



Produced by Charles Franks and the Online Distributed Proofreading Team







ROSA ALCHEMICA


By W.B. Yeats



O blessed and happy he, who knowing the mysteries of the gods,
sanctifies his life, and purifies his soul, celebrating orgies in the
mountains with holy purifications.--_Euripides._




ROSA ALCHEMICA.




I


It is now more than ten years since I met, for the last time, Michael
Robartes, and for the first time and the last time his friends and
fellow students; and witnessed his and their tragic end, and endured
those strange experiences, which have changed me so that my writings
have grown less popular and less intelligible, and driven me almost
to the verge of taking the habit of St. Dominic. I had just published
Rosa Alchemica, a little work on the Alchemists, somewhat in the
manner of Sir Thomas Browne, and had received many letters from
believers in the arcane sciences, upbraiding what they called my
timidity, for they could not believe so evident sympathy but the
sympathy of the artist, which is half pity, for everything which has
moved men's hearts in any age. I had discovered, early in my
researches, that their doctrine was no merely chemical phantasy, but
a philosophy they applied to the world, to the elements and to man
himself; and that they sought to fashion gold out of common metals
merely as part of an universal transmutation of all things into some
divine and imperishable substance; and this enabled me to make my
little book a fanciful reverie over the transmutation of life into
art, and a cry of measureless desire for a world made wholly of
essences.

I was sitting dreaming of what I had written, in my house in one of
the old parts of Dublin; a house my ancestors had made almost famous
through their part in the politics of the city and their friendships
with the famous men of their generations; and was feeling an unwonted
happiness at having at last accomplished a long-cherished design, and
made my rooms an expression of this favourite doctrine. The
portraits, of more historical than artistic interest, had gone; and
tapestry, full of the blue and bronze of peacocks, fell over the
doors, and shut out all history and activity untouched with beauty
and peace; and now when I looked at my Crevelli and pondered on the
rose in the hand of the Virgin, wherein the form was so delicate and
precise that it seemed more like a thought than a flower, or at the
grey dawn and rapturous faces of my Francesca, I knew all a
Christian's ecstasy without his slavery to rule and custom; when I
pondered over the antique bronze gods and goddesses, which I had
mortgaged my house to buy, I had all a pagan's delight in various
beauty and without his terror at sleepless destiny and his labour
with many sacrifices; and I had only to go to my bookshelf, where
every book was bound in leather, stamped with intricate ornament, and
of a carefully chosen colour: Shakespeare in the orange of the glory
of the world, Dante in the dull red of his anger, Milton in the blue
grey of his formal calm; and I could experience what I would of human
passions without their bitterness and without satiety. I had gathered
about me all gods because I believed in none, and experienced every
pleasure because I gave myself to none, but held myself apart,
individual, indissoluble, a mirror of polished steel: I looked in the
triumph of this imagination at the birds of Hera, glowing in the
firelight as though they were wrought of jewels; and to my mind, for
which symbolism was a necessity, they seemed the doorkeepers of my
world, shutting out all that was not of as affluent a beauty as their
own; and for a moment I thought as I had thought in so many other
moments, that it was possible to rob life of every bitterness except
the bitterness of death; and then a thought which had followed this
thought, time after time, filled me with a passionate sorrow. All
those forms: that Madonna with her brooding purity, those rapturous
faces singing in the morning light, those bronze divinities with
their passionless dignity, those wild shapes rushing from despair to
despair, belonged to a divine world wherein I had no part; and every
experience, however profound, every perception, however exquisite,
would bring me the bitter dream of a limitless energy I could never
know, and even in my most perfect moment I would be two selves, the
one watching with heavy eyes the other's moment of content. I had
heaped about me the gold born in the crucibles of others; but the
supreme dream of the alchemist, the transmutation of the weary heart
into a weariless spirit, was as far from me as, I doubted not, it had
been from him also. I turned to my last purchase, a set of alchemical
apparatus which, the dealer in the Rue le Peletier had assured me,
once belonged to Raymond Lully, and as I joined the _alembic_ to
the _athanor_ and laid the _lavacrum maris_ at their side,
I understood the alchemical doctrine, that all beings, divided from
the great deep where spirits wander, one and yet a multitude, are
weary; and sympathized, in the pride of my connoisseurship, with the
consuming thirst for destruction which made the alchemist veil under
his symbols of lions and dragons, of eagles and ravens, of dew and of
nitre, a search for an essence which would dissolve all mortal
things. I repeated to myself the ninth key of Basilius Valentinus, in
which he compares the fire of the last day to the fire of the
alchemist, and the world to the alchemist's furnace, and would have
us know that all must be dissolved before the divine substance,
material gold or immaterial ecstasy, awake. I had dissolved indeed
the mortal world and lived amid immortal essences, but had obtained
no miraculous ecstasy. As I thought of these things, I drew aside the
curtains and looked out into the darkness, and it seemed to my
troubled fancy that all those little points of light filling the sky
were the furnaces of innumerable divine alchemists, who labour
continually, turning lead into gold, weariness into ecstasy, bodies
into souls, the darkness into God; and at their perfect labour my
mortality grew heavy, and I cried out, as so many dreamers and men of
letters in our age have cried, for the birth of that elaborate
spiritual beauty which could alone uplift souls weighted with so many
dreams.




II


My reverie was broken by a loud knocking at the door, and I wondered
the more at this because I had no visitors, and had bid my servants
do all things silently, lest they broke the dream of my inner life.
Feeling a little curious, I resolved to go to the door myself, and,
taking one of the silver candlesticks from the mantlepiece, began to
descend the stairs. The servants appeared to be out, for though the
sound poured through every corner and crevice of the house there was
no stir in the lower rooms. I remembered that because my needs were
so few, my part in life so little, they had begun to come and go as
they would, often leaving me alone for hours. The emptiness and
silence of a world from which I had driven everything but dreams
suddenly overwhelmed me, and I shuddered as I drew the bolt. I found
before me Michael Robartes, whom I had not seen for years, and whose
wild red hair, fierce eyes, sensitive, tremulous lips and rough
clothes, made him look now, just as they used to do fifteen years
before, something between a debauchee, a saint, and a peasant. He had
recently come to Ireland, he said, and wished to see me on a matter
of importance: indeed, the only matter of importance for him and for
me. His voice brought up before me our student years in Paris, and
remembering the magnetic power he had once possessed over me, a
little fear mingled with much annoyance at this irrelevant intrusion,
as I led the way up the wide staircase, where Swift had passed joking
and railing, and Curran telling stories and quoting Greek, in simpler
days, before men's minds, subtilized and complicated by the romantic
movement in art and literature, began to tremble on the verge of some
unimagined revelation. I felt that my hand shook, and saw that the
light of the candle wavered and quivered more than it need have upon
the Maenads on the old French panels, making them look like the first
beings slowly shaping in the formless and void darkness. When the
door had closed, and the peacock curtain, glimmering like many-coloured
flame, fell between us and the world, I felt, in a way I
could not understand, that some singular and unexpected thing was
about to happen. I went over to the mantlepiece, and finding that a
little chainless bronze censer, set, upon the outside, with pieces of
painted china by Orazio Fontana, which I had filled with antique
amulets, had fallen upon its side and poured out its contents, I
began to gather the amulets into the bowl, partly to collect my
thoughts and partly with that habitual reverence which seemed to me
the due of things so long connected with secret hopes and fears. 'I
see,' said Michael Robartes, 'that you are still fond of incense, and
I can show you an incense more precious than any you have ever seen,'
and as he spoke he took the censer out of my hand and put the amulets
in a little heap between the _athanor_ and the _alembic_. I
sat down, and he sat down at the side of the fire, and sat there for
awhile looking into the fire, and holding the censer in his hand. 'I
have come to ask you something,' he said, 'and the incense will fill
the room, and our thoughts, with its sweet odour while we are
talking. I got it from an old man in Syria, who said it was made from
flowers, of one kind with the flowers that laid their heavy purple
petals upon the hands and upon the hair and upon the feet of Christ
in the Garden of Gethsemane, and folded Him in their heavy breath,
until He cried against the cross and his destiny.' He shook some dust
into the censer out of a small silk bag, and set the censer upon the
floor and lit the dust which sent up a blue stream of smoke, that
spread out over the ceiling, and flowed downwards again until it was
like Milton's banyan tree. It filled me, as incense often does, with
a faint sleepiness, so that I started when he said, 'I have come to
ask you that question which I asked you in Paris, and which you left
Paris rather than answer.'

He had turned his eyes towards me, and I saw them glitter in the
firelight, and through the incense, as I replied: 'You mean, will I
become an initiate of your Order of the Alchemical Rose? I would not
consent in Paris, when I was full of unsatisfied desire, and now that
I have at last fashioned my life according to my desire, am I likely
to consent?'

'You have changed greatly since then,' he answered. 'I have read your
books, and now I see you among all these images, and I understand you
better than you do yourself, for I have been with many and many
dreamers at the same cross-ways. You have shut away the world and
gathered the gods about you, and if you do not throw yourself at
their feet, you will be always full of lassitude, and of wavering
purpose, for a man must forget he is miserable in the bustle and
noise of the multitude in this world and in time; or seek a mystical
union with the multitude who govern this world and time.' And then he
murmured something I could not hear, and as though to someone I could
not see.

For a moment the room appeared to darken, as it used to do when he
was about to perform some singular experiment, and in the darkness
the peacocks upon the doors seemed to glow with a more intense
colour. I cast off the illusion, which was, I believe, merely caused
by memory, and by the twilight of incense, for I would not
acknowledge that he could overcome my now mature intellect; and I
said: 'Even if I grant that I need a spiritual belief and some form
of worship, why should I go to Eleusis and not to Calvary?' He leaned
forward and began speaking with a slightly rhythmical intonation, and
as he spoke I had to struggle again with the shadow, as of some older
night than the night of the sun, which began to dim the light of the
candles and to blot out the little gleams upon the corner of
picture-frames and on the bronze divinities, and to turn the blue of the
incense to a heavy purple; while it left the peacocks to glimmer and
glow as though each separate colour were a living spirit. I had
fallen into a profound dream-like reverie in which I heard him
speaking as at a distance. 'And yet there is no one who communes with
only one god,' he was saying, 'and the more a man lives in
imagination and in a refined understanding, the more gods does he
meet with and talk with, and the more does he come under the power of
Roland, who sounded in the Valley of Roncesvalles the last trumpet of
the body's will and pleasure; and of Hamlet, who saw them perishing
away, and sighed; and of Faust, who looked for them up and down the
world and could not find them; and under the power of all those
countless divinities who have taken upon themselves spiritual bodies
in the minds of the modern poets and romance writers, and under the
power of the old divinities, who since the Renaissance have won
everything of their ancient worship except the sacrifice of birds and
fishes, the fragrance of garlands and the smoke of incense. The many
think humanity made these divinities, and that it can unmake them
again; but we who have seen them pass in rattling harness, and in
soft robes, and heard them speak with articulate voices while we lay
in deathlike trance, know that they are always making and unmaking
humanity, which is indeed but the trembling of their lips.'

He had stood up and begun to walk to and fro, and had become in my
waking dream a shuttle weaving an immense purple web whose folds had
begun to fill the room. The room seemed to have become inexplicably
silent, as though all but the web and the weaving were at an end in
the world. 'They have come to us; they have come to us,' the voice
began again; 'all that have ever been in your reverie, all that you
have met with in books. There is Lear, his head still wet with the
thunder-storm, and he laughs because you thought yourself an
existence who are but a shadow, and him a shadow who is an eternal
god; and there is Beatrice, with her lips half parted in a smile, as
though all the stars were about to pass away in a sigh of love; and
there is the mother of the God of humility who cast so great a spell
over men that they have tried to unpeople their hearts that he might
reign alone, but she holds in her hand the rose whose every petal is
a god; and there, O swiftly she comes! is Aphrodite under a twilight
falling from the wings of numberless sparrows, and about her feet are
the grey and white doves.' In the midst of my dream I saw him hold
out his left arm and pass his right hand over it as though he stroked
the wings of doves. I made a violent effort which seemed almost to
tear me in two, and said with forced determination: 'You would sweep
me away into an indefinite world which fills me with terror; and yet
a man is a great man just in so far as he can make his mind reflect
everything with indifferent precision like a mirror.' I seemed to be
perfectly master of myself, and went on, but more rapidly: 'I command
you to leave me at once, for your ideas and phantasies are but the
illusions that creep like maggots into civilizations when they begin
to decline, and into minds when they begin to decay.' I had grown
suddenly angry, and seizing the _alembic_ from the table, was
about to rise and strike him with it, when the peacocks on the door
behind him appeared to grow immense; and then the _alembic_ fell
from my fingers and I was drowned in a tide of green and blue and
bronze feathers, and as I struggled hopelessly I heard a distant
voice saying: 'Our master Avicenna has written that all life proceeds
out of corruption.' The glittering feathers had now covered me
completely, and I knew that I had struggled for hundreds of years,
and was conquered at last. I was sinking into the depth when the
green and blue and bronze that seemed to fill the world became a sea
of flame and swept me away, and as I was swirled along I heard a
voice over my head cry, 'The mirror is broken in two pieces,' and
another voice answer, 'The mirror is broken in four pieces,' and a
more distant voice cry with an exultant cry, 'The mirror is broken
into numberless pieces'; and then a multitude of pale hands were
reaching towards me, and strange gentle faces bending above me, and
half wailing and half caressing voices uttering words that were
forgotten the moment they were spoken. I was being lifted out of the
tide of flame, and felt my memories, my hopes, my thoughts, my will,
everything I held to be myself, melting away; then I seemed to rise
through numberless companies of beings who were, I understood, in
some way more certain than thought, each wrapped in his eternal
moment, in the perfect lifting of an arm, in a little circlet of
rhythmical words, in dreaming with dim eyes and half-closed eyelids.
And then I passed beyond these forms, which were so beautiful they
had almost ceased to be, and, having endured strange moods,
melancholy, as it seemed, with the weight of many worlds, I passed
into that Death which is Beauty herself, and into that Loneliness
which all the multitudes desire without ceasing. All things that had
ever lived seemed to come and dwell in my heart, and I in theirs; and
I had never again known mortality or tears, had I not suddenly fallen
from the certainty of vision into the uncertainty of dream, and
become a drop of molten gold falling with immense rapidity, through a
night elaborate with stars, and all about me a melancholy exultant
wailing. I fell and fell and fell, and then the wailing was but the
wailing of the wind in the chimney, and I awoke to find myself
leaning upon the table and supporting my head with my hands. I saw
the _alembic_ swaying from side to side in the distant corner it
had rolled to, and Michael Robartes watching me and waiting. 'I will
go wherever you will,' I said, 'and do whatever you bid me, for I
have been with eternal things.' 'I knew,' he replied, 'you must need
answer as you have answered, when I heard the storm begin. You must
come to a great distance, for we were commanded to build our temple
between the pure multitude by the waves and the impure multitude of
men.'




III


I did not speak as we drove through the deserted streets, for my mind
was curiously empty of familiar thoughts and experiences; it seemed
to have been plucked out of the definite world and cast naked upon a
shoreless sea. There were moments when the vision appeared on the
point of returning, and I would half-remember, with an ecstasy of joy
or sorrow, crimes and heroisms, fortunes and misfortunes; or begin to
contemplate, with a sudden leaping of the heart, hopes and terrors,
desires and ambitions, alien to my orderly and careful life; and then
I would awake shuddering at the thought that some great imponderable
being had swept through my mind. It was indeed days before this
feeling passed perfectly away, and even now, when I have sought
refuge in the only definite faith, I feel a great tolerance for those
people with incoherent personalities, who gather in the chapels and
meeting-places of certain obscure sects, because I also have felt
fixed habits and principles dissolving before a power, which was
_hysterica passio_ or sheer madness, if you will, but was so
powerful in its melancholy exultation that I tremble lest it wake
again and drive me from my new-found peace.

When we came in the grey light to the great half-empty terminus, it
seemed to me I was so changed that I was no more, as man is, a moment
shuddering at eternity, but eternity weeping and laughing over a
moment; and when we had started and Michael Robartes had fallen
asleep, as he soon did, his sleeping face, in which there was no sign
of all that had so shaken me and that now kept me wakeful, was to my
excited mind more like a mask than a face. The fancy possessed me
that the man behind it had dissolved away like salt in water, and
that it laughed and sighed, appealed and denounced at the bidding of
beings greater or less than man. 'This is not Michael Robartes at
all: Michael Robartes is dead; dead for ten, for twenty years
perhaps,' I kept repeating to myself. I fell at last into a feverish
sleep, waking up from time to time when we rushed past some little
town, its slated roofs shining with wet, or still lake gleaming in
the cold morning light. I had been too pre-occupied to ask where we
were going, or to notice what tickets Michael Robartes had taken, but
I knew now from the direction of the sun that we were going westward;
and presently I knew also, by the way in which the trees had grown
into the semblance of tattered beggars flying with bent heads towards
the east, that we were approaching the western coast. Then
immediately I saw the sea between the low hills upon the left, its
dull grey broken into white patches and lines.

When we left the train we had still, I found, some way to go, and set
out, buttoning our coats about us, for the wind was bitter and
violent. Michael Robartes was silent, seeming anxious to leave me to
my thoughts; and as we walked between the sea and the rocky side of a
great promontory, I realized with a new perfection what a shock had
been given to all my habits of thought and of feelings, if indeed
some mysterious change had not taken place in the substance of my
mind, for the grey waves, plumed with scudding foam, had grown part
of a teeming, fantastic inner life; and when Michael Robartes pointed
to a square ancient-looking house, with a much smaller and newer
building under its lee, set out on the very end of a dilapidated and
almost deserted pier, and said it was the Temple of the Alchemical
Rose, I was possessed with the phantasy that the sea, which kept
covering it with showers of white foam, was claiming it as part of
some indefinite and passionate life, which had begun to war upon our
orderly and careful days, and was about to plunge the world into a
night as obscure as that which followed the downfall of the classical
world. One part of my mind mocked this phantastic terror, but the
other, the part that still lay half plunged in vision, listened to
the clash of unknown armies, and shuddered at unimaginable
fanaticisms, that hung in those grey leaping waves.

We had gone but a few paces along the pier when we came upon an old
man, who was evidently a watchman, for he sat in an overset barrel,
close to a place where masons had been lately working upon a break in
the pier, and had in front of him a fire such as one sees slung under
tinkers' carts. I saw that he was also a voteen, as the peasants say,
for there was a rosary hanging from a nail on the rim of the barrel,
and I saw I shuddered, and I did not know why I shuddered. We had
passed him a few yards when I heard him cry in Gaelic, 'Idolaters,
idolaters, go down to Hell with your witches and your devils; go down
to Hell that the herrings may come again into the bay'; and for some
moments I could hear him half screaming and half muttering behind us.
'Are you not afraid,' I said, 'that these wild fishing people may do
some desperate thing against you?'

'I and mine,' he answered, 'are long past human hurt or help, being
incorporate with immortal spirits, and when we die it shall be the
consummation of the supreme work. A time will come for these people
also, and they will sacrifice a mullet to Artemis, or some other fish
to some new divinity, unless indeed their own divinities, the Dagda,
with his overflowing cauldron, Lug, with his spear dipped in
poppy-juice lest it rush forth hot for battle. Aengus, with the three
birds on his shoulder, Bodb and his red swineherd, and all the heroic
children of Dana, set up once more their temples of grey stone. Their
reign has never ceased, but only waned in power a little, for the Sidhe
still pass in every wind, and dance and play at hurley, and fight their
sudden battles in every hollow and on every hill; but they cannot build
their temples again till there have been martyrdoms and victories, and
perhaps even that long-foretold battle in the Valley of the Black Pig.'

Keeping close to the wall that went about the pier on the seaward
side, to escape the driving foam and the wind, which threatened every
moment to lift us off our feet, we made our way in silence to the
door of the square building. Michael Robartes opened it with a key,
on which I saw the rust of many salt winds, and led me along a bare
passage and up an uncarpeted stair to a little room surrounded with
bookshelves. A meal would be brought, but only of fruit, for I must
submit to a tempered fast before the ceremony, he explained, and with
it a book on the doctrine and method of the Order, over which I was
to spend what remained of the winter daylight. He then left me,
promising to return an hour before the ceremony. I began searching
among the bookshelves, and found one of the most exhaustive
alchemical libraries I have ever seen. There were the works of
Morienus, who hid his immortal body under a shirt of hair-cloth; of
Avicenna, who was a drunkard and yet controlled numberless legions of
spirits; of Alfarabi, who put so many spirits into his lute that he
could make men laugh, or weep, or fall in deadly trance as he would;
of Lully, who transformed himself into the likeness of a red cock; of
Flamel, who with his wife Parnella achieved the elixir many hundreds
of years ago, and is fabled to live still in Arabia among the
Dervishes; and of many of less fame. There were very few mystics but
alchemical mystics, and because, I had little doubt, of the devotion
to one god of the greater number and of the limited sense of beauty,
which Robartes would hold an inevitable consequence; but I did notice
a complete set of facsimiles of the prophetical writings of William
Blake, and probably because of the multitudes that thronged his
illumination and were 'like the gay fishes on the wave when the moon
sucks up the dew.' I noted also many poets and prose writers of every
age, but only those who were a little weary of life, as indeed the
greatest have been everywhere, and who cast their imagination to us,
as a something they needed no longer now that they were going up in
their fiery chariots.

Presently I heard a tap at the door, and a woman came in and laid a
little fruit upon the table. I judged that she had once been
handsome, but her cheeks were hollowed by what I would have held, had
I seen her anywhere else, an excitement of the flesh and a thirst for
pleasure, instead of which it doubtless was an excitement of the
imagination and a thirst for beauty. I asked her some question
concerning the ceremony, but getting no answer except a shake of the
head, saw that I must await initiation in silence. When I had eaten,
she came again, and having laid a curiously wrought bronze box on the
table, lighted the candles, and took away the plates and the
remnants. So soon as I was alone, I turned to the box, and found that
the peacocks of Hera spread out their tails over the sides and lid,
against a background, on which were wrought great stars, as though to
affirm that the heavens were a part of their glory. In the box was a
book bound in vellum, and having upon the vellum and in very delicate
colours, and in gold, the alchemical rose with many spears thrusting
against it, but in vain, as was shown by the shattered points of
those nearest to the petals. The book was written upon vellum, and in
beautiful clear letters, interspersed with symbolical pictures and
illuminations, after the manner of the _Splendor Solis_.

The first chapter described how six students, of Celtic descent, gave
themselves separately to the study of alchemy, and solved, one the
mystery of the Pelican, another the mystery of the green Dragon,
another the mystery of the Eagle, another that of Salt and Mercury.
What seemed a succession of accidents, but was, the book declared,
the contrivance of preternatural powers, brought them together in the
garden of an inn in the South of France, and while they talked
together the thought came to them that alchemy was the gradual
distillation of the contents of the soul, until they were ready to
put off the mortal and put on the immortal. An owl passed, rustling
among the vine-leaves overhead, and then an old woman came, leaning
upon a stick, and, sitting close to them, took up the thought where
they had dropped it. Having expounded the whole principle of
spiritual alchemy, and bid them found the Order of the Alchemical
Rose, she passed from among them, and when they would have followed
she was nowhere to be seen. They formed themselves into an Order,
holding their goods and making their researches in common, and, as
they became perfect in the alchemical doctrine, apparitions came and
went among them, and taught them more and more marvellous mysteries.
The book then went on to expound so much of these as the neophyte was
permitted to know, dealing at the outset and at considerable length
with the independent reality of our thoughts, which was, it declared,
the doctrine from which all true doctrines rose. If you imagine, it
said, the semblance of a living being, it is at once possessed by a
wandering soul, and goes hither and thither working good or evil,
until the moment of its death has come; and gave many examples,
received, it said, from many gods. Eros had taught them how to
fashion forms in which a divine soul could dwell, and whisper what
they would into sleeping minds; and Ate, forms from which demonic
beings could pour madness, or unquiet dreams, into sleeping blood;
and Hermes, that if you powerfully imagined a hound at your bedside
it would keep watch there until you woke, and drive away all but the
mightiest demons, but that if your imagination was weakly, the hound
would be weakly also, and the demons prevail, and the hound soon die;
and Aphrodite, that if you made, by a strong imagining, a dove
crowned with silver and had it flutter over your head, its soft
cooing would make sweet dreams of immortal love gather and brood over
mortal sleep; and all divinities alike had revealed with many
warnings and lamentations that all minds are continually giving birth
to such beings, and sending them forth to work health or disease, joy
or madness. If you would give forms to the evil powers, it went on,
you were to make them ugly, thrusting out a lip, with the thirsts of
life, or breaking the proportions of a body with the burdens of life;
but the divine powers would only appear in beautiful shapes, which
are but, as it were, shapes trembling out of existence, folding up
into a timeless ecstasy, drifting with half-shut eyes, into a sleepy
stillness. The bodiless souls who descended into these forms were
what men called the moods; and worked all great changes in the world;
for just as the magician or the artist could call them when he would,
so they could call out of the mind of the magician or the artist, or
if they were demons, out of the mind of the mad or the ignoble, what
shape they would, and through its voice and its gestures pour
themselves out upon the world. In this way all great events were
accomplished; a mood, a divinity, or a demon, first descending like a
faint sigh into men's minds and then changing their thoughts and
their actions until hair that was yellow had grown black, or hair
that was black had grown yellow, and empires moved their border, as
though they were but drifts of leaves. The rest of the book contained
symbols of form, and sound, and colour, and their attribution to
divinities and demons, so that the initiate might fashion a shape for
any divinity or any demon, and be as powerful as Avicenna among those
who live under the roots of tears and of laughter.




IV


A couple of hours after Sunset Michael Robartes returned and told me
that I would have to learn the steps of an exceedingly antique dance,
because before my initiation could be perfected I had to join three
times in a magical dance, for rhythm was the wheel of Eternity, on
which alone the transient and accidental could be broken, and the
spirit set free. I found that the steps, which were simple enough,
resembled certain antique Greek dances, and having been a good dancer
in my youth and the master of many curious Gaelic steps, I soon had
them in my memory. He then robed me and himself in a costume which
suggested by its shape both Greece and Egypt, but by its crimson
colour a more passionate life than theirs; and having put into my
hands a little chainless censer of bronze, wrought into the likeness
of a rose, by some modern craftsman, he told me to open a small door
opposite to the door by which I had entered. I put my hand to the
handle, but the moment I did so the fumes of the incense, helped
perhaps by his mysterious glamour, made me fall again into a dream,
in which I seemed to be a mask, lying on the counter of a little
Eastern shop. Many persons, with eyes so bright and still that I knew
them for more than human, came in and tried me on their faces, but at
last flung me into a corner with a little laughter; but all this
passed in a moment, for when I awoke my hand was still upon the
handle. I opened the door, and found myself in a marvellous passage,
along whose sides were many divinities wrought in a mosaic, not less
beautiful than the mosaic in the Baptistery at Ravenna, but of a less
severe beauty; the predominant colour of each divinity, which was
surely a symbolic colour, being repeated in the lamps that hung from
the ceiling, a curiously-scented lamp before every divinity. I passed
on, marvelling exceedingly how these enthusiasts could have created
all this beauty in so remote a place, and half persuaded to believe
in a material alchemy, by the sight of so much hidden wealth; the
censer filling the air, as I passed, with smoke of ever-changing
colour.

I stopped before a door, on whose bronze panels were wrought great
waves in whose shadow were faint suggestions of terrible faces. Those
beyond it seemed to have heard our steps, for a voice cried: 'Is the
work of the Incorruptible Fire at an end?' and immediately Michael
Robartes answered: 'The perfect gold has come from the
_athanor_.' The door swung open, and we were in a great circular
room, and among men and women who were dancing slowly in crimson
robes. Upon the ceiling was an immense rose wrought in mosaic; and
about the walls, also in mosaic, was a battle of gods and angels, the
gods glimmering like rubies and sapphires, and the angels of the one
greyness, because, as Michael Robartes whispered, they had renounced
their divinity, and turned from the unfolding of their separate
hearts, out of love for a God of humility and sorrow. Pillars
supported the roof and made a kind of circular cloister, each pillar
being a column of confused shapes, divinities, it seemed, of the
wind, who rose as in a whirling dance of more than human vehemence,
and playing upon pipes and cymbals; and from among these shapes were
thrust out hands, and in these hands were censers. I was bid place my
censer also in a hand and take my place and dance, and as I turned
from the pillars towards the dancers, I saw that the floor was of a
green stone, and that a pale Christ on a pale cross was wrought in
the midst. I asked Robartes the meaning of this, and was told that
they desired 'To trouble His unity with their multitudinous feet.'
The dance wound in and out, tracing upon the floor the shapes of
petals that copied the petals in the rose overhead, and to the sound
of hidden instruments which were perhaps of an antique pattern, for I
have never heard the like; and every moment the dance was more
passionate, until all the winds of the world seemed to have awakened
under our feet. After a little I had grown weary, and stood under a
pillar watching the coming and going of those flame-like figures;
until gradually I sank into a half-dream, from which I was awakened
by seeing the petals of the great rose, which had no longer the look
of mosaic, falling slowly through the incense-heavy air, and, as
they fell, shaping into the likeness of living beings of an
extraordinary beauty. Still faint and cloud-like, they began to
dance, and as they danced took a more and more definite shape, so
that I was able to distinguish beautiful Grecian faces and august
Egyptian faces, and now and again to name a divinity by the staff in
his hand or by a bird fluttering over his head; and soon every mortal
foot danced by the white foot of an immortal; and in the troubled
eyes that looked into untroubled shadowy eyes, I saw the brightness
of uttermost desire as though they had found at length, after
unreckonable wandering, the lost love of their youth. Sometimes, but
only for a moment, I saw a faint solitary figure with a Rosa veiled
face, and carrying a faint torch, flit among the dancers, but like a
dream within a dream, like a shadow of a shadow, and I knew by an
understanding born from a deeper fountain than thought, that it was
Eros himself, and that his face was veiled because no man or woman
from the beginning of the world has ever known what love is, or
looked into his eyes, for Eros alone of divinities is altogether a
spirit, and hides in passions not of his essence if he would commune
with a mortal heart. So that if a man love nobly he knows love
through infinite pity, unspeakable trust, unending sympathy; and if
ignobly through vehement jealousy, sudden hatred, and unappeasable
desire; but unveiled love he never knows. While I thought these
things, a voice cried to me from the crimson figures: 'Into the
dance! there is none that can be spared out of the dance; into the
dance! into the dance! that the gods may make them bodies out of the
substance of our hearts'; and before I could answer, a mysterious
wave of passion, that seemed like the soul of the dance moving within
our souls, Alchemica took hold of me, and I was swept, neither
consenting nor refusing, into the midst. I was dancing with an immortal
august woman, who had black lilies in her hair, and her dreamy gesture
seemed laden with a wisdom more profound than the darkness that is
between star and star, and with a love like the love that breathed upon
the waters; and as we danced on and on, the incense drifted over us
and round us, covering us away as in the heart of the world, and ages
seemed to pass, and tempests to awake and perish in the folds of our
robes and in her heavy hair.

Suddenly I remembered that her eyelids had never quivered, and that
her lilies had not dropped a black petal, or shaken from their
places, and understood with a great horror that I danced with one who
was more or less than human, and who was drinking up my soul as an ox
drinks up a wayside pool; and I fell, and darkness passed over me.




V


I awoke suddenly as though something had awakened me, and saw that I
was lying on a roughly painted floor, and that on the ceiling, which
was at no great distance, was a roughly painted rose, and about me on
the walls half-finished paintings. The pillars and the censers had
gone; and near me a score of sleepers lay wrapped in disordered
robes, their upturned faces looking to my imagination like hollow
masks; and a chill dawn was shining down upon them from a long window
I had not noticed before; and outside the sea roared. I saw Michael
Robartes lying at a little distance and beside him an overset bowl of
wrought bronze which looked as though it had once held incense. As I
sat thus, I heard a sudden tumult of angry men and women's voices mix
with the roaring of the sea; and leaping to my feet, I went quickly
to Michael Robartes, and tried to shake him out of his sleep. I then
seized him by the shoulder and tried to lift him, but he fell
backwards, and sighed faintly; and the voices became louder and
angrier; and there was a sound of heavy blows upon the door, which
opened on to the pier. Suddenly I heard a sound of rending wood, and
I knew it had begun to give, and I ran to the door of the room. I
pushed it open and came out upon a passage whose bare boards
clattered under my feet, and found in the passage another door which
led into an empty kitchen; and as I passed through the door I heard
two crashes in quick succession, and knew by the sudden noise of feet
and the shouts that the door which opened on to the pier had fallen
inwards. I ran from the kitchen and out into a small yard, and from
this down some steps which descended the seaward and sloping side of
the pier, and from the steps clambered along the water's edge, with
the angry voices ringing in my ears. This part of the pier had been
but lately refaced with blocks of granite, so that it was almost
clear of seaweed; but when I came to the old part, I found it so
slippery with green weed that I had to climb up on to the roadway. I
looked towards the Temple of the Alchemical Rose, where the fishermen
and the women were still shouting, but somewhat more faintly, and saw
that there was no one about the door or upon the pier; but as I
looked, a little crowd hurried out of the door and began gathering
large stones from where they were heaped up in readiness for the next
time a storm shattered the pier, when they would be laid under blocks
of granite. While I stood watching the crowd, an old man, who was, I
think, the voteen, pointed to me, and screamed out something, and the
crowd whitened, for all the faces had turned towards me. I ran, and
it was well for me that pullers of the oar are poorer men with their
feet than with their arms and their bodies; and yet while I ran I
scarcely heard the following feet or the angry voices, for many
voices of exultation and lamentation, which were forgotten as a dream
is forgotten the moment they were heard, seemed to be ringing in the
air over my head.

There are moments even now when I seem to hear those voices of
exultation and lamentation, and when the indefinite world, which has
but half lost its mastery over my heart and my intellect, seems about
to claim a perfect mastery; but I carry the rosary about my neck, and
when I hear, or seem to hear them, I press it to my heart and say:
'He whose name is Legion is at our doors deceiving our intellects
with subtlety and flattering our hearts with beauty, and we have no
trust but in Thee'; and then the war that rages within me at other
times is still, and I am at peace.









End of the Project Gutenberg EBook of Rosa Alchemica, by W. B. Yeats

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