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Changed colors in DSP tool.
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stockphrase committed Mar 8, 2024
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3 changes: 1 addition & 2 deletions content/_index.md
Expand Up @@ -4,12 +4,11 @@ bookToc: true
type: docs
---

<div style="text-align:center">{{< figure src="/no-silo-small.gif" width=400 >}}</div>
<div style="text-align:center">{{< figure src="/no-silo.gif" width=300 >}}</div>


*No Silo* is the companion site to Alan C. Taylor's writing courses at Dartmouth College. The site contains syllabi, course materials, workshops, the [*Open Handbook*](/resources/open-handbook), and other related bits and pieces.


The idea for this site came from a talk I gave to the faculty of the [Writing Program](https://writing-speech.dartmouth.edu) at Dartmouth College in 2020 about tearing down information silos and creating an open-source teaching culture among our faculty.

> No Silo's contents are free for use with a Creative Commons { [<i class="fa-brands fa-creative-commons"></i> <i class="fa-brands fa-creative-commons-by"></i> <i class="fa-brands fa-creative-commons-nc"></i>
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8 changes: 4 additions & 4 deletions content/courses/writing-2/new_essays.md
Expand Up @@ -21,28 +21,28 @@ Re-read Nicholson Baker's essay "Changes of Mind" and perform a "close reading"

- 1,200 to 1,500 words in length.
- Use the MLA format.
- <span style="color: var(--due)"><i class="fa-solid fa-square-arrow-up-right"></span></i> The Dartmouth College Writing Program points you to [this article on close reading from Harvard University](https://writingcenter.fas.harvard.edu/pages/how-do-close-reading), if you find this term confusing.
- <span style="color: var(--due)"><i class="fa-solid fa-square-arrow-up-right"></span></i> The Dartmouth College Writing Program points you to [this article on close reading from Harvard University](https://writingcenter.fas.harvard.edu/pages/how-do-close-reading), if you find this term confusing. **Unfortunately, this article at Harvard no longer exists**. Good luck, students!

{{< hint note >}}
<span style="color: var(--circle-dots)"><i class="far fa-dot-circle"></i></span> Essay 2
{{< /hint >}}

Re-read Walker Percy and Paulo Freire's essays and perform a "close reading" of these objects to generate observations of unobvious differences or similarities that lead to a difficulty or problematic, making sure to ground these observations in an interpretive context. Develop and advance an idea or argument that originates from the identified interpretive difficulty or problematic.
Re-read Walker Percy and Paulo Freire's essays and perform a "close reading" of these objects to generate observations of unobvious differences or similarities that lead to a difficulty or problematic, making sure to ground these observations in an interpretive context. Develop and advance an idea or argument that originates from the identified interpretive difficulty or problematic. **Unfortunately, this article at Harvard no longer exists**. Good luck, students!

---

#### Essay Requirements:

- 1,500 to 2,000 words in length.
- Use the MLA format.
- <span style="color: var(--due)"><i class="fa-solid fa-square-arrow-up-right"></span></i> The Dartmouth College Writing Program points you to [this article on close reading from Harvard University](https://writingcenter.fas.harvard.edu/pages/how-do-close-reading), if you find this term confusing.
- <span style="color: var(--due)"><i class="fa-solid fa-square-arrow-up-right"></span></i> The Dartmouth College Writing Program points you to [this article on close reading from Harvard University](https://writingcenter.fas.harvard.edu/pages/how-do-close-reading), if you find this term confusing. **Unfortunately, this article at Harvard no longer exists**. Good luck, students!


{{< hint note >}}
<span style="color: var(--circle-dots)"><i class="far fa-dot-circle"></i></span> Essay 3
{{< /hint >}}

Re-read Paulo Freire's essay, view Wes Anderson's film *Rushmore*, and perform a "close reading" of these objects to generate observations of unobvious differences or similarities that lead to a difficulty or problematic, making sure to ground these observations in an interpretive context. Develop and advance an idea or argument that originates from the identified interpretive difficulty or problematic.
Re-read Paulo Freire's essay, view Wes Anderson's film *Rushmore*, and perform a "close reading" of these objects to generate observations of unobvious differences or similarities that lead to a difficulty or problematic, making sure to ground these observations in an interpretive context. Develop and advance an idea or argument that originates from the identified interpretive difficulty or problematic. **Unfortunately, this article at Harvard no longer exists**. Good luck, students!

---

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1 change: 0 additions & 1 deletion content/courses/writing-2/wr2-syllabus.md
Expand Up @@ -355,7 +355,6 @@ Please make me aware of anything that will hinder your success in this course.


<span style="color: var(--due)"><i class="fas fa-circle"></i></span> `Due`
- <i class="fa-solid fa-file"></i> Place a copy of the syllabi from your other two classes [in our shared folder](https://drive.google.com/drive/folders/1PLDwFI11qv7-8b0qxFd9EZ7UGfay-Me1?usp=drive_link).
- <i class="fa fa-bullseye"></i> Essay 1 Draft
- <i class="fas fa-print"></i> Bring a printout of your essay to class
- <i class="fas fa-cloud-upload-alt"></i> [Submit to Canvas by 10pm](https://canvas.dartmouth.edu)
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2 changes: 1 addition & 1 deletion content/resources/open-handbook/_index.md
@@ -1,7 +1,7 @@
---
weight: 1
bookFlatSection: false
bookToc: true
bookToc: false
title: + Open Handbook
type: docs
---
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22 changes: 11 additions & 11 deletions static/docs/dsp-sorter.html
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}

.sortable-item01 {
background-color: #6D6050;
background-color: #16A2DE;
/* background color for names */
color: white;
/* White text color */
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}

.sortable-item02 {
background-color: #68829E;
background-color: #64984E;
/* background color for names */
color: white;
/* White text color */
Expand All @@ -69,7 +69,7 @@
}

.sortable-item03 {
background-color: #267ABA;
background-color: #EA8837;
/* Orange background color for names */
color: white;
/* White text color */
Expand All @@ -81,7 +81,7 @@
}

.sortable-item04 {
background-color: #598234;
background-color: #517EB8;
/* background color for names */
color: white;
/* White text color */
Expand All @@ -93,7 +93,7 @@
}

.sortable-item05 {
background-color: #A61D7A;
background-color: #944377;
/* background color for names */
color: white;
/* White text color */
Expand All @@ -105,7 +105,7 @@
}

.sortable-item06 {
background-color: #FF8300;
background-color: #556A85;
/* background color for names */
color: white;
/* White text color */
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}

.sortable-item07 {
background-color: #666666;
background-color: #6B614F;
/* background color for names */
color: white;
/* White text color */
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}

.sortable-item08 {
background-color: #CB3652;
background-color: #733247;
/* background color for names */
color: white;
/* White text color */
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}

.sortable-itemW5 {
background-color: #353C4A;
background-color: #BA3E3A;
/* background color for names */
color: white;
/* White text color */
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}

.sortable-itemWAIT {
background-color: #9BAA38;
background-color: #33404F;
/* background color for names */
color: white;
/* White text color */
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<div class="sortable-column" id="2-3_Waitlist">
<h2>2-3 Waitlist</h2>
<ul class="sortable-list">
<li class="sortable-itemWAIT">Jizzy Jizzington F001YT7</li>
<li class="sortable-itemWAIT">Freddy Malry F001YT7</li>
<li class="sortable-itemWAIT">Cranston Brofs F001YT7</li>
<li class="sortable-itemWAIT">Jesse Livingston F001YT7</li>
<!-- Add more names as needed -->
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