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     THE PANCHRONICON




            THE
        PANCHRONICON

            BY
   HAROLD STEELE MACKAYE


          NEW YORK
   CHARLES SCRIBNER'S SONS
            1904




COPYRIGHT, 1904, BY
CHARLES SCRIBNER'S SONS

Published, April, 1904




CONTENTS


CHAPTER                                                PAGE

       I. THE THEORY OF COPERNICUS DROOP                               1

      II. A VISIT TO THE PANCHRONICON                                 23

     III. A NOCTURNAL EVASION                                         38

      IV. A CHANGE OF PLAN                                            58

       V. DROOP'S THEORY IN PRACTICE                                  86

      VI. SHIPWRECKED ON THE SANDS OF TIME                           103

     VII. NEW TIES AND OLD RELATIONS                                 123

    VIII. HOW FRANCIS BACON CHEATED THE BAILIFFS                     157

      IX. PHOEBE AT THE PEACOCK INN                                  179

       X. HOW THE QUEEN READ HER NEWSPAPER                           208

      XI. THE FAT KNIGHT AT THE BOAR'S HEAD                          242

     XII. HOW SHAKESPEARE WROTE HIS PLAYS                            258

    XIII. HOW THE FAT KNIGHT DID HOMAGE                              277

    XIV. THE FATE OF SIR PERCEVALL'S SUIT                            297

    XV. HOW REBECCA RETURNED TO NEWINGTON                            317

    XVI. HOW SIR GUY KEPT HIS TRYST                                  324

    XVII. REBECCA'S TRUMP CARD                                       340




THE PANCHRONICON




CHAPTER I

THE THEORY OF COPERNICUS DROOP


The two sisters were together in their garden.

Rebecca Wise, turned forty and growing slightly gray at the temples, was
moving slowly from one of her precious plants to the next, leaning over
each to pinch off a dead leaf or count the buds. It was the historic
month of May, 1898, and May is the paradise of flower lovers.

Phoebe was eighteen years younger than her sister, and the beauty of
the village. Indeed, many declared their belief that the whole State of
New Hampshire did not contain her equal.

She was seated on the steps of the veranda that skirted the little white
cottage, and the absent gaze of her frank blue eyes was directed through
the gate at the foot of the little path bordered by white rose-bushes.
In her lap was a bundle of papers yellowed by age and an ivory
miniature, evidently taken from the carved wooden box at her side.

Presently Rebecca straightened her back with a slight grimace and looked
toward her sister, holding her mold-covered hands and fingers spread
away from her.

"Well," she inquired, "hev ye found anythin'?"

Phoebe brought her gaze back from infinity and replied:

"No, I ain't. Only that one letter where Isaac Burton writes her that
the players have come to town."

"I don't see what good them letters'll do ye in the Shakespeare class,
then."

Rebecca spoke listlessly--more interested in her garden than in her
sister's search.

"I don't know," Phoebe rejoined, dreamily. "It's awful funny--but
whenever I take out these old letters there comes over me the feelin'
that I'm 'way off in a strange country--and I feel like somebody else."

Rebecca looked up anxiously from her work.

"Them sort o' philanderin' notions are foolish, Phoebe," she said, and
flicked a caterpillar over the fence.

Phoebe gave herself a little shake and began to tie up the papers.

"That's so," she replied. "But they will come when I get these out, an'
I got 'em out thinkin' the' might be somethin' about Shakespeare in 'em
for our class."

She paused and looked wistfully at the letters again.

"Oh!" she cried, "how I do wonder if he was among those players at the
Peacock Inn that day! You know 'players' is what they called play-actors
in those days, and he was a play-actor, they say."

"Did he live very far back, then?" said Rebecca, wishing to appear
interested, but really intent upon a new sprout at the foot of the
lilac-bush.

"Yes, three hundred years ago. Three of these letters has a date in 1598
exactly."

There was a long silence, and at length Rebecca looked up from the
ground to ascertain its cause. She frowned and drew her aching back
stiffly straight again.

"Everlastin'ly lookin' at that pictur'!" she exclaimed. "I declare to
goodness, Phoebe Wise, folks'll think you're vain as a pouter pigeon."

Phoebe laughed merrily, tossed the letters into the box and leaped to
her feet. The miniature at which she had been gazing was still in her
hands.

"Folks'll never see me lookin' at it, Rebecca--only you," she said.

Then with a coaxing tone and looking with appealing archness at her
sister, she went on:

"Is it really like me, Rebecca? Honest true?"

The elder woman merely grunted and moved on to the next bed, and
Phoebe, with another laugh, ran lightly into the house.

A few moments later she reappeared at the front door with consternation
on her face.

"Land o' goodness, Rebecca!" she cried, "do you know what time it is?
Near onto one o'clock, an' I've got to be at the Shakespeare class at
half past. We'll have to dish up dinner right this minute, and I don't
see how I can change my dress after it an' help with the dishes too."

She whisked into the house again, and Rebecca followed her as rapidly as
possible.

She was very proud of her baby sister, proud of her having been "clear
through high school," and proud of her eminence in the local literary
society. There was certainly something inspiring in having a sister who
was first corresponding secretary of the Women's Peltonville Association
for the Study of Shakespearian History and Literature; and it was simply
wonderful how much poetry she could repeat from the pages of her
favorite author.

                *       *       *       *       *

Peltonville Center, New Hampshire, was one of those groups of neatly
kept houses surrounding a prettily shaded, triangular common which seem
to be characteristic of New England. Standing two miles from the nearest
railway station, this little settlement possessed its own combined store
and post-office, from whose narrow veranda one might watch the rising
generation playing Saturday base-ball on the grassy triangle.

The traditional old meeting-house stood on the opposite side of the
common, facing the store. The good old days of brimstone theology were
past, and the descendants of the godly Puritans who raised this steeple
"in the fear of the Lord," being now deprived of their chief source of
fear, found Sunday meetings a bore, and a village pastor an unnecessary
luxury.

Indeed, there seemed little need of pastoral admonition in such a town
as Peltonville Center. There was a grimly commonplace and universal
goodness everywhere, and the village was only saved from unconsciousness
of its own perfection by the individual shortcomings of one of its
citizens. Fortunately for the general self-complacence, however, the
necessary revealing contrast was found in him.

Copernicus Droop was overfond of the bottle, and in spite of the
prohibition laws of his State, he proved himself a blessed example and
warning by a too frequent and unmistakable intoxication in public. He
was gentle and even apologetic in his cups, but he was clearly a "slave
of rum" and his mission was therefore fulfilled.

On this first of May, 1898, a number of idle young men sat in a row on
the edge of the store veranda. Some were whittling, some making aimless
marks in the dust with a stick. All leaned limply forward, with their
elbows on their knees.

It was clearly not a Sunday, for the meeting-house was open, and from
time to time, one or perhaps two young women together passed into the
cool and silent room. The loungers at the store let none escape their
notice, and the name of each damsel was passed down the line in an
undertone as its owner entered the church.

A lantern-jawed young farmer at the end of the row slowly brushed the
shavings from his clothes and remarked:

"Thet's the secon' meetin' of the Shekspeare class this month, ain't
it?"

"Yep, an' there'll be two more afore the summer boarders comes up----"

The second speaker would have continued, but he was here interrupted by
a third, who whispered loudly:

"Say, fellers, there goes Copernicus."

All eyes were raised and unanimously followed the shabby figure which
had just emerged from behind the church and now started into the road
leading away from the common toward the north.

"Walks pretty straight fer him, don't he?" snickered the first speaker.

"He's not ben tight fer two days."

"Bet ye a jack-knife he'll be spreein' it fer all he's wuth to-morrow."

Fortunately these comments did not reach the ears of their object, who,
all unconscious of the interest which he inspired, made good his way at
a fairly rapid pace.

Presently he stopped.

With muslin skirts swaying, hair rumpled, and fair young face flushed
with exertion, Phoebe Wise was hurrying toward the common. She was
almost running in her haste, for she was late and the Shakespeare class
was a momentous institution.

"Oh, say, Cousin Phoebe," was the man's greeting, "can you tell me ef
yer sister's to home?"

The young girl came to a sudden full stop in her surprise. This cousinly
greeting from the village reprobate was as exciting and as inexplicable
as it was unheard of.

"Why, Mr. Droop!" she exclaimed, "I--I--I s'pose so."

The truth was the truth, after all. But it was hard on Rebecca. What
_could_ this man want with her sister?

Droop nodded and passed on.

"Thank ye. Don't stop fer me," he said.

Phoebe moved forward slowly, watching Copernicus over her shoulder.
She noted his steady steps and pale face and, reassured, resumed her
flying progress with redoubled vigor. After all, Rebecca was forty-two
years old and well able to take care of herself.

Meanwhile, Rebecca Wise, having carefully wrung out her dishcloth,
poured out the water and swept the little sink, was slowly untying her
kitchen apron, full of a thankful sense of the quiet hour before her
wherein to knit and muse beside the front window of her little parlor.

In the centre of this room there stood a wide, round table, bearing a
large kerosene-lamp and the week's mending. At the back and opposite the
two windows stood the well-blacked, shiny, air-tight stove. Above this
was a wooden mantel, painted to imitate marble, whereon were deposited
two photographs, four curious Chinese shells, and a plaster cross to
which there clung a very plaster young woman in scant attire, the whole
being marked "Rock of Ages" in gilt letters at the base.

Horse-hair furniture in all the glory of endless "tidies" was arranged
against walls bedight with a rainbow-like wilderness of morning-glories.
The ceiling was of white plaster, and the floor was painted white and
decked here and there with knitted rag-carpets, on whose Joseph's-coated
surfaces Rebecca loved to gaze when in retrospective mood. In those
humble floor-coverings her knowing eyes recognized her first clocked
stockings and Phoebe's baby cloak. There was her brother Robert's wool
tippet embalmed in loving loops with the remnants of his wife's best
Sunday-go-to-meetin' ribbons. These two had long been dead, but their
sister's loving eyes recreated them in rag-carpet dreams wherein she
lived again those by-gone days.

Rebecca had just seated herself and was unrolling her work, when her
eyes caught a glimpse of a man's form through the window. He had passed
into her gate and was approaching the door. She leaned forward for a
good look and then dropped back into her chair with a gasp of surprise.

"Copernicus Droop!" she exclaimed, "did you ever!"

She sat in rigid astonishment until she heard his timid knock, followed
by the sound of shoes vigorously wiped upon the door-mat.

"Well, come! Thet's a comfort!" she thought. "He won't muss the
carpet"--and she rose to admit her visitor.

"Good mornin'," said Droop, timidly. "I seen Cousin Phoebe a-runnin'
down the road, an' I sorter thought I'd run in an' see how you was."

"Come right in," said Rebecca, in non-committal tones. She shut the door
and followed him into the parlor.

"Here, give me yer hat," she continued. "Set right there. How be ye?"

Droop obeyed. In a few moments the two were seated facing each other,
and Rebecca's needles were already busy. There was an interval of
awkward silence.

"Well, what did ye come fer?"

It was Rebecca who broke the spell. In her usual downright fashion, she
came to the point at once. She thought it as well he should know that
she was not deceived by his polite pretence of casual friendly interest.

Droop settled forward with elbows on his knees and brought his
finger-tips carefully and accurately together. He found this action
amazingly promotive of verbal accuracy.

"Well, Cousin Rebecca," he began, slowly, "I'm lookin' fer a partner."
He paused, considering how to proceed.

The spinster let her hands drop in speechless wonder. The audacity of
the man! He--to her--a proposal! At her age! From him!

Fortunately the next few words disclosed her error, and she blushed for
it as she lifted her work again, turning nearer the window as if for
better light.

"Yes," Droop proceeded, "I've a little business plan, an' it needs
capital an' a partner."

He waited, but there was no response.

"Capital an' a partner," he repeated, "an' intelligence an' ambition. So
I come to you."

Rebecca turned toward him again, scarcely less surprised now than
before.

"To me! D'ye mean to say ye've me in yer mind fer a partner--with
capital?"

Droop nodded slowly and compressed his lips.

"Well, I want to know!" she exclaimed, helplessly.

"Oh, I know you ain't overly rich right now," said Droop,
apologetically; "but it warn't no secret thet ye might hev hed Joe
Chandler ef ye hadn't ben so shifty in yer mind an' fell betwixt two
stools--an' Lord knows Joe Chandler was as rich as--as Peter Craigin
down to Keene--pretty nigh."

Again Rebecca blushed, but this time in anger.

"See here, Copernicus Droop--" she began.

"Oh, I don't mean nothin' mean, now," he insisted, earnestly. "I'm jest
leadin' up to the pint sorter natural like--breakin' the thing easy, ye
know."

"What _air_ you a-drivin' at?"

Droop shifted uneasily in his seat and ran his finger around inside of
his collar before he replied:

"Ye see, it's sorter hard to explain. It's this way. I hev a mighty
fine plan in my mind founded on a mixin' up of astronomical
considerations with prior inventions----"

"Mister Droop!" exclaimed his hostess, gazing severely into his eyes,
"ef you think I'll let you go to drinkin' rum till----"

"Honest to goodness, Miss Wise, I've not teched a drop!" cried Droop,
leaping to his feet and leaning forward quickly. "You may smell my
breath ef----"

A violent push sent him back to his chair.

"Thet'll do, Mr. Droop. I'll undertake to believe ye fer once, but I'll
thank ye to speak plain English."

"I'll do my best," he sighed, plaintively. "I don't blame ye fer not
takin' to it quick. I didn't myself at first. Well--here. Ye see--ye
know----"

He paused and swallowed hard, gazing at the ceiling for inspiration.
Then he burst out suddenly:

"Ye know the graphophone an' the kodak and the biograph an' all them
things what ye can see down to Keene?"

Rebecca nodded slowly, with suspicion still in her eye.

"Well, the's a heap o' things ben invented since the Centennial of 1876.
Don't you s'pose they've made hills o' money out o' them things--with
patents an' all?"

"Of course."

"An' don't you s'pose that ef anybody in 1876 was to up an' bring out
sech inventions all at once he'd be bigger than all the other inventors
put together!"

Rebecca slowly pushed her needle through her hair, which was a sign of
thoughtfulness.

"Wal, o' course," she said, at length, "ef anybody hed aben smart enough
to've invented all them things in 1876 he'd aben a pretty big man, I
guess."

Droop edged forward eagerly.

"An' s'posen' that you hed married Joe Chandler back in 1876, an' you
was rich enough to back up an inventor like that, an' he come to you an'
offered to give you half ef you'd up an' help him put 'em on the market,
an' s'posen'----"

"What the land sake's the use o' s'posin'?" Rebecca cried, sharply.
"This is 1898, an' I ain't married, thanks be to goodness!"

"Ah, but ye could be, ef we was in 1876! There, there--I know what you
want to say--but 'taint so! What would ye say ef I was to tell ye that
all ye've got to do is jest to get into a machine I've got an' I can
take ye back to 1876 in next to no time! What would ye say----"

"I'd say ye was tighter'n a boiled owl, Copernicus Droop."

"But I ain't, I ain't!" he almost screamed. "I tell ye I hevn't teched
liquor fer two days. I've reformed. Ef ye won't smell my breath----"

"Then you're plum crazy," she interrupted.

"No, nor crazy either," he insisted. "Why, the whole principle of it is
so awful simple! Ef you'd ben to high school, now, an' knew astronomy
an' all, you'd see right through it like nothin'."

"Well, then, you c'n explain it to them as hez ben to high school, an'
that's sister Phoebe. Here she comes now."

She went at once to the door to admit the new-comer. Her visitor,
watching the pretty younger sister as she stepped in, rosy and full of
life, could not but remark the contrast between the two women.

"Twenty-two years makes a heap o' difference!" he muttered. "But Rebecca
was jest as pretty herself, back in 1876."

"Look, Rebecca!" cried Phoebe, as she entered the door, "here's a new
book Mrs. Bolton lent me to-day. All about Bacon writing Shakespeare's
plays, an' how Bacon was a son of Queen Elizabeth. Do you s'pose he
really did?"

"Oh, don't ask me, child!" was the nervous reply. "Mr. Droop's in the
parlor."

Phoebe had forgotten her short interview with Droop, and she now
snatched off her hat in surprise and followed her elder sister, nodding
to their visitor as she entered.

"Set down, both o' ye," said Rebecca. "Now, then, Mr. Droop, perhaps
you'll explain."

Rebecca was far more mystified and interested than she cared to admit.
Her brusque manner was therefore much exaggerated--a dissimulation which
troubled her conscience, which was decidedly of the tenderest New
England brand.

Poor Copernicus experienced a sense of relief as he turned his eyes to
those of the younger sister. She felt that Rebecca's manner was
distinctly cold, and her own expression was the more cordial in
compensation.

"Why, Miss Phoebe," he said, eagerly, "I've ben tellin' your sister
about my plan to go back to the Centennial year--1876, ye know."

"To--to what, Mr. Droop?"

Phoebe's polite cordiality gave place to amazed consternation. Droop
raised a deprecating hand.

"Now don't you go to think I'm tight or gone crazy. You'll understand
it, fer you've ben to high school. Now see! What is it makes the days go
by--ain't it the daily revolution of the sun?"

Phoebe put on what her sister always called "that schoolmarm look" and
replied:

"Why, it's the turning round of the earth on its axis once in----"

"Yes--yes--It's all one--all one," Droop broke in, eagerly. "To put it
another way, it comes from the sun cuttin' meridians, don't it?"

Rebecca, who found this technical and figurative expression beyond her,
paused in her knitting and looked anxiously at Phoebe, to see how she
would take it. After a moment of thought, the young woman admitted her
visitor's premises.

"Very good! An' you know's well's I do, Miss Phoebe, that ef a man
travels round the world the same way's the sun, he ketches up on time a
whole day when he gets all the way round. In other words, the folks that
stays at home lives jest one day more than the feller that goes round
the world that way. Am I right?"

"Of course."

Droop glanced triumphantly at Rebecca. This tremendous admission on her
learned young sister's part stripped her of all pretended coldness. Her
deep interest was evident now in her whole pose and expression.

"Now, then, jest follow me close," Droop continued, sitting far forward
in his chair and pointing his speech with a thin forefinger on his open
palm.

"Ef a feller was to whirl clear round the world an' cut all the
meridians in the same direction as the sun, an' he made the whole trip
around jest as quick as the sun did--time wouldn't change a mite fer
him, would it?"

Phoebe gasped at the suggestion.

"Why, I should think--of course----"

She stopped and put her hand to her head in bewilderment.

"Et's a sure thing!" Droop exclaimed, earnestly. "You've said yerself
that the folks who stayed to home would live one day longer than the
fellow that went round. Now, ef that feller travelled round as fast as
the sun, the stay-at-homes would only be one day older by the time he
got back--ain't that a fact?"

Both sisters nodded.

"Well, an' the traveller would be one day younger than they'd be. An'
ain't that jest no older at all than when he started?"

"My goodness! Mr. Droop!" Phoebe replied, feebly. "I never thought of
that."

"Well, ain't it so?"

"Of course--leastways--why, it must be!"

"All right, then!"

Droop rose triumphantly to his feet, overcome by his feelings.

"Follow out that same reasonin' to the bitter end!" he cried, "an' what
will happen ef that traveller whirls round, cuttin' meridians jest twice
as fast as the sun--goin' the same way?"

He paused, but there was no reply.

"Why, as sure as shootin', I tell ye, that feller will get jest one day
younger fer every two whirls round!"

There was a long and momentous silence. The tremendous suggestion had
for the moment bereft both women of all reasoning faculty.

At length the younger sister ventured upon a practical objection.

"But how's he goin' to whirl round as fast as that, Mr. Droop?" she
said.

Droop smiled indulgently.

"Et does sound outlandish, when ye think how big the world is. But what
if ye go to the North Pole? Ain't all the twenty-four meridians jammed
up close together round that part of the globe?"

"Thet's so," murmured Rebecca, "I've seen it many's the time on the map
in Phoebe's geography book."

"Sure enough," Droop rejoined. "Then ain't it clear that ef a feller'll
jest take a grip on the North Pole an' go whirlin' round it, he'll be
cuttin' meridians as fast as a hay-chopper? Won't he see the sun gettin'
left behind an' whirlin' the other way from what it does in nature? An'
ef the sun goes the other way round, ain't it sure to unwind all the
time thet it's ben a-rollin' up?"

Rebecca's ball of yarn fell from her lap at this, and, as she followed
it with her eyes, she seemed to see a practical demonstration of Droop's
marvellous theory.

Phoebe felt all the tremendous force of Droop's logic, and she flushed
with excitement. One last practical objection was obvious, however.

"The thing must be all right, Mr. Droop," she said; "an' come to think
of it, this must be the reason so many folks have tried to reach the
North Pole. But it never _has_ been reached yet, an' how are you agoin'
to do it?"

"You think it never hez," Copernicus replied. "The fact is, though, that
I've ben there."

"You!" Phoebe cried.

"And is there a pole there?" Rebecca asked, eagerly.

"The's a pole there, an' I've swung round it, too," Droop replied,
sitting again with a new and delightful sense of no longer being
unwelcome.

"Here's how 'twas. About a year ago there come to my back door a
strange-lookin' man who'd hurt his foot some way. I took him in an'
fixed him up--you know I studied for a doctor once--an' while he was
bein' fixed up, he sorter took a fancy to me an' he begun to give me the
story of his life. He said he was born in the year 2582, an' had ben
takin' what he called a historical trip into the past ages. He went on
at a great rate like that, an' I thought he was jest wanderin' in his
mind with the fever, so I humored him. But he saw through me, an' he
wouldn't take no but I should go down into Burnham's swamp with him to
see how he'd done it.

"Well, down we went, and right spang in the thickest of the bushes an'
muck we come across the queerest lookin' machine that ever ye see!

"Right there an' then he told me all the scientific talk about time an'
astronomy thet I've told you, an' then he tuck me into the thing. Fust
thing I knew he give a yank to a lever in the machinery an' there was a
big jerk thet near threw me on the back o' my head. I looked out, an'
there we was a-flyin' over the country through the air fer the North
Pole!"

"There, now!" cried Rebecca, "didn't Si Wilkins' boy Sam say he seen a
comet in broad daylight last June?"

"Thet was us," Droop admitted.

"And not a soul believed him," Phoebe remarked.

"Well," continued Droop, "to make a long story short, thet future-man
whirled me a few times 'round the North Pole--unwound jest five weeks o'
time, an' back we come to Peltonville a-hummin'!"

"And then?" cried the two women together.

"Ef you'll believe me, there we was back to the day he fust come--an'
fust thing I knew, thet future-man was a-comin' up to my back door, same
ez before, a-beggin' to hev his foot fixed. It was hard on him, but I
was convinced fer keeps."

Copernicus shook his head sadly, with retrospective sadness.

"An' where is the future-man now?" Phoebe asked.

"Tuk cold on his lungs at the North Pole," said Droop, solemnly. "Hed
pneumonia an' up'n died."

"But there warn't nobody round heerd of him except you," said Rebecca.
"Who buried him?"

"Ah, thet's one o' the beauties o' the hull business. He'd showed me all
the ropes on his machine--his Panchronicon, as he called it--an' so I
up'n flew round the North Pole the opposite way as soon's he passed
away, till I'd made up the five weeks we'd lost. Then when I got back it
was five weeks after his funeral, an' I didn't hev to bother about it."

The two sisters looked at each other, quite overcome with admiration.

"My land!" Rebecca murmured, gathering up her yarn and knitting again.
"Sence they've invented them X-rays an' took to picturin' folks'
insides, I kin believe anythin'."

"You don't hev to take my word fer it," Droop exclaimed. "Ef you'll come
right along with me this blessed minute, I'll show you the machine right
now."

"I'd jest love to see it," said Rebecca, her coldness all forgotten,
"but it's mos' too late fer this afternoon. There's the supper to get,
you know, an'----"

"But the plan, Rebecca," Phoebe cried. "You've forgotten that I
haven't heard Mr. Droop's plan."

"I wish 't you'd call me 'Cousin Copernicus,'" said Droop, earnestly.
"You know I've sworn off--quit drinkin' now."

Phoebe blushed at his novel proposal and insisted on the previous
question.

"But what is the plan?" she said.

"Why, my idea is this, Cousin Phoebe. I want we should all go back to
1876 again. Thet's the year your sister could hev married Joe Chandler
ef she'd wanted to."

Rebecca murmured something unintelligible, blushing furiously, with her
eyes riveted to her knitting. Phoebe looked surprised.

"You know you could, Cousin Rebecca," Droop insisted. "Now what I say
is, let's go back there. I'll invent the graphophone, the kodak, the
vitascope, an' Milliken's cough syrup an' a lot of other big modern
inventions. Rebecca'll marry Chandler, an' she an' her husband can back
up my big inventions with capital. Why, Cousin Phoebe," he cried, with
enthusiasm, "we'll all hev a million apiece!"

The sentimental side of Droop's plan first monopolized Phoebe's
attention.

"Rebecca Wise!" she exclaimed, turning with mock severity to face her
sister. "Why is it I've never heard tell about this love affair before
now? Why, Joe Chandler's just a _fine_ man. Is it you that broke his
heart an' made him an old bachelor all his life?"

Rebecca must have dropped a stitch, for she turned toward the window
again and brought her knitting very close to her face.

"What brought ye so early to home, Phoebe?" she said. "Warn't there no
Shakespeare meetin' to-day?"

"No. Mis' Beecher was to lead, an' she's been taken sick, so I came
right home. But you can't sneak out of answerin' me like that, Miss
Slyboots," Phoebe continued, in high spirits.

Seating herself on the arm of her sister's chair, she put her arms about
her neck and, bending over, whispered:

"Tell me honest, now, Rebecca, did Joe Chandler ever propose to you?"

"No, he never did!" the elder sister exclaimed, rising suddenly.

"Now, Mr. Droop," she continued, "your hull plan is jest too absurd to
think of----"

Droop tried to expostulate, but she raised her voice, speaking more
quickly.

"An' you come 'round again after supper an' we'll tell ye what we've
decided," she concluded.

The humor of this reply was lost on Copernicus, but he moved toward the
door with a sense of distinct encouragement.

"Remember the rumpus we'll make with all them inventions," Droop called
back as he walked toward the gate, "think of the money we'll make!"

But Rebecca was thinking of something very different as she stood at the
front door gazing with softened eyes at the pasture and woods beyond the
road. She seemed to see a self-willed girl breaking her own heart and
another's rather than acknowledge a silly error. She was wondering if
that had really been Rebecca Wise. She felt again all the old bewitching
heart-pangs, sweetened and mellowed by time, and she wondered if she
were _now_ really Rebecca Wise.




CHAPTER II

A VISIT TO THE PANCHRONICON


At precisely eight o'clock that evening, a knock was again heard at the
door of the Wise home, and Droop was admitted by the younger sister. She
did not speak, and her face was invisible in the dark hall. The visitor
turned to the right and entered the parlor, followed by his young
hostess. Rebecca was sitting by the lamp, sewing. As she looked up and
nodded, Droop saw that her features expressed only gloomy severity. He
turned in consternation and caught sight for the first time of
Phoebe's face. Her eyes and pretty nose were red and her mouth was
drawn into a curve of plaintive rebellion.

"Set down, Mr. Droop. Give me yer hat," she said; and there was a
suspicious catch in her voice.

The visitor seated himself by the centre-table beside the lamp and sat
slowly rubbing his hands, the while he gazed mournfully from one to the
other of the silent sisters. Phoebe sat on the long horse-hair
"settle," and played moodily with the tassel hanging at its head.

There was a long pause. Each of the women seemed bent on forcing the
other to break the silence.

Poor Droop felt that his plans were doomed, and he dared not urge either
woman to speech, lest he hear the death-sentence of his hopes. Finally,
however, the awkward silence became unbearable.

"Well?" he said, inquiringly, still rubbing his hands.

"Well," Rebecca exclaimed, "it seems it's not to be done," and she
looked reproachfully at Phoebe.

The words fulfilled his fears, but the tone and glance produced a thrill
of hope. It was evident that Rebecca at least favored his plans.

Turning now to the younger sister, Droop asked, in a melancholy tone:

"Don't you want to get rich, Cousin Phoebe?"

"Rich--me!" she replied, indignantly. "A mighty lot of riches it'll
bring me, won't it? That's just what riles me so! You an' Rebecca just
think of nothin' but your own selves. You never stop to think of me!"

Droop opened his eyes very wide indeed, and Rebecca said, earnestly:

"Phoebe, you know you ain't got any call to say sech a thing!"

"Oh, haven't I?" cried Phoebe, in broken accents. "Did either of you
think what would happen to me if we all went back to 1876? Two years
old! That's what I'd be! A little toddling baby, like Susan Mellick's
Annie! Put to bed before supper--carried about in everybody's arms--fed
on a bottle and--and perhaps--and perhaps getting _spanked_!"

With the last word, Phoebe burst into tears of mingled grief and
mortification and rushed from the room.

The others dared not meet each other's guilty eyes. Droop gazed about
the room in painful indecision. He could not bear to give up all hope,
and yet--this unforeseen objection really seemed a very serious one. To
leave the younger sister behind was out of the question. On the other
hand, the consequences of the opposite course were--well, painful to her
at least.

In his nervousness he unconsciously grasped a small object on the table
upon which his left hand had been lying. It was a miniature daintily
painted on ivory. He looked vacantly upon it; his mind at first quite
absent from his eyes. But as he gazed, something familiar in the lovely
face depicted there fixed his attention. Before long he was examining
the picture with the greatest interest.

"Well, now!" he exclaimed, at length. "Ain't that pretty! Looks jest
like her, too. When was that tuck, Miss Wise?"

"That ain't Phoebe," said Rebecca, dejectedly.

"Ain't Phoebe!" Droop cried, in amazement. "Why, it's the finest
likeness--why--but--it _must_ be yer sister!"

"Well, 'tain't. Thet pictur is jest three hundred years old."

"Three hundred--" he began--then very slowly, "Well, now, do tell!" he
said.

"Phoebe's got the old letter that tells about it. The's a lot of 'em
in that little carved-wood box there. They say it come over in the
Mayflower."

Droop could not take his eyes from the picture. The likeness was
perfect. Here was the pretty youthful oval of her face--the same playful
blue eye--the sensitive red lips seeming about to sparkle into a
smile--even the golden brown mist of hair that hid the delicately turned
ear!

Then Droop suddenly remembered his plans, and with his hand he dropped
the picture as his mind dismissed it. He rose and looked about for his
hat.

"Ye wouldn't want to come back to '76 with me an' leave Cousin Phoebe
behind, would ye?" he suggested, dismally.

"What!" cried Rebecca, giving vent to her pent-up feelings, "an' never
see my sister again! Why, I'd hev to come livin' along up behind her,
and, all I could do, I'd never catch up with her--never! You'd ought to
be ashamed to stand there an' think o' sech a thing, Copernicus Droop!"

For some time he stood with bent head and shoulders, twirling his hat
between his fingers. At length he straightened up suddenly and moved
toward the door.

"Well," he said, "the' isn't any use you seem' the Panchronicon now, is
the'?"

"What's it like, Mr. Droop?" Rebecca inquired.

He paused helpless before the very thought of description.

"Oh," he said, weakly, "et's like--et's a--why--Oh, it's a machine!"

"Hez it got wings?"

"Not exactly wings," he began, then, more earnestly, "why don't ye come
and see it, anyway! It can't do ye any harm to jest look at it!"

Rebecca dropped her hands into her lap and replied, with a hesitating
manner:

"I'd like to fust rate--it must be an awful queer machine! But I don't
get much time fer traipsin' 'round now days."

"Why can't ye come right along now?" Droop asked, eagerly. "It's dry as
a bone underfoot down in the swamp now. The's ben no rain in a long
time."

She pondered some time before replying. Her first impulse was to reject
the proposal as preposterous. The hour seemed very ill chosen. Rebecca
was not accustomed to leaving home for any purpose at night, and she was
extremely conservative.

On the other hand, she felt that only under cover of the darkness could
she consent to go anywhere in company with the village reprobate. Every
tongue in the place would be set wagging were she seen walking with
Copernicus Droop. She had not herself known how strong was the curiosity
which his startling theories and incredible story had awakened in her.
She looked up at her visitor with indecision in her eyes.

"I don't see how I could go now," she said. "Besides, it's mos' too
dark to see the thing, ain't it?"

"Not a mite," he replied, confidently. "The's lights inside I can turn
on, an' we'll see the hull thing better'n by daylight."

Then, as she still remained undecided, he continued, in an undertone:

"Cousin Phoebe's up in her room, ain't she? Ye might not get another
chance so easy."

He had guessed instinctively that, under the circumstances, Rebecca
preferred not revealing to Phoebe her own continued interest in the
wonderful machine.

The suggestion was vital. Phoebe was in all probability sulking in her
own bedroom, and in that event would not quit it for an hour. It seemed
now or never.

Rebecca rolled up her knitting work and rose to her feet.

"Jest wait here a spell," she said, rapidly. "I won't be a minute!"

               *       *       *       *       *

Shortly afterward, two swiftly moving, shadowy figures emerged from the
little white gate and turned into a dark lane made more gloomy by
overhanging maples. This was the shortest route to Burnham's swamp.

Copernicus was now more hopeful. He could not but feel that, if the
elder sister came face to face with his marvellous machine, good must
result for his plans. Rebecca walked with nervous haste, dreading
Phoebe's possible discovery of this most unconventional conduct.

The night was moonless, and the two stumbled and groped their way down
the lane at a pace whose slowness exasperated Rebecca.

"Ef I'd a-known!" she exclaimed, under her breath.

"We're 'most there, Cousin Rebecca," said Copernicus, with deprecating
softness. "Here, give me holt o' yer hand while we climb over the wall.
Here's Burnham's swamp right now."

Accepting the proffered aid, Rebecca found herself in the midst of a
thicket of bushes, many of which were thorny and all of which seemed
bent upon repelling nocturnal adventurers.

Droop, going ahead, did his best to draw aside the obstinate twigs, and
Rebecca followed him with half-averted head, lifting her skirts and
walking sidewise.

"'Mighty lucky, 'tain't wet weather!" she mumbled.

At that moment her guide stood still.

"There!" he exclaimed, in a low, half-awed voice.

Rebecca stopped and gazed about. A little to the right the dark gray of
the sky was cut by a looming black mass of uncertain form.

It looked like the crouching phantom of some shapeless sea-monster.
Rebecca half expected to see it dissolve like a wind-driven fog.

Their physical sight could distinguish nothing of the outer
characteristics of this mysterious structure; but for this very reason,
the imagination was the more active. Rebecca, with all her directness of
nature and commonplace experience, felt in this unwonted presence that
sense of awed mystery which she would have called a "creepy feeling."

What unknown and incomprehensible forces were locked within that
formless mass? By what manner of race as yet unborn had its elements
been brought together--no, no--_would_ they be brought together? How
assume a comfortable mental attitude toward this creation whose present
existence so long antedated its own origin?

One sentiment, at least, Rebecca could entertain with hearty
consistency. Curiosity asserted its supremacy over every other feeling.

"Can't we get into the thing, an' light a candle or suthin'?" she said.

"Of course we can," said Droop. "That's what I brought ye here fer. Take
holt o' my hand an' lift yer feet, or you'll stumble."

Leading his companion by the hand, Copernicus approached the dark form,
moving with great caution over the clumps of grassy turf. Presently he
reached the side of the machine. Rebecca heard him strike it with his
hand two or three times, as though groping for something. Then she was
drawn forward again, and suddenly found herself entering an invisible
doorway. She stumbled on the threshold and flung out her free hand for
support. She clutched at a hand-rail that seemed to lead spirally
upward.

Droop's voice came out of the blackness.

"Jest wait here a minute," he said. "I'll go up an' turn on the light."

She heard him climbing a short flight of stairs, and a few moments later
a flood of light streamed from a doorway above her head, amply lighting
the little hallway in which Rebecca was standing.

The hand-rail to which she was already clinging skirted the iron stairs
leading to the light, and she started at once up this narrow spiral.

She was met at the door by Copernicus, who was smiling with a proud
complacency.

"Wal, Cousin Rebecca," he said, with a sweeping gesture indicating their
general surroundings, "what d'ye think o' this?"

They were standing at the head of a sort of companion-way in a roomy
antechamber much resembling the general cabin of a luxurious old-time
sailing-packet. The top of the stairs was placed between two windows in
one side wall of the machine, through which there was just then entering
a gentle breeze. Two similar openings faced these in the opposite side
wall, and under each of the four windows there was a long wooden bench
carrying a flat mattress cushion.

In the middle of the room, on a square deep-piled rug, stood a table
covered with a red cloth and surrounded by three or four solid-looking
upholstered chairs. Here were some books and papers, and directly over
the table a handsome electric chandelier hung from the ceiling of
dark-wood panels. This was the source of their present illumination.

"This here's the settin'-room," Droop explained. "An' these are the
state-rooms--that's what he called 'em."

He walked toward two doors in one of the end walls and, opening one of
them, turned the switch of the lamp within.

"'Lectric lights in it, like down to Keene," Rebecca remarked,
approaching the cabin and peering in.

She saw a small bedroom comfortably furnished. The carpet was apparently
new, and on the tastefully papered walls hung a number of small
oil-paintings.

Droop opened the other door.

"They're both alike," he said.

Rebecca glanced into the second apartment, which was indeed the
counterpart of its companion.

"Well, it wouldn't do no harm to sweep an' beat these carpets!" she
exclaimed. Then, slipping her forefinger gingerly over the edge of a
chair: "Look at that dust!" she said, severely, holding up her hand for
inspection.

But Droop had bustled off to another part of the room.

"Here's lockers under these window-seats," he explained, with a
dignified wave of the hand. "Here's books an' maps in this set o'
shelves. Here's a small pianner that plays itself when you turn on the
electricity----"

There was a stumbling crash and a suppressed cry at the foot of the
stairs.

With his heart in his mouth, Droop leaped to the chandelier and turned
out the lights; then rushed to the state-rooms and was about to turn
their switches as well, when a familiar voice greeted their ears from
below--

"Don't be scared--it's only Phoebe."

"What ever possessed--" began Rebecca, in a low tone.

But at that moment Phoebe's head appeared over the stair rail in the
light shed from the two state-rooms.

"Won't you light up again, Mr. Droop?" she said, merrily, smiling the
while into her sister's crestfallen face. "I heard you two leavin' the
house, an' I just guessed what you'd be up to. So I followed you down
here."

She dropped into one of the chairs beside the table just as Droop
relighted the lamps.

With one slender hand resting upon the table, she looked up into Droop's
face and went on:

"I was havin' a dreadful time, stumbling over stocks an' stones at every
step, till suddenly there was quite a light struck my face, and first I
knew I was lookin' right into your lighted windows. I guess we'll have a
pleasant meetin' here of all the folks in town pretty soon--not to
mention the skeeters, which are comin' right early this year!"

"Lands sakes!" cried Rebecca.

"There now!" exclaimed Copernicus, bustling toward the windows, "I must
be a nateral born fool!"

Phoebe laughed in high spirits at thought of her prank, while Droop
closed the tight iron shutters at each window, thus confining every ray
of light.

Rebecca seated herself opposite Phoebe and looked severely straight
before her with her hands folded in her lap. She was ashamed of her
curiosity and much chagrined at being discovered in this unconventional
situation by her younger sister.

Phoebe gazed about her and, having taken in the general aspect of the
antechamber in which they were assembled, she explored the two
state-rooms. Thence she returned for a more detailed survey. Droop
followed her about explaining everything, but Rebecca remained unmoved.

"What's all those dials on the wall, Mr. Droop?" asked the younger
sister.

"I wish't you'd call me Cousin Copernicus," said Droop, appealingly.

Phoebe ran up very close to a large steel dial-plate covered with
figures.

"Now what the land is this for?" she exclaimed.

"Thet," said Droop, slowly, "is an indicator of height above ground and
tells yer direction."

"And what d'ye do with this little handle?"

"Why, you set that for north or west or any other way, an' the hull
machine keeps headed that way until ye change it."

"Oh, is that the rudder?"

"No, that is fer settin' jest one course fer a long ride--like's ef we
was goin' north to the pole, ye know. The rudder's in here, 'long with
the other machinery."

He walked to one of the two doors which faced the state-rooms.

Phoebe followed him and found herself in the presence of a bewildering
array of controlling and guiding handles--gauges--test cocks--meters and
indicators. She was quite overawed, and listened with a new respect for
her distant relative as he explained the uses of the various
instruments. It was evident that he had quite mastered the significance
of each implement.

When Droop had completed his lecture, Phoebe found that she understood
the uses of three of the levers. The rest was a mystery to her.

"This is the starting-lever," she said. "This steers, and this reverses.
Is that it?"

"That's correct," said Droop, "an' if----"

She cut him short by whisking out of the room.

"What drives the thing?" she asked, as he meekly followed her.

"Oh, the's power storage an' all kinds o' works down below stairs."

"An' what's this room for?" she asked, opening the door next the
engine-room.

"Thet's the kitchen an' butler's pantry," said Droop. "It's mighty
finely fitted up, I tell ye. That future-man was what ye call a
conusure. My, but he could cook up fine victuals!"

Rebecca found this temptation stronger than her ill humor, and she rose
with alacrity and followed her companions into the now brightly lighted
kitchen.

Here the appointments were the completest possible, and, after she and
Phoebe had mastered the theory of the electric range, they agreed that
they had never seen such a satisfactory equipment.

Phoebe stood in the middle of the room and looked about her with
kindling eyes. The novelty of this adventure had intoxicated her.
Rebecca's enthusiasm was repeated threefold in the more youthful bosom
of her sister.

"My!" she cried, "wouldn't it be lovely if we could make this our house
down here for a while! What would the Mellicks an' the Tituses an'----"

"They'd take us for a lunatic asylum," Rebecca exclaimed, severely.

Phoebe considered a moment and then gravely replied:

"Yes, I s'pose they would."

Copernicus was pacing slowly up and down from range to china-closet and
back, rubbing his hands slowly over each other.

"I wish't you'd try to see ef ye couldn't change yer mind, Cousin
Phoebe," he said, earnestly. "Jest think of all there is in this
extrordnery vessel--what with kitchen an' little cunnin'
state-rooms--what with the hull machinery an' all--it's a sinful waste
to leave it all to rot away down in this here swamp when we might all go
back to the Centennial an' get rich as--as Solomon's temple!"

Phoebe led the way in silence to the outer room again, and Droop
carefully extinguished the lights in the kitchen and engine-room.

As the three stood together under the main chandelier their faces were
the exponents of three different moods.

Droop was wistful--anxious.

Rebecca looked grimly regretful.

In Phoebe's eyes there shone a cheerful light--but her expression was
enigmatic.

"Now let's go home," she said, briskly. "I've got somethin' that I want
to talk to Rebecca about. Can't you call in to-morrow mornin', Mr.
Droop?"

"Don't ye believe ye might change yer mind?" he asked, mournfully.

"We'll be through with the breakfast an' have things set to rights by
eight o'clock," said Phoebe.




CHAPTER III

A NOCTURNAL EVASION


Promptly at the appointed time, Copernicus Droop might have been seen
approaching the white cottage. Still nursing a faint hope, he walked
with nervous rapidity, mumbling and gesticulating in his excitement. He
attracted but little attention. His erratic movements were credited to
his usual potations, and no one whom he passed even gave him a second
glance.

Nearing the house he saw Phoebe leaning out of one of the second-story
windows. She had been gazing westward toward Burnham's swamp, but she
caught sight of Droop and nodded brightly to him. Then she drew in her
head and pulled down the window.

Phoebe opened the door as Copernicus entered the garden gate, and it
was at once apparent that her buoyant mood was still upon her, for she
actually offered her hand to her visitor as he stood at the threshold
wiping his feet.

"Good mornin'," she said. "I've ben tryin' to see if I could find the
Panchronicon out of my window. It's just wonderful how well it's hidden
in the bushes."

She led him to the parlor and offered him a seat.

"Where's Cousin Rebecca?" he said, as he carefully placed his hat on the
floor beside his chair.

Phoebe seated herself opposite to her visitor with her back to the
windows, so that her face was in shadow.

"Rebecca's upstairs," she replied.

Then, after a moment's pause: "She's packin' up," she said.

Droop straightened up excitedly.

"What--packin'!" he cried. "Hev ye decided ye'll go, then?"

"Well," said Phoebe, slowly, "we have an'--an' we haven't."

"What d'ye mean?"

"Why, Mr. Droop, it's just like this," she exclaimed, leaning forward
confidentially. "Ye see, Rebecca an' I are both just plumb crazy to try
that wonderful plan of cuttin' meridians at the North Pole--an' we're
wild fer a ride on that queer kind of a boat or whatever ye call it. At
the same time, Rebecca has to acknowledge that it's askin' too much of
me to go back to two years old an' live like a baby. For one thing, I
wouldn't have a thing to wear."

"But ye might make some clothes before ye start," Droop suggested.

"Mr. Droop!" Phoebe exclaimed, severely, "what _do_ you s'pose folks
would say if Rebecca and I was to set to work makin' baby clothes--two
old maids like us?"

Droop looked down in confusion and plucked at the edge of his coat.

"Phoebe Wise, you're only just tryin' to be smart fer argument!"

This sentence was delivered with a suddenness which was startling. Droop
looked up with a jump to find Rebecca standing at the door with a pile
of clean sheets on her arm.

She was gazing sternly at Phoebe, who appeared somewhat disconcerted.

"You know's well's I do," continued the elder sister, "that every one
o' your baby clothes is folded an' put away as good as new in the
attic."

Phoebe rallied quickly and repelled this attack with spirit.

"Well, I don't care. They'll stay right where they are, Rebecca," she
answered, with irritation. "You know we settled it last night that I
wasn't to be pestered about goin' back to 1876!"

"That's true," was the reply, "but don't you be givin' such fool reasons
for it. It's really just because you're afraid o' bein' whipped an' put
to bed--an' goodness knows, you deserve it!"

With this, Rebecca turned grimly and went into the garden to hang the
sheets up for an airing.

There was a moment's awkward pause, and then Phoebe broke the silence.

"Our plan's this, Mr. Droop," she said, "an' I hope you'll agree. We
want to have you take us to the North Pole and unwind about six years.
That'll take us back before the World's Fair in Chicago, when I was
eighteen years old, an' we can see fer ourselves how it feels to be
livin' backward an' growin' younger instead of older every minute."

"But what's the good of that?" Droop asked, querulously. "I ain't goin'
to do it jest fer fun. I'm growin' too old to waste time that way. My
plan was to make money with all them inventions."

"Well, an' why can't ye?" she replied, coaxingly. "There's that X-ray
invention, now. Why couldn't you show that at the World's Fair an' get a
patent fer it?"

"I don't understand that business," he replied, sharply. "Besides I
can't get one o' them X-ray machines--they cost a heap."

This was a blow to Phoebe's plan and she fell silent, thinking deeply.
She had foreseen that Droop would take only a mercenary view of the
matter and had relied upon the X-ray to provide him with a motive. But
if he refused this, what was she to do?

Suddenly her face lighted up.

"I've got it!" she cried. "You know those movin' picture boxes ye see
down to Keene, where ye turn a handle and a lot of photograph cards fly
along like rufflin' the leaves of a book. Why, it just makes things look
alive, Mr. Droop. I'm sure those weren't thought of six years ago.
They're span spinter new. Why won't they do?"

"I ain't got one o' those either," Droop grumbled. "I've got a kodak
an' a graphophone an' a lot o' Milliken's cough syrup with the
recipe----"

"Why there!" cried Phoebe, exultantly. "Milliken's cough syrup is only
four years old, ain't it?"

Droop did not reply, but his silence was a virtual assent.

"The's a mint o' money in that--you know there is, Mr. Droop," she
urged. "Why, I guess Mr. Milliken must have two or three millions,
hasn't he?"

Rebecca returned at this moment and seated herself on the haircloth
settle, nodding silently to Droop.

"What's about Mr. Milliken's money, Phoebe?" she asked.

"Why Mr. Droop says the X-ray is no good because it costs a heap and he
hasn't got a machine fer it--an' I was tellin' him that Milliken's cough
syrup was just as good--for that wasn't invented six years ago, an'----"

"Phoebe Wise, what do you mean!" exclaimed Rebecca. "Why, it would be
jest like robbery to take Mr. Milliken's syrup, an' palm it off as Mr.
Droop's. I'm surprised at ye!"

This attack upon the ethical plane struck Phoebe speechless. She
blushed and stammered, but had no reply to make. The seeming defeat
really concealed a victory, however, for it instantly converted
Copernicus into an ally.

"You don't understand the thing, Cousin Rebecca," he said, gently but
firmly. "Ye see ef we go six years back, it'll be a time when Mr.
Milliken hadn't ever thought of his cough syrup. How could we be
robbin' him of somethin' he hasn't got?"

Rebecca looked confused for a moment, but was not to be so easily
convinced.

"'Tain't somethin' he ain't thought of," she said, stoutly. "He's makin'
money out of it, an' ef we get back before him, why, when time comes
agin for him to invent it he won't have it to invent. I'm sure that's
jest as bad as robbin' him, ain't it?"

Phoebe looked anxiously at Copernicus and was much pleased to find him
apparently unmoved.

"Why, you certainly don't understand this yet," he insisted. "Milliken
ain't agoin' back six years with us, is he? He'll jest go right along
livin' as he's ben doin'."

"What!" Rebecca exclaimed. "Will he be livin' in one time an' we be
livin' in another--both at the same--" She stopped. What _was_ she
saying!

"No--no!" replied Copernicus. "He'll go on livin'. That's what he _will_
do. We'll go on havin' lived. Or to put it different--we _have_ gone on
livin' after we get back six years--to 1892. Ye see, we really have past
all the six years--so the's no harm in it. Milliken won't be hurt."

Rebecca glanced at Phoebe, in whose face she found her own perplexity
reflected. Then, throwing out her hands, as though pushing away her
crowding mental obstructions, she cried:

"There--there! I can't get the hang of it. It's too much for me!"

"Oh, when you've done it once it'll be all easy and clear," said Droop,
soothingly.

Phoebe looked hopefully into his face.

"Will you take us, Mr. Droop?" she asked.

"Oh, I s'pose I'll hev to."

"An' only unwind six years?"

"Yes--jest six years."

She jumped up excitedly.

"Then I'll be off to my packin'!"

She ran to the door and, pausing here, turned again to their visitor.

"Can we start to-night, Mr. Droop?"

"Yes, indeed!" he replied. "The sooner the better."

"That's splendid!" she cried, and ran quickly up the stairs.

The two older people sat for a while in melancholy silence, looking
down. Each had hoped for more than this. Copernicus tried to convince
himself that the profit from the cough syrup would comfort him for his
disappointment. Rebecca dismissed with a sigh the dreams which she had
allowed herself to entertain--those bright fictions centering on Joe
Chandler--not the subdued old bachelor of 1898, but the jolly young
fellow of the famous Centennial year.

At length Rebecca looked up and said:

"After all, Mr. Droop, come to think of it, you've no call to take us
with ye. I can't do ye any good--goin' back only six years."

"Yes ye can," said Droop. "I'll need somebody to help me keep house in
the Panchronicon. I ain't no hand at cookin' an' all, an' besides, it'll
be mighty lonely without anybody in there."

"Well," she rejoined, rising, "I'll jest go up an' finish my packin'."

"An' I'll go tend to mine."

As they parted at the front door, it was arranged that Droop was to
bring a wheelbarrow after supper and transport the sisters' belongings,
preparatory to their departure.

The rest of the day was spent in preparation for the momentous voyage.
Phoebe went to the little bank at Peltonville station and withdrew the
entire savings of herself and sister, much to the astonishment and
concern of the cashier. She walked all the way to the bank and back
alone, for it was obviously necessary to avoid inconvenient questions.

When the two sisters stood in their little dining-room with the heap of
greenbacks on the table before them, Rebecca was attacked by another
conscientious scruple.

"I don't hardly know as we're doin' right, Phoebe," she said, shaking
her head dubiously. "When we get back to 1892 we'd ought to find some
money in the bank already. Ef we hev this with us, too, seems to me
we'll hev more'n we're entitled to. Ain't it a good deal like cheatin'
the bank?"

"Mercy, no!" Phoebe exclaimed, pettishly. "You're forever raisin' some
trouble like that! Ain't this our money?"

"Yes--but----"

"Well, then, what's the use o' talkin' 'bout it? Just wait till we can
mention your trouble to Mr. Droop. He'll have a good answer for you."

"But s'posin' he can't answer it?" Rebecca insisted.

"Well, if he can't we can give back the difference to the bank."

So saying, Phoebe took her share of the bills and quickly left the
room.

"I've got lots of things to do before night," she remarked.

At promptly half-past nine all the lights in the house were
extinguished, and the two sisters sat together in the dark parlor
awaiting Copernicus. It was Rebecca who had insisted on putting out the
lights.

"Ef folks was to see lights here so late in the night," she said,
"they'd suspicion somethin' an' they might even call in."

Phoebe admitted the justness of this reasoning, and they had both
directed every endeavor to completing all their arrangements before
their accustomed bed-time.

It was not long after this that a stealthy step was heard on the gravel
path and Phoebe hurried to the door. Copernicus came in with a low
word of greeting and followed the ghostly shadow of his hostess into the
parlor.

The three stood together in the dark and conversed in an undertone,
like so many conspirators surrounded by spies.

"Hev ye got everythin' ready?" Droop asked.

"Yes," said Phoebe. "The's only two little trunks for you. Did you
bring the wheelbarrow?"

"Yep--I left it outside the gate. 'Twould hev made a lot of noise on the
gravel inside."

"That's right," said Phoebe. "I guess you'll not have any trouble to
carry both o' those trunks at once. We haven't packed only a few things,
'cause I expect we'll find all our old duds ready for us in 1892, won't
we?"

"Why, 'f course," said Droop.

"But how 'bout linen--sheets an' table-cloths an' all?" said Rebecca.
"We'll need some o' them on the trip, won't we?"

"I've got a hull slew o' them things in the Panchronicon," said
Copernicus. "Ye won't hev to bother a bit about sech things."

"How long do you s'pose it'll take to make the trip," asked Phoebe. "I
mean by the clock? We won't have to do any washing on the way, will we?"

"I don't see how we can," Rebecca broke in. "The's not a blessed tub on
the hull machine."

"No, no," said Droop, reassuringly. "We'll make a bee-line for the pole,
an' we'll go 'bout three times as fast as a lightnin' express train.
We'd ought to reach there in about twenty-four hours, I guess. Then
we'll take it easy cuttin' meridians, so's not to suffer from side
weight, an'----"

"Side weight!" exclaimed the two women together.

"Yes," said Droop. "That's a complaint ye get ef ye unwind the time too
fast. Ye see, growin' young isn't a thing folks is used to, an' it
disgrummages the hull constitution ef ye grow young too fast. Well, 's I
was a-sayin', I guess it'll take 'bout eighteen hours by the clock to
cut back six years. Thet's by the clock, ye understand. As a matter of
fact, of course, we'll be just six years less'n no time in finishin' the
trip."

"Well," said Phoebe, briskly, "that's no kind o' reason fer dawdlin'
about it now. Let's be startin'."

"Where's the trunks?" said Droop.

The trunks were pointed out, and with very little trouble Copernicus put
them onto the barrow. He then came to the door for his last
instructions.

"'S anythin' more?" he asked.

"No," said Rebecca. "We'll bring on our special duds in our arms. We'll
wait a spell an' come on separate."

The door was carefully closed and they soon heard the slight creak of
the weighted wheel as Droop set off with the trunks for Burnham's swamp.

"Now, then," said Phoebe, bustling into the parlor, "let's get our
things all together ready to start. Have ye got your satchel with the
money in it?"

Rebecca gently slapped a black leather bag hanging at her side.

"Here 'tis," she said.

"Let's see," Phoebe went on. "Here's my box with the letters an'
miniature, here's the box with the jewelry, an' here's that book Mrs.
Bolton gave me about Bacon writin' Shakespeare."

"Whatever air ye takin' that old book fer, Phoebe?"

"Why, to read on the train--I mean on the way, ye know. We'll likely
find it pretty pokey in that one room all day."

"I don't know what ye mean by 'all day,'" Rebecca exclaimed in a
discouraged tone. "So far's I see, th'ain't goin' to be any days.
What'll it feel like--livin' backward that way? D'ye guess it'll make us
feel sick, like ridin' backward in the cars?"

"Don't ask me," Phoebe exclaimed, despairingly. "'F I knew what 'twas
like, perhaps I wouldn't feel so like goin'."

She straightened herself suddenly and stood rigid.

"Hark!" she exclaimed. "Is that Mr. Droop comin' back, d'you s'pose?"

There were distinctly audible footsteps on the path.

Phoebe came out into the hall on tiptoe and stood beside her sister.

There was a knock on the door. The two sisters gripped each other's arms
excitedly.

"'Taint Copernicus!" Rebecca whispered very low.

The knock was repeated; rather louder this time. Then--

"Miss Wise--Miss Wise--are ye to home?"

It was a woman's voice.

"Sarah Allen!" Phoebe exclaimed under her breath.

"Whatever shall we do?" Rebecca replied.

"Miss Wise," the voice repeated, and then their visitor knocked again,
much more loudly.

"I'll go to the door," exclaimed Phoebe.

"But----"

"I must. She'll raise the whole town if I don't."

So saying, Phoebe walked noisily to the door and unlocked it.

"Is that you, Mis' Allen?" she asked.

The door was opened, and Phoebe found herself face to face with a
short, light woman whose white garments shone gray in the night.

"Why, you're up'n dressed!" exclaimed Mrs. Allen. She did not offer to
enter, but went on excitedly:

"Miss Phoebe," she said, "d'you know I b'lieve you've ben robbed."

"What!"

"Yes; on'y a minute ago I was a-comin' up the road from M'ria
Payson's--you know she's right sick an' I've ben givin' her
massidge--an' what sh'd I see but a man comin' out o' your gate with
suthin' on his shoulder. I couldn't see who 'twas, an' he was so quiet
an' sneaky without a light that I jest slipped behind a tree. You know
I've ben dreadful skeery ever sence Tom was brought home with his arm
broke after a fight with a strange man in the dark. Well, this man
to-night he put the bundle or what not into a wheelbarrow an' set off
quiet as a mouse. He went off down that way, an' says I to myself, 'It's
a robber ben burglin' at the Wise's house,' says I, an' I come straight
here to see ef ye was both murdered or what. Air ye all right? Hez he
broken yer door? Hev ye missed anythin'?"

As the little woman paused for breath, Phoebe seized her opportunity.

"Did you say he went off to the north, Mis' Allen?" she said, with
feigned excitement.

"Yes."

"Oh, dear--oh, dear!" cried Phoebe, wringing her hands. "Didn't I say
I heard a noise--I told you I heard a burglar, Rebecca," she went on,
hysterically, turning to her sister.

"Is Miss Rebecca there?" asked Mrs. Allen.

Rebecca came forward in silence. She was quite nonplussed. To tell the
truth, Phoebe's sudden outburst was as great a tax upon her nerves as
Mrs. Allen's unwelcome visit. Surely Phoebe had said nothing about a
burglar! It was Droop that Mrs. Allen had seen--of course it was. She
dared not say so in their visitor's presence, but she wondered mightily
at Phoebe's apparent perturbation.

Phoebe guessed her sister's mental confusion, and she sought to draw
Mrs. Allen's attention to herself to avoid the betrayal of their plans
which would certainly follow Rebecca's joining the conversation.

"Mis' Allen," she exclaimed, excitedly, "the's just one thing to be
done. Won't you run's quick's ever you can to Si Pray, an' ask him to
bring his gun? You won't meet the burglar 'cause he's gone the other
way. Rebecca 'nd I'll jest wait here for you an' Si. I'll get some hot
water from the kitchen, in case the burglar should come back while
you're gone. Oh, please will you do it?"

"Course I will," was the nervous reply. This hint of the possible return
of the robbers made an immediate retreat seem very desirable. "I'll go
right now. Won't be gone a minute. Lock your door now--quick!"

She turned and sped down the path. She had not reached the gate before
Phoebe walked rapidly into the parlor.

"Quick--quick!" she panted, frantically gathering up her belongings.
"Get your duds an' come along."

"But what d'you----"

"Come--come--come!" cried Phoebe. "Come quick or they'll all be here.
Gun and all!"

With her arm full of bundles, Phoebe rushed back through the hall and
out of the front door. Rebecca followed her, drawn along by the fiery
momentum of her sister.

"Lock the front door, Rebecca," Phoebe cried. Then, as she reached the
gate and found it fastened: "Here, I can't undo the gate. My hands are
full. Oh, _do_ hurry, Rebecca! We haven't a minute!"

The elder sister locked the front door and started down the path in
such a nervous fever that she left the key in the lock. Half way to the
gate she paused.

"Come on--come on!" Phoebe cried, stamping her foot.

"My land!" stammered Rebecca. "I've forgot everythin'!" She started
back, running with short, unaccustomed steps.

"My umbrella!" she gasped. "My recipes--my slips!"

Phoebe was speechless with anger and apprehension at this delay, and
Rebecca was therefore allowed to re-enter the house without objection.

In a short time she reappeared carrying an umbrella, two flower-pots,
and a folded newspaper.

"There!" she panted, as she came up to her sister and opened the gate.
"Now I guess I've got everythin'!"

Silently and swiftly the two women sped northward, following the
imaginary burglar, while the devoted Mrs. Allen ran breathless in the
opposite direction for Si Pray and his gun.

"We'll hev to go more careful here," said Rebecca as they turned into
the lane leading down to the swamp.

With many a stumble and some scratches they moved more slowly down the
rutted track until at length they reached the point where they were to
turn into the swamp.

Here the sisters leaned against the wall to rest and recover breath.

"My goodness, but that was a narrow escape!" murmured Phoebe.

"Yes," said Rebecca, with reproachful sadness; "but I'm afraid you paid
a heavy price fer it, Phoebe!"

"What do you mean?"

"Why, 's fur's I could make out, you told Mis' Allen a deliberate wrong
story, Phoebe Wise."

"What did I say?" said Phoebe, in shocked surprise.

"You said you hed told me you'd heerd a burglar!"

"Did I say that? Those very words?"

"Why, you know you did."

"Wasn't it a question, Rebecca?" Phoebe insisted. "Didn't I _ask_ you
ef I hadn't told you I heard a burglar?"

"No, it was a plain downright wrong story, Phoebe, an' you needn't to
try to sneak out of it."

Phoebe was silent for a few moments, and then Rebecca heard her laugh.
It was a very little, rippling thing--but it was genuine--there was real
light-heartedness behind it.

"Phoebe Wise!" exclaimed Rebecca, "how ken you laugh so? I wouldn't
hev the weight of sech a thing on my mind fer a good deal."

"Well, Rebecca," tittered her sister, "I didn't have it on my mind
yesterday, did I?"

"Course not--but----"

"An' won't it be yesterday for us mighty soon--yes, an' a heap longer
ago than that?"

She laughed again merrily and began to climb over the wall, a proceeding
not rendered easier by the various articles in her hands.

A few minutes later the two women had joined Copernicus within his
mysterious machine and were standing in the brightly lighted antechamber
at the head of the stairs.

"Well--well!" cried Droop, as he caught sight of the two women for the
first time in the light. "Where ever did ye get them funny dresses? Why,
your sleeves is all puffed out near the shoulders!"

"These are some of our old dresses," said Rebecca. "They was made in
1891, an' we thought they'd prob'bly be more in the fashion back in 1892
when we get there than our newer dresses."

"Never mind our dresses, Mr. Droop," said Phoebe. "Where can we put
down all these things? My arms are breakin' off."

"Right here, Cousin Phoebe."

Droop bustled over to the state-rooms, opening both the doors at once.

"Here's a room apiece fer ye. Take yer choice."

"Oh, but where'll you sleep?" said Phoebe. "P'raps Rebecca and I'd
better have one room together."

"Not a bit of it," said Droop. "I'll sleep on one o' them settles under
the windows. They're real comfortable."

"Well--just as you say."

The sisters entered their rooms and deposited their bundles, but
Phoebe returned at once and called to Droop, who had started down the
stairs.

"Mr. Droop, you've got to start right straight off. Mrs. Allen knows 't
you've carried off the trunk and she's comin' after us with Si Pray an'
a gun."

Just then they heard the loud barking of a dog. He was apparently
running rapidly down the lane.

"Sakes alive!" cried Phoebe, in alarm. "Slam to that door, Copernicus
Droop! Si has let his dog loose an' he's on your tracks!"

The baying was repeated--now much nearer. Droop clattered frantically
down the stairs, and shut the door with a bang. At the next moment a
heavy body leaped against it, and a man's voice was heard close at hand.

"Sic um, Touser, sic um! Where is he, boy?"

Up the stairs went Copernicus two steps at a time. He dashed into the
anteroom, pale and breathless.

"Lie down on the floor!" he shouted. "Lie down or ye'll get throwed
down. I'm agoin' to start her!"

By this time he had opened the engine-room door.

The two women promptly lay flat on their backs on the carpet.

Droop braced himself firmly and had just grasped the starting lever when
a cry from Rebecca arrested him.

"Copernicus Droop--hold on!" she cried.

He turned to her, his face full of anxious fear. Rebecca lay on her back
with her hands at her sides, but her head was raised stiffly from the
floor.

"Copernicus Droop," she said, solemnly, "hev ye brought any rum aboard
with ye? 'Cause if ye have I won't----"

She never concluded, for at this moment her head was jerked back sharply
against the floor by a tremendous upward leap of the machine.

There was a hissing roar as of a thousand rockets, and even as Rebecca
was wondering, half stunned, why she saw so many jumping lights, Si Pray
gazed open-mouthed at the ascension of a mysterious dark body apparently
aimed at the sky.

The Panchronicon had started.




CHAPTER IV

A CHANGE OF PLAN


It was long after their bed-time and the two sisters were utterly
exhausted; but as the mysterious structure within which they lay glided
northward between heaven and earth with the speed of a meteor, Rebecca
and Phoebe long courted sleep in vain.

The excitement of their past adventures, the unreal wonder of their
present situation, the bewildering possibilities and impossibilities of
their future plans--all these conspired to banish sleep until long past
midnight. It was not until, speeding due north with the unswerving
obedience of a magnet, their vessel was sailing far above the waters of
the upper Saguenay, that they at length sank to rest.

They were awakened next morning by a knocking upon Rebecca's door.

"It's pretty nigh eight-thirty," Droop cried. "I've got the kettle on
the range, but I don't know what to do nex'."

"What! Why! Who! Where! Sakes! what's this?"

Rebecca sat up in bed, unable to place herself.

"It's pretty nigh half-past eight," Copernicus repeated. "Long after
breakfast-time. I'm hungry!"

By this time Phoebe was wide awake.

"All right!" she cried. "We'll come in a minute."

Then Rebecca knew where she was--or rather realized that she did not
know. But fortunately a duty was awaiting her in the kitchen and this
steadied a mind which seemed to her to need some support in the midst of
these unwonted happenings.

Phoebe was the first to leave her bedroom. She had dressed with
frantic speed. In her haste to get to the windows and see the world from
the sky, she had secured her hair very imperfectly, and Droop was
favored with a charming display of bright locks, picturesquely
disarranged.

"Good-mornin', Cousin Phoebe," he said, with his suavest manner.

"Good-morning, Mr. Droop," Phoebe replied. "Where are we? Is
everything all right?"

She made straight for one of the windows the iron shutters of which were
now open.

"I wish't you'd call me Cousin Copernicus," Droop remarked.

"Oh--oh! What a beautiful world!"

Phoebe leaned her face close to the glass and gazed spell-bound at the
wonderful landscape spread before her.

The whole atmosphere seemed filled with a clear, cold sunlight whose
brilliance irradiated the giant sphere of earth so far away.

Directly below and to the right of their course, as far as she could
see, there was one vast expanse of dark blue sea, gilded dazzlingly over
one portion where the sun's beams were reflected. Far ahead to the north
and as far behind them the sea was bordered with the fantastic curves of
a faint blue coast dotted and lined with the shadows of many a hill and
mountain. It was a map on which she was gazing. Nature's own map--the
only perfect chart in the world.

So new--so intensely, almost painfully, beautiful was this scene that
Phoebe stood transfixed--fascinated. She did not even think of
speaking.

The scene was not so new to Droop--and besides he was a prey to an
insistent appetite. His mental energies, therefore, sought expression in
speech.

Approaching Phoebe's side, he said:

"Mighty pretty, ain't it?"

She did not reply, so he continued:

"That water right under us is Hudson Strait. The ocean to the right is
the Atlantic. Ye can see Hudson's Bay off to the left out o' one o' them
windows. I've ben lookin' it up on the map."

He strolled toward the table, as if inviting Phoebe to see his chart
which lay there unrolled. She did not follow him.

"Yes," he continued, "that's Hudson Strait, and we're four miles high,
an' that's all I'll tell ye till I have my breakfast."

He gazed wistfully at Phoebe, who did not move or speak, but let her
eyes wander in awed delight over the wonders thus brought before them.

Just then Rebecca emerged from her room.

"Good-mornin'," she said. "I guess I'm late."

"Good-mornin', Cousin Rebecca; I guess ye are a mite late. Cousin
Phoebe won't move--so I'm sayin' we're four miles high an' right over
Hudson Strait, an' that's all I'll tell ye till I get my breakfast."

"Goodness me!" exclaimed Rebecca. "Ain't that mos' too high, Mr. Droop?"
She hurried to the window and looked out.

"Sakes alive!" she gasped.

She was silent for a moment, awed in her turn by the immensity of the
prospect.

"Why--but--it's all water underneath!" she exclaimed at last. "Ef we was
to fall now, we'd be drowned!"

"Now don't you be a mite skeert," said Droop, with reassuring
politeness. "We've ben scootin' along like this all night an'--an' the
fact is, I've got the kettle on--p'raps it's b'iled over."

Rebecca turned from the window at once and made for the kitchen.

"Phoebe," she said, briskly, "you set the table now an' I'll hev
breakfast ready in a twinklin'."

Reluctantly Phoebe left the window and Droop soon had the satisfaction
of sauntering back and forth between kitchen and dining-table in pleased
supervision of the progress of both.

In due time a simple but substantial breakfast was in readiness, and
the three travellers were seated around the table partaking of the meal
each in his own way.

Droop was business-like, almost enthusiastic, in his voracious hunger.
Rebecca ate moderately and without haste, precisely as though seated in
the little Peltonville cottage. Phoebe ate but little. She was
overcome by the wonders she had seen, realizing for the first time the
marvellous situation in which she found herself.

It was not until the table was cleared and the two women were busy with
the dishes that conversation was resumed. Droop sat with his chair
tilted backward against the kitchen wall enjoying a quiet satisfaction
with his lot and a kindly mental attitude toward all men.

He glanced through the kitchen door at the barometer on the wall in the
outer room.

"We've climbed near a mile since before breakfast," he remarked.

Rebecca paused before hanging up the soap-shaker.

"Look here, Mr. Droop," she said, anxiously, "we are mos' too high
a'ready, I think. S'posin' we was to fall down. Where do you s'pose we'd
be?"

"Why, Rebecca," said Phoebe, laughing, "do you suppose five miles is
any worse than four? I guess we'd be killed by falling one mile jest as
quick as five."

"Quicker!" Droop exclaimed. "Considerable quicker, Cousin Rebecca, fer
it would take us a good deal longer to fall five miles than it would
one."

"But what ever's the use o' keepin' on a-climbin'?"

"Why, that's the nature of this machine," he replied. "Ye see, it runs
on the rocket principle by spurtin' out gases. Ef we want to go up off
the ground we squirt out under the machine an' that gives us a h'ist.
Then, when we get 'way up high, we spread out a pair o' big wings like
and start the propeller at the stern end o' the thing. Now them wings
on'y holds us up by bein' inclined a mite in front, and consequence is
we're mighty apt to climb a little right 'long."

"Well, but won't we get too high?" suggested Phoebe. "Ain't the air
too thin up very high?"

"Of course, we mustn't go too high," Droop conceded, "an' I was just
a-thinkin' it wouldn't go amiss to let down a spell."

He rose and started for the engine-room.

"How do you let down?" Phoebe asked, pausing in her work.

"Why, I jest turn the wings horizontal, ye know, an' then we sink very
slow till I incline 'em up again."

He disappeared. Phoebe gave the last of the dishes a brief touch of
the dish-towel and then ran into the main room to watch the barometer.

She was much interested to observe a gradual but continual decrease in
their altitude. She walked to the window but could see no apparent
change, save that they had now passed the sea and only the blue land
with silver streaks of river and indigo hill shadows was beneath them.

"How fast do you s'pose we're flyin', Mr. Droop?" she asked.

"There's the speed indicator," he said, pointing to one of the dials on
the wall. "Ye see it says we're a-hummin' along at about one hundred an'
thirty miles an hour."

"My gracious!" cried Phoebe. "What if we was to hit something!"

"Nothin' to hit," said Droop, with a smile. "Ye see, the's no sort o'
use goin' any slower, an' besides, this quick travellin' keeps us warm."

"Why, how's that?"

"The sides o' the machine rubbin' on the air," said Droop.

"That's so," Phoebe replied. "That's what heats up meteors so awful
hot, ain't it?"

Rebecca came out of the kitchen at this moment.

"I must say ye wasn't particler about gettin' all the pans to rights
'fore ye left the kitchen, Phoebe. Ben makin' the beds?"

"Land, no, Rebecca!" said Phoebe, blushing guiltily.

"Well, there!"

Rebecca said no more, but her set lips and puckered forehead spoke much
of displeasure as she stalked across to the state-rooms.

"Well, I declare to goodness!" she cried, as she opened her door. "Ye
hevn't even opened the window to air the rooms!"

Phoebe looked quite miserable at thought of her remissness, but
Copernicus came bravely to the rescue.

"The windows can't be opened, Cousin Rebecca," he said. "Ef ye was to
open one, 'twould blow yer head's bald as an egg in a minute."

"What!"

"Yes," said Phoebe, briskly, "I couldn't air the beds an' make 'em
because we're going one hundred and thirty odd miles an hour, Rebecca."

"D'you mean to tell me, Copernicus Droop," cried the outraged spinster,
"that I've got to go 'thout airin' my bed?"

"No, no," Copernicus said, soothingly. "The's special arrangements to
keep ventilation goin'. Jest leave the bed open half the day an' it'll
be all aired."

Rebecca looked far from pleased at this.

"I declare, ef I'd known of all these doin's," she muttered.

Unable to remain idle, she set to work "putting things to rights," as
she called it, while Phoebe took her book to the west window and was
soon lost in certain modern theories concerning the Baconian authorship
of Shakespeare's works.

"Is these duds yourn, Mr. Droop?" asked Rebecca, sharply, pointing to a
motley collection of goods piled in one corner of the main room.

"Yes," Droop replied, coming quickly to her side. "Them's some of the
inventions I'm carryin' along."

He stooped and gathered up a number of boxes and bundles in his arms.
Then he stood up and looked about him as though seeking a safe place for
their deposit.

"That's all right," said Rebecca. "Ye can put 'em right back, Mr. Droop.
I jest wanted to see whether the' was much dust back in there."

Droop replaced his goods with a sigh of relief. One box he retained,
however, and, placing it upon the table, proceeded to unpack it.

Rebecca now turned her attention to her own belongings. Lifting one of
her precious flower-pots carefully, she looked all about for a more
suitable location for her plants.

"Phoebe," she exclaimed at length, "where ever can I set my slips?
They ought to be in the sun there by the east window, but it'll dirt up
the coverin' of the settle."

Phoebe looked up from her book.

"Why don't ye spread out that newspaper you brought with you?" she said.

Rebecca shook her head.

"No," she replied, "I couldn't do thet. The's a lot o' fine recipes in
there--I never could make my sweet pickle as good as thet recipe in the
New York paper thet Molly sent me."

Phoebe laid down her book and walked over to her sister's side.

"Oh, the' must be some part of it you can use, Rebecca," she said. "Land
sakes!" she continued, laughing. "Why, it's the whole of the _New York
World_ for a Sunday--pictures an' all! Here--take this advertisin' piece
an' spread it out--so."

She tore off a portion of the voluminous paper and carefully spread it
out on one of the eastern settles.

"Whatever did you bring those slips with you for?" she asked.

Rebecca deposited the flower-pots carefully in the sun and slapped her
hands across each other to remove the dust on them.

"One o' them is off my best honeysuckle thet come from a slip thet Sam
Mellick brought from Japan in 1894. This geranium come off a plant thet
was given me by Arabella Slade, 'fore she died in 1896, an' she cut it
off'n a geranium thet come from a lot thet Joe Chandler's father raised
from slips cut off of some plants down to Boston in the ground that used
to belong to our great-grandfather Wilkins 'fore the Revolution."

This train of reasoning seemed satisfactory, and Phoebe turned to
resume her book.

Copernicus intercepted her as she passed the table.

"What d'ye think o' this little phonograph, Cousin Phoebe?" he said.

One of Droop's boxes stood open and beside it Phoebe saw a phonograph
with the usual spring motor and brass megaphone.

"I paid twenty-five fer that, secon' hand, down to Keene," said the
proud owner.

"There!" exclaimed Phoebe. "I've always wanted to know how those
things worked. I've heard 'em, you know, but I've never worked one."

"It's real easy," said Droop, quite delighted to find Phoebe so
interested. "Ye see, when it's wound up, all ye hev to do is to slip one
o' these wax cylinders on here--so."

He adjusted the cylinder, dropped the stylus and pushed the starting
lever.

Instantly the stentorian announcement rang out from the megaphone.

"The Last Rose of Summer--Sola--Sung by Signora Casta Diva--Edison
Record!"

"Goodness gracious sakes alive!" cried Rebecca, turning in affright.
"Who's that?"

Her two companions raised their right hands in a simultaneous appeal for
silence. Then the song began.

With open eyes and mouth, the amazed Rebecca drew slowly nearer, and
finally took her stand directly in front of the megaphone.

The song ended and Copernicus stopped the motor.

"Oh, ain't it lovely!" Phoebe cried.

"Well--I'll--be--switched!" Rebecca exclaimed, with slow emphasis. "Can
it sing anythin' else?"

"Didn't you never hear one afore, Cousin Rebecca?" Droop asked.

"I never did," she replied. "What on the face of the green airth does
it?"

"Have ye any funny ones?" Phoebe asked, quickly, fearful of receiving
a long scientific lecture.

"Yes," said Droop. "Here's a <DW65> minstrels. The's some jokes in it."

The loud preliminary announcement made Rebecca jump again, but while the
music and the songs and jokes were delivered, she stood earnestly
attentive throughout, while her companions grinned and giggled
alternately.

"Is thet all?" she asked at the conclusion.

"Thet's all," said Droop, as he removed the cylinder.

"Well, I don't see nothin' funny 'bout it," she said, plaintively.

Droop's pride was touched.

"Ah, but that ain't all it can do!" he cried. "Here's a blank cylinder.
You jest talk at the machine while it's runnin', an' it'll talk back all
you say."

This was too much for Rebecca's credulity, and Droop could not induce
her to talk into the trumpet.

"You can't make a fool o' me, Copernicus Droop," she exclaimed.

"You try, Cousin Phoebe," he said at last.

Phoebe looked dubiously at her sister as though half of opinion that
her shrewd example should be followed.

"You sure it'll do it?" she asked.

"Certain!" cried Copernicus, nodding his head with violence.

She stood a moment leaning over with her pretty lips close to the
trumpet.

Then she straightened up with a face of comical despair.

"I don't know what to say," she exclaimed.

Droop stopped the motor and looked about the room. Suddenly his eyes
brightened.

"There," he cried, pointing to the book Phoebe had been reading, "read
suthin' out o' that into it."

Phoebe opened the book at random, and as Droop started the motor again
she read the following lines slowly and distinctly into the trumpet:

"It is thus made clear from the indubitable evidence of the plays
themselves that Francis Bacon wrote the immortal works falsely ascribed
to William Shakespeare, and that the gigantic genius of this man was the
result of the possession of royal blood. In this unacknowledged son of
Elizabeth Tudor, Queen of England, was made manifest to all countries
and for all centuries the glorious powers inherent in the regal blood of
England."

"That'll do," said Droop. "Now jest hear it talk back."

He substituted the repeating stylus for the recording point and set the
motor in motion once more. To the complete stupefaction of Rebecca, the
repetition of Phoebe's words was perfect.

"Why! It's Phoebe's voice," she began, but Phoebe broke in upon her
suddenly.

"Why, see the hills on each side of us, Mr. Droop," she cried.

Droop glanced out and leaped a foot from the ground.

"Goramighty!" he screamed, "she'll strike!" He dashed to the engine-room
and threw up the forward edges of the aeroplanes. Instantly the vessel
swooped upward and the hills Phoebe had seen appeared to drop into
some great abyss.

The two women ran to a window and saw that they were over a bleak and
rocky island covered with ice and snow.

Droop came to their side, quite pale with fright.

"Great Moses!" he exclaimed. "I warn't more'n jest in time, I tell ye!
We was a-settlin' fast. A little more'n we'd ha' struck--" He snapped
the fingers of both hands and made a gesture expressive of the complete
destruction which would have resulted.

"I tell you what, Mr. Droop," said Rebecca, sternly, but with a little
shake in her voice, "you've got to jest tend to business and navigate
this thing we're a-ridin' on. You can't work and play too. Don't you say
anythin' more to Phoebe or me till we get to the pole. What time'll
that be?"

"About six or half-past, I expect," said Droop, humbly. "But I don't see
how I can be workin' all the time. The machine don't need it, an',
besides, I've got to eat, haven't I?"

"When it comes time fer your victuals, Phoebe'll watch the windows
an' the little clocks on the wall while I feed ye. But don't open yer
head agin now, only fer necessary talkin' an' eatin', till we get there.
I don't want any smash-ups 'round here."

Copernicus found it expedient to obey these instructions, and under
Rebecca's watchful generalship he was obliged to pace back and forth
from engine-room to window while Phoebe read and her sister knitted.
So passed the remainder of the day, save when at dinner-time the
famished man was relieved by his young lieutenant.

Immediately after supper, however, they all three posted themselves at
the windows, on the lookout for the North Pole. Droop slowed down the
propeller, and the aeroplanes being thus rendered less effective they
slowly descended.

They were passing over an endless plain of rough and ragged ice. In
every direction all the way to the horizon nothing could be seen but the
glare of white.

"How'll you know when we get there?" asked Phoebe.

Droop glanced apprehensively at Rebecca and replied in a whisper:

"We'll see the pole a-stickin' up. We can't go wrong, you know. The
Panchronicon is fixed to guide itself allus due north."

"You don't need to whisper--speak right up, Mr. Droop," said Rebecca,
sharply.

Copernicus started, looked nervously about and then stared out of the
window northward with a very business-like frown.

"Is the' really an' truly a pole there?" Phoebe asked.

"Yes," said Droop, shortly.

"An' can ye see the meridians jammed together like in the geographies?"
asked Rebecca.

"No," said Droop, "no, indeed--at least, I didn't see any."

"Why, Rebecca," said Phoebe, "the meridians are only conventional
signs, you know. They don't----"

"Hallo!" Droop cried, suddenly, "what's that?" He raised a spyglass with
which he had hitherto been playing and directed it northward for a few
seconds. Then he turned with a look of relief on his face.

"It's the pole!" he exclaimed.

Phoebe snatched the spyglass and applied it to her eye.

Yes, on the horizon she could discern a thin black line, rising
vertically from the plain of ice. Even as she looked it seemed to be
nearer, so rapid was their progress.

Droop went to the engine-room, lessened speed and brought the aeroplanes
to the horizontal. He could look directly forward through a thick glass
port directly over the starting-handle. Gradually the great machine
settled lower and lower. It was now running quite slowly and the
aeroplanes acted only as parachutes as they glided still forward toward
the black upright line.

In silence the three waited for the approaching end of this first stage
of their journey. A few hundred yards south of their goal they seemed
about to alight, but Droop slightly inclined the aeroplanes and speeded
up the propeller a little. Their vessel swept gently upward and
northward again, like a gull rising from the sea. Then Droop let it
settle again. Just as they were about to fall rather violently upon the
solid mass of ice below them, he projected a relatively small volume of
gas from beneath the structure. Its reaction eased their descent, and
they settled down without noise or shock.

They had arrived!

Copernicus came forward to the window and pointed to a tall, stout steel
pole projecting from the ice a few yards to the right of the vessel.

"Thet, neighbors, is the North Pole!" he said, with a sweeping wave of
the hand.

For some minutes the three voyagers stood in silence gazing through the
window at the famous pole. This, then, was the goal of so much heroic
endeavor! It was to reach this complete opposite of all that is
ordinarily attractive that countless ambitious men had suffered--that so
many had died!

"Well!" exclaimed Rebecca at length. "I be switched ef I see what there
is fer so many folks to make sech a fuss about!"

Droop scratched his head thoughtfully and made no reply. Surely it would
have been hard to point out any charms in the endless plain of opaque
ice hummocks, unrelieved save by that gaunt steel pole.

"Where's the open sea?" Rebecca asked, after a few moments' pause. "Dr.
Kane said the' was an open sea up here."

"Oh, Dr. Kane!" said Droop, contemptuously. "He's no 'count fer modern
facts."

"What I can't understand," said Phoebe, "is how it comes that, if
nobody's ever been up here, they all seem to know there's a North Pole
here."

"That's a fact," Rebecca exclaimed. "How'd they know about it? The'
ain't anythin' in the Bible 'bout it, is the'?"

Droop looked more cheerful at this and answered briskly:

"Oh, they don't know 'bout it. Ye see, that pole there ain't a nat'ral
product of the soil at all. Et's the future man done that--the man who
invented this Panchronicon and brought me up here before. He told me how
that he stuck that post in there to help him run this machine 'round and
'round fer cuttin' meridians."

"Oh!" exclaimed both sisters together.

"Yes," Droop continued. "D'ye see thet big iron ring 'round the pole,
lyin' on the ground?"

"I don't see any ground," said Rebecca, ruefully.

"Well, on the ice, then. Don't ye see it lyin' black there against the
snow?"

"Yes--yes, I see it," said Phoebe.

"Well, that's what I'm goin' to hitch the holdin' rope on to. You'll see
how it's done presently."

He glanced at the clock.

"Seven o'clock," he said. "I guessed mighty close when I said 'twould
take us twenty hours. We left Peltonville at ten-thirty last night."

"Seven o'clock!" cried Rebecca. "So 'tis. Why, what's the matter with
the sun. Ain't it goin' to set at all?"

"Not much!" said Droop, chuckling. "Sun don't set up here, Cousin
Rebecca. Not until winter-time, an' then et stays set till summer
again."

"Well!" was the breathless reply. "An' where in creation does it go when
it stays set?"

"Why, Rebecca," exclaimed Phoebe, "the sun is south of the equator in
winter, you know."

"Shinin' on the South Pole then," Droop added, nodding.

For a moment Rebecca looked from one to the other of her companions, and
then, realizing the necessity of keeping her mind within its accustomed
sphere, she changed the subject.

"Come now--the' ain't any wind to blow us away now, I hope. Let's open
our windows an' air out those state-rooms."

She started toward her door.

"Hold on!" cried Droop, extending his arm to stop her. "You don't want
to fall down dead o' cold, do ye?"

"What!"

"Don't you know what a North Pole is like fer weather an' sich?" Droop
continued. "Why, Cousin Rebecca, it's mos' any 'mount below zero
outside. Don't you open a window--not a tiny crack--if ye don't want to
freeze solid in a second."

"There!" Rebecca exclaimed. "You do provoke me beyond anythin',
Copernicus Droop! Ef I'd a-knowed the kind o' way we'd had to live--why,
there! It's wuss'n pigs!"

She marched indignantly into her room and closed the door. A moment
later she put out her head.

"Phoebe Wise," she said, "if you take my advice, you'll make your bed
an' tidy yer room at once. Ain't any use waitin' any longer fer a chance
to air."

Phoebe smiled and moved toward her own door.

"Thet's a good idea," said Droop. "You fix yer rooms an' I'll do some
figurin'. Ye see I've got to figure out how long it'll take us to get
back six years. I've a notion it'll take about eighteen hours, but I
ain't certain sure."

Poor Rebecca set to work in her rooms with far from enviable feelings.
Her curiosity had been largely satisfied and the unwonted conditions
were proving very trying indeed. Could she have set out with the
prospect of returning to those magical days of youth and courtship, as
Droop had originally proposed, the end would have justified the means.
But they could not do this now if they would, for Phoebe had left her
baby clothes behind. Thus her disappointment added to her burdens, and
she found herself wishing that she had never left her comfortable home,
however amazing had been her adventures.

"I could'v aired my bed at least," she muttered, as she turned the
mattress of her couch in the solitude of her chamber.

She found the long-accustomed details of chamber work a comfort and
solace, and, as she finally gazed about the tidy room at her completed
work, she felt far more contented with her lot than she had felt before
beginning.

"I guess I'll go help Phoebe," she thought. "The girl is that slow!"

As she came from her room she found Copernicus leaning over the table,
one hand buried in his hair and the other wielding a pencil. He was
absorbed in arithmetical calculations.

She did not disturb him, but turned and entered Phoebe's room without
the formality of knocking. As she opened the door, there was a sharp
clatter, as of a door or lid slamming.

"Who's there?" cried Phoebe, sharply.

She was seated on the floor in front of her trunk, and she looked up at
her sister with a flushed and startled face.

"Oh, it's you!" she said, guiltily.

Rebecca glanced at the bed.

It had not been touched.

"Well, I declare!" Rebecca exclaimed. "Ain't you ever agoin' to fix up
your room, Phoebe Wise?"

"Oh, in a minute, Rebecca. I was just agoin' over my trunk a minute."

She leaned back against the foot of the bed, and folding her hands gazed
pensively into vacancy, while Rebecca stared at her in astonishment.

"Do you know," Phoebe went on, "I've ben thinkin' it's awful mean not
to give you a chance to go back to 1876, Rebecca. Joe Chandler's a
mighty fine man!"

Rebecca gave vent to an unintelligible murmur and turned to Phoebe's
bed. She grasped the mattress and gave it a vicious shake as she turned
it over. She was probably only transferring to this inoffensive article
a process which she would gladly have applied elsewhere.

There was a long silence while Rebecca resentfully drew the sheets into
proper position, smoothed them with swift pats and caressings, and
tucked them neatly under at head and sides. Then came a soft, apologetic
voice.

"Rebecca!"

The spinster made no reply but applied herself to a mathematically
accurate adjustment of the top edge of the upper sheet.

"Rebecca!"

The second call was a little louder than the first, and there was a
queer half-sobbing, half-laughing catch in the speaker's voice that
commanded attention.

Rebecca looked up.

Phoebe was still sitting on the floor beside her trunk, but the trunk
was open now and the young woman's rosy face was peering with a
pathetic smile over a--what!--could it be!

Rebecca leaned forward in amazement.

Yes, it was! In Phoebe's outstretched hands was the dearest possible
little baby's undergarment--all of cambric, with narrow ribbons at the
neck.

For a few seconds the two sisters looked at each other over this
unexpected barrier. Then Phoebe's lips quivered into a pathetic curve
and she buried her face in the little garment, laughing and crying at
once.

Rebecca dropped helplessly into a chair.

"Phoebe Martin Wise!" she exclaimed. "Do you mean--hev you
brought----?"

She fell silent, and then, darting at her sister, she took her head in
her hands and deposited a sudden kiss on the smooth bright gold-brown
hair and whisked out of Phoebe's room and into her own.

In the meantime Copernicus was too deeply absorbed in his calculations
to notice these comings and goings. Apparently he had been led into the
most abstruse mathematical regions. Nothing short of the triple
integration of transcendental functions should have been adequate to
produce those lines of anxious care in his face as he slowly covered
sheet after sheet with figures.

He was at length startled from his preoccupation by a gentle voice at
his side.

"Can't I help, Mr. Droop?"

It was Phoebe, who, having made all right in her room and washed all
traces of tears from her face, had come to note Droop's progress.

Dazed, he raised his head and looked unexpectedly into a lovely face
made the more attractive by an expression only given by a sense of duty
unselfishly done.

"I--I wish'd you'd call me Cousin Copernicus," he said for the fifth
time.

She picked up one of the sheets on which he had been scribbling as
though she had not heard him, and said:

"Why, dear me! How comes it you have so much figurin' to do?"

"Well," he began, in a querulous tone, "it beats all creation how many
things a feller has to work out at once! Ye see, I've got a rope forty
foot long that's got to tie the Panchronicon to the North Pole while we
swing 'round to cut meridians. Now, then, the question is, How many
times an hour shall we swing 'round to get to 1892, an' how long's it
goin' to take an' how fast must I make the old thing hum along?"

"But you said eighteen hours by the clock would do it."

"Well, I jest guessed at that by the time the future man an' I took to
go back five weeks, ye know. But I can't seem to figur it out right."

Phoebe seated herself at the table and took up a blank sheet of paper.

"Please lend me your pencil," she said. "Now, then, every time you
whirl once 'round the pole to westward you lose one day, don't you?"

"That's it," said Droop, cheerfully. "Cuttin' twenty-four meridians----"

"And how many days in twenty-two years?" Phoebe broke in.

"You mean in six years."

"Why, no," she replied, glancing at Droop with a mischievous smile,
"it's twenty-two years back to 1876, ain't it?"

"To '76--why, but----"

He caught sight of her face and stopped short.

There came a pleased voice from one of the state-rooms.

"Yes, we've decided to go all the way back, Mr. Droop."

It was Rebecca.

She came forward and stood beside her sister, placing one hand
affectionately upon her shoulder.

Droop leaned back in his chair with both hands on the edge of the table.

"Goin' all the way! Why, but then----"

He leaped to his feet with a radiant face.

"Great Jumpin' Jerusha!" he cried.

Slapping his thigh he began to pace excitedly up and down.

"Why, then, we'll get all the big inventions out--kodak an' phonograph
and all. We'll marry Joe Chandler an' set things agoin' in two shakes
fer millions."

"Eight thousand and thirty-five," said Phoebe in a quiet voice,
putting her pencil to her lips. "We'll have to whirl round the pole
eight thousand and thirty-five times."

"Whose goin' to keep count?" asked Rebecca, cheerfully. Ah, how
different it all seemed now! Every dry detail was of interest.

Phoebe looked up at Droop, who now resumed his seat, somewhat sobered.

"Don't have to keep count," he replied. "See that indicator?" he
continued, pointing to a dial in the ceiling which had not been noticed
before. "That reads May 3, 1898, now, don't it? Well, it's fixed to keep
always tellin' the right date. It counts the whirls we make an' keeps
tabs on every day we go backward. Any time all ye hev to do is to read
that thing an' it'll tell ye jest what day 'tis."

"Then what do you want to calculate how often to whirl round?" asked
Phoebe, in disgusted tones.

"Well, ye see I want to plan out how long it'll take," Droop replied. "I
want to go slow so as to avoid side weight--but I don't want to go too
slow."

"I see," said Phoebe. "Well, then, how many times a minute did the
future man take you when you whirled back five weeks?"

"'Bout two times a minute."

"That's one hundred and twenty times every hour. Did you feel much side
weight then?"

"Scarcely any."

"Well, let's see. Divide eight thousand and thirty-five whirls by one
hundred and twenty, an' you get sixty-seven hours. So that, ef we go at
that rate it'll be two days and nineteen hours 'fore we get back to
1876."

"Don't talk about days," Droop objected. "It's sixty-seven hours by the
clock--but it's twenty-two years less than no time in days, ye know."

"Sixty-seven hours," said Phoebe. "Well, that ain't so bad, is it? Why
not go round twice a minute?"

"We can't air our beds fer three days, Phoebe," said Rebecca.

"But if we go much faster, we'll all be sick with this side weight
trouble that Mr. Droop tells about."

"I vote fer twice a minute," said Droop. And so twice a minute was
adopted.

"Air ye goin' to start to-night, Mr. Droop?" asked Rebecca.

"Well, no," he replied. "I think it's best to wait till to-morrow. Ye
see, the power that runs the Panchronicon is got out o' the sunlight
that falls on it. Of course, we're not all run out o' power by a good
lot, but we've used considerable, an' I think it's a little mite safer
to lie still fer a few hours here an' take in power from the sun. Ye
see, it'll shine steady on us all night, an' we'll store up enough power
to be sure o' reachin' 1876 in one clip."

"Well," said Rebecca, "ef thet's the plan, I'm goin' to bed right now.
It's after eight o'clock, an' I didn't get to sleep las' night till
goodness knows when. Good-night! Hedn't you better go, too, Phoebe?"

"I guess I will," said Phoebe, turning to Copernicus. "Good-night, Mr.
Droop."

"Good-night, Cousin Phoebe--good-night, Cousin Rebecca. I'll go to bed
myself, I b'lieve."

The two doors were closed and Droop proceeded to draw the steel shutters
in order to produce artificially the gloom not vouchsafed by a
too-persistent sun.

In half an hour all were asleep within the now motionless conveyance.




CHAPTER V

DROOP'S THEORY IN PRACTICE


All were up betimes when the faithful clock announced that it ought to
be morning. As for the sun, as though resenting the liberties about to
be taken by these adventurers with its normal functions, it refused to
set, and was found by the three travellers at the same altitude as the
night before.

Promptly after breakfast Droop proceeded to don a suit of furs which he
drew from a cupboard within the engine-room.

"Ye'd better hev suthin' hot ready when I come in again," he said. "I
'xpect I'll be nigh froze to death."

He drew on a huge cap of bear's fur which extended from his crown to his
shoulders. There was a small hole in front which exposed only his nose
and eyes.

"My, but you do look just like a pictur of Kris Kringle!" laughed
Phoebe. "Don't he, Rebecca?"

Rebecca came to the kitchen door wiping a dish with slow circular
movements of her towel.

"I don't guess you'll freeze very much with all that on," she remarked.

"Thet shows you don't know what seventy or eighty below zero means,"
said a muffled voice from within the fur cap. "You'll hev suthin' hot,
won't ye?" Droop continued, looking appealingly at Phoebe.

"The'll be a pot o' good hot tea," she said. "That'll warm you all
right."

Droop thought of something more stimulating and fragrant, but said
nothing as he returned to the cupboard. Here he drew forth an apparently
endless piece of stout rope. This he wound in a thick coil and hung over
his head.

"Now, then," he said, "when I get down you shet the door at the top of
the stairs tight, coz jest's soon's I open the outside door, thet hall's
goin' to freeze up solid."

"All right!" said Phoebe. "I'll see to it."

Droop descended the stairs with a heavy tread, and as he reached the
foot Phoebe closed the upper door, which she now noticed was provided
with weather-strips.

Then the two women stood at the windows on the right-hand side of the
vessel and watched Droop as he walked toward the pole. He raised the
huge iron ring, snapping over it a special coupling hook fixed to the
end of the rope.

Then he backed toward the vessel, unrolling the coil of rope as he moved
away from the pole. Evidently they were within the forty-foot limit from
the pole, for Droop had some rope to spare when he at length reached
under the machine to attach the end to a ring which the sisters could
not see.

He emerged from beneath the bulging side of the vessel swinging his
arms and blowing a mighty volume of steam, which turned to snow as it
left him. As he made directly for the entrance again, Phoebe ran to
the kitchen.

"Poor man, he'll be perished!" she exclaimed.

As Droop entered the room, bringing with him a bitter atmosphere,
Phoebe appeared with a large cup of hot tea.

"Here, Mr. Droop," she said, "drink this quick!"

Copernicus pulled off his cap and sat down to drink his tea without a
word. When he had finished it, he pulled back his chair with a sigh.

"Whillikins! But 'twas cold!" he exclaimed. "Seems mos' like heaven to
get into a nice warm room like this!"

"An' did ye get every thin' done right?" Rebecca asked.

"I guess I did," he said, emphatically. "I don't want to take no two
bites out o' that kind o' cherry."

He rose and proceeded to remove his fur coverings.

"Goin' to start right now?" said Phoebe.

"Might's well, I guess."

He proceeded to the engine-room, followed by Phoebe, who watched his
actions with the greatest interest.

"What you doin' with that handle?" she asked.

"That sets the airyplane on the uptilt. I'm only settin' it a mite--jest
'nough to keep the machine from sinkin' down when we get to movin'."

"How are you goin' to lift us up?"

"Just let out a mite o' gas below," said Droop. He suited the action to
the word, and, with a tremendous hissing beneath it, the vessel rose
slowly.

Droop pulled the starting lever and they moved forward with increasing
speed. When they had gathered way, he shut off the gas escape and
carefully readjusted the aeroplanes until the machine as a whole moved
horizontally.

There was felt a slight jerk as they reached the end of the rope, and
then they began to move in a circle from east to west.

Phoebe glanced at the clock.

"Just five minutes past eight," she said.

The sun was pouring its beams into the right-hand windows when they
started, but the shafts of light now began to sweep circularly across
the floor, and in a few moments, as they faced the sun, it ceased to
shine in from the right. Immediately afterward it shone in at the
left-hand windows and circled slowly around until again they were in
shadow with the sun behind them.

Droop took out his watch and timed their revolutions by the sun's
progress from window to window.

"'Bout one to the minute," he remarked. "Guess I'll speed her up a
mite."

Carefully he regulated the speed, timing their revolutions accurately.

"There!" he said at length. "I guess that's pretty nigh two to the
minute. D'ye feel any side weight?" he said, addressing his companions.

"No," said Rebecca.

Phoebe shook her head.

"You manage right well, Mr. Droop," she said. "You must have practised a
good deal."

"Oh, not much," he replied, greatly pleased. "The future man showed me
how to work it three--four times. It's simple 'nough when ye understand
the principles."

These remarks brought a new idea to Rebecca's mind.

"Why, Mr. Droop," she exclaimed, "whatever's the use o' you goin' back
to 1876! Why don't ye jest set up as the inventor o' this machine? I'm
sure thet ought to make yer everlastin' fortune!"

"Oh, I thought o' that," he said. "But it's one thing to know how to
work a thing an' it's a sight different to know how it's made an' all
that. The future man tried to explain all the new scientific principles
that was mixed into it--fer makin' power an' all--but I couldn't
understand that part at all."

"An' besides," exclaimed Phoebe, "it's a heap more fun to be the only
ones can use the thing, I think."

"Yes--seems like fun's all we're thinkin' of," said Rebecca, rising and
moving toward the kitchen. "We're jest settin' round doin' nothin'. I'll
finish with the breakfast things if you'll put to rights and dust,
Phoebe. We can't make beds till night with the windows tight shut."

These suggestions were followed by the two women, while Droop, picking
up the newspaper which Rebecca had brought, sat down to read.

After a long term of quiet reading, his attention was distracted by
Rebecca's voice.

"I declare to goodness, Phoebe!" she was saying. "Seems's if every
chance you get, you go to readin' those old letters."

"Well, the's one or two that's spelled so funny and written so badly
that I haven't been able yet to read them," Phoebe replied.

Droop looked over his paper. Phoebe and her sister were seated near
one of the windows on the opposite side.

"P'raps I could help ye, Cousin Phoebe," he said. "I've got mighty
strong eyesight."

"Oh, 'tain't a question of eyesight," Phoebe replied, laughing.

"Oh, I see," said Droop, smiling slyly, "letters from some young feller,
eh?"

He winked knowingly at Rebecca, who drew herself up indignantly and
looked severely down at her knitting.

Phoebe blushed, but replied quite calmly:

"Yes--some of them from a young man, but they weren't any of them
written to me."

"No?" said Droop. "Who was they to--'f I may ask?"

"They were all written to this lady."

Phoebe held something out for Droop's inspection, and he walked over
to take it.

He recognized at once the miniature on ivory which he had seen once
before in Peltonville.

"Well," he said, taking the portrait from her and eying it with his head
on one side, "if ye hadn't said 'twasn't you, I'd certainly a-thought
'twas. I'd mos' sworn 'twas your photygraph, Cousin Phoebe. Who is it,
anyway?"

"It isn't anybody," she replied, "but it _was_ Mistress Mary Burton of
Burton Hall. I'm one of her descendants, an' these are some letters she
had with her in this funny old carved box when she disappeared with her
lover. They fled to Holland and were married there, the story goes, an'
one o' their children came over in the early days o' New England. He
brought the letters an' the picture with him."

"Well, now! I want to know!" exclaimed Droop, in great admiration.
"'Twouldn't be perlite, I s'pose, to ask to hear some o' them letters?"

"Would you like to hear some of them?" Phoebe asked.

"I would fer a fact," he replied.

"Well, bring your chair over here and I'll read you one," she said.

Droop seated himself near the two sisters and Phoebe unfolded a large
and rather rough sheet of paper, yellow with age, on which Droop
perceived a bold scrawl in a faded ink.

"This seems to have been from Mary Burton's father," Phoebe said. "I
don't think he can have been a very nice man. This is what he says:

"'Dear Poll'--horrid nickname, isn't it?"

"Seems so to me," said Droop.

"'Dear Poll--I'm starting behind the grays for London, on my way, as you
know ere this, to be knighted by her Majesty. I send this ahead by
Gregory on Bess--she being fast enow for my purpose--which is to get
thee straight out of the grip of that'----"

Phoebe hesitated.

"He uses a bad word there," she said, in a low tone. "I'll go on and
leave that out."

"Yes, do," said Droop.

"'That ---- aunt of thine,'" she continued, reading. "'I know her tricks
and I learn how she hath suffered that'----"

"There's another," said Phoebe.

"Skip it," said Droop, gravely.

"'That ---- milk-and-water popinjay to come courting my Poll. So see you
follow Gregory, mistress, and without wait or parley come with him to
the Peacock Inn, where I lie to-night. The grays are in fine fettle and
thy black mare grows too fat for want of exercise. Thy mother-in-law
commands thy instant return with Gregory, having much business forward
with preparing gowns and fallals against our presentation to her
Majesty.'"

"It is signed 'Isaac Burton,'" said Phoebe, "and see, the paper was
sealed with a steel gauntlet."

Droop examined the seal carefully and then returned it, saying:

"Looks to me like a bunch of 'sparagus tumbled over on one side."

Phoebe laughed.

"But what always interests me most in this letter is the postscript,"
she said. "It reads: 'Thy mother thinks thou wilt make better speed if I
make thee to know that the players thou wottest of'----"

"What's a 'wottest'?" said Droop, in puzzled tones.

"Wottest means knowest--haven't you read Shakespeare?"

"No," said Droop.

"'The players thou wottest of are to stop at the Peacock, and will be
giving some sport there.'

"Now, those players always interest me," Phoebe continued. "Somehow I
can't help but believe that William Shakespeare----"

"Fiddle ends!" Rebecca interrupted. "I've heard that talk fifty-leven
times an' I'm pinin' fer relief. Mr. Droop, would you mind tellin' us
what the time o' year is now. Seems to me that sun has whirled in an'
out o' that window 'nough times to bring us back to the days o'
creation."

Droop consulted the date indicator and announced that it was now
September 5, 1897.

"Not a year yet!" cried the two women together.

"Why, no," said Copernicus. "Ye see, we are takin' about three hours to
lose a year."

"Fer the lands sakes!" cried Rebecca. "Can't we go a little faster?"

"My gracious, yes!" said Droop. "But I'm 'fraid o' the side weight fer
ye."

"I'd rather hev side weight than wait forever," said Rebecca, with a
grim smile.

"D'ye think ye could stand a little more speed, Cousin Phoebe?" said
Droop.

"We might try," she replied.

"Well, let's try, then," he said, and turned promptly to the
engine-room.

Very soon the difference in speed was felt, and as they found themselves
travelling more rapidly in a circle, the centrifugal force now became
distinctly perceptible.

The two women found themselves obliged to lean somewhat toward the
central pole to counteract this tendency, and as Copernicus emerged from
the engine-room he came toward the others at a decided angle to the
floor.

"There! now ye feel the side weight," he exclaimed.

"My, ain't it funny!" exclaimed Rebecca. "Thet's the way I've felt afore
now when the cars was goin' round a curve--kinder topplin' like."

"Why, that is the centrifugal force," Phoebe said, with dignity.

"It's the side weight--that's what I call it," Droop replied,
obstinately, and for some time there was silence.

"How many years back are we makin' by the hour now, Mr. Droop?" Rebecca
asked at length.

"Jest a little over two hours fer a year now," he replied.

"Well," said Rebecca, in a discontented tone, "I think the old
Panchronicle is rayther a slow actin' concern, considerin' th' amount o'
side weight it makes. I declare I'm mos' tired out leanin' over to one
side, like old man Titus's paralytic cow."

Phoebe laughed and Droop replied:

"If ye can't stand it or set it, why lay, Cousin Rebecca. The's good
settles all 'round."

With manifestly injured feelings Droop hunted up a book and sat down to
read in silence. The Panchronicon was his pet and he did not relish its
being thus contemned.

The remainder of the morning was spent in almost completely silent work
or reading. Droop scarce took his eyes from his book. Phoebe spent
part of the time deep in the Baconian work and part of the time
contemplating the monotonous landscape. Rebecca was dreaming of her
future past--or her past future, while her knitting grew steadily upon
its needles.

The midday meal was duly prepared and disposed of, and, as the afternoon
wore away, the three travellers began to examine the date indicator and
to ask themselves surreptitiously whether or not they actually felt any
younger. They took sly peeps at each other's faces to observe, if
possible, any signs of returning youth.

By supper-time there was certainly a less aged air about each of the
three and the elders inwardly congratulated themselves upon the
unmistakable effects of another twelve hours.

Not long after the supper dishes had been washed, Rebecca took Phoebe
aside and said:

"Phoebe, it seems to me you'd ought to be goin' to bed right soon,
now. You're only 'bout eighteen years old at present, an' you'll
certainly begin to grow smaller again very soon. It wouldn't hardly be
respectable fer ye to do yer shrinkin' out here."

This view of the probabilities had not yet struck Phoebe.

"Why, no!" she exclaimed, rather startled. "I--I don't know's I thought
about it. But I certainly don't want Mr. Droop to see me when my clothes
begin to hang loose."

Then a new problem presented itself.

"Come to think of it, Rebecca," she said, dolefully, "what'll I do all
the time between full-grown and baby size? I didn't bring anything but
the littlest clothes, you know."

"Thet's so," said Rebecca, thoughtfully. Then, after a pause: "I don't
see but ye'll hev to stay abed, Phoebe, till we get to th' end," she
said, sympathetically.

"There it is," said Phoebe, crossly. "Gettin' sent to bed
a'ready--even before I expected it."

"But 'tain't that, Phoebe," said Rebecca, with great concern. "I ain't
sendin' ye to bed--but--but--whatever else _can_ ye do with a _man_ in
the house!"

"Nothin'," Phoebe replied, with a toss of her chin.

She crossed the room and held out her hand to Droop.

"Good-night, Mr. Droop," she said.

Surprised at this sudden demonstration of friendship, he took her hand
and tipped his head to one side as he looked into her face.

"Next time you see me, I don't suppose you'll know me, I'll be so
little," she said, trying to laugh.

"I--I wish't you'd call me Cousin Copernicus," he said, coaxingly.

"Well, p'raps I will when I see ye again," she replied, freeing her hand
with a slight effort.

Rebecca retired shortly after her sister and Copernicus was once more
left alone. He rubbed his hands slowly, with a sense of satisfaction,
and glanced at the date dial.

"July 2, 1892," he said to himself. "I'm only thirty-four years old.
Don't feel any older than that, either."

He walked deliberately to the shutters, closed them and turned on the
electric light. Surrounded thus by the wonted conditions of night, it
was not long before he began to yawn. He removed his coat and shoes and
lay back in an easy chair to meditate at ease. He faced toward the pole
so that the "side weight" would tend to press him gently backward into
his chair and therefore not annoy him by calling for constant opposing
effort.

He soon dozed off and was whisked through a quick succession of
fantastic dreams. Then he awoke suddenly, and as though someone had
spoken to him. Listening intently, he only heard the low murmur of the
machinery below and the ticking of the many clocks and indicators all
about him.

He closed his eyes, intending to take up that last dream where he had
been interrupted. He recollected that he had been on the very point of
some delightful consummation, but just what it was he could not recall.

Sleep evaded him, however. His mind reverted to the all-important
question of the recovered years. He began to plan again.

This time he should not make his former mistakes. No--he would not only
make immense wealth promptly with the great inventions, he would give up
liquor forever. It would be so easy in 1876, for he had never taken up
the unfortunate habit until 1888.

Then--rich, young, sober, he would seek out a charming, rosy,
good-natured girl--something of the type of Phoebe, for instance. They
would be married and----

He got up at this and looked at the clock. It was after midnight. He
looked at the date indicator. It said October 9, 1890.

"Well, come!" he thought. "The old Panchronicon is a steady vessel.
She's keepin' right on."

He put on his shoes again, for something made him nervous and he wished
to walk up and down.

The first thing he did after his shoes were donned was to gaze at
himself in the mirror.

"Don't look any younger," he thought, "but I feel so." He walked across
the room once or twice.

"Shucks!" he exclaimed. "Couldn't expect to look younger in these old
duds, an' at this time o' night, too--tired like I am."

For some time he walked up and down, keeping his eyes resolutely from
the date indicator. Finally he threw himself down in the chair again and
closed his eyes, nervous and exhausted. He did not feel sleepy, but he
must have dozed, for the next time he looked at the clock it was
half-past one.

He put out the light and crossed to a settle. Here he lay at full length
courting sleep. When he awoke, he thought, refreshed and alert, he would
show his youth unmistakably.

But sleep would not return. He tried every position, every trick for
propitiating Morpheus. All in vain.

At length he rose again and turned on the light. It was two-fifteen.
This time he could not resist looking at the date indicator.

It said September 30, 1889.

Again he looked into the glass.

"My, but I'm nervous!" he thought as he turned away, disappointed. "I
look older than ever!"

As he paced the floor there all alone, he began to doubt for the first
time the success of his plan.

"It _must_ work right!" he said aloud. "Didn't I go back five weeks
with that future man? Didn't he----"

A fearful thought struck him. Had he perhaps made a mistake? Had they
been cutting meridians the wrong way?

But no; the indicator could not be wrong, and that registered a
constantly earlier date.

"Ah, I know!" he suddenly exclaimed. "I'll ask Cousin Phoebe."

He reflected a moment. Yes--the idea was a good one. She would be only
fifteen years old by this time, and must certainly have changed to an
extent of which he was at his age incapable. Besides, she had been
asleep, and nervous insomnia could not be responsible for retarding the
evidences of youth in her case. His agony of dread lest this great
experiment fail made him bold.

He walked directly to Phoebe's door and knocked--first softly, then
more loudly.

"Cousin Phoebe--Cousin Phoebe," he said.

After a few calls and knockings, there came a sleepy reply from within.

"Well--what--who is it?"

"It's Cousin Copernicus," he said. "Please tell me. Hev ye shrunk any
yet?"

"What--how?" The tones were very sleepy indeed.

"Hev ye shrunk any yet? Are ye growin' littler in there? Oh, please feel
fer the footboard with yer toe!"

He waited and heard a rustling as of someone moving in bed.

"Did ye feel the footboard?" he asked.

"Yes--kicked it good--now let me sleep." She was ill-natured with much
drowsiness.

Poor Droop staggered away from the door as though he had been struck.

All had failed, then. They were circling uselessly. Those inventions
would never be his. The golden dreams he had been nursing--oh,
impossible! It was unbearable!

He put both hands to his head and walked across the room. He paused
half-consciously before a small closet partly hidden in the wall.

With an instinctive movement, he touched a spring and the door slid
back. He drew from the cupboard thus revealed two bottles and a glass
and returned to seat himself at the table.

A half an hour later the Panchronicon, circling in the outer brightness
and silence, contained three unconscious travellers, and one of them sat
with his arms flung across the table supporting his head, and beside him
an empty bottle.




CHAPTER VI

SHIPWRECKED ON THE SANDS OF TIME


Rebecca was the first of the three to waken. Over her small window she
had hung a black shawl to keep out the light, and upon this screen were
thrown recurrent flashes of sunlight.

"Still a-swingin'," she murmured. "Wonder how fur back we be now!"

She was herself surprised at the eagerness she felt to observe at last
the results of their extraordinary attempt.

She rose quickly and was very soon ready to leave her room. She was
longing to see Phoebe--Phoebe as she had been when a girl.

Opening her door, she was astonished to find the lamps of the main room
aglow and to see Copernicus in his shirt-sleeves, asleep with his head
on the table.

As she stepped out of her own room, her senses were offended by the odor
of alcohol. With horror she realized that rum, the spirit of all the
sources of evil, had found its way into their abode.

She entertained so violent a repugnance for liquors and for men under
their influence that she could not bring herself to approach Copernicus.

"He's gone an' got drunk again," she muttered, glaring with helpless
anger at the bottles and then at him.

"Mister Droop! Copernicus Droop!" she cried in a high, sharp voice.

There was no reply.

She looked about her for something to <DW8> him with. There was an
arm-chair on casters beside her door. She drew this to her and pushed it
with all her might toward the unconscious man.

The chair struck violently against Droop's seat, and even caused his
body to sway slightly, but he still slept and gave no sign.

"That settles it!" she exclaimed, with mingled disgust and alarm in her
face.

"What's the matter?"

It was Phoebe who called.

"It's me," said Rebecca. "Can I come in?"

"Yes."

Rebecca walked into Phoebe's room, which she found darkened like her
own. Her sister was in bed.

"What ever happened to you?" Phoebe asked. "Sounded as though ye'd
fallen down or somethin'."

Rebecca stood stiffly with her back to the closed door, her hands folded
before her.

"Copernicus Droop is tight! Dead drunk!" she exclaimed, with a shaking
voice.

"Drunk!" cried Phoebe. "Lands sakes!--an'--" She looked about her with
alarm. "Then what's happened to the machine?" she asked.

"Whirlin', whirlin', same as ever! Cuttin' meridians or sausage meat
fer all I care. I jest wish to goodness an' all creation I'd never ben
sech a plumb born nateral fool as to--oh, wouldn't I like to jest
_shake_ that man!" she broke out, letting her anger gain the upper hand.

Then Phoebe recalled their situation and their expectations of the
night before.

"Why, then I ought to be gettin' little pretty fast," she said, feeling
her arms. "I don't see's I've shrunk a mite, hev I?"

"No more'n I hev!" Rebecca exclaimed, hotly. "Nor you won't, nuther. Ye
might jest's well make up yer mind to it thet the whole business is
foolish folderols. We're a nice couple o' geese, we are, to come out
here to play 'Here we go round the mulberry bush' with the North
Pole--an' all along of a shif'less, notorious slave o' rum!"

She plumped herself into a chair and glared at the darkened window as
though fascinated by those ever-returning flashes of sunlight.

"Well--well--well!" murmured Phoebe.

She was much disappointed, and yet somehow she could not avoid a certain
pleasure in the thought that at least there was no fear of a return to
childhood.

"But what're we goin' to do?" she asked at length. "If Mr. Droop's so
tight he can't manage the machine, what'll we do. Here we are tied up to
the North Pole----"

"Oh, drat the old Panchronicon!" cried Rebecca.

Then rising in her wrath, she continued with energy: "The's one thing
I'm goin' to do right this blessed minute. I'm goin' to draw a hull
bucket o' cold water an' throw it over that mis'able critter in there!
Think o' him sleepin' on the table--the table as we eat our victuals
on!"

"No--no. Don't try to wake him up first!" cried Phoebe. "Let's have
breakfast--we can have it in the kitchen--an' then you can douse him
afterward. Just think of the wipin' an' cleanin' we'll have to do after
it. We'll be starved if we wait breakfast for all that ruction!"

Rebecca reflected a moment. Then:

"I guess ye're right, Phoebe," she said. "My, won't that carpet look a
sight! I'll go right an' fix up somethin' to eat, though goodness knows,
I'm not hungry."

She left Phoebe to dress and made a wide circuit to avoid even
approaching the table on her way to the kitchen. Not long afterward she
was followed by her sister, who took a similar roundabout path, for
Phoebe was quite as much in horror of drink and drinkers as Rebecca.

She glanced at the date indicator as she passed it.

"My sakes!" she said, as she entered the kitchen, "it's March 25, 1887.
Why, then's the time that I had the measles so bad. Don't you remember
when I was thirteen years old an' Dr. ----"

Rebecca broke in with a snort.

"Eighty-seven grandmothers!" she exclaimed. "Don't you get to frettin'
'bout gettin' the measles or anything else, Phoebe--only sof'nin' of
the brain--I guess we've both got that right bad!"

"I don't know 'bout that," Phoebe replied, as she began to set the
small table for two. "I believe we're gettin' back, after all, Rebecca.
The's one thing sure. Everybody knows that ye lose a day every time you
go round the world once from east to west, an' I'm sure we've gone round
often enough to lose years. I believe that indicator's all right."

"We've not ben goin' round the world, though," Rebecca replied. "That's
the p'int. This old iron clothes-pole out here ain't the hull world, I
can tell ye!"

"Well, but all the meridians----"

"Oh, bother yer meridians! I ain't seen one o' the things yet--nor you
hevn't, either, Phoebe Wise!"

Phoebe was not convinced. It seemed not at all unreasonable, after
all, that they should lose time without undergoing any physical change.
She concluded to argue the matter no further, however.

Their meal was eaten in silence. As they rose to clear the table,
Phoebe said:

"Th' ain't any use of goin' back to 1876 now, is there, Rebecca. Though
I do s'pose it won't make any difference to Mr. Droop. He can bring out
his inventions an'----"

"Not with my money, or Joe Chandler's, either," Rebecca declared,
firmly. "Not as Joe'd ask me to marry him now. He'd as soon think o'
marryin' his grandmother."

"Then what's the use o' goin' back any further. We might's well stop the
machine right now, so's not to have so many more turns to wind up
again."

"Fiddlesticks!" Rebecca exclaimed. "Don't you fret about that! Don't I
tell ye it's folderol! Tell ye what ye can do, though. Open them
shutters out there an' let in some sunlight. I've more'n half a mind to
open a window, too. Thet smell o' rum in there makes me sick."

"We'd freeze to death in a minute if we tried it," said Phoebe, as she
entered the main room.

She went to each of the four windows and opened all the shutters,
avoiding in the meantime even a glance at the middle of the room. She
did not forget the date indicator, however.

"Merry Christmas!" she cried, with a little laugh. "It's Christmas-day,
1886, Rebecca."

The engine-room door was open. Perhaps it was a sign of her returning
youth, but the fact is her fingers itched to get at those bright,
tempting brass and steel handles. Droop had explained their uses and she
felt sure she could manage the machinery. What a delightful thing it
would be to feel the Panchronicon obeying her hand!

"Really, Rebecca," she exclaimed, "if we're not going back to '76 after
all, I think it's a dreadful waste of time for us to be throwin' away
six months every hour this way."

"'Twon't be long," Rebecca replied, as she turned the hot water into her
dishpan. "You come in here an' help wash these dishes, an' ef I don't
soon wake up that mis'able--" She did not trust herself further, but
tightly compressed her lips and confined her rising choler.

"Why, Rebecca Wise," said Phoebe, "you know it will be hours before
that man's got sense enough to run this machine. I'm goin' to stop it
myself, right now."

Rebecca had just taken a hot plate from her pan, but she paused ere
setting it down, alarmed at Phoebe's temerity.

"Don't you dast to dream o' sech a thing, Phoebe!" she cried, with
frightened earnestness.

But Phoebe was confident, and crossed the threshold with a little
laugh.

"Why, Rebecca, what you scared of?" she said. "It's just as easy as
that--see!"

She pulled the starting lever.

The next instant found her flying out into the middle of the main room
following Droop, the table, and all the movable furniture. In the
kitchen there was a wild scream and a crash of crockery as Rebecca was
thrown against the rear partition.

Phoebe had pulled the lever the wrong way and the Panchronicon was
swiftly reaching full speed.

"Heavens and airth!" cried Rebecca.

"Whatever in gracious--" began the dismayed Phoebe.

She broke off in renewed terror as she found herself pushed by an
irresistible force to the side of the room.

"Here--here!" she heard from the kitchen. "What's this a-pullin'? Land
o' promise, Phoebe, come quick! I've got a stroke!"

"I can't come!" wailed Phoebe. "I'm jammed tight up against the wall.
It's as though I was nailed to it."

"Oh, why--why did ye touch that machinery!" cried Rebecca, and then said
no more.

The speed indicator pointed to one hundred and seventy-five miles an
hour. They were making one revolution around the pole each second--and
they were helpless.

As she found herself pushed outward by the immensely increased
centrifugal force, Phoebe found it possible to seat herself upon one
of the settles, and she now sat with her back pressed firmly against the
south wall of the room, only able by a strong effort to raise her head.

She turned to the right and found that Droop had found a couch on the
floor under the table and chairs at the rear of the room, also against
the south wall.

In the kitchen Rebecca had crouched down as she found herself forced
outward, and she now sat dazed on the kitchen floor surrounded by the
fragments of their breakfast all glued to the wall as tightly as
herself.

"Oh, dear--oh, dear!" she cried, closing her eyes. "Copernicus Droop
said that side weight would be terrible if we travelled too fast. Why,
I'm so heavy sideways I feel like as if I weighed 497-1/2 pounds like
that fat woman in the circus down to Keene."

"So do I," Phoebe said, "only I'm so dizzy, too, I can hardly think."

"Shet your eyes, like me," said Rebecca.

"I would only I can't keep 'em off the North Pole there," said Phoebe,
as she gazed fascinated through the north window opposite.

"Why, what's the matter with the child!" Rebecca exclaimed, in alarm.
"Air ye struck silly, Phoebe?"

"No, but I guess you'd want to watch it too if you could see that ring
we're tied to spinnin' round right close to the top of the pole.
There--there!" she continued, shrilly. "It'll fly right off in another
minute! There! Oh, dear!"

Their attachment did indeed appear precarious. The increased speed
acting through the inclined aeroplane had caused the vessel to rise
sharply, and the rope had raised the ring by which it was attached to
the pole until it came in contact with the steel ball at the top, when
it could rise no farther. Here the iron ring was grinding against and
under the retaining ball which alone prevented its slipping off the top
of the pole.

"I don't see's we'd be any wuss off ef we did come loose," said Rebecca,
with eyes still closed. "At least we wouldn't be gummed here ez tight's
if the walls was fly-paper."

"No, but we'd fly off at a tangent into infinite space, Rebecca Wise,"
Phoebe said, sharply.

"Where's that?" asked her sister. "I'll engage 'tain't any wuss place
than the North Pole."

"Why, it's off into the ether. There isn't any air there or anythin'.
An' they say it's fifty times colder than the North Pole."

"Who's ben there?"

"Why, nobody--" Phoebe began.

"Then let's drop it," snapped Rebecca. "Dr. Kane said the' was an open
sea at the North Pole--an' I'm sick o' bein' told about places nobody's
ever ben to before."

Phoebe was somewhat offended at this and there was a long silence,
during which she became more reassured touching the danger of breaking
away from the Pole. Soon she, too, was able to shut her eyes.

The silence was broken by a meek voice from under the table.

"Would you mind settin' off my chist?" said Droop.

There was no answer and he opened his eyes. His bewilderment and
surprise were intense when he discovered his situation.

Shutting his eyes again, he remarked:

"What you flashin' that bright light in my eyes so often for?"

Phoebe gave vent to a gentle sniff of contempt.

"My--my--my!" Droop continued, in meek amazement. "I s'pose I must hev
taken two whole bottles. I never, never felt so heavy's this before!
What's the old Pan lyin' on it's side fer?"

"'Tain't on its side," snapped Phoebe. "The old thing's run away,
Copernicus Droop, an' it's all your fault." There was a quiver in her
voice.

"Run away!" said Droop, opening his eyes again. "Where to?"

"Nowheres--jest whirlin'. Only it's goin' a mile a second, I do
believe--an' it'll fly off the pole soon--an'--an' we'll all be killed!"
she cried, bursting into tears.

She dragged her hands with great difficulty to her face against which
she found them pressed with considerable energy. Crying under these
circumstances was so very unusual and uncomfortable that she soon gave
it up.

"Oh, I see! It's the side weight holds me here. Where are you?"

There was no reply, so he turned his head and eyes this way and that
until at length he spied Phoebe on the settle, farther forward.

"Am I under the table?" he said. "Where's Cousin Rebecca? Was she
pressed out through the wall?"

"I'm out here in the kitchen, Copernicus Droop," she cried. "I wish to
goodness you'd ben pressed in through the walls of the lock-up 'fore
ever ye brought me'n Phoebe into this mess. Ef you're a man or half
one, you'll go and stop this pesky old Panchronicle an' give us a chance
to move."

"How can I go?" he cried, peevishly. "What the lands sakes did you go
an' make the machine run away for? Couldn't ye leave the machinery
alone?"

"I didn't touch your old machine!" cried Rebecca. "Phoebe thought we'd
be twisted back of our first birthday ef the thing wasn't stopped, an'
she pulled the handle the wrong way, that's all!"

Droop rolled his eyes about eagerly for a glimpse of the date indicator.

"What's the date, Cousin Phoebe?" he asked.

"April 4, 1884--no, April 3d--2d--oh, dear, it's goin' back so fast I
can't tell ye the truth about it!"

"Early in 1884," Droop repeated, in awe-struck accents. "An' we're
a-whirlin' off one day every second--just about one year in six minutes.
Great Criminy crickets! When was you born, Cousin Phoebe?"

"Second of April, 1874."

"Ten years. One year in six minutes--gives ye jest one hour to live.
Then you'll go out--bang!--like a candle. I'll go next, and Cousin
Rebecca last."

"Well!" exclaimed Rebecca, angrily, "ef I can hev the pleasure o' bein'
rid o' you, Copernicus Droop, it'll be cheap at the price--but the's no
sech luck. Ef you think ye can fool us any more with yer twaddle 'bout
cuttin' meridians, ye're mistaken--that's all I can say."

Droop was making desperate efforts to climb along the floor and reach
the engine-room, but, although by dint of gigantic struggles he managed
to make his way a few feet, he was then obliged to pause for breath,
whereupon he slid gently and ignominiously back to his nook under the
table.

Here he found himself in contact with a corked bottle. He looked at it
and felt comforted. At least he had access to forgetfulness whenever he
pleased to seek it.

The two women found it wisest to lie quiet and speak but little. The
combined rotary movement and sense of weight were nervously disturbing,
and for a long time no one of the three spoke. Only once in the middle
of the forenoon did Phoebe address Droop.

"Whatever will be the end o' this?" she said.

"Why, we'll keep on whirlin' till the power gives out," he replied. "Ye
hevn't much time to live now, hev ye?"

With a throb of fear felt for the first time, Phoebe looked at the
indicator.

"It's May, 1874," she said.

"Jest a month--thirty seconds," he said, sadly.

"Copernicus Droop, do you mean it?" screamed Rebecca from the kitchen.

"Unless the power gives out before then," he replied. "I don't suppose
ye want to make yer will, do ye?"

"Stuff!" said Phoebe, bravely, but her gaze was fixed anxiously on the
indicator, now fast approaching the 2d of April.

"Oh, dear! 'F I could only see ye, Phoebe!" cried Rebecca. "I know
he's a mis'able deceivin' man, but if--if--oh, Phoebe, can't ye
holler!"

"It's April 8th--good-bye!" Phoebe said, faintly.

"Phoebe--Phoebe!"

"Hurray--hurray! It's March 31st, and here I am!"

Phoebe tried to clap her hands, but the effort was in vain.

"I allus said it was folderol," said Rebecca, sternly. "Oh, but I'd like
to throw somethin' at that Copernicus Droop!"

"Come to think of it," said Droop, "that future man must hev come back
long, long before his birthday."

"Why didn't ye say that sooner?" cried Rebecca.

There was no further conversation until long afterward, when Rebecca
suddenly remarked:

"Aren't ye hungry, Phoebe?"

"Why, it's gettin' along to dinner-time, ain't it?" she replied. "I
don't see, though, how I'm to get any victuals, do you?"

"Why, the's bread an' other scraps slammed up against the wall here all
round me," said Rebecca. "Couldn't we fix some way to get some of 'em to
ye?"

Phoebe looked anxiously about and finally caught sight of her sister's
knitting work near at hand. It proved to be just within reach, and by
slow degrees and much effort she brought it into her lap within easy
reach of both her heavy hands.

"Oh, dear!" she said, "I feel's if both my arms had turned to lead.
Here, Rebecca, I'm goin' to see if I can roll your ball o' yarn along
the floor through the kitchen door. The centrifugal force will bring it
to you. Then you can cut the yarn an' tie somethin' on the end for me to
eat an' I'll haul it back through the door."

"That's jest the thing, Phoebe. Go on--I'm ready."

The theory seemed excellent, as Rebecca had fortunately been working
with a very tough flaxen yarn; but so great was the apparent weight of
Phoebe's arms that it was only after a long series of trials ending in
failures that she finally succeeded.

"I've got it!" cried Rebecca, triumphantly. "Now, then, I've got a slice
of ham and two slices of bread----"

"Don't send ham," said Phoebe. "I'd be sure to eat it if I had it, an'
'twould make me fearful dry. I'm sure I don't see how I'm to get any
water in here."

"Thet's so," said Rebecca. "Well, here's an apple and two slices of
bread."

"Are you keepin' enough for yourself, Rebecca?"

"Enough an' to spare," she replied. "Now, then--all ready! Pull 'em
along!"

Phoebe obeyed and soon had secured possession of the frugal meal which
Rebecca had been able to convey to her.

She offered a portion of her ration to Droop, but he declined it, saying
he had no appetite. He had lapsed into a kind of waking reverie and
scarce knew what was going on about him.

The two women also were somewhat stupefied by the continual rotation and
their enforced immobility. They spoke but seldom and must have dozed
frequently, for Phoebe was much surprised to find, on looking at the
clock, that it was half-past five.

She glanced at the date indicator.

"Why, Rebecca!" she cried. "Here 'tis November, 1804!"

"My land!" cried Rebecca, forgetting her scepticism. "What do you s'pose
they're doin' in New Hampshire now, Phoebe?"

"It's 'bout election time, Rebecca. They're probably votin' for Adams or
Madison or somebody like that."

"My stars!" said Rebecca. "What ever shall we do ef this old machine
goes on back of the Revolution! I should hate to go back an' worry
through all them terrible times."

"We'll be lucky if we stop there," said Phoebe. "I only hope to
gracious we won't go back to Columbus or King Alfred."

"Oh, I hope not!" said Rebecca, with a shudder. "Folks ud think we was
crazy to be talkin' 'bout America then."

Phoebe tried to toss her head.

"If 'twas in Alfred's time," she said, "they couldn't understand _what_
we was talkin' about."

"Phoebe Wise! What do you mean?"

"I mean just that. There wasn't any English language then.
Besides--who's to say the old thing won't whirl us back to the days of
the Greeks an' Romans? We could see Socrates and Pericles and Croesus
and----"

"Oh, I'd love to see Croesus!" Rebecca broke in. "He's the richest man
that ever lived!"

"Yes--and perhaps we'll go back of then and see Abraham and Noah."

"Ef we could see Noah, 'twould be worth while," said Rebecca. "Joe
Forrest said he didn't believe about the flood. He said Noah couldn't
hev packed all them animals in tight enough to hev got 'em all in the
Ark. I'd like mighty well if I could ask Noah himself 'bout it."

"He couldn't understand ye," said Phoebe. "All he spoke was Hebrew, ye
know."

"Oh!" exclaimed Rebecca. Then, after a pause: "S'pose we went back to
the tower of Babel. Couldn't we find the folks that was struck with the
English language an' get one of 'em to go back an' speak to Noah?"

"What good would that do? If he was struck with English he wouldn't know
Hebrew any more. That's what made-- But there!" she exclaimed, "what
ninnies we are!"

There was a long pause. After many minutes, Rebecca asked one more
question.

"Do you s'pose the flood would come up as fur's this, Phoebe?"

"I don't know, Rebecca. The Bible says the whole earth, you know."

And so passed the slow hours. When they were not dozing they were either
nibbling frugally the scant fare in reach or conversing by short
snatches at long intervals.

For thirty hours had they thus whirled ceaselessly around that circle,
when Phoebe, glancing through the window at the ring to which their
rope was attached, noticed that its constant rubbing against the ball at
the top of the pole had worn it nearly through.

"My goodness, Rebecca!" she cried. "I believe we're goin' off at a
tangent in a minute."

"What? How?"

"The ring on the pole is nigh worn out. I believe it'll break in a
minute."

"If it breaks we'll move straight an' get rid o' this side weight, won't
we?"

"Yes--but goodness only knows where we'll fly to."

"Why--ain't Mr. Droop there? If the side weight goes, he can get into
the engine-room an' let us down easy."

"That's so!" cried Phoebe. "Oh, won't it be grand to stand still a
minute after all this traipsin' around and around! Mr. Droop," she
continued, "do you hear? You'd better be gettin' ready to take hold an'
stop the Panchronicon, 'cause we're goin' to break loose in half no
time."

There was no reply. Nor could any calling or pleading elicit an answer.
Droop had yielded to his thirst and was again sleeping the sleep of the
unregenerate.

"Oh, Rebecca, what-- Oh--oo--oo!"

There was a loud scream from both the sisters as the iron ring, worn
through by long rubbing, finally snapped asunder.

The tremendous pressure was suddenly lifted, and the two women were
free.

With a single impulse, they flew toward the kitchen door and fell into
each other's arms.

The Panchronicon had gone off at a tangent at last!

"Oh, Rebecca--Rebecca!" cried Phoebe, in tears. "I was afraid I'd
never see you again!"

Rebecca cried a little too, and patted her sister's shoulder in silence
a moment.

"There, deary!" she said, after awhile. "Now let's set down an' hev a
good cup o' tea. Then we can go to bed comfortable."

"But, Rebecca," said Phoebe, stepping back and wiping her eyes, "what
shall we do about the Panchronicon? We're jest makin' fer Infinite
Space, or somewheres, as fast as we can go."

"Can't help it, Phoebe. Ye sha'n't touch a thing in that engine-room
this day--not while I'm here. Ye might blow us up the nex' time. No--I
guess we'll jest hev to trust in the Lord. He brought us into this
pickle, an' it's fer Him to see us out of it."

With this comforting reflection the two sisters brewed a pot of tea,
and after partaking of the refreshing decoction, went to their
respective beds.

"I declare, I'm dog tired!" said Rebecca.

"So'm I," said Phoebe.

Those were their last words for many hours.




CHAPTER VII

NEW TIES AND OLD RELATIONS


How long they slept after their extraordinary experience with the
runaway air-ship neither Rebecca nor Phoebe ever knew; but when they
awoke all was still, and it was evidently dark outside, for no ray of
light found its way past the hangings they had placed over their
windows.

There was something uncanny in the total silence. Even the noise of the
machinery was stilled, and the two sisters dressed together in Rebecca's
room for company's sake.

"Do you suppose we've arrived in Infinite Space yet?" Rebecca asked.

"It's still enough fer it," Phoebe replied, in a low voice. "But I
don't hear the Panchronicon's machinery any more. It must have run down
entirely, wherever we are."

At that moment there was borne faintly to their ears the distant crowing
of a cock.

"Well, there!" said Rebecca, with an expression of immense relief, "I
don't believe the's any hens an' roosters in Infinite Space, is the'?"

Phoebe laughed and shook her head as she ran to the window. She drew
aside the shawl hanging before the glass and peered out.

The first gleams of dawn were dispelling the night, and against a dark
gray sky she saw the branches of thickly crowding trees.

Dropping the shawl, she turned eagerly to her sister.

"Rebecca Wise!" she exclaimed. "As sure as you're alive, we're back safe
on the ground again. We're in the woods."

"Mos' likely Putnam's wood lot," said Rebecca, with great satisfaction
as she finally adjusted her cameo brooch. "Gracious! Won't I be glad to
see all the folks again!"

She pushed open her door and, followed by Phoebe, entered the main
room. Here all was gloom, but they could hear Droop's breathing, and
knew that he was still sleeping under the table in the corner.

"For the lands sakes! Let's get out in the fresh air," Rebecca exclaimed
as she groped her way toward the stairs. "You keep a-holt o' me,
Phoebe. That's right. We'll get out o' here an' make rabbit tracks fer
home, I tell ye. We can come back later for our duds when that mis'able
specimen is sober fer awhile again."

Slowly the two made their way down the winding stairs to the lower hall,
where, after much fumbling, they found the door handle and lock.

As they emerged from the prison that had so long confined them, a cool
morning zephyr swept their faces, bringing with it once more the
well-known voice of distant chanticleer.

They walked across the springing turf a few yards and were then able to
make out the looming black mass of some building beyond the end of the
air-ship.

"Goodness!" Rebecca whispered. "This ain't Peltonville, Phoebe. There
ain't a house in the town as high as that, 'less it's the meetin'-house,
an' 'tain't the right shape fer that."

They advanced stealthily toward the newly discovered building, in which
not a single light was to be seen.

"In good sooth," Phoebe exclaimed, putting one hand on her sister's
arm, "it hath an air of witchcraft! Dost not feel cold chills in thee,
Rebecca?"

Rebecca stopped short, stiff with amazement.

"What's come over ye?" she asked, trying to peer into her sister's face.
"Whatever makes ye talk like that, child?"

Phoebe laughed nervously and, taking her sister's arm, pressed close
up to her.

"I don't know, dear. Did I speak funny?" she asked.

"Why you know you did. What's the use o' tryin' to scare a body with
gibberish? This place is creepy 'nough now."

As she spoke, they reached the door of the strange building. They could
see that it stood open, and even as they paused near the threshold
another puff of air passed them, and they heard a door squeak on its
rusty hinges.

They stood and listened breathlessly, peering into the dark interior
whence there was borne to their nostrils a musty odor. A large bat
whisked across the opening, and as they started back alarmed he returned
with swift zig-zag cuts and vanished ghostlike into the house.

"It's deserted," whispered Rebecca.

"Perhaps it's haunted," Phoebe replied.

"Well, we needn't go in, I guess," said Rebecca, turning from the door
and starting briskly away. "Come on this way, Phoebe--look out fer the
trees--lands! Did y'ever see so many?"

A few steps brought them to a high brick wall, against which flowers,
weeds, and vines grew rank together. They followed this wall, walking
more rapidly, for the day was breaking in earnest and groping was
needless now. Presently they came to a spot where the wall was broken
away, leaving an opening just broad enough to admit a man's body.
Rebecca squeezed boldly through and Phoebe followed her, rather for
company's sake than with any curiosity to see what was beyond.

They found themselves in a sort of open common, stretching to the edge
of a broad roadway about a hundred yards from where they stood. On the
other side of the road a cluster of gabled cottages was visible against
the faint rose tint of the eastern sky.

As Phoebe came to her sister's side, she clutched her arm excitedly:

"Rebecca!" she exclaimed. "'Tis Newington, as true as I live! Newington
and Blackman Street!"

Suddenly she sat down in the grass and hid her face in her hands.

"What d'ye mean?" said Rebecca, looking down at her sister with a
puzzled expression. "Where's Newington--I never heerd tell of Blackman
Street. Air ye thinkin' of Boston, or----"

Phoebe interrupted her by leaping to her feet and starting back to the
opening in the wall.

"Come back, Rebecca!" she exclaimed. "Come back quick!"

Rebecca followed her sister in some alarm. Phoebe must have been taken
suddenly ill, she thought. Perhaps they had reached one of those regions
infected by fevers of which she had heard from time to time.

In silence the two women hurried back to the Panchronicon, whose uncouth
form was now quite plainly visible behind the trees into the midst of
which it had fallen when the power stored within it was exhausted.

Not until they were safely seated in Rebecca's room did Phoebe speak
again.

"There!" she exclaimed, as she dropped to a seat on the edge of the bed,
"I declare to goodness, Rebecca, I don't know what to make of it!"

"What is it? What ails ye?" said Rebecca, anxiously.

"Why, I don't believe I'm myself, Rebecca. I've been here before. I know
that village out there, and--and--it's all I can do to talk same's I've
always been used to. I'm wanting to talk like--like I did awhile back."

"It's all right! It's all right!" said Rebecca, soothingly. "Th' ain't
nothing the matter with you, deary. Ye've ben shet up here with side
weight an' what not so long--o' course you're not yerself."

She bustled about pretending to set things to rights, but her heart was
heavy with apprehension. She thought that Phoebe was in the first
stages of delirium.

"Not myself! No," said Phoebe. "No--the fact is, I'm somebody else!"

At this Rebecca straightened up and cast one horrified glance at her
sister. Then she turned and began to put on her bonnet and jacket. Her
mind was made up. Phoebe was delirious and they must seek a doctor--at
once.

"Get your things on, Phoebe," she said, striving to appear calm. "Put
on your things an' come out with me. Let's see if we can't take a little
exercise."

Phoebe arose obediently and went to her room. They were neither of
them very long about their preparations, and by the time the sun was
actually rising, the two women were leaving the air-ship for the second
time, Phoebe carrying the precious carved box and Rebecca her satchel
and umbrella.

"What you bringin' that everlastin' packet o' letters for?" Rebecca
asked, as they reached the opening in the wall.

"I want to have it out in the light," Phoebe replied. "I want to see
something."

Outside of the brick wall she paused and opened the box. It was empty.

"I thought so!" she said.

"Why, ye've brought the box 'thout the letters, Phoebe," said Rebecca.
"You're not agoin' back for them, air ye?"

"No," Phoebe replied, "'twouldn't do any good. Rebecca. They aren't
there."

She dropped the box in the grass and looked wistfully about her.

"Not there!" said Rebecca, nonplussed. "Why, who'd take 'em?"

"Nobody. They haven't been written yet."

"Not--not--" Rebecca gasped for a moment and then hurried toward the
road. "Come on!" she cried.

Surely, she thought--surely they must find a doctor without delay.

But before they reached the road, Rebecca was glad to pause again and
take advantage of a friendly bush from whose cover she might gaze
without being herself observed.

The broad highway which but so short a time ago was quite deserted, was
now occupied by a double line of bustling people--young and old--men,
women, and children. Those travelling toward their left, to the north,
were principally men and boys, although now and then a pair of
loud-voiced girls passed northward with male companions. Those who were
travelling southward were the younger ones, and often whole families
together. Among these the women predominated.

All of these people were laughing--calling rough jokes back and
forth--singing, running, jumping, and dancing, till the whole roadway
appeared a merry Bedlam.

"Must be a county fair near here!" exclaimed Rebecca. "But will ye
listen to the gibberish an' see their clothes!"

Indeed, the language and the costumes were most perplexing to good New
England ears and eyes, and Rebecca knew not whether to advance or to
retreat.

The women all wore very wide and rather short skirts, the petticoat worn
exposed up to where a full over-skirt or flounce gave emphasis to their
hips. The elder ones wore long-sleeved jackets and high-crowned hats,
while the young ones wore what looked like low-necked jerseys tied
together in front and their braided hair hung from uncovered crowns.

The men wore short breeches, some full trunk hose, some tighter but
puffed; their jackets were of many fashions, from the long-skirted open
coats of the elders to the smart doublets or shirts of the young men.

The children were dressed like the adults, and most of them wore wreaths
and garlands of flowers, while in the hands of many were baskets full of
posies.

Phoebe gazed from her sister's side with the keenest delight, saying
nothing, but turning her eyes hither and thither as though afraid of
losing the least detail of the scene.

Presently two young girls approached, each with a basket in her hand.
They moved slowly over the grass, stopping constantly to pick the
violets under their feet. They were so engrossed in their task and in
their conversation that they failed to notice the two sisters half
hidden by the shrubbery.

"Nay--nay!" the taller of the two was saying, "I tell thee he made oath
to't, Cicely. Knew ye ever Master Stephen to be forsworn?"

"A lover's oaths--truly!" laughed the other. "Why, they be made for
breaking. I doubt not he hath made a like vow to a score of silly
wenches ere this, coz!"

"Thou dost him wrong, Cicely. An he keep not the tryst, 'twill only
be----"

"'Twill only be thy first misprision, eh?"

"Marry, then----"

Here their words were lost as they continued to move farther away, still
disputing together.

"Well!" exclaimed Rebecca, turning to Phoebe. "Now I know where we've
ben carried to. This is the Holy Land--Jerusalem or Bethlehem or Canaan
or some sech place. Thou--thee--thy! Did ye hear those girls talkin'
Bible language, Phoebe?"

Phoebe shook her head and was about to reply when there was a loud
clamour of many tongues from the road near by.

"The May-pole! The May-pole!" and someone started a roaring song in
which hundreds soon joined. The sisters could not distinguish the words,
but the volume of sound was tremendous.

There was the tramp of many rushing feet and a Babel of cries behind
them. They turned to see a party of twenty gayly clad young men bearing
down upon them, carrying a mighty May-pole crowned with flowers and
streaming with  ribbons.

Around these and following after were three or four score merry lads and
lasses, all running and capering, shouting and dancing, singly or in
groups, hand in hand.

In a trice Rebecca found herself clinging to Phoebe with whom she was
borne onward helpless by the mad throng.

The new-comers were clad in all sorts of fantastic garbs, and many of
them were masked. Phoebe and her sister were therefore not conspicuous
in their long scant black skirts and cloth jackets with balloon sleeves.
Their costumes were taken for disguises, and as they were swallowed up
in the mad throng they were looked on as fellow revellers.

Had Rebecca been alone, she would probably have succeeded in time in
working her way out of this unwelcome crowd, but to her amazement, no
sooner had they been surrounded by the young roysterers than Phoebe,
breaking her long silence, seized her sister by the hand and began
laughing, dancing, and running with the best of them. To crown all,
what was Rebecca's surprise to hear her sister singing word for word
the madcap song of the others, as though she had known these words all
her life. She did not even skip those parts that made Rebecca blush.

It was incredible--monstrous--impossible! Phoebe, the sweet, modest,
gentle, prudish Phoebe, singing a questionable song in a whirl of
roystering Jerusalemites!

Up the broad road they danced--up to the northward, all men making way
for them as, with hand-bag and umbrella flying in her left hand, she was
dragged forward on an indecorous run by Phoebe, who held her tightly
by the right.

On--ever on, past wayside inn and many a lane and garden, house and
hedge. Over the stones and ruts, choking in clouds of dust.

Once Rebecca stumbled and a great gawky fellow caught her around the
waist to prevent her falling.

"Lips pay forfeit for tripping feet, lass!" he cried, and kissed her
with a sounding smack.

Furious and blushing, she swung her hand-bag in a circle and brought it
down upon the ravisher's head.

"Take that, you everlastin' rascal, you!" she gasped.

The bumpkin dodged with a laugh and disappeared in the crowd and dust,
cuffing, pushing, scuffling, hugging, and kissing quite heedless of
small rebuffs.

When they had proceeded thus until Rebecca thought there was nothing
left for it but to fall in her tracks and be trampled to death, the
whole crowd came suddenly to a halt, and the young men began to erect
the May-pole in the midst of a shaded green on one side of the main
road.

Rebecca stood, angry and breathless, trying to flick the dust off her
bag with her handkerchief, while Phoebe, at her side, her eyes bright
and cheeks rosy, showed her pretty teeth in a broad smile of pleasure,
the while she tried to restore some order to her hair. As for her hat,
that had long ago been lost.

"I declare--I declare to goodness!" panted Rebecca, "ef anybody'd told
me ez you, Phoebe Wise, would take on so--so like--like a--a----"

"Like any Zanny's light-o-love," Phoebe broke in, her bosom heaving
with the violence of her exercise. "But prithee, sweet, chide me not.
From this on shall I be chaste, demure, and sober as an abbess in a
play. But oh!--but oh!" she cried, stretching her arms high over her
head, "'twas a goodly frolic, sis! I felt a three-centuries' fasting
lust for it, in good sooth!"

Rebecca clutched her sister by the arm and shook her.

"Phoebe Wise--Phoebe Wise!" she cried, looking anxiously into her
face, "wake up now--wake up! What in the universal airth----"

A loud shout cut her short, and the two sisters turned amazed.

"The bull! The bull!"

There was an opening in the crowd as four men approached leading and
driving a huge angry bull, which was secured by a ring in his nose to
which ropes were attached. Another man followed, dragged forward by
three fierce bull-dogs in a leash.

The bull was quickly tied to a stout post in the street, and the crowd
formed a circle closely surrounding the bull-ring. It was the famous
bull-ring of Blackman Street in Southwark.

A moment later the dogs were freed, and amid their hoarse baying and
growling and the deep roaring of their adversary, the baiting began--the
chief sport of high and low in the merry days of good Queen Bess.

The sisters found themselves in the front of the throng surrounding the
raging beasts, and, before she knew it, Rebecca saw one of the dogs
caught on the horns of the bull and tossed, yelping and bleeding, into
the air.

For one moment she stood aghast in the midst of the delighted crowd of
shouting onlookers. Then she turned and fiercely elbowed her way
outward, followed by her sister.

"Come 'long--come 'long, Phoebe!" she cried. "We'll soon put a stop to
this! I'll find the selectmen o' this town an' see ef this cruelty to
animals is agoin' on right here in open daylight. I guess the's laws o'
some kind here, ef it _is_ Bethlehem or Babylon!"

Hot with indignation, the still protesting woman reached the outskirts
of the throng and looked about her. Close at hand a tall, swaggering
fellow was loafing about. He was dressed in yellow from head to foot,
save where his doublet and hose were slashed with dirty red at elbows,
shoulders, and hips. A dirty ruff was around his neck, and on his head
he wore a great shapeless hat peaked up in front.

"Hey, mister!" cried Rebecca, addressing this worthy. "Can you tell me
where I can find one o' the selectmen?"

The stranger paused in his walk and glanced first at Rebecca and then,
with evidently increased interest, at Phoebe.

"Selectmen?" he asked. "Who hath selected them, dame?"

He gazed quizzically at the excited woman.

"Now you needn't be funny 'bout it," Rebecca cried, "fer I'm not goin'
to take any impidence. You know who I mean by the selectmen jest's well
as I do. I'd be obliged to ye ef ye'd tell me the way--an' drop that
Bible talk--good every-day English is good enough fer me!"

"In good sooth, dame," he replied, "'tis not every day I hear such
English as yours."

He paused a moment in thought. This was May-day--a season of revelry and
good-natured practical joking. This woman was evidently quizzing him, so
it behooved him to repay her in kind.

"But a truce to quips and quillets, say I," he continued. "'Twill do me
much pleasure an your ladyship will follow me to the selectman. As it
happens, his honor is even now holding court near London Bridge."

"London Bridge!" gasped Rebecca. "Why, London ain't a Bible country, is
it?"

Deigning no notice to a query which he did not understand, the young
fellow set off to northward, followed closely by the two women.

"Keep close to him, Phoebe," said Rebecca, warningly. "Ef we should
lose the man in all this rabble o' folks we would not find him in a
hurry."

"Thou seest, sweet sister," Phoebe replied, "'tis indeed our beloved
city of London. Did I not tell thee yon village was Newington, and here
we be now in Southwark, close to London Bridge."

Rebecca had forgotten her sister's ailment in the fierce indignation
which the bull-baiting had aroused. But now she was brought back to her
own personal fears and aims with a rude shock by the strange language
Phoebe held.

She leaped forward eagerly and touched their guide's shoulder.

"Hey, mister!" she exclaimed, "I'd be obliged to ye if ye'd show us the
house o' the nearest doctor before we see the selectman."

The man stopped short in the middle of the street, with a cunning leer
on his face. The change of purpose supported his belief that a May-day
jest was forward.

"Call me plain Jock Dean, mistress," he said. "And now tell me further,
wilt have a doctor of laws, of divinity, or of physic. We be in a merry
mood and a generous to-day, and will fetch forth bachelors, masters,
doctors, proctors, and all degrees from Oxford, Cambridge, or London at
a wink's notice. So say your will."

Rebecca would have returned a sharp reply to this banter, but she was
very anxious to find a physician for Phoebe, and so thought it best to
take a coaxing course.

"What I want's a doctor," she said. "I think my sister's got the shakes
or suthin', an' I must take her to the doctor. Now look here--you look
like a nice kind of a young man. I know it's some kind of antiques and
horribles day 'round here, an' all the folks hes on funny clothes and
does nothin' on'y joke a body. But let's drop comical talk jest fer a
minute an' get down to sense, eh?"

She spoke pleadingly, and for a moment Jock looked puzzled. He only
understood a portion of what she was saying, but he realized that she
was in some sort of trouble.

"Why bait the man with silly questions, Rebecca," Phoebe broke in. "A
truce to this silly talk of apothecaries. I have no need of surgeons, I.
My good fellow," she continued, addressing Jock with an air of
condescension that dumfounded her sister, "is not yonder the Southwark
pillory?"

"Ay, mistress," he replied, with a grin. "It's there you may see the
selectman your serving-maid inquired for."

Rebecca gasped and clinched her hands fiercely on her bag and umbrella.

"Serving-maid!" she cried.

"Ahoy--whoop--room! Yi--ki yi!"

A swarm of small white animals ran wildly past them from behind, and
after them came a howling, laughing, scrambling mob that filled the
street. Someone had loosed a few score rabbits for the delight of the
rabble.

There was no time for reflection. With one accord, Jock and the two
women ran with all speed toward the pillory and the bridge, driven
forward by the crowd behind them. To have held their ground would have
been to risk broken bones at least.

Fortunately the hunted beasts turned sharply to the right and left at
the first cross street, and soon the three human fugitives could halt
and draw breath.

They found themselves in the outskirts of a crowd surrounding the
pillory, and above the heads of those in front they could see a huge red
face under a thatch of tousled hair protruding stiffly through a hole in
a beam supported at right angles to a vertical post about five feet
high. On each side of the head a large and dirty hand hung through an
appropriate opening in the beam.

Under the prisoner's head was hung an account of his misdeeds, placed
there by some of his cronies. These crimes were in the nature of certain
breaches of public decorum and decency, the details of which the
bystanders were discussing with relish and good-humor.

"Let's get out o' here," said Rebecca, suddenly, when the purport of
what she heard pierced her nineteenth-century understanding. "These
folks beat me!"

She turned, grasping Phoebe's arm to enforce her request, but she
found that others had crowded in behind them and had hemmed them in.
This would not have deterred her but, unaccountably, Phoebe did not
seem inclined to move.

"Nay--nay!" she said. "'Tis a wanton wastrel, and he well deserves the
pillory. But, Rebecca, I've a mind to see what observance these people
will give the varlet. Last time I saw one pilloried, alas! they slew him
with shards and paving-stones. This fellow is liker to be pelted with
nosegays, methinks."

"Mercy me, Phoebe! Whatever--what--oh, goodness gracious grandmother,
child!" Poor Rebecca could find only exclamations wherein to express her
feelings. She began to wonder if she were dreaming.

At this moment a sprightly, dashing lad, in ragged clothing and
bareheaded, sprang to the platform beside the prisoner and waved his
arms for silence.

There were cries of "Hear--hear!" "Look at Baiting Will!" "Ho--ho--bully
rook!" "Sh-sh-h!"

After a time the tumult subsided so that Baiting Will could make himself
heard. He was evidently a well-known street wag, for his remarks were
received with frequent laughter and vocal applause.

"Hear ye--hear ye--all good folk and merry!" he shouted. "Here ye see
the liege lord of all May merry-makers. Hail to the King of the May, my
bully boys!"

"Ho--ho! All hail!"

"Hurrah--crown him, crown him!"

"The King of the May forever!"

By dint of bawling for silence till he was red in the face, the speaker
at length made himself heard again.

"What say ye, my good hearts--shall we have a double coronation? Where's
the quean will be his consort? Bring her forward, lads. We'll crown the
twain."

This proposal was greeted with a roar of laughter and approval, and a
number of slattern women showing the effects of strong ale in their
faces stepped boldly forward as competitors for coronation.

But again Baiting Will waved his arms for a chance to speak.

"Nay, my merry lads and lasses," he cried, "it were not meet to wed our
gracious lord the king without giving him a chance to choose his queen!"

He leaned his ear close to the grinning head, pretending to listen a
moment. Then, standing forward, he cried:

"His gracious and sovereign majesty hath bid me proclaim his choice. He
bids ye send him up for queen yon buxom dame in the black doublet and
unruffed neck--her wi' the black wand and outland scrip."

He pointed directly at Rebecca. She turned white and started to push her
way out of the crowd, but those behind her joined hands, laughing and
shouting: "A queen--a queen!"

Two or three stout fellows from just beneath the pillory elbowed their
way to her side and grasped her arms.

She struggled and shrieked in affright.

Phoebe with indignant face seized the arm of the man nearest her and
pulled lustily to free her sister.

"Stand aside, you knaves!" she cried, hotly. "Know your betters and keep
your greasy hands for the sluttish queans of Southwark streets!"

The lads only grinned and tightened their hold. Rebecca was struggling
fiercely and in silence, save for an occasional shriek of fear.

Phoebe raised her voice.

"Good people, will ye see a lady tousled by knavish street brawlers!
What ho--a rescue--a Burton--a Burton--a rescue--ho!"

Her voice rose high above the coarse laughter and chatter of the crowd.

"What's this? Who calls?"

The crowd parted to right and left with screams and imprecations, and on
a sudden two horsemen reined up their steeds beside the sisters.

"Back, ye knaves! Unhand the lady!" cried the younger of the two,
striking out with his whip at the heads of Rebecca's captors.

Putting up their hands to ward off these blows, the fellows hastily
retreated a few steps, leaving Rebecca and Phoebe standing alone.

"What's here!" cried the young man. "God warn us, an it be not fair
Mistress Burton herself!"

He leaped from his horse, and with the bridle in one hand and his
high-crowned hat in the other, he advanced, bowing toward the sisters.

He was a strongly built young man of middle height. His smooth face,
broad brow, and pleasant eyes were lighted up by a happy smile wherein
were shown a set of strong white teeth all too rare in the England of
his time. His abundant blond hair was cut short on top, but hung down on
each side, curling slightly over his ears. He wore a full-skirted,
long-sleeved jerkin secured by a long row of many small buttons down the
front. A loose lace collar lay flat over his shoulders and chest. His
French hose was black, and from the tops of his riding-boots there
protruded an edging of white lace.

He wore a long sword with a plain scabbard and hilt, and on his hands
were black gloves, well scented.

Phoebe's face wore a smile of pleased recognition, and she stretched
forth her right hand as the cavalier approached.

"You come in good time, Sir Guy!" she said.

"In very sooth, most fair, most mellific damsel, your unworthy servitor
was erring enchanted in the paradise of your divine idea when that the
horrific alarum did wend its fear-begetting course through the
labyrinthine corridors of his auricular sensories."

Phoebe laughed, half in amusement half in soft content. Then she
turned to Rebecca, who stood with wide-open eyes and mouth contemplating
this strange apparition.

"Be not confounded, sweetheart," she said. "Have I not told thee I have
ta'en on another's self. Come--thou art none the less dear, nor I less
thine own."

She stepped forward and put her hand gently on her sister's.

Rebecca looked with troubled eyes into Phoebe's face and said,
timidly:

"Won't ye go to a doctor's with me, Phoebe?"

There was a rude clatter of hoofs as the elder of the new-comers trotted
past the two women and, with his whip drove back the advancing crowd,
which had begun to close in upon them again.

"You were best mount and away with the ladies, Sir Guy," he said. "Yon
scurvy loons are in poor humor for dalliance."

With a graceful gesture, Sir Guy invited Phoebe to approach his horse.
She obeyed, and stepping upon his hand found herself instantly seated
before his saddle. She seemed to find the seat familiar, and her heart
beat with a pleasure she could scarce explain when, a moment later, the
handsome cavalier swung into place behind her and put one arm about her
waist to steady her.

Rebecca started forward, terror-stricken.

"Phoebe--Phoebe!" she cried. "Ye wouldn't leave me here!"

"Nay--nay!" said a gruff but kindly voice at her side. "Here, gi'e us
your hand, dame, step on my foot, and up behind you go."

Sir Guy's horse was turning to go, and in her panic Rebecca awaited no
second bidding, but scrambled quickly though clumsily to a seat behind
the serving-man.

They were all four soon free of the crowd and out of danger, thanks to
the universal respect for rank and the essential good nature of the
May-day gathering.

The horses assumed an easy ambling gait, a sort of single step which was
far more comfortable than Rebecca had feared she would find it.

The relief of deliverance from the rude mob behind her gave Rebecca
courage, and she gazed about with some interest.

On either side of the street the houses, which hitherto had stood apart
with gardens and orchards between them, were now set close together,
with the wide eaves of their sharp gables touching over narrow and dark
alleyways. The architecture was unlike anything she had ever seen, the
walls being built with the beams showing outside and the windows of many
small diamond-shaped panes.

They had only proceeded a few yards when Rebecca saw the glint of
sunbeams on water before them and found that they were approaching a
great square tower, surmounted by numberless poles bearing formless
round masses at their ends.

With one arm around her companion to steady herself, she held her
umbrella and bag tightly in her free hand. Now she pointed upward with
her umbrella and said:

"Do you mind tellin' me, mister, what's thet fruit they're a-dryin' up
on thet meetin'-house?"

The horseman glanced upward for a moment and then replied, with
something of wonder in his voice:

"Why, those are men's heads, dame. Know you not London Bridge and the
traitors' poles yet?"

"Oh, good land!" said the horrified woman, and shut her mouth tightly.
Evidently England was not the sort of country she had pictured it.

They rode into a long tunnel under the stones of this massive tower and
emerged to find themselves upon the bridge. Again and again did they
pass under round-arched tunnels bored, as it were, through gloomy
buildings six or seven stories high. These covered the bridge from end
to end, and they swarmed with a squalid humanity, if one might judge
from the calls and cries that resounded in the vaulted passageways and
interior courts.

As they finally came out from beneath the last great rookery, the
sisters found themselves in London, the great and busy city of four
hundred thousand inhabitants.

They were on New Fish Street, and their nostrils gave them witness of
its name at once. Farther up the slight ascent before them they met
other and far worse smells, and Rebecca was disgusted.

"Where are we goin'?" she asked.

"Why, to your mistress' residence, of course."

Rebecca was on the point of objecting to this characterization of her
sister, but she thought better of it ere she spoke. After all, if these
men had done all this kindness by reason of a mistake, she needed not to
correct them.

The street up which they were proceeding opened into Gracechurch Street,
leading still up the hill and away from the Thames. It was a fairly
broad highway, but totally unpaved, and disgraced by a ditch or "kennel"
into which found their way the ill-smelling slops thrown from the
windows and doors of the abutting houses.

"Good land o' Goshen!" Rebecca exclaimed at last. "Why in goodness' name
does all the folks throw sech messes out in the street?"

"Why, where would you have them throw them, dame?" asked her companion,
in surprise. "Are ye outlandish bred that ye put me such questions?"

"Not much!" she retorted, hotly. "It's you folks that's outlandish. Why,
where I come from they hev sewers in the city streets an' pavements an'
sidewalks an' trolley cars. Guess I've ben to Keene, an' I ought to
know."

She tossed her head with the air of one who has said something
conclusive.

The man held his peace for a moment, dumfounded. Then he laughed
heartily, with head thrown back.

"That's what comes of a kittenish hoyden for a mistress. Abroad too
early, dame, and strong ale before sunrise! These have stolen away your
wits and made ye hold strange discourse. Sewers--side-walkers
forsooth--troll carries, ho--ho!"

Rebecca grew red with fury. She released her hold to thump her companion
twice on the arm and nearly fell from the horse in consequence.

"You great rascal!" she cried, indignantly. "How dare ye talk 'bout
drinkin' ale! D'you s'pose I'd touch the nasty stuff? Me--a member of
the Woman's Christian Temperance Union! Me--a Daughter of Temperance an'
wearin' the blue ribbon! You'd ought to be ashamed, that's what you
ought!"

But the servant continued to laugh quietly and Rebecca raged within. Oh
how she hated to have to sit thus close behind a man who had so insulted
her! Clinging to him, too! Clinging for dear life to a man who accused
her of drinking ale!

They turned to the left into Leadenhall Street and Bucklesbury, where
the two women sniffed with delighted relief the spicy odor of the herbs
exposed on every hand for sale. They left Gresham's Royal Exchange on
the right, and shortly afterward stopped before the door of one of the
many well-to-do houses of that quarter.

Sir Guy and the two women dismounted, and, while the groom held the
horses, the others approached the building before which they had
paused.

Rebecca was about to address Phoebe, whose blushing face was beaming
with pleasure, when the door was suddenly thrown open and a
happy-looking buxom woman of advanced middle age appeared.

"Well--well--well!" she cried, holding up her fat hands in mock
amazement. "Out upon thee, Polly, for a light-headed wench!
What--sneaking out to an early tryst! Fie, girl!"

"Now, good mine aunt," Phoebe broke in, with a smile and a curtsey,
"no tryst have I kept, in sooth. Sir Guy is my witness that he found me
quite by chance."

"In very truth, good Mistress Goldsmith," said the knight, "it was but
the very bounteous guerdon of fair Dame Fortune that in the auspicious
forthcoming of my steed I found the inexpressible delectancy of my so
great discovery!"

He bowed as he gave back one step and kissed his hand toward Phoebe.

"All one--all one," said Dame Goldsmith, laughing as she held out her
hand to Phoebe. "My good man hath a homily prepared for you, mistress,
and the substance of it runneth on the folly of early rising on a
May-day morning."

Phoebe held forth her hand to the knight, who kissed it with a
flourish, hat in hand.

"Shall I hear from thee soon?" she said, in an undertone.

"Forthwith, most fairly beautiful--most gracious rare!" he replied.

Then, leaping on his horse, he dashed down the street at a mad gallop,
followed closely by his groom.

Rebecca stood stupefied, gazing first at one and then at the other, till
she was rudely brought to her senses by no other than Dame Goldsmith
herself.

"What, Rebecca!" she exclaimed. "Hast breakfasted, woman--what?"

"Ay, aunt," Phoebe broke in, hurriedly. "Rebecca must to my chamber to
tire me ere I see mine uncle. Prithee temper the fury of his homily,
sweet aunt."

Taking the dame's extended hand, she suffered herself to be led within,
followed by Rebecca, too amazed to speak.

On entering the street door they found themselves in a large hall, at
the farther end of which a bright wood fire was burning, despite the
season. A black oak table was on one side of the room against the wall,
upon which were to be seen a number of earthen beakers and a great
silver jug or tankard. A carved and cushioned settle stood against the
opposite wall, and besides two comfortable arm-chairs at the two
chimney-corners there were two or three heavy chairs of antique pattern
standing here and there. The floor was covered with newly gathered
fresh-smelling rushes.

A wide staircase led to the right, and to this Phoebe turned at once
as though she had always lived there.

"Hast heard from my father yet?" she asked, pausing upon the first
stair and addressing Dame Goldsmith.

"Nay, girl. Not so much as a word. I trow he'll have but little to say
to me. Ay--ay--a humorous limb, thy father, lass."

She swept out of the room with a toss of the head, and Phoebe smiled
as she turned to climb the stairs. Immediately she turned again and held
out one hand to Rebecca.

"Come along, Rebecca. Let's run 'long up," she said, relapsing into her
old manner.

She led the way without hesitation to a large, light bedroom, the front
of which hung over the street. Here, too, the floor was covered with
sweet rushes, a fact which Rebecca seemed to resent.

"Why the lands sakes do you suppose these London folks dump weeds on
their floors?" she asked. "An' look there at those two beds, still
unmade and all tumbled disgraceful!"

"Why, there's where we slept last night, Rebecca," said Phoebe,
laughing as she dropped into a chair. "As for the floors," she
continued, "they're always that way when folks ain't mighty rich. The
lords and all have carpets and rugs."

Rebecca, stepping very high to avoid stumbling in the rushes, moved over
to the dressing-table and proceeded to remove her outer wraps, having
first deposited her bag and umbrella on a chair.

"I don't see how in gracious you know so much about it," she remarked,
querulously. "'Pon my word, you acted with that young jackanapes an'
that fat old lady downstairs jest's ef you'd allus known em."

"Well, so I have," Phoebe replied, smiling. "I knew them all nearly
three hundred years before you were born, Rebecca Wise."

Rebecca dropped into a chair and looked helplessly at her sister with
her arms hanging at her sides.

"Phoebe Wise--" she began.

"No, not now!" Phoebe exclaimed, stopping her sister with a gesture.
"You must call me Mistress Mary. I'm Mary Burton, daughter of Isaac
Burton, soon to be Sir Isaac Burton, of Burton Hall. You are my dear old
tiring-woman--my sometime nurse--and thou must needs yield me the
respect and obedience as well as the love thou owest, thou fond old
darling!"

The younger woman threw her arms about the other's neck and kissed her
repeatedly.

Rebecca sat mute and impassive, making no return.

"Seems as though I ought to wake up soon now," she muttered, weakly.

"Come, Rebecca," Phoebe exclaimed, briskly, stepping to a high, carved
wardrobe beside her bed, "this merry-making habit wearies me. Let us don
a fitter attire. Come--lend a hand, dearie--be quick!"

Rebecca sat quite still, watching her sister as she proceeded to change
her garments, taking from wardrobe and tiring chest her wide skirts,
long-sleeved jacket, and striped under-vest with a promptitude and
readiness that showed perfect familiarity with her surroundings.

"There," thought Rebecca, "I have it! She's been reading those old
letters and looking at that ivory picture so long she thinks that she's
the girl in the picture herself, now. Yes, that's it. Mary Burton was
the name!"

When Phoebe was new-dressed, her sister could not but acknowledge
inwardly that the queer clothes were mightily becoming. She appeared the
beau ideal of a merry, light-hearted, healthy girl from the country.

On one point, however, Rebecca could not refrain from expostulating.

"Look a-here, Phoebe," she said, in a scandalized voice, as she rose
and faced her sister, "ain't you goin' to put on somethin' over your
chest? That ain't decent the way you've got yerself fixed now!"

"Nonsense!" cried Phoebe, with a mischievous twinkle in her eye.
"Wouldst have me cover my breast like a married woman! Look to thine own
attire. Come, where hast put it?"

Rebecca put her hands on her hips and looked into her sister's face with
a stern determination.

"Ef you think I'm agoin' to put on play-actor clothes an' go round
lookin' indecent, Phoebe Wise, why, you're mistaken--'cause I
ain't--so there!"

"Nay, nurse!" Phoebe exclaimed, earnestly. "'Tis the costume thou art
wearing now that is mummer's weeds. Come, sweet--come! They'll not
yield thee admittance below else."

She concluded with a warning inflection, and shook her finger
affectionately at her sister.

Rebecca opened her mouth several times and closed it again in despair
ere she could find a reply. At length she seated herself slowly, folded
her arms, and said:

"They can do jest whatever they please downstairs, Phoebe. As fer me,
I'd sooner be seen in my nightgown than in the flighty, flitter-scatter
duds the women 'round here wear. Not but you look good enough in 'em, if
you'd cover your chest, but play-actin' is meant for young folks--not
fer old maids like me."

"Nay--but----"

"What the lands sakes d'ye holler neigh all the time fer? I'm not agoin'
to neigh, an' you might's well make up your mind to't."

Phoebe bit her lips and then, after a moment's hesitation, turned to
the door.

"Well, well! E'en have it thy way!" she said.

Followed by Rebecca, the younger woman descended the stairs. As she
reached the entrance hall, she stopped short at sight of a tall, heavy
man standing beside the table across the room with his face buried in a
great stone mug.

He had dropped his flat round hat upon the table, and his long hair fell
in a sort of bush to his wide, white-frilled ruff. He wore a
long-skirted, loose coat of green cloth with yellow fringe, provided
with large side-pockets, but without a belt. The sleeves were loose, but
brought in tightly at the wrists by yellow bands. His green hose were of
the short and tight French pattern, and he wore red stockings and
pointed shoes of Spanish leather.

As he removed the cup with a deep sigh of satisfaction, there was
revealed a large, cheerful red face with a hooked nose between bushy
brows overhanging large blue eyes.

Phoebe stood upon the lowest stair in smiling silence and with folded
hands as he caught her eye.

"Ha, thou jade!" cried Master Goldsmith, for he it was. "Wilt give me
the slip of a May-day morn!"

He set down his cup with a loud bang and strode over to the staircase,
shaking his finger playfully at his niece.

Rebecca had just time to notice that his long, full beard and mustache
were decked with two or three spots of froth when, to her great
indignation, Phoebe was folded in his arms and soundly kissed on both
cheeks.

"There, lass!" he chuckled, as he stepped back, rubbing his hands. "I
told thy aunt I'd make thee do penance for thy folly."

Phoebe wiped her cheeks with her handkerchief and tipped her head
impudently at the cheerful ravisher.

"Now, God mend your manners, uncle!" she exclaimed. "What! Bedew my
cheeks with the froth of good ale on your beard while my throat lacks
the good body o't! Why, I'm burned up wi' thirst!"

"Good lack!" cried the goldsmith, turning briskly to the table. "Had ye
no drink when ye first returned, then?"

He poured a smaller cupful of foaming ale from the great silver jug and
brought it to Phoebe.

Rebecca clutched the stair-rail for support, and, with eyes ready to
start from her head, she leaned forward, incredulous, as Phoebe took
the cup from the merchant's hand.

Then she could keep silence no longer.

"Phoebe Wise!" she screamed, "be you goin' to drink ALE!"

No words can do justice to the awful emphasis which she laid upon that
last dread word.

Phoebe turned and looked up roguishly at her sister, who was still
half-way up the stairs. The young girl's left hand leaned on her uncle's
arm, while with her right she extended the cup in salutation.

"Here's thy good health, nurse--and to our better acquaintance," she
laughed.

Rebecca uttered one short scream and fled up to their bed-room. She had
seen the impossible. Her sister Phoebe with her face buried in a mug
of ale!




CHAPTER VIII

HOW FRANCIS BACON CHEATED THE BAILIFFS


It was at about this time that Copernicus Droop finally awakened. He lay
perfectly still for a minute or two, wondering where he was and what had
happened. Then he began to mutter to himself.

"Machinery's stopped, so we're on dry land," he said. Then, starting up
on one elbow, he listened intently.

Within the air-ship all was perfect silence, but from without there came
in faintly occasional symptoms of life--the bark of a dog, a loud laugh,
the cry of a child.

Droop slowly came to his feet and gazed about. A faint gleam of daylight
found its way past the closed shutters. He raised the blinds and blinked
as he gazed out into a perfect thicket of trees and shrubbery, beyond
which here and there he thought he could distinguish a high brick wall.

"Well, we're in the country, anyhow!" he muttered.

He turned and consulted the date indicator in the ceiling.

"May 1, 1598," he said. "Great Jonah! but we hev whirled back fer
keeps! I s'pose we jest whirled till she broke loose."

He gazed about him and observed that the two state-room doors were open.
He walked over and looked in.

"I wonder where them women went," he said. "Seems like they were in a
tremendous hurry 'bout gettin' way. Lucky 'tain't a city we're in,
'cause they might'v got lost in the city."

After an attempt to improve his somewhat rumpled exterior, he made his
way down the stairs and out into the garden. Once here, he quickly
discovered the building which had arrested the attention of the two
women, but it being now broad daylight, he was able thoroughly to
satisfy himself that chance had brought the Panchronicon into the
deserted garden of a deserted mansion.

"Wal, we'll be private an' cosy here till the Panchronicon hez time to
store up more force," he said out loud.

Strolling forward, he skirted the high wall, and ere long discovered the
very opening through which the sisters had passed at sunrise.

Stepping through the breach, he found himself, as they had done, near
the main London highway in Newington village. The hurly-burly of sunrise
had abated by this time, for wellnigh all the villagers were absent
celebrating the day around their respective May-poles or at bear or
bull-baiting.

With his hands behind him, he walked soberly up and down for a few
minutes, carefully surveying the pretty wooden houses, the church in the
distance, and the stones of the churchyard on the green hill-<DW72>
beyond. The architecture was not entirely unfamiliar. He had seen such
in books, he felt sure, but he could not positively identify it. Was it
Russian, Japanese, or Italian?

Suddenly a distant cry came to his ears.

"Hi--Lizzie--Lizzie, wench! Come, drive the pig out o' the cabbages!"

He stopped short and slapped his thigh.

"English!" he exclaimed. "'Tain't America, that's dead sure. Then it's
England. England in 1598," he continued, scratching his head. "Let's
see. Who in Sam Hill was runnin' things in 1598? Richard Coor de
Lion--Henry Eight--no--or was it Joan of Arc? Be darned ef I know!"

He looked about him again and selected a neighboring house which he
thought promised information.

He went to the front door and knocked. There was no reply, despite many
attempts to arouse the inmates.

"Might ha' known," he muttered, and started around the house, where he
found a side door half hidden beneath the projection of an upper story.

Here his efforts were rewarded at last by the appearance of a very old
woman in a peaked hat and coif, apparently on the point of going out.

"Looks like a witch in the story-books," he thought, but his spoken
comment was more polite.

"Good-mornin', ma'am," he said. "Would you be so kind as to tell me the
name of this town?"

"This be Newington," she replied, in a high, cracked voice.

"Newington," he replied, with a nod and a smile intended to express
complete enlightenment. "Ah, yes--Newington. Quite a town!"

"Is that all you'd be askin', young man?" said the old woman, a little
suspiciously, eying his strange garb.

"Why, yes--no--that is, can you tell me how far it is to London?" This
was the only English city of which he had any knowledge, so he naturally
sought to identify his locality by reference to it.

"Lunnun," said the woman. "Oh, it'll be a matter of a mile or better!"

Droop was startled, but highly pleased. Here was luck indeed.

"Thank you, ma'am," he said. "Good-mornin'," and with a cheerful nod, he
made off.

The fact is that this information opened up a new field of enterprise
and hope. At once there leaped into his mind an improved revival of his
original plan. If he could have made a fortune with his great inventions
in 1876, what might he not accomplish by the same means in 1598! He
pictured to himself the delight of the ancient worthies when they heard
the rag-time airs and minstrel jokes produced by his phonograph.

"By hockey!" he exclaimed, in irrepressible delight, "I'll make their
gol darned eyes pop out!"

As he marched up and down in the deserted garden, hidden by the friendly
brick wall, he bitterly regretted that he had limited himself to so few
modern inventions.

"Ef I'd only known I was comin' this fur back!" he exclaimed, as he
talked to himself that he might feel less lonely. "Ef I'd only known, I
could hev brought a heap of other things jest's well as not. Might hev
taught 'em 'bout telegraphin' an' telephones. Could ha' given 'em
steam-engines an' parlor matches. By ginger!" he exclaimed, "I b'lieve
I've got some parlor matches. Great Jehosaphat! Won't I get rich!"

But at this a new difficulty presented itself to his mind. He foresaw no
trouble in procuring patents for his inventions, but how about the
capital for their exploitation? Presumably this was quite as necessary
here in England as it would have been in America in 1876. Unfortunately,
his original plan was impossible of fulfilment. Rebecca had failed him
as a capitalist. Besides, she and Phoebe had both completely
disappeared.

It was long before he saw his way out of this difficulty, but by dint of
persistent pondering he finally lit upon a plan.

He had brought with him a camera, several hundred plates, and a complete
developing and printing outfit. He determined to set up as a
professional photographer. His living would cost him nothing, as the
Panchronicon was well stored with provisions. To judge by his
surroundings, his privacy would probably be respected. Then, by setting
up as a photographer he would at least earn a small amount of current
coin and perhaps attract some rich and powerful backer by the novelty
and excellence of his process. On this chance he relied for procuring
the capital which was undoubtedly necessary for his purpose.

By noon of the next day he had begun operations, having taken two or
three views of familiar scenes in the neighborhood, which he affixed as
samples to a large cardboard sign on which he had printed, in large
type:


  ----------------------------------------------------------------
  |                                                              |
  |                   AMERICAN PHOTOGRAPHER                      |
  |                                                              |
  |                 THE ONLY ONE IN EXISTENCE                    |
  |                                                              |
  |           _Step up and have your picture taken_              |
  |                                                              |
  ----------------------------------------------------------------


This sign he nailed to a tree near the road which he made his
headquarters. He preferred to keep the location and nature of his abode
a secret, and so spent his days under his tree or sitting in the porch
of some neighboring house, for he was not long in making friends, and
his marvellous tales made him very popular.

It was difficult for him to fix a price at first, not being acquainted
with the coin of the realm, but he put his whole mind to the acquisition
of reliable information on this point, and his native shrewdness brought
him success.

He found that it was wisest for every reason to let it be believed that
the pictures were produced by hand. The camera, he explained, was a mere
aid to accuracy of observation and memory in reproduction of what he saw
through it. Thus he was able to command much higher prices for the
excellence and perfection of his work and, had he but known it, further
avoided suspicion of witchcraft which would probably have attached to
him had he let it be known that the camera really produced the picture.

In the course of his daily gossip with neighbors and with the customers,
rustic and urban, who were attracted by his fame, he soon learned that
"Good Queen Bess" ruled the land, and his speech gradually took on a
tinge of the Elizabethan manner and vocabulary which, mingling with his
native New England idioms, produced a very picturesque effect.

It was a warm night some weeks after Droop had "hung out his shingle" as
a professional photographer that he sat in the main room of the
Panchronicon, reading for perhaps the twentieth time Phoebe's famous
book on Bacon and Shakespeare, which she had left behind. The other
books on hand he found too dry, and he whiled away his idle hours with
this invaluable historic work, feeling that its tone was in harmony with
his recent experiences.

So to-night he was reading with the shutters tightly closed to prevent
attracting the gaze of outsiders. No one had yet discovered his
residence, and he had flattered himself that it would remain permanently
a secret.

His surprise and consternation were great, therefore, when he was
suddenly disturbed in his reading by a gentle knocking on the door at
the foot of the stairs.

"Great Jonah!" he exclaimed, closing his book and cocking his head to
listen. "Now, who--wonder ef it's Cousin Rebecca or Phoebe!"

The knock was repeated.

"Why, 'f course 'tis!" he said. "Couldn't be anybody else. Funny they
never come back sooner!"

He laid his book upon the table and started down the stairs just as the
knocking was heard for the third time.

"Comin'--comin'!" he cried. "Save the pieces!"

He threw open the door and started back in alarm as there entered a
strange man wrapped in a black cloak, which he held so as to completely
hide his features.

The new-comer sprang into the little hallway and hastily closed the door
behind him.

"Close in the light, friend," he said.

Then, glancing about him, he ascended the stairs and entered the main
room above.

Droop followed him closely, rubbing his hand through his hair in
perplexity. This intrusion threatened to spoil his plans. It would
never do to have the neighbors swarming around the Panchronicon.

The stranger threw off his cloak on entering the upper room and turned
to face his host.

"I owe you sincere acknowledgment of thanks, good sir," he said,
gravely.

He appeared to be about thirty-five years of age, a man of medium
stature, dark of hair and eyes, with a pale, intellectual face and a
close-clipped beard. His entire apparel was black, save for his
well-starched ruff of moderate depth and the lace ruffles at his wrists.

"Wal, I dunno," Droop retorted. "Marry, an I hed known as thou wast not
an acquaintance----"

"You would not have given me admittance?"

The calm, dark eyes gazed with disconcerting steadiness into Droop's
face.

"Oh--well--I ain't sayin'----"

"I hope I have not intruded to your hurt or serious confusion, friend,"
said the stranger, glancing about him. "To tell the very truth, your
hospitable shelter hath offered itself in the hour of need."

"What--doth it raineth--eh?"

"Oh, no!"

"What can I do fer ye? Take a seat," said Droop, as the stranger dropped
into a chair. "Thou knowest, forsooth, that I don't take photygraphs at
night--marry, no!"

"Are you, then, the new limner who makes pictures by aid of the box and
glass?"

"Yea--that's what I am," said Droop.

"I was ignorant of the location of your dwelling. Indeed, it is pure
accident--a trick of Fortune that hath brought me to your door
to-night."

Droop seated himself and directed an interrogative gaze at his visitor.

"My name's Droop--Copernicus Droop," he said. "An' you----"

"My name is Francis Bacon, Master Droop--your servitor," he bowed
slightly.

Droop started up stiff and straight in his chair.

"Francis Bacon!" he exclaimed. "What! Not the one as wrote Shakespeare?"

"Shakespeare--Shakespeare!" said the stranger, in a slow, puzzled tone.
"I do admit having made some humble essays in writing--certain
modest commentaries upon human motives and relations--but, in good
sooth, the title you have named, Master Droop, is unknown to me.
Shakespeare--Shakespeare. Pray, sir, is it a homily or an essay?"

"Why, ye see, et's--as fur's I know it's a man--a sorter poet or genius
or play-writin' man," said Droop, somewhat confused.

"A man--a poet--a genius?" Bacon repeated, gravely. "Then, prithee,
friend, how meant you in saying you thought me him who had written
Shakespeare? Can a man--a poet--be written?"

"Nay--verily--in good sooth--marry, no!" stuttered Droop. "What they
mean is thet 'twas you wrote the things Shakespeare put his name
to--you did, didn't you?"

"Ahem!" said the stranger, with dubious slowness. "A poet--a genius, you
say? And I understand that I am reputed to have been the true author
of--eh?"

"Yes, indeed--yea--la!" exclaimed Droop, now sadly confused.

"Might I ask the name of some work imputed to me, and which this--this
Shake--eh----"

"Shakespeare."

"Ay, this Shakespeare hath impudently claimed for his own credit and
reputation?"

"Well--why--suffer me--jest wait a minute," said Droop. He clutched the
book he had been reading and opened it at random. "Here," he said.
"'Love's Labor's Lost,' for instance."

"What!" exclaimed Bacon, starting indignantly to his feet. "'Tis but a
sennight I saw this same dull nonsense played by the Lord Chamberlain's
players. 'Love's Labor's--" he broke off and repressed his choler with
some effort. Then in a slow, grave voice he continued: "Why, sir, you
have been sadly abused. Surely the few essays I have made in the field
of letters may stand my warrant that I should not so demean myself as is
implied in this repute of me. Pray tell me, sir, who are they that so
besmirch my reputation as to impute to my poor authority the pitiful
lines of this rascal player?"

"Why, in very truth--marry, it's in that book. It was printed in
Chicago."

Bacon glanced contemptuously at the volume without deigning to open it.

"And prithee, Master Droop, where may Chicago be?"

"Why it _was_ in--no! I mean it will be--oh, darn it all! Chicago's in
Illinois."

"Illinois--yes--and Illinois?" Bacon's dark eyes were turned in grave
question upon his companion.

"Why, that's in America, ye know."

"Oh!" said Bacon. Then, with a sigh of great relief: "Ah!" he exclaimed.

"Yea, verily--in sooth--or--or thereabouts," said Droop, not knowing
what to say.

"Ah, in America! A land of heathen savages--red-skinned hunters of men.
Yes--yes! 'Twere not impossible such persons might so misapprehend my
powers. 'Twould lie well within their shallow incapacities, methinks, to
impute to Francis Bacon, Barrister of Gray's Inn, Member of Parliament
for Melcombe, Reversionary Clerk of the Star Chamber, the friend of the
Earl of Essex--to impute to me, I say, these frothings of a villain
player--this Shake--eh? What?"

"Shakespeare."

"Ay."

Bacon paced placidly up and down for a few moments, while Droop followed
him apologetically with his eyes. Evidently this was a most important
personage. It behooved him to conciliate such a power as this. Who could
tell! Perhaps this friend of the Earl of Essex might be the capitalist
for whom he was in search.

For some time Master Bacon paced back and forth in silence, evidently
wrapped in his own thoughts. In the meantime Droop's hopes rose higher
and higher, and at length he could no longer contain himself.

"Why, Master Bacon," he said, "I'm clean surprised--yea, marry, am
I--that anybody could hev ben sech a fool--a--eh? Well, a
loon--what?--as to hev said you wrote Shakespeare. You're a man o'
science--that's what you are. You don't concern yourself with no
trumpery poetry. I can see that stickin' out."

Bacon was startled and examined himself hurriedly.

"What!" he exclaimed, "what is sticking out, friend?"

"Oh, I was jest sayin' it in the sense of the word!" said Droop,
apologetically. "What I mean is, it's clear that you're not a triflin'
poet, but a man of science--eh?"

"Why, no. I do claim some capacity in the diviner flights of lyric
letters, friend. You are not to despise poetry. Nay--rather contemn
those who bring scorn to the name of poet--vain writers for filthy
pence--fellows like this same Shakespeare."

"Yes--that's what I meant," said Droop, anxious to come to the point.
"But your high-water mark is science--philosophy--all that. Now, you're
somethin' of a capitalist, too, I surmise."

He paused expectant.

"A what, friend?"

"Why, you're in some Trust er other, ain't ye?--Member of Congress--I
mean Parlyment--friend of Lord What's-'is-name--Clerk of the
Star--suthin' or other. Guess you're pretty middlin' rich, ain't ye?"

Bacon's face grew long at these words, and he seated himself in evident
melancholy.

"Why, to speak truth, friend," he said, "I find myself at this moment in
serious straits. Indeed, 'tis an affair of a debt that hath driven me
thus to your door."

"A debt!" said Droop, his heart sinking.

"Ay. The plain truth is, that at this moment I am followed by two
bailiffs--bearers of an execution of arrest upon my person. 'Twas to
evade these fellows that I entered this deserted garden, leaving my
horse without. 'Tis for this cause I am here. Now, Master Droop, you
know the whole truth."

"Great Jonah!" said Droop, helplessly. "But didn't you say you had
friends?"

"None better, Master Droop. My uncle is Lord Burleigh--Lord High
Treasurer to her Gracious Majesty. My patron is the Earl of Essex----"

"Why don't they give ye a lift?"

Bacon's face grew graver.

"Essex is away," he said. "On his return my necessities will be speedily
relieved. As for mine uncle, to him have I applied; but his lordship
lives in the sunshine of her Majesty's smiles, and he cannot be too
sudden in aid of Francis Bacon for fear of losing the Queen's favor
else."

"Why so?"

"A long tale of politics, friend. A speech made by me in Parliament in
opposing monopolies."

"Oh!" said Droop, dismally. "You're down on monopolies, air ye?"

Bacon turned a wary eye upon his companion.

"Why ask you this?" he said.

"Why, only to--" He paused. "To say sooth," he continued, with sudden
resolution, "I want to get a monopoly myself--two or three of 'em. I've
got some A1 inventions here, an' I want to get 'em patented. I thought,
perhaps, you or your friends might help me."

"Ah!" Bacon exclaimed, with awakening interest. "You seek my influence
in furtherance of these designs. Do I apprehend you?"

"That's jest it," said Droop.

"And what would be the--ahem--the recognition which----"

"Why, you'd git a quarter interest in the hull business," said Droop,
hopefully. "That is, provided you've got the inflooence, ye know."

"Too slight--too slight for Francis Bacon, Master Droop."

Copernicus thought rapidly for a minute or two. Then he pretended
indifference.

"Oh, very good!" he said. "I'll take up with Sir Thomas
Thingumbob--What's-'is-name."

Bacon pretended to accept the decision and changed the subject.

"Now permit me to approach the theme of my immediate need," he said.
"These bailiffs without--they must be evaded. May I have your
assistance, friend, in this matter?"

"Why--what can I do?"

"Pray observe me with all attention," Bacon began. "These my habiliments
are of the latest fashion and of rich texture. Your habit is, if I may
so speak, of inferior fashion and substance. I will exchange my habit
for yours on this condition--that you mount my horse forthwith and ride
away. The moon is bright and you will be pursued at once by these scurvy
bailiffs. Lead them astray, Master Droop, to the southward, whilst I
slip away to London in your attire, wherein I feel sure no man will
recognize me. Once in London, there is a friend of mine--one Master
Isaac Burton--who is hourly expected and from whom I count upon having
some advances to stand me in present stead. What say you? Will you
accept new clothing and rich--for old and worn?"

Droop approached his visitor and slowly examined his clothing, gravely
feeling the stuff between thumb and finger and even putting his hand
inside the doublet to feel the lining. Bacon's outraged dignity
struggled within him with the sense of his necessity. Finally, just as
he was about to give violent expression to his impatience, Droop stepped
back and took in the general effect with one eye closed and his head
cocked on one side.

"Jest turn round, will ye?" he said, with a whirling movement of the
hand, "an' let me see how it looks in the back?"

Biting his lips, the furious barrister turned about and walked away.

"Needs must where the devil drives," he muttered.

Droop shook his head dismally.

"Marry, come up!" he exclaimed. "I guess I can't make the bargain,
friend Bacon."

"But why?"

"I don't like the cut o' them clothes. I'd look rideec'lous in 'em.
Besides, the's too much risk in it, Bacon, my boy," he said, familiarly,
throwing himself into the arm-chair and stretching out his legs
comfortably. "Ef the knaves was to catch me an' find out the trick I'd
played 'em, why, sure as a gun, they'd put me in the lock-up an' try me
fer stealin' your duds--your habiliments."

"Nay, then," Bacon exclaimed, eagerly, "I'll give you a writing, Master
Droop, certifying that the clothes were sold to you for a consideration.
That will hold you blameless. What say you?"

"What about the horse and the saddle and bridle?"

"These are borrowed from a friend, Master Droop," said Bacon. "These
rascals know this, else had they seized them in execution."

"Ah, but won't they seize your clothes, Brother Bacon?" said Droop,
slyly.

"Nay--that were unlawful. A man's attire is free from process of
execution."

"I'll tell ye wherein I'll go ye," said Droop, with sudden animation.
"You give me that certificate, that bill of sale, you mentioned, and
also a first-class letter to some lord or political chap with a pull at
the Patent Office, an' I'll change clothes with ye an' fool them bailiff
chaps."

"I'll e'en take your former offer, then," said Bacon, with a sigh. "One
fourth part of all profits was the proposal, was it not?"

"Oh, that's all off!" said Droop, grandly, with a wave of the hand. "If
I go out an' risk my neck in them skin-tight duds o' yourn, I get the
hull profits an' you get to London safe an' sound in these New Hampshire
pants."

"But, good sir----"

"Take it or leave it, friend."

"Well," said Bacon, angrily, after a few moments' hesitation, "have your
will. Give me ink, pen, and paper."

These being produced, the barrister curiously examined the wooden
penholder and steel pen.

"Why, Master Droop," he said, "from what unknown bird have you plucked
forth this feather?"

"Feather!" Droop exclaimed. "What feather?"

"Why this?" Bacon held up the pen and holder.

"That ain't a feather. It's a pen-holder an' a steel pen, man. Say!" he
exclaimed, leaning forward suddenly. "Ye hain't ben drinkin', hev ye?"

To this Bacon only replied by a dignified stare and turned in silence to
the table.

"Which you agoin' to write first," said Droop, considerately dropping
the question he had raised.

"The bill of sale."

"All right. I'd like to have ye put the one about the patent real
strong. I don't want to fail on the fust try, you know."

Bacon made no reply, but dipped his pen and set to work. In due time the
two documents were indited and carefully signed.

"This letter is addressed to my uncle, Lord Burleigh," said Bacon. "He
is at the Palace at Greenwich, with the Queen."

"Shall I hev to take it to him myself?"

"Assuredly."

"Might hev trouble findin' him, I should think," said Droop.

"Mayhap. On more thought, 'twere better you had a guide. I know a worthy
gentleman--one of the Queen's harbingers. Take you this letter to him,
for which purpose I will e'en leave it unsealed that he may read it. He
will conduct you to mine uncle, for he hath free access to the court."

"What's his name?"

"Sir Percevall Hart. His is the demesne with the high tower of burnt
bricks, near the west end of Tower Street. But stay! 'Twere better you
did seek him at the Boar's Head Tavern in Eastcheap."

"Sir Percevall Hart--Boar's Head--Eastcheap. That's in London City, I
s'pose."

"Yes--yes," said Bacon, impatiently. "Any watchman or passer-by will
direct you. Now, sir, 'tis for you to fulfil your promise."

"All right," said Droop. "It's my innin's--so here goes."

In a few minutes the two men had changed their costumes and stood
looking at each other with a very evident disrelish of their respective
situations.

Droop held his chin high in the air to avoid contact with the stiff
ruff, while his companion turned up the collar of his nineteenth-century
coat and held it together in front as though he feared taking cold.

"Why, Master Droop," said Bacon, glancing down in surprise at his
friend's nether extremities, "what giveth that unwonted spiral look to
your legs? They be ribbed as with grievous weals."

Droop tried to look down, but his wide ruff prevented him. So he put one
foot on the table and, bringing his leg to the horizontal, gazed
dismally down upon it.

"Gosh all hemlock--them's my underdrawers!" he exclaimed. "These here
ding-busted long socks o' yourn air so all-fired tight the blamed
drawers hez hiked up in ridges all round! Makes me look like a bunch o'
bananas in a bag!" he said, crossly.

"Well--well--a truce to trivial complaints," said Bacon, hurriedly,
fearful that Droop might withdraw his consent to the rescue. "Here are
my cloak and hat, friend; and now away, I pray you, and remember--ride
to southward, that I may have a clear field to London."

Droop donned the hat and cloak and gazed at himself sorrowfully in the
glass.

"Darned ef I don't look like a cross 'tween a Filipino and a crazy
cowboy!" he muttered.

"And think you I have not suffered in the exchange, Master Droop?" said
Bacon, reproachfully. "In very truth, I were not worse found had I
shrunken one half within mine own doublet!"

After some further urging, Droop was induced to descend the stairs, and
soon the two men stood together at the breach in the brick wall. They
heard the low whinnying of a horse close at hand.

"That is my steed," Bacon whispered. "You must mount with instant speed
and away with all haste to the south, Master Droop."

"D'ye think I won't split these darned pants and tight socks?" said
Droop.

"Hush, friend, hush!" Bacon exclaimed. "The bailiffs must not know we
are here till they see you mount and away. Nay--nay--fear not. The hose
and stockings will hold right securely, I warrant you."

"Well, so long!" said Droop, and the next moment he was in the saddle.
"G'lang there! Geet ap!" he shouted, slapping the horse's neck with his
bridle.

With a snort of surprise, the horse plunged forward dashing across the
moonlit field. A moment later, Bacon saw two other horses leap forward
in pursuit from the dark cover of a neighboring grove.

"Good!" he exclaimed. "The lure hath taken!"

Then leaning over he rubbed his shins ruefully.

"How the night wind doth ascend within this barbarous hose!" he
grumbled.




CHAPTER IX

PHOEBE AT THE PEACOCK INN


While Copernicus Droop was acquiring fame and fortune as a photographer,
Rebecca and Phoebe were leading a quiet life in the city.

Phoebe was perfectly happy. For her this was the natural continuation
of a visit which her father, Isaac Burton, had very unwillingly
permitted her to pay to her dead mother's sister, Dame Goldsmith. She
was very fond of both her aunt and uncle, and they petted and indulged
her in every possible way.

Her chief source of happiness lay in the fact that the Goldsmiths
favored the suit of Sir Guy Fenton, with whom she found herself deeply
in love from the moment when he had so opportunely arrived to rescue the
sisters from the rude horse-play of the Southwark mob.

Poor Rebecca, on the other hand, found herself in a most unpleasant
predicament. She had shut herself up in her room on the first day of her
arrival on discovering that her new hosts were ale drinkers, and she had
insisted upon perpetuating this imprisonment when she had discovered
that she would only be accepted on the footing of a servant.

Phoebe, who remembered Rebecca both as her nineteenth-century sister
and as her sixteenth-century nurse and tiring-woman, thought this
determination the best compromise under the circumstances, and explained
to her aunt that Rebecca was subject to recurring fits of delusion, and
that it was necessary at such times to humor her in all things.

On the very day of the visit of Francis Bacon to the Panchronicon, the
two sisters were sitting together in their bed-room. Rebecca was at her
knitting by the window and Phoebe was rereading a letter for the
twentieth time, smiling now and then as she read.

"'Pears to amuse ye some," said Rebecca, dryly, looking into her
sister's rosy face. "How'd it come? I ain't seen the postman sence we've
ben here. Seems to me they ain't up to Keene here in London. We hed a
postman twice a day at Cousin Jane's house."

"No, 'twas the flesher's lad brought it," said Phoebe.

Rebecca grunted crossly.

"I wish the land sake ye'd say 'butcher' when ye mean butcher,
Phoebe," she said.

"Well, the butcher's boy, then, Miss Particular!" said Phoebe,
saucily.

Rebecca's face brightened.

"My! It does sound good to hear ye talk good Yankee talk, Phoebe," she
said. "Ye hevn't dropped yer play-actin' lingo fer days and days."

"Oh, 'tis over hard to remember, sis!" said Phoebe, carelessly. "But
tell me, would it be unmaidenly, think you, were I to grant Sir Guy a
private meeting--without the house?"

"Which means would I think ye was wrong to spark with that high-falutin
man out o' doors, eh?"

"Yes--say it so an thou wilt," said Phoebe, shyly.

"Why, ef you're goin' to keep comp'ny with him 'tall, I sh'd think ye'd
go off with him by yerself. Thet's the way sensible folks do--at least,
I b'lieve so," she added, blushing.

"Aunt Martha hath given me free permission to see Sir Guy when I will,"
Phoebe continued. "But she hath been full circumspect, and ever
keepeth within ear-shot."

"Humph!" snapped Rebecca. "Y'ain't got any Aunt Martha's fur's I know,
but ef ye mean that fat, beer-drinkin' woman downstairs, why, 'tain't
any of her concern, an' I'd tell her so, too."

Phoebe twirled her letter between her fingers and gazed pensively
smiling out of the window. There was a long pause, which was finally
broken by Rebecca.

"What's the letter 'bout, anyway?" she said. "Is it from the guy?"

"You mean Sir Guy," said Phoebe, in injured tones.

"Oh, well, sir or ma'am! Did he write it?"

"Why, truth to tell," said Phoebe, slipping the note into her bosom,
"'Tis but one of the letters I read to thee from yon carved box,
Rebecca."

"My sakes--that!" cried her sister. "How'd the butcher's boy find it?
You don't s'pose he stole it out o' the Panchronicle, do ye?"

"Lord warrant us, sis, no! 'Twas writ this very day. What o'clock is
it?"

She ran to the window and looked down the street toward the clock on the
Royal Exchange.

"Three i' the afternoon," she muttered. "The time is short. Shall I?
Shall I not?"

"Talkin' o' letters," said Rebecca, suddenly, "I wish'd you take one
down to the Post-Office fer me, Phoebe." She rose and went to a drawer
in the dressing-table. "Here's one 't I wrote to Cousin Jane in Keene. I
thought she might be worried about where we'd got to, an' so I've
written an' told her we're in London."

"The Post-Office--" Phoebe began, laughingly. Then she checked
herself. Why undeceive her sister? Here was the excuse she had been
seeking.

"Yes; an' I told her more'n that," Rebecca continued. "I told her that
jest's soon as the Panchronicle hed got rested and got its breath, we'd
set off quick fer home--you an' me. Thet's so, ain't it, Phoebe?" she
concluded, with plaintive anxiety in her voice.

"I'll take the letter right along," said Phoebe, with sudden
determination.

But Rebecca would not at once relax her hold on the envelope.

"That's so, ain't it, dearie?" she insisted. "Won't we make fer home as
soon's we can?"

"Sis," said Phoebe, gravely, "an I be not deeply in error, thou art
right. Now give me the letter."

Rebecca relinquished the paper with a sigh of relief, then looked up in
surprise at Phoebe, who was laughing aloud.

"Why, here's a five-cent stamp, as I live!" she cried. "Where did it
come from?"

"I hed it in my satchel," said Rebecca. "Ain't that the right postage?"

"Yes--yes," said Phoebe, still laughing. "And now for the
Post-Office!"

She donned her coif and high-crowned hat with silver braid, and leaned
over Rebecca, who had seated herself, to give her a good-by kiss.

"Great sakes!" exclaimed Rebecca, as she received the unaccustomed
greeting. "You do look fer all the world like one o' the Salem witches
in Peter Parley's history, Phoebe."

With a light foot and a lighter heart for all its beating, Phoebe ran
down the street unperceived from the house.

"Bishopsgate!" she sang under her breath. "The missive named
Bishopsgate. He'll meet me within the grove outside the city wall."

Her feet seemed to know the way, which was not over long, and she
arrived without mishap at the gate.

Here she was amazed to see two elderly men, evidently merchants, for
they were dressed much like her uncle the goldsmith, approach two gayly
dressed gentlemen and, stopping them on the street, proceed to measure
their swords and the width of their extravagant ruffs with two
yardsticks.

The four were so preoccupied with this ceremony that she slipped past
them without attracting the disagreeable attention she might otherwise
have received.

As she passed, the beruffled gentlemen were laughing, and she heard one
of them say:

"God buy you, friends, our ruffs and bilbos have had careful
measurement, I warrant you."

"Right careful, in sooth," said one of those with the yardsticks. "They
come within a hair's breadth of her Majesty's prohibition."

Phoebe had scant time for wonder at this, for she saw in a grove not a
hundred yards beyond the gate the trappings of a horse, and near by what
seemed a human figure, motionless, under a tree.

Making a circuit before entering the grove, she came up behind the
waiting figure, far enough within the grove to be quite invisible from
the highway.

She hesitated for some time ere she felt certain that it was indeed Sir
Guy who stood before her. He was dressed in the extreme of fashion, and
she fancied that she could smell the perfumes he wore, as they were
borne on the soft breeze blowing toward her.

His hair fell in curls on either side from beneath a splendid murrey
French hat, the crown of which was wound about with a gold cable, the
brim being heavy with gold twist and spangles. His flat soft ruff,
composed of many layers of lace, hung over a thick blue satin doublet,
slashed with rose- taffeta and embroidered with pearls, the front
of which was brought to a point hanging over the front of his hose in
what was known as a peascod shape. The tight French hose was also of
blue satin, vertically slashed with rose. His riding-boots were of soft
brown Spanish leather and his stockings of pearl-gray silk. A pearl-gray
mantle lined with rose- taffeta was fastened at the neck, under
the ruff, and fell in elegant folds over his left arm, half concealing
the hand resting upon the richly jewelled hilt of a sword whose scabbard
was of black velvet.

"God ild us!" Phoebe exclaimed in low tones. "What foppery have we
here!"

Then, slipping behind a tree, she clapped her hands.

Guy turned his head and gazed about in wonder, for no one was visible.
Phoebe puckered her lips and whistled softly twice. Then, as her lover
darted forward in redoubled amazement, she stepped into view, and smiled
demurely upon him with hands folded before her.

The young knight leaped forward, and, dropping on one knee, carried her
hand rapturously to his lips.

"Now sink the orbed sun!" he exclaimed. "For behold a fairer cometh,
whose love-darting eyes do slay the night, rendering bright day
eternate!"

Smiling roguishly down into his face, Phoebe shook her head and
replied:

"You are full of pretty phrases. Have you not been acquainted with
goldsmiths' wives, and conned them out of rings?"

For an instant the young man was disconcerted. Then rising, he said:

"Nay, from the rings regardant of thine eyes I learned my speech. What
are golden rings to these?"

"Why, how much better is thy speech when it ringeth true," said
Phoebe. "Thy speech of greeting was conned with much pains from the
cold book of prior calculation, and so I answered you from a poet's
play. I would you loved me!"

"Loved thee, oh, divine enchantress--too cruel-lovely captress of my
dole-breathing heart!"

"Tut--tut--tut!" she broke in, stamping her foot. "Thou dost it badly,
Sir Guy. A truce to Euphuistic word-coining and phrase-shifting! Wilt
show thy love--in all sadness, say!"

"In any way--or sad or gay!"

"Then prithee, good knight, stand on thy head by yonder tree."

The cavalier stepped back and gazed into his lady's face as though he
thought her mad.

"Stand--on--my--head!" he exclaimed, slowly.

Phoebe laughed merrily and clapped her hands.

"Good my persuasion!" she rippled. "See how thou art shaken into
thyself, man. What! No phrase of lackadaisical rapture! Why, I looked to
see thee invert thine incorporate satin in an airy rhapsody--upheld and
kept unruffled by some fantastical twist of thine imagination. Oh,
Fancy--Fancy! Couldst not e'en sustain thy knight cap-a-pie!" and she
laughed the harder as she saw her lover's face grow longer and longer.

"Why, mistress," he began, soberly, "these quips and jests ill become a
lover's tryst, methinks----"

"As ill as paint and scent and ear-rings--as foppish attire and
fantastical phrases do become an honest lover," said Phoebe,
indignantly. "Dost think that Mary Burton prizes these weary
labyrinthine sentences--all hay and wool, like the monstrous swelling of
trunk hose? Far better can I read in Master Lilly's books. Thinkest thou
I came hither to smell civet? Nay--I love better the honest odor of
cabbages in mine aunt's kitchen! And all this finery--this lace--this
satin and this pearl embroidery----"

"In God His name!" the knight broke in, stamping his foot. "Dost take me
for a little half-weaned knave, that I'll learn how to dress me of a
woman? An you like not my speech, mistress----"

Phoebe cut him short, putting her hand on his mouth.

Then she leaned her shoulder against a tree, and looking up saucily into
his face:

"Now, don't get mad!" she said.

"Mad--mad!" said Sir Guy, with a puzzled look. "An this be madness,
mistress, then is her Majesty's whole court a madhouse."

"Well, young man," Phoebe replied, with her prim New England manner,
"if you want to marry me, you'll have to come and live in a country
where they don't have queens, and you'll work in your shirt-sleeves like
an honest man. You might just's well understand that first as last."

The knight moved back a step, with an injured expression on his face.

"Nay, then," he said, "an thou mock me with uncouth phrases, Mary, I'd
best be going."

"Perhaps you'd better, Guy."

With a reproachful glance, but holding his head proudly, the young man
mounted his horse.

"He hath a noble air on horseback," Phoebe said to herself, and she
smiled.

The young man saw the smile and took courage.

He urged his horse forward to her side.

"Mary!" he exclaimed, tenderly.

"Fare thee well!" she replied, coolly, and turned her back.

He bit his lip, clinched his hand, and without another word, struck
fiercely with his spurs. With a snort of pain, the horse bounded
forward, and Phoebe found herself alone in the grove.

She gazed wistfully after the horseman and clasped her hands in silence
for a few moments. Then, at thought of the letter she knew he was soon
to write--the letter she had often seen in the carved box--she smiled
again and, patting her skirts, stepped forth merrily from the edge of
the grove.

"After all, 'twill teach the silly lad better manners!" she said.

Scarcely had she reached the highway again when she heard a man's voice
calling in hearty tones.

"Well met, Mistress Mary! I looked well to find you near--for I take it
'twas Sir Guy passed me a minute gone, spurring as 'twere a shame to
see."

She looked up and saw a stout, middle-aged countryman on horseback,
holding a folded paper in his hand.

"Oh, 'tis thou, Gregory!" she said, coolly. "Mend thy manners, man, and
keep thy place."

The man grinned.

"For my place, Mistress Mary," he said, "I doubt you know not where your
place be."

She looked up with a frown of angry surprise.

"Up here behind me on young Bess," he grinned. "See, here's your
father's letter, mistress."

She took the paper with one hand while with the other she patted the
soft nose of the mare, who was bending her head around to find her
mistress.

"Good Bess--good old mare!" she said, gently, gazing pensively at the
letter.

How well she knew every wrinkle in that paper, every curve in the clumsy
superscription. Full well she knew its contents, too; for had she not
read this very note to Copernicus Droop at the North Pole? However,
partly that he might not be set to asking questions, partly in
curiosity, she unfolded the paper.


"DEAR POLL"--it began--"I'm starting behind the grays for London on my
way to be knighted by her Majesty. I send this ahead by Gregory on Bess,
she being fast enow for my purpose, which is to get thee out of the
clutches of that ungodly aunt of thine. I know her tricks, and I learn
how she hath suffered that damned milk-and-water popinjay to come
courting my Poll. So see you follow Gregory, mistress, and without wait
or parley come with him to the Peacock Inn, where I lie to-night.

"The grays are in fine fettle, and thy black mare grows too fat for want
of exercise. Thy mother-in-law commands thy instant return with Gregory,
having much business forward with preparing gowns and fal lals against
our presentation to her Majesty.--Thy father, Isaac Burton, of Burton
Hall.

"Thy mother thinks thou wilt make better speed if I make thee to know
that the players thou wottest of are to stop at the Peacock Inn and will
be giving some sport there."


"The players!" she exclaimed, eagerly. "Be these the Lord Chamberlain's
men?" she asked. "Is there not among them one Will Shakespeare, Gregory?
What play give they to-night?"

"All one to me, mistress," said Gregory, slowly dismounting. "There be
players at the Peacock, for the kitchen wench told me of them as I
stopped there for a pint; but be they the Lord Chamberlain's or the
Queen's, I cannot tell."

"Do they play at the Shoreditch Theatre or at the inn, good Gregory?"

"I' faith I know not, mistress," he replied, bracing his brawny right
hand, palm up, at his knee.

Mechanically she put one foot into his palm and sprang lightly upon the
pillion behind the groom's saddle.

As they turned and started at a jog trot northward, she remembered her
sister and her new-found aunt.

"Hold--hold, Gregory!" she cried. "What of Rebecca? What of my aunt--my
gowns?"

"I am to send an ostler from the Peacock for your nurse and clothing,
mistress," said Gregory. "My orders was not to wait for aught, but bring
you back instant quickly wheresoever I found you." After a pause he went
on with a grin: "I doubt I came late, hows'ever. Sir Guy hath had his
say, I'm thinkin'!" and he chuckled audibly.

"Now you mind your own business, Gregory!" said Phoebe, sharply.

His face fell, and during the rest of their ride he maintained a rigid
silence.

                *       *       *       *       *

The next morning found Phoebe sitting in her room in the Peacock Inn,
silently meditating in an effort to establish order in the chaos of her
mind. Her hands lay passively in her lap, and between her fingers was
an open sheet of paper whose crisp folds showed it to be a letter.

Daily contact with the people, customs, dress, and tongue of Elizabethan
England was fast giving to her memories of the nineteenth century the
dim seeming of a dream. As she came successively into contact with each
new-old acquaintance, he took his place in her heart and mind full
grown--completely equipped with all the associations, loves, and
antipathies of long familiarity.

Gregory had brought her to the inn the night before, and here she had
received the boisterous welcome of old Isaac Burton and the cooler
greeting of his dame, her step-mother. They took their places in her
heart, and she was not surprised to find it by no means a high one. The
old lady was overbearing and far from loving toward Mistress Mary, as
Phoebe began to call herself. As for Isaac Burton, he seemed quite
subject to his wife's will, and Phoebe found herself greatly estranged
from him.

That first afternoon, however, had transported her into a paradise the
joys of which even Dame Burton could not spoil.

Sitting in one of the exterior galleries overlooking the courtyard of
the inn, Phoebe had witnessed a play given on a rough staging erected
in the open air.

The play was "The Merchant of Venice," and who can tell the thrills that
tingled through Phoebe's frame as, with dry lips and a beating heart,
she gazed down upon Shylock. Behind that great false beard was the face
of England's mightiest poet. That wig concealed the noble forehead so
revered by high and low in the home she had left behind.

She was Phoebe Wise, and only Phoebe, that afternoon, enjoying to
the full the privilege which chance had thrown in her way. And now, the
morning after, she went over it all again in memory. She rehearsed
mentally every gesture and intonation of the poet-actor, upon whom alone
she had riveted her attention throughout the play, following him in
thought, even when he was not on the stage.

Sitting there in her room, she smiled as she remembered with what a
start of surprise she had recognized one among the groundlings in front
of the stage after the performance. It was Sir Guy, very plainly dressed
and gazing fixedly upon her. Doubtless he had been there during the
entire play, waiting in vain for one sign of recognition. But Shylock
had held her spellbound, and even for her lover she had been blind.

She felt a little touch of pity and compunction as she remembered these
things, and suddenly she lifted to her lips the letter she was holding.

"Poor boy!" she murmured. Then, shaking her head with a smile: "I wonder
how his letter found my room!" she said.

She rose, and, going to the window where the light was stronger,
flattened out the missive and read it again:


"MY DEAR, DEAR MARY--dear to me ever, e'en in thy displeasure--have I
fallen, then, so low in thy sight! May I not be forgiven, sweet girl, or
shall I ever stand as I have this day, gazing upward in vain for the
dear glance my fault hath forfeited?

"In sober truth, dear heart, I hate myself for what I was. What a sad
mummery of lisping nothings was my speech--and what a vanity was my
attire! Thou wast right, Mary, but oh! with what a ruthless hand didst
thou tear the veil from mine eyes! I have seen my fault and will amend
it, but oh! tell me it was thy love and not thine anger that hath
prompted thee. And yet--why didst thou avert thine eyes from me this
even? Sweet--speak but a word--write but a line--give some assurance,
dear, of pardon to him who is forever thine in the bonds of love."


She folded the letter slowly and slipped it into the bosom of her dress
with a smile on her lips and a far-away look in her eyes. She had known
this letter almost by heart before she received it. Had it not been one
of her New England collection? Foreknowledge of it had emboldened her to
rebuke her lover when she met him by the Bishopsgate--and yet--it had
been a surprise and a sweet novelty to her when she had found it on her
dressing-table the night before.

At length she turned slowly from the window and said softly:

"Guy's a good fellow, and I'm a lucky girl!"

There was a quick thumping of heavy feet on the landing, and a moment
later a young country girl entered. It was Betty, one of the serving
girls whom Dame Burton had brought with her to London.

The lass dropped a clumsy courtesy, and said:

"Mistress bade me tell ye, Miss Mary, she would fain have ye wait on her
at once. She's in the inn parlor." Then, after a pause: "Sure she hath
matter of moment for ye, I warrant, or she'd not look so solemn
satisfied."

Phoebe was strongly tempted to decline this peremptory invitation, but
curiosity threw its weight into the balance with complaisance, and with
a dignified lift of the chin she turned to the door.

"Show the way, Betty," she said.

Through several long corridors full of perplexing turns and varied by
many a little flight of steps, the two young women made their way to the
principal parlor of the inn, where they found Mistress Burton standing
expectantly before a slow log fire.

Phoebe's worthy step-mother was a dame of middle age, ruddy,
black-haired, and stout. Her loud voice and sudden movements betrayed a
great fund of a certain coarse energy, and, as her step-daughter now
entered the parlor, she was fanning her flushed face with an open
letter. Her expression was one of triumph only half-concealed by
ill-assumed commiseration.

"Aha, lass!" she cried, as she caught sight of Phoebe, "art here,
then? Here are news in sooth--news for--" She broke off and turned
sharply upon Betty, who stood by the door with mouth and ears wide open.

"Leave the room, Betty!" she exclaimed. "Am I to have every lazy jade in
London prying and eavesdropping? Trot--look alive!"

She strode toward the reluctant maid and, with a good-natured push,
hastened her exit. Then, closing the door, she turned again toward
Phoebe, who had seated herself by the fire.

"Well, Polly," she resumed, "art still bent on thy foppish lover, lass?
Not mended since yesternight--what?"

A cool slow inclination of Phoebe's head was the sole response.

"Out and alas!" the dame continued, tossing her head with mingled pique
and triumph. "'Tis a sad day for thee and thine, then! This Sir Guy of
thine is as good as dead, girl! Thy popinjay is a traitor, and his
crimes have found him out!"

"A traitor!"

Phoebe stood erect with one hand on her heart.

Dame Burton repressed a smile and continued with a slow shake of the
head:

"Ay, girl; a traitor to her blessed Majesty the Queen. His brother hath
been discovered in traitorous correspondence with the rebel O'Neill, and
is on his way to the Tower. Sir Guy's arrest hath been ordered, and the
two brothers will lose their heads together."

Very pale, Phoebe stood with hands tight clasped before her.

"Where have you learned this, mother?" she said.

"Where but here!" the dame replied, shaking the open sheet she held in
her hand. "Thy Cousin Percy, secretary to my good Lord Burleigh, he hath
despatched me this writing here, which good Master Portman did read to
me but now."

"Let me see it."

As Phoebe read the confirmation of her step-mother's ill news, she
tried to persuade herself that it was but the fabrication of a jealous
rival, for this Percy was also an aspirant to her hand. But it proved
too circumstantial to admit of this construction, and her first fears
were confirmed.

"Ye see," said Dame Burton, as she received the note again, "the provost
guard is on the lad's track, and with a warrant. I told thee thy wilful
ways would lead but to sorrow, Poll!"

Phoebe heard only the first sentence of this speech. Her mind was
possessed by one idea. She must warn her lover. Mechanically she turned
away, forgetful of her companion, and passing through the door with ever
quicker steps, left her step-mother gazing after her in speechless
indignation.

Phoebe's movements were of necessity aimless at first. Ignorant of Sir
Guy's present abiding-place, knowing of no one who could reach him, she
wandered blindly forward, up one hall and down another without a
distinct immediate plan and mentally paralyzed with dread.

The sick pain of fear--the longing to reach her lover's side--these were
the first disturbers of her peace since her return into this strange yet
familiar life of the past. Now for the first time she was learning how
vital was the hold of a sincere and deep love. The thought of harm to
him--the fear of losing him--these swept her being clear of all small
coquetries and maiden wiles, leaving room only for the strong, true,
sensitive love of an anxious woman. Over and over again she whispered as
she walked:

"Oh, Guy--Guy! Where shall I find you? What shall I do!"

She had wandered long through the mazes of the quaint old caravansary
ere she found an exit. At length she turned a sharp corner and found
herself at the top of a short flight of steps leading to a door which
opened upon the main outer court. At that moment a new thought leaped
into her mind and she stopped abruptly, a rush of warm color mantling on
her cheeks.

Then, with a sigh of content, she sank down upon the top step of the
flight she had reached and gently shook her head, smiling.

"Too much Mary Burton, Miss Phoebe!" she murmured.

She had recollected her precious box of letters. Of these there was one
which made it entirely clear that Mary Burton and her lover were
destined to escape this peril; for it was written from him to her after
their flight from England. All her fears fell away, and she was left
free to taste the sweetness of the new revelation without the bitterness
in which that revelation had had its source.

Very dear to Phoebe in after life was the memory of the few moments
which followed. With her mind free from every apprehension, she leaned
her shoulder to the wall and turned her inward sight in charmed
contemplation upon the new treasure her heart had found.

How small, how trifling appeared what she had until then called her
love! Her new-found depth and height of tender devotion even frightened
her a little, and she forced a little laugh to avert the tears.

Through the open door her eyes registered in memory the casual movements
without, while her consciousness was occupied only with her soul's
experience. But soon this period of blissful inaction was sharply
terminated. Her still watching eyes brought her a message so incongruous
with her immediate surroundings as to shake her out of her waking dream.
She became suddenly conscious of a nineteenth-century intruder amid her
almost medieval surroundings.

All attention now, she sat quickly upright and looked out again.
Yes--there could be no mistake--Copernicus Droop had passed the door and
was approaching the principal entrance of the inn on the other side of
the courtyard.

Phoebe ran quickly to the door and, protecting her eyes with one hand
from the flood of brilliant sunlight, she called eagerly after the
retreating figure.

"Mr. Droop--Mr. Droop!"

The figure turned just as Phoebe became conscious of a small crowd of
street loafers who had thronged curiously about the courtyard entrance,
staring at the new-comer's outlandish garb. She saw the grinning faces
turn toward her at sound of her voice, and she shrank back into the
hallway to evade their gaze.

The man to whom she had called re-crossed the courtyard with eager
steps. There was something strange in his gait and carriage, but the
strong sunlight behind him made his image indistinct, and besides,
Phoebe was accustomed to eccentricities on the part of this somewhat
disreputable acquaintance.

Her astonishment was therefore complete when, on removing his hat as he
entered the hallway, this man in New England attire proved to be a
complete stranger.

Evidently the gentleman had suffered much from the rudeness of his
unwelcome followers, for his face was flushed and his manner constrained
and nervous. Bowing slightly, he stood erect just within the door.

"Did you do me the honor of a summons, mistress?" said he.

The look of amazement on Phoebe's face made him bite his lips with
increase of annoyance, for he saw in her emotion only renewed evidence
of the ridicule to which he had subjected himself.

"I--I crave pardon!" Phoebe stammered. "I fear I took you for another,
sir."

"For one Copernicus Droop, and I mistake not!"

"Do you know him?" she faltered in amazement.

"I have met him--to my sorrow, mistress. 'Tis the first time and the
last, I vow, that Francis Bacon hath dealt with mountebanks!"

"Francis Bacon!" cried Phoebe, delight and curiosity now added to
puzzled amazement. "Is it possible that I see before me Sir Francis
Bacon--or rather Lord Verulam, I believe." She dropped a courtesy, to
which he returned a grave bow.

"Nay, good mistress," he replied. "Neither knight nor lord am I, but
only plain Francis Bacon, barrister, and Secretary of the Star Chamber."

"Oh!" Phoebe exclaimed, "not yet, I see."

Then, as a look of grave inquiry settled over Bacon's features, she
continued eagerly: "Enough of your additions, good Master Bacon. 'Twere
better I offered my congratulations, sir, than prated of these lesser
matters."

"Congratulations! Good lady, you speak in riddles!"

Smiling, she shook her head at him, looking meaningly into his eyes.

"Oh, think not _all_ are ignorant of what you have so ably hidden,
Master Bacon," she said. "Can it be that the author of that wondrous
play I saw here given but yesternight can be content to hide his name
behind that of a too greatly favored player?"

"Play, mistress!" Bacon exclaimed. "Why, here be more soothsaying
manners from a fairer speaker--but still as dark as the uncouth ravings
of that fellow--that--that Droop."

"Nay--nay!" Phoebe insisted. "You need fear no tattling, sir. I will
keep your secret--though in very truth, were I in your worship's place,
'twould go hard but the whole world should know my glory!"

"Secret--glory!" Bacon exclaimed. "In all conscience, mistress, I beg
you will make more clear the matter in question. Of what play speak you?
Wherein doth it concern Francis Bacon?"

"To speak plainly, then, sir, I saw your play of the vengeful Jew and
good Master Antonio. What! Have I struck home!"

She leaned against the wall with her hands behind her and looked up at
him triumphantly. To her confusion, no answering gleam illumined the
young man's darkling eyes.

"Struck home!" he exclaimed, shaking his head querulously. "Perhaps--but
where? Do you perchance make a mock of me, Mistress--Mistress----?"

She replied to the inquiry in his manner and tone with disappointment in
her voice:

"Mistress Mary Burton, sir, at your service."

Bacon started back a step and a new and eager light leaped into his
eyes.

"The daughter of Isaac Burton?" he cried, "soon to be Sir Isaac?"

"The same, sir. Do you know my father?"

"Ay, indeed. 'Twas to seek him I came hither."

Then, starting forward, Bacon poured forth in eager accents a full
account of his meeting with Droop in the deserted grove--of how they two
had conspired to evade the bailiffs, and of his reasons for borrowing
Droop's clothing.

"Conceive, then, my plight, dear lady," he concluded, "when, on reaching
London, I found that the few coins which remained to me had been left in
the clothes which I gave to this Droop, and I have come hither to
implore the temporary aid of your good father."

"But he hath gone into London, Master Bacon," said Phoebe. "It is most
like he will not return ere to-morrow even."

Droop's hat dropped from Bacon's relaxed grasp and he seemed to wilt in
his speechless despair.

Phoebe's sympathy was awakened at once, but her anxiety to know more
of the all-important question of authorship was perhaps the keenest of
her emotions.

"Why," she exclaimed, "'tis a little matter that needs not my father,
methinks. If ten pounds will serve you, I should deem it an honor to
provide them."

Revived by hope, he drew himself up briskly as he replied:

"Why, 'twill do marvellous well, Mistress Mary--marvellous well--nor
shall repayment be delayed, upon my honor!"

"Nay, call it a fee," she replied, "and give me, I beg of you, a legal
opinion in return."

Bacon stooped to pick up the hat, from which he brushed the dust with
his hand as he replied, with dubious slowness, looking down:

"Why, in sooth, mistress, I am used to gain a greater honorarium. As a
barrister of repute, mine opinions in writing----"

"Ah, then, I fear my means are too small!" Phoebe broke in, with a
smile. "'Tis a pity, too, for the matter is simple, I verily believe."

Bacon saw that he must retract or lose all, and he went on with some
haste:

"Perchance 'tis not an opinion in writing that is required," he said.

"Nay--nay; your spoken word will suffice, Master Bacon."

"In that case, then----"

She drew ten gold pieces from her purse and dropped them into his
extended palm. Then, seating herself upon a bench against the wall hard
by, she said:

"The case is this: If a certain merchant borrow a large sum from a Jew
in expectation of the speedy arrival of a certain argosy of great
treasure, and if the merchant give his bond for the sum, the penalty of
the bond being one pound of flesh from the body of the merchant, and if
then the argosies founder and the bond be forfeit, may the Jew recover
the pound of flesh and cut it from the body of the merchant?"

As she concluded, Phoebe leaned forward and watched her companion's
face earnestly, hoping that he would betray his hidden interest in this
Shakespearian problem by some look or sign.

The face into which she gazed was grave and judicial and the reply was a
ready one.

"Assuredly not! Such a bond were contrary to public policy and void _ab
initio_. The case is not one for hesitancy; 'tis clear and certain. No
court in Christendom would for a moment lend audience to the Jew. Why,
to uphold the bond were to license murder. True, the victim hath to this
consented; but 'tis doctrine full well proven and determined, that no
man can give valid consent to his own murder. Were this otherwise,
suicide were clearly lawful."

"Oh!" Phoebe exclaimed, as this new view of the subject was presented
to her. "Then the Duke of Venice----"

She broke off and hurried into new questioning.

"Another opinion hath been given me," she said. "'Twas urged that the
Jew could have his pound of flesh, for so said the bond, but that he
might shed no blood in the cutting, blood not being mentioned in the
bond, and that his goods were forfeit did he cut more or less than a
pound, by so much as the weight of a hair. Think you this be law?"

Still could she see no shadow in Bacon's face betraying consciousness
that there was more in her words than met the ear.

"No--no!" he replied, somewhat contemptuously. "If that A make promise
of a chose tangible to B and the promise fall due, B may have not only
that which was promised, but all such matters and things accessory as
must, by the very nature of the agreed transfer, be attached to the
thing promised. As, if I sell a calf, I may not object to his removal
because, forsooth, some portion of earth from my land clingeth to his
hoofs. So blood is included in the word 'flesh' where 'twere impossible
to deliver the flesh without some blood. As for that quibble of nor more
nor less, why, 'tis the debtor's place to deliver his promise. If he
himself cut off too much, he injures himself, if too little he hath not
made good his covenant."

Complete conviction seemed to spring upon Phoebe, as though it had
been something visible to startle her. It shook off her old English self
for a moment, and she leaped to her feet, exclaiming:

"Well, there now! That settles that! I guess if anybody wrote
Shakespeare, it wasn't Bacon!"

The astonishment--almost alarm--in her companion's face filled her with
amusement, and her happy laugh rang through the echoing halls.

"Many, many gracious thanks, good Master Bacon!" she exclaimed. "Right
well have you earned your honorarium. And now, ere you depart, may I
make bold to urge one last request?"

With a bow the young man expressed his acquiescence.

"If I mistake not, you will return forthwith to Master Droop, to the end
that you may regain your proper garb, will you not?"

"That is my intention."

"Then I pray you, good Master Bacon, deliver this message to Master
Droop from one Phoebe Wise, an acquaintance of his whom I know well.
Tell him he must have all in readiness for flight and must not leave his
abode until she come. May I rely on your faithful repetition of this to
him?"

"Assuredly. I shall forget no word of the message wherewith I am so
honored."

"Tell him that it is a matter of life and death, sir--of life and
death!"

She held out her hand. Bacon pressed his lips to the dainty fingers and
then, jamming the hard Derby hat as far down over his long locks as
possible, he stepped forth once more into the courtyard.




CHAPTER X

HOW THE QUEEN READ HER NEWSPAPER


For Rebecca, left alone in the goldsmiths' city house, the past night
and day had been a period of perplexity. She had been saved from any
serious anxiety by the arrival of a messenger soon after Phoebe's
departure, who had brought her word that her "mistress" was safe in the
Peacock Inn, and had left a verbal message commanding her to come with
him at once to rejoin her.

This command she naturally refused to comply with, and sent word to the
much-puzzled man-servant that she wasn't to be "bossed around" by her
younger sister, and that if Phoebe wanted to see her she knew where to
find her. This message was delivered to old Mistress Burton, who
refrained from repeating it to her step-daughter. For her own ends, she
thought it best to keep Mistress Mary from her nurse, whose influence
seemed invariably opposed to her own.

Left thus alone, Rebecca had had a hitherto unequalled opportunity for
reflection, and the result of her deliberations was most practical.
Whatever might be said of the inhabitants of London in general, it was
clear to her mind that poor Phoebe was mentally unbalanced.

The only remedy was to lure her into the Panchronicon, and regain the
distant home they ought never to have left.

The first step to be taken was therefore to rejoin Copernicus and see
that all was in readiness. It was her intention then to seek her sister
and, by humoring her delusion and exercising an appropriately benevolent
cunning, to induce her to enter the conveyance which had brought them
both into this disastrous complication. The latter part of this
programme was not definitely formed in her mind, and when she sought to
give it shape she found herself appalled both by its difficulties and by
the probable twists that her conscience would have to undergo in putting
her plan into practice.

"Well, well!" she exclaimed at length. "I'll cross that bridge when I
come to it. The fust thing is to find Copernicus Droop."

It was at about eleven o'clock in the morning of the day after
Phoebe's departure that Rebecca came to this audible conclusion, and
she arose at once to don her jacket and bonnet. This accomplished, she
gathered up her precious satchel and umbrella and approached her
bed-room window to observe the weather.

She had scarcely fixed her eyes upon the muddy streets below her when
she uttered a cry of amazement.

"Good gracious alive! Ef there ain't Copernicus right this minute!"

Out through the inner hall and down the stairs she hurried with short,
shuffling steps, impatient of the clinging rushes on the floor.
Speechless she ran past good Mistress Goldsmith, who called after her in
vain. The only reply was the slam of the front door.

Once in the street, Rebecca glanced sharply up and down. The man she
sought was not in sight, but she shrewdly counted upon his having turned
into Leadenhall Street, toward which she had seen him walking. Thither
she hurried, and to her infinite gratification she saw, about a hundred
yards ahead, the unmistakable trousers, coat, and Derby hat so familiar
on the person of Copernicus Droop.

"Hey!" she cried. "Hey, there, Mister Droop! Copernicus Droop!"

She ended with a shrill, far-carrying, long-drawn call that sounded much
like a "whoop." Evidently he heard her, for he started, looked over his
shoulder, and then set off with redoubled speed, as though anxious to
avoid her.

She stopped short for a moment, paralyzed with astonishment.

"Well!" she exclaimed. "If I ever! I suppose it's a case of 'the wicked
flee,' but he can't get away from me as easy's that."

And then began a race the like of which was never seen before. In
advance, Francis Bacon scurried forward as fast as he dared without
running, dreading the added publicity his rapid progress was sure to
bring upon him, yet dreading even more to be overtaken by this amazing
female apparition, in whose accents and intonation he recognized another
of the Droop species.

Behind Bacon came Rebecca, conspicuous enough in her prim New England
gown and bonneted head, but doubly remarkable as she skipped from stone
to stone to avoid the mud and filth of the unpaved streets, and swinging
in one hand her little black satchel and in the other her faithful
umbrella.

From time to time she called aloud: "Hey, stop there! Copernicus Droop!
Stop, I say! It's only Rebecca Wise!"

The race would have been a short one, indeed, had she not found it
impossible to ignore the puddles, rubbish heaps, and other obstacles
which half-filled the streets and obstructed her path at every turn.
Bacon, who was accustomed to these conditions and had no impeding skirts
to check him, managed, therefore, to hold his own without actually
running.

These two were not long left to themselves. Such a progress could not
take place in the heart of England's capital without forming in its
train an ever-growing suite of the idle and curious. Ere long a rabble
of street-walkers, beggars, pick-pockets, and loafers were stamping
behind Rebecca, repeating her shrill appeals with coarse variations, and
assailing her with jokes which, fortunately for her, were worded in
terms which her New England ears could not comprehend.

In this order the two strangely clad beings hurried down toward the
Thames; he in the hope of finding a waterman who should carry him beyond
the reach of his dreaded persecutors; she counting upon the river, which
she knew to lie somewhere ahead, to check the supposed Copernicus in his
obstinate flight.

To the right they turned, through St. Clement's Lane into Crooked Lane,
and the ever-growing mob clattered noisily after them, shouting and
laughing a gleeful chorus to her occasional solo.

Leaving Eastcheap and its grimy tenements, they emerged from New Fish
Street and saw the gleam of the river ahead of them.

At this moment one of the following crowd, more enterprising than his
fellows, ran close up behind Rebecca and, clutching the edge of her
jacket, sought to restrain her.

"Toll, lass, toll!" he shouted. "Who gave thee leave to run races in
London streets?"

Rebecca became suddenly fully conscious for the first time of the
sensation she had created. Stopping short, she swung herself free and
looked her bold assailant fairly in the face.

"Well, young feller," she said, with icy dignity, "what can I do fer
you?"

The loafer fell back as she turned, and when she had spoken, he turned
in mock alarm and fled, crying as he ran:

"Save us--save us! Ugly and old as a witch, I trow!"

Those in the background caught his final words and set up a new cry
which boded Rebecca no good.

"A witch--a witch! Seize her! Stone her!"

As they now hung back momentarily in a new dread, self-created in their
superstitious minds, Rebecca turned again to the chase, but was sorely
put out to find that her pause had given the supposed Droop the
advantage of a considerable gain. He was now not far from the river
side. Hoping he could go no farther, she set off once more in pursuit,
observing silence in order to save her breath.

She would apparently have need of it to save herself, for the stragglers
in her wake were now impelled by a more dangerous motive than mere
curiosity or mischief. The cry of "Witch" had awakened cruel depths in
their breasts, and they pressed forward in close ranks with less noise
and greater menace than before.

Two or three rough fellows paused to kick stones loose from the clay of
the streets, and in a few moments the all-unconscious Rebecca would have
found herself in a really terrible predicament but for an accident
seemingly without bearing upon her circumstances.

Without warning, someone in the upper story of one of the houses near by
threw from a window a pail of dirty water, which fell with a startling
splash a few feet in front of Rebecca.

She stopped in alarm and looked up severely.

"I declare to goodness! I b'lieve the folks in this town are all plumb
crazy! Sech doin's! The idea of throwin' slops out onto the road! Why,
the Kanucks wouldn't do that in New Hampshire!"

Slipping her bag onto her left wrist, she loosened the band of her
umbrella and shook the ribs free.

"Lucky I brought my umbrella!" she exclaimed. "I guess it'll be safer
fer me to h'ist this, ef things is goin' to come out o' windows!"

All unknown to her, two or three of the rabble behind her were in the
act of poising themselves with great stones in their hands, and their
muscles were stiffening for a cast when, just in the nick of time, the
obstinate snap yielded, and with a jerk the umbrella spread itself.

Turning the wide-spread gloria skyward, Rebecca hurried forward once
more, still bent upon overtaking Copernicus Droop.

That simple act saved her.

A mere inactive witch was one thing--a thing scarce distinguishable from
any other old woman. But this transformation of a black wand into a
wide-spreading tent was so obviously the result of magic, that it was
self-evident they had to do with a witch in full defensive and offensive
state.

Stones fell from deadened hands and the threatening growls and cries
were lost in a unanimous gasp of alarm. A moment's pause and
then--utter rout. There was a mad stampede and in a trice the street was
empty. Rebecca was alone under that inoffensive guardian umbrella.

To her grief, she found no one on the river's brim. He whom she sought
was half-way across, his conveyance the only wherry in sight,
apparently. Having passed beyond the houses, Rebecca now folded her
umbrella and looked carefully about her. To her great relief, she caught
sight of a man's figure recumbent on a stone bench near at hand. A pair
of oars lay by him and betrayed his vocation.

She stepped promptly to his side and prodded him with her umbrella.

"Here, mister!" she cried. "Wake up, please. What do you charge for
ferryin' folks across the river?"

The waterman sat up, rubbed his eyes and yawned. Then, without looking
at his fare, he led the way to his boat without reply. He was chary of
words, and after all, did not all the world know what to pay for
conveyance to Southwark?

Rebecca gazed after him for a moment and then, shaking her head
pityingly, she murmured:

"Tut--tut! Deef an' dumb, poor man! Dear, dear!"

To hesitate was to lose all hope of overtaking the obstinate Copernicus.
So, first pointing vigorously after the retreating boat with closed
umbrella, and with many winks and nods which she supposed supplied full
meaning to her gestures, she stepped into the wherry, and the two at
once glided out on the placid bosom of the Thames.

Far different was the spectacle that greeted her then from that which
may now be witnessed near London Bridge. In those days that bridge was
alone visible, not far to the East, and the tide that moves now so
darkly between stone embankments beneath a myriad of grimy steamers,
then flowed brightly between low banks and wooden wharves, bearing a
gliding fleet of sailing-vessels. To the south were the fields and woods
of the open country, save where loomed the low frame houses and the
green-stained wharves of Southwark village. Behind Rebecca was a vast
huddle of frame buildings, none higher than three stories, sharp of
gable overhanging narrow streets, while here a tower and there a steeple
stood sentinel over the common herd. To the east the four great stone
cylinders of the Tower, frowning over the moving world at their feet,
loomed grimly then as now.

Rebecca had fixed her eyes at first with a fascinated stare on this
mighty mass of building, penetrated by a chill of fear, although
ignorant of its tragic significance. Turning after a minute or two from
contemplation of that gloomy monument of tyrannical power, she gazed
eagerly forward again, bent upon keeping sight of the man she was
pursuing.

He and his boat had disappeared, but her disappointment was at once
lost in admiring stupefaction as she gazed upon a magnificent craft
bearing across the bows of her boat and coming from the direction of
Westminster.

The hull, painted white, was ornamented with a bold arabesque of gilding
which seemed to flow naturally in graceful lines from the garment of a
golden image of Victory mounted high on the towering prow.

From the deck at the front and back rose two large cabins whose sides
were all of brilliant glass set between narrow panels on which were
paintings, which Rebecca could not clearly distinguish from where she
was sitting.

At the waist, between and below the cabins, ten oars protruded from each
side of the barge, flashing rhythmically as they swept forward together,
seeming to sprinkle drops of sunlight into the river.

The splendor of this apparition, contrasting as it did with the small
and somewhat dingy craft otherwise visible above the bridge, gave a new
direction to Rebecca's thoughts and forced from her an almost
involuntary exclamation.

"For the lands sakes!" she murmured. "Whoever in the world carries on in
sech style's that!"

The waterman looked over his shoulder, and no sooner caught sight of the
glittering barge than, with a powerful push of his oars, he backed water
and brought his little boat to a stand.

"The Queen!" he exclaimed.

Rebecca glanced at the boatman with slightly raised brows.

"Thought you was deef an' dumb," she said. Then, turning once more to
the still approaching barge, she continued: "An' so thet's Queen
Victoria's ship, is it?"

"Victoria!" growled the waterman. "Ye seem as odd in speech as in dress,
mistress. Who gave ye license to miscall our glorious sovereign?"

Rebecca's brows were knit in a thoughtful frown and she scarce knew what
her companion said. The approach of the Queen suggested a new plan of
action. She had heard of queens as all-powerful rulers, women whose
commands would be obeyed at once and without question, in small and
personal things as in matters of greater moment. Of Queen Victoria, too,
some accounts had reached her, and all had been in confirmation of that
ruler's justice and goodness of heart.

Rebecca's new plan was therefore to appeal at once to this benign
sovereign for aid, entreat her to command the Burtons to release
Phoebe and to order Copernicus Droop to carry both sisters back to
their New England home. This course recommended itself strongly to the
strictly honest Rebecca, because it eliminated at once all necessity for
"humoring" Phoebe's madness, with its implied subterfuges and
equivocations. The moment was propitious for making an attempt which
could at least do no harm, she thought. She determined to carry out the
plan which had occurred to her.

Standing up in the boat: "What's the Queen's last name?" she asked.

"Be seated, woman!" growled the waterman, who was growing uneasy at
sight of the increasing eccentricity of his fare. "The Queen's name is
Elizabeth, as well ye know," he concluded, more gently. He hoped to
soothe the woman's frenzy by concessions.

"Now, mister," said Rebecca, severely, "don't you be sassy to me, fer I
won't stand it. Of course, I don't want her first name--she ain't hired
help. What's the Queen's family name--quick!"

The waterman, now convinced that his fare was a lunatic, could think of
naught better than to use soothing tones and to reply promptly, however
absurd her questions. "I' faith," he said, in a mild voice, "I' faith,
mistress, her Gracious Majesty is of the line of Tudor. Methought----"

But he broke off in horror.

Waving her umbrella high above her head, Rebecca, still standing upright
in the boat, was calling at the top of her voice:

"Hallo there! Mrs. Tudor! Stop the ship, will ye! I want to speak to
Mrs. Tudor a minute!"

All nature seemed to shiver and shrink in silence at this enormous
breach of etiquette--to use a mild term. Involuntarily the ten pairs of
oars in the royal barge hung in mid-air, paralyzed by that sudden
outrage. The great, glittering structure, impelled by momentum, glided
forward directly under the bows of Rebecca's boat and not a hundred
yards away.

Again Rebecca's cry was borne shrill and clear across the water.

"Hallo! Hallo there! Ain't Mrs. Tudor on the ship? I want to speak to
her!" Then, turning to the stupefied and trembling waterman:

"Why don't you row, you? What's the matter, anyway? Don't ye see they've
stopped to wait fer us?"

Someone spoke within the after cabin. The command was repeated in gruff
tones by a man's voice, and the ten pairs of oars fell as one into the
water and were held rigid to check the progress of the barge.

"Wherry, ahoy!" a hail came from the deck.

"Ay, ay, sir!" the waterman cried.

"Come alongside!"

"Ay, ay, sir!"

Pale and weak with dread, the boatman pulled as well as he could toward
the splendid vessel ahead, while Rebecca resumed her seat, quite
satisfied that all was as it should be.

A few strokes of the oars brought them to the barge's side, and
Rebecca's waterman threw a rope to one of the crew.

A young man in uniform glowered down upon them, and to him the waterman
turned, pulling off his cap and speaking with the utmost humility.

"The jade is moon-struck, your worship!" he exclaimed, eagerly. "I would
not for a thousand pound----"

"Moon-struck!" snapped the lieutenant. "Who gave thee commission to
ferry madmen, fellow?"

The poor waterman, at his wits' end, was about to reply when Rebecca
interposed.

"Young man," she said, standing up, "I'll thank you to 'tend to
business. Is Mrs. Victoria Tudor at home?"

At this moment a young gentleman, magnificently apparelled, stepped
forth from the after cabin and approached the man in uniform.

"Lieutenant," he said, "her Majesty commands that the woman be brought
before her in person. As for you," he continued, turning to the
waterman, "return whence you came, and choose your fares better
henceforth."

Two of the barge's crew extended each a hand to Rebecca.

"Bend onto that, Poll!" said one, grinning.

"Well, I declare!" exclaimed Rebecca. "I never see sech impident help in
all my born days! Ain't ye got any steps for a body to climb?"

A second gorgeously dressed attendant backed hastily out of the cabin.

"Look alive!" he said, peremptorily. "Her Majesty waxes impatient. Where
is the woman?"

"Ay, ay, sir!" replied the sailors. "Here she be!"

They leaned far forward and, grasping the astonished Rebecca each by a
shoulder, lifted her quickly over the rail.

The first gentleman messenger beckoned to her and started toward the
cabin.

"Follow me!" he said, curtly.

Rebecca straightened her skirt and bonnet, shook her umbrella, and
turned quietly to the rail, fumbling with the catch of her bag.

"I pity yer manners, young man!" she said, coldly. Then, with some
dismay:

"Here you, mister, don't ye want yer money?"

But the waterman, only too glad to escape at all from being involved in
her fate, was pulling back to the northern shore as fast as his boat
would go.

"Suit yourself," said Rebecca, simply. "Saves me a dime, I guess."

Turning then to the impatient gentleman waiting at the door:

"Guess you're one o' the family, ain't ye? Is your ma in, young man?"

Fortunately her full meaning was not comprehended, and the person
addressed contented himself with drawing aside the heavy curtain of
cloth of gold and motioning to Rebecca to precede him.

She nodded graciously and passed into the cabin.

"That's better," she said, with an ingratiating smile. "Good manners
never did a mite o' harm, did they?"

Before following her, the messenger turned again to the young
lieutenant.

"Give way!" he said.

At once the sweeps fell together, and the great barge resumed its course
down the river.

As Rebecca entered the glass and gold enclosure, she was at first quite
dazzled by the crowd of gorgeously arrayed courtiers who stood in two
compact groups on either side of her. Young and old alike, all these men
of the sword and cloak seemed vying one with another for precedence in
magnificence and foppery. The rarest silks of every hue peeped forth
through slashed velvets and satins whose rustling masses bedecked men of
every age and figure. Painted faces and ringed ears everywhere topped
snowy ruffles deep and wide, while in every hand, scented gloves, fans,
or like toys amused the idle fingers.

In the background Rebecca was only vaguely conscious of a group of
ladies in dresses of comparatively sober pattern and color; but seated
upon a luxurious cushioned bench just in front of the others, one of her
sex struck Rebecca at once as the very centre and climax of the
magnificence that surrounded her.

Here sat Elizabeth, the vain, proud, tempestuous daughter of "bluff King
Hal." Already an old woman, she yet affected the dress and carriage of
young maidenhood, possessing unimpaired the vanity of a youthful beauty,
and, despite her growing ugliness, commanding the gallant attentions
that gratified and supported that vanity.

Her face, somewhat long and thin, was carefully painted, but not so
successfully as to hide the many wrinkles traced there by her sixty-five
years. Her few blackened teeth and her false red hair seemed to be
mocked by the transcendent lustre of the rich pearl pendants in her
ears. Her thin lips, hooked nose, and small black eyes betokened
suppressed anger as she glared upon her admiring visitor; but, far from
being alarmed by the Queen's expression, Rebecca was only divided
between her admiration of her magnificent apparel and blushing
uneasiness at sight of the frankly uncovered bosom which Elizabeth
exhibited by right of her spinsterhood. Rebecca remembered ever
afterward how she wished that "all those men" would sink through the
floor of the cabin.

The Queen was at first both angry at the unheard-of language Rebecca had
used, and curious to see what manner of woman dared so to express
herself. But now that she set eyes upon the outlandish garb of her
prisoner, her curiosity grew at the expense of her wrath, and she sat
silent for some time while her little black eyes sought to explore the
inmost depths of Rebecca's mind.

Rebecca, for her part, was quite unconscious of having infringed any of
the rules of courtly etiquette, and, without expressing her belief in
her complete social equality with the Queen or anyone else present, was
so entirely convinced of this equality that she would have deemed a
statement of it ridiculously superfluous.

For a few moments she stood in the middle of the open space immediately
before the Queen, partly dazed and bewildered into silence, partly
expectant of some remark from her hostess.

At length, observing the grimly rigid aspect of the silent Queen,
Rebecca straightened herself primly and remarked, with her most formal
air: "I s'pose you are the Queen, ma'am. You seem to be havin' a little
party jest now. I hope I'm not intruding but to tell ye the truth, Mrs.
Tudor, I've got into a pretty pickle and I want to ask a little favor of
you."

She looked about to right and left as though in search of something.

"Don't seem to be any chairs around, only yours," she continued. Then,
with a quick gesture of the hand: "No, don't get up. Set right still
now. One o' your friends here can get me a chair, I guess," and she
looked very meaningly into the face of a foppish young courtier who
stood near her, twisting his thin yellow beard.

At this moment the rising wonder of the Queen reached a climax, and she
burst into speech with characteristic emphasis.

"What the good jere!" she cried. "Hath some far planet sent us a
messenger. The dame is loyal in all her fantasy. Say, my Lord of
Nottingham, hath the woman a frenzy, think you?"

The gentleman addressed stood near the Queen and was conspicuous for his
noble air. His prominent gray eyes under rounded brows lighted up a
long, oval face surmounted by a high, bald forehead. The long nose was
aquiline, and the generous, full-lipped mouth was only half hidden by a
neatly trimmed full blond beard. Rebecca noticed his dress particularly
as he stepped forward at the Queen's summons, and marvelled at the two
doublets and heavy cape coat over which hung a massive gold chain
supporting the brilliant star of some order. She wondered how he could
breathe with that stiff ruff close up under his chin and inclined
downward from back to front.

Dropping on one knee, Nottingham began his reply to the Queen's inquiry,
though ere he finished his sentence he rose to his feet again at a
gracious sign from his royal mistress.

"May it please your Majesty," he said, "I would humbly crave leave to
remove the prisoner from a presence she hath nor wit nor will to
reverence. Judicial inquiry, in form appointed, may better determine
than my poor judgment whether she be mad or bewitched."

This solemn questioning of her sanity produced in Rebecca's mind a
teasing compound of wrath and uneasiness. These people seemed to find
something fundamentally irregular in her behavior. What could it be? The
situation was intolerable, and she set to work in her straightforward,
energetic way to bring it to an end.

Stepping briskly up to the astonished Earl of Nottingham, she planted
herself firmly before him, turning her back upon Elizabeth.

"Now look a-here, Mr. Nottingham," she said, severely, "I'd like to know
what in the world you see that's queer about me or my ways. What's the
matter, anyway? I came here to make a quiet call on that lady," here she
pointed at the Queen with her umbrella, "and instead of anybody bringin'
a chair, or sayin' 'How d'ye do,' the whole raft of ye hev done nothin'
but stare or call me <DW38>. I s'pose you're mad because I've interrupted
your party, but didn't that man there invite me in? Ef you're all so
dreadful particler, I'll jest get out o' here till Mrs. Tudor can see me
private. I'll set outside, ef I can find a chair."

With an air of offended dignity she stalked toward the door, but turned
ere she had gone ten steps and continued, addressing the assembled
company collectively:

"As fer bein' <DW38>, I can tell you this. Ef you was where I come from
in America, they'd say every blessed one of ye was crazy as a hen with
her head off."

"America!" exclaimed the Queen, as a new thought struck her. "America!
Tell me, dame, come you from the New World?"

"That's what it's sometimes called in the geographies," Rebecca stiffly
replied. "I come from Peltonville, New Hampshire, myself. Perhaps I'd
ought to introduce myself. My name's Rebecca Wise, daughter of Wilmot
and Nancy Wise, both deceased."

She concluded her sentence with more of graciousness than she had shown
in the beginning, and the Queen, now fully convinced of the innocent
sincerity of her visitor, showed a countenance of half-amused,
half-eager interest.

"Why, Sir Walter," she cried, "this cometh within your province,
methinks. If that this good woman be an American, you should be best
able to parley with her and learn her will."

A dark-haired, stern-visaged man of middle height, dressed less
extravagantly than his fellows, acknowledged this address by advancing
and bending one knee to the deck. Here was no longer the gay young
courtier who so gallantly spoiled a handsome cloak to save his
sovereign's shoes, but the Raleigh who had fought a hundred battles for
the same mistress and had tasted the bitterness of her jealous cruelty
in reward.

There was in his pose and manner, however, much of that old grace which
had first endeared him to Elizabeth, and even now served to fix her
fickle favor.

"Most fair and gracious Majesty," he said in a low, well-modulated
voice, turning upward a seeming fascinated eye, "what Walter Raleigh
hath learned of any special knowledge his sovereign hath taught him, and
all that he is is hers of right."

"'Tis well, my good knight," said Elizabeth, beckoning with her slender
finger that he might rise. "We know your true devotion and require now
this service, that you question this stranger in her own tongue
concerning her errand here and her quality and estate at home."

As Raleigh rose and advanced toward Rebecca, without turning away from
the Queen, the half-bewildered American brought the end of her umbrella
sharply down upon the floor with a gesture of impatience.

"What everlastin' play-actin' ways!" she snapped. Then, addressing Sir
Walter: "Say, Mr. Walter," she continued, "ef you can't walk only
sideways, you needn't trouble to travel clear over here to me. I'll come
to you."

Suiting the action to the word, Rebecca stepped briskly forward until
she stood in front of the rather crestfallen courtier.

He rallied promptly, however, and marshalling by an effort all he could
remember of the language of the red man, he addressed the astonished
Rebecca in that tongue.

"What's that?" she said.

Again Sir Walter poured forth an unintelligible torrent of syllables
which completed Rebecca's disgust.

With a pitying smile, she folded her hands across her stomach.

"Who's <DW38> now?" she said, quietly.

Raleigh gazed helplessly from Rebecca to the Queen and back again from
the Queen to Rebecca.

Elizabeth, who had but imperfectly heard what had passed between the
two, leaned forward impatiently.

"What says she, Raleigh?" she demanded. "Doth she give a good account?"

"Good my liege," said Raleigh, with a despairing gesture, "an the dame
be from America, her tribe and race must needs be a distant one, placed
remote from the coast. The natives of the Floridas----"

"Florida!" exclaimed Rebecca. "What you talkin' about, anyway? That's
away down South. I come from New Hampshire, I tell you."

"Know you that region, Raleigh?" said the Queen, anxiously.

Raleigh shook his head with a thoughtful expression.

"Nay, your Majesty," he replied. "And if I might venture to hint my
doubts--" He paused.

"Well, go on, man--go on!" said the Queen, impatiently.

"I would observe that the name is an English one, and 'tis scarce
credible that in America, where our tongue is unknown, any region can be
named for an English county."

"Land sakes!" exclaimed Rebecca, in growing amazement. "Don't know
English! Why--don't I talk as good English as any of ye? You don't have
to talk Bible talk to speak English, I sh'd hope!"

Elizabeth frowned and settled back in her chair, turning her piercing
eyes once more upon her mysterious visitor.

"Your judgment is most sound, Sir Walter," she said. "In sooth, 'twere
passing strange were our own tongue to be found among the savages of the
New World! What have ye to say to this, mistress?"

Rebecca turned her eyes from one to the other of the bystanders,
doubtful at first whether or not they were all in a conspiracy to mock
her. Her good sense told her that this was wellnigh impossible, and she
finally came to the conclusion that sheer ignorance was the only
explanation.

"Well, well!" she exclaimed at last. "I've heerd tell about how simple
Britishers was, but this beats all! Do you reely mean to tell me," she
continued, vehemently nodding her head at the Queen, "that you think
the's nothin' but Indians in America?"

A murmur of indignation spread through the assembly caused by language
and manners so little suited to the address of royalty.

"The woman hath lost her wits!" said the Queen, dryly.

"There 'tis again!" said Rebecca, testily. "Why, ef it comes to talk of
simpletons and the like, I guess the pot can't call the kettle black!"

Elizabeth gripped the arm of her chair and leaned forward angrily, while
two or three gentlemen advanced, watching their mistress for the first
sign of a command. At the same moment, a triumphant thought occurred to
Rebecca, and, dropping her umbrella, she opened her satchel with both
hands.

"Ye needn't to get mad, Mrs. Tudor," she said. "I didn't mean any
offence, but I guess you wouldn't like to be called a lunatic yerself.
See here," she continued, dragging forth a section of the newspaper
which she had brought with her, "ef you folks won't believe my word,
jest look at this! It's all here in the newspaper--right in print.
There!"

She held the paper high where all might see, and with one accord Queen
and courtiers craned forward eagerly, burning with curiosity at sight of
the printed columns interspersed with nineteenth-century illustrations.

Rebecca stepped forward and handed the paper to the Queen, and then,
drawing forth another section from her bag, she carried it to the
bewildered Raleigh, who took it like one in a trance.

For some time no one spoke. Elizabeth turned the paper this way and
that, reading a bit here and a bit there, and gazing spellbound upon the
enigmatic pictures.

Having completely mastered the situation, Rebecca now found time to
consider her comfort. Far on one side, near the door through which she
had entered, there stood a youth of perhaps sixteen, clad in the
somewhat fantastic garb of a page. Having picked up her umbrella,
Rebecca approached this youth and said in a sharp whisper:

"Couldn't you get me a chair, sonny?"

The lad disappeared with startling promptitude, but he did not return.
It was an agony of perplexity and shyness which had moved him, not a
willingness to serve.

Rebecca gazed about at the etiquette-bound men and women around her and
muttered, with an indignant snort and toss of the head:

"Set o' decorated haystacks!"

Then, with head held high and a frigid "Beg pardon, mister!" she elbowed
her way through the dense throng of gentlemen-in-waiting and seated
herself on the bench arranged along the side of the cabin.

"Oof!" she exclaimed. "Feels though my legs would drop clear off!"

At length the Queen looked up.

"Why, what now!" she exclaimed. "Whither hath the strange woman gone?"

A tall man dressed in black and gold stepped forward and dropped upon
one knee. He had a long, humorous face, with high cheek bones, a
straight, good-humored mouth, with a high mustache well off the lip and
a pointed beard. The eyes, set far apart, twinkled with the light of fun
as he awaited permission to speak.

"Well, my Lord of Southampton," said the Queen, kindly, "I doubt some
gay mischief be afoot. Your face tells me as much, my lord."

"Nay, my liege," was the humble reply. "Can my face so far forget the
duty owed to Royalty as to speak thus, not being first admitted to
discourse!"

Elizabeth smiled and replied:

"Even so, my lord, but we forgive the offence if that your face hath
spoken truth. Know you aught of the strange woman? Pray be standing."

The earl arose and replied:

"Of her rank and station, she must be a queen at least, or she doth
forget herself. This may your Majesty confirm if but these your
Majesty's servants be commanded to cross the room."

Elizabeth, puzzled, bowed her head slightly, and the courtiers behind
whom Rebecca had sought rest walked with one accord to the other side of
the cabin, revealing to the astonished eyes of the Queen her visitor
quietly seated upon the bench.

Rebecca nodded with a pleased look.

"Well, there!" she exclaimed. "Much obliged to you all. That's certainly
better."

"Dame," said Elizabeth, sternly, "is this the respect you show to them
above you in America?"

"Above me!" said Rebecca, straightening up stiffly. "There ain't anybody
put above me at home, I can tell you. Ef the' was, I'd put 'em down
mighty quick, I guess."

Elizabeth raised her brows and, leaning toward the lord treasurer, who
stood at her side, she said in an undertone:

"This must be some sovereign princess in her own country, my lord. How
comes it I have not had earlier intelligence of her arrival in this
realm?"

Lord Burleigh bowed profoundly and mumbled something about its being
out of his immediate province--he would have investigation made--etc.,
etc.

The Queen cut him short a little impatiently.

"Let it be done, my lord," she said.

Then turning to Rebecca, she continued:

"Our welcome is somewhat tardy, but none the less sincere. England hath
e'er been friendly to the American, and you had been more fittingly
received had our informants been less negligent."

Here the Queen shot a glance at poor Sir Walter Raleigh, who now seemed
the personification of discomfiture.

"By what name are you called?" Elizabeth continued.

"Wise," said Rebecca, very graciously, "Rebecca Wise."

"Lady Rebecca, will you sit nearer?"

Instantly one of the pages sprang forward with a low chair, which, in
obedience to a sign from the Queen, he placed at her right hand.

"Why, I'd be right pleased," said Rebecca. "That is, if the other folks
don't mind," she continued, looking around. "I don't want to spile your
party."

So saying, she advanced and sat beside the Queen, who now turned once
more to the luckless Raleigh.

"Well, Sir Walter," she said, "what say you now? You have the printed
proof. Can you make aught of it? How comes it that in all your fine
travels in the New World you have heard no English spoken?"

"Oh, I dare say 'tain't his fault!" said Rebecca, indulgently. "I'm
told they have a mighty queer way o' talkin' down South, where he's ben.
Comes o' bein' brought up with <DW54>s, ye know."

Elizabeth took up the newspaper once more.

"Was this printed in your realm, Lady Rebecca?" she asked.

"Hey!"

Elizabeth started haughtily, but recollected herself and repeated:

"Was this leaf printed in your country?"

"Oh, yes--yes, indeed! Down to New York. Pretty big paper, ain't it?"

"Not voluminous alone, but right puzzling to plain English minds," said
the Queen, scanning the paper severely. "Instance this."

Slowly she read the opening lines of a market report:

"The bulls received a solar-plexus blow yesterday when it was reported
that the C. R. and L. directors had resigned in a body owing to the
extensive strikes."

"What words are these?" Elizabeth exclaimed in a despairing tone. "What
is a plexus of the sun, and how doth it blow on a bull?"

Rebecca jumped up and brought her head close to the Queen's, peering
over the paper which she held. She read and reread the paragraph in
question and finally resumed her chair, slowly shaking her head.

"I guess that's the Wall Street talk I've heerd tell of," she said. "I
don't understand that kind myself."

"Why, Sir Walter," Elizabeth exclaimed, triumphantly, "here have we two
separate tribes at least, each speaking its proper dialect. Can it be
that you have heard no word of these before?"

"Even so, my liege," was the dejected reply, "the tribes of the North
are known to no man as yet."

"Passing strange!" mused the Queen, running a critical eye over the
printed page before her. "Your talk, and that of others, hath been only
of wild, copper- savages, living in rude huts and wearing only
skins. Sure such as these have not types and printing-presses! What is
this book, Lady Rebecca?"

"That's a newspaper, ma'am. Don't you have 'em in London? They come out
every day an' people pay a penny apiece fer 'em."

Elizabeth flashed a stern glance upon her visitor.

"'Twere best not go too far, my lady," she said, harshly. "E'en
traveller's tales must in some sort ape the truth at least. Now,
prithee, to what end is such a pamphlet printed--why, 'tis endless!"

"I'll shet right up, Mis' Tudor, ef ye think I'm tellin' wrong stories,"
said Rebecca, indignantly. "Thet's a newspaper an' thet's all there is
to it."

Elizabeth evaded the issue and turned now to the illustrations.

"These be quaint-wondrous images!" she said. "Pray, what now may this
be? Some fantastic reverie limned for amusement?"

Rebecca jumped up again and peered over the Queen's shoulder.

"Why, thet's a picture of the troops marchin' down Broadway, in New
York City. See, it's all explained in print underneath it."

"But these men carry arquebuses and wear a livery. And these temples--to
what false gods are they set up?"

"False gods!" exclaimed Rebecca. "Bless your simple heart, those ain't
temples. They're jest the buildin's where the men hev their offices."

Elizabeth sat in mute contemplation, vainly seeking to realize it all.

"My lords!" she burst forth suddenly, casting the paper violently to the
floor, "or this be rank forgery and fraud or else have we been strangely
deceived."

She frowned at Sir Walter, who dropped his eyes.

"'Tis not to be believed that such vast cities and great armies habited
by peoples polite and learned may be found across the sea and no report
of it come to them that visit there. How comes it that we must await so
strange a chance as this to learn such weighty news?"

She paused and only silence ensued.

Rebecca stooped and recovered the paper, which in falling had opened so
as to expose new matter.

"Don't be surprised," she said, soothingly. "I allus did hear that
Britishers knew mighty little 'bout America."

Still frowning, Elizabeth mechanically stretched forth her hand and
Rebecca gave her the paper. The Queen glanced at the sheet and her face
lost its stern aspect as she eagerly brought the print nearer to her
eyes.

"Why, what now!" she exclaimed. "God mend us, here have we strange
attire! Is this a woman of your tribe, my lady?"

Rebecca looked and blushed. Then, in an uneasy tone, she said:

"That's jest an advertisement fer a new corset, Mis' Tudor. I never did
see how folks ever allowed sech things to be printed--'tain't
respectable!"

"A corset, call you it! And these, then?"

"Oh, those are the styles, the fashions! That's the fashion page, ye
know. That's where they tell all about what the rich folks down to New
York are wearin'."

There was a murmur and a rustle among the ladies-in-waiting, who had
hitherto made no sign, and upon the Queen's cheek there spread an added
tinge, betokening a high degree of interest and gratification.

"Ah!" she sighed, and glanced pleasantly over her shoulder, "here be
matters of moment, indeed! Your Grace of Devonshire, what say you to
this?"

Eagerly the elderly lady so addressed stepped forward and made a low
reverence.

"Look--look here, ladies all!" Elizabeth continued, with a tremor of
excitement in her voice. "Saw you ever such an array as this?"

With one accord the whole bevy of assembled ladies pressed forward,
trembling with delighted anticipation. A fashion sheet--and from the
New World! What wonder they were moved!

Her Majesty was about to begin perusal of one of the fascinating
paragraphs wherein were described those marvellous fashion-plates when
there was a cry outside of "Way 'nough!" and a moment later the smart
young lieutenant who had before accosted Rebecca entered and stood at
attention.

Elizabeth looked up and frowned slightly. Folding the paper carefully,
she called to Sir Walter, who still held in his unconscious hand the
other section of the paper.

"Bring hither yon sheet, Sir Walter," she cried. "Perchance there may be
further intelligence of this sort therein. We will peruse both pamphlets
at our leisure anon."

Then, turning to the Lord High Admiral:

"My Lord of Nottingham," she said, "you may depart. Your duties await
you without. Let it be the charge of your Grace," she continued,
addressing the Duchess of Devonshire, "to attend her Highness the Lady
Rebecca. See that she be maintained as suits her rank, and let her be
near our person that we may not lose aught of her society."

The ceremony of landing prevented further discourse between Rebecca and
the Queen, and it was with the greatest interest that the stranger
observed every detail of the formal function.

Peering through the glass sides of the cabin, Rebecca could see the
landing wharf, thronged with servants and magnificently dressed
officers, while beyond there loomed a long, two-storied white stone
building, with a round-arched entrance flanked by two towers. This was
Greenwich Palace, a favorite summer residence of the Queen.




CHAPTER XI

THE FAT KNIGHT AT THE BOAR'S HEAD


When Francis Bacon, having evaded Rebecca's mistaken pursuit, reached
the deserted grove in which the Panchronicon still rested, he found to
his dismay that Droop was absent.

Copernicus was not the man to let the grass grow under his feet, and he
had set off that morning with his letter of introduction to seek Sir
Percevall Hart, the Queen's knight harbinger.

He had determined to begin with moderation, or in other words to ask at
first for only two patents. The first of these was to cover the
phonograph. The second was to give him a monopoly of bicycles.

Accordingly he set forth fully equipped, carrying a box of records over
his shoulder by a strap and his well-oiled bicycle trundling along
beside him, with a phonograph and small megaphone hung on the
handle-bar. He thought it best to avoid remark by not riding his wheel,
being shrewdly mindful of the popular prejudice against witchcraft.
Thanks to his exchange with Master Bacon, he feared no comment upon his
garb. A pint flask, well filled, was concealed within his garments, and
thus armed against even melancholy itself, he set forth fearlessly upon
his quest.

Droop had set out from the Panchronicon in the middle of the forenoon,
but, as he was obliged to distribute a large number of photographs among
his customers before going to London, it was not until some time after
Bacon had crossed the river and Rebecca had departed with the Queen that
he found himself on London Bridge.

On reaching the London side, he stood awhile in the ill-smelling street
near the fish markets gazing about him in quest of someone from whom he
might ask his way.

"Let's see!" he mused. "Bacon said Sir Percevall Hart, Boar's Head
Tavern, Eastcheap. First thing to find is Eastcheap, I guess. Hullo
there, forsooth!" he cried, addressing a baker's boy who was shuffling
by with his basket on his head. "Hullo there, boy--knave! What's the
shortest cut to Eastcheap?"

The lad stopped and stared hard at the bright wheels. He seemed thinking
hard.

"What mean you, master, by a cut?" he said, at length.

"Oh, pshaw--bother!" Droop exclaimed. "Jest tell me the way to
Eastcheap, wilt thee?"

The boy pointed straight north up New Fish Street.

"Eastcheap is yonder," he said, and turned away.

"Well, that's somethin'," muttered Droop. "Gives me a start, anyway."

Following the route pointed out, he retraced the very course along which
earlier in the day Rebecca had proceeded in the opposite direction,
thinking she saw him ahead of her. By dint of making numerous inquiries,
he found himself at length in a region of squalid residences and
second-rate shops and ale-houses, in the midst of which he finally
discovered the Boar's Head Tavern.

The entrance was by a dark archway, overhung by the upper stories of the
building, down which he could see a reddish glow coming and going, now
faint now bright, against the dead wall to the left. Passing cautiously
down this passage, he soon found that the glow was projected through a
half-curtained window to the right, and was caused by the dancing light
of a pleasant fire of logs within.

He thought it wise to reconnoitre before proceeding farther, and,
peeping through the small leaded panes, he found he could survey the
entire apartment.

The room into which Droop stood gazing was the common tap-room of the
inn, at that moment apparently the scene of a brisk altercation.

To the left of the great brick fireplace, a large pewter mug in his
right hand, an immensely fat man was seated. He was clad as became a
cavalier, although in sober colors, and his attitude was suggestive of
defence, his head being drawn far back to avoid contact with a closed
fist held suggestively before his face. The fist was that of a woman
who, standing before the fire with her other hand resting on her hip,
was evidently delivering her sentiments in no gentle terms.

A long table, black with age and use, stood parallel to the right-hand
wall, and behind this three men were sitting with mugs before them,
eying the disputants with evident interest. To the left a large space
was devoted to three or four bulky casks, and here an aproned drawer sat
astride of a rush-bottomed chair, grinning delightedly and exchanging
nods and winks from time to time with an impish, undersized lad who lay
on his stomach on a wine-butt with his head craning forward over the
edge.

Only an occasional word reached the watcher at the window, but among
these few he recognized a number which were far more forcible than
decent. He drew back, shook his head, and then slowly returned to the
door and looked up.

Yes--he had made no mistake. Above his head there swung the sign of the
Boar's Head. And yet--was it likely or even possible that Sir Percevall
Hart could make such a vulgar haunt as this his headquarters? Sir
Percevall--the Queen's harbinger and the friend of the Prime Minister!

With a sinking heart and a face clouded with anxiety, Droop propped his
bicycle against the wall within the passage and resolutely raised the
heavy latch.

To his surprise, instead of the torrent of words which he had expected
to hear when he opened the door, complete silence reigned as he
entered. The fat man in the chair by the fire was still leaning
backward, but his tankard was now inverted above his head, and a glance
showed that his companions at the long table were similarly employed.

Copernicus turned about and closed the door very carefully, unwilling to
break the profound silence. Then he tiptoed his way to the fire, and
leaning forward rubbed his hands before the crackling logs, nervously
conscious of six pairs of eyes concentrated upon his back. Droop was not
unfamiliar with the bar-rooms of such a city as Boston, but he found an
Elizabethan tavern a very different sort of place. So, although already
warmer than desirable, he could only stand half bent before a fire all
too hot and wonder what he should do next.

Finally he mustered courage enough to turn about and survey with
shamefaced mien the tavern interior. As he turned the four guests
dropped their eyes with painful unanimity and the drawer fell to
scouring a pewter mug with his apron. Only the boy perched on the cask
kept his eyes obstinately fixed on the stranger.

Droop now noticed for the first time that behind the casks there was a
snug recess containing a table and two well-worn benches, evidently
intended for the entertainment of guests desirous of a _tete-a-tete_.

Thither he at once directed his steps, and seating himself upon one of
the benches, looked about him for a bell. He could hear the three men at
the long table whispering busily, and could see that they had their
heads together.

The fat man stirred in his chair with a rolling motion.

"Drawer!" he called.

"Here!" cried the drawer, bustling up to the fire.

"A second tankard of that same sack, boy. Bustle, bustle!"

"I must first to my mistress, sir," was the reply. "Nothing for credit,
sir, save by permission."

"A pox upon thee!" growled the thirsty man. "On thee and thy mistress,
too!"

Muttering and shaking his head, the ponderous guest stretched forth his
legs, closed his eyes, and composed himself for a nap.

The drawer tipped a wink to the grinning pot-boy on the cask, and then
bustled over to Droop's table, which he proceeded to wipe vigorously
with his apron.

"Did you call, sir?" he said.

"Yes," said Copernicus. "Bring me a schooner of light lager."

The drawer's busy apron hand stopped at once and its owner leaned hard
on the table.

"What command gave you, sir?" he said.

"Marry--a schooner of lager--light, forsooth!" Droop repeated.

"Cry you mercy, sir," said the drawer, straightening up, "this be the
Boar's Head Tavern, sir. What may your worship require by way of food
and drink?"

"These old-timers beat all creation for ignorance," muttered Droop.
Then, looking up into the man's face, he called for one drink after
another, watching hopefully for some sign of answering intelligence.

"Give me a Scotch high-ball. No? Then a gin sling. Hot Tom and Jerry,
then. Marry, an egg flip, i' faith! Ain't got 'em? Get me a brandy
smash--a sherry cobbler--a gin rickey--rock and rye--a whisky sour--a
mint julep! What! Nothin'? What in thunder _do_ ye sell, then?"

The drawer scratched his head, and then grinned suddenly and gave vent
to a dry laugh.

"Well said! Well said, master! The jest is a merry one--call me a Jew
else!" Then, sobering as briskly as he had taken to laughing: "Will you
have a cup of sack, master, to settle the stomach after fasting--or a
drop of Canary or Xeres or a mug of ale, perchance----"

"That's right, by my halidom!" Droop broke in. "Bring me some ale,
waiter."

The drawer whisked away and returned in a few moments with a huge power
tankard topped with a snowy foam.

"That's the stuff!" said Droop, smacking his lips. He half-emptied the
beaker, and then, turning to the drawer:

"Can you tell me," he said, "if I can find a man by the name of Hart
here--Sir Percevall Hart?"

"Sir Percevall," said the drawer, in an undertone. "Why, there's your
man, master. The fat knight snoring by yon fire."

"What!" exclaimed Droop. "The man who--" He broke off and stared awhile
in silence. Finally, shaking his head: "Never would have thought it!" he
said.

Copernicus lapsed into meditation and the drawer withdrew. At length
Droop roused himself with a shake.

"Won't do no good to set here doin' nothin'," he muttered. Then,
swallowing the remainder of his ale, he drew his letter of introduction
from his pocket and walked back to the fireplace.

The knight, who was not sleeping very soundly, slightly opened one eye,
and to his surprise, beheld a letter which Droop held almost under his
nose.

Sitting up straight and now fully awake, Sir Percevall stared first at
Copernicus and then at the letter.

"A letter!" he exclaimed. "For me?"

"Verily, yea," Droop replied, very politely.

The knight opened the letter slowly and turned so that the light from a
window fell full upon it.

"What's here!" he exclaimed. "This direction is to my Lord Burleigh."

"Yep--oh, yes, yea!" said Droop, confusedly. "But you was to read
it--peruse it, you wot--Bacon said as much. He said you knew the lord
and could take me around, forsooth, and sorter interduce me, ye see."

With leisurely gravity, Sir Percevall slowly read the note, and then,
returning it with a polite gesture:

"This letter hath reference to certain monopolies," he said. "My cousin
Bacon doth write in high terms of your skill and high merit,
Master--Master----"

"Droop, sir. Copernicus Droop's my name."

"Ah, yes! And the service you require--? I beg your indulgence, but,
sooth to say, being nigh starved of late in this tavern of ill repute,
my poor wits have grown fat. I am slow of apprehension, Master
Wither----"

"Droop, sir--Droop."

"Nay--cry you mercy--Master Droop."

"Why, now, Sir Percy," said Copernicus, with oily grace, "ef you
wouldn't mind, I'd be proud ef you'd set down over yonder, perchance,
and have a glass with me. We'd be more private then, and I could make
this hull business clear to ye. What say ye, sir?"

"Why, there's my hand, Master Dupe--Droop," said the knight, his face
brightening mightily. "Five yards are a mile for a man of my girth,
Master Droop, but praise God such words as these of yours cheer my heart
to still greater deeds than faring a mile afoot."

Slowly and painfully the corpulent knight drew himself to his feet, and
with one hand bearing affectionately but heavily on Droop's shoulder, he
shuffled over to the recess and seated himself.

"What ho, there! Drawer!" he shouted, as soon as they were comfortably
disposed face to face.

"Anon, sir, anon!" came the familiar reply, and the drawer, who had just
served two new guests at the long table, now hurried over to the nook
behind the casks.

"A quart of sack, villain!" said Sir Percevall.

"And for you, sir?" said the drawer, turning to Droop.

"Yes, yea, bring me the same." He had no idea what sack was, but he felt
that in all probability it was a mild beverage, or no one would order a
quart at once.

"And this same letter, now," Sir Percevall began. "To warn you truly,
friend, this matter of monopolies hath something of an ill savor in the
public mind. What with sweet wines, salt, hides, vinegar, iron, oil,
lead, yarn, glass, and what not in monopoly, men cry out that they are
robbed and the Queen's advisers turn pale at the very word."

He interrupted himself to give his attention to the wine which had just
been placed before him.

"To better acquaintance!" he said, and the two drank deep together.

Droop smacked his lips critically and turned up his eyes for greater
abstraction. The wine was pleasant to the palate, he thought,
but--well--it wasn't whiskey.

"Of this letter, now," the knight resumed, anxious to discover his own
advantage in Droop's plans. "'Twere vain for you, a stranger to the
Lord High Treasurer, to accost him with it. A very circumspect and
pragmatical old lord, believe me. Not every man hath admittance to him,
I promise ye. As for me, why, God 'ild you, man! 'twas but yesterday a
fortnight Burleigh slapped me o' the shoulder and said: 'Percevall, ye
grow fat, you rogue--on the word of a Cecil!' Oh, trust me, Master
Droop; my lord much affects my conversation!"

"Is that a fact?" said Droop, admiringly. "It certainly ain't done your
conversation any harm to be affected that way."

"Oh, then, an you jest, Master----"

"Not a mite!" exclaimed Copernicus, anxiously. "Verily, nay, friend.
Trust me--never!"

"Or never trust thee!" quoth the knight, with a twinkle in his eye.

Droop took refuge in his wine, and Sir Percevall imitating him, the two
emptied their cups together and sighed with a simultaneous content.

"That's not bad swizzle," said Droop, patronizingly. "But, as fer me,
give me whiskey every time!"

"Whiskey!" said the knight with interest. "Nay, methought I knew every
vintage and brew, each label and brand from Rhine to the Canaries. But
this name, Master Droop, I own I never heard. Whiskey, say you?"

"Well, now, do tell!" said Droop, drawing forth his flask of
nineteenth-century rye, "never heerd o' whiskey, eh? Never tasted it,
either, I s'pose?"

"How should I taste it, man, not knowing its very name?"

"Verily, thou sayest sooth!" said Droop. Then, glancing all about him:
"Ain't there any smaller glasses 'round here?"

"Drawer--ho, drawer, I say!" roared the knight.

"Here, sir--here! What is your pleasure?"

"The pleasure is to come, rogue! Fetch hither two of yon scurvy glass
thimbles you wot of. Hostess calls them cordial glasses. Haste now!
Scramble, varlet!"

When the two small glasses were brought, Droop uncorked his flask and
poured each full to the brim.

"Th' ain't any seltzer in this one-hoss town," he said, "so I can't make
ye a high-ball. We'll jest hev to drink it straight, Sir Knight. Here's
luck! Drink hearty!" and with a jerk of hand and head he tossed the
spirits down his throat at a gulp and smacked his lips as he set down
his glass.

Sir Percevall followed his friend's movements with a careful eye and
imitated him as exactly as possible, but he did not escape a coughing
fit, from which he emerged with a purple face and tear-filled eyes.

"Have another?" said Droop, cheerfully.

"A plague on queezy gullets!" growled the knight. "Your spirits sought
two ways at once, Master Droop, and like any other half-minded equivocal
transaction, contention was the outcome. But for the whiskey, mind
you--why, it hath won old Sir Percevall's heart. Zounds, man! Scarce two
fingers of it, and yet I feel the wanton laugh in me a'ready. Good
fellows need good company, my master! So pour me his fellow! So--so!"

They drank again, and this time the more cautious knight escaped all
painful consequences.

"Look you, Master Droop," said the delighted old toper, leaning back
against the wall as he beamed across the table at his companion, "look
you! An you have a butt of this same brew, Sir Percevall Hart is your
slave, your scullion, your foot-boy! Why, man, 'tis the elixir of life!
It warms a body like a maid's first kiss! Whence had you it?"

"Oh, they make it by the million gallons a year where I come from,"
Droop replied. "Have another. Take it with hot water and sugar--I mean
honey."

The advice was followed, and while they sipped the enlivening decoction,
Copernicus explained his plans touching the patenting of his phonograph
and bicycle. When he concluded his relation, the knight leaned back and
gazed at him with an affectionate squint.

"See, now, bully rook, if I take you," he said. "It behooves you to have
fair inductance at court. For this ye come to Sir Percevall Hart, her
Majesty's harbinger and--though he says so himself--a good friend to
Cecil. Now, mark me, lad. Naught do I know or care of thy 'funny craft'
or 'bicycle.' Master Bacon is a philosopher and you have here his
certificate. Say I well--what?"

He paused and Droop nodded.

"Good--and so to better. Naught care I, or know I, or should or could I
trow, being a man of poetical turn and no base mechanic--no offence
meant to yourself, Master Droop. But this I do say--and now mark me
well--I say--and dare maintain it (and all shall tell ye that is a fair
maintenance and a good champion), that for a sure and favorable
inductance to the favors of the court there's no man living takes the
wall o' Percevall Hart, Knight!"

"Bacon told me as much," said Droop.

"And he told thee well, my master. Frank is a good lad, though vain, and
his palm itcheth. So to terms, eh? Now, methinks 'twere but equity and
good fellowship for two such as we are to go snacks, eh? Cut through the
middle--even halves, bully--even halves! How say you?"

"You don't mean," said Droop, "that you'd want half the profits, jest
fer introducin' me to Lord What's-is-name, do ye?"

"With a small retainer, of course, to bind fast. Say--oh, a matter of
twenty gold angels or so."

"Why, blame your confounded overstretched skin!" cried Droop, hotly,
"I'd sooner drop the hull darn thing! You must take me fer a nat'ral
born fool, I guess!"

"Nay, then--'twixt friends," said the knight, soothingly. "'Twixt
friends, say we remit one half the profits. Procure me but the angels,
Master Droop, and drop the remainder."

"As many devils sooner!" said Droop, indignantly. "I'll take my pigs to
another market."

He rose and beckoned to the drawer.

"Nay, then, why so choleric!" pleaded the knight, leaning anxiously
across the table. "What terms do ye offer, Master Droop? Come, man, give
a show of reason now--name your terms."

It was to this point that Copernicus had counted upon bringing the
helpless knight, who was far from a match for a Yankee. He had driven
his own bargain with Bacon, and he now resolved that Bacon's friend
should fare no better. In pursuit of this plan, he moved from his seat
with a sour face.

"I don't feel much like takin' up with a man who tries to do me," he
grumbled, shaking his head and beckoning again to the drawer.

"Do thee, man--do thee!" cried the knight. "Why, an I do thee good, what
cause for grief?" Spreading forth his two fat hands, he continued:
"Spake I not fairly? An my offer be not to thy taste--say thine own say.
What the devil, man; must we quarrel perforce?"

Droop scratched his head and seemed to hesitate. Finally he slapped the
table with his open hand and cried with a burst of generosity:

"I'll tell ye what I _will_ do. I've got two quart bottles of that same
ripe whiskey, and I'll give 'em both to ye the day the Queen gives me my
patents!"

"Nay--nay!" said the knight, straightening himself with dignity. "'Twere
a mere fool's prank at such terms!"

"Oh, all right!" cried Droop, turning away.

"Hold--hold! Not so fast!" cried Sir Percevall. But Copernicus merely
slapped his hat on his head and started toward the door.

Sir Percevall leaned over the table in flushed desperation.

"Listen, friend!" he cried. "Wilt make a jolly night of it in the
bargain?"

Droop stopped and turned to his companion.

"D'ye mean right now?"

A nod was the reply.

"And you'll take my offer if I do?"

The knight sat upright and slapped the table.

"On my honor!" he cried.

"Then it's a go!" said Droop.




CHAPTER XII

HOW SHAKESPEARE WROTE HIS PLAYS


As Francis Bacon returned to London from the Peacock, Phoebe had stood
at the foot of the steps leading into the courtyard and watched him
depart. She little foresaw the strange adventure into which he was
destined to lead her sister. Indeed, her thoughts were too fully
occupied with another to give admittance to Rebecca's image.

Her lover was in danger--danger to his life and honor. She knew he was
to be saved, yet was not free from anxiety, for she felt that it was to
be her task to save him. To this end she had sent Bacon with his message
to Copernicus. She believed now that a retreat was ready for young
Fenton. How would her confidence have been shaken could she have known
that Copernicus had already left the Panchronicon and that Bacon had
been sent in vain!

In ignorance of this, she stood now at the foot of the stairs and let
her thoughts wander back to the day before, dwelling with tenderness
upon the memory of her lover's patient attendance upon her in that group
of rustic groundlings. With a self-reproachful ache at the heart she
pictured herself as she had sat far up in the gallery gazing downward
with every faculty centred upon the stage, while he, thinking only of
her----

She started and looked quickly to right and left. Why, it was here,
almost upon these very stones, that he had stood. Here she had seen him
for one moment at the last as she was leaving her seat. He was leaning
upon a rude wooden post. She sought it with her eyes and soon caught
sight of it not ten feet away.

Then she noticed for the first time that she was not alone. A young
fellow in the garb of a hostler stood almost where Guy had been the day
before. He paid no attention to Phoebe, for he was apparently deeply
preoccupied in carving some device upon the very post against which Guy
had leaned.

Already occupied with her own tenderness, she was quick to conclude that
here, too, was a lover, busy with some emblem of affection. Had not
Orlando cut Rosalind's name into the bark of many a helpless tree?

Clasping her hands behind her, she smiled at the lad with head thrown
back.

"A wager, lad!" she cried. "Two shillings to a groat thou art cutting a
love-token!"

The fellow looked up and tried to hide his knife. Then, grinning, he
replied:

"I'll no take your challenge, mistress. Yet, i' good faith, 'tis but to
crown another's work."

Then, pointing with his blade:

"See where he hath carved letters four," he continued. "Wi' love-links,
too. A watched un yestre'en, whiles the play was forward. A do but carve
a heart wi' an arrow in't."

She blushed suddenly, wondering if it were Guy who had done this.
Stepping to the side of the stable-boy, she examined the post.

The letters were in pairs. They were M. B. and G. F.

Her feeling bubbled over in a little half-stifled laugh.

"Silly!" she exclaimed. Then to the boy: "Know you him who cut the
letters?" she asked, with affected indifference.

"Nay, mistress," he replied, falling again to his work, "but he be a
rare un wi' the bottle."

"The bottle!" Phoebe exclaimed, in amazement. Then quite sternly:
"Thou beliest him, knave! No more sober--" She checked herself, suddenly
conscious of her indiscretion.

"Why, how knowest his habits?" she asked, more quietly.

"A saw un, mistress, sitting in the kitchen wi' two bottles o' Spanish
wine. Ask the player else."

"The player! What player?"

"Him as was drinking wi' him. Each cracked his bottle, and 'twas nip and
tuck which should call first for the second."

So Guy had spent the evening--those hours when she was tenderly
dreaming of him with love renewed--drinking and carousing with some
dissolute actor!

Within her Phoebe Wise and Mary Burton struggled for mastery of her
opinion.

What more natural than that a poor lad, tired with waiting on his feet
for hours for one look from the mistress who disdained him, should seek
to forget his troubles quaffing good wine in the company of some witty
player? This was Mary's view.

What! To leave the presence of his sweetheart--the girl to whom he had
just written that penitent letter--to go fresh from the inspiration of
all that should uplift a lover, and befuddle his brains with "rum,"
gossiping with some coarse-grained barn-stormer! So Phoebe railed.

"Who was the player?" she asked, sharply.

"Him as wore the long white beard," said the boy. "The Jew, to wit. Eh,
but a got his cess, the runnion!"

"Shylock!" she cried, in spite of herself.

So this was the gossiping barn-stormer, the dissolute actor. Will
Shakespeare it was with whom her Guy had spent the evening! Phoebe
Wise could but capitulate, and Mary Burton took for a time triumphant
possession of the heart that was Guy Fenton's.

"Have the players left the Peacock?" she asked, eagerly.

"Nay, mistress, know you not that they play to-night at the home of Sir
William Percy?"

"Then they are here, at the inn, boy?"

"A saw him that played the Jew i' the garden not a half hour since. He's
wont to wander there and mutter the words of the play. I'll warrant him
there now, mistress."

Here, indeed, was good fortune! Shakespeare was in the garden. He should
tell her where to find Guy that she might warn him. Quickly she turned
away and hurried out of the yard and around the north L, beyond which
was the garden, laid out with ancient hedges and long beds of
old-fashioned flowers.

Now this same garden was the chief pride of the neighborhood, the more
especially that gardens were but seldom found attached to inns in those
days. Here there had been a partly successful attempt to imitate Italian
landscape gardening; but the elaborately arranged paths, beds, and
parterres, with their white statues and fountains, lost their
effectiveness closed in as they were by high walls of vine-covered
brick. It was rumored that once a stately peacock had here once flaunted
his gorgeous plumage, giving his name to the inn itself--but this legend
rested upon little real evidence.

When Phoebe reached the entrance to the main walk she stopped and
looked anxiously about her. Nowhere could she see or hear anyone. Sadly
disappointed, she moved slowly forward, glancing quickly to right and
left, still hoping that he whom she sought had not utterly departed.

She reached a small stone basin surmounted by a statue of Plenty, whose
inverted horn suggested a copious stream long since choked up. Behind
the fountain there was a stone bench with a high back. Peeping behind
this, Phoebe found that a second seat was placed beyond the back,
inviting a seclusion whose expected purpose was distinctly suggested by
a sly little Cupid on a pedestal, holding one forefinger to his smiling
lips.

At this moment Phoebe was conscious of a distant mumbling to her left,
and, glancing quickly in that direction, she saw a plainly dressed,
bareheaded man of medium height just turning into the main walk out of a
by-path, where he had been hidden from view by a thick hedge of privet.
His eyes were turned upon some slips of paper which he held in one hand.

Could this be he? Shakespeare! The immortal Prince of Poets!

To Mary Burton, the approach of a mere player would have given little
concern. But Phoebe Wise, better knowing his unrivalled rank, was
seized with a violent attack of diffidence, and in an instant she dodged
behind the stone seat and sat in hiding with a beating heart.

The steps of the new-comer slowly approached. Phoebe knew not whether
pleasure or a painful fear were stronger within her. Here was indeed the
culmination of her strange adventure! There, beyond the stone which
mercifully concealed her, He was approaching--the wondrous Master Mind
of literature.

Would he go by unheeding? Could she let him pass on without one
glance--one word? And yet, how address him? How dare to show her face?

The slow steps ceased and at the same time he fell silent. She could
picture him gazing with unconscious eyes at the fountain while within he
listened to the Genius that prompted his majestic works. Again the
gravel creaked, and then she knew that he had seated himself on the
other bench. The two were sitting back to back with only a stone
partition between them.

To her own surprise, the diffidence which had oppressed her seemed now
to be gradually passing off. She still realized the privilege she
enjoyed in thus sharing his seat, but perhaps Mary Burton was gaining
her head as well as her heart, for she positively began to think of
leaving her concealment, contemplating almost unmoved a meeting with her
demi-god.

Then he spoke.

"The infant first--then the school-boy," he muttered. "So far good! The
third age--m--m--m--" There was a pause before he proceeded, slowly and
distinctly:


    "Unwillingly to school. And then the lover,
    Sighing his heart out in a woful ballad--

m--m--m--Ah!--

    Made to his mistress' eyebrow."


He chuckled audibly a moment, and then, speaking a little louder:

"Fenton to the life, poor lad!" he said.

Phoebe sat up very straight with a startled movement. Oh, to think of
it! That she should have forgotten Sir Guy! To have sought Will
Shakespeare for the sole purpose of tracing her threatened lover--and
then to forget him for a simple name--a mere celebrity!

Unconscious of the small inward drama so near at hand, the playwright
proceeded with his composition.

"'Sighing his heart out,'" he mused. "Nay, that were too strong a touch
for Jacques. Lighter--lighter." Then, after a moment of thought:
"Ay--ay!" he chuckled. "'Sighing like furnace'--poor Fenton! How like a
very furnace in his dolor! Yet did he justice to the Canary. So--so! To
go back now:


    "Unwillingly to school. And then the lover,
    Sighing like furnace with a woful ballad
    Made to his mistress' eyebrow."


'Twill pass, in sooth, 'twill pass!"

Lightly Phoebe climbed onto the bench and peeped over the back. She
looked down sidewise upon the author, who was writing rapidly in an
illegible hand upon one of his paper slips.

There was the head so familiar to us all--the domelike brow, the long
hair hanging over the ears. This she could see, but of his face only
the outline of his left cheek was visible. Strange and unexpected to
herself was the light-hearted calm with which, now that she really saw
him, she could contemplate the great poet.

He ceased writing and leaned against the back, gazing straight ahead.

"The third age past, what then? Why the soldier, i' faith--the
soldier----"


    "Full of strange oaths"


came a mischievous whisper from an invisible source--


                       "and bearded like the pard.
    Jealous in honor, sudden and quick in quarrel,
    Seeking the bubble reputation
    Even in the cannon's mouth."


For a moment the poet sat as though paralyzed with astonishment. Then
rising, he turned and faced the daring girl.

Now she saw the face so well remembered and yet how little known before.
Round it was and smooth, save for the small, well-trimmed mustache above
the beautifully moulded mouth and chin--sensitive yet firm. But above
all, the splendid eyes! Eyes of uncertain color that seemed to Phoebe
mirrors of universal life, yet just now full of a perplexed admiration.

For she was herself the centre of a picture well fitted to arrest a
poet's attention. Her merry face was peering over the smooth white
stone, with four pink finger-tips on each side clinging for greater
security. Behind her a cherry-tree was dropping its snowy blossoms, and
two or three had fallen unheeded upon her wavy brown hair, making a
charming frame for the young eyes and tender lips whose smiling harmony
seemed to sing with arrant roguishness.

With a trilling laugh, half-suppressed, she spoke at last.

"A penny for your thoughts, Master Shakespeare!" she said.

The mood of the astonished player had quickly yielded to the girl's
compelling smile, and his fine lips opened upon a firm line of teeth.

"'Show me first your penny,'" he quoted.

"I'll owe you it."

He laughed and shook his head.

"That would I not my thoughts, damsel."

"Pay them, then. Pay straightway!" she pouted, "and see the account be
fair."

"Nay, then," he replied, bowing half-mockingly, "an the accountant be so
passing fair, must not the account suffer in the comparison?"

The face disappeared for a moment, and then Phoebe emerged from behind
the stone rampart, dusting her hands off daintily one against the other.

"Did not your wit exceed your gallantry, sir," she said, courtesying
slightly, "I had had my answer sooner."

Shakespeare was somewhat taken aback to see a developed young woman,
evidently of gentle birth, where he had thought to find the mere
prank-loving child of some neighboring cottager. Instantly his manner
changed. Bowing courteously, he stepped forward and began in a
deferential voice:

"Nay, then, fair mistress, an I had known----"

"Tut--tut!" she interrupted, astonished at her own boldness. "You
thought me a chit, sir. Let it pass. Pray what think you of my lines?"

"They seemed the whisper of a present muse," he said, gayly, but with
conviction in his voice. "'Twas in the very mood of Jacques, my lady--a
melancholy fellow by profession----"

"Holding that light which another might presently approve"--she broke
in--"and praise bestowing on ill deserts in the mere wantonness of a
cynic wit! What!--doth the cap fit?"

The amazement in her companion's face was irresistible, and Phoebe
burst forth into a spontaneous laugh of purest merriment.

"'A hit--a hit--a very palpable hit!'" she quoted, clapping her hands in
her glee.

"Were not witches an eldritch race," said Shakespeare, "you, mistress,
might well lie under grave suspicion."

"What--what! Do I not fit the wizened stamp of Macbeth's sisters
three?"

Shakespeare flung out his arms with a gesture of despair.

"Yet more and deeper mystery!" he cried. "My half-formed
plots--half-finished scraps--the clear analysis of souls whose only life
is here!" he tapped his forehead. "Say, good lady, has Will Shakespeare
spoken, perchance, in sleep--yet e'en so, how could----"

He broke off and coming to her side, spoke earnestly in lowered tones.

"Tell me. Have you the fabled power to read the soul? Naught else
explains your speech."

"Tell me, sir, first the truth," said Phoebe. "In all sadness, Master
Shakespeare, have you had aught from Francis Bacon? I mean by way of aid
in writing--or e'en of mere suggestion?"

"Bacon--Francis Bacon," said he, evidently at a loss. "There was one
Nicholas Bacon----"

"Nay, 'tis of his son I speak."

"Then, in good sooth, I can but answer 'No,' mistress; since that I knew
not even that this Nicholas had a son."

Phoebe heaved a sigh of relief and then went on with a partial return
of her former spirit.

"Then all's well!" she exclaimed. "I am a muse well pleased; and now, an
you will, I'll teach you straight more verses for your play."

"As you like it," said Shakespeare, bowing, half-amused and wholly
mystified.

"Good!" she retorted, brightly. "'As You Like It' shall you name the
piece, that henceforth this our conversation you may bear in mind."

Smiling, he took up his papers and wrote across the top of one of them
"As You Like It" in large characters.

"Now write as I shall bid you," Phoebe said. "Pray be seated, good my
pupil, come."

Then, seated there by Phoebe's side, the poet committed to paper the
whole of Jacques's speech on "The Seven Ages," just as Phoebe spoke it
from her memory of the Shakespeare club at home.

When he ceased scribbling, he leaned forward with elbows on his knees
and ran his eyes slowly and wonderingly over each line in turn,
whispering the words destined to become so famous. Phoebe leaned a
little away from her companion, resting one hand on the bench, while she
watched his face with a smile that slowly melted to the mood of dreamy
meditation. They sat thus alone in silence for some time, so still that
a wren, alighting on the path, hopped pecking among the stones at their
very feet.

At length the poet, without other change in position, turned his head
and looked searchingly and seriously into the young girl's eyes. What
amazing quality was it that stamped its impress upon the maiden's
face--a something he had never seen or dreamed of? Even a Shakespeare
could give no name to that spirit of the future out of which she had
come.

"Is it then true?" he said, in an undertone. "Doth the muse live? Not a
mere prompting inward sense, but in bodily semblance visiting the poet's
eye? Or art thou a creature of Fancy's colors blended, feigning
reality?"

Never before had the glamour of her situation so penetrated her to whom
these words were addressed. She was choked by an irrepressible sob that
was half a laugh, and a film of moisture obscured her vision. With a
sudden movement, she seized the poet's hand and pressed it to her lips.
Then, half-ashamed, she rose and turned away to toy with the foliage of
a shrub that stood beside the path.

"Nay, then!" Shakespeare cried, with something like relief in his voice,
"you are no insubstantial spirit, damsel. Yet would I fain more clearly
comprehend thee!"

There was a minute's pause ere Phoebe turned toward the speaker, that
spirit of mischief dancing again in her eyes and on her lips.

"I am Mary Burton, of Burton Hall," she said.

"Oh!" he exclaimed. And then again: "Oh!" with much of understanding and
something of disappointment.

"Is all clear now?" she asked, roguishly.

Shakespeare rose, and, shaking one finger playfully at her, he said:

"Most clear is this--that Sir Guy knows well to choose in love;
although, an I read you aright, my Mistress Mockery, his wife is like to
prove passing mettlesome. For the rest, your lover knows poor Will
Shakespeare's secrets--his Macbeth and half-written Hamlet. 'Tis with
these you have made so bold to-day! My muse, in sooth! Oh, fie--fie!"
And he shook his head, laughing.

"Indeed! In very sooth!" said Phoebe, with merry sarcasm. "And was it,
then, Guy who brought me these same lines of Jacques the melancholy?"
And she pointed to the papers in his hand.

"Nay, there I grant you," said the poet, shaking his head, while the
puzzled expression crept once more into his face.

"Ay, there, and in more than this!" Phoebe exclaimed. "You have spoken
of Hamlet, Master Shakespeare. Guy hath told me something of that
tragedy. This Prince of Denmark is a most unhappy wight, if I mistake
not. Doth he not once turn to thought of self-murder?"

"Ay, mistress. I have given Sir Guy my thoughts on the theme of Hamlet,
and have told him I planned a speech wherein should be made patent
Hamlet's desperate weariness of life, sickened by brooding on his
mother's infamy."

"'To be or not to be, that is the question,'" quoted Phoebe. "Runs it
not so?"

"This passes!" cried Shakespeare, once more all amazement. "I told not
this to your friend!"

"Nor did I from Guy receive it," said Phoebe. "Tell me, Master
Shakespeare, have you yet brought that speech to its term?"

"No," he replied, "nor have I found the task an easy one. Much have I
written, but 'tis all too slight. Can you complete these lines, think
you?"

"My life upon it!" she cried, eagerly.

He shook his head, smiling incredulously.

"You scarce know what you promise," he said. "Can one so young--a
damsel, too--sound to its bitter deeps the soul of Hamlet!"

"Think you so?" Phoebe replied, her eyes sparkling. "Then what say you
to a bargain, Master Shakespeare? You know where Sir Guy Fenton may be
found?"

"Ay, right well! 'Tis a matter of one hour's ride."

"So I thought," she said. "Hear, then, mine offer. I must perforce
convey a message straight that touches the life and honor of Sir Guy. To
send my servant were over-dangerous, for there may be watchers on my
going and coming. Will you go, sir, without delay, if that I speak for
you the missing lines completing young Hamlet's soliloquy?"

Shakespeare looked into her face for a few moments in silence.

"Why, truly," he said at last, "I have here present business with my
fellow-player Burbidge." He paused, and then, yielding to the pleading
in her eyes: "Yet call it a bargain, mistress," he said. "Speak me the
lines I lack and straightway will I take your word to Sir Guy."

"Now blessings on thee!" cried Phoebe. "Give me straight the line you
last have written."

At once the poet began:

"When he himself might his quietus make----"

"With a bare bodkin"--broke in the excited girl. "Who would fardels
bear, to grunt and sweat beneath a weary life, but that the thought of
something after death--the undiscovered country from whose bourne no
traveller returns--puzzles the will, and makes us rather bear the ills
we have than fly to others that we know not of. Thus conscience does
make cowards of us all, and so the native hue of resolution is sicklied
o'er with the pale cast of thought, and enterprises of great pith and
moment by this regard their currents turn awry and lose the name of
action."

"No more--no more!" cried Shakespeare, in an ecstasy. "More than
completely hast thou made thy bargain good, damsel unmatchable! What!
Can it be! Why here have we the very impress of young Hamlet's soul--'To
grunt and sweat beneath a weary life'--feel you not there compunction
and disgust, seeing in life no cleanly burden, but a 'fardel' truly,
borne on the greasy shoulders of filthy slaves!"

He turned and paced back and forth upon the gravel, repeating without
mistake and with gestures and accents inimitable the lines which
Phoebe had dictated. She watched him, listening attentively, conscious
that what she saw and heard, though given in a moment, were to be
carried with her forever; convinced as well that she was for something
in this, and thankful while half afraid.

Reaching the end of the soliloquy, Shakespeare turned to the maiden, who
was still standing, backed by the warm color of a group of peonies.

"Nay, but tell me, damsel," he cried, appealingly. "Explain this power!
Art thou, indeed, no other than Mary Burton?"

How refuse this request? And yet--what explanation would be believed?
Perhaps, if she had time, she thought, some intelligible account of the
truth would occur to her.

"And have you forgot your bargain so soon?" she said, reproachfully
shaking her head. "Away, friend, away! Indeed, the matter is urgent and
grave. If, when you return, you will ask for Mary Burton, knowing your
task fulfilled, she may make clear for you what now must rest in
mystery."

"You say well," he replied. "Give me your message, and count fully on
Will Shakespeare to carry it with all despatch and secrecy."

Phoebe's face grew grave as she thought of all that depended on her
messenger. She stepped closer to her companion and glanced to right and
left to make sure they were still alone. Then, drawing from her finger a
plain gold ring, she offered it to her companion, who took it as she
spoke.

"If you will show this to Sir Guy," she said, "he will know that the
case is serious. It beareth writing within the circle--'Sois fidele'--do
you see?"

"Be faithful--ay."

"'Twill be an admonition for you both," said Phoebe, with a faint
smile. "Tell him to be in the lane behind the Peacock garden at sunset
to-morrow even with two good horses, one for himself and one for me.
Tell him to come alone and to travel by back ways. Bid him in my
name--in God's name--close till then, trusting in me that there is need.
Tell him to obey now, that later he may have the right to command."

"Good!" said Shakespeare. "And now good-by until we meet again."

A parting pressure of the hand, and he turned to go to the stables. She
stood by the fountain musing, her eyes fixed on the entrance gate of the
garden until at length a horseman galloped past. He rose in his stirrups
and waved his hand. She ran forward, swept by a sudden dread of his
loss, waving her hands in a passionate adieu.

When she reached the gate no one was in sight.




CHAPTER XIII

HOW THE FAT KNIGHT DID HOMAGE


On Rebecca's arrival with the royal attendants at Greenwich Palace, the
Queen had ordered that she be given a splendid suite of apartments for
her own use, and that she be constantly attended by a number of young
gentlewomen assigned to her establishment. The news soon spread through
the palace that an American princess or empress had arrived, and she was
treated in every way on the footing of a sort of inferior royalty.
Elizabeth invited her to share every meal with her, and took delight in
her accounts of the manners and customs of the American aborigines.

As for Rebecca, she finally yielded to the conviction that Elizabeth was
not Victoria, and found it expedient to study her companions with a view
to avoiding gross breaches of etiquette. Of these, the first which she
corrected was addressing Elizabeth as "Mrs. Tudor."

In twenty-four hours the shrewd and resourceful New England woman was
able to learn many things, and she rapidly found her bearings among the
strange people and stranger institutions by which she was surrounded.

Seated in her own "presence chamber," as she called it, surrounded by
her civil and assiduous attendants, she discovered a charm in being
constantly taken care of which was heightened by the contrast which it
presented with her usually independent habits of life. The pleasing
effect of novelty had never more strongly impressed her.

Her anxiety in Phoebe's behalf had been dispelled when she learned
that Isaac Burton was expected at the palace, and was to bring his
family with him. With diplomatic shrewdness, she resolved to improve
every opportunity to win the Queen's favor, in order that when the time
came she might have the benefit of her authority in removing her younger
sister from her pretended relatives.

It was about five in the afternoon of the day succeeding her adventure
on the Thames, and Rebecca sat near a window overlooking the entrance
court. She was completing the knitting upon which she had been engaged
when Droop made his first memorable call on her in Peltonville.

On either side of Rebecca, but on stools set somewhat lower than her
chair, were her two favorites, the Lady Clarissa Bray, daughter of
Walter Bray, Lord Hunsforth, and the Honorable Lady Margaret Welsh,
daughter of the Earl of March.

Clarissa was employed in embroidering a stomacher whose green, gold, and
russet set off her dark curls very agreeably. The Lady Margaret was
playing a soft Italian air upon the cithern, which she managed with
excellent taste, to the entertainment of her temporary mistress and her
half dozen attendants.

Rebecca's needles moved in time with the graceful measure of the music,
while her head nodded in unison, and she smiled now and then.

As the air was concluded she let her hands sink for a moment into her
lap, turning to bend an approving look upon the fair young musician.

"There, now!" she said. "I declare, Miss Margaret, that's real sweet
music. I'm much obliged to ye, I'm sure."

Margaret arose and courtesied, blushing.

"Would your Highness that I play again?" she asked.

"No, thank ye," said Rebecca, resuming her knitting. "The's no sort o'
use in drivin' folks to death as are kind to ye. Sit right down an' rest
now, an' I'll tell ye all a story thet hez a bearin' right on that
point."

She turned to the four maids of honor seated behind her.

"Now you girls can jest's well come an' set in front o' me while I'm
talkin'. I'll like it a heap better, I'm sure."

With great diffidence on the part of her attendants, and after much
coaxing on Rebecca's part, this change was accomplished. The idea of
being seated in the presence of royalty was in itself quite distasteful
to these young courtiers, but upon this Rebecca had insisted from the
first. It made her feel tired, she said, to see people standing
continually on their feet.

"Well," she began, when all were disposed to their satisfaction, "it all
happened in my country, ye know. 'Twas 'bout ten years ago now, I
guess--or rather then--I mean it will be----"

Clarissa's wondering eyes caught the speaker's attention and she
coughed.

"Never mind when 'twas," she went on. "Ye see, things are very different
here--time as well's the rest. However, 'long 'bout then, my cousin Ann
Slocum took a notion to 'nvite me down to Keene fer a little visit.
Phoebe--thet's my sister--she said I could go jest's well's not, an'
so I went. The fust night I was there, when dinner was over, of course I
offered to wash up the dishes, seem'----"

An involuntary and unanimous gasp of amazement from her fair auditors
cut Rebecca short at this point.

"Well," she said, a little anxiously, "what's the matter? Anythin'
wrong?"

The Lady Clarissa ventured to voice the general sentiment.

"Did we hear aright, your Highness?" she asked. "Said you--'wash up the
dishes'?"

"Oh!" said Rebecca, conscious for the first time of her slip, "did that
puzzle ye?"

"Do queens and princesses perform menial offices in America?" asked the
Honorable Lady Margaret.

Short as was the time allowed, it had sufficed for Rebecca to compose a
form of words which should not wound her conscience by direct falsehood,
while not undeceiving her hearers as to her rank.

"Why, to tell ye the truth," she said, in a semi-confidential manner,
"all the queens and princesses there are in America wash the dishes
after dinner."

There was some whispering among the girls at this, and Rebecca's ears
caught the expressions "passing strange" and "most wonderful" more than
once.

She waited until the first excitement thus produced had subsided and
then proceeded.

"Of course Cousin Ann hadn't no objection, an' so I went into the
kitchen. When we got through, blest ef she didn't ask me to wash out the
dish-towels while she filled the lamps! Now----"

The growing amazement in the round, open eyes and shaking curls of her
audience brought Rebecca once more to a standstill. Evidently some
further explanation of this unwonted state of things would be expected.
To gain time for further invention, Rebecca rose and carried her
knitting to the window as though to pick up a stitch. Mechanically she
glanced down into the court-yard, where there was now a large
assemblage, and uttered an exclamation of astonishment.

"Gracious alive!" she cried. "If there ain't a bicycle! Well, well,
don't that look nat'ral, now! Makes me feel homesick."

She turned to her companions, each of whom was ceremoniously standing,
but all showing clearly in their faces the curiosity which consumed
them.

"Come 'long!" said Rebecca, smiling. "Come one and all! I'm blest ef ye
don't make me think of Si Pray's dog waitin' to be whistled fer when Si
goes out to walk."

The obedience to this summons was prompt and willing, and Rebecca turned
again to observe those who came with the mysterious bicycle.

"Land o' sunshine!" she exclaimed, "did ye ever see sech a fat man as
that! Do any of you girls know who 'tis?"

"'Tis Sir Percevall Hart, harbinger to the Queen, I ween," Clarissa
replied.

"Gracious!" said Rebecca, anxiously. "I do hope now he ain't bringin'
any _very_ bad news!"

"Wherefore should he, your Highness?" said Clarissa.

"Why, if he's a harbinger of woe--ain't that what they call 'em?" she
spoke, with some timidity.

"Nay," said the Lady Margaret. "Sir Percevall is reputed a wit and a
pleasant companion, your Highness. He is harbinger to the Queen."

"An' who's the man with him in black togs an' rumpled stockin's?" said
Rebecca. "The one holdin' the bicycle?"

"Mean you him holding the two bright wheels, your Highness?"

"Yes."

Lady Margaret could not answer, nor could any of the other attendants.
Could Rebecca have had a more advantageous view of the stranger, she
would herself have been the only one in the palace to recognize him. She
could only see his hat and his borrowed clothes, however, and her
curiosity remained unsatisfied.

"That looks like Copernicus Droop's wheel," she muttered. "I wonder ef
somebody's ben an' stole it while he was away. 'Twould serve him right
fer givin' me the slip."

Then turning to Lady Margaret again, she continued:

"Would you mind runnin' down to ask who that man is, Miss Margaret?
Seems to me I know that bicycle."

Courtesying in silence, the maid backed out of the room and hurried down
the stairs quite afire with the eagerness of her curiosity. This
strange, bright-wheeled thing to which the American princess so easily
applied a name, could only be some wonderful product of the New World.
She was overjoyed at the thought that she was to be the first to closely
examine and perhaps to touch this curiosity.

Her plans were delayed, however, for when she reached the court-yard she
found herself restrained by a row of men with halberds, one of whom
informed her that her Majesty was returning from chapel.

The Queen and her retinue were obliged to pass across the courtyard on
the way to the apartment where Elizabeth was to take her evening meal.
Her progress at such times was magnificently accompanied, and was often
much delayed by her stopping to notice her favorites as she passed them,
and even at times to receive petitions.

Copernicus, who, as we have seen, had just arrived, was inclined to
bewail the interruption caused by this procession, but his companion
insisted that, on the contrary, all was for the best.

"Why, man," said he, "Dame Fortune hath us in her good books for a
surety. What! Could we have planned all better had we willed it? To meet
the Queen in progress from chapel! 'Twill go hard but Sir Percevall
shall win his suit--and you, Master Droop, your monopolies. Mark me
now--mark me well!"

So saying, the fat knight advanced and joined one of the long lines of
courtiers already forming a hedge on each side of the direct way which
the Queen was to traverse. Droop, leaning his bicycle against the palace
wall and taking in his hands his phonograph and box of cylinders, placed
himself behind his guide and watched the proceedings with eager
curiosity.

A door opened at one end of the lane between the two courtiers and there
appeared the first of a long procession of splendidly apparelled
gentlemen-in-waiting, walking bareheaded two by two. Of these, the first
were simple untitled knights and gentlemen. These were followed by
barons, then earls, and lastly knights of the garter, each gentleman
vying with the others in richness of apparel and lavish display of
collars, orders, jewelled scabbards, and heavy chains of gold.

Behind these there came three abreast. These were the Lord High
Chancellor, in wig and robes, carrying the Great Seal of England in a
red silk bag. On his right walked a gentleman carrying the golden
sceptre, jewelled and quaintly worked, while he on the left carried the
sword of state, point up, in a red scabbard, studded with golden
fleur-de-lis.

A few steps behind this imposing escort came the Queen, with a small but
richly covered prayer-book in her hand. She looked very majestic on this
occasion, being dressed in white silk bordered with pearls of the size
of beans, over which was thrown a mantle of black silk shot with silver
threads. An oblong collar of jewelled gold lay upon her otherwise bare
bosom.

The Queen's train was very long and was carried by a marchioness, whose
plain attire set off the magnificence of royalty.

As Elizabeth proceeded across the yard, she spoke to one by-stander or
another, and Droop, looking on, made up his mind that the rule was that
anyone to whom she addressed a word, or even a look, should drop
forthwith to his knees and so remain until she had passed, unless she
pleased to extend her hand to raise him up.

On each side of this main procession there was a single file of five
and twenty gentlemen pensioners, each carrying a gilt battle-axe.

The remainder of the procession consisted of a train of court ladies all
dressed in white and nearly destitute of ornaments. Evidently the Royal
Virgin would suffer no rivalry in dress from those of her own sex.

Just behind Elizabeth and to one side, in such a position as to be
within easy reach for consultation, walked the Lord High Treasurer,
William Cecil, Baron of Burleigh. It was to this nobleman that his
nephew, Francis Bacon, had addressed the letter which he had given to
Copernicus Droop.

By dint of much squeezing and pushing, Sir Percevall made his way to the
front of the waiting line, and, as Elizabeth approached, he dropped
painfully to his knees, and, with hat in hand, gazed earnestly into the
Queen's face, not daring to speak first, but with a petition writ large
in every feature.

Now, Elizabeth was most jealous of her dignity, and valued her own
favors very highly. In her eyes it was downright impertinence at a time
like this for anyone to solicit the honor of her attention by kneeling
before he was noticed.

Knowing this, Burleigh, who recognized the knight and wished him well,
motioned to him earnestly to rise. Alarmed, Sir Percevall made a
desperate effort to obey the hint, and, despite his huge bulk, would
perhaps have succeeded in regaining his feet without attracting the
notice of the Queen but for the impatient movement of the crowd behind
him. Unfortunately, however, he had but half risen when the bustling
multitude moved forward a little against his expansive rear. The result
was disastrous.

Sir Percevall lost his balance, and, feeling himself toppling, threw his
hands out forward with a cry and fell flat on his face.

Elizabeth was at this moment addressing a few gracious words to a
white-haired courtier, who kneeled among those gathered on the right of
her line of progress. Startled by the loud cry of the falling knight,
she turned swiftly and saw at her feet a man of monstrous girth
struggling in vain to raise his unwieldy form. His plumed hat had rolled
to some distance, exposing a bald head with two gray tufts over the
ears. His sword stood on its hilt, with point in air, and his short, fat
legs made quick alternate efforts to bend beneath him--efforts which the
fleshy knees successfully resisted.

The helpless, jerking limbs, the broad, rolling body, and the mixture of
expletives and frantic apologies poured forth by the prostrate knight
turned the Queen's first ready alarm to irrepressible laughter, in which
the bystanders joined to their great relief. Droop alone was grave, for
he could only see in this accident the ruin of his plans.

"Now, by the rood!" cried the Queen, as soon as she could speak
distinctly, "fain would we see your face, good gentleman. Of all our
subjects, not one doth us such low obeisance!" Then, beckoning to those
of her gentleman pensioners who stood nearest:

"Raise us yon mighty subject of ours, whose greatness we might in our
majesty brook but ill did not his humble bearing proclaim a loyal
submission."

Four gentlemen, dropping their gilt axes, hastened to Sir Percevall's
aid, raising him by the arms and shoulders.

"Enough--enough, lads!" cried the knight, when they had got him to his
knees. "Let it not be said that Sir Percevall Hart dared to tempt erect
the dreadful glance of majesty. Here let him lowly bend beneath the eyes
that erstwhile laid him low."

Still holding him, the four gentlemen turned their eyes to the Queen for
orders, and Sir Percevall, clasping his mud-stained hands, addressed
himself directly to Elizabeth, in whose still laughing face he foresaw
success.

"O Majesty of England!" he cried. "Marvel not at this my sudden
fall--for when, with more than royal glory is linked the potency of
virgin loveliness, who can withstand!"

"Why, how now, Sir Knight!" said Elizabeth, banteringly. "Are we less
lovely or less awful now than a moment since? You seem at least one half
restored."

"Nay, your Majesty," was the reply. "'Tis his sovereign's will and high
command that stiffens poor Percy's limbs, and in obedience only that he
finds strength to present his suit."

"A suit!" she exclaimed. "Pride cometh before a fall, 'tis said. Then,
in sooth, by the rule of contraries, a fall should presage humility's
reward. What says my Lord Baron?"

She turned to Burleigh, who smiled and, bowing, replied:

"So witty a flight to so sound a conclusion Cecil could not have winged
alone, but where majesty teacheth wisdom, who shall refuse it!"

"'Tis well!" said Elizabeth, more soberly. "Rise, Sir Knight, and, when
that we have supped, seek audience again. An the petition be in reason,
'twill not suffer for the fall you have had."

With this speech, Sir Percevall's first audience ended, and it was with
a happy face that he suffered himself to be helped to his feet by the
four gentlemen who had first been sent to his aid.

As the Queen resumed her progress and entered the apartments wherein she
was to prepare for her evening meal, there resounded through the palace
the ringing notes of trumpets and the musical booming of a kettle-drum.

In a large antechamber immediately outside of the room where the Queen
was to sup there was placed a splendidly carved table of black oak, and
here were made all the preparations for her repast, accompanied by the
usual ceremonies.

Moving to the sound of trumpets and drum, two gentlemen entered the
room, the first bearing a rod and the second a table-cloth. Advancing
one behind the other, they kneeled three times between the door and
table, apparently expressing the deepest veneration. Having spread the
table, they retired backward, not forgetting to repeat the genuflections
as performed on their approach.

These first two were followed immediately by two other gentlemen, the
first with a rod and the other carrying a salt-seller, plates, and
bread. These articles were carried to the table with the same ceremony
as had attended the spreading of the cloth.

Next there entered a young lady, whose coronet indicated the rank of
countess and whose uncovered bosom proclaimed the unmarried state. She
was accompanied by a married lady of lower rank, carrying a knife. The
Countess rubbed the plates with bread and salt, and then the two ladies
stood awhile by the table, awaiting the arrival of the supper.

Finally there entered, one at a time, twenty-four yeomen of the guard,
the tallest and handsomest men in the royal service, bareheaded and
clothed in scarlet coats, with roses embroidered in gold thread on their
backs. Each yeoman carried a separate special dish intended for the
royal repast, and, as each approached the table, the lady with the knife
cut off and placed in his mouth a portion of the food which he was
carrying. After depositing their dishes upon the table, the yeomen
departed and the maids of honor then approached and carried the dishes
into the inner room, where the Queen sat at her supper.

Of all those who thus advanced to the table and departed walking
backward, none omitted the reverent kneelings, nor did anyone concerned
in all this ceremony speak a word until it was concluded. Although the
Queen was actually absent, in fiction she was present, and it was to
this fiction that so much reverence was paid.

Shortly after the commencement of these preparations, Droop and his
guide appeared among other petitioners and other lookers-on around the
doorways. Copernicus carried his phonographic apparatus, but the bicycle
had been left in the court-yard in the care of a man-at-arms.

"Jiminy!" said Droop, looking curiously about him, "ain't this A No. 1,
though! Et must be fun to be a queen, eh, Percevall?"

"To speak truly, my lad," said the knight, "there is something too much
of bravery and pomp in the accidents of royalty. What! Can a king
unbend--be merry--a good fellow with his equals? No! And would you or I
barter this freedom for a crown?" He shook his head. "Which think you
passed the merrier night--or the Queen (God's blessing on her) or you
and I?"

Droop paid little heed to his companion, for his eyes were busy with the
unwonted scene before him.

"Well, now!" he exclaimed. "Look there, Sir Knight. See how the old lady
digs out a piece o' that pie and pokes it into that lord's mouth! He
must be mighty hungry! I'm darned ef I'd thought they'd hev let him hev
his grub before the Queen--and out of her own dish, too!"

"Nay, Brother Droop," said the Englishman, "this custom hath its origin
in the necessary precaution of our sovereign. Who knows but that poison
be in this food! Have not a score of scurvy plots been laid against her
life? 'Tis well to test what is meant for the use of majesty."

Droop whistled low.

"Thet's the wrinkle, eh?" he said. "I don't guess I'd be much tempted to
take a job here as a taster, then! Hello!" he said. "Why, they're takin'
the victuals out o' the room. What's that fer? Did they find p'ison in
'em?"

Sir Percevall did not reply. His attention had been caught by the
arrival of a strangely dressed woman, apparently attended by six maids
of honor.

Turning to a gentleman at his elbow:

"Can you tell me, sir," he said, "who is yonder stranger in outlandish
apparel?"

Following the speaker's eyes, the gentleman stared for a few moments and
then replied:

"Marry, sir, it can but be the American princess with her retinue. They
say that her Majesty much affects this strange new-comer."

It was, indeed, Rebecca who, in response to an invitation brought by a
page in the Queen's livery, was on the way to take supper with
Elizabeth. On her arrival at the anteroom door, an attendant went in
before the Queen to announce her presence; and, while awaiting
admission, Rebecca gazed about her with a curiosity still unsatisfied.

"There, now," she was saying, "'twas suttenly too bad to send you off on
a wild-goose chase, Miss Margaret. Ef you could hev found the man, I'd
hev ben glad, though."

At that very moment, a voice close beside her made her start violently.

"Well--well! I declare! Rebecca Wise, how do you do!"

She turned and saw him of whom she was at that moment speaking, and lo!
to her amazement, it was Copernicus Droop who held out his right hand.

"Copernicus Droop!" she gasped. Then, remembering her adventure of the
previous day, she went on coldly, without noticing the proffered hand:
"Ye seem right glad to see me _now_, Mr. Droop."

Droop was taken aback at her manner and at the sarcastic emphasis laid
upon the word "now."

"Why--why--of course," he stammered. "I thought you was lost."

"Lost!" she cried, indignantly. "Lost! Why, you know right well I chased
you up one street and down the other all the mornin' yesterday. You
tried to lose me, Mr. Droop--and now you find me again, you see. Oh,
yes, you _must_ be glad to see me!"

Droop was at first all astonishment at this accusation, but in a few
moments he guessed the true state of the case. Without delay he
explained the exchange of clothes, and had no difficulty in persuading
Rebecca that it was Francis Bacon whom she had pursued by mistake.

"Poor young man!" Rebecca exclaimed, in a low voice of contrition. "Why,
he must hev took me fer a lunatic!"

Then she suddenly recollected her young attendants, and turned so as to
bring them on one hand and Droop on the other.

"Young ladies," she said, primly, "this here's Mr. Copernicus Droop,
from America."

With one accord the six girls dropped their eyes and courtesied low.

"Mr. Droop," Rebecca continued, as she indicated one of the girls after
the other with her forefinger, "make you acquainted with Miss Clarissa,
Miss Margaret, Miss Maria, Miss Gertrude, Miss Evelina, and Miss
Dorothy. They've got sech tangled-up last names, I declare I can't keep
'em in my head. Mr. Droop's the same rank I am," she concluded,
addressing the girls.

Droop fidgeted and bowed six awkward bows with eyes riveted to the
ground. He had never been a ladies' man, and this unexpected
presentation was a doubly trying ordeal.

There was a murmur of "your Highness" from the courtesying young women
which convinced the abashed Yankee that he was being mocked, and this
impression was deepened by the ill-suppressed giggles occasioned by the
sight of his sadly rumpled hose. His confusion was complete.

"Now, tell me," said Rebecca, curiously, "whatever brought you up here?
Hev ye some errand with the Queen?"

"Yes," said Droop. "My friend and me came up here to get a patent. Say,"
he exclaimed, brightening up with startling suddenness, "praps you know
the racket--got the inside track, eh?"

"Inside track!"

"Yes. Don't you know the Patent Examiner--or Commissioner, or Lord High
Thingummy that runs the Patent Office here? I hate to bother the Queen
about sech things! Goodness knows, I'd never ha' thought o' troublin'
President McKinley about patents!"

Rebecca shook her head.

"I'm blest ef I know the fust thing about it," she declared. "Ef you
take my advice, you'll not bother Miss Elizabeth 'bout your old
patents."

At this moment the page returned.

"Her Majesty awaits your Royal Highness within," he said, bowing deeply.

Droop's jaws fell apart and his eyes opened wide.

"Royal Highness!" he murmured.

"Well, I've got to go now," said Rebecca, smiling at her friend's
astonishment. "But don't you go 'way fer a while yet. I'll try an' get
the Queen to let you in soon. I want to talk with you 'bout lots of
things."

In a moment she was gone, leaving Copernicus rooted to the floor and
dumb with amazement.

Someone touched his elbow and, turning, he saw Sir Percevall, with the
light of triumph on his fat face.

"Fortune's smiles have turned to mere laughter, my lad," he said,
chuckling. "This American princess hath the Queen's good-will. How the
fiend's name came you acquainted?"




CHAPTER XIV

THE FATE OF SIR PERCEVALL'S SUIT


In the inner chamber, Elizabeth was seated at a small table, at the
opposite end of which sat Rebecca. Burleigh, Nottingham, and two or
three other great lords stood near at hand, while one dish after another
was brought in from the outer room by maids of honor.

Standing to the right of the Queen's chair was a dark man of foreign
aspect, wearing the robes of a Doctor of Laws. In his hand was Rebecca's
copy of the New York _World_, which he was perusing with an expression
of the utmost perplexity.

"Well, Master Guido," said the Queen, "what make you of it?"

"Maesta eccellentissima--" the scholar began.

"Nay--nay. Speak good plain English, man," said the Queen. "The Lady
Rebecca hath no Italian."

Messer Guido bowed and began again, speaking with a scarcely perceptible
accent.

"Most Excellent Majesty, I have but begun perusal of this document. It
promiseth matter for ten good years' research in the comparison of
parts, interpretation of phrases, identifying customs, manners, dress,
and the like."

"Nay, then," said the Queen, "with the help of the Lady Rebecca, 'twill
be no weighty task, methinks. My lady, why partake you not of the
pasty?" she said, turning to Rebecca. "Hath it not a very proper savor?"

"My, yes," Rebecca replied; "it's mighty good pie! Somehow, though, pie
don't lay very good with me these days. Ye don't happen to have any tea,
do ye?"

"Tea!"

"If I may venture--" said Guido, eagerly.

"Speak, Messer Guido."

"Why, it would appear, your Majesty, that tea is a sort of stuff for
dresses--silk, belike."

"Stuff for dresses!" said Rebecca. "Stuff and nonsense! Why, tea's a
drink!"

"A beverage! Then how explain you this?" the Italian cried,
triumphantly. Lifting the newspaper, he read from it the following
passage: "The illustration shows a charming tea-gown, a creation of Mme.
Decollete."

"You see, Maesta--your Majesty--it is clear. A 'tea-gown' is shown in
the drawing--a gown made of tea."

Rebecca had opened her mouth to overwhelm the poor savant with the truth
when a page entered and stood before the Queen.

"Well, sirrah," said Elizabeth, "what is your message?"

"Sir Percevall Hart craves an audience, your Majesty, for himself and
his American friend and client."

"Another American!" exclaimed the Queen.

"Copernicus Droop!" cried Rebecca.

"Know you Sir Percevall's friend, Lady Rebecca?" asked Elizabeth.

"Why, yes, your Majesty. He and I came over together from Peltonville. I
believe he's after a patent."

"A patent? What mean you? Doth he ask for a patent of nobility--a title?
Can this be the suit of the fat knight?"

"I don't know," said Rebecca. "'Tain't nothin' 'bout nobility, I'm sure,
though. It's a patent on a phonograph, I b'lieve."

"Know you aught of this, my lord?" said Elizabeth, turning to Burleigh.

"Why, yes, your Majesty. I have to-day received from Sir Percevall Hart
a letter written by my nephew, Francis Bacon----"

"Bacon! What! Ay--methinks we know somewhat of this same Francis," said
the Queen, grimly. "A member of Parliament, is he not?"

"Even so, your Majesty," said Burleigh, somewhat crestfallen. "From this
letter I learn," he continued, while Elizabeth shook her head, "that
this American--a Master Dupe, I believe----"

"No--no--Droop!" cried Rebecca. "Copernicus Droop."

The baron bowed.

"That this Master Droop desires the grant of a monopoly in----"

"A monopoly!" cried Elizabeth. "What! This independent young
barrister--this parliamentary meddler in opposition, forsooth! He
craveth a monopoly? God's death! A monopoly in all the impudence in this
our realm is of a surety this fellow's right! We grant it--we grant it.
Let the papers be drawn forthwith!"

The baron bent before the storm and, bowing, remained silent. Rebecca,
however, could scarce see the justice of the Queen's position.

"Well, but look here, your Majesty," she said. "'Tain't Mr. Bacon as
wants this patent; it's Mr. Droop. Mr. Bacon only gave him a letter to
Mr. Burleigh here."

Astonishment was depicted in every face save in that of the Queen, whose
little eyes were now turned upon her sister sovereign in anger.

"Harkye, Lady Rebecca!" she exclaimed. "Is it the custom to take the
Queen to task in your realm?"

Rebecca's reply came pat. The type was prepared beforehand, and she
answered now with a clear conscience.

"Why, of course. We talk jest as we feel like to all the queens there is
in my country."

The equivocation in this reply must have struck the Queen, for she
said, without taking her eyes from Rebecca's face:

"And, prithee, Lady Rebecca, how many queens be there in America? We
begin to doubt if royalty be known there."

Again Messer Guido evinced signs of an anxious desire to speak, and
Rebecca shrewdly took advantage of this at once.

"Messer Guido can tell you all 'bout that, I guess," she said.

Elizabeth turned her eyes to the savant.

"What knowledge have you of this, learned doctor?" she asked, coldly.

"Why, your Majesty," said Guido, with delighted zeal, "the case is
plain. Will your Majesty but look at this drawing on one of the inner
pages of the printed document brought by the Lady Rebecca? Behold the
effigy of a powder canister, with the words 'Royal Baking Powder'
thereon. This would appear evidence that in America gunpowder is known
and is used by the sovereigns of the various tribes. Here again we see
'The Royal Corset,' and there 'Crown Shirts.' Can it be doubted that the
Americans have royal governors?"

The Queen's face cleared a little at this, and Guido proceeded with
increased animation:

"Behold further upon the front page, your Majesty, the effigy of a man
wearing a round crown with a peak or projecting shelf over the eyes.
Under this we read the legend 'The Czar of the Tenderloin.' Now, your
Majesty will remember that the ruler of Muscovy is termed the Czar. The
Tenderloin signifieth, doubtless, some order, akin, perchance, to the
Garter."

"This hath a plausible bent, Messer Guido," said Elizabeth, with more
good-nature. "Lady Rebecca, can you better explain this matter of the
Czar?"

"No, indeed," Rebecca replied, with perfect truth. "Mister Guido must
have a fine mind to understand things like that!"

"In sooth, good Messer Guido," said Elizabeth, with a smile, "your
research and power of logic do you great credit. We doubt not to learn
more of these new empires from your learned pains than ever from
Raleigh, Drake, and the other travellers whose dull wits go but to the
surface of things. But, Lord warrant us!" she continued, "here standeth
our page, having as yet no answer. Go, sirrah, and bid Sir Percevall and
this great American to our presence straight."

Then, turning again to Guido, she said:

"Messer Guido, we enjoin it upon your learning that you do make a note
of the petition of this American, as well as of those things which he
may answer in explanation of his design."

With a bow, Guido stepped to one side and, carefully folding the
newspaper, drew from his bosom his tablets and prepared to obey.

All eyes turned curiously to the door as it opened to admit the two
suitors, who were followed by the page. Sir Percevall, with plumed hat
in one hand and sword hilt in the other, advanced ponderously, bowing
low at every other step. Droop hurriedly deposited his two boxes upon
the floor and followed his monitor, closely imitating his every step and
gesture. Having no sword, he thought it best to put his left hand into
his bosom, an attitude which he recollected in a picture of Daniel
Webster.

The fat knight was about to kneel to kiss the royal hand, but Elizabeth,
smiling, detained him.

"Nay, nay!" she said. "You, Sir Percevall, have paid your debt of homage
in advance for a twelvemonth. He who kisses the dust at our feet hath
knelt for ten." Then, turning to Droop, who was down on both knees, with
his hand still in his breast: "What now!" she exclaimed. "Hath your hand
suffered some mischance, Sir American, that you hide it in your bosom?"

"Not a mite--not a mite!" Droop stuttered, quickly extending the member
in question. "Nay, your Majesty--in sooth, no--my hand beeth all right!"

"We learn from the Lord Treasurer," said Elizabeth, addressing Sir
Percevall, "that your petition hath reference to a monopoly. Know you
not, Sir Knight, that these be parlous days for making of new
monopolies? Our subjects murmur, and 'tis said that we have already been
too generous with these great gifts. Have you considered of this?"

"My liege," said Sir Percevall, "these things have we considered. Nor
would we tempt this awful Presence with petitions looking to tax further
the public patience. But, please your Majesty, Master Droop, my client
here," indicating the still kneeling man with a sweeping gesture, "hath
brought into being an instrument, or rather two instruments, of
marvellous fashion and of powers strange. Of these your Majesty's
subjects have had hitherto no knowledge, and it is in the making and
selling of these within this realm that we do here crave a right of
monopoly under the Great Seal."

"Excuse me, forsooth, your Majesty," Droop broke in, "but would thou
mind if I get up, my liege?"

"Nay, rise, rise, Master Droop!" exclaimed the Queen, smothering a
laugh. "We find matter for favor in your sponsor's speech. Can you more
fully state the nature of this petition?"

"Yes, ma'am--your Majesty," said Droop, rising and dusting off his
knees. "I am the inventor of a couple of things, forsooth, that are away
ahead of the age. Marry, yes! I call 'em a bicycle and a phonograph."

"Well, did you ever!" murmured Rebecca, amazed at this impudent claim to
invention.

Messer Guido paused in his writing and began to unfold his precious
American newspaper, while Droop went on, encouraged by the attentive
curiosity which he had evidently excited in the Queen.

"Now, the bicycle--or the bike, fer short--is a kind of a wagon or
vehycle, you wot. When you mount on it, you can trundle yerself along
like all possessed----"

"Gramercy!" broke in the Queen, in a tone of irritation. "What have we
here! We must have plain English, Master Droop. American idioms are
unknown to us."

As Droop opened his mouth to reply, Guido stepped forward with a great
rustling of paper.

"May it please your Gracious Majesty--" he panted, eagerly.

"Speak, Messer Guido."

"I would fain question this gentleman, your Majesty, touching certain
things contained herein." He shook the paper at arm's length and glared
at Droop, who returned the look with a calm eye.

"You may proceed, sir," said Elizabeth.

"Why, Master Droop, you that are the inventor of this same 'bicycle,'
how explain you this?"

He thrust the paper under Droop's nose, pointing to an advertisement
therein.

"Here," he continued, "here have we a picture bearing the legend,
'Baltimore Bicycle--Buy No Other'--" He paused, but before Copernicus
could speak he went on breathlessly: "And look on this, Master
Droop--see here--here! Another drawing, this time with the legend,
'Edison's Phonographs.' How comes it that you have invented these
things? Can you invent on this 21st day of May, in the year of our Lord
1598, what was here set forth as early as--as--" he turned the paper
back to the first page, "as early as April--" he stopped, turned pale,
and choked. Droop looked mildly triumphant.

"Well--well!" cried Elizabeth, "hast lost thy voice, man?"

"My liege," murmured the bewildered savant, "the date--this
document----"

"Is dated in 1898," said Droop, solemnly. "This here bike and phonograph
won't be invented by anyone else for three hundred years yet."

Elizabeth frowned angrily and grasped the arms of her chair in an access
of wrath which, after a pause, found vent in a torrent of words:

"Now, by God's death, my masters, you will find it ill jesting in this
presence! What in the fiend's name! Think ye, Elizabeth of England may
be tricked and cozened--made game of by a scurvy Italian bookworm and a
witless----"

The adjectives and expletives which followed may not be reported here.
As the storm of words progressed, growing more violent in its
continuance, Droop stood open-mouthed, not comprehending the cause of
this tirade. Of the others, but one preserved his wits at this moment of
danger.

Sir Percevall, well aware that the Queen's fury, unless checked, would
produce his and his client's ruin, determined to divert this flood of
emotion into a new channel. With the insight of genius, the fat knight
realized that only a woman's curiosity could avert a queen's rage, and
with what speed he could he stumbled backward to where Droop had left
his exhibits. He lifted the box containing the phonograph and, taking
the instrument out, held it on the palm of his huge left hand and bent
his eyes upon it in humble and resigned contemplation.

The quick roving eye of the angry Queen caught sight of this queer
assemblage of cogs, levers, and cylinder, and for the first time her
too-ready tongue tripped. She looked away and recovered herself to the
end of the sentence. She could not resist another look, however, and
this time her words came more slowly. She paused--wavered--and then
fixed her gaze in silence upon the enigmatical device. There was a
unanimous smothered sigh as the bystanders recognized their good
fortune. Guido, frightened half to death, slipped unobserved out of a
side door, and was never seen at Greenwich again. Nor has that fatal
newspaper been heard from since.

"What may that be, Sir Percevall?" the Queen inquired at length,
settling back in her chair as comfortably as her ruff would permit.

"This, my liege, is the phonograph," said the knight, straightening
himself proudly.

"An my Greek be not at fault," said the Queen, "this name should purport
a writer of sound."

Sir Percevall's face fell. He was no Greek scholar, and this query
pushed him hard. Fortunately for him, Elizabeth turned to Droop as she
concluded her sentence.

"Hath your invention this intent, Master Droop?" she said.

"Verily, I guess you've hit it--I wot that's right!" stammered the still
frightened man.

A very audible murmur of admiration passed from one to another of the
assembled courtiers and ladies-in-waiting. These expressions reached the
ears of the Queen, for whom they were indeed intended, and the
consciousness of her acumen restored Elizabeth entirely to good-humor.

"The conceit is very novel, is it not, my lord?" she said, turning to
Baron Burleigh.

"Novel, indeed, and passing marvellous if achieved, your Majesty," was
the suave reply.

"How write you sounds with this device, Master Droop?" she asked.

"Why, thusly, ma'am--your Majesty," said Droop, with renewed courage.
"One speaketh, you wot--talketh-like into this hole--this aperture." He
turned and pointed to the mouth-piece of the instrument, which was still
in Sir Percevall's hands. "Hevin' done this, you wot, this little
pin-like pricketh or scratcheth the wax, an' the next time you go over
the thing, there you are!"

Conscious of the lameness of this explanation, Droop hurried on, hoping
to forestall further questions.

"Let me show ye, my liege, how she works, in sooth," he said, taking the
phonograph from the knight. Looking all about, he could see nothing at
hand whereon to conveniently rest the device.

"Marry, you wouldn't mind ef I was to set this right here on your
table, would ye, my liege?" he asked.

Permission was graciously accorded, and, depositing the phonograph,
Droop hurried back to get his records. Holding a wax cylinder in one
hand, he proceeded.

"Now, your Majesty can graciously gaze on this wax cylinder," he said.
"On here we hev scrawled--written--a tune played by a cornet. It is
'Home, Sweet Home.' Ye've heerd it, no doubt?"

"Nay, the title is not familiar," said the Queen, looking about her.
With one accord, the courtiers shook their heads in corroboration.

"Is that so? Well, well! Why, every boy and gal in America knows that
tune well!" said Droop.

He adjusted the cylinder and a small brass megaphone, and, having wound
the motor, pressed the starting-button. Almost at once a stentorian
voice rang through the apartment:

"Home, Sweet Home--Cornet Solo--By Signor Paolo Morituri--Edison
Record."

The sudden voice, issuing from the dead revolving cylinder, was so
unexpected and startling that several of the ladies screamed and at
least one gentleman pensioner put his hand to his sword-hilt. Elizabeth
herself started bolt upright and turned pale under her rouge as she
clutched the arms of her chair. Before she could express her feelings
the cornet solo began, and the entire audience gradually resumed its
wonted serenity before the close of the air.

"Marvellous beyond telling!" exclaimed Elizabeth, in delight. "Why, this
contrivance of yours, Master Droop, shall make your name and fortune
throughout our realm. Have you many such ingenious gentlemen in your
kingdom, Lady Rebecca?"

"Oh, dear me, yes!" said Rebecca, somewhat contemptuously. "Copernicus
Droop ain't nobody in America."

Droop glanced reproachfully at his compatriot, but concluded not to give
expression to his feelings. Accordingly, he very quickly substituted
another cylinder, and turned again to the Queen.

"Now, your Majesty," said he, "here's a comic monologue. I tell you,
verily, it's a side-splitter!"

"What may a side-splitter be, Master Droop?"

"Why, in sooth, somethin' almighty funny, you know--make a feller laugh,
you wot."

Elizabeth nodded and, with a smile of anticipation, which was copied by
all present, prepared to be amused.

Alas! The monologue was an account of how a farmer got the best of a
bunco steerer in New York City, and was delivered in the esoteric
dialect of the Bowery. It was not long before willing smiles gave place
to long-drawn faces of comic bewilderment, and, although Copernicus set
his best example by artificial grins and pretended inward laughter, he
could evoke naught but silence and bored looks.

"Marry, sir," said Elizabeth, when the monologue was at an end, "this
needs be some speech of an American empire other than that you come
from. Could you make aught of it, Lady Rebecca?"

"Nothin' on airth!" was the reply. "Only a word now an' then about a
farmer--an' somethin' about hayseed."

"Now, here's a reg'lar bird!" said Droop, hastily, as he put in a new
cylinder.

"Can you thus record e'en the voices of fowls?" said the Queen, with
renewed interest.

Hopeless of explaining, Droop bowed and touched the starting-button. The
announcement came at once.

"Liberty Bells March--Edison Record," and after a few preliminary
flourishes, a large brass band could be heard in full career.

This proved far more pleasing to the Queen and her suite.

"So God mend us, a merry tune and full of harmony!" said the Queen.

"But that ain't all, your Majesty," said Droop. "Here's a blank
cylinder, now." He adjusted it as he spoke and unceremoniously pushed
the instrument close to the Queen. "Here," he said, "jest you talk
anythin' you want to in there and you'll see suthin' funny, I'll bet
ye!" He was thoroughly warmed to his work now, and the little court
etiquette which he had acquired dropped from him entirely.

The Queen's eager interest had been so aroused that she was unconscious
of his too familiar manner. Leaning over the phonograph as Droop
started the motor, she looked about her and said, with a titter: "What
shall we say? Weighty words should grace so great an occasion, my
lords."

"Oh, say the Declaration of Independence or the 'Charge of the Light
Brigade'!" Droop exclaimed. "Any o' them things in the school-books!"

Elizabeth saw that the empty cylinder was passing uselessly and wasted
no time in discussion, but began to declaim some verses of Horace.

"M--m--m--" exclaimed Droop, doubtfully. "I don't know as this
phonograph will work on Latin an' Greek!"

The Queen completed her quotation and, sitting back again in her chair:

"Now, Master Droop, we have done our part," she said.

Droop readjusted the repeating diaphragm and started the motor once
more. There were two or three squeaks and then an affected little
chuckle.

"What shall we say?" it began. "Weighty words should grace so great an
occasion, my lords."

Elizabeth laughed a little hysterically to hear her unstudied phrase
repeated, and then, with a look of awe, listened to the repetition of
the verses she had recited.

"Can any voice be so repeated?" she asked, seriously, when this record
was completed.

"Anyone ye please--any ye please!" said the delighted promoter, visions
of uncounted wealth dancing in his head. "Now, here's a few words was
spoken on a cylinder jest two or three weeks ago by Miss Wise," he
continued, hunting through his stock of records. "Ah, here it is! It's
all 'bout Mister Bacon--I daresay you know him." The Queen looked a
little stern at this. "Tells all 'bout him, I believe. I ferget jest
what it said, but we can soon see."

The cylinder was that before which Phoebe had read an extract from the
volume on Bacon's supposed parentage and his writings while she was at
the North Pole. Little did Droop conceive what a train he was
unconsciously lighting as he adjusted the cylinder in place. As he said,
he had forgotten the exact purport of the extract in question, but, even
had he recollected it, he would probably have so little understood its
terrific import that his course would have been the same. Ignorant of
his danger, he pushed the starting-button and looked pleasantly at the
Queen, whose dislike of anything having to do with Francis Bacon had
already brought a frown to her face.

All too exactly the fateful mechanism ground out the very words and
voice of Phoebe:


"It is thus made clear from the indubitable evidence of the plays
themselves, that Francis Bacon wrote the immortal works falsely ascribed
to William Shakespeare, and that the gigantic genius of this man was the
result of the possession of royal blood. In this unacknowledged son of
Elizabeth Tudor, Queen of England, was made manifest to all countries
and for all centuries the glorious powers inherent in the regal blood of
England."


As the fearful meaning of these words was developed by the machine,
amazement gave place to consternation in those present and consternation
to abject terror. Each fear-palsied courtier looked with pale face to
right and left as though to seek escape. The fat knight, hitherto all
complacency, listening to this brazen traducer of the Queen's virgin
honor, seemed to shrink within himself, and his very clothing hung loose
upon him.

Droop and Rebecca, ignorant of the true bearing of the spoken words,
gazed in amazement from one to another until, glancing at the Queen,
their eyes remained fixed and fascinated.

The unthinkable insult implied in the words repeated was trebled in
force by being spoken thus publicly and in calm accents to her very
face. She--the daughter of Henry the Eighth; she--Elizabeth of
England--the Virgin Queen--to be thus coolly proclaimed the mother of
this upstart barrister!

As a cyclone approaches, silent and terrific, visible only in the swift
swirling changes of a livid and blackened sky, so the fatal passion in
that imperial bosom was known at first only in the gleaming of her black
eyes beneath contorted brows and the spasmodic changes that swept over
the pale red-painted face.

The danger thus portended was clear even to the bewildered Droop, and,
before the instrument had said its say, he began to slip very quietly
toward the door.

As the speech ended, Elizabeth emitted a growl that grew into a shriek
of fury, and, with her hair actually rising on her head, she threw
herself bodily upon the offending phonograph.

In her two hands she raised the instrument above her, and with a
maniac's force hurled it full at the head of Copernicus Droop.

Instinctively he dodged, and the mass of wood and steel crashed against
the door of the chamber, bursting it open and causing the two guards
without to fall back.

Droop saw his chance and took it. Turning, with a yell he dashed past
the guards and across the antechamber to the main entrance-hall. The
Queen, choked with passion, could only gasp and point her hand
frantically after the fleeing man, but at once her gentlemen, drawing
their swords, rushed in a body from the room with cries of
"Treason--treason! Stop him! Catch him!"

Down the main hallway and out into the silent court-yard Droop fled on
the wings of fear, pursued by a shouting throng, growing every moment
larger.

As he emerged into the yard a sentry tried to stop him, but, with a
single side spring, the Yankee eluded this danger and flung himself
upon his bicycle, which he found leaning against the palace wall.

"Close the gates! Trap him!" was the cry, and the ponderous iron gates
swung together with a clang. But just one second before they closed, the
narrow bicycle, with its terror-stricken burden, slipped through into
the street beyond and turned sharply to the west, gaining speed every
instant. Droop had escaped for the moment, and now bent every effort
upon reaching the Panchronicon in safety.

Then, as the tumult of futile chase faded into silence behind the
straining fugitive, there might have been seen whirling through the
ancient streets of London a weird and wondrous vision.

Perched on a whirl of spokes gleaming in the moonlight, a lean black
figure in rumpled hose, with flying cloak, slipped ghostlike through the
narrow streets at incredible speed. Many a footpad or belated townsman,
warned by the mystic tinkle of a spectral bell, had turned with a start,
to faint or run at sight of this uncanny traveller.

His hat was gone and his close-cropped head bent low over the
handle-bars. The skin-tight stockings had split from thigh to heel, mud
flew from the tires, beplastering the luckless figure from nape to
waist, and still, without pause, he pushed onward, ever onward, for
London Bridge, for Southwark, and for safety. The way was tortuous, dark
and unfamiliar, but it was for life or death, and Copernicus Droop was
game.




CHAPTER XV

HOW REBECCA RETURNED TO NEWINGTON


Within the palace all was confusion and dismay. Only a very few knew the
cause of this riot which had burst so suddenly upon the wonted peace of
the place, and those few never in all their lives gave utterance to what
they had learned.

Within the presence chamber Elizabeth lay on the floor in a swoon,
surrounded by her women only. Among these was Rebecca, whose one thought
was now to devise some plan for overtaking Droop. From the window she
had witnessed his flight, and she had guessed his destination. She felt
sure that if Droop reached the Panchronicon alone, he would depart
alone, and then what was to become of Phoebe and herself?

Just as the Queen's eyes were opening and her face began to show a
return of her passion with recollection of its cause, Rebecca had an
inspiration, and with the promptitude of a desperate resolution, she
acted upon it.

"Look a-here, your Majesty!" she said, vigorously, "let me speak alone
with you a minute and I'll save you a lot of trouble. I know where that
man keeps more of them machines."

This was a new idea to Elizabeth, who had destroyed, as she supposed,
the only existing specimen of the malignant instrument.

With a gesture she sent her attendants to the opposite end of the room.

"Now speak, woman! What would you counsel?" she said.

"Why, this," said Rebecca, hurriedly. "You don't want any more o' them
things talkin' all over London, I'm sure."

A groan that was half a growl broke from the sorely tried sovereign.

"Of course you don't. Well--I told you him and I come from America
together. I know where he keeps all his phonograph things, and I know
how to get there. But you must be quick or else he'll get there fust and
take 'em away."

"You speak truly, Lady Rebecca," said the Queen. "How would you go--by
what conveyance? Will you have horses--men-at-arms?"

"No, indeed!" was the reply. "Jest let me hev a swift boat, with plenty
o' men to row it, so's to go real fast. Then I'll want a carryall or a
buggy in Southwark----"

"A carryall--a buggy!" Elizabeth broke in. "What may these be?"

"Oh, any kind of a carriage, you know, 'cause I'll hev to ride some
distance into the country."

"But why such haste?" asked the Queen. "Had this American a horse?"

"He had a bicycle an' that's wuss," said Rebecca. "But ef I can start
right away and take a short cut by the river while he finds his way
through all them dirty, dark streets, I'll get there fust an' get the
rest of his phonographs."

"Your wit is nimble and methinks most sound," said the Queen,
decisively. Then, turning to the group of ladies, she continued:

"Send us our chamberlain, my Lady Temple, and delay not, we charge you!"

In ten minutes Rebecca found herself once more upon the dark, still
river, watching the slippery writhings of the moonbeams' path. She was
alone, save for the ten stalwart rowers and two officers; but in one
hand was her faithful umbrella, while in the other she felt the welcome
weight of her precious satchel.

The barge cut its way swiftly up the river in silence save for the
occasional exclamations of the officers urging the willing oarsmen to
their utmost speed.

Far ahead to the right the huge bulk of the Tower of London loomed in
clumsy power against the deep dark blue of the moonlit sky. Rebecca knew
that London Bridge lay not far beyond that landmark, although it was as
yet invisible. For London Bridge she was bound, and it seemed to her
impatience that the lumbering vessel would never reach that goal.

She stood up and strained her eyes through the darkness, trying to see
the laboring forms of the rowers in the shadow of the boat's side, but
only the creak of the thole-pins and the steady recurrent splash and
tinkle from the dripping oars told of their labor.

"Air ye goin' as fast as ye can?" she called. "Mr. Droop'll get there
fust ef ye ain't real spry."

"If spry be active, mistress," said a voice from the darkness aft, "then
should you find naught here amiss. Right lusty workers, these, I promise
you! Roundly, men, and a shilling each if we do win the race!"

"Ay--ay, sir!" came the willing response, and Rebecca, satisfied that
they could do no more, seated herself again, to wait as best she might.

At length, to her great delight, there arose from the darkness ahead an
uneven line of denser black, and at a warning from one of the officers
the boat proceeded more cautiously. Rebecca's heart beat high as they
passed under one of the low stone arches of the famous bridge and their
strokes resounded in ringing echoes from every side.

Having passed to the upper side of the bridge, the boat was headed for
the south shore, and in a few moments Rebecca saw that they had reached
the side of a wooden wharf which stood a little higher than their deck.
One of the officers leaped ashore with the end of a rope in his hand,
and quickly secured the vessel. As he did so a faint light was seen
proceeding toward them, and they heard the steps of a half dozen men
advancing on the sounding planks. It was the watch, and the light shone
from a primitive lantern with sides of horn scraped thin.

"Who goes there?" cried a gruff voice.

"The Queen's barge--in the service of her Majesty," was the reply.

The watchman who carried the lantern satisfied himself that this account
was correct, and then asked if he could be of service.

"Tell me, fellow," said he who had landed, "hast seen one pass the
bridge to-night astride of two wheels, one before the other, riding
post-haste?"

There was a long pause as the watchman sought to comprehend this
extraordinary question.

"Come--come!" cried the officer, who had remained on the boat. "Canst
not say yes or no, man?"

"Ay, can I, master!" was the reply. "But you had as well ask had I seen
a witch riding across the moon on a broomstick. We have no been asleep
to dream of flying wheels."

"Well--well!" said he who had landed. "Go you now straight and stand at
the bridge head. We shall follow anon."

The watch moved slowly away and Rebecca was helped ashore by the last
speaker.

"Our speed hath brought us hither in advance, my lady," he said. "Now
shall we doubtless come in before the fugitive."

"Well, I hope so!" said Rebecca. Then, with a smothered cry: "Oh, Land
o' Goshen! I've dropped my umbrella!"

They stooped together and groped about on the wharf in silence for a few
moments. The landing was encumbered with lumber and stones for building,
and, as the moon was just then covered by a thick cloud, the search was
difficult.

"I declare, ain't this provokin'!" Rebecca cried, at length.

"These beams and blocks impede us," said the officer. "We must have
light, perforce. Ho there! The watch, ho! Bring your lanthorn!"

"Why, 'tain't worth while to trouble the watchman," said Rebecca. "I'll
jest strike a light myself."

She fumbled in her satchel and found a card of old-fashioned silent
country matches, well tipped with odorous sulphur. The officer at her
side saw nothing of her movements, and his first knowledge of her
intention was the sudden and mysterious appearance of a bluish flame
close beside him and the tingle of burning brimstone in his nostrils.

With a wild yell, he leaped into the air and then, half crazed by fear,
tumbled into the boat and cut the mooring-rope with his sword.

"Cast off--cast off!" he screamed. "Give way, lads, in God's name! A
witch--a witch! Cast off!"

A gentle breeze off the shore carried the sulphurous fumes directly over
the boat, and these, together with their officer's terror-stricken tones
and the sight of that uncanny, sourceless light, struck the crew with
panic. Fiercely and in sad confusion did they push and pull with
boat-hook and oar to escape from that unhallowed vicinity, and, even
after they were well out in the stream, it was with the frenzy of
superstitious horror that they bent their stout backs to their oars and
glided swiftly down stream toward Greenwich.

As for Rebecca--comprehending nothing of the cause of this commotion at
first--she stood with open mouth, immovable as a statue, watching the
departure of her escort until the flame reached her fingers. Then, with
a little shriek of pain, she flicked the burnt wood into the river.

"Well, if I ever!" she exclaimed. "I'm blest ef I don't b'lieve those
ninnies was scared at a match!"

Shaking her head, she broke a second match from her card, struck it, and
when it burned clear, stooped to seek her umbrella. It was lying between
two beams almost at her feet, and she grasped it thankfully just as her
light was blown out by the breeze.

Then, with groping feet, she made her way carefully toward the inshore
end of the wharf, and soon found herself in the streets of Southwark,
between London Bridge and the pillory. From this point she knew her way
to the grove where the Panchronicon had landed, and thither she now
turned a resolute face, walking as swiftly as she dared by the light of
the now unobscured moon.

"If Copernicus Droop ketches up with me," she muttered, "I'll make him
stop ef I hev to poke my umbrella in his spokes."




CHAPTER XVI

HOW SIR GUY KEPT HIS TRYST


For one hour before sunset of that same day Phoebe had been patiently
waiting alone behind the east wall of the inn garden. As she had
expected, her step-mother had accompanied her father to London that
afternoon, and she found herself free for the time of their
watchfulness. She did not know that this apparent carelessness was based
upon knowledge of another surveillance more strict and secret, and
therefore more effective than their own.

The shadow of the wall within which she was standing lengthened more and
more rapidly, until, as the sun touched the western horizon, the whole
countryside to the east was obscured.

Phoebe moved out into the middle of the road which ran parallel to the
garden wall and looked longingly toward the north. A few rods away, the
road curved to the right between apple-trees whose blossoms gleamed more
pink with the touch of the setting sun.

"Nothing--no one yet!" she murmured. "Oh, Guy, if not for love, could
you not haste for life!"

As though in answer to her exclamation, there came to her ears a faint
tapping of horses' hoofs, and a few moments later three horsemen turned
the corner and bore down upon her.

One glance was enough to show her that Guy was not one of the group, and
Phoebe leaped back into the shadow of the wall. She felt that she must
not be seen watching here alone by anyone. As she stood beneath the
fringe of trees that stood outside of the garden wall, she looked about
for means of better concealment, and quickly noticed a narrow slit in
the high brick enclosure, just wide enough for a man to enter. It had
been barred with iron, but two of the bars had fallen from their
sockets, leaving an aperture which looked large enough to admit a
slender girl.

Phoebe felt instinctively that the approaching riders were unfriendly
in their purpose and, without pausing to weigh reasons, she quickly
scrambled through this accidental passage, not without tearing her
dress.

She found herself within the garden and not far from the very seat where
she had hidden from Will Shakespeare. How different her situation now,
she thought. Not diffidence, but fear, was now her motive--fear for the
man she loved and whom she alone could save.

While she listened there, half choked by the beating of her own heart,
she heard the three cavaliers beyond the wall. Their horses were walking
now, and the three conversed together in easily audible tones.

"My life on it, Will," said one, "'twas here the wench took cover!"

"Thine eyes are dusty, Jack," replied a deep voice. "'Twas farther on,
was it not, Harry?"

The horses stopped.

"Ay--you are i' the right, Will," was the answer. "By the same token,
how could the lass be here and we not see her? There's naught to hide a
cat withal."

"Nay--nay!" said Will. "Count upon it, Jack, the maid fled beyond the
turn yonder. Come on, lads!"

"I'll not stir hence!" said Jack, obstinately. "Who finds the girl,
catches the traitor, too. Go you two farther, an ye will. Jack Bartley
seeks here."

"Let it be e'en so, Will," said Harry, the third speaker. "Dismount we
here, you and me. Jack shall tie the nags to yon tree and seek where he
will. Do you and I creep onward afoot. So shall the maid, hearing no
footfall, be caught unaware."

"Have it so!" said Will.

Phoebe heard the three dismount and, trembling with apprehension,
listened anxiously for knowledge of what she dared not seek to see.

She heard the slow walk of the three horses, shortly interrupted, and
she knew that they were being tethered. Then there was a murmur of
voices and silence.

This was the most agonizing moment of that eventful night for Phoebe.
Strain her ears as she might, naught could she hear but the shake of a
bridle, the stamp of an occasional hoof, and the cropping of grass. The
next few seconds seemed an hour of miserable uncertainty and suspense.
She knew now that she was watched, that perhaps her plans were fully
known, and all hope for her lover seemed past. She had called him hither
and he would walk alone and unaided into the arms of these three
mercenaries.

She clasped her hands and looked desperately about her as though for
inspiration. To the right an open sward led the eye to the out-buildings
surrounding the inn. To the left a dense thicket of trees and bushes
shut in the view.

Suddenly she started violently. Her ear had caught the snapping of a
twig close at hand, beyond the concealing wall. At the next moment she
saw a stealthy hand slip past the opening by which she had entered, and
the top of a man's hat appeared.

Like a rabbit that runs to cover, she turned noiselessly and dashed into
the friendly thicket. Here she stopped with her hand on her heart and
glanced wildly about her. Well she knew that her concealment here could
be but momentary. Where next could she find shelter?

A heap of refuse, stones and dirt, leaves and sticks, was heaped against
that portion of the wall, and at sight of this a desperate plan crossed
her mind.

"'Tis that or nothing!" she whispered, and, still under cover of the
shrubbery, she hurried toward the rubbish heap.

In the meantime, Jack, whose quick eye had descried that ancient opening
in the wall, perceived by neither of his companions, was standing just
within the wall gazing about for some clue to his prey's location.

Phoebe leaped upon the refuse heap and scrambled to the top. To her
dismay, there was a great crashing of dead wood as she sank nearly to
her knees in the accumulated rubbish.

Jack uttered a loud exclamation of triumph and leaped toward the
thicket. Poor Phoebe heard his cry, and for an instant all seemed
hopeless. But hers was a brave young soul, and, far from fainting in her
despair, a new vigor possessed her.

Grasping the limb of a tree beside her, she drew herself up until, with
one foot she found a firm rest on the top of the wall. Then, forgetting
her tender hands and limbs, straining, gripping, and scrambling, she
knew not how, she flung herself over the wall and fell in a bruised and
ragged heap on the grass beyond.

When her pursuer reached the thicket, he was confounded to find no one
in sight.

Phoebe lay for one moment faint and relaxed upon the ground. The
landscape turned to swimming silhouettes before her eyes, and all sounds
were momentarily stilled. Then life came surging back in a welcome tide
and she rose unsteadily to her feet. She walked as quickly as she could
to where the three horses stood loosely tied by their bridles to a
tree. At any moment the man she feared might appear again at the
opening in the wall.

She untied all three horses and, choosing a powerful gray for her own,
she slipped his bridle over her arm so as to leave both hands free.
Then, bringing together the bridles of the other two, she tied them
together in a double knot, then doubled that, and struck the two animals
sharply with the bridle of the gray. Naturally they started off in
different directions, and, pulling at their bridles, dragged them into
harder knots than her weak fingers could have tied.

She laughed in the triumph of her ingenuity and scrambled with foot and
knee and hand into place astride of the remaining steed. Thus in the
seclusion of the pasture had she often ridden her mare Nancy home to the
barn.

There was a shout of anger and amazement from the road, and she saw the
two men who had elected to walk farther on running toward her.

Turning her steed, she slapped his neck with the bridle and chopped at
his flanks with the stirrups as best she could. The horse broke into an
easy canter, and for the moment she was free.

Unfortunately, Phoebe found herself virtually without means for urging
her steed to his best pace. Accustomed as he was to the efficient
severity of a man's spurred heel, he paid little attention to her
gentle, though urgent, voice, and even the stirrups were hardly
available substitutes for spurs, since her feet could not reach them
and she could only kick them flapping back against the horse's sides.

Her one chance was that she might meet Sir Guy in time, and she could
only pray that the knots in the bridles of the remaining horses would
long defy every effort to release them. As she turned the curve among
the apple-trees, she looked back and saw that the horses had been caught
and that all three men were frantically tugging and picking with fingers
and teeth at those obstinate knots.

Phoebe drew up for a moment a few yards beyond the curve and broke off
a long, slender switch from an overhanging bough. Then, urging the horse
forward again, she picked off the small branches until at length she had
produced a smooth, pliant switch, far more effective than bridle or
stirrup. By the help of this new whip, she made a little better speed,
but well she knew that her capture was only a matter of time unless she
could find her lover.

Great was her joy, therefore, when she turned the next curve in the
road; for, straight ahead, not twenty rods away, she saw Sir Guy
approaching at a canter, leading a second horse.

By this time the twilight was deepening, and the young cavalier gazed in
astonishment upon the ragged girl riding toward him astride, making
silent gestures of welcome and warning. Not until he was within twenty
yards of her did Sir Guy recognize his sweetheart.

"Mary!" he cried.

Together they reined in their horses, and instantly Phoebe slipped to
the ground.

"Quick, Guy--quick!" she exclaimed. "Help me to mount yon saddle.
Come--come!"

Leaping at once from his horse, Sir Guy lifted Phoebe to the back of
the beast he had been leading, which was provided with a side-saddle,
the stirrup of which carried a spur. Stopping only to kiss her hand, he
mounted his own steed, turned about, and followed Phoebe, who had
already set off at her best speed. Even as they started, they heard a
shout behind them, and Phoebe knew that the pursuit had begun in
earnest.

"What is it--who are they whom you flee?" asked the young knight, as he
came to Phoebe's side.

"Men seeking thee, Guy--for reward! There is a price on thy head, dear.
For high treason! Oh, may God aid us this night!"

"High treason!" he exclaimed. Then, after a pause, he continued, in a
stern voice:

"How many be they?"

"Two."

Sir Guy laughed in evident relief.

"But two! By my troth, why should we fear them, sweetheart?" he said.
"An I be not a match for four of these scurvy rascals, call me not
knight!"

"Alas--alas!" cried Phoebe, in alarm, as she saw Sir Guy slacken his
pace. "Stay not to fight, Guy. Urge on--urge on! The whole countryside
is awake. How, then, canst thou better thee by fighting two? Nay,
on--on!" and she spurred again, beckoning him after with an imperious
hand.

He yielded to her reasoning, and soon reached her side again.

"We must to London Bridge, Guy," Phoebe said. "Know you a way back
thither?"

"Wherefore to London, sweet?" asked Guy. "Were we not safer far afield?
Why seek the shadow of the Tower?"

"One way is left thee," said she, with intense earnestness. "A way that
is known to me alone. Thereby only canst thou escape. Oh, trust
me--trust me, dear heart! Only I can guide thee to safety and to
freedom!"

"On, my Mary!" he cried, gayly. "Lead on! Thou art my star!"

For the moment both forgot the danger behind them. The intoxication of
an ideal and self-forgetting trust--a merger of all else in
tenderness--flooded their souls and passed back and forth between them
in their mutual glances.

Then came that pursuing shout again, much nearer than before, and with a
shock the two lovers remembered their true plight.

Sir Guy reined in his steed.

"Halt--halt, Mary!" he commanded. "We must conceal us here in this dell
till that these fellows pass us. Then back to London by the way we came.
There is no other road."

Obedient now in her turn, Phoebe drew rein and followed her lover up
the bed of a small stream which crossed the road at this point. Behind a
curtain of trees they waited, and ere long saw their two pursuers dart
past them and disappear in a cloud of dust down the road.

"They will stop at the next dwelling to ask news of us, and thus learn
of our evasion," said Guy. "The chase has but begun. Come, sweet, let us
hasten southward again."

Darkness had now begun to fall in earnest, and as the two fugitives
passed the Peacock Inn, no one saw them.

They were soon near enough to the city gate to find many houses on
either hand, and Sir Guy deemed it wiser to move at a reasonable pace,
for fear of attracting suspicion in a neighborhood already aroused by
rumors of the man-hunt which had begun. They could count upon the
obscurity to conceal their identity.

They had not proceeded far beyond the inn when they met a party of
travellers on horseback, one of whom uttered a pleasant "Good-even!"

"Good-even!" said Phoebe, thinking only of due courtesy.

"What the good jere!" cried a voice from the rear of the group. "What
dost thou here, Poll?"

"My father!" exclaimed Phoebe, in terror.

"Hush!" whispered Sir Guy, putting his hand upon her bridle. "Ride
forward at an easy gait until I give example of haste."

They trotted quietly past the greater number of the group until a dark
figure approached and a voice in the gloom said, severely:

"What dost thou here? Who rides with thee, lass?"

Sir Guy now leaned forward and spurred his horse, leaping away into the
darkness without a word. In equal silence Phoebe followed his example
and galloped headlong close behind her lover.

"Help, ho!" yelled old Sir Isaac. "'Tis the traitor Fenton, with my
daughter! After them--stop them--a Burton--a Burton!" and, mad with
excitement, the angry father set off in hot pursuit. With one accord the
others wheeled about and joined in the chase, uttering cries and
imprecations that rang through the country for a mile around.

"Now have we need of speed!" said Sir Guy, as they galloped together
toward London, whose walls were now visible in the distance. "Soon will
the whole country join the hue-and-cry. The watch will meet us at the
gate."

"'Twere better, were it not," Phoebe suggested, "that we turn to the
left and make a circuit into the Aldersgate?"

"Good wit, my lady!" cried Guy, whose excitement had taken on the form
of an exalted gayety. "Who rides with thee rides safe, my love--e'en as
Theseus of old did ride, scathless 'neath the spell of protecting
Pallas!"

"Stuff!" said Phoebe, spurring again, with a smile.

Guy led the way at once across country to the eastward, the soft English
turf so deadening their hoof-beats that those behind them had no clue to
their change of route.

When the pursuing party reached the Bishopsgate, they met the watch and
learned that no one had passed since the hue-and-cry was heard.

"Here divide we, then," cried stout Sir Isaac Burton. "Let eight follow
them around the wall, while I with other six ride on, that, if haply
they have entered London by the Aldersgate, we may meet them within the
city."

The suggestion was adopted, and, all unconscious of their peril, the
lovers were rapidly hemmed in between two bands of pursuers. Sir Guy and
Phoebe reached the Aldersgate unmolested and were allowed to pass in
without protest, as the hue-and-cry had not yet reached so far. They
ambled quietly past the watch, arousing no suspicion, but no sooner had
they turned the first corner than once more they urged their tired
horses to greater exertion.

"Choose we the side streets," said Guy. "Who knows what watch hath been
set on Gracechurch Street. 'Tis for London Bridge we are bound, is't
not?"

"Yes," said Phoebe. "I pray no prying watch detain us ere we pass that
way!"

Picking their way through the dark and narrow streets at a pace
necessarily much reduced, they slowly approached their goal, until at
length, on emerging into New Fish Street, they discerned the towering
walls of London Bridge.

Here they reined in suddenly with one accord, for, plainly visible in
the moonlight, a group of horsemen was gathered and there was borne to
their ears the sturdy voice of Sir Isaac.

"Hallo!" he cried. "There be riders in New Fish Street. See where they
lurk in the shadow! What ho, there! Give a name! Stand forth there!"

Sir Guy drew his sword.

"'Tis time for steel to answer!" he laughed.

"Nay--nay! Wait--wait!" said Phoebe, earnestly. "There must be other
issue than in blood!"

Two or three horsemen now detached themselves from the group near the
bridge and cantered up New Fish Street. Sir Isaac was among them.

"Are ye there, traitor?" he cried. "Where is my daughter?"

Sir Guy was about to reply when Phoebe put her hand on his arm.

"Hush!" she whispered. "Hearken!"

Faint at first, but growing momentarily louder, there came the clear
trilling of a mysterious bell. It floated out from the dark by-ways
whence they had themselves just emerged, and something eerie and uncanny
in its clamor brought a thrill of terror to the young knight's nerves
for the first time.

"Now, what in God's name--" he began.

But he broke off in horror, for there flashed past him, as silent as
the wind and swifter, a dark, bent figure, with flying cloak, under
which, as the moonlight struck him, there whirled a web of glittering
tissue whereon he seemed to ride. That uncanny tinkling floated back
from this strange vision, confirming to the ear what otherwise might
have appeared a mere trick of the vision.

As for Sir Isaac and his band, the distant bell had early
brought them to a wondering stand; and now, as this rushing
phantom--trilling--trilling--trilling--swept down on a living moonbeam,
with one accord they put spurs to their steeds, and with cries of horror
fled in all directions.

"Forward!" cried Phoebe, exultantly. "Why, what now!" she exclaimed,
as she saw her lover still sitting petrified with fear. "How now,
my knight! Why sit you here amazed? Is not the way clear?
Come--follow--follow!" and she started forward on a trot.

But her lover did not move, and she was obliged to turn back. Laying her
hand on his arm:

"Why, what ails thee, dear heart?" she asked.

"The spectre--the ghostly steed!" he stammered.

"Oh--oh!" laughed Phoebe. "Why, this was but some venturous bicyclist
on his wheel!"

"A bicyclist!" exclaimed Sir Guy. "Can you thus give a name to this
black phantom, Mary?"

"'Tis naught, dear Guy, believe me!" she said. Then, in pleading tones,
she continued: "Didst not agree to trust thy lady, dear?"

The young knight passed his hand over his eyes and straightened himself
resolutely in his saddle.

"E'en to the death, love. Lead on! I shall not falter!"

They trotted forward through a now silent street to the bridge, and soon
found themselves enveloped in the darkness and assailed by the countless
odors of London Bridge. From time to time they crossed a path of
moonlight, and here Phoebe would smile into the eyes of her still
much-puzzled lover and murmur words of encouragement.

Before they reached Southwark, there rang out behind them the sound of
hoofs upon the stones of the bridge.

"Can these be your father's minions, think you?" said Sir Guy.

"Nay!" Phoebe exclaimed. "Rest assured, they were scattered too far to
dog our steps again to-night."

They emerged some moments later on the Southwark side and saw the
pillory towering ahead of them.

"How far shall we fare to-night, love?" asked the knight.

"To Newington on horseback," Phoebe replied, "and then--well, then
shalt thou see more faring."

There was a loud cry from the bridge, startling the pair from their
fancied security.

"There they ride! The watch, ho! Stop the traitor! Stop him! For the
Queen! For the Queen!"

"God help us!" cried Phoebe. "'Tis the two yeomen of the Peacock Inn!"

With one accord the pair clapped spurs to their horses' sides and
resumed once more the flight which they had thought concluded.




CHAPTER XVII

REBECCA'S TRUMP CARD


When Rebecca set out for the Panchronicon from London Bridge, she knew
that she had a long walk in prospect, and settled down to the work with
dogged resolution. Her trip was quite uneventful until she neared the
village of Newington, and then she realized for the first time that she
did not know exactly where to find the deserted grove. One grove looked
much like another, and how was she to choose between garden walls "as
like as two peas," as she expressed it?

"Look here, Rebecca Wise," she said, aloud, as she paused in the middle
of the road, "you'll be lost next you know!"

She looked about dubiously and shook her head.

"The thing fer you to do is to set right down an' wait fer that pesky
good-fer-nothin' Copernicus Droop!" she remarked, and suiting action to
speech she picked her way to a convenient mile-stone and seated herself.

Having nothing better to do, she began to review mentally the events of
the last two days, and as she recalled one after the other the
unprecedented adventures which had overtaken her, she wondered in a
dreamy way what would next befall. She built hazy hypotheses, sitting
there alone in the moonlight, nodding contentedly. Suddenly she
straightened up, realizing that she had been aroused from a doze by a
cry near at hand.

Turning toward London, she saw a wriggling mass about fifty feet away
which, by a process of slow disentanglement, gradually developed into a
man's form rising from the ground and raising a fallen bicycle.

"Darn the luck!" said this dark figure. "Busted my tire, sure as
shootin'!"

"Copernicus Droop!" cried Rebecca, in a loud voice.

Droop jumped high in the air, so great was his nervousness. Then,
realizing that it was Rebecca who had addressed him, he limped toward
her, rolling his bicycle beside him.

"How in creation did you get here?" he asked. "Ain't any steam-cars
'round here, is there?"

"Guess not!" Rebecca replied. "I come by short cut up river. I guessed
you'd make fer the Panchronicle, and I jest made up my mind to come,
too. Thinks I, 'that Copernicus Droop ud be jest mean enough to fly away
all by himself an' leave me an' Phoebe to shift fer ourselves.' So I'm
here to go, too--an' what's more, we've got to take Phoebe!"

"How'll ye find yer sister, Cousin Rebecca?" said Droop. "We must git
out to-night. When the Queen gets on her ear like that, it's now or
never. Can you find Cousin Phoebe to-night?"

"Where is the old machine, anyhow?" Rebecca asked, not heeding Droop's
question.

"Right over yonder," said he, pointing to a dark group of trees a few
rods distant.

"Well, come on, then. Let's go to it right away," said Rebecca. "I'd
like to rest a bit. I'm tired!"

"Tired!" Droop exclaimed. "What about me, then?"

Without further parley, the two set off toward the grove which Droop had
indicated. Having dwelt here for several weeks, he knew his bearings
well, but it was not until they came much nearer to the deserted mansion
that Rebecca recognized several landmarks which convinced her that he
had made no mistake.

Under the trees, the shadows were so black that they were unable to find
the breach in the wall.

"Got any matches, Cousin Rebecca?" Droop asked.

"Yes. Wait a minute an' I'll strike a light. I know that blessed hole is
somewhere right near here."

She found again her card of matches, and breaking off one of them, soon
had a tiny taper which lit up their surroundings wonderfully.

"There 'tis! I've found it," cried Droop, and, taking Rebecca by the
arm, he led her toward the broken place in the wall. The match went out
just as they reached it.

Droop was about to suggest that he go in first to see if all was well,
when he was startled by Rebecca's hand on his arm.

"Hark!" she cried.

He listened and distant cries coming nearer through the night were borne
to his ears.

"What's that?" Rebecca exclaimed again.

Rigid with excitement and dread, they stood there listening. At length
Droop pulled himself free of Rebecca's hold.

"That's some o' them palace folks chasin' after me!" he cried, in a
panic.

"Fiddle-dee-dee!" Rebecca exclaimed, with energy. "How should they know
where you are?"

By this time the sounds were more distinct, and they could easily make
out cries of: "Traitor! Stop him! For the Queen! Stop him!"

The two listeners had just mentally concluded that this alarm did not in
any wise concern them when Rebecca was startled beyond measure to hear
her sister Phoebe's voice, loud above all other sounds.

"Nay--nay, Guy!" she was screaming. "Stop not to fight! Fly--follow!
Shelter is here at hand!"

Forgetting everything but possible danger for Phoebe, Rebecca dashed
out from under the trees.

There in the moonlight she saw Phoebe on horseback, her head
uncovered, her hair floating free and her clothing in tatters. A few
paces behind her was Sir Guy, also mounted, fiercely attacking two
pursuing horsemen with his sword. Farther back, rendered indistinct by
distance, was a larger group of mingled horse and foot travellers.
There was a lantern among them, and Rebecca inferred that the watch was
with them.

A moment later, one of the two men engaged with Sir Guy fell from his
horse. Instantly the young knight turned upon the second pursuer, who
fled at once toward the larger group now rapidly approaching.

Rebecca ran forward and waved her card of matches frantically,
apparently thinking in her excitement that she held a flag.

"Here, Phoebe--here, child!" she screamed. "This way, quick! Here we
are awaitin' fer ye. Come, quick--quick!"

With a loud cry of joy, Phoebe slipped from her horse and ran toward
her sister.

"Oh, Rebecca, Rebecca!" she cried, throwing herself into her sister's
arms. "Oh, you dear, lovely, sweet old darling!"

Rebecca kissed her younger sister with tears in her eyes, almost as
affected as the girl herself, who was now laughing and crying
hysterically on her breast.

While they stood thus tightly locked in each other's arms, Guy came to
their side with sword in hand.

"Quick!" he said, sharply. "You must away to shelter. Here comes the
watch apace. I will protect the rear."

The two women started apart and Phoebe set forward obediently, but
Rebecca only gave the fast-approaching crowd a look of proud contempt.

"Fiddle-ends!" she exclaimed. "You go on ahead, Guy. I'll fix them queer
folks!"

Whether Rebecca's voice convinced him of her power to make good her
words or that he felt his first duty was at Phoebe's side, the fact is
that the young knight strode forward with his sweetheart toward the
breach in the wall, leaving Rebecca behind to bear the first attack.

Droop had already passed within the enclosure and was groping his way
toward the black mass of the Panchronicon.

Phoebe, led by an accurate memory of her surroundings, had but little
difficulty in finding the opening, and, by her voice, Sir Guy and
Rebecca were guided to it.

Phoebe passed through first and Sir Guy followed just as the advance
guard of the pursuing mob rushed under the trees, swinging their two
lanterns and shouting aloud:

"Here--this way! We have 'em fast!"

Rebecca coolly stooped and drew the edge of her entire card of matches
across a stone at her feet. Then, standing erect, she thrust the
sulphurous blue blaze into the faces of two rough-looking fellows just
advancing to seize her.

Sir Guy, who stood within the wall, found cause for deep amazement in
the yell of startled fear with which Rebecca's act was met; and deeper
yet grew his astonishment when that cry was re-echoed by the whole
terror-stricken mob, who turned as one man to flee from this flaming,
sulphurous sorceress.

Rebecca quietly waited until the sulphur had burned off and the wood
blazed bright and clear. Then she pushed through the broken wall and
showed the way to their destination by the light of the small torch.

Sir Guy's feelings may be imagined when he suddenly found that they were
all four standing before a strangely formed structure in the side of
which Copernicus had just opened a door.

"Why, Mary!" he exclaimed, pausing in his walk. "What have we here?"

She took his hand with a smile and drew him gently forward.

"Trust thy Mary yet further, Guy," she said. "Thy watchword must be,
'Trust and question not.'"

He smiled in reply and, sheathing his sword, stepped boldly forward into
the interior of the Panchronicon. Phoebe knew the power of
superstition in that age, and she glowed with pride and tenderness,
conscious that in this act of faith in her the knight evinced more
courage than ever he might need to bear him well in battle.

When the electric lights shed a sudden bright glare down the spiral
staircase, Sir Guy cowered and stopped short again, turning pale with a
fear irrepressible. But Phoebe put one arm about his neck and drew his
head down to hers, whispering in his ear. What she said none heard save
him, but the spell of her words was potent, for the young knight stood
erect once more and firmly ascended to the room above.

Droop stood nervously waiting at the engine-room door.

"Are ye all in?" he said, sharply. "Where's Cousin Rebecca?"

"Here I be!" came a voice from below. "I'm jest lockin' the door tight."

"Well, hurry up--hurry! Come up here an' lay down. I'm goin' to start."

In a few moments all was in readiness. Droop pulled the lever, and with
a roar and a mighty bound the Panchronicon, revived by its long period
of waiting, sped upward into the night.

As the four fugitives sat upright again, and Droop, rubbing his hands
with satisfaction, was about to speak, the door of one of the
bedchambers was opened, and a stranger dressed in nineteenth-century
attire stepped forward, shading his blinking eyes with his hand.

The two women screamed, but Droop only dropped amazed into a chair.

"Francis Bacon!" he exclaimed.

Then, leaping forward eagerly, he cried aloud:

"Gimme them clothes!"

                   *       *       *       *       *

Of the return trip of the five, little need be said save to record one
untoward incident which has been the occasion of a most unfortunate
historic controversy.

The date-recording instrument must have been deranged in some way, for
when, after a great number of eastward turns around the pole, it marked
the year 1898, they had really only reached 1857. Supposing themselves
to have actually reached the year erroneously indicated by the recorder,
they set off southward and made a first landing in Hartford,
Connecticut.

Here they discovered their mistake, and returned to the pole to complete
their journey in time. All but Francis Bacon. He declared that so much
whirling made him giddy, and remained in Connecticut. Alas! Had Phoebe
known the result of this desertion, she would never have consented to
it.

Bacon, who had read much of Shakespeare while in the Panchronicon, found
on returning thus accidentally to modern America, that this playwright
was esteemed the first and greatest of poets and dramatists by the
modern world. Then and there he planned a conspiracy to rob the greatest
character in literary history of his just fame; and, under the pseudonym
of "Delia Bacon," advanced those theories of his own concealed
authorship which have ever since deluded the uncritical and disgusted
all lovers of common-sense and of justice.

Copernicus Droop, on returning his three remaining passengers to their
proper dates and addresses, discovered that his sole remaining
phonograph, with certain valuable records of Elizabethan origin, had
disappeared. As he owed a grudge to Francis Bacon, that worthy fell at
once under suspicion, and accordingly Droop promptly returned to 1857,
sought out the deserter, and charged him with having stolen these
instruments.

It was not until the accused man had indignantly denied all knowledge of
Droop's property that the crestfallen Yankee recollected that he had
left the apparatus in question in the deserted mansion of Newington,
where he had stored it for greater safety after Bacon's first unexpected
visit.

Without hesitation, he determined to return to 1598 and reclaim his own.
Bacon, who had learned from modern historical works of the brilliant
future in store for himself in England, begged Droop to take him back;
and as an atonement for his unjust accusation, Droop consented.

It is not generally known that, contrary to common report, Francis Bacon
was _not_ arrested for debt in 1598; but that, during the time he was
supposed to have been in prison, he was actually engaged in building up
in his own behalf the greatest hoax in history.

                   *       *       *       *       *

Let those who may be inclined to discredit this scrupulously authentic
chronicle proceed forthwith to Peltonville, New Hampshire, and there ask
for Mr. and Mrs. Guy Fenton. From them will be gained complete
corroboration of this history, not only in the account which they will
give of their own past adventures, but in the unmistakable Elizabethan
flavor distinguishable to this day in their speech and manner. Indeed,
the single fact that both ale and beer are to be found behind their
wood-pile should be convincing evidence on this point.

As for Rebecca, fully convinced at last of the marvellous qualities of
the Panchronicon, she never tires of taking her little nephew, Isaac
Burton Wise Fenton, on her knee and telling him of her amazing
adventures in the palace of "Miss Tudor."





End of Project Gutenberg's The Panchronicon, by Harold Steele Mackaye

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