Subtractive monobass synth & device template for Max for Live
Lode is a monophonic bass synthesizer inspired by our most beloved vintage pieces. You can read more about it, and download it for free, on the Fors website. It's built on a framework made for rapid development of Max for Live synthesizers with custom elements, leveraging Javascript to dynamically change the interface without having to alter the patch itself.
Provided is the development device of Lode (lode-dev.amxd) and a template device (template.amxd) to get you started on building your own device in the same format.
The template.amxd device is a simple polyphonic sinewave synthesizer with an ADSR amp envelope.
To build your own device from the template provided, drag and drop template.amxd to a track in Live and open it for editing in Max.
It may however be a good idea to create a renamed copy of template.amxd and poly.template.maxpat to get started on a new project.
The DSP is written in Gen~ and uses poly~ for polyphony (and voice muting). The DSP voice is wrapped into poly.template.maxpat which is then instantiated in the main patch. It can be edited by opening the p dsp subpatch, then double-clicking on poly.template.maxpat, and finally open the gen~ object inside to view the DSP code.
The DSP is written in a single codebox object using genexpr. The template synth is a very simple sinewave lookup oscillator using the built-in cycle object:
osc = cycle(freq) * amp_env;
By changing the osc output it's possible to build your own synthesizer voice. One nice addition could for example be to add phase modulation from a second oscillator. We can also change the placeholder parameter names ctl0 and ctl1 to something more specific pertaining to the functionality of the parameter:
// parameters
mod_ratio = in5;
mod_depth = in6;
...
mod_phase = phasor(freq * mod_ratio);
osc_phase = phasor(freq);
mod = cycle(mod_phase, index = "phase") * mod_depth;
osc = cycle(osc_phase + mod, index = "phase") * amp_env;
Note that Gen~ will only compile for the current voice. Save the poly.template patch to apply it to all voices. Another option is to simply set the amount of voices used by the poly~ object to 1 while working on the gen~ code.
The UI is built with the JSUI object, using Javascript and mgraphics. The interface is configured using the object dict ---parameters on launch. This stores a unique configuration of the UI elements in JSON format. From the dict you can edit the look, name and polarity of each parameter of eight.
The parameters are configured in the subpatch p config, double-click to open it, then double-click on the dict ---parameters object to edit the JSON data.
"param_0" : {
"title" : "Ctrl 1",
"style" : "dial",
"bipolar" : 0
}
title sets the title above the parameter
style sets the visual look of the UI object, available styles are:
dial, a standard control dialslider, a standard sliderdecay, exponential decay curve
bipolar configures whether the control has an indicator of a bipolar range, i.e a triangle to denote the middle on the dial style.
This lets you draft an interface quickly and with ease. It's also possible to add your own styles in dial.js by adding a type to the style switch case in:
function paint() {
with (mgraphics) {
switch (style) {
case "dial":
...
The hue and lightness of the accent color can also be changed by altering the last entry in dict --parameters, with hue ranging from 0 to 1 and lightness being lighter with lower values:
"color" : {
"hue" : 0,
"lightness" : 2
}
Finally, you might want to change the ranges or naming of the live.numbox objects at the top-level of the patcher. These hook in the JSUI front-end UI to the controls of the Live API. Note that the values sent/received from the JSUI objects use the raw float value 0.0 .. 1.0
MIT license (LICENSE or http://opensource.org/licenses/MIT)
We provide this software as-is and in a finished state. We however encourage derivate work in form of forks using Lode or the template synthesizer as a base.
