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odate-working-bib.bib
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odate-working-bib.bib
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@misc{owens_deforming_2012,
title = {Deforming reality with {Word} {Lens}},
url = {http://www.trevorowens.org/2012/02/deforming-reality-with-word-lens/},
abstract = {If you haven't checked it out already Wordlens is an amazingly cool iPhone app that will automatically translate text on the fly, as you see it. I've had it on my phone for about a month now, but I...},
urldate = {2017-02-13},
journal = {Trevor Owens},
author = {Owens, Trevor},
month = feb,
year = {2012},
file = {Snapshot:/Users/shawngraham/Library/Application Support/Zotero/Profiles/rcpe5jts.default/zotero/storage/Z3EW2TGZ/deforming-reality-with-word-lens.html:text/html}
}
@book{evans_digital_2006,
address = {London ; New York},
title = {Digital archaeology: bridging method and theory},
isbn = {9786610291823},
shorttitle = {Digital archaeology},
url = {http://proxy.library.carleton.ca/login?url=http://www.myilibrary.com?id=29182},
urldate = {2017-02-13},
publisher = {Routledge},
editor = {Evans, Thomas L. and Daly, Patrick T. and {MyiLibrary}},
year = {2006},
keywords = {Antiquities, Archaeology, Collection and preservation, Cultural property, Digital electronics, Electronic digital computers, Methodology, Philosophy, Protection}
}
@incollection{goldstone_teaching_2018,
title = {Teaching {Quantitative} {Methods}: {What} {Makes} {It} {Hard} 9in {Literary} {Studies})},
booktitle = {Debates in the {Digital} {Humanities}},
author = {Goldstone, Andrew},
year = {2018}
}
@misc{mullen_confirmation_2017,
title = {A confirmation of {Andrew} {Goldstone} on “{Teaching} {Quantitative} {Methods}”},
url = {http://lincolnmullen.com/blog/a-confirmation-of-andrew-goldstone-on-teaching-quantitative-methods/},
abstract = {At his blog, Andrew Goldstone has posted a pre-print of his essay on “Teaching Quantitative Methods: What Makes It Hard (in Literary Studies)” for the forthcoming Debates in DH 2018. It…},
urldate = {2017-02-13},
journal = {The Backward Glance},
author = {Mullen, Lincoln},
month = feb,
year = {2017},
file = {Snapshot:/Users/shawngraham/Library/Application Support/Zotero/Profiles/rcpe5jts.default/zotero/storage/88D5G8T9/a-confirmation-of-andrew-goldstone-on-teaching-quantitative-methods.html:text/html}
}
@misc{jerome_mcgann_deformance_????,
title = {Deformance and {Interpretation}},
url = {http://www2.iath.virginia.edu/jjm2f/old/deform.html},
urldate = {2017-02-13},
author = {{Jerome McGann} and {Lisa Samuels}},
file = {Deformance and Interpretation:/Users/shawngraham/Library/Application Support/Zotero/Profiles/rcpe5jts.default/zotero/storage/A43ZNDBA/deform.html:text/html}
}
@misc{caraher_archaeological_2012,
title = {Archaeological {Glitch} {Art}},
url = {https://mediterraneanworld.wordpress.com/2012/11/21/archaeological-glitch-art/},
abstract = {Several members of the Working Group in Digital and New Media have been discussing glitch art. Some of this was inspired by Mark Amerika’s glitched contribution to the Arts and Culture galler…},
urldate = {2017-02-13},
journal = {The Archaeology of the Mediterranean World},
author = {Caraher, William},
month = nov,
year = {2012},
file = {Snapshot:/Users/shawngraham/Library/Application Support/Zotero/Profiles/rcpe5jts.default/zotero/storage/4QJT2NMI/archaeological-glitch-art.html:text/html}
}
@misc{graham_cacophony:_2017,
title = {Cacophony: {Bad} {Algorithmic} {Music} to {Muse} {To}},
shorttitle = {Cacophony},
url = {https://electricarchaeology.ca/2017/02/03/cacophony-bad-algorithmic-music-to-muse-to/},
abstract = {I was going to actually release this as an actual album, but I looked into the costs and it was a wee bit too pricey. So instead, let’s pretend this post is shiny vinyl, and you’re abou…},
urldate = {2017-02-13},
author = {Graham, Shawn},
month = feb,
year = {2017},
file = {Snapshot:/Users/shawngraham/Library/Application Support/Zotero/Profiles/rcpe5jts.default/zotero/storage/DDG5739C/cacophony-bad-algorithmic-music-to-muse-to.html:text/html}
}
@book{liu_laws_2004,
address = {Chicago},
edition = {1 edition},
title = {The {Laws} of {Cool}: {Knowledge} {Work} and the {Culture} of {Information}},
isbn = {978-0-226-48699-4},
shorttitle = {The {Laws} of {Cool}},
abstract = {Knowledge work is now the reigning business paradigm and affects even the world of higher education. But what perspective can the knowledge of the humanities and arts contribute to a world of knowledge work whose primary mission is business? And what is the role of information technology as both the servant of the knowledge economy and the medium of a new technological cool? In The Laws of Cool, Alan Liu reflects on these questions as he considers the emergence of new information technologies and their profound influence on the forms and practices of knowledge.},
language = {English},
publisher = {University of Chicago Press},
author = {Liu, Alan},
month = oct,
year = {2004}
}
@book{ramsay_reading_2011,
address = {Urbana},
edition = {1st Edition edition},
title = {Reading {Machines}: {Toward} an {Algorithmic} {Criticism}},
isbn = {978-0-252-07820-0},
shorttitle = {Reading {Machines}},
abstract = {Besides familiar and now-commonplace tasks that computers do all the time, what else are they capable of? Stephen Ramsay's intriguing study of computational text analysis examines how computers can be used as "reading machines" to open up entirely new possibilities for literary critics. Computer-based text analysis has been employed for the past several decades as a way of searching, collating, and indexing texts. Despite this, the digital revolution has not penetrated the core activity of literary studies: interpretive analysis of written texts. Computers can handle vast amounts of data, allowing for the comparison of texts in ways that were previously too overwhelming for individuals, but they may also assist in enhancing the entirely necessary role of subjectivity in critical interpretation. Reading Machines discusses the importance of this new form of text analysis conducted with the assistance of computers. Ramsay suggests that the rigidity of computation can be enlisted in the project of intuition, subjectivity, and play.},
language = {English},
publisher = {University of Illinois Press},
author = {Ramsay, Stephen},
month = nov,
year = {2011}
}
@article{ingold_science_2016,
title = {From science to art and back again: {The} pendulum of an anthropologist},
volume = {5},
copyright = {Copyright (c) 2016 Anuac},
issn = {2239-625X},
shorttitle = {From science to art and back again},
url = {http://ojs.unica.it/index.php/anuac/article/view/2237},
doi = {10.7340/anuac2239-625X-2237},
abstract = {In this paper I look back over four decades of my career as a professional anthropologist, starting with an orientation that was heavily weighted towards the natural sciences, and ending in a project that seeks to integrate anthropology with the practices of art, architecture and design. This was also a period during which science increasingly lost its ecological bearings, while the arts increasingly gained them. Tracing the journey in my own teaching and research, I show how the literary reference points changed, from foundational texts in human and animal ecology, now largely forgotten, through attempts to marry the social and the ecological inspired by the Marxian revival, to contemporary writing on post-humanism and the conditions of the Anthropocene. For me this has been an Odyssey – a journey home – to the kind of science imbibed in childhood, as the son of a prominent mycologist. This was a science grounded in tacit wonder at the exquisite beauty of the natural world, and in silent gratitude for what we owe to this world for our existence. Today’s science, however, has turned wonder and gratitude into commodities. They no longer guide its practices, but are rather invoked to advertise its results. The goals of science are modelling, prediction and control. Is that why, more and more, we turn to art to rediscover the humility that science has lost?},
number = {1},
urldate = {2017-02-13},
journal = {Anuac},
author = {Ingold, Tim},
month = aug,
year = {2016},
pages = {5--23},
file = {Full Text PDF:/Users/shawngraham/Library/Application Support/Zotero/Profiles/rcpe5jts.default/zotero/storage/H5JSSMD9/Ingold - 2016 - From science to art and back again The pendulum o.pdf:application/pdf;Snapshot:/Users/shawngraham/Library/Application Support/Zotero/Profiles/rcpe5jts.default/zotero/storage/NDWRUGFK/2237.html:text/html}
}