1 |
The Invisible Man - Part One, By G. K. Chesterton |
Bart Wolffe |
Short Story Collection |
28:43 |
2 |
The Invisible Man - Part Two, By G. K. Chesterton |
Bart Wolffe |
Short Story Collection |
14:06 |
3 |
Bartleby the Scrivener |
Laurence Olivier |
Theatre Royal, Vol. 1 |
18:50 |
4 |
The Secret Garden - Frances Hodgson Burnett Part 1 of 2 |
DBS Audiobooks |
The Secret Garden - Frances Hodgson Burnett |
4:48:42 |
5 |
The Secret Garden - Frances Hodgson Burnett Part 2 of 2 |
DBS Audiobooks |
The Secret Garden - Frances Hodgson Burnett |
4:04:03 |
6 |
The Adventures of Huckleberry Finn - Mark Twain Part 1 of 2 |
DBS Audiobooks |
The Adventures of Huckleberry Finn - Mark Twain |
5:35:53 |
7 |
The Adventures of Huckleberry Finn - Mark Twain Part 2 of 2 |
DBS Audiobooks |
The Adventures of Huckleberry Finn - Mark Twain |
5:37:00 |
8 |
The Great Gatsby |
F. Scott Fitzgerald, Michael Shannon |
The Great Gatsby |
44:25 |
9 |
The Great Gatsby |
F. Scott Fitzgerald, Michael Shannon |
The Great Gatsby |
41:08 |
10 |
The Great Gatsby |
F. Scott Fitzgerald, Michael Shannon |
The Great Gatsby |
48:23 |
11 |
The Great Gatsby |
F. Scott Fitzgerald, Michael Shannon |
The Great Gatsby |
37:10 |
12 |
A Hunger Artist |
Lotte Lenya |
The Best of Franz Kafka's Short Stories |
24:24 |
13 |
A Scandal in Bohemia |
Basil Rathbone, Nigel Bruce |
Adventures of Sherlock Holmes - A Scandal in Bohemia |
30:36 |
14 |
Words |
Célia Johnson, Virginia Woolf |
Virginia Woolf |
2:10 |
15 |
Mrs. Dalloway |
Célia Johnson, Virginia Woolf |
Virginia Woolf |
27:04 |
16 |
Pride and Prejudice - Jane Austen Part 1 of 2 |
DBS Audiobooks |
Pride and Prejudice - Jane Austen |
5:27:52 |
17 |
Pride and Prejudice - Jane Austen Part 2 of 2 |
DBS Audiobooks |
Pride and Prejudice - Jane Austen |
5:25:15 |
18 |
Just So Stories: How the Whale Got His Throat |
Rudyard Kipling, Ralph Fiennes |
Fiennes, Ralph: Kipling |
5:56 |
19 |
Great Expectations: Chapter 1, A Fateful Meeting |
martin jarvis |
Dickens: Great Expectations |
15:45 |
20 |
Great Expectations: Chapter 2, Satis House |
martin jarvis |
Dickens: Great Expectations |
20:11 |
21 |
Great Expectations: Chapter 3, Shame |
martin jarvis |
Dickens: Great Expectations |
16:26 |
22 |
Great Expectations: Chapter 4, Revelations |
martin jarvis |
Dickens: Great Expectations |
19:39 |
23 |
Great Expectations: Chapter 5, Estella |
martin jarvis |
Dickens: Great Expectations |
10:01 |
24 |
Great Expectations: Chapter 6, Illusions Shattered |
martin jarvis |
Dickens: Great Expectations |
26:36 |
25 |
Great Expectations: Chapter 7, Recapture |
martin jarvis |
Dickens: Great Expectations |
19:43 |
26 |
Great Expectations: Chapter 8, Deaths And Marriages |
martin jarvis |
Dickens: Great Expectations |
15:19 |
27 |
The Shadow Over Innsmouth - Part 1 |
Phil Reynolds |
The Shadow Over Innsmouth |
24:48 |
28 |
The Shadow Over Innsmouth - Part 2 |
Phil Reynolds |
The Shadow Over Innsmouth |
35:27 |
29 |
The Shadow Over Innsmouth - Part 3 |
Phil Reynolds |
The Shadow Over Innsmouth |
38:43 |
30 |
The Shadow Over Innsmouth - Part 4 |
Phil Reynolds |
The Shadow Over Innsmouth |
20:34 |
31 |
The Shadow Over Innsmouth - Part 4 - Continued |
Phil Reynolds |
The Shadow Over Innsmouth |
33:28 |
32 |
The Shadow Over Innsmouth - Part 5 |
Phil Reynolds |
The Shadow Over Innsmouth |
18:07 |
33 |
01 - Brave New World |
Aldous Huxley |
Brave New World Read by Aldous Huxley |
30:33 |
34 |
02 - Brave New World |
Aldous Huxley |
Brave New World Read by Aldous Huxley |
29:43 |
35 |
The Model Millionaire |
Emma Topping, Oscar Wilde |
The Very Best Classic Short Stories |
12:25 |
36 |
A Guide to Men - Helen Rowland |
DBS Audiobooks |
A Guide to Men - Helen Rowland |
1:31:45 |
37 |
The Bet |
William Coon |
The Bet, Unabridged, by Anton Pavlovich Chekhov |
17:23 |
38 |
Love of Life - Part One, By Jack London |
Bart Wolffe |
Short Story Collection |
23:57 |
39 |
Love of Life - Part Two, By Jack London |
Bart Wolffe |
Short Story Collection |
33:27 |
40 |
The War of the Worlds (the Original 1938 Broadcast - Remastered) |
Orson Welles |
The War of the Worlds (the Original 1938 Broadcast - Remastered) |
59:19 |
41 |
1984 - Part 1 |
David Niven, George Orwell |
1984/Classic Radio Production |
14:54 |
42 |
1984 - Part 2 |
David Niven, George Orwell |
1984/Classic Radio Production |
15:10 |
43 |
1984 - Part 3 |
David Niven, George Orwell |
1984/Classic Radio Production |
12:12 |
44 |
1984 - Part 4 |
David Niven, George Orwell |
1984/Classic Radio Production |
11:57 |
45 |
What Are Psychedelic Drugs? |
Timothy Leary |
Gone Gonzo: A Tribute to Hunter S. Thompson |
4:12 |
46 |
The 5 Levels of Conciousness |
Timothy Leary |
Gone Gonzo: A Tribute to Hunter S. Thompson |
2:10 |
47 |
The Adventure of the Yellow Face |
Bart Wolffe |
The Memoirs of Sherlock Holmes |
45:57 |
48 |
The Tragical History Of Dr. Faustus |
Frank Silvera |
The Tragical History Of Dr. Faustus |
54:48 |
49 |
01 - The Son of the Brahman |
Hermann Hesse |
Siddhartha |
20:24 |
50 |
02 - With the Samanas |
Hermann Hesse |
Siddhartha |
26:29 |
51 |
03 - Gotama |
Hermann Hesse |
Siddhartha |
23:19 |
52 |
04 - Awakening |
Hermann Hesse |
Siddhartha |
11:48 |
53 |
05 - Kamala |
Hermann Hesse |
Siddhartha |
35:41 |
54 |
06 - With the Childlike People |
Hermann Hesse |
Siddhartha |
21:34 |
55 |
07 - Sansara |
Hermann Hesse |
Siddhartha |
24:20 |
56 |
08 - By the River |
Hermann Hesse |
Siddhartha |
30:11 |
57 |
09 - The Ferryman |
Hermann Hesse |
Siddhartha |
34:26 |
58 |
10 - The Son |
Hermann Hesse |
Siddhartha |
23:52 |
59 |
11 - Om |
Hermann Hesse |
Siddhartha |
17:55 |
60 |
12 - Govinda |
Hermann Hesse |
Siddhartha |
28:17 |
61 |
Alice's Adventures in Wonderland - Lewis Carroll |
DBS Audiobooks |
Alice's Adventures in Wonderland - Lewis Carroll |
2:43:25 |
62 |
Crime and Punishment |
James Mason |
Crime and Punishment |
54:50 |
63 |
The Yellow Wallpaper |
David Moore, Charlotte Perkins Gilman |
The Very Best of Women's Short Stories |
36:30 |
64 |
The Snake |
John Steinbeck |
John Steinbeck Reads The Snake and Johnny Bear |
21:28 |
65 |
Odour of Chrysanthemums by D. H. Lawrence |
Bart Wolffe |
A Collection of Classic Short Stories, Vol. 2 |
50:16 |
66 |
Lady Chatterley's Lover - Pt. One |
Janet Suzman |
D.H. Lawrence: Lady Chatterley's Lover |
33:37 |
67 |
Lady Chatterley's Lover - Pt. Two |
Janet Suzman |
D.H. Lawrence: Lady Chatterley's Lover |
32:47 |
68 |
Lady Chatterley's Lover - Pt. Three |
Janet Suzman |
D.H. Lawrence: Lady Chatterley's Lover |
45:38 |
69 |
Lady Chatterley's Lover - Pt. Four |
Janet Suzman |
D.H. Lawrence: Lady Chatterley's Lover |
45:35 |
70 |
DH Lawrence |
Aldous Huxley |
Speaking Personally |
9:36 |
71 |
Are There Writers Who Will Survive and Be Read? |
Aldous Huxley |
Speaking Personally |
4:10 |
72 |
What Is the Relationship of the Artists to His Time? |
Aldous Huxley |
Speaking Personally |
5:54 |
73 |
Symbols |
Aldous Huxley |
Speaking Personally |
7:00 |
74 |
Lolita - Part Two, Chapter 35 |
Vladimir Nabokov |
Vladimir Nabokov Reads Lolita and Selected Poems |
25:42 |
75 |
On The Road (Jazz Of The Beat Generation) |
Jack Kerouac |
Beat Generation Poetry - The Ultimate Collection |
28:45 |
76 |
Far From The Madding Crowd: Chapter 1, A Beauty Appears |
Robert Powell |
Hardy: Far From The Madding Crowd |
20:42 |
77 |
Far From The Madding Crowd: Chapter 2, A Fire And A Meeting |
Robert Powell |
Hardy: Far From The Madding Crowd |
14:31 |
78 |
Far From The Madding Crowd: Chapter 3, A Startling Decision |
Robert Powell |
Hardy: Far From The Madding Crowd |
12:01 |
79 |
Far From The Madding Crowd: Chapter 4, The Results Of Flattery |
Robert Powell |
Hardy: Far From The Madding Crowd |
23:39 |
80 |
Far From The Madding Crowd: Chapter 5, Breakdown of A Marriage |
Robert Powell |
Hardy: Far From The Madding Crowd |
17:39 |
81 |
Far From The Madding Crowd: Chapter 6, Guilt Revealed |
Robert Powell |
Hardy: Far From The Madding Crowd |
17:45 |
82 |
Far From The Madding Crowd: Chapter 7, A Violent End |
Robert Powell |
Hardy: Far From The Madding Crowd |
20:53 |
83 |
Far From The Madding Crowd: Chapter 8, New Beginnings |
Robert Powell |
Hardy: Far From The Madding Crowd |
14:43 |
84 |
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W): [Schubert: Moment musical No. 3 in F minor]...Did you hear what I was playing, Lane? (Algernon, Lane) |
Oscar Wilde, Sir John Gielgud/Dame Edith Evans |
Oscar Wilde: The Importance of Being Earnest |
1:51 |
85 |
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W): How are you, my dear Ernest? (Algernon, Jack, Lane) |
Oscar Wilde, Sir John Gielgud/Dame Edith Evans |
Oscar Wilde: The Importance of Being Earnest |
5:29 |
86 |
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W): Old Mr Thomas Cardew, who adopted me (Jack, Algernon, Lane) |
Oscar Wilde, Sir John Gielgud/Dame Edith Evans |
Oscar Wilde: The Importance of Being Earnest |
4:08 |
87 |
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W): Good afternoon, dear Algernon (Lady Bracknell, Algernon, Gwendolen, Jack, Lane) |
Oscar Wilde, Sir John Gielgud/Dame Edith Evans |
Oscar Wilde: The Importance of Being Earnest |
4:51 |
88 |
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W): Charming day it has been, Miss Fairfax (Jack, Gwendolen) |
Oscar Wilde, Sir John Gielgud/Dame Edith Evans |
Oscar Wilde: The Importance of Being Earnest |
3:59 |
89 |
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W): Mr Worthing! Rise, sir, from this semi-recumbent posture (Lady Bracknell, Gwendolen) |
Oscar Wilde, Sir John Gielgud/Dame Edith Evans |
Oscar Wilde: The Importance of Being Earnest |
1:09 |
90 |
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W): You can take a seat, Mr Worthing (Lady Bracknell, Jack) |
Oscar Wilde, Sir John Gielgud/Dame Edith Evans |
Oscar Wilde: The Importance of Being Earnest |
3:09 |
91 |
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W): Now to minor matters (Lady Bracknell, Jack) |
Oscar Wilde, Sir John Gielgud/Dame Edith Evans |
Oscar Wilde: The Importance of Being Earnest |
4:09 |
92 |
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W): [Mendelssohn: Wedding March]...Oh, do stop playing that ghastly tune, Algy! (Jack, Algernon, Lane) |
Oscar Wilde, Sir John Gielgud/Dame Edith Evans |
Oscar Wilde: The Importance of Being Earnest |
3:28 |
93 |
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W): Gwendolen, upon my word! (Algernon, Gwendolen, Jack, Lane) |
Oscar Wilde, Sir John Gielgud/Dame Edith Evans |
Oscar Wilde: The Importance of Being Earnest |
2:41 |
94 |
The Importance of Being Earnest - A trivial play for serious people, Act II (Garden at the Manor House, Woolton): Cecily, Cecily! (Miss Prism, Cecily) |
Oscar Wilde, Sir John Gielgud/Dame Edith Evans |
Oscar Wilde: The Importance of Being Earnest |
3:21 |
95 |
The Importance of Being Earnest - A trivial play for serious people, Act II (Garden at the Manor House, Woolton): Dr Chasuble! This is indeed a pleasure (Miss Prism, Chasuble, Cecily) |
Oscar Wilde, Sir John Gielgud/Dame Edith Evans |
Oscar Wilde: The Importance of Being Earnest |
1:58 |
96 |
The Importance of Being Earnest - A trivial play for serious people, Act II (Garden at the Manor House, Woolton): Mr Ernest Worthing has just driven over from the station (Merriman, Cecily, Algernon) |
Oscar Wilde, Sir John Gielgud/Dame Edith Evans |
Oscar Wilde: The Importance of Being Earnest |
4:09 |
97 |
The Importance of Being Earnest - A trivial play for serious people, Act II (Garden at the Manor House, Woolton): You are too much alone, dear Dr Chasuble (Miss Prism, Chasuble) |
Oscar Wilde, Sir John Gielgud/Dame Edith Evans |
Oscar Wilde: The Importance of Being Earnest |
1:21 |
98 |
The Importance of Being Earnest - A trivial play for serious people, Act II (Garden at the Manor House, Woolton): Mr Worthing! (Chasuble, Miss Prism, Jack) |
Oscar Wilde, Sir John Gielgud/Dame Edith Evans |
Oscar Wilde: The Importance of Being Earnest |
4:22 |
99 |
The Importance of Being Earnest - A trivial play for serious people, Act II (Garden at the Manor House, Woolton): Uncle Jack! Oh, I am pleased to see you back (Cecily, Miss Prism, Chasuble, Jack, Algernon) |
Oscar Wilde, Sir John Gielgud/Dame Edith Evans |
Oscar Wilde: The Importance of Being Earnest |
2:19 |
100 |
The Importance of Being Earnest - A trivial play for serious people, Act II (Garden at the Manor House, Woolton): You young scoundrel, Algy (Jack, Merriman, Algernon) |
Oscar Wilde, Sir John Gielgud/Dame Edith Evans |
Oscar Wilde: The Importance of Being Earnest |
2:10 |
101 |
The Importance of Being Earnest - A trivial play for serious people, Act II (Garden at the Manor House, Woolton): Oh, I merely came back to water the roses (Cecily, Algernon, Merriman) |
Oscar Wilde, Sir John Gielgud/Dame Edith Evans |
Oscar Wilde: The Importance of Being Earnest |
2:10 |
102 |
The Importance of Being Earnest - A trivial play for serious people, Act II (Garden at the Manor House, Woolton): Uncle Jack would be very much annoyed (Cecily, Algernon) |
Oscar Wilde, Sir John Gielgud/Dame Edith Evans |
Oscar Wilde: The Importance of Being Earnest |
4:41 |
103 |
The Importance of Being Earnest - A trivial play for serious people, Act II (Garden at the Manor House, Woolton): A Miss Fairfax has just called to see Mr Worthing (Merriman, Cecily, Gwendolen) |
Oscar Wilde, Sir John Gielgud/Dame Edith Evans |
Oscar Wilde: The Importance of Being Earnest |
6:25 |
104 |
The Importance of Being Earnest - A trivial play for serious people, Act II (Garden at the Manor House, Woolton): Shall I lay tea here as usual, Miss? (Merriman, Cecily, Gwendolen) |
Oscar Wilde, Sir John Gielgud/Dame Edith Evans |
Oscar Wilde: The Importance of Being Earnest |
2:03 |
105 |
The Importance of Being Earnest - A trivial play for serious people, Act II (Garden at the Manor House, Woolton): Ernest! My own Ernest! (Gwendolen, Jack, Cecily, Algernon) |
Oscar Wilde, Sir John Gielgud/Dame Edith Evans |
Oscar Wilde: The Importance of Being Earnest |
2:39 |
106 |
The Importance of Being Earnest - A trivial play for serious people, Act II (Garden at the Manor House, Woolton): This ghastly state of things is what you call Bunburying, I suppose? (Jack, Algernon) |
Oscar Wilde, Sir John Gielgud/Dame Edith Evans |
Oscar Wilde: The Importance of Being Earnest |
4:49 |
107 |
The Importance of Being Earnest - A trivial play for serious people, Act III (Morning-room at the Manor House, Woolton): The fact that they did not follow us at once into the house (Gwendolen, Cecily, Algernon, Jack, Merriman) |
Oscar Wilde, Sir John Gielgud/Dame Edith Evans |
Oscar Wilde: The Importance of Being Earnest |
2:45 |
108 |
The Importance of Being Earnest - A trivial play for serious people, Act III (Morning-room at the Manor House, Woolton): Gwendolen! What does this mean? (Lady Bracknell, Gwendolen, Jack, Algernon, Cecily) |
Oscar Wilde, Sir John Gielgud/Dame Edith Evans |
Oscar Wilde: The Importance of Being Earnest |
5:42 |
109 |
The Importance of Being Earnest - A trivial play for serious people, Act III (Morning-room at the Manor House, Woolton): Pretty child! your dress is sadly simple (Lady Bracknell, Jack, Algernon, Cecily) |
Oscar Wilde, Sir John Gielgud/Dame Edith Evans |
Oscar Wilde: The Importance of Being Earnest |
6:37 |
110 |
The Importance of Being Earnest - A trivial play for serious people, Act III (Morning-room at the Manor House, Woolton): Everything is quite ready for the christenings (Chasuble, Lady Bracknell, Jack) |
Oscar Wilde, Sir John Gielgud/Dame Edith Evans |
Oscar Wilde: The Importance of Being Earnest |
2:04 |
111 |
The Importance of Being Earnest - A trivial play for serious people, Act III (Morning-room at the Manor House, Woolton): I was told you expected me in the vestry, dear Canon (Miss Prism, Lady Bracknell, Jack, Gwendolen, Chasuble, Cecily) |
Oscar Wilde, Sir John Gielgud/Dame Edith Evans |
Oscar Wilde: The Importance of Being Earnest |
3:09 |
112 |
The Importance of Being Earnest - A trivial play for serious people, Act III (Morning-room at the Manor House, Woolton): Is this the hand-bag, Miss Prism? (Jack, Miss Prism, Lady Bracknell, Algernon, Gwendolen, Cecily, Chasuble) |
Oscar Wilde, Sir John Gielgud/Dame Edith Evans |
Oscar Wilde: The Importance of Being Earnest |
5:16 |
113 |
Chapter 1 |
Franz Kafka |
Metamorphosis |
5:23 |
114 |
Chapter 2 |
Franz Kafka |
Metamorphosis |
5:23 |
115 |
Chapter 3 |
Franz Kafka |
Metamorphosis |
5:23 |
116 |
Chapter 4 |
Franz Kafka |
Metamorphosis |
5:23 |
117 |
Chapter 5 |
Franz Kafka |
Metamorphosis |
5:23 |
118 |
Chapter 6 |
Franz Kafka |
Metamorphosis |
5:23 |
119 |
Chapter 7 |
Franz Kafka |
Metamorphosis |
5:23 |
120 |
Chapter 8 |
Franz Kafka |
Metamorphosis |
5:23 |
121 |
Chapter 9 |
Franz Kafka |
Metamorphosis |
5:23 |
122 |
Chapter 10 |
Franz Kafka |
Metamorphosis |
5:23 |