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Updated paratexts
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AlexanderWilfing committed Jul 18, 2023
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<div type="sub">
<head>Editorial Conventions (<hi rend="italic">On the Musically
Beautiful</hi>)</head>
<byline>Alexander Wilfing and Meike Wilfing-Albrecht</byline>
<byline>Alexander Wilfing and Meike Wilfing-Albrecht, 2023</byline>
<p>This edition is based on the ten editions of Eduard Hanslick’s treatise <emph>Vom
Musikalisch-Schönen: Ein Beitrag zur Revision der Ästhetik der Tonkunst</emph>
(<emph>On the Musically Beautiful: A Contribution towards the Revision of the
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<div type="sub">
<head>Editorial Conventions (Hanslick’s Writings for the <hi rend="italic">Neue Freie
Presse</hi>)</head>
<byline>Alexander Wilfing</byline>
<byline>Alexander Wilfing, 2023</byline>
<p>The guidelines for the current edition of Hanslick’s writings for the <hi
rend="italic">Neue Freie Presse</hi> for the most part match those specified
for his aesthetic treatise. They thus will only be defined insofar as they differ
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<head>Editionsrichtlinien und Zitiervorschlag</head>
<div type="sub">
<head>Editionsrichtlinien (<hi rend="italic">Vom Musikalisch-Schönen</hi>)</head>
<byline>Alexander Wilfing und Meike Wilfing-Albrecht</byline>
<byline>Alexander Wilfing und Meike Wilfing-Albrecht, 2023</byline>
<p>Die Grundlage dieser Edition bilden die 10 Auflagen von Eduard Hanslicks Traktat
<emph>Vom Musikalisch-Schönen: Ein Beitrag zur Revision der Ästhetik der
Tonkunst</emph>, die zwischen 1854 und 1902 in fallweise geänderter Textfassung
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</div>
<div type="sub">
<head>Editionsrichtlinien (Hanslicks Schriften für die <hi rend="italic">Neue Freie Presse</hi>)</head>
<byline>Alexander Wilfing</byline>
<byline>Alexander Wilfing, 2023</byline>
<p>Die Regeln der Edition von Hanslicks Schriften für die <hi rend="italic">Neue
Freie Presse</hi> entsprechen größtenteils den Regeln für seinen Traktat. Somit
werden selbige nur insofern benannt, als sie sich von den vorstehenden Richtlinien
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11 changes: 8 additions & 3 deletions 102_derived_tei/102_06_paratexts/einzelvortraege-engl.xml
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<body xml:lang="en-US">
<div type="main">
<head>Lectures Related to Hanslick</head>
<byline>June 12, 2023</byline>
<byline>July 18, 2023</byline>
<div type="block">
<list type="bibl">
<item>2023/06. Wilfing, Alexander. “The Strange Case of German-Language
Musicology: Origins and Byways of Academic Musical Research, 1870–1945,”
Research Seminar, <ref target="https://vossius.uva.nl/content/events/2023/06/vossius-seminar-alexander-wilfing-and-james-kennaway.html">Vossius Center for the History of Humanities and Sciences</ref>,
Amsterdam.</item>
<item>2023/05. Wilfing, Alexander, Daniel Stoxreiter, and Meike Wilfing Albrecht.
Presentation of “Hanslick Online,” Research Lunch Series, Austrian Centre for
Digital Humanities and Cultural Heritage, Vienna.</item>
Presentation of “Hanslick Online: Edition, Features, Zukunft,” Research Lunch
Series, Austrian Centre for Digital Humanities and Cultural Heritage,
Vienna.</item>
<item>2022/11. Wilfing, Alexander and Anja Bunzel. “‘Známý videňský a již zemřelý
professor a aesthetik’: Eduard Hanslick’s Double Lives,” conference <ref
target="https://komeniologie.flu.cas.cz/images/korespondence_program_net2.pdf"
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13 changes: 10 additions & 3 deletions 102_derived_tei/102_06_paratexts/einzelvortraege.xml
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<body xml:lang="de-AT">
<div type="main">
<head>Vorträge mit Bezug auf Hanslick</head>
<byline>12.06.2023</byline>
<byline>18.07.2023</byline>
<div type="block">
<list type="bibl">
<item>2023/06. Wilfing, Alexander. „The Strange Case of German-Language
Musicology: Origins and Byways of Academic Musical Research, 1870–1945“,
Research Seminar, <ref
target="https://vossius.uva.nl/content/events/2023/06/vossius-seminar-alexander-wilfing-and-james-kennaway.html"
>Vossius Center for the History of Humanities and Sciences</ref>,
Amsterdam.</item>
<item>2023/05. Wilfing, Alexander, Daniel Stoxreiter und Meike Wilfing-Albrecht.
Präsentation von „Hanslick Online“, Research Lunch Series, Austrian Centre for
Digital Humanities and Cultural Heritage, Wien.</item>
Präsentation von „Hanslick Online: Edition, Features, Zukunft“, Research Lunch
Series, Austrian Centre for Digital Humanities and Cultural Heritage,
Wien.</item>
<item>2022/11. Wilfing, Alexander und Anja Bunzel. „‚Známý videňský a již zemřelý
professor a aesthetik‘: Eduard Hanslick’s Double Lives“, Konferenz <ref
target="https://komeniologie.flu.cas.cz/images/korespondence_program_net2.pdf"
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2 changes: 1 addition & 1 deletion 102_derived_tei/102_06_paratexts/projektziele-engl.xml
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<body xml:lang="en-US">
<div type="main">
<head>Project Targets of “Hanslick Online”</head>
<byline>Alexander Wilfing</byline>
<byline>Alexander Wilfing, 2023</byline>
<div type="block">
<p>The website “Hanslick Online,” which emerged directly from the long-term research
project “<ref target="projektgeschichte-engl.html">Hanslick in Context</ref>,”
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2 changes: 1 addition & 1 deletion 102_derived_tei/102_06_paratexts/projektziele.xml
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<body xml:lang="de-AT">
<div type="main">
<head>Projektziele von „Hanslick Online“</head>
<byline>Alexander Wilfing</byline>
<byline>Alexander Wilfing, 2023</byline>
<div type="block">
<p>Die Website „Hanslick Online“, die aus der Projektreihe „<ref
target="projektgeschichte.html">Hanslick im Kontext</ref>“ entstanden ist,
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12 changes: 10 additions & 2 deletions 102_derived_tei/102_06_paratexts/publikationen-engl.xml
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<body xml:lang="en-US">
<div type="main">
<head>Publications</head>
<byline>March 31, 2023</byline>
<byline>July 18, 2023</byline>
<div type="block">
<head>Books</head>
<list type="bibl">
<item>2023–ongoing. Eduard Hanslick, <hi rend="italic">Schriften für die “Neue
Freie Presse,” 1864–1904</hi>, ed. by Alexander Wilfing in collaboration
with Katharina Bamer, Anna-Maria Pfiel, and Daniel Elsner. Open access edition,
including TEI markup (31 items as of June 13, 2022). <ref
target="https://hanslick.acdh.oeaw.ac.at/toc.html"
>https://hanslick.acdh.oeaw.ac.at/toc.html</ref>.</item>
<item>2023. Eduard Hanslick, <hi rend="italic">Vom Musikalisch-Schönen: Ein
Beitrag zur Revision der Ästhetik der Tonkunst</hi>, ed. by Alexander
Wilfing in collaboration with Meike Wilfing-Albrecht, <ref
Wilfing in collaboration with Meike Wilfing-Albrecht and Daniel Elsner. Open
access edition of all ten editions, 1854–1902, including TEI markup and
automated paragraph collation <ref
target="https://hanslick.acdh.oeaw.ac.at/t__01_VMS_1854_TEI_AW_26-01-21-TEI-P5.html"
>https://hanslick.acdh.oeaw.ac.at/t__01_VMS_1854_TEI_AW_26-01-21-TEI-P5.html</ref>.</item>
<item>2022–ongoing. Coelsch-Foinser, Sabine, Meike Wilfing-Albrecht, and Alexander
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<body xml:lang="de-AT">
<div type="main">
<head>Publikationen</head>
<byline>31.03.2023</byline>
<byline>18.07.2023</byline>
<div type="block">
<head>Bücher / Bände</head>
<list type="bibl">
<item>2023–heute. Eduard Hanslick, <hi rend="italic">Schriften für die “Neue Freie
Presse,” 1864–1904</hi>, hrsg. von Alexander Wilfing unter Mitarbeit von
Katharina Bamer, Anna-Maria Pfiel und Daniel Elsner. Open Access Edition mit
TEI-Markup (31 Texte, Stand 13.06.2022). <ref
target="https://hanslick.acdh.oeaw.ac.at/toc.html"
>https://hanslick.acdh.oeaw.ac.at/toc.html</ref>.</item>
<item>2023. Eduard Hanslick, <hi rend="italic">Vom Musikalisch-Schönen: Ein
Beitrag zur Revision der Ästhetik der Tonkunst</hi>, hrsg. von Alexander
Wilfing unter Mitarbeit von Meike Wilfing-Albrecht, <ref target="https://hanslick.acdh.oeaw.ac.at/t__01_VMS_1854_TEI_AW_26-01-21-TEI-P5.html"
Wilfing unter Mitarbeit von Meike Wilfing-Albrecht und Daniel Elsner. Open
Access Edition aller 10 Auflagen, 1854–1902 mit TEI-Markup und automatisierter
Kollationierung. <ref
target="https://hanslick.acdh.oeaw.ac.at/t__01_VMS_1854_TEI_AW_26-01-21-TEI-P5.html"
>https://hanslick.acdh.oeaw.ac.at/t__01_VMS_1854_TEI_AW_26-01-21-TEI-P5.html</ref>.</item>
<item>2022–heute. Coelsch-Foinser, Sabine, Meike Wilfing-Albrecht und Alexander
Wilfing, Hgg. „Production Archives 02: Production Contexts.“ Special issue,
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<list type="biography">
<item><hi rend="bold">Dr. Christoph Landerer</hi>, principal investigator
(<emph>Vom Musikalisch-Schönen</emph> / <emph>On the Musically
Beautiful</emph>) and project member (Hanslick in <emph>Neue Freie
Presse</emph>)</item>
Beautiful</emph>, 2018–2021) and project member (Hanslick in <emph>Neue
Freie Presse</emph>, 2022–2023)</item>
<item>freelance researcher</item>
<item>Salzburg, Austria</item>
<item>Email: <ref type="mail" target="chlanderer@gmail.com">chlanderer(at)gmail.com</ref></item>
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</figure>
<list type="biography">
<item><hi rend="bold">Dr. Alexander Wilfing</hi>, principal investigator (Hanslick
in <emph>Neue Freie Presse</emph>) and editor-in-chief (<emph>Vom
Musikalisch-Schönen</emph> / <emph>On the Musically Beautiful</emph> and
Hanslick in <emph>Neue Freie Presse</emph>)</item>
in <emph>Neue Freie Presse</emph>, 2022–2025) and editor-in-chief (<emph>Vom
Musikalisch-Schönen</emph> / <emph>On the Musically Beautiful</emph>,
2018–2021 and Hanslick in <emph>Neue Freie Presse</emph>, 2022–2025)</item>
<item>Austrian Academy of Sciences, Austrian Centre for Digital Humanities and
Cultural Heritage</item>
<item>Bäckerstrasse 13, 1010 Vienna</item>
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</figure>
<list type="biography">
<item><hi rend="bold">Katharina Bamer, BA</hi>, project member (Hanslick in
<emph>Neue Freie Presse</emph>)</item>
<emph>Neue Freie Presse</emph>, 2022–2024)</item>
<item>Austrian Academy of Sciences, Austrian Centre for Digital Humanities and
Cultural Heritage</item>
<item>Bäckerstrasse 13, 1010 Vienna</item>
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</figure>
<list type="biography">
<item><hi rend="bold">Jakob Leitner, BA BEd</hi>, contractor (Hanslick in
<emph>Neue Freie Presse</emph>)</item>
<emph>Neue Freie Presse</emph>, 10/2022–01/2023 and 02/2023–05/2023)</item>
<item>University of Music and Performing Arts, Graz / Karl Franzens University
Graz</item>
<item>Leonhardstraße 15, 8010 Graz / Mozartgasse 3, 8010 Graz</item>
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</figure>
<list type="biography">
<item><hi rend="bold">Anna-Maria Pfiel, BA</hi>, project member (Hanslick in
<emph>Neue Freie Presse</emph>)</item>
<emph>Neue Freie Presse</emph>, 2022–2024)</item>
<item>Austrian Academy of Sciences, Austrian Centre for Digital Humanities and
Cultural Heritage</item>
<item>Bäckerstrasse 13, 1010 Vienna</item>
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</figure>
<list type="biography">
<item><hi rend="bold">Cornelia Picej, BA</hi>, intern student (Hanslick in
<emph>Neue Freie Presse</emph>)</item>
<emph>Neue Freie Presse</emph>, 02/2023)</item>
<item>University of Music and Performing Arts, Graz / Karl Franzens University
Graz</item>
<item>Leonhardstraße 15, 8010 Graz / Mozartgasse 3, 8010 Graz</item>
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<graphic url="images/Portrait_Stoxreiter.jpg"></graphic>
</figure>
<list type="biography">
<item><hi rend="bold">Daniel Stoxreiter, MA</hi>, project member (<emph>Vom
Musikalisch-Schönen</emph> / <emph>On the Musically Beautiful</emph> and
Hanslick in <emph>Neue Freie Presse</emph>)</item>
<item><hi rend="bold">Daniel Elsner, MA</hi>, project member (Hanslick in
<emph>Neue Freie Presse</emph>, 2022–2025)</item>
<item>Austrian Academy of Sciences, Austrian Centre for Digital Humanities and
Cultural Heritage</item>
<item>Bäckerstrasse 13, 1010 Vienna</item>
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</figure>
<list type="biography">
<item><hi rend="bold">Dr. Meike Wilfing-Albrecht</hi>, project member (<emph>Vom
Musikalisch-Schönen</emph> / <emph>On the Musically Beautiful</emph>)</item>
Musikalisch-Schönen</emph> / <emph>On the Musically Beautiful</emph>,
2018–2020)</item>
<item>Austrian Academy of Sciences, Austrian Centre for Digital Humanities and
Cultural Heritage</item>
<item>Bäckerstrasse 13, 1010 Vienna</item>
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