From 5bec15a1603db20edcd7059f3dcb85b8111d0662 Mon Sep 17 00:00:00 2001
From: MURATA Makoto <murata2makoto>
Date: Sat, 25 Oct 2025 18:37:19 +0900
Subject: [PATCH] Tokyo Ghoul

---
 index.html | 10 ++++++++++
 1 file changed, 10 insertions(+)

diff --git a/index.html b/index.html
index 8624367..c17f7d1 100755
--- a/index.html
+++ b/index.html
@@ -74,6 +74,13 @@
             date: "March 2010",
             publisher: "National Council of Japan for the Visually Impaired (In Japanese, 全国視覚障害者情報提供施設協会)",
           },
+	  'Tokyo Ghoul: re': {
+              title: "Tokyo Ghoul: re, Vol. 8, Chapter 76 “Daso (惰疎)",
+              authors: ["Sui Ishida"], 
+              id: "Tokyo Groul: re 8-76",
+              date: "2016",
+              publisher: "Shueisha",
+          },
         },
         xref: true,
         postProcess: [  ],
@@ -191,6 +198,9 @@ <h3>Gikun, background</h3>
           <span lang="ja"><ruby><rb>生命</rb><rt>ライフ</rt></ruby></span>
           where <span lang="ja">ライフ</span> (life) is an English translation.
         </p>
+
+	<aside class="note">The frenemy example shows how contradictory meanings can coexist within a single expression. In some creative works, ruby text is used in a similar but more extreme way, deliberately contradicting the base text for rhetorical or ironic effect. For instance, <ruby><rb>平和的解決</rb><rt>一方的虐殺</rt></ruby> appears in [[Tokyo Ghoul: re]], where 平和的解決 means “peaceful resolution” and 一方的虐殺 means “one-sided massacre”. Such cases demonstrate that reading only one layer — base or ruby — can entirely distort the author’s intended message.</aside>
+	  
       </section>
 
       <section>