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                                  THE

                           COMPLEAT BACHELOR

            '_When the Rain raineth and the Goose winketh,_
          _Little wots the Gosling what the Goose thinketh._'

                                  THE
                                COMPLEAT
                                BACHELOR


                                   BY
                             Oliver Onions


                                NEW YORK

                          Frederick A. Stokes
                                Company
                               Publishers

                           _Copyright, 1900_
                         _by Harper & Brothers_

                           _Copyright, 1901_
                      _by Frederick A. Stokes Co._

                                   TO

                          FRANK GELETT BURGESS

                      THESE UNPREMEDITATIONS WERE
                           AND ARE INSCRIBED




                               EPISODES.


                                                        PAGE
                 I. SUGAR AND LEMON                        1
                II. A HYPOTHETICAL CASE                   10
               III. A MILITARY MANOEUVRE                   21
                IV. A CHILDREN'S PARTY                    32
                 V. THE IDEAL IN PERIL                    47
                VI. A CORNER IN TREACLE                   58
               VII. THREE'S COMPANY                       69
              VIII. A VETERAN RECRUIT                     81
                IX. THE ETHICS OF ANGLING                 97
                 X. AN UNDRESS REHEARSAL                 109
                XI. QUEEN OF LOVE AND BEAUTY             122
               XII. A MODERN SABINE                      137
              XIII. POT LUCK                             150
               XIV. THE THINGS THAT ARE CAESAR'S          165
                XV. SETTLING DAY                         179




                         THE COMPLEAT BACHELOR


                                   I

                            SUGAR AND LEMON


"Perhaps, Rollo," said my sister (Caroline Butterfield, spinster), "you
would like to go on to your club, and call for me in an hour or so.
There will only be women, I expect."

"Carrie," I replied, "your consideration does you credit; but no company
that you may enter is too bad for me. I insist on accompanying you. It
is my first duty as a brother."

Carrie laughed.

"I believe you like it, Rol," she said. "Molly Chatterton says Loring
says you never go to a club if you can have tea with a married woman."

"It is the one reward of a blameless reputation," I replied; "but that
Loring Chatterton should say so is rank ingratitude, considering his own
ante-nuptial record. Rank ingratitude."

We dismounted together at Millicent Dixon's door, and were admitted to
the hall. Carrie gave my necktie an attentive little tug, slapped my
cheek (Carrie is justly proud of her middle-aged brother, and likes to
show him off to advantage), and preceded me into Millie Dixon's
drawing-room. Some half-dozen ladies were engaged in the usual
five-o'clock flirtation with tea and cake, and contributing to the
feminine hum which didn't subside in the least as we entered.

"He _would_ come, Millie," said Caroline, after a cross-over kiss on
both cheeks, "but you can lean him up in a corner and give him some tea
to keep him quiet."

This from my own flesh and blood!

Millie Dixon gave me a laughing nod over her shoulder, and busied
herself preparing the cup that should have the effect Carrie suggested.
I sat down, and composed myself to listen to the restful chatter that
was supposed not to interest me. Mrs. Loring Chatterton, at my side, was
rippling gently on the subject of a School of Art Needlework Exhibition,
while Carrie and Mrs. Carmichael talked Marshall and Snelgrove to Cicely
Vicars and Mrs. Julian Joyce. I have no disdain for ladies' babble--it
is quite as entertaining as starting-price and stock-exchange gossip,
and much prettier. But I couldn't get Chatterton's remark out of my
mind.

"Cream or lemon, Mr. Butterfield?" called Miss Dixon from the other side
of the room.

"Yes, if you please," I answered absently, while Miss Dixon looked a
deprecating query as to when I _should_ be sensible. I roused, and
turned to Mrs. Loring Chatterton.

"Where is Loring to-day?" I asked.

"Oh, I don't know," she replied. "I told him I shouldn't want him this
afternoon, so he said he would count the dreary hours till joy returned.
I expect he went to count them at some club."

"Loring always was ardent," I remarked, looking meditatively into my
cup. "I seem to remember that kind of thing from Loring before. Long
before you knew him, Mrs. Chatterton."

"What do you mean, Mr. Butterfield?"

"Nothing, my dear Mrs. Chatterton," I replied. "Nothing out of the way.
But you don't suppose that Loring had the good fortune to happen on the
perfect gem without--what shall I say?--preliminary prospecting?"

Mrs. Chatterton and I are old friends. She laughed.

"Do you think you can make me inquisitive, Mr. Butterfield? I know all
about that. Why, I made Loring tell me every----"

It was my turn to laugh.

"Then there is nothing more to say," I answered. "Loring is my
friend--he has claims upon me. He has, doubtless, given himself quite
away, and half his bachelor friends into the bargain. I think I see him
doing it. Isn't that a pretty gown Carrie is wearing? I chose it for
her."

"Loring told me a great deal," said Mrs. Chatterton musingly.

"The buttons are from her grandmother's wedding-gown."

"And he was so clumsy and boyish," she continued.

Words were superfluous. I smiled.

"Anyway," Mrs. Loring went on, "I don't think it fair. Men have half a
dozen flirtations before they are married their wives know nothing
about."

"And women, Mrs. Chatterton?" I asked.

"_Some_ women, Mr. Butterfield, may not be scrupulous. But----"

The unfinished sentence was a _resume_ of female virtue since the days
of Penelope.

"What are you two so interested in?" cried Mrs. Carmichael from a remote
sofa. I had just caught her eye.

Mrs. Loring placed her hand beseechingly on my sleeve, but I hardened my
heart.

"We were recalling the time, Mrs. Kit," I replied, "before your several
husbands were enticed from the liberty of bachelor life; we were
commenting on the change in them."

"_You_ should be able to appreciate the difference, Mr. Butterfield,"
returned Mrs. Carmichael. "You are just where they left you years and
years ago."

"Yes, ma'am," I replied, "I have not been able to bury my memory in the
wedding-service, nor forget my past in a honeymoon. I am still as
unregenerate as, say, Kit Carmichael was before he met you."

"You are a great deal worse," returned Mrs. Kit.

"You refuse a very pretty compliment, Mrs. Carmichael," I replied.

"Yes, at Kit's expense. It was you who made Kit as bad as he was. He
told me so."

The perfidy of these married friends! Rol Butterfield, you have no use
for them when they sacrifice you on their nuptial altars. Their eyes
lost their singleness with their hearts, and your reputation has gone
for a kiss. Well, you have your revenge on their wives, if you care to
use it.

The spark of righteous war was kindled within me. I leaned forward, and
spoke my speech with icy distinctness.

"So I am responsible for Carmichael's past, am I, Mrs. Kit? Listen to
me. There was not a more abandoned and desperately wicked trio in London
than Kit Carmichael--your meek brother, Miss Dixon--and Loring----"

Mrs. Chatterton endeavoured to stop me with a hot teaspoon laid on my
hand, but I still testified.

"And Loring Chatterton. Not content with steeping their own souls in
infamy, they must needs go afield, and corrupt the spotless name of
one--oh, Carrie, Carrie, what your poor brother has suffered! And now to
be told in his old--his middle--age that he did it all!"

Mrs. Kit and Cicely Vicars had put their heads together, and were
endeavouring to put aside the damning testimony in mock admiration of
the dramatic skill with which it was uttered. Cicely Vicars had best be
very careful. I was to be leaned up in a corner and given tea, was I?

"Doesn't Mr. Butterfield look well with the light behind him?" said Mrs.
Vicars with a pretty gesture of her hand. Mrs. Vicars paints flowers,
and asks her friends what they would really like for wedding presents.

"Mr. Butterfield may have the Light behind him, Mrs. Vicars," I replied,
"but he has no regrets for a misspent youth. Charlie Vicars wasted his
youth most shamefully. Mornings in the park, with a young lady in a pink
frock--is that not so, Mrs. Loring?"

I turned to her suddenly.

"It was a green frock," said Mrs. Loring thoughtlessly; then turned
quite pink. It was a pretty situation. Loring might have treasured that
blush. I was avenged.

Millicent Dixon came to the rescue.

"Carrie, dear," she said, "you are the only one who has any influence
over that irrepressible man. Do gag him for a few minutes;" and passed
over a plate of gaufrettes, which Carrie brought to me.

I held the plate to Mrs. Loring Chatterton, who, a reminiscence of fun
still in her eyes, accepted the peace-offering with a warning shake of
her head.

"Mr. Butterfield," she said, "you never were anything but mischievous,
and it's my opinion you never will be. Oh, I wish I could get you off my
hands. There are plenty of nice girls. Look at Millie there," she
whispered.

"Mrs. Loring," I replied, "once upon a time there was a fox, who was
caught in a trap, and had his tail cut off. After that----"

"Ah well, I suppose you know your own mind. But, Mr. Butterfield"--she
leaned over, and spoke quite low--"I believe you make out your young
days--and Loring's--to have been much worse than they were. Do you not,
now?"

Mrs. Loring had a little beauty-spot on her conscience which she thought
was a stain.




                                  II

                          A HYPOTHETICAL CASE


Carrie and I were placidly surveying, from either end of my little
dining-table, the creditable wreck we had made of a rather neat little
dinner. Carrie never disdains this hour of the animal, at whatever table
fortune shall place her; and when she does me the honour to dine with
me, she generally pays me the compliment of evident enjoyment. It is a
feature I admire in her.

I was making leisurely coffee arrangements with my latest bachelor
acquisition, a pretty little silver and spirit affair, that did not
necessitate rising from a comfortable seat; while my sister purred in
soft content. I moved the shaded lamp aside to see her better--Carrie is
a very presentable young woman; I thought her arms decidedly pretty.

"I think, Rol," she said, as I looked carefully to the coffee, "I
think--we will not grace the theatre this evening. It's such a wet
night, and I'm so comfy here."

I could hear the rain without getting up. It was a wet night; and she
did look comfy.

"Very well, my dear sister," I replied. "As you please. It will save me
a sovereign, unless you succeed in coaxing it out of me during the
evening, which I have no doubt is your real motive."

"No, Rol, really I don't want----"

"Not enough, eh? Haven't got it, my dear--this is good coffee,
Caroline,--I'm really as poor as Hooley. There, that's right. _Kuemmel
avec, n'est ce pas_, my dear?"

"Please. No, Rol, we'll sit here and be nice all the evening. I'll bring
my writing in--may I?"

I was only half convinced it wasn't money; she was after something.
Carrie's writing is her one affectation, with which exception she is as
sane as would be expected of my sister.

I believe it was a modern comedy which was then occupying the years of
her youth, and whose production was to be the crown of her old age. She
worked at it intermittently, that is to say, when there were no calls to
receive or to be made, when she could find nobody to take her to a
theatre or a garden-party, when there were no women to gossip with, or
men to fascinate--whenever, in short, she felt dull. But of late she had
seemed to recover interest in it--had recast it, she said.

"Bring it in, by all means," I replied, "but bring a dictionary as well;
I'm not absolute in spelling."

"Thank you, Rollo."

Why the deuce was she so uncommonly polite? She usually announced that
she was going to spend the evening with me in much less considerate
terms. I shook my head apprehensively.

When dinner was removed Carrie disappeared, and presently re-entered
with an armful of comedy and a mouthful of quill pens. She made a clean
sweep of my desk and settled herself with many quirks and little graces
before the recast masterpiece. I gravely asked her permission to smoke,
and she, smiling at the superfluity of the question, bowed a ceremonious
assent; then got down to business, and chewed a pink knuckle in the
stress of composition.

I put my feet upon a chair, lighted a cigar, and looked alternately at
the fire and at Caroline. She made my room appear very comfortable, with
her evening frock and pretty airs. She was an excellent housekeeper, and
kept my half of our little flat almost as dainty as her own. We got
along very cosily, Carrie and I--for a sister, she behaved very well
indeed. She could have the sovereign if she wanted it; I only hoped it
was no worse.

By and by Carrie looked up meditatively, started on a fresh knuckle, and
then turned to me.

"What do men talk about after dinner, Rol, when the women have left?"
she asked.

I looked at her curiously and smiled.

"No, Rollo," she said, "I don't mean--I mean, what do they talk about?"

"Oh!" I replied, "what do they _really_ talk about, eh?"

"Yes. I want to put it in the play."

"You want to put it in the play? Let me see." I considered a moment.
"Well, after the first grief at the loss of the ladies, their hands go
instinctively to their hair, to feel how they have looked. If there is a
mirror handy they flock to it. They then sit down, look wistfully at the
empty chairs, and fold their hands patiently, to await the earliest
moment that they may rejoin their bereft partners."

"Don't be absurd, Rol," answered Carrie. "I want to know. I've got a man
here, who is to talk after dinner. He's in love with a girl he's been
sitting next, and I want him to say pretty things about her."

Happy, happy innocence! dear simple Carrie! Should I be the one to
destroy so sweet an illusion? Never!

I was intensely amused, but I replied thoughtfully:

"I should think in the first place it would depend a good deal on the
man--and the girl. What are they like?"

"He's a soldier," said Carrie, looking timidly down at her manuscript.
"That is, he has not seen any active service, but he's simply thirsting
to do some brave deed that shall show her how he loves her."

"Yes," I said, much interested. "A carpet knight; how old?"

"He's about four-and-twenty, I believe; and he's not a carpet knight.
He's very good, and clever, and noble. He's supposed to be dining at his
married sister's, and has to entertain the men with brilliant talk."

If I didn't know that noble young soldier, I would never look on
daylight again!

"Black hair?" I said.

"Yes," replied Carrie promptly. "That is--I don't know. I haven't
decided yet."

I leaned back in my chair to recover from the shock. This, then, was
what made her so loving to her brother. This was the "nice evening" we
were to have. She had a secret which pricked her conscience. She was
going to be nice to me for the time remaining. I might have known she
didn't visit Mrs. Loring Chatterton for nothing. A soldier to run off
with my housekeeper! She had recast the play with a vengeance; I was to
play the good brother's part.

I shut my eyes.

"Well, Rol?" said Carrie. She had evidently not noticed my state. She
didn't know I knew.

"Let me think," I replied, "let me think."

I was not allowed to think; a tap at the door roused me, and two
visitors were announced. In came Loring Chatterton, and the young
brother-in-law himself. I had to admit he was a not unprepossessing
young warrior.

"How do you do, Miss Butterfield?" came simultaneously from my two
guests, while Carrie rose, putting aside her manuscript. I greeted them
from my chair.

"I am afraid we interrupt your writing, Miss Butterfield," said Loring,
sitting down.

"Oh no, Mr. Chatterton," Caroline replied. "As a matter of fact I was
rather stuck when you came in."

"Yes, Loring," I interposed, "Carrie was rather stuck when you came in.
Perhaps we shall be able to help her, eh, Bassishaw?"

"Delighted," replied Bassishaw; "but I'm afraid, do you know, that I
haven't much of a head on me for that sort of thing, Miss Butterfield."

"Rollo----" began Carrie.

"Oh, he'll do, Carrie," I replied. "Caroline wants to know, Bassishaw,
what a young man, good, clever, and--let me see--was he noble, Carrie?
Yes, I believe he was noble, and--a brilliant talker"--(I had him
there)--"a brilliant talker, would say after dinner about the girl he
thought he loved."

Carrie was helpless. I had not given her away, and she did not dare to
protest for fear of doing so herself. She had a secret--I also had a
secret. I would keep the case strictly hypothetical.

"Well, Miss Butterfield," began the hero who was thirsting to do some
brave deed, "I'm hanged, do you know, if I know what he'd say. He'd talk
a lot of piffle, wouldn't he--oh, but he's a brilliant sort of chap.
He'd--oh, hang it, Loring, what would he say? I don't know."

I chuckled softly. I didn't want to hear Loring; I wanted to hear the
brilliant talker. It was for Carrie's benefit.

"But if he really loved her," I said, "and his eloquence came out in a
torrent?"

"Oh, I see. Well, I expect he'd say she was a confounded nice girl--or
something--pretty and all that, you know--and he'd row any chap who said
she wasn't; don't you think, eh? But why the deuce should he say
anything?"

Bassishaw was coming out of it with more credit than I thought. I
laughed, and even Carrie had to laugh too.

"I think," said Chatterton, "that's about as much as he could say,
unless he were an ass. I can't imagine his saying much if you were
there, Rollo."

"No," said Bassishaw. "You _are_ a mischievous sort of Johnny, you know,
Butterfield. You're deuced hard on young chaps; you guy them awfully,
you know. I expect you've forgotten all that."

Thus unconsciously, was Bassishaw revenged. I was hard on young chaps. I
had forgotten, you know. I was an old fossil, or something. But I had a
sister, deuced nice girl, pretty, and all that. You have to keep in with
Johnnies like that, you know.

One thing I must know. Did this plain-spoken young man of the sword care
for Carrie? This was soon evident from his conciliatory manner toward
me. No one ever goes out of the way to consider me unless he wants
something. Bassishaw was most attentive.

"By the way, Butterfield," he said after a while, "are you engaged for
Tuesday afternoon? Because if you're not, do you know, my folks are
giving a sort of garden-party, or something. There'll be lots of people
of your sort"--(my sort!)--"coming--clever, and all that, you know; I
thought you might care to come. I'll get them to ask you, if you like.
And Miss Butterfield, too; Chatterton here is coming, and he'll look
after you, you know, Butterfield. What do you say?"

I turned to Carrie.

"I think we might go, Rol," she said. "I like to meet clever people."

I thought a moment.

"I don't know, Bassishaw," I replied--"that I care to meet people
of--er--my sort, much. But if Carrie cares to go, I'll look after her.
It may be of use to her--in a literary way. Thank you."

I wouldn't have missed that garden-party for a good deal.




                                  III

                          A MILITARY MANOEUVRE


I had feigned to change my mind several times with regard to Bassishaw's
garden-party, but Carrie had suddenly developed accentuated ideas on the
subject of engagement-keeping.

"We promised, you know, Rol," she said, "and it would look so bad to run
off. I don't suppose it will be much fun," she added candidly.

She was mistaken. It would be great fun.

On the way thither I entertained her blandly on the subject of unmarried
life. I pointed out to her the advantages of a brother and sister living
happily together, as, say, in our own case. I argued on the holy bonds
of kinship, and congratulated her on having a brother who would devote
the whole of his life to making her comfortable. How happy we were!

Carrie moved uneasily in her seat. She endeavoured to change the
subject. Her conscience wrought within her--she was a guilty traitor,
and deceiving the kindest of brothers. Had she been less in love, she
might have suspected something, as I continued in the same strain; but
such is not the way of youth. Her arts might have been transparent to me
for months and months, yet she would at last break the great secret with
most delicious gentleness, in stammers and blushes, and I would show a
dramatic surprise and shock. We see other people's progress, but our own
love affairs are always unguessed.

It was a great relief to Carrie when we arrived at the Bassishaws'. The
strain was getting embarrassing. A straight military young figure had
evidently been on the look-out for our conveyance, for he made several
false starts, and almost supplanted the more ceremonious reception due
from his mother. This little formality through, he pounced on us at
once.

"How d'ye do, Miss Butterfield? Do, Butterfield?" he said warmly. "So
glad you've come."

"Thank you," I replied. "I was rather afraid I'd have to let Carrie come
alone, but I managed to arrange it."

A shade of regret was visible in his eyes, but he bore it nicely. He is
"white," as Carmichael would have said.

"Of course," he said, "Miss Butterfield would have been all right, you
know, but I'm glad you came too."

I believe he was. Saying so seemed to make him so.

We walked up the garden, I in the middle. Carrie received an occasional
bow, but we didn't know many people there. This was young Bassishaw's
excuse for conducting us personally, and he pointed out various people
as "men you ought to know, you know, Butterfield." I betrayed no great
desire for the acquaintanceship. I was not to be shaken off.

Bassishaw was piloting us into the most frequented parts. This young man
was manoeuvring, with more skill than I had given him credit for, to drop
me. Carrie had my arm, and as Bassishaw stopped at the various groups I
made surer of it by a little closing in of my elbow. He had the
advantage of a tactician's knowledge, but I had the larger experience.
He led us towards the base of operations, the refreshment tent, where he
calculated to play on the natural interest I should take in the
commissariat department. He gave me a hint of a private canteen--it was
good strategy, I was very thirsty--but I held out. He showed a great
desire to introduce me to personages, but I replied to his big guns with
a harassing fire of conversational small-arms. He really did very well,
and my respect for him increased. Personal strategy was his line, but I
held him in the field of mental manoeuvres.

He had pointed out some snowy-whiskered old general, and had held forth
in his redundant way on the fascinating personality of the man. I made
him a text for an army discourse.

"Do you know, Bassishaw," I said, "I cannot sufficiently admire you
military men. You are the outposts of a nation, who make all that is
happy and peaceful at home possible. You sacrifice yourselves on
inaccessible Indian hills, you scorch under African suns, while all you
love is left behind you in England. You do not marry--that is, the true
soldier thinks it inconsistent with his duty,--and you leave all you
care for to fight the battles of a less devoted society. It is
self-sacrificing; and when you return, it is to a bachelor's old age,
like the general there."

"Oh, I don't know, Butterfield," he replied. "Lots of our soldiers
marry, you know."

I could feel Carrie's arm trembling on mine. I continued:

"That is another instance of their nobility. It makes their duty all the
harder. They have to leave their wives, and worship them only in the
ideal sense. They see them, perhaps, only once in ten years, unless they
have risen to responsible posts. It is a great devotion."

"But, Rol," said Carrie timidly, "lots of women are glad to go abroad
with their husbands, and--and nurse, and that kind of thing."

"Then," I replied, "they but unnerve the warrior in the hour of his
trial. He does not fight for his country, but for his wife. No. It is
the bachelor soldier who has my veneration."

"That's all very well, you know, Butterfield," protested the bachelor
soldier uneasily, "but, confound it, it's hard enough without that. Hang
it all," he broke out, "if you've got that fancy sort of thing in your
head, why didn't you join the army yourself? You're a bachelor, you
know, and it would be a jolly lot easier for you to be a hero than--the
other poor beggars."

I smiled. "It is just as necessary that the soldier should have worthy
people to defend," I replied. "No, Bassishaw, the soldier's watchword is
singleness. He is as great a solitary as that other one, who devotes his
life to writing. The soldier knows he is doing some good--the writer
takes the risk."

"But writers often----" began Bassishaw.

"And soldiers----" said Carrie at the same time.

"Both cut themselves off in a voluntary abnegation," I replied. "They
scorn the smaller comforts; the one worships his art, the other his
duty. Look at Loring and his wife, there. They look happy, and
comfortable, and pretty; they have gentle, domestic pleasures. But they
have no conception of the grandeur of duty. They do not know the stern
joys of the warrior, they----"

I had been so rapt in my idea that for the moment my guard was down. The
watchful foe took instant advantage of it. Unseen by me, he had quietly
beckoned to Loring, who crossed over to us.

"Rollo," he said, "my wife wants to speak to you a moment most
particularly. She is waiting there."

I was out-manoeuvred--the ally had taken me in the flank. I couldn't
resist. I looked at them, and then at Mrs. Loring, who was waiting,
tapping her toe with her parasol. There was no way out. I turned away,
and, looking over my shoulder, saw the triumphant foe turn the corner of
the greenhouse into the shrubbery, a road of the third class, impassable
for artillery.

"Now, Mrs. Loring," I said, smarting under my defeat; "I am glad to see
you. What do you want?"

"Oh, Mr. Butterfield," she returned effusively, "I've been wanting to
speak to you all the afternoon. Isn't it a lovely day?"

"It is a lovely day; a lovely day," I replied. "I have been greatly
struck by the beauty of the day."

"It is perfect," she said, endeavouring to gain time. "Oh, how nice it
is to be young, Mr. Butterfield!"

"Mrs. Loring," I answered severely, "did you send for me to tell me it
was a lovely day, and that it was nice to be young?"

"Of course not," she replied, much embarrassed. "I wanted--I wanted to
talk to you. I wanted--oh, do help me, Loring."

"Molly wanted to tell you, Rollo----" began Chatterton.

I silenced him with a peremptory wave of the hand.

"Molly wanted to tell me something I didn't know," I replied. "Molly
wanted to tell me that I was blind and deaf and stupid, and that I
couldn't see what was under my nose. She wanted to tell me of afternoon
appointments at her house, and Heaven knows what sort of carrying on.
She wanted----"

"Well, you shouldn't tease them so," replied Mrs. Loring, illogical,
after the manner of women, but staunch.

"Madam," I said, "I am not so fatuous as to suppose that if two young
persons intend to practise idolatry on one another, my wisdom and
experience will stop them. But I have been plotted against, have been
told nothing; and I am entitled to get what melancholy amusement I can
out of the affair. You have spoiled my entertainment."

I adjusted my hat to an angle suggestive of rectitude, and bowed myself
away. I made for my hostess, and had myself presented to the general.

"You have a promising young strategist in our young friend Bassishaw," I
remarked.

"In what way?" he inquired.

"He has turned the flank of a superior force, and is in retreat with a
hostage," I replied.

When, half an hour afterwards, I again encountered the victorious enemy,
they made straight for me. I received them with dignity.

"Rollo, dear," began my sister, laying her hand affectionately on my
sleeve, and coming very close to me, "we have something to say to you."

Her voice was almost a whisper.

"Yes," said Bassishaw. "You see it's this way, Butterfield, I've asked
Caroline to be my wife. I know it's too bad not to have let you into it,
but, hang it all, you don't encourage a chap much, you know. You're so
deuced quizzy, you know. And, I say, Butterfield. That was all rot about
soldiers not marrying, now, wasn't it? I know you're a good chap,
Butterfield, and you'll let me have Carrie, won't you?"

I was afraid he was going to say I should not lose a sister but gain a
brother; but he didn't. My spirit was broken; I had no dramatic surprise
left in me. Carrie looked up pleadingly, with a tiny little tear in one
eye.

"It's 'yes,' isn't it, Butterfield?" said Bassishaw. "You're the only
one to ask, you know. And if it isn't 'yes,' you know----"

Talented young man! He knew when to press a yielding foe. I sighed, and
took an arm of each. I feebly tried to recover my old authority, but
they talked laughingly across me, and I knew what sort of glances were
passing behind my head. I was led captive to Chatterton and his wife.
Action was better than insight after all.




                                  IV

                           A CHILDREN'S PARTY


A good dinner in particular, and a comfortable sense of solvency in
general, had thrown me into a half whimsical, half melancholy musing,
from which I was roused by a small pair of hands placed over my eyes
from behind, and a challenge to guess.

There was not the least possibility of it being any one other than it
was, but I guessed "Jack Wharton," and had my ears boxed. Jack Wharton
is a large creature with fat fingers, and more rings on each of them
than a Plantagenet sword has coronets--a well-meaning, meritorious kind
of man, and my sister Carrie's special aversion.

Carrie sat on the arm of my chair, and paid little feminine attentions
to my hair, which she tried to make the most of--there is not so much of
it as there once was. A certain tendency to early harvest in hair is a
family trait, and I occasionally subdue the arrogance of my sister's
youth by reading to her from the health column of some family paper.

She patted down the last wisp, and addressed me.

"Do you know, Rol," she said, "I have an idea."

"I leap for joy, my dear," I replied.

Carrie is used to me. She went on unheeding.

"Suppose--suppose we give a children's party."

I looked at her in surprise. A children's party in my flat! What did she
mean?

"Suppose we give a masked ball or a grandmother's tea?" I suggested.

"Oh well, if you will be silly--" Caroline said, sitting straight up,
and adjusting the lace frivolity on her wrists.

"But who on earth are you going to ask to a children's party?" I asked.

"Oh, Rol," she replied, "there are lots and lots of children. There's
Alice Carmichael's nephew, Ted----"

"Ted Carmichael is seventeen years old," I remarked.

"And Nellie Bassishaw," she continued.

"Nellie Bassishaw is fifteen, and old-fashioned at that," I replied.

"Well, you must have some one to take charge of the children, you know,
Rol. But there are heaps and heaps of nice children. There's Molly
Chatterton, and little Chris Carmichael, and lots of others. I do think
it would be fun."

"I daresay it would," I replied. "And yourself and young Bassishaw would
look after them and amuse them, I suppose?"

"Yes, Arthur says he'll come and help," she answered. I had evidently
not been the first one to be considered.

"And Arthur will bring half a dozen young Bassishaws, younger than
Nellie?"

"Why, yes, I expect he will. Why not?"

"And has Arthur ordered a magic-lantern?" I asked.

"Not yet," replied Carrie. "That is, he _did_ suggest a
magic-lantern--children like magic-lanterns, you know, Rol."

I was aware of it--other people than children like magic-lanterns. I
leaned back and sighed; it was apparently all arranged.

"And what date did you say you had decided on?" I asked.

"The 17th," replied my dutiful sister; "that is, if you'll be a good
brother, and let us use your rooms, Rol."

"Oh, anything you like," I answered resignedly. "I'll clear out to the
club and you can do as you please. Only, mind you," I added, "I insist
that there shall be children. I will not be turned out of my rooms for
you and Bassishaw and all the Nellies and Teds of your acquaintance to
play any magic-lantern racket."

"Oh, you dear brother!" cried Carrie, blowing a kiss down the back of my
collar. "But you mustn't go out, Rol. We shall want you to help, you
know. You can----"

"Manage the gas, perhaps?" I suggested.

"Oh, the magic-lantern man will do that," she replied, laughing. "You
can call the forfeits--you used to know a lot of forfeits, Rol--and pull
crackers and things."

And have sprawling youngsters climbing my back, and nurse them when they
get cross, I thought. But it was of no use demurring before a determined
young sister. I must make the best of it.

I was given due notice on the 16th, and cleared my papers away. At
Carrie's suggestion I also took down a print or two--children were so
quick at noticing things, she said. Then I had the satisfaction of
seeing a Christmas-tree placed in the corner devoted to my armchair, and
of being able to look forward to a week or two of occasional
pine-needles and grease-spots from toy candles whenever I wanted to
read. A hairy man also came with a tool-bag, which he threw on my
dining-table, and proceeded to make what seemed to me a radical
alteration in my gas system, trailing flexible tubes across the floor,
over which I scarcely dared to step. I took my hat and fled, leaving
Carrie to do as seemed good to her.

Carrie had made me promise to assist, and at five o'clock we were at the
top of the stairs receiving our young guests. Arthur Bassishaw was
there, of course--he had been about for the last two days, and had
really, Carrie said, been invaluable. Every few minutes a nursemaid
arrived with some pink-legged, fluffy little lump, muffled up to its
bright eyes. Young Ted Carmichael brought my little friend Chris, who
clasped my knees and demanded that I should be a dragon on the spot.
Miss Nellie Bassishaw came with half a dozen little Bassishaws, casting
a glance at Master Ted that made that young gentleman nervous about his
gloves. Altogether by six o'clock some twenty small people were sitting
round Carrie's table, with an attendant maid or two tall behind them,
and the noise was just beginning.

Carrie, to do her justice, ordered young Bassishaw about as if he were
her own brother, and he assisted with piled-up plates and staggering
jellies in the most creditable manner. Master Ted Carmichael, however,
was evidently divided in mind as to whether he should consider himself
purely a guest, or whether his age qualified him for attendance on the
kids, a perplexity in which his palpable devotion to Nellie did not help
him much. Nellie was difficult to woo that evening, and was playing off
a smaller schoolboy on her half-grown-up admirer in a way that I liked
immensely. She has the germs of mischief in her, and is pretty into the
bargain. Ted, therefore, moved in a state of unrest--now helping in
ministering to younger needs, and now resuming his seat helplessly.
There was a speck of something in my memory that made me feel for Ted.

The noise increased, and by the time Master Chris--a most depraved
child--had thrust a handful of raisin-stalks and broken biscuits down
the neck of the lady of five whom he had taken in, children were romping
here and there, regardless of whispering nurses who reminded them they
were still at table. They were swept into another room by Carrie, with
stamping of sturdy legs and pulling of crackers. Ted tried to remain
behind to be near his disdainful lady, but I brought him along. I was
willing to help him.

I engaged Master Ted in conversation. The children, I said, would soon
be playing games, and then we men would have a few minutes to
ourselves--perhaps time for a cigar. He stiffened up in pleased pride,
and the front of his first dress-suit expanded. He _was_ grown up, then.
He ventured the remark that kids were awful slow, but they had to be
amused, he expected.

"Slow, do you think, Ted?" I asked. "Why, I find them most interesting.
Look at Miss Nellie there." (She had just come in.) "She looks almost
grown up, but any one can see she's the biggest child of the lot. Look
at her with little Molly Chatterton--she thinks she's got a doll. Ah,
Ted, girls like that are at a very awkward age."

"They _are_ awkward," Ted admitted. "But Nellie, you know--Nellie's not
so very--she was fifteen last--she's almost--oh, hang it, let's go out
for a smoke."

We made for the balcony.

"Have a cigarette, Mr. Butterfield?" said Ted, proffering a small silver
case.

"Thanks," I replied. "I think I'll have a cigar. Won't you have one of
these? They're very mild."

Ted looked doubtfully at it, and shook his head.

"No, thanks," he said; "I don't often smoke cigars. I'm very fond of a
pipe now and then--after breakfast, you know; but cigars are a little
too much for me. Light?"

He held me a light, and puffed elegantly at his cigarette. Then
continued thoughtfully:

"The worst of women is," he said, "they seem to grow up so awfully
quick, you know. Why, Nellie Bassishaw there, you know--we used to be
rather flames when we were young. A year or two since, that is. We're
not so very old yet, you know, Mr. Butterfield," he added, with a
slightly conscious laugh.

"Call me Butterfield," I said softly and encouragingly.

"I don't mind saying," he continued, "I was awfully stuck a while back.
I used to walk round the house at nights, you know--darned silly, of
course--and she used to drop me notes from her bedroom window. Of course
you won't say a word to any of the men, but at one time she wanted me to
elope."

"Indeed!" I said. "You surprise me. In that case I have greatly
misjudged her. She is not so young as I thought she was."

"No, she's not really, Butterfield," he said eagerly. "She's awfully
clever and grown up, and all that--that is, she was when we were so
thick. Some time ago, you know."

I nodded. I didn't want to interrupt him.

"And she's going to have her hair up next birthday," he went on, "and
then she'll be quite grown up. I'm a bit sorry it's all off."

He threw down the end of his cigarette, and looked round at the balcony
window.

"No," I said, "it isn't time for the magic-lantern yet. Half an hour or
so. And you're almost sorry it's all off?"

"Well, yes, in some ways," he replied. "Of course, I get about more than
she does, you know. Men do see more life than girls, don't they,
Butterfield? I went to a dance the other week, and of course Nellie
can't go to dances yet. But the men were another set, you know, and the
women--well, it's not much fun sitting out in a conservatory with
strange women, is it?"

I reserved my opinion on the point, and he went on. He got very
confidential, and by the time he had got through another cigarette he
had my views as to whether it was possible to keep a surreptitious wife
at Eton, whither he was to return shortly. I rather took to Master Ted,
and decided that Carrie and Bassishaw should not have _all_ the fun out
of the magic-lantern. I would willingly have prolonged the talk, but Ted
was glancing nervously at the window, and thought we really should go
in--the youngsters would need looking after.

We went in, in time to catch them playing some game with a closed door
and a piece of mistletoe. I saw no necessity for Carrie and Arthur
Bassishaw joining in, but join in they did, while Miss Nellie looked
intelligently patronising. Ted was right--women did grow up quickly. As
I took a seat beside her I heard Ted whisper to Carrie that her brother
was a brick.

"I hope you are having a good time, Nellie?" I said.

Nellie tossed her curls.

"Of course, real dances are more in your line," I continued, "but you
can spare an evening for the children now and then."

Nellie bit her lip; she felt the point keenly.

"I don't go to dances, Mr. Butterfield," she said stiffly.

"No?" I inquired blandly. "Well, some people _are_ prejudiced against
dancing. But I see no wrong in it myself. Do you regard dancing as
frivolous?"

She had to make the humiliating confession.

"I don't know anything about it," replied Nellie, turning half away. "I
am not allowed to go to dances."

"Dear me!" I said; "motives of health, doubtless?"

"No, I'm not considered old enough."

"Oh!" I said, in the tone of one who feels he has pushed his inquiries
too far. "That is a pity. There is such fun at dances--sitting out, you
know, and such things. You can't have such fun anywhere else."

Nellie looked a defiant "Couldn't she, though," and I considered my
young friend Ted's affair as good as arranged. I heard her whisper to
Bassishaw later that Mr. Butterfield was a beast.

Carrie came bustling up to ask me to help in the preparations for the
magic-lantern; and shortly afterwards the light was down, and the great
white circle shifting and quivering on the sheet, to the whispering
anticipation of eager children. When, a few minutes later, I had taken
Chris Carmichael on my knee, and the pictures had begun, certain quiet
indications from the back told me that Master Ted was having a good
time. I couldn't see the young monkeys at it, but I divined from the
brooding peace in that direction that they were hand in hand. Hand in
hand at least.

An hour later the place was quiet once more, and only Carrie, Bassishaw,
and myself were left, gathered round the cold magic-lantern. I looked at
it and shook my head. I had to do it three times before they noticed me.

"What is it now, Rol?" said Carrie.

"Sixteen next birthday," I said to myself.

"What _are_ you talking about?"

"Used to drop him notes from her bedroom window," I mused.

"Oh, do shake him, Arthur."

Arthur shook me. I looked severely at them both.

"I suppose you know what you've done," I said, "you and your
magic-lantern?"

They commenced a look of innocence, but I quelled them.

"If there is an elopement at your house shortly, Bassishaw," I said,
"you can thank this children's party. Don't pretend you didn't see
them."

"I'm afraid, Butterfield, do you know, that they are mischievous young
beggars," replied Bassishaw; "but it's not our fault."

"Not your fault!" I said, with rather a touch of scorn, I think, in my
voice; "not your fault! You bring overcharged adolescence together--you
know the moral laxity of sixteen--you know the latent depravity of
female sixteen especially--you provide them with a handy magic-lantern
and every convenience--and it's not your fault! Well, I did my best to
dissuade you; you have only yourselves to thank. I wash my hands of all
consequences. Don't blame me."

It pleased me to throw the responsibility on someone else.




                                   V

                           THE IDEAL IN PERIL


The Faineant Club was going to the devil, which was unnecessary,
considering the state of the weather. There was nobody about--including
Wentworth Boyle. The magazines were uncut--cutting meant energy. The
tape machine ticked out nothing but cricket scores, in which I am not
interested. A waiter was sleeping in a chair in a remote corner, the
only suggestion of coolness about the place. There was absolutely
nothing to do. It was too hot to swear.

I went to the window and looked out. Piccadilly was a glaring Sahara.
The rows of horses across the way were limp as chewed string, and lived
for nothing but the next water-cart that should pass and drench their
burning hocks. The trees bore spiritlessly their burden of dust; and the
only energetic thing in sight was an impervious newsboy crying the
fatalities of the heat-wave--a Song of Degrees.

I was in a fermenting state of discontent. The season had only just
begun, and there were at least six weeks of this to look forward to--six
weeks of hot, breathless theatres, and daily martyrdoms on the Row. The
season was confounded rot. I had half a mind to throw the whole thing
up. I went to the writing-table, wrote a complaint to the committee on
the iced drinks, murmured the prayer for rain, and returned to the
window.

Why did the women look so cool when the men were in such a state of
collapse? Millicent Dixon had just driven past, looking as fresh as a
buttercup. I saw Millie Dixon twice a week on an average, and she always
did look fresh. Yet she must be eight-and-twenty.

I determined to walk, if I could do so without risking a sunstroke. The
first parasol of my acquaintance that passed should be my refuge,
provided the bearer were not too stout. I am stoutish myself.

A white gown was tripping--tripping!--towards the club window, which,
from a certain trick of carriage, should belong to Mrs. Loring
Chatterton. I calculated my time carefully, and stepped from the club
awning to the shelter of the sunshade. Mrs. Loring is slight.

"My dear Mr. Butterfield, how do you do?"

"Thank you, my dear lady," I replied; "with a little basting I shall do
to a turn."

"Oh! isn't it?" she said. "I never knew such heat in May. You must feel
it terribly, Mr. Butterfield."

Now, I am not so stout as all that. Thirteen four, for a bachelor
approaching forty, and of personable height, is no extravagant riot of
flesh.

"I admit to a certain warmth," I replied; "but when your own, permit me
to say, somewhat meagre presence has ripened to a more generous
noontide, perhaps _you_ will resent any ostentatious sympathy on the
subject."

Mrs. Loring laughed. She always refused to take my dignity seriously. To
her I am not Rollo Butterfield, LL.D. (ceased to practise), but Mr.
Butterfield, who may be allowed to see the children in bed, should he
wish it, and who is sacrificed on the altar of intimacy to take in to
dinner nervous schoolgirls, and act as escort and general convenience in
shopping expeditions.

"Well," said Mrs. Loring, "I don't think you ought to mind at your time
of life. Let me see, how much older than Loring are you?"

"Mrs. Loring Chatterton, perhaps you prefer to walk to Wilton Place
alone?"

"It _must_ be rather hard on you," said this incorrigible lady,
laughing.

I looked at the sunshade and at the glare that shone mercilessly on my
patent leathers. Decision of action was never my strong point, and the
firmest principles will soften at ninety-two in the shade. I
capitulated. Compromise beneath a parasol was better than dignity in the
sun.

We walked along. By the exercise of much ingenuity in mapping out a
track that should consist of the maximum of shade, by the strategic use
of large vans and the skirting of a person with a huge umbrella, whose
shadow was as that of a great rock in a thirsty land, we arrived at
Wilton Place, and, in response to Mrs. Loring's invitation to come and
have tea, I followed her in.

Mrs. Loring's drawing-room was cool as a cloister. I foundered on to a
sofa and closed my eyes, while my hostess, as a last impertinence,
vapourised me in passing with a tiny scent fountain, and left me in a
luxury of dim light.

Such a retreat, at my time of life, was very soothing. My meridian was
pretty near the full, and I had a right to a drowsy siesta before facing
again the afternoon glow whose level rays would decline to the long
evening. I lazily watched a fly that was spinning a soft drone in the
twilighted room, and blinked through my half-closed eyes at the few
white splashes of sunlight on the floor, vivid in the subdued tone.
Bowls of flowers cooled the air with perfume, and the Genius of Rest
brooded over the place. The afternoon with its business would come, no
doubt; but for the present this was my oasis.

Mrs. Loring reappeared in a tea-gown whose gossamer frothed daintily
about her neck. She looked the pink of freshness--and yet she was within
three years of thirty. I took a kind of pleasure in the thought. Loring
was a lucky man.

A tray was brought in, and this attentive lady fluttered round the
little silver urn, and ministered to my _paresse_ with tea and lemon. I
grew humorously melancholy, and lapsed into gentle vistas of
reminiscence. I believe I sighed.

Mrs. Loring mentally referred the sigh to corpulence, for she came over
with tea, and said, "There, poor man. That will cool you."

I half rose from my reclining posture, and shook my head as I took the
cup.

"No, madam," I said, "tea-leaves cannot allay the dust of memory. I sigh
for what once was, for what might have been now. I sigh for Ten Years
Back. Do you ever sigh for Ten Years Back?"

From the puzzled way in which she looked at me, she evidently did not.

"Ten years back," I continued, "you and I were yet young."

She tried to look wrinkled.

"Ten years back you were interested in painting, and visited the
National Gallery. Millie Dixon was also interested in painting and also
visited the National Gallery. Loring Chatterton didn't give a hang for
painting, yet he dragged me round to the National Gallery. I paid the
sixpences."

"Anyway you were always glad enough to see Millie Dixon; you didn't do
it out of pure self-sacrifice."

"The National Gallery," I continued, not heeding the interruption, "is
one of the great storehouses of the world's art. It is the pride of a
great nation. _I_ went there for purposes of study; but how did _you_
profit by it? You used it for rubbing shoulders and squeezing hands."

"I know how you profited by it," said Mrs. Loring, laughing. "You used
to study the water-colours down-stairs, and you got locked in one day.
Millie Dixon, by the way, got locked in too."

"Millie Dixon always _had_ foresight," I said musingly.

"But you never painted, and Millie Dixon did."

"In spite of your insinuation, Mrs. Loring, I never ascertained that.
Her complexion----"

"Then you ought to have done. Here are you two still hanging on in the
same position as ten years ago. _I_ gave Millicent a month if she knew
her business. Loring and I didn't take so long. I am disappointed in
you. I'm sure it's not Millie's fault."

That was hardly fair. Millie had never thrown herself at me.

"If you'd made love to Millicent," she went on, "you'd not have been a
lonely fat old bachelor, living in a horrid flat, and wasting your time
at clubs and race meetings."

"Mrs. Loring Chatterton," I replied, "if I'd made love to Millicent I
should have been just as--mature of outline, and should still have been
a bachelor. It is my gift. I was born a bachelor. I should have said,
'Miss Dixon, if you love me, let me remain a bachelor.' She would have
said, 'As a bachelor you first loved me; be always my own bachelor.' It
is, alas! my single talent. I was made for singleness."

"Rubbish! You know you like Millicent."

"Dear madam, I like all ladies--as a garden of flowers, yet I cannot
bring myself to pluck one."

"Then why do you sigh for ten years back?"

That is the worst of women--they have a way of being suddenly logical
when no one expects it of them. Mrs. Loring is a charming woman, but I
must be careful. One or two lapses into sentiment like this, and she
will have me married to Miss Dixon before I know where I am. But my
weakness was over. I pulled myself together.

A burning white spot of sunshine had been slowly crossing the floor in
my direction, had mounted the sofa, and was threatening to disturb my
repose. It brought back the hot streets and the stifling club, and was
invading my sanctuary with vivid glare. I was moving along out of its
way when a bell rang.

"Oh! and the tea's cold!" said Mrs. Loring, with the first thought of a
hostess. "I'll have to get some more in."

Miss Millicent Dixon entered unannounced.

"My Dear Molly," cried Miss Dixon, "if you love me, give me some tea.
How do you do, Mr. Butterfield? Do you know, Moll, I have been rushing
about for two mortal hours trying to find a wedding present for Madge
Beaumont, and I haven't got one! Do help me--Mr. Butterfield----"

"Oh, don't ask him," Mrs. Loring struck in; "Mr. Butterfield's been
getting sentimental. Between ourselves, Millie, he came dangerously near
to a lucid interval. He's been sighing over a misspent life, and wishing
he were years younger."

"Is it announced yet, Mr. Butterfield?" inquired Millicent
mischievously. "Who is she?"

"Promise to tell Millie before any one else, Mr. Butterfield," said Mrs.
Loring.

The machinating married woman! No bachelor is safe with her. I said
nothing.

"Then it is true!" said Miss Dixon, "and I shall need two wedding
presents. Mr. Butterfield, the unassailable bachelor! I shall give you
_Paradise Lost_, Mr. Butterfield."

"Ladies," I answered, "you are unfair. You catch me in a weak moment,
suffering from sunstroke, and accuse me of good resolutions. Does my
previous bad character go for nothing? May I not have a half-hour's
weakness without hearing of it again? It is my first offence. Oh, how
difficult is the true Bachelor Ideal!"

"Then you are not engaged, Mr. Butterfield?" said Millicent.

"Not to my knowledge, Miss Dixon. I admit to a certain wavering. If it
comes again I will take you into my confidence; in the meantime we will
discuss Miss Beaumont's wedding present."

We went into committee on the subject. I was still the Compleat
Bachelor.

But I had presentiments.




                                  VI

                          A CORNER IN TREACLE


I could not help smiling as I rang Mrs. Kit Carmichael's bell. It wanted
a good hour to calling time, and I was sure to arrive in that
embarrassing period of the afternoon when morning attire is being
exchanged for the tea-gown, and the indiscreet visitor is left to
meditate on the hollowness of social obligations in an empty
drawing-room. It is an hour I take a peculiar delight in. I like to see
the piano before Schubert's songs have replaced the thumbed
exercise-book, and to divine midday practisings, scarcely over, by young
ladies lanky in stocking, with surreptitious chewing-gum in their
pockets. It has still the charm that "going behind" had for me in my
early theatrical days.

I had made some masculine pretext for leaving Carrie behind, and she was
to follow later. I had a small reason of my own for wishing to see Mrs.
Kit alone.

Mrs. Kit's maid admitted me. That young person always seems inclined to
laugh when she sees me. I swear I have never encouraged her.

The drawing-room door was opened to me, but I walked past it, beckoned
by a distant sound of childish romping, and a young mother's call of
"Come here, Chris." I made all the noise in my approach that pretended
stealth demanded; I am delicate in my freedom.

Now, that is a part that needs a nice discrimination in the true
performing of it. Intimacy has no severer test. Show me the indiscreet
bachelor friend whose title falls short, be it only by a syllable, of
the full warranty, and I will show you a man who shall wait for
invitations, and to whom the fiery sword of "not at home" shall be
displayed. The young wife in particular is apt to be touchy.

My approach had been heard, and a subdued scuffling subsided as I
entered the half-open nursery door. Mrs. Kit had a maid, and had at one
time kept a nurse; but the nurse had gracefully relinquished the
engagement on finding she had _two_ children in charge, the grown-up one
scarcely more manageable than the chubby little imp who bore his
father's name. Consequently, Master Christopher occupied a good deal of
his mother's time, and was in a fair way for being spoiled.

This young gentleman of four hailed me with a shout, and childish glee
in his scantiness of garment; while his mother, rosy and bright with
romping, did her best to look crossly on my intrusion. Mrs. Carmichael
always keeps up an appearance of formality, even with me.

"Mr. Butterfield, how dare you come into my nursery!"

"Mrs. Carmichael," I replied, "I came to have a talk with your son in
the matter of a certain giant in whom we are both interested. Perhaps
you yourself would care----"

"Chris shall not hear any story till he has his pinafore on. It is as
well you are a bachelor, Mr. Butterfield. You would spoil the best child
in the world."

"Unless I am mistaken, Mrs. Kit," I answered, "you yourself were playing
the part of a bear when I entered. Does one hunt bears without a
pinafore?"

"I am his mother, and have to amuse him--judiciously!" returned Mrs.
Carmichael. "You don't know what a responsibility children are, Mr.
Butterfield."

"I appreciate your feelings, madam," I replied. "I remember in my youth
I kept white mice. Now, white mice----"

"White fiddlesticks," said Mrs. Kit. "A bachelor has absolutely no idea
of what trouble children are. They take the whole of your time--they are
constantly to be watched--you never know what mischief they are up to."

"I kept _four_ white mice, Mrs. Carmichael, with power to add. You have
only one----"

"Oh, but Chris _is_ so mischievous! He's so full of spirits. Scarcely an
hour since he _nearly_ broke his neck trying to climb a handrail, under
the impression it was a beanstalk--that was one of _your_ stories, Mr.
Butterfield,--and last night he managed to get Simple Simon into his
prayers."

I shook my head.

"An inherited irreligious tendency," I replied. "He's probably got that
from his father. I remember Kit----"

"Rubbish! It's just pure animal spirits. Chris is getting so big and
strong--_and_ noisy," she added, as Chris broke away with the shout of
pagan infancy.

"In that case, Mrs. Carmichael," I answered, "a reducing diet of
cinder-tea, judiciously administered----"

"Cinder-tea? What do _you_ know about cinder-tea?--Chris, put your arm
through here--a bachelor talking about cinder-tea!"

The arrogance of these young married ladies! They are all alike. You may
have seen scores of such pretty innocents installed in their first
establishments. You may have known their existences from the time they
played peg-top with their brothers to their perky airs over their first
long frocks. You may have given them away amid rice and slippers at the
rate of two a year, when their bridal blushes almost made your task
superfluous. You may have known them from teething-ring to trousseau,
from measles to marriage; and yet in the first wonder of a new baby life
you will be told that you are an ignorant old bachelor, and that you
know nothing of household affairs!

But I was not disposed to take any such talk from Mrs. Kit Carmichael. I
was too old a friend of Carmichael's, and could always make her tingle
with curiosity by an artful hint of pre-nuptial reminiscence. Besides
which, she herself was too much in my power. Distinctly, I had a right
to rebuke her. I leaned back, and questioned her with forensic severity.

"Mrs. Carmichael," I said, "you are young, but that is no excuse for
ingratitude. Five years ago my advice was not superfluous. Whose
experience was it selected you this little house, when Kit's mind was
too full of love to distinguish such details as sanitary arrangements?"

"I believe you gave some advice on the subject, Mr. Butterfield," she
retorted, "and we had workmen about the place for six months."

I waived the thanklessness of the last phrase, and continued with
dignity.

"Who put you through an exhaustive course of salads, Mrs. Carmichael?"

"Well, you _were_ rather useful in the matter of salads," she admitted
reluctantly.

"Who gave you lessons in the refinements of black coffee?" I continued,
warming in a righteous cause.

"My coffee was not bad," Mrs. Kit returned, on her defence.

I magnanimously put aside criticism of her coffee, and went on with a
wave of my hand.

"To whom did you come for counsel on distemper and wall decoration and
tapestry hanging? Who told you to cast on at the bottom in mending
stocking knees? Who explained to you the principle of the chimney
draught, the law of ventilation, and the mechanics of the picture-cord?
Answer me, Mrs. Carmichael."

She combed Master Chris's hair vigorously and made no response. I saw
the victory of a just rebuke within my grasp. I made one more thrust.

"And, finally, Mrs. Carmichael, have you made the treacle puffs you
promised for my next visit?"

She yielded.

"Oh, I am _so_ sorry, Mr. Butterfield, but they were a failure. I put
them into the oven, and all the treacle ran, and made, oh, such a mess!"

I leaned back with the magnanimity of a conqueror, and in that moment
lost the battle. Carrie stood in the doorway.

"Treacle puffs, Rollo!" she said. "Of course they run if you forget the
bread crumbs. I told you that!"

I was betrayed by her I called sister! A light came into Mrs. Kit's
eyes.

"Did _you_ give him those recipes, Carrie?" she asked.

"Of _course_ I did, Alice, and told him to be _sure_ to tell you about
the bread crumbs. And he _didn't_! Oh, Rollo"--she turned to me--"and
you asked me if they would be sure to run _without_ the bread crumbs!"

I was lost. Mrs. Carmichael rose, and put aside the brush and comb.

"So, Mr. Butterfield," she said. "I begin to see. You laid a trap for
me. You got Caroline to coach you in things before coming to see me, and
edited the recipes! Let me remember. You told me, did you not, that
brown sugar improved poached eggs?"

"Mrs. Carmichael----" I began. She silenced me with a gesture.

"You advised me, did you not, that maccaroni should be kept in a dark
place for fear it should sprout?"

"That, Mrs. Carmichael, was on the authority of the _Times_. You
surely----"

Again the peremptory finger reduced me to dumbness.

"And you stepped in after all my blunders, and airily set me right! Mr.
Butterfield, you are an unspeakable deception!"

That was my thanks. Carrie and I might conspire to do good by stealth--I
might go out of my way to gather hints on pastry--and because, forsooth,
this woman's execution was not equal to the brilliance of the idea, I
was to be branded as a fraud! The brown sugar was an original notion;
and if, forsooth, like the _Great Eastern_, it turned out unmanageable
in practice, that did not detract from the boldness of the conception.
Women are so conservative; they lack the true inventor's spirit.

I looked helplessly round the room. I was overpowered at the ease with
which people will impute to one a base motive rather than go out of the
beaten track to find a good one. How they give themselves away!

I turned and apostrophised Master Christopher.

"My poor, unwitting little boy! For you, too, the time shall come when
ingratitude shall be your portion. You are a bachelor yourself--you
drink cinder-tea, but the day shall arrive when you shall be told you
know less about it than the hand that pours it out. Play while you can.
Your least word is heeded now; but afterwards you shall cry wisdom in
the nursery and shall not be regarded."

Chris saw somehow that he was the subject of remark, and now, trimly
toileted and elaborately combed, was ready for a story grim in giant and
spiced with goblin. His mother, laughing at my apostrophe, made a chubby
fleshy fold in the childish cheek that was pressed against her own, and
looked at me in a way that admitted my capacity in fairy lore, if it
discounted my more practical qualifications.

"Now, Chris," she said, "Mr. Butterfield is going to tell you just a
short story, and I'm going to receive my callers. Don't be long, Mr.
Butterfield. Come, Caroline."

She vanished, and I entered the magic land of giants.




                                  VII

                            THREE'S COMPANY


I had been told nothing about it, but I would have wagered my boot-trees
that Carrie and Bassishaw had had a tiff. In the first place, Carrie had
invited me to accompany them to the opera when she knew that my
acceptance was possible, which was contrary to her usual practice. My
presence on such occasions had of late been not indispensable; and these
young people had gone about together with an aggressive air of
sufficiency in each other's company that had insulated them from my
attentions and led me to muse on the thanklessness of youth.

"Are you going out with Arthur this evening, my dear?" I had asked.

"Well, yes, Rollo," she had replied diffidently, "Arthur particularly
wanted to take me to St. James's Hall."

"It is a refining entertainment. I haven't heard Moore and Burgess for a
long time. I think I'll come with you."

My sister evaded the main point, and countered on the inessential.

"It's not Moore and Burgess," she replied. "It's a ballad concert."

"'On the banks of the Wabash far away,'" I answered. "A simple sentiment
would suit me exactly this evening. Yes, I think I'll come, thank you,
Caroline."

"I should like you to, Rol, dear, you know; but your cold----"

Of course, my cold; I didn't know I had one, but they had made a chronic
asthmatic of me lately.

"And besides, Rol, Mr. Chatterton said he might call this evening. I'm
awfully sorry, dear; but can you come to-morrow to the Globe matinee?"

They knew my prospective engagements better than I knew them myself.
There was a trifling foolish committee meeting toward to-morrow, and
with that I had to be content.

But a tiff is the Compleat Bachelor's opportunity, and in the invitation
to _Tristan_ I spied entertainment.

Carrie had sunk gently on my knee, and had placed a small finger through
a buttonhole of my coat. Bassishaw had just called, dressed with the
immaculate precision of one who has made up his mind to sulk in his
stall, and had taken up a book on jurisprudence which I kept
conscientiously on my table, an imposing reminiscence of my younger
days. He watched Carrie furtively over the top of it.

"Please, Rol," she said, the finger working detrimentally through the
buttonhole. "You know you love _Tristan_, and Jean and Edouard----"

"But three cannot listen to _Tristan_," I replied. "Whose hand am I
to----"

She came closer, and a mute look in her eyes said that an Irrevocable
Destiny had made of her life a Blighted Tract.

"But my cold, Caroline?" I asked consumptively.

"Oh, Rollo, you shall have hot rum directly you come in, and I'll nurse
you. _Do_ come."

I acceded with secret joy, on the condition of being spared the remedy
she suggested.

"Then we will dine out," I added.

We did so, in a gloomy depression of spirits that was eminently
desirable. Carrie's humor was not improved by the sight of a man at the
next table, apparently chastely-minded, but who took chutney to a
grilled steak. She has an instinct for dietetic refinements, and looks
on culinary barbarity as worse than untruthfulness.

I had to do most of the talking, which I did, I think, in a naive
unconsciousness of the summer cloudlet that loomed glowering over the
party. I spoke of youth. I said, Heaven forgive me, that it was the
happiest period of life; that when the heart smiled in love the skies
had a blueness; and much more of the same kind. Bassishaw grunted
remarks on the Transvaal prospect, and for Carrie's benefit muttered
something about shipment of troops and leave-taking at Waterloo.

"I'm going to see about my kit to-morrow," he added, and drank three
liqueurs recklessly. Three liqueurs is a great compliment to the girl
you love; four the very abandonment of careless devilry.

Carrie tried feebly to show unconcern as to their effect on his
constitution, and I took coffee in huge enjoyment.

Bassishaw tipped the waiter with imprudent extravagance, hailed a
passing hansom cabby--"Passing, not passing handsome," I ventured to
observe, but got no response--and magnanimously bowed Carrie and myself
into the cab, saying he would follow. I told Carrie on the way that I
could not have wished a more desirable brother-in-law.

At the opera I modestly took the end stall of the three, but Carrie
moved me along. She then settled herself listlessly on my right, while
Bassishaw, who had arrived, glowered at the side-drums on my left.

He was utterly indifferent to the entrance of the conductor, and the
overture to _Tristan_ evidently brought no peace to his soul. He fumed
unholily, and threw himself about in his seat in a way that drew a
remonstrating remark from an ardent Vaaagnerite on his left. At the end
of the first act he went out for a cigarette, apologising with formality
as Carrie gathered up her gown to allow him to pass. Carrie's pretty
neck bowed a graceful aloofness. When his straight back disappeared
behind the curtain, my sister throwing a slanting glance to see if he
turned round, I sought her eyes, and leaned over, speaking softly.

"Was it about your writing, my literary little sister?" I asked.

She assented with a little gulp.

"Tell me, my dear," I said, turning my back on the Vaaagnerite next
Arthur's empty seat, who was talking the cult rather stridently.

She told me in pure innocence of the Conflict between Literature and
Love. She spoke of the Devotion to Work and the Sacredness of a Mission.
The dear little soul was going to enlighten the peoples!

"And I asked Arthur's opinion," she said, her breast rising.

Never till then had I realised the forgetfulness of love.

Arthur's opinion on literature!

"And what did Arthur say, Caroline?" I asked, composing myself as best I
could.

"He said he didn't want women to be clever, and they had no business to
be. He thought they only ought to be pretty, and I was only inking my
fingers. Then I told him what George Eliot said, and he said I'd been
reading _Half Hours with the Best Authors_."

"And then you quarrelled?"

"Ssh--yes."

Arthur entered at this moment, and stumbled back to his seat. The
Vaaagnerite broke off Goetterdammerung at the third syllable, and I fancy
Arthur had trodden on his toes. I had great sympathy with Arthur. I
particularly liked his views on the art question; but he would have to
unbend to this poor little child on my right.

She had turned her head on her shoulder during the love duet, and I
could not see her face. I held out my hand for her opera-glasses, and
raised them to my eyes. The lenses were wet with tears--I suspected it.
I quietly passed them on to Bassishaw, with the message still moist upon
them. It is only once in a lifetime you see _Tristan_ through such a
medium.

The next interval Bassishaw did not smoke, but remained in his stall. He
had heard the love duet, too. I turned to him.

"That was wonderful music, Bassishaw," I said.

"Yes," he replied. "Do you know, Butterfield, I think it's awful fine,
by Jove. I can understand Johnnies doing that kind of thing, you know."

"Quite so," I answered. "To the Artist-Soul"--(I capitalised the words
pompously with my voice)--"to the Artist-Soul, creation is not a choice,
but a need. The French realise that in their word _besogne_----"

He was not listening, and broke in:

"You know, Butterfield, a Johnny must have a darned useful brain-box on
him to do that--that sort of thing. It made me feel no end queer.
There's an awful lot in it, don't you think?"

Poor Bassishaw thought he understood the music, but it was the
opera-glasses that had fetched him. He went on:

"It's darned funny that a chap should do that instead of drill and depot
work, you know, Butterfield. You know, I always thought too confounded
much of curves and trajectory, and all that stuff. I always thought a
chap was a bit of a muff who fooled with music and verses and all that,
do you know."

The confession was not without a touch of the pathetic, but I maintained
a diplomatic silence.

After a thoughtful pause he continued:

"Do you think, Rollo--do you think--would--would Carrie ever do anything
of that sort?--I--I--mean, something that makes a chap feel--oh, hang
it, you know what I mean."

What could I say? My little sister was looking very miserable--abstract
truth is all very well--I temporised.

"Well, Bassishaw, it can't be done without trying. You've got to stick
at it. The continual _enfantement_----"

"I know," he interrupted, "sort of keep it up steady, like these gunnery
Johnnies. It must be darned hard. Do you know, Butterfield," he said,
dropping his voice suddenly, "Carrie and I--we've had a kind
of--nothing, you know--but--a bit of a split."

"You surprise me," I replied.

"Yes, we have, really; and I think I was a bit of a brute."

He rambled in explanations, which I punctuated with "Dear, dear." Carrie
laid her hand on my sleeve, and I turned to her.

"Rol," she whispered, "do send Arthur for some coffee. I want to talk to
you."

Arthur was despatched to find a waiter, and I attended Carrie's pleasure
while she twisted her fingers nervously through the opera-glasses.

"Rol," she said, "I'm so unhappy."

"The Wings of Sorrow have brushed your life and left it an Arid Waste,"
I replied sententiously, hugely amused. She didn't divine the raillery.

"But surely, Rol, the heart is ripened through suffering," she replied
unconsciously.

"Yes," I replied. "The Separation of Souls is not Eternal. Those we love
are severed from us in the flesh, but in Heaven----"

She looked suspiciously, but my face was very grave. The waiter appeared
with coffee, and Arthur resumed his seat, this time without apology. He
was anxious to make it up, but I didn't offer him my seat. I wanted to
see the particular kind of _finesse_ he would adopt, so lay low and
watched him.

The music recommenced, and Caroline, by some inattentiveness, retained
her coffee cup, which I believe she mentally identified with Isolde's
love potion. Bassishaw was revolving ways and means, but the cup hint
was not obvious to him. Isolde began the Liebestod song, while the head
of the Vaaagnerite beyond Arthur was sunk in his hands, possibly not to
see the corpulent heroine, whose presence was somewhat disturbing to the
music. The Wagner hush was over all.

It was broken by Bassishaw. Unable to solve the difficulty, he cut the
knot. His hand came over my knee, and took the hand of Caroline that was
hanging in limp appeal nearest him. She turned her face away, but
allowed the hand to remain. It was all over, and I leaned back to
commune with my thoughts, and to adjust my mind to the prospect of being
once more a superfluity.

"I say, Butterfield, old chap," Bassishaw whispered to me, "do you mind
changing places? This is rather awkward, you know."

"It is conspicuous," I replied, "but commendably frank. I rather admire
your way of doing these things, Bassishaw. But we can't change now.
You'll have to wait your opportunity of giving me the slip in the
foyer--I've no doubt you'll attempt it."

It would do them no harm to wait a while.




                                 VIII

                           A VETERAN RECRUIT


Millicent Dixon's uncle, Col. Elliott Coke, invalided from some remote
Afghan frontier station whose name on the map was utterly out of
proportion to the inconsiderableness of the place, was in London. I met
him at the Bassishaws' when Arthur, in tones of infinite respect, had
pointed out to my notice a small, keen face, curried by Indian suns,
with moustaches out of which both the colour and the moisture had been
grilled years and years before.

"I say, Rollo," Bassishaw had whispered, "do you know who that is?
That's Col. Coke."

"It's a good name," I observed. "Who's he?"

"Who's he? I say, Rollo! Why, he's the best authority on hill batteries
and jungle skirmishes in India! Led an attack on some darned place or
other in--I forget the date. V. C. Went through the Afghan war, you
know--got about a hundred and fifty clasps."

"Indeed?" I said. "Present me."

Arthur had presented me to his hero almost apologetically, and I had
since improved the acquaintance considerably.

I gathered from the Colonel that the Afghan frontier was not overrun
with European ladies to any great extent, and certainly the little man's
manner on being transported to a place where a full numerical half of
the population (and a much larger proportion in every other respect)
consisted of women, was very pleasant to watch. The luxury of seeing
them was almost enough for him, and when it came to the intimacies of
conversation the little warrior's embarrassment was as delightful as
young Ted Carmichael's.

"Gad, Butterfield," he said, as we threaded Piccadilly one evening,
"this is home, you know! It's like one big family--you feel as if you
can speak to any of them!"

The Colonel's observation was perhaps truer than he had any idea of; but
I couldn't dash his boyish pleasure.

"Yes," I replied. "I almost envy you the delight, Coke, of having the
full measure all at once. It is to you what tiger-shooting would be to
me, did my tastes run in that direction."

"Gad," he replied (he seldom replied without "Gad"), "it's marvellous!
And all with faces as white as my own, Butterfield!"

I smiled, looking at the piece of tropical cookery he called white, but
let him run on.

"Do you know," he said, "there was Powell's wife, and poor Jack Dennis's
widow, and the adjutant's sister; and, by Gad, except for a _dahi_ that
Powell kept (Powell's wife was never strong), there wasn't another
woman, Butterfield, in the whole damned station! And Winifred Dennis
didn't amount to much. But here----"

He never seemed to get accustomed to it. Had a London fog stamped the
metropolitan complexion indelibly and universally black, Coke would have
given a sigh, as knowing that his glimpse was too good to have lasted,
and returned to his old order of things. The rustle of a silk skirt was
an unstaled wonder to him; and the contrast between what he called the
"real European baby-ribbon sort of thing" and the "infernal blouse and
puggaree business" never failed to entertain him.

With Miss Dixon he was soon on good terms, but with most other ladies,
Mrs. Loring Chatterton first of all, his diffidence was marked. His
chivalrous devotion was Quixotic, but most of them would have bartered
it, I am sure, for a more work-a-day and less punctilious style of
attention. Mrs. Loring, indeed, said so.

"I don't know where he got his style of conversation from," she
remarked, "but he is absolutely embarrassed when I present him to a
woman. How do you account for it, Mr. Butterfield?"

"It is not," I replied, "that he is deficient in physical bravery. I can
only account for it on the supposition of instinct. He knows your
propensities, Mrs. Loring, and would possibly die as he has lived, a
blameless bachelor."

"But it's just the same with the married women," she returned. "What is
there to be afraid of in Alice Carmichael?"

"I decline to be invidious, Mrs. Loring," I replied. "He gets along well
enough with Millicent Dixon."

"They are related," she replied, somewhat inconclusively.

"I am afraid it is a _non sequitur_," I answered. "Friendship generally
varies inversely as the square of the distance of the relationship."

"I wonder what we could do?" she said, half to herself. "Do you think
Mrs. Gervase would do him any good?"

The wicked, wedded creature! Emily Gervase, a youthful widow, was Cicely
Vicars's sister. I drew myself up with dignity.

"Mrs. Loring," I said, looking full at her, "I wonder that you do not
tremble! What is it you would do? Has Col. Coke, of a score of Indian
hill fights, the bearer of honourable scars of war and climate, not
earned his peace? Would you, now that his body is broken on the outposts
of an Empire for your protection, harrow the boyish soul within it? No,
madam. On me, if you will, you may exercise your arts; but if you once
submit that venerable head to the machinations of Emily Gervase--I
expose you."

"Exercise arts on you!" she retorted. "You're too fond of it; and I
_shall_ be--nice--to the Colonel, in spite of you, Mr. Butterfield."

She kept her word. She indulged her undoubted gifts for being "nice" to
people in a series of variations, the theme of which was always the
same--the development of the Colonel's intimacy with Mrs. Gervase. Mrs.
Loring's methods were old enough to me--I knew them by heart; but to the
maiden soul of the Colonel they came as a revelation of female
unselfishness.

"Do you know, Butterfield," he said to me one evening, "I'm beginning to
think Mrs. Chatterton is no end of a fine woman, by Gad! She's loyal, by
Gad! The way she stands by that little friend of hers, Mrs. Gervase--you
know her"--(I nodded)--"why, it's just what a man would do!"

"Then you have met Mrs. Gervase, Coke?" I asked.

"Yes," he replied, "the other evening. She's infernally shy, by Gad!
Quiet, you know. That's what I like about an Englishwoman here. Now,
Powell's wife, and the regimental women----"

"Exactly; were not shy. And what do you think of Mrs. Gervase?"

"Well, you know,"--the little man looked at me with a comical air of
worldly knowledge that was a joy to see,--"she was awfully quiet,
Butterfield--only looked at you; but _I_ brought her out, by Gad! And
she's intelligent, too, when you once get her talking."

"You succeeded in making her talk, then?" I asked with an irony that was
for my private satisfaction, and meant nothing to him.

"Yes," he replied, "after I'd--played her a bit, you know. And that
woman, Butterfield, displayed an intelligence, by Gad, on transport, and
commissariat, and mobilisation that was simply little short of
marvellous! Marvellous, by Gad!"

"She's a clever woman, I believe," I answered. "She asked you how often
you had been wounded, I suppose?"

"She _did_ ask me that," he admitted; "but women haven't got to hear
about that kind of thing, you know, Butterfield. You've got to keep 'em
at arm's length in such matters--kind of----"

"Exactly. Play them a bit. I congratulate you, Colonel, on
having--er--brought out Mrs. Gervase."

"Oh," he replied, "she's only a child, of course, widow or no widow; but
she'll make a fine woman, Butterfield."

I would have given much that Emily Gervase should have heard herself set
down a child. The Colonel, unconsciously, had in his hand the
opportunity for complete and sweeping revenge.

It was my fortune to be present when Mrs. Gervase, doubtless after deep
consideration, made the next move. We were to call on Mrs. Charlie
Vicars--or rather, Coke was to call, and persuaded me along with him.

"Mrs. Chatterton said you wouldn't mind, Butterfield," he said; "and, by
Gad, I can't keep two of them going."

"You undervalue yourself, Coke," I said. "But I'll come."

And so we found ourselves in the aestheticism of Mrs. Vicars's
drawing-room. That lady found means to entertain me, while Coke applied
himself to the creation of a conversational warmth that should induce
the unfolding of the timid bud by his side.

"Col. Coke seems to have taken quite a fancy to Emily, Mr. Butterfield?"
said Mrs. Charlie interrogatively.

"It is a pretty sight, Mrs. Vicars," I replied. "The scarred veteran in
the evening of his life, his grim battles behind him, returning to take
a younger generation on his knee----"

Mrs. Vicars looked round in alarm.

"--And to tell of fights in which their fathers were engaged----"

"Col. Coke is not so old as that, Mr. Butterfield. He can't be much
older than you," she interrupted.

"He is young enough to be Emily's father," I admitted, "and perhaps a
little too juvenile to be her grandfather. Coke is fifty."

"He doesn't look it, Mr. Butterfield."

"He looks it, Mrs. Vicars, and you know it. Let us talk about something
else. How is Master--Percival, is his name to be?"

The young gentleman in question had known the light of day for exactly
three weeks, and was the commencement of Cicely Vicars's family. I had
been presented to him in his cot some days before, but beyond mutual
celibacy, there was little as yet in common between us, and the
conversation had flagged.

"Yes," Mrs. Vicars responded, "he's to be called Percival; and oh, Mr.
Butterfield, he's to be christened in a week, and I wondered----"

She hesitated.

"I already stand sponsor to an embarrassing extent, Mrs. Vicars," I
replied. "I never ascertained precisely to what the position pledged me,
but I have an uncomfortable sense of responsibility to which I do not
feel inclined to add."

"But, Mr. Butterfield, those were--other people's children--not mine."

She turned a supplicating eye on me. It runs in the family.

"Naturally," I replied. "It would be a big burden, in these days of
small families, for any one person. But no, Mrs. Vicars. Perhaps on a
future occasion----I have it!" I added.

"You have what?"

"Coke's your man, Mrs. Vicars. Come."

I rose, and assisted her to rise also. She hung back, but I brought her
along. It was the very thing! We approached the couple. The Colonel was
holding forth on the dialects of the North-Western Provinces.

"Coke!" I said. He looked up.

"Accept my felicitations. You are to stand godfather to Mrs. Vicars's
little boy next week."

Coke blushed a vivid gamboge, and stopped dead.

"Gad!" he stammered. "Wha--what's that, Butterfield?"

"Sponsor, my dear Coke," I returned, "at the investiture of a fellow-man
with a name. You're just the man."

Things were whirling round Coke. He grasped the edge of the sofa with
both hands, and looked blankly at us.

"Me!" he gasped, "me! at a christening! What the devil--me a godfather!
No, I'm damned if I can!"

"My dear Coke," I answered, "calm yourself. Of course you can--you must!
A man with the Victoria Cross cannot get out of these things so easily.
Look at me--a baker's dozen at least."

"Gad," he replied, wiping his brow, "I'd rather get the Cross again."

"Nonsense," I replied. "It's a duty. Somebody did it for us, and we keep
up the tradition. Besides, it's unlucky to have to ask twice."

I had no authority for this last statement, but it seemed to go. Coke
leaned back for ease in breathing.

"But I've never done anything of the kind," he almost whispered. "I
shall shake like a recruit. I shan't know what to do--I shall get mixed
up with the bridesmaids----"

The Colonel's notions as to the procedure of christenings were
undoubtedly vague. I looked at Mrs. Gervase.

"This is not a wedding," I said, "but a christening. That's all right,
Coke. You shall wear your uniform and grasp the hilt of your sword all
the time. You'll do."

"But--but--hang it, Butterfield, what about the family? You'll pardon
me, ladies, but I--you are the only members I am happy enough to know."

"Oh," said Mrs. Vicars, "there's only mother, Colonel. I forgot you
hadn't met her. You shall to-morrow. You do promise?"

The Colonel was evidently looking for flaws in the position, but seemed
to find none. He rose, as unhappy a little soldier as ever wore a medal.

"Well, ladies," he said, "I would rather have shot Afghans for you for
twelve months than undertake this--this post. If I break down you
mustn't blame me. I'll do my best."

And with a sigh he pulled his white moustaches nervously, and we begged
leave to go.

Now, my only object in all this was a half-whimsical protest, such as is
permissible against what was evidently in the minds of both these
ladies--the matching of Mrs. Gervase with a man easily twenty years her
senior. The position of godfather to a succeeding generation, apart from
the edification of seeing such a man as Coke in such a capacity, was
much more suitable than any wedding so uneven, and I had allowed myself
to hint as much. But Coke himself, as he afterwards told me, had carried
the thing a good deal further.

It was in the smoke-room of the Faineant Club that I heard its
conclusion. The ceremony was over, and Coke was composing his nerves
with green Indian cigars. He had sat meditatively watching the smoke for
some time, when he suddenly looked up and caught my eye.

"Well, Butterfield," he said, "I got it over; but, by Gad, never again!
They shall call 'Deserters' next time for me!"

"Yes?" I said inquiringly.

"Yes," he replied. "It was this way, Butterfield. I called on Mrs.
Vicars next day, and met her mother, and, by Gad, Butterfield"--the
Colonel threw his cigar away in his excitement, and faced full round on
me--"it was little Cissie Munro, who threw me over before I left, thirty
years ago! By Gad"--he sank back in his chair--"you could have pulled my
shoulder-straps off! I knew her in a minute. I didn't know whether she
was living or dead, Butterfield. I'm used to my friends dying--and
there, by Gad, she turns up! My stars, it beats all!"

It was certainly a coincidence.

"And the awkward part of the whole thing was--I don't mind telling
_you_, Butterfield--that I'd all but taken a fancy to that quiet little
daughter of hers, Mrs. Gervase. Well, I was all at sea; the whole thing
was too infernally odd. It didn't seem right, somehow, that I should be
thrown over by one woman, make love to her daughter, and be godfather to
what might have been my own grandchild, by Gad; and I was in no end of a
mess. Don't you think so?"

I admitted the questionableness of the proceeding.

"Well, I could not get out of the confounded christening--thanks to you,
Butterfield,--but as to Mrs. Gervase, that was another matter. I can
help that. And she's a good little woman, too," he added, "if she were
not so infernally modest, by Gad."

"I think it is, perhaps, better, Coke," I replied.




                                  IX

                         THE ETHICS OF ANGLING


I don't quite know how Mrs. Loring came to pick the Gibsons up. They
were not what Carrie termed "quite nice people"; in what respect it was
easy to see and difficult to say. Their jewellery was unexceptionable,
and barely ostentatious; their manners passed the presentation standard,
if falling a little short in the nicer requirements of the
_tete-a-tete_. They did not offend in the matter of "Mr." and "Esq.,"
but sniffed somewhat of "R. S. V. P." Mrs. Gibson, too, insisted on the
forms of chaperonage in a way that was rather more than a passing bow to
custom, and which suggested the possibility of her having learned the
necessity in a different school from that of Mrs. Loring Chatterton.
They had money.

"What do you think of the Gibsons, Rol?" Carrie had said to me; "_I_
don't like them."

"I would rather introduce them to my relatives than to my friends," I
replied.

It was pretty evident to me after a short acquaintance with the Gibsons
that they were disposed to make much of me. Carrie noticed the same
thing, and spoke her mind on the subject with the freedom of engaged
youth.

"Mrs. Gibson's a horrid woman, Rol, and it's my opinion she wants you to
marry Miss Gibson."

"Caroline," I replied, "I applaud your concern, yet cannot blame Mrs.
Gibson. She can see virtue where others see but corpulence. Besides, I
consider Miss Gibson rather pretty."

"I'm sure she's not pretty," retorted Caroline, and proceeded to
enlighten me on matters interesting and feminine.

Mamma played the only game she knew very skilfully. Her only mistake was
in the inapplicability of the means, which was not her fault. Indeed, I
feel almost apologetically responsible myself, seeing the line worked so
thoroughly, and mused instructively on the devotion of a mother to her
child's prospects.

Miss Gibson was accomplished, and expensively finished. As I had
remarked to Carrie, she was decidedly pretty, and would talk Ibsen to
you with her face in profile. She displayed an obtrusive girlhood that
was not always as modest as its intention, and this pose of maidenhood
in bud was apparently the one designed to net me.

Mrs. Gibson gave a _musicale_, to which I persuaded Carrie with
difficulty. She had evidently talked things over with Mrs. Loring, for
that lady appeared also, and I was greatly gratified at the concern with
which they watched me. I decided to give them all the entertainment they
desired. They talked with an obvious intention of interesting me and
keeping me apart from Miss Gibson. I was surprised to see so little
strategy in a married woman.

Miss Gibson was running a risk of palsying her hand in a vibrant
mandolin solo, and producing music suggestive of the dotted line of a
wheel-pen. I heard Carrie whisper to Mrs. Loring something about "St.
Vitus's Waltz," for which I reproved her, considering whose house she
was in. I then addressed Mrs. Loring.

"Somehow, Mrs. Loring," I said, "one thinks more of English maidenhood
as one advances in life. There is something in the unsophisticated
rosebud----"

Mrs. Loring nodded significantly, implying there was a good deal in the
unsophisticated rosebud, but I waited my time; I had a bolt in store for
her.

Miss Gibson had finished the solo in a tinsel diminuendo, the intent of
which was to enchain the soul a while longer in the regions to which it
had been raised. I rose and crossed over to her. She was untangling
herself from a mesh of coloured mandolin ribbons that _would_ catch in
the ruching of her corsage.

"They're _such_ a nuisance, Mr. Butterfield; I shall cut them off, I
think."

I smiled at the unintentional suggestion, and assisted her in the
extrication, glancing across at Mrs. Loring's disapproving face. Miss
Gibson sat down and made room for me beside her. She twined the mandolin
ribbons among her fingers, and Mrs. Gibson moved further away.

"Are you leaving town soon, Mr. Butterfield?" inquired the
unsophisticated rosebud engagingly.

It was a better opening than I had looked for; I took advantage of it.

"I had meditated going down into the country for a little fishing
shortly," I replied; "probably in a week or two."

"You are fond of fishing, are you not, Mr. Butterfield?" she inquired,
tying a knot in a red ribbon.

"It's a pleasure," I answered, "as much of the mind as of the body. I
know of nothing more exciting than the suspense of the first nibble. The
angler, male or female, has peculiar joys and fears of which the layman
knows nothing."

"Oh, I should _so_ love it!" replied Miss Gibson, glancing down at a
small shoe that protruded from the lacy hem of her skirts. I followed
her glance, and knew in my soul that Mrs. Loring and Carrie were
watching me.

"The first nibble taken," I continued, warming to my work, "all the
_finesse_ of playing your victim commences. There is a wide difference
between hooking your fish and landing him. He must be humoured and
coaxed, or you lose him, bait and all."

I took one of the ribbons in my hand.

"It must be most annoying to have all your trouble for nothing, is it
not, Mr. Butterfield?"

"You follow me perfectly," I replied, "especially when you have made
sure of your fish. Often enough you have chosen the wrong fly, or your
line has been seen by the fish; and he is a shy thing, a very timid
creature."

She laid groundbait for me by dropping her fan. I nibbled again, and
returned it to her.

"The fish, too, becomes cunning with age; and you must not play a
middle-aged trout as a boy does a minnow. Believe me, Miss Gibson, he is
not easily caught, if he is worth the landing."

Mrs. Gibson passed with a smile, but did not disturb the situation. I
rose to get Miss Gibson an ice, and resumed my seat near her. She placed
the mandolin on the other side, adjusted her gown, and diminished the
distance between us by an inch. Again her fan dropped, and as we both
stooped to pick it up our hands touched.

Honestly, I acquit Miss Gibson of intention.

"Yet another method of landing your trout," I continued, "is by what is
called 'tickling'; but then your fish must be asleep, and it cannot
fairly be classed as sport."

"But surely, Mr. Butterfield," said Miss Gibson, playing me with her
eyes, "fishing must be very cruel? Fancy the poor thing with the
hook!--doesn't it hurt?"

"I believe," I returned, "they rather enjoy it, Miss Gibson;
particularly what is called the softer-mouthed kind of fish."

"How very curious!" said the credulous rosebud, somewhat absently. She
evidently took my remarks on the subject as so much natural history, and
was interested in them only as such. She glanced at the mandolin
ribbons, and I saw her revolving means of supplementing the line by the
net. She made a fresh cast.

"And how long do you expect to be away, Mr. Butterfield?"

Mrs. Loring and Carrie were approaching; but Mrs. Gibson, who had not
apparently been watching, intercepted them, and dammed the stream
adroitly. Carrie was placed at the piano, and the preserve maintained
inviolate. Mrs. Loring talked sweetly to her hostess, with one eye on
me.

"I could not say," I replied. "Until my friends yearn for me back again,
I suppose."

She made the response elementary, and shortened her line.

"But your friends will be sorry to lose you at all," she replied, with a
soft sparkle under her lashes. "I'm sure mother will."

"Indeed?" I answered. "My friends conceal their desire for my presence
with most generous consideration. I am allowed great liberty."

"Oh, Mr. Butterfield, how can you say so?"

I ought not to have done it. I reproach myself for it. But the
temptation! Miss Gibson was really nice, if not "quite nice." It was
unfair; but I am of no stronger fibre than my fellow-men. As I leaned
forward, I knew that the landing-net was ready, and the gaff poised. I
sought her eyes, and spoke low.

"Shall _you_ be sorry to lose me, Miss Gibson?"

The colour rose faintly on her cheek. She hesitated, her eyes cast down.
She had not fallen in love with me. It was the mother's doing.

Help came from outside. Mrs. Gibson blinked her vigilance for one short
moment. Carrie crowded the last few bars of music into an accelerando
that would have harrowed the soul of the composer, and she and Mrs.
Loring were upon us.

"Oh, Miss Gibson," said Carrie, with a sweetness of expression that
astonished me, considering the real state of her feelings, "do please
play again. Rollo and I must go very shortly, and we should so love to
hear you. Won't you, dear?"

"We cannot possibly leave without," implored Mrs. Chatterton.

Nothing was possible but compliance, and Miss Gibson took her seat near
the piano.

Mrs. Loring and Caroline mounted determined guard over me, one on each
side, but didn't speak. It was not until we were on the way home that
the storm broke.

"Rollo Butterfield," said Mrs. Loring icily, "I'm deeply surprised at
you."

"And why, my dear Mrs. Loring?" I asked blandly.

"Did you propose to that--that Gibson girl?"

"Proposal, Mrs. Loring," I replied, "is an excitement that would be of
more general indulgence but for the risk of acceptance. It is a valuable
sensation, and I greatly regret its attendant danger."

"You have no more perception than a child. Don't you know that those
people are doing all they can to catch you? I never saw anything so
shameless."

She had asked for it, and she should have it.

"Mrs. Loring," I replied slowly and distinctly, "your ingenuousness
charms me. You call Mrs. Gibson's conduct shameless: yet you yourself
would empty half the bachelors' clubs in London. I forget precisely the
number of years it is since you first endeavored to curtail my own
celibate freedom, but I believe you have devoted no small part of your
attention to my poor case."

"Millie Dixon is different," she retorted.

Of course Millicent was different, but I held her to the logic.

"We are not discussing Millicent, but the ethics of angling. I am
surprised that you should not recognise your own position in the matter.
You do not want me to be more precise?"

"I don't want you to be anything but moderately sane," she returned. "If
you can't see the difference between the Gibsons and Millicent
Dixon----"

She left me to conclude the sentence for myself. Mrs. Loring Chatterton
was in a bad temper, and evaded the argument pettishly. I turned to
Caroline.

"Has my little sister anything to say?" I asked, in a "come one come
all" tone.

She hadn't. She cuddled her face against my shoulder, and pulled
nervously at her glove fingers.

"But, Rol, dear," she said anxiously, "what _were_ you and Miss Gibson
talking about?"

I took her hand.

"Nothing, Caroline," I replied, "but a few observations on the trout,
his habits, and the method of his capture."

"Exemplifying the fact," Mrs. Loring struck in crossly, "that he is a
cold-blooded creature."

Mrs. Loring scored a bye.




                                   X

                          AN UNDRESS REHEARSAL


Millicent Dixon had called on me unexpectedly, soaked from neck to
ankle. I had been watching the vertical downpour from my window--long,
heavy slate-pencils of water, that rebounded from the pavement in a mist
a foot high,--and listening to the hurrying runnels that sluiced the
gutters. It was full, uncompromising rain, and it thrashed steadily from
the invisible cullender that had been a sky an hour ago. Millicent stood
before me with her hand on the door, half vexed, but laughing out of her
sodden garments.

"Now don't sit there looking at me, Mr. Butterfield," she exclaimed, as
I admired at her plight with eyes half closed; "get me some things."

I considered weightily.

"I have in the house at present," I replied, "several morning suits, a
Norfolk jacket, evening wear, pink silk----"

She tapped impatiently with her foot, shaking a sliver of little drops
from the hem of her gown.

"Or perhaps fishing attire would be----?"

"Don't be ponderous. Where's Caroline?"

"Caroline, Miss Dixon, is out with Arthur, and will doubtless return in
much the same state of rainwater as yourself."

She disappeared towards Carrie's quarters, her dress making a wet slap
on the door as she whisked round. I rose to prepare brandy during her
absence.

It should be mentioned that I was confined to my room with a slight
attack of rheumatism, which my considerate friends persisted in
regarding as gout. As a matter of fact the affection was purely
muscular, and I indignantly repudiated the fuller flavour of the alleged
complaint. My portliness must not be confounded with decadence.

Disconsolately enough, I had been fingering and sorting old letters,
turning out drawer after drawer of forgotten trifles, and feeling none
the younger in consequence. It was borne in upon me that I had a
history, or some record of trivialities that passed as such; and these
little drifted relics of the past had curiously discounted the glamour
of what was going to happen to-morrow. Except for the unexpected shower,
I should probably have been left to this melancholy occupation all day;
and Millicent's forced visit was very welcome.

She reappeared in garments of Caroline's, passable in style, but with
marked qualifications in the fit. She tops Caroline by three inches. I
had often wondered idly where that three inches was accounted for, and
how it was distributed. I knew now.

I surveyed her critically.

"Shoulders not bad," I remarked, walking round her, while she stood at a
laughing attention for kit inspection. "Waist--turn round--hm!--an inch
and a half at most; all right so long as you don't lean forward.
Skirt--ah, the skirt--well, well, I'm past such things. Really, it's not
bad for an improvisation."

"I couldn't find Carrie's slippers," she said, putting forward a small
foot.

The skirt had already revealed the silk-clad toes. I got her a
particularly large pair of my own, brought her the brandy, which she
drank like a sensible woman of twenty-eight, placed her an armchair near
the fire, and resumed my own seat. Then I sought her eyes.

"It was most thoughtful of you, Miss Dixon, to remember an invalid, and
to pay such a welcome call. I appreciate it. In the rain, too."

Irony was wasted on this shameless woman. She looked at me boldly, and
laughed.

"I assure you, Mr. Butterfield," she replied, "the last thing I thought
of when I left home was coming to see you. But oh, the rain! Look at it
now."

I was conscious of the fresh smell of wet pavement from where I sat--the
window was open. The wheels of a hansom went past with a watery swish,
the horse's hoofs slapping clear in the deserted street, and the stones
shone with a cleanness that they had not known for a month.

"At any rate," I said magnanimously, "you're here for an hour or two.
It's not going to stop yet. You may as well make a virtue of
entertaining me."

She bowed mockingly.

"It is I who am entertained," she replied. "You have helped me in a
watery dilemma. I am in your home. I wear your----"

I stopped her. They were not mine. They were Caroline's.

"Slippers," she continued, crossing them on the fender. "I think I'll
take Caroline's place while she's gadding about with Arthur."

Again I stopped her. She was not in Caroline's shoes.

"Besides, Miss Dixon," I added, "are you not a little premature in
offering to be a sister to me?"

"Never mind," she replied, laughing; "call it housekeeper, if you like."

"The imputation," I answered, "is monstrous. I am a respectable
bachelor, and never had such a thing. And if I had, she would have
appeared before me in a fitting state--not a misfitting one."

"Then we'd better make it sister after all," she returned, "and my first
duty is to demand what you were doing when I came in."

I glanced at the half-sorted piles of notes, cards, ancient invitations,
mementoes, and the hundred other matters which had doubtless been of
more or less importance in their day, and shrugged my shoulders.

"I know," said Miss Dixon, "it is rather dreadful. Seems like reading
some one else's letters. Let me help you."

She put out her hand for the nearest packet. I placed my own firmly on
hers.

"Miss Dixon," I said slowly, "who are you that you would plunge thus
recklessly into the tied-up part of a now reformed bachelor? That
particular bundle is least of all fit for a sister's perusal."

"If Caroline neglected her duty," she retorted, "that is no reason why I
should do the same. I want to see them."

"You had better take these instead," I returned, pushing towards her a
tray of wedding cards.

"I insist."

"You insist?" I replied, in the tone of one speaking to a naughty child.
"How old are you, Miss Dixon?"

She laughed.

"I think I am a good deal older than you, Rollo, in this respect; I
don't keep letters as I did when I was a sentimental schoolgirl. I
destroy _that_ kind." And she nodded towards the bundle.

"Indeed?" I said. "And why did you not tell me sooner? That would have
been valuable information to me at one time."

"And why?"

"I might have written a good deal more than I did."

"You never wrote anything unfitted for my sheltered youth," she replied,
quietly smiling, and burrowing one foot deeper into the cavernous
recesses of a slipper.

"I don't post all I write," I corrected, "but I have written things that
would have amazed a Bassishaw--and thought twice about it."

"Bassishaw doesn't say much in his letters," she said musingly. She and
Caroline were very good friends, and there had doubtless been a good
deal of inter-feminine confidence between them.

"But why don't you post them?"

"Oh," I replied offhand, "they are experiments. It is another way of
keeping a diary. Perhaps, after all, you may see them if you care to.
They are merely studies in moods."

I untied the packet.

"Here you are," I continued. "Arthur Bassishaw, Esq., on the occasion of
his engagement to Caroline. Good advice--but a little too late. It
wouldn't have been taken, anyway, from what I know of His Omnipotent
Youthfulness. Never posted."

"It might have been worth while to post it for the sake of reply,"
Millicent returned smiling; "you'd have had something badly written, but
very ardent."

I shook my head.

"Bassishaw's sword would be a good deal mightier than his pen," I
replied. "To see him in the throes of composition is a felicity I have
hitherto missed. Now here's another: to Caroline, on the same occasion.
That, Millicent, cost me some trouble to write, and I am afraid it
showed it--I have only one sister, you know. Unposted."

"That was rather nice of you, Rollo," she said.

"I should only have given myself away," I returned. "Now this, to Mrs.
Bassishaw, is one of two--the other one was posted. It was a hard
alternative. I sent the usual nice thing; Mrs. Bassishaw would
understand that. This"--I tapped the envelope--"would have appeared
difficult to a widow still young, and still in the running with her own
son."

Millicent nodded. There were reasons for Mrs. Bassishaw's conduct which
her relatives approved and her friends condoned.

"These," I continued, turning over two or three, "are small ebullitions
that served their end in leaving me in a better temper; and in one at
least of them I evaded a state of mind in which I was feeling very sorry
for myself. It is a good game, don't you think?"

"Excellent," she returned, "from the point of view of your future
biographer. I suppose you have one eye on the memoir-writer, Rollo. Is
your statue to be equestrian?"

I waived reply magnanimously, and went on.

"Here is one to Mrs. Loring Chatterton; and not unconnected with it, one
to yourself."

"One to me?" she inquired, looking up. "Why to me? What mood did that
exemplify?"

"I think, Millicent," I replied, "that I must have felt rather a regard
for you that evening."

She bowed ironically.

"It is nice to be thought well of," she replied, "even if the regard
does stop at the posting point. It was a wet night, I suppose; or the
servants had gone to bed?"

"The fires of the heart, Millicent," I answered, in pompous periods, at
which she only laughed, "are not quenched by rain. Yon gutters that run
so musically could no more----"

"'Oh, Captain Shaw!'" she sang softly, "'type of true love kept
under----'"

I leaned back, tapping the letter with the ends of my fingers, and
signified my willingness to wait until her operatic fervour should have
spent itself.

"It must have been ferverish," she said, still laughing. "Did it take
you long to write?"

"About eight years, Millicent," I replied.

"And not to be posted after all? Never mind; I suppose I shall see it in
the biography. I declare I'm almost curious, Rollo. Tell me, is it----?"
She paused, and looked fairly and quietly at me, with an odd smile on
her lips.

"It is," I replied, returning her gaze. "Would you care to read it,
Millicent?"

She rose and went to the window. A cold grey light that heralded the
passing of the shower filled the room. The heavens were relenting, and
already a corner of the leaden pall had lifted. Millicent would probably
take the opportunity to leave.

"Would you care to read it?" I repeated, looking over my shoulder.

She faced round suddenly.

"No, Rollo," she said, "I should not."

"You are probably right," I replied. "Proposal is a venerable formality;
but the inevitable scene----"

She walked back from the window and stood before me, dignified in her
heterogeneous attire and perfectly serious.

"I thought you knew better than that, Rollo," she said. "I don't think
there would be any scene, and, anyway, I'm not in my first season, you
know." She smiled the same queer smile. "But if you think that I should
be interested in such a matter merely as an--experiment in mood--you
wrong me, Rollo; and if, on the other hand, I am to take it in the
plainer sense, I should like something less warmed up and out of date.
You can hardly call it fervid, can you?"

I admired Millicent in that moment. I rose and took her hand.

"Millicent," I said, "I accept your rebuke. There is nothing further to
be said--just now; but soon----"

She laughed her accustomed laugh, the same old Millicent again.

"I shall be perfectly willing to consider any representations you may
have to make on the subject, Rollo, provided they are forwarded in the
ordinary course. Will you ring for tea?"




                                  XI

                        QUEEN OF LOVE AND BEAUTY


From what I was able to gather, the course of young Ted Carmichael's
love was highly meritorious in its constancy. His affection was a solid,
reliable fact, and, to me, correspondingly uninteresting. His father, I
remembered, had, years before, wooed little Alice Chatterton on much the
same lines, between which two it had been what their friends called an
"understood thing," since the first bashful glances of adolescence. In
both cases this trait was regarded as a highly commendable faithfulness,
and invested with the usual attributes of true and undying love; but to
me it had less of this positive quality than appeared, and argued rather
a certain paucity of invention in the finer relations of amorous
adventure. It was admirable, but the case was settled from the
beginning, and offered little field for speculation, even its incidental
tiffs and mischances being in their rise and end perfectly accountable.
In the case of the son, his three terms at Eton, coming when they did,
might have resulted in a break from this monotonous routine of laudable
love; his father had been hopeless from the start.

But Miss Nellie Bassishaw bade fair for freer flights. During the
occasional intervals of my seeing her she seemed to grow in sections and
to develop in seasons, and now, emancipated from the last suggestion of
governess, was gowned and coifed beyond the limit of girlhood. True, her
neck still showed a whitish celery colour from the unhabitual exposure,
and in the management of her feet and skirt the last trace of the tomboy
was disappearing; but she displayed beneath an eminently suitable hat
glances that promised in the near future a hundred roguishnesses and
mischiefs. If anything could shake Ted's devotion, Miss Nellie, I
decided, had it.

Young Ted called on me one afternoon for no reason at all that I could
discover during the first half-hour of his visit. He was clad
_point-devise_, bore his gloves and cane with admirable instinct, and
looked as fresh and trim a youth as ever received the half-motherly kiss
of a widow. I greeted him with pleasure.

"And the match, Ted?" I asked, when he had sat down; "how do you
feel?"--Ted was the youngest member of the Eton eleven, which was to
meet Harrow in the annual match at Lord's in a day or two.

A troubled look crossed his face.

"I don't feel a bit up to it, Butterfield," he replied. "I shall go and
mess the confounded thing, I know I shall. A fellow who's playing
cricket shouldn't have anything on his mind--that is----"

He paused, and flushed half angrily.

"Anything wrong?" I asked in an offhand tone.

"No," he replied--an affirmative "no,"--"nothing that matters."

"Only?" I prompted.

"Only this," he answered with another flush, "that women oughtn't to
have anything to do with cricket."

"From my experience," I returned, "they are invariably proud to see
their sons playing."

"Sons!" he replied. "Oh, it isn't that--I know my mother is all right.
But it doesn't matter--much," he concluded, in a tone that was _not_
intended as a hint to let the matter drop.

"Ah, I see," I replied sympathetically. "Sorry, Ted. Of course, that
does make a difference. When you said 'women,' I thought for a moment
you----Yes, it's very awkward. To know that in such a crowd two eyes are
aching with anxiety that you should acquit yourself well must be
extremely trying to the nerves. I should try to forget it."

He fidgeted with his gloves, and then turned sharp round.

"And suppose they were not anxious?" he retorted. "Suppose they didn't
care whether you came off or not? Hang it, Butterfield," he continued,
"you can imagine what it's like--they think because a fellow hasn't a
moustache--it's enough to make a fellow go and drink rotten stuff. I
shan't stand it."

It was Nellie. I got it all out of him. He had evidently come to tell
me. The rude health of public school life had not knocked the fancy out
of him, and he had come back to find her grown up and with a tendency to
be interested in men ten years her senior. How he had managed to get
into the first eleven and to remain in love was to me one of the
mysteries of constancy.

"But I thought you would have forgotten almost, Ted," I said, in the
maturity of our confidence. "It's a year since you went away."

"A fellow never forgets," he replied sulkily. "It's the girls who
forget. Could you?"

I passed the point, and speculated on the validity of pledges on
eternity.

"And she has--pardon me--snubbed you?" I inquired, after a while.

"Well, no," he rejoined dubiously, "it isn't quite that; but she always
seems to have engagements or something. She must always 'be going now,'
and she's altered so. I told her so, and she said we were silly then;
and if I muff this match it will be worse than ever."

I couldn't help thinking that if I had organised the female mind I
should have done it more consistently; but then there would probably
have been no comedy in the world. I was willing to help Ted all I could,
and advised a spontaneous gaiety in her presence--Ted shook his head--or
failing that, a desperate counter-movement with a married woman; a
notion he also rejected.

The only suggestion Ted had to make was that I should go to the match,
contrive to sit next to Miss Nell, and--what, he didn't say; a delicate
reserve I admired.

"You're a good chap, you know, Butterfield," he added. "I've told lots
of our fellows what a good chap you are. Harrop major says so too--he
met you once, you know, Butterfield."

I fear I had forgotten Harrop major in the multiplicity of my affairs,
but I was properly touched. I smiled at my own goodness.

"Well, thanks awfully, Butterfield"--he rose to go--"it's awfully good
of you really. You're a brick."

"Thanks, Ted," I returned. "I hope you'll come off all right in the
match."

His lips twitched queerly; I forbore to press the alternative
contingency, and he took his leave.

My duty, apparently, was to keep an eye on Miss Nell, to diagnose her
condition when Ted went in to bat, to mark how, as should befall, his
success or failure was received, and to exercise a discretionary
supervision over the state of her heart as revealed by the vicissitudes
of the game. It was doubtful of what precise use I should be, but--it
was interesting, and Ted was a pleasant-mannered youth.

It was peculiarly interesting in view of the fact that the Carmichaels
were a cricketing family. Now the purely abstract part of the game was a
cult to which I had never aspired, my only interest being in such
personal cases as that of my young friend Ted. I was convinced that the
progress of Carmichael senior's love, if it had had a progress, was
accelerated by the fact that he had, in _his_ Eton match, made fifty on
a wet wicket; and the question whether a similar performance on the
son's part would please Nellie, or whether Nellie would be merely
pleased to see Ted pleased with himself, was a speculation which I
followed into the nicer nuances.

Our party accounted for a considerable segment of bench space, the apex
of which, I contrived it, consisted of Miss Nell and myself. We were
backed by tiers of Carmichaels, Chattertons, and Bassishaws, and
penetrated wedge-wise into half a division of Eton younglings, with
close-cropped hair and large ears, which looked frank admiration at
Nellie. One keeper of the public manners with freckles and an even
greater extent of white collar than the rest cuffed his neighbour for
saying that she was stunning. Nellie heard and laughed. She sat
provokingly upright, and shot enfilading glances to left and right
beneath the brim of a hat remarkably adapted to such proceedings. A
pretty, slim thing she was, and the careless white flash between her
lips unsettled Ted considerably, who was paying uneasy flying visits.

"I think the Harrow boys _look_ nicer," she said, with a look of illicit
pleasure from the shade of that eminently suitable hat; and Ted left
with ill-feigned unconcern. I remembered my mission, and leaned towards
her.

"Nellie," I said, "do you consider that an encouraging remark to a young
man whose happiness depends on his playing a straight bat and keeping
his head cool?"

"Oh, Ted's all right," she returned with, I was pleased to observe, a
touch of shame; "besides, what does it matter? It's only a game."

She might have had her answer from the group of Eton juvenility
surrounding us, which broke into excited babble.

"Yes, you can." "No, you can't." "You can't be caught off your pads. Fat
lot you know about cricket." "Silly ass." And so forth.

"But, Mr. Butterfield," she said after a moment, "he will be so
unbearable if he makes a lot of runs. He's important enough already at
being in the eleven."

She stooped and spoke to young Eton on her right, who blushed at the
distinction, but answered with bashful coldness.

"Besides," she continued, "they say his average is thirty, and I'm sure
I don't care who wins."

Luckily this treasonable utterance was unheard by the Eton boys, with
whom sentiment and cricket hung in highly disproportionate balance. I
was satisfied, at least, that if it came to the worst she would be sorry
for Ted.

Now, Eton batted first, and there was little talk in our strongly
prejudiced quarter. Ted Carmichael, I gathered from my neighbours, was
to go in "third wicket down." He had made a last visit--this time from a
different entrance--but had avoided Nell, sitting next to Bassishaw
instead, who had not tried to talk to him. Then he had disappeared.

                  *       *       *       *       *

I knew in my soul what was going to happen. Ted's nervousness at his
first match, and the condescending interest of Miss Nellie Bassishaw,
could only have one result; and I was so busy speculating on the
mysteries of this dread fatality that hems us so remorselessly about,
that I forgot the scene for a moment, and was startled back by the
juvenile clamour. The inevitable had happened.

"Oh!" "Oh, I say!" "What a trimmer!" "Just on the bails!" "First ball!"
"--broke from the off!" "It didn't--it was a straight ball." "Four for
fifty-three."

Ted was out, for a duck.

I glanced at the slender white figure trailing a fruitless bat towards
the pavilion, and adjusted the knees of my trousers. I commented
mentally on the pattern, and waited.

She did not speak, but absently pulled off a glove. The Carmichaels
behind slowly resumed their talk, and the Eton boys, after marking their
scoring cards, took up the current of the game. True liberals, with them
the issue transcended the individual.

Still she did not speak, but folded and unfolded the gloves. I glanced
up, and that eminently becoming hat did not seem the same, so
inseparably had it been connected with the lurking ambuscade of eyes.
Miss Nell was visibly shaken.

I leaned towards her.

"It's only a game, Nellie----" I began. She interrupted me with a look.

"Please don't be mean, Mr. Butterfield. I know what you think--you think
it's all my fault."

I was silent for Ted's sake, and she continued slowly:

"I don't see why men should think so much of cricket. It makes them
so----"

"So unbearable when they come off," I replied. "But he must have been
very nervous, Nellie, whether or no. You couldn't help that. Your
encouragement would probably have disturbed him just as much as your--as
not. That is the double influence of woman on the man of action--neither
her smiles nor her frowns help him in the least. Her approval is
pleasant when it's all over, but I'm afraid the presence of the Queen of
Love and Beauty has unhorsed many a gallant youth before to-day. He
makes the mistake in----"

"In having anything to do with them?" she queried with pretty cynicism.

I leaned back.

"No. In being a man of action," I returned.

There was a sudden turn and hush among the Eton boys. Ted reappeared,
and they were awed in the presence of a great grief. He sat down next to
me with the hard look of one who asks no sympathy, folded his hands, and
stared at his shoes. The Eton boys whispered.

"And they play me for my batting," he said, so softly that I scarcely
heard. "I'm a bat--a bat. I'm here to make runs."

The Weltschmerz had sunk into his soul. I was about to say something,
but checked myself as Nellie bent forward.

"Ted," she said, "I'm so sorry. It's all my fault."

I folded my arms, looking before me. Ted did not move an inch.

"I was horrid," she continued, "and I pretended----"

She stopped, conscious of the significance of what she was about to say.
She had pretended to be unconscious of her empire over his heart, and
was now retracting. Miss Nellie is the modern girl, with whom proposal
is unnecessary.

Ted cut her short with the brutality of male desperation.

"All right, Nellie," he said curtly. "It's not your fault. I drank
brandy."

This was a surprise to me. Brandy steadies the nerves, but it is a
remedy not recommended by the captains of cricket elevens, and his
boyish devilry, as training, was as reprehensible as it was in the
spirit of the comedy. But Nellie saw further than Ted.

"Oh, Ted," she said humbly, "and that is my fault too. I made you angry.
Will you forgive me?"

It has always seemed to me that when a pretty, half-tearful creature
asks you if you will forgive her, the question is beside the mark, the
forgiveness not depending on whether you will or not. You are not
willing; you would much rather not; but--you do precisely as Ted did; he
squeezed her ungloved hand across my knee, and an Eton boy sniggered.

I don't know why I should have experienced a sensation as near akin to
jealousy as I can locate it. I pursued the moral labyrinth for a time,
and, getting no nearer, was fain to come to earth.

"And the next innings, Ted----" Nellie was saying.

Alas! What then? What, in Ted's words, had women, even Queens of Love
and Beauty, to do with cricket? More subtle in their influence than the
forbidden brandy, why do not the captains demand that their followers
shall be bachelors unattached? Ted was too blessedly happy to know;
certainly too happy to be let alone. I spoke for his own good.

"The next innings," I remarked, "will exemplify the second stage of the
female relation to the man of action."

I don't think either of them took the trouble to understand.




                                  XII

                            A MODERN SABINE


"Ah, that's the trouble. We're all far too complex nowadays."

"We live in a complex age," I returned profoundly.

"True, very true," he replied, and twisted the ribbon of his eyeglass
round one finger. "Very little is left that is simple and primitive and
beautiful."

I favoured him with the cosmic shrug of his cult, and said nothing
eloquently. The understanding was complete.

Cicely Vicars's "evening" was ground I had not hitherto explored, and I
had marked for my own at once the young man drooping mincingly over the
piano. He was smooth and fair, inclined to premature stoutness, and
looked remotely. Mrs. Vicars informed me that he was a playwright, a
dramatic critic, and a Fashion; that he promised brilliant things, and
that the name under which he wrought was Eleanor Macquoid. She added
that he had intuition beyond his years.

Now people went to Mrs. Vicars's "evening" for intellectual intercourse
and the exchange of ideas--an object in which they would not be balked.
Carrie had said as much to me.

"You ought to come, Rol," she had remarked on one occasion. "It's
so--it's awfully new, Rol, really."

"Indeed?" I had said. "In what way is it particularly--pardon me--up to
date?"

"Oh," she replied, "it's so _real_, Rollo." Then, reassuringly, "They
don't talk about the soul, you know--you needn't be afraid of that.
It's--it's instinct. The soul is quite too old, you know."

"A full season behind," I assented gravely. "And so the soul, _chez_
Mrs. Vicars, is superseded in favour of the dilettante animal? Is that
so, my sister?"

"Yes," she agreed doubtfully, and added, "Of course there are
outsiders."

It turned out, as Caroline had said, to be Instinct, Primal Sanity, and
the Elemental Paganism, and very prettily put I heard it. No one was
_blase_. They said so. They were enthusiastic. My young man declared it
with an animation that brought him near to spilling the liqueur
carefully poised on his knee. He spoke of the keen joy of living,
delicately and epigrammatically, digressing to observe that he preferred
Indian cigarettes to Brazilian, and adding that after all there was
nothing like the great rough kindnesses of the Mother Earth. Cicely
Vicars's gathering was indisputably in the vanguard of the latest cry.

Mr. Eleanor Macquoid seemed to take to me, for he spoke almost
immediately of "people who understand." I was evidently admitted on
sight to the mystery, and improved the occasion accordingly. I examined
my finger nails--I had seen him do so--and dropped my pearls of wisdom
nonchalantly, as not expecting they would be gathered up.

He was talking softly, and almost sleepily, on the picturesqueness of
Mass and Brute Bulk.

"There is something quite Titanic," he said, "in the conception of a
world where nothing was as yet ruled and squared out for us; where
everything was vague and shifting."

"It is an especially gigantic thought," I replied appreciatively. "The
insistence nowadays of the Social Nexus----"

I paused, and he nodded comprehendingly at the cue.

"Yes," he replied, "that also is true. Ah, if it were only possible to
escape from the bewildering system into the clean fields and the
rain-washed heather----"

"To evade the ever-present Self, and to take refuge in the great unhewn
passions?" I queried gently.

"Exactly," he replied, again carefully contemplating his nails, "to know
again the crude and volcanic life. Everything is tertiary in these
days--we have no primaries. Nothing rude or red."

I forbore to challenge the remark as to rudeness, and agreed that from
my observation it hardly appeared to be an age of epics. He approved,
passing his hand over his sleek, clean hair.

"And yet," he continued, judicially weighing each word, and turning to
the nails of the other hand, "and yet--why? Why should we, the heirs of
the centuries, be in reality the slaves of them? Why should we not love,
for instance, as the rugged, forgotten ones loved? Why should we love
through the post-office and by chaperonage--through engagements and
marriages? Why should we not----"

He forbore to say what, and sighed, apparently for the days when he
might have loved with a stone axe in untracked forests and through
rivers in flood. I offered him a cigarette.

He lighted it, and gazing before him as though he were culling a nascent
thought from the smoke, went on slowly and prophetically.

"Nevertheless," he said, more softly than ever, "the strong man shall
come; and when he shall appear--the man for whom we are waiting--the man
who shall break the bonds and go back--back----"

It was a characteristic of most of his sentences that he finished them
by watching the films of smoke before him. This time he made a
remarkably perfect smoke ring. I thought of Caroline, and wondered what
she was doing in such a _milieu_.

I was fain to speak.

"And what form of creative expression do you adopt, Mr. Macquoid?" I
asked gracefully.

He replied with a modest diffidence:

"The drama. One is but a mouthpiece--a medium; yet the speech from
living lips with the living person before the eyes----"

"You are doubtless right," I replied; "words are unconvincing; things
must be seen to be believed."

He noticed nothing, and proceeded to speak of the modern French
chansonette.

Now Caroline, I remembered, had, before her engagement, accounted for a
large portion of her time in putting together the materials for a
comedy, which, however, she had since discontinued under the somewhat
exclusive demands of courtship. I had never been privileged to see the
work in question, but understood that a knotty proposal scene had,
coincidentally, been abandoned precisely at the time that she could, had
she wished, have given it an autobiographical interest. Bassishaw's
love, besides interrupting the course of art, bade fair to cut it off
altogether just when it would have given the true note that the stage,
it is declared, is aching for. But even young authors have scruples in
making their own affairs public, and so Caroline had willed it.

Nevertheless, it could do Caroline no harm to meet Mr. Eleanor Macquoid;
and Mr. Macquoid himself could do no less than accept resignedly the
latter-day limitations of love in the presence of my sister. After all,
Mrs. Vicars's salon was for the interchange of ideas.

"My sister," I remarked, "is interested in the drama, and has herself
half-realised aspirations in the way of comedy."

Mr. Macquoid would be charmed; and I presented him. I was called away
for a few moments by Mrs. Vicars. By the time I returned Mr. Macquoid
was talking, his remarks being apparently directed to the point at which
Caroline's comedy had been relinquished.

"It is difficult," he observed, with a polite interest, "to know what to
do with one's young leads nowadays. I suppose they must love--the
Philistine still clings to the conventional love-theme--but it is all so
stale. In the old days it was different."

From the angle of Caroline's chin I saw that it was anything but stale
to her, and that the remark was unfortunate. She was evidently of
opinion that the subject of love, however much used, had had anything
but adequate treatment, and that in one or two important respects she
was in a position to direct a new light on the literary treatment of it.

"What do you mean, Mr. Macquoid?" she asked.

"Merely," he replied casually, "that there is so little dash and--and
high-handedness about our modern methods of love-making. You get your
couples together, and they talk in the same weary way--the same old flat
talk, talk, talk----"

I smiled at the description as applied to Bassishaw, whose fluency was
not remarkable, and Caroline looked coldly before her.

"You refer to the stage, Mr. Macquoid?" she asked.

"I refer to modern love-making," he replied rashly. "We have no romantic
methods left. It has become a business and a bore. When we do get it out
it's one kiss and thank Heaven it's over."

Caroline looked emphatic contradiction. I interposed.

"The Roman soldiery, it is related," I said, "being once in want of
wives----"

Caroline interrupted me quickly.

"I think, Mr. Macquoid," she returned, "that people love just as
passionately nowadays as they ever did."

He might have seen what was the matter, but he was on his own subject,
and went blindly at it.

"True," he replied, "true. But the surroundings, the circumstances, the
littleness of everyday life--they crush it out. We love by rule and
etiquette, at social functions and in gas-lit drawing-rooms."

I looked at Caroline for a confirmation of Bassishaw's methods, but the
personal equation was too much for her contemplation of the artistic
side of the question.

"Of course we do, Mr. Macquoid," she returned, waiving, it seemed to me,
the part that had to do with the gas. "What else can we do?"

Eleanor Macquoid raised his eyebrows and shoulders in a deferential
gesture that was supposed to explain the way.

"The wind still blows," he said, "the rain, the open air----"

"The parks," I suggested, "are already----"

"--but," he continued, "we wear frock-coats and carry umbrellas. We
marry, and our children resume the same hopeless round. There is no
romance, no poetry, no heroism in it. We become engaged for a certain
period to please our friends, and marry out of consideration for one
another. We have no impulse, no real instinct. We have no--no militant
love."

He seemed to receive a fresh start from the last phrase, and, alas!
ruined himself irretrievably.

"Why," he exclaimed, "even those to whom we might look for a vigorous
expression of it--those who lead lives of adventurous excitement--our
soldiers and sailors--are just as bad. As you remarked, Mr. Butterfield,
the Roman soldiers----"

The social system might be attacked, disintegrated, and shown wanting in
the eyes of amateur modern paganism; the spirit of the age might be
arraigned and condemned by twenty juries of the advanced salons; modish
culture might stalk hock-deep in the wreckage of civilisation; but--to
Caroline the prestige of the army was vested in the person of Bassishaw.
Bassishaw's mode of love-making had been compared to its disfavour with
the practices of Roman legions.

She raised her head disdainfully without glancing at the unconscious Mr.
Eleanor Macquoid, spoke half over her shoulder, and condemned a great
nation in Bassishaw's defence.

"I don't think very highly, Mr. Macquoid, of the Romans. I think that
when they--that on that occasion at least--they were horrid,
and--and--unnecessarily rough, and that nice people would never have
done it. It may make good pictures, but one would rather be a pleasant
person than an unpleasant picture. And I don't care a bit what anybody
says; soldiers are just as good as--anybody else."

And better, beyond comparison better, her shoulders seemed to say as she
turned away. Macquoid shifted his other elbow to the piano, and then
looked at me.

"I am afraid, Mr. Butterfield, that I have not been able to help your
sister much in the play. After all, the real impulse must come from
within."

"It is," I replied, "a pleasing reticence when the real impulse stays
there. The self-sacrifice imposed by art is not necessarily a sacrifice
of one's self."

"Very true," he answered approvingly, and took coffee.




                                 XIII

                                POT LUCK


"Do you know, Butterfield," Bassishaw said, "I don't know how you get
along--that is--get along, you know--as you do."

The remark didn't seem particularly illuminating, but he had been silent
for ten minutes, and this appeared to be the result of his cogitation.

"No?" I said encouragingly.

"Well, you know what I mean," he replied. "I mean how you manage--in the
way you do, you know; never to--you've never--hang it, Butterfield, why
don't you get married?"

"Oh!" I answered, "I see. Of course. I didn't quite catch the idea at
first. Of course. Why don't I get married."

"Yes," he replied, much relieved. "You--you should, you know. It's the
finest thing in the world--being engaged, that is. You've no idea,
really, Butterfield."

He seemed quite eager about it. I put my feet comfortably on the fender,
and waited for him to expand. He kept his eyes on the fire.

"You know," he went on slowly, "you'll feel awfully lonely and all
that--soon, that is--when Caroline goes, I mean."

Matchmaking is never a man's line; he draws back at the very intimate
point he should press home. Arthur did his best. Mrs. Loring had
probably been talking to him.

"I shall miss her very much," I replied, "very much indeed; but to whom
do you propose to marry me?"

He seemed rather abashed, and a trifle impatient.

"Don't be an ass," he said.

I could not be certain, owing to the firelight, that he blushed, but I
chanced it. I didn't object to these palpable attempts to marry me to
Millicent Dixon; but it was disparaging to my intelligence that I should
be supposed not to notice them. Anyway, the male element was a new
feature in the alliance.

"And do you think that she and I would be a well-matched pair?" I asked.

He professed a hypocritical ignorance as to whom I meant. I laughed.

"Mrs. Loring," I answered, "can give you points, Arthur. You would
apparently marry me on general principles. She particularises."

We were waiting for Caroline and Millicent. Millicent and Bassishaw were
dining with us that evening, and Bassishaw had lately, I knew, been a
good deal perturbed on my account. More than once he had timidly
suggested that a woman's hand in a place made all the difference, you
know, and I had caught him glancing round my rooms with something of a
disparaging valuation of their contents when he should take Caroline
away. His friendly concern, in itself, was deserving of my
gratitude--but with this qualification, that I don't believe he was
above suspecting that I should take to drink in the imminent solitude of
my bereft apartments.

I was extracting from him the fervent declaration that I couldn't
imagine how splendid It--being engaged--made you feel, and that to know
that there was One upon whom et-cetera et-cetera For Ever, when
Millicent and Caroline entered. We rose to greet them.

"How do you do, Millicent?" I said. "I'm glad to see you."

"Heaven!" she replied, "let me come near the fire. I'm as cold as a
seminary breakfast. How do you do, Arthur? What a blessed blaze! Don't
go away, Arthur."

Bassishaw had gone over to the table, where Caroline was making the last
unnecessary arrangements, and was having his flower pinned on.

"Oh! his circulation's all right," I remarked. "We were once like that,"
and Millicent, looking over her shoulder, laughed at me, and said:

"The dear infants!"

Dinner was served, and we took our places. I faced Caroline, while
Millicent, who was still chilly, and didn't mind the fire at her back,
looked over the flowers at Bassishaw; an arrangement as can be
diagrammatically proved, offering facilities for between-deck pressing
of feet on a diagonal plan, and which appeared to suit my young sister
admirably. I gave her an amused glance, which Millicent intercepted, and
Carrie tried, unsuccessfully, to look as if she hadn't done it.

"Never mind him, Carrie," Millicent said reassuringly. "He's an envious
old man, who's wasted his youth, and he's getting cynical. His failing
years won't permit him to do such things himself, and his conscience
begins to hurt him."

This was the woman without whom, in Bassishaw's opinion, my abode fell
short of completeness.

"My failing years, Miss Dixon," I returned, "bring with them a certain
charity; nevertheless, allow me to point out your reason for condoning
such practices."

"Which is----?" she queried.

"That you are quite capable of doing the same thing yourself."

She laughed, and Bassishaw looked puzzled.

"Oh, I'm not tottering to my fall yet," she retorted. "I have all sorts
of little surprises in my blood."

"You forbid reply, Miss Dixon," I answered. "You take refuge in a
position where man can only maintain a respectful and incredulous
silence. A woman's years----"

"----are----?" she challenged.

"----and an income-tax return----"

"I am beneath your roof, Mr. Butterfield," she replied, with the dignity
of St. James's comedy.

Caroline evidently disapproved strongly. She caught my eye.

"I don't think you're a bit nice this evening, Rollo," she said. "If I
were Millicent"--she straightened her back--"I wouldn't dine with you.
Don't take any notice of him, Millie dear."

"Perhaps," I replied, "the disparity in years is too great. Think so,
Bassishaw?"

I looked round the flowers at him. He seemed rather embarrassed, and
said nothing. I filled Millicent's glass, and turned to her.

"What do you think Bassishaw was saying to me just before you came in?"

I received a kick. Bassishaw, behind the flowers, was very red indeed.

"Heaven forbid that I should guess!" Millicent replied. "Men are frail
creatures."

"He was speaking," I continued, "of women as a domestic institution. No
home, he said, was complete without one. Considered decoratively, she
gave an air of brightness----"

Bassishaw must have been as busy in his pedipulations as an organist,
for Caroline peremptorily held out her glass to be replenished. I
continued:

"As a companion, he said, much could be forgiven her. And she had
admirable managing gifts."

Millicent bowed across the flowers.

"The sex thanks you, Arthur," she said. "It is quite the proper point of
view for a young man. As for this belated bachelor,"--myself--"he never
did, nor ever will, think rightly on the subject."

Bassishaw looked at me reproachfully.

"I didn't mean--what you think I meant," he said uncomfortably.

"Forgive me. You meant much more than I say I think you meant."

"I meant--I meant----" he replied; and then, apologetically, "well, you
_are_ getting on, you know, and you've missed so much, really, Rollo. If
you _like_ being alone----A man who's never--you don't mind my saying
it?--well, he doesn't know, that's all."

Bassishaw subsided rather incoherently, but applied himself to his plate
with conviction. I looked at Millicent, who glanced sidelong fun under
her lids.

"What you say is perfectly convincing as a proposition, Arthur," she
remarked. "The man who's Never--never does know; but the application is
another matter. From report, there were hopes for Rollo Butterfield that
he has failed to justify. He flirted notoriously."

"Thank you, gracious lady," I replied complacently, leaning back at my
ease. "That is the name the world gives it."

"Your conduct with Dolly Hemingway was shameless."

"Marriage would certainly have been an illogical conclusion," I
admitted.

"And Violet Mellish told me herself----"

"Dear little Vi," I approved. "Her conversation never did lack the
relish of revelation. You must not suppose, Arthur, that I have not had
the normal past that my years would guarantee. You appear to think so."

Bassishaw didn't seem to see it at all. He fumbled with his fork.

"I expect you've had your fancies, of course," he replied. "But I don't
mean just fancies--that's only flirting."

The man who cannot flirt never sees that the power to do so is a gift of
the gods. Arthur held by negative constancy.

"Flirtation," I replied, "is not the simple affair you think, Arthur. It
is not necessarily a matter of twilights and conservatories, and does
not even always demand privacy. For a flirtation with zest there is
nothing like having an audience. Is that not so, Millicent?"

"Spare me the revelation of my ignorance," Millicent returned, moving
her chair an inch or two from the now importunate fire, and looking over
her shoulder. "It is possible."

"The only requisites are a woman, a secret, and as many spectators as
have not the use of their eyes," I continued; "those granted, you may
riot in innuendo, and your reputation go scatheless. It is the very
button on the cap."

Bassishaw could think of nothing more original to say than that it was
playing with edged tools. Carrie was directing the removal of plates; I
devoted my attention to Millicent.

"I had one very serious fancy, though, Millicent," I remarked. "Shall I
tell you?"

"I trust it is not unfit for the children," she replied, looking this
time beneath the flowers at Bassishaw. "The knowledge of good and evil
from your point of view might not be of advantage to them."

Caroline looked round curiously.

"Oh, Rollo, what was that?" she said. "You never told me."

"No?" I inquired incredulously. "And you my sister, too! Ah, well, it
was this. Summer mornings, at seven, I used to go across the fields with
a bathing-towel; on my return I was generally met by--I never mentioned
her name."

"It would be indiscreet," said Millicent.

"Discretion," I answered, "is the better part of flirtation. They were
lovely mornings, and there was a stile--a rather high stile--a distinct
opportunity."

I looked carefully away from Millicent, and turned to Bassishaw.

"Yes?" he said appreciatively. "And what happened?"

"I fancy," I continued, "that she always met me on my side of the stile,
so that we always had to get over it."

Bassishaw seemed to approve the strategy.

"Nice girl?" he asked.

"She combined," I replied, "the harmlessness of the dove with the wisdom
of the serpent, for she used to feel tired when we got there, and rest.
There was just room for two."

Caroline was interested.

"And when was this, Rollo?" she asked.

"My dear Carrie," I returned, "you had just begun German; you were at
school. Well, this woman of mine would pull a flower to pieces, or light
a cigarette for me, or some such foolishness. She knew the exact
distance at which her hair would touch my face if it were a little
tumbled. And so on."

Millicent made the criticism that the least she could have done under
the circumstances was to have sprained her ankle.

"And who was it?" Carrie asked eagerly.

The woman who presumed to condemn my carrying-on with Dolly Hemingway
and Violet Mellish sat smiling in frank innocence. She, whose ignorance
of such matters was to be scrupulously respected, sat with
unconsciousness on her brow, and gave graceful attention to my story.
She, who had called me a belated bachelor, who had spoken of my failing
years and my perspective of hesitating singleness, and, above all, whose
memory needed no hint as to what I was going to say, dissembled without
a quiver.

"Who was it?" Caroline repeated.

"The name is the least essential part of the affair," I replied. "We are
concerned with the stile."

"Yes, the stile," Millicent said. "What happened?"

"Were she to ask me herself, I should only whisper," I returned.

She leaned back and laughed outright. "You are too considerate on her
account to make the story very interesting," she remarked. "I swear I
could finish it better myself. One day you tried to kiss her."

Millicent had chosen the hazardous line of safety. She had told the
truth.

I stole a glance at her under cover of the flowers.

"I tried not to," I replied.

"And she was angry."

"She did her best to be angry."

"She was."

"Till the next morning," I answered.

"And then you begged her pardon?"

"I did nothing of the kind. I was not so young as all that."

"But, at least, you were sorry?" Millicent suggested.

"Not from that day to this," I replied. "It was too perfect."

Millicent moved her chair a little further, and, as she did so--it might
have been done purposely--you never can tell with Millicent--her foot
touched mine gently; and as it remained there a moment, I felt more like
Bassishaw than I would have cared to admit. She has since told me, I
don't mind saying, that I have good eyes; be that as it may, the
mischief in her own was for a second tempered to an expression that--was
nobody's business but mine. I felt tempted to forswear my theory, and to
regret the presence of an audience.

She rose gaily.

"This is all very well," she said, "but it is a bad thing to have the
fire at your back. Be good enough to put the screen up, Arthur."

Arthur did so.

"But the story," Caroline persisted impatiently--she wanted to get to
the reconciliation with tears. "How does the story go on?"

"It went on," I replied, "in much the same way. It is not quite finished
yet."

She looked a virtuous reproof.

"I am surprised, Rollo," she said, "that you should have behaved in so
indiscreet a fashion. I think that on that occasion it was just as well
there _was_ nobody there. _I_ should be exceedingly sorry to witness any
such proceeding. It would make me extremely uncomfortable."

I laughed, and stroked my little sister's hair.

"What liqueur will you take, Millicent?" I asked.




                                  XIV

                      THE THINGS THAT ARE CAESAR'S


Almost the whole of my female acquaintance seemed to be gathered in my
rooms, and seemed, moreover, to be doing its collective best to persuade
me of the superfluity of my presence. The occasion was the eve of
Caroline's wedding, and the natural interest I myself took in the event
paled before the engrossing fascination it appeared to have for these
ladies. The company consisted largely of Mrs. Loring Chatterton; but she
was ably supported by the remainder of her particular set and half a
dozen supernumerary bridesmaids, not one of whom--with the exception,
perhaps, of a quiet little creature who sat apart and said nothing--but
would willingly have turned me out of house and home had she dared, as a
person who could perfectly well be dispensed with. From the whispered
conversations and secret conferences around me I was rigidly excluded,
which I regretted the more as I felt I should have taken a peculiar
pleasure in them.

"My good man," said Mrs. Loring, striding over my feet with an armful of
bridesmaids' frippery, "what a lot of room you take up! You are sure you
have no engagement this evening?"

"Nothing of importance, Mrs. Loring," I replied, looking up from an
entry-book of bridal gifts I was curiously scanning, with mental notes
of my own. "You may consider me entirely at your disposal. My duty is
here to-night of all nights; and when you and Mrs. Carmichael can spare
Caroline, I also have certain advice to give her not inappropriate to
the occasion."

"Don't you think you'd better go and give Arthur the benefit of your
wisdom?" she rejoined.

"Alas," I replied, "it is too late--he cannot draw back now. He must
take the inevitable consequences of engagement. He has made his bed----"

"I see no reason for your being indelicate, Mr. Butterfield," answered
Mrs. Chatterton; and she rustled away, dignity in flounces.

Never had my flat known such wealth of plate and tissue-paper. Had
Jupiter, in wooing Danae, adopted a silver currency, he could scarce
have crowded more lavishly the Grecian tower. Ladies slipped in and out
of the miscellaneous collection with feminine calculations and
judgments, which I noted in secret joy, estimating, apparently, the
whole affair in its comparison with previous functions. And above all,
and more insistent from their very quietness, were heard the mysterious
confabulations.

I crossed over to Mrs. Carmichael and Caroline. "Well, little sister," I
said, glancing at Mrs. Carmichael, "and what unspeakable things has Mrs.
Kit been telling you now?"

"Oh, Rollo," she replied, placing her hand pleadingly on my sleeve, "she
hasn't. Please don't tease me to-night, dear. I am not a bit happy. I
almost wish I was not going to be married."

"Then she has?" I returned. "Mrs. Kit, how could you? But there--you're
all alike. They're not in the least interested in you, Carrie, my dear.
It's just a wedding. A woman and a bridecake----"

"What do you know about it?" Mrs. Carmichael said disdainfully.

"Madame," I replied, "the exultation of your sex in all that pertains to
a wedding is barely fit for the contemplation of a bachelor. Cannot you
disguise your interest in some seemly manner?"

"If you'll arrange these cards," she retorted, "instead of concerning
yourself with things of no moment to you, you'll be of much more
service. _Will_ you be so good as to label these presents--and with as
little talk as is convenient to you?"

This to me, mind, in my own house! I looked to Caroline to espouse my
cause and to resent the outrage on my feelings; but she merely looked
plaintively. With a sigh, which Mrs. Kit, calling after me, qualified as
"avoirdupois," I tried Mrs. Vicars, who was fluttering round the other
end of the glittering table, arranging the nuptial tribute in symphonic
harmonies of the Kensington amateur order. Mrs. Vicars is aesthetic at a
street's length, and, as Millicent Dixon had once spitefully said, wears
her art upon her sleeves for Jays to laugh at. She was placing her own
offering, something in plush and oil colour, modestly, shrinkingly, all
but out of sight.

I was saying something about the spiritual reality of which all this
external show was but the outward symbol, when she cut me off.

"Oh, Mr. Butterfield," she said, "why _did_ Cissie Bingham give Caroline
a _green_ fan?"

"Possibly, Mrs. Vicars," I replied, "for the same order of reason that
causes a miller to wear a white hat."

"But a green one--how horrid! Look at her complexion!" And she bent the
trifle coquettishly round her chin, with a well-studied sparkle over the
top of it--a lesson in feminine Arts and Crafts.

"A fan, Mrs. Vicars," I replied, "may be used either for flirtation or
concealment--before marriage. Afterwards, only for the latter. In either
case the appropriateness----"

"I think you are very horrid, Mr. Butterfield," she answered, preening
the openwork effervescence of her corsage and turning her shoulders to
me in pique. "I believe Mrs. Bassishaw wants you."

I tried my luck with Mrs. Bassishaw, Arthur's mother. Mrs. Bassishaw is
a comely widow, as young as is compatible with having a son on the eve
of marriage, and still possessing what her friends call "excellent
chances." She made a place for me by her side.

"You and I will be less in the way in this corner, Mr. Butterfield," she
said, "and we can watch the young people. Doesn't this make you feel
terribly old? I declare I feel myself ageing already."

She passed her hand over her glossy hair.

"I also feel it keenly, Mrs. Bassishaw," I replied.

"And only think, Mr. Butterfield," she continued, "should--should you
become an uncle, I shall be a grandmother! Oh, I do hope they'll be
comfortable--and happy!"

"I have not a doubt, Mrs. Bassishaw," I answered, "that they will be
exceedingly comfortable--and becomingly happy."

"Only that?" she inquired.

"Is not that a good deal?" I replied.

"They are, I believe, made for each other; but I do not expect anything
epic from either of them, nor will they, so far as I can see, mark the
beginning of an aeon in the annals of matrimony."

"You are very hard on them, Mr. Butterfield--poor things!" she
answered--apparently because I had not granted them the beginning of an
aeon. Thus does one suffer for principle! I rose to interview an
automatic reporter from a fashion paper, whom Mrs. Loring handed over to
me with a request to be good enough to take the thing seriously. I told
him that the presents were numerous and costly, including--here followed
a list; and crossed over to a knot of frolicking bridesmaids that was
gabbling millinery in one corner.

These young ladies had apparently a good deal to say; and prominent
among the chatter could be heard Miss Nellie Bassishaw's voice declaring
that something or other of hers was of a poorer quality of silk than
some one else's; which was always the way, she remarked, with a grown-up
toss of the head, when one bought six gowns at the same shop. Miss Flo
Bassishaw and another maid were talking simultaneously, the one saying
that the organist was sure to play the march too soulfully for it to be
of much use as walking music, and the other that old----(a respected
friend of mine) could afford to give cheap salad bowls now that he had
married all his daughters. And above all, and to an extent that was an
enlightenment even to me, the pairing arrangements for the breakfast
were discussed with a freedom and pointedness that took entire
precedence of any other significance the occasion might have. In this
theme again Miss Nellie revelled.

"I don't care," she said, "I shall ask Carrie. He's not a bit too old;
and I _have_ met him before--you haven't. I'm not going to be bored to
death by Jack Somers, and have to do all the talking myself; and that's
my decision," she said irrevocably.

"We shall have _our_ hair up to-morrow, too," returned Flo, with the
spiteful familiarity of a younger sister, "and I shall hear every word
you say, because I shall be on the other side."

"I don't know why they ask such a crowd," another half-blown bud of
sixteen joined in. "I expect Rollo Butterfield went to school with most
of them--they're old enough."

And fat enough--and dull enough--and bald enough--the poise of her chin
seemed to say. I admired her confidence.

"And what about----?" a nod of Miss Nellie's head gave the direction to
my eyes. I looked, and saw apparently unheeded by the noisy group, the
pretty, timid creature I had remarked once or twice before, an imported
cousin of somebody's, condemned to wear pink because it suited the rest.
She was out in the cold; but something in the abstracted quietness of
her pose told me it was perhaps as much from choice as from the
passing-over of her companions.

"Oh," Miss Flo replied, "she can go somewhere near Rollo
Butterfield--she'll be less awkward near him than with anybody else. And
then Jack Somers."

Seeing myself so allotted, I thought it well to make the acquaintance
beforehand of the maid for whose conversational flow I was to be
responsible. I skirted the group, and sat down by her.

"I see you're taking a short rest from your duties, Aggie," I remarked.
"Are you having a good time?"

"Yes, thank you, Mr. Butterfield," she answered shyly. "I think it's all
lovely."

"The dresses and things?" I asked.

"No," she replied, turning grey eyes upon me. "Mr. Bassishaw and the
wedding--and Caroline. The presents don't matter much, do they, Mr.
Butterfield?"

I looked around in some doubt.

"I don't know, Aggie," I returned. "Every one appears to think a good
deal of--that sort of thing--except you--and me. I think we shall be
friends, Aggie."

"Thank you, Mr. Butterfield." The grey eyes looked into some middle
distance that I could not follow. "Caroline does look nice," she added,
making an admission that for some reason did not seem easy to her. "But,
of course, she's your sister, and brothers do not think of that. Young
brothers, I mean."

"Your brothers are young, then, Aggie?"

"Yes; and they say no one will ever want to marry _me_; but that is when
I won't be tied to a table for them to fight about--an imprisoned
princess, you know. It doesn't matter--now," she added, half to herself,
and apparently forgetful of my presence.

"And you don't like--all this?" I inquired, designating the surrounding
bustle with my hand.

"No," she replied in the same half-musing tone. "_We_ shouldn't have
wanted bridesmaids and things, you know.--Of course"--she momentarily
remembered my position--"it's all lovely; but we should just have gone
away somewhere and not have had anybody but perhaps a maid. We shouldn't
have wanted anyone else, you know; and we should have lived there ever
so long. That would have been nice."

She was scarcely talking to me; but I replied:

"It is the ideal wedding, Aggie, although it is only for the few--there
are relations and people. I trust you will make a success of it. I hope
you will allow _me_ to make you a present, though?"

She raised her head again with the same remote look. I noticed a fine
gold chain round her neck, the end of which disappeared in her bosom.

"It won't ever be quite the same," she replied. "Perhaps some day I
shall have forgotten----"

I looked at the chain and spoke quietly.

"Is that----?"

"Yes," she replied, her hand going softly to her breast. "I cut it out
of a group, but he didn't give it to me. You don't mind if I don't show
it to you, do you, Mr. Butterfield? You don't know what it is to lose
anybody--like that."

"You forget I am losing a sister, Aggie," I answered. She thought a
moment, and then made a sudden resolve. She spoke softly and almost
mechanically.

"I think I will tell you, Mr. Butterfield. I wouldn't tell"--she looked
round--"any one else, but--I trust you, Mr. Butterfield. I haven't given
Caroline my present yet--I haven't made up my mind. I've got two, a
handkerchief case, and--this. I could give her the handkerchief
case--anybody can give handkerchief cases--or the other. Anybody
wouldn't give the other. I can't keep it, Mr. Butterfield. Look."

She glanced round, and drew the small locket from her neck and opened
it. It was Bassishaw's portrait, a poor, ragged production, cut out, as
she had said, from some larger picture. I half glanced at it,
understanding without looking.

"It is worth more than a handkerchief case," she continued, speaking
very low, "and I know Caroline would value it more, if I told her. If
anybody did that to me I should--I should love them. Wouldn't you, Mr.
Butterfield?"

I made no reply. Poor Aggie! She was only sixteen, and would get over
it; but it was real to her, and she was very brave. She went on:

"And that's why I don't like all these things, Mr. Butterfield. What
would you do?"

Mrs. Carmichael was signalling for me across the room. I rose and took
Aggie's hand.

"My dear," I replied, "you have a truer instinct in these things than I.
Whatever you do will be right, I know; and a fat, blundering man would
spoil it. We sit together at breakfast to-morrow. I'm very glad."

And, in response to Mrs. Carmichael's imperious summons, I left her and
plunged again into the general bewilderment.

Shortly afterwards I heard Mrs. Vicars's voice.

"Oh, look, Caroline, what a _sweet_ handkerchief case Agnes there has
given you!"




                                  XV

                              SETTLING DAY


Caroline was married, and with a decent tear had left for a month's
sweet lunacy under blue skies and on Mediterranean terraces. I had
bestowed an appropriate valediction at Victoria Station to the
accompanying exhalation of steam, the slamming of doors, and the waving
of a green flag, and had returned to my flat.

It had not appeared quite the same to me. I had peeped into the little
room that had been so long her own, and a sense of emptiness and
unfamiliarity had struck me, leaving little desire to make friends with
it. My own rooms were structurally unchanged; but a corded and labelled
trunk, left to be called for after the bridal trip, seemed to occupy the
whole place to my utter exclusion, and unsettled me greatly. I perceived
that virtue had gone out from these lifeless shells of apartments; and
my feline attachment to the building itself was not sufficiently strong
to reconcile me to an immediate resumption of the old order of things.
On the whole, I did not waste much sentiment over the matter, but spoke
a word in Mrs. Loring's ear, received an invitation from some friends of
hers in the country, left my chairs in canvas and my blinds in full
mourning, and made haste to lawns and trim, clipped hedges till I should
summon resolution to face the fresh conditions.

This gave Mrs. Loring, a certain opportunity which, as I had foreseen,
she was little likely to waive, and which also suited my mood admirably.

Overhead the rooks were holding their sage, sustained conference, and I,
I believe, nodding gravely and judicially, when an undefined sense of
intruding mortals caused me to blink through my lashes. Mrs. Loring and
Millicent were slowly crossing the lawn in my direction, their white
gowns dipping from orange to grey and grey to orange as they traversed
the belts of light. Mrs. Loring was talking; this, be it said, was Mrs.
Loring's supreme opportunity.

I had no wish to listen; it was forced on my passive ears.

"I suppose," she was saying, "now that Caroline's gone, he must. I know
that Cicely Vicars told me you can do what you like with a man who feels
a little bit sorry for himself, Millicent. _She did._"

This seemed somehow to concern me. I had doubtless felt somewhat low,
but had no idea I had showed it so plainly as that. Anyway, Cicely
Vicars doubtless knew. Millicent replied:

"I don't think it's fair, Mollie, to talk like that. Rollo Butterfield
isn't a fool; and I daresay Charlie Vicars isn't such a fool as he
was--then."

Thank you, dear lady.

"He isn't a fool," Mrs. Loring replied; "but I do call it
criminal--simply criminal--that a man who is getting older
and--fatter--every week should keep putting off and putting off for no
reason at all except that he's ashamed to give in after so long. It's
rank breach of promise. _I_ know Rollo Butterfield."

These were hard words to hear of one's self. Apparently Mrs. Loring's
one desire was that that presence of mine--fat, hang her
impudence!--should hold decently together through a marriage service,
and run to seedy corpulence immediately afterwards for all she cared.
But Millicent vindicated me nobly.

"If Rollo Butterfield, Mollie, was prepared to marry me to keep me in
countenance with all the people we know, I'd never let him propose to
me--which he hasn't done, by the way. But you don't understand him a
little bit. He's not much fatter, my dear, saving your presence, than
Loring; and, any way, he'll be a young man when Loring's--you understand
me. And you can't say very much more to me on the subject, Mollie."

"You'll have to propose to him yourself, then, Millie," said Mrs.
Loring, with a worldly shrug.

"I should not be afraid to do that," Millicent retorted defiantly.

"I should like to be there when it happened." Mrs. Loring's tone
expressed the most offhand incredulity in the affair being ever
definitely settled. There was a silence as they approached and
discovered my presence.

Now, I had never been in the least resentful of Mrs. Loring Chatterton's
self-arrogated responsibility for my welfare and Millicent's--it had
always been too open and frank to be regarded as interference. But in
that moment she had given me a hint that I felt half inclined to act
upon. Suppose she really were there when it happened?

I rose to meet them.

"Welcome, dear ladies," I said. "You almost caught me napping. I believe
I have been dreaming, and seemed to hear voices."

I looked at Millicent, and thought she understood; but it did not occur
to Mrs. Loring that I might have overheard.

"You dream a good deal nowadays, Mr. Butterfield, don't you?" she said,
somewhat acidulously.

"I fear, Mrs. Loring," I replied, "that I have lately done it to an
extent that is almost criminal."

She was still unenlightened, but I saw that Millicent guessed. I made
places for them on either side of me, but Mrs. Loring hesitated,
standing. No chance is too trivial for a matchmaker.

"Sit down, Mrs. Loring," I said, making myself comfortable just out of
the sun.

She sat down. I continued:

"I have been watching the sunset here all alone. It is a lovely evening.
You and Loring have doubtless been sitting hand in hand, waiting for the
twilight? No? The surroundings seem to call for that kind of thing
somehow, don't you think?"

"I'm glad to hear you say so, Mr. Butterfield. I have hopes of you even
yet. The evening certainly inspires such--such things--providing they
are strictly _en regle_."

"Most decidedly," I assented; "that must always be understood. I admit
that it is a delicate matter--that there are times when even the most
permissible caress becomes unseasonable, just as at others an
unseasonable one is almost permissible. But as a general rule such
proceedings must be, as you say, strictly _en regle_."

"I find you in a most reasonable mood this evening, Mr. Butterfield,"
she approved, with a glance at Millicent. "Dreaming evidently does you
good. Pray continue."

I acknowledged her encouragement, and went on.

"It must be taken for granted, first of all, that the endearment is a
_bona fide_ guarantee, in which case publicity is not only unnecessary,
but impertinent. A third person, for instance, could not possibly take
the slightest interest in it."

"It would be highly unbecoming," she assented.

"Quite so," I replied half absently; "and that is where the kindly
interest of, say, the married chaperone fails. In the moment that her
presence becomes most necessary, it becomes superfluous. Is not that
so?"

"If you mean, Mr. Butterfield, that I----" she said, making a movement
as if to rise.

"My dear Mrs. Loring," I replied, "we are discussing a perfectly
abstract question; you appear to be able to deal only with a concrete
case."

"Then," she retorted, "the sunset has done you less good than I thought.
An abstract case on an evening like this!"

And her eyes appeared to fill with pity for Millicent. That lady looked
up, but said nothing.

"It is on such evenings, Mrs. Loring," I returned, "that nothing but the
presence of the chaperone divides the abstract from the concrete."

"Then you _do_ mean----" she said almost impetuously.

"Does it occur to you, Mrs. Loring," I replied, "that you are speaking
with remarkable freedom?"

Mrs. Loring was in a difficult position. To stay was to nullify the
opportunity, and to postpone indefinitely (so she thought) the
consummation of her disinterested endeavours. To leave, on the other
hand, was a hint so pointed that even she felt it might give rise to an
embarrassment that would defeat its own ends. I pointed this out to
her--of course, in an entirely abstract way; and Millicent, I was
pleased to see, regarded the comedy with an amused coolness that had in
it very little sympathy for Mrs. Loring Chatterton and her methods. She
looked up laughing.

"It would be rather a difficult position for any chaperone to be placed
in," she said mischievously. "Wouldn't it, Mollie?"

Mollie was rather at a loss.

"A chaperone's is a difficult position altogether, Millie," she said,
"and it means considerable self-sacrifice on the part of the one who
undertakes it."

"It is a thankless office," I replied; "but in the case of impetuous
youth I suppose it is necessary. Hot blood, Mrs. Loring, must be
watched."

She was getting puzzled, and evidently losing her hold on the situation.
"After all," she answered doubtfully, "when one has confidence in people
perhaps it doesn't matter so much."

"It is dangerous," I warned her. "When young recklessness takes the bit
between its teeth and plunges headlong into a course of
matrimony"--Millicent smiled at the description as applied to
ourselves--"some calmer ruling is almost essential. Personally, I think
that at all proposals an appointed authority should conduct the
ceremonies. One cannot manage such affairs alone."

She didn't quite catch the suggestion. "It is perfectly unnecessary,"
she replied.

"Indeed?" I asked. "And suppose the affair hung fire, and the proposal
never came at all? Imagine the sorrow of the Goddess outside the
Machine! I almost think she has a right to insist on personal
supervision."

"I think you are talking a great deal of nonsense," she replied.

"Then, Mrs. Loring, you fail to follow me. Take a case, say, in which
the woman proposes--I suppose you will admit the possibility--the man
might be a fool--or dilatory--or getting fat----"

Mrs. Loring Chatterton turned suddenly on me, looked me up, down,
widthwise, and through, and found no speech. I returned her look, and
Millicent broke into unrestrained laughter. The light that came to the
Goddess outside the Machine was too much for her coherence.

"Rollo Butterfield--and you, too, Millicent Dixon!--Millicent--Mr.
Butterfield, how dare you, sir? You listened? I didn't say it!"

"You didn't say--what, Mrs. Loring?" I asked.

"Oh, don't take the trouble to feign innocence! I always thought, Mr.
Butterfield--! I never--stop laughing, Millicent, this is not a farce--I
didn't think, Mr. Butterfield, that you would _use_, at least, anything
you heard in so discreditable a manner!"

"Mrs. Loring," I answered, "I did not listen. I was dreaming--dreaming
does me good--and I heard the rooks calling, and several other things,
quite against my will. Besides," I added, "if you will consider a
moment, don't you think I was too deeply concerned in your--friendly
aspersions--not to have some kind of right in them? I wish to put the
thing euphoniously, you understand, Mrs. Loring, but--haven't you
interested yourself too long in what concerns me first of all, to take
up any position of outraged propriety now?"

I awaited her reply, my eyes on her face. I should have been sorry to
fall out with Mrs. Loring; I had had too much amusement out of her to
take her too seriously, and I recognized that meddling was too harsh a
word for her conduct. For a full minute she sat looking straight in
front of her, and then smiled. All was well.

"I'm sorry for you, Millicent," she said. "For the first time I have
doubts as to your happiness with this--creature. I may yet have to
repent that ever I gathered you both under my wing. Rollo Butterfield,
you think I'm laughing, but I'm not. I haven't forgiven you."

"You reserve your forgiveness, Mrs. Loring, till no further evasion is
possible. You are still, permit me to remind you, premature."

I looked at Millicent, whose face expressed the greatest relish for the
whole scene. Millicent understood, and cared as little for Mrs. Loring's
presence as I did myself. A new recklessness took possession of me; so
long as she knew, I didn't give a schoolgirl's kiss what happened. Mrs.
Loring was making uneasy motions, and had attempted several false
starts, with the object of leaving us alone. I took Millicent's hand,
imprisoned it in both my own, and looked squarely at Mrs. Loring. She
sat spellbound, fascinated, a wedding guest who could not choose but
hear.

"Millicent----" I said, and paused.

"Rollo----" she replied.

Mrs. Loring made another attempt to break away.

"Sit in the middle, Mrs. Loring," I said, and we made the rearrangement.
I turned again to Millicent.

"Mrs. Loring says you are to propose to me, Millicent."

"Mrs. Loring says you would be ashamed to give in after so long, Rollo."

"You are afraid, Millicent, that I shall say it's sudden?"

"I am not afraid of anything that you will say. Or do," she added, as I
took her hands across Mrs. Loring.

"Then," I replied, "I have the honour to ask you, Miss Dixon----"

This was too much for Mrs. Loring. She burst through our hands, and
stood, trembling, staring, lost, hysterical. Then fled.

                  *       *       *       *       *

When the moon, a timid _debutante_ in a faint sky, rose behind the
clipped boxhedge, we were still in the arbour, Millicent and I. One of
her hands shone with an unaccustomed jewel--it had been my mother's
ring--and her other was in my personal and private keeping.

"I believe, Rollo," she said, "that you are still little more than a
boy."

"Millicent," I replied, "I realise less now than ever the prospect of
being grown up. I am merely grown out--though scarcely more so than
Loring," I added.

She laughed at the recollection.

"And you didn't mind proposing to me?" I said.

"I _shouldn't_ have minded proposing to you, Rollo, had you not----"

"Did I propose to you, then, Millicent?"

"I'm sure I don't know," she replied. "Perhaps Mollie had her wish after
all."

Anyway, it didn't make much difference.




                                THE END.

------------------------------------------------------------------------

Transcriber's notes:

1. Copyright notice provided as in the original printed text--this
   e-text is public domain in the country of publication.

2. Silently corrected obvious typographical errors; retained
   non-standard spellings and hyphenation.

3. In page 124, a paragraph break was removed to be consistent with the
   style of the book.

4. Italic text in the original is delimited by _underscores_.





End of the Project Gutenberg EBook of The Compleat Bachelor, by Oliver Onions

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