references.bib

@Article{albrechtUseLargeCorpora2013,
  title = {The {{Use}} of {{Large Corpora}} to {{Train}} a {{New Type}} of {{Key}}-{{Finding Algorithm}}: {{An Improved Treatment}} of the {{Minor Mode}}},
  volume = {31},
  issn = {07307829, 15338312},
  shorttitle = {The {{Use}} of {{Large Corpora}} to {{Train}} a {{New Type}} of {{Key}}-{{Finding Algorithm}}},
  doi = {10.1525/mp.2013.31.1.59},
  language = {en},
  number = {1},
  journal = {Music Perception: An Interdisciplinary Journal},
  author = {Joshua Albrecht and Daniel Shanahan},
  month = {sep},
  year = {2013},
  pages = {59-67},
  file = {/Users/davidjohnbaker/Zotero/storage/6FFSR3WA/Albrecht and Shanahan - 2013 - The Use of Large Corpora to Train a New Type of Ke.pdf},
}
@Article{rentfrowReMiEveryday2003,
  title = {The Do Re Mi's of Everyday Life: {{The}} Structure and Personality Correlates of Music Preferences.},
  volume = {84},
  issn = {1939-1315, 0022-3514},
  shorttitle = {The Do Re Mi's of Everyday Life},
  doi = {10.1037/0022-3514.84.6.1236},
  language = {en},
  number = {6},
  journal = {Journal of Personality and Social Psychology},
  author = {Peter J. Rentfrow and Samuel D. Gosling},
  year = {2003},
  pages = {1236-1256},
  file = {/Users/davidjohnbaker/Zotero/storage/VW9596AP/Rentfrow and Gosling - 2003 - The do re mi's of everyday life The structure and.pdf},
}
@Misc{sappHumdrumExtras2008,
  title = {Humdrum {{Extras}}},
  author = {Craig Sapp},
  year = {2008},
}

@Misc{wernerMuseScore2019,
  title = {{{MuseScore}}},
  author = {Schweer Werner and Froment Nicholas and Thomas Bonte},
  year = {2019},
}
@Article{bestMusicCurriculaFuture1992,
  title = {Music {{Curricula}} in the {{Future}}},
  volume = {94},
  issn = {1063-2913, 1940-4395},
  doi = {10.1080/10632913.1992.9936901},
  language = {en},
  number = {2},
  journal = {Arts Education Policy Review},
  author = {Harold M. Best},
  month = {dec},
  year = {1992},
  pages = {2-7},
}
@Article{harrisonInstantaneousConsonancePerception,
  title = {Instantaneous Consonance in the Perception and Composition of {{Western}} Music},
  doi = {10.31234/osf.io/6jsug},
  abstract = {Instantaneous consonance is a salient perceptual phenomenon corresponding to the perceived pleasantness of simultaneously sounding musical notes. Various competing theories of consonance have been proposed over the centuries, but recently a consensus has developed that consonance is primarily driven by periodicity perception. Here we question this view, substantiating our argument by critically reviewing historic consonance research from a broad variety of disciplines, re-analyzing consonance perception data from four previous behavioral studies representing more than 500 participants, and modeling three Western musical corpora representing more than 100,000 compositions. We conclude that consonance is a composite phenomenon that derives in large part from three phenomena: spectral interference, periodicity, and cultural familiarity. We formalize this conclusion with a computational model that predicts a musical chord's perceptual consonance from these three features, and release this model in an open-source R package, incon, alongside 15 other computational models also evaluated in this paper. We hope that this package will facilitate further psychological and musicological research into instantaneous consonance.},
  author = {Peter Harrison and Marcus Thomas Pearce},
  file = {/Users/davidjohnbaker/Zotero/storage/K8HQR3EF/Harrison and Pearce - Instantaneous consonance in the perception and com.pdf},
}
@Article{conklinMultipleViewpointSystems1995,
  title = {Multiple Viewpoint Systems for Music Prediction},
  volume = {24},
  issn = {0929-8215, 1744-5027},
  doi = {10.1080/09298219508570672},
  abstract = {This paper examines the prediction and generation of music using a multiple viewpoint system, a collection of independent views of the musical surface each of which models a specific type of musical phenomena. Both the general style and a particular piece are modeled using dual short-term and long-term theories, and the model is created using machine learning techniques on a corpus of musical examples.},
  language = {en},
  number = {1},
  journal = {Journal of New Music Research},
  author = {Darrell Conklin and Ian H. Witten},
  month = {mar},
  year = {1995},
  pages = {51-73},
  file = {/Users/davidjohnbaker/Zotero/storage/3H4B74DX/Conklin and Witten - 1995 - Multiple viewpoint systems for music prediction.pdf},
}
@Article{conklinMultipleViewpointSystems1995,
  title = {Multiple Viewpoint Systems for Music Prediction},
  volume = {24},
  issn = {0929-8215, 1744-5027},
  doi = {10.1080/09298219508570672},
  abstract = {This paper examines the prediction and generation of music using a multiple viewpoint system, a collection of independent views of the musical surface each of which models a specific type of musical phenomena. Both the general style and a particular piece are modeled using dual short-term and long-term theories, and the model is created using machine learning techniques on a corpus of musical examples.},
  language = {en},
  number = {1},
  journal = {Journal of New Music Research},
  author = {Darrell Conklin and Ian H. Witten},
  month = {mar},
  year = {1995},
  pages = {51-73},
  file = {/Users/davidjohnbaker/Zotero/storage/3H4B74DX/Conklin and Witten - 1995 - Multiple viewpoint systems for music prediction.pdf},
}
@Article{shepardMentalRotationThreeDimensional1971,
  title = {Mental {{Rotation}} of {{Three}}-{{Dimensional Objects}}},
  volume = {171},
  issn = {0036-8075, 1095-9203},
  doi = {10.1126/science.171.3972.701},
  language = {en},
  number = {3972},
  journal = {Science},
  author = {R. N. Shepard and J. Metzler},
  month = {feb},
  year = {1971},
  pages = {701-703},
}