updated note in section 3.1.5, as suggested, for #349

index.html

@@ -2380,7 +2380,7 @@ <h4 id="positioning_of_opening_brackets_at_line_head">
       <aside class="note" id="n57">
         <p its-locale-filter-list="en" lang="en">Because the inherent character width of a bracket is considered to be half-width, [[[#fig2_15]]] ① can be explained as the result of applying the principle that any line should start with no spacing. On the other hand, the principle represented by [[[#fig2_15]]] ② is to assume that opening brackets should be always accompanied by the preceding half em
           spacing
-          as if they were full-width and then apply the same principle as in [[[#fig2_15]]] ①. JIS X 4051 adopts the principle shown in ① (the patterns shown in ② is offered as options) . The pattern shown in ③ was first invented in books such as novels, which use frequent line feeds and corner brackets in dialogues, for which the first line indent with one em spacing or one and a half em spacing (then this pattern was accepted and adopted by general books). Major Japanese publishers who deal with literature, such as Kodansha, Shinchosha, Bungei Shunju, Chuoh Kouronsha, and Chikuma Shobo, have adopted the pattern shown in ③. By contrast, Iwanami Shoten and other publishers adopted the pattern shown in ①. Because Iwanami Shoten once adopted pattern ② in vertical composition, there used to be many examples of it, but few examples of ② can be found today.</p>
+          as if they were full-width and then apply the same principle as in [[[#fig2_15]]] ①. JIS X 4051 adopts the principle shown in ① (the patterns shown in ② is offered as options) . The pattern shown in ③ was first invented in books such as novels, which use frequent line feeds and corner brackets in dialogues, for which the first line indent with one em spacing or one and a half em spacing was considered to be too much (then this pattern was accepted and adopted by general books). Major Japanese publishers who deal with literature, such as Kodansha, Shinchosha, Bungei Shunju, Chuoh Kouronsha, and Chikuma Shobo, have adopted the pattern shown in ③. By contrast, Iwanami Shoten and other publishers adopted the pattern shown in ①. Because Iwanami Shoten once adopted pattern ② in vertical composition, there used to be many examples of it, but few examples of ② can be found today.</p>
         <p its-locale-filter-list="ja" lang="ja">元々括弧類の字幅は半角であったのであるから，何も空き量を入れなければ[[[#fig2_15]]]の①の方法となる．これに対し，②の方法は，行頭の括弧類の字幅について空き量を含めて全角とする処理方法である．JIS X 4051では，①の方法を採用している（ただし，オプションで②の方法も選択できる）．③の方法は，小説などで会話が多い場合，改行行頭の括弧の字下げを全角アキ又は全角半（全角の1.5倍）アキとすると下がり過ぎになることから考えられた方法である（これが一般書にも採用されるようになっている）．講談社，新潮社，文藝春秋，中央公論新社，筑摩書房など文芸関係の<span class="index" id="d5e2829"><span class="index" id="d5e2830">出版社</span></span>では，③の方法が採用されている．岩波書店やその他の出版社では①の方法を採用している．以前の岩波書店の縦組では②の方法であり，この方法を採用している例はかなりあった．しかし，今日では②の方法を採用している例は少なくなった．</p>
       </aside>
       <aside class="note" id="n58">