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Presently, during rehearsal or a performance, if we arm every input device and record, we pick up a lot of background noise on each microphone such that there's almost no way to isolate a single artist's input from the next. For example, Carson's vocals are picked up my almost every microphone on the stage, as well as any other noise. So, we could do some testing to see what the capabilities and limitations of our microphones are to ensure we've chosen the best options for each musician and each function.
It would be beneficial if we were to run some experiments on the microphones we have at New Valley. Placement, pick-up patterns, background noise, etc...all good things to figure out for each type of microphone.
The text was updated successfully, but these errors were encountered:
Presently, during rehearsal or a performance, if we arm every input device and record, we pick up a lot of background noise on each microphone such that there's almost no way to isolate a single artist's input from the next. For example, Carson's vocals are picked up my almost every microphone on the stage, as well as any other noise. So, we could do some testing to see what the capabilities and limitations of our microphones are to ensure we've chosen the best options for each musician and each function.
It would be beneficial if we were to run some experiments on the microphones we have at New Valley. Placement, pick-up patterns, background noise, etc...all good things to figure out for each type of microphone.
The text was updated successfully, but these errors were encountered: