Last week, we viewed:
- Akten & Quayola, Forms
- Matt Pyke et al., Furry's Posse
- Universal Everything, Walking City
- audio and then Marcus Coates, Dawn Chorus
- Visible Human Project and Croix Gagnon and Frank Schott, 12:31
- JK Keller's daily photos, 16 years
- Bill Viola: The Passions
- Rollin Leonard Lilia360
- [Sophie Kahn](http://www.sophiekahn.net/#!Laura:RGB, 2011/zoom/c199t/image1afu)
- Marshmallow Laser Feast Duologue - Memex
- Michael Arrigo, Visualizing Melinda
- Andre Uhl, Infinity Portrait
- Infinite Realities | Lee Perry-Smith
- Lorna Barnshaw, Reality Reduction
- Hugo Arcier, Camgirl Odalisque
- Mike Pelletier, Kinect Portraits
- Dmitry Zakharov, Inside Me
- Mark Payne
We also viewed:
Unseen
And:
- James George at Eyeo 2015 (Vimeo)
- James George & Jonathan Minard, CLOUDS
- Nancy Burson, Guys who Look Like Jesus
- Cassandra C. Jones (CMU MFA '04), Snap Motion Reanimations
- Paul Debevec's light stage rendering
- John Gerrard, Infite Freedom Exercise
- Corneal reflectography
- Nobumichi Asai, OMOTE 1
- Nobumichi Asai, OMOTE 2
RGBD:
And
- Shinseungback Kimyonghun, Cloud Faces
- "Onformative (Cedric Kiefer, Julia Laub)", Google Faces
- Lev Manovitch et. al , Selfie City
Additionally:
- Tanja Hollander, Photograph a Friend
- Computational Portraiture (link from James George)
- Luke DuBois, Fashionably Late for the Relationship, (2008). Using a visual averaging computational process, a three-day long public performance by Lián Amaris Sifuentes was algorithmically time-compressed into a 63 minute video work.
- Dove Evolution Sam Taylor-Wood, Hysteria
- In Sam Taylor-Wood's Hysteria (1997), a woman displays extreme emotions in slow-motion. "There are no sounds, so the viewer cannot be certain whether she is moved by joy, despair or both." Citation*
- John Gerrard, "Infinite Freedom Exercise" (2011), landscapes