



Produced by Nick Hodson of London, England




The Triumph of Jill
By F.E. Mills Young
Published by John Long, London.
This edition dated 1903.

The Triumph of Jill, by F.E. Mills Young.

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THE TRIUMPH OF JILL, BY F.E. MILLS YOUNG.

CHAPTER ONE.

"Art," said the man, regarding lingeringly a half finished canvas
standing on an easel in the middle of the poorly furnished room, and
then the very insignificant little girl beside him, who had posed for
him ever since she had dispensed with long clothes, and subsequently
taken to them, again, and had always proved an unsatisfactory model from
an artistic point of view, "is the only thing really worth living for,
and yet it's the most bally rotten thing to take up--as a bread winning
profession, you understand.  When you've got the bread, and plenty of
it, it's a very fine way of getting butter to it, and in exceptional
cases preserves as well.  I'm sorry," with a smothered sigh of regret,
"that I didn't go in for something more satisfactory for your sake; I
should have felt easier in my mind when it came to pegging out."

But the girl was enthusiastic upon the subject as well as himself.

"It was your life's work," she answered; "you could not have done
otherwise."

"Perhaps you are right," he said, turning his head restlessly upon the
cushion.  "My life's work!  And what a poor thing I have made of it.
What a grind it has been, and what a failure."

"Don't, dear," she whispered, slipping her hand into his with a
caressing, protecting gesture; "it hurts me to hear you.  And after all
there is nothing to regret.  We have been very happy together, you and
I; I wouldn't have had it different.  If you had been more successful in
a worldly sense we might not have been all in all to one another as we
have been.  We have always managed to get along."

"Yes," he answered with a touch of masculine arrogance, "it was all
right so long as I was well, but I shall never finish that canvas, Jill,
though I've forced myself to work to the last; but I'm pegging out fast
now--two legs in the grave," with a flash of humour and the old light of
mirth in his eyes again, "though I'm hanging on to the upper ground with
both hands like the tenacious beggar I always was; but the sods are
giving way, and I shall suddenly drop out of sight one day, and then--
and then," the sad look coming back to his face, "you'll be left to
fight the battle of life alone."

The girl's lip quivered, and she turned away her head to hide her
emotion, fearful that any display of grief would hurt him, and sadden
his last few hours on earth.

"I shall manage," she answered confidently, "I shall teach; you have
often said I was quite competent of doing that, and occasionally I sell
my own work, you know."

"Yes," he said, "you have my talent, and I have taught you all I could.
But I wish that I had more to leave you; there will be so little after
all the expenses are paid."

"There are the models--my art school stocked," she replied with assumed
cheerfulness.  "I shall be only awaiting the pupils, and they will come
after a while."

The speech was a brave one, but her heart sank nevertheless.  She was
fairly self-reliant, but she had seen enough of the seamy side of life
to realise how difficult it was, added to which she was devoted to her
father, who was all she had in the world, and the knowledge that he was
leaving her just when she seemed to need him most was very bitter.  They
had been comrades ever since she could remember, a bond that had made
the roving, Bohemian life very pleasant, and the severing of which meant
a loss that nothing could ever replace--a void no one else could fill.
And yet she continued cheerful and bright, even gay at times, though
each day found him weaker, and her own heart heavier, and more hopeless.
But she choked down the lump that was always rising in her throat, and
maintained a smiling exterior, despite her grief, until there was no
need to conceal her feelings any longer, and then sorrow had its way,
and found vent in a wild burst of uncontrollable weeping, which after
half an hour exhausted both itself and her, and ended in a kind of
general collapse.  But there was very little time in which to indulge
the luxury of grief.  There was the future to think about; for it was
necessary to live even if one did not feel greatly inclined to; and so
Jill left her tiny bedroom with its sloping ceiling, and stole into the
studio, bare, save for its model throne, and casts, its easel, table,
and couple of cane-bottomed chairs, its smell of stale tobacco, and
cheese, and the memory of the dear presence that once had sat there
working and would work no more.  With eyes blinded by tears, and hands
that trembled she proceeded to dust the models, and put the room to
rights, and as she did so her glance fell upon the still unfinished
picture--her father's last work--and, letting the dusting brush fall
from her hand, she threw her arms about the neck of the Apollo Belvidere
and wept afresh.  Her next move, when this new outburst had subsided,
was to take down the bust of Clytie from the shelf on which it stood and
tenderly remove the specks of dust that had been allowed to gather there
through the inevitable neglect of the past sad days.  This had been her
father's favourite model.  He had liked it on account of a certain
worldliness of expression--a touch of the old Eve, he had been wont to
say--which the others lacked! and so henceforth Clytie would possess an
added attraction, a new interest for her born of pure sentiment.

When she had arranged the room to her satisfaction she set about writing
out her advertisement, no very lengthy matter, for she had thought about
it so continually of late that she knew exactly how to word it.  She had
come to the conclusion that it would be better not to let people know
that she was just starting, so expressed herself in a noncommittal sort
of way as follows:--"Miss Erskine's Art School will re-open on January
15th.  Classes, Tuesdays and Fridays 9:30 to 12:30 p.m., and 2:30--4:30
p.m., Geometry Classes every Wednesday evening from 7:30 to 9 o'clock."
Then followed the address and date, and the advertisement was completed
and ready to appear.  So far everything was easy, but Jill herself felt
by no means sanguine of results.  For one thing the locality was not
very desirable, and the Art School commanded what many people in house
hunting insist upon, a lofty situation, but in the latter instance, of
course, it has nothing to do with stairs.  Miss Erskine's establishment
was four storeys high, and the shape of the ceiling hinted unkindly at
being in close communication with the slates.  Would anybody who was
able to pay for tuition be willing to climb those stairs twice a week,
narrow and steep, and dark enough to be dangerous, not to mention the
dust, which the obscurity hid, but which one's olfactory organ detected
unmistakably as one wended one's way wearily up or down?  No, it did not
seem very probable, and yet it was just possible enough to leave a
margin of hope in her otherwise despondent reasoning.

The next day, Jill had the sorry satisfaction of seeing her
advertisement in print.  It was stuck away in a corner of one of the
least important columns, and did not look very imposing, but it
occasioned her a little thrill of pride all the same, and gave her fresh
heart to return to work, though she had endeavoured to sell a small
canvas that morning for a proportionally small sum and had failed, a
fact, considering the state of her exchequer, not conducive to great
exhilaration.

Fortunately, the rent was settled for the next six months, and she had
still some funds in hand, and after that--well, something would turn up.
For the sake of economy Jill sat at work with a jacket on and her back
turned towards the empty grate, but the weather was particularly cold,
and her hands became so numbed, that she could not hold the brushes; and
on the third day she was obliged to give in and indulge in a fire again.
Soon after that, she sold a picture and received a commission for
another, which she set to work on at once; and for the first time since
her father's death she felt almost light hearted.  But fortune's wheel
is seldom stationary long, and after she had completed the second canvas
there seemed no further demand upon her energies.  This was
discouraging, but still she persevered, painting all morning, and
spending the afternoons trying to sell her work, returning after
nightfall, cold and weary to a dark, cheerless room, and creeping early
to bed for the sake of warmth, and the saving of unnecessary
illumination.

One morning as she sat at work in a by no means cheerful frame of mind,
having made only a very scant breakfast, and unless she sold something
that day, seeing but small chance of making a more substantial meal
later on, she was interrupted by the sound of a footstep on the stairs,
a blundering heavy footstep, that kicked each stair it mounted, and
finally came down with a stamp at the top, having taken a step too many
in the gloom of a fourth storey landing.  It was enough to try anybody's
temper, and the owner of the footstep said "damn!" audibly enough to
reach Miss Erskine's ear as she sat before her easel.  She rose as
promptly as though he had knocked and opened the door.  She had climbed
those stairs so often herself that she found it easy to make allowances.
Not for one moment did she suppose that the visit was intended for
her,--it was a mistake that had happened before, but not often; as a
rule people preferred to make those mistakes lower down,--neither did it
cross her mind to imagine that it might mean pupils; she had given up
all hope of anything in that line, had almost forgotten the poor little
advertisement that she had felt so proud to read in print; it seemed so
long ago since it had been written; and yet it was not quite three
weeks.  A young man stood outside in the narrow passage at the head of
the stairs, a big young man--disproportionately big he appeared to Jill,
but that was only because his surroundings were disproportionately
cramped.  He was in reality a very fine young man, with a good deal of
muscular development, and a pair of long legs.  He was not seen to
advantage just at that moment for he was looking decidedly out of
humour, and his brows were drawn together over his eyes until he
appeared to scowl.  He bowed gravely on seeing Jill, and his face
relaxed a little.

"I beg your pardon," he began, but Jill cut him short.

"Don't mention it," she answered promptly.  "I wasn't surprised in the
least; I have felt that way myself sometimes--just at first, you know."

He stared rather.  Not being acquainted with the quality and thickness
of the lath and plaster of that locality, he did not connect her speech
with the mild ejaculation that had apprised her of the fact that he had
reached the top, and had mounted those stairs for the first time, and he
rather inclined to the belief that he had chanced upon a lunatic.

"I was informed that Miss Erskine lives here," he continued, glancing at
the palette and mhalstick in her hand, which in her haste she had
forgotten to put down.  Instantly she perceived that he had not followed
her train of thought, and regretted her former speech.  Then she said
"Oh!" because she did not know what else to say, and felt glad that she
had a fire.

"Won't you come inside?" she asked.

He took her for one of Miss Erskine's pupils, and followed her in
silence.  She shut the door behind him, and then he saw that there was
no one else in the room.

"The--the servant,"--he had narrowly escaped saying `slavey'--"told me
to come straight up," he went on explanatorily, "she said Miss Erskine
was in.  Can I see her if she is not engaged?"

Jill smiled a little bitterly.  Engaged!

"I am Miss Erskine," she answered with a touch of dignity that sat very
quaintly on her, for she was small, and, in her black dress with the big
white painting apron falling straight from the yoke like a child's
pinafore, looked ridiculously school-girlish and young; in addition to
which she wore her hair in a plait, the end doubled underneath and tied
with a black velvet bow.  No wonder that he had taken her for a pupil.

The information seemed to surprise him, and he regarded her somewhat
dubiously for a moment.  Then he bowed.

"I am fortunate to find you disengaged," he said.

"_I_ should be fortunate if you had found me otherwise," Jill answered
ruefully, but he did not smile; probably he considered her flippant.

"I read your advertisement in the paper a short while since," he
continued gravely, "and came to--" he hesitated, and glanced round the
room till his eye fell upon the canvas on which she was engaged, and the
sight of it seemed to decide him, "to enquire your terms.  I wish to
study act."

Jill gasped.  She had never connected him for a moment with the
advertisement; this was not the sort of applicant that she had expected
at all; the mere idea of teaching this dreadfully big young man appalled
her.  Apparently the incongruity of the situation did not appeal to him,
or perhaps he was too much engrossed with the main object to think of
anything else; for he went on quite coolly as though her acceptance of
him as a pupil were a foregone conclusion.

"I have long wanted to take up art as a hobby for leisure moments, but I
have never had the pluck to go to one of the big studios as I know
absolutely nothing, and I'm not quite sure, dubiously, whether I have
much talent that way."

"That is soon proved," she answered.  "But you will never do anything at
it if you intend only to make a `hobby' of it."

He smiled.

"You think the term ill-advised?" he said.

"I think it inapplicable."

"And when shall I come?" he asked.  "To-morrow?"

"Good gracious, no!" she exclaimed vehemently; then checked herself and
continued in a slightly apologetic tone, "That is I mean if you will
leave your address I will write.  I must have a little while in which to
decide."

"Certainly," he replied, and he took out a card and laid it on the
table, and the next thing Miss Erskine knew was, that she was bowing her
visitor out, and keeping the studio door obligingly open to light him
down to the next landing.  There was no more work for her that morning;
she sat in front of the fire with his card in her hand, and went over
the interview in her mind till she laughed aloud.  On the card was
engraved in neat copper plate, "Mr John St. John, 13 Bedford Square,"
and below that again was another address at Henley.  Evidently Mr St.
John was fairly well to do.  And he wished to dabble in art.  Well, why
shouldn't he?  Jill could see no reason why he shouldn't, but she saw a
great many why she should not be his instructress.  It was a great
temptation nevertheless; she was badly in want of money for one thing,
but on the other hand he was so tremendously big that the thought of
undertaking him as a pupil filled her with a strange shyness.  She felt
that she could not do it, and determined to write and tell him so.  As
luck would have it that afternoon she sold three canvasses.  They did
not fetch much it is true, still it was something, and the dealer
further intimated that he would be glad of more work from her in the
future.  This was encouraging, and Jill went home in the best of
spirits.  That night she wrote to Mr St. John stating as briefly as
possible that she regretted any inconvenience to which he had been put,
but on consideration she discovered that she could not possibly take any
fresh pupils just at present.  Then she tossed his card into the fire
with a sigh of relief, and, watching it consume, saw the last, as she
supposed, of Mr John St. John.

The next day she did not go out at all, but sat at home working busily,
and endeavouring her hardest not to think with regret of last night's
now irrevocable decision.  What a pity it was that instead of Mr St.
John it had not been some lanky school girl with short dresses and a
pigtail; it would have been so nice to have someone to talk to
occasionally.  At present her conversation was restricted to the man who
bought her pictures, and the hard-worked, lodging-house slavey on the
not too numerous occasions when she brought up the coals.  The following
afternoon she went out as usual to try and get a few fresh orders, and
if possible sell some of her present work.  Neither attempt however
proved successful, and she arrived home tired and worried with a
distinct disinclination to climb the stairs.  The ascent had to be made
nevertheless, and so she trudged wearily up, and pushed open the studio
door with a long drawn sigh of sheer fatigue.  That night she crept into
bed supperless because she did not feel hungry, and as a natural
sequence cried herself to sleep.

CHAPTER TWO.

The following morning Jill received another visit.  It was a case of
history repeating itself so to speak.  She was seated in much the same
attitude as on the former occasion, only this time she waited and
allowed the visitor to stumble up the stairs as best he could and knock
before she rose to open the door.  It was the same quick blundering
step, and, when she confronted him, the same slightly scowling face that
met her glance; apparently Mr St. John did not find the stairs less
intricate on further acquaintance.  He held his hat in his hand and Jill
noticed that he looked rather diffident.

"You got my note?" she queried with a clearly perceptible inflection of
surprise in her voice.

"Yes," he answered, "that is why I am here.  I must apologise, though,
for calling on your class day.  As a matter of fact I came yesterday
afternoon but found I had just missed you; you were out."

"Yes," she replied, "I was out, but I never heard that you had been.  It
was courageous of you to attempt those stairs a second time.  Will you
come in?"

He entered, and then looked round in surprise.  The room was just the
same as on the former occasion unoccupied save by themselves and with no
visible preparation for anyone else.  Jill detected the look and
resented it.

"You are wondering where my pupils are," she said quickly, "I am
expecting--no," with a proud upraising of her small chin, "I am _not_
expecting--How could I expect anyone to mount those stairs?--I am
_hoping_ that some may turn up eventually."

"And yet," he said in a distinctly offended tone, "you refuse the first
who presents himself.  But perhaps you mistrusted my claim to
respectability?"

Jill blushed uncomfortably.  She had forgotten for the moment that she
had refused him as a pupil on the ground of having no vacancy.

"It--it isn't that," she tried to explain.  "I can quite believe that
you are _very_ respectable but--Oh! can't you understand?--I wanted to
teach children?"

Apparently he did not consider that sufficient reason to preclude her
from teaching him also; he did not seem to think that there might be
other reasons which had led up to this--to him--very trivial one.

"I don't know any more than a child would," he replied, "and I should
pay three times the fee--double for being an adult, treble for being a
male adult which some ladies seem to consider an additional
inconvenience."

"Excuse me," put in Jill severely, "if I undertook to teach you my
charge would be the same for you as for any other pupil, but I am afraid
I must decline."

"Very well," he answered huffily, "the decision of course rests with
you, but I won't attempt to disguise the fact that I am very
disappointed."

He walked towards the door, but stopped, and came back a little way.

"If it is anything to do with--that is I mean to say--I will pay in
advance," he blurted out.

The girl bit her lip.

"It has nothing to do with that," she cried sharply.  "Oh, dear me, how
very dense you are!  Don't you see that it wouldn't do for me to teach
you?"

He stared at her.

"Good heavens!" he exclaimed, "you don't mean to say that you're afraid
of Mrs Grundy?  She would never get up those stairs I can assure you,
and if she did why we'd stick her on the model throne and paint her."

Jill laughed in spite of herself.  It sounded very ridiculous put into
plain English, and yet after all he had pretty well hit upon the truth.

"It isn't only Mrs Grundy," she replied, "but I--I don't feel equal to
undertaking you.  I think it would be better if you went to someone--
older."

"When I read your advertisement," he said stiffly, "I imagined that you
would be older.  But I don't see that it much matters.  I want to study
art.  You wish to teach it and have no other pupils.  Why not try me for
a quarter and see how it works?"

It was a great temptation, Jill still hesitated.  Absurd as she felt it
to be she was unmistakably nervous at the thought of teaching this big
young man, while he, noting her indecision, stood waiting anxiously for
her to speak, too engrossed with his project to consider her at all; she
merely represented a means to an end, the object through which he might
accomplish the only real ambition of his life.

"I don't know," she said slowly after a long pause, "I think perhaps I
might try as you suggest, for the quarter but--I wish you had been a
girl."

"Thank you," he answered.  "I am sorry that I cannot agree with you.
Shall I stay this morning?"

Jill looked rather alarmed at this proposal, but, she reasoned within
herself, if he were coming at all he might as well begin at once, so,
after another long pause, and a dubious look round the none too tidy
studio, she gave an ungracious assent, whereupon he immediately
commenced divesting himself of his overcoat, an action he regretted when
it was too late, and, but for fear of hurting her feelings, he would
have slipped into it again for the fire was nearly out and the room
struck chill; he wondered how she sat there painting with her small
hands almost blue with cold.

"The servant," explained Jill airily with the astuteness of a very
observant nature, "will be here with the coals shortly; she usually
brings them up at about eleven."

He looked rather disconcerted.

"Oh, I'm not cold in the least," he exclaimed untruthfully, "it is quite
warm to-day."

"Yes," replied the girl shortly, "the thermometer is below Zero, I
should say.  Will you sit here please?"

She placed him as near the fire as possible and provided him with
drawing-materials, then going over to a shelf began to rummage among
endless books and papers for a suitable copy simple enough for him to
start on.

"I wish to go in for the figure from life," he modestly observed.

Jill fairly gasped at his audacity; she had understood him to say that
he was a novice.

"How much," she asked, pausing in her search and regarding him
critically the while she put the question, "or how little drawing did I
understand you to say you had done up to the present?"

"I haven't done any," he answered meekly.

Jill went on with her search again.

"We will commence with flat copies," she crushingly remarked, "after
that we will attempt the cast, and then--but there is ample time in
which to think about such lofty aspirations."

Mr St. John was not the mildest tempered of mortals but he sat mute
under the rebuff and took the copy which she handed him without comment.
It was an easy outline of a woman's head, absurdly easy the new pupil
considered it, and yet, to use his own vulgar phraseology after he had
been working laboriously for ten minutes and had succeeded in rubbing a
hole in the paper where the prominent feature should have been, it
stumped him.  Miss Erskine rose and stood over him with a disagreeable,
I-told-you-so expression on her face.

"I can hardly accuse you of idleness," she said, "you have been most
energetic as the paper evinces.  I think we had better start again on a
fresh piece."

She fetched another sheet of drawing paper and, taking the seat he had
vacated, pinned it on the board, while he stood behind her, his brows
drawn together in the old scowl, and a gleam of angry resentment in his
eyes.

"The paper," Jill continued in measured cutting tones, "was not wasted;
it has served its purpose; for you have learnt your first lesson in art.
It is a useful lesson, too, as it applies to other things that are
worth mastering.  The will to accomplish a thing is not the
accomplishment, remember; it is necessary to the accomplishment, of
course, but one must work hard, fight against difficulty, and defeat
defeat.  Now that you have acknowledged the difficulty we will see what
we can do to overcome it."

The young man stared at her with, it must be confessed, a certain amount
of vexed amusement in his gaze.  He wondered what sort of an old woman
she would be, and finally decided that she would develop into an
acidulated spinster.

"If you will kindly give me your attention," she began with the new
dignity which was so unbecoming to her, and so very unpleasant to her
pupil, "I will--"

But here an interruption occurred in the welcome sound of someone
mounting the stairs, followed by much shuffling and the flop of
something heavy outside the door.

"Coals!" purred Jill with evident relief, and then he noticed that she
was shivering slightly.

"Come in," she cried.

The shuffling re-continued but instead of the appearance of the coals
the sound merely heralded a retreat, whoever it was had commenced the
descent, of that there could be no shadow of a doubt.  Jill sprang up
and went to the door, and St. John heard her remonstrating at some
length with a person named Isobel, an obdurate person seemingly, and one
who used the expression aint a good deal, and found some difficulty with
her aspirates.  After a long and subdued warfare of words the shuffling
feet recommenced their descent, and then the door flew open and Miss
Erskine appeared dragging in the scuttle.  St. John strode swiftly to
her assistance but Jill waved him peremptorily back.

"Thank you," she said, "I can manage; it is not at all heavy."

"No," he answered, giving her a straight look as he grasped the handle,
"not more than quarter of a ton I should say.  Allow me if you please."

Jill released her hold and watched him with limp resignation; that deft
usage of her own weapons had been too much for her.  It was ungenerous
of him, she considered, and to do him justice he was rather of the same
opinion.

"There!" he exclaimed, as he threw on fresh coals, and, going down on
his knees, raked out the dead ashes from the lower bars, "it will soon
burn up now.  Had the cold upset Isobel's equilibrium too?"

It was an unlucky slip, but fortunately for his own peace of mind, Mr
St. John did not notice the offensive and unnecessary little word at the
end of his query, nor, having his back towards her, could he see Jill's
quick flush of annoyance.

"I don't understand you," she answered curtly.

"I beg your pardon," he remarked, nettled by her tone.  "I hope you
don't think me impertinent; but I thought there had been a little
difficulty about bringing in the coals."

"So there was," she replied, and smiled involuntarily at the
recollection.  Then she glanced at her art student as he knelt upon the
hearth, and from him to the models showing up white and still against
the dingy curtain which formed their background; Mars Borghese, the
Apollo Belvidere, the Venus de Medici, and a smaller figure of the Venus
de Milo; a good collection, a collection which both she and her father
had loved and been proud of, and which had taken many years to gather
together.

"You were the cause," she continued, bringing her gaze back again to the
kneeling figure in front of the grate; "Isobel's modesty would not
permit her to enter the studio with a strange man present; ignorance is
always self-conscious, you know."

He gave her a quick look.

"I am sorry," he said, "to have been the innocent cause of so much
perturbation.  Hadn't you better arrange with the Abigail to bring the
coals a little earlier?"

Jill shook her head, but she was still smiling.

"You forget," she said, "that I'm only the attics; it is a favour that I
get them brought at all.  I fear it will end in your always having to
carry them in if you won't let me; that and the stairs will soon put to
flight your desire for studying art."

He got up, and bending, began to dust the ash off his clothes with angry
vehemence.  Did she wish to annoy him, or was it merely that she was
cursed with a particularly disagreeable manner?  Jill feigned not to
note his displeasure, but, returning to the table, resumed her seat and
went on with the lesson as though there had been no interruption,
explaining and illustrating her remarks with the care and precision that
she remembered her father to have used when first instructing her.  Mr
St. John listened with grave attention; he was at any rate unaffectedly
interested in the matter in hand, and had, if not the talent, an
unmistakable love for art.  When she relinquished the seat he took it
and made a second, and this time less futile attempt.  It is true that
his drawing bore so little resemblance to the copy that it could not
possibly be taken for the same head, nevertheless it was a wonderful
creation in the artist's eyes, and possessed a power and boldness of
conception which the original lacked, he considered.  He put his idea
into words, and again Miss Erskine marvelled at his audacity.

"Not bad, is it?" he queried in a tone the self-complacency of which he
did not even attempt to disguise.  "I strengthened it a bit--thought it
would be an improvement, don't you know."

"Yes," agreed Jill, regarding his work with dubious appreciation,
"character in a face is greatly to be desired."

He nodded approvingly.

"I'm glad you think that," he remarked with increasing satisfaction;
"but of course you would."

"Of course.  And, after all, a few inches on to one's nose hardly
signifies, does it? not to mention a jaw that no woman ever possessed
outside a show.  Your drawing puts me in mind of somebody or other's
criticism on Pope's translation of Homer--`a very pretty story, Mr
Pope, but it is not Homer.'  Yours is a very wonderful creation, Mr St.
John, but it in no wise resembles the copy."

St. John glared.

"I thought you said you admired character?" he exclaimed.

"So I do; and there is a great deal of character in the original, I
consider; but if you wish for a candid opinion, I think your head is
simply a masculine monstrosity.  But, come, you need not look so angry;
we do not win our spurs at the first charge, you know.  Must I praise
your failures as well as your successes, eh?"

"You don't think me quite such a conceited fool, I hope," he said
somewhat deprecatingly, though he still looked a little dissatisfied and
aggrieved.  "I only meant that it wasn't altogether bad for a first
attempt."

But it was not Jill's intention to flatter.

"It isn't altogether _good_ for a first attempt," she said.

"You are not very encouraging," he remarked a trifle reproachfully.
"Had you been my pupil and I had said so much--"

"I should have thought you very disagreeable," she interrupted,
laughing.

He laughed also; for despite her contrariety her mirth was most
infectious, and put him more at ease with her.  It was the first glimpse
of her natural self that she had vouchsafed him, and he liked it
infinitely better than the half-aggressive dignity she assumed in her
capacity of teacher.

"Do you think," he ventured again after a pause, and with a decided
increase of diffidence, "that I am likely to be any good at it?"

Jill took up a pencil and penknife with the intent to sharpen the former
but laid them down again suddenly and looked him squarely in the face.

"If you mean have you any talent for art?" she said coolly, "I am afraid
I cannot give you much encouragement.  You have a liking for it, and, I
should say, possess a certain amount of perseverance; therefore in time
you ought to turn out some fairly decent work, but you have not talent."

He looked displeased, and fell to contemplating his work anew from the
distinctly irritating standpoint of its not being quite such a success
as he had deemed it.

"You are very candid," he remarked, not altogether gratefully; "I
suppose I should feel obliged to you.  But, to be frank in my turn, you
would do well not to be quite so candid with your pupils; you will never
get on if you are."

She laughed, and shrugged her shoulders with a careless, half-bitter
gesture.

"Your advice is rather superfluous," she answered; "I am not likely to
get any pupils."

"Why not?" he queried.  "You have one."

"Very true," she replied, "I had not forgotten that; it is too gigantic
a fact to be overlooked.  Nevertheless, as I believe I remarked before,
the coals and the stairs are likely to prove too great odds; facts--even
gigantic ones--have a way of vanishing before great personal
discomfort."

He reached down his overcoat and thrust his arms into the sleeves
without passing any comment on her last remark; there was such an
extreme possibility, not in the stairs, or the coals, but in herself
proving too much for him that he refrained from contradicting her.  Jill
watched him busily without appearing to do so until he was ready to go,
and stood, hat in hand, apparently undecided whether to shake hands or
no.

"Good morning," she said, and bowed in so distant a manner, that,
regretting his former indecision, he bowed back, and turning round went
out with an equally brief salutation.

When he had gone Jill sat down in his seat and fell to studying his
work.

"`Shall I be any good at it?'" she mimicked, and then she laughed aloud.
"`Do you think that I am likely to be any good at it?'  No, I do not,
Mr St. John, I don't indeed."

CHAPTER THREE.

When St. John left the studio it was with so sore a feeling of
resentment against Miss Erskine that it seemed to him most unlikely that
he would ever re-enter it.  It was not that he disliked her; he did not,
but he had an uncomfortable conviction that she disliked him, and felt
aggrieved at his presence even while she suffered it on account of the
fee.  He remembered with some vexation that he had almost forced her
into accepting him as a pupil, for poor as she undoubtedly was she had
plainly evinced that she had no desire to instruct him.  Never mind, he
would atone for his persistence by sending her his cheque and troubling
the studio no more; that at any rate would show her that he had no wish
to intrude.  This decision being final he dismissed the matter from his
mind, and, as a proof of the consistency of human nature, on Friday
morning at the specified hour he stood on the dirty steps outside Miss
Erskine's lodgings knocking with his walking-stick on the knockerless
door.  The modest Isobel opened it after a wait of some five minutes--
minutes in which he had time to recall his past determination and to
wonder at himself for having so speedily altered his mind--and having
opened it startled him considerably by firing at him without giving him
time for speech the vague yet all comprehensive information.

"She's hout."

"Miss Erskine?" he queried in very natural astonishment.

"Yus; been gone over 'arf a nour."

"But," remonstrated St. John, "the Art School opens at half past nine,
it is after that now."

"Carnt 'elp it, she's hout."

"It is a very strange procedure," he exclaimed in visible annoyance.  "I
come to the Art School at the hour it should open and Miss Erskine is
out."

"Well!" snapped the damsel waxing impatient in her turn, "wot of that?
The Art School aint hout, is it?  You can go up if yer want to."

The permission was not very gracious but St. John accepted it
nevertheless, and striding past her into the narrow passage began the
ascent.  He had not mounted two stairs however, before the slipshod
Isobel called him back, and he noticed with surprise that her manner was
altogether different, her tone softer, and in the obscurity of the dingy
passage she looked less dirty and untidy.

"Ere's the key," she said, holding it towards him.  He advanced his hand
but immediately her own was withdrawn and thrust behind her.

"Wouldn't yer like to git it?" she said.

He mildly answered that he would and stood waiting expectantly, but she
made no move unless a facial contortion could come under such heading.

"Then take if," she returned with arch playfulness, and a broad grin,
but still she kept her hand behind her and stared up in his face with
impudent meaning, and a leer that was evidently intended to be
captivating.  He understood her perfectly but his mood did not fit in
with hers; to do Mr St. John bare justice he was rather above that sort
of thing, and he remained stationary with one hand grasping the greasy
banister, and one foot on the lowest stair.  The girl gave it up then,
and with another grimace, and a little scornful giggle approached him
with the key held at arm's length between a grimy finger and thumb.

"'Ere greeny," she said, then laughed again as he took it from her with
a word of thanks and turned to go upstairs, "I don't wonder Miss
Herskine went out," she said.

But St. John went on feigning not to hear though a flush of annoyance
dyed his cheek, and he had rather the appearance of a man who with
difficulty restrained a swear.

When he opened the studio door the first thing that struck him was its
untidiness, the next, that the fire was out, two facts which filled him
with an irritating sense of discomfort and half inclined him to return
whence he came; but for the desire to occasion Miss Erskine some slight
embarrassment and thwart her plans by remaining, he assuredly would have
done so.  That the fire had been lighted that morning was evident, he
discovered on closer inspection, by a thin line of smoke still issuing
from the seemingly dead embers; it had not been purposely omitted then
but had gone out for want of attention.  The knowledge appeased his
wrath somewhat, and feeling more disposed to remain he drew a chair up
to the table and looked round for his drawing-board with the intention
of commencing work before Miss Erskine returned.  The board stood
against the wall with a fresh sheet of paper stretched ready for use,
but there was no copy, so going over to the shelf from which Jill had
taken the former one he commenced turning it over in search of another.
He did not find what he wanted, however, because before doing so he
tumbled accidentally upon what he was not looking for, what he had never
dreamed of finding there, and what, when he had found it, caused him
anything but pleasure.  It was, in short, a very clever, and considering
the length of the acquaintance a very impertinent sketch of himself.  He
had not seen her doing it, but there could be no doubt who was
responsible for the thing, besides he knew the writing at the bottom of
the sketch--small legible writing that he had seen on one other occasion
in the curt little note which had refused him as a pupil.  She must have
drawn him while he sat working, and had achieved an admirable likeness,
indeed as a specimen of artistic skill the caricature--for such it was--
was perfect.  The whole thing was not larger than a cabinet photograph,
just the head as far as the shoulders with eyes downcast, and an
absurdly exaggerated rapture of expression on the face.  The height of
his collar had also been exaggerated and above the bent head encircling
his brow was a nimbus.  Beneath the drawing Miss Erskine had scribbled,
`Saint John the Beloved,' and St. John looked at it, and failing to
appreciate the unmistakable talent it betrayed stood scowling at his own
portrait.  How long he remained thus he knew not, but the next thing he
was aware of was the opening of the studio door, and Miss Erskine
herself appeared while he still stood there with the drawing in his
hand.  She looked pale and hurried, and was panting a little as if she
had been walking very fast.  She bowed to St. John, and glanced from him
to the drawing-board, and then back again to the paper in his hand.

"I am so sorry that you should have found me out," she exclaimed; "I
started early with the intention of being back in time, but--well
accidents will happen, won't they?  It was unfortunate but I am glad to
see that you were going to begin without me.  Have you found a copy?"

"Yes," he answered coolly, keeping his glance fixed full upon her face,
"a Biblical one; but I am afraid it is rather beyond me."

He held it towards her, and, all unconscious of what it was, she took it
from him, glanced at it, then bent her head lower to conceal her
features and the vivid blush which overspread her face.

"It's--it's decidedly beyond you," she said, and there was a note of
defiance in her voice, he even fancied that he detected a ring of
laughter in it also, but that might have been his imagination.

"Yes," he agreed, "so I thought."

"It's very strange but it seems to me to be a little--a little like--
you," she continued, and then she raised her eyes to scan his face
looking from him to the sketch and back again with her head on one side
and a gleam of mischievous amusement in her glance.  Evidently she
intended braving it out; though it was easily seen that she was feeling
both awkward and uncomfortable.

"Not a little," he corrected, "but _very much_ like me."

"Ah! so you perceive it also?  Yes, it _is_ very much like you.
Strange!  I wonder how it got there?"

"So do I," he answered dryly.  "It is also a case for speculation how
your handwriting got on the bottom of the paper."

"Why, so it is, `Saint John the Beloved,' whose beloved, I wonder,
that's a case for speculation also."

She tossed the sketch on to the table and stood facing him with such an
assured, audacious air that he could find nothing to say, so fell to
scowling again in lieu of any verbal expression of his opinion
concerning her.  She had perfect control of herself now, and meant to
give him no further satisfaction, indeed she was vexed to know that he
had managed to confuse her at all; but it had been such an altogether
unexpected contretemps and had taken her so entirely aback.  She smiled
at the angry young man, and began slowly pulling off her gloves.

"If you wish to copy that, Mr St. John," she began, "you are welcome to
make the attempt, but it is rather advanced.  I should advise you to
give your attention to something simpler."

As she finished speaking she turned to a portfolio against the wall and
abstracted thence a series of heads in outline, showing the method of
working.  These she placed on the table before him and ran through a
brief explanation of the method, and how he should follow it, while he
watched her in gloomy silence, and reluctantly admired the easy mastery
with which she sketched in the first head for him to see.

"There," she exclaimed, "now you know how to go on so I will leave you
for a moment while I go and take off my outdoor things."

She disappeared behind the old green curtain partitioning off a part of
the room that had served her father for a sleeping apartment, and was
now kept as a dressing-room but seldom used, and from thence into the
tiny chamber which she called her bedroom.  When she returned, in the
big studio apron that he had first seen her in, she found St. John very
deeply engrossed; he did not even glance up as she appeared, but bending
his head lower over his board went diligently on with his work.  The
sketch of himself, she noticed, had vanished but hardly had she time to
regret this fact before her attention was caught by the fireless grate
which on her first entry, heated with her rapid walk, and enveloped in a
thick jacket had escaped her observation.  Seeing it now she turned to
him with a very injured air.

"Why, you've let the fire out," she said reproachfully.

"I beg your pardon," he answered stiffly, "it was out when I arrived."

Jill bit her lip and walked swiftly across the room to the fireplace.
There were sticks and paper in a cupboard beside it, and, getting some
out, she knelt down before the hearth and commenced laying the fire
anew.

"I beg _your_ pardon," she said somewhat crestfallen.  "It happened, I
suppose, through my being out so much longer than I intended; but that
was quite an accident, and not my fault at all.  I hope you will excuse
all this inconvenience."

"Don't mention it," he exclaimed, "the inconvenience is greater for you
than for me."

He glanced round as he spoke and watched her while she began to arrange
the sticks.

Something struck him as unusual about her, and after a time he
discovered what it was, she was working with one hand, the right one,
and on the left wrist was a very neat and very new looking bandage.  In
a moment all his resentment against her vanished, the caricature was
forgotten, and with it her former ungraciousness of manner.  He recalled
how pale and weary she had looked on entering, and how he had
endeavoured to embarrass her by showing her what he had found.  He rose
and joined her where she knelt upon the hearth.

"Excuse me," he began in a slightly apologetic tone, "I see that you
have hurt your wrist; won't you let me do that for you?"

"Thank you," she answered, "but I can manage very well; it is nothing--
much."

The much was a concession to conscience, and was thrown in with an
unwilling jerk at the end.  Then he did a very bold thing; he went down
on his knees beside her and took the sticks out of her hand.

"I'm a don hand at building up fires," he said; "there's never any
difficulty about my fires burning."

"I should think not," replied Jill, watching the reckless way in which
he threw on the sticks; "a fire that wouldn't burn with all that wood
ought to be ashamed of itself.  Mr St. John, please; you'll ruin me."

St. John desisted then and put on coals instead, piling them up with an
equally lavish hand; then he struck a match and set light to the
erection which was soon blazing and cracking merrily.

"I told you so," he cried triumphantly looking up at her as she stood a
little behind him regarding with a somewhat rueful smile the very
unnecessary extravagance.  "That will be as hot as blazes before long.
Come a little nearer; you look cold."

He fetched her a chair and Jill sat down and held her hands to the
warmth.  She was cold--cold, and tired, and shaken.  Her head ached
badly too, and all the fight seemed taken out of her; she could only sit
there enjoying the rest, experiencing the pleasurable novelty of being
waited upon, and of having someone to talk to again.

"And now," exclaimed St. John, taking his stand before her with his
grimy hands held at awkward angles from his clothes, "tell me how you
managed to hurt yourself.  Is it a sprain?"

"I don't know what it is, a mere scratch, I think," she answered.  "It
happened when I was out this morning."

"Indeed! an accident then?"  His tone was sympathetic and interested.
Jill expanded further.

"Yes," she replied, sinking her chin in the palm of her right hand and
resting her elbow on her knee.  "A female horror on wheels rode over
me."

"What, a cyclist?"  Jill nodded.

"You don't approve of biking then?"

"Oh!  I don't know," she answered.  "I suppose I should if I had one of
my own.  It isn't the machine that I'm disparaging now but the rider.
Some people seem to think that the metropolis belongs to them, and that
you ought to apply to them for the privilege of residing in it.  She was
one of that sort."

"But it was not purposely done?"

"No, I suppose not, as it occasioned her the great inconvenience of
stepping off into the mud, but it was sheer carelessness all the same.
I was crossing the road, and it was a case of being run over by a
hansom, or biked over; I preferred the latter."

"Did you find out who she was?" he asked.

"Yes," replied Jill, feeling in her pocket.  "I have her card.  She was
very gracious, and wished me to apply to her if I wanted money, hinting
delicately at a doctor's fee, or something of the sort.  I took her card
out of curiosity, and walked into the nearest chemists', having the
satisfaction of hearing her say to someone as I went, that she would see
that I had compensation, poor girl! so stupid to have run right in front
of her wheel."

"Prig!" muttered St. John.

"There's the card.  You can throw it into the fire when you've done with
it; I shall make no application."

He took it from her, glanced at it, and then gave vent to an involuntary
exclamation of surprise.  Jill looked up.

"You know the name?" she questioned.

"Rather!"

"A friend of yours?"

"Well--yes, I suppose so; she's a sort of connection."

Jill compressed her mouth, and stared fixedly at the fire; the situation
was a little awkward.

"Being a relation of yours," she began in a slightly strained voice,
"I'm sorry that I said what I did, but--well, you yourself, called her a
prig, didn't you?"

"Yes," he admitted, and then he tore the card in two, angrily, and threw
it into the flames.

"She couldn't, perhaps, have avoided the accident," Jill went on, "and
she meant to kind, but she doesn't possess much tact."

"No," he agreed, "she doesn't.  You must allow me to apologise for her.
After all there is some slight excuse for her gaucherie; she has been
spoilt with a superabundance of this world's goods--quarter of a million
of money is rather inclined to blunt the finer sensibilities."

"Quarter of a million!" gasped Jill.  "Oh, dear me, I would like the
chance of having my finer sensibilities blunted."

She laughed a little, but St. John was looking so gloomy that her mirth
died away almost as soon as it had risen.

"Come!" she said, jumping up.  "I will get you some water to wash your
hands, and then we must go to work; it will never do to waste a whole
morning like this."

He allowed her to go without hindrance, and when quite alone stood
glaring at the charred embers of Miss Bolton's card.

"Just like Evie," he soliloquised.  "That girl is always making a
blithering idiot of herself, though I--H'm!  I wonder what little Miss
Erskine would say if she knew that I--"

He broke off abruptly and kicked savagely at an inoffensive lump of coal
lying near to his boot left there by his own carelessness when making
the fire.

"Oh, hang it!" he mentally ejaculated, "what a confounded ass I am."

"The water and soap are on the table," said Jill's voice at his elbow,
such a small friendly voice, so very different from her former tone--the
tone that was always associated in his mind in connection with her--that
he turned and faced her involuntarily, looking down at her with a smile.

"It is awfully good of you to trouble," he said.  "I am afraid that I
and my relations are putting you to a lot of bother."

"By no means," she answered, with a return to her former distance of
voice and manner.  "When a student of mine soils his hands in my
service, the least I can do is to provide him with the means of
cleansing them again."

St. John immediately retreated within himself, and taking the towel
which she offered him, walked over to the table.  When he had finished
his ablutions, Miss Erskine removed the basin, while he took his former
seat and quietly resumed work.  The rest of the time passed pretty well
in silence, Miss Erskine's manner continuing as distant as ever.  In all
likelihood she would have bowed him out as before, had he not boldly put
hesitation on one side, and marching straight up to her held out his
hand.  Jill, in unwilling acquiescence, placed hers in it.

"You mustn't treat me altogether as a stranger," he said.  "Because we
are teacher and pupil it doesn't follow that we need be enemies also.
Good morning, Miss Erskine; believe me, I am sincerely sorry for the
injury that you have received."

Jill smiled and a gleam of mischief shone in her eyes.

"I seem to have received so many this morning that I hardly know which
you mean," she said.  "Do you allude to the hurt wrist or the very
ungenerous manner in which you greeted me on my return?"

He coloured a little.  Then he laughed.

"I was rather wild," he admitted.  "Saint John with my face, twentieth
century get-up, and a nimbus, was a bit too much."

"Indeed!  I thought it rather clever," Jill modestly remarked.

"Clever, yes; so it was, no doubt.  If it hadn't been so clever, it
wouldn't have been so annoying."

"It has gone!" she cried, glancing at the table, though she knew already
that it was not there.  "You are not taking it with you?"

"Yes," he answered coolly, "I am."

"But, Mr St. John," she remonstrated, "I think that I have some claim
to my own work."

"But, Miss Erskine," he retorted, "I think that I have some claim to my
own portrait."

"Well, never mind," said Jill.  "I can sketch it again if I want to."

"Yes," he replied, "but I don't think you will."

"Perhaps not.  I am not fond of wasting my time; it is too precious."

St. John laughed and took up his hat.

"Good-bye again," he said.  "I hope by the next time I come that the
hand will be quite well."

"Thank you," she answered.  "I hope it will."

He had not been gone half an hour when a most unusual thing occurred--
unusual, that is, for number 144.  It was, indeed, an unprecedented
event within the memory of the present owners of the establishment, and
quite a shock to the slovenly Isobel who opened the door to the very
peremptory knock.  It was, in short, a florist's messenger with a large
and magnificent basket of hot-house flowers for Miss Erskine.  Not being
the locality for such dainty gifts, it was not surprising that, to quote
Isobel verbatim, it struck her all of a heap.  She carried the basket up
to the studio, another unusual event; on the very rare occasions when a
parcel arrived for Miss Erskine it was left on the dirty hall table
until she descended in quest of it.  But Isobel's femininity detected
sentiment amid the fragrant scent of the delicate blossoms, and the
vulgar side of her nature was all on the alert.  No doubt she expected
Miss Erskine to be equally excited and curious with herself, but Miss
Erskine was not in the habit of gratifying other people at her own
expense.  She was standing in front of her easel roughly sketching with
a piece of charcoal when Isobel bounced into the room, and only paused
in her occupation to give a very casual glance at the flowers, and to
evince some surprise at sight of them, and still more at having them
brought up.

"One would think that I was a first floor lodger," she exclaimed,
turning back to her work again, "instead of merely the attics.  You'll
be charging me for attendance soon, Isobel, if it goes on at this rate.
Put it down on the table, please."

Isobel looked distinctly disappointed.

"But you ain't looked at 'em yet," she said.

"I've seen flowers before," Jill answered.

"They look very pretty and smell nice; but they'll soon die in this
turpentine atmosphere."

"Then you can keep the barskit," giggled the other.  "I expect 'e
thought o' that; 'e aint so green as I took 'im to be.  Fancy you 'avin'
a young man, Miss Herskine!"

Jill did look round then, and her glance was withering in the extreme.

"Explain your meaning, please," she said.  "I don't understand jests
like those."

"It aint no jest," replied Isobel somewhat abashed but grinning still
despite the snub.  "I didn't mean no 'arm neither, only," edging toward
the door and preparing for flight, "when a gent takes to sendin' flowers
it's like when the lodgers begins complainin' o' the charges--the
beginnin' of the hend, so to speak."

The studio door slammed on her retreating figure, and her footsteps
could be heard asserting themselves triumphantly in her descent--verily
some people are born to make a noise in the world!  Jill listened to
them until they reached the next landing, then she laid down her
charcoal and approached the table.  For a minute she stood motionless
regarding the flowers, then she smiled a little and bending forward drew
out from among them a card though she hardly needed that to tell her
from whom they came.  "With Saint John's compliments," she read, and the
smile on her lips widened until it broadened into a laugh.

"If all your relations possessed the same amount of tact," she
soliloquised, "what a model family yours would be."

She laid her face against the flowers and laughed again, a soft quiet
laugh full of enjoyment.

"What a bright patch of sunshine in the old studio," she continued,
smilingly caressing the blossoms, "and what a bright patch of sunshine
in somebody's heart, my dear saint, what a warm, brilliant, altogether
delightful patch to be sure."

CHAPTER FOUR.

On the next occasion that St. John made his appearance at the studio
there was a visible constraint in his manner as there was also in Miss
Erskine's.  Jill had rehearsed a grateful little speech to deliver on
his entry, but when their hands met there was silence; the speech, like
many another rehearsed effect, had taken to itself wings, and all she
could find to say after an awkward pause was,--

"Good morning.  The weather seems to have turned milder, doesn't it?"

And St. John's remarkably original answer was,--

"Really!  Do you think so?"

And then they commenced work.  Yet St. John knew that she had received
his flowers, and was pleased with them before even he caught sight of
them, withered and dead now, in their basket on the window ledge; and
she was equally aware that he understood all that she felt and yet had
failed to express in words.  The words came later when the sudden fit of
embarrassment had worn off, and the lesson was nearing its termination,
and there was no doubt as to the genuineness of her pleasure when she
did thank him.  She was sitting in his seat correcting his work, and he
was standing over her with his hands on the back of the chair.  When she
said.

"It was more than kind of you, Mr St. John, to send me those lovely
flowers," he let his hands slip forward a little until they touched the
sleeves of her gown.  Jill, unconscious of the slight contact, continued
gravely,--

"I can't very well tell you how I enjoyed them because you could hardly
understand how anyone loving such luxuries and yet unaccustomed to them
could appreciate them.  It was like a peep of sunshine on a rainy day to
me."

St. John drew himself up and stood with his hands clasped behind him.
There was something about this girl, small, poorly clad, and friendless
though she was, that commanded his respect, and he felt instinctively
that his former lounging position had been an insult to her.

"I am glad," he answered simply.  "It gives me pleasure to know that you
enjoyed them."

When he left the Art school that morning, he carried away with him a
pleasanter remembrance of it than he had ever had before, nor was he
again to feel the same annoyance and resentment that he had experienced
on every former occasion.  Jill had let fall the mantle of reserve which
at first it had pleased her to gather round her, and though she might
later repent having done so she could never don it again with the same
efficacy.

The next day Jill paid a visit to the dealer who bought her pictures,
and, having managed to dispose of a canvas, spent the rest of the
morning shopping; eventually turning her steps in the direction of home
laden with sundry small and not over tidy parcels.  When passing
Shoolbred's she encountered St. John in company with Miss Bolton.  They
met face to face, and though Jill, unhappily aware that she was looking
shabby and insignificant, would have slipped by without recognising him,
he saw her and raised his hat with a pleased smile.  Jill returned a
very slight inclination of the head and hurried on conscious only of
Miss Bolton's cold stare, and her haughty, disapproving question before
even the object of her enquiry had time to get out of earshot.

"Who are you bowing to, Jack?  I wish that you would remember that you
are walking with me."

Jill did not hear the answer; she had walked too fast, but her cheek
burned, and she experienced the very unholy desire to upset Miss Bolton
off her bike.

Having once heard of Miss Bolton it seemed fated that she should both
hear and see more; the heiress appeared to cross her path at every turn,
and for some reason which she could not altogether explain Jill
entertained a very lively antipathy for her.  Next Friday when St. John
arrived at the Art School as usual her name again cropped up, and this
time it was he who introduced it.

"I have found you a fresh pupil," he said, "if you care about bothering
with another almost as great a novice as myself, what do you say, eh?"

"Oh!" cried Jill, "I shall be delighted.  But did you explain all the
disadvantages people patronising my studio have to battle with?  Did you
mention the stairs?"

St. John laughed.

"Yes," he answered.  "But indeed you over-estimate the inconvenience of
those stairs; they are nothing when you get accustomed to them.  I am
growing quite attached to them myself."

"I am glad of that," Jill answered smiling.  "Do you know I was rather
afraid at first that they would drive you away."

"_Afraid_!" he repeated incredulously.  "I thought you were hoping that
they would."

"Then how ungenerous of you to have kept on coming.  But tell me about
my new pupil,--masculine or feminine gender?--minor or adult?"

"It is my cousin Miss Bolton," he answered, "the lady who was
unfortunate enough to run you down last week."

Jill's face fell; he could not help seeing it though he pretended not
to.  "The lady who had run her down!"  Yes, she had indeed "run her
down" in more senses than one.  She turned away to hide her
disappointment, and stood looking out of the window at the dirty roofs
of the opposite houses.  St. John watched her in silence.  At length she
spoke.

"I hope Miss Bolton doesn't think that that trifling accident which was
as much my fault as hers necessitates a step of such great
condescension?" she said.  "I cannot look at it in any other light for a
lady in her position could study under the best masters how and where
she pleased; her coming here, therefore, is a great condescension and I
should be sorry to think that she inconvenienced herself under the
mistaken idea that she owed me some slight reparation."

St. John worked perturbed.  This small person had a way of making him
feel decidedly uncomfortable at times.

"Miss Bolton's fancy to study art is a merely temporary whim," he
answered.  He did not add that the whim had been adopted at his
instigation, and with a desire to please him rather than any enthusiasm
on the subject, but went on gravely.  "Her resolve to attend here is, I
am conceited enough to believe, more on account of my doing so than any
wish to obligate you.  However as it has vexed you I am sorry that I
mentioned the matter."

"Not at all," replied Jill coldly, flushing with quick annoyance; his
speech for some reason or other had not pleased her.  "Since Miss
Bolton's desire is not simply to benefit me I shall be only too glad to
get another pupil.  I am very much obliged to you for recommending my
establishment."

"Indeed!" he mentally ejaculated, "I shouldn't have thought so."  Aloud
he said,--

"Don't mention it.  I will tell Miss Bolton your decision; no doubt she
will come with me next time."

The advent of this new pupil made a good deal of difference to Jill's
simple arrangements.  Hitherto two chairs had sufficed, now it was
necessary to procure a third, but from where?  Eventually she dragged to
light an old packing case used for keeping odd papers in, and turning it
on end, draped it with a piece of Turkey Twill which once a brilliant
scarlet was now owing to having reached a respectable old age subdued to
a more artistic shade.  This erection would provide sitting
accommodation for herself at any rate, and St. John could use the chair
with the hole in it.  This difficulty solved, Jill set to work to alter
the position of the curtain, which partitioned off the end of the room,
so as to include the door; thus making a small room in which to receive
her pupils instead of ushering them straightway into the studio; if
necessary the curtain could be drawn back afterwards to make the art
school larger.  The rest of the preparations were postponed until
Monday, and consisted of a thorough turning out of the room, and dusting
and rearranging the models.  And on Tuesday morning Jill sat on her box
and surveyed the scene of her labour with much inward satisfaction.
There was a nice fire burning in the grate and everything was in apple
pie order, even to Jill, herself, who had twisted her hair up into a
loose teapot-handle arrangement at the back of her head, and had
dispensed with the studio apron as too childish for so important an
occasion.  She wore also her best frock, and had gone to the expense of
new collar and cuffs; and altogether felt thoroughly equal to receiving
even the heiress to quarter of a million.

The heiress came late as was only to be expected.  When St. John had
turned up alone he had been generally sharp on time, but regularity was
at an end now, Jill mentally supposed, as she arranged St. John's
drawing-board and copy, and sharpened a pencil for him.  It doesn't do
to judge by appearances, to quote a trite truism, therefore Jill might
really have been highly delighted at the prospect of an additional
pupil, but she certainly did not look pleased.

It was ten o'clock before the new pupil arrived rather breathless, and
clutching desperately at St. John's arm.  The latter was looking
worried, and seemed greatly relieved when once inside Jill's
ante-chamber, an innovation that evidently met with his approval; for he
glanced round with great satisfaction and having greeted Miss Erskine,
and presented his cousin, he suddenly disappeared round the curtain into
the art school, leaving the two alone.

Miss Bolton was tall, pretty, and well dressed; she was also bent on
being polite, and was almost effusive in her manner to Jill, but Miss
Erskine was as cold as the North polar region, and equally distant.

"I am so glad to see you again?" gushed the heiress; "I have so wanted
to apologise to you for my stupidity that morning--"

"_My_ stupidity," corrected Jill.

"Oh, no! because there was heaps of room the other side of me, only I
didn't notice that horrid cab.  Cabs and busses are a nuisance in
London, aren't they?"

"It would be a greater nuisance if London were without them," Jill
answered.

"Do you think so?  Oh!  I don't--But of course, yes; I was forgetting
the working classes."

"Yes," responded Miss Erskine in her North Pole tone; "because you don't
belong to them, I do."

But Miss Bolton was not in the least disconcerted.

"Ah, no, you're an artist," she replied, "a genius; that's heavenly, you
know.  Don't you recollect that an Emperor stooped for an artist's paint
brush because `Titian was worthy to be served by Caesar?'"

Jill's lip curled.

"I am not a Titian," she answered.

"Perhaps not," continued Miss Bolton in a I-know-better tone of voice.
"Anyway Jack says that you are terribly clever.  He considers your
paintings superior to many of those on the line this year."

"Mr St. John is very kind but I am afraid his criticism wouldn't avail
me much.  Will you tell me how far advanced you are.  Of course you have
studied drawing before?"

"Oh, yes!  And painting also.  My friends considered it a pity for me to
drop it altogether with my other studies so I thought that perhaps I
would take it up again.  Like music it is a very useful accomplishment
`pour passer le temps,' you know.  I am considered fairly good at it."

"Ah!" responded Jill with uncomplimentary vagueness.  "And what do you
wish to go in for?  Mr St. John is studying the figure--"

Miss Bolton interrupted with a little scream.

"How horrid of him," she cried.  "Not the nude, Miss Erskine, surely?"

Jill stared.

"Well, at present," she said, "he is drawing the human foot in outline,
and it certainly hasn't a stocking on."

"But you don't teach--that sort of thing, do you?"

"It is usually taught in Art Schools," Jill answered frigidly.  "So far
as I am concerned I have only just commenced teaching.  You do not wish
to go in for the figure then?"

"Certainly not; flowers are my forte; I adore nature."

Apparently she did not consider that the human form reckoned in this
category, and certainly her own, thanks to the aid of the costumiere,
had deviated somewhat from the natural laws of contour; nevertheless
nature is at the root of our being and no matter how we attempt to
disguise and ignore the fact she will not be denied.  It was on the tip
of Jill's tongue to remark that flowers alone did not constitute nature
but she restrained herself, and endeavoured to check her increasing
irritability.

"You are quite right not to go in for the figure," she said; "feeling as
you do about it nature becomes coarse, and artificiality--or shall we
say the conventional customs of circumstances?--preferable.  Will you
come into the studio?"

It just flashed through her mind to wonder what this young lady whose
modesty was only to be equalled by Isobel's would say to the models when
she saw them, and it must be confessed that the thought of them caused
her a certain malicious satisfaction, but when she held aside the
curtain for Miss Bolton to enter she perceived to her unspeakable
astonishment that all the models had been carefully draped with the dust
covers in which they were kept encased when not in use, and which she
had herself taken off that morning, and had folded and placed on the
shelf.  She glanced towards St. John in wrathful indignation, but St.
John was busy measuring the length of the big toe in the copy and
comparing it with his own drawing, which, taking into consideration the
fact that he was not supposed to be making an enlargement, was not
altogether satisfactory.

"May I enquire," asked Jill with relentless irony, "the meaning of all
these preparations?  Was it fear of the models taking cold that induced
you to cover them so carefully or a desire to study drapery, Mr St.
John?"

She paused expectantly, but St. John made no sign of having heard beyond
an alarming increase of colour in the back of his neck, a mute appeal to
her generosity, which she was not, however, in the mood to heed.  Miss
Bolton watched her in bewildered fascination, astonished at her
displeasure and unable to understand the reason thereof.  So entirely
unprepared was she for what followed that it was probably a greater
shock than if she had walked straight in amongst the models, it could
not certainly have embarrassed her more.  Jill, during the pause, had
approached one of the figures, and now catching impatiently at the
covering drew it off to the scandalised consternation of the new pupil,
who, without waiting for more, burst into a very unexpected flood of
tears, and fled precipitately from the room.  Jill stared after her
open-mouthed, and for a moment there was dead silence.  Then St. John
pushed back his chair and rose noisily to his feet.

"Con--excuse me," he corrected himself, "but I think that I had better
go and see after my cousin."

He caught up his hat with marked annoyance, and Jill stood gaping now at
him still too astonished for words.  She watched him go in silence, and
then sat down on the twill covered box and drew a long breath--a sort of
letting off steam in order to prevent an explosion.

"Well of all the inconceivable, incomparable, extraordinary, and
revolting imbeciles that I have ever come across that girl is the
worst," she ejaculated.  "Thank heaven that my mind is not of that
grovelling order which sees vulgarity in nature and coarseness where
there should only be refinement.  What agonies such people must endure
at times; they can never go to a gallery that's certain, and I suppose
they would blush at sight of a doll.  Oh! my dear saint, why ever did
you bring such a person here, I wonder?"

And then she sat and stared at his empty chair and saw in retrospection
the expression of vexed reproach in his eyes as he had risen to his
feet, their mute enquiry.

"Could you not have spared me this?  Was it necessary?"

And in equally mute response her heart made answer,--

"Not necessary perhaps; but I'm not a bit sorry that it happened all the
same."

CHAPTER FIVE.

Jill did not anticipate the return of either of her pupils that
morning--did not, indeed, expect Miss Bolton to return at all; in both
of which surmises she proved correct.  St. John had been obliged to hail
a four-wheeler and drive with his cousin home, and a most unpleasant
drive she made it; it was as much as he could do to sit quiet under her
shower of tearful reproaches.  He ought to have known better than to
have taken her to such a low place.  She might have guessed after having
seen her what sort of creature the girl was.  It would have been much
better to have acted as she wished to in the first place--given some
suitable donation or commissioned her for a painting; that would have
been quite sufficient; it wasn't her fault that the stupid girl got in
front of her wheel, etc: etc: St. John said,--

"Shut up, Evie; don't talk rot."  But when you tell some people to shut
up it has a contrary effect and serves as an incentive to talk more, it
was so with Miss Bolton.  She was not violent because it was not her
nature to be demonstrative, nor was she in the slightest degree vulgar;
but her command over the English language could not fail to excite the
astonishment of her listener; to quote St. John's euphonism, "it made
him sick."

"I daresay," retorted Miss Bolton disagreeably; "my remarks generally
have a nauseating effect upon you, I notice; yet that disgraceful girl
without any sense of decency--"

"_In_decency, you mean," he interrupted.  "You are very horrid," sobbed
his cousin, subsiding into tears again, and St. John devoutly wished
that he had held his peace.

The rest of the journey was very watery, and at its termination he felt
too demoralised to do anything except go for a stroll; the house with
Miss Bolton in it was too small for him.  Miss Bolton was Mr St. John
senior's ward; she was a kind of fifth cousin twice removed, which was
the nearest kinship that she could claim on earth--that is to say with
anyone worth claiming kinship with.  There were cousins who kept a
haberdashery, and spoke of the `heiress' with a big `h' but Evie Bolton
didn't know them; though according to the genealogical tree they were
only once removed, but that remove had been so distant that it made all
the difference in the world.  Mr St. John, senior, both admired and
loved his ward, Mr St. John, junior, was expected to follow the
paternal example, and Miss Bolton, herself, was quite willing to present
her big, good-looking cousin with her hand, and her fortune, and as much
of her heart as she could conveniently spare.  It would be difficult to
ascertain whether St. John appreciated her generosity as it deserved.
He had appeared thoroughly acquiescent up to the present when a possible
engagement had been mooted by his father, but had so far refrained from
putting his luck to the test.  But in Mr St. John, senior's, eyes the
affair was a settled fact, and had anyone suggested the probability of
its coming to nothing he would have scouted the idea.

The following Friday when St. John entered the Art School he found a
very subdued little figure waiting for him--the old style of Jill with
her hair tied with ribbon, and the big pinafore over her shabby frock.
But not altogether the old style either; there was no attempt at dignity
here, no self-sufficiency of manner but that she was so thoroughly
composed he would have thought her nervous.  She shook hands with a
slightly deprecating smile, and remarked interrogatively,--

"Miss Bolton has not come?  I am sorry."

"No," he answered with an assumption at indifference which he was far
from feeling.  "I told you art was a temporary whim with her, and I
fancy the stairs rather appalled her; she is not very strong."

His desire to spare her embarrassment was altogether too palpable.  Jill
turned away to hide a smile, or a blush, or something feminine which she
did not wish him to perceive.  He watched her in some amusement and
waited for her to break the silence.  He would have liked to have helped
her out, but could think of nothing to say.

"I behaved foolishly last Tuesday;" she remarked at length, speaking
with her back impolitely turned towards him, and a mixture of shame and
triumph on the face which he could not see.  "I lost my temper which was
ill bred; and," turning round and laughingly openly, "I'm afraid that
I'm not so sorry as I ought to be.  Don't," putting up her hand as he
essayed to speak, "go on making excuses--your very apologies but condemn
me further.  It was most ungracious on my part after Miss Bolton's
condescension in coming; yet how was I to know that she was so
supersensitive?"

"I ought to have warned you," he answered.  "But never mind now; there
is very little harm done, only I am afraid that you have lost a pupil."

"And isn't that highly deplorable," cried Jill, "considering how few I
have?"

But St. John was not to be drawn into any expression of sympathy;
personally he felt no inconvenience, and he shrewdly suspected that Miss
Erskine was not particularly distressed herself.  He sat down and work
commenced as usual.

St. John was getting on more quickly than his teacher had imagined that
he would.  He was not likely to ever make an artist but still he
progressed very fairly in amateur fashion.  His eye unfortunately was
not true; he could never see when a thing was out of drawing, but he was
always ready to listen to advice, and correct his work under
supervision.  His greatest fault was a desire to get on too quickly; and
Jill had to assert her authority on more than one occasion to restrain
him, and keep his ambition in check.

One day, several weeks after the Bolton episode, he suggested that it
was time he commenced painting; he was tired of black and white.  He was
then drawing from the bust of Clytie, and had only just begun working
from the cast.  Jill was not in a good temper that morning--things had
not been prospering with her lately--and so St. John's ill-timed
suggestion met with scant consideration.

"You want to run before you can walk," she returned with ill-humoured
sarcasm.  "Some people are like that.  I knew of a girl once who was
learning riding and insisted on cantering the second time she went out.
The result was not altogether satisfactory; for it left her sitting in
the middle of the road.  Last week I yielded to your insane desire to
attempt Clytie; the attempt is a failure; and so you want to begin
painting."

"Well," he answered not exactly pleased by her manner of refusing his
petition.  "I certainly should like to vary the monotony.  I don't see
why I shouldn't paint one day a week and draw on the other."

"That's not my system," replied Jill, and the curt finality of tone and
manner irritated him exceedingly.  He felt like saying `Damn your
system,' and only refrained by biting fiercely at his moustache, and
jerking back his drawing-board with such vehemence that, coming into
violent contact with the cast from which he had been working, and which
stood on a box in the centre of the table, it upset the whole erection,
and with a terrible crash Jill's favourite model was shivered into
fragments.  Jill, herself, flew into such a rage as baffles description,
and, alas to have to record it! springing forward boxed St. John's ears.
It was by no means a lady-like thing to do; but it seemed to occasion
her some slight relief.  She was positively quivering with passion, and
stood glaring at the offender as though he had been guilty of a crime.
St. John flushed crimson, and as if fearful of further assault dodged
behind the model of the Venus de Medici.  He could hardly be reproached
with taking refuge behind a woman's petticoats; anyone knowing the
figure could vouch for the impracticability of that; but he felt
decidedly safer screened by the white limbs which had so scandalised his
cousin, and betrayed no disposition to emerge again in a hurry; he was
very big and Jill was very little but he most certainly felt afraid of
her just then.

"How clumsy of you!" she cried.  "I wouldn't have had it happen for the
world--I believe you did it on purpose."

"I did not," he protested indignantly.  "How can you say such a thing?
I am as sorry as you can be that it happened."

He was not though, and he knew it.  He considered her vexation
altogether disproportionate, and absurd to a degree verging on
affectation.  Had the damage been irreparable he could have understood
her loss of self-control; but it was only a plaster cast which she must
assuredly know that he would replace.  Being a man he did not take
sentiment into consideration at all, but merely thought her ill-tempered
and ungovernable.

"How dare you equal your sorrow to mine?"  Jill demanded fiercely.  "You
can't know how I feel.  I don't believe you care."

Her lip trembled and she turned quickly away.  Never had she looked so
forlorn, so little, so shabby, he thought, as at that moment, and
perhaps never in his life before had he felt so uncomfortable--such a
brute.  Vacating his position of safety he approached until he was close
behind her where she stood with her back to the debris, and he saw that
her hands were picking nervously at the paint-soiled apron.

"Don't," he said, and his voice sounded strangely unlike his usual
tones.  "You make me feel such a beast.  You know that I care--you must
know it.  I would rather anything had happened than have vexed you like
this."

"It doesn't matter," answered Jill a little unsteadily, and then one of
the two big tears which had been welling slowly in her eyes fell with a
splash upon the floor, and he started as though she had struck him a
second time.

"Don't," he entreated again.  And then without waiting for more he took
his hat and slipped quietly out of the studio.  Jill scarcely noticed
his departure, did not even speculate as to his object in thus
unceremoniously leaving, nor wonder whether he was likely to return or
not.  She was rather relieved at finding herself alone, and able to give
vent to the emotion she could no longer repress.  Sitting down at the
table in the seat which St. John had so suddenly vacated she laid her
head upon his drawing-board and wept all over the paper.  The outburst,
which was purely neurotic,--such outbursts usually are--had been
gathering for days past, and had culminated with the fall of Clytie--the
breaking of the bust which her father had so loved.  Alas! for the
sweet, sad, absurd associations which cling about the things that the
dead have touched.

St. John was not away very long; he had been to a shop that he knew of
quite handy, and had driven there and back thanks to the stupid cabs
that Miss Bolton found so inconvenient.  He had bought another bust of
Clytie, an altogether superior article in Parian marble which he carried
back to the studio in triumph quite expecting to see Jill's grief vanish
at sight of it, and tears give place to smiles.  He found her still
seated at the table; she was not crying any longer; but the traces of
recent emotion were sufficiently apparent for him to detect at a glance.
The sight sobered him instantly, and he approached with less confidence
in the efficiency of his purchase than had possessed him when out of her
presence.

"It's all right," he exclaimed, speaking as cheerfully as he could, and
placing the new Clytie on the table among the ruins of her predecessor,
"I managed to get another.  I hope you'll like it as well as the one I
broke.  It was confoundedly clumsy of me.  But you aren't angry with me
still?"

"No," answered Jill, raising her head to view the Clytie as he drew off
the paper wrapping for her to see.  "Oh!" she cried, "it is far too
good; mine was only plaster."

"Was it?" he said slowly.  "And yet, I fancy, you preferred it
infinitely to this one."

Jill's lips quivered ominously again, and half unconsciously as it were
she fingered one of the broken pieces in lingering regret.

"It had associations," she said simply.

He stooped forward so that he could see her face, and his hand sought
hers where it rested upon the table, and with a kindly pressure
imprisoned it while he spoke.

"Can't you form associations round this one too?" he asked.

For a moment there was silence.  Then she looked back at him and smiled
faintly.

"I have commenced doing so already," she answered, and, quietly
withdrawing her hand, rose and stood back a little the better to admire
his purchase.

"It was dreadfully extravagant of you to buy a thing like that just for
an art school model," she exclaimed.  "It ought to be in some
drawing-room instead of here."

"It looks very well where it is," he answered coolly.  "But I think I'll
give over trying to draw it for a time; I can't catch that sadly
contemplative, sweetly scornful expression at all; I make a sneer of it
which is diabolical.  Don't insist, please; because it makes me nervous
just to look at her."

That was the beginning of things--at any rate the perceptible
commencement; though it might have begun with the flowers as Isobel had
insinuated.  Never a word did St. John utter that Jill could possibly
have turned or twisted into a betrayal of the growing regard which she
felt in her heart he entertained for her, and never a sign did Jill make
that she understood, or in any way reciprocated his unspoken liking.
She knew that he loved her by instinct, and the knowledge made her glad,
so that her life was no longer lonely, nor the occasional privations,
the incessant work, the petty, carking, almost daily worries so hard to
bear.  Life was one long pleasant day-dream; though sometimes Miss
Bolton "biked" through the dreaming, and then it became a night-mare,
and Jill was consumed with a fierce burning jealousy that lasted until a
new-born, audacious, delicious conceit--her woman's intuition--assured
her that poor and insignificant though she was St. John was far more
fond of her than he would ever be of his pretty, elegant, and wealthy
cousin.

CHAPTER SIX.

St. John had attended Miss Erskine's studio for two quarters, and was
now into the third.  He was still her sole pupil; though she had had
another student, a long-legged girl of fifteen who had attended for
three weeks and then been taken away in a hurry because her mother had
discovered that Miss Erskine was very young, and had, besides her
daughter, only one other pupil--_a man_--and no chaperone.  She wrote
Miss Erskine very plainly on the subject of the impropriety of her
conduct, and gave her a good deal of advice, but omitted to enclose the
fee.  Jill showed the letter to St. John as the best way of explaining
his fellow-student's absence, and St. John laughed over it immoderately;
he was so glad that the long-legged girl was gone.

"It's rather rough on you though," he remarked as he returned the
missive which Jill put into her pocket to keep for a curiosity.  "If you
get another pupil of that description you'll have to get rid of me,
that's certain.  Poor little snub-nosed Flossie!  I hope we didn't
demoralise her altogether.  How I do detest the respectable British
matron, don't you?"

"No," answered Jill.  "I detest the vulgar, narrow-minded order though,
like the writer of this letter.  That poor child!  I used to think her a
giggling little idiot.  She did giggle, and she wasn't very wise; but
she is greatly to be commiserated all the same."

Jill had no fresh pupils after that, only St. John trudged manfully up
the steep, narrow stairs with unfailing regularity, and once, when she
was ill and obliged to stay in bed with a bad cold on her chest, he sent
her fruit and flowers, but carefully refrained from going near the
studio himself until he received a little note from her thanking him and
saying that she was well enough to resume work.

Independent of the fee he paid for tuition, and the pleasure she derived
from his society Jill enjoyed many advantages through his being at the
studio which she could not herself have afforded.  For one thing when he
started painting he insisted upon employing a model; he wanted to paint
from life; and Jill had to pose the model and paint from him or her--as
the case might be--at the same time.  She made good use of her
opportunities, and many of the canvasses sold, but she had to dispose of
them far below their market value at a merely nominal profit which just
paid her and that was all.  St. John offered her a hundred and fifty
pounds for one picture--a female figure against a background of sea and
sky, the whole veiled in a kind of white mist--a vapoury shroud which
softened yet did not conceal.  Jill had christened this picture "The
Pride of the Morning," and for some reason, perhaps because St. John so
greatly admired it, she felt loth to let it go for the ridiculous price
which she had accepted for the other canvasses; yet when St. John wished
to purchase it she refused.  She would not sell it to him though she
offered it as a gift, but he would not take it, and so "The Pride of the
Morning" was stood in a corner of the studio facing the wall just as
though it was in disgrace.

Just about this time Jill had a regular run of ill luck.  In the first
instance the man who always bought her canvasses became bankrupt and was
sold up, and Jill, who didn't know anything about sending in claims, and
had no one to advise her; for she never consulted St. John on purely
personal matters for fear of his finding out how very poor she really
was, lost the price of three canvasses which he had taken of her and
never paid for, besides having nowhere now to dispose of her work.  He
had paid her poorly but it had been a certain market, and although she
tramped London over, as it seemed to her weary feet, she could find no
one to give her an order, or even a promise of work in the future; she
had plenty of time for dreaming now.  Besides this, the rent of her
rooms was due again, and it was absolutely expedient that she should
have new boots.  And then came the climax--at least it seemed the climax
to Jill's overwrought and tired brain, but it was not so; as a matter of
fact that fell later when she had not conceived it possible that greater
trouble could fall to human lot.  She became ill again--off her head, as
Isobel informed St. John when she received him one Tuesday with the
intimation that he could not go up as usual.  The heat of summer,
together with the continual atmosphere of white lead and turpentine had
been too much for Jill, and she had collapsed, and, becoming rambling
and incoherent in her talk the landlady had taken things into her own
hands and sent for the doctor, when it was only rest and a little
nursing and relief from mental worry that the invalid stood in need of,
and not physic, a doctor's bill, and impossible advice.  The doctor
came.  She was thoroughly run down, he said; and he ordered her things
that she could not buy, and change of air which she could not afford
either, though she told him that she would see about it for fear he
should think that she was hoping he would not charge her for attendance,
which was very foolish and proud, just as foolish as her refusal to sell
St. John the picture.

When she was well enough to get out again she took a holiday and spent
it at Hampden Court, going by steam-boat and returning in the evening by
train after a long, solitary, but on the whole fairly enjoyable day.
That was all the change of air she took, and greatly it benefitted her,
far more than anyone would imagine so short a time could do.  On her way
home when she was crossing the road where Bedford Square merges into
Gower Street a private hansom passed her with St. John and his cousin in
it both in evening dress.  Jill had fancied that Miss Bolton was out of
town, and the sight of her quite upset all the pleasure she had derived
from her jaunt.

They did not see her, for it was dark in the road, but a street lamp
shining full in their faces as they drove past revealed them plainly to
her, and she noticed that St. John was looking both bored and worried, a
fact which compensated somewhat for the shock of disappointment she had
experienced on seeing the heiress.

When she reached home there was a package of books addressed to her on
the hall table, and a note in the bold, familiar handwriting she had
learnt to know so well.  She carried them up to her room and sat on the
edge of her bed while she read the latter without waiting to take off
her hat, or put in water the knot of wild flowers, faded now, which she
had gathered and thrust into her belt.

"Dear Miss Erskine," it ran,--

"I am sending you some literature on the chance of your being well
enough now to do a little reading, and time, I know, hangs heavy when
one is convalescent.  Don't worry about the lessons; I am enjoying the
holiday; but when may I be allowed to call and see you?  I have
something to say to you which will not keep.

"Yours very truly, J. St. John."

Jill's heart gave a little jump as her eye took in the last sentence,
and she made a shy guess at what the `something' might be, a guess which
sent the blood to her face in a warm rich glow, and set her pulses
tingling in ecstatic enjoyment.  She was curious to hear that something,
so curious that she could hardly wait, and yet she was determined not to
let St. John suspect how curious she really was.  Going into the studio
she sat down at the table and wrote her reply, a carefully worded little
note thanking him for the books, and appointing Friday morning at the
usual hour for him to visit her; stating that she was quite well and
anxious to begin work.  It was Wednesday so that there would be the
whole of Thursday to get through, but Jill felt that she could manage
that now that the letter was written, and tired though she was she went
out again and posted it.

The next morning by the same post that St. John got his letter, Jill
received her doctor's account which was considerably heavier than she
had expected.  It is an expensive luxury being ill.  She sighed as she
looked at the bill, and wondered where the money was coming from.  She
had not got it just then that was certain; the settlement must be
deferred for a while.  How hard it was to want to pay and not be able to
do so!  Later in the morning as she sat huddled up near the window
poring over one of the books St. John had sent--for she could not work
with the thought of the morrow before her; her sense of the fitness of
things had bidden her take a last holiday and give herself up thoroughly
to the enjoyment of the present--her attention was diverted from the
novel by the sound of a footstep on the stairs, a heavy, uncertain,
unmistakably masculine step which reminded her with a strange thrill of
St. John's first visit when he had stumbled up those stairs in the
darkness eight months ago.  She waited where she was until the visitor
knocked, a loud, imperative, double knock on the door with his stick,
then she rose, laid aside her book, and slowly crossed the room.
Outside on the narrow landing stood an elderly man, tall and gaunt, with
shoulders slightly bent, and iron grey hair and beard.  He eyed Jill
uncertainly, very much as St. John had done, and, also like St. John,
concluded that she must be a pupil; she looked so very childish, much
more like a child, indeed, than had the lanky, short-frocked,
girl-student who had studied there so brief a time.

"I wish to speak with Miss Erskine," he said.  And Jill, in vague
foreboding, and with a dull repetition of her information on that former
occasion, answered quietly,--

"I am Miss Erskine."

"Good God!" exclaimed her visitor, and without waiting for an invitation
he strode past her into the studio.  Jill followed him wondering, and
standing opposite to him, watched him closely, waiting for more.

"My name is St. John," he said--the bomb had fallen.  "My son--h'm!--
studies art here."

He looked round superciliously as though he wondered how anyone could
study anything in so mean a place; no doubt he considered that his son's
explanation had been merely a plausible excuse.

"Yes," Jill answered, and that was all.

He felt irritated with her that she was so quiet, so reserved, and so
thoroughly self-possessed.  He had expected something different; his
ward had spoken of her as a horrid, designing, low-minded creature, his
son had told him plainly only the night before that she was the one
woman he loved, or ever could love; he had put the two descriptions
together, and had pictured something handsome and sophisticated, bold
perhaps, and necessarily charming, but nothing like what he found; not
an ill-dressed, white-faced, ordinary-looking child-woman, whose great
grey eyes watched him with such wistful, apprehensive, piteous anxiety
that he turned away from their scrutiny with ill-concealed vexation.

"I have come on an unpleasant errand," he went on, "and naturally feel
rather upset.  But these unpleasant things must happen so long as men
are imprudent and women over anxious.  Have you no one belonging to
you?--no one to advise you?"

"Thank you," Jill answered drawing herself up proudly, "I do not want
advice."

"So most young people think," he said irascibly; "but they do well to
accept it all the same.  My son has been studying under you for some
time, I believe?"

"Yes," replied Jill, "since last January."

"And have you any more pupils?"

"Not now; I had one other for a short time.  But the locality is against
my forming an extensive connection."

"And you and my son work here alone two mornings a week?" he continued
staring hard at her under his bushy brows, "_Entirely_ alone?"

"Yes," she answered, and his tone brought the blood to her pale cheeks
in a great wave of colour; but she looked him steadily in the face
notwithstanding.  It did not seem to occur to her to resent this cross
examination; she just listened to his queries and answered them as
though he had a right to catechise her, and she must of necessity reply.

"Do you consider that altogether discreet, Miss Erskine?" he enquired.

Jill flushed painfully again, and her breath came more quickly.  It is
so easy to wound another's feelings that sometimes the inflicter of so
much pain hardly realises the anguish that he causes.

"Mr St. John," the girl said quickly, speaking as though she were
anxious to say what she wished to, before her suddenly acquired courage
deserted her again, "I don't quite understand what it is you want with
me, and I can hardly believe that you have come here with no other
intention than that of insulting me.  Your last question was an insult.
Do you think that I am in a position to be discreet entirely dependent
as I am on my own exertions?  Art with the many does not pay well.  But
I can assure you had your son been other than he is--a gentleman--I
should not, as you so graphically put it, have worked here with him two
mornings a week entirely alone."

Mr St. John was rather taken aback; she was evidently not such a child
as she looked.

"Excuse me," he said, "but you mistake me altogether.  I know my son
thoroughly, and though I have never had the privilege of meeting you
before to-day, yet once seeing is quite sufficient to disabuse my mind
of any prejudice I may have entertained towards you.  In speaking of
indiscretion I was thinking entirely of outside criticism."

Jill smiled faintly, contemptuously, incredulously.  She had him at a
disadvantage, and the knowledge gave her a gratifying sense of
superiority.

"I am too insignificant a unit in this little world to excite criticism,
captious or the reverse," she answered.  "I thought, myself, at first
that it wouldn't do, but have since been humbled into learning that my
actions pass unheeded by the outside world.  A great many actions of
bigger people than myself pass unnoticed if they were only big-minded
enough to realise it.  Humanity does not spend its time solely in
watching the doings of its neighbour; that is left for the little minds
who have nothing more important to occupy themselves with.  But you
didn't come here to warn me of my indiscretion.  Would you mind telling
me what the `unpleasant errand' is?"

"No," he answered bluntly coming to the point.  "I was merely anxious
not to be too abrupt.  I want to induce my son to give up coming here,
and I can't persuade him.  Will you?"

He did not look at her, but drawing a cheque-book from his pocket with
unnecessary display placed it upon the table.  Jill watched him
comprehensively, and the blood seemed to freeze in her veins as she did
so.

"Why," she asked, and could have bitten out her tongue because the word
choked in her throat, "why should he give up coming?"

"This is absurd," exclaimed Mr St. John.  "Let us give over fencing and
understand one another.  My son is infatuated--he generally is, by the
way, it is a failing of his,"--Jill felt this to be untrue even while he
said it, but she made no sign.  "You, of course, are quite aware of his
infatuation?  But, Miss Erskine, he is a beggar; he has nothing in the
world save what I allow him."

"How degrading!" cried Jill.  "I should have credited him with
possessing more manhood than that.  Everyone should be independent who
can be."

He smiled and tapped the cheque-book with his fingers.  He fancied that
she would be sensible.

"It would not be wise to marry a pauper, would it?" he queried.  "For a
man who marries against his relative's wishes when he looks to them for
every penny, would be a pauper, without doubt."

"No," Jill answered with unnatural quietness, "it would not be wise.  I
don't think anyone would contradict that."

"You would not yourself, for instance?"

"Most certainly I should not."

"Now we begin to understand one another," he resumed almost cheerfully.
He had greatly feared a scene; but she was so absolutely unemotional
that he felt relieved.

"Personally, you will understand I should have no objection to you as a
daughter-in-law at all, only I have made other arrangements for my son,
arrangements so highly advantageous that it would be the height of folly
to reject them as he proposes doing.  He must marry his cousin, the
young lady whose acquaintance, I learn, you have already made--"

"What!  The young lady with a soul above nature?" interrupted Jill,
thoroughly astonished, and for the first time off her guard.  "Oh, he'll
never marry her."

"Indeed he will; there is nothing else for him to do.  You forget that I
can cut him off without a shilling, and will do so if he does not
conform to my wishes."

"Yes," Jill acquiesced as though she were discussing something entirely
disconnected with herself, "Of course, I had forgotten that."

"The long and the short of the matter is this, Miss Erskine, if you
insist upon encouraging my son in his mad infatuation you ruin his
prospects and do yourself no good; for I believe that you agreed that
you would not marry a pauper?"

"No," she answered, staring stonily out of the window with a gaze which
saw nothing.  "I would not marry a pauper; I don't think it would be
wise, and I don't think it would be right to do so."

"A very sensible decision," returned Mr St. John, senior, approvingly.
"You have taken a great weight off my mind, my dear young lady; and I am
greatly indebted to you.  How greatly you alone are in a position to
say," and he tapped the cheque-book again with reassuring delicacy, but
Jill did not notice the action and for once failed to follow the drift
of his speech.  A dull, heavy, aching despair had fallen upon her which
she could not shake off.  She seemed hardly to be listening to him now
and only imperfectly comprehended his meaning.

"I am to understand then," Mr St. John resumed, straightening himself,
and looking about him with an urbane benevolence that was most
irritating, "that you will work in conjunction with us?  Disillusion him
a little, and--"

"Oh, stop!" cried Jill, with the first real display of feeling that she
had shown throughout the interview.  "I cannot bear it.  Do you think
that because I have adopted art as a profession that I have turned into
a lay figure and have no heart at all?  You have robbed existence of its
only pleasure so far as I am concerned.  Can you not spare me the rest?
I won't impoverish him by marrying him but I am glad that he loves me,
and I won't try to lessen his love--I can't do that."

He regarded her with angry impatience, frowning heavily the while.  It
was a try on--a diplomatic ruse, he considered; he had wondered rather
at her former impassiveness; but apparently she was not very quickwitted
and had been unprepared.

"My dear Miss--Erskine," he exclaimed, endeavouring to adapt himself to
the new mood with but little success however, "you are too sensible
altogether to indulge in heroics.  I don't wish to appear harsh, and I
am quite certain that you have your feelings like anyone else, but there
are Miss Bolton's feelings also to be taken into consideration, and,
though I greatly regret having myself to announce his dishonourable
behaviour, she has been engaged to my son for some months past."

Jill stared at him in dumb, unquestioning anguish.  Engaged!  Perhaps
that had been the `something' he wished to communicate to her.  He had
never, given her any reason to suppose otherwise; it had only been her
vanity that had led her to imagine what she had.

"He has not behaved dishonourably," she answered with difficulty; "he
has never made love to me.  It was you who told me that he cared; I did
not know."

He looked surprised.

"I am glad to learn that that is so," he said.  "I had feared things had
gone further.  And now, my dear young lady, I must apologise for the
intrusion, and will finish up this very unpleasant business as speedily
as possible."

He opened the cheque-book and took up a pen to write with.

"You will allow me," he began; but Jill took the pen quickly and
replaced it in the stand.  She was white to the very lips, and trembled
all over like a person with the ague.

"Go," she said hoarsely, "before I say what I might regret all my life.
My God! what have I done or said that you should take me for a thing
like that?  Go, please; oh! go away at once."

CHAPTER SEVEN.

The climax had come.  It had rushed upon her with an unexpectedness that
was overwhelming and had left her too stunned to even think connectedly.
Only the night before she had been so full of glad expectation, and now
everything seemed at an end and all the gladness vanished.  She walked
unsteadily back to her old seat by the window, and fingered absently the
book St. John had sent.  It was a new volume, and had been a gift; for
he had written her name on the fly leaf.  The fact had given her
pleasure last night, now she wondered why he had done it, and laid the
book down again wearily, all her former interest gone.  There were other
evidences of his gifts about the room in the shape of baskets once
containing fruit and flowers.  The fruit had been all eaten, and the
flowers were dead; a bunch of them, fading fast, drooped in a vase upon
the table; the rest, dried and discoloured, with all their beauty
perished, were hidden away in Jill's little bedroom where only she could
see them, and recall the pleasure they had given; and from her exalted
position on on the bracket which she occupied alone, Clytie looked down
white, and pure, and pensive, seeming to understand.  Oh! it was hard,
and cruel, and bitter,--all the more bitter, that the mistake had been
her own.  She drew from the bosom of her frock St. John's brief note,
the note that had made her so happy, and read it again by the light of
her new understanding, `Don't worry about the lessons; I am enjoying the
holiday.'  Perhaps he had meant it literally and not, as she had
imagined, penned the clause solely with a thoughtful desire to save her
anxiety.  How vain she had been!--how mad!  `I have something to say to
you which will not keep.'  So vague a sentence, and yet she had fancied
that she had guessed his meaning rightly.  He might have meant a hundred
things, and what more probable than the announcement of his engagement?

Jill crouched by the window for the rest of the morning hugging this new
trouble which had dwarfed all the others into insignificance.  At first
she was too dazed to feel anything much, then gradually the anguish of
mind grew keener until it seemed unbearable, and finally exhausted
itself by its own violence.  After that came a lull, and then followed
resentment, fierce, active, healthy resentment that left absolutely no
room for any other emotion; resentment against her recent visitor,
angry, contemptuous, indignant; resentment against Miss Bolton of the
fiercely jealous order; but keenest of all resentment against St. John,
the cold, inflexible, heartsore resentment of wounded love.  He ought to
have told her of his engagement; if not actually dishonourable it was
mean of him to have suppressed the fact when he must have seen that he
was becoming necessary to her, when he knew, too, that she was more
than, under the circumstances, she should have been to him; for that he
did care for her she did not doubt--infatuation his father had called
it, and it might be that he was right.  At any rate St. John should have
left the Art School before it had grown too late.  This feeling of anger
acted as a tonic to Jill; it braced her nerves and put her on her
mettle, so that she determined to face her trouble and conquer it, and
if possible show St. John what a poor opinion she had of him.  But then
came the remembrance of her small debts and her poverty.  It had been a
bad thing for her this acquaintance with St. John; she had not relied
sufficiently on herself.  When he was gone the fee would cease, and she
had not sold any work for weeks.  The last canvas that she had been
engaged upon before her illness, painting from a model St. John had
employed, stood against the wall unfinished and there were others ready
for sale but nowhere to dispose of them.  In the afternoon she went
out--there was no time for holidays now--in search of a market, and
returned in the evening weary, footsore, miserable, having had no luck
at all with her canvasses, but--oh! the degradation to Jill's
artist-soul--having been obliged to accept as the only thing going an
order for half-a-dozen nightdress sachets--`pyjama bags' as the oily,
leering, facetious individual who had given her the commission called
them.

"There was a run on 'em," he had added, "the swells like painted satin
things to keep their night-gear in."

Jill had agreed to do the work, but she looked far from happy over it,
and very nearly cried as she turned to leave the shop.  The facetious
individual had chucked her under the chin, and told her to `buck up,'
and he would look round and see if there wasn't something else he could
find her to `daub.'  Then he winked at her, and Jill had broken away in
haste fearing that these overtures would lead to an embrace.  And so she
reached home, and that night went early to bed, and Thursday ended
unhappily even as it had begun.

The next morning when she rose, the feeling of anger was still
paramount.  She had suffered so keenly yesterday that she did not think
it possible that she could feel any greater pain, and she found it
difficult to realise yet all that this sudden breaking with St. John
must mean.  She steeled herself to meet her old pupil with composure
though she had not yet determined upon what she should say or do.  At
first she had thought of writing and forbidding him ever to come to the
Art School again, but had subsequently rejected this plan as
impracticable; what reason had she to offer?  She could not say on
account of your engagement, such an excuse would have placed her in a
false position, and given St. John a right to put what construction he
chose upon her motive.  The only thing that remained for her was to
receive him, and by saying as little as possible convince him how
indifferent she was, and how very determined at the same time.  And at
nine thirty sharp he arrived, clattering up the steep stairs like a
noisy schoolboy and marching through the open door straight into the
studio where Jill stood white and nervous, but outwardly calm, waiting
to receive him.  There was a pleased, eager, confident air about him in
striking contrast to the chilling quiet of her manner, and he grasped
her hand before she could prevent him with a very hearty grip of genuine
sincerity.

"This is good to see you about again," he began.  Then he stopped short
struck by something in her face, and exclaimed anxiously.  "Nothing the
matter I hope, Miss Erskine?"

Jill was standing with her back to the light so that she had the
advantage of him that way; but St. John's sight was good and he detected
at once the suppressed agitation of her manner; though she, herself, was
unaware of it there was a whole life's tragedy in the depths of her grey
eyes.

"No," she answered; "nothing beyond a trifling annoyance that I have
been subjected to lately, and which I have determined to put an end to
for good and all.  It is absurd of course and really not worth
discussing, but these petty worries are even more trying than big ones."

"If it is not worth discussion," he said, "we'll let it slide for to-day
at any rate.  I have got so much to say that is worth discussing, that I
want to say it at once.  I give you fair warning that I haven't come to
work."

As a matter of fact there was no work put ready for him; but he had not
time to notice that.  He was so boyish and impulsive, so gay and
self-complacent that her anger gathered strength from his sheer
light-heartedness.

"Come and sit beside me on the stool by the window, Jill," he said, "and
then we can talk at our ease."

It was the first time that he had addressed her by her Christian name,
and he glanced at her half smiling, half diffident, to see how she would
take it.

"No," she answered coldly, "what I have to say can very well be said
where I am, and it will be as well to get through with it at once.  You
will think it rather sudden no doubt after my note of Wednesday, but, as
I told you, I have been subjected to a great deal of annoyance lately
and what I experienced yesterday has decided me to put an end to the
existing state of affairs.  I regret having to spring this upon you so
abruptly, and in the middle of a quarter too, but I wish you to
understand that I cannot teach you any longer, I wish you to leave this
Art School."

St. John looked mystified and incredulous, he was astounded at her
request, at the cold precision of her voice, and the apathy of her
expression.  He felt annoyed with her and not a little hurt.

"May I enquire why you dismiss me thus suddenly?" he asked schooling
himself to keep his vexation in check.  "I should like to know what has
induced you to act so precipitately."

"No, you may not," Jill answered crossly; "I only took you on trial,
remember."

"For a quarter yes, but then the probation was over, and it is hardly
etiquette to dismiss a pupil in the middle of a term without vouchsafing
any reason."

"I consider it quite sufficient that I do dismiss you," Miss Erskine
responded.  "We will not discuss the matter further, if you please."

"Oh! yes, we will," he answered, his temper like her own beginning to
get the upper hand.  "In fact I refuse to leave without an alleged
complaint before my term is expired; you are bound to give a proper
notice."

"Not if I expel you," Jill retorted.

"Expel me!" he scoffed.  "What would you expel me for?  You couldn't do
that without a reason."

"But I have a reason."

"A reason!" he repeated aghast, "a reason sufficient to expel me?  What
reason pray?"

"Making love to me."

Silence followed--a depressing silence during which neither of them
moved.  She had spoken in the heat of the moment, the next she could
have bitten out her tongue for her indiscretion.  St. John stared at her
fully a minute.  Then he smiled rudely.

"Making love to you!" he repeated.  "Absurd!  I have never spoken a word
of love to you in my life."

It was true; he had not, and Jill's cup of humiliation was full.  What
had induced her to make such an egregious error?

"You'll be running me in for breach of promise, I suppose?" he continued
ruthlessly.  "Don't you think that you're a little--a little--well,
conceited to be so premature?"

Jill turned upon him wrathfully.

"How dare you speak to me like that?" she cried.  "It is only what
people think.  For myself it wouldn't have mattered whether you had made
love to me or not; I should soon have settled that."

He changed from angry crimson to dead white, and gazed at her in hurt
displeasure.

"You mean that?" he asked.

"Certainly," she answered with vindictive and unnecessary emphasis, "I
am not in the habit of prevaricating."

"Very well," he said in a tone of forced calm which contrasted ill with
the pained expression of his face, "I believe you.  And under the
circumstances am quite of your opinion that further acquaintance had
better cease.  It was a mistake my coming at all both for you and for
me.  Good morning, Miss Erskine, and good-bye."

He paused, thinking that perhaps her mood had been prompted by caprice,
and that she might relent yet and call him back; but she made no
movement at all beyond a bend of the head, and her voice was no kinder
when she wished him farewell.  Then he went, striding down the stairs
and out into the street, resentful, angry, heartsore, little guessing
how very much greater was the unhappiness he had left behind him where
Jill, alone now in every sense of the word, stood battling with her
grief and her emotion, and trying to face the difficulties which seemed
crowding upon her on every side.  She got out her satin work when he had
gone and started upon the sachets with eager haste, glad of the
miserable order now; for it kept her employed, and diverted the train of
her thoughts.  And all that day she sat working, working feverishly,
dining, when the light failed so that she could see to paint no longer,
off a crust of bread, the best her larder had to offer--indeed the only
thing.

The next morning by the early post she received a letter from St. John.
Her hand trembled so violently as she took it up that she could hardly
unfasten the envelope, but, finally tearing it open she withdrew the
contents, a sheet of notepaper with St. John's compliments inscribed
thereon, and enclosed within a cheque for the fee paid in full up to the
end of the present quarter.  The cheque fell to the ground unheeded but
the sheet of paper Jill spread out on the table before her and then sat
staring at it as though she could not take it in.  It was the first
brief missive of the sort that she had received; its very brevity
chilled her.  "With Mr St. John's compliments."  So he had accepted his
dismissal?  It was better so, of course; but it was very hard to bear
all the same.

CHAPTER EIGHT.

It was the Tuesday following that miserable and never to be forgotten
Friday.  Jill had been out in the morning to take back two of the
sachets which she had finished, but had brought them back to make some
alterations that the oily individual had pointed out to her in a
playfully amorous fashion; a circumstance that had put her into as bad a
temper as her grief stricken soul would allow.  She sat on the red stool
before her easel working, not at the sachets--she was too disgusted to
touch them--but at her last canvas, with a lay figure posed in lieu of
the model she could no longer employ.  When the sound of someone
mounting the stairs caused her heart to quicken its beating, and the
tell-tale colour to come and go in her cheeks.  It was St. John, she
knew at once; very few men ascended those stairs, and only one with that
quick decision born of familiarity.  He knocked before entering, a
ceremony that he had dispensed with altogether on class days when he had
been a student; he did not, however, wait for permission to enter, but
opened the door for himself.  Jill's mouth hardened obstinately as she
glanced casually over her shoulder, and then, feigning not to see the
bunch of flowers that he brought and laid humbly on the table as a
peace-offering, went unmoved on with her work.  She did not rise, did
not even offer a word of greeting.  St. John spoke first, awkwardly,
deprecatingly, uncertain, what to make of her mood.

"Good morning," he said hesitatingly, "I--I was passing and thought I
would call."

"Passing here?" interposed Jill incredulously, "what a circuitous route
you must have taken to accomplish that."

"Not at all," he answered, "you aren't so very out of the way.  Besides
I wanted to come."

"So I supposed," she retorted disagreeably.  "But you might have saved
yourself the trouble; you were quite safe paying by cheque, you know."

"What do you mean?" he asked.

"Mean!  Why haven't you called for your receipt?  I own to having been
remiss in not sending it, but I had my reasons; and after all it was
only three days since, and a cheque is always pretty safe."

"You know that I haven't called for that," he said angrily.  "If I
thought you really believed me capable of such an act I would--"

"Well, what?" she asked derisively.

"I don't know," he answered lamely, "clear perhaps.  I had forgotten
even that a receipt was customary, and certainly never looked for one
from you."

"Nothing so business like, I suppose?" snapped Jill.  "I should have
sent one though if I had not intended returning the cheque instead.  I
have no right to that money; I turned you away at a moment's notice, you
did not leave of your own accord."

"That's true enough," he ruefully agreed.  "Nevertheless the money is
due to you; I received the tuition."

"It is not due," replied Jill firmly.  "You are making me a present of
it, Mr St. John, and I will not accept such a gift.  There is your
cheque, take it back if you please."

He took it from her, tore it savagely into pieces, and threw them on the
floor.

"So be it," he answered wrathfully.  "You must indeed be succeeding as
you deserve, to reject what you have lawfully earned."

Jill went white as she generally did when in a rage, and favoured him
with a glance that he was not likely to forget in a hurry.

"I have not earned it," she responded, "neither am I succeeding; two
facts which you are thoroughly well acquainted with.  Does _that_ look
like success?"  And she drew from the cardboard box the sachets she had
brought home again from the shop that morning, and threw them on the
table in front of him.  "That's the kind of work that I have come to do,
and I daresay I shall sink lower yet;--Xmas cards no doubt.  Oh! yes, I
have sunk pretty low.  The man who gave me that order superintends the
work, and corrects errors of detail.  He does not like female figures in
atmospheric drapery like those.  He said the public wouldn't buy them
that way; a nude figure on a nightdress bag--he didn't use the word
nude, by the way, but plain vulgar English--was too suggestive, and
requested me to take them home and paint in a garment--`Just a small
one'--as though he were alluding to a vest.  Ugh! it makes me sick--it
makes me _blush_.  He wears his hair oiled, too," she continued
retrospectively, forgetting for the minute her resentment against St.
John in disgust at her latest patron, "and--further degradation--makes
love to me which for the sake of the miserable commission I dare not
resent."

What followed was unpardonable on St. John's part but for the life of
him he could not resist retaliating for the thrusts that she had given
him.

"Perhaps the last is a hallucination," he suggested ungenerously; "You
have a tendency to imagine that sort of thing you know."

She eyed him for a moment in stony displeasure, then pointed imperiously
to the door.

"You may consider that remark worthy of a gentleman, Mr St. John," she
said, "I don't.  You will oblige me by leaving the studio at once; I--I
shall be rude to you if you don't."

Her voice broke, and she turned to her work again abruptly, painting
with feverish haste as thought she had not a moment to lose.  In two
strides St. John was behind her, and stooping he put his arms about her
with a swift movement for which she was entirely unprepared, and which
imprisoned her so firmly that she could not escape.

"Rude to me if you like," he cried; "but not unkind, Jill--never any
more."

Jill had dropped her utensils, and the palette lay paint side downwards
on the floor.  She put her small hands on St. John's wrists and tried to
free herself from his embrace, but the attempt was ineffectual, his arms
Only tightened round her, and his face bent lower until it was on a
level with her own.  She looked into his eyes and read in them a
laughing mastery that defied her efforts to escape, and, even while it
angered her, set her pulses leaping in a wild excitement that was half
fear, half gladness.  She breathed quickly, and pulled at his wrists
again.

"Let me go," she whispered.  "How dare you touch me?"

But he only laughed in answer and held her closer to him, and for the
first time Jill felt his warm kisses on her lips.

"It's not a bit of good," he said; "you can't get away.  I feel as
though I could hold you to my heart for ever.  You expelled me for a
fault that I was not guilty of; I am now going to justify your
accusation.  Jill, Jill, you foolish child, what are you thinking?
Don't shrink away like that, dear.  I love you, my darling, my little
independent, high-spirited girl.  I love every tone of your voice, every
fresh mood, wound and vex me though they may at the time.  Jill will you
marry me?"

"No," Jill answered with curt abruptness.  He shook his head at her
reprovingly, but looked not the least whit disconcerted.

"Oh! yes, you will," he returned with confidence; "you must if I have to
carry you all the way to the Church in my arms like this.  I can't let
you go again; these last four days have been unbearable.  Answer me
truly, haven't you found them so too, dear?--just a little sad and
lonely, eh Jill?"

"Stand back," she cried still struggling futilely to shake him off.
"You are mad to talk to me the way you are doing, and I should be worse
than mad to listen."

"Oh! no, you wouldn't," he replied with gay audacity.  "You can't help
listening, sweetheart, any more than you can prevent my kissing you.
Come, Jill, end this farce and be candid.  Is it pique, dear, or what?
Why won't you own that you care for me?  I know you do."

"Yes.  Oh, my God, yes!" she answered, and she broke into violent sobs.
"I wish from my heart that I could answer truthfully that I do not."

He was startled at her outburst, and drew back in consternation letting
his hands fall to his sides.  She was free enough now, but she hardly
seemed to realise the fact and made no attempt to rise.

"Jill," he exclaimed, "what is it?  What has happened, dear?  Won't you
tell me?"

But Jill only buried her face in her hands and sobbed on.  She would
have given anything to have preserved her composure throughout this
interview; but once having broken down there was no stemming the
torrent; the flood must have its way, and a regular deluge it proved.
St. John watched her uneasily for a while, then unable to stand it
longer he went up to her again, and putting his arm around her neck,
tried to draw her hands away.  In a moment she was on her feet facing
him, grief changed to indignation, scorn and anger in her eyes, while
the tear drops glistened still upon her flushed cheeks, and trembled wet
and sparkling on her lashes.

"Don't come near me," she panted; "your touch is hateful to me--keep
away, do you hear?"

"Don't worry yourself, my dear girl," he retorted a trifle impatiently
it must be confessed.  "I have no wish to approach any nearer; indeed
I'd rather remain where I am.  If you would only tell me what it is all
about, instead of flying off at a tangent we might arrive at a better
understanding.  Have I done anything to forfeit your regard?"

"Yes," she answered petulantly, "you know you have."

"Should I ask for information which I had already?" he questioned
coolly.  "Information moreover which is presumably hardly creditable to
myself.  What is the something, please?"

Jill looked at him coldly, but he bore her scrutiny well.  He was grave,
but he certainly did not appear apprehensive, nor was he in the least
embarrassed or perturbed.

"What is the something?" he repeated.  "I think I have a right to know."

But Jill seemed to find a difficulty in answering, or a disinclination
to do so; for she drew herself up and remained silent, an angry spot of
colour in either cheek.  St. John tapped the floor impatiently with his
boot.

"Come, come," he cried, "this is childish to accuse a fellow of some
possibly imaginary wrong, and not give him the chance of refuting it.
What heinous offence do you fancy me guilty of?  Robbing a bank?  I
haven't I assure you."

He was turning her doubts of him to ridicule which only angered her the
more.  There was a gleam of amusement in his eyes and his moustache
twitched ever so slightly.

"What! sceptical of that even?" he continued ironically.  "So it's my
honesty that's called into question, eh?"

"Yes," Jill flashed back with a fierceness born of wounded pride, "your
honesty, Mr St. John.  Is it honest of you to come and make love to me?
No, you know it is not, it is dishonourable, despicable--"

"Stop a bit," he interrupted with a quietness and control which
surprised himself; "don't let us lose ourselves in a labyrinth of
adjectives, and so get away from the main subject altogether.  Why is it
dishonourable for me to make love to you?  For, though you will insist
to the contrary, I am absolutely ignorant of any prohibitive reason."

"That is impossible," Jill replied, and he flushed at her want of faith
in his veracity.  "But as you are determined to keep your counsel until
you discover how much I know I had better speak out I suppose.  You are
not free to propose matrimony to me."

St. John's eyebrows went up with a jerk.

"Indeed!" he said.  "Your statement is news to me, so also is the very
low idea you have formed of my character.  In what way am I not free?
Do you mean that there is someone else?"

Jill nodded; she could find no words.

"And the lady's name?" he questioned in peremptory tones.

"Miss Bolton," she answered with a visible effort.  "I have recently
learnt from unquestionable authority that you have been engaged to your
cousin for some months."

St. John started, pulled thoughtfully at his moustache for a moment, and
then looking up sharply,--

"The name of your informant?" he asked.

"Never mind that," Jill answered, "my informant was in a position to
know.  I have tried to but cannot doubt the assertion."

"And yet you seem to find it easy enough to doubt mine," he said.

She made no reply; and striding up to her he caught her by the shoulders
and transfixed her with a gaze at once stern and reproachful.

"Speak," he exclaimed.  "I will know who is the lying, interfering
mischief-maker who has spread such abominable reports about me."

Jill swayed slightly in his grip, and her glance met his in wide-eyed
questioning as though she would read his very soul.

"Ah!" she cried, "if it were false! if it were only false!"

"The name?" he repeated impatiently, and almost shook her in his
excitement.  She hesitated still for a minute, then the answer came
unwillingly, more as though his glance compelled the truth than that she
gave it voluntarily.

"It was your father," she half-whispered, and her eyes sought the floor
and stayed there as though she dreaded reading what she might see in his
face.

He stared at her for a moment, then he pushed her from him with a laugh.

"Unquestionable authority certainly," he said moodily, and laughed
again.  Jill remained motionless watching him, uncertain whether he
intended denying the allegation or not, and he stood opposite in a
towering rage glowering back at her with his brows drawn together in the
old bad-tempered scowl.

"I suppose," he went on after a pause, "that he communicated this
intelligence to you between the time of your writing to me and my first
appearance at the art school after your illness?"

"Yes," she replied, "on the Thursday."

"That accounts for your inexplicable bad temper that Friday," he resumed
unpleasantly.

"Information from such a source must certainly have been convincing, far
more convincing than my contradiction.  But did it not strike you to
doubt the authenticity of the signature?"

"It was a word of mouth communication," Jill answered coldly, "Mr St.
John honoured me with a visit."

"He came here?" repeated her hearer aghast.  "My father?  Impossible!"

"It does sound rather improbable I admit," agreed Jill.  "It was going
to a great deal of trouble over a small matter, wasn't it?--when a penny
postage stamp would have done as well.  But he seemed more concerned
about it than either you or I.  Was it likely, do you think, that I
should question his statement?  Had there been no truth in it why should
he have bothered?"

"The only reason I can think of," answered St. John, "was that he merely
anticipated his desire.  But for you I can find no excuse, not even one
so flimsy as that.  Why should you place perfect reliance on the word of
a man you did not know, and, putting the worse possible construction on
my actions, refuse to give me even the chance of justifying myself?"

"I don't know," retorted Jill ungraciously.  "Looked at from your point
of view I suppose it appears monstrous, but from my point it seems
natural enough.  I had no reason to doubt your father's word, and, as
you, yourself, informed me that morning you had never spoken a word of
love to me in your life.  There was no necessity for you to mention your
engagement; men not infrequently prefer to conceal the fact from girls
of inferior social standing--"

"Stop," he cried, angrily.  "This is too much.  I could have forgiven
the rest, but you go too far."

"I didn't know that I had entreated your forgiveness," she said with a
smile which mocked his indignation.  "`I love every tone of your
voice,'" she mimicked, "`every fresh mood, wound and vex me though they
may at the time.'  You have a strange way of showing your affection, Mr
Saint John, an admirable way of disguising it, I should say."

St. John looked furious, and his tormentor continued relentlessly.

"Or is it that now it is wounding and vexing you?  To-morrow, I suppose,
you will be enamoured of all that I have said and done to-day?"

Then, her mood changing abruptly as the love in her heart reproached her
for doubting and vexing him as she had, she went up to the table and
buried her face shyly in the flowers he had brought.

"Go away now, my dear Saint," she whispered, "and come to-morrow
instead; for I like you enamoured best."

But St. John was angry still, and not so ready to be propitiated.  His
hat lay on the table where he had placed it near the flowers, and Jill's
hand rested beside it--her fingers touching the brim, it may have been
by accident though it looked more like design.

"I think I _had_ better go," he agreed, reaching out for it; "your
opinion of me is not easy to forget, and--"

He had taken hold of his hat; but Jill's small fingers had closed upon
the brim on the other side, and kept their hold determinedly.

St. John desisted at once; it was incompatible with his dignity to
struggle over his headgear.

"At your pleasure, Miss Erskine," he said.

"It's very strange," mused Jill in a tone of innocent speculation; "do
you know that until to-day I had always considered you handsome?  What a
difference it makes to a face whether it is smiling or glum."

"One can't keep up a perpetual grin," he retorted, but his countenance
relaxed a little despite his effort to appear unmoved, and seeing her
advantage she followed it up, turning a scene which had been growing
painfully strained into a comedy by her deft handling of the situation.

"No; not unless it is natural to one, which is even a greater
affliction.  I once heard of a man who had his nose broken for laughing
at a quarrelsome individual in the street.  As a matter of fact he
wasn't laughing; it was only that Nature had endowed him with a
perpetual and unavoidable grin.  But you are not at all likely to get
your nose broken from a similar cause."

"I should hope not," he returned with disagreeable emphasis.

"Is mine on my face still?" enquired Jill putting up her hand to feel.
"Why! it actually is.  Funny, but I thought you had snapped it off.  It
is there, isn't it?"

She went quite close to him and held up her face for inspection with a
look in her eyes that St. John would have been more than human, or at
any rate not genuinely in love, had he resisted.  He made no attempt to;
he just took the small face between his two hands and kissed it.  And
then they sat down together on the twill covered box to spoon a little,
and afterwards talk matters over from a practical, common sense view, as
Jill declared; though it would have been more sensible had they left the
spooning and talked matters over first.

CHAPTER NINE.

"I wonder," mused St. John, stroking Jill's tumbled hair with his right
hand, and holding both hers in his left, "why the governor should have
come here and told you what he did?  It was putting us all in such a
false position, and--well, I should have considered it an act altogether
beneath him."

Jill sighed and nestled unconsciously a little closer to him.

"Can't we forget all that for to-day," she asked, "and just think only
of our two selves?  I quite believe you when you say that you are not
engaged to your cousin.  I think I believed it all along only I was so
horribly jealous.  I'm jealous still, jealous that she can see you when
I can't, and that she has a right to call you Jack--"

"But you have got that right too," he interrupted, "a better right than
she has.  You will call me Jack, won't you?  I call you Jill."

She laughed.

"Doesn't it put you in mind of the nursery rhyme?" she said.  "I never
thought of it before."

"Yes; let's see, how does it go?  We must alter it a little to fit the
case, `Jack and Jill went up the hill to--' we can't say `fetch a pail
of water.'"

"In search of fame together," put in Jill.

"Ah, yes!  Jack and Jill went up the hill In search of fame together,
Jack fell down and broke his crown, And--"

"No," interrupted Jill, "I won't come tumbling after.  You can say that
I went on alone."

"But that's so unkind," he objected; "besides it doesn't rhyme."

"Oh! well," she answered after a pause devoted to thinking out a finish
to the verse, "put, `But Jill goes climbing ever.'  That rhymes, and
it's true; I'm not going to stop in the valley trying to haul you up."

"You're a disagreeable little prig," he exclaimed.  "I should as likely
as not be obliged to haul you."

"And I daresay you could manage that," she answered rubbing her cheek
against his coat sleeve; "you're big enough goodness knows.  I should
like to be hauled up and have no more climbing to do, Jack; it would be
such a change.  But that's too good to come true I'm afraid, it will
always be more kicks than coppers it seems to me."

"What do you mean?" asked St. John in astonishment.  "There will be no
more kicks, Jill, when you are once married to me; I shall take all
those."

Jill went on caressing his coat sleeve vigorously, and her hand pressed
his with tender warmth.

"We shall never marry, Jack," she said; "we can't."

"Why?" he asked amazed.

"Because we can't live on love, dear; I never did like sweet things
much, and you don't like bread and cheese, and stout.  I don't much
either; but I have to go in for it; it's cheap.  Only now I do without
the stout--and the cheese also the last day or two."

"But, darling," he exclaimed, not quite certain whether she was joking
or not, "you are making troubles where they don't exist.  There will be
no need to live on bread and cheese and affection--though I should be
equal to that even if necessary--I have five hundred a year from my
father, and he has promised to increase it when I marry."

"Providing you marry your cousin," Jill interposed.  "He would certainly
decrease it if you married me.  Oh!  I know quite well all about it.
You forget that he called upon me; he told me so then.  And though you
love me and I love you we shouldn't be such fools, Jack, as to marry on
nothing."

St. John looked glum.  He entertained no doubt that his father had
resolved upon this plan of deterring him from marrying the girl he
wished to, and he determined to thwart him if possible.

"We could get married, and I could come and live here," he suggested
brilliantly, "and we could work together; that would be jolly."

Jill smiled at this proposal but shook her head decisively.

"It's no good; it wouldn't answer," she said.  "We should fight
dreadfully in a month, and then the models would get smashed.  And you'd
never earn anything at painting, you know; your pictures always require
explaining, and your figures are atrocious.  I can't think why you will
persist in going in for the human form divine; it's most difficult; for
any fool can see when a figure's out of drawing except the one who draws
it, and you never will learn that green isn't a becoming tint for flesh
even in the deep shadows."

St. John heaved a sigh which seemed to proceed from the bottom of his
boots.  He was too genuinely despondent to resent her slighting
criticism of his abilities, or too well aware of its truth perhaps.  He
rose impatiently, and walked restlessly up and down trying to think.
Jill watched him, her own brows knit in a hopeless attempt to solve the
difficulty.

"This is a pretty kettle of fish," he exclaimed swinging round so
suddenly that he nearly upset the model.  "I'm hanged if I see what we
are to do."

"My dear boy," remonstrated Jill in tones of apprehension, "do mind the
lay figure.  I am trying to finish this canvas with its sole aid,"
pointing to the work that she had been engaged upon at his entry--a
female figure recumbent on a night rainbow.  "I can't possibly employ a
model, unless perhaps for a final sitting when I know that I shall see
so many mistakes it will be a case of repainting it."

Then St. John had a happy inspiration.

"Wouldn't I do?" he asked in all good faith.  "I'm bigger, of course;
but I'd be better than a lay figure, and I don't mind posing for you a
bit."

Jill broke into a laugh, the first laugh of thorough enjoyment that she
had had for days.

"Ye gods!" she cried, "what next I wonder?"  Then she got up and put her
two arms about his neck.

"Dear old boy," she said gratefully, "I believe you'd stand on your head
if I wanted you to.  But no, dear, I won't pose you as `The Shepherd's
Delight,' I'm sore afraid you wouldn't do at all."

Well the end of it all was that Jill absolutely refused to marry St.
John on the understanding that they should pick up a precarious
livelihood by their combined artistic efforts, though she was quite
willing that he should speak to his father again on the subject if he
deemed it of any use.  She also thought that Miss Bolton should be
apprised of what had taken place, and for the rest things would go on
just as usual, only he would attend the Art School again, and, as he
himself stipulated, pop in as often as he chose.  Then Jill went and put
her hat on at his request, and they strolled out to lunch somewhere, and
afterwards spent the rest of the day as they liked, which wasn't among
pictures as one would have imagined from two such lovers of art.  In the
first place St. John drove to a jewellers and placed a handsome
solitaire ring on the third finger of Jill's left hand, then they
attended a matinee at one of the theatres, and in the evening he took
her to Frascatti's to dinner.  There were several men there whom he knew
and saluted in passing.  They bowed back and stared hard at the dowdy
little girl he escorted, wondering where he had unearthed her, and why?
That night Jill tasted champagne for the first time, and its effect upon
her spirits was decidedly exhilarating.  She liked champagne, she said,
and St. John laughed at the naivete of both manner and remark.  When he
asked her where she would like to finish up the evening she suggested a
Music Hall; for there one could talk while the performance was going on.
So they drove to Shaftsbury Avenue, and St. John got one of the
comfortable little curtained boxes at the Palace where one can enjoy the
stage if one wishes to, or sit back and not pay any attention to it at
all.  Jill liked the Living Pictures best.  She almost forgot in the
delight of watching that they were actually animate and not marvellously
painted canvasses by some master hand.  But St. John rather spoiled the
effect by remarking that they were `leggy,' whereat she told him that he
was horrid; nevertheless she noticed how very quietly the house received
these artistic representations; but it was the quietness of appreciation
had she known it--the appreciation which enjoys, yet with a very common
mock modesty fears to be detected enjoying.  Jill glanced at her lover
as he sat back watching her instead of the stage with a smile of quiet
amusement on his face.

"They are lovely, Jack," she said.  "I should like to carry them all
home in reality as I shall in my mind's eye.  But this is the wrong
audience to exhibit such things to."

And St. John agreed with her, though he was by no means certain as to
the soundness of her logic, but he would have agreed to anything just
then; he was in the idiotic, inconsequent stage of love sickness, and
had got it fairly badly.

When the Music Hall was over he suggested a late supper somewhere, but
Jill was firm in her refusal; so they drove straight to her lodgings
where St. John alighted and opened the door for her, and embraced her
several times in the dirty passage before he finally allowed her to shut
him out and go on up to her room.  And that night she fell asleep with
her cheek pressed to the diamond ring, and a smile of perfect happiness
parting her lips.

The next morning Jill went to work on the sachets again, though it was
with the utmost difficulty that she managed to concentrate her thoughts
upon anything at all save Jack and the new ring.  As it was, her ideas
kept wandering, and she caught herself every now and again breaking off
into song--snatches of Music Hall choruses that she had heard the night
before.  And then in the midst of it in walked St. John, and seeing what
she was doing he took the satin away from her in his masterful fashion,
and crumpled it up in his hands before her horrified gaze.

"You said that the smirking idiot who gave you these to do made love to
you," he said.  "I won't brook any oily rivals of that description."

Jill laughed.  She rather enjoyed the idea of his being jealous.

"I thought you said that that was a hallucination," she retorted.  "I
was almost prepared to believe you and to think that the next time he
chucked me under the chin, or put his arm round my waist that it was
only my vivid imagination."

"He did that?" cried St. John fiercely.

"Oh, dear! yes; several times."

"Give me his address," commanded her lover.  "I'll stop his love-making
propensities.  Where does this greasy Lothario hang out?"

But Jill was too discreet to say.

"I forget," she answered lamely; "I never was good at locality.  Don't
look so savage, Jack; he only chucked me under the chin once, and I
washed my face well directly I got back, indeed I did; I scrubbed so
hard that I rubbed the skin off, I remember, and it was sore for two
days."

"You ought to have returned the work at once," grumbled St. John.  "I am
surprised at your taking it after that."

"Surprised!" she repeated.  "You wouldn't have been so astonished had
you lived for a few days on a stale crust, and expected to dine the next
off the crumbs if by good luck there happened to be any crumbs left."

"Oh!  Jill," he exclaimed, "I'm a brute dear.  Has it ever been as bad
as that, my poor little girl?"

Jill nodded affirmatively, and then let her head recline contentedly
against his shoulder, glad to nestle within the comforting security of
his strong arms, and feel that there she could find both shelter and
defence.

"Have you told your father yet?" she asked a little nervously.

"No, dear," he answered.  Then added quickly, "I will some time to-day,
though."

"Yes," she said, "don't put it off any longer; I think that he ought to
know; and yet I feel somehow that his knowing will put an end to all
this pleasant fooling.  Oh!  Jack, I'm such a horrid little coward, I
know I am."

She lifted her face, and he saw that she was laughing even though the
tears stood in her eyes.

"If you feel like that," he said tenderly, kissing the upturned face,
"why not get married first and tell him afterwards?"

"Oh!  Jack, fie," she cried; "you are turning coward too."

"Not I," he contradicted stoutly, then added with a smile, "I think I am
though; I'm so terribly afraid of your slipping through my fingers, you
eel."

"Oh, you dear!" whispered Jill softly.  "It _is_ nice to have someone
wanting you so badly as all that.  I won't slip through though; I am far
too comfortable where I am."

CHAPTER TEN.

The following day, St. John entered the studio with a face the gravity
of which boded no good for their plans, Jill feared.  She knew at once
that his father had refused to countenance the match, and although she
had not dared to hope for his sanction, the knowledge that he had
positively denied it came upon her with a sense of shock.  Not for one
moment did she think of resenting his objection, nor of questioning his
right to forbid the marriage, she just crept within the shelter of St.
John's arms and stayed there, her face, with its flush of mortification,
hidden against his breast.

"The governor's a silly old fool," St. John exclaimed savagely, thinking
less, perhaps, of the girl's discomfort than his own personal
grievances.  "He's cut me off with nothing--at least five hundred
pounds; he gave me a cheque for that amount before giving me the kick
out."

"We won't take it," Jill cried wrathfully with the improvident contempt
of the penniless, "We won't touch a farthing of it, will we?"

"Oh; yes, we will," he answered.  "We'll get married on it in the first
place, and then live on the rest for so long as it will last."

"I wouldn't get married on that five hundred pounds for anything," Jill
said firmly.

"Well, I'm going to," he replied, "I'm going to see about it now.  We'll
go before a Registrar--much nicer than Church, you know, doesn't take so
long.  And then I'm going to invest the rest with a little capital that
I have by me in a snug little business--haberdashery, or something of
the kind; I'm not quite sure what, though I thought about nothing else
all last night."

Jill gave a quiet laugh.

"My dear old boy," she said, "you must allow me a say in that matter if
you please.  I wouldn't let you have a haberdashery; I'd sooner that you
were a pork butcher at once."

"No good," he answered.  "I've thought of that too; but I couldn't kill
a pig for love or money.  I could measure out a yard or two of ribbon
though, and sell worsted stockings to old women.  I say, Jill, what do
you think of a photographic studio?--That's the next best thing to art."

Jill had a fine contempt for photography, and said so, but St. John was
rather taken with the new idea, and as he pointed out while he did the
mechanical work she could paint portraits and enlargements, and have a
kind of Art Gallery as well.  He spoke with a cheery confidence that
showed that he fully expected her to fall in with his plan immediately
and be struck as he was with the brilliance of the idea.  But for once
Jill's spirit seemed to have deserted her, and she turned away with a
catch in her voice, and quite a forlorn expression in the grey eyes
which a moment ago had been smiling into his.

"Oh, Jack, don't!" she cried.  "I can't bear to listen to you.  My poor
old saint, I wish that you had never met me."

"Stop that," commanded St. John sharply.  "You make me feel such a
beastly cad--the son of a beastlier cad--"

She turned and laid her hand upon his lips, shaking her head at him
reprovingly.

"Your language isn't fit for a stable," she said in her elder sister,
teacher-to-pupil tone.  "I can't have you calling people names here.
Besides what I said need not have excited your risability like that.  I
meant it in all sincerity; it is a pity as things have turned out; I was
quite happy here working by myself, and got along fairly comfortably,
and I think now that we have had our pleasant fooling and the crisis is
reached I should like to offer you your freedom."

"Thank you," he answered grimly, and he stood looking down from his six
feet of brawny manhood upon the small determined figure in front of him
busily engaged in withdrawing the ring--her sole article of jewellery--
from the third finger of her left hand.  She held the shining circlet,
emblem of their mutual love, towards him with a smile upon her lips, but
he made no attempt to take it though he understood the significance of
her action well enough.

"Wouldn't you like to keep it to wear on the other hand?" he enquired
sarcastically.  "It isn't etiquette, I know; but ladies do it sometimes,
I believe."

"But your freedom?"  Jill persisted, still holding the ring before his
eyes.  "Won't you take that?"

"Oh, certainly," he replied disagreeably, "but _that_ doesn't constitute
my freedom, does it?" with a contemptuous glance at the small golden
hoop in her hand.

"No, I suppose not," the girl answered in a voice of such blank
disappointment that St. John grinned despite his ill-humour; her
lugubrious expression aroused his mirth.  Jill saw nothing to laugh at.
The situation had assumed for her quite a tragic aspect, and her eyes
blazed with a very wrathful light as she gazed witheringly up into his
broadly smiling face.

"I don't see," she observed icily, "that my remark called for any
violent ebullition of mirth.  I wasn't aware that I had said anything
funny.  Is there insanity in your family?"

"Not that I know of," he replied, taking possession of both ring and
hand as he spoke, and keeping his hold despite her angry attempt to free
herself.  "'Pon my word, Jill, you're enough to try a fellow's patience.
You deserved to be taken at your word just now, and didn't expect to
be, that's the joke.  And now I've got to put this ring back in its
place, I suppose.  The next time that you take it off for the childish
satisfaction of dangling it an inch from my nose I shall keep it and
give it to some other girl."

"Miss Bolton perhaps?" remarked Jill in her nastiest tone.

"Don't you think it would be better," he suggested without looking at
her, "to leave Evie's name out of our disputes?"

"I don't know whether you consider it gentlemanly," Jill cried fiercely,
"to try and make me feel mean?"

"I'm glad if I have succeeded in making you feel it," he answered
imperturbably, patting the ring in place, and slowly releasing her hand,
"for you certainly are mean.  Your meanness is, in fact, only to be
equalled by your bad temper and that exceeds it.  I am not blind to your
faults you may observe; they are as plentiful as flies in summer, and
equally irritating."

"And to think," exclaimed Jill in exasperation, "that I was going to
give you up just for your personal benefit!  I won't now; if you try to
back out of it I'll have you up for breach of promise."

"You will, will you?  Jove!  I almost believe you would.  And you'd win
your case too, for if you looked as belligerent as you do at present the
jury would be afraid to give it against you.  It isn't a bit of use,
Jill, getting nasty; I'm in such an angelic frame of mind myself that
not even you could put me out.  Get your hat on, old girl, and let's go
and look for our shop together.  We are going to become public
benefactors, and hand down to posterity the idealised representatives of
the present generation."

Jill smiled scornfully.

"I am sorry for the idealisation if you are going to operate; they'll be
more like caricatures I'm thinking.  What do you know about
photography?"

"Know about it!" echoed St. John indignantly.  "Why I've got a camera of
my own; Evie and I used to dabble a good deal in photography at one
time."

"It strikes me that you _dabbled_ in a great many things," retorted
Jill.  "Perhaps that accounts for the very indifferent manner in which
you do everything.  If you are counting on your amateur efforts solely,
I fear we shall end in the bankruptcy court."

"Jill," he said very gravely, and in such an altered tone that Jill
looked up in surprise, "are you afraid to throw in your lot with mine
now that my circumstances are almost as destitute and uncertain as your
own?"

Jill gave a gasp.  For a moment she looked as if about to offer an
indignant protest, the next she dissolved into tears.  St. John's
half-formed suspicions faded immediately.  His father had planted them
in his mind the night before.  He had said "tell her that you are
penniless and see how sincere her love will prove."  The girl's
uncertain mood had recalled the words to his memory but he knew as soon
as he had spoken by the look in her eyes that he had entirely misjudged
her.

"How can you say such unkind things?" she cried.  "I believe you are
trying to make me hate you."

"Darling," he said contritely, slipping his arm about her, and holding
her closely to him, "forgive me; I didn't mean it, indeed I didn't."

"You did," sobbed Jill.  "You thought that I had been running after you
as a good speculation--"

"Don't, dear," he entreated, "you make me feel so ashamed of myself."

"And so you ought to," she answered, drying her eyes on the corner of
her painting apron, and looking up at him with a very woebegone face.
"I shall never forget that, I'm afraid; I have a horrid memory for cruel
things, and I have loved you so truly all the time.  I would go through
a dozen bankruptcy courts with you, and--and--and end up in the
work-house even sooner than lose you now."

She dropped her head again with a fresh burst of tears, and St. John
felt as intensely miserable as it is possible for a man to feel,
intensely ashamed of himself also for giving voice to such an unjust
suspicion.  He racked his brains in search of something soothing, but
the only thing he could find to say was,--

"Don't keep hitting a fellow when he's down, Jill."

It wasn't a very brilliant, nor a very original remark, but it was the
very luckiest thing he could have hit upon.  Its effect on Jill was
marvellous; she recollected what she might have remembered sooner, that
he had been passing through very stormy times lately, and all on her
account.  A man does not generally relish breaking with his family and
throwing up a luxurious home for the doubtful prospect of earning his
own living when he has not been brought up to any profession, and hasn't
a superabundance of capital to launch him into a going concern.  St.
John had certainly not relished it, but he had made no complaint and had
met his ill fortune with a cheerfulness and pluck which did him infinite
credit.  Jill mopped her eyes again vigorously and put both arms around
his neck.

"I have been horrid," she said; "I have done nothing but worried you
ever since you came, and you were worried enough before.  Jack dear, I'm
afraid we shall quarrel dreadfully after we are married.  I really am
bad-tempered, and you are not--not altogether amiable, are you?"

St. John laughed.

"I don't care," he said, "so long as we make it up again.  Rows are like
hills in cycling, beastly at first, but when you're used to 'em a flat
road seems dreadfully monotonous."

Jill saw very little of her fiance during the next week.  He was busy
looking for something to do! for she had declared that until he found
permanent occupation their marriage must be postponed; she was not going
to take such a serious plunge on the strength of the five hundred
pounds.  St. John acknowledged the wisdom of her decision but chafed at
the delay.  Having been ejected from the paternal roof he was anxious to
have a home of his own, and more than anxious to see Jill at the head of
his frugal board.  He was not quite sure how Jill existed; it worried
him rather to think of her poverty; but she would take no assistance
from him.  Once he deprecatingly offered her a ten pound note which she
however firmly refused.  She would not allow him to support her until he
had the right to do so.

"Don't you think that that's rather straining at a gnat?" he said.

"Perhaps," she answered smiling.  "But you would not like to think that
your coming had lessened my pride and independence, and made me lazy and
unselfreliant, would you?  If I actually need assistance I will come to
you, dear old boy."

And so he had gone forth in search of a livelihood more than ever
anxious for the ceremony to come off, and not a little eager to commence
the new life of independence and hard work.  St. John had a friend who
knew everything.  There is a difference between a man who knows
everything and the man who thinks he does; St. John's friend was the
right sort, and he put him in the way of the very thing he was looking
for.  A photographer of the firm of Thompkins and Co, having recently
dissolved partnership through the Co, setting up for himself was
advertising through the regular channels for a new partner.  St. John's
friend having some slight acquaintance with Thompkins introduced the
two, and eventually St. John invested his capital and returned to the
studio in triumph to inform Jill with much pride and satisfaction that
he represented the Co in "Thompkins and Co.--photographers."

CHAPTER ELEVEN.

"And now, Mrs St. John, I think we'll go and have lunch," Jill's new
husband remarked as they stood together outside the Registrar's office,
the sun shining brightly on the two faces, his quietly amused, hers a
little grave and wondering at the importance of the now irrevocable step
which they had taken.  At the sound of her new name Jill smiled.  "It
will be our wedding breakfast," she said.

"So it will.  We'll have fizz and go a buster--a man doesn't get married
every day.  I didn't sleep a wink last night, Jill for thinking of it."

Jill hadn't slept either.  In morbid retrospection, half sweet, half
painful, she had spent the night in the empty studio--empty because St.
John had had every stick of hers removed to her new home, even to the
remains of the Clytie that he had broken, and which had been carefully
preserved among Jill's other treasures as too sacred to be thrown away.
She looked up at him, the memory of all his thoughtfulness adding an
increased tenderness to the loving smile that chased the momentary
sadness from her face.

"You're a goose, my big boy," she said slipping her hand through his arm
as she spoke with a very unwonted display of affection.  "And how nice
to feel that you are my boy--my very own.  No one can part us now, Jack;
not all the spiteful machinations of the tyrannical, disagreeable,
up-to-date parent can come between you and me, dear, nor alter the fact
that we are man and wife."

"That's true," replied St. John with mock resignation.  "There's no
getting out of it edgeways; for there is a helpless finality about
matrimony that carries its own conviction.  Jill, my dear, you look
uncommonly nice in that gown."

Jill laughed contentedly.  He had told her that three times already but
she had not the least objection to hearing him say it again.  She patted
the grey folds of her dress with her grey-gloved hand, and tried to get
a glimpse of herself in the shop windows as they passed.  It was a very
simple costume, and a very serviceable one in light tweed.  She had
managed to dispose of some work lately and had felt justified in being a
little extravagant; though the extravagance had not gone further than
buying the necessary materials; her own busy fingers had fashioned the
costume with the aid of experience and a paper pattern, and the result
was highly satisfactory and very creditable from the top of the smart
little toque to the soles of her neat new walking-shoes.

"Where shall we go?" enquired Jill serenely.

"To Frascatti's," he answered, and to Frascatti's they went accordingly.
St. John ordered a very recherche little lunch although he was fully
aware that even in small matters it was necessary to practise the
strictest economy, but, as he argued in answer to Jill's expostulations,
it was out of all reason to expect a man to be economical on his wedding
day.

"I'm afraid it's out of all reason to expect you to be economical at
all, my dear saint," remarked his wife sweetly, slowly withdrawing her
gloves, and regarding her very new wedding ring with marked complacency.
"I shall have to keep the purse, that's evident, and dole you out an
allowance."

"It'll put me in mind of my schoolboy days," laughed St. John, "when I
received sixpence a week, and very often had that confiscated in payment
of fines."

"I can quite imagine it," retorted Jill with a grave little shake of the
head.  "It is strange considering what horrid little wretches boys
generally are how really nice some of them grow up."

St. John laughed again; the compliment was intended for him, and he
appropriated it.  He paused in the act of taking his soup to look across
at his small wife.  Never had he felt more supremely happy and contented
than he did at that moment.  He had a careless habit of living solely in
the present, turning his back on the past, and deliberately refusing to
look into the future--that future which with its work, its independence,
and its possible poverty meant so much to them both, and would prove not
only a test to the strength of his manhood but to the sincerity of their
mutual love.  To-day he was determined to put such thoughts on one side;
it was his wedding morning and he meant to enjoy himself.  He turned his
attention from his wife's face to the study of the wine card, and ran
his eye quickly down the list.  "Do you like your wine dry?" he asked.

"Um?" queried Jill.

"Do you like dry wines?"

"How funny!" she said.  "I didn't know there was such a thing.  I don't
think I should; I'm so thirsty."

St. John looked the tiniest shade put out, the waiter stared, and a
good-looking man with a lightish moustache who happened to be passing
their table at the moment glanced down at the small grey figure in
careless amusement.  Jill flushed, suddenly conscious of having said the
wrong thing, and the man behind her, looking from her to her companion
and recognising the latter, wondered what country cousin St. John had
got hold of now.

"I don't know much about it," she admitted in a slightly vexed tone,
"but I liked what we had here before."

St. John gave his order; then he looked into the troubled grey eyes
opposite and smiled reassuringly.  As he did so he caught sight of the
man near Jill's chair; he was about to seat himself at the next table,
but before he could do so St. John rose and intercepted him.

"Markham!" he exclaimed.  "This is luck.  I thought you were abroad."

"Only returned last night," the other answered shaking hands.  "Glad to
see you again, St. John.  All well at home?"

"I don't know," St. John replied; "haven't been there lately.  Come over
to our table, old boy; we wanted someone to drink our health."

Markham elevated his eyebrows in a show of surprise.  St. John had hold
of him by the arm, and he allowed himself to be drawn forward until he
stood facing the little girl in grey, not quite clear even then as to
how matters stood.

"Jill," exclaimed her husband, "allow me to introduce you to Mr
Markham, a very old pal of mine."

Jill held out her hand with a smile.  She was a little disappointed that
St. John had so readily ended their tete-a-tete luncheon, but she
carefully refrained from letting him see it, and graciously seconded the
invitation which the stranger appeared by no means reluctant to accept.
He took the seat on her right hand and looked her over with a glance
that was at once curious and puzzled.  She was a lady that was evident,
though different in most respects to those he was accustomed to meet;
what he could not rightly fix was the relationship between her and St.
John.  When he left England he had understood that the latter was to
marry his cousin--it had been for that reason that he had gone abroad--
and yet a moment ago St. John had distinctly asked him to `drink our
health.'  Whose health?  And why?

"This is a very festive occasion you are participating in, Markham," St.
John observed gaily.  "It is my wedding day.  As the only guest present
we look to you for a speech."

Mr Markham stared incredulously first at St. John, and then at his
wife.  Suddenly he caught sight of Jill's new ring--the plain gold
circlet seemed to carry conviction with it.  He bowed to Jill and
impulsively held out his hand to St. John.

"My congratulations, old fellow," he cried warmly, "my very sincere and
hearty congratulations.  By jove!  I am surprised.  But--"

He paused.  He had been going to ask `what about Miss Bolton?' but
bethought him in time that it might not be a welcome topic to the bride.

"You don't congratulate _me_" said Jill smiling, "and yet you might do
that more readily because you know Jack and you don't know me.  I feel
quite apprehensive; I've taken him for better and _worse_, you know."

Mr Markham laughed.

"I think your having done so does infinite credit to your judgment, Mrs
St. John," he said.  "I wish you both every happiness and success."

"Thank you," Jill answered: "I feel reassured and good wishes are always
most acceptable."

"To wish success in our case is very appropriate too," struck in St.
John.  "I'm going to give you another surprise now, old fellow; I've set
up in business on my own."

"Eh?" enquired Mr Markham, putting down his wineglass and staring at
his friend.  St. John whipped a card out of his pocket and laid it on
the table cloth.

"When you want your photograph taken," he observed in some amusement,
"go to that address, my boy, and you'll get taken as you never were
before.  I'm the Co, and I go into harness a week from to-day."

To say that Mr Markham was astonished would be to express his
sensations very inadequately he was astounded--almost incredulous.  He
looked at St. John's smiling face, and then at Jill's grave,
matter-of-fact one, and ejaculated "By George!" in a tone that made St.
John laugh more than ever.

"It's a fact," observed the latter.  "Put the card in your pocket and
advertise the firm a bit at the club and elsewhere.  Besides you'll know
my address then, though, of course, it is quite permissible for you to
forget that if you want to."

Mr Markham took up the card in silence, read it, placed it carefully in
his pocket-book, and sitting back in his chair fell to laughing
immoderately as though it were a huge joke.  He had grasped the
situation immediately when he had quite taken in the news.  He had
wondered that Jack and his wife should be having their wedding breakfast
at Frascatti's, and alone; but now he understood.  He knew that St.
John, Senior, was bent on marrying his son to Miss Bolton, and he also
knew that St. John possessed no private means.  He had evidently run
contrary to the paternal wishes and this was the outcome.  What a fool
he was to be sure!  To chuck up quarter of a million and pretty Evie
Bolton for--

"You must really excuse me, Mrs St. John," he exclaimed meeting Jill's
surprised, and slightly disapproving glance with easy frankness, "but
it's just immense to hear Jack talk about work; I don't suppose he has
done a hand's turn in his life."

Jill lifted her eyes to her husband's with unconcealed pride in her
look.

"It doesn't follow that he won't be able to do it," she answered
confidently.  "You none of you seem to have understood him.  He is full
of pluck and perseverance, only he has always been discouraged."

"We understood the old Jack well enough," Markham responded.  "But there
comes a crisis in some men's lives when their whole nature undergoes a
complete change.  It doesn't always last; they often go back to the
original state which means disappointment, and sometimes disillusionment
too.  I don't mean that St. John is likely to go back, I was merely--"

"Preparing me," suggested Jill.

"No; wandering off into personal experience--a mistake at any time,
unpardonable under existing circumstances.  I won't forget to advertise
the show, old man," he continued turning to St. John, "and, if I may,
will book to-day fortnight for a sitting.  I rather enjoy having my
portrait taken, and don't mind promising to become a regular customer.
I think I can bring some others as well."

"Thanks awfully," answered St. John.  "It will be good for me if I can
introduce some fresh customers.  I have posted the old man a card.
Wouldn't it be a huge joke if I had the honour of photographing my own
father?"

Jill made a little grimace, and then the three of them laughed
uproariously till Markham, raising his glass on high, drank to the
health and prosperity of bride and bridegroom, and confusion to their
enemies.

"It is rather unfortunate having enemies at the outset of one's married
life, don't you think?" observed Jill a little wistfully.

"Well, I don't know; I always fancy an enemy or two enhance, by
comparison, the value of one's friends."

"Yes, perhaps--if one has friends."

"You cannot persuade me that _you_ will not find plenty as you go
through life," Markham answered gallantly.

"They are a long time coming," she rejoined with a smile, "but that is
generally the case where money is scarce, isn't it?  And Jack and I are
horribly poor.  We are going to live over the shop, you know, in three
rooms and a kitchen.  We are lucky to get so many; old Thompkins--"

"My dear Jill," interposed her husband, "you must really learn to speak
more respectfully of the head of the firm."

"Old Thompkins," went on Jill imperturbably, "has only two.  But then,
of course, he's a bachelor.  I think I shall flirt with him! it might be
a stroke of business, eh?"

Markham and St. John both laughed.

"You're all right," ejaculated the former.  "You can safely leave
yourself in your wife's hands; it is not difficult to foresee that old
Thompkins will be speedily bowled out."

"He might be a misogynist," suggested Jill.

"They are the easiest to get over because they imagine themselves
invulnerable," he replied.  "I knew one once, but he married long ago.
I forgot to ask him to explain the inconsistency, but it seems to have
answered very well."

"I'm glad of that," said Jill gravely.  Then catching his eye she
smiled.  "It would have been such a strong point against us if he had
found it a mistake after all," she explained.

He smiled too.  There was something about St. John's small wife that
unconsciously attracted him; he could not help thinking what a capital
friend she would make if a fellow were in trouble and in need of advice,
though why he should arrive at such a conclusion he could not guess; so
far they had exchanged nothing but very slight commonplaces.

"I feel I must contradict you there," he said.  "Had he found it a
mistake it would most probably have been his fault; people with decided
principles are generally difficult."

"Don't," cried Jill, "you make me nervous.  Jack may have decided
principles for aught I know--he's got a decided temper, and I'm horribly
afraid Ilfracombe will make it worse."

"So you propose spending the week at Ilfracombe?"

"Yes.  I stayed there with my father once while he painted the Coast, so
Jack is taking me there for auld lang syne."

"It's bracing," struck in St. John, with a commendable determination to
have nothing sad, not even reminiscences, on his wedding day.  "Any
place would do me, but the little woman really wants setting up."

"You will be putting up at the `Ilfracombe,' I suppose?" observed Mr
Markham, conversationally.

"My dear fellow," returned St. John, "you don't seem to quite realise
our position.  We belong to the working-class, and will have to hunt out
cheap rooms when we get there."

"Ah!  Well, diggings are more convenient in many ways, and more private,
too."  And Mr Markham, raising his wineglass to his lips, drained it
quickly, as though he were swallowing something beside Heidsieck, as no
doubt he was.

CHAPTER TWELVE.

Cheap apartments are not easily obtainable at watering places in the
summer, that is apartments which combine cheapness with a certain amount
of comfort.  It was Jill who pointed out the likeliest locality to
search in, and who finally discovered what they wanted after many
fruitless enquiries.  They did not suit St. John's taste, however much
they might his pocket.  He would have pronounced them impossible at once
had not Jill firmly maintained that they would do.  She had had to study
economy so much all her life that she was easily pleased, and really
considered the rooms quite good enough for what they required.

"They are," she observed cheerfully as soon as they were alone together,
"clean and comfortable.  To me, after my old attic, they are more--they
are luxurious.  And the air is perfectly delightful."

St. John glanced round the tiny sitting-room with its cheap saddle-bag
suite, and uncompromisingly hard sofa, and endeavoured to see things
from her point of view, but with no very marked success.  He was losing
sight of the romance of poverty, in the realisation of its sordidness.
He hated cheap lodgings and all their attendant discomforts, and his
dissatisfaction was written plainly on his face.

"It might have been worse," he answered disparagingly.

Jill bit her lip and turned to look out of the window.  He followed her
example, and his discontent increased.

"Not much of an outlook on somebody's bean patch," he grumbled.  "Deuce
of a nuisance we didn't go nearer the sea."

"Sea view apartments are beyond our figure," she returned.  "Besides you
ought not to want any outlook, nor anything else except me."

St. John's ill-humour vanished, and he smiled as he put his arm round
her shoulders and drew her nearer to his side.

"I don't," he asseverated.

"Then what are you grumbling at?"

"I wasn't; I was only wishing that things were a little nicer for you."

"That's very kind of you, dear, but you might wait until I complain
before you begin throwing a damper on things.  I think that everything
is lovely, only--who is to manage the landlady, Jack?  I'm sure I
daren't; she looks as if she would stick on the extras.  We must do our
own marketing, and she won't like that, I suppose."

St. John looked uneasy.

"You always said," he remarked in a reminiscent manner, "that you would
never allow your husband to interfere in domestic concerns; it wasn't a
man's work."

"Well, you are a coward," cried Jill; "big men generally are.  And she's
only a little woman, not any bigger than I."

"Little women are so vindictive," he retorted.  "I shouldn't have minded
how big she had been, but I did mind the way in which she looked us over
and said, `You'll have breakfast at eight-thirty, I suppose?  I can let
you have some butter that I've got in house.'  Eight-thirty is such a
commonplace plebeian hour, and sums up one's social status so exactly,
and why couldn't she say in `the' house?"

"Oh! don't be so ridiculous," replied Jill, "she is a Devonshire woman,
of course, which makes a difference.  But I don't want her butter; I'm
sure it isn't good and that's why she is anxious to get rid of it."

"Then why didn't you tell her so instead of saying thank you?"

"I hadn't the moral courage to," Jill admitted frankly.  "I don't know
why you didn't help me out.  If you were half a man you wouldn't allow
me to be worried on my honeymoon."

"It's my honeymoon too," protested St. John.  "I don't see why I should
be worried either.  Jill, dear, run and put your hat on we can't stay
all the evening in this pokey room.  Let's go out catering for to-morrow
and have a peep at the sea."

So with a laugh Jill went to do his bidding and together they sallied
forth like a pair of children, or two sea-side trippers who having come
for a week's holiday, intend making the most of their time.  They turned
their footsteps towards the sea, and sauntered along the steep winding
path up the cliff for the sake of the view, and the breezes, and to
catch sight of the little paddle steamers passing in the distance.  They
talked a great deal of nonsense, and St. John painted a golden future as
background to the rosy present till Jill almost believed that the
insignificant firm of Thompkins and Co. was the gilded gate to fortune,
and Jack's the lucky hand to hold the key.  Markham's name cropped up in
the course of conversation.  St. John introduced it, as he had the
owner, unexpectedly, and apropos of nothing that had gone before.

"How did you like Markham?" he enquired.  "Not a bad sort, is he?"

Jill looked dubious, and puckered her brows thoughtfully.

"I don't know," she answered.  "I am not sure whether if I knew him
better I should like him a little, or dislike him a great deal.  Why did
you ask him to come and spoil our lunch?"

"I didn't, I asked him to come and drink our health."

"But why?" she protested.  "We didn't want any horrid third person.
What would you have thought if I had asked a girl?"

"I should have thought it inconsiderate of you from a monetary point of
view, otherwise a charming arrangement."

"You are a brute," cried Mrs St. John pettishly.  "I'm not enjoying my
honeymoon a bit."

"People never do," he rejoined; "It isn't fashionable, besides its bad
taste.  I am afraid that I'm going to prove an exception to the rule
though; for I don't know when I have enjoyed anything so much as to-day.
Beastly form on my part to admit it, I know.  But to return to Markham,
I asked him to join us for several reasons, not the least important
being a natural desire to introduce my wife--"

"Yes, dear, I'll excuse the preliminaries," interposed Jill.  "I want to
know the real reason."

"You aggravating monkey, I've a good mind not to satisfy you.  And I
daresay you will be aggrieved when you hear it because it concerns
Evie."

"Oh!  Was he in love with _her_?"

St. John laughed at the disparaging tone and teasingly pinched her ear.

"Incredible as it may sound he was," he replied.  "I believe she refused
him a little while ago but he has been out of England since then and I
never heard the rights of the case.  He's an old college chum of mine,
and an awfully good sort; I don't know why Evie doesn't have him."

"Oh, yes, you do," rejoined Jill sagely.  "And so you thought you would
let Mr Markham see that you were married and out of the runnings, you
conceited old humbug; and that's why he laughed so much, and was so very
polite to me.  He'll send us a wedding present, Jack, I feel convinced
of that."

"You've always got your eye open for the main chance," observed St.
John, "and ought to make a good business woman.  You'll be pondering the
intrinsic value of that present within half-an-hour.  Personally, I
shall be thoroughly satisfied if I hear that he wins Evie."

Jill looked up at him swiftly, and slipped her hand into his with a
smile.

"I don't mind who wins Evie now," she said, "but I was horribly anxious
once.  I don't believe that I really felt quite safe until this little
gold band was placed on my finger, and then I knew that not even Miss
Bolton could take you away from me."

"Possession is only nine-tenths of the law," interposed St. John; but he
squeezed the small hand lovingly, lying so confidingly in his, so that,
feeling the pressure, and meeting his earnest gaze, Jill was too
thoroughly happy even to retort.

CHAPTER THIRTEEN.

Mr St. John, Senior's, wrath knew no bounds when he received his son's
note and learnt that he had taken the irrevocable step and actually
married the art mistress.  He passed the letter on to his niece with
Thompkins and Co.'s card, and turned away from the lunch-table too
disgusted to eat his food.  Evie Bolton took things more quietly.  She
had realised her defeat from the first, and accepted it as she did the
announcement of her cousin's marriage with a composure that did more
credit to her head than to her heart.  She read the letter through
without comment, and studied the card.  Then she looked up with a little
laugh.

"How funny," she said.  "I will go and have my photograph taken there."

Mr St. John said nothing.  He just wheeled about shortly and left the
room, but when he got outside his language was more forcible than
polite, and he kicked Miss Bolton's pet pug right across the hall.  For
the first time he saw the heiress with his son's eyes.

"Jack is a fool," mused Miss Bolton complacently, tapping the pasteboard
in a meditative fashion.  "He will hate it all three months hence, and
then they will quarrel horribly.  A photographer indeed!  What possessed
him, I wonder?"

When Miss Bolton flippantly observed that she intended having her
photograph taken at Thompkins and Co.'s, she did not mean it seriously;
for she had not considered the matter, and only spoke upon impulse.
Some months later, however, the idea returning to her mind, she
determined, after thinking it over for a little while, to act upon it,
and judge for herself how Jack adapted himself to his changed
circumstances.

It was characteristic of her that she should don her richest attire for
the occasion, and drive there in style instead of going in the quietest
and most unobtrusive manner; and it was also characteristic that on
arriving and entering the shop she should haughtily demand to see Mr
St. John, entirely ignoring Jill, who, on her entry, had risen from her
seat at the desk, and now in her usual philosophic manner walked quietly
out of the shop to call her husband St. John was in the studio
endeavouring to snap an infant in its vest, and only succeeding in
making it howl.  He was looking worried and annoyed, and welcomed Jill's
advent with relief.

"You are better at this kind of thing than I am," he said in an aside to
her; "just see if you can pacify the little beast."

"All right," answered Jill shortly.  "You can go and do the agreeable to
Evie Bolton; she's in the shop waiting to see you."

St. John whistled, and the infant stopped yelling to listen; it was
noted for its love of music.

"How jolly nice of her," he cried.  "Perhaps she'll stay and have tea
with us."

"Perhaps she won't," Jill answered rather bitterly; but St. John was not
paying any attention; he was busy adjusting the collar of his coat, and
failed to detect the chagrin in his wife's tone and manner.  Jill turned
her back on him quickly to hide her annoyance, and walked over to make
friends with the baby, while St. John, unconscious that anything was
amiss, strode through the studio into the shop where Evie Bolton awaited
him.  She turned at his entry and advanced to greet him, recognising
with a little pang of envy as she did so, what a fine, manly, handsome
fellow this cousin of hers was.  St. John, too, realised for the first
time how very pretty and stylish Evie was.  When he had lived with
stylish women he had not noticed these things, now that his lot was cast
among the working-classes, he perceived and appreciated the difference.
His glance rested on Miss Bolton's well groomed prettiness with a kind
of tired relief, and the sordidness of his own surroundings became more
apparent.

"It is good of you to look us up," he cried.  "I half feared that I was
going to get the cold shoulder altogether."

He had taken the girl's outstretched hand in both of his, and now looked
into her eyes with a smile of pleased gratitude.  Evie smiled back.

"You should never have thought that of me," she said.  "You might have
known I would come eventually.  If uncle hadn't been so furious about it
I should have come sooner, but I had to use my discretion and wait.  The
first time I suggested a visit he flung out of the room in a temper.  I
fear you have done for yourself, dear, so far as your father is
concerned."

St. John looked moody, and seeing his change of countenance, she
hastened to turn the subject.

"Jack," she said, "I am awfully low-spirited--I suppose I have missed
you rather.  I want you to take me out to tea somewhere and cheer me up
if you can."

St. John swallowed the bait.  The idea of a diversion was pleasing to
him, and the knowledge that he had been missed gratified his vanity.

"Dear little girl, of course I will," he answered.  "I'll just go and
put it all right with Thompkins, and then I'll be at your service.
Jill's in the studio.  You saw her though, didn't you?"

Miss Bolton flushed.

"Ye-es," she answered hesitatingly, "for a minute.  Make haste, Jack
dear; I am so impatient to be off.  While you are gone I will look at
these abominable photographs.  I meant to let you take mine to-day, but
I object to being caricatured."

"You must let Jill paint you," he said, "She's first class at portrait
painting and would like to get some customers."

"One day," the girl answered vaguely, "perhaps I will."

St. John hurried out, and Miss Bolton turned with languid interest to
inspect the portraits round the walls.  When her cousin returned he
discovered her intently scrutinising a cabinet photograph of Mr
Markham.

"What a libel," she cried holding it up.  "This is your handiwork, I
should imagine.  When did you take it?"

"Oh!  I don't know," he answered carelessly, "Jill took it one day.  She
has taken him lots of times; he often calls in."

Evie's eyebrows went up with a show of surprise.

"Is he a friend of--Mrs St. John?" she asked.

"I suppose so; Jill likes him.  He and I were always rather chummy, and
he drops in in to talk about--oh! well, about old times and--friends,
you know."

"He never told me," she rejoined slowly.  "I saw him yesterday and he
mentioned very casually that he met you recently; he did not say that he
was intimate here."

"Perhaps he didn't think that it would interest you," he suggested.  "Or
he might have thought the subject tabooed."

"With me?" she cried.  "Impossible!  I am always talking about you."

"Very flattering of you, my dear Evie," he laughingly rejoined, "but
you'll never persuade me that you are so one idead."

Miss Bolton put the photograph back in its place, and turned towards the
entrance with an evident desire to get away.

"I am," she said.  "I've only got one idea at present and that's tea.
Don't let us waste more time, Jack, but come along at once."

"It's an awful pity Jill can't come with us," he remarked as he followed
her out, "but we couldn't both leave together."

"Yes," acquiesced Evie, none too heartily, "it is a pity.  Never mind
she sees plenty of you now and I don't.  She can't begrudge me a few
hours now and then.  I am seriously thinking of getting married myself,
Jack; it is so deadly dull since you went."

Thinking of Markham, St. John looked pleased.

"Why don't you?" he asked.

"I am going to," she answered settling herself in a corner of the
carriage with an airy laugh.  "I am looking about for a title."

"Oh!" observed St. John disapprovingly, "I shouldn't bother about that.
Why not look about for someone you can give your heart to?"

"Because I haven't got one to bestow," she retorted.  "If I ever
possessed such an uncomfortable organ it must have been stolen from me
long ago, but I don't feel the want of it so don't miss it at all.  I
suppose you flatter yourself that Jill has given her heart to you?"

"Yes," he answered smiling, and patting his left side, "I have it here
safe enough in place of the one I gave to her."

"Ah!" returned Miss Bolton coolly, "a pretty fancy no doubt, but a fancy
all the same, my dear Jack, and absolutely ridiculous."

"Don't be cynical," he said; "it's a sign of the times, and unbecoming."

"And cynical women are generally old maids," laughed Evie.  "That won't
do for I must have my title.  I won't die an old maid if I have to
advertise in a matrimonial journal."

CHAPTER FOURTEEN.

When St. John returned after seeing his cousin safely home it was late
in the afternoon, and though the place still remained open business was
apparently over for the day.  Thompkins and Co. were not over-burdened
with customers at any time, and their number since the advent of the new
Co. had been steadily on the decrease.  Business was slack, the returns
were very small, and St. John felt by no means sanguine as to the
success of his venture.  He had been married a little over four months,
and it was only by exercising the greatest care that they managed to pay
their way even.  Jill was a thrifty housewife--she always had been,--but
St. John forgot his straightened circumstances at times, and launched
out a little recklessly.  He had not been altogether careful that
afternoon, and the consciousness of the fact gave him an unpleasant
twinge of remorse as he mounted the steep stairs to their little
sitting-room.

Jill was alone standing looking out of the window with her back towards
the door, nor did she turn round at his entry.  She was displeased.

"You have been a long time," she said.

"I'm afraid I have," he admitted.  "You weren't lonely I hope?"

"No; I was too busy for that.  And afterwards Mr Markham came in.  He
has just left."

"Why, he was here yesterday.  He surely didn't want his photo taken
again?"

"No, I think he wanted a chat, and when he found I was alone he stayed
on for company.  Have you had a pleasant time?  Where did you go?"

"We went and had tea," he answered.  He didn't say where; he was ashamed
to; it was one of the places where you pay for locality and Miss Bolton
had not once offered to share expenses.  "And then we spent a little
time at the Academy--Evie's fond of pictures you know."

"Oh, yes, I know," agreed Jill drily.  "I have a vivid recollection of
her passion for art; it was so upsetting.  I suppose she shut her eyes
occasionally?  Some people take art like they do physic--shut their eyes
and hold their noses except when nobody's looking."

"Jill dear, don't be nasty," he said.

Jill laughed.

"I can't help it," she answered.  "I'm afraid my nature must be warped I
have such a knack of being disagreeable.  I could have pinched that
horrid little baby this afternoon, it irritated me so; and yet I am fond
of children.  And I could have been exceedingly rude to Miss Bolton if
she hadn't been rude to me first;--of course I wouldn't follow her
example in anything."

"Rude to you?--Evie?  How?"

"Oh! in an entirely lady-like manner.  She merely gave me to understand
that she didn't intend to recognise me, and treated me as she would any
other shop assistant.  Miss Bolton means taking you up and cutting your
wife.  I suppose she is perfectly justified."

"Don't be ridiculous, Jill," St. John cried sharply.  "Evie means
nothing of the sort.  She spoke of you most kindly, and said it was a
pity you couldn't go with us."

"Ah!" rejoined Jill queerly.  "My mistake again.  Evie has a mystifying
way of showing her kindness, but doubtless she means well.  You, I
suppose, understand her better than I do, but I shouldn't advise you to
try arranging an excursion for three."

"Very well," he returned, "I won't go with her again.  I wouldn't have
to-day if I had thought it would annoy you.  We were like brother and
sister always and it was pleasant for me to see her again."

Jill heaved a deep sigh, and leaned her forehead against the window
pane.  She knew that he had no intention of wounding her feelings yet
these unconscious allusions to the sacrifice that he had made in
marrying her hurt her more than they need have done.  And St. John never
guessed.  Not for a moment had he regretted the step he had taken, and
it did not occur to him that Jill should imagine he might.

"I am not annoyed," she said after a brief pause.  "I am irritable this
evening, that's all.  Mr Markham said that I wasn't looking well;
perhaps I am a little out of sorts.  Are the pictures good this year,
Jack?"

"Good enough.  But none of them to come up to yours in my eyes as I told
Evie.  It's scandalous to think that real talent should get overlooked,
yet it's often enough the case."

"Mr Markham," jerked out Jill suddenly, "wishes me to paint his
portrait."

St. John laughed.

"Markham is getting vain," he said.  "No doubt he purposes presenting it
to Evie.  When is the first sitting to be?"

"I don't know, nothing is definitely settled, I thought I would speak to
you about it first."

St. John looked at her in astonishment.

"Why?" he asked.

Jill hesitated.  She had no real reason to offer, but when Mr Markham
made the proposal she felt that she would like to consult Jack before
deciding.  She had consulted him, and now regretted having done so.

"I wasn't sure whether the arrangement would be agreeable to Mr
Thompkins," she answered.  "He expects me to be available for the studio
at all times and seasons you know, and, of course, undertaking this
would mean giving a good deal of my time--"

"To hear you one would think," interposed her husband, "that you
contemplated painting a multitude.  You know as well as I do that
Thompkins will be quite agreeable.  I should have thought you would have
settled the matter out of hand."

"I am not at all sure that I will undertake it," retorted Jill
pettishly.  "I hate painting men; they make such horribly uninteresting
subjects; and I'm sick to death of the sound of Evie Bolton's name.
Fancy listening for a solid hour to the extolling of her virtues!  I
don't think I could stand it."

"Oh! that's it, is it?" laughed St. John.  "Well, of course, you must
please yourself, old girl, but I shouldn't let Evie do me out of a fiver
if I were you.  Besides I have thought lately that Markham avoids the
subject I suppose he twigs that you're not so fond of it as he is."

Jill said nothing.  She had noticed the same thing; and could not help
wondering why their visitor came so frequently when he no longer cared
to discuss the once all sufficing topic.  Jack had formerly declared
that he only came to talk Evie, but that could hardly be said of him
now.  Sometimes Mrs Jack fancied that his suit did not progress
altogether as he could have wished, and in her womanly, whole-hearted
way felt sorry for him.  She had been so happy in her own love that she
would have pitied anyone less fortunate than herself.  Besides she liked
Markham and admired his perseverance, though she wondered occasionally
whether he would have been quite so devoted had Miss Bolton been
penniless like herself.

"I saw the Governor on my way home," observed St. John at length,
breaking the silence with a short laugh.  Mrs St. John's heart gave a
sudden jump.

"He didn't--cut you?" she queried.

"Oh, dear no! bowed to me almost as though he considered me on an
equality.  Feels jolly rum being treated by one's father like that."

"I call it abominable of him," Jill cried hotly.  "He seems absolutely
heartless."

St. John looked amused.

"Well, I don't quite see what else he could have done under the
circumstances," said he.  "I don't blame him for giving me the kick out
and all that as I disappointed him, but I do for not bringing me up to
some profession; it's beastly rough luck for me."

Jill laid one small hand upon his shoulder, ever so light a touch but it
carried great comfort with it.

"You don't make a good poor man, dear," she said gently.  "You should
have known my father; he was always cheerful even in his poorest
moments; yet no one would have called him careless nor improvident.  He
was simply brave and self-reliant."

"Little mentor," answered her husband gravely, drawing her face down to
his.  "I accept the rebuke; there shall be no more complaints.  I will
be `up and doing--learn to labour and to wait.'"

CHAPTER FIFTEEN.

Notwithstanding her former reluctance Jill eventually undertook the
commission for Mr Markham's portrait, though some time elapsed before
she started on the work, Markham, himself, being out of town staying as
a guest at a house where Evie Bolton was also visiting, a circumstance
that filled St. John with pleasurable anticipation, though Jill, less
sanguine as to the result, was more inclined to foresee troubles ahead,
and looked forward with no great joy to their friend's return.  Yet his
manner, when he did put in an appearance, conveyed absolutely no
impression; as St. John afterwards informed his wife he believed that
Markham had funked it.

"When shall we have the first sitting, Mrs St. John?" he exclaimed
after the usual greetings were over.  "I am quite anxious to begin."

"Why not fix Monday?" suggested St. John amicably.

"Monday!" cried Jill.  "It's washing day.  How can you be so
inconsiderate?"

"Oh, ah! washing day!  I forgot.  The atmosphere is composed of
soap-suds, and we have cold meat.  Not Monday, my dear boy; it is the
most ungodly day of the week."

"Tuesday would do," said Jill, "if that suits, and I think three o'clock
would be the most convenient hour for me.  The light, of course, is best
in the mornings, but I am always busy then."

"Any time will suit me," Markham answered promptly, "and any day."

"Ah," said Jill with a little smile, "Jack was like that once.  Why
don't you get something to do?"

"Because it isn't necessary."

"But independence is such a grand thing," she persisted.

"Exactly.  I inherited it, and I like it best that way."

Jill laughed.

"We can't all be workers, I suppose," she said, "yet I fancy if I had
been given my choice I should have chosen that kind of independence.
Work is necessary to me."

"From a selfish point of view I am glad that it is; otherwise you
wouldn't paint portraits."

"What makes you fancy that?" she asked.

"No one who paints as you do would undertake portraits if they could
avoid it.  I know a man who has always one canvas at least in the
academy, but he can't afford to paint pictures now; they don't sell; so
he does portraits."

Jill sighed.

"I am sorry for that man," she said, "his life must be a disappointment.
The people who want to be painted are generally so impossible."

"My dear girl," remonstrated St. John, "considering the circumstances
that is one of the things better left unsaid."

"I am speaking from the artistic sense," she replied; "besides I said
`generally.'"

"I quite understand," interposed Markham laughing, "and entirely agree
with you.  But that won't interfere with the sitting on Tuesday, eh?"

"I hope not," she answered gravely; "I should be doubly sorry now if you
didn't come."

"There is no fear of that," he said.  "I enjoy seeing myself reproduced.
It is so often an improvement, you know, yet one invariably flatters
oneself that it is as one habitually looks."

"We haven't done much to foster your conceit so far," she observed.

"Oh!  I don't know," he answered.  "I really thought that that last
portrait was a bit like me.  Somebody told me I did look like that
sometimes when I had a liver attack."

"Evie said it was a libel," St. John remarked tentatively.

"Ah!  Well, I should be sorry to contradict her," he replied, and Jill
fancied, though she could not be quite sure, that he looked slightly
displeased at the mention of Miss Bolton's name.  Why should a name that
had once been his sole subject of conversation excite his annoyance now?
It was not consistent.  Had it been a case of unrequited affection she
could have understood his being hurt, but displeasure was something she
could not account for; it irritated her, why she could not have
explained.  She was not accustomed to analyse her sensations even to
herself; it would have been wiser if she had; for her instinct was
wonderfully true, and her nature peculiarly observant.

"You put me on my mettle," she said, smiling.  "It shan't be a libel
this time I promise you if infinite pains can prevent."

"I am not afraid to trust myself in your hands," he said.

Jill laughed.

"That's very fulsome flattery," she answered.  "I was responsible for
the libel, remember.  Mr Thompkins declares that I shall ruin the firm
yet.  It is so humiliating because I was so positive at first that I was
going to become one of those celebrated lady photographers who have all
the best people sitting to them, and can charge any price they like."

"It's just as well as it is, perhaps," St. John rejoined with
conviction.  "Success would make you a horrid little prig, Jill; very
few people can stand it."

"If Mr Markham were not here," Jill returned, "I would tell you what I
think of you."

CHAPTER SIXTEEN.

Jill had got her canvas and everything in readiness, and was waiting for
her model.  She had been waiting for about ten minutes, and was growing
slightly impatient; she hated wasting her time.  St. John was busy in
the studio, unusually busy, so that he could not possibly get away even
for a few minutes.  He wanted her badly, she knew; he always wanted a
mate, and she felt rather as if she were shirking.  She looked at the
canvas in a dissatisfied kind of way, and then out of the window at the
people in the street.

"I believe," she mused, thinking of the absent Markham, "that I could
draw his face from memory."

Fetching a piece of paper she seated herself at the table and made a
rough sketch in pencil as she had once done of St. John, only in St.
John's case she had not trusted to memory.  Markham arrived while she
was thus employed, and he stood by the table watching her, as she put in
the finishing strokes.  He smiled while he watched as though he were
amused.  Jill was grave and very much absorbed.

"What a wonderful little head it is," he said.

"Do you think so?" she asked, lifting the head he alluded to the better
to regard the one on paper which he was not even looking at.  "I don't
call it wonderful, but I had an idea that I could catch the likeness;
some faces are quite easily remembered."

"Yes," he acquiesced, "yours is."

"Mine?  I don't agree with you; my features are too indescribable.
There.  It's finished.  I have caught the expression, haven't!  But I
haven't done justice to the nose.  Will you sit in this chair near the
window, please? you are dreadfully late, so we mustn't waste further
time."

Jill worked rapidly, and there could not possibly be any question as to
her ability.  Markham watched her with interest, and every now and again
he rose from his seat to have a look how the work progressed,
notwithstanding her protest that it spoilt the pose.

"I can't help that," he declared, "it fascinates me, I must look."

"I had no idea before that you were so vain," she said.

"I'm not," he answered.  "It isn't the subject that interests me but the
work.  I could stand behind you and watch you all day."

"Not having eyes at the back of my head I shouldn't make much progress
with the portrait in that case," she retorted.  "Do you mind going back
to your seat, please, and allowing me to study your physiognomy again?"

He obeyed reluctantly, and for a time the work continued in silence;
Jill was too engrossed to talk, and Markham apparently had no desire to.
He sat quite motionless watching her with a strained, intent,
unfathomable expression in his glance that Jill in unconscious accuracy
was transmitting to the painted eyes on the canvas, though the
expression was by no means habitual to him, and gave the portrait an
unlifelike appearance.  She shook her head over it despondently, and
stood back from the easel in order to take a better look.

"I must leave the eyes alone to-day," she said, "I am making a muddle of
them.  They are your eyes, and yet they are not yours.  I don't
understand it."

"Oh, bother the portrait," he exclaimed.  "Put it up for to-day and
let's talk."

"It wouldn't get finished very quickly at that rate," she answered.

"I don't want it finished quickly," he said.

"No?"  Jill's tone was expressive of surprise, and she looked at him
very straightly as she spoke.  "What are you going to do with it when it
_is_ finished?" she asked.

"Give it to you if you will accept it."

"Don't be ridiculous! that's not what you had it painted for."

"Now, how do you know that?" he enquired.  He had risen, and coming
forward took the palette and paint brushes out of her hand; then,
receiving no remonstrance, he began to untie the strings of her painting
apron.

"Shut up shop for to-day," he pleaded.  "I am going to stay to tea."

It was rather an unfortunate moment for St. John to choose for putting
in an appearance.  Had he been married as many years as he had months it
would not have mattered, but under existing circumstances it was
regrettable that he should open the door when he did Jill, all
unconscious of the suspicious proximity of Mr Markham's arm to her
shoulder, smiled serenely as she encountered St. John's sharp, surprised
glance, and noting that he looked displeased, presumed that he had spent
a wearisome afternoon in the studio.

"Leisurable at last?" she queried cheerfully.  "I am so glad, dear.
Come and make yourself agreeable while I see about the kettle; Mr
Markham is going to stay to tea."

"Sorry, but I can't," he answered shortly.  "I have to be in the dark
room in a few minutes, and have enough developing to keep me engaged for
some time.  How's the sitting getting on?  You don't appear to be very
busy.  Is Markham tired already?"

"We've been at it a solid three quarters of an hour," rejoined Markham
aggrieved, "and as for not being busy, look at the canvas, man."

St. John did look; he stood a little way off, and studied it earnestly
for several minutes, but he did not speak.

"Well, what do you think of it?" enquired the other.

"I never presume to criticise Jill's work until it is finished," he
answered.  "At present I don't like it."

"Neither do I," acquiesced Jill, "that's why I was not loth to give up
for to-day.  It's the eyes, I think; they have a sinister expression
that makes him look like a stage villain.  And yet I'm sure the
expression was there at the time."

"I hope not," St. John rejoined, looking fixedly at his friend in a
rather disconcerting manner; "the eyes never lie, you know."

Jill took the canvas down from the easel and leaned it with its face
hidden against the wall.

"Don't utter uncomfortable platitudes," she remarked.  "If you can't be
more cheerful I hope you'll retire to your dark room speedily; Mr
Markham and I were enjoying ourselves till you came."

To her surprise he took her literally, and, muttering something about
`sorry to be a wet blanket,' wheeled about abruptly and left the room.
Jill looked at Markham, and her eyes were both angry and concerned.

"I can't think what's the matter with Jack," she said half
apologetically; "he is not often such a bear.  Do you know that I think
you had almost better not stay this evening.  It wouldn't be very
hilarious if he were in that mood, would it?"

"Of course I won't stay; I was only joking.  Jack is a bit huffed about
something no doubt, but you'll soon coax him into a better temper," he
responded, "I'll come to-morrow for another sitting, shall I?"

"No," Jill answered slowly; "the same day and hour next week, if you
please."

On the following Tuesday when Markham turned up for the arranged sitting
he found Jill alone as on the former occasion, St. John having purposely
gone out to spend the afternoon with Evie Bolton.  The latter had
written to him during the past week asking him if he could manage to
meet her somewhere as she had something of importance to impart to him,
and St. John, in his fit of suddenly awakened jealousy had settled on
the day that Jill had fixed upon for the second sitting, taking a very
malicious satisfaction in her evident annoyance when he stated his
intention.  She said little enough at the time, but her manner betrayed
her vexation, and the strained relationship that had existed between
them during the past few days grew more apparent.  When Markham arrived,
she was feeling more hurt than angry, and her mood was softened and
subdued, and nearer akin to tears than it had been since her marriage.

"Jack has gone out," she said in answer to his enquiry, not so much
explanatorily, but because she felt she must say something, and that was
the only thing she could think of at the moment.  It was the one
miserable refrain that kept repeating itself in her mind--"Jack has gone
out--back to his own people."

"He won't be home till late," she went on apathetically.  "He said he
was going to take a journey into the past, and forget the sordid present
for a time.  I don't think it altogether wise of him, do you?  Where is
the use in looking back when the sordid present has to be lived through,
and the uncertain future to be faced?"

"Mrs St. John," Markham answered gravely.  "St. John--_our_ St. John
was never wise; the only noteworthy action of his life was when he
married you."

"Ah!" said Jill with a very pathetic smile, "I often fancy that that was
the most unwise thing he ever did."

Markham looked at her speculatively, and failed to make an immediate
reply.  Was it St. John, himself, who had given her cause to think so,
he wondered.  Was she finding out so soon that their marriage had been a
mistake?

"You are depressed," he said, leaning towards her, his hands lightly
grasping the arms of his chair.  "It isn't good for you to feel like
that.  Jack is a brute to leave you to yourself.  What can I do to cheer
you up, I wonder?  After all we are both in the same boat; for if you
are lonely, so am I."

"_You_!" echoed Jill in a tone which implied that her listener did not
know what loneliness meant.  "How can you talk of loneliness?  At least
you have Evie--"

"No," he interrupted shortly; "Evie is nothing to me, and less than
nothing.  She is engaged to marry a marquis.  I should have thought you
would have heard of that by now."

At his words, Jill's face visibly brightened.  It flashed upon her with
a certain amount of conviction that this was why her husband had gone to
his cousin; possibly she had sent for him to consult him on the subject,
and the trouble that had oppressed her lightened instantly with the
thought.  How could she have doubted him even for a moment?  But he
ought to have taken her into his confidence; it was a mistake to make a
secret of so simple a thing.

Markham misinterpreted the sudden brightening of her countenance, and
when in her impulsive, sympathetic way she laid her small fingers
compassionately over his, he grasped the little hand feverishly between
both his eager palms, and held it against his breast while he drew her
nearer to him and stared into her face with burning, compelling eyes.
She thought his manner strange but pardonable under the circumstances.

"I am so sorry," she said gently, "so very sorry."

"Sorry for what?" he asked.

"Oh, the--the--your disappointment," she rejoined with an awkward
deepening of the colour in her cheeks.  She felt that she was getting on
to delicate ground, and did not know very well how to proceed; but he
relieved the situation by a short, impatient laugh.

"There wasn't any disappointment," he returned.  "You must have known
that I was off that long ago.  Don't humbug, Jill; you must have
perceived that ever since I knew you I have cared for no one else.  I
should not have mentioned it only I see now that you care a little
also--that your marriage is not altogether a success.  You are lonely as
well as I, dear.  Why not let us console one another?"

CHAPTER SEVENTEEN.

For a few seconds Jill sat mute, too thoroughly taken by surprise even
to move.  No lurking suspicion had ever entered her pure, wholesome,
unspoilt mind that any man could so insult a decent woman.  Even then it
struck her that in some way she must have unconsciously given him an
opening.  How else would he have dared to make love to her, and to seem
so assured that his love would be returned?

She drew herself away from him, not violently, but with a cold
displeasure that carried more weight than any fierce resentment could
have done, and in a voice that trembled slightly with repressed anger
exclaimed as she rose and faced him,--

"Mr Markham, you have insulted me past forgiveness.  If any action or
word of mine has led you to speak as you have done I deplore it with my
whole heart--I couldn't feel more humiliated even if such were the case;
I feel so abjectly debased as it is.  How dare you imply that I do not
get on with my husband?  I love him with the whole force of my being.  I
doubt if you could understand or appreciate such love as ours."

"I doubt it too," he sneered.  "My love is not of the kind that can so
readily efface itself.  You are rather unreasonable, I think; a man
can't help his feelings.  Some women would take it as a compliment."

"I am sorry for the sort of women you seem acquainted with," she
answered rather sadly.  "You have formed a very low opinion of the sex.
It is not a compliment that you have paid me, and you know it.  Don't
say anything more please; I decline to discuss that, or any other
subject with you.  I must request you to leave my rooms, and never to
enter them again.  You have made further intercourse an impossibility,
and our past friendship something to be remembered only with regret."

"Don't say that," he began pleadingly; but Jill cut him short.

"Please understand that I am quite in earnest," she said.  "When Jack
comes home I shall explain to him what has happened; it is well that he
should understand the true character of his friend.  I can never thank
heaven sufficiently that my husband is both a man of honour, and a
gentleman."

"For that matter so should I have been if I had met you first," he
answered gloomily.  "You are rather hard on me, Jill.  Perhaps I have
been too precipitate; but I love you so madly, and to-day you seemed so
sad, and sweet, and lonely, that I wanted to comfort you."

"Enough!" exclaimed Jill excitedly.  "If you don't go I shall ask Mr
Thompkins to come and protect me from further indignity.  How
contemptible you are!--how mean!  Why don't you insult me when my
husband is at home?  The sight of you is hateful to me.  Why won't you
go?"

"I will," he answered quietly, "as you wish it.  I do not want to
frighten you; but remember--always remember that I love you with all my
heart."

Jill stood quite still and watched him as he gravely quitted her
presence, and then listened dully to his footsteps clattering down the
stairs.  When they died away along the narrow passage and she heard the
street door bang behind him she put her hand to her forehead in a dazed
kind of way, and glanced vaguely round the little room seeing nothing
but Markham's cynical face with the ugly expression in his eyes that was
in the painted eyes of the canvas on the easel.  Her glance travelled to
the portrait, and rested there for a moment.  The sight of it seemed to
rouse her into action, and, with a catch in her voice that sounded like
an angry sob, she took up a brush, and in a few vigorous strokes painted
the whole thing out again as she would have liked to blot the incident
from her memory.

To Jill the fact that Markham loved her was anything but a
congratulatory matter.  The red blood surged to her temples in a flood
of indignant colour at the mere thought of such an outrage to her
wifehood.  She was very angry; her calmness and self-possession had
entirely deserted her leaving her excited and wholly unlike herself.
She did not expect St. John home for some time; he had told her not to
wait tea, he should be late; and so she seated herself in the big chair
by the window to watch for his return, too upset to think of getting tea
for herself, too miserable to feel the need of it.  St. John was not
very late however.  He had promised Thompkins to be back by six, and at
a few minutes to the hour he arrived.  Jill saw him coming but she did
not move.  She remained where she was until she heard his footstep on
the stairs, then she rose and walking quickly to the door threw it open.
He was going into the bedroom to change his coat for the old one he did
his work in.  Jill called to him softly, but he went on as though he had
not heard.  She set her lips tightly and followed him, determined to
clear up the misunderstanding that existed between them at any cost, and
to tell him what had occurred during the afternoon.

"Jack," she said, "I want to talk to you."

"Sorry," he answered, "but I haven't time.  I have a lot of work to do."

His manner was anything but encouraging.  At another time she would have
turned away and allowed the breach to widen, but to-day she was sick of
quarrelling about nothing, and longed for a complete reconciliation, and
so she persevered.

"You are not very kind to me, dear," she said.  "I think the work can
wait a few minutes longer, and what I have to say is most important.  I
have had a very unpleasant experience to-day, Jack, and feel quite
worried and upset about it--if you only knew how worried I am sure you
would give me your attention."

St. John turned towards her, an expression of surprise on his face.  He
was in his shirt sleeves, and looked handsome, bad-tempered and ill at
ease, his afternoon with Evie had apparently not conduced to
exhilaration of spirits.

"What on earth can be worrying you?" he exclaimed.  "Didn't Markham turn
up?"

"Yes, he turned up," answered Jill sharply.  "That is the trouble.  I
had to send him away again.  You, who knew him so intimately, had no
right to leave me alone with such a man--no right to introduce me to him
at all.  He insulted me--he actually tried to make _love_ to me."

She broke off abruptly.  Her voice shook a little, and she put up a hand
to her burning face.  St. John swore.  He dropped the jacket he was
holding on to the floor, and began struggling fiercely into his outdoor
coat again.  Jill watched him anxiously.  Then she laid a restraining
hand upon his arm.

"What are you going to do?" she asked.

"Find him and--give him a lesson."

He looked so fierce and determined that Jill felt frightened.  She was
nervous and unstrung with the excitement of the afternoon, and she
trembled slightly as she clung tenaciously to his arm.

"Let him alone," she cried quickly.  "I will not have my name dragged
into any dispute.  We have done with him; that is enough.  The matter
must end there."

"That is all very well," he retorted, "but do you suppose I am going to
stand quietly by and allow any cad to make love to my wife?"

"If you had not stood quietly by it might never have happened," she
answered.  "I don't quite know what it is we have been quarrelling
about, but I do know that lately we have drifted apart, and he noticed
it--he said so.  He thought that I had found out that our marriage had
been a mistake."

She looked up to meet St. John's gaze riveted upon her face, with an
expression in his eyes that puzzled her, it was so unlike anything she
had seen in them before.  He looked as a man might look when someone he
has loved and trusted deals him a blow on the face, so stern and white
and miserable, and so full of an unspeakable shame.

"Jack," she half-whispered, "what is it?  What is the matter, dear?"

"Forgive me," he cried brokenly, "If I have misjudged you; but I
thought--as Markham thinks.  And, my God, I think so still."

Jill drew away from him, wounded into silence by what she heard.  For a
few moments she stood irresolute, struck motionless with an anguish too
deep for words; then with a half articulate cry she tottered forward,
and fell, a forlorn little bundle, at his feet St. John stooped swiftly,
and gathering her up, laid her tenderly upon the bed, and, bending over
her with a face even whiter than her own, stared down, awed and humbled,
at the motionless, unconscious form.

He was almost too stunned at first to realise that there was anything
serious the matter; but it gradually dawned upon him that she ought not
to be allowed to lie there as she was without calling in some
assistance, and so, not pausing to put on his coat, he ran out of the
bedroom on to the landing, and stood there in his shirt sleeves, in
terrified and breathless anxiety.

"Thompkins!" he cried excitedly.  "Thompkins!"

"Hallo!" answered a voice from the bottom of the stairs, a voice of calm
and unruffled serenity.

"For God's sake run for the doctor," St. John called back.

There was silence for a few seconds; then the street door was opened and
banged to again, and St. John returned to the room to watch by his wife
and wait.

CHAPTER EIGHTEEN.

It was not many weeks after her sudden and unusual attack of
unconsciousness that Jill presented her husband with a little son.  The
small stranger appeared upon the scene rather too soon, and was delicate
and puny in consequence, and a great source of anxiety to its parents.
Jill, herself, was very ill for a long while after its birth, so that
St. John had a trying and expensive time of it, the only beneficial
result being that every minor worry was forgotten in the all absorbing
one of his wife's health.

After the child's birth he wrote a brief note to his father acquainting
him with the news.  He considered it his duty to do so, though he
neither expected nor hoped for any reply to the letter; and he was not
disappointed; Mr St. John, Senior, might never have received it for all
the sign he made, and Jill, being ill and low-spirited at the time,
cried with annoyance to think that her husband should have written to
him at all.

"He will only imagine that you want something out of him," she exclaimed
pettishly.

"Never mind what he imagines," answered St. John, bending over the
speaker's couch, and touching the baby's smooth cheek with his finger.
"It needn't bother us so long as we are satisfied that we have done what
is right.  You wouldn't like to think that one day this little man might
fail in his duty to _his_ father, would you?"

Jill looked down at the wee, mottled face, and laughed softly, though
the tears stood in her eyes still, and would not be blinked away.

"How absurd it seems," she said, "to think that this will one day be a
man.  It's so small and frail that I'm half afraid of it, Jack.  And
it's dreadfully ugly too, isn't it, dear?  Not even you could call it
pretty."

"Never mind it's looks," St. John answered reassuringly.  "They're all
putty-faced at first, you know.  If he only grows up with but half his
mother's charm and goodness he'll do all right."

Jill laughed again; the extravagance of the compliment amused her.

"I hope he won't grow up with his mother's temper," she said, adding
with a mischievous look at St. John, "nor his father's either for that
matter; I'd like him to strike out an original line there, Jack."

"Too late, I'm afraid," St. John answered ruefully as the baby screwed
up its face preparatory to howling.  "He always yells for nothing just
when we're having a quiet chat."

Jill sat up a little and rocked the child gently in her arms.

"He is jealous," she explained; "he takes after you in that."

"I think the less _you_ say about it the better," he retorted.  "I
remember some rather uncomfortable half hours spent on Evie's account."

She smiled, her face close pressed to the baby's, her lips caressing
it's hair.

"How ridiculous it all seems now!" she exclaimed--"How small!  What a
pair of geese we were!"

"Yes," he said, and he straightened himself and walked away to the
window to hide the mortification in his eyes.  His jealousy had been of
a far graver nature than hers, and he did not like to hear it referred
to even.  He was very much ashamed of himself, and rather embarrassed by
a generosity that forgave so quickly and entirely as Jill had done.

"Yes," he repeated softly more to himself than her, "we were a pair of
geese.  How I wish we had found it out sooner than we did.  What an
infinitude of suffering it might have saved us both!"

The next important event in their lives, which took place as soon as
Jill was well enough to walk to Church, was the baby's christening.  He
was called John after his father as the eldest sons of the St. John's
had been from time immemorial.  It was Jill's wish that this should be,
St. John, himself, having no idea on the subject.  It was also Jill's
wish that Mr Thompkins should stand Godfather, and, upon being asked,
the senior partner gave a somewhat reluctant consent.  He was a
practical, hard-working old bachelor, and babies were not much in his
line, but he had an unbounded admiration and respect for this baby's
mother, so when she informed him of her desire very much after the
manner of one conferring an inestimable favour he had not the pluck nor
the cruelty to say her nay.  The honour cost him a guinea in the shape
of a christening present, but the guinea weighed lightly in the balance
compared with the interest that he was expected to take in his Godson.
Jill had a way of putting it in his arms, and watching him nurse it
which not only embarrassed but annoyed him greatly; and sometimes St.
John would come in and look on with a grin, observing the while that he
was quite a family man, or something equally idiotic.

St. John _was_ idiotic in those days.  He thought so much of his ugly
offspring, as the infant's Godfather mentally called it, and spoilt as
many plates in attempting to photograph it as would have served for all
the babies that came to the studio in a year.  Mr Thompkins groaned,
but Jill laughed happily; this tiny link between herself and Jack seemed
the one thing necessary to make her life perfect.  Its advent had closed
a chapter in their history and commenced a new one altogether brighter
and happier than the last.  The last had known Evie Bolton, and Markham;
but now the name of the one was seldom mentioned, the other never.  Jill
had not seen Markham from the hour she sent him from her presence--
neither had St. John--but a few days after the affair she had received a
letter from him, just a short note of apology which ran as follows:--

"Dear Mrs St. John,--

"I cannot, I fear, convey to you my heartfelt sorrow at the indiscretion
I was guilty of last Tuesday.  I have been reproaching myself for my
folly ever since.  The fault was mine, as is also the loss.  I made a
mistake.  Try to forgive me and to forget.  I go abroad next week
indefinitely.  Goodbye."

Jill offered it to her husband when she had finished reading, but St.
John put her hand aside, and shook his head decisively.

"You know that that isn't necessary between you and me," he said
reproachfully.

"I think he would like you to see it," she answered.

He took it then and read it through; when he had done so he handed it
back again with a grave half-troubled smile.

"Considering how I, myself, was mistaken," he said, "I don't think that
I have the right to censure him at all."

Jill tore the note up slowly, watching the fragments intently as they
fluttered from her fingers.  The knowledge that her husband had
misjudged her was the bitterest part of all.  And yet in her heart she
did not blame him; she even found excuses for him, but the pain was none
the less acute because she refused to admit its reason, though no doubt
it was easier borne, and would be more readily forgotten.

"I am very much afraid," she said gently, with a slight hesitation of
tone and manner, "that I, also, must have been at fault to cause two men
to make the same mistake.  I don't suppose that I have any right to
blame him either.  I think the wisest course would be to do as he
suggests--forgive everything, and forget."

And as St. John was of the same opinion the matter ended there, and if
not entirely forgotten was at least never referred to between them
again.

CHAPTER NINETEEN.

It was just two years after Jill's baby had been born that a very
wonderful thing occurred; Mr St. John senior visited Thompkins and Co.
for no less a purpose than calling upon his son's wife.  He did not come
unexpectedly; he wrote a week beforehand apprising them of the fact, and
duly on the appointed date he pushed open the outer door and entered the
mean little shop, standing in it, as it were, protestingly, his hat off,
his shoulders slightly bowed; tall, and cross, and dignified--frowning
at his son.  St. John came forward quickly.  He was expecting his father
but pride forbade his making any preparation.  He had been in the studio
during the early part of the afternoon and was still in his working
clothes though Jill had suggested to him the propriety of changing, but
he had chosen to ignore the suggestion, arguing that that which was good
enough for his wife should be good enough for his father too; and so he
came forward as he was and stood in front of the visitor just as he
might have done had he been any ordinary customer.  The old man's glance
travelled slowly from the strong face with its proud smile to the shabby
suit of clothes, the stains upon them testifying to the nature of the
wearer's work, and his carelessness as an operator.  As he looked he
smiled also.  It was not a pleasant smile, and the younger man silently
resented it.

"Photography does not appear a very lucrative employment," he observed.

"No," answered St. John.  "At least I do not find it so."

"Ah!  Well, no doubt that assists you to realise the mistake you made."

"I made no mistake," the other interrupted shortly.  "If you refer to my
marriage that is the one thing I have never--and shall never regret."

"Yet it has been the means of reducing you to your present strait."

"Pardon me," retorted the younger man, "want of a profession, and not my
marriage, has been the means of my poverty.  If I failed in my duty to
you as a son remember that you in the first place failed in your duty to
me."

The grey brows drew together over the high-bridged nose, and the old
eyes glared angrily into the young, indignant ones.

"I brought you up to the profession of a gentleman," Mr St. John
remarked.

"If by the `profession of a gentleman' you mean a dependent beggar--a
parasite--a less than menial," rejoined the son, "you did.  And until I
met Jill I was not man enough to feel the degradation of it."

"Until you met Jill you were not a fool," snapped his father.

"We won't discuss that point further," St. John rejoined; "it is one on
which we are never likely to agree.  You wanted, your note said, to see
Jill.  I can't imagine why, but if you still wish to see her we will go
upstairs at once."

Mr St. John having intimated that a two minutes' uncomfortable
conversation with his son had not altered his intention in coming, the
latter turned impatiently upon his heel and led the way to the
sitting-room where Jill was waiting with her little boy, striving, in
her efforts to amuse him, to stifle her own nervousness and vague
misgivings.

The child was simply and daintily dressed in white, and had grown from a
puny infant into a sturdy, healthy little man, with more than an
ordinary share of good looks and good spirits, and a very charming and
lovable disposition.  Jill idolised him, but she was wise in her love,
and the spoiling--if spoiling it could be called--was of a very
judicious kind, tending chiefly to bring out the best qualities in the
impressionable baby-nature, so that surrounded, as this baby was, with
love and care and tenderness, he bade fair to turn out a generous,
affectionate, happy little fellow; and if he were not as well off as
some babies, at least he had been born without the silver spoon, and so
was not likely to feel the deprivation.

Jill had been playing with him on the floor, doing her best to keep him
good-tempered before his grandfather's arrival; for with her
mother-instinct she associated this visit with the child, and was
naturally anxious that he should appear at his best.  When she heard
their steps upon the stairs she scrambled hastily to a more dignified
position, and stood with bright eyes, and flushed cheeks waiting to
receive her former enemy.  She had not forgotten his first and only
other visit to her; she was not likely to forget it, nor to forgive him
the pain he made her suffer then, and the insult which he had offered
her.  But she was content to ignore the past for her husband's sake more
than her own, and equally ready to treat her father-in-law with a
politeness and consideration that he had no right to expect at her
hands.  Doubtless he remembered the incident also; he certainly did not
anticipate a welcome, for he returned her cool little bow with equal
distance--indeed hardly appeared to notice her at all.  It was evident
that if she had not forgiven him neither had he forgiven her; to her he
owed the upsetting of all his plans, and his present lonely, childless
condition, and he was not the sort of man who easily forgot an injury,
nor readily pardoned the offender.  His supercilious gaze rested for an
instant on the mother's face, and then wandered away to the child's,
taking in every detail of the baby-features from the wide, curious eyes,
so absurdly like Jill's both in expression and colouring, to the pretty
curved lips, and rounded chin which even then gave promise of being as
square and obstinate as his father's.  What he saw apparently pleased
him; his features relaxed a little, Jill even fancied that he smiled
back when the child in his friendly, confiding fashion smiled up at him,
though if such were the case, which was doubtful, he made no further
advance.  He had never cared for children, and he did not now pretend to
feel any interest in this one more than another.  He had not come to see
his grandson, but merely to make a proposal concerning him, and this
proposal he forthwith expounded to the baby's parents to their no small
astonishment and dismay.  His offer--and it was a good one from a
worldly point of view--was to adopt the child altogether; to take him at
the age of seven from his present surroundings and bring him up as he
had brought up the father, bequeathing, at his death, his entire fortune
to him unconditionally.  He made no stipulation against the child seeing
his parents as often as the latter wished, but he was not to live with
them, nor to stay beneath their roof for any length of time.

When he had finished speaking he looked towards his son, but St. John
shook his head decisively, and turned abruptly away; he could not answer
such a question; he felt that he had not the right to do so.

"Ask his mother," was all he said.

"Petticoat government, eh?" sneered the old man.  "I appealed to you
because I hoped that you would have profited by your own experience and
been glad of the opportunity of giving your son a chance.  With women it
is different; they are so beastly selfish in their love; they always
want the object of their affection near them."

"Ask his mother," St. John repeated in a hard voice.  "A mother has more
right than anyone else to decide the future of her child."

Jill, who had remained till now impassive, listening open-eyed to all
she heard, came forward as her husband finished speaking and stood
between the old man and the baby on the floor as though she would
protect the child from his grandfather's designs.  She was quite calm
and collected; St. John wondered rather at her evident self-control.

"It is very good of you, Mr St. John," she said, "to make Baby such a
handsome offer.  But you are wrong in thinking that a mother's love is
selfish; it is not where it is real; and it is entirely in my baby's
interests that I am going to regard your proposal."

"Going to refuse it you mean," he snapped.

Jill smiled.

"Going to refuse it if you like to put it that way," she said.  "Of
course it would be splendid for Baby in one sense, but I don't think it
would be kind.  I have never approved of bringing children up in a
different position to their parents.  My boy, no matter how good-hearted
he turned out, would grow to look down upon his father, and the poor
little shop with its poorer photographs, and upon the kind old man who
stood Godfather to him, and drops his h's, but loves the child almost as
though he were his own.  I have heard of such things before.  Children
who are exalted to very different positions to their parents learn to
despise them, and feel ashamed of them, and then, of course, they
despise themselves for doing so; and altogether it is very hopeless, and
rather cruel, I think.

"Don't fancy me ungrateful; it is not that.  It isn't that I wouldn't
spare my boy if I considered it all for the best; but I don't I think he
will be a much happier, and a better little boy if he is brought up just
as well as we can manage, with no more brilliant prospect than the
knowledge that he has to make his own way in the world as his father did
before him."

"So you are going to make an independent beggar of him as you did of his
father, eh?  Well, I would have made him an independent gentleman.  But
no matter.  You possess the right unfortunately of ruining both their
futures.  Perhaps one day you will remember my offer with regret, but
understand, please that I shall not renew it; neither will you or yours
benefit from me in any way."

"I had never expected that we should," Jill answered with proud
simplicity.  "I have not been accustomed to luxury and so don't feel the
need of it.  It is harder for my husband than for me, harder for him
than it will be for the boy; but I don't fancy that Jack minds it much."

"Jack is a fool," his father answered bitterly.  "He could have been
anything almost if he had followed out my wishes."

St. John smiled faintly.  He did not resent the slighting epithet
applied to himself; he understood in a way, the old man's keen
disappointment, and felt more sorry than chagrined at his unrelenting
harshness.

"Don't think too much about it, sir," he said; "I should have been bound
to fail you somehow.  I was never one of those brainy ambitious fellows,
you know; it takes more than money to make a great career."

"It takes a _man_," Mr St. John answered sententiously.  He had not sat
down throughout the brief interview, although his son had placed a chair
for him, and now he turned to go with less ceremony than when he
entered.  He even omitted the courtesy of bowing to Jill; he simply
walked out without looking at her.  St. John followed him and opened the
shop door for him to pass through.

"Good-bye," he said earnestly.  "I regret the breach between us with all
my heart--though that will hardly bridge it over, will it?  If at any
time you want me you have only to command."

"You have always obeyed my commands so readily, eh?" retorted his
father.  "I am not likely to trouble you again.  By the way you need not
consider it necessary in future to make a kind of family Bible of me for
the chronicling of domestic events.  Our intercourse is at an end from
this date.  I neither wish to hear of, nor to see you again."

CHAPTER TWENTY.

When St. John had closed the door after his father he walked into the
studio and busied himself unnecessarily shifting back scenes and
rearranging everything in order to work off the depression the recent
interview had left behind.  He thoroughly understood that this was the
final break with his father, and the realisation cost him more than one
pang of bitter regret.  He felt that to a certain extent he had been
wanting in duty, and yet he knew that he could not have acted otherwise;
the whole thing was as deplorable as it was inevitable; and it might
have been so different had it not been for the obstinate pride of one
ambitious old man.

In the midst of his sad reflections he forgot Jill altogether.  Sorrow
inclines one to be selfish, and St. John just then was dwelling so much
upon his own wounded feelings that he had no room for any other thought.
That Jill, too, might be hurt, and that very possibly she was worrying
on his account did not occur to him or he would have gone to her at
once, instead he seated himself on a little rustic bench that had so
often served to pose a difficult subject, and leaned his head dejectedly
upon his open palm.  And thus Jill found him later when, having left her
baby in his Godfather's charge, she came in search of him wondering at
his continued absence.  The sight brought the tears to her eyes, and she
drew back with the half-formed resolve of going away unseen, but
changing her mind almost immediately she dropped the shabby curtain
which formed the exit behind her, and running forward put both her arms
about his neck.

"Oh! my saint, my dear old saint, don't take it to heart so," she cried
imploringly.

And at the sound of her voice, the voice that was dearer to him than any
other in all the world, he lifted his head and smiled up at her, a
loving, reassuring smile.

"I am not taking it to heart," he said.  "I was a little bit hipped,
that's all."

"You don't think that I acted wrongly?" queried Jill diffidently.  "You
are not vexed that I declined his offer for baby?"

"Good Lord, no!" he answered vehemently.  "I could never have reconciled
myself to giving the little beggar up.  We managed very well without him
before he came, Jill dear; but we couldn't manage now after once having
him, could we?  You did what was right as I knew you would.  In any
serious matter I should invariably leave the decision to you."

"How good you are to me, Jack," she whispered gratefully.  "How
unselfish!  It doesn't seem fair that you should have had to give up so
much for me.  And now comes this fresh trouble.  We have had one or two
worries, haven't we dear?"

"Yes," he answered brightly, rising, and putting his arm protectingly
around her waist, "we have, but fortunately we are both sufficiently
self-respecting, and single-purposed to trust one another implicitly,
and so the worries don't affect us very much.  Some people would have
magnified them into tragedies, but we have managed to shake them off
somehow, and come up smiling.  So long as we have each other, and
health--"

"And Baby," supplemented Jill.  "And Baby, of course; there is nothing
much we need worry about.  The business manages to keep on its feet
somehow; I think one day it may possibly even walk."

"You are brave and confident," Jill whispered a little wistfully, "but
you will never be well off now dear."

And St. John with his arm still round her, drew her nearer to him and
kissed her upon the lips.  The feeling of sadness had passed, a deep
happiness and contentment had risen in its place.

"I _am_ well off," he answered.  "No man, whatever his social standing
or the size of his banking account, could be better off.  I wouldn't
swop you and the boy, Jill, for the untold wealth of the world."

------------------------------------------------------------------------

The End.






End of the Project Gutenberg EBook of The Triumph of Jill, by F.E. Mills Young

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