



Produced by Tom Harris






THE SWORD OF WELLERAN AND OTHER STORIES

By Lord Dunsany

Author of "Time and the Gods," etc.



DEDICATED

with deep gratitude to those few, known to me or unknown,
who have cared for either of my former books, "The Gods of
Pegana," "Time and the Gods."




The Sword of Welleran

Where the great plain of Tarphet runs up, as the sea in estuaries,
among the Cyresian mountains, there stood long since the city of
Merimna well-nigh among the shadows of the crags.  I have never seen
a city in the world so beautiful as Merimna seemed to me when first
I dreamed of it.  It was a marvel of spires and figures of bronze,
and marble fountains, and trophies of fabulous wars, and broad
streets given over wholly to the Beautiful.  Right through the
centre of the city there went an avenue fifty strides in width, and
along each side of it stood likenesses in bronze of the Kings of all
the countries that the people of Merimna had ever known.  At the end
of that avenue was a colossal chariot with three bronze horses
driven by the winged figure of Fame, and behind her in the chariot
the huge form of Welleran, Merimna's ancient hero, standing with
extended sword.  So urgent was the mien and attitude of Fame, and so
swift the pose of the horses, that you had sworn that the chariot
was instantly upon you, and that its dust already veiled the faces
of the Kings.  And in the city was a mighty hall wherein were stored
the trophies of Merimna's heroes.  Sculptured it was and domed, the
glory of the art of masons a long while dead, and on the summit of
the dome the image of Rollory sat gazing across the Cyresian
mountains towards the wide lands beyond, the lands that knew his
sword.  And beside Rollory, like an old nurse, the figure of Victory
sat, hammering into a golden wreath of laurels for his head the
crowns of fallen Kings.

Such was Merimna, a city of sculptured Victories and warriors of
bronze.  Yet in the time of which I write the art of war had been
forgotten in Merimna, and the people almost slept.  To and fro and
up and down they would walk through the marble streets, gazing at
memorials of the things achieved by their country's swords in the
hands of those that long ago had loved Merimna well.  Almost they
slept, and dreamed of Welleran, Soorenard, Mommolek, Rollory,
Akanax, and young Iraine.  Of the lands beyond the mountains that
lay all round about them they knew nothing, save that they were the
theatre of the terrible deeds of Welleran, that he had done with his
sword.  Long since these lands had fallen back into the possession
of the nations that had been scourged by Merimna's armies.  Nothing
now remained to Merimna's men save their inviolate city and the
glory of the remembrance of their ancient fame.  At night they would
place sentinels far out in the desert, but these always slept at
their posts dreaming of Rollory, and three times every night a guard
would march around the city clad in purple, bearing lights and
singing songs of Welleran.  Always the guard went unarmed, but as the
sound of their song went echoing across the plain towards the
looming mountains, the desert robbers would hear the name of
Welleran and steal away to their haunts.  Often dawn would come
across the plain, shimmering marvellously upon Merimna's spires,
abashing all the stars, and find the guard still singing songs of
Welleran, and would change the colour of their purple robes and pale
the lights they bore.  But the guard would go back leaving the
ramparts safe, and one by one the sentinels in the plain would awake
from dreaming of Rollory and shuffle back into the city quite cold.
Then something of the menace would pass away from the faces of the
Cyresian mountains, that from the north and the west and the south
lowered upon Merimna, and clear in the morning the statues and the
pillars would arise in the old inviolate city.  You would wonder that
an unarmed guard and sentinels that slept could defend a city that
was stored with all the glories of art, that was rich in gold and
bronze, a haughty city that had erst oppressed its neighbours, whose
people had forgotten the art of war.  Now this is the reason that,
though all her other lands had long been taken from her, Merimna's
city was safe.  A strange thing was believed or feared by the fierce
tribes beyond the mountains, and it was credited among them that at
certain stations round Merimna's ramparts there still rode Welleran,
Soorenard, Mommolek, Rollory, Akanax, and young Iraine.  Yet it was
close on a hundred years since Iraine, the youngest of Merimna's
heroes, fought his last battle with the tribes.

Sometimes indeed there arose among the tribes young men who doubted
and said: 'How may a man for ever escape death?'

But graver men answered them: 'Hear us, ye whose wisdom has
discerned so much, and discern for us how a man may escape death
when two score horsemen assail him with their swords, all of them
sworn to kill him, and all of them sworn upon their country's gods;
as often Welleran hath.  Or discern for us how two men alone may
enter a walled city by night, and bring away from it that city's
king, as did Soorenard and Mommolek.  Surely men that have escaped
so many swords and so many sleety arrows shall escape the years and
Time.'

And the young men were humbled and became silent.  Still, the
suspicion grew.  And often when the sun set on the Cyresian
mountains, men in Merimna discerned the forms of savage tribesmen
black against the light, peering towards the city.

All knew in Merimna that the figures round the ramparts were only
statues of stone, yet even there a hope lingered among a few that
some day their old heroes would come again, for certainly none had
ever seen them die.  Now it had been the wont of these six warriors
of old, as each received his last wound and knew it to be mortal, to
ride away to a certain deep ravine and cast his body in, as
somewhere I have read great elephants do, hiding their bones away
from lesser beasts.  It was a ravine steep and narrow even at the
ends, a great cleft into which no man could come by any path.  There
rode Welleran alone, panting hard; and there later rode Soorenard
and Mommolek, Mommolek with a mortal wound upon him not to return,
but Soorenard was unwounded and rode back alone from leaving his
dear friend resting among the mighty bones of Welleran.  And there
rode Soorenard, when his day was come, with Rollory and Akanax, and
Rollory rode in the middle and Soorenard and Akanax on either side.
And the long ride was a hard and weary thing for Soorenard and
Akanax, for they both had mortal wounds; but the long ride was easy
for Rollory, for he was dead.  So the bones of these five heroes
whitened in an enemy's land, and very still they were, though they
had troubled cities, and none knew where they lay saving only
Iraine, the young captain, who was but twenty-five when Mommolek,
Rollory, and Akanax rode away.  And among them were strewn their
saddles and their bridles, and all the accoutrements of their
horses, lest any man should ever find them afterwards and say in
some foreign city: 'Lo! the bridles or the saddles of Merimna's
captains, taken in war,' but their beloved trusty horses they turned
free.

Forty years afterwards, in the hour of a great victory, his last
wound came upon Iraine, and the wound was terrible and would not
close.  And Iraine was the last of the captains, and rode away
alone.  It was a long way to the dark ravine, and Iraine feared that
he would never come to the resting-place of the old heroes, and he
urged his horse on swiftly, and clung to the saddle with his hands.
And often as he rode he fell asleep, and dreamed of earlier days,
and of the times when he first rode forth to the great wars of
Welleran, and of the time when Welleran first spake to him, and of
the faces of Welleran's comrades when they led charges in the
battle.  And ever as he awoke a great longing arose in his soul as
it hovered on his body's brink, a longing to lie among the bones of
the old heroes.  At last when he saw the dark ravine making a scar
across the plain, the soul of Iraine slipped out through his great
wound and spread its wings, and pain departed from the poor hacked
body, and, still urging his horse forward, Iraine died.  But the old
true horse cantered on till suddenly he saw before him the dark
ravine and put his forefeet out on the very edge of it and stopped.
Then the body of Iraine came toppling forward over the right
shoulder of the horse, and his bones mingle and rest as the years go
by with the bones of Merimna's heroes.

Now there was a little boy in Merimna named Rold.  I saw him first,
I, the dreamer, that sit before my fire asleep, I saw him first as
his mother led him through the great hall where stand the trophies
of Merimna's heroes.  He was five years old, and they stood before
the great glass casket wherein lay the sword of Welleran, and his
mother said: 'The sword of Welleran.'  And Rold said: 'What should a
man do with the sword of Welleran?'  And his mother answered: 'Men
look at the sword and remember Welleran.'  And they went on and
stood before the great red cloak of Welleran, and the child said:
'Why did Welleran wear this great red cloak?' And his mother
answered: 'It was the way of Welleran.'

When Rold was a little older he stole out of his mother's house
quite in the middle of the night when all the world was still, and
Merimna asleep dreaming of Welleran, Soorenard, Mommolek, Rollory,
Akanax, and young Iraine.  And he went down to the ramparts to hear
the purple guard go by singing of Welleran.  And the purple guard
came by with lights, all singing in the stillness, and dark shapes
out in the desert turned and fled.  And Rold went back again to his
mother's house with a great yearning towards the name of Welleran,
such as men feel for very holy things.

And in time Rold grew to know the pathway all round the ramparts,
and the six equestrian statues that were there guarding Merimna
still.  These statues were not like other statues, they were so
cunningly wrought of many- marbles that none might be quite
sure until very close that they were not living men.  There was a
horse of dappled marble, the horse of Akanax.  The horse of Rollory
was of alabaster, pure white, his armour was wrought out of a stone
that shone, and his horseman's cloak was made of a blue stone, very
precious.  He looked northwards.

But the marble horse of Welleran was pure black, and there sat
Welleran upon him looking solemnly westwards.  His horse it was
whose cold neck Rold most loved to stroke, and it was Welleran whom
the watchers at sunset on the mountains the most clearly saw as they
peered towards the city.  And Rold loved the red nostrils of the
great black horse and his rider's jasper cloak.

Now beyond the Cyresians the suspicion grew that Merimna's heroes
were dead, and a plan was devised that a man should go by night and
come close to the figures upon the ramparts and see whether they
were Welleran, Soorenard, Mommolek, Rollory, Akanax, and young
Iraine.  And all were agreed upon the plan, and many names were
mentioned of those who should go, and the plan matured for many
years.  It was during these years that watchers clustered often at
sunset upon the mountains but came no nearer.  Finally, a better
plan was made, and it was decided that two men who had been by
chance condemned to death should be given a pardon if they went down
into the plain by night and discovered whether or not Merimna's
heroes lived.  At first the two prisoners dared not go, but after a
while one of them, Seejar, said to his companion, Sajar-Ho: 'See
now, when the King's axeman smites a man upon the neck that man
dies.'

And the other said that this was so.  Then said Seejar: 'And even
though Welleran smite a man with his sword no more befalleth him
than death.'

Then Sajar-Ho thought for a while.  Presently he said: 'Yet the eye
of the King's axeman might err at the moment of his stroke or his
arm fail him, and the eye of Welleran hath never erred nor his arm
failed.  It were better to bide here.'

Then said Seejar: 'Maybe that Welleran is dead and that some other
holds his place upon the ramparts, or even a statue of stone.'

But Sajar-Ho made answer: 'How can Welleran be dead when he even
escaped from two score horsemen with swords that were sworn to slay
him, and all sworn upon our country's gods?'

And Seejar said: 'This story his father told my grandfather
concerning Welleran.  On the day that the fight was lost on the
plains of Kurlistan he saw a dying horse near to the river, and the
horse looked piteously towards the water but could not reach it.
And the father of my grandfather saw Welleran go down to the river's
brink and bring water from it with his own hand and give it to the
horse.  Now we are in as sore a plight as was that horse, and as
near to death; it may be that Welleran will pity us, while the
King's axeman cannot because of the commands of the King.'

Then said Sajar-Ho: 'Thou wast ever a cunning arguer.  Thou
broughtest us into this trouble with thy cunning and thy devices, we
will see if thou canst bring us out of it.  We will go.'

So news was brought to the King that the two prisoners would go down
to Merimna.

That evening the watchers led them to the mountain's edge, and
Seejar and Sajar-Ho went down towards the plain by the way of a deep
ravine, and the watchers watched them go.  Presently their figures
were wholly hid in the dusk.  Then night came up, huge and holy, out
of waste marshes to the eastwards and low lands and the sea; and the
angels that watched over all men through the day closed their great
eyes and slept, and the angels that watched over all men through the
night awoke and ruffled their deep blue feathers and stood up and
watched.  But the plain became a thing of mystery filled with fears.
So the two spies went down the deep ravine, and coming to the plain
sped stealthily across it.  Soon they came to the line of sentinels
asleep upon the sand, and one stirred in his sleep calling on
Rollory, and a great dread seized upon the spies and they whispered
'Rollory lives,' but they remembered the King's axeman and went on.
And next they came to the great bronze statue of Fear, carved by
some sculptor of the old glorious years in the attitude of flight
towards the mountains, calling to her children as she fled.  And the
children of Fear were carved in the likeness of the armies of all
the trans-Cyresian tribes with their backs towards Merimna, flocking
after Fear.  And from where he sat on his horse behind the ramparts
the sword of Welleran was stretched out over their heads as ever it
was wont.  And the two spies kneeled down in the sand and kissed the
huge bronze foot of the statue of Fear, saying: 'O Fear, Fear.'  And
as they knelt they saw lights far off along the ramparts coming
nearer and nearer, and heard men singing of Welleran.  And the
purple guard came nearer and went by with their lights, and passed
on into the distance round the ramparts still singing of Welleran.
And all the while the two spies clung to the foot of the statue,
muttering: 'O Fear, Fear.'  But when they could hear the name of
Welleran no more they arose and came to the ramparts and climbed
over them and came at once upon the figure of Welleran, and they
bowed low to the ground, and Seejar said: 'O Welleran, we came to
see whether thou didst yet live.'  And for a long while they waited
with their faces to the earth.  At last Seejar looked up towards
Welleran's terrible sword, and it was still stretched out pointing
to the carved armies that followed after Fear.  And Seejar bowed to
the ground again and touched the horse's hoof, and it seemed cold to
him.  And he moved his hand higher and touched the leg of the horse,
and it seemed quite cold.  At last he touched Welleran's foot, and
the armour on it seemed hard and stiff.  Then as Welleran moved not
and spake not, Seejar climbed up at last and touched his hand, the
terrible hand of Welleran, and it was marble.  Then Seejar laughed
aloud, and he and Sajar-Ho sped down the empty pathway and found
Rollory, and he was marble too.  Then they climbed down over the
ramparts and went back across the plain, walking contemptuously past
the figure of Fear, and heard the guard returning round the ramparts
for the third time, singing of Welleran; and Seejar said: 'Ay, you
may sing of Welleran, but Welleran is dead and a doom is on your
city.'

And they passed on and found the sentinel still restless in the
night and calling on Rollory.  And Sajar-Ho muttered: 'Ay, you may
call on Rollory, but Rollory is dead and naught can save your city.'

And the two spies went back alive to their mountains again, and as
they reached them the first ray of the sun came up red over the
desert behind Merimna and lit Merimna's spires.  It was the hour
when the purple guard were wont to go back into the city with their
tapers pale and their robes a brighter colour, when the cold
sentinels came shuffling in from dreaming in the desert; it was the
hour when the desert robbers hid themselves away, going back to
their mountain caves; it was the hour when gauze-winged insects are
born that only live for a day; it was the hour when men die that are
condemned to death; and in this hour a great peril, new and
terrible, arose for Merimna and Merimna knew it not.

Then Seejar turning said: 'See how red the dawn is and how red the
spires of Merimna.  They are angry with Merimna in Paradise and they
bode its doom.'

So the two spies went back and brought the news to their King, and
for a few days the Kings of those countries were gathering their
armies together; and one evening the armies of four Kings were
massed together at the top of the deep ravine, all crouching below
the summit waiting for the sun to set.  All wore resolute and
fearless faces, yet inwardly every man was praying to his gods, unto
each one in turn.

Then the sun set, and it was the hour when the bats and the dark
creatures are abroad and the lions come down from their lairs, and
the desert robbers go into the plains again, and fevers rise up
winged and hot out of chill marshes, and it was the hour when safety
leaves the thrones of Kings, the hour when dynasties change.  But in
the desert the purple guard came swinging out of Merimna with their
lights to sing of Welleran, and the sentinels lay down to sleep.

Now into Paradise no sorrow may ever come, but may only beat like
rain against its crystal walls, yet the souls of Merimna's heroes
were half aware of some sorrow far away as some sleeper feels that
some one is chilled and cold yet knows not in his sleep that it is
he.  And they fretted a little in their starry home.  Then unseen
there drifted earthward across the setting sun the souls of
Welleran, Soorenard, Mommolek, Rollory, Akanax, and young Iraine.
Already when they reached Merimna's ramparts it was just dark,
already the armies of the four Kings had begun to move, jingling,
down the deep ravine.  But when the six warriors saw their city
again, so little changed after so many years, they looked towards
her with a longing that was nearer to tears than any that their
souls had known before, crying to her:

'O Merimna, our city: Merimna, our walled city.

'How beautiful thou art with all thy spires, Merimna.  For thee we
left the earth, its kingdoms and little flowers, for thee we have
come away for awhile from Paradise.

'It is very difficult to draw away from the face of God--it is
like a warm fire, it is like dear sleep, it is like a great anthem,
yet there is a stillness all about it, a stillness full of lights.

'We have left Paradise for awhile for thee, Merimna.

'Many women have we loved, Merimna, but only one city.

'Behold now all the people dream, all our loved people.  How
beautiful are dreams!  In dreams the dead may live, even the long
dead and the very silent.  Thy lights are all sunk low, they have
all gone out, no sound is in thy streets.  Hush!  Thou art like a
maiden that shutteth up her eyes and is asleep, that draweth her
breath softly and is quite still, being at ease and untroubled.

'Behold now the battlements, the old battlements.  Do men defend
them still as we defended them?  They are worn a little, the
battlements,' and drifting nearer they peered anxiously.  'It is not
by the hand of man that they are worn, our battlements.  Only the
years have done it and indomitable Time.  Thy battlements are like
the girdle of a maiden, a girdle that is round about her.  See now
the dew upon them, they are like a jewelled girdle.

'Thou art in great danger, Merimna, because thou art so beautiful.
Must thou perish tonight because we no more defend thee, because we
cry out and none hear us, as the bruised lilies cry out and none
have known their voices?'

Thus spake those strong-voiced, battle-ordering captains, calling to
their dear city, and their voices came no louder than the whispers
of little bats that drift across the twilight in the evening.  Then
the purple guard came near, going round the ramparts for the first
time in the night, and the old warriors called to them, 'Merimna is
in danger! Already her enemies gather in the darkness.'  But their
voices were never heard because they were only wandering ghosts.
And the guard went by and passed unheeding away, still singing of
Welleran.

Then said Welleran to his comrades: 'Our hands can hold swords no
more, our voices cannot be heard, we are stalwart men no longer.  We
are but dreams, let us go among dreams.  Go all of you, and thou too,
young Iraine, and trouble the dreams of all the men that sleep, and
urge them to take the old swords of their grandsires that hang upon
the walls, and to gather at the mouth of the ravine; and I will find
a leader and make him take my sword.'

Then they passed up over the ramparts and into their dear city.  And
the wind blew about, this way and that, as he went, the soul of
Welleran who had upon his day withstood the charges of tempestuous
armies.  And the souls of his comrades, and with them young Iraine,
passed up into the city and troubled the dreams of every man who
slept, and to every man the souls said in their dreams: 'It is hot
and still in the city.  Go out now into the desert, into the cool
under the mountains, but take with thee the old sword that hangs
upon the wall for fear of the desert robbers.'

And the god of that city sent up a fever over it, and the fever
brooded over it and the streets were hot; and all that slept awoke
from dreaming that it would be cool and pleasant where the breezes
came down the ravine out of the mountains; and they took the old
swords that their grandsires had, according to their dreams, for
fear of the desert robbers.  And in and out of dreams passed the
souls of Welleran's comrades, and with them young Iraine, in great
haste as the night wore on; and one by one they troubled the dreams
of all Merimna's men and caused them to arise and go out armed, all
save the purple guard who, heedless of danger, sang of Welleran
still, for waking men cannot hear the souls of the dead.

But Welleran drifted over the roofs of the city till he came to the
form of Rold lying fast asleep.  Now Rold was grown strong and was
eighteen years of age, and he was fair of hair and tall like
Welleran, and the soul of Welleran hovered over him and went into
his dreams as a butterfly flits through trellis-work into a garden
of flowers, and the soul of Welleran said to Rold in his dreams:
'Thou wouldst go and see again the sword of Welleran, the great
curved sword of Welleran.  Thou wouldst go and look at it in the
night with the moonlight shining upon it.'

And the longing of Rold in his dreams to see the sword caused him to
walk still sleeping from his mother's house to the hall wherein were
the trophies of the heroes.  And the soul of Welleran urging the
dreams of Rold caused him to pause before the great red cloak, and
there the soul said among the dreams: 'Thou art cold in the night;
fling now a cloak around thee.'

And Rold drew round about him the huge red cloak of Welleran.  Then
Rold's dreams took him to the sword, and the soul said to the
dreams: 'Thou hast a longing to hold the sword of Welleran: take up
the sword in thy hand.'

But Rold said: 'What should a man do with the sword of Welleran?'

And the soul of the old captain said to the dreams: 'It is a good
sword to hold: take up the sword of Welleran.'

And Rold, still sleeping and speaking aloud, said: 'It is not
lawful; none may touch the sword.'

And Rold turned to go.  Then a great and terrible cry arose in the
soul of Welleran, all the more bitter for that he could not utter
it, and it went round and round his soul finding no utterance, like
a cry evoked long since by some murderous deed in some old haunted
chamber that whispers through the ages heard by none.

And the soul of Welleran cried out to the dreams of Rold: 'Thy knees
are tied!  Thou art fallen in a marsh!  Thou canst not move.'

And the dreams of Rold said to him: 'Thy knees are tied, thou art
fallen in a marsh,' and Rold stood still before the sword.  Then the
soul of the warrior wailed among Rold's dreams, as Rold stood before
the sword.

'Welleran is crying for his sword, his wonderful curved sword.  Poor
Welleran, that once fought for Merimna, is crying for his sword in
the night.  Thou wouldst not keep Welleran without his beautiful
sword when he is dead and cannot come for it, poor Welleran who
fought for Merimna.'

And Rold broke the glass casket with his hand and took the sword,
the great curved sword of Welleran; and the soul of the warrior said
among Rold's dreams: 'Welleran is waiting in the deep ravine that
runs into the mountains, crying for his sword.'

And Rold went down through the city and climbed over the ramparts,
and walked with his eyes wide open but still sleeping over the
desert to the mountains.

Already a great multitude of Merimna's citizens were gathered in the
desert before the deep ravine with old swords in their hands, and
Rold passed through them as he slept holding the sword of Welleran,
and the people cried in amaze to one another as he passed: 'Rold
hath the sword of Welleran!'

And Rold came to the mouth of the ravine, and there the voices of
the people woke him.  And Rold knew nothing that he had done in his
sleep, and looked in amazement at the sword in his hand and said:
'What art thou, thou beautiful thing?  Lights shimmer in thee, thou
art restless.  It is the sword of Welleran, the curved sword of
Welleran!'

And Rold kissed the hilt of it, and it was salt upon his lips with
the battle-sweat of Welleran.  And Rold said: 'What should a man do
with the sword of Welleran?'

And all the people wondered at Rold as he sat there with the sword
in his hand muttering, 'What should a man do with the sword of
Welleran?'

Presently there came to the ears of Rold the noise of a jingling up
in the ravine, and all the people, the people that knew naught of
war, heard the jingling coming nearer in the night; for the four
armies were moving on Merimna and not yet expecting an enemy.  And
Rold gripped upon the hilt of the great curved sword, and the sword
seemed to lift a little.  And a new thought came into the hearts of
Merimna's people as they gripped their grandsires' swords.  Nearer
and nearer came the heedless armies of the four Kings, and old
ancestral memories began to arise in the minds of Merimna's people
in the desert with their swords in their hands sitting behind Rold.
And all the sentinels were awake holding their spears, for Rollory
had put their dreams to flight, Rollory that once could put to
flight armies and now was but a dream struggling with other dreams.

And now the armies had come very near.  Suddenly Rold leaped up,
crying: 'Welleran!  And the sword of Welleran!' And the savage,
lusting sword that had thirsted for a hundred years went up with the
hand of Rold and swept through a tribesman's ribs.  And with the
warm blood all about it there came a joy into the curved soul of
that mighty sword, like to the joy of a swimmer coming up dripping
out of warm seas after living for long in a dry land.  When they saw
the red cloak and that terrible sword a cry ran through the tribal
armies, 'Welleran lives!'  And there arose the sounds of the exulting
of victorious men, and the panting of those that fled, and the sword
singing softly to itself as it whirled dripping through the air.
And the last that I saw of the battle as it poured into the depth
and darkness of the ravine was the sword of Welleran sweeping up and
falling, gleaming blue in the moonlight whenever it arose and
afterwards gleaming red, and so disappearing into the darkness.

But in the dawn Merimna's men came back, and the sun arising to give
new life to the world, shone instead upon the hideous things that
the sword of Welleran had done.  And Rold said: 'O sword, sword!
How horrible thou art!  Thou art a terrible thing to have come among
men.  How many eyes shall look upon gardens no more because of thee?
How many fields must go empty that might have been fair with
cottages, white cottages with children all about them?  How many
valleys must go desolate that might have nursed warm hamlets,
because thou hast slain long since the men that might have built
them?  I hear the wind crying against thee, thou sword!  It comes
from the empty valleys.  It comes over the bare fields.  There are
children's voices in it.  They were never born.  Death brings an end
to crying for those that had life once, but these must cry for ever.
O sword! sword! why did the gods send thee among men?'  And the
tears of Rold fell down upon the proud sword but could not wash it
clean.

And now that the ardour of battle had passed away, the spirits of
Merimna's people began to gloom a little, like their leader's, with
their fatigue and with the cold of the morning; and they looked at
the sword of Welleran in Rold's hand and said: 'Not any more, not
any more for ever will Welleran now return, for his sword is in the
hand of another.  Now we know indeed that he is dead.  O Welleran,
thou wast our sun and moon and all our stars.  Now is the sun fallen
down and the moon broken, and all the stars are scattered as the
diamonds of a necklace that is snapped off one who is slain by
violence.'

Thus wept the people of Merimna in the hour of their great victory,
for men have strange moods, while beside them their old inviolate
city slumbered safe.  But back from the ramparts and beyond the
mountains and over the lands that they had conquered of old, beyond
the world and back again to Paradise, went the souls of Welleran,
Soorenard, Mommolek, Rollory, Akanax, and young Iraine.




The Fall of Babbulkund

I said: 'I will arise now and see Babbulkund, City of Marvel.  She is
of one age with the earth; the stars are her sisters.  Pharaohs of
the old time coming conquering from Araby first saw her, a solitary
mountain in the desert, and cut the mountain into towers and
terraces.  They destroyed one of the hills of God, but they made
Babbulkund.  She is carven, not built; her palaces are one with her
terraces, there is neither join nor cleft.  Hers is the beauty of the
youth of the world.  She deemeth herself to be the middle of Earth,
and hath four gates facing outward to the Nations.  There sits
outside her eastern gate a colossal god of stone.  His face flushes
with the lights of dawn.  When the morning sunlight warms his lips
they part a little, and he giveth utterance to the words "Oon Oom,"
and the language is long since dead in which he speaks, and all his
worshippers are gathered to their tombs, so that none knoweth what
the words portend that he uttereth at dawn.  Some say that he greets
the sun as one god greets another in the language thereof, and
others say that he proclaims the day, and others that he uttereth
warning.  And at every gate is a marvel not credible until beholden.'

And I gathered three friends and said to them: 'We are what we have
seen and known.  Let us journey now and behold Babbulkund, that our
minds may be beautified with it and our spirits made holier.'

So we took ship and travelled over the lifting sea, and remembered
not things done in the towns we knew, but laid away the thoughts of
them like soiled linen and put them by, and dreamed of Babbulkund.

But when we came to the land of which Babbulkund is the abiding
glory, we hired a caravan of camels and Arab guides, and passed
southwards in the afternoon on the three days' journey through the
desert that should bring us to the white walls of Babbulkund.  And
the heat of the sun shone upon us out of the bright grey sky, and
the heat of the desert beat up at us from below.

About sunset we halted and tethered our horses, while the Arabs
unloaded the provisions from the camels and prepared a fire out of
the dry scrub, for at sunset the heat of the desert departs from it
suddenly, like a bird.  Then we saw a traveller approaching us on a
camel coming from the south.  When he was come near we said to him:

'Come and encamp among us, for in the desert all men are brothers,
and we will give thee meat to eat and wine, or, if thou art bound by
thy faith, we will give thee some other drink that is not accursed
by the prophet.'

The traveller seated himself beside us on the sand, and crossed his
legs and answered:

'Hearken, and I will tell you of Babbulkund, City of Marvel.
Babbulkund stands just below the meeting of the rivers, where
Oonrana, River of Myth, flows into the Waters of Fable, even the old
stream Plegathanees.  These, together, enter her northern gate
rejoicing.  Of old they flowed in the dark through the Hill that
Nehemoth, the first of Pharaohs, carved into the City of Marvel.
Sterile and desolate they float far through the desert, each in the
appointed cleft, with life upon neither bank, but give birth in
Babbulkund to the sacred purple garden whereof all nations sing.
Thither all the bees come on a pilgrimage at evening by a secret way
of the air.  Once, from his twilit kingdom, which he rules equally
with the sun, the moon saw and loved Babbulkund, clad with her
purple garden; and the moon wooed Babbulkund, and she sent him
weeping away, for she is more beautiful than all her sisters the
stars.  Her sisters come to her at night into her maiden chamber.
Even the gods speak sometimes of Babbulkund, clad with her purple
garden.  Listen, for I perceive by your eyes that ye have not seen
Babbulkund; there is a restlessness in them and an unappeased
wonder.  Listen.  In the garden whereof I spoke there is a lake that
hath no twin or fellow in the world; there is no companion for it
among all the lakes.  The shores of it are of glass, and the bottom
of it.  In it are great fish having golden and scarlet scales, and
they swim to and fro.  Here it is the wont of the eighty-second
Nehemoth (who rules in the city today) to come, after the dusk has
fallen, and sit by the lake alone, and at this hour eight hundred
slaves go down by steps through caverns into vaults beneath the
lake.  Four hundred of them carrying purple lights march one behind
the other, from east to west, and four hundred carrying green lights
march one behind the other, from west to east.  The two lines cross
and re-cross each other in and out as the slaves go round and
round, and the fearful fish flash up and down and to and fro.'

But upon that traveller speaking night descended, solemn and cold,
and we wrapped ourselves in our blankets and lay down upon the sand
in the sight of the astral sisters of Babbulkund.  And all that night
the desert said many things, softly and in a whisper, but I knew not
what he said.  Only the sand knew and arose and was troubled and lay
down again, and the wind knew.  Then, as the hours of the night went
by, these two discovered the foot-tracks wherewith we had disturbed
the holy desert, and they troubled over them and covered them up;
and then the wind lay down and the sand rested.  Then the wind arose
again and the sand danced.  This they did many times.  And all the
while the desert whispered what I shall not know.

Then I slept awhile and awoke just before sunrise, very cold.
Suddenly the sun leapt up and flamed upon our faces; we all threw
off our blankets and stood up.  Then we took food, and afterwards
started southwards, and in the heat of the day rested, and
afterwards pushed on again.  And all the while the desert remained
the same, like a dream that will not cease to trouble a tired
sleeper.

And often travellers passed us in the desert, coming from the City
of Marvel, and there was a light and a glory in their eyes from
having seen Babbulkund.

That evening, at sunset, another traveller neared us, and we hailed
him, saying:

'Wilt thou eat and drink with us, seeing that all men are brothers
in the desert?'

And he descended from his camel and sat by us and said:

'When morning shines on the colossus Neb and Neb speaks, at once the
musicians of King Nehemoth in Babbulkund awake.

'At first their fingers wander over their golden harps, or they
stroke idly their violins.  Clearer and clearer the note of each
instrument ascends like larks arising from the dew, till suddenly
they all blend together and a new melody is born.  Thus, every
morning, the musicians of King Nehemoth make a new marvel in the
City of Marvel; for these are no common musicians, but masters of
melody, raided by conquest long since, and carried away in ships
from the Isles of Song.  And, at the sound of the music, Nehemoth
awakes in the eastern chamber of his palace, which is carved in the
form of a great crescent, four miles long, on the northern side of
the city.  Full in the windows of its eastern chamber the sun rises,
and full in the windows of its western chamber the sun sets.

'When Nehemoth awakes he summons slaves who bring a palanquin with
bells, which the King enters, having lightly robed.  Then the slaves
run and bear him to the onyx Chamber of the Bath, with the sound of
small bells ringing as they run.  And when Nehemoth emerges thence,
bathed and anointed, the slaves run on with their ringing palanquin
and bear him to the Orient Chamber of Banquets, where the King takes
the first meal of the day.  Thence, through the great white corridor
whose windows all face sunwards, Nehemoth, in his palanquin, passes
on to the Audience Chamber of Embassies from the North, which is all
decked with Northern wares.

'All about it are ornaments of amber from the North and carven
chalices of the dark brown Northern crystal, and on its floors lie
furs from Baltic shores.

'In adjoining chambers are stored the wonted food of the hardy
Northern men, and the strong wine of the North, pale but terrible.
Therein the King receives barbarian princes from the frigid lands.
Thence the slaves bear him swiftly to the Audience Chamber of
Embassies from the East, where the walls are of turquoise, studded
with the rubies of Ceylon, where the gods are the gods of the East,
where all the hangings have been devised in the gorgeous heart of Ind,
and where all the carvings have been wrought with the cunning of the
isles.  Here, if a caravan hath chanced to have come in from Ind or
from Cathay, it is the King's wont to converse awhile with Moguls or
Mandarins, for from the East come the arts and knowledge of the world,
and the converse of their people is polite.  Thus Nehemoth passes on
through the other Audience Chambers and receives, perhaps, some
Sheikhs of the Arab folk who have crossed the great desert from the
West, or receives an embassy sent to do him homage from the shy
jungle people to the South.  And all the while the slaves with the
ringing palanquin run westwards, following the sun, and ever the sun
shines straight into the chamber where Nehemoth sits, and all the
while the music from one or other of his bands of musicians comes
tinkling to his ears.  But when the middle of the day draws near, the
slaves run to the cool groves that lie along the verandahs on the
northern side of the palace, forsaking the sun, and as the heat
overcomes the genius of the musicians, one by one their hands fall
from their instruments, till at last all melody ceases.  At this
moment Nehemoth falls asleep, and the slaves put the palanquin down
and lie down beside it.  At this hour the city becomes quite still,
and the palace of Nehemoth and the tombs of the Pharaohs of old face
to the sunlight, all alike in silence.  Even the jewellers in the
market-place, selling gems to princes, cease from their bargaining
and cease to sing; for in Babbulkund the vendor of rubies sings the
song of the ruby, and the vendor of sapphires sings the song of the
sapphire, and each stone hath its song, so that a man, by his song,
proclaims and makes known his wares.

'But all these sounds cease at the meridian hour, the jewellers in
the market-place lie down in what shadow they can find, and the
princes go back to the cool places in their palaces, and a great
hush in the gleaming air hangs over Babbulkund.  But in the cool of
the late afternoon, one of the King's musicians will awake from
dreaming of his home and will pass his fingers, perhaps, over the
strings of his harp and, with the music, some memory may arise of
the wind in the glens of the mountains that stand in the Isles of
Song.  Then the musician will wrench great cries out of the soul of
his harp for the sake of the old memory, and his fellows will awake
and all make a song of home, woven of sayings told in the harbour
when the ships came in, and of tales in the cottages about the
people of old time.  One by one the other bands of musicians will
take up the song, and Babbulkund, City of Marvel, will throb with
this marvel anew.  Just now Nehemoth awakes, the slaves leap to their
feet and bear the palanquin to the outer side of the great crescent
palace between the south and the west, to behold the sun again.  The
palanquin, with its ringing bells, goes round once more; the voices
of the jewellers sing again, in the market-place, the song of the
emerald, the song of the sapphire; men talk on the housetops,
beggars wail in the streets, the musicians bend to their work, all
the sounds blend together into one murmur, the voice of Babbulkund
speaking at evening.  Lower and lower sinks the sun, till Nehemoth,
following it, comes with his panting slaves to the great purple
garden of which surely thine own country has its songs, from
wherever thou art come.

'There he alights from his palanquin and goes up to a throne of
ivory set in the garden's midst, facing full westwards, and sits
there alone, long regarding the sunlight until it is quite gone.  At
this hour trouble comes into the face of Nehemoth.  Men have heard
him muttering at the time of sunset: "Even I too, even I too." Thus
do King Nehemoth and the sun make their glorious ambits about
Babbulkund.

'A little later, when the stars come out to envy the beauty of the
City of Marvel, the King walks to another part of the garden and
sits in an alcove of opal all alone by the marge of the sacred lake.
This is the lake whose shores and floors are of glass, which is lit
from beneath by slaves with purple lights and with green lights
intermingling, and is one of the seven wonders of Babbulkund.  Three
of the wonders are in the city's midst and four are at her gates.
There is the lake, of which I tell thee, and the purple garden of
which I have told thee and which is a wonder even to the stars, and
there is Ong Zwarba, of which I shall tell thee also.  And the
wonders at the gates are these.  At the eastern gate Neb.  And at the
northern gate the wonder of the river and the arches, for the River
of Myth, which becomes one with the Waters of Fable in the desert
outside the city, floats under a gate of pure gold, rejoicing, and
under many arches fantastically carven that are one with either
bank.  The marvel at the western gate is the marvel of Annolith and
the dog Voth.  Annolith sits outside the western gate facing towards
the city.  He is higher than any of the towers or palaces, for his
head was carved from the summit of the old hill; he hath two eyes of
sapphire wherewith he regards Babbulkund, and the wonder of the eyes
is that they are today in the same sockets wherein they glowed when
first the world began, only the marble that covered them has been
carven away and the light of day let in and the sight of the envious
stars.  Larger than a lion is the dog Voth beside him; every hair is
carven upon the back of Voth, his war hackles are erected and his
teeth are bared.  All the Nehemoths have worshipped the god Annolith,
but all their people pray to the dog Voth, for the law of the land
is that none but a Nehemoth may worship the god Annolith.  The marvel
at the southern gate is the marvel of the jungle, for he comes with
all his wild untravelled sea of darkness and trees and tigers and
sunward-aspiring orchids right through a marble gate in the city
wall and enters the city, and there widens and holds a space in its
midst of many miles across.  Moreover, he is older than the City of
Marvel, for he dwelt long since in one of the valleys of the
mountain which Nehemoth, first of Pharaohs, carved into Babbulkund.

'Now the opal alcove in which the King sits at evening by the lake
stands at the edge of the jungle, and the climbing orchids of the
jungle have long since crept from their homes through clefts of the
opal alcove, lured by the lights of the lake, and now bloom there
exultingly.  Near to this alcove are the hareems of Nehemoth.

'The King hath four hareems--one for the stalwart women from the
mountains to the north, one for the dark and furtive jungle women,
one for the desert women that have wandering souls and pine in
Babbulkund, and one for the princesses of his own kith, whose brown
cheeks blush with the blood of ancient Pharaohs and who exult with
Babbulkund in her surpassing beauty, and who know nought of the
desert or the jungle or the bleak hills to the north.  Quite
unadorned and clad in simple garments go all the kith of Nehemoth,
for they know well that he grows weary of pomp.  Unadorned all save
one, the Princess Linderith, who weareth Ong Zwarba and the three
lesser gems of the sea.  Such a stone is Ong Zwarba that there are
none like it even in the turban of Nehemoth nor in all the
sanctuaries of the sea.  The same god that made Linderith made long
ago Ong Zwarba; she and Ong Zwarba shine together with one light,
and beside this marvellous stone gleam the three lesser ones of the
sea.

'Now when the King sitteth in his opal alcove by the sacred lake
with the orchids blooming around him all sounds are become still.
The sound of the tramping of the weary slaves as they go round and
round never comes to the surface.  Long since the musicians sleep,
and their hands have fallen dumb upon their instruments, and the
voices in the city have died away.  Perhaps a sigh of one of the
desert women has become half a song, or on a hot night in summer one
of the women of the hills sings softly a song of snow; all night
long in the midst of the purple garden sings one nightingale; all else
is still; the stars that look on Babbulkund arise and set, the
cold unhappy moon drifts lonely through them, the night wears on; at
last the dark figure of Nehemoth, eighty-second of his line, rises
and moves stealthily away.'

The traveller ceased to speak.  For a long time the clear stars,
sisters of Babbulkund, had shone upon him speaking, the desert
wind had arisen and whispered to the sand, and the sand had long
gone secretly to and fro; none of us had moved, none of us had
fallen asleep, not so much from wonder at his tale as from the
thought that we ourselves in two days' time should see that wondrous
city.  Then we wrapped our blankets around us and lay down with our
feet towards the embers of our fire and instantly were asleep, and in
our dreams we multiplied the fame of the City of Marvel.

The sun arose and flamed upon our faces, and all the desert glinted
with its light.  Then we stood up and prepared the morning meal, and,
when we had eaten, the traveller departed.  And we commended his soul
to the god of the land whereto he went, of the land of his home to
the northward, and he commended our souls to the God of the people
of the land wherefrom we had come.  Then a traveller overtook us
going on foot; he wore a brown cloak that was all in rags and he
seemed to have been walking all night, and he walked hurriedly but
appeared weary, so we offered him food and drink, of which he
partook thankfully.  When we asked him where he was going, he
answered 'Babbulkund.' Then we offered him a camel upon which to
ride, for we said, 'We also go to Babbulkund.' But he answered
strangely:

'Nay, pass on before me, for it is a sore thing never to have seen
Babbulkund, having lived while yet she stood.  Pass on before me and
behold her, and then flee away at once, returning northwards.'

Then, though we understood him not, we left him, for he was
insistent, and passed on our journey southwards through the desert,
and we came before the middle of the day to an oasis of palm trees
standing by a well and there we gave water to the haughty camels and
replenished our water-bottles and soothed our eyes with the sight of
green things and tarried for many hours in the shade.  Some of the
men slept, but of those that remained awake each man sang softly the
songs of his own country, telling of Babbulkund.  When the afternoon
was far spent we travelled a little way southwards, and went on
through the cool evening until the sun fell low and we encamped, and
as we sat in our encampment the man in rags overtook us, having
travelled all the day, and we gave him food and drink again, and in
the twilight he spoke, saying:

'I am the servant of the Lord the God of my people, and I go to do
his work on Babbulkund.  She is the most beautiful city in the world;
there hath been none like her, even the stars of God go envious of
her beauty.  She is all white, yet with streaks of pink that pass
through her streets and houses like flames in the white mind of a
sculptor, like desire in Paradise.  She hath been carved of old out
of a holy hill, no slaves wrought the City of Marvel, but artists
toiling at the work they loved.  They took no pattern from the houses
of men, but each man wrought what his inner eye had seen and carved
in marble the visions of his dream.  All over the roof of one of the
palace chambers winged lions flit like bats, the size of every one
is the size of the lions of God, and the wings are larger than any
wing created; they are one above the other more than a man can
number, they are all carven out of one block of marble, the chamber
itself is hollowed from it, and it is borne aloft upon the carven
branches of a grove of clustered tree-ferns wrought by the hand of
some jungle mason that loved the tall fern well.  Over the River of
Myth, which is one with the Waters of Fable, go bridges, fashioned
like the wisteria tree and like the drooping laburnum, and a hundred
others of wonderful devices, the desire of the souls of masons a
long while dead.  Oh! very beautiful is white Babbulkund, very
beautiful she is, but proud; and the Lord the God of my people hath
seen her in her pride, and looking towards her hath seen the prayers
of Nehemoth going up to the abomination Annolith and all the people
following after Voth.  She is very beautiful, Babbulkund; alas that
I may not bless her.  I could live always on one of her inner
terraces looking on the mysterious jungle in her midst and the
heavenward faces of the orchids that, clambering from the darkness,
behold the sun.  I could love Babbulkund with a great love, yet am I
the servant of the Lord the God of my people, and the King hath
sinned unto the abomination Annolith, and the people lust
exceedingly for Voth.  Alas for thee, Babbulkund, alas that I may not
even now turn back, for tomorrow I must prophesy against thee and
cry out against thee, Babbulkund.  But ye travellers that have
entreated me hospitably, rise and pass on with your camels, for I
can tarry no longer, and I go to do the work on Babbulkund of the
Lord the God of my people.  Go now and see the beauty of Babbulkund
before I cry out against her, and then flee swiftly northwards.'

A smouldering fragment fell in upon our camp fire and sent a strange
light into the eyes of the man in rags.  He rose at once, and his
tattered cloak swirled up with him like a great wing; he said no
more, but turned round from us instantly southwards, and strode away
into the darkness towards Babbulkund.  Then a hush fell upon our
encampment, and the smell of the tobacco of those lands arose.  When
the last flame died down in our camp fire I fell asleep, but my rest
was troubled by shifting dreams of doom.

Morning came, and our guides told us that we should come to the city
ere nightfall.  Again we passed southwards through the changeless
desert; sometimes we met travellers coming from Babbulkund, with the
beauty of its marvels still fresh in their eyes.

When we encamped near the middle of the day we saw a great number of
people on foot coming towards us running, from the southwards.  These
we hailed when they were come near, saying, 'What of Babbulkund?'

They answered: 'We are not of the race of the people of
Babbulkund, but were captured in youth and taken away from the hills
that are to the northward.  Now we have all seen in visions of the
stillness the Lord the God of our people calling to us from His
hills, and therefore we all flee northwards.  But in Babbulkund King
Nehemoth hath been troubled in the nights by unkingly dreams of
doom, and none may interpret what the dreams portend.  Now this is
the dream that King Nehemoth dreamed on the first night of his
dreaming.  He saw move through the stillness a bird all black, and
beneath the beatings of his wings Babbulkund gloomed and darkened;
and after him flew a bird all white, beneath the beatings of whose
wings Babbulkund gleamed and shone; and there flew by four more
birds alternately black and white.  And, as the black ones passed
Babbulkund darkened, and when the white ones appeared her streets
and houses shone.  But after the sixth bird there came no more, and
Babbulkund vanished from her place, and there was only the empty
desert where she had stood, and the rivers Oonrana and Plegathanees
mourning alone.  Next morning all the prophets of the King gathered
before their abominations and questioned them of the dream, and the
abominations spake not.  But when the second night stepped down from
the halls of God, dowered with many stars, King Nehemoth dreamed
again; and in this dream King Nehemoth saw four birds only, black
and white alternately as before.  And Babbulkund darkened again as
the black ones passed, and shone when the white came by; only after
the four birds came no more, and Babbulkund vanished from her place,
leaving only the forgetful desert and the mourning rivers.

'Still the abominations spake not, and none could interpret the
dream.  And when the third night came forth from the divine halls
of her home dowered like her sisters, again King Nehemoth dreamed.
And he saw a bird all black go by again, beneath whom Babbulkund
darkened, and then a white bird and Babbulkund shone; and after them
came no more, and Babbulkund passed away.  And the golden day
appeared, dispelling dreams, and still the abominations were silent,
and the King's prophets answered not to portend the omen of the
dream.  One prophet only spake before the King, saying: "The sable
birds, O King, are the nights, and the white birds are the
days.  . ." This thing the King had feared, and he arose and smote the
prophet with his sword, whose soul went crying away and had to do no
more with nights and days.

'It was last night that the King dreamed his third dream, and this
morning we fled away from Babbulkund.  A great heat lies over it, and
the orchids of the jungle droop their heads.  All night long the
women in the hareem of the North have wailed horribly for their
hills.  A fear hath fallen upon the city, and a boding.  Twice hath
Nehemoth gone to worship Annolith, and all the people have
prostrated themselves before Voth.  Thrice the horologers have looked
into the great crystal globe wherein are foretold all happenings to
be, and thrice the globe was blank.  Yea, though they went a fourth
time yet was no vision revealed; and the people's voice is hushed in
Babbulkund.'

Soon the travellers arose and pushed on northwards again, leaving us
wondering.  Through the heat of the day we rested as well as we
might, but the air was motionless and sultry and the camels ill at
ease.  The Arabs said that it boded a desert storm, and that a great
wind would arise full of sand.  So we arose in the afternoon, and
travelled swiftly, hoping to come to shelter before the storm.  And
the air burned in the stillness between the baked desert and the
glaring sky.

Suddenly a wind arose out of the South, blowing from Babbulkund, and
the sand lifted and went by in great shapes, all whispering.  And the
wind blew violently, and wailed as it blew, and hundreds of sandy
shapes went towering by, and there were little cries among them and
the sounds of a passing away.  Soon the wind sank quite suddenly, and
its cries died, and the panic ceased among the driven sands.  And
when the storm departed the air was cool, and the terrible
sultriness and the boding were passed away, and the camels had ease
among them.  And the Arabs said that the storm which was to be had
been, as was willed of old by God.

The sun set and the gloaming came, and we neared the junction of
Oonrana and Plegathanees, but in the darkness discerned not
Babbulkund.  We pushed on hurriedly to reach the city ere nightfall,
and came to the junction of the River of Myth where he meets with
the Waters of Fable, and still saw not Babbulkund.  All round us lay
the sand and rocks of the unchanging desert, save to the southwards
where the jungle stood with its orchids facing skywards.  Then we
perceived that we had arrived too late, and that her doom had come
to Babbulkund; and by the river in the empty desert on the sand the
man in rags was seated, with his face hidden in his hands, weeping
bitterly.

    *   *   *   *   *   *   *

Thus passed away in the hour of her iniquities before Annolith, in
the two thousand and thirty-second year of her being, in the six
thousand and fiftieth year of the building of the World, Babbulkund,
City of Marvel, sometime called by those that hated her City of the
Dog, but hourly mourned in Araby and Ind and wide through jungle and
desert; leaving no memorial in stone to show that she had been, but
remembered with an abiding love, in spite of the anger of God, by
all that knew her beauty, whereof still they sing.




The Kith of the Elf Folk

Chapter I

The north wind was blowing, and red and golden the last days of
Autumn were streaming hence.  Solemn and cold over the marshes arose
the evening.

It became very still.

Then the last pigeon went home to the trees on the dry land in the
distance, whose shapes already had taken upon themselves a mystery
in the haze.

Then all was still again.

As the light faded and the haze deepened, mystery crept nearer from
every side.

Then the green plover came in crying, and all alighted.

And again it became still, save when one of the plover arose and flew
a little way uttering the cry of the waste.  And hushed and silent
became the earth, expecting the first star.  Then the duck came in,
and the widgeon, company by company: and all the light of day faded
out of the sky saving one red band of light.  Across the light
appeared, black and huge, the wings of a flock of geese beating up
wind to the marshes.  These, too, went down among the rushes.

Then the stars appeared and shone in the stillness, and there was
silence in the great spaces of the night.

Suddenly the bells of the cathedral in the marshes broke out,
calling to evensong.

Eight centuries ago on the edge of the marsh men had built the huge
cathedral, or it may have been seven centuries ago, or perhaps
nine--it was all one to the Wild Things.

So evensong was held, and candles lighted, and the lights through
the windows shone red and green in the water, and the sound of the
organ went roaring over the marshes.  But from the deep and perilous
places, edged with bright mosses, the Wild Things came leaping up to
dance on the reflection of the stars, and over their heads as they
danced the marsh-lights rose and fell.

The Wild Things are somewhat human in appearance, only all brown
of skin and barely two feet high.  Their ears are pointed like the
squirrel's, only far larger, and they leap to prodigious heights.
They live all day under deep pools in the loneliest marshes, but at
night they come up and dance.  Each Wild Thing has over its head a
marsh-light, which moves as the Wild Thing moves; they have no
souls, and cannot die, and are of the kith of the Elf-folk.

All night they dance over the marshes, treading upon the reflection
of the stars (for the bare surface of the water will not hold them
by itself); but when the stars begin to pale, they sink down one by
one into the pools of their home.  Or if they tarry longer, sitting
upon the rushes, their bodies fade from view as the marsh-fires pale
in the light, and by daylight none may see the Wild Things of the
kith of the Elf-folk.  Neither may any see them even at night unless
they were born, as I was, in the hour of dusk, just at the moment
when the first star appears.

Now, on the night that I tell of, a little Wild Thing had gone
drifting over the waste, till it came right up to the walls of the
cathedral and danced upon the images of the  saints as they
lay in the water among the reflection of the stars.  And as it leaped
in its fantastic dance, it saw through the painted windows to where
the people prayed, and heard the organ roaring over the marshes.  The
sound of the organ roared over the marshes, but the song and prayers
of the people streamed up from the cathedral's highest tower like
thin gold chains, and reached to Paradise, and up and down them went
the angels from Paradise to the people, and from the people to
Paradise again.

Then something akin to discontent troubled the Wild Thing for the
first time since the making of the marshes; and the soft grey ooze
and the chill of the deep water seemed to be not enough, nor the
first arrival from northwards of the tumultuous geese, nor the wild
rejoicing of the wings of the wildfowl when every feather sings, nor
the wonder of the calm ice that comes when the snipe depart and
beards the rushes with frost and clothes the hushed waste with a
mysterious haze where the sun goes red and low, nor even the dance
of the Wild Things in the marvellous night; and the little Wild
Thing longed to have a soul, and to go and worship God.

And when evensong was over and the lights were out, it went back
crying to its kith.

But on the next night, as soon as the images of the stars appeared
in the water, it went leaping away from star to star to the farthest
edge of the marshlands, where a great wood grew where dwelt the
Oldest of the Wild Things.

And it found the Oldest of Wild Things sitting under a tree,
sheltering itself from the moon.

And the little Wild Thing said: 'I want to have a soul to worship
God, and to know the meaning of music, and to see the inner beauty
of the marshlands and to imagine Paradise.'

And the Oldest of the Wild Things said to it: 'What have we to do
with God? We are only Wild Things, and of the kith of the Elf-folk.'

But it only answered, 'I want to have a soul.'

Then the Oldest of the Wild Things said: 'I have no soul to give
you; but if you got a soul, one day you would have to die, and if
you knew the meaning of music you would learn the meaning of sorrow,
and it is better to be a Wild Thing and not to die.'

So it went weeping away.

But they that were kin to the Elf-folk were sorry for the little
Wild Thing; and though the Wild Things cannot sorrow long, having no
souls to sorrow with, yet they felt for awhile a soreness where
their souls should be, when they saw the grief of their comrade.

So the kith of the Elf-folk went abroad by night to make a soul for
the little Wild Thing.  And they went over the marshes till they came
to the high fields among the flowers and grasses.  And there they
gathered a large piece of gossamer that the spider had laid by
twilight; and the dew was on it.

Into this dew had shone all the lights of the long banks of the
ribbed sky, as all the colours changed in the restful spaces of
evening.  And over it the marvellous night had gleamed with all its
stars.

Then the Wild Things went with their dew-bespangled gossamer down to
the edge of their home.  And there they gathered a piece of the grey
mist that lies by night over the marshlands.  And into it they put
the melody of the waste that is borne up and down the marshes in the
evening on the wings of the golden plover.  And they put into it, too,
the mournful song that the reeds are compelled to sing before the
presence of the arrogant North Wind.  Then each of the Wild Things
gave some treasured memory of the old marshes, 'For we can spare
it,' they said.  And to all this they added a few images of the stars
that they gathered out of the water.  Still the soul that the kith of
the Elf-folk were making had no life.

Then they put into it the low voices of two lovers that went walking
in the night, wandering late alone.  And after that they waited for
the dawn.  And the queenly dawn appeared, and the marsh-lights of the
Wild Things paled in the glare, and their bodies faded from view;
and still they waited by the marsh's edge.  And to them waiting came
over field and marsh, from the ground and out of the sky, the myriad
song of the birds.

This, too, the Wild Things put into the piece of haze that they had
gathered in the marshlands, and wrapped it all up in their
dew-bespangled gossamer.  Then the soul lived.

And there it lay in
the hands of the Wild Things no larger than a hedgehog; and wonderful
lights were in it, green and blue; and they changed ceaselessly,
going round and round, and in the grey midst of it was a purple
flare.

And the next night they came to the little Wild Thing and
showed her the gleaming soul.  And they said to her: 'If you must
have a soul and go and worship God, and become a mortal and die,
place this to your left breast a little above the heart, and it will
enter and you will become a human.  But if you take it you can never
be rid of it to become immortal again unless you pluck it out and
give it to another; and we will not take it, and most of the humans
have a soul already.  And if you cannot find a human without a soul
you will one day die, and your soul cannot go to Paradise, because
it was only made in the marshes.'

Far away the little Wild Thing saw
the cathedral windows alight for evensong, and the song of the
people mounting up to Paradise, and all the angels going up and
down.  So it bid farewell with tears and thanks to the Wild Things of
the kith of Elf-folk, and went leaping away towards the green dry
land, holding the soul in its hands.

And the Wild Things were sorry that it had gone, but could not be
sorry long, because they had no souls.

At the marsh's edge the little Wild Thing gazed for some moments
over the water to where the marsh-fires were leaping up and down,
and then pressed the soul against its left breast a little above the
heart.

Instantly it became a young and beautiful woman, who was cold and
frightened.  She clad herself somehow with bundles of reeds, and went
towards the lights of a house that stood close by.  And she pushed
open the door and entered, and found a farmer and a farmer's wife
sitting over their supper.

And the farmer's wife took the little Wild Thing with the soul of
the marshes up to her room, and clothed her and braided her hair,
and brought her down again, and gave her the first food that she had
ever eaten.  Then the farmer's wife asked many questions.

'Where have you come from?' she said.

'Over the marshes.'

'From what direction?' said the farmer's wife.

'South,' said the little Wild Thing with the new soul.

'But none can come over the marshes from the south,' said the
farmer's wife.

'No, they can't do that,' said the farmer.

'I lived in the marshes.'

'Who are you?' asked the farmer's wife.

'I am a Wild Thing, and have found a soul in the marshes, and we are
kin to the Elf-folk.'

Talking it over afterwards, the farmer and his wife agreed that she
must be a gipsy who had been lost, and that she was queer with
hunger and exposure.

So that night the little Wild Thing slept in the farmer's house, but
her new soul stayed awake the whole night long dreaming of the
beauty of the marshes.

As soon as dawn came over the waste and shone on the farmer's house,
she looked from the window towards the glittering waters, and saw
the inner beauty of the marsh.  For the Wild Things only love the
marsh and know its haunts, but now she perceived the mystery of its
distances and the glamour of its perilous pools, with their fair and
deadly mosses, and felt the marvel of the North Wind who comes
dominant out of unknown icy lands, and the wonder of that ebb and
flow of life when the wildfowl whirl in at evening to the marshlands
and at dawn pass out to sea.  And she knew that over her head above
the farmer's house stretched wide Paradise, where perhaps God was
now imagining a sunrise while angels played low on lutes, and the
sun came rising up on the world below to gladden fields and marsh.

And all that heaven thought, the marsh thought too; for the blue of
the marsh was as the blue of heaven, and the great cloud shapes in
heaven became the shapes in the marsh, and through each ran
momentary rivers of purple, errant between banks of gold.  And the
stalwart army of reeds appeared out of the gloom with all their
pennons waving as far as the eye could see.  And from another window
she saw the vast cathedral gathering its ponderous strength
together, and lifting it up in towers out of the marshlands.

She said, 'I will never, never leave the marsh.'

An hour later she dressed with great difficulty and went down to eat
the second meal of her life.  The farmer and his wife were kindly
folk, and taught her how to eat.

'I suppose the gipsies don't have knives and forks,' one said to the
other afterwards.

After breakfast the farmer went and saw the Dean, who lived near his
cathedral, and presently returned and brought back to the Dean's
house the little Wild Thing with the new soul.

'This is the lady,' said the farmer.  'This is Dean Murnith.' Then he
went away.

'Ah,' said the Dean, 'I understand you were lost the other night in
the marshes.  It was a terrible night to be lost in the marshes.'

'I love the marshes,' said the little Wild Thing with the new soul.

'Indeed!  How old are you?' said the Dean.

'I don't know,' she answered.

'You must know about how old you are,' he said.

'Oh, about ninety,' she said, 'or more.'

'Ninety years!' exclaimed the Dean.

'No, ninety centuries,' she said; 'I am as old as the marshes.'

Then she told her story--how she had longed to be a human and go and
worship God, and have a soul and see the beauty of the world, and
how all the Wild Things had made her a soul of gossamer and mist and
music and strange memories.

'But if this is true,' said Dean Murnith, 'this is very wrong.  God
cannot have intended you to have a soul.

'What is your name?'

'I have no name,' she answered.

'We must find a Christian name and a surname for you.  What would you
like to be called?'

'Song of the Rushes,' she said.

'That won't do at all,' said the Dean.

'Then I would like to be called Terrible North Wind, or Star in the
Waters,' she said.

'No, no, no,' said Dean Murnith; 'that is quite impossible.  We could
call you Miss Rush if you like.  How would Mary Rush do? Perhaps you
had better have another name--say Mary Jane Rush.'

So the little Wild Thing with the soul of the marshes took the names
that were offered her, and became Mary Jane Rush.

'And we must find something for you to do,' said Dean Murnith.
'Meanwhile we can give you a room here.'

'I don't want to do anything,' replied Mary Jane; 'I want to worship
God in the cathedral and live beside the marshes.'

Then Mrs. Murnith came in, and for the rest of that day Mary Jane
stayed at the house of the Dean.

And there with her new soul she
perceived the beauty of the world; for it came grey and level out
of misty distances, and widened into grassy fields and ploughlands
right up to the edge of an old gabled town; and solitary in the
fields far off an ancient windmill stood, and his honest hand-made
sails went round and round in the free East Anglian winds.  Close by,
the gabled houses leaned out over the streets, planted fair upon
sturdy timbers that grew in the olden time, all glorying among
themselves upon their beauty.  And out of them, buttress by buttress,
growing and going upwards, aspiring tower by tower, rose the
cathedral.

And she saw the people moving in the streets all
leisurely and slow, and unseen among them, whispering to each other,
unheard by living men and concerned only with bygone things, drifted
the ghosts of very long ago.  And wherever the streets ran eastwards,
wherever were gaps in the houses, always there broke into view the
sight of the great marshes, like to some bar of music weird and
strange that haunts a melody, arising again and again, played on the
violin by one musician only, who plays no other bar, and he is swart
and lank about the hair and bearded about the lips, and his
moustache droops long and low, and no one knows the land from which
he comes.

All these were good things for a new soul to see.

Then the sun set over green fields and ploughland and the night came
up.  One by one the merry lights of cheery lamp-lit windows took
their stations in the solemn night.

Then the bells rang, far up in a cathedral tower,
and their melody fell on the roofs of the old houses and poured over
their eaves until the streets were full, and then flooded away over
green fields and plough, till it came to the sturdy mill and brought
the miller trudging to evensong, and far away eastwards and seawards
the sound rang out over the remoter marshes.  And it was all as
yesterday to the old ghosts in the streets.

Then the Dean's wife took Mary Jane to evening service, and she saw
three hundred candles filling all the aisle with light.  But sturdy
pillars stood there in unlit vastnesses; great colonnades going away
into the gloom, where evening and morning, year in year out, they
did their work in the dark, holding the cathedral roof aloft.  And it
was stiller than the marshes are still when the ice has come and the
wind that brought it has fallen.

Suddenly into this stillness rushed the sound of the organ, roaring,
and presently the people prayed and sang.

No longer could Mary Jane
see their prayers ascending like thin gold chains, for that was but
an elfin fancy, but she imagined clear in her new soul the seraphs
passing in the ways of Paradise, and the angels changing guard to
watch the World by night.

When the Dean had finished service, a young curate, Mr. Millings,
went up into the pulpit.

He spoke of Abana and Pharpar, rivers of Damascus: and Mary Jane was
glad that there were rivers having such names, and heard with wonder
of Nineveh, that great city, and many things strange and new.

And the light of the candles shone on the curate's fair hair, and
his voice went ringing down the aisle, and Mary Jane rejoiced that
he was there.

But when his voice stopped she felt a sudden
loneliness, such as she had not felt since the making of the
marshes; for the Wild Things never are lonely and never unhappy, but
dance all night on the reflection of the stars, and having no
souls, desire nothing more.

After the collection was made, before anyone moved to go, Mary Jane
walked up the aisle to Mr. Millings.

'I love you,' she said.


Chapter II

Nobody sympathised with Mary Jane.

'So unfortunate for Mr. Millings,' every one said; 'such a promising
young man.'

Mary Jane was sent away to a great manufacturing city of the
Midlands, where work had been found for her in a cloth factory.  And
there was nothing in that town that was good for a soul to see.  For
it did not know that beauty was to be desired; so it made many
things by machinery, and became hurried in all its ways, and boasted
its superiority over other cities and became richer and richer, and
there was none to pity it.

In this city Mary Jane had had lodgings found for her near the
factory.

At six o'clock on those November mornings, about the time that, far
away from the city, the wildfowl rose up out of the calm marshes and
passed to the troubled spaces of the sea, at six o'clock the factory
uttered a prolonged howl and gathered the workers together, and
there they worked, saving two hours for food, the whole of the
daylit hours and into the dark till the bells tolled six again.

There Mary Jane worked with other girls in a long dreary room, where
giants sat pounding wool into a long thread-like strip with iron,
rasping hands.  And all day long they roared as they sat at their
soulless work.  But the work of Mary Jane was not with these, only
their roar was ever in her ears as their clattering iron limbs went
to and fro.

Her work was to tend a creature smaller, but infinitely more
cunning.

It took the strip of wool that the giants had threshed, and whirled
it round and round until it had twisted it into hard thin thread.
Then it would make a clutch with fingers of steel at the thread that
it had gathered, and waddle away about five yards and come back with
more.

It had mastered all the subtlety of skilled workers, and had
gradually displaced them; one thing only it could not do, it was
unable to pick up the ends if a piece of the thread broke, in order
to tie them together again.  For this a human soul was required, and
it was Mary Jane's business to pick up broken ends; and the moment
she placed them together the busy soulless creature tied them for
itself.

All here was ugly; even the green wool as it whirled round and round
was neither the green of the grass nor yet the green of the rushes,
but a sorry muddy green that befitted a sullen city under a murky
sky.

When she looked out over the roofs of the town, there too was
ugliness; and well the houses knew it, for with hideous stucco
they aped in grotesque mimicry the pillars and temples of old
Greece, pretending to one another to be that which they were not.
And emerging from these houses and going in, and seeing the pretence
of paint and stucco year after year until it all peeled away, the
souls of the poor owners of those houses sought to be other souls
until they grew weary of it.

At evening Mary Jane went back to her lodgings.  Only then, after the
dark had fallen, could the soul of Mary Jane perceive any beauty in
that city, when the lamps were lit and here and there a star shone
through the smoke.  Then she would have gone abroad and beheld the
night, but this the old woman to whom she was confided would not let
her do.  And the days multiplied themselves by seven and became
weeks, and the weeks passed by, and all days were the same.  And all
the while the soul of Mary Jane was crying for beautiful things, and
found not one, saving on Sundays, when she went to church, and left
it to find the city greyer than before.

One day she decided that it was better to be a wild thing in the
lovely marshes, than to have a soul that cried for beautiful things
and found not one.  From that day she determined to be rid of her
soul, so she told her story to one of the factory girls, and said to
her:

'The other girls are poorly clad and they do soulless work; surely
some of them have no souls and would take mine.'

But the factory girl said to her: 'All the poor have souls.  It is
all they have.'

Then Mary Jane watched the rich whenever she saw them, and vainly
sought for some one without a soul.

One day at the hour when the
machines rested and the human beings that tended them rested too,
the wind being at that time from the direction of the marshlands,
the soul of Mary Jane lamented bitterly.  Then, as she stood outside
the factory gates, the soul irresistibly compelled her to sing, and
a wild song came from her lips, hymning the marshlands.  And into her
song came crying her yearning for home, and for the sound of the
shout of the North Wind, masterful and proud, with his lovely lady
the Snow; and she sang of tales that the rushes murmured to one
another, tales that the teal knew and the watchful heron.  And over
the crowded streets her song went crying away, the song of waste
places and of wild free lands, full of wonder and magic, for she had
in her elf-made soul the song of the birds and the roar of the organ
in the marshes.

At this moment Signor Thompsoni, the well-known English tenor,
happened to go by with a friend.  They stopped and listened; everyone
stopped and listened.

'There has been nothing like this in Europe in my time,' said Signor
Thompsoni.

So a change came into the life of Mary Jane.

People were written to,
and finally it was arranged that she should take a leading part in
the Covent Garden Opera in a few weeks.

So she went to London to learn.

London and singing lessons were
better than the City of the Midlands and those terrible machines.
Yet still Mary Jane was not free to go and live as she liked by the
edge of the marshlands, and she was still determined to be rid of
her soul, but could find no one that had not a soul of their own.

One day she was told that the English people would not listen to her
as Miss Rush, and was asked what more suitable name she would like
to be called by.

'I would like to be called Terrible North Wind,' said Mary Jane, 'or
Song of the Rushes.'

When she was told that this was impossible and Signorina Maria
Russiano was suggested, she acquiesced at once, as she had
acquiesced when they took her away from her curate; she
knew nothing of the ways of humans.

At last the day of the Opera
came round, and it was a cold day of the winter.

And Signorina Russiano appeared on the stage before a crowded house.

And Signorina Russiano sang.

And into the song went all the longing of her soul, the soul that
could not go to Paradise, but could only worship God and know the
meaning of music, and the longing pervaded that Italian song as the
infinite mystery of the hills is borne along the sound of distant
sheep-bells.  Then in the souls that were in that crowded house arose
little memories of a great while since that were quite quite dead,
and lived awhile again during that marvellous song.

And a strange chill went into the blood of all that listened, as
though they stood on the border of bleak marshes and the North Wind
blew.

And some it moved to sorrow and some to regret, and some to an
unearthly joy,--then suddenly the song went wailing away like the
winds of the winter from the marshlands when Spring appears from the
South.

So it ended.  And a great silence fell fog-like over all that house,
breaking in upon the end of a chatty conversation that Cecilia,
Countess of Birmingham, was enjoying with a friend.

In the dead hush Signorina Russiano rushed
from the stage; she appeared again running among the audience, and
dashed up to Lady Birmingham.

'Take my soul,' she said; 'it is a beautiful soul.  It can worship
God, and knows the meaning of music and can imagine Paradise.  And if
you go to the marshlands with it you will see beautiful things;
there is an old town there built of lovely timbers, with ghosts in
its streets.'

Lady Birmingham stared.  Everyone was standing up.  'See,' said
Signorina Russiano, 'it is a beautiful soul.'

And she clutched at her left
breast a little above the heart, and there was the soul shining in
her hand, with the green and blue lights going round and round and
the purple flare in the midst.

'Take it,' she said, 'and you will love all that is beautiful, and
know the four winds, each one by his name, and the songs of the
birds at dawn.  I do not want it, because I am not free.  Put it to
your left breast a little above the heart.'

Still everybody was
standing up, and Lady Birmingham felt uncomfortable.

'Please offer it to some one else,' she said.

'But they all have souls already,' said Signorina Russiano.

And everybody went on standing up.  And Lady Birmingham took the soul
in her hand.

'Perhaps it is lucky,' she said.

She felt that she wanted to pray.

She half-closed her eyes, and said '_Unberufen_'. Then she put the
soul to her left breast a little above the heart, and hoped that the
people would sit down and the singer go away.

Instantly a heap of clothes collapsed before her.  For a moment, in
the shadow among the seats, those who were born in the dusk hour
might have seen a little brown thing leaping free from the clothes,
then it sprang into the bright light of the hall, and became
invisible to any human eye.

It dashed about for a little, then found the door, and presently was
in the lamplit streets.

To those that were born in the dusk hour it might have been seen
leaping rapidly wherever the streets ran northwards and eastwards,
disappearing from human sight as it passed under the lamps and
appearing again beyond them with a marsh-light over its head.

Once a dog perceived it and gave chase, and was left far behind.

The cats of London, who are all born in the dusk hour, howled
fearfully as it went by.

Presently it came to the meaner streets, where the houses are
smaller.  Then it went due north-eastwards, leaping from roof to roof.
And so in a few minutes it came to more open spaces, and then to the
desolate lands, where market gardens grow, which are neither town
nor country.  Till at last the good black trees came into view, with
their demoniac shapes in the night, and the grass was cold and wet,
and the night-mist floated over it.  And a great white owl came by,
going up and down in the dark.  And at all these things the little
Wild Thing rejoiced elvishly.

And it left London far behind it, reddening the sky, and could
distinguish no longer its unlovely roar, but heard again the noises
of the night.

And now it would come through a hamlet glowing and comfortable in
the night; and now to the dark, wet, open fields again; and many an
owl it overtook as they drifted through the night, a people friendly
to the Elf-folk.  Sometimes it crossed wide rivers, leaping from star
to star; and, choosing its way as it went, to avoid the hard rough
roads, came before midnight to the East Anglian lands.

And it heard
there the shout of the North Wind, who was dominant and angry, as he
drove southwards his adventurous geese; while the rushes bent before
him chaunting plaintively and low, like enslaved rowers of some
fabulous trireme, bending and swinging under blows of the lash, and
singing all the while a doleful song.

And it felt the good dank air that clothes by night the broad East
Anglian lands, and came again to some old perilous pool where the
soft green mosses grew, and there plunged downward and downward into
the dear dark water till it felt the homely ooze once more coming
up between its toes.  Thence, out of the lovely chill that is in the
heart of the ooze, it arose renewed and rejoicing to dance upon the
image of the stars.

I chanced to stand that night by the marsh's edge, forgetting in my
mind the affairs of men; and I saw the marsh-fires come leaping up
from all the perilous places.  And they came up by flocks the whole
night long to the number of a great multitude, and danced away
together over the marshes.

And I believe that there was a great rejoicing all that night among
the kith of the Elf-folk.




The Highwaymen

Tom o' the Roads had ridden his last ride, and was now alone in the
night.  From where he was, a man might see the white recumbent sheep
and the black outline of the lonely downs, and the grey line of the
farther and lonelier downs beyond them; or in hollows far below him,
out of the pitiless wind, he might see the grey smoke of hamlets
arising from black valleys.  But all alike was black to the eyes of
Tom, and all the sounds were silence in his ears; only his soul
struggled to slip from the iron chains and to pass southwards into
Paradise.  And the wind blew and blew.

For Tom tonight had nought but the wind to ride; they had taken his
true black horse on the day when they took from him the green fields
and the sky, men's voices and the laughter of women, and had left
him alone with chains about his neck to swing in the wind for ever.
And the wind blew and blew.

But the soul of Tom o' the Roads was nipped by the cruel chains, and
whenever it struggled to escape it was beaten backwards into the
iron collar by the wind that blows from Paradise from the south.
And swinging there by the neck, there fell away old sneers from off
his lips, and scoffs that he had long since scoffed at God fell from
his tongue, and there rotted old bad lusts out of his heart, and
from his fingers the stains of deeds that were evil; and they all
fell to the ground and grew there in pallid rings and clusters.  And
when these ill things had all fallen away, Tom's soul was clean
again, as his early love had found it, a long while since in spring;
and it swung up there in the wind with the bones of Tom, and with
his old torn coat and rusty chains.

And the wind blew and blew.

And ever and anon the souls of the sepultured, coming from
consecrated acres, would go by beating up wind to Paradise past the
Gallows Tree and past the soul of Tom, that might not go free.

Night after night Tom watched the sheep upon the downs with empty
hollow sockets, till his dead hair grew and covered his poor dead
face, and hid the shame of it from the sheep.  And the wind blew and
blew.

Sometimes on gusts of the wind came someone's tears, and beat and
beat against the iron chains, but could not rust them through.
And the wind blew and blew.

And every evening all the thoughts that Tom had ever uttered came
flocking in from doing their work in the world, the work that may
not cease, and sat along the gallows branches and chirrupped to the
soul of Tom, the soul that might not go free.  All the thoughts that
he had ever uttered!  And the evil thoughts rebuked the soul that
bore them because they might not die.  And all those that he had
uttered the most furtively, chirrupped the loudest and the shrillest
in the branches all the night.

And all the thoughts that Tom had ever thought about himself now
pointed at the wet bones and mocked at the old torn coat.  But the
thoughts that he had had of others were the only companions that his
soul had to soothe it in the night as it swung to and fro.  And they
twittered to the soul and cheered the poor dumb thing that could
have dreams no more, till there came a murderous thought and drove
them all away.

And the wind blew and blew.

Paul, Archbishop of Alois and Vayence, lay in his white sepulchre of
marble, facing full to the southwards towards Paradise.  And over
his tomb was sculptured the Cross of Christ, that his soul might
have repose.  No wind howled here as it howled in lonely tree-tops
up upon the downs, but came with gentle breezes, orchard scented,
over the low lands from Paradise from the southwards, and played
about forget-me-nots and grasses in the consecrated land where lay
the Reposeful round the sepulchre of Paul, Archbishop of Alois and
Vayence.  Easy it was for a man's soul to pass from such a
sepulchre, and, flitting low over remembered fields, to come upon
the garden lands of Paradise and find eternal ease.

And the wind blew and blew.

In a tavern of foul repute three men were lapping gin.  Their names
were Joe and Will and the gypsy Puglioni; none other names had they,
for of whom their fathers were they had no knowledge, but only dark
suspicions.

Sin had caressed and stroked their faces often with its paws, but
the face of Puglioni Sin had kissed all over the mouth and chin.
Their food was robbery and their pastime murder.  All of them had
incurred the sorrow of God and the enmity of man.  They sat at a
table with a pack of cards before them, all greasy with the marks of
cheating thumbs.  And they whispered to one another over their gin,
but so low that the landlord of the tavern at the other end of the
room could hear only muffled oaths, and knew not by Whom they swore
or what they said.

These three were the staunchest friends that ever God had given unto
a man.  And he to whom their friendship had been given had nothing
else besides, saving some bones that swung in the wind and rain, and
an old torn coat and iron chains, and a soul that might not go free.

But as the night wore on the three friends left their gin and stole
away, and crept down to that graveyard where rested in his sepulchre
Paul, Archbishop of Alois and Vayence.  At the edge of the
graveyard, but outside the consecrated ground, they dug a hasty
grave, two digging while one watched in the wind and rain.  And
the worms that crept in the unhallowed ground wondered and waited.

And the terrible hour of midnight came upon them with its fears, and
found them still beside the place of tombs.  And the three friends
trembled at the horror of such an hour in such a place, and shivered
in the wind and drenching rain, but still worked on.  And the wind
blew and blew.

Soon they had finished.  And at once they left the hungry grave with
all its worms unfed, and went away over the wet fields stealthily
but in haste, leaving the place of tombs behind them in the
midnight.  And as they went they shivered, and each man as he
shivered cursed the rain aloud.  And so they came to the spot where
they had hidden a ladder and a lantern.  There they held long debate
whether they should light the lantern, or whether they should go
without it for fear of the King's men.  But in the end it seemed to
them better that they should have the light of their lantern, and
risk being taken by the King's men and hanged, than that they should
come suddenly face to face in the darkness with whatever one might
come face to face with a little after midnight about the Gallows
Tree.

On three roads in England whereon it was not the wont of folk to go
their ways in safety, travellers tonight went unmolested.  But the
three friends, walking several paces wide of the King's highway,
approached the Gallows Tree, and Will carried the lantern and Joe
the ladder, but Puglioni carried a great sword wherewith to do the
work which must be done.  When they came close, they saw how bad was
the case with Tom, for little remained of that fine figure of a man
and nothing at all of his great resolute spirit, only as they came
they thought they heard a whimpering cry like the sound of a thing
that was caged and unfree.

To and fro, to and fro in the winds swung the bones and the soul of
Tom, for the sins that he had sinned on the King's highway against
the laws of the King; and with shadows and a lantern through the
darkness, at the peril of their lives, came the three friends that
his soul had won before it swung in chains.  Thus the seeds of Tom's
own soul that he had sown all his life had grown into a Gallows Tree
that bore in season iron chains in clusters; while the careless
seeds that he had strewn here and there, a kindly jest and a few
merry words, had grown into the triple friendship that would not
desert his bones.

Then the three set the ladder against the tree, and Puglioni went up
with his sword in his right hand, and at the top of it he reached up
and began to hack at the neck below the iron collar.  Presently, the
bones and the old coat and the soul of Tom fell down with a rattle,
and a moment afterwards his head that had watched so long alone
swung clear from the swinging chain.  These things Will and Joe
gathered up, and Puglioni came running down his ladder, and they
heaped upon its rungs the terrible remains of their friend, and
hastened away wet through with the rain, with the fear of phantoms
in their hearts and horror lying before them on the ladder.  By two
o'clock they were down again in the valley out of the bitter wind,
but they went on past the open grave into the graveyard all among
the tombs, with their lantern and their ladder and the terrible
thing upon it, which kept their friendship still.  Then these three,
that had robbed the Law of its due and proper victim, still sinned
on for what was still their friend, and levered out the marble slabs
from the sacred sepulchre of Paul, Archbishop of Alois and Vayence.
And from it they took the very bones of the Archbishop himself, and
carried them away to the eager grave that they had left, and put
them in and shovelled back the earth.  But all that lay on the
ladder they placed, with a few tears, within the great white
sepulchre under the Cross of Christ, and put back the marble slabs.

Thence the soul of Tom, arising hallowed out of sacred ground, went
at dawn down the valley, and, lingering a little about his mother's
cottage and old haunts of childhood, passed on and came to the wide
lands beyond the clustered homesteads.  There, there met with it all
the kindly thoughts that the soul of Tom had ever had, and they flew
and sang beside it all the way southwards, until at last, with
singing all about it, it came to Paradise.

But Will and Joe and the gypsy Puglioni went back to their gin, and
robbed and cheated again in the tavern of foul repute, and knew not
that in their sinful lives they had sinned one sin at which the
Angels smiled.




In The Twilight

The lock was quite crowded with boats when we capsized.  I went down
backwards for some few feet before I started to swim, then I came
spluttering upwards towards the light; but, instead of reaching the
surface, I hit my head against the keel of a boat and went down
again.  I struck out almost at once and came up, but before I reached
the surface my head crashed against a boat for the second time, and
I went right to the bottom.  I was confused and thoroughly
frightened.  I was desperately in need of air, and knew that if I hit
a boat for the third time I should never see the surface again.
Drowning is a horrible death, notwithstanding all that has been said
to the contrary.  My past life never occurred to my mind, but I
thought of many trivial things that I might not do or see again if I
were drowned.  I swam up in a slanting direction, hoping to avoid the
boat that I had struck.  Suddenly I saw all the boats in the lock
quite clearly just above me, and every one of their curved varnished
planks and the scratches and chips upon their keels.  I saw several
gaps among the boats where I might have swam up to the surface, but
it did not seem worthwhile to try and get there, and I had forgotten
why I wanted to.  Then all the people leaned over the sides of their
boats: I saw the light flannel suits of the men and the 
flowers in the women's hats, and I noticed details of their dresses
quite distinctly.  Everybody in the boats was looking down at me;
then they all said to one another, 'We must leave him now,' and they
and the boats went away; and there was nothing above me but the
river and the sky, and on either side of me were the green weeds
that grew in the mud, for I had somehow sunk back to the bottom
again.  The river as it flowed by murmured not unpleasantly in my
ears, and the rushes seemed to be whispering quite softly among
themselves.  Presently the murmuring of the river took the form of
words, and I heard it say, 'We must go on to the sea; we must leave
him now.'

Then the river went away, and both its banks; and the
rushes whispered, 'Yes, we must leave him now.' And they too
departed, and I was left in a great emptiness staring up at the blue
sky.  Then the great sky bent over me, and spoke quite softly like a
kindly nurse soothing some little foolish child, and the sky said,
'Goodbye.  All will be well.  Goodbye.' And I was sorry to lose the
blue sky, but the sky went away.  Then I was alone, with nothing
round about me; I could see no light, but it was not dark--there was
just absolutely nothing, above me and below me and on every side.  I
thought that perhaps I was dead, and that this might be eternity;
when suddenly some great southern hills rose up all round about me,
and I was lying on the warm, grassy <DW72> of a valley in England.  It
was a valley that I had known well when I was young, but I had
not seen it now for many years.  Beside me stood the tall flower of
the mint; I saw the sweet-smelling thyme flower and one or two wild
strawberries.  There came up to me from fields below me the beautiful
smell of hay, and there was a break in the voice of the cuckoo.
There was a feeling of summer and of evening and of lateness and of
Sabbath in the air; the sky was calm and full of a strange colour,
and the sun was low; the bells in the church in the village were all
a-ring, and the chimes went wandering with echoes up the valley
towards the sun, and whenever the echoes died a new chime was born.
And all the people of the village walked up a stone-paved path under
a black oak porch and went into the church, and the chimes stopped
and the people of the village began to sing, and the level sunlight
shone on the white tombstones that stood all round the church.  Then
there was a stillness in the village, and shouts and laughter came
up from the valley no more, only the occasional sound of the organ
and of song.  And the blue butterflies, those that love the chalk,
came and perched themselves on the tall grasses, five or six
sometimes on a single piece of grass, and they closed their wings
and slept, and the grass bent a little beneath them.  And from the
woods along the tops of the hills the rabbits came hopping out and
nibbled the grass, and hopped a little further and nibbled again,
and the large daisies closed their petals up and the birds began
to sing.

Then the hills spoke, all the great chalk hills that I loved, and
with a deep and solemn voice they said, 'We have come to you to say
Goodbye.'

Then they all went away, and there was nothing again all round about
me upon every side.  I looked everywhere for something on which to
rest the eye.  Nothing.  Suddenly a low grey sky swept over me and a
moist air met my face; a great plain rushed up to me from the edge
of the clouds; on two sides it touched the sky, and on two sides
between it and the clouds a line of low hills lay.  One line of hills
brooded grey in the distance, the other stood a patchwork of little
square green fields, with a few white cottages about it.  The plain
was an archipelago of a million islands each about a yard square or
less, and everyone of them was red with heather.  I was back on the
Bog of Allen again after many years, and it was just the same as
ever, though I had heard that they were draining it.  I was with an
old friend whom I was glad to see again, for they had told me that
he died some years ago.  He seemed strangely young, but what
surprised me most was that he stood upon a piece of bright green
moss which I had always learned to think would never bear.  I was
glad, too, to see the old bog again, and all the lovely things that
grew there--the scarlet mosses and the green mosses and the firm
and friendly heather, and the deep silent water.  I saw a little
stream that wandered vaguely through the bog, and little white
shells down in the clear depths of it; I saw, a little way off, one
of the great pools where no islands are, with rushes round its
borders, where the duck love to come.  I looked long at that
untroubled world of heather, and then I looked at the white cottages
on the hill, and saw the grey smoke curling from their chimneys and
knew that they burned turf there, and longed for the smell of
burning turf again.  And far away there arose and came nearer the
weird cry of wild and happy voices, and a flock of geese appeared
that was coming from the northward.  Then their cries blended into
one great voice of exultation, the voice of freedom, the voice of
Ireland, the voice of the Waste; and the voice said 'Goodbye to you.
Goodbye!' and passed away into the distance; and as it passed, the
tame geese on the farms cried out to their brothers up above them
that they were free.  Then the hills went away, and the bog and the
sky went with them, and I was alone again, as lost souls are alone.

Then there grew up beside me the red brick buildings of my first
school and the chapel that adjoined it.  The fields a little way off
were full of boys in white flannels playing cricket.  On the asphalt
playing ground, just by the schoolroom windows, stood Agamemnon,
Achilles, and Odysseus, with their Argives armed behind them; but
Hector stepped down out of a ground-floor window, and in the
schoolroom were all Priam's sons and the Achaeans and fair Helen;
and a little farther away the Ten Thousand drifted across the
playground, going up into the heart of Persia to place Cyrus on his
brother's throne.  And the boys that I knew called to me from the
fields, and said 'Goodbye,' and they and the fields went away; and
the Ten Thousand said 'Goodbye,' each file as they passed me
marching swiftly, and they too disappeared.  And Hector and Agamemnon
said 'Goodbye,' and the host of the Argives and of the Achaeans; and
they all went away and the old school with them, and I was alone
again.

The next scene that filled the emptiness was rather dim: I was being
led by my nurse along a little footpath over a common in Surrey.  She
was quite young.  Close by a band of gypsies had lit their fire, near
them their romantic caravan stood unhorsed, and the horse cropped
grass beside it.  It was evening, and the gypsies muttered round
their fire in a tongue unknown and strange.  Then they all said in
English, 'Goodbye'. And the evening and the common and the
campfire went away.  And instead of this a white highway with
darkness and stars below it that led into darkness and stars, but at
the near end of the road were common fields and gardens, and there I
stood close to a large number of people, men and women.  And I saw a
man walking alone down the road away from me towards the darkness
and the stars, and all the people called him by his name, and the
man would not hear them, but walked on down the road, and the people
went on calling him by his name.  But I became irritated with the man
because he would not stop or turn round when so many people called
him by his name, and it was a very strange name.  And I became weary
of hearing the strange name so very often repeated, so that I made a
great effort to call him, that he might listen and that the people
might stop repeating this strange name.  And with the effort I opened
my eyes wide, and the name that the people called was my own name,
and I lay on the river's bank with men and women bending over me,
and my hair was wet.




The Ghosts

The argument that I had with my brother in his great lonely house
will scarcely interest my readers.  Not those, at least, whom I hope
may be attracted by the experiment that I undertook, and by the
strange things that befell me in that hazardous region into which so
lightly and so ignorantly I allowed my fancy to enter.  It was at
Oneleigh that I had visited him.

Now Oneleigh stands in a wide isolation, in the midst of a dark
gathering of old whispering cedars.  They nod their heads together
when the North Wind comes, and nod again and agree, and furtively
grow still again, and say no more awhile.  The North Wind is to them
like a nice problem among wise old men; they nod their heads over
it, and mutter about it all together.  They know much, those cedars,
they have been there so long.  Their grandsires knew Lebanon, and
the grandsires of these were the servants of the King of Tyre and
came to Solomon's court.  And amidst these black-haired children of
grey-headed Time stood the old house of Oneleigh.  I know not how
many centuries had lashed against it their evanescent foam of years;
but it was still unshattered, and all about it were the things of
long ago, as cling strange growths to some sea-defying rock.  Here,
like the shells of long-dead limpets, was armour that men encased
themselves in long ago; here, too, were tapestries of many colours,
beautiful as seaweed; no modern flotsam ever drifted hither, no
early Victorian furniture, no electric light.  The great trade
routes that littered the years with empty meat tins and cheap novels
were far from here.  Well, well, the centuries will shatter it and
drive its fragments on to distant shores.  Meanwhile, while it yet
stood, I went on a visit there to my brother, and we argued about
ghosts.  My brother's intelligence on this subject seemed to me to
be in need of correction.  He mistook things imagined for things
having an actual existence; he argued that second-hand evidence of
persons having seen ghosts proved ghosts to exist.  I said that even
if they had seen ghosts, this was no proof at all; nobody believes
that there are red rats, though there is plenty of first-hand
evidence of men having seen them in delirium.  Finally, I said I
would see ghosts myself, and continue to argue against their actual
existence.  So I collected a handful of cigars and drank several
cups of very strong tea, and went without my dinner, and retired
into a room where there was dark oak and all the chairs were covered
with tapestry; and my brother went to bed bored with our argument,
and trying hard to dissuade me from making myself uncomfortable.
All the way up the old stairs as I stood at the bottom of them, and
as his candle went winding up and up, I heard him still trying to
persuade me to have supper and go to bed.

It was a windy winter, and outside the cedars were muttering I know
not what about; but I think that they were Tories of a school long
dead, and were troubled about something new.  Within, a great damp
log upon the fireplace began to squeak and sing, and struck up a
whining tune, and a tall flame stood up over it and beat time, and
all the shadows crowded round and began to dance.  In distant
corners old masses of darkness sat still like chaperones and never
moved.  Over there, in the darkest part of the room, stood a door
that was always locked.  It led into the hall, but no one ever used
it; near that door something had happened once of which the family
are not proud.  We do not speak of it.  There in the firelight stood
the venerable forms of the old chairs; the hands that had made their
tapestries lay far beneath the soil, the needles with which they
wrought were many separate flakes of rust.  No one wove now in that
old room--no one but the assiduous ancient spiders who, watching
by the deathbed of the things of yore, worked shrouds to hold their
dust.  In shrouds about the cornices already lay the heart of the
oak wainscot that the worm had eaten out.

Surely at such an hour, in such a room, a fancy already excited by
hunger and strong tea might see the ghosts of former occupants.  I
expected nothing less.  The fire flickered and the shadows danced,
memories of strange historic things rose vividly in my mind; but
midnight chimed solemnly from a seven-foot clock, and nothing
happened.  My imagination would not be hurried, and the chill that
is with the small hours had come upon me, and I had nearly abandoned
myself to sleep, when in the hall adjoining there arose the rustling
of silk dresses that I had waited for and expected.  Then there
entered two by two the high-born ladies and their gallants of
Jacobean times.  They were little more than shadows--very
dignified shadows, and almost indistinct; but you have all read
ghost stories before, you have all seen in museums the dresses of
those times--there is little need to describe them; they entered,
several of them, and sat down on the old chairs, perhaps a little
carelessly considering the value of the tapestries.  Then the
rustling of their dresses ceased.

Well--I had seen ghosts, and was neither frightened nor convinced
that ghosts existed.  I was about to get up out of my chair and go
to bed, when there came a sound of pattering in the hall, a sound of
bare feet coming over the polished floor, and every now and then a
foot would slip and I heard claws scratching along the wood as some
four-footed thing lost and regained its balance.  I was not
frightened, but uneasy.  The pattering came straight towards the
room that I was in, then I heard the sniffing of expectant nostrils;
perhaps 'uneasy' was not the most suitable word to describe my
feelings then.  Suddenly a herd of black creatures larger than
bloodhounds came galloping in; they had large pendulous ears, their
noses were to the ground sniffing, they went up to the lords and
ladies of long ago and fawned about them disgustingly.  Their eyes
were horribly bright, and ran down to great depths.  When I looked
into them I knew suddenly what these creatures were, and I was
afraid.  They were the sins, the filthy, immortal sins of those
courtly men and women.

How demure she was, the lady that sat near me on an old-world
chair--how demure she was, and how fair, to have beside her with its
jowl upon her lap a sin with such cavernous red eyes, a clear case
of murder.  And you, yonder lady with the golden hair, surely not
you--and yet that fearful beast with the yellow eyes slinks from
you to yonder courtier there, and whenever one drives it away it
slinks back to the other.  Over there a lady tries to smile as she
strokes the loathsome furry head of another's sin, but one of her
own is jealous and intrudes itself under her hand.  Here sits an old
nobleman with his grandson on his knee, and one of the great black
sins of the grandfather is licking the child's face and has made the
child its own.  Sometimes a ghost would move and seek another chair,
but always his pack of sins would move behind him.  Poor ghosts,
poor ghosts! how many flights they must have attempted for two
hundred years from their hated sins, how many excuses they must have
given for their presence, and the sins were with them still--and
still unexplained.  Suddenly one of them seemed to scent my living
blood, and bayed horribly, and all the others left their ghosts at
once and dashed up to the sin that had given tongue.  The brute had
picked up my scent near the door by which I had entered, and they
moved slowly nearer to me sniffing along the floor, and uttering
every now and then their fearful cry.  I saw that the whole thing
had gone too far.  But now they had seen me, now they were all about
me, they sprang up trying to reach my throat; and whenever their
claws touched me, horrible thoughts came into my mind and
unutterable desires dominated my heart.  I planned bestial things as
these creatures leaped around me, and planned them with a masterly
cunning.  A great red-eyed murder was among the foremost of those
furry things from whom I feebly strove to defend my throat.
Suddenly it seemed to me good that I should kill my brother.  It
seemed important to me that I should not risk being punished.  I
knew where a revolver was kept; after I had shot him, I would dress
the body up and put flour on the face like a man that had been
acting as a ghost.  It would be very simple.  I would say that he had
frightened me--and the servants had heard us talking about ghosts.
There were one or two trivialities that would have to be arranged,
but nothing escaped my mind.  Yes, it seemed to me very good that I
should kill my brother as I looked into the red depths of this
creature's eyes.  But one last effort as they dragged me down--'If
two straight lines cut one another,' I said, 'the opposite angles
are equal.  Let AB, CD, cut one another at E, then the angles CEA,
CEB equal two right angles (prop. xiii.).  Also CEA, AED equal two
right angles.'

I moved towards the door to get the revolver; a hideous exultation
arose among the beasts.  'But the angle CEA is common, therefore AED
equals CEB.  In the same way CEA equals DEB.  _QED_.'  It was
proved.  Logic and reason re-established themselves in my mind, there
were no dark hounds of sin, the tapestried chairs were empty.  It
seemed to me an inconceivable thought that a man should murder his
brother.




The Whirlpool

Once going down to the shore of the great sea I came upon the
Whirlpool lying prone upon the sand and stretching his huge limbs in
the sun.

I said to him: 'Who art thou?'

And he said:

'I am named Nooz Wana, the Whelmer of Ships, and from the Straits of
Pondar Obed I am come, wherein it is my wont to vex the seas.  There
I chased Leviathan with my hands when he was young and strong; often
he slipped through my fingers, and away into the weed forests that
grow below the storms in the dusk on the floor of the sea; but at
last I caught and tamed him.  For there I lurk upon the ocean's
floor, midway between the knees of either cliff, to guard the
passage of the Straits from all the ships that seek the Further
Seas; and whenever the white sails of the tall ships come swelling
round the corner of the crag out of the sunlit spaces of the Known
Sea and into the dark of the Straits, then standing firm upon the
ocean's floor, with my knees a little bent, I take the waters of the
Straits in both my hands and whirl them round my head.  But the ship
comes gliding on with the sound of the sailors singing on her decks,
all singing songs of the islands and carrying the rumour of their
cities to the lonely seas, till they see me suddenly astride athwart
their course, and are caught in the waters as I whirl them round my
head.  Then I draw in the waters of the Straits towards me and
downwards, nearer and nearer to my terrible feet, and hear in my
ears above the roar of my waters the ultimate cry of the ship; for
just before I drag them to the floor of ocean and stamp them asunder
with my wrecking feet, ships utter their ultimate cry, and with it
go the lives of all the sailors and passes the soul of the ship.  And
in the ultimate cry of ships are the songs the sailors sing, and
their hopes and all their loves, and the song of the wind among the
masts and timbers when they stood in the forest long ago, and the
whisper of the rain that made them grow, and the soul of the tall
pine-tree or the oak.  All this a ship gives up in one cry which she
makes at the last.  And at that moment I would pity the tall ship if
I might; but a man may feel pity who sits in comfort by his fireside
telling tales in the winter--no pity are they permitted ever to
feel who do the work of the gods; and so when I have brought her
circling from round my shoulders to my waist and thence, with her
masts all sloping inwards, to my knees, and lower still and
downwards till her topmast pennants flutter against my ankles, then
I, Nooz Wana, Whelmer of Ships, lift up my feet and trample her
beams asunder, and there go up again to the surface of the Straits
only a few broken timbers and the memories of the sailors and of
their early loves to drift for ever down the empty seas.

'Once in every hundred years, for one day only, I go to rest myself
along the shore and to sun my limbs on the sand, that the tall ships
may go through the unguarded Straits and find the Happy Isles.  And
the Happy Isles stand midmost among the smiles of the sunny Further
Seas, and there the sailors may come upon content and long for
nothing; or if they long for aught, they shall possess it.

'There comes not Time with his devouring hours; nor any of the evils
of the gods or men.  These are the islands whereto the souls of the
sailors every night put in from all the world to rest from going up
and down the seas, to behold again the vision of far-off intimate
hills that lift their orchards high above the fields facing the
sunlight, and for a while again to speak with the souls of old.  But
about the dawn dreams twitter and arise, and circling thrice around
the Happy Isles set out again to find the world of men, then follow
the souls of the sailors, as, at evening, with slow stroke of
stately wings the heron follows behind the flight of multitudinous
rooks; but the souls returning find awakening bodies and endure the
toil of the day.  Such are the Happy Isles, whereunto few have come,
save but as roaming shadows in the night, and for only a little
while.

'But longer than is needed to make me strong and fierce again I may
not stay, and at set of sun, when my arms are strong again, and when
I feel in my legs that I can plant them fair and bent upon the floor
of ocean, then I go back to take a new grip upon the waters of the
Straits, and to guard the Further Seas again for a hundred years.
Because the gods are jealous, lest too many men shall pass to the
Happy Isles and find content.  _For the gods have not content_.'




The Hurricane

One night I sat alone on the great down, looking over the edge of it
at a murky, sullen city.  All day long with its smoke it had troubled
the holy sky, and now it sat there roaring in the distance and
glared at me with its furnaces and lighted factory windows.  Suddenly
I became aware that I was not the only enemy of that city, for I
perceived the colossal form of the Hurricane walking over the down
towards me, playing idly with the flowers as he passed, and near me
he stopped and spake to the Earthquake, who had come up mole-like but
vast out of a cleft in the earth.

'Old friend,' said the Hurricane, 'rememberest when we wrecked the
nations and drave the herds of the sea into new pasturage?'

'Yes,' said the Earthquake, drowsily; 'Yes, yes.'

'Old friend,' said the Hurricane, 'there are cities everywhere.  Over
thy head while thou didst sleep they have built them constantly.  My
four children the Winds suffocate with the fumes of them, the
valleys are desolate of flowers, and the lovely forests are cut down
since last we went abroad together.'

The Earthquake lay there, with his snout towards the city, blinking
at the lights, while the tall Hurricane stood beside him pointing
fiercely at it.

'Come,' said the Hurricane, 'let us fare forth again and destroy
them, that all the lovely forests may come back and the furry
creeping things.  Thou shalt whelm these cities utterly and drive the
people forth, and I will smite them in the shelterless places and
sweep their desecrations from the sea.  Wilt thou come forth with me
and do this thing for the glory of it? Wilt thou wreck the world
again as we did, thou and I, or ever Man had come? Wilt thou come
forth to this place at this hour tomorrow night?'

'Yes,' said the Earthquake, 'Yes,' and he crept to his cleft again,
and head foremost waddled down into the abysses.

When the Hurricane strode away, I got up quietly and departed, but
at that hour of the next night I came up cautiously to the same
spot.  There I found the huge grey form of the Hurricane alone, with
his head bowed in his hands, weeping; for the Earthquake sleeps long
and heavily in the abysses, and he would not wake.




The Fortress Unvanquishable, Save For Sacnoth

In a wood older than record, a foster brother of the hills, stood
the village of Allathurion; and there was peace between the people
of that village and all the folk who walked in the dark ways of the
wood, whether they were human or of the tribes of the beasts or of
the race of the fairies and the elves and the little sacred spirits
of trees and streams.  Moreover, the village people had peace among
themselves and between them and their lord, Lorendiac.  In front of
the village was a wide and grassy space, and beyond this the great
wood again, but at the back the trees came right up to the houses,
which, with their great beams and wooden framework and thatched
roofs, green with moss, seemed almost to be a part of the forest.

Now in the time I tell of, there was trouble in Allathurion, for of
an evening fell dreams were wont to come slipping through the tree
trunks and into the peaceful village; and they assumed dominion of
men's minds and led them in watches of the night through the cindery
plains of Hell.  Then the magician of that village made spells
against those fell dreams; yet still the dreams came flitting
through the trees as soon as the dark had fallen, and led men's
minds by night into terrible places and caused them to praise Satan
openly with their lips.

And men grew afraid of sleep in Allathurion.  And they grew worn and
pale, some through the want of rest, and others from fear of the
things they saw on the cindery plains of Hell.

Then the magician of the village went up into the tower of his
house, and all night long those whom fear kept awake could see his
window high up in the night glowing softly alone.  The next day, when
the twilight was far gone and night was gathering fast, the magician
went away to the forest's edge, and uttered there the spell that he
had made.  And the spell was a compulsive, terrible thing, having a
power over evil dreams and over spirits of ill; for it was a verse
of forty lines in many languages, both living and dead, and had in
it the word wherewith the people of the plains are wont to curse
their camels, and the shout wherewith the whalers of the north lure
the whales shoreward to be killed, and a word that causes elephants
to trumpet; and every one of the forty lines closed with a rhyme for
'wasp'.

And still the dreams came flitting through the forest, and led men's
souls into the plains of Hell.  Then the magician knew that the
dreams were from Gaznak.  Therefore he gathered the people of the
village, and told them that he had uttered his mightiest spell--a
spell having power over all that were human or of the tribes of the
beasts; and that since it had not availed the dreams must come from
Gaznak, the greatest magician among the spaces of the stars.  And he
read to the people out of the Book of Magicians, which tells the
comings of the comet and foretells his coming again.  And he told
them how Gaznak rides upon the comet, and how he visits Earth once
in every two hundred and thirty years, and makes for himself a vast,
invincible fortress and sends out dreams to feed on the minds of
men, and may never be vanquished but by the sword Sacnoth.

And a cold fear fell on the hearts of the villagers when they found
that their magician had failed them.

Then spake Leothric, son of the Lord Lorendiac, and twenty years old
was he: 'Good Master, what of the sword Sacnoth?'

And the village magician answered: 'Fair Lord, no such sword as yet
is wrought, for it lies as yet in the hide of Tharagavverug,
protecting his spine.'

Then said Leothric: 'Who is Tharagavverug, and where may he be
encountered?'

And the magician of Allathurion answered: 'He is the dragon-crocodile
who haunts the Northern marshes and ravages the homesteads
by their marge.  And the hide of his back is of steel, and his under
parts are of iron; but along the midst of his back, over his spine,
there lies a narrow strip of unearthly steel.  This strip of steel is
Sacnoth, and it may be neither cleft nor molten, and there is
nothing in the world that may avail to break it, nor even leave a
scratch upon its surface.  It is of the length of a good sword, and
of the breadth thereof.  Shouldst thou prevail against Tharagavverug,
his hide may be melted away from Sacnoth in a furnace; but there is
only one thing that may sharpen Sacnoth's edge, and this is one of
Tharagavverug's own steel eyes; and the other eye thou must fasten
to Sacnoth's hilt, and it will watch for thee.  But it is a hard task
to vanquish Tharagavverug, for no sword can pierce his hide; his
back cannot be broken, and he can neither burn nor drown.  In one way
only can Tharagavverug die, and that is by starving.'

Then sorrow fell upon Leothric, but the magician spoke on:

'If a man drive Tharagavverug away from his food with a stick for
three days, he will starve on the third day at sunset.  And though he
is not vulnerable, yet in one spot he may take hurt, for his nose is
only of lead.  A sword would merely lay bare the uncleavable bronze
beneath, but if his nose be smitten constantly with a stick he will
always recoil from the pain, and thus may Tharagavverug, to left and
right, be driven away from his food.'

Then Leothric said: 'What is Tharagavverug's food?'

And the magician of Allathurion said: 'His food is men.'

But Leothric went straightway thence, and cut a great staff from a
hazel tree, and slept early that evening.  But the next morning,
awaking from troubled dreams, he arose before the dawn, and, taking
with him provisions for five days, set out through the forest
northwards towards the marshes.  For some hours he moved through the
gloom of the forest, and when he emerged from it the sun was above
the horizon shining on pools of water in the waste land.  Presently
he saw the claw-marks of Tharagavverug deep in the soil, and the
track of his tail between them like a furrow in a field.  Then
Leothric followed the tracks till he heard the bronze heart of
Tharagavverug before him, booming like a bell.

And Tharagavverug, it being the hour when he took the first meal of
the day, was moving towards a village with his heart tolling.  And
all the people of the village were come out to meet him, as it was
their wont to do; for they abode not the suspense of awaiting
Tharagavverug and of hearing him sniffing brazenly as he went from
door to door, pondering slowly in his metal mind what habitant he
should choose.  And none dared to flee, for in the days when the
villagers fled from Tharagavverug, he, having chosen his victim,
would track him tirelessly, like a doom.  Nothing availed them
against Tharagavverug.  Once they climbed the trees when he came, but
Tharagavverug went up to one, arching his back and leaning over
slightly, and rasped against the trunk until it fell.  And when
Leothric came near, Tharagavverug saw him out of one of his small
steel eyes and came towards him leisurely, and the echoes of his
heart swirled up through his open mouth.  And Leothric stepped
sideways from his onset, and came between him and the village and
smote him on the nose, and the blow of the stick made a dint in the
soft lead.  And Tharagavverug swung clumsily away, uttering one
fearful cry like the sound of a great church bell that had become
possessed of a soul that fluttered upward from the tombs at night--an
evil soul, giving the bell a voice.  Then he attacked Leothric,
snarling, and again Leothric leapt aside, and smote him on the nose
with his stick.  Tharagavverug uttered like a bell howling.  And
whenever the dragon-crocodile attacked him, or turned towards the
village, Leothric smote him again.

So all day long Leothric drove the monster with a stick, and he drove
him farther and farther from his prey, with his heart tolling
angrily and his voice crying out for pain.

Towards evening Tharagavverug ceased to snap at Leothric, but ran
before him to avoid the stick, for his nose was sore and shining;
and in the gloaming the villagers came out and danced to cymbal and
psaltery.  When Tharagavverug heard the cymbal and psaltery, hunger
and anger came upon him, and he felt as some lord might feel who was
held by force from the banquet in his own castle and heard the
creaking spit go round and round and the good meat crackling on it.
And all that night he attacked Leothric fiercely, and oft-times
nearly caught him in the darkness; for his gleaming eyes of steel
could see as well by night as by day.  And Leothric gave ground
slowly till the dawn, and when the light came they were near the
village again; yet not so near to it as they had been when they
encountered, for Leothric drove Tharagavverug farther in the day
than Tharagavverug had forced him back in the night.  Then Leothric
drove him again with his stick till the hour came when it was the
custom of the dragon-crocodile to find his man.  One third of his man
he would eat at the time he found him, and the rest at noon and
evening.  But when the hour came for finding his man a great
fierceness came on Tharagavverug, and he grabbed rapidly at
Leothric, but could not seize him, and for a long while neither of
them would retire.  But at last the pain of the stick on his leaden
nose overcame the hunger of the dragon-crocodile, and he turned from
it howling.  From that moment Tharagavverug weakened.  All that day
Leothric drove him with his stick, and at night both held their
ground; and when the dawn of the third day was come the heart of
Tharagavverug beat slower and fainter.  It was as though a tired man
was ringing a bell.  Once Tharagavverug nearly seized a frog, but
Leothric snatched it away just in time.  Towards noon the
dragon-crocodile lay still for a long while, and Leothric stood near
him and leaned on his trusty stick.  He was very tired and sleepless,
but had more leisure now for eating his provisions.  With
Tharagavverug the end was coming fast, and in the afternoon his
breath came hoarsely, rasping in his throat.  It was as the sound of
many huntsmen blowing blasts on horns, and towards evening his breath
came faster but fainter, like the sound of a hunt going furious to
the distance and dying away, and he made desperate rushes towards
the village; but Leothric still leapt about him, battering his
leaden nose.  Scarce audible now at all was the sound of his heart:
it was like a church bell tolling beyond hills for the death of some
one unknown and far away.  Then the sun set and flamed in the village
windows, and a chill went over the world, and in some small garden a
woman sang; and Tharagavverug lifted up his head and starved, and
his life went from his invulnerable body, and Leothric lay down
beside him and slept.  And later in the starlight the villagers came
out and carried Leothric, sleeping, to the village, all praising him
in whispers as they went.  They laid him down upon a couch in a
house, and danced outside in silence, without psaltery or cymbal.
And the next day, rejoicing, to Allathurion they hauled the
dragon-crocodile.  And Leothric went with them, holding his battered
staff; and a tall, broad man, who was smith of Allathurion, made a
great furnace, and melted Tharagavverug away till only Sacnoth was
left, gleaming among the ashes.  Then he took one of the small eyes
that had been chiselled out, and filed an edge on Sacnoth, and
gradually the steel eye wore away facet by facet, but ere it was
quite gone it had sharpened redoubtably Sacnoth.  But the other eye
they set in the butt of the hilt, and it gleamed there bluely.

And that night Leothric arose in the dark and took the sword, and
went westwards to find Gaznak; and he went through the dark forest
till the dawn, and all the morning and till the afternoon.  But in
the afternoon he came into the open and saw in the midst of The
Land Where No Man Goeth the fortress of Gaznak, mountainous before
him, little more than a mile away.

And Leothric saw that the land was marsh and desolate.  And the
fortress went up all white out of it, with many buttresses, and was
broad below but narrowed higher up, and was full of gleaming
windows with the light upon them.  And near the top of it a few white
clouds were floating, but above them some of its pinnacles
reappeared.  Then Leothric advanced into the marshes, and the eye of
Tharagavverug looked out warily from the hilt of Sacnoth; for
Tharagavverug had known the marshes well, and the sword nudged
Leothric to the right or pulled him to the left away from the
dangerous places, and so brought him safely to the fortress walls.

And in the wall stood doors like precipices of steel, all studded
with boulders of iron, and above every window were terrible
gargoyles of stone; and the name of the fortress shone on the wall,
writ large in letters of brass: 'The Fortress Unvanquishable, Save
For Sacnoth.'

Then Leothric drew and revealed Sacnoth, and all the gargoyles
grinned, and the grin went flickering from face to face right up
into the cloud-abiding gables.

And when Sacnoth was revealed and all the gargoyles grinned, it was
like the moonlight emerging from a cloud to look for the first time
upon a field of blood, and passing swiftly over the wet faces of the
slain that lie together in the horrible night.  Then Leothric
advanced towards a door, and it was mightier than the marble quarry,
Sacremona, from which of old men cut enormous slabs to build the
Abbey of the Holy Tears.  Day after day they wrenched out the very
ribs of the hill until the Abbey was builded, and it was more
beautiful than anything in stone.  Then the priests blessed
Sacremona, and it had rest, and no more stone was ever taken from it
to build the houses of men.  And the hill stood looking southwards
lonely in the sunlight, defaced by that mighty scar.  So vast was
the door of steel.  And the name of the door was The Porte Resonant,
the Way of Egress for War.

Then Leothric smote upon the Porte Resonant with Sacnoth, and the
echo of Sacnoth went ringing through the halls, and all the dragons
in the fortress barked.  And when the baying of the remotest dragon
had faintly joined in the tumult, a window opened far up among the
clouds below the twilit gables, and a woman screamed, and far away
in Hell her father heard her and knew that her doom was come.

And Leothric went on smiting terribly with Sacnoth, and the grey
steel of the Porte Resonant, the Way of Egress for War, that was
tempered to resist the swords of the world, came away in ringing
slices.

Then Leothric, holding Sacnoth in his hand, went in through the hole
that he had hewn in the door, and came into the unlit, cavernous
hall.

An elephant fled trumpeting.  And Leothric stood still, holding
Sacnoth.  When the sound of the feet of the elephant had died away in
the remoter corridors, nothing more stirred, and the cavernous hall
was still.

Presently the darkness of the distant halls became musical with the
sound of bells, all coming nearer and nearer.

Still Leothric waited in the dark, and the bells rang louder and
louder, echoing through the halls, and there appeared a procession
of men on camels riding two by two from the interior of the
fortress, and they were armed with scimitars of Assyrian make and
were all clad with mail, and chain-mail hung from their helmets
about their faces, and flapped as the camels moved.  And they all
halted before Leothric in the cavernous hall, and the camel bells
clanged and stopped.  And the leader said to Leothric:

'The Lord Gaznak has desired to see you die before him.  Be pleased
to come with us, and we can discourse by the way of the manner in
which the Lord Gaznak has desired to see you die.'

And as he said this he unwound a chain of iron that was coiled upon
his saddle, and Leothric answered:

'I would fain go with you, for I am come to slay Gaznak.'

Then all the camel-guard of Gaznak laughed hideously, disturbing the
vampires that were asleep in the measureless vault of the roof.  And
the leader said:

'The Lord Gaznak is immortal, save for Sacnoth, and weareth armour
that is proof even against Sacnoth himself, and hath a sword the
second most terrible in the world.'

Then Leothric said: 'I am the Lord of the sword Sacnoth.'

And he advanced towards the camel-guard of Gaznak, and Sacnoth
lifted up and down in his hand as though stirred by an exultant
pulse.  Then the camel-guard of Gaznak fled, and the riders leaned
forward and smote their camels with whips, and they went away with a
great clamour of bells through colonnades and corridors and vaulted
halls, and scattered into the inner darknesses of the fortress.  When
the last sound of them had died away, Leothric was in doubt which
way to go, for the camel-guard was dispersed in many directions, so
he went straight on till he came to a great stairway in the midst of
the hall.  Then Leothric set his foot in the middle of a wide step,
and climbed steadily up the stairway for five minutes.  Little light
was there in the great hall through which Leothric ascended, for it
only entered through arrow slits here and there, and in the world
outside evening was waning fast.  The stairway led up to two folding
doors, and they stood a little ajar, and through the crack Leothric
entered and tried to continue straight on, but could get no farther,
for the whole room seemed to be full of festoons of ropes which
swung from wall to wall and were looped and draped from the ceiling.
The whole chamber was thick and black with them.  They were soft and
light to the touch, like fine silk, but Leothric was unable to break
any one of them, and though they swung away from him as he pressed
forward, yet by the time he had gone three yards they were all about
him like a heavy cloak.  Then Leothric stepped back and drew Sacnoth,
and Sacnoth divided the ropes without a sound, and without a sound
the severed pieces fell to the floor.  Leothric went forward slowly,
moving Sacnoth in front of him up and down as he went.  When he was
come into the middle of the chamber, suddenly, as he parted with
Sacnoth a great hammock of strands, he saw a spider before him that
was larger than a ram, and the spider looked at him with eyes that
were little, but in which there was much sin, and said:

'Who are you that spoil the labour of years all done to the honour
of Satan?'

And Leothric answered: 'I am Leothric, son of Lorendiac.'

And the spider said: 'I will make a rope at once to hang you with.'

Then Leothric parted another bunch of strands, and came nearer to
the spider as he sat making his rope, and the spider, looking up
from his work, said: 'What is that sword which is able to sever my
ropes?'

And Leothric said: 'It is Sacnoth.'

Thereat the black hair that hung over the face of the spider parted
to left and right, and the spider frowned; then the hair fell back
into its place, and hid everything except the sin of the little eyes
which went on gleaming lustfully in the dark.  But before Leothric
could reach him, he climbed away with his hands, going up by one of
his ropes to a lofty rafter, and there sat, growling.  But clearing
his way with Sacnoth, Leothric passed through the chamber, and came
to the farther door; and the door being shut, and the handle far up
out of his reach, he hewed his way through it with Sacnoth in the
same way as he had through the Porte Resonant, the Way of Egress for
War.  And so Leothric came into a well-lit chamber, where Queens and
Princes were banqueting together, all at a great table; and
thousands of candles were glowing all about, and their light shone
in the wine that the Princes drank and on the huge gold candelabra,
and the royal faces were irradiant with the glow, and the white
table-cloth and the silver plates and the jewels in the hair of the
Queens, each jewel having a historian all to itself, who wrote no
other chronicles all his days.  Between the table and the door there
stood two hundred footmen in two rows of one hundred facing one
another.  Nobody looked at Leothric as he entered through the hole in
the door, but one of the Princes asked a question of a footman, and
the question was passed from mouth to mouth by all the hundred
footmen till it came to the last one nearest Leothric; and he said
to Leothric, without looking at him:

'What do you seek here?'

And Leothric answered: 'I seek to slay Gaznak.'

And footman to footman repeated all the way to the table: 'He seeks
to slay Gaznak.'

And another question came down the line of footmen: 'What is your
name?'

And the line that stood opposite took his answer back.

Then one of the Princes said: 'Take him away where we shall not hear
his screams.'

And footman repeated it to footman till it came to the last two, and
they advanced to seize Leothric.

Then Leothric showed to them his sword, saying, 'This is Sacnoth,'
and both of them said to the man nearest: 'It is Sacnoth;' then
screamed and fled away.

And two by two, all up the double line, footman to footman repeated,
'It is Sacnoth,' then screamed and fled, till the last two gave the
message to the table, and all the rest had gone.  Hurriedly then
arose the Queens and Princes, and fled out of the chamber.  And the
goodly table, when they were all gone, looked small and disorderly
and awry.  And to Leothric, pondering in the desolate chamber by what
door he should pass onwards, there came from far away the sounds of
music, and he knew that it was the magical musicians playing to
Gaznak while he slept.

Then Leothric, walking towards the distant music, passed out by the
door opposite to the one through which he had cloven his entrance,
and so passed into a chamber vast as the other, in which were many
women, weirdly beautiful.  And they all asked him of his quest, and
when they heard that it was to slay Gaznak, they all besought him to
tarry among them, saying that Gaznak was immortal, save for Sacnoth,
and also that they had need of a knight to protect them from the
wolves that rushed round and round the wainscot all the night and
sometimes broke in upon them through the mouldering oak.  Perhaps
Leothric had been tempted to tarry had they been human women, for
theirs was a strange beauty, but he perceived that instead of eyes
they had little flames that flickered in their sockets, and knew
them to be the fevered dreams of Gaznak.  Therefore he said:

'I have a business with Gaznak and with Sacnoth,' and passed on
through the chamber.

And at the name of Sacnoth those women screamed, and the flames of
their eyes sank low and dwindled to sparks.

And Leothric left them, and, hewing with Sacnoth, passed through the
farther door.

Outside he felt the night air on his face, and found that he stood
upon a narrow way between two abysses.  To left and right of him, as
far as he could see, the walls of the fortress ended in a profound
precipice, though the roof still stretched above him; and before him
lay the two abysses full of stars, for they cut their way through
the whole Earth and revealed the under sky; and threading its course
between them went the way, and it sloped upward and its sides were
sheer.  And beyond the abysses, where the way led up to the farther
chambers of the fortress, Leothric heard the musicians playing their
magical tune.  So he stepped on to the way, which was scarcely a
stride in width, and moved along it holding Sacnoth naked.  And to
and fro beneath him in each abyss whirred the wings of vampires
passing up and down, all giving praise to Satan as they flew.
Presently he perceived the dragon Thok lying upon the way,
pretending to sleep, and his tail hung down into one of the abysses.

And Leothric went towards him, and when he was quite close Thok
rushed at Leothric.

And he smote deep with Sacnoth, and Thok tumbled into the abyss,
screaming, and his limbs made a whirring in the darkness as he fell,
and he fell till his scream sounded no louder than a whistle and
then could be heard no more.  Once or twice Leothric saw a star blink
for an instant and reappear again, and this momentary eclipse of a
few stars was all that remained in the world of the body of Thok.
And Lunk, the brother of Thok, who had lain a little behind him, saw
that this must be Sacnoth and fled lumbering away.  And all the while
that he walked between the abysses, the mighty vault of the roof of
the fortress still stretched over Leothric's head, all filled with
gloom.  Now, when the further side of the abyss came into view,
Leothric saw a chamber that opened with innumerable arches upon the
twin abysses, and the pillars of the arches went away into the
distance and vanished in the gloom to left and right.

Far down the dim precipice on which the pillars stood he could see
windows small and closely barred, and between the bars there showed
at moments, and disappeared again, things that I shall not speak of.

There was no light here except for the great Southern stars that
shone below the abysses, and here and there in the chamber through
the arches lights that moved furtively without the sound of
footfall.

Then Leothric stepped from the way, and entered the great chamber.

Even to himself he seemed but a tiny dwarf as he walked under one of
those colossal arches.

The last faint light of evening flickered through a window painted
in sombre colours commemorating the achievements of Satan upon
Earth.  High up in the wall the window stood, and the streaming
lights of candles lower down moved stealthily away.

Other light there was none, save for a faint blue glow from the
steel eye of Tharagavverug that peered restlessly about it from the
hilt of Sacnoth.  Heavily in the chamber hung the clammy odour of a
large and deadly beast.

Leothric moved forward slowly with the blade of Sacnoth in
front of him feeling for a foe, and the eye in the hilt of it looking
out behind.

Nothing stirred.

If anything lurked behind the pillars of the colonnade that held
aloft the roof, it neither breathed nor moved.

The music of the magical musicians sounded from very near.

Suddenly the great doors on the far side of the chamber opened to
left and right.  For some moments Leothric saw nothing move, and
waited clutching Sacnoth.  Then Wong Bongerok came towards him,
breathing.

This was the last and faithfullest guard of Gaznak, and came from
slobbering just now his master's hand.

More as a child than a dragon was Gaznak wont to treat him, giving
him often in his fingers tender pieces of man all smoking from his
table.

Long and low was Wong Bongerok, and subtle about the eyes, and he
came breathing malice against Leothric out of his faithful breast,
and behind him roared the armoury of his tail, as when sailors drag
the cable of the anchor all rattling down the deck.

And well Wong Bongerok knew that he now faced Sacnoth, for it had
been his wont to prophesy quietly to himself for many years as he
lay curled at the feet of Gaznak.

And Leothric stepped forward into the blast of his breath, and
lifted Sacnoth to strike.

But when Sacnoth was lifted up, the eye of Tharagavverug in the butt
of the hilt beheld the dragon and perceived his subtlety.

For he opened his mouth wide, and revealed to Leothric the ranks of
his sabre teeth, and his leather gums flapped upwards.  But while
Leothric made to smite at his head, he shot forward scorpion-wise
over his head the length of his armoured tail.  All this the eye
perceived in the hilt of Sacnoth, who smote suddenly sideways.  Not
with the edge smote Sacnoth, for, had he done so, the severed end of
the tail had still come hurtling on, as some pine tree that the
avalanche has hurled point foremost from the cliff right through the
broad breast of some mountaineer.  So had Leothric been transfixed;
but Sacnoth smote sideways with the flat of his blade, and sent the
tail whizzing over Leothric's left shoulder; and it rasped upon his
armour as it went, and left a groove upon it.  Sideways then at
Leothric smote the foiled tail of Wong Bongerok, and Sacnoth parried,
and the tail went shrieking up the blade and over Leothric's head.
Then Leothric and Wong Bongerok fought sword to tooth, and the
sword smote as only Sacnoth can, and the evil faithful life of Wong
Bongerok the dragon went out through the wide wound.

Then Leothric walked on past that dead monster, and the armoured
body still quivered a little.  And for a while it was like all the
ploughshares in a county working together in one field behind tired
and struggling horses; then the quivering ceased, and Wong Bongerok
lay still to rust.

And Leothric went on to the open gates, and Sacnoth dripped quietly
along the floor.

By the open gates through which Wong Bongerok had entered, Leothric
came into a corridor echoing with music.  This was the first place
from which Leothric could see anything above his head, for hitherto
the roof had ascended to mountainous heights and had stretched
indistinct in the gloom.  But along the narrow corridor hung huge
bells low and near to his head, and the width of each brazen bell
was from wall to wall, and they were one behind the other.  And as he
passed under each the bell uttered, and its voice was mournful and
deep, like to the voice of a bell speaking to a man for the last
time when he is newly dead.  Each bell uttered once as Leothric came
under it, and their voices sounded solemnly and wide apart at
ceremonious intervals.  For if he walked slow, these bells came
closer together, and when he walked swiftly they moved farther
apart.  And the echoes of each bell tolling above his head went on
before him whispering to the others.  Once when he stopped they all
jangled angrily till he went on again.

Between these slow and boding notes came the sound of the magical
musicians.  They were playing a dirge now very mournfully.

And at last Leothric came to the end of the Corridor of the Bells,
and beheld there a small black door.  And all the corridor behind him
was full of the echoes of the tolling, and they all muttered to one
another about the ceremony; and the dirge of the musicians came
floating slowly through them like a procession of foreign elaborate
guests, and all of them boded ill to Leothric.

The black door opened at once to the hand of Leothric, and he found
himself in the open air in a wide court paved with marble.  High over
it shone the moon, summoned there by the hand of Gaznak.

There Gaznak slept, and around him sat his magical musicians, all
playing upon strings.  And, even sleeping, Gaznak was clad in armour,
and only his wrists and face and neck were bare.

But the marvel of that place was the dreams of Gaznak; for beyond
the wide court slept a dark abyss, and into the abyss there poured a
white cascade of marble stairways, and widened out below into
terraces and balconies with fair white statues on them, and
descended again in a wide stairway, and came to lower terraces in
the dark, where swart uncertain shapes went to and fro.  All these
were the dreams of Gaznak, and issued from his mind, and, becoming
gleaming marble, passed over the edge of the abyss as the musicians
played.  And all the while out of the mind of Gaznak, lulled by that
strange music, went spires and pinnacles beautiful and slender, ever
ascending skywards.  And the marble dreams moved slow in time to the
music.  When the bells tolled and the musicians played their dirge,
ugly gargoyles came out suddenly all over the spires and pinnacles,
and great shadows passed swiftly down the steps and terraces, and
there was hurried whispering in the abyss.

When Leothric stepped from the black door, Gaznak opened his eyes.
He looked neither to left nor right, but stood up at once facing
Leothric.

Then the magicians played a deathspell on their strings, and there
arose a humming along the blade of Sacnoth as he turned the spell
aside.  When Leothric dropped not down, and they heard the humming of
Sacnoth, the magicians arose and fled, all wailing, as they went,
upon their strings.

Then Gaznak drew out screaming from its sheath the sword that was
the mightiest in the world except for Sacnoth, and slowly walked
towards Leothric; and he smiled as he walked, although his own
dreams had foretold his doom.  And when Leothric and Gaznak came
together, each looked at each, and neither spoke a word; but they
smote both at once, and their swords met, and each sword knew the
other and from whence he came.  And whenever the sword of Gaznak
smote on the blade of Sacnoth it rebounded gleaming, as hail from
off slated roofs; but whenever it fell upon the armour of Leothric,
it stripped it off in sheets.  And upon Gaznak's armour Sacnoth fell
oft and furiously, but ever he came back snarling, leaving no mark
behind, and as Gaznak fought he held his left hand hovering close
over his head.  Presently Leothric smote fair and fiercely at his
enemy's neck, but Gaznak, clutching his own head by the hair, lifted
it high aloft, and Sacnoth went cleaving through an empty space.
Then Gaznak replaced his head upon his neck, and all the while
fought nimbly with his sword; and again and again Leothric swept
with Sacnoth at Gaznak's bearded neck, and ever the left hand of
Gaznak was quicker than the stroke, and the head went up and the
sword rushed vainly under it.

And the ringing fight went on till Leothric's armour lay all round
him on the floor and the marble was splashed with his blood, and the
sword of Gaznak was notched like a saw from meeting the blade of
Sacnoth.  Still Gaznak stood unwounded and smiling still.

At last Leothric looked at the throat of Gaznak and aimed with
Sacnoth, and again Gaznak lifted his head by the hair; but not at
his throat flew Sacnoth, for Leothric struck instead at the lifted
hand, and through the wrist of it went Sacnoth whirring, as a scythe
goes through the stem of a single flower.

And bleeding, the severed hand fell to the floor; and at once blood
spurted from the shoulders of Gaznak and dripped from the fallen
head, and the tall pinnacles went down into the earth, and the wide
fair terraces all rolled away, and the court was gone like the dew,
and a wind came and the colonnades drifted thence, and all the
colossal halls of Gaznak fell.  And the abysses closed up suddenly as
the mouth of a man who, having told a tale, will for ever speak no
more.

Then Leothric looked around him in the marshes where the night mist
was passing away, and there was no fortress nor sound of dragon or
mortal, only beside him lay an old man, wizened and evil and dead,
whose head and hand were severed from his body.

And gradually over the wide lands the dawn was coming up, and ever
growing in beauty as it came, like to the peal of an organ played by
a master's hand, growing louder and lovelier as the soul of the
master warms, and at last giving praise with all its mighty voice.

Then the birds sang, and Leothric went homeward, and left the
marshes and came to the dark wood, and the light of the dawn
ascending lit him upon his way.  And into Allathurion he came ere
noon, and with him brought the evil wizened head, and the people
rejoiced, and their nights of trouble ceased.

    *   *   *   *   *   *   *

This is the tale of the vanquishing of The Fortress Unvanquishable,
Save For Sacnoth, and of its passing away, as it is told and
believed by those who love the mystic days of old.

Others have said, and vainly claim to prove, that a fever came to
Allathurion, and went away; and that this same fever drove Leothric
into the marshes by night, and made him dream there and act
violently with a sword.

And others again say that there hath been no town of Allathurion,
and that Leothric never lived.

Peace to them.  The gardener hath gathered up this autumn's leaves.
Who shall see them again, or who wot of them? And who shall say what
hath befallen in the days of long ago?




The Lord of Cities

I came one day upon a road that wandered so aimlessly that it was
suited to my mood, so I followed it, and it led me presently among
deep woods.  Somewhere in the midst of them Autumn held his court,
sitting wreathed with gorgeous garlands; and it was the day before
his annual festival of the Dance of Leaves, the courtly festival
upon which hungry Winter rushes mob-like, and there arise the
furious cries of the North Wind triumphing, and all the splendour
and grace of the woods is gone, and Autumn flees away, discrowned
and forgotten, and never again returns.  Other Autumns arise, other
Autumns, and fall before other Winters.  A road led away to the left,
but my road went straight on.  The road to the left had a trodden
appearance; there were wheel tracks on it, and it seemed the correct
way to take.  It looked as if no one could have any business with the
road that led straight on and up the hill.  Therefore I went straight
on and up the hill; and here and there on the road grew blades of
grass undisturbed in the repose and hush that the road had earned
from going up and down the world; for you can go by this road, as
you can go by all roads, to London, to Lincoln, to the North of
Scotland, to the West of Wales, and to Wrellisford where roads end.
Presently the woods ended, and I came to the open fields and at the
same moment to the top of the hill, and saw the high places of
Somerset and the downs of Wilts spread out along the horizon.
Suddenly I saw underneath me the village of Wrellisford, with no
sound in its street but the voice of the Wrellis roaring as he
tumbled over a weir above the village.  So I followed my road down
over the crest of the hill, and the road became more languid as I
descended, and less and less concerned with the cares of a highway.
Here a spring broke out in the middle of it, and here another. The
road never heeded.  A stream ran right across it, still it straggled
on.  Suddenly it gave up the minimum property that a road should
possess, and, renouncing its connection with High Streets, its
lineage of Piccadilly, shrank to one side and became an
unpretentious footpath.  Then it led me to the old bridge over the
stream, and thus I came to Wrellisford, and found after travelling
in many lands a village with no wheel tracks in its street.  On the
other side of the bridge, my friend the road struggled a few yards
up a grassy <DW72>, and there ceased.  Over all the village hung a
great stillness, with the roar of the Wrellis cutting right across
it, and there came occasionally the bark of a dog that kept watch
over the broken stillness and over the sanctity of that untravelled
road.  That terrible and wasting fever that, unlike so many plagues,
comes not from the East but from the West, the fever of hurry, had
not come here--only the Wrellis hurried on his eternal quest, but it
was a calm and placid hurry that gave one time for song.  It was in
the early afternoon, and nobody was about.  Either they worked beyond
the mysterious valley that nursed Wrellisford and hid it from the
world, or else they secluded themselves within their old-time houses
that were roofed with tiles of stone.  I sat down upon the old stone
bridge and watched the Wrellis, who seemed to me to be the only
traveller that came from far away into this village where roads end,
and passed on beyond it.  And yet the Wrellis comes singing out of
eternity, and tarries for a very little while in the village where
roads end, and passes on into eternity again; and so surely do all
that dwell in Wrellisford.  I wondered as I leaned upon the bridge in
what place the Wrellis would first find the sea, whether as he
wound idly through meadows on his long quest he would suddenly
behold him, and, leaping down over some rocky cliff, take to him at
once the message of the hills.  Or whether, widening slowly into some
grand and tidal estuary, he would take his waste of waters to
the sea and the might of the river should meet with the might of the
waves, like to two Emperors clad in gleaming mail meeting midway
between two hosts of war; and the little Wrellis would become a
haven for returning ships and a setting-out place for adventurous
men.

A little beyond the bridge there stood an old mill with a ruined
roof, and a small branch of the Wrellis rushed through its emptiness
shouting, like a boy playing alone in a corridor of some desolate
house.  The mill-wheel was gone, but there lay there still great bars
and wheels and cogs, the bones of some dead industry.  I know not
what industry was once lord in that house, I know not what retinue
of workers mourns him now; I only know who is lord there today in
all those empty chambers.  For as soon as I entered, I saw a whole
wall draped with his marvellous black tapestry, without price
because inimitable and too delicate to pass from hand to hand among
merchants.  I looked at the wonderful complexity of its infinite
threads, my finger sank into it for more than an inch without
feeling the touch; so black it was and so carefully wrought,
sombrely covering the whole of the wall, that it might have been
worked to commemorate the deaths of all that ever lived there, as
indeed it was.  I looked through a hole in the wall into an inner
chamber where a worn-out driving band went among many wheels, and
there this priceless inimitable stuff not merely clothed the walls
but hung from bars and ceiling in beautiful draperies, in marvellous
festoons.  Nothing was ugly in this desolate house, for the busy
artist's soul of its present lord had beautified everything in its
desolation.  It was the unmistakable work of the spider, in whose
house I was, and the house was utterly desolate but for him, and
silent but for the roar of the Wrellis and the shout of the little
stream.  Then I turned homewards; and as I went up and over the hill
and lost the sight of the village, I saw the road whiten and harden
and gradually broaden out till the tracks of wheels appeared; and it
went afar to take the young men of Wrellisford into the wide ways of
the earth--to the new West and the mysterious East, and into the
troubled South.

And that night, when the house was still and sleep
was far off, hushing hamlets and giving ease to cities, my fancy
wandered up that aimless road and came suddenly to Wrellisford.  And
it seemed to me that the travelling of so many people for so many
years between Wrellisford and John o' Groat's, talking to one
another as they went or muttering alone, had given the road a voice.
And it seemed to me that night that the road spoke to the river by
Wrellisford bridge, speaking with the voice of many pilgrims.  And
the road said to the river: 'I rest here.  How is it with you?'

And the river, who is always speaking, said: 'I rest nowhere from
doing the Work of the World.  I carry the murmur of inner lands to
the sea, and to the abysses voices of the hills.'

'It is I,' said the road, 'that do the Work of the World, and take
from city to city the rumour of each.  There is nothing higher than
Man and the making of cities.  What do you do for Man?'

And the river said: 'Beauty and song are higher than Man.  I carry
the news seaward of the first song of the thrush after the furious
retreat of winter northward, and the first timid anemone learns from
me that she is safe and that spring has truly come.  Oh but the song
of all the birds in spring is more beautiful than Man, and the first
coming of the hyacinth more delectable than his face!  When spring is
fallen upon the days of summer, I carry away with mournful joy at
night petal by petal the rhododendron's bloom.  No lit procession of
purple kings is nigh so fair as that.  No beautiful death of
well-beloved men hath such a glory of forlornness.  And I bear far
away the pink and white petals of the apple-blossom's youth when the
laborious time comes for his work in the world and for the bearing
of apples.  And I am robed each day and every night anew with the
beauty of heaven, and I make lovely visions of the trees.  But Man!
What is Man? In the ancient parliament of the elder hills, when the
grey ones speak together, they say nought of Man, but concern
themselves only with their brethren the stars.  Or when they wrap
themselves in purple cloaks at evening, they lament some old
irreparable wrong, or, uttering some mountain hymn, all mourn the
set of sun.'

'Your beauty,' said the road, 'and the beauty of the sky, and of the
rhododendron blossom and of spring, live only in the mind of Man,
and except in the mind of Man the mountains have no voices.  Nothing
is beautiful that has not been seen by Man's eye.  Or if your
rhododendron blossom was beautiful for a moment, it soon withered
and was drowned, and spring soon passes away; beauty can only live
on in the mind of Man.  I bring thought into the mind of Man swiftly
from distant places every day.  I know the Telegraph--I know him
well; he and I have walked for hundreds of miles together.  There is
no work in the world except for Man and the making of his cities.  I
take wares to and fro from city to city.'

'My little stream in the field there,' said the river, 'used to make
wares in that house for awhile once.'

'Ah,' said the road, 'I remember, but I brought cheaper ones from
distant cities.  Nothing is of any importance but making cities for
Man.'

'I know so little about him,' said the river, 'but I have a great
deal of work to do--I have all this water to send down to the sea;
and then tomorrow or next day all the leaves of Autumn will be
coming this way.  It will be very beautiful.  The sea is a very, very
wonderful place.  I know all about it; I have heard shepherd boys
singing of it, and sometimes before a storm the gulls come up.  It is
a place all blue and shining and full of pearls, and has in it coral
islands and isles of spice, and storms and galleons and the bones of
Drake.  The sea is much greater than Man.  When I come to the sea, he
will know that I have worked well for him.  But I must hurry, for I
have much to do.  This bridge delays me a little; some day I will
carry it away.'

'Oh, you must not do that,' said the road.

'Oh, not for a long time,' said the river.  'Some centuries
perhaps--and I have much to do besides.  There is my song to sing, for
instance, and that alone is more beautiful than any noise that Man
makes.'

'All work is for Man,' said the road, 'and for the building of
cities.  There is no beauty or romance or mystery in the sea except
for the men that sail abroad upon it, and for those that stay at
home and dream of them.  As for your song, it rings night and
morning, year in, year out, in the ears of men that are born in
Wrellisford; at night it is part of their dreams, at morning it is
the voice of day, and so it becomes part of their souls.  But the
song is not beautiful in itself.  I take these men with your song in
their souls up over the edge of the valley and a long way off
beyond, and I am a strong and dusty road up there, and they go with
your song in their souls and turn it into music and gladden cities.
But nothing is the Work of the World except work for Man.'

'I wish I was quite sure about the Work of the World,' said the
stream; 'I wish I knew for certain for whom we work.  I feel almost
sure that it is for the sea.  He is very great and beautiful.  I think
that there can be no greater master than the sea.  I think that some
day he may be so full of romance and mystery and sound of sheep
bells and murmur of mist-hidden hills, which we streams shall have
brought him, that there will be no more music or beauty left in the
world, and all the world will end; and perhaps the streams shall
gather at the last, we all together, to the sea.  Or perhaps the sea
will give us at the last unto each one his own again, giving back
all that he has garnered in the years--the little petals of the
apple-blossom and the mourned ones of the rhododendron, and our old
visions of the trees and sky; so many memories have left the hills.
But who may say? For who knows the tides of the sea?'

'Be sure that it is all for Man,' said the road.  'For Man and the
making of cities.'

Something had come near on utterly silent feet.

'Peace, peace!' it said.  'You disturb the queenly night, who, having
come into this valley, is a guest in my dark halls.  Let us have an
end to this discussion.'

It was the spider who spoke.

'The Work of the World is the making of cities and palaces.  But it
is not for Man.  What is Man? He only prepares my cities for me, and
mellows them.  All his works are ugly, his richest tapestries are
coarse and clumsy.  He is a noisy idler.  He only protects me from
mine enemy the wind; and the beautiful work in my cities, the
curving outlines and the delicate weavings, is all mine.  Ten years
to a hundred it takes to build a city, for five or six hundred more
it mellows, and is prepared for me; then I inhabit it, and hide away
all that is ugly, and draw beautiful lines about it to and fro.
There is nothing so beautiful as cities and palaces; they are the
loveliest places in the world, because they are the stillest, and so
most like the stars.  They are noisy at first, for a little, before I
come to them; they have ugly corners not yet rounded off, and coarse
tapestries, and then they become ready for me and my exquisite work,
and are quite silent and beautiful.  And there I entertain the regal
nights when they come there jewelled with stars, and all their train
of silence, and regale them with costly dust.  Already nods, in a
city that I wot of, a lonely sentinel whose lords are dead, who
grows too old and sleepy to drive away the gathering silence that
infests the streets; tomorrow I go to see if he be still at his
post.  For me Babylon was built, and rocky Tyre; and still men build
my cities!  All the Work of the World is the making of cities, and
all of them I inherit.'




The Doom of La Traviata

Evening stole up out of mysterious lands and came down on the
streets of Paris, and the things of the day withdrew themselves and
hid away, and the beautiful city was strangely altered, and with it
the hearts of men.  And with lights and music, and in silence and in
the dark, the other life arose, the life that knows the night, and
dark cats crept from the houses and moved to silent places, and dim
streets became haunted with dusk shapes.  At this hour in a mean
house, near to the Moulin Rouge, La Traviata died; and her death was
brought to her by her own sins, and not by the years of God.  But the
soul of La Traviata drifted blindly about the streets where she had
sinned till it struck against the wall of Notre Dame de Paris.
Thence it rushed upwards, as the sea mist when it beats against a
cliff, and streamed away to Paradise, and was there judged.  And it
seemed to me, as I watched from my place of dreaming, when La
Traviata came and stood before the seat of judgment, that clouds
came rushing up from the far Paradisal hills and gathered together
over the head of God, and became one black cloud; and the clouds
moved swiftly as shadows of the night when a lantern is swung in the
hand, and more and more clouds rushed up, and ever more and more,
and, as they gathered, the cloud a little above the head of God
became no larger, but only grew blacker and blacker.  And the halos
of the saints settled lower upon their heads and narrowed and became
pale, and the singing of the choirs of the seraphim faltered and
sunk low, and the converse of the blessed suddenly ceased.  Then a
stern look came into the face of God, so that the seraphim turned
away and left Him, and the saints.  Then God commanded, and seven
great angels rose up slowly through the clouds that carpet Paradise,
and there was pity on their faces, and their eyes were closed.  Then
God pronounced judgment, and the lights of Paradise went out, and
the azure crystal windows that look towards the world, and the
windows rouge and verd, became dark and colourless, and I saw no
more.  Presently the seven great angels came out by one of Heaven's
gates and set their faces Hellwards, and four of them carried the
young soul of La Traviata, and one of them went on before and one of
them followed behind.  These six trod with mighty strides the long and
dusty road that is named the Way of the Damned.  But the seventh flew
above them all the way, and the light of the fires of Hell that was
hidden from the six by the dust of that dreadful road flared on the
feathers of his breast.

Presently the seven angels, as they swept Hellwards, uttered speech.

'She is very young,' they said; and 'She is very beautiful,' they
said; and they looked long at the soul of La Traviata, looking not
at the stains of sin, but at that portion of her soul wherewith she
had loved her sister a long while dead, who flitted now about an
orchard on one of Heaven's hills with a low sunlight ever on her
face, who communed daily with the saints when they passed that way
going to bless the dead from Heaven's utmost edge.  And as they
looked long at the beauty of all that remained beautiful in her soul
they said: 'It is but a young soul;' and they would have taken her
to one of Heaven's hills, and would there have given her a cymbal
and a dulcimer, but they knew that the Paradisal gates were clamped
and barred against La Traviata.  And they would have taken her to a
valley in the world where there were a great many flowers and a loud
sound of streams, where birds were singing always and church bells
rang on Sabbaths, only this they durst not do.  So they swept onwards
nearer and nearer Hell.  But when they were come quite close and the
glare was on their faces, and they saw the gates already divide and
prepare to open outwards, they said: 'Hell is a terrible city, and
she is tired of cities;' then suddenly they dropped her by the side
of the road, and wheeled and flew away.  But into a great pink flower
that was horrible and lovely grew the soul of La Traviata; and it
had in it two eyes but no eyelids, and it stared constantly into the
faces of all the passers-by that went along the dusty road to Hell;
and the flower grew in the glare of the lights of Hell, and withered
but could not die; only, one petal turned back towards the heavenly
hills as an ivy leaf turns outwards to the day, and in the soft and
silvery light of Paradise it withered not nor faded, but heard at
times the commune of the saints coming murmuring from the distance,
and sometimes caught the scent of orchards wafted from the heavenly
hills, and felt a faint breeze cool it every evening at the hour
when the saints to Heaven's edge went forth to bless the dead.

But the Lord arose with His sword, and scattered His disobedient
angels as a thresher scatters chaff.




On The Dry Land

Over the marshes hung the gorgeous night with all his wandering
bands of nomad stars, and his whole host of still ones blinked and
watched.

Over the safe dry land to eastward, grey and cold, the first clear
pallor of dawn was coming up above the heads of the immortal gods.

Then, as they neared at last the safety of the dry land, Love looked
at the man whom he had led for so long through the marshes, and saw
that his hair was white, for it was shining in the pallor of the
dawn.

Then they stepped together on to the land, and the old man sat down
weary on the grass, for they had wandered in the marshes for many
years; and the light of the grey dawn widened above the heads of the
gods.

And Love said to the old man, 'I will leave you now.'

And the old man made no answer, but wept softly.

Then Love was grieved in his little careless heart, and he said:
'You must not be sorry that I go, nor yet regret me, nor care for me
at all.

'I am a very foolish child, and was never kind to you, nor friendly.
I never cared for your great thoughts, or for what was good in you,
but perplexed you by leading you up and down the perilous marshes.
And I was so heartless that, had you perished where I led you, it
would have been nought to me, and I only stayed with you because you
were good to play with.

'And I am cruel and altogether worthless and not such a one as any
should be sorry for when I go, or one to be regretted, or even cared
for at all.'

And still the old man spoke not, but wept softly; and Love grieved
bitterly in his kindly heart.

And Love said: 'Because I am so small my strength has been concealed
from you, and the evil that I have done.  But my strength is great,
and I have used it unjustly.  Often I pushed you from the causeway
through the marshes, and cared not if you drowned.  Often I mocked
you, and caused others to mock you.  And often I led you among those
that hated me, and laughed when they revenged themselves upon you.

'So weep not, for there is no kindness in my heart, but only murder
and foolishness, and I am no companion for one so wise as you, but
am so frivolous and silly that I laughed at your noble dreams and
hindered all your deeds.  See now, you have found me out, and now you
will send me away, and here you will live at ease, and, undisturbed,
have noble dreams of the immortal gods.

'See now, here is dawn and safety, and _there_ is darkness and peril.'

Still the old man wept softly.

Then Love said: 'Is it thus with you?' and his voice was grave now
and quiet.  'Are you so troubled?  Old friend of so many years, there
is grief in my heart for you.  Old friend of perilous ventures, I
must leave you now.  But I will send my brother soon to you--my
little brother Death.  And he will come up out of the marshes to you,
and will not forsake you, but will be true to you as I have not been
true.'

And dawn grew brighter over the immortal gods, and the old man
smiled through his tears, which glistened wondrously in the
increasing light.  But Love went down to the night and to the
marshes, looking backward over his shoulder as he went, and smiling
beautifully about his eyes.  And in the marshes whereunto he went, in
the midst of the gorgeous night, and under the wandering bands of
nomad stars, rose shouts of laughter and the sounds of the dance.

And after a while, with his face towards the morning, Death out of
the marshes came up tall and beautiful, and with a faint smile
shadowy on his lips, and lifted in his arms the lonely man, being
gentle with him, and, murmuring with his low deep voice an ancient
song, carried him to the morning to the gods.










End of the Project Gutenberg EBook of The Sword of Welleran and Other Stories
by Lord Dunsany

*** 