The Project Gutenberg Etext of Vittoria by George Meredith, v5
#45 in our series by George Meredith

Copyright laws are changing all over the world. Be sure to check the
copyright laws for your country before distributing this or any other
Project Gutenberg file.

We encourage you to keep this file, exactly as it is, on your
own disk, thereby keeping an electronic path open for future
readers.  Please do not remove this.

This header should be the first thing seen when anyone starts to
view the etext. Do not change or edit it without written permission.
The words are carefully chosen to provide users with the
information they need to understand what they may and may not
do with the etext.


**Welcome To The World of Free Plain Vanilla Electronic Texts**

**Etexts Readable By Both Humans and By Computers, Since 1971**

*****These Etexts Are Prepared By Thousands of Volunteers!*****

Information on contacting Project Gutenberg to get etexts, and
further information, is included below.  We need your donations.

The Project Gutenberg Literary Archive Foundation is a 501(c)(3)
organization with EIN [Employee Identification Number] 64-6221541



Title: Vittoria, v5

Author: George Meredith

Release Date: September, 2003 [Etext #4439]
[Yes, we are more than one year ahead of schedule]
[This file was first posted on January 24, 2002]

Edition: 10

Language: English

Character set encoding: ASCII

The Project Gutenberg Etext of Vittoria by George Meredith, v5
*****This file should be named 4439.txt or 4439.zip*****

This etext was produced by David Widger  <widger@cecomet.net>

Project Gutenberg Etexts are often created from several printed
editions, all of which are confirmed as Public Domain in the US
unless a copyright notice is included.  Thus, we usually do not
keep etexts in compliance with any particular paper edition.

We are now trying to release all our etexts one year in advance
of the official release dates, leaving time for better editing.
Please be encouraged to tell us about any error or corrections,
even years after the official publication date.

Please note neither this listing nor its contents are final til
midnight of the last day of the month of any such announcement.
The official release date of all Project Gutenberg Etexts is at
Midnight, Central Time, of the last day of the stated month.  A
preliminary version may often be posted for suggestion, comment
and editing by those who wish to do so.

Most people start at our sites at:
http://gutenberg.net or
http://promo.net/pg

These Web sites include award-winning information about Project
Gutenberg, including how to donate, how to help produce our new
etexts, and how to subscribe to our email newsletter (free!).


Those of you who want to download any Etext before announcement
can get to them as follows, and just download by date.  This is
also a good way to get them instantly upon announcement, as the
indexes our cataloguers produce obviously take a while after an
announcement goes out in the Project Gutenberg Newsletter.

http://www.ibiblio.org/gutenberg/etext03 or
ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03

Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90

Just search by the first five letters of the filename you want,
as it appears in our Newsletters.


Information about Project Gutenberg (one page)

We produce about two million dollars for each hour we work.  The
time it takes us, a rather conservative estimate, is fifty hours
to get any etext selected, entered, proofread, edited, copyright
searched and analyzed, the copyright letters written, etc.   Our
projected audience is one hundred million readers.  If the value
per text is nominally estimated at one dollar then we produce $2
million dollars per hour in 2001 as we release over 50 new Etext
files per month, or 500 more Etexts in 2000 for a total of 4000+
If they reach just 1-2% of the world's population then the total
should reach over 300 billion Etexts given away by year's end.

The Goal of Project Gutenberg is to Give Away One Trillion Etext
Files by December 31, 2001.  [10,000 x 100,000,000 = 1 Trillion]
This is ten thousand titles each to one hundred million readers,
which is only about 4% of the present number of computer users.

At our revised rates of production, we will reach only one-third
of that goal by the end of 2001, or about 4,000 Etexts.  We need
funding, as well as continued efforts by volunteers, to maintain
or increase our production and reach our goals.

The Project Gutenberg Literary Archive Foundation has been created
to secure a future for Project Gutenberg into the next millennium.

We need your donations more than ever!

As of November, 2001, contributions are being solicited from people
and organizations in: Alabama, Arkansas, Connecticut, Delaware,
Florida, Georgia, Idaho, Illinois, Indiana, Iowa, Kansas, Kentucky,
Louisiana, Maine, Michigan, Missouri, Montana, Nebraska, Nevada, New
Hampshire, New Jersey, New Mexico, New York, North Carolina, Oklahoma,
Oregon, Pennsylvania, Rhode Island, South Carolina, South Dakota,
Tennessee, Texas, Utah, Vermont, Virginia, Washington, West Virginia,
Wisconsin, and Wyoming.

We have filed in about 45 states now, but these are the only ones
that have responded.

As the requirements for other states are met, additions to this list
will be made and fund raising will begin in the additional states.
Please feel free to ask to check the status of your state.

In answer to various questions we have received on this:

We are constantly working on finishing the paperwork to legally
request donations in all 50 states.  If your state is not listed and
you would like to know if we have added it since the list you have,
just ask.

While we cannot solicit donations from people in states where we are
not yet registered, we know of no prohibition against accepting
donations from donors in these states who approach us with an offer to
donate.

International donations are accepted, but we don't know ANYTHING about
how to make them tax-deductible, or even if they CAN be made
deductible, and don't have the staff to handle it even if there are
ways.

All donations should be made to:

Project Gutenberg Literary Archive Foundation
PMB 113
1739 University Ave.
Oxford, MS 38655-4109

Contact us if you want to arrange for a wire transfer or payment
method other than by check or money order.


The Project Gutenberg Literary Archive Foundation has been approved by
the US Internal Revenue Service as a 501(c)(3) organization with EIN
[Employee Identification Number] 64-622154.  Donations are
tax-deductible to the maximum extent permitted by law.  As fundraising
requirements for other states are met, additions to this list will be
made and fundraising will begin in the additional states.

We need your donations more than ever!

You can get up to date donation information at:

http://www.gutenberg.net/donation.html


***

If you can't reach Project Gutenberg,
you can always email directly to:

Michael S. Hart <hart@pobox.com>

Prof. Hart will answer or forward your message.

We would prefer to send you information by email.


**The Legal Small Print**


(Three Pages)

***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
Why is this "Small Print!" statement here? You know: lawyers.
They tell us you might sue us if there is something wrong with
your copy of this etext, even if you got it for free from
someone other than us, and even if what's wrong is not our
fault. So, among other things, this "Small Print!" statement
disclaims most of our liability to you. It also tells you how
you may distribute copies of this etext if you want to.

*BEFORE!* YOU USE OR READ THIS ETEXT
By using or reading any part of this PROJECT GUTENBERG-tm
etext, you indicate that you understand, agree to and accept
this "Small Print!" statement. If you do not, you can receive
a refund of the money (if any) you paid for this etext by
sending a request within 30 days of receiving it to the person
you got it from. If you received this etext on a physical
medium (such as a disk), you must return it with your request.

ABOUT PROJECT GUTENBERG-TM ETEXTS
This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-tm etexts,
is a "public domain" work distributed by Professor Michael S. Hart
through the Project Gutenberg Association (the "Project").
Among other things, this means that no one owns a United States copyright
on or for this work, so the Project (and you!) can copy and
distribute it in the United States without permission and
without paying copyright royalties. Special rules, set forth
below, apply if you wish to copy and distribute this etext
under the "PROJECT GUTENBERG" trademark.

Please do not use the "PROJECT GUTENBERG" trademark to market
any commercial products without permission.

To create these etexts, the Project expends considerable
efforts to identify, transcribe and proofread public domain
works. Despite these efforts, the Project's etexts and any
medium they may be on may contain "Defects". Among other
things, Defects may take the form of incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged
disk or other etext medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.

LIMITED WARRANTY; DISCLAIMER OF DAMAGES
But for the "Right of Replacement or Refund" described below,
[1] Michael Hart and the Foundation (and any other party you may
receive this etext from as a PROJECT GUTENBERG-tm etext) disclaims
all liability to you for damages, costs and expenses, including
legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
POSSIBILITY OF SUCH DAMAGES.

If you discover a Defect in this etext within 90 days of
receiving it, you can receive a refund of the money (if any)
you paid for it by sending an explanatory note within that
time to the person you received it from. If you received it
on a physical medium, you must return it with your note, and
such person may choose to alternatively give you a replacement
copy. If you received it electronically, such person may
choose to alternatively give you a second opportunity to
receive it electronically.

THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
PARTICULAR PURPOSE.

Some states do not allow disclaimers of implied warranties or
the exclusion or limitation of consequential damages, so the
above disclaimers and exclusions may not apply to you, and you
may have other legal rights.

INDEMNITY
You will indemnify and hold Michael Hart, the Foundation,
and its trustees and agents, and any volunteers associated
with the production and distribution of Project Gutenberg-tm
texts harmless, from all liability, cost and expense, including
legal fees, that arise directly or indirectly from any of the
following that you do or cause:  [1] distribution of this etext,
[2] alteration, modification, or addition to the etext,
or [3] any Defect.

DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
You may distribute copies of this etext electronically, or by
disk, book or any other medium if you either delete this
"Small Print!" and all other references to Project Gutenberg,
or:

[1]  Only give exact copies of it.  Among other things, this
     requires that you do not remove, alter or modify the
     etext or this "small print!" statement.  You may however,
     if you wish, distribute this etext in machine readable
     binary, compressed, mark-up, or proprietary form,
     including any form resulting from conversion by word
     processing or hypertext software, but only so long as
     *EITHER*:

     [*]  The etext, when displayed, is clearly readable, and
          does *not* contain characters other than those
          intended by the author of the work, although tilde
          (~), asterisk (*) and underline (_) characters may
          be used to convey punctuation intended by the
          author, and additional characters may be used to
          indicate hypertext links; OR

     [*]  The etext may be readily converted by the reader at
          no expense into plain ASCII, EBCDIC or equivalent
          form by the program that displays the etext (as is
          the case, for instance, with most word processors);
          OR

     [*]  You provide, or agree to also provide on request at
          no additional cost, fee or expense, a copy of the
          etext in its original plain ASCII form (or in EBCDIC
          or other equivalent proprietary form).

[2]  Honor the etext refund and replacement provisions of this
     "Small Print!" statement.

[3]  Pay a trademark license fee to the Foundation of 20% of the
     gross profits you derive calculated using the method you
     already use to calculate your applicable taxes.  If you
     don't derive profits, no royalty is due.  Royalties are
     payable to "Project Gutenberg Literary Archive Foundation"
     the 60 days following each date you prepare (or were
     legally required to prepare) your annual (or equivalent
     periodic) tax return.  Please contact us beforehand to
     let us know your plans and to work out the details.

WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
Project Gutenberg is dedicated to increasing the number of
public domain and licensed works that can be freely distributed
in machine readable form.

The Project gratefully accepts contributions of money, time,
public domain materials, or royalty free copyright licenses.
Money should be paid to the:
"Project Gutenberg Literary Archive Foundation."

If you are interested in contributing scanning equipment or
software or other items, please contact Michael Hart at:
hart@pobox.com

[Portions of this header are copyright (C) 2001 by Michael S. Hart
and may be reprinted only when these Etexts are free of all fees.]
[Project Gutenberg is a TradeMark and may not be used in any sales
of Project Gutenberg Etexts or other materials be they hardware or
software or any other related product without express permission.]

*END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.10/04/01*END*





This etext was produced by David Widger  <widger@cecomet.net>




VITTORIA

By George Meredith



CONTENTS:

BOOK 5.
XXVI.     THE DUEL IN THE PASS
XXVII.    A NEW ORDEAL
XXVIII.   THE ESCAPE OF ANGELO



CHAPTER XXVI

THE DUEL IN THE PASS

Meanwhile Captain Weisspriess had not been idle.  Standing at a blunt
angle of the ways converging upon Vittoria's presumed destination, he had
roused up the gendarmerie along the routes to Meran by Trent on one side,
and Bormio on the other; and he soon came to the conclusion that she had
rejected the valley of the Adige for the Valtelline, whence he supposed
that she would be tempted either to cross the Stelvio or one of the
passes into Southernmost Tyrol.  He was led to think that she would
certainly bear upon Switzerland, by a course of reasoning connected with
Angelo Guidascarpi, who, fleeing under the cross of blood, might be
calculated on to push for the mountains of the Republic; and he might
judging by the hazards--conduct the lady thither, to enjoy the fruits of
crime and love in security.  The captain, when he had discovered Angelo's
crest and name on the betraying handkerchief, had no doubts concerning
the nature of their intimacy, and he was spurred by a new and thrice
eager desire to capture the couple--the criminal for the purposes of
justice, and the other because he had pledged his notable reputation in
the chase of her.  The conscience of this man's vanity was extremely
active.  He had engaged to conquer the stubborn girl, and he thought it
possible that he might take a mistress from the patriot ranks, with a
loud ha! ha! at revolutionists, and some triumph over his comrades.  And
besides, he was the favourite of Countess Anna of Lenkenstein, who yet
refused to bring her estates to him; she dared to trifle; she also was a
woman who required rude lessons.  Weisspriess, a poor soldier bearing the
heritage of lusty appetites, had an eye on his fortune, and served
neither Mars alone nor Venus.  Countess Anna was to be among that company
assembled at the Castle of Sonnenberg in Meran; and if, while introducing
Vittoria there with a discreet and exciting reserve, he at the same time
handed over the assassin of Count Paul, a fine harvest of praise and
various pleasant forms of female passion were to be looked for--a rich
vista of a month's intrigue; at the end of it possibly his wealthy lady,
thoroughly tamed, for a wife, and redoubled triumph over his comrades.
Without these successes, what availed the fame of the keenest swordsman
in the Austrian army?--The feast as well as the plumes of vanity offered
rewards for the able exercise of his wits.

He remained at the sub-Alpine inn until his servant Wilhelm (for whom he
had despatched the duchess's chasseur, then in attendance on Vittoria)
arrived from Milan, bringing his uniform.  The chasseur was directed on
the Bormio line, with orders that he should cause the arrest of Vittoria
only in the case of her being on the extreme limit of the Swiss frontier.
Keeping his communications alert, Weisspriess bore that way to meet him.
Fortune smiled on his strategy.  Jacob Baumwalder Feckelwitz--full of
wine, and discharging hurrahs along the road--met him on the bridge over
the roaring Oglio, just out of Edolo, and gave him news of the fugitives.
'Both of them were at the big hotel in Bormio,' said Jacob; 'and I set up
a report that the Stelvio was watched; and so it is.'  He added that he
thought they were going to separate; he had heard something to that
effect; he believed that the young lady was bent upon crossing one of the
passes to Meran.  Last night it had devolved on him to kiss away the
tears of the young lady's maid, a Valtelline peasant-girl, who deplored
the idea of an expedition over the mountains, and had, with the usual
cat-like tendencies of these Italian minxes, torn his cheek in return for
his assiduities.  Jacob displayed the pretty scratch obtained in the Herr
Captain's service, and got his money for having sighted Vittoria and seen
double.  Weisspriess decided in his mind that Angelo had now separated
from her (or rather, she from him) for safety.  He thought it very
probable that she would likewise fly to Switzerland.  Yet, knowing that
there was the attraction of many friends for her at Meran, he conceived
that he should act more prudently by throwing himself on that line, and
he sped Jacob Baumwalder along the Valtelline by Val Viola, up to Ponte
in the Engadine, with orders to seize her if he could see her, and have
her conveyed to Cles, in Tyrol.  Vittoria being only by the gentlest
interpretation of her conduct not under interdict, an unscrupulous
Imperial officer might in those military times venture to employ the
gendarmerie for his own purposes, if he could but give a plausible colour
of devotion to the Imperial interests.

The chasseur sped lamentingly back, and Weisspriess, taking a guide from
the skirting hamlet above Edolo, quitted the Val Camonica, climbed the
Tonale, and reached Vermiglio in the branch valley of that name,
scientifically observing the features of the country as he went.  At
Vermiglio he encountered a brother officer of one of his former
regiments, a fat major on a tour of inspection, who happened to be a week
behind news of the army, and detained him on the pretext of helping him
on his car--a mockery that drove Weisspriess to the perpetual reply, 'You
are my superior officer,' which reduced the major to ask him whether he
had been degraded a step.  As usual, Weisspriess was pushed to assert his
haughtiness, backed by the shadow of his sword.  'I am a man with a
family,' said the major, modestly.  'Then I shall call you my superior
officer while they allow you to remain so,' returned Weisspriess, who
scorned a married soldier.

'I aspired to the Staff once myself,' said the major.  'Unfortunately, I
grew in girth--the wrong way for ambition.  I digest, I assimilate with a
fatal ease.  Stout men are doomed to the obscurer paths.  You may quote
Napoleon as a contrary instance.  I maintain positively that his day was
over, his sun was eclipsed, when his valet had to loosen the buckles of
his waistcoat and breech.  Now, what do you say?'

'I say,' Weisspriess replied, 'that if there's a further depreciation of
the paper currency, we shall none of us have much chance of digesting or
assimilating either--if I know at all what those processes mean.'

'Our good Lombard cow is not half squeezed enough,' observed the major,
confidentially in tone.  'When she makes a noise--quick! the pail at her
udders and work away; that's my advice.  What's the verse?--our
Zwitterwitz's, I mean; the Viennese poet:--

              "Her milk is good-the Lombard cow;
               Let her be noisy when she pleases
               But if she kicks the pail, I vow,
               We'll make her used to sharper squeezes:
               We'll write her mighty deeds in CHEESES:
               (That is, if she yields milk enow)."

'Capital!  capital!' the major applauded his quotation, and went on to
speak of 'that Zwitterwitz' as having served in a border regiment, after
creating certain Court scandal, and of his carrying off a Wallach lady
from her lord and selling her to a Turk, and turning Turk himself and
keeping a harem.  Five years later he reappeared in Vienna with a volume
of what he called 'Black Eagle Poems,' and regained possession of his
barony.  'So far, so good,' said the major; 'but when he applied for his
old commission in the army--that was rather too cool.'

Weisspriess muttered intelligibly, 'I've heard the remark, that you can't
listen to a man five minutes without getting something out of him.'

'I don't know; it may be,' said the major, imagining that Weisspriess
demanded some stronger flavours of gossip in his talk.  'There's no stir
in these valleys.  They arrested, somewhere close on Trent yesterday
afternoon, a fellow calling himself Beppo, the servant of an Italian
woman--a dancer, I fancy.  They're on the lookout for her too, I'm told;
though what sort of capers she can be cutting in Tyrol, I can't even
guess.'

The major's car was journeying leisurely toward Cles.  'Whip that brute!'
Weisspriess sang out to the driver, and begging the major's pardon,
requested to know whither he was bound.  The major informed him that he
hoped to sup in Trent.  'Good heaven! not at this pace,' Weisspriess
shouted.  But the pace was barely accelerated, and he concealed his
reasons for invoking speed.  They were late in arriving at Trent, where
Weisspriess cast eye on the imprisoned wretch, who declared piteously
that he was the trusted and innocent servant of the Signorina Vittoria,
and had been visiting all the castles of Meran in search of her.  The
captain's man Wilhelm had been the one to pounce on poor Beppo while the
latter was wandering disconsolately.  Leaving him to howl, Weisspriess
procured the loan of a horse from a colonel of cavalry at the Buon
Consiglio barracks, and mounted an hour before dawn, followed by Wilhelm.
He reached Cles in time to learn that Vittoria and her party had passed
through it a little in advance of him.  Breakfasting there, he enjoyed
the first truly calm cigar of many days.  Gendarmes whom he had met near
the place came in at his heels.  They said that the party would
positively be arrested, or not allowed to cross the Monte Pallade.  The
passes to Meran and Botzen, and the road to Trent, were strictly guarded.
Weisspriess hurried them forward with particular orders that they should
take into custody the whole of the party, excepting the lady; her, if
arrested with the others, they were to release: her maid and the three
men were to be marched back to Cles, and there kept fast.

The game was now his own: he surveyed its pretty intricate moves as on a
map.  The character of Herr Johannes he entirely discarded: an Imperial
officer in his uniform, sword in belt, could scarcely continue that meek
performance.  'But I may admire music, and entreat her to give me a
particular note, if she has it,' said the captain, hanging in
contemplation over a coming scene, like a quivering hawk about to close
its wings.  His heart beat thick; which astonished him: hitherto it had
never made that sort of movement.

From Cles he despatched a letter to the fair chatelaine at Meran, telling
her that by dainty and skilful management of the paces, he was bringing
on the intractable heroine of the Fifteenth, and was to be expected in
about two or three days.  The letter was entrusted to Wilhelm, who took
the borrowed horse back to Trent.

Weisspriess was on the mule-track a mile above the last village ascending
to the pass, when he observed the party of prisoners, and climbed up into
covert.  As they went by he discerned but one person in female garments;
the necessity to crouch for obscurity prevented him from examining them
separately.  He counted three men and beheld one of them between
gendarmes.  'That must be my villain,' he said.

It was clear that Vittoria had chosen to go forward alone.  The captain
praised her spirit, and now pushed ahead with hunter's strides.  He
passed an inn, closed and tenantless: behind him lay the Val di Non; in
front the darker valley of the Adige: where was the prey?  A storm of
rage set in upon him with the fear that he had been befooled.  He lit a
cigar, to assume ease of aspect, whatever the circumstances might be, and
gain some inward serenity by the outer reflection of it--not altogether
without success.  'My lady must be a doughty walker,' he thought; 'at
this rate she will be in the Ultenthal before sunset.'  A wooded height
ranged on his left as he descended rapidly.  Coming to a roll of grass
dotted with grey rock, he climbed it, and mounting one of the boulders,
beheld at a distance of half-a-dozen stone-throws downward, the figure of
a woman holding her hand cup-shape to a wayside fall of water.  The path
by which she was going rounded the height he stood on.  He sprang over
the rocks, catching up his clattering steel scabbard; and plunging
through tinted leafage and green underwood, steadied his heels on a
sloping bank, and came down on the path with stones and earth and
brambles, in time to appear as a seated pedestrian when Vittoria turned
the bend of the mountain way.

Gracefully withdrawing the cigar from his mouth, and touching his breast
with turned-in fingers, he accosted her with a comical operatic effort at
her high notes

'Italia!'

She gathered her arms on her bosom and looked swiftly round: then at the
apparition of her enemy.

It is but an ironical form of respect that you offer to the prey you have
been hotly chasing and have caught.  Weisspriess conceived that he had
good reasons for addressing her in the tone best suited to his character:
he spoke with a ridiculous mincing suavity:

'My pretty sweet!  are you not tired?  We have not seen one another for
days!  Can you have forgotten the enthusiastic Herr Johannes?  You have
been in pleasant company, no doubt; but I have been all--all alone.
Think of that!  What an exceedingly fortunate chance this is!  I was
smoking dolefully, and imagining anything but such a rapture.--No, no,
mademoiselle, be mannerly.'  The captain blocked her passage.  'You must
not leave me while I am speaking.  A good governess would have taught you
that in the nursery.  I am afraid you had an inattentive governess, who
did not impress upon you the duty of recognizing friends when you meet
them!  Ha!  you were educated in England, I have heard.  Shake hands.
It is our custom--I think a better one--to kiss on the right cheek and
the left, but we will shake hands.'

'In God's name, sir, let me go on,' Vittoria could just gather voice to
utter.

'But,' cried the delighted captain, 'you address me in the tones of a
basso profundo!  It is absurd.  Do you suppose that I am to be deceived
by your artifice?--rogue that you are!  Don't I know you are a woman?
a sweet, an ecstatic, a darling little woman!'

He laughed.  She shivered to hear the solitary echoes.  There was
sunlight on the farthest Adige walls, but damp shade already filled the
East-facing hollows.

'I beg you very earnestly, to let me go on,' said Vittoria.

'With equal earnestness, I beg you to let me accompany you,' he replied.
'I mean no offence, mademoiselle; but I have sworn that I and no one but
I shall conduct you to the Castle of Sonnenberg, where you will meet the
Lenkenstein ladies, with whom I have the honour to be acquainted.  You
see, you have nothing to fear if you play no foolish pranks, like a
kicking filly in the pasture.'

'If it is your pleasure,' she said gravely; but he obtruded the bow of an
arm.  She drew back.  Her first blank despair at sight of the trap she
had fallen into, was clearing before her natural high courage.

'My little lady! my precious prima donna! do you refuse the most trifling
aid from me?  It's because I'm a German.'

'There are many noble gentlemen who are Germans,' said Vittoria.

'It 's because I'm a German; I know it is.  But, don't you see, Germany
invades Italy, and keeps hold of her?  Providence decrees it so--ask the
priests!  You are a delicious Italian damsel, and you will take the arm
of a German.'

Vittoria raised her face.  'Do you mean that I am your prisoner?'

'You did not look braver at La Scala'; the captain bowed to her.

'Ah, I forgot,' said she; 'you saw me there.  If, signore, you will do me
the favour to conduct me to the nearest inn, I will sing to you.'

'It is precisely my desire, signorina.

You are not married to that man Guidascarpi, I presume?  No, no: you are
merely his .  .  .  friend.  May I have the felicity of hearing you call
me your friend?  Why, you tremble! are you afraid of me?'

'To tell the truth, you talk too much to please me,' said Vittoria.

The captain praised her frankness, and he liked it.  The trembling of her
frame still fascinated his eyes, but her courage and the absence of all
womanly play and cowering about her manner impressed him seriously.  He
stood looking at her, biting his moustache, and trying to provoke her to
smile.

'Conduct you to the nearest inn; yes,' he said, as if musing.  'To the
nearest inn, where you will sing to me; sing to me.  It is not an
objectionable scheme.  The inns will not be choice: but the society will
be exquisite.  Say first, I am your sworn cavalier?'

'It does not become me to say that,' she replied, feigning a demure
sincerity, on the verge of her patience.

'You allow me to say it?'

She gave him a look of fire and passed him; whereat, following her, he
clapped hands, and affected to regard the movement as part of an operatic
scena.  'It is now time to draw your dagger,' he said.  'You have one,
I'm certain.'

'Anything but touch me!' cried Vittoria, turning on him.  'I know that I
am safe.  You shall teaze me, if it amuses you.'

'Am I not, now, the object of your detestation?'

'You are near being so.'

'You see!  You put on no disguise; why should I?'

This remark struck her with force.

'My temper is foolish,' she said softly.  'I have always been used to
kindness.'

He vowed that she had no comprehension of kindness; otherwise would she
continue defiant of him?  She denied that she was defiant: upon which he
accused the hand in her bosom of clutching a dagger.  She cast the dagger
at his feet.  It was nobly done, and he was not insensible to the courage
and inspiration of the act; for it checked a little example of a trial of
strength that he had thought of exhibiting to an armed damsel.

'Shall I pick it up for you?' he said.

'You will oblige me,' was her answer; but she could not control a
convulsion of her underlip that her defensive instinct told her was best
hidden.

'Of course, you know you are safe,' he repeated her previous words, while
examining the silver handle of the dagger.  'Safe?  certainly!  Here is
C. A.  to V.  .  .  .  A.  neatly engraved: a gift; so that the young
gentleman may be sure the young lady will defend herself from lions and
tigers and wild boars, if ever she goes through forests and over mountain
passes.  I will not obtrude my curiosity, but who is V .  .  .  .  A. ?'

The dagger was Carlo's gift to her; the engraver, by singular
misadventure, had put a capital letter for the concluding letter of her
name instead of little a; she remembered the blush on Carlo's face when
she had drawn his attention to the error, and her own blush when she had
guessed its meaning.

'It spells my name,' she said.

'Your assumed name of Vittoria.  And who is C. A.?'

'Those are the initials of Count Carlo Ammiani.'

'Another lover?'

'He is my sole lover.  He is my betrothed.  Oh, good God!' she threw her
eyes up to heaven; 'how long am I to endure the torture of this man in my
pathway?  Go, sir, or let me go on.  You are intolerable.  It 's the
spirit of a tiger.  I have no fear of you.'

'Nay, nay,' said Weisspriess, 'I asked the question because I am under an
obligation to run Count Carlo Ammiani through the body, and felt at once
that I should regret the necessity.  As to your not fearing me, really,
far from wishing to hurt you--'

Vittoria had caught sight of a white face framed in the autumnal forest
above her head.  So keen was the glad expression of her face, that
Weisspriess looked up.

'Come, Angelo, come to me;' she said confidently.

Weisspriess plucked his sword out, and called to him imperiously to
descend.

Beckoned downward by white hand and flashing blade, Angelo steadied his
feet and hands among drooping chestnut boughs, and bounded to Vittoria's
side.

'Now march on,' Weisspriess waved his sword; 'you are my prisoners.'

'You,' retorted Angelo; 'I know you; you are a man marked out for one of
us.  I bid you turn back, if you care for your body's safety.'

'Angelo Guidascarpi, I also know you.  Assassin!  you double murderer!
Defy me, and I slay you in the sight of your paramour.'

'Captain Weisspriess, what you have spoken merits death.  I implore of my
Maker that I may not have to kill you.'

'Fool! you are unarmed.'

Angelo took his stilet in his fist.

'I have warned you, Captain Weisspriess.  Here I stand.  I dare you to
advance.'

'You pronounce my name abominably,' said the captain, dropping his
sword's point.  'If you think of resisting me, let us have no women
looking on.' He waved his left hand at Vittoria.

Angelo urged her to go.  'Step on for our Carlo's sake.'  But it was
asking too much of her.

'Can you fight this man?' she asked.

'I can fight him and kill him.'

'I will not step on,' she said.  'Must you fight him?'

'There is no choice.'  Vittoria walked to a distance at once.

Angelo directed the captain's eyes to where, lower in the pass, there was
a level plot of meadow.

Weisspriess nodded.  'The odds are in my favour, so you shall choose the
ground.'

All three went silently to the meadow.

It was a circle of green on a projecting shoulder of the mountain,
bounded by woods that sank toward the now shadowy South-flowing Adige
vale, whose Western heights were gathering red colour above a strongly-
marked brown line.  Vittoria stood at the border of the wood, leaving the
two men to their work.  She knew when speech was useless.

Captain Weisspriess paced behind Angelo until the latter stopped short,
saying, 'Here!'

'Wherever you please,' Weisspriess responded.  'The ground is of more
importance to you than to me.'

They faced mutually; one felt the point of his stilet, the other the
temper of his sword.

'Killing you, Angelo Guidascarpi, is the killing of a dog.  But there
are such things as mad dogs.  This is not a duel.  It is a righteous
execution, since you force me to it: I shall deserve your thanks for
saving you from the hangman.  I think you have heard that I can use my
weapon.  There's death on this point for you.  Make your peace with your
Maker.'

Weisspriess spoke sternly.  He delayed the lifting of his sword that the
bloody soul might pray.

Angelo said, 'You are a good soldier: you are a bad priest.  Come on.'

A nod of magnanimous resignation to the duties of his office was the
captain's signal of readiness.  He knew exactly the method of fighting
which Angelo must adopt, and he saw that his adversary was supple, and
sinewy, and very keen of eye.  But, what can well compensate for even one
additional inch of steel?  A superior weapon wielded by a trained wrist
in perfect coolness means victory, by every reasonable reckoning.  In the
present instance, it meant nothing other than an execution, as he had
said.  His contemplation of his own actual share in the performance was
nevertheless unpleasant; and it was but half willingly that he
straightened out his sword and then doubled his arm.  He lessened the
odds in his favour considerably by his too accurate estimation of them.
He was also a little unmanned by the thought that a woman was to see him
using his advantage; but she stood firm in her distant corner, refusing
to be waved out of sight.  Weisspriess had again to assure himself that
it was not a duel, but the enforced execution of a criminal who would not
surrender, and who was in his way.  Fronting a creature that would vainly
assail him, and temporarily escape impalement by bounding and springing,
dodging and backing, now here now there, like a dangling bob-cherry, his
military gorge rose with a sickness of disgust.  He had to remember as
vividly as he could realize it, that this man's life was forfeited, and
that the slaughter of him was a worthy service to Countess Anna; also,
that there were present reasons for desiring to be quit of him.  He gave
Angelo two thrusts, and bled him.  The skill which warded off the more
vicious one aroused his admiration.

'Pardon my blundering,' he said; 'I have never engaged a saltimbanque
before.'

They recommenced.  Weisspriess began to weigh the sagacity of his
opponent's choice of open ground, where he could lengthen the discourse
of steel by retreating and retreating, and swinging easily to right or to
left.  In the narrow track the sword would have transfixed him after a
single feint.  He was amused.  Much of the cat was in his combative
nature.  An idea of disabling or dismembering Angelo, and forwarding him
to Meran, caused him to trifle further with the edge of the blade.
Angelo took a cut, and turned it on his arm; free of the deadly point, he
rushed in and delivered a stab; but Weisspriess saved his breast.  Quick,
they resumed their former positions.

'I am really so unused to this game!' said Weisspriess, apologetically.

He was pale: his unsteady breathing, and a deflection of his dripping
sword-wrist, belied his coolness.  Angelo plunged full on him, dropped,
and again reached his right arm; they hung, getting blood for blood, with
blazing interpenetrating eyes; a ghastly work of dark hands at half lock
thrusting, and savage eyes reading the fiery pages of the book of hell.
At last the Austrian got loose from the lock and hurled him off.

'That bout was hotter,' he remarked; and kept his sword-point out on the
whole length of the arm: he would have scorned another for so miserable a
form either of attack or defence.

Vittoria beheld Angelo circling round the point, which met him
everywhere; like the minute hand of a clock about to sound his hour, she
thought.

He let fall both his arms, as if beaten, which brought on the attack: by
sheer evasion he got away from the sword's lunge, and essayed a second
trial of the bite of steel at close quarters; but the Austrian backed and
kept him to the point, darting short alluring thrusts, thinking to tempt
him on, or to wind him, and then to have him.  Weisspriess was chilled by
a more curious revulsion from this sort of engagement than he at first
experienced.  He had become nervously incapable of those proper niceties
of sword-play which, without any indecent hacking or maiming, should have
stretched Angelo, neatly slain, on the mat of green, before he had a
chance.  Even now the sight of the man was distressing to an honourable
duellist.  Angelo was scored with blood-marks.  Feeling that he dared not
offer another chance to a fellow so desperately close-dealing,
Weisspriess thrust fiercely, but delayed his fatal stroke.  Angelo
stooped and pulled up a handful of grass and soft earth in his left hand.

'We have been longer about it than I expected,' said Weisspriess.

Angelo tightened his fingers about the stringy grasstuft; he stood like a
dreamer, leaning over to the sword; suddenly he sprang on it, received
the point right in his side, sprang on it again, and seized it in his
hand, and tossed it up, and threw it square out in time to burst within
guard and strike his stilet below the Austrian's collar-bone.  The blade
took a glut of blood, as when the wolf tears quick at dripping flesh.  It
was at a moment when Weisspriess was courteously bantering him with the
question whether he was ready, meaning that the affirmative should open
the gates of death to him.

The stilet struck thrice.  Weisspriess tottered, and hung his jaw like a
man at a spectre: amazement was on his features.

'Remember Broncini and young Branciani!'

Angelo spoke no other words throughout the combat.

Weisspriess threw himself forward on a feeble lunge of his sword, and let
the point sink in the ground, as a palsied <DW36> supports his frame,
swayed, and called to Angelo to come on, and try another stroke, another
--one more!  He fell in a lump: his look of amazement was surmounted by a
strong frown.

His enemy was hanging above him panting out of wide nostrils, like a
hunter's horse above the long-tongued quarry, when Vittoria came to them.

She reached her strength to the wounded man to turn his face to heaven.

He moaned, 'Finish me'; and, as he lay with his back to earth, 'Good-
evening to the old army!'

A vision of leaping tumbrils, and long marching columns about to deploy,
passed before his eyelids: he thought he had fallen on the battle-field,
and heard a drum beat furiously in the back of his head; and on streamed
the cavalry, wonderfully caught away to such a distance that the figures
were all diminutive, and the regimental colours swam in smoke, and the
enemy danced a plume here and there out of the sea, while his mother and
a forgotten Viennese girl gazed at him with exactly the same unfamiliar
countenance, and refused to hear that they were unintelligible in the
roaring of guns and floods and hurrahs, and the thumping of the
tremendous big drum behind his head--'somewhere in the middle of the
earth': he tried to explain the locality of that terrible drumming noise
to them, and Vittoria conceived him to be delirious; but he knew that he
was sensible; he knew her and Angelo and the mountain-pass, and that he
had a cigar-case in his pocket worked in embroidery of crimson, blue, and
gold, by the hands of Countess Anna.  He said distinctly that he desired
the cigar-case to be delivered to Countess Anna at the Castle of
Sonnenberg, and rejoiced on being assured that his wish was comprehended
and should be fulfilled; but the marvel was, that his mother should still
refuse to give him wine, and suppose him to be a boy: and when he was so
thirsty and dry-lipped that though Mina was bending over him, just fresh
from Mariazell, he had not the heart to kiss her or lift an arm to her!--
His horse was off with him-whither?--He was going down with a company of
infantry in the Gulf of Venice: cards were in his hands, visible, though
he could not feel them, and as the vessel settled for the black plunge,
the cards flushed all honours, and his mother shook her head at him: he
sank, and heard Mina sighing all the length of the water to the bottom,
which grated and gave him two horrid shocks of pain: and he cried for a
doctor, and admitted that his horse had managed to throw him; but wine
was the cure, brandy was the cure, or water, water!  Water was sprinkled
on his forehead and put to his lips.

He thanked Vittoria by name, and imagined himself that General, serving
under old Wurmser, of whom the tale is told that being shot and lying
grievously wounded on the harsh Rivoli ground, he obtained the help of a
French officer in as bad case as himself, to moisten his black tongue and
write a short testamentary document with his blood, and for a way of
returning thanks to the Frenchman, he put down among others, the name of
his friendly enemy's widow; whereupon both resigned their hearts to
death; but the Austrian survived to find the sad widow and espouse her.

His mutterings were full of gratitude, showing a vividly transient
impression to what was about him, that vanished in a narrow-headed flight
through clouds into lands of memory.  It pained him, he said, that he
could not offer her marriage; but he requested that when his chin was
shaved his moustache should be brushed up out of the way of the clippers,
for he and all his family were conspicuous for the immense amount of life
which they had in them, and his father had lain six-and-thirty hours
bleeding on the field of Wagram, and had yet survived to beget a race as
hearty as himself:--'Old Austria! thou grand old Austria!'

The smile was proud, though faint, which accompanied the apostrophe,
addressed either to his country or to his father's personification of it;
it was inexpressibly pathetic to Vittoria, who understood his
'Oesterreich,' and saw the weak and helpless bleeding man, with his
eyeballs working under the lids, and the palms of his hands stretched out
open-weak as a corpse, but conquering death.

The arrival of Jacopo and Johann furnished help to carry him onward to
the nearest place of shelter.  Angelo would not quit her side until he
had given money and directions to both the trembling fellows, together
with his name, that they might declare the author of the deed at once if
questioned.  He then bowed to Vittoria slightly and fled.  They did not
speak.

The last sunbeams burned full crimson on the heights of the Adige
mountains as Vittoria followed the two pale men who bore the wounded
officer between them at a slow pace for the nearest village in the
descent of the pass.

Angelo watched them out of sight.  The far-off red rocks spun round his
eyeballs; the meadow was a whirling thread of green; the brown earth
heaved up to him.  He felt that he was diving, and had the thought that
there was but water enough to moisten his red hands when his senses left
him.




CHAPTER XXVII

A NEW ORDEAL

The old city of Meran faces Southward to the yellow hills of Italy,
across a broad vale, between two mountain-walls and torrent-waters.
With one hand it takes the bounding green Passeyr, and with the other the
brown-rolling Adige, and plunges them together in roaring foam under the
shadow of the Western wall.  It stands on the spur of a lower central
eminence crowned by a grey castle, and the sun has it from every aspect.
The shape of a swan in water may describe its position, for the
Vintschgau and the stony Passeyrthal make a strong curve on two sides as
they descend upon it with their rivers, and the bosom of the city
projects, while the head appears bending gracefully backward.  Many
castles are in view of it; the loud and tameless Passeyr girdles it with
an emerald cincture; there is a sea of arched vineyard foliage at his
feet.

Vittoria reached the Castle of Sonnenberg about noon, and found empty
courts and open doors.  She sat in the hall like a supplicant,
disregarded by the German domestics, who beheld a travel-stained humble-
faced young Italian woman, and supposed that their duty was done in
permitting her to rest; but the duchess's maid Aennchen happening to come
by, questioned her in moderately intelligible Italian, and hearing her
name gave a cry, and said that all the company were out hunting,
shooting, and riding, in the vale below or the mountain above.  "Ah,
dearest lady, what a fright we have all been in about you!  Signora
Piaveni has not slept a wink, and the English gentleman has made great
excursions every day to find you.  This morning the soldier Wilhelm
arrived with news that his master was bringing you on."

Vittoria heard that Laura and her sister and the duchess had gone down to
Meran.  Countess Lena von Lenkenstein was riding to see her betrothed
shoot on a neighbouring estate.  Countess Anna had disappeared early,
none knew where.  Both these ladies, and their sister-in-law, were in
mourning for the terrible death of their brother, Count Paul Aennchen
repeated what she knew of the tale concerning him.

The desire to see Laura first, and be embraced and counselled by her, and
lie awhile in her arms to get a breath of home, made Vittoria refuse to
go up to her chamber, and notwithstanding Aennchen's persuasions, she
left the castle, and went out and sat in the shaded cart-track.  On the
winding ascent she saw a lady in a black riding habit, leading her horse
and talking to a soldier, who seemed to be receiving orders from her, and
presently saluted and turned his steps downward.  The lady came on, and
passed her without a glance.  After entering the courtyard, where she
left her horse, she reappeared, and stood hesitating, but came up to
Vittoria and said bluntly, in Italian:

"Are you the signorina Campa, or Belloni, who is expected here?"

The Austrian character and colouring of her features told Vittoria that
this must be the Countess Anna or her sister.

"I think I have been expected," she replied.

"You come alone?"

"I am alone."

"I am Countess Anna von Lenkenstein; one of the guests of the castle."

"My message is to the Countess Anna."

"You have a message?"

Vittoria lifted the embroidered cigar-case.  Countess Anna snatched it
from her hand.

"What does this mean?  Is it insolence?  Have the kindness, if you
please, not to address me in enigmas.  Do you"--Anna was deadly pale as
she turned the cigarcase from side to side--"do you imagine that I smoke,
'par hasard?'"  She tried to laugh off her intemperate manner of speech;
the laugh broke at sight of a blood-mark on one corner of the case; she
started and said earnestly, "I beg you to let me hear what the meaning of
this may be?"

"He lies in the Ultenthal, wounded; and his wish was that I should
deliver it to you."  Vittoria spoke as gently as the harsh tidings would
allow.

"Wounded?  My God! my God!"  Anna cried in her own language.  "Wounded?-
in the breast, then!  He carried it in his breast.  Wounded by what?  by
what?"

"I can tell you no more."

"Wounded by whom?"

"It was an honourable duel."

"Are you afraid to tell me he has been assassinated?"

"It was an honourable duel."

"None could match him with the sword."

"His enemy had nothing but a dagger."

"Who was his enemy?"

"It is no secret, but I must leave him to say."

"You were a witness of the fight?"

"I saw it all."

"The man was one of your party!

"Ah!"  exclaimed Vittoria, "lose no time with me, Countess Anna, go to
him at once, for though he lived when I left him, he was bleeding; I
cannot say that he was not dying, and he has not a friend near."

Anna murmured like one overborne by calamity.  "My brother struck down
one day--he the next!"  She covered her face a moment, and unclosed it to
explain that she wept for her brother, who had been murdered, stabbed in
Bologna.

"Was it Count Ammiani who did this?"  she asked passionately.

Vittoria shook her head; she was divining a dreadful thing in relation to
the death of Count Paul.

"It was not?"  said Anna.  "They had a misunderstanding, I know.  But you
tell me the man fought with a dagger.  It could not be Count Ammiani.
The dagger is an assassin's weapon, and there are men of honour in Italy
still."

She called to a servant in the castle-yard, and sent him down with orders
to stop the soldier Wilhelm.

"We heard this morning that you were coming, and we thought it curious,"
she observed; and called again for her horse to be saddled.  "How far is
this place where he is lying?  I have no knowledge of the Ultenthal.  Has
he a doctor attending him?  When was he wounded?  It is but common
humanity to see that he is attended by an efficient doctor.  My nerves
are unstrung by the recent blow to our family; that is why--Oh, my
father! my holy father!" she turned to a grey priest's head that was
rising up the ascent, "I thank God for you!  Lena is away riding; she
weeps constantly when she is within four walls.  Come in and give me
tears, if you can; I am half mad for the want of them.  Tears first;
teach me patience after."

The old priest fanned his face with his curled hat, and raised one hand
as he uttered a gentle chiding in reproof of curbless human sorrow.  Anna
said to Vittoria, coldly, "I thank you for your message:" she walked into
the castle by his side, and said to him there: "The woman you saw outside
has a guilty conscience.  You will spend your time more profitably with
her than with me.  I am past all religious duties at this moment.
You know, father, that I can open my heart.  Probe this Italian woman;
search her through and through.  I believe her to be blood-stained and
abominable.  She hates us.  She has sworn an oath against us.  She is
malignant."

It was not long before Anna issued forth and rode down to the vale.  The
priest beckoned to Vittoria from the gates.  He really supposed her to
have come to him with a burdened spirit.

"My daughter," he addressed her.  The chapter on human error was opened:"
We are all of one family--all of us erring children--all of us bound to
abnegate hatred: by love alone are we saved.  Behold the Image of Love--
the Virgin and Child.  Alas! and has it been visible to man these more
than eighteen hundred years, and humankind are still blind to it?  Are
their ways the ways of comfort and blessedness?  Their ways are the ways
of blood; paths to eternal misery among howling fiends.  Why have they
not chosen the sweet ways of peace, which are strewn with flowers, which
flow with milk?"--The priest spread his hand open for Vittoria's, which
she gave to his keeping, and he enclosed it softly, smoothing it with his
palms, and retaining it as a worldly oyster between spiritual shells.
"Why, my daughter, why, but because we do not bow to that Image daily,
nightly, hourly, momently!  We do not worship it that its seed may be
sown in us.  We do not cling to it, that in return it may cling to us."

He spoke with that sensuous resource of rich feeling which the
contemplation of the Image does inspire.  And Vittoria was not led
reluctantly into the oratory of the castle to pray with him; but she
refused to confess.  Thereupon followed a soft discussion that was as
near being acerb as nails are near velvet paws.

Vittoria perceived his drift, and also the dear good heart of the old
man, who meant no harm to her, and believed that he was making use of his
professional weapons for her ultimate good.  The inquisitions and the
kindness went musically together; she responded to the kindness, but
rebutted the inquisitions; at which he permitted a shade of discontent to
traverse his features, and asked her with immense tenderness whether she
had not much on her mind; she expressing melodious gratitude for his
endeavours to give her comfort.  He could not forbear directing an
admonishment to her stubborn spirit, and was obliged, for the sake of
impressiveness, to speak it harshly; until he saw, that without sweetness
of manner and unction of speech, he left her untouched; so he was driven
back to the form of address better suited to his nature and habits; the
end of which was that both were cooing.

Vittoria was ashamed to tell herself how much she liked him and his
ghostly brethren, whose preaching was always of peace, while the world
was full of lurid hatred, strife, and division.  She begged the baffled
old man to keep her hand in his.  He talked in Latinized Italian, and
only appeared to miss the exact meaning of her replies when his
examination of the state of her soul was resumed.  They sat in the soft
colour of the consecrated place like two who were shut away from earth.
Often he thought that her tears were about to start and bring her low;
for she sighed heavily; at the mere indication of the displacement of her
hand, she looked at him eagerly, as if entreating him not to let it drop.

"You are a German, father?"  she said.

"I am of German birth, my daughter."

"That makes it better.  Remain beside me.  The silence is sweet music."

The silence was broken at intervals by his murmur of a call for patience!
patience!

This strange scene concluded with the entry of the duchess, who retired
partly as soon as she saw them.  Vittoria smiled to the old man, and left
him: the duchess gave her a hushed welcome, and took her place.  Vittoria
was soon in Laura's arms, where, after a storm of grief, she related the
events of the journey following her flight from Milan.  Laura interrupted
her but once to exclaim, "Angelo Guidascarpi!"  Vittoria then heard from
her briefly that Milan was quiet, Carlo Ammiani in prison.  It had been
for tidings of her lover that she had hastened over the mountains to
Meran.  She craved for all that could be told of him, but Laura repeated,
as in a stupefaction, "Angelo Guidascarpi!"  She answered Vittoria's
question by saying, "You could not have had so fatal a companion."

"I could not have had so devoted a protector."

"There is such a thing as an evil star.  We are all under it at present,
to some degree; but he has been under it from his birth.  My Sandra, my
beloved, I think I have pardoned you, if I ever pardon anyone!  I doubt
it; but it is certain that I love you.  You have seen Countess Anna, or I
would have told you to rest and get over your fatigue.  The Lenkensteins
are here--my poor sister among them.  You must show yourself.  I was
provident enough to call at your mother's for a box of your clothes
before I ran out of wretched Milan."

Further, the signora stated that Carlo might have to remain in prison.
She made no attempt to give dark or fair colour to the misery of the
situation; telling Vittoria to lie on her bed and sleep, if sleep could
be persuaded to visit her, she went out to consult with the duchess.
Vittoria lay like a dead body on the bed, counting the throbs of her
heart.  It helped her to fall into a state of insensibility.  When she
awoke, the room was dark; she felt that some one had put a silken cushion
across her limbs.  The noise of a storm traversing the vale rang through
the castle, and in the desolation of her soul, that stealthy act of
kindness wrought in her till she almost fashioned a vow upon her lips
that she would leave the world to toss its wrecks, and dedicate her life
to God.

For, O heaven! of what avail is human effort?  She thought of the Chief,
whose life was stainless, but who stood proscribed because his aim was
too high to be attained within compass of a mortal's years.  His error
seemed that he had ever aimed at all.  He seemed less wise than the old
priest of the oratory.  She could not disentangle him from her own
profound humiliation and sense of fallen power.  Her lover's imprisonment
accused her of some monstrous culpability, which she felt unrepentingly,
not as we feel a truth, but as we submit to a terrible force of pressure.

The morning light made her realize Carlo's fate, to whom it would
penetrate through a hideous barred loophole--a defaced and dreadful beam.
She asked herself why she had fled from Milan.  It must have been some
cowardly instinct that had prompted her to fly.  "Coward, coward! thing
of vanity! you, a mere woman!" she cried out, and succeeded in despising
herself sufficiently to think it possible that she had deserved to
forfeit her lover's esteem.

It was still early when the duchess's maid came to her, bringing word
that her mistress would be glad to visit her.  From the duchess Vittoria
heard of the charge against Angelo.  Respecting Captain Weisspriess,
Amalia said that she had perceived his object in wishing to bring the
great cantatrice to the castle; and that it was a well-devised audacious
scheme to subdue Countess Anna:--"We Austrians also can be jealous.  The
difference between us is, that it makes us tender, and you Italians
savage."  She asked pointedly for an affirmative, that Vittoria was glad
to reply with, when she said: "Captain Weisspriess was perfectly
respectful to you?"  She spoke comforting words of Carlo Ammiani, whom
she hoped to see released as soon as the excitement had subsided.  The
chief comfort she gave was by saying that he had been originally arrested
in mistake for his cousin Angelo.

"I will confide what is now my difficulty here frankly to you," said the
duchess.  "The Lenkensteins are my guests; I thought it better to bring
them here.  Angelo Guidascarpi has slain their brother--a base deed!
It does not affect you in my eyes; you can understand that in theirs it
does.  Your being present--Laura has told me everything--at the duel,
or fight, between that young man and Captain Weisspriess, will make you
appear as his accomplice--at least, to Anna it will; she is the most
unreasoning, the most implacable of women.  She returned from the
Ultenthal last night, and goes there this morning, which is a sign that
Captain Weisspriess lives.  I should be sorry if we lost so good an
officer.  As she is going to take Father Bernardus with her, it is
possible that the wound is serious.  Do you know you have mystified the
worthy man exceedingly?  What tempted you to inform him that your
conscience was heavily burdened, at the same time that you refused to
confess?"

"Surely he has been deluded about me," said Vittoria.

"I do but tell you his state of mind in regard to you," the duchess
pursued.  "Under all the circumstances, this is what I have to ask: you
are my Laura's guest, therefore the guest of my heart.  There is another
one here, an Englishman, a Mr. Powys; and also Lieutenant Pierson, whom,
naughty rebel that you are, you have been the means of bringing into
disgrace; naturally you would wish to see them: but my request is, that
you should keep to these rooms for two or three days: the Lenkensteins
will then be gone.  They can hardly reproach me for retaining an invalid.
If you go down among them, it will be a cruel meeting."

Vittoria thankfully consented to the arrangement.  They agreed to act in
accordance with it.

The signora was a late riser.  The duchess had come on a second visit to
Vittoria when Laura joined them, and hearing of the arrangement, spurned
the notion of playing craven before the Lenkensteins, who, she said,
might think as it pleased them to think, but were never to suppose that
there was any fear of confronting them.  "And now, at this very moment,
when they have their triumph, and are laughing over Viennese squibs at
her, she has an idea of hiding her head--she hangs out the white flag!
It can't be.  We go or we stay; but if we stay, the truth is that we are
too poor to allow our enemies to think poorly of us.  You, Amalia, are
victorious, and you may snap your fingers at opinion.  It is a luxury
we cannot afford.  Besides, I wish her to see my sister and make
acquaintance with the Austrianized-Italian--such a wonder as is nowhere
to be seen out of the Serabiglione and in the Lenkenstein family.
Marriage is, indeed, a tremendous transformation.  Bianca was once
declared to be very like me."

The brow-beaten duchess replied to the outburst that she had considered
it right to propose the scheme for Vittoria's seclusion on account of the
Guidascarpi.

"Even if that were a good reason, there are better on the other side,"
said Laura; adding, with many little backward tosses of the head, "That
story has to be related in full before I denounce Angelo and Rinaldo."

"It cannot be denied that they are assassins," returned the duchess.

"It cannot be denied that they have killed one man or more.  For you,
Justice drops from the bough: we have to climb and risk our necks for it.
Angelo stood to defend my darling here.  Shall she be ashamed of him?"

"You will never persuade me to tolerate assassination," said the duchess
colouring.

"Never, never; I shall never persuade you; never persuade--never attempt
to persuade any foreigner that we can be driven to extremes where their
laws do not apply to us--are not good for us--goad a subjected people
till their madness is pardonable.  Nor shall I dream of persuading you
that Angelo did right in defending her from that man."

"I maintain that there are laws applicable to all human creatures," said
the duchess.  "You astonish me when you speak compassionately of such a
criminal."

"No; not of such a criminal, of such an unfortunate youth, and my
countryman, when every hand is turned against him, and all tongues are
reviling him.  But let Angelo pass; I pray to heaven he may escape.  All
who are worth anything in our country are strained in every fibre, and
it's my trick to be half in love with anyone of them when he is
persecuted.  I fancy he is worth more than the others, and is simply
luckless.  You must make allowances for us, Amalia--pity captive Judah!"

"I think, my Laura, you will never be satisfied till I have ceased to be
Babylonian," said the duchess, smiling and fondling Vittoria, to whom she
said, "Am I not a complaisant German?"

Vittoria replied gently, "If they were like you!"

"Yes, if they were like the duchess," said Laura, "nothing would be left
for us then but to hate ourselves.  Fortunately, we deal with brutes."

She was quite pitiless in prompting Vittoria to hasten down, and
marvelled at the evident reluctance in doing this slight duty, of one
whose courage she had recently seen rise so high.  Vittoria was equally
amazed by her want of sympathy, which was positive coldness, and her
disregard for the sentiments of her hostess.  She dressed hesitatingly,
responding with forlorn eyes to Laura's imperious "Come."  When at last
she was ready to descend, Laura took her dawn, full of battle.  The
duchess had gone in advance to keep the peace.

The ladies of the Lenkenstein family were standing at one window of the
morning room conversing.  Apart from them, Merthyr Powys and Wilfrid were
examining one of the cumbrous antique arms ranged along the wall.  The
former of these old English friends stepped up to Vittoria quickly and
kissed her forehead.  Wilfrid hung behind him; he made a poor show of
indifference, stammered English and reddened; remembering that he was
under observation he recovered wonderfully, and asked, like a patron,
"How is the voice?" which would have been foolish enough to Vittoria's
more attentive hearing.  She thanked him for the service he had rendered
her at La Scala.  Countess Lena, who looked hard at both, saw nothing to
waken one jealous throb.

"Bianca, you expressed a wish to give a salute to my eldest daughter,"
said Laura.

The Countess of Lenkenstein turned her head.  "Have I done so?"

"It is my duty to introduce her," interposed the duchess, and conducted
the ceremony with a show of its embracing these ladies, neither one of
whom changed her cold gaze.

Careful that no pause should follow, she commenced chatting to the ladies
and gentlemen alternately, keeping Vittoria under her peculiar charge.
Merthyr alone seconded her efforts to weave the web of converse, which is
an armistice if not a treaty on these occasions.

"Have you any fresh caricatures from Vienna?" Laura continued to address
her sister.

"None have reached me," said the neutral countess.

"Have they finished laughing?"

"I cannot tell."

"At any rate, we sing still," Laura smiled to Vittoria.  "You shall hear
us after breakfast.  I regret excessively that you were not in Milan on
the Fifteenth.  We will make amends to you as much as possible.  You
shall hear us after breakfast.  You will sing to please my sister, Sandra
mia, will you not?"

Vittoria shook her head.  Like those who have become passive, she read
faces--the duchess's imploring looks thrown from time to time to the
Lenkenstein ladies, Wilfrid's oppressed forehead, the resolute neutrality
of the countess--and she was not only incapable of seconding Laura's
aggressive war, but shrank from the involvement and sickened at the
indelicacy.  Anna's eyes were fixed on her and filled her with dread lest
she should be resolving to demand a private interview.

"You refuse to sing?" said Laura; and under her breath, "When I bid you
not, you insist!"

"Can she possibly sing before she grows accustomed to the air of the
place?" said the duchess.

Merthyr gravely prescribed a week's diet on grapes antecedent to the
issuing of a note.  "Have you never heard what a sustained grape-diet
will do for the bullfinches?"

"Never," exclaimed the duchess.  "Is that the secret of their German
education?"

"Apparently, for we cannot raise them to the same pitch of perfection in
England."

"I will try it upon mine.  Every morning they shall have two big
bunches."

"Fresh plucked, and with the first sunlight on them.  Be careful of the
rules."

Wilfrid remarked, "To make them exhibit the results, you withdraw the
benefit suddenly, of course?"

"We imitate the general run of Fortune's gifts as much as we can," said
Merthyr.

"That is the training for little shrill parrots: we have none in Italy,"
Laura sighed, mock dolefully; "I fear the system would fail among us."

"It certainly would not build Como villas," said Lena.

Laura cast sharp eyes on her pretty face.

"It is adapted for caged voices that are required to chirrup to tickle
the ears of boors."

Anna said to the duchess: "I hope your little birds are all well this
morning."

"Come to them presently with me and let our ears be tickled," the duchess
laughed in answer; and the spiked dialogue broke, not to revive.

The duchess had observed the constant direction of Anna's eyes upon
Vittoria during the repast, and looked an interrogation at Anna, who
replied to it firmly.  "I must be present," the duchess whispered.  She
drew Vittoria away by the hand, telling Merthyr Powys that it was unkind
to him, but that he should be permitted to claim his fair friend from
noon to the dinner-bell.

Laura and Bianca were discussing the same subject as the one for which
Anna desired an interview with Vittoria.  It was to know the conditions
and cause of the duel between Angelo Guidascarpi and Captain Weisspriess,
and whither Angelo had fled.  "In other words, you cry for vengeance
under the name of justice," Laura phrased it, and put up a prayer for
Angelo's escape.

The countess rebuked her.  "It is men like Angelo who are a scandal to
Italy."

"Proclaimed so; but by what title are they judged?"  Laura retorted.
"I have heard that his duel with Count Paul was fair, and that the
grounds for it were just.  Deplore it; but to condemn an Italian
gentleman without hearing his personal vindication, is infamous; nay, it
is Austrian.  I know next to nothing of the story.  Countess Ammiani has
assured me that the brothers have a clear defence--not from your Vienna
point of view: Italy and Vienna are different sides of the shield."

Vittoria spoke most humbly before Anna; her sole irritating remark was,
that even if she were aware of the direction of Angelo's flight, she
would not betray him.

The duchess did her utmost to induce her to see that he was a criminal,
outlawed from common charity.  "These Italians are really like the Jews,"
she said to Anna; "they appear to me to hold together by a bond of race:
you cannot get them to understand that any act can be infamous when one
of their blood is guilty of it."

Anna thought gloomily: "Then, why do you ally yourself to them?"

The duchess, with Anna, Lena, and Wilfrid, drove to the Ultenthal.
Vittoria and Merthyr had a long afternoon of companionship.  She had been
shyer in meeting him than in meeting Wilfrid, whom she had once loved.
The tie between herself and Wilfrid was broken; but Merthyr had remained
true to his passionless affection, which ennobled him to her so that her
heart fluttered, though she was heavily depressed.  He relieved her by
letting her perceive that Carlo Ammiani's merits were not unknown to him.
Merthyr smiled at Carlo for abjuring his patrician birth.  He said:
"Count Ammiani will be cured in time of those little roughnesses of his
adopted Republicanism.  You must help to cure him.  Women are never so
foolish as men in these things."

When Merthyr had spoken thus, she felt that she might dare to press his
hand.  Sharing friendship with this steadfast nature and brotherly
gentleman; who was in the ripe manhood of his years; who loved Italy and
never despaired; who gave great affection, and took uncomplainingly the
possible return for it;--seemed like entering on a great plain open to
boundless heaven.  She thought that friendship was sweeter than love.
Merthyr soon left the castle to meet his sister at Coire.  Laura and
Vittoria drove some distance up the Vintschgau, on the way to the
Engadine, with him.  He affected not to be downcast by the failure of the
last attempt at a rising in Milan.  "Keep true to your Art; and don't let
it be subservient to anything," he said, and his final injunction to her
was that she should get a German master and practise rigidly.

Vittoria could only look at Laura in reply.

"He is for us, but not of us," said Laura, as she kissed her fingers to
him.

"If he had told me to weep and pray," Vittoria murmured, "I think I
should by-and-by lift up my head."

"By-and-by!  By-and-by I think I see a convent for me," said Laura.

Their faces drooped.

Vittoria cried: "Ah! did he mean that my singing at La Scala was below
the mark?"

At this, Laura's laughter came out in a volume.  "And that excellent
Father Bernardus thinks he is gaining a convert!" she said.

Vittoria's depression was real, though her strong vitality appeared to
mock it.  Letters from Milan, enclosed to the duchess, spoke of Carlo
Ammiani's imprisonment as a matter that might be indefinitely prolonged.
His mother had been subjected to an examination; she had not hesitated to
confess that she had received her nephew in her house, but it could not
be established against her that it was not Carlo whom she had passed off
to the sbirri as her son.  Countess Ammiani wrote to Laura, telling her
she scarcely hoped that Carlo would obtain his liberty save upon the
arrest of Angelo:--"Therefore, what I most desire, I dare not pray for!"
That line of intense tragic grief haunted Vittoria like a veiled head
thrusting itself across the sunlight.  Countess Ammiani added that she
must give her son what news she could gather;--"Concerning you," said
Laura, interpreting the sentence: "Bitter days do this good, they make
a proud woman abjure the traditions of her caste."  A guarded answer
was addressed, according to the countess's directions, to Sarpo the
bookseller, in Milan.  For purposes of such a nature, Barto Rizzo
turned the uneasy craven to account.

It happened that one of the maids at Sonnenberg was about to marry a
peasant, of Meran, part proprietor of a vineyard, and the nuptials were
to be celebrated at the castle.  Among those who thronged the courtyard
on the afternoon of the ceremony, Vittoria beheld her faithful Beppo, who
related the story of his pursuit of her, and the perfidy of Luigi;--a
story so lengthy, that his voluble tongue running at full speed could
barely give the outlines of it.  He informed her, likewise, that he had
been sent for, while lying in Trent, by Captain Weisspriess, whom he had
seen at an inn of the Ultenthal, weak but improving.  Beppo was the
captain's propitiatory offering to Vittoria.  Meanwhile the ladies sat
on a terrace, overlooking the court, where a stout fellow in broad green
braces and blue breeches lay half across a wooden table, thrumming a
zither, which set the groups in motion.  The zither is a melancholy
little instrument; in range of expression it is to the harp what the
winchat is to the thrush; or to the violin, what that bird is to the
nightingale; yet few instruments are so exciting: here and there along
these mountain valleys you may hear a Tyrolese maid set her voice to its
plaintive thin tones; but when the strings are swept madly there is mad
dancing; it catches at the nerves.  "Andreas!  Andreas!" the dancers
shouted to encourage the player.  Some danced with vine-poles; partners
broke and wandered at will, taking fresh partners, and occasionally
huddling in confusion, when the poles were levelled and tilted at them,
and they dispersed.  Beppo, dancing mightily to recover the use of his
legs, met his acquaintance Jacob Baumwalder Feckelwitz, and the pair
devoted themselves to a rivalry of capers; jump, stamp, shuffle, leg
aloft, arms in air, yell and shriek: all took hands around them and
streamed, tramping the measure, and the vine-poles guarded the ring.
Then Andreas raised the song: "Our Lady is gracious," and immediately
the whole assemblage were singing praise to the Lady of the castle.
Following which, wine being brought to Andreas, he drank to his lady,
to his lady's guests, to the bride, to the, bridegroom, to everybody.
He was now ready to improvize, and dashed thumb and finger on the zither,
tossing up his face, swarthy-flushed: "There was a steinbock with a
beard."  Half-a-dozen voices repeated it, as to proclaim the theme.

Alas! a beard indeed, for there is no end to this animal.  I know him;"
said the duchess dolefully.

              "There was a steinbock with a beard;
               Of no gun was he afeard
               Piff-paff left of him: piff-paff right of him
               Piff-paff everywhere, where you get a sight of him."

The steinbock led through the whole course of a mountaineer's emotions
and experiences, with piff-paff continually left of him and right of him
and nothing hitting him.  The mountaineer is perplexed; an able man, a
dead shot, who must undo the puzzle or lose faith in his skill, is a
tremendous pursuer, and the mountaineer follows the steinbock ever.  A
'sennderin' at a 'sennhutchen' tells him that she admitted the steinbock
last night, and her curled hair frizzled under the steinbock's eyes.  The
case is only too clear: my goodness! the steinbock is the----.  "Der Teu
.  .  .  !" said Andreas, with a comic stop of horror, the rhyme falling
cleverly to "ai."  Henceforth the mountaineer becomes transformed into a
champion of humanity, hunting the wicked bearded steinbock in all
corners; especially through the cabinet of those dark men who decree the
taxes detested in Tyrol.

The song had as yet but fairly commenced, when a break in the 'piff-paff'
chorus warned Andreas that he was losing influence, women and men were
handing on a paper and bending their heads over it; their responses
hushed altogether, or were ludicrously inefficient.

"I really believe the poor brute has come to a Christian finish--this
Ahasuerus of steinbocks!" said the duchess.

The transition to silence was so extraordinary and abrupt, that she
called to her chasseur to know the meaning of it.  Feckelwitz fetched the
paper and handed it up.  It exhibited a cross done in blood under the
word 'Meran,' and bearing that day's date.  One glance at it told Laura
what it meant.  The bride in the court below was shedding tears:
the bridegroom was lighting his pipe and consoling her; women were
chattering, men shrugging.  Some said they had seen an old grey-haired
hag (hexe) stand at the gates and fling down a piece of paper.  A little
boy whose imagination was alive with the tale of the steinbock, declared
that her face was awful, and that she had only the, use of one foot.  A
man patted him on the shoulder, and gave him a gulp of wine, saying with
his shrewdest air: "One may laugh at the devil once too often, though!"
and that sentiment was echoed; the women suggested in addition the
possibility of the bride Lisa having something on her conscience,
seeing that she had lived in a castle two years and more.  The potential
persuasions of Father Bernardus were required to get the bride to go away
to her husband's roof that evening: when she did make her departure, the
superstitious peasantry were not a merry party that followed at her
heels.

At the break-up of the festivities Wilfrid received an intimation that
his sister had arrived in Meran from Bormio.  He went down to see her,
and returned at a late hour.  The ladies had gone to rest.  He wrote a
few underlined words, entreating Vittoria to grant an immediate interview
in the library of the castle.  The missive was entrusted to Aennchen.
Vittoria came in alarm.

"My sister is perfectly well," said Wilfrid.  "She has heard that Captain
Gambier has been arrested in the mountains; she had some fears concerning
you, which I quieted.  What I have to tell you, does not relate to her.
The man Angelo Guidascarpi is in Meran.  I wish you to let the signora
know that if he is not carried out of the city before sunset to-morrow,
I must positively inform the superior officer of the district of his
presence there."

This was their first private interview.  Vittoria (for she knew him) had
acceded to it, much fearing that it would lead to her having to put on
her sex's armour.  To collect her wits, she asked tremblingly how Wilfrid
had chanced to see Angelo.  An old Italian woman, he said, had accosted
him at the foot of the mountain, and hearing that he was truly an
Englishman--"I am out of my uniform," Wilfrid remarked with intentional
bitterness--had conducted him to the house of an Italian in the city,
where Angelo Guidascarpi was lying.

"Ill?" said Vittoria.

"Just recovering.  After that duel, or whatever it may be called with
Weisspriess, he lay all night out on the mountains.  He managed to get
the help of a couple of fellows, who led him at dusk into Meran, saw an
Italian name over a shop, and--I will say for them that the rascals hold
together.  There he is, at all events."

"Would you denounce a sick man, Wilfrid?"

"I certainly cannot forget my duty upon every point"

"You are changed!"

"Changed!  Am I the only one who is changed?"

"He must have supposed that it would be Merthyr.  I remember speaking of
Merthyr to him as our unchangeable friend.  I told him Merthyr would be
here."

"Instead of Merthyr, he had the misfortune to see your changeable friend,
if you will have it so."

"But how can it be your duty to denounce him, Wilfrid.  You have quitted
that army."

"Have I?  I have forfeited my rank, perhaps."

"And Angelo is not guilty of a military offence."

"He has slain one of a family that I am bound to respect."

"Certainly, certainly," said Vittoria hurriedly.

Her forehead showed distress of mind; she wanted Laura's counsel.

"Wilfrid, do you know the whole story?"

"I know that he inveigled Count Paul to his house and slew him; either he
or his brother, or both."

"I have been with him for days, Wilfrid.  I believe that he would do no
dishonourable thing.  He is related----".

"He is the cousin of Count Ammiani."

"Ah! would you plunge us in misery?"

"How?"

"Count Ammiani is my lover."

She uttered it unblushingly, and with tender eyes fixed on him.

"Your lover!" he exclaimed, with vile emphasis.

"He will be my husband," she murmured, while the mounting hot colour
burned at her temples.

"Changed--who is changed?"  he said, in a vehement underneath.  "For that
reason I am to be false to her who does me the honour to care for me!"

"I would not have you false to her in thought or deed."

"You ask me to spare this man on account of his relationship to your
lover, and though he has murdered the brother of the lady whom I esteem.
What on earth is the meaning of the petition?  Really, you amaze me."

"I appeal to your generosity, Wilfrid, I am Emilia."

"Are you?"

She gave him her hand.  He took it, and felt at once the limit of all
that he might claim.  Dropping the hand, he said:

"Will nothing less than my ruin satisfy you?  Since that night at La
Scala, I am in disgrace with my uncle; I expect at any moment to hear
that I am cashiered from the army, if not a prisoner.  What is it that
you ask of me now?  To conspire with you in shielding the man who has
done a mortal injury to the family of which I am almost one.  Your reason
must perceive that you ask too much.  I would willingly assist you in
sparing the feelings of Count Ammiani; and, believe me, gratitude is the
last thing I require to stimulate my services.  You ask too much; you
must see that you ask too much."

"I do," said Vittoria.  "Good-night, Wilfrid."

He was startled to find her going, and lost his equable voice in trying
to detain her.  She sought relief in Laura's bosom, to whom she
recapitulated the interview.

"Is it possible," Laura said, looking at her intently, "that you do not
recognize the folly of telling this Lieutenant Pierson that you were
pleading to him on behalf of your lover?  Could anything be so monstrous,
when one can see that he is malleable to the twist of your little finger?
Are you only half a woman, that you have no consciousness of your power?
Probably you can allow yourself--enviable privilege!--to suppose that
he called you down at this late hour simply to inform you that he is
compelled to do something which will cause you unhappiness!  I repeat,
it is an enviable privilege.  Now, when the real occasion has come for
you to serve us, you have not a single weapon--except these tears, which
you are wasting on my lap.  Be sure that if he denounces Angelo, Angelo's
life cries out against you.  You have but to quicken your brain to save
him.  Did he expose his life for you or not?  I knew that he was in
Meran," the signora continued sadly.  "The paper which frightened the
silly peasants, revealed to me that he was there, needing help.  I told
you Angelo was under an evil star.  I thought my day to-morrow would be
a day of scheming.  The task has become easy, if you will."

"Be merciful; the task is dreadful," said Vittoria.

"The task is simple.  You have an instrument ready to your hands.  You
can do just what you like with him--make an Italian of him; make him
renounce his engagement to this pert little Lena of Lenkenstein, break
his sword, play Arlecchino, do what you please.  He is not required for
any outrageous performance.  A week, and Angelo will have recovered his
strength; you likewise may resume the statuesque demeanour which you have
been exhibiting here.  For the space of one week you are asked for some
natural exercise of your wits and compliancy.  Hitherto what have you
accomplished, pray?"  Laura struck spitefully at Vittoria's degraded
estimation of her worth as measured by events.  "You have done nothing--
worse than nothing.  It gives me horrors to find it necessary to entreat
you to look your duty in the face and do it, that even three or four
Italian hearts--Carlo among them--may thank you.  Not Carlo, you say?"
(Vittoria had sobbed, "No, not Carlo.") "How little you know men!  How
little do you think how the obligations of the hour should affect a
creature deserving life!  Do you fancy that Carlo wishes you to be for
ever reading the line of a copy-book and shaping your conduct by it?  Our
Italian girls do this; he despises them.  Listen to me; do not I know
what is meant by the truth of love?  I pass through fire, and keep
constant to it; but you have some vile Romance of Chivalry in your head;
a modern sculptor's figure, 'MEDITATION;' that is the sort of bride you
would give him in the stirring days of Italy.  Do you think it is only a
statue that can be true?  Perceive--will you not--that this Lieutenant
Pierson is your enemy.  He tells you as much; surely the challenge is
fair?  Defeat him as you best can.  Angelo shall not be abandoned."

"O me! it is unendurable; you are merciless," said Vittoria, shuddering.

She saw the vile figure of herself aping smirks and tender meanings to
her old lover.  It was a picture that she dared not let her mind rest on:
how then could she personate it?  All through her life she had been
frank; as a young woman, she was clear of soul; she felt that her,
simplicity was already soiled by the bare comprehension of the abominable
course indicated by Laura.  Degradation seemed to have been a thing up to
this moment only dreamed of; but now that it was demanded of her to play
coquette and trick her womanhood with false allurements, she knew the
sentiment of utter ruin; she was ashamed.  No word is more lightly spoken
than shame.  Vittoria's early devotion to her Art, and subsequently to
her Italy, had carried her through the term when she would otherwise have
showed the natural mild attack of the disease.  It came on her now in a
rush, penetrating every chamber of her heart, overwhelming her; she could
see no distinction between being ever so little false and altogether
despicable.  She had loathings of her body and her life.  With grovelling
difficulty of speech she endeavoured to convey the sense of her
repugnance to Laura, who leaned her ear, wondering at such bluntness of
wit in a woman, and said, "Are you quite deficient in the craft of your
sex, child?  You can, and you will, guard yourself ten times better when
your aim is simply to subject him."  But this was not reason to a spirit
writhing in the serpent-coil of fiery blushes.

Vittoria said, "I shall pity him so."

She meant she would pity Wilfrid in deluding him.  It was a taint of the
hypocrisy which comes with shame.

The signora retorted: "I can't follow the action of your mind a bit."

Pity being a form of tenderness, Laura supposed that she would
intuitively hate the man who compelled her to do what she abhorred.

They spent the greater portion of the night in this debate.




CHAPTER XXVIII

THE ESCAPE OF ANGELO

Vittoria knew better than Laura that the task was easy; she had but to
override her aversion to the show of trifling with a dead passion; and
when she thought of Angelo lying helpless in the swarm of enemies, and
that Wilfrid could consent to use his tragic advantage to force her to
silly love-play, his selfishness wrought its reflection, so that she
became sufficiently unjust to forget her marvellous personal influence
over him.  Even her tenacious sentiment concerning his white uniform was
clouded.  She very soon ceased to be shamefaced in her own fancy.  At
dawn she stood at her window looking across the valley of Meran, and felt
the whole scene in a song of her heart, with the faintest recollection of
her having passed through a tempest overnight.  The warm Southern glow
of the enfoliaged valley recalled her living Italy, and Italy her voice.
She grew wakefully glad: it was her nature, not her mind, that had
twisted in the convulsions of last night's horror of shame.  The chirp
of healthy blood in full-flowing veins dispersed it; and as a tropical
atmosphere is cleared by the hurricane, she lost her depression and went
down among her enemies possessed by an inner delight, that was again of
her nature, not of her mind.  She took her gladness for a happy sign that
she had power to rise buoyant above circumstances; and though aware that
she was getting to see things in harsh outlines, she was unconscious of
her haggard imagination.

The Lenkensteins had projected to escape the blandishments of Vienna by
residing during the winter in Venice, where Wilfrid and his sister were
to be the guests of the countess:--a pleasant prospect that was dashed
out by an official visit from Colonel Zofel of the Meran garrison,
through whom it was known that Lieutenant Pierson, while enjoying his
full liberty to investigate the charms of the neighbourhood, might not
extend his excursions beyond a pedestrian day's limit;--he was, in fact,
under surveillance.  The colonel formally exacted his word of honour that
he would not attempt to pass the bounds, and explained to the duchess
that the injunction was favourable to the lieutenant, as implying that he
must be ready at any moment to receive the order to join his regiment.
Wilfrid bowed with a proper soldierly submission.  Respecting the
criminal whom his men were pursuing, Colonel Zofel said that he was
sparing no efforts to come on his traces; he supposed, from what he had
heard in the Ultenthal, that Guidascarpi was on his back somewhere within
a short range of Meran.  Vittoria strained her ears to the colonel's
German; she fancied his communication to be that he suspected Angelo's
presence in Meran.

The official part of his visit being terminated, the colonel addressed
some questions to the duchess concerning the night of the famous
Fifteenth at La Scala.  He was an amateur, and spoke with enthusiasm of
the reports of the new prima donna.  The duchess perceived that he was
asking for an introduction to the heroine of the night, and graciously
said that perhaps that very prima donna would make amends, to him for his
absence on the occasion.  Vittoria checked a movement of revolt in her
frame.  She cast an involuntary look at Wilfrid.  "Now it begins," she
thought, and went to the piano: she had previously refused to sing.
Wilfrid had to bend his head over his betrothed and listen to her
whisperings.  He did so, carelessly swaying his hand to the measure of
the aria, with an increasing bitter comparison of the two voices.  Lena
persisted in talking; she was indignant at his abandonment of the journey
to Venice; she reproached him as feeble, inconsiderate, indifferent.
Then for an instant she would pause to hear the voice, and renew her
assault.  "We ought to be thankful that she is not singing a song of
death and destruction to us!  The archduchess is coming to Venice.
If you are presented to her and please her, and get the writs of
naturalization prepared, you will be one of us completely, and your
fortune is made.  If you stay here--why should you stay?  It is nothing
but your uncle's caprice.  I am too angry to care for music.  If you
stay, you will earn my contempt.  I will not be buried another week in
such a place.  I am tired of weeping.  We all go to Venice: Captain
Weisspriess follows us.  We are to have endless Balls, an opera, a Court
there--with whom am I to dance, pray, when I am out of mourning?  Am I to
sit and govern my feet under a chair, and gaze like an imbecile nun?  It
is too preposterous.  I am betrothed to you; I wish, I wish to behave
like a betrothed.  The archduchess herself will laugh to see me chained
to a chair.  I shall have to reply a thousand times to 'Where is he?'
What can I answer?  'Wouldn't come,' will be the only true reply."

During this tirade, Vittoria was singing one of her old songs, well known
to Wilfrid, which brought the vision of a foaming weir, and moonlight
between the branches of a great cedar-tree, and the lost love of his
heart sitting by his side in the noising stillness.  He was sure that she
could be singing it for no one but for him.  The leap taken by his spirit
from this time to that, was shorter than from the past back to the
present.

"You do not applaud," said Lena, when the song had ceased.

He murmured: "I never do, in drawing-rooms."

"A cantatrice expects it everywhere; these creatures live on it."

"I'll tell her, if you like, what we thought of it, when I take her down
to my sister, presently."

"Are you not to take me down?"

"The etiquette is to hand her up to you."

"No, no!" Lena insisted, in abhorrence of etiquette; but Wilfrid said
pointedly that his sister's feelings must be spared.  "Her husband is an
animal: he is a millionaire city-of-London merchant; conceive him!  He
has drunk himself gouty on Port wine, and here he is for the grape-cure."

"Ah! in that England of yours, women marry for wealth," said Lena.

"Yes, in your Austria they have a better motive" he interpreted her
sentiment.

"Say, in our Austria."

"In our Austria, certainly."

"And with our holy religion?"

"It is not yet mine."

"It will be?" She put the question eagerly.

Wilfrid hesitated, and by his adept hesitation succeeded in throwing her
off the jealous scent.

"Say that it will be, my Wilfrid!"

"You must give me time"

"This subject always makes you cold."

"My own Lena!"

"Can I be, if we are doomed to be parted when we die?"

There is small space for compunction in a man's heart when he is in
Wilfrid's state, burning with the revival of what seemed to him a
superhuman attachment.  He had no design to break his acknowledged
bondage to Countess Lena, and answered her tender speech almost as
tenderly.

It never occurred to him, as he was walking down to Meran with Vittoria,
that she could suppose him to be bartering to help rescue the life of a
wretched man in return for soft confidential looks of entreaty; nor did
he reflect, that when cast on him, they might mean no more than the
wish to move him for a charitable purpose.  The completeness of her
fascination was shown by his reading her entirely by his own emotions,
so that a lowly-uttered word, or a wavering unwilling glance, made him
think that she was subdued by the charm of the old days.

"Is it here?" she said, stopping under the first Italian name she saw in
the arcade of shops.

"How on earth have you guessed it?" he asked, astonished.

She told him to wait at the end of the arcade, and passed in.  When she
joined him again, she was downcast.  They went straight to Adela's hotel,
where the one thing which gave her animation was the hearing that Mr.
Sedley had met an English doctor there, and had placed himself in his
hands.  Adela dressed splendidly for her presentation to the duchess.
Having done so, she noticed Vittoria's depressed countenance and
difficult breathing.  She commanded her to see the doctor.  Vittoria
consented, and made use of him.  She could tell Laura confidently at
night that Wilfrid would not betray Angelo, though she had not spoken
one direct word to him on the subject.

Wilfrid was peculiarly adept in the idle game he played.  One who is
intent upon an evil end is open to expose his plan.  But he had none in
view; he lived for the luxurious sensation of being near the woman who
fascinated him, and who was now positively abashed when by his side.
Adela suggested to him faintly--she believed it was her spontaneous idea
--that he might be making his countess jealous.  He assured her that the
fancy sprang from scenes which she remembered, and that she could have no
idea of the pride of a highborn Austrian girl, who was incapable of
conceiving jealousy of a person below her class.  Adela replied that it
was not his manner so much as Emilia's which might arouse the suspicion;
but she immediately affected to appreciate the sentiments of a highborn
Austrian girl toward a cantatrice, whose gifts we regard simply as an
aristocratic entertainment.  Wilfrid induced his sister to relate
Vittoria's early history to Countess Lena; and himself almost wondered,
when he heard it in bare words, at that haunting vision of the glory of
Vittoria at La Scala--where, as he remembered, he would have run against
destruction to cling to her lips.  Adela was at first alarmed by the
concentrated wrathfulness which she discovered in the bosom of Countess
Anna, who, as their intimacy waxed, spoke of the intruding opera siren in
terms hardly proper even to married women; but it seemed right, as being
possibly aristocratic.  Lena was much more tolerant.  "I have just the
same enthusiasm for soldiers that my Wilfrid has for singers," she said;
and it afforded Adela exquisite pleasure to hear her tell how that she
had originally heard of the 'eccentric young Englishman,' General
Pierson's nephew, as a Lustspiel--a comedy; and of his feats on
horseback, and his duels, and his--he was very wicked over here, you
know;" Lena laughed.  She assumed the privileges of her four-and-twenty
years and her rank.  Her marriage was to take place in the Spring.  She
announced it with the simplicity of an independent woman of the world,
adding, "That is, if my Wilfrid will oblige me by not plunging into
further disgrace with the General."

"No; you will not marry a man who is under a cloud," Anna subjoined.

"Certainly not a soldier," said Lena.  "What it was exactly that he did
at La Scala, I don't know, and don't care to know, but he was then
ignorant that she had touched the hand of that Guidascarpi.  I decide by
this--he was valiant; he defied everybody: therefore I forgive him.  He
is not in disgrace with me.  I will reinstate him."

"You have your own way of being romantic," said Anna.  "A soldier who
forgets his duty is in my opinion only a brave fool."

"It seems to me that a great many gallant officers are fond of fine
voices," Lena retorted.

"No doubt it is a fashion among them," said Anna.

Adela recoiled with astonishment when she began to see the light in which
the sisters regarded Vittoria; and she was loyal enough to hint and
protest on her friend's behalf.  The sisters called her a very good soul.
"It may not be in England as over here," said Anna.  "We have to submit
to these little social scourges."

Lena whispered to Adela, "An angry woman will think the worst.  I have no
doubt of my Wilfrid.  If I had!--"

Her eyes flashed.  Fire was not wanting in her.

The difficulties which tasked the amiable duchess to preserve an outward
show of peace among the antagonistic elements she gathered together were
increased by the arrival at the castle of Count Lenkenstein, Bianca's
husband, and head of the family, from Bologna.  He was a tall and courtly
man, who had one face for his friends and another for the reverse party;
which is to say, that his manners could be bad.  Count Lenkenstein was
accompanied by Count Serabiglione, who brought Laura's children with
their Roman nurse, Assunta.  Laura kissed her little ones, and sent them
out of her sight.  Vittoria found her home in their play and prattle.
She needed a refuge, for Count Lenkenstein was singularly brutal in his
bearing toward her.  He let her know that he had come to Meran to
superintend the hunt for the assassin, Angelo Guidascarpi.  He attempted
to exact her promise in precise speech that she would be on the spot to
testify against Angelo when that foul villain should be caught.  He
objected openly to Laura's children going about with her.  Bitter talk
on every starting subject was exchanged across the duchess's table.
She herself was in disgrace on Laura's account, and had to practise
an overflowing sweetness, with no one to second her efforts.  The two
noblemen spoke in accord on the bubble revolution.  The strong hand--ay,
the strong hand!  The strong hand disposes of vermin.  Laura listened to
them, pallid with silent torture.  "Since the rascals have taken to
assassination, we know that we have them at the dregs," said Count
Lenkenstein.  "A cord round the throats of a few scores of them, and the
country will learn the virtue of docility."

Laura whispered to her sister: "Have you espoused a hangman?"

Such dropping of deadly shells in a quiet society went near to scattering
it violently; but the union was necessitous.  Count Lenkenstein desired
to confront Vittoria with Angelo; Laura would not quit her side, and
Amalia would not expel her friend.  Count Lenkenstein complained roughly
of Laura's conduct; nor did Laura escape her father's reproof.  "Sir, you
are privileged to say what you will to me," she responded, with the
humility which exasperated him.

"Yes, you bend, you bend, that you may be stiff-necked when it suits
you," he snapped her short.

"Surely that is the text of the sermon you preach to our Italy!"

"A little more, as you are running on now, madame, and our Italy will be
froth on the lips.  You see, she is ruined."

"Chi lo fa, lo sa," hummed Laura; "but I would avoid quoting you as that
authority."

"After your last miserable fiasco, my dear!"

"It was another of our school exercises.  We had not been good boys and
girls.  We had learnt our lesson imperfectly.  We have received our
punishment, and we mean to do better next time."

"Behave seasonably, fittingly; be less of a wasp; school your tongue."

"Bianca is a pattern to me, I am aware," said Laura.

"She is a good wife."

"I am a poor widow."

"She is a good daughter."

"I am a wicked rebel."

"And you are scheming at something now," said the little nobleman,
sagacious so far; but he was too eager to read the verification of the
tentative remark in her face, and she perceived that it was a guess
founded on her show of spirit.

"Scheming to contain my temper, which is much tried," she said.  "But I
suppose it supports me.  I can always keep up against hostility."

"You provoke it; you provoke it."

"My instinct, then, divines my medicine."

"Exactly, my dear; your personal instinct.  That instigates you all.  And
none are so easily conciliated as these Austrians.  Conciliate them, and
you have them."  Count Serabiglione diverged into a repetition of his
theory of the policy and mission of superior intelligences, as regarded
his system for dealing with the Austrians.

Nurse Assunta's jealousy was worked upon to separate the children from
Vittoria.  They ran down with her no more to meet the vast bowls of
grapes in the morning and feather their hats with vine leaves.  Deprived
of her darlings, the loneliness of her days made her look to Wilfrid for
commiseration.  Father Bernardus was too continually exhortative, and
fenced too much to "hit the eyeball of her conscience," as he phrased it,
to afford her repose.  Wilfrid could tell himself that he had already
done much for her; for if what he had done were known, his career, social
and military, was ended.  This idea being accompanied by a sense of
security delighted him; he was accustomed to inquire of Angelo's
condition, and praise the British doctor who was attending him
gratuitously.  "I wish I could get him out of the way," he said, and
frowned as in a mental struggle.  Vittoria heard him repeat his "I wish!"
It heightened greatly her conception of the sacrifice he would be making
on her behalf and charity's.  She spoke with a reverential tenderness,
such as it was hard to suppose a woman capable of addressing to other
than the man who moved her soul.  The words she uttered were pure thanks;
it was the tone which sent them winged and shaking seed.  She had spoken
partly to prompt his activity, but her self-respect had been sustained by
his avoidance of the dreaded old themes, and that grateful feeling made
her voice musically rich.

"I dare not go to him, but the doctor tells me the fever has left him,
Wilfrid; his wounds are healing; but he is bandaged from head to foot.
The sword pierced his side twice, and his arms and hands are cut
horribly.  He cannot yet walk.  If he is discovered he is lost.  Count
Lenkenstein has declared that he will stay at the castle till he has him
his prisoner.  The soldiers are all round us.  They know that Angelo is
in the ring.  They have traced him all over from the Valtellina to this
Ultenthal, and only cannot guess where he is in the lion's jaw.  I rise
in the morning, thinking, 'Is this to be the black day?' He is sure to be
caught."

"If I could hit on a plan," said Wilfrid, figuring as though he had a
diorama of impossible schemes revolving before his eyes.

"I could believe in the actual whispering of an angel if you did.  It was
to guard me that Angelo put himself in peril."

"Then," said Wilfrid, "I am his debtor.  I owe him as much as my life is
worth."

"Think, think," she urged; and promised affection, devotion, veneration,
vague things, that were too like his own sentiments to prompt him
pointedly.  Yet he so pledged himself to her by word, and prepared his
own mind to conceive the act of service, that (as he did not reflect)
circumstance might at any moment plunge him into a gulf.  Conduct of this
sort is a challenge sure to be answered.

One morning Vittoria was gladdened by a letter from Rocco Ricci, who had
fled to Turin.  He told her that the king had promised to give her a warm
welcome in his capital, where her name was famous.  She consulted with
Laura, and they resolved to go as soon as Angelo could stand on his feet.
Turin was cold--Italy, but it was Italy; and from Turin the Italian army
was to flow, like the Mincio from the Garda lake.  "And there, too, is a
stage," Vittoria thought, in a suddenly revived thirst for the stage and
a field for work.  She determined to run down to Meran and see Angelo.
Laura walked a little way with her, till Wilfrid, alert for these
occasions, joined them.  On the commencement of the zig-zag below, there
were soldiers, the sight of whom was not confusing.  Military messengers
frequently came up to the castle where Count Lenkenstein, assisted by
Count Serabiglione, examined their depositions, the Italian in the manner
of a winding lawyer, the German of a gruff judge.  Half-way down the zig-
zag Vittoria cast a preconcerted signal back to Laura.  The soldiers had
a pair of prisoners between their ranks; Vittoria recognized the men who
had carried Captain Weisspriess from the ground where the duel was
fought.  A quick divination told her that they held Angelo's life on
their tongues.  They must have found him in the mountain-pass while
hurrying to their homes, and it was they who had led him to Meran.  On
the Passeyr bridge, she turned and said to Wilfrid, "Help me now.  Send
instantly the doctor in a carriage to the place where he is lying."

Wilfrid was intent on her flushed beauty and the half-compressed quiver
of her lip.

She quitted him and hurried to Angelo.  Her joy broke out in a cry of
thankfulness at sight of Angelo; he had risen from his bed; he could
stand, and he smiled.

"That Jacopo is just now the nearest link to me," he said, when she
related her having seen the two men guarded by soldiers; he felt
helpless, and spoke in resignation.  She followed his eye about the room
till it rested on the stilet.  This she handed to him.  "If they think of
having me alive!"  he said softly.  The Italian and his wife who had
given him shelter and nursed him came in, and approved his going, though
they did not complain of what they might chance to have incurred.  He
offered them his purse, and they took it.  Minutes of grievous
expectation went by; Vittoria could endure them no longer; she ran out to
the hotel, near which, in the shade of a poplar, Wilfrid was smoking
quietly.  He informed her that his sister and the doctor had driven out
to meet Captain Gambier; his brother-in-law was alone upstairs.  Her look
of amazement touched him more shrewdly than scorn, and he said, "What on
earth can I do?"

"Order out a carriage.  Send your brother-in-law in it.  If you tell him
'for your health,' he will go."

"On my honour, I don't know where those three words would not send him,"
said Wilfrid; but he did not move, and was for protesting that he really
could not guess what was the matter, and the ground for all this urgency.

Vittoria compelled her angry lips to speak out her suspicions explicitly,
whereupon he glanced at the sun-glare in a meditation, occasionally
blinking his eyes.  She thought, "Oh, heaven!  can he be waiting for me
to coax him?" It was the truth, though it would have been strange to him
to have heard it.  She grew sure that it was the truth; never had she
despised living creature so utterly as when she murmured, "My best
friend!  my brother!  my noble Wilfrid!  my old beloved!  help me now,
without loss of a minute."

It caused his breath to come and go unevenly.

"Repeat that--once, only once," he said.

She looked at him with the sorrowful earnestness which, as its meaning
was shut from him, was so sweet.

"You will repeat it by-and-by?--another time?  Trust me to do my utmost.
Old beloved!  What is the meaning of 'old beloved'?  One word in
explanation.  If it means anything, I would die for you!  Emilia, do you
hear?--die for you!  To me you are nothing old or by-gone, whatever I may
be to you.  To me--yes, I will order the carriage you are the Emilia--
listen! listen!  Ah!  you have shut your ears against me.  I am bound in
all seeming, but I--you drive me mad; you know your power.  Speak one
word, that I may feel--that I may be convinced .  .  , or not a single
word; I will obey you without.  I have said that you command my life."

In a block of carriages on the bridge, Vittoria perceived a lifted hand.
It was Laura's; Beppo was in attendance on her.  Laura drove up and said:
"You guessed right; where is he?"  The communications between them were
more indicated than spoken.  Beppo had heard Jacopo confess to his having
conducted a wounded Italian gentleman into Meran.  "That means that the
houses will be searched within an hour," said Laura; "my brother-in-law
Bear is radiant."  She mimicked the Lenkenstein physiognomy spontaneously
in the run of her speech.  "If Angelo can help himself ever so little, he
has a fair start."  A look was cast on Wilfrid; Vittoria nodded--Wilfrid
was entrapped.

"Englishmen we can trust," said Laura, and requested him to step into her
carriage.  He glanced round the open space.  Beppo did the same, and
beheld the chasseur Jacob Baumwalder Feckelwitz crossing the bridge on
foot, but he said nothing.  Wilfrid was on the step of the carriage, for
what positive object neither he nor the others knew, when his sister and
the doctor joined them.  Captain Gambier was still missing.

"He would have done anything for us," Vittoria said in Wilfrid's hearing.

"Tell us what plan you have," the latter replied fretfully.

She whispered: "Persuade Adela to make her husband drive out.  The doctor
will go too, and Beppo.  They shall take Angelo.  Our carriage will
follow empty, and bring Mr. Sedley back."

Wilfrid cast his eyes up in the air, at the monstrous impudence of the
project.  "A storm is coming on," he suggested, to divert her reading of
his grimace; but she was speaking to the doctor, who readily answered her
aloud: "If you are certain of what you say."  The remark incited Wilfrid
to be no subordinate in devotion; handing Adela from the carriage, while
the doctor ran up to Mr. Sedley, he drew her away.  Laura and Vittoria
watched the motion of their eyes and lips.

"Will he tell her the purpose?"  said Laura.

Vittoria smiled nervously: "He is fibbing."

Marking the energy expended by Wilfrid in this art, the wiser woman said:
"Be on your guard the next two minutes he gets you alone."

"You see his devotion."

"Does he see his compensation?  But he must help us at any hazard."

Adela broke away from her brother twice, and each time he fixed her to
the spot more imperiously.  At last she ran into the hotel; she was
crying.  "A bad economy of tears," said Laura, commenting on the dumb
scene, to soothe her savage impatience.  "In another twenty minutes we
shall have the city gates locked."

They heard a window thrown up; Mr. Sedley's head came out, and peered at
the sky.  Wilfrid said to Vittoria: "I can do nothing beyond what I have
done, I fear."

She thought it was a petition for thanks, but Laura knew better; she
said: "I see Count Lenkenstein on his way to the barracks."

Wilfrid bowed: "I may be able to serve you in that quarter."

He retired: whereupon Laura inquired how her friend could reasonably
suppose that a man would ever endure being thanked in public.

"I shall never understand and never care to understand them," said
Vittoria.

"It is a knowledge that is forced on us, my dear.  May heaven make the
minds of our enemies stupid for the next five hours!--Apropos of what I
was saying, women and men are in two hostile camps.  We have a sort of
general armistice and everlasting strife of individuals--Ah!"  she
clapped hands on her knees, "here comes your doctor; I could fancy I see
a pointed light on his head.  Men of science, my Sandra, are always the
humanest."

The chill air of wind preceding thunder was driving round the head of the
vale, and Mr. Sedley, wrapped in furs, and feebly remonstrating with his
medical adviser, stepped into his carriage.  The doctor followed him,
giving a grave recognition of Vittoria's gaze.  Both gentlemen raised
their hats to the ladies, who alighted as soon as they had gone in the
direction of the Vintschgau road.

"One has only to furnish you with money, my Beppo," said Vittoria,
complimenting his quick apprehensiveness.  "Buy bread and cakes at one of
the shops, and buy wine.  You will find me where you can, when you have
seen him safe.  I have no idea of where my home will be.  Perhaps
England."

"Italy, Italy! faint heart," said Laura.

Furnished with money, Beppo rolled away gaily.

The doubt was in Laura whether an Englishman's wits were to be relied on
in such an emergency; but she admitted that the doctor had looked full
enough of serious meaning, and that the Englishman named Merthyr Powys
was keen and ready.  They sat a long half-hour, that thumped itself out
like an alarm-bell, under the poplars, by the clamouring Passeyr,
watching the roll and spring of the waters, and the radiant foam, while
band-music played to a great company of visitors, and sounds of thunder
drew near.  Over the mountains above the Adige, the leaden fingers of an
advance of the thunder-cloud pushed slowly, and on a sudden a mighty gale
sat heaped blank on the mountain-top and blew.  Down went the heads of
the poplars, the river staggered in its leap, the vale was shuddering
grey.  It was like the transformation in a fairy tale; Beauty had taken
her old cloak about her, and bent to calamity.  The poplars streamed
their length sideways, and in the pauses of the strenuous wind nodded
and dashed wildly and white over the dead black water, that waxed in foam
and hissed, showing its teeth like a beast enraged.  Laura and Vittoria
joined hands and struggled for shelter.  The tent of a travelling circus
from the South, newly-pitched on a grassplot near the river, was caught
up and whirled in the air and flung in the face of a marching guard of
soldiery, whom it swathed and bore sheer to earth, while on them and
around them a line of poplars fell flat, the wind whistling over them.
Laura directed Vittoria's eyes to the sight.  "See," she said, and her
face was set hard with cold and excitement, so that she looked a witch in
the uproar; "would you not say the devil is loose now Angelo is abroad?"
Thunder and lightning possessed the vale, and then a vertical rain.  At
the first gleam of sunlight, Laura and Vittoria walked up to the
Laubengasse--the street of the arcades, where they made purchases of
numerous needless articles, not daring to enter the Italian's shop.
A woman at a fruitstall opposite to it told them that no carriage could
have driven up there.  During their great perplexity, mud and rain-
stained soldiers, the same whom they had seen borne to earth by the
flying curtain, marched before the shop; the shop and the house were
searched; the Italian and his old liming wife were carried away.

"Tell me now, that storm was not Angelo's friend!"  Laura muttered.

"Can he have escaped?"  said Vittoria.

"He is 'on horseback.'" Laura quoted the Italian proverb to signify that
he had flown; how, she could not say, and none could inform her.  The joy
of their hearts rose in one fountain.

"I shall feel better blood in my body from this moment," Laura said; and
Vittoria, "Oh! we can be strong, if we only resolve."

"You want to sing?"

"I do."

"I shall find pleasure in your voice now."

"The wicked voice!"

"Yes, the very wicked voice!  But I shall be glad to hear it.  You can
sing to-night, and drown those Lenkensteins."

"If my Carlo could hear me!"

"Ah!"  sighed the signora, musing.  "He is in prison now.  I remember
him, the dearest little lad, fencing with my husband for exercise after
they had been writing all day.  When Giacomo was imprisoned, Carlo sat
outside the prison walls till it was time for him to enter; his chin and
upper lip were smooth as a girl's.  Giacomo said to him, 'May you always
have the power of going out, or not have a wife waiting for you.'  Here
they come."  (She spoke of tears.) "It's because I am joyful.  The
channel for them has grown so dry that they prick and sting.  Oh, Sandra!
it would be pleasant to me if we might both be buried for seven days, and
have one long howl of weakness together.  A little bite of satisfaction
makes me so tired.  I believe there's something very bad for us in our
always being at war, and never, never gaining ground.  Just one spark of
triumph intoxicates us.  Look at all those people pouring out again.
They are the children of fair weather.  I hope the state of their health
does not trouble them too much.  Vienna sends consumptive patients here.
If you regard them attentively, you will observe that they have an
anxious air.  Their constitutions are not sound; they fear they may die."

Laura's irony was unforced; it was no more than a subtle discord
naturally struck from the scene by a soul in contrast with it.

They beheld the riding forth of troopers and a knot of officers hotly
conversing together.  At another point the duchess and the Lenkenstein
ladies, Count Lenkenstein, Count Serabiglione, and Wilfrid paced up and
down, waiting for music.  Laura left the public places and crossed an
upper bridge over the Passeyr, near the castle, by which route she
skirted vines and dropped over sloping meadows to some shaded boulders
where the Passeyr found a sandy bay, and leaped in transparent green, and
whitened and swung twisting in a long smooth body down a narrow chasm,
and noised below.  The thundering torrent stilled their sensations: and
the water, making battle against great blocks of porphyry and granite,
caught their thoughts.  So strong was the impression of it on Vittoria's
mind, that for hours after, every image she conceived seemed proper to
the inrush and outpour; the elbowing, the tossing, the foaming, the burst
on stones, and silvery bubbles under and silvery canopy above, the
chattering and huzzaing; all working on to the one-toned fall beneath the
rainbow on the castle-rock.

Next day, the chasseur Jacob Baumwalder Feckelwitz deposed in full
company at Sonnenberg, that, obeying Count Serabiglione's instructions,
he had gone down to the city, and had there seen Lieutenant Pierson with
the ladies in front of the hotel; he had followed the English carriage,
which took up a man who was standing ready on crutches at the corner of
the Laubengasse, and drove rapidly out of the North-western gate, leading
to Schlanders and Mals and the Engadine.  He had witnessed the transfer
of the crippled man from one carriage to another, and had raised shouts
and given hue and cry, but the intervention of the storm had stopped his
pursuit.

He was proceeding to say what his suppositions were.  Count Lenkenstein
lifted his finger for Wilfrid to follow him out of the room.  Count
Serabiglione went at their heels.  Then Count Lenkenstein sent for his
wife, whom Anna and Lena accompanied.

"How many persons are you going to ruin in the course of your crusade, my
dear?"  the duchess said to Laura.

"Dearest, I am penitent when I succeed," said Laura.

"If that young man has been assisting you, he is irretrievably ruined."

"I am truly sorry for him."

"As for me, the lectures I shall get in Vienna are terrible to think of.
This is the consequence of being the friend of both parties, and a peace-
maker."

Count Serabiglione returned alone from the scene at the examination,
rubbing his hands and nodding affably to his daughter.  He maliciously
declined to gratify the monster of feminine curiosity in the lump, and
doled out the scene piecemeal.  He might state, he observed, that it was
he who had lured Beppo to listen at the door during the examination of
the prisoners; and who had then planted a spy on him--following the
dictation of precepts exceedingly old.  "We are generally beaten,
duchess; I admit it; and yet we generally contrive to show the brain.  As
I say, wed brains to brute force!--but my Laura prefers to bring about a
contest instead of an union, so that somebody is certain to be struck,
and"--the count spread out his arms and bowed his head--"deserves the
blow."  He informed them that Count Lenkenstein had ordered Lieutenant
Pierson down to Meran, and that the lieutenant might expect to be
cashiered within five days.  "What does it matter?"  he addressed
Vittoria.  "It is but a shuffling of victims; Lieutenant Pierson in the
place of Guidascarpi!  I do not object."

Count Lenkenstein withdrew his wife and sisters from Sonnenberg
instantly.  He sent an angry message of adieu to the duchess, informing
her that he alone was responsible for the behaviour of the ladies of his
family.  The poor duchess wept.  "This means that I shall be summoned to
Vienna for a scolding, and have to meet my husband," she said to Laura,
who permitted herself to be fondled, and barely veiled her exultation in
her apology for the mischief she had done.  An hour after the departure
of the Lenkensteins, the castle was again officially visited by Colonel
Zofel.  Vittoria and Laura received an order to quit the district of
Meran before sunset.  The two firebrands dropped no tears.  "I really am
sorry for others when I succeed," said Laura, trying to look sad upon her
friend.

"No; the heart is eaten out of you both by excitement," said the duchess.

Her tender parting, "Love me," in the ear of Vittoria, melted one heart
of the two.

Count Serabiglione continued to be buoyed up by his own and his
daughter's recent display of a superior intellectual dexterity until the
carriage was at the door and Laura presented her cheek to him.  He said,
"You will know me a wise man when I am off the table."  His
gesticulations expressed "Ruin, headlong ruin!"  He asked her how she
could expect him to be for ever repairing her follies.  He was going to
Vienna; how could he dare to mention her name there?  Not even in a
trifle would she consent to be subordinate to authority.  Laura checked
her replies--the surrendering, of a noble Italian life to the Austrians
was such a trifle!  She begged only that a poor wanderer might depart
with a father's blessing.  The count refused to give it; he waved her off
in a fury of reproof; and so got smoothly over the fatal moment when
money, or the promise of money, is commonly extracted from parental
sources, as Laura explained his odd behaviour to her companion.  The
carriage-door being closed, he regained his courtly composure; his fury
was displaced by a chiding finger, which he presently kissed.  Father.
Bernardus was on the steps beside the duchess, and his blessing had not
been withheld from Vittoria, though he half confessed to her that she was
a mystery in his mind, and would always be one.

"He can understand robust hostility," Laura said, when Vittoria recalled
the look of his benevolent forehead and drooping eyelids; "but robust
ductility does astonish him.  He has not meddled with me; yet I am the
one of the two who would be fair prey for an enterprising spiritual
father, as the destined roan of heaven will find out some day."

She bent and smote her lap.  "How little they know us, my darling!  They
take fever for strength, and calmness for submission.  Here is the world
before us, and I feel that such a man, were he to pounce on me now, might
snap me up and lock me in a praying-box with small difficulty.  And I am
the inveterate rebel!  What is it nourishes you and keeps you always
aiming straight when you are alone?  Once in Turin, I shall feel that I
am myself.  Out of Italy I have a terrible craving for peace.  It seems
here as if I must lean down to him, my beloved, who has left me."

Vittoria was in alarm lest Wilfrid should accost her while she drove from
gate to gate of the city.  They passed under the archway of the gate
leading up to Schloss Tyrol, and along the road bordered by vines.  An
old peasant woman stopped them with the signal of a letter in her hand.
"Here it is," said Laura, and Vittoria could not help smiling at her
shrewd anticipation of it.

"May I follow?"

Nothing more than that was written.

But the bearer of the missive had been provided with a lead pencil to
obtain the immediate reply.

"An admirable piece of foresight!"  Laura's honest exclamation burst
forth.

Vittoria had to look in Laura's face before she could gather her will to
do the cruel thing which was least cruel.  She wrote firmly:--

"Never follow me."




ETEXT EDITOR'S BOOKMARKS:

An angry woman will think the worst
Be on your guard the next two minutes he gets you alone
No word is more lightly spoken than shame
O heaven! of what avail is human effort?
She thought that friendship was sweeter than love
Taint of the hypocrisy which comes with shame
They take fever for strength, and calmness for submission
Women and men are in two hostile camps




End of this Project Gutenberg Etext of Vittoria, v5
by George Meredith

