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sample.abc
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sample.abc
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% Sample file to test various features of abc2ps
U: M = !tenuto! % abcm2ps: default M is lowermordent
% abcm2ps >= 7.6.0 - definition of '...' (ellipsis) for PostScript
%%glyph 2026 ellipsis
X:1
T:Scale
T:Second Title
T:Third Title
M:C
%K:C % abcm2ps: automatic clef processing gives a bass clef
K:C treble
L: 1/4
"C,"C,"D,"D,"E,"E,"F,"F, "G,"G,"A,"A,"B,"B,\
| "C"C"D"D"E"E"F"F "G"G"A"A"B"B| "c"c "d"d"e"e"f"f "g"g"a"a"b"b"c'"c' |
X:3
T:Short and Long Notes, Beams and Tuplets
C:Trad
M:C
K:C
L: 1/8
c8| d4 e2 fg | C c C/ c/ d/e/ d// C// C/D/E/F/ | d>e d>>e e<fe (3CDE (4fgab |
X:4
T:Key signature, Accidentals and Decorations
M:C
K:A
L: 1/4
^C=C_C ^G=G_G | .F/.G/.A/ Ma/Mg/Mf/ Jc J^c J[c^f] J[c^g] |\
{f}e {C}D {cd}c {E^c}a2 {dedc}d|
uc vc'-c'/Mb/Mc'/Ma/ | (b4 | b/).a/.b/.c'/ | ~A ~g \
% RA Rg MA Mg | .A .g vf/-g/ (u.a/.b/) | uR~M.c2 Hg4 || % abcm2ps: '-' is not a slur
RA Rg MA Mg | .A .g (vf/g/) (u.a/.b/) | uR~M.c2 Hg4 ||
X:5
T:Bars and Rests
M:6/8
L: 1/4
K:D
[| z4 |] z2 |: z z/z// :| z2> :: z2 z>z | f>z g>z ||
X:6
T:Chords, Unions, First and Second Endings
M:9/8
K:D
L: 1/4
%|: [D2FA] ~+d2fa+ | [c2e][df][eg]|\ % abcm2ps: '+' is no more handled
|: [D2F2A2] ~[d2f2a2] | [c2e2][df][eg]|\
[cc] [dd] [F/A][G/B][D/F]>[C/E] [G/e][A/e] [G/e]>.[A/e][B/e]>.[c/e]\
|1 (3[A//df][A//ef][A//cg] [G3Ce] :|2 (3[A//=df][^A//dg][_A//_c^g] [e3gc] |]
X:7
T:Slurs and Ties
T: Title with funny chars like \005 Çéñô Àçäßö © …
M:C|
K:Ebm
[| (CDEF) ((3efg) ((3gag)| (C2 EF) (ef(ga)) | ((c2 (3(d)ef) e2)\
A2-|A4 c4-|(c4(e4)|a8) |]
X:8
T:Changing Time or Key Signatures, Guitar Chords
M: 6/8
K: G
"Em"ABc def |\
M: 9/8
% abcm2ps: '\' is no more handled
%"Am7"A,CC DFF GBB |\M:4/4\"G"a,2b,2"D"c2d2 ||\L:1/4\\K:Bb\"Eb"e4|
"Am7"A,CC DFF GBB |[M:4/4]"G"a,2b,2"D"c2d2 ||[L:1/4][K:Bb]"Eb"e4-|
K: Gb
M: 6/8
L:1/8 % abcm2ps: basic length is not reset on M:
%| -"Gb"ede edc | def fed |1 "A"efg "D"gfe | e6 \ % abcm2ps: cannot have '-' before a note
| "Gb"ede edc | def fed |1 "A"efg "D"gfe | e6 \
:|2 "G"gag "F"f"Em"e"D7"d | "C"c6 |]
X:9
T:Strange tuplet cases
M:C
K:C
L: 1/8
(3cde c(3d/e/f/ |(3zcd (3z/c/d/ (3czc c(4d/e/f/z/ d2-(3def | \
(3::2 c4d2 (3::4 cde/f/ (3gfe |
(3z2G,2A,2 (3C2E2G2 |e-(5e//f//g//f//g// de- (5e//f//g//f//g// |\
(6z/c/e/g/e/c/ (6z/c/e/g/e/c/ | (3d/e/f/g-(3g/f/e/d ||
X:10
T:Chords with many accidentals
M: 6/8
K: G
[^c^d] [^c^e] [^c^f] [^c^g] [^c^a] [^c^b] |\
[^C^D] [^C^E] [^C^F] [^C^G] [^C^A] [^C^B] |\
[^c^d^e] [^c^d^f] [^c^f^g] [^c^f^a] [^c=d=f^g_a_b] |]
[^c^f^a] [^c^f^b] [^c^f^c'] [^c^f^d'] [^c^f^e'] |\
[^c^e^f] [^c^f^g] [^c^g^a] [^c^g^b] |\
[^c^d^c'] [^c^e^c'] [^A^e^c'] [^G^e^c'] \
[^c_e^g][^c^f^g][^c^g^a][^c^d^g][^G^e^c'] ||
X:11
T:Horizontal beams
M:9/8
K:C
L: 1/8
c,d,c, d,e,d, e,f,e, b,cb, | c,/d,/c,/ d,/e,/d,/ e,/f,/e,/ |\
c,//d,//c,// d,//e,//d,// e,//f,//e,// |
cdc ded efe b,a,b,| c/d/c/ d/e/d/ e/f/e/ | c//d//c// d//e//d// e//f//e// |
c'd'c' d'e'd' e'f'e' f'g'f' | c'/d'/c'/ d'/e'/d'/ e'/f'/e'/ |\
c'//d'//c'// d'//e'//d'// e'//f'//e'// |
X:12
T:Gracenotes
L:1/8
M:C
K:D
FA{c}AF DF{^dc}A f{A}df f{AGA}df |{B}D2 {A}D2 {G}D2 {F}D2 {E}D2 |\
{E}c2 {F}c2 {G}c2 {A}c2 {B}c2 |
{A}^c2 {gcd}c2 {gAGAG}A2{g}c<{GdG}e {Gdc}d>c {gBd}B<{e}G |\
{G}[G4e4] {FGAB}[^c4A4] {ef}[e4c4] {d'c'bagfedcB_AcBFGC}D4|
X: 13
T: Vocals
M: C|
K: F
L: 1/4
BA |: "Gm"G2AB|"C7"cd2e|"F"f2fe|"Dm"dA2d|
w: Close your eyes and I'll kiss you, to-mor-row I'll miss you; re-
"Bb"d2dc|"Gm"B2GF|"Eb"G4-|G2 z2|
w:mem-ber I'll al-ways be true._