wrecked_edin.md

title	devised	period	season	season_sort	date_start	date_end	venue	venue_sort	assets	prod_shots	links	cast	crew
Wrecked	true	Edinburgh	Edinburgh	580	2017-08-04	2017-08-26	Royal Terrace, Greenside	Greenside	type image poster WbM3BD4 type image flyer Cdqrs4X type image flyer QtX7rrb type image logo NQbXvH2 type image coverphoto R33nQ6f	ggPgWr	type href snapshot publisher author title date rating quote Review http://archive.is/fKFbP fKFbP edfringereview James Tibbles Wrecked 2017-08-23 4/5 The shapes of Trueman’s blocking are visually satisfying and he clearly played to each actor’s strengths when devising their characters and comic tropes. Every single member of the cast is also completely committed to their character and attentive to their physical characterisation. type href snapshot publisher author title date rating quote Review http://edinburgh.fringeguru.com/reviews/edinburgh-2017/wrecked nCYWi FringeGuru Caroline Cawley Wrecked 2017-08-22 3/5 The six actors all create distinctive characters: Maggie is very serious, Billy is earnest, and Francois is Machiavellian. These different approaches could have been jarring, but instead they highlight the qualities of their characters and it meshes together nicely. However, one thing that all of them have in common is that they are all caricatures of swashbuckling pirates, and are all hopelessly incompetent at leading.	role name Eddie Maddy Strauss role name Francoise Emma White role name James Callum Walker role name Anne Felicity Chilver role name Billy Andrew Houghton role name Henry Miguel Barrulas	role name Director Chris Trueman role name Producer Amy Crighton role name Technical Director Adam Frankland role name Script Editor Ian Sheard role name Publicity Manager Keir Birchall

Loosely based on The Tempest, this show is an absurd political satire chronicling two days in the lives of six pirates, and one dead parrot, shipwrecked on a tropical island. These buffoonish buccaneers turn on one another, each vying for power, using different ideologies to manipulate their comrades. This fast-paced comedy explores whether institutions can ever be anything but systems for oppression and whether game theory is an accurate description of political practice.