.

Examples/Part.04-Control/14-Triggers-LFO-LFNoise/7.[clock].pd

@@ -40,11 +40,11 @@ See the help file of the object., f 87;
 #X obj 103 364 clock 60;
 #X obj 213 364 clock -s 2;
 #X obj 302 364 clock -s 3/2;
-#X obj 508 489 tap;
-#X obj 508 452 bng 17 250 50 0 empty empty empty 17 7 0 10 #dfdfdf
+#X obj 526 393 tap;
+#X obj 526 356 bng 17 250 50 0 empty empty empty 17 7 0 10 #dfdfdf
 #000000 #000000;
-#X floatatom 508 525 7 0 0 0 - - - 0;
-#X text 444 387 See also the [tap] object that can set a tempo from
+#X floatatom 526 429 7 0 0 0 - - - 0;
+#X text 462 291 See also the [tap] object that can set a tempo from
 "tapping" on a bang., f 25;
 #X obj 103 421 impseq~;
 #X obj 213 421 impseq~;
@@ -53,6 +53,8 @@ See the help file of the object., f 87;
 #X obj 213 458 resonant~ 1050 200, f 9;
 #X obj 103 497 drive~ 5;
 #X obj 103 451 resonant~ 450 300, f 9;
+#X text 442 493 This object also syncs with [metronome] objects as
+we'll see later in the section on sequencers., f 25;
 #X connect 1 0 22 0;
 #X connect 2 0 22 1;
 #X connect 4 0 22 0;

Examples/Part.04-Control/19-Sequencing/6.Rythmic/6.[pattern].pd

@@ -1,11 +1,11 @@
-#N canvas 636 106 597 568 12;
+#N canvas 709 23 625 659 12;
 #X declare -path else;
 #X obj 371 40 declare -path else;
-#X obj 194 411 bng 18 250 50 0 empty empty empty 17 7 0 10 -228856
--1 -1;
+#X obj 194 411 bng 18 250 50 0 empty empty empty 17 7 0 10 #dcdcdc
+#000000 #000000;
 #X text 189 433 stop;
-#X obj 235 483 bng 18 250 50 0 empty empty empty 17 7 0 10 -228856
--1 -1;
+#X obj 235 483 bng 18 250 50 0 empty empty empty 17 7 0 10 #dcdcdc
+#000000 #000000;
 #X text 261 477 start of pattern, f 8;
 #X text 317 441 Bar number and total number of tempos, f 20;
 #X obj 194 380 route stop start bar dur;
@@ -16,14 +16,14 @@
 #X msg 170 242 1/4 1/4 1/4 1/8 1/24 1/24 1/24 | 1/4 -1/4 1/8 1/8 1/4
 1/8 1/8 1/4, f 32;
 #X text 379 375 route information from the right outlet, f 22;
-#X obj 142 247 tgl 20 0 empty empty empty 17 7 0 10 -228856 -1 -1 0
-1;
+#X obj 142 247 tgl 20 0 empty empty empty 17 7 0 10 #dcdcdc #000000
+#000000 0 1;
 #X obj 317 410 else/display 8;
 #X obj 276 444 else/display 4;
 #X msg 187 339 10/56 5/56 5/56 10/56 5/56 3/40 3/40 3/40 3/40 3/40
 ;
-#X obj 129 209 bng 20 250 50 0 empty empty empty 17 7 0 10 -228856
--1 -1;
+#X obj 129 209 bng 20 250 50 0 empty empty empty 17 7 0 10 #dcdcdc
+#000000 #000000;
 #X text 156 211 <= start/restart;
 #X text 406 240 <== set and start or restart the sequence, f 20;
 #X msg 86 210 stop;
@@ -36,8 +36,11 @@ defined as \, for instance \, 1/6 (a fourth note triplet). Note you
 can have nested tuplets (1/15 is a quintuplet inside a triplet). Check
 the help file for more info., f 67;
 #X msg 34 314 tempo \$1;
-#X floatatom 34 286 5 0 0 0 - - -;
+#X floatatom 34 286 5 0 0 0 - - - 0;
 #X text 36 264 bpm;
+#X text 122 556 A [pattern] object can also output indexes that you
+can use to query for a sequence from an array or a [sequencer] object.
+Check the example in the help file., f 58;
 #X connect 6 0 1 0;
 #X connect 6 1 3 0;
 #X connect 6 2 14 0;

Examples/Part.04-Control/19-Sequencing/6.Rythmic/7.[metronome].pd

@@ -1,13 +1,13 @@
-#N canvas 789 133 648 648 12;
+#N canvas 565 110 660 613 12;
 #X declare -path else;
 #X obj 347 20 declare -path else;
-#X obj 73 46 tgl 20 0 empty empty empty 17 7 0 10 #dcdcdc #000000 #000000
+#X obj 73 43 tgl 20 0 empty empty empty 17 7 0 10 #dcdcdc #000000 #000000
 0 1;
 #X obj 106 265 bng 22 250 50 0 empty empty empty 17 7 0 10 #dcdcdc
 #000000 #000000;
 #X floatatom 313 180 4 0 0 0 - - - 12;
 #X floatatom 313 237 4 0 0 0 - - - 12;
-#X text 72 264 beat bang, f 4;
+#X text 70 261 beat bang, f 4;
 #X obj 206 523 else/out~;
 #X obj 206 405 impseq~;
 #X obj 94 405 impseq~;
@@ -19,9 +19,9 @@
 #X floatatom 271 294 7 0 0 0 - - - 12;
 #X obj 230 337 sel 1, f 3;
 #X text 234 290 sub div, f 3;
-#X msg 148 122 timesig 7/8;
-#X msg 133 95 timesig 6/8;
-#X msg 106 47 timesig 15/8 3;
+#X msg 144 121 timesig 7/8;
+#X msg 132 95 timesig 6/8;
+#X msg 106 44 timesig 15/8 3;
 #X obj 188 265 else/display 3;
 #X obj 147 265 else/display 3;
 #X obj 230 265 else/display 3;
@@ -30,10 +30,10 @@
 #X text 314 157 tempo;
 #X obj 316 439 else/resonant~ 1000 100, f 14;
 #X obj 206 439 else/resonant~ 600 100, f 14;
-#X msg 163 148 timesig 4/4;
-#X msg 175 173 timesig 3/4;
+#X msg 154 146 timesig 4/4;
+#X msg 169 170 timesig 3/4;
 #X obj 106 211 else/metronome 90, f 30;
-#X msg 117 69 timesig 15/8 5;
+#X msg 119 69 timesig 15/8 5;
 #X text 349 240 frames (0-960);
 #X text 327 295 phase (0-1);
 #X obj 316 378 bang;
@@ -42,6 +42,15 @@
 It is here because you can use the bar count to fire a sequence with
 select. Or select a specific beat in a bar \, kind of like a timeline
 in a DAW (hint \, hint)., f 47;
+#X obj 487 333 clock -s 1.5;
+#X obj 469 431 else/out~;
+#X obj 469 396 *~;
+#X obj 487 304 tgl 18 0 empty empty empty 17 7 0 10 #dfdfdf #000000
+#000000 0 1;
+#X obj 429 363 brown~;
+#X obj 487 363 decay~ 300;
+#X text 436 505 The [clock] object can also sync to [metronome] objects.
+Check its help file., f 24;
 #X connect 1 0 29 0;
 #X connect 3 0 29 1;
 #X connect 7 0 26 0;
@@ -70,3 +79,8 @@ in a DAW (hint \, hint)., f 47;
 #X connect 30 0 29 0;
 #X connect 33 0 9 0;
 #X connect 34 0 7 0;
+#X connect 36 0 41 0;
+#X connect 38 0 37 0;
+#X connect 39 0 36 0;
+#X connect 40 0 38 0;
+#X connect 41 0 38 1;