Add spanish translation

LICENSE.md

@@ -0,0 +1,9 @@
+Modified MIT License for Text Documents
+
+Copyright (c) [2015] [Rafael Lozano-Hemmer]
+
+Permission is hereby granted, free of charge, to any person obtaining a copy of this text document and associated files (the "Document"), to deal in the Document without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Document, and to permit persons to whom the Document is furnished to do so, subject to the following conditions:
+
+The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Document.
+
+THE DOCUMENT IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE DOCUMENT OR THE USE OR OTHER DEALINGS IN THE DOCUMENT.

readme.md

@@ -1,8 +1,8 @@
-![](http://lozano-hemmer.com/ss/33q.png)
-#Best practices for conservation of media art from an artist’s perspective
-
+# Best practices for conservation of media art from an artist’s perspective
 [RAFAEL LOZANO-HEMMER](http://lozano-hemmer.com) · SEPTEMBER 28, 2015
 
+![](https://www.lozano-hemmer.com/image_sets/33_questions_per_minute/monterrey_2019/33_questions_per_minute_monterrey_2019_my_505A7543.jpg)
+
 
 Dear colleague,
 
@@ -106,6 +106,6 @@ This text is written to outline what artists may choose to do on the subject in
 
 Version 0.9.1
 
-PS. The cover image is “33 Questions per Minute” a piece from 2000 which ran on Windows 98 and was programmed in Delphi. In 2006 MoMA’s acquired the work and used my source code to port it to C++ and run it on Linux, thus proving that stockpiling old PCs was not necessary to assure conservation. That was some next level shit right there and a big relief for all. I have only now found this new initiative from the Museum and I shall look at it closely <http://www.moma.org/explore/inside_out/2015/05/13/open-sourcing-momas-digital-vault/>
+PS. The cover image is “33 Questions per Minute” a piece from 2000 which ran on Windows 98 and was programmed in Delphi. In 2006 MoMA’s acquired the work and used my source code to port it to C++ and run it on Linux, thus proving that stockpiling old PCs was not necessary to assure conservation. That was some next level shit right there and a big relief for all. I have only now found this new initiative from the Museum and I shall look at it closely [http://www.moma.org/explore/inside_out/2015/05/13/open-sourcing-momas-digital-vault/](https://web.archive.org/web/20150805115404/moma.org/explore/inside_out/2015/05/13/open-sourcing-momas-digital-vault/)
 
-PS2. I want to acknowledge the talks I have had with numerous friends and colleagues, most notably my studio assistants and the great Kim Brickley whose interviews helped me put some order to it all; but also Steven Sacks, Patricia Ortiz Monasterio, Zimoun, Daniel Canogar, Pip Laurenson, Glenn Wharton, Christiane Paul, Ben Fino-Radin, Kate Lewis, Sarah Cook, Beryl Graham, Matthew Biederman, Kathleen Forde, Rudolf Frieling, Barbara J. London, Pablo Helguera, Colin Griffiths, Alain Depocas, Jean Gagnon, Abigail Susik, Steve Dietz, Erkki Huhtamo, and other artists, collectors, historians, curators and conservators who like talking about this kind of thing.
+PS2. I want to acknowledge the talks I have had with numerous friends and colleagues, most notably my studio assistants and the great Kim Brickley whose interviews helped me put some order to it all; but also Steven Sacks, Patricia Ortiz Monasterio, Zimoun, Daniel Canogar, Pip Laurenson, Glenn Wharton, Christiane Paul, Ben Fino-Radin, Kate Lewis, Sarah Cook, Beryl Graham, Matthew Biederman, Kathleen Forde, Rudolf Frieling, Barbara J. London, Pablo Helguera, Colin Griffiths, Alain Depocas, Jean Gagnon, Abigail Susik, Steve Dietz, Erkki Huhtamo, and other artists, collectors, historians, curators and conservators who like talking about this kind of thing.