss Peavey⁠—some people said that she was not quite bright⁠—but she suited Aunt Cassie to a T, for she was as submissive as a child and wholly dependent in a financial sense. Aunt Cassie even gave her enough to make up for the losses she incurred by keeping a small shop in Boston devoted to the sale of “artistic” pottery. Miss Peavey was a lady, and though penniless, was “well connected” in Boston. At sixty she had grown too heavy for her birdlike little feet and so took very little exercise. Tonight she was dressed in a very fancy gown covered with lace and sequins and passementerie, rather in the mode which someone had told her was her style in the far-off days of her girlhood. Her hair was streaked with gray and cut short in a shaggy, uneven fashion; not, however, because short hair was chic, but because she had cut it ten years before short hair had been heard of, in a sudden futile gesture of freedom at the terrible moment she made her one feeble attempt to escape Aunt Cassie and lead her own life. She had come back in the end, when her poor savings gave out and bankruptcy faced her, to be received by Aunt Cassie with dignified sighs and flutters as a returned and repentant prodigal. In this role she had lived ever since in a state of complete subjection. She was Aunt Cassie’s creature now, to go where Aunt Cassie ordered, to do as she was bid, to be an earpiece when there was at hand no one more worthy of address.

At the sight of Sabine’s green dress and red hair moving through the big hall below them, Aunt Cassie said, with a gleam in her eye: “Sabine seems to be worried about her daughter. The poor child doesn’t seem to be having a success, but I suppose it’s no wonder. The poor thing is very plain. I suppose she got the sallow skin from her father. He was part Greek and French.⁠ ⁠… Sabine was never popular as a young girl herself.”

@@ -38,10 +38,10 @@

In Aunt Cassie’s speeches, in every phrase, there was always a certain mild theatrical overtone as if she sought constantly to cast a sort of melodramatic haze over all she said. Nothing was ever stated simply. Everything from the sight of a pot of sour cream to the death of her husband affected her extravagantly, to the depths of her soul.

But this brought no response from Miss Peavey, who seemed lost in the excitement of watching the young people, her round candid eyes shining through her pince-nez with the eagerness of one who has spent her whole life as a “lady companion.” At moments like this, Aunt Cassie felt that Miss Peavey was not quite bright, and sometimes said so.

Undiscouraged, she went on. “Olivia looks bad, too, tonight⁠ ⁠… very tired and worn. I don’t like those circles under her eyes.⁠ ⁠… I’ve thought for a long time that she was unhappy about something.”

-

But Miss Peavey’s volatile nature continued to lose itself completely in the spectacle of young girls who were so different from the girls of her day; and in the fascinating sight of Mr. Hoskins, a fat, sentimental, middle-aged neighbor who had taken a glass too much champagne and was talking archly to the patient Olivia. Miss Peavey had quite forgotten herself in the midst of so much gaiety. She did not even see the glances of Aunt Cassie in her direction⁠—glances which plainly said, “Wait until I get you alone!”

+

But Miss Peavey’s volatile nature continued to lose itself completely in the spectacle of young girls who were so different from the girls of her day; and in the fascinating sight of Mr. Hoskins, a fat, sentimental, middle-aged neighbor who had taken a glass too much champagne and was talking archly to the patient Olivia. Miss Peavey had quite forgotten herself in the midst of so much gaiety. She did not even see the glances of Aunt Cassie in her direction⁠—glances which plainly said, “Wait until I get you alone!”

For a long time Aunt Cassie had been brooding over what she called “Olivia’s strange behavior.” It was a thing which she had noticed for the first time a month or two earlier when Olivia, in the midst of one of Aunt Cassie’s morning calls, had begun suddenly, quietly, to weep and had left the room without a word of explanation. It had gone from bad to worse lately; she felt Olivia slipping away from all control directly in opposition to her own benevolent advice. There was the matter of this very ball. Olivia had ignored her counsels of economy and thrift, and now Aunt Cassie was suffering, as if the champagne which flowed so freely were blood drawn from her own veins. Not for a century, since Savina Pentland purchased a parure of pearls and emeralds, had so much Pentland money been expended at one time on mere pleasure.

-

She disapproved, too, of the youthfulness of Olivia and of Sabine. Women of their ages ought not to look so fresh and young. There was something vulgar, even a little improper, in a woman like Sabine who at forty-six looked thirty-five. At thirty, Aunt Cassie herself had settled down as a middle-aged woman, and since then she had not changed greatly. At sixty-five, “childless and alone in the world” (save, of course, for Miss Peavey), she was much the same as she had been at thirty in the role of wife to the “trying Mr. Struthers.” The only change had been her recovery from a state of semi-invalidism, a miracle occurring simultaneously with the passing of Mr. Struthers.

-

She had never quite forgiven Olivia for being an outsider who had come into the intricate web of life at Pentlands out of (of all places) Chicago. Wisps of mystery and a faint sense of the alien had clung to her ever since. Of course, it wasn’t to be expected that Olivia could understand entirely what it meant to marry into a family whose history was so closely woven into that of the Massachusetts Bay Colony and the life of Boston. What could it mean to Olivia that Mr. Longfellow and Mr. Lowell and Dr. Holmes had often spent weeks at Pentlands? That Mr. Emerson himself had come there for weekends? Still (Aunt Cassie admitted to herself), Olivia had done remarkably well. She had been wise enough to watch and wait and not go ahead strewing her path with blunders.

+

She disapproved, too, of the youthfulness of Olivia and of Sabine. Women of their ages ought not to look so fresh and young. There was something vulgar, even a little improper, in a woman like Sabine who at forty-six looked thirty-five. At thirty, Aunt Cassie herself had settled down as a middle-aged woman, and since then she had not changed greatly. At sixty-five, “childless and alone in the world” (save, of course, for Miss Peavey), she was much the same as she had been at thirty in the role of wife to the “trying Mr. Struthers.” The only change had been her recovery from a state of semi-invalidism, a miracle occurring simultaneously with the passing of Mr. Struthers.

+

She had never quite forgiven Olivia for being an outsider who had come into the intricate web of life at Pentlands out of (of all places) Chicago. Wisps of mystery and a faint sense of the alien had clung to her ever since. Of course, it wasn’t to be expected that Olivia could understand entirely what it meant to marry into a family whose history was so closely woven into that of the Massachusetts Bay Colony and the life of Boston. What could it mean to Olivia that Mr. Longfellow and Mr. Lowell and Dr. Holmes had often spent weeks at Pentlands? That Mr. Emerson himself had come there for weekends? Still (Aunt Cassie admitted to herself), Olivia had done remarkably well. She had been wise enough to watch and wait and not go ahead strewing her path with blunders.

Into the midst of these thoughts the figure of Olivia herself appeared, moving toward the stairway, walking beside Sabine. They were laughing over something, Sabine in the sly, mocking way she had, and Olivia mischievously, with a suspicious twinkle in her eyes. Aunt Cassie was filled with an awful feeling that they were sharing some joke about the people at the ball, perhaps even about herself and Miss Peavey. Since Sabine had returned, she felt that Olivia had grown even more strange and rebellious; nevertheless, she admitted to herself that there was a distinction about them both. She preferred the quiet distinction of Olivia to the violence of the impression made by the glittering Sabine. The old lady sensed the distinction, but, belonging to a generation which lived upon emotion rather than analysis, she did not get to the root of it. She did not see that one felt at once on seeing Olivia, “Here is a lady!”⁠—perhaps, in the true sense of the word, the only lady in the room. There was a gentleness about her and a softness and a proud sort of poise⁠—all qualities of which Aunt Cassie approved; it was the air of mystery which upset the old lady. One never knew quite what Olivia was thinking. She was so gentle and soft-spoken. Sometimes of late, when pressing Olivia too hotly, Aunt Cassie, aware of rousing something indefinably perilous in the nature of the younger woman, drew back in alarm.

Rising stiffly, the old lady groaned a little and, moving down the stairs, said, “I must go, Olivia dear,” and, turning, “Miss Peavey will go with me.”

Miss Peavey would have stayed, because she was enjoying herself, looking down on all those young people, but she had obeyed the commands of Aunt Cassie for too long, and now she rose, complaining faintly, and made ready to leave.

@@ -50,9 +50,9 @@

Sabine gave an unearthly chuckle. “Ah,” she said, in her hard voice, “I haven’t begun to give up yet. I am still good for years.”

“You’re not a child any more, Sabine,” the old lady said sharply.

“No, certainly I’m not a child any more.” And the remark silenced Aunt Cassie, for it struck home at the memory of that wretched scene in which she had been put to rout so skilfully.

-

There was a great bustle about getting the two old ladies under way, a great search for cloaks and scarfs and impedimenta; but at last they went off, Aunt Cassie saying over her thin, high shoulder, “Will you say goodbye to your dear father-in-law, Olivia? I suppose he’s playing bridge with Mrs. Soames.”

-

“Yes,” replied Olivia from the terrace, “he’s playing bridge with Mrs. Soames.”

-

Aunt Cassie merely cleared her throat, forcibly, and with a deep significance. In her look, as in the sound of her voice, she managed to launch a flood of disapproval upon the behavior of old John Pentland and old Mrs. Soames.

+

There was a great bustle about getting the two old ladies under way, a great search for cloaks and scarfs and impedimenta; but at last they went off, Aunt Cassie saying over her thin, high shoulder, “Will you say goodbye to your dear father-in-law, Olivia? I suppose he’s playing bridge with Mrs. Soames.”

+

“Yes,” replied Olivia from the terrace, “he’s playing bridge with Mrs. Soames.”

+

Aunt Cassie merely cleared her throat, forcibly, and with a deep significance. In her look, as in the sound of her voice, she managed to launch a flood of disapproval upon the behavior of old John Pentland and old Mrs. Soames.

Bidding the driver to go very slowly, she climbed into her shabby, antiquated motor, followed respectfully by Miss Peavey, and drove off down the long elm-bordered drive between the lines of waiting motors.

Olivia’s “dear father-in-law” was Aunt Cassie’s own brother, but she chose always to relate him to Olivia, as if in some way it bound Olivia more closely, more hopelessly, into the fabric of the family.


@@ -66,11 +66,11 @@

Olivia kept seeing the absurd figure of Sabine’s daughter, small and dark, with large burning eyes and an air of sulky independence, striding off on foot through the dust of the lane that led back to Brook Cottage. She was so different from her own daughter, the quiet, well-mannered Sybil.

“I don’t think she’s properly impressed by Durham,” said Olivia, with a sudden mischievous smile.

“No⁠ ⁠… she’s bored by it.”

-

Olivia paused to say good night to a little procession of guests⁠ ⁠… the Pingree girls dressed alike in pink tulle; the plump Miss Perkins, who had the finest collection of samplers in New England; Rodney Phillips, whose life was devoted to breeding springers and behaving like a perfect English gentleman; old Mr. Tilney, whose fortune rested on the mills of Durham and Lynn and Salem; and Bishop Smallwood, a cousin of the Pentlands and Sabine (whom Sabine called the Apostle of the Genteel). The Bishop complimented Olivia on the beauty of her daughter and coquetted heavily with Sabine. Motors rushed out from among the lilacs and syringas and bore them away one by one.

+

Olivia paused to say good night to a little procession of guests⁠ ⁠… the Pingree girls dressed alike in pink tulle; the plump Miss Perkins, who had the finest collection of samplers in New England; Rodney Phillips, whose life was devoted to breeding springers and behaving like a perfect English gentleman; old Mr. Tilney, whose fortune rested on the mills of Durham and Lynn and Salem; and Bishop Smallwood, a cousin of the Pentlands and Sabine (whom Sabine called the Apostle of the Genteel). The Bishop complimented Olivia on the beauty of her daughter and coquetted heavily with Sabine. Motors rushed out from among the lilacs and syringas and bore them away one by one.

When they had gone Sabine said abruptly, “What sort of man is this Higgins.⁠ ⁠… I mean your head stableman?”

“A good sort,” replied Olivia. “The children are very fond of him. Why?”

“Oh⁠ ⁠… no reason at all. I happened to think of him tonight because I noticed him standing on the terrace just now looking in at the ball.”

-

“He was a jockey once⁠ ⁠… a good one, I believe, until he got too heavy. He’s been with us ten years. He’s good and reliable and sometimes very funny. Old Mr. Pentland depends on him for everything.⁠ ⁠… Only he has a way of getting into scrapes with the girls from the village. He seems irresistible to them⁠ ⁠… and he’s an immoral scamp.”

+

“He was a jockey once⁠ ⁠… a good one, I believe, until he got too heavy. He’s been with us ten years. He’s good and reliable and sometimes very funny. Old Mr. Pentland depends on him for everything.⁠ ⁠… Only he has a way of getting into scrapes with the girls from the village. He seems irresistible to them⁠ ⁠… and he’s an immoral scamp.”

Sabine’s face lighted up suddenly, as if she had made a great discovery. “I thought so,” she observed, and wandered away abruptly to continue the business of “absorbing” the ball.

She had asked about Higgins because the man was stuck there in her brain, set in the midst of a strange, confused impression that disturbed a mind usually marked by precision and clarity. She did not understand why it was that he remained the most vivid of all the kaleidoscopic procession of the ball. He had been an outsider, a servant, looking in upon it, and yet there he was⁠—a man whom she had never noticed before⁠—vivid and clear-cut, dominating the whole evening.

It had happened a little earlier when, standing in the windowed alcove of the old red-paneled writing-room, she had turned her back for a moment on the ball, to look out upon the distant marshes and the sea, across meadows where every stone and tree and hedge was thrown into a brilliant relief by the clarity of the moonlight and the thin New England air. And trapped suddenly by the still and breathless beauty of the meadows and marshes and distant white dunes, lost in memories more than twenty years old, she had found herself thinking: “It was always like this⁠ ⁠… rather beautiful and hard and cold and a little barren, only I never saw it before. It’s only now, when I’ve come back after twenty years, that I see my own country exactly as it is.”

@@ -78,7 +78,7 @@

He was clad in the eternal riding-breeches and a sleeveless cotton shirt that exposed the short, hairy, muscular arms. Standing there he seemed, with his arched, firmly planted legs, like some creature rooted into the soil⁠ ⁠… like the old apple-tree which stood in the moonlight showering the last of its white petals on the black lawn. There was something unpleasant in the sight, as if (she thought afterwards) she had been watched without knowing it by some animal of an uncanny intelligence.

And then abruptly he had slipped away again, shyly, among the branches of the lilacs⁠ ⁠… like a faun.


-

Olivia, looking after Sabine as she walked away, smiled at the knowledge of where she was bound. Sabine would go into the old writing-room and there, sitting in a corner, would pretend that she was interested in the latest number of the Mercure de France or some fashion paper, and all the time she would be watching, listening, while old John Pentland and poor battered old Mrs. Soames sat playing bridge with a pair of contemporaries. Sabine, she knew, wanted to probe the lives of the two old people. She wasn’t content like the others at Pentlands to go on pretending that there had never been anything between them. She wanted to get to the root of the story, to know the truth. It was the truth, always the truth, which fascinated Sabine.

+

Olivia, looking after Sabine as she walked away, smiled at the knowledge of where she was bound. Sabine would go into the old writing-room and there, sitting in a corner, would pretend that she was interested in the latest number of the Mercure de France or some fashion paper, and all the time she would be watching, listening, while old John Pentland and poor battered old Mrs. Soames sat playing bridge with a pair of contemporaries. Sabine, she knew, wanted to probe the lives of the two old people. She wasn’t content like the others at Pentlands to go on pretending that there had never been anything between them. She wanted to get to the root of the story, to know the truth. It was the truth, always the truth, which fascinated Sabine.

And Olivia felt a sudden, swift, almost poignant wave of affection for the abrupt, grim woman, an affection which it was impossible to express because Sabine was too scornful of all sentiment and too shut in ever to receive gracefully a demonstration; yet she fancied that Sabine knew she was fond of her, in the same shy, silent way that old John Pentland knew she was fond of him. It was impossible for either of them ever to speak of such simple things as affection.

Since Sabine had come to Durham, it seemed to Olivia that life was a little less barren and not quite so hopeless. There was in Sabine a curious hard, solid strength which the others, save only the old man, lacked completely. Sabine had made some discovery in life that had set her free⁠ ⁠… of everything but that terrible barrier of false coldness.

In the midst of these thoughts came another procession of retreating guests, and the sadness, slipping away from Olivia’s face, gave way to a perfect, artificial sort of gaiety. She smiled, she murmured, “Good night, must you go,” and, “Good night, I’m so glad that you liked the ball.” She was arch with silly old men and kind to the shy young ones and repeated the same phrases over and over again monotonously. People went away saying, “What a charming woman Olivia Pentland is!”

@@ -102,11 +102,11 @@

“I thought you might enjoy life more if you saw a little more than one corner of it.⁠ ⁠… I wanted you to be away from here for a little time.” (She did not say what she thought⁠—“because I wanted you to escape the blight that touches everything at Pentlands.”)

“I’m glad,” the girl replied. “I’m glad because it makes everything different.⁠ ⁠… I can’t explain it.⁠ ⁠… Only as if everything had more meaning than it would have otherwise.”

Suddenly Olivia kissed her daughter and said: “You’re a clever girl; things aren’t wasted on you. And now go along to bed. I’ll stop in to say good night.”

-

She watched the girl as she moved away through the big empty hall past the long procession of Pentland family portraits, thinking all the while that beside them Sybil seemed so fresh and full of warm eager life; and when at last she turned, she encountered her father-in-law and old Mrs. Soames moving along the narrow passage that led from the writing-room. It struck her sharply that the gaunt, handsome old John Pentland seemed really old tonight, in a way he had never been before, old and a little bent, with purplish circles under his bright black eyes.

-

Old Mrs. Soames, with her funny, intricate, dyed-black coiffure and rouged cheeks and sagging chin supported by a collar of pearls, leaned on his arm⁠—the wreck of a handsome woman who had fallen back upon such silly, obvious tricks as rouge and dye⁠—a vain, tragic old woman who never knew that she was a figure of fun. At sight of her, there rose in Olivia’s mind a whole vista of memories⁠—assembly after assembly with Mrs. Soames in stomacher and tiara standing in the reception line bowing and smirking over rites that had survived in a provincial fashion some darker, more barbaric, social age.

-

And the sight of the old man walking gently and slowly, out of deference to Mrs. Soames’ infirmities, filled Olivia with a sudden desire to weep.

-

John Pentland said, “I’m going to drive over with Mrs. Soames, Olivia dear. You can leave the door open for me.” And giving his daughter-in-law a quick look of affection he led Mrs. Soames away across the terrace to his motor.

-

It was only after they had gone that Olivia discovered Sabine standing in the corridor in her brilliant green dress watching the two old people from the shadow of one of the deep-set windows. For a moment, absorbed in the sight of John Pentland helping Mrs. Soames with a grim courtliness into the motor, neither of them spoke, but as the motor drove away down the long drive under the moon-silvered elms, Sabine sighed and said, “I can remember her as a great beauty⁠ ⁠… a really great beauty. There aren’t any more like her, who make their beauty a profession. I used to see her when I was a little girl. She was beautiful⁠—like Diana in the hunting-field. They’ve been like that for⁠ ⁠… for how long.⁠ ⁠… It must be forty years, I suppose.”

+

She watched the girl as she moved away through the big empty hall past the long procession of Pentland family portraits, thinking all the while that beside them Sybil seemed so fresh and full of warm eager life; and when at last she turned, she encountered her father-in-law and old Mrs. Soames moving along the narrow passage that led from the writing-room. It struck her sharply that the gaunt, handsome old John Pentland seemed really old tonight, in a way he had never been before, old and a little bent, with purplish circles under his bright black eyes.

+

Old Mrs. Soames, with her funny, intricate, dyed-black coiffure and rouged cheeks and sagging chin supported by a collar of pearls, leaned on his arm⁠—the wreck of a handsome woman who had fallen back upon such silly, obvious tricks as rouge and dye⁠—a vain, tragic old woman who never knew that she was a figure of fun. At sight of her, there rose in Olivia’s mind a whole vista of memories⁠—assembly after assembly with Mrs. Soames in stomacher and tiara standing in the reception line bowing and smirking over rites that had survived in a provincial fashion some darker, more barbaric, social age.

+

And the sight of the old man walking gently and slowly, out of deference to Mrs. Soames’ infirmities, filled Olivia with a sudden desire to weep.

+

John Pentland said, “I’m going to drive over with Mrs. Soames, Olivia dear. You can leave the door open for me.” And giving his daughter-in-law a quick look of affection he led Mrs. Soames away across the terrace to his motor.

+

It was only after they had gone that Olivia discovered Sabine standing in the corridor in her brilliant green dress watching the two old people from the shadow of one of the deep-set windows. For a moment, absorbed in the sight of John Pentland helping Mrs. Soames with a grim courtliness into the motor, neither of them spoke, but as the motor drove away down the long drive under the moon-silvered elms, Sabine sighed and said, “I can remember her as a great beauty⁠ ⁠… a really great beauty. There aren’t any more like her, who make their beauty a profession. I used to see her when I was a little girl. She was beautiful⁠—like Diana in the hunting-field. They’ve been like that for⁠ ⁠… for how long.⁠ ⁠… It must be forty years, I suppose.”

“I don’t know,” said Olivia quietly. “They’ve been like that ever since I came to Pentlands.” (And as she spoke she was overcome by a terrible feeling of sadness, of an abysmal futility. It had come to her more and more often of late, so often that at times it alarmed her lest she was growing morbid.)

Sabine was speaking again in her familiar, precise, metallic voice. “I wonder,” she said, “if there has ever been anything.⁠ ⁠…”

Olivia, divining the rest of the question, answered it quickly, interrupting the speech. “No⁠ ⁠… I’m sure there’s never been anything more than we’ve seen.⁠ ⁠… I know him well enough to know that.”

@@ -115,7 +115,7 @@

On the moonlit terrace she turned and asked: “Where was O’Hara? I didn’t see him.”

“No⁠ ⁠… he was asked. I think he didn’t come on account of Anson and Aunt Cassie.”

The only reply made by Sabine was a kind of scornful grunt. She turned away and entered her motor. The ball was over now and the last guest gone, and she had missed nothing⁠—Aunt Cassie, nor old John Pentland, nor O’Hara’s absence, nor even Higgins watching them all in the moonlight from the shadow of the lilacs.

-

The night had turned cold as the morning approached and Olivia, standing in the doorway, shivered a little as she watched Sabine enter her motor and drive away. Far across the meadows she saw the lights of John Pentland’s motor racing along the lane on the way to the house of old Mrs. Soames; she watched them as they swept out of sight behind the birch thicket and reappeared once more beyond the turnpike, and as she turned away at last it occurred to her that the life at Pentlands had undergone some subtle change since the return of Sabine.

+

The night had turned cold as the morning approached and Olivia, standing in the doorway, shivered a little as she watched Sabine enter her motor and drive away. Far across the meadows she saw the lights of John Pentland’s motor racing along the lane on the way to the house of old Mrs. Soames; she watched them as they swept out of sight behind the birch thicket and reappeared once more beyond the turnpike, and as she turned away at last it occurred to her that the life at Pentlands had undergone some subtle change since the return of Sabine.

diff --git a/src/epub/text/chapter-10.xhtml b/src/epub/text/chapter-10.xhtml index 70c2b68..c6e89aa 100644 --- a/src/epub/text/chapter-10.xhtml +++ b/src/epub/text/chapter-10.xhtml @@ -14,13 +14,13 @@

At breakfast Anson appeared neat and shaven and smooth, as though there had been no struggle a few hours before in the drawing-room, as if the thing had made no impression upon the smooth surface which he turned toward the world. Olivia poured his coffee quietly and permitted him to kiss her as he had done every day for twenty years⁠—a strange, cold, absentminded kiss⁠—and stood in the doorway to watch him drive off to the train. Nothing had changed; it seemed to her that life at Pentlands had become incapable of any change.

And as she turned from the door Peters summoned her to the telephone to receive the telegram from Jean and Sybil; they had been married at seven in Hartford.

She set out at once to find John Pentland and after a search she came upon him in the stable-yard talking with Higgins. The strange pair stood by the side of the red mare, who watched them with her small, vicious red eyes; they were talking in that curious intimate way which descended upon them at the mention of horses, and as she approached she was struck, as she always was, by the fiery beauty of the animal, the pride of her lean head, the trembling of the fine nostrils as she breathed, the savagery of her eye. She was a strange, half-evil, beautiful beast. Olivia heard Higgins saying that it was no use trying to breed her⁠ ⁠… an animal like that, who kicked and screamed and bit at the very sight of another horse.⁠ ⁠…

-

Higgins saw her first and, touching his cap, bade her good morning, and as the old man turned, she said, “I’ve news for you, Mr. Pentland.”

+

Higgins saw her first and, touching his cap, bade her good morning, and as the old man turned, she said, “I’ve news for you, Mr. Pentland.”

A shrewd, queer look came into his eyes and he asked, “Is it about Sybil?”

“Yes.⁠ ⁠… It’s done.”

-

She saw that Higgins was mystified, and she was moved by a desire to tell him. Higgins ought to know certainly among the first. And she added, “It’s about Miss Sybil. She married young Mr. de Cyon this morning in Hartford.”

+

She saw that Higgins was mystified, and she was moved by a desire to tell him. Higgins ought to know certainly among the first. And she added, “It’s about Miss Sybil. She married young Mr. de Cyon this morning in Hartford.”

The news had a magical effect on the little groom; his ugly, shriveled face expanded into a broad grin and he slapped his thigh in his enthusiasm. “That’s grand, Ma’am.⁠ ⁠… I don’t mind telling you I was for it all along. She couldn’t have done better⁠ ⁠… nor him either.”

Again moved by impulse, she said, “So you think it’s a good thing?”

-

“It’s grand, Ma’am. He’s one in a million. He’s the only one I know who was good enough. I was afraid she was going to throw herself away on Mr. O’Hara.⁠ ⁠… But she ought to have a younger man.”

+

“It’s grand, Ma’am. He’s one in a million. He’s the only one I know who was good enough. I was afraid she was going to throw herself away on Mr. O’Hara.⁠ ⁠… But she ought to have a younger man.”

She turned away from him, pleased and relieved from the anxiety which had never really left her since the moment they drove off into the darkness. She kept thinking, “Higgins is always right about people. He has a second sight.” Somehow, of them all, she trusted him most as a judge.

John Pentland led her away, out of range of Higgins’ curiosity, along the hedge that bordered the gardens. The news seemed to affect him strangely, for he had turned pale, and for a long time he simply stood looking over the hedge in silence. At last he asked, “When did they do it?”

“Last night.⁠ ⁠… She went for a drive with him and they didn’t come back.”

@@ -83,8 +83,8 @@

“You!⁠ ⁠… You!⁠ ⁠…” began Aunt Cassie, and then fell back, a broken woman.

“I suppose,” continued Sabine ruthlessly, “that we ought to tell the Mannering boy.”

“Yes,” cried Aunt Cassie, reviving again. “Yes! There’s the boy she ought to have married.⁠ ⁠…”

-

“And Mrs. Soames,” said Sabine. “She’ll be pleased at the news.”

-

Olivia spoke for the first time in nearly half an hour. “It’s no use. Mr. Pentland has been over to see her, but she didn’t understand what it was he wanted to tell her. She was in a daze⁠ ⁠… only half-conscious⁠ ⁠… and they think she may not recover this time.”

+

“And Mrs. Soames,” said Sabine. “She’ll be pleased at the news.”

+

Olivia spoke for the first time in nearly half an hour. “It’s no use. Mr. Pentland has been over to see her, but she didn’t understand what it was he wanted to tell her. She was in a daze⁠ ⁠… only half-conscious⁠ ⁠… and they think she may not recover this time.”

In a whisper, lost in the greater agitation of Aunt Cassie’s sobs, she said to Sabine, “It’s like the end of everything for him. I don’t know what he’ll do.”


The confusion of the day seemed to increase rather than to die away. Aunt Cassie was asked to stay to lunch, but she said it was impossible to consider swallowing even a crust of bread. “It would choke me!” she cried melodramatically.

@@ -129,7 +129,7 @@

III

In the tragedy the elopement became lost and forgotten. Doctors came and went; even reporters put in an awkward appearance, eager for details of the death and the marriage in the Pentland family, and somehow the confusion brought peace to Olivia. They forgot her, save as one who managed everything quietly; for they had need just then of someone who did not break into wild spasms of grief or wander about helplessly. In the presence of death, Anson forgot even his anger over the elopement, and late in the afternoon Olivia saw him for the first time when he came to her helplessly to ask, “The men have come to photograph the portraits. What shall we do?”

And she answered, “Send them away. We can photograph ancestors any time. They’ll always be with us.”

-

Sabine volunteered to send word to Sybil and Jean. At such times all her cold-blooded detachment made of her a person of great value, and Olivia knew that she could be trusted to find them because she wanted her motor again desperately. Remembering her promise to the old man, she went across to see Mrs. Soames, but nothing came of it, for the old lady had fallen into a state of complete unconsciousness. She would, they told Olivia, probably die without ever knowing that John Pentland had gone before her.

+

Sabine volunteered to send word to Sybil and Jean. At such times all her cold-blooded detachment made of her a person of great value, and Olivia knew that she could be trusted to find them because she wanted her motor again desperately. Remembering her promise to the old man, she went across to see Mrs. Soames, but nothing came of it, for the old lady had fallen into a state of complete unconsciousness. She would, they told Olivia, probably die without ever knowing that John Pentland had gone before her.

Aunt Cassie took up her throne in the darkened drawing-room and there, amid the acrid smell of the first chrysanthemums of the autumn, she held a red-eyed, snuffling court to receive the calls of all the countryside. Again she seemed to rise for a time triumphant and strong, even overcoming her weakness enough to go and come from the gazeboed house on foot, arriving early and returning late. She insisted upon summoning Bishop Smallwood to conduct the services, and discovered after much trouble that he was attending a church conference in the West. In reply to her telegram she received only an answer that it was impossible for him to return, even if they delayed the funeral⁠ ⁠… that in the role of prominent defender of the Virgin Birth he could not leave the field at a moment when the power of his party was threatened.

It seemed for a time that, as Sabine had hoped, the whole structure of the family was falling about them in ruins.

As for Olivia, she would have been at peace save that three times within two days notes came to her from Michael⁠—notes which she sent back unopened because she was afraid to read them; until at last she wrote on the back of one, “There is nothing more to say. Leave me in peace.” And after that there was only silence, which in a strange way seemed to her more unbearable than the sight of his writing. She discovered that two persons had witnessed the tragedy⁠—Higgins, who had been riding with the old man, and Sabine, who had been walking the river path⁠—walking only because Jean and Sybil had her motor. Higgins knew only that the mare had run off and killed his master; but Sabine had a strangely different version, which she recounted to Olivia as they sat in her room, the day after.

@@ -141,10 +141,10 @@

It was a horrible thought which she tried to kill, but it lingered, together with the regret that she had never finished what she had begun to tell him as they stood by the hedge talking of the letters⁠—that one day Jean might take the name of John Pentland. He had, after all, as much right to it as he had to the name of de Cyon; it would be only a little change, but it would allow the name of Pentland to go on and on. All the land, all the money, all the tradition, would go down to Pentland children, and so make a reason for their existence; and in the end the name would be something more then than a thing embalmed in The Pentland Family and the Massachusetts Bay Colony. The descendants would be, after all, of Pentland blood, or at least of the blood of Savina Dalgedo and Toby Cane, which had come long ago to be Pentland blood.

And she thought grimly, “He was right, after all. I am one of them at last⁠ ⁠… in spite of everything. It’s I who am carrying on now.”


-

On the morning of the funeral, as she stood on the terrace expecting Jean and Sybil, Higgins, dressed in his best black suit and looking horribly awkward and ill at ease, came toward her to say, looking away from her, “Mr. O’Hara is going away. They’re putting up a ‘For Sale’ sign on his gate. He isn’t coming back.” And then looking at her boldly he added, “I thought you might want to know, Mrs. Pentland.”

+

On the morning of the funeral, as she stood on the terrace expecting Jean and Sybil, Higgins, dressed in his best black suit and looking horribly awkward and ill at ease, came toward her to say, looking away from her, “Mr. O’Hara is going away. They’re putting up a ‘For Sale’ sign on his gate. He isn’t coming back.” And then looking at her boldly he added, “I thought you might want to know, Mrs. Pentland.”

For a moment she had a sudden, fierce desire to cry out, “No, he mustn’t go! You must tell him to stay. I can’t let him go away like that!” She wanted suddenly to run across the fields to the bright, vulgar, new house, to tell him herself. She thought, “He meant, then, what he said. He’s given up everything here.”

But she knew, too, that he had gone away to fight, freed now and moved only by his passion for success, for victory.

-

And before she could answer Higgins, who stood there wanting her to send him to Michael, Miss Egan appeared, starched and rigid and wearing the professional expression of solemnity which she adopted in the presence of bereaved families. She said, “It’s about her, Mrs. Pentland. She seems very bright this morning and quite in her right mind. She wants to know why he hasn’t been to see her for two whole days. I thought.⁠ ⁠…”

+

And before she could answer Higgins, who stood there wanting her to send him to Michael, Miss Egan appeared, starched and rigid and wearing the professional expression of solemnity which she adopted in the presence of bereaved families. She said, “It’s about her, Mrs. Pentland. She seems very bright this morning and quite in her right mind. She wants to know why he hasn’t been to see her for two whole days. I thought.⁠ ⁠…”

Olivia interrupted her quietly. “It’s all right,” she said. “I’ll go and tell her. I’ll explain. It’s better for me to do it.”

She went away into the house, knowing bitterly that she left Miss Egan and Higgins thinking of her with pity.

As she climbed the worn stair carpet to the north wing, she knew suddenly a profound sense of peace such as she had not known for years. It was over and done now, and life would go on the same as it had always done, filled with trickiness and boredom and deceits, but pleasant, too, in spite of everything, perhaps because, as John Pentland had said, “One had sometimes to pretend.” And, after all, Sybil had escaped and was happy.

diff --git a/src/epub/text/chapter-2.xhtml b/src/epub/text/chapter-2.xhtml index 91664ff..2dc719c 100644 --- a/src/epub/text/chapter-2.xhtml +++ b/src/epub/text/chapter-2.xhtml @@ -9,7 +9,7 @@

II

It was Olivia’s habit (and in some way every small action at Pentlands came inevitably to be a habit) to go about the house each night before climbing the paneled stairs, to see that all was in order, and by instinct she made the little tour as usual after Sabine had disappeared, stopping here and there to speak to the servants, bidding them to go to bed and clear away in the morning. On her way she found that the door of the drawing-room, which had been open all the evening, was now, for some reason, closed.

-

It was a big square room belonging to the old part of the house that had been built by the Pentland who made a fortune out of equipping privateers and practising a sort of piracy upon British merchantmen⁠—a room which in the passing of years had come to be a museum filled with the relics and souvenirs of a family which could trace its ancestry back three hundred years to a small dissenting shopkeeper who had stepped ashore on the bleak New England coast very soon after Miles Standish and Priscilla Alden. It was a room much used by all the family and had a worn, pleasant look that compensated for the monstrous and incongruous collection of pictures and furniture. There were two or three Sheraton and Heppelwhite chairs and a handsome old mahogany table, and there were a plush sofa and a vast rocking-chair of uncertain ancestry, and a hideous bronze lamp that had been the gift of Mr. Longfellow to old John Pentland’s mother. There were two execrable watercolors⁠—one of the Tiber and the Castle San Angelo and one of an Italian village⁠—made by Miss Maria Pentland during a tour of Italy in 1846, and a stuffed chair with tassels, a gift from old Colonel Higginson, a frigid steel engraving of the Signing of the Declaration which hung over the white mantelpiece, and a complete set of Woodrow Wilson’s History of the United States given by Senator Lodge (whom Aunt Cassie always referred to as “dear Mr. Lodge”). In this room were collected mementoes of long visits paid by Mr. Lowell and Mr. Emerson and General Curtis and other good New Englanders, all souvenirs which Olivia had left exactly as she found them when she came to the big house as the bride of Anson Pentland; and to those who knew the room and the family there was nothing unbeautiful or absurd about it. The effect was historical. On entering it one almost expected a guide to step forward and say, “Mr. Longfellow once wrote at this desk,” and, “This was Senator Lodge’s favorite chair.” Olivia knew each tiny thing in the room with a sharp sense of intimacy.

+

It was a big square room belonging to the old part of the house that had been built by the Pentland who made a fortune out of equipping privateers and practising a sort of piracy upon British merchantmen⁠—a room which in the passing of years had come to be a museum filled with the relics and souvenirs of a family which could trace its ancestry back three hundred years to a small dissenting shopkeeper who had stepped ashore on the bleak New England coast very soon after Miles Standish and Priscilla Alden. It was a room much used by all the family and had a worn, pleasant look that compensated for the monstrous and incongruous collection of pictures and furniture. There were two or three Sheraton and Heppelwhite chairs and a handsome old mahogany table, and there were a plush sofa and a vast rocking-chair of uncertain ancestry, and a hideous bronze lamp that had been the gift of Mr. Longfellow to old John Pentland’s mother. There were two execrable watercolors⁠—one of the Tiber and the Castle San Angelo and one of an Italian village⁠—made by Miss Maria Pentland during a tour of Italy in 1846, and a stuffed chair with tassels, a gift from old Colonel Higginson, a frigid steel engraving of the Signing of the Declaration which hung over the white mantelpiece, and a complete set of Woodrow Wilson’s History of the United States given by Senator Lodge (whom Aunt Cassie always referred to as “dear Mr. Lodge”). In this room were collected mementoes of long visits paid by Mr. Lowell and Mr. Emerson and General Curtis and other good New Englanders, all souvenirs which Olivia had left exactly as she found them when she came to the big house as the bride of Anson Pentland; and to those who knew the room and the family there was nothing unbeautiful or absurd about it. The effect was historical. On entering it one almost expected a guide to step forward and say, “Mr. Longfellow once wrote at this desk,” and, “This was Senator Lodge’s favorite chair.” Olivia knew each tiny thing in the room with a sharp sense of intimacy.

She opened the door softly and found that the lights were still burning and, strangest of all, that her husband was sitting at the old desk surrounded by the musty books and yellowed letters and papers from which he was compiling laboriously a book known as The Pentland Family and the Massachusetts Bay Colony. The sight of him surprised her, for it was his habit to retire punctually at eleven every night, even on such an occasion as this. He had disappeared hours earlier from the ball, and he still sat here in his dinner coat, though it was long after midnight.

She had entered the room so softly that he did not hear her and for a moment she remained silently looking down at him, as if undetermined whether to speak or to go quietly away. He sat with his back to her so that the sloping shoulders and the thin, ridged neck and partly bald head stood outlined against the white of the paneling. Suddenly, as if conscious of being watched, he turned and looked at her. He was a man of forty-nine who looked older, with a long horseface like Aunt Cassie’s⁠—a face that was handsome in a tired, yellow sort of way⁠—and small, round eyes the color of pale-blue porcelain. At the sight of Olivia the face took on a pouting expression of sourness⁠ ⁠… a look which she knew well as one that he wore when he meant to complain of something.

“You are sitting up very late,” she observed quietly, with a deliberate air of having noticed nothing unusual.

@@ -42,11 +42,11 @@

“No,” said Olivia, a little sadly. “Aunt Cassie does, too. She’s been telling all the neighborhood that I seem to be unhappy. Perhaps it’s because I’m a little tired. I’ve not had much rest for a long time now⁠ ⁠… from Jack, from Aunt Cassie, from your father⁠ ⁠… and⁠ ⁠… from her.” At the last word she made a curious little half-gesture in the direction of the dark north wing of the big house.

She watched him, conscious that he was shocked and startled by her mentioning in a single breath so many things which they never discussed at Pentlands, things which they buried in silence and tried to destroy by pretending that they did not exist.

“We ought to speak of those things, sometimes,” she continued sadly. “Sometimes when we are entirely alone with no one about to hear, when it doesn’t make any difference. We can’t pretend forever that they don’t exist.”

-

For a time he was silent, groping obviously, in a kind of desperation for something to answer. At last he said feebly, “And yet you sit up all night playing bridge with Sabine and old Mrs. Soames and Father.”

+

For a time he was silent, groping obviously, in a kind of desperation for something to answer. At last he said feebly, “And yet you sit up all night playing bridge with Sabine and old Mrs. Soames and Father.”

“That does me good. You must admit that it is a change at least.”

But he only answered, “I don’t understand you,” and began to pace up and down in agitation while she sat there waiting, actually waiting, for the thing to work itself up to a climax. She had a sudden feeling of victory, of intoxication such as she had not known in years, not since she was a young girl; and at the same time she wanted to laugh, wildly, hysterically, at the sight of Anson, so tall and thin, prancing up and down.

-

Opposite her he halted abruptly and said, “And I can see no good in inviting Mrs. Soames here so often.”

-

She saw now that the tension, the excitement between them, was greater even than she had imagined, for Anson had spoken of Mrs. Soames and his father, a thing which in the family no one ever mentioned. He had done it quite openly, of his own free will.

+

Opposite her he halted abruptly and said, “And I can see no good in inviting Mrs. Soames here so often.”

+

She saw now that the tension, the excitement between them, was greater even than she had imagined, for Anson had spoken of Mrs. Soames and his father, a thing which in the family no one ever mentioned. He had done it quite openly, of his own free will.

“What harm can it do now? What difference can it make?” she asked. “It is the only pleasure left to the poor battered old thing, and one of the few left to your father.”

Anson began to mutter in disgust. “It is a silly affair⁠ ⁠… two old⁠ ⁠… old.⁠ ⁠…” He did not finish the sentence, for there was only one word that could have finished it and that was a word which no gentleman and certainly no Pentland ever used in referring to his own father.

“Perhaps,” said Olivia, “it is a silly affair now.⁠ ⁠… I’m not so sure that it always was.”

@@ -54,7 +54,7 @@

“Anson⁠ ⁠… I feel strangely like being honest tonight⁠ ⁠… just for once⁠ ⁠… just for once.”

“You are succeeding only in being perverse.”

“No⁠ ⁠…” and she found herself smiling sadly, “unless you mean that in this house⁠ ⁠… in this room⁠ ⁠…” She made a gesture which swept within the circle of her white arm all that collection of Victorian souvenirs, all the mementoes of a once sturdy and powerful Puritan family, “… in this room to be truthful and honest is to be perverse.”

-

He would have interrupted her here, angrily, but she raised her hand and continued, “No, Anson; I shall tell you honestly what I think⁠ ⁠… whether you want to hear it or not. I don’t hope that it will do any good.⁠ ⁠… I do not know whether, as you put it, your father has behaved dishonorably or not. I hope he has.⁠ ⁠… I hope he was Mrs. Soames’ lover in the days when love could have meant something to them.⁠ ⁠… Yes⁠ ⁠… something fleshly is exactly what I mean.⁠ ⁠… I think it would have been better. I think they might have been happy⁠ ⁠… really happy for a little time⁠ ⁠… not just living in a state of enchantment when one day is exactly like the next.⁠ ⁠… I think your father, of all men, has deserved that happiness.⁠ ⁠…” She sighed and added in a low voice, “There, now you know!”

+

He would have interrupted her here, angrily, but she raised her hand and continued, “No, Anson; I shall tell you honestly what I think⁠ ⁠… whether you want to hear it or not. I don’t hope that it will do any good.⁠ ⁠… I do not know whether, as you put it, your father has behaved dishonorably or not. I hope he has.⁠ ⁠… I hope he was Mrs. Soames’ lover in the days when love could have meant something to them.⁠ ⁠… Yes⁠ ⁠… something fleshly is exactly what I mean.⁠ ⁠… I think it would have been better. I think they might have been happy⁠ ⁠… really happy for a little time⁠ ⁠… not just living in a state of enchantment when one day is exactly like the next.⁠ ⁠… I think your father, of all men, has deserved that happiness.⁠ ⁠…” She sighed and added in a low voice, “There, now you know!”

For a long time he simply stood staring at the floor with the round, silly blue eyes which sometimes filled her with terror because they were so like the eyes of that old woman who never left the dark north wing and was known in the family simply as she, as if there was very little that was human left in her. At last he muttered through the drooping mustache, as if speaking to himself, “I can’t imagine what has happened to you.”

“Nothing,” said Olivia. “Nothing. I am the same as I have always been, only tonight I have come to the end of saying ‘yes, yes’ to everything, of always pretending, so that all of us here may go on living undisturbed in our dream⁠ ⁠… believing always that we are superior to everyone else on the earth, that because we are rich we are powerful and righteous, that because⁠ ⁠… oh, there is no use in talking.⁠ ⁠… I am just the same as I have always been, only tonight I have spoken out. We all live in a dream here⁠ ⁠… a dream that some day will turn sharply into a nightmare. And then what will we do? What will you do⁠ ⁠… and Aunt Cassie and all the rest?”

In her excitement her cheeks grew flushed and she stood up, very tall and beautiful, leaning against the mantelpiece; but her husband did not notice her. He appeared to be lost in deep thought, his face contorted with a kind of grim concentration.

diff --git a/src/epub/text/chapter-3.xhtml b/src/epub/text/chapter-3.xhtml index 14f9422..9b06eaf 100644 --- a/src/epub/text/chapter-3.xhtml +++ b/src/epub/text/chapter-3.xhtml @@ -16,7 +16,7 @@

Beneath the inscription were cut the names of those families who had made the journey to found a new town which had since surpassed sleepy Durham a hundred times in wealth and prosperity. There was no Pentland name among them, for the Pentlands had been rich even in the year eighteen hundred and eighteen, and lived in winter in Boston and in summer at Durham, on the land claimed from the wilderness by the first of the family.

From that day until the mills came to Durham the village sank slowly into a kind of lethargy, and the church itself, robbed of its strength, died presently and was changed into a dusty museum filled with homely early American furniture and spinning-wheels⁠—a place seldom visited by anyone and painted grudgingly every five years by the town council because it was popularly considered an historical monument. The Pentland family long ago had filtered away into the cold faith of the Unitarians or the more compromising and easy creeds of the Episcopal church.

-

But now, nearly twenty years after Olivia had come to Pentlands, the village was alive again, so alive that it had overflowed its little fold in the land and was streaming down the hill on the side next to the sea in straight, plain columns of ugly stucco bungalows, each filled with its little family of Polish mill-workers. And in the town, across High Street from the white-spired old meetinghouse, there stood a new church, built of stucco and green-painted wood and dedicated to the great Church of Rome. In the old wooden houses along High Street there still lingered remnants of the old families⁠ ⁠… old Mrs. Featherstone, who did washing to support four sickly grandchildren who ought never to have been born; Miss Haddon, a queer old woman who wore a black cape and lived on a dole from old John Pentland as a remote cousin of the family; Harry Peckhan, the village carpenter; old Mrs. Malson, living alone in a damp, gaunt and beautiful old house filled with bits of jade and ivory brought back from China by her grandfather’s clippers; Miss Murgatroyd, who had long since turned her bullfinch house into a shabby tearoom. They remained here and there, a few worn and shabby-genteel descendants of those first settlers who had come into the country with the Pentlands.

+

But now, nearly twenty years after Olivia had come to Pentlands, the village was alive again, so alive that it had overflowed its little fold in the land and was streaming down the hill on the side next to the sea in straight, plain columns of ugly stucco bungalows, each filled with its little family of Polish mill-workers. And in the town, across High Street from the white-spired old meetinghouse, there stood a new church, built of stucco and green-painted wood and dedicated to the great Church of Rome. In the old wooden houses along High Street there still lingered remnants of the old families⁠ ⁠… old Mrs. Featherstone, who did washing to support four sickly grandchildren who ought never to have been born; Miss Haddon, a queer old woman who wore a black cape and lived on a dole from old John Pentland as a remote cousin of the family; Harry Peckhan, the village carpenter; old Mrs. Malson, living alone in a damp, gaunt and beautiful old house filled with bits of jade and ivory brought back from China by her grandfather’s clippers; Miss Murgatroyd, who had long since turned her bullfinch house into a shabby tearoom. They remained here and there, a few worn and shabby-genteel descendants of those first settlers who had come into the country with the Pentlands.

But the mills had changed everything, the mills which poured wealth into the pockets of a dozen rich families who lived in summer within a few miles of Durham.

Even the countryside itself had changed. There were no longer any of the old New Englanders in possession of the land. Sometimes in riding along the lanes one encountered a thin, silly-faced remnant of the race sitting on a stone wall chewing a bit of grass; but that was all: the others had been swallowed up long ago in the mills of Salem and Lynn or died away, from too much inbreeding and too little nourishment. The few farms that remained fell into the hands of Poles and Czechs, solid, square people who were a little pagan in their closeness to the earth and the animals which surrounded them, sturdy people, not too moral, who wrought wonders with the barren, stony earth of New England and stood behind their walls staring wide-eyed while the grand people like the Pentlands rode by in pink coats surrounded by the waving nervous tails of foxhounds. And, one by one, other old farms were being turned back into a wilderness once more so that there would be plenty of room for the horses and hounds to run after foxes and bags of aniseed.

It had all changed enormously. From the upper windows of the big Georgian brick house where the Pentlands lived, one could see the record of all the changes. The windows commanded a wide view of a landscape composed of grubby meadows and stone walls, thickets of pine and white birches, marshes, and a winding sluggish brown river. Sometimes in the late autumn the deer wandered down from the mountains of New Hampshire to spoil the foxhunting by leading the hounds astray after game that was far too fleet for them.

@@ -30,8 +30,8 @@

It was difficult now for her to remember very clearly what had happened before she came to Durham; it all seemed lost, confused, buried beneath the weight of her devotion to the vast family monument of the Pentlands. She had forgotten the names of people and places and confused the days and the years. At times it was difficult for her to remember the endless confusing voyages back and forth across the Atlantic and the vast, impersonal, vacuous hotels which had followed each other in the bleak and unreal procession of her childhood.

She could remember with a certain pitiful clarity two happy years spent at the school in Saint-Cloud, where for months at a time she had lived in a single room which she might call her own, where she had rested, free from the terror of hearing her mother say, “We must pack today. We are leaving tomorrow for St. Petersburg or London or San Remo or Cairo.⁠ ⁠…”

She could scarcely remember at all the immense house of chocolate-colored stone fitted with fantastic turrets and balconies that overlooked Lake Michigan. It had been sold and torn down long ago, destroyed like all else that belonged to the far-off past. She could not remember the father who had died when she was three; but of him there remained at least a yellowing photograph of a great, handsome, brawny man with a humorous Scotch-Irish face, who had died at the moment when his name was coming to be known everywhere as a power in Washington. No, nothing remained of him save the old photograph, and the tenuous, mocking little smile which had come down to her, the way she had of saying, “Yes! Yes!” pleasantly when she meant to act in quite the contrary fashion.

-

There were times when the memory of her own mother became vague and fantastic, as if she had been no more than a figure out of some absurd photograph of the early nineteen hundreds⁠ ⁠… the figure of a pretty woman, dressed fashionably in clothes that flowed away in both directions, from a wasp waist. It was like a figure out of one of those old photographs which one views with a kind of melancholy amusement. She remembered a vain, rather selfish and pretty woman, fond of flattery, who had been shrewd enough never to marry any one of those gallant dark gentlemen with high-sounding titles who came to call at the eternal changeless hotel sitting-room, to take her out to garden parties and fêtes and races. And always in the background of the memory there was the figure of a dark little girl, overflowing with spirits and a hunger for friends, who was left behind to amuse herself by walking out with the Swiss governess, to make friends among the children she encountered in the parks or on the beaches and the boulevards of whatever European city her mother was visiting at the moment⁠ ⁠… friends whom she saw today and who were vanished tomorrow never to be seen again. Her mother, she saw now, belonged to the America of the nineties. She saw her now less as a real person than a character out of a novel by Mrs. Wharton.

-

But she had never remarried; she had remained the rich, pretty Mrs. McConnel of Chicago until that tragic day (the clearest of all Olivia’s memories and the most terrible) when she had died of fever abruptly in a remote and squalid Italian village, with only her daughter (a girl of seventeen), a quack doctor and the Russian driver of her motor to care for her.

+

There were times when the memory of her own mother became vague and fantastic, as if she had been no more than a figure out of some absurd photograph of the early nineteen hundreds⁠ ⁠… the figure of a pretty woman, dressed fashionably in clothes that flowed away in both directions, from a wasp waist. It was like a figure out of one of those old photographs which one views with a kind of melancholy amusement. She remembered a vain, rather selfish and pretty woman, fond of flattery, who had been shrewd enough never to marry any one of those gallant dark gentlemen with high-sounding titles who came to call at the eternal changeless hotel sitting-room, to take her out to garden parties and fêtes and races. And always in the background of the memory there was the figure of a dark little girl, overflowing with spirits and a hunger for friends, who was left behind to amuse herself by walking out with the Swiss governess, to make friends among the children she encountered in the parks or on the beaches and the boulevards of whatever European city her mother was visiting at the moment⁠ ⁠… friends whom she saw today and who were vanished tomorrow never to be seen again. Her mother, she saw now, belonged to the America of the nineties. She saw her now less as a real person than a character out of a novel by Mrs. Wharton.

+

But she had never remarried; she had remained the rich, pretty Mrs. McConnel of Chicago until that tragic day (the clearest of all Olivia’s memories and the most terrible) when she had died of fever abruptly in a remote and squalid Italian village, with only her daughter (a girl of seventeen), a quack doctor and the Russian driver of her motor to care for her.

The procession of confused and not-too-cheerful memories came to a climax in a gloomy, red brick house off Washington Square, where she had gone as an orphan to live with a rigid, bejetted, maternal aunt who had believed that the whole world revolved about Lenox, the Hudson River Valley and Washington Square⁠—an aunt who had never spoken to Olivia’s father because she, like Anson and Aunt Cassie, had a prejudice against Irishmen who appeared out of nowhere, engaging, full of life and high spirits.

So at eighteen she had found herself alone in the world save for one bejetted aunt, with no friends save those she had picked up as a child on beaches and promenades, whose names she could no longer even remember. And the only fixed world she knew was the world of the aunt who talked incessantly of the plush, camphor-smelling splendor of a New York which no longer existed.

Olivia saw it all clearly now. She saw why it was that when Anson Pentland came one night to call upon her aunt she had thought him an elegant and fascinating man whose presence at dinner had the power of transforming the solid walnut and mahogany dining-room into a brilliant place. He was what girls called “an older man,” and he had flattered her by his politeness and attentions. He had even taken her chaperoned by the aunt, to see a performance of The City, little knowing that the indecorousness to be unfolded there would force them to leave before the play was over. They had gone on a Thursday evening (she could even remember the very day) and she still smiled at the memory of their belief that a girl who had spent all her life in the corridors of European hotels should not know what the play was about.

@@ -163,10 +163,10 @@

It was only when darkness had fallen that the nurse was able by means of trickery and wheedling to air the room, and so it smelled horribly of the medicines she never took, but kept ranged about her, row upon row, like the fetishes of witch-doctors. In this they humored her as they had humored her in shutting out the sunlight, because it was the only way they could keep her quiet and avoid sending her away to some place where she would have been shut behind bars. And this John Pentland would not even consider.

When he entered she was lying in the bed, her thin, frail body barely outlined beneath the bedclothes⁠ ⁠… the mere shadow of a woman who must once have been pretty in a delicate way. But nothing remained now of the beauty save the fine modeling of the chin and nose and brow. She lay there, a queer, unreal old woman, with thin white hair, skin like parchment and a silly, vacant face as unwrinkled as that of a child. As he seated himself beside her, the empty, round blue eyes opened a little and stared at him without any sign of recognition. He took one of the thin, blue-veined hands in his, but it only lay there, lifeless, while he sat, silent and gentle, watching her.

Once he spoke, calling her wistfully by name, “Agnes”; but there was no sign of an answer, not so much as a faint flickering of the white, transparent lids.

-

And so for an eternity he sat thus in the thick darkness, enveloped by the sickly odor of medicines, until he was roused by a knock at the door and the sudden glare of daylight as it opened and Miss Egan, fixing her flashing and teethy smile, came in and said: “The fifteen minutes is up, Mr. Pentland.”

+

And so for an eternity he sat thus in the thick darkness, enveloped by the sickly odor of medicines, until he was roused by a knock at the door and the sudden glare of daylight as it opened and Miss Egan, fixing her flashing and teethy smile, came in and said: “The fifteen minutes is up, Mr. Pentland.”

When the door had closed behind him he went away again, slowly, thoughtfully, down the worn stairs and out into the painfully brilliant sunlight of the bright New England spring. Crossing the green terrace, bordered with great clumps of iris and peonies and a few late tulips, he made his way to the stable-yard, where Higgins had left the red mare in charge of a Polish boy who did odd tasks about the farm. The mare, as beautiful and delicate as a fine steel spring, stood nervously pawing the gravel and tossing her handsome head. The boy, a great lout with a shock of yellow hair, stood far away from her holding the reins at arm’s length. At the sight of the two the old man laughed and said, “You mustn’t let her know you’re afraid of her, Ignaz.”

The boy gave up the reins and retired to a little distance, still watching the mare resentfully. “Well, she tried to bite me!” he said sullenly.

-

Quickly, with a youthful agility, John Pentland swung himself to her back⁠ ⁠… quickly enough to keep her from sidling away from him. There was a short, fierce struggle between the rider and the horse, and in a shower of stones they sped away down the lane that led across the meadows, past the thicket of black pines and the abandoned gravel-pit, toward the house of Mrs. Soames.

+

Quickly, with a youthful agility, John Pentland swung himself to her back⁠ ⁠… quickly enough to keep her from sidling away from him. There was a short, fierce struggle between the rider and the horse, and in a shower of stones they sped away down the lane that led across the meadows, past the thicket of black pines and the abandoned gravel-pit, toward the house of Mrs. Soames.

diff --git a/src/epub/text/chapter-4.xhtml b/src/epub/text/chapter-4.xhtml index 0d06e9d..e5820e5 100644 --- a/src/epub/text/chapter-4.xhtml +++ b/src/epub/text/chapter-4.xhtml @@ -9,21 +9,21 @@

IV

In the solid corner of the world which surrounded Durham, Aunt Cassie played the role of an unofficial courier who passed from house to house, from piazza to piazza, collecting and passing on the latest bits of news. When one saw a low cloud of dust moving across the brilliant New England sky above the hedges and stone walls of the countryside, one could be certain that it masked the progress of Cassie Struthers on her daily round of calls. She went always on foot, because she detested motors and was terrified of horses; one might see her coming from a great distance, dressed always in dingy black, tottering along very briskly (for a woman of her age and well-advertised infirmities). One came to expect her arrival at a certain hour, for she was, unless there arose in her path some calamity or piece of news of unusual interest, a punctual woman whose life was as carefully ordered as the vast house in which she lived with the queer Aunt Bella.

-

It was a great box of a dwelling built by the late Mr. Struthers in the days of cupolas and gazebos on land given him by Aunt Cassie’s grandfather on the day of her wedding. Inside it was furnished with a great profusion of plush tassels and antimacassars, all kept with the neatness and rigidity of a museum. There were never any cigar ashes on the floor, nor any dust in the corners, for Aunt Cassie followed her servants about with the eye of a fussy old sergeant inspecting his barracks. Poor Miss Peavey, who grew more and more dowdy and careless as old age began to settle over her, led a life of constant peril, and was forced to build a little house near the stables to house her Pomeranians and her Siamese cats. For Aunt Cassie could not abide the thought of “the animals dirtying up the house.” Even the “retiring room” of the late Mr. Struthers had been converted since his death into a museum, spotless and purified of tobacco and whisky, where his chair sat before his desk, turned away from it a little, as if his spirit were still seated there. On the desk lay his pipe (as he had left it) and the neat piles of paper (carefully dusted each day but otherwise undisturbed) which he had put there with his own hand on the morning they found him seated on the chair, his head fallen back a little, as if asleep. And in the center of the desk lay two handsomely bound volumes⁠—Cornices of Old Boston Houses and Walks and Talks in New England Churchyards⁠—which he had written in these last sad years when his life seemed slowly to fade from him⁠ ⁠… the years in which Aunt Cassie seemed rapidly to recover the wiry strength and health for which she had been famous as a girl.

-

The house, people said, had been built by Mr. Struthers in the expectation of a large family, but it had remained great and silent of children’s voices as a tomb since the day it was finished, for Aunt Cassie had never been strong until it was too late for her to bear him heirs.

+

It was a great box of a dwelling built by the late Mr. Struthers in the days of cupolas and gazebos on land given him by Aunt Cassie’s grandfather on the day of her wedding. Inside it was furnished with a great profusion of plush tassels and antimacassars, all kept with the neatness and rigidity of a museum. There were never any cigar ashes on the floor, nor any dust in the corners, for Aunt Cassie followed her servants about with the eye of a fussy old sergeant inspecting his barracks. Poor Miss Peavey, who grew more and more dowdy and careless as old age began to settle over her, led a life of constant peril, and was forced to build a little house near the stables to house her Pomeranians and her Siamese cats. For Aunt Cassie could not abide the thought of “the animals dirtying up the house.” Even the “retiring room” of the late Mr. Struthers had been converted since his death into a museum, spotless and purified of tobacco and whisky, where his chair sat before his desk, turned away from it a little, as if his spirit were still seated there. On the desk lay his pipe (as he had left it) and the neat piles of paper (carefully dusted each day but otherwise undisturbed) which he had put there with his own hand on the morning they found him seated on the chair, his head fallen back a little, as if asleep. And in the center of the desk lay two handsomely bound volumes⁠—Cornices of Old Boston Houses and Walks and Talks in New England Churchyards⁠—which he had written in these last sad years when his life seemed slowly to fade from him⁠ ⁠… the years in which Aunt Cassie seemed rapidly to recover the wiry strength and health for which she had been famous as a girl.

+

The house, people said, had been built by Mr. Struthers in the expectation of a large family, but it had remained great and silent of children’s voices as a tomb since the day it was finished, for Aunt Cassie had never been strong until it was too late for her to bear him heirs.

Sabine Callendar had a whole set of theories about the house and about the married life of Aunt Cassie, but they were theories which she kept, in her way, entirely to herself, waiting and watching until she was certain of them. There was a hatred between the two women that was implacable and difficult to define, an emotion almost of savagery which concealed itself beneath polite phrases and casual observations of an acid character. They encountered each other more frequently than Aunt Cassie would have wished, for Sabine, upon her return to Durham, took up Aunt Cassie’s habit of going from house to house on foot in search of news and entertainment. They met in drawing-rooms, on piazzas, and sometimes in the very dusty lanes, greeting each other with smiles and vicious looks. They had become rather like two hostile cats watching each other for days at a time, stealthily. Sabine, Aunt Cassie confided in Olivia, made her nervous.

-

Still, it was Aunt Cassie who had been the first caller at Brook Cottage after the arrival of Sabine. The younger woman had seen her approach, enveloped in a faint cloud of dust, from the windows of Brook Cottage, and the sight filled her with an inexpressible delight. The spare old lady had come along so briskly, almost with impatience, filled with delight (Sabine believed) at having an excuse now to trespass on O’Hara’s land and see what he had done to the old cottage. And Sabine believed, too, that she came to discover what life had done to “dear Mr. Struthers’ niece, Sabine Callendar.” She came as the Official Welcomer of the Community, with hope in her heart that she would find Sabine a returned prodigal, a wrecked woman, ravaged by time and experience, who for twenty years had ignored them all and now returned, a broken and humbled creature, hungry for kindness.

+

Still, it was Aunt Cassie who had been the first caller at Brook Cottage after the arrival of Sabine. The younger woman had seen her approach, enveloped in a faint cloud of dust, from the windows of Brook Cottage, and the sight filled her with an inexpressible delight. The spare old lady had come along so briskly, almost with impatience, filled with delight (Sabine believed) at having an excuse now to trespass on O’Hara’s land and see what he had done to the old cottage. And Sabine believed, too, that she came to discover what life had done to “dear Mr. Struthers’ niece, Sabine Callendar.” She came as the Official Welcomer of the Community, with hope in her heart that she would find Sabine a returned prodigal, a wrecked woman, ravaged by time and experience, who for twenty years had ignored them all and now returned, a broken and humbled creature, hungry for kindness.

The sight set fire to a whole train of memories in Sabine⁠ ⁠… memories which penetrated deep into her childhood when with her father she had lived in the old house that once stood where O’Hara’s new one raised its bright chimneys; memories of days when she had run off by herself to play in the tangled orchard grass among the bleeding-hearts and irises that surrounded this same Brook Cottage where she stood watching the approach of Aunt Cassie. Only, in those days Brook Cottage had been a ruin of a place, with empty windows and sagging doors, ghostly and half-hidden by a shaggy tangle of lilacs and syringas, and now it stood glistening with new paint, the lilacs all neatly clipped and pruned.

-

There was something in the sight of the old woman’s nervous, active figure that struck deep down into a past which Sabine, with the passing of years, had almost succeeded in forgetting; and now it all came back again, sharply and with a kind of stabbing pain, so that she had a sudden odd feeling of having become a little girl again⁠ ⁠… plain, red-haired, freckled and timid, who stood in terror of Aunt Cassie and was always being pulled here and there by a thousand aunts and uncles and cousins because she would not be turned into their idea of what a nice little girl ought to be. It was as if the whole past were concentrated in the black figure of the old lady who had been the ringleader, the viceroy, of all a far-flung tribe, an old woman who had been old even twenty years earlier, lying always on a sofa under a shawl, issuing her edicts, pouring out her ample sympathies, her bitter criticisms. And here she was, approaching briskly, as if the death of Mr. Struthers had somehow released her from bonds which had chafed for too long.

+

There was something in the sight of the old woman’s nervous, active figure that struck deep down into a past which Sabine, with the passing of years, had almost succeeded in forgetting; and now it all came back again, sharply and with a kind of stabbing pain, so that she had a sudden odd feeling of having become a little girl again⁠ ⁠… plain, red-haired, freckled and timid, who stood in terror of Aunt Cassie and was always being pulled here and there by a thousand aunts and uncles and cousins because she would not be turned into their idea of what a nice little girl ought to be. It was as if the whole past were concentrated in the black figure of the old lady who had been the ringleader, the viceroy, of all a far-flung tribe, an old woman who had been old even twenty years earlier, lying always on a sofa under a shawl, issuing her edicts, pouring out her ample sympathies, her bitter criticisms. And here she was, approaching briskly, as if the death of Mr. Struthers had somehow released her from bonds which had chafed for too long.

Watching her, one incident after another flashed through the quick, hard brain of Sabine, all recreated with a swift, astounding clarity⁠—the day when she had run off to escape into the world and been found by old John Pentland hiding in the thicket of white birches happily eating blueberries. (She could see his countenance now, stern with its disapproval of such wild behavior, but softening, too, at the sight of the grubby, freckled plain face stained with blueberry juice.) And the return of the captive, when she was surrounded by aunts who dressed her in a clean frock and forced her to sit in the funereal spare bedroom with a New Testament on her knees until she “felt that she could come out and behave like a nice, well-brought-up little girl.” She could see the aunts pulling and fussing at her and saying, “What a shame she didn’t take after her mother in looks!” and, “She’ll have a hard time with such plain, straight red hair.”

And there was, too, the memory of that day when Anson Pentland, a timid, spiritless little Lord Fauntleroy of a boy, fell into the river and would have been drowned save for his cousin Sabine, who dragged him out, screaming and drenched, only to receive for herself all the scolding for having led him into mischief. And the times when she had been punished for having asked frank and simple questions which she ought not to have asked.

It was difficult to remember any happiness until the day when her father died and she was sent to New York, a girl of twenty, knowing very little of anything and nothing whatever of such things as love and marriage, to live with an uncle in a tall narrow house on Murray Hill. It was on that day (she saw it now with a devastating clarity as she stood watching the approach of Aunt Cassie) that her life had really begun. Until then her existence had been only a confused and tormented affair in which there was very little happiness. It was only later that reality had come to her, painfully, even tragically, in a whole procession of events which had made her slowly into this hard, worldly, cynical woman who found herself, without quite knowing why, back in a world she hated, standing at the window of Brook Cottage, a woman tormented by an immense and acutely living curiosity about people and the strange tangles which their lives sometimes assumed.

She had been standing by the window thinking back into the past with such a fierce intensity that she quite forgot the approach of Aunt Cassie and started suddenly at the sound of the curious, familiar thin voice, amazingly unchanged, calling from the hallway, “Sabine! Sabine dear! It’s your Aunt Cassie! Where are you?” as if she had never left Durham at all, as if nothing had changed in twenty years.

At sight of her, the old lady came forward with little fluttering cries to fling her arms about her late husband’s niece. Her manner was that of a shepherd receiving a lost sheep, a manner filled with forgiveness and pity and condescension. The tears welled easily into her eyes and streamed down her face.

Sabine permitted herself, frigidly, to be embraced, and said, “But you don’t look a day older, Aunt Cassie. You look stronger than ever.” It was a remark which somehow set the whole tone of the relationship between them, a remark which though it sounded sympathetic and even complimentary was a harsh thing to say to a woman who had cherished all her life the tradition of invalidism. It was harsh, too, because it was true. Aunt Cassie at forty-seven had been as shriveled and dried as she was now, twenty years later.

-

The old woman said, “My dear girl, I am miserable⁠ ⁠… miserable.” And drying the tears that streamed down her face she added, “It won’t be long now until I go to join dear Mr. Struthers.”

-

Sabine wanted suddenly to laugh, at the picture of Aunt Cassie entering Paradise to rejoin a husband whom she had always called, even in the intimacy of married life, “Mr. Struthers.” She kept thinking that Mr. Struthers might not find the reunion so pleasant as his wife anticipated. She had always held a strange belief that Mr. Struthers had chosen death as the best way out.

-

And she felt a sudden almost warm sense of returning memories, roused by Aunt Cassie’s passion for overstatement. Aunt Cassie could never bring herself to say simply, “I’m going to die” which was not at all true. She must say, “I go to join dear Mr. Struthers.”

+

The old woman said, “My dear girl, I am miserable⁠ ⁠… miserable.” And drying the tears that streamed down her face she added, “It won’t be long now until I go to join dear Mr. Struthers.”

+

Sabine wanted suddenly to laugh, at the picture of Aunt Cassie entering Paradise to rejoin a husband whom she had always called, even in the intimacy of married life, “Mr. Struthers.” She kept thinking that Mr. Struthers might not find the reunion so pleasant as his wife anticipated. She had always held a strange belief that Mr. Struthers had chosen death as the best way out.

+

And she felt a sudden almost warm sense of returning memories, roused by Aunt Cassie’s passion for overstatement. Aunt Cassie could never bring herself to say simply, “I’m going to die” which was not at all true. She must say, “I go to join dear Mr. Struthers.”

Sabine said, “Oh, no.⁠ ⁠… Oh, no.⁠ ⁠… Don’t say that.”

“I don’t sleep any more. I barely close my eyes at night.”

She had seated herself now and was looking about her, absorbing everything in the room, the changes made by the dreadful O’Hara, the furniture he had bought for the house. But most of all she was studying Sabine, devouring her with sidelong, furtive glances; and Sabine, knowing her so well, saw that the old woman had been given a violent shock. She had come prepared to find a broken, unhappy Sabine and she had found instead this smooth, rather hard and self-contained woman, superbly dressed and poised, from the burnished red hair (that straight red hair the aunts had once thought so hopeless) to the lizard-skin slippers⁠—a woman who had obviously taken hold of life with a firm hand and subdued it, who was in a way complete.

@@ -32,8 +32,8 @@

Aloud she said, “It’s a pity I’ve always been so far away.”

“But I’ve thought of you, my dear.⁠ ⁠… I’ve thought of you. Scarcely a night passes when I don’t say to myself before going to sleep, ‘There is poor Sabine out in the world, turning her back on all of us who love her.’ ” She sighed abysmally. “I have thought of you, dear. I’ve prayed for you in the long nights when I have never closed an eye.”

And Sabine, talking on half-mechanically, discovered slowly that, in spite of everything, she was no longer afraid of Aunt Cassie. She was no longer a shy, frightened, plain little girl; she even began to sense a challenge, a combat which filled her with a faint sense of warmth. She kept thinking, “She really hasn’t changed at all. She still wants to reach out and take possession of me and my life. She’s like an octopus reaching out and seizing each member of the family, arranging everything.” And she saw Aunt Cassie now, after so many years, in a new light. It seemed to her that there was something glittering and hard and a little sinister beneath all the sighing and tears and easy sympathy. Perhaps she (Sabine) was the only one in all the family who had escaped the reach of those subtle, insinuating tentacles.⁠ ⁠… She had run away.

-

Meanwhile Aunt Cassie had swept from a vivid and detailed description of the passing of Mr. Struthers into a catalogue of neighborhood and family calamities, of deaths, of broken troths, financial disasters, and the appearance on the horizon of the “dreadful O’Hara.” She reproached Sabine for having sold her land to such an outsider. And as she talked on and on she grew less and less human and more and more like some disembodied, impersonal force of nature. Sabine, watching her with piercing green eyes, found her a little terrifying. She had sharpened and hardened with age.

-

She discussed the divorces which had occurred in Boston, and at length, leaning forward and touching Sabine’s hand with her thin, nervous one, she said brokenly: “I felt for you in your trouble, Sabine. I never wrote you because it would have been so painful. I see now that I evaded my duty. But I felt for you.⁠ ⁠… I tried to put myself in your place. I tried to imagine dear Mr. Struthers being unfaithful to me⁠ ⁠… but, of course, I couldn’t. He was a saint.” She blew her nose and repeated with passion, as if to herself, “A saint!”

+

Meanwhile Aunt Cassie had swept from a vivid and detailed description of the passing of Mr. Struthers into a catalogue of neighborhood and family calamities, of deaths, of broken troths, financial disasters, and the appearance on the horizon of the “dreadful O’Hara.” She reproached Sabine for having sold her land to such an outsider. And as she talked on and on she grew less and less human and more and more like some disembodied, impersonal force of nature. Sabine, watching her with piercing green eyes, found her a little terrifying. She had sharpened and hardened with age.

+

She discussed the divorces which had occurred in Boston, and at length, leaning forward and touching Sabine’s hand with her thin, nervous one, she said brokenly: “I felt for you in your trouble, Sabine. I never wrote you because it would have been so painful. I see now that I evaded my duty. But I felt for you.⁠ ⁠… I tried to put myself in your place. I tried to imagine dear Mr. Struthers being unfaithful to me⁠ ⁠… but, of course, I couldn’t. He was a saint.” She blew her nose and repeated with passion, as if to herself, “A saint!”

(“Yes,” thought Sabine, “a saint⁠ ⁠… if ever there was one.”) She saw that Aunt Cassie was attacking her now from a new point. She was trying to pity her. By being full of pity the old woman would try to break down her defenses and gain possession of her.

Sabine’s green eyes took one hard, glinting look. “Did you ever see my husband?” she asked.

“No,” said Aunt Cassie, “but I’ve heard a great deal of him. I’ve been told how you suffered.”

@@ -43,10 +43,10 @@

The old woman was a little stunned but not by any means defeated. Sabine saw a look come into her eyes, a look which clearly said, “So this is what the world has done to my poor, dear, innocent little Sabine!” At last she said with a sigh, “I find it an amazing world. I don’t know what it is coming to.”

“Nor I,” replied Sabine with an air of complete agreement and sympathy. She understood that the struggle was not yet finished, for Aunt Cassie had a way of putting herself always in an impregnable position, of wrapping herself in layer after layer of sighs and sympathy, of charity and forgiveness, of meekness and tears, so that in the end there was no way of suddenly tearing them aside and saying, “There you are⁠ ⁠… naked at last, a horrible meddling old woman!” And Sabine kept thinking, too, that if Aunt Cassie had lived in the days of her witch-baiting ancestor, Preserved Pentland, she would have been burned for a witch.

And all the while Sabine had been suffering, quietly, deep inside, behind the frankly painted face⁠ ⁠… suffering in a way which no one in the world had ever suspected; for it was like tearing out her heart, to talk thus of Richard Callendar, even to speak his name.

-

Aloud she said, “And how is Mrs. Pentland.⁠ ⁠… I mean Olivia⁠ ⁠… not my cousin.⁠ ⁠… I know how she is⁠ ⁠… no better.”

+

Aloud she said, “And how is Mrs. Pentland.⁠ ⁠… I mean Olivia⁠ ⁠… not my cousin.⁠ ⁠… I know how she is⁠ ⁠… no better.”

“No better.⁠ ⁠… It is one of those things which I can never understand.⁠ ⁠… Why God should have sent such a calamity to a good man like my brother.”

“But Olivia⁠ ⁠…” began Sabine, putting an end abruptly to what was clearly the prelude to a pious monologue.

-

“Oh!⁠ ⁠… Olivia,” replied Aunt Cassie, launching into an account of the young Mrs. Pentland. “Olivia is an angel⁠ ⁠… an angel, a blessing of God sent to my poor brother. But she’s not been well lately. She’s been rather sharp with me⁠ ⁠… even with poor Miss Peavey, who is so sensitive. I can’t imagine what has come over her.”

+

“Oh!⁠ ⁠… Olivia,” replied Aunt Cassie, launching into an account of the young Mrs. Pentland. “Olivia is an angel⁠ ⁠… an angel, a blessing of God sent to my poor brother. But she’s not been well lately. She’s been rather sharp with me⁠ ⁠… even with poor Miss Peavey, who is so sensitive. I can’t imagine what has come over her.”

It seemed that the strong, handsome Olivia was suffering from nerves. She was, Aunt Cassie said, unhappy about something, although she could not see why Olivia shouldn’t be happy⁠ ⁠… a woman with everything in the world.

“Everything?” echoed Sabine. “Has anyone in the world got everything?”

“It is Olivia’s fault if she hasn’t everything. All the materials are there. She has a good husband⁠ ⁠… a husband who never looks at other women.”

@@ -68,21 +68,21 @@

Sabine smiled. “So you have plans for her already. You’ve settled it?”

“Of course, nothing is settled. I’m only thinking of it with Sybil’s welfare in view. If she married one of those boys she’d know what she was getting. She’d know that she was marrying a gentleman.”

“Perhaps⁠ ⁠…” said Sabine. “Perhaps.” Somehow a devil had taken possession of her and she added softly, “There was, of course, Horace Pentland.⁠ ⁠… One can never be quite sure.” (She never forgot anything, Sabine.)

-

And at the same moment she saw, standing outside the door that opened on the terrace next to the marshes, a solid, dark, heavy figure which she recognized with a sudden feeling of delight as O’Hara. He had been walking across the fields with the wiry little Higgins, who had left him and continued on his way down the lane in the direction of Pentlands. At the sight of him, Aunt Cassie made every sign of an attempt to escape quickly, but Sabine said in a voice ominous with sweetness, “You must meet Mr. O’Hara. I think you’ve never met him. He’s a charming man.” And she placed herself in such a position that it was impossible for the old woman to escape without losing every vestige of dignity.

-

Then Sabine called gently, “Come in, Mr. O’Hara.⁠ ⁠… Mrs. Struthers is here and wants so much to meet her new neighbor.”

+

And at the same moment she saw, standing outside the door that opened on the terrace next to the marshes, a solid, dark, heavy figure which she recognized with a sudden feeling of delight as O’Hara. He had been walking across the fields with the wiry little Higgins, who had left him and continued on his way down the lane in the direction of Pentlands. At the sight of him, Aunt Cassie made every sign of an attempt to escape quickly, but Sabine said in a voice ominous with sweetness, “You must meet Mr. O’Hara. I think you’ve never met him. He’s a charming man.” And she placed herself in such a position that it was impossible for the old woman to escape without losing every vestige of dignity.

+

Then Sabine called gently, “Come in, Mr. O’Hara.⁠ ⁠… Mrs. Struthers is here and wants so much to meet her new neighbor.”

The door opened and O’Hara stepped in, a swarthy, rather solidly built man of perhaps thirty-five, with a shapely head on which the vigorous black hair was cropped close, and with blue eyes that betrayed his Irish origin by the half-hidden sparkle of amusement at this move of Sabine’s. He had a strong jaw and full, rather sensual, lips and a curious sense of great physical strength, as if all his clothes were with difficulty modeled to the muscles that lay underneath. He wore no hat, and his skin was a dark tan, touched at the cheekbones by the dull flush of health and good blood.

He was, one would have said at first sight, a common, vulgar man in that narrow-jawed world about Durham, a man, perhaps, who had come by his muscles as a dock-laborer. Sabine had thought him vulgar in the beginning, only to succumb in the end to a crude sort of power which placed him above the realm of such distinctions. And she was a shrewd woman, too, devoted passionately to the business of getting at the essence of people; she knew that vulgarity had nothing to do with a man who had eyes so shrewd and full of mockery.

He came forward quietly and with a charming air of deference in which there was a faint suspicion of nonsense, a curious shadow of vulgarity, only one could not be certain whether he was not being vulgar by deliberation.

-

“It is a great pleasure,” he said. “Of course, I have seen Mrs. Struthers many times⁠ ⁠… at the horse shows⁠ ⁠… the whippet races.”

+

“It is a great pleasure,” he said. “Of course, I have seen Mrs. Struthers many times⁠ ⁠… at the horse shows⁠ ⁠… the whippet races.”

Aunt Cassie was drawn up, stiff as a poker, with an air of having found herself unexpectedly face to face with a rattlesnake.

“I have had the same experience,” she said. “And of course I’ve seen all the improvements you have made here on the farm.” The word “improvements” she spoke with a sort of venom in it, as if it had been instead a word like “arson.”

“We’ll have some tea,” observed Sabine. “Sit down, Aunt Cassie.”

-

But Aunt Cassie did not unbend. “I promised Olivia to be back at Pentlands for tea,” she said. “And I am late already.” Pulling on her black gloves, she made a sudden dip in the direction of O’Hara. “We shall probably see each other again, Mr. O’Hara, since we are neighbors.”

+

But Aunt Cassie did not unbend. “I promised Olivia to be back at Pentlands for tea,” she said. “And I am late already.” Pulling on her black gloves, she made a sudden dip in the direction of O’Hara. “We shall probably see each other again, Mr. O’Hara, since we are neighbors.”

“Indeed, I hope so.⁠ ⁠…”

-

Then she kissed Sabine again and murmured, “I hope, my dear, that you will come often to see me, now that you’ve come back to us. Make my house your own home.” She turned to O’Hara, finding a use for him suddenly in her warfare against Sabine. “You know, Mr. O’Hara, she is a traitor in her way. She was raised among us and then went away for twenty years. She hasn’t any loyalty in her.”

+

Then she kissed Sabine again and murmured, “I hope, my dear, that you will come often to see me, now that you’ve come back to us. Make my house your own home.” She turned to O’Hara, finding a use for him suddenly in her warfare against Sabine. “You know, Mr. O’Hara, she is a traitor in her way. She was raised among us and then went away for twenty years. She hasn’t any loyalty in her.”

She made the speech with a stiff air of playfulness, as if, of course, she were only making a joke and the speech meant nothing at all. Yet the air was filled with a cloud of implications. It was the sort of tactics in which she excelled.

Sabine went with her to the door, and when she returned she discovered O’Hara standing by the window, watching the figure of Aunt Cassie as she moved indignantly down the road in the direction of Pentlands. Sabine stood there for a moment, studying the straight, strong figure outlined against the light, and she got suddenly a curious sense of the enmity between him and the old woman. They stood, the two of them, in a strange way as the symbols of two great forces⁠—the one negative, the other intensely positive; the one the old, the other, the new; the one of decay, the other of vigorous, almost too lush growth. Nothing could ever reconcile them. According to the scheme of things, they would be implacable enemies to the end. But Sabine had no doubts as to the final victor; the same scheme of things showed small respect for all that Aunt Cassie stood for. That was one of the wisdoms Sabine had learned since she had escaped from Durham into the uncompromising realities of the great world.

-

When she spoke, she said in a noncommittal sort of voice, “Mrs. Struthers is a remarkable woman.”

+

When she spoke, she said in a noncommittal sort of voice, “Mrs. Struthers is a remarkable woman.”

And O’Hara, turning, looked at her with a sudden glint of humor in his blue eyes. “Extraordinary⁠ ⁠… I’m sure of it.”

“And a powerful woman,” said Sabine. “Wise as a serpent and gentle as a dove. It is never good to underestimate such strength. And now.⁠ ⁠… How do you like your tea?”


@@ -93,7 +93,7 @@

He could not have known that she was a woman who included among her friends men and women of a dozen nationalities, who lived a life among the clever, successful people of the world⁠ ⁠… the architects, the painters, the politicians, the scientists. He could not have known the ruthless rule she put up against tolerating any but people who were “complete.” He could have known nothing of her other life in Paris, and London, and New York, which had nothing to do with the life in Durham and Boston. And yet he did know.⁠ ⁠… He saw that, despite the great difference in their worlds, there was a certain kinship between them, that they had both come to look upon the world as a pie from which any plum might be drawn if one only knew the knack.

And Sabine, on her side, not yet quite certain about casting aside all barriers, was slowly reaching the same understanding. There was no love or sentimentality in the spark that flashed between them. She was more than ten years older than O’Hara and had done with such things long ago. It was merely a recognition of one strong person by another.

It was O’Hara who first took advantage of the bond. In the midst of the conversation, he had turned the talk rather abruptly to Pentlands.

-

“I’ve never been there and I know very little of the life,” he said, “but I’ve watched it from a distance and it interests me. It’s like something out of a dream, completely dead⁠ ⁠… dead all save for young Mrs. Pentland and Sybil.”

+

“I’ve never been there and I know very little of the life,” he said, “but I’ve watched it from a distance and it interests me. It’s like something out of a dream, completely dead⁠ ⁠… dead all save for young Mrs. Pentland and Sybil.”

Sabine smiled. “You know Sybil, then?”

“We ride together every morning.⁠ ⁠… We met one morning by chance along the path by the river and since then we’ve gone nearly every day.”

“She’s a charming girl.⁠ ⁠… She went to school in France with my daughter, Thérèse. I saw a great deal of her then.”

@@ -103,7 +103,7 @@

“I’ve thought that.⁠ ⁠… I’ve seen her a half-dozen times. I asked her to help me in planting the garden here at the cottage because I knew she had a passion for gardens. And she didn’t refuse⁠ ⁠… though she scarcely knew me. She came over and helped me with it. I saw her then and came to know her. But when that was finished, she went back to Pentlands and I haven’t seen her since. It’s almost as if she meant to avoid me. Sometimes I feel sorry for her.⁠ ⁠… It must be a queer life for a woman like that⁠ ⁠… young and beautiful.”

“She has a great deal to occupy her at Pentlands. And it’s true that it’s not a very fascinating life. Still, I’m sure she couldn’t bear being pitied.⁠ ⁠… She’s the last woman in the world to want pity.”

Curiously, O’Hara flushed, the red mounting slowly beneath the dark-tanned skin.

-

“I thought,” he said a little sadly, “that her husband or Mrs. Struthers might have raised objections.⁠ ⁠… I know how they feel toward me. There’s no use pretending not to know.”

+

“I thought,” he said a little sadly, “that her husband or Mrs. Struthers might have raised objections.⁠ ⁠… I know how they feel toward me. There’s no use pretending not to know.”

“It is quite possible,” said Sabine.

There was a sudden embarrassing silence, which gave Sabine time to pull her wits together and organize a thousand sudden thoughts and impressions. She was beginning to understand, bit by bit, the real reasons of their hatred for O’Hara, the reasons which lay deep down underneath, perhaps so deep that none of them ever saw them for what they were.

And then out of the silence she heard the voice of O’Hara saying, in a queer, hushed way, “I mean to ask something of you⁠ ⁠… something that may sound ridiculous. I don’t pretend that it isn’t, but I mean to ask it anyway.”

@@ -130,7 +130,7 @@

“Catching frogs to dissect,” said Thérèse. “They’re damned scarce and I slipped into the river.”

Sabine, looking at her daughter, knew well enough there was no chance of marrying off a girl so queer, and wilful and untidy, in Durham. She saw that it had been a silly idea from the beginning; but she found satisfaction in the knowledge that she had molded Thérèse’s life so that no one could ever hurt her as they had hurt her mother. Out of the queer nomadic life they had led together, meeting all sorts of men and women who were, in Sabine’s curious sense of the word, “complete,” the girl had pierced her way somehow to the bottom of things. She was building her young life upon a rock, so that she could afford to feel contempt for the very forces which long ago had hurt her mother. She might, like O’Hara, be suddenly humbled by love; but that, Sabine knew, was a glorious thing well worth suffering.

She knew it each time that she looked at her child and saw the clear gray eyes of the girl’s father looking out of the dark face with the same proud look of indifferent confidence which had fascinated her twenty years ago. So long as Thérèse was alive, she would never be able wholly to forget him.

-

“Go wash yourself,” she said. “Old Mr. Pentland and Olivia and Mrs. Soames are coming to dine and play bridge.”

+

“Go wash yourself,” she said. “Old Mr. Pentland and Olivia and Mrs. Soames are coming to dine and play bridge.”

As she dressed for dinner she no longer asked herself, “Why did I ever imagine Thérèse might find a husband here? What ever induced me to come back here to be bored all summer long?”

She had forgotten all that. She began to see that the summer held prospects of diversion. It might even turn into a fascinating game. She knew that her return had nothing to do with Thérèse’s future; she had been drawn back into Durham by some vague but overwhelming desire for mischief.

diff --git a/src/epub/text/chapter-5.xhtml b/src/epub/text/chapter-5.xhtml index dd022e7..58bd841 100644 --- a/src/epub/text/chapter-5.xhtml +++ b/src/epub/text/chapter-5.xhtml @@ -12,7 +12,7 @@

I

When Anson Pentland came down from the city in the evening, Olivia was always there to meet him dutifully and inquire about the day. The answers were always the same: “No there was not much doing in town,” and, “It was very hot,” or “I made a discovery today that will be of great use to me in the book.”

Then after a bath he would appear in tweeds to take his exercise in the garden, pottering about mildly and peering closely with his nearsighted blue eyes at little tags labeled “General Pershing” or “Caroline Testout” or “Poincaré” or “George Washington” which he tied carefully on the new dahlias and roses and smaller shrubs. And, more often than not, the gardener would spend half the next morning removing the tags and placing them on the proper plants, for Anson really had no interest in flowers and knew very little about them. The tagging was only a part of his passion for labeling things; it made the garden at Pentlands seem a more subdued and ordered place. Sometimes it seemed to Olivia that he went through life ticketing and pigeonholing everything that came his way: manners, emotions, thoughts, everything. It was a habit that was growing on him in middle-age.

-

Dinner was usually late because Anson liked to take advantage of the long summer twilights, and after dinner it was the habit of all the family, save Jack, who went to bed immediately afterward, to sit in the Victorian drawing-room, reading and writing letters or sometimes playing patience, with Anson in his corner at Mr. Lowell’s desk working over The Pentland Family and the Massachusetts Bay Colony, and keeping up a prodigious correspondence with librarians and old men and women of a genealogical bent. The routine of the evening rarely changed, for Anson disliked going out and Olivia preferred not to go alone. It was only with the beginning of the summer, when Sybil was grown and had begun to go out occasionally to dinners and balls, and the disturbing Sabine, with her passion for playing bridge, had come into the neighborhood, that the routine was beginning to break up. There were fewer evenings now with Olivia and Sybil playing patience and old John Pentland sitting by the light of Mr. Longfellow’s lamp reading or simply staring silently before him, lost in thought.

+

Dinner was usually late because Anson liked to take advantage of the long summer twilights, and after dinner it was the habit of all the family, save Jack, who went to bed immediately afterward, to sit in the Victorian drawing-room, reading and writing letters or sometimes playing patience, with Anson in his corner at Mr. Lowell’s desk working over The Pentland Family and the Massachusetts Bay Colony, and keeping up a prodigious correspondence with librarians and old men and women of a genealogical bent. The routine of the evening rarely changed, for Anson disliked going out and Olivia preferred not to go alone. It was only with the beginning of the summer, when Sybil was grown and had begun to go out occasionally to dinners and balls, and the disturbing Sabine, with her passion for playing bridge, had come into the neighborhood, that the routine was beginning to break up. There were fewer evenings now with Olivia and Sybil playing patience and old John Pentland sitting by the light of Mr. Longfellow’s lamp reading or simply staring silently before him, lost in thought.

There were times in those long evenings when Olivia, looking up suddenly and for no reason at all, would discover that Sybil was sitting in the same fashion watching her, and both of them would know that they, like old John Pentland, had been sitting there all the while holding books in their hands without knowing a word of what they had read. It was as if a kind of enchantment descended upon them, as if they were waiting for something. Once or twice the silence had been broken sharply by the unbearable sound of groans coming from the north wing when she had been seized suddenly by one of her fits of violence.

Anson’s occasional comment and Olivia’s visits to Jack’s room to see that nothing had happened to him were the only interruptions. They spoke always in low voices when they played double patience in order not to disturb Anson at his work. Sometimes he encountered a bit of information for which he had been searching for a long time and then he would turn and tell them of it.

There was the night when he made his discovery about Savina Pentland.⁠ ⁠…

@@ -26,14 +26,14 @@

The portrait of Savina Pentland stood forth among the others in the white hall, fascinating and beautiful not only because the subject was a dark, handsome woman, but because it had been done by Ingres in Rome during the years when he made portraits of tourists to save himself from starvation. It was the likeness of a small but voluptuous woman with great wanton dark eyes and smooth black hair pulled back from a camellia-white brow and done in a little knot on the nape of the white neck⁠—a woman who looked out of the old picture with the flashing, spirited glance of one who lived boldly and passionately. She wore a gown of peach-colored velvet ornamented with the famous parure of pearls and emeralds given her, to the scandal of a thrifty family, by the infatuated Jared Pentland. Passing the long gallery of portraits in the hallway it was always Savina Pentland whom one noticed. She reigned there as she must have reigned in life, so bold and splendorous as to seem a bit vulgar, especially in a world of such sober folk, yet so beautiful and so spirited that she made all the others seem scarcely worth consideration.

Even in death she had remained an “outsider,” for she was the only one of the family who did not rest quietly among the stunted trees at the top of the bald hill where the first Pentlands had laid their dead. All that was left of the warm, soft body lay in the white sand at the bottom of the ocean within sight of Pentlands. It was as if fate had delivered her in death into a grave as tempestuous and violent as she had been in life. And somewhere near her in the restless white sand lay Toby Cane, with whom she had gone sailing one bright summer day when a sudden squall turned a gay excursion into a tragedy.

Even Aunt Cassie, who distrusted any woman with gaze so bold and free as that set down by the brush of Ingres⁠—even Aunt Cassie could not annihilate the glamour of Savina’s legend. For her there was, too, another, more painful, memory hidden in the knowledge that the parure of pearls and emeralds and all the other jewels which Savina Pentland had wrung from her thrifty husband, lay buried somewhere in the white sand between her bones and those of her cousin. To Aunt Cassie Savina Pentland seemed more than merely a reckless, extravagant creature. She was an enemy of the Pentland fortune and of all the virtues of the family.

-

The family portraits were of great value to Anson in compiling his book, for they represented the most complete collection of ancestors existing in all America. From the portrait of the emigrating Pentland, painted in a wooden manner by some traveling painter of tavern signs, to the rather handsome one of John Pentland, painted at middle-age in a pink coat by Sargent, and the rather bad and liverish one of Anson, also by Mr. Sargent, the collection was complete save for two⁠—the weak Jared Pentland who had married Savina, and the Pentland between old John’s father and the clipper-ship owner, who had died at twenty-three, a disgraceful thing for any Pentland to have done.

+

The family portraits were of great value to Anson in compiling his book, for they represented the most complete collection of ancestors existing in all America. From the portrait of the emigrating Pentland, painted in a wooden manner by some traveling painter of tavern signs, to the rather handsome one of John Pentland, painted at middle-age in a pink coat by Sargent, and the rather bad and liverish one of Anson, also by Mr. Sargent, the collection was complete save for two⁠—the weak Jared Pentland who had married Savina, and the Pentland between old John’s father and the clipper-ship owner, who had died at twenty-three, a disgraceful thing for any Pentland to have done.

The pictures hung in a neat double row in the lofty hall, arranged chronologically and without respect for lighting, so that the good ones like those by Ingres and Sargent’s picture of old John Pentland and the unfinished Gilbert Stuart of Ashur Pentland hung in obscure shadows, and the bad ones like the tavern-sign portrait of the first Pentland were exposed in a glare of brilliant light.

This father of all the family had been painted at the great age of eighty-nine and looked out from his wooden background, a grim, hard-mouthed old fellow with white hair and shrewd eyes set very close together. It was a face such as one might find today among the Plymouth Brethren of some remote, half-forgotten Sussex village, the face of a man notable only for the toughness of his body and the rigidity of a mind which dissented from everything. At the age of eighty-four, he had been cast out for dissension from the church which he had come to regard as his own property.

Next to him hung the portrait of a Pentland who had been a mediocrity and left not even a shadowy legend; and then appeared the insolent, disagreeable face of the Pentland who had ducked eccentric old women for witches and cut off the ears of peace-loving Quakers in the colony founded in “freedom to worship God.”

The third Pentland had been the greatest evangelist of his time, a man who went through New England holding high the torch, exhorting rude village audiences by the coarsest of language to such a pitch of excitement that old women died of apoplexy and young women gave birth to premature children. The sermons which still existed showed him to be a man uncultivated and at times almost illiterate, yet his vast energy had founded a university and his fame as an exhorter and “the flaming sword of the Lord” had traveled to the ignorant and simple-minded brethren of the English back country.

The next Pentland was the eldest of the exhorter’s twenty children (by four wives), a man who clearly had departed from his father’s counsels and appeared in his portrait a sensual, fleshly specimen, very fat and almost good-natured, with thick red lips. It was this Pentland who had founded the fortune which gave the family its first step upward in the direction of the gentility which had ended with the figure of Anson bending over The Pentland Family and the Massachusetts Bay Colony. He had made a large fortune by equipping privateers and practising a near-piracy on British merchantmen; and there was, too, a dark rumor (which Anson intended to overlook) that he had made as much as three hundred percent profit on a single shipload of Negroes in the African slave trade.

After him there were portraits of two Pentlands who had taken part in the Revolution and then another hiatus of mediocrity, including the gap represented by the missing Jared; and then appeared the Anthony Pentland who increased the fortune enormously in the clipper trade. It was the portrait of a swarthy, powerful man (the first of the dark Pentlands, who could all be traced directly to Savina’s Portuguese blood), painted by a second-rate artist devoted to realism, who had depicted skilfully the warts which marred the distinguished old gentleman. In the picture he stood in the garden before the Pentland house at Durham with marshes in the background and his prize clipper Semiramis riding, with all sail up, the distant ocean.

-

Next to him appeared the portrait of old John Pentland’s father⁠—a man of pious expression, dressed all in black, with a high black stock and a wave of luxuriant black hair, the one who had raised the family to really great wealth by contracts for shoes and blankets for the soldiers at Gettysburg and Bull Run and Richmond. After him, gentility had conquered completely, and the Sargent portrait of old John Pentland at middle-age showed a man who was master of hounds and led the life of a country gentleman, a man clearly of power and character, whose strength of feature had turned slowly into the bitter hardness of the old man who sat now in the light of Mr. Longfellow’s lamp reading or staring before him into space while his son set down the long history of the family.

+

Next to him appeared the portrait of old John Pentland’s father⁠—a man of pious expression, dressed all in black, with a high black stock and a wave of luxuriant black hair, the one who had raised the family to really great wealth by contracts for shoes and blankets for the soldiers at Gettysburg and Bull Run and Richmond. After him, gentility had conquered completely, and the Sargent portrait of old John Pentland at middle-age showed a man who was master of hounds and led the life of a country gentleman, a man clearly of power and character, whose strength of feature had turned slowly into the bitter hardness of the old man who sat now in the light of Mr. Longfellow’s lamp reading or staring before him into space while his son set down the long history of the family.

The gallery was fascinating to strangers, as the visual record of a family which had never lost any money (save for the extravagance of Savina Pentland’s jewels), a family which had been the backbone of a community, a family in which the men married wives for thrift and housewifely virtues rather than for beauty, a family solid and respectable and full of honor. It was a tribe magnificent in its virtue and its strength, even at times in its intolerance and hypocrisy. It stood represented now by old John Pentland and Anson, and the boy who lay abovestairs in the room next Olivia’s, dying slowly.


At ten o’clock each night John Pentland bade them good night and went off to bed, and at eleven Anson, after arranging his desk neatly and placing his papers in their respective files, and saying to Olivia, “I wouldn’t sit up too late, if I were you, when you are so tired,” left them and disappeared. Soon after him, Sybil kissed her mother and climbed the stairs past all the ancestors.

@@ -84,7 +84,7 @@

She went quickly away because she knew it was perilous to sit there any longer talking of such things while Sybil watched her, eager with the freshness of youth which has all life before it.

Out of all their talk two things remained distinct in her mind: one that Sybil thought of O’Hara as middle-aged⁠—almost an old man, for whom there was no longer any chance of romance; the other the immense possibility for tragedy that lay before a girl who was so certain that love would be a glorious romantic affair, so certain of the ideal man whom she would find one day. What was she to do with Sybil? Where was she to find that man? And when she found him, what difficulties would she have to face with John Pentland and Anson and Aunt Cassie and the host of cousins and connections who would be marshaled to defeat her?

For she saw clearly enough that this youth for whom Sybil was waiting would never be their idea of a proper match. It would be a man with qualities which O’Hara possessed, and even Higgins, the groom. She saw perfectly why Sybil had a fondness for these two outsiders; she had come to see it more and more clearly of late. It was because they possessed a curious, indefinable solidity that the others at Pentlands all lacked, and a certain fire and vitality. Neither blood, nor circumstance, nor tradition, nor wealth, had made life for them an atrophied, empty affair, in which there was no need for effort, for struggle, for combat. They had not been lost in a haze of transcendental maunderings. O’Hara, with his career and his energy, and Higgins, with his rabbitlike love-affairs and his nearness to all that was earthy, still carried about them a sense of the great zest in life. They reached down somehow into the roots of things where there was still savor and fertility.

-

And as she walked along the hallway, she found herself laughing aloud over the titles of the only three books which the Pentland family had ever produced⁠—The Pentland Family and the Massachusetts Bay Colony and Mr. Struthers’ two books, Cornices of Old Boston Houses and Walks and Talks in New England Churchyards. She thought suddenly of what Sabine had once said acidly of New England⁠—that it was a place where thoughts were likely to grow “higher and fewer.”

+

And as she walked along the hallway, she found herself laughing aloud over the titles of the only three books which the Pentland family had ever produced⁠—The Pentland Family and the Massachusetts Bay Colony and Mr. Struthers’ two books, Cornices of Old Boston Houses and Walks and Talks in New England Churchyards. She thought suddenly of what Sabine had once said acidly of New England⁠—that it was a place where thoughts were likely to grow “higher and fewer.”

But she was frightened, too, because in the life of enchantment which surrounded her, the virtues of O’Hara and Higgins seemed to her the only things in the world worth possessing. She wanted desperately to be alive, as she had never been, and she knew that this, too, was what Sybil sought in all her groping, half-blind romantic youth. It was something which the girl sensed and had never clearly understood, something which she knew existed and was awaiting her.

@@ -111,7 +111,7 @@

She made an effort to answer him, but somehow she could think of nothing to say. The remark, uttered so quietly, astonished her, because she had never thought of O’Hara as one who would be sensitive to the beauty of a night. It was too dark to distinguish his face, but she kept seeing him as she remembered him, seeing him, too, as the others thought of him⁠—rough and vigorous but a little common, with the scar on his temple and the intelligent blue eyes, and the springy walk, so unexpectedly easy and full of grace for a man of his size. No, one might as well have expected little Higgins the groom to say: “It is a night full of splendor.” The men she knew⁠—Anson’s friends⁠—never said such things. She doubted whether they would ever notice such a night, and if they did notice it, they would be a little ashamed of having done anything so unusual.

“The party is not a great success,” he was saying.

“No.”

-

“No one seems to be getting on with anyone else. Mrs. Callendar ought not to have asked me. I thought she was shrewder than that.”

+

“No one seems to be getting on with anyone else. Mrs. Callendar ought not to have asked me. I thought she was shrewder than that.”

Olivia laughed softly. “She may have done it on purpose. You can never tell why she does anything.”

For a time he remained silent, as if pondering the speech, and then he said, “You aren’t cold out here?”

“No, not on a night like this.”

@@ -128,10 +128,10 @@

Unconsciously she sighed, knowing now that she was pretending again, being dishonest. She was pretending again that Jack would live to have Pentlands for his own, that he would one day have children who would carry it on. She kept saying to herself, “It is only the truth that can save us all.” And she knew that O’Hara understood her feeble game of pretending. She knew because he stood there silently, as if Jack were already dead, as if he understood the reason for the faint bitter sigh and respected it.

“You see a great deal of Sybil, don’t you?” she asked.

“Yes, she is a good girl. One can depend on her.”

-

“Perhaps if she had a little of Thérèse or Mrs. Callendar in her, she’d be safer from being hurt.”

+

“Perhaps if she had a little of Thérèse or Mrs. Callendar in her, she’d be safer from being hurt.”

He did not answer her at once, but she knew that in the darkness he was standing there, watching her.

“But that was a silly thing to say,” she murmured. “I don’t suppose you know what I mean.”

-

He answered her quickly. “I do know exactly. I know and I’m sure Mrs. Callendar knows. We’ve both learned to save ourselves⁠—not in the same school, but the same lesson, nevertheless. But as to Sybil, I think that depends upon whom she marries.”

+

He answered her quickly. “I do know exactly. I know and I’m sure Mrs. Callendar knows. We’ve both learned to save ourselves⁠—not in the same school, but the same lesson, nevertheless. But as to Sybil, I think that depends upon whom she marries.”

(“So now,” thought Olivia, “it is coming. It is Sybil whom he loves. He wants to marry her. That is why he has followed me out here.”) She was back again now, solidly enmeshed in all the intricacies of living. She had a sudden, shameful, twinge of jealousy for Sybil, who was so young, who had pushed her so completely into the past along with all the others at Pentlands.

“I was wondering,” she said, “whether she was not seeing too much of you, whether she might not be a bother.”

“No, she’ll never be that.” And then in a voice which carried a faint echo of humor, he added, “I know that in a moment you are going to ask my intentions.”

@@ -162,11 +162,11 @@

And as they walked across the damp, scented grass, he said, “It would be pleasant if you would join Sybil and me riding in the morning.”

“But I haven’t been on a horse in years,” said Olivia.


-

Throughout the rest of the evening, while she sat playing bridge with Sabine and O’Hara and the Mannering boy, her mind kept straying from the game into unaccustomed byways. It was not, she told herself, that she was even remotely in love with O’Hara; it was only that someone⁠—a man who was no creature of ordinary attractions⁠—had confessed his admiration for her, and so she felt young and giddy and elated. The whole affair was silly⁠ ⁠… and yet, yet, in a strange way, it was not silly at all. She kept thinking of Anson’s remarks about his father and old Mrs. Soames, “It’s a silly affair”⁠—and of Sybil saying gravely, “Only not middle-aged, like O’Hara,” and it occurred to her at the same time that in all her life she felt really young for the first time. She had been young as she sat on the stone bench under the ancient apple-tree, young in spite of everything.

+

Throughout the rest of the evening, while she sat playing bridge with Sabine and O’Hara and the Mannering boy, her mind kept straying from the game into unaccustomed byways. It was not, she told herself, that she was even remotely in love with O’Hara; it was only that someone⁠—a man who was no creature of ordinary attractions⁠—had confessed his admiration for her, and so she felt young and giddy and elated. The whole affair was silly⁠ ⁠… and yet, yet, in a strange way, it was not silly at all. She kept thinking of Anson’s remarks about his father and old Mrs. Soames, “It’s a silly affair”⁠—and of Sybil saying gravely, “Only not middle-aged, like O’Hara,” and it occurred to her at the same time that in all her life she felt really young for the first time. She had been young as she sat on the stone bench under the ancient apple-tree, young in spite of everything.

And aloud she would say, “Four spades,” and know at once that she should have made no such bid.

She was unnerved, too, by the knowledge that there were, all the while, two pairs of eyes far more absorbed in her than in the game of bridge⁠—the green ones of Sabine and the bright blue ones of O’Hara. She could not look up without encountering the gaze of one or the other; and to protect herself she faced them with a hard, banal little smile which she put in place in the mechanical way used by Miss Egan. It was the sort of smile which made her face feel very tired, and for the first time she had a half-comic flash of pity for Miss Egan. The face of the nurse must at times have grown horribly tired.


-

The giddiness still clung to her as she climbed into the motor beside Sybil and they drove off down the lane which led from Brook Cottage to Pentlands. The road was a part of a whole tracery of lanes, bordered by hedges and old trees, which bound together the houses of the countryside, and at night they served as a promenade and meeting-place for the servants of the same big houses. One came upon them in little groups of three or four, standing by gates or stone walls, gossiping and giggling together in the darkness, exchanging tales of the life that passed in the houses of their masters, stories of what the old man did yesterday, and how Mrs. So-and-so only took one bath a week. There was a whole world which lay beneath the solid, smooth, monotonous surface that shielded the life of the wealthy, a world which in its way was full of mockery and dark secrets and petty gossip, a world perhaps fuller of truth because it lay hidden away where none⁠—save perhaps Aunt Cassie, who knew how many fascinating secrets servants had⁠—ever looked, and where there was small need for the sort of pretense which Olivia found so tragic. It circulated the dark lanes at night after the dinners of the neighborhood were finished, and sometimes the noisy echoes of its irreverent mockery rose in wild Irish laughter that echoed back and forth across the mist-hung meadows.

+

The giddiness still clung to her as she climbed into the motor beside Sybil and they drove off down the lane which led from Brook Cottage to Pentlands. The road was a part of a whole tracery of lanes, bordered by hedges and old trees, which bound together the houses of the countryside, and at night they served as a promenade and meeting-place for the servants of the same big houses. One came upon them in little groups of three or four, standing by gates or stone walls, gossiping and giggling together in the darkness, exchanging tales of the life that passed in the houses of their masters, stories of what the old man did yesterday, and how Mrs. So-and-so only took one bath a week. There was a whole world which lay beneath the solid, smooth, monotonous surface that shielded the life of the wealthy, a world which in its way was full of mockery and dark secrets and petty gossip, a world perhaps fuller of truth because it lay hidden away where none⁠—save perhaps Aunt Cassie, who knew how many fascinating secrets servants had⁠—ever looked, and where there was small need for the sort of pretense which Olivia found so tragic. It circulated the dark lanes at night after the dinners of the neighborhood were finished, and sometimes the noisy echoes of its irreverent mockery rose in wild Irish laughter that echoed back and forth across the mist-hung meadows.

The same lanes were frequented, too, by lovers, who went in pairs instead of groups of three or four, and at times there were echoes of a different sort of merriment⁠—the wild, half-hysterical laughter of some kitchen-maid being wooed roughly and passionately in some dark corner by a groom or a house-servant. It was a world which blossomed forth only at nightfall. Sometimes in the darkness the masters, motoring home from a ball or a dinner, would come upon an amorous couple, bathed in the sudden brilliant glare of motor-lights, sitting with their arms about each other against a tree, or lying half-hidden among a tangle of hawthorn and elder-bushes.

Tonight, as Olivia and Sybil drove in silence along the road the hot air was filled with the thick scent of the hawthorn-blossoms and the rich, dark odor of cattle, blown toward them across the meadows by the faint salt breeze from the marshes. It was late and the lights of the motor encountered no strayed lovers until at the foot of the hill by the old bridge the glare illuminated suddenly the figures of a man and a woman seated together against the stone wall. At their approach the woman slipped quickly over the wall, and the man, following, leaped lightly as a goat to the top and into the field beyond. Sybil laughed and murmured, “It’s Higgins again.”

It was Higgins. There was no mistaking the stocky, agile figure clad in riding-breeches and sleeveless cotton shirt, and as he leaped the wall the sight of him aroused in Olivia a nebulous fleeting impression that was like a half-forgotten memory. A startled fawn, she thought, must have scuttled off into the bushes in the same fashion. And she had suddenly that same strange, prickly feeling of terror that had affected Sabine on the night she discovered him hidden in the lilacs watching the ball.

@@ -182,19 +182,19 @@

She never knew whether or not she had fallen asleep in the bergère by the window, but she did know that she was roused abruptly by the sound of footsteps. Outside the door of her room, in the long hallway, there was someone walking, gently, cautiously. It was not this time merely the creaking of the old house; it was the sound of footfalls, regular, measured, inevitable, those of some person of almost no weight at all. She listened, and slowly, cautiously, almost as if the person were blind and groping his way in the darkness, the step advanced until presently it came opposite her and thin slivers of light outlined the door that led into the hall. Quietly she rose and, still lost in a vague sense of moving in a nightmare, she went over to the door and opened it. Far down the long hall, at the door which opened into the stairway leading to the attic of the house, there was a small circle of light cast by an electric torch. It threw into a black silhouette the figure of an old woman with white hair whom Olivia recognized at once. It was the old woman escaped from the north wing. While she stood watching her, the figure, fumbling at the door, opened it and disappeared quickly into the stairway.

There was no time to be lost, not time even to go in search of the starched Miss Egan. The poor creature might fling herself from the upper windows. So, without stopping even to throw a dressing-gown about her, Olivia went quickly along the dark hall and up the stairway where the fantastic creature in the flowered wrapper had vanished.

The attic was an enormous, unfinished room that covered the whole of the house, a vast cavern of a place, empty save for a few old trunks and pieces of broken furniture. The flotsam and jetsam of Pentland life had been stowed away there, lost and forgotten in the depths of the big room, for more than a century. No one entered it. Since Sybil and Jack had grown, it remained half-forgotten. They had played there on rainy days as small children, and before them Sabine and Anson had played in the same dark, mysterious corners among broken old trunks and sofas and chairs.

-

Olivia found the place in darkness save for the patches of blue light where the luminous night came in at the double row of dormer windows, and at the far end, by a group of old trunks, the circle of light from the torch that moved this way and that, as if old Mrs. Pentland were searching for something. In the haste of her escape and flight, her thin white hair had come undone and fell about her shoulders. A sickly smell of medicine hung about her.

-

Olivia touched her gently and said, “What have you lost, Mrs. Pentland? Can I help you?”

+

Olivia found the place in darkness save for the patches of blue light where the luminous night came in at the double row of dormer windows, and at the far end, by a group of old trunks, the circle of light from the torch that moved this way and that, as if old Mrs. Pentland were searching for something. In the haste of her escape and flight, her thin white hair had come undone and fell about her shoulders. A sickly smell of medicine hung about her.

+

Olivia touched her gently and said, “What have you lost, Mrs. Pentland? Can I help you?”

The old woman turned and, throwing the light of the torch full into Olivia’s face, stared at her with the round blue eyes, murmuring, “Oh, it’s you, Olivia. Then it’s all right. Perhaps you can help me.”

“What was it you lost? We might look for it in the morning.”

“I’ve forgotten what it was now. You startled me, and you know my poor brain isn’t very good, at best. It never has been since I married.” Sharply she looked at Olivia. “It didn’t affect you that way, did it? You don’t ever drift away and feel yourself growing dimmer and dimmer, do you? It’s odd. Perhaps it’s different with your husband.”

Olivia saw that the old woman was having one of those isolated moments of clarity and reason which were more horrible than her insanity because for a time she made you see that, after all, she was like yourself, human and capable of thought. To Olivia these moments were almost as if she witnessed the rising of the dead.

“No,” said Olivia. “Perhaps if we went to bed now, you’d remember in the morning.”

-

Old Mrs. Pentland shook her head violently. “No, no, I must find them now. It may be all different in the morning and I won’t know anything and that Irish woman won’t let me out. Say over the names of a few things like prunes, prisms, persimmons. That’s what Mr. Dickens used to have his children do when he couldn’t think of a word.”

+

Old Mrs. Pentland shook her head violently. “No, no, I must find them now. It may be all different in the morning and I won’t know anything and that Irish woman won’t let me out. Say over the names of a few things like prunes, prisms, persimmons. That’s what Mr. Dickens used to have his children do when he couldn’t think of a word.”

“Let me have the light,” said Olivia; “perhaps I can find what it is you want.”

With the meekness of a child, the old woman gave her the electric torch and Olivia, turning it this way and that, among the trunks and old rubbish, made a mock search among the dollhouses and the toy dishes left scattered in the corner of the attic where the children had played house for the last time.

While she searched, the old woman kept up a running comment, half to herself: “It’s something I wanted to find very much. It’ll make a great difference here in the lives of all of us. I thought I might find Sabine here to help me. She was here yesterday morning, playing with Anson. It rained all day and they couldn’t go out. I hid it here yesterday when I came up to see them.”

Olivia again attempted wheedling.

-

“It’s late now, Mrs. Pentland. We ought both to be in bed. You try to remember what it is you want, and in the morning I’ll come up and find it for you.”

+

“It’s late now, Mrs. Pentland. We ought both to be in bed. You try to remember what it is you want, and in the morning I’ll come up and find it for you.”

For a moment the old woman considered this, and at last she said, “You wouldn’t give it to me if you found it. I’m sure you wouldn’t. You’re too afraid of them all.”

“I promise you I will. You can trust me, can’t you?”

“Yes, yes, you’re the only one who doesn’t treat me as if I wasn’t quite bright. Yes, I think I can trust you.” Another thought occurred to her abruptly. “But I wouldn’t remember again. I might forget. Besides, I don’t think Miss Egan would let me.”

@@ -205,7 +205,7 @@

“Of course, surely.”

“Because all the others are always deceiving me.”

And then quite gently she allowed herself to be led across the moonlit patches of the dusty floor, down the stairs and back to her room. In the hall of the north wing they came suddenly upon the starched Miss Egan, all her starch rather melted and subdued now, her red face purple with alarm.

-

“I’ve been looking for her everywhere, Mrs. Pentland,” she told Olivia. “I don’t know how she escaped. She was asleep when I left. I went down to the kitchen for her orange-juice, and while I was gone she disappeared.”

+

“I’ve been looking for her everywhere, Mrs. Pentland,” she told Olivia. “I don’t know how she escaped. She was asleep when I left. I went down to the kitchen for her orange-juice, and while I was gone she disappeared.”

It was the old woman who answered. Looking gravely at Olivia, she said, with an air of confidence, “You know I never speak to her at all. She’s common. She’s a common Irish servant. They can shut me up with her, but they can’t make me speak to her.” And then she began to drift back again into the hopeless state that was so much more familiar. She began to mumble over and over again a chain of words and names which had no coherence.

Olivia and Miss Egan ignored her, as if part of her⁠—the vaguely rational old woman⁠—had disappeared, leaving in her place this pitiful chattering creature who was a stranger.

Olivia explained where it was she found the old woman and why she had gone there.

@@ -213,7 +213,7 @@

Olivia was shivering now in her nightdress, more from weariness and nerves than from the chill of the night.

“I wouldn’t speak of it to any of the others, Miss Egan,” she said. “It will only trouble them. And we must be more careful about her in the future.”

The old woman had gone past them now, back into the dark room where she spent her whole life, and the nurse had begun to recover a little of her defiant confidence. She even smiled, the hard, glittering smile which always said, “You cannot do without me, whatever happens.”

-

Aloud she said, “I can’t imagine what happened, Mrs. Pentland.”

+

Aloud she said, “I can’t imagine what happened, Mrs. Pentland.”

“It was an accident, never mind,” said Olivia. “Good night. Only I think it’s better not to speak of what has happened. It will only alarm the others.”

But she was puzzled, Olivia, because underneath the dressing-gown Miss Egan had thrown about her shoulders she saw that the nurse was dressed neither in nightclothes nor in her uniform, but in the suit of blue serge that she wore on the rare occasions when she went into the city.

@@ -222,14 +222,14 @@

She spoke to no one of what had happened, either on the terrace or in the lane or in the depths of the old attic, and the days came to resume again their old monotonous round, as if the strange, hot, disturbing night had had no more existence than a dream. She did not see O’Hara, yet she heard of him, constantly, from Sybil, from Sabine, even from Jack, who seemed stronger than he had ever been and able for a time to go about the farm with his grandfather in the trap drawn by an old white horse. There were moments when it seemed to Olivia that the boy might one day be really well, and yet there was never any real joy in those moments, because always in the back of her mind stood the truth. She knew it would never be, despite all that fierce struggle which she and the old man kept up perpetually against the thing which was stronger than either of them. Indeed, she even found a new sort of sadness in the sight of the pale thin boy and the rugged old man driving along the lanes in the trap, the eyes of the grandfather bright with a look of deluding hope. It was a look which she found unbearable because it was the first time in years, almost since that first day when Jack, as a tiny baby who did not cry enough, came into the world, that the expression of the old man had changed from one of grave and uncomplaining resignation.

Sometimes when she watched them together she was filled with a fierce desire to go to John Pentland and tell him that it was not her fault that there were not more children, other heirs to take the place of Jack. She wanted to tell him that she would have had ten children if it were possible, that even now she was still young enough to have more children. She wanted to pour out to him something of that hunger of life which had swept over her on the night in Sabine’s garden beneath the apple-tree, a spot abounding in fertility. But she knew, too, how impossible it was to discuss a matter which old John Pentland, in the depths of his soul believed to be “indelicate.” Such things were all hidden behind a veil which shut out so much of truth from all their lives. There were times when she fancied he understood it all, those times when he took her hand and kissed her affectionately. She fancied that he understood and that the knowledge lay somehow at the root of the old man’s quiet contempt for his own son.

But she saw well enough the tragedy that lay deep down at the root of the whole matter. She understood that it was not Anson who was to blame. It was that they had all been caught in the toils of something stronger than any of them, a force which with a cruel injustice compelled her to live a dry, monotonous, barren existence when she would have embraced life passionately, which compelled her to watch her own son dying slowly before her eyes.

-

Always she came back to the same thought, that the boy must be kept alive until his grandfather was dead; and sometimes, standing on the terrace, looking out across the fields, Olivia saw that old Mrs. Soames, dressed absurdly in pink, with a large picture-hat, was riding in the trap with the old man and his grandson, as if in reality she were the grandmother of Jack instead of the mad old woman abovestairs.

+

Always she came back to the same thought, that the boy must be kept alive until his grandfather was dead; and sometimes, standing on the terrace, looking out across the fields, Olivia saw that old Mrs. Soames, dressed absurdly in pink, with a large picture-hat, was riding in the trap with the old man and his grandson, as if in reality she were the grandmother of Jack instead of the mad old woman abovestairs.

The days came to resume their round of dull monotony, and yet there was a difference, odd and indefinable, as if in some way the sun were brighter than it had been, as if those days, when even in the bright sunlight the house had seemed a dull gray place, were gone now. She could no longer look across the meadows toward the bright new chimneys of O’Hara’s house without a sudden quickening of breath, a warm pleasant sensation of no longer standing quite alone.

She was not even annoyed any longer by the tiresome daily visits of Aunt Cassie, nor by the old woman’s passion for pitying her and making wild insinuations against Sabine and O’Hara and complaining of Sybil riding with him in the mornings over the dew-covered fields. She was able now simply to sit there politely as she had once done, listening while the old woman talked on and on; only now she did not even listen with attention. It seemed to her at times that Aunt Cassie was like some insect beating itself frantically against a pane of glass, trying over and over again with an unflagging futility to enter where it was impossible to enter.

It was Sabine who gave her a sudden glimpse of penetration into this instinct about Aunt Cassie, Sabine who spent all her time finding out about people. It happened one morning that the two clouds of dust, the one made by Aunt Cassie and the other by Sabine, met at the very foot of the long drive leading up to Pentlands, and together the two women⁠—one dressed severely in shabby black, without so much as a fleck of powder on her nose, the other dressed expensively in what some Paris dressmaker chose to call a costume de sport, with her face made up like a Parisian⁠—arrived together to sit on the piazza of Pentlands insulting each other subtly for an hour. When at last Sabine managed to outstay Aunt Cassie (it was always a contest between them, for each knew that the other would attack her as soon as she was out of hearing) she turned to Olivia and said abruptly, “I’ve been thinking about Aunt Cassie, and I’m sure now of one thing. Aunt Cassie is a virgin!”

There was something so cold-blooded and sudden in the statement that Olivia laughed.

“I’m sure of it,” persisted Sabine with quiet seriousness. “Look at her. She’s always talking about the tragedy of her being too frail ever to have had children. She never tried. That’s the answer. She never tried.” Sabine tossed away what remained of the cigarette she had lighted to annoy Aunt Cassie and continued. “You never knew my Uncle Ned Struthers when he was young. You only knew him as an old man with no spirit left. But he wasn’t that way always. It’s what she did to him. She destroyed him. He was a full-blooded kind of man who liked drinking and horses and he must have liked women, too, but she cured him of that. He would have liked children, but instead of a wife he only got a woman who couldn’t bear the thought of not being married and yet couldn’t bear what marriage meant. He got a creature who fainted and wept and lay on a sofa all day, who got the better of him because he was a nice, stupid, chivalrous fellow.”

Sabine was launched now with all the passion which seized her when she had laid bare a little patch of life and examined it minutely.

-

“He didn’t even dare to be unfaithful to her. If he looked at another woman she fainted and became deathly ill and made terrible scenes. I can remember some of them. I remember that once he called on Mrs. Soames when she was young and beautiful, and when he came home Aunt Cassie met him in hysterics and told him that if it ever happened again she would go out, ‘frail and miserable as she was,’ and commit adultery. I remember the story because I overheard my father telling it when I was a child and I was miserable until I found out what ‘committing adultery’ meant. In the end she destroyed him. I’m sure of it.”

+

“He didn’t even dare to be unfaithful to her. If he looked at another woman she fainted and became deathly ill and made terrible scenes. I can remember some of them. I remember that once he called on Mrs. Soames when she was young and beautiful, and when he came home Aunt Cassie met him in hysterics and told him that if it ever happened again she would go out, ‘frail and miserable as she was,’ and commit adultery. I remember the story because I overheard my father telling it when I was a child and I was miserable until I found out what ‘committing adultery’ meant. In the end she destroyed him. I’m sure of it.”

Sabine sat there, with a face like stone, following with her eyes the cloud of dust that moved along the lane as Aunt Cassie progressed on her morning round of visits, a symbol in a way of all the forces that had warped her own existence.

“It’s possible,” murmured Olivia.

Sabine turned toward her with a quick, sudden movement. “That’s why she is always so concerned with the lives of other people. She has never had any life of her own, never. She’s always been afraid. It’s why she loves the calamities of other people, because she’s never had any of her own. Not even her husband’s death was a calamity. It left her free, completely free of troubles as she had always wanted to be.”

diff --git a/src/epub/text/chapter-6.xhtml b/src/epub/text/chapter-6.xhtml index 8e4dd00..314ba91 100644 --- a/src/epub/text/chapter-6.xhtml +++ b/src/epub/text/chapter-6.xhtml @@ -8,37 +8,37 @@

VI

-

Heat, damp and overwhelming, and thick with the scent of fresh-cut hay and the half-fetid odor of the salt marshes, settled over Durham, reducing all life to a state of tropical relaxation. Even in the mornings when Sybil rode with O’Hara across the meadows, there was no coolness and no dew on the grass. Only Aunt Cassie, thin and wiry, and Anson, guided perpetually by a sense of duty which took no reckoning of such things as weather, resisted the muggy warmth. Aunt Cassie, alike indifferent to heat and cold, storm or calm, continued her indefatigable rounds. Sabine, remarking that she had always known that New England was the hottest place this side of Sheol, settled into a state of complete inertia, not stirring from the house until after the sun had disappeared. Even then her only action was to come to Pentlands to sit in the writing-room playing bridge languidly with Olivia and John Pentland and old Mrs. Soames.

-

The old lady grew daily more dazed and forgetful and irritating as a fourth at bridge. John Pentland always insisted upon playing with her, saying that they understood each other’s game; but he deceived no one, save Mrs. Soames, whose wits were at best a little dim; the others knew that it was to protect her. They saw him sit calmly and patiently while she bid suits she could not possibly make, while she trumped his tricks and excused herself on the ground of bad eyesight. She had been a great beauty once and she was still, with all her paint and powder, a vain woman. She would not wear spectacles and so played by looking through lorgnettes, which lowered the whole tempo of the game and added to the confusion. At times, in the midst of the old lady’s blunders, a look of murder came into the green eyes of Sabine, but Olivia managed somehow to prevent any outburst; she even managed to force Sabine into playing on, night after night. The patience and tenderness of the old man towards Mrs. Soames moved her profoundly, and she fancied that Sabine, too⁠—hard, cynical, intolerant Sabine⁠—was touched by it. There was a curious, unsuspected soft spot in Sabine, as if in some way she understood the bond between the two old people. Sabine, who allowed herself to be bored by no one, presently became willing to sit there night after night bearing this special boredom patiently.

-

Once when Olivia said to her, “We’ll all be old some day. Perhaps we’ll be worse than old Mrs. Soames,” Sabine replied with a shrug of bitterness, “Old age is a bore. That’s the trouble with us, Olivia. We’ll never give up and become old ladies. It used to be the beauties who clung to youth, and now all of us do it. We’ll probably be painted old horrors⁠ ⁠… like her.”

+

Heat, damp and overwhelming, and thick with the scent of fresh-cut hay and the half-fetid odor of the salt marshes, settled over Durham, reducing all life to a state of tropical relaxation. Even in the mornings when Sybil rode with O’Hara across the meadows, there was no coolness and no dew on the grass. Only Aunt Cassie, thin and wiry, and Anson, guided perpetually by a sense of duty which took no reckoning of such things as weather, resisted the muggy warmth. Aunt Cassie, alike indifferent to heat and cold, storm or calm, continued her indefatigable rounds. Sabine, remarking that she had always known that New England was the hottest place this side of Sheol, settled into a state of complete inertia, not stirring from the house until after the sun had disappeared. Even then her only action was to come to Pentlands to sit in the writing-room playing bridge languidly with Olivia and John Pentland and old Mrs. Soames.

+

The old lady grew daily more dazed and forgetful and irritating as a fourth at bridge. John Pentland always insisted upon playing with her, saying that they understood each other’s game; but he deceived no one, save Mrs. Soames, whose wits were at best a little dim; the others knew that it was to protect her. They saw him sit calmly and patiently while she bid suits she could not possibly make, while she trumped his tricks and excused herself on the ground of bad eyesight. She had been a great beauty once and she was still, with all her paint and powder, a vain woman. She would not wear spectacles and so played by looking through lorgnettes, which lowered the whole tempo of the game and added to the confusion. At times, in the midst of the old lady’s blunders, a look of murder came into the green eyes of Sabine, but Olivia managed somehow to prevent any outburst; she even managed to force Sabine into playing on, night after night. The patience and tenderness of the old man towards Mrs. Soames moved her profoundly, and she fancied that Sabine, too⁠—hard, cynical, intolerant Sabine⁠—was touched by it. There was a curious, unsuspected soft spot in Sabine, as if in some way she understood the bond between the two old people. Sabine, who allowed herself to be bored by no one, presently became willing to sit there night after night bearing this special boredom patiently.

+

Once when Olivia said to her, “We’ll all be old some day. Perhaps we’ll be worse than old Mrs. Soames,” Sabine replied with a shrug of bitterness, “Old age is a bore. That’s the trouble with us, Olivia. We’ll never give up and become old ladies. It used to be the beauties who clung to youth, and now all of us do it. We’ll probably be painted old horrors⁠ ⁠… like her.”

“Perhaps,” replied Olivia, and a kind of terror took possession of her at the thought that she would be forty on her next birthday and that nothing lay before her, even in the immediate future, save evenings like these, playing bridge with old people until presently she herself was old, always in the melancholy atmosphere of the big house at Pentlands.

“But I shan’t take to drugs,” said Sabine. “At least I shan’t do that.”

Olivia looked at her sharply. “Who takes drugs?” she asked.

-

“Why, she does⁠ ⁠… old Mrs. Soames. She’s taken drugs for years. I thought everyone knew it.”

+

“Why, she does⁠ ⁠… old Mrs. Soames. She’s taken drugs for years. I thought everyone knew it.”

“No,” said Olivia sadly. “I never knew it.”

Sabine laughed. “You are an innocent,” she answered.

And after Sabine had gone home, the cloud of melancholy clung to her for hours. She felt suddenly that Anson and Aunt Cassie might be right, after all. There was something dangerous in a woman like Sabine, who tore aside every veil, who sacrificed everything to her passion for the truth. Somehow it riddled a world which at its best was not too cheerful.


-

There were evenings when Mrs. Soames sent word that she was feeling too ill to play, and on those occasions John Pentland drove over to see her, and the bridge was played instead at Brook Cottage with O’Hara and a fourth recruited impersonally from the countryside. To Sabine, the choice was a matter of indifference so long as the chosen one could play well.

+

There were evenings when Mrs. Soames sent word that she was feeling too ill to play, and on those occasions John Pentland drove over to see her, and the bridge was played instead at Brook Cottage with O’Hara and a fourth recruited impersonally from the countryside. To Sabine, the choice was a matter of indifference so long as the chosen one could play well.

It happened on these occasions that O’Hara and Olivia came to play together, making a sort of team, which worked admirably. He played as she knew he would play, aggressively and brilliantly, with a fierce concentration and a determination to win. It fascinated her that a man who had spent most of his life in circles where bridge played no part, should have mastered the intricate game so completely. She fancied him taking lessons with the same passionate application which he had given to his career.

He did not speak to her again of the things he had touched upon during that first hot night on the terrace, and she was careful never to find herself alone with him. She was ashamed at the game she played⁠—of seeing him always with Sabine or riding with Sybil and giving him no chance to speak; it seemed to her that such behavior was cheap and dishonest. Yet she could not bring herself to refuse seeing him, partly because to refuse would have aroused the suspicions of the already interested Sabine, but more because she wanted to see him. She found a kind of delight in the way he looked at her, in the perfection with which they came to understand each other’s game; and though he did not see her alone, he kept telling her in a hundred subtle ways that he was a man in love, who adored her.

She told herself that she was behaving like a silly schoolgirl, but she could not bring herself to give him up altogether. It seemed to her unbearable that she should lose these rare happy evenings. And she was afraid, too, that Sabine would call her a fool.


-

As early summer turned into July, old Mrs. Soames came less and less frequently to play bridge and there were times when Sabine, dining out or retiring early, left them without any game at all and the old familiar stillness came to settle over the drawing-room at Pentlands⁠ ⁠… evenings when Olivia and Sybil played double patience and Anson worked at Mr. Lowell’s desk over the mazes of the Pentland Family history.

+

As early summer turned into July, old Mrs. Soames came less and less frequently to play bridge and there were times when Sabine, dining out or retiring early, left them without any game at all and the old familiar stillness came to settle over the drawing-room at Pentlands⁠ ⁠… evenings when Olivia and Sybil played double patience and Anson worked at Mr. Lowell’s desk over the mazes of the Pentland Family history.

On one of these evenings, when Olivia’s eyes had grown weary of reading, she closed her book and, turning toward her husband, called his name. When he did not answer her at once she spoke to him again, and waited until he looked up. Then she said, “Anson, I have taken up riding again. I think it is doing me good.”

But Anson, lost somewhere in the chapter about Savina Pentland and her friendship with Ingres, was not interested and made no answer.

“I go in the mornings,” she repeated, “before breakfast, with Sybil.”

Anson said, “Yes,” again, and then, “I think it an excellent idea⁠—your color is better,” and went back to his work.

So she succeeded in telling him that it was all right about Sybil and O’Hara. She managed to tell him without actually saying it that she would go with them and prevent any entanglement. She had told him, too, without once alluding to the scene of which he was ashamed. And she knew, of course, now, that there was no danger of any entanglement, at least not one which involved Sybil.

Sitting with the book closed in her lap, she remained for a time watching the back of her husband’s head⁠—the thin gray hair, the cords that stood out weakly under the desiccated skin, the too small ears set too close against the skull; and in reality, all the while she was seeing another head set upon a full muscular neck, the skin tanned and glowing with the flush of health, the thick hair short and vigorous; and she felt an odd, inexplicable desire to weep, thinking at the same time, “I am a wicked woman. I must be really bad.” For she had never known before what it was to be in love and she had lived for nearly twenty years in a family where love had occupied a poor forgotten niche.

-

She was sitting thus when John Pentland came in at last, looking more yellow and haggard than he had been in days. She asked him quietly, so as not to disturb Anson, whether Mrs. Soames was really ill. “No,” said the old man, “I don’t think so; she seems all right, a little tired, that’s all. We’re all growing old.”

+

She was sitting thus when John Pentland came in at last, looking more yellow and haggard than he had been in days. She asked him quietly, so as not to disturb Anson, whether Mrs. Soames was really ill. “No,” said the old man, “I don’t think so; she seems all right, a little tired, that’s all. We’re all growing old.”

He seated himself and began to read like the others, pretending clearly an interest which he did not feel, for Olivia caught him suddenly staring before him in a line beyond the printed page. She saw that he was not reading at all, and in the back of her mind a little cluster of words kept repeating themselves⁠—“a little tired, that’s all, we’re all growing old; a little tired, that’s all, we’re all growing old”⁠—over and over again monotonously, as if she were hypnotizing herself. She found herself, too, staring into space in the same enchanted fashion as the old man. And then, all at once, she became aware of a figure standing in the doorway beckoning to her, and, focusing her gaze, she saw that it was Nannie, clad in a dressing-gown, her old face screwed up in an expression of anxiety. She had some reason for not disturbing the others, for she did not speak. Standing in the shadow, she beckoned; and Olivia, rising quietly, went out into the hall, closing the door behind her.

There, in the dim light, she saw that the old woman had been crying and was shaking in fright. She said, “Something had happened to Jack, something dreadful.”

She had known what it was before Nannie spoke. It seemed to her that she had known all along, and now there was no sense of shock but only a hard, dead numbness of all feeling.

“Call up Doctor Jenkins,” she said, with a kind of dreadful calm, and turning away she went quickly up the long stairs.


In the darkness of her own room she did not wait now to listen for the sound of breathing. It had come at last⁠—the moment when she would enter the room and, listening for the sound, encounter only the stillness of the night. Beyond, in the room which he had occupied ever since he was a tiny baby, there was the usual dim night-light burning in the corner, and by its dull glow she was able to make out the narrow bed and his figure lying there as it had always lain, asleep. He must have been asleep, she thought, for it was impossible to have died so quietly, without moving. But she knew, of course, that he was dead, and she saw how near to death he had always been, how it was only a matter of slipping over, quite simply and gently.

-

He had escaped them at last⁠—his grandfather and herself⁠—in a moment when they had not been there watching; and belowstairs in the drawing-room John Pentland was sitting with a book in his lap by Mr. Longfellow’s lamp, staring into space, still knowing nothing. And Anson’s pen scratched away at the history of the Pentland Family and the Massachusetts Bay Colony, while here in the room where she stood the Pentland family had come to an end.

+

He had escaped them at last⁠—his grandfather and herself⁠—in a moment when they had not been there watching; and belowstairs in the drawing-room John Pentland was sitting with a book in his lap by Mr. Longfellow’s lamp, staring into space, still knowing nothing. And Anson’s pen scratched away at the history of the Pentland Family and the Massachusetts Bay Colony, while here in the room where she stood the Pentland family had come to an end.

She did not weep. She knew that weeping would come later, after the doctor had made his silly futile call to tell her what she already knew. And now that this thing which she had fought for so long had happened, she was aware of a profound peace. It seemed to her even, that the boy, her own son, was happier now; for she had a fear, bordering upon remorse, that they had kept him alive all those years against his will. He looked quiet and still now and not at all as he had looked on those long, terrible nights when she had sat in this same chair by the same bed while, propped among pillows because he could not breathe lying down, he fought for breath and life, more to please her and his grandfather than because he wanted to live. She saw that there could be a great beauty in death. It was not as if he had died alone. He had simply gone to sleep.

She experienced, too, an odd and satisfying feeling of reality, of truth, as if in some way the air all about her had become cleared and freshened. Death was not a thing one could deny by pretense. Death was real. It marked the end of something, definitely and clearly for all time. There could be no deceptions about death.

She wished now that she had told Nannie not to speak to the others. She wanted to stay there alone in the dimly lighted room until the sky turned gray beyond the marshes.

diff --git a/src/epub/text/chapter-7.xhtml b/src/epub/text/chapter-7.xhtml index b60ec73..734bebe 100644 --- a/src/epub/text/chapter-7.xhtml +++ b/src/epub/text/chapter-7.xhtml @@ -18,10 +18,10 @@

For with Aunt Cassie death was a mechanical, formalized affair which one observed by a series of traditional gestures.

It was a remarkable bit of luck, she said, that Bishop Smallwood (Sabine’s Apostle to the Genteel) was still in the neighborhood and could conduct the funeral services. It was proper that one of Pentland blood should bury a Pentland (as if no one else were quite worthy of such an honor). And she went to see the Bishop to discuss the matter of the services. She planned that immensely intricate affair, the seating of relations and connections⁠—all the Canes and Struthers and Mannerings and Sutherlands and Pentlands⁠—at the church. She called on Sabine to tell her that whatever her feelings about funerals might be, it was her duty to attend this one. Sabine must remember that she was back again in a world of civilized people who behaved as ladies and gentlemen. And to each caller whom she received in the darkened drawing-room, she confided the fact that Sabine must be an unfeeling, inhuman creature, because she had not even paid a visit to Pentlands.

But she did not know what Olivia and John Pentland knew⁠—that Sabine had written a short, abrupt, almost incoherent note, with all the worn, tattered, pious old phrases missing, which had meant more to them than any of the cries and whispering and confusion that went on belowstairs, where the whole countryside passed in and out in an endless procession.

-

When Miss Peavey was not at hand to run errands for her, she made Anson her messenger.⁠ ⁠… Anson, who wandered about helpless and lost and troubled because death had interrupted the easy, eventless flow of a life in which usually all moved according to a set plan. Death had upset the whole household. It was impossible to know how Anson Pentland felt over the death of his son. He did not speak at all, and now that The Pentland Family and the Massachusetts Bay Colony had been laid aside in the midst of the confusion and Mr. Lowell’s desk stood buried beneath floral offerings, there was nothing to do but wander about getting in the way of everyone and drawing upon his head the sharp reproofs of Aunt Cassie.

-

It was Aunt Cassie and Anson who opened the great box of roses that came from O’Hara. It was Aunt Cassie’s thin, blue-veined hand that tore open the envelope addressed plainly to “Mrs. Anson Pentland.” It was Aunt Cassie who forced Anson to read what was written inside:

+

When Miss Peavey was not at hand to run errands for her, she made Anson her messenger.⁠ ⁠… Anson, who wandered about helpless and lost and troubled because death had interrupted the easy, eventless flow of a life in which usually all moved according to a set plan. Death had upset the whole household. It was impossible to know how Anson Pentland felt over the death of his son. He did not speak at all, and now that The Pentland Family and the Massachusetts Bay Colony had been laid aside in the midst of the confusion and Mr. Lowell’s desk stood buried beneath floral offerings, there was nothing to do but wander about getting in the way of everyone and drawing upon his head the sharp reproofs of Aunt Cassie.

+

It was Aunt Cassie and Anson who opened the great box of roses that came from O’Hara. It was Aunt Cassie’s thin, blue-veined hand that tore open the envelope addressed plainly to “Mrs. Anson Pentland.” It was Aunt Cassie who forced Anson to read what was written inside:

-

“Dear Mrs. Pentland,

+

“Dear Mrs. Pentland,

“You know what I feel. There is no need to say anything more.

II

-

The heat did not go away. It hung in a quivering cloud over the whole countryside, enveloping the black procession which moved through the lanes into the high road and thence through the clusters of ugly stucco bungalows inhabited by the mill-workers, on its way past the deserted meetinghouse where Preserved Pentland had once harangued a tough and sturdy congregation and the Rev. Josiah Milford had set out with his flock for the Western Reserve.⁠ ⁠… It enveloped the black slow-moving procession to the very doors of the cool, ivy-covered stone church (built like a stage piece to imitate some English county church) where the Pentlands worshiped the more polite, compromising gods scorned and berated by the witch-burner. On the way, beneath the elms of High Street, Polish women and children stopped to stare and cross themselves at the sight of the grand procession.

-

The little church seemed peaceful after the heat and the stir of the Durham street, peaceful and hushed and crowded to the doors by the relatives and connections of the family. Even the back pews were filled by the poor half-forgotten remnants of the family who had no wealth to carry them smoothly along the stream of life. Old Mrs. Featherstone (who did washing) was there sobbing because she sobbed at all funerals, and old Miss Haddon, the genteel Pentland cousin, dressed even in the midst of summer in her inevitable cape of thick black broadcloth, and Mrs. Malson, shabby-genteel in her foulards and high-pitched bonnet, and Miss Murgatroyd whose bullfinch house was now “Ye Witch’s Broome” where one got bad tea and melancholy sandwiches.⁠ ⁠…

+

The heat did not go away. It hung in a quivering cloud over the whole countryside, enveloping the black procession which moved through the lanes into the high road and thence through the clusters of ugly stucco bungalows inhabited by the mill-workers, on its way past the deserted meetinghouse where Preserved Pentland had once harangued a tough and sturdy congregation and the Rev. Josiah Milford had set out with his flock for the Western Reserve.⁠ ⁠… It enveloped the black slow-moving procession to the very doors of the cool, ivy-covered stone church (built like a stage piece to imitate some English county church) where the Pentlands worshiped the more polite, compromising gods scorned and berated by the witch-burner. On the way, beneath the elms of High Street, Polish women and children stopped to stare and cross themselves at the sight of the grand procession.

+

The little church seemed peaceful after the heat and the stir of the Durham street, peaceful and hushed and crowded to the doors by the relatives and connections of the family. Even the back pews were filled by the poor half-forgotten remnants of the family who had no wealth to carry them smoothly along the stream of life. Old Mrs. Featherstone (who did washing) was there sobbing because she sobbed at all funerals, and old Miss Haddon, the genteel Pentland cousin, dressed even in the midst of summer in her inevitable cape of thick black broadcloth, and Mrs. Malson, shabby-genteel in her foulards and high-pitched bonnet, and Miss Murgatroyd whose bullfinch house was now “Ye Witch’s Broome” where one got bad tea and melancholy sandwiches.⁠ ⁠…

Together Bishop Smallwood and Aunt Cassie had planned a service calculated skilfully to harrow the feelings and give full scope to the vast emotional capacities of their generation and background.

-

They chose the most emotional of hymns, and Bishop Smallwood, renowned for his effect upon pious and sentimental old ladies, said a few insincere and pompous words which threw Aunt Cassie and poor old Mrs. Featherstone into fresh excesses of grief. The services for the boy became a barbaric rite dedicated not to his brief and pathetic existence but to a glorification of the name he bore and of all those traits⁠—the narrowness, the snobbery, the lower middle-class respect for property⁠—which had culminated in the lingering tragedy of his sickly life. In their respective pews Anson and Aunt Cassie swelled with pride at the mention of the Pentland ancestry. Even the sight of the vigorous, practical, stocky Polish women staring round-eyed at the funeral procession a little before, returned to them now in a wave of pride and secret elation. The same emotion in some way filtered back through the little church from the pulpit where Bishop Smallwood (with the sob in his voice which had won him prizes at the seminary) stood surrounded by midsummer flowers, through all the relatives and connections, until far in the back among the more obscure and remote ones it became simply a pride in their relation to New England and the ancient dying village that was fast disappearing beneath the inroads of a more vigorous world. Something of the Pentland enchantment engulfed them all, even old Mrs. Featherstone, with her poor back bent from washing to support the four defective grandchildren who ought never to have been born. Through her facile tears (she wept because it was the only pleasure left her) there shone the light of a pride in belonging to these people who had persecuted witches and evolved transcendentalism and Mr. Lowell and Doctor Holmes and the good, kind Mr. Longfellow. It raised her somehow above the level of those hardy foreigners who worshiped the Scarlet Woman of Rome and jostled her on the sidewalks of High Street.

+

They chose the most emotional of hymns, and Bishop Smallwood, renowned for his effect upon pious and sentimental old ladies, said a few insincere and pompous words which threw Aunt Cassie and poor old Mrs. Featherstone into fresh excesses of grief. The services for the boy became a barbaric rite dedicated not to his brief and pathetic existence but to a glorification of the name he bore and of all those traits⁠—the narrowness, the snobbery, the lower middle-class respect for property⁠—which had culminated in the lingering tragedy of his sickly life. In their respective pews Anson and Aunt Cassie swelled with pride at the mention of the Pentland ancestry. Even the sight of the vigorous, practical, stocky Polish women staring round-eyed at the funeral procession a little before, returned to them now in a wave of pride and secret elation. The same emotion in some way filtered back through the little church from the pulpit where Bishop Smallwood (with the sob in his voice which had won him prizes at the seminary) stood surrounded by midsummer flowers, through all the relatives and connections, until far in the back among the more obscure and remote ones it became simply a pride in their relation to New England and the ancient dying village that was fast disappearing beneath the inroads of a more vigorous world. Something of the Pentland enchantment engulfed them all, even old Mrs. Featherstone, with her poor back bent from washing to support the four defective grandchildren who ought never to have been born. Through her facile tears (she wept because it was the only pleasure left her) there shone the light of a pride in belonging to these people who had persecuted witches and evolved transcendentalism and Mr. Lowell and Doctor Holmes and the good, kind Mr. Longfellow. It raised her somehow above the level of those hardy foreigners who worshiped the Scarlet Woman of Rome and jostled her on the sidewalks of High Street.

In all the little church there were only two or three, perhaps, who escaped that sudden mystical surge of self-satisfaction.⁠ ⁠… O’Hara, who was forever outside the caste, and Olivia and old John Pentland, sitting there side by side so filled with sorrow that they did not even resent the antics of Bishop Smallwood. Sabine (who had come, after all, to the services) sensed the intensity of the engulfing emotion. It filled her with a sense of slow, cold, impotent rage.

-

As the little procession left the church, wiping its eyes and murmuring in lugubrious tones, the clouds which a little earlier had sprung up against the distant horizon began to darken the whole sky. The air became so still that the leaves on the tall, drooping elms hung as motionless as leaves in a painted picture, and far away, gently at first, and then with a slow, increasing menace, rose the sound of distant echoing thunder. Ill at ease, the mourners gathered in little groups about the steps, regarding alternately the threatening sky and the waiting hearse, and presently, one by one, the more timorous ones began to drift sheepishly away. Others followed them slowly until by the time the coffin was borne out, they had all melted away save for the members of the “immediate family” and one or two others. Sabine remained, and O’Hara and old Mrs. Soames (leaning on John Pentland’s arm as if it were her grandson who was dead), and old Miss Haddon in her black cape, and the pallbearers, and of course Bishop Smallwood and the country rector who, in the presence of this august and saintly pillar of the church, had faded to insignificance. Besides these there were one or two other relatives, like Struthers Pentland, a fussy little bald man (cousin of John Pentland and of the disgraceful Horace), who had never married but devoted himself instead to fathering the boys of his classes at Harvard.

+

As the little procession left the church, wiping its eyes and murmuring in lugubrious tones, the clouds which a little earlier had sprung up against the distant horizon began to darken the whole sky. The air became so still that the leaves on the tall, drooping elms hung as motionless as leaves in a painted picture, and far away, gently at first, and then with a slow, increasing menace, rose the sound of distant echoing thunder. Ill at ease, the mourners gathered in little groups about the steps, regarding alternately the threatening sky and the waiting hearse, and presently, one by one, the more timorous ones began to drift sheepishly away. Others followed them slowly until by the time the coffin was borne out, they had all melted away save for the members of the “immediate family” and one or two others. Sabine remained, and O’Hara and old Mrs. Soames (leaning on John Pentland’s arm as if it were her grandson who was dead), and old Miss Haddon in her black cape, and the pallbearers, and of course Bishop Smallwood and the country rector who, in the presence of this august and saintly pillar of the church, had faded to insignificance. Besides these there were one or two other relatives, like Struthers Pentland, a fussy little bald man (cousin of John Pentland and of the disgraceful Horace), who had never married but devoted himself instead to fathering the boys of his classes at Harvard.

It was this little group which entered the motors and hurried off after the hearse in its shameless race with the oncoming storm.


The town burial-ground lay at the top of a high, bald hill where the first settlers of Durham had chosen to dispose of their dead, and the ancient roadway that led up to it was far too steep and stony to permit the passing of motors, so that part way up the hill the party was forced to descend and make the remainder of the journey on foot. As they assembled, silently but in haste, about the open, waiting grave, the sound of the thunder accompanied now by wild flashes of lightning, drew nearer and nearer, and the leaves of the stunted trees and shrubs which a moment before had been so still, began to dance and shake madly in the green light that preceded the storm.

@@ -119,14 +119,14 @@

There were no more Pentlands. Sybil and her husband would be rich, enormously so, with the Pentland money and Olivia’s money⁠ ⁠… but there would never be any more Pentlands. It had all come to an end in this⁠ ⁠… futility and oblivion. In another hundred years the name would exist, if it existed at all, only as a memory, embalmed within the pages of Anson’s book.

The new melancholy which settled over the house came in the end even to touch the spirit of Sybil, so young and so eager for experience, like a noxious mildew. Olivia noticed it first in a certain shadowy listlessness that seemed to touch every action of the girl, and then in an occasional faint sigh of weariness, and in the visits the girl paid her in her room, and in the way she gave up willingly evenings at Brook Cottage to stay at home with her mother. She saw that Sybil, who had always been so eager, was touched by the sense of futility which she (Olivia) had battled for so long. And Sybil, Sybil of them all, alone possessed the chance of being saved.

She thought, “I must not come to lean on her. I must not be the sort of mother who spoils the life of her child.”

-

And when John Pentland came to sit listlessly by her side, sometimes in silence, sometimes making empty speeches that meant nothing in an effort to cover his despair, she saw that he, too, had come to her for the strength which she alone could give him. Even old Mrs. Soames had failed him, for she lay ill again and able to see him only for a few minutes each day. (It was Sabine’s opinion, uttered during one of her morning visits, that these strange sudden illnesses came from overdoses of drugs.)

+

And when John Pentland came to sit listlessly by her side, sometimes in silence, sometimes making empty speeches that meant nothing in an effort to cover his despair, she saw that he, too, had come to her for the strength which she alone could give him. Even old Mrs. Soames had failed him, for she lay ill again and able to see him only for a few minutes each day. (It was Sabine’s opinion, uttered during one of her morning visits, that these strange sudden illnesses came from overdoses of drugs.)

So she came to see that she was being a coward to abandon the struggle now, and she rose one morning almost at dawn to put on her riding-clothes and set out with Sybil across the wet meadows to meet O’Hara. She returned with something of her pallor gone and a manner almost of gaiety, her spirit heightened by the air, the contact with O’Hara and the sense of having taken up the struggle once more.

Sabine, always watchful, noticed the difference and put it down to the presence of O’Hara alone, and in this she was not far wrong, for set down there in Durham, he affected Olivia powerfully as one who had no past but only a future. With him she could talk of things which lay ahead⁠—of his plans for the farm he had bought, of Sybil’s future, of his own reckless, irresistible career.


O’Hara himself had come to a dangerous state of mind. He was one of those men who seek fame and success less for the actual rewards than for the satisfaction of the struggle, the fierce pleasure of winning with all the chances against one. He had won successes already. He had his house, his horses, his motor, his well-tailored clothes, and he knew the value of these things, not only in the world of Durham, but in the slums and along the wharves of Boston. He had no illusions about the imperfect workings of democracy. He knew (perhaps because, having begun at the very bottom, he had fought his way very near to the top) that the poor man expects a politician to be something of a splendorous affair, especially when he has begun his career as a very common and ordinary sort of poor man. O’Hara was not playing his game foolishly or recklessly. When he visited the slums or sat in at political meetings, he was a sort of universal common man, a brother to all. When he addressed a large meeting or presided at an assembly, he arrived in a glittering motor and appeared in the elegant clothes suitable to a representative of the government, of power; and so he reflected credit on those men who had played with him as boys along India Wharf and satisfied the universal hunger in man for something more splendorous than the machinery of a perfect democracy.

He understood the game perfectly and made no mistakes, for he had had the best of all training⁠—that of knowing all sorts of people in all sorts of conditions. In himself, he embodied them all, if the simple and wholly kindly and honest were omitted; for he was really not a simple man nor a wholly honest one and he was too ruthless to be kindly. He understood people (as Sabine had guessed), with their little prides and vanities and failings and ambitions.

Aunt Cassie and Anson in the rigidity of their minds had been unjust in thinking that their world was the goal of his ambitions. They had, in the way of those who depend on their environment as a justification for their own existence, placed upon it a value out of all proportion in the case of a man like O’Hara. To them it was everything, the ultimate to be sought on this earth, and so they supposed it must seem to O’Hara. It would have been impossible for them to believe that he considered it only as a small part of his large scheme of life and laid siege to it principally for the pleasure that he found in the battle; for it was true that O’Hara, once he had won, would not know what to do with the fruits of his victory.

-

Already he himself had begun to see this. He had begun to understand that the victory was so easy that the battle held little savor for him. Moments of satisfaction such as that which had overtaken him as he sat talking to Sabine were growing more and more rare⁠ ⁠… moments when he would stop and think, “Here am I, Michael O’Hara, a nobody⁠ ⁠… son of a laborer and a housemaid, settled in the midst of such a world as Durham, talking to such a woman as Mrs. Cane Callendar.”

+

Already he himself had begun to see this. He had begun to understand that the victory was so easy that the battle held little savor for him. Moments of satisfaction such as that which had overtaken him as he sat talking to Sabine were growing more and more rare⁠ ⁠… moments when he would stop and think, “Here am I, Michael O’Hara, a nobody⁠ ⁠… son of a laborer and a housemaid, settled in the midst of such a world as Durham, talking to such a woman as Mrs. Cane Callendar.”

No, the savor was beginning to fail, to go out of the struggle. He was beginning to be bored, and as he grew bored he grew also restless and unhappy.

Born in the Roman Catholic church, he was really neither a very religious nor a very superstitious man. He was skeptic enough not to believe all the faiths the church sought to impose upon him, yet he was not skeptic enough to find peace of mind in an artificial will to believe. For so long a time he had relied wholly upon himself that the idea of leaning for support, even in lonely, restless moments, upon a God or a church, never even occurred to him. He remained outwardly a Roman Catholic because by denying the faith he would have incurred the enmity of the church and many thousands of devout Irish and Italians. The problem simply did not concern him deeply one way or the other.

And so he had come, guided for the moment by no very strong passion, into the doldrums of confusion and boredom. Even his fellow-politicians in Boston saw the change in him and complained that he displayed no very great interest in the campaign to send him to Congress. He behaved at times as if it made not the slightest difference to him whether he was elected to Congress or not⁠ ⁠… he, this Michael O’Hara who was so valuable to his party, so engaging and shrewd, who could win for it almost anything he chose.

@@ -239,19 +239,19 @@

“I know,” said Aunt Cassie. “I saw you.” (“Of course she would,” thought Olivia. “Does anything ever escape her?”) “It’s about her. She’s been violent again this morning and Miss Egan says you may be able to do something. She keeps raving about something to do with the attic and Sabine.”

“Yes, I know what it is. I’ll go right up.”

Higgins appeared, grinning and with a bright birdlike look in his sharp eyes, as if he knew all that had been happening and wanted to say, “Ah, you were out with O’Hara this morning⁠ ⁠… alone.⁠ ⁠… Well, you can’t do better, Ma’am. I hope it brings you happiness. You ought to have a man like that.”

-

As he took the bridle, he said, “That’s a fine animal Mr. O’Hara rides, Ma’am. I wish we had him in our stables.⁠ ⁠…”

+

As he took the bridle, he said, “That’s a fine animal Mr. O’Hara rides, Ma’am. I wish we had him in our stables.⁠ ⁠…”

She murmured something in reply and without even waiting for coffee hastened up the dark stairs to the north wing. On the way past the row of tall deep-set windows she caught a swift glimpse of Sabine, superbly dressed and holding a bright yellow parasol over her head, moving indolently up the long drive toward the house, and again she had a sudden unaccountable sense of something melancholy, perhaps even tragic, a little way off. It was one of those quick, inexplicable waves of depression that sweeps over one like a shadow. She said to herself, “I’m depressed now because an hour ago I was too happy.”

And immediately she thought, “But it was like Aunt Cassie to have such a thought as that. I must take care or I’ll be getting to be a true Pentland⁠ ⁠… believing that if I’m happy a calamity is soon to follow.”

She had moments of late when it seemed to her that something in the air, some power hidden in the old house itself, was changing her slowly, imperceptibly, in spite of herself.


Miss Egan met her outside the door, with the fixed eternal smile which today seemed to Olivia the sort of smile that the countenance of Fate itself might wear.

-

“The old lady is more quiet,” she said. “Higgins helped me and we managed to bind her in the bed so that she couldn’t harm herself. It’s surprising how much strength she has in her poor thin body.” She explained that old Mrs. Pentland kept screaming, “Sabine! Sabine!” for Mrs. Callendar and that she kept insisting on being allowed to go into the attic.

+

“The old lady is more quiet,” she said. “Higgins helped me and we managed to bind her in the bed so that she couldn’t harm herself. It’s surprising how much strength she has in her poor thin body.” She explained that old Mrs. Pentland kept screaming, “Sabine! Sabine!” for Mrs. Callendar and that she kept insisting on being allowed to go into the attic.

“It’s the old idea that she’s lost something up there,” said Miss Egan. “But it’s probably only something she’s imagined.” Olivia was silent for a moment. “I’ll go and search,” she said. “It might be there is something and if I could find it, it would put an end to these spells.”


She found them easily, almost at once, now that there was daylight streaming in at the windows of the cavernous attic. They lay stuffed away beneath one of the great beams⁠ ⁠… a small bundle of ancient yellowed letters which had been once tied together with a bit of mauve ribbon since torn in haste by someone who thrust them in this place of concealment. They had been opened carelessly and in haste, for the moldering paper was all cracked and torn along the edges. The ink, violet once, had turned to a dirty shade of brown.

-

Standing among the scattered toys left by Jack and Sybil the last time they had played house, Olivia held the letters one by one up to the light. There were eleven in all and each one was addressed to Mrs. J. Pentland, at Pentlands. Eight of them had been sent through the Boston post-office and the other three bore no stamps of any kind, as if they had been sent by messengers or in a bouquet or between the leaves of a book. The handwriting was that of a man, large, impetuous, sprawling, which showed a tendency to blur the letters together in a headlong, impatient way.

-

She thought at once, “They are addressed to Mrs. J. Pentland, which means Mrs. Jared Pentland. Anson will be delighted, for these must be the letters which passed between Savina Pentland and her cousin, Toby Cane. Anson needed them to complete the book.”

-

And then it occurred to her that there was something strange about the letters⁠—in their having been hidden and perhaps found by the old lady belowstairs and then hidden away a second time. Old Mrs. Pentland must have found them there nearly forty years ago, when they still allowed her to wander about the house. Perhaps it had been on one of those rainy days when Anson and Sabine had come into the attic to play in this very corner with these same old toys⁠—the days when Sabine refused to pretend that muddy water was claret. And now the old lady was remembering the discovery after all these years because the return of Sabine and the sound of her name had lighted some train of long-forgotten memories.

+

Standing among the scattered toys left by Jack and Sybil the last time they had played house, Olivia held the letters one by one up to the light. There were eleven in all and each one was addressed to Mrs. J. Pentland, at Pentlands. Eight of them had been sent through the Boston post-office and the other three bore no stamps of any kind, as if they had been sent by messengers or in a bouquet or between the leaves of a book. The handwriting was that of a man, large, impetuous, sprawling, which showed a tendency to blur the letters together in a headlong, impatient way.

+

She thought at once, “They are addressed to Mrs. J. Pentland, which means Mrs. Jared Pentland. Anson will be delighted, for these must be the letters which passed between Savina Pentland and her cousin, Toby Cane. Anson needed them to complete the book.”

+

And then it occurred to her that there was something strange about the letters⁠—in their having been hidden and perhaps found by the old lady belowstairs and then hidden away a second time. Old Mrs. Pentland must have found them there nearly forty years ago, when they still allowed her to wander about the house. Perhaps it had been on one of those rainy days when Anson and Sabine had come into the attic to play in this very corner with these same old toys⁠—the days when Sabine refused to pretend that muddy water was claret. And now the old lady was remembering the discovery after all these years because the return of Sabine and the sound of her name had lighted some train of long-forgotten memories.

Seating herself on a broken, battered old trunk, she opened the first of the letters reverently so as not to dislodge the bits of violet sealing-wax that still clung to the edges, and almost at once she read with a swift sense of shock:

Carissima,

@@ -294,13 +294,13 @@

And in the midst of this realization she had a swift impulse to laugh, hysterically, for the picture of Anson had come to her suddenly⁠ ⁠… Anson pouring his whole soul into that immense glorification to be known as The Pentland Family and the Massachusetts Bay Colony.

Slowly, as the first shock melted away a little, she began to believe that the yellowed bits of paper were a sort of infernal machine, an instrument with the power of shattering a whole world. What was she to do with this thing⁠—this curious symbol of a power that always won every struggle in one way or another, directly as in the case of Savina and her lover, or by taking its vengeance upon body or soul as it had done in the case of Aunt Cassie’s poor, prying, scheming mind? And there was, too, the dark story of Horace Pentland, and the madness of the old woman in the north wing, and even those sudden terrible bouts of drinking which made so fine a man as John Pentland into something very near to a beast.

It was as if a light of blinding clarity had been turned upon all the long procession of ancestors. She saw now that if The Pentland Family and the Massachusetts Bay Colony was to have any value at all as truth it must be rewritten in the light of the struggle between the forces glorified by that drunken scamp Toby Cane and this other terrible force which seemed to be all about her everywhere, pressing even herself slowly into its own mold. It was an old struggle between those who chose to find their pleasure in this world and those who looked for the vague promise of a glorified future existence.

-

She could see Anson writing in his book, “In the present generation (192-) there exists Cassandra Pentland Struthers (Mrs. Edward Cane Struthers), a widow who has distinguished herself by her devotion to the Episcopal Church and to charity and good works. She resides in winter in Boston and in summer at her country house near Durham on the land claimed from the wilderness by the first Pentland, distinguished founder of the American family.”

+

She could see Anson writing in his book, “In the present generation (192-) there exists Cassandra Pentland Struthers (Mrs. Edward Cane Struthers), a widow who has distinguished herself by her devotion to the Episcopal Church and to charity and good works. She resides in winter in Boston and in summer at her country house near Durham on the land claimed from the wilderness by the first Pentland, distinguished founder of the American family.”

Yes, Anson would write just those words in his book. He would describe thus the old woman who sat belowstairs hoping all the while that Olivia would descend bearing the news of some new tragedy⁠ ⁠… that virginal old woman who had ruined the whole life of her husband and kept poor half-witted Miss Peavey a prisoner for nearly thirty years.


The murmur of voices died away presently and Olivia, looking out of the window, saw that it was Aunt Cassie who had won this time. She was standing in the garden looking down the drive with that malignant expression which sometimes appeared on her face in moments when she thought herself alone. Far down the shadow-speckled drive, the figure of Sabine moved indolently away in the direction of Brook Cottage. Sabine, too, belonged in a way to the family; she had grown up enveloped in the powerful tradition which made Pentlands of people who were not Pentlands at all. Perhaps (thought Olivia) the key to Sabine’s restless, unhappy existence also lay in the same dark struggle. Perhaps if one could penetrate deeply enough in the long family history one would find there the reasons for Sabine’s hatred of this Durham world and the reasons why she had returned to a people she disliked with all the bitter, almost fanatic passion of her nature. There was in Sabine an element of cold cruelty.

At the sight of Olivia coming down the steps into the garden, Aunt Cassie turned and moved forward quickly with a look of expectancy, asking, “And how is the poor thing?”

And at Olivia’s answer, “She’s quiet now⁠ ⁠… sleeping. It’s all passed,” the looked changed to one of disappointment.

-

She said, with an abysmal sigh, “Ah, she will go on forever. She’ll be alive long after I’ve gone to join dear Mr. Struthers.”

+

She said, with an abysmal sigh, “Ah, she will go on forever. She’ll be alive long after I’ve gone to join dear Mr. Struthers.”

“Invalids are like that,” replied Olivia, by way of saying something. “They take such care of themselves.” And almost at once, she thought, “Here I am playing the family game, pretending that she’s not mad but only an invalid.”

She had no feeling of resentment against the busy old woman; indeed it seemed to her at times that she had almost an affection for Aunt Cassie⁠—the sort of affection one has for an animal or a bit of furniture which has been about almost as long as one can remember. And at the moment the figure of Aunt Cassie, the distant sight of Sabine, the bright garden full of flowers⁠ ⁠… all these things seemed to her melodramatic and unreal, for she was still living in the Pentlands of Savina and Toby Cane. It was impossible to fix her attention on Aunt Cassie and her flutterings.

The old lady was saying, “You all seem to have grown very fond of this man O’Hara.”

@@ -315,11 +315,11 @@

“It’s only on account of what people will say,” repeated Aunt Cassie.

“I’ve almost come to the conclusion that what people say doesn’t really matter any longer.⁠ ⁠…”

Aunt Cassie began suddenly to pick a bouquet from the border beside her. “Oh, it’s not you I’m worrying about, Olivia dear. But we have to consider others sometimes.⁠ ⁠… There’s Sybil and Anson, and even the very name of Pentland. There’s never been any such suspicion attached to it⁠ ⁠… ever.”

-

It was incredible (thought Olivia) that anyone would make such a statement, incredible anywhere else in the world. She wanted to ask, “What about your brother and old Mrs. Soames?” And in view of those letters that lay locked in her dressing-table.⁠ ⁠…

+

It was incredible (thought Olivia) that anyone would make such a statement, incredible anywhere else in the world. She wanted to ask, “What about your brother and old Mrs. Soames?” And in view of those letters that lay locked in her dressing-table.⁠ ⁠…

At that moment lunch was announced by Peters’ appearance in the doorway. Olivia turned to Aunt Cassie, “You’re staying, of course.”

“No, I must go. You weren’t expecting me.”

So Olivia began the ancient game, played for so many years, of pressing Aunt Cassie to stay to lunch.

-

“It makes no difference,” she said, “only another plate.” And so on through a whole list of arguments that she had memorized long ago. And at last Aunt Cassie, with the air of having been pressed beyond her endurance, yielded, and to Peters, who had also played the game for years, Olivia said, “Lay another place for Mrs. Struthers.”

+

“It makes no difference,” she said, “only another plate.” And so on through a whole list of arguments that she had memorized long ago. And at last Aunt Cassie, with the air of having been pressed beyond her endurance, yielded, and to Peters, who had also played the game for years, Olivia said, “Lay another place for Mrs. Struthers.”

She had meant to stay all along. Lunching out saved both money and trouble, for Miss Peavey ate no more than a bird, at least not openly; and, besides, there were things she must find out at Pentlands, and other things which she must plan. In truth, wild horses could not have dragged her away.

As they entered the house, Aunt Cassie, carrying the bouquet she had plucked, said casually, “I met the Mannering boy on the road this morning and told him to come in tonight. I thought you wouldn’t mind. He’s very fond of Sybil, you know.”

“No, of course not,” replied Olivia. “I don’t mind. But I’m afraid Sybil isn’t very interested in him.”

diff --git a/src/epub/text/chapter-8.xhtml b/src/epub/text/chapter-8.xhtml index 11a7551..4532f86 100644 --- a/src/epub/text/chapter-8.xhtml +++ b/src/epub/text/chapter-8.xhtml @@ -26,7 +26,7 @@

“It’s the invoice from the Custom House,” she said, lifting each of the five long sheets separately. “Five pages long⁠ ⁠… total value perhaps as much as seventy-five thousand dollars.⁠ ⁠… Of course there’s not even any duty to pay, as they’re all old things.”

Aunt Cassie started, as if seized by a sudden pain, and Sabine continued, “He even left provision for shipping it⁠ ⁠… all save four or five big pieces which are being held at Mentone. There are eighteen cases in all.”

She began to read the items one by one⁠ ⁠… cabinets, commodes, chairs, lusters, tables, pictures, bits of bronze, crystal and jade⁠ ⁠… all the long list of things which Horace Pentland had gathered with the loving care of a connoisseur during the long years of his exile; and in the midst of the reading, Aunt Cassie, unable any longer to control herself, interrupted, saying, “It seems to me he was an ungrateful, disgusting man. It ought to have gone to my dear brother, who supported him all these years. I don’t see why he left it all to a remote cousin like you.”

-

Sabine delved again into the envelope. “Wait,” she said. “He explains that point himself⁠ ⁠… in his own will.” She opened a copy of this document and, searching for a moment, read, “To my cousin, Sabine Callendar (Mrs. Cane Callendar), of⁠—Rue de Tilsitt, Paris, France, and Newport, Rhode Island, I leave all my collections of furniture, tapestries, bibelots, etc., in gratitude for her kindness to me over a period of many years and in return for her faith and understanding at a time when the rest of my family treated me as an outcast.”

+

Sabine delved again into the envelope. “Wait,” she said. “He explains that point himself⁠ ⁠… in his own will.” She opened a copy of this document and, searching for a moment, read, “To my cousin, Sabine Callendar (Mrs. Cane Callendar), of⁠—Rue de Tilsitt, Paris, France, and Newport, Rhode Island, I leave all my collections of furniture, tapestries, bibelots, etc., in gratitude for her kindness to me over a period of many years and in return for her faith and understanding at a time when the rest of my family treated me as an outcast.”

Aunt Cassie was beside herself. “And how should he have been treated if not as an outcast? He was an ungrateful, horrible wretch! It was Pentland money which supported him all his miserable life.” She paused a moment for breath. “I always told my dear brother that twenty-five hundred a year was far more than Horace Pentland needed. And that is how he has spent it, to insult the very people who were kind to him.”

Sabine put the papers back in the envelope and, looking up, said in her hard, metallic voice: “Money’s not everything, as I told you once before, Aunt Cassie. I’ve always said that the trouble with the Pentlands⁠ ⁠… with most of Boston, for that matter⁠ ⁠… lies in the fact that they were lower middle-class shopkeepers to begin with and they’ve never lost any of the lower middle-class virtues⁠ ⁠… especially about money. They’ve been proud of living off the income of their incomes.⁠ ⁠… No, it wasn’t money that Horace Pentland wanted. It was a little decency and kindness and intelligence. I fancy you got your money’s worth out of the poor twenty-five hundred dollars you sent him every year. It was worth a great deal more than that to keep the truth under a bushel.”

A long and painful silence followed this speech and Olivia, turning toward Sabine, tried to reproach her with a glance for speaking thus to the old lady. Aunt Cassie was being put to rout so pitifully, not only by Sabine, but by Horace Pentland, who had taken his vengeance shrewdly, long after he was dead, by striking at the Pentland sense of possessions, of property.

@@ -38,7 +38,7 @@

The old relentless, cruel smile lighted Sabine’s face. “No, now that the time has come she hasn’t much faith in the Heaven she’s preached all her life.” There was a brief silence and Sabine added grimly, “She will certainly be a nuisance to Saint Peter.”

But there was only sadness in Olivia’s dark eyes, because she kept thinking what a shallow, futile life Aunt Cassie’s had been. She had turned her back upon life from the beginning, even with the husband whom she married as a convenience. She kept thinking what a poor barren thing that life had been; how little of richness, of memories, it held, now that it was coming to an end.

Sabine was speaking again. “I know you’re thinking that I’m heartless, but you don’t know how cruel she was to me⁠ ⁠… what things she did to me as a child.” Her voice softened a little, but in pity for herself and not for Aunt Cassie. It was as if the ghost of the queer, unhappy, red-haired little girl of her childhood had come suddenly to stand there beside them where the ghost of Horace Pentland had stood a little while before. The old ghosts were crowding about once more, even there on the terrace in the hot August sunlight in the beauty of Olivia’s flowery garden.

-

“She sent me into the world,” continued Sabine’s hard voice, “knowing nothing but what was false, believing⁠—the little I believed in anything⁠—in false gods, thinking that marriage was no more than a business contract between two young people with fortunes. She called ignorance by the name of innocence and quoted the Bible and that milk-and-water philosopher Emerson⁠ ⁠… ‘dear Mr. Emerson’⁠ ⁠… whenever I asked her a direct, sensible question.⁠ ⁠… And all she accomplished was to give me a hunger for facts⁠—hard, unvarnished facts⁠—pleasant or unpleasant.”

+

“She sent me into the world,” continued Sabine’s hard voice, “knowing nothing but what was false, believing⁠—the little I believed in anything⁠—in false gods, thinking that marriage was no more than a business contract between two young people with fortunes. She called ignorance by the name of innocence and quoted the Bible and that milk-and-water philosopher Emerson⁠ ⁠… ‘dear Mr. Emerson’⁠ ⁠… whenever I asked her a direct, sensible question.⁠ ⁠… And all she accomplished was to give me a hunger for facts⁠—hard, unvarnished facts⁠—pleasant or unpleasant.”

A kind of hot passion entered the metallic voice, so that it took on an unaccustomed warmth and beauty. “You don’t know how much she is responsible for in my life. She⁠ ⁠… and all the others like her⁠ ⁠… killed my chance of happiness, of satisfaction. She cost me my husband.⁠ ⁠… What chance had I with a man who came from an older, wiser world⁠ ⁠… a world in which things were looked at squarely, and honestly as truth⁠ ⁠… a man who expected women to be women and not timid icebergs? No, I don’t think I shall ever forgive her.” She paused for a moment, thoughtfully, and then added, “And whatever she did, whatever cruelties she practised, whatever nonsense she preached, was always done in the name of duty and always ‘for your own good, my dear.’ ”

Then abruptly, with a bitter smile, her whole manner changed and took on once more the old air of indolent, almost despairing, boredom. “I couldn’t begin to tell you all, my dear.⁠ ⁠… It goes back too far. We’re all rotten here⁠ ⁠… not so much rotten as desiccated, for there was never much blood in us to rot.⁠ ⁠… The roots go deep.⁠ ⁠… But I shan’t bore you again with all this, I promise.”

Olivia, listening, wanted to say, “You don’t know how much blood there is in the Pentlands.⁠ ⁠… You don’t know that they aren’t Pentlands at all, but the children of Savina Dalgedo and Toby Cane.⁠ ⁠… But even that hasn’t mattered.⁠ ⁠… The very air, the very earth of New England, has changed them, dried them up.”

@@ -113,13 +113,13 @@

He resented O’Hara because he knew perhaps that the Irishman regarded him and his world with cynicism; and it was O’Hara and Irishmen like him⁠—Democrats (thought Anson) and therefore the scum of the earth⁠—who had broken down the perfect, chilled, set model of Boston life. Sabine he hated for the same reasons; and from the very beginning he had taken a dislike to “that young de Cyon” because the young man seemed to stand entirely alone, independent of such dignities, without sign even of respect for them. And he was, too, inextricably allied with O’Hara and Sabine and the “outlandish Thérèse.”

Olivia suspected that he grew shrill and hysterical only at times when he was tormented by a suspicion of their mockery. It was then that he became unaccountable for what he said and did⁠ ⁠… unaccountable as he had been on that night after the ball. She understood that each day made him more acutely sensitive of his dignity, for he was beginning to interpret the smallest hint as an attack upon it.

Knowing these things, she had come to treat him always as a child, humoring and wheedling him until in the end she achieved what she desired, painlessly and surely. She treated him thus in the matter of refurnishing the house. Knowing that he was absorbed in finishing the final chapters of The Pentland Family and the Massachusetts Bay Colony, she suggested that he move his table into the distant “writing-room” where he would be less disturbed by family activities; and Anson, believing that at last his wife was impressed by the importance and dignity of his work, considered the suggestion an excellent one. He even smiled and thanked her.

-

Then, after having consulted old John Pentland and finding that he approved the plan, she began bit by bit to insinuate the furniture of Horace Pentland into the house. Sabine came daily to watch the progress of the change, to comment and admire and suggest changes. They found an odd excitement in the emergence of one beautiful object after another from its chrysalis of emballage; out of old rags and shavings there appeared the most exquisite of tables and cabinets, bits of chinoiserie, old books and engravings. One by one the ugly desk used by Mr. Lowell, the monstrous lamp presented by Mr. Longfellow, the anemic watercolors of Miss Maria Pentland⁠ ⁠… all the furnishings of the museum were moved into the vast old attic; until at length a new drawing-room emerged, resplendent and beautiful, civilized and warm and even a little exotic, dressed in all the treasures which Horace Pentland had spent his life in gathering with passionate care. Quietly and almost without its being noticed, the family skeleton took possession of the house, transforming its whole character.

-

The change produced in Aunt Cassie a variety of confused and conflicting emotions. It seemed sacrilege to her that the worn, familiar, homely souvenirs of her father’s “dear friends” should be relegated into the background, especially by the hand of Horace Pentland; yet it was impossible for her to overlook the actual value of the collection. She saw the objects less as things of rare beauty than in terms of dollars and cents. And, as she had said, “Pentland things ought to find a place in a Pentland house.” She suspected Sabine of Machiavellian tactics and could not make up her mind whether Sabine and Horace Pentland had not triumphed in the end over herself and “dear Mr. Lowell” and “good, kind Mr. Longfellow.”

+

Then, after having consulted old John Pentland and finding that he approved the plan, she began bit by bit to insinuate the furniture of Horace Pentland into the house. Sabine came daily to watch the progress of the change, to comment and admire and suggest changes. They found an odd excitement in the emergence of one beautiful object after another from its chrysalis of emballage; out of old rags and shavings there appeared the most exquisite of tables and cabinets, bits of chinoiserie, old books and engravings. One by one the ugly desk used by Mr. Lowell, the monstrous lamp presented by Mr. Longfellow, the anemic watercolors of Miss Maria Pentland⁠ ⁠… all the furnishings of the museum were moved into the vast old attic; until at length a new drawing-room emerged, resplendent and beautiful, civilized and warm and even a little exotic, dressed in all the treasures which Horace Pentland had spent his life in gathering with passionate care. Quietly and almost without its being noticed, the family skeleton took possession of the house, transforming its whole character.

+

The change produced in Aunt Cassie a variety of confused and conflicting emotions. It seemed sacrilege to her that the worn, familiar, homely souvenirs of her father’s “dear friends” should be relegated into the background, especially by the hand of Horace Pentland; yet it was impossible for her to overlook the actual value of the collection. She saw the objects less as things of rare beauty than in terms of dollars and cents. And, as she had said, “Pentland things ought to find a place in a Pentland house.” She suspected Sabine of Machiavellian tactics and could not make up her mind whether Sabine and Horace Pentland had not triumphed in the end over herself and “dear Mr. Lowell” and “good, kind Mr. Longfellow.”

Anson, strangely enough, liked the change, with reservations. For a long time he had been conscious of the fact that the drawing-room and much of the rest of the house seemed shabby and worn, and so, unworthy of such dignity as attached to the Pentland name.

He stood in the doorway of the drawing-room, surveying the transformation, and remarked, “The effect seems good⁠ ⁠… a little flamboyant, perhaps, and undignified for such a house, but on the whole⁠ ⁠… good⁠ ⁠… quite good. I myself rather prefer the plain early American furniture.⁠ ⁠…”

To which Sabine replied abruptly, “But it makes hard sitting.”

Until now there had never been any music at Pentlands, for music was regarded in the family as something you listened to in concert-halls, dressed in your best clothes. Aunt Cassie, with Miss Peavey, had gone regularly for years each Friday afternoon, to sit hatless with a scarf over her head in Symphony Hall listening to “dear Colonel Higginson’s orchestra” (which had fallen off so sadly since his death), but she had never learned to distinguish one melody from another.⁠ ⁠… Music at Pentlands had always been a cultural duty, an exercise something akin to attending church. It made no more impression on Aunt Cassie than those occasional trips to Europe when, taking her own world with her, she stayed always at hotels where she would encounter friends from Boston and never be subjected to the strain of barbaric, unsympathetic faces and conversations.

-

And now, quite suddenly, music at Pentlands became something alive and colorful and human. The tinny old square piano disappeared and in its place there was a great new one bought by Olivia out of her own money. In the evenings the house echoed to the sound of Chopin and Brahms, Beethoven and Bach, and even such barbaric newcomers as Stravinsky and Ravel. Old Mrs. Soames came, when she was well enough, to sit in the most comfortable of the Regence chairs with old John Pentland at her side, listening while the shadow of youth returned to her half-blind old eyes. The sound of Jean’s music penetrated sometimes as far as the room of the mad old woman in the north wing and into the writing-room, where it disturbed Anson working on The Pentland Family and the Massachusetts Bay Colony.

+

And now, quite suddenly, music at Pentlands became something alive and colorful and human. The tinny old square piano disappeared and in its place there was a great new one bought by Olivia out of her own money. In the evenings the house echoed to the sound of Chopin and Brahms, Beethoven and Bach, and even such barbaric newcomers as Stravinsky and Ravel. Old Mrs. Soames came, when she was well enough, to sit in the most comfortable of the Regence chairs with old John Pentland at her side, listening while the shadow of youth returned to her half-blind old eyes. The sound of Jean’s music penetrated sometimes as far as the room of the mad old woman in the north wing and into the writing-room, where it disturbed Anson working on The Pentland Family and the Massachusetts Bay Colony.

And then one night, O’Hara came in after dinner, dressed in clothes cut rather too obviously along radically fashionable lines. It was the first time he had ever set foot on Pentland soil.

@@ -161,9 +161,9 @@

“I can’t desert her yet. You don’t know how it is at Pentlands. I’ve got to save her, even if I lose myself. I fancy they’ll be married before winter⁠ ⁠… even before autumn⁠ ⁠… before he leaves. And then I shall be free. I couldn’t⁠ ⁠… I couldn’t be your mistress now, Michael⁠ ⁠… with Sybil still in there at Pentlands with me.⁠ ⁠… I may be quibbling.⁠ ⁠… I may sound silly, but it does make a difference⁠ ⁠… because perhaps I’ve lived among them for too long.”

“You promise me that when she’s gone you’ll be free?”

“I promise you, Michael.⁠ ⁠… I’ve told you that I love you⁠ ⁠… that you’re the only man I’ve ever loved⁠ ⁠… even the smallest bit.”

-

Mrs. Callendar will help us.⁠ ⁠… She wants it.”

+

Mrs. Callendar will help us.⁠ ⁠… She wants it.”

“Oh, Sabine.⁠ ⁠…” She was startled. “You haven’t spoken to her? You haven’t told her anything?”

-

“No.⁠ ⁠… But you don’t need to tell her such things. She has a way of knowing.” After a moment he said, “Why, even Higgins wants it. He keeps saying to me, in an offhand sort of way, as if what he said meant nothing at all, ‘Mrs. Pentland is a fine woman, sir. I’ve known her for years. Why, she’s even helped me out of scrapes. But it’s a pity she’s shut up in that mausoleum with all those dead ones. She ought to have a husband who’s a man. She’s married to a living corpse.’ ”

+

“No.⁠ ⁠… But you don’t need to tell her such things. She has a way of knowing.” After a moment he said, “Why, even Higgins wants it. He keeps saying to me, in an offhand sort of way, as if what he said meant nothing at all, ‘Mrs. Pentland is a fine woman, sir. I’ve known her for years. Why, she’s even helped me out of scrapes. But it’s a pity she’s shut up in that mausoleum with all those dead ones. She ought to have a husband who’s a man. She’s married to a living corpse.’ ”

Olivia flushed. “He has no right to talk that way.⁠ ⁠…”

“If you could hear him speak, you’d know that it’s not disrespect, but because he worships you. He’d kiss the ground you walk over.” And looking down, he added, “He says it’s a pity that a thoroughbred like you is shut up at Pentlands. You mustn’t mind his way of saying it. He’s something of a horse-breeder and so he sees such things in the light of truth.”

She knew, then, what O’Hara perhaps had failed to understand⁠—that Higgins was touching the tragedy of her son, a son who should have been strong and full of life, like Jean. And a wild idea occurred to her⁠—that she might still have a strong son, with O’Hara as the father, a son who would be a Pentland heir but without the Pentland taint. She might do what Savina Pentland had done. But she saw at once how absurd such an idea was; Anson would know well enough that it was not his son.

diff --git a/src/epub/text/chapter-9.xhtml b/src/epub/text/chapter-9.xhtml index eb4c0de..c283355 100644 --- a/src/epub/text/chapter-9.xhtml +++ b/src/epub/text/chapter-9.xhtml @@ -14,7 +14,7 @@

And so the depression of another illness came to add its weight to the burden of Jack’s death and the grief of John Pentland. The task of battling the cloud of melancholy which hung over the old house grew more and more heavy upon Olivia’s shoulders. Anson remained as usual indifferent to any changes in the life about him, living really in the past among all the sheaves of musty papers, a man not so much cold-blooded as bloodless, for there was nothing active nor calculating in his nature, but only a great inertia, a lack of all fire. And it was impossible to turn to Sabine, who in an odd way seemed as cold and detached as Anson; she appeared to stand at a little distance, waiting, watching them all, even Olivia herself. And it was of course unthinkable to cloud the happiness of Sybil by going to her for support.

There was at least O’Hara, who came more and more frequently to Pentlands, now that the first visit had been made and the ice was broken. Anson encountered him once in the hallway, coldly; and he had become very friendly with old John Pentland. The two had a common interest in horses and dogs and cattle, and O’Hara, born in the Boston slums and knowing very little on any of these subjects, perhaps found the old gentleman a valuable source of information. He told Olivia, “I wouldn’t come to the house except for you. I can’t bear to think of you there⁠ ⁠… always alone⁠ ⁠… always troubled.”

And in the evenings, while they played bridge or listened to Jean’s music, she sometimes caught his eye, watching her with the old admiration, telling her that he was ready to support her no matter what happened.

-

A week after the encounter with Miss Peavey at the catnip-bed, Peters came to Olivia’s room late in the afternoon to say, with a curious blend of respect and confidence, “He’s ill again, Mrs. Pentland.”

+

A week after the encounter with Miss Peavey at the catnip-bed, Peters came to Olivia’s room late in the afternoon to say, with a curious blend of respect and confidence, “He’s ill again, Mrs. Pentland.”

She knew what Peters meant; it was a kind of code between them.⁠ ⁠… The same words used so many times before.

She went quickly to the tall narrow library that smelled of dogs and apples and woodsmoke, knowing well enough what she would find there; and on opening the door she saw him at once, lying asleep in the big leather chair. The faint odor of whisky⁠—a smell which had come long since to fill her always with a kind of horror⁠—hung in the air, and on the mahogany desk stood three bottles, each nearly emptied. He slept quietly, one arm flung across his chest, the other hanging to the floor, where the bony fingers rested limply against the Turkey-red carpet. There was something childlike in the peace which enveloped him. It seemed to Olivia that he was even free now of the troubles which long ago had left their mark in the harsh, bitter lines of the old face. The lines were gone, melted away somehow, drowned in the immense quiet of this artificial death. It was only thus, perhaps, that he slept quietly, untroubled by dreams. It was only thus that he ever escaped.

Standing in the doorway she watched him for a time, quietly, and then, turning, she said to Peters, “Will you tell Higgins?” and entering the door she closed the red-plush curtains, shutting out the late afternoon sunlight.

@@ -67,9 +67,9 @@

“Because,” he added, looking away from her once more, “because I owe her that⁠ ⁠… even after I’m dead. I couldn’t rest if she were shut up somewhere⁠ ⁠… among strangers. You see⁠ ⁠… once⁠ ⁠… once.⁠ ⁠…” He broke off sharply, as if what he had been about to say was unbearable.

With Olivia the sense of uneasiness changed into actual terror. She wanted to cry out, “Stop!⁠ ⁠… Don’t go on!” But some instinct told her that he meant to go on and on to the very end, painfully, despite anything she could do.

“It’s odd,” he was saying quite calmly, “but there seem to be only women left⁠ ⁠… no men⁠ ⁠… for Anson is really an old woman.”

-

Quietly, firmly, with the air of a man before a confessor, speaking almost as if she were invisible, impersonal, a creature who was a kind of machine, he went on, “And of course, Horace Pentland is dead, so we needn’t think of him any longer.⁠ ⁠… But there’s Mrs. Soames.⁠ ⁠…” He coughed and began again to weave the gaunt bony fingers in and out, as if what he had to say were drawn from the depth of his soul with a great agony. “There’s Mrs. Soames,” he repeated. “I know that you understand about her, Olivia⁠ ⁠… and I’m grateful to you for having been kind and human where none of the others would have been. I fancy we’ve given Beacon Hill and Commonwealth Avenue subject for conversation for thirty years⁠ ⁠… but I don’t care about that. They’ve watched us⁠ ⁠… they’ve known every time I went up the steps of her brownstone house⁠ ⁠… the very hour I arrived and the hour I left. They have eyes, in our world, Olivia, even in the backs of their heads. You must remember that, my dear. They watch you⁠ ⁠… they see everything you do. They almost know what you think⁠ ⁠… and when they don’t know, they make it up. That’s one of the signs of a sick, decaying world⁠ ⁠… that they get their living vicariously⁠ ⁠… by watching someone else live⁠ ⁠… that they live always in the past. That’s the only reason I ever felt sorry for Horace Pentland⁠ ⁠… the only reason that I had sympathy for him. It was cruel that he should have been born in such a place.”

+

Quietly, firmly, with the air of a man before a confessor, speaking almost as if she were invisible, impersonal, a creature who was a kind of machine, he went on, “And of course, Horace Pentland is dead, so we needn’t think of him any longer.⁠ ⁠… But there’s Mrs. Soames.⁠ ⁠…” He coughed and began again to weave the gaunt bony fingers in and out, as if what he had to say were drawn from the depth of his soul with a great agony. “There’s Mrs. Soames,” he repeated. “I know that you understand about her, Olivia⁠ ⁠… and I’m grateful to you for having been kind and human where none of the others would have been. I fancy we’ve given Beacon Hill and Commonwealth Avenue subject for conversation for thirty years⁠ ⁠… but I don’t care about that. They’ve watched us⁠ ⁠… they’ve known every time I went up the steps of her brownstone house⁠ ⁠… the very hour I arrived and the hour I left. They have eyes, in our world, Olivia, even in the backs of their heads. You must remember that, my dear. They watch you⁠ ⁠… they see everything you do. They almost know what you think⁠ ⁠… and when they don’t know, they make it up. That’s one of the signs of a sick, decaying world⁠ ⁠… that they get their living vicariously⁠ ⁠… by watching someone else live⁠ ⁠… that they live always in the past. That’s the only reason I ever felt sorry for Horace Pentland⁠ ⁠… the only reason that I had sympathy for him. It was cruel that he should have been born in such a place.”

The bitterness ran like acid through all the speech, through the very timbre of his voice. It burned in the fierce black eyes where the fire was not yet dead. Olivia believed that she was seeing him now for the first time, in his fullness, with nothing concealed. And as she listened, the old cloud of mystery that had always hidden him from her began to clear away like the fog lifting from the marshes in the early morning. She saw him now as he really was⁠ ⁠… a man fiercely masculine, bitter, clearheaded, and more human than the rest of them, who had never before betrayed himself even for an instant.

-

“But about Mrs. Soames.⁠ ⁠… If anything should happen to me, Olivia⁠ ⁠… if I should die first, I want you to be kind to her⁠ ⁠… for my sake and for hers. She’s been patient and good to me for so long.” The bitterness seemed to flow away a little now, leaving only a kindling warmth in its place. “She’s been good to me.⁠ ⁠… She’s always understood, Olivia, even before you came here to help me. You and she, Olivia, have made life worth living for me. She’s been patient⁠ ⁠… more patient than you know. Sometimes I must have made life for her a hell on earth⁠ ⁠… but she’s always been there, waiting, full of gentleness and sympathy. She’s been ill most of the time you’ve known her⁠ ⁠… old and ill. You can’t imagine how beautiful she once was.”

+

“But about Mrs. Soames.⁠ ⁠… If anything should happen to me, Olivia⁠ ⁠… if I should die first, I want you to be kind to her⁠ ⁠… for my sake and for hers. She’s been patient and good to me for so long.” The bitterness seemed to flow away a little now, leaving only a kindling warmth in its place. “She’s been good to me.⁠ ⁠… She’s always understood, Olivia, even before you came here to help me. You and she, Olivia, have made life worth living for me. She’s been patient⁠ ⁠… more patient than you know. Sometimes I must have made life for her a hell on earth⁠ ⁠… but she’s always been there, waiting, full of gentleness and sympathy. She’s been ill most of the time you’ve known her⁠ ⁠… old and ill. You can’t imagine how beautiful she once was.”

“I know,” said Olivia softly. “I remember seeing her when I first came to Pentlands⁠ ⁠… and Sabine has told me.”

The name of Sabine appeared to rouse him suddenly. He sat up very straight and said, “Don’t trust Sabine too far, Olivia. She belongs to us, after all. She’s very like my sister Cassie⁠ ⁠… more like her than you can imagine. It’s why they hate each other so. She’s Cassie turned inside out, as you might say. They’d both sacrifice everything for the sake of stirring up some trouble or calamity that would interest them. They live⁠ ⁠… vicariously.”

Olivia would have interrupted him, defending Sabine and telling of the one real thing that had happened to her⁠ ⁠… the tragic love for her husband; she would have told him of all the abrupt, incoherent confidences Sabine had made her; but the old man gave her no chance. It seemed suddenly that he had become possessed, fiercely intent upon pouring out to her all the dark things he had kept hidden for so long.

@@ -97,10 +97,10 @@

He poured out a full glass and seated himself once more, drinking the stuff slowly while he talked.

“So we were married, I thinking that I was in love with her, because I knew nothing of such things⁠ ⁠… nothing. It wasn’t really love, you see.⁠ ⁠… Olivia, I’m going to tell you the truth⁠ ⁠… everything⁠ ⁠… all of the truth. It wasn’t really love, you see. It was only that she was the only woman I had ever approached in that way⁠ ⁠… and I was a strong, healthy young man.”

He began to speak more and more slowly, as if each word were thrust out by an immense effort of will. “And she knew nothing⁠ ⁠… nothing at all. She was,” he said bitterly, “all that a young woman was supposed to be. After the first night of the honeymoon, she was never quite the same again⁠ ⁠… never quite the same, Olivia. Do you know what that means? The honeymoon ended in a kind of madness, a fixed obsession. She’d been brought up to think of such things with a sacred horror and there was a touch of madness in her family. She was never the same again,” he repeated in a melancholy voice, “and when Anson was born she went quite out of her head. She would not see me or speak to me. She fancied that I had disgraced her forever⁠ ⁠… and after that she could never be left alone without someone to watch her. She never went out again in the world.⁠ ⁠…”

-

The voice died away into a hoarse whisper. The glass of whisky had been emptied in a supreme effort to break through the shell which had closed him in from all the world, from Olivia, whom he cherished, perhaps even from Mrs. Soames, whom he had loved. In the distance the music still continued, this time as an accompaniment to the hard, loud voice of Thérèse singing, “I’m in Love Again and the Spring Is A-Comin’.”⁠ ⁠… Thérèse, the dark, cynical, invincible Thérèse for whom life, from frogs to men, held very few secrets.

-

“But the story doesn’t end there,” continued John Pentland weakly. “It goes on⁠ ⁠… because I came to know what being in love might be when I met Mrs. Soames.⁠ ⁠… Only then,” he said sadly, as if he saw the tragedy from far off as a thing which had little to do with him. “Only then,” he repeated, “it was too late. After what I had done to her, it was too late to fall in love. I couldn’t abandon her. It was impossible. It ought never to have happened.” He straightened his tough old body and added, “I’ve told you all this, Olivia, because I wanted you to understand why sometimes I am⁠ ⁠…” He paused for a moment and then plunged ahead, “why I am a beast as I was yesterday. There have been times when it was the only way I could go on living.⁠ ⁠… And it harmed no one. There aren’t many who ever knew about it.⁠ ⁠… I always hid myself. There was never any spectacle.”

+

The voice died away into a hoarse whisper. The glass of whisky had been emptied in a supreme effort to break through the shell which had closed him in from all the world, from Olivia, whom he cherished, perhaps even from Mrs. Soames, whom he had loved. In the distance the music still continued, this time as an accompaniment to the hard, loud voice of Thérèse singing, “I’m in Love Again and the Spring Is A-Comin’.”⁠ ⁠… Thérèse, the dark, cynical, invincible Thérèse for whom life, from frogs to men, held very few secrets.

+

“But the story doesn’t end there,” continued John Pentland weakly. “It goes on⁠ ⁠… because I came to know what being in love might be when I met Mrs. Soames.⁠ ⁠… Only then,” he said sadly, as if he saw the tragedy from far off as a thing which had little to do with him. “Only then,” he repeated, “it was too late. After what I had done to her, it was too late to fall in love. I couldn’t abandon her. It was impossible. It ought never to have happened.” He straightened his tough old body and added, “I’ve told you all this, Olivia, because I wanted you to understand why sometimes I am⁠ ⁠…” He paused for a moment and then plunged ahead, “why I am a beast as I was yesterday. There have been times when it was the only way I could go on living.⁠ ⁠… And it harmed no one. There aren’t many who ever knew about it.⁠ ⁠… I always hid myself. There was never any spectacle.”

Slowly Olivia’s white hand stole across the polished surface of the desk and touched the brown, bony one that lay there now, quietly, like a hawk come to rest. She said nothing and yet the simple gesture carried an eloquence of which no words were capable. It brought tears into the burning eyes for the second time in the life of John Pentland. He had wept only once before⁠ ⁠… on the night of his grandson’s death. And they were not, Olivia knew, tears of self-pity, for there was no self-pity in the tough, rugged old body; they were tears at the spectacle of a tragedy in which he happened by accident to be concerned.

-

“I wanted you to know, my dear Olivia⁠ ⁠… that I have never been unfaithful to her, not once in all the years since our wedding-night.⁠ ⁠… I know the world will never believe it, but I wanted you to know because, you see, you and Mrs. Soames are the only ones who matter to me⁠ ⁠… and she knows that it is true.”

+

“I wanted you to know, my dear Olivia⁠ ⁠… that I have never been unfaithful to her, not once in all the years since our wedding-night.⁠ ⁠… I know the world will never believe it, but I wanted you to know because, you see, you and Mrs. Soames are the only ones who matter to me⁠ ⁠… and she knows that it is true.”

And now that she knew the story was finished, she did not go away, because she knew that he wanted her to stay, sitting there beside him in silence, touching his hand. He was the sort of man⁠—a man, she thought, like Michael⁠—who needed women about him.

After a long time, he turned suddenly and asked, “This boy of Sybil’s⁠—who is he? What is he like?”

“Sabine knows about him.”

@@ -126,13 +126,13 @@

She did not go to her own room, because it would have been impossible to sleep, and she could not go to the drawing-room to face, in the mood which held her captive, such young faces as those of Jean and Thérèse and Sybil. At the moment she could not bear the thought of any enclosed place, of a room or even a place covered by a roof which shut out the open sky. She had need of the air and that healing sense of freedom and oblivion which the sight of the marshes and the sea sometimes brought to her. She wanted to breathe deeply the fresh salty atmosphere, to run, to escape somewhere. Indeed, for a moment she succumbed to a sense of panic, as she had done on the other hot night when O’Hara followed her into the garden.

She went out across the terrace and, wandering aimlessly, found herself presently moving beneath the trees in the direction of the marshes and the sea. This last night of August was hot and clear save for the faint, blue-white mist that always hung above the lower meadows. There had been times in the past when the thought of crossing the lonely meadows, of wandering the shadowed lanes in the darkness, had frightened her, but tonight such an adventure seemed only restful and quiet, perhaps because she believed that she could encounter there nothing more terrible than the confidences of John Pentland. She was acutely aware, as she had been on that other evening, of the breathless beauty of the night, of the velvety shadows along the hedges and ditches, of the brilliance of the stars, of the distant foaming white line of the sea and the rich, fertile odor of the pastures and marshes.

And presently, when she had grown a little more calm, she tried to bring some order out of the chaos that filled her body and spirit. It seemed to her that all life had become hopelessly muddled and confused. She was aware in some way, almost without knowing why, that the old man had tricked her, turning her will easily to his own desires, changing all the prospect of the future. She had known always that he was strong and in his way invincible, but until tonight she had never known the full greatness of his strength⁠ ⁠… how relentless, even how unscrupulous he could be; for he had been unscrupulous, unfair, in the way he had used every weapon at hand⁠ ⁠… every sentiment, every memory⁠ ⁠… to achieve his will. There had been no fierce struggle in the open; it was far more subtle than that. He had subdued her without her knowing it, aided perhaps by all that dark force which had the power of changing them all⁠ ⁠… even the children of Savina Dalgedo and Toby Cane into “Pentlands.”

-

Thinking bitterly of what had passed, she came to see that his strength rested upon the foundation of his virtue, his rightness. One could say⁠—indeed, one could believe it as one believed that the sun had risen yesterday⁠—that all his life had been tragically foolish and quixotic, fantastically devoted to the hard, uncompromising ideal of what a Pentland ought to be; and yet⁠ ⁠… yet one knew that he had been right, even perhaps heroic; one respected his uncompromising strength. He had made a wreck of his own happiness and driven poor old Mrs. Soames to seek peace in the Nirvana of drugs; and yet for her, he was the whole of life: she lived only for him. This code of his was hard, cruel, inhuman, sacrificing everything to its observance.⁠ ⁠… “Even,” thought Olivia, “to sacrificing me along with himself. But I will not be sacrificed. I will escape!”

+

Thinking bitterly of what had passed, she came to see that his strength rested upon the foundation of his virtue, his rightness. One could say⁠—indeed, one could believe it as one believed that the sun had risen yesterday⁠—that all his life had been tragically foolish and quixotic, fantastically devoted to the hard, uncompromising ideal of what a Pentland ought to be; and yet⁠ ⁠… yet one knew that he had been right, even perhaps heroic; one respected his uncompromising strength. He had made a wreck of his own happiness and driven poor old Mrs. Soames to seek peace in the Nirvana of drugs; and yet for her, he was the whole of life: she lived only for him. This code of his was hard, cruel, inhuman, sacrificing everything to its observance.⁠ ⁠… “Even,” thought Olivia, “to sacrificing me along with himself. But I will not be sacrificed. I will escape!”

And after a long time she began to see slowly what it was that lay at the bottom of the iron power he had over people, the strength which none of them had been able to resist. It was a simple thing⁠ ⁠… simply that he believed, passionately, relentlessly, as those first Puritans had done.

The others all about her did not matter. Not one of them had any power over her⁠ ⁠… not Anson, nor Aunt Cassie, nor Sabine, nor Bishop Smallwood. None of them played any part in the course of her life. They did not matter. She had no fear of them; rather they seemed to her now fussy and pitiful.

But John Pentland believed. It was that which made the difference.


Stumbling along half-blindly, she found herself presently at the bridge where the lane from Pentlands crossed the river on its way to Brook Cottage. Since she had been a little girl the sight of water had exerted a strange spell upon her⁠ ⁠… the sight of a river, a lake, but most of all the open sea; she had always been drawn toward these things like a bit of iron toward a magnet; and now, finding herself at the bridge, she halted, and stood looking over the stone parapet in the shadow of the hawthorn-bushes that grew close to the water’s edge, down on the dark, still pool below her. The water was black and in it the bright little stars glittered like diamonds scattered over its surface. The warm, rich odor of cattle filled the air, touched by the faint, ghostly perfume of the last white nympheas that bordered the pool.

-

And while she stood there, bathed in the stillness of the dark solitude, she began to understand a little what had really passed between them in the room smelling of whisky and saddle-soap. She saw how the whole tragedy of John Pentland and his life had been born of the stupidity, the ignorance, the hypocrisy of others, and she saw, too, that he was beyond all doubt the grandson of the Toby Cane who had written those wild passionate letters glorifying the flesh; only John Pentland had found himself caught in the prison of that other terrible thing⁠—the code in which he had been trained, in which he believed. She saw now that it was not strange that he sought escape from reality by shutting himself in and drinking himself into a stupor. He had been caught, tragically, between those two powerful forces. He thought himself a Pentland and all the while there burned in him the fire that lay in Toby Cane’s letters and in the wanton look that was fixed forever in the portrait of Savina Pentland. She kept seeing him as he said, “I have never been unfaithful to her, not once in all the years since our wedding-night.⁠ ⁠… I wanted you to know because, you see, you and Mrs. Soames are the only ones who matter to me⁠ ⁠… and she knows that it is true.”

+

And while she stood there, bathed in the stillness of the dark solitude, she began to understand a little what had really passed between them in the room smelling of whisky and saddle-soap. She saw how the whole tragedy of John Pentland and his life had been born of the stupidity, the ignorance, the hypocrisy of others, and she saw, too, that he was beyond all doubt the grandson of the Toby Cane who had written those wild passionate letters glorifying the flesh; only John Pentland had found himself caught in the prison of that other terrible thing⁠—the code in which he had been trained, in which he believed. She saw now that it was not strange that he sought escape from reality by shutting himself in and drinking himself into a stupor. He had been caught, tragically, between those two powerful forces. He thought himself a Pentland and all the while there burned in him the fire that lay in Toby Cane’s letters and in the wanton look that was fixed forever in the portrait of Savina Pentland. She kept seeing him as he said, “I have never been unfaithful to her, not once in all the years since our wedding-night.⁠ ⁠… I wanted you to know because, you see, you and Mrs. Soames are the only ones who matter to me⁠ ⁠… and she knows that it is true.”

It seemed to her that this fidelity was a terrible, a wicked, thing.

And she came to understand that through all their talk together, the thought, the idea, of Michael had been always present. It was almost as if they had been speaking all the while about Michael and herself. A dozen times the old man had touched upon it, vaguely but surely. She had no doubts that Aunt Cassie had long since learned all there was to learn from Miss Peavey of the encounter by the catnip-bed, and she was certain that she had taken the information to her brother. Still, there was nothing definite in anything Miss Peavey had seen, very little that was even suspicious. And yet, as she looked back upon her talk with the old man, it seemed to her that in a dozen ways, by words, by intonation, by glances, he had implied that he knew the secret. Even in the end when, cruelly, he had with an uncanny sureness touched the one fear, the one suspicion that marred her love for Michael, by saying in the most casual way, “Still, I think we’d better be careful of him. He’s a clever Irishman on the make⁠ ⁠… and such gentlemen need watching. They’re usually thinking only of themselves.”

And then the most fantastic of all thoughts occurred to her⁠ ⁠… that all their talk together, even the painful, tragic confidence made with such an heroic effort, was directed at herself. He had done all this⁠—he had emerged from his shell of reticence, he had humiliated his fierce pride⁠—all to force her to give up Michael, to force her to sacrifice herself on the altar of that fantastic ideal in which he believed.

@@ -146,7 +146,7 @@

In the midst of this rebellion, she became aware, with that strange acuteness which seemed to touch all her senses, that she was no longer alone on the bridge in the midst of empty, mist-veiled meadows. She knew suddenly and with a curious certainty that there were others somewhere near her in the darkness, perhaps watching her, and she had for a moment a wave of the quick, chilling fear which sometimes overtook her at Pentlands at the times when she had a sense of figures surrounding her who could neither be seen nor touched. And almost at once she distinguished, emerging from the mist that blanketed the meadows, the figures of two people, a man and a woman, walking very close to each other, their arms entwined. For a moment she thought, “Am I really mad? Am I seeing ghosts in reality?” The fantastic idea occurred to her that the two figures were perhaps Savina Pentland and Toby Cane risen from their lost grave in the sea to wander across the meadows and marshes of Pentland. Moving through the drifting, starlit mist, they seemed vague and indistinct and watery, like creatures come up out of the water. She fancied them, all dripping and wet, emerging from the waves and crossing the white rim of beach on their way toward the big old house.⁠ ⁠…

The sight, strangely enough, filled her with no sense of horror, but only with fascination.

And then, as they drew nearer, she recognized the man⁠—something at first vaguely familiar in the cocky, strutting walk. She knew the bandy legs and was filled suddenly with a desire to laugh wildly and hysterically. It was only the rabbitlike Higgins engaged in some new conquest. Quietly she stepped farther into the shadow of the hawthorns and the pair passed her, so closely that she might have reached out her hand and touched them. It was only then that she recognized the woman. It was no Polish girl from the village, this time. It was Miss Egan⁠—the starched, the efficient Miss Egan, whom Higgins had seduced. She was leaning on him as they walked⁠—a strange, broken, feminine Miss Egan whom Olivia had never seen before.

-

At once she thought, “Old Mrs. Pentland has been left alone. Anything might happen. I must hurry back to the house.” And she had a quick burst of anger at the deceit of the nurse, followed by a flash of intuition which seemed to clarify all that had been happening since the hot night early in the summer when she had seen Higgins leaping the wall like a goat to escape the glare of the motor-lights. The mysterious woman who had disappeared over the wall that night was Miss Egan. She had been leaving the old woman alone night after night since then; it explained the sudden impatience and bad temper of these last two days when Higgins had been shut up with the old man.

+

At once she thought, “Old Mrs. Pentland has been left alone. Anything might happen. I must hurry back to the house.” And she had a quick burst of anger at the deceit of the nurse, followed by a flash of intuition which seemed to clarify all that had been happening since the hot night early in the summer when she had seen Higgins leaping the wall like a goat to escape the glare of the motor-lights. The mysterious woman who had disappeared over the wall that night was Miss Egan. She had been leaving the old woman alone night after night since then; it explained the sudden impatience and bad temper of these last two days when Higgins had been shut up with the old man.

She saw it all now⁠—all that had happened in the past two months⁠—in an orderly procession of events. The old woman had escaped, leading the way to Savina Pentland’s letters, because Miss Egan had deserted her post to wander across the meadows at the call of that mysterious, powerful force which seemed to take possession of the countryside at nightfall. It was in the air again tonight, all about her⁠ ⁠… in the air, in the fields, the sound of the distant sea, the smell of cattle and of ripening seeds⁠ ⁠… as it had been on the night when Michael followed her out into the garden.

In a way, the whole chain of events was the manifestation of the disturbing force which had in the end revealed the secret of Savina’s letters. It had mocked them, and now the secret weighed on Olivia as a thing which she must tell someone, which she could no longer keep to herself. It burned her, too, with the sense of possessing a terrible and shameful weapon which she might use if pushed beyond endurance.

Slowly, after the two lovers had disappeared, she made her way back again toward the old house, which loomed square and black against the deep blue of the sky, and as she walked, her anger at Miss Egan’s betrayal of trust seemed to melt mysteriously away. She would speak to Miss Egan tomorrow, or the day after; in any case, the affair had been going on all summer and no harm had come of it⁠—no harm save the discovery of Savina Pentland’s letters. She felt a sudden sympathy for this starched, efficient woman whom she had always disliked; she saw that Miss Egan’s life, after all, was a horrible thing⁠—a procession of days spent in the company of a mad old woman. It was, Olivia thought, something like her own existence.⁠ ⁠…

@@ -159,7 +159,7 @@

She was wakened early, after having slept badly, with the news that Michael had been kept in Boston the night before and would not be able to ride with her as usual. When the maid had gone away she grew depressed, for she had counted upon seeing him and coming to some definite plan. For a moment she even experienced a vague jealousy, which she put away at once as shameful. It was not, she told herself, that he ever neglected her; it was only that he grew more and more occupied as the autumn approached. It was not that there was any other woman involved; she felt certain of him. And yet there remained that strange, gnawing little suspicion placed in her mind when John Pentland had said, “He’s a clever Irishman on the make⁠ ⁠… and such gentlemen need watching.”

After all, she knew nothing of him save what he had chosen to tell her. He was a free man, independent, a buccaneer, who could do as he chose in life. Why should he ruin himself for her?

She rose at last, determined to ride alone, in the hope that the fresh morning air and the exercise would put to rout this cloud of morbidity which had kept possession of her from the moment she left John Pentland in the library.

-

As she dressed, she thought, “Day after tomorrow I shall be forty years old. Perhaps that’s the reason why I feel tired and morbid. Perhaps I’m on the borderland of middle-age. But that can’t be. I am strong and well and I look young, despite everything. I am tired because of what happened last night.” And then it occurred to her that perhaps Mrs. Soames had known these same thoughts again and again during her long devotion to John Pentland. “No,” she told herself, “whatever happens I shall never lead the life she has led. Anything is better than that⁠ ⁠… anything.”

+

As she dressed, she thought, “Day after tomorrow I shall be forty years old. Perhaps that’s the reason why I feel tired and morbid. Perhaps I’m on the borderland of middle-age. But that can’t be. I am strong and well and I look young, despite everything. I am tired because of what happened last night.” And then it occurred to her that perhaps Mrs. Soames had known these same thoughts again and again during her long devotion to John Pentland. “No,” she told herself, “whatever happens I shall never lead the life she has led. Anything is better than that⁠ ⁠… anything.”

It seemed strange to her to awaken and find that nothing was changed in all the world about her. After what had happened the night before in the library and on the dark meadows, there should have been some mark left upon the life at Pentlands. The very house, the very landscape, should have kept some record of what had happened; and yet everything was the same. She experienced a faint shock of surprise to find the sun shining brightly, to see Higgins in the stable-yard saddling her horse and whistling all the while in an excess of high spirits, to hear the distant barking of the beagles, and to see Sybil crossing the meadow toward the river to meet Jean. Everything was the same, even Higgins, whom she had mistaken for a ghost as he crossed the mist-hung meadows a few hours earlier. It was as if there were two realities at Pentlands⁠—one, it might have been said, of the daylight and the other of the darkness; as if one life⁠—a secret, hidden one⁠—lay beneath the bright, pleasant surface of a world composed of green fields and trees, the sound of barking dogs, the faint odor of coffee arising from the kitchen, and the sound of a groom whistling while he saddled a thoroughbred. It was a misfortune that chance had given her an insight into both the bright, pleasant world and that other dark, nebulous one. The others, save perhaps old John Pentland, saw only this bright, easy life that had begun to stir all about her.

And she reflected that a stranger coming to Pentlands would find it a pleasant, comfortable house, where the life was easy and even luxurious, where all of them were protected by wealth. He would find them all rather pleasant, normal, friendly people of a family respected and even distinguished. He would say, “Here is a world that is solid and comfortable and sound.”

Yes, it would appear thus to a stranger, so it might be that the dark, fearful world existed only in her imagination. Perhaps she herself was ill, a little unbalanced and morbid⁠ ⁠… perhaps a little touched like the old woman in the north wing.

@@ -168,19 +168,19 @@

She rode listlessly, allowing the mare to lead through the birch thicket over the cool dark paths which she and Michael always followed. The morning air did not change her spirits. There was something sad in riding alone through the long green tunnel.

When at last she came out on the opposite side by the patch of catnip where they had encountered Miss Peavey, she saw a Ford drawn up by the side of the road and a man standing beside it, smoking a cigar and regarding the engine as if he were in trouble. She saw no more than that and would have passed him without troubling to look a second time, when she heard herself being addressed.

-

“You’re Mrs. Pentland, aren’t you?”

-

She drew in the mare. “Yes, I’m Mrs. Pentland.”

+

“You’re Mrs. Pentland, aren’t you?”

+

She drew in the mare. “Yes, I’m Mrs. Pentland.”

He was a little man, dressed rather too neatly in a suit of checkered stuff, with a high, stiff white collar which appeared to be strangling him. He wore nose-glasses and his face had a look of having been highly polished. As she turned, he took off his straw hat and with a great show of manners came forward, bowing and smiling cordially.

-

“Well,” he said, “I’m glad to hear that I’m right. I hoped I might meet you here. It’s a great pleasure to know you, Mrs. Pentland. My name is Gavin.⁠ ⁠… I’m by way of being a friend of Michael O’Hara.”

+

“Well,” he said, “I’m glad to hear that I’m right. I hoped I might meet you here. It’s a great pleasure to know you, Mrs. Pentland. My name is Gavin.⁠ ⁠… I’m by way of being a friend of Michael O’Hara.”

“Oh!” said Olivia. “How do you do?”

“You’re not in a great hurry, I hope?” he asked. “I’d like to have a word or two with you.”

“No, I’m not in a great hurry.”

It was impossible to imagine what this fussy little man, standing in the middle of the road, bowing and smiling, could have to say to her.

-

Still holding his hat in his hand, he tossed away the end of his cigar and said, “It’s about a very delicate matter, Mrs. Pentland. It has to do with Mr. O’Hara’s campaign. I suppose you know about that. You’re a friend of his, I believe?”

+

Still holding his hat in his hand, he tossed away the end of his cigar and said, “It’s about a very delicate matter, Mrs. Pentland. It has to do with Mr. O’Hara’s campaign. I suppose you know about that. You’re a friend of his, I believe?”

“Why, yes,” she said coldly. “We ride together.”

He coughed and, clearly ill at ease, set off on a tangent from the main subject. “You see, I’m a great friend of his. In fact, we grew up together⁠ ⁠… lived in the same ward and fought together as boys. You mightn’t think it to see us together⁠ ⁠… because he’s such a clever one. He’s made for big things and I’m not.⁠ ⁠… I’m⁠ ⁠… I’m just plain John Gavin. But we’re friends, all the same, just the same as ever⁠ ⁠… just as if he wasn’t a big man. That’s one thing about Michael. He never goes back on his old friends, no matter how great he gets to be.”

A light of adoration shone in the blue eyes of the little man. It was, Olivia thought, as if he were speaking of God; only clearly he thought of Michael O’Hara as greater than God. If Michael affected men like this, it was easy to see why he was so successful.

-

The little man kept interrupting himself with apologies. “I shan’t keep you long, Mrs. Pentland⁠ ⁠… only a moment. You see I thought it was better if I saw you here instead of coming to the house.” Suddenly screwing up his shiny face, he became intensely serious. “It’s like this, Mrs. Pentland.⁠ ⁠… I know you’re a good friend of his and you wish him well. You want to see him get elected⁠ ⁠… even though you people out here don’t hold much with the Democratic party.”

+

The little man kept interrupting himself with apologies. “I shan’t keep you long, Mrs. Pentland⁠ ⁠… only a moment. You see I thought it was better if I saw you here instead of coming to the house.” Suddenly screwing up his shiny face, he became intensely serious. “It’s like this, Mrs. Pentland.⁠ ⁠… I know you’re a good friend of his and you wish him well. You want to see him get elected⁠ ⁠… even though you people out here don’t hold much with the Democratic party.”

“Yes,” said Olivia. “That’s true.”

“Well,” he continued with a visible effort, “Michael’s a good friend of mine. I’m sort of a bodyguard to him. Of course, I never come out here. I don’t belong in this world.⁠ ⁠… I’d feel sort of funny out here.”

(Olivia found herself feeling respect for the little man. He was so simple and so honest and he so obviously worshiped Michael.)

@@ -192,25 +192,25 @@

“Yes,” said Olivia softly. “Yes⁠ ⁠… in the end, we’re all human⁠ ⁠… even swells like me.” There was a twinkle of humor in her eye which for a moment disconcerted the little man.

“Well,” he went on, “he’s all upset about her and he’s no good for anything. Now, what I thought was this⁠ ⁠… that you could find out who this woman is and go to her and persuade her to lay off him for a time⁠ ⁠… to go away some place⁠ ⁠… at least until the campaign is over. It’d make a difference. D’you see?”

He looked at her boldly, as if what he had been saying was absolutely honest and direct, as if he really had not the faintest idea who this woman was, and beneath a sense of anger, Olivia was amused at the crude tact which had evolved this trick.

-

“There’s not much that I can do,” she said. “It’s a preposterous idea⁠ ⁠… but I’ll do what I can. I’ll try. I can’t promise anything. It lies with Mr. O’Hara, after all.”

-

“You see, Mrs. Pentland, if it ever got to be a scandal, it’d be the end of him. A woman out of the ward doesn’t matter so much, but a woman out here would be different. She’d get a lot of publicity from the sassiety editors and all.⁠ ⁠… That’s what’s dangerous. He’d have the whole church against him on the grounds of immorality.”

+

“There’s not much that I can do,” she said. “It’s a preposterous idea⁠ ⁠… but I’ll do what I can. I’ll try. I can’t promise anything. It lies with Mr. O’Hara, after all.”

+

“You see, Mrs. Pentland, if it ever got to be a scandal, it’d be the end of him. A woman out of the ward doesn’t matter so much, but a woman out here would be different. She’d get a lot of publicity from the sassiety editors and all.⁠ ⁠… That’s what’s dangerous. He’d have the whole church against him on the grounds of immorality.”

While he was speaking, a strange idea occurred to Olivia⁠—that much of what he said sounded like a strange echo of Aunt Cassie’s methods of argument.

-

The horse had grown impatient and was pawing the road and tossing his head; and Olivia was angry now, genuinely angry, so that she waited for a time before speaking, lest she should betray herself and spoil all this little game of pretense which Mr. Gavin had built up to keep himself in countenance. At last she said, “I’ll do what I can, but it’s a ridiculous thing you’re asking of me.”

+

The horse had grown impatient and was pawing the road and tossing his head; and Olivia was angry now, genuinely angry, so that she waited for a time before speaking, lest she should betray herself and spoil all this little game of pretense which Mr. Gavin had built up to keep himself in countenance. At last she said, “I’ll do what I can, but it’s a ridiculous thing you’re asking of me.”

The little man grinned. “I’ve been a long time in politics, Ma’am, and I’ve seen funnier things than this.⁠ ⁠…” He put on his hat, as if to signal that he had said all he wanted to say. “But there’s one thing I’d like to ask⁠ ⁠… and that’s that you never let Michael know that I spoke to you about this.”

“Why should I promise⁠ ⁠… anything?”

-

He moved nearer and said in a low voice, “You know Michael very well, Mrs. Pentland.⁠ ⁠… You know Michael very well, and you know that he’s got a bad, quick temper. If he found out that we were meddling in his affairs, he might do anything. He might chuck the whole business and clear out altogether. He’s never been like this about a woman before. He’d do it just now.⁠ ⁠… That’s the way he’s feeling. You don’t want to see him ruin himself any more than I do⁠ ⁠… a clever man like Michael. Why, he might be president one of these days. He can do anything he sets his will to, Ma’am, but he is, as they say, temperamental just now.”

-

“I’ll not tell him,” said Olivia quietly. “And I’ll do what I can to help you. And now I must go.” She felt suddenly friendly toward Mr. Gavin, perhaps because what he had been telling her was exactly what she wanted most at that moment to hear. She leaned down from her horse and held out her hand, saying, “Good morning, Mr. Gavin.”

-

Mr. Gavin removed his hat once more, revealing his round, bald, shiny head. “Good morning, Mrs. Pentland.”

+

He moved nearer and said in a low voice, “You know Michael very well, Mrs. Pentland.⁠ ⁠… You know Michael very well, and you know that he’s got a bad, quick temper. If he found out that we were meddling in his affairs, he might do anything. He might chuck the whole business and clear out altogether. He’s never been like this about a woman before. He’d do it just now.⁠ ⁠… That’s the way he’s feeling. You don’t want to see him ruin himself any more than I do⁠ ⁠… a clever man like Michael. Why, he might be president one of these days. He can do anything he sets his will to, Ma’am, but he is, as they say, temperamental just now.”

+

“I’ll not tell him,” said Olivia quietly. “And I’ll do what I can to help you. And now I must go.” She felt suddenly friendly toward Mr. Gavin, perhaps because what he had been telling her was exactly what she wanted most at that moment to hear. She leaned down from her horse and held out her hand, saying, “Good morning, Mr. Gavin.”

+

Mr. Gavin removed his hat once more, revealing his round, bald, shiny head. “Good morning, Mrs. Pentland.”

As she rode off, the little man remained standing in the middle of the road looking after her until she had disappeared. His eye glowed with the light of admiration, but as Olivia turned from the road into the meadows, he frowned and swore aloud. Until now he hadn’t understood how a good politician like Michael could lose his head over any woman. But he had an idea that he could trust this woman to do what she had promised. There was a look about her⁠ ⁠… a look which made her seem different from most women; perhaps it was this look which had made a fool of Michael, who usually kept women in their proper places.

Grinning and shaking his head, he got into the Ford, started it with a great uproar, and set off in the direction of Boston. After he had gone a little way he halted again and got out, for in his agitation he had forgotten to close the hood.


-

From the moment she turned and rode away from Mr. Gavin, Olivia gave herself over to action. She saw that there was need of more than mere static truth to bring order out of the hazy chaos at Pentlands; there must be action as well. And she was angry now, really angry, even at Mr. Gavin for his impertinence, and at the unknown person who had been his informant. The strange idea that Aunt Cassie or Anson was somehow responsible still remained; tactics such as these were completely sympathetic to them⁠—to go thus in Machiavellian fashion to a man like Gavin instead of coming to her. By using Mr. Gavin there would be no scene, no definite unpleasantness to disturb the enchantment of Pentlands. They could go on pretending that nothing was wrong, that nothing had happened.

+

From the moment she turned and rode away from Mr. Gavin, Olivia gave herself over to action. She saw that there was need of more than mere static truth to bring order out of the hazy chaos at Pentlands; there must be action as well. And she was angry now, really angry, even at Mr. Gavin for his impertinence, and at the unknown person who had been his informant. The strange idea that Aunt Cassie or Anson was somehow responsible still remained; tactics such as these were completely sympathetic to them⁠—to go thus in Machiavellian fashion to a man like Gavin instead of coming to her. By using Mr. Gavin there would be no scene, no definite unpleasantness to disturb the enchantment of Pentlands. They could go on pretending that nothing was wrong, that nothing had happened.

But stronger than her anger was the fear that in some way they might use the same tactics to spoil the happiness of Sybil. They would, she was certain, sacrifice everything to their belief in their own rightness.

She found Jean at the house when she returned, and, closing the door of the drawing-room, she said to him, “Jean, I want to talk to you for a moment⁠ ⁠… alone.”

-

He said at once, “I know, Mrs. Pentland. It’s about Sybil.”

+

He said at once, “I know, Mrs. Pentland. It’s about Sybil.”

There was a little echo of humor in his voice that touched and disarmed her as it always did. It struck her that he was still young enough to be confident that everything in life would go exactly as he wished it.⁠ ⁠…

“Yes,” she said, “that was it.” They sat on two of Horace Pentland’s chairs and she continued. “I don’t believe in meddling, Jean, only now there are circumstances⁠ ⁠… reasons.⁠ ⁠…” She made a little gesture. “I thought that if really⁠ ⁠… really.⁠ ⁠…”

-

He interrupted her quickly. “I do, Mrs. Pentland. We’ve talked it all over, Sybil and I⁠ ⁠… and we’re agreed. We love each other. We’re going to be married.”

+

He interrupted her quickly. “I do, Mrs. Pentland. We’ve talked it all over, Sybil and I⁠ ⁠… and we’re agreed. We love each other. We’re going to be married.”

Watching the young, ardent face, she thought, “It’s a nice face in which there is nothing mean or nasty. The lips aren’t thin and tight like Anson’s, nor the skin sickly and pallid the way Anson’s has always been. There’s life in it, and force and charm. It’s the face of a man who would be good to a woman⁠ ⁠… a man not in the least cold-blooded.”

“Do you love her⁠ ⁠… really?” she asked.

“I⁠ ⁠… I.⁠ ⁠… It’s a thing I can’t answer because there aren’t words to describe it.”

@@ -222,9 +222,9 @@

Aloud she said, “That’s right, Jean.⁠ ⁠… I want you to take her away⁠ ⁠… no matter what happens, you must take her away.⁠ ⁠…” (“And then I won’t even have Sybil.”)

“We’re going to my ranch in the Argentine.”

“That’s right.⁠ ⁠… I think Sybil would like that.” She sighed, in spite of herself, vaguely envious of these two. “But you’re so young. How can you know for certain.”

-

A shadow crossed his face and he said, “I’m twenty-five, Mrs. Pentland⁠ ⁠… but that’s not the only thing.⁠ ⁠… I was brought up, you see, among the French⁠ ⁠… like a Frenchman. That makes a difference.” He hesitated, frowning for a moment. “Perhaps I oughtn’t to tell.⁠ ⁠… You mightn’t understand. I know how things are in this part of the world.⁠ ⁠… You see, I was brought up to look upon falling in love as something natural⁠ ⁠… something that was pleasant and natural and amusing. I’ve been in love before, casually⁠ ⁠… the way young Frenchmen are⁠ ⁠… but in earnest, too, because a Frenchman can’t help surrounding a thing like that with sentiment and romance. He can’t help it. If it were just⁠ ⁠… just something shameful and nasty, he couldn’t endure it. They don’t have affairs in cold blood⁠ ⁠… the way I’ve heard men talk about such things since I’ve come here. It makes a difference, Mrs. Pentland, if you look at the thing in the light they do. It’s different here.⁠ ⁠… I see the difference more every day.”

+

A shadow crossed his face and he said, “I’m twenty-five, Mrs. Pentland⁠ ⁠… but that’s not the only thing.⁠ ⁠… I was brought up, you see, among the French⁠ ⁠… like a Frenchman. That makes a difference.” He hesitated, frowning for a moment. “Perhaps I oughtn’t to tell.⁠ ⁠… You mightn’t understand. I know how things are in this part of the world.⁠ ⁠… You see, I was brought up to look upon falling in love as something natural⁠ ⁠… something that was pleasant and natural and amusing. I’ve been in love before, casually⁠ ⁠… the way young Frenchmen are⁠ ⁠… but in earnest, too, because a Frenchman can’t help surrounding a thing like that with sentiment and romance. He can’t help it. If it were just⁠ ⁠… just something shameful and nasty, he couldn’t endure it. They don’t have affairs in cold blood⁠ ⁠… the way I’ve heard men talk about such things since I’ve come here. It makes a difference, Mrs. Pentland, if you look at the thing in the light they do. It’s different here.⁠ ⁠… I see the difference more every day.”

He was talking earnestly, passionately, and when he paused for a moment she remained silent, unwilling to interrupt him until he had finished.

-

“What I’m trying to say is difficult, Mrs. Pentland. It’s simply this⁠ ⁠… that I’m twenty-five, but I’ve had experience with life. Don’t laugh! Don’t think I’m just a college boy trying to make you think I’m a roué. Only what I say is true. I know about such things⁠ ⁠… and I’m glad because it makes me all the more certain that Sybil is the only woman in the world for me⁠ ⁠… the one for whom I’d sacrifice everything. And I’ll know better how to make her happy, to be gentle with her⁠ ⁠… to understand her. I’ve learned now, and it’s a thing which needs learning⁠ ⁠… the most important thing in all life. The French are right about it. They make a fine, wonderful thing of love.” He turned away with a sudden air of sadness. “Perhaps I shouldn’t have told you all this.⁠ ⁠… I’ve told Sybil. She understands.”

+

“What I’m trying to say is difficult, Mrs. Pentland. It’s simply this⁠ ⁠… that I’m twenty-five, but I’ve had experience with life. Don’t laugh! Don’t think I’m just a college boy trying to make you think I’m a roué. Only what I say is true. I know about such things⁠ ⁠… and I’m glad because it makes me all the more certain that Sybil is the only woman in the world for me⁠ ⁠… the one for whom I’d sacrifice everything. And I’ll know better how to make her happy, to be gentle with her⁠ ⁠… to understand her. I’ve learned now, and it’s a thing which needs learning⁠ ⁠… the most important thing in all life. The French are right about it. They make a fine, wonderful thing of love.” He turned away with a sudden air of sadness. “Perhaps I shouldn’t have told you all this.⁠ ⁠… I’ve told Sybil. She understands.”

“No,” said Olivia, “I think you’re right⁠ ⁠… perhaps.” She kept thinking of the long tragic story of John Pentland, and of Anson, who had always been ashamed of love and treated it as something distasteful. To them it had been a dark, strange thing always touched by shame. She kept thinking, despite anything she could do, of Anson’s clumsy, artificial attempts at lovemaking, and she was swept suddenly by shame for him. Anson, so proud and supercilious, was a poor thing, inferior even to his own groom.

“But why,” she asked, “didn’t you tell me about Sybil sooner? Everyone has seen it, but you never spoke to me.”

For a moment he did not answer her. An expression of pain clouded the blue eyes, and then, looking at her directly, he said, “It’s not easy to explain why. I was afraid to come to you for fear you mightn’t understand, and the longer I’ve been here, the longer I’ve put it off because⁠ ⁠… well, because here in Durham, ancestors, family, all that, seems to be the beginning and end of everything. It seems always to be a question of who one’s family is. There is only the past and no future at all. And, you see, in a way⁠ ⁠… I haven’t any family.” He shrugged his big shoulders and repeated, “In a way, I haven’t any family at all. You see, my mother was never married to my father.⁠ ⁠… I’ve no blood-right to the name of de Cyon. I’m⁠ ⁠… I’m⁠ ⁠… well, just a bastard, and it seemed hopeless for me even to talk to a Pentland about Sybil.”

@@ -232,7 +232,7 @@

He was talking again with the same passionate earnestness.

“I shan’t let it make any difference, so long as Sybil will have me, but, you see, it’s very hard to explain, because it isn’t the way it seems. I want you to understand that my mother is a wonderful woman.⁠ ⁠… I wouldn’t bother to explain, to say anything⁠ ⁠… except to Sybil and to you.”

“Sabine has told me about her.”

-

Mrs. Callendar has known her for a long time.⁠ ⁠… They’re great friends,” said Jean. “She understands.”

+

Mrs. Callendar has known her for a long time.⁠ ⁠… They’re great friends,” said Jean. “She understands.”

“But she never told me⁠ ⁠… that. You mean that she’s known it all along?”

“It’s not an easy thing to tell⁠ ⁠… especially here in Durham, and I fancy she thought it might make trouble for me⁠ ⁠… after she saw what had happened to Sybil and me.”

He went on quickly, telling her what he had told Sybil of his mother’s story, trying to make her understand what he understood, and Sabine and even his stepfather, the distinguished old de Cyon⁠ ⁠… trying to explain a thing which he himself knew was not to be explained. He told her that his mother had refused to marry her lover, “because in his life outside⁠ ⁠… the life which had nothing to do with her⁠ ⁠… she discovered that there were things she couldn’t support. She saw that it was better not to marry him⁠ ⁠… better for herself and for him and, most of all, for me.⁠ ⁠… He did things for the sake of success⁠—mean, dishonorable things⁠—which she couldn’t forgive⁠ ⁠… and so she wouldn’t marry him. And now, looking back, I think she was right. It made no great difference in her life. She lived abroad⁠ ⁠… as a widow, and very few people⁠—not more than two or three⁠—ever knew the truth. He never told because, being a politician, he was afraid of such a scandal. She didn’t want me to be brought up under such an influence, and I think she was right. He’s gone on doing things that were mean and dishonorable.⁠ ⁠… He’s still doing them today. You see he’s a politician⁠ ⁠… a rather cheap one. He’s a Senator now and he hasn’t changed. I could tell you his name.⁠ ⁠… I suppose some people would think him a distinguished man⁠ ⁠… only I promised her never to tell it. He thinks that I’m dead.⁠ ⁠… He came to her once and asked to see me, to have a hand in my education and my future. There were things, he said, that he could do for me in America⁠ ⁠… and she told him simply that I was dead⁠ ⁠… that I was killed in the war.” He finished in a sudden burst of enthusiasm, his face alight with affection. “But you must know her really to understand what I’ve been saying. Knowing her, you understand everything, because she’s one of the great people⁠ ⁠… the strong people of the world. You see, it’s one of the things which it is impossible to explain⁠—to you or even to Sybil⁠—impossible to explain to the others. One must know her.”

@@ -244,27 +244,27 @@

“I shouldn’t know anything about it,” said Olivia quietly, “until it was too late to do anything.”

“It’s funny,” he said; “we’d thought of that. We’ve talked of it, only Sybil was afraid you’d want to have a big wedding and all that.⁠ ⁠…”

“No, I think it would be better not to have any wedding at all⁠ ⁠… especially under the circumstances.”

-

Mrs. Callendar suggested it as the best way out.⁠ ⁠… She offered to lend us her motor,” he said eagerly.

+

Mrs. Callendar suggested it as the best way out.⁠ ⁠… She offered to lend us her motor,” he said eagerly.

“You discussed it with her and yet you didn’t speak to me?”

“Well, you see, she’s different⁠ ⁠… she and Thérèse.⁠ ⁠… They don’t belong here in Durham. Besides, she spoke of it first. She knew what was going on. She always knows. I almost think that she planned the whole thing long ago.”

Olivia, looking out of the window, saw entering the long drive the antiquated motor with Aunt Cassie, Miss Peavey, her flying veils and her Pekinese.

-

Mrs. Struthers is coming⁠ ⁠…” she said. “We mustn’t make her suspicious. And you’d best tell me nothing of your plans and then⁠ ⁠… I shan’t be able to interfere even if I wanted to. I might change my mind⁠ ⁠… one never knows.”

-

He stood up and, coming over to her, took her hand and kissed it. “There’s nothing to say, Mrs. Pentland⁠ ⁠… except that you’ll be glad for what you’ve done. You needn’t worry about Sybil.⁠ ⁠… I shall make her happy.⁠ ⁠… I think I know how.”

-

He left her, hurrying away past the ancestors in the long hall to find Sybil, thinking all the while how odd it would seem to have a woman so young and beautiful as Mrs. Pentland for a mother-in-law. She was a charming woman (he thought in his enthusiasm), a great woman, but she was so sad, as if she had never been very happy. There was always a cloud about her.

+

Mrs. Struthers is coming⁠ ⁠…” she said. “We mustn’t make her suspicious. And you’d best tell me nothing of your plans and then⁠ ⁠… I shan’t be able to interfere even if I wanted to. I might change my mind⁠ ⁠… one never knows.”

+

He stood up and, coming over to her, took her hand and kissed it. “There’s nothing to say, Mrs. Pentland⁠ ⁠… except that you’ll be glad for what you’ve done. You needn’t worry about Sybil.⁠ ⁠… I shall make her happy.⁠ ⁠… I think I know how.”

+

He left her, hurrying away past the ancestors in the long hall to find Sybil, thinking all the while how odd it would seem to have a woman so young and beautiful as Mrs. Pentland for a mother-in-law. She was a charming woman (he thought in his enthusiasm), a great woman, but she was so sad, as if she had never been very happy. There was always a cloud about her.


He did not escape quickly enough, for Aunt Cassie’s sharp eyes caught a glimpse of him as he left the house in the direction of the stables. She met Olivia in the doorway, kissing her and saying, “Was that Sybil’s young man I saw leaving?”

“Yes,” said Olivia. “We’ve been talking about Sybil. I’ve been telling him that he mustn’t think of her as someone to marry.”

-

The yellow face of Aunt Cassie lighted with a smile of approval. “I’m glad, my dear, that you’re being sensible about this. I was afraid you wouldn’t be, but I didn’t like to interfere. I never believe any good comes of it, unless one is forced to. He’s not the person for Sybil.⁠ ⁠… Why, no one knows anything about him. You can’t let a girl marry like that⁠ ⁠… just anyone who comes along. Besides, Mrs. Pulsifer writes me.⁠ ⁠… You remember her, Olivia, the Mannering boy’s aunt who used to have a house in Chestnut Street.⁠ ⁠… Well, she lives in Paris now at the Hotel Continental, and she writes me she’s discovered there’s some mystery about his mother. No one seems to know much about her.”

+

The yellow face of Aunt Cassie lighted with a smile of approval. “I’m glad, my dear, that you’re being sensible about this. I was afraid you wouldn’t be, but I didn’t like to interfere. I never believe any good comes of it, unless one is forced to. He’s not the person for Sybil.⁠ ⁠… Why, no one knows anything about him. You can’t let a girl marry like that⁠ ⁠… just anyone who comes along. Besides, Mrs. Pulsifer writes me.⁠ ⁠… You remember her, Olivia, the Mannering boy’s aunt who used to have a house in Chestnut Street.⁠ ⁠… Well, she lives in Paris now at the Hotel Continental, and she writes me she’s discovered there’s some mystery about his mother. No one seems to know much about her.”

“Why,” said Olivia, “should she write you such a thing? What made her think you’d be interested?”

“Well, Kate Pulsifer and I went to school together and we still correspond now and then. I just happened to mention the boy’s name when I was writing her about Sabine. She says, by the way, that Sabine has very queer friends in Paris and that Sabine has never so much as called on her or asked her for tea. And there’s been some new scandal about Sabine’s husband and an Italian woman. It happened in Venice.⁠ ⁠…”

“But he’s not her husband any longer.”

The old lady seated herself and went on pouring forth the news from Kate Pulsifer’s letter; with each word she appeared to grow stronger and stronger, less and less yellow and worn.

(“It must be,” thought Olivia, “the effect of so many calamities contained in one letter.”)

-

She saw now that she had acted only just in time and she was glad that she had lied, so flatly, so abruptly, without thinking why she had done it. For Mrs. Pulsifer was certain to go to the bottom of the affair, if for no other reason than to do harm to Sabine; she had once lived in a house on Chestnut Street with a bow-window which swept the entrance to every house. She was one of John Pentland’s dead, who lived by watching others live.

+

She saw now that she had acted only just in time and she was glad that she had lied, so flatly, so abruptly, without thinking why she had done it. For Mrs. Pulsifer was certain to go to the bottom of the affair, if for no other reason than to do harm to Sabine; she had once lived in a house on Chestnut Street with a bow-window which swept the entrance to every house. She was one of John Pentland’s dead, who lived by watching others live.

IV

-

From the moment she encountered Mr. Gavin on the turnpike until the tragedy which occurred two days later, life at Pentlands appeared to lose all reality for Olivia. When she thought of it long afterward, the hours became a sort of nightmare in which the old enchantment snapped and gave way to a strained sense of struggle between forces which, centering about herself, left her in the end bruised and a little broken, but secure.

+

From the moment she encountered Mr. Gavin on the turnpike until the tragedy which occurred two days later, life at Pentlands appeared to lose all reality for Olivia. When she thought of it long afterward, the hours became a sort of nightmare in which the old enchantment snapped and gave way to a strained sense of struggle between forces which, centering about herself, left her in the end bruised and a little broken, but secure.

The breathless heat of the sort which from time to time enveloped that corner of New England, leaving the very leaves of the trees hanging limp and wilted, again settled down over the meadows and marshes, and in the midst of the afternoon appeared the rarest of sights⁠—the indolent Sabine stirring in the burning sun. Olivia watched her coming across the fields, protected from the blazing sun only by the frivolous yellow parasol. She came slowly, indifferently, and until she entered the cool, darkened drawing-room she appeared the familiar bored Sabine; only after she greeted Olivia the difference appeared.

She said abruptly, “I’m leaving day after tomorrow,” and instead of seating herself to talk, she kept wandering restlessly about the room, examining Horace Pentland’s bibelots and turning the pages of books and magazines without seeing them.

“Why?” asked Olivia. “I thought you were staying until October.”

@@ -296,7 +296,7 @@

Suddenly Olivia burst out angrily, “And why should it concern you, Sabine⁠ ⁠… in the least? Why should I not do as I please, without interference?”

“Because, here⁠ ⁠… and you know this as well as I do⁠ ⁠… here such a thing is impossible.”

In a strange fashion she was suddenly afraid of Sabine, perhaps because she was so bent upon pushing things to a definite solution. It seemed to Olivia that she herself was losing all power of action, all capacity for anything save waiting, pretending, doing nothing.

-

“And I’m interested,” continued Sabine slowly, “because I can’t bear the tragic spectacle of another John Pentland and Mrs. Soames.”

+

“And I’m interested,” continued Sabine slowly, “because I can’t bear the tragic spectacle of another John Pentland and Mrs. Soames.”

“There won’t be,” said Olivia desperately. “My father-in-law is different from Michael.”

“That’s true.⁠ ⁠…”

“In a way⁠ ⁠… a finer man.” She found herself suddenly in the amazing position of actually defending Pentlands.

@@ -307,7 +307,7 @@

“I don’t want you to do a thing you will regret the rest of your life⁠ ⁠… bitterly.”

“You mean.⁠ ⁠…”

“Oh, I mean simply to give him up.”

-

Again Olivia was silent, and Sabine asked suddenly. “Have you had a call from a Mr. Gavin? A gentleman with a bald head and a polished face?”

+

Again Olivia was silent, and Sabine asked suddenly. “Have you had a call from a Mr. Gavin? A gentleman with a bald head and a polished face?”

Olivia looked at her sharply. “How could you know that?”

“Because I sent him, my dear⁠ ⁠… for the same reason that I’m here now⁠ ⁠… because I wanted you to do something⁠ ⁠… to act. And I’m confessing now because I thought you ought to know the truth, since I’m going away. Otherwise you might think Aunt Cassie or Anson had done it⁠ ⁠… and trouble might come of that.”

Again Olivia said nothing; she was lost in a sadness over the thought that, after all, Sabine was no better than the others.

@@ -329,14 +329,14 @@

V

-

The heat clung on far into the evening, penetrating with the darkness even the drawing-room where they sat⁠—Sabine and John Pentland and old Mrs. Soames and Olivia⁠—playing bridge for the last time, and as the evening wore on the game went more and more badly, with the old lady forgetting her cards and John Pentland being patient and Sabine sitting in a controlled and sardonic silence, with an expression on her face which said clearly, “I can endure this for tonight because tomorrow I shall escape again into the lively world.”

-

Jean and Sybil sat for a time at the piano, and then fell to watching the bridge. No one spoke save to bid or to remind Mrs. Soames that it was time for her shaking hands to distribute the cards about the table. Even Olivia’s low, quiet voice sounded loud in the hot stillness of the old room.

-

At nine o’clock Higgins appeared with a message for Olivia⁠—that Mr. O’Hara was being detained in town and that if he could get away before ten he would come down and stop at Pentlands if the lights were still burning in the drawing-room. Otherwise he would not be down to ride in the morning.

+

The heat clung on far into the evening, penetrating with the darkness even the drawing-room where they sat⁠—Sabine and John Pentland and old Mrs. Soames and Olivia⁠—playing bridge for the last time, and as the evening wore on the game went more and more badly, with the old lady forgetting her cards and John Pentland being patient and Sabine sitting in a controlled and sardonic silence, with an expression on her face which said clearly, “I can endure this for tonight because tomorrow I shall escape again into the lively world.”

+

Jean and Sybil sat for a time at the piano, and then fell to watching the bridge. No one spoke save to bid or to remind Mrs. Soames that it was time for her shaking hands to distribute the cards about the table. Even Olivia’s low, quiet voice sounded loud in the hot stillness of the old room.

+

At nine o’clock Higgins appeared with a message for Olivia⁠—that Mr. O’Hara was being detained in town and that if he could get away before ten he would come down and stop at Pentlands if the lights were still burning in the drawing-room. Otherwise he would not be down to ride in the morning.

Once during a pause in the game Sabine stirred herself to say, “I haven’t asked about Anson’s book. He must be near to the end.”

“Very near,” said Olivia. “There’s very little more to be done. Men are coming tomorrow to photograph the portraits. He’s using them to illustrate the book.”

At eleven, when they came to the end of a rubber, Sabine said, “I’m sorry, but I must stop. I must get up early tomorrow to see about the packing.” And turning to Jean she said, “Will you drive me home? Perhaps Sybil will ride over with us for the air. You can bring her back.”

At the sound of her voice, Olivia wanted to cry out, “No, don’t go. You mustn’t leave me now⁠ ⁠… alone. You mustn’t go away like this!” But she managed to say quietly, in a voice which sounded far away, “Don’t stay too late, Sybil,” and mechanically, without knowing what she was doing, she began to put the cards back again in their boxes.

-

She saw that Sabine went out first, and then John Pentland and old Mrs. Soames, and that Jean and Sybil remained behind until the others had gone, until John Pentland had helped the old lady gently into his motor and driven off with her. Then, looking up with a smile which somehow seemed to give her pain she said, “Well?”

+

She saw that Sabine went out first, and then John Pentland and old Mrs. Soames, and that Jean and Sybil remained behind until the others had gone, until John Pentland had helped the old lady gently into his motor and driven off with her. Then, looking up with a smile which somehow seemed to give her pain she said, “Well?”

And Sybil, coming to her side, kissed her and said in a low voice, “Goodbye, darling, for a little while.⁠ ⁠… I love you.⁠ ⁠…” And Jean kissed her in a shy fashion on both cheeks.

She could find nothing to say. She knew Sybil would come back, but she would be a different Sybil, a Sybil who was a woman, no longer the child who even at eighteen sometimes had the absurd trick of sitting on her mother’s knee. And she was taking away with her something that until now had belonged to Olivia, something which she could never again claim. She could find nothing to say. She could only follow them to the door, from where she saw Sabine already sitting in the motor as if nothing in the least unusual were happening; and all the while she wanted to go with them, to run away anywhere at all.

Through a mist she saw them turning to wave to her as the motor drove off, to wave gaily and happily because they were at the beginning of life.⁠ ⁠… She stood in the doorway to watch the motor-lights slipping away in silence down the lane and over the bridge through the blackness to the door of Brook Cottage. There was something about Brook Cottage⁠ ⁠… something that was lacking from the air of Pentlands: it was where Toby Cane and Savina Pentland had had their wanton meetings.