Skip to content

Latest commit

 

History

History
122 lines (86 loc) · 3.41 KB

README.md

File metadata and controls

122 lines (86 loc) · 3.41 KB
Raw

Overtone Loops

A simple, yet flexible, loop syntax for Overtone, to make drum patterns or other repeating phrases. Have a look at a quick demo video: https://youtu.be/4Tj7AIRwK9w

Currently this work is highly experimental. Feel free to leave suggestions on the Issues page. I should point out that I'm not a talented drummer!

How do you program loops?

First load in Overtone Live and Loops namespaces loops and samples:

(use 'overtone.live
     'overtone-loops.loops
     'overtone-loops.samples)

Then create loop players with an instrument and a list of beats. Each value in the list is an amplitude.

;; clear any previous patterns
(set-up) 

;;                        beat   1 2 3 4 5 6 7 8
(def hats
  (loop-player 1 cymbal-closed  [_ 5 _ 5 _ 5 _ 5]))
(def kicks 
  (loop-player 1 bass-hard      [7 _ 2 _ 7 6 2 _]))
(def claps
  (loop-player 1 clap           [_ _ 4 _]))

The parameters to loop-player are: beat-fraction where 1 is whole beats, 1/2 is half beats and so on; the instrument to play; and a list of amplitudes to pass to the instrument on each beat, where _ is equivalent to 0, a muted beat. For ease of coding the scale of amplitudes are 0 (silence) to 9 (full), these are converted to a number between 0 and 1, which is what the instrument expects.

To play these loops just call the loop-name function with a timer from (metro), do set the bpm first to ensure the correct playback speed.

(bpm 200)
(hats (metro))
(kicks (metro))
(claps (metro))
;; To stop
(stop)

Usually you'll want some sort of scheduling, use at-bar to set the appropriate time, replacing the above code with:

(beats-in-bar 4)
(bpm 200)
(at-bar 1 (hats) (kicks))
(at-bar 3 (claps))

Now, when a loop is playing you can give it an alternative beat pattern, like so:

(beats-in-bar 4)
(at-bar 1 (hats) (kicks))
(at-bar 3 (claps))

(at-bar 5 (hats  [9 3 9 3 9 5 6 7])
          (kicks [_ _ 2 _ _ 2 _ _]))

;; return to previous patterns
(at-bar 7 (hats :pop)
          (kicks :pop))

Here's an example with half and third beats:

;;                           beat 1  &   2  &   3  &   4  &
(def hats
  (loop-player 1/2 cymbal-closed [_  5   _  5   _  5   _  5 ]))
(def kicks
  (loop-player 1/2 bass-hard     [7  _   2  _   7  6   2  _ ]))
(def claps   
  (loop-player 1   clap          [_      _      7      _    ]))
(def bells
  (loop-player 1/3 cowbell       [_ _ _  5 _ 1  5 1 _  _ 1 5]))

Then run with:

(bpm 120)
(at-bar 1 (hats) (kicks) (claps) (bells))

Check out the documentation for at-bar and on-next-bar to find out more about scheduling. E.g. (odoc at-bar).

More than amplitude

If you want to send your instrument more than just an amplitude you can use a nested loop syntax. For example, here's how we can program a note and amplitude with a helper function k:

(use 'overtone.inst.piano)

(defn k [[anote amp]]
  (piano (note anote) :vel (* amp 10)))

(def melody1 
  (loop-player 1 k [[:g4 8] [:a4 4] [:b4 6] [:c5 7]]))
  
(melody1 (metro))

More examples

See code in examples or music.

The Drum Programming Handbook

I'm working through the exercises in The Drum Programming Handbook and you can see them in the dph_book folder.

License

Copyright © 2018-2019 Eric Clack

Samples copyright various authors on freesound.org

Distributed under the GNU General Public License v3.0