Jean-Claude Risset's Music V adaptations to MAxMSP

This repository contains Max/MSP versions and adaptations of Jean-Claude Risset's Music V orchestras and scores.
NOTE: Update still inprogress.

design and programming
Antonio de SOUSA DIAS
a.sousadias@belasartes.ulisboa.pt

Description (notes from 2009)

In this folder you'll find some Max/MSP patches versions of Jean-Claude Risset's work.
This is a work I've started in 2000-2001.
Since then, Max/MSP developed a lot, but I decided to keep some patches unchanged in their core design.

Patch List

• Risset_01_Bells
  
• Risset_02_HarmonicCascade
  
• Risset_03_ParadoxicalSounds (not yet: under revision)
  
• Risset_04_delayRessonance

References

To design this patches I used mainly the following sources:

• DODGE, Charles ; JERSE, Thomas A. (1985) Computer Music: Synthesis, Composition, and Performance. New York: Schirmer Books.
• LORRAIN, Denis (1980). Analyse de la bande magnétique de l'oeuvre de Jean-Claude Risset "Inharmonique". Paris : Centre Georges Pompidou (Rapport IRCAM n° 26/80).
• MATHEWS, Max V. ; MILLER, J.E. ; MOORE, F.R. ; PIERCE, J.R. ; RISSET, J. C. (1969) The Technology of Computer Music. Cambridge (MA) : The MIT Press.
• MATHEWS, Max V. ; PIERCE, John R. (1989). Current Directions in Computer Music Research. Cambridge (MA) : The MIT Press.
• RISSET, Jean-Claude ([1969] 1995). An introductory catalog of computer-synthesized sounds (1969). Reed. The historical CD of digital sound synthesis, CD Wergo 2033-2, p.109-254.
• RISSET, Jean-Claude (1995). My 1969 Sound Catalogue: Looking Back from 1992. The historical CD of digital sound synthesis, CD Wergo 2033-2, 1995, p.88-108.
• RISSET, Jean Claude (1985). Digital techniques and sound structure in music. ROADS, Curtis (éd.), Composers and the Computer, p.113-138.
• RISSET, Jean-Claude (1989). Paradoxical Sounds. MATHEWS, Max V. ; PIERCE, John R. Current directions in Computer Music Research, p.149 158.
• RISSET, Jean-Claude (1989). Additive Synthesis of Inharmonic Tones" in MATHEWS, Max V. ; PIERCE, John R. Current directions in Computer Music, p.159-163.
• RISSET, Jean Claude, ARFIB, Daniel, DE SOUSA DIAS, António, LORRAIN, Denis, POTTIER, Laurent (2002). De 'Inharmonique' à 'Resonant Sound Spaces': temps réel et mise en espace. Actes des neuvièmes Journées d’Informatique Musicale, Marseille : ADERIM-GMEM, p.83-88.
• SOUSA DIAS, Antonio (2005). L'objet sonore : situation, évaluation et potentialités : un paradigme pour la création d'outils de composition musicale. Paris : Université Paris 8. http://www.sudoc.fr/11136101X

Revision history:

• 2019, August 9: Release on GitHub of Risset_01_Bells. B1-Bell example.
• 2019, August 7: Release on GitHub of Risset_02_HarmonicCascade for Max8. Improved version.
• 2018, March 17: Release on GitHub of Risset_04_delayRessonance. Some improvements and minor changes
• 2007, April 10:
  • start to improve ergonomics
  • new Paradoxical Sounds Version (see <ParadoxicalSoundsV2.pat>)

Disclaimer:

These patches are distributed in the hope that they will be useful, but WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.

Antonio de Sousa Dias
Universidade de Lisboa, Faculdade de Belas-Artes
Largo da Academia Nacional de Belas-Artes
1249-058 Lisboa, Portugal
http://www.belasartes.ulisboa.pt/