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The Project Gutenberg EBook of Spanish Arms and Armour, by Albert F. Calvert
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org/license
Title: Spanish Arms and Armour
Being a Historical and Descriptive Account of the Royal
Armoury of Madrid
Author: Albert F. Calvert
Release Date: January 5, 2015 [EBook #47878]
Language: English
Character set encoding: UTF-8
*** START OF THIS PROJECT GUTENBERG EBOOK SPANISH ARMS AND ARMOUR ***
Produced by Chris Curnow, Chuck Greif and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive)
THE SPANISH SERIES
SPANISH ARMS
AND ARMOUR
THE SPANISH SERIES
_EDITED BY ALBERT F. CALVERT_
SEVILLE
MURILLO
CORDOVA
THE PRADO
THE ESCORIAL
SPANISH ARMS AND ARMOUR
_In preparation_--
GOYA
TOLEDO
MADRID
VELAZQUEZ
GRANADA AND ALHAMBRA
ROYAL PALACES OF SPAIN
LEON, BURGOS & SALAMANCA
VALLADOLID, OVIEDO, SEGOVIA, ZAMORA, AVILA & ZARAGOZA
SPANISH ARMS
AND ARMOUR
BEING A HISTORICAL AND
DESCRIPTIVE ACCOUNT OF THE
ROYAL ARMOURY OF MADRID,
BY ALBERT F. CALVERT,
WITH 386 ILLUSTRATIONS
LONDON: JOHN LANE, THE BODLEY HEAD
NEW YORK: JOHN LANE COMPANY MCMVII
_E. Goodman and Son, The Phœnix Press
Taunton_
DEDICATED
WITH PROFOUND RESPECT AND ESTEEM
TO HER MAJESTY
QUEEN MARIA CRISTINA OF SPAIN
WHO SO WORTHILY AND FOR SO LONG
MAINTAINED THOSE GLORIOUS TRADITIONS
OF SPANISH GREATNESS
WHICH ARE SYMBOLISED IN THE TREASURES
OF THE ROYAL ARMOURY
PREFACE
In compiling this volume I believe I can claim, in a sense, to have
broken new ground, for although a description of the Spanish Royal
Armoury finds a place in every Guide and Handbook to Madrid, no
exhaustive survey of the contents of this priceless treasure-house,
apart from the official catalogue, is in existence.
The present work is based on the admirable catalogue prepared in 1898 at
the instigation of Queen Maria Cristina by the Conde de Valencia de San
Juan, to whom, with peculiar pleasure, I desire to make full
acknowledgment of my indebtedness. To the formal descriptions of the
exhibits, which the Conde de San Juan has collated with invariable
accuracy, I have prefixed a brief sketch of the historical development
of Spanish arms and armour, which, I venture to hope, will make the book
more acceptable, both to the specialist in armour, and to those who
visit the Armoury without any particular knowledge of the subject.
Though the Armeria Real remains the richest in the world, it has
enriched nearly all the collections of arms and armour in Europe and
America. Mr. G. P. Laking, in a recent number of the _Art Journal_, has
shown that after the fire of 1839, a very large number of pieces were
fraudulently abstracted and sent to London for sale--ultimately finding
their way to armouries and museums as far apart as Rome and New York. If
the truth were known it would probably be found that there was not a
collection of any importance that did not include some of the spoils of
the great treasure house established by the Kings of Spain.
In furtherance of my object, I have laid under contribution a large
number of authorities, and I cannot omit to acknowledge my obligations
to the standard works of Meyrick, Hewitt, Demmin, Lacombe and Clephan,
to the writings of Baron Davillier and Don Juan Riaño, to the
Iconografia Española of Don V. Carderera, and to Dr. Wendelin Boheim, of
the Imperial Armoury, Vienna. I also desire to render a special tribute
of thanks to Mr. E. B. d’Auvergne, who placed his expert knowledge at my
service, and has rendered me invaluable assistance in my endeavours to
make this compilation both accurate and complete.
The value of a book of this kind must, I recognise, depend in a large
measure upon the selection of the illustrations and the excellence of
their reproduction. In this matter I have been greatly helped by Señor
Don Lacoste, and Messrs. Hauser y Menet, whose photographs, other than
those taken by myself, are, with their permission, reproduced here.
A. F. C.
“ROYSTON,”
SWISS COTTAGE,
N.W.
ILLUSTRATIONS
REFERENCE NO. TITLE PLATE.
Crowns and votive Crosses of Guarrazar, Remains of St. Ferdinand’s
Robe, Moorish Spurs of St. Ferdinand, 1
Cloak and Spurs of St. Ferdinand and Visigothic Bit, 1A
Don Bernardo Guillen de Entenza, 13th century, 2
Don Guillelmo Ramon de Moncada, Seneschal of Catalonia, died _circa_
1280, 3
Don Juan Alphonso, Lord of Ajofrin, died about 1386, 3
G 22. Sword and Scabbard, probably belonging to St. Ferdinand, 4
G 21. The Lobera of St. Ferdinand, 4
G 22. Sword and Scabbard that probably belonged to St. Ferdinand, 5
Pedro I, King of Castile, 6
Effigy of St. Ferdinand, King of Spain, 7
Sepulchral Effigy of Don Bernardo de Anglesola, _circa_ 1384, 8
F 123. Bit, believed to have belonged to Witiza, King of the
Visigoths, 9
D 11. Helmet-crest of Martin I of Aragon, 9
G 4. Pontifical Sword presented by Pope Eugene IV to John II of
Castile, 10
G 13. Fifteenth Century War Sword, probably belonged to Ferdinand the
Catholic, 10
G 1. Ceremonial Sword of Ferdinand and Isabella, 11
G 23. Fifteenth Century Sword of unknown Origin, 11
Juan Pacheco, Marquis of Villena, Grand Master of St. James, died
1474, 12
G 29. War Sword of the Gran Capitan, Gonzalo Fernandez de Cordoba
(1453-1515), 13
G 28. Sword of the Cardinal Infante Fernando, Brother of Philip
IV, 13
G 31. War Sword of Ferdinand the Catholic, 13
A 9. Armet, early 16th century (closed), 14
A 9. The Same (open), 14
A 5. Armet, late 15th century and beginning of 16th century, 14
A 11. Armour of Philip the Handsome, 15
A 16. Tilting Armour of Philip the Handsome, 15
A 16. Tilting Armour of Philip the Handsome, 15A
A 16. Tilting Armour of Philip the Handsome, 15B
A 16. Tilting Armour of Philip the Handsome, 15C
Tilting Armour, early 16th century, attributed in the 1849 Catalogue
to Maximilian of Austria, 15D
A 11. ‘Caperuza’ of Philip I of Castile, 16
A 17. Helmet with unusually large Shutter, late 15th century, 16
D 14. Late 15th century Helmet in the Moorish Style. It is the only
one of its kind in the Armoury, 16
C 1. Spanish Man-at-arms, 15th century, 17
C 1. Spanish Man-at-arms, 15th century (back view), 17A
C 4. Spanish Crossbowman, 15th century, 17B
C 4. Spanish Crossbowman, 15th century (back view), 17C
C 2. Spanish Halberdier, 15th century, 17D
C 2. Spanish Halberdier, 15th century (back view), 17E
Mace-bearer of the 16th century, with Surcoat displaying the Arms of
Castile and Leon, 18
A King of Arms, 19
A 101. Royal Tilting Armour of Charles V, 20
A 19. War Armour of Charles V, 20
A 19. War Armour of the Emperor Charles V (1517), 20A
A 26. Tilting Harness of Charles V, 21
A 27. Tilting Armour of Charles V, 22
A 37. Tilting Harness of Charles V, made by Colman Helmschmied, 23
A 49. Oak-leaf Suit with Lamboys of Charles V, 24
A 56. Figure showing Pieces of the Oak-leaf Armour, 25
A 65. Tilting Harness of Charles V, 26
A 93. Foot Armour, with Lamboys, belonging to Charles V, with
reinforcing Pieces for Helmet, 27
A 93. Foot Armour of Charles V, made by Helmschmied in 1526, 27A
A 112. Armour presented to Charles V by the Duke of Mantua, 28
A 114. Armour presented to Charles V by the Duke of Mantua, 29
A 116. Cornucopiæ Armour of Charles V, 30
A 129. War Harness of Charles V, 31
A 139. Italian Armour of Charles V, 31
A 139. Armour of Charles V (work of Negroli), 31A
A 147. Foot Armour of Charles V, 32
A 149. Armour of Charles V (1541), 33
A 160. Armour of Charles V, probably made by Negroli, 34
A 164. Charles V at Mühlberg, 35
Armour of Charles V (pieces of the Mühlberg Harness), 36
Pieces of the Mühlberg Harness of Charles V, 37
Harness composed of pieces of the Mühlberg Harness (1547), 37A
Armour of Charles V, with Lamboys, 38
A 165. Mühlberg Armour of Charles V, 39
A 138. Armour of Charles V, after the Roman style, 39
Equestrian Armour of Charles V, 40
Armour of Charles V, made by Colman (1849 Catalogue), 41
Armour of Charles V., Augsburg or Nuremburg make (1849
Catalogue), 41A
Equestrian Armour of the Marquis of Villena, 16th century, 42
A 189. Foot Armour of Philip II, made by Desiderius Colman, 43
A 189. Foot Armour of Philip II, made by Desiderius Colman, 43A
A 217. Armour of Prince Philip (II), of German make, 44
A 218. Armour of Prince Philip (II), made in Germany in 1549, 45
A 231. Armour made for Prince Philip (II) by Wolf of Landshut
(1550), 46
A 239. Parade Armour of Philip II, 47
Parade Armour of King Sebastian of Portugal, 47
A 239. Suit made for Prince Philip (II) at Augsburg in 1552, 47A
A 239. Gorget of Philip II, when heir-apparent, for parade (1552). It
has the collar of the Golden Fleece, 47B
A 242. Saddle-plate belonging to the same Armour as the
preceding, 47B
A 243. Equestrian Armour of Philip II, made by Sigmund Wolf of
Landshut, 48
A 245. Tilting Armour, made for Prince Philip (II) by Wolf of Landshut
(1554), 49
A 263. ‘Burgundy Cross’ Armour of Philip II, 50
The ‘Burgundy Cross’ Suit of Philip II, 50A
‘Burgundy Cross’ Armour of Philip II, 50B
Armour of King Philip II, 51
A 274. Complete Armour of Prince Charles, son of Philip II, 52
A 289. Suit presented to Philip II by the Conde de Nieva, 52A
Armour of Philip II, engraved with the Royal Arms of England, 52B
A 290. Armour of King Sebastian of Portugal, 53
A 290. Armour of King Sebastian of Portugal (2nd view), 53A
A 290. Armour of King Sebastian of Portugal (3rd view), 53B
A 290. Armour of King Sebastian (details), 53C
A 290. Armour of King Sebastian, back plate (details), 53D
A 291. Equestrian Parade Armour of Philip III, 54
A 291. Armour of Philip III, made by Lucio Picinino of Milan, 54A
A 347. Armour presented by the Archduke Albert to Philip III, 55
A 354. Half Suit made at Pamplona for Philip III, 56
A 356. War Armour, early 17th century, Milanese make, 57
A 360. Half Armour of Prince Filippo Emmanuele of Savoy, early 17th
century, 58
Armour of Prince Filippo Emmanuele of Savoy (1586-1605), 58A
A 422. Milanese Armour of King Philip IV, 59
Armour sent from Flanders in 1624 by the Infanta Isabel Clara Eugenia
to Philip IV, 60
Armour ascribed to King Philip IV, 61
Armour made at Pamplona for the Duke of Savoy, 1620, 62
A 277. Armour ascribed, on doubtful authority, to Diego Garcia de
Paredes, 63
Armour ascribed to Don Alonso Cespedes, the Castilian Alcides, died
1569, 64
Armour of Fernando d’Alarcon, 16th century (1849 Catalogue), 65
Half Armour of the Third Count of Altamira (1849 Catalogue), 66
Half Armour of John of Aldana (1849 Catalogue), 67
Half Armour of Alfonso d’Avalos, nephew of the Marquis of Pescara
(1849 Catalogue), 68
Milanese Armour of the famous Warrior Antonio de Leiva (1849
Catalogue), 69
Half Armour of the Poet Garcilaso de la Vega (1849 Catalogue), 70
Armour of Luis Hurtado de Mendoza (1849 Catalogue), 71
Complete Armour of the Marquis of Pescara, General of Charles V (1849
Catalogue), 72
Half Armour of Juan de Padilla, beheaded by order of Charles V in 1520
(1849 Catalogue), 73
Half Armour of Juan Arias de Avila, Count of Puñonrostro (1849
Catalogue), 74
Coat of Mail ascribed to Alfonso V of Aragon and I of Sicily (1849
Catalogue), 75
Harness ascribed to Charles V (1849 Catalogue), 76
Harness ascribed to Charles V (1849 Catalogue), 77
M 11-17. Armour of John Frederick, Elector of Saxony, taken at the
Battle of Mühlberg, 1547, 78
Armour of the Elector John Frederick, the Magnanimous, Duke of Saxony,
taken at Mühlberg, 78A
C 11. Brigantine of Milanese make which belonged to the Emperor
Maximilian, 79
Mark on the Breastplate of a Child’s Corselet (17th century), 79A
Signature of the noted Engraver of Augsburg, Daniel Hopfer, with
date, 79A
Monogram of Guidobaldo II, Duke of Arbino, on Suit A 188, 79A
C 11. Inside of Brigantine of Maximilian I, with Arms of Austria and
Burgundy, 79A
Milanese Brigantine which belonged to Charles V, 80
Milanese Brigantine which belonged to Charles V, 81
B 1. Boy’s Half Armour which belonged to Philip III, 82
B 3. Shield. Subject: Gods overwhelming the Moors, 82
B 4. Boy’s Half Armour which belonged to Philip III, 82
B 1. Boy’s Half Armour, made in Italy for the Infante, afterwards
Philip III, 83
B 1. Boy’s Half Armour, made for the Infante, afterwards Philip III
(second view), 83A
B 4. Half Armour presented to the Infante, afterwards Philip III, by
the Duke of Terranova, 84
B 9. Milanese Armour presented to the Infante, afterwards Philip III,
by the Duke of Terranova, 85
B 9. Armour of the Infante, afterwards Philip III, Milanese make
(second view), 85A
B 12. Boy’s Half Armour, with Medallion on Breastplate of Mutius
Scaevola, 86
B 18. Boy’s Half Armour, made for the Infante Fernando, Son of Philip
III, 87
Half Armour belonging to Prince Philip, afterwards Philip IV, 88
Boy’s Half Armour, Milanese make (late 16th century), 89
Boy’s Half Armour, 90
Boy’s Half Armour, end of 16th century (Italian), 91
Boy’s Half Armour, 92
A 434. Gorget. Subject: The Siege of Ostend, 1601, 93
A 434. Gorget of Philip II Subject: The Battle of Nieuport, 94
E 88-89. Superb pair of Gauntlets belonging to Charles V, 95
A 151. Light War-Armour of Charles V, Corselet and Armlet of rare
form, also two Helmets, 96
A 75-83. Armet, with reinforcing Pieces, 97
A 54. A curious Bevor in two Pieces, nailed on Leather, 98
A 49. Charles V’s Tilting Helmet, 98
A 29. Helmet belonging to the ‘K.D.’ Suit, 98
A 27. Helmet of Charles V, 98
A 120. Burgonet, by Colman, 99
A 118. Morion of Charles V, 99
Cabasset and Leg Armour of a Spanish Pikeman, late 15th century, 99
A 57. Tilting Helmet of Charles V, 100
A 56. Helmet of Charles V, 100
A 75. Helmet of Charles V, 101
A 59. ‘Dolphin’ Helmet of Charles V, 101
D 12. Helmet made by Negroli of Milan, 102
A 118. Burgonet of Charles V, 102
A 151. Burgonet of Charles V, with Bevor bought from Sir Richard
Wallace, 103
A 151. Burgonet of Charles V, with Bevor not belonging to
Helmet, 103
A 151. Corselet of Charles V, 104
A 189. Gauntlet of Philip II, 105
A 190. Helmet of Philip II, 105
Helmet of Philip II, made at Augsburg in 1549, belonging to the suit A
239, 106
A 243. Helmet of Philip II, made by Wolf of Landshut in 1554, 107
A 290. Burgonet of King Sebastian of Portugal, 108
A 290. Burgonet of King Sebastian of Portugal, 109
A 292. Burgonet made for Philip III by Lucio Picinino, 110
A 291. Helmet of Philip III, with three beautiful Masks on Visor,
Nape, and Front; probably Italian, late 16th century, 111
A 292. Burgonet, the missing parts of which are in the Kensington
Museum, London, 111
A 350. Helmet for the Duke of Savoy (front view), 112
A 350. Helmet for the Duke of Savoy (side view), 113
A 417. Cabasset presented to Philip IV by the Infanta Isabel
Eugenia, 114
A 350. Helmet with movable Visor, made in Pamplona, apparently for the
Duke of Savoy, 1620, 115
A 380. Burgonet, early 17th century, belonged to Philip IV, 115
A 414. Helmet of Philip IV, presented to him with other Armour by the
Infanta Isabel Eugenia, 115
A 417. Cabasset presented to Philip IV by the Infanta Isabel
Eugenia, 115
B 2. Morion, which belonged to Philip III when a Boy. Subject: The
Goddess of Plenty, 116
B 5. Morion, given to Philip III when a Child by the Duke of
Terranova, 117
D 3. Burgonet of Charles V, designed by Giulio Romano, 118
D 3. Burgonet of Charles V, designed by Giulio Romano (second
side), 119
D 5. Burgonet, 16th century. Subject: Bacchus and Ariadne (left
side), 120
D 5. Burgonet, 16th century. Subject: Silenus supported by
Bacchus, 121
D 7. Burgonet, 16th century. Subject: The Wooden Horse of Troy (left
side), 122
D 7. Burgonet, 16th century. Subject: The Judgment of Paris (right
side), 123
D 13. Milanese Salade, 15th century, 124
D 14. Moorish Salade, ascribed to Philip I, 125
D 26. Spanish Morion, early 16th century, with the Inscription, ‘Non
Timeo Milia Populi,’ 125
A 188. Roman Helmet (Charles V), 126
A 188. Mask on Shoulder-Guard of Charles V’s Roman Suit, 126
D 22. Cabasset which belonged to Philip the Handsome, 126
D 16. Late 15th century Helmet, probably belonged to Philip the
Handsome, 126
D 25. Spanish Foot-Soldier’s Morion, early 16th century, 127
D 23. Parade Headpiece of Charles V, 127
D 29. Parade Headpiece, middle 16th century (origin unknown), 127
D 30. Parade Burgonet, made for Charles V by the Negrolis in
1545, 127
D 29. Helmet, middle of 16th century, 128
D 28. Steel Cap belonging to Charles V, 128
D 30. Burgonet of Charles V, made by Negroli, 129
M 5. Helmet of Francis I of France, taken at the Battle of
Pavia, 130
M 5. Helmet of Francis I of France, taken at the Battle of
Pavia, 131
B 21. Helmet which belonged to Prince Baltasar Carlos,
1629-1646, 132
D 31. Burgonet ascribed on insufficient grounds to Antonio de Leyva
(16th century), 132
1511. Satin and Velvet Turban found in the Palace of Mustafa, Bey of
Oran, in 1722, 133
1533. Steel Turban of Ali Pasha, Turkish Admiral at Lepanto, 133
Turkish Helmet taken at Lepanto, 134
Helmet of Philip III, 134
Helmet of the 16th century, 135
Helmet of Charles V, belonging to the Cornucopiæ Suit, 136
Helmet of Charles V, belonging to the Cornucopiæ Suit, 136
C 11. Salade, with detachable decorative Pieces (belonged to
Maximilian I or Philip I), 137
M 19. Helmet of Ali Pasha, Turkish Admiral, defeated at
Lepanto, 137
A 191. Morion and Arm-guard of Charles V, 138
A 27. Shield used in Tilting, 139
A 57. Shield used in Tilting, designed by Hopfer, 139
A 57. Shield designed by Hopfer, 140
Shield, with a Mask in Relief, belonging to the Harness of Charles V,
A 149-156, 141
Shield of Philip II, belonging to the Armour A 217-230, 142
Shield of the Emperor Charles V, belonging to the Harness A
159-163, 142
A 265. Shield of Philip II, 143
A 241. German Shield, 16th century, by Desiderio Colman: War, Peace,
Wisdom, and Strength, 143
Shield of Philip III, musket-proof, belonging to the Harness A
354, 144
A 293. Shield. Subject: Alexander subduing Bucephalus, 144
A 293. Shield accompanying armour of Philip III, 1578-1621. In the
centre, Alexander the Great subduing Bucephalus, 145
B 3. Shield which belonged to Philip III when a boy. Subject: Jupiter,
Neptune, and Mars overwhelming the Moors, 146
A 374. Shield belonging to Prince Filippo Emmanuele of Savoy,
1588-1624 (Italian), 146
D 1, D 2. Helmet and Shield of Charles V, 147
D 3, D 4. Burgonet and Shield of Charles V, 148
D 8. Shield (Italian) with design representing the Abduction of Helen,
16th century, 149
D 6. Shield of Italian workmanship, 16th century, 149
D 63. The ‘Plus Ultra’ Shield, designed by Girolamo Romani, 150
D 10. Shield, early 17th century. Design: Warriors in combat, 150
D 63. Shield called ‘Plus Ultra,’ with Apotheosis of Charles
V, 150A
D 64. The Medusa Shield, made by Negroli for Charles V, 150A
Shield of the Emperor Charles V, forming part of the Mühlberg
armour, 151
D 66. Italian Shield, Moorish style, 16th century, 151
D 67. Italian Shield, Moorish Style, 16th century, 152
Shield presented to Charles V by Don Ferdinando de Gonzaga, 152
D 69. Italian Shield, 16th century. Design: The Triumph of
Love, 153
D 68. Shield of Augsburg make, 16th century, 153
Shield ascribed to the Marquis of Villena, 16th century, 154
D 71. Shield of the end of the 16th century, 154
Shield of Philip II, 155
Shield of the Milanese School, 16th century, 155
D 72. Shield, late 16th century. Design: The Medusa’s Head, 156
Shield representing Jupiter, Saturn, Venus and Cupid, Mercury, and
Mars, 16th century, 156
Shield, the work of E. de Zuloaga, 19th century, 157
Unfinished Shield, the work of E. de Zuloaga, 19th century, 157
Shield, the work of E. de Zuloaga, 19th century, 158
D 73. Spanish Shield, 17th century. Design: The Judgment of
Paris, 158
D 78. Shield presented to Philip III by the Duke of Savoy in
1603, 159
D 79. Shield presented to Philip III by the Duke of Savoy in
1603, 160
D 86. Moorish Leather Shield, end of 15th century, 161
D 88. Oval Leather Shield, late 16th century. The face decorated with
admirable Mexican-Indian Feather-work, 161A
Leather Shield, with the Arms of the Mendoza family, 162
M 1-5. Arms of King Francis I of France, taken at the battle of Pavia,
1525, by the troops of Charles V, 163
M 6. Shield and Sword of Francis I of France, taken at the battle of
Pavia. Design: The Gallic Cock attacking a warrior and putting him to
flight, 163A
G 45. Sword of Hernando Cortes, 164
G 48. Sword of Philip II, 164
G 29. Sword of Gonsalvo de Cordoba, 164
G 60. Pistol and Axe combined, of Philip II, 165
G 45. Sword attributed to Hernando Cortes, conqueror of Mexico,
1485-1547, 165
G 47. Sword of Philip II, worn with parade armour, 166
G 48. Toledan Sword attributed to Philip II, 166
G 49. Toledan Sword of the Count of Corunna (16th century). The guard
is one of the most beautiful in the armoury, 166
G 47. Sword of Philip II, with the mark of Clement Horn of
Solingen, 166A
G 54. Spanish Sword, middle of 16th century, 167
G 59. Spanish Sword, late 16th century. Bears mark of Juanes el
Viejo, 167
G 55. Spanish Sword, late 16th century, made by Sebastian Hernandez of
Toledo, 167
G 61. Sword of the Duke of Weimar, Commander of the Swedish Army,
defeated at the Battle of Nordlingen, 1624, 168
G 80. Sword attributed to Philip III It bears the date 1604, Toledo
make, 168
G 64. Sword attributed to Count de Lamos, 1576-1622, made by Tomás de
Ayala of Seville, 168
G 151. Persian Sword, 16th century, probably brought from Tunis by
Charles V, 169
G 62. Stradiot’s Sabre, early 17th century, presented by the Duke of
Savoy to Philip III (1603), 169
G 43. 16th Century Cutlass, 169
G 34. War Sword of Charles V, Italian make, 170
G 33. Italian War Sword of Charles V, 170
G 35. Sword of Pizarro, Conqueror of Peru, 170
G 160. Knife used by the Carver at the King’s Table, as required by
the etiquette of the House of Burgundy, 171
Dagger, early 16th century, 171
16th century Dagger, supposed to have belonged to Charles V, 171
A 242. War Saddle of Philip II, made by Desiderius Colman of
Augsburg, 172
A 242. Pommel and Cantle of Saddle of Philip II, 172A
A 242. Cantle-Plate of same Saddle, 172B
A 242. Burr-Plate of Saddle, 172C
A 242. Burr-Plate of Saddle, 172D
A 291. Cantle-Plates of Saddle made by Lucio Picinino, 173
A 291. Cantle-Plate of same Saddle, 173A
A 291. Burr-Plate of same Saddle, 173B
Saddle (Italian), 16th century. (Marine Monsters), 174
Moorish Saddle, with short Stirrups, 18th century, 175
Turkish Saddle given to Charles III, 176
Arab Saddle, with short Stirrups, taken in the Palace of the Bey of
Oran in 1732, 177
Military Saddle, late 16th century, 178
A 352. Saddle made at Pamplona for the Duke of Savoy (1620), 179
Iron War Saddle of the Emperor Charles V, 180
F 22. Italian Saddle, 16th century, probably presented by Frederico
Gonzaga to Charles V, 181
Military Saddle: Design in Berruguete style, 182
2327. Military Saddle, 183
Military Saddle, Augsburg make, 184
Saddle, early 15th century, from Majorca, 185
1913. Sword, with the Toledo Blade of the Duke of Olivares, 186
1880. ‘Flaming’ Spanish Sword of Philip IV, 186
1917. Sword of D. Suero de Quiñones, late 16th century, 186
1864. Dagger, scalloped half-way, 186
1916. Sword, with round Point, of Garcilaso de la Vega, 186
1920. Sword, with Toledo Blade, of the Marquis of Povar, 186
631. Shield representing Jupiter sending Lightning on the
Moors, 186
1874. Dagger given by Louis XV of France to the King of Spain, 186
1704. Sword of Isabel the Catholic, 187
1589. Petronel of Charles V, with Battle-Axe, 187
1581. Yataghan of Mustafa, Bey of Oran, 187
1561. Battle-Axe, 15th-16th centuries, 187
1563. Kriss or Malay Dagger, 187
1587. Battle-Axe, Byzantine style, 187
1702. Sword of the Great Captain, 187
1764. Martel-de-fer of Charles V, 187
1591. Alfange or Indian Scimitar, 187
1698. Sword, 16th century, 187
1719. Sword of the Count of Corunna, 188
1843, 1816. Pieces of the Barding of a Horse, 188
1696. Sword, 15th century, 188
1716. Sword of Philip I, the Handsome, 188
2045, 2049. Pistols, 16th-17th centuries, 188
2077. Dagger, four edged, 16th century, 188
1814. Sword, found in the Tagus, and given to Philip II, 188
1359, 1315. Armpit Shields, 188
1763. Spurs, in Filigree Silver, 188
1328. Lance-Shield of the Prince of Parma, 188
1759. Sword of Bernal Diaz del Castillo, 188
1697. Sword of the Prince of Conde, 189
1644. Two-handed Sword, early 15th century, 189
1777. Sword of Philip II, 189
1794. Sword of Don John of Austria, 189
1708. German Sword of Frederick Henry, Count of Nassau, 189
1845. Sword of John of Urbino, 189
1692. Magnificent Toledan Blade, unmounted, 189
2067, 2076. A pair of Pistols, 17th century, 189
1823. Piece of a Horse’s Barding, 189
1769. Sword of Pizarro, 190
1726. Head Stall, 190
1721. Very remarkable Sword of the Renaissance, 190
1718, 1771. Rondels, 190
2044. Pistols, 16th and 17th centuries, 190
929. Head Stall for Charger of the Count of Niebla, 190
1770, 1761. Beautiful Stirrups, with Figures, 190
1768. Unique Spur, 190
1873. Sword, 191
1850. German Sword, 191
1912. Sword of Philip III, 191
1911. Sword of the Duke of Montemar, 191
1872. Sword of Charles II, 191
2034, 2031. Pistols, 191
523. Chamfron, 191
1773. Sword of Philip II, 192
1659. Sword with four Sides (German), 16th century, 192
1807. Sword of Hernan Cortes, 192
1856, 1857. Magnificent pair of Gauntlets, 192
1727. Lobera Sword of St. Ferdinand, 192
1645. Sword of Don Diego Hurtado de Mendoza, 192
1562. Moorish Boarding Gauntlet, 14th to 15th century, 193
1619. Sword presented to John II of Castile by the Pope Eugenius
IV, 193