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G-Sonique Ultrabass MX4.4 VSTi v1.0 The Ultimate Bass Synthesizer for 44 Dance Music.md

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How to Create Amazing Basslines with G-Sonique Ultrabass MX4/4 VSTi v1.0

If you are looking for a bass synthesizer that can handle any 4/4 dance music style, from trance to techno, from electro to hardstyle, you should check out G-Sonique Ultrabass MX4/4 VSTi v1.0. This plugin is based on the popular Alien303 DNA, but with many more features and possibilities to create fast, stable and fat basslines without any clicks or artifacts.

Download ✫ https://urluss.com/2uzEQy

In this article, we will show you how to use G-Sonique Ultrabass MX4/4 VSTi v1.0 to create amazing basslines for your tracks. We will cover the following topics:

  • The main features and parameters of G-Sonique Ultrabass MX4/4 VSTi v1.0
  • How to choose the right oscillator shape and mode for your bassline
  • How to use the two filter modules and the bass boost unit to shape your sound
  • How to use the envelopes and the LFO to add movement and modulation to your bassline
  • Some tips and tricks to get the most out of G-Sonique Ultrabass MX4/4 VSTi v1.0

The main features and parameters of G-Sonique Ultrabass MX4/4 VSTi v1.0

G-Sonique Ultrabass MX4/4 VSTi v1.0 is a bass synthesizer that offers two digital oscillators with 15 shapes each, two filter modules with 13 types of filters each, a bass boost/analog saturation unit, an amplitude envelope, a filter envelope, an LFO and a glide function.

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The plugin has a simple and intuitive interface that lets you access all the parameters easily. You can also save and load presets, or use the randomize function to generate new sounds.

Here is a brief overview of the main features and parameters of G-Sonique Ultrabass MX4/4 VSTi v1.0: G-Sonique Ultrabass MX4/4 VSTi v1.0 interface

  1. Oscillator 1: This is the main oscillator that generates the sound. You can choose from 15 shapes, such as analogue saw, digital saw, pulse, multisaw, vintage saw and more. You can also adjust the octave, semitone and fine tuning of the oscillator, as well as the phase micro-control knob that lets you change the phase of the waveform.
  2. Oscillator 2: This is the second oscillator that can work in two modes: single or dual. In single mode, it acts as a sub-oscillator that adds more low-end to the sound. In dual mode, it acts as a second oscillator that can be detuned from the first one for a richer sound. You can also choose from 15 shapes, adjust the octave, semitone and fine tuning, and change the phase of the waveform.
  3. Oscillator mode: This lets you choose how the two oscillators work together. You can choose from normal (both oscillators are mixed), ring mod (the output of one oscillator modulates the amplitude of the other), sync (the second oscillator resets its phase according to the first one), FM (the output of one oscillator modulates the frequency of the other) or AM (the output of one oscillator modulates both the frequency and amplitude of the other).
  4. Oscillator spread: This lets you widen or narrow the stereo image of the sound by changing the phase difference between the left and right channels.
  5. Filter module 1: This is the first filter module that lets you apply one of four types of low-pass filters to your sound: G-low pass (a smooth and liquid filter), low pass (a classic filter), vintage analog low pass (a warm and creamy filter) or 303 low pass (a resonant and acid filter). You can adjust the cutoff frequency, resonance, input volume and envelope amount of the filter.
  6. Filter module 2: This is the second filter module that lets you apply one of nine types of filters to your sound: G-low pass, G-band pass, G-high pass (three filters modeled after hardware DSP chips), low pass, high pass, band pass, band reject, pe 8cf37b1e13