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American Commissar

This is a family archive project to digitize and distribute my late grandfather's autobiography, American Commissar. As chapters are edited, they are published to http://americancommissar.wordpress.com.

Sandor Voros

American Commissar follows Sandor Voros, my grandfather, from Hungary to America as an immigrant in the 1920s; his entrance to the communist party and their activities during the 1920s and 30s; his wartime experiences serving with the Abraham Lincoln Brigade in the Spanish Civil War; and his frustration and disillusionment with the international Soviet communist movement. The book is human, funny, and—my grandfather being an accomplished playwright—well-paced with memorable scenes and stories. Seriously.

I have been scanning, converting to text (OCR) and proof-reading against the original text. When I'm finished I'll be submitting the entirety to Project Gutenberg.

In addition to my own personal interest in the work, I think the book has enduring lessons. As a 2nd generation American citizen, the experience of confused immersion and material poverty is so distant; as is the experience of the early-20th century, which few history books expose from such unique points of view. Fighting against the Fascists during the Spanish Civil War, my grandfather would today have been classified as an "unlawful combatant" or terrorist; yet at the time was cheered both locally and abroad. Most enduringly, I think his view of community organizing and his experience with the American Communist Party at the time is profound: the radical populism of the American Communist Party was one of the few movements actively advocating for the social services we take for granted today like Medicare, Social Security and unemployment insurance. As my grandfather argues, it was these evolutionary reforms that protected the American way of life (enduring freedom and opportunities) from Soviet style revolution—a movement that at its end my grandfather became disillusioned with and he worked the rest of his life to distance himself from.

While the book is a harsh critique of the Communist Party, I think my grandfather's hope, optimism, and well-intentioned desire for positive change—topical concepts for today—are the book's strongest themes; though I am of a much different generation than both my parents and my grandfather's contemporaries.

If you have any questions, comments or contributions please open an issue or email me at bensheldon@gmail.com (though I'd prefer if you opened an issue).

Making Contributions

Unfortunately, scanning and OCRing this text—as it includes non-English words, diacriticals and special formatting—is not a straightforward task. While previously I had been making edits (based on the original book's text) using Scrivener, I have moved over to Github to make the process somewhat more transparent and (hopefully) more open to contributions (not that Git or Github are particularly accessible, but more so than the previous workflow).

If you find any errors you can open an issue (first check that the error hasn't already been noted), or if you would like to make changes/updates directly you can:

  1. Create a Github Account (assuming you don't already have one)
  2. Fork the project
  3. Make changes to your forked copy (either through Github's online interface or on your local computer using Git)
  4. Make a pull request back to this project, where I will review your changes/updates, offer feedback and hopefully merge your changes into this project

Common edits

  • Replacing dashes (-) with emdashes (—)

License & Copyright

It is my best opinion that this book is a part of the Public Domain; though if you use this version of the text, I would appreciate attribution.

United States copyright law is rather complicated, but from using the many resources available at the Stanford Copyright and Fair Use Center, I am confident that this opinion is correct. That includes the Digital Copyright Slider, searching Stanford's Copyright Renewal Database as well as the Library of Congress's Copyright Catalog.

Canadian (and other international copyrights) I am less confident of.

Original Copyright Statement:

Copyright © 1961 by Sandor Voros. First Edition. All Rights Reserved. Published in Philadelphia by Chilton Company, and simultaneously in Toronto, Canada, by Ambassador Books, Ltd. Library of Congress Catalog Card Number 61-9024. Designed by William E. Lickfield. Manufactured in the United States of America by Quinn & Boden Company, Inc. Rahway, N.J.

As far as I can tell, this copyright was not renewed in the United States.

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a memoir by Sandor Voros / an archive project by me, his grandson

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