If you are looking for a versatile and powerful compressor plug-in that can handle any audio source, you should check out FabFilter Pro-C 2. This plug-in is designed for professional engineers who demand high-quality sound and character in their compression. Whether you need subtle mastering compression, an upfront lead vocal, that magic drum glue or deep EDM pumping: Pro-C 2 can do it all with style.
Pro-C 2 offers eight different compression styles, each with its own unique sound and behavior. You can choose from Vocal, Mastering, Bus, Punch, Pumping, Opto, Classic and Clean modes to suit your needs. You can also adjust the range setting, which limits the maximum applied gain change, to fine-tune the compression effect.
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One of the most impressive features of Pro-C 2 is its beautiful and intuitive interface, which shows you exactly what is happening to your audio. The large animated level/knee display visualizes the compression curve and the gain reduction in real time. You can also see the peak and loudness levels of your audio, as well as the side-chain input signal. The side-chain EQ section lets you filter the trigger signal with customizable high-pass and low-pass filters, plus an additional freely adjustable filter.
Pro-C 2 also comes with many other useful features, such as smooth lookahead, up to 4x oversampling, intelligent auto-gain and auto-release, a variable knee, hold, range, external side-chain triggering, variable stereo linking and mid/side processing. You can also use the mix setting to blend the compressed and uncompressed signals from 0% to 200%, creating parallel compression effects with ease.
Pro-C 2 is compatible with all major plug-in formats, such as VST, VST3, AU, AAX and AudioSuite. You can download a free 30-day trial version from FabFilter's website[^1^] [^2^] and see for yourself why Pro-C 2 is one of the best compressor plug-ins on the market.
How to Use FabFilter Pro-C 2 in Your Mix
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Now that you know what FabFilter Pro-C 2 can do, let's see how you can use it in your mix. Here are some tips and examples for using Pro-C 2 on different audio sources.
Vocals are one of the most important elements of any mix, and they often need some compression to make them sound consistent and clear. Pro-C 2 can help you achieve that with its Vocal compression style, which is designed to smooth out the dynamics of vocal tracks without affecting the natural tone and expression.
To use Pro-C 2 on vocals, start by setting the threshold to a level where the compressor starts to react to the loudest parts of the vocal. Adjust the ratio to control how much compression is applied. A low ratio (around 2:1) will give you a gentle compression, while a high ratio (above 4:1) will give you a more aggressive compression. You can also use the knee setting to make the compression curve softer or harder.
Next, set the attack and release times to suit the style and tempo of the vocal. A fast attack (below 10 ms) will catch the transients and make the vocal sound tighter, while a slow attack (above 20 ms) will let some transients through and make the vocal sound more natural. A fast release (below 100 ms) will make the compression more responsive and transparent, while a slow release (above 200 ms) will make the compression more smooth and musical.
Finally, use the range setting to limit the amount of gain reduction that Pro-C 2 can apply. This will prevent over-compression and preserve some dynamics in the vocal. A low range (below 10 dB) will give you a subtle compression, while a high range (above 20 dB) will give you a more noticeable compression. You can also use the mix setting to blend in some of the uncompressed signal for parallel compression.
Drums are another essential element of any mix, and they often need some compression to make them sound punchy and powerful. Pro-C 2 can help you achieve that with its Punch and Bus compression styles, which are designed to enhance the impact and glue of drum tracks.
To use Pro-C 2 on drums, start by setting the threshold to a level where the compressor starts to react to the peaks of the drum hits. Adjust the ratio to control how much compression is applied. A low ratio (around 2:1) will give you a mild compression, while a high ratio (above 6:1) will give you a heavy compression. You can also use the knee setting to make the compression curve softer or harder.
Next, set the attack and release times to suit the character and groove of the drums. A fast attack (below 10 ms) will catch the transients and make the drums sound snappy, while a slow attack (above 20 ms) will let some transients through and make the drums sound more dynamic. A fast release (below 100 ms) will make the compression more responsive and punchy, while a slow release (above 200 ms) will make the compression more smooth and gluey.
Finally, use the range setting to limit the amount of gain reduction that Pro-C 2 can apply. This will prevent over-compression and preserve some dynamics in the drums. A low range (below 10 dB) will give you a subtle compression, while a high range (above 20 dB) will give you a more noticeable compression. You can also use the mix setting to blend in some of the uncompressed signal for parallel compression.
Bass is another important element of any mix, and it often needs some compression to make it sound solid and consistent. Pro-C 2 can help you achieve that with its Bus and Opto compression styles, which are designed to smooth out the dynamics and add some warmth and character to bass tracks.
To use Pro-C 2 on bass, start by setting the threshold to a level where the compressor starts to react to the average level of the bass. Adjust the ratio to control how much compression is applied. A low ratio (around 2:1) will give you a gentle compression, while a high ratio (above 4:1) will give you a more aggressive compression. You can also use the knee setting to make the compression curve softer or harder. 8cf37b1e13