Christopher Alexander and Peter Eisenman 1982 Debate and the Ontological Errors of Modernity #796
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rufuspollock
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These are some excerpts from the 1982 debate at Harvard between Christopher Alexander and Peter Eisenman. For context, Eisenman was and is a leading post-modern architect and has gone on to much prominence in the architecture profession (e.g. building the holocaust memorial in Berlin). Alexander, by contrast, has continued to be largely neglected.
Ontological errors of modernity
This is a crucial passage:
As he continues:
What is so special with Alexander is he makes this tangible with the concrete examples. Doubly tangible in that the subject is tangible i.e. buildings and then he gives a real example within it, like a pitched roof or a specific building.
Alexander is also so interesting (and very similar to [[abc/mcgilchrist]]) because he is able to articulate this so well and to do so using the tools of reason that modernity understands. Thus, Alexander can uses arguments from examination of form in the natural world and even some mathematics to point to these geometric features that are whole and evoke a certain deep feeling in us (just as McGilchrist uses neurology and neuroscience to point to that which transcends language and a mechanistic grasp on the world).
And it also interesting because Alexander (and McGilchrist) are in some ways harking back to (though more looping back rather than going back) to the sense of truth that was core to modernity and lost in post-modernity.
Alexander is specifically saying there is objectively a better way to build and it is better because it obeys (or is in harmony with) the underlying nature of the universe and our connection to it.
What's special is this is a kind of transcendent truth. It can be alluded to and partly spoken about and partly proved but not fully. It is also half-mystical (though not therefore necessarily mysterious or subjective). This is what makes them so confronting to late modernity / post-modernity.
Alexander is also really integrating the heart and head - in contrast to e.g. Eisenman who is head only and whose head seems completely disconnected from his heart.
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