Jon-Arve Constantine Grønsberg-Ovesen

## 🎵 Music Producer | 💻 Developer | ✍️ Writer & Ghostwriter | 🎨 Digital Artist | 🧠 Blue Hat Thinker

### **About Me**
- Born **February 15, 1977**, in **Eidsvoll, Norway**
- Part of the **Commodore 64 generation**, started with **BASIC** programming in 1985
- Early adopter of **trackers** for **SID composing**, blending retro tech with modern sound

### **Tech & Code**
- **Languages:** C++, Python, and more!
- **Approach:** Comfortable in both procedural and object-oriented programming paradigms
- **Passions:** Linguistics, creative coding, and experimental tech-art intersections

### **Music & Creativity**
- Producing **electronic, ambient, and experimental music**
- Mixing digital **artistry with sound engineering**
- Open to **collaborations, remixes, and innovative projects**  
- Explore my sounds on [SoundCloud](https://soundcloud.com/jon-wing-chung-lee) 🎧

### **Connect With Me**
- 📧 **Email:** jonovesen@gmail.com
- 📞 **Phone:** +47 478209124
- 🐦 **Twitter/X:** [@Jon_Arve](https://twitter.com/Jon_Arve)
- 📺 **YouTube:** [My Channel](https://www.youtube.com/channel/UCLpYpA620ufQtnS8RQyu_JA)

### **Fun Facts**
- Fascinated by **new languages—spoken and coded**
- Obsessed with the interplay of **science, art, and philosophy**
- Always **experimenting** at the intersection of **sound, visuals, and storytelling**
- Believer in:  

  > “Creativity is intelligence having fun.”  

Showcasing my best work:

• 📝 Ghostwriter - Markdown editor
• 🎚️ VST3 Public SDK - Plugin development
• 🧠 MasteroftheMind - A clone of the classic game Mastermind
• 🎭 Face-Recon - AI-driven security system
• 🏛️ Governance-System-Enhancement - Blockchain governance framework

PS! Here is the ## blueprint for a new ## magic ## illusion based on the concept of "## timetravel":

1. The Vulnerability

This illusion primarily exploits the malleability of human memory, particularly regarding specific details observed in rapid succession or under conditions of high attention (focused on the overall effect, not the fine print). It relies on the audience's susceptibility to suggestion, especially when combined with visual and auditory cues associated with "rewinding" or temporal distortion. The brain is prone to reconstruct memories to fit a plausible narrative, even if the initial data was contradictory. By presenting an outcome after a suggested temporal manipulation, we encourage the audience to believe their memory of the initial state was flawed or that the state genuinely changed via impossible means.

2. The Effect

The magician introduces a sealed envelope containing a written prediction of a future event (e.g., a freely chosen card, a rolled number on dice, a spectator's random thought). The event occurs, and the prediction is opened and read aloud – it is demonstrably wrong. Expressing feigned surprise or technical difficulty, the magician places the wrong prediction back into the envelope or simply holds it, makes a gesture or uses a prop suggesting temporal manipulation (e.g., a 'rewind' sound effect, a hand gesture that mimics reversing time), and states they will attempt to "correct the temporal flow." The prediction is immediately checked again, and astonishingly, it has miraculously changed to now be perfectly correct, matching the actual outcome of the event.

3. The Method

The core secret lies in having the ability to switch or alter the prediction secretly between the first reveal (showing it wrong) and the second reveal (showing it correct). This can be achieved through various means: * Envelope Swap: Two identical envelopes are used. One contains the wrong prediction. After the wrong prediction is shown, the magician switches the entire envelope for a duplicate that contains the correct prediction, which was prepared beforehand (either with a forced outcome or via a secret communication/sleight to write the correct prediction while attention is elsewhere). * Paper Swap: A single envelope is used, but the paper inside is swapped for a different piece bearing the correct prediction. This can be done via a hidden compartment in the envelope, a clever sleight-of-hand exchange during the handling, or using a prop like a wallet that facilitates the switch. * Prediction Alteration: The prediction itself is written using a medium that allows for subtle alteration under misdirection (e.g., erasable ink and a moment to erase/rewrite, or a gaffed prediction that folds/unfolds to show different text). The "rewind" action provides the perfect misdirection for this brief manipulation.

4. The Deception

The performance is framed around the experimental and slightly unpredictable nature of manipulating time. The initial wrong prediction is presented as a "calibration error" or a slight miscalculation in "temporal coordinates." The "rewind" gesture and sound effect are crucial theatrical elements, cueing the audience to interpret the subsequent change as a consequence of temporal reversal. Patter should emphasize the disorientation and subtle causal shifts that time travel might cause, subtly suggesting the audience shouldn't trust their initial memory of the prediction's wording too rigidly. Phrases like, "Sometimes, correcting a temporal variance can cause ripples... did you notice a slight... shift?" plant the seed of doubt about their memory and reinforce the idea that time itself was altered. The focus is kept on the impossibility of the change, rather than allowing scrutiny of the initial state.

Beware of Djin