-
Notifications
You must be signed in to change notification settings - Fork 29
/
cv389_9369.txt
1065 lines (1065 loc) · 8.55 KB
/
cv389_9369.txt
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296
297
298
299
300
301
302
303
304
305
306
307
308
309
310
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
372
373
374
375
376
377
378
379
380
381
382
383
384
385
386
387
388
389
390
391
392
393
394
395
396
397
398
399
400
401
402
403
404
405
406
407
408
409
410
411
412
413
414
415
416
417
418
419
420
421
422
423
424
425
426
427
428
429
430
431
432
433
434
435
436
437
438
439
440
441
442
443
444
445
446
447
448
449
450
451
452
453
454
455
456
457
458
459
460
461
462
463
464
465
466
467
468
469
470
471
472
473
474
475
476
477
478
479
480
481
482
483
484
485
486
487
488
489
490
491
492
493
494
495
496
497
498
499
500
501
502
503
504
505
506
507
508
509
510
511
512
513
514
515
516
517
518
519
520
521
522
523
524
525
526
527
528
529
530
531
532
533
534
535
536
537
538
539
540
541
542
543
544
545
546
547
548
549
550
551
552
553
554
555
556
557
558
559
560
561
562
563
564
565
566
567
568
569
570
571
572
573
574
575
576
577
578
579
580
581
582
583
584
585
586
587
588
589
590
591
592
593
594
595
596
597
598
599
600
601
602
603
604
605
606
607
608
609
610
611
612
613
614
615
616
617
618
619
620
621
622
623
624
625
626
627
628
629
630
631
632
633
634
635
636
637
638
639
640
641
642
643
644
645
646
647
648
649
650
651
652
653
654
655
656
657
658
659
660
661
662
663
664
665
666
667
668
669
670
671
672
673
674
675
676
677
678
679
680
681
682
683
684
685
686
687
688
689
690
691
692
693
694
695
696
697
698
699
700
701
702
703
704
705
706
707
708
709
710
711
712
713
714
715
716
717
718
719
720
721
722
723
724
725
726
727
728
729
730
731
732
733
734
735
736
737
738
739
740
741
742
743
744
745
746
747
748
749
750
751
752
753
754
755
756
757
758
759
760
761
762
763
764
765
766
767
768
769
770
771
772
773
774
775
776
777
778
779
780
781
782
783
784
785
786
787
788
789
790
791
792
793
794
795
796
797
798
799
800
801
802
803
804
805
806
807
808
809
810
811
812
813
814
815
816
817
818
819
820
821
822
823
824
825
826
827
828
829
830
831
832
833
834
835
836
837
838
839
840
841
842
843
844
845
846
847
848
849
850
851
852
853
854
855
856
857
858
859
860
861
862
863
864
865
866
867
868
869
870
871
872
873
874
875
876
877
878
879
880
881
882
883
884
885
886
887
888
889
890
891
892
893
894
895
896
897
898
899
900
901
902
903
904
905
906
907
908
909
910
911
912
913
914
915
916
917
918
919
920
921
922
923
924
925
926
927
928
929
930
931
932
933
934
935
936
937
938
939
940
941
942
943
944
945
946
947
948
949
950
951
952
953
954
955
956
957
958
959
960
961
962
963
964
965
966
967
968
969
970
971
972
973
974
975
976
977
978
979
980
981
982
983
984
985
986
987
988
989
990
991
992
993
994
995
996
997
998
999
1000
when_CS
i_PP
left_VBD
the_DT
theater_NN
after_IN
seeing_VBG
david_NP
lynch_NN
's_POS
"_"
lost_JJ
highway_NN
,_,
"_"
i_PP
remarked_VBD
to_IN
a_DT
fellow_NN
movie-goer_NN
,_,
"_"
i_PP
feel_VB
like_IN
someone_PN
just_RB
sucked_VBN
my_PP$
brains_NNS
out_RP
through_IN
my_PP$
nose_NN
and_CC
put_VB
them_PP
back_RP
in_IN
through_IN
my_PP$
ears_NNS
._.
"_"
in_IN
his_PP$
first_OD
feature_NN
film_NN
in_IN
five_CD
years_NNS
,_,
lynch_JJ
delivers_VBZ
a_DT
film_NN
second_NN
only_RB
to_IN
his_PP$
debut_NN
picture_NN
"_"
eraserhead_NN
"_"
on_IN
the_DT
weirdness_NN
scale_NN
._.
you_PP
won't_MD
"_"
know_VB
"_"
what_WDT
happened_VBD
when_CS
it_PP
's_BEZ
over_IN
,_,
though_CS
there_EX
are_BER
certainly_RB
enough_RB
clues_NNS
with_IN
which_WDT
to_TO
make_VB
some_DT
reasonable_JJ
guesses_NNS
._.
it_PP
is_BEZ
difficult_JJ
to_TO
describe_VB
the_DT
plot_NN
of_IN
this_DT
film_NN
,_,
because_CS
it_PP
depends_VBZ
partly_RB
on_IN
how_WRB
you_PP
interpret_VB
it_PP
._.
i_PP
can_MD
,_,
however_RB
,_,
describe_VB
what_WDT
we_PP
see_VB
on_IN
the_DT
screen_NN
:_:
l_NN
._.
a_DT
._.
jazz_NN
saxophonist_NN
fred_NP
madison_NP
(_(
bill_NN
pullman_NN
)_)
and_CC
his_PP$
wife_NN
renee_NN
(_(
patricia_NP
arquette_NN
)_)
,_,
whom_WP
he_PP
clearly_RB
suspects_VBZ
of_IN
infidelity_NN
,_,
receive_VB
a_DT
series_NN
of_IN
videotapes_NNS
apparently_RB
filmed_VBN
inside_IN
their_PP$
house_NN
while_CS
they_PP
were_BED
asleep_JJ
._.
they_PP
are_BER
,_,
naturally_RB
enough_RB
,_,
more_DT
than_CS
a_DT
little_JJ
frightened_JJ
and_CC
confused_JJ
,_,
and_CC
it_PP
doesn't_DOZ
help_VB
matters_NNS
any_DT
when_CS
"_"
mystery_NN
man_NN
"_"
(_(
robert_NP
blake_NP
)_)
approaches_NNS
fred_NP
at_IN
a_DT
party_NN
and_CC
proceeds_NNS
to_IN
call_NN
himself_PPX
on_IN
the_DT
telephone_NN
at_IN
the_DT
madisons_NNS
'_"
house_NN
in_IN
a_DT
scene_NN
that_CS
is_BEZ
at_IN
once_RB
hilarious_JJ
and_CC
unnerving_VBG
._.
the_DT
next_OD
morning_NN
,_,
fred_NP
finds_VBZ
another_DT
videotape_NN
which_WDT
,_,
to_IN
his_PP$
(_(
and_CC
our_PP$
)_(
surprise_NN
,_,
shows_VBZ
him_PP
brutally_RB
murdering_VBG
renee_NN
in_IN
their_PP$
bedroom_NN
._.
he_PP
is_BEZ
convicted_JJ
of_IN
her_PP$
murder_NN
and_CC
sent_VBD
to_TO
death_NN
row_VB
,_,
where_CS
he_PP
inexplicably_RB
disappears_VBZ
one_CD
night_NN
and_CC
is_BEZ
replaced_VBN
by_IN
a_DT
young_JJ
mechanic_NN
named_VBN
pete_NP
dayton_NP
(_(
balthazar_NP
getty_JJ
)_)
._.
the_DT
perplexed_JJ
prison_NN
officials_NNS
release_NN
dayton_NP
,_,
whose_WP$
life_NN
begins_VBZ
to_IN
intersect_VB
with_IN
fred_NP
in_IN
a_DT
number_NN
of_IN
ways_NNS
-_-
most_DT
notably_RB
his_PP$
affair_NN
with_IN
alice_NP
wakefield_NP
(_(
arquette_NN
again_RB
)_)
,_,
a_DT
blonde_JJ
who_WP
is_BEZ
otherwise_RB
renee_NN
's_POS
spitting_VBG
image_NN
,_,
and_CC
another_DT
encounter_NN
with_IN
the_DT
mystery_NN
man_NN
._.
i_PP
would_MD
be_BE
giving_VBG
away_RB
a_DT
little_JJ
too_RB
much_DT
to_IN
reveal_NN
any_DT
more_DT
,_,
but_CC
suffice_VB
it_PP
to_IN
say_NN
that_CS
lynch_JJ
doesn't_DOZ
offer_VB
any_DT
neat_JJ
wrap_NN
?_?
ups_NNS
,_,
nor_CC
does_DOZ
he_PP
put_VB
a_DT
lid_NN
on_IN
the_DT
metaphysical_JJ
confusion_NN
:_:
the_DT
cinematic_JJ
demons_NNS
of_IN
"_"
lost_JJ
highway_NN
"_"
are_BER
out_RP
in_IN
full_JJ
force_NN
from_IN
beginning_NN
to_IN
end_NN
._.
this_DT
description_NN
might_MD
make_VB
"_"
lost_JJ
highway_NN
"_"
sound_NN
like_IN
a_DT
giddy_JJ
exercise_NN
in_IN
haywire_NN
surrealism_NN
,_,
but_CC
in_IN
fact_NN
,_,
while_CS
there_EX
are_BER
traces_NNS
of_IN
lynch_JJ
's_POS
weird_JJ
sense_NN
of_IN
humor_NN
,_,
this_DT
film_NN
is_BEZ
anything_PN
but_CC
giddy_JJ
most_DT
of_IN
the_DT
time_NN
._.
on_IN
the_DT
contrary_NN
,_,
lost_VBN
highway_NN
is_BEZ
a_DT
dark_JJ
and_CC
perplexing_VBG
mystery_NN
that_CS
takes_VBZ
lynch_JJ
's_NNS
previous_JJ
excursions_NNS
into_IN
murder_NN
and_CC
intrigue_NN
one_CD
step_NN
farther_RBR
._.
the_DT
film_NN
does_DOZ
not_XNOT
revolve_VB
around_IN
a_DT
character_NN
investigating_VBG
a_DT
mystery_NN
;_;
rather_RB
,_,
the_DT
character_NN
*_???
is_BEZ
*_???
the_DT
mystery_NN
._.
there_EX
are_BER
recurring_JJ
and_CC
at_IN
times_NNS
deeply_RB
disturbing_JJ
images_NNS
of_IN
suspicion_NN
,_,
distrust_NN
,_,
and_CC
infidelity_NN
thoughout_IN
the_DT
film_NN
that_CS
seem_VB
to_IN
indicate_VB
a_NP
deluded_VBD
,_,
fractured_VBD
psyche_NN
at_IN
the_DT
root_NN
of_IN
all_PDT
the_DT
bizarre_JJ
goings-on_???
here_RB
._.
we_PP
,_,
the_DT
audience_NN
,_,
are_BER
left_VBN
to_IN
puzzle_NN
out_RP
whose_WP$
psyche_NN
it_PP
is_BEZ
that_DT
is_BEZ
driving_JJ
this_DT
(_(
probably_RB
fred_NP
's_POS
,_,
in_IN
my_PP$
opinion_NN
)_)
and_CC
what_WDT
,_,
in_IN
that_DT
case_NN
,_,
the_DT
other_JJ
characters_NNS
and_CC
events_NNS
are_BER
meant_VBN
to_IN
represent_VB
._.
all_PDT
of_IN
this_DT
proceeds_NNS
,_,
appropriately_RB
,_,
in_IN
lynch_JJ
's_POS
typically_RB
slow-paced_JJ
,_,
idiosyncratic_JJ
style_NN
._.
as_CS
is_BEZ
often_RB
the_DT
case_NN
,_,
lynch_NN
relies_VBZ
on_IN
sound_NN
,_,
imagery_NN
,_,
and_CC
mood_NN
more_DT
than_CS
on_IN
dialogue_NN
and_CC
action_NN
to_IN
tell_VB
his_PP$
story_NN
,_,
and_CC
in_IN
"_"
lost_JJ
highway_NN
"_"
it_PP
works_VBZ
perfectly_RB
._.
there_EX
are_BER
scenes_NNS
when_CS
the_DT
camera_NN
lingers_VBZ
on_IN
fred_NP
's_POS
blank_JJ
expression_NN
as_IN
he_PP
drifts_NNS
uncomfortably_RB
down_RP
a_DT
hallway_NN
,_,
or_CC
on_IN
his_PP$
pained_JJ
face_NN
in_IN
his_PP$
prison_NN
cell_NN
while_CS
the_DT
haunting_NN
strains_NNS
of_IN
this_DT
mortal_JJ
coil_NN
's_POS
"_"
song_NN
to_IN
the_DT
siren_NN
"_"
can_MD
be_BE
heard_VBN
faintly_RB
in_IN
the_DT
background_NN
;_;
nothing_PN
is_BEZ
technically_RB
"_"
happening_VBG
"_"
in_IN
these_DT
scenes_NNS
,_,
yet_RB
they_PP
present_VB
a_DT
vivid_JJ
picture_NN
of_IN
a_DT
man_NN
losing_VBG
his_PP$
grip_NN
just_RB
as_IN
effective_JJ
as_CS
,_,
if_CS
not_XNOT
more_DT
so_RB
than_CS
,_,
the_DT
hysterical_JJ
screaming_NN
found_VBD
in_IN
most_DT
movie_NN
presentations_NNS
of_IN
insanity_NN
._.
lynch_JJ
's_BEZ
direction_NN
and_CC
director_NN
of_IN
photography_NN
pete_NP
deming_NN
's_POS
darkly_RB
lit_NN
cinematography_NN
serve_VB
to_IN
create_VB
a_NP
nearly_RB
suffocating_JJ
atmosphere_NN
of_IN
tension_NN
and_CC
fear_NN
that_CS
are_BER
exactly_RB
what_WDT
is_BEZ
needed_VBN
for_IN
this_DT
story_NN
._.
well_RB
,_,
most_DT
of_IN
the_DT
time_NN
,_,
anyway_RB
-_-
i_PP
have_HV
to_TO
admit_VB
that_DT
i_PP
was_BEDZ
a_DT
bit_NN
bored_JJ
at_IN
times_NNS
during_IN
the_DT
section_NN
of_IN
the_DT
film_NN
with_IN
pete_NP
dayton_NP
as_IN
the_DT
protgaonist_NN
,_,
which_WDT
is_BEZ
less_DT
inherently_RB
interesting_JJ
and_CC
mostly_RB
keeps_VBZ
the_DT
viewer_NN
's_POS
attention_NN
because_CS
of_IN
its_PP$
tie-ins_NNS
to_IN
the_DT
original_JJ
mystery_NN
._.
the_DT
main_JJ
characters_NNS
in_IN
this_DT
"_"
reality_NN
"_"
-_-
dayton_NP
(_(
a_DT
well-meaning_JJ
but_CC
none_PN
too_RB
intelligent_JJ
24-year-old_NN
)_)
,_,
a_DT
sleazy_NP
gangster_NN
(_(
who_NP
for_IN
some_DT
reason_NN
has_HVZ
two_CD
names_NNS
but_CC
otherwise_RB
is_BEZ
pretty_JJ
much_RB
a_DT
stock_NN
character_NN
)_)
,_,
and_CC
his_PP$
porn-star_NN
girlfriend_NN
(_(
the_DT
blond_JJ
arquette_NN
)_)
-_-
are_BER
nothing_PN
you_PP
couldn't_MD
find_VB
in_IN
any_DT
of_IN
the_DT
two_CD
dozen_NN
"_"
pulp_NN
fiction_NN
"_"
wannabes_NNS
;_;
fortunately_RB
,_,
the_DT
reappearance_NN
of_IN
the_DT
mystery_NN
man_NN
as_IN
well_RB
as_CS
some_DT
other_JJ
typically_RB
lynchian_JJ
elements_NNS
,_,
such_DT
as_IN
the_DT
strained_JJ
,_,
awkward_JJ
conversations_NNS
between_IN
pete_NP
and_CC
his_PP$
parents_NNS
,_,
help_VB
to_IN
preserve_NN
the_DT
film_NN
's_POS
spooky_JJ
,_,
unnerving_VBG
tone_NN
during_IN
this_DT
stretch_NN
._.
lynch_JJ
's_BEZ
typically_RB
graphic_JJ
and_CC
disturbing_JJ
portrayals_NNS
of_IN
fringe_NN
sexuality_NN
,_,
while_CS
relevant_JJ
to_IN
the_DT
themes_NNS
of_IN
jealousy_NN
and_CC
adultery_NN
,_,
are_BER
also_RB
somewhat_RB
overdone_NN
here_RB
._.
it_PP
's_BEZ
not_XNOT
exactly_RB
exploitative_JJ
-_-
like_IN
almost_RB
everything_PN
else_RB
in_IN
this_DT
film_NN
,_,
the_DT
sex_NN
is_BEZ
thoroughly_RB
weird_JJ
and_CC
creepy_JJ
and_CC
is_BEZ
unlikely_JJ
to_TO
provide_VB
any_DT
cheap_JJ
lurid_JJ
thrills_NNS
-_-
as_CS
much_DT
as_IN
it_PP
is_BEZ
unnecessary_JJ
and_CC
frankly_RB
kind_NN
of_IN
dumb_JJ
by_IN
the_DT
seventh_OD
or_CC
eighth_OD
time_NN
arquette_NN