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Octothorpe_109.srt
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Oh, have you know, I've carefully booked my holiday between recording dates for once.
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What? That is some commitment. That is that very impressive. My holiday's in Glasgow,
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guys, I don't know about the rest of you. Oh no, no, this is my one of my other holiday.
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[laughs]
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Hello everyone and welcome to the very 109th episode of Octa Thorpe, a podcast for Science Fiction
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and Science Fiction fandom which is coming to you on the 9th of May 2024. I'm John Goxon.
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I'm Alison Scott and I'm Liz Batty and we have a bumper mailbag this week and I'm going to hand
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over to Liz to start us off. Yes, so we got a letter of comment from Abigail Nussbaum
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who is talking about our discussion of best related book nominations and big
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or less decalises withdrawn nomination and she would like to support an ad to our reservations
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where the point we didn't make which is that this tweet was also a marketing tweet and she says
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we were in a period which authors have been forced by the publishing industry to become their own PRM
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marketers and this is often translated into transforming critical and fandom spaces into
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marketing spaces. So basically her objection is on an extra level of saying, okay, here are some
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critical works engaging with the genre and here is basically a piece of viral marketing and we're
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putting these kind of on the same level which is very interesting and so she says she finds
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the choice to decline the nomination very classy. Also says, "P.S. many thanks for mentioning my
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forthcoming book but I was a tattle armed by John's Dark Tone when he admitted to typesetting it
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something I should know." That's just a reflection of my general grim take on the universe and my
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pessimism about the world as we know it which I think really comes through on Octa Thorpe. Abigail's
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book is called Track Changes and I believe it is launching at Glasgow so if you're interested in
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books or conventions look both of those up. We forgot to say that last time but I think the
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name Track Changes is absolutely brilliant and excellent and excellent name for a book. It is good.
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We heard from Ally Baker Brooks who says as our infrequent children and YA correspondent
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she recommends a collection called Lowborn High by David Barnett Anna-Modersova and Mike Walters
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and this is a comic. If you enjoy the Chilling Adventures of Sabrina Wednesday and other magical
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school stories but wondered what happened to the kids whose families couldn't afford private
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school fees this one's for you and yeah that sounds pretty great thank you very much for writing in
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Ally. We heard from Caroline Mullen we got a long letter from Caroline on three topics. Firstly
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she says that she chose which items to go and see in person at the convention having noted that
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they would not be available on catch-up which is very clever. I did not think of that that would
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have been a good thing to think of. She pointed out that we had at least one talk where the person
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who gave the talk was constrained by their employment and so it was going to be available on catch-up
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and points out we'd much rather have stopped like that than not have it and she's quite right.
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She also mentioned it would be good to know when your category of stream statistics how many people
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are not watching the program because they are chilling in their hotel room watching the program
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and as somebody who's actually done this now I I can confirm it's quite a good way to watch
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program but it's probably not so good for the people who are at the actually giving the program
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who may get a room full of nobody while people are watching from their hotel room which is not as
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much fun. Liz and I have done this we watched the opening ceremony from ChaiCon 8 streaming from our
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hotel room on account of how the room was well busy and that was one instance where our presence
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would not have helped necessarily. To spoil Andrew January's lock which is coming up listeners
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slightly Andrew says out of 181 program participants one program participant opted out of live streaming
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and seven opted out of catch-up which led to 18 out of 157 items not being on catch-up and I found
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that really interesting because it's four percent of participants opted out which resulted in 11 percent
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of items being unavailable and it is interesting how that can have a like disproportionate effect I
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don't know what I think about that yet but I found it interesting. That's because of panels and I
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would be preferentially selecting people from for panels unless it's a panel that will not work
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without an individual. I think we should be making it clear to people that they are less likely to
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be selected for panels if they've chosen not to choose to catch up but you know this is just me
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and I'm like a mad catch-up enthusiast so. Yeah and you also don't have any problem being on stuff
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that's on catch-up. I mean I don't want to say that we would deparatise people because people
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have different reasons for not being on catch-up and at the moment is the majority of people who
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are happy with it so the ones who are not either the you know possibly they're not used to it or
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possibly they have really serious reasons for not wanting to be on catch-up and you would miss
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might miss a whole segment of people if you said that. I think it's fine it's just
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so you'd want to make a decision on an individual basis. I'm not saying don't use those people
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I'm saying if you've got person A who's great and is happy to be on person catch-up and person B who's
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roughly as great in a slightly different way and not happy to be on catch-up then use person A.
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Do you ever really have a situation where you have two people who like you might have that
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individual panel basis but if you look and say okay all the people who are worried about say
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potential harassment on the internet for their gender presentation say they're locked out then
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you end up with a situation where you you end up with a lot of people a whole population who are
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not there in the program even if on an individual level you can replace them with other people.
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I don't know who's opting out yeah that's the thing we don't know and it would be interesting
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to know why if anyone does opt out of catch-up and is happy for us to discuss it then please
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let us know but they may also not want to email into a podcast and discuss it.
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Caroline also talks about great benefit of streaming programs is for the people who for those people
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who sometimes need time away from all the people during the con therefore streaming program is an
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aid to accessibility and I think that's probably true and the third part of Caroline's lock she maybe
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has a unique perspective on accessibility in that she uses scooter for the first time at levitation
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and so she said she had the best of both worlds a relatively small scooter that fitted into the
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public lift and the ability to get off it easily when she needed to because she's somebody who just
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uses a scooter to help with the fact that her knees are not doing what they used to do she
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found it very difficult to bring it back to the international hotel in charge and I think that's
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something that is an issue for wilcon as well and there I know that they're talking about scooter
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management and how they deal with people who might not be in an immediately local hotel but are
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going to have a scooter and she says that scooter users was probably slightly better served at the
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easter con she chaired which is probably true but I'm going to go haha this is the thing that easter
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con chairs do for the rest of their lives in my experience and one of the things that comes out
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of the discussions we're having is that you can have different perspectives on what there can be
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two venues two people with very similar access requests can prefer one venue or the other venue
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depending on very slightly different priorities and this is one of the difficult things it is not a
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linear space of just not too accessible it is some very non-linear 3d space where there are lots of
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considerations and there is no venue that meets all of them perfectly and so yeah I think I think
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Caroline noting that from her perspective the Hilton Metropolitan was better is useful feedback
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thank you very much Caroline yeah I mean I would say a venue on one floor does cut out a lot of
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access issues but then I had some extra ones with people who cannot walk far enough for the long
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distances so yeah we also heard from DC who sent us the very nice lock we read last time
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and they just wanted to point out that the calm was very supportive and it was clearly a priority
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of the calm and they did excellently intricate at gold star Andrew January wrote because we talked
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about his hard work on the East Com last episode and said a couple of things he was very quick to thank
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other people on the team including including the tech and the rest of the committee which of
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course is fair it was not something that he did alone he has done a write-up of the
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members portal and why he thinks it was successful and we will link to that write-up in the show notes
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he thinks that we should have a software engineer on the East Com committee and I think one of the
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things we'll be talking about in a future episode is the way in which the requirements for East
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Com which is not that big a convention continue to spin larger and larger and how practical this
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is and then he talks and this is the thing that's really interesting about the stats on streaming
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and ketchup which is a decision taken by the committee he says speaking personally and not for the
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committee there are a lot of factors that contribute to why something does or does not get a lot of
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people watching it and very few of those factors are how good a doubt how good individual participants
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are on the panel and he would recommend against releasing the full stats publicly but he has
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passed they have passed the full stats on to Glasgow and intend to release some summary statistics
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I don't know whether they've done that yet but this would probably be quite a good time because
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the East Com ketchup has now closed thank you very much for hanging in Andrew that was very
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interesting stuff and it was good good context yeah good stuff thank you we heard from Mark Plummer
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a fan historian researcher extraordinaire who says that he liked the site more than he expected
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and was surprised by how well the holiday in bar worked Ailes points out that at 450ish it would
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be the smallest East Conson 2007 and that was in some ways a special case because it was the kind
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of emergency rescue Eastacom and that he thinks before that you'd have to go back to 1974 to find
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an Eastacom of that size which is interesting I had registered it was small but not registered
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quite how small and Mark says it might be useful to try and find out how many people didn't go
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for site related reasons and how many for for other reasons you know then if we go back to
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Telford we know how many people didn't go just because it was Telford he also looked it up and
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the Telford International Centre dates from 1987 ages ago that is interesting thank you very much
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Mark we had an email from Jacob Holder who writes in saying my name is Jacob and I'm interested to
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know of what a first timers view of Eastacom would look like I'm a massive fan of science
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fiction and fantasy books but not so much TV shows and films is it basically still worth a punt for me
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yes yes it is Eastcon skews much more towards books than um TV and films especially relative to
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other science fiction conventions um so yes I would say you might very much enjoy Eastcon Jacob I was
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slightly shocked by this lock because I think it reminded us that we don't talk a lot about what
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Eastacom actually is but because it's the national convention and because it's um there'll be 75 of
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them at the point where Eastacom started there weren't any sites I have very few
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science fiction films um and no science fiction TV shows so TV and Filmers had to sort of catch up
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with where the Eastacom's at and the Eastacom has had to catch up with the fact that a lot of
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people get their science fiction ways out of the books but there is a still a ton of stuff there
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for people who read books which of course all of us do and I think most people at the Eastacom are
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people who get a lot of science fiction from books that they obviously also see yeah no if you like
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books definitely come to Eastacom you also might like to come to Wollcon Jacob just saying yeah but
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it also looks like if you went to uh your own literary con at London Comic Con you could add on
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a photo with Colin Baker she probably won't get a Wollcon I got a photo with David Tedda
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to London Con was that primarily because you were on the committee and I did not have to pay 10
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pounds for it at the Hugo reception yes so this leads us very neatly onto the second part of
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Jacob's letter which is a question about volunteering any views on volunteering for Eastacom would be
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appreciated as I do enjoy volunteering every Eastacom does volunteering slightly differently I think
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that's fair to say um if you'd like volunteering my suggestion would be either email uh the East
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Quantine Advancees say I'm interested in volunteering what could I volunteer for because there's never
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enough people signing up in advance of the convention but if you are at the convention and you want to
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volunteer but I think starting with registration Green Room or ops as like central places where
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people exist and can give you help might be good good starts I'm going to say registration or ops I
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think Green Room probably don't want random people coming in volunteering but you know they probably
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won't buy that much but they might just take you round to ops there's a sort of what do you like
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question about volunteering because so Green Room has a lot of being nice to programme participants
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some of whom will be quite stressed out um tech has a lot of fixing cables and stuff um ops tends
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to have a lot of kind of looking sitting in places and making sure that people are wearing badges or
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or checking or taking things from one place to another so you have it's kind of what sort of
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things do you like to do newsletter has a lot of um trying to write short funny articles against
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considerable time pressure it when when people have given you long boring articles you know that's
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sort of thing. Farra Mendelson wrote in to say that on an episode of the Critical Friends podcast
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which is the Strange Horizons podcast about criticism. Paul Kincaid joined them to discuss
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various things obviously Maureen Kincaid's brother came up and Paul said she resisted any
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suggestion that she should publish a collection um so that closes the loop on something we mentioned
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last episode thank you very much Farra. I wonder why I need to start listening to Critical Friends
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because I I love podcasts about criticism and about about you know about sausages you know about
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sausage making for any of the sorts of sausages I make does that make sense um and we also heard
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finally from Meg Mcdonald who says that she thinks Liz also has a dirty laugh but she can see how
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it might have just seemed she meant the live show um so Liz you're dirty thank you Meg I feel like
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you should deliver a dirty laugh that's funny yes don't we get we also heard from my ex-husband
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okay and that was letters thank you very much everyone for writing in yeah we did get a bumper post
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bag
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Dave Langford has received the Dockweer Award which was delivered to him in a carrier bag yeah we've
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got a photo here yeah I will put a photo in the show notes I do very much enjoy that in the picture
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Dave is holding a Tesco bag for life they could have literally anything in it there there's no
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evidence that the Dockweer Award is in it let's start the truth the conspiracy here where is the Dockweer
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Award Alison do you want to talk about Guff? Yes I do um so we have a winner in the Guff race who is
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Cat Clay congratulations Cat Cat will be attending the Worldcon she's going to be arriving in the
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country uh a little bit over a week before Worldcon and she will come to London we will have some kind
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of fanish event and by that I mean we will get together in a pub so that if you're in London and
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not going to the Worldcon you still have a chance to meet Cat or if you're in London and going to the
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Worldcon you can hang out with such fiction fans before the Worldcon that probably be Monday or
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Tuesday of Worldcon week and then she is going up to Worldcon on the Wednesday so she said maybe
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we should have some sort of event meet-up event on Wednesday night and I said I think you will find
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that meet-up events exist on the Wednesday night before Worldcon um and and we will just tag on
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to one of them um I bet they'll be I bet they'll be say a pub crawl that seems likely doesn't it
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and other things of that kind and then Worldcon and then the following week she's going to
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the thing about Cat is that she writes novels that are kind of
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Regency novels based on the ksuhoo mythos which is a word I cannot pronounce and which is very
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interesting and so she is desperate to visit Buxton which as fans will know is somewhere that we
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often have conventions so the week in the in the time after Worldcon she's probably going to visit
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York and Buxton and Manchester so if you're in any of those places do um write in and we'll
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we'll tell you what's going on there and then she is going to be going I think we haven't actually
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sorted all the details out but we are expecting to go to the Eurocom in Rotterdam so she will get
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to meet European fandom there and then she is planning to go on to Beuland and meet some
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bonish fans before flying back to Australia so that seems pretty exciting to me well done cat
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commiserations to Ian Nichols who was the losing candidate and was very sad for about 48 hours
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because he was like well this was going to be my last chance ever to attend a Worldcon
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unless it came back to Australia and then then he worked out that he can actually come to Worldcon
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by buying the world's strangest and cheapest airline tickets so he is coming to Worldcon as well
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so that's great so we will see Ian at Worldcon too so hey thanks to everybody who voted or has
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contributed to the fanfans in any way whatsoever and I'm looking forward to hanging out with Kat in
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August and hopefully introduced her to as many of you as possible hey
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on the 2nd of May Ersatz Culture friend of the pod posted a or sorry sent an article to Farsatz
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70 entitled the PDU district of Chengdu announces a 10 year science fiction plan and this has made
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a lot of people very angry and been widely regarded as a bad move that's a riff it was posted to Farsatz
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70 by Ersatz Culture but Zimozi Natsuko a Chinese fan posted it onto the Worldcon business meeting
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discord a little while before so I don't know if they found it at the same time but that was the
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place where I saw it and just because to say like when this sort of stuff comes out obviously I am
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not scanning for it I would never see this it needs someone to read it and go oh hey wait they're
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talking about Worldcon and Hugo's and maybe we should try and translate this just say this was
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posted on April 8th you know we are possibly missing out on a lot of announcements that get made
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in websites we're not reading this is another one in Asatz Culture's Strandon file 770 of
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finding interesting Worldcon and Hugo related stuff which is posted on websites only in Chinese
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and then he basically machine translates and tweaks them so bear in mind that this is all coming
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from a machine translation but it is called notes on the action plan what's on the issuance of the
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action plan for the construction of Chengdu Science Fiction Centre in Pidu District 2023 to 2033
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so this is a very long plan about essentially boosting this part of Chengdu into a science
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fiction centre and a lot of is about kind of integrating with technology branding business
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stuff etc but there are some bits which Asatz Culture has accepted which are probably relevant
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to science fiction fans and specifically the ones reading file 770 because they include things
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like Strive to Create or Introduce More Than Two Hugo Award-nominated works and 100 science fiction
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themed IPs within three years broke top domestic and foreign IPs such as the Hugo Awards extend the
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brand effect of the Worldcon implement the conference brand inheritance plan I don't know
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what brand inheritance plan is strive for authorization from the World Science Fiction Society and
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strive to apply for the Worldcon again within five years so basically this is a kind of
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official local government plan which involves bidding for Worldcon again and getting nominated
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for Hugo's which is a really interesting thing to see in a local government plan it is but also a
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worrying one yeah so so I think it's fair to say that there's quite a lot of fans in the west
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who were already before they saw this doing everything they can to make sure that the
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Worldcon that China does not successfully bid for the Worldcon again in the next five years or
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possibly indeed ever I think that's fair but I would also say specifically I'm not I'm not worried
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by the prospect of China bidding for Worldcon as much I'm worried by the prospect of essentially
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the PDU district people's government office bidding for it because obviously they have a large plan
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yeah which uses which essentially uses Worldcon and the Hugo Awards as marks of how successful they
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have been on establishing themselves as a big business center and that is not how I think of
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Worldcon and the Hugo Awards indeed yeah I think I think the problem here is not that there is a
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Chinese bid for Worldcon the problem here is that it is explicitly a Chinese local government authority
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bid for Worldcon and like I would feel the same if I don't know less to share bid yes those
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though remember we're translating from Chinese so you don't know whether it's actually saying
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we are we we the PDU branch of local government are bidding or if it would be the same as
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say Glasgow saying we successfully attracted the Worldcon's fiction convention to Glasgow
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and the SEC and we would like to see them return within five years which I don't think people would
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have a problem with I think I'm not saying this isn't worrying because I think it probably is
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worrying but I'm saying the amount of nuance that could be lost in translation is very great yes
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but obviously the difference in your hypothetical is that the Glasgow Worldcon is being run by
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volunteers and we have it we have a number of reasons to think that the Chengdu Worldcon was
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largely co-opted by business and local government interests 100% and also they would like to sweat
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the Worldcon brands and fun fact chaps Chinese IP means that they could just get on to do that
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and there's probably not very much that the bot protection committee or anybody else can do about
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it though I'm sure Hugo Boss will have a go so that's news bit orks yeah I mean there's also a bit
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I mean the bit that says continue to operate the online space of the Worldcon which is quite funny
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because it didn't really operate as an online space during the Worldcon build a regular online
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communication space between domestic fans and core members of the Worldcon and senior foreign
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fans which I think is just making a bit explicit in their business plan what happened before the
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Chengdu Worldcon anyway which is trying to bring over senior Worldcon con runners basically to get
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them to see what they can do and I think get some of their support which I don't think is going to
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work half as well in the future as it did before this Worldcon but it is in the plan so if anyone
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tries to contact you for the through the wormhole plan it's because they think you are an influencer
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oh I shall keep my eyes out yep no I'm sure we should be waiting for our invitations to
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Chinese freebies I will link to the file 770 version because not all of our listeners will be able to