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THE OLD INNS OF OLD ENGLAND




WORKS BY THE SAME AUTHOR


The Portsmouth Road, and its Tributaries: To-day and in Days of Old.

The Dover Road: Annals of an Ancient Turnpike.

The Bath Road: History, Fashion, and Frivolity on an Old Highway.

The Exeter Road: The Story of the West of England Highway.

The Great North Road: The Old Mail Road to Scotland. Two Vols.

The Norwich Road: An East Anglian Highway.

The Holyhead Road: The Mail-Coach Road to Dublin. Two Vols.

The Cambridge, Ely, and King's Lynn Road: The Great Fenland Highway.

The Newmarket, Bury, Thetford, and Cromer Road: Sport and History on an
East Anglian Turnpike.

The Oxford, Gloucester, and Milford Haven Road: The Ready Way to South
Wales. Two Vols.

The Brighton Road: Speed, Sport, and History on the Classic Highway.

The Hastings Road and the "Happy Springs of Tunbridge."

Cycle Rides Round London.

A Practical Handbook of Drawing for Modern Methods of Reproduction.

Stage-Coach and Mail in Days of Yore. Two Vols. The Ingoldsby Country:
Literary Landmarks of "The Ingoldsby Legends."

The Hardy Country: Literary Landmarks of the Wessex Novels.

The Dorset Coast.

The South Devon Coast. [_In the Press._




[Illustration: THE ROADSIDE INN.]




  THE OLD INNS OF OLD ENGLAND

  _A PICTURESQUE ACCOUNT OF THE
  ANCIENT AND STORIED HOSTELRIES
  OF OUR OWN COUNTRY_


  VOL. I


  BY CHARLES G. HARPER


  [Illustration]

  _Illustrated chiefly by the Author, and from Prints
  and Photographs_


  LONDON:
  CHAPMAN & HALL, LIMITED
  1906
  _All rights reserved_




  PRINTED AND BOUND BY
  HAZELL, WATSON AND VINEY, LD.,
  LONDON AND AYLESBURY.




[Illustration: PREFACE]


_It is somewhat singular that no book has hitherto been published dealing
either largely or exclusively with Old Inns and their story. I suppose
that is because there are so many difficulties in the way of one who would
write an account of them. The chief of these is that of arrangement and
classification; the next is that of selection; the last that of coming to
a conclusion. I would ask those who read these pages, and have perhaps
some favourite inn they do not find mentioned or illustrated here, to
remember that the merely picturesque inns that have no story, or anything
beyond their own picturesqueness to render them remarkable, are--let us be
thankful for it!--still with us in great numbers, and that to have
illustrated or mentioned even a tithe of them would have been impossible.
I can think of no literary and artistic work more delightful than the
quest of queer old rustic inns, but two stout volumes will probably be
found to contain as much on the subject as most people wish to know--and
it is always open to anyone who does not find his own especial favourite
here to condemn the author for his ignorance, or, worse, for his perverted
taste._

_As for methods, those are of the simplest. You start by knowing, ten
years beforehand, what you intend to produce; and incidentally, in the
course of a busy literary life, collect, note, sketch, and make extracts
from Heaven only knows how many musty literary dustbins and sloughs of
despond. Then, having reached the psychological moment when you must come
to grips with the work, you sort that accumulation, and, mapping out
England into tours, with inns strung like beads upon your itinerary, bring
the book, after some five thousand miles of travel, at last into being._

_It should be added that very many inns are incidentally illustrated or
referred to in the series of books on great roads by the present writer;
but as those works dealing with Roads, another treating of the History of
Coaching, and the present volumes are all part of one comprehensive plan
dealing with the History of Travel in general, the allusions to inns in
the various road-books have but rarely been repeated; while it will be
found that if, in order to secure a representative number of inns, it has
been, in some cases, found unavoidable to retrace old footsteps, new
illustrations and new matter have, as a rule, been brought to bear._

_The Old Inns of London have not been touched upon very largely, for most
of them are, unhappily, gone. Only the few existing ones have been
treated, and then merely in association with others in the country. To
write an account of the Old Inns of London would now be to discourse, in
the manner of an antiquary, on things that have ceased to be._

CHARLES G. HARPER.

  PETERSHAM, SURREY.
  _September, 1906._




CONTENTS


  CHAPTER                                                       PAGE

     I. INTRODUCTORY                                               1

    II. THE ANCIENT HISTORY OF INNS                               13

   III. GENERAL HISTORY OF INNS                                   28

    IV. THE EIGHTEENTH CENTURY                                    42

     V. LATTER DAYS                                               57

    VI. PILGRIMS' INNS AND MONASTIC HOSTELS                       76

   VII. PILGRIMS' INNS AND MONASTIC HOSTELS (_continued_)        117

  VIII. HISTORIC INNS                                            144

    IX. INNS OF OLD ROMANCE                                      188

     X. PICKWICKIAN INNS                                         210

    XI. DICKENSIAN INNS                                          265

   XII. HIGHWAYMEN'S INNS                                        303




  LIST OF ILLUSTRATIONS

  [Illustration]


  SEPARATE PLATES

  THE ROADSIDE INN                                          _Frontispiece_

                                                               FACING PAGE

  THE LAST OF THE OLD GALLERIED INNS OF LONDON: THE "GEORGE,"
    SOUTHWARK. (_Photo by T. W. Tyrrell_)                               32

  THE KITCHEN OF A COUNTRY INN, 1797: SHOWING THE TURNSPIT
    DOG. (_From the engraving after Rowlandson_)                        48

  WESTGATE, CANTERBURY, AND THE "FALSTAFF" INN                          86

  CHARING CROSS, ABOUT 1829, SHOWING THE "GOLDEN CROSS" INN.
    (_From the engraving after T. Hosmer Shepherd_)                    218

  THE "GOLDEN CROSS," SUCCESSOR OF THE PICKWICKIAN INN, AS
    REBUILT 1828                                                       220

  ROCHESTER IN PICKWICKIAN DAYS, SHOWING THE OLD BRIDGE AND
    "WRIGHT'S"                                                         224

  THE "BELLE SAUVAGE." (_From a drawing by T. Hosmer Shepherd_)        228

  THE DICKENS ROOM, "LEATHER BOTTLE," COBHAM                           230

  THE "BULL INN," WHITECHAPEL. (_From the water-colour drawing
    by P. Palfrey_)                                                    246

  THE "WHITE HART," BATH                                               252

  THE "BUSH," BRISTOL                                                  256

  THE "COACH AND HORSES," ISLEWORTH                                    276

  THE "LION," SHREWSBURY, SHOWING THE ANNEXE ADJOINING, WHERE
    DICKENS STAYED                                                     298

  THE "GREEN MAN," HATTON                                              318

  THE HIGHWAYMAN'S HIDING-HOLE                                         318


ILLUSTRATIONS IN TEXT

  Vignette, The Old-time Innkeeper                            _Title-page_

                                                                      PAGE

  Preface                                                                v

  List of Illustrations                                                 xi

  The Old Inns of Old England, The "Black Bear," Sandbach                1

  The Oldest Inhabited House in England: The "Fighting Cocks,"
    St. Albans                                                           5

  The "Dick Whittington," Cloth Fair                                     6

  "Ye Olde Rover's Return," Manchester                                   7

  The Oldest Licensed House in Great Britain: The "Seven Stars,"
    Manchester                                                          11

  An Ale-stake. (_From the Louterell Psalter_)                          15

  Elynor Rummyng                                                        21

  The "Running Horse," Leatherhead                                      25

  Facsimile of an Account rendered to John Palmer in 1787               54

  The Last Days of the "Swan with Two Necks"                            55

  Crypt at the "George," Rochester                                      83

  Sign of the "Falstaff," Canterbury                                    88

  House formerly a Pilgrims' Hostel, Compton                            91

  The "Star," Alfriston                                                 93

  Carving at the "Star," Alfriston                                      95

  The "Green Dragon," Wymondham                                         96

  The Pilgrims' Hostel, Battle                                          97

  The "New Inn," Gloucester                                             99

  Courtyard, "New Inn," Gloucester                                     103

  The "George," Glastonbury                                            109

  High Street, Glastonbury, in the Eighteenth Century (_From
    the etching by Rowlandson_)                                        115

  The "George," St. Albans                                             119

  The "Angel," Grantham                                                121

  The "George," Norton St. Philip                                      125

  Yard of the "George," Norton St. Philip                              131

  Yard of the "George," Winchcombe                                     135

  The "Lord Crewe Arms," Blanchland                                    139

  The "Old King's Head," Aylesbury                                     141

  The "Reindeer," Banbury                                              145

  Yard of the "Reindeer," Banbury                                      149

  The Globe Room, "Reindeer" Inn, Banbury                              153

  The "Music House," Norwich                                           157

  The "Dolphin," Potter Heigham                                        159

  The "Nag's Head," Thame                                              161

  Yard of the "Greyhound," Thame                                       163

  The "Crown and Treaty," Uxbridge                                     165

  The "Treaty Room," "Crown and Treaty," Uxbridge                      167

  The "Three Crowns," Chagford                                         169

  The "Red Lion," Hillingdon                                           170

  Yard of the "Saracen's Head," Southwell                              173

  King Charles' Bedroom, "Saracen's Head," Southwell                   177

  The "Cock and Pymat"                                                 181

  Porch of the "Red Lion," High Wycombe                                184

  The "White Hart," Somerton                                           186

  The "Ostrich," Colnbrook                                             191

  Yard of the "Ostrich," Colnbrook                                     199

  "Piff's Elm"                                                         203

  The "Golden Cross," in Pickwickian Days                              215

  The "Bull," Rochester                                                223

  The "Swan," Town Malling: Identified with the "Blue Lion,"
    Muggleton                                                          226

  Sign of the "Bull and Mouth"                                         227

  The "Leather Bottle," Cobham                                         229

  The "Waggon and Horses," Beckhampton                                 233

  "Shepherd's Shore"                                                   235

  "Beckhampton Inn"                                                    239

  The "Angel," Bury St. Edmunds                                        241

  The "George the Fourth Tavern," Clare Market                         243

  Doorway of the "Great White Horse," Ipswich                          247

  The "Great White Horse," Ipswich                                     250

  Sign of the "White Hart," Bath                                       255

  "The Bell," Berkeley Heath                                           257

  The "Hop-pole," Tewkesbury                                           259

  The "Pomfret Arms," Towcester: formerly the "Saracen's Head"         260

  The Yard of the "Pomfret Arms"                                       261

  "Osborne's Hotel, Adelphi"                                           263

  The "White Horse," Eaton Socon                                       267

  The "George," Greta Bridge                                           269

  The "Coach and Horses," near Petersfield                             271

  "Bottom" Inn                                                         273

  The "King's Head," Chigwell, the "Maypole" of _Barnaby Rudge_        279

  The "Green Dragon," Alderbury                                        283

  The "George," Amesbury                                               285

  Interior of the "Green Dragon," Alderbury                            287

  Sign of the "Black Bull," Holborn                                    289

  The "Crispin and Crispianus," Strood                                 293

  The "Ship and Lobster"                                               297

  "Jack Straw's Castle"                                                301

  The "Three Houses Inn," Sandal                                       308

  The "Crown" Inn, Hempstead                                           309

  "Turpin's Cave," near Chingford                                      311

  The "Green Dragon," Welton                                           312

  The "Three Magpies," Sipson Green                                    313

  The "Old Magpies"                                                    315

  The "Green Man," Putney                                              321

  The "Spaniards," Hampstead Heath                                     323




[Illustration: The Old Inns of Old England]




CHAPTER I

INTRODUCTORY


The Old Inns of Old England!--how alluring and how inexhaustible a theme!
When you set out to reckon up the number of those old inns that demand a
mention, how vast a subject it is! For although the Vandal--identified
here with the brewer and the ground-landlord--has been busy in London and
the great centres of population, destroying many of those famous old
hostelries our grandfathers knew and appreciated, and building in their
stead "hotels" of the most grandiose and palatial kind, there are happily
still remaining to us a large number of the genuine old cosy haunts where
the traveller, stained with the marks of travel, may enter and take his
ease without being ashamed of his travel-stains or put out of countenance
by the modish visitors of this complicated age, who dress usually as if
going to a ball, and whose patronage has rung the death-knell of many an
inn once quaint and curious, but now merely "replete with every modern
convenience."

I thank Heaven--and it is no small matter, for surely one may be thankful
for a good inn--that there yet remain many old inns in this Old England of
ours, and that it is not yet quite (although nearly) a misdemeanour for
the wayfarer to drink a tankard of ale and eat a modest lunch of bread and
cheese in a stone-flagged, sanded rustic parlour; or even, having come at
the close of day to his halting-place, to indulge in the mild dissipation
and local gossip in the bar of an old-time hostelry.

This is one of the last surviving joys of travel in these strange times
when you journey from great towns for sake of change and find at every
resort that the town has come down before you, in the shape of an hotel
more or less palatial, wherein you are expected to dine largely off
polished marble surroundings and Turkey carpets, and where every trace of
local colour is effaced. A barrier is raised there between yourself and
the place. You are in it, but not of it or among it; but something alien,
like the German or Swiss waiters themselves, the manager, and the very
directors and shareholders of the big concern.

At the old-fashioned inn, on the other hand, the whole establishment is
eloquent of the place, and while you certainly get less show and glitter,
you do, at any rate, find real comfort, and early realise that you have
found that change for which you have come.

But, as far as mere name goes, most inns are "hotels" nowadays. It is as
though innkeepers were labouring under the illusion that "inn" connotes
something inferior, and "hotel" a superior order of things. Even along the
roads, in rustic situations, the mere word "inn"--an ancient and entirely
honourable title--is become little used or understood, and, generally
speaking, if you ask a rustic for the next "inn" he stares vacantly before
his mind grasps the fact that you mean what he calls a "pub," or, in some
districts oftener still, a "house." Just a "house." Some employment for
the speculative mind is offered by the fact that in rural England an inn
is "a house" and the workhouse "_the_ House." Both bulk largely in the
bucolic scheme of existence, and, as a temperance lecturer might point
out, constant attendance at the one leads inevitably to the other. At all
events, both are great institutions, and prominent among the landmarks of
Old England.

Which is the oldest, and which the most picturesque, inn this England of
ours can show? That is a double-barrelled question whose first part no man
can answer, and the reply to whose second half depends so entirely upon
individual likings and preferences that one naturally hesitates before
being drawn into the contention that would surely arise on any particular
one being singled out for that supreme honour. Equally with the morning
newspapers--and the evening--each claiming the "largest circulation," and,
like the several Banbury Cake shops, each the "original," there are
several "oldest licensed" inns, and very many arrogating the reputation of
the "most picturesque."

The "Fighting Cocks" inn at St. Albans, down by the river Ver, below the
Abbey, claims to be--not the oldest inn--but the oldest inhabited house,
in the kingdom: a pretension that does not appear to be based on anything
more than sheer impudence; unless, indeed, we take the claim to be a joke,
to which an inscription,

  The Old Round House,
  Rebuilt after the Flood,

formerly gave the clue. But that has disappeared. The Flood, in this case,
seeing that the building lies low, by the river Ver, does not necessarily
mean the Deluge.

This curious little octagonal building is, however, of a very great age,
for it was once, as "St. Germain's Gate," the water-gate of the monastery.
The more ancient embattled upper part disappeared six hundred years ago,
and the present brick-and-timber storey takes its place.

[Illustration: THE OLDEST INHABITED HOUSE IN ENGLAND: THE "FIGHTING
COCKS," ST. ALBANS.]

The City of London's oldest licensed inn is, by its own claiming, the
"Dick Whittington," in Cloth Fair, Smithfield, but it only claims to have
been licensed in the fifteenth century, when it might reasonably--without
much fear of contradiction--have made it a century earlier. This is an
unusual modesty, fully deserving mention. It is only an "inn" by courtesy,
for, however interesting and picturesque the grimy, tottering old
lath-and-plaster house may be to the stranger, imagination does not
picture any one staying either in the house or in Cloth Fair itself while
other houses and other neighbourhoods remain to choose from; and, indeed,
the "Dick Whittington" does not pretend to be anything else than a
public-house. The quaint little figure at the angle, in the gloom of the
overhanging upper storey, is one of the queer, unconventional imaginings
of our remote forefathers, and will repay examination.

[Illustration: THE "DICK WHITTINGTON," CLOTH FAIR.]

Our next claimant in the way of antiquity is the "Seven Stars" inn at
Manchester, a place little dreamt of, in such a connection, by most
people; for, although Manchester is an ancient city, it is so modernised
in general appearance that it is a place wherein the connoisseur of
old-world inns would scarce think of looking for examples. Yet it contains
three remarkably picturesque old taverns, and the neighbouring town of
Salford, nearly as much a part of Manchester as Southwark is of London,
possesses another. To take the merely picturesque, unstoried houses
first: these are the "Bull's Head," Greengate, Salford; the "Wellington"
inn, in the Market-place, Manchester; the tottering, crazy-looking tavern
called "Ye Olde Rover's Return," on Shude Hill, claiming to be the "oldest
beer-house in the city," and additionally said once to have been an old
farmhouse "where the Cow was kept that supplied Milk to The Men who built
the 'Seven Stars,'" and lastly--but most important--the famous "Seven
Stars" itself, in Withy Grove, proudly bearing on its front the statement
that it has been licensed over 560 years, and is the oldest licensed house
in Great Britain.

[Illustration: "YE OLDE ROVER'S RETURN," MANCHESTER.]

The "Seven Stars" is of the same peculiar old-world construction as the
other houses just enumerated, and is just a humble survival of the ancient
rural method of building in this district: with a stout framing of oaken
timbers and a filling of rag-stone, brick, and plaster. Doubtless all
Manchester, of the period to which these survivals belong, was of like
architecture. It was a method of construction in essence identical with
the building of modern steel-framed houses and offices in England and in
America: modern construction being only on a larger scale. In either
period, the framework of wood or of metal is set up first and then clothed
with its architectural features, whether of stone, brick, or plaster.

The "Seven Stars," however, is no skyscraper. So far from soaring, it is
of only two floors, and, placed as it is--sandwiched as it is, one might
say--between grim, towering blocks of warehouses, looks peculiarly
insignificant.

We may suppose the existing house to have been built somewhere about 1500,
although there is nothing in its rude walls and rough axe-hewn timbers to
fix the period to a century more or less. At any rate, it is not the
original "Seven Stars" on this spot, known to have been first licensed in
1356, three years after inns and alehouses were inquired into and
regulated, under Edward the Third; by virtue of which record, duly
attested by the archives of the County Palatine of Lancaster, the present
building claims to be the "oldest Licensed House in Great Britain."

There is a great deal of very fine, unreliable "history" about the "Seven
Stars," and some others, but it is quite true that the inn is older than
Manchester Cathedral, for that--originally the Collegiate Church--was not
founded until 1422; and topers with consciences remaining to them may lay
the flattering unction to their souls that, if they pour libations here,
in the Temple of Bacchus, rather than praying in the Cathedral, they do,
at any rate (if there be any virtue in that), frequent a place of greater
antiquity.

And antiquity is cultivated with care and considerable success at the
"Seven Stars," as a business asset. The house issues a set of seven
picture-postcards, showing its various "historic" nooks and corners, and
the leaded window-casements have even been artfully painted, in an effort
to make the small panes look smaller than they really are; while the
unwary visitor in the low-ceilinged rooms falls over and trips up against
all manner of unexpected steps up and steps down.

It is, of course, not to be supposed that a house with so long a past
should be without its legends, and in the cellars the credulous and
uncritical stranger is shown an archway that, he is told, led to old
Ordsall Hall and the Collegiate Church! What thirsty and secret souls they
must have been in that old establishment! But the secret passage is
blocked up now. Here we may profitably meditate awhile on those "secret
passages" that have no secrets and afford no passage; and may at the same
time stop to admire the open conduct of that clergyman who, despising such
underhand and underground things, was accustomed in 1571, according to the
records of the Court Leet, to step publicly across the way in his
surplice, in sermon-time, for a refreshing drink.

"What stories this old Inn could recount if it had the power of language!"
exclaims the leaflet sold at the "Seven Stars" itself. The reflection is
sufficiently trite and obvious. What stories could not any building tell,
if it were so gifted? But fortunately, although walls metaphorically have
ears, they have not--even in literary imagery--got tongues, and so cannot
blab. And well too, for if they could and did, what a cloud of witness
there would be, to be sure. Not an one of us would get a hearing, and not
a soul be safe.

But what stories, in more than one sense, Harrison Ainsworth told! He told
a tale of Guy Fawkes, in which that hero of the mask, the dark-lantern and
the powder-barrel escaped, and made his way to the "Seven Stars," to be
concealed in a room now called "Ye Guy Fawkes Chamber." Ye gods!

[Illustration: THE OLDEST LICENSED HOUSE IN GREAT BRITAIN: THE "SEVEN
STARS," MANCHESTER.]

We know perfectly well that he did not escape, and so was not concealed in
a house to which he could not come, but--well, there! Such fantastic
tales, adopted by the house, naturally bring suspicion upon all else; and
the story of the horse-shoe upon one of its wooden posts is therefore,
rightly or wrongly, suspect. This is a legend that tells how, in 1805,
when we were at war with Napoleon, the Press Gang was billeted at the
"Seven Stars," and seized a farmer's servant who was leading a horse with
a cast shoe along Withy Grove. The Press Gang could not legally press a
farm-servant, but that probably mattered little, and he was led away; but,
before he went, he nailed the cast horse-shoe to a post, exclaiming, "Let
this stay till I come from the wars to claim it!" He never returned, and
the horse-shoe remains in its place to this day.

The room adjoining the Bar parlour is called nowadays the "Vestry." It
was, according to legends, the meeting-place of the Watch, in the old days
before the era of police; and there they not only met, but stayed, the
captain ever and again rising, with the words, "Now we will have another
glass, and then go our rounds"; upon which, emptying their glasses, they
all would walk round the tables and then re-seat themselves.

A great deal of old Jacobean and other furniture has been collected, to
fill the rooms of the "Seven Stars," and in the "Vestry" is the "cupboard
that has never been opened" within the memory of living man. It is
evidently not suspected of holding untold gold. Relics from the New Bailey
Prison, demolished in 1872, are housed here, including the doors of the
condemned cell, and sundry leg-irons; and genuine Carolean and Cromwellian
tables are shown. The poet who wrote of some marvellously omniscient
personage--

  And still the wonder grew
  That one small head could carry all he knew,

would have rejoiced to know the "Seven Stars," and might have been moved
to write a similar couplet, on how much so small a house could be made to
hold.




CHAPTER II

THE ANCIENT HISTORY OF INNS


Inns, hotels, public-houses of all kinds, have a very ancient lineage, but
we need not in this place go very deeply into their family history, or
stodge ourselves with fossilised facts at the outset. So far as we are
concerned, inns begin with the Roman Conquest of Britain, for it is absurd
to suppose that the Britons, whom Julius Caesar conquered, drank beer or
required hotel accommodation.

The colonising Romans themselves, of course, were used to inns, and when
they covered Britain with a system of roads, hostelries and mere
drinking-places of every kind sprang up beside them, for the accommodation
and refreshment alike of soldiers and civilians. There is no reason to
suppose that the Roman legionary was a less thirsty soul than the modern
soldier, and therefore houses that resembled our beer-shops and rustic
inns must have been sheer necessaries. There was then the _bibulium_,
where the bibulous boozed to their hearts' content; and there were the
_diversoria_ and _caupones_, the inns or hotels, together with the
posting-houses along the roads, known as _mansiones_ or _stabulia_.

The _bibulium_, that is to say, the ale-house or tavern, displayed its
sign for all men to see: the ivy-garland, or wreath of vine-leaves, in
honour of Bacchus, wreathed around a hoop at the end of a projecting pole.
This bold advertisment of good drink to be had within long outlasted Roman
times, and indeed still survives in differing forms, in the signs of
existing inns. It became the "ale-stake" of Anglo-Saxon and middle English
times.

The traveller recognised the ale-stake at a great distance, by reason of
its long pole--the "stake" whence those old beer-houses derived their
name--projecting from the house-front, with its mass of furze, or garland
of flowers, or ivy-wreath, dangling at the end. But the ale-houses that
sold good drink little needed such signs, a circumstance that early led to
the old proverb, "Good wine needs no bush."

On the other hand, we may well suppose the places that sold only inferior
swipes required poles very long and bushes very prominent, and in London,
where competition was great, all ale-stakes early began to vie with one
another which should in this manner first attract the attention of thirsty
folk. This at length grew to be such a nuisance, and even a danger, that
in 1375 a law was passed that all taverners in the City of London owning
ale-stakes projecting or extending over the king's highway "more than
seven feet in length at the utmost," should be fined forty pence and be
compelled to remove the offending sign.

We find the "ale-stake" in Chaucer, whose "Pardoner" could not be induced
to commence his tale until he had quenched his thirst at one:

  But first quod he, her at this ale-stake
  I will bothe drynke and byten on a cake.

We have, fortunately, in the British Museum, an illustration of such a
house, done in the fourteenth century, and therefore contemporary with
Chaucer himself. It is rough but vivid, and if the pilgrim we see drinking
out of a saucer-like cup be gigantic, and the landlady, waiting with the
jug, a thought too big for her inn, we are at any rate clearly made to see
the life of that long ago. In this instance the actual stake is finished
off like a besom, rather than with a bush.

[Illustration: AN ALE-STAKE. _From the Louterell Psalter._]

The connection, however, between the Roman garland to Bacchus and the
mediaeval "bush" is obvious. The pagan God of Wine was forgotten, but the
advertisment of ale "sold on the premises" was continued in much the same
form; for in many cases the "bush" was a wreath, renewed at intervals, and
twined around a permanent hoop. With the creation, in later centuries, of
distinctive signs, we find the hoop itself curiously surviving as a
framework for some device; and thus, even as early as the reign of Edward
the Third, mention is found of a "George-in-the-hoop," probably a picture
or carved representation of St. George, the cognisance of England, engaged
in slaying the dragon. There were inns in the time of Henry the Sixth by
the name of the "Cock-in-the-Hoop"; and doubtless the representation of
haughty cockerels in that situation led by degrees to persons of
self-sufficient manner being called "Cock-a-hoop," an old-fashioned phrase
that lingered on until some few years since.

In some cases, when the garland was no longer renewed, and no distinctive
sign filled the hoop, the "Hoop" itself became the sign of the house: a
sign still frequently to be met with, notably at Cambridge, where a house
of that name, in coaching days a celebrated hostelry, still survives.

The kind of company found in the ale-stakes--that is to say, the
beer-houses and taverns--of the fourteenth century is vividly portrayed by
Langland, in his _Vision of Piers Plowman_. In that long Middle English
poem, the work of a moralist and seer who was at the same time, beneath
his tonsure and in spite of his orders, something of a man of the world,
we find the virtuous ploughman reviewing the condition of society in that
era, and (when you have once become used to the ancient spelling) doing so
in a manner that is not only readable to moderns, but even entertaining;
while, of course, as evidence of social conditions close upon six hundred
years ago, the poem is invaluable.

We learn how Beton the brewster met the glutton on his way to church, and
bidding him "good-morrow," asked him whither he went.

"To holy church," quoth he, "for to hear mass. I will be shriven, and sin
no more."

"I have good ale, gossip," says the ale-wife, "will you assay it?" And so
glutton, instead of going to church, takes himself to the ale-house, and
many after him. A miscellaneous company that was. There, with Cicely the
woman-shoemaker, were all manner of humble, and some disreputable,
persons, among whom we are surprised to find a hermit. What should a
hermit be doing in an ale-house? But, according to Langland's own showing
elsewhere, the country was infested with hermits who, refusing restriction
to their damp and lonely hermitages, frequented the alehouses, and only
went home, generally intoxicated, to their mouldy pallets after they had
drunk and eaten their fill and roasted themselves before the fire.

Here, then:

  Cesse the souteresse[1] sat on the bench,
  Watte the warner[2] and hys wyf bothe
  Thomme the tynkere, and tweye of hus knaues,
  Hicke the hakeneyman, and Houwe the neldere,[3]
  Claryce of Cockeslane, the clerk of the churche,
  An haywarde and an heremyte, the hangeman of Tyborne,
  Dauwe the dykere,[4] with a dozen harlotes,
  Of portours and of pyke-porses, and pylede[5] toth-drawers.
  A ribibour,[6] a ratonere,[7] a rakyer of chepe,
  A roper, a redynkyng,[8] and Rose the dissheres,
  Godfrey of garlekehythe, and gryfin the walshe,[9]
  An vpholderes an hepe.

All day long they sat there, boozing, chaffering, and quarrelling:

  There was laughing and louring, and "let go the cuppe,"
  And seten so till euensonge and son gen vmwhile,
  Tyl glotoun had y-globbed a galoun and a Iille.

By that time he could neither walk nor stand. He took his staff and began
to go like a gleeman's bitch, sometimes sideways and sometimes backwards.
When he had come to the door, he stumbled and fell. Clement the cobbler
caught him by the middle and set him on his knees, and then, "with all the
woe of the world" his wife and his wench came to carry him home to bed.
There he slept all Saturday and Sunday, and when at last he woke, he woke
with a thirst--how modern _that_ is, at any rate! The first words he
uttered were, "Where is the bowl?"

A hundred and fifty years later than _Piers Plowman_ we get another
picture of an English ale-house, by no less celebrated a poet. This famous
house, the "Running Horse," still stands at Leatherhead, in Surrey, beside
the long, many-arched bridge that there crosses the river Mole at one of
its most picturesque reaches. It was kept in the time of Henry the Seventh
by that very objectionable landlady, Elynor Rummyng, whose peculiarities
are the subject of a laureate's verse. Elynor Rummyng, and John Skelton,
the poet-laureate who hymned her person, her beer, and her customers, both
flourished in the beginning of the sixteenth century. Skelton, whose
genius was wholly satiric, no doubt, in his _Tunning_ (that is to say, the
brewing) of _Elynor Rummyng_, emphasised all her bad points, for it is
hardly credible that even the rustics of the Middle Ages would have rushed
so enthusiastically for her ale if it had been brewed in the way he
describes.

His long, rambling jingles, done in grievous spelling, picture her as a
very ugly and filthy old person, with a face sufficiently grotesque to
unnerve a strong man:

  For her visage
  It would aswage
  A manne's courage.
  Her lothely lere
  Is nothyng clere,
  But vgly of chere,
  Droupy and drowsy,
  Scuruy and lowsy;
  Her face all bowsy,
  Comely crynkled,
  Woundersly wrynkled,
  Lyke a rost pygges eare
  Brystled wyth here.
      Her lewde lyppes twayne,
  They slauer, men sayne,
  Lyke a ropy rayne:
  A glummy glayre:
  She is vgly fayre:
  Her nose somdele hoked,
  And camously croked,
  Neuer stoppynge,
  But euer droppynge:
  Her skin lose and slacke,
  Grayned like a sacke;
  Wyth a croked backe.
      Her eyen jowndy
  Are full vnsoundy,
  For they are blered;
  And she grey-hered:
  Jawed like a jetty,
  A man would haue pytty
  To se how she is gumbed
  Fyngered and thumbed
  Gently joynted,
  Gresed and annoynted
  Vp to the knockels;
  The bones of her huckels
  Lyke as they were with buckles
  Together made fast;
      Her youth is farre past.
  Foted lyke a plane,
  Legged lyke a crane;
  And yet she wyll iet
  Lyke a silly fet.

    *       *       *       *

  Her huke of Lincoln grene,
  It had been hers I wene,
  More than fourty yere;
  And so it doth apere.
  For the grene bare thredes
  Loke lyke sere wedes,
  Wyddered lyke hay,
  The woll worne away:
  And yet I dare saye
  She thinketh herselfe gaye.

    *       *       *       *

  She dryueth downe the dewe
  With a payre of heles
  As brode as two wheles;
  She hobles as a gose
  Wyth her blanket trose
  Ouer the falowe:
  Her shone smered wyth talowe,
  Gresed vpon dyrt
  That bandeth her skyrt.

[Illustration: ELYNOR RUMMYNG.]

  And this comely dame
  I vnderstande her name
  Is Elynor Rummynge,
  At home in her wonnynge:
  And as men say,
  She dwelt in Sothray,
  In a certain stede
  Bysyde Lederhede,
  She is a tonnysh gyb,
  The Deuyll and she be syb,
  But to make vp my tale,
  She breweth nappy ale,
  And maketh port-sale
  To travelers and tynkers,
  To sweters and swynkers,
  And all good ale-drynkers,
  That wyll nothynge spare,
  But drynke tyll they stare
  And brynge themselves bare,
  Wyth, now away the mare
  And let vs sley care
  As wyse as a hare.
      Come who so wyll
  To Elynor on the hyll
  Wyth Fyll the cup, fyll
  And syt there by styll.
  Erly and late
  Thyther cometh Kate
  Cysly, and Sare
  Wyth theyr legges bare
  And also theyr fete.

    *       *       *       *

  Some haue no mony
  For theyr ale to pay,
  That is a shrewd aray;
  Elynor swered, Nay,
  Ye shall not beare away
  My ale for nought,
  By hym that me bought!
  Wyth, Hey, dogge, hey,
  Haue these hogges away[10]
  Wyth, Get me a staffe,
  The swyne eate my draffe!
  Stryke the hogges wyth a clubbe,
  They haue dranke up my swyllyn tubbe.

The unlovely Elynor scraped up all manner of filth into her mash-tub,
mixed it together with her "mangy fists," and sold the result as ale. It
is proverbial that "there is no accounting for tastes," and it would
appear as though the district had a peculiar liking for this kind of brew.
They would have it somehow, even if they had to bring their food and
furniture for it:

  Insteede of quoyne and mony,
  Some bryng her a coney,
  And some a pot wyth honey;
  Some a salt, some a spoone,
  Some theyr hose, some theyr shoone;
  Some run a good trot
  Wyth skyllet or pot:
  Some fyll a bag-full
  Of good Lemster wool;
  An huswyfe of trust
  When she is athyrst
  Such a web can spyn
  Her thryft is full thyn.
      Some go strayght thyther
  Be it slaty or slydder,
  They hold the hyghway;
  They care not what men say,
  Be they as be may
  Some loth to be espyd,
  Start in at the backesyde,
  Over hedge and pale,
  And all for good ale.
  Some brought walnuts,
  Some apples, some pears,
  And some theyr clyppying shears.
  Some brought this and that,
  Some brought I wot ne're what,
  Some brought theyr husband's hat.

and so forth, for hundreds of lines more.

The old inn--still nothing more than an ale-house--is in part as old as
the poem, but has been so patched and repaired in all the intervening
centuries that nothing of any note is to be seen within. A very old
pictorial sign, framed and glazed, and fixed against the wall of the
gable, represents the ill-favoured landlady, and is inscribed: "Elynor
Rummyn dwelled here, 1520."

Accounts we have of the fourteenth-century inns show that the exclusive,
solitary Englishman was not then allowed to exist. Guests slept in
dormitories, very much as the inmates of common lodging-houses generally
do now, and, according to the evidence of old prints, knew nothing of
nightshirts, and lay in bed naked. They purchased their food in something
the same way as a modern "dosser" in a Rowton House, but their manners and
customs were peculiarly offensive. The floors were strewed with rushes;
and as guests generally threw their leavings there, and the rushes
themselves were not frequently removed, those old interiors must have been
at times exceptionally noisome.

Inn-keepers charged such high prices for this accommodation, and for the
provisions they sold, that the matter grew scandalous, and at last, in the
reign of Edward the Third, in 1349, and again in 1353, statutes were
passed ordering hostelries to be content with moderate gain. The "great
and outrageous dearth of victuals kept up in all the realm by innkeepers
and other retailers of victuals, to the great detriment of the people
travelling across the realm" was such that no less a penalty would serve
than that any "hosteler or herberger" should pay "double of what he
received to the party damnified." Mayors and bailiffs, and justices
learned in the law, were to "enquire in all places, of all and singular,
of the deeds and outrages of hostelers and their kind," but it does not
appear that matters were greatly improved.

[Illustration: THE "RUNNING HORSE," LEATHERHEAD.]

It will be observed that two classes of innkeepers are specified in those
ordinances. The "hosteler" was the ordinary innkeeper; the "herberger" was
generally a more or less important and well-to-do merchant who added to
his income by "harbouring"--that is to say, by boarding and
lodging--strangers, the "paying guests" of that age. We may dimly perceive
something of the trials and hardships of old-time travel in that
expression "harbouring." The traveller then came to his rest as a ship
comes into harbour from stormy seas. The better-class travellers, coming
into a town, preferred the herberger's more select table to the common
publicity of the ordinary hostelry, and the herbergers themselves were
very keen to obtain such guests, some even going to the length of
maintaining touts to watch the arrival of strangers, and bid for custom.
This was done both openly and in an underhand fashion, the more rapacious
among the herbergers employing specious rogues who, entering into
conversation with likely travellers at the entrance of a town, would
pretend to be fellow-countrymen and so, on the understanding of a common
sympathy, recommending them to what they represented to be the best
lodgings. Travellers taking such recommendations generally found
themselves in exceptionally extortionate hands. These practices early led
to "herbergers" being regulated by law, on much the same basis as the
hostelers.

Not many records of travelling across England in the fourteenth century
have survived. Indeed the only detailed one we have, and that is merely a
return of expenses, surviving in Latin manuscript at Merton College,
Oxford, concerns itself with nothing but the cost of food and lodging at
the inns and the disbursements on the road, made by the Warden and two
fellows who, with four servants--the whole party on horseback--in
September, 1331, travelled to Durham and back on business connected with
the college property. The outward journey took them twelve days. They
crossed the Humber at the cost of 8_d._, to the ferry: beds for the entire
party of seven generally came to 2_d._ a night, beer the same, wine
1-1/4_d._, meat 5-1/2_d._, candles 1/4_d._, fuel 2_d._, bread 4_d._, and
fodder for the horses 10_d._




CHAPTER III

GENERAL HISTORY OF INNS


The mediaeval hostelries, generally planned in the manner of the old
galleried inns that finally went out of fashion with the end of the
coaching age, consisting of a building enclosing a courtyard, and entered
only by a low and narrow archway, which in its turn was closed at
nightfall by strong, bolt-studded doors, are often said to owe their form
to the oriental "caravanserai," a type of building familiar to Englishmen
taking part in the Crusades.

But it is surely not necessary to go so far afield for an origin. The
"caravanserai" was originally a type of Persian inn where caravans put up
for the night: and as security against robbers was the first need of such
a country and such times, a courtyard capable of being closed when
necessary against unwelcome visitors was clearly indicated as essential.
Persia, however, and oriental lands in general, were not the only
countries where in those dark centuries robbers, numerous and bold, or
even such undesirables as rebels against the existing order of things,
were to be reckoned with, and England had no immunity from such dangers.
In such a state of affairs, and in times when private citizens were
careful always to bolt and bar themselves in; when great lords dwelt
behind moats, drawbridges, and battlemented walls; and when even
ecclesiastic and collegiate institutions were designed with the idea that
they might ultimately have to be defended, it is quite reasonable to
suppose that innkeepers were capable of evolving a plan for themselves by
which they and their guests, and the goods of their guests, might reckon
on a degree of security.

This was the type of hostelry that, apart from the mere tavern, or
alehouse, remained for so many centuries typical of the English good-class
inns. It was at once, in a sense--to compare old times with new--the hotel
and railway-station of an age that knew neither railways nor the class of
house we style "hotel." It was the fine flower of the hostelling business,
and to it came and went the carriers' waggons, the early travellers riding
horseback, and, in the course of time, as the age of wonderful inventions
began to dawn, the stage and mail-coaches. Travellers of the most gentle
birth, equally with those rich merchants and clothiers who were the
greatest travellers in the fifteenth and sixteenth centuries, inned at
such establishments. It was at one such that Archbishop Leighton ended. He
had said, years before, that "if he must choose a place to die in, it
should be an inn, it looking like a pilgrim's going home, to whom this
world was an inn, and who was weary of the noise and confusion of it." He
died, that good and gentle man, at the "Bell" in Warwick Lane, in 1684.

London, once rich in hostelries of this type, has now but one. In fine, it
is not in the metropolis that the amateur of old inns of any kind would
nowadays seek with great success; although, well within the memory of most
people, it was exceptionally well furnished with them. It was neither good
taste nor good business that, in 1897, demolished the "Old Bell," Holborn,
a pretty old-world galleried inn that maintained until the very last an
excellent trade in all branches of licensed-victualling; and would have
continued so to do had it not been that the greed for higher ground-rent
ordained the ending of it, in favour of the giant (and very vulgar)
building now occupying the spot where it stood. That may have been a
remunerative transaction for the ground-landlord; but, looking at these
commercial-minded clearances in a broader way, they are nothing less than
disastrous. If, to fill some private purses over-full, you thus callously
rebuild historic cities, their history becomes merely a matter for the
printed page, and themselves to the eye nothing but a congeries of crowded
streets where the motor-omnibuses scream and clash and stink, and citizens
hustle to get a living. History, without visible ancient buildings to
assure the sceptical modern traveller that it is not wholly lies, will
never by itself draw visitors.

Holborn, where the "Old Bell" stood, was, until quite recent years, a
pleasant threshold to the City. There stood Furnival's Inn, that quiet
quadrangle of chambers, with the staid and respectable Wood's Hotel. Next
door was Ridler's Hotel, with pleasant bay-window looking upon the street,
and across the way, in Fetter Lane, remained the "White Horse" coaching
inn; very much down on its luck in its last years, but interesting to
prowling strangers enamoured of the antique and out-of-date.

The vanished interest of other corners in London might be enlarged upon,
but it is too melancholy a picture. Let us to the Borough High Street,
and, resolutely refusing to think for the moment of the many queer old
galleried inns that not so long since remained there, come to that sole
survivor, the "George."

You would never by mere chance find the "George," for it has no frontage
to the street, and lies along one side of a yard not at first sight very
prepossessing, and, in fact, used in these days for the unsentimental
purposes of a railway goods-receiving depot. This, however, is the old
yard once entirely in use for the business of the inn.

The "George," as it now stands, is the successor of a pre-Reformation inn
that, formerly the "St. George," became secularised in the time of Henry
the Eighth, when saints, even patron saints, were under a cloud. It is an
exceedingly long range of buildings, dating from the seventeenth century,
and in two distinct and different styles: a timbered, wooden-balustraded
gallery in two storeys, and a white-washed brick continuation. The long
ground-floor range of windows to the kitchen, the bar, and the
coffee-room, is, as seen in the illustration, protected from any accidents
in the manoeuvring of the railway waggons by a continuous bulkhead of
sleepers driven into the ground. It is pleasing to be able to bear witness
to the thriving trade that continues to be done in this sole ancient
survivor of the old Southwark galleried inns, and to note that, however
harshly fate, as personified by rapacious landlords, has dealt with its
kind, the old-world savour of the inn is thoroughly appreciated by those
not generally thought sentimental persons, the commercial men who dine and
lunch, and the commercial travellers who sleep, here.

But, however pleasing the old survivals in brick and stone, in timber and
plaster, may be to the present generation, we seem, by the evidence left
us in the literature and printed matter of an earlier age, to have
travelled far from gross to comparatively ideal manners.

[Illustration: THE LAST OF THE OLD GALLERIED INNS OF LONDON: THE "GEORGE,"
SOUTHWARK. _Photo by T. W. Tyrrell._]

The manners common to all classes in old times would scarce commend
themselves to modern folk. We get a curious glimpse of them in one of a
number of Manuals of Foreign Conversation for the use of travellers,
published towards the close of the sixteenth century in Flanders, then a
country of great trading importance, sending forth commercial travellers
and others to many foreign lands. One of these handy books, styled, rather
formidably, _Colloquia et dictionariolum septem linguarum_, including, as
its title indicates, conversation in seven languages, was so highly
successful that seven editions of it, dating from 1589, are known. The
traveller in England, coming to his inn, is found talking on the subject
of trade and civil wars, and at length desires to retire to rest. The
conversation itself is sufficiently strange, and is made additionally
startling by the capital W's that appear in unconventional places. "Sir,"
says the traveller, "by your leave, I am sum What euell at ease." To which
the innkeeper replies: "Sir, if you be ill at ease, go and take your rest,
your chambre is readie. Jone, make a good fier in his chambre, and let him
lacke nothing."

Then we have a dialogue with "Jone," the chambermaid, in this wise:

_Traveller_: My shee frinde, is my bed made? is it good?

"Yea, Sir, it is a good feder bed, the scheetes be very cleane."

_Traveller_: I shake as a leafe upon the tree. Warme my kerchif and bynde
my head well. Soft, you binde it to harde, bryng my pilloW and cover mee
Well: pull off my hosen and Warme my bed: draWe the curtines and pinthen
With a pin.

Where is the camber pot?

Where is the priuie?

_Chambermaid_: FolloW mee, and I Will sheW you the Way: go up streight,
you shall finde them at the right hand. If you see them not you shall
smell them Well enough. Sir, doth it please you to haue no other thing?
are you Wel?

_Traveller_: Yea, my shee frinde, put out the candell, and come nearer to
mee.

_Chambermaid_: I Wil put it out When I am out of the chamber. What is your
pleasure, are you not Well enough yet?

_Traveller_: My head lyeth to loWe, lift up a little the bolster, I can
not lie so loWe.--My shee friende, kisse me once, and I shall sleape the
better.

_Chambermaid_: Sleape, sleape, you are not sicke, seeing that you speake
of kissyng. I had rather die then to kisse a man in his bed, or in any
other place. Take your rest in God's name, God geeue you good night and
goode rest.

_Traveller_: I thank you, fayre mayden.

In the morning we have "Communication at the oprysing," the traveller
calling to the boy to "Drie my shirt, that I may rise." Then, "Where is
the horse-keeper? go tell him that hee my horse leade to the river."

Departing, our traveller does not forget the chambermaid, and asks, "Where
is ye maiden? hold my shee freend, ther is for your paines. Knave, bring
hither my horse, have you dressed him Well?" "Yea, sir," says the knave,
"he did Wante nothing."

Anciently people of note and position, with large acquaintance among their
own class, expected, when they travelled, to be received at the country
houses along their route, if they should so desire, and still, at the
close of the seventeenth century, and at the beginning of the eighteenth,
the custom was not unknown. Even should the master be away from home, the
hospitality of his house was not usually withheld. From these old and
discontinued customs we may, perhaps, derive that one by no means
obsolete, but rather still on the increase, of guests "tipping" the
servants of country houses.

This possibility of a traveller making use of another man's house as his
inn was fast dying out in England in the time of Charles the Second.
Probably it had never been so abused in this country as in Scotland, where
innkeepers petitioned Parliament, complaining, in the extraordinary
language at that time obtaining in Scotland, "that the liegis travelland
in the realme quhen they cum to burrowis and throuchfairis, herbreis thame
not in hostillaries, but with their acquaintance and friendis."

An enactment was accordingly passed in 1425, forbidding, under a penalty
of forty shillings, all travellers resorting to burgh towns to lodge with
friends or acquaintances, or in any place but the "hostillaries," unless,
indeed, they were persons of consequence, with a great retinue, in which
case they personally might accept the hospitality of friends, provided
that their "horse and meinze" were sent to the inns.

When the custom of seeking the shelter, as a matter of course, of the
country mansion fell into disuse, so, conversely, did that of naming inns
after the local Lord of the Manor come into fashion. Then, in a manner
emblematic of the traveller's change from the hospitality of the mansion
to that of the inn, mine host adopted the heraldic coat from the great
man's portal, and called his house the "---- Arms." It has been left to
modern times, times in which heraldry has long ceased to be an exact
science, to perpetrate such absurdities as the "Bricklayers' Arms," the
"Drovers' Arms," and the like, appropriated to a class of person unknown
officially to the College of Heralds.

According to Fynes Morison, who wrote in 1617, we held then, in this
country, a pre-eminence in the trade and art of innkeeping: "The world,"
he said, "affords not such inns as England hath, for as soon as a
passenger comes the servants run to him: one takes his horse, and walks
him till he be cold, then rubs him and gives him meat, but let the master
look to this point. Another gives the traveller his private chamber and
kindles his fire, the third pulls off his boots and makes them clean; then
the host or hostess visits him--if he will eat with the host--or at a
common table it will be 4_d._ and 6_d._ If a gentleman has his own
chamber, his ways are consulted, and he has music, too, if he likes."

In short, Morison wrote of English inns just anterior to the time of
Samuel Pepys, who travelled much in his day, and tells us freely, in his
appreciative way, of the excellent appointments, the music, the good fare
and the comfortable beds he, in general, found.

But this era in which Morison wrote was a trying time for all innkeepers
and taverners. The story of it is so remarkable that it repays a lengthy
treatment.

In our own age it is customary to many otherwise just and fair-minded
people to look upon the innkeeper as a son of a Belial, a sinner who
should be kept in outer darkness and made to sit in sackcloth and ashes,
in penance for other people's excesses. On the one side he has the
cormorants of the Inland Revenue plucking out his vitals, and generally,
if it be a "tied" house, on the other a Brewery Company, selling him the
worst liquors at the best prices, and threatening to turn him out if he
does not maintain a trade of so many barrels a month. Always, from the
earliest times, he has been the mark for satire and invective, has been
licensed, sweated, regulated, and generally put on the chain; but he
probably had never so bad a time as that he experienced in the last years
of James the First. Already innkeepers were licensed at Quarter Sessions,
but in 1616 it occurred to one Giles Mompesson, the time-serving Member of
Parliament for the rotten borough of Great Bedwin, in Wiltshire, that much
plunder could be extracted from them and used to replenish the Royal
Exchequer, then at a low ebb, if he could obtain the grant of a monopoly
of licensing inns, over-riding the old-established functions in that
direction of the magistrates.

Giles Mompesson was no altruist, or at the best a perverted one, who put
his own interpretation upon that good old maxim, "Who works for others
works for himself." He foresaw that while such a State monopoly, under
his own control, might bring a bountiful return to the State, it must
enrich himself and those associated with him. He imparted the brilliant
idea to that dissolute royal favourite, George Villiers, Duke of
Buckingham, who succeeded in obtaining him a patent for a special
commission to grant licenses to keepers of inns and ale-houses. The patent
was issued, not without great opposition, and the licensing fees were left
to the discretion of Mompesson and his two fellow-commissioners, with the
only proviso that four-fifths of the returns were to go to the Exchequer.
Shortly afterwards Mompesson himself was knighted by the King, in order,
as Bacon wrote, "that he may better fight with the Bulls and the Bears and
the Saracen's Heads, and such fearful creatures." Much virtue and power,
of the magisterial sort, in a knighthood; likely, we consider, King and
commissioners, and all concerned in the issuing of this patent, to impress
and overawe poor Bung, and therefore we, James the First, most sacred
Majesty by the grace of God, do, on Newmarket Heath, say, "Rise, Sir
Giles!"

The three commissioners wielded full authority. There was no appeal from
that triumvirate, who at their will refused or granted licenses, and
charged for them what they pleased, hungering after that one-fifth. They
largely increased the number of inns, woefully oppressed honest men, wrung
heavy fines from all for merely technical and inadvertent infractions of
the licensing laws, and granted new licenses at exorbitant rates to
infamous houses that had but recently been deprived of them. During more
than four years these iniquities continued, side by side with the working
of other monopolies, granted from time to time, but at last the gathering
storm of indignation burst, in the House of Commons, in February, 1621.
That was a Parliament already working with the leaven of a Puritanism
which was presently to leaven the whole lump of English governance in a
drastic manner then little dreamt of; and it was keen to scent and to
abolish abuses.

Thus we see the House, very stern and vindictive, inquiring into the
conduct and working of the by now notorious Commission. In the result
Mompesson and his associates were found to have prosecuted 3,320
innkeepers for technical infractions of obsolete statutes, and to have
been guilty of many misdemeanours. Mompesson appealed to the mercy of the
House, but was placed under arrest by the Sergeant-at-Arms while that
assembly deliberated how it should act. Mompesson himself clearly expected
to be severely dealt with, for at the earliest moment evaded his arrest
and was off, across the Channel, where he learnt--no doubt with cynical
amusement--that he had been "banished."

The judgment of the two Houses of Parliament was that he should be
expelled the House, and be degraded from his knighthood and conducted on
horseback along the Strand with his face to the horse's tail. Further, he
was to be fined L10,000, and for ever held an infamous person.

Meanwhile, if Parliament failed to lay the chief offender by the heels, it
did at least succeed in putting hand upon, and detaining, one of his
equally infamous associates, himself a knight, and accordingly susceptible
of some dramatic degradation, beyond anything to be possibly wreaked upon
any common fellow. Sir Francis Mitchell, attorney-at-law, was consigned to
the Tower, and then brought forth from it to have his spurs hacked off and
thrown away, his sword broken over his head, and himself publicly called
no longer knight, but "knave." Then to the Fleet Prison, with certainty on
the morrow of a public procession to Westminster, himself the central
object, mounted, with face to tail, on the back of the sorriest horse to
be found, and the target for all the missiles of the crowd: a prospect and
programme duly realised and carried out.

Mompesson we may easily conceive hearing of, and picturing, all these
things, in his retreat over sea, and congratulating himself on his prompt
flight. But he was, after all, treated with the most extraordinary
generosity. The same year, the fine of L10,000 was assigned by the House
to his father-in-law (which we suspect was an oblique way of remitting it)
and in 1623 he is found petitioning to be allowed to return to England. He
was allowed to return for a period of three months, on condition that it
was to be solely on his private affairs, but he was no sooner back than
he impudently began to put his old licensing patent in force again. On
August 10th he was granted an extension of three months, but overstayed
it, and was at last, February 8th, 1624, ordered to quit the country
within five days. It remains uncertain whether he complied with this, or
not, but he soon returned; not, however, to again trouble public affairs,
for he returned to Wiltshire and died there, obscurely, about 1651. He
lives in literature, in Massinger's play, _A New Way to pay Old Debts_, as
"Sir Giles Overreach."




CHAPTER IV

THE EIGHTEENTH CENTURY


The inns of old time, serving as they did the varied functions of clubs
and assembly-rooms and places of general resort, in addition to that of
hotel, were often, at times when controversies ran high, very turbulent
places.

The manners and customs prevailing in the beginning of the eighteenth
century may be imagined from an affray which befell at the "Raven,"
Shrewsbury, in 1716, when two officers of the Dragoons insisted in the
public room of the inn, upon a Mr. Andrew Swift and a Mr. Robert Wood,
apothecary, drinking "King George, and Damnation to the Jacobites." The
civilians refused, whereupon those military men drew their swords,
but--swords notwithstanding--they were very handsomely thrashed, and one
was placed upon the fire, and not only had his breeches burnt through in a
conspicuous place, but had his person toasted. The officers then, we
learn, "went off, leaving their hatts, wigs and swords (which were broke)
behind them."

One did not, it will be gathered from the above, easily in those times
lead the Quiet Life; but that was a heated occasion, and we were then
really upon the threshold of that fine era when inns, taverns, and
coffee-houses were the resort, not merely of travellers or of thirsty
souls, but of wits and the great figures of eighteenth-century literature,
who were convivial as well as literary. It was a great, and, as it seems
to the present century, a curious, time; when men of the calibre of
Addison, of Goldsmith and of Johnson, acknowledged masters in classic and
modern literature, smoked and drank to excess in the public parlours of
inns. But those were the clubs of that age, and that was an age in which,
although the producers of literature were miserably rewarded, their
company and conversation were sought and listened to with respect.

When Dr. Johnson declared that a seat in a tavern chair was the height of
human felicity, his saying carried a special significance, lost upon the
present age. He was thinking, not only of a comfortable sanded parlour, a
roaring fire, and plenty of good cheer and good company, but also of the
circle of humbly appreciative auditors who gathered round an accepted wit,
hung upon his words, offered themselves as butts for his ironic or satiric
humour, and--stood treat. The great wits of the eighteenth century
expected subservience in their admirers, and only began to coruscate, to
utter words of wisdom or inspired nonsense, or to scatter sparkling quips
and jests, when well primed with liquor--at the expense of others. The
felicity of Johnson found in a tavern chair was derived, therefore,
chiefly from the homage of his attendant humble Boswells, and from the
fact that they paid the reckoning; and was, perhaps, to some modern ideas,
a rather shameful idea of happiness.

Johnson, who did not love the country, and thought one green field very
like another green field, when he spoke of a tavern chair was of course
thinking of London taverns. He would have found no sufficient audience in
its wayside fellow, which indeed was apt, in his time and for long after,
to be somewhat rough and ready, and, when you had travelled a little far
afield, became a very primitive and indeed barbarous place.

At Llannon, in 1797, those sketching and note-taking friends, Rowlandson
and Wigstead, touring North and South Wales in search of the picturesque,
found it, not unmixed with dirt and discomfort, at the inns. Indeed, it
was only at one town in Wales--the town of Neath--that Wigstead found
himself able to declare, "with strict propriety," that the house was
comfortable. Comfort and decency fled the inn at Llannon, abashed. This,
according to Wigstead, was the way of it: "The cook on our arrival was in
the suds, and, with unwiped hands, reached down a fragment of mutton for
our repast: a piece of ham was lost, but after long search was found
amongst the worsted stockings and sheets on the board."

Then "a little child was sprawling in a dripping-pan which seemed recently
taken from the fire: the fat in this was destined to fry our eggs in.
Hunger itself even was blunted," and the travellers left those delicacies
almost untouched. Not even the bread was without its surprises. "I devoted
my attention to a brown loaf," says Wigstead, "but on cutting into it was
surprised to find a ball of carroty- wool; and to what animal it
had belonged I was at a loss to determine. Our table-cloth had served the
family for at least a month, and our sitting-room was everywhere decorated
with the elegant relics of a last night's smoking society, as yet
unremoved."

All this was pretty bad, but perhaps even the baby in the dripping-pan,
the month-old table-cloth, and the hank of wool in the loaf were to be
preferred to what they had experienced at Festiniog. They had not at first
purposed to make a halt at that place, having planned to stay the night at
Tan-y-Bwlch, where the inn commanded a view over a lovely wooded vale. The
perils and the inconveniences of the vile road by which they had come
faded into insignificance when they drew near, and they began to reckon
upon the comforts of a good supper and good beds at Tan-y-Bwlch. They even
disputed whether the supper should be chickens or chops, but all such vain
arguments and contentions faded away when they drew near and a stony-faced
landlord declared he had no room for them.

We can easily sympathise here with those travellers in search of the
picturesque, for we have all met with the like strokes of Fate. No doubt
the beauties of the view suddenly obscured themselves, as will happen
when you can get nothing to eat or drink; and probably they thought of Dr.
Johnson, who a few years earlier had held the most beautiful landscape
capable of being improved by a good inn in the foreground. But a good inn
where they cannot or will not receive you, is, in such a situation,
sorrow's crown of sorrow, an aggravation and a mockery.

It was a tragical position, and down the sounding alleys of time vibrates
strange chords of reminiscence in the breasts of even modern tourists of
any experience. We too, have suffered; and many an one may say, with much
tragical meaning, "_et ego in Arcadia vixit_."

Alas! for the frustrated purpose of Messrs. Rowlandson and Wigstead,
Tan-y-Bwlch could not, or would not, receive them, and they had no choice
but to journey three more long Welsh miles to Festiniog in the rain. It
sometimes rains in Wales, and when it does, it rarely knows when to leave
off.

Arrived there, they almost passed the inn, in the gathering darkness,
mistaking it for a barn or an outhouse; and when they made to enter, they
were confronted by an extraordinary landlady with the appearance of one of
the three witches in _Macbeth_.

"Could they have beds?"

Reluctantly she said they could, telling them (what we know to be true
enough) that she supposed they only came there because there was no
accommodation at Tan-y-Bwlch.

The travellers made no reply to that damning accusation, and hid their
incriminating blushes in the congenial gloom of the fast-falling night. It
was a situation in which, if you come to consider it, no wise man would
give "back answers." You have a landlady who, for the proverbial two pins,
or even less, would cast you forth; and when so thrust into the
inhospitable night, you have seventeen mountainous miles to go, in a
drenching rain, before any other kind of asylum is reached.

Wigstead remarks that they "were not a little satisfied at being under any
kind of roof," and the words seem woefully inadequate to the occasion.

There were no chops that night for supper, nor chickens; and they fed,
with what grace they could summon up, on a "small leg of starved mutton
and a duck," which, by the scent of them, had been cooked a fortnight. For
sauce they had hunger only.

"Our bedrooms," says Wigstead, "were most miserable indeed: the rain
poured in at every tile in the ceiling," and the sheets were literally
wringing wet; so that, in Wigstead's elegant phrasing, they "thought it
most prudent to sacrifice to _Somnus_ in our own garments, between
blankets": which may perhaps be translated, into everyday English, to mean
that they slept in their own clothes.

They saw strange sights on that wild tour, and, in the course of their
hazardous travels through the then scarcely civilised interior of the
Principality, came to the "pleasant village" of Newcastle Emlyn,
Carmarthenshire, where they found a "decent inn" in whose kitchen they
remarked a dog acting as turnspit. That the dogs so employed did not
particularly relish the work is evident in Wigstead's remark: "Great care
must be taken that this animal does not observe the cook approach the
larder. If he does, he immediately hides himself for the remainder of the
day," acting, in fact, like a professional "unemployed" when offered a
job!

A familiar sight in the kitchen of any considerable inn of the long ago
was the turnspit dog, who, like the caged mouse or squirrel with his
recreation-wheel, revolved a kind of treadwheel which, in this instance,
was connected with apparatus for turning the joints roasting at the fire,
and formed not so much recreation as extremely hard work. The dogs
commonly used for this purpose were of the long-bodied, short-legged,
Dachshund type.

Machinery, in the form of bottle-jacks revolved by clockwork, came to the
relief of those hard-working dogs so long ago that all knowledge of
turnspits, except such as may be gleaned from books of reference, is now
lost, and illustrations of them performing their duties are exceedingly
rare. Rowlandson's spirited drawing is, on that account, doubly welcome.

[Illustration: THE KITCHEN OF A COUNTRY INN, 1797: SHOWING THE TURNSPIT
DOG. _From the engraving after Rowlandson._]

Turnspits were made the subject of a very illuminating notice, a
generation or so back, by a former writer on country life: "How well do I
recollect," he says, "in the days of my youth watching the operations of a
turnspit at the house of a worthy old Welsh clergyman in Worcestershire,
who taught me to read! He was a good man, wore a bushy wig, black worsted
stockings, and large plated buckles in his shoes. As he had several
boarders as well as day-scholars, his two turnspits had plenty to do. They
were long-bodied, crook-legged and ugly dogs, with a suspicious, unhappy
look about them, as if they were weary of the task they had to do, and
expected every moment to be seized upon, to perform it. Cooks in those
days, as they are said to be at present, were very cross; and if the poor
animal, wearied with having a larger joint than usual to turn, stopped for
a moment, the voice of the cook might be heard, rating him in no very
gentle terms. When we consider that a large, solid piece of beef would
take at least three hours before it was properly roasted, we may form some
idea of the task a dog had to perform in turning a wheel during that time.
A pointer has pleasure in finding game, the terrier worries rats with
eagerness and delight, and the bull-dog even attacks bulls with the
greatest energy, while the poor turnspit performs his task with
compulsion, like a culprit on a tread-wheel, subject to scolding or
beating if he stops a moment to rest his weary limbs, and is then kicked
about the kitchen when the task is over."

The work being so hard, how ever did the dogs allow themselves to be put
to it? The training was, after all, extremely simple. You first, as Mrs.
Glasse might say, caught your dog. That, it will be agreed, was
indispensable. Then you put him, ignorant and uneducated, into the wheel,
and in company with him a live coal, which burnt his legs if he stood
still. He accordingly tried to race away from it, and the quicker he spun
the wheel round in his efforts the faster followed the coal: so that, by
dint of much painful experience, he eventually learned the (comparatively)
happy medium between standing still and going too fast. "These dogs," it
was somewhat unnecessarily added, "were by no means fond of their
profession." Of course they were not! Does the convict love his crank or
treadmill, or the galley-slave his oar and bench?

The turnspit was once so well-known an institution that he found an
allusion in poetry, and an orator was likened, in uncomplimentary fashion,
to one:

  His arguments in silly circles run,
  Still round and round, and end where they begun.
  So the poor turnspit, as the wheel runs round,
  The more he gains, the more he loses ground.

These unfortunate dogs acquired a preternatural intelligence. A humorous,
but probably not true, story is told, illustrating this. It was at Bath,
and some of them had accompanied their mistresses to church, where the
lesson chanced to be the tenth chapter of Ezekiel, in which there is an
amazing deal about self-propelled chariots, and wheels. When the dogs
first heard the word "wheel" they started up in alarm; on its occurring a
second time they howled dolefully, and at the third instance they all
rushed from the church.

Strangely modern appear the grievances raised against innkeepers in the
old times. The bills they presented were early pronounced exorbitant, and
so, in spite of measures intended for the relief of travellers, they
remained. Indeed, throughout the centuries, until the present day, the
curious in these matters will find, not unexpectedly, that innkeepers
charged according to what they considered their guests would grumble
at--and pay.

The eighteenth-century _locus classicus_ in this sort is the account
rendered to the Duc de Nivernais, the French Ambassador to England, who in
1762, coming to negotiate a treaty of peace, halted the night, on his way
from Dover to London, at the "Red Lion," Canterbury.

For the night's lodging for twelve persons, with a frugal supper in which
oysters, fowls, boiled mutton, poached eggs and fried whiting figure, the
landlord presented an account of over L44. Our soldiers fought the
Frenchman; mine host did his humble, non-combatant part, and fleeced him.

This truly magnificent bill has been preserved, not, let us hope, for the
emulation of other hotel-keepers, but by way of a "terrible example."
Here it is:

                                           L s. d.
  Tea, coffee, and chocolate               1  4 0
  Supper for self and servants            15 10 0
  Bread and beer                           3  0 0
  Fruit                                    2 15 0
  Wine and punch                          10  8 8
  Wax candles and charcoal                 3  0 0
  Broken glass and china                   2 10 0
  Lodging                                  1  7 0
  Tea, coffee, and chocolate               2  0 0
  Chaise and horses for the next stage     2 16 0
                                          -------
                                          44 10 8
                                          =======

The Duke paid the account without a murmur, only remarking that innkeepers
at this rate should soon grow rich; but news of this extraordinary charge
was soon spread all over England. It was printed in the newspapers, amid
other marvels, disasters and atrocities, and mine host of the "Red Lion,"
like Byron in a later age, woke up one morning to find himself famous.

The country gentlemen, scandalised at his rapacity, boycotted his inn, and
his brother innkeepers of Canterbury disowned him. The unfortunate man
wrote to the _St. James's Chronicle_, endeavouring to justify himself, and
complaining bitterly of the harm that had been wrought his business by the
continual billeting of soldiers upon him. But it was in vain he protested;
his trade fell off, and he was ruined in six months.

Sometimes, too, there was a difference of opinion as to whether a bill had
or had not actually been paid, as we see by the following indignant
letter:

    Normanton near Stamford.
    2{d} Sept{r} 1755.

    Madam,

    My Lord Morton Received a Letter from you of the 5{th} Aug{t}
    inclosing a Bill drawn by you on his Lp for L6 1 11, and to make up
    this sum p{r} your Account annexed to the above-mentioned Letter, you
    charge twelve shillings for his Servant's eating, for which he is
    ready to Swear he paid you in full; then you charge for the Horses Hay
    for 35 Nights notwithstanding you was ordered to send the horse out to
    grass, and by the by when the horse came to London he was so poor as
    if he had been quite neglected which seems probable as he mended soon
    after he came here; at any rate you have used my Lord ill in the whole
    affair, and if you or your Servants have committed any accidental
    mistake either in the Lads Board or the horses hay pray see to rectify
    it soon, because things of that sort not cleard up and satisfied are
    very hurtfull to People in your publick way especially with those to
    whom you have already been obliged, and who at any rate will not be
    imposed upon. I am--

      Madam--
        Your humble sert
          JOHN MILNE.

    To
      M{rs} Beaver
        at the Black Bull
          Newcastle
            upon Tine,
    free
      Morton.

Then there was Dover, notorious for high prices. "Thy cliffs, _dear_
Dover! harbour and hotel," sang Byron, who bitterly remembered the "long,
long bills, whence nothing is deducted." The "Ship," the hotel probably
indicted by the poet, has long since disappeared, but that gigantic
caravanserai, the "Lord Warden Hotel," could at one time, in its
monumental charges, have afforded him material for another stanza.
Magnificent as were the charges made by overreaching hosts elsewhere, they
all paled their ineffectual sums-total before the sublime heights of the
account rendered to Louis Napoleon when Prince-President of France. He
merely remarked that it was truly princely, and paid.

[Illustration: FACSIMILE OF AN ACCOUNT RENDERED TO JOHN PALMER IN 1787.]

If, on the other hand, that famous coaching hostelry, the "Swan with Two
Necks," in Lad Lane, in the City of London, charged guests for their
accommodation as moderately as the accompanying bill for stabling a horse,
the establishment should have been popular. This bill, printed here in
_facsimile_ from the original, was presented, April 16th, 1787, to John
Palmer, the famous Post Office reformer, and shows that only one shilling
and ninepence a night was charged. Yet he was at that time a famous man.
Three years before he had established the first mail-coach, and was
everywhere well known, and doubtless, in general, fair prey to renderers
of bills.

[Illustration: THE LAST DAYS OF THE "SWAN WITH TWO NECKS."]

The "Swan with Two Necks," whence many coaches set out, until the end of
such things, was often known by waggish people as the "Wonderful Bird,"
and obtained its name from a perversion of the "Swan with Two Nicks":
swans that swam the upper Thames and were the property of the Vintners'
Company being marked on their bills with two nicks, for identification.
Lad Lane is now "Gresham Street," but, apart from its mere name, is a lane
still; but the old buildings of the "Swan with Two Necks" were pulled down
in 1856.




CHAPTER V

LATTER DAYS


A host of writers have written in praise--and rightly in praise--of that
fine flower of many centuries of innkeeping evolution, the Coaching Inn of
the early and mid-nineteenth century. Hazlitt, Washington Irving, De
Quincey, are all among the prophets; De Quincey, ceasing for the while his
mystical apocalyptic style, mournfully lamenting the beginnings of the end
that came even so long ago as his day, which, after all, ended not so very
long ago, for although he seems so ancient, he died only in 1859. He
writes, in early railway times, of "those days," the days in question
being that fine period in coaching and innkeeping, the '20's of the
nineteenth century.

"What cosy old parlours in those days," he exclaims, "low-roofed, glowing
with ample fires and fenced from the blasts of the doors by screens whose
folding doors were, or seemed to be, infinite! What motherly landladies!
won, how readily, to kindness the most lavish by the mere attractions of
simplicity and youthful innocence, and finding so much interest in the
bare circumstance of being a traveller at a childish age! Then what
blooming young handmaidens; how different from the knowing and worldly
demireps of modern high roads! And sometimes grey-headed, faithful
waiters, how sincere and attentive by comparison with their flippant
successors, the eternal 'Coming, sir, coming,' of our improved
generation!"

They all tell the same tale; those whose privilege it was to witness the
meeting of the old order and the new.

"It was interesting," says Mr. Locker-Lampson, writing of old times, "as
the post-chaise drew up at the door of the roomy and comfortable hostel
where we were to dine or sleep, to see Boniface and his better half
smilingly awaiting us--Us in particular!--waiter and chamber-lasses
grouped behind them. The landlady advances to the carriage-window with a
cordial, self-respecting, 'Will you please to alight.' I remember that the
landlord, who announced dinner, sometimes entered with the first dish and
placed it on the table, bowing as he retired. Why, it all seems as if it
were but yesterday! Now it is gone for ever."

Yes, irrevocably gone. Most of the old inns are gone too, and in their
place, only too frequently, the traveller finds the modern, company-owned
hotel, with a foreign manager who naturally takes no interest in the
guests he, as a matter of fact, rarely sees, and with whom no guest could
possibly foregather. In the modern barrack hotel the guest must
necessarily be impersonal--one of a number going to swell the returns. No
one quite willingly resigns himself to being a mere number; it is,
indeed, one of the greatest of the convict's trials that he has lost his
name and become identified only by a letter and a row of figures. Just in
the same way, when we stay at hotels our self-respect is revolted at being
received and dismissed with equal indifference, and there are many who
would gladly resign the innovations of electric light and hydraulic lifts
for that "welcome at an inn" of which Shenstone speaks. The philosophy of
these regrets must, in fact, be sought in that illuminating phrase, "_Us
in particular_." We travellers are unwilling to be thought of merely as
numbers identical with those of our bedrooms, and we like to believe,
against our own better judgment, that the old-fashioned hosts and
hostesses were pleased to see _us_; which of course, in that special
sense, was not the case. But a little make-believe sometimes goes a great
way, and we need never, unless we have a mind to distress ourselves, seek
the tongue of humbug in the cheek of courtesy.

The landlord of a good coaching house was a very important person indeed.
Not seldom he was a large owner of horses and employer of labour; a man of
some culture and of considerable wealth. He was not only a good judge of
wine and horseflesh, but of men and matters, and not merely the servant,
but the self-respecting and respected friend, of the gentry in his
neighbourhood. He was generally in evidence at his house, and he or his
wife would have scorned the idea of appointing a manager to do their work.
In those days, and with such men along the road, it was an established
rule of etiquette for the coming guest to invite his host to take a glass
of wine with him and to exchange the news. But the type has become quite
extinct, and even their old houses have been either demolished or else
converted into private residences. Such hosts were Mr. and Mrs. Botham, of
the "Windmill" at Salt Hill; or the long succession of notable landlords
of the "Castle" at Marlborough, on the Bath Road; such were Clark, of the
"Bell," Barnby Moor, and Holt of the "Wheatsheaf," Rushyford Bridge, on
the Great North Road,--to name but those.

They were men, too, of considerable influence, and, when equipped with
determination, wielded a certain amount of power, and brought great
changes to pass; as when Robert Lawrence, of the "Lion" at Shrewsbury, by
dint of great personal exertions, brought the line of travel between
London and Dublin through Shrewsbury and Holyhead, instead of, as
formerly, through Chester. He died in 1806, and the curious may yet read
on his mural monument in St. Julian's Church how he was "many years
proprietor of the 'Raven' and 'Lion' inns in this town," and that it was
to his "public spirit and unremitting exertions for upwards of thirty
years, in opening the great road through Wales between the United
kingdoms, as also for establishing the first mail-coach, that the public
in general have been greatly indebted."

Almost equally forceful were some of the old-time proprietors of the
"George" at Walsall. In 1781 Mr. Thomas Fletcher, one of an old and
highly respected family in that town, gave up the "Dragon" in High Street
and built the great "George Hotel." He even procured an Act of Parliament
by which the present road from Walsall to Stafford was made, thereby
bringing Walsall out of a by-road into the direct line of traffic. He also
caused the Birmingham road to be straightened and widened, and gradually
brought coaching and posting through the town. His successors, Fletcher
and Sharratt, were equally energetic. In 1823 they remodelled the
"George," giving it the classic-columned front that confers a kind of
third-cousin relationship to the British Museum, with unappetising and
gruesome thoughts of dining on fried mummy and kippered parchments. The
columns, which are still very solemnly there--or were, a year ago--came
from the Marquis of Donegall's neighbouring seat of Fisherwick Hall,
demolished about that time, and the placing of them here was celebrated by
an inaugural feast, "the colonnade dinner," presided over by Lord
Hatherton, a great patron of the house.

Those wonder-working innkeepers also, in 1831, promoted the Bill by which
the present Birmingham road through Perry Bar was made, superseding the
old route by Hamstead and Handsworth church.

Unfortunately, those fine old innkeepers, whatever else they were, were
not usually cultivators of the art of literary expression, and did not
write their memoirs and reminiscences. Yet they could, had they chosen,
have told an interesting tale of men and matters. Consider! They were in
the whirl of life, and often knew personages and affairs, not merely by
report, but at first hand. What would not the historian of social England
give for such reminiscences? They would open the door to much that is now
sealed, and would clothe the dry bones of mere facts with romance.

One such innkeeper, Mr. J. Kearsley Fowler, who kept the "White Hart,"
Aylesbury, in the last few years of its existence, has, however, left us
something by which we may see, described at first-hand, the life and
surroundings of a first-class old coaching and posting inn between 1812
and those middle years of the '60's, when a few branch-road coaches were
yet left, and the Squire and Agriculture were still prosperous.

He tells us, of his own knowledge, that the innkeepers had by far the
largest amount of capital invested in the country towns, where, as men
generally of superior manners and education, from their constant
association with the leading nobility, clergy, and magistracy, they took a
prominent position, both socially and politically, the leading houses
being the head quarters, respectively, of Whigs and Tories.

The "White Hart" at Aylesbury was generally believed to have dated back to
the time of Richard the Second, and in the time of the Wars of the Roses
to have been the rendezvous of the White Rose party, while the "Roebuck"
was affected to the Red Rose.

Until 1812 the "White Hart" retained its fine mediaeval, three-gabled
frontage, with first floor overhanging the ground-floor, and the second
overhanging the first. Elaborately carved barge-boards decorated the
gables. In the centre of the front was a great gateway with deeply reeded
oaken posts and heavy double doors, which could be closed on occasion;
but, in the growing security of the land, had scarce within the memory of
man been shut to. Within was a spacious courtyard, partly surrounded by a
gallery supported on stout oaken pillars and reached by a staircase. From
this gallery, as in most other mediaeval hostelries, the bedrooms and
principal sitting-rooms opened. The "Coffee Room" and "Commercial Room"
were at either side of the entrance from the street: the "Commercial Room"
itself having, before the days of "commercials," once been called "the
Change," and used, as asserted by local tradition, as the place where the
principal business transactions of the town were conducted, over suitable
liquor.

On the side opposite was the room called the "Crown," where the collectors
of customs and excise, and other officials periodically attended. In the
"Mitre," an adjoining room, the Chancellor of the Bishop of Lincoln, and
the "Apparitor" of the Archdeacon had of old collected, for three hundred
years, the dues or fees of the Church. Another room, the "Fountain," was
perhaps originally a select bar. Running under the entire frontage of the
house was the extensive cellarage, necessarily spacious in days when every
one drank wine, and many deeply.

At the end of the yard was the great kitchen, and beyond it large gardens
and a beautiful, full-sized bowling-green. Gigantic elms, at least three
centuries old, bordered the gardens, which were further screened from
outside observation by dense shrubberies of flowering shrubs, laburnums,
lilacs, mountain-ash, acacias, and red chestnuts. Ancient walnut-trees and
shady arbours completed this lovely retreat.

But this was not all. Beyond this very delightful, but merely ornamental,
portion was an orchard stocked with fine apple- and pear-trees: codlins,
golden and ribston pippins, Blenheim orange, russets and early
June-eatings, Gansell's bergamot pear, and others. Three very fine
mulberry-trees, at least three centuries old, and of course a varied and
extensive stock of bush-fruit, were included in this orchard, and in
addition there was the kitchen-garden.

In the orchard were the cow-houses and piggeries, and the hospital for
lame or ailing horses. A mill-stream ran at the bottom, and in the midst
of it was a "stew," a shallow pond for freshwater fish, in which was kept
an "eel-trunk," a strong iron box about four feet long and two feet wide
and deep, perforated with holes. The lid of this contrivance was fastened
with lock and key, and was under the charge of the man-cook, who was head
of the servants. When eels were required for table, the trunk would be
hauled up to bank by a strong iron chain, and emptied.

The stables had stalls for about fifty horses, and over them were lofts
for hay, straw, and corn. Harness-rooms, waiting-room for the postboys,
and an "ostry," _i.e._, office and store-room for the ostler, were
attached, together with chaise and coach-houses. The establishment of the
"White Hart"--and it was typical of many others in the old days--covered
from five to six acres.

The staff of such a house was, of course, large. Besides the innkeeper and
his wife, both of them working hard in the conduct of the business, there
were housekeeper, barmaid, man-cook, waiter and under-waiter, kitchenmaid,
scullerymaid, chambermaid, laundress, housemaid, nurse, boots, ostler,
tap-boy, first-turn postboy, and generally an extra woman: sixteen
persons, whom the innkeeper had to lodge and feed daily, in addition to
his guests.

The "White Hart" was re-fronted in a very plain, not to say ugly, manner
in 1813, and finally demolished in 1863. Not even that most lovely and
most famous feature of it, the celebrated "Rochester room," was spared.
This was a noble apartment, built as an addition to the back of the house
in 1663 by the Earl of Rochester, as a return for a signal service
rendered by the landlord in that time--perilous to such Cavaliers as
he--the Commonwealth. It seems, according to Clarendon, that the Earl and
Sir Nicholas Armour came riding horseback into the town one night and put
up at the "White Hart," then kept by a landlord named Gilvy, who was
affected strongly in favour of Cromwell and all his doings. The local
magistrate, hearing of the visit of the Earl, sent secretly to the
innkeeper requesting him to detain the travellers' horses the next
morning, so that neither of them should be able to leave, pending an
inquiry upon their business; but the thing was not done secretly enough.
Probably one of the servants of the inn told those two guests of something
ominous being afoot; at any rate, the Earl had Gilvy up and questioned
him, and, telling him how probably the lives of himself and friend were in
his hand, gave him forty Jacobuses and suggested that they should, without
a word, depart that night. Clarendon expresses himself as unable to decide
whether the gold or the landlord's conscience prompted his next action. At
any rate, Gilvy conducted the two fugitives from the inn at midnight "into
the London way." They reached London and then fled over sea, while the
landlord was left to invent some plausible story to satisfy the Justice of
the Peace, who in his turn was suspected by Cromwell of being a party to
the escape.

At the Restoration, the landlord received a brimming measure of reward. He
was thanked by the King, and the Earl built for him that noble room,
forty-two feet long, by twenty-three wide, that was the pride and glory of
the "White Hart" for just two hundred years. It was panelled from floor
to ceiling in richly carved oak, set off with gilding, and embellished
with the figures of Peace and Concord and the initials C R, while the
ceiling was painted with nymphs and cherubim by Antonio Verrio.

Nothing has more changed from its former condition than the old inn which
has become the modern hotel. The "George," the "Crown and Anchor," the
"Wellington," or the "King's Head," had an individuality which was never
lost. There was a personal kind of welcome from the landlord and the
landlady that simulated the hospitality of a friendly host and hostess,
mingled with the attention of a superior sort of body-servant. You were
not handed over to a number and a chambermaid, like a document in a
pigeon-hole tabulated by a clerk; but the hostess herself showed you your
rooms, and begged you to put a name to anything you might fancy. There was
no general coffee-room then, save for commercial travellers and such
social gentlemen as preferred even inferior company to solitude. There was
no table d'hote dinner other than the ordinary, between twelve and two,
which was chiefly made for the convenience of travellers by the
stage-coach, who halted here for change and refreshment. Even the ladies
who might be on the road were served and kept apart from the, perhaps,
doubtful gents below; and mine host himself brought in the first dish and
set it on the table of the private room, which was as much _de rigueur_
then for ladies as the copper warming-pan and the claret with the yellow
seal, or the thick, deep red luscious port of old, ordered by the knowing
for the good of the house.

In the country the pretty little inn, with its honeysuckled porch and
scrambling profusion of climbing roses up to the bedroom windows, had an
even more home-like character in its methods of dealing with its guests.
Here the servants stayed on for years, till they grew to be as much part
of the establishment as the four-poster hung with red moreen and the
plated sconces for candles. And here everything was of perfect
cleanliness, and as fresh as fragrant. The eggs and milk and butter were
all sweet and new. Generous jugs of cream softened the tartness of the
black-currant pudding or the green-gooseberry tart. The spring chickens
and young ducklings had been well fed; the mutton was home-grown and not
under five years; the beef was home-grown too, and knew nothing of
antiseptic preparations or frozen chambers; and the vegetables came direct
from the garden, and had been neither tinned nor carted for miles in huge
waggon loads, well rammed down and tightly compressed. And all the meat
was roasted before an open fire, diligently basted in the process, till
the gravy lightly frothed on the browned skin, and the appetising scent it
gave out had no affinity with the smell of fat on heated iron, which for
the most part accompanies the modern roast in the modern oven. The linen
invariably smelt of lavender or dried rose-leaves, of which big bags were
kept among the sheets; but the washing apparatus was poor, and the
illumination was scanty. Wax candles in silver or plated branched
candlesticks, that vaguely suggested churches and sacraments, shed a
veritably "dim religious" glimmer in the sitting-room, and appeared
expensively under the form of "lights" in the bill--mistily suggestive of
food for hungry cats.

Yet the old country inn had, and still has--for it is not wholly
extinct--its charms that weigh against any little defect.

Of all this quasi-home life which belonged to the old inn of the past, the
hotel of the present has not a trace. For certain forms of luxury the
modern hotel is hard to beat. Thick carpets deaden the footsteps of
stragglers through the corridors, and your boots, invariably kicked into
infinities by midnight guests, do not--as they do in the older houses--fly
noisily along the bare boards. The rooms are lighted with electric light,
but usually set so high as to be useless for all purposes of reading or
working. In the drawing-room are luxurious chairs of all shapes and sizes;
in the reading-room papers of all colours, to suit here the red-hot
Radical and there the cooler Conservative. The billiard-room attracts the
men after dinner as--if in the country--the tennis-ground or the
golf-links had attracted them through the day. The telephone does
everything you want. Carriages, theatres, quotations, races, a doctor if
you are ill, a motor-car if you are well--nothing within the range of
human wants that can be ordered and not chosen comes amiss to the
telephone and its manipulators. All the rough edges of life are smoothed
down to satin softness. All the friction is taken away. A modern hotel is
as the isle of Calypso or the Garden of Armida, where all you have to do
is to make known your wants and pay the bill.

But it has not one single strain of Home in it. Home is the place where
the out-of-date lingers, and where modern conveniences that add to the
complexity and the worry of life have no corner. At the modern hotel you
are a document in a pigeon-hole--a number, not a person--an accident, not
substantive. The chambermaid does not wait on you, but on the room. You
get up, breakfast, dine, according to the times fixed by the management.
You cannot have your bath before a certain hour, and the bacon is not
frizzled until nine o'clock. Luncheon is probably elastic because it is
cold, and potatoes can be kept hot without difficulty. Dinner is, of
course, fixed, and you take it in masses together: or so took it, for in
late years, especially in the first hotels of London, a revulsion of
feeling has led to the long tables being abolished, and small ones
installed, where, almost privately amid the throng, you and your little
party may dine. As a rule the waiters are Swiss and the meat is foreign,
the cook is a Frenchman and called a _chef_; and the materials are
inferior. The vegetables are tinned, and oysters, lobsters, salmon, and
hare in May follow suit. The sauces are all exactly the same in one hotel
as in another, and much margarine enters into their composition. Electric
bells emphasise the monotonous ordering of the whole concern, where as
little character is expressed in the ring as in the number it indicates;
and speaking-tubes sound in the corridors, like domestic fog-horns or
railway whistles, calling the chambermaids or waiters of such-and-such a
floor to listen to their orders from below. Wherever you go you find
exactly the same things--the same order, the same management, the same
appliances and methods. You arrive without a welcome, you leave without a
farewell. Your character is determined according to the tips you give on
parting, and an hour after you have gone your personality is forgotten.
But, above all things, Heaven save us from falling ill in the modern
hotel. No one cares for you, and no one even has the decency to make a
pretence of doing so.

Sometimes, however, if you go somewhat out of the season, and before the
rush of visitors begins, you get to a certain degree behind the scenes,
and learn a little of the heart and humanity of the management. The
chambermaid has time to have a little chat with you in the morning, and
the head waiter gives you bits of local information both interesting and
new. The manageress is not too busy for a few minutes' gossip across the
counter which separates her from the hall, and screens her off in a
sanctuary of her own. And you may find her cheerful, chatty, kindly, and
willing to please for the mere pleasure of pleasing.

In the monster hotels of London and the great cities, while there may yet
be a "season"--a period of extra pressure and overcrowding--there is no
such slack time as the giant caravanserais of holiday resorts experience.

The pioneer of the many-storeyed, "palatial" hotels, gorgeous with marble
pavements, polished granite columns, lifts and gigantic saloons, was the
"Great Western Railway Hotel" at Paddington.[11] Since that huge pile set
the fashion, hundreds of others, huger and more magnificent, have been
built at Charing Cross, Euston, St. Pancras, Marylebone and other London
termini, with big brothers--in every way as big and well-appointed--in
provincial towns. They are the logical outcome of the times, the direct
successors of the coaching and posting inns that originally came into
existence to supply the wants, in food and lodging, of travellers set down
at the places where the coaches stopped. The final expression of the
coaching hostelry is still to be seen in London, in instructive company
with one of the largest of the railway hotels, in the Strand, where the
"Golden Cross," built in 1832, looks upon the "Charing Cross Hotel" of
the South-Eastern Railway.

The management of a great modern hotel is no easy thing. It demands the
urbanity of an ambassador, the marketing instincts of a good housewife,
the soldier's instinct for command, the caution of a financier, and a gift
for judging character. All these things--natural endowments, or the result
of training--must go to the making of an hotel-manager who has, perhaps, a
couple of hundred people on his staff, and hundreds of guests, many of
them unreasonable, to keep satisfied.

It has lately become a commonplace to say that cycling and the motor-car
have peopled the roads again. The old coaching inns have entered upon a
new era of prosperity by reason of the crowds of cyclists who fare forth
from London along the ancient highways, or explore, awheel, the
neighbourhoods of provincial towns. The "last" coach-driver, coach-guard,
and post-boy, killed off regularly by the newspapers, still survive to
witness this new cult of the wheel, and the ultimate ostlers of the
coaching era, a bit stiff in the joints, shaky at the knees, and generally
out of repair, have come forth blinking, from the dark and cavernous
recesses of their mouldering stables, all too large now for the horses
that find shelter there, to take charge of the machines of steel and iron
and rubber that will carry you infinite distances without fatigue.

There are elements of both fun and pathos in the sight of an old ostler
cleaning a muddy bicycle in a coach-yard from which the last coach-horses
departed nearly two generations ago. As a boy, he started life in the
place as a stable-help, and had scarce finished his novitiate when the
railway was opened and the coaches dropped off one by one, after vainly
appealing to the old-fashioned prejudices of their patrons to shun the
trains and still travel by the highways. How he has managed to retain his
place all this time goodness only knows. Perhaps he has been useful in
looking after the horses that work the hotel 'bus to and from the station;
and then the weekly market-day, bringing in the farmers with their gigs
and traps from outlying villages, is still an institution. For such
customers old George had, no doubt, the liveliest contempt in the fine old
free-handed days of coaching; but this class of business, once turned over
cheerfully to second- or third-rate inns, has long been eagerly shared
here.

To watch him with a bicycle you would think the machine a sensitive beast,
ready to kick unless humoured, for as he rubs it down with a cloth he
soothes it with the continuous "'ssh-ssh, 'ssh" which has become
involuntary with him, from long usage; while if indeed it can't kick, it
succeeds very fairly in barking his shins with those treacherous pedals.
All the persuasive hissing in the world won't soothe a pedal.

As for the motor-cars which are now finding their way into the old
inn-yards, the old ostler stands fearfully aloof from them, and lets the
driver of the motor look after the machine himself. The New Ostler, who
will be produced by the logic of events in the course of a very few more
years, will be an expert mechanic, and able to tittivate a gear and grind
in a valve of a motor-car, or execute minor repairs to a bicycle, just as
readily as an ostler rubs down or clips a horse.




CHAPTER VI

PILGRIMS' INNS AND MONASTIC HOSTELS


Inns, or guest-houses for the proper lodging and entertainment of
travellers bent on pilgrimage, were among the earliest forms of
hostelries; and those great bournes of religious pilgrimage in mediaeval
times--the shrine of St. Thomas a Becket at Canterbury, the tomb of Edward
the Second in Gloucester Cathedral, the relics of St. Dunstan at
Glastonbury, and the more or less holy objects of superstitious reverence
at Walsingham, St. Albans, and indeed, in most of our great abbeys,
attracting thousands of sinners anxious to clear off old scores and begin
afresh--were full of inns for the entertainment of every class of
itinerating sinner; from the Abbot's guest-house, at the service of the
great, to the hostels for the middle classes, and the barns and outhouses
where the common folk appropriately herded.

The Abbots and other dignified ecclesiastics were thus among the earliest
innkeepers, but they conducted their business on lines that would be
impossible to the modern hotel-keeper, for they commonly boarded and
lodged their guests free of charge, confident, in the religious spirit of
the time, that the offerings to be made at the shrines, which were the
objects of those old-time painful journeys, would amply repay the costs
and charges of their entertaining, and leave a very handsome surplus for
the good of the Abbey.

Chaucer's description of pilgrimages made to Canterbury gives us a very
good idea of the varied character of the crowds setting forth upon their
journey to that most popular of shrines; and we learn from him and from
many other contemporary sources that the bearing of these crowds was
scarce what we should expect of miserable sinners, not only conscious of
their sins, but humbly seeking that spiritual spring-clean--absolution.
They were gay and light-hearted, reckless, and exceedingly improper, and
rarely failed to deeply scandalise the innkeepers along the roads.

The "Tabard," whence Chaucer's pilgrims set out on that April morning in
1383, has long been a thing of the past. It was in 1307, one hundred and
thirty-seven years after Becket's martyrdom, that the Abbot of Hyde, at
Winchester, built the first house, which seems to have been in two
portions: one a guest-house for the brethren of Hyde and other clergy
coming to London to wait upon that mighty political and religious
personage, my Lord Bishop of Winchester, whose London palace stood close
by, on Bankside; the other a more or less commercially conducted inn. When
Chaucer conferred immortality upon the "Tabard," in 1383, the lessee of
that hostelry was the "Harry Bailly" of _The Canterbury Tales_, a real
person, and probably an intimate friend whom Chaucer thus delighted to
honour.

This was no mere red-nosed and fat-paunched purveyor of sack and other
quaint liquors of that time, but one who had been Member of Parliament for
Southwark in 1376 and again in 1379,[12] and was a person not only of
considerable property, but a dignified and well-mannered
man--better-mannered and of cleaner speech, we may suspect, than Chaucer's
pilgrims themselves:

  A seemly man our hoste was withal
  For to have been a marshal in a hall.
  A large man was he, with eyen steep,
  A fairer burgess is there none in Chepe;
  Bold of his speech, and wise, and well ytaught;
  And of manhood lacked righte nought,
  Eke thereto he was right a merry man.

Such a host, and no less a person, could have sat at supper with his
guests, even with such gentles as the Knight and his son, the Squire, and
the Lady Abbess; and thus only is he able to take charge of, and to assume
leadership over, the party of twenty-nine on the long four days'
pilgrimage to Canterbury, and to reprove or praise each and all, according
to his mind.

The "Tabard" derived its name from the sleeveless ceremonial heraldic
coat, tricked out with gold and colours, worn by heralds. At a
comparatively early date, however, the "science of fools," as heraldry has
severely been called, grew neglected, and "tabards" became little
understood by common people. The sign of the house was accordingly changed
to the "Talbot" about 1599; but even that has grown mysterious, and only
folk with very special knowledge now know what a "talbot" was. In those
days the meaning was well understood, and especially at inns, for it was
the name of a fierce breed of dog--the old English hound, something
between a mastiff and a bull-dog--kept chiefly by packmen to mount guard
over their pack-horses and goods.

Both "Tabard" and "Talbot" are now nothing more substantial than memories.
Little could have been left of the historic house in 1676, when the great
fire of Southwark swept away many of the old inns. A newer "Talbot" then
arose on the site, and stood until 1870: itself of so venerable an
appearance that it was not difficult to persuade people of its being the
veritable house whence Chaucer's pilgrims set forth those many centuries
ago.

The pilgrims only made Dartford the first night, a fifteen-miles' journey
that would by no means satisfy those inclined nowadays to follow their
trail. We are not, however, vouchsafed any definite information as to
Dartford, and the oldest portions of the existing "Bull" inn there are
not, by perhaps two hundred years, old enough to have housed that
miscellaneous party. But there was an inn, frequented by pilgrims, at that
time upon the same site, and the "Bull" claims to be one of the oldest
licensed houses in Kent--as well it may, for it is known to date back to
1450. In Chaucer's time the landlord was, we are told, one Urban Baldock,
himself a friend of the poet, and the source whence a great deal of
information respecting pilgrims and their ways was gathered by him for
_The Canterbury Tales_.

The oldest part of the "Bull" is the courtyard, galleried after the
ancient style, but in these practical and in many ways unsentimental times
roofed in with glass and used as a corn-market. Behind the carved wooden
balusters of the gallery are the bedrooms, until late years largely given
up to dust and cobwebs, but now rebuilt and again in use. Those who care
for things that have had their day will think it fortunate that merely
alteration, and not destruction, has been suffered here.

For the rest, the "Bull" at Dartford is Georgian, and its long brick
front, with nine windows in a row, bears a strong family likeness to that
of its namesake at Rochester. The bull himself, in great black effigy,
occupies a monumental position among the chimney-pots, whence he looks
down, like Nelson in Trafalgar Square, upon busy streets.

There have been happenings at the "Bull" in times much later than those of
pilgrimage. On August 17th, 1775, a room off the gallery was the scene of
an affray that led to Joseph Stacpoole, William Gapper, and James Lagier
being indicted for shooting "John Parker, Esq.," described as an Irish
gentleman of fortune.

It seems that Joseph Stacpoole had lent John Parker and his brother
Francis various sums of money, amounting in all to L3,000, and had very
seriously embarrassed himself in doing so. He could not succeed in getting
payment, and as he had good reason to suspect that the Parkers intended to
abscond over sea, he followed them to Dartford, with his attorney and a
bailiff. Hearing that they were staying with some friends at the "Bull,"
Stacpoole sent Lagier, the bailiff, with a writ into the room they
occupied, himself and Gapper following.

No sooner did the hot-headed Parker see the bailiff than he cried out,
"Zounds! where are my pistols?" and one of his friends dashed out a candle
with his hand and upset the only other. In this dim and dangerous
situation the bailiff, mortally afraid for himself, cried out for help,
and Stacpoole and Gapper came rushing in. Parker's friends then seized
Stacpoole by the collar, and seem to have shaken him so violently that
they shook off the contents of a carbine he was carrying, with the result
that Parker himself was shot through the body with three bullets. When
that happened Parker's brother fled to London, a Mr. Masterson ran
downstairs, and a Mr. Bull, who had taken a prominent part in the
collaring, was in so great a hurry that he jumped over the gallery into
the yard.

The trial of Stacpoole and his two co-defendants did not take place until
March 20th, 1777, when all were acquitted.

The last picturesque incident in the history of the "Bull" took place in
1822, when George the Fourth came posting along the road and the post-boy
stopped here to change horses. He had just asked Essenhigh, the landlord,
who that "damned pretty woman" was whom he saw at one of the windows, and
mine host had only just replied that it was his wife, when a hostile
crowd, in sympathy with "the persecuted" Queen Caroline, who had died the
year before, began to "boo" and howl at the King. "When gentlemen meet,
compliments pass," says the adage, and one Callaghan, a journeyman
currier, thrust forward and roared out, in the face of the "First
Gentleman in Europe," "You are a murderer!" a remark which possesses the
recommendation neither of truth nor politeness, and resulted, in this
instance, in the outrageous Callaghan being punched on the head and felled
to the ground by one of the King's faction. The King himself drove off in
such a hurry that the postboy fell off his horse on leaving the town.

The pilgrims' hostels that once existed at Rochester are things of the
past, but it seems not unlikely that the "George," in the High Street,
almost opposite the Pickwickian "Bull," was once something in this nature,
for although the modern frontage is absolutely uninteresting, not to say
distressingly ugly, and although it is now nothing more than a
public-house, the very large and very fine Early English crypt, now used
as a beer-cellar, shows that a building of semi-ecclesiastical nature
once stood on the site. The "George" is an old sign, the present house
being built on the ruins of one destroyed by fire a hundred and twenty
years ago.

The crypt, built of chalk, with ribs and bosses of Caen stone, is roofed
with four-part vaulting, and is in four bays, the whole 54 ft. in length,
by nearly 17 ft. wide, and 11 ft. high.

[Illustration: CRYPT AT THE "GEORGE," ROCHESTER.]

Beside the Dover Road, which is of course the pilgrims' road from London
to Canterbury, one mile short of Faversham town, stands the village of
Ospringe, identified by some antiquaries as the site of the Roman station
of _Durolevum_. Time was when those who made pilgrimage to Canterbury came
to Ospringe through a water-splash, a little stream that flowed across
the highway and no one thought worth while bridging. And so it remained,
through the coaching age, until modern times. Now it is covered over, and
Ospringe is at this day a quite remarkably dusty place.

There remain, built into the "Red Lion" inn beside the way, fragments of a
"maison Dieu," or God's House, that stood here so early as the time of
Henry the Second: a hostel established for the reception of travellers,
and maintained for many years by the Knights Templars and Brethren of the
Holy Ghost. Here travellers of all classes found a lavish hospitality
awaiting them, and, so sparsely settled was the country in those
centuries, that even kings were glad of this rest-house--and of others
like it elsewhere. King John, who was for ever spoiling the Church, and
bringing upon himself, and the country with him, Papal excommunications
major and minor, and yet was always sponging upon abbots and their kind
for board and lodging, had what is described as a _camera regis_ here,
which seems to modern ears to indicate that he practised photography,
centuries before the invention of it. The _camera_ in this case is,
however, only the mediaeval chronicler's Latin way of saying that a room
was kept for the King's use.

A landed gentleman of the neighbouring Preston-by-Faversham, one Macknade
by name, who died in 1407, left, among many other bequests, L1 to the
"Domus Dei" of Ospringe, together with L10 for the repair of the highway
between that point and Boughton-under-Blean. In this manner he hoped to be
remembered in the prayers of travellers; and to the same end of bidding
for Aves and paternosters for the repose of his soul, he bequeathed 20
pence to all prisoners in Kentish gaols, 12 pence to all debtors similarly
situated, L23 to the minor religious houses of the county, and a larger
sum to the principal abbeys. In addition to these items we find one of 10
cows, left to Preston church, for the purpose of maintaining a lighted
taper at the Easter Sepulchre there. Let us hope his solicitude for his
soul has not been without its due results.

The "maison Dieu" of Ospringe was disestablished long before the general
ruin of such institutions was ordained, in the time of Henry the Eighth.
In 1479 we find the place inhabited by two brethren, survivors of the
eight who once welcomed and made good cheer for pilgrims; but they forsook
it the next year, and in 1480-81 it was, as a derelict religious house,
escheated to the Crown.

Canterbury itself was, of course, once full of such travellers' rests.
Chief among these was the inn called "The Chequers of the Hope," at the
corner of Mercery Lane, leading to the Cathedral; but, although the lower
part of the walls and the mediaeval crypt remain, the present aspect of the
building is modern and commonplace. It is, in point of fact, a "Ladies'
Outfitting" shop.

Travellers in those centuries seem to have been in many ways well cared
for. The hospitality of the "houses of God" and pilgrims' halts, however,
does but show the bright side of the medal, and implies a very dark
reverse.

Good, charitable folks, as we have seen, were rightly sorry for wayfarers,
and gave or bequeathed money for lightening the trials and tribulations of
their lot. The Church itself regarded the succouring of all such as one of
its first duties, and so granted all manner of ghostly privileges to such
persons as would build causeways, improve roads, or establish hostels. The
bargain seemed in those times a fair one, and induced many to give who
would not otherwise have given. To buy absolution for gold, or a few days
less purgatory by charitable bequest was good business; but we may wonder
if those who thus purchased remission of sins or an "early door" into
Paradise sometimes spared a pitying thought for those poor devils who had
not the needful for such indulgences.

[Illustration: WESTGATE, CANTERBURY, AND THE "FALSTAFF" INN.]

Day after day travellers--whose very name comes from "travail" = toil or
trouble--journeyed amid dangers, and, when by mischance they were
benighted, suffered agonies of apprehension. They intended only to
"journey"--to travel by day, as the original sense of that word
indicated--and were afflicted with the liveliest apprehensions when night
came and found them still on the road. Toiling in the hollow roads, deep
in ruts and mud, with terror they saw the sun go down while yet the
friendly town was far away, and came at last, in fear and darkness, to the
walled city, only to find its gates closed for the night. Every
fortified town closed its gates at sunset; else, in those dangerous times,
what use your gates and walls? As reasonably might the modern citizen
leave his street door wide open all night, as the mediaeval town not close
its gates when the hours of darkness were come; and so those travellers
and pilgrims who, from much story-telling, praying, or feasting along the
road, arrived late at Canterbury, found the portals of Westgate sternly
closed against them. Originally they were obliged to lie outside, under
the walls or in the fields, instead of being made welcome at the
comfortable hostels within, where a man might find jolly company in the
rush-strewn hall, and for food and drink be free of the best; but, for the
accommodation of such laggards, the suburb of St. Dunstan, without the
walls of Canterbury, sprang up at a very early date, and to the custom
they thus brought we owe the existence of the "Falstaff" inn, itself
containing some fine "linen-pattern" panelling of the time of Henry the
Seventh; but not, of course, the original house that, under some other
name than the "Falstaff," was early established for the entertainment of
late-comers.

The "Falstaff" is a prominent feature of the entrance to Canterbury, and
forms, with the stern drum towers of Westgate, built about 1380, as fine
an entrance to a city as anything to be found in England. The present sign
of the house derives from the instant and extraordinary popularity that
Shakespeare's Fat Knight obtained, from his first appearance upon the
Elizabethan stage. The present "Falstaff" is a very spirited rendering,
showing the Fat Knight with sword and buckler and an air of determination,
apparently "just about to begin" on those numerous "men in buckram"
conjured up by his ready imagination on Gad's Hill. There is an air about
this representation of him irresistibly reminiscent of that song which
gave British patriots in 1878 the name of "Jingoes." There are no patriots
now: only partisans and placemen--but that is another tale. This Falstaff
evidently "don't want to fight; but by Jingo"--well, you know the rest of
it.

[Illustration: SIGN OF THE "FALSTAFF," CANTERBURY.]

Not only pilgrims and travellers from London to Canterbury were thus
looked after, but those also coming the other way, and thus we find a
Maison Dieu established at Dover in the reign of King John by that great
man, Hubert de Burgh, Chief Justiciary of England. A master and a staff of
brethren and sisters were placed there to attend upon the poor priests
and the pilgrims and strangers of both sexes, who applied for food and
lodging. Kings cannot be classed in any of these categories; but they also
are found not infrequently making use of the institution, on their way to
or from France--and departing without a "thank ye." The only one who seems
to have benefited the Maison Dieu very much was Henry the Third, who
endowed it with the tithe of the passage fare and L10 a year from the port
dues.

It is scarce necessary to say who it was that disestablished the Maison
Dieu. The heavy hand of Henry the Eighth squelched it, in common with
hundreds of other religious and semi-religious institutions. At the time
of its suppression the annual income was L231 16_s._ 7_d._, representing
some L2,500 in our day. The master, John Thompson, who had only been
appointed the year before, was an exceptionally fortunate man, being
granted a pension of L53 6_s._ 8_d._ a year. The buildings were then
converted into a victualling office for the Navy.

At last, in 1831, the Corporation of Dover purchased them, and the ancient
refectory then became the Town Hall and the sacristy the Sessions House,
and so remained until 1883, when a new Town Hall was built.

Similar institutions existed at others of the chief ports. At Portsmouth
was the Hospital of St. Nicholas, or "God's House," founded in the reign
of Henry the Third by Peter de Rupibus, Bishop of Winchester. It is now
the Garrison Church. At Southampton the "Domus Dei" was dedicated to St.
Julian, patron of travellers, and now, as St. Julian's Hospital and
Church, is in part an almshouse, sheltering eight poor persons, and partly
a French Huguenot place of worship.

The Pilgrims' Way to Canterbury from Southampton and Winchester was never
a road for wheeled traffic, and remained in all those centuries when
pilgrimage was popular, as a track for pedestrians, along the hillsides.
It avoided all towns, and thus precisely what those pilgrims who
wearifully hoofed it all the way did for shelter remains a little obscure:
although it seems probable that wayside shelters, with or without
oratories attached to them, were established at intervals. Such,
traditionally, was the origin of the picturesque timbered house at
Compton, now locally known as "Noah's Ark."

Colchester was a place of import to pilgrims in old wayfaring times, for
it lay along the line of the pilgrims' trail to Walsingham. Among the inns
of this town, and older than any of its fellows, but coyly hiding its
antiquarian virtues of chamfered oaken beams and quaint galleries from
sight, behind modern alterations, is the "Angel" in West Stockwell Street,
whose origin as a pilgrims' inn is vouched for. Weary suppliants, on the
way to, or returning from, the road of Our Lady of Walsingham, far away on
the road through and past Norwich, housed here, and misbehaved themselves
in their mediaeval way. It would, as already hinted, be the gravest
mistake to assume pilgrims to have been, _qua_ pilgrims, necessarily
decorous; and, indeed, modern Bank Holiday folks, compared with them,
would shine as true examples of monkish austerity.

[Illustration: HOUSE FORMERLY A PILGRIMS' HOSTEL, COMPTON.]

The shrine at Walsingham, very highly esteemed in East Anglia, drew crowds
from every class, from king to beggar. The great Benedictine Abbey of St.
John of Colchester sheltered some of the greatest of them, while others
inned at such hostelries as the "Angel," and the vulgar, or the merely
impecunious, if the weather were propitious, lay in the woods.

Pilgrims would boggle at nothing, as was well known at the time. That they
could not be trusted is evident enough in the custom of horse-masters, who
let out horses on hire to such travellers, at the rate of twelvepence from
Southwark to Rochester, and a further twelvepence from Rochester to
Canterbury. They knew, those early keepers of livery-stables, that little
chance existed of ever seeing their horses again unless they took
sufficient precautions. They therefore branded their animals in a
prominent and unmistakeable way, so that all should know such, found in
strange parts of the country, to be stolen.

Ill fared the unsuspecting burgess who met any of these sinners on the way
to plenary indulgence, for they would, not unlikely, murder him for the
sake of anything valuable he carried; or, out of high spirits and the
sheer fun of the thing, cudgel him into a jelly; arguing, doubtless, that
as they were presently to turn over a new leaf, it mattered little how
soiled was the old one. Drunkenness and crime, immorality, obscenity, and
licence of the grossest kind were, in fact, the inevitable accompaniments
of pilgrimage.

[Illustration: THE "STAR," ALFRISTON.]

Although East Anglia was in the old days more plentifully supplied with
great monastic houses than any other district in England, the destruction
wrought in later centuries has left all that part singularly poor in the
architectural remains of them: and even the once-necessary guest-houses
and hostels have shared the common fate. That charming miniature little
house, the "Green Dragon" at Wymondham, in Norfolk, may, however, as
tradition asserts, have once been a pilgrims' inn dependent upon the great
Benedictine Abbey, whose gaunt towers, now a portion of the parish church,
rise behind its peaked roofs.

[Illustration: CARVING AT THE "STAR," ALFRISTON.]

The beautiful little Sussex village of Alfriston--whose name, by the way,
in the local shibboleth, is "Arlston"--a rustic gem not so well known as
it deserves, possesses a very fine pilgrims' inn, the "Star," a relic of
old days when the bones of St. Richard of Chichester led many a foot-sore
penitent across the downs to Chichester, in quest of a clean spiritual
bill of health. Finely carved woodwork is a distinguishing feature of this
inn, whose roof, too, has character of its own, in the heavy slabs of
stone that do duty for slates, and bear witness to the exceptional
strength of the roof-tree that has sustained them all these centuries. The
demoniac-looking figure seen on the left-hand of the illustration is not,
as might perhaps at first sight be supposed, a mediaeval effigy of Old
Nick, or an imported South Sea Islander's god, but the figure-head of some
forgotten ship of the seventeenth century, wrecked on the neighbouring
coast, off Cuckmere Haven. Ancient carvings still ornament the wood-work
of the three upper projecting windows, the one particularly noticeable
specimen being a variant of the George and Dragon legend, where the saint,
with a mouth like a potato, no nose to speak of, and a chignon, is seen
unexpectedly on foot, thrusting his lance into the mouth of the dragon,
who appears to be receiving it with every mark of enjoyment, which the
additional face he is furnished with, in his tail, does not seem to share.
The left foot of the saint has been chipped off. All the exterior woodwork
has been very highly varnished and painted in glaring colours, from the
groups under the windows to the green monkey and green bear contending on
the angle-post for the possession of a green trident.

[Illustration: THE "GREEN DRAGON," WYMONDHAM.]

[Illustration: THE PILGRIMS' HOSTEL, BATTLE.]

The old pilgrims' hospice of Battle Abbey still remains outside the great
gateway, and now offers refreshments to those modern pilgrims who flock in
thousands, by chars-a-banc, on cycles, or afoot, to Battle in search of
the picturesque; or merely, in many cases, to complete the conventional
round of sight-seeing prescribed for visitors to Hastings. It is a
typically Sussexian building of domestic appearance, framed in stout oak
timbering, and filled with plaster and rubble, and was probably built
early in the fifteenth century.

The so-called "New" Inn, at Gloucester, when actually new, the matter of
four hundred and fifty years ago, was erected especially for the
accommodation of pilgrims flocking to the tomb of the murdered King Edward
the Second, who, by no means a saintly character in life, was in death
raised by popular sentiment to the status of something very like a holy
martyr. He had been weak and vicious, but those who on September 21st,
1327, put him to a dreadful death in the dungeons of Berkeley Castle acted
on behalf of others worse than he, and the horror and the injustice of it
had the not unnatural effect of almost canonising the slain monarch.

The Abbot of St. Peter's at Gloucester, John Thokey, when all others,
fearing the vengeance of the murderers, dared not give the King's body
burial, begged it and buried it, with much reverence, within the Abbey
walls. His Abbey, now the Cathedral of Gloucester, reaped unexpected
benefits from the humane instincts of that good and pitiful man, for
"miracles" were wrought at the "martyr's" tomb, and abundant
thank-offerings continued to flow in, and at last enabled the great Abbey
to be rebuilt.

[Illustration: THE "NEW INN," GLOUCESTER.]

It became eventually a pressing need to provide housing outside the
Abbot's lodgings for the stream of pilgrims, and accordingly the New
Inn was built in the middle of the fifteenth century (1450-1457) by
John Twynning, a monk of that establishment, of whom we know little or
nothing else than that he was, according to the records of his time, a
"laudable man." It remained until quite recent years the property of the
Dean and Chapter of Gloucester.

The inn is reached through an archway in Northgate Street, and is
arranged, as usual in mediaeval inns, around a courtyard. Still the old
gables look down upon the yard and, as of yore, the ancient galleries,
rescued from the decay and neglect of some seventy years ago, run partly
around first and second floors. Existing side by side with those antique
features, the quaint windowed bar of the coaching era is now itself a
curiosity. In short, mediaeval picturesqueness, Jacobean carved oak,
commercial and coffee-rooms of the coaching age, and modern comforts
conjoin at the New Inn, so that neither a wayworn pilgrim, were such an
one likely to appear, nor a seventeenth century horseman, nor even a
Georgian coachman, redolent of the rum-punch that was the favourite drink
in coaching days, would seem out of place.

Summer and autumn transfigure the courtyard into the likeness of a rustic
bower, for it is plentifully hung with virginia-creepers, from amidst
whose leaves the plaster lion who mounts guard on the roof of the bar
looks as though he were gazing forth from his native jungle.

I do not know in what way John Twynning--or Twining, as we should no
doubt in modern times call him--was to be reckoned laudable, but if he
were thought praiseworthy for anything outside his religious duties it was
probably by reason of the skill with which he built this pilgrims' hostel.
You perceive little of his work from the street, for at that extraordinary
period when stucco was fashionable and plaster all the rage, the timbered
front of the building was covered up in that manner, and so remains. But
the great building is still constructionally the house that
fifteenth-century monk left, and how well and truly he built it, let its
sound and stable condition, after four centuries and a half of constant
use, tell.

Such modern touches as there are about this quaintly named "New" inn are
the merest light clothing upon its ancient body, and the sitting-rooms and
forty or so bedrooms, cosy and comfortable to us moderns, are but modern
in their carpets and fittings, and in the paper that decorates their
walls, in between the stout dark timber framing.

The house is built chiefly of chestnut, traditionally obtained from
Highnam, some three miles from the city; and everywhere the enormous
beams, in some places polished, in others rough, are to be seen. In their
roughest, most timeworn condition, they overhang the narrow passage now
called New Inn (formerly Pilgrims') Lane, where, at the angle, a most
ornately carved corner-post, very much injured, exhibits a mutilated angel
holding a scroll, in the midst of fifteenth-century tabernacle-work.

[Illustration: COURTYARD, "NEW INN," GLOUCESTER.]

As usual in these ancient inns with courtyards and galleries, plays and
interludes were formerly acted here, and it is said that the accession of
Queen Elizabeth was proclaimed on these flagstones.

That galleries open to the air, with the bedrooms and others giving upon
them, were not so inconvenient as generally nowadays supposed is evident
enough here, where they are still in use, as they were centuries ago. The
only difference is that they are carpeted nowadays, instead of being bare
floors.

A staircase from the courtyard leads up to the first-floor gallery, still
screened off by the old open-lattice gates reaching from floor to ceiling,
originally intended to prevent stray dogs entering.

Portions of the "New Inn" let off in the days of its declining prosperity
have in modern times been taken back again: among them the large
dining-hall overlooking the lane, for many years used as a Sunday school
for the children of St. Nicholas parish, and other rooms looking upon
Northgate Street.

In short, the old "New" inn impresses the beholder with a very insistent
sense of being a live institution, a "going concern." Most ancient inns of
this character are merely poor survivals; archaeologically interesting, but
wan veterans tottering to decay and long deserted by custom. Here,
however, there is heavy traffic down in the yard: the ostler is busy in
his "Ostry" (the name is painted over the door), bells are ringing, people
and luggage coming and going; the big railway parcel-office is as full of
parcels as it could have been when it was a coach-office; appetising
scents come from glowing kitchens, and to and from private rooms are
carried trays of as good things as ever pilgrims feasted upon, at the end
of their pilgrimage.

There existed, until about 1859, another very notable "New" inn, probably
the work of the Abbots of Sherborne, and intended for the reception of
visitors to that beautiful Dorsetshire abbey. That splendid old hostelry,
with a noble front of yellow sandstone, built in the Perpendicular style
of architecture, probably about 1420, was the finest example of an inn of
its period in England, but it was ruthlessly, and with incredible
stupidity, demolished, and the only pictorial record of it appears to be
an entirely inadequate, severe, and unsympathetic little wood-cut in
Parker's _Domestic Architecture_.[13] It figures in Mr. Thomas Hardy's
story of _The Woodlanders_ as the "Earl of Wessex" inn at "Sherton Abbas."

It was in those "good old days" that are so interesting to read about, and
were so ill to live in, that the ancient hospice flourished most bravely.
When ways were not merely rough and lonely, but were also infested by
"sturdye beggaris," "maysterless men," and others who would not hesitate
to do the solitary traveller a hurt, the good abbots or monks who
established wayside houses of entertainment where no secular innkeeper
dared were truly benefactors to their species. The relic of just such a
place, on a road once extremely lonely and dangerous, is to be found along
the present highway between Brecon and Llandovery, in South Wales, some
two miles westward of the town of Brecon. The road runs terraced above the
southern bank of the river Usk, through a rugged country where, in ancient
times, Welsh chieftains and outlaws, alike lawless and beggarly, knocked
the solitary traveller on the head and went over his pockets amid the
appropriately dramatic scenery of beetling crag and splashing waterfall.
At the gate of this lurk of bandits the holy monks of Malvern Priory
founded an hospitium, on the spot where stand to-day the ancient and
picturesque church and the few houses of the village of Llanspyddid: whose
Welsh name, indeed, means the Hospice Church.

Nothing, unfortunately, is left of that "spythy," or hospice, they so
piously built and maintained, for, its usefulness long overpast, it was
left to decay: but the church they built, in which travellers returned
thanks for the succour vouchsafed them, remains by the roadside. It is a
romantic-looking church, placed in an appropriate setting of extremely
ancient and funereal-looking yews that lead up darkly to the heavy north
porch, beautifully decorated with carved woodwork.

The "George" at Glastonbury presents the finest exterior of all these
pilgrims' inns, for it stands to-day very much as it did in the time of
Edward the Sixth, when it was built (1475) by Abbot John Selwood for the
accommodation of such pilgrims as were not personages. There has ever been
a subtle distinction between a personage and a mere person. The great
ones, the high and mighty of the land, on pilgrimage were made much of,
and entertained by my lord Abbot in appropriately princely fashion, in the
Abbot's lodgings: the middle-class pilgrims were lodged at the Abbot's
inn, and the residue lay where best they might: perhaps in some
guesten-hall, or possibly in the open air.

Pilgrimages to Glastonbury were less numerous and popular than those to
the pre-eminent Shrine of the Blessed St. Thomas at Canterbury, but they
were not few, for the story of this great mitred Somersetshire Abbey is
one of the marvels and legendary wonders that, however greatly they may
stagger the twentieth-century capacity for belief, were of old implicitly
relied upon. Few were those who in mediaeval times questioned their
genuineness, and those who did so kept their doubts prudently to
themselves.

This marvellous lore narrates how it was to St. Joseph of Arimathea that
the Abbey owed its origin. In A.D. 63 he came, with eleven companions,
wandering among the bogs and morasses of this western land, and discovered
this elevated ground rising above the marshes, further topped by the
commanding peak of Glastonbury Tor. "Weary all!" they exclaimed, as they
sank down, exhausted, on the spot called Weary All Hill to this day,
although its name is properly "Wirrall." Here St. Joseph thrust his staff
into the ground, and, taking root and blossoming every Christmas Day for
over fourteen hundred years, it was known in all Christendom as the Holy
Thorn.

[Illustration: THE "GEORGE," GLASTONBURY.]

The Holy Thorn itself was a sight to see, for, whatever its origin, it did
actually blossom on or about Christmas, as descendants from the parent
stock do to this day. The original hawthorn--or what was looked upon in
the time of Queen Elizabeth as the original--was fanatically attacked by
an early Puritan who succeeded in felling one of its two trunks, and was
proceeding to destroy the other, when he struck his leg instead, and had
an eye gouged out by a flying chip: an incident that would have pleased
the old monks, had they not been dead and gone a generation earlier. This
capacity in the Holy Thorn for taking its own part did not avail when a
Cromwellian soldier-saint, a half-century or so later, cut it down.
Nothing in the tragical way appears to have happened to him.

An object of even greater veneration than the Holy Thorn was the body of
St. Dunstan, stolen by the monks of Glastonbury from Canterbury, and for
long centuries a source of great revenue, in the shape of offerings from
the faithful, eager for his spiritual good offices or for the healing
touch of his relics.

That which was too staggering for the belief of old-time pilgrims was
never discovered. At Glastonbury they were shown a part of Moses' rod,
some milk and some hair of the Virgin, part of the hem of the Saviour's
garment, a nail from the Cross, and a thorn from the Crown of Thorns. No
one ever questioned those blasphemous mediaeval Barnums, who showed a
sample of the manna that fed the children of Israel, and the incredible
item of "the dust of Shadrach, Meshach, and Abednego, the three children
sacrificed in the burning fiery furnace, with the bone of one of them";
and so they humbugged the devout for centuries.

Pilgrims of all kinds, bringing offerings, each one according to his
means, were clearly to be encouraged, and there was from a very early
period an "Abbot's Inn" at Glastonbury. This stood on the site of the
present "White Hart" until about 1755, when, to prevent it falling, it was
pulled down. It had, however, ceased to be the Abbot's Inn about 1489, the
newly built "George" then taking its place. How dilapidated was the more
ancient building may be understood from the story which tells of an
auction being held on an upper floor, just before its demolition. "Going,
going!" exclaimed the auctioneer, and then, as he accepted a bid, "Gone!":
whereupon the entire flooring of the room gave way, and every one and
everything were, with a tremendous crash, precipitated down to the ground
floor.

Abbot Selwood, who ruled from 1456 to 1493, built the "George" for
middle-class pilgrims, and gave them board and lodging free for two days.
He did so from a strictly business point of view; and we may even suspect
that, if his guests made a longer stay, he recompensed himself by
overcharging.

Although a room is shown in which King Henry the Eighth is said to have
slept--heavens! did they treat _him_ as a middle-class pilgrim?--and a
room with oaken beams is termed the "Abbot's Room," there is little to be
seen within, save the original stone newel staircase leading upstairs and
a stone bench in the cellar now christened the Penitents' Seat, on which,
if you please, sinners under conviction sat, with water up to their knees.
For my part, although the perennial spring is there, I remain sceptical of
aught but beer-barrels and hogsheads of wine ever having occupied that
Penitents' Form. Penitents frequenting the cellars where the booze is kept
are suspect.

The exterior, however, is a very fine example of the late Perpendicular
phase of Gothic architecture, as applied to domestic or semi-domestic
uses. The battlements formerly had stone figures peering from each
embrasure, figures traditionally said to have represented the Twelve
Caesars, or the Twelve Apostles. Exactly _how_ this was managed can hardly
be seen, for there are but seven openings. Only one figure now remains,
and he looks little like a Caesar, and very much less like an Apostle.

At the present time the "George" is a "family and commercial" hotel. Its
notepaper would seem to indicate that it is not the house for Dissenters,
for it displays, beneath a mitre and crossed croziers, an aspiration in
Latin to the effect that "May the Anglican Church Flourish." Our withers
are wrung: we are galled, and wince.

The "Red Lion," opposite the "George," with fine stone-embayed window and
frontage dated 1659, was formerly the Porter's Lodge and gateway of the
Abbey.

A very spirited view of Glastonbury, including the "George," in the
eighteenth century was executed, as an etching, by Rowlandson, and shows
us, in his inimitable manner, the life and bustle of an old English
country town on market-day. There you see a post-chaise and four being
driven at top speed through the town, bringing disaster to a woman dealer
in crockery, whose donkey, lashing out with his hind-legs, is upsetting
the contents of his panniers; and there at the town-pump, in those days
before house-to-house water-supply, are the gossipping servants, very
beefy about the ankles, filling their pitchers and pipkins.

[Illustration: HIGH STREET, GLASTONBURY, IN THE EIGHTEENTH CENTURY. _From
the etching by Rowlandson._]




CHAPTER VII

PILGRIMS' INNS AND MONASTIC HOSTELS (_continued_)


At St. Albans we have still something in the way of a pilgrim's inn. St.
Albans was, of course, the home of the wonder-working shrine of St. Alban,
the proto-martyr of Britain, and by direct consequence a place of great
pilgrimage and a town of many inns. Here is the "George," one of the
pleasantest of the old inns remaining in the place, with an old, but
scarce picturesque frontage, relieved from lack of interest by a quaint
sundial, inscribed _Horas non numero nisi serenas_, and a more than
usually picturesque courtyard.

The house is mentioned so early as 1448 as the "George upon the Hupe." In
those times it possessed an oratory of its own, referred to in an ancient
licence, by which the Abbot authorised the innkeeper to have Low Mass
celebrated on the premises, for the benefit of "such great men and nobles,
and others, as shall be lodged here."

Let us try to imagine that inn, licensed for the sale of wine and
spirituous liquors and for religious services! It seems odd, but after all
not so odd as these mad times of our own, when public-houses are converted
into missions, and ordained clergymen of the Church of England become
publicans and serve drinks across the counter in the interest of
temperance and good behaviour.[14]

No traces of that oratory now remain in the "George." It is one of the
most comfortable of old houses, and full of old panelling and old prints
and furniture, but the "great men and nobles" have long ceased to lodge
here, and it is now only frequented by "others." The chapel was desecrated
at the time of the Reformation, and was afterwards in use as part of the
stables.

The carving seen in the illustration over the archway is no integral part
of the inn, but was brought from old Holywell House in 1837, on the
destruction of that mansion, of which it formed the decorative pediment.

The Church, as already shown, was the earliest innkeeper in those days
when travellers travailed in difficulties and dangers; and semi-religious
bodies often acted the same hospitable part. The Knights Templars and the
Knights Hospitallers of St. John of Jerusalem kept hostelries at various
places, prominent among them the old house which is now the "Angel" at
Grantham.

The "Angel," in common with other inns of the same name, derived its sign
in the far-off thirteenth century from a religious picture-sign of the
Annunciation, and we may readily see how, in the fading of the picture,
the rest of the group gradually sank out of sight, leaving only that
bright announcing messenger visible to passers-by. Undoubtedly the "Angel"
at Islington obtained its name in this way: staggering though the thought
may be to those who know that merely secular public-house, in that roaring
vortex of London traffic.

[Illustration: THE "GEORGE," ST. ALBANS.]

The attitude of greeting in the pose of the angelic figure led in course
of time to such a sign being often called the "Salutation": hence the
various old inns of that name in different parts of the country were
originally "Angels."

The "Angel" at Grantham is a quaint admixture of ancient and modern. It
was a hostel, and bore this name even so early as the reign of King John,
for beneath its roof that monarch held his Court in the February of 1213.
We do not, however, find anything nowadays so ancient in the "Angel," for
every vestige of the building in which that shifty and evasive monarch
lodged has disappeared. This is by no means to say that the "Angel" is of
recent date. It belongs in part to the mid-fourteenth and fifteenth
centuries--a more than respectable age. From the midst of the town of
Grantham it looks out upon the Great North Road, and in truth, facing a
highway of so great and varied historic doings, no building can have
witnessed more in the way of varied processions. History, made visible,
has passed by, in front of these windows, for at least five hundred years,
beginning with the gorgeous cavalcades of kings and courts and armies
going or coming on missions of peace or war to and from Scotland, and at
last--what a contrast!--ending with the hotel omnibus to or from the
railway-station, with the luggage of "commercials."

[Illustration: THE "ANGEL," GRANTHAM.]

A very tragical incident in history was enacted in the great room, now
divided into three, that once extended the whole length of the frontage on
the first floor. Perhaps it was in the bay of the beautiful Gothic oriel
window lighting this room that Richard the Third signed the death-warrant
of the Duke of Buckingham, October 19th, 1483. That it was signed in this
room we know. What was his manner when he put his hand to that deed? Did
he declaim anything in the "off with his head; so much for Buckingham,"
dramatic way, as we are led by Colley Cibber's stage-version of
Shakespeare's _Richard the Third_ to suppose he did? Or did he silently
treat it as a matter of stern, imperious necessity of statecraft? Had he
possessed the dramatic sense, he certainly would have mouthed some such
bloodthirsty phrase, and, turning on his heel in the self-satisfied
attitude of triumphant villainy we know so well, would have made a
striking exit, as per stage directions, curling a villainous and
contemptuous lip, in the manner that never yet failed to bring down the
heartfelt hatred, and the hisses, of the gallery.

It is, however, to be sadly supposed that the King did nothing of that
sort. He could not play to the gallery--for it was not there; he probably
did not turn upon his heel, nor curl his lip, for the Stage, whence you
learn the trick of these things, had not yet come into existence. And if
you do but consider it, most of the great doings of the world, bloody or
legislative, or what not, have been done--not, if it please you,
"enacted"--without a due sense of their dramatic and spectacular
possibilities. They all came in the day's work, and the issues were too
tremendous, the risks too great and impending, for the personages involved
in them to enjoy the leisure for posing.

The old embayed stone frontage of the "Angel" has survived many a shock
and buffet of Time, and, although the mullions of most of its windows have
long since been removed, in the not unnatural demand for more light, the
antiquity of the house is manifest to the most commercial, and least
antiquarian, traveller. On either side of the Gothic archway by which you
enter, the carved heads of Edward the Third and his heroic Queen Philippa
still appear, and at the crown of the arch, serving the purpose of a
supporting corbel to the beautiful oriel window above, is a sculptured
angel supporting a shield of arms.

The historic "Angel," scene of so many centuries of conviviality, has long
been made to foster the cause of temperance. Indeed, for two hundred years
past, ages before Temperance became a Cause with capital letters and
capital endowments, the rent of the house went towards this object, under
the will of one Michael Solomon, who, dying in 1706, directed that a
sermon should be annually preached in Grantham church, "strongly
denouncing drunkenness," the cost to be met out of the rental of the
"Angel." But the most cynical stroke of chance befell in November, 1905,
when the preacher of this counterblast against drink, paid for out of the
profits of a licensed house, was the Reverend Gerald Goodwin, son of the
chief proprietor of a prominent Newark brewery.

The "George," at Norton St. Philip, claiming to have been licensed in
1397, has stirring history, as well as antiquity and beauty, to recommend
it. You who are curious as to where the village of Norton stands may take
the map of Somerset and presently, scanning the county to the south of
Bath, discover it set down about seven miles to the south of that ancient
city, in a somewhat sequestered district. The reason of so large and so
grand a hostelry being in existence since the Middle Ages in so small a
village is not, at the first blush, evident, and it is only when the
ancient history of Norton itself is explored that the wherefore of it is
found.

It seems, then, that the land hereabout was in those far-off times the
property of the old Priory of Hinton Charterhouse--that old Carthusian
house whose brethren were the best farmers, wool-growers, and
stock-raisers of their time in the West Country. As early as the reign of
Henry the Third the monastery was licensed to hold a fair here in May, on
the vigil, the feast, and the morrow of the festival of SS. Philip and
James; and again, in 1284, secured a charter conferring the right of
holding a market at "Norton Charterhouse" every Friday, instead of, as
formerly, at the bleak and much-exposed Hinton. In 1345 the Priory was
further empowered to annually hold a fair on the feast of the Decollation
of St. John at Norton: an institution that, although the Priory went the
way of all its kind over five hundred and fifty years ago, remained a
yearly fixture on August 28th and 29th until quite recent times. It was
known locally, for some reason now undiscoverable, as "Norton Dog Fair."

The fair in its last years degenerated into the usual thing we understand
nowadays as a fair: a squalid exhibition of Fat Women and Two-headed
Calves; a gaudy and strepitous saturnalia of roundabouts and mountebanks;
but it was--or they were, for, as we have already seen, there were at one
time two--originally highly important business conventions. The principal
business then transacted was the selling of wool and cloth, and it was for
the purpose of helping their trade as wool-growers, and for the benefit
generally of their very lucrative fairs, that the monks of Hinton
Charterhouse in the fourteenth century built as a hostel that which is
to-day the "George" inn.

[Illustration: THE "GEORGE," NORTON ST. PHILIP.]

For generations the merchants and wool-staplers exposed their wares and
did their business in the street, or in a large upper room of the house,
and long continued to do so when in course of time the whole thing had
been altogether secularised.

The cyclist who comes to Norton St. Philip from Bath has a weary time of
it, among the hills, by Odd Down, Midford, and Freshford; and only when he
has come uphill to windy Hinton Charterhouse are his toils over, and the
rest of the way easy. It is a broad, modern road, but the observant may
yet see the disused Abbot's Way going, narrow, and even more steep, over
the fields, to the left hand; and we may well imagine the joy of the old
travellers along it when they saw the grey church tower in the village,
nestling in a fold of the hills, and heard those sweet-toned bells of
Norton that still sound so mellow on the ear, and are the identical "very
fine ring of six bells" that Pepys heard on June 12th, 1668, and
pronounced "mighty tuneable."

The "George" keeps unmistakable evidences of its semi-ecclesiastical
origin, and the Gothic character of the solid stonework in the lower
storey points to the latter half of the fourteenth century. The curious
and exceedingly picturesque contrast between the massive masonry below and
the overhanging timbered upper part has led, without any other evidence,
to the conjecture that the house must at some time have suffered from
fire, or otherwise been injured and partly rebuilt; but such instances of
mixed methods in ancient building are numerous.

History of a romantic kind has been enacted here, for it was in the street
of Norton St. Philip, that a furious skirmish was fought, June 26th, 1685,
between the untrained and badly armed rustics of the rebel Duke of
Monmouth, and the soldiers of King James, under command of the weak and
vacillating Lord Feversham. The rebel peasantry, armed only with pikes,
scythes, and billhooks, that day withstood and routed their enemies, and
they held the village that night, Monmouth himself sleeping in one of the
front bedrooms of the "George." It was while dressing at this window the
following morning that he was fired at by some unknown person desirous of
earning the reward offered by James for the taking of his nephew's life.
The bullet, however, sped harmlessly by that preserver and champion of the
Protestant liberties of the country: hence the invincible anonymity of the
firer of that shot. Had Monmouth died thus, it is conceivable he would
have come down to us a more manly historic figure.

The interior of the "George" is woefully disappointing, after the
expectations raised by the noble exterior. It was obviously never ornately
fitted, and long generations of neglect and misuse have resulted in the
house being, internally, little better than a mere wreck, with the
installation of a vulgar bar to insult the Gothic feeling of the place.
The property now belongs to the Bath Brewery Company, and is not merely
that abomination, a "tied house," but is maintained in a barely habitable
condition, the Company being reported of opinion that the Somersetshire
Archaeological Society--interested, as all archaeologists must be, in a
house so architecturally and historically interesting--should restore the
building. If that report be true, it is a striking example of colossal
impudence.

On the ground-floor, the present Tap-room keeps a large fire-place with
old-fashioned grate. Above, mounting by a stone spiral staircase to the
first floor, is the room used by Monmouth (the one to the right hand in
the view), and known as the "King's Room." Its door, floor, and walls are
of the roughest, as also are those of the adjoining room. On the floor
above, running the whole length of the building, under the roof, is the
long room used by the old wool-merchants as their market: and a darksome
and makeshift place, under the roof-timbers, it is, and must have been at
the best of times. To-day the floor is rotten, and you must go delicately,
lest you fall through to the next floor, and then through that to the
ground, where only the explorer can feel secure.

It is the same tale of far-gone decay in the yard, to which you enter, as
also to the house itself, by the great archway in the village street. It
was always a small yard, but was partly galleried. The tottering remains
of the gallery, with brewhouse below, are left, still filled with the
enormous casks built in the brewhouse itself, and only to be removed by
demolishing them. The rooms are mere ruins. If ever the interior and the
yard of the "George" are restored it will be a great and an expensive
work; but it is to be feared that, Norton St. Philip being an unlikely
place for lengthened resort--visitors coming from curiosity from Bath for
merely an hour or so--such a work will never be undertaken.

In even worse case, from an archaeologist's point of view, is the "George"
at Winchcombe, in Gloucestershire; for it stands in the High Street of a
busy little town, and has been disastrously altered in recent years by the
brewers who own it. Brewers have no undue leanings toward historic or
architectural sentiment, and in this instance their object was to fit
their house for use as a commercial hotel. Accordingly, they caused the
ancient stone face to be pulled down and have replaced it by an imitation
timbered gabled front. Something of what the old front was like may be
discovered at the back, where the date, 1583, may be seen on the
stonework, together with an inscription to the effect that it was restored
in 1706.

The "George" was originally built as a pilgrims' inn by the Abbots of
Winchcombe and Hayles, whose noted West Country shrines attracted many
thousands of the pious and the sinful in days gone by. At Winchcombe they
had the body of St. Kenelm, the Saxon boy-king who succeeded to the
throne of Mercia in A.D. 822, and, according to legendary lore, was
murdered at the instigation of his sister Cwoenthryth, who desired his
place. Kenelm was but seven years of age, but already so pious, if we are
to believe the story, that the poisons at first administered to him
refused their customary effects, and there was nothing for it but to
strike his head off. Piety, therefore, was not proof against cold steel.

[Illustration: YARD OF THE "GEORGE," NORTON ST. PHILIP.]

His tutor, the treacherous Askobert, was induced to perform this act, in
the lonely forest of Clent. To the astonishment of Askobert, a white dove
flew from the severed neck and soared away into the sky. Naturally
surprised by such a marvel, he nevertheless was not unnerved, and buried
the body under a thorn-bush and went his way. Cwoenthryth in due course
succeeded, and reigned for some two years, when the inevitable vengeance
fell. It came about in a curious way--as do all these retributions in
monastic legends. The Pope was celebrating Mass in his Cathedral of St.
Peter when a dove that had been observed there poised itself over the high
altar and dropped from its beak a piece of parchment inscribed, "In Clent
in Cowbach Kenelm Kynge's child lieth under a thorn, his head taken from
him."

This strange message was conveyed to England, and an expedition, formed of
the monks of Winchcombe and Worcester, set off to the forest of Clent.
Arrived there, the expeditionary force was guided to the thorn-tree by a
white cow, and duly found the body. After disputing whose property it was
to become, they decided that, as they were all wearied with the journey
and their exertions, they should, every one, lie down and rest, the body
to become the possession of those who should first arise. The Winchcombe
men were first awake, and were well away over the hills with their prize
before the monks of Worcester ceased from their snoring, yawned, opened
their eyes, and found the treasure gone.

The miraculous power of St. Kenelm manifested itself on the way, for the
men of Winchcombe, fainting on their journey for lack of water, prayed,
for the love of him, to be guided to some spring; when immediately a gush
of water burst forth from the hillside. Thus refreshed, they came into
Winchcombe, where the wicked Cwoenthryth, whom later generations have
agreed to name, in more simple fashion, Quenride, was reading that very
comminatory Psalm, the 109th, wherein all manner of disasters are invoked
upon the Psalmist's enemies. There has ever been considered some especial
virtue in reciting prayers and invocations backwards, and Quenride, having
gone through the Psalm in the ordinary way, was proceeding to take it in
reverse when the procession came winding along the street. At that moment
her eyes fell out; and, to bear witness to the truth of the story, the
Abbey of Winchcombe long exhibited, among the greatest of its treasures,
the blood-stained psalter on whose pages they fell--which, of course, was
convincing.

Can we wonder that, in those credulous ages, pilgrimage to Winchcombe
should have been a popular West Country practice? And if not to St.
Kenelm's shrine, there was the peculiarly holy relic of the neighbouring
Abbey of Hayles, where the monks treasured nothing less tremendous than a
bottle of Christ's blood. This in after years--as was to be supposed--was
discovered to be a blasphemous imposture, the precious phial being
declared by the examining Commissioners in the time of Henry the Eighth to
contain merely "an unctuous gum, ."

[Illustration: YARD OF THE "GEORGE," WINCHCOMBE.]

A pilgrims' inn at Winchcombe was, in view of the crowds naturally
resorting to either or both of these Abbeys, a very necessary
institution, and for long the "George" so remained.

The ways of the brewers with the old house have been already in part
recorded and the destruction of much of interest deplored, but there still
remains a little of its former state. There is, for instance, the great
archway at the side, with the oaken spandrels carved with foliage and the
initials R. K.; standing for Richard Kyderminster, Abbot of Winchcombe at
some period in the fifteenth century. Through this archway runs the yard,
down to the back of the town, and there is what is still called the
"Pilgrims' Gallery," on one side. One scarcely knows which of the two
courses adopted by the brewers with this old inn was the most disastrous:
the actual demolition of the old frontage, or the "restoration" of the
Pilgrims' Gallery in so thorough a manner that it is, in almost every
respect, a new structure. Nor does it, as of old, conduct to bedrooms, for
that part of the house giving upon it has been reconstructed as a large
room, available for entertainments or public dinners.

There is something peculiarly appropriate in the refectory of a monastic
house becoming an inn. Such is the history of the "Lord Crewe Arms," at
Blanchland.

It is a far cry to that picturesque and quiet village, in stern and rugged
Northumberland; but you may be sure that, however wild and forbidding the
surrounding country, the site and the immediate neighbourhood of an
ancient abbey will prove to be fertile, sheltered, and beautiful; and
Blanchland, the old home of an Abbey of Praemonstratensian canons, is no
exception to this rule.

Whichever way the traveller comes into Blanchland, he comes by hills more
or less precipitous, and by moors chiefly remarkable for their savage and
worthless nature, and it is a welcome change when, from the summit of a
steep hill, he at last looks down upon the quiet place, nestling in a
hollow on the Northumbrian side of the little river Derwent, that here
separates the counties of Northumberland and Durham.

Down there, still remote from the busy world, the village is slowly but
surely fading out of existence, as we learn from the cold, dispassionate
figures of the Census returns, which record the fact that in 1811 the
inhabitants numbered 518, while in 1901 they were but 232.

It is a compact little place. There is the ancient bridge, built by the
monks, across the Derwent, still, in the words of Froissart, "strong and
rapid and full of large stones and rocks"; and there are the church-tower,
the old Abbey gatehouse, the "Lord Crewe Arms," and some few houses,
forming four sides of a square. "The place," as Walter Besant truly says
in his novel, _Dorothy Forster_, "has the aspect of an ancient and decayed
college."

Blanchland owes everything to its old abbey, conducted under the rules of
the original brethren of Premonte, and even derived its name of Blanche
Lande from the white habits of the monks; just as Whitland in
Carmarthenshire, took its name from a similar history.

The Abbey of Blanchland was founded here, at "Wulwardshope," as the place
was originally named, in 1163, and, rebuilt and added to from time to
time, flourished until the heavy hand of Henry the Eighth and his
commissioners ended it, in 1536. In all those long centuries it had
remained obscure, both in its situation and its history; and was indeed so
difficult to come to that tradition tells a picturesque story of mediaeval
Scottish raiders failing to find the place and so returning home, when its
situation was revealed to them by the bells the monks were ringing, to
express joy at their deliverance. Alas! it was their own funeral knell the
brethren rang; for, guided by the sound, those Border ruffians entered
Blanchland, burnt its Abbey and slew the monks.

Shortly after the suppression of the Abbey under Henry the Eighth, the
monastic lands became the property, and the domestic buildings of the
Abbey the home, of the Radcliffe family, and afterwards of the Forsters,
who, according to the wholly irreverent, and half-boastful, half-satirical
local saying, were older than the oldest of county families, for "the
Almighty first created the world and Adam and Eve, and then He made the
Forsters."

Blanchland was at last lost to that long-descended race by the treason of
General Forster, who was concerned in the rising of 1715, and so
forfeited his estates; and in 1721 the property was purchased by Nathaniel
Crewe, Bishop of Durham, who at the age of sixty-seven had married Dorothy
Forster, at that time twenty-four years of age.

[Illustration: THE "LORD CREWE ARMS," BLANCHLAND.]

The present inn, the "Lord Crewe Arms," is a portion of the old refectory
buildings on the west side of the cloister garth, but many alterations and
additions have been made since those times, and the actual oldest part is
the ancient monastic fireplace, very much disguised by later generations,
and in the fact that it is now in use as the fireplace of the modern
kitchen.

In the fine drawing-room of the inn, formerly the ball-room of the Forster
mansion, hangs a portrait of Lord Crewe, that time-serving reactionary
sycophant under James the Second and would-be toady to William the Third.
His public life was a version, on a higher plane, of that of the
celebrated Vicar of Bray, and he succeeded admirably in his determination
to stick to his principles--to live and die Bishop-Palatine of Durham; for
as Lord Bishop he remained until his death, aged eighty-nine, in 1722, in
the reign of George the Second.

But he well deserves the honour of the inn being named after him, for he
left his wealth in various charities, the rent of the inn itself forming a
portion of the income of the Crewe trustees.

Our ultimate example of a monastic hostel is found at Aylesbury, a town
whose name would, to imaginative persons, appear at the first blush to
indicate a happy hunting-ground for old inns; but although--Shakespeare to
the contrary--there is usually very much in a name, the meaning is not
always--and in place-names not often--what it would seem to be. Thus,
Aylesbury is not the town of ale, but (a very different thing),
Aeglesberge, _i.e._ "the Church Town," a name it obtained in Saxon times,
when the surrounding country was godless, and this place exceptionally
provided.

At the same time, Aylesbury--the place also of ducks and of dairies--_was_
once notable for an exceedingly fine inn: none other than the great
galleried "White Hart," first modernised in 1814, when its gabled,
picturesque front was pulled down and replaced by a commonplace red-brick
front, in the style, or lack of style, then prevalent; and finally cleared
away in 1863, to make room for the existing Corn Exchange and Market
House.

[Illustration: THE "OLD KING'S HEAD," AYLESBURY.]

Coming into Aylesbury, in quest of inns, one looks at that building with
dismay. Was it really to build such a horrific thing they demolished the
"White Hart"? How deplorable!

Aylesbury is a town where, late at night, the police foregather in the
reverberative Market Square, instead of going their individual beats; and
there, through the small hours, they talk and laugh, hawk and spit, and
make offensive noises, until the sleepless stranger longs to open his
window and throw things at them. Happy he whose bedroom does not look upon
their rendezvous! But this is merely incidental. More germane to the
matter under consideration is the fact that, although the "White Hart" be
gone, Aylesbury still keeps a remarkably fine inn, of the smaller sort, in
the "Old King's Head," which, if not indeed a pilgrims' inn, seems to have
been originally built by some religious fraternity as a hospice or
guest-house for travellers. Of its history and of the original building
nothing is known, the present house dating from 1444-50. You discover the
"Old King's Head" in a narrow street off the market-place, and at the
first glimpse of it perceive that here is something quite exceptionally
fine. A sketch is, if it be any good at all, always worth a page of
description, and so we will let the accompanying illustration take the
place of mere verbiage. Only let it be observed that the larger gable and
the window in it are new, having been rebuilt in 1880.

The great window, entirely constructed of oak, is the chief feature of the
exterior, just as the noble room it lights is the principal object of
interest in the house itself. The point most worthy of consideration here
is that in this remarkably fine window, and in the room itself, you have
an unaltered and unrestored work of the fifteenth century. In early ages
the house was an inn with some ecclesiastical tie, and when it passed from
the hands of the brotherhood (whoever they may have been) that once owned
it, and became a secularised hostelry, it seems to have continued its
career with very little alteration beyond that of adopting as a sign the
"King's Head": that king doubtless originally Henry the Eighth himself.
The house was, in the seventeenth century, one of the Aylesbury inns that
issued tokens, for in museums and private collections are still to be
found copper pieces inscribed "At ye King's Head In Aillsburey, W.E.D.
1657." There still existed, until comparatively recent times, traces of
old galleries in the extensive yard, but modern changes have at last
completely abolished them.

The fine room of which the great window forms one complete side was no
doubt originally the common-room of the hostel. It is now the tap-room. A
fine lofty hall it makes: oaken pillars, black with age, springing from
each corner, based upon stone plinths and supporting finely moulded beams
that, crossing in the ceiling, divide it into nine square compartments.
The great window, divided by mullions and a transom into twenty lights, is
of course seen to best advantage from within, and still keeps much of the
original armorial stained glass.




CHAPTER VIII

HISTORIC INNS


It can be no matter for surprise that many inns have historic
associations. Indeed, when we consider that in olden times the hostelries
of town and country touched life at every point, and were once the centre
of local life, it becomes rather surprising that not more tragic events,
more treaties and conferences, and more plots and conspiracies are
associated with such places of public resort.

Strange, mysterious plotters, highwaymen, and great nobles resorted to
them, and, coming to things more domestic, there, under the inn's
hospitable roof, town councils not infrequently met in those times before
ever "municipal buildings" were dreamed of, and conducted their business
over a cheering, and inebriating, cup. Your inn was, in short, then at
once your railway-station, club, hotel, reading-room and mart. There were
distinct advantages, in the social sense, in all this. It meant
good-fellowship when respectable townsfolk were not ashamed to spend a
winter evening in the parlour of a representative inn, or play a game of
bowls in summer on the bowling-green with which most such houses were once
furnished, and the man who now glowers in unneighbourly and solitary way
over his hearthstone, would expand, with such opportunities, into as
good-natured a fellow as any of the olden time.

[Illustration: THE "REINDEER," BANBURY.]

The inns of Banbury make some historic figure. It was in one of them--the
chronicler says not which--that the dispute took place between the two
Yorkist commanders, which led to the battle of Danesmoor being lost by
their side, in July, 1469.

The occasion was the revolt of the great Earl of Warwick against Edward
the Fourth. To intercept Warwick at Northampton the Earl of Pembroke was
marching with a force from Gloucestershire, and was joined on the
Cotswolds by Lord Stafford of Southwick, newly raised a step in the
peerage by being created Earl of Devon. Lord Stafford's troops numbered
six thousand good archers: a very welcome reinforcement; but, even so, the
combined forces dared not at once risk an engagement with the rebels at
Daventry, and fell back upon Banbury. There a quarrel took place between
Lord Stafford and the Earl of Pembroke, all on account of a pretty girl.
Says Hall: "The earle of Pembroke putt the Lorde Stafforde out of an Inne,
wherein he delighted muche to be, for the loue of a damosell that dwelled
in the house: contrary to their mutuall agrement by them taken, which was,
that whosoeaver abteined first a lodgyng should not be deceaved nor
remoued. After a greate many woordes and crakes, had betwene these twoo
capitaines, the lord Stafford of Southwyke, in greate dispite departed
with his whole compaignie and band of Archers, leauynge the erle of
Pembroke almost desolate in the toune."

Accordingly, so weakened, the next day the Earl of Pembroke was defeated.
He took refuge in Banbury church, but, according to Hall, was dragged
forth by the fierce John Clapham, who beheaded him in the porch with his
own hands.

Possibly it was at the "Red Lion," in the High Street, that the damosell
lived who caused all the strife between those great lords. If so, it
renders that fine old house the more interesting. Modern needs, and a not
unreasonable desire to keep incoming guests and their belongings dry, have
caused the picturesque courtyard to be roofed in with glass, thus hiding
many of its pictorial qualities; but you still enter from the street by a
fifteenth-century oaken portal, much blunted by wear and tear and many
successive coats of paint and varnish in all those succeeding centuries;
yet indubitably still fifteenth-century work.

But the most picturesque inn at Banbury is the "Reindeer." History is
silent as to the why or the how of its acquiring that name, and is indeed
dumb in almost every other respect concerning the old house. The
"Reindeer," both in itself and in its situation, is scarcely like the "Red
Lion," an hotel. You look in at the "Reindeer" for a drink and for
curiosity only; for the house does not precisely invite guests, and
probably does most business on market days, when country folk from
neighbouring villages throng the strait and crooked streets of Banbury and
put up their traps in its yard and insist on liberally drinking the health
of one another. Parson's Street, indeed, the situation of the "Reindeer,"
is a market-street and crowded shopping centre, where brazen-tongued
salesmen exhort housewives to "buy, buy, buy"; or indulge in rhapsodical,
exclamatory passages in praise of their goods. You are gazing, let us say,
outside the "original" Banbury-cake shop, opposite, upon the magpie black
and white of the "Reindeer" frontage, when a parrot-like voice is heard
exclaiming, in ecstatic rapture, "O what loverly heggs!" and, turning, you
perceive, not a grey parrot in a gilded cage, but a white-aproned
provision-dealer's assistant, unfortunately at large. Fleeing into the
courtyard of the inn, you still hear faint cries of "_There's_ 'am!" "O
mother! what butter!"

The neighbourhood, it will be perceived, does not in these days lend
itself to quiet residence, and although, by the evidence of its
architecture, the "Reindeer" was doubtless at one time one of the chief
hotels of the town, it has long ceased to hold anything like that
position.

The old oaken gates and the black-and-white timbering above appear to be
the oldest portions of the house: the gates themselves inscribed with the
date "1570" on one side, and on the other

  "IHON . KNIGHT [Diamond] IHONE . KNIGHT [Diamond] DAVID HORN."

The great feature of the inn is, however, the noble oak-panelled chamber
known, for whatever inscrutable reason, as the "Globe Room." Exterior and
interior views of it are the merest commonplaces in Banbury. There are, in
fact, three things absolutely necessary, nay, almost sacramental, for the
stranger to do in Banbury, without having performed the which he is a
scorn and a derision. The first of these indispensable performances is the
eating, or, at any rate, the buying of Banbury cakes. And here let me add
that the Banbury cakes of Banbury have a lightness and a toothsomeness
entirely lacking in the specious impostors made elsewhere. Just as
there are no other such pork-pies as those of Melton Mowbray, and as
Shrewsbury cakes can apparently only be made at Shrewsbury, so the
"Banburys" made in other towns are apt to lie as heavy on your chest as a
peccadillo upon a tender conscience. But in their native town they
disappear, to the accompaniment of cups of tea, with a rapidity alarming
to the pocket, if not to the stomach; for they cost "tuppence" apiece, and
a hungry pedestrian or cyclist finds no difficulty in demolishing half a
dozen of them.

[Illustration: YARD OF THE "REINDEER," BANBURY.]

The second of these necessary observances is the viewing of Banbury Cross:
not the old original famous Banbury Cross of the nursery rhyme, to which
many generations of children have been invited to "ride a cock-horse" to
see the tintinnabulatory lady with bells on her fingers and bells on her
toes; _that_ cross was destroyed by the Puritans, and the modern one is
not even a copy of it, for no man knoweth what the original was like.

The third of these necessary rites is the viewing of the "Globe Room" at
the "Reindeer." What the exterior of that room is like, let the
illustration of the courtyard show. The date of its building is still
faintly traceable in the figures "1637" on the masonry of the gable. They
charge you threepence to view the interior, and if so be you cannot frame
to admire the richly decorated plaster ceiling for yourself, the printed
notice that a cast has been taken from it, and is to be seen in South
Kensington Museum, is calculated to impress the intellectually snobbish.
For our own part, seeing things with our own eyes and judging of them
comparatively, there seems no very adequate reason for South Kensington
acquiring such a cast, unless, indeed, (which is unthinkable) the
Department of Science and Art is bent upon copies of all the old ceilings
in the country. This is, in short, to say that although the plaster
decoration of the "Globe Room" is fine, it is neither so intrinsically
fine, nor so original above all others, that it deserves so great an
honour. The really supremely fine feature of the room is the beautiful
Jacobean panelling in oak, now almost coal-black with age, covering the
walls from floor to ceiling, and designed and wrought in unusually
thorough and bold style. There is not a finer room of its period in the
country, and it may even be questioned (leaving the mere matter of size
alone) if there is even another quite so fine or in every detail so
perfect.

The reason of this magnificently panelled apartment being added to the
older and very much less ornate portion of the inn is obscure; and it will
be noted, as a matter of curiosity, that, entered as it is only by a
doorway from the open courtyard, the room is not, structurally a part of
the house. The name of the "Globe Room" given to it is not explained in
any way by the decorations or by its history, which is as obscure as its
origin. Tradition says Cromwell "held a council" here, and accordingly,
although history does not tell us anything specifically about it, a
picture, reproduced in a variety of ways, showing a number of stern and
malignant Roundheads interrogating an elegant and angelic-looking Royalist
clad in white, and bearing a very strong likeness to Charles the First
himself, is one of the commonplaces of the town.

[Illustration: THE GLOBE ROOM, "REINDEER" INN, BANBURY.]

For one of the most entertaining examples of history enacted at an inn, we
must shift the scene to Chester.

Among the ancient inns of that city, long since retired from the
innkeeping business is the "Blue Posts," a house in its day historic by
reason of one dramatic incident: an incident so dramatic that it would
almost seem to have been borrowed from the stage. It was the year 1558,
the last of the reign of Queen Mary, of bloody memory, and Dr. Henry Cole,
Dean of St. Paul's, was come to Chester on his way to Ireland, where he
had work to do, in the persecution of the Irish Protestants. He lodged for
the night at the "Blue Posts," in Bridge Street, and in the evening the
Mayor of Chester called upon him there.

The Dean made no secret of his mission. To him it was a labour of love to
bring imprisonment and torture, fire and stake, to correct the religious
errors of those Protestants over sea. Had he not already distinguished
himself by a revolting and bloodthirsty sermon, on the occasion of
Cranmer's sentence of martyrdom?

In conversation with the Mayor, he drew from his travelling valise the
Royal commission for his errand. "Here," he exclaimed, with exultation,
"here is that will lash the heretics of Ireland!"

Now, whether the landlady was in the room at the time, or listening at the
keyhole--in a manner traditional among landladies--does not appear; but
she overheard the conversation, and, having a brother, a Protestant, in
Dublin, was alarmed for his safety in particular, and, let us hope, for
that of Protestants in general. So, that night, when the Dean was
doubtless dreaming of the shackles and gyves, the <DW19>s and the rackings
he was bringing to the heretics of Ireland, Mrs. Mottershead, the landlady
with the sharp ears, abstracted the fateful commission, and in its stead
placed a pack of cards, with the knave of clubs showing satirically at the
top. O! daring and witty Mrs. Mottershead!

We may, if gifted with anything like a due sense of humour, well chuckle
at the outraged feelings of the Lord President of the Council of Ireland
when the Dean, all unconscious, presented him with this unconventional
authority. My Lord, however, summoned some humour of his own, wherewith to
meet the situation. "Let us," said he, "have another commission, and we
will meanwhile shuffle the cards."

Crestfallen, the emissary returned, and did actually obtain a new
commission, but when again arrived at Chester, and awaiting a fair wind
for Ireland, he heard of the Catholic Queen's death and the accession of
her Protestant sister; and so found his way back to London once more.

[Illustration: THE "MUSIC HOUSE," NORWICH.]

The episode would fitly end in the Dean being flung, loaded with chains,
into some loathsome dungeon; but although he was, in fact, committed to
the Tower in 1560, after having been deprived of all his preferments, such
dramatic completeness was lacking. But, at any rate, he was transferred to
the Fleet Prison, and, after a long captivity, seems to have died there in
1580.

Meanwhile, virtue was rewarded, in the person of Mrs. Mottershead, who was
granted a pension of L40 a year, representing perhaps L500 a year in our
own day.

The former "Blue Posts," where this historic interlude was played, was
long since refronted in respectable, but dull, red brick, and is now, or
was recently, a boot-shop. But although no hint of its former self is
given to the passer-by, those who venture to make a request, are shown a
fine upstairs room, with elaborately pargeted ceiling, still known as the
"Card Room."

The "Music House" inn, King Street, Norwich, situated in what is now a
poor and densely populated part of that city, has a vaulted cellar of
Norman masonry, a vestige of the time when the Norwich Jews were very rich
and numerous. The house of which it formed part was then the residence of
one Moyses, and afterwards of Isaac, his nephew, who in the reign of King
John seems to have come, like many of his race, to some mysterious and
uncomfortable end, probably in the dungeons of Norwich Castle. In the
course of time the famous Paston family came into possession of the house,
and in 1633 the great lawyer, Sir Edward Coke, resided here. Shortly
afterwards it became the meeting-place of the "city music," ancestors of
modern town bands, who seem to have practised the waits and other
performances within, until they had their parts sufficiently perfect to
dare inflict them on the city. Hence the sign of the "Music House."

In the same neighbourhood we have the "Dolphin" inn at Potter Heigham, a
place sadly changed in modern times.

Potter Heigham is no longer rural, and the long, long and narrow street
leading to it, out of Norwich, is crowded with the waggons and
railway-lorries of the old city's expanding commerce. In midst of all this
rumbling of wheels over uneven pavements stands the "Dolphin" inn, the
home in his declining days of Bishop Hall, who rented it for some ten
years, until his death there, in 1656, in his eighty-second year.

[Illustration: THE "DOLPHIN," POTTER HEIGHAM.]

It was a comparatively new house then, for while you see the date, 1587,
over the entrance door and a merchant's mark and the initials R B on
either side, a prominent gable shows the date 1629 done, very large, in
vitrified brick.

Still you come grandly into the house, though it be a humble tavern now,
between an old pillared entrance, and across a courtyard, and in the house
are Jacobean fireplaces, with a fine newel staircase carved in the manner
of an old church bench-end, with an heraldic lion and the Gothic foliage
known as a "poppy head." The "Dolphin" would be capable, if it were
differently situated, of being converted into a handsome old-world hotel,
but the poor and crowded neighbourhood of Potter Heigham forbids anything
of that kind, and so it remains humble and unassuming.

A tragical little story belongs to the humble old "Nag's Head" inn at
Thame, formerly the "King's Head." The old sign of it was used as a
gallows for a Parliamentary rebel who had deserted his side and joined the
King, and was so unlucky as to be captured. Those Puritans had a grim
humour. One of the condemned man's executioners, before turning him off,
turned his face, bound with a handkerchief, to the sign, with the words:
"Nay, sir, you must speak one word with the King before you go. You are
blindfold, and he cannot see, and by and by you shall both come down
together." And then he was hoisted up.

There is another historic house at Thame, for it was into the yard of the
"Greyhound" in that town that John Hampden came, lying mortally wounded
upon the neck of his horse, from the skirmish of Chalgrove Field, on June
18th, 1643. He had unwillingly taken arms against oppression and
iniquitous taxation, and was thus at the outset killed. No enemy's bullet
laid him low: it was his own pistol, overloaded by a careless servant,
that, exploding, shattered his hand. He died, on the 24th, of lockjaw.

The front of the house has been rebuilt, and the yard somewhat altered,
since the patriot rode in at that tragical time; but the house is in
essentials the inn of his day. Long since ceased to be an inn, it is now
occupied as a furnishing ironmonger's shop and warehouse.

[Illustration: THE "NAG'S HEAD," THAME.]

The "Crown and Treaty House" inn at Uxbridge, long known to would-be beery
rustics by the affectionately wistful name of the "Crown and Treat Ye," is
a genuinely historic house. It stands away beyond the tramway terminus,
facing the road at the very extremity of Uxbridge town, as you cross
canal and river and so leave Middlesex for Buckinghamshire; and although
very much of its real antiquity is disguised by modern paint and plaster,
it is in fact the surviving portion of the great mansion built in 1575 by
one of the Bennet family, and, at the opening of the war between King and
Parliament, in the occupation of one "Mr. Carr."

The meeting here of leading spirits on either side of the contending
forces was well meant. It began January 20th, 1645, and was convened for
the purpose of "taking into consideration the grievances of which each
party complained, and to propose those remedies which might be mutually
agreeable." Unfortunately, little sincerity attended the actual meeting.
The King's party were unyielding, and the military successes of the
Parliament rendered the leaders of that side ill-disposed to give away in
talk that which they had won in the field. Moreover, like most conferences
in which religious as well as political questions were the subjects of
discussion, those debates only further inflamed mutual hatreds and further
sundered the already wide points of disagreement.

[Illustration: YARD OF THE "GREYHOUND," THAME.]

There were sixteen commissioners on either side, and for three weeks they
argued without coming to any settlement. Neither side would give way, for
either was convinced of its ability to finally crush the other by force of
arms. Much blood had already been shed, indecisively, and passions ran
high. Uxbridge was selected as a kind of half-way house between London,
held strongly by the Parliament, and Oxford, as strongly held for the
King; and when the empty verbiage was done, the propositions put forth
scouted, and the pretensions disallowed, the parties separated, falling
back respectively to London and to Oxford, to recommence those hostilities
for which they were spoiling. Treaty, therefore, there was not: only an
ominous truce between Right Divine and People's Will.

The Earl of Clarendon, in his _History of the Rebellion_, gives an
interesting account of these fruitless meetings:

"There was," he says, "a good house at the end of the town which was
provided for the Treaty. Above was a fair room in the middle of the house,
handsomely dressed up for the Commissioners to sit in; a large square
table being placed in the middle with seats for the Commissioners; one
side being sufficient for those of either party: and a rail for those who
should be thought necessary to be present, which went round. There were
many other rooms on either side of this great room for the Commissioners
to retire to, when they thought fit to consult by themselves, and there
being good stairs at either end of the house they never went through each
other's quarters, nor met, but in the great room."

Neither side used the house, except for these meetings, the Royalists
being appropriately accommodated at the "Crown," which then stood in the
middle of the High Street, in the centre of the town, opposite the
still-existing "White Horse," and the Parliament people at the "George."

[Illustration: THE "CROWN AND TREATY," UXBRIDGE.]

In those times the highway out of Uxbridge, ceasing to be broad and
straight, left the High Street of Uxbridge by a sharp turning to the right
and went in a narrow way called Johnson's Row to the crossing of the
Colne, which was effected to the north of the present bridge and was made
in two stages by wooden bridges, using the still-surviving island in the
middle of the river as a kind of natural pier or abutment. The road
therefore crossed, in a more or less direct fashion, from immediately in
front of the "Swan and Bottle" inn to where the present flour-mill stands,
cautiously using that very considerable island on the way. The modern
road, with its bridge of seven arches, on the other hand, boldly spans the
river at its widest part, and seeks no help midway. It is all very clear
and palpable to you who stand on the bridge and see how the road across it
swoops round, at a very noticeable angle, to join the older road at the
flour-mill; but Johnson's Row was demolished 1905-6, to make an approach
to the new railway-station, and the old landmarks are growing obscured. It
was the making of this road in 1785 that changed the fortunes of the
Treaty House. The new highway was cut through its gardens, and the house
itself brought from private life and a dignified seclusion to face the
wayfaring world. What else, then, could it do but become an inn?

[Illustration: THE "TREATY ROOM," "CROWN AND TREATY," UXBRIDGE.]

The house, although even now not small, was once much larger. Its least
imposing front is turned to the street and is not improved by the modern
appointments of a public-house. The great feature of the building is the
room on the first floor, called, with what appears to be insufficient
warranty, the "Treaty Room," the real place of meeting having been,
apparently, the front room, now divided by a partition into two. It was
doubtless its being immeasurably the finest room in the house that led to
the so-called "Treaty Room" being selected for that honour. It is, in
fact, a noble apartment, greatly neglected for these many years past, but
grand in spite of indifference and decay. There are smeary
picture-postcards of it to be purchased in Uxbridge, and it has been
photographed by enthusiastic visitors times without number, generally
without success; for it is a dark interior, and the wood-carving is
shallow and does not yield sufficient pictorial light and shade for the
cameras to do it justice. It should be added, by way of comparative
criticism, that, although this panelling is itself so fine, it does not
for a moment compare with the bold and effective work of the "Globe Room"
at the "Reindeer," Banbury. There you have a massiveness of construction
and a breadth of design almost architectural: here there are no bold
projections, and the recurrent flat pilasters are covered with an
intricate Renaissance scroll and strap-work, which, although in itself
good, is too small in scale to be highly effective.

[Illustration: THE "RED LION," HILLINGDON.]

The "Red Lion" at Hillingdon, near Uxbridge, has its small share in the
troubled story of the Stuarts, although, to be sure, its plastered front
is a thought too modern-looking. Here Charles the First, escaping from
the besieged city of Oxford, lay the first night of his distracted
wanderings through England that led him eventually to the end of his armed
resistance, at Southwell.

[Illustration: THE "THREE CROWNS," CHAGFORD.]

The "Three Crowns" at Chagford, South Devon, now a favourite old-world
haunt of tourists visiting Dartmoor, illustrates still another incident in
that internecine warfare. It was originally a manor-house built in the
time of Henry the Eighth by Sir John Whyddon, a native of Chagford, who
went to London to seek his fortune, and, as a lawyer, found it. He became
a Judge of the King's Bench, was knighted, and we are gravely told that he
was the first judge to ride to Westminster on a horse: his predecessors,
and his learned contemporary brethren, had gone on mules.

In the troubled times of the Civil War, when Royalist and Roundhead
disturbed even these remote nooks of the country, Chagford was attacked by
the Royalists under Sir John Berkeley. In the street-fighting, according
to Clarendon, "they lost Sidney Godolphin, a young gentleman of
incomparable parts. He received a mortal shot by a musket, a little above
the knee, of which he died on the instant, leaving the misfortune of his
death upon a place which could never otherwise have had a mention in the
world." Ay! but that was written in days long before the appreciation of
picturesque scenery had brought troops of visitors to Chagford.

Young Godolphin bled to death on a stone seat of what is now, as Charles
Kingsley wrote, "a beautiful old mullioned and gabled Perpendicular inn."

What was once the "great hall" of the old mansion is now a schoolroom.
Both face the church, on the other side of the narrow street, as an old
manor-house should do, and in summer time the gossipers lounge and talk,
and interpolate their gossiping with loud horse-laughs, far into the
night, greatly to the annoyance of visitors. Have I not heard, with these
ears, the raising of a sash at some incredible hour, and the voice of some
native of Bawston or N'York, exclaiming indignantly, "See yur, you darned
skunks, clear out of it!" whereupon, with cat-calls and insults in the
_patois_ of Devonshire, fortunately not with ease to be understood by
strangers from the U.S., that village convention has dispersed.

Many historic memories linger around that ancient and beautiful house, the
"Saracen's Head" at Southwell, in the Sherwood Forest district of
Nottinghamshire. Southwell, whose hoary Minster has in modern times become
a cathedral, has fallen into a dreamless slumber since the last of the
coaches left the road, and as the traveller comes into its quiet streets,
in whose midst the great Norman church stands solemnly, like some grey
architectural ghost, he feels that he has come into a place whose last
days of activity ended considerably over half a century ago.

The "Saracen's Head" was built in that interesting, but vague, period of
"ever so long ago"; the nearest attempt at determining its age to which
most chroniclers dare commit themselves. Whether the existing house is the
same building as that of this name conveyed by the Archbishop of York in
1396 to John Fysher and his wife Margaret, does not appear, but there
seems very little reason to doubt that, although greatly altered and added
to from time to time, the present "Saracen's Head" is, essentially, in its
ancient timbering, the identical structure.

The frontage of the inn, now as ever the chief inn of Southwell, little
indicates its great age, for it is covered with a coat of grey plaster,
and, were it not for the enormously substantial oaken doors of the
coach-entrance, and the peep through the archway of the old courtyard,
the casual wayfarer might pass the historic house by.

[Illustration: YARD OF THE "SARACEN'S HEAD," SOUTHWELL.]

For it is historic, in an intimate and a melancholy way. Dismissing in a
word the remote visits paid by Edward the First and Edward the Third to
Southwell, when they are stated to have lodged at the "Saracen's Head," we
come to the harassed wanderings of Charles the First over the distracted
England of his time. That unhappy King well knew Southwell and the
"Saracen's Head." They were associated with the opening and the closing
scenes of his fight with Parliament and people, for he rested at the inn
on August 17th, 1642, on the way to raise the Royal Standard at Nottingham
on the 22nd; and at last, on May 5th, 1646, he abandoned the nearly four
years' struggle against fate, surrendering himself here to the Scottish
Commissioners. Between those two fateful days he was certainly once at
Southwell, and possibly more often.

The story of his last visit has a pathos of its own that we need not be
Royalist to perceive. In March, 1646, the King at length saw his hopes to
be desperately failing everywhere, even in the loyal West; garrisons of
towns, castles, and fortified houses had been compelled to yield, and
himself reduced to fleeting, the embarrassed head of an impossible cause,
from place to place; bringing upon places and persons devoted to him a
common ruin. Friends began to despair of his shifty and untrustworthy
policy towards themselves and in negotiations with the enemy, and although
their loyalty was hardly ever in doubt, for they were fighting, after all,
not merely for the King personally, but for an order of things in which
their interests were involved, they had by this time exhausted energies
and wealth in a vain effort, and perhaps thought peace at almost any price
to be by this time preferable to the uncertainties of civil war, in which
the only certainty seemed to be that, whoever eventually won, they must
needs in the meanwhile be continually making further sacrifices.

The King was at Oxford when he at length came to a decision by some means
to end the struggle; by flight over sea, or by surrendering himself to the
enemy: in the hope, in that alternative, that the sanctity of Kingship
would enable him by some means to snatch an advantage out of the very jaws
of defeat and ruin. The first thought was to take flight from the country,
by the port of King's Lynn, but that was at length abandoned for the
idea--a fatal _tertium quid_, as it proved--of surrendering, not to the
English army and the Parliament, but to the Scots, who, he thought, were
likely to make better terms for him. The Scottish army was at that time
engaged upon the siege of the Royalist castle of Newark, near Southwell;
and to Southwell the King, therefore, went from Oxford, in disguise. He
left Oxford on April 26th, and, to the last incapable of being
straightforward, even toward his own, gave out to his council that he was
going to London, to treat with Parliament. On May 3rd he was at Stamford,
and came to the "Saracen's Head" at Southwell at seven o'clock in the
morning of May 5th, accompanied by Ashburnham and his chaplain, Dr.
Hudson, but travelling with them as Ashburnham's servant. At the inn he
was received by Montreuil, the French Ambassador to Scotland, who had been
advised of his coming. The King, believing himself in every sense free,
invited the Scottish Commissioners over to dinner at the inn, from the
Bishop's Palace, where they had their quarters; and in what is now the
Coffee Room, the negotiations took place that ended in the King's yielding
to the Scots. It would, in any case, have so ended, for the Commissioners
came by invitation, as guests to dinner, but were so astonished at
finding the King so tamely coming within their grasp that they had not the
remotest idea of letting him go again, and would, if needs were, have
forcibly detained him. He was removed the same day to the neighbouring
Kelham Hall, where he formed the richest prize and the bitterest source of
contention between the English and the Scots, and all but caused a further
warfare. Eventually, the Scottish Commissioners, true to the national love
of money, sold their principles and their prisoner for L400,000 and
withdrew themselves and their forces across the border. The story ends
tragically, in Westminster, with the execution of the King on January
30th, 1649.

The Coffee Room of the "Saracen's Head" is a beautiful apartment, formed
out of two rooms, and rich in panelling and deeply recessed windows. The
bedroom upstairs, where the King is said to have slept, is, in the same
manner, formed by abolishing the partition that once made two rooms of it;
and there they still show the pilgrims after things of sentimental and
historic interest the ancient four-poster bed on which the King slept.

This history seems to have greatly upset Dr. Selwyn, Bishop of New Zealand
and afterwards of Lichfield, who stayed at the "Saracen's Head" in 1858,
and slept--or rather, failed to sleep--in this historic bed. For my part,
although a pilgrim--and a sentimental one at that--I found the
four-poster, despite its associations, as inviting to slumber as any
other; but then, I had cycled eighty-one miles that day, and--not being a
bishop--had nothing on my conscience.

[Illustration: KING CHARLES' BEDROOM, "SARACEN'S HEAD," SOUTHWELL.]

Dr. Selwyn was so obsessed with the memories of that room and the house
that he arose in the middle of the night, and lighted his bedroom candle
and wrote a long set of couplets, sentimental, pietistic, and very jingly
and inferior. I have a mental picture of him sitting up in bed, or perhaps
at the dressing-table in his night-shirt, gruesomely cold on that March
night, running his fingers through his hair and gazing at the ceiling for
the inspiration which does not seem to have come; for a more uninspired
set of verses it would be difficult to find. But you shall judge:

  I cannot rest--for on the spot where I have made my bed,
  O'erwearied with the strife of State, a King hath laid his head.

  Thy sacred head, ill-fated Charles, hath lain where now I lie;
  And thou hast passed, in Southwell Inn, as sleepless night as I.

  I cannot rest--for o'er my mind come thronging full and fast,
  The stories of the olden time, the visions of the past.

  'Twas here he rested ere he raised his standard for the fight;
  Here called on Heaven to help his cause, My God, defend the right!

  Here gather'd round him all the flow'r of England's chivalry;
  And here the vanquished Monarch closed his days of liberty.

  I cannot rest--for Cromwell's horse are neighing in mine ear;
  E'en in the Holy House of God their ringing hoofs I hear.

  Lord! wilt Thou once again endure it stable vile to be?
  The proud usurper's charger rein'd fast by Thy sanctuary.

  I cannot rest--for Wolsey's pride, and Wolsey's deep disgrace--
  The pomp, the littleness of man--speak from this ancient place.

  Here gloriously his summer days he spent in kingly state;
  Here his last summer sadly pined, bow'd by the stroke of Fate.

  How mighty was he when he rul'd from Tweed to Humber's flood!
  How lowly when he came to die, forsaken by his God!

  I cannot rest--for holier thoughts the lingering night beguile,
  Of the glad days when gospel light went forth o'er Britain's Isle.

  'Twas here the Bishop of the North, Paulinus, pitch'd his tent,
  Here preached the living Word of God, baptizing in the Trent.

  Hence have the preachers' feet gone forth thro' all the country wide;
  And daughter-churches have sprung up, nursed at their mother's side.

  Here have the clerks of Nottingham, and yeomen bold and true,
  Held yearly feasts at Whitsuntide, and paid their homage due.

  Here many a mitred head of York, and priests and men of peace,
  Have lived in penitence and prayer, and welcomed their release.

  And hence the daily choral song, the gospel's hopes and fears,
  Have sounded forth to Christian hearts, beyond a thousand years.

  'Tis thus, o'er England's hill and dale, have passed by Heaven's decree,
  A changing light, a chequer'd shade, a mingled company.

  The good, the bad, have had their day, the Lord hath worked His will;
  And England keeps her ancient faith, purer and brighter still.

  Where are they now, the famous men who lived in olden time?
  They never see the noonday sun, nor hear the midnight chime.

  They sleep within their narrow cell, waiting the trumpet's voice;
  Lord! grant that I may rest in peace, and when I wake--rejoice.

  _Saracen's Head, Southwell, 5th March, 1858._

Byron had stayed often at the inn, many years before, and in 1807 wrote an
impromptu on the death of a local carrier, John Adams, who travelled to
and from the house, and lived drunk and died drunk:

  John Adams lies here, of the parish of Southwell,
  A _Carrier_ who _carried_ his can to his mouth well;
  He _carried_ so much and he _carried_ so fast,
  He could _carry_ no more--so was _carried_ at last:
  For the liquor he drank, being too much for one,
  He could not _carry_ off--so is now _carri_-on.

It will already have been noticed that the Stuarts and their troubles
contributed most of the historic associations belonging to our old
hostelries; and we have not yet quite done with them. The incidents of
Charles the Second's flight in 1651, after the battle of Worcester,
include a halt of one night at the "Sun," Cirencester, the well-known
escape from the "Queen's Arms," an inn--that is an inn no longer--at
Charmouth, and visits to the "George" at Bridport, and a house of the same
name at Broadwindsor. The "King's Arms" at Salisbury is associated with
meetings and conferences of the King's supporters, who, while he lay in
hiding at Heale House, considered there the best way of conducting him to
the coast and safety. The route chosen lay through Mere, where, at the
"George" inn (rebuilt in the eighteenth century) Colonel Phelips and
Charles, travelling as his servant, Will Jackson, called. The Colonel, an
acquaintance of the landlord, descended into the cellar of the inn, to
sample the liquors of the house, while "Will Jackson" stood respectfully
aside. Mine host, however, was an hospitable man, and, turning to the
servant, with jug and glass, said, "Thou lookest an honest fellow--here's
a health to the King!" The "honest fellow," whether taken aback by the
suddenness of it, or acting an unwilling part, made some difficulty in
replying; whereupon the landlord mildly took the Colonel to task for the
kind of man he had brought.

[Illustration: THE "COCK AND PYMAT."]

From another "George"--the "George" at Brighthelmstone, in after years
styled the "King's Head"--the King escaped to France.

Nor even yet have we quite done with the hapless Stuarts, of whom
undoubtedly Charles the Second was the most fortunate.

One of the most historic of inns was the famous "Cock and Pymat" at
Whittington, near Chesterfield. It is now only to be spoken of in the past
tense because, although there is still an inn of that name at
Whittington, it is not the famous "Revolution House" itself, but only a
modern building to which the old sign of the "Cock and Magpie"--for that
is the plain English of "Pymat"--has been transferred.

Whittington in these times is a very grim and unlovely village, in the
dismal colliery district of Chesterfield, whose wicked-looking crooked
spire gives an air of _diablerie_ to its immediate surroundings; but two
centuries and a quarter ago, when James the Second was on the throne, and
busily engaged in undermining the religious and Parliamentary liberties of
the realm, it was a tiny collection of houses on a lonely moor, and an
ideal place for meetings of conspirators. There and then those very mild
and constitutional plotters who, despite their mildness, did actually
succeed in overturning that already insecure monarch, met and formulated
their demands.

The house in which they gathered was then an inn so noted for its fine
home-brewed ale that packmen and others made it a regular place of call,
and often, we are told, went considerable distances out of their way,
rather than miss a draught of the genuine Whittington nut-brown.

The bold men who met in the room still known as the "Plotting Parlour" had
nothing in common with such plotters as Guy Fawkes. Their methods were
rather those of debating societies than of misguided persons with dark
lanthorns and slow matches; but those were times when even the mildest
debater who ever rose to a point of order would have been in danger of
his life; and so undoubtedly the little gathering that met here in
1688--William, fourth Earl of Devonshire, Sir Thomas Osborne, Earl of
Danby, afterwards Duke of Leeds, and John D'Arcy--were bold men and brave.

They drew up a complaint, moderately worded, and appended to it a sturdy
resolution. They declared that "invasions had been made of late Years on
our Religion and Laws, without the consent of Parliament, freely and duly
chosen," and begged King James to grant again the constitutional right,
hardly won by our forefathers, of a free Parliament. "But," they added,
"if, to the great Misfortune and Ruin of these Kingdoms it prove
otherwise, we further declare that we will to our utmost defend the
Protestant religion, the Laws of the Kingdom, and the Rights and Liberties
of the People."

The Stuarts, although a romantic, were a wrong-headed and a stiff-necked
race. They must needs for ever be trying conclusions with their stubborn
heads against every brick wall within reach, and would never bow before
the storms of their own raising. James, true to his blood, would no more
yield than would any other of his house; and in that same year came the
Prince of Orange and brushed him lightly aside.

The chair in which the Earl (afterwards Duke) of Devonshire presided at
the "Cock and Pymat" was long since transferred to Hardwick Hall, and in
the course of years the greater part of the old inn was demolished, the
remaining portion being now a private house.

[Illustration: PORCH OF THE "RED LION," HIGH WYCOMBE.]

The porch of that chief hotel of High Wycombe, the "Red Lion," has become
in these last generations historic; but while we may find, throughout the
country, inns associated with the entirely fictitious incidents of novels
displaying notices of their fame, there is not yet even the most modest of
tablets affixed to the front of the "Red Lion," to inform the present
generation that from the roof of the projecting portico Benjamin Disraeli,
afterwards Prime Minister of England, made his first political speech.
Thrice, and every time unsuccessfully--twice in 1832, and in 1834--he
sought to enter Parliament as Member for this town. He made a public entry
on June 3rd, 1832, and spoke from beside the lion that, still very red and
fierce, stands to this day on the roof of the portico. He appeared there
in the dandified costume of his youth--tightly strapped trousers,
frock-coat very tight in the waist and very full and spreading in the
skirts--and made a picturesque figure as, in the excitement of his
harangue to the free and independent electors, he from time to time flung
back the long black curls of his luxuriant hair. Mr. D'Israeli--as he then
spelled his name--appeared as an independent candidate, and was proposed
by a Tory and seconded by a Radical. He polled little more than half the
number of votes cast for his opponent, and how small was the electorate in
those days of a restricted franchise we may see from this election return:

  Grey        23
  D'Israeli   12
              --
  Majority    11

Among inns of highly dubious historic associations may be mentioned the
"White Hart" at Somerton, Somerset: that gaunt and cold-looking town built
of the local grey-blue limestone that so utterly destroys the summery
implication of the place-name.

[Illustration: THE "WHITE HART," SOMERTON.]

The inn claims to have been partly built of the stones of Somerton Castle,
and a tiny opening, about the size of a pocket-handkerchief, in the gable
of the small and not otherwise particularly interesting house, is pointed
out as the window of "King John's Prison." The "King John" in question was
not our own shabby and lying Lackland, but an infinitely finer fellow--if
one may so greatly dare as to name a king a "fellow"--King John of France,
taken prisoner at the battle of Poictiers and held to ransom in England.
But there appears to be a considerable deal of confusion in the statement
that the French King was ever in custody in Somersetshire, for it was from
the Castle of Hertford to Somerton Castle in Lincolnshire that he was
removed, for greater security, in 1359. But those grave authorities, the
county histories of Somerset and Lincolnshire, alike claim to have had the
custody of that illustrious prisoner, in the 33rd year of Edward the
Third, at their respective Somertons, and the antiquaries of either
narrate how one Sir Saier de Rochford was granted two shillings a day for
the keeping of him.

Apart from this unfounded claim, the "White Hart" is pictorially
remarkable for its White Hart effigy, of an enormous size in proportion to
that of the house.




CHAPTER IX

INNS OF OLD ROMANCE


Romance, as we have already seen, was enacted in many ways in the inns of
long ago. Love and hatred, comedy and tragedy, and all the varied moods by
which human beings are swayed, have had their part beneath the roofs of
the older hostelries; as how could they fail to do in those times when the
inn was so essential and intimate a part of the national life? The
romantic incidents in which old inns have their part are in two great
divisions: that of old folklore, and the other of real life. To the realm
of folk-tales belongs the story told of an ancient hostelry that stood on
the site of the "Ostrich," Colnbrook.

The decayed coaching town of Colnbrook, in Middlesex, seventeen miles from
Hyde Park Corner, on the great road to Bath, is little changed from the
time when the coaches ceased running through it, seventy years ago. Still
do the old red-brick houses on either side of the narrow, causeway-like
street wear their seventeenth, their eighteenth, or their early
nineteenth-century look unchanged, and the solid, stolid red-faced
"George" inn yet seems to be awaiting the arrival of the mail, or of some
smart post-chaise nearing London or setting out on the second stage of
the 105-3/4 miles to Bath.

Colnbrook is perhaps the best illustration of a coaching town ruined by
railways that it is possible to discover, and certainly the nearest to
London. How great its fall since those prosperous days of 1549, when it
was incorporated as a market-town! Its charter was renewed in 1632, and,
judging from the many houses in its narrow street built about 1700-1750,
the prosperity of the place survived unimpaired for certainly considerably
over another century. It is now merely a village, but, as a result of its
former highway importance, still a place of inns. There are at least ten
even now surviving; and it is quite safe to assume that any
important-looking old house, now in private occupation, facing the long
thoroughfare, was once a hostelry.

The "George," already mentioned, although re-fronted at some period of the
eighteenth century, is older within, and an old gable overlooking the
stable yard even has a sixteenth-century barge-board surviving. Of rather
more human interest is the decorative and spiky iron-work fixed on the
ground-floor window-sills of the frontage, which clearly shows that the
architect of the building, when he drew out his design, had forgotten the
loungers of Colnbrook, and, in placing his sills at the height above the
ground of the average chair, had unwittingly provided the lazy with seats
in the most advantageous position. Hence the afterthought of the
decorative but penetrative ironwork.

But the oldest and most interesting building in Colnbrook is the "Ostrich"
inn, whose long, gabled timber-and-plaster front, now partly divided up
into shops and tenements, is clearly of Elizabethan date. It is
picturesque, rambling, shabby outside, and shabby and darkling within, and
the most satisfactory part of it is without doubt the little courtyard
through the archway, where, turning round on the cobble-stones, you get a
picturesque and a sunny view of steep roofs, dormer windows, dove-cot, and
white-washed walls covered with grape-vines.

The present "Ostrich" is the successor of a much more ancient inn. There
have been, in fact, several inns on this site. The first appears to have
been a guest-house, or hospice--"_quoddam hospitium in via Londoniae apud
Colebroc_"--founded by one Milo Crispin, and given, in 1106, in trust to
the Abbey of Abingdon, for the good of travellers in this world and the
salvation of his soul in the next.

It would seem to be from this circumstance that the inn obtained its name,
for it was early known as the "Ospridge," a kind of orthographic half-way
house between the former "hospice" and the present "Ostrich."

If we may believe the old chroniclers' statements--and there is no reason
why we should not--the house became in after years a place of resort for
guests going to and from Windsor Castle; and here the ambassadors robed
themselves before being conducted the last few miles, and so into the
Royal presence. Froissart chronicles four ambassadors to Edward the Third
dining with the King: "So they dyned in the Kynge's chamber, and after
they departed, lay the same night at Colbrook."

[Illustration: THE "OSTRICH," COLNBROOK.]

How it happened that the inn kept its customers after the dreadful murders
traditionally said to have been committed here by wholesale in the reign
of Henry the First, certainly not fifty years after the hospice was given
to Abingdon Abbey, there is no explaining. The ancient pamphlets that
narrate the Sweeny Todd-like particulars do not enlighten us on that head.

The undiluted horror of the whole thing is exceedingly revolting, and one
would rather not give a further lease of life to it, but that in an
account of Old Inns their unpleasing story must needs be set forth, in
company with their lighter legends. Moreover, the late sixteenth-century
romance of _Thomas of Reading_, in which the story occurs, is by way of
being a classic. It was written, probably in 1598, by one Thomas Delaney,
and is a lengthy narrative of a wealthy clothier of that name, otherwise
Thomas Cole. Characterised variously as "a fabulous and childish history,"
and as "a mixture of historical fact and fictitious narrative," it was, at
any rate, a highly successful publication, for by 1632 it had reached its
sixth edition, and eventually was circulated, broadcast, as a penny
chap-book.

According to this "pleasant and famous historie," there was once upon a
time, in the days of Henry the First, one Thomas Cole, a wealthy clothier
of Reading, who was used frequently to travel on his business between that
town and London. Commonly he journeyed in company with two intimate
clothier friends, Gray of Gloucester and William of Worcester. He himself
was a worshipful man, of honesty and great wealth, and was usually known
as Thomas of Reading. The three would usually dine at the "Ostrich" on the
way to London, and on the return sleep there. We are asked to believe that
this business man, Thomas Cole, on such occasions gave the money he
carried into the care of the landlady overnight, and that by this
misplaced confidence he was marked down for destruction.

Jarman, the innkeeper, and his wife had long been engaged in what is
rather delicately styled the "systematic removal" of wealthy guests, and
had devised an ingenious murder-trap in the principal bedroom, by which
the bed, firmly secured to a trap-door, was in the dead of night, when the
house resounded to the intended victim's snoring, plunged suddenly into a
huge copper filled with boiling water, placed in the room below. He was
then "polished off," as Sweeny Todd himself would say, and should it
happen that other guests of the night before asked after the missing one,
they would be told that he had taken horse early and gone away.

The victim's horse would be taken to a distance and disguised, his clothes
destroyed, his body thrown into the Colne, or into the Thames at
Wraysbury, and his money added to the fortune mine host and his wife were
thus rapidly acquiring.

As Thomas Cole had business in London more frequently than his friends, it
naturally followed that he sometimes went alone. On the first such
occasion he was, according to the author of this "pleasant historie,"
"appointed to be the fat pig that should be killed: For it is to be
understood that when they plotted the murder of any man, this was alwaies
their terme, the man to his wife, and the woman to her husband: 'Wife,
there is now a fat pig to be had if you want one.' Whereupon she would
answer thus: 'I pray you put him in the hogstie till to-morrow.'"

He was accordingly given the room--the condemned cell, so to speak--above
the copper, and by next morning would doubtless have been floating
inanimate down the Thames, had not his friend Gray unexpectedly joined him
in the evening. On another occasion his hour was nearly come, when
Colnbrook was aroused at night by people riding post-haste from London
with news that all Chepe was ablaze; and he must needs be up and away
without sleeping, for he had interests there.

The innkeeper was wrathy at these mischances; "but," said he, in a phrase
even yet heard, "the third time will pay for all."

Yet again the threatened clothier came riding alone, but in the night he
was roused by the innkeeper himself to help quiet a riotous dispute that
had arisen in the house over dice.

On another occasion he fell ill while staying at the "Ostrich," or the
"Crane," as some accounts name the house, and had to be nursed; but the
fifth time was fatal. Omens pursued him on that occasion, and many another
would have turned back. His horse stumbled and broke a leg, and he had to
find another, and when he had done so and had resumed his journey, he was
so sleepy he could scarce sit in the saddle. Then, as he drew near
Colnbrook, his nose began to bleed.

The happenings of the day depressed him when at last he had come to the
inn. He could take nothing, and the innkeeper and his wife remarked upon
it.

"Jesu, Master Cole," quoth they, "what ails ye to-night? Never before did
we see you thus sad. Will it please you to have a quart of burnt sack?"

"Willingly," he rejoined; but presently lapsed into his former mood.

"I have but one child in the world," said he, "and that is my daughter,
and half that I have is hers and the other half my wife's. But shall I be
good to nobody but them? In conscience, my wealth is too much for a couple
to possess, and what is our religion without charity? And to whom is
charity more to be shown than to decayed householders? Tom Dove, through
his love of jollity and good-fellowship, hath lost his all. Good my Oast,
lend me a pen and inke, for straightway I will write a letter vnto the
poore man, and something I will give him. God knows how long I shall
live."

"Why, Master Cole," said the innkeeper, when shown what the clothier had
written, "'tis no letter, but a will you have written."

"'Tis true," said Cole, "and I have but written that which God put into my
mind." Then, folding and sealing it, he desired his host to despatch it,
and was not satisfied until he himself had hired the carrier. Then he fell
a-weeping, and so went to bed, to the accompaniment of many other dolorous
signs and portents. "The scritch-owle cried piteously, and anon after the
night-rauen sate croaking hard by the window. 'Jesu have mercy vpon me,'
quoth hee, 'what an ill-favoured cry doe yonder carrion birds make;' and
thereupon he laid him down in his bed, from whence he neuer rose againe."

The innkeeper also was shaken by these ominous things, and would have
spared his guest; but his wife was of other mettle.

"What," said she, "faint you now?"--and showed him the gold that had been
given into her care.

In the end they served the unfortunate Cole as they had many another, and
threw his body into the little river that runs near by: hence, according
to the old accounts, the name of the place, originally Cole-in-brook!

This last ridiculous, infantile touch is sufficient to discredit the
whole story, and when we learn that, according to one account thirteen,
and by the testimony of another no fewer than sixty, travellers had been,
in like manner, "removed," we are inclined to believe the whole thing the
invention of some anonymous, bloody-minded pamphleteer, and care little
whether the innkeeper and his wife were hanged (as we are told) or retired
with a fortune and founded a family.

At any rate, one cannot understand the persistent attempt to connect the
so-called "Blue Room" of the present house with the fatal bedroom. If
there is any truth at all in the story of Master Cole, his tragical ending
was accomplished in a house demolished eight hundred years ago; for we
have it, in the words of the writer of _Thomas of Reading_, that "the King
(Henry the First) commanded the house should be quite consumed with fire
and that no man should ever build vpon that cursed ground."

In the same manner, the recent attempts to connect Turpin with the
"Ostrich" will not bear the least investigation.

[Illustration: YARD OF THE "OSTRICH," COLNBROOK.]

This ghastly story claimed, with such extraordinary zeal, by the "Ostrich"
is by no means the only one of its kind, for many an old tale of horror
has for its central feature the wicked innkeeper who robbed and murdered
his guests. The most famous, and most revolting, legend is that included
in the career of St. Nicholas of Myra, which serves to show that this
licensed-victualling depravity was international. The true story of St.
Nicholas is not miraculous, and is simply earnest of his good and pitiful
nature. He entreated, and secured from Eustathius, governor of Myra, the
pardon of three men imprisoned in a tower and condemned to die, and is
often represented with a tower at the side of him and three mannikins
rising out of it. In the course of time the tower became a tub, and the
little men were changed into children, and those changes in their turn
gave rise to a wholly fictitious story that fairly outranges all the other
incredible marvels of the dark ages. According to this tale, an innkeeper,
running short of bacon, seized three little boys, cut them up, and pickled
them in a salting-tub. St. Nicholas, hearing that they had gone to the inn
and had disappeared there, had his saintly suspicions aroused. He asked
for the pickle-tub, addressed it in some form of words that unfortunately
have not been preserved to us, and straightway the fragments sorted
themselves out, and pieced themselves together, and the children went off
to play.

A curious feature of the old frontage of the "Ostrich" was the doorway
made in coaching times in the upper storey for the convenience of
passengers, who were in this manner enabled to step directly into the
house from the roofs of the coaches. There are those still living who
remember this contrivance; but the space has long been filled in, and the
sole vestige of it is an unobtrusive wooden sill resting on the timbering
beneath the swinging sign.

Romance, very dark and gory, clothes the memory of the "Blue Boar" at
Leicester, a house unfortunately pulled down in the '30's of the
nineteenth century. According to tradition, Richard the Third, coming to
Leicester and finding the castle already dilapidated, stayed at the inn
before the battle of Bosworth, and slept in the huge oaken four-poster bed
which remained in the house until the date of its demolition. It was not
only a bed, but also a treasure-chest, for in the time of one Clark, who
kept the house in the later years of Queen Elizabeth and the earlier part
of the reign of James the First, a great store of gold coin was discovered
in the framework of it. Mrs. Clark, making up the bed hastily, shook it
with more than usual vigour, when, to her surprise, a gold coin dropped
out. Examination led to the discovery that the bedstead had a false bottom
and that the space between was one vast cash-box. Clark did not at the
time disclose the find, and so became "mysteriously" rich. In the course
of a few years he was gathered to his fathers, and his widow kept on the
house, but was murdered in 1613 for the sake of her gold by a maidservant,
who, together with no fewer than seven men accomplices, was duly hanged
for the crime.

[Illustration: "PIFF'S ELM."]

The difficulty of resolving tradition into fact, of putting a date to
legends and tracing them to their origin, is generally insurmountable. Let
us take, for example, the "Old White Swan," at "Piff's Elm." Casting a
roving eye upon the map of Gloucestershire, I see by chance, between
Tewkesbury and Gloucester, a place so named. It tells me vaguely of
romance, and I resolve, at all hazards, to go to that spot and sketch, if
sketchable, the inn I suspect to be there, and note the story that
belongs, or should belong, to it. In due course I come to that lonely
place, and there, to be sure, is an inn--once a considerable house on the
old coaching and posting route between Cheltenham and Tewkesbury--and not
only an inn, but a picturesque one, fronted with the giant stump of an
elm--whether Piff's or another's, who shall say?

And Piff himself? Whether he was a highwayman or was murdered by a
highwayman; or if he were a suicide who hanged himself from the elm
associated with him, or a criminal gibbeted there, I cannot tell you, nor
can any one else. Some stories say one thing, some another, and others
still put quite different complexions upon it. In that choice of legends
lurks romance itself, perhaps reduced from the highest realms of tragedy
by the unfortunately farcical name of the mysterious Piff.

Equally romantic, and irreducible to cold-drawn fact, is the legend of
King James and the Tinker, associated with the "King and Tinker" inn at
White Webbs Lane, in what was once Enfield Chase. According to the tale,
King James the First, hunting in the woodlands that surrounded his palace
of Theobalds, lost himself, and, drawing rein at the inn--whatever then
was the sign of it--encountered a tinker drinking a modest stoup of ale
in the porch.

"What news, good fellow?" asked the horseman.

"No news that I wot of," replied the tinker, "save that they say the
King's out a-hunting in the Chase to-day. I should like to see the King,
although I suppose he's very much like other folk."

"So you'd like to see the King?" queried his Majesty.

"Ay, just for the sake of saying so," replied the tinker.

"Mount behind me, then," said the King, "and I will show you him."

"But how shall I know him when I see him?"

"Easily enough. You will know him by his remaining covered."

Soon the King came upon his retinue, all of whom promptly bared their
heads. "Now, my friend, where is the King?" asked his Majesty, turning,
with a smile, in his saddle.

"There's only we two covered, and since I know I'm no king, I--O! pardon,
your Majesty!" replied the now trembling tinker.

The King laughed. "Now," said he, "since you have seen how a King looks,
you shall also see how he acts," and then, drawing his sword, he knighted
the tinker on the spot; or, in the words of the brave old ballad:

  "Come, tell me thy name." "I am John of the Dale,
  A mender of kettles, and fond of good ale."--
  "Then rise up, Sir John, for I'll honour thee here,--
  I make thee a Knight of five hundred a year!"

Well may the mark of exclamation stand there, not only at the general
improbability of such a thing, but at the preposterous idea of the niggard
James the First being guilty of an act of unreasonable generosity. But one
must not question the legend at the "King and Tinker," where it is
devoutly cherished. I have before me a four-page pamphlet, issued at the
inn, wherein the ancient ballad is printed at length and surmounted, not
very convincingly, by a woodblock in the Bewick manner, showing a number
of sportsmen in the costume of George the Third's time, about, in a most
unsportsmanlike way, to ride over the hounds. In the distance is Windsor
Castle. It will be conceded that, as an illustration of the King James and
the Tinker legend, this is lacking in some of those intimate touches that
would make the incident live again.

But the legend and the ballad are much older than the days of James the
First. They are, in fact, to be found, on substantially the same lines, in
most centuries and many countries, Haroun-al-Raschid is found, in the
_Arabian Nights_, in circumstances not dissimilar: while the story of
Henry the Second--or, as some versions have it, Henry the Eighth--and the
Miller of Mansfield is another familiar parallel. There again we find the
King riding away in the forest from his courtiers, only in that instance
it is the Forest of Sherwood. He is given shelter by the miller, and
shares a bed with the miller's son, Dick. Next morning the agitated
courtiers discover the King, who knights his host, "Sir John Cockle," and
eventually names him ranger of Sherwood, with a salary of L300.

From romance of this almost fairy-tale kind let us turn to the equally
astonishing, but better established, story associated with the once-famed
"Pelican" at Speenhamland, on the outskirts of Newbury. The Peerage, which
has long appeared to exist almost exclusively for the purpose of
scandalising staid folk by the amazing marriages of its members, included
in 1744 a Duke of Chandos; Henry Brydges, the second Duke, at that time a
widower. He and a friend, dining at the "Pelican" on their way from Bath
to London in that year, were interrupted by an unwonted excitement that
appeared to be agitating the establishment. Inquiring the cause, they were
told that a man was about to sell his wife in the inn yard. "Let us go and
see," quoth the Duke; and they accordingly went forth into the courtyard
and saw a handsome, modest-looking young woman enter, in the approved
manner, with a halter round her neck, and led by her husband, who is
described as a "brutal ostler."

It was a remarkable instance of love at first sight. The name of this
fortunate young woman was Ann Wells. The Duke bought her (the price is not
stated) and married her on Christmas Day. She died in 1757, at Keynsham,
near Bristol, leaving an only daughter, Lady Augusta, who married a Mr.
Kearney.

There remained until recent times a funeral hatchment in Keynsham Church
on which the arms of this greatly daring Duke were impaled with those
found by the Herald's College for his plebeian wife: "three fountains (for
'Wells') on a field azure."




CHAPTER X

PICKWICKIAN INNS


What visions of Early Victorian good-fellowship and conviviality, of the
roast-beef and rum-punch kind, are called up by the title! The Pickwickian
Inn was, in the '30's of the nineteenth century, the last word in
hospitable comfort, and its kitchen achieved the topmost pinnacle of
culinary refinement demanded by an age that was robust rather than
refined, whose appetites were gross rather than discriminating, and whose
requirements seem to ourselves, of a more sybarite and exacting
generation, few and modest. The Pickwickian age was an age of prodigious
performances in eating and drinking, and our ancestors of that time, so
only they had great joints, heaped-up dishes, and many bottles and
decanters set before them, cared comparatively little about delicate
flavours. The chief aim was to get enough, and the "enough" of our
great-grandfathers would nowadays be a surfeit to ourselves. If it were
not then quite the essential mark of a jolly good fellow to be carried up
to bed at the end of an evening with the punch and the old port, a man who
shirked his drink was looked upon with astonishment, almost suspicion, and
the only use in those deep-drinking days and nights for table-waters was
to help a man along the road to recovery, after "a night of it."

Then to be otherwise than of a Pickwickian rotundity was to be not merely
a poor creature, but generally connoted some mental crook or eccentricity;
while fatness and hearty good-nature were thought of almost as
interchangeable terms.

'Twas ever thus. Even Shakespeare loved the well-larded, and makes Julius
Caesar, who himself was sufficiently lean, say:

  Let me have men about me that are fat;
  Sleek-headed men, and such as sleep o' nights:
  Yond Cassius has a lean and hungry look:
  He thinks too much: such men are dangerous.

In the time of Dickens they were still suspect; and when at last Wilkie
Collins made his villainous Count Fosco a fat villain, the new departure
seemed to that generation a wanton, extravagant flying in the face of
nature.

There are even yet to be found substantial old inns something after the
Pickwickian ideal, but they are few and far between, and they are none of
them Pickwickian to the core. Rarely do you see nowadays the monumental
sideboards, with the almost equally monumental sirloins of beef and the
like, and even the huge cheese, last of the old order of things to survive
upon these tables, is nowadays generally represented by a modest wedge.

It is true that even the Pickwickians did not always happen upon
well-ordered inns, for the "Great White Horse" at Ipswich was severely
criticised by Dickens; but such exceptions do but serve to prove the
Dickensian rule, that there was no such place, and there never had been
any such place, as the hostelry of the coaching age for creature-comforts
and good service. Dickens had already, when he began writing _The Pickwick
Papers_ at the age of twenty-five, an almost encyclopaedic knowledge of
inns, especially of country inns. It was, like his own Mr. Weller's
knowledge of London, "extensive and peculiar." His fount of information
about country inns, at any rate, was acquired at an early and receptive
age, in his many and hurried journeys as a reporter, when, on behalf of
_The Morning Chronicle_, he flew--flew, that is to say, as flying was then
metaphorically understood, at an average rate of something under ten miles
an hour--by coach, east, west, north, and south, in the capacity of
Parliamentary reporter, despatched to "take" the flow of eloquence from
Members, or would-be Members of Parliament, addressing the conventionally
"free and enlightened" voters of the provinces.

No fewer than fifty-five inns, taverns, etc., London and provincial, are
named in _Pickwick_, many of them at considerable length; but, so great
and sweeping have been the changes of the last seventy years, only twelve
now remain. The London houses, with the exception of Osborne's Hotel, John
Street, Adelphi--now the "Adelphi" Hotel--and the "George and Vulture,"
in George Yard, Lombard Street--in these days almost better known as
Thomas's Restaurant--have been either utterly disestablished or remodelled
beyond all knowledge.

_Pickwick_ is the very Odyssey of inns and travel. You reach the second
chapter and are whirled away at once from London by the "Commodore" coach,
starting from the "Golden Cross," Charing Cross, for Rochester, and only
cease your travels and adventures at inns in Chapter LI., near the end of
the story. Meanwhile you have coasted over a very considerable portion of
England with the Pickwickians: from Rochester and Ipswich on the east, to
Bath and Bristol on the west, and as far as Birmingham and Coventry in the
Midlands.

He who would write learnedly and responsibly on the subject of Pickwickian
Inns must bring to his task a certain amount of foreknowledge, and must
add to that equipment by industry and research--and even then he shall
find himself, after all, convicted of errors and inadequacies; for indeed,
although the Pickwickians began their travels no longer ago than 1827, the
changes in topography for one thing, and in manners and customs for
another, are so great that it needs a scientific historian to be
illuminating on the subject.

To begin at the usual place, the beginning, the history of the "Golden
Cross," the famous inn whence the Pickwickians started, offers a fine
series of snares, pitfalls, traps, and rocks of offence to him who does
not walk warily, for the "Golden Cross" of to-day, although a coaching inn
remodelled, is by no means the original of that name, and indeed stands on
quite a different (although neighbouring) site.

Changes in the geography of London have been so continuous, so intricate,
and so puzzling that few people at once realise how the inn can have stood
until 1830 at the rear of King Charles the First's statue, on the spot now
occupied by the south-eastern one of the four lions guarding the Nelson
Column.

At that time Charing Cross was still the narrow junction of streets seen
in Shepherd's illustration, where the "Golden Cross" inn is prominent on
the left hand, and Northumberland House, the London palace of the Dukes of
Northumberland (pulled down in 1874), more prominent on the right. The
block of buildings, including the "Golden Cross," was removed, in 1830, to
form part of the open space of Trafalgar Square, and the site of the ducal
mansion is now Northumberland Avenue.

There had long been a "Golden Cross" inn here: how long we do not know,
but a house of that name was in existence in 1643, for in that year we
find the Puritans demanding the removal of the, to them, offensive sign of
the cross. It was then a half-way house at the little village of Charing,
midway between the then entirely separate and distinct cities of London
and Westminster. In front of it, on the site of King Charles's statue,
stood the ancient cross of Charing, erected, long centuries before, to the
memory of Queen Eleanor.

[Illustration: THE "GOLDEN CROSS," IN PICKWICKIAN DAYS.]

The earliest picture we have of the "Golden Cross" inn is a view by
Canaletti, engraved in 1753, showing a sign projecting boldly over the
footpath. As the architectural style of the house shown in that view is
later than that prevailing in the reign of Charles the First, the inn must
obviously have been rebuilt at least once in the interval. This building
is again illustrated in a painting executed certainly later than 1770,
according to the evidence of the sign, which, instead of the old gallows
sign in Canaletti's picture, is replaced by a board fixed against the
front of the building, in obedience to the Acts of Parliament, 1762-70,
forbidding overhanging signs in London. That such measures were necessary
had been made abundantly evident so early as 1718, when a heavy sign had
fallen in Bride Lane, Fleet Street, tearing down the front of the house
and killing four persons.

In this view, later than 1770, and probably executed about 1800, we have
the "Golden Cross" inn of _Pickwick_. Its successor, the Gothic-fronted
building generally associated by Dickens commentators with that story, was
built in 1828 and demolished two years later. Dickens wrote _Pickwick_ in
1836: when both the house he indicated and its successor were swept away,
and the very site cleared and made a part of the open road; but, as he
specifically states that the Pickwickians began their travels on May 13th,
1827, it must needs have been the predecessor of the Gothic building from
which they set forth on the "Commodore" coach for Rochester.

The inn at that time had a hospitable-looking front and a really handsome
range of coffee-room windows looking out upon the street. Beside them you
see the celebrated archway of Jingle's excited and disjointed cautions:
"Terrible place--dangerous work--other day--five children--mother--tall
lady, eating sandwiches--forgot the arch--crash--knock--children look
round--mother's head off--sandwich in her hand--no mouth to put it
in--head of a family off--shocking, shocking!"

The great stable-yard and the back premises probably remained untouched,
for when David Copperfield came up by coach from Canterbury, the "Golden
Cross" was, we learn, "a mouldy sort of establishment," and his bedroom
"smelt like a hackney-coach, and was shut up like a family
vault"--characteristics not generally associated with new buildings.

But, indeed, although references to the "Golden Cross" are plentiful in
literature, they are few of them flattering: "A nasty inn, remarkable for
filth and apparent misery," wrote Edward Shergold, early in the nineteenth
century, and he was but one of a cloud of witnesses to the same effect. It
is thus a little difficult to understand a writer in _The Epicure's
Almanack_ for 1815, who says, in the commendatory way, that the fame of
the "Golden Cross" had spread "from the Pillars of Hercules to the Ganges;
from Nova Scotia to California."

[Illustration: CHARING CROSS, ABOUT 1829, SHOWING THE "GOLDEN CROSS" INN.
_From the engraving after T. Hosmer Shepherd._]

At that period this was the chief booking-office for coaches in the West
End of London, and it was to that quarter what the "Bull and Mouth" was to
the City. To that commanding position it had been raised by William Horne,
who came here from the "White Horse" in Fetter Lane, in 1805. He died in
1828, and was succeeded by his son, the great coach-proprietor, Benjamin
Worthy Horne, who further improved the property, and was powerful enough
to command respect at the councils of the early railways. Under his rule,
beneath the very shadow of the Charing Cross Improvement Act, by whose
provisions Trafalgar Square was ordained and eventually created, the house
was rebuilt, with a frontage in the Gothic manner. Shepherd's view of
Charing Cross, published December 18th, 1830, shows this immediate
successor of the Pickwickian inn very clearly, with, next door, the
establishment of Bish, for whose lotteries Charles Lamb was employed to
write puffs.

When the Commissioners of Woods and Forests, who had the Charing Cross
improvement in charge, cleared the ground, the inn migrated to the new
building, some distance eastwards, the present "Golden Cross," 452, West
Strand, which, like the whole of the West Strand, in the Nash,
stucco-classic manner, was designed in 1832, by Mr. (afterwards Sir
William) Tite.

Maginn lamented these changes, in the verses "An Excellent New Ballad;
being entitled a Lamentation on the Golden Cross, Charing Cross":

  No more the coaches shall I see
    Come trundling from the yard,
  Nor hear the horn blown cheerily
    By brandy-bibbing guard.
  King Charles, I think, must sorrow sore,
    Even were he made of stone,
  When left by all his friends of yore
    (Like Tom Moore's rose) alone.

      *       *       *       *       *

  O! London won't be London long,
    For 'twill be all pulled down;
  And I shall sing a funeral song
    O'er that time-honoured town.

According to a return made to Parliament of the expenses in connection
with these street improvements, "10 Houses and the Golden Cross Inn,
Stable Yards, &c.," were purchased for L108,884 4_s._; the inn itself
apparently, if we are to believe a statement in _The Gentleman's
Magazine_, 1831, with three houses in St. Martin's Lane and two houses and
workshops in Frontier Court, costing L30,000 of that sum.

The present building was planned with a courtyard, and had archways to the
Strand and to Duncannon Street. The last remains, and is in use as a
railway receiving-office, but the Strand archway, the principal entrance,
was built up and abolished in 1851.

[Illustration: THE "GOLDEN CROSS," SUCCESSOR OF THE PICKWICKIAN INN, AS
REBUILT 1828.]

The first house to which Mr. Pickwick and his followers--the amorous
Tupman, Winkle the sportsman, and the poetic Snodgrass--came at the
close of their first day's travel is still in being. I name the "Bull" at
Rochester, which long ago adopted Jingle's recommendation, and blazoned it
on the rather dingy forefront, of grey brick: "Good house--nice beds." It
is still very much as it was when Dickens conferred immortality upon it;
only there are now portraits of him and pictures of Pickwickian characters
on the walls of the staircase. Still you may find in the hall the
"illustrious larder," rather like a Chippendale book-case, behind whose
glass doors the "noble joints and tarts" are still placed--only I think
they have not now the nobility or the aldermanic proportions demanded by
an earlier generation--and the cold fowls are indubitably there. The "very
grove" of dangling uncooked joints is, if one's memory of such things
serves, not as described, in the hall, but depending, as they commonly are
made to do in old inns, from hooks in the ceiling of the archway entrance.
The custom excites the curiosity of many. To the majority of observers it
has seemed to be by way of advertisement of the good cheer within; but the
real reason is sufficiently simple: it is to keep the joints fresh and
sweet in the current of air generally to be reckoned upon in that
situation.

The ball-room, with the "elevated den" for musicians at one end, is a real
room, and you wonder exceedingly at the smallness, not only of the den,
but of the room itself, where the fine flower of Dockyard society
gathered and fraternised with the even finer flower of that belonging to
the Garrison: the two, joining forces, condescending to, or sneering upon,
the vulgar herd of tradesmen and their wives.

In this somewhat exiguous apartment Tupman and Jingle danced, and the
bellicose Dr. Slammer, of the 97th Regiment, glared; and the society of
Chatham and Rochester had, you cannot help thinking, a very close and
tightly packed evening.

They take their Pickwickian associations very seriously at the "Bull,"
which, by the way, is an "inn" no longer, but an "hotel." In 1836, the
Princess Victoria and her mother, travelling to London, were detained by
stress of weather that rendered it dangerous to cross the bridge, and they
reluctantly stayed at Rochester the night. Who were low-class
Pickwickians, that they should stand before such distinction? So the old
house for a while took on a new name, and became the "Victoria and Bull,"
and then, Royal associations gradually waning and literary landmarks
growing more popular, the "Bull and Victoria," finally, in these last
years, revered again to its simple old name.

That Royal visit is well-nigh forgotten now, and you are no longer invited
to look with awe upon the rooms occupied by those august, indubitably
flesh-and-blood travellers; but you _are_ shown the bedrooms of the
entirely fictitious Pickwickians.

"So this is where Mr. Pickwick is supposed to have slept?" remarked a
visitor, when viewing bedroom No. 17 by favour of a former landlord. That
stranger meant no offence, but the landlord was greatly ruffled.
"_Supposed_ to have slept? He _did_ sleep here, sir!"

"O ye verities!" as Carlyle might have exclaimed.

[Illustration: THE "BULL," ROCHESTER.]

Many Dickens commentators have long cherished what Horace Walpole might
have styled a "historic doubt" as to what house was that one in Rochester
referred to by Jingle as Wright's. "Wright's, next house, dear--very
dear--half a crown in the bill if you look at the waiter--charge you more
if you dine at a friend's than they would if you dined in the
coffee-room--rum fellows--very." But "Wright's" really was the next
"house"--house, that is to say, in the colloquial sense, by which
"public-house" is understood, and not by any means next door.

There is every excuse for writers on Dickens-land going wrong here, for
the real name of the old house to which Wright came, somewhere about 1820,
and on which he imposed his own was the "Crown."

The old "Crown" fronted on to the High Street, and was one of those old
galleried inns already mentioned so plentifully in these pages. It claimed
to have been built in 1390, and its yard was not only the spot where,
unknown to all save his intimates, Henry the Eighth had his first peep at
his intended consort Anne of Cleves, whom that disappointed connoisseur in
feminine beauty immediately styled a "Flanders mare"; but was in all
probability the original of the inn-yard in _Henry the Fourth_, whence
Shakespeare's flea-bitten carriers with their razes of ginger and other
goods for London, sleepless probably on account of those uncovenanted
co-partners of their beds, set forth, by starlight, yawning, with much
talk of highway dangers. At the "Crown" too, once stayed no less a
personage than Queen Elizabeth; while some two centuries later Hogarth and
his fellow-roysterers stayed a night in the house, on their "Frolic" down
Thames.

[Illustration: ROCHESTER IN PICKWICKIAN DAYS, SHOWING THE OLD BRIDGE AND
"WRIGHT'S."]

When Wright came to the "Crown," he, like any other monarch newly come to
his own, made sweeping alterations. Antiquity, gabled frontages,
elaborately carved barge-boards, and all such architectural vanities were
nothing to him, nor indeed were they much to any one else in that grossly
unappreciative era, and he left that portion of the house to carriers and
the like, used all their lives to be leeched by diminutive lepidoptera.
Wright did business with customers of more tender hide, who had
preferences for more civilised lodgment, and housed the great, the rich,
and the luxurious, travelling post to and fro along the Dover Road. For
their accommodation he built a remarkably substantial and amazingly ugly
structure--a something classical that might, by the look of it, be either
town hall, heathen temple, or early dissenting chapel--in the rear, and
facing the river. This was the building essentially "Wright's." It still
stands, and people with sharp eyes, who look very hard in the right place,
will yet discover a ghostly "Wright's" on what Mrs. Gamp would call the
"parapidge."

Such a place would naturally impress a poor strolling actor like Jingle,
whose humorous sally, "charge you more if you dine at a friend's than they
would if you dined in the coffee-room," is a perversion of the well-known
charge for "corkage" made by hotel-keepers when a guest brings his own
wine.

Wright himself has, of course, long since gone to that place where
innkeepers who make extravagant demands upon travellers are held to
account.

The course of _Pickwick_ now takes us to "Muggleton," as to whose
identity much uncertainty has long been felt. It is a choice between
Maidstone and Town Malling, and as the distances given in the book between
Rochester and Dingley Dell and "Muggleton" cannot be made to agree with
either Town Malling or Maidstone, it is a poor choice at the best. At the
former the "Swan" is pointed to as the real "Blue Lion," and at Maidstone
the "White Lion."

[Illustration: THE "SWAN," TOWN MALLING: IDENTIFIED WITH THE "BLUE LION,"
MUGGLETON.]

Chapter X. takes us back to London, and there brings on to the crowded
stage of _Pickwick_, for the first time, Sam Weller, engaged as "Boots" of
the "White Hart" in the Borough, in going over the foot-gear of the
guests.

[Illustration: SIGN OF THE "BULL AND MOUTH."]

This is how Dickens described the yard of the "White Hart." It is a
little clean-cut cameo of description, vividly portraying the features of
those old galleried inns that are now no more: "The yard presented none of
that bustle and activity which are the usual characteristics of a large
coach inn. Three or four lumbering waggons, each with a pile of goods
beneath its ample canopy about the height of the second-floor window of an
ordinary house, were stowed away beneath a lofty roof which extended over
one end of the yard; and another, which was probably to commence its
journey that morning, was drawn out into the open space. A double tier of
bedroom galleries with old clumsy balustrades ran round two sides of the
straggling area, and a double row of bells to correspond, sheltered from
the weather by a little sloping roof, hung over the door leading to the
bar and coffee-room. Two or three gigs or chaise-carts were wheeled up
under different little sheds and pent-houses, and the occasional heavy
tread of a cart-horse, or rattling of a chain at the further end of the
yard, announced to anyone who cared about the matter that the stable lay
in that direction. When we add that a few boys in smock-frocks were lying
asleep on heavy packages, woolpacks, and other articles that were
scattered about on heaps of straw, we have described as fully as need be
the general appearance of the 'White Hart' inn, High Street, Borough."

This one of the many picturesque old galleried inns of that street was
demolished in 1865.

Sam is busily engaged, at moment of his introduction, cleaning eleven
pairs of boots belonging to the sleepers in the galleried bedrooms above.

"A loud ringing of one of the bells was followed by the appearance of a
smart chambermaid in the upper sleeping gallery, who, after tapping at one
of the doors and receiving a request from within, called over the
balustrades:

"'Sam.'

"'Hallo!'

"'Number Twenty-two wants his boots.'

"'Ask Number Twenty-two whether he'll have 'em now, or wait till he gets
'em,'" was the reply.

Presently to this waggish person enter Mr. Pickwick, Old Wardle, and
Perker, the lawyer. "'Pretty busy, eh?'" asks the lawyer.

"Oh, werry well, sir; we shan't be bankrupts, and we shan't make our
fort'ns. We eats our biled mutton without capers, and don't care about
horse-radish wen we can get beef;" which just about figures the middling
and declining fortunes of the old Borough inns at that period.

[Illustration: THE "BELLE SAUVAGE." _From a drawing by T. Hosmer
Shepherd._]

The "Bull and Mouth" inn, casually mentioned in Chapter X., was the great
coaching inn that stood in St. Martin's-le-Grand, on the site of the
Post Office building adjoining the church of St. Botolph. In 1830 it was
rebuilt and re-named the "Queen's Hotel," and so remained until 1887. The
enormous plaster sign of the "Bull and Mouth," that was placed over the
entrance to the stables in the by-street of that name, and kept its place
there when the stables became a railway goods yard, is now in the
Guildhall Museum.

[Illustration: THE "LEATHER BOTTLE," COBHAM.]

The "Belle Sauvage," on Ludgate Hill, another fine old galleried inn
whence the coaches for the eastern counties largely set forth, is the
subject of allusion in Chapters X. and XLIII. The house was pulled down
many years ago, but the yard, now very commonplace, remains. It was known
as "Savage's Inn" so long ago as the reign of Henry the Sixth, and
alternatively as the "Bell in the Hoop." So early as 1568, when the
property was bequeathed to the Cutler's Company "for ever," the "Belle
Sauvage" myth was current; and thus we see that when Addison, in _The
Spectator_, suggested the "beautiful savage" idea, he was but
unconsciously reviving an ancient legend or witticism. One other variant,
that ingeniously refers the sign of the inn to one Isabella Savage, a
former landlady, seems to have created her for the purpose.

The "Marquis o' Granby" at Dorking, kept by the "widder" who became the
second Mrs. Weller, has been identified by some with the late "King's
Head" in that town; while the "Town Arms," the "Peacock," and the "White
Hart" at "Eatanswill" (_i.e._ Ipswich) have never been clearly traced.

No difficulty of identification surrounds the "Old Leather Bottle" at
Cobham, to whose rustic roof the love-lorn Tupman fled to hide his
sorrows, in Chapter XI. It is to-day, however, a vastly altered place from
the merely "clean and commodious village ale-house" in which Mr. Pickwick
found his moping, but still hungry, friend, and its "Dickens Room" is a
veritable museum. Additions have been made to the house, and it is now
more or less of a rustic hotel, with the sign of the leather bottle
swinging in the breeze, and beneath it our Mr. Pickwick himself, in the
immortal attitude depicted in the frontispiece to _The Pickwick Papers_,
declaiming, with one arm outstretched, the other tucked away under his
coat-tails.

[Illustration: THE DICKENS ROOM, "LEATHER BOTTLE," COBHAM.]

The "inn on Marlborough Downs," referred to in the Bagman's Story in
Chapter XIV., is still the subject of much heated controversy among
Dickens commentators. Sandwiched as it is (in the story told by a stranger
to the Pickwickians at "Eatanswill") between Ipswich and Bury St. Edmunds,
it appears to be a vague recollection dragged in, neck and crop, by
Dickens, of some inn he had casually noticed in 1835, when travelling
between London and Bristol. "But," it has been asked, "_what_ inn was he
thinking of, if indeed, of any specific inn at all?"

The Bagman with the Lonely Eye, who told the story of Tom Smart and the
widow-landlady of this wayside hostelry, spoke of Tom Smart driving his
gig "in the direction of Bristol" across the bleak expanse, and of his
mare drawing up of her own accord "before a roadside inn on the right-hand
side of the way, about half a quarter of a mile from the end of the
downs."

We are met here, at the very outset, by some puzzling discrepancies and by
a wide choice, "Marlborough Downs" being a stretch of wild, inhospitable
chalk-down country extending the whole of the fourteen miles between
Marlborough and Devizes, and being still "Marlborough Downs" at the
threshold of Devizes itself. Moreover, the same characteristic features
are common to both the routes to Bath and Bristol that branch at
Beckhampton and go, left by way of Devizes, and right through Calne and
Chippenham.

The "half a quarter of a mile from the end of the Downs" by the Devizes
route brings you, in the direction Tom Smart (of the firm of Bilson and
Slum) was going, to a point a half, or three quarters, of a mile from
Devizes town, where, neither on the right hand nor the left, was there
ever an inn. The same distance from the end of this weird district on the
Calne and Chippenham route conducts to the "Black Horse" inn at Cherhill,
full in view of the great white horse cut on the hillside in 1780, and
standing, correctly enough, on the right-hand side of the way. Could this
inn possibly have been the house referred to by Dickens? I have never seen
it suggested.

[Illustration: THE "WAGGON AND HORSES," BECKHAMPTON.]

Indeed, earnest people who would dearly, once for all, wish to settle this
knotty point, are like to be embarrassed by the numerous inns, not one of
them greatly resembling the house described by Dickens, that have claims
to be considered the original, and stand, _all_ of them, upon the proper
side of the road. Some commentators press the claim of the "Marquis of
Ailesbury's Arms" at Manton, or Clatford, a mile out of Marlborough, and
local opinion at the time of _The Pickwick Papers_ being written
identified the house with the lonely inn of Shepherd's Shore, midway
between Beckhampton and Devizes, in the very midst of the wild downs--the
downs of Marlborough--that are there at their wildest and loneliest.
Whatever the correctitude or otherwise of what should be an expert
view, certainly the inn of Shepherd's Shore is a thing of the past, as in
the story, where it is described as having been pulled down. There were,
indeed, at different periods two inns so called, and now both are gone.
"Old Shepherd's Shore" stood, as also did the new, beside the Wansdyke,
but at a considerable distance in a north-westerly direction, on the _old_
road to Devizes, now a mere track. Of "New Shepherd's Shore" only a
fragment remains, and although that fragment is inhabited, it is not any
longer an inn.

[Illustration: "SHEPHERD'S SHORE."]

The scene is entirely in accord with the description of the Downs in the
Bagman's Story (only the spot is in the _midst_ of the wilderness, and not
near the end of it), and he who even nowadays travels the still lonesome
way will heartily echo the statement that there are many pleasanter
places. The old coachmen, who had exceptional opportunities of
observation, used to declare that the way between Beckhampton and
Shepherd's Shore was the coldest spot on all the road between London and
Bath.

The eerie nature of the spot is emphasised by the circumstance of the
remaining portion of the house standing beside that mysterious
pre-historic earthwork, the great ditch and embankment of the Wansdyke,
that goes marching grimly across the stark hillsides. The Wansdyke has
always impressed the beholder, and accordingly we find it marked on old
maps as "Deuill's Ditch."

The name of "Shepherd's Shore" has been, and still is, a sore puzzle to
all who have cause to write of it. Often written "Shord," and pronounced
by the country folk "Shard," just as old seventeenth-century Aubrey prints
it, antiquaries believe the name to derive from "shard," a fragment: here
specifically a break in the Wansdyke, made in order to let the road (or
the sheep-track) through; "shard" itself being the Middle-English version
of the Anglo-Saxon "sceard," a division, a boundary, or a breach.

The name may, however, as I conceive it, be equally well a corrupt version
of "Shepherd's Shaw." "Shaw" = the old Anglo-Saxon for a coppice, a clump
of trees, or a bush. We see, even to-day (as of course merely a
coincidence) a clump of trees on the mystic tumulus beside the remains of
the house: trees noticeable enough on these otherwise naked downs, now, as
from time immemorial, a grazing-ground for sheep. In this view Shepherd's
Shore would be equivalent to "Shepherd's Shaw," and that to "Shepherd's
Wood," or "Shepherd's Bush." A shepherd's bush was commonly a thorn-tree
on a sheep-down, used as a shelter, or as a post of observation, by
shepherds watching their flocks. Such bushes, by constant use, assumed
distinctive and unmistakable forms,[15] and in old times were familiarly
known by that name.

But, to resume matters more purely Dickensian: it is the "Waggon and
Horses" inn at Beckhampton that most nearly realises the description of
the house in _The Pickwick Papers_, although even here you most
emphatically go up into the house (as the illustration shows) instead of
taking "a couple of steep steps leading down." It is "on the right-hand
side of the way," and being at a kind of little cultivated oasis at the
hamlet of Beckhampton, where the roads fork on the alternative routes to
Bath and Bristol, it may be considered as "about half a quarter of a mile"
from the recommencement (not the end) of the Downs.

The "Waggon and Horses" is just the house a needy bagman such as Tom Smart
would have selected. It was in coaching days a homely yet comfortable
inn, that received those travellers who did not relish either the state or
the expense of the great "Beckhampton Inn" opposite, where post-horses
were kept, and where the very _elite_ of the roads resorted.

"The humble shall be exalted and the proud shall be cast down," and it so
happened that when the Great Western Railway was opened to Bath and
Bristol on June 30th, 1841, the great inn fell upon ruination, while its
humbler neighbour has survived--and does very well, thank you. It should
be added that in the view presented here you are looking eastward, back in
the direction of Marlborough. The great dark hill beside the road in the
middle distance is the vast pre-historic tumulus, the largest known in
Europe, famous as Silbury Hill.

The great house that was once "Beckhampton Inn" is now, and long has been,
Mr. Samuel Darling's training-stables for racehorses. There is probably no
better-kept lawn in England than that triangular plot of grass in front of
the house, where--as you see in the picture--the roads fork.

[Illustration: "BECKHAMPTON INN."]

The "Angel" at Bury St. Edmunds, the scene of many stirring incidents in
Chapters XV. and XVI., is an enormous house of very severe and
unornamental architecture, that looks as though it were an exercise in
rectangles and a Puritan protest in white Suffolk, dough-like brick,
against the mediaeval pomps and vanities of the beautiful carved stone
Abbey Gatehouse, upon which it looks, gauntly, across the great open,
plain-like, empty thoroughfare of Angel Hill. This, the chief
coaching-and posting-house of Bury, was built in 1779 upon the site of a
fifteenth-century "Angel," and the present structure still stands upon
groined crypts and cellars.

[Illustration: THE "ANGEL," BURY ST. EDMUNDS.]

None may be so bold as to name for certain that tavern off Cheapside in
Chapter XX., to which the worried Mr. Pickwick "bent his steps" after the
interview with Dodson and Fogg, in Freeman's Court, Cornhill. We know it
was in some court on the right-hand, or north, side of Cheapside; but, on
the other hand, we do not know how far Mr. Pickwick had proceeded along
that thoroughfare when Sam recommended, as a suitable place for "a glass
of brandy and water warm," the "last house but vun on the same side the
vay--take the box as stands in the first fireplace, 'cos there an't no leg
in the middle o' the table, wich all the others has, and it's wery
inconwenient." Probably Grocers' Hall Court is meant. It has still its
coffee-and chop-houses.

There it is that Tony Weller is introduced, and suggests that, as he is
"working down" the coach to Ipswich in a couple of days' time, from the
"Bull" inn Whitechapel, Mr. Pickwick had better go with him. An incidental
allusion is made in the same place to the "Black Boy" at Chelmsford, a
fine old coaching inn, destroyed in 1857.

Mr. Pickwick was a good--nay, a phenomenal--pedestrian for so stout a man.
From Cheapside--fortified possibly by the brandy and water--he walked to
Gray's Inn, there ascending two pairs of steep (and dirty) stairs, and
thence to Clare Market, and the "Magpie and Stump," described as "situated
in a court, happy in the double advantage of being in the vicinity of
Clare Market and closely approximating to the back of 'New Inn.'"

[Illustration: THE "GEORGE THE FOURTH TAVERN," CLARE MARKET.]

It was "what ordinary people would designate a public-house," and has been
identified by most with the "Old Black Jack" in Portsmouth Street, or its
next-door neighbour, the "George the Fourth Tavern," both demolished in
1896. The last-named house was remarkable for entirely overhanging the
pavement, the very tall building being supported on wooden posts springing
from the kerb. In the words of Dickens: "In the lower windows, which were
decorated with curtains of a saffron hue, dangled two or three printed
cards, bearing reference to Devonshire cyder and Dantzic spruce, while a
large black board, announcing in white letters to an enlightened public
that there were 500,000 barrels of double stout in the cellars of the
establishment, left the mind in a state of not unpleasing doubt and
uncertainty as to the precise direction in the bowels of the earth in
which this mighty cavern might be supposed to extend. When we add that the
weather-beaten sign-board bore the half-obliterated semblance of a magpie
intently eyeing a crooked streak of brown paint, which the neighbours had
been taught from infancy to consider as the 'stump,' we have said all that
need be said of the exterior of the edifice."

The "Black Jack," next door, was in the eighteenth century the scene of
one of the famous Jack Sheppard's exploits. The Bow Street runners entered
the house after him, and, as they went in at the door, he jumped out of a
first-floor window. In thieving circles the house was afterwards known as
"The Jump." The "Black Jack," however, romantic though the title sounds,
did not owe its name to Sheppard, but to that old style of vessel, the
leathern jacks or jugs of the Middle Ages. For their better preservation,
the old leathern jacks were often treated with a coating of pitch: hence
the name of "pitcher," at a very early period enlarged to denote jugs in
general, whether of leather or of earthenware.

The proverbial pitcher that goes often to the well and is broken at last
could not possibly be a leathern one, for the greatest virtue of the
leathern vessel was its indestructible nature, well set forth in the old
song of "The Leather Bottel":

  And when the bottle at last grows old,
  And will good liquor no longer hold,
  Out of its sides you may make a clout
  To mend your shoes when they're worn out;
  Or take and hang it upon a pin--
  'Twill serve to put hinges and odd things in.
  So I hope his soul in Heaven may dwell
  Who first found out the Leather Bottel.

Such leather bottles, some of them very ancient, are often to be found,
even at this day, in the barns and outhouses of remote hamlets, with a
side cut away to receive those "hinges and odd things" of the verse. They
are also often used to hold cart-grease.

The "Bull," Whitechapel, whence Mr. Tony Weller "worked down" to Ipswich,
was numbered No. 25, Aldgate High Street. It stood in the rear of the
narrow entry shown in the accompanying illustration. Rightly, it will be
seen, did Mr. Tony Weller advise the "outsides" on his coach to "take care
o' the archvay, gen'lm'n." The "Bull" was long occupied by the widowed
Mrs. Ann Nelson--one of those stern, dignified, magisterial women of
business who were a quite remarkable feature of the coaching age, who saw
their husbands off to an early grave, and alone carried on the peculiarly
exacting double business of innkeeping and coach-proprietorship, and did
so with success. Mrs. Ann Nelson--no one ever dared so greatly as to spell
her name "Anne"--was the Napoleon and Caesar combined of the coaching
business on the East Anglian roads, and accomplished the remarkable
feat--remarkable for an innkeeper in the East End of London--of also
owning that crack mail-coach of the West of England Road, the Devonport
"Quicksilver." As Mrs. Nelson would permit no "e" to her Christian name,
so also she would never hear of her house being called "hotel." It was, to
the last, the "Bull Inn"; as you see in the illustration, with Martin's
woollen-drapery shop, formerly that of James Johnson, whip-maker, on the
one side and that of Lee, the confectioner, on the other. Richard Lee
himself you perceive standing on the pavement, taking a very keen interest
in the coach emerging from the yard, as he had every reason to do; for he,
like William Lee, his father before him, was a partner, though not a
publicly acknowledged one, with Mrs. Nelson, and the money he made out of
his jam tarts he invested, with much profit to himself, in that autocratic
lady's coaching speculations.

From the date of the opening of the Eastern Counties Railway, in 1839, the
business of the "Bull" began to decline, and the house was at length sold
and demolished in 1868.[16]

[Illustration: THE "BULL INN," WHITECHAPEL. _From the water-colour drawing
by P. Palfrey._]

The journey from the "Bull" ended at the "Great White Horse" at Ipswich, a
house that still survives and flourishes on the notice (including even the
abuse) that Dickens gave it. The "Great White Horse" is neither ancient
nor beautiful; but it _is_ great and it _is_ white, for it is built of a
pallid kind of brick strongly suggesting under-done pastry, and it is in
these days the object to which most visitors to Ipswich first turn
their attention, whether they are to stay in the house or not.

[Illustration: DOORWAY OF THE "GREAT WHITE HORSE," IPSWICH.]

In the merry days of the road, when this huge caravanserai was built, it
was justly thought enormous; but it has been left to the present age to
build many hotels in town and country capable of containing half-a-dozen
or more hostelries the size of the "Great White Horse," which by
comparison with them is as a Shetland pony is to the great hairy-legged
creatures that still, even in these "horseless" times, haul waggons and
brewers' drays.

Especially did the bulk of this house strike the imagination of that young
reporter of the London _Morning Chronicle_ who in 1830 was despatched to
Ipswich for the purpose of reporting a Parliamentary election. That
reporter was, of course, Dickens. The inn made so great an impression upon
him that, when he wrote about it in the pages of _Pickwick_, a few years
later, his description was as exact as though it had been penned on the
spot.

It was not a flattering description. Few more severe things have ever been
said of an inn than those Dickens said of the "Great White Horse." Yet,
such is the irony of time and circumstance, the house Dickens so roundly
attacked is now eager, in all its advertisements, to quote the Dickensian
association; and the adventures of Mr. Pickwick in the double-bedded room
(now identified with No. 36) of the elderly lady in yellow curl-papers
have attracted more visitors than the unfavourable notice has turned away.

"The 'Great White Horse,'" said Dickens, "is famous in the neighbourhood
in the same degree as a prize ox, or county-paper-chronicled turnip, or
unwieldy pig--for its enormous size. Never were there such labyrinths of
uncarpeted passages, such clusters of mouldy, ill-lighted rooms, such huge
numbers of small dens for eating or sleeping in, beneath any one roof, as
are collected together between the four walls of the 'Great White Horse'
at Ipswich."

The house was evidently then an exception to the rule of the "good old
days," of comfort and good cheer and plenty of it; for, passing the
corpulent and insolent waiter, "with a fortnight's napkin under his arm
and coeval stockings on his legs," Mr. Pickwick entered only to find the
dining-room "a large, badly furnished apartment, with a dirty grate, in
which a small fire was making a wretched attempt to be cheerful, but was
fast sinking beneath the dispiriting influence of the place. After the
lapse of an hour, a bit of fish and a steak were served up to the
travellers," who then, ordering "a bottle of the worst possible port wine,
at the highest possible price, for the good of the house, drank brandy and
water for their own."

I may here mention the singular parallel in Besant and Rice's novel, _The
Seamy Side_, where, in Chapter XXVIII., you will find Gilbert Yorke going
to the hotel at Lulworth, in Dorset, and there ordering, like another Will
Waterproof, "for the good of the house," "a pint of port" after dinner.
He, we are told, could not drink "the ardent port of country inns," and
therefore "he poured the contents of the bottle into a pot of mignonette
in the window.... The flowers waggled their heads sadly and then drooped
and died," as of course, being notoriously total abstainers, they could
not choose but do. But it was unfair, alike to the port and the plants.

[Illustration: THE "GREAT WHITE HORSE," IPSWICH.]

How changed the times since those when Mr. Pickwick stayed at the "Great
White Horse!" We read how, after his unpleasant adventure with the lady in
the yellow curl-papers, he "stood alone, in an open passage, in the middle
of the night, half dressed," and in perfect darkness, with the
uncomfortable knowledge that, if he tried to find his own bedroom by
turning the handles of each one in succession "he stood every chance of
being shot at, and perhaps killed, by some wakeful traveller." No one in a
similar position would have that fear now: and even American guests,
commonly supposed to "go heeled," _i.e._ to carry an armoury of
six-shooters about them, do not invariably sleep with their
shooting-irons under their pillows.

The exterior of the "Great White Horse" is much the same as when Dickens
saw it, "in the main street of Ipswich, on the left-hand side of the way."
Still over the pillared portico trots the effigy of the Great White Horse
himself, "a stone statue of some rampacious animal, with flowing mane and
tail, distantly resembling an insane cart-horse"; but the old courtyard
has in modern times been roofed in with glass, and is now a something
partaking in equal parts of winter-garden, smoking-lounge, and bar.

Returning again to London from Ipswich, Mr. Pickwick, giving up his
lodgings in Goswell Road with the treacherous Mrs. Bardell, took up his
abode in "very good old-fashioned and comfortable quarters, to wit, the
'George and Vulture' Tavern and Hotel, George Yard, Lombard Street."

One may no longer stay at the "George and Vulture," and indeed, if one
might, I do not know that any one would choose, for after business hours,
and on Sundays and holidays, the modern George Yard, now entirely hemmed
in with the enormous buildings of banks and insurance-companies, is a
dismally deserted and forbidding place. The sunlight only by dint of great
endeavour comes at a particular hour slanting down to one side of the
stony courtyard, and the air is close and stale. But on days of business,
and in the hours of business, in the continual stream of passers-by, you
do not notice these things. Many of those whom you see in George Yard
disappear, a little mysteriously it seems, in an obscure doorway, tucked
away in an angle. It might, in most likelihood, be a bank to which they
enter; but, as a sheer matter of fact, it is the "George and Vulture": in
these days one of the most famous of City chop-houses.

I have plumbed the depths of depravity in chops, and have found them often
naturally hard, tasteless, and greasily fat; or if not naturally depraved,
the wicked incapacity of those who cook them has in some magic way
exorcised their every virtue. It matters little to you whether your chop
be innately uneatable, or whether it has acquired that defect in the
cooking: the net result is that you go hungry.

At the "George and Vulture," as before noted, you may not stay--or "hang
out," as it was suggested by Bob Sawyer that Mr. Pickwick did--but there
you do nowadays find chops of the best, cooked to perfection on the grill,
and may eat off old-world pewter plates and, to complete the ideality of
the performance, drink ale out of pewter tankards; all in the company of a
crowded roomful of hungry City men, and in a very Babel of talk. And, ah
me! where does the proprietor get that perfect port?

Between Chapters XXVI. and XXXIV. we have a perfect constellation--or
rather, a species of cloudy Milky Way--of inns, nebulous, undefined; but
in Chapter XXXV. we find Mr. Pickwick, on his way to Bath, waiting for the
coach in the travellers'-room of the "White Horse Cellar," Piccadilly,
a very brilliant star of an inn, indeed, in its day; but rather a
migratory one, for in the coaching age it was removed from its original
site at the corner of Arlington Street, where the Ritz Hotel stands now,
to the opposite side of the road, at the corner of Albemarle Street. There
it remained until 1884, when the old house was pulled down and the present
"Albemarle" built in its stead.

[Illustration: THE "WHITE HART," BATH.]

Mr. Pickwick was "twenty minutes too early" for the half-past seven
o'clock in the morning coach, and so, leaving Sam Weller single-handedly
to contend with the seven or eight porters who had flung themselves upon
the luggage, he and his friends went for shelter to "the
travellers'-room--the last resource of human dejection"--railways in
general and the waiting-rooms of Clapham Junction in especial not having
at that time come into existence, to plunge mankind into deeper abysms of
melancholia.

"The travellers'-room at the 'White Horse Cellar' is, of course,
uncomfortable; it would be no travellers'-room if it were not. It is the
right-hand parlour, into which an aspiring kitchen fireplace appears to
have walked, accompanied by a rebellious poker, tongs, and shovel. It is
divided into boxes, for the solitary confinement of travellers, and is
furnished with a clock, a looking-glass, and a live waiter: which latter
article is kept in a small kennel for washing glasses, in a corner of the
apartment."

So now we know what the primeval ancestor of the Railway Waiting-room,
with its advertisements of cheap excursions to places to which you do not
want to go, and its battered Bible on the table was like, and it seems
pretty clear that, whatever the travellers'-room of a coaching inn might
have been, its present representative is a degenerate.

Chapter XXXV. sees Mr. Pickwick and his friends arrived at Bath and duly
installed in "their private sitting-rooms at the 'White Hart' Hotel,
opposite the great Pump-room, where the waiters, from their costume, might
be mistaken for Westminster boys, only they destroy the illusion by
behaving themselves much better."

Until its last day, which came in 1864, the great "White Hart," owned by
the Moses Pickwick from whose name Dickens probably derived that of the
immortal Samuel, maintained the ceremonial manners of an earlier age, and
habited its waiters in knee-breeches and silk stockings, while the
chambermaids wore muslin caps. The Grand Pump-room Hotel now stands on the
site of the "White Hart," and the well-modelled effigy of the White Hart
himself, seen in the illustration of the old coaching inn, has been
transferred to a mere public-house of the same name in the slummy suburb
of Widcombe.

Round the corner from Queen Square, Bath, is the mean street where Dickens
pilgrims may gaze upon the "Beaufort Arms," the mean little public-house
identified, on a very slender thread, with the "greengrocer's shop" to
which Sam Weller was invited to the footmen's "swarry." The identification
hangs chiefly by the circumstance that it is known to have been the
particular meeting-place of the Bath footmen, just as the "Running
Footman" in Hay Hill, London, is even at this day the chosen house of call
for the men-servants around Berkeley Square.

[Illustration: SIGN OF THE "WHITE HART," BATH.]

The "Royal Hotel," whence Mr. Winkle fled by branch coach to Bristol, is
not to be found, and the "Bush" at Bristol itself is a thing of the past.
It stood in Corn Street, and was swept out of existence in 1864, the
Wiltshire Bank now standing on the site of it; but how busy a place it was
in Pickwickian days let the old picture of coaches arriving and departing
eloquently tell.

The inns of the succeeding chapters--the tavern (unnamed) at Clifton, the
"Farringdon Hotel," the "Fox-under-the-Hill," overlooking the river from
Ivy Bridge Lane in the Strand, the "New Hotel," Serjeant's Inn Coffee
House, and Horn's Coffee House--are merely given passing mention, and it
is only in Chapter XLVI. that we come to closer touch with actualities, in
the arrest of Mrs. Bardell in the tea-gardens of the "Spaniards" inn,
Hampstead Heath. The earwiggy arbours of that Cockney resort are still
greatly frequented on Saturdays, Sundays, and public holidays.

A very modest and comparatively little-known Pickwickian house is the
"Bell," Berkeley Heath, on the dull, flat high-road between Bristol and
Gloucester, unaltered since the day when Mr. Pickwick set forth by
post-chaise with Mr. Bob Sawyer and his fellow-roysterer, Ben Allen, from
the "Bush" at Bristol for Birmingham. Here they had lunch, as the present
sign-board of the inn, gravely and with a quaint inaccuracy, informs us:
insisting that it was "Charles Dickens and party" who so honoured the
"Bell." They had come only nineteen miles, and without any exertion on
their own part, yet when they changed horses here, at half-past eleven
a.m., Bob Sawyer found it necessary to dine, to enable them "to bear up
against the fatigue."

"'Quite impossible!' said Mr. Pickwick, himself no mean trencherman.

"'So it is,' rejoined Bob; 'lunch is the very thing. Hallo, you sir! Lunch
for three, directly, and keep the horses back for a quarter of an hour.
Tell them to put everything they have cold on the table, and some bottled
ale, and let us taste your very best Madeira.'"

[Illustration: THE "BUSH," BRISTOL.]

Those were truly marvellous times. All the way from Bristol those three
had been drinking milk-punch, and had emptied a case-bottle of it, and we
may be quite sure (although it is not stated) that they made havoc of a
prodigious breakfast before they started; Yet they did "very great
justice" to that lunch, and when they set off again the case-bottle was
filled with "the best substitute for milk-punch that could be procured on
so short a notice."

[Illustration: "THE BELL," BERKELEY HEATH.]

"At the 'Hop-Pole' at Tewkesbury they stopped to dine; upon which occasion
there was more bottled ale, with some more Madeira, and some port besides;
and here the case-bottle was replenished for the fourth time." Therefore,
it is evident that, twice on the twenty-four miles between Berkeley Heath
and Tewkesbury, they had a re-fill.

We do not find Gloucester mentioned, although it must have been passed on
the way; but, under those circumstances, we are by no means surprised.

The "Hop Pole" at Tewkesbury is still a "going concern," and, with the
adjoining gabled and timbered houses, is a notable landmark in the High
Street. Nowadays it proudly displays a tablet recording its Pickwickian
associations.

A drunken sleep (for it could have been nothing else) composed those two
"insides," Mr. Pickwick and Ben Allen, on the way to Birmingham, while,
thanks in part to the fresh air, Sam Weller and Bob Sawyer "sang duets in
the dickey." By the time they were nearing Birmingham it was quite dark.
The postboy drove them to the "Old Royal Hotel," where an order for that
surely very necessary thing, soda-water, having been given, the waiter
"imperceptibly melted away": a proceeding that, paradoxically enough,
seems to have been initiated by the house itself, years before; for it was
about 1825, two years before the Pickwickians are represented as starting
on their travels, that the "Old Royal" was transferred from Temple Row to
New Street, and there became the "New Royal."

The inn at Coventry, at which the post-horses were changed on the journey
from Birmingham, is unnamed, unhonoured, and unsung; but very famous, in
the Pickwickian way, is the "Saracen's Head" at Towcester, or "Toaster,"
as the townsfolk call it, even though its identity is a little obscured by
the sign having been exchanged for that of the "Pomfret Arms." The change,
which was actually made in April, 1831, was a complimentary allusion to
the Earls of Pomfret, who before the title became extinct, in 1867,
resided at the neighbouring park of Easton Neston.

[Illustration: THE "HOP-POLE," TEWKESBURY.]

In all essentials the inn remains the same as the old coaching hostelry to
which Mr. Pickwick and his friends drove up in their post-chaise, after
the long wet journey from Coventry. As "at the end of each stage it rained
harder than it had done at the beginning," Mr. Pickwick wisely decided to
halt here.

"There's beds here," reported Sam; "everything's clean and comfortable.
Wery good little dinner, sir, they can get ready in half an hour--pair of
fowls, sir, and a weal cutlet; French beans, 'taturs, tarts, and tidiness.
You'd better stop vere you are, sir, if I might recommend."

[Illustration: THE "POMFRET ARMS," TOWCESTER: FORMERLY THE "SARACEN'S
HEAD."]

At the moment of this earnest colloquy in the rain the landlord of the
"Saracen's Head" appeared, "to confirm Mr. Weller's statement relative to
the accommodations of the establishment, and to back his entreaties with a
variety of dismal conjectures regarding the state of the roads, the doubt
of fresh horses being to be had at the next stage, the dead certainty of
its raining all night, the equally mortal certainty of its clearing up in
the morning, and other topics of inducement familiar to innkeepers."

[Illustration: THE YARD OF THE "POMFRET ARMS."]

When Mr. Pickwick decided to stay, "the landlord smiled his delight" and
issued orders to the waiter. "Lights in the Sun, John; make up the fire;
the gentlemen are wet!" he cried anxiously, although, doubtless, if the
gentlemen had gone forward they might have been drowned, for all he cared.

And so the scene changed from the rain-washed road to a cosy room, with a
waiter laying the cloth for dinner, a cheerful fire burning, and the
tables lit with wax candles. "Everything looked (as everything always does
in all decent English inns) as if the travellers had been expected, and
their comforts prepared for days beforehand."

Upon this charming picture of ease at one's inn descended the atrabilious
rival editors of _The Eatanswill Gazette_ and _The Eatanswill
Independent_, the organs respectively of "blue" and "buff" shades of
political opinion. Pott of the _Gazette_, and Slurk of the _Independent_
each found his rival sheet lying on the tables of the inn; but what either
of those editors or those newspapers were doing here in Northamptonshire
(Eatanswill being a far-distant East Anglian town, by general consensus of
opinion identified with Ipswich) is one of those occasional lapses from
consistency that in _Pickwick_ give the modern commentator and annotator
food for speculation.

When the inn was closed for the night Slurk retired to the kitchen to
drink his rum and water by the fire, and to enjoy the bitter-sweet luxury
of sneering at the rival print; but, as it happened, Mr. Pickwick's party,
accompanied by Pott, also adjourned to the kitchen to smoke a cigar or so
before bed. How ancient, by the way, seems that custom! Does any guest,
anywhere, in these times of smoking-rooms, withdraw to the kitchen to
smoke his cigar, pipe, or cigarette?

How the rival editors--the "unmitigated viper" and the "ungrammatical
twaddler"--met and presently came from oblique taunts to direct abuse of
one another, and thence to a fight, let the pages of _The Pickwick
Papers_ tell. For my part, I refuse to believe that there were ever such
journalists.

[Illustration: "OSBORNE'S HOTEL, ADELPHI."]

What was once the kitchen of the "Saracen's Head" is now the bar-parlour
of the "Pomfret Arms"; but otherwise the house is the same as when Dickens
knew it. The somewhat severe frontage loses in a black-and-white drawing
its principal charm, for it is built of the golden-brown local ferruginous
sandstone of the district.

The journey to London is carried abruptly from Towcester to its ending at
the "George and Vulture"; and with "Osborne's Hotel in the Adelphi" the
last inn to be identified in the closing scenes of _Pickwick_ is reached.
That staid family hotel, still existing in John Street, and now known as
the "Adelphi," is associated with the flight of Emily Wardle and
Snodgrass. The sign of the last public-house in the story, "an excellent
house near Shooter's Hill," to which Mr. Tony Weller, no longer "of the
Bell Savage," retired, is not disclosed.




CHAPTER XI

DICKENSIAN INNS


The knowledge Dickens possessed of inns, old and new, was, as already
said, remarkable. His education in this sort began early. From his early
years in London, at the blacking factory, when he sampled the "genuine
stunning" at the "Red Lion," Parliament Street, through his experiences as
a reporter of election speeches in the provinces, when long coach journeys
presented a constant succession of inns and posting-houses, circumstances
made him familiar with every variety of house of public entertainment; and
afterwards, as novelist, he enlarged upon inns from choice, realising as
he did that in those days romance had its chief home at them.

Dickensian inns, as treated of in this chapter, are those houses, other
than the inns of _Pickwick_, associated with Dickens personally, or
through his novels. It is hardly necessary to add at this day, that either
association is assiduously cultivated, and that we have almost come to
that dizzy edge of things where, in addition to the inns Dickens is
certainly known to have mentioned or visited, those he would have treated
of or stayed at, had he known better, will come under review, together
with a further paper on the inns he did not immortalise, and why not.

When Dickens first visited Bath, in May, 1835, as a reporter, he stayed,
according to tradition, at the humble "Saracen's Head," in Broad Street,
and there also, according to tradition, he was assigned a humble room in
an outhouse down the yard. A dozen times, if we may believe a former
landlady's story, he went with lighted candle across the windy yard to his
bedroom; a dozen times, the wind puffed it out, and he never uttered a
mild d----! It is a remarkable instance of restraint, likely to remain in
the recollection of any landlady.

The "Saracen's Head" cherishes these more or less authentic recollections,
and you are shown, not only the room, but the "very bedstead"--a hoary
four-poster--upon which Dickens slept; and if you are very good and
reverent, and sufficiently abase yourself before the spirit of the place,
you will be allowed to drink out of the very mug he is said to have drunk
from and sit in the identical chair he is supposed to have sat in; and
accordingly, when Dickensians visit Bath they sit in the chair and drink
from the mug to the immortal memory, and do not commonly stop to consider
this marvellous thing: that the humble, unknown reporter of 1835 should be
identified by the innkeeper of that era with the novelist who only became
famous two years later.

Going by the Glasgow Mail to Yorkshire in January, 1838, in company with
"Phiz," Dickens acquired the local colour for _Nicholas Nickleby_. We
hear, in that story, how the coach carrying Nicholas, Squeers, and the
schoolboys down to Dotheboys Hall, dined at "Eaton Slocomb," by which
Eaton Socon, fifty-five miles from London, on the Great North Road, is
indicated. There, in that picturesque village among the flats of
Huntingdonshire, still stands the charming little "White Horse" inn, which
in those days, with the long-vanished "Cock," divided the coaching
business on that stage.

[Illustration: THE "WHITE HORSE," EATON SOCON.]

Grantham does not figure largely in the story, in whose pages the actual
coach journey is lightly dismissed. There we find merely a mention of the
"George" as "one of the best inns in England"; but in his private
correspondence he refers to that house, enthusiastically, as "the very
best inn I have ever put up at": and Dickens, as we well know, was a
finished connoisseur of inns.

The "George" at Grantham is typically Georgian: four-square, red-bricked
and prim. It replaced a fine mediaeval building, burnt down in 1780; but
what it lacks in beauty it does, according to the testimony of innumerable
travellers, make up for in comfort. At the sign of the "George," says one,
"you had a cleaner cloth, brighter plate, higher-polished glass, and a
brisker fire, with more prompt attention and civility, than at most other
places."

From Grantham to Greta Bridge was, in coaching days, one day's journey.
There the traveller of to-day finds a quiet hamlet on the banks of the
romantic Greta, but in that era it was a busy spot on the main coaching
route, with two large and prosperous inns: the "George" and the "New Inn."
The "New Inn," where Dickens stayed, is now a farmhouse, "Thorpe Grange"
by name; while the "George," standing by the bold and picturesque bridge,
has itself retired from public life, and is now known as "the Square."
Under that name the great, unlovely building is divided up into tenements
for three or four different families.

[Illustration: THE "GEORGE," GRETA BRIDGE.]

From Greta Bridge Dickens proceeded to Barnard Castle, where he and Phiz
stayed, as a centre whence to explore Bowes, that bleak and stony-faced
little town where he found "Dotheboys Hall," and made it and Shaw, the
schoolmaster, the centre of his romance. The "Unicorn" inn at Bowes is
pointed out as the place where the novelist met Shaw, afterwards drawing
the character of "Squeers" from his peculiarities. The rights and the
wrongs of the Yorkshire schools, and the indictment of them that Dickens
drew, form still a vexed question. Local opinion is by no means altogether
amiably disposed towards the memory of Dickens in this matter; and
although those schools were gravely mismanaged, we must not lose sight of
the fact that this expedition undertaken by Dickens was largely a
pilgrimage of passion, in which he looked to find scandals, and did so
find them. To what extent, for the sake of his "novel with a purpose," he
dotted the i's and crossed the t's of the wrongs he found must ever be a
subject for controversy.

The course of _Nicholas Nickleby_ brings us, in Chapter XXII., to the long
tramp undertaken by Nicholas and Smike from London to Portsmouth, on "a
cold, dry, foggy morning in early spring." They made Godalming the first
night, and "bargained for two humble beds." The next evening saw them well
beyond Petersfield, at a point fifty-eight miles from London, where the
humble "Coach and Horses" inn stands by the wayside, and is perhaps the
inn referred to by Dickens. The matter is doubtful, because, although the
story was written in 1838, when the existing road along the shoulder of
the downs at this point had been constructed, with the present "Coach and
Horses" beside it, replacing the older inn and the original track that
still goes winding obscurely along in the bottom, it is extremely likely
that Dickens described the spot from his childish memories of years
before, when, as a little boy, he had been brought up the road with the
Dickens family, on their removal from Landport. At that time the way was
along the hollow, where the "Bottom" inn, or "Gravel Hill" inn, then
stood, in receipt of custom. The house stands yet, and is now a
gamekeeper's cottage.

[Illustration: THE "COACH AND HORSES," NEAR PETERSFIELD.]

Whichever of the two houses we choose, the identity of the spot is
unassailable, because, although in the story it is described as twelve
miles from Portsmouth, and is really thirteen, no other inn exists or
existed for miles on either side. The bleak and barren scene is
admirably drawn: "Onward they kept with steady purpose, and entered at
length upon a wide and spacious tract of downs, with every variety of
little hill and plain to change their verdant surface. Here, there shot up
almost perpendicularly into the sky a height so steep, as to be hardly
accessible to any but the sheep and goats that fed upon its sides, and
there stood a huge mound of green, sloping and tapering off so delicately,
and merging so gently into the level ground, that you could scarce define
its limits. Hills swelling above each other, and undulations shapely and
uncouth, smooth and rugged, graceful and grotesque, thrown negligently
side by side, bounded the view in each direction; while frequently, with
unexpected noise, there uprose from the ground a flight of crows, who,
cawing and wheeling round the nearest hills, as if uncertain of their
course, suddenly poised themselves upon the wing and skimmed down the long
vista of some opening valley with the speed of very light itself.

[Illustration: "BOTTOM" INN.]

"By degrees the prospect receded more and more on either hand, and as they
had been shut out from rich and extensive scenery, so they emerged once
again upon the open country. The knowledge that they were drawing near
their place of destination gave them fresh courage to proceed; but the way
had been difficult and they had loitered on the road, and Smike was tired!
Thus twilight had already closed in, when they turned off the path to the
door of a road-side inn, yet twelve miles short of Portsmouth.

"'Twelve miles,' said Nicholas, leaning with both hands on his stick, and
looking doubtfully at Smike.

"'Twelve long miles,' repeated the landlord.

"'Is it a good road?' inquired Nicholas.

"'Very bad,' said the landlord. As, of course, being a landlord, he would
say.

"'I want to get on,' observed Nicholas, hesitating. 'I scarcely know what
to do.'

"'Don't let me influence you,' rejoined the landlord. 'I wouldn't go on if
it was me.'"

And so here they stayed the night, much to their advantage.

The "handsome hotel," "between Park Lane and Bond Street," referred to in
Chapter XXXII. of _Nicholas Nickleby_, cannot be identified: there are,
and long have been, so many handsome hotels in that region. It was in the
coffee-room of this establishment that Nicholas encountered Sir Mulberry
Hawk; and the description of the affair brings back the memory of a state
of things long past. The "Coffee-room" with its boxes partitioned off, no
longer exists; there are no such things as those boxes anywhere now,
except perhaps in some old-fashioned "eating-houses." But in that period
of which Dickens wrote, the "coffee-room" of an hotel was an institution
not so very long before copied from the then dead or fast-expiring "Coffee
Houses" of the eighteenth century: once--in the days before clubs--the
meeting-places of wits and business men. The Coffee House had been the
club of its own particular age, and as there are nowadays clubs for every
class and all professions, so in that period there were special Coffee
Houses for individual groups of people, where they read the papers and
learned the gossip of their circle.

Inns and hotels copied the institution of a public refreshment-room that
would nowadays be styled the restaurant, and transferred the name of
"Coffee-room," without specifically supplying the coffee; which, to be
sure, was a beverage fast growing out of fashion, in favour of wines,
beer, and brandy and water. No one drank whisky then.

Fashions in nomenclature linger long, and even now in old-established inns
and hotels, the Coffee-room still exists, but has paradoxically come to
mean a public combined dining- and sitting-room for private guests, in
contradistinction from the Commercial-room, to which commercial travellers
resort, at a recognised lower tariff.

There are inns also in _Oliver Twist_; not inns essential to the story,
nor in themselves prepossessing, but, in the case of the "Coach and
Horses" at Isleworth, remarkably well observed when we consider that the
reference is only in passing. Indeed, the topographical accuracy of
Dickens, where he is wishful to be accurate, is astonishing. The literary
pilgrim sets out to follow the routes he indicates, possibly doubtful if
he will find the places mentioned. There, however, they are (if modern
alterations have not removed them), for Dickens apparently visited the
scenes and from one eagle glance described them with all the accuracy of a
guide-book.

Thus, Bill Sikes and Oliver, trudging from London to Chertsey, where the
burglary was to be committed, and occasionally getting a lift on the way,
are set down from a cart at the end of Brentford. At length they came to a
public-house called the "Coach and Horses"; a little way beyond which
another road appeared to turn off. And here the cart stopped.

[Illustration: THE "COACH AND HORSES," ISLEWORTH.]

One finds the "Coach and Horses," sure enough, at the point where
Brentford ends and Isleworth begins, by the entrance to Sion Park, and
near the spot where the road branches off to the left. The "Coach and
Horses" is not a picturesque inn. It is a huge, four-square lump of a
place, and wears, indeed, rather a dour and forbidding aspect. It is
unquestionably the house of which Dickens speaks, and was built certainly
not later than the dawn of the nineteenth century. In these latter days
the road here has been rendered somewhat more urban by the advent of the
electric tramway; but I have in my sketch of the scene taken the artistic
licence of omitting that twentieth-century development, and, to add an air
of verisimilitude, have represented Sikes and Oliver in the act of
approaching. The left-hand road beyond leads to a right-hand road, as in
the story, and this in due course to Hampton.

The most interesting Dickensian inn, outside the pages of _Pickwick_, is
the "Maypole," in _Barnaby Rudge_.

There never existed upon this earth an inn so picturesque as that drawn,
entirely from his imagination, by Cattermole, to represent the "Maypole."
You may seek even among the old mansions of England, and find nothing more
baronial. The actual "Maypole"--when found--is a sad disappointment to
those who have cherished the Cattermole ideal, and there is wrath and
indignation among pilgrims from over-seas when they come to it. This,
although natural enough, is an injustice to this real original, which is
one of the most picturesque old inns now to be found, and is not properly
to be made little of because it cannot fit an impossible artistic fantasy.

I have hinted above that the "Maypole" requires some effort to find, and
that is true enough, even in these days when the England of Dickens has
been so plentifully elucidated and mapped out and sorted over. The prime
cause of this incertitude and boggling is that there really is a "Maypole"
inn, but at that very different place, Chigwell Row, two miles distant
from Chigwell and the "King's Head." Many years ago, the late James Payn
wrote an amusing account--as to whose entire truth we cannot vouch--of his
taking a party of enthusiastic American ladies in search of this scene of
_Barnaby Rudge_. They drove about the forest seeking (such was their
ignorance) the "Maypole," and not the "King's Head"; and found it, in a
low and ugly beerhouse from which drunken beanfeasters waved inviting pots
of beer. Eventually they left the forest convinced that the inn Dickens
described was a sheer myth.

If the "King's Head" of fact--"such a delicious old inn opposite the
churchyard," as Dickens wrote of it to Forster--is not so wonderful an old
house as the "Maypole" of fiction and of Cattermole's picturesque fancy,
we must, at any rate, excuse the artist, who was under the necessity of
working up to the fervid description of it with which the story begins:
"An old building, with more gable-ends than a lazy man would care to count
on a sunny day; huge zig-zag chimneys, out of which it seemed as though
even smoke could not choose but come in more than naturally fantastic
shapes, imparted to it in its tortuous progress; and vast stables, gloomy,
ruinous, and empty. The place was said to have been built in the days
of King Henry the Eighth; and there, was a legend, not only that Queen
Elizabeth had slept there one night while upon a hunting excursion, to
wit, in a certain oak-panelled room with a deep bay-window, but that next
morning, while standing upon a mounting-block before the door, with one
foot in the stirrup, the virgin monarch had then and there boxed and
cuffed an unlucky page for some neglect of duty."

[Illustration: THE "KING'S HEAD," CHIGWELL, THE "MAYPOLE" OF _BARNABY
RUDGE_.]

Passing the references to sunken and uneven floors and old diamond-paned
lattices, with another to an "ancient porch, quaintly and grotesquely
carved," which does not exist, we come to a description of dark red
bricks, grown yellow with age, decayed timbers, and ivy wrapping the
time-worn walls,--all figments of the imagination.

The real "Maypole," identified with the "King's Head" at Chigwell, in
Epping Forest, is not the leastest littlest bit like that. The laziest man
on the hottest day could easily count its gables, which number three large
ones[17] and a small would-be-a-gable-if-it-could, that looks as though it
were blighted in its youth and had never grown to maturity. The front of
the house is not of red brick, and never was: the present white plaster
face being a survival of its early years; while the front of the
ground-floor is weather-boarded.

But it is a delightful old house, in a situation equally delightful,
standing opposite the thickly wooded old churchyard of Chigwell, just as
described in the story; the sign--a portrait head of Charles the
First--projecting from an iron bracket, and the upper storeys of the inn
themselves set forward, on old carved oak beams and brackets. There is no
sign of decay or neglect about the "King's Head."

In _Martin Chuzzlewit_ the literary annotator and professor of
topographical exegesis finds an interesting problem of the first
dimensions in the question, "Where was the 'Blue Dragon' of that story
situated?" It is a matter which, it is to be feared, will never be
threshed out to the satisfaction of all seekers after truth. "You all are
right and all are wrong," as the chameleon is supposed to have said when
he heard disputants quarrelling as to whether he was green or pink; and
then turned blue, to confound them. But the chameleon, in this instance,
is no more: and we who have opinions may continue, without fear, to hold
them.

Well, then: in the third chapter of _Martin Chuzzlewit_ we are
particularly introduced to an inn, the subject of an earlier allusion in
those pages, the "Blue Dragon," near Salisbury. In what direction it lay
from that cathedral city we are not told--whether north, south, east, or
west; and we only infer from incidents of the story, in which the inn is
brought into relation with the London mail and coaching in general, that
the "Blue Dragon" was at Amesbury, eight miles to the north of Salisbury,
by which route the famous "Quicksilver" Exeter mail to and from London
went, in the old coaching days, avoiding Salisbury altogether. The course
of the narrative, the situation of an old mansion on the Wilsford road
near Amesbury--generally pointed out as Pecksniff's home--and the position
of Amesbury, all seem at the first blush to point to that fine old inn,
the "George" at Amesbury, being the original of the "Blue Dragon"; and
this old inn certainly was not only a coaching-house, but was what another
claimant to the honour of being the real true original of the "Blue
Dragon"--the "Green Dragon" at Alderbury--could never have been: a
hostelry with accommodation sufficient for postchaise travellers such as
old Martin Chuzzlewit and Mary.

[Illustration: THE "GREEN DRAGON," ALDERBURY.]

The "George" at Amesbury is a house of considerable size and architectural
character, and its beauties might fitly have employed the pencils of
Pecksniff's pupils, had that great and good man condescended to notice
anything less stupendous than cathedrals, castles, and Houses of
Parliament. As it was, however, the architectural studies of his young
friends were made to contemplate nothing meaner than "elevations of
Salisbury Cathedral from every possible point of sight," and lesser things
were passed contemptuously by. (Chap. I.)

The "George," after the fine old church--that church in which Tom Pinch
played the organ--is the chief ornament of Amesbury, and that it was the
inn meant by Dickens when he wrote _Martin Chuzzlewit_ is in the village
an article of faith which no visitor dare controvert or dispute in any way
on the spot. Like the small boys who do not say "Yah!" and are not
courageous enough to make grimaces until safely out of arm's reach, we
only dare dispassionately discuss the _pros_ and _cons_ when out of the
place. It were not possible on the spot to object, "Yes, but," and then
proceed to argue the point with the landlord, who confidently shows you
old Martin Chuzzlewit's bedroom and a room with a descent of one step
inside, instead of the "two steps on the inside so exquisitely unexpected
that strangers, despite the most elaborate cautioning, usually dived in,
head first, as into a plunging-bath."

[Illustration: THE "GEORGE," AMESBURY.]

But the truth is, like many another literary landmark, the "Blue Dragon"
in _Martin Chuzzlewit_ is a composite picture, combining the features of
both the "George" at Amesbury, eight miles to the north of Salisbury, and
those of the "Green Dragon" at Alderbury, three miles to the south. Nay,
there were not so long ago at Alderbury those who remembered the
picture-sign of the "Green Dragon" there, which doubtless Dickens saw in
his wanderings around the neighbourhood. "A faded and an ancient dragon he
was; and many a wintry storm of rain, snow, sleet, and hail had changed
his colour from a gaudy blue to a faint lack-lustre shade of grey. But
there he hung; rearing in a state of monstrous imbecility on his
hind-legs; waxing with every month that passed so much more dim and
shapeless that as you gazed at him on one side of the sign-board it seemed
as if he must be gradually melting through it and coming out upon the
other." (Chap. III.)

The sign has long since been replaced by the commonplace lettering of the
present day, but it was then, in Dickens's own words, "a certain Dragon
who swung and creaked complainingly before the village ale-house door," a
phrase which at once shows us that if by the "Blue Dragon" of the story
the "George" at Amesbury was intended to be described, that was a
derogatory description of the fine old hostelry.

This brings us to the chief point upon which the validity of this claim of
the "Green Dragon" at Alderbury must rest. Dickens distinctly alludes to
the "Blue Dragon" as a "village ale-house," and such it is and has ever
been; while to the "George" at Amesbury that description cannot even now
justly apply, and certainly it could never in coaching times, when in the
heyday of its prosperity, have been so fobbed off with such a phrase.
Moreover, we will do well to bear in mind that old Chuzzlewit and his
companion did not put up at the inn--this "village ale-house"--from
choice. The gentleman was "taken ill upon the road," and had to seek the
first house that offered.

Those curious in the byways of Dickens topography will find Alderbury
three miles from Salisbury, on the left-hand side of the Southampton road.
Half a mile from it, on the other side of the way, stands "St. Mary's
Grange," a red-brick building in a mixed Georgian and Gothic style, built
by Pugin, and locally reputed to be the original of Mr. Pecksniff's
residence: a circumstance which may well give us pause and opportunity for
considering whether Dickens had that distinguished architect in his mind
when creating the character of his holy humbug.

[Illustration: INTERIOR OF THE "GREEN DRAGON," ALDERBURY.]

The "Green Dragon," which we have thus shown to have, at the least of it,
as good a title as the "George" at Amesbury to be considered the original
of the house kept by the genial Mrs. Lupin, friend of Tom Pinch, Mark
Tapley, and Martin Chuzzlewit in particular, and of her fellow-creatures
in general, does not directly face the highway, but is set back from it at
an angle, behind a little patch of grass. It is pre-eminently rustic, and
is even more ancient than the casual wayfarer, judging merely from its
exterior, would suppose; for a fine fifteenth-century carved stone
fireplace in what is now the bar parlour bears witness to an existence
almost mediaeval. It is a beautiful, though dilapidated, work of Gothic art
of the Early Tudor period, ornamented with boldly carved crockets,
heraldic roses, and shields of arms, and is worthy of inspection for
itself alone, quite irrespective of its literary interest.

A London inn intimately associated with _Martin Chuzzlewit_ finally
disappeared in the early part of 1904, when the last vestiges of the
"Black Bull," Holborn, were demolished. The "Black Bull," in common with
the numerous other old inns of Holborn, in these last few years all swept
away, stood just outside the City of London, and was originally, like its
neighbours, established for the accommodation of those travellers who, in
the Middle Ages, arrived too late in the evening to enter the City. At
sundown the gates of the walled City of London were closed, and, unless
the traveller was a very privileged person indeed, he found no entrance
until the next morning, and was obliged to put up at one of the many
hostelries that sprang up outside and found their account in the multitude
of such laggards by the way. The old "Black Bull," after many alterations,
was rebuilt in a very commonplace style in 1825, and in later years it
became a merely sordid public-house, with an unlovely pile of peculiarly
grim "model" dwellings in the courtyard. In spite of those later changes,
the great plaster effigy of the Black Bull himself, with a golden girdle
about his middle, remained on his bracket over the first floor window
until the house was pulled down, May 18th, 1904.

[Illustration: SIGN OF THE "BLACK BULL," HOLBORN.]

An amusing story belongs to that sign, for it was, in 1826, the subject of
a struggle between the landlord, one Gardiner, on the one side and the
City authorities on the other. The Commissioner of Sewers served a notice
upon Gardiner, requiring him to take his bull down, but the landlord was
obstinate, and refused to do anything of the kind, whereupon the
Commissioner assembled a storming-party of over fifty men, with ladders
and tackle for removing the objectionably large and weighty effigy. No
sooner, however, had the enemy begun their preparations, when, to their
astonishment, and to that of the assembled crowds, the bull soared
majestically and steadily to what Mrs. Gamp would doubtless have called
the "parapidge." Arrived there he displayed a flag with the bold legend,
"I don't intrude now."

Some arrangement was evidently arrived at, for the bull occupied its
original place, above the first-floor window over the archway, for the
whole of the seventy-eight years between 1826 and 1904.

The house is referred to in _Martin Chuzzlewit_ as the "Bull," and is the
place to which Sairey Gamp repaired from Kingsgate Street to relieve Betsy
Prig in the nursing of the mysterious patient. She found it "a little
dull, but not so bad as might be," and was "glad to see a parapidge, in
case of fire, and lots of roofs and chimley-pots to walk upon."

There are no greatly outstanding inns to be found in _Bleak House_, the
"Dedlock Arms," really the "Sondes Arms" at Rockingham, being merely
mentioned. On the other hand, in _David Copperfield_ we find the "Plough"
at Blundeston mentioned, and that hotel at Yarmouth whence the London
coach started: only unfortunately it is not possible to identify it,
either with the "Crown and Anchor," the "Angel," or the "Star."

In Parliament Street, Westminster, until 1899, stood the "Red Lion"
public-house, identified with the place where David Copperfield (Chapter
IX.) called for the glass of the "genuine stunning." The incident was one
of Dickens's own youthful experiences, and is therefore to be taken,
together with much else in that story, as autobiography.

"I was such a child, and so little, that frequently when I went into the
bar of a strange public-house for a glass of ale or porter, to moisten
what I had had for dinner, they were afraid to give it me. I remember, one
hot evening, I went into the bar of a public-house, and said to the
landlord:

"'What is your best--your _very best_ ale a glass?' For it was a special
occasion, I don't know what. It may have been my birthday.

"'Twopence-halfpenny,' says the landlord, 'is the price of the Genuine
Stunning ale.'

"'Then,' says I, producing the money, 'just draw me a glass of the Genuine
Stunning, if you please, with a good head to it.'

"The landlord looked at me in return over the bar, from head to foot, with
a strange smile on his face; and instead of drawing the beer, looked round
the screen, and said something to his wife. She came out from behind it,
with her work in her hand, and joined him in surveying me.... They served
me with the ale, though I suspect it was not the Genuine Stunning; and the
landlord's wife, opening the little half-door of the bar, and bending
down, gave me my money back, and gave me a kiss that was half-admiring and
half compassionate, but all womanly and good, I am sure."

The "Blue Boar" in Whitechapel is referred to, and the "County Inn" at
Canterbury, identified with the "Fountain," where Mr. Dick slept. The
"little inn" in that same city, where Mr. Micawber stayed, and might have
said--but didn't--that he "resided, in short, 'put up,'" there, is
claimed to be the "Sun," but how, of all the little inns of
Canterbury--and there are many--the "Sun" should so decisively claim the
honour is beyond the wit of man to tell. It is an old, old inn that,
rather mistakenly, calls itself an "hotel," and the peaked, red-tiled
roof, the projecting upper storey, bracketed out upon ancient timbers, are
evidence enough that it was in being many centuries before the foreign
word "hotel" became acclimatised in this country. One may dine, or lunch,
or tea at the "Sun," in the ghostly company of Mr. and Mrs. Micawber, but
although warm culinary scents may be noticed with satisfaction by the
hungry pilgrim, he misses the "flabby perspiration on the walls,"
mentioned in the book. True, it is a feature readily spared.

In the _Uncommercial Traveller_ a reference to the "Crispin and
Crispianus," at Strood, is found. It is a humble, weather-boarded inn,
whose age might be very great or comparatively recent. But, whatever the
age of the present house, there has long been an inn of the name on this
spot, the sign being referred back to St. Crispin's Day, October 25th,
1415, when Agincourt was fought and won. The sign is, however, doubtless
far older than that, and probably was one of the very many religious
inn-signs designed to attract the custom of thirsty wayfarers to Becket's
shrine.

The brothers Crispin and Crispian were members of a noble family in
ancient Rome, who, professing Christianity, fled to Gaul and supported
themselves by shoemaking in the town of Troyes. They suffered martyrdom
at Soissons, in A.D. 287. The sanctity and benevolence of St. Crispin are
said to have been so great that he would steal leather as material for
shoes for the poor; for which, did he live in our times, he would still be
martyred--in a police-court, to the tune of several months' imprisonment.

[Illustration: THE "CRISPIN AND CRISPIANUS," STROOD.]

The picture-sign of the "Crispin and Crispianus" is said to be a copy of a
painting in the church of St. Pantaleon at Troyes, and certainly (but
chiefly because of much varnish, and the dust and grime of the road) looks
very Old-Masterish. The two saints, seated uncomfortably close to one
another, and looking very sheepish, appear to be cutting out a piece of
leather to the order of an interesting and gigantic pirate.

A mysterious incident occurred in 1830 at this house, in the death of a
man who had acted as ostler at the coaching inns of Rochester and Chatham,
and had afterwards tramped the country as a hawker. He lay here dying, in
an upper room, and told the doctor who was called to him the almost
incredible story that he was really Charles Parrott Hanger, Earl of
Coleraine, and not "Charley Roberts," the name he had usually been known
by for twenty years. Although his life had been so squalid and apparently
poverty-stricken, he left L1,000 to his son, Charles Henry Hanger.

The "Crispin and Crispianus," in common with most other erstwhile humble
inns, has experienced a social levelling-up since the time when Dickens
mentioned it as a house where tramping tinkers and itinerant clock-makers,
coming into Strood "yonder, by the blasted ash," might lie. In these
times, when the blasted dust of the Dover road is the most noticeable
feature, and a half-century has effected all manner of wonderful changes,
tramps and their kin find no harbourage at the old house, whose invitation
to cyclists and amateur photographers sufficiently emphasises its improved
status.

In _Great Expectations_ is found a notice of the "Cross Keys," Wood
Street, Cheapside, a coaching inn abolished in the '70's; but it is merely
an incidental reference, on the occasion of Pip's coming to London by
coach from Rochester. The inns of that story are, indeed, not well seen,
and although that little boarded inn at Cooling, the "Horseshoe and
Castle," is identified as the "Three Jolly Bargemen" of the tale, you can
find in those pages no illuminating descriptive phrase on which to put
your finger and say, conscientiously, "Found!"

Only at the close of the story, where, in Chapter LIV., Pip is
endeavouring to smuggle the convict, Magwitch, out of the country, down
the Thames, do we find an inn easily identified. That is the melancholy
waterside house below Gravesend, standing solitary on a raised bank of
stones, where Pip lands: "It was a dirty place enough, and I daresay not
unknown to smuggling adventurers; but there was a good fire in the
kitchen, and there were eggs and bacon to eat, and various liquors to
drink. Also there were two double-bedded rooms--'such as they were,' the
landlord said." Outside there was mud: mud and slimy stones, and rotten,
slimy stakes sticking out of the water, and a grey outlook across the
broad river.

This describes the actual "Ship and Lobster" tavern, on the shore at
Denton, below Gravesend, to which you come past the tramway terminus, down
a slummy street chiefly remarkable for grit and broken bottles, then
across the railway and the canal and on to the riverside where, in midst
of the prevalent grittiness that is now the most outstanding natural
feature, stands the inn, in company with the office of an alarming person
who styles himself "Explosive Lighterman," at Denton Wharf.

There are even fewer inns to be found in _Our Mutual Friend_, where,
although the "Red Lion" at Henley is said to be the original of the
up-river inn to whose lawn Lizzie drags the half-drowned Wrayburn, we are
not really sure that Henley actually is indicated. That mention of a lawn
does not suffice: many riverside inns have lawns. In short, the edge of
Dickens's appreciation of inns was growing blunted, and he took less
delight, as he grew older, in describing their peculiarities. His whole
method of story-telling was changed. Instead of the sprightly fancy and
odd turns of observation that once fell spontaneously from him, he at last
came to laboriously construct and polish the action and conversation of a
novel, leaving in comparative neglect those side-lights upon localities
that help to give most of his writings a permanent value.

Apart from the novels, we have many inns associated with Dickens by
tradition and in his tours and racily descriptive letters; and there, at
any rate, we find him, when not overweighted with the more than ever
elaborated and melodramatic character of his plots, just as full of
quaint, fanciful, and cheerful description as ever.

[Illustration: THE "SHIP AND LOBSTER."]

His tours began early. So far back as the autumn of 1838 Dickens and Phiz
took holiday in the midlands, coming at last to Shrewsbury, where they
stayed at the "Lion," or rather in what was at that time an annexe of the
"Lion," and has long since become a private house. Writing to his elder
daughter, Dickens vividly described this place: "We have the strangest
little rooms (sitting-room and two bedrooms together) the ceilings of
which I can touch with my hand. The windows bulge out over the street, as
if they were little stern windows in a ship. And a door opens out of the
sitting-room on to a little open gallery with plants in it, where one
leans over a queer old rail."

Mr. Kitton[18] states: "This quaint establishment, alas! has been
modernised (if not entirely rebuilt) since those days, and presents
nothing of the picturesqueness that attracted the author of _Pickwick_."
But that is by no means the case. It stands exactly as it did, except that
since the business of the "Lion" has decreased, it no longer forms a part
of that great hostelry.[19] The blocked-up communicating doors between the
two buildings may still be seen on the staircase of the "Lion," and the
little house does still bulge over the pavement and closely resemble the
stern of an old man-o'-war.

_The Lazy Tour of Two Idle Apprentices_, a light-hearted account of a tour
taken by Dickens and Wilkie Collins in 1857, begins with the travellers
being set down by the express at Carlisle, and ends, after many wanderings
in Cumberland and Lancashire, at Doncaster. It is largely an account of
inns, including the "Queen's Head," Hesket Newmarket, in Cumberland,
now a private house; and the "King's Arms," Market Street, Lancaster,
pulled down in 1880. The "King's Arms" was, from the exterior, commonplace
personified, but within doors you were surrounded by ancient oaken
staircases, mahogany panelling, and, according to Dickens, mystic old
servitors in black; and doubtless were so encompassed with mysteries and
forebodings that when you retired to rest--not being able in such a house
to merely "go to bed"--in one of the catafalque-like four-posters, you
immediately leapt between the sheets and drew the clothes over your head,
in fear of ghosts; dreaming uncomfortably that you were dead and lying in
state, and waking with a terrific start in the morning, at the coming of
the hot water and the tap at the door, with the dreadful impression that
the Day of Judgment was come and you summoned to account before the Most
High. These being the most remarkable features of the "King's Arms" at
Lancaster, it is perhaps not altogether strange that the house was at
length demolished and replaced by an uninteresting modern hotel, with no
associations--and no ghosts.

[Illustration: THE "LION," SHREWSBURY, SHOWING THE ANNEXE ADJOINING, WHERE
DICKENS STAYED.]

A weird story was told of the old inn, by which it seems that a young
bride was poisoned there, in a room pointed out as the "Bride's Chamber,"
the criminal being duly hanged at Lancaster gaol. In memory of this
traditional romance, it was the custom to serve the incoming guests with a
piece of bride-cake. They might also, if they liked, sleep in the very
identical ancient black oak four-poster, in the room where the tragedy
took place; but, although there was sufficient eagerness to see it in
daylight, no very great competition was ever observed among guests for the
honour of occupying--we will not say sleeping in--that tragical couch.
Dickens himself, however, lay in it, and seems to have slept sufficiently
well; greatly, we may suppose, to his disappointment.

Among those inns that no Dickensian neglects is "Jack Straw's Castle," on
Hampstead Heath, a house as commonplace and as little like any castle of
romance as it is possible to conceive. How else could it be? It was built
as a private residence in the beginning of the eighteenth century, and,
with various additions and alterations, each one vulgarising the house a
step further, it now is little better than a London "public." The
Dickensian association is here a personal one, and somewhat thin at that.
It does not form a scene in any one of his stories, but was a house he
sometimes affected in his suburban walks. In 1837 we find him writing to
that "harbitrary gent," Forster, inviting him to a winter's walk across
the Heath, and adding, "I knows a good 'ous there where we can have a
red-hot chop for dinner and a glass of good wine." "This," says Forster,
"led to our first experience of 'Jack Straw's Castle,' memorable for many
happy meetings in coming years."

How do myths germinate and sprout? Are they invented, or do they spring
spontaneously into being? Two myths cling to "Jack Straw's Castle": the
one that it stands upon the site of a fort thrown up by that peasant
leader in the reign of Richard the Second; the other that Dickens not only
visited the house, but often stayed there, a chair called "Dickens's Easy
Chair" being shown in what is represented as having been his bedroom. The
Great Dickens Legend is now well on its way, and the inns "where he
stayed" will at no distant day match the apocryphal "Queen Elizabeth's
Bedrooms" that amaze the historical student with their number.

[Illustration: "JACK STRAW'S CASTLE."]

The "Jack Straw" legend is old, although by no means so old as the house.
It is probable that the house was built on the site of some ancient
earthwork, but that might have been either much older or much later than
Jack Straw; and in any case history has nothing to say about the spot.

The first reference to the inn by its present name appears to be in the
report of a horse-race on the Heath in 1748. In the same year an allusion
to it in Richardson's _Clarissa Harlowe_ speaks merely of "The Castle."

The illustration printed here shows the bow-window of a good many years
ago, a somewhat picturesque feature now abolished in favour of an ugly
modern front.




CHAPTER XII

HIGHWAYMEN'S INNS


There is no doubt that, in a certain sense, all inns were anciently
hand-in-glove with the highwaymen. No hostelry so respectable that it
could safely give warranty for its ostlers without-doors and its servants
within. Mine host might be above suspicion, but not all his dependants;
and the gentlemen of the high toby commonly learnt from the staffs of the
inns what manner of guests lay there, what their saddle-bags or valises
held, and whither they were bound. No wealthy traveller, coming to his inn
overnight in those far-distant times, with pistols fully loaded and
primed, dared set forth again without narrowly examining his weapons,
whose charges, he would be not unlikely to discover, had mysteriously been
drawn since his arrival, and perhaps his sword fixed by some unknown
agency immovably in its scabbard. You figure such an one, too hurried at
his starting to look closely into his equipment, come unexpectedly in the
presence of a highwayman, and, his armoury thus raided, falling an easy
prey.

These dangers of the wayside inns, and even of the greater and more
responsible hostelries in considerable towns, were so well known that
literature, from the time of Queen Elizabeth until that of the earlier
Georges, is full of them. Indeed, that singular person, John Clavel,
worthless and dissolute sprig of an ancient and respectable landed family
in Dorsetshire, especially recounts them in his very serious pamphlet, the
_Recantation of an Ill-led Life_, written from his prison-cell in the
King's Bench in 1627, and printed in the following year. He inscribes
himself "Gentleman" on his title-page, and in his "discouerie of the
High-way Law," written in verse, proceeds to "round upon" his late
confederates in the spirit of the sneak. All this was in the hope of a
pardon, which he apparently obtained, for he was at liberty, and still
renouncing his former evil courses, in 1634.

One of the important heads of his pamphlet, addressed to travellers, is
"How a Traveller should carry himself at his inn." His advice reads
nowadays like that supererogatory kind generally known as "teaching your
grandmother to suck eggs"; but when we consider closely that in those
times knowledge was not widely diffused, and that to most people a journey
was a rare and toilsome experience, to be undertaken only at long
intervals and long afterwards talked of, John Clavel's directions to
wayfarers may have been really valuable. His pamphlet must, for some
reason or another, have been largely purchased, for three editions of it
are known.

Thus he warns the traveller come to his inn:

  Oft in your clothier's and your grazier's inn,
  You shall have chamberlains that there have been
  Plac'd purposely by thieves, or else consenting
  By their large bribes, and by their often tempting,
  That mark your purses drawn, and give a guess
  What's there, within a little, more or less.
  Then will they grip your cloak-bags, feel their weight:
  There's likewise in mine host sometimes deceit:
  If it be left in charge with him all night,
  Unto his roaring guests he gives a light,
  Who spend full thrice as much in wine and beer
  As you in those and all your other cheer.

But the classic and most outstanding literary reference to these dark
features of old-time innkeeping is found in Shakespeare, in the First Part
of _King Henry the Fourth_. The scene is Rochester: an inn yard. Enter a
carrier, with a lantern in his hand, in the hours before daybreak.

    _1 Car._ Heigh ho! An't be not four by the day, I'll be hanged:
    Charles' wain is over the new chimney, and yet our horse not packed.
    What, ostler!

    _Ost._ [_Within._] Anon, anon.

    _1 Car._ I pr'ythee, Tom, beat Cut's saddle, put a few flocks in the
    point; the poor jade is wrung in the withers out of all cess.

    _Enter another_ Carrier.

    _2 Car._ Pease and beans are as dank here as a dog, and that is the
    next way to give poor jades the bots: this house is turned upside
    down, since Robin ostler died.

    _1 Car._ Poor fellow! never joyed since the price of oats rose; it was
    the death of him.

    _2 Car._ I think this be the most villainous house in all London road
    for fleas: I am stung like a tench.

    _1 Car._ Like a tench? by the mass, there is ne'er a king in
    Christendom could be better bit than I have been since the first cock.

    _2 Car._ Why, they will allow us ne'er a jordan, and then we leak in
    your chimney; and your chamber lie breeds fleas like a loach.

    _1 Car._ What, ostler! come away, and be hanged, come away.

    _2 Car._ I have a gammon of bacon, and two razes of ginger, to be
    delivered as far as Charing-cross.

    _1 Car._ Odsbody! the turkies in my pannier are quite starved.--What,
    ostler!--A plague on thee! hast thou never an eye in thy head? canst
    not hear? An 'twere not as good a deed as drink, to break the pate of
    thee, I am a very villain.--Come, and be hanged:--Hast no faith in
    thee?

    _Enter_ Gadshill.

    _Gads._ Good morrow, carriers. What's o'clock?

    _1 Car._ I think it be two o'clock.

    _Gads._ I pr'ythee, lend me thy lantern, to see my gelding in the
    stable.

    _1 Car._ Nay, soft, I pray ye; I know a trick worth two of that,
    i'faith.

    _Gads._ I pr'ythee, lend me thine.

    _2 Car._ Ay, when? canst tell?--Lend me thy lantern, quoth a?--marry,
    I'll see thee hanged first.

    _Gads._ Sirrah carrier, what time do you mean to come to London?

    _2 Car._ Time enough to go to bed with a candle, I warrant
    thee.--Come, neighbour Mugs, we'll call up the gentlemen; they will
    along with company, for they have great charge.

    [_Exeunt_ Carriers.

    _Gads._ What, ho! chamberlain!

    _Cham._ [_Within._] At hand, quoth pick-purse.

    _Gads._ That's even as fair as--at hand, quoth the chamberlain: for
    thou variest no more from picking of purses, than giving direction
    doth from labouring; thou lay'st the plot how.

    _Enter_ Chamberlain.

    _Cham._ Good morrow, master Gadshill. It holds current that I told you
    yesternight: There's a franklin in the wild of Kent, hath brought
    three hundred marks with him in gold: I heard him tell it to one of
    his company, last night at supper; a kind of auditor; one that hath
    abundance of charge too, God knows what. They are up already, and call
    for eggs and butter: They will away presently.

    _Gads._ Sirrah, if they meet not with saint Nicholas' clerks, I'll
    give thee this neck.

    _Cham._ No, I'll none of it: I pr'ythee, keep that for the hangman;
    for, I know, thou worship'st saint Nicholas as truly as a man of
    falsehood may.

    _Gads._ What talkest thou to me of the hangman? if I hang, I'll make a
    fat pair of gallows: for, if I hang, old sir John hangs with me; and,
    thou knowest, he's no starveling. Tut! there are other Trojans that
    thou dreamest not of, the which, for sport sake, are content to do the
    profession some grace; that would, if matters should be looked into,
    for their own credit sake, make all whole. I am joined with no foot
    land-rakers, no long-staff, six-penny strikers; none of these mad,
    mustachio purple-hued malt-worms: but with nobility, and tranquillity;
    burgomasters, and great oneyers; such as can hold in; such as will
    strike sooner than speak, and speak sooner than drink, and drink
    sooner than pray: And yet I lie; for they pray continually to their
    saint, the commonwealth; or, rather, not pray to her, but prey on her;
    for they ride up and down on her, and make her their boots.

    _Cham._ What, the commonwealth their boots? will she hold out water in
    foul way?

    _Gads._ She will, she will; justice hath liquored her. We steal as in
    a castle, cock-sure; we have the receipt of fern-seed, we walk
    invisible.

    _Cham._ Nay, by my faith; I think you are more beholden to the night,
    than to fern-seed, for your walking invisible.

    _Gads._ Give me thy hand: thou shalt have a share in our purchase, as
    I am a true man.

    _Cham._ Nay, rather let me have it, as you are a false thief.

    _Gads._ Go to; _Homo_ is a common name to all men. Bid the ostler
    bring my gelding out of the stable. Farewell, you muddy knave.

    [_Exeunt._

There was never any lack of evidence as to the complicity of innkeepers in
the doings of highwaymen. When John Nevison and his associates were tried
at York in 1684, for highway robbery, their headquarters were stated, on
oath, to have been at the "Talbot," Newark, where the landlord was
"supposed" to be cognisant of their business, and the ostler was known to
have been in their pay. Nevison, it should be said, was the man who really
did ride horseback to York in one day. He achieved the feat, and
established the celebrated _alibi_ by it, in 1676, before Turpin (who
never did anything of the kind) was born. But at last, in 1684, the end
came. He was arrested at the still existing "Three Houses" inn, at Sandal,
near Wakefield, and being found guilty, was executed on Knavesmire, York,
on May 4th, in that year.

[Illustration: THE "THREE HOUSES INN," SANDAL.]

A rather startling sidelight on these old-time aspects of inns was the
discovery, in 1903, of an ancient and long unsuspected staircase at the
"Bush," Farnham. In the course of extensive repairs the builders came upon
a staircase that had once led up among the rafters of the oldest part of
the house; and it was presumed by those learned in the history of that
picturesque Surrey town that, by connivance of the landlord at some
distant period, it was used by highwaymen as a hiding-place when hard
pressed. Near by the stairway a number of old coins were found, but most
of them were so worn and obliterated, that it was an impossibility to read
the date or any other part of the inscription.

[Illustration: THE "CROWN" INN, HEMPSTEAD.]

The most famous highwayman of all time--famous in a quite arbitrary and
irrational way, for he was at the bottom, rather than at the head of his
profession--is Dick Turpin, who was born at Hempstead, in Essex, in 1705,
at the "Crown" inn, his father being landlord of that hostelry, which
still faces the road, and looks on to the lane that winds up to the
village church. There is much that is appropriate, if you do but consider
it, in one who is to be a highwayman and finally to be hanged, being born
in a place called Hempstead; but this by the way. The ring of old trees
planted on an ancient circular earthwork beside the lane opposite his
birthplace (and seen in the illustration) is known locally as Turpin's
Ring.

The youthful Turpin began his career as apprentice to a Whitechapel
butcher, and while still serving his indentures started his course of low
villainy by stealing some cattle from a Plaistow farmer. Fleeing from
justice, he joined a band of smugglers and sheep-stealers who had their
head-quarters in Epping Forest, and their store-house in a cave in the
neighbourhood of Chingford; a spot now occupied by a singularly
commonplace modern beer-house, like a brick box, named from this romantic
circumstance, "Turpin's Cave."

A reward of fifty guineas was offered for the arrest of this precious
gang, but it was not until the amount was doubled that things grew
dangerous, and the unholy brotherhood was broken up. Turpin then took to
scouring the roads singly, until he met with Tom King, with whom he
entered into a partnership that lasted until he accidentally shot King
dead when aiming at a police-officer who was endeavouring to arrest both,
at the "Red Lion," Whitechapel, in 1737.

[Illustration: "TURPIN'S CAVE," NEAR CHINGFORD.]

His partner dead, Turpin, finding London too hot to hold him, removed
quietly to Welton, a Yorkshire village ten miles from Beverley, where he
set up as a gentleman horse-dealer, Palmer by name. He had not long been
domiciled in those parts before the farmers and others began to lose their
horses in a most unaccountable way, and so they might have continued to
lose and not discover the hand that spoiled them, but for the coarse and
brutal nature that was Turpin's undoing. Returning from a shooting
excursion in which he had apparently not succeeded in shooting anything,
the self-styled "Palmer" wantonly shot one of his neighbours' fowls. The
neighbour remonstrated with him and probably suggested that it required a
good shot to bring down game but that the domestic rooster was an easy
mark for a poor sportsman, whereupon the "gentlemanly horse-dealer"
threatened to serve him in the same way.

[Illustration: THE "GREEN DRAGON," WELTON.]

One did not, even in 1739, threaten people with impunity and shot-guns.
Something unpleasant generally resulted; and "Palmer" was accordingly
arrested at the "Green Dragon" inn, Welton, on a charge of brawling; being
afterwards haled before the magistrates assembled at Petty Sessions at
Beverley, where, as he could produce no friends to speak on his behalf,
he was put back for further inquiries. Those inquiries resulted in his
being charged with stealing a black mare, blind of an eye, off Heckington
Common. In fiction--and especially in fiction as practised by Harrison
Ainsworth--Turpin at this point would in some way have sprung upon the
back of Black Bess, come ready to hand from nowhere in particular, and
would have been carried off triumphantly from the midst of his "enemies";
but these things do not happen in real life, and he was, instead, lodged
in York Castle. Thence he wrote from his dungeon cell a letter to his
brother at Hempstead, imploring him in some way to cook him up a
character. This letter was not prepaid, and the brother, not recognising
the handwriting, refused to pay the sixpence for it demanded by the Post
Office.

[Illustration: THE "THREE MAGPIES," SIPSON GREEN.]

See now from what trivial incidents great issues hang. The village
postmaster chanced to be identical with the schoolmaster who had taught
Turpin to write. He was a man of public spirit, and travelled to York and
identified the prisoner there as the man who had been "wanted" for many
crimes. It was on April 17th, 1739, in the thirty-fourth year of his age,
that Dick Turpin was hanged on Knavesmire, York, and since then he has
become very much of a hero: perhaps the sorriest, the most sordid and
absolutely commonplace scoundrel that was ever raised on so undeserved a
pedestal.

No district was more affected by highwaymen in the old days than Hounslow
Heath, and the fork of the roads, where the two great highways to Bath and
Exeter set out upon their several courses at the west end of what was once
Hounslow village and is now Hounslow town, used in those brave old days to
be decorated with a permanent gibbet, rarely without its scarecrow
occupant, in the shape of some tattered robber, strung up as a warning to
his fellows. Prominent amongst many stories that belong to this stretch of
country is that of the murder of Mr. Mellish, brother of the then Member
of Parliament for Grimsby, on a night in 1798, when returning from a day's
hunting with the King's Buckhounds in Windsor Forest. The carriage in
which his party were seated was passing the lonely old beerhouse called
the "Old Magpies," at Sipson Green, at half-past eight, when it was
attacked by three footpads. One held the horses' heads, while the other
two guarded the windows, firing a shot through them, to terrify the
occupants. No resistance was offered to the demand for money, and purses
and bank-notes were handed over, as a matter of course. Then the carriage
was allowed to proceed, a parting shot being fired after it. That shot
struck the unfortunate Mr. Mellish in the forehead, and he died shortly
after being removed to an upper room in an adjoining inn, still standing,
the "Three Magpies." The older and more humble inn, heavily thatched and
with a beetle-browed and sinister look, where the footpads had been
drinking before the attack, makes a picture, in the melodramatic sort, on
the Bath Road, even to-day.

[Illustration: THE "OLD MAGPIES."]

A very curious and authentic relic of those old times is found in that
secluded little inn, the "Green Man," a most innocent-looking, white,
plaster-faced house that seems a very bower of rustic simplicity and
guilelessness, standing at Hatton--"Hatton-in-the-Hinterland" as one feels
tempted to style it--a rural hamlet, "the world forgetting, by the world
forgot," tucked away in the beautiful orchard country between the angle
formed by those branching Bath and Exeter roads westward of Hounslow town.
It is to-day, as I have said, a beautiful district of orchards, where the
pink and white of the apple-blossom delights the eye in spring, and the
daffodil grows. There is an old rustic pound at Hatton, and in front of
the "Green Man" an idyllic pond where ducks quack and dive; and everything
seems as pure and unspotted from the world as those white Aylesbury ducks
themselves would appear to be. But Hatton is a Place with a Past, and the
"Green Man" not so green as you might suppose. For here spread the lonely
and sinister Heath, in days gone by, and at the "Green Man" the highwaymen
of the district, who all cherished the most magnificent thirsts, and would
not readily barter them away, foregathered in the intervals between
offering wayfarers an unwelcome choice between rendering money or life.
Sometimes the Bow Street runners--so called, in the contrariwise spirit,
because they never by any chance ran, unless it might be away--would,
daring very much indeed, poke inquisitive noses into the "Green Man," but
they never found any one more suspicious there than a drunken carter. For
why? Because in the little parlour on the left-hand side as you enter,
there is a veritable highwayman's hiding-hole at the back of the
old-fashioned grate, filling what was once an old-world chimney-corner.
Into this snug, not to say over-warm and possibly sooty place, one of the
starlight conveyers of property upon the Heath could creep on emergency
and wait until danger passed off.

[Illustration: THE "GREEN MAN," HATTON.]

[Illustration: THE HIGHWAYMAN'S HIDING-HOLE.]

That Putney Heath was a favourite resort of the gentry of the horse-pistol
and crape mask is a mere commonplace to the student of these byways of
history, and, however little it may be suspected by those who look in
casually at the "Green Man" that stands on the crest of Putney Hill, where
the Heath and the Portsmouth Road begin, that house was in the old days
rightly suspect. About it--and no doubt also in it--lurked that bright and
shining light of the craft, Jerry Avershawe, that bold spirit who, after
making his name a name of dread, and Putney Heath and Wimbledon Common
places to be avoided by all travellers with money and valuables to lose,
died on the scaffold at Kennington in 1795, in his twenty-second year.

Footpads, too, frequented the "Green Man": despicable fellows, who were to
highwaymen what "German silver" and "American cloth" are to the real
articles. The footpads waited for revellers who had taken too much liquor
and were zig-zagging their unsteady way home, before they dared attack. A
curious little incident in this sort was enacted in 1773 at the "Green
Man." Two convivial fellows drinking there had been watched by two
footpads named William Brown and Joseph Witlock. When the two jolly topers
came forth and corkscrewed a devious course home-along, Messrs. Brown and
Witlock set upon them and secured the highly desirable booty of twenty
guineas and some snuff-boxes and pen-knives. It was ill gleaning for any
other of the fraternity, after thoroughgoing practitioners like these had
gone over the pockets of the lieges. The smallest involuntary
contributions were gratefully received, and they condescended even to
relieve a baker's boy of his little all, which was little indeed:
consisting of a silver buckle and some halfpence. It is rather
satisfactory, after all this, to learn that Messrs. Brown and Witlock were
hanged.

The "Green Man" still keeps a stout, bolt-studded door, and the house,
seen across the road from where the large old-fashioned pound for strayed
horses, donkeys, and cattle stands on the Heath, presents a charming
scene.

The "Spaniards" inn, that picturesque and picturesquely situated old
house, built about 1630, in what was then an extremely lonely situation on
the roadside between Hampstead and Highgate, stands actually in the parish
of Finchley. It occupies the site of a lodge-entrance into what was once
the Bishop of London's great rural park of Finchley, where there stood
until quite modern times a toll-gate that took tribute of all wayfarers.
The odd little toll-house itself is still a feature of the scene, and may
be noted on the left hand of the illustration.

How the "Spaniards" derived its name is rather a matter of conjecture than
of ascertained, sheer, cold-drawn fact. If the generally received version
be correct, the name should be spelled with an apostrophe "s," to denote a
single individual; for, according to that story, the original lodge was
taken over by a Spaniard about 1620, and converted into a place of
entertainment for Londoners, who even then had begun to frequent
Hampstead and the Heath. The fact that the Spanish Ambassador, Gondomar,
retiring from the danger of plague in the infected air of London, resided
at neighbouring Highgate, 1620-22, may possibly have some bearing upon the
question.

[Illustration: THE "GREEN MAN," PUTNEY.]

It becomes a little difficult to believe in the "Spaniards" being so early
a place of popular resort; but, shaming the incredulous, there stands the
old house, visibly old, undoubtedly large and designed for the conduct of
a considerable business, and still comparatively lonely. It is also one of
those very few houses, out of an incredibly large number, which really can
make out a good claim to have been frequented by Dick Turpin. This spot
was well within the "Turpin Country," so to speak, as one speaks of
literary landmarks; it was included in his "sphere of influence," as they
say in international politics; or simply (as a policeman might put it) was
"on his beat." Turpin has so taken hold of the imagination that you find
legends of him in the most impossible places, but his real centre of
activity, before he fled into Yorkshire, was Epping Forest, and a radius
of twenty miles from Chingford just about covers his province.

It is only in modern times that the "Spaniards" has been anxious to claim
Turpin. In that hero's period, and when highwaymen still haunted dark
roads and were hand-in-glove with many innkeepers, the "Spaniards" was no
doubt just as anxious to disclaim any such association. Thus we do not
find, in any memoirs of former landlords, "Turpin as I knew Him," or
anything of that kind. It is a pity, for we are in such a case reduced to
accept legends, and Heaven and the inquirer into these things alone know
what lies these legends tell. At the "Spaniards," however, we accept the
tradition that mine host, throughout a long series of years, had an
excellent understanding with the whole fraternity of road-agents, and with
Turpin in particular.

[Illustration: THE "SPANIARDS," HAMPSTEAD HEATH.]

It is not necessary to this general belief to place one's faith in the
truth of the stable attached to the house having been that of Black Bess,
because we know that famous mare to have been entirely the figment of
Harrison Ainsworth's imagination; and the quaint old tower-like
garden-house seen on the right hand of the accompanying picture of the inn
is itself so picturesquely suggestive of headlong flights and pursuits
that, whether Turpin _did_ hide in it, or not, it is obviously demanded by
all the canons of the picturesque that he _should_ be made to do so--and
accordingly he is. Thus we read: "This outhouse was a favourite
resting-place for Turpin, and many a time on the late return of the
marauder has it served as a bedroom. The underground passages that led to
the inn itself have been filled up, years ago. Formerly, here Dick was
safe enough. Were the two doors attacked by unpleasant visitors, he dived
through the secret trap-door into the underground apartment, there to
await the departure of the raging officers, or to betake himself to the
inn, if that were clear of attack."

Oh! those "secret passages" and "underground apartments"! Do we not meet
them (in legend) everywhere? And have they not invariably been "filled up"
long ago?

Forty-one years after Turpin had been hanged we find the "Spaniards" in
touch with actual, unquestionable history. June, 1780, was the time of the
"No Popery Riots" in London, when Newgate was fired by the mob, and half a
million pounds' worth of damage was done to business houses and private
residences. The Earl of Mansfield's town house, in Bloomsbury Square, was
destroyed, and the mob, pleased with their handiwork there, determined to
complete their revenge on the obnoxious judge by treating his country
mansion at Caen Wood in the same manner.

Caen Wood still stands hard by the "Spaniards," which you must pass in
order to come to it from London. Here the landlord stood, with the tollbar
behind him, like another Horatius in the gate, and met the rioters as they
came with pikes and "No Popery" flags, and torches and firelocks,
streaming along the road. They were an unsuspicious mob, and a thirsty,
and when mine host invited them to partake of his best, free of charge,
and even to wallow in it, if they would, they did not stop to ask the
motive of such extraordinary generosity, but took him at his word and sat
boozing there until the detachment of Horse Guards, sent up in response to
the mounted messenger despatched by the landlord, had time to dispose
themselves in the Caen Wood grounds, and so to overawe their undisciplined
force.

A very great deal of the "Spaniards'" picturesqueness is due to the rustic
setting of narrow lane and tall elms that frames it in, but that story of
the resourceful landlord and his artful way with those London furies gives
the house and the scenery a final dramatic touch. You fancy, if you stroll
that way some June evening, that you see him, in old-fashioned
dress--buckled shoes, worsted stockings, knee-breeches, scrubby
wig--standing in the roadway, tankard in one hand, churchwarden pipe in
the other, with assumed joviality confronting a rabble in equal parts
drunk and mad. You see the banner, "No Popery!" you hear the curses
and--without the aid of imagination, for the "Spaniards" is a going
concern--smell the drink. And presently you hear the gallop of the Horse
Guards and the rattle and jingle of their accoutrements.

But you must not by any means come here on Easter Monday or any other
occasion of popular holiday, for amidst such wholesale merry-making
imagination becomes atrophied, and the ghosts of historic drama will not
condescend to share the stage with twentieth-century comedy.


_Printed and bound by Hazell, Watson & Viney, Ld., London and Aylesbury._




INDEX


  Adelphi Hotel, Adelphi, i. 212, 264

  Ale-stakes, i. 14-17

  Anchor, Ripley, ii. 212, 242

  Angel, Basingstoke, ii. 279

  -- Bury St. Edmunds, i. 238

  -- Colchester, i. 90

  -- Ferrybridge, ii. 81

  -- Grantham, i. 118-123

  -- Guildford, ii. 57

  -- Islington, i. 119

  -- Stilton, ii. 48

  Ass-in-the-Bandbox, Nidd, ii. 203


  Barge Aground, Brentford, ii. 203

  -- Stratford High Road, ii. 203

  Battle, Pilgrims' Hostel at, i. 97

  Bay Tree Tavern, St. Swithin's Lane, ii. 290

  Bear, Devizes, ii. 8-16

  -- Esher, ii. 116

  -- and Billet, Chester, ii. 74

  Bear's Head, Brereton, ii. 62

  Beaufort Arms, Bath, i. 254

  Beckhampton Inn, i. 238

  Bee-Hive, Eaumont Bridge, ii. 138

  -- Grantham, ii. 192

  Beetle-and-Wedge, Moulsford, ii. 195

  Bell, Barnby Moor, i. 60, ii. 55, 81

  -- Belbroughton, ii. 245

  -- Berkeley Heath, i. 256

  -- Dale Abbey, ii. 88, 90

  -- Stilton, ii. 48-54

  -- Tewkesbury, ii. 283-287

  -- Warwick Lane, London, i. 30

  -- Woodbridge, ii. 112

  Bell and Mackerel, Mile End, ii. 129

  Belle Sauvage, Ludgate Hill, i. 229

  Berkeley Arms, Tewkesbury, ii. 288

  Birch Tree Tavern, St. Swithin's Lane, ii. 290

  Black Bear, Sandbach, ii. 58

  -- -- Tewkesbury, ii. 289

  -- Boy, Chelmsford, i. 242

  -- Bull, Holborn, i. 288-290

  -- -- Newcastle-on-Tyne, i. 53

  -- Horse, Cherhill, i. 232

  -- Jack, Clare Market, i. 242-244

  -- Swan, Kirkby Moorside, ii. 267

  Blue Bell, Barnby Moor, i. 60, ii. 55, 81

  -- Boar, Leicester, i. 202

  -- -- Whitechapel, i. 291

  -- Dragon, near Salisbury, i. 282-288

  -- Lion, Muggleton, _i.e._ Town Malling, i. 226

  -- Posts, Chester, i. 155-158

  -- -- Portsmouth, ii. 137

  Boar, Bluepitts, near Rochdale, ii. 197

  Boar's Head, Eastcheap, ii. 253, 261

  -- Middleton, ii. 218

  Boot, Chester, ii. 78

  Bottom Inn, Chalton Downs, near Petersfield, i. 270-274

  Buck and Bell, Long Itchington, ii. 130

  Bull, Dartford, i. 79-82

  -- Fenny Stratford, ii. 111

  -- Rochester, i. 221-223

  -- Sissinghurst, ii. 244

  -- Whitechapel, i. 242, 245

  Bull and Mouth, St. Martin's-le-Grand, i. 228

  Bull's Head, Meriden, ii. 80

  -- Greengate, Salford, i. 7

  Burford Bridge Hotel, near Dorking, ii. 273

  Bush, Bristol, i. 255

  -- Farnham, i. 309


  Capel Curig Inn, ii. 254

  Carnarvon Castle, Chester, ii. 77

  -- Arms, Guildford Street, ii. 289

  Cart Overthrown, Edmonton, ii. 203

  Castle, Conway, ii. 122

  -- Marlborough, i. 60, ii. 8, 90-99

  Cat and Fiddle, near Buxton, ii. 147

  -- near Christchurch, ii. 181

  Cat and Mutton, London Fields, ii. 139

  Cats, Sevenoaks, ii. 191

  Chapel House, near Chipping Norton, ii. 100-106

  Cheney Gate, near Congleton, ii. 139

  Chequers, Slapestones, ii. 134

  -- of the Hope, Canterbury, i. 85

  Civil Usage, Brixham, ii. 203

  Clayton Arms, Godstone, ii. 30-34

  Coach and Dogs, Oswestry, ii. 200

  Coach and Horses, Chalton Downs, near Petersfield, i. 270

  Coach and Horses, Isleworth, i. 276

  Cock, Eaton Socon, i. 267

  -- Great Budworth, ii. 69-71

  -- Stony Stratford, ii. 43, 47

  Cock and Pymat, Whittington, near Chesterfield, i. 181-184

  County Inn, Canterbury, i. 291

  Craven Arms, near Church Stretton, ii. 47

  Cricketers, Laleham, ii. 167

  Crispin and Crispianus, Strood, i. 292-295

  Cross Hands, near Chipping Sodbury, ii. 85

  Cross Keys, Wood Street, Cheapside, i. 295

  Crow-on-Gate, Crowborough, ii. 205

  Crown, Chiddingfold, ii. 242

  -- Hempstead, i. 310

  -- Oxford, ii. 101

  -- Rochester, i. 223-225

  -- Stamford, ii. 158

  Crown and Treaty, Uxbridge, i. 161-169

  Custom House, Chester, ii. 77


  Dale Abbey, ii. 88-90

  Dedlock Arms, i. 290

  De Quincey, T., on old inns, i. 57, ii. 274-279

  Dial House, Bocking, ii. 226

  Dick Whittington, Cloth Fair, i. 4

  Dolphin, Potter Heigham, i. 159

  Domus Dei, Southampton, i. 90

  Dorset Arms, East Grinstead, ii. 35

  Duchy Hotel, Princetown, ii. 149


  Eagle and Child, Nether Alderley, ii. 209

  Edinburgh Castle, Limehouse, ii. 106-108

  -- Regent's Park, ii. 126-128

  Eight Bells, Twickenham, ii. 200

  Epitaphs on Innkeepers, ii. 245-254


  Falcon, Bidford, ii. 89

  -- Chester, ii. 74

  Falstaff, Canterbury, i. 87

  Feathers, Ludlow, ii. 18-25

  Ferry inn, Rosneath, ii. 180

  Fighting Cocks, St. Albans, i. 4

  First and Last, Land's End, ii. 206

  -- Sennen, ii. 206

  Fish and Eels, Roydon, i. 118

  Flitch of Bacon, Wichnor, ii. 79

  Fountain, Canterbury, i. 291

  Four Crosses, Hatherton, ii. 134

  Fowler, J. Kearsley, of the White Hart, Aylesbury, i. 62

  Fox and Hounds, Barley, ii. 153

  Fox and Pelican, Grayshott, ii. 180

  Fox-under-the-Hill, Strand, i. 255


  Garter, Windsor, ii. 261

  Gate, Dunkirk, ii. 133

  Gate Hangs Well, Nottingham, ii. 133

  Gatehouse Tavern, Norwich, ii. 130

  George, Amesbury, i. 283-287

  -- Andover, ii. 16-18

  -- Bridport, i. 180

  -- Brighthelmstone, i. 181

  -- Broadwindsor, i. 180

  -- Colnbrook, i. 188

  -- Crawley, ii. 152

  -- Grantham, i. 267, ii. 55

  -- Glastonbury, i. 107, 116

  -- Greta Bridge, i. 268

  -- Hayes Common, ii. 172

  -- Huntingdon, ii. 47

  -- Mere, i. 180

  -- Norton St. Philip, i. 123-132

  -- Odiham, ii. 44

  -- Rochester, i. 82

  -- St. Albans, i. 117, 119

  -- Salisbury, ii. 263

  -- Southwark, i. 31

  -- Stamford, ii. 154-158

  -- Walsall, i. 60

  -- Wanstead, ii. 141

  -- Winchcombe, i. 132-136

  George and Dragon, Dragon's Green, ii. 117-119

  -- Great Budworth, ii. 137

  -- Wargrave-on-Thames, ii. 176

  -- West Wycombe, ii. 222

  George and Vulture, Lombard Street, i. 213, 251, 264

  George the Fourth, Clare Market, i. 242-244

  God's House, Portsmouth, i. 89

  Golden Cross, Charing Cross, i. 213-220, ii. 72, 268

  Grand Pump Room Hotel, Bath, i. 254

  Great Western Railway Hotel, Paddington, i. 72

  Great White Horse, Ipswich, i. 246-251

  Green Dragon, Alderbury, i. 282-288

  -- Combe St. Nicholas, ii. 109

  -- Welton, i. 312

  -- Wymondham, i. 95

  Green Man, Hatton, i. 317

  -- Putney Heath, i. 319

  Green Man and Black's Head, Ashbourne, ii. 159

  Grenadier, Whitley, ii. 138

  Greyhound, Croydon, ii. 153

  -- Sutton, ii. 153

  -- Thame, i. 160

  Guildford Arms, Guildford Street, ii. 290


  Halfway House, Rickmansworth, ii. 215

  Hark to Bounty, Staidburn, ii. 204

  -- Lasher, Castleton, ii. 204

  -- Nudger, Dobcross, Manchester, ii. 204

  -- Towler, Bury, Lancashire, ii. 204

  Haycock, Wansford, ii. 80

  Haygate Inn, near Wellington, Salop, ii. 80

  Hearts of Oak, West Allington, ii. 87

  Herbergers, i. 25

  Hop-pole, Tewkesbury, i. 257, ii. 288

  Horseshoe and Castle, Cooling, i. 295

  Hostelers, i. 25

  Hundred-and-One, The, ii. 129

  Innkeepers, Epitaphs on, ii. 245-254

  Isle of Skye, near Holmfirth, ii. 148


  Jack Straw's Castle, Hampstead Heath, i. 300-302

  Johnson Dr., on inns, i. 43-46

  Jolly Farmer, Farnham, ii. 217


  Keigwin Arms, Mousehole, ii. 230

  King and Tinker, Enfield, i. 205-207

  King Edgar, Chester, ii. 72-74

  King's Arms, Lancaster, i. 299

  -- Malmesbury, ii. 293

  -- Salisbury, i. 180

  -- Sandwich, ii. 228

  King's Head, Aylesbury, i. 141-143, ii. 38

  -- Chigwell, i. 277-283

  -- Dorking, i. 230

  -- Stockbridge, ii. 249

  -- Thame, i. 160

  -- Yarmouth, i. 207, ii. 114


  Labour in Vain, Stourbridge, ii. 199

  Lamb, Eastbourne, ii. 57

  Lawrence, Robert, of the "Lion," Shrewsbury, i. 60, ii. 250

  Leather Bottle, Cobham, Kent, i. 230

  -- Holborn, ii. 191

  Leighton, Archbishop, i. 29

  Lion, Shrewsbury, i. 60, 297, ii. 250, 274-279

  Lion and Fiddle, Hilperton, ii. 195

  Lion and Swan, Congleton, ii. 65-67

  Living Sign, Grantham, ii. 192

  Load of Mischief, Oxford Street, ii. 162

  Locker-Lampson, F., on old inns, i. 58

  Loggerheads, Llanverris, ii. 168

  Lord Crewe Arms, Blanchland, i. 136-140

  Lord Warden, Dover, i. 54

  Luttrell Arms, Dunster, ii. 37-40

  Lygon Arms, Broadway, ii. 2-8, 244


  Magpie, Little Stonham, ii. 153

  -- and Stump, Clare Market, i. 242

  Maiden's Head, Uckfield, ii. 37

  Maid's Head, Norwich, ii. 40-42

  Maison Dieu, Dover, i. 88

  -- Ospringe, i. 84

  Malt Shovel, Sandwich, ii. 228

  Man Loaded with Mischief, Oxford Street, ii. 162

  Marlborough Downs, i. 231-238

  Marquis of Ailesbury's Arms, Manton, i. 232

  -- Granby, Dorking, i. 230

  Maund and Bush, near Shifnal, ii. 199

  Maypole, Chigwell, i. 277-282

  Miller of Mansfield, Goring-on-Thames, ii. 177

  Molly Mog, ii. 271

  Mompesson, Sir Giles, i. 37-41

  Mortal Man, Troutbeck, ii. 169

  Morison, Fynes, on English inns, i. 36

  Music House, Norwich, i. 157


  Nag's Head, Thame, i. 160

  Neptune, Ipswich, ii. 110

  Newhaven Inn, near Buxton, ii. 255

  New Inn, Allerton, ii. 80

  -- Gloucester, i. 98-106

  -- Greta Bridge, i. 268

  -- New Romney, ii. 44

  -- Sherborne, i. 106

  Newby Head, near Hawes, ii. 149

  Noah's Ark, Compton, i. 90

  Nutley Inn, ii. 36


  Old Angel, Basingstoke, ii. 279

  -- Bell, Holborn, i. 30

  -- -- Chester, ii. 78

  -- Black Jack, Clare Market, i. 242-244

  -- Fox, Bricket Wood, ii. 201

  -- Hall, Sandbach, ii. 58-62

  -- House at Home, Havant, ii. 220

  -- King's Head, Aylesbury, i. 141-143, ii. 38

  -- -- Chester, ii. 77

  -- Leather Bottle, Cobham, Kent, i. 230

  -- Magpies, Sipson Green, i. 317

  -- Rock House, Barton, ii. 196

  -- Rover's Return, Manchester, i. 7

  -- Royal Hotel, Birmingham, i. 258, ii. 268

  -- Ship, Worksop, ii. 226

  -- Star, York, ii. 158

  -- Swan, Atherstone, ii. 227

  -- Tippling Philosopher, Chepstow, ii. 203

  -- White Swan, Piff's Elm, i. 202-205

  Osborne's Hotel, Adelphi, i. 212, 264

  Ostrich, Colnbrook, i. 188-201


  Pack Horse and Talbot, Turnham Green, ii. 192

  Peacock, Eatanswill, i. 230

  -- Rowsley, ii. 25-29

  Pelican, Speenhamland, i. 208, ii. 293

  Penygwryd Hotel, Llanberis, ii. 294-298

  Pheasant, Winterslow Hut, ii. 102

  Pickering Arms, Thelwall, ii. 71

  Pie, Little Stonham, ii. 153

  Pied Bull, Chester, ii. 78

  _Piers Plowman_, i. 16-18

  Piff's Elm, i. 202-205

  Pilgrims' Hostel, Battle, i. 97

  -- Compton, i. 90

  Plough, Blundeston, i. 290

  -- Ford, ii. 136

  Pomfret Arms, Towcester, i. 259-263

  Pounds Bridge, near Penshurst, ii. 220


  Queen's Arms, Charmouth, i. 180

  -- Head, Hesket Newmarket, i. 299

  -- Hotel, St. Martin's-le-Grand, i. 229

  -- Burton-on-Trent, ii. 114


  Raven, Hook, ii. 86

  -- Shrewsbury, i. 42, 60

  Red Bull, Stamford, ii. 158

  Red Horse, Stratford-on-Avon, ii. 47, 269-271

  Red Lion, Banbury, i. 146

  -- Canterbury, i. 51

  -- Chiswick Mall, ii. 123-125

  -- Egham, ii. 53-56

  -- Glastonbury, i. 116

  -- Great Missenden, ii. 198

  -- Guildford, ii. 262

  -- Hampton-on-Thames, ii. 159

  -- Hatfield, ii. 55

  -- Henley-on-Thames, ii. 299-301

  -- High Wycombe, i. 184

  -- Hillingdon, i. 169

  -- Martlesham, ii. 113, 165

  -- Ospringe, i. 84

  -- Parliament Street, i. 265, 290

  Reindeer, Banbury, i. 145, 147-155, 169

  Ridler's Hotel, Holborn, i. 31

  Robin Hood, Turnham Green, ii. 131

  -- Cherry Hinton, ii. 131

  Rose, Wokingham, ii. 271

  Rose and Crown, Halifax, ii. 273

  -- Rickmansworth, ii. 215

  Rover's Return, Shudehill, Manchester, i. 7

  Row Barge, Wallingford, ii. 178

  Royal County Hotel, Durham, ii. 55

  Royal George, Knutsford, ii. 279

  -- Stroud, ii. 82

  Royal Hotel, Bath, i. 255

  -- Bideford, ii. 273

  Royal Oak, Bettws-y-Coed, ii. 172-175

  Rummyng, Elynor, i. 19-24

  Running Footman, Hay Hill, i. 255, ii. 193

  Running Horse, Leatherhead, i. 18-25

  -- Merrow, ii. 233


  Salutation, Ambleside, ii. 292

  Saracen's Head, Bath, i. 266

  -- Southwell, i. 172-180

  -- Towcester, i. 259-263

  Serjeant's Inn Coffee House, i. 255

  Seven Stars, Manchester, i. 6, 8-12

  Shakespeare's Head, near Chipping Norton, ii. 100-106

  Shears, Wantage, ii. 202

  Shepherd's Shore, Marlborough Downs, i. 232-237

  Ship and Lobster, Denton, near Gravesend, i. 296

  -- Afloat, Bridgwater, ii. 203

  -- Aground, ii. 203

  Ship, Brixham, ii. 139

  -- Dover, i. 54

  Smiling Man, Dudley, ii. 203

  Smoker, Plumbley, ii. 179

  Soldier's Fortune, Kidderminster, ii. 136

  Sondes Arms, Rockingham, i. 290

  Spaniards, Hampstead Heath, i. 256, 320-327

  Star, Alfriston, i. 93-97, ii. 165

  -- Lewes, ii. 37

  -- Yarmouth, ii. 42-44, 273

  Stocks, Clapgate, ii. 202

  Stonham Pie, Little Stonham, ii. 153

  Sugar Loaves, Sible Hedingham, ii. 195

  Sun, Canterbury, i. 292

  -- Cirencester, i. 180

  -- Dedham, ii. 225

  -- Northallerton, ii. 248

  Sunrising Inn, Edge Hill, ii. 299

  Swan and Bottle, Uxbridge, i. 165

  -- Charing, ii. 188

  -- Ferrybridge, ii. 81, 83

  -- Fittleworth, ii. 159, 183

  -- Haslemere, ii. 242

  -- Kirkby Moorside, ii. 267

  -- Knowle, ii. 231-233

  -- near Newbury, ii. 216

  -- Preston Crowmarsh, ii. 179

  -- Rickmansworth, ii. 214

  -- Sandleford, ii. 217

  -- Tewkesbury, ii. 288

  -- Thames Ditton, ii. 292

  -- Town Malling, i. 226

  -- with Two Necks, Gresham Street, i. 54-56


  Tabard, Southwark, i. 77-79

  Talbot, Atcham, ii. 80

  -- Cuckfield, ii. 81

  -- Newark, i. 308

  -- Ripley, ii. 213

  -- Shrewsbury, ii. 80

  -- Southwark, i. 79

  -- Towcester, ii. 115, 243

  Tan Hill Inn, Swaledale, near Brough, ii. 145

  Tankard, Ipswich, ii. 110

  Thorn, Appleton, ii. 138

  Three Cats, Sevenoaks, ii. 191

  -- Cocks, near Hay, ii. 47

  -- Crosses, Willoughby, ii. 303

  -- Crowns, Chagford, i. 170-172

  -- Horseshoes, Great Mongeham, ii. 197

  -- Houses, Sandal, i. 308

  -- Jolly Bargemen, Cooling, i. 295

  -- Magpies, Sipson Green, i. 317

  -- Queens, Burton-on-Trent, ii. 114

  -- Tuns, Bideford, ii. 110

  Town Arms, Eatanswill, i. 230

  Traveller's Rest, Flash Bar, ii. 148

  -- Kirkstone Pass, ii. 148

  Treaty House, Uxbridge, i. 161-169

  Trevelyan Arms, Barnstaple, ii. 40, 110

  Trip to Jerusalem, Nottingham, ii. 134

  Trouble House, near Tetbury, ii. 203

  Turnspit Dogs, i. 48-51

  Turpin's Cave, Epping Forest, i. 310


  Uncle Tom's Cabin, Bluepitts, near Rochdale, ii. 197

  Unicorn, Bowes, i. 269

  -- Ripon, ii. 121


  Verulam Arms, St. Albans, ii. 79

  Vine, Mile-End, ii. 259

  _Vision of Piers Plowman_, i. 16-18

  Visitors' Books, ii. 291-308


  Waggon and Horses, Beckhampton, i. 233, 237

  Wellington, Broadstairs, ii. 47

  -- Market Place, Manchester, i. 7

  -- Rushyford Bridge, i. 60

  -- Tewkesbury, ii. 287

  Whetstone, Chiswick Mall, ii. 124

  White Bear, Fickles Hole, ii. 203

  -- and Whetstone, Chiswick Mall, ii. 123-125

  -- Bull, Ribchester, ii. 119-121

  White Hart, Adwalton, ii. 255

  -- Aylesbury, i. 62-67, 140

  -- Bath, i. 254

  -- Castle Combe, ii. 234

  -- Drighlington, ii. 255

  -- Eatanswill, i. 230

  -- Glastonbury, i. 112

  -- Godstone, ii. 30-34

  -- Guildford, ii. 55

  -- Hackney Marshes, ii. 257-259

  -- Scole, ii. 150

  -- Somerton, i. 185-187

  -- Southwark, i. 226-228

  -- Whitchurch, Hants, ii. 280

  -- Widcombe, i. 254

  -- Yard, Gray's Inn Road, ii. 106

  White Horse, Eaton Socon, i. 267

  -- Fetter Lane, i. 31, 219

  -- Maiden Newton, ii. 289

  -- Shere, ii. 241

  -- Woolstone, ii. 211

  White Horse Cellar, Piccadilly, i. 253

  White House, Hackney Marshes, ii. 259

  White Lion, Maidstone, i. 226

  White Swan, Henley-in-Arden, ii. 300

  Who'd Have Thought It, Barking, ii. 204

  Why Not, Dover, ii. 204

  Widow's Son, Bromley-by-Bow, ii. 125-127

  Windmill, North Cheriton, ii. 89-91

  -- Salt Hill, i. 60

  -- Tabley, ii. 179

  Winterslow Hut, near Salisbury, ii. 102

  Wizard, Alderley Edge, ii. 65-69

  Wood's Hotel, Furnival's Inn, i. 31

  World Turned Upside Down, Old Kent Road, ii. 204

  -- near Three Mile Cross, ii. 204

  Wright's, Rochester, i. 223-225


  Yacht, Chester, ii. 77, 304




FOOTNOTES:

[1] Woman-shoemaker.

[2] Warrener.

[3] Needler: maker of needles.

[4] Ditcher.

[5] Bald.

[6] Fiddler.

[7] Ratter.

[8] A mounted servant of a knight.

[9] Welshman.

[10] This is an ancient parallel with

  "Who comes there?"
    "Grenadier."
  "What d'ye want?"
    "Pot o' beer."
  "Where's yer money?"
    "Haven't got."
  "Get away, you drunken sot!"

[11] A large hotel was also built outside Slough Station, eighteen miles
from Paddington, for weary and hungry travellers. Such were the quaint
ideas of the early railway directors, who could not forget the
necessities, the usages and customs of the coaching age, when inns at
short stages were indispensable. The hotel at Slough was from the first a
failure, and the building has long been an orphanage.

[12] Another landlord of the "Tabard"--William Rutter, represented East
Grinstead in Parliament, 1529-1536.

[13] Vol. II., p. 348.

[14] For example, the Rev. Dr. Thackeray, late Chaplain of the Hackney
Union, licensee and active publican of the "Fish and Eels" at Roydon.

[15] Cf. a lengthy description of the origin of the place-name "Shepherd's
Bush" in the West of London: _The Oxford, Gloucester, and Milford Haven
Road_, vol. i. pp. 55-57. Also compare the still-existent
"shepherd's-bush" thorn-trees on West Winch Common, Norfolk.

[16] For further particulars respecting the "Bull," see _The Norwich
Road_, pp. 19-28, and _Stage-coach and Mail in Days of Yore_, vol. i., p.
324; vol. ii., pp. 227, 232-5, 343.

[17] A newer extension, built in recent years, makes a fourth.

[18] _The Dickens Country._ By F. G. Kitton, p. 167.

[19] Within the last few months the lower part of the house has been
converted into a dairy, but the part described by Dickens remains
unaltered.




Transcriber's Notes:

Passages in italics are indicated by _italics_.

Superscripted characters are indicated by {superscript}.

The original text includes a diamond symbol that is represented as
[Diamond] in this text version.






End of the Project Gutenberg EBook of The Old Inns of Old England, Volume I
(of 2), by Charles G. Harper

*** 