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The last of his Great Eighteen Chorale Preludes (or Leipzig Chorales) and appended to the Art of Fugue as a compensation for the unfinished fugue, "Before your throne I now appear" is said to be Bach's deathbed dictation to his son-in-law Johann Christoph Altniko. Some scholars discredit the legend as a mere reworking of Wenn wir in höchsten Nöten sein, BWV 641.
I have not investigated the evidence from the scholarly debates. But in comparison to BWV 641 I see in this piece a return to simplicity, yet tightly strung together via various canonic imitations (including contrary motion and augmentation), characteristic of the highest ideals that Bach had been pursuing.
Partition:
https://www.youtube.com/watch?v=pH4uaNrYihc
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