In this task, you will use your knowledge about language (and common sense) to determine what element the marked number refers to. The numbers are marked with two underlines around them, like: _ number _. There are several possible answers, you'll need to choose the proper one. Carefully read the given text, pay special attention to the marked number, think about what (unwritten) information the marked number holds inside, choose the most adequate word(s) from the optional answers. If none of them seems right to you, there's also an option for other. If your answer is "REFERENCE", also write the reference entity, otherwise write the implicit option name. Options to choose from are:
REFERENCE: Some object which is being mentioned in the text before or after the target number. The reference answer has a higher priority than any other. If both Reference and another answer are possible, prioritize the Reference.
YEAR: Describing a calendric year
AGE: Describing someone's age
CURRENCY: Reference to some monetary value e.g dollar, euro etc.
PEOPLE: Describing a single/plural persons
TIME: Describing a time of the day. Usually you can add the word o'clock after those numbers.
OTHER: Some other option, which isn't listed here.

[Q]: Sue Lee:  How did you become a cop ?
Det. Tony Baretta: Well that was kind of a promise I made to my old man . See my folks came over on a boat , and they did n't know nothing just ignorant . My mother did whatever she had to on the streets to support us . She died when I was _ 10 _ , she sure loved me a lot , I never could figure that one out . Now my old man , my old man was the greatest street hustler in the history of the world . He had himself the sweetest little book . He ran numbers , and on a pool table , he can just shoot the eyes right out of them . By the time I was 10 , he taught me everything was to know about the streets . When he was n't in the joint , we had good times together . Anyway , when I was 17 before he died , I promised him I figure out some way to use everything he taught me so I wo n't wind up in the slammer myself , and when me and old Fred bailed out of the merchants , we talked it over , decided I 'll become a flat foot , and that 's the name of that tune .
[A]: AGE


[Q]: Mike McDermott:  I never told anybody this , about eight nine months ago , I 'm at the Taj it 's late and I see Johnny Chan walk in and he goes and sits in the three hundred six hundred section and the whole place stops and everybody puts an eye on him , after a while there was n't a crap going on because all the high rollers are over there watching and some of them playing but they 're giving their money to him and say " oh " , I played with the world champion " , you know what I did ?
Joey Knish: What ?
Mike McDermott: I sat down
Joey Knish: You need fifty to sixty grand to play right in that game
Mike McDermott: I had _ six _ but I had to know
Joey Knish: what happened ?
Mike McDermott: Played tight for an hour , folded mostly then I made a score
Joey Knish: With what ? aces or kings ?
Mike McDermott: Rags , I had nothing , but he raised and I decided I do n't care about the money , I 'm just going to out play the guy , I 'm going to out play this guy , this hand , I 'll re - raise
Joey Knish: Re - raise ? You play right back at him ?
Mike McDermott: Yeah , he comes back over the top at me trying bully me like I 'm some tourist , I hesitate for like two seconds then I 'll re - raise and he makes a move to his checks and he looks at me , check his cards and looks at me again , and he mucked it , I took it down
Mike McDermott: did you have it ?
Mike McDermott: I 'm sorry John , I do n't remember
Mike McDermott: I got up and walked to the cashier , I sat with the best in the world , and I won
Joey Knish: You made a fucking move on Chan you son of a bitch , so that 's why you made that run at KGB 's place
Mike McDermott: That 's right I 'll do it again if I can
[A]: CURRENCY


[Q]: Jess Brown:  I do think there is a difference between acting in real life and I agree that you are going to get the best moments on screen when the two actors really really feel it , and are very into it , but that being said , when you call " cut , " I think it 's really great when actors can separate the _ two _ .
[A]:
REFERENCE acting