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First version of markup and styles for early printed book example
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<!DOCTYPE html> | ||
<html> | ||
<head> | ||
<meta http-equiv="Content-type" content="text/html; charset=utf-8"> | ||
<title>Early Printed Book | Get the Look</title> | ||
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<meta name="viewport" content="width=1024"> | ||
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<!-- CSS styles --> | ||
<link rel="stylesheet" href="styles.css" type="text/css"> | ||
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</head> | ||
<body> | ||
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<div class="page"> | ||
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<div class="content"> | ||
<h1>Of the Doctrine of our Priests</h1> | ||
<p> | ||
As to the doctrine of the Circles it may briefly be summed up in a | ||
single maxim, “Attend to your Configuration.” Whether | ||
political, ecclesiastical, or moral, all their teaching has for its | ||
object the improvement of individual and collective Configuration | ||
— with special reference of course to the Configuration of the | ||
Circles, to which all other objects are subordinated. | ||
</p> | ||
<p> | ||
It is the merit of the Circles that they have effectually Suppressed | ||
those ancient heresies which led men to waste energy and sympathy in | ||
the vain belief that conduct depends upon will, effort, training, | ||
encouragement, praise, or anything else but Configuration. It was | ||
Pantocyclus — the illustrious Circle mentioned above, as the | ||
queller of the Colour Revolt — who first convinced mankind that | ||
Configuration makes the man; that if, for example, you are born an | ||
Isosceles with two uneven sides, you will assuredly go wrong unless | ||
you have them made even — for which purpose you must go to the | ||
Isosceles Hospital; similarly, if you are a Triangle, or Square, or | ||
even a Polygon, born with any Irregularity, you must be taken to one | ||
of the Regular Hospitals to have your disease cured; otherwise you | ||
will end your days in the State Prison or by the angle of the State | ||
Executioner. | ||
</p> | ||
<p> | ||
All faults or defects, from the slightest misconduct to the most | ||
flagitious crime, Pantocyclus attributed to some deviation from | ||
perfect Regularity in the bodily figure, caused perhaps (if not | ||
congenital) by some collision in a crowd; by neglect to take exercise, | ||
or by taking too much of it; or even by a sudden change of | ||
temperature, resulting in a shrinkage or expansion in some too | ||
susceptible part of the frame. Therefore, concluded that illustrious | ||
Philosopher, neither good conduct nor bad conduct is a fit subject, in | ||
any sober estimation, for either praise or blame. For why should you | ||
praise, for example, the integrity of a Square who faithfully defends | ||
the interests of his client, when you ought in reality rather to | ||
admire the exact precision of his right angles? Or again, why blame a | ||
lying, thievish Isosceles when you ought rather to deplore the | ||
incurable inequality of his sides? | ||
</p> | ||
<p> | ||
Theoretically, this doctrine is unquestionable; but it has practical | ||
drawbacks. In dealing with an Isosceles, if a rascal pleads that he | ||
cannot help stealing because of his unevenness, you reply that for | ||
that very reason, because he cannot help being a nuisance to his | ||
neighbours, you, the Magistrate, cannot help sentencing him to be | ||
consumed — and there’s an end of the matter. But in little | ||
domestic difficulties, where the penalty of consumption, or death, is | ||
out of the question, this theory of Configuration sometimes comes in | ||
awkwardly; and I must confess that occasionally when one of my own | ||
Hexagonal Grandsons pleads as an excuse for his disobedience that a | ||
sudden change of the temperature has been too much for his perimeter, | ||
and that I ought to lay the blame not on him but on his Configuration, | ||
which can only be strengthened by abundance of the choicest | ||
sweetmeats, I neither see my way logically to reject, nor practically | ||
to accept, his conclusions. | ||
</p> | ||
<p> | ||
For my own part, I find it best to assume that a good sound scolding | ||
or castigation has some latent and strengthening influence on my | ||
Grandson’s Configuration; though I own that I have no grounds | ||
for thinking so. At all events I am not alone in my way of extricating | ||
myself from this dilemma; for I find that many of the highest Circles, | ||
sitting as Judges in law courts, use praise and blame towards Regular | ||
and Irregular Figures; and in their homes I know by experience that, | ||
when scolding their children, they speak about "right" or "wrong" as | ||
vehemently and passionately as if they believed that these names | ||
represented real existences, and that a human Figure is really capable | ||
of choosing between them. | ||
</p> | ||
<p> | ||
Constantly carrying out their policy of making Configuration the | ||
leading idea in every mind, the Circles reverse the nature of that | ||
Commandment which in Spaceland regulates the relations between parents | ||
and children. With you, children are taught to honour their parents; | ||
with us — next to the Circles, who are the chief object of | ||
universal homage — a man is taught to honour his Grandson, if he | ||
has one; or, if not, his Son. By “honour,” however, is by | ||
no means meant “indulgence,” but a reverent regard for | ||
their highest interests: and the Circles teach that the duty of | ||
fathers is to subordinate their own interests to those of posterity, | ||
thereby advancing the welfare of the whole State as well as that of | ||
their own immediate descendants. | ||
</p> | ||
</div> | ||
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<dl class="credits"> | ||
<dt>Text</dt> | ||
<dd><a href="http://en.wikipedia.org/wiki/Flatland">Flatland: A Romance of Many Dimensions</a> by Edwin A. Abbott</dd> | ||
<dt>Image</dt> | ||
<dd><a href="http://www.flickr.com/photos/vectorportal/5517461069/">Vectorportal</a> and <a href="http://www.flickr.com/photos/litherland/320264147/">litherland</a> on Flickr</dd> | ||
<dt>Fonts</dt> | ||
<dd><a href="https://typekit.com/fonts/givry-web">Givry Web</a>, <a href="https://typekit.com/fonts/herb">Herb</a>, and <a href="https://typekit.com/fonts/felt-tip-roman">Felt Tip Roman</a> served by Typekit</dd> | ||
</dl> | ||
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</div> | ||
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</body> | ||
</html> |
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/** | ||
* Colors: | ||
* Red - #df0000 | ||
* Black - #000507 | ||
*/ | ||
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/* Overall window */ | ||
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html, | ||
body { | ||
margin: 0; | ||
padding: 0; | ||
} | ||
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html { | ||
background: #eee; | ||
color: rgba(0, 5, 7, 0.9); | ||
font-size: 100%; | ||
} | ||
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/* Book page */ | ||
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.page { | ||
background: url(images/paper.gif); | ||
box-shadow: 0 0.5em 2em rgba(0, 0, 0, 0.35); | ||
margin: 2em auto 4em; | ||
padding: 8em; | ||
width: 44em; | ||
} |