MyBibliography-ZoteroBBT-BibDesk.bib

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%% https://bibdesk.sourceforge.io/

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@online{_Blan,
	abstract = {October 19th 1987 was a day of huge change for the global finance industry. On this day the stock market crashed, the Nobel Prize winning Black-Scholes formula failed and volatility smiles were born, and on this day Elie Ayache began his career, on the trading floor of the French Futures and Options Exchange. Experts everywhere sought to find a model for this event, and ways to simulate it in order to avoid a recurrence in the future, but the one thing that struck Elie that day was the belief that what actually happened on 19th October 1987 is simply non reproducible outside 19th October 1987 - you cannot reduce it to a chain of causes and effects, or even to a random generator, that can then be reproduced or represented in a theoretical framework. The Blank Swan is Elie's highly original treatise on the financial markets \textendash{} presenting a totally revolutionary rethinking of derivative pricing and technology. It is not a diatribe against Nassim Taleb's The Black Swan, but criticises the whole background or framework of predictable and unpredictable events \textendash{} white and black swans alike \textendash{} , i.e. the very category of prediction. In this revolutionary book, Elie redefines the components of the technology needed to price and trade derivatives. Most importantly, and drawing on a long tradition of philosophy of the event from Henri Bergson to Gilles Deleuze, to Alain Badiou, and on a recent brand of philosophy of contingency, embodied by the speculative materialism of Quentin Meillassoux, Elie redefines the market itself against the common perceptions of orthodox financial theory, general equilibrium theory and the sociology of finance. This book will change the way that we think about derivatives and approach the market. If anything, derivatives should be renamed contingent claims, where contingency is now absolute and no longer derivative, and the market is just its medium. The book also establishes the missing link between quantitative modelling (no longer dependent on probability theory but on a novel brand of mathematics which Elie calls the mathematics of price) and the reality of the market.},
	shorttitle = {The {{Blank Swan}}},
	title = {The {{Blank Swan}}: {{The End}} of {{Probability}} | {{Wiley}}},
	url = {https://www.wiley.com/en-us/The+Blank+Swan%3A+The+End+of+Probability-p-9780470661765},
	urldate = {2022-05-05}}

@online{_Brea,
	langid = {american},
	title = {Breaking the Spell. {{Contemporary Realism}} under {{Discussion}} \textendash{} {{Mimesis International}}},
	url = {https://mimesisinternational.com/breaking-the-spell-contemporary-realism-under-discussion/},
	urldate = {2022-05-09}}

@online{_Chim,
	abstract = {A volume on artificial intelligence, with multiple textual and visual contributions exploring the synthetic qualities of cognition.},
	shorttitle = {Chimeras},
	title = {Chimeras: {{Inventory}} of Synthetic Cognition | {{Onassis Foundation}}},
	url = {https://www.onassis.org/culture/publications/chimeras-inventory-of-synthetic-cognition},
	urldate = {2022-05-09}}

@online{_ECHO,
	title = {{{ECHO IX}}/1: {{Nye}}, Page 1},
	url = {http://www.echo.ucla.edu/Volume9-Issue1/nye/nye1.html},
	urldate = {2022-03-28}}

@online{_Fibr,
	file = {/Users/daniel/Documents/Text Repository/ZotFile/The Fibreculture Journal 22 FCJ-156 Hacking the Social Internet Memes, Identity Antagonism, and the Logic of Lulz..pdf},
	langid = {american},
	shorttitle = {The {{Fibreculture Journal}}},
	title = {The {{Fibreculture Journal}} : 22 | {{FCJ-156 Hacking}} the {{Social}}: {{Internet Memes}}, {{Identity Antagonism}}, and the {{Logic}} of {{Lulz}}.},
	url = {https://twentytwo.fibreculturejournal.org/fcj-156-hacking-the-social-internet-memes-identity-antagonism-and-the-logic-of-lulz/},
	urldate = {2022-02-08},
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@online{_NFTM,
	langid = {american},
	organization = {{NFT Magazine}},
	title = {{{NFT Magazine}}},
	url = {https://www.nft-magazine.net},
	urldate = {2021-11-08}}

@online{_Rese,
	abstract = {Access 130+ million publications and connect with 15+ million researchers. Join for free and gain visibility by uploading your research.},
	langid = {english},
	organization = {{ResearchGate}},
	title = {{{ResearchGate}} | {{Find}} and Share Research},
	url = {https://www.researchgate.net/institution/The-University-of-Edinburgh/department/Department-of-Sociology/stats},
	urldate = {2021-10-13}}

@online{_Thir,
	title = {Third {{Text}}},
	url = {http://www.thirdtext.org/cheung-blackswan},
	urldate = {2022-05-26}}

@article{2001_Cryp,
	abstract = {A wide-ranging collection of writings on emerging political structures in cyberspace.In Crypto Anarchy, Cyberstates, and Pirate Utopias, Peter Ludlow extends th},
	date = {2001-05-25},
	doi = {10.7551/mitpress/2229.001.0001},
	langid = {english},
	title = {Crypto {{Anarchy}}, {{Cyberstates}}, and {{Pirate Utopias}}},
	url = {https://direct.mit.edu/books/book/2316/Crypto-Anarchy-Cyberstates-and-Pirate-Utopias},
	urldate = {2021-11-10}}

@article{2009_Ques,
	date = {2009-10-01},
	doi = {10.1162/octo.2009.130.1.3},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Journal Article/October/no. 130/Questionnaire on The Contemporary [2009_Ques].pdf},
	issn = {0162-2870},
	journaltitle = {October},
	number = {130},
	pages = {3--124},
	shortjournal = {October},
	title = {Questionnaire on "{{The Contemporary}}"},
	url = {https://doi.org/10.1162/octo.2009.130.1.3},
	urldate = {2021-12-17},
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@online{2012_VolP,
	abstract = {Culture Machine {$<$}h1{$>$}\textbf{Vol. 13 }Paying Attention{$<$}/h1{$>$} {$<$}h2{$>$}edited by Patrick Crogan{$<$}br{$>$}and Samuel Kinsley{$<$}/h2{$>$}},
	date = {2012-01-07T15:02:49+00:00},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Beller 2012 - Wagers Within the Image Rise of Visuality, Transformation of Labour, Aesthetic Regimes.pdf;/Users/daniel/Documents/Text Repository/ZotFile/Bucher 2012 - A Technicity of Attention How Software 'Makes Sense'.pdf;/Users/daniel/Documents/Text Repository/ZotFile/Crogan & Kinsley 2012 - Paying Attention Towards a Critique of the Attention Economy.pdf;/Users/daniel/Documents/Text Repository/ZotFile/Stiegler 2012 - Relational Ecology and the Digital Pharmakon.pdf;/Users/daniel/Documents/Text Repository/ZotFile/Terranova 2012 - Attention, Economy and the Brain.pdf;/Users/daniel/Zotero/storage/KF3ULCQY/Popping Up and Fading Out Participatory Networks and Istanbul’s Creative City Project - Rolien Hoyng.pdf;/Users/daniel/Zotero/storage/PZLNGFJF/We Won’t Fly for Art Media Art Ecologies - Ruth Catlow.pdf},
	langid = {british},
	organization = {{Culture Machine}},
	title = {Vol. 13 {{Paying Attention}}},
	url = {https://culturemachine.net/paying-attention/},
	urldate = {2021-11-10},
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@book{2013_Accu,
	abstract = {Resource flows within and between geographically delineated units at different spatial scales are difficult to map, but they are of fundamental significance for the capacity of individual units to grow economically, develop new technologies, manage their resources, and protect their environments. A primary reason why both historical and modern resource flows are difficult to map is that the available statistics generally apply metrics that are inadequate for calculating the biophysical contents and consequences of these flows. Most of the statistics used in economics and economic history, for instance, are couched in the language of monetary exchange values (market prices), which often requires extensive research in order to be translated into biophysical measures such as embodied energy, material flow, hectare yields, or invested hours of labour. But when such translations are made, they can provide a completely different picture of the exchange relations and technological systems with which they are associated. For example, in the year 1850, by exchanging \textsterling 1,000 worth of cotton textiles for \textsterling 1,000 worth of raw cotton fibre on the world market, the newly industrialized textile districts of England were able to exchange around 4,000 hours of labour in a British factory for over 32,000 hours of mostly slave labour in tropical cotton plantations \textendash{} including the ecological footprints that these human years represented \textendash{} and simultaneously for the productive capacity of over 58 hectares of colonial land (Hornborg 2006). Such arrangements laid the foundation not only for the Industrial Revolution, but also for the modern science of economics, the conceptual framework of which is simply not concerned with the translation of market value into hectares of land or hours of labour. Thus it continues to escape us how economic growth and technological progress in some areas may be indissolubly linked to the impoverishment of people and environments in other parts of the world. For the same reason, we continue to struggle with the scientific question, posed repeatedly by the anthropologist Maurice Godelier (e.g. Godelier 1986), of how different societies through history have managed to represent unequal exchanges of resources as reciprocal and fair.},
	date = {2013-06-19},
	doi = {10.4324/9780203122815-7},
	isbn = {978-0-203-12281-5},
	journaltitle = {Ecology and Power},
	langid = {english},
	pages = {29--38},
	publisher = {{Routledge}},
	shorttitle = {Accumulation},
	title = {Accumulation: {{Land}} as a Medium of Domination},
	url = {https://www.taylorfrancis.com/chapters/edit/10.4324/9780203122815-7/accumulation-land-medium-domination-alf-hornborg},
	urldate = {2022-07-04}}

@book{2013_Tech,
	abstract = {The primary driver of global environmental change over the last several centuries has been human actions. Natural scientists warn that humanity is threatening to undermine the relatively stable, interglacial geological epoch that has supported human civilization, as business-as-usual operations transgress ``planetary boundaries'' (Rockstr\"om et al. 2009: 472). Humans fundamentally changed the structure of major biogeochemical cycles, accelerated species extinction, transformed the land cover of the earth, altered the chemical composition of the atmosphere, and caused a decline in the availability of freshwater (Vitousek et al. 1997). The global capitalist system remains at the nexus of environmental problems, as it influences the ``metabolic interaction'' between humans and nature. As the scale and diversity of environmental problems increases, the dominant economic forces rally to offer ``solutions.'' The ecological crisis is presented as a technical problem that can be fixed within the current economic system, through better ingenuity, technological innovations, efficiency, and the operation of the market. In other words, there is no need to radically transform the social order, as the market will ensure that a technological fix is created to address each environmental challenge. For example, the proposed remedies for global climate change include the development of new nuclear power plants, coal plants that will capture and sequester carbon underground, and agrofuels that will emit less carbon dioxide when burned. Each of these options maintains the existing social relations of production within the current economic system. The technological panacea obscures the anti-ecological tendencies of the capitalist system. The growth imperative of capitalism entails the systematic subordination of nature to the endless pursuit of profit, generating ecological rifts and environmental degradation. When confronted with such concerns, capital pursues a series of technological fixes and capital shifts in order to ``solve'' these problems. These fixes and shifts typically have unintended consequences, such as creating additional ecological rifts, and fail to address the root of socioecological problems: the social metabolic order of capital. In what follows, we elaborate on these issues, presenting the nature of capitalism and a few of the ecological contradictions it produces. We illustrate the rifts, shifts, and technological fixes employed by capital in the production of food, energy, and water.},
	date = {2013-06-19},
	doi = {10.4324/9780203122815-8},
	isbn = {978-0-203-12281-5},
	journaltitle = {Ecology and Power},
	langid = {english},
	pages = {39--52},
	publisher = {{Routledge}},
	shorttitle = {Techno-Fix},
	title = {Techno-Fix: Ecological Rifts and Capital Shifts},
	url = {https://www.taylorfrancis.com/chapters/edit/10.4324/9780203122815-8/2-techno-fix-ecological-rifts-capital-shifts-brett-clark-richard-york},
	urldate = {2022-07-04}}

@book{2017_Surv,
	abstract = {The internet is the most effective weapon the government has ever built. In this fascinating book, investigative reporter Yasha Levine uncovers the secret or...},
	date = {2017-06-27T21:33:47+00:00},
	isbn = {978-1-61039-803-9},
	title = {Surveillance {{Valley}}},
	url = {https://www.publicaffairsbooks.com/titles/yasha-levine/surveillance-valley/9781610398039/},
	urldate = {2022-04-21}}

@article{2021_Fast,
	date = {2021-12-01},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Journal Article/Fast Capitalism/vol. 18/no. 1/Fast Capitalism 18.1 [2021_Fast].pdf},
	issn = {1930-014X},
	journaltitle = {Fast Capitalism},
	keywords = {Capitalism,COVID,COVID-19,Critical Theory,Democracy,Fascism,Insurrection,Internet,January 6,Literary Theory,Misogyny,Networks,Political Economy,Political Science,Preppers,Race,Social Theory,Sociology,Trump,Web 2.0,White Supremacy},
	langid = {english},
	number = {1},
	title = {Fast {{Capitalism}} 18.1},
	url = {https://fastcapitalism.journal.library.uta.edu/index.php/fastcapitalism/article/view/415},
	urldate = {2022-03-01},
	volume = {18},
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@article{abidin2021_Netw,
	abstract = {Reflecting on a decade (2009\textendash 2020) of research on influencer cultures in Singapore, the Asia Pacific, and beyond, this article considers the potential of ``below the radar'' studies for understanding the fast evolving and growing potentials of subversive, risky, and hidden practices on social media. The article updates technology and social media scholar danah boyd's foundational work on ``networked publics'' to offer the framework of ``refracted publics.'' While ``networked publics'' arose from media and communication studies of social network sites during the decade of the 2000s, focused on platforms, infrastructure, and affordances, ``refracted publics'' is birthed from anthropological and sociological studies of internet user cultures during the decade of the 2010s, focused on agentic and circumventive adaptations of what platforms offer them. ``Refracted publics'' are a product of the landscape of platform data leaks, political protests, fake news, and (most recently) COVID-19, and are creative vernacular strategies to accommodate for perpetual content saturation, hyper-competitive attention economies, gamified and datafied metric cultures, and information distrust. The key conditions (transience, discoverability, decodability, and silosociality) and dynamics (impactful audiences, weaponized contexts, and alternating publics and privates) of ``refracted publics'' allow cultures, communities, and contents to avoid being registered on a radar, register in misplaced pockets while appearing on the radar, or register on the radar but parsed as something else altogether. They are the strategies of private groups, locked platforms, or ephemeral contents that will continue to thrive alongside the internet for decades to come.},
	author = {Abidin, Crystal},
	date = {2021-01-01},
	doi = {10.1177/2056305120984458},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Journal Article/Social Media + Society/vol. 7/no. 1/Abidin 2021 - From Networked Publics to Refracted Publics [abidin2021_Netw].pdf},
	issn = {2056-3051},
	journaltitle = {Social Media + Society},
	keywords = {below the radar,influencers,networked publics,refracted publics,social media},
	langid = {english},
	number = {1},
	pages = {2056305120984458},
	shortjournal = {Social Media + Society},
	shorttitle = {From "{{Networked Publics}}" to "{{Refracted Publics}}"},
	title = {From "{{Networked Publics}}" to "{{Refracted Publics}}": {{A Companion Framework}} for {{Researching}} "{{Below}} the {{Radar}}" {{Studies}}},
	url = {https://doi.org/10.1177/2056305120984458},
	urldate = {2022-06-22},
	volume = {7},
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@incollection{abrams2018_Pref,
	author = {Abrams, Nora Burnett},
	booktitle = {Postscript : {{Writing After Conceptual Art}}},
	date = {2018-12-03},
	doi = {10.3138/9781442621015-002},
	editor = {Andersson, Andrea},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/Postscript- Writing After Conceptual Art/Abrams 2018 - Preface [abrams2018_Pref].pdf},
	isbn = {978-1-4426-2101-5},
	langid = {english},
	pages = {xi-xii},
	publisher = {{University of Toronto Press}},
	title = {Preface},
	url = {https://www.degruyter.com/document/doi/10.3138/9781442621015-002/html},
	urldate = {2022-07-04},
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@incollection{acland2015_Cons,
	abstract = {This concluding chapter explores how Hollywood's ``technological tentpoles''\textemdash films that strategically promote cross-media commodities and new generations of devices, platforms, and hardware\textemdash serve as vehicles for the advancement of a broader technological system. In light of this cross-media industrial circumstance, the highly visible, international, big-budget blockbuster production makes manifest the developing relationships among media forms. The blockbuster, in a time of expanding talk and exploitation of ``long tail'' microcultural economies, advances multiple products and devices at once, and it does so through the formal mechanisms of cross-media promotional deals as well as through indirect support by being the most highly valued content for various platforms. Moving between entertainment industry events and a proliferating field of consumer electronics, the chapter then shows how audiovisual infrastructure is a product not only of economic priorities, but also of the conceptual frames that are circulated about them.},
	author = {Acland, Charles R.},
	booktitle = {Signal {{Traffic}} : {{Critical Studies}} of {{Media Infrastructures}}},
	date = {2015},
	doi = {10.5406/illinois/9780252039362.003.0011},
	editor = {Parks, Lisa and Starosielski, Nicole},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/Signal Traffic - Critical Studies of Media Infrastructures/Acland 2015 - Consumer Electronics and the Building of an Entertainment Infrastructure [acland2015_Cons].pdf},
	isbn = {978-0-252-03936-2},
	keywords = {audiovisual infrastructure,blockbuster production,consumer electronics,cross-media commodities,entertainment industry,technological tentpoles},
	langid = {english},
	publisher = {{University of Illinois Press}},
	title = {Consumer {{Electronics}} and the {{Building}} of an {{Entertainment Infrastructure}}},
	url = {https://www.universitypressscholarship.com/10.5406/illinois/9780252039362.001.0001/upso-9780252039362-chapter-11},
	urldate = {2022-07-04},
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@book{adorno.etal2019_Auth,
	abstract = {What makes a fascist? Are there character traits that make someone more likely to vote for the far right? The Authoritarian Personality is not only one of the most significant works of social psychology ever written, it also marks a milestone in the development of Adorno's thought, showing him grappling with the problem of fascism and the reasons for Europe's turn to reaction. Over half a century later and with the rise of right-wing populism and the reemergence of the far-right in recent years, this hugely influential study remains as insightful and relevant as ever. This new edition includes an introduction by Frankfurt School scholar Peter E. Gordon and contains the first-ever publication of Adorno's subsequent critical notes on the project.},
	author = {Adorno, Theodor and Frenkel-Brunswik, Else and Levinson, Daniel J. and Sanford, R. Nevitt},
	date = {2019-08},
	isbn = {978-1-78873-164-5},
	origdate = {1950},
	pagetotal = {1072},
	publisher = {{Verso Books}},
	title = {The {{Authoritarian Personality}}}}

@article{agre1994_Surv,
	abstract = {Two models of privacy issues are contrasted. The surveillance model employs visual metaphors (e.g., "Big Brother is watching") and derives from historical experiences of secret police surveillance. The less familiar capture model employs linguistic metaphors and has deep roots in the practices of applied computing through which human activities are systematically reorganized to allow computers to track them in real time. The capture model is discussed with reference to systems in numerous domains.},
	annotation = {\_eprint: https://doi.org/10.1080/01972243.1994.9960162},
	author = {Agre, Philip E.},
	date = {1994-04-01},
	doi = {10.1080/01972243.1994.9960162},
	issn = {0197-2243},
	journaltitle = {The Information Society},
	keywords = {automation,capture,computer‐supported cooperative work,grammars of action,privacy,surveillance,tracking},
	number = {2},
	pages = {101--127},
	publisher = {{Routledge}},
	shorttitle = {Surveillance and Capture},
	title = {Surveillance and Capture: {{Two}} Models of Privacy},
	url = {https://doi.org/10.1080/01972243.1994.9960162},
	urldate = {2022-02-23},
	volume = {10}}

@incollection{ahmad.etal2018_List,
	author = {Ahmad, Mira and Aldane, Jack and Aranguiz, Matias and L\'opez, Gustavo Arciniegas and Bouteloupe, Julien and Brody, Paul R. and Bronder, Pascale and Chen, Delton B. and Dodge, Edward and Donaghy, Katrina and Duchenne, James and Dunkel, Steven and Ellis, Paul and Galenovich, Anton and Retamal Gonz\'alez, Cristi\'an and Harris, Alexander and Hitchens, Rob and Hoyt, Edward and Hubbard, Joanna and H\"uwener, Markus and Huysman, David and Jackson, Adrian and Joakim, Ben and Joseph, Loretta and Khvatsky, Jenya and Lloyd, Ashley and Lonshakov, Sergey and Macinante, Justin and Marke, Alastair and Martin, David and Meunier, Sebastien and Mihaylov, Mihail and Now\'e, Ann and Poberezhna, Anna and Pocock, Steven and Razo-Zapata, Iv\'an and Reutemann, Tim and Richard, Adam and Salisbury, Neil and Sanderson, Owen and Shadrin, Alexey and Shrier, David and Sylvester, Bianca and Thomason, Jane and Willenberg, Tony and Woodhall, Adam and Xu, Duoqi and Xu, Xinran and Zhang, Xiaochen and Zhang, Xing},
	booktitle = {Transforming {{Climate Finance}} and {{Green Investment}} with {{Blockchains}}},
	date = {2018-01-01},
	doi = {10.1016/B978-0-12-814447-3.00031-8},
	editor = {Marke, Alastair},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/Transforming Climate Finance and Green Investment with Blockchains/Ahmad & Aldane et al. 2018 - List of Contributors [ahmad.etal2018_List].pdf},
	isbn = {978-0-12-814447-3},
	pages = {xvii-xviii},
	publisher = {{Academic Press}},
	title = {List of {{Contributors}}},
	url = {https://www.sciencedirect.com/science/article/pii/B9780128144473000318},
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@incollection{aldane2018_Conv,
	author = {Aldane, Jack},
	booktitle = {Transforming {{Climate Finance}} and {{Green Investment}} with {{Blockchains}}},
	date = {2018-01-01},
	doi = {10.1016/B978-0-12-814447-3.00001-X},
	editor = {Marke, Alastair},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/Transforming Climate Finance and Green Investment with Blockchains/Aldane 2018 - 1 A Conversation with Dr. Kelce Wilson on the Foundations of the Blockchain [aldane2018_Conv].pdf},
	isbn = {978-0-12-814447-3},
	keywords = {Alice's Will,Bitcoin,Blockchain,climate change,climate finance,energy trading,Hash value,Kelce Wilson,PEDDal,peer-to-peer,technology,transparency,trust},
	pages = {5--14},
	publisher = {{Academic Press}},
	title = {A {{Conversation}} with {{Dr}}. {{Kelce Wilson}} on the {{Foundations}} of the {{Blockchain}}},
	url = {https://www.sciencedirect.com/science/article/pii/B978012814447300001X},
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@article{alexander2017_Rage,
	abstract = {Buffering, namely the need to preload data before streaming a video or audio file, epitomizes the oft-ignored ruptures and disruptions of digital engagement. Whereas buffering is often read as ``noise'' or as a technical nuisance awaiting a solution, a closer look can challenge our notion of mediation, immersion, and control. By contextualizing the study of buffering within a rich history of spectatorial and sonic noise, this article explores the unique ``perpetual anxiety'' it invokes and exposes, as well as the tension between pleasure and pain embodied in recognizing the imperfections of a supposedly seamless techno-utopia.},
	author = {Alexander, Neta},
	date = {2017},
	doi = {10.1353/cj.2017.0000},
	file = {/Users/daniel/Zotero/storage/3ESWGNRZ/Buffering_CJ_PDF-libre.pdf},
	issn = {2578-4919},
	journaltitle = {Cinema Journal},
	number = {2},
	pages = {1--24},
	shorttitle = {Rage against the {{Machine}}},
	title = {Rage against the {{Machine}}: {{Buffering}}, {{Noise}}, and {{Perpetual Anxiety}} in the {{Age}} of {{Connected Viewing}}},
	url = {https://muse.jhu.edu/article/645448},
	urldate = {2022-05-10},
	volume = {56},
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@book{alizart2020_Cryp,
	abstract = {"The communist manifesto for the age of Bitcoin"--},
	author = {Alizart, Mark},
	date = {2020},
	isbn = {978-1-5095-3857-7 978-1-5095-3858-4 978-1-5095-3859-1},
	keywords = {Communism and technology,Cryptocurrencies,Philosophy,Value},
	langid = {english},
	location = {{Cambridge, UK ; Medford, MA}},
	pagetotal = {129},
	publisher = {{Polity Press}},
	series = {Theory Redux Series},
	title = {Cryptocommunism}}

@incollection{allen2018_Mate,
	abstract = {In his 1968 review of Aspen magazine, the artist Jud Yalkut speculated about the exciting potential of new media technologies \textendash{} and the precarious fate of old. Indeed, Aspen, the famous multimedia artists' publication consisting of unbound pages, flexi-disc records, and super 8 films, presciently looks ahead to our own moment of online distribution. Guest-edited by artists such as Andy Warhol, Brian O'Doherty, and Dan Graham, Aspen attests to the important role of artists' magazines in the documentation and distribution of art in the 1960s, especially Conceptual art and related practices. ``With conceptual art you needed a magazine more than},
	author = {ALLEN, GWEN},
	booktitle = {Postscript},
	date = {2018},
	editor = {ANDERSSON, ANDREA},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/Postscript/ALLEN 2018 - From Materiality to Dematerialization and Back [allen2018_Mate].pdf},
	isbn = {978-1-4426-4984-2},
	pages = {233--242},
	publisher = {{University of Toronto Press}},
	series = {Writing {{After Conceptual Art}}},
	shorttitle = {From {{Materiality}} to {{Dematerialization}} and {{Back}}},
	title = {From {{Materiality}} to {{Dematerialization}} and {{Back}}: {{Conceptual Writing}} in a {{Digital Age}}},
	url = {https://www.jstor.org.ezproxy.pratt.edu:2048/stable/10.3138/j.ctvvnfbx.24},
	urldate = {2022-06-29},
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@article{alliez2020_Duch,
	abstract = {Critical reception of Marcel Duchamp since the 1970s has tended to elevate him into the very figure of the Artist he sought to attack. One aspect of this domestication has involved neglecting Duchamp's fin de si\`ecle `eroticism' with its sexual innuendos and double-entendres. Yet this very readymade vulgarity allows us to recover a Duchamp still capable of disrupting the genres of Art and the gendered Artist, by revealing a theory embedded in his work which continually reverses and displaces phallocentrism in a game consisting of the confusion of genders and genres. We argue that Duchamp's disruption of the discursive typologies of the genre of art can be profitably read through this apparently trivial sexualized wordplay, particularly in the transgender passage into Rrose S\'elavy. Reading this aspect of Duchamp after, i.e. within and against, Lacan demonstrates how Duchamp's singular regime of signs governed by equivocity and indetermination subverts the `phallic function' of the signifier.},
	author = {Alliez, \'Eric},
	date = {2020-12-01},
	doi = {10.1177/0263276420959415},
	file = {/Users/daniel/Zotero/storage/DJDGPL8D/Alliez - 2020 - Duchamp Within and Against Lacan.pdf},
	issn = {0263-2764},
	journaltitle = {Theory, Culture \& Society},
	keywords = {(principle of non-) contradiction,Duchamp,eroticism,gender,Lacan,nominalism,phallocentrism},
	langid = {english},
	number = {7-8},
	pages = {329--353},
	shortjournal = {Theory, Culture \& Society},
	title = {Duchamp {{Within}} and {{Against Lacan}}},
	url = {https://doi.org/10.1177/0263276420959415},
	urldate = {2022-03-27},
	volume = {37},
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@article{almeida2020_Meme,
	author = {Almeida, Cristina Moreno},
	date = {2020-03-18},
	doi = {10.1177/1461444820912722},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Journal Article/New Media & Society/vol. 23/no. 6/Almeida 2020 - Memes as Snapshots of Participation [almeida2020_Meme].pdf},
	issn = {1461-4448},
	journaltitle = {New Media \& Society},
	langid = {english},
	number = {6},
	pages = {1--32},
	publisher = {{SAGE Publications Ltd}},
	shorttitle = {Memes as {{Snapshots}} of {{Participation}}},
	title = {Memes as {{Snapshots}} of {{Participation}}: {{The Role}} of {{Digital Amateur Activists}} in {{Authoritarian Regimes}}},
	url = {https://kclpure.kcl.ac.uk/portal/en/publications/memes-as-snapshots-of-participation(c25c66a7-5152-4177-8c67-dd300099d868).html},
	urldate = {2021-12-16},
	volume = {23},
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@article{alsindi.etal2021_Mini,
	abstract = {In the context of blockchain networks, mining describes a permissionless process intended to ensure the global consistency of a decentralised ledger. Mining requires the consumption of a costly computational resource to participate in a probabilistic competition that confers specific privileges to a node. These privileges typically relate to the proposal of a new block, including the identity and order of transactions contained within. Mining is incentivised via an algorithmically regulated provision of rewards, usually in the form of newly generated coins and/or transaction fees.},
	author = {Alsindi, Wassim Zuhair and Lotti, Laura},
	date = {2021-04-20},
	doi = {10.14763/2021.2.1551},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Journal Article/Internet Policy Review/vol. 10/no. 2/Alsindi & Lotti 2021 - Mining [alsindi.etal2021_Mini].pdf},
	issn = {2197-6775},
	journaltitle = {Internet Policy Review},
	number = {2},
	title = {Mining},
	url = {https://policyreview.info/glossary/mining},
	urldate = {2021-11-10},
	volume = {10},
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@article{alsindi.etal2021_Remi,
	abstract = {Longer edition of a piece written for Nascent's Temporal Secessionism Timezone\#4 Source Book, 2021.},
	author = {Alsindi, Wassim Z. and {0x Salon}},
	date = {2021-11-13},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Alsindi & 0x Salon 2021 - Reminiscences of a Clock Operator (Relativistic Version).pdf},
	journaltitle = {0x Salon},
	keywords = {⛔ No DOI found},
	langid = {english},
	title = {Reminiscences of a {{Clock Operator}} ({{Relativistic Version}})},
	url = {https://0xsalon.pubpub.org/pub/jmysxacr/release/3},
	urldate = {2022-05-11},
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@article{alsindi.etal2022_Bcoi,
	abstract = {Governance of Decentralized Systems: What is the price of anarchy in Bitcoin's agora?},
	author = {Alsindi, Wassim Z. and Greenwood, Dazza},
	date = {2022-05-23},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Journal Article/MIT Computational Law Report/Alsindi & Greenwood 2022 - B-coin, Ungovernable [alsindi.etal2022_Bcoi].pdf},
	journaltitle = {MIT Computational Law Report},
	keywords = {⛔ No DOI found},
	langid = {english},
	title = {B-Coin, {{Ungovernable}}?},
	url = {https://law.mit.edu/pub/ideaflow14/release/4},
	urldate = {2022-06-29},
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@article{amoore2018_Clou,
	abstract = {The architecture of cloud computing is becoming ever more closely intertwined with geopolitics \textendash{} from the sharing of intelligence data, to border controls, immigration decisions, and drone strikes. Developing an analogy with the cloud chamber of early twentieth century particle physics, this paper explores the geography of the cloud in cloud computing. It addresses the geographical character of cloud computing across two distinct paradigms. The first, `Cloud I' or a geography of cloud forms, is concerned with the identification and spatial location of data centres where the cloud is thought to materialize. Here the cloud is understood within a particular history of observation, one where the apparently abstract and obscure world can be brought into vision and rendered intelligible. In the second variant, `Cloud II' or the geography of a cloud analytic, the cloud is a bundle of experimental algorithmic techniques acting upon the threshold of perception itself. Like the cloud chamber of the twentieth century, contemporary cloud computing is concerned with rendering perceptible and actionable that which would otherwise be beyond the threshold of human observation. The paper proposes three elements of correlative cloud reasoning, suggesting their significance for our geopolitical present: condensing traces; discovering patterns; and archiving the future.},
	author = {Amoore, Louise},
	date = {2018-02-01},
	doi = {10.1177/0309132516662147},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Amoore 2018 - Cloud geographies.pdf},
	issn = {0309-1325},
	journaltitle = {Progress in Human Geography},
	keywords = {algorithm,cloud,computing,data,geopolitics},
	langid = {english},
	number = {1},
	pages = {4--24},
	publisher = {{SAGE Publications Ltd}},
	shortjournal = {Progress in Human Geography},
	shorttitle = {Cloud Geographies},
	title = {Cloud Geographies: {{Computing}}, Data, Sovereignty},
	url = {https://doi.org/10.1177/0309132516662147},
	urldate = {2022-03-14},
	volume = {42},
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@article{amsler2018_Orga,
	abstract = {This article presents a report on the international conference `Beyond University: Critical, Emancipatory and Solidarist Endeavors', organised by the Kocaeli Dayan\i\c{s}ma Akademisi (Kocaeli Academy for Solidarity) in Kocaeli, Turkey on 30-31 March 2018. At the time of writing, its organisers and many of their colleagues and students remain dismissed from their university positions and under threat of state violence and repression. They are also, however, active in organising autonomous higher education courses and research in the interest of advancing intellectual, social and ecological emancipation in Turkey and beyond. This work is important not only within Turkey, but also for ongoing transnational debates about the geography and nature of struggles for a liberatory higher education, as well as the radical imagination of what else the university is and can be.},
	author = {Amsler, Sarah},
	date = {2018-07-26},
	doi = {10.31269/triplec.v16i2.1042},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Journal Article/tripleC- Communication, Capitalism & Critique/vol. 16/no. 2/Amsler 2018 - Organising an Alternative University [amsler2018_Orga].pdf},
	issn = {1726-670X},
	journaltitle = {tripleC: Communication, Capitalism \& Critique},
	keywords = {academic labour,Academics for Peace,alternative academy,university politics},
	langid = {american},
	number = {2},
	pages = {775--781},
	shorttitle = {Organising an {{Alternative University}}},
	title = {Organising an {{Alternative University}}: {{A Reflection}} on the {{Conference}} `{{Critical}}, {{Emancipatory}} and {{Solidarist Endeavors}}'},
	url = {https://www.triple-c.at/index.php/tripleC/article/view/1042},
	urldate = {2022-06-29},
	volume = {16},
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@incollection{andersen.etal2015_Aest,
	abstract = {James Bridle, who first introduced the term `new aesthetic', provides a number of examples of associated cultural practices and phenomena on his Tumblr blog (Bridle 2011\textendash ). Through the images of how pixels are used in the design of T-shirts, of 3D prints that visualize how Microsoft Kinect sees a player, and satellite photos of agricultural fields appearing as mosaics, the examples point to the side effects of technology. Such cultural practices and phenomena are often brought about by cheap gadgets and services, and produce a new and positive sense of beauty, almost at the fringe of kitsch and banality (Figure 21.1).},
	author = {Andersen, Christian Ulrik and Pold, S\o ren Bro},
	booktitle = {Postdigital {{Aesthetics}} : {{Art}}, {{Computation}} and {{Design}}},
	date = {2015},
	doi = {10.1057/9781137437204_21},
	editor = {Berry, David M. and Dieter, Michael},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/Postdigital Aesthetics - Art, Computation and Design/Andersen & Pold 2015 - 21 Aesthetics of the Banal [andersen.etal2015_Aest].pdf},
	isbn = {978-1-137-43720-4},
	keywords = {Critical Theory,Digital Revolution,Engaging Experience,Interface Culture,Materialist Dialectic},
	langid = {english},
	location = {{London}},
	pages = {271--288},
	publisher = {{Palgrave Macmillan UK}},
	shorttitle = {Aesthetics of the {{Banal}}},
	title = {Aesthetics of the {{Banal}} - '{{New Aesthetics}}' in an {{Era}} of {{Diverted Digital Revolutions}}},
	url = {https://doi.org/10.1057/9781137437204_21},
	urldate = {2022-06-28},
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@article{anderson2020_WhyS,
	author = {Anderson, Luvell},
	date = {2020-11-03},
	doi = {10.1111/josp.12384},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Anderson 2020 - Why so serious.pdf},
	issn = {0047-2786, 1467-9833},
	journaltitle = {Journal of Social Philosophy},
	langid = {english},
	pages = {josp.12384},
	shortjournal = {J Soc Philos},
	shorttitle = {Why so Serious?},
	title = {Why so Serious? {{An}} Inquiry on Racist Jokes},
	url = {https://onlinelibrary.wiley.com/doi/10.1111/josp.12384},
	urldate = {2021-11-23},
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@article{andersson2012_Ther,
	abstract = {The article discusses the concept of ``the alternative'' and the media through four sections. The first section discusses neoliberalism and the connection between neoliberal doctrine and mainstream media. This connection is described as promoting ``public amnesia'', financialization and economization of news journalism, and social divide. The second section discusses alternative media from the perspective of new social movements and symbolic resistance, claiming that the symbolic resistance framework undermines the critical potential of alternative media. The third section comments on some recent critical literature on neoliberalism and capitalism. The fourth section takes examples from artistic explorations of capitalism and television to propose how a media of the alternative might learn from art practices.},
	author = {Andersson, Linus},
	date = {2012-10-10},
	doi = {10.31269/triplec.v10i2.357},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Journal Article/tripleC- Communication, Capitalism & Critique/vol. 10/no. 2/Andersson 2012 - There is No Alternative [andersson2012_Ther].pdf},
	issn = {1726-670X},
	journaltitle = {tripleC: Communication, Capitalism \& Critique},
	keywords = {alternative media,critical theory,neoliberalism},
	langid = {english},
	number = {2},
	pages = {752--764},
	shorttitle = {There Is {{No Alternative}}},
	title = {There Is {{No Alternative}}: {{The Critical Potential}} of {{Alternative Media}} in the {{Face}} of {{Neoliberalism}}.},
	url = {https://www.triple-c.at/index.php/tripleC/article/view/357},
	urldate = {2022-06-29},
	volume = {10},
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@incollection{andersson2018_Ackn,
	booktitle = {Postscript},
	date = {2018},
	editor = {ANDERSSON, ANDREA},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/Postscript/Acknowledgments [andersson2018_Ackn].pdf},
	isbn = {978-1-4426-4984-2},
	pages = {ix-x},
	publisher = {{University of Toronto Press}},
	series = {Writing {{After Conceptual Art}}},
	title = {Acknowledgments},
	url = {https://www.jstor.org.ezproxy.pratt.edu:2048/stable/10.3138/j.ctvvnfbx.3},
	urldate = {2022-06-29},
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@incollection{andersson2018_Bibl,
	booktitle = {Postscript},
	date = {2018},
	editor = {ANDERSSON, ANDREA},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/Postscript/Bibliography [andersson2018_Bibl].pdf},
	isbn = {978-1-4426-4984-2},
	pages = {387--408},
	publisher = {{University of Toronto Press}},
	series = {Writing {{After Conceptual Art}}},
	title = {Bibliography},
	url = {https://www.jstor.org.ezproxy.pratt.edu:2048/stable/10.3138/j.ctvvnfbx.36},
	urldate = {2022-06-29},
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@incollection{andersson2018_Fron,
	booktitle = {Postscript},
	date = {2018},
	editor = {ANDERSSON, ANDREA},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/Postscript/Front Matter [andersson2018_Fron].pdf},
	isbn = {978-1-4426-4984-2},
	pages = {i-iv},
	publisher = {{University of Toronto Press}},
	series = {Writing {{After Conceptual Art}}},
	title = {Front {{Matter}}},
	url = {https://www.jstor.org.ezproxy.pratt.edu:2048/stable/10.3138/j.ctvvnfbx.1},
	urldate = {2022-06-29},
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@incollection{andersson2018_Inde,
	booktitle = {Postscript},
	date = {2018},
	editor = {ANDERSSON, ANDREA},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/Postscript/Index [andersson2018_Inde].pdf},
	isbn = {978-1-4426-4984-2},
	pages = {409--416},
	publisher = {{University of Toronto Press}},
	series = {Writing {{After Conceptual Art}}},
	title = {Index},
	url = {https://www.jstor.org.ezproxy.pratt.edu:2048/stable/10.3138/j.ctvvnfbx.37},
	urldate = {2022-06-29},
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@incollection{andersson2018_IToo,
	abstract = {In 1969 when asked by Belgian publisher and art dealer Richard Lucas, ``why he had just written a book?'' the artist Marcel Broodthaers began, ``To write dedications \ldots '' Having abandoned his professional life as a poet in 1964 to become an artist, Broodthaers was particularly sensitive to the categorical conventions that code a piece of writing. His sculptural work Pense-B\^ete, shown in his first exhibition at the Galerie Saint-Laurent in Brussels, consisted of fifty remaindered copies of his book of poetry by the same name, still dressed in original wrapping paper, but assembled together in a base of plaster and},
	author = {Andersson, Andrea},
	booktitle = {Postscript : {{Writing After Conceptual Art}}},
	date = {2018-12-03},
	doi = {10.3138/9781442621015-003},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/Postscript- Writing After Conceptual Art/Andersson 2018 - “I, too, wondered …” [andersson2018_IToo].pdf},
	isbn = {978-1-4426-2101-5},
	langid = {english},
	pages = {3--26},
	publisher = {{University of Toronto Press}},
	shorttitle = {``{{I}}, Too, Wondered \ldots ''},
	title = {``{{I}}, Too, Wondered \ldots '': {{An Introduction}} to {{Conceptual Writing}} after {{Conceptual Art}}},
	url = {https://www.jstor.org.ezproxy.pratt.edu:2048/stable/10.3138/j.ctvvnfbx.5},
	urldate = {2022-07-04},
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@book{andersson2018_Post,
	abstract = {Postscript is the first collection of writings on the subject of conceptual writing by a diverse field of scholars in the realms of art, literature, media, as well as the artists themselves},
	date = {2018},
	editor = {Andersson, Andrea},
	eprint = {10.3138/j.ctvvnfbx},
	eprinttype = {jstor},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book/Andersson 2018 - Postscript [andersson2018_Post].pdf},
	isbn = {978-1-4426-4984-2},
	publisher = {{University of Toronto Press}},
	shorttitle = {Postscript},
	title = {Postscript: {{Writing After Conceptual Art}}},
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@incollection{andersson2018_Tabl,
	booktitle = {Postscript},
	date = {2018},
	editor = {ANDERSSON, ANDREA},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/Postscript/Table of Contents [andersson2018_Tabl].pdf},
	isbn = {978-1-4426-4984-2},
	pages = {v-viii},
	publisher = {{University of Toronto Press}},
	series = {Writing {{After Conceptual Art}}},
	title = {Table of {{Contents}}},
	url = {https://www.jstor.org.ezproxy.pratt.edu:2048/stable/10.3138/j.ctvvnfbx.2},
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@incollection{anderssonuntitled,
	editor = {Andersson, Andrea}}

@article{andreasen.etal2020_Intr,
	author = {Andreasen, Torsten and Frantzen, Mikkel Krause and Tygstrup, Frederik},
	date = {2020-11-20},
	doi = {10.7146/nja.v29i60.122836},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Journal Article/The Nordic Journal of Aesthetics/vol. 29/no. 60/Andreasen & Frantzen et al. 2020 - Introduction [andreasen.etal2020_Intr].pdf},
	issn = {2000-9607},
	issue = {60},
	journaltitle = {The Nordic Journal of Aesthetics},
	langid = {english},
	number = {60},
	pages = {4--9},
	shorttitle = {Introduction},
	title = {Introduction: {{Aesthetics}} of {{Finance}}},
	url = {https://tidsskrift.dk/nja/article/view/122836},
	urldate = {2022-02-17},
	volume = {29},
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@article{andrejevic2015_Pers,
	abstract = {This perspective intervenes in the discussion of value generation on social networking sites by focusing on the role played by the collection and use of personal data. It argues, with Fuchs (2012), that the paradigm of user labor remains a useful way for approaching the issue of user generated content. In response to Arvidsson and Colleoni (2012), it suggests that the value of ``data troves'' better explains the discrepancy between valuation and revenue than the hypothesis of the direct transformation of users' affective investment into financial rent. Finally, it advances the discussion by considering the challenge posed by new forms of data processing and collection for arguments regarding labor's ability to appropriate forms of socialized knowledge.},
	annotation = {\_eprint: https://doi.org/10.1080/01972243.2015.977625},
	author = {Andrejevic, Mark},
	date = {2015-01-01},
	doi = {10.1080/01972243.2015.977625},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Journal Article/The Information Society/vol. 31/no. 1/Andrejevic 2015 - Personal Data [andrejevic2015_Pers].pdf},
	issn = {0197-2243},
	journaltitle = {The Information Society},
	keywords = {exploitation,Facebook,labor,social networking,value},
	number = {1},
	pages = {5--12},
	publisher = {{Routledge}},
	shorttitle = {Personal {{Data}}},
	title = {Personal {{Data}}: {{Blind Spot}} of the "{{Affective Law}} of {{Value}}"?},
	url = {https://doi.org/10.1080/01972243.2015.977625},
	urldate = {2022-02-28},
	volume = {31},
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@incollection{andrejevic2016_Paci,
	abstract = {Once upon a time, not long ago, music served as the paradigmatic example of the disruptive potential of digital media technologies. At the turn of the new millennium, file sharing came to stand as the paradigmatic example of emerging forms of bottom-up participation that sub\-verted the top-down, market-driven tactics of marketers, producers, and the culture industry more broadly. Product managers at Microsoft, working away on software to play MP3 files, proclaimed, for example, that "We really are in the middle of a digital media revolution.\ldots{} We have learned that people are not just using their computers for productivity." Participating meant},
	author = {Andrejevic, Mark},
	booktitle = {The {{Participatory Condition}} in the {{Digital Age}}},
	date = {2016},
	editor = {Barney, Darin and Coleman, Gabriella and Ross, Christine and Sterne, Jonathan and Tembeck, Tamar},
	editorb = {Hayles, N. Katherine and Krapp, Peter and Raley, Rita and Weber, Samuel},
	editorbtype = {redactor},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/The Participatory Condition in the Digital Age/Andrejevic 2016 - The Pacification of Interactivity [andrejevic2016_Paci].pdf},
	isbn = {978-0-8166-9771-7},
	pages = {187--206},
	publisher = {{University of Minnesota Press}},
	title = {The {{Pacification}} of {{Interactivity}}},
	url = {https://www.jstor.org.ezproxy.pratt.edu:2048/stable/10.5749/j.ctt1ggjkfg.13},
	urldate = {2022-06-29},
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@book{angerer.etal2014_Timi,
	abstract = {Affect, or the process by which emotions come to be embodied, is a burgeoning area of interest in both the humanities and the sciences. For Timing of Affect, Marie-Luise Angerer, Bernd B\"osel, and Michaela Ott have assembled leading scholars to explore the temporal aspects of affect through the perspectives of philosophy, music, film, media, and art, as well as technology and neurology. The contributions address possibilities for affect as a capacity of the body; as an anthropological inscription and a primary, ontological conjunctive and disjunctive processes; as an interruption of chains of stimulus and response; and as an arena within cultural history for political, media, and psychopharmacological interventions. Showing how these and other temporal aspects of affect are articulated both throughout history and in contemporary society, the editors then explore the implications for the current knowledge structures surrounding affect today.},
	date = {2014-11},
	editor = {Angerer, Marie-Luise and B\"osel, Bernd and Ott, Michaela},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book/Angerer & Bösel et al. 2014 - Timing of Affect [angerer.etal2014_Timi].pdf},
	isbn = {978-3-03734-669-3},
	keywords = {Aesthetics--Congresses,Affect (Psychology)--Congresses,Emotions (Philosophy)--Congresses,Emotions--Social aspects--Congresses,Knowledge; Theory of--Congresses,Process philosophy--Congresses,SOCIAL SCIENCE / Gender Studies,SOCIAL SCIENCE / General},
	langid = {english},
	location = {{Z\"urich}},
	pagetotal = {344},
	publisher = {{Diaphanes}},
	shorttitle = {Timing of {{Affect}}},
	title = {Timing of {{Affect}}: {{Epistemologies}} of {{Affection}}},
	url = {https://login.ezproxy.pratt.edu/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=e000xna&AN=1048250&site=eds-live&scope=site},
	urldate = {2022-06-30},
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@article{aouragh2012_Soci,
	abstract = {This article discusses the socio-political implications of user-generated applications and platforms through the prism of the Arab revolutions. Popular postmodern conceptualisations such as (post-nation state) network societies, (post-class) immaterial economies and (horizontal) political resistance through multitudes requires rigorous reassessment in the aftermath of the events in the MENA. Although the revolutions have led to a resurgence of debates about the power of new media, such arguments (or rather assertions) are echoes of earlier suggestions related to peculiar fetishisations of ICT in general and social media in particular. The point of my critique is not to deny the social and political usefulness of new media but to examine the pros and cons of the internet. I tackle the juxtaposition of the internet and political activism through the Marxist concept Mediation and investigate how the social, political and cultural realms of capitalism (superstructure) are both conditioned by and react upon the political-economic base. This helps us to understand structural factors such as ICT ownership (political-economic decision making of social media); while deconstructing the effect of cultural hegemony disseminated through mass media. It also overcomes an unfortunate weakness of some ``academic Marxism'' (an overwhelming focus on theory) by anchoring the theoretical arguments in an anthropological approach},
	author = {Aouragh, Miriyam},
	date = {2012-05-25},
	doi = {10.31269/triplec.v10i2.416},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Journal Article/tripleC- Communication, Capitalism & Critique/vol. 10/no. 2/Aouragh 2012 - Social Media, Mediation and the Arab Revolutions [aouragh2012_Soci].pdf},
	issn = {1726-670X},
	journaltitle = {tripleC: Communication, Capitalism \& Critique},
	langid = {english},
	number = {2},
	pages = {518--536},
	title = {Social {{Media}}, {{Mediation}} and the {{Arab Revolutions}}},
	url = {https://www.triple-c.at/index.php/tripleC/article/view/416},
	urldate = {2022-06-29},
	volume = {10},
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@article{appadurai2011_Ghos,
	abstract = {This essay argues that Max Weber's ideas on calculation, magic, and methodicality constitute important resources for understanding key aspects of the recent global financial meltdown.},
	author = {Appadurai, Arjun},
	date = {2011-09-01},
	doi = {10.1215/08992363-1336399},
	issn = {0899-2363},
	issue = {3 (65)},
	journaltitle = {Public Culture},
	pages = {517--539},
	shortjournal = {Public Culture},
	title = {The {{Ghost}} in the {{Financial Machine}}},
	url = {https://doi.org/10.1215/08992363-1336399},
	urldate = {2022-05-10},
	volume = {23}}

@book{appadurai2015_Bank,
	abstract = {In this provocative look at one of the most important events of our time, renowned scholar Arjun Appadurai argues that the economic collapse of 2008\textemdash while indeed spurred on by greed, ignorance, weak regulation, and irresponsible risk-taking\textemdash was, ultimately, a failure of language. To prove this sophisticated point, he takes us into the world of derivative finance, which has become the core of contemporary trading and the primary target of blame for the collapse and all our subsequent woes. With incisive argumentation, he analyzes this challengingly technical world, drawing on thinkers such as J. L. Austin, Marcel Mauss, and Max Weber as theoretical guides to showcase the ways language\textemdash and particular failures in it\textemdash paved the way for ruin. ~~~~~~~~~~~ Appadurai moves in four steps through his analysis. In the first, he highlights the importance of derivatives in contemporary finance, isolating them as the core technical innovation that markets have produced. In the second, he shows that derivatives are essentially written contracts about the future prices of assets\textemdash they are, crucially, a promise. Drawing on Mauss's The Gift and Austin's theories on linguistic performatives, Appadurai, in his third step, shows how the derivative exploits the linguistic power of the promise through the special form that money takes in finance as the most abstract form of commodity value. Finally, he pinpoints one crucial feature of derivatives (as seen in the housing market especially): that they can make promises that other promises will be broken. He then details how this feature spread contagiously through the market, snowballing into the systemic liquidity crisis that we are all too familiar with now.~ ~~~~~~~~~~~ With his characteristic clarity, Appadurai explains one of the most complicated\textemdash and yet absolutely central\textemdash aspects of our modern economy. He makes the critical link we have long needed to make: between the numerical force of money and the linguistic force of what we say we will do with it.},
	author = {Appadurai, Arjun},
	date = {2015-11},
	doi = {10.7208/chicago/9780226318806.001.0001},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Appadurai 2015 - Banking on Words.pdf},
	isbn = {978-0-226-31877-6},
	keywords = {2008,academic,america,american history,analysis,argument,communication,contemporary,contract,day trader,depression,economic,finance,housing,inequality,language,learning,linguistics,media studies,modern,money,nyu,performative,scholarly,school,social,stock market,stocks,student,talking,teacher,technical,textbook,theoretical,theory,trading,united states},
	langid = {english},
	location = {{Chicago, IL}},
	pagetotal = {176},
	publisher = {{University of Chicago Press}},
	shorttitle = {Banking on {{Words}}},
	title = {Banking on {{Words}}: {{The Failure}} of {{Language}} in the {{Age}} of {{Derivative Finance}}},
	url = {https://press.uchicago.edu/ucp/books/book/chicago/B/bo22228827.html},
	urldate = {2022-03-28},
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@incollection{apperley2015_Glit,
	abstract = {Minecraft (Mojang 2011) is a mysterious game; it seems odd; its pixelated aesthetic seems out of place in a world where digital games are often characterized and judged by incremental increases in verisimilitude. It is not just that it looks odd, weird and blocky; the question is how do you play it? It is not immediately clear. What is clear is that the game is a hit, a hit big enough to be the theme of the South Park episode `Informative Murder Porn'.1 Naturally, the episode is about how unfamiliar Minecraft is for the adults of South Park. Corey Lanskin is hired to teach the adults how to play, he describes it as a game without an objective or goal, that is just about building. From the outside, his description is about right, although the experience of playing Minecraft is far from dull. It is a game that keeps on attracting players; by June 2014, nearly 54 million copies had been sold across all platforms. On the PC it has outstripped the sales of The Sims (EA Games 1999) franchise to become the biggest-selling PC game of all time (Campbell 2014). Its success brought it and the small Swedish independent company that made it \textemdash{} Stockholm-based Mojang \textemdash{} to the attention of Microsoft, which purchased Mojang and its intellectual property for \$2.5 billion on 15 September 2014 (Peckham 2014). In the postdigital age, blocks and pixels are worth serious money.},
	author = {Apperley, Thomas},
	booktitle = {Postdigital {{Aesthetics}} : {{Art}}, {{Computation}} and {{Design}}},
	date = {2015},
	doi = {10.1057/9781137437204_18},
	editor = {Berry, David M. and Dieter, Michael},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/Postdigital Aesthetics - Art, Computation and Design/Apperley 2015 - 18 Glitch Sorting [apperley2015_Glit].pdf},
	isbn = {978-1-137-43720-4},
	keywords = {Digital Game,Digital Medium,Game Environment,Game World,Social Medium},
	langid = {english},
	location = {{London}},
	pages = {232--244},
	publisher = {{Palgrave Macmillan UK}},
	shorttitle = {Glitch {{Sorting}}},
	title = {Glitch {{Sorting}}: {{Minecraft}}, {{Curation}} and the {{Postdigital}}},
	url = {https://doi.org/10.1057/9781137437204_18},
	urldate = {2022-06-28},
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@book{apprich.etal2013_Prov,
	abstract = {F\'elix Guattari's visionary term `post-media', coined in 1990, heralded a break with mass media's production of conformity and the dawn of a new age of media from below. Understanding how digital convergence was remaking television, film, radio, print and telecommunications into new, hybrid forms, he advocated the production of `enunciative assemblages' that break with the manufacture of normative subjectivities. In this anthology, historical texts are brought together with newly commissioned ones to explore the shifting ideas, speculative horizons and practices associated with post-media. In particular, the book seeks to explore what post-media practice might be in light of the commodification and homogenisation of digital networks in the age of Web 2.0, e-shopping and mass surveillance.},
	annotation = {Accepted: 2020-07-30T09:31:19Z},
	date = {2013},
	doi = {10.25969/mediarep/14021},
	editor = {Apprich, Clemens and Slater, Josephine Berry and Iles, Anthony and Schultz, Oliver Lerone},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Apprich et al. 2013 - Provocative Alloys.pdf},
	isbn = {978-1-906496-94-4},
	langid = {english},
	publisher = {{Mute}},
	shorttitle = {Provocative {{Alloys}}},
	title = {Provocative {{Alloys}}: {{A Post-Media Anthology}}},
	url = {https://mediarep.org/handle/doc/14977},
	urldate = {2022-06-13},
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@book{apprich.etal2018_Patt,
	abstract = {Algorithmic identity politics reinstate old forms of social segregation\textemdash in a digital world, identity politics is pattern discrimination. It is by recognizing patterns in input data that Artificial Intelligence algorithms create bias and practice racial exclusions thereby inscribing power relations into media. How can we filter information out of data without reinserting racist, sexist, and classist beliefs?},
	author = {Apprich, Clemens and Cramer, Florian and Chun, Wendy Hui Kyong and Steyerl, Hito},
	date = {2018},
	doi = {10.14619/1457},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Apprich et al 2018 - Pattern Discrimination.pdf},
	isbn = {978-3-95796-145-7},
	langid = {english},
	location = {{Minneapolis / L\"uneburg}},
	pagetotal = {124},
	publisher = {{University of Minnesota Press and meson press}},
	series = {In {{Search}} of {{Media}}},
	title = {Pattern {{Discrimination}}},
	url = {https://meson.press/books/pattern-discrimination/},
	bdsk-file-1 = {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}}

@book{apter.etal1993_Feti,
	date = {1993},
	editor = {Apter, Emily S. and Pietz, William},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Apter & Pietz 1993 - Fetishism as cultural discourse.pdf},
	langid = {english},
	location = {{Ithaca, N.Y.}},
	pagetotal = {xi, 393 pages},
	publisher = {{Cornell University Press}},
	title = {Fetishism as Cultural Discourse},
	url = {http://catalog.hathitrust.org/api/volumes/oclc/26591555.html},
	urldate = {2022-02-23},
	bdsk-file-1 = {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}}

@incollection{apter2020_Tran,
	author = {Apter, Emily},
	booktitle = {The {{Concept}} in {{Crisis}} : {{Reading Capital Today}}},
	date = {2020-12-31},
	doi = {10.1515/9780822372905-005},
	editor = {Nesbitt, Nick},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/The Concept in Crisis - Reading Capital Today/Apter 2020 - 3 Translation and Event [apter2020_Tran].pdf},
	isbn = {978-0-8223-7290-5},
	pages = {49--69},
	publisher = {{Duke University Press}},
	shorttitle = {Translation and {{Event}}},
	title = {Translation and {{Event}}: {{Rereading Reading Capital}}},
	url = {https://www.degruyter.com/document/doi/10.1515/9780822372905-005/html},
	urldate = {2022-06-29},
	bdsk-file-1 = {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}}

@book{aristotle.etal1958_Poli,
	author = {Aristotle and Barker, Ernest},
	date = {1958},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Aristotle & Barker 1958 - The politics of Aristotle.pdf},
	keywords = {Political science},
	location = {{New York}},
	pagetotal = {411},
	publisher = {{Oxford University Press}},
	title = {The Politics of {{Aristotle}}},
	bdsk-file-1 = {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}}

@book{arkenbout.etal2021_Crit,
	date = {2021},
	editor = {Arkenbout, Chlo\"e and Wilson, Jack and de Zeeuw, Daniel},
	isbn = {978-94-92302-76-2},
	langid = {english},
	options = {useprefix=true},
	publisher = {{Institute of Network Cultures}},
	shorttitle = {Critical Meme Reader},
	title = {Critical Meme Reader: Global Mutations of the Viral Image}}

@article{aronowsky2021_GasG,
	abstract = {This article tells the story of the oil and gas origins of the Gaia hypothesis, the theory that the Earth is a homeostatic system. It shows how Gaia's key assumption\textemdash that the climate is a fundamentally stable system, able to withstand perturbations\textemdash emerged as a result of a collaboration between the theory's progenitor, James Lovelock, and Royal Dutch Shell in response to Shell's concerns about the effects of its products on the climate. The article explains how Lovelock elaborated the Gaia hypothesis and gave it evidential depth through a series of Royal Dutch Shell-funded research projects meant to identify organisms whose biological activities might double as climate-regulating mechanisms. The article goes on to show how this research subsequently laid the foundation for a distinct genre of climate change denialism, in which corporations sowed doubt not by denying the phenomenon of global warming but by naturalizing it.},
	author = {Aronowsky, Leah},
	date = {2021-01-02},
	doi = {10.1086/712129},
	file = {/Users/daniel/Zotero/storage/9GJXCQXH/Aronowsky 2021 - Gas Guzzling Gaia, or A Prehistory of Climate Change Denialism.pdf},
	issn = {0093-1896},
	journaltitle = {Critical Inquiry},
	number = {2},
	pages = {306--327},
	publisher = {{The University of Chicago Press}},
	shorttitle = {Gas {{Guzzling Gaia}}, Or},
	title = {Gas {{Guzzling Gaia}}, or: {{A Prehistory}} of {{Climate Change Denialism}}},
	url = {https://www.journals.uchicago.edu/doi/full/10.1086/712129},
	urldate = {2021-12-23},
	volume = {47},
	bdsk-file-1 = {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}}

@article{artz2012_21st,
	abstract = {The  Bolivarian Revolution in Venezuela has built mass organizations of  workers and communities that have erratically challenged class and  market relations\textemdash verifying that taking political power is difficult but  essential to fundamental social change and that capitalist cultural  practices complicate the revolutionary process. This work identifies  components of state power, separating state apparatus (government) as a  crucial site for instituting social change. The case of democratic,  participatory communication and public media access is presented as  central to the successes and problems of Venezuelan 21st century  socialism. Drawing on field research in community media in Caracas, the  essay highlights some of the politico-cultural challenges and class  contradictions in producing and distributing cultural values and social  practices for a new socialist hegemony necessary for fundamental social  change.},
	author = {Artz, Lee},
	date = {2012-05-25},
	doi = {10.31269/triplec.v10i2.405},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Journal Article/tripleC- Communication, Capitalism & Critique/vol. 10/no. 2/Artz 2012 - 21st Century Socialism [artz2012_21st].pdf},
	issn = {1726-670X},
	journaltitle = {tripleC: Communication, Capitalism \& Critique},
	keywords = {class,class conflict,community media,culture,hegemony,participatory communication,public media,revolution,social change,state,state power},
	langid = {english},
	number = {2},
	pages = {537--554},
	shorttitle = {21st {{Century Socialism}}},
	title = {21st {{Century Socialism}}: {{Making}} a {{State}} for {{Revolution}}},
	url = {https://www.triple-c.at/index.php/tripleC/article/view/405},
	urldate = {2022-06-29},
	volume = {10},
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@article{arvidsson2007_Crea,
	abstract = {This article offers an alternative to Richard Florida's theory of the creative class. Departing form a study of contemporary practices within the Copenhagen advertising industry, I argue that the salaried advertising professionals that fit Florida's definition of the creative class are not the primary producers of creativity. Rather they owe their class position to their ability to poach and appropriate creativity produced elsewhere, in networks of (mostly) unsalaried immaterial production that unfold in the urban environment. In my study, the creative content of advertising was mostly produced by this `creative proletariat', while salaried advertising professionals mostly functioned as a sort of administrative class of the creative economy. Their task was to connect these forms of (relatively) autonomous creative production to the value-circuits of the capitalist economy. Thus, my contribution here is to propose a different model of the interaction between the creative industries and the urban environment, namely one which emphasises the contribution of the unpaid `mass intellectuality' of the urban arts, design, music and fashion scenes.},
	author = {Arvidsson, Adam},
	date = {2007-02},
	editor = {Dowling, Emma and Nunes, Rodrigo and Trott, Ben},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Journal Article/Ephemera- Theory & Politics in Organization/vol. 7/no. 1/Arvidsson 2007 - Creative class or administrative class [arvidsson2007_Crea].pdf},
	issn = {1473-2866},
	journaltitle = {Ephemera: Theory \& Politics in Organization},
	keywords = {⛔ No DOI found},
	langid = {english},
	number = {1},
	pages = {8--23},
	shorttitle = {Creative Class or Administrative Class?},
	title = {Creative Class or Administrative Class? {{On}} Advertising and the 'Underground'},
	url = {http://www.ephemerajournal.org/sites/default/files/7-1caffentzis.pdf},
	volume = {7},
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@book{asad2007_Suic,
	abstract = {Like many people in America and around the world, Talal Asad experienced the events of September 11, 2001, largely through the media and the emotional response of others. For many non-Muslims, "the suicide bomber" quickly became the icon of "an Islamic culture of death" a conceptual leap that struck Asad as problematic. Is there a "religiously-motivated terrorism?" If so, how does it differ from other cruelties? What makes its motivation "religious"? Where does it stand in relation to other forms of collective violence?Drawing on his extensive scholarship in the study of secular and religious traditions as well as his understanding of social, political, and anthropological theory and research, Asad questions Western assumptions regarding death and killing. He scrutinizes the idea of a "clash of civilizations," the claim that "Islamic jihadism" is the essence of modern terror, and the arguments put forward by liberals to justify war in our time. He critically engages with a range of explanations of suicide terrorism, exploring many writers' preoccupation with the motives of perpetrators. In conclusion, Asad examines our emotional response to suicide (including suicide terrorism) and the horror it invokes.On Suicide Bombing is an original and provocative analysis critiquing the work of intellectuals from both the left and the right. Though fighting evil is an old concept, it has found new and disturbing expressions in our contemporary "war on terror." For Asad, it is critical that we remain aware of the forces shaping the discourse surrounding this mode of violence, and by questioning our assumptions about morally good and morally evil ways of killing, he illuminates the fragile contradictions that are a part of our modern subjectivity.},
	annotation = {OCLC: ocm71427045},
	author = {Asad, Talal},
	date = {2007-05-11},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Asad 2007 - On suicide bombing.pdf},
	isbn = {978-0-231-14152-9 978-0-231-51197-1},
	keywords = {Psychological aspects,Psychology,Religious aspects Islam,Suicide bombers,Terrorism,Victims of terrorism},
	location = {{New York}},
	pagetotal = {128},
	publisher = {{Columbia University Press}},
	series = {Wellek {{Library}} Lectures},
	title = {On Suicide Bombing},
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@article{ascher2016_Mone,
	abstract = {In the nineteenth century, Karl Marx wondered how it was possible for the exchange of commodities to generate so much wealth for some and so much misery for the others. A similar question now haunts our discussions of financial markets: how can the expanding trade in financial securities create such extraordinary wealth for the financiers while creating increasing vulnerability for the rest of us? Taking a leaf out of Marx's playbook, I propose in this essay to follow Moneybags to the market and consider what he finds there. In the nineteenth century, Moneybags was able to purchase labor-power at its value while somehow generating more value merely from using it; by the late twentieth century, it appears that Moneybags is similarly able, in all good conscience, to acquire other people's probability\textemdash their ability, that is, to make promises and to be believed\textemdash while somehow becoming more credible in the process.},
	author = {Ascher, Ivan},
	date = {2016-02-01},
	doi = {10.1177/0090591715613387},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Journal Article/Political Theory/vol. 44/no. 1/Ascher 2016 - Moneybags Must Be So Lucky [ascher2016_Mone].pdf},
	issn = {0090-5917},
	journaltitle = {Political Theory},
	keywords = {credit scores,finance,Karl Marx,prediction,securitization},
	langid = {english},
	number = {1},
	pages = {4--25},
	publisher = {{SAGE Publications Inc}},
	shortjournal = {Political Theory},
	shorttitle = {"{{Moneybags Must Be So Lucky}}"},
	title = {"{{Moneybags Must Be So Lucky}}": {{Inside}} the {{Hidden Abode}} of {{Prediction}}},
	url = {https://doi.org/10.1177/0090591715613387},
	urldate = {2022-04-19},
	volume = {44},
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@book{ascher2016_Port,
	abstract = {"As financial markets expand and continue to refashion the world in their own image, the wealth of capitalist societies no longer presents itself, as it did to Karl Marx in the nineteenth century, as a "monstrous collection of commodities." Instead, it appears as an equally monstrous collection of financial securities, and the critique of political economy must proceed accordingly. But what would it mean to write Capital in the twenty-first century? Are we really to believe that risk, rather than labor, is now regarded as the true fount of economic value? Can it truly be the case that the credit relation--at least in the global North--has replaced the wage relation as the key site of exploitation and political struggle? And finally, if precarity is indeed the name of today's proletarian condition, what possible future does it actually portend, what analysis does it require? Through a series of creative substitutions, in Portfolio Society Ivan Ascher extends Marx's critical project in bold and unexpected ways. Ascher not only explains some of the often mystifying processes of contemporary finance, he also invites us to consider what becomes of capitalism itself in those places where the relation of capital to its own future is now mediated by financial markets. In the end, we may find that much has changed and much has not; relations of domination endure, and mystifications abound, but the devil is in the details, and that is where Ascher directs our attention. At once a critique of modern finance and of the societies under its spell, Portfolio Society succeeds in revealing the potential limits of Capital, while reveling still in its limitless potential." -- Publisher's description},
	annotation = {OCLC: 967670332},
	author = {Ascher, Ivan},
	bdsk-file-2 = {/Users/daniel/Documents/Text Repository/ZotFile/Ascher 2016 - Portfolio society.pdf},
	date = {2016-09-10},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Ascher 2016 - Portfolio society.pdf},
	isbn = {978-1-935408-81-9 978-1-935408-83-3},
	keywords = {Capital market,Capitalism,Financial crises,Karl Marx,Securities},
	langid = {english},
	location = {{New York}},
	pagetotal = {191},
	publisher = {{Zone Books}},
	shorttitle = {Portfolio Society},
	title = {Portfolio Society: On the Capitalist Mode of Prediction},
	url = {https://press.princeton.edu/books/ebook/9781935408833/portfolio-society},
	urldate = {2022-04-19}}

@article{asmolov2018_Disc,
	author = {Asmolov, Grigori},
	date = {2018-09-18},
	file = {/Users/daniel/Zotero/storage/79WHUVHQ/Asmolov 2018 - The Disconnective Power of Disinformation Campaigns.pdf},
	issn = {0022-197X},
	journaltitle = {Journal of International Affairs},
	langid = {english},
	number = {1.5},
	pages = {69--76},
	publisher = {{Columbia University}},
	title = {The {{Disconnective Power}} of {{Disinformation Campaigns}}},
	url = {https://kclpure.kcl.ac.uk/portal/en/publications/the-disconnective-power-of-disinformation-campaigns(6b407312-d030-4ba9-bf4c-bc0e0783a413).html},
	urldate = {2021-12-16},
	volume = {71},
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@article{asmolov2019_Effe,
	abstract = {A look at how propaganda has been rewired for the digital age and how this new, ``participatory propaganda'' mediates conflict, manipulates relationships and creates isolation, both online and offline.},
	author = {Asmolov, Gregory},
	date = {2019-08-07},
	doi = {10.21428/7808da6b.833c9940},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Journal Article/Journal of Design and Science/no. 6/Asmolov 2019 - The Effects of Participatory Propaganda [asmolov2019_Effe].pdf;/Users/daniel/Zotero/storage/C4X3K5Q4/Asmolov 2019 - The Effects of Participatory Propaganda From Socialization to Internalization of Conflicts.html},
	journaltitle = {Journal of Design and Science},
	langid = {english},
	number = {6},
	shorttitle = {The {{Effects}} of {{Participatory Propaganda}}},
	title = {The {{Effects}} of {{Participatory Propaganda}}: {{From Socialization}} to {{Internalization}} of {{Conflicts}}},
	url = {https://jods.mitpress.mit.edu/pub/jyzg7j6x/release/2},
	urldate = {2021-12-16},
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@article{asmolov2021_Sofa,
	author = {Asmolov, Gregory},
	date = {2021-09},
	doi = {10.1177/1750635221989568},
	file = {/Users/daniel/Zotero/storage/6PCNKVIQ/Asmolov 2021 - From sofa to frontline The digital mediation and domestication of warfare.pdf},
	issn = {1750-6352},
	journaltitle = {Media, War \& Conflict},
	langid = {english},
	number = {3},
	pages = {342--365},
	publisher = {{SAGE Publications Ltd}},
	shorttitle = {From Sofa to Frontline},
	title = {From Sofa to Frontline: {{The}} Digital Mediation and Domestication of Warfare},
	url = {https://kclpure.kcl.ac.uk/portal/en/publications/from-sofa-to-frontline-the-digital-mediation-and-domestication-of-warfare(5384acb5-2286-49ce-8eab-f76a3778c9c6).html},
	urldate = {2021-12-16},
	volume = {14},
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@movie{atkinson.etal_Nazi,
	abstract = {How Adolf Hitler and the Nazi regime made use of ancient mysticism and occultism to win the war. The Nazi\&apos;s also used occult mind control techniques to brainwash Germans to perceive themselves as the master-race.},
	annotation = {IMDb ID: tt0195938 event-location: United States},
	editor = {Atkinson, Tracy and Baran, Joan and McDowell, Malcolm and Kater, Michael and Padfield, Peter},
	editora = {Shane, Lester Thomas},
	editoratype = {scriptwriter},
	editortype = {director},
	keywords = {nazi occultism,political criminal,reference to adolf hitler,reference to heinrich himmler,totalitarian state},
	publisher = {{Cinnabar Pictures, Discovery Channel}},
	shorttitle = {Nazis},
	title = {Nazis: {{The Occult Conspiracy}}},
	type = {Documentary}}

@book{baber.etal2015_Cons,
	abstract = {This book explores the practical and conceptual implications of the de facto necessity of consensus for development of international environmental law. Juristic democracy emphasizes the role of the citizen rather than the nation-state as the source of legitimacy in international environmental law. It would allow international law to be rooted in local knowledge and grounded in democratic deliberation and consensus. The aim is to construct a global jurisprudence based on collective will formation. Building on concepts presented in two previous books, Deliberative Environmental Politics and Global Democracy and Sustainable Jurisprudence, the authors examine in detail the challenges that consensus poses for a system of juristic democracy. Baber and Bartlett analyze the implications of deliberative consensus for rule-bounded behavior, for the accomplishment of basic governance tasks, and for diversity in a politically divided and culturally plural world. They assess social science findings about the potential of small-group citizen panels to contribute to rationalized consensus, drawing on the extensive research conducted on the use of juries in courts of law. Finally, they analyze the place of juristic democracy in a future ``consensually federal'' system for earth system governance.},
	author = {Baber, Walter F. and Bartlett, Robert V.},
	date = {2015},
	doi = {10.7551/mitpress/9780262028738.001.0001},
	isbn = {978-0-262-02873-8},
	keywords = {Citizens,Consensus,Deliberative,Democracy,Environment,Governance,International Law,Legitimacy,Rules},
	langid = {english},
	pagetotal = {272},
	publisher = {{The MIT Press}},
	shorttitle = {Consensus and {{Global Environmental Governance}}},
	title = {Consensus and {{Global Environmental Governance}}: {{Deliberative Democracy}} in {{Nature}}'s {{Regime}}},
	url = {https://mitpress.universitypressscholarship.com/10.7551/mitpress/9780262028738.001.0001/upso-9780262028738},
	urldate = {2021-11-10}}

@article{back2002_Hash,
	abstract = {CiteSeerX - Document Details (Isaac Councill, Lee Giles, Pradeep Teregowda): Hashcash was originally proposed as a mechanism to throttle systematic abuse of un-metered internet resources such as email, and anonymous remailers in May 1997. Five years on, this paper captures in one place the various applications, improvements suggested and related subsequent publications, and describes initial experience from experiments using hashcash.},
	author = {Back, Adam},
	date = {2002},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Back 2002 - Hashcash - A Denial of Service Counter-Measure.pdf},
	langid = {english},
	title = {Hashcash - {{A Denial}} of {{Service Counter-Measure}}},
	url = {https://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.15.8},
	urldate = {2021-11-03},
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@online{back2013_Bitc,
	author = {Back, Adam},
	date = {2013-04-17},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Back 2013 - Is bitcoin mining environmentally responsible.pdf},
	langid = {english},
	organization = {{Bitcoin Forum}},
	title = {Is Bitcoin Mining Environmentally Responsible?},
	url = {https://bitcointalk.org/index.php?topic=178780.msg1864674#msg1864674},
	urldate = {2021-11-03},
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@incollection{badiou2020_Alth,
	author = {Badiou, Alain},
	booktitle = {The {{Concept}} in {{Crisis}} : {{Reading Capital Today}}},
	date = {2020-12-31},
	doi = {10.1515/9780822372905-003},
	editor = {Nesbitt, Nick},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/The Concept in Crisis - Reading Capital Today/Badiou 2020 - 1 The Althusserian Definition of Theory [badiou2020_Alth].pdf},
	isbn = {978-0-8223-7290-5},
	pages = {21--34},
	publisher = {{Duke University Press}},
	title = {The {{Althusserian Definition}} of "{{Theory}}"},
	url = {https://www.degruyter.com/document/doi/10.1515/9780822372905-003/html},
	urldate = {2022-06-29},
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@article{bailey.etal2021_Phil,
	abstract = {In this article, we describe what cryptocurrency is, how it works, and how it relates to familiar conceptions of and questions about money. We then show how normative questions about monetary policy find new expression in Bitcoin and other cryptocurrencies. These questions can play a role in addressing not just what money is, but what it should be. A guiding theme in our discussion is that progress here requires a mixed approach that integrates philosophical tools with the purely technical results of disciplines like computer science and economics.},
	annotation = {\_eprint: https://onlinelibrary.wiley.com/doi/pdf/10.1111/phc3.12785},
	author = {Bailey, Andrew M. and Rettler, Bradley and Warmke, Craig},
	date = {2021},
	doi = {10.1111/phc3.12785},
	issn = {1747-9991},
	journaltitle = {Philosophy Compass},
	langid = {english},
	number = {11},
	pages = {e12785},
	shorttitle = {Philosophy, Politics, and Economics of Cryptocurrency {{I}}},
	title = {Philosophy, Politics, and Economics of Cryptocurrency {{I}}: {{Money}} without State},
	url = {https://onlinelibrary.wiley.com/doi/abs/10.1111/phc3.12785},
	urldate = {2021-12-21},
	volume = {16}}

@article{bailey.etal2021_Phil-a,
	abstract = {In this article, we identify three key design dimensions along which cryptocurrencies differ \textendash{} privacy, censorship-resistance, and consensus procedure. Each raises important normative issues. Our discussion uncovers new ways to approach the question of whether Bitcoin or other cryptocurrencies should be used as money, and new avenues for developing a positive answer to that question. A guiding theme is that progress here requires a mixed approach that integrates philosophical tools with the purely technical results of disciplines like computer science and economics.},
	annotation = {\_eprint: https://onlinelibrary.wiley.com/doi/pdf/10.1111/phc3.12784},
	author = {Bailey, Andrew M. and Rettler, Bradley and Warmke, Craig},
	date = {2021},
	doi = {10.1111/phc3.12784},
	issn = {1747-9991},
	journaltitle = {Philosophy Compass},
	langid = {english},
	number = {11},
	pages = {e12784},
	shorttitle = {Philosophy, Politics, and Economics of Cryptocurrency {{II}}},
	title = {Philosophy, Politics, and Economics of Cryptocurrency {{II}}: {{The}} Moral Landscape of Monetary Design},
	url = {https://onlinelibrary.wiley.com/doi/abs/10.1111/phc3.12784},
	urldate = {2021-12-21},
	volume = {16}}

@inbook{bajorek2008_Abbr,
	abstract = {Abbreviations was published in Counterfeit Capital on page ix.},
	bookauthor = {Bajorek, Jennifer},
	booktitle = {Counterfeit {{Capital}} : {{Poetic Labor}} and {{Revolutionary Irony}}},
	date = {2008-10-30},
	doi = {10.1515/9780804786805-002},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/Counterfeit Capital - Poetic Labor and Revolutionary Irony/Abbreviations [bajorek2008_Abbr].pdf},
	isbn = {978-0-8047-8680-5},
	langid = {english},
	pages = {ix-xiv},
	publisher = {{Stanford University Press}},
	title = {Abbreviations},
	url = {https://www.degruyter.com/document/doi/10.1515/9780804786805-002/html},
	urldate = {2022-05-13},
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@incollection{bajorek2008_Ackn,
	abstract = {Acknowledgments was published in Counterfeit Capital on page vii.},
	author = {Bajorek, Jennifer},
	booktitle = {Counterfeit {{Capital}} : {{Poetic Labor}} and {{Revolutionary Irony}}},
	date = {2008-10-30},
	doi = {10.1515/9780804786805-001},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/Counterfeit Capital - Poetic Labor and Revolutionary Irony/Bajorek 2008 - Acknowledgments [bajorek2008_Ackn].pdf},
	isbn = {978-0-8047-8680-5},
	langid = {english},
	pages = {vii-viii},
	publisher = {{Stanford University Press}},
	title = {Acknowledgments},
	url = {https://www.degruyter.com/document/doi/10.1515/9780804786805-001/html},
	urldate = {2022-05-13},
	bdsk-file-1 = {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}}

@incollection{bajorek2008_An/e,
	abstract = {Chapter 3. An/economy and Some Others (Accumulation and the Coming Injustice) was published in Counterfeit Capital on page 68.},
	author = {Bajorek, Jennifer},
	booktitle = {Counterfeit {{Capital}} : {{Poetic Labor}} and {{Revolutionary Irony}}},
	date = {2008-10-30},
	doi = {10.1515/9780804786805-006},
	isbn = {978-0-8047-8680-5},
	langid = {english},
	pages = {68--93},
	publisher = {{Stanford University Press}},
	shorttitle = {An/Economy and {{Some Others}}},
	title = {An/Economy and {{Some Others}} ({{Accumulation}} and the {{Coming Injustice}})},
	url = {https://www.degruyter.com/document/doi/10.1515/9780804786805-006/html},
	urldate = {2022-05-13}}

@incollection{bajorek2008_Anim,
	abstract = {Chapter 2. Animadversions (Technics after Capital) was published in Counterfeit Capital on page 42.},
	author = {Bajorek, Jennifer},
	booktitle = {Counterfeit {{Capital}} : {{Poetic Labor}} and {{Revolutionary Irony}}},
	date = {2008-10-30},
	doi = {10.1515/9780804786805-005},
	isbn = {978-0-8047-8680-5},
	langid = {english},
	pages = {42--67},
	publisher = {{Stanford University Press}},
	shorttitle = {Animadversions},
	title = {Animadversions ({{Technics}} after {{Capital}})},
	url = {https://www.degruyter.com/document/doi/10.1515/9780804786805-005/html},
	urldate = {2022-05-13}}

@inbook{bajorek2008_Cont,
	abstract = {Contents was published in Counterfeit Capital on page v.},
	bookauthor = {Bajorek, Jennifer},
	booktitle = {Counterfeit {{Capital}} : {{Poetic Labor}} and {{Revolutionary Irony}}},
	date = {2008-10-30},
	doi = {10.1515/9780804786805-toc},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/Counterfeit Capital - Poetic Labor and Revolutionary Irony/Contents [bajorek2008_Cont].pdf},
	isbn = {978-0-8047-8680-5},
	langid = {english},
	pages = {v-vi},
	publisher = {{Stanford University Press}},
	title = {Contents},
	url = {https://www.degruyter.com/document/doi/10.1515/9780804786805-toc/html},
	urldate = {2022-05-13},
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@book{bajorek2008_Coun,
	abstract = {Counterfeit Capital is a comparative and interdisciplinary study exploring the unexpected yet essential relationship between irony and capital in the texts of Baudelaire and Marx. It argues for the renewed relevance of their work to contemporary thinking about the place of aesthetic and cultural experience in social and political life and articulates their poetic and philosophical innovations with their political statements in new and powerful ways. Through readings of Baudelaire's poetry and prose and Marx's Capital, this book illuminates their ongoing contribution to our understanding of themes and topics at the forefront of contemporary theoretical debate, including the effects of new technologies on the means of human action and transformation and the prospects for community and memory under capitalism. This book also revisits Walter Benjamin's interpretations of the philosopher and the poet. Rereading Baudelaire and Marx together with the unplumbed lessons of Benjamin's interpretations, it contributes to a growing body of interdisciplinary scholarship on the political dimensions and effects of language and to the current rethinking, in Marxist and post-Marxist theory, of conceptions of political time and agency.},
	author = {Bajorek, Jennifer},
	date = {2008-10-30},
	doi = {10.1515/9780804786805},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book/Bajorek 2008 - Counterfeit Capital [bajorek2008_Coun].pdf},
	isbn = {978-0-8047-5824-6 978-0-8047-8680-5},
	keywords = {Capitalism in literature,Irony in literature,LITERARY CRITICISM / European / General},
	langid = {english},
	location = {{Palo Alto}},
	pagetotal = {160},
	publisher = {{Stanford University Press}},
	shorttitle = {Counterfeit {{Capital}}},
	title = {Counterfeit {{Capital}}: {{Poetic Labor}} and {{Revolutionary Irony}}},
	url = {https://login.ezproxy.pratt.edu/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=e000xna&AN=713367&site=eds-live&scope=site},
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@inbook{bajorek2008_Fron,
	abstract = {Frontmatter was published in Counterfeit Capital on page i.},
	bookauthor = {Bajorek, Jennifer},
	booktitle = {Counterfeit {{Capital}} : {{Poetic Labor}} and {{Revolutionary Irony}}},
	date = {2008-10-30},
	doi = {10.1515/9780804786805-fm},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/Counterfeit Capital - Poetic Labor and Revolutionary Irony/Frontmatter [bajorek2008_Fron].pdf},
	isbn = {978-0-8047-8680-5},
	langid = {english},
	pages = {i-iv},
	publisher = {{Stanford University Press}},
	title = {Frontmatter},
	url = {https://www.degruyter.com/document/doi/10.1515/9780804786805-fm/html},
	urldate = {2022-05-13},
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@inbook{bajorek2008_Inse,
	abstract = {Chapter 4. Insert into Blankness (Poetry and Cultural Memory in Benjamin's Baudelaire) was published in Counterfeit Capital on page 94.},
	author = {Bajorek, Jennifer},
	bookauthor = {Bajorek, Jennifer},
	booktitle = {Counterfeit {{Capital}} : {{Poetic Labor}} and {{Revolutionary Irony}}},
	date = {2008-10-30},
	doi = {10.1515/9780804786805-007},
	isbn = {978-0-8047-8680-5},
	langid = {english},
	pages = {94--118},
	publisher = {{Stanford University Press}},
	shorttitle = {Insert into {{Blankness}}},
	title = {Insert into {{Blankness}} ({{Poetry}} and {{Cultural Memory}} in {{Benjamin}}'s {{Baudelaire}})},
	url = {https://www.degruyter.com/document/doi/10.1515/9780804786805-007/html},
	urldate = {2022-05-13}}

@inbook{bajorek2008_Intr,
	abstract = {Introduction: Swindlers and Prophets was published in Counterfeit Capital on page 1.},
	author = {Bajorek, Jennifer},
	bookauthor = {Bajorek, Jennifer},
	booktitle = {Counterfeit {{Capital}} : {{Poetic Labor}} and {{Revolutionary Irony}}},
	date = {2008-10-30},
	doi = {10.1515/9780804786805-003},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/Counterfeit Capital - Poetic Labor and Revolutionary Irony/Bajorek 2008 - Introduction [bajorek2008_Intr].pdf},
	isbn = {978-0-8047-8680-5},
	langid = {english},
	pages = {1--12},
	publisher = {{Stanford University Press}},
	shorttitle = {Introduction},
	title = {Introduction: {{Swindlers}} and {{Prophets}}},
	url = {https://www.degruyter.com/document/doi/10.1515/9780804786805-003/html},
	urldate = {2022-05-13},
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@inbook{bajorek2008_Note,
	abstract = {Notes was published in Counterfeit Capital on page 119.},
	author = {Bajorek, Jennifer},
	bookauthor = {Bajorek, Jennifer},
	booktitle = {Counterfeit {{Capital}} : {{Poetic Labor}} and {{Revolutionary Irony}}},
	date = {2008-10-30},
	doi = {10.1515/9780804786805-008},
	isbn = {978-0-8047-8680-5},
	langid = {english},
	pages = {119--132},
	publisher = {{Stanford University Press}},
	title = {Notes},
	url = {https://www.degruyter.com/document/doi/10.1515/9780804786805-008/html},
	urldate = {2022-05-13}}

@incollection{bajorek2008_Pari,
	abstract = {Chapter 1. Paris Spleen (The Irony of Revolutionary Power) was published in Counterfeit Capital on page 13.},
	author = {Bajorek, Jennifer},
	booktitle = {Counterfeit {{Capital}} : {{Poetic Labor}} and {{Revolutionary Irony}}},
	date = {2008-10-30},
	doi = {10.1515/9780804786805-004},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/Counterfeit Capital - Poetic Labor and Revolutionary Irony/Bajorek 2008 - 1 Paris Spleen [bajorek2008_Pari].pdf},
	isbn = {978-0-8047-8680-5},
	langid = {english},
	pages = {13--41},
	publisher = {{Stanford University Press}},
	shorttitle = {Paris {{Spleen}}},
	title = {Paris {{Spleen}} ({{The Irony}} of {{Revolutionary Power}})},
	url = {https://www.degruyter.com/document/doi/10.1515/9780804786805-004/html},
	urldate = {2022-05-13},
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@inbook{bajorek2008_Work,
	abstract = {Works Cited was published in Counterfeit Capital on page 133.},
	bookauthor = {Bajorek, Jennifer},
	booktitle = {Counterfeit {{Capital}} : {{Poetic Labor}} and {{Revolutionary Irony}}},
	date = {2008-10-30},
	doi = {10.1515/9780804786805-009},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/Counterfeit Capital - Poetic Labor and Revolutionary Irony/Works Cited [bajorek2008_Work].pdf},
	isbn = {978-0-8047-8680-5},
	langid = {english},
	pages = {133--140},
	publisher = {{Stanford University Press}},
	title = {Works {{Cited}}},
	url = {https://www.degruyter.com/document/doi/10.1515/9780804786805-009/html},
	urldate = {2022-05-13},
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@book{balaskas.etal2021_Fabr,
	abstract = {A scholar led open access publishing collective},
	author = {Balaskas, Bill and Rito, Carolina},
	date = {2021},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Balaskas & Rito 2021 - Fabricating Publics.pdf},
	isbn = {978-1-78542-105-1 978-1-78542-104-4},
	langid = {english},
	publisher = {{Open Humanites Press}},
	shorttitle = {Fabricating {{Publics}}},
	title = {Fabricating {{Publics}}: {{The Dissemination}} of {{Culture}} in the {{Post-truth Era}}},
	url = {http://www.openhumanitiespress.org/books/titles/fabricating-publics/},
	urldate = {2022-02-08},
	bdsk-file-1 = {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}}

@article{baldwin2018_Digi,
	abstract = {This paper outlines how the digital currency and network technology of bitcoin functions and explores the context from which it emerged. Bitcoin was conceived in 2008 as an attempt to alleviate trust in government and banks which was at a low during this period of financial crisis. However, with bitcoin trust does not dissipate, rather it shifts. Trust moves from trust in banks or states to trust in algorithms and encryption software. There is a move from conventional trust in the gold standard\textemdash ``In Gold We Trust''\textemdash to the trust announced on U.S. currency\textemdash ``In God We Trust''\textemdash to trust in software and networks\textemdash ``In Digital We Trust''. The hyperbole of bitcoin discourse is deemed to be an expression of the Californian Ideology, which itself often conceals a right-wing agenda. The paper analyses the hype behind the celebration of decentralised digital networks. It proposes that a form of network fetishism operates here. The failure of bitcoin as a currency (rather than as a hoarded commodity in an emergent bubble) and as an idea might be attributed to the failure to see how ultra-modern digital networks conceal very traditional consolidation of power and capital. The rise and fall of bitcoin, in terms of its original ambition, serves as a cautionary tale in the digital age\textemdash it reveals how ingenious innovations that might challenge power and the consolidation of capital become co-opted and colonised by capital. Finally, the paper offers a discussion of the possible progressive uses of the digital technology bitcoin has facilitated.},
	annotation = {Bandiera\_abtest: a Cc\_license\_type: cc\_by Cg\_type: Nature Research Journals Primary\_atype: Research Subject\_term: Cultural and media studies;Economics;Science, technology and society Subject\_term\_id: cultural-and-media-studies;economics;science-technology-and-society},
	author = {Baldwin, Jon},
	date = {2018-02-13},
	doi = {10.1057/s41599-018-0065-0},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Baldwin 2018 - In digital we trust.pdf},
	issn = {2055-1045},
	issue = {1},
	journaltitle = {Palgrave Communications},
	keywords = {Cultural and media studies,Economics,Science,technology and society},
	langid = {english},
	number = {1},
	pages = {1--10},
	publisher = {{Palgrave}},
	shortjournal = {Palgrave Commun},
	shorttitle = {In Digital We Trust},
	title = {In Digital We Trust: {{Bitcoin}} Discourse, Digital Currencies, and Decentralized Network Fetishism},
	url = {https://www.nature.com/articles/s41599-018-0065-0},
	urldate = {2021-12-21},
	volume = {4},
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@book{balestrini.etal2021_Gold,
	abstract = {The Golden Horde is a definitive work on the Italian revolutionary movements of the 1960s and '70s. An anthology of texts and fragments woven together with an original commentary, the volume widens our understanding of the full complexity and richness of this period of radical thought and practice. The book covers the generational turbulence of Italy's postwar period, the transformations of Italian capitalism, the new analyses by worker-focused intellectuals, the student movement of 1968, the Hot Autumn of 1969, the extra-parliamentary groups of the early 1970s, the Red Brigades, the formation of a radical women's movement, the development of Autonomia, and the build-up to the watershed moment of the spontaneous political movement of 1977. Far from being merely a handbook of political history, The Golden Horde also sheds light on two decades of Italian culture, including the newspapers, songs, journals, festivals, comics, and philosophy that these movements produced. The book features writings by Sergio Bologna, Umberto Eco, Elvio Fachinelli, Lea Melandri, Danilo Montaldi, Toni Negri, Raniero Panzieri, Franco Piperno, Rossana Rossanda, Paolo Virno, and others, as well as an in-depth introduction by translator Richard Braude outlining the work's composition and development.},
	date = {2021-05},
	editor = {Balestrini, Nanni and Moroni, Primo},
	isbn = {978-0-85742-746-5},
	pagetotal = {600},
	publisher = {{Seagull Books}},
	series = {The {{Italian List}}},
	shorttitle = {The {{Golden Horde}}},
	title = {The {{Golden Horde}}: {{Revolutionary Italy}}, 1960-1977},
	translator = {Braude, {and} with an Introduction by Richard},
	url = {https://press.uchicago.edu/ucp/books/book/distributed/G/bo50460859.html},
	urldate = {2022-06-20}}

@book{balibar2017_Phil,
	abstract = {Written by one of political theory's leading thinkers, The Philosophy of Marx examines all the key areas of Marx's writings in their wider historical and theoretical context\textemdash including the concepts of class struggle, ideology, humanism, progress, determinism, commodity fetishism, and the state. Etienne Balibar opens a gateway into the thought of one of history's great minds. In this updated edition to this now classic work, Balibar has added a substantial introduction and new material. Complete with key ``information boxes'' for the student to make the most challenging areas of theory easy to understand, this remains the best available introduction to the most important thinker of the past 200 years.},
	author = {Balibar, Etienne},
	date = {2017-01},
	isbn = {978-1-78478-603-8},
	pagetotal = {240},
	publisher = {{Verso Books}},
	title = {The {{Philosophy}} of {{Marx}}},
	translator = {Elliott, Gregory and Turner, Gregory Elliott {and} Chris}}

@incollection{balibar2020_Poin,
	author = {Balibar, \'Etienne},
	booktitle = {The {{Concept}} in {{Crisis}} : {{Reading Capital Today}}},
	date = {2020-12-31},
	doi = {10.1515/9780822372905-007},
	editor = {Nesbitt, Nick},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/The Concept in Crisis - Reading Capital Today/Balibar 2020 - 5 A Point of Heresy in Western Marxism [balibar2020_Poin].pdf},
	isbn = {978-0-8223-7290-5},
	pages = {93--112},
	publisher = {{Duke University Press}},
	shorttitle = {A {{Point}} of {{Heresy}} in {{Western Marxism}}},
	title = {A {{Point}} of {{Heresy}} in {{Western Marxism}}: {{Althusser}}'s and {{Tronti}}'s {{Antithetic Readings}} of {{Capital}} in the {{Early}} 1960s},
	url = {https://www.degruyter.com/document/doi/10.1515/9780822372905-007/html},
	urldate = {2022-06-29},
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@article{barad2010_Quan,
	abstract = {How much of philosophical, scientific, and political thought is caught up with the idea of continuity? What if it were otherwise? This paper experiments with the disruption of continuity. The reade...},
	author = {Barad, Karen},
	date = {2010-11-01},
	doi = {10.3366/drt.2010.0206},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Barad 2010 - Quantum Entanglements and Hauntological Relations of Inheritance.pdf},
	issn = {1754-8500},
	journaltitle = {Derrida Today},
	number = {2},
	pages = {240--268},
	publisher = {{Edinburgh University Press}},
	shortjournal = {Derrida Today},
	shorttitle = {Quantum {{Entanglements}} and {{Hauntological Relations}} of {{Inheritance}}},
	title = {Quantum {{Entanglements}} and {{Hauntological Relations}} of {{Inheritance}}: {{Dis}}/Continuities, {{SpaceTime Enfoldings}}, and {{Justice-to-Come}}},
	url = {https://feministstudies.ucsc.edu/faculty/publications/pdfs/barad-derrida-today.pdf},
	urldate = {2022-05-02},
	volume = {3},
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@book{barad2012_What,
	author = {Barad, Karen},
	date = {2012},
	editorb = {Christov-Bakargiev, Carolyn and Martinez, Chus and Funcke, Bettina},
	editorbtype = {redactor},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book/Barad 2012 - What Is the Measure of Nothingness [barad2012_What].pdf},
	isbn = {978-3-7757-2948-2 978-3-7757-3128-7},
	langid = {en / de},
	location = {{Ostfildern}},
	number = {99},
	pagetotal = {21},
	publisher = {{Hatje Cantz}},
	series = {100 Notes -100 Thoughts /100 Notizen -100 Gedanken},
	shorttitle = {What Is the Measure of Nothingness?},
	title = {What is the measure of nothingness? Infinity, virtuality, justice / Was ist wirklich das mass des Nichts? Unendlichkeit, Virtualit\"at, Gerechtigkeit},
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@book{bardini2011_Junk,
	abstract = {Are we made of junk? Thierry Bardini believes we are. Examining an array of cybernetic structures from genetic codes to communication networks, he explores the idea that most of culture and nature, including humans, is composed primarily of useless, but always potentially recyclable, material otherwise known as "junk."~Bardini unravels the presence of junk at the interface between science fictions and fictions of science, showing that molecular biology and popular culture since the early 1960s belong to the same culture-cyberculture-which is essentially a culture of junk. He draws on a wide variety of sources, including the writings of Philip K. Dick and William S. Burroughs, interviews with scientists as well as "crackpots," and work in genetics, cybernetics, and physics to support his contention that junk DNA represents a blind spot in our understanding of life.At the same time, Junkware examines the cultural history that led to the encoding and decoding of life itself and the contemporary turning of these codes into a commodity. But he also contends that, beyond good and evil, the essential "junkiness" of this new subject is both the symptom and the potential cure.},
	author = {Bardini, Thierry},
	date = {2011},
	isbn = {978-0-8166-7488-6},
	location = {{Minneapolis}},
	publisher = {{University of Minnesota Press}},
	title = {Junkware},
	url = {https://muse.jhu.edu/book/24933},
	urldate = {2022-02-26}}

@incollection{barney.etal2016_Ackn,
	booktitle = {The {{Participatory Condition}} in the {{Digital Age}}},
	date = {2016},
	editor = {Barney, Darin and Coleman, Gabriella and Ross, Christine and Sterne, Jonathan and Tembeck, Tamar},
	editorb = {Hayles, N. Katherine and Krapp, Peter and Raley, Rita and Weber, Samuel},
	editorbtype = {redactor},
	eprint = {10.5749/j.ctt1ggjkfg.19},
	eprinttype = {jstor},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/The Participatory Condition in the Digital Age/Acknowledgments [barney.etal2016_Ackn].pdf},
	isbn = {978-0-8166-9771-7},
	pages = {289--290},
	publisher = {{University of Minnesota Press}},
	title = {Acknowledgments},
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@incollection{barney.etal2016_Back,
	booktitle = {The {{Participatory Condition}} in the {{Digital Age}}},
	date = {2016},
	editor = {Barney, Darin and Coleman, Gabriella and Ross, Christine and Sterne, Jonathan and Tembeck, Tamar},
	editorb = {Hayles, N. Katherine and Krapp, Peter and Raley, Rita and Weber, Samuel},
	editorbtype = {redactor},
	eprint = {10.5749/j.ctt1ggjkfg.22},
	eprinttype = {jstor},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/The Participatory Condition in the Digital Age/Back Matter [barney.etal2016_Back].pdf},
	isbn = {978-0-8166-9771-7},
	pages = {305--307},
	publisher = {{University of Minnesota Press}},
	title = {Back {{Matter}}},
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@incollection{barney.etal2016_Cont,
	booktitle = {The {{Participatory Condition}} in the {{Digital Age}}},
	date = {2016},
	editor = {Barney, Darin and Coleman, Gabriella and Ross, Christine and Sterne, Jonathan and Tembeck, Tamar},
	editorb = {Hayles, N. Katherine and Krapp, Peter and Raley, Rita and Weber, Samuel},
	editorbtype = {redactor},
	eprint = {10.5749/j.ctt1ggjkfg.20},
	eprinttype = {jstor},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/The Participatory Condition in the Digital Age/Contributors [barney.etal2016_Cont].pdf},
	isbn = {978-0-8166-9771-7},
	pages = {291--294},
	publisher = {{University of Minnesota Press}},
	title = {Contributors},
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@incollection{barney.etal2016_Fron,
	booktitle = {The {{Participatory Condition}} in the {{Digital Age}}},
	date = {2016},
	editor = {Barney, Darin and Coleman, Gabriella and Ross, Christine and Sterne, Jonathan and Tembeck, Tamar},
	editorb = {Hayles, N. Katherine and Krapp, Peter and Raley, Rita and Weber, Samuel},
	editorbtype = {redactor},
	eprint = {10.5749/j.ctt1ggjkfg.1},
	eprinttype = {jstor},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/The Participatory Condition in the Digital Age/Front Matter [barney.etal2016_Fron].pdf},
	isbn = {978-0-8166-9771-7},
	pages = {i-iv},
	publisher = {{University of Minnesota Press}},
	title = {Front {{Matter}}},
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@incollection{barney.etal2016_Inde,
	booktitle = {The {{Participatory Condition}} in the {{Digital Age}}},
	date = {2016},
	editor = {Barney, Darin and Coleman, Gabriella and Ross, Christine and Sterne, Jonathan and Tembeck, Tamar},
	editorb = {Hayles, N. Katherine and Krapp, Peter and Raley, Rita and Weber, Samuel},
	editorbtype = {redactor},
	eprint = {10.5749/j.ctt1ggjkfg.21},
	eprinttype = {jstor},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/The Participatory Condition in the Digital Age/Index [barney.etal2016_Inde].pdf},
	isbn = {978-0-8166-9771-7},
	pages = {295--304},
	publisher = {{University of Minnesota Press}},
	title = {Index},
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@book{barney.etal2016_Part,
	abstract = {Just what is the "participatory condition"? It is the situation in which taking part in something with others has become both environmental and normative. The fact that we have always participated does not mean we have always lived under the participatory condition. What is distinctive about the present is the extent to which the everyday social, economic, cultural, and political activities that comprise simply being in the world have been thematized and organized around the priority of participation.  Structured along four axes investigating the relations between participation and politics, surveillance, openness, and aesthetics, The Participatory Condition in the Digital Age comprises fifteen essays that explore the promises, possibilities, and failures of contemporary participatory media practices as related to power, Occupy Wall Street, the Arab Spring uprisings, worker-owned cooperatives for the post-Internet age; paradoxes of participation, media activism, open source projects; participatory civic life; commercial surveillance; contemporary art and design; and education.  This book represents the most comprehensive and transdisciplinary endeavor to date to examine the nature, place, and value of participation in the digital age. Just as in 1979, when Jean-Fran\c{c}ois Lyotard proposed that "the postmodern condition" was characterized by the questioning of historical grand narratives, The Participatory Condition in the Digital Age investigates how participation has become a central preoccupation of our time.  Contributors: Mark Andrejevic, Pomona College; Bart Cammaerts, London School of Economics and Political Science (LSE); Nico Carpentier, Vrije Universiteit Brussel (VUB - Free University of Brussels) and Charles University in Prague; Julie E. Cohen, Georgetown University; Kate Crawford, MIT; Alessandro Delfanti, University of Toronto; Christina Dunbar-Hester, University of Southern California; Rudolf Frieling, California College of Arts and the San Francisco Art Institute; Salvatore Iaconesi, La Sapienza University of Rome and ISIA Design Florence; Jason Edward Lewis, Concordia University; Rafael Lozano-Hemmer; Graham Pullin, University of Dundee; Trebor Scholz, The New School in New York City; Cayley Sorochan, McGill University; Bernard Stiegler, Institute for Research and Innovation in Paris; Krzysztof Wodiczko, Harvard Graduate School of Design; Jillian C. York.},
	date = {2016},
	editor = {Barney, Darin and Coleman, Gabriella and Ross, Christine and Sterne, Jonathan and Tembeck, Tamar},
	editorb = {Hayles, N. Katherine and Krapp, Peter and Raley, Rita and Weber, Samuel},
	editorbtype = {redactor},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book/Hayles & Krapp et al. 2016 - The Participatory Condition in the Digital Age [barney.etal2016_Part].pdf},
	isbn = {978-0-8166-9771-7},
	number = {51},
	publisher = {{University of Minnesota Press}},
	series = {Electronic {{Mediations}}},
	title = {The {{Participatory Condition}} in the {{Digital Age}}},
	url = {https://www.jstor.org.ezproxy.pratt.edu:2048/stable/10.5749/j.ctt1ggjkfg},
	urldate = {2022-06-29},
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@incollection{barney.etal2016_Part-a,
	abstract = {The participatory condition names the situation in which participation\textemdash being involved in doing something and taking part in something with others\textemdash has become both environmental (a state of a ffairs) and normative (a binding principle of right action).~Participation is the general condition in which many of us live or seek to live (though, to be sure, not all of us, and not all in the same way). It has become a contextual feature of everyday life in the liberal, capitalist, and technological societies of the contemporary West. It could be argued that there is no place or time in human history},
	author = {Barney, Darin and Coleman, Gabriella and Ross, Christine and Sterne, Jonathan and Tembeck, Tamar},
	booktitle = {The {{Participatory Condition}} in the {{Digital Age}}},
	date = {2016},
	editor = {Barney, Darin and Coleman, Gabriella and Ross, Christine and Sterne, Jonathan and Tembeck, Tamar},
	editorb = {Hayles, N. Katherine and Krapp, Peter and Raley, Rita and Weber, Samuel},
	editorbtype = {redactor},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/The Participatory Condition in the Digital Age/Barney & Coleman et al. 2016 - The Participatory Condition [barney.etal2016_Part-a].pdf},
	isbn = {978-0-8166-9771-7},
	pages = {vii-xl},
	publisher = {{University of Minnesota Press}},
	shorttitle = {The {{Participatory Condition}}},
	title = {The {{Participatory Condition}}: {{An Introduction}}},
	url = {https://www.jstor.org.ezproxy.pratt.edu:2048/stable/10.5749/j.ctt1ggjkfg.3},
	urldate = {2022-06-29},
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@incollection{barney.etal2016_Tabl,
	booktitle = {The {{Participatory Condition}} in the {{Digital Age}}},
	date = {2016},
	editor = {Barney, Darin and Coleman, Gabriella and Ross, Christine and Sterne, Jonathan and Tembeck, Tamar},
	editorb = {Hayles, N. Katherine and Krapp, Peter and Raley, Rita and Weber, Samuel},
	editorbtype = {redactor},
	eprint = {10.5749/j.ctt1ggjkfg.2},
	eprinttype = {jstor},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/The Participatory Condition in the Digital Age/Table of Contents [barney.etal2016_Tabl].pdf},
	isbn = {978-0-8166-9771-7},
	pages = {v-vi},
	publisher = {{University of Minnesota Press}},
	title = {Table of {{Contents}}},
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@incollection{bassett2015_NotN,
	abstract = {`Ours is a world that is both everywhere and nowhere, but it is not where bodies live' \textemdash{} so said John Perry Barlow in the 1990s Declaration of the Independence of Cyberspace, which diagnosed and made demands around a new reality. A quarter of a century later, in the era of the quantified self, in which computational devices and bodies intertwine to measure the human day and co-constitute the world in which we live, it is clear that something has changed. This change concerns the materialization of bodies, a classic feminist preoccupation, as well as the materials of technology \textemdash{} ours is a world that is everywhere and nowhere, in which bodies are redistributed through a technological economy. But the sense of distance this change engenders applies not only to the matter-free and invulnerable lives Barlow glimpsed in the 20th-century net,1 but to the early 21st-century web (pre/post-9/ll) and later; even voices celebrating the social in the Web 2.0, or the pre-Snowden era, sound distant now.},
	author = {Bassett, Caroline},
	booktitle = {Postdigital {{Aesthetics}} : {{Art}}, {{Computation}} and {{Design}}},
	date = {2015},
	doi = {10.1057/9781137437204_11},
	editor = {Berry, David M. and Dieter, Michael},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/Postdigital Aesthetics - Art, Computation and Design/Bassett 2015 - 11 Not Now [bassett2015_NotN].pdf},
	isbn = {978-1-137-43720-4},
	keywords = {Aesthetic Response,Computational Technology,Contemporary Life,Digital Humanity,Media Object},
	langid = {english},
	location = {{London}},
	pages = {136--150},
	publisher = {{Palgrave Macmillan UK}},
	shorttitle = {Not {{Now}}?},
	title = {Not {{Now}}? {{Feminism}}, {{Technology}}, {{Postdigital}}},
	url = {https://doi.org/10.1057/9781137437204_11},
	urldate = {2022-06-28},
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@book{bataille1989_Theo,
	author = {Bataille, Georges},
	date = {1989},
	isbn = {978-0-942299-08-3 0-942299-08-6},
	keywords = {Religion},
	langid = {english},
	location = {{New York}},
	pagetotal = {126},
	publisher = {{Zone Books}},
	title = {Theory of Religion},
	translator = {Hurley, Robert}}

@book{battilossi.etal2020_Hand,
	date = {2020},
	editor = {Battilossi, Stefano and Cassis, Youssef and Yago, Kazuhiko},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Battilossi et al 2020 - Handbook of the History of Money and Currency.pdf},
	isbn = {9789811305962 9789811305955},
	langid = {english},
	publisher = {{Springer}},
	series = {Springer {{Reference}}},
	title = {Handbook of the {{History}} of {{Money}} and {{Currency}}},
	url = {https://link.springer.com/referencework/10.1007/978-981-13-0596-2},
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@article{baym1995_Perf,
	abstract = {There has been very little work on humor in computer-mediated communication (CMC). Indeed, the implication of some CMC work is that the medium is inhospitable to humor. This essay argues that humor can be accomplished in CMC and can be critical to creating social meaning on-line. The humor of the Usenet newsgroup rec.arts.tv.soaps (r.a.t.s.), which discusses soap operas, is analyzed. The method combines user surveys with message analysis to show the prevalence and importance of humor in r.a.t.s. Close analysis of five exemplary humorous messages shows how the group's humor arises from the juxtaposition of close and distant readings of the soap opera, which place the participants in close relationships to one another, and distance them from the soap opera's writers and producers. Group solidarity is also created as participants draw extensively on previous messages to ground their own humor. Humor is also shown to be a primary mechanism for the establishment of individuality, as participants combine the shared meanings and play with the shared parameters of the group in idiosyncratic ways.},
	author = {Baym, Nancy K.},
	date = {1995-09-01},
	doi = {10.1111/j.1083-6101.1995.tb00327.x},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Baym 1995 - The Performance of Humor in Computer-Mediated Communication.pdf},
	issn = {1083-6101},
	journaltitle = {Journal of Computer-Mediated Communication},
	number = {2},
	shortjournal = {Journal of Computer-Mediated Communication},
	title = {The {{Performance}} of {{Humor}} in {{Computer-Mediated Communication}}},
	url = {https://doi.org/10.1111/j.1083-6101.1995.tb00327.x},
	urldate = {2021-11-10},
	volume = {1},
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@book{beck1992_Risk,
	author = {Beck, Ulrich},
	date = {1992},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Beck 1992 - Risk society.pdf},
	isbn = {978-0-8039-8345-8 978-0-8039-8346-5},
	keywords = {Environmental aspects,Industries,Progress,Risk,Social aspects,Social structure,Sociological aspects,Technology},
	langid = {english},
	location = {{London ; Newbury Park, Calif}},
	pagetotal = {260},
	publisher = {{Sage Publications}},
	series = {Theory, Culture \& Society},
	shorttitle = {Risk Society},
	title = {Risk Society: Towards a New Modernity},
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@article{becker.etal2021_Disc,
	author = {Becker, Matthias J. and Allington, Daniel},
	date = {2021-08},
	langid = {english},
	publisher = {{Technical University of Berlin Centre for Research on Antisemitism}},
	title = {Discourse {{Report}} 2},
	url = {https://kclpure.kcl.ac.uk/portal/en/publications/discourse-report-2(0289e533-a8b6-4b0b-a156-db0901063da2).html},
	urldate = {2021-12-16}}

@book{beech.etal2020_Cons,
	abstract = {Perspectives from philosophy, aesthetics, and art on how to envisage the construction site of possible worlds.},
	date = {2020-08-11},
	editor = {Beech, Amanda and Mackay, Robin and Wiltgen, James},
	isbn = {978-1-913029-57-9},
	langid = {english},
	location = {{Cambridge, MA, USA}},
	pagetotal = {276},
	publisher = {{Urbanomic}},
	title = {Construction {{Site}} for {{Possible Worlds}}}}

@article{beier2018_Marx,
	abstract = {Women's unpaid care and domestic work is gaining relevance in policy-making as well as in academia. Feminist scholars and activists have lobbied successfully for the integration of unpaid care and domestic work into the Sustainable Development Goals (Goal 5.4) of the United Nations in the hope for greater recognition of women's contribution to the economy. Policy documents about social reproduction highlight women's disproportionate share of reproductive activities as an obstacle to women's economic empowerment and as a relic of `traditional' gender roles. Social reproduction is thereby not understood as a merit in itself, but as an obstacle to women's participation in paid labour. Policy implications will enable certain empowerment effects for some women, but at the same time promote the increasing privatization and commodification of reproductive work across the globe. Rising inequalities between the Global North and South and between women along the categories of class and race will be one major result. To theoretically explain such contradictory effects of the recognition of social reproduction, I use the concept of `enclosures' based on Marx' `primitive accumulation'. Feminist scholars use the concept to explain how unpaid care and housework is commodified or de-commodified to integrate women into the paid labour force or to reduce the costs of social reproduction according to the needs of the economy. The sudden interest in unpaid care and domestic work e.g. in the Sustainable Development Goals can therefore be seen as process of double enclosure, which integrates women into the paid labour force, but also sets the grounds for the further commodification of domestic and care work. This paper aims to critically discuss the sudden interest in unpaid domestic and care work and its contradictory effects from a Marxist feminist perspective and reflects on feminist strategies and movements in global governance. After introducing Marxist perspectives on social reproduction, the question if and how feminist ideas and concepts have been appropriated, the effects and implications of global policies on social reproduction and global inequalities, as well as possible counter-strategies will be discussed.},
	author = {Beier, Friederike},
	date = {2018-05-04},
	doi = {10.31269/triplec.v16i2.980},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Journal Article/tripleC- Communication, Capitalism & Critique/vol. 16/no. 2/Beier 2018 - Marxist Perspectives on the Global Enclosures of Social Reproduction [beier2018_Marx].pdf},
	issn = {1726-670X},
	journaltitle = {tripleC: Communication, Capitalism \& Critique},
	keywords = {care,economic empowerment,enclosure,feminism,feminist strategies,gender,global inequality,housework,intersectionality,politics of appropriation,primitive accumulation,social reproduction,sustainable development goals,United Nations,unpaid work},
	langid = {english},
	number = {2},
	pages = {546--561},
	title = {Marxist {{Perspectives}} on the {{Global Enclosures}} of {{Social Reproduction}}},
	url = {https://www.triple-c.at/index.php/tripleC/article/view/980},
	urldate = {2022-06-29},
	volume = {16},
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@article{beller2007_Payi,
	abstract = {The commodification of the sensorium},
	author = {Beller, Jonathan},
	date = {2007},
	entrysubtype = {magazine},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Beller 2007 - Paying Attention.pdf},
	langid = {english},
	number = {24},
	shorttitle = {Paying {{Attention}}},
	title = {Paying {{Attention}}: {{The}} Commodification of the Sensorium},
	url = {https://cabinetmagazine.org/issues/24/beller.php},
	urldate = {2021-11-10},
	bdsk-file-1 = {YnBsaXN0MDDSAQIDBFxyZWxhdGl2ZVBhdGhZYWxpYXNEYXRhXxBKLi4vLi4vRG9jdW1lbnRzL1RleHQgUmVwb3NpdG9yeS9ab3RGaWxlL0JlbGxlciAyMDA3IC0gUGF5aW5nIEF0dGVudGlvbi5wZGZPEQHIAAAAAAHIAAIAAAxNYWNpbnRvc2ggSEQAAAAAAAAAAAAAAAAAAAAAAAAAQkQAAf////8fQmVsbGVyIDIwMDcgLSBQYXlpI0ZGRkZGRkZGLnBkZgAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA/////wAAAAAAAAAAAAAAAAACAAQAAAogY3UAAAAAAAAAAAAAAAAAB1pvdEZpbGUAAAIAUy86VXNlcnM6ZGFuaWVsOkRvY3VtZW50czpUZXh0IFJlcG9zaXRvcnk6Wm90RmlsZTpCZWxsZXIgMjAwNyAtIFBheWluZyBBdHRlbnRpb24ucGRmAAAOAEYAIgBCAGUAbABsAGUAcgAgADIAMAAwADcAIAAtACAAUABhAHkAaQBuAGcAIABBAHQAdABlAG4AdABpAG8AbgAuAHAAZABmAA8AGgAMAE0AYQBjAGkAbgB0AG8AcwBoACAASABEABIAUVVzZXJzL2RhbmllbC9Eb2N1bWVudHMvVGV4dCBSZXBvc2l0b3J5L1pvdEZpbGUvQmVsbGVyIDIwMDcgLSBQYXlpbmcgQXR0ZW50aW9uLnBkZgAAEwABLwAAFQACAA3//wAAAAgADQAaACQAcQAAAAAAAAIBAAAAAAAAAAUAAAAAAAAAAAAAAAAAAAI9}}

@article{beller2013_Adve,
	abstract = {media/rep/ bietet freien Zugriff auf wissenschaftliche Ver\"offentlichungen aus dem Bereich Film- und Medienwissenschaft nach den Prinzipien des Open Access},
	annotation = {Accepted: 2018-09-26T11:45:08Z},
	author = {Beller, Jonathan},
	date = {2013},
	doi = {10.5117/NECSUS2013.1.BELL},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Journal Article/NECSUS. European Journal of Media Studies/vol. 2/no. 1/Beller 2013 - Advertisarial relations and aesthetics of survival [beller2013_Adve].pdf},
	journaltitle = {NECSUS. European Journal of Media Studies},
	langid = {english},
	number = {1},
	pages = {51--73},
	publisher = {{Amsterdam University Press}},
	shorttitle = {Advertisarial Relations and Aesthetics of Survival},
	title = {Advertisarial Relations and Aesthetics of Survival: {{Advertising}} \textendash{$>$} Advertisign},
	url = {https://mediarep.org/handle/doc/3256},
	urldate = {2021-12-30},
	volume = {2},
	bdsk-file-1 = {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}}

@incollection{beller2013_Wage,
	author = {Beller, Jonathan},
	booktitle = {The {{Creative University}}},
	date = {2013},
	doi = {10.1007/978-94-6209-245-7_8},
	editor = {Peters, Michael A. and Besley, Tina},
	isbn = {978-94-6209-245-7},
	langid = {english},
	location = {{Rotterdam}},
	pages = {93--110},
	publisher = {{SensePublishers}},
	title = {Wagers {{Within}} the {{Image}}},
	url = {http://link.springer.com/10.1007/978-94-6209-245-7_8},
	urldate = {2022-04-20}}

@article{beller2016_Info,
	abstract = {Jonathan Beller expands conversations about the role of the digital and the digital humanities through attention to the mechanisms by which the digital image is instrumental in neoliberal capitalist accumulation and colonialism. Beller argues that the digital image itself exploits the attentive labor of those who see it, organizes profitable patterns of spectatorship, and links communication directly to financial speculation. Through scrutiny of examples that attempt to disrupt the profitable, algorithmically-capitalized flow of data and attention through the interface of the screen, Beller's article makes a pointed critique of the ways that fascism manifests in and might be combated via digital economies.},
	author = {Beller, Jonathan},
	date = {2016},
	doi = {10.25158/L5.1.4},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Journal Article/Lateral/vol. 5/no. 1/Beller 2016 - Informatic Labor in the Age of Computational Capital [beller2016_Info].pdf},
	issn = {2469-4053},
	journaltitle = {Lateral},
	keywords = {capital,code,image,informatics,labor},
	langid = {american},
	number = {1},
	title = {Informatic {{Labor}} in the {{Age}} of {{Computational Capital}}},
	url = {https://csalateral.org/issue/5-1/informatic-labor-computational-capital-beller/},
	urldate = {2021-12-29},
	volume = {5},
	bdsk-file-1 = {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}}

@article{beller2016_Prog,
	abstract = {The selfie and fractal celebrity have become the obverse of what Sylvia Federici calls the system of global apartheid. These results of a financialized attention economy index a shift in the character of both labor and the commodity form towards screen mediated code-work and networked valorization. We can thus rewrite the labor theory of value in relation to image and code, and hypostasize the totalitarian aspirations of capitalism in the notion of ``the world computer.'' While traditional ontologies are devoured by the new order of value production and extraction, remainders that may be resources for transformation, exit, and defense persist everywhere.},
	author = {Beller, Jonathan},
	date = {2016},
	doi = {10.1353/pmc.2016.0005},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Beller 2016 - The Programmable Image of Capital M-I-C-I′-M′ and the World Computer.pdf;/Users/daniel/Documents/Text Repository/ZotFile/Beller 2016 - The Programmable Image of Capital M-I-C-I′-M′ and the World Computer2.pdf},
	issn = {1053-1920},
	journaltitle = {Postmodern Culture},
	number = {2},
	shorttitle = {The {{Programmable Image}} of {{Capital}}},
	title = {The {{Programmable Image}} of {{Capital}}: {{M-I-C-I}}{${'}$}-{{M}}{${'}$} and the {{World Computer}}},
	url = {https://www.pomoculture.org/2020/07/09/the-programmable-image-of-capital-m-i-c-i′-m′-and-the-world-computer/},
	urldate = {2021-10-13},
	volume = {26},
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@book{beller2017_Mess,
	abstract = {The Message is Murder analyses the violence bound up in the everyday functions of digital media. At its core is the concept of 'computational capital' - the idea that capitalism itself is a computer, turning qualities into quantities, and that the rise of digital culture and technologies under capitalism should be seen as an extension of capitalism's bloody logic. Engaging with Borges, Turing, Claude Shannon, Hitchcock and Marx, this book tracks computational capital to reveal the lineages of capitalised power as it has restructured representation, consciousness and survival in the twentieth and twenty-first centuries. Ultimately The Message is Murder makes the case for recognising media communications across all platforms - books, films, videos, photographs and even language itself - as technologies of political economy, entangled with the social contexts of a capitalism that is inherently racial, gendered and genocidal},
	author = {Beller, Jonathan},
	date = {2017},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Beller 2017 - The message is murder.pdf},
	isbn = {978-1-78680-178-4 978-1-78680-179-1 978-1-78680-180-7},
	langid = {english},
	location = {{London}},
	publisher = {{PlutoPress}},
	shorttitle = {The Message Is Murder},
	title = {The Message Is Murder: Substrates of Computational Capital},
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@online{beller2018_Comp,
	author = {Beller, Jonathan},
	date = {2018-08-01T13:29:47+00:00},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Beller 2018 - The Computational Unconscious.pdf},
	langid = {american},
	organization = {{boundary 2}},
	title = {The {{Computational Unconscious}}},
	url = {https://www.boundary2.org/2018/08/beller/},
	urldate = {2021-12-30},
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@article{beller2020_Econ,
	author = {Beller, Jonathan},
	date = {2020-05-31},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Journal Article/Australian Humanities Review/no. 66/Beller 2020 - Economic Media [beller2020_Econ].pdf},
	issn = {1325 8338},
	journaltitle = {Australian Humanities Review},
	langid = {american},
	number = {66},
	shorttitle = {Economic {{Media}}},
	title = {Economic {{Media}}: {{Crypto}} and the {{Myth}} of {{Total Liquidity}}},
	url = {http://australianhumanitiesreview.org/2020/05/31/economic-media-crypto-and-the-myth-of-total-liquidity/},
	urldate = {2021-12-29},
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@incollection{beller2021_Ackn,
	author = {Beller, Jonathan},
	booktitle = {The {{World Computer}} : {{Derivative Conditions}} of {{Racial Capitalism}}},
	date = {2021},
	doi = {10.2307/j.ctv1fcf88w.3},
	eprint = {j.ctv1fcf88w.3},
	eprinttype = {jstor},
	isbn = {978-1-4780-1013-5},
	location = {{Durham}},
	pages = {xi-xii},
	publisher = {{Duke University Press}},
	series = {Thought in the {{Act}}},
	title = {Acknowledgments}}

@incollection{beller2021_Adve,
	abstract = {With his typical flair for the graphic identification of our enemies, Banksy (2006: 196) has this to say about advertising and public space: ``Any advertisement in public space that gives you no choice whether you see it or not is yours. It belongs to you. It's yours to take, rearrange and re-use. Asking for permission is like asking to keep a rock someone just threw at your head.''  This statement would reconfigure the par ameters of spaces colonized by the profit motive and the protocols of private property and speak to powers operative beyond its logic. In an ironic twist},
	author = {Beller, Jonathan},
	booktitle = {The {{World Computer}} : {{Derivative Conditions}} of {{Racial Capitalism}}},
	date = {2021},
	doi = {10.2307/j.ctv1fcf88w.8},
	eprint = {j.ctv1fcf88w.8},
	eprinttype = {jstor},
	isbn = {978-1-4780-1013-5},
	location = {{Durham}},
	pages = {175--205},
	publisher = {{Duke University Press}},
	series = {Thought in the {{Act}}},
	title = {Advertisarial {{Relations}} and {{Aesthetics}} of {{Survival}}}}

@incollection{beller2021_Appe,
	author = {Beller, Jonathan},
	booktitle = {The {{World Computer}} : {{Derivative Conditions}} of {{Racial Capitalism}}},
	date = {2021},
	doi = {10.2307/j.ctv1fcf88w.11},
	eprint = {j.ctv1fcf88w.11},
	eprinttype = {jstor},
	isbn = {978-1-4780-1013-5},
	location = {{Durham}},
	pages = {255--266},
	publisher = {{Duke University Press}},
	series = {Thought in the {{Act}}},
	title = {Appendix 1: {{The Derivative Machine}}: {{Life Cut}}, {{Bundled}}, and {{Sold}}\textendash{{Notes}} on the {{Cinema}}}}

@incollection{beller2021_Appe-a,
	author = {Beller, Jonathan},
	booktitle = {The {{World Computer}} : {{Derivative Conditions}} of {{Racial Capitalism}}},
	date = {2021},
	doi = {10.2307/j.ctv1fcf88w.12},
	eprint = {j.ctv1fcf88w.12},
	eprinttype = {jstor},
	isbn = {978-1-4780-1013-5},
	location = {{Durham}},
	pages = {267--284},
	publisher = {{Duke University Press}},
	series = {Thought in the {{Act}}},
	title = {Appendix 2: {{The Derivative Image}}: {{Interview}} by {{Susana Nascimento Duarte}}}}

@incollection{beller2021_Comp,
	author = {Beller, Jonathan},
	booktitle = {The World Computer : Derivative Conditions of Racial Capitalism},
	date = {2021-02-25},
	doi = {10.1515/9781478012702-003},
	isbn = {978-1-4780-1270-2},
	langid = {english},
	pages = {63--98},
	publisher = {{Duke University Press}},
	shorttitle = {The {{Computational Unconscious}}},
	title = {The {{Computational Unconscious}}: {{Technology}} as a {{Racial Formation}}},
	url = {https://www.degruyter.com/document/doi/10.1515/9781478012702-003/html},
	urldate = {2021-12-30}}

@incollection{beller2021_Comp-a,
	abstract = {The term computational capital posits the rise of capitalism as the first digital culture with universalizing aspirations and capabilities, and it recognizes contemporary culture, bound as it is to electronic digital computing, as Digital Culture 2.0. Rather than seeing this shift from Digital Culture 1.0 (DC1) to Digital Culture 2.0 (DC2) strictly as a break, we consider it as one result of an overall intensification in the practices of quantification. Capitalism, says Nick Dyer-Witheford (2013), was already a digital computer, and historical shifts in the quantity of quantities led to profound shifts in the quality of qualities. If capitalism was},
	author = {Beller, Jonathan},
	booktitle = {The {{World Computer}} : {{Derivative Conditions}} of {{Racial Capitalism}}},
	date = {2021},
	doi = {10.2307/j.ctv1fcf88w.5},
	eprint = {j.ctv1fcf88w.5},
	eprinttype = {jstor},
	isbn = {978-1-4780-1013-5},
	location = {{Durham}},
	pages = {63--98},
	publisher = {{Duke University Press}},
	series = {Thought in the {{Act}}},
	title = {The {{Computational Unconscious}}: {{Technology}} as a {{Racial Formation}}}}

@incollection{beller2021_Deri,
	abstract = {In previous chapters and in appendix I, ``The Derivative Machine,'' I make the argument that with the financialization of everyday life and the capture of informatic labor by ambient computation, what we call films and digital images can increasingly be understood as derivatives.  In the main, they were and remain media to risk the gain from M to M': from money to more money. Commercial film is obviously of this form, but so too, arguably, is the vast corpus of social justice cinema that is not explic itly anticapitalist\textemdash{} and even revolutionary cinema, dedicated to the overthrow of the social},
	author = {Beller, Jonathan},
	booktitle = {The {{World Computer}} : {{Derivative Conditions}} of {{Racial Capitalism}}},
	date = {2021},
	doi = {10.2307/j.ctv1fcf88w.10},
	eprint = {j.ctv1fcf88w.10},
	eprinttype = {jstor},
	isbn = {978-1-4780-1013-5},
	location = {{Durham}},
	pages = {222--254},
	publisher = {{Duke University Press}},
	series = {Thought in the {{Act}}},
	title = {Derivative {{Living}} and {{Subaltern Futures}}: {{Film}} as {{Derivative}}, {{Cryptocurrency}} as {{Film}}}}

@incollection{beller2021_Engi,
	abstract = {Arguably, we should no longer admit a meaningful distinction between what we commonly refer to as ``the digital'' and the operations of racial capitalism. We have made this argument throughout the foregoing. With the overdetermination imposed by the cybernetics of computational racial capitalism, a willful collapse of the terms of analyses of digitality and capital into one another serves at once as an exercise in provocation and in historical verisimili-tude, as well as its being a po liti cal necessity. Information is capitalization\textemdash{} until proven other wise. As a historically prescribed conflation, and as a mode of analy sis that},
	author = {Beller, Jonathan},
	booktitle = {The {{World Computer}} : {{Derivative Conditions}} of {{Racial Capitalism}}},
	date = {2021},
	doi = {10.2307/j.ctv1fcf88w.9},
	eprint = {j.ctv1fcf88w.9},
	eprinttype = {jstor},
	isbn = {978-1-4780-1013-5},
	location = {{Durham}},
	pages = {206--221},
	publisher = {{Duke University Press}},
	series = {Thought in the {{Act}}},
	title = {An {{Engine}} and a~{{Camera}}}}

@incollection{beller2021_Fron,
	author = {Beller, Jonathan},
	booktitle = {The {{World Computer}} : {{Derivative Conditions}} of {{Racial Capitalism}}},
	date = {2021},
	doi = {10.2307/j.ctv1fcf88w.1},
	eprint = {j.ctv1fcf88w.1},
	eprinttype = {jstor},
	isbn = {978-1-4780-1013-5},
	location = {{Durham}},
	pages = {i-viii},
	publisher = {{Duke University Press}},
	series = {Thought in the {{Act}}},
	title = {Front {{Matter}}}}

@incollection{beller2021_Inde,
	author = {Beller, Jonathan},
	booktitle = {The {{World Computer}} : {{Derivative Conditions}} of {{Racial Capitalism}}},
	date = {2021},
	doi = {10.2307/j.ctv1fcf88w.15},
	eprint = {j.ctv1fcf88w.15},
	eprinttype = {jstor},
	isbn = {978-1-4780-1013-5},
	location = {{Durham}},
	pages = {315--340},
	publisher = {{Duke University Press}},
	series = {Thought in the {{Act}}},
	title = {Index}}

@incollection{beller2021_Info,
	author = {Beller, Jonathan},
	booktitle = {The World Computer: Derivative Conditions of Racial Capitalism},
	date = {2021-02-25},
	doi = {10.1515/9781478012702-005},
	isbn = {978-1-4780-1270-2},
	langid = {english},
	pages = {139--172},
	publisher = {{Duke University Press}},
	shorttitle = {Informatic {{Labor}} and {{Data}}},
	title = {M-{{I-M}}{${'}$}: {{Informatic Labor}} and {{Data- Visual Interruptions}} in {{Capital}}'s "{{Concise Style}}"},
	url = {https://www.degruyter.com/document/doi/10.1515/9781478012702-005/html},
	urldate = {2021-12-30}}

@incollection{beller2021_Info-a,
	abstract = {In this chapter I will be committed to interrogating some of the new pathways from M to M'. We examine the movements by which money becomes more money, movements that\textemdash as we saw in the conclusion of the preceding chapter\textemdash Marx described, with reference to interest-bearing capital, as capital's ``concise style'' (1990: 257\textendash 58). From the depositor's point of view, M simply becomes M'. What are the mediations of interest at work beneath this concision?  The term informatic labor, further developed below, implies that the "human" metabolic modification of the status of information\textemdash{} its state\textemdash is both the paradigmatic},
	author = {Beller, Jonathan},
	booktitle = {The {{World Computer}} : {{Derivative Conditions}} of {{Racial Capitalism}}},
	date = {2021},
	doi = {10.2307/j.ctv1fcf88w.7},
	eprint = {j.ctv1fcf88w.7},
	eprinttype = {jstor},
	isbn = {978-1-4780-1013-5},
	location = {{Durham}},
	pages = {139--172},
	publisher = {{Duke University Press}},
	series = {Thought in the {{Act}}},
	title = {M\textendash{{I}}\textendash{{M}}': {{Informatic Labor}} and {{Data-Visual Interruptions}} in {{Capital}}'s ``{{Concise Style}}''}}

@incollection{beller2021_Intr,
	abstract = {The wealth of societies in which the capitalist mode of production prevails appears as an immense collection of information; the individual bit appears as its elementary form. Or so it appears to the machines that count, the machines of account. Moreover, the rise of information meant\textemdash in fact is\textemdash{} the ability to write a derivative contract on any phenomenon what ever. Its emergence is one with the calculus of probability and thus of risk. What price information? We will show here how information becomes a derivative on reality whose importance comes to exceed that of reality, at least for those},
	author = {Beller, Jonathan},
	booktitle = {The {{World Computer}} : {{Derivative Conditions}} of {{Racial Capitalism}}},
	date = {2021},
	doi = {10.2307/j.ctv1fcf88w.4},
	eprint = {j.ctv1fcf88w.4},
	eprinttype = {jstor},
	isbn = {978-1-4780-1013-5},
	location = {{Durham}},
	pages = {3--62},
	publisher = {{Duke University Press}},
	series = {Thought in the {{Act}}},
	title = {Introduction: {{The Social Difference Engine}} and the {{World Computer}}}}

@incollection{beller2021_Note,
	author = {Beller, Jonathan},
	booktitle = {The {{World Computer}} : {{Derivative Conditions}} of {{Racial Capitalism}}},
	date = {2021},
	doi = {10.2307/j.ctv1fcf88w.13},
	eprint = {j.ctv1fcf88w.13},
	eprinttype = {jstor},
	isbn = {978-1-4780-1013-5},
	location = {{Durham}},
	pages = {285--300},
	publisher = {{Duke University Press}},
	series = {Thought in the {{Act}}},
	title = {Notes}}

@incollection{beller2021_Prog,
	author = {Beller, Jonathan},
	booktitle = {The World Computer: Derivative Conditions of Racial Capitalism},
	date = {2021-02-25},
	doi = {10.1515/9781478012702-004},
	isbn = {978-1-4780-1270-2},
	langid = {english},
	pages = {101--138},
	publisher = {{Duke University Press}},
	shorttitle = {The {{Programmable Image}} of {{Photo-Capital}}},
	title = {M-{{I-C-I}}{${'}$}-{{M}}{${'}$}: {{The Programmable Image}} of {{Photo-Capital}}},
	url = {https://www.degruyter.com/document/doi/10.1515/9781478012702-004/html},
	urldate = {2021-12-30}}

@incollection{beller2021_Prog-a,
	abstract = {With the computational unconscious in mind we now have an expansive way of thinking about the repressed of computational repre sen ta tion, of data-visualization. This chapter begins by taking the selfie as a paradigmatic example of the production, extraction, and monetization of expression by means of the interface of the screen. The selfie vernacular, as an attention agregation effect, is also understood as a symptom of fractal fascism\textemdash{} a form of appearing that, in general, tends to depend upon the subsumption of the subjectivity of others. The movement from image to code to a transformed image (Image\textendash{} Code\textendash{} Image{${'}$})},
	author = {Beller, Jonathan},
	booktitle = {The {{World Computer}} : {{Derivative Conditions}} of {{Racial Capitalism}}},
	date = {2021},
	doi = {10.2307/j.ctv1fcf88w.6},
	eprint = {j.ctv1fcf88w.6},
	eprinttype = {jstor},
	isbn = {978-1-4780-1013-5},
	location = {{Durham}},
	pages = {101--138},
	publisher = {{Duke University Press}},
	series = {Thought in the {{Act}}},
	shorttitle = {The {{Programmable Image}} of {{Photo-Capital}}},
	title = {M\textendash{{I}}\textendash{{C}}\textendash{{I}}'\textendash{{M}}': {{The Programmable Image}} of {{Photo-Capital}}}}

@incollection{beller2021_Refe,
	author = {Beller, Jonathan},
	booktitle = {The {{World Computer}} : {{Derivative Conditions}} of {{Racial Capitalism}}},
	date = {2021},
	doi = {10.2307/j.ctv1fcf88w.14},
	eprint = {j.ctv1fcf88w.14},
	eprinttype = {jstor},
	isbn = {978-1-4780-1013-5},
	location = {{Durham}},
	pages = {301--314},
	publisher = {{Duke University Press}},
	series = {Thought in the {{Act}}},
	title = {References}}

@incollection{beller2021_Tabl,
	author = {Beller, Jonathan},
	booktitle = {The {{World Computer}} : {{Derivative Conditions}} of {{Racial Capitalism}}},
	date = {2021},
	doi = {10.2307/j.ctv1fcf88w.2},
	eprint = {j.ctv1fcf88w.2},
	eprinttype = {jstor},
	isbn = {978-1-4780-1013-5},
	location = {{Durham}},
	pages = {ix-x},
	publisher = {{Duke University Press}},
	series = {Thought in the {{Act}}},
	title = {Table of {{Contents}}}}

@book{beller2021_Worl,
	abstract = {The World Computer offers an analysis of the conditions by which computable information colonizes semiotics in racial capitalism's global calculus of who may access how much of the social product and who may be made to die. Taking the notion that Capital was always a computer as a starting point, The World Computer understands the history of the commodification of life as a process of encrypting the world's myriad qualities as quantities. Formal and informal techniques, from double entry bookkeeping and racialization, to the rise of information and discrete state machines, imposed and extended the tyranny of racial capital's relentless calculus of profit. Currently the money-likeness of expression-visible as "likes" and in other attention metrics that treat attention and affect as currency-is symptomatic of the financialization of everyday life. All expression, no matter what its valence, is conscripted by algorithms of profit that intensify inequality by being put in the service of racial capitalism},
	author = {Beller, Jonathan},
	date = {2021},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Beller 2021 - The world computer.pdf},
	isbn = {978-1-4780-1270-2},
	keywords = {Digital media,Mass media,Race in mass media,Social aspects},
	location = {{Durham}},
	pagetotal = {1},
	publisher = {{Duke University Press}},
	series = {Thought in the Act},
	shorttitle = {The World Computer},
	title = {The World Computer: Derivative Conditions of Racial Capitalism},
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@book{bellhooks2009_Reel,
	abstract = {Movies matter \textendash{} that is the message of Reel to Real, bell hooks'classic collection of essays on film. They matter on a personal level, providing us with unforgettable moments, even life-changing experiences and they can confront us, too, with the most profound social issues of race, sex and class. Here bell hooks \textendash{} one of America's most celebrated and thrilling cultural critics \textendash{} talks back to films that have moved and provoked her, from Quentin Tarantino's Pulp Fiction to the work of Spike Lee. Including also her conversations with master filmmakers such as Charles Burnett and Julie Dash, Reel to Real is a must read for anyone who believes that movies are worth arguing about.},
	author = {{bell hooks}},
	date = {2009},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book/bell hooks 2009 - Reel to Real [bellhooks2009_Reel].pdf},
	isbn = {978-0-415-96480-7},
	keywords = {African American motion picture producers and dire--Interviews,Motion picture producers and directors--United States--Interviews,Motion pictures--Political aspects--United States,Motion pictures--Social aspects--United States,PERFORMING ARTS / Film / General,SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies,SOCIAL SCIENCE / Media Studies},
	langid = {english},
	location = {{New York}},
	publisher = {{Routledge}},
	series = {Routledge {{Classics}}},
	shorttitle = {Reel to {{Real}}},
	title = {Reel to {{Real}}: {{Race}}, {{Class}} and {{Sex}} at the {{Movies}}},
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@thesis{bellinger2018_Rhet,
	abstract = {The rise of Bitcoin and related digital currencies has been accompanied by a proliferation of discourse about these technologies, including debates about their value and status as forms of money. This dissertation examines digital currency discourse from a rhetorical perspective, and traces the development and impact of a key trope of early Bitcoin discourse--the application of commodity money rhetoric to Bitcoin--to understand the rhetorical construction of Bitcoin. It argues that early attempts to establish Bitcoin as a form of money, which figured Bitcoin as a "natural" entity beyond the reach of community politics, produced an unanticipated rhetorical fallout: the displacement of the politics of the Bitcoin community onto the development of Bitcoin as a technology. It further argues that this early displacement continues to influence the rhetorical dynamics of Bitcoin and its heirs by shaping subsequent debates over digital currency governance and valuation.},
	annotation = {Accepted: 2019-02-22T17:04:09Z},
	author = {Bellinger, Matthew Charles},
	date = {2018},
	file = {/Users/daniel/Zotero/storage/ZDJLDHKL/Bellinger 2018 - The Rhetoric of Bitcoin Money, Politics, and the Construction of Blockchain Communities.pdf},
	langid = {american},
	shorttitle = {The {{Rhetoric}} of {{Bitcoin}}},
	title = {The {{Rhetoric}} of {{Bitcoin}}: {{Money}}, {{Politics}}, and the {{Construction}} of {{Blockchain Communities}}},
	type = {Thesis},
	url = {https://digital.lib.washington.edu:443/researchworks/handle/1773/43342},
	urldate = {2021-12-21},
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@book{berardi2015_Hero,
	abstract = {What is the relationship between capitalism and mental health? In his most unsettling book to date, Franco ``Bifo'' Berardi embarks on an exhilarating journey through philosophy, psychoanalysis and current events, searching for the social roots of the mental malaise of our age. Spanning an array of horrors \textendash{} the Aurora ``Joker'' killer; Anders Breivik; American school massacres; the suicide epidemic in Korea and Japan; and the recent spate of ``austerity'' suicides in Europe \textendash{} Heroes dares to explore the darkest shadow cast by the contemporary obsession with relentless competition and hyper-connectivity. In a volume that crowns four decades of radical intellectual work, Berardi develops the psychoanalytical insights of his friend F\'elix Guattari and proposes dystopian irony as a strategy to disentangle ourselves from the deadly embrace of absolute capitalism.},
	author = {Berardi, Franco "Bifo"},
	date = {2015-01},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Berardi 2015 - Heroes.pdf},
	isbn = {978-1-78168-578-5},
	pagetotal = {224},
	publisher = {{Verso Books}},
	shorttitle = {Heroes},
	title = {Heroes: {{Mass Murder}} and {{Suicide}}},
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@incollection{bergvall2018_Keyn,
	abstract = {The following piece is the exact text of the keynote I delivered on opening the first Symposium of Performance Writing at Dartington College of Arts in April 1996. By then, I had become the director of this very new (we opened to students in September 1994) and pedagogically radical writing program, taking over from its founder, John Hall. We organized the symposium to bring together a number of practitioners and critics working within the broader fields of literary writing, performance poetry, performing arts and the visual arts. From the start it was clear to the small team of us teaching},
	author = {BERGVALL, CAROLINE},
	booktitle = {Postscript},
	date = {2018},
	editor = {ANDERSSON, ANDREA},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/Postscript/BERGVALL 2018 - Keynote [bergvall2018_Keyn].pdf},
	isbn = {978-1-4426-4984-2},
	pages = {86--92},
	publisher = {{University of Toronto Press}},
	series = {Writing {{After Conceptual Art}}},
	shorttitle = {Keynote},
	title = {Keynote: {{What Do We Mean}} by {{Performance Writing}}?},
	url = {https://www.jstor.org.ezproxy.pratt.edu:2048/stable/10.3138/j.ctvvnfbx.11},
	urldate = {2022-06-29},
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@book{berry.etal2015_Post,
	date = {2015},
	doi = {10.1057/9781137437204},
	editor = {Berry, David M. and Dieter, Michael},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book/Berry & Dieter 2015 - Postdigital Aesthetics [berry.etal2015_Post].pdf;/Users/daniel/Zotero/storage/P5G7WHWF/2015 - Postdigital Aesthetics (eds. Berry & Dieter).epub},
	isbn = {978-1-349-49378-4 978-1-137-43720-4},
	langid = {english},
	location = {{London}},
	publisher = {{Palgrave Macmillan UK}},
	shorttitle = {Postdigital {{Aesthetics}}},
	title = {Postdigital {{Aesthetics}}: {{Art}}, {{Computation And Design}}},
	url = {http://link.springer.com/10.1057/9781137437204},
	urldate = {2021-12-17},
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@incollection{berry.etal2015_Thin,
	abstract = {When examining our historical situation, one is struck by the turn towards the computational in many aspects of life. There have been numerous claims to epochal shifts from the post-industrial society, the technotronic society and the knowledge-based society, to name just three. Equally, with the introduction of softwarized technical systems, it is sometimes claimed that we live in an information society (for a discussion see Berry 2008). While numerous definitions exist, we now appreciate that around us algorithms running on digital computers mediate our lives by creating and re-presenting a world that appears more comfortable, safer, faster and convenient \textemdash{} although this may paradoxically result in our feeling more stressed, depressed or drained of meaning.},
	author = {Berry, David M. and Dieter, Michael},
	booktitle = {Postdigital {{Aesthetics}} : {{Art}}, {{Computation}} and {{Design}}},
	date = {2015},
	doi = {10.1057/9781137437204_1},
	editor = {Berry, David M. and Dieter, Michael},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/Postdigital Aesthetics - Art, Computation and Design/Berry & Dieter 2015 - 1 Thinking Postdigital Aesthetics [berry.etal2015_Thin].pdf},
	isbn = {978-1-137-43720-4},
	keywords = {Computational Medium,Digital Humanity,Digital Technology,Historical Epoch,Social Epistemology},
	langid = {english},
	location = {{London}},
	pages = {1--11},
	publisher = {{Palgrave Macmillan UK}},
	shorttitle = {Thinking {{Postdigital Aesthetics}}},
	title = {Thinking {{Postdigital Aesthetics}}: {{Art}}, {{Computation}} and {{Design}}},
	url = {https://doi.org/10.1057/9781137437204_1},
	urldate = {2022-06-28},
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@incollection{berry2015_Post,
	abstract = {The postdigital, as an aesthetic, gestures towards a relation produced by digital surfaces in a bewildering number of different places and contexts. This interface-centricity is not necessarily screenic, however, and represents the current emerging asterism that is formed around notions of art, computation and design. In this conception, the postdigital is not purely a digital formation or artefact \textemdash{} it can also be the concepts, networks and frameworks of digitality that are represented (e.g. voxels, glitch, off-internet media, neo-analogue, `non-digital' media, post-internet art). Nonetheless, the interesting aspect is the implicit notion of surfaces as theatres of action and performance \textemdash{} such as through data visualization, interactivity or material design \textemdash{} above and beyond a depth model, which highlights the machinery of computation (see Berry 2014, 58).},
	author = {Berry, David M.},
	booktitle = {Postdigital {{Aesthetics}} : {{Art}}, {{Computation}} and {{Design}}},
	date = {2015},
	doi = {10.1057/9781137437204_4},
	editor = {Berry, David M. and Dieter, Michael},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/Postdigital Aesthetics - Art, Computation and Design/Berry 2015 - 4 The Postdigital Constellation [berry2015_Post].pdf},
	isbn = {978-1-137-43720-4},
	keywords = {Computer Music,Digital Humanity,Digital Trace,Distant Reading,Social Epistemology},
	langid = {english},
	location = {{London}},
	pages = {44--57},
	publisher = {{Palgrave Macmillan UK}},
	title = {The {{Postdigital Constellation}}},
	url = {https://doi.org/10.1057/9781137437204_4},
	urldate = {2022-06-28},
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@incollection{bessa2018_Conc,
	abstract = {Impervious to readers unfamiliar with the complexities of the Portuguese language, Brazilian concrete poetry was for many decades in the United States characterized as merely an exploration in typesetting. That view has changed drastically in the last decade as poets such as Kenneth Goldsmith and Craig Dworkin, and scholars such as Marjorie Perloff and Roland Greene, have proposed more complex readings of the concretist program, acknowledging along the way the movement's contribution toward the articulation of a new conceptual poetics. For those readers, approaching concretism has been a careful process of identifying key elements of its program, such as the},
	author = {BESSA, ANTONIO SERGIO},
	booktitle = {Postscript},
	date = {2018},
	editor = {ANDERSSON, ANDREA},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/Postscript/BESSA 2018 - The Concrete, the Conceptual, and the Galáxias [bessa2018_Conc].pdf},
	isbn = {978-1-4426-4984-2},
	pages = {358--372},
	publisher = {{University of Toronto Press}},
	series = {Writing {{After Conceptual Art}}},
	title = {The {{Concrete}}, the {{Conceptual}}, and the {{Gal\'axias}}},
	url = {https://www.jstor.org.ezproxy.pratt.edu:2048/stable/10.3138/j.ctvvnfbx.33},
	urldate = {2022-06-29},
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@incollection{beveridge2018_Circ,
	abstract = {Questions regarding software development and the role of computer programming for rhetoric and writing studies have regularly reemerged in various forms over the last four decades. In the 1980s, scholars interested in cognitive and procedural aspects of the writing process programmed key logging software to use in research. These tools were built to help study the various ways writers revise while writing, and think-aloud protocols were supplemented with keystroke data collected while writers worked on their computers (Flinn 1987, 45). As Internet writing technologies expanded through the 1990s, software development with hypertext and production-based tools started to emerge. Paul J.},
	author = {Beveridge, Aaron},
	booktitle = {Circulation, {{Writing}}, and {{Rhetoric}}},
	date = {2018},
	doi = {10.2307/j.ctt21668mb.17},
	editor = {Gries, Laurie E. and Brooke, Collin Gifford},
	eprint = {j.ctt21668mb.17},
	eprinttype = {jstor},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/Circulation, Writing, and Rhetoric/Beveridge 2018 - Circulation analytics [beveridge2018_Circ].pdf},
	isbn = {978-1-60732-671-7},
	pages = {243--261},
	publisher = {{University Press of Colorado}},
	shorttitle = {Circulation Analytics},
	title = {Circulation {{Analytics}}: {{Software Development}} and {{Social Network Data}}},
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@book{biel2012_Entr,
	author = {Biel, Robert},
	date = {2012},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Biel 2012 - The entropy of capitalism.pdf},
	isbn = {978-90-04-20430-0},
	keywords = {Capitalism,Marxian economics},
	location = {{Leiden ; Boston}},
	number = {39},
	pagetotal = {391},
	publisher = {{Brill}},
	series = {Studies in Critical Social Sciences, 1573-4234},
	title = {The Entropy of Capitalism},
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@book{bigo.etal2019_Data,
	date = {2019-03-13},
	doi = {10.4324/9781315167305},
	edition = {1},
	editor = {Bigo, Didier and Isin, Engin and Ruppert, Evelyn},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Bigo et al 2019 - Data Politics.pdf},
	isbn = {978-1-315-16730-5},
	langid = {english},
	location = {{Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: Routledge studies in international political sociology}},
	publisher = {{Routledge}},
	shorttitle = {Data {{Politics}}},
	title = {Data {{Politics}}: {{Worlds}}, {{Subjects}}, {{Rights}}},
	url = {https://www.taylorfrancis.com/books/9781351682589},
	urldate = {2022-02-23},
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@article{bishop2021_Infl,
	author = {Bishop, Sophie},
	date = {2021},
	doi = {10.1177/20563051211003066},
	file = {/Users/daniel/Zotero/storage/E4SRM36P/Bishop 2021 - Influencer Management Tools Algorithmic Cultures, Brand Safety, and Bias.pdf},
	issn = {2056-3051},
	journaltitle = {Social Media and Society},
	langid = {english},
	number = {1},
	publisher = {{Sage Publications}},
	shorttitle = {Influencer {{Management Tools}}},
	title = {Influencer {{Management Tools}}: {{Algorithmic Cultures}}, {{Brand Safety}}, and {{Bias}}},
	url = {https://kclpure.kcl.ac.uk/portal/en/publications/influencer-management-tools(a35e6511-4dbb-4151-9e9d-7187687dd3e2).html},
	urldate = {2021-12-16},
	volume = {7},
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@book{blackmore1999_Meme,
	author = {Blackmore, Susan J.},
	date = {1999},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Blackmore 1999 - The meme machine.pdf},
	isbn = {978-0-19-850365-1},
	keywords = {Behavior evolution,Imitation,Memetics,Social psychology,Sociobiology},
	location = {{Oxford [England] ; New York}},
	pagetotal = {264},
	publisher = {{Oxford University Press}},
	title = {The Meme Machine},
	bdsk-file-1 = {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}}

@book{blair.etal2021_Info,
	abstract = {A landmark history that traces the creation, management, and sharing of information through six centuries Thanks to modern technological advances, we now enjoy seemingly unlimited access to information. Yet how did information become so central to our everyday lives, and how did its processing and storage make our data-driven era possible? This volume is the first to consider these questions in comprehensive detail, tracing the global emergence of information practices, technologies, and more, from the premodern era to the present. With entries spanning archivists to algorithms and scribes to surveilling, this is the ultimate reference on how information has shaped and been shaped by societies. Written by an international team of experts, the book's inspired and original long- and short-form contributions reconstruct the rise of human approaches to creating, managing, and sharing facts and knowledge. Thirteen full-length chapters discuss the role of information in pivotal epochs and regions, with chief emphasis on Europe and North America, but also substantive treatment of other parts of the world as well as current global interconnections. More than 100 alphabetical entries follow, focusing on specific tools, methods, and concepts-from ancient coins to the office memo, and censorship to plagiarism. The result is a wide-ranging, deeply immersive collection that will appeal to anyone drawn to the story behind our modern mania for an informed existence. {$<$}ul{$>$} {$<$}li{$>$}Tells the story of information's rise from 1450 through to today{$<$}/li{$>$} {$<$}li{$>$}Covers a range of eras and regions, including the medieval Islamic world, late imperial East Asia, early modern and modern Europe, and modern North America{$<$}/li{$>$} {$<$}li{$>$}Includes 100 concise articles on wide-ranging topics:{$<$}/li{$>$} {$<$}/ul{$>$} {$<$}ul{$>$} {$<$}li{$>$}Concepts: data, intellectual property, privacy{$<$}/li{$>$} {$<$}li{$>$}Formats and genres: books, databases, maps, newspapers, scrolls and rolls, social media{$<$}/li{$>$} {$<$}li{$>$}People: archivists, diplomats and spies, readers, secretaries, teachers{$<$}/li{$>$} Practices: censorship, forecasting, learning, political reporting, translating Processes: digitization, quantification, storage and search Systems: bureaucracy, platforms, telecommunications Technologies: cameras, computers, lithography Provides an informative glossary, suggested further reading (a short bibliography accompanies each entry), and a detailed index Written by an international team of notable contributors, including Jeremy Adelman, Lorraine Daston, Devin Fitzgerald, John-Paul Ghobrial, Lisa Gitelman, Earle Havens, Randolph C. Head, Niv Horesh, Sarah Igo, Richard R. John, Lauren Kassell, Pamela Long, Erin McGuirl, David McKitterick, Elias Muhanna, Thomas S. Mullaney, Carla Nappi, Craig Robertson, Daniel Rosenberg, Neil Safier, Haun Saussy, Will Slauter, Jacob Soll, Heidi Tworek, Siva Vaidhyanathan, Alexandra Walsham, and many more.},
	date = {2021},
	doi = {10.2307/j.ctv1pdrrbs},
	editor = {Blair, Ann and Duguid, Paul and Goeing, Anja-Silvia and Grafton, Anthony},
	eprint = {j.ctv1pdrrbs},
	eprinttype = {jstor},
	file = {/Users/daniel/Zotero/storage/EMWA4YSJ/ 2021 - Information A Historical Companion.pdf},
	isbn = {978-0-691-17954-4},
	publisher = {{Princeton University Press}},
	shorttitle = {Information},
	title = {Information: {{A Historical Companion}}},
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@book{blanchette2012_Burd,
	abstract = {The gradual disappearance of paper and its familiar evidential qualities affects almost every dimension of contemporary life. From health records to ballots, almost all documents are now digitized at some point of their life cycle, easily copied, altered, and distributed. This book examines the challenge of defining a new evidentiary framework for electronic documents, focusing on the design of a digital equivalent to handwritten signatures. From the blackboards of mathematicians to the halls of legislative assemblies, the book traces the path of such an equivalent: digital signatures based on the mathematics of public-key cryptography. In the mid-1990s, cryptographic signatures formed the centerpiece of a worldwide wave of legal reform and of an ambitious cryptographic research agenda that sought to build privacy, anonymity, and accountability into the very infrastructure of the Internet. Yet markets for cryptographic products collapsed in the aftermath of the dot-com boom and bust along with cryptography's social projects. The book describes the trials of French bureaucracies as they wrestled with the application of electronic signatures to real estate contracts, birth certificates, and land titles, and tracks the convoluted paths through which electronic documents acquire moral authority. These paths suggest that the material world need not merely succumb to the virtual but, rather, can usefully inspire it. Indeed, the book argues, in renewing their engagement with the material world, cryptographers might also find the key to broader acceptance of their design goals.},
	author = {Blanchette, Jean-Francois},
	date = {2012},
	doi = {10.7551/mitpress/9780262017510.001.0001},
	isbn = {978-0-262-01751-0},
	keywords = {ballots,cryptographic signatures,digital signatures,electronic documents,evidentiary framework,handwritten signatures,health records,legal reform,paper,public-key cryptography},
	langid = {english},
	location = {{Cambridge, MA, USA}},
	pagetotal = {288},
	publisher = {{The MIT Press}},
	shorttitle = {Burdens of {{Proof}}},
	title = {Burdens of {{Proof}}: {{Cryptographic Culture}} and {{Evidence Law}} in the {{Age}} of {{Electronic Documents}}}}

@book{bockman2011_Mark,
	abstract = {The worldwide spread of neoliberalism has transformed economies, polities, and societies everywhere. In conventional accounts, American and Western European economists, such as Milton Friedman and Friedrich von Hayek, sold neoliberalism by popularizing their free-market ideas and radical criticisms of the state. Rather than focusing on the agency of a few prominent, conservative economists, Markets in the Name of Socialism reveals a dialogue among many economists on both sides of the Iron Curtain about democracy, socialism, and markets. These discussions led to the transformations of 1989 and, unintentionally, the rise of neoliberalism.This book takes a truly transnational look at economists' professional outlook over 100 years across the capitalist West and the socialist East. Clearly translating complicated economic ideas and neoliberal theories, it presents a significant reinterpretation of Cold War history, the fall of communism, and the rise of today's dominant economic ideology.},
	author = {Bockman, Johanna},
	date = {2011},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Bockman 2011 - Markets in the Name of Socialism.pdf},
	isbn = {978-0-8047-7566-3},
	keywords = {Economics -- Social Economics,Sociology -- Global Issues; Economy; and Work},
	location = {{Stanford}},
	pagetotal = {352},
	publisher = {{Stanford University Press}},
	shorttitle = {Markets in the {{Name}} of {{Socialism}}},
	title = {Markets in the {{Name}} of {{Socialism}}: {{The Left-Wing Origins}} of {{Neoliberalism}}},
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@book{bogadottir2013_Flee,
	annotation = {83},
	author = {Bogad\'ottir, R.},
	doi = {10.4324/9780203122815},
	isbn = {978-0-203-12281-5},
	journaltitle = {Ecology and Power: Struggles Over Land and Material Resources in the Past, Present, and Future},
	langid = {english},
	pagetotal = {83-96},
	publisher = {{Taylor and Francis}},
	series = {Ecology and {{Power}}: {{Struggles Over Land}} and {{Material Resources}} in the {{Past}}, {{Present}}, and {{Future}}},
	shorttitle = {Fleece},
	title = {Fleece: {{Imperial}} Metabolism in the Pre-{{Columbian}} Andes},
	year = {2013 / 01 / 01 /}}

@incollection{bok2018_TwoD,
	abstract = {Modern, social trends in computing (as seen, for example, in digitized sampling and networked exchange) have so thoroughly ensconced piracy and parody as sovereign, aesthetic values that not only do the economic edifices of copyright seem ready to collapse, but so also do the Romantic bastions of both sublime creativity and eminent authorship seem ready to dissolve into a morass of protoplasmic textualities, all manufactured at a prodigious, industrial scale by means of plagiaristic appropriation and computerized recombination. Varied pupils of the avant-garde at the listserv UbuWeb (including, among others, such poets as Caroline Bergvall, Craig Dworkin, Robert Fitterman, Kenneth},
	author = {B\"OK, CHRISTIAN},
	booktitle = {Postscript},
	date = {2018},
	editor = {ANDERSSON, ANDREA},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/Postscript/BÖK 2018 - Two Dots over a Vowel [bok2018_TwoD].pdf},
	isbn = {978-1-4426-4984-2},
	pages = {290--302},
	publisher = {{University of Toronto Press}},
	series = {Writing {{After Conceptual Art}}},
	title = {Two {{Dots}} over a {{Vowel}}},
	url = {https://www.jstor.org.ezproxy.pratt.edu:2048/stable/10.3138/j.ctvvnfbx.28},
	urldate = {2022-06-29},
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@article{boluk2014_Mone,
	author = {Boluk, Stephanie},
	date = {2014-05},
	doi = {10.25158/L3.1.5},
	file = {/Users/daniel/Zotero/storage/K23X4IZW/Boluk 2014 - Money as Medium, Speculation and Scrypt.pdf},
	issn = {24694053},
	journaltitle = {Lateral},
	shortjournal = {Lateral},
	title = {Money as {{Medium}}, {{Speculation}} and {{Scrypt}}},
	url = {http://csalateral.org/issue/3/ecologies-money-as-medium-speculation-scrypt-boluk/},
	urldate = {2022-04-19},
	volume = {3},
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@book{borch.etal2020_Rout,
	abstract = {There has been an increasing interest in financial markets across sociology, history, anthropology, cultural studies, and related disciplines over the past decades, with particular intensity since the 2007\textendash 2008 crisis which prompted new analyses of the workings of financial markets and how ``scandals of Wall Street'' might have huge societal ramifications. The sociologically inclined landscape of finance studies is characterized by different more or less well- established homogeneous camps, with more micro-empirical, social studies of finance approaches on the one end~of the spectrum and more theoretical, often neo-Marxist approaches, on the other.  Yet alternative approaches are also gaining traction, including work that emphasizes the cultural homologies and interconnections with finance as well as work that, more broadly, is both empirically rigorous and theoretically ambitious. Importantly, across these various approaches to finance, a growing body of literature is taking shape which engages finance in a critical manner.  The term ``critical finance studies'' nonetheless remains~largely unfocused and undefined. Against this backdrop, the key rationales of The Routledge Handbook~of Critical Finance Studies are firstly~to provide a coherent notion of this emergent field and secondly~to demonstrate its analytical usefulness across a wide range of central aspects of contemporary finance.  As such, the volume will offer a comprehensive guide to students and academics on the field of Finance and Critical Finance Studies, Heterodox Economics, Accounting, and related Management disciplines. Chapter~14 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license at https://tandfbis.s3-us-west-2.amazonaws.com/rt-files/docs/Open+Access+Chapters/9781138079816\_oachapter14.pdf},
	date = {2020-09-16},
	doi = {10.4324/9781315114255},
	editor = {Borch, Christian and Wosnitzer, Robert},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Borch & Wosnitzer 2020 - The Routledge Handbook of Critical Finance Studies.pdf},
	isbn = {978-1-315-11425-5},
	location = {{New York}},
	pagetotal = {442},
	publisher = {{Routledge}},
	title = {The {{Routledge Handbook}} of {{Critical Finance Studies}}},
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@book{borsuk2018_Book,
	abstract = {"The Book tracks the ways the book's physical form and artistic content have historically inspired one another's evolution. Borsuk shows that in order to see where books might be going, we must think of them as objects whose physical shape has experienced a long history of experimentation and play. Rather than bemoaning the death of books or creating a dichotomy between print and digital media, Borsuk points to their continuities, positioning the book as a changing technology and highlighting the way poets and artists in the 20th and 21st centuries have pushed us to rethink our definitions of the term. Instead of a teleological story of ever-improving legibility, distribution, and engagement, the book's mutations tell us about our highly contingent cultural ideals of authorship and art. In mapping these shifts, Borsuk offers a path forward for those interested in shaping the book's future. More than a broad look at the book in the roles it plays, though (summed up by the chapter titles: book as object, book as content, book as idea, book as interface), this essential knowledge volume also offers a fascinating array of details, vignettes, and anecdotes: how the taste of insects for glue led to the use of stab binding, for example, or how humanism and Nazism could impact the typography used in mass market paperbacks in the UK, or how feeling "out of sorts" has its roots in printer's lingo"--},
	author = {Borsuk, Amaranth},
	date = {2018},
	file = {/Users/daniel/Zotero/storage/MUIPQM9B/Borsuk 2018 - The Book.pdf},
	isbn = {978-0-262-53541-0},
	keywords = {Books,History,Printing},
	location = {{Cambridge, MA}},
	pagetotal = {322},
	publisher = {{The MIT Press}},
	series = {The {{MIT Press}} Essential Knowledge Series},
	title = {The {{Book}}},
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@incollection{bosteels2020_Read,
	author = {Bosteels, Bruno},
	booktitle = {The {{Concept}} in {{Crisis}} : {{Reading Capital Today}}},
	date = {2020-12-31},
	doi = {10.1515/9780822372905-008},
	editor = {Nesbitt, Nick},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/The Concept in Crisis - Reading Capital Today/Bosteels 2020 - 6 Reading Capital from the Margins [bosteels2020_Read].pdf},
	isbn = {978-0-8223-7290-5},
	pages = {113--165},
	publisher = {{Duke University Press}},
	shorttitle = {Reading {{Capital}} from the {{Margins}}},
	title = {Reading {{Capital}} from the {{Margins}}: {{Notes}} on the {{Logic}} of {{Uneven Development}}},
	url = {https://www.degruyter.com/document/doi/10.1515/9780822372905-008/html},
	urldate = {2022-06-29},
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@incollection{boullier2019_Desi,
	abstract = {Starting from the idea of various regimes of attention means considering the variety of the dimensions of attention as a prerequisite to understand these processes. Too often, models are based on an essentialist vision of attention and not a pluralistic one, despite the works of cognitive science scholars (for instance, ``priming'' has been well defined). Too often and quite recently, ``attention'' obtains a status of principle, which manipulates all situations around itself, about the new value that is created through these economic processes (as Goldhaber (1997) mentioned in his pioneering papers following the traces of Simon). The chapter accounts for these economical views of attention and then for the philosophical one before getting back to a more detailed empirical analysis of these regimes of attention, from urban settings to digital platforms and videogames.},
	author = {Boullier, Dominique},
	booktitle = {Communication in the {{Era}} of {{Attention Scarcity}}},
	date = {2019},
	doi = {10.1007/978-3-030-20918-6_6},
	editor = {Doyle, Waddick and Roda, Claudia},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/Communication in the Era of Attention Scarcity/Boullier 2019 - Designing Envelopes for Attention Policies [boullier2019_Desi].pdf},
	isbn = {978-3-030-20918-6},
	keywords = {Alert,Attention economy,Immersion,Immunity,Loyalty,Regimes of attention},
	langid = {english},
	location = {{Cham}},
	pages = {63--73},
	publisher = {{Springer International Publishing}},
	title = {Designing {{Envelopes}} for {{Attention Policies}}},
	url = {https://doi.org/10.1007/978-3-030-20918-6_6},
	urldate = {2022-02-26},
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@book{bown2018_Even,
	abstract = {Using Lacanian psychoanalysis, as well as its pre-history and afterlives, In the Event of Laughter argues for a new framework for discussing laughter. Responding to a tradition of'comedy studies'that has been interested only in the causes of laughter (in why we laugh), it proposes a different relationship between laughter and causality. Ultimately it argues that laughter is both cause and effect, troubling chronological time and asking for a more nuanced way of conceiving the relationship between subjects and their laughter than existing theories have accounted for. Making this visible via psychoanalytic ideas of retroactivity, Alfie Bown explores how laughter \textendash{} far from being a mere response to a stimulus \textendash{} changes the relationship between the present, the past and the future. Bown investigates this hypothesis in relation to a range of comic texts from the'history of laughter,'discussing Chaucer, Shakespeare, Kafka and Chaplin, as well as lesser-known but vital figures from the comic genre.},
	author = {Bown, Alfie},
	date = {2018},
	isbn = {978-1-5013-4262-2},
	keywords = {Comic; The; in literature,Laughter in literature,Laughter--Psychological aspects,LITERARY CRITICISM / Comparative Literature,LITERARY CRITICISM / Humor,PHILOSOPHY / History & Surveys / Modern,PSYCHOLOGY / Movements / Psychoanalysis},
	langid = {english},
	location = {{New York, NY}},
	publisher = {{Bloomsbury Academic}},
	series = {Psychoanalytic {{Horizons}}},
	shorttitle = {In the {{Event}} of {{Laughter}}},
	title = {In the {{Event}} of {{Laughter}} : {{Psychoanalysis}}, {{Literature}} and {{Comedy}}},
	url = {https://www.bloomsburycollections.com/book/in-the-event-of-laughter-psychoanalysis-literature-and-comedy/preface-and-acknowledgements}}

@incollection{boyle.etal2018_Augm,
	abstract = {It's an old story, but, as most old stories go, it bears repeating: the birth of the contemporary public is said to have taken place alongside the invention of coffee shops. As this story goes, a culture sedated in dark pubs and closed bars became energized by the stimulating effects of caffeine and open room\textendash styled caf\'es. The change in both drinkery and scenery is said to have facilitated excited discussion and the passing of political newsletters and pamphlets. It's easy to like this story, to feel it. Indeed, any cup of coffee would reenact that cultural change by stimulating},
	author = {Boyle, Casey and Rivers, Nathaniel A.},
	booktitle = {Circulation, {{Writing}}, and {{Rhetoric}}},
	date = {2018},
	doi = {10.2307/j.ctt21668mb.8},
	editor = {Gries, Laurie E. and Brooke, Collin Gifford},
	eprint = {j.ctt21668mb.8},
	eprinttype = {jstor},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/Circulation, Writing, and Rhetoric/Boyle & Rivers 2018 - Augmented publics [boyle.etal2018_Augm].pdf},
	isbn = {978-1-60732-671-7},
	pages = {83--101},
	publisher = {{University Press of Colorado}},
	title = {Augmented Publics},
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@book{boyle2002_Mone,
	abstract = {Since money was invented, there has been a debate about better ways of creating it and better rules to govern how it works - until the last generation, when it began to seem that the money system had been handed down by God and remained unchanged ever since. But the last few years have seen an increasingly powerful resurgence of interest in changing the system fundamentally, and bringing the monetary trends that affect all our lives under our control. Few realize that the debate has roots and a tradition, covering mainstream economists like Keynes and Hayek, statesmen like Lincoln, entrepreneurs like Ford and Soros, as well as the imaginative mavericks behind local currencies and e-money. This volume collects together some of their most influential writings to provide a handbook on a vital train of ideas, and a guide to a debate on changing money that is becoming increasingly important.},
	author = {Boyle, David},
	date = {2002},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book/Boyle 2002 - The Money Changers [boyle2002_Mone].pdf},
	isbn = {978-1-85383-895-8},
	keywords = {BUSINESS & ECONOMICS / Economics / General,Currency question--History,Money--History},
	langid = {english},
	location = {{London}},
	publisher = {{Routledge}},
	shorttitle = {The {{Money Changers}}},
	title = {The {{Money Changers}}: {{Currency Reform From Aristotle}} to {{E-Cash}}},
	url = {https://login.ezproxy.pratt.edu/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=e000xna&AN=1131842&site=eds-live&scope=site},
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@article{bradley.etal2018_Lump,
	abstract = {As a prolegomena to writing a critique of contemporary capitalism which takes into account its semiotic, affective dimensions and which emphasises the notion of hyper-capitalism with Asian characteristics, and in considering the nature of the floating, heterogeneous population of the lumpenproletariat in the Asia-Pacific region in the 21st century, the authors believe they remain faithful to Marx and the 11th thesis on Feuerbach. Bringing a unique perspective to the debate and raising pressing issues regarding the exploitation of the lumpenproletariat, we are not content to merely revisit the concept of the lumpenproletariat in Marx's writings such as The Eighteenth Brumaire of Louis Bonaparte (1852) but to apply this concept to the contemporary conditions of capitalism and especially to the loci of the precariat in Asia. Our goal is to begin to account for the changing demographic of labour flows, the precarity of life, the modern day slavery which takes place in our time. In examining the passage from the lumpenproletariat, hitherto defined as ``non-class'' or ``people without a definite trace'', to lumpen-precariat, defined as people not seen in Asian economies (refugees, the illegally employed, illegal migrants, nationless foreign labour, the withdrawn clan, sex industry workers, night workers; those behind walls, gated communities, and other entrance-exit barriers), this paper discloses not only the subsistence of those in the non-places of the world \textendash{} in the technocratic-commercial archipelago of urban technopoles \textendash{} but also and, arguably more importantly, on the Outside, namely the rest of the planet, the other six-sevenths of humanity. This paper looks for ``a'' missing people, ``a'' singular, people yet to come, those exiled, excluded and unseen \textendash{} sited on the edges of respectable society.},
	author = {Bradley, Joff P. N. and Lee, Alex Taek-Gwang},
	date = {2018-05-04},
	doi = {10.31269/triplec.v16i2.1006},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Journal Article/tripleC- Communication, Capitalism & Critique/vol. 16/no. 2/Bradley & Lee 2018 - On the Lumpen-Precariat-To-Come [bradley.etal2018_Lump].pdf},
	issn = {1726-670X},
	journaltitle = {tripleC: Communication, Capitalism \& Critique},
	keywords = {Deleuze,Guattari,Japan,Korea,lumpenproletariat,Marx},
	langid = {american},
	number = {2},
	pages = {639--646},
	title = {On the {{Lumpen-Precariat-To-Come}}},
	url = {https://www.triple-c.at/index.php/tripleC/article/view/1006},
	urldate = {2022-06-29},
	volume = {16},
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@article{brassier2017_Pric,
	author = {Brassier, Ray},
	date = {2017-06-01},
	doi = {10.51151/identities.v14i1-2.320},
	editora = {Malik, Suhail},
	editoratype = {collaborator},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Journal Article/Identities- Journal for Politics, Gender and Culture/vol. 14/no. 1-2/Brassier 2017 - Pricing Time [brassier2017_Pric].pdf},
	issn = {1857-8616},
	journaltitle = {Identities: Journal for Politics, Gender and Culture},
	keywords = {ontology},
	langid = {english},
	number = {1-2},
	pages = {86--128},
	publisher = {{Institute of Social Sciences and Humanities \textendash{} Skopje}},
	shorttitle = {Pricing {{Time}}},
	title = {Pricing {{Time}}: {{Outline}} and {{Discussion}} on {{Suhail Malik}}'s "{{The Ontology}} of {{Finance}}": {{\cyrchar\CYRF\cyrchar\cyro\cyrchar\cyrr\cyrchar\cyrm\cyrchar\cyri\cyrchar\cyrr\cyrchar\cyra\cyrchar\cyrnje\cyrchar\cyre}} \cyrchar\CYRC\cyrchar\cyre\cyrchar\cyrn\cyrchar\cyra{} \cyrchar\CYRZ\cyrchar\cyra{} \cyrchar\CYRV\cyrchar\cyrr\cyrchar\cyre\cyrchar\cyrm\cyrchar\cyre\cyrchar\cyrt\cyrchar\cyro : \cyrchar\CYRR\cyrchar\cyre\cyrchar\cyrz\cyrchar\cyri\cyrchar\cyrm\cyrchar\cyre{} \cyrchar\cyri{} \cyrchar\CYRD\cyrchar\cyri\cyrchar\cyrs\cyrchar\cyrk\cyrchar\cyru\cyrchar\cyrs\cyrchar\cyri\cyrchar\cyrje\cyrchar\cyra{} \cyrchar\CYRZ\cyrchar\cyra{} "{{\cyrchar\CYRO\cyrchar\cyrn\cyrchar\cyrt\cyrchar\cyro\cyrchar\cyrl\cyrchar\cyro\cyrchar\cyrg\cyrchar\cyri\cyrchar\cyrje\cyrchar\cyra}} \cyrchar\CYRN\cyrchar\cyra{} \cyrchar\CYRF\cyrchar\cyri\cyrchar\cyrn\cyrchar\cyra\cyrchar\cyrn\cyrchar\cyrs\cyrchar\cyri\cyrchar\cyri\cyrchar\cyrt\cyrchar\cyre " \cyrchar\CYRN\cyrchar\cyra{} {{\cyrchar\CYRS\cyrchar\cyru\cyrchar\cyrh\cyrchar\cyra\cyrchar\cyri\cyrchar\cyrl{} \cyrchar\CYRM\cyrchar\cyra\cyrchar\cyrl\cyrchar\cyri\cyrchar\cyrk}}},
	url = {http://www.identitiesjournal.edu.mk/index.php/IJPGC/article/view/320},
	urldate = {2022-06-27},
	volume = {14},
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@book{bratton.etal2022_Mach,
	annotation = {OCLC: 1285052628},
	date = {2022},
	editor = {Bratton, Benjamin and Konior, Bogna and Greenspan, Anna},
	isbn = {978-1-913029-99-9},
	langid = {english},
	location = {{S.l.}},
	publisher = {{URBANOMIC SEQUENCE PR}},
	shorttitle = {Machine {{Decision Is Not Final}}},
	title = {Machine {{Decision}} Is {{Not Final}}: {{China}} and the {{History}} and {{Future}} of {{AI}}},
	url = {https://www.urbanomic.com/book/machine-decision-is-not-final/}}

@book{brecht2000_Brec,
	abstract = {From Weimar Germany to Hollywood to East Berlin, Brecht on Film and Radio gathers together a selection of Bertolt Brecht's own writings on the new film and broadcast media that revolutionised arts and communication in the twentieth century.Bertolt Brecht's hugely influential views on drama, acting and stage production have long been widely recognised. Less familiar, but of profound importance, are his writings on film and radio. From Weimar Germany to Hollywood to East Berlin, Brecht on Film and Radio gathers together for the first time a selection of Brecht's own writings on the new film and broadcast media that fascinated him throughout his life and revolutionised arts and communication in the twentieth century. Marc Silberman's full editorial commentary sets Brecht's ideas in the context of his other work.'I strongly wish that after their invention of the radio the bourgeoisie would make a further invention that enables us to fix for all time what the radio communicates. Later generations would then have the opportunity to marvel how a caste was able to tell the whole planet what it had to say and at the same time how it enabled the planet to see that it had nothing to say.'(Bertolt Brecht)},
	author = {Brecht, Bertolt},
	date = {2000},
	editor = {Silberman, Marc},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book/Brecht & Silberman 2000 - Brecht On Film & Radio [brecht2000_Brec].pdf},
	isbn = {978-1-4081-7128-8},
	keywords = {DRAMA / General,Film criticism,Motion picture plays,PERFORMING ARTS / General,Radio,Radio broadcasting},
	langid = {english},
	location = {{London}},
	publisher = {{Methuen Drama}},
	series = {Diaries, {{Letters}} and {{Essays}}},
	title = {Brecht {{On Film}} \& {{Radio}}},
	translator = {Silberman, Marc},
	url = {https://login.ezproxy.pratt.edu/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=e000xna&AN=932308&site=eds-live&scope=site},
	urldate = {2022-06-30},
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@thesis{brekke2019_Disa,
	abstract = {Blockchain technology is, in part, a proposal to resolve `the political' through technical means: decentralised networks to solve the problem of authority; cryptography to coordinate and secure the network; and game theory and incentive design to solve network behaviour. This PhD thesis draws on theoretical work by Karen Barad (2007) and Jacques Ranci\`ere (Ranci\`ere, 2010) to ask the question of what matters politically in blockchain technology \textendash{} both in the sense of matter as becoming material of a new mediation of the political, but also mattering in the sense of being of political importance to engineers, developers and communities forming around blockchain as a potential. Rather than treating blockchain as coherent thing to be either celebrated or criticised, this thesis proposes and attempts to draw out the ways in which the potentials of blockchain are negotiated as part of its political effects, looking towards these negotiations to understand how political differences are made and sought materialised. Three approaches to the political are articulated to analyse Bitcoin and Ethereum as case studies and shift their terms of debate. Firstly, addressing the question of algorithmic determinacy, an approach is proposed for critically understanding a blockchain proposition that does not immediately revert to a competition of control between `human' and `machine' through the notion of the insensible, drawing on work by geographer of the inhuman Yusoff (2013a). Secondly, drawing on political theorist Ranci\`ere (2010) a particular blockchain sensibility is articulated, addressing the question of the particular kind of `disruption' that blockchain presents. Its specific provenance in political histories of decentralised network computation opens up political significance beyond its intersections with financial capitalism. Finally, addressing the question of blockchain as a resolution to the political, the thesis introduces the concept of dissensible as an ongoing potential for incompatible sensibilities and their negotiation.},
	author = {Brekke, Jaya Clara},
	date = {2019},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Brekke 2019 - Disassembling the Trust Machine.pdf},
	institution = {{Durham University}},
	shorttitle = {Disassembling the {{Trust Machine}}},
	title = {Disassembling the {{Trust Machine}}, Three Cuts on the Political Matter of Blockchain},
	type = {Doctoral},
	url = {http://etheses.dur.ac.uk/13174/},
	urldate = {2021-11-10},
	bdsk-file-1 = {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}}

@article{brekke2021_Hack,
	author = {Brekke, Jaya Klara},
	date = {2021-07-04},
	doi = {10.1080/13563467.2020.1806223},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Journal Article/New Political Economy/vol. 26/no. 4/Brekke 2021 - Hacker-engineers and Their Economies [brekke2021_Hack].pdf},
	issn = {1356-3467, 1469-9923},
	journaltitle = {New Political Economy},
	langid = {english},
	number = {4},
	pages = {646--659},
	shortjournal = {New Political Economy},
	shorttitle = {Hacker-Engineers and {{Their Economies}}},
	title = {Hacker-Engineers and {{Their Economies}}: {{The Political Economy}} of {{Decentralised Networks}} and `{{Cryptoeconomics}}'},
	url = {https://www.tandfonline.com/doi/full/10.1080/13563467.2020.1806223},
	urldate = {2021-11-10},
	volume = {26},
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@book{brevini2022_AIGo,
	abstract = {A passionate intervention on why AI will not solve the climate crisis},
	annotation = {OCLC: 1250433913},
	author = {Brevini, Benedetta},
	date = {2022},
	isbn = {978-1-5095-4794-4 978-1-5095-4795-1 978-1-5095-4796-8},
	keywords = {Artificial intelligence,Climatic changes,Environmental quality,Sustainability},
	location = {{Cambridge, UK ; Medford, MA}},
	pagetotal = {128},
	publisher = {{Polity Press}},
	series = {Digital Futures},
	title = {Is {{AI}} Good for the Planet?}}

@book{brodmerkel.etal2016_Bran,
	abstract = {This study argues that the defining feature of contemporary advertising is the interconnectedness between consumer participation and calculative media platforms. It critically investigates how audience participation unfolds in an algorithmic media infrastructure in which brands develop media devices to codify, process and modulate human capacities and actions.With the shift from a broadcast to an interactive media system, advertisers have reinvented themselves as the strategic interface between computational media systems and the lived experience and living bodies of consumers. Where once advertising relied predominantly on symbolic appeals to affect consumers, it now centres on the use of computational devices that codify, monitor, analyse and control their behaviours. Advertisers have worked to stimulate and harness consumer participation for several generations. Consumers undertook the productive work of making brands a part of their cultural identities and practices. With the emergence of a computational mode of advertising consumer participation extends beyond the expressive activity of creating and circulating meaning. It now involves making the lived experience and the living body available to the experimental capacities of media platforms and devices. In this mode of advertising brands become techno-cultural processes that integrate calculative and cultural functions. Brand Machines, Sensory Media and Calculative Culture conceptualises and theorises these significant changes in advertising. It takes consumer participation and its interconnectedness with calculative media platforms as the fundamental aspect of contemporary advertising and critically investigates how advertising, consumer participation and technology are interrelated in creating and facilitating lived experiences that create value for brands.},
	author = {Brodmerkel, Sven and Carah, Nicholas},
	date = {2016-10-27},
	eprint = {duRmDQAAQBAJ},
	eprinttype = {googlebooks},
	isbn = {978-1-137-49656-0},
	keywords = {Computers / Design; Graphics & Media / Graphics Tools,Computers / Interactive & Multimedia,Social Science / Anthropology / Cultural & Social,Social Science / General,Social Science / Sociology / General},
	langid = {english},
	pagetotal = {215},
	publisher = {{Springer}},
	title = {Brand {{Machines}}, {{Sensory Media}} and {{Calculative Culture}}}}

@incollection{brody2018_HowB,
	author = {Brody, Paul R.},
	booktitle = {Transforming {{Climate Finance}} and {{Green Investment}} with {{Blockchains}}},
	date = {2018-01-01},
	doi = {10.1016/B978-0-12-814447-3.00006-9},
	editor = {Marke, Alastair},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/Transforming Climate Finance and Green Investment with Blockchains/Brody 2018 - 6 How Blockchains Will Industrialize a Renewable Grid [brody2018_HowB].pdf},
	isbn = {978-0-12-814447-3},
	keywords = {Blockchain,decentralized systems,distributed computing,grid,renewables,smartgrid},
	pages = {83--91},
	publisher = {{Academic Press}},
	shorttitle = {How {{Blockchains Will Industrialize}} a {{Renewable Grid}}},
	title = {How {{Blockchains Will Industrialize}} a {{Renewable Grid}}},
	url = {https://www.sciencedirect.com/science/article/pii/B9780128144473000069},
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@book{brooke.etal2018_Circ,
	abstract = {While it has long been understood that the circulation of discourse, bodies, artifacts, and ideas plays an important constitutive force in our cultures and communities, circulation, as a concept and a phenomenon, has been underexamined in studies of rhetoric and writing. In an effort to give circulation its rhetorical due,~Circulation, Writing, and Rhetoric~introduces a wide range of studies that foreground circulation in both theory and practice. Contributors to the volume specifically explore the connections between circulation and public rhetorics, urban studies, feminist rhetorics, digital communication, new materialism, and digital research. Circulation is a cultural-rhetorical process that impacts various ecologies, communities, and subjectivities in an ever-increasing globally networked environment. As made evident in this collection, circulation occurs in all forms of discursive production, from academic arguments to neoliberal policies to graffiti to tweets and bitcoins.~Even in the case of tombstones, borrowed text achieves only partial stability before it is recirculated and transformed again. This communicative process is even more evident in the digital realm, the underlying infrastructures of which we have yet to fully understand. As public spaces become more and more saturated with circulating texts and images and as networked relations come to the center of rhetorical focus,~Circulation, Writing, and Rhetoric~will be a vital interdisciplinary resource for approaching the contemporary dynamics of rhetoric and writing. Contributors: Aaron Beveridge, Casey Boyle, Jim Brown, Naomi Clark, D\`anielle Nicole DeVoss, Rebecca Dingo, Sidney I. Dobrin, Jay Dolmage, Dustin Edwards, Jessica Enoch, Tarez Samra Graban, Byron Hawk, Gerald Jackson, Gesa E. Kirsch, Heather Lang, Sean Morey, Jenny Rice, Thomas Rickert, Jim Ridolfo, Nathaniel A. Rivers, Jacqueline Jones Royster, Donnie Johnson Sackey, Michele Simmons, Dale M. Smith, Patricia Sullivan, John Tinnell, Kathleen Blake Yancey},
	date = {2018},
	editor = {Brooke, Collin Gifford and Gries, Laurie},
	isbn = {978-1-60732-674-8},
	location = {{Logan}},
	publisher = {{Utah State University Press}},
	title = {Circulation, {{Writing}}, and {{Rhetoric}}},
	url = {http://muse-jhu-edu/book/57923},
	urldate = {2022-05-02}}

@article{brown.etal2012_AWor,
	abstract = {In this paper, we propose a new ethnographic method for the study of produsage (Bruns 2008) in social media contexts. The proposed method is based on three lines of thought: Marx's method of `A Workers' Inquiry', the autonomists' method of co-research, and recent critical theory of Web 2.0. To show the applicability and usefulness of the proposed method, we first compare it to other Marxist inspired methodological approaches and then we describe a case study to illustrate the method's diversity and its potential for providing new insights into the processes of produsage and the commodification of audiences as described in previous work by Smythe (1977), Bruns (2008), Cohen (2008), and Fuchs (2011). The case study consists of a critical examination of the mode of produsage as it takes place in Flickr, one of the largest photo-sharing communities on the Internet.},
	author = {Brown, Brian and Quan-Haase, Anabel},
	date = {2012-05-25},
	doi = {10.31269/triplec.v10i2.390},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Journal Article/tripleC- Communication, Capitalism & Critique/vol. 10/no. 2/Brown & Quan-Haase 2012 - 'A Workers’ Inquiry 2.0' [brown.etal2012_AWor].pdf},
	issn = {1726-670X},
	journaltitle = {tripleC: Communication, Capitalism \& Critique},
	keywords = {Critical Theory,Digital Ethnography,Flickr,Immaterial Labour,Internet,Produsage,Research Methods,Social Media,Web 2.0},
	langid = {english},
	number = {2},
	pages = {488--508},
	shorttitle = {'{{A Workers}}' {{Inquiry}} 2.0'},
	title = {'{{A Workers}}' {{Inquiry}} 2.0': {{An Ethnographic Method}} for the {{Study}} of {{Produsage}} in {{Social Media Contexts}}},
	url = {https://www.triple-c.at/index.php/tripleC/article/view/390},
	urldate = {2022-06-29},
	volume = {10},
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@incollection{brown2007_Malv,
	author = {Brown, Alison Leigh},
	booktitle = {Reading {{Bataille Now}}},
	date = {2007},
	editor = {Winnubst, Shannon},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/Reading Bataille Now/Brown 2007 - 6 Malvolio’s Revenge [brown2007_Malv].pdf},
	isbn = {978-0-253-11241-5},
	location = {{Bloomington}},
	publisher = {{Indiana University Press}},
	title = {Malvolio's {{Revenge}}},
	url = {http://muse.jhu.edu/book/12937},
	urldate = {2022-06-30},
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@incollection{brunton.etal2014_Clos,
	abstract = {This chapter concerns what happens after the material turn in digital media studies. It is not enough to account for the hardware, the users and publics, or the conceptual structures at work; digital media scholarship must document all three at once, understanding their interrelationships and dynamics. Two case studies substantiate this: the role of system administrators (sysadmins) in the online activist group Anonymous, and the project of defining the elements that constitute spam online. Explaining these three frames of reference provides a model for looking at digital media, and exposes their limits for future inquiry.},
	author = {Brunton, Finn and Coleman, Gabriella},
	booktitle = {Media {{Technologies}}},
	date = {2014},
	doi = {10.7551/mitpress/9780262525374.003.0004},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/Media Technologies/Brunton & Coleman 2014 - Closer to the metal [brunton.etal2014_Clos].pdf},
	isbn = {978-0-262-52537-4},
	keywords = {Anonymous,hardware,infrastructure,materiality,spam,sysadmins},
	langid = {english},
	publisher = {{The MIT Press}},
	title = {Closer to the Metal},
	url = {https://mitpress.universitypressscholarship.com/10.7551/mitpress/9780262525374.001.0001/upso-9780262525374-chapter-4},
	urldate = {2021-12-21},
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@online{brunton2010_Roar,
	abstract = {Spam, technology and language},
	author = {Brunton, Finn},
	date = {2010-12},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Brunton 2010 - Roar so wildly.pdf},
	langid = {american},
	organization = {{Radical Philosophy}},
	shorttitle = {Roar so Wildly},
	title = {Roar so Wildly: Spam, Technology and Language},
	url = {https://www.radicalphilosophy.com/commentary/roar-so-wildly-spam-technology-and-language},
	urldate = {2021-11-09},
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@book{brunton2013_Spam,
	abstract = {What spam is, how it works, and how it has shaped online communities and the Internet itself.},
	author = {Brunton, Finn},
	date = {2013-03-29},
	editorb = {Edwards, Paul N.},
	editorbtype = {redactor},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Brunton 2013 - Spam.pdf},
	isbn = {978-0-262-01887-6},
	langid = {english},
	location = {{Cambridge, MA, USA}},
	pagetotal = {296},
	publisher = {{MIT Press}},
	series = {Infrastructures},
	shorttitle = {Spam},
	title = {Spam: {{A Shadow History}} of the {{Internet}}},
	bdsk-file-1 = {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}}

@online{brunton2016_Keep,
	abstract = {Finn Brunton goes inside the Bitcoin blockchain to explore the weirdly meticulous collective archive, and how it might someday govern us.},
	author = {Brunton, Finn},
	date = {2016-03-04T22:45:18+00:00},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Brunton 2016 - Keeping the books.pdf},
	langid = {american},
	organization = {{Limn}},
	shorttitle = {Keeping the Books},
	title = {Keeping the Books: Inside the Blockchain},
	url = {https://limn.it/articles/keeping-the-books/},
	urldate = {2021-12-21},
	bdsk-file-1 = {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}}

@book{brunton2019_Digi,
	abstract = {The fascinating untold story of digital cash and its creators\textemdash from experiments in the 1970s to the mania over Bitcoin and other cryptocurrencies},
	author = {Brunton, Finn},
	date = {2019-06-25},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Brunton 2019 - Digital cash.pdf},
	isbn = {978-0-691-17949-0},
	langid = {english},
	shorttitle = {Digital Cash},
	title = {Digital Cash: The Unknown History of the Anarchists, Utopians, and Technologists Who Built Cryptocurrency},
	url = {https://press.princeton.edu/books/hardcover/9780691179490/digital-cash},
	urldate = {2022-01-06},
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@online{brunton2020_Virt,
	author = {Brunton, Finn},
	date = {2020-04-29T00:45:45+00:00},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Brunton 2020 - Virtual Money at the Edge-of-State.pdf},
	langid = {american},
	organization = {{Just Money}},
	title = {Virtual {{Money}} at the {{Edge-of-State}}},
	url = {https://justmoney.org/f-brunton-virtual-money-at-the-edge-of-state/?print=print},
	urldate = {2021-12-21},
	bdsk-file-1 = {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}}

@article{bryan.etal2009_Fina,
	abstract = {Financialization challenges some established ways of thinking within Marxist categories. We explore the way in which financialization is not simply shifting the balance of power between classes and generating economic volatility, but also re-constituting our understanding of class (as a formal economic category) and class relations. In particular, we examine how financialization is re-constituting labor as a form of capital, and giving capital a fluidity which serves to intensify competition. JEL classification:B51, G32},
	author = {Bryan, Dick and Martin, Randy and Rafferty, Mike},
	date = {2009-12-01},
	doi = {10.1177/0486613409341368},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Journal Article/Review of Radical Political Economics/vol. 41/no. 4/Bryan & Martin et al. 2009 - Financialization and Marx [bryan.etal2009_Fina].pdf},
	issn = {0486-6134},
	journaltitle = {Review of Radical Political Economics},
	keywords = {class,financial derivatives,financialization,Marx,securitization},
	langid = {english},
	number = {4},
	pages = {458--472},
	publisher = {{SAGE Publications Inc}},
	shortjournal = {Review of Radical Political Economics},
	shorttitle = {Financialization and {{Marx}}},
	title = {Financialization and {{Marx}}: {{Giving Labor}} and {{Capital}} a {{Financial Makeover}}},
	url = {https://doi.org/10.1177/0486613409341368},
	urldate = {2022-06-25},
	volume = {41},
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@book{bryant.etal2011_Spec,
	date = {2011},
	editor = {Bryant, Levi R. and Srnicek, Nick and Harman, Graham},
	isbn = {978-0-9806683-4-6},
	keywords = {Continental philosophy},
	publisher = {{re.press}},
	series = {Anamnesis},
	shorttitle = {The Speculative Turn},
	title = {The Speculative Turn: Continental Materialism and Realism}}

@book{buchanan1999_Dele,
	abstract = {Michel Foucault's suggestion that this century would become known as ``Deleuzian'' was considered by Gilles Deleuze himself to be a joke ``meant to make people who like us laugh, and make everyone else livid.'' Whether serious or not, Foucault's prediction has had enough of an impact to raise concern about the potential ``deification'' of this enormously influential French philosopher. Seeking to counter such tendencies toward hagiography\textemdash not unknown, particularly since Deleuze's death\textemdash Ian Buchanan has assembled a collection of essays that constitute a critical and focused engagement with Deleuze and his work. Originally published as a special issue of South Atlantic Quarterly (Summer 1997), this volume includes essays from some of the most prominent American, Australian, British, and French scholars and translators of Deleuze's writing. These essays, ranging from film, television, art, and literature to philosophy, psychoanalysis, geology, and cultural studies, reflect the broad interests of Deleuze himself. Providing both an introduction and critique of Deleuze, this volume will engage those readers interested in literary and cultural theory, philosophy, and the future of those areas of study in which Deleuze worked. Contributors . Ronald Bogue, Ian Buchanan, Andr\'e Pierre Colombat, Tom Conley, Manuel DeLanda, Tessa Dwyer, Jerry Aline Flieger, Eugene Holland, Fredric Jameson, Jean-Clet Martin, John Mullarkey, D. N. Rodowick, Horst Ruthrof, Charles J. Stivale},
	date = {1999-08-23},
	doi = {10.1515/9780822395973},
	editor = {Buchanan, Ian},
	isbn = {978-0-8223-9597-3},
	langid = {english},
	publisher = {{Duke University Press}},
	title = {A {{Deleuzian Century}}?},
	url = {https://www.degruyter.com/document/doi/10.1515/9780822395973/html},
	urldate = {2022-05-23}}

@article{buckmorss1992_Aest,
	author = {Buck-Morss, Susan},
	date = {1992},
	doi = {10.2307/778700},
	eprint = {778700},
	eprinttype = {jstor},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Journal Article/October/vol. 62/Buck-Morss 1992 - Aesthetics and anaesthetics [buckmorss1992_Aest].pdf},
	issn = {0162-2870},
	journaltitle = {October},
	pages = {3--41},
	publisher = {{The MIT Press}},
	shorttitle = {Aesthetics and Anaesthetics},
	title = {Aesthetics and Anaesthetics: {{Walter Benjamin}}'s Artwork Essay Reconsidered},
	volume = {62},
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@article{buckmorss1995_Envi,
	author = {Buck-Morss, Susan},
	date = {1995-01},
	doi = {10.1086/448759},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Journal Article/Critical Inquiry/vol. 21/no. 2/Buck-Morss 1995 - Envisioning Capital [buckmorss1995_Envi].pdf},
	issn = {0093-1896},
	journaltitle = {Critical Inquiry},
	number = {2},
	pages = {434--467},
	publisher = {{The University of Chicago Press}},
	shorttitle = {Envisioning {{Capital}}},
	title = {Envisioning {{Capital}}: {{Political Economy}} on {{Display}}},
	url = {https://www.journals.uchicago.edu/doi/abs/10.1086/448759},
	urldate = {2022-02-17},
	volume = {21},
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@article{bulut2018_OneD,
	abstract = {Creativity is at the heart of the video game industry. Industry professionals, especially those producing blockbuster games for the triple-A market, speak fondly of their creative labour practices, flexible work schedules, and playful workplaces. However, a cursory glance at major triple-A franchises reveals the persistence of sequel game production and a homogeneity in genres and narratives. Herbert Marcuse's critique of one-dimensionality may help to account for this discrepancy between the workers' creative aspirations and the dominant homogeneity in game aesthetics. What I call `one-dimensional creativity' defines the essence of triple-A game production. In the name of extolling the pleasure principle at work, one-dimensional creativity eliminates the reality principle, but only superficially. One-dimensional creativity gives game developers the opportunity to express themselves, but it is still framed by a particular technological rationality that prioritises profits over experimental art. One-dimensional creativity negates potential forms of creativity that might emerge outside the industry's hit-driven logics. Conceptually, `one-dimensional creativity' renders visible the instrumentalisation of play and the conservative design principles of triple-A game production \textendash{} a production that is heavily structured with technological performance, better graphics, interactivity, and speed. Multi-dimensional video game production and aesthetics, the opposite of one-dimensional creativity, is emerging from the DIY game production scene, which is more invested in game narratives and aesthetics outside the dominant logics of one-dimensionality in triple-A game production.},
	author = {Bulut, Ergin},
	date = {2018-06-04},
	doi = {10.31269/triplec.v16i2.930},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Journal Article/tripleC- Communication, Capitalism & Critique/vol. 16/no. 2/Bulut 2018 - One-Dimensional Creativity [bulut2018_OneD].pdf},
	issn = {1726-670X},
	journaltitle = {tripleC: Communication, Capitalism \& Critique},
	keywords = {digital games,Herbert Marcuse,immaterial labour,one-dimensional creativity,one-dimensionality,play,video game industry,video games},
	langid = {english},
	number = {2},
	pages = {757--771},
	shorttitle = {One-{{Dimensional Creativity}}},
	title = {One-{{Dimensional Creativity}}: {{A Marcusean Critique}} of {{Work}} and {{Play}} in the {{Video Game Industry}}},
	url = {https://www.triple-c.at/index.php/tripleC/article/view/930},
	urldate = {2022-06-29},
	volume = {16},
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@incollection{bunz2015_Scho,
	abstract = {Analysing a recent trend in interface design, this chapter examines the question of software and the interface in relation to the aesthetic of the postdigital. To do this, it first looks at contemporary trends in online design, such as `flat design', created to address adults while looking as if it should be for children. After having described the phenomenon of infantilization in digital environments, the second part of the chapter looks into forces that produce it. Why does it occur especially in a technological environment, and what is the specificity of its occurrence? Considering historical influences on interface design to answer these questions \textemdash{} computer scientists such as Alan Kay or Seymour Papert were informed by theories of Jean Piaget \textemdash{} we find an ambiguous figure at work: there is a fine dividing line within infantilization, between the adaptation of learning to `children of all ages' to emancipate users and manipulating them, engendering stupidity as the desirable state they should be in.},
	author = {Bunz, Mercedes},
	booktitle = {Postdigital {{Aesthetics}} : {{Art}}, {{Computation}} and {{Design}}},
	date = {2015},
	doi = {10.1057/9781137437204_15},
	editor = {Berry, David M. and Dieter, Michael},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Book Section/Postdigital Aesthetics - Art, Computation and Design/Bunz 2015 - 15 School Will Never End [bunz2015_Scho].pdf},
	isbn = {978-1-137-43720-4},
	keywords = {Colourful Design,Digital Environment,Digital Storytelling,Mobile Social Networking,Online Design},
	langid = {english},
	location = {{London}},
	pages = {191--202},
	publisher = {{Palgrave Macmillan UK}},
	shorttitle = {School {{Will Never End}}},
	title = {School {{Will Never End}}: {{On Infantilization}} in {{Digital Environments}} - {{Amplifying Empowerment}} or {{Propagating Stupidity}}?},
	url = {https://doi.org/10.1057/9781137437204_15},
	urldate = {2022-06-28},
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@article{caffentzis2007_Crys,
	abstract = {In this paper I argue that immaterial labor, as defined by its advocates like Hardt and Negri, does notexist. In order to defend this claim I examine how labor has been understood in the history of capitalismthrough the study of machines, and argue that the most successful theory of machines in capitalist societyis Marx's. I rely on this theory to defend my skepticism concerning immaterial labor. However, Marx'stheory itself must be defended. One of Marx's most sophisticated critics, Philip Mirowski, has chargedhim with being `envious' of two contradictory physics theories at once: the substance-theory of energy of the 1840s and the field-theory of energy of the 1860s. Mirowski argues that Marx could not decide whichto take as his model for labor, machines and value, so he used both and ended up with a contradictorytheory of value and machines. In Part One of the paper I defend Marx's theory by demonstrating that thevery binary Mirowski deploys to criticize Marx's theory (the categories of substance versus field) is not a binary at all and that Marx's theory is consistent. In Part Two I show that Marx's theory of machines isincomplete. Though it included the theory of simple machines and of heat engines, it did not comprehendTuring machines, even though Charles Babbage had developed the first version of a Turing machinethirty years before the publication of Capital. This incompleteness encourages thinkers like Hardt and Negri to argue that services, cultural products, and especially knowledge and communication areimmaterial products and hence require immaterial labor for their production. A New Theory of Machinesthat was complete would show how services, cultural products, knowledge and communication arematerial goods, and thus would support my initial claim.},
	author = {Caffentzis, George},
	date = {2007},
	file = {/Users/daniel/Documents/Text Repository/ZotFile/Journal Article/Ephemera Theory & Politics in Organization/vol. 7/no. 1/Caffentzis 2007 - Crystals and Analytic Engines.pdfd/Caffentzis 2007 - Crystals and Analytic Engines Historical and Conceptual Preliminaries to a New Theory of Machines.pdf;/Users/daniel/Documents/Text Repository/ZotFile/Journal Article/Ephemera Theory & Politics in Organization/vol. 7/no. 1/Caffentzis 2007 - Crystals and Analytic Engines.pdfd/Crystals and Analytic Engines- Historical and Conceptual Preliminaries to a New Theory of Machines.fdf;/Users/daniel/Documents/Text Repository/ZotFile/Journal Article/Ephemera Theory & Politics in Organization/vol. 7/no. 1/Caffentzis 2007 - Crystals and Analytic Engines.pdfd/Crystals and Analytic Engines- Historical and Conceptual Preliminaries to a New Theory of Machines.skim;/Users/daniel/Documents/Text Repository/ZotFile/Journal Article/Ephemera Theory & Politics in Organization/vol. 7/no. 1/Caffentzis 2007 - Crystals and Analytic Engines.pdfd/Crystals and Analytic Engines- Historical and Conceptual Preliminaries to a New Theory of Machines.txt;/Users/daniel/Documents/Text Repository/ZotFile/Journal Article/Ephemera Theory & Politics in Organization/vol. 7/no. 1/Caffentzis 2007 - Crystals and Analytic Engines.pdfd/data.plist;/Users/daniel/Documents/Text Repository/ZotFile/Journal Article/Ephemera Theory & Politics in Organization/vol. 7/no. 1/Caffentzis 2007 - Crystals and Analytic Engines.pdfd/data.txt;/Users/daniel/Zotero/storage/MGVVJDQV/Crystals and Analytic Engines- Historical and Conceptual Preliminaries to a New Theory of Machines.rtf},
	issn = {1473-2866},
	journaltitle = {Ephemera: Theory \& Politics in Organization},
	langid = {english},
	number = {1},
	pages = {22},
	title = {Crystals and {{Analytic Engines}}: {{Historical}} and {{Conceptual Preliminaries}} to a {{New Theory}} of {{Machines}}},
	url = {http://www.ephemerajournal.org/sites/default/files/7-1caffentzis.pdf},
	volume = {7},
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@book{caffentzis2013_Lett,
	abstract = {Karl Marx remarked that the only way to write about the origins of capitalism is in the letters of blood and fire used to drive workers from the common lands, forests, and waters in the sixteenth century. In this collection of essays, George Caffentzis argues that the same is true for the annals of twenty-first-century capitalism. Information technology, immaterial production, financialization, and globalization have been trumpeted as inaugurating a new phase of capitalism that puts it beyond its violent origins. Instead of being a period of major social and economic novelty, however, the course of recent decades has been a return to the fire and blood of struggles at the advent of capitalism. Emphasizing class struggles that have proliferated across the social body of global capitalism, Caffentzis shows how a wide range of conflicts and antagonisms in the labor-capital relation express themselves within and against the work process. These struggles are so central to the dynamic of the system that even the most sophisticated machines cannot liberate capitalism from class struggle and the need for labor. Themes of war and crisis permeate the text and are given singular emphasis, documenting the peculiar way in which capital perpetuates violence and proliferates misery on a world scale. This collection draws upon a careful rereading of Marx's thought in order to elucidate political concerns of the day. Originally written to contribute to the debates of the anticapitalist movement over the last thirty years, this book makes Caffentzis's writings readily available as tools for the struggle in this period of transition to a common future.},
	author = {Caffentzis, George},
	date = {2013},
	isbn = {978-1-60486-335-2},
	keywords = {Capitalism--Social aspects--History--21st century,Industrial relations--History--21st century,POLITICAL SCIENCE / Political Economy,POLITICAL SCIENCE / Political Ideologies / Communism; Post-Communism & Socialism},
	langid = {english},
	location = {{Chicago}},
	publisher = {{PM Press}},
	series = {Common {{Notions}}},
	shorttitle = {In {{Letters}} of {{Blood}} and {{Fire}}},
	title = {In {{Letters}} of {{Blood}} and {{Fire}} : {{Work}}, {{Machines}}, and the {{Crisis}} of {{Capitalism}}}}

@book{caffentzis2021_Civi,
	abstract = {'Capitalist critique and proletarian reasoning fit for our time' - Peter Linebaugh Taking the Scottish Enlightenment philosopher David Hume as its subject, this book breaks new ground in focusing its lens on a little-studied aspect of Hume's thinking: his understanding of money. George Caffentzis makes both an intervention in the field of monetary philosophy and into Marxian conceptions of the relation between philosophy and capitalist development. He vividly charts the ways in which Hume's philosophy directly informed the project of 'civilizing' the people of the Scottish Highlands and pacifying the English proletariat in response to the revolts of both groups at the heart of the empire. Built on careful historical and philosophical detective work, Civilizing Money offers a stimulating and radical political reading of the ways in which Hume's fundamental philosophical claims performed concrete political functions.},
	author = {Caffentzis, George},
	date = {2021},
	doi = {10.2307/j.ctv1sjwq0q},
	eprint = {j.ctv1sjwq0q},
	eprinttype = {jstor},
	isbn = {978-0-7453-4152-1},
	publisher = {{Pluto Press}},
	shorttitle = {Civilizing {{Money}}},
	title = {Civilizing {{Money}}: {{Hume}}, His {{Monetary Project}}, and the {{Scottish Enlightenment}}}}