dates:
- Cafe OTO @ london - 2021.12.14 - GMT 22:15
- HKCR @ Hong Kong - 2021.11.30 - CET 14:00 / HKT 21:00
- Ambient Festival @ cologne st.michael - 2021.09.09 - CEST 23:00
- Der dritte Körper @ cologne st.michael - 2021.08.31 - CEST 22:00
- algopolis live Ljudmila @ ljubljana - 2021.05.14 - CEST 22:10
- escdotdot presents [ _ _ _ ] - collaborative algorithmic music performance @ HK - 2021.03.14 - HKT 19:00
- TOPLAP Live Stream - 19.Feb.2021 - CET 21:00
IMWI-concert: 2021.01.29canceledDeadline of application for IMWI-concert:2020.11.30
- Algorithm in context of Network Music: how could Algorithm be collaborative and distributed?
- If we understand algorithm as function, (how) could they be composed together?
- What ist one's identity in collaborative algorithm?
- implemented simple distributed markov chain
- code structure of OSCdefs for multiple individual chains
- simple sound
- state chart window
- new chain \buildUp with a threshold-reaching-retrigger machanism
- optimize the \buildUp sound (additive synthesis)
- added kill and start for chains
- added counter in \state
- build connection between chains
- granular synthesis?
- chain modulate chain?
- \buildUp structure >> the freq-array morphing
- add new chain for dynamic control (2024 to-do?)
sound idea/logic: (notes from 12.7.)
- the performance is a whole process, this process is about the 3 collaborators building up 1 timbre(Klanggebilde/Teiltongebilde);
- pointillistic music, so to speak. 3 collaborators share 1 algorithm, but make different sounds, contingency and tacet are very important, must take into consideration.
and so on...
how stockhausen explained group/point Lecture 1 [PARTE 1/4] Stockhausen Karlheinz - English Lectures (1972)