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[Illustration: _PLATE V._

_Frontispiece._

_Daniel Wilson, Delᵗ._

_William Douglas, Sculpᵗ._

THE HUNTERSTON RUNIC BROOCH

_Published by Sutherland & Knox Edinr._]




                            THE ARCHÆOLOGY

                                  AND

                    PREHISTORIC ANNALS OF SCOTLAND.


                                  BY

                             DANIEL WILSON

     HONORARY SECRETARY OF THE SOCIETY OF ANTIQUARIES OF SCOTLAND.

    "There is in the world no kind of knowledge whereby any part
    of Truth is seen, but we justly account it precious; yea, that
    principal Truth, in comparison of which all other knowledge is
    vile, may receive from it some kind of light."--HOOKER.

                               EDINBURGH
                  SUTHERLAND AND KNOX, GEORGE STREET.
                  LONDON: SIMPKIN, MARSHALL, AND CO.
                           AND J. H. PARKER.

                               MDCCCLI.

            EDINBURGH: T. CONSTABLE, PRINTER TO HER MAJESTY.




TO THE MOST HONOURABLE

THE MARQUESS OF BREADALBANE, KT.,

PRESIDENT OF THE SOCIETY OF ANTIQUARIES OF SCOTLAND.


  MY LORD MARQUESS,

In presenting to my fellow-countrymen a Work devoted to the elucidation
of their National Antiquities, and to the recovery of the earliest
traces of Scottish arts and civilisation, I esteem it a high
gratification to be permitted to dedicate it to a Scotsman, not more
noble by hereditary rank and social position, than by the virtues with
which he adorns his high station.

To you, MY LORD, I have reason to believe that the following attempt to
establish a consistent and comprehensive system of Scottish Archæology
will not be without interest, as the zeal shewn by you in furthering
the objects of the Society of which you are President, and the costly
donations with which you have enriched its collections, prove the value
you attach to the Science as a key to the discovery of important truths.

                         I have the honour to be,

                                      MY LORD MARQUESS,

                               Your Lordship's most obedient Servant,

                                                         DANIEL WILSON.

  EDINBURGH, _January 1851_.





CONTENTS.


                                                                    Page

  PREFACE,                                                            xi

  INTRODUCTION,                                                        1


  PART I.--THE PRIMEVAL OR STONE PERIOD.

  CHAPTER   I.  THE PRIMEVAL TRANSITION,                              21

    ...    II.  ABORIGINAL TRACES,                                    28

    ...   III.  SEPULCHRAL MEMORIALS,                                 41

    ...    IV.  DWELLINGS,                                            74

    ...     V.  TEMPLES AND MEMORIAL STONES,                          91

    ...    VI.  WEAPONS AND IMPLEMENTS,                              120

    ...   VII.  STONE VESSELS,                                       146

    ...  VIII.  PERSONAL ORNAMENTS,                                  154

    ...    IX.  CRANIA OF THE TUMULI,                                160


  PART II.--THE ARCHAIC OR BRONZE PERIOD.

  CHAPTER   I.  INTRODUCTION OF METALS,                              191

    ...    II.  THE METALLURGIC TRANSITION,                          217

    ...   III.  PRIMITIVE BRONZE,                                    238

    ...    IV.  WEAPONS AND IMPLEMENTS,                              250

    ...     V.  DOMESTIC AND SEPULCHRAL VESSELS,                     271

    ...    VI.  PERSONAL ORNAMENTS,                                  291

    ...   VII.  SEPULCHRES,                                          331

    ...  VIII.  RELIGION, ARTS, AND DOMESTIC HABITS,                 336


  PART III.--THE TEUTONIC OR IRON PERIOD.

  CHAPTER   I.  THE INTRODUCTION OF IRON,                            347

    ...    II.  THE ROMAN INVASION,                                  363

    ...   III.  STRONGHOLDS,                                         408

    ...    IV.  WEAPONS, IMPLEMENTS, AND POTTERY,                    431

    ...     V.  PERSONAL ORNAMENTS,                                  442

    ...    VI.  SEPULCHRES OF THE IRON PERIOD,                       453


  PART IV.--THE CHRISTIAN PERIOD.

  CHAPTER   I.  HISTORICAL DATA,                                     467

    ...    II.  SCULPTURED STANDING STONES,                          495

    ...   III.  THE NORRIE'S LAW RELICS,                             511

    ...    IV.  SCOTO-SCANDINAVIAN RELICS,                           522

    ...     V.  AMUSEMENTS,                                          562

    ...    VI.  PRIMITIVE ECCLESIOLOGY,                              582

    ...   VII.  MEDIEVAL ECCLESIOLOGY,                               600

    ...  VIII.  ECCLESIASTICAL ANTIQUITIES,                          648

    ...    IX.  MISCELLANEOUS ANTIQUITIES,                           677

    ...     X.  CONCLUSION,                                          695


  INDEX,                                                             703




ILLUSTRATIONS.


  1.  FRONTISPIECE.--PLATE V.--HUNTERSTON RUNIC BROOCH.


  PART I.--THE PRIMEVAL OR STONE PERIOD.

                                                                    Page

  2.  Stone Celt, Glasgow,                                            35

  3.  Cromlech, the Auld Wives' Lift,                                 66

  4.  Cromlech, the Witch's Stone,                                    68

  5.  PLATE I.--PLAN OF PICT'S HOUSE, Wideford Hill, Orkney,          84

  6.  The Caiy Stone,                                                 96

  7.  Standing Stones, Pitlochrie, Perthshire,                       115

  8.  Flint Arrow-head, Isle of Skye,                                126

  9.  Flint Hatchets,                                                130

  10.  Flail-stone,                                                  132

  11.  Stone Hammers and Axes,                                       135

  12.  Stone Axes,                                                   136

  13.  Stone Axe-Hammer,                                             137

  14.  Bead-stones,                                                  137

  15.  Stone Ball,                                                   139

  16.  Bone Dagger,                                                  141

  17.  Bone Pins or Bodkins,                                         143

  18.  Bone Implements,                                              144

  19.  Stone Urns, from the Island of Uyea,                          147

  20.  Stone Urn, from the Hill of Nowth,                            147

  21.  Stone Pateræ,                                                 148

  22.  Stone Basin, from Brough, Shetland,                           149

  23.  Stone Basin, from Newgrange,                                  149

  24.  Indented Stone Basin, from Newgrange,                         150

  25.  Pot Querne, from East-Lothian,                                152

  26.  Stone Horse Collars, from Glenroy,                            156

  27.  28.  Stone Personal Ornaments,                                157

  29.  Cranium, from a Cist at Cockenzie, East-Lothian,              168

  30.  Cranium, from a Cairn at Nether Urquhart, Fife,               169

  31.  Cranium, from a Cist, Old Steeple, Montrose,                  170

  32.  Cranium, from a Cist, East Broadlaw Farm, Linlithgow,         171

  33.  Cranium, from a Roman Shaft, Newstead, Roxburghshire,         172

  34.  Tower of the Old City Wall, Edinburgh,                        175

  35.  PLATE II.--GLENLYON BROOCH,                                   220

  36.  Highland Powder Horn,                                         221


  PART II.--THE ARCHAIC OR BRONZE PERIOD.

  37.  Pair of Stone Celt Moulds, Ross-shire,                        223

  38.  Stone Celt Moulds, Ross-shire,                                224

  39.  Celt cast from Stone Moulds,                                  224

  40.  Bronze Rings and Staples,                                     227

  41.  Bronze Celt from Arthur's Seat,                               228

  42.  Bronze Leaf-shaped Sword from Arthur's Seat,                  228

  43.  Spiked Axe,                                                   253

  44.  Incised Axe-blade,                                            253

  45.  Palstave,                                                     254

  46.  Spade-shaped Palstave,                                        256

  47. 48.  Looped Palstave and Celt,                                 257

  49.  Bronze Crowbar or Lever,                                      259

  50.  Bronze Spear-heads,                                           262

  51.  Double-looped Spear-head of Bronze,                           262

  52.  Eyed Spear-head of Bronze,                                    263

  53.  Bronze Dagger,                                                264

  54.  Bronze Buckler, Ayrshire,                                     267

  55.  Bronze Implement, Isle of Skye,                               269

  56.  Bronze Reaping or Pruning-hooks,                              270

  57.  Bronze Cauldron from Kincardine Moss,                         274

  58.  Bronze Tripods,                                               278

  59.  Urns, from a Cist at Banchory, Aberdeenshire,                 283

  60.  Urn with Perforated Ears, from a Cairn at Sheal Loch,         285

  61.  Cinerary Urn from the Dean, Edinburgh,                        286

  62.  Cinerary Urns from Memsie and Ratho,                          287

  63.  Jet Necklace, from a Tumulus, Ross-shire,                     294

  64.  Jet Fibula, Crawford Moor, Lanarkshire,                       295

  65.  Jet Belt Clasp, Isle of Skye,                                 300

  66.  Glass Beads, called "Druidical or Adder Beads,"               303

  67.  Glass Beads,                                                  304

  68.  Dilated Penannular Ring, from a Cist, Alloa,                  311

  69.  Calicinated Ring, Cromdale, Inverness-shire,                  315

  70.  Calicinated Ring, Island of Islay,                            316

  71.  Gold Sceptre Head, Cairnmure, Peeblesshire,                   317

  72.  Knotted Funicular Torc, Penicuick, Mid-Lothian,               318

  73.  Spiral Gold Armilla, Largo Bay, Fifeshire,                    321

  74.  Gold Armilla, Moor of Rannoch, Perthshire,                    324

  75.  Gold Armilla, Slateford, Mid-Lothian,                         325

  76.  Bronze Head-ring, Lumphanan, Aberdeenshire,                   327

  77.  Bronze Ring Fibula and Spiral Finger Ring, Granton,
           Mid-Lothian,                                              327

  78.  Piece of Knitted Garment, from a Cist, Yorkshire,             329

  79.  Incised Cist Cover, Coilsfield, Ayrshire,                     332

  80.  Fragment of Cinerary Urn, Coilsfield,                         333

  81.  Incised Cist Cover, Annan Street,                             334

  82.  Gold Rod, found in the Circle of Leys, Inverness-shire,       341


  PART III.--THE TEUTONIC OR IRON PERIOD.

  83.  Coin of Comius,                                               375

  84.  Inscribed Roman Tablet, from the Castlehill Station,
           Antonine Wall,                                            376

  85.  Base of a Column, Castlehill,                                 377

  86.  Iron Spear-head, from Newstead, Roxburghshire,                382

  87.  Bronze Lamp, found at Currie,                                 383

  88.  Bronze of Pallas Armata, Kirkintilloch,                       389

  89.  Dentated Bronze Ring, Merlsford, Fifeshire,                   393

  90.  Roman Oculist's Medicine Stamp, Tranent, East-Lothian         393

  91.  Impression of Roman Medicine Stamp,                           394

  92.  Roman Altar, from Birrens, Annandale,                         398

  93.  Roman Sepulchral Tablet, Birrens,                             400

  94.  Roman Potters' Stamps,                                        402

  95.  Iron Forge-Tongs, from Glenorchy,                             407

  96.  Bone Comb, Burgh of Burghar,                                  424

  97.  How of Hoxay, Orkney,                                         426

  98.  Plan of Doorway, How of Hoxay,                                427

  99.  Iron Dagger and Bone Pin, East Langton, Mid-Lothian,          433

  100.  Glazed Urn, from a Cist, North-Berwick,                      434

  101.  Glazed Urn, from a Cairn, Memsie, Aberdeenshire,             435

  102.  Bronze Sword-sheath,                                         441

  103.  Silver Chain, Caledonian Canal,                              444

  104.  Bronze Snake Bracelet, Pitalpin, Angusshire,                 446

  105.  Bronze Ornament,                                             447

  106.  Bronze Snake Armlet,                                         448

  107.  PLATE III.--BRONZE BEADED TORC, AND BROOCH OF LORN,          449

  108.  Bronze Head-ring, Cairn of Clunemore,                        450

  109.  Head-ring or Diadem, Stitchel, Roxburghshire,                451

  110.  Iron Spear-head, Melford, Fifeshire,                         454

  111.  Iron Umbo, Ballindalloch, Morayshire,                        457

  112.  Enamelled Bridle-Bit, Annandale,                             458

  113.  Bronze Rings, Horse Furniture, Annandale,                    458

  114-116.  Bronze Ornaments, Horse Furniture,                       459


  PART IV.--THE CHRISTIAN PERIOD.

  117.  Standing Stone, Hawkhill, Alloa,                             496

  118.  Dunnichen Stone, Angusshire,                                 497

  119.  Silver Scale-plate, Norrie's Law,                            499

  120.  Meigle Stone, Angusshire,                                    502

  121.  PLATE IV.--ST. ANDREW'S SARCOPHAGUS,                         503

  122.  Celtic Brooch,                                               504

  123.  Celtic Dirks,                                                505

  124.  Inscribed Standing Stone, Newton in Garioch,                 506

  125.  Bishop Patrick's Tomb, Iona,                                 507

  126.  Cross of Lauchlan M'Fingon, Iona,                            509

  127.  Silver Bodkins, Norrie's Law,                                516

  128.  Silver Ring Fibula, Norrie's Law,                            517

  129.  Silver Ornament, Norrie's Law,                               518

  130.  Primitive Gold Coins, Cairnmuir,                             520

  131.  Oval Brooch, Pict's House, Caithness,                        523

  132.  Sculptured Stone, Invergowrie,                               524

  133.  Dunipace Brooch,                                             530

  134.  Runic Inscription, St. Molio's Cave,                         531

  135.  Large Runic Inscription, St. Molio's Cave,                   533

  136.  Runic Inscription, Greenland,                                537

  137.  Kirk Michael Cross, Isle of Man,                             540

  138.  Runic Inscription, Kirk Michael Cross,                       541

  139.  Kirk Braddan Cross, Isle of Man,                             542

  140.  Inscription on the head of Kirk Braddan Cross,               542

  141.  Bronze Ring-Pin, Sandwick, Orkney,                           551

  142.  143. Oval Brooch, Links of Pier-o-waal, Orkney,              554

  144.  Comb, Pier-o-waal,                                           554

  145.  Bronze Ring-Pin,                                             555

  146.  Animal-shaped Liquor Decanter,                               556

  147.  Acus of Dunipace Brooch,                                     559

  148.  Glasgow Brooch,                                              560

  149.  Table-stones,                                                562

  150.  Lewis Chess-Piece, King,                                     568

  151.  Lewis Chess-Piece, Queen,                                    568

  152.  Lewis Chess-Piece, Warden,                                   573

  153.  Lewis Chess-Piece, Knight,                                   576

  154.  Chess-Piece, Museum of Scottish Antiquaries,                 578

  155.  Chess-Piece, Queen, Penicuick Collection,                    579

  156.  Ancient Seal, Abbey of Holyrood,                             582

  157.  Doorway, Round Tower of Donaghmore,                          587

  158.  St. Magnus's Church, Egilshay,                               590

  159.  Doorway, Round Tower of Brechin,                             596

  160.  Abbot Crawfurd's Arms, Holyrood Abbey,                       611

  161.  Section of Arch Mouldings, St. Rule's Church, St. Andrews,   612

  162.  Section of Pier, St. Rule's,                                 612

  163.  Chancel Arch, St. Rule's,                                    613

  164.  Window, Corstorphine,                                        622

  165.  Corbel, Trinity Church, Edinburgh,                           624

  166.  Chantry Door, Bothwell Collegiate Church,                    627

  167.  Window, Dunkeld Cathedral,                                   628

  168.  Window, St. Michael's, Linlithgow,                           628

  169.  Bishop Kennedy's Arms, St. Giles's, Edinburgh,               629

  170.  Boss of St. Eloi's Chapel, St. Giles's,                      631

  171.  Rothesay Chapel, St. Giles's,                                632

  172.  Ambry, Kennedy's Close,                                      637

  173.  Ambry, Guise Palace,                                         637

  174.  Monogram, Blyth's Close,                                     638

  175.  Masons' Marks, Roslin Chapel,                                640

  176.  PLATE VI.--KILMICHAEL-GLASSRIE BELL AND DUNVEGAN CUP,        652

  177.  Bell of St. Columba,                                         654

  178.  Clog Beanuighte, or Blessed Bell,                            656

  179.  Perthshire Bell,                                             658

  180.  Clog-rinny, or Bell of St. Ninian,                           660

  181.  Quigrich, or Crosier of St. Fillan,                          664

  182.  Ancient Episcopal Crosier, Fortrose Cathedral,               666

  183.  Oaken Crosier, Cathedral of Kirkwall,                        667

  184.  Mazer, Castle of Merdon, near Hursly,                        672

  185.  Mazer of the Fourteenth Century,                             673

  186.  Gold Ring, Flodden Field,                                    677

  187.  Medieval Pottery, North-Berwick Abbey, East-Lothian,         678

  188.  Pottery, Penicuick House,                                    679

  189.  Celtic or Elfin Pipes,                                       679

  190.  Ancient Stone Tobacco Pipe, Morningside,                     681

  191.  Two-handed Scottish Claymore,                                682

  192.  Hawthornden Sword,                                           683

  193.  Scottish Two-Handed Sword,                                   684

  194.  Battle-Axe, Bannockburn,                                     685

  195.  Lochaber Axes,                                               686

  196.  Sculpture, Edinburgh Castle, Mons Meg,                       686

  197.  The Scottish Maiden,                                         689

  198.  Thumb-Screws,                                                690

  199.  Jougs, Applegirth,                                           691

  200.  The Branks, Moray House,                                     693

  201.  Witch's Bridle, Forfar,                                      693




PREFACE.


The zeal for Archæological investigation which has recently manifested
itself in nearly every country of Europe, has been traced, not without
reason, to the impulse which proceeded from Abbotsford. Though such
is not exactly the source which we might expect to give birth to the
transition from profitless dilettantism to the intelligent spirit of
scientific investigation, yet it is unquestionable that Sir Walter
Scott was the first of modern writers "to teach all men this truth,
which looks like a truism, and yet was as good as unknown to writers
of history and others, till so taught,--that the bygone ages of the
world were actually filled by living men."[1] If, however, the impulse
to the pursuit of Archæology as a science be thus traceable to our own
country, neither Scotland nor England can lay claim to the merit of
having been the first to recognise its true character, or to develop
its fruits. The spirit of antiquarianism has not, indeed, slumbered
among us. It has taken form in Roxburgh, Bannatyne, Abbotsford,
and other literary Clubs, producing valuable results for the use
of the historian, but limiting its range within the Medieval era,
and abandoning to isolated labourers that ampler field of research
which embraces the prehistoric period of nations, and belongs not to
literature but to the science of Nature. It was not till continental
Archæologists had shewn what legitimate induction is capable of, that
those of Britain were content to forsake laborious trifling, and
associate themselves with renewed energy of purpose to establish the
study on its true footing as an indispensable link in the circle of the
sciences.

Amid the increasing zeal for the advancement of knowledge, the time
appears to have at length come for the thorough elucidation of
Primeval Archæology as an element in the history of man. The British
Association, expressly constituted for the purpose of giving a stronger
impulse and a more systematic direction to scientific inquiry, embraced
within its original scheme no provision for the encouragement of
those investigations which most directly tend to throw light on the
origin and progress of the human race. Physical archæology was indeed
admissible, in so far as it dealt with the extinct fauna of the
palæontologist; but it was practically pronounced to be without the
scientific pale whenever it touched on that portion of the archæology
of the globe which comprehends the history of the race of human beings
to which we ourselves belong. A delusive hope was indeed raised
by the publication in the first volume of the Transactions of the
Association, of one memoir on the contributions afforded by physical
and philological researches to the history of the human species,--but
the ethnologist was doomed to disappointment. During several annual
meetings, elaborate and valuable memoirs, prepared on various questions
relating to this important branch of knowledge, and to the primeval
population of the British Isles, were returned to their authors without
being read. This pregnant fact has excited little notice hitherto;
but when the scientific history of the first half of the nineteenth
century shall come to be reviewed by those who succeed us, and reap the
fruits of such advancement as we now aim at, it will not be overlooked
as an evidence of the exoteric character of much of the overestimated
science of the age. Through the persevering zeal of a few resolute men
of distinguished ability, ethnology was at length afforded a partial
footing among the recognised sciences, and at the meeting of the
Association to be held at Ipswich in 1851, it will for the first time
take its place as a distinct section of British Science.

It has fared otherwise with Archæology. Rejected in its first appeal
for a place among the sister sciences, its promoters felt themselves
under no necessity to court a share in popular favour which they
could readily command, and we have accordingly its annual congresses
altogether apart from those of the associated sciences. Archæology,
however, has suffered from the isolation; while it cannot but be
sooner or later felt to be an inconsistency at once anomalous and
pregnant with evil, which recognises as a legitimate branch of British
science, the study of the human species, by means both of physiological
and philological investigation, but altogether excludes the equally
direct evidence which Archæology supplies. It rests, however, with
the archæologist to assert for his own study its just place among the
essential elements of scientific induction, and to shew that it not
only furnishes valuable auxiliary truth in aid of physiological and
philological comparisons, but that it adds distinct psychological
indices by no other means attainable, and yields the most trustworthy,
if not the sole evidence in relation to extinct branches of the human
family, the history of which possesses a peculiar national and personal
interest for us.

Meanwhile the close relations which subsist between the researches
of the ethnologist and the archæologist, and the perfect unity of
their aims, have been recognised by Nillson, Eschricht, and other
distinguished men in various countries; and while the two sciences
have advanced together, in harmony and with mutual advantage,
Scandinavian archæologists have given an impetus to the study of
Primitive Antiquities, which has already done much to establish
its value as the indispensable basis of all written history. The
facilities afforded to the Scandinavian archæologist by the purity of
his primitive remains, and the freedom of his ethnographic chronicles
from those violent intercalations of foreign elements which render
both the ethnology and the historical antiquities of Central Europe
so complicated and difficult of solution, peculiarly fitted him for
originating a comprehensive yet well-defined system. The comparatively
recent close of the Scandinavian primitive periods has preserved in a
more complete form those evidences by which we recover the knowledge
of the first rude colonists of Europe, whose records are distorted
and nearly effaced within the wide pale of Roman sway. The isolation,
moreover, of these northern kingdoms preserved them from being the
mere highway of the first Asiatic nomades. Whatever traces of early
wanderers they retain are well-defined, so that to them we may look
for clear and satisfactory evidence in illustration of one portion
at least of the primal north-western tide of migration from which
the origin of all European history dates. It chances, however, from
various accidental causes, that the revival of archæological research
in Britain, influenced by canons directly supplied from Scandinavian
sources, has a tendency to authenticate some of the most favourite
errors of older British antiquaries. Based, as nearly all antiquarian
pursuits in this country have heretofore been, on classical learning,
it has been accepted as an almost indisputable truth, that, with the
exception of the mysteriously learned Druid priests, the Britons prior
to the Roman Period were mere painted savages. Hence, while the artless
relics of our primeval Stone Period were generally assigned to native
workmanship, whatever evinced any remarkable traces of skill distinct
from the well-defined Roman art, was assumed of necessity to have a
foreign origin, and was usually ascribed to the Danes. The invariable
adoption of the latter term in preference to that of Norwegians or
Norsemen, shews how completely Scottish and Irish antiquaries have
abandoned themselves to the influence of English literature, even
where the appropriation of its dogmas was opposed to well-known
historical facts. The name of Dane has in fact for centuries been
one of those convenient words which so often take the place of ideas
and save the trouble and inconvenience of reasoning. Yet this theory
of a Danish origin for nearly all native arts, though adopted without
investigation, and fostered in defiance of evidence, has long ceased
to be a mere popular error. It pervades both the Scottish and English
Archæologiæ, and the great majority of works on every department
of British antiquities, and has till recently proved a perpetual
stumblingblock to the Irish antiquary. It is, moreover, a cumulative
error,--certain Scottish relics, for example, found in Argyleshire, as
well as others in the Isle of Man, being assumed in the Archæologia
Scotica to be Scandinavian,[2] an able writer in the Transactions of
the Cambridge Camden Society, taking these assumptions as indisputable
facts, employs them in proving that other equally undoubted native
works of art are also Scandinavian.[3] So, too, a writer in the
Archæologia Scotica, ascribing a similar origin to the monolithic
structures of the Orkney and Shetland Islands,[4] is quoted by Danish
antiquaries[5] as referring to an established truth, and as proving,
accordingly, that similar structures in the Hebrides are also the work
of the Northmen! Pennant, Chalmers, Barry, Macculloch, Scott, Hibbert,
and a host of other writers might be quoted to shew how this theory,
like a snow-ball, gathers as it rolls, taking up indiscriminately
whatever chances to lie in its erratic course. Even the poets have
lent their aid to propagate the same prevalent error. Cowper, for
example,--no uneducated or superficial writer,--thus strangely
postdates Britain's birth-time:--

    "Now borne upon the wings of truth sublime,
    Review thy dim original and prime,--
    This island, spot of unreclaimed rude earth,
    The cradle that received thee at thy birth,
    Was rocked by many a rough Norwegian blast,
    And Danish howlings scared thee as they past."[6]

Similar examples of the influence of this predominant theory might be
multiplied from the most diverse sources; nor are even the recently
established archæological periodicals free from it. It is obvious,
therefore, that such opinions must be sifted to the utmost, and either
established or got rid of before any efficient progress can be made in
British Archæology. In Scotland this theory is much more comprehensive
in its effects than in England, where the Anglo-Saxon element is
recognised as the predominating source of later changes; and now
that the character of genuine Roman antiquities is well ascertained,
nearly the whole of our native relics have latterly been assigned to a
Scandinavian origin. It is altogether unnecessary, I trust, to disclaim
any petty spirit of national jealousy in the rigorous investigation of
such theories which will be found pursued in the following pages. The
error is for the most part of native growth; but whencesoever it be
derived, truth is the end which the archæologist has in view; and the
enlightened spirit in which the researches of the Northern antiquaries
have already been pursued, is the best guarantee that they will not
be less ready to co-operate in overturning error than in establishing
truth. It is not a mere question between Northman or Dane and Celt or
Saxon. It involves the entire chronology of the prehistoric British
periods, and so long as it remains unsettled any consistent arrangement
of our archæological data into a historical sequence is impossible.

The following work, embracing within its plan such a comprehensive
scheme of Scottish Archæology as has not been hitherto attempted, has
been undertaken under the conviction that this science is the key to
great truths which have yet to be reached, and that its importance will
hereafter be recognised in a way little dreamt of by those students
of kindred sciences, who, while busied in investigating the traces
of older but inferior orders of being, can discern only the objects
of an aimless curiosity in relics pertaining to the human species.
That such, however, should still be the case, is far more the fault
of the antiquary than of the student of other sciences. It is his
misfortune that his most recondite pursuits are peculiarly exposed to
the laborious idling of the mere dabblers in science, so that they
alternately assume to the uninterested observer the aspect of frivolous
pastime and of solemn trifling. I cannot but think that a direct union
with the associated sciences, and an incorporation especially with
the kindred researches of the ethnologist, while it might, perchance,
give some of its present admirers a distaste for the severer and more
restricted study, would largely contribute to its real advancement,
and free its truly zealous students from many popular trammels which
at present cumber its progress. Meanwhile the archæologist may derive
some hope from the remembrance that astronomy was once astrology; that
chemistry was long mere alchemy; that geology has only in our own day
ceased to be a branch of unreasoning antiquarianism; and that ethnology
has scarcely yet passed the jealously guarded porch, as the youngest of
all the recognised band of sister sciences.

In nothing is the want of the intelligent cooperation of the kindred
sciences which bear on the study of antiquities more apparent
than in the present state of our public collections. The British
Museum contains the elements of a collection which, if arranged
ethnographically and chronologically, would form the most valuable
school of popular instruction that Government could establish; and no
other country rests under the same manifest duty to form a complete
ethnological museum as Britain: with her hundred colonies, and her
tribes of subject aborigines in every quarter of the globe, losing
their individuality where they escape extinction, by absorption and
assimilation to their European masters. Were an entire quadrangular
range of apartments in the British Museum devoted to a continuous
systematic arrangement, the visitor should pass from the ethnographic
rooms, shewing man as he is still found in the primitive savage state,
and destitute of the metallurgic arts; thence to the relics of the
Stone Period, not of Britain or Europe only; but also of Asia, Africa,
and America, including the remarkable primitive traces which even
Egypt discloses. To this would then fitly succeed the old monuments of
Egyptian civilisation, the Nimrud marbles, the sculptures of India, and
all the other evidences of early Asiatic arts. The Archaic Greek and
Colonial works should come after these, followed by the master-pieces
of the age of Pericles, and these again by the monuments of imperial
Rome. Thus by a natural sequence we return to British remains: the
Anglo-Roman relics piecing on like a new chapter of European history,
at the point where our island first appears as a part of the old
Roman world, and followed in succession by our native Anglo-Saxon,
Scandinavian, Norman, and Medieval antiquities. The materials for all
this, if we except the primitive British relics, are already acquired;
and while to the thousands who annually throng the Museum, in idle
and profitless wonder, this would at once convert into intelligible
history, what must now be to the vast majority of visitors a confused
assortment of nearly meaningless relics, even the most profound scholar
might derive from it information and pleasure, such as would amply
repay the labour of re-arrangement. The immense practical value of
collections to the archæologist renders their proper arrangement a
matter of grave importance, and one which cannot be allowed to rest in
its present extremely imperfect state.[7]

In Scotland no national collection exists, though a small body of
zealous men have struggled to maintain an Archæological Museum in the
Scottish capital for the last seventy years, in defiance of obstacles
of the most harassing nature. Not the least of these is the enforcement
of the law of treasure-trove, by which all objects of the precious
metals are held to be the property of the Crown. Notwithstanding the
earnest zeal for the preservation of national relics which has actuated
both Sir Henry Jardine and John Henderson, Esq., the late and present
Crown and Lord Treasurer's Remembrancers for Scotland, and the liberal
construction of the law by its administrators, as shewn in their offer
of full value for all objects of the precious metals which may be
delivered up to them, its operation has constantly impeded researches
into the evidences of primitive art, and in many cases has occasioned
the destruction of very valuable relics.

In a letter on this subject with which I have been favoured by the
distinguished Danish antiquary, Mr. J. J. A. Worsaae, he remarks: "In
Denmark, in former times, all hidden treasures, when found, belonged to
the king. They were called _Danefa_. The finder had to give them up to
the Crown without any remuneration. The effect of this was that very
few or no antiquities of gold or silver were preserved for the Museum,
[of Northern Antiquities at Copenhagen,] as the finders secretly sold
the antiquities. For the purpose of putting an end to this, a law
was passed in the middle of last century, in which the king declared
himself willing to give the full value to the finders, and in some
cases still more than the value; but, at the same time, he ordered
all such things to be given up to the public museums, and in case of
concealment the finders were to be tried and punished.

"This law is still in operation. It is the rule that _the finder_,
in the strictest sense of the word, gets the remuneration, as the
king--the real owner--has renounced his rights to him. The owner of
the soil only gets the value if he has ordered a servant expressly to
dig for any such thing, or, of course, if he is the finder himself.
This has proved most effective. Another measure which has secured a
good many objects for the Museum is the payment of the finder _as soon
as possible_. Poor people, as the finders generally are, do not like to
wait for money. They get easily anxious, and prefer to sell the things
for a smaller price, if they only get the money without delay. It has
now come to this here, that very few antiquities of gold or silver
are lost. The peasants and workmen are perfectly well aware that they
get more for the things dug up, at the Museum in Copenhagen, than in
the shop of a goldsmith. This has been effected by publication in the
almanacs, newspapers, &c., of the payments given to finders of valuable
antiquities."

Some of the wretched fruits of the different system still pursued in
this country are referred to in the following pages;[8] yet with the
earnest desire of the officers of the Scottish Exchequer, to whom the
enforcement of the present law is committed, to avert, if possible,
the destructive consequences which it has heretofore operated to
produce, it is manifest that nothing more is needed than to adopt the
essential practical feature in the Danish plan, which gives the actual
finder the sole claim to reward, and also holds him responsible and
liable to punishment. Until this indispensable change is effected, the
Scottish archæologist must continue to deplore the annual destruction
of national treasures, not less valuable to the historian than the
chartularies which are being rescued with so much labour and cost from
their long-neglected repositories.

In attempting to arrange the elements of a system of Scottish
Archæology, as a means towards the elucidation of prehistoric annals,
I have had frequently to regret the want of any national collection
adequate to the object in view. That the Museum of the Society of
Antiquaries of Scotland is one of considerable value must I think be
apparent, even from the materials it has furnished for this volume.
Some private collections, it will be seen, add a few more to the
rescued waifs of Scottish national antiquities; but the result of an
extensive correspondence carried on with a view to obtain the necessary
facts which no books at present supply, has forced on me the conviction
that, even within the last dozen years, such a number of valuable
objects have been destroyed as would alone have formed an important
nucleus for a complete Archæological Museum. The new Statistical
Accounts, along with some periodicals and other recently published
works, contain references to discoveries made within that period in
nearly every district of Scotland. From these I selected upwards of two
hundred of the most interesting and valuable examples, and the result
of a laborious correspondence is, the establishment of the fact that
scarcely five per cent. of the whole can now be ascertained to be in
existence. Some have been lost or broken; some thrown away, sold, or
stolen,--which in the case of objects of the precious metals involves
their absolute destruction; in other cases, the proprietors themselves
have disappeared--gone to India, America, Australia, or no one knows
where. Of the few that remain, the jealous fear which the operation
of the present law of treasure-trove excites has rendered a portion
inaccessible, so that a sufficiently meagre handful of so prominent a
harvest was left to be reaped.

When it is considered that in Scotland we have no such treasuries
of the facts on which an archæological system must be built, as the
Archæologia, the Vetusta Monumenta, the Nenia Britannica, the Ancient
Wiltshire, and a host of other works supply to the English antiquary,
I have a right to expect that some forbearance be shewn in contrasting
this first attempt at a comprehensive treatment of the subject, with
the works which other countries possess. I do not desire to offer it
to the reader with an apology, or to seek to deprecate criticism by
setting forth in array a host of difficulties surmounted or succumbed
to. It has been the work of such leisure time as could be snatched from
less congenial but engrossing pursuits, and will probably be found to
contain some recurrence to the same ideas, to which a writer is liable
when only able to take up his theme at intervals, and to pursue it amid
repeated interruptions. Nevertheless, I have aimed at treating the
subject as one which I esteem a worthy one ought to be treated, and if
unsuccessful, it is not for want of the zeal which earnest enthusiasm
commands. Some new ground I believe has been broken in the search after
truth, and as a pioneer I am fully prepared to see my footsteps erased
by those who follow me. It will be found, however, that truth is the
goal which has been aimed at; and if it be but as a glimmering that
light appears, it is well, so that its streaks are in the east, and the
clouds which begin to break make way before the dawn.

It only remains for me to acknowledge some of the many favours received
in the progress of the Work; though it is impossible to mention
all to whose liberality I have been indebted during the extensive
correspondence into which I was led while collecting needful materials
for substantiating the positions assumed in the following argument. The
want of such resources as in other countries supply to the Archæologist
the means of constructing a system based on trustworthy evidence, has
compelled me to draw largely on the courtesy of private collectors;
and with very few exceptions, the cordial response returned to my
applications has rendered the otherwise irksome task a source of
pleasure, and even in some cases the beginning of valued friendships.

The Council of the Society of Antiquaries of Scotland have afforded the
utmost facilities in regard to their important national collection,
and have accorded to me an equal freedom in the use of the extensive
correspondence preserved in their Library, from which it will be
found that some curious information has been recovered, not otherwise
attainable. From my fellow Associates in the Society I have also
received the most hearty sympathy and cooperation. To the kind services
of Sir James Ramsay, Bart., I am indebted for obtaining from Lady
Menzies one of the beautiful gold relics figured in the work. To my
friend Professor J. Y. Simpson, M.D., I owe the contribution of one of
the illustrations, and to Albert Way, Esq., and George Seton, Esq.,
others of the woodcuts, presented to me as the expression of their
interest in my labours; while I have to thank my friend James Drummond,
Esq., A.R.S.A., for drawings from his faithful pencil of several of
the examples of ancient Scottish arms, as well as of other relics
figured in the work. The many obligations I owe to the freedom with
which Charles Kirkpatrick Sharpe, Esq., has long permitted me to avail
myself of the treasures of his extensive collection, will appear in
some degree from the use made of them in the following pages; while
John Bell, Esq. of Dungannon, has obviated the difficulties which would
have prevented my turning his no less valuable archæological treasures
to account, by forwarding to me drawings and descriptions, from which
some portions of this work derive their chief interest. Others of the
objects selected for illustration are from the collection of W. B.
Johnstone, Esq., R.S.A., the whole rare and costly contents of which
have been placed completely at my disposal.

Nor must I omit to acknowledge the kind assistance I have received in
various ways from David Laing, Esq., William B. D. D. Turnbull, Esq.,
W. H. Fotheringham, Esq., the Rev., James Mather, J. M. Mitchell, Esq.,
William Marshall, Esq., as well as from other Fellows of the Society of
Antiquaries of Scotland.

The Council of the Archæological Institute, with a liberality
altogether spontaneous, offered, in the most gratifying and flattering
terms of cordial sympathy with the object of my work, the beautiful
series of engravings of the Norrie's Law silver relics, which
illustrate the account of that remarkable discovery.

The Council of the British Archæological Association have placed me
under similar obligations in regard to the woodcuts which illustrate
the sepulchral discoveries at Pier-o-waal in Orkney.

To Sir George Clerk, Bart., I owe the privilege of access to the
valuable and highly interesting collection of British and Roman
antiquities at Penicuick House, formed by the eminent Scottish
antiquary Sir John Clerk.

The very great obligations I am under to Lieutenant F. W. L. Thomas,
R.N., are repeatedly noticed in the following pages, though in no
degree adequately to the generosity with which the knowledge acquired
by him during his professional exploration of the Orkney Islands, while
engaged in the Admiralty Survey, has been placed at my disposal.

I have also to acknowledge the contribution of valuable information
from my friend Professor Munch of Christiania, and from George Petrie,
Esq. of Kirkwall; as well as kind services rendered me in various ways
by Charles Roach Smith, Esq., J. C. Brown, Esq., William Nelson, Esq.,
by my indefatigable friend and correspondent, John Buchanan, Esq. of
Glasgow, and others referred to in the course of the work.

My special thanks are due to Robert Hunter, of Hunterston, Esq., for
his courteous liberality in forwarding to me the valuable Scottish
relic found on his estate--engraved as the frontispiece to this
volume--after I had despaired of making anything of its remarkable
Runic inscription from various copies obligingly furnished. Whatever
opinion may be formed as to the value of the interpretation of its
inscription offered here, the archæologist and philologist may both
place the utmost reliance on the fidelity of the engraved fac-simile
of this interesting monument of the palæography, and, as I believe
also, of the language of our ancestors. Besides putting into the
engraver's hands a carefully executed drawing, he had the advantage
of having the brooch itself before him while engraving it; after
which I went over the copy in his presence, comparing it letter by
letter, and checking the minutest deviations from the original. It
is justly remarked in the "Guide to Northern Archæology," that "in
copying Runic inscriptions great accuracy is required; for a point,
a small, scarcely perceptible line, changes the value of the letter,
or occasionally adds a letter, which may easily escape notice." When,
however, it is added that "one of the best helps in copying Runic,
and indeed all other inscriptions, is a knowledge of the language in
which they are written," I am inclined to question its strict justice.
Most authors, I believe, who have had any experience of the matter,
would much prefer a compositor entirely ignorant of the language for
setting up Latin, or any foreign tongue, at least to one short of being
a perfect master of it. Where there is the total absence of knowledge
of it, the imagination is entirely at rest; and the patient copying
of letter after letter ensures the accuracy which often surprises the
young author when revising his first proofs. Even so I would, in most
cases, place more faith in the version of an inscription by an engraver
accustomed to accurate copying, though entirely ignorant of the
language, than in that of the ablest philologist, with his head full
of speculations as to its meaning. A direct example in point is found
in the Cardonell or "Thorkelin" print of the Ruthwell inscriptions,
where the Scottish antiquary has given a more faithful version of
the Runic than of the Latin legends. Notwithstanding the extravagant
flights which Professor Finn Magnusen permitted his imagination to take
relative to the supposed personages named on the Hunterston brooch,
little blame can attach to him for having missed its true meaning
with nothing but imperfect copies to guide him; but the fact that
this inscription should have been copied from the original brooch by
two Scandinavian scholars familiar with the Runic alphabet, without
either of them detecting the name _Maolfridi_, so palpably engraved on
it, proves how completely, though unconsciously, they were blinded
by their knowledge of the old Norse language, and their belief that
it must contain the word _Dalkr_, a brooch. The recognition, indeed,
of this proper name proved to me the key to the whole inscription,
as it immediately suggested the probability of the ᛚᚴ of former
translators in the first line being also an ᛉ, and so led to a new
and intelligible reading of the remainder. The word _dìol_, which I
have rendered according to its significance as a substantive, is also
employed as the verb _to avenge_. One Gaelic scholar to whom I shewed
the inscription, accordingly suggested as a more characteristic old
Celtic interpretation of the Runes: _O Malbritha, thou friend, avenge
Malfridi!_ "The difference," he adds, "between the ancient and modern
orthography is not greater than frequently exists between the present
spelling of familiar terms, as written or pronounced in two contiguous
Highland districts."

It is a customary conclusion to a preface to crave the forbearance of
the reader for all faults and shortcomings: the which, as readers and
critics make an equally general custom of paying no attention to it,
may as well be omitted. I can only say, that while writing this work
with an honest and earnest desire for the discovery of truth, I have
done it no less under the conviction that anything I could now set
forth on the subject must be modified by more extended observations,
and superseded, ere long, by works of a more complete character.

  EDINBURGH, _January 1851_.




    Lightward aspire: nor think the utmost height
    Of an attainable success is won;
    Nor even that the mighty spirits, gone
    With the bright past, in their enduring flight
    So won their passage toward the infinite,
    That they may stand on their far heights alone,
    A distant glory, dazzling to the sight,
    In which all hope of mastery is o'erthrown.
    No height of daring is so high, but higher
    The earnest soul may yet find grace to climb;
    Truth springeth out of truth; the loftiest flyer,
    That soareth on the sweep of thought sublime,
    Resteth at length; and still beyond doth guess
    Truth infinite as God toward which to press.




SCOTTISH ARCHÆOLOGY.




INTRODUCTION.

    "Large are the treasures of oblivion. Much more is buried in
    silence than recorded; and the largest volumes are but epitomes
    of what hath been. The account of Time began with night, and
    darkness still attendeth it."--SIR THOMAS BROWNE.


History which is derived from written materials must necessarily
begin only where civilisation has advanced to so ripe a state, that
the songs of the bard, and the traditions of the priest, have ceased
to satisfy the cravings of the human mind for mastery over the past
and the future. It has been too generally assumed that history is an
inconceivable thing independent of written materials. Historians have
accordingly, with a transient and incredulous glance at the fabulous
infancy of nations, been too frequently content to leave their annals
imperfect and maimed of those chapters that should record the deeply
interesting story of their origin and rise. This mode of dealing with
history is happily no longer sanctioned by the example of the ablest of
its modern investigators. They are at length learning to analyze the
myths which their predecessors rejected; and the results have already
rewarded their toil, though much still remains obscure, or utterly
unknown.

Gifted with an inspired pen, Moses has recorded in briefest words the
story of the world's infancy: that, therefore, is rendered independent
of myth or fable. But quitting that single illuminated spot, how shall
the investigator recover the annals of our race during the dubious
interval between the era of the dispersion of the human family and
the earliest contribution of written materials? Job, we know, was no
Hebrew, but a man of Uz, in the land to which Edom succeeded. Could we
fix his era, it would be of interest; for we know that he lived in a
literate age; and his desire against his adversary was, _that he had
written a Book_! But Biblical students are disagreed as to this epoch.
A recent German critic brings it down to the period of the Exodus,
while the great majority of commentators have heretofore placed it some
700 years nearer Creation. We must, meanwhile, be content to receive
this as one pregnant scene of primitive social life incorporated into
the Book of Books, while all the rest are swallowed up with the old
centuries to which they belonged. It has to be intercalated as best may
be, into its place in the first chapters of human history, ere we grope
our way onward or backward, seeking amid the darkness for that historic
oasis--the first establishment of the human race on the banks of the
Nile.

Wilkinson places the era of Menes, the founder of Egyptian monarchy,
and probably one of the earliest wanderers from the eastern cradle of
our race, some 2200 years B.C. Bunsen, aiming, in his "Ægyptens Stelle
in der Weltgeschichte," at fixing the exact year, assigns that of 3643
B.C., or, in other words, 1295 years before the commonly accepted era
of the Deluge. Yet even this has not satisfied all the requisites of
newly discovered data. Fleury, in his "L'Egypte Pharaonique," carries
back the Menean age some 1600 years farther into the past; and Böckh,
following out an independent series of investigations, fixes the same
era, in his "Manetho und die Hundssternperiode," for the year B.C.
5702. The world's early historic chronology, it is now universally
admitted, has been misinterpreted. The last date is just 1698 years
before the creation of the world, if we are still implicitly to accept
Archbishop Usher for our guide. But even this it is possible may yet be
revised, as too scanty for the events which it must comprehend; unless,
following the example of one distinguished archæologist, Mr. S. Sharpe,
we consign all Egyptian history prior to the era of Osirtesen I. to the
same order of fabulous or mythic inventions as the crude traditions
of our own chroniclers, and esteem Menes as no more than the classic
Saturnus, or the Scandinavian Odin. It is not our province here to do
more than indicate the fact, that all early chronology is liable to
correction by the contributions of new truths, its most accredited data
being at best only approximations to the desired end. "Oblivion is not
to be hired. The greater part must be content to be as though they
had not been: to be found in the register of God, not in the records
of men. Twenty-seven names make up the first story before the Flood,
and the recorded names ever since contain not one living century. The
number of the dead long exceedeth all that shall live. The night of
time far surpasseth the day; and who knows when was the Equinox?"[9]

Similar necessities and difficulties meet us when we would investigate
the beginnings of younger nations. The oldest intelligible inscription
known in Scotland is that graven in Anglo-Saxon Runes on the Ruthwell
Cross, Dumfriesshire, and dating not earlier than the ninth century.
The oldest written historic documents are probably the charters of
Duncan, engrossed about the year 1035, and still preserved among the
muniments of Durham Cathedral. Prior to these the Romans furnish some
few scanty notes concerning the barbarian Picti. The Irish annalists
contribute brief but valuable additions. The northern sagas, it is
now certain, contain a still richer store of early historic notes,
which the antiquaries of Copenhagen are busily digesting for us into
available materials. Yet, after all these are ransacked, what shall
we make of the long era which intervenes between the dispersion of
the human family and the peopling of the British Isles? When did the
first rude prow touch our shores?--who were its daring crew? Whence did
language, manners, nationality, civilisation, and letters spring? All
these are questions of the deepest interest; but on nearly all of them
history is as silent as on the annals of Chaos. With reverential piety,
or with restless inquisitiveness, we seek to know somewhat of the
rude forefathers of our island race. Nor need we despair of unveiling
somewhat of the mystery of their remote era, though no undeciphered
hieroglyphics, nor written materials, preserve one solitary record of
the MENES of the British Isles.

Human intelligence and research have already accomplished so much, that
ignorance alone can presume to resign any past event to utter oblivion.
Between "_the Beginning_," spoken of in the first verse of the Book
called Genesis, and the creation of man, the most humble and devout of
Biblical students now acknowledge the intervention of ages, compared to
which the whole era of our race is but as the progression of the shadow
one degree on the dial of time. Our whole written materials concerning
all these ages are comprehended in the few introductory words of the
Mosaic narrative, and for well-nigh 6000 years no more was known. But
all the while their history lay in legible characters around these
generations who heeded them not, or read them wrong. At length this
history is being deciphered. The geologist has mastered the characters,
and page after page of the old interleaved annals of preadamite
existence are being reduced to our _enchorial text_--to the writing
of the people. The dislocated strata are being paged, as it were, and
re-arranged in their primary order. The palimpsests are being noted,
and their double readings transferred to their correct places in the
revised history. The whole accumulations of these ages between Chaos
and man are, in fact, being dealt with by modern science much in the
same way as the bibliographer treats some monkish or collegiate library
suddenly rescued from the dust and confusion of centuries.

Returning to the same book of Moses, called Genesis, we find in it
another record of things since the Beginning, thus noted in a passing
parenthesis of the sacred narrative: "And God made the stars also."
Very brief words; yet these are all our written materials about worlds
and suns so filling the azure vault, that the astronomer, scarcely
conscious of using figurative language, speaks of nebulous spaces as
_powdered with stars_. Science has added somewhat to our knowledge of
these also, without written annals. The Chaldean shepherds, who had
never travelled beyond the central plain of Asia, where we recognise
the cradle-land of the human race, began the work of unriddling these
mysterious records. Copernicus, Tycho Brahe, and Kepler, added largely,
with unassisted vision, to the accumulated observations of astronomy.
Galileo supplied a new key that unlocked many secret stores. Huygens,
Newton, Herschel, Dollond, Lord Rosse, have each given us others
wherewith many more are being opened. Astronomy and geology have both
accomplished much, and have yet to accomplish far more ere their
scattered leaves can be bound up, or their thousand lacunæ filled in.
Nevertheless, histories, it seems, may be based on other than written
materials--may, indeed, be all the more sure and incontrovertible
because their evidence is traceable to no such doubtful records.

It is in curious consistency with human nature that we find the order
of its investigations in the inverse ratio of their relation to itself.
In the infancy of our race men studied the stars, bringing to the aid
of their human sympathies the fancies of the astrologer to fill the
void which Astronomy could not satisfy. The earth had grown older, and
its patriarchal age was long past, when Cosmogony and Geology had their
rise. Now at length when the studies of many generations have furnished
materials for Astronomy, and the history of the earth's crust is being
patiently unravelled by numerous independent labourers, some students
of the past have inquired if the annals of our own race may not also be
recoverable. Men with zeal no less earnest than that which has done so
much for Astronomy and Geology, have found that this also lay around
the older generations, recorded in characters no less intelligible, and
containing the history of beings no less interesting to us than the
Saurians or Mammoths, to whose inheritance we have succeeded. Bacon has
remarked, in treating of the vicissitudes of things,[10] "The great
winding-sheets that bury all things in oblivion, are two--deluges
and earthquakes." But the weft of our historic winding-sheet is of a
feebler texture, and its unnoted folds envelop an ampler oblivion,
which also will yield secrets worth the knowing. Not a day passes
that some fact is not stored in that strange treasury, some of them
wittingly, but far more unwittingly, as the chronicles of man. To
decipher these and to apply them as the elements of a new historic
chronometry, are the legitimate ends of Archæology.

Slowly and grudgingly is its true position conceded to the study of the
archæologist. The world has had its laugh at him, not always without
reason. The antiquary, indeed, in our own day, has taken the first of
the laugh himself, feeling that it was not unmerited, so long as he
was the mere gatherer of shreds from the tattered and waste leaves
of the past. Now, however, when these same shreds are being pieced
together and read anew, it is found that they well repay the labours
both of collector and decipherer. But Archæology is yet in its infancy.
Little more has been done for it than to accumulate and classify a few
isolated facts. We are indeed only learning the meaning of the several
characters in which its records are engrossed.

The history of one of the oldest and most faithfully studied branches
of the science, may afford an example, as well as encouraging
assurance, for the whole. In 1636 the learned Jesuit, Father Kirchner,
published his "Œdipus Ægyptiacus," a ponderous treatise on Egyptian
hieroglyphics, completed in six folios, containing abundance of
learning, and no lack of confident assurance, but never a word of truth
in the whole. It is a fair specimen of the labours of hieroglyphic
students down to the year 1799, when M. Bouchard, a French officer of
Engineers, in digging the foundation of Fort St. Julien, on the western
bank of the Nile, between Rosetta and the sea, discovered a mutilated
block of black basalt, containing three versions of one inscription
graven in the year B.C. 196, or 1995 years prior to its discovery.
Inscribed in this late era of hieroglyphic literature, Epiphanes, whose
accession it records, had decreed it to be graven not only in the
hieroglyphic or sacred characters, but also in the enchorial or popular
Egyptian writing, and in the Greek character and language. Here then
seemed to be the long-coveted key to the mysterious records of Egypt.
Casts of it were taken, fac-similes engraved and distributed throughout
Europe; and expectation, roused to the utmost pitch of excitement,
paused for a reply. But eighteen years elapsed before Dr. Thomas Young,
one of the greatest scholars of his age, mastered the riddle of the
key, established beyond doubt the alphabetic use of hieroglyphics, and
demonstrated the phonetic value of five of its characters. It seems,
perhaps, a small result for so long a period of study, during which the
attention of many of the first scholars of Europe had been directed to
the critical investigation of the inscriptions of the Rosetta stone,
and the comparison of their diverse characters. Nevertheless it was
the insertion of the point of the wedge. All that followed was easy in
comparison with it. What has since been accomplished by the scholars
of Europe in this old field of archæological investigation, where they
dealt with written though unread materials, is now being attempted for
the whole compass of its legitimate operations by a similar union of
learning and zeal, and Archæology at length claims its just rank among
the inductive sciences.

The visitor to the British Museum passes through galleries containing
fossil relics of the secondary and tertiary geological periods--the
gigantic evidences of former life, the tropical fauna of the
carboniferous system, and all the organic and inorganic proofs by which
we are guided in investigating the physical changes, and classifying
the extinct beings, that pertained to the older world of which they
speak. Thence he proceeds to galleries filled with the inscribed
sarcophagi and obelisks, the votive tablets, the sculptured altars,
deities, or historic decorations of Assyria, Egypt, India, Greece, and
Rome, relics which belong no less to extinct, though newer systems and
orders of being. "The antiquities," says an eminent geologist, when
instituting a nearly similar comparison, "piece on in natural sequence
to the geology; and it seems but rational to indulge in the same sort
of reasonings regarding them. They are the fossils of an extinct order
of things newer than the tertiary; of an extinct race, of an extinct
religion, of a state of society and a class of enterprises which the
world saw once, but which it will never see again; and with but little
assistance from the direct testimony of history, one has to grope one's
way along this comparatively modern formation, guided chiefly, as in
the more ancient deposits, by the clue of circumstantial evidence."[11]
Such are the reflections of an intelligent geologist, suggested by a
similar combination of geological and historic relics to that which
offers itself to the visitor of our great National Museum. But it is
even in a more absolute sense than the geologist dreams of that the
antiquities piece on to the geology, and show the researches of the
archæologist to follow up the closing data of the older systems without
a pause. He labours to build up that most important of all the branches
of palæontology which pertains to ethnological investigations, and
which when brought to maturity will be found not less valuable as an
element in the elucidation of the history of nations and of mankind,
than the grammatical construction and the affiliations of languages,
which the ethnologist now chiefly favours. The archæologist applies to
the accumulated facts of his own science the same process of inductive
reasoning which the geologist has already employed with such success in
investigating still earlier states of being. Both deal with unwritten
history, and aim at the recovery of annals long deemed irretrievably
erased. Nor is it merely in a parallelism of process, or a continuity
of subject, that the affinity is traceable between them. It will be
found that they meet on common ground, and dispute the heirship of some
of old Time's bequests. The detritus records archæological as well as
geological facts. The more recent alluvial strata are the legitimate
property of both; while above these lie the evidences of still later
changes on the earth's surface--the debris of successive ages, the
buried ruins, the entombed works of art, and "the heaps of reedy
clay, into which chambered cities melt in their mortality"[12]--the
undisputed heirlooms of the archæologist. The younger science treats,
it is true, of recent periods, when compared with the eras of
geological computation, and of a race newer than any of those whose
organic remains are classified in the systems into which the strata of
the earth's crust have been grouped. But this race which last of all
has peopled the globe, once teeming with living beings so strangely
diverse from all that now inhabit it, is the race of man, whose history
embraces nobler records, and has claims to a deeper interest for us
than the most wonderful of all the extinct monsters that once

    "Prone on the flood, extended long and large,
    Lay floating many a rood."

Among the recent contributors to archæological science, the Danish
antiquaries have surpassed all others in the value and extent of their
researches. Occupying as they do a comparatively isolated seat of early
northern civilisation, where the relics of the primeval and secondary
archæological periods escaped to a great extent the disturbing
influences of Roman invasion, they possess many facilities for its
study. Notwithstanding this, however, the mute but eloquent relics of
antiquity which abound there, excited, until a very recent period, even
less notice than they have done among the archæologists of Ireland and
Scotland, where also aboriginal traces have been little modified by the
invading legions, whose memorials nearly superseded all others in the
southern part of the British Isle. The Scandinavian countries, Denmark,
Sweden, and Norway, held the chief power among the races of the remote
north in early times. Rome scarcely interfered with their growing
strength, and left their wild mythology and poetic traditions and myths
untinctured by the artificial creed which grew up amid the luxurious
scepticism of the conquerors of the world. When the flood-tide of
the legionary invaders had given back, and left the scenes of their
brief occupation like the waste lands of a forsaken shore, the
Scandinavians were the first to step into their deserted conquests.
Fearlessly navigating seas where no Roman galley dared to have sailed,
the Scandinavian warriors conquered the coasts of the Baltic and the
German Ocean, occupied many parts of the British Isles, and especially
established permanent settlements in the north of Scotland, and the
isles on its northern and western coasts. Their power was felt on
the shores of France and Spain, and they retaliated even on Italy
the unavenged wrongs of the north. America was visited and partially
occupied by them fully three centuries before Columbus steered his
venturous course across the Atlantic. Greenland was colonized by them,
and Iceland became the central point in their system of maritime
operations. In that remote island the old northern language still
lives, dialects of which were anciently spoken among the Scandinavian
races, including the Anglo-Saxons of the south, and the Norsemen of the
Scottish mainland and the Northern Isles.

Enduring traces of these hardy colonists still remain to furnish
evidence of the source of much of our national character and hereditary
customs. The religion of the Angles, the Saxons, the Scottish Norsemen,
the Danish, Norwegian, and Swedish Scandinavians, was similar.
Christianity, which supplanted so much else, could not root out the
memorials of their wild creed, which preserve in the names of the days
of the week those of Tyr, Woden, Thur, and Frea, favourite deities
of the Scandinavian mythology. In Iceland a large portion of the
literature of this northern race still survives, in the form of mythic
songs, sagas, laws, and other historic treasures. To this the attention
of Danish and Norwegian antiquaries is now devoted with untiring
enthusiasm, and already we are possessed of some of its fruits. These
are of immense value to all the nations allied to the common stock,
and among them Scotland ranks more directly than any other portion of
the British Isles. The promised contribution by the antiquaries of
Copenhagen to the written materials of history, of the "Antiquitates
Britannicæ et Hibernicæ," cannot fail to add a historic era to early
Scottish annals, richer in suggestive interest even than the romantic
chronicles of the long lost "Vinland," by which, in their "Antiquitates
Americanæ," they have added three centuries to the history of the new
world.

A mingled race now occupies Britain, diverse in name, and still
distinct in blood. The names of England and Scotland, however,
contradict the character of the races. While the natives of the South
retain the name of Angul, the father of the Scandinavian colonists,
long since nearly superseded by Germano-Teutonic races, the Celtic
Highlanders, and the Lowlanders of the North, alike take that of
the Irish Scoti, the conquerors of the older Celtæ; though there is
not wanting evidence to show, that the peculiar characteristics of
the hardy Lowland race, including those of the whole north-eastern
mainland, and the Northern Isles, are chiefly derived from the mingled
Norse and Saxon blood of a Teutonic ancestry. But older races than the
Scandinavian Vikings were colonists of the British Isles. Christianity
has failed to obliterate the traces of the creed of Woden. Still less
influential have been the modifications of Teutonic and Scandinavian
dialects in supplanting the older Celtic names which cling to every
hill, valley, and stream, though the Celtic race has, for nearly eight
centuries, ceased to occupy aught but the north-western Highlands of
Wales and Scotland. The ethnologist has yet to solve the problem as
to whether there exist not among these traces of still older tongues,
pertaining to races who have left other but no less certain memorials
of their former presence. From the remotest era to which historical
tradition points, the Celtæ are found in possession of the north-west
of Europe, whither they appear to have been gradually driven, by
successive migrations of younger races from the same eastern centre,
to which we refer the origin of the whole human family. We can trace,
by unmistakable indications, the gradual western migration of this
people, until we find them hemmed in between the younger races and the
sea, on the north-west coasts of France, and along the mountainous
regions of the west in the British Isles, where the invaders of the
more fertile regions of the low countries have not cared to follow
them. Modern philologists discover a clear affinity between the Celtic
dialects and the languages known by the general title of Indo-European,
affording confirmation of that eastern origin assigned to them, both
by tradition and history, but which is no less true of the newer races
which supplanted them. The essential differences between these remain
markedly distinguishable after centuries of peaceful intercourse, and a
common interchange of rights and privileges. The Scottish Gael, though
by no means to be now regarded as sprung from a pure Celtic stock,
scarcely differs more widely in language than in moral and intellectual
characteristics from the race that peoples the fertile Lowlands.
Yet the names of the most remarkable Lowland localities prove their
possession by a Celtic race, whom therefore we cannot doubt to have
been the prior, if not the aboriginal, occupants of the soil.

Of late years the direct evidence of the character of the primitive
races of Europe, furnished by their sepulchral remains, has been made
the subject of careful investigation by distinguished ethnologists,
both of Denmark and Sweden. Eschricht, Nillson, and Retzius, have all
aimed by this means to recover the traces of the colonists of the north
of Europe, and have discovered different physical types, apparently
corresponding to the successive stages of advancement in civilisation,
which the more direct archæological evidence establishes. Arguing
from these results, Professor Nillson arrives at the conclusion that
the northern relics of the Stone Period are not the memorials of the
Celtæ, but of a much older and unknown race, which in the course of
time has disappeared before the immigration of more powerful nations.
Similar ideas are now generally gaining ground among ethnologists.
"Within their own pale," Dr. Latham remarks, "the Celts were the
encroaching family of the oldest, the Romans of the next oldest, and
the Anglo-Saxons and Slavonians of the recent periods of history."[13]
On like grounds to those by which Professor Nillson arrives at the
conclusion that the Celtæ were preceded in the north by other races,
Danish and Swedish ethnologists concur in rejecting the idea of the
Fins having been the aboriginal race of Scandinavia. The earliest
people, whose remains are found accompanied with the primitive class
of implements, prior to the introduction of metals, appear to have
belonged to a family of different physical character from those of
any of the Arian races, and have been supposed to present features of
greater affinity to the nations of Northern Asia. Professor Nillson,
who has carefully examined the skeletons of the aboriginal Swedish
colonists, and especially noted the conformation of their crania,
states that they are readily distinguished from all the subsequent
inhabitants of Scandinavia. They present the same peculiar form of
cranium which has been recognised as existing among several ancient
peoples, such as the Iberians or Basques of the Pyrenees, the Lapps
and Samoyedes, and the Pelasgi, some traces of whom are still found in
Greece.[14] The last noted coincidence is of considerable interest,
both from the ancient prevalence there of cyclopean architecture, and
other traces of primitive arts of unknown antiquity, and also from its
vicinity to the Asiatic centre of aboriginal emigration. Dr. Latham
remarks, in reply to the question, "Is there reason to believe that
any definite stock or division of our species has become either wholly
extinct, or so incorporated as to be virtually beyond the recognition
and analysis of the investigator? With the vast majority of the
_so-called extinct_ stocks, this is not the case; _e.g._, it is not
the case with the old Gauls of Gallia, who, though no longer extant,
have extant congeners--the Welsh and Gaels. To an extinction of this
kind among the better known historic nations of Europe and Asia, the
nearest approach is to be found in the history of the Pelasgi."[15] It
will be of no slight interest if we can trace the congeners of this
ancient people among the extinct aborigines of the north of Europe.

Two later races are supposed to have succeeded each other in
Scandinavia prior to its colonization by the true Swea race, the first
settlement of which in Scandinavia Professor Nillson assigns to a much
more recent date than has been commonly supposed--probably some time
in the sixth century. Mr. Worsaae justly remarks, in his "Primeval
Antiquities of Denmark,"--"It is a vain error to assume that certain
races must incontestably be the most ancient, because they are the
first which are mentioned in the few and uncertain written records
which we possess."[16] Unfortunately extremely little attention
has been hitherto paid to the size and form of the crania found in
British tumuli. Some few examples, however, have been preserved, and
will furnish the elements of a brief inquiry into this interesting
department of Physical Archæology, in a subsequent chapter. To this
branch of evidence it is probable that much greater importance will
be attached when it has been thoroughly investigated, since to it we
may look, with considerable confidence, for a distinct reply to the
inquiry, which other departments of archæological evidence suggest as
to the existence of primitive races in Britain prior to the Celtæ. So
far as our present limited data admit of general conclusions being
drawn, we find traces of more than one race, differing greatly in
physical characteristics from any of the successive colonists of
Britain within the era of authentic history. Professor Nillson is of
opinion that the type of the old Celtic cranium is intermediate to
the true dolicho-kephalic and brachy-kephalic forms, a conclusion in
which Dr. Thurnam and others concur. Such is not the form of cranium of
either of the races of the Scottish tumuli, and in so far, therefore,
as such forms may be assumed to be permanent, we are necessarily led
to the conclusion, that in these we recover traces of the Allophylian
pioneers of the human family in Britain.

The infancy of all written history is necessarily involved in fable.
Long ere the scattered families have conjoined their patriarchal unions
into tribes and clans, acknowledging some common chief, and submitting
their differences to the rude legislation of the arch-priest or civil
head of the commonwealth, treacherous tradition has converted the
story of their birth into the wildest admixture of myth and legendary
fable. To unravel the complicated skein, and recover the pure thread
divested of all its extraneous acquisitions, is the impossible task
of the historian. This period past--so momentous in the influence it
exercises on all the years that follow--the historian finds himself
among materials more manageable in some respects, though not always
more trustworthy. He reaches the era of chronicles, records, and, still
better, of diplomas, charters, deeds of gift, and the like honest
documents, which being written with no thought of posterity by their
compilers, are the only really trustworthy chronicles that posterity
has inherited. This historic epoch of Scotland is involved in even
more obscurity than that which clouds the dim and fabulous morning of
most nations. We have indeed the few but invaluable allusions of Roman
authors supplying important and generally trustworthy data. But it is
only a momentary glimpse of sunshine. For the era succeeding we have
little better than the perplexing admixture of traditions, facts, and
pious legends of monkish chroniclers, furnished with a copiousness
sufficiently characteristic of the contrast between the literary
legionary of imperial Rome, and the cloistered soldier of her papal
successor. Amid these dusty acres of parchment must we glean for older
dynasties and monarchical pedigrees--not seldom tempted to abandon the
weedy furrows in disgust or despair. It is with no lack of zeal or
courage, however, that these soldiers of the Church have encountered
the oblivious past into which we still peer with no less resolute
inquisitiveness. Bede, Fordun, Wyntoun, Boece, and the other penmen of
the cloisters who, more or less accurately, chronicled contemporary
history, all contributed their quota to the thick mists of fable
which obscure the earlier annals of the country. Wyntoun, the best
of our Scottish chroniclers, following the example of other monkish
historians, begins his work as near _the beginning_ as may be, with a
treatise on angels, before proceeding to "manny's fyrst creatoune!" In
the sixth chapter he gets the length of "Ye Arke of Noe, and of the
Spate," and after treating of _Ynde_, _Egype_, _Afryk_, and many other
lands with an enviable and leisurely composure, he at length reaches
the threshold of his legitimate subject, and glances, in the thirteenth
chapter of his Scottish Chronicles, at "how Bretanne and Irlande lyis."
This, however, is a mere passing notice; nor is it till after the
dedication of many more successive chapters of his first five books to
the general history of the world, that the author of the "Orygynale
Cronykil of Scotland" quits his ample theme, and devotes himself
exclusively to the professed object of his investigation, with only
such occasional deviations as might be expected from an ecclesiastical
historian.

With such laborious chroniclers peering into the past, which lay fully
five centuries nearer them than it does to us, there might seem little
left for the men of this older generation to do. But unhappily the very
best of monkish chroniclers must be consulted with caution even as
contemporary historians, and scarcely at all as the recorders of what
passed any length of time prior to their own day; their information
being nearly as trustworthy in regard to Noah and his _spate_, as
to the traditions of generations immediately preceding their own.
Lord Hailes begins his annals with the accession of Malcolm Canmore,
"because the history of Scotland previous to that period is involved in
obscurity and fable." Tytler, with even less courage than Lord Hailes,
commences only at the accession of Alexander the Third, "because it is
at this period that our national annals become particularly interesting
to the general reader."

Till recently, the never-failing apology for all obscurities and
deficiencies in Scottish history, has been the rape of our muniments by
Edward and Cromwell. The former spoliation supplied for some centuries
an excuse for all degrees of ignorance, inconsistencies, or palpable
blunders; and the latter came most conveniently to hand for more recent
dalliers in the same pleasant field of historic rambling. Edward and
Cromwell both contributed a helping hand to the obscurity of Scottish
history, in so far as they carried off and destroyed national records
which could ill be spared. The apology, however, has been worth far
more to maundering manufacturers of history than the lost muniments
were ever likely to have proved. Not a few of these irrecoverable
national records, so long deplored, it begins to be shrewdly suspected,
never had any existence. Many more of them, it is found, were not
sought for, or they might have been discovered to have never left
their old repositories. Diligent Scottish antiquaries, finding this
hereditary wail over lost muniments a very profitless task, have of
late years betaken themselves to the study of what remained, and
have been rewarded by the recovery of chest-loads of dusty charters
and deeds of all sorts, of the twelfth, thirteenth, and fourteenth
centuries, containing mines of historic information. The Scottish
chartularies, now printed by various Clubs of literary antiquaries,
disclose to us information scarcely open to a doubt, concerning old
laws, feudal customs, servitude, tenure of property, ecclesiastical
corporate rights, the collision of lay and clerical interests, and
the final transference of monastic lands to lay proprietors. The old
apology, therefore, of muniments lost or destroyed, will no longer
serve the Scottish historian. Imperfectly as these treasures have yet
been turned to account, medieval history is no longer obscure. Many
fallacies are already exploded, and many more must speedily follow. The
legends of the old chroniclers must be tried by the tests of documents
written sometimes by the same authors, but with no thought that history
would ever question them for the truth.

Yet ample as is the field thus open to the literary antiquary, these
will only partially satisfy earnest longings after a knowledge of the
past, and a clue to the old ancestral chain whereof they are but the
middle links. Ritson has already carried back the supposed limits
of authentic Caledonian history fully a thousand years before the
_obscurity_ that daunted Lord Hailes. Chalmers, Gregory, Skene, and
other zealous investigators, have followed or emulated him in the
same bold inquiry. But neither do they reach the BEGINNING which we
still desiderate. Much obscurity indeed vanishes. We begin to discover
that the Northern and Southern Picts, so long the subject of mystery
and fable, were no other than the aboriginal Celtæ; while the Scots
who founded the kingdom of Dalriada, in Argyleshire, and ultimately
conferred their name on the whole races occupying ancient Caledonia,
were probably, if not indeed certainly, only another branch of the same
Celtic race, who so readily amalgamated with the older occupants of
Caledonia, that the change which is known as the "Scottish Conquest"
long puzzled the historian, from the absence of any defined traces
of a progress at all commensurate with its results. This is somewhat
gained on the medieval _beginning_ which could alone be previously held
tenable. But this also begins in the wake of much progression, and
glances at a period which likewise had its old history full of no less
interest to us, could its annals be recovered.

In one of the few records of Sir Isaac Newton's reflections which
he has left for the help of others, the following comprehensive
thought occurs:--"It is clearly apparent that the inhabitants of this
world are of a short date, seeing that all arts, as letters, ships,
printing, needle, &c., were discovered within the memory of history."
The reflection is surely a very pregnant one. The data it suggests to
us as the landmarks of time are well worth extending and turning to
account, if so be that with their aid we can arrive at some trustworthy
system of chronology, whereby to travel back towards that date which we
reckon to be the beginning of things.

In this inquiry the labours of the literary antiquary, however
zealously pursued, will but little avail us in reaching the desired
point. The antiquary, nevertheless, has been long familiar with the
elements of this older history, though turning them to very much the
same profitable account as, till a very recent period, he did the
hieroglyphic records graven on the granite tablets along the Nile.
The first of arts mentioned by Newton is letters; justly first in
point of dignity and universal value. Far homelier arts, however,
sufficed the primitive races of mankind. Humble were their wants,
and limited their desires; and if we are justified by the records of
creation preserved to us in the Mosaic narrative, in assuming that man,
beginning with the woven garment of fig-leaves and the coat of skins,
has slowly progressed through successive stages to the knowledge of
nobler arts, and the higher wants of an intelligent being, then we
have only to establish evidence of the most primitive arts, pertaining
to the primeval race, in order to be assured that we have reached
the true beginning at which we aim. In the general investigation,
indeed, allowance must be made for the speedy loss of antediluvian
metallurgic arts which would follow almost of necessity on the exodus
of the primitive nomades from their Eastern birthland, though preserved
perhaps by the founders of the first Asiatic kingdoms, and probably
practised by the earliest colonists of the Nile valley. Such at least
we shall find to have been the case with the primeval colonists of
Britain.

This point it is at which the modern archæologist now directs his
inquiries, not altogether without the anticipation that these same
primitive arts, the product of the beginning of things, may also prove
to contain a decipherable alphabet, which may be resolved into definite
phonetics, and furnish the key to many inscriptions no less curious and
valuable than the parchments of medieval charter-chests, or even the
tablet of Abydos and the Rosetta Stone.

It is long since the evidences of a primitive state of society, still
abounding in the midst of modern civilisation, attracted the attention
of the antiquary. It was indeed almost a necessary consequence of the
accumulation of large collections of antiquities. The private hoards
of "nick nackets,"--including in general a miscellaneous assortment
of relics of all ages, only sufficient to produce a confused notion
of useless or obsolete arts, without creating a definite idea of any
single era of the past,--may be aptly compared to the _disjecta
membra_ of some beautifully-proportioned and decorated vase. Hoarded
apart, the pieces are nearly without value, and to new possessors
become even meaningless. But should the whole, by some fortunate
chance, be re-assembled in a single collection, it becomes possible for
a skilful manipulator to piece the fragments together, and replace them
with an elegant and valuable work of art. Thus it has proved with more
than one archæological museum. In 1780 the Society of Antiquaries of
Scotland was established, and its collection of national antiquities
begun. A brief but most suggestive paper, read at one of its meetings
in 1782, and published in the first volume of its Transactions, shews
the speedy results of such valuable reconstructions, by means of an
intelligent comparison of the primitive relics of Scotland.[17] But the
resources of private zeal proved inadequate to the effective pursuit of
these researches into Scottish Archæology, and the national funds found
other, though not always more valuable objects for their expenditure.
The hint was lost, but the accumulation of materials for future
students was happily not altogether abandoned.

"About forty years ago," says J. J. A. Worsaae, the eminent Danish
antiquary, writing in 1846, "the general character of scientific
pursuits was in our country (Denmark) much the same as in most other
parts of Europe. Great pains were spent in collecting all sorts of
objects illustrating the changes of the globe upon which we live,
and the distribution and habits of animals and plants--in short, all
the departments of Natural History; whilst, strange to say, people
for the most part neglected _traces of men_, the remains not only of
their own ancestors, but also of all the different races who have been
spread over the world. The antiquities, with the exception of those
of Roman and Greek origin, were regarded as mere curiosities, without
any scientific value."[18] Notwithstanding all the zeal of British
archæologists of late years, so much of this spirit still remains among
us, that it would be easier, perhaps, even now, to secure the purchase
by the Trustees of the British Museum, of a Roman statue or an Egyptian
tablet, than of valuable relics of British antiquity.

One man has within the last thirty years accomplished, not for
Denmark only, but for Europe, what the whole united labours of
earlier archæologists failed to do. About the year 1815, the present
Danish Councillor of State, C. J. Thomsen, the son of a merchant of
Copenhagen, was appointed Secretary of a Royal Commission for the
preservation and collection of national antiquities. It had then been
in existence some seven or eight years, and the whole result of its
labours was a few miscellaneous articles, unclassified and uncared for,
lying in a small room of the University Library. His enthusiasm in
the study of the antiquities of his country surmounted all obstacles.
He had to contend alike with the theories of the scholar and the
prejudices of the unlearned. But he had succeeded to a position of
the utmost value to a man of energy and enthusiasm. From the first
he had grants (though exceedingly small ones) of public money at
his disposal. He soon enlisted the more important element of public
sympathy, and nationality of feeling, in his pursuits. His little room
became too small for accumulating purchases and donations. A suite of
apartments was yielded, at his intercession, in the Royal Palace of
Christiansborg; and as the varied collection increased in his hands,
he found himself possessed at once of the space and the elements for
systematic classification.

The Royal Museum of Northern Antiquities of Copenhagen now numbers
between three and four thousand specimens of stone weapons and
implements, some hundreds of bronze swords, celts, spear-heads,
armillæ, torcs, &c., and a collection of native gold and silver relics
unequalled in all the museums of Europe. To it we owe the valuable
suggestion of the system of classification now universally adopted in
the nomenclature of archæological science--the _Stone_, _Bronze_, and
_Iron_ periods, which, simple as it may appear, was first suggested
by Mr. Thomsen, and is justly esteemed the foundation of Archæology
as a science. By means of it the whole materials of antiquarian study
at once arrange themselves according to an intelligible chronology of
universal acceptance, and adapted in an especial degree to Northern
antiquities. This, therefore, is the system on which the following data
are arranged, subject only to such modifications as seem naturally to
arise from national or local peculiarities.

It is not necessary here to enter on the question, of curious interest
and value, as to whether the primeval state of man was essentially
one of barbarism, from whence he progressed by slow degrees to social
union, arts, civilisation, and political organisation into communities
and nations. The investigations of chronologists the further they
are pursued, seem only the more certainly to confer on primitive
civilisation a more remote antiquity. At the same time, they confirm
the idea, that the long accepted chronology of Archbishop Usher,
still attached to our English Bibles, cheats the world, at the lowest
computation, of fully 1400 years of its existence--a trifle perhaps in
the age of worlds, but no unimportant element in the history of human
civilisation, when we remember that between the era of the Mosaic
deluge and the accession of the Egyptian Menes, we must account for
the peopling of Egypt, the establishment of its social and political
constitution, and the founding of a civilisation, the monuments of
which are still among the most wonderful that human intellect and
labour have produced. Not the least important branch of this inquiry
relates to the primeval inhabitants of our own quarter of the globe;
of whom as yet we know only with any degree of certainty of the Celtæ,
occupying a transitional place in the history of the human family--at
once the earliest known intruders and the latest nomades of Europe.
It seems probable, from all the traces we can recover of the original
condition of this race, that it was more their deficiency than their
excess in the energy which we expect to find in the colonists of new
regions, that drove them onward in their north-western pilgrimage,
until their course was arrested by the Atlantic barriers. They seem
to have fled ever forward, like night before the dawn, carrying with
them knowledge sufficient to cope with the savage occupants of the
wilds they invaded, yet bearing into these few arts but such as still
pertain to the primitive races of mankind. In older literary notices
of this people, whose language, manners, and arts are still traceable
in our own land, we have only a secondary interest, believing that
some records of them are recoverable, noted for us long before they
had excited foreign interest. But, still more, we doubt not that
similar records also preserve the history of older British tribes, in
comparison with which the ancient Celtæ must be regarded as of recent
origin. "The antiquities of the earlier periods," says a distinguished
English antiquary, "including all remains which bear no evident stamp
of Roman origin or influence, claim our most careful investigation.
Exceedingly limited in variety of types, these vestiges of the
ancient inhabitants of Great Britain are not more interesting to the
antiquarian collector on account of their rarity, than valuable to the
historian. They supply the only positive evidence in those obscure
ages, regarding customs, warfare, foreign invasions, or the influence
of commerce, and the advance of civilisation amongst the earliest
races by which these islands were peopled."[19] Perhaps when we have
bestowed on these primitive remains the degree of careful investigation
which they merit, we shall find the variety of types less limited than
is now conceived to be the case. The archæologists of Denmark justly
value the absence of all relics of Roman art and civilisation, from
the confidence it has given to their researches into the true eras
to which their own primeval antiquities belong. Such gratulations,
however, can only be of temporary avail. The influence of Roman arts
and arms furnishes an element in the civilisation of modern Europe
too important not to be worthy of the most careful study. When the
distinctive characteristics of Roman and primitive art have been so
satisfactorily established as to admit of their separate classification
without risk of error or confusion, the British collections, with
their ample store of Anglo-Roman relics, will furnish a far more
comprehensive demonstration of national history than those northern
galleries, which must remain destitute of any native examples of an
influence no less abundantly visible in their literature and arts, than
in that of nations which received it directly from the source. In this
respect the Scottish antiquary is peculiarly fortunate in the field of
observation he occupies. While he possesses the legionary inscriptions,
the sepulchral tablets, the sculptures, pottery, and other native
products of Roman colonists or invaders, he has also an extensive and
strictly defined field for the study of primitive antiquities, almost
as perfectly free from the disturbing elements of foreign art as the
most secluded regions of ancient Scandinavia.

FOOTNOTES:

[1] Carlyle's Miscellanies, second edition, vol. v. p. 301.

[2] Archæol. Scot., vol. ii. p. 506; vol. iv. p. 119.

[3] Trans. Camb. Camden Soc., vol. i. pp. 76, 91, 176.

[4] Archæol. Scot, vol. iii. p. 103.

[5] Report by the Royal Society of Northern Antiquaries, Copenhagen,
1836, p. 61.

[6] Expostulation.

[7] I should regret if I were thought, by the above remarks, to reflect
on the present official staff of the British Museum, including as
it does men no less distinguished for their learning than for their
intelligent zeal for archæological investigation. One evil attendant on
the present defective system of management of the Museum by a body of
Trustees, composed, for the most part, of irresponsible _ex officio_
members, is, that the Keepers are converted into mere custodiers,
responsible for the safety of the collection, but altogether destitute
of the powers of an efficient curatorship, such as in the hands of
Councillor C. J. Thomsen of Copenhagen led to the development of
the entire system which has given to Archæology the character of a
science. Wherever the fault lies, however, it is indisputable that the
departments of ethnography and antiquities, in the British Museum, are
arranged almost without an attempt at systematic classification: one
consequence of which is, that in nearly every town of any importance
throughout the kingdom we see local museums established, containing
a confused jumble of antiquities, natural history, and foreign
curiosities, but without any single characteristic of a scientific
collection. The present popular idea of a museum, in this country,
differs, indeed, in no degree, from the estimate of an exhibition of
giants and dwarfs, or any other vulgar show; nor is this grave error
likely to be discarded till the great model museum in London sets the
example of a systematic arrangement, devised on some other principle
than that of merely pleasing the eye.

[8] One instance, though by no means a solitary one in my own
experience, will suffice to shew the pernicious effects of this
antiquated relic of feudal claims, even in impeding research. Some
considerable space is devoted, in the last section of this volume,
to Runic relics; but one of considerable interest is omitted to be
noticed,--a bronze finger ring inscribed in Anglo-Saxon Runes with
the word _Æikhi_, probably the name of the original owner. It was
found in the Abbey Park, St. Andrews. But its possessor, a gentleman
of considerable antiquarian zeal, refused to permit of its being
engraved or more distinctly referred to here, on the sole ground of his
apprehension of exposing himself thereby to the claims of the Crown.

[9] Sir Thomas Browne. Hydriotaphia, or Urn Burial.

[10] Bacon's Essays, LVIII.

[11] Hugh Miller's First Impressions of England and its People.

[12] Ruskin's Seven Lamps of Architecture, p. 66.

[13] Natural History of the Varieties of Man, by Robert Gordon Latham,
M.D., p. 528.

[14] British Association for the Advancement of Science, Report for
1837, p. 31.

[15] Natural History of Varieties of Man, by R. G. Latham, M.D., p. 553.

[16] Primeval Antiquities of Denmark, by J. J. A. Worsaae, translated,
and applied to the illustration of similar remains in England, by W. J.
Thoms, F.S.A., &c., p. 133.

[17] "An Inquiry into the Expedients used by the Scots before the
Discovery of Metals," by W. C. Little, of Libberton, Esq. Archæologia
Scotica, vol i. p. 389.

[18] "The Antiquities of Ireland and Denmark; being the substance of
two communications made to the Royal Irish Academy at its Meetings,
Nov. 30, and Dec. 7, 1846."

[19] Albert Way, on "Ancient Armillæ of Gold."--Archæological Journal,
vol. vi. p. 55.




PART I.

THE PRIMEVAL OR STONE PERIOD.

    "Cum prorepserunt primis animalia terris,
    Mutum et turpe pecus, glandem atque cubilia propter,
    Unguibus et pugnis, dein fustibus, atque ita porro
    Pugnabant armis, quæ post fabricaverat usus;
    Donec verba, quibus voces sensusque notarent,
    Nominaque invenere."

                                      HORACE, _Sat._ I. 3.




CHAPTER I.--THE PRIMEVAL TRANSITION.


The closing epoch of geology, which embraces the diluvial formations,
is that in which archæology has its beginning. In a zoological point
of view, it includes man and the existing races of animals, as well
as the extinct races which appear to have been contemporaneous with
indigenous species. Archæology also lays claim to the still more
recent alluvium, with all its included relics pertaining to the
historic period. Within the legitimate scope of this department of
investigation are comprehended the entire evidence of changes on the
geographical features of the country, on its coasts and harbours, its
estuaries, rivers, and plains: all properly coming within the limits of
Archæology, though too extensive to be embraced in the present review
of its elements. This much, however, we learn from an examination of
the detritus and its included fossils, that at the period immediately
preceding the occupation of the British Islands by their first
colonists the country must have been almost entirely covered with
forests, and overrun by numerous races of animals long since extinct.
Much has been done in recent years to complete the history of British
fossil mammalia; and though less attention has been paid to the
question in which we are here most deeply interested, as to what
portion of them are to be considered as having been contemporaneous
with man, yet on this also some interesting light has been thrown.
The most extensive discoveries of mammalian remains and recent shells
generally occur along the valleys by which the present drainage of the
country takes place, and hence we infer that little change has taken
place in its physical conformation since their deposition. These,
however, include the mammoth, elephant, rhinoceros, cave tiger, with
other extinct species, and are referrible to the earlier portion of an
epoch, with the close of which we have alone to deal. They belong to
that period in which our planet was passing through its very latest
stage of preparation prior to its occupation by man; a period on which
the geologist, who deals with phenomena of the most gigantic character,
and with epochs of vast duration, is apt to dwell with diminished
interest, but which excites in the thoughtful mind a keener sympathy
than all that preceded it. The general geographical disposition of the
globe was then nearly as it still remains. Our own island was, during
a great portion of it, insulated, as it is now. Yet it is of this
familiar locality that the palæontologist remarks:--"In this island,
anterior to the deposition of the drift, there was associated with the
great extinct tiger, bear, and hyæna of the caves, in the destructive
task of controlling the numbers of the richly developed order of the
herbivorous mammalia, a feline animal, (the _Machairodus Latidens_,) as
large as the tiger, and, to judge by its instruments of destruction, of
greater ferocity."[20] It was within the epoch to which these strange
mammals belong, and while some of them, and many other contemporaneous
forms of being, still animated the scene, that man was introduced upon
this stage of existence, and received dominion over every living thing.

It has been supposed by more than one intelligent naturalist, that
the gigantic fossil elk (_Megaceros Hibernicus_) co-existed with the
human race. Dr. Hart has produced what he conceived to be conclusive
evidence on this subject, derived from the appearance of a rib, pierced
with an oval opening near its lower edge, "with the margin depressed
on the outer and raised on the inner surface, round which there is
an irregular effusion of callus; in fact, such an effect as would
be produced by the head of an arrow remaining in a wound after the
shaft was broken off." This conclusion Professor Owen has disputed,
apparently on satisfactory grounds.[21] By a similar line of argument,
however, to which he has yielded his assent,[22] it has been shewn
that the north of Europe was occupied by the human race at a time when
the _Bos primigenius_, the _Bison priscus_, and the _Ursus spelæus_,
existed.[23] Of the _Ursus spelæus_, or great cave bear, a skeleton is
preserved in the museum of Lund, found in a peat-bog in Scania, under
a gravel or stone deposit, and alongside of primitive implements of
the chase. Though no such direct evidence has yet been observed here,
similar conclusions have been arrived at. Mr. Owen, after referring
the period of existence of the great cave bear to earlier geological
epochs, adds, as the conclusion from present evidence, "that the genus
surviving, or under a new specific form reappearing, after the epoch
of the deposition and dispersion of those enormous, unstratified,
superficial accumulations of marine and fresh-water shingle and gravel,
called drift and diluvium, has been continued during the formation of
vast fens and turbaries upon the present surface of the island, and
until the multiplication and advancement of the human race introduced
a new cause of extermination, under the powerful influence of which
the Bear was finally swept away from the indigenous fauna of Great
Britain."[24] To these native mammals may be added the horse, the
roebuck, the red deer, the wild boar, the brown bear, the wolf, and the
beaver, all of which have undoubtedly existed as wild animals in this
country, and been gradually domesticated or extirpated by man.[25]

The most interesting of all the species for our present inquiry are
those adapted for domestication, among which the _Bovidæ_ occupy a
prominent place. Of these, the great fossil ox (_Bos primigenius_) is
very frequently found in Scotland. Dr. Fleming describes a skull of
one in his possession measuring 27½ inches in length,[26] and a
still larger one from Roxburghshire, now in the Scottish Antiquarian
Museum, measures 28 inches in length. No evidence leads us to conclude
that any attempt was made by the native Britons to domesticate either
of the two kinds of gigantic oxen, the bison or great urus, which
the Romans discovered on first penetrating into the north of Europe.
But besides these there was also a smaller primitive wild species,
the _Bos Longifrons_, of the domestication of which in Britain we
have abundant proof, at least at the period of the Roman invasion.
Soon after this it appears to have become extinct, so that we are
rather led to assume that it may have been the domesticated ox of the
native population prior to the intrusion of the Romans. Mr. Woods
refers to the discovery of the skull and horns of the great urus in a
tumulus on the Wiltshire Downs, along with bones of deer and boars,
and fragments of native pottery, in proof of the existence in this
country originally of a "very large race of _taurine_ oxen, although
most probably entirely destroyed by the aboriginal inhabitants before
the invasion of Britain by Cæsar." Professor Owen has discussed the
probable influence of Roman occupation on the wild herds and the breeds
of domesticated oxen, with much sagacity, though somewhat too much
influenced by the views so generally entertained of the barbarian state
of the native Britons prior to the intrusion of Roman colonists.[27]
Scarcely less interesting is the evidence which British fossil mammalia
furnish of the existence of the horse among the native wild animals
of the country, since we find proof, both in the early tumuli and the
subterranean dwellings, not only of its domestication, but also of its
being used for food.

This very slight glance at the most prominent indications of the
primeval state of the country, will suffice to convey some idea of
the circumstances under which the aboriginal colonists entered on the
possession of the British Isles. Other portions of the same line of
argument, derived from the fossil mammalia, and the circumstances under
which they are discovered, will come under review in the course of our
inquiries. The fossil Cetacea, especially, furnish most interesting and
conclusive evidence of the very remote period at which the presence
of a human population is discoverable in Scotland, while the beaver,
(_Castor Europæus_,) which is frequently found in a fossil state, is
also proved to have existed as a living species, both in Scotland
and Wales, down to the twelfth century, and is even referred to so
late as the fifteenth century. To the abundance of wild animals
which continued to occupy the moors and forests of Scotland, long
after the primitive states of society had entirely passed away, we
shall also have occasion hereafter to refer. The same causes which
exterminated the huge urus, the cave bear, and others of the largest
and most intractable of the wild denizens of the British forests,
ultimately led to the extinction of the greater number of those which
either supplied objects of the chase, or were inimical to the social
progress of man. Thus we observe, in the economy of nature, that one
species after another disappears, to make way for newer occupants,
until at length the last of those huge preadamite races of being give
place, before the gradual advancement of man to assume possession
of terrestrial dominion. Yet on this point also those questions in
historic chronology, which tend to determine more precisely the lapse
of centuries intervening between the Adamic creation and the earliest
era of authentic history, exercise an important influence. Geology
leaves no room for questioning the fact, that man did not enter upon
this earth after some tremendous cosmical revolution, which made way
for an entirely new race of beings, but that he was introduced as the
lord of an inheritance already in possession of many inferior orders
of creation. Contemporary with the most remarkable cave fossils are
found the remains of many historic, or still existing species, and the
precise line has yet to be drawn which shall determine how many of
these were extinct, at the period when the Creator, at length satisfied
with his inferior works, said, "Let us make man in our image, after
our likeness." The remains, both of the large cave hyæna, (_Hyæna
spelæa_,) and of the great cave tiger, (_Felis spelæa_,) occur not
only in ossiferous caverns, but have also been found in superficial
unstratified deposits. Considerable portions of the skeleton of the
latter were discovered in 1829, along with remains of the mammoth,
rhinoceros, ox, stag, and horse, in a marl-pit near North Cliff,
Yorkshire. Under precisely similar geological circumstances the _Bos
primigenius_ has very frequently been brought to light in Scotland.
It is of this animal that Sir R. I. Murchison remarks, in a letter to
Professor Owen, descriptive of an example already referred to, found in
a bog in Scania: "This urus is most remarkable in exhibiting a wound
of the apophysis of the second dorsal vertebra, apparently inflicted
by a javelin of one of the aborigines, the hole left by which was
exactly fitted by Nillson with one of the ancient stone javelins....
This instrument fractured the bone, and penetrated to the apophysis
of the third dorsal vertebra, which is also injured. The fractured
portions are so well cemented, that Nillson thinks the animal probably
lived two or three years after. The wound must have been inflicted
over the horns, and the javelin must have been hurled with prodigious
force." Of the existence, therefore, of the _Bos primigenius_ within
the historic epoch, we can entertain no doubt, and it is accordingly
requisite to give full weight to the influence which its presence must
have exercised on the general condition of our island. Professor Owen
remarks, after showing the erroneous nature of the usually received
opinion, that the lion, the tiger, and the jaguar, are peculiarly
adapted to a tropical climate:--"A more influential, and, indeed,
the chief cause or condition of the prevalence of the larger feline
animals, in any given locality, is the abundance of the vegetable
feeding animals in a state of nature, with the accompanying thickets
or deserts unfrequented by man. The Indian tiger follows the herds
of antelope and deer, in the lofty Himalayan chain, to the verge of
perpetual snow. The same species also passes that great mountain
barrier, and extends its ravages with the leopard, the panther, and
the cheetah, into Bocharia, to the Altaic chain, and into Siberia, as
far as the fiftieth degree of latitude; preying principally, according
to Pallas, on the wild horses and asses."[28] No change, therefore,
of climate, nor any remarkable geological revolution is needful to
account for the disappearance of the huge British carnivora, the
remains of which abound in the ossiferous caves. They pertain to the
closing transition-period of the preadamite earth, and, as in other
transition-periods which we shall have to consider, some traces of
them survived among the inheritors of the new era. It is therefore
a legitimate source of interest to the archæologist, to observe the
mingling of extinct and familiar species among the fossil mammals found
in the superficial deposits, wherein so much of the evidence of his own
science must be sought. It discovers to him the precise link by which
his pursuits take hold of the great chain of truth, and in a new sense
shews man, not as an isolated creation, but as the last and best of an
order of animated beings, whose line sweeps back into the far removed
shadow of an unmeasured past. "Phenomena like these," says Professor
Sedgwick, when referring to the discoveries at the North Cliff,
Yorkshire, in 1829, "have a tenfold interest, binding the present order
of things to that of older periods, in which the existing forms of
animated nature seem one after another to disappear."[29]

Thus much is apparent from the most superficial glance at the
geological evidence of the primeval state of Britain within the
historic era, that though corresponding in its great geographical
outlines to its present condition, it differed, in nearly every other
respect, as widely as it is possible for us to conceive of a country
capable of human occupation. A continuous range of enormous forests
covered nearly the whole face of the country. Vast herds of wild
cattle, of gigantic proportions and fierce aspect, roamed through
the chase, while its thickets and caves were occupied by carnivora,
preying on the herbivorous animals, and little likely to hold in
dread the armed savage who intruded on their lair. The whole of these
have existed since the formation of the peat began, and therefore
furnish some evidence of the very remote antiquity to which we must
refer the origin of some of the wastes that supply, as will be seen
in subsequent chapters, an important element in the elucidation of
primitive chronology. Upon this singular arena Archæology informs
us that the primeval Briton entered, unprovided with any of those
appliances with which the arts of civilisation arm man against such
obstacles. Intellectually, he appears to have been in nearly the
lowest stage to which an intelligent being can sink; morally, he was
the slave of a superstition, the grovelling character of which will
be traced in reviewing his sepulchral rites; physically, he differed
little in stature from the modern inheritors of the same soil, but his
cerebral development was poor, his head small in proportion to his
body, his hands, and probably his feet, also small; while the weapons
with which he provided himself for the chase, and the few implements
that ministered to his limited necessities, indicate only the crude
development of that inventive ingenuity which first distinguishes the
reason of man from the instincts of the brutes. The evidence from
which such conclusions are deduced, forms the subject of the following
chapters.

FOOTNOTES:

[20] Owen's British Fossil Mammals, p. 179.

[21] Owen's British Fossil Mammals, p. 462.

[22] Ibid. Introd. p. xxxiii.

[23] British Association for Advancement of Science, Report for 1847,
p. 31; and Owen, Introd. p. xxxiii.

[24] Owen's British Fossil Mammals, p. 107. An interesting account of
the discovery of antiquities of human remains in Kent's Hole, one of
the most remarkable British ossiferous caves, is given in a subsequent
chapter from the narrative of the Rev. J. M'Enery, F.G.S.

[25] Ibid. p. 197.

[26] History of British Animals, p. 24.

[27] British Fossil Mammals, p. 500.

[28] British Fossil Mammals, p. 162.

[29] Anniversary Address to the Zoological Society, 1830.




CHAPTER II.

ABORIGINAL TRACES.


Though we are assured, and cannot doubt, that man was created an
intelligent being, capable of enjoying the high faculties with which
he alone of all the denizens of earth was endowed, we have no reason
to assume that he had any conception of the practical arts by which
we are enabled to satisfy wants of which he was equally unconscious.
We know on the same authority that there existed a period in the
history of our race, ere Zillah, the wife of Lamech, had borne to him
Tubal-cain, "the instructor of every artificer in brass and iron,"
when men tilled the ground, pursued the chase, made garments of its
spoils, and constructed tents to dwell in, without any knowledge of
the working in metals, on which the simplest of all our known arts
depend. Through such a stage of primitive arts most, perhaps all,
nations have passed. We detect evidences of it among the Egyptians, old
as the date of their civilisation appears, in the stone knives of the
embalmers, still frequently found in the catacombs. By such only could
the incision be made in the side of the dead, through which to extract
the intestines; and when they had been cleansed and replaced, the eye
of Osiris, the judge of the dead, was placed as a mysterious seal over
the sacred incision. The feeling in which such a custom originated,
arising from the veneration which appears to be universally attached to
whatever is ancient, is easily understood. While the knife of bronze
or iron was freely employed for all ordinary purposes, the primitive
stone implement was retained unchanged for the sacred incision in the
dead. So also, probably from a like idea directly borrowed from the
Egyptians, the stone or flint knife appears to have been used by the
early Hebrews in circumcision. Zipporah, Moses' wife, took a sharp
stone, or stone knife, and cut off the foreskin of her son. The like
was done when Joshua renewed the same rite at Gilgal in the east border
of Jericho; while a still more remarkable community of feeling with
the veneration of the ancient Egyptians for the otherwise obsolete
implement of stone, is discernible in its retention by the priests of
Montezuma as the instrument of human sacrifice.

The substitution of flint, stone, horn, and wood, in the absence of
metal weapons and implements, must be abundantly familiar to all, in
the customs of society when met with in a rude and primitive condition.
The Fins and Esquimaux, the African bushmen, and the natives of such
of the Polynesian Islands as are rarely visited by Europeans, still
construct knives and arrow-heads of flint or fish-bone, and supply
themselves with wooden clubs and stone adzes and hammers, with little
consciousness of imperfection or deficiency in such appliances.
Examples of such a state of arts and human skill might be multiplied
from the most dissimilar sources. It seems, as has been already
remarked, to be a stage through which all nations have passed, not
without each developing a sufficient individuality to render their arts
well worthy of investigation by their descendants. To this primitive
era of history we refer under the name of THE STONE PERIOD.

In this state were the Scottish, and indeed the whole British
aborigines, at an era much more remote than chronologists have
been willing to assign for the occupation of the island by a human
population, and for a period the duration of which we are also able in
some degree to test.

There is one certain point in this inquiry into primitive arts which
the British antiquary possesses over all others, and from whence he can
start without fear of error, though I am not aware that its importance
in this view has heretofore been noted. From our insular position it
is unquestionable that the first colonist of the British Isles must
have been able to construct some kind of boat, and have possessed
sufficient knowledge of navigation to steer his course through the open
sea. Contrasting the aboriginal arts to which we have referred with the
appliances of later navigators, it seems only reasonable to conclude
that the bark of the primeval Columbus, who led the way from the
continent of Europe to the untrodden wilds of Britain, differed no less
from the caravel of the bold Genoese, than that did from the British
ship that now follows in its course. Can we recover the history of
such primitive caravel? It seems not improbable that we may. Time has
dealt kindly with the frail fleets of the aboriginal Britons, and kept
in store some curious records of them, not doubting but these would at
length be inquired for.

It is by no means to be presumed as certain that the early navigators
chose the Straits of Dover as the readiest passage to the new world
they were to people. Both Welsh and Danish traditions point to a
migration from Jutland. Whencesoever the first emigrants came,
Providence alone could pilot their frail barks. Successive migrations,
the chances of shipwreck, or the like independent causes, may have
landed the fathers of the British race on widely different parts of
our island coast. It is a well established fact, that at later periods
many distinct and rival centres of population were thus established
throughout the British Isle.

Lochar Moss, a well-known tract in Dumfriesshire, occupies an area
of fully twelve miles in length, by between two and three miles in
breadth, extending to the Solway Frith. Its history is summed up in an
old popular rhyme, still repeated in the surrounding districts:--

    "First a wood, and next a sea,
    Now a moss, and ever will be!"

Lying as it does on the southern outskirts of the Scottish kingdom,
the track of many successive generations has lain along its margin
or across its treacherous surface, beneath which their records have
been from time to time engulfed, to be restored in after ages to the
light of day. To these we shall have occasion again to refer; but
among them our chief attention is meanwhile attracted by its ancient
canoes, repeatedly found along with huge trunks of trees, hazel-nuts,
acorns, and other traces of the forest, and also, according to the old
statist of Torthorwald parish, "anchors, cables, and oars," the no less
obvious heirlooms of the sea. During the last century the peats cut
from this moss formed almost the sole supply of fuel to the inhabitants
of Dumfries and its neighbourhood, nor have they yet ceased to avail
themselves of its ready stores.

In 1782 Pennant examined one of these rude barks formed from the trunk
of an oak, which he thus describes: "Near a place called Kilblain, I
met with one of the ancient canoes of the primeval inhabitants of the
country, when it was probably in the same state of nature as Virginia
when first discovered by Captain Philip Amidas. The length of this
little vessel was eight feet eight inches, of the cavity six feet seven
inches, the breadth two feet, depth eleven inches, and at one end were
the remains of three pegs for the paddle. The hollow was made with fire
in the very manner that the Indians of America formed their canoes.
Another was found in 1736, with its paddle, in the same morass. The
last was seven feet long, and dilated to a considerable breadth at
one end, so that in early ages necessity dictated the same inventions
to the most remote regions."[30] In 1791 the minister of the parish
describes another found by a farmer while digging for peats, at a depth
of between four and five feet from the surface, and four miles from
the highest reach of the tide, resting apparently on the alluvial soil
which is there found beneath the moss. Near to the same spot a vessel
of mixed metal, and apparently of great antiquity, was recovered, and
numerous relics of various kinds, including what are described as
anchors, oars, and other naval implements, have been found even at a
distance of twelve miles from the present flood-mark--attesting at once
the former populousness of the district, and the very remote period to
which these evidences of its occupation belong.[31] At a depth of seven
or eight feet in the Moss of Barnkirk, in the immediate neighbourhood
of Newton-Stewart, Wigtonshire, another canoe of the same character as
those already described, was dug up in 1814, and has been preserved,
owing to its being converted by the farmer into the lintel of one of
his cart-sheds. Mr. Joseph Train mentions having seen "a ball of fat
or bannock of tallow, weighing twenty-seven pounds,"[32] found in the
moss immediately above the canoe; and which no doubt was a mass of
adipocere, indicating the spot where some large animal had perished
in the moss: possibly sinking along with the rude British vessel that
lay below. On the draining of Carlinwark Loch, Kirkcudbright, in 1765,
a stone dam, an ancient causeway constructed on piles of oak, the
vestiges of an iron forge, and other remarkable evidences of human
industry and skill, were brought to light, including various canoes,
described, like those of Lochar Moss and others found in Merton Mere,
as apparently hollowed by fire.[33]

The Loch of Doon in Ayrshire, has at different periods furnished
similar relics of ancient naval art. The fall of its waters in 1832,
owing to an unusually protracted drought, permitted the recovery of two
of these in a perfect state, one of them measuring about twenty-three
feet in length, formed of a single oak tree, with the insertion of an
upright plank into a broad groove for the stern. Numerous other relics
of canoes were found to be imbedded in the same place; and the head
of an ancient battle axe, a rude oak club, with other remains, gave
further clue to the character of their builders.[34]

Lochwinnoch in Renfrewshire, has furnished similar canoes, accompanied
by other relics of various eras--a brass ladle or patera, with an
elegant handle terminating with a ram's head, probably Roman; and
a very fine brass cannon, marked J. R. S. (5?) an antiquity of
comparatively modern date.[35]

Five fathoms deep in the Carse of Falkirk, a complete boat was
discovered, not far from the town, and therefore remote from any
navigable water.[36] Sir John Clerk, well known as an enthusiastic
Scottish antiquary of last century, describes with great minuteness
another vessel found in the same locality, more remarkable from its
size and construction than any of those yet described, and which he
pronounces, from the series of superincumbent strata, to have been _an
antediluvian boat_! In the month of May 1726 a sudden rise of the river
Carron undermined a portion of its banks, and exposed to view the side
of this ancient boat lying imbedded in the alluvial soil, at a depth
of fifteen feet from the surface, and covered by successive strata
of clay, shells, moss, sand, and gravel. The proprietor immediately
ordered it to be dug out. It proved to be a canoe of primitive form,
but of larger dimensions than any other discovered to the north of
the Tweed. It measured thirty-six feet long by four feet in extreme
breadth, and is described in a contemporary newspaper as finely
polished and perfectly smooth both inside and outside, formed from a
single oak tree, with the usual pointed stem and square stern.[37]
Mingling with such indisputable traces of human art, are deposited the
memorials of many successive changes. Among older relics of the same
Carse, in the Edinburgh Museum, are the remains of a fossil elephant
found in excavating the Union Canal in 1821, at a depth of some twenty
feet in the alluvial soil, with the ivory in such perfect preservation
that it was purchased and cut up by a turner, and only rescued in
fragments from his lathe.[38]

But at higher levels in the valley of the Forth, and further from the
sea, still more remarkable evidences of the primitive occupants of the
country have been found. The ingenious operations by which the Blair
Drummond moss has been converted into fertile fields have rendered it
famous in the annals of modern engineering and agriculture. In the
Carse lands, of which it forms a part, there was discovered in the year
1819, at a distance of a mile from the river, and in an alluvial soil,
covered with a thin moss, the surface of which stood some twenty-five
feet above the full tide of the Forth, the skeleton of a whale, with
a perforated lance or harpoon of deer's horn beside it. A few years
later another whale was found, and in 1824 a third was disclosed on
the Blair Drummond estate seven miles further inland, and overlaid
with a thick bed of moss. Beside it also lay the rude harpoon of the
hardy Caledonian whaler; in this instance retaining, owing to the
preservative nature of the moss, some remains of the wooden handle by
which the pointed lance of deer's horn was wielded.[39] This primitive
relic is now deposited, along with the fossil remains of the whale,
whose death-wound it may have given, in the Natural History Museum
of the Edinburgh University. Professor Owen remarks, in referring to
this class of fossils,--"Although these depositories belong to very
recent periods in geology, the situations of the cetaceous fossils
generally indicate a gain of dry land from the sea. Thus the skeleton
of a balænoptera, seventy-two feet in length, found imbedded in clay on
the banks of the Forth, was more than twenty feet above the reach of
the highest tide. Several bones of a whale discovered at Dunmore rock,
Stirlingshire, in brick-earth, were nearly forty feet above the present
level of the sea.... I might add other instances of the discovery of
cetaceous remains in positions to which, in the present condition of
the dry land of England, the sea cannot reach; yet the soil in which
these remains are imbedded is alluvial or amongst the most recent
formation. In most cases the situation indicates the former existence
there of an estuary that has been filled up by deposits of the present
sea, or the bottom of which has been upheaved."[40] Other relics
besides those of the whale and the implement of its hardy assailant,
were recovered in the course of removing the Blair Drummond moss.
In the collection of the Society of Antiquaries of Scotland, a rude
querne or hand-mill for pounding grain is preserved, fashioned from the
section of an oak tree, which was found in 1831, at a depth of nearly
five feet, in this moss. A wooden wheel of ingenious construction
is also in the collection, which was dug up at more than double the
depth of the querne, in the same locality, accompanied with several
well-formed arrow-heads of flint. It measured when complete about two
feet in diameter; but it is greatly decayed, having shrunk and cracked
since its removal from the moss.[41]

Other relics, though belonging apparently to a later period, may be
noticed along with these. In the progress of improvements on the
Kincardine moss, the remains of a singular roadway were discovered,
after the peat moss had been removed to a depth of eight feet. Seventy
yards of the ancient viaduct were exposed to view, formed of trees
about twelve inches in diameter, having other trees of half this
thickness crossing them, and brushwood covering the whole. This road
crossed the moss of Kincardine northward, from a narrow part of the
Forth, towards a well-known line of Roman road which has been traced
from a ford on the river Teith to Camelon, on the Antonine wall.
This singular structure, though so unlike anything usually found
on the line of the legionary iters, has been assigned, with great
probability, to Roman workmanship, as it appears to be designed to
keep up a communication with the well-known station at Ardoch. But if
so, we have here evidence of the fact that in the second century of
our era the Kincardine moss was an unstable and boggy waste, which the
Roman engineer could only pass by abandoning his favourite and durable
causeway, for such a road as modern ingenuity has revived in the
backwood swamps of America.

Such are some of the ancient chronicles of Scotland garnered for us
in the eastern valley of the Forth. The banks of the Clyde have been
scarcely less liberal in their disclosures. In 1780, the first recorded
discovery of one of the primitive canoes of the Clyde was made by
workmen engaged in digging the foundation of Old St. Enoch's Church. It
was found at a depth of twenty-five feet from the surface, and within
it there lay a no less interesting and eloquent memorial of the simple
arts of the remote era when the navies of the Clyde were hewn out of
the oaks of the Caledonian forests. This is a beautifully-finished
stone celt, represented in the woodcut--doubtless one of the simple
implements of its owner, if not, indeed, one of the tools with which
such vessels were fashioned into shape; though it is undoubtedly more
adapted for war than for any peaceful art. It measures 5½ inches
in length, by 3⅗ inches in greatest breadth; and is apparently
formed of dark greenstone. It is now in the possession of Charles
Wilsone Brown, Esq., of Wemyss, Renfrewshire, having descended to him
from a maternal relative who chanced to be passing at the time of the
discovery, and secured the curious relic.[42] The excavations of the
following year brought a second canoe to light, at a higher level, and
still further removed from the modern river's bed. Close to the site of
Glasgow's ancient City Cross, and immediately adjoining what was once
the Tolbooth of the burgh--more memorable from the fancied associations
with which genius has endowed it, than for the stern realities of human
misery which were its true attributes--there stands a quaint, but not
inelegant building, adorned with an arcade curiously decorated with
grim or grotesque masks on the keystone of each arch. It was erected
on the site of older and less substantial tenements, in the year 1781;
and in digging for a foundation for it, in a stratum of laminated clay
that lies beneath a thick bed of sand, another primitive British canoe
was discovered, hollowed as usual out of a single trunk of oak.[43]
Another is noted to have been found about 1824, in Stockwell, near
Jackson Street, while cutting the common sewer; and a fourth, at a much
higher level, on the <DW72> of Drygate Street, immediately behind the
prison.[44] In 1825 a fifth canoe was discovered, scarcely an hundred
yards from the site of the former at the City Cross, when digging the
sewer of London Street--a new thoroughfare opened up by the demolition
of ancient buildings long fallen to decay. This boat, which measured
about eighteen feet in length, exhibited unusual evidences of labour
and ingenuity. It was built of several pieces of oak, though without
ribs. It lay, moreover, in a singular position, nearly vertical, and
with its prow uppermost, as if it had foundered in a storm.

[Illustration]

To these older instances recent and large additions have been made.
The earlier discoveries seem to point to a period when the whole
lower level on the north side of the river, where the chief trade and
manufactures of Scotland are now transacted, was submerged beneath
the sea. What follows affords similar evidence in relation to the
southern bank of the Clyde. Extensive operations have been carrying
on there for some years for the purpose of enlarging the harbour of
Glasgow, and providing a range of quays on the grounds of Springfield,
corresponding to those on the older Broomielaw. There, at a depth of
seventeen feet below the surface, and about 130 feet from the river's
original brink, the workmen uncovered an ancient canoe, hewn out
of the trunk of an oak, with pointed stem, and the upright groove
remaining which had formerly held in its place the straight stern.
The discovery was made in the autumn of 1847; and the citizens of
Glasgow having for the most part a reasonable conviction that boats
lose their value in proportion to their age, the venerable relic lay
for some months unheeded, until at length the Society of Antiquaries
of Scotland made application for it to the Trustees of the River
Clyde, and the rude precursor of the fleets that now crowd that noble
river is safely deposited in their museum. Meanwhile the excavators
proceeded with their labours, and in the following year another, and
then a third canoe of primitive form, were disclosed on the southern
bank of the Clyde. One of these, which has been since removed to the
Hunterian Museum, measures 19⅓ feet long, by 3½ feet wide at the
stern, 2 feet 9½ inches wide midway, and 30 inches deep. The prow
is rather neatly formed with a small cut-water, near to which is an
oblong hole, apparently for running a rope through to anchor or secure
the vessel. There had been an outrigger, which was described by the
workmen as adhering to it when first discovered, and the holes remain
for receiving the pins by which it was fastened. About the centre are
small rests inside the gunwale for the ends of a cross seat, and others
for a broader seat are at the stern, both being projections formed by
leaving the wood when the trunk was originally hollowed out into a
boat. In this example the stern remains nearly in a perfect state. It
consists of a board inserted in vertical grooves cut in each side, and
received into a horizontal groove across, beyond which the bottom and
sides project about eight inches. The other of these two canoes was
chiefly remarkable for a circular hole in the bottom, stopped by a plug
imbedded in very tenacious clay, evidently designed to admit of water
shipped being run off when it was on shore. But the most curious, and
indeed puzzling fact in regard to it, is that this plug is not of oak
but of _cork_--a discovery suggestive of inquiries not easily answered
satisfactorily.[45]

In the month of September 1849 a fourth canoe was found at Springfield,
at a depth of about 20 feet from the surface, and in the same bed
of finely laminated clay as those already described. This, too, is
hollowed out of the single trunk of an oak, only thirteen feet in
length, but on either side of it lay two additional planks of curious
construction, each of them pierced with an elongated hole, which
appeared to have been made with some sharp tool. They indicate some
ingenious contrivance of the ancient seaman, not improbably designed
for use when the bold navigator ventured with his tiny barque into the
open sea, to be applied somewhat in the way a Dutch lugger fends off
the dashing waves from her lee. This boat differs from those previously
discovered, in having a rounded bow both fore and aft. In some respects
it might seem to be the most ancient of the whole, and could hardly
accommodate more than one man. Its workmanship is extremely rude,
and it bears obvious marks of having been hollowed by fire. Yet the
wooden appendages found alongside of it suffice to prove that its
maker was not unprovided with some efficient tools. Thus, within a
comparatively brief period, nine ancient canoes have been found within
this limited area, affording singular evidence that in the earliest
ages in which the presence of a human population is discoverable, we
also find abundant proofs of the art of navigation, where now space
fails to accommodate the merchant fleets of the Clyde. To these notices
may be added the discovery of the remains of an ancient boat of more
artificial construction, which was dug up, about the year 1830, at
Castlemilk, Lanarkshire. It measured ten feet long, by two broad, and
was built of oak, secured by large wooden pins.[46]

Nearly at the same time as the latest disclosures in the valley of the
Clyde, workmen cutting a drain on the farm of Kinaven, Aberdeenshire,
discovered another ancient boat of the same form as most of those
previously described, and measuring eleven feet long, by nearly four
broad. It is hewn out of the solid oak, with pointed stem, and at the
stern a projection formed in the piece, and pierced with an eye, as
if to attach a mooring cable. Like the Glasgow canoes, it is rudely
finished, and exhibits the rough marks of the instrument with which
it was reduced to shape. It lay imbedded in the moss, at a depth of
five feet, at the head of a small ravine; and near it were found
the stumps and roots of several large oaks. The nearest stream, the
Ythan, is several miles off, and the sea is distant many more. A few
years previous to this discovery, a similar canoe, of still smaller
dimensions, was dug up in the moss of Drumduan, in the same county. It
is described as quite entire, and neatly formed out of a single block
of oak; but being left exposed, it was broken by the rude handling of
some idle herd-boys.[47]

Such are a few examples of the aboriginal fleets of ancient Caledonia,
found at different dates, and in various localities, yet agreeing
wonderfully in every essential element of comparison. With them might
also be noted the frequent discovery in bogs, or in alluvial strata,
of trees felled by artificial means, and accompanied with relics of
the most primitive arts. In 1830, for example, workmen engaged in
constructing a sewer in Church Street, Inverness, found at a depth
of fourteen feet below the surface, in a stratum of stiff blue clay,
numerous large trunks of fossil oak; and along with these several
deer's horns, one of which, bearing unmistakable marks of artificial
cutting, is now deposited in the Museum of the Society of Antiquaries
of Scotland.[48] Here surely is common ground for the antiquary and
the geologist. The rude harpoon left beside the bones of the stranded
whale, far up in the alluvial valley of the Forth: the oaken querne,
the wheel and the arrow-heads: the boats beneath the City Cross of
Glasgow, the centre of a busy population for the last thousand years:
the primitive ship, as we may almost term the huge canoe on the
banks of the Carron: and the tiny craft just found near the waters
of the Ythan--all speak, in no doubtful language, of the presence
of a human population, at a period when the geographical features
of the country, and the relative levels of land and sea, must have
differed very remarkably from what we know of them at the earliest
ascertained epoch of definite history. They point to a time within the
historic era, when the ocean tides ebbed and flowed over the carse of
Stirling, at a depth sufficient to admit of the gambols of the whale,
where now a child might ford the brawling stream; and when the broad
estuary of the Clyde flung its waves to the shore, not far from the
high ground where the first cathedral of St. Mungo was founded, A.D.
560. These evidences of population, prior to the latest geological
changes which have affected the surface of the country, are indeed all
found on old historic ground, according to the reckonings of written
chronicles. The first of them, in the south country, have been met
with in localities where the traces of Roman invasion in the second
century remain uneffaced. The carse of Falkirk is still indented with
the vallum of the Antonine wall. Its modern church preserves the old
tablet, which assigned to the ancient structure on its site a date
coeval with the founding of Scottish monarchy under Malcolm Canmore;
and the broad level ground, which has disclosed evidence of such
remarkable changes, alike in natural features and in national arts and
manners, was the battle-field of Wallace in the thirteenth century, as
of Prince Charles Edward and the Highland clansmen in the eighteenth
century. Trivet thus refers to the carse of Falkirk, in describing
the invasion of Edward I., thereby affording curious evidence of its
state at the former period,--"Causantibus majoribus _loca palustria_,
propter brumalem intemperiem, immeabilia esse;" on which Lord Hailes
remarks--"The meaning seems to be, that the English could not arrive
at Stirling without passing through some of the carse grounds, and
that they were impracticable for cavalry at that season of the
year."[49] Nor are the historic associations of the broad carse which
the Forth has intertwined with its silver links a whit behind those
of the vale of Carron. There, in all probability, Agricola marshalled
the Roman legions for his sixth campaign, and watched the mustering
of the army of Galgacus on the heights beyond. The ever memorable
field of Bannockburn adds a sacred interest to the same soil. There,
too, are the scenes of James III.'s mysterious death on the field of
Stirling, and of successive operations of Montrose, Cromwell, Mar, and
Prince Charles. But the oldest of these events, long regarded as the
beginnings of history, are modern occurrences, when placed alongside of
such as we now refer to. Guiding his team across the "bloody field,"
as the scene of English slaughter is still termed, the ploughman turns
up the craw-foot, the small Scottish horse-shoe, and the like tokens
of the memorable day when Edward's chivalry was foiled by the Scottish
host. Penetrating some few feet lower with his spade, he finds the
evidences of former changes in the level of land and sea, but with them
stumbles also on the relics of coeval population. Lower down he will
reach the stratified rocks, including the carboniferous formation,
stored no less abundantly with relics of former life and change, but
no longer within the historic period, or pertaining to the legitimate
investigations of archæological science, unless in so far as they
confirm its previous inductions, and prove the slow but well defined
progress of the more recent geological changes on the earth's surface.
Such reflections are not suggested for the first time in our own day,
nor will a shallow part satisfy those who have gone thus far. "Nature
hath furnished one part of the earth, and man another. The treasures
of time lie high, in urns, coins, and monuments, scarce below the
roots of some vegetables. Time hath endless rarities, and shows of all
varieties, which reveals old things in heaven, makes new discoveries
in earth, and even earth itself a discovery. That great antiquity,
America, lay buried for thousands of years, and a large part of the
earth is still in the urn unto us."[50]

Some of these historic phenomena which are indicated above required
only time to produce them. The beds of sand and loam at Springfield,
in which the ancient fleets of the Clyde have lain entombed for ages,
are such as the slow depositions of winter floods will for the most
part account for, if the chronologist can only spare for them the
requisite centuries. Others seem to point to geological changes within
the historic era, of a more remarkable and extensive character. These
it is not our province to explain. Whether the geologist find it most
consistent with the established laws of his science to assume the
standing of the whole ocean at higher levels within so recent a period,
or adopt the more probable theory of local upheaval and denudation to
account for these phenomena, this at least must be conceded, that the
lapse of many ages is required for the changes which they indicate,
and we can hardly err in inferring that civilisation had advanced but
a little way on the plain of Nimroud, or the banks of the Nile, when
the tiny fleets of the Clyde were navigating its estuary, and the hardy
fishermen were following the whale in the winding creeks of the Forth.

FOOTNOTES:

[30] Pennant's Tour, vol. ii. p. 107.

[31] Sinclair's Stat. Acc. vol. i. p. 160.

[32] New Stat. Acc. vol. iv. Wigtonshire, p. 179.

[33] Sinclair's Stat. Acc. vol. viii. p. 305. New Stat. Acc. vol. iv.,
Kirkcudbrightshire, p. 155.

[34] Archæologia Scotica, vol. iv. p. 299.

[35] Sinclair's Stat. Acc. vol. xv. p. 68.

[36] Beauties of Scotland, vol. iii. p. 419.

[37] Bibliotheca Topog. Britan., No. II. Part III. p. 242.

[38] Wernerian Trans. vol. iv. p. 58.

[39] Wernerian Trans. vol. v. p. 44.

[40] Brit. Fossil Mammals, p. 542.

[41] _Vide_ Wern. Trans. vol. iii. p. 125, for the characteristic
remains included in the recent alluvial formation of the valley of the
Forth.

[42] For access to this interesting relic, as well as for much other
valuable information, I am indebted to John Buchanan, Esq., of Glasgow.

[43] Chapman's Picture of Glasgow, 1818, p. 152.

[44] Chambers's Ancient Sea Margins, pp. 203-209.

[45] MS. Letters of J. Buchanan, Esq.

[46] New Statist. Acc. vol. vi. p. 601.

[47] New Statistical Account, vol. xii. p. 1059.

[48] MS. Letter of Lieut. Claudius Shaw, R.N. Lib. Soc. Antiq. Scot.,
April 19, 1833.

[49] Annals, vol. i. p. 266.

[50] Sir Thomas Browne's Hydriotaphia.




CHAPTER III.

SEPULCHRAL MEMORIALS.


The raising of sepulchral mounds of earth or stone to mark the last
resting-place of the loved or honoured dead may be traced in all
countries to the remotest periods. Their origin is to be sought for
in the little heap of earth displaced by interment, which still to
thousands suffices as the most touching memorial of the dead. In a rude
and primitive age, when the tomb of the great warrior or patriarchal
chief was to be indicated by some more remarkable token, the increase
of the little earth-mound, by the united labours of the community,
into the form of a gigantic barrow, would naturally suggest itself as
the readiest and fittest mark of distinction. In its later circular
forms we see the rude type of the great Pyramids of Egypt, no less
than of the lesser British moat-hills and other native-earth-works,
until at length, when the aspiring builders were rearing the gigantic
monoliths of Avebury, they constructed, amid the tumuli of the
neighbouring downs, the earth-pyramid of Silbury Hill, measuring 170
feet in perpendicular height, and covering an area of five acres and
thirty-four perches of land.

Priority has been given to the primitive relics of naval skill, which
the later alluvial strata of Scotland supply, for reasons sufficiently
obvious, and pertaining exclusively to the antiquities of our insular
home. But for the surest traces of primitive arts and a defined
progress in civilisation, the archæologist will generally turn with
greater propriety to the grave-mounds of the ancient race whose history
he seeks to recover; for, however true be "the words of the preacher,"
in the sense in which he uttered them, there is both device, and
knowledge, and instruction in the grave, for those who seek there the
records of the dead. This fact is in itself an eloquent one in the
evidence it furnishes, that in that dim and long forgotten past, of
which we are seeking to recover the records, man was still the same,
"of like passions with ourselves," vehement in his anger, and no less
passionate in unavailing sorrow.

No people, however rude or debased be their state, have yet been met
with so degraded to the level of the brutes as to entertain no notion
of a Supreme Being, or no anticipation of a future state. Some more
or less defined idea of a retributive future is found in the wildest
savage creed, developing itself in accordance with the rude virtues to
which the barbarian aspires. While the luxurious Asiatic dreams of the
sensual joys of his Mohammedan elysium, the Red Indian warrior looks
forward to the range of ampler hunting-grounds, and the enjoyment of
unfailing victory on the war-path. All, however, anticipate a corporeal
participation in tangible joys, and, to the simpler mind of the
untutored savage, affection dictates the provision of means to supply
the first requisites of this new state of being. Hence the bow and
spear, the sword, shield, and other implements of war and the chase,
laid beside the rude cinerary urn, or deposited in the cist with the
buried chief. Refinement, which added to the wants and acquirements
of the warrior, in like manner furnished new means for affection to
lavish on the loved or honoured dead. Personal ornaments were added to
the indispensable weapons, that the hero might not only stand at no
disadvantage amid the novel scenes into which he had passed, but that
he might also assume the insignia of rank and distinction which were
his right. The feelings prompting to such tributes of affectionate
sorrow are innate and indestructible. They manifest themselves under
varied forms in every state of social being, and may be readily traced
amid the struggle for decorous and costly sepulchral honours, no
less universal now than in the long forgotten era of the tumulus and
cinerary urn.

From the contents of the tumuli we are able partially to apply to
them a relative system of chronology, the accuracy of which appears
to be satisfactorily borne out. No archæologist has yet done for any
district of Scotland what the intelligent research of Sir Richard
Colt Hoare effected for Wiltshire. No other single district, indeed,
offers the same tempting field for the study, and few archæologists
possess his ample means for carrying out such investigations. He
has adopted a subdivision, which distinguishes fourteen different
kinds of barrows, classified according to their shape, and furnishes
a systematic nomenclature, which is of general avail. Observations
since carried out over a more extensive field enable us in some degree
to modify this system, and reduce the number of true barrows, while
even of these some are probably only the result of accident, or of
the caprice of individual taste. The following are the best defined
among the varieties noted by Sir R. C. Hoare:--1. The long barrow,
resembling a gigantic grave; 2. The bowl barrow, from its similarity to
an inverted bowl; 3. The bell barrow; 4. The twin barrow, consisting of
two adjacent tumuli, one of them generally larger than the other, and
both inclosed in one fosse or vallum; 5. The Druid barrow, generally
a broad and low tumulus, surrounded by a vallum. The last name was
given on insufficient evidence by Dr. Stukely, Sir R. C. Hoare's
predecessor in investigating the antiquities of Wiltshire. The latter
has subdivided the class into three varieties, and there seems some
reason to think that such indicate the place of interment of females;
but more extensive observation is required to establish so interesting
an inference. The remaining distinctions appear to be either
accidental, or referring to earth-works, certainly not sepulchral.
Among this last are the "pond barrows," hereafter referred to as the
remains of primitive dwellings, and the conical mounds or moat-hills,
of which Silbury Hill is probably the largest in the world, designed
as the lofty tribunal where the arch-priest or chief administered,
and frequently executed, the rude common law of the northern races.
The laborious excavations carried out under the direction of the
Archæological Institute during the Salisbury Congress in 1849, have at
least put an end to any ideas of Silbury Hill being a sepulchral mound.

Much similarity is naturally to be expected between the primitive
antiquities of England and Scotland, where the imaginary border land
that so long formed the marches between rival nations presents no real
barrier calculated to interpose an impediment to the free interchange
of knowledge or arts. Nevertheless there are many of those distinctive
peculiarities observable in Scotland which are well calculated to
encourage further investigation, though, for the purposes of a just and
logical distinction, the Scottish archæologist ought to include the
ancient kingdom of Northumbria within the region of his researches, and
draw his comparisons between the antiquities found to the north and the
south of the great wall of Severus.

The barrows of Scotland, in so far as they have yet been carefully
observed, may be described as consisting of the Long Barrow; the Bowl
Barrow; the Bell Barrow; the Conoid Barrow; the Crowned Barrow--such
as that of Stoneranda in Birsa--with one or more standing stones
set upon it; the Inclosed Barrow, a circular tumulus of the usual
proportions, and most frequently also conoid in form, but environed
by an earthen vallum; and the Encircled Barrow, generally of large
proportions, and surrounded by a circle of standing stones. The two
latter are of frequent occurrence in Scotland. The evidence of their
contents indicates that they belong to a comparatively late era, and
their correspondence to some of the most common sepulchral memorials of
Norway and Sweden suggests the probability of a Scandinavian origin.
The twin barrow, with its enclosing vallum, as described by Sir R. C.
Hoare, and still to be seen in Wiltshire, does not, I think, occur in
Scotland. But it is not uncommon to find a large and smaller tumulus
placed near together, and these pairs occur so frequently, especially
in Orkney, that I incline to apply to them meanwhile the term of twin
barrows, believing them to have more than an accidental relation to
each other. This is a point, however, which can only be satisfactorily
settled by the most careful examination of their contents. In the
parish of Holm in Orkney, there is a cluster of eight tumuli of
different sizes, all inclosed within one earthen vallum. Another group
consists of one large and three smaller tumuli, surrounded by a double
ditch, with the remains of a third on one side; and occasionally
clusters of tumuli, though without any inclosing work, suggest the
probability of their vicinity being the result of design. Another
arrangement is also deserving of note, where a group of eight or nine
of these earth-mounds occur forming a continuous chain, in a nearly
straight line, and separated from one another by regular intervening
spaces. Whatever appears to indicate design in these primitive
structures is worthy of study. Wherever we can trace the motives of
their constructors, we recover some clue to the character and history
of the race.

The remarkable cluster of monolithic groups and earth-works at Stennis
in Orkney, includes a variety of sepulchral mounds, probably belonging
to very different periods. Scattered around the great circle, or Ring
of Broidgar, as it is commonly called, there are many tumuli differing
considerably in size and form, but all known to the peasants under the
general title of the Knowes of Broidgar. The dimensions of some of the
largest of these were taken, during the recent Admiralty Survey, by
Lieutenant F. W. L. Thomas, R.N., the intelligent officer in command,
to whom I am indebted for the use of valuable notes of observations on
the antiquities of Orkney:--

"The most remarkable tumulus, which is of elliptical shape, stands at
the shore of the north or fresh-water loch. It measures one hundred
and twelve feet long by sixty-six feet broad. The level ridge on the
top measures twenty-two feet in length, and its height is nearly the
same. It has been greatly destroyed by excavators at some former
period. Near to it is a small standing stone. No other tumulus of
this shape exists in Orkney. A large conoid tumulus, fifty feet in
radius and twenty-eight feet in height, stands to the westward of
the great circle, also pillaged at some former time; and in the same
neighbourhood are ten smaller tumuli of various dimensions. Five of
these are of equal size: radius six feet, height three feet, and only
from two to three feet apart; four of them in a line."

Besides these, there stands, at a short distance to the northward of
the elliptical tumulus, and near the shore, another large earth-work
of peculiar form, which can hardly be more definitely described than
by comparing it to a colossal plum-cake. It rises perpendicularly five
feet, and is nearly flat on the top, assuming the form of a greatly
depressed cone, the apex of which is nine feet high. The radius of the
whole measures thirty-one feet. This mound, however, is most probably
not sepulchral, but rather the platform on which a building of wood
had been reared, though its present symmetrical form may render this
doubtful. The Ring of Bookan, in the same neighbourhood, appears to
be a similar platform, but it is inclosed with an earthen vallum,
and exhibits abundant traces of ruined works on its irregular area.
Various other, though less regular mounds, of this character, occur in
Orkney. The burgh of Culswick is represented as having stood on such a
platform, the shape of which nearly corresponded with that of Stennis
when drawn in 1774, but the materials of this venerable ruin have since
furnished a quarry for the neighbouring cottars.[51] It is exceedingly
doubtful if the larger tumuli in the neighbourhood of the great circle
of Stennis would now repay the labour of exploring them. They exhibit,
as has been observed, abundant traces of former investigation; and
there is good reason to believe that most, if not all of them, have
already been spoiled of their historic contents.

Wallace remarks, in his Description of Orkney:--"In one of these
hillocks, near the circle of high stones at the north end of the Bridge
of Stennis, there were found nine fibulæ of silver, of the shape of
a horse-shoe, but round."[52] Unfortunately the dimensions of these
silver relics are not given; but from the engraving of one of them, it
seems more likely that they consisted chiefly of gorgets, though, in
all probability, including a variety of objects of great interest. But
the view of the great circle of Stennis, which accompanies that of the
fibula found in its neighbourhood, is sufficient to satisfy the most
credulous how little faith can be put in the engravings.

The most numerous and remarkable of all the Scottish sepulchral mounds,
both for number and size, are the stone tumuli or CAIRNS, many of
which are works of great labour and considerable skill. These singular
monumental pyramids are by no means to be accounted for from any local
peculiarities furnishing a ready supply of loose stones. They abound
in almost every district of the country, and are frequently of much
larger dimensions than the earthen tumuli, though the nature of their
materials has led to the destruction of many of them in the progress
of inclosing lands for agricultural purposes. We learn from the Book
of Joshua of the practice of raising heaps of stone over the dead
as a mark of indignity or abhorrence. The contents of the Scottish
sepulchral cairns, however, prove for them an altogether different
origin, as will appear when we come to review them in detail. They are
generally designed on a larger scale than the earthen tumuli, and must
have ranked at a remote period among the most distinguished honours
awarded to the illustrious dead.

Another remarkable, though much rarer sepulchral monument, is the
Cromlech, or "Druidical altar," as it was long erroneously termed,
until archæologists, abandoning theory for observation, discovered
that these huge monolithic structures invariably marked the sites of
ancient sepulture. Similar primitive colossal structures are found,
not only throughout the whole British Isles, but in many parts of
the continent of Europe, and are occasionally discovered, like the
slighter cist, entombed beneath the earth-pyramid or tumulus, affording
thereby singular evidence of the unostentatious liberality with which
the honours of the dead were rendered in the olden time to which they
belong.

The Wiltshire of Scotland, in so far as the mere number of sepulchral
mounds, along with monolithic groups and other aboriginal structures,
can constitute this distinction, is the mainland of Orkney, with one
or two of the neighbouring isles. Few of their contents, however,
have proved of the same valuable character as those which have
been discovered not only in Aberdeenshire, Fifeshire, and some of
the southern Lowland counties, but also in the Western Isles. We
are therefore led to infer that the population of Orkney has been
little more distinguished for wealth, or great advancement in the
arts, during its earlier history than in more recent times. Abundant
evidence, however, testifies to the occupation of these islands by a
human population at a very remote era, and no Scottish locality ever
furnished a greater variety of interesting relics of the primeval
period. In the single parish of Sandwick, near Stromness, upwards of
an hundred tumuli of different sizes have been observed, many of which
have been recently opened, and their contents described. In the parish
of Orphir, in like manner, considerable research has been made into the
character and contents of these ancient memorials; while throughout
nearly the whole of the neighbouring islands, the mosses and moors
which have escaped the obliterating inroads of the ploughshare, are
covered with similar monumental heaps.

It is not to be doubted that such relics of ancient population were
once no less common throughout the whole mainland of Scotland, and
especially in the fertile districts of the low country, where the
earliest traces of a numerous population may reasonably be sought for.
A sufficient number still remain in Fife and the Lothians, as well as
in the southern counties, to afford means of comparison with other
localities; while numerous discoveries of cists, urns, and ancient
implements, leave no room to doubt that the same race once occupied
the whole island, and practised similar arts and rites in the long
cultivated districts of the low country, as in the remotest of the
northern or western isles.

It is not improbable that extended observation may justify a more
minute classification of the primitive sepulchral monuments of
Scotland than has been attempted above, and may establish a relative
chronological arrangement of them on a satisfactory basis. With our
present imperfect knowledge, any theoretic system would only embarrass
future inquiry. But meanwhile it may assist in forming a basis for
further operations, to note the following attempts at systematic
arrangement from such data as are available.

1. The Scottish long barrow, which is generally somewhat depressed
in the centre, and more elevated towards one end than the other, may
be assumed with little hesitation as one of the earliest forms of
sepulchral earth-works. It is now comparatively rare. As the work of
a thinly scattered population, it is probable that examples of it
were never very numerous, and of these we may perhaps assume that
the greater number have been gradually obliterated by structures of
more recent date. So far as I am aware, no metallic implements have
ever been found in the Scottish long barrow. Examples of pottery are
also of very rare occurrence, and it is doubtful if any of these
have furnished instances of the presence of the cinerary urn and its
imperfectly burned contents in the primeval sepulchres. It is rather
indeed from the absence of traces of art or ingenuity that we may most
satisfactorily assign to this class of mounds the priority in point
of antiquity. The form of the long barrow seems in itself to suggest
the probability of an earlier origin than the circular tumulus, since
it is only an enlargement of the ordinary grave-mound which naturally
results from the displacement of the little space of earth occupied
by the body, and in this respect strikingly corresponds with the most
primitive ideas of a distinctive sepulchral memorial--a larger mound
to mark that of the chief or priest, from the encircling heaps of
common graves. In a long barrow opened in the neighbourhood of Port
Seaton, East-Lothian, in 1833, a skeleton was found laid at full length
within a rude cist. It indicated the remains of a man nearly seven
feet high, but the bones crumbled to dust soon after their exposure to
the air.[53] One of the largest Scottish earth-works of this primitive
form is that already referred to, situated on the margin of the loch
of Stennis, in the vicinity of the celebrated Orcadian Stonehenge. It
is the only long barrow on the mainland of Orkney, but its form and
proportions differ considerably from those commonly met with. It seems
probable that this belongs to a late era, and owes its origin to the
same Norwegian source as the neighbouring conoid earth pyramids that
tower above the bowl barrows of the aboriginal Orcadians.

At a very early date, undoubtedly within the primitive era to which
we give the name of the Stone Period, but apparently only towards
its close, the practice of cremation was introduced. This, however,
is one of the many points that must be left for final determination
when a greater number of accurate and trustworthy observations have
been accumulated. Meanwhile it may be assumed as unquestionable, that
simple inhumation is the most ancient of all modes of disposing of the
dead, and we possess abundant evidence of its use in this country,
apparently by the earliest colonists of whom any definite traces now
exist. We are not without proof that there was a long transition-period
after the remarkable change consequent on the acquisition of metals,
before the stone implements and arts were completely superseded by
those of bronze; and it is to this era we shall most probably have
to assign the first practice of cremation. Both the introduction of
the metallurgic arts and the change of sepulchral rites may indeed
be equally supposed to mark the influence, if not the advent, of a
new race. In nearly every state of society the burial of the dead is
associated with the most sacred tenets of religion, and its wonted
rites are among the very last to be affected by change. It accords
therefore with all analogy that the source of so remarkable a change
should come from without, and accompany other equally important social
revolutions. It will be seen in a succeeding chapter, that some of
the very rudest and apparently most primitive of cinerary urns yet
found in Scotland have been associated with undoubted proofs of their
connexion with the bronze period. But it has not hitherto been the
prevailing fault of British antiquaries to assign too remote an era to
the introduction of the funeral pile. It has rather been one of the
endless blunders springing from the too exclusively classical nature of
modern education, to assume for it a Roman origin, and to accept the
urn as an evidence of Roman influence and example, even where it was
owned to be the product of native art. If, however, we make sufficient
allowance for the poetical preference of the funeral fire and the
inurned ashes, rather than the simple and more common rite, and so
decline to receive some of the allusions of Virgil and Ovid as historic
evidence of the ancient usage of the former by the Romans, we shall
find good reason for inferring that the funeral pile should rank among
the later introductions of Roman luxury, derived in all probability
from the Greeks, by whom it was used at a very early period. The oldest
accounts indeed which we possess of the sepulchral honours of the
funeral pile, the urn, and the monumental tumulus, are the descriptions
of the funeral rites of Patroclus and Hector in the Iliad. The whole
circumstances are characterized by much simple grace and beauty:--the
burning of the body during the night, the libations of wine with which
the embers were quenched at the dawn, the inurning of the ashes of the
deceased, and the methodic construction of the pyramid of earth which
covered the sacred deposit, and preserved the memory of the honoured
dead.[54] The testimony of Pliny, on the contrary, is most distinct
as to the introduction of a similar practice among the Romans at a
comparatively late period.[55]

Independent of the consideration of Roman usage, it is unquestionable
that the funeral pile must have been in use in the British Isles for
many generations before the era of the Roman Invasion, if not indeed
before that of Rome's mythic founder. But the evidence of the Scottish
tumuli, while it proves the ancient practice of cremation, shows also
the contemporaneous custom of inhumation; nor is it possible, so far
as I can see, to determine from the amount of evidence yet obtained,
that one of these was esteemed more honourable than the other.[56] It
is not, indeed, uncommon for the larger tumuli to contain a single
cist, with the inhumed remains untouched by fire, and around it, at
irregular intervals, several cinerary urns, sometimes varying in size
and style, but all containing the half-burned bones and ashes of the
dead. The inference which such an arrangement suggests would seem to
point to inhumation as the more honourable rite; but even where either
inhumation or cremation has been the sole mode of disposing of the
bodies, we still detect obvious marks of distinction, and of superior
honours conferred on one or more of the occupants of the tumulus. In
one of the largest of a numerous group of tumuli near Stromness, in
Orkney, which was opened by the Rev. Charles Clouster, minister of
Sandwick, in 1835, evidences of six separate interments were found,
all so disposed on the original soil, and in contact with each other,
as scarcely to admit of doubt that the whole had taken place prior to
the formation of the earthen mound beneath which they lay. Two large
and carefully constructed cists occupied the centre, and contained
burnt bones, but without urns; while around these were four other
cists, extremely rude, and greatly inferior both in construction
and dimensions. In such we probably should recognise the family
cemetery,--the two larger and more important cists containing, it may
be, the chief and his wife, and the surrounding ones their children, or
favourite dependents, or perhaps their slaves.

One of the most interesting examples which have been accurately
observed of simple interment accompanied with urns and relics entirely
belonging to the primitive period, was discovered on the opening of a
small tumulus in the parish of Cruden, Aberdeenshire. Within it was
found a cist containing two skeletons nearly entire. One of these
was that of an adult, while the other appeared to have been a youth
of twelve or thirteen years of age, in addition to which there were
also portions of the skeleton of a dog. Beside them stood two rude
clay urns, slightly ornamented with encircling lines, but containing
no incinerated remains; and within the cist were found seven flint
arrow-heads, two flint knives, and a polished stone, similar to one now
in the Scottish Museum, which is described in a succeeding chapter. It
is slightly convex on one side, and concave on the other, with small
holes drilled at the four corners, by which it would seem to have
been attached, most probably, to the dress, as an article of personal
adornment. These curious relics are now in the collection of Adam
Arbuthnot, Esq., of Peterhead.

Cæsar relates of the Gauls that they burned their honoured dead,
consuming along with them not only the things they most esteemed when
alive, but also their dogs and horses, and their favourite servants
and retainers.[57] Without any reference to this remarkable passage,
it is scarcely possible to overlook the evidence which suggests the
idea of some such Suttee system having prevailed among the aboriginal
Britons, when observing the opening of a large tumulus, as it
discloses its group of cists or urns, or of both combined. It seems
hardly reconcilable with the general customs or ideas of a primitive
community, to suppose that the earthen pyramid was systematically
husbanded by its ancient builders like a modern family vault, or
disturbed anew for repeated interments, unless by those who had lost
all remembrance of its original object. Towards the close of the
Pagan era, and in that transition-period which extends in Scotland
from the fifth to about the ninth century, during which the rites of
the new faith were still blended with older Pagan customs, it was no
doubt different, and regular cemeterial tumuli are found, which must
have accumulated during a considerable period. These, however, differ
essentially from the earlier tumuli; and if we are to suppose the whole
group of urns or cists in the latter to have been deposited at once,
it is difficult to conceive of any other mode of accounting for this
than the one already suggested, which is so congenial to the ideas of
barbarian rank, and of earthly distinctions perpetuated beyond the
grave. Instances do indeed occur both of cists and urns found in large
tumuli near the surface, and so far apart from the main sepulchral
deposit as to induce the belief that they may have been inserted at a
subsequent period; while the large chambered tumuli and cairns must be
supposed to have been the burial-places of a tribe or sept. It must
not be overlooked that the tumuli are not, in general, to be regarded
as common graves, but as special monumental structures reserved alone
for the illustrious dead; among whom, no doubt, were reckoned those who
fell in battle, and over whom we may therefore conceive the surviving
victors to have erected those gigantic cairns which are occasionally
found to cover a multitude of the dead. But some of the Scottish cairns
which have been found only to inclose a solitary cist, must have
occupied the labour of months, and required the united exertions of a
numerous corps of workmen, to gather the materials, and pile them up
into such durable and imposing monuments.

The remembrance of how greatly the dead of a few generations outnumber
the living, would alone suffice to show that the tumuli could not be
common sepulchral mounds. Such a custom universally adopted for a
few generations in a populous district, would surpass the effects of
deluges and earthquakes, in the changes wrought by it on the natural
surface of the ground. The laws of Solon interdicted the raising
of tumuli on account of the extent of land they occupied; and the
Romans enacted the same prohibitory restrictions prior to the time of
Cicero. We are familiar with the common modes of British sepulture,
contemporaneous with the monumental tumulus; both the cist and the
urn being very frequently found without any artificial increase of
the superincumbent soil to mark the spot where they are deposited.
Their inhumation beneath the soil, as well as the frequent occurrence
of numbers together, point them out as the common and undistinguished
graves of the builders of the tumuli. Where the tumulus was to be
superimposed no such interment took place. The cist was constructed
on the natural surface of the soil, and over this, earth brought from
a distance--or occasionally cut away from the surface immediately
surrounding the chosen site, so as thereby to add to its height--was
heaped up and moulded into the accustomed form. In its progress the
accompanying urns were disposed, frequently with little attention to
regularity, in the inclosed area; nor is it uncommon to find along
with these the bones of domestic animals. In the later tumuli are
occasionally found the bronze bridle-bit and other horse furniture, and
sometimes teeth and bones, and even the entire skeleton of the horse.
The skeleton of the dog is still more frequently met with: and it is
to be regretted that in Scotland the fact has hitherto been recorded
without any minute observations being attempted on the skeleton, from
which to ascertain its species, and perhaps thereby trace the older
birthland of its master.[58] The Rev. Alexander Low, in a communication
laid before the Society of Antiquaries of Scotland in 1815, refers
to the entire skeleton of a horse discovered interred between two
cists, where a large cairn had been demolished in the parish of
Cairnie, Aberdeenshire. Other examples will come under our notice, all
indicating the prevalence of the custom above referred to, so consonant
with barbarian ideas of rank, and with the rude conceptions of a future
state which still linger in parts of the Asiatic continent, where
the philologist has traced the evidences of a common origin with the
wandering tribes that found their way across the continent of Europe
and peopled the British Isles. This, however, in passing: the reader
will find no difficulty in separating fact from fancy when judging for
himself.

The Long Barrow has been stated to belong apparently to the rude
primeval period; but the number of examples which have been carefully
examined are still too few to admit of very positive conclusions being
assumed. A remarkable group of Scottish long barrows occurs in the
immediate neighbourhood of the Pass of Keltnie, Perthshire. One of them
was opened in 1837, and found to contain unburnt bones, along with
which were discovered several rude horn lance-heads and pieces of bone
artificially cut. The state of preservation in which these were, when
compared with the rapid decay of the human remains almost immediately
on their exposure to the air, opens up an interesting inquiry in
relation to these primitive sepulchral deposits. The very different
conditions in which the contiguous bones are found seem at first sight
incompatible with the idea of their having been deposited along with
the original occupants of the barrow. But the fragile texture of the
human skeleton, when compared with that of the lower animals, is well
known. Professor Goodsir informs me that his investigations have led
him to the direct conclusion that the bones of the lower animals decay
much less rapidly than those of man. The state of the skeletons of
dogs and horses found in the tumuli confirms this conclusion, which
is probably sufficiently accounted for by the greater delicacy of
structure characterizing the human osteology. But independently of
this, bone implements finished and deposited in a cist or tumulus in a
perfect state, would be much less directly exposed to the influences
affecting the skeleton amid the decomposition of the vascular tissues.
It may be noted along with these observations on early tumuli, that
a large conical cairn in the vicinity of the long barrows of Keltnie
was demolished in 1836. It contained eleven cists, several of which
inclosed cinerary urns, but no metallic relics were found in them.

The change to the circular tumulus is not accompanied with any
indications of alteration in the arts of its constructors. Stone
weapons and implements are of frequent occurrence in the latter,
and particularly in the bowl barrow, though no distinctive evidence
has yet been noted in relation to the most common forms of tumuli,
sufficiently marked to be resolved into any general rule, save the
very natural and obvious one, that the larger ones appear from their
contents to be the more important. It is manifest, however, that some
art was always exercised in giving to the tumulus an artificial form.
Neither the bowl nor the bell shape is that which earth naturally
assumes when thrown up into a heap. The form is therefore a matter
worthy of further observation, and may yet prove a legitimate basis of
stricter classification in reference to the era or race, than that now
attempted. The bell-shaped tumuli are not very common in Scotland, but
where they do occur they are generally of the larger class, though not
always distinguished by any marked peculiarity in their contents. Such
was found to be the case on opening the Black Knowe, which appears from
a drawing of it to be a bell-shaped tumulus, and is one of the most
remarkable for size in the parish of Rendale, Orkney. It was explored
in February 1849 by Mr. George Petrie, a zealous Orkney antiquary, in
company with Lieutenant Thomas, R.N., while engaged in the Admiralty
Survey. I am informed, however, by the latter, that its shape was by
no means uniform, and viewed from some points it differed little from
the common bowl barrow, of which it is computed that above two thousand
are still to be found scattered over the Orkney Islands alone. In the
centre and on a level with the natural surface of the soil, there was
found a small chamber or cist of undressed stones, measuring eighteen
by twelve inches, and containing only an extremely rude cinerary urn,
filled with bones and ashes mixed with clay.

Both the Enclosed and the Encircled Barrows are frequently of large
dimensions, and indicate by their contents that they belong to the
later era, when the metallurgic arts had been introduced. In various
instances the contents of the enclosed barrow, or tumulus surrounded
with an earthen vallum, clearly prove it to belong to the Roman era.
In one, for example, in the neighbourhood of Rutherglen, Lanarkshire,
which measured 260 feet in circumference, a gallery or long chamber
was discovered, constructed of unhewn stones, and containing, among
other relics, two brass vessels, which from the description appear to
have been Roman patellæ. On the handle of each of them was engraved the
name CONGALLUS or CONVALLUS. With these were deposited various native
relics, including a perforated stone and three large glass beads,
such as are frequently found in earlier British tumuli.[59] Examples,
however, are not wanting of the enclosed barrow with contents belonging
to an earlier period. One of such formed the largest of a group which
occupied the summit of one of the Cathkin hills in the parish of
Kilbride. It measured eighteen feet in height, and one hundred and
twenty feet in diameter, and bore the name of Queen Mary's Law, from
a popular tradition that the hapless Mary watched from its summit
the ebbing tide of her fortunes on the fatal field of Langside. This
interesting memorial, thus associated with two widely severed periods
of Scottish history, afforded building materials to the district for
many years, until in 1792 some workmen while employed in removing
stones from it, exposed to view a vault or chamber situated towards the
west side of the mound, and containing twenty-five rude cinerary urns.
They were placed, as is most usual in the earlier sepulchres, with
their mouths downward, and underneath each urn lay a piece of white
quartz. Exactly in the centre of the cairn a rude cist was discovered
measuring nearly four feet square, and among a quantity of human bones
which surrounded it were two rude fibulæ of mixed metal, and an armilla
or ring of cannel coal. Another fibula and an equally rude metal comb
were found in one of the urns.[60]

The Crowned and the Encircled Barrows closely resemble a class of
monuments which abound in Sweden and Denmark, while they are of rare
occurrence in England. In the "Samlingar för Nordens Fornälskare,"[61]
a variety of examples of both have been engraved; some of which have
a second circle of stones placed about half-way up the mound, and a
large standing stone on the summit. Such correspondence, however, is
not necessarily a proof of Scandinavian origin, nor do they occur
most frequently in districts of Scotland where the long residence
or frequent incursions of the Norwegians would lead us to expect
Scandinavian remains. In a large encircled barrow called Huly Hill,
opened in 1830, at Old Liston, a few miles to the west of Edinburgh, a
bronze spear-head was found along with a heap of animal charcoal and
small fragments of bones, but neither cist nor urn. A solitary standing
stone, measuring about nine and a half feet in height, occupies a
neighbouring field, a little to the east of it. Another barrow which
stood near the Abbey of Newbattle, East-Lothian, was of a conical form,
measuring thirty feet in height, and ninety feet in circumference at
the base. It formed a prominent and beautiful object in that noble
demesne, surrounded at its base with a circle of standing stones,
and crowned on the summit with a large fir-tree. On its removal to
make way for some additions to the Abbey, it was found to contain a
cist nearly seven feet long, enclosing a human skeleton. A remarkable
skull preserved in the Edinburgh Phrenological Museum, and described
as found in a stone coffin in a tumulus opened at Newbattle in 1782,
appears to belong to this memorial mound.

One other remarkable form of barrow occasionally, though very rarely,
found in Scotland, in all probability owes its origin to the Vikings
who invaded and colonized our coasts at the close of the Pagan period.
This consists of an oblong mound of larger size than the primitive
long barrow, and terminating in a point at both ends. Some examples
are also inclosed with stones, having one of considerable size at
each end; and from their rarity and their remarkable resemblance to
the _Skibssœtninger_, or ship barrow of Sweden, there can be little
hesitation in assigning to them a Scandinavian origin. One of these
encircled ship barrows was only demolished a few years since, on the
farm of Graitney Mains, Dumfriesshire, but no record of its contents
has been preserved. A much more celebrated one, and, according to
venerable traditions, of undoubted native origin, is the Mound of
St. Columba, at _Port a Churaich_, or the Bay of the Boat, which
is believed to mark the spot where the Saint first landed on Iona.
It measures about fifty feet in length, and is supposed to be a
model of St. Columba's _currach_, or boat made of wicker and hides,
built by him in commemoration of his landing on the sacred isle. An
upright stone formerly stood at each end, and near to it is a smaller
mound, representing, as is said, the little boat towed astern. In
all probability an investigation of the contents of this traditional
memorial would prove its sepulchral character, as has been found to
be the case in other Scottish ship barrows.[62] These singular tumuli
are described by Chalmers as "oblong ridges, like the hulk of a ship,
with its bottom upwards." But it appears from the investigations of
northern antiquaries, that this sepulchral monument was not only the
mimic representation of the Vikings' ship, but that the contents of the
Scandinavian _Skibssœtninger_ seem to confirm the assertion of their
sagas, that these warriors of the deep were sometimes literally burnt
in their ships, and the form of the favourite scene of their triumphs
renewed in the earth-work that covered their ashes.[63]

To this class probably belongs a very large earth-work, styled the
Hill of Rattray, Perthshire, and perhaps also another of still larger
dimensions, called Terrnavie, in the parish of Dunning, in the same
county. It is a mound of earth, resembling a ship with the keel
uppermost, and occupying several acres of ground. The name appears
to be a corruption of terræ navis, or earth-ship, given to it on
account of its form. Superstition has conferred a sacredness on it,
by the association of legends evidently of primitive character. It is
told that a profane hind, having proceeded to cut turfs on the side
of the Terrnavie, was suddenly appalled by the vision of an old man,
who appeared in the opening he had made, and after demanding, with an
angry countenance and voice, why he was tirring (unroofing) his house
over his head, as suddenly vanished.[64] Remains of ancient armour were
dug up a few years ago, on the farm of Rossie, a little to the east of
Terrnavie; of these "two helmets, a small hatchet of yellow metal, and
a finger ring, are preserved in Duncruib House."[65]

The barrow was not, in all probability, entirely superseded until some
time after the introduction of Christianity into Scotland. Several
examples seem to indicate that the Anglo-Saxons were wont to convert an
accumulating barrow into the general place of sepulture of a locality,
interring the body apparently in its ordinary robes, but without any
cist. Such appears to have been the tumular cemetery at Lamel Hill,
near York, of which a minute account is given by Dr. Thurnam, in the
Archæological Journal; and such also was a large sepulchral mound,
levelled near the beach at North Berwick, East-Lothian, in 1847, in
preparing a site for new gas-works. The latter was in the immediate
vicinity of what appears to have been used as a general burial ground
probably till a late medieval era, but its contents were clearly
referrible to the Anglo-Saxon period; while in the same neighbourhood
many cists and other relics of still older races have been found. This
last adaptation of the primitive memorial mound as the cemetery of
a whole race, ere it was abandoned along with the creed to which it
had been allied, is thus beautifully referred to in the description
by Dorban, an ancient Irish poet, of the _Relec na Riogh_, the place
of interment of the kings of the Scotic race, of which the last Pagan
monarch was killed in the year 406.

    "Fifty mounds, I certify,
    Are at Oenach na Cruachna,
    There are under each mound of them
    Fifty fine warlike men.
    Every hill which is at Oenach
    Has under it heroes and queens,
    And poets and distributers,
    And fair fierce women.

    "The host of Connaught that was energetic,
    A truly warlike host,
    Beautiful the valiant tribe,
    Buried in Cathair Cruachna.
    There is not at this place
    A hill at Oenach na Cruachna,
    Which is not the grave of a king or royal prince,
    Or of a woman or warlike poet."[66]

The Cruachna, or Cruithne, are the older Pictish or Celtic race
particularly referred to hereafter. They are numbered among the Pagans
in the same poetic description of the great regal cemetery of Ireland,--

    "The three cemeteries of idolaters are
    The cemetery of Tailten, the select;
    The cemetery of the ever-fair Cruachan,
    And the cemetery of Brugh."

Of all the more remarkable Scottish sepulchral memorials, the Cairn
is most frequently found, scattered through many districts, and
corresponding in form to nearly every class of the earthen tumuli. So
common, indeed, are cairns in many parts of the country, that they give
names to the farms on which they stand, the prefix or termination,
cairn, being of very frequent occurrence in such designations of
property, particularly in Aberdeenshire. The cairn appears to have been
completely incorporated with the ideas of the people, from the remotest
period of the rude stone implements, to the close of Pagan customs
and sepulchral rites, and is justly described as a Celtic monument.
Its name, _kærn_, is a primitive term, literally signifying heaps of
stones.[67] Dr. Jamieson traces it back to the Hebrew _kern_, a horn,
also applied to a hill. In the agreement between Jacob and Laban, we
see an example of the standing stone and cairn, the "pillar and heap,"
employed as the memorials of a covenant by the Hebrew patriarch. In the
sepulture of Achan and of Absalom we have examples of the cairn as a
mark of obloquy and contempt; but no traces of such associations are
discoverable in Scotland, unless in very recent times. Occasionally we
meet with examples of the pillar and heap united in a memorial cairn,
as in one of large dimensions, situated at the junction of two roads,
near the village of Fowlis, Perthshire, which is surmounted by a large
standing stone, corresponding to the barrows, for which the distinctive
appellation of crowned tumuli is suggested. The estimation of the
cairn as an honourable memorial of the dead, is proved not only by the
valuable contents, more frequently discovered in cairns than in any
other Scottish sepulchral mounds, but also by the associations which
popular tradition has preserved. A proverbial expression, still in use
among the Scottish Highlanders, is _Curri mi clach er do cuirn_, I will
add a stone to your cairn: _i.e._, I will honour your memory when you
are gone. The conical cairn must have been in use in Scotland during
a longer period than any other sepulchral memorial. It undoubtedly
belongs to the Stone Period, during which it was frequently constructed
of proportions no less gigantic than in later eras, and much greater
than any contemporary earthen tumulus. But it appears to have been the
favourite and most distinguished sepulchral memorial of the aboriginal
races, throughout the whole three periods into which archæologists
divide the long era prior to the revolutions effected by Roman
civilisation and the introduction of Christianity. Cairns are either
still found, or are known to have existed, in nearly every parish
of Scotland. Many of these have been works of great labour, being
regularly built of stones of considerable size, and approaching more to
the character of a constructive pyramid, than of a mere stone tumulus
or heap. Their form is most frequently conical, but several varieties
occur, including occasionally, though rarely, the primitive shape of
the long barrow. Ure describes two of this form, which were situated in
the parish of Baldernoch, Stirlingshire, near a large cromlech, which
still exists, styled, _The auld wives' lift_. The largest of these
cairns measured sixty yards in length, and only ten yards in breadth.
On its demolition it was found to cover a sepulchral chamber of about
four feet in breadth, constructed of rows of broad stones set on edge,
covered with large flat stones, and containing numerous human remains.
In the other long cairn, which was opened in 1792, a similar chamber
enclosed both urns and human bones. Various other cairns still remain
unopened in the same district; and many of equal magnitude are to be
met with in different parts of the country. The well-known antiquary,
Mr. Joseph Train, furnishes an interesting account of several
remarkable cairns in the parish of Minniegaff, Kirkcudbrightshire. One
of these, called _Drumlawhinnie_, on the moor of Barcly, measures 891
feet in circumference. Another of equal dimensions, called the _Boss
Cairns_, on the moor of Dranandow, which has been partially demolished
to construct the neighbouring field inclosures, contains a sepulchral
inclosure, similar to the cruciform chambers found in several of the
most celebrated gigantic Irish cairns. It measures internally eighty
feet in length, from the corresponding limbs of the cross each way,
while it is only four feet wide and about three feet high. The stones
in the middle of the cairn are very large, and are laid in regular
courses, from the bottom to a considerable height, and become gradually
smaller as they recede from the centre. The chamber of the _Grey
Cairn_, on the neighbouring Drum of Knockman, closely resembles this in
form and dimensions, and various others occur in the district. In one
of them, called the _White Cairn_--which furnished a safe concealment
to the Laird of Glencaird and his two sons, when pursued by Claverhouse
for harbouring some of the persecuted Covenanters--some of the stones
used in constructing the internal chamber are upwards of a ton weight
each.[68] Pennant has preserved a variety of interesting details of the
contents of cairns opened towards the close of last century. In one
described by him on the hill of Down, near Banff, a chamber was found
containing a large ornamented Celtic urn, with three smaller plain ones
disposed around it. The whole were filled with ashes and burnt bones,
in addition to which were flint arrow-heads, and two bone implements.
Thirteen of the arrow-heads, and one of the implements, were found
in the large central urn.[69] In two cairns in the parish of Tynron,
Dumfriesshire, more recently opened, there were found cists, each of
which contained fragments of bone, and a stone hammer.[70] Similar
relics have been found in the cairns of Wigtonshire, where these
sepulchral monuments are so numerous, that forty-nine have been counted
in the small valley of Barnair. There is, indeed, no lack of abundant
testimony to prove the erection of some of the largest Scottish cairns
during the Stone Period. Others of later eras are equally common.

    Sir John Clerk of Pennycuick communicated to Roger Gale, Esq.,
    in 1726, a very interesting account of five cairns, opened
    and examined by himself or his friends, in different parts
    of Scotland. One at Bruntone, in the parish of Pennycuick,
    Mid-Lothian, contained only two cists, each about two feet
    in length, but without urns or relics. Another in Ayrshire
    contained human bones, apparently of a number of men, which had
    been partially subjected to fire, and beside them lay a flint
    adze, or axe-head. The contents of the third, which was also in
    the west of Scotland, are thus described:--"Some urns, placed
    on the top and about the sides of it, as well as some principal
    urns at the bottom, over which it had been raised. Large bones
    of horses and oxen, confusedly scattered among the stones and
    rubbish. The head of a spear, half melted by fire, and several
    other brass instruments, which had likewise suffered in the
    fire, and could not be well known."[71] The others, which were
    situated, one at Pennycuick, Mid-Lothian, and the other in
    Galloway, appear to have been native cairns, contemporary with
    the Roman invasion,--thus furnishing a series of examples of
    the Scottish cairn pertaining to each of the Pagan eras of our
    national history.

In the year 1828 a remarkable cairn was opened on Airswood Moss,
Dumfriesshire, by a party of labourers, when seeking for stones with
which to build a "march <DW18>," or boundary wall. The cairn consisted,
as usual, of a heap of loose stones, surrounded by a ring of larger
stones, closely set together. These formed a regular circle, measuring
fifty-four feet in diameter. Its form, however, was singular. For about
fourteen feet from the inner side of the encircling stones it rose
gradually, but above this the angle of elevation abruptly changed, and
the centre was formed into a steep cone. Directly underneath this a
cist was found, lying north and south, composed of six large unhewn
stones, and measuring in the interior four feet two inches in greatest
length, with a depth of two feet. It contained only human bones,
indicating a person of large stature, laid with the head towards the
north. The further demolition of the cairn disclosed a curious example
of regular internal construction on a systematic plan. From the four
corners of the central cist there extended, in the form of a saltire,
or St. Andrew's cross, rows of stones overlapping each other like the
slating of a house. At the extremity of one of these, distant about
fourteen feet from the central cist, another was found of corresponding
structure and dimensions, but laid at right angles to the radiating row
of stones. Another is said to have been found at the extremity of one
of the opposite limbs of the cross; and it seems most probable that
the whole four were originally conjoined to corresponding cists, but a
considerable portion of one side of the cairn had been removed before
attention was directed to the subject. Between the limbs of the cross a
quantity of bones, in a fragmentary state, were strewn about.[72] Such
a disposition of a group of cists, under a large cairn, though rare,
is not without a parallel, and may perhaps be found characteristic of
a class. The Rev. Harry Robertson of Kiltearn describes one in that
parish, about thirty paces in diameter, which contained a central cist
three and a half feet long, and at the circumference on the east,
south, and west sides, three others of similar dimensions. As the cairn
was in this case also imperfect, and partly demolished, it is not
improbable that a fourth, on the north side, may have been previously
destroyed.[73] Here, as in the tumuli with cinerary urns surrounding
the central cist, the group of urns in the cairn on the hill of Down,
and in numerous other instances, we find a singular arrangement,
apparently designed as subservient to the honours lavished on some
distinguished chief.

One of the most remarkable groups of cairns in Scotland associated
with other primitive monuments, occurs on a small plain washed by the
River Nairn, about a mile to the east of the field of Culloden. The
whole plain, for upwards of a mile in extent, is covered over with
large cairns, encircled by standing stones surrounding them at uniform
intervals. Numerous circular groups or "Druidical Temples" occur in
the same neighbourhood, with single monoliths and detached circles
of small stones, scarcely visible amid the thick covering of grass
and heath, but indicating, in all probability, the sites of ancient
dwellings of the cairn-builders. An interesting natural chronometer
is of frequent occurrence in connexion with these rude memorials of
primitive habits, furnishing unmistakable evidence of the remoteness of
the era to which they belong, and supplying data which may hereafter
prove to be reducible to definite computation. The accumulation, not
only of alluvium, but of peat-moss over the structures of early art,
has already been referred to in describing the ancient boats, harpoons,
&c., discovered in various localities. It will repeatedly recur in the
course of our inquiry in relation to various classes of memorials of
the past. The traveller, in passing from Bunaw Ferry, on Loch Etive,
to Beregonium, Argyleshire, passes over an extensive moor, known by
the name of the "Black Moss." On this, or rather rising up through it,
are several large cairns, with here and there the remains of others
which have been demolished for the purpose of inclosing fields or
building cottages. In various parts considerable portions of the moss
have been cleared away, exposing, at a depth of from eight to ten
feet, the original soil upon which these sepulchral mounds have been
reared, and bringing to light other interesting memorials of their
builders, hereafter referred to. With such evidence of the slow growth
of centuries obliterating the traces of primitive occupation, and
effecting such changes on the natural features of the country, it is no
vague conjecture which refers to an early era the period when this wild
and barren moor was the scene of life and intelligence, and, it may be,
of many useful arts. Along with these may be mentioned another group
of cairns, including one of unusually large dimensions, not inclosed
by the gathered moss of ages, but surrounded by the encroaching tide,
on the north shore of the Frith of Beauly, Ross-shire, affording no
less striking, though diverse evidence of the remote era to which
they belong. In one of these sepulchral urns have been found, leaving
no room to doubt of their monumental character. The largest stands
about 400 yards within flood-mark; and an ingenious writer in the
Philosophical Transactions arrives at the conclusion that an area of
fully ten miles square, now flooded by the advancing tide, has once
been the site of the dwellings of the ancient cairn-builders. Thus is
it, while Time is sweeping away the hoar relics of the past, the traces
of his footprints enable us occasionally to return upon his track, and
learn how great is the interval that separates our present from the era
of their birth-time.

Ure, in his History of Rutherglen and Kilbride, furnishes interesting
notices of various large cairns demolished during last century, some of
which have already been referred to. One of these, which long served
as a quarry for an extensive district of the latter parish, was termed
Knocklegoil Cairn,--_Knoc-kill-goill_, the hill of the cell, or grave,
of the strangers. Some thousands of cart-loads of stones were taken
from it, in the course of which various cinerary urns were removed or
destroyed.

    Another, called Herlaw, (the memorial mound,) was of still
    larger dimensions. "Some thousand cart-loads of stones have,
    at different times, been taken from it; and some thousands yet
    remain. Many urns with fragments of human bones were found in
    one corner of it. It is still about twelve feet in height, and
    covers a base of seventy feet in diameter; but this must have
    been far short of its dimensions when entire."[74] The name of
    this gigantic cairn is still attached to the farm of Harelaw,
    on which it stood, but the last remains of the pile were
    removed about the year 1808, and a small group of trees now
    occupies its site. Such details might be multiplied to almost
    any amount, but one other remarkable cairn may be noted:--"On
    the hill above the moor of Ardoch," says Gordon, "are two
    great heaps of stones, the one called _Cairnwochel_, the other
    _Cairnlee_. The former of these is the greatest curiosity of
    the kind that I ever met with; the quantity of great rough
    stones, lying above one another, almost surpasses belief, which
    made me have the curiosity to measure it; and I found the whole
    heap to be about 182 feet in length, thirty in sloping height,
    and forty-five in breadth at the bottom."[75] Since these
    measurements were made the cairn has been opened, and within it
    was found a cist, containing, according to the account of the
    parish minister, the skeleton of a man seven feet long.[76]

As we are reasonably led to conclude that the tumuli and cairns were
mostly constructed at one time, as monuments, and not gradually
completed as they were filled on the death of successive members of a
family or tribe, the large chambered cairns must be considered as a
separate class from those first described. It is possible that they
may have been designed as the catacombs of a whole tribe; though it
is difficult to reconcile such an idea with the improvident habits of
a rude people, and with the monumental character usually traceable in
these structures. We should rather, perhaps, look upon the chambered
cairn as the memorial of the victors on some bloody battle-field.
On this supposition the Knoc-kill-goill, or hill of the strangers'
graves, would indicate the scene where triumphant invaders had paid
the last honours to their dead ere they bore off with them the spoils
of victory. Such suppositions, however, are altogether apart from the
facts with which we have chiefly to deal. The cromlech, which is now
almost universally recognised as a sepulchral monument,[77] formed
by far the most laborious and costly memorial which the veneration
or gratitude of primitive ages dedicated to the honour of their
illustrious dead. It consists of three or four large unhewn columns,
supporting a huge table or block of stone, and forming together a
rectangular chamber, which is frequently further inclosed by smaller
stones built into the intervening spaces. Within this area there is
generally found the skeleton, disposed in a contracted position, and
accompanied with urns and relics of an early period. As the sepulchral
tumulus is justly regarded as only a gigantic grave-mound, so the
origin of the cromlech may be traced to the desire of providing a
cist for the last resting-place of the chief or warrior, equally
distinguished from that which sufficed for common dust--

    "A little urn--a little dust inside,
    Which once outbalanced the large earth, albeit,
    To-day a four-years' child might carry it!"[78]

This class of sepulchral monuments is rare in Scotland when compared
with other monolithic structures that abound in almost every district
of the country. Some few interesting examples, however, are still found
perfect, while partial traces of a greater number remain to show that
the cromlech was familiar to the builders of the Scottish monolithic
era. One of the most celebrated Scottish cromlechs is a group styled,
THE AULD WIVES' LIFT, near Craigmadden Castle, Stirlingshire. It is
remarkable as an example of a trilith, or complete cromlech, consisting
only of three stones. Two of nearly equal length support the huge
capstone, a block of basalt measuring fully eighteen feet in length,
by eleven in breadth, and seven in depth. A narrow triangular space
remains open between the three stones, and through this every stranger
is required to pass on first visiting the spot, if, according to the
rustic creed, he would escape the calamity of dying childless. It is
not unworthy of being noted, that though the site of this singular
cromlech is at no great elevation, a spectator standing on it can see
across the island from sea to sea; and may almost at the same moment
observe the smoke from a steamer entering the Frith of Clyde, and from
another below Grangemouth, in the Forth.

[Illustration]

From the traces of ruined cromlechs which are still visible in various
parts of the country, some of them appear to have been encircled, like
a class of barrows described above, with a ring of standing stones; and
it is exceedingly probable that many of the smaller groups throughout
the country, designated temples, or Druidical circles, belong to the
class of sepulchral memorials. Such is the case with a monolithic group
in the parish of Sandwick, Orkney, and it is still more noticeable
in the ring of Stennis, where the cromlech lies overthrown beside
the gigantic ruins of the circle which once inclosed it. Various
other cromlechs still remain in Orkney. One called the Stones of Vea,
situated on the moor about half a mile south of the manse of Sandwick,
though overthrown, is otherwise uninjured. The capstone measures five
feet ten inches, by four feet nine inches, and still rests against two
of its supporters. A group, which stands on the brow of Vestrafiold,
appears to have included two if not three cromlechs. There is another
remarkable assemblage, in a similarly ruined state, near Lamlash
Bay, in the island of Arran; and a single cromlech stood--if it
does not still stand--in the centre of a stone circle in the same
island.[79] A fine one also remains, in perfect preservation, on the
southern declivity of the hill of Sidla, Forfarshire; another good
example has been preserved on the farm of Ardnadam, in the parish
of Dunoon, Argyleshire; and others, more or less complete, are to
be seen at Achnacreebeg, Ardchattan, and in various districts of
the West Highlands, as well as in other parts of Scotland. Some at
least of these gigantic structures were buried under a tumular mound,
precisely in the same manner as the smaller cists. In 1825 a cromlech
was discovered on the removal of a tumulus of unusual size, situated
near the west coast of the peninsula of Cantyre. It contained only the
greatly decayed remains of a human skeleton, but in the superincumbent
soil were found many bones, and the teeth of the horse and cow, also
in a state of decay. The capstone of this cromlech measured five by
four feet, and its four supporters were each about three feet high.[80]
A somewhat larger cromlech was disclosed, under nearly similar
circumstances, in the year 1838, on the levelling of a large mound or
tumulus, in the Phœnix Park, Dublin.

The whole of these examples are constructed of rough and entirely
unhewn blocks. The annexed figure represents a partially ruined
cromlech, at Bonnington Mains, near Ratho, Mid-Lothian, which is
interesting from some traces which it retains of artificial tooling.
Along the centre of the large capstone a series of shallow perforations
have been made at nearly regular intervals, and possibly indicate
a design of splitting it in two. Such is the idea formed by Mr.
F. C. Lukis in a somewhat parallel case, though any indication of
artificial formation in such primitive structures is of the very rarest
occurrence. Mr. Lukis remarks in a communication to the Archæological
Association:--"I send a sketch of the cromlech on L'Ancresse Common,
Guernsey, on which we have discovered a string of indentations,
probably made with a view to trim the side prop to the required size
of the capstone. These are the first appearances of art in any of
the primeval monuments, and nowhere have we found anything of the
kind excepting on a menhir in the parish of the Forest.... The use of
these indents we can only guess at; but as they follow the fracture
of the stone, (granite,) the early method of breaking stones would be
explained."[81] The Bonnington Mains Cromlech is of large size. The
capstone, which now rests on only two of its supporters, measures
11½ feet in length, and 10½ feet in greatest breadth. It bears
the name of THE WITCH'S STONE,[82] in accordance with the rustic legend
which ascribes its origin to an emissary of the famed old Scottish
wizard, Michael Scot. The term cromlech is probably derived from
_cromadh_ (Gaelic) or _cromen_ (Welsh), signifying a _roof_ or _vault_,
and _clach_ or _lech_, a stone. But the compound word is of ancient use
in Scotland. An extensive district in the neighbourhood of Dunblane,
Perthshire, which still bears the name of the Cromlix, is remarkable
for various large transported blocks scattered over its surface. One
of these, which has been supposed to have formed the capstone of a
large cromlech, measures 15½ by 10 feet; but it is very doubtful if
it owes either its form or position to human hands. According to the
proposed derivation the name may be rendered _the suspended stone_;
and its application to a district covered with transported rocks from
the neighbouring Ochils, of a date long prior to the historic era, is
in no way inconsistent with its more usual application to the primitive
monolithic structures. We have no satisfactory evidence that these are
Celtic monuments. The tendency of our present researches leads to the
conclusion that they are not, but that they are the work of an elder
race, of whose language we have little reason to believe any relic has
survived to our day. On this supposition the old name of Cromlech is of
recent origin compared with the structures to which it is applied; and
of this its derivation affords the strongest confirmation. It is just
such a term as strangers would adopt, being simply descriptive of the
actual appearance of the monument, but conveying no idea of its true
character as a sepulchral memorial.

[Illustration: The Witch's Stone, Bonnington Mains, Mid-Lothian]

Such are the monumental structures belonging to the primitive periods;
but examples of the cist and cinerary urn, deposited without any
superincumbent mound, are of extremely frequent occurrence. They are
most commonly grouped in considerable numbers, indicating the ordinary
rites of sepulture contemporary with the monumental tumulus or cairn.
In the first of these, as in cists found underneath ancient cairns
and tumuli, the body appears to have been generally interred in a
contracted posture, with the knees drawn up to the breast; and some
examples would even seem to indicate that the limb bones were broken
when the body could not otherwise be disposed within the straitened
dimensions which custom prescribed for the primitive tomb. The custom
may be traced to the idea prevalent long after the Christian era, that
it was unworthy of a warrior to die in his bed. The rude Briton was
accordingly interred seated, and with his weapons of stone or bronze
at his side, ready to spring up when the sound of the war-cry should
summon him to renew the strife. It seems probable that some few cists
of full proportions belong to a period prior to this custom, but it
undoubtedly prevailed for ages, and probably did not disappear till
after the introduction of Christianity. The short stone cist has been
discovered of late years in the immediate vicinity of some of the
most ancient Christian churches in the Orkneys, while examples of a
full-sized cist, with the inclosed skeleton extended at length, are met
with under circumstances, and with accompanying relics, which leave no
doubt that they belong to both of the primitive periods. One singular
variation from the custom of burial in the sitting posture has been
noted, in which the body has been interred with the knees bent, but
laid on the right side. It must, however, be at all times extremely
difficult to ascertain the exact position in which the body has been
originally laid, from the little crumbling heap of decayed bones lying
in the contracted cist; and there is no failing to which antiquarian
observers seem at present more liable than that of seeing too much. An
intelligent correspondent writes from Orkney,--

    "Graves are frequently found in which the skeletons lie in
    various positions; in some cases as if the bodies had been
    huddled into the grave without any care; in others the knees
    are considerably bent, and the skeletons lie on the right side.
    Several such examples have been discovered in Sandwick; and
    in a grave which I recently opened in Westray, the skeleton
    was found on its right side in a similar posture. I examined
    it carefully, and it conveyed the impression to my mind that
    the individual had been slain in battle, and the body had been
    laid in the grave in the posture it was found on the field of
    conflict. A similar posture has been observed in skeletons
    found in different islands. The rude figure of a Calvary cross
    carved on the stone which formed a side of one of the graves
    in Sanday, seems to indicate that they were made subsequent
    to the introduction of Christianity, in the same way that a
    mallet-head of gneiss, beautifully polished, found at the right
    hand of a skeleton buried in a sitting posture in a grave in
    Sandwick, denoted a date prior to that era."[83] It is possible
    that the body laid on its right side with contracted limbs,
    may be found to indicate the transition-period prior to its
    interment at full length. The latter mode of burial appears, in
    England at least, to have been restored in Anglo-Saxon times,
    and before the introduction of Christianity.

A very general impression prevails that the primitive cists are
invariably found lying north and south. But this is a hasty conclusion,
which has been the more readily adopted from the distinction it seems
to furnish in contrast to the medieval custom of laying the head
towards the west, that the Christian might look to the point from
whence he expected his Saviour at his second coming. Abundant evidence
exists to disprove the universal use of any particular direction in
laying the cists or interring the dead in the primitive period. A few
examples will suffice to show this. In 1824 a number of cists were
discovered in making a new approach to Blair Drummond House, near the
river Teith, Stirlingshire. They were of the usual character, varying
in size, but none of them large enough to hold a full-grown body laid
at length. Some contained urns of various dimensions, with burnt bones
and ashes, while in others the bones had no appearance of having been
exposed to fire. The urns were extremely rude and simple in form, and
no metallic relics were discovered among them. Here, therefore, we
have a primitive place of sepulture, in a locality already noted for
some remarkable evidences of very remote population. But the cists lay
irregularly in various directions, giving no indication of any chosen
mode or prevailing custom.[84] In 1814 several cists were discovered
in the parish of Borthwick, Mid-Lothian, of the ordinary character and
proportions, and in some cases containing urns, one of which is now
in the Museum of the Society of Antiquaries of Scotland. Others have
since been discovered in the same neighbourhood at various times, but
like those on the banks of the Teith, "they were placed without any
regard to order."[85] In constructing the new road to Leith, leading
from the centre of Bellevue Crescent, Edinburgh, in 1823, several
stone cists were found, of the usual circumscribed dimensions and rude
construction of the primitive period, but being disposed nearly due
east and west, were assumed without further evidence to be "of course
since the introduction of Christianity."[86] Another similar relic of
the aboriginal occupants of the site of the modern Scottish capital was
found in 1822, in digging the foundation of a house on the west side of
the Royal Circus. In this case the cist lay north and south, but the
head was laid at the south end. The whole skeleton, with the exception
of a few of the teeth, crumbled to dust on being touched.[87] In a cist
discovered in 1790, under a large cairn in the parish of Kilbride, the
skeleton lay with its head to the east. Such was its great age, that it
also speedily crumbled to dust.[88] Within the district of Argyleshire,
now occupied by the villages of Dunoon and Kilmun, many primitive cists
have been exposed, rudely constructed of unhewn slabs of the native
schistose slate, and some of them containing lance and arrow-heads of
flint, and other equally characteristic relics, but the irregularity of
their disposition proved that convenience alone dictated the direction
in which the bodies were laid. Other examples of irregular though
methodic arrangement of the cists found in cairns have already been
noted, and it would be easy to multiply similar instances. One more
will suffice. In the neighbourhood of the parish church of Cairnie,
Aberdeenshire, various cists have been exhumed of late years, lying
in different and apparently quite irregular directions. One found in
1836, by a farm-servant while digging for sand, lay at a depth of about
2½ feet below the surface. Its interior dimensions were four feet
by three feet, and it contained a human skeleton with the head laid
towards the east end. At the right side was a rude hand-made urn 5¾
inches in height, which is now preserved in the Museum of the Scottish
Antiquaries.

It is obvious, from these examples, that the mere direction in which
the body is laid is not in itself conclusive proof either of Pagan
or Christian sepulture. But there does also occur a numerous class of
instances, which seem to indicate that at some early period importance
was attached to the direction in which the body was laid, and then the
cist was placed north and south, or rather north-east and south-west,
with the head towards the north, and designed, it may be, to look
towards the meridian sun. So many instances of this are familiar to
archæologists, that it seems hardly necessary to produce examples:
but two of a peculiar character may be deserving of special notice.
In March 1826, a farmer on the estate of Wormeston, near Fifeness, in
levelling a piece of ground, discovered, at a depth of ten feet from
the surface, thirty cists, disposed in two regular rows, at equal
distances apart, and with the heads towards the north-east. Their
arrangement was peculiar, and obviously the result of some special
design. A line drawn along their ends was nearly due east and west, and
from this they declined obliquely, in the direction of north-east and
south-west. The whole lay parallel, and equidistant from each other,
and in the centre of each of the intervening spaces an oblong stone
was placed so as to abut against the sides of the adjacent cists.[89]
Another group, disposed nearly similarly to this, was brought to light
on the levelling of a long barrow of unusually large dimensions, in
the parish of Strathblane, Dumbartonshire. Urns were found within the
cists full of earth and burnt bones; and alongside of each was a column
of about three feet in height, selected from basaltic rocks in the
neighbourhood, many of which assume the form of regular quadrangular
crystals. The position of the bodies appears to have been north and
south, as the barrow, which measured sixty yards in length, lay east
and west.[90]

The discovery of any important deviation from the customary rites of
sepulture has already been referred to as probable evidence of some
unwonted change in the social condition of a people; marking, it may
be, the introduction of a new element into the national creed, or
the violent intrusion of some foreign race of conquerors, displacing
older customs by the law of the sword. In the introduction of the
funeral pile and the cinerary urn, we have one important evidence of
the adoption of novel rites. In the systematic disposition of the body
in a fixed direction, it is probable that we may trace another and
still earlier change. Both practices are deserving of more careful
investigation than they have yet received, in the relation they bear
to the progressive advances of the primitive races of Scotland.
Without the opportunity of comparing more extensive and trustworthy
observations than we yet possess, it would be premature to insist
upon the inferences suggested by them. But it accords with many other
indications that we should find less method or design in the rude
sepulchres of the earliest aborigines, than of those who had long
located themselves in the glades of the old Caledonian forests, and
abandoned nomadic habits for the cares and duties of a pastoral life.
The establishment of such a distinction would furnish a valuable
chronological guide to the archæologist in the arrangement of his
materials for primitive history; meanwhile, it is only suggested for
further observation. The early Christian adapted the position of his
grave to the aspirations of his faith; and a similar practice among
older races, in all probability, bore a kindred relation to some
lesson of their Pagan creed, the nature of which is not yet perhaps
utterly beyond recall. The question of divers races is, at least, one
of comparatively easy solution. On this the investigations of the
practical ethnologist may throw much light, by establishing proofs
of distinct craniological characteristics pertaining to the remains
interred north and south, from those belonging, as I conceive, to a
still earlier period,--before the rude Caledonian had learned to attach
a meaning to the direction in which he was laid to rest in the arms of
death, or to dispose himself for his long sleep with thoughts which
anticipated a future resurrection.

FOOTNOTES:

[51] Hibbert's Shetland, p. 452.

[52] Account of the Islands of Orkney, by James Wallace, M.D., 1700, p.
58.

[53] Notices of remains found in tumuli and cists, of gigantic stature,
frequently occur in the Statistical Accounts and other local records,
but the statements are generally too vague to be of any value.
Erroneous opinions, I believe, most frequently arise from comparing the
_femur_ or thigh-bone with the apparent length of the thigh, by persons
ignorant of anatomy. Nothing, however, more readily secures distinction
among a rude warlike people than the personal strength accompanying
superior stature, if combined with corresponding courage; it need not
therefore excite surprise if the larger tumuli should occasionally be
found to cover the remains of some primitive chief of gigantic stature.

[54] The account which Tacitus gives of the simpler rites of the
ancient Germans probably more nearly accords with those of the
primitive Britons: "Funerum nulla ambitio; id solum observatur, ut
corpora clarorum virorum certis lignis crementur. Struem rogi nec
vestibus, nec odoribus cumulant; sua cuique arma, quorundam igni et
equus adjicitur."--Tacit. de Morib. Germ. cap. 27.

[55] Ipsum cremare apud Romanos non fuit veteris instituti, terra
condebantur.--Hist. Nat. lib. vii. c. 54.

[56] Cases occur where the original tumulus has been adopted as a place
of sepulture long subsequent to its original construction. Care is
therefore required to discriminate between superficial interments of
late date, and the original cist or urns; but it is rarely difficult to
detect the evidences of intrusion. The slight depth at which they are
generally interred affords in itself a striking contrast to the labour
exercised by the constructors of the sepulchral mound. It is also to
be borne in remembrance, that all the urns found in tumuli are not
sepulchral, or proofs of cremation.

[57] De Bell. Gall. lib. vi. chap. 19.

[58] Dr. Hodgkin read a paper at the meeting of the British
Association, held at York in 1844, on the dog as the associate of man,
chiefly with a view to shew how much the study of the inferior animals
which, by accident or design, have accompanied man in his diffusion
over the globe, is calculated to throw light on the affinities of races.

[59] Ure's History of Rutherglen, p. 124.

[60] Ure's History of Kilbride, pp. 216-219.

[61] By N. K. Sjöborg. Two vols. quarto. Stockholm, 1822.

[62] Graham's Antiquities of Iona, Plate III.

[63] Worsaae's Primeval Antiquities, p. 109.

[64] Sinclair's Statist. Acc. vol. xix. p. 441.

[65] New Statist. Acc. vol. x. p. 717.

[66] Petrie's Eccles. Architect. of Ireland, pp. 103-5.

[67] Add. to Camd. Brit. in Radnorshire.

[68] New Statist. Acc. vol. iv., Kirkcudbright, pp. 132, 133.

[69] Pennant's Tour, vol. i. p. 156.

[70] New Statist. Acc., Dumfriesshire, vol. iv. p. 475.

[71] Itiner. Septen. Append. pp. 171-177.

[72] Dumfries Journal, June 24, 1828. MS. Communication, Soc. Antiq.
Scot., Andrew Brown, Esq., read March 9, 1829.

[73] Sinclair's Statistical Account, vol. i. p. 292.

[74] Ure's Kilbride, p. 213.

[75] Itin. Septen. p. 42.

[76] Sinclair's Statistical Account, vol. viii. p. 497.

[77] This point has been conclusively established in the valuable
communications of Mr. F. C. Lukis to the Archæological Journal, _on
the Primeval Antiquities of the Channel Islands_, vol. i. pp. 142,
222. The original merit, however, of showing that cromlechs are
"sepulchral chambers," and not "Druidical altars," is, I believe, due
to a well-known and zealous antiquary, Mr. John Bell, of Dungannon, who
published his views in the Newry Magazine, 1816, vol. ii. p. 234, from
whence they were copied into various other journals.

[78] E. B. Barrett.

[79] Martin's Western Isles, p. 220.

[80] Archæol. Scot. vol. iii. p. 43.

[81] Journal of Brit. Archæol. Association, vol. iii. p. 342.

[82] While this sheet is passing through the press, I have had an
opportunity of exploring this cromlech. The natural rock was laid
bare at a very little depth without meeting with the slightest traces
of sepulchral remains, and were it not for the remarkable line of
perforations along the centre of the capstone, the whole might have
been ascribed to a natural origin. It was found impossible, however, to
get directly under the great stone, without the risk of overthrowing
the whole.

[83] MS. Letter, George Petrie, Kirkwall.

[84] Archæol. Scot. vol. iii. p. 42.

[85] Archæol. Scot. vol. ii. pp. 77, 100.

[86] Archæol. Scot. vol. iii. p. 48.

[87] Archæol. Scot. vol. iii. p. 49.

[88] Ure's Kilbride, p. 213.

[89] MS. Letter, G. W. Knight, Libr. Soc. Antiq. Scot. 1829.

[90] Ure's Rutherglen, p. 223.




CHAPTER IV.

DWELLINGS.


Before proceeding to examine in detail the varied contents of
the Scottish tumuli, it may be well to glance at the evidence we
possess of the nature of the habitations reared and occupied by the
constructors of such enduring memorials of their dead as have been
described in the preceding chapter. Scattered over the uncultivated
downs both of England and Scotland, there still remain numerous
relics of the dwellings of our barbarian ancestry, which have escaped
the wasting tooth of centuries, or the more destructive inroads of
modern cultivation. Sir Richard Colt Hoare remarks, in his "Ancient
Wiltshire,"--"We have undoubted proofs from history, and from existing
remains, that the earlier habitations were pits, or slight excavations
in the ground, covered and protected from the inclemency of the weather
by boughs of trees and sods of turf." Of these primitive pit-dwellings
numerous traces are discernible on Leuchar Moss, in the parish of
Skene, and in other localities of Aberdeenshire; on the banks of Loch
Fine, Argyleshire; in the counties of Inverness and Caithness; and in
various other districts of Scotland still uninvaded by the plough.
They are almost invariably found in groups, affording evidence of the
gregarious and social habits of man in the simplest state of society.
The rudest of them consist simply of shallow excavations in the soil,
of a circular or oblong form, and rarely exceeding seven or eight feet
in diameter. Considerable numbers of these may be observed in several
districts both of Aberdeenshire and Inverness-shire, each surrounded
with a raised rim of earth, in which a slight break generally indicates
the door, and not improbably also the window and chimney of the
aboriginal dwelling. To this class belong the "pond barrow," already
referred to as erroneously ranked among sepulchral constructions.
Within a few miles of Aberdeen are still visible what seem to be the
remains of a large group, or township, of such rude relics of domestic
architecture. These, Professor Stuart suggests, may mark the site of
the capital of the Taixali, when the Roman legions passed the river Dee
in the second century.[91] They consist of some hundreds of circular
walls scattered over more than a mile in extent, of two or three feet
high, and from twelve to twenty feet in diameter. Their varying sizes
may be presumed to indicate the gradations of rank which, we know,
were established among the northern Britons, who were undoubtedly, at
the period of the Roman invasion, a race far in advance of the first
constructors of the rude pit-dwelling or "pond barrow" previously
referred to. Nothing, however, has yet been discovered on this site
to indicate any traces of Roman influence. On digging within the area
of the pit-dwellings, a mass of charred wood or ashes, mingled with
fragments of decayed bones and vegetable matter, are generally found;
and their site is frequently discernible on the brown heath, or the
grey <DW72> of the hill-side, from the richer growth and brighter green
of the grass, within the circle sacred of old to the hospitable rites
of our barbarian ancestry, and where the accumulated refuse of their
culinary operations have thus sufficed to enrich the soil.

The first indication of a slight advancement in the constructive skill
of the primitive architect is discernible in the strengthening of his
domestic inclosure with stone. This is not infrequently accompanied
with small circular or oblong field inclosures, as if indicating
the dawn of civilisation, manifested in the protection of personal
property, and the rudiments of a pastoral life, in the folding of sheep
and cattle. Still greater social progress would seem to be indicated in
those examples, also occasionally to be met with in various districts,
where a commanding site appears to have been chosen for the location;
and traces still remain of an earthen rampart inclosing the whole, as
on the Kaimes Hill, in the parish of Ratho, Mid-Lothian. Such, perhaps,
may be the remains of a British camp, or of a temporary retreat in time
of war.

With this class also may be grouped the "Picts' kilns," on which
Chalmers, Train, Sir Walter Scott, and other antiquaries, have
expended much conjecture and useless learning. These are of frequent
occurrence in Wigton and Kircudbright shires, as well as in parts of
the neighbouring counties. They consist of elliptical or pear-shaped
inclosures, measuring generally about sixteen feet in length and seven
or eight feet in breadth. Externally the walls appear to be of earth,
sometimes standing nearly three feet high. On removing the surface they
are found to be constructed internally of small stones, frequently
bearing marks of fire. They are popularly believed to be ancient
breweries reared by the Picts for the manufacture of a mysterious
beverage called _heather ale_. Sir Walter Scott suggests, with not much
greater probability, that they are primitive lime kilns. They are said
by Mr. Train to be invariably constructed on the south side of a hill,
close to the margin of a brook, and with the door or narrow passage
facing the stream. Future excavations on their sites may perhaps
furnish more conclusive evidence of their original purpose.

Greater art is apparent in the relics of another class of ancient
Scottish dwellings occasionally met with in different parts of the
country. In the Black Moss, already referred to, on the banks of
Etive, Argyleshire, at various points where some advance has been made
in recovering the waste for agricultural purposes, the progress of
cultivation has uncovered rough oval pavings of stone, bearing marks of
fire, and frequently covered with charred ashes. These are generally
found to measure about six feet in greatest diameter, and are sometimes
surrounded with the remains of pointed hazel stakes or posts, the
relics, doubtless, of the upright beams with which the walls of the
ancient fabric was framed. Julius Cæsar describes the dwellings of the
Britons as similar to those of the Gauls;[92] and these we learn, from
the accounts both of Strabo and Diodorus Siculus, were constructed of
wood, of a circular form, and with lofty tapering roofs of straw. Such
apparently were the structures, the remains of which are now brought
to light within the limits of the Dalriadic possessions. These ancient
Caledonian hearths, now quenched for so many centuries, are discovered
beneath an accumulation of from eight to ten feet of moss, under which
lies a stratum of vegetable mould about a foot deep, resting upon an
alluvial bed of gravel and sand; the original soil upon which the large
sepulchral cairns of the same district have been reared.

A discovery made at Dalgenross, near Comrie, in 1823, though described
in a communication to the Society of Antiquaries of Scotland as an
ancient tomb, manifestly furnishes another example of the same class
of primitive dwellings. At Comrie, as in twenty other equally probable
localities, antiquaries of the district have pronounced some imperfect
and half-obliterated earth-works to be the remains of a Roman camp,
and the scene of Agricola's famous victory of Mons Grampius! The
writer, learning that workmen were trenching this interesting spot,
remarks,--"I hastened to where the men were at work, and found that
they had come upon a circle of flat stones set on edge, and at the
bottom a paving of large flag-stones. The cavity was filled with a kind
of black earth, pieces of charred wood, and also some fragments of
iron, but so completely defaced with rust that it is impossible to say
to what purpose they have been applied." On pursuing the investigation
further, pieces of charcoal and burned wood were found, along with
charred wheat, which might possibly suggest its having been a granary;
but its general characteristics much more nearly assimilate it to a
native dwelling, to which, it may be, the torch of the Roman legionary
applied the brand that reduced it to a blackened ruin.

Among the relics of primitive domestic architecture brought to
light in later times, no class is more remarkable than the weems,
or subterranean dwellings which have been discovered in different
parts of Scotland. Of this class are two structures discovered under
ground in the parish of Tealing, Forfarshire. One of them consisted of
several apartments formed with large flat stones without any cement;
and in it were found wood-ashes, several fragments of large earthen
vessels, and an ancient stone hand-mill, or querne. The other was a
single vault constructed in the same manner, measuring internally about
four feet both in height and width, and in which were found a broad
earthen vessel, and a stone celt or hatchet.[93] In another opened in
the parish of Monzie, Perthshire, a stone celt and bronze sword were
found, both of which are preserved at Monzie House. Chalmers supplies
a curious list of similar subterranean dwellings discovered at various
times in Forfar, Perth, Aberdeen, Ross, Sutherland, and Inverness
shires, and in the Orkney Islands.[94] The like structures are noted
by Martin, among the antiquities of the islands of Walay, Erisca, and
Skye;[95] and by Pennant also in the latter island. They are described
by Martin as "little stone-houses, built under ground, called _earth
houses_, which served to hide a few people and their goods in time of
war."

The general name applied in Scotland to these subterranean habitations
is Weems, from the Gaelic word _uamha_, a cave; and as this name is
in use in the low countries, where nearly all traces of the Celtic
dialect have been lost as a living language, probably since the era of
the "Saxon Conquest," it may be accepted as no insignificant evidence
of their Celtic origin or use. In Aberdeenshire, where they have been
found in greater number than in any other single district, they are
more generally known, as in the Hebrides, by the name of _eirde_ (i.e.,
_earth_) _houses_.

An interesting account of a large group of weems discovered in
Aberdeenshire, is given by Professor Stuart in the Archæologia
Scotica,[96] and since then many more have been brought to light in
the same district. Several of these opened of late years in Strathdon
are described with great minuteness in the Statistical Account of that
parish.[97] On a bleak moor in the adjoining parish, not far from the
old castle of Kildrummie--which, from many large fossil trees dug up
in it, appears to have once been an extensive forest--the largest
assemblage of these singular habitations occurs which has yet been
discovered in Scotland. Others have been found about six miles further
up the country, at Glenkindrie, at Buchan, and near the source of the
Don, one of the wildest districts of the Highlands. They are indeed
scarcely less common than the sepulchral cairn. My object, however,
is not so much to accumulate numerous examples, as to select a few
characteristic types of each class of Scottish antiquities; though
these weems appear to possess peculiar claims to minute description,
from their very frequent occurrence. In general, no external indication
affords the slightest clue to their discovery. To the common observer,
the dry level heath or moor under which they lie presents no appearance
of having ever been disturbed by the hand of man; and he may traverse
the waste until every natural feature has become familiar to his eye,
without suspecting that underneath his very feet lie the dwellings and
domestic utensils of remote antiquity.

The Aberdeenshire weems are constructed of huge masses of granite,
frequently above six feet in length, and though by no means uniform
either in internal shape or dimensions, a general style of construction
prevails throughout the whole. Some of them have been found upwards
of thirty feet long, and from eight to nine feet wide. The walls
are made to converge towards the top, and the whole is roofed in by
means of the primitive substitute for the arch which characterizes
the cyclopean structures of infant Greece, and the vast temples and
palaces of Mexico and Yucatan. The huge stones overlap each other in
succession, until the intervening space is sufficiently reduced to
admit of the vault being completed by a single block extending from
side to side. They have not infrequently smaller chambers attached
to them, generally approached by passages not above three feet in
height; and it affords a curious evidence of the want of efficient
tools in the builders of these subterranean structures, that where
these side apartments are only separated from the main chamber by the
thickness of the wall, the stones, though placed flush with the walls
of the latter, project irregularly into the small cells, giving them
a singularly unshapely and ragged appearance. Similar structures,
but of smaller dimensions, have been discovered in Lanarkshire, at
Cartland Craigs, in the neighbourhood of Stonebyres, and at a place
called Cairney Castle. In these last were found quernes, deers'
horns, and bones. In one uncovered in the parish of Auchterhouse,
Forfarshire, a brass ring was discovered; and both there, and in
another in the same parish, were ashes, bones, and quernes.[98] The
Rev. Thomas Constable furnishes a very interesting description of one
near Lundie House, in the latter county, which was minutely surveyed
by the eminent antiquary, Lord Hailes. Its contents were of the
usual description, including several quernes about fourteen inches
in diameter.[99] So also, in a minute account of similar structures
in Caithness and Sutherland, furnished to Pennant by the parish
minister of Reay, the writer remarks:--"We found in them nothing but
hand-mills, or what the Highlanders call quernes, which were only
eighteen inches in diameter, and great heaps of deers' bones and
horns, as they (the Picts) lived much more by hunting than any other
means."[100] The discovery, indeed, of the primitive hand-mill in these
ancient dwellings is so frequent as to be worthy of special notice,
and might seem to indicate that their original destination had been
for store-houses or granaries, did not the constant occurrence of
the bones of domestic animals, or of those most prized in the chase,
and frequently in considerable quantities, leave no room for doubt
that they must have been occupied as places of habitation. They agree
very nearly with the description furnished by Tacitus of the winter
dwellings of the Germans, whom he represents as digging caves in the
earth, in which they lay up their grain, and whither they retire in the
winter, or on the advance of an enemy to plunder the open country.[101]
The entrance to such of these subterranean dwellings as have been
found sufficiently perfect to afford indications of their original
character, appears to have generally been by a slanting doorway between
two long, upright stones, through which the occupant must have slid
into his dark abode. Occasionally a small aperture has been found at
the further end, apparently to give vent to the fire, the charcoal
ashes of which lie extinguished on the long-deserted floor. In some a
passage of considerable length has formed the vestibule; but so far
as now appears, a solitary aperture served most frequently alike for
doorway, chimney, ventilator, and even window, in so far as any gleam
of daylight could penetrate into the darkened vault. One is forcibly
reminded, while groping in these aboriginal retreats, of Elia's
realisations of the strange social state to which they pertain, in his
quaint rhapsody on Candle-light, "_our peculiar and household planet_!
Wanting it, what savage unsocial nights must our ancestors have spent,
wintering in caves and unilluminated fastnesses! They must have lain
about and grumbled at one another in the dark. What repartees could
have passed, when you must have felt about for a smile, and handled a
neighbour's cheek to be sure that he understood it! This accounts for
the seriousness of the elder poetry. It has a sombre cast, derived from
the tradition of these un-lanterned nights!" The grave humorist goes on
to picture a supper scene in these unlighted halls, rich with truthful
imaginings, mingled with his curious but thoughtful jests:--

    "Things that were born, when none but the still night,
    And his dumb candle, saw his pinching throes."

In truth, these dwellings, constructed with such laborious ingenuity
in every district of Scotland, seem to throw a strange light upon that
dim and remote era to which they belong, giving us some insight into
the domestic habits and social comforts of a period heretofore dark as
their own unillumined vaults.

Adjoining many of the weems small earthen inclosures are discernible;
some of which are square, measuring about fifteen paces each way,
with the area somewhat below the surrounding soil, and have probably
been constructed for folding sheep or cattle. Others are circular,
and so small as to leave little doubt that there must have stood the
slight huts, constructed of turf and branches of trees, in which the
architect of the cyclopean structure dwelt during the brief warmth
of summer, while he sought refuge from the frosts and snows of our
northern winter in the neighbouring subterranean retreat. The number
of weems frequently found together appears altogether inconsistent
with the idea of their construction as mere places of concealment.
They are manifestly the congregated dwellings of a social community,
though strangely differing from any that have dwelt in the land within
the era of authentic history. When we compare these dwellings with
the clay huts still common in many a Highland district, or with such
humble Lowland biggings as those which have won a new sacredness
as the birthplaces of Hogg or Burns, it is impossible to overlook
the remarkable differences presented by the two states of society,
separated not more widely by time than by variance of habits and
ideas. How striking is the contrast between the artlessness of the
Ayrshire cottage, that sufficed, with its straw roof, to satisfy
the wants of one among the great master-spirits of all times, and
the labour and ingenuity expended in producing these retreats of
the Scottish aborigines. In rudeness of result perhaps both are on
a par. The ingenious and methodic skill, however, entirely belongs
to the old builders. Their mode of constructing with huge unhewn
stones, frequently brought from a considerable distance, seems to
point them out as the architects of that same remote era in which
the rude monumental standing stones and circular groups of monoliths
were reared, which still abound in so many districts of the Scottish
mainland and surrounding isles.

Similar subterranean structures have been discovered at different times
in Orkney, some of them of considerable extent, and including various
recesses and chambers branching off from the chief central apartment.
An unusually minute and interesting account of one in the parish of
Shapinshay is given in the Old Statistical Accounts,[102] by the
Rev. Dr. George Barry, the historian of Orkney, in which was found a
beautiful torquated ring, evidently of primitive workmanship.

Structures of the same character, on the mainland of Orkney, were
explored by Lieutenant F. W. L. Thomas, R.N., while engaged in the
Admiralty Survey in 1848. In the course of his investigation of one
of these at Savrock, about a mile to the westward of Kirkwall, and
close to the sea-shore, some curious evidence was disclosed, showing
the primitive arts of its builders, and their inability to overcome
an obstacle requiring unusual skill or effective tools. In excavating
the site for this subterranean dwelling they appear to have cleared
away the soil till they reached the natural rock, which forms the
floor of the vault. Pillars constructed at irregular intervals admit
of the whole being covered by immense slabs resting on them, where
the width is too great to be overarched at so slight an elevation by
converging walls. A long passage leads from this chamber, floored,
like it, with the natural rock. In one place, however, an irregular
elevation of the strata occurs. Such an obstacle was either beyond the
skill of the laborious architects, or at least demanded more exertion
than they cared to expend on its removal; and the roof has accordingly
been elevated so as to admit of free passage by ascending and
descending over the superimposed rock. The passages, as in nearly all
the structures of this class which have been carefully explored, are
extremely straitened. Unfortunately this primitive dwelling supplied
materials for building a neighbouring farm-house and offices before
Lieutenant Thomas had an opportunity of exploring it; so that what
remained was in a very imperfect and dilapidated state. Portions of
the roof still entire, constructed of huge masses of unhewn stone--one
of them measuring about five feet long--afforded abundant evidence
that no amount of mere physical labour was grudged in the completion
of the edifice, and seem to justify the probable assignment of it to
a period prior to the introduction of metallic tools. In another of
these subterranean buildings, however, situated on the Holm of Papey,
Lieutenant Thomas observed some doubtful indications of the use of
tools. "On the side wall, near the entrance," he remarks, "and about
six feet from the floor, there is a neatly engraved circle, about four
inches in diameter; there is also another stone, with the appearance
of two small circles touching each other, cut upon it; but it is so
common to find geometrical figures upon the Orkney flags, arising from
a semi-crystallization of the pyrites which they contain, that I am
unable to decide whether these are natural or not." The height of the
passage where it remains perfect is only two feet seven inches; but
nearly one-half of it is unroofed, and heaps of large stones lying
scattered about afford evidence of the great extent of the building
when complete. Within and around the area of this ancient structure
abundant indications were discovered of its having been used as a
dwelling-place. A large accumulation of wood or peat-ashes shewed
that it must have been occupied for a lengthened period; and this
was further proved by the great quantity of the bones of domestic
animals scattered about the place. Those of sheep, apparently of the
small northern breed still found in Orkney, were the most numerous;
but besides these, there were skulls and bones of horses and oxen,
the skull and portions of the horns of a deer, and a large bone of a
whale. A thick layer of the shells of the periwinkle, _L. Littoralis_,
covered the building and the adjacent ground, mixed sparingly with the
oyster, the escallop, the common whelk, and other edible mollusca,
which had evidently been consumed in great quantities on the spot.
Along with these were also found a few extremely rude implements, the
relics of the primitive arts of the builders, besides an antler of a
deer artificially severed from the complete tyne. These objects were
roughly fashioned from the thigh-bone of an ox, and designed apparently
as handles for some weapon or cutting implement, most probably of
shell or flint. Other Orkney relics of the same interesting class, but
exhibiting more completeness of design, and accompanied with attempts
at ornament, are described and figured in a subsequent chapter.

This large, though very imperfect example of the dwellings of primitive
communities of the ancient population of the Orkneys, may be properly
classed with the weems of the Scottish mainland, though it is not
entirely subterranean. The floor is nine feet below the natural
surface of the ground; and from the mode by which the whole appears
to have been in-roofed with immense overlapping stones, it must have
projected somewhat above the surface, and was probably covered over
with a raised mound of earth. In this respect it approaches, in some
degree, to another class of buildings, which appear to be peculiar to
Orkney and the neighbouring districts of Caithness and Sutherland,
though it is possible enough that they may have been at one time no
less common on the whole Scottish mainland. These structures, for which
it may be convenient to retain the popular name of _Picts' houses_,
are not strictly speaking, subterranean, but erected generally on the
level ground, or, at furthest, excavated in part out of the side of a
hill, so as to admit of a level entrance. Externally they are scarcely
distinguishable from the larger tumuli, but on digging into the green
mound it is found to cover a series of large chambers, built generally
with stones of considerable size, and converging towards the centre,
where an opening appears to have been left for light and ventilation.
These differ very little from many of the subterranean weems, excepting
that they are erected on the natural surface of the soil, and have been
buried by means of an artificial mound heaped over them. Barry has
minutely described one, which he calls an "ancient Pick house," opened
at Quanterness, near Kirkwall.[103] Another relic of the same class
was explored during the past year by Mr. George Petrie of Kirkwall, to
whose valuable communications on kindred subjects I have already had
occasion to refer. Through his kindness I have been favoured with a
minute account of the result of his labours, as well as with the plans
engraved, drawn from careful measurements taken at the time.

[Illustration: _Drawn by Lieut. F. W. L. Thomas R.N. from Plans by
George Petrie, Esq._

PLAN & SECTIONS OF PICT'S HOUSE, WIDEFORD HILL, ORKNEY, Explored in
1849.

_Published by Sutherland & Knox, Edinburgh._]

In the month of October 1849, Mr. Petrie's attention was directed
to a large tumulus or green knoll, which stands about half-way up
the western declivity of Wideford-hill, overlooking the beautiful
bay of Frith on the mainland of Orkney, and within a short distance
of the Pict's house of Quanterness, described in Barry's History of
Orkney. Being on a steep and unfrequented part of the hill, it appears
to have almost entirely escaped observation. An opening, however,
had been attempted at some former period, but abandoned after an
excavation of about a couple of feet in depth had been effected. Mr.
Petrie employed men to make a section into the mound, and himself
superintended and assisted in the operation, which proved one of
considerable time and labour, from the large stones and the quantity of
clay used in completing the external mound, as well as in the masonry
of the structure found underneath. The building appears to have been
constructed in the following manner:--A place for the site having
been scooped out of the side of the hill, the cells or apartments
were built of large unhewn stones, the walls being made gradually to
converge as they rose in height, until they approached to within a
foot at top. Externally the work was bounded by a wall of about two
feet high. The entire structure was then brought to a conical shape
with stones and clay; the stones being disposed with considerable
regularity, and over all a thick layer of turf or peat had been laid.
The mound which encloses the whole is about one hundred and forty feet
in greatest circumference, and forty-five feet in diameter. The work
of exploration was commenced by making a cut, six feet in breadth,
upon the north side, and clearing away the stones and clay in the
direction of the highest part of the mound. On penetrating towards the
centre, at about six feet from the top, a stone was exposed placed on
edge, about eighteen inches long and nine inches thick, underneath
which lay another, which was found to cover a hole of about a foot
square, at the top of the chamber marked D in the plan. (_Plate_ I.)
On obtaining entrance to this chamber or cell, it proved, like those
subsequently opened, to be constructed with walls gradually converging
on all sides towards the top, and to measure five feet nine inches in
length from north to south, four feet eight inches in breadth, and
five feet six inches in height. On the west side of the chamber, the
small passage, marked _h_, was observed appearing to communicate with
another apartment, but it was so blocked up with stones and rubbish,
that excavation had to be resumed from the exterior. After working for
upwards of an hour, the large stone, marked _m_, was reached, and on
removing it an entrance was effected into the central chamber A. This
was about three-fourths filled with stones and rubbish, heaped up under
the opening marked _i_, on digging into which bones and teeth of the
horse, cow, sheep, boar, &c., were discovered mixed with the rubbish,
and also some which were supposed to be those of deer, but not a
vestige of human bones.

The general plan will convey the best idea of the form and arrangement
of the chambers. The central apartment, A, is an irregular oblong
vault, ten feet long, five feet in greatest width, and 7½ feet in
height from the bottom to the lower edge of the stones marked o o.
Above this extends the opening i, which had no other covering than
the outer layer of turf. Mr. Petrie came to the conclusion, after a
thorough examination of the whole, that the rubbish found in this large
chamber was the debris of some later building erected above the mound,
the materials of which must have been precipitated through the narrow
opening, as no part of the subterranean structure was found imperfect
with the exception of the passage _g_. From the floor of the chamber
to the extreme height of the mound is twelve feet. At the north end
of the central chamber the passage _e_ leads to the cell C, measuring
five feet seven inches long, four feet wide, and six feet high. From
the east side of this a passage extends a considerable way, until it is
abruptly terminated by the native rock. The chamber D, which was first
entered, communicates with the central apartment by a short passage
_h_, directly opposite to which is the long gallery _b_, which formed
the entrance to the building from the western side of the mound. A
third passage, _a_, proceeds in an oblique direction from the central
chamber to a cell B, the proportions of which are six feet in length,
three feet seven inches in width, and 6½ feet in height. Nothing
found in this or any of the previously explored "_Picts' houses_" gives
the slightest countenance to the idea that they were designed as places
of sepulture. The most remarkable feature about them, however, and the
one least compatible with their use as continuous dwelling-places, is
the extremely circumscribed dimensions of the passages. The whole of
them measure about fifteen inches in height by twenty-two inches in
breadth, so that entrance could only be obtained by crawling on the
ground. The arrangement affords a very striking confirmation of the
barbarous state of the people, who were yet capable of displaying so
much skill and ingenuity in the erection of these cyclopean structures.
It is curious indeed that as civilisation progressed, primitive
architecture became not only simpler but meaner, the ingenious builder
learning to supply his wants by easier methods; while also the
gregarious social ties which such laborious and extensive structures
indicate were exchanged for the more refined separation into families,
with, as we may assume, the gradual development of those virtues and
affections which flourish only around the domestic hearth.

The first step in the descending scale indicative of the abandonment
of the cyclopean architecture for simpler and less durable modes of
construction, appears in a class of dwellings of similar character to
the "_Picts' houses_," but inferior in their masonry, and generally
smaller in size and less complete in design. Examples of this class
have also been found in various parts of Scotland. They are generally
more entirely subterranean than the "Picts' houses," partaking in this
respect more of the character of the weems. They occupy, however, an
intermediate position, being excavated for the most part in the side of
a hill, so as to admit of an entrance level with the ground. They are
also found more frequently in groups, and have probably been each the
dwelling-place of a single family.

In these, oaken rafters appear to have supplied the place of the more
ancient cyclopean arch, and the walls are generally built of smaller
stones. Weems of this more fragile character have been discovered
at Prieston, near Glammis, in Forfarshire; at Alyth and Bendochy,
Perthshire; and at Pennycuick, Mid-Lothian, as well as in other
districts. One in particular, found at Alvie, Inverness-shire, measured
sixty feet in length. These may be regarded as works of a later age
than the more massive and enduring structures previously described,
when the domestic habits of the old builders had survived their
laborious arts and monolithic taste. One of the most singular groups of
this latter class is a series of contiguous excavations, on the ridge
of a hill immediately to the north of Inchtuthill, Inverness-shire,
known in the district by the name of "the steed's stalls." Seven
circular chambers are cut in the side of a steep bank, separated by
partitions of about twelve feet thick. The floors are sunk about twenty
feet, and each chamber measures fifteen feet in diameter. A long
passage of about four feet wide has formed the original way of ingress,
but the rafters, which most probably formed the roof, have long since
disappeared, and only a very partial estimate can now be formed of the
appearance presented by these singular chambers when complete.

With the same class also may be reckoned certain structures described
by Pennant as the repositories of the ashes of sacrifices. One of
these, within a few miles of Edinburgh, in the neighbourhood of
Borthwick Castle, was brought to light by the plough coming in contact
with its rough masonry, at a depth of only a foot below the surface.
It may be described as pear-shaped, and with a passage continuing from
the narrow end, measuring fifteen feet in length by two and a half in
breadth. The masonry was of the rudest description, and nearly the
whole space between the walls was filled with a rich black mould,
irregularly interspersed with charcoal, fragments of bone, and the
teeth of sheep and oxen.[104] A similar building was discovered about
the same time in the east of Fife, and one closely corresponding to it
has recently been disclosed by railway operations at Newstead, in the
neighbourhood of Melrose. In this, as in the example above referred
to, the narrow passage pointed nearly north-west; and its masonry
was equally rude; but among its contents were various carved stones,
apparently corresponding with Roman remains frequently found in that
neighbourhood, and one in particular with the cable-pattern, or woollen
fillet, so commonly employed by the Anglo-Roman sculptors.

Akin to such subterranean dwellings are the natural and artificial
caves which, in Scotland, as in most other countries, have supplied
hiding-places, retreats for anchorites, and even permanent native
dwellings, and may be described along with this class, though belonging
to many different periods. Such caves abound in Scotland, and
especially along the coast, but in general their interest arises rather
from the associations of popular traditions, than from any intrinsic
peculiarity of character pertaining to them. Few such retreats are more
remarkable, either for constructive art, or historic associations,
than the well-known caves beneath the old tower of Hawthornden, near
Edinburgh. They have been hewn, with great labour and ingenuity, in
the rocky cliff which overhangs the river Esk. No tradition preserves
the history or date of their execution, but concealment was evidently
the chief design of the excavators. The original entrance is most
ingeniously made in the shaft of a very deep draw-well, sunk in the
court-yard of the castle, and from its manifest utility as the ordinary
and indispensable appendage of the fortress, it most effectually
conceals its adaptation as a means of ingress and communication with
the rock chambers beneath. These are of various forms and sizes, and
one in particular is pierced with a series of square recesses, somewhat
resembling the columbaria of a Roman tomb, but assigned by popular
tradition as the library of its later owner, Drummond the Scottish
poet. Whatever was the purpose for which these were thus laboriously
cut, the example is not singular. A large cave in Roxburghshire,
hewn out in the lofty cliff which overhangs the Teviot, has in its
sides similar recesses, and from their supposed resemblance to the
interior of a pigeon-house, the cavern has received the name of the
_Doo-cave_. Authentic notices of the Hawthornden caves occur so early
as the reign of David II., when a daring band of Scottish adventurers
made good their head-quarters there, while Edward held the newly
fortified castle of Edinburgh, and the whole surrounding district.
In the glen of the little river Ale, which falls into the Teviot at
Ancrum, extensive groups of caves occur, all indicating, more or less,
artificial adaptation, as human dwellings; and in many other districts
similar evidences may be seen of temporary or permanent habitation,
at some remote period, in these rude recesses. Along the coast of
Arran there are several caves of various dimensions, one of which, at
Drumandruin, or Drumidoon, is noted in the older traditions of the
island as the lodging of Fin M'Coul, the Fingal of Ossian, during
his residence in Arran. Though low in the roof, it is sufficiently
capacious for a hundred men to sit or lie in it. In this, as in the
previous example, we find evidences of artificial operations, proving
its connexion with races long posterior to those with whose works we
have chiefly to do in this section of archæological inquiry. In the
further end a large detached column of rock has a two-handed sword
engraved on it, surmounted by a deer, and on the southern side of the
cave a lunar figure is cut, similar in character to those frequently
found on the sculptured pillars and crosses which abound in Scotland.
It is now more frequently styled the king's cave, and described as
the retreat of Robert the Bruce, while he lurked as a fugitive in the
Western Isles; but like many other traditions of the Bruce this seems
to be of very recent origin. Other caves in the same island are also
of large dimensions, and variously associated with popular traditions,
as, indeed, is generally the case wherever subterranean retreats of
any considerable extent occur. Some are the supposed dwellings of
old mythic chiefs, whose names still live in the traditional songs
of the Gael. Others are the retreats which the primitive confessors
of Scotland excavated or enlarged for their oratories or cells. Of
the latter class are the caves of St. Molio, on the little island
of Lamlash, or the Holy Isle, on the east coast of Arran; of St.
Columba and St. Cormac, on the Argyleshire coast; of St. Ninian, in
Wigtonshire; of St. Serf, at Dysart, on the Fifeshire coast; and the
celebrated "ocean cave" of St. Rule, in St. Andrew's Bay. This last
oratory consists of two chambers hewn out of the sandstone cliffs of
that exposed coast. The inner apartment is a plain cell, entered from
the supposed oratory of the Greek saint. The latter is nearly circular,
measuring about ten feet in diameter, and has a stone altar left hewn
in the solid rock on its eastern side. Possibly the singular dwarfie
stone of Hoy, in Orkney, owes its origin to a similar source. A huge
mass of square sandstone rock, which appears to have tumbled from
a neighbouring cliff, has been hollowed out into three apartments,
with a fire-place, vent, stone-bed, pillow, &c. The traditions of
the island preserve strange tales of a giant and his wife who dwelt
in this abode, and the "Descriptio Insularum Orchadium," written by
Jo. Ben., (John the Benedictine,) in 1592, adds to the account of its
internal accommodation the following somewhat whimsical provision for
the comfort of the latter,--"Tempore camerationis fœmina gravida fuit,
ut lectus testatur; nam ea pars lecti in qua uxor cubuit effigiem
habet ventri gravidi." Others of the Scottish caves and oratories
are less artificial in their character. They are especially abundant
in the Western Isles, and on the neighbouring coast, where the waves
of the Atlantic have wrought out caverns far surpassing in extent
and magnificence the largest in the interior of the country. Few of
these, however, possess such marked features as to distinguish them
from similar relics pertaining to no definite period, which are to
be met with on every rocky coast exposed to the rude buffets of the
ocean waves. One exception, indeed, may well claim to be singled out
as unmatched by any other work of nature or art, though belonging to
an older system than the primeval period of the archæologist. Amid
scenery unsurpassed in the interest of its historic associations, or
its venerable relics of medieval skill, stands the wondrous natural
cave which popular tradition has associated with the favourite name of
Fingal.

    "Nor doth its entrance front in vain
    To old Iona's holy fane,
    That nature's voice might seem to say--
    Well hast thou done, frail child of clay!
    Thy humble powers that stately shrine
    Tasked high and hard--but witness mine!"[105]

To those who are curious in investigating such ancient relics, Chalmers
furnishes a very ample list of "Natural Caves in every part of North
Britain, which have been improved into hiding-places by artificial
means."[106] The associations with many of these retreats are of the
most varied and romantic character; and few districts of the country
are without some wild or thrilling legend or historic tradition
relating to such caverned shelters of the patriot, the recluse, or the
persecuted devotee.

FOOTNOTES:

[91] Archæol. Scot. vol. ii. p. 54.

[92] Bell. Gall. lib. v. c. xii.

[93] Sinclair's Statist. Acc. vol. iv. p. 101.

[94] Caledonia, vol. i. p. 97. _Vide_ also New Stat. Acc. vol. vii.,
Renfrewshire, 502, &c.

[95] Martin's Western Isles, pp. 67, 87, 154.

[96] Archæol. Scot. vol. ii. p. 52.

[97] New Statist. Acc. vol. xii. p. 545.

[98] Sinclair's Statist. Acc. vol. xiv. p. 526.

[99] Sinclair's Statist, Acc. vol. xiii. p. 117.

[100] Pennant's Tour, vol. i. Appendix, p. 339.

[101] De Moribus Germanorum, c. 16.

[102] Sinclair's Stat. Acc. vol. xvii. p. 237.

[103] History of Orkney, p. 99.

[104] Pennant's Tour, vol. iii. p. 454.

[105] Lord of the Isles, Canto iv.

[106] Caledonia, vol. i. p. 97.




CHAPTER V.

TEMPLES AND MEMORIAL STONES.


The ideal associations with the future and the past, which seem to
find some outward manifestation even in the rudest state of society,
spring from "that longing after immortality" which affords so strong an
evidence of its truth. To this principle of the human mind is clearly
traceable the origin of the commemorative erections which abound
wherever man has fixed his resting-place. The most primitive of these
ancient memorials are the rude unhewn columns or _standing stones_, as
they are called, which abound in nearly every district of Scotland.
Occasionally they are found in groups of two or three, and even in
greater numbers, as the celebrated "standing stones of Lundin," near
the Bay of Largo, Fifeshire, the largest of which measures sixteen
feet in height above ground. Three only now exist, singularly rude and
irregular in form, but the stump of a fourth remained when the account
of Largo parish was written in 1792.[107] It has since been destroyed
by treasure-seekers, tempted probably by the good fortune of others;
for in the vicinity have been discovered, during the present century,
some of the most interesting and valuable antiquities ever found in
Scotland.

Of single memorial stones examples might be cited in nearly every
Scottish parish; nor are they wanting even in the Lothians, and in
the immediate vicinity of Edinburgh, where the presence of a busy
population, and the unsparing operations of the agriculturist, have
done so much to obliterate the traces of older generations. But nearly
all are of the same character, differing in nothing but relative size,
and the varying outlines of their unhewn masses. They have outlived
the traditions of their rearers, and no inscription preserves to us
the long-forgotten name. We are not left, however, to look upon them
as altogether dumb and meaningless memorials. The history of a people
contemporaneous, it may be, with their builders, reminds us how even
the unsculptured obelisk may keep alive the records committed to its
trust, and prove faithful to those for whom it was designed. "It came
to pass," says Joshua, "when all the people were clean passed over
Jordan, that the Lord spake, saying, Take you hence out of the midst
of Jordan, out of the place where the priests' feet stood firm, twelve
stones, that when your children ask, in time to come, saying, What mean
these stones? then ye shall answer them." Some of these rude memorials
still remaining in the districts immediately surrounding the Scottish
capital, suffice to show the enduring tenacity of popular tradition.
The _Hare Stane_ on the Borough Moor of Edinburgh, celebrated in the
lay of Marmion as the support of Scotland's royal banner,

                "The massive stone,
    Which still in memory is shown,"

affords one example of this. Mr. William Hamper, an ingenious English
antiquary, has elaborately elucidated the derivation of the name as
applied in England, and the use of the HOAR STONES,[108] the _menhars_,
or bound stones, as stones of memorial, like "the stone of Bohan,
the son of Reuben," and other ancient landmarks of Bible story.[109]
Probably we shall justly esteem the "Hare Stane" as the memorial of the
western boundary of the ancient chase, claimed from time immemorial
by the neighbouring capital; but if so, its name has long survived
all popular recollection of the meaning which it bore. The same term,
_hair stanes_, is applied to a circular group of stones near Kirkdean,
in the parish of Kirkurd, Peeblesshire. It would appear, however, to
have been more frequently used in Scotland in the most sacred sense of
a memorial, if we judge from the examples of its application as the
designation of cairns, some of which, at least, and probably all, are
sepulchral monuments. Among these are the Haer Cairns in the parish of
Clunie; the Haer Cairns of Blairgowrie and Kinloch, Perthshire; the
Hier Cairns of Monikie, Forfarshire; the Herlaw, a gigantic cairn in
the parish of East Kilbride, Lanarkshire; the more celebrated Harlaw of
Aberdeenshire; the Harelaw at Lochhore, Fifeshire, and another in the
same county, near Burntisland, where were found underneath the cairn a
cist containing a skeleton with a bronze spear-head lying beside it.

Not far from the Hare Stone on the Borough Moor of Edinburgh, formerly
stood another monolith termed the Camus Stone, but which, though it
gave name to a neighbouring estate, and formed the march stone of its
eastern bounds, was barbarously destroyed within memory of the present
generation, to furnish materials for repairing the road! This name,
whatever be its true derivation, is attached to numerous Scottish
localities. Both in the example here referred to, in the Camus Stone
of Kintore, Aberdeenshire, and in that near the village of Camustown,
Forfarshire, vague tradition associated the stones with the name of
a supposed Danish chief; but this is more probably the invention of
modern topographers, than a genuine heirloom of popular tradition.
The name of Combust figures among the list of Pictish kings as a
contemporary of Marcus Antoninus Philosophus,[110] but the authority,
though older, is not much more trustworthy; and we shall perhaps seek
the meaning of the term more correctly in the correspondence of local
peculiarities, as in Cambusbarron, Cambuslang, Cambusnethan, &c., where
it is understood to indicate a promontory or bank inclosed by a crooked
stream, from the Celtic, cam, crooked.[111] These Cambus-stones have
all probably served as landmarks, or hoar stones; though answering
also, it may be presumed, at times, like Laban and Jacob's Pillar, as
the memorial of some high contract between friendly or rival chiefs.

Other stones, however, are associated with a variety of historical
and legendary traditions, as the "Witch Stane" near Cairnbeddie,
Perthshire, where, according to ancient local belief, Macbeth met by
night with two celebrated witches to advise on the fate of his kingdom.
It is fully as probable that this tradition may have existed in
Shakspeare's time, as that it is derived from the marvellous conception
of his great tragedy. When Cairnbeddie Mound was opened partially,
about thirty years since, a quantity of very small iron horse shoes,
with fragments of swords, and other weapons of the same metal, were
found; so that it, doubtless, forms the tumulus on the site of some old
and hard-fought battle-field, in which, perchance, the great usurper
may have played his part. Another stone in the neighbouring parish
of Meigle, a huge mass of unhewn trap, bears the name of "Macbeth's
Stane," and various local traditions with which his name is associated,
add to the probability of some true foundation for popular belief.

Evidence of the use of such rude columns as landmarks is frequently
found of a comparatively recent date. The mention of standing stones,
or circles, is not uncommon in charters and other deeds relative to the
holding of courts and the boundaries of lands. More than one curious
example of this occurs in the Registrum Episcopatus Aberdonensis, as
in the following, which also suffices to show the ancient application
of the term standing stones:--"Thir are the boundis own my lord of
Athollis syde, the stannande staine merkit like a horse-sho, and the
dik passande fra the samme staine to the burg, and syne be zound the
stripe beweste the smedy of Balmany." The _Saxum Falconis_, or "Hawk
Stane," at St. Madoes, Perthshire, which stands on the marches of what
is known to have been the ancient possessions of the Hays of Errol,
and still bounds the parishes of St. Madoes and Inchture, is referred
to by Boece as existing in his day, (1500,) and as having been set up
immediately after the defeat of the Danes in the Battle of Luncarthy,
fought _circa_ A.D. 990. The victory is ascribed, according to a
well-known tradition--still commemorated in the armorial bearings of
the Hays--to the timely interference of a Scottish peasant and his two
sons:--"Sone efter ane counsal was set at Scone, in the quhilk Hay and
his sonnis war maid nobil, and dotad, for thair singular virtew provin
in this feild, with sindry landis to sustene thair estait. It is said
that he askit fra the King certane landis liand betwix Tay and Arole;
and gat als mekil thairof as ane falcon flew of ane mannis hand, or
scho lichtit. The falcon flew to ane toun four milis fra Dunde, called
Rosse, and lichtit on ane stane, quhilk is yit callit The Falcon Stane;
and sa he gat al the landis betwix Tay and Arole, six milis of lenth,
and four of breid; quhilk landis ar yit inhabit be his posterite."[112]

The sacredness which naturally attached to landmarks, in early times,
and of which we have remarkable evidence in the Old Testament
references to them, was doubtless no less strongly felt in relation
to all stones of memorial, the enduring parchments of an unlettered
age. They seem accordingly to have been sometimes regarded, like
the medieval altar, as the inviolable witness of any agreement.
The following curious evidence of this feeling occurs in a deed in
the possession of W. H. Fotheringham, Esq., dated at Kirkwall in
1438:--"Till all and synd lele folk in Cryste, to quhais knawledge yir
pnt. wris. sal cum, Henry Randall, lawman of Orknay, John Naraldson,
balze off Kirkwaw, Jamis off Lask, Greeting in Gode ... make kend that
we the forsaide bystude saw and onherde, and for witnesse wes tane
quhene yt John off Erwyne and Will. Bernardson swor on the Hirdmane
Stein before owre Lorde ye Erle off Orknay and the gentiless off the
cuntre, that thay bystude saw and onherde, and for witnesse wes tane
quhene that Thos. Sincler, ye son off quhiln Davy Syncler, callit
in ye vestre in Sant Mawing Kirk, John of Kirkness," &c. In this
comparatively recent transaction we have probably a very accurate
illustration of the ceremonial which accompanied the erection of
a hoare-stone, or stone of memorial, whether as a landmark or the
evidence of some solemn treaty. The document from which it is extracted
has a further interest in connexion with early Scottish history. Its
date is thirty years prior to the marriage of James III. of Scotland
with Margaret of Denmark, when Orkney was first annexed to the Scottish
Crown; yet it is written throughout in the Scottish tongue.

Of an entirely opposite character are the Cat Stanes found in various
parts of Scotland, apparently deriving their name from the British
_Cad_ or the Celtic _Cath_, signifying a battle, and therefore marking
the scene of some ancient conflict. In the immediate neighbourhood of
the Camus Stone near Edinburgh, formerly stood two very large conical
cairns, styled the Cat-stanes, until demolished by the same irreverent
utilitarians who had found covetable materials in the rude memorial
stone. Underneath the cairns were cists containing human skeletons and
various bronze and iron weapons. Two iron spear-heads found in them are
now preserved in the neighbouring mansion of Mortonhall; and according
to the description of other relics formerly possessed by a neighbouring
farmer, they would appear to have also contained celts and other
weapons of bronze. A few yards to the north-west of the site which
these cairns occupied, there still stands the Kel or Caiy Stone, a mass
of the red sandstone of the district, measuring above eleven feet in
height. On digging in the neighbourhood of this primitive monument
a quantity of human bones have been found, irregularly interred,
without cists or urns, and not far from it are still visible the rude
earth-works of a British camp. Much more extensive intrenchments of
an oval form existed in the immediate neighbourhood, prior to the
construction of the new road, and are described by General Roy in
tracing one of the Roman iters.[113] There is another standing-stone
within the Mortonhall grounds, at about half a mile distant from the
site of the Cat-stanes, and also two larger masses lying together,
which are not improbably the remains of a ruined cromlech. Here, in
all likelihood, has been the battle ground of ancient Scottish chiefs,
contending, it may be, with some fierce invader. The locality is
peculiarly suited for the purpose. It is within a few miles of the sea,
and though inclosed in an amphitheatre of hills, it is the highest
ground in the immediate neighbourhood, and the very spot on which a
retreating host might be expected to make a stand ere they finally
betook themselves to the neighbouring fastnesses of the Pentland Hills.
A few miles to the westward of this is the oft-noted CATT STANE, in
Kirkliston parish, on which the painful antiquary may yet decipher the
imperfect and rudely lettered inscription--the work most probably of
much younger hands than those that reared the mass of dark whinstone
on which it is cut--IN [H]OC TVMVLO IACET VETTA . . VICTR . . About
sixty yards to the west of the Cat-stone a large tumulus formerly
stood, which was opened in 1824, and found to contain several complete
skeletons, but nearly all traces of it have now disappeared.

[Illustration: The Caiy Stone]

The rearing of stones of memorial on the scenes of victory is a custom
of many early nations, and one which has not even now entirely fallen
into disuse. The Bauta-stein of Norway and Denmark corresponds in its
signification with the Cat-stane of Scotland, nor are there wanting
examples of Scottish monoliths surrounded like the Danish ones with
a pile of small stones at their base. Such is the case with the CLACH
STEIN at Bible in Lewis, and the remarkable CLACH AN DRUIDEAN, or Stone
of the Druids, in the same island, which stands above sixteen feet high.

"The Gaelic people," says Chalmers,[114] "did sometimes erect memorial
stones; which as they were always without inscription, might as well
have not been set up." But independently of the fact that these
monuments of the remote past have long since accomplished the original
purpose of their erection, it is obvious that some of them can still
furnish an intelligible response to those who ask, "What mean these
stones?" Many of them, however, it is true, have waxed dumb in the
lapse of ages, and hold a more mysterious silence than that which
surrounded the long-guarded secrets of Egypt's memorial stones. Some of
these are perhaps the last solitary column which marks the site where
once the "Druid circle" and its mystic avenue covered the plain. Remote
and widely severed stones may thus be parts of the same systematic
design, as is rendered sufficiently probable when we remember that
that of Avebury numbered even in the days of Stukeley six hundred and
fifty stones, though then by no means perfect, and that that of Carnac
in Brittany extends over an area of eight miles in length. So common
are they still in Scotland that Chalmers dispenses with his usual
laborious accumulation of references, and contents himself with this
very comprehensive one: "See the Statistical Accounts _everywhere_!"

Other monoliths are probably the TANIST STONES,[115] where the new
chief or king was elected, and sworn to protect and lead his people.
One at least, the most famous of Scottish Tanist Stones, still
exists, and mingles with the gorgeous rites of coronation services in
Westminster Abbey the primitive elements of our most ancient popular
elective monarchy. The celebrated _Lia Fail_, or Stone of Destiny, is
that which, according to Scottish chroniclers, Gathelus, the Spanish
King, a contemporary of Romulus, sent with his son when he invaded
Ireland; and on equally trustworthy authority it is affirmed to have
been the veritable pillow of the patriarch Jacob, which he set up as a
memorial stone, on the scene of his wondrous vision!

    "A gret stane this Kyng than had,
    That fore this Kyngis sete wes made,
    And haldyne wes a gret Jowale
    Wytht-in the Kynryk of Spayne hale.
    This Kyng bad this Symon ta
    That stane, and in-tyl Yrland ga,
    And wyn that land and occupy,
    And halde that stane perpetually.
      Fergus Erc son fra hym syne
    Down discendand ewyn be lyne
    In to the fyve and fyfty gre,
    As ewyne recknand men may se,
    Broucht this Stane wytht-in Scotland,
    Fyrst quhen he come and wane that land.
           *       *       *       *       *
    Now will I the werd rehers,
    As I fynd of that Stane in wers;
    _Ni fallat fatum, Scoti, quocumque locatum
    Invenient lapidem, regnare tenentur ibidem_."[116]

The Lia Fail is believed to have served for many ages as the coronation
throne of the monarchs of Ireland; and according to Irish bardic
traditions, to have borne testimony to the divine right of sovereignty
by roaring beneath the legitimate monarch when seated on it at his
inauguration! It was removed to Scotland, and deposited at Icolmkil
or Iona, for the coronation of Fergus Erc, or Mac Eark, a prince of
the blood royal of Ireland;[117] from which it was finally translated
to the Abbey of Scone, when the Scottic kings had extended their
sovereignty over the ancient kingdom of the Picts. In Scotland it
bore the name of the "King's Stone," and was regarded as the national
palladium, until Edward I. in 1296, ordered it to be conveyed to
Westminster as an evidence of his absolute conquest of Scotland.[118]
But the evidence failed, and the older prophecy holds good that
wherever that stone rests princes of Scottish blood shall rule the
land, though the Lia Fail no longer gives audible testimony to the
legitimate heir. It can hardly fail to impress the thoughtful mind, as
a singular link between eras so widely severed, not by time only but by
every social and political change, that the rude Tanist Stone belonging
to a period dimly cognizable in the remotest past, still forms a part
of the coronation chair of the British sovereign in Westminster Abbey.
The use of the Tanist Stone is, like so many other primitive customs,
of Eastern origin, and traceable to a very remote era. Thus when
Abimelech was made king, it was _by the pillar which was in
Shechem_;[119] and when Jehoash was anointed king by Jehoiada, _the
king stood by a pillar, as the manner was_.[120] The standing stone
appears indeed to have been the most sacred attestation of every solemn
covenant between contracting parties, including that between the
elected chief or king and his people; and hence the super-addition of
those peculiar virtues supposed to attach to the ancient Scottic Lia
Fail.

One other stone is deserving of some note, from the vague records which
tradition has preserved of its connexion with the rites of a long
extinct creed. Mr. Wakeman remarks, in his Archæologia Hibernica,[121]
"Perforated stones, very similar to the ordinary pillar stone, are
found in many parts of Ireland, Scotland, and even, as appears from
Mr. Wilford's Asiatic Researches, in India. Abroad as well as at home
their origin is shrouded in the deepest obscurity, nor is it likely
that the subject can ever be elucidated." They are by no means so
common, however, as this would imply. At Applecross, in the west
of Ross-shire, a perforated stone occupies the centre of a stone
circle; and at Tormore, in the parish of Kilmorie, Buteshire, there
is a celebrated monolithic circle, styled _Siudhe choir Fhionn_, or
Fingal's cauldron seat, one of the columns of which is perforated, and
is commemorated in old Highland traditions as the stone to which the
Celtic hero was wont to tie his dog Bran. Immediately adjoining the
circle are three huge unhewn columns, about fifteen feet in height
above the surface of the moor. Along with these examples may be noted a
curious group in the parish of Maddern, Cornwall, consisting of three
stones, the centre one of which is pierced with a large circular hole,
through which, Borlase informs us,[122] rheumatic patients were wont
to crawl as a sovereign remedy for their disease. Perforated stones
must once have been common in England, and probably in Scotland also,
as the Anglo-Saxon laws repeatedly denounce similar superstitious
practices; but they are now of the rarest occurrence. Tradition has
preserved some curious associations with one of the most interesting
Scottish examples, which may perhaps be thought to throw some doubtful
light on the use to which such perforated pillars were devoted at a
comparatively late period of our island history. The celebrated STONE
OF ODIN, near the Loch of Stennis, in Orkney, which has had a new
interest added to it by being interwoven with the romantic incidents
of the "Pirate," was one of the remarkable monolithic group called The
Stones of Stennis. It formed no part, however, either of the Great
Ring of Brogar, or of the neighbouring circle of Stennis, but stood
apart, to the north-east of the latter group; though it can scarcely
be doubted that it bore some important relation to these ancient and
mysterious structures. The Stone of Odin is described as standing
about eight feet high, and perforated with an oval hole large enough
to admit a man's head. A curious, though rudely executed bird's-eye
view of the Stones of Stennis is given in the Archæologia Scotica,[123]
from a drawing executed by the Rev. Dr. Henry, about the year 1780,
and there a man and woman are seen interchanging vows, plighted by the
promise of Odin, which Sir Walter Scott refers to as "the most sacred
of northern rites yet practised among us." The vow was sworn while the
engaging parties joined hands through the perforation in the stone;
and though it is difficult to decide how much of the tradition may be
ascribable to modern embellishment and the adaptation of a genuine
heirloom of primitive superstition to the preconceived theories of
local antiquaries, there cannot be a doubt of the popular sacredness
attached to this sacramental stone in former times. An illustration of
the practice from which this originated is supposed to be traceable in
an ancient Norse custom, described in the Eyrbiggia Saga, by which,
when an oath was imposed, he by whom it was pledged passed his hand,
while pronouncing it, through a massive silver ring sacred to this
ceremony.[124]

The solemnity attached to a vow ratified by so awful a pledge as this
appeal to the Father of the Slain, the severe and terrible Odin,
continued to maintain its influence on the mind till a comparatively
recent date. Dr. Henry, writing in 1784, refers to the custom as having
fallen into disuse within twenty or thirty years of the time he wrote,
and adds, "this ceremony was held so very sacred in those times, that
the person who dared to break the engagement was counted infamous, and
excluded all society." Principal Gordon, of the Scots College, Paris,
who visited Orkney in 1781, thus refers to a curious example, showing
probably the latest traces of this venerable traditionary relic of
Scandinavian superstition:[125]

    "At some distance from the semicircle stands a stone by itself,
    eight feet high, three broad, nine inches thick, with a round
    hole on the side next the lake. The original design of this
    hole was unknown, till about twenty years ago it was discovered
    by the following circumstance: A young man had seduced a girl
    under promise of marriage, and she proving with child, was
    deserted by him. The young man was called before the Session;
    the elders were particularly severe. Being asked by the
    minister the cause of so much rigour, they answered, You do not
    know what a bad man this is; he has broke the promise of Odin.
    Being further asked what they meant by the promise of Odin,
    they put him in mind of the stone at Stenhouse, with the round
    hole in it, and added, that it was customary when promises
    were made, for the contracting parties to join hands through
    this hole; and promises so made were called the promises of
    Odin."[126]

It is possible that the awe which the vow of Odin so recently inspired
may have originated in the use of the stone for more dreadful purposes
than the most solemn contract, sealed with imprecations derived from a
barbarous Pagan creed; though little value can be attached to another
tradition, described by Dr. Henry as still existing in his time,--that
human victims destined for sacrifice were bound to the perforated
column, preparatory to their slaughter as an acceptable offering to
the terrible god. Another stone, on the north side of the island of
Shapinshay, bears the name of the Black Stone of Odin; but no definite
associations are now attached to it, and its sole value is as the march
stone between the grounds of two conterminous heritors.[127] A more
trustworthy tradition ascribed peculiar virtues to the Stennis Stone,
manifestly corresponding with those referred to by Borlase in connexion
with one at Maddern, and denounced in ancient Anglo-Saxon laws.
According to this a child passed through the hole would never shake
with palsy in old age. The practice exhibits a sagacious anticipation
of future ills, the hole being too small to admit of the remedy being
made available when most required.

A view of this remarkable memorial of ancient manners and superstitious
rites, is given in Lady Stafford's "Views in Orkney, and on the
North-eastern Coast of Scotland," drawn in 1805, and has been
copied as one of the illustrations for the Abbotsford edition of
the Pirate. But the stone itself no longer exists. After having
survived the waste of centuries, until it had nearly outlived the
last traditionary remembrance of the strange rites with which it had
once been associated, it was barbarously destroyed by a neighbouring
farmer, in the year 1814, along with two stones of the adjacent
semicircle. Had it not been for the interference of Mr. Malcolm Laing,
the historian, the whole group of Stennis would have been broken down
as building materials for the ignorant Goth's cow-sheds. The act was
the less culpable, perhaps, as the perpetrator was a stranger who
had only recently taken up his abode in Orkney. It affords proof,
however, that the native reverence for the venerable memorial had
not entirely disappeared, that its unfortunate destroyer's life was
rendered miserable by the petty persecutions with which the natives
sought to revenge the destruction of their sacramental stone. So far,
indeed, was this manifestation of popular indignation carried, that
various conspiracies are said to have been formed to injure him, and
two different attempts were made to set fire to his dwelling and
property;[128] a sufficiently manifest token that the old spirit of
veneration for the stone of Odin was not unknown to the modern Orcadian.

A still more remarkable class of monumental stones remain to be
described, including the singular sculptured pillars, peculiar, it is
believed, to Scotland. But we have already trespassed on the relics of
later eras, and these necessarily belong to a period long posterior
to that when the rude aboriginal Caledonian possessed no other tools
than the stone hammer and the flint chisel or arrow-head, with which to
grave the memorial of his fame and the annals of his race.

In the investigations of the archæologist, even though devoted, as this
inquiry is, to the examination of ancient memorials within an extremely
circumscribed area, he frequently finds that he is dealing with the
evidences of certain phases of progressive civilisation in the history
of the race, rather than with mere national peculiarities. The farther
research is pursued this becomes the more apparent, and we learn,
without much surprise, from the recent invaluable researches in the
valley of the Mississippi,[129] that the ancient tumuli of the American
continent are found to contain, amid many relics peculiar to the new
world, stone celts and hammers, flint and bone arrow and lance heads,
and other primitive weapons and implements so precisely resembling
those disinterred from the early British barrows, that the most
experienced eye could hardly tell the one from the other. To conclude
from this that we have found evidence of an affinity of race, or of
mutual intercourse between the rude aborigines of Britain and America
in that mysterious period of the long forgotten past, however plausible
it might seem at first sight, would be to adopt a theory which the
investigation of the arts of modern races, such as the natives of
Polynesia, must at once dispel. The same correspondence of primitive
weapons is found in the north of Europe, in the steppes of Asia, in the
ancient tumuli near the Black Sea, and even mingling with the evidences
of earliest civilisation on the banks of the Tigris and the Nile. We
must look, therefore, for the means of accounting for such remarkable
correspondence of primitive tools, to some cause operating naturally
at a certain stage of development in the human mind. It is the first
manifestation of man's intelligent instincts as a tool-using animal,
and furnishes a singular evidence of the instinctive faculties which
belong to him as well as to the lower animals, though few and uncertain
traces of these remain distinguishable where civilisation has fostered
the nobler faculty of reason, and brought it into healthy and vigorous
play.

It is not unworthy of note, in the exhibition of a more advanced stage
of the same development of features pertaining to the human mind in its
progressive civilisation, that there seems also to have been an epoch
in the early history of man, when what may be styled the monolithic era
of art has been developed under the utmost variety of circumstances.
In Egypt it was carried out, with peculiar refinement, by a people
whose knowledge of sculpture and the decorative arts proves that it
had its origin in a far deeper source than the mere barbarous love of
vast and imposing masses. In Assyria, India, Persia, and throughout the
Asiatic continent, this monolithic taste appears to have manifested
itself among many independent and widely severed races. In Mexico
and the central portions of the American continent, a people parted
apparently by impassable oceans from the old world, have left enduring
evidences of this psychological phenomenon; and in the north of Europe,
under circumstances no less widely different from all these nations,
numerous monolithic columns and groups attest the same pervading
idea. In our own island, more especially, where now we are content
to build a monumental obelisk, just as we do a cotton-mill chimney,
with successive tiers of stone, we possess some of the most remarkable
remains of this peculiar class. The destructive encroachments of
civilisation, and the ruthless assaults of the quarrier and the
builder, have done much to obliterate these singularly interesting
memorials of primitive antiquity. Already the vast temple of Avebury
has all but disappeared, like an old ripple-mark of the tide of
time. But there still remain, in the huge cromlechs, circles, and
standing stones scattered throughout the land, abundant evidence of
the influence of the same peculiar taste on the early races of the
British Isles, originating, as I conceive, in an unconscious aim at the
expression of abstract power.

The convenient terms of Druid altars and temples have long supplied
a ready resource for the absence of all knowledge of their origin or
use. The cromlech has at length been restored to its true character
as a sepulchral monument by the very simple process of substituting
investigation for theory. But after the devotion of many learned and
ponderous volumes to the attempted elucidation of Druidism, the subject
has lost little of its original obscurity; and we shall follow a safer,
if it be a less definite guide, in tracing the peculiar character of
the so-called Druidical monuments to feelings which appear to have
exercised so general an influence on the human race. The idea of the
origin of these monolithic structures from some common source seems
to have suggested itself to many minds. Colonel Howard Vyse, when
describing the great hypæthral court, surrounded with colossal figures,
which stands before the rock temple of Gerf Hossein, the ancient
Tutzis, remarks:--"The massive architraves placed upon the top of these
figures reminded me, like those at Sabooa, of Stonehenge; and it is
not improbable that, together with religious traditions, the art of
building temples may have even reached that place from Egypt."[130]

To speak, as some recent writers have done, as if the mechanical and
engineering knowledge by which the Egyptians were able to quarry and
erect their gigantic monoliths had become even a greater mystery
to us than the hieroglyphic legends which they inscribed on them,
is manifestly a hasty and altogether unfounded assumption. It is
their taste, and not their skill, which is wanting. The modern eye
is satisfied with the perfect proportions of the monumental column,
without seeking the barbaric evidence of difficulties overcome implied
in the lifting of it in one mass upon its pedestal. A few years since
the workmen in Craigleith quarry, near Edinburgh, disengaged a mass of
the fine sandstone of the district, capable of rivalling the colossal
obelisks of Egypt; but the proprietor in vain advertised the feat,
in the hope that some committee of taste would avail itself of the
opportunity of once more erecting a British monolith of primitive
mass; and he had at last to break it down into cubes adapted to the
ordinary wants of the modern builder. When, however, such a feat
has to be accomplished as the spanning of the Menai Straits with a
railway viaduct, no lack of engineering skill is felt in coping with
difficulties which may stand comparison with the most gigantic of the
self-imposed feats of the old Egyptian builder.[131] We may fairly
presume, therefore, that we have left the monolithic era behind us,
not by the oblivion of former knowledge, but by the progress of the
human mind beyond that stage of development when it finds its highest
gratification in such displays of rude magnificence and vast physical
power.

The Stones of Stennis, already referred to as the Orcadian Stonehenge,
are unquestionably the most remarkable monolithic group in Scotland,
and, indeed, if we except the great temple of Salisbury Plain, in the
British Isles. Without entering meanwhile into any investigation of the
evidence which various writers have derived from northern mythology or
popular traditions, with a view to throw some light on the probable
date of their origin, or the character of their builders, it furnishes
a rational basis for the classification of such ancient monuments among
the remains of the Primeval Period, that they exhibit no indication of
having been hewn or shapen with tools. Unless the perforation of the
stone of Odin be an exception, the columns have been erected just as
they were dislodged from the earth; and we have only to account for
their separation from the parent strata and their erection on the site
which they still occupy. In this respect they correspond with the more
ancient English temple of Avebury rather than with that of Stonehenge,
which belongs to an era when efficient metallic tools, whether of
bronze or iron, must have supplied the means of hewing the gigantic
columns into some degree of uniformity, and fitting the lintels to the
upright columns by means of the mortice and tennon still discoverable
amid the ruins of that wonderful monument of ancient skill. We are
not altogether without some evidence to induce the belief that the
early Caledonian did dislodge and cleave into amorphous columns the
unquarried rocks with which his native soil abounded, when armed with
no fitter tool than the stone wedge and hammer. The Rev. James Little,
in furnishing Sir John Sinclair with an account of the antiquities of
the parish of Southwick, in Kirkcudbright, mentions the discovery, on
the estate of Southwick, "in the middle of a large granite stone, when
blasted with gunpowder, in a socket exactly fitted to it, of a piece
of the same kind of substance, smooth and polished, in form somewhat
resembling a rude hatchet, about nine inches long. The virtuosi to
whose inspection it was submitted did not hesitate immediately to
pronounce it to be a hatchet which had been used by the Druids in
performing sacrifices; which conjecture they imagined warranted by the
vestiges of a Druidical temple very near where it was found."[132] The
reverend Statist rather inclines to regard it as a _lusus naturæ_. A
few years later another was found, under similar circumstances, in
a cavity of an enormous mass of stone, on the farm of Mains, near
Dumfries. It was also of polished granite; and from the outline of it
in the Archæologia, no doubt can be entertained of its being a genuine
stone wedge or celt.[133] Still it is not meant to assume from this
that all such monuments were erected prior to the introduction of
metals, but only that they indicate an origin coeval with the state
of civilisation in which the use of metallic implements was, at best,
but imperfectly known, and when the massive size of these rude unhewn
monoliths abundantly satisfied the human mind in its desire for a
visible shrine adequate to the awful mysteries shadowed forth in the
heathen mythology.

The site of the celebrated Orkney group is perhaps little less
remarkable than the venerable monuments to which it owes its name.
A long and narrow neck of land separates the Loch of Stennis, a
salt-water lake into which the tide rises and falls, from the fresh
waters of the Loch of Harray, save at the narrow strait of Brogar,
where at times the tidal wave mingles with the tideless waters of
Harray; and on this, the great circle or Ring of Brogar, as it is
most commonly styled, is reared. Judging from the regularity with
which such of the stones as still remain are disposed, the number of
columns originally forming the circle appears to have been sixty, on
the assumption that they were placed at nearly equal distances apart.
Of these sixteen remained _in situ_ in 1792, and eight lay prostrate
near their original sites; but now only twenty-three stones remain,
ten of which are prostrate, and the broken stumps of a few more serve
to indicate the places they once occupied. The whole is inclosed by a
deep trench, except at two opposite points, where a level break occurs,
affording the means of entrance and exit. The diameter of the great
circle, from the inner edge of the trench, measures 366 feet. From the
eastern entrance it is possible that an avenue of stones may have once
led to the Bridge of Brogar, as the stepping-stones are styled by which
the shallow channel between the Lochs of Harray and Stennis is crossed.
On the eastern side of the channel one column still remains, bearing
the name of the Watch Stone; derived apparently from its position on
the brink of the ford commanding the passage between the great circle
and the opposite shore, but which may possibly be the only relic of
the avenue once connecting the circles on each side of the loch. The
smaller group is now frequently designated, from its crescent form, the
temple of the moon, and the larger circle that of the sun; but there
can be no doubt that these are quite modern and spurious designations.
Stennis Circle, as the smaller group is properly termed, is situated on
a nearly level piece of ground, and its semicircular outline is further
indicated by an inclosing mound of earth, presenting its opening to the
south; whereas the larger circle is environed only by a fosse. This
group was composed, at no very remote period, of seven or eight stones,
but no doubt can be entertained that the figure was originally a
circle, inclosing with its vallum, a large cromlech, the ruins of which
still remain within the area. It is described by Wallace in 1700 as
"a round set about with high smooth stones or flags;"[134] so that it
would appear to have been complete at that comparatively recent period.
It stood upon a raised circular platform, part of which still remains
about three feet above the surrounding level. Beyond this is the
embankment, forming a circle, the radius of which, measured from its
outer edge, is 117 feet. The radius of the circle, on the circumference
of which the stone columns were placed, is about fifty-two feet; and
judging from the space between those still standing, twelve stones may
be supposed to have completed the circle. But though so small a group
when compared with the Ring of Brogar, its columns are fully double
the average height of the great circle, and it must have presented,
when perfect, a far more magnificent and imposing aspect. It is painful
to think that within our own time these most interesting memorials of
an era far beyond the date of written records have fallen a prey to
ignorance, in that dangerous transition state when the trammels of
superstition are broken through without being replaced by more elevated
principles of veneration. An intelligent native of Orkney, who appears
to have left his home about 1789, remarks in his MS. notes accompanying
a valuable donation of books relating to the northern islands presented
to the Society of Antiquaries of Scotland:--"If Mr. Daniell's sketch
of the Stones of Stennis (taken in 1818) be at all accurate, many of
them have disappeared, and others fallen to the ground, since I can
remember."[135] It was in the immediate neighbourhood of the smaller
circle of Stennis that the Stone of Odin stood, completing, along with
the adjacent earth-works alluded to in a former chapter, a group of
primitive monuments, which, though inferior in magnitude to the vast
temples of Wiltshire, or of Carnac in Brittany, are scarcely surpassed
in interest even by these remarkable monuments.

I am indebted to Lieutenant Thomas, R.N., to whose liberal
communications of the result of his observations in Orkney I have
already referred, for careful observations and measurements made by him
on the Stones of Stennis, of which the following are the most important
results:--

The Great Circle of Stennis, or Ring of Brogar, is a deeply entrenched
circular space, containing almost two acres and a half of superficies,
of which the diameter is 366 feet. Around the circumference of the
area, but about thirteen feet within the trench, are the erect stones,
standing at an average distance of eighteen feet apart. They are
totally unhewn, and vary considerably in form and size. The highest
stone was found to be 13.9 feet above the surface, and, judging from
some others which have fallen, it is sunk about eighteen inches in
the ground. The smallest stone is less than six feet, but the average
height is from eight to ten. The breadth varies from 2.6 to 7.9 feet,
but the average may be stated at about five feet, and the thickness
about one foot--all of the old red sandstone formation.

The trench around the area is in good preservation. The edge of the
bank is still sharply defined, as well as the two foot-banks, or
entrances, which are placed exactly opposite to each other. They have
no relation to the true or magnetic meridian, but are parallel to the
general direction of the neck of land on which the circle is placed.
The trench is twenty-nine feet in breadth, and about six in depth, and
the entrances are formed by narrow earth-banks across the fosse.

The surface of the inclosed area has an average inclination to the
eastward. It is highest on the north-west quarter; and the extreme
difference of level is estimated to be from six to seven feet. The
trench has the same inclination, and therefore could never be designed
to hold water.

                   DIMENSIONS OF THE RING OF BROGAR.

  Radius to outer edge of fosse,                    212.2 feet.
  Radius to inner edge of fosse,                    183.2  "
  Radius of circle on which the stones are placed,  170.0  "
  Distance of pillars from edge of fosse,            13.2  "
  Breadth of fosse,                                  29.0  "
  Depth of fosse, average,                            6.0  "
  Distance of columns apart, average equal to        17.8  "
      breadth of causeways,
  Highest column,                                    13.9  "
  Lowest column,                                      5.9  "
  Average height of columns,                          9.0  "
  Broadest column, stump only remaining,              7.3  "
  Narrowest column,                                   1.6  "
  Average breadth,                                    5.0  "
  Average thickness,                                  1.0  "

The neighbourhood of Stennis seems to have been consecrated ground to
the ancient Orcadians. Within no great distance there are two circles
of standing stones, two others all the remaining stones of which are
prostrate, and four single standing stones, besides about twenty tumuli
of various forms and sizes.

It was long the fashion with antiquaries to receive as an established
and altogether incontrovertible position the Druidical origin of
all symmetrical groups of standing stones in the British Isles. The
more careful researches of later writers into the early history of
the Orkney and Shetland Isles, and of their intimate connexion with
Scandinavia prior to the Christian era, have led to a revision of
this opinion, and to an almost universal abandonment of a Druidical
for a Scandinavian origin of the great Temple of Stennis, and the
numerous other corresponding structures in the north of Scotland and
the Western Isles. Barry, Hibbert, Scott, and Macculloch have each
assailed the old Druidical fancies with considerable learning and
ability. "Dr. Macculloch," says Dr. Hibbert, "has wielded the hammer of
Thor with very signal success in aid of the demolition of the Druidic
theory." But notwithstanding so powerful an array of authorities
in support of this newer line of argument, I venture to think, that
when the exclusive Scandinavian theory shall have been demolished
with equally signal success, we shall be nearer the truth than has
been yet attained. The common Gaelic phrase--_Am bheil thu dol
do'n chlachan_,--Are you going to the stones? by which the Scottish
Highlander still inquires at a neighbour if he is bound for church,
seems in itself no doubtful tradition of ancient worship within the
monolithic ring. Yet it has already been shewn that some of these
were not temples but sepulchral monuments; nor is their uniformity
sufficiently marked to prove a common origin for all. Sir Walter Scott
remarks, in his Abstract of the Eyrbiggia Saga:[136]--"The Temple of
Thor is described as a circular range of upright stones, within which
one more eminent marked the Stone of Thor, where human victims were
immolated to the Thunderer, by breaking or crushing the spine. And
this description may confute those antiquaries who are disposed to
refer such circles exclusively to the Celtic tribes, and their priests,
the Druids." Dr. Hibbert has quoted this paragraph as a refutation of
those who would contend that the Temples of Orkney had been used by
Celtic tribes, before they were occupied and dedicated anew by later
Scandinavian worshippers. But it unfortunately happens in this, as in
too many other instances, that the "Abstract" furnishes a very partial
rendering of the original saga; where the Temple of Thor is described
as a vast inclosed edifice, with chambers constructed of wood, and
a chancel or sacrarium specially dedicated to the Deity, of which
the stone circle formed only one of its complicated features.[137]
Doubtless in some at least of the monolithic groups still standing, we
see but the skeleton of structures which have outlived many no less
indispensable features of the original plan, formed of more perishable
materials. Modern agricultural operations have occasionally brought
to light very obvious evidences of this. An intelligent observer
who resided on the spot, and closely watched the operations of the
workmen employed in trenching and levelling the site of a "Druidical
Circle" on Donside, in the parish of Tullynessle, Aberdeenshire, has
furnished the following account of their disclosures:--"The upright
stones were mostly gone; but it was evident that they had inclosed a
circle of about fifty feet diameter. The ground on which the temple
stood was sloping, and within the circle it had been levelled by
removing the earth on the upper side, so as to present a bank, nearly
perpendicular, of not less than five feet, gradually decreasing to
the east or lower part, when it became level. The upright stones were
on the top of the bank. From the circle, in a south-east direction,
a paved road could be traced to the distance of at least six hundred
yards through a bog, which at the farther end was about six yards
wide, but nearly twenty yards wide when it approached within fifty
yards of the circle, and here the paving was covered with ashes. The
stones were not squared, but very neatly fitted into each other."[138]
In the course of these operations two curious stone vessels were
found, hereafter described, one of which is now in the Museum of the
Scottish Antiquaries. But the differences are so striking among many
of the Scottish monolithic groups, that we look in vain for evidences
of uniformity of faith or object in their builders. Some are single
circles, others several concentric circles. There are ovals, ellipses,
and semicircles, and even cruciform groups, which a hasty generalizer
might accept as an evidence of primitive Christian art. But one thing
is common to the whole, and is found to characterize similar structures
throughout Europe and Asia--and that is the huge unhewn monolithic
columns, the evidence not of one creed, but of one remarkable phase
of the human mind, the influence of which has long since disappeared.
Diverse as were the Celtic and Scandinavian creeds, their temples were
probably of similar character; and the rude Norsemen who possessed
themselves of the Orkney Islands in the ninth century, found far less
difficulty in adapting the Temple of Stennis to the shrine of Thor,
than the Protestants of the sixteenth century had to contend with when
they appropriated the old Cathedral of St. Magnus to the rites of
Presbyterian worship. It is unquestionably opposed to all probability
that the Great Circle of Stennis, with its grand but rude monoliths,
was the work of the Norse rovers of the ninth century, seeing we have
good reason to believe that the Christian missionaries of Iona, or
the disciples of St. Servanus, had long before waged successful war
with the Pagan creed of the native Orcadians. But the question of
Scandinavian origin is fortunately put to rest, at least in the case of
this the most remarkable of all the Scottish temple groups. Professor
Munch of Christiania, who visited this country in 1849, with a view
to investigate the traces of Norwegian intercourse with Scotland, was
gratified by the discovery that the name of Havardsteigr, which was
conferred on the scene of Earl Havard's slaughter by his nephew, about
the year 970, is still applied among the peasantry to the promontory
of Stennis; the Stones of which we may well believe were grey with the
moss of centuries ere the first Norwegian prow touched the shores of
Pomona.[139] No direct reference to Stennis occurs in the Orkneyinga
Saga, but the remarkable passage referred to is to be found in that of
Olaf Trygvesson, where it is said:--"Havard was then at Steinsnes, in
Rossey. There was meeting and battle about Havard, and it was not long
ere the Jarl fell. The place is now called Havardsteigr." So was it
called in the tenth century, and so, Mr. George Petrie writes me, it is
still occasionally named by the peasantry at the present day.

A few examples of the most remarkable monolithic structures of the
Scottish mainland may be noted here. Careful and minute accounts
have already been furnished of those of Inverness-shire by Mr.
George Anderson in the Archæologia Scotica;[140] and of those of
Aberdeenshire, Argyleshire, and various other Scottish districts,
in a series of illustrated papers in the Archæologia.[141] The
varieties apparent in their grouping and structure are such as may
well justify the conclusion that instead of being the temples of
a common faith, they are more probably the ruins of a variety of
edifices designed for diverse purposes, and it may be even for the
rites of rival creeds. This at least is certain, that the latest if
not the only unquestionable evidence of their use which we possess
is not as religious temples but as courts of law and battle-rings,
wherein the duel or judicial combat was fought, though this doubtless
had its origin in the invariable union of the priestly and judicial
offices in a primitive state of society. The several concentric
circles so frequently characterizing them, add to the probability
of their adaptation to the purpose of judicial or deliberative
assemblies. Such is one of the most common marks of the Law Tings of
Orkney and Shetland, and of the Isle of Man. "Not unfrequently the
fences of a ting were concentric; the intent of which was to preserve
among the different personages of the ting a proper distinction
of rank. The central area was always occupied by the laugman, and
'those who stood with him;' and the outer spaces by the laugrettmen,
out of whom the duradom was selected, the contending parties, and
the compurgators."[142] Mr. George Petrie has called my attention
to several evidences of this in relation to the Orkney circles,
and no less remarkable proofs appear in various chartularies and
other authentic records, showing at how early a period all ideas of
association with the rites of Pagan superstition had been lost. Thus in
the Aberdeen Chartulary a notice occurs of a court held "apud stantes
lapides de Rane en le Garuiach," on the 2d May 1349, when William
de St. Michael was summoned to answer for his forcible retention of
certain ecclesiastical property;[143] and again in the Chartulary of
Moray the Bishop of Moray is summoned, in the year 1380, to attend the
court of Alexander, Lord of Regality of Badenoch, and son of Robert
II., to be holden "apud le standand stanys de la Rathe de Kyngucy
estir." Part of the business of the court was to inquire into the
titles by which the Bishop held certain of his lands, and as he is
summoned as a vassal, and had to protest against the proceedings, he is
described as standing "_extra circum_."[144]

The temple group at Leuchar, in the parish of Skene, Aberdeenshire,
consists of a circle measuring internally thirty-four feet in diameter,
composed of eight large stones disposed at regular intervals. In the
centre of this another circle is formed of smaller stones, measuring
about thirteen feet in diameter, and around it six smaller stone
circles are disposed, two of them touching one another, and the
remainder separated by regular intervals. At a short distance from
this group, nine other circles occur, similar to the smaller ones, and
two large cairns occupy commanding sites in the neighbourhood. Other
examples of combinations of circles somewhat resembling this have been
noted; and many of the larger ones have a stone laid flat-ways in the
circumference of the circle, which is usually designated the altar
stone. Concentric circles are still more common. The great temple or
Clachan of Inches, situated about two miles south of Inverness, is the
largest and most entire in that part of the country. It consists of two
circles, the inner one of which is composed of twenty-eight stones,
and measures about forty feet in diameter. The outer circle is now
only partially traceable. Fifteen stones remain, including one nine
feet in height above ground, and the diameter measures above seventy
feet. Another remarkable group occurs about half-a-mile eastward from a
stone avenue near the farm of Milltown of Culloden, which may possibly
have been once connected with it. Three concentric circles are nearly
united to an adjoining one which incloses a group of five cairns, or
what might be more accurately described as one gigantic cruciform
cairn. The contents of this singular structure would probably amply
repay the archæologist for the labour and cost of exploration. In 1824
Henry Jardine, Esq., King's Remembrancer, exhibited at a meeting of the
Society of Antiquaries of Scotland, a sceptre or rod of office, dug up
in the circle of Leys, Inverness-shire. It consisted of a rod of pure
gold, bent at top like an Episcopal crozier or Roman _lituus_, which
it is not unreasonable to imagine may have been borne by some ancient
arch-priest or king in the great assemblies of his people. A golden
funicular rod made of three pieces twisted together, and with a solid
hook at each end, was dug up in County Antrim in 1808.[145]

Monolithic groups abound in many parts of the mainland as well as in
the Western Isles, but nearly all characterized by some peculiarity.
Some are inclosed by a trench, others by a fosse; and frequently the
space between the great stones is filled up by an earthen wall. In
several districts in the south of Scotland single and double ovals are
found, and fragments of ancient groups, more or less imperfect, are
common throughout the country. The woodcut represents an imposing
monolithic group in the neighbourhood of Pitlochrie, Perthshire. One of
the great level Highland moors stretches away beneath the eye, like a
dark waveless lake, contrasting with the distant heights, among which
Benlawers rears its pyramidal summit to an elevation of upwards of 4000
feet above the level of the sea. Amid this wild Highland landscape the
huge standing stones, grey with the moss of ages, produce a singularly
grand and imposing effect; and from the idea of lofty height which
the distant mountains suggest, they convey a stronger impression of
gigantic proportions than is produced even by the first sight of the
giant monoliths of Salisbury Plain.

[Illustration: Standing Stones at Pitlochrie.]

The most remarkable of the Hebridean groups is that of Classernish,
near Loch Roag, in the island of Lewis. It consists of a circle
sixty-three feet in diameter, with a column in the centre measuring
thirteen feet in height, and an avenue of similar stones stretching to
the north, while single rows placed towards the other cardinal points
complete the cruciform arrangement of the whole. Its greatest length is
stated by Logan as 558 feet, and by Macculloch as about 680 feet; but
many of the stones are nearly buried in the moss, so that its extreme
limits are very imperfectly defined. It appears to have consisted
originally of about seventy columns, and smaller circles in the same
neighbourhood attest the ancient presence of a numerous population on
the long desolate waste, where the grey columns of Classernish are
still imposing in their ruins. The magnitude and singularity of this
monolithic group have excited the enthusiasm of Celtic antiquaries,
some of whom have discovered in it the very hyperborean temple of the
ancients, in which, according to Eratosthenes, Apollo hid his golden
arrow![146] But perhaps the most interesting of all the temple groups
of the Hebrides, is one which furnishes the same indisputable evidence
of remote antiquity to which repeated reference has been made. It may
perhaps be thought a more potent weapon even than the hammer of Thor,
in demolishing the exclusively Scandinavian theory of their origin.
In the same island of Lewis a large stone circle may be seen, which
within memory of the present generation was so nearly buried in the
moss that the surrounding heather and rushes sufficed to conceal the
stones. It has now been cleared out to a depth of fifteen feet, by the
annual operations of the islanders, in cutting peats for their winter
fuel, and as yet without exposing the bases of any of the columns. My
authority for this interesting fact is Dr. Macdonald, a gentleman who
resided for some years as a medical practitioner on the island, during
which time he was accustomed to watch the progressive exhumation of
the long-buried Celtic temple with mingled feelings of interest and
curiosity. But this is not a solitary example. On various parts of
the mainland monolithic groups still remain partially entombed in the
slowly accumulating mosses, the growth of unnumbered centuries. On one
of the wildest moors in the parish of Tongland, Kirkcudbrightshire, a
similar example may be seen, consisting of a circle of eleven stones,
with a twelfth of larger dimensions in the centre, the summits of the
whole just appearing above the moss. Adjoining the group there stands a
large cairn with its base doubtless resting on the older soil beneath.
With such evidence at command, it is manifest that however vague many
of the speculations may be which have aimed at the elucidation of rites
and opinions of the Celtic Druids, and have too often substituted mere
theory for true archæological induction, we shall run to an opposite
error in ascribing to a Scandinavian origin structures manifestly in
existence long prior to the earliest Norwegian or Danish, or even
perhaps Celtic, descent on our coasts.

The Scottish cromlech, which belongs to the same period as the standing
stones and circular temples, has already been referred to under its
true head of Sepulchral Memorials; it need only be added, that some at
least of the smaller stone circles appear to belong to the same class,
and to have been only the encircling monument that marked out the spot
consecrated by the dust of some mighty chief, or formed subsidiary
features of a group in which the ruined cromlech still forms the most
prominent object. But the idea of a temple has become so indelibly
associated even in the minds of intelligent antiquaries with the circle
of standing stones, that even when such circles are found in groups,
the convenient name is still retained. "Nearly in a line between East
and West Law, Fifeshire," says Lieutenant-Colonel Miller, in his
inquiry respecting the site of Mons Grampius, "there are no less than
eight Druidical temples." To account for such a state of things we
shall next be compelled to assume that old Scottish Druidism was split
into even more rival sects than modern Scottish Presbytery, and perhaps
be taught to decipher from the symbolism of the rude monoliths, their
number, or their orientation, the degree of heresy that characterized
each Druidical conventicle! Such speculations cannot, after all,
surpass the extravagant and baseless theories of Sabaism, fire-worship,
Druidism, astrology, &c., which have been already deduced from the
number of stones, the direction of the entrance, or other equally
slight and constantly varying elements of argument.

One other and still more remarkable, class of works remains to be
noted: These are the Rocking Stones, which are found among the ancient
monuments of England and Ireland, as well as on various parts of
the Continent, and are no less frequent in Scotland. No evidences
of ancient skill or of primitive superstitious rites are more
calculated to awaken our astonishment and admiration of their singular
constructors. There is so strange a mixture of extreme rudeness and
great mechanical skill in these memorials of the remote past, that they
excite greater wonder and awe in the thoughtful mind than even the
imposing masses inclosing the sacred area of Stonehenge or the circle
of Stennis. It would, I imagine, prove a much more complicated problem
for the modern engineer to poise the irregular and amorphous mass on
its point of equilibrium, than to rear the largest monolithic group
that now stands to attest the mechanical power which the old builders
could command.

It has indeed been supposed by some that the origin of Rocking Stones
is traceable entirely to natural causes, and this opinion is now
adopted by Worsaae and other Danish and Norwegian antiquaries.[147]
Such a theory, however, seems to stand fully as much in need of proof
as that which regards them as stones of ordeal, by which the Druid
or Scandinavian priests were wont to test the guilt or innocence of
the accused. Apollonius Rhodius speaks of rocking stones placed on the
apex of tumuli, and Mr. Akerman refers, in his Archæological Index, to
the famous Agglestone Barrow, in the island of Purbeck, as having been
similarly surmounted.[148] One such undoubted example would abundantly
suffice to overthrow this geological theory of natural formation. It
is a less conclusive, though not altogether valueless argument, that
some of the most remarkable logan stones of Scotland are found in the
immediate vicinity of other undoubted primitive stone-works. The great
rocking stone in the parish of Kirkmichael, Perthshire, for example,
has already been referred to as one of a large group of stone circles,
cairns, and other monuments of the same class. Its form is that of a
rhombus, of which the greater diagonal is seven feet, and the less
five feet, and its weight is calculated at about three tons and half
a hundredweight. On pressing down either of the extreme corners, a
rocking motion is produced, which increases until the arc through which
its longest radius moves exceeds a foot. When the pressure has been
continued so as to produce this effect, the stone makes from twenty-six
to twenty-eight vibrations from side to side after it is withdrawn. A
much larger rocking stone is situated on the Hill of Mealyea, in the
parish of Kells, Stewartry of Kirkcudbright. Its weight is estimated
at from eight to ten tons, and it is so nicely poised that it can
be set in motion with the pressure of the finger. To this the name
of the Logan Stone is popularly applied in the Stewartry, therein
corresponding with the term used in Cornwall and other districts of
England. A second rocking stone formerly existed on the same range of
hills, but it was thrown down about thirty years since. Others remain
in the parish of Dron, Perthshire, on a hill in the neighbourhood of
the manse; in the parish of Abernethy, celebrated for its venerable
ecclesiastical relics; and on the north side of the Cuff Hill, in the
parish of Beith, Ayrshire; but none of them present any very special
peculiarity worthy of note. It is not designed to offer a new theory
here concerning the purpose of these singular "Stones of Ordeal;" nor
even to pronounce on the certainty of their artificial origin; but I
cannot help thinking it opposed to every doctrine of probabilities,
that nature in the course of her ceaseless operations of denudation
and attrition should in so many instances have _chanced_ to wear away
an amorphous rock so as to leave it poised in its centre of gravity
on a single point. So numerous are the examples of rocking stones,
that those who assign to them a natural origin would seem justified in
anticipating the discovery of some unknown law of nature tending to
such a result. But even if this extravagant doctrine of their origin
is adopted, the rocking stones will still justly come within the range
of archæological studies, as it can hardly admit of a doubt that they
were objects of reverent estimation by the old monolithic builders. It
is rare to find them far removed from a stone circle or other primitive
structure, which may indeed have owed its erection to the prior
existence of the rocking stone, but would more naturally suggest the
old conclusion that also originated in the same laborious contrivance
and skill which reared the ponderous dolmens, cromlechs, and monolithic
groups already described.

FOOTNOTES:

[107] Sinclair's Statist. Acc. vol. iv. p. 546.

[108] Archæologia, vol. xxv. p. 24. References to such landmarks are
not uncommon in ancient charters. Notice of certain bound stones, at
_Stansfield_, Staffordshire, occurs in a deed dated 6 Henry VII., ibid.
vol. ii. p. 359, and similar allusions are common in the Scottish
chartularies.

[109] Joshua xv. 6; xviii. 17; Deut. xix. 14; Prov. xxii. 28, &c.

[110] Wyntoun's Cronyklis, book v. chap. vii. fol. 88.

[111] Gael. _cam_; Gr. καμψος; Lat. _curvus_; Gael. _camus_, a bay. The
prefix _cam_, or crooked, enters into many Gaelic compounds and proper
names.

[112] Bellenden's Boece, b. xi. chap. viii.

[113] Roy's Military Antiquities, p. 103.

[114] Caledonia, vol. iii. p. 233.

[115] Gael. _Tanaiste_, a thane or lord, the next heir to an estate.

[116] Wyntownis Cronykil, book iii. chap. ix.

[117] Transac. Royal Irish Academy, vol. xviii. p. 159. Dr. Petrie
challenges the pedigree of the Scottish Lia Fail, and even goes some
length to establish the reputation of a stone at Tara as the genuine
one, but the Scottish stone has too faithfully fulfilled its character
as the Stone of Destiny to admit of any such unaccredited rival!

[118] _Vide_ Hailes' Annals, _note_, vol. ii. p. 242.

[119] Judges ix. 6.

[120] 2 Kings xi. 14.

[121] Archæol. Hibern. p. 19.

[122] Borlase, p. 177, Plate XIV.

[123] Archæol. Scot. vol iii. p. 122.

[124] Eyrbiggia Saga. Abstract Illust. of Northern Antiquities, p. 479.

[125] Sir Walter Scott speaks of this ceremony as confined to the
lower classes, at the time of his writing the "Pirate;" but this is
contradicted by the statement of Dr. Henry, and there is every reason
to believe that it had fallen at a much earlier period into disuse.

[126] Archæol. Scot. vol. i. p. 263.

[127] Sinclair's Statist. Acc. vol. xvii. p. 235.

[128] Peterkin's Notes on Orkney, p. 21.

[129] Ancient Monuments of the Mississippi Valley, Smithsonian
Contributions to Knowledge, vol. i.

[130] Pyramids of Gizeh, vol. i. p. 54.

[131] The Menai tubes, composed of wrought-iron plates, measure each
1524 feet in length, and the weight of the whole is estimated at 10,540
tons. This enormous structure had to be raised a height of 100 feet,
and thrown over an arm of the sea 1100 feet in width, and navigable by
the largest ships.

[132] Sinclair's Stat. Acc. vol. xvii. p. 110.

[133] Archæologia, vol. vii. p. 414.

[134] Wallace's Orkney, p. 53.

[135] A. Z., a native of Orkney, resident in London, who under this
title presented to the Society from time to time a curious and valuable
collection of books relating to the Orkney and Shetland Islands,
accompanied with copious MS. notes, some of which contain touching
allusions to the fond recollections cherished by him of his native
place.

[136] Illustrations of Northern Antiquities, p. 480.

[137] The following is the passage to which Sir Walter Scott
refers:--"Visitur ibi hodiedum circulus concessus judicialis intra quem
homines, Diis victima fieri jubebantur. Eminensque in isto circulo
Saxum Thoris, in quo hominibus sacrificio destinatis terga confracta
sunt, quodque sanguinem adhuc colorem conspiciendum præbet," &c.
(Eyrbiggia Saga. G. J. Thorkelin, 1787. P. 27.) But a much more minute
account is given in an earlier portion of the Saga, where Thorolf
ascertains the destined site of the new temple by casting its wooden
pillars into the sea, and accepting as the sacred spot a promontory
to which they were borne by the tides. This is the description of the
erection, which it will be seen is something different from a mere
circle of stones:--"At Hofsvog he caused a temple to be erected, a
house of vast magnitude, with doors in the side wall, somewhat near
to either extremity. Within the doors were the pillars of the chief
seat, secured with nails, and called sacred or divine. In the interior
another chamber was constructed in the shape which the chancels of
churches now have, in the middle of the pavement of which stood the
pulvinar, as well as the altar," &c. _Vide_ Ibid. p. 11.

[138] MS. Letter, John Stuart, Esq., Advocate, Aberdeen, 1888. Libr.
Soc. Antiq. Scot.

[139] The name Stennis, of Norwegian origin, was obviously the apposite
description suggested to the first Scandinavian voyagers by the
appearance of the singular tongue of land, crowned by its monolithic
circle; but the death of Earl Havard, as mentioned in the Northern
Sagas, conferred on it new associations and a corresponding name.
Professor Munch, whose natural bias as a Norwegian might have inclined
him to claim for his countrymen the erection of the Great Scottish
Circle, remarks, in a recent letter to me:--"Stennis is the old Norn
_Steinsnes_, that is, 'the promontory of the stones;' and that name
it bore already when Havard fell, in the beginning of the island,
being Scandinavian. This shows that the Scandinavian settlers found
the stones already standing;--in other words, that the standing stones
belonged to the population previous to the Scandinavian settlement."

[140] Archæol. Scot. vol. iii. p. 211.

[141] Archæologia, vol. xxii. p. 55; vol. xxv. p. 614, &c.

[142] Hibbert on the Tings of Orkney and Shetland. Archæol. Scot. vol.
iii. p. 141.

[143] Regist. Episcop. Aberdon. vol. i. p. 79.

[144] Regist. Episcop. Morav. p. 184.

[145] Archæologia, vol. xvi. p. 353.

[146] Logan's Scottish Gael, vol. ii. p. 322; Macculloch's Highlands
and Isles, vol. iii. p. 232.

[147] Primeval Antiquities of Denmark, p. 110.

[148] Archæol. Index, p. 34.




CHAPTER VI.

WEAPONS AND IMPLEMENTS.


The singular correspondence between many of the weapons and implements
of the Stone Period, in almost every quarter of the globe, has already
been referred to; but there are not wanting many others presenting such
national and local peculiarities as are worthy of careful noting and
comparison. In this respect much still remains to be done for Scottish
Archæology. A far more abundant store of materials, and a much larger
class of intelligent and educated observers are required, before the
subject can be placed in its true light as an elementary basis from
whence to deduce the legitimate inferences involved in this branch
of science. It will meanwhile help towards the establishment of a
fixed nomenclature and the basis of more extended classification, as
observers increase, to exhibit at one view the chief known varieties of
the weapons and implements of the Scottish Stone Period.

The rude and unshapely fragments of flint known by the name of Flint
Flakes, and now recognised as specimens of the first stages of weapon
manufacture of the period to which they belong, have only very recently
fully attracted the attention of archæologists. The merit in this, as
in so many other important elementary principles of the science, is
due to the intelligence and sagacity of the antiquaries of Copenhagen,
and the admirable facilities afforded by the liberality of the Danish
Government. The flakes of flint, which are met with in considerable
abundance, appear to have been struck off from a solid mass. They are
ordinarily found from about one to six inches long, and frequently
present a curved form, it being apparently a property of flint to
flake off in this manner. Sometimes they occur in the simplest state;
in other cases they are partially reduced to their intended form.
But rude as they are, they are of the utmost value to us, from the
insight which is thereby obtained into the process of manufactory of
the primitive lance and arrow-head. It is obvious, from the frequent
discovery of such among sepulchral deposits, that considerable value
was attached to them; nor must we overlook the fact, that while flint
is found in the greatest abundance both in Denmark and the south of
England, there are many parts of Scotland where it is scarcely to be
met with. Here, therefore, we discover the first traces of primitive
trading and barter. The flint flakes were, in fact, the _raw material_,
which had to be imported from other districts before the hunter of the
Stone Period could supply himself with the indispensable requisites for
the chase. A few examples will suffice to shew the abundance of such
materials, and the circumstances under which they are found, though it
will readily be believed that it is only rarely that their occurrence
is noted, or falls under the observation of those who consider them of
the slightest value.

In one of the cases in the Museum of the Society of Antiquaries of
Scotland there is a skull found in an ancient cist, on the farm of
Clashfarquhar, parish of Banchory-Devenich, Aberdeenshire, in 1822. It
is chiefly curious from having on the crown of the head a hole nearly
circular, and rather more than an inch in diameter, which there can be
little doubt was occasioned by the death-blow. The size and cerebral
development of the head nearly resembles the usual character of skulls
found in the earliest cists; and it is not difficult to conceive of the
wound having been inflicted with the narrow end of a stone celt. In
each corner of the cist a few flint flakes were carefully piled up into
a little heap. Alexander Thomson, Esq. of Banchory, remarks of them,
in a letter which accompanied the donation of the skull:--"They are
very proper for being made into arrow-heads, but none of them appear to
have been wrought."[149] Similar relics of early art have been noted
at various times in the same district of the country:--"On the alluvial
soil near the sea," remarks the author of the New Statistical Account
of Belhelvie, "there is a bed of yellow flints, in which a number of
very well formed arrow-heads are frequently found;" and in no part of
Scotland are these primitive relics more abundant than in the landward
districts of Aberdeenshire. In the large cairn of Menzie, on Cairn
Moor, Buchan, there was found, in a stone cist, "along with earth and
bones, a dart-head of yellow flint, most perfectly shaped, and a little
block, also of yellow flint, as if intended to furnish the deceased
with more darts, should he have occasion for them on the passage."[150]
In 1821 several flint flakes, and imperfectly formed flint implements,
were found, along with two perfect arrow-heads of the same material,
in an urn containing incinerated bones, on the estate of Closeburn,
Dumfriesshire. The urn, and several of the half-formed flints, are now
in the Scottish Museum. A similar deposit was discovered only last year
(1849) by workmen engaged in digging for stones to build a march <DW18>
between the farm of Swinie and an adjoining one on the neighbouring
estate of Wells, Roxburghshire. There were four cairns, two of which,
on being demolished, disclosed cists containing urns, and beside them
a quantity of flint flakes of various sizes, several of which are now
in my possession. Similar examples are of frequent occurrence, but one
other may be noted from the unusual amount of flint flakes found with
it. North of the Mull of Islay, Argyleshire, there is a road which
leads from Port Ellen, in a north-easterly direction, towards the
shooting lodge of Islay. At a point in this road, where it is cut into
the side of the hill, distant about four miles from Port Ellen, some
workmen engaged in widening the road exposed a cist in cutting into the
sloping ground, within which lay a skeleton with a large quantity of
flint flakes and chips beside it. A distinguished artist, who happened
fortunately to be in the neighbourhood at the time of this interesting
discovery, has furnished me with sketches of the locality. He describes
the flint flakes as so numerous, that they formed a heap of from
eighteen inches to two feet in height when removed from the cist.[151]

Other and scarcely less interesting evidences of ancient population
are still observable in remote nooks of the Western Highlands, where
the Dalriadic Scots first effected a settlement in the land which has
borne their name for so many centuries. The road from Port Ellen to the
site of the ancient cist, above described, passes for a considerable
way through a narrow winding valley, studded with huge boulders and
detached masses of rock, preserving evidences of remarkable geological
changes many ages anterior to the earliest occurrence within the
range of archæological science. Similar evidences are of frequent
occurrence along these western shores, where now the restless Atlantic
is slowly but unceasingly gnawing the rocky coast into wilder and more
picturesque forms, while it strews the stolen debris on its ocean bed,
to form new strata and continents for younger worlds than ours. With
these evidences of change we have not now to deal. But in various
districts of the same neighbourhood, and particularly amid the scenes
on which a new interest has been conferred as those in which the poet
Campbell passed some of his early years, the curious traveller may
descry, amid "the desolate heath" of the poet,[152] indications on the
hill-sides of a degree of cultivation having existed at some former
period far beyond what is exhibited in that locality at the present
day. The soil on the sloping sides of the hills appears to have been
retained by dwarf walls, and these singular terraces occur frequently
at such altitudes as must convey a remarkably vivid idea of the extent
and industry of an ancient population, where now the grazing of a
few black cattle alone tempts to the claim of property in the soil.
In other districts the half-obliterated furrows are still traceable
on heights which have been abandoned for ages to the wild fox or the
eagle. Such evidences of ancient population and industry are by no
means confined to the remote districts of ancient Dalriada. They occur
in many parts of Scotland, startling the believer in the unmitigated
barbarism of Scotland prior to the medieval era with evidence of a
state of prosperity and civilisation at some remote epoch, the date
of which has yet to be ascertained; though there are not wanting
periods within the era of authentic Scottish history to which some of
these may with considerable probability be assigned. The very simple
explanation of such ancient plough-marks which has satisfied the
popular mind is apparent in the appellation of _elf furrows_, by which
they are commonly known. The prevalence of these infallible tokens of
former industry was noted by the Rev. George Maxwell when drawing up
an account of the parish of Buittle, in Galloway, towards the close
of last century. The rustic tradition by which the reverend Statist
seeks to account for the greater agricultural skill of former ages,
though amusing enough, is not without its value to us from the proof it
affords of the extent to which such traces must have existed when they
made so great an impression on the popular mind:--

    "It is here to be observed," he remarks, "that there are few
    hills in this part of Galloway, where cultivation is at all
    practicable, that do not bear distinct marks of the plough. The
    depths of the furrows, too, plainly declare that this tillage
    has not been casual, or merely experimental, but frequent and
    successive. This should set both the ancient population and
    industry of this part of Scotland in a more favourable light
    than that in which they are usually held. It also affords
    probability to a tradition repeated by the country people
    to this day: that at a time when Scotland was under a Papal
    interdict, or sentence of cursing from the Pope, it was found
    that his Holiness had forgot to curse the hills, though he had
    commanded the land, usually arable, to yield no increase; and
    that while this sentence remained, the people were necessitated
    to seek tillage ground in places unusual and improbable!"[153]

Returning, however, from this digression, to the consideration of the
rude primitive implements of stone and flint, and the flint flakes
out of which the latter were formed,--the flint arrow and lance heads
constructed from these furnish evidence of much patient ingenuity,
and exhibit considerable variety of form. It is difficult, indeed, to
conceive of the process by which workmen, provided with such imperfect
tools as we must presume them to have possessed, were able to split
the flint into flakes, and reduce these to such regular forms. The
remoteness of the period when this primitive art was superseded by
the workers in metal, is proved by the incorporation of the ancient
flint implements into some of the most prevalent popular superstitions
of the north. The terms Elf-bolt, Elf-shot, or Elfin-arrow, are
invariably applied to the flint arrow-head throughout the Scottish
Lowlands. The Gaelic name, _Sciat-hee_, is completely synonymous;
while in Shetland and Orkney the idea of their supernatural origin is
more frequently conveyed by the term thunderbolt, invariably applied
to the stone celt. This variation in the popular mode of giving
expression to the idea of the supernatural origin of these primitive
weapons, among the inhabitants of the mainland and the northern isles
of Scotland, is worthy of passing note, from the evidence it affords
of one well-defined early date to which we may refer as a known
period when the stone weapons were fully as much relics of a remote
past, and objects of popular wonder, as now. The name still applied
to the Elf-bolt, by the Norwegian peasantry, is _Tordenkiler_, or
thunderstone,[154] so that we can feel little hesitation in assigning
to the old Norse colonists of Orkney, the difference still discernible
in these expressions of the same popular idea, and inferring from
thence, what all other evidence confirms, that the Scottish Stone
Period belongs to an era many centuries prior to the oldest date of her
written history. The Elf-bolt is associated with many rustic fancies
not yet altogether eradicated from the popular mind. It occupied
no unimportant part among the paraphernalia of Scottish witches of
the sixteenth and seventeenth centuries; and the occurrence of any
sudden disease amongst cattle was ascribed until a comparatively
recent period, to their having been shot by the fairies with Elfin
arrows. This ancient superstition is not peculiar to Scotland. In
Norway similar diseases, not only of cattle but of men, were called
by the same name of _Alfskot_, and in Denmark, of _Elveskud_, that
is, Elf-shot; though the flint arrow-head is not recognised as the
bolt which furnishes for such purposes the quivers of the malignant
elves. But other, and probably more ancient Scandinavian legends, prove
the existence of similar northern associations with the primitive
arrow-head of flint. In the "_Fornaldar Sögur Nordlanda_," or
Legends from the primitive period of the North, derived from ancient
manuscripts, Orvar Odd's Saga furnishes a curious evidence of this,--

    Orvar Odd, who is already furnished with three iron arrows,
    the gift of Guse, a Fin king possessed of magic power, in the
    course of his wanderings is hospitably entertained by an old
    man of singular appearance. On the side where the old man sat
    he laid three stone arrows on the table near the dish. They
    were so large and handsome that Orvar thought he had never seen
    anything like them. He took them up and looked at them, saying,
    "These arrows are well made." "If you really think them to be
    so," replied his host, "I shall make you a present of them."
    "I do not think," replied Orvar, smiling, "that I need cumber
    myself with stone arrows." The old man answered, "Be not sure
    that you will not some time stand in need of them. I know that
    you possess three arrows, called the Guse's gifts, but, though
    you deem it unlikely, it may happen that the Guse's weapons
    prove useless, then these stone arrows will avail you." Orvar
    Odd accordingly receives the gift, and chancing soon after
    to encounter a foe who by like magic was impenetrable to all
    ordinary weapons, he transfixes him with the stone arrows,
    which immediately vanish.[155]

From references to the geographical divisions of Russia, as well as
other internal evidence, this version of the legend is believed to
have been written not later than the twelfth century. The tradition,
however, is doubtless based on a much older belief, so that we cannot
err in assuming that at the earliest period of intercourse between
Scotland and Norway, sufficiently frequent to assimilate the popular
superstition of the two countries, the Stone Period was only known as a
state of society so essentially different from every historic tradition
with which the people were familiar, that they referred its weapons and
implements to the same invisible sprites by whose agency they were wont
to account for all incomprehensible or superhuman occurrences.

The Elf-arrow was almost universally esteemed throughout Scotland as
an amulet or charm, equally effectual against the malice of Elfin
sprites, and the spells of witchcraft. Dipt in the water which cattle
were to drink, it was supposed to be the most effectual cure for their
diseases, while sewed in the dress, it was no less available for the
protection of the human race; and it is still occasionally to be met
with perforated or set in gold or silver, for wearing as an amulet.
Like other weapons of Elfin artillery, it was supposed to retain its
influence at the will of the possessor, and thus became the most
effective talisman against elvish malice, witchcraft, or the evil-eye,
when in the hands of man. Such traditional myths of vulgar superstition
are not without their value, however humble their direct origin may be.
They are frequently only distorted images of important truths, and we
shall find more than one occasion to recur to them for aid in reuniting
the broken skein of primitive history. To follow out the simile, it
may sometimes be said of them with truth, that where all other lines
of connexion with the past are broken, these are only ravelled and
confused.

Arrow-heads of the Stone Period are found in Scotland in great numbers,
and of a considerable variety of forms. They are for the most part made
of silex, though also met with of agate, cornelian, and other native
pebbles, and are frequently finished with much neatness and care. The
woodcut exhibits a very fine one, the full size of the original, which
was found in the Isle of Skye, and is now in the collection of Mr.
John Bell of Dungannon. Pennant has engraved a large cinerary urn,
discovered along with three others, on opening a cairn on the hill
of Down, near Banff. They contained, in addition to the incinerated
remains, bone implements and flint arrow-heads, the largest of them
having in it thirteen of the latter, all of the shape to which the
term _barbed_ is most commonly applied. This, indeed, while it appears
to be one of the most artificial forms, involving the greatest amount
of labour and skill in fashioning the material, is also one of most
frequent occurrence in Scotland. Those already referred to as found,
along with an ancient wooden wheel, in the Blair-Drummond Moss, were
of the same shape. So also were some obtained on opening a tumulus in
the parish of Killearn, Stirlingshire, during the past year; and indeed
they have been met with in nearly every district of the mainland, and
of the northern and western isles. Lance- and spear-heads of silex are
also not uncommon, both in the tumuli and among the objects turned up
where the scenes of primitive population are subjected for the first
time to the plough. A very fine spear-head of silex, fifteen inches
long, and beautifully finished, was discovered a few years since on
the demolition of a cairn on the estate of Craigengelt, near Stirling.
Another of somewhat smaller dimensions, also found in a cairn, on the
estate of John Guthrie, Esq., Forfarshire, about 1796, is figured and
described in the Gentleman's Magazine of the following year.[156]

[Illustration]

Flint knives, though apparently less abundant than in the different
Scandinavian countries, and especially in Denmark, are frequently
turned up in the course of agricultural operations. In no instance that
has come under my notice have implements been found in Scotland exactly
resembling the curious lunar flint knives and saws of such common
occurrence in Denmark and Sweden; yet examples of similar form are
familiar to American archæologists among the singular contents of the
great mounds explored of late years in the valley of the Mississippi,
and in other districts of the North American continent. These are
generally made of slate, and stone knives analogous to them appear also
to have been used in the Scottish primitive periods, to supply similar
necessities. In the Shetland and Orkney islands especially stone knives
are common, and in other districts knives of flint, though not of the
northern lunar shape, are often met with. It is perhaps of fully as
much importance, in the present stage of archæological inquiries, to
note the dissimilarity, as the correspondence of relics of the same
period in different countries. We have already observed a resemblance
so remarkable, in the implements of the Stone Period pertaining to
countries alike separated by time and space, as to preclude the
possibility of ascribing it to any mutual intercourse or common source
of knowledge, that nothing but a correspondence in many minute details
will justify the inference of international intercourse or similarity
of races. Dissimilarity, however, in these primitive implements, if
the means of comparison be sufficiently extensive, may suffice to
establish the opposite conclusion, that little or no intercourse had
existed between Scotland and those countries, such as Norway and
Sweden, at least during the earliest historic periods. Little proof,
indeed, is required to establish this--if we set aside the opinion,
assumed without any investigation of the evidence, that the natives of
ancient Caledonia lagged far behind the other races of Northern Europe
in the arts of civilisation--for their primitive arts precluded the
construction of fleets fitted for the navigation of the intermediate
seas, and shut them up to their own native ingenuity. Still it may be
that the discovery of a more complete correspondence with the stone
implements of other parts of Europe will yet add to our knowledge of
the first colonisation of the British Isles, and help us to follow back
the track of these nomadic tribes in their wanderings from the eastern
cradle land of the human race.

One of the most curious stone implements of frequent occurrence in
the northern islands is what the Shetlanders style a Pech's knife.
They have already been referred to as partially resembling the lunar
flint knives of Norway and Denmark. But in the Scottish examples the
semicircular edge is sharp, while the straight side is thickened like
the back of a common knife. Others are oval, or irregular in form, and
brought to an edge round the whole circumference. One of the latter, in
the Scottish Antiquarian Museum, formed of thin laminæ of madreporite,
was found at one of the burghs or round towers of Shetland. It measures
4½ by 4 inches, and does not exceed, in greatest thickness, the
tenth of an inch. Similar implements, in the collection of the London
Antiquaries at Somerset House, are mentioned by Mr. Albert Way,[157] as
probably the ancient stone instruments transmitted to Sir Joseph Banks
by Mr. Scott of Lerwick, in Shetland, and communicated to the Society,
March 9, 1820. Sixteen were found by a man digging peats in the parish
of Walls, Shetland, placed regularly on an horizontal line, and
overlapping each other like slates upon the roof of a house, each stone
standing at an angle of 45°. They lay at a depth of about six feet in
the peat moss, and the line of stones ran east and west, with the upper
edge towards the east. A considerable number of implements, mostly of
the same class, were found on the clay under the ancient mosses of
Blair-Drummond and Meiklewood. Some of them are composed of slate, and
others of a compact green stone. They are from four to six inches long,
flat, and well polished. There were also along with them a number of
stone celts and axe heads, mostly made of the same hard green stone.
In the Scottish collection is a knife of an entirely different form,
made of light grey flint, which was found, along with a stone celt of
unusual shape, within the area of a "Druidical circle," in Strachur
parish, Argyleshire. Two others, recently discovered in ploughing a
field in the neighbourhood of Largo, Fifeshire, totally differ from any
of the numerous examples found in Denmark or Sweden. They are bent back
at the point, finished with great care, have a fine edge, and appear to
have been attached to bone or wooden handles. Another example, somewhat
resembling these, was found in cutting a drain on the Pentland Hills,
near Edinburgh, and though simpler, is also peculiar, and apparently
unique in form. On showing it recently to an East-Lothian farmer, he
remarked that he had frequently seen such things turned up by the
plough, but had never thought them worth the trouble of lifting.

Celts[158] and hatchets, or wedges, are among the most abundant of
all the relics of the Stone Period. They have been discovered in
considerable quantities in almost every part of Scotland, from the
remote Orkney and Shetland Isles,[159] to the shores of the Solway and
the banks of the Tweed. They are frequently found rudely executed,
with little appearance of labour except at the edge; while other
examples are characterized by the highest finish and the utmost degree
of polish that the modern lapidary could confer on them. The manner
of attaching the stone celt to a handle has been made the subject of
some discussion, though sufficiently illustrated by the practice of
the modern Polynesians and other savage tribes still using weapons of
stone. M. Boucher de Perthes has succeeded in throwing some new light
on the subject by researches in the neighbourhood of Abbeville, which
point to the conclusion that the French celt has been inserted into the
hollow portion of a stag's horn having a perforation in it to receive
the handle.[160] Various other methods, however, have been shewn by
which this primitive weapon could be hafted, so as to become available
for the war axe of the northern warrior. The example found in the
earliest ancient canoe of the Clyde, leaves no room to doubt that it
was bound to the handle by thongs or portions of the haft passing round
the middle. Both ends are highly polished, while the middle remains
rough, having evidently been designed to be covered and concealed.[161]
One stone celt has been found in Ireland, near Cookstone, in the
county of Tyrone, still attached to its wooden handle, the artless
rudeness of which could hardly be surpassed.[162] Much more efficient
means, however, are frequently seen employed in corresponding weapons
brought from the South Sea Islands than any of the ancient examples
display; and these may suffice to illustrate the improved methods which
experience would suggest to the rude Caledonian aborigines.

[Illustration: Hatchets.]

The stone celt must unquestionably be regarded as a weapon of war.
With its thick round edge, when wielded at the end of a long handle,
similar to those to which we see the stone axes of the Polynesian
savages attached, it would prove an effective lethal weapon, but very
few examples of it could be applied to any useful purpose as tools.
The flint or stone hatchet was more probably the implement which, with
the ever-ready aid of fire, sufficed to hew down the oak, to split
and reduce it into requisite forms for domestic uses, or to shape
and hollow it out into such rude canoes as have been described in a
former chapter. Still it is difficult to draw any very definite line
of distinction between the artificer's and the warrior's axe, the same
implement having doubtless been often employed in waging war on the
leafy giants of the old Caledonian forests, and on rival tribes who
found a home within their fastnesses. The most perfect, indeed, of the
stone hatchets seem ill adapted for the laborious task of felling the
knotty oak, and hollowing it for the primitive canoe. But in all such
considerations of savage arts it must be borne in remembrance that
time, which forms so important an element in modern estimate, hardly
comes into account with the savage. Armed with no better tools, the Red
Indian, on the shores of the Pacific Ocean, is known to cut an incision
in the bark round the root of the tree destined for his canoe; into
this he places glowing embers until it is charred to a considerable
depth, and by the alternate use of the hatchet and the fire the largest
tree is brought to the ground, and by the same ingenious process
adapted to bear its owner on the open seas.

[Illustration]

A very interesting discovery of an example of the use of the stone
battle-axe, or celt, is thus described in a letter from Captain
Denniston to Mr. Train. About the year 1809, Mr. M'Lean of Mark found
it necessary, in the course of some improvements on his farm, to remove
a large cairn on the Moor of Glenquicken, Kirkcudbrightshire, which
popular tradition assigned as the tomb of some unknown Galwegian king,
styled Aldus M'Galdus:--"When the cairn had been removed, the workmen
came to a stone coffin of very rude workmanship, and on removing the
lid, they found the skeleton of a man of uncommon size. The bones were
in such a state of decomposition, that the ribs and vertebræ crumbled
into dust on attempting to lift them. The remaining bones being more
compact, were taken out, when it was discovered that one of the arms
had been almost separated from the shoulder by the stroke of a stone
axe, and that a fragment of the axe still remained in the bone. The axe
had been of green stone, a species of stone never found in this part
of Scotland. There were also found with this skeleton a ball of flint,
about three inches in diameter, which was perfectly round and highly
polished, and the head of an arrow, also of flint, but not a particle
of any metallic substance."[163] Many of the most highly-finished
celts and hatchets found in Scotland are made of the same green stone,
which is susceptible of a beautiful polish. Other implements of this
period are chisels of flint, nearly resembling those of Norway and
Denmark. Several examples are in the Scottish Museum; and a curious
instance of a perforated chisel, similar to those frequently found in
Denmark, was turned up in 1841, in trenching a piece of ground near
the Church of Lismore, Argyleshire. It is of the usual square form,
measuring four inches long, and is described in the New Statistical
Account as a stone needle.[164] Another and larger class of Scottish
implements are cylindrical or oval perforated stones, of which no
examples, I believe, have yet been found in Denmark or Sweden. The
woodcut represents one of these implements, measuring 8¼ inches in
length, found in a cist near North Berwick Abbey, East-Lothian, where
many primitive remains have been discovered. It is flattened at the
end where it is perforated, and is made of a very hard polished stone.
Another was found in 1832, in the parish of Lumphanan, Aberdeenshire;
and similar implements are occasionally mentioned among the contents
of Scottish tumuli. In a cist, discovered under a barrow, in Kirkurd
parish, Peeblesshire, there were various weapons of flint and stone,
including one described as resembling the head of a halbert, another
of a circular form, and the third of a cylindrical shape; in all
probability a celt, a spherical flint or stone, and one of the
implements now referred to, which may be conveniently designated
as _flail-stones_.[165] On levelling a large tumulus a few years
since, at Dalpatrick, Lanarkshire, a cist was discovered inclosing
an urn. Two other specimens of fictile ware, one of them supposed to
be a lamp, were found imbedded in the surrounding earth, and also a
flail-stone made of trap rock. It is described as "a curious whinstone,
of a roundish form, about four inches in diameter, perforated with
a circular hole, through which the radicle of an oak growing near
the spot had found its way."[166] Similar stone implements have been
frequently met with in Scotland, and were perhaps designed for use as
offensive weapons, attached to a leather thong or secured by such means
to the end of a shaft, like a modern flail. The Shoshonee Indians, and
other North American tribes, used such a weapon under the name of a
_Pogamoggon_; the stone not being perforated, but inclosed in leather,
by which it was fastened to the handle. Other tribes of the Mississippi
valley had a simpler form of the same weapon, possibly corresponding to
the spherical relics of flint or stone occasionally found with these,
consisting of a grooved ball attached to a long leather thong, which
they wielded, like a slung-shot, with deadly effect.[167] A medieval
offensive weapon, constructed on the same principle, bore the quaint
name of "The Morning Star," an epithet no doubt suggested by its form;
as it consisted of a ball of iron armed with radiating spikes, attached
by a chain to its handle. Like the ruder flail-stone, the morning star,
when efficiently wielded, must have proved a deadly weapon in the
desultory warfare of undisciplined assailants; but whenever the value
of combined operations was discovered and acted upon it would have to
be thrown aside, as probably more fatal to friends than to enemies.
In the Scottish flail-stones the perforation is bevelled off so as to
admit of their free use without cutting or fraying the thong by which
they were held. We shall not probably greatly err in assuming these to
be the first "_morning stars_" of that old twilight, in the uncertain
light of which we are groping for some stray truths of the infancy of
history.

A stone implement in my own possession, somewhat similar in general
form to these flail-stones, was found beside a group of cists near
North Berwick, East-Lothian, but its original destination is obvious.
It is made of hard sandstone, of a flattened oval form in section,
and is worn on the two alternate sides where it has been used as a
whetstone--a use for which the hardness and high polish of the others
render them totally unfit.

Not the least curious among the primitive relics in the celebrated
museum of northern antiquities at Copenhagen, are the various
whetstones, some of which have been found in barrows and elsewhere
under ground, with half-finished stone-wedges lying upon them, as if
the workman had been suddenly interrupted by death in the midst of
his laborious industry, and his unaccomplished task had been deemed
the fittest memorial to lay beside him. It formed no part of the old
Pagan creed that "there is no work nor device in the grave." Possibly
enough the buried celt-maker was expected to resume his occupation and
finish his axe-grinding in the spirits' land. No similar example has
yet been noted in Scotland, though smaller hand whetstones, like the
one found at North Berwick, are not uncommon. One which is described
as very smooth and neat, was obtained among the contents discovered on
excavating within the area of the vitrified fort of Craig Phaidrick,
near Inverness;[168] several such were found in cists at Cockenzie,
East-Lothian; and Barry mentions among the miscellaneous contents of
the tumuli or cists in the island of Westray, "a flat piece of marble,
of a circular form, about two inches and a-half in diameter, and
several stones, in shape and appearance like whetstones that had never
been used."[169]

Great as are the numbers and varieties of the stone weapons and
implements of Denmark, compared with those found in Britain, they
appear to be surpassed in both respects by the corresponding relics
of the Mexican Stone Period. Such facts suggest the inference, which
history in some degree confirms, that the metallurgic arts were earlier
known in Britain than in Denmark, thereby superseding the arts of the
stone-workers before they had been elaborated as elsewhere; while in
Mexico, Yucatan, and throughout the districts of the North American
continent, where a native civilisation is known to have prevailed, iron
was totally unknown, and copper had not completely superseded the stone
hatchet and arrow-point when Columbus opened a way to that new world.
But who shall say how many more curious and noteworthy reminiscences
of the past may have been ignorantly destroyed in Scotland, among the
thousands of burial-mounds annually invaded by the unlettered peasant
in his agricultural labours.

Among the larger implements of this period the most remarkable and
varied are the Stone Hammers and Axes. They are of common occurrence,
and present a variety of forms, evidently designed to adapt them to a
considerable diversity of purposes. They are therefore available as
evidence in estimating the degree of inventive talent manifested in
the primitive state of society in which they were produced, showing as
they do the intelligent savage coping with the untractable materials
with which he had to deal, and supplying many deficiencies by his
own ingenuity and skill. With these, as with the elf-bolts of the
same period, we find in the reminiscences of early superstition the
evidence of their frequent occurrence long after all traces of their
origin and uses had been obliterated by the universal substitution of
metallic implements. As we find the little flint arrow-head associated
with Scottish _folk-lore_ as the Elfin's bolt, so the stone hammer of
the same period was adapted to the creed of the middle ages. The name
by which it was popularly known in Scotland almost till the close of
last century was that of the Purgatory Hammer. Found as it frequently
was within the cist and beside the mouldering bones of its old Pagan
possessor, the simple discoverer could devise no likelier use for it
than that it was laid there for its owner to bear with him "up the
trinal steps," and with it thunder at the gates of purgatory till the
heavenly janitor appeared, that he might

                               "ask,
    With humble heart, that he unbar the bolt."[170]

The stone hammer is frequently found in the older cists. In 1832 a
farm-servant while ploughing a field on the farm of Downby, in Orkney,
struck his ploughshare on a stone which proved to be the cover of a
cist of the usual contracted dimensions, in which lay a skeleton that
seemed to have been interred in a sitting posture. At the right hand
lay a highly polished mallet-head of gneiss, beautifully marked with
dark and light streaks.[171]

[Illustration: Stone Hammers and Axes.]

The examples figured here furnish a few of the most characteristic
varieties of Scottish hammers that have been preserved. They by no
means equal in number those found in Denmark, Sweden, and Norway. But
only a very partial and extremely superficial investigation of such
relics has yet been made, and we possess no national collection in
Scotland, similar to that of the Christiansborg Palace of Copenhagen,
to which the whole available financial and legal machinery of the
kingdom is employed in gathering the primitive national antiquities
so soon as they are discovered. The Old and New Statistical Accounts
abound with notices of opened tumuli and cairns, and of their valuable
archæological contents; but unfortunately in nearly every case these
are either conveniently ascribed to Romans and Danes, or mentioned so
vaguely that no use can be made of them as illustrations of the period
to which they belong.

[Illustration]

The name of Axe is, with sufficient appropriateness, applied to the
double-edged stone implements, and to those of a wedge-shape which
have the aperture for inserting the handle near the broad end, whereas
other examples perforated sufficiently near the centre to admit of the
free use of both ends are with equal propriety styled hammers. They
are frequently finished with great neatness and art; not made, like
the hatchet, of flint, but of a variety of kinds of stone, from the
gray granite, of which the largest are generally made, to trap and
even sandstone. Several examples have been discovered in an unfinished
state, furnishing curious illustration of the laborious process of
manufacture. One large one in particular in the Scottish Museum was
found in digging the Caledonian Canal. It is made of gray granite, very
symmetrically and beautifully formed, and with the hole partially bored
on both sides. This was probably effected with water and sand by the
tedious process of turning round a smaller stone until the perforation
was at length completed. Tried therefore by the standard of value of
the Stone Period, the hammer was perhaps a more costly deposit in the
tomb of some favourite chief than the golden armillæ of later times.
The Danish antiquaries are familiar with examples of unfinished stone
implements, and also with a still more curious class, consisting
of broken hammers and otherwise mutilated instruments, which have
been perforated with another hole or ground to a new edge, affording
striking evidence of the value of such implements to their primitive
owners. The example figured here, partaking of the characteristics both
of the hammer and axe, was dug up on the farm of Dell, in the parish of
Abernethy, and is engraved from a sketch by the late Sir Thomas Dick
Lauder, Bart. It measures eight inches in length, and was found at a
depth of about five feet from the surface, in a soil consisting of two
feet of mould lying above peat moss.

[Illustration]

The following class of objects includes a variety of stone implements
the uses of which are extremely doubtful or altogether unknown, though
they are often found along with other relics of the Stone Period. The
woodcut represents various examples of perforated stone balls, such as
are frequently met with, and to which it may be convenient to apply
the name of _Bead-stones_. Some of them are decorated with a variety
of incised lines, and may have been worn as marks of distinction or
as personal ornaments held in great esteem, as they are not uncommon
among the relics deposited in the cist or cinerary urn. One plausible
theory of their use which has been suggested is that they are the
stone weights used with the distaff, and they have accordingly
received in Germany the name of _Spindelstein_. The Scottish _whorle_,
or fly of the spinning-rock, however, is still familiar to us, and
bears only a very partial resemblance to these perforated balls;
consisting generally of a flattened disc, much better adapted for
the motion required in the distaff. But independently of this, these
rude ornaments have been found alongside of male skeletons, and in
such numbers as might rather induce the belief that they had formed
the collar of honour of some old barbarian chief, esteemed as no less
honourable than the golden links of rue and thistle worn by the knights
of St. Andrew at the court of the Scottish Jameses. As such, therefore,
they should be classed with the personal ornaments of the same period,
but their use is still open to question, and they may therefore
meanwhile not unfitly rank with the other objects treated of in this
chapter.

[Illustration]

On demolishing a cairn at Dalpatrick, in Lanarkshire, a few years ago,
it was found to cover a cist inclosing an urn, and in the surrounding
heap were discovered another urn about six inches high, a smaller
vessel of baked clay, and a curious whinstone of roundish form, about
four inches in diameter, and perforated with a circular hole.[172] "In
one of the Orkney graves," says Barry, "was found a metal spoon, and
a glass cup that contained two gills Scotch measure; and in another a
number of stones formed into the shape and size of whorles, like those
that were formerly used for spinning in Scotland."[173] Two of these
bead-stones in the Museum of the Scottish Antiquaries were discovered
in Dumbartonshire, along with various smaller ones, some of them of
glass and undoubtedly designed as ornaments. Other examples are more in
the form of a truncated cone, and are referred to in a later chapter as
perhaps the tablemen for a game somewhat similar to that of draughts,
and still called by the Germans _Brettsteine_. Larger perforated stones
have also been found. Mr. Joseph Train describes several obtained in
Galloway, five or six inches in diameter, one of which, in his own
possession, as black and glossy as polished ebony, had been picked
up in the ruins of an old byre, where it had doubtless been used,
according to the ideas of that country-side, to counteract the spells
of witchcraft.[174] Others formed of slate are of frequent occurrence
in the Portpatrick parish, Wigtonshire, and are not unknown in other
districts.[175]

Unperforated spherical stones, generally about the size of an orange,
have been referred to along with other contents of the Scottish
tumulus. It is not always possible to distinguish these from the
stone cannon ball which continued in use even in James VI.'s reign.
The circumstances under which they occur, however, leave no room
to doubt that they ranked among the articles held in esteem by the
primitive races of Britain, ages before the chemical properties of
nitre, sulphur, and charcoal had been employed to supersede older
projectile forces. The distinction is further confirmed by their being
occasionally decorated with incised circles and other ornaments, as
in the example shewn here, found near the line of the old Roman way
which runs through Dumfriesshire on its northern course from Carlisle.
Another of highly polished flint has already been described among the
remarkable disclosures of a large cairn on the Moor of Glenquicken,
Kirkcudbrightshire, and two of similar form were shewn me recently
as a part of the contents of a cist opened in the course of farming
operations on the estate of Cochno, Dumbartonshire, one of which
was made of highly-polished red granite, a species of rock unknown
in that district. Similar balls occur among the relics found in the
barrows of Denmark. In the "Report addressed by the Royal Society of
Northern Antiquaries to its British and American Members," printed at
Copenhagen in 1836, a class of primitive objects are described under
the name of Corn Crushers. The engraving of one of these represents
a rude block of stone flattened on the upper side. In the centre of
this is a circular cavity, into which a smooth ball of stone has been
made to fit, thereby supplying by a less efficient means the same
purpose aimed at in the querne, discovered so frequently under a
variety of shapes among the relics of various periods of early Scottish
history. The shallow circular stone troughs or mortars so often found
in Scottish burghs and weems belong to the same class. A still ruder
device consists of a pair of stones which have evidently been employed
in rubbing against each other, and it may be presumed with the same
object in view, that of bruising the grain for domestic use. They have
been occasionally noticed among the chance disclosures of the spade or
plough in Scotland, and are of common occurrence in the Irish bogs. The
author of the Account of Halkirk Parish, Caithness, thus describes the
mortars above referred to, and also the pestles or crushers--manifestly
a similar device to the Danish corn crushers--which are found together
in the burghs:--"I have seen in them numbers of small round hard
stones, in the form of a very flat or oblate sphere, of 2½ inches
thick in the centre, and about four inches in diameter; also other
round stones, perfectly circular, very plain and level on one side,
with a small rise at the circumference, and about a foot in diameter.
The intention of both these kinds of stones manifestly was to break and
grind their grain."[176] It may reasonably be assumed, however, that
neither the old British nor Scandinavian warrior deposited under the
barrow of his chief, and alongside of his well-proved celt and spear,
the homely corn crusher with which his wives or his slaves were wont to
prepare the grain for domestic use. The decoration traceable on some of
the stone balls confirms this idea; and it is more probable they were
employed as weapons of war, like the _pogamoggon_ of the Chippeway and
Shoshonee Indians of America, some of which consisted of a spherical
stone, weighing from half a pound to two pounds. This they inclosed in
leather, and attached to a thong a yard and a half in length, which was
wound round the wrist, the more effectually to secure its hold. Along
with these objects may also be noted the roughly-shaped spherical discs
of flint occasionally found with other stone relics in Scotland, and
much more common in Ireland, where they bear the name of "Sling Stones."

[Illustration]

Like other of the more remarkable primitive relics, the spherical
stones have been associated with popular superstitions of a later
period, and have been esteemed, along with crystal-beads, adder-stones,
or waterworn perforated pebbles, and the like efficient armory of
vulgar credulity, as invaluable amulets or charms.

    "The stone arrow-heads," says Pennant, "of the old inhabitants
    of this island, are supposed to be weapons shot by fairies
    at cattle, to which are attributed any disorders they have.
    In order to effect a cure, the cow is to be touched by an
    elf-shot, or made to drink the water in which one has been
    dipped. The same virtue is said to be found in the crystal
    gems and in the adder-stone; and it is also believed that
    good fortune must attend the owner; so, for that reason, the
    first is called _Clach Bhuai_, or the powerful stone. Captain
    Archibald Campbell showed me one, a spheroid set in silver, for
    the use of which people came above a hundred miles, and brought
    the water it was to be dipt in with them; for without that in
    human cases it was believed to have no effect."[177] That such
    was no modern superstition he conceives is proved by a variety
    of evidence, as where Montfaucon remarks that it was customary
    in early times to deposit crystal balls in urns or sepulchres:
    thus twenty were found at Rome in an alabastrine urn, and one
    was discovered in 1653 at Tournai, in the tomb of Childeric,
    King of France, who died A.D. 480.

It appears to be only natural to the uninstructed mind to associate
objects which it cannot explain with some mysterious and superhuman
end; and hence the superseded implements of a long extinct race become
the charms and talismans of their superstitious successors.

One other class of primitive relics remains to be noted, belonging to
the same early period. These are the ornaments, weapons, and tools
of horn or bone; such as the lances or harpoons already described
as found alongside of the stranded whales in the alluvial valley of
the Forth. Such relics are by no means rare, notwithstanding the
perishable nature of the material of which they are constructed. Barry
describes among the contents of the Orkney tumuli, "swords made of the
bone of a large fish, and also daggers."[178] The woodcut represents
what should perhaps be regarded as a bone dagger. It was found in a
stone cist near Kirkwall, lying beside a rude urn, and is now in the
possession of Dr. Traill. It measures 7½ inches long, and appears to
be made of the outer half of the lower portion of the right metatarsal
bone of an ox. The notches cut on it are perhaps designed to give a
firmer hold, while they also serve the purpose of rude attempts at
ornament. Their effect, however, is greatly to weaken the weapon and
render it liable to break. The cross may perhaps suggest to some the
associations of a later period, but little importance can be attached
to so simple and obvious a means of decoration. Possibly indeed so far
from its affording any indication of the influence of "the faith of
the cross," it should be regarded like the incised patterns hereafter
alluded to, wrought on later bronze implements, as suggestive of the
use of the poisoned blade by the rude aborigines of the Stone Period.
Pennant has engraved an implement of horn, carved and perforated at
the thick end, found in a large urn under a cairn in Banffshire, and
another, closely corresponding to it, was discovered in 1829, in a
large urn dug up in the progress of the works requisite for erecting
the Dean Bridge at Edinburgh.[179] A curious relic of the same class
was brought to light on removing part of a remarkable cairn which still
stands, though in ruins, on the summit of one of the Ochil Hills, on
the northern boundary of Orwell parish, Kinross-shire. It bears the
name of Cairn-a-vain, and an ancient traditional rhyme thus refers to a
treasure believed to be contained in it:--

    In the Dryburn well, beneath a stane,
    You'll find the key o' Cairn-a-vain,
    That will mak' a' Scotland rich ane by ane.

[Illustration]

Many hundreds of cart-loads of stones have been carried off by the
proprietor from this gigantic pile, for the purpose of building fences,
but no treasure has yet been found, though eagerly expected by the
workmen. A rude stone cist occupied the centre of the pile, within
which lay an urn full of bones and charcoal, and amongst these a small
implement of bone, about four inches long, very much resembling in
figure a cricket-bat notched on the edges.[180]

Various weapons of horn and bone are preserved in the Scottish
collection, some of them so slender as to be rather pins or bodkins
than lances. One of the latter, measuring four inches in length,
and perforated at the broad end, was found in the year 1786, in the
ruins of one of those ancient buildings in Caithness, popularly but
perhaps not erroneously styled "Picts' houses." Alongside of it lay
one of the rings of jet or shale, which are also among the more common
relics found in Scottish barrows. To these instances may be added the
frequent occurrence of deer's horns among the contents of tumuli, not
seldom bearing similar marks of artificial cutting. Some years since a
quantity of deer's horns which had been sawn asunder were discovered in
a bed of charcoal, a few feet below the surface, outside the "Seamhill
moat," in the parish of West Kilbride, Ayrshire.[181] A deer's horn of
unusually large size, and from which the brow-antler has been cut off,
is now in the Museum of the Scottish Antiquaries. It was obtained with
others, on levelling a large sepulchral barrow in the neighbourhood of
Elphinstone Tower, East-Lothian. Another of smaller dimensions, in the
same collection, was discovered in a cist at Cockenzie, in the same
county. Pennant mentions the similar discovery of a deer's horn, "the
symbol of the favourite amusement of the deceased," lying beside the
skeleton, in a stone cist, on the demolition of a cairn at Craigmills,
Banffshire; and on opening the most conspicuous of a group of tumuli,
in the parish of Alvie, Inverness-shire, a human skeleton was observed
entire, with a pair of large hart's horns laid across it.[182] To these
instances may be added the recent discovery of ancient oaken coffins on
the Castlehill of Edinburgh, at a depth of twenty-five feet from the
surface,--more particularly described in a later chapter,--alongside
which lay a deer's skull and horns of unusually large proportions.

Examples of this use of the antlers of the deer are by no means rare.
It appears to offer some additional corroboration of the date assigned
to those simpler rites of sepulture, which it has been suggested may
probably indicate an era prior to the introduction of the small stone
cist and the practice of interment in a sitting or folded posture;
that in several examples which have been carefully noted, the body has
been found laid at full length, and in one or two instances with the
spreading antlers at the feet, like the sculptured lion or stag which
reposes on the altar-tomb of our medieval chantries at the feet of the
recumbent Christian knight.

It cannot admit of doubt that bone and horn continued to supply the
absence of metallic weapons to the very close of the Stone Period.
Nevertheless it suggests the probable antiquity of the examples
referred to, that notwithstanding the great susceptibility of the
material for receiving ornament, they present so few of those incised
decorations common not only on the sepulchral pottery, but on the
pateræ, bead-stones, and other relics formed of the hardest materials.

[Illustration]

One of the most interesting recent discoveries of this primitive class
of implements was made by Mr. G. Petrie, during his exploration of a
subterranean dwelling or weem at Skara, in the Bay of Scales, Sandwich.
A large accumulation of ashes, bones of domestic animals, the tusks
of a very large wild boar, scales of fish, &c., indicated the refuse
of many repasts of its aboriginal occupants; and alongside of it,
apparently in coeval rubbish, was found a stone cist, containing, among
other remains, about two dozen oyster shells, each perforated with a
hole large enough to admit the finger. Perchance they supplied to their
simple owner a collar not less esteemed than the most coveted orders
of a modern peer. A curious variety of bone implements were discovered
at the same time. The larger of the two objects in the annexed woodcut
represents a pin or bodkin, formed from the left metatarsal bone of
an ox of small size, in which the natural form of the joint has been
turned to account for forming its head. It measures 5-3/10 inches long.
The smaller object is also of bone. One side of the head is broken
away, but the perforation has not been in the centre; it measures 3½
inches in length. Others of the tools are still more simple--mere flat
pieces of bone, roughly rubbed to an edge, and indicating the merest
rudiments of art and contrivance. Two other examples from the same
hoard are represented here, the smallest another pin, 2⅘ inches
long, formed from the lower end of the metatarsal bone of a sheep,
and the larger, perhaps intended as the handle of some implement of
delicate structure. It appears to be fashioned from the metatarsal
or metacarpal bone of a lamb, and is notched with a rude attempt at
ornament, which, however, as in the dagger formerly described, must
have greatly impaired its strength.[183] Along with these were also
found a number of circular discs of slate, about half an inch thick,
roughly chipped into shape, and about the size of a common dessert
plate. The most ready idea that can be formed of them is, that they
were actually designed for a similar purpose.

[Illustration]

These simple relics of the primitive period may not inaptly recall to
us the evidences of another class of occupants of the old Caledonian
forests. At the very era when the Briton had to arm himself with such
imperfect weapons, the wolf was one of his most common foes. Long after
the era of the Roman invasion the wild boar was a favourite object of
the chase, though the huge Bos Primigenius, whose fossil remains are
so frequently found in our mosses and marl pits, had then made way
for the Bos Longifrons, (rarely accompanying relics of a later era
than the Anglo-Roman period,) and the Urus Scoticus, or Caledonian
bull, which still forms so singularly interesting an occupant of the
ancient forest of Cadzow, Lanarkshire. The large tusks frequently
found among later alluvial deposits attest the enormous size attained
by the Caledonian boar; and its repeated occurrence on the sculptured
legionary tablets of Antoninus' wall may show that it was pre-eminent
among the wild occupants of the forests which then skirted the Roman
vallum in the carse of Falkirk, and along the <DW72>s of the Campsie
hills; if, indeed, this was not the reason of its adoption as the
symbol of the Twentieth Legion. On constructing a new road a few years
since, along the southern side of the rock on which Edinburgh Castle
stands, deer's horns and boars' tusks of the largest dimensions were
found; and in an ancient service-book of the monastery of Holyrood,
the ground which some of the oldest buildings of the Scottish capital
have occupied for many centuries, is described as "ane gret forest,
full of hartis, hyndis, toddis, and sic like manner of beistis." Thus
is it with all that is venerable--an older still precedes it; and the
docile student, when, by searching, he has found out all attainable
knowledge, still sees behind him as before him an unknown, undiminished
by all he has recovered. Meanwhile, it seems to become manifest, that
the more minutely we investigate the primitive Scottish era, the
further it recedes into the past, and approaches to the period of the
first dispersion of the human family amid the strange confusion of
tongues; if not indeed to that still earlier time when the sons of
Javan were born after the flood, and by these were the isles of the
Gentiles divided in their lands--thus leading our thoughts, as Sir
Thomas Browne quaintly, but devoutly expresses it, "unto old things
and considerations of times before us, when even living men were
antiquities, when the living might exceed the dead, and to depart
this world could not be properly said, _abiit ad plures_, to go unto
the greater number; and to run up our thoughts upon the _Ancient of
Days_, the antiquary's truest object, unto whom the eldest parcels are
young, and earth itself an infant."

FOOTNOTES:

[149] Archæol. Scot. vol. iii. p. 46.

[150] Scots Mag., Feb. 7, 1790.

[151] MS. letters, Mr. J. C. Brown, A.R.S.A. An interesting account
of the discovery of numerous flint flakes, and weapons in all stages
of progress, in the celebrated ossiferous cave of Kent's Hole, near
Torquay, is introduced in a subsequent chapter.

[152] Lines written on visiting a scene in Argyleshire.

[153] Sinclair's Stat. Acc. vol. xvii. p. 115.

[154] They are described by this name of _thunderstones_ in Sir Robert
Sibbald's Portes Coloniæ et Castellæ, Plate II. Nos. 1-6.

[155] Fornaldar Sögur Nordlanda. Copenhagen, 1829.

[156] Gentleman's Mag. 1797, Part II. p. 200.

[157] Catalogue of Antiquities, Soc. Antiq. Lond. p. 14.

[158] I have retained the name of stone celt, notwithstanding its
rejection by Mr. Worsaae and his intelligent English editor, in the
"Primeval Antiquities of Denmark applied to the illustration of similar
remains in England." The advantage of a fixed terminology cannot be
overestimated; but in this case the term is of great value in order to
distinguish a peculiar class of stone implements more frequently found
in Scotland and Ireland than the stone or flint hatchet, and to which
the British antiquary has special grounds for applying it. Both Owen
and Spurrel give, as the meaning of the ancient Cambro-British _celt_,
a flint stone. I propose, therefore, to retain it in what is obviously
its primary acceptation, applying the name of bronze celt to the metal
weapon afterwards substituted for it.

[159] _Vide_ Hibbert's Shetland, pp. 247-250.

[160] Antiquités Celtiques et Antidiluviennes.

[161] _Vide ante_, p. 35.

[162] Archæological Journal, vol. iv. p. 3.

[163] New Statist. Acc., Kirkcudbrightshire, vol. iv. p. 332.

[164] New Statist. Acc, Argyleshire, vol. vii. p. 243.

[165] Sinclair's Statistical Account, vol. x. p. 186.

[166] New Statist. Acc. vol. vi. p. 734.

[167] Ancient Monuments of the Mississippi, p. 219.

[168] Archæol. Scotica, vol. iv. p. 188.

[169] Barry's Hist. Orkney Islands, p. 206.

[170] Carey's Dante, Canto ix. l. 97.

[171] MS. Soc. Ant. Scot. Rev. Charles Clouston.

[172] New Stat. Acc., Lanarkshire, vol. vi. p 734.

[173] Barry's Orkney, p. 206.

[174] New Stat. Acc., Kirkcudbrightshire, vol. iv. p. 196.

[175] New Stat. Acc., Wigtonshire, p. 143.

[176] Sinclair's Stat. Acc. vol. xix. p. 59.

[177] Pennant's Tour, vol i. p. 116.

[178] Barry's History of the Orkney Islands, p. 206.

[179] Minutes of Society of Antiquaries of Scotland, 27th April 1829.

[180] New Statist. Acc. vol. ix. p. 60.

[181] New Statist. Acc. vol. v. p. 256.

[182] Sinclair's Statist. Acc. vol. xiii. p. 383. _Vide_ also vol iii.
p. 57. Archæological Journal, vol. ii. p. 80.

[183] The inferior articular surface of the bone has separated, which
supplies evidence of its having been a lamb, union not having taken
place owing to the youth of the animal.




CHAPTER VII.

STONE VESSELS.


[Illustration: Uyea Stone Urns.]

[Illustration]

A great variety of stone vessels, of different forms and sizes, have
been found in Scotland under different circumstances, but in nearly
all of them the rudeness of the attempts at ornament, and the whole
form and character, suggest the probability of their belonging to the
earliest period, coeval with the stone celt and hammer, and the bone
and flint spears of the Scottish aborigines. Even sepulchral urns of
this durable material are not uncommon, especially in the northern
and western isles. Wallace thus describes one found in the island of
Stronsa:--"It was a whole round stone like a barrel, hollow within,
sharp edged at the top, having the bottom joined like the bottom of
a barrel. On the mouth was a round stone."[184] From the engraving
which accompanies this description it may be more correctly compared
in form to a common flower-pot, decorated with a series of parallel
lines running at intervals round it. In the Museum of the Society of
Antiquaries of London there are two rude stone urns, believed to be
the same exhibited to the Society by Captain James Veitch in 1822,
which were discovered on the demolition of a cairn in the island of
Uyea, Shetland, along with many similar urns, mostly broken, and all
containing bones and ashes. They are formed of _Lapis ollaris_, and are
described by Mr. Albert Way, in his valuable Catalogue of the Society's
Collection, as two rudely-fashioned vessels of stone, or small cists,
of irregular quadrangular form, one of them having a large aperture
at the bottom, closed by a piece of stone, fitted in with a groove,
but easily displaced. The other has a triangular aperture on one side,
and is perforated with several smaller holes regularly arranged. The
dimensions of the larger are about 9½ inches by 4, and the other
7 inches by 3½. Dr. Hibbert refers to another of the same class,
but probably of superior workmanship, which he saw on his visit to
the Island of Uyea. It was found along with various other urns, which
he simply mentions as of an interesting description, and is noted as
"a well-shaped vessel, that had been apparently constructed of a soft
magnesian stone of the nature of the _Lapis ollaris_. The bottom of
the urn had been wrought in a separate piece, and was fitted to it by
means of a circular groove. When found it was filled with bones partly
consumed by fire."[185] A fragment of another such urn in the Scottish
Museum is described by the donor as part of a vase of a steatitic
kind of rock, found in 1829 within a kistvaen on the island of Uyea,
one of the most northern of the Zetland group. At an earlier period
the opening of a barrow in the island of Eigg exposed to view a large
sepulchral urn containing human bones. It is described as consisting
of a large round stone, which had been hollowed, with the top covered
with a thin flag-stone, and was found in a tumulus which tradition
assigned as the burial-place of St. Donnan, the patron saint of the
isle.[186] The singular stone urn figured here, from the original
in the Museum of the Royal Irish Academy, is believed to have been
brought from the Hill of Nowth, in the county of Meath, one of the most
remarkable chambered cairns yet discovered. The urn is decorated with
chevron ornaments, and figures supposed to represent the sun and moon.
It is not to be imagined that, unless in some very rare and remarkable
examples, cinerary urns thus laboriously hewn out of stone can belong
to a period anterior to the use of those formed of the plastic clay.
In so far, however, as we may judge from the few examples yet noted,
they seem to be the work of a very remote era, when such were the rare
and distinguished honours reserved perchance alone for the Arch-Druid,
or high-priest of the unknown faith, whose strange rites were once
celebrated within the _Taoursanan_, or mournful circles.[187]

Another, and much more common Scottish stone vessel, consists of a
small round cup or bowl, with a perforated handle on one side, and
generally measuring from five to six inches in diameter. Most of them
are more or less ornamented, though generally in an extremely rude
style; and they have been found made of all varieties of stone, from
the soft camstone to the hardest porphyry and granite. The name by
which these singular vessels have been generally designated among
Scottish antiquaries, is that of Druidical pateræ; though if we are
to assume the idea that they were used in the sacred rites of Pagan
worship, they more nearly resemble the form of the Roman patella, than
of the sacrificial patera, with which libations were poured out to the
gods.

[Illustration: Stone Pateræ]

In several instances these singular vessels have been found in the
immediate vicinity of the so-called Druidical circles. In 1828 two
of them were discovered under an ancient causeway leading from a
circle of standing stones on Donside, in the parish of Tullynessle,
Aberdeenshire. One of these, the handle of which is imperfect, is now
deposited in the Scottish Museum, along with various other similar
examples found in different parts of Scotland. The other had a handle
about nine inches long carved out of the same stone, and terminating
with a knob at the end. A similar relic was found some time before,
when clearing out the area of another stone circle on the farm of
Whiteside, in the same county. The frequency of their occurrence,
indeed, would suggest their construction for more common use than the
worship of the gods, were we not led to assume their designation for
some special object, from the very great labour employed in making them.

Some of the rarer forms of the stone vessels found in Scotland are
much more suggestive of domestic purposes. One in my own possession,
found in Glen Tilt, is neatly formed in native green marble, with two
handles, not unlike the more modern Scottish quech. Another, in the
Scottish Collection, found in Atholl, looks like a stone soup-ladle;
and a third, of oblong form, as shewn here, measuring 12 by 8½
inches, was found at Brough, in Shetland, in excavating the area of one
of the large circular buildings of un-cemented stone, styled Pech's
Burghs. It can hardly be more fitly described than as a stone tureen
with handles carved at either end. Others met with under similar
circumstances are wide and shallow, and nearly resemble the large stone
basins figured here, found in the chambers of the celebrated cairn of
Newgrange, in the neighbourhood of Drogheda.

[Illustration: Stone Basin, Shetland.]

[Illustration: Stone Basin, Newgrange.]

It is a remarkable fact, that these vessels, thus laboriously hewn or
wrought out of stone, should be most frequently found either in the
neighbourhood of the rude monolithic structures, or of other apparently
contemporary works of the earliest period. The very imperfect nature
of many of their decorations, however, suffice to prove that they are
the work of men destitute of efficient metallic tools, and who were
little likely to attempt the hopeless task of hewing the giant columns
of their temples into artificial forms. Many of these vessels, indeed,
notwithstanding the attempts at decoration visible upon them, exhibit
much less symmetry or finished workmanship even than the stone hammers
and axes of the same period. So far as I am aware, the Druidical
patera, so frequently found in Scotland, is peculiar to it, no similar
vessel having been discovered among the primitive remains either of
England or Ireland. In the remoter districts of Scotland these ancient
vessels were regarded till recently with the same superstitious awe
and dread which we have already seen attached to other unfamiliar
relics of the same remote era. Mr. Colin M'Kenzie, in describing the
antiquities of the island of Lewis, from personal observations made
towards the close of last century, remarks in reference to the group
of standing stones at Classernish, on the west side of that island,
with its remarkable large central stone, surrounded by a deep hollow
which retains the rain water:--"Were a ditch cut across the circle to a
tolerable depth, some utensils, ashes, &c. might be found to throw more
light on the subject. I have been told that a stone bowl was found, and
afterwards thrown, through a superstitious dread, into the hollow round
of the central stone."[188]

[Illustration: Stone Basin, Newgrange.]

With this class may also be reckoned the Scottish querne,
unquestionably an invention of the remotest antiquity, though it has
continued in use down almost to our own day in some of the western
isles and other rarely visited Highland districts. A curious allusion
to it occurs in the Life of St. Columba, illustrative of its daily use
for the preparation of grain for bread. When the Saint studied under
St. Finnian, every night on which it fell to his share to grind the
corn with the querne he did it so expeditiously that his companions
alleged he had always the assistance of an angel in turning the stone,
and envied him accordingly.[189] At that period, that is in the early
part of the sixth century, there can be little doubt that it was
the only mill in use. Even so early as the thirteenth century legal
means were employed to compel the people to abandon it for the large
water-mills then introduced. In 1284, in the reign of Alexander III.,
it was provided that "na man sall presume to grind quheit, maishlock,
or rye with hands mylne, except he be compelled be storm, or be lack of
mills, quhilk sould grind the samen. And in this case, gif a man grinds
at hand mylnes, he sall gif the threttein measure as multer; and gif
anie man contraveins this our prohibition, he sall tine his hand mylnes
perpetuallie." The prevalence of these simple domestic utensils in the
remoter districts of Scotland till the close of the last century proves
how ineffectual this law had been in superseding the querne by the
public mill.

The commonest form consists simply of two thin circular flat stones,
the upper one of which is pierced in the centre, and revolves on a
wooden or metal pin inserted in the under one. The upper stone is also
occasionally decorated with various ornaments, incised or in relief.
In using the querne the grinder dropped the grain into the central
hole with one hand, while with the other he made the upper stone
revolve by means of a stick inserted in a small hole near the edge. The
extreme simplicity of this indispensable piece of household furniture
justifies its reference to remote antiquity. It has been already
observed that it frequently occurs among the contents of the Scottish
weems, or cyclopean underground dwellings of a very primitive state of
society. It has also been dug up under a variety of circumstances, all
furnishing probable evidence of great antiquity. One upper stone of a
querne, now preserved in the Museum of the Scottish Antiquaries, was
discovered in 1825, along with the remains of an iron sword, in digging
on the summit of a hill called the Camp, near Pitlour House, Fifeshire.
Another in the same collection, of still ruder form, was found built
into the masonry of an ancient wall of Edinburgh Castle, demolished in
1828.

One type, in which the upper stone is funnel-shaped, with radiating
grooves from the centre perforation, is believed to be the portable
hand mill of the Roman soldier. It is engraved as such in Stuart's
Caledonia Romana, _Plate_ XIII.; and the only one of the same kind in
the Scottish Museum seems to corroborate this, in so far as it was
found to the south-west of Camelon, on the line of the great wall of
Antoninus Pius. It exhibits, as might be expected, more regularity and
method in its construction, and is surrounded with an iron band, now
greatly corroded, with a loop or ear, to which the handle was attached
for turning it.

We shall not, probably, greatly err in assuming as one of the earliest
types of the Scottish hand-mill, the rudely fashioned oaken querne
already referred to, which was dug up from a depth of nearly five feet
in the Blair-Drummond Moss. It is simply the section of an oak tree,
measuring nineteen inches in height by fourteen inches in diameter. The
centre has been hollowed out to a depth of about a foot, so as to form
a rude oaken mortar; and in this, with the help of a stone or wooden
pestle, its primitive possessor was doubtless wont to bruise and pound
the grain preparatory to its conversion into food. The circumstances
under which the Blair-Drummond querne was found, when compared with the
other discoveries in the same locality, scarcely permit us to escape
the inference that in it we possess a domestic utensil contemporary
with the ancient canoes of the Forth and Clyde, if not with the
stranded whales, and the rude harpoons of the carse land from which it
was disinterred.

[Illustration]

A more artificial, though very ancient form of hand-mill, is what is
called the Pot Querne, consisting of a hollowed stone basin, with
an aperture through which the meal or flour escapes, and a smaller
circular stone fitting into it, and pierced, as in the simpler
topstones, with a hole in the centre, through which the grain was
thrown into the mill. The woodcut represents one of unusually large
size, found on the farm of Westbank, Gladsmuir parish, East-Lothian,
and now in the Scottish Museum. It is made of coarse pudding-stone, and
measures 17 inches in diameter, and 8½ inches high. It appears to
have had two handles attached to it at opposite sides, as the holes in
which they were inserted still remain. The iron ring now fastened to it
is a modern addition of its last possessor, who used it for securing
his horse at the farm-house door. Pot quernes are common in Ireland,
though somewhat differing in form from the Scottish examples. They are
generally much smaller and shallower than the one described above,
and are made with three, or sometimes four feet. They have likewise a
cavity in the centre of the under stone, into which the upper one fits
by a corresponding projection, so as to preclude the necessity for a
metal axis. They are called by the native Irish _Cloch a vrone_. It
is from the word _vro_ or _bro_, Gaelic _bra_, (the _v_ and _b_ in
the Irish being commutable,) signifying grindings or bruised grain,
that our Scottish word _brose_ is derived, rather than from the French
_brouet_, _i.e._, pottage or broth, though both are probably traceable
to a common Celtic root.

Irish pot quernes have been frequently found at great depths in the
bogs, under circumstances indicating a very remote antiquity, though
they have scarcely yet fallen into total disuse in some of the remotest
districts of the west. Dr. Petrie incidentally furnishes a curious
evidence of the antiquity of the querne. He has in his possession
the topstone of one of these primitive hand-mills, which appears to
have been converted to the unlikely purpose of a tombstone after its
original use had been lost sight of. It has been elaborately decorated
with sculptured ornaments, part of which are effaced to make way for
the name of _Sechnasach_, which its learned owner conceives is probably
the "Priest of Durrow," whose death is recorded in Mageoghegan's
translation of the Annals of Clonmacnoise at the year 928, and in the
Annals of the Four Masters at the year 931.[190]

FOOTNOTES:

[184] Wallace's Orkney, p. 56.

[185] Hibbert's Shetland, p. 412.

[186] Sinclair's Statist. Acc. vol. xvii. p. 287.

[187] This is a name given to circles of standing stones in the Gaelic,
from _Taoursach_ or _Tuirseach_, mournful, and has been supposed to
originate in the traditions of human sacrifices believed to have been
offered within these inclosures. _Vide_ Archæol. Scot. vol. i. p. 283.
In the Journal of the Archæological Association (vol. ii. p. 340) a
notice occurs of "a singular bowl-shaped cist and triangular cover of
Bethesden limestone, found in Charing Church, Kent."

[188] Archæol. Scot. vol. i. p. 284.

[189] Smith's Life of Columba, p. 60.

[190] Ecclesiastical Architecture of Ireland, 2d edit. p. 342.




CHAPTER VIII.

PERSONAL ORNAMENTS.


There only remain to be noted the earliest traces of luxury and
personal adornment contemporary with the rude weapons and implements,
and the simple habitations of earth or unhewn stone, described in the
previous chapters. These are scarcely less abundant than the implements
of war and the chase; and some of them possess a peculiar value for us,
as presenting the sole surviving memorials of female influence, and of
the position woman held in the primitive social state which we desire
to trace out as the true and rudimentary chronological beginning of
our island history. There must necessarily be some uncertainty in any
attempt to assign to the two sexes their just share of the personal
ornaments found in the early tumuli, or discovered in the course of
disturbing the uncultivated soil. Man, in such a primitive state as we
have abundant grounds for believing the Caledonian aborigines of the
Stone Period to have been, delights in assuming to himself the personal
ornaments with which, in a more advanced stage of social life, he finds
a higher gratification in adorning woman. It should not, therefore,
excite surprise when we find ornaments which modern civilisation
resigns entirely to the fair sex, such as bracelets, hair-pins, neck
ornaments, and the like, mingling with the sword and the spear of the
rude barbarian chief. Still, there are some ornaments, and especially
bead necklaces, bracelets, and some of the smaller and more delicate
armillæ, which we can hardly err in classing among female decorations.
The subject, however, is well deserving of further attention, and the
more so, as the evidence which is available in the case of sepulchral
remains is of so satisfactory and decisive a character when reported
on by competent witnesses. There can be no doubt, from the disclosures
of numerous tumuli and cists, that the dead were frequently buried "in
their habits as they lived," and with all their most prized personal
adornments upon them, though time has made sad havoc of their funeral
pomp, and scarcely allows a glimpse even of the naked skeleton that
crumbles into dust under our gaze.

The rudest class of personal ornaments which are found in the
sepulchral mounds, or in the safer chance depository of the bogs,
are those formed of bone or horn; but they are necessarily of rare
occurrence, not only from the remoteness of the period to which we
conceive them to belong, but from the frail nature of the material in
which they have been wrought, which, when deposited among the memorials
of the dead, yields to decay not greatly less rapid than the remains
it should adorn, and crumbles to dust when restored to light and air.
Still some few of these fragile relics have been preserved, consisting
of perforated beads of bone, horn pins, perforated animals' teeth,
and other equally rude fragments of necklaces or pendants; but very
few of them present much attempt at artificial decoration by means
of incised ornaments or carving, such as is found to have been so
extensively practised in a later age. One curious set of bone ornaments
in the Scottish Museum includes a piece of ivory pierced with a square
perforation, and another with a nut or button fitting into it, the
clasp or fibula it may be of some robe of honour worn by a chief of the
ancient race.

Ornaments of jet or shale and cannel coal, and large beads of glass
and pebble, are of much more frequent occurrence in the Scottish
grave-mounds, and furnish extremely interesting and varied evidence of
the decorative arts of these remote ages. Many of them, however, are
found under circumstances which leave no room to doubt that they belong
to a period coeval with the introduction of metals, and the skill
acquired in the practice of the metallurgic arts.

[Illustration]

There is another class of relics, however, which we can feel no
hesitation in ranking among the earliest remains of the Stone Period,
though it may sometimes be difficult to determine whether we should
regard them as mere personal ornaments or as charms employed in the
mysterious rites of Pagan superstition, as it is not uncommon to find
them used, at a very recent date, by their illiterate inheritors in
some of the remoter districts of the Highlands and Isles. One relic,
for example, in the Scottish Museum, consists of a flat reddish
stone, roughly polished. It measures 4 inches in length, and about
2¾ inches in its greatest breadth, and is notched in a regular
form, with two holes perforated through it. It was presented to the
Society of Scottish Antiquaries in 1784, as a charm in use among the
population of the island of Islay for the cure of diseases. From its
correspondence with others of the earliest class of relics, it can
hardly admit of a doubt that it belongs to the personal ornaments of
the Stone Period, and may have owed the reverence of its more recent
possessor to the fact of its discovery within some primitive cist, or
in the charmed circle of Taoursanan, the origin of which is commonly
ascribed to superhuman powers. It is worthy of note, indeed, that the
word _Druidheachd_ is no longer associated with the priesthood of
the British groves, but is now only used by the Scottish Highlanders
as applicable to sorcery or magic. Another, but much less perfect
ornament of perforated reddish stone, in the same collection with the
above, was found, along with several flint arrow-heads, in the island
of Harris; and a third, still ruder, was discovered, with a similar
arrow-head, on the Lomond Hills of Fifeshire. But perhaps the most
singular relics of the Stone Period ever discovered in Scotland are two
stone collars, found near the celebrated Parallel Roads of Glenroy,
and now preserved at the mansion of Tonley, Aberdeenshire. They are
each of the full size of a collar adapted to a small Highland horse;
the one formed of trap or whinstone, and the other of a fine-grained
red granite. They are not, however, to be regarded as the primitive
substitutes for the more convenient materials of later introduction.
On the contrary, a close imitation of the details of a horse collar
of common materials is attempted, including the folds of the leather,
nails, buckles, and holes for tying particular parts together. They are
finished with much care and a high degree of polish, and are described
as obviously the workmanship of a skilful artist. Mr. Skene, who first
drew attention to these remarkable relics, suggests the probability of
the peculiar natural features of Glenroy having led to the selection
of this amphitheatre for the scene of ancient public games; and that
these stone collars might commemorate the victor in the chariot race,
as the tripods still existing record the victor in the Choragic games
of Athens. But no circumstances attending their discovery are known
which could aid conjecture either as to the period or purpose of their
construction.[191]

[Illustration]

[Illustration]

In the year 1832, a large tumulus, on the shore of Broadford Bay,
Isle of Skye, was levelled in the progress of some improvements on
the estate of Corry, and it was found to cover a rudely vaulted
chamber, within which lay a cist inclosing a human skeleton, along with
various bones of animals, the species of which were not ascertained.
Alongside of the skeleton an ornament of polished pale green stone
was discovered, measuring about 2½ inches in length, by 2 inches
in breadth. Its form will be best understood by the annexed woodcut.
It is convex on the upper side, and concave on the under side, with
a small hole drilled at each of the four corners, and an ornamental
border of slightly indented ovals along one end. It differs only in
dimensions from another previously referred to, in the collection of
Adam Arbuthnot, Esq., of Peterhead, which was obtained from a tumulus
at Cruden, Aberdeenshire. It measures 4¼ inches in length. Another
ornament of polished green stone was afterwards discovered in the
neighbourhood of the tumulus at Broadford Bay. It measures about 3½
inches in length, and nearly an inch in breadth at the centre, but
tapers to about half an inch in breadth at either end, where a small
hole is drilled through. It is only a fifth of an inch in thickness.
Simple as are the forms of both of these relics, they represent a class
which appear to have been common among the personal decorations of
the Stone Period, whether regarded merely as ornaments, or valued for
some hidden virtue which may have been supposed to pertain to them.
A sepulchral deposit, closely corresponding to that found in the
Isle of Skye, was discovered by some labourers employed in sinking a
ditch at Tring, in Hertfordshire, about the year 1763. The relics were
entirely of the same rude primitive class, and it furnished an example
in confirmation of previous remarks regarding the earliest sepulchral
rites, as the skeleton was found laid at full length, with legs and
arms extended. Between the legs lay some flint arrow-heads, and at the
feet ornaments resembling, both in form and material, those found in
the tumulus at Broadford Bay.[192] Sir R. C. Hoare describes objects
of similar character, found in the barrows of Wiltshire, some of which
were made of blue slate;[193] and small perforated plates of stone or
flint, of slightly varying forms, are not uncommon among the contents
of the earlier British tumuli. They are not, however, confined to
Britain. Simple as are the forms of the two relics figured above, there
is a sufficiently marked character about them to excite our surprise
when we meet with them in the grave of the ancient native of Skye, and
in the cists of Herts or Wiltshire; but ornaments of almost exactly
the same forms have been discovered in the mounds of the great valley
of the Mississippi,[194] accompanied with celts, stone hatchets, and
other primitive implements closely resembling those of the British
Stone Period; though also with many more so essentially differing,
as to forbid us deducing from such chance coincidences any fanciful
community of origin between the Allophylian colonists of Europe and the
aborigines of America.

Still ruder are the primitive necklaces, formed of the common small
shells of our coasts, such as the _Nerita litoralis_, and even the
_Patella vulgata_, or common limpet, perforated, apparently, by
the simple process of rubbing the point on a stone, and then strung
together with a fibre or sinew. It may perhaps be thought by some that
sufficient space has already been devoted to this infantile period of
the race, yet childish as such decorations seem, they are found among
the valued relics of men whose giant monuments have outlived many
massive structures destined by later ages to perpetuate the memory of
historic deeds, or consecrated to the services of the all-powerful
Church of medieval Christendom. Underneath the cromlech discovered
on levelling a tumulus in the Phœnix Park at Dublin, in 1838, two
male skeletons were disclosed, and beside the skull of each lay the
perforated shells of a necklace which had doubtless been placed around
their necks when they were deposited in the simple but grand mausoleum
that still attests the veneration of the ancient natives for their
chiefs. A portion of the vegetable fibre with which they had been
strung together remained through some of the shells, and the only other
relics found in the grave were a small fibula of bone, and a knife or
lance-head of flint. The common British bivalves are also found used
for similar decorations. In a cist discovered on the coast of the Frith
of Forth, during the construction of the Edinburgh and Granton Railway,
the only relics deposited beside the skeleton which it enclosed were
a quantity of the _cardium commune_, or cockle, of different sizes,
rubbed down until they were reduced nearly to rings; while in another
cist, opened at Orkney, and more particularly referred to in a previous
chapter, about two dozen oyster shells were discovered, each perforated
with a hole nearly an inch in diameter.

FOOTNOTES:

[191] Archæol. Scot. vol. iii. p. 299.

[192] Archæologia, vol. viii. p. 429. Plate XXX. fig. 6.

[193] Ancient Wiltshire, Plates II. and XII.

[194] Ancient Monuments of the Mississippi Valley. Smithsonian
Contributions to Knowledge, vol. i. p. 237.




CHAPTER IX.

CRANIA OF THE TUMULI.


Notwithstanding the zeal with which English archæologists have pursued
their investigations among the remains of primitive sepulchral
deposits, scarcely anything has yet been done towards obtaining a
collection of facts in relation to the size and form of the skulls, and
the general characteristics of the skeletons of their constructors. In
this, as in so many other respects, the archæologists of Sweden and
Denmark have set us an example well deserving of imitation, and have
shewn the essential dependence of Archæology on the kindred sciences,
with which it has heretofore failed to effect a hearty alliance in
Britain. Had Sir Richard Colt Hoare examined the osteology of the
tumuli of Wiltshire with the same patient accuracy and precision
which he devoted to their archæology, a most important basis would
have been furnished for ethnological research. Now, however, that
such investigations are recognised as coming within the legitimate
scope of archæological inquiry, we may hope ere long to ascertain
by such evidence somewhat of the characteristics of the aboriginal
race of the Stone Period, and also to obtain an answer to the
inquiry,--Was the Bronze Period superinduced on the Primeval one by
internal improvement and progression, or was it the result of the
intruded arts of a superior race? This, it is manifest, can only be
determined by an extensive series of observations, since physiologists
are generally agreed in admitting that the physical characteristics
of races have been largely modified, and even entirely altered, by
a change of circumstances. The nomadic Turkish tribes, for example,
spread through central Asia, still exhibit the broad-faced, pyramidal
skulls which Dr. Prichard has assigned to the nomadic races, while
the long civilized European Turks have become closely assimilated to
other European races, and possess the characteristic oval skull.[195]
"The greater relative development of the jaws and zygomata, and of
the bones of the face altogether, in comparison with the size of the
brain, indicates, in the pyramidal and prognathous skulls, a more
ample extension of the organs subservient to sensation and the animal
faculties. Such a configuration is adapted, by its results, to the
condition of human tribes in the nomadic state, and in that of savage
hunters."[196] Two important points, therefore, which remain to be
determined in relation to the British tumuli are, whether the forms
and proportions of the skulls of their builders indicate the existence
of one or of several races? and next, whether the changes in the forms
of the crania are sudden and decided, or are gradual, and pass by an
undefined transition from the one to the other? It will be found in
the succeeding section that archæological evidence clearly points to
a transitional state from the Stone to the Bronze Period, such as
is at least altogether irreconcilable with the idea of the sudden
extermination of the aboriginal race. It at the same time no less
distinctly points to the existence of a native population in Britain
long anterior to the earliest historic indications of the Arian nations
passing into Europe.

To these early races, which we describe loosely as primitive, or as
aboriginal or primeval, Dr. Prichard has suggested the application
of the conveniently indefinite term "Allophylian," which suffices to
characterize them as distinct from the well ascertained primitive
races, without meanwhile assuming any hypothetical origin for them. It
remains to be seen whether the archæologist may not be able to supply,
in a great degree, the desired information in relation to the habits,
arts, and social condition of these unknown races:--

    "The Allophylian nations," Dr. Prichard remarks, "appear to
    have been spread, in the earliest times, through all the
    most remote regions of the old continent,--to the northward,
    eastward, and westward of the Indo-European tribes, whom
    they seem everywhere to have preceded; so that they appear,
    in comparison with these Indo-European colonies, in the
    light of aboriginal or native inhabitants, vanquished, and
    often banished into remote and inaccessible tracts, by more
    powerful invading tribes. The latter, namely, the Indo-European
    nations, seem to have been everywhere superior in mental
    endowments. Some tribes, indeed, had retained or acquired
    many characteristics of barbarism and ferocity; but with all
    these they joined undoubted marks of an earlier intellectual
    development, particularly a higher culture of language as
    an instrument of thought, as well as of human intercourse.
    If we inquire into the degree of improvement in the arts of
    life which the Indo-European nations had attained at the
    era of dispersion from their primitive abode, or from the
    common centre of the whole stock, an investigation of their
    languages will be our principal guide. It gives us strong
    grounds for a belief that their advancement in useful arts
    had been comparatively small. The primitive ancestors of the
    Indo-European nations were probably ignorant of the use of
    iron and other metals, _since the terms by which these are
    denoted are different in different languages, and must, as
    it would appear, have been adopted subsequently to the era of
    separation_. Nothing can be more unlike than _gold_, χρυσος,
    and aurum; than _silver_ and argentum; than _ferrum_ and
    σιδηρος. Other considerations may be advanced to confirm this
    opinion, that the use of metals was unknown to the earliest
    colonists of the west.... But though unskilled in many of
    the most useful arts of life, the Arian people appear to
    have brought with them a much higher mental culture than the
    Allophylian races possessed before the Arian tribes were spread
    among them. They had national poetry, and a culture of language
    and thought altogether surprising, when compared with their
    external condition and habits."[197]

The religion which consists in mere fetisses, charms, spells, and
talismans is in like manner ascribed by Dr. Prichard to these
Allophylian nations; in contradistinction to the Eastern doctrine
of metempsychosis, with the coincident belief in a system of
retributive justice, and the distinct recognition of a future state,
which appear to have been common to all the Arian nations, and to
have been further developed by their being confided to a distinct
order, caste, or priesthood. Of the former races the modern Fins,
Lappes, and Esquimaux still remain as characteristic examples. Of the
latter, the historic Celtæ, Scandinavian and German-Teutonic races
are sufficiently illustrative, while the modern Hindoos are a living
evidence of the south-eastern migration of the same great branch of the
human family. But of the degree of civilisation of the Arian nomades
when they reached the western shores of Europe, or of the state in
which they found the countries which they colonized, we as yet know
almost nothing; and it still remains to be determined whether they
entered into peaceful possession of unpeopled wastes, or won them
from primitive Allophylian nations. On these points archæological
observation may be expected to throw some light. The irregular or
systematic arrangement of the cist, the provisions for the future
occupation and welfare of the deceased, and all the peculiarities of
primitive sepulchral rites, more or less clearly indicate the arts and
habits of those by whom they were practised, and still more, the ideas
entertained by them in relation to a future state.

Of the Allophylian colonists of Scandinavia, Professor Nillson assigns
to the most ancient the short or brachy-kephalic form of cranium, with
prominent parietal tubers, and broad and flattened occiput. To this
aboriginal race he conceives succeeds another with a cranium of a more
lengthened oval form and prominent and narrow occiput. The third race,
which Scandinavian antiquaries incline to regard as that of the bronze
or first metallic period, is characterized by a cranium longer than the
first and broader than the second, and marked by greater prominence at
the sides. The last Professor Nillson considers to have been of Celtic
origin. To this succeeded the true Scandinavian race, and the first
workers of the native iron ore.[198] Professor Eschricht assigns to
the crania from the barrows of the oldest Danish series an ample and
well-developed form, with the forehead vaulted and tolerably spacious,
and the nasal bones prominent. In a skull described by him the zygomata
appear large and angular, and the cranium has somewhat of a pyramidal
form. The eyes have been deeply set, and the eyebrows are strongly
prominent. One of the most remarkable features in these skulls is their
round form, approaching to a spherical shape.[199]

The type of the old Celtic cranium is considered by Professor Nillson
as intermediate to the lengthened and shortened oval, or the true
dolicho-kephalic and brachy-kephalic forms, and in this conclusion Dr.
Thurnam coincides. Dr. Morton describes the Celtic head as "rather
elongated, and the forehead narrow and but slightly arched; the brow
low, straight, and bushy; the eyes and hair light; the nose and
mouth large; and the cheek-bones high."[200] Such characteristics
differ decidedly from those of the early barrows. Dr. Prichard,
however, hesitates to accept the conclusions adopted by Scandinavian
ethnologists, attaching it may be too slight importance to the
strictly archæological evidence on which they are to some extent
based. He remarks in reference to the description of the skulls
of the most ancient Scandinavian barrows:--"They are probably the
crania of Celtic races; in Denmark of Cimbrians. The tombs containing
ornaments of the precious metals are referred to a later age; but it
is uncertain as yet whether they belonged to the same race as the
former."[201] One marked difference has hitherto existed between the
systems of several of the chief continental ethnologists and those
of England, which has somewhat influenced the conclusions of each.
While continental investigators into the phenomena of various races
have set aside the idea of one primitive stock,--some of them even
assuming the primal existence of numerous distinct and independent
human races,--British ethnologists, with Dr. Prichard at their head,
have held fast by the Adamic history, and in maintaining the origin
of all the races of man from one pair, have also given its full
force to the influence of external circumstances in modifying the
physical peculiarities of each race. That the progress of a people in
civilisation must be accompanied with a corresponding improvement in
their intellectual faculties and also in their physical conformation
is now generally admitted. Long time, however, is required even under
the most favourable circumstances, for any very decisive modification
affecting the form and features of a whole people, so that the sudden
intrusion of a foreign race must be no less readily discernible from
their crania than from novel arts or sepulchral rites. Nothing has
yet been done by Scottish archæologists with a view to ascertain the
physical conformation of the primitive native races; and the small
contribution now offered as a beginning, is founded on too limited data
to be of very great avail, except perhaps in opening up the subject and
leading to more extended observation. Fortunately a few skulls from
Scottish tumuli and cists are preserved in the Museums of the Scottish
Antiquaries and of the Edinburgh Phrenological Society. A comparison of
these with the specimens of crania drawn by Dr. Thurnam from examples
found in an ancient tumular cemetery at Lamel Hill, near York, believed
to be of the Anglo-Saxon period, abundantly proves an essential
difference of races.[202] The latter, though belonging to the superior
or dolicho-kephalic type, are small, very poorly developed, low and
narrow in the forehead, and pyramidal in form. A striking feature of
one type of crania from the Scottish barrows is a square compact form.
Though full in the middle-head, these are by no means deficient in the
forehead; but it will be observed from the first class of examples
in the following table of measurements, that they are generally of
small relative size,--a fact which has been frequently noted, even by
casual observers, when seeing them _in situ_, and contrasting their
dimensions with the disproportionate size of the skeleton. The system
of measurement employed in the following table is chiefly that adopted
by Dr. Morton in his "Crania Americana," and the terms are used in
the sense explained by him under the head "Anatomical Measurements,"
(p. 249.) From the fractured and very fragile state of many of the
skulls, it was impossible to attempt the measurement of their internal
capacity by the ingenious process employed by Dr. Morton. The last
column in the table is accordingly found by adding the longitudinal and
vertical diameters and the horizontal periphery. This is not assumed
as affording any test of the actual capacity of each cranium, but only
as a fair relative approximation and element of comparison. Owing to
the undetermined form of the processes in several of the crania and the
imperfection or total absence of the facial bones, from their greatly
decayed state, the additional measurements marked * are given as less
liable to error. Some of them, such as the inter-mastoid arch and
inter-mastoid line, taken from the upper root of the zygomatic process
instead of from the points of the mastoid processes, are also, perhaps,
preferable as more uniform and precise.[203]

The full value of such investigations, and even their precise bearing
and the conclusions legitimately deducible from them, may probably
be matter of dispute, but there can be no question that a general
distinctive cranial conformation is clearly discoverable in modern
nations, and is even very markedly observable between the different
races of the British Isles. Given a sufficient number of examples of
each class, the experienced eye would at once discriminate between the
modern European Fin, Germanic Teuton, and British Celt. The conclusion
appears therefore inevitable, that if we find in the ancient tumuli
like variations in physical form, systematically reducible to two or
more classes, we are justified in assuming the existence of diverse
primitive races, and of seeking in the accompanying relics for
indications of their peculiar arts and customs, as well as of their
relative positions as contemporary or successive occupants of the
country.

  |----+-----------------------+---------+---------+---------+---------|
  |    |                       |         |         |         |         |
  | No.|CRANIA.                |Longit-  |Parietal |Frontal  |Vertical |
  |    |                       |udinal   |Diameter.|Diameter.|Diameter.|
  |    |                       |Diameter.|         |         |         |
  |    |                       |         |         |         |         |
  |    |                       |         |         |         |         |
  |    |                       |         |         |         |         |
  |    |                       |         |         |         |         |
  |    |                       |         |         |         |         |
  |----+-----------------------+---------+---------+---------+---------|
  |  i.|Mexican,               |6.8      |5.5      |4.6      |6.       |
  | ii.|"                      |6.4      |5.7      |4.5      |5.4      |
  |----+-----------------------+---------+---------+---------+---------|
  |Primitive Dolicho-kephalic, |         |         |         |         |
  |or Kumbe-kephalic.          |         |         |         |         |
  | {1.|Cist, Aberdeenshire,   |7.       |5.4½?    |4.9?     |4.10     |
  | {2.|  "  Fifeshire,        |7.       |4.8      |4.4      |5.3      |
  | {3.|  "  Cockenzie,        |6.11     |5.3      |3.11     |5.       |
  |    |  East-Lothian,        |         |         |         |         |
  | {4.|  "  "                 |7.       |4.11     |4.4      |5.3      |
  | {5.|  "  "                 |6.6      |4.1?     |4.11     |4.2?     |
  | {6.|  "  Stonelaws,        |7.3      |5.4      |4.6      |5.2      |
  |    |  East-Lothian,        |         |         |         |         |
  | {7.|Cairn, Fifeshire,      |7.5      |5.2      |4.5      |5.2      |
  | {8.|Tumulus, Newbattle,    |7.9      |5.6      |4.9      |...      |
  | {9.|  "  Montrose,         |7.3      |5.8      |4.3½     |4.9      |
  |    |                       |         |         |         |         |
  |Brachy-kephalic.            |         |         |         |         |
  |{10.|Cist, Montrose,        |7.       |6.1      |5.3      |5.8      |
  |{11.|Moss, Kilsyth,         |...      |5.7½?    |4.4      |5.5      |
  |{12.|  "  Linton,           |6.6      |5.1      |4.1      |4.9      |
  |{13.|  "  "                 |6.7      |5.       |4.1      |4.11     |
  |{14.|Cist, Ratho,           |6.10     |6.       |5.1      |5.6      |
  |{15.|  "  Linlithgow,       |7.2?     |5.6      |4.9      |...      |
  |    |                       |         |         |         |         |
  | 16.|Roman Shaft,           |7.3      |5.4      |4.6      |5.4      |
  |    |  Roxburghshire,       |         |         |         |         |
  |    |                       |         |         |         |         |
  |Celtic.                     |         |         |         |         |
  |{17.|Tarbert, Kintyre,      |7.9      |5.       |4.10     |5.6      |
  |{18.|Sea-Shore, Argyleshire,|7.6      |5.1      |4.6      |5.1      |
  |{19.|Harris, Hebrides,      |7.3      |5.3      |4.5      |5.4½     |
  |{20.|Iona, "                |7.5      |5.6½     |5.0½     |5.6      |
  |{21.|  "  "                 |7.3      |5.6½     |4.4      |5.6      |
  |{22.|  "  "                 |7.2      |5.7      |4.5      |5.6      |
  |{23.|  "  "                 |7.3½     |5.7      |4.6      |5.2      |
  |{24.|  "  "                 |7.2      |5.5      |4.6      |...      |
  |{25.|Knockstanger,          |7.8      |5.6      |4.3½     |5.3      |
  |    |  Caithness,           |         |         |         |         |
  |{26.|Inch Columb Kill,      |7.9      |5.7      |5.3      |5.6      |
  |    |  Ireland,             |         |         |         |         |
  |{27.|Celtic Type (?) Edin.  |7.11     |5.5      |4.9      |...      |
  |    |  Phrenol. Museum,     |         |         |         |         |
  |    |                       |         |         |         |         |
  |Medieval.                   |         |         |         |         |
  |{28.|Tumular Cemetery,      |7.6½     |5.9      |4.7      |5.6      |
  |    |  North Berwick,       |         |         |         |         |
  |{29.|  "  "                 |7.       |5.7      |4.0½     |4.8      |
  |{30.|  "  "                 |7.3½     |5.10     |4.11     |5.7      |
  |{31.|Castle Bank, Edinburgh,|7.6      |5.4      |4.11     |...      |
  |{32.|Flodden Wall,          |7.6      |5.4      |4.8      |5.2      |
  |    |  Edinburgh,           |         |         |         |         |
  |{33.|Old St. Giles's,       |7.3      |5.6      |4.4      |5.1      |
  |    |  Edinburgh,           |         |         |         |         |
  |{34.|  "  "                 |7.6      |5.6      |4.7      |...      |
  |{35.|  "  "                 |6.11½    |5.6      |4.4      |5.       |
  |{36.|  "  "                 |6.6      |5.3      |4.2      |4.11     |
  |{37.|  "  "                 |6.11     |5.9      |4.9      |5.1      |
  |{38.|  "  "                 |7.3      |5.7      |4.6      |5.4      |
  |{39.|Constitution Street,   |7.       |5.9      |4.9      |5.3      |
  |    |  Leith,               |         |         |         |         |
  |----+-----------------------+---------+---------+---------+---------|

  |----+-----------------------+---------+---------+---------+---------|
  |    |                       |         |    *    |         |    *    |
  | No.|CRANIA.                |Inter-   |Inter-   |Inter-   |Do.      |
  |    |                       |Mastoid  |Mastoid  |Mastoid  |from     |
  |    |                       |Arch.    |Arch,    |Line.    |Upper    |
  |    |                       |         |from     |         |Root of  |
  |    |                       |         |Upper    |         |Zygomatic|
  |    |                       |         |Root of  |         |Process. |
  |    |                       |         |Zygomatic|         |         |
  |    |                       |         |Process. |         |         |
  |----+-----------------------+---------+---------+---------+---------|
  |  i.|Mexican,               |15.6     |...      |4.4      |...      |
  | ii.|"                      |14.6     |...      |4.5      |...      |
  |----+-----------------------+---------+---------+---------+---------|
  |Primitive Dolicho-kephalic, |         |         |         |         |
  |or Kumbe-kephalic.          |         |         |         |         |
  | {1.|Cist, Aberdeenshire,   |13.11    |11.5     |3.6½     |4.8½     |
  | {2.|  "  Fifeshire,        |13.2     |11.      |4.1      |4.10     |
  | {3.|  "  Cockenzie,        |...      |12.      |...      |4.8½     |
  |    |  East-Lothian,        |         |         |         |         |
  | {4.|  "  "                 |13.8     |11.4½    |4.1      |4.10     |
  | {5.|  "  "                 |13.2     |11.3     |...      |4.8?     |
  | {6.|  "  Stonelaws,        |14.3     |11.9     |4.4      |5.0½     |
  |    |  East-Lothian,        |         |         |         |         |
  | {7.|Cairn, Fifeshire,      |14.3     |12.      |3.7      |4.10½    |
  | {8.|Tumulus, Newbattle,    |...      |12.3     |...      |5.6      |
  | {9.|  "  Montrose,         |14.      |11.9     |3.8½     |5.       |
  |    |                       |         |         |         |         |
  |Brachy-kephalic.            |         |         |         |         |
  |{10.|Cist, Montrose,        |15.9     |13.1     |4.4      |5.9½     |
  |{11.|Moss, Kilsyth,         |14.6?    |12.2?    |4.1      |...      |
  |{12.|  "  Linton,           |13.5     |11.3     |3.9      |4.6      |
  |{13.|  "  "                 |13.4     |11.3     |3.10     |4.6      |
  |{14.|Cist, Ratho,           |15.7     |12.11    |4.2      |5.7      |
  |{15.|  "  Linlithgow,       |14.10    |12.7     |4.6      |5.5      |
  |    |                       |         |         |         |         |
  | 16.|Roman Shaft,           |14.7½    |12.      |5.3½     |5.6      |
  |    |  Roxburghshire,       |         |         |         |         |
  |    |                       |         |         |         |         |
  |Celtic.                     |         |         |         |         |
  |{17.|Tarbert, Kintyre,      |14.9     |11.11    |4.       |5.4      |
  |{18.|Sea-Shore, Argyleshire,|14.8     |11.3     |3.11     |5.3      |
  |{19.|Harris, Hebrides,      |14.5     |12.4     |3.11½    |4.9      |
  |{20.|Iona, "                |14.11½   |12.3     |4.       |...      |
  |{21.|  "  "                 |14.8     |12.      |4.1      |5.3      |
  |{22.|  "  "                 |14.9     |11.10    |4.3      |5.6      |
  |{23.|  "  "                 |15.?     |12.4?    |...      |...      |
  |{24.|  "  "                 |...      |...      |...      |...      |
  |{25.|Knockstanger,          |14.4     |11.8     |4.7      |5.6      |
  |    |  Caithness,           |         |         |         |         |
  |{26.|Inch Columb Kill,      |15.7     |13.3     |4.0½     |5.4      |
  |    |  Ireland,             |         |         |         |         |
  |{27.|Celtic Type (?) Edin.  |...      |12.      |...      |5.1      |
  |    |  Phrenol. Museum,     |         |         |         |         |
  |    |                       |         |         |         |         |
  |Medieval.                   |         |         |         |         |
  |{28.|Tumular Cemetery,      |15.2     |12.3     |3.11     |5.2      |
  |    |  North Berwick,       |         |         |         |         |
  |{29.|  "  "                 |13.8     |11.4     |3.6      |4.9      |
  |{30.|  "  "                 |15.5     |12.3     |...      |5.9      |
  |{31.|Castle Bank, Edinburgh,|14.3     |12.      |4.3      |5.5      |
  |{32.|Flodden Wall,          |14.6     |12.2     |4.2      |5.1      |
  |    |  Edinburgh,           |         |         |         |         |
  |{33.|Old St. Giles's,       |14.      |11.9     |4.2½     |5.5      |
  |    |  Edinburgh,           |         |         |         |         |
  |{34.|  "  "                 |14.7     |12.      |4.1½     |5.1      |
  |{35.|  "  "                 |14.5     |12.      |3.7½     |4.9      |
  |{36.|  "  "                 |13.3     |11.3     |3.10½    |4.10     |
  |{37.|  "  "                 |15.2     |12.      |4.       |5.7      |
  |{38.|  "  "                 |14.7     |12.1     |4.       |5.       |
  |{39.|Constitution Street,   |14.6     |12.5     |3.10½    |5.0½     |
  |    |  Leith,               |         |         |         |         |
  |----+-----------------------+---------+---------+---------+---------|

  |----+-----------------------+---------+---------+---------+---------|
  |    |                       |         |   *     |         |    *    |
  | No.|CRANIA.                |Occipito-|Do. from |Hori-    |Relative |
  |    |                       |frontal  |Occipital|zontal   |Capacity.|
  |    |                       |Arch.    |Protuber-|Periph-  |         |
  |    |                       |         |ance to  |ery.     |         |
  |    |                       |         |Root of  |         |         |
  |    |                       |         |Nose.    |         |         |
  |    |                       |         |         |         |         |
  |    |                       |         |         |         |         |
  |----+-----------------------+---------+---------+---------+---------|
  |  i.|Mexican,               |14.6     |...      |19.9     |32.5     |
  | ii.|"                      |13.5     |...      |20.2     |31.10    |
  |----+-----------------------+---------+---------+---------+---------|
  |Primitive Dolicho-kephalic, |         |         |         |         |
  |or Kumbe-kephalic.          |         |         |         |         |
  | {1.|Cist, Aberdeenshire,   |13.9     |12.      |20.4     |32.2     |
  | {2.|  "  Fifeshire,        |14.      |11.11    |19.6     |31.9     |
  | {3.|  "  Cockenzie,        |14.4     |11.4     |19.      |30.11    |
  |    |  East-Lothian,        |         |         |         |         |
  | {4.|  "  "                 |13.10    |11.3     |16.7½    |28.10½   |
  | {5.|  "  "                 |13.11    |12.      |19.      |29.6     |
  | {6.|  "  Stonelaws,        |14.8     |12.3     |20.8½    |33.1½    |
  |    |  East-Lothian,        |         |         |         |         |
  | {7.|Cairn, Fifeshire,      |14.3     |12.3     |20.7½    |33.2½    |
  | {8.|Tumulus, Newbattle,    |15.6     |...      |21.3     |...      |
  | {9.|  "  Montrose,         |14.2     |11.9     |20.7     |32.7     |
  |    |                       |         |         |         |         |
  |Brachy-kephalic.            |         |         |         |         |
  |{10.|Cist, Montrose,        |15.2     |13.3     |21.      |33.8     |
  |{11.|Moss, Kilsyth,         |...      |...      |21.?     |...      |
  |{12.|  "  Linton,           |13.6     |11.9     |18.7½    |29.10½   |
  |{13.|  "  "                 |13.8     |11.10    |19.7     |31.1     |
  |{14.|Cist, Ratho,           |14.11    |13.      |20.      |32.4     |
  |{15.|  "  Linlithgow,       |...      |...      |20.6     |...      |
  |    |                       |         |         |         |         |
  | 16.|Roman Shaft,           |14.4     | 12.9    |20.6     |33.1     |
  |    |  Roxburghshire,       |         |         |         |         |
  |    |                       |         |         |         |         |
  |Celtic.                     |         |         |         |         |
  |{17.|Tarbert, Kintyre,      |15.5     |13.6     |21.3     |34.6     |
  |{18.|Sea-Shore, Argyleshire,|14.6     |12.11    |20.4     |32.11½   |
  |{19.|Harris, Hebrides,      |14.9     |12.9     |20.10    |33.5½    |
  |{20.|Iona, "                |14.9     |12.6     |20.10    |33.9     |
  |{21.|  "  "                 |14.5     |12.10    |20.2     |32.11    |
  |{22.|  "  "                 |14.4     |12.6     |20.      |32.8     |
  |{23.|  "  "                 |14.8     |12.6½    |19.10½   |32.4     |
  |{24.|  "  "                 |...      |12.10    |20.7     |...      |
  |{25.|Knockstanger,          |14.6     |12.7     |20.11    |33.10    |
  |    |  Caithness,           |         |         |         |         |
  |{26.|Inch Columb Kill,      |16.4     |14.4     |21.11    |35.2     |
  |    |  Ireland,             |         |         |         |         |
  |{27.|Celtic Type (?) Edin.  |15.5     |13.9     |21.6     |...      |
  |    |  Phrenol. Museum,     |         |         |         |         |
  |    |                       |         |         |         |         |
  |Medieval.                   |         |         |         |         |
  |{28.|Tumular Cemetery,      |15.      |12.3     |21.5     |34.5½    |
  |    |  North Berwick,       |         |         |         |         |
  |{29.|  "  "                 |...      |12.3     |19.9     |31.5     |
  |{30.|  "  "                 |15.      |13.      |21.7     |34.5½    |
  |{31.|Castle Bank, Edinburgh,|...      |12.6     |20.1     |...      |
  |{32.|Flodden Wall,          |15.6     |...      |20.11    |33.7     |
  |    |  Edinburgh,           |         |         |         |         |
  |{33.|Old St. Giles's,       |14.4     |12.      |20.2½    |32.6½    |
  |    |  Edinburgh,           |         |         |         |         |
  |{34.|  "  "                 |15.      |12.10    |20.8     |...      |
  |{35.|  "  "                 |14.      |11.9     |19.10    |31.9½    |
  |{36.|  "  "                 |13.3     |11.      |18.7     |30.      |
  |{37.|  "  "                 |14.      |12.2     |20.5     |32.5     |
  |{38.|  "  "                 |14.7     |12.7     |20.2     |32.9     |
  |{39.|Constitution Street,   |14.3     |12.5     |20.3     |32.6     |
  |    |  Leith,               |         |         |         |         |
  |----+-----------------------+---------+---------+---------+---------|

There is no primitive race known to us which seems so fit to be
selected as a type and standard of comparison in relation to cranial
development, as the Aztecs or ancient Mexicans. They were the last
dominant race among numerous native tribes, who, progressing from
the rudimentary Stone Period, were excluded from influences such as
those which in Europe superseded the ages of stone and bronze by the
more perfect arts of civilisation. These changes archæologists are
now agreed in associating with the introduction of iron. But if in
this latter point also the parallel be admissible, then we must less
conceive of the more perfect arts of civilisation being superinduced
on those of the Archaic Period, than of the Allophylian nations being
themselves superseded. More extended observations on the physical
characteristics of these races will probably, to a great extent,
determine this. Two skulls selected from Morton's Crania Americana are
placed at the head of the table, and will afford a very satisfactory
comparative estimate of the cranial capacity of the races of the
Scottish tumuli. No. i. is figured in _Plate_ XVII. of Dr. Morton's
valuable work, from which it will be seen that it decidedly belongs to
the Brachy-kephalic class of Retzius, which again nearly corresponds
with the pyramidal division of Dr. Prichard. It is thus described by
Dr. Morton:--"With a better forehead than is usual, this skull presents
all the prominent characters of the American race--the prominent
face, elevated vertex, vertical occiput, and the great swell from the
temporal bones upward." No. ii. is figured in _Plate_ XVIII. of the
same work, and closely corresponds to it in type. It is described as
"a remarkably well characterized Toltecan head from an ancient tomb
near the city of Mexico, whence it was exhumed, with a great variety
of antiques, vessels, masks, ornaments," &c. These, therefore, afford
a fair comparative criterion of the capacity of the tumuli builders
of Britain for the practice of arts analogous to those in which the
later American races so greatly excelled at the epoch of the Spanish
Conquest; and it will be seen that the comparison is, upon the whole,
in favour of the superior intelligence of the British Brachy-kephalic
race, as indicated by the cerebral mass and frontal development. No. 1.
is an exceedingly interesting example of a skull of the Stone Period,
in the Antiquarian Museum. It was found in 1822 in a rude cist in the
parish of Banchory-Devenich, Aberdeenshire. On the top of the head is
a hole nearly circular, rather more than an inch in diameter, which
there can scarcely be a doubt was caused by the death-blow. In each
corner of the cist lay a small pile of flint flakes.--No. 2 was taken
from one of thirty cists found near Fifeness, in 1826, and described
in a previous chapter.--Nos. 3, 4, and 5 were obtained from a group of
rude cists discovered in the neighbourhood of Cockenzie, East-Lothian,
in 1840. Nos. 3 and 4, as well as the two previous examples, are in the
Museum of the Scottish Antiquaries. No. 5 has been obtained from J.
M. Mitchell, Esq., who was present when the graves at Cockenzie were
opened, and is here figured as a characteristic example of the class.
No relics were found along with these remains, but the cists were
of the primitive circumscribed dimensions, and presented the rudest
characteristics of early sepulture.--No. 6 is a skull in the Edinburgh
Phrenological Museum found on the farm of Stonelaws, East-Lothian,
where a number of rude primitive cists have been exposed in the course
of agricultural operations. Some of these lie east and west, with the
heads at the west end, according to Christian practice, but others are
irregularly laid; and the example here noted was found with the head at
the east end of the grave.--No. 7 was obtained from a cist discovered
under a large cairn at Nether Urquhart, Fifeshire, in 1835. An account
of the opening of several cairns and tumuli in the same district is
given by Lieutenant-Colonel Miller, in his "Inquiry respecting the
Site of the Battle of Mons Grampius."[204] Some of them contained
urns and burnt bones, ornaments of jet and shale, and the like early
relics, while in others were found implements or weapons of iron. It is
selected here as another example of the same class of crania.--No. 8
was found in a cist under a tumulus opened at Newbattle, East-Lothian,
in 1782. This, there can be little doubt, was the large encircled
tumulus in the immediate vicinity of the Abbey, which was found to
cover a cist nearly seven feet long. The cranium is well proportioned
and of unusually large dimensions, and probably pertained to a chief
of gigantic stature.--No. 9 is from a tumulus at Montrose. The whole
of these, more or less, nearly agree with the lengthened oval form
described by Professor Nillson as the second race of the Scandinavian
tumuli. They have mostly a singularly narrow and elongated occiput; and
with their comparatively low and narrow forehead, might not inaptly
be described by the familiar term _boat-shaped_. It is probable that
further investigation will establish this as the type of a primitive,
if not of the primeval native race. Though they approach in form to a
superior type, falling under the first or Dolicho-kephalic class of
Professor Retzius' arrangement, their capacity is generally small, and
their development, for the most part, poor; so that there is nothing in
their cranial characteristics inconsistent with such evidence as seems
to assign to them the rude arts and extremely limited knowledge of the
British Stone Period.

[Illustration: No. 5. Cockenzie Cist.]

[Illustration: No. 7. Nether Urquhart Cairn.]

No. 10 is an exceedingly characteristic example of an entirely
different type of cranium. It was obtained under very remarkable
circumstances, more particularly detailed in a subsequent chapter.
On the demolition, in 1833, of the old Town Steeple of Montrose, a
building of great antiquity, it was found that at some depth beneath
its ancient foundations there lay the sepulchres of a much more remote
period. Mr. William Smith of Montrose, remarks in a communication
sent to the Society of Antiquaries of Scotland in 1834, along with
the donation of an urn:--"The accompanying urn or vase is one of
four of the same description found about the beginning of April 1833
below the foundation of the Old Steeple in Montrose, beside the
skeleton of a human body,--two of them being at each side of the head,
and two near the feet.... Exactly below the foundations of the Old
Steeple the skeleton was discovered, with the vases disposed about
it as mentioned. It measured six feet in length. The thigh bones,
which were very stout, and the teeth, were the only parts in good
preservation. The skull was a little wasted, and was given to the Rev.
Mr. Liddell, of Lady Glenorchy's Chapel, who intended to present it
to Mr. Combe of the Phrenological Society."[205] The skull, of which
the measurements are given in No. 10, is the same here referred to,
presented to the Phrenological Museum by the Rev. Mr. Liddell. It is
a very striking example of the British Brachy-kephalic type; square
and compact in form, broad and short, but well balanced, and with a
good frontal development. It no doubt pertained to some primitive
chief, or arch-priest, sage, it may be, in council, and brave in war.
The site of his place of sepulture has obviously been chosen for the
same reasons which led to its selection at a later period for the
erection of the belfry and beacon-tower of the old burgh. It is the
most elevated spot in the neighbourhood, and here his cist had been
laid, and the memorial mound piled over it, which doubtless remained
untouched so long as his memory was cherished in the traditions of
his people.--No. 11 was found in a moss near Kilsyth, Stirlingshire.
It is nearly black, and quite firm and sound, from the action of the
peat. Its general characteristics clearly belong to this second group,
but it has been injured in parts, and apparently subjected to great
pressure, so as to render some of the measurements doubtful.--Nos. 12
and 13 are skulls found at different times, at a considerable depth,
in a moss at Linton, Peeblesshire.--No. 14 is a very characteristic
example of the Brachy-kephalic type of cranium. It was found in a cist
under a tumulus in the parish of Ratho, Mid-Lothian, and alongside of
the skeleton stood a small rude clay urn, within which lay several
bronze rings.--No. 15 is also a good example of the same type. It was
obtained, in 1849, from a cist partly hollowed out of the natural
trap rock on the farm of East Broadlaw, in the parish and county of
Linlithgow. It was covered with two unhewn slabs of stone, and measured
internally about six feet long. The skeleton was in good preservation,
and lay at full length. Only a few inches of soil covered the slabs
with which it was inclosed. No relics were found in the cist, but some
time prior to its discovery a bronze celt and spear-head were turned up
in its immediate vicinity.

[Illustration: No. 10. Old Steeple, Montrose.]

[Illustration: No. 15. Linlithgow Cist.]

Few as these examples are, they will probably be found, on
further investigation, to belong to a race entirely distinct from
those previously described. They correspond very nearly to the
Brachy-kephalic crania of the supposed primeval race of Scandinavia,
described by Professor Nillson as short, with prominent parietal
tubers, and broad and flattened occiput. In frontal development,
however, they are decidedly superior to the previous class of crania,
and such evidence as we possess seems to point to a very different
succession of races to that which Scandinavian ethnologists now
recognise in the primitive history of the north of Europe. Our data
are as yet too few to admit of our doing more than noticing these
indications of the evidence that has been produced, in the hope that it
may stimulate to the further prosecution of this interesting branch of
primitive ethnology.

No. 16 is a cranium chiefly interesting from the circumstances under
which it was found. During the construction of the Edinburgh and
Hawick Railway, in 1846, extensive Roman remains were brought to light
in the vicinity of the village of Newstead, Roxburghshire. These are
described in a subsequent chapter. In the progress of the work the
excavators exposed a group of circular shafts, or well-like pits,
varying from three feet to about twenty feet in depth. They were
filled with black fetid earth, intermixed with bones of animals, Roman
pottery, mortaria, amphoræ, Samian ware, &c., whole and in fragments.
In one of these shafts was found the entire skeleton of a man, standing
upright, with a long iron spear at his side, and various specimens of
Roman pottery in the debris with which the pit was filled.[206] Of
the period, therefore, to which the cranium belongs, there can be no
doubt, though no sufficient evidence exists to determine whether it
pertained to a Roman legionary, or a contemporary native Briton. The
latter is, perhaps, more probable. The skull is of moderate size, but
exceedingly well proportioned, the teeth are in perfect preservation,
with the crowns very little worn, and the markings of all the muscles
are unusually strong and well defined.

[Illustration: No. 16. Roman Shaft, Newstead.]

The succeeding group of crania, Nos. 17-27, afford a fair average
criterion of the Celtic type.--No. 17 is a skull dug up in a cave on
the sea-coast, at the Mull of Kintyre, Argyleshire, near to where
tradition affirms a battle to have been fought between the natives and
an invading host of Northmen.--No. 18 is in like manner a memorial
of Scandinavian aggression, and is marked in the catalogue of the
Phrenological Museum as the skull of a Dane. It was dug out of the
sand on the sea-beach, near Larnahinden, Argyleshire, where a party
of Danes are believed to have landed and been defeated. It exhibits
some remarkable measurements, especially in the small proportion of
the vertical diameter; and a comparison of its various dimensions with
those of the Roman skull, No. 16, brings out very distinctly the points
of disagreement of two essentially different forms of crania. No. 18,
however, is not to be accepted as a good Celtic type. The best medium
form of the Celtic cranium is No. 20, which appears, in so far as the
present amount of observation admits of such conclusions, to be a fair
standard of this important class of crania. It forms one of a very
interesting group of skulls in the Phrenological Museum. No. 19 was
brought from Harray, near Lewis, and Nos. 20-24 from Iona. The whole of
these were presented to the Society, in 1833, by Mr. Donald Gregory,
Secretary of the Society of Antiquaries of Scotland, and they are each
marked by him as the "Skull of a Druid from the Hebrides." They were
no doubt obtained during the operations carried on by the members of
the Iona Club, thus described in the introduction to the Collectanea de
Rebus Albanicis:--

    "In order to celebrate the institution of the Club, a meeting
    was held in the island of Iona, upon the 7th day of September
    1833, permission having been obtained from His Grace the Duke
    of Argyle, the President, to make such excavations in the
    island as the Club might deem necessary. A search was made in
    the ancient cemetery called _Relig Oran_, for such tombstones
    as might in the process of time have been concealed by the
    accumulation of rubbish. The result of these operations was,
    that a considerable number of finely carved tombstones was
    brought to view, which none of the inhabitants had ever seen
    before."

The sepulchres of the Scottish kings were also explored, which were
used for the last time as a royal cemetery when Macbeth was interred
there beside his Queen Gruoch, the daughter of Bodhe,--as a record in
the St. Andrew's Chartulary informs us was the unromantic name of Lady
Macbeth.[207] Mr. Donald Gregory was secretary of the Iona Club, and
one of the ablest Celtic scholars of his day. The designation which he
affixed to the crania brought from Iona may be accepted as undoubted
evidence of their having been found under circumstances which afforded
proof of their high antiquity; though it is not necessary to assume
from this that they had pertained to Druids. Most probably nothing
more was intended by the epithet which Mr. Gregory applied to them,
than to indicate, in the briefest manner, that he believed them to
have belonged to the native population prior to the introduction of
Christianity in the sixth century, when Columba landed at _Innis nan
Druidheanach_, or the Isle of the Druids, as Iona is still occasionally
styled by the native Highlander. The crania thus brought from the
venerable centre of Celtic civilisation may not unreasonably be looked
upon as furnishing characteristic types of the oldest historical race
of the north of Europe.--No. 25 is also a good Celtic cranium, though
less true to the type than No. 20, from its excess in longitudinal
diameter. It was dug up at Knockstanger, Caithness, at a spot where
a number of the Clan Mackay were interred, after being defeated in a
battle fought with the Sinclairs in 1437. To these have been added
No. 26, a skull in the Phrenological Museum, brought from an ancient
cemetery at Inchmore, or Columb Kill, county of Longford, Ireland; and
No. 27, a cast of a skull in the Phrenological Museum, marked as the
Celtic type, and described as one of a series of skulls "selected from
a number of the same tribe or nation, so as to present, as nearly as
possible, a type of the whole in the Society's collection."[208] It
is characterized in the printed catalogue as a "Long Celtic Skull,"
but would not, I think, be accepted by ethnologists as at all typical
of the true Celtic cranium. It falls decidedly under the class
designated by Professor Retzius as Dolicho-kephalæ, and is introduced
in the table of measurements chiefly as furnishing useful elements of
comparison. Contrasted with No. 20, it will be seen that it is 7.11 to
7.5, exceeding the latter in longitudinal diameter by 6/12, or half
an inch, while in parietal diameter it falls short of it by 3/24.
The difference is equally in favour of the true Celtic cranium, No.
20, in other measurements of breadth, including the frontal diameter
and the inter-mastoid arch. This mode of comparison is still more
remarkable and characteristic when the same skull, No. 27, is placed
alongside of No. 10, a good example of the Brachy-kephalic class,
the excess in the one set of measurements being fully balanced by
a corresponding diminution in the others. The proportions of these
Scottish Celtic crania entirely agree with the assumed type already
referred to, as recognised by the ablest ethnologists. Professors
Nillson and Retzius, and Dr. Thurnam, all concur in describing the type
of the old Celtic cranium as intermediate to the true Dolicho-kephalic
and Brachy-kephalic forms. Dr. Norton Shaw also recognises the same
characteristic proportions, and refers in evidence to a skull in the
museum of Dr. Buckland, which was found in a tin mine in Cornwall at a
depth of 500 feet.[209]

Returning to the table of measurements.--No. 28 is a skull in the
Museum of the Scottish Antiquaries. It was found in what appears to
have been an ancient tumular cemetery, at North-Berwick, East-Lothian,
from whence also a specimen of early medieval pottery, figured in a
later chapter, was procured. Many ancient relics have been obtained at
the same place, including a circular silver fibula, apparently of the
Anglo-Saxon era. A large surrounding area appears to have been used
as a burial ground, probably for many centuries, as the encroachments
of the sea frequently expose human bones, and the skeletons may be
occasionally discerned in the newly exposed strata, after an unusually
high tide.--Nos. 29 and 30 are crania in the Phrenological Museum from
the same locality. Of these No. 29 is a markedly inferior example
of cranial development. While all the measurements are small, the
frontal diameter is inferior to that of No. 12, the smallest of all the
Brachy-kephalic examples, which it exceeds in longitudinal diameter
by half an inch. So extremely poor is the frontal development of this
skull, that its diameter at the zygomatic processes is barely 3.5½.
It is only introduced here in order to afford a series of examples
selected without any reference to theory.

[Illustration: Tower in the Vennel, Edinburgh.]

The remaining skulls with which these are classed may be regarded as
a fair series of examples of medieval Scottish crania.--No. 31 was
found in 1828, in a deep cutting about midway up the south side of
the rock on which Edinburgh Castle stands, during the construction of
a new approach to the old town. Beside it were several large boars'
tusks, and an iron weapon greatly corroded.--No. 32 was obtained in
1829, in digging the foundations of a school built in the Vennel of
Edinburgh, on the site of part of the town wall, erected immediately
after the disastrous battle of Flodden in 1513. The woodcut represents
the ancient tower, which still remains, almost the last remnant of
the civic fortifications reared at that memorable crisis in Scottish
history, and the relic which is here associated with these venerable
defences is not without features appropriate to the stern memorials of
that epoch. The skull has a deep gash, apparently from the blow of a
sword or axe, and pertained, we may presume, to some old civic warder
of the Scottish capital, slain at his post on the city wall.--Nos.
33-38 were all discovered in the course of excavations made to the
south of the old Parliament House at Edinburgh in 1844, for the purpose
of building new court-houses, when several ancient oak coffins and
other early relics were brought to light.[210] They lay alongside of
the earliest city wall, built by James III. in 1450, and within the
Nether Kirkyard of St. Giles', which appears to have fallen into disuse
in the reign of Queen Mary. To these are added No. 39, a skull found
in digging a drain in Constitution Street, Leith, probably within the
ancient limits of St. Mary's Church-yard, which was bounded on that
side by the ancient town wall, razed to the ground immediately after
the siege of Leith in 1560. These crania, it should be added, are
apparently all males, with the exception of No. 4, and perhaps also No.
36.

Such are the elements from which it has been attempted to deduce some
conclusions of general import in regard to the successive primitive
races that have occupied Scotland prior to the era of authentic
historic records. The data are much too few to justify the dogmatic
assertion of any general inferences, or to admit of positive answers
to the questions naturally suggested by the conclusions arrived at
by Nillson and Eschricht in relation to the races of Scandinavia.
They include, however, all the examples that could be obtained,
and are in so far valuable as trustworthy examples of the cranial
characteristics of Scottish races, that they have been selected
from various localities, by different individuals, with no single
purpose in view. It is difficult, however, even after obtaining the
proper crania, to determine the most trustworthy elements of relative
proportion. Dr. Walter Adam, who had the advantage of studying under
both Dr. Barclay and Mr. Abernethy, carried out an extensive series of
measurements of crania, chiefly from examples found in the catacombs
of Paris, and preserved in the University Museum there. These I
now possess, through the kindness of Dr. Adam, and he remarks in
writing to me on the subject:--"So far as appeared, precision could
only be obtained by referring every dimension to the compression of
the zygoma; the measurement being seven-eighths of what I consider
the normal transverse of at least the Caucasian cranium; that is,
of half the length of the head--the long-admitted statuary scale."
Owing to the imperfect state of the zygomata in the great majority
of skulls from the tumuli, this measurement is unfortunately rarely
attainable. Next in importance, however, is one of the additional ones
in the table, marked as the inter-mastoid line, from the upper root
of the zygomatic process. The relative proportions of this and of
the parietal diameter, when compared with the longitudinal diameter,
afford the most characteristic elements of comparison between the
different types. Another interesting element of comparison appears
to consist in the relative proportions of the parietal and vertical
diameters. So far as appears from the table of measurements, the
following laws would seem to be indicated:--In the primitive or
elongated dolicho-kephalic type--for which the distinctive title of
kumbe-kephalic is here suggested--the parietal diameter is remarkably
small, being frequently exceeded by the vertical diameter; in the
second or brachy-kephalic class, the parietal diameter is the greater
of the two; in the Celtic crania they are nearly equal; and in the
medieval or true dolicho-kephalic heads, the parietal diameter is again
found decidedly in excess; while the preponderance or deficiency of
the longitudinal in its relative proportion to the other diameters,
furnishes the most characteristic features referred to in the
classification of the kumbe-kephalic, brachy-kephalic, Celtic, and
dolicho-kephalic types. Not the least interesting indications which
these results afford, both to the ethnologist and the archæologist,
are the evidences of native primitive races in Scotland prior to the
intrusion of the Celtæ; and also the probability of these races having
succeeded each other in a different order from the primitive colonists
of Scandinavia. Of the former fact, viz., the existence of primitive
races prior to the Celtæ, I think no doubt can now be entertained. Of
the order of their succession, and their exact share in the changes
and progressive development of the native arts which the archæologist
detects, we still stand in need of further proof; and the assumed
primeval position of the kumbe-kephalic race of Scotland is advanced
here only interrogatively, and with the view of inducing others to take
up the same interesting inquiry. The subject demands much more extended
observation before any such conclusion can be dogmatically affirmed
concerning the primitive Scottish races. We have also still to obtain
the proofs of that abrupt change from the one form to the other, only
to be procured as the result of numerous independent observations, but
which can alone satisfactorily establish the fact of the intrusion
of new races. The same evidence may also be expected to show whether
the primitive race was entirely superseded by later colonists. If the
Allophylian aborigines were not exterminated, but were admitted to
share in the superior arts of their conquerors, some proof may yet be
recoverable of the gradual progression in physical conformation as they
abandoned the nomadic and wild hunter state for a pastoral life, so
that they were not finally extirpated, but interfused into the mixed
race which now occupies the country, as we know was to some extent the
case, at a later period, with its Celtic population.

Not only in the annual operations of the agriculturist, but also in the
deliberate researches of the archæologist, hundreds of tumular crania
have been disinterred. Of these, however, scarcely any note has been
taken, nor can we hope to obtain sufficient data for the determination
of the interesting questions involved in the investigation till
its importance is more generally recognised. A few facts, however,
have been noted from time to time, some of which, in the absence of
more precise observations, may help to throw light on the physical
characteristics of the primitive British races. With this view,
therefore, the following additional notices are selected.

In 1825 one of the singular northern circular forts usually styled
burghs, situated at Burghar, in the parish of Evie, Orkney, was
explored by the son of the resident clergyman, when there was found
within the area a human skeleton, a rude bone comb of most primitive
fashion, and part of a deer's horn. The comb, which is now preserved
in the Museum of the Scottish Antiquaries, is figured in another
chapter; it measures four inches in length, and could not readily be
surpassed in the rudeness of its construction or attempts at ornament.
Along with this curious relic, the skull was forwarded to Edinburgh by
Alexander Peterkin, Esq., but it is described in his communication as
then in fragments, and has not been preserved. Mr. Peterkin remarks
of it,--"Although the upper part of the skull be separated into two
parts, you will observe on joining them together that it is of a
very singular conformation. The extreme lowness of the forehead and
length backward, present a peculiarity which may be interesting to
phrenologists."[211] This, therefore, would appear to have belonged to
the primitive Kumbekephalæ.

Other observations on the physical characteristics of the remains found
in primitive Scottish sepulchres are much less definite. Alexander
Thomson, Esq. of Banchory, remarks in a communication to the Society
of Antiquaries of Scotland, describing two urns found in a cist on
his estate in Aberdeenshire:--"The skeleton was far from entire, but
there were fragments of every part of it found. The teeth are perfectly
fresh, and from the appearance of the jaws, the skeleton must be that
of a full-grown person, though of small size. I was told that the
skeleton lay quite regular when first found."[212] It may be presumed
that in this case, as in other examples of the physical conformation
of the primitive race, the smallness of the head was not a precise
criterion of the dimensions of the skeleton. Another correspondent
describes a cist discovered by the plough on the farm of Farrochie, in
the parish of Feteress, Kincardineshire, within which was found a small
urn and upwards of one hundred beads of polished black shale:--

    "The interior of the tomb measured three feet in length, two
    feet in breadth, and twenty inches in depth. The top, sides,
    and ends were each formed of one stone, and at each corner the
    end of a flat-stone, set on its edge, was introduced angularly
    between the stones of the sides and ends. The slab that formed
    the cover of the tomb measured three feet eight inches in
    length, by three feet two inches in breadth. The body had been
    laid upon its right side, with the face towards the south. The
    limbs had been bent upwards, and it was observed when the tomb
    was opened that one of the leg bones had been broken near the
    middle. The length of the leg bones was eighteen inches, and
    that of the thigh bones twenty inches, with very strong joints.
    The skull appeared to be small in proportion to the other
    parts of the body. In both jaws the teeth were complete and in
    beautiful preservation. The ribs and other small bones crumbled
    into dust soon after they were exposed to the air. The urn was
    lying in the tomb as if it had been folded in the arms of the
    corpse."[213]

    Dr. Prichard remarks in reply to the question,--Was there
    anything peculiar in the conformation of the head in the
    British or Gaulish races? "There are probably in existence
    sufficient means for deciding this inquiry in the skulls found
    in old British cairns or places of sepulture. I have seen
    about half a dozen skulls found in different parts of England,
    in situations which rendered it highly probable that they
    belonged to ancient Britons. All these partook of one striking
    characteristic, viz., a remarkable narrowness of the forehead
    compared with the occiput, giving a very small space to the
    anterior lobes of the brain, and allowing room for a large
    development of the posterior lobes. There are some modern
    English and Welsh heads to be seen of a similar form, but they
    are not numerous."[214]

The crania already noticed from the Scottish tumuli, it is obvious,
include two greatly differing types, one of which, at least, cannot
with strict propriety be described as either remarkably narrow or very
small in the forehead, when compared with the occiput. The description
of Dr. Prichard will, however, be frequently found applicable to those
of the brachy-kephalic type, examples of which, it may be presumed,
have fallen under his notice. The peculiar characteristic of the
primeval Scottish type appears rather to be a narrow prolongation
of the occiput in the region of the cerebellum, suggesting the term
already applied to them of _boat-shaped_, and for which the name of
_Kumbekephalæ_ may perhaps be conveniently employed to distinguish
them from the higher type with which they are otherwise apt to be
confounded. Dr. Thurnam remarks,--"The few crania which I have
myself seen from early British tumuli, correspond very much with Dr.
Prichard's description. They had, for the most part, a shortened oval
form; ample behind, and somewhat narrow and receding in the forehead.
The cranium from the undoubtedly British tumulus at Gristhorpe, near
Scarborough, has this general form; it is, however, unusually large,
and not deficient in frontal development; its form, too, is in some
respects fine, particularly as regards the full _supra-orbital_
region, and the high and fully developed middle head."[215] The Rev.
Abner W. Brown, vicar of Pitchley, Northamptonshire, furnished to
the Archæological Association in 1846 an interesting account of some
British Kistvaens found there under very remarkable circumstances.
The name of the locality is spelt in Doomsday-book _Pihtes-lea_ and
_Picts-lei_, terms sufficiently suggestive of the Celtic Picts or
Ffichti of the north. "The skeleton which we have endeavoured to
preserve," the writer remarks, "is that of a muscular well-proportioned
young man, probably five feet nine inches high. The teeth are fine;
the wisdom teeth scarcely developed. The facial line in some of the
skulls appeared to be very fine. This skull exhibits the peculiar
lengthy form, the prominent and high cheek-bones, and the remarkable
narrowness of forehead which characterize the Celtic races, and
distinguish theirs from the rounder, broader skulls, and more upright
facial line, of the Teutonic tribes."[216] It is obvious, however,
from the above description, that the ancient crania of Pihtes-lea
differ greatly from the true Celtic type, and correspond rather to the
Kumbekephalæ. The whole circumstances attendant on their discovery
indicate their belonging to a very remote era. The venerable church of
Pitchley, an edifice still retaining original work of the beginning
of the twelfth century, having begun to exhibit alarming symptoms
of decrepitude, was carefully repaired and restored, even to the
foundations. In reconstructing one of the principal pillars, the
startling fact was brought to light, that the Norman builders had
laid the foundation of the pillar in ignorance of a rude hollow cist
lying directly underneath, with only about a foot of soil between.
Other portions of the edifice were discovered to have been, in like
manner, unconsciously founded above the graves of an elder race, and
it at length became apparent that the ancient churchyard was entirely
superimposed on a still older cemetery. "Below the foundation, though
above the level of the kistvaens, there were common graves; in one of
them was the skeleton of a beheaded person lying at full length, the
head placed upon the breast, one of the neck-bones having apparently
been divided." Pitchley Church belonged, even before the Conquest, to
the Abbey of Peterborough. It was probably one of the earliest English
sites of a Christian church; yet the British or Saxon graves of the
upper tier, made in ignorance of the older cists below, had become
sufficiently consolidated at the date of the Norman foundation to admit
of the building of a solid and durable fabric above them. The cists lay
nearly east and west, the bodies at full length, lying on their right
sides, with the faces looking to the south, and the arms crossed in a
peculiar way--the right arm across the breast, with its hand touching
the left shoulder, and the left arm straight across, so that its hand
touched the right elbow.[217] Both Norman and Roman coins were found
near the surface; deeper down lay fragments of coarse unglazed British
and also of Roman pottery, and close to, or within one of the cists,
a rude oblong amethyst, about an inch long, perforated lengthwise.
In another were small pieces of charcoal, and a fragment of British
pottery; and in a third an unusually large tusk of a wild boar. Mr.
Brown, conceiving the position of the bodies to prove the introduction
of Christian sepulchral rites, supposes these cists to have belonged
to the Christians of Romanized Britain, before the Saxon invasion.
It seems more probable that they pertain to that far older era which
preceded the singular Pagan rites accompanying the circumscribed cist.
The cranial characteristics appear to confirm this idea, and it is only
on such a supposition that we can conceive of the establishment of the
graveyard upon the site, in entire ignorance of the primeval cemetery
buried beneath the accumulated debris of later generations. Another
skeleton, found near Maidstone, in a circumscribed cist of peculiar
construction, and undoubtedly of Pagan origin, is thus described by the
Rev. Beal Post:--"The state of the skull, from the sutures being much
obliterated, shewed the individual to have been about seventy years of
age; the form of the skull also shewed that he did not belong to the
present race which possess the island, but to the Celtic division of
the European family. It was very narrow in the front part, and low in
the forehead, exhibiting but little development of the intellectual
faculties, while the organs of self-preservation, and other inferior
organs in the hinder parts of the skull, were strongly developed.
The bones seem to be those of a person about five feet seven inches
high, the thigh-bone being seventeen inches long, and the other bones
in proportion. The teeth, apparently, had been every one in a sound
state. None of those found were in a state of decay, even incipiently
so."[218] In both of these interesting examples it is obvious that
the term Celtic is loosely applied in contradistinction to Saxon or
Teutonic, and in accordance with the preconceived idea that the Celtæ
are the primeval colonists of Britain. The forms of these crania
appear clearly to lead to a different conclusion. Such are some of the
observations heretofore made on the physical characteristics of the
primitive Briton. Scanty as they are, they possess considerable value
to us in the attempt to recover the lost chapters of his history.
Imperfect as the development of the intellectual faculties appear to
have been, there is sufficient evidence to justify the conclusion,
that the races of the tumuli, whether regarded as Allophylian or
Celtic, were abundantly capable of civilisation, and possessed a
cerebral capacity fully equal to that of nations which have carried the
practical and decorative arts far in advance of a mere archaic period.

One characteristic feature observed in the skulls of various tumuli
is the state of the teeth. It is rare to find among them any symptoms
of irregularity or decay. Sir R. C. Hoare remarks of those of
Wiltshire,--"The singular beauty of the teeth has often attracted our
attention; we have seldom found one unsound or one missing, except
in the cases of apparent old age. This peculiarity may be easily
accounted for. The Britons led a pastoral life, feeding upon the milk
of their flocks and the venison of their forests; and the sweets of
the West Indies were to them totally unknown." In the tumular cemetery
at North Berwick, the teeth of the skulls, though sound, were worn,
in most cases completely flat, like those of a ruminating animal. Dr.
Thurnam remarks the same to have been the case with the teeth examined
by him in those of the Anglo-Saxon cemetery at Lamel Hill; and it is
also observable in an under jaw found along with other remains of a
human skull, an iron hatchet, and several large boars' tusks, in a
deep excavation on the south bank of the Castlehill of Edinburgh. The
jaw, with the accompanying relics, are in the Museum of the Scottish
Antiquaries. The same peculiarity is referred to, as observed in a
remarkable discovery of human remains in the Kent's Hole Cave, near
Torquay, made by the late Rev. J. MacEnery during his geological
researches in that locality. As the account of this discovery, which is
accompanied with details of great value to the archæologist, has only
been recovered through the zeal of Mr. Edward Vivian, since the death
of the author, and printed in a local periodical,[219] it is extracted
here at considerable length. It was to Mr. MacEnery's researches that
Buckland and others of the earlier modern geologists owed their most
valuable data; and some of the rarest palæontological specimens in the
British Museum originally belonged to his private collection. Kent's
Hole is referred to by Professor Owen, in his History of British
Fossil Mammals, as "perhaps the richest cave depository of bears
hitherto found in England." The roof is clustered with pendant cones of
stalactite, and the floor thickly paved with concretions of stalagmite,
the accumulations of many centuries, which have sealed down the floor
hermetically, and preserved the relics both of the geologist and the
archæologist safe from disturbance, and protected from decay.

    "The floor we found, at our first visit, covered, through its
    whole extent, with a darkish mould, varying in depth from a
    few inches to a foot. It only dates since the cavern became
    a popular place of resort, and the further progress of the
    stalagmite in open situations was interrupted by the trampling
    of visitors. In the vestibule were found, deep imbedded in it,
    those curiously shaped pieces of oak to which the appellation
    of Druids' sandal was given,[220] together with a quantity of
    decomposed animal and vegetable matter, the remains of fires
    and feasts, mingled with rabbit bones....

    "At the hazard of unnecessarily charging the thread of my
    narrative with seemingly frivolous particulars, I proceed to
    note down the characters presented by its general aspect,
    no less than its contents, before it was altered by those
    operations which have since left no part of it in its virgin
    state. It is only on a just appreciation of all their
    circumstances that a true estimate can be founded of those
    facts which should serve as the basis of all reasoning on its
    nature and history.

    "The floor of the entrance, except that it had the appearance
    of being broken up, offered nothing remarkable to detain us;
    we shall have occasion to return to it presently. Not so the
    lateral branch by which it communicates with the body of the
    cavern on the left. Under a ledge on the left was found the
    usual sprinkling of modern bones, and, in the mould beneath,
    which had acquired the consistence of hard clay, were fragments
    of pottery, calcined bones, charcoal, and ashes; in the midst
    of all were dispersed arrow-heads of flint and chert. The ashes
    furnished a large proportion of the mould.

    "In the same heap were discovered round slabs of roofing slate
    of a plate-like form, some crushed, others entire. The pottery
    is of the rudest description, made of coarse gritty earth, not
    turned on a lathe, and sunbaked; on its external margin it
    bears zigzag indentations, not unlike those represented on the
    urns found by Sir Richard Hoare in the barrows of Wiltshire.
    These fragments, there seems no reason for doubting, are the
    remains of cinerary urns which once contained the substances
    scattered around, and to which the slates served for covers.

    "At a short distance, nearer the entrance, were found, in a
    continuation of the same mould, articles of bone of three
    sorts; some of an inch long, and pointed at one end, or
    arrow-heads; others about three inches long, rounded, slender,
    and likewise pointed. Conjecture was long busy as to their
    destination--they were thought by some to be bodkins, by others
    for confining the hair, like those ornaments used by the women
    in Italy; lastly, they were supposed, with more probability,
    to be a species of pin for fastening the skin in front which
    served savages for garments. The third article does not seem so
    easy to explain; it is of a different shape, quite flat, broad
    at one end, pointed at the other, the broad part retains the
    truncated form of a comb, the teeth of which were broken off
    near their root; whether it was used as a comb, or for making
    nets for fishing, is not clear. There was only this solitary
    one found, and two of the former, but several of the first,
    with a quantity of bone chips. All three bore marks of polish.

    "Nearer the mouth are collected a good number of shells of the
    muscle, limpet, and oyster, with a palate of the scarus. This,
    as well as the nacker of oysters which was thickly disseminated
    through the mould, served, as they do at the present day among
    savages, most probably for ornament. The shell-fish may have
    furnished bait for fishing. The presence of these rude articles
    render it probable that they were collected here by the ancient
    aborigines, who divided their time between the chase and
    fishing in the adjacent sea.

    "Close to the opposite wall, in the same passage, buried in
    black mould, I found a stone hatchet, or celt, of sienite, the
    only one found in the cavern. Another of the same material, but
    of a different shape, I found shortly after not far from the
    cavern near Anstis Cove, which labourers engaged in making the
    new cut had just thrown up with the mould.

    "As we advanced towards the second mouth, on the same level,
    were found, though sparingly, pieces of pottery. The most
    remarkable product of this gallery were round pieces of blue
    slate, about an inch and a-half in diameter and a quarter
    thick. They may have served, like the Kimmeridge coal, for
    money. In the same quarter were likewise found several round
    pieces of sandstone grit, about the form and size of a dollar,
    but thicker and rounded at the edge, and in the centre pierced
    with a hole, by means of which they seem to have been strung
    together like beads. Clusters of small pipes or icicles of
    spar, such as depended from the roof at our first visit, we saw
    collected here in heaps, buried in the mud. Similar collections
    we had occasion to observe accompanied by charcoal, throughout
    the entire range of the cavern, sometimes in pits excavated in
    the stalagmite. Copper ore--with these various articles in the
    same stuff was picked up--a lump much oxydized, which the late
    Mr. Phillips analyzed, was found to be pure virgin ore.

    "Having taken a general survey of the surface of the floor,
    we returned to the point from which we set out, viz., the
    common passage, for the purpose of piercing into the materials
    below the mould. Here in sinking a foot into the soil, (for of
    stalagmite there remained only the broken edges adhering to
    the sides of the passage, and which appeared to be repeated
    at intervals,) we came upon flints in all forms, confusedly
    disseminated through the earth, and intermixed with fossil
    and human bones, the whole slightly agglutinated together
    by calcareous matter derived from the roof. My collection
    possesses an example of this aggregation in a mass consisting
    of pebbles, clay, and bone, in the midst of which is imbedded a
    fine blade of flint, all united together by sparry cement.

    "The flints were in all conditions; from the rounded pebble as
    it came out of the chalk, to the instruments fabricated from
    them, as arrow and spear-heads, and hatchets. Some of the flint
    blocks were chipped only on one side, such as had probably
    furnished the axes, others on several faces, presenting planes
    corresponding exactly to the long blades found by their side,
    and from which they had been evidently sliced off; other
    pebbles still more angular and chipped at all points, were no
    doubt those which yielded the small arrow-heads. These abounded
    in by far the greatest number. Small irregular splinters, not
    referrible to any of the above divisions, and which seem to
    have been struck off in the operation of detaching the latter,
    not unlike the small chips in a sculptor's shop, were thickly
    scattered through the stuff, indicating that this spot was the
    workshop where the savage prepared his weapons of the chase,
    taking advantage of its cover and the light.

    "I have discovered in this passage precisely similar
    arrow-heads to those which I detected in an urn from a barrow
    presented to me by the Rev. Mr. Welland.

    "With the exception of the Boar spear [of iron] and a blade of
    the same metal found not far from it, very much rusted, all
    the articles in the mould or in the disturbed soil consisted
    of flint, chert, sienite, and bone--such primitive substances
    as have been in all countries and down to the present, used by
    the savage for the fabrication of his weapons, whether for the
    chase or battle.

    "At a still greater depth, near the common entrance in the
    passage, lay extended lengthwise in the ordinary position of
    burial, the remains of a human skeleton much decayed; two
    portions only of the jaw and some single teeth, with the
    mouldering vertebræ and ribs, were all that remained. As in the
    case of the flint knife mass, already described, there adhered
    to the jaw portions of the soil on which it lay, and of the
    stalagmite which partly covered it.

    "The teeth were so worn down that the flat crowns of the
    incisors might be mistaken for molars,[221] indicating the
    advanced age of the individual. M. Cuvier, to whom I submitted
    the fragment in 1831, was struck with the form of the jaw. He
    pronounced it to belong to the Caucasian race. He promised
    to bestow particular notice on it, but death, unhappily for
    science, put a stop to his labours. All the specimens, together
    with a collection of fossil bones, the third I had presented
    to the museum of the Jardin des Plantes, I transmitted to him
    before I quitted the continent, and they may be found among his
    effects. The skeleton lay about a foot and a half below the
    surface; from the tumbled state of the earth, the admixture of
    flags of stalagmite, added to the presence of flint articles
    and pieces of slate, it was manifest that the floor had been
    dug up for the reception of the body, and that it was again
    covered over with the materials thrown up from the excavation.
    The earthy covering consisted of the red soil, containing
    fossil bones mixed up with recent mould, the mound of earth
    outside the mouth, at the right hand, was thrown up from the
    passage to render it more accessible. It was precisely that
    which covered the human skeleton, and contained the admixture
    of human and fossil relics.

    "Previous to the disturbance of the floor for the admission
    of the body, it would appear, from the presence of flags of
    stalagmite in the rubble, that it was covered with a continuous
    crust, the edges indeed of which still adhere to the sides.
    It further appears from the repetition of similar crusts, as
    indicated by the broken edges at the sides, that there were
    periods of repose which allowed new floors to form, marking
    clearly their repeated destruction and renovation at intervals
    of time.

    "With the exception of single teeth and an occasional rib or
    vertebra in charcoal, which may have possibly belonged to the
    same subject, there were no other traces of human remains."[222]

The peculiarity in the teeth of certain classes of ancient crania
above referred to is of very general application, and has been observed
as common even among British sailors. The cause is obvious, resulting
from the similarity of food in both cases. The old Briton of the
Anglo-Roman period, and the Saxon both of England and the Scottish
Lothians, had lived to a great extent on barley bread, oaten cakes,
parched peas, or the like fare, producing the same results on his teeth
as the hard sea-biscuit does on those of the British sailor. Such,
however, is not generally the case, and in no instance, indeed, to the
same extent in the skulls found in the earlier British tumuli. In the
Scottish examples described above the teeth are mostly very perfect,
and their crowns not at all worn down. In that marked No. 5, one of
those found at Cockenzie, the under jaw has been preserved, and in it
the wisdom teeth are only partially developed, indicating the age of
the individual. The perfectly formed teeth are not much more worn than
those which had never pierced the gums.

The inferences to be drawn from such a comparison are of considerable
value in the indications they afford of the domestic habits and
social life of a race, the last survivor of which has mouldered
underneath his green tumulus, perchance for centuries before the
era of our earliest authentic chronicles. As a means of comparison
this characteristic appearance of the teeth manifestly furnishes one
means of discriminating between an early and a still earlier, if
not primeval period, and though not in itself conclusive, it may be
found of considerable value when taken in connexion with the other
and still more obvious peculiarities of the crania of the earliest
barrows. We perceive from it, at least, that a very decided change
took place in the common food of the country, from the period when the
native Briton of the primeval period pursued the chase with the flint
lance and arrow, and the spear of deer's horn, to that comparatively
recent period when the Saxon marauders began to effect settlements
and build houses on the scenes where they had ravaged the villages of
the older British natives. The first class, we may infer, attempted
little cultivation of the soil. Improving on the precarious chances
of a mere nomadic or hunter life, we have been led to suppose, from
other evidence, that the early Briton introduced the rudiments of a
pastoral life, while yet his dwelling was only the slight circular
earth-pit, in-covered with overhanging boughs and skins. To the
spoils of the chase he would then add the milk of his flock of goats
or sheep, probably with no other addition than such wild esculents,
mast, or fruits, as might be gathered without labour in the glades of
the neighbouring forest. But the social state in the British Isles
was a progressive one. Whether by the gradual improvement of the
aboriginal race, or by the incursion of foreign tribes already familiar
with the fruits of agricultural labour, the wild pastoral or hunter
life of the first settlers was exchanged for one more suited to call
forth the social virtues. The increase of the population, whether by
the ingress of such new tribes, or by the numerical progression of
the first settlers, would of itself put an end to the possibility of
finding subsistence by means of the chase. Thus it might be from the
inventive industry which privations force into activity that new wants
were first discovered, new tastes were created, and satisfied by the
annual harvests of golden grain. The ploughshare and the pruning-hook
divided attention with the sword and the spear, which they could not
supplant; and the ingenious agriculturist devised his oaken querne, his
stone-rubber, or corn-crusher, and at length his simple yet effective
hand-mill, which resisted, during many centuries of change and
progress, all attempts to supersede it by more complicated machinery.
Dr. Pettigrew, in communicating the results of a series of observations
on the bones found in various English barrows, remarks,--"The state of
the teeth in all of them indicated that the people had lived chiefly
on grain and roots."[223] The dry, hard oaten cake of the Scottish
peasant, which may have been in use almost from the first attempt at
cultivation of the favourite national grain, would probably prove
as effective as any of the presumed vegetable foods for producing
such results. We need not, at any rate, evidence to satisfy us that
the luxuries which have rendered the services of the dentist so
indispensable to the modern Briton were altogether excluded from the
regimen of his rude forefathers.

Sir Richard Colt Hoare commences the great work which has secured for
him so distinguished a place among British archæologists, with the
motto--"We speak from facts, not theory." While seeking to render
the _facts_ of Scottish Archæology fully available, it is my earnest
desire to follow in the footsteps of a leader so proved. The inferences
attempted to be deduced from such facts as have been accumulated here,
with a view to discover some elementary principles for the guidance of
Scottish archæologists, are such as appear naturally and logically to
follow from them. Still they are stated apart from the premises, and
those who have followed thus far ungrudgingly in exploring the primeval
sepulchres of Scotland, will find no difficulty in pausing ere they
commit themselves to the same guidance in seeking also some glimpses
of the native hearth and pastoral inclosures, and of the evidences of
that inventive skill which succeeded to such simple arts. We would
fain reanimate the ashes in these long buried urns, and interrogate
the rude British patriarch regarding a state of being which for
centuries--perhaps for many ages--pertained on these very spots where
now our churches, palaces, and our homeliest dwellings are reared, but
which seems almost as inconceivable to us as that other state of being,
to which we know the old Briton, with all the seed of Adam, has passed.

It may appear to some a service of little value, the unrolling of
these "mute inglorious" records. Yet somewhat is surely gained when we
reach the beginnings of things, and substitute for the old historic
mist-land of myth and fable, a coherent and intelligible, though dry
and somewhat meagre array of facts and legitimate deductions. It is no
longer needful, however, to defend the object of our research. It is to
some extent the same which the ethnologist is pursuing by a different
route; though the palæontological investigations of the archæologist
have yet to establish their true value in the estimation of men of
science by the nature of their results. For this we wait in hope. I
would only meanwhile repeat, that we cannot be justified in concluding
any knowledge which once existed to be utterly lost beyond recall; and
if the geologist has been able to recover so much from annals that
seemed to have been folded up and laid aside ere this race was summoned
into being to people a renovated world, surely we ought not to despair
of being yet able to fill up our meagre outline with many details which
shall satisfy the severest demands of inductive philosophy, and rest
their claims to acceptance not on theory but on fact.

FOOTNOTES:

[195] Prichard's Natural Hist. of Man, 3d edit. p. 108.

[196] Ibid. p. 21.

[197] Natural History of Man, p. 186.

[198] On the Primitive Inhabitants of Scandinavia, by Professor Nillson
of Lund.

[199] Natural History of Man, pp. 192, 193.

[200] Morton's Crania Americana, p. 16.

[201] Natural History of Man, p. 193.

[202] Archæol. Journal, vol. vi. pp. 27-39, 123-136.

[203] In taking these measurements I have been efficiently assisted
by Mr. John Zaglas, anatomical assistant to Professor Goodsir of
Edinburgh University, and by Dr. John Alexander Smith. Nearly all of
the measurements have been repeated several times, and may therefore be
received as accurate.

[204] Archæol. Scot. vol. iv. pp. 43, 44.

[205] MSS. Library S.A. Scot. Nov. 28, 1834.

[206] Two mortaria, obtained from this shaft, along with the iron
spear-head, are now in the possession of John Miller, Esq. of
Millfield, C.E. The spear-head will be found figured in a later
chapter. The skull is now in the possession of John Alexander Smith,
M.D., but it is his intention to deposit it in the Museum of the
Scottish Antiquaries.

[207] Regist. Prior. S. Andree, p. 114. Lulach the Foolish is mentioned
by Scottish chroniclers as reigning after Macbeth for four months, when
he also was slain, and interred at Iona.--Annals of the Scots, A.D.
1058.

[208] Phrenological Journal, vol. vi. p. 144.

[209] Report of British Association for Advancement of Science.
Seventeenth Session, 1848. P. 32.

[210] Memorials of Edinburgh in the Olden Time, vol. ii. p. 110.

[211] Archæol. Scotica, vol. iii. p. 44.

[212] MSS. Letter, Libr. Soc. Antiq. Scot., December 8, 1817.

[213] MSS. Letter, Mr. William Duncan, 13th December 1838.

[214] History of Mankind, vol. ii. p. 92.

[215] Description of tumular cemetery at Lamel Hill, Archæological
Journal, vol. vi. p. 129.

[216] Archæological Journal, vol. iii. p. 113.

[217] Minute details, such as are given in the text, of the disposition
of the arms and hands, are always open to some doubt. Unless where the
cist is filled with earth, the bones must necessarily fall from their
original position on the decay of the enveloping tissues; and when so
filled, the earth has generally percolated into it long subsequent to
the interment. Those who have frequently opened barrows must be well
aware how difficult it is to ascertain with any certainty much more
than the general relative position of the bones and skull.

[218] Jour. of Archæol. Association, vol. iv. p. 65.

[219] Torquay and Tor Directory, Aug. 14, 1850.

[220] "Discovered in the black mould certain rudely shaped pieces of
oak, one of which was immediately shewn me by the finder. It was about
the length and form of the human foot, and hollowed in the centre, not
unlike a sandal." The name, it should be added, was only meant as a
convenient distinctive appellation.

[221] In the original notes from which the memoir appears to have been
compiled, the condition of this skeleton is thus described:--"Its
teeth, most of which I collected, are with one exception sound and
un-discoloured, that they belonged to a robust adult, they and the
fragments of the skull and vertebræ abundantly testify. The front or
incisor teeth are what are called _double teeth_."

[222] Cavern Researches, or Discoveries of Organic Remains, and of
British and Roman Reliques in the Caves of Kent's Hole, Anstis Cove,
&c. By the Rev. J. MacEnery, F.G.S.

[223] Archæological Journal, vol. i. p. 272.




PART II.

THE ARCHAIC OR BRONZE PERIOD.

    "In those old days, one summer noon, an arm
    Rose up from out the bosom of the lake,
    Clothed in white samite, mystic, wonderful,
    Holding the sword Excalibur."

                                                MORTE D'ARTHUR.




CHAPTER I.--INTRODUCTION OF METALS.


The evidence adduced in the previous section furnishes the basis of the
argument from whence we arrive at the conclusion, that Scotland and
the whole British Isles were occupied by a human population many ages
prior to the earliest authentic historical notices. Of the character
and habits of the barbarian Briton of the primeval period we have also
been able to arrive at some knowledge. His dwellings, the remains of
which have lain unheeded around the haunts of so many generations,
shew his domestic accommodation to have been of the simplest and most
humble description. His imperfect tools and weapons furnish no less
satisfactory evidence of his scanty knowledge, his privations, and his
skill. Searching amid the records of that debateable land to which the
geologist and the antiquary lay equal claim, we learn that vast areas
of our country were covered at that remote era with the primitive
forest; that oaks of giant height abounded where now the barren heath
and peat-bog cumber the land; and that even, at a comparatively recent
period, the fierce Caledonian bull, the wolf, and the wild boar
asserted their right to the old forest-glades. The primitive Caledonian
was, in fact, an untutored savage. The race was thinly scattered along
the skirts of the continuous range of forest, occupying the coasts
and river valleys, and retreating only to the heights or the dark
recesses of the forest when the fortunes of war compelled them to give
way before some more numerous or warlike neighbouring tribe. The vast
forests which then occupied so large a portion of the soil, while
they confined the primitive inhabitants to the open country along the
coasts and estuaries, supplied them with more valuable fruits than
the unoccupied grounds could have afforded to their scanty numbers
and untutored skill. Besides the fiercer natives of the forest, we
are familiar with the remains of the elk and the rein-deer, as well
as of smaller beasts and birds of chase. In the Anglo-Saxon Ode on
Athelstan's Victory, in which--

  Scotta leode,                The Scottish lads
  And scip flotan              And the men of the fleets
  Fæge feollon.                In fight fell,

we have the following curious enumeration from the old MSS. in the
British Museum, dated A.D. 937, in Gibson's Chronicle, and supposed to
be written by a contemporary bard:[224]--

    The war screamers
    Left they behind;
    The hoarse bittern,
    The sallow paddock,
    The swarth raven
    With horned bill,
    And the wood-housing heron
    Eating white fish of the brooks,
    The greedy gos-hawk,
    The grey deer,
    And wolf wild.

We are not without abundant evidence that the primitive Caledonian
waged successful war with the wild natives of the forest. By arrow,
sling, and lance, and also, no doubt, with help of gins and traps,
the largest and fiercest of them fell a prey to the wild hunter. The
horns especially of the deer supplied him with weapons, implements,
ornaments, and sepulchral memorials. His wants were few, his tastes
simple and barbarous, his religion probably as unspiritual as the
most base of savage creeds. In the long wanderings of his nomade
fathers across the continents of Asia and Europe, they had greatly
deteriorated from the primal dignity of the race, they had forgotten
all the heaven-taught knowledge of Eden, and had utterly lost the
antediluvian metallurgic arts. It may perhaps be asked if the annals
of so mean a race are worthy of the labour required in dragging them
to light from their long-forgotten repositories? The answer is, they
are our ancestry, even though we may question our lineal descent;
our precursors, if not our progenitors. From them we derive our
inheritance and birthright; nor, amid all the later mingling of races,
can we assume that no drop of their blood mingles in our veins.

There can be no question that this aboriginal race continued to
occupy their island home, with slow and very slight progression, for
many centuries. The disclosures of the latest alluvial deposits have
furnished evidence of the appearance which the face of the country
presented within the historic era, and leave no room to doubt that
vast forests covered so large a portion of the soil as to afford no
great area for the occupation of its aboriginal colonists. Taking
into account with this the abundance of those rude weapons and
implements from whence we give that era the name of the Stone Period,
and the general uniformity of the circumstances under which they are
discovered, we are furnished with satisfactory evidence of a thinly
peopled country, occupied by the same tribes with nearly unchanging
habits for many ages.

The elements, however, of a great revolution were at length introduced
among this simple race, and, as usual in the history of progressive
civilisation, they appear to have come from without. The change by
which we detect the close of the long era of barbarism, and the
introduction of a new and more advanced period, is the discovery of
the art of smelting ores, and the consequent substitution of metallic
weapons and implements for those of stone. The former presents us with
the helplessness of childhood without its promise; the latter is the
healthful infancy of a vigorous and magnificent manhood.

The insular position of Britain has already furnished an indisputable
and well-defined base on which to rear the argument of primitive
colonization. The valuable mineral wealth of some portions of its
soil happily supply no less satisfactory data for those of its early
civilisation. Little doubt can now be entertained that Herodotus,
in his allusions to the Cassiterides, or Tin Islands, refers to the
celebrated districts of Cornwall and the neighbouring isles, which
still abound with the same mineral wealth that conferred on them such
ancient and wide-spread fame. The era of the father of history dates
from B.C. 484--the year assigned as that of his birth--probably to
nearly the close of the century. At this early period, then, while
the Republic of Rome was only assuming form, and Athens was just
rising into importance, the commerce of the British Isles attracted
the navies of Tyre and Carthage; nor does it seem improbable that the
Phœnicians traded with the miners of Cornwall and the Scilly Islands
at a much earlier period, if indeed we must not look to these ancient
Cassiterides as one of the chief sources from whence even the Egyptians
and Assyrians derived the tin with which they alloyed and hardened
their earliest tools. More definite, and, as it is believed, authentic
information regarding the British Isles is derived from the "Ora
Maritima" of Festus Avienus, circa B.C. 400, from which we learn that
Britain was visited at that early period by Carthaginian voyagers,
and that the _Albiones_ occupied the larger island, while the smaller
island was possessed by the _Gens Hibernorum_. In so far as this early
writer may be relied upon, his observations appear to sanction the
conclusion that a pure Celtic population then possessed the whole
British Isles, and that it is in the interval between this epoch and
the invasion of Julius Cæsar that we must look for the intrusion of the
newer continental races, indiscriminately termed by Cæsar, _Britanni_.
In complete confirmation of this, and of the consequent retreat of the
aboriginal Albiones towards the remoter districts, we find the name of
Albion afterwards exclusively applied to the northern part of Britain,
and all the earliest traditions and writings of both the Welsh and
Scottish Celtæ assigning to them the name of Albanich. A Celtic race,
however, continued to occupy the primeval districts of Cornwall, and
preserved almost to our own day a distinct dialect of the Celtic tongue.

The familiarity of the ancient Britons with tin, though this metal
does not occur in a native state, may be readily accounted for from
the ore being frequently found near the surface, and requiring only
the use of charcoal and a very moderate degree of heat to reduce it to
the state of metal. We have no specific mention of any other source
from whence the ancients derived the tin which they compounded with
the copper found so abundantly in several parts of Asia; with the
single and somewhat vague exception made by Strabo, where he calls
a certain place in the country of the Drangi, in Asia, by the name
of Cassiteron. That tin was known, however, from very early times
is proved, not only by the discovery of numerous early Egyptian and
Assyrian bronze relics, but also by its being noted by Moses among
the spoils of the Midianites which were to be purified by fire;[225]
and by Ezekiel among the metals of which Tarshish was the merchant of
Tyre.[226] The allusions of Herodotus leave no room to doubt that his
information was derived indirectly from others. The Phœnicians long
concealed the situation of the Cassiterides from all other nations; and
even Pliny treats as a fable the report of certain islands existing
in the Atlantic from whence white-lead or tin was brought. It need
not therefore surprise us to learn so little of these islands from
ancient writers, even though we adopt the opinion that they continued
for many centuries to be the chief source of one of the most useful
metals. Antimony is found in the Kurdish mountains, and pure copper ore
abounds there, as well as in those of the desert of Mount Sinai, but no
tin is known throughout any part of Assyria. It is indeed a metal of
rare occurrence, though found in apparently inexhaustible quantities
in a very few localities. The only districts, according to Berzelius,
where it is obtained in Asia, are the island of Banca, only discovered
in 1710, and the peninsula of Malacca, where Wilkinson conceives it
possible that tin may have been wrought by the Egyptians. The mines of
Malacca are very productive, and may have been the source from whence
Tyre derived "the multitude of riches," but we have no evidence in
support of such conjectures. Cornwall still yields a larger quantity
of the ore than any other locality of the Old or New World where it
has yet been discovered, and many thousands of tons have been exported
by modern traders to India and China, and to America. Taking all these
circumstances into consideration, it seems in no degree improbable,
that long before Solomon sent to Tyre for "a worker filled with
wisdom, and understanding, and cunning, to work all works in brass,"
or employed the fleets of Hiram, King of Tyre, to bring him precious
metals and costly stores for the Temple at Jerusalem, the Phœnician
ships had passed beyond the pillars of Hercules, and were familiar with
the inexhaustible stores of these remote islands of the sea which first
dawn on history as the source of this most ancient alloy. Strabo's
description of the natives of the Cassiterides is not to be greatly
relied upon. According to him they were a nomade pastoral race, of
peaceful and industrious habits; but he refers especially to their
mines of tin and lead, the produce of which they exchanged with the
foreign traders, along with furs and skins, for earthenware, salt, and
copper vessels and implements.

It is scarcely possible to conceive of such an intercourse carried
on for centuries, by nations far advanced in the arts, and familiar
with the civilisation and learning of the oldest races of Asia and
Africa, without the natives of the Cassiterides acquiring from them
some knowledge of the fruits of ancient civilisation. From them,
indeed, it has been supposed that the British miner first learned even
to smelt the ores, though we are almost forced to the conclusion that
the working of the mines must have originated with natives or new
colonists, familiarized in some degree with the nature of the metals,
and with metallurgic arts. It seems surprising, however, that relics
formed of the most abundant native metal, tin, should not be found
in the tumuli. The facility with which it could be wrought rendered
it readily convertible into personal ornaments, equally beautiful as
those so abundant in copper and bronze. Borlase describes a patera of
tin found at Bossens, in the parish of St. Erth, Cornwall, in 1756,
rudely inscribed in mixed characters,--λIVIVS . MOδESTVS δηIVλI . F .
ΔEO . MARTI.[227] Along with this were two other vessels of the same
metal, an uninscribed patera, and a vase or præfericulum. In 1793 a
tin cup of singular form was found, along with a circular ornament
of bronze, evidently of native British workmanship, in searching for
the ore in a stream work called Hallivich, in the same county,[228]
so that we are not without some evidence that this metal was employed
at an early period in the manufacture of sacred and domestic vessels.
Probably, indeed, we should infer, from the great rarity of such
relics, that it was only so used before its native workers had
learned to mix it with copper and produce the more useful alloy which
superseded the pure metals; as bronze and copper appear to have been
at first imported, and received in exchange for the pure tin. Barter,
however, could not possibly be continued for centuries, exchanging
the ore of a metal so readily fusible as tin for wrought materials of
copper, whether pure or alloyed--a metal found in the same locality,
in a state requiring little smelting to bring it into use-without the
British miner and trader learning to turn their own native mineral
wealth to account. The facilities of a metallic currency were also
little likely to remain unappreciated by the British trader, familiar
as these already were to the seamen of the Mediterranean, or the
Phœnician colonists of Cadiz, the ancient Gadeira. Independently of
the ring-money which was probably derived from these sources, evidence
in confirmation of this idea is not wanting. So recently as the year
1833 a bi-frontal bust of the Egyptian Isis was dug up in South
Street, Exeter.[229] According to Mr. W. T. P. Shortt's reading of the
hieroglyphics upon it, it is inscribed with the prefix _Isis, Lady,
Mistress of the World_. Beneath this has been a cartouche, the greater
portion of which is unfortunately cut away. Mr. Shortt conceives it
to have been the cartouche of Cleopatra Tryphæna, of the race of the
thirteenth Ptolemy, B.C. 51; but as there is only the fragment of one
of the phonetics, this reading is necessarily conjectural. In 1835
some Carthaginian medals were found at Abbeville, in Picardie; and at
Noyelles sur Mer, another figure of Isis was discovered in bronze,
along with a statuette of the Hawk-headed deity, or elder Horus.[230]
Egyptian relics of the era of the later Ptolemies are not unknown as
accompaniments of Roman sepulchral deposits, both in Britain and on
the Continent; but they must be assumed to belong to an older era when
found along with Greek and Carthaginian coins.

But more conclusive evidence exists in proof of early intercourse
with the Mediterranean, if not, indeed, of the opinion advocated by a
zealous local antiquary, that Exeter had been the seat of a Phœnician
colony many centuries prior to the arrival of the Romans.[231] It was
long maintained by the great majority of English numismatists, that
the Britons had no native coinage prior to the Roman invasion and the
mintage of Cunobeline,--the work, as is presumed, of a Roman artist.
The evidence against the existence of an early native coinage was, at
best, purely negative, and is now giving way before the investigations
of our ablest numismatists. The coins peculiar to the Channel Islands
are generally acknowledged to be of an earlier character, and it is
maintained not only that a native mintage existed prior to the Roman
invasion, but that the convex and concave form, which characterizes
the earliest British types, affords evidence that they were formed
in imitation of Greek coins.[232] The Rev. Beale Post has most
ingeniously traced the Gaulish coinage to its primitive Greek type.
The conclusions he arrives at are, that about B.C. 600, the Phœnicians
colonized Marseilles, subsequent to which coins of that city make their
appearance, their type being that of human heads, birds, beasts, &c.
About B.C. 335 the Gauls adopted as their model the gold coinage struck
by Philip II. of Macedon, and from that early Greek type, with its
reverse of Diana driving her biga, we may trace the original of all the
singular and rude representations of the horse on the primitive Gaulish
and British native coinage, which have been supposed to involve so many
mythological fancies. There is something greatly more characteristic
of the imperfect ideas of a native currency likely to be formed by a
primitive and partially civilized people, in this arbitrary imitation
of a foreign type, than in any abstruse embodiment of the national
creed. No precise date has yet been attempted to be assigned for the
first native British coinage, but the numerous examples of Gaulish
types discovered in Britain leave no room to doubt that the native
Britons were familiar with such a circulating medium long prior to the
Roman invasion. Nor is this the most primitive form of native currency.
Several hoards have been discovered at different times in Scotland, of
small gold pellets, marked with a cross or star in relief, and which,
there can be little doubt, is the earliest Scottish minted money.[233]
Examples of this primitive coinage are more particularly described in a
subsequent chapter, among the contents of the later tumuli.

But entirely apart either from this or the coinage derived from the
Gauls, very remarkable discoveries of ancient foreign coins, such as
those referred to above, suffice to suggest the probability that the
primitive Briton had other sources from whence to acquire a knowledge
of the convenience and fashion of a coined circulating medium. In
the same locality where the bust of the Egyptian Isis was dug up at
Exeter, numerous Greek coins have been found of late years, chiefly
belonging to the autonomous Greek colonial cities in Syria and Asia
Minor. Many have been discovered pertaining to Alexandria in Egypt,
including coins of the Ptolemies of a very early date, frequently met
with at great depths, and apparently in older strata than that of the
Anglo-Roman period.[234] In making a large drain in the Fore Street of
Exeter, in 1810, at a depth of twenty feet below the present pavement,
an immense quantity of ancient money was found, including many early
coins of the autonomous Greek cities, and along with them two British
coins, one bearing the wheel and the other the horse.[235] Coins of
Agrigentum, in Sicily, of Hiero I. of Syracuse, B.C. 460; of Ptolemy
I. B.C. 323, and many others described and engraved in Mr. Shortt's
interesting works, have been found at various times in Exeter and its
neighbourhood.

But though these singularly interesting tokens of intercourse with the
Phœnician and Greek maritime colonies long prior to the era of the
Roman occupation of Britain abound, as might be anticipated, only in
the localities where mineral wealth tempted the sojourn of the ancient
trader, yet some few remarkable traces of the same communication with
the elder empires of the world have been found within our more northern
limits. Occasionally Greek coins have been discovered in Scotland; as,
for example, a gold didrachm of Philip of Macedon, three Greek silver
coins, including one of his son, and a brass of the Brutii in Magna
Græcia, found on the estate of Cairnbulg, Aberdeenshire, in 1824;
and a very fine gold coin of Alexander the Great, at Ecclefechan,
Dumfriesshire.[236] In the year 1845 a still more remarkable hoard was
discovered on the farm of Braco, in the parish of Shotts, Lanarkshire,
only a very small portion of which was rescued from the usual fate
of such recovered treasures. I have examined a few of these, in the
hands of John Henderson, Esq., Queen's Remembrancer for Scotland. They
include of Greek coins: one of Athens, obverse Archaic head of Pallas;
reverse: _Α Θ_, owl in deep indented square, an olive branch behind.
One of Phocis, obverse: laureated head of Apollo; reverse: full-faced
head of bull. One of Bœotia, obverse: Bœotian shield; reverse: vase.
Also one Parthian coin. (Eckhel, vol. i. p. 254. Arsaces XV.) A
correspondent from whom I first received information of this important
discovery, saw several more of the Athenian type; some with the Greek
scarabæus or tortoise, and others, which from the description appear
to have been Parthian coins. But on inquiry being made after them,
nearly the whole disappeared, and it is to be feared were immediately
consigned to the melting pot. This remarkable hoard, unequalled in
historic value, as far as I know, by any discovery of coins yet made in
Scotland, may perchance after all have only been the treasure of some
Roman auxiliary, as Braco is on the line of the iter which came from
the south, towards the station of Castlecarry, on the wall of Antoninus
Pius. Only the year after, a most valuable hoard of undoubted Roman
treasure was found on the same farm. According to the account of their
discoverer--a farm servant--"nearly a barrowful" were recovered, but
they were squandered and lost before information of the discovery could
reach those who were competent to appreciate their value as anything
but old metal. An intelligent correspondent, to whom I am indebted for
some particulars of this last discovery at Braco, succeeded in securing
a few of the coins, comprehending Vespasian, Titus, both the Antonines,
Lucius Verus, both the Faustinas, Trajan, Hadrian, and Commodus. These,
however, lay entirely apart from the former hoard, and apparently
much nearer the surface, so that we need not necessarily assume the
deposition of the former coins, belonging to a period so long prior
to the era of Roman invasion, as depending on the Roman iter, which
like more recent thoroughfares, may have followed in the line of older
pathways through the Caledonian forests.

Along with these examples, suggestive of direct or indirect intercourse
between the early Britons and Greek or Phœnician traders, should also
perhaps be mentioned two Greek altars in the British Museum, found at
Corbridge in Northumberland; the one dedicated to the Syrian Astarte,
thus--ΑΣΤΑΡΤΗΣ, ΒΩΜΟΝ Μ'ΕΣΟΡΑΣ ΠΟΥΛΧΕΡ Μ'ΑΝΕΘΗΚΕΝ. On its sides are
sculptured the most common sacrificial vessels, the præfericulum and
patera, and the top is crowned with the usual thuribulum of the Roman
altar. The other, which was discovered in the churchyard of Corbridge,
is dedicated to the Tyrian Hercules. It bears on the one side a bull's
head, with the secespita beside it, and on the other a laurel crown. In
front is the inscription,--ΗΡΑΚΛΕΙ ΤΥΡΙΩ ΔΙΟΔΩΡΑ ΑΡΧΙΕΡΕ, Α.

The curious reader will find by reference to the Archæologia,[237]
how the learned reconcile with previous theories the discovery in
this northern region of altars thus dedicated to Phœnician deities, to
whom according to Josephus, Hiram king of Tyre, the contemporary of
Solomon, erected separate temples. Camden records, on the authority of
Solinus, called Polyhistor, that a votive altar was erected in North
Britain, in honour of Ulysses, and inscribed in Greek characters.[238]
Whatever credit be attached to this, we have no reason to doubt that
Greek voyagers traded to the British Isles long before the Roman war
galleys touched its shores; though the site of the former altars,
near the Roman wall, and their correspondence in form and decorations
to the Roman altars so frequently found in Britain, seem to justify
the conclusion that they are the work of Greek auxiliaries of the
Anglo-Roman era, and indicate a late rather than an early date within
that period.

The interest which attaches to the determination of the extent and
probable date of the first intercourse of the Britons with traders
from the far east, has led to the anticipation of some points not
strictly belonging to the present section of our inquiry. This question
of the existence of a native coinage, or of the substitution of a
foreign metallic currency for the rude process of barter, at a period
prior to the introduction of Roman customs by the legionaries of the
first and second centuries, well merits the careful study it is now
receiving, since no other evidence could furnish equally satisfactory
proof of early progress in social civilisation. It cannot admit of
doubt, however, that long before even the Greek or Phœnician trader
had taught the Cornish miner this ingenious substitute for a direct
exchange of commodities, he had learned to fuse and work the rich veins
of ore with which his native soil abounded, and to fashion them into
a variety of personal ornaments as well as of weapons and implements.
The Phœnician sought his tin in order to mix it with the copper which
he already possessed, and thereby to produce bronze weapons combining
the ductility of copper with that indispensable hardness which could
alone fit them to supersede the older implements of stone. How early
this interchange first took place, it appears now altogether vain to
inquire. The evidence already adduced, however, is at least sufficient
to justify us in assigning to it a very remote period, while the more
abundant and far more useful metal, iron, was little known even to
the oldest nations along the Mediterranean coasts. Worsaae remarks,
"There are geological reasons for believing that the Bronze Period must
have prevailed in Denmark five or six hundred years before the birth
of Christ."[239] Denmark, however, had all its metal to import, while
the earliest historic allusion to England represents her exporting her
abundant metallic ores, and bartering them with the southern merchant
for the productions of his superior skill. The metallic riches of
England have not escaped the attention of the intelligent Danish
archæologist:--"It is highly probable," he remarks, "that the ancient
bronze, formed of copper and tin, was diffused from one spot over the
whole of Europe; which spot may be supposed to be England, because,
not to mention the quantity of copper which that country produces,
its rich tin mines have been known from the earliest historic periods
to the nations of the south, while in the other parts of Europe there
occur only very few and doubtful remains of far less important tin
mines which we are justified in believing to have been worked at that
time."[240]

When we consider that copper is not only found in a state requiring
little smelting to render it fit for manufacture, but that it is even
discovered at times so pure that we may conceive of its occasional
substitution for stone implements, before the art of smelting had
become known, we can feel no hesitation in assuming, _a priori_,
that it was the precursor of iron as a material for the construction
of weapons and tools. Iron, on the contrary, bears, in its natural
state, little resemblance to a metal, and is smelted by so difficult
and tedious a process that, even after its superiority had become
known, the older metal would probably be preferred by the natives of a
thinly peopled country, where the benefits of mutual cooperation and
the division of labour still remained among the unsolved problems of
their political economy. The tools and weapons of the ancient Mexicans
we know were of copper, and we are not without evidence that even the
Egyptians were far advanced in their early developed civilisation
before iron had superseded the older copper tools. The architectural
monuments of Mexico and Yucatan show how much might be accomplished
with such imperfect implements. Both in the magnificent work of the
French savans, and in the more accurate delineations of M. Rosellini,
various Egyptian paintings are shewn, in which the implements of the
sculptors are evidently of bronze or copper, and workmen are seen
cutting blocks of granite and hewing out colossal statues with yellow
tools. Numerous bronze weapons, implements, and personal ornaments
found in the catacombs, attest the use of this metal by the Egyptians
at a comparatively late period. Implements of copper are also among the
relics found in some of the ancient and long abandoned mines discovered
in Asia. The celebrated tables in the copper mines of Wady Maghara,
near Sinai, record the conquest of that part of Asia by Suphis, the
builder of the great pyramid, and prove that these mines had been
wrought prior to the early date of his reign. Dr. Layard also refers
to copper mines still existing in the mountains within the confines of
Assyria, worked at a very remote period, probably by the Assyrians,
and used not only to supply the material for ornaments, but also for
weapons and tools.[241] But there is not wanting abundant direct
evidence to prove that Asia had her Bronze Period as well as Europe
and Africa. Dr. Prichard remarks, "Silver and golden ornaments of rude
workmanship, though in abundant quantity, are found in the Siberian
tombs. The art of fabricating ornaments of the precious metals seems to
have preceded by many ages the use of iron in the northern regions of
Asia."[242] A very interesting account is given in the Archæologia of a
tumulus opened in the neighbourhood of Asterabad, on the south-eastern
shores of the Caspian Sea, in 1841. It contained several vessels and
two small trumpets, all of pure gold; spears, pikes, forks, and other
weapons, including a well-shaped hammer and hatchet of copper, but
no traces of iron.[243] The descriptions of Homer point out the era
of the Iliad and the Odyssey as a bronze period; and Hesiod, as well
as later writers, intimate clearly the use of bronze by the Greeks
before they had learned to smelt or work the iron ore. The golden age
of Saturn, and the succeeding silver, brazen, and iron ages, by which
the Greek Sagas figure the gradual decline of mankind from a state of
primeval purity and happiness, are not to be regarded as mere poetical
images. "In the brazen age," says Schlegel, in his Philosophy of
History, "crime and disorder reached their height; violence was the
characteristic of the rude and gigantic Titans. Their arms were of
copper, and their implements and utensils of brass or bronze. Even in
their edifices copper was employed; for as the Greek poet says, 'black
iron was not then known;' a circumstance which must be considered
as strictly historical, and as characteristic of the primitive
nations."[244]

We have seen, in so far as the imperfect data already referred to
afford trustworthy indications of the physical characteristics of the
primitive colonists of Britain, that the race of the later era differed
greatly from their elder and probably aboriginal precursors of the
primeval period. We must depend not only on the united observations
of British archæologists for adding to these ethnological data, but
also on Continental research for supplying the necessary elements
of comparison by which we may hope to trace out the origin of the
Brachy-kephalic race of Scotland, to whom it seems probable that the
introduction of the primitive metallurgic arts must be ascribed; while
it may be that we shall yet be able clearly to associate the full
development of these, prior to the working of iron, with the intrusion
of the Celtæ upon the elder Allophylian British races.

Whencesoever the first knowledge of the metallurgic arts was derived,
it introduced into the British Isles the elements of a change scarcely
less momentous than those which later ages trace to letters, the
magnet, the printing-press, or these latest applications of the
metals--the railway and the electric telegraph. The native Briton was
no longer confined to his little clearing on the coast, nor compelled
with ingenious toil to fashion the shapeless flint and stone into the
weapons and implements that supplied his simple wants. The forests rang
with the axe and the wedge; the low grounds were gradually cleared
of their primeval forests; and the fruits of patient industry were
substituted, in part at least, for the spoils of the chase. Still the
change was wrought, as might be anticipated, only by very slow degrees.
The weapons and implements would in many localities long precede the
knowledge of the arts by which they were formed. The old generation
would die out, and be buried with the stone war-hatchet and spear,
while the younger race were learning to despise such imperfect arms.
Necessity also, arising from their costliness and scarcity, would
long confine the majority to the primitive and inefficient tools and
weapons of their fathers. Even after the flint lance had been entirely
superseded by the bronze sword and spear, the missile weapons would
still be made of the old material, and the large stone hammer would
be retained in use as too bulky an object to be constructed of the
more costly metal. It is probable, indeed, that stone implements were
never entirely abandoned throughout the whole Bronze Period. No large
bronze hammers have ever been found in Britain, while those of stone
frequently occur along with metallic remains; and the larger hammers
and axes, chiefly of granite, are among the most abundant of Scottish
primitive relics. So recently as the month of October 1849, an ancient
working of great extent was broken into at the Llandudno Copper Mines,
at Ormes Head, in North Wales. In this were found a great number of
stone hammers or mauls of various sizes, weighing from two to forty
pounds, supposed to have been used in crushing the ore or detaching
it from the rock. There also lay beside them a number of bones, and
the portion of a bronze tool; affording altogether one of the most
interesting discoveries yet made illustrative of the arts of the
British Bronze Period.[245] Traces of ancient mining operations have
also been found in Scotland. Pennant describes trenches in the Island
of Jura by which the veins both of lead and copper have been wrought in
very early times, and by instruments unknown to the modern miner.[246]

Abundant evidence is found in accordance with these indications,
proving the existence of a long transition-period, during which
metallic tools and arms were only very partially introduced, and
were manifestly esteemed as rare and precious possessions. To this
transition-period we should probably assign the formation of the
smaller and most carefully wrought varieties of the stone hammer, with
which we may presume the ingenious worker in the newly mastered metals
to have wrought, and fashioned into shape, many of the rude but massive
gold ornaments found in the tumuli. From the number of these relics of
the precious metals which have been discovered, we are irresistibly led
to the conclusion that gold must have been much more abundant at that
remote era than it has been within the period of authentic history.
Nor is it difficult to account for such a state of things. Though
usually found in very small quantities, gold is well known as one of
the most widely diffused of all the metals; and the clay slate which
frequently forms the depository of gold, silver, and copper, exists in
great abundance throughout the Highlands. In the Leadhills of Scotland
considerable quantities of gold have been procured at no very distant
period, while numerous allusions suffice to shew its greater abundance
in former times.[247] In the twelfth century the Abbey of Dunfermline
received a grant from David I. of the tithe of all the gold produced
by the surrounding districts of Fife and Forthrev;[248] and even in
the sixteenth century the Laird of Merchiston is said to have wrought
gold in the Pentland Hills.[249] In the remoter era, however, to which
we now refer, when the rude Caledonian was learning, for the first
time, to fashion his weapons and tools of bronze, and to substitute the
golden torc and armilla for the necklace of perforated shells or stone
and amber beads, we are justified in assuming from analogy that in many
of the channels of the Scottish mountain streams,--amid the strata
of which the ore has been found,--not only the gold dust, but pure
masses of native gold would be occasionally discovered, and wrought
with no better tools than the stone hammer and anvil into the personal
ornaments of distinguished leaders or priests. Strabo, in referring
to the great mineral wealth of Spain, which made it to the ancients
what America became to the Spaniards long after their native mineral
treasures were exhausted, remarks,--"In no country are gold, silver,
copper, and iron, so abundant or of such fine quality; even the rivers
and mountain streams bring down gold in their beds, which is found in
their sands." Yet such a description is now as little applicable to
Spain as to Scotland. But more recent and conclusive evidence exists.
Much sensation was excited in 1795 by the discovery of gold dust in the
bed of the brook Ballinasloge, a feeder of the Avonmore river, about
seven miles west from Arklow, county Wicklow. The stream is formed
there at the junction of three ravines; and in this spot John Lloyd,
Esq., F.R.S., a correspondent of Sir Joseph Banks,[250] describes
upwards of three hundred women, besides men and children, all engaged
at one time in searching for the precious metal:--a scene not difficult
to parallel in our own day. The searchers, however, were abundantly
rewarded for their labour. The gold was found in masses varying
from a few grains to five ounces in weight, and one piece, weighing
twenty-two ounces, was reserved as a present to His Majesty. A later
correspondent,[251] in a communication to the Royal Society, calculates
that 800 ounces of gold were collected in the short space of six weeks,
at the end of which time the gatherers were dispersed by a body of
militia, and the gold area held for behoof of Government. "The gold,"
says Mr. Mills, "is of a bright yellow colour, perfectly malleable;
the specific gravity of an apparently clean piece 19,000. A specimen,
assayed here in the moist way, produced from 24 grains 22-58/101 grains
of pure gold, and 1-45/101 of silver. Some of the gold is intimately
blended with, and adherent to quartz; some, it is said, was found
united to the fine grained iron-stone, but the major part was entirely
free from the matrix; every piece more or less rounded on the edges,
of various weights, forms, and sizes."[252] Specimens were afterwards
assayed by the Royal Mint Master at the Tower of London. One piece
contained, in 24 carats, 21-6/8 of fine gold, 1⅞ of fine silver, and
⅝ of alloy, which seemed to be copper tinged with a little iron.[253]

Such an example may be reasonably received as supplying one
satisfactory clue to the sources of the gold which we find to have
been so abundant in early times; though we shall still, perhaps,
consistently account for the introduction of some portion of it
indirectly by foreign barter, and chiefly in the shape of the
ring-money hereafter referred to. But when the fact is borne in
remembrance that articles of silver are rarely, if ever, found in
connexion with relics of the Bronze Period, it must be acknowledged as
most consistent with the geological and mineralogical characteristics
of auriferous and argentiferous deposits to look to native sources for
the supply of gold. While silver is found only in large quantities
by mining, gold has invariably been discovered in largest quantities
in the superficial detritus, and accumulated in circumscribed areas.
Whenever, therefore, we are enabled to trace the supply of gold to a
foreign, as, for example, to a Phœnician source, we can hardly fail to
find accompanying relics of silver; and accordingly, in the succeeding,
or Iron Period, the gold becomes of rare occurrence, and the silver
abundant. One other argument should not be altogether overlooked. The
great purity of very many of the gold ornaments found in the tumuli is
such as may perhaps add to the probability of its native origin. This
well-known fact has frequently supplied an additional inducement to
transfer to the crucible many of the rarest and most valuable relics
of this period. Others found alloyed with silver are in no fixed or
uniform proportions, but rather in accordance with the accidental
mixtures likely to occur in the operations of the primitive miner and
metallurgist. But this, though diminishing their bullion value, has
not sufficed to save such national heirlooms from destruction. After
reposing in the safe muniment chambers of their original owners,
with but a foot of earth above them, while ancient races have become
extinct and new colonists have risen to mighty nations above their
forgotten graves, these treasures have only been restored to light to
be immediately destroyed. The barbarity of such proceedings has hardly
yet been fully exposed. It is the destruction of national records in
the meanest spirit of cupidity, which no wealth could restore, and for
which not even the poor excuse can be found that satisfied the fanatic
Caliph Omar when he converted the treasures of the Alexandrian Library
into fuel for the city baths.

Remote as is the period when the novel arts of the metallurgist
broke in upon the simple and unsophisticated habits of the British
aborigines, some traces of the memory of this mighty change still
linger amid the popular traditions of England. The use which Sir Walter
Scott has made of the Berkshire legend of Wayland Smith has sufficed
to confer a fictitious interest on, perhaps without exception, the
most remarkable of all the mythic traditions common to the nations
of northern Europe, and which may be unhesitatingly received as the
traditionary memorial of the advent of the Bronze Period among the
Teutonic races. True, indeed, in the only definite form in which it is
now recoverable from the early and medieval literature of Europe, it is
associated with the later age of iron rather than with that of bronze;
but little importance can be attached to this. The legend is manifestly
of an older date even than the Edda, that venerable collection of the
sacred writings of the north. We see in it the hero-worship of the
fierce Norsemen deifying their Scandinavian Vulcan, and assigning to
him a superhuman origin as an evidence of their estimate of the divine
gift he is supposed to have bestowed. But the mythic legend finds
its prototype in the Greek Dædalus, if not in the Mosaic Tubal-Cain.
It is incorporated into nearly all the older European tongues with
singular uniformity of idea. In the Icelandic the name of the renowned
northern metallurgist is Vælund and Vaulundr; in old high German,
Wiolant, Wielant; in Anglo-Saxon, Wêland; in old English, Weland and
Velond; and in the modern popular dialect, Wayland. In the Latin of
the middle ages it becomes Guielandus; and in old French, Galans and
Galant. It is probable that Spain, Italy, and the East above all, had
analogous traditions, some of which at least may yet be recovered.[254]
According to a singular, and seemingly arbitrary caprice of the
medieval Germanic traditions, the forge of Weland is supposed to be
erected in the Caucasus; and Michel remarks, as a proof that there has
been a common origin of these legends of the east and west relating to
skilful workers in iron, that some of the traditions still preserved
on the banks of the Euphrates present the same traits recorded by the
poets of the middle ages on the banks of the Rhine.[255] But Humboldt
has justly remarked that "the characteristic features of nations, like
the internal construction of plants spread over the surface of the
globe, were the impressions of a primitive type." The Aztecks,--to
whom we have already referred as a remarkable example of considerable
civilisation, and the extensive practice of many useful and ornamental
arts, among a people destitute of iron and very partially furnished
with metals,--had their mythic metallurgist as well as the older races
of Europe and Asia. Quetzalcoath, whose reign was the golden age of the
people of Anahuac, was the Weland of the Aztecks, worshipped among them
with strange and bloody rites. Their traditions told that he had dwelt
among them twenty years, and had taught them to cast metals, ordered
fasts, and regulated the intercalations of the Tolteck year.[256]
Prominent as the place is which the mythic legend of the smith-god
occupied in the popular creed of the middle ages throughout the greater
part of Europe, the tradition of a gifted worker in metals is doubtless
of eastern origin, and far more fitly impersonates and deifies the
restoration of the metallurgic arts in the primitive Bronze Period
than the mere transition from bronze to iron, important as the latter
change undoubtedly was.

The remarkable analogy of the mythic legends of the North with the
ancient Greek fable of Dædalus, has not escaped the notice of modern
critics, and MM. Depping and Michel remark:--"We do not hesitate to
believe that it is the history of this Greek artist, altered and
disfigured, adapted to the manners and creeds of the people of the
north of Europe, which has given rise to the romance of Weland." The
resemblance, however, is scarcely less manifest, in many respects, to
the lame smith-god Ἡφαιστος, or Vulcan; and the widely-diffused mythic
fable is far too complete and unique to have been transferred directly
from the Greek to the Teutonic mythology, where scarce another trace
of similar correspondence is discernible. Jupiter, Mars, Hercules,
Venus, Orpheus, all find their counterparts indeed, but with scarce a
shadow of resemblance to Greek prototypes, in the wild Scandinavian
and old German pantheon, which may reasonably excite our wonder, if
we assume a Greek origin for the _Vœlundar Quida_ contained in the
Edda. In the simplest form in which it is still recoverable, it is
obviously overlaid with spurious additions of a later age; and when it
gets into the monkish chronicles and romances of chivalry compiled in
the twelfth and thirteenth centuries, the wild faith of the Norsemen
is outdone by the wilder fictions of the Trouveres, and nearly all
the symbolic spirit of the original disappears. Some of these even
assign precise periods as the era of the northern smith. Several of
the French romances mention Galand as the maker of Charlemagne's
famous sword Durendal, while others describe armour forged by him and
weapons inscribed with his name. But the most curious notice of this
kind occurs in an English manuscript written about the time of Edward
I. It contains a description of the sword of Gauvain, one of the most
celebrated knights of Arthur's "Round Table," made by Galant, and
having the following lines inscribed in _canello gladii_:--

    "Jeo su forth trenchant e dure;
    Galaan me fyth par mult grant cure;
    Catorse anz [out] Jhesu Cristh,
    Quant Galaan me trempa e fyth;"

_i.e._, "I am very sharp and hard; Galaan made me with very great care;
fourteen years old was Jesus Christ when Galaan tempered and made me."
Other romances furnish with swords of Galant's workmanship both Julius
Cæsar and Alexander the Great, and by inheritance from the latter,
Ptolemy, Judas Maccabæus, and the Emperor Vespasian.[257] Such spurious
inventions, however, lack all the value of the original symbolic
legend. We read indeed in the romance of Fierabras d'Mixandre, of three
famous swords made by Galans and his two brothers; of one of which it
is related,--

    "Césars li emperères l'ot maint jor en demagne,
    Engleterre en conquist, Angou et Alemagne,
    Et France et Normendie, Saisone et Aquitaigne,
    Et Puille et Hungerie, Provence et Moriaigne."[258]

If this idea stood alone, or was conceived in the simple spirit of
the Scandinavian Vœlund-Chaunt, we might imagine it to be designed as
a symbolic myth representing the advent of the Iron Period and its
irresistible progress over the north; but the general spirit of the
romance is characterized by the usual extravagance of medieval poetry.

The Greeks assigned to the history of Dædalus a very high antiquity,
carrying him back to somewhere about the thirteenth century before the
Christian era; but it may admit of doubt if Greece had then passed her
own primitive stage. Among the relics of the European Stone Period
preserved in the Museum of the Scottish Antiquaries are some small
flint-flakes and arrow-heads, gathered on the elevated mound of the
tomb of the Plateans at Marathon, which it will not greatly outrage the
ideas of the critical historian to assume as weapons used by the Greek
patriots in repelling the Persian invader. At first the word Dædalus
was, among the Greeks, like that of Weland among the Scandinavians, a
generic name. Δαιδαλλω signified to work artistically, as _Voelundr_
signified a smith in Islandic; and Dædalus was, like Weland,
pre-eminently the artist and the workman. The word became a proper
name only because of their attributing to this mythological being all
the perfections of the art. For this reason also, it appears equally
erroneous to regard the Islandic word voelund, a smith, as derived from
Weland: it is the contrary that should be assumed. The word _voelund_
existed before the history of the famous smith Weland had been
invented, just as the word δαιδαλλω existed before the personification
Dædalus had been adopted into the mythology of the Greeks.[259] This
is no new idea. It was obviously from a recognition of it that King
Alfred, when translating the _De Consolatione Philosophiæ_ of Boethius
into Anglo-Saxon, used the name of the northern Weland as synonymous
with _Fabricius_. Mr. Singer has employed the Greek fable of Dædalus
to restore the connexion of the arts of the north with the elder
civilisation of Europe, and Dr. Sickler has applied the same classic
legend with great ingenuity in his argument of the Phœnician origin
of the Greek metallurgic arts.[260] Whencesoever that knowledge may
have been immediately derived, we shall adopt the most consistent idea
if we turn back to the Eastern cradle-land both of the Hellenic and
Scandinavian races, and assume a common origin for the mythic fable
which records with corresponding symbolic legends the restoration of
the art of Tubal-Cain to the postdiluvian race.

It is a remarkable and interesting fact, that while modern learning and
research have brought to light the most ancient literate forms of this
northern myth, in the Edda and the Niebelungen Lied, it is in England
only that it has survived to our own day as a living popular tradition;
and it is due to the somewhat grotesque travesty of its rude Berkshire
version inwrought into the tragic tale of Kenilworth, that it has been
restored to the favour of modern Europe. Among the old Scandinavian
nations, and in Iceland, where the language of their runic literature
is still a living tongue, as well as in France, and throughout the
whole Germanic races of the Continent, all memory of the restoration
of this divine gift of the metals has utterly passed away. In England
only--towards which we see the galleys of the elder inheritors of
civilisation winging their way in quest of its metallic treasures with
the first glimpse we catch of it as it emerges out of the night of
time--the mythic legend has retained vitality till now. How the story
of our northern Dædalus came to be associated with the monolithic
group at the foot of White-Horse Hill, in the vale of Berkshire, it is
now equally vain and useless to inquire. There, according to rustic
folk-lore, dwelt the invisible smith. No one ever saw him; but he who
had the courage to avail himself of his skill had only to deposit a
piece of money on one of the stones, and leave his horse beside it. On
his return the horse was found to be shod, and the money gone. Such
was the last shadowy tradition of the venerable myth. On one of the
rarer coins of Cunobeline an armourer or coiner is represented. Some
numismatists have supposed it to be Vulcan forging a helmet.

May it not more probably be assumed as the northern Weland, whose
metallurgic skill was so widely celebrated among the Teutonic nations?
Before the great Alfred had won his way to the English throne the
symbolic impersonation had assumed a perfect individuality; and in the
translation of the _De Consolatione Philosophiæ_ into Anglo-Saxon, he
thus paraphrases the passage,--Ubi nunc fidelis ossa Fabricii manent?
Quid Brutus, aut rigidus Cato?

    "Where are now the bones
    Of the wise Weland,
    The goldsmith
    Formerly most famous?
           *       *       *       *       *
    Who knows now the bones
    Of the wise Weland,
    Under what mound (or barrow)
    They are concealed?"[261]

If little importance be due to the association of Weland's name with
the working in iron, not very much more is to be ascribed to the no
less frequent depiction of him as a cunning jeweller and goldsmith.
Nevertheless, the circumstance is worthy of notice in passing, since
it is not impossible that the working in gold may have preceded even
the age of bronze, and in reality have belonged, as already hinted,
to the Stone Period. If metal could be found capable of being wrought
and fashioned without smelting or moulding, its use was perfectly
compatible with the simple arts of the Stone Period. Of such use masses
of native gold, such as have been often found both in the Old and the
New World, are peculiarly susceptible; and some of the examples of
Scottish gold personal ornaments fully correspond with the probable
results of such an anticipatory use of the metals. One very remarkable
example, more particularly referred to hereafter, occurs in a pair of
armillæ of pure gold, found in an urn of the rudest and most artless
construction in a cist in Banffshire. They are merely hammered into
rounded bars and then bent to fit the arm, and they retain the rough
marks of the tool, which it is more easy to imagine one of stone than
any more delicate or artificial implement. It is not impossible that it
may be owing to some faint traditional remembrance of this primitive
origin of the working of metals, that the oldest notices of Weland
represent him chiefly as the cunning goldsmith, as in the fifth stanza
of the Vœlundar Quida of the Edda:--

    "Vœlund alone remained in Ulfdale,
    He wrought red gold, with jewells rare,
    Securing on a withy rings many."

So it is in all the earliest existing forms of this ancient myth, the
working in iron is only superadded to the skill of the famous goldsmith.

No Celtic legend preserves an equally distinct memorial of the
introduction of the metallurgic arts among the ancient colonists of
the British Isles. Nevertheless the Scottish Highlanders have their
native Ἡφαιστος also, personified, like the Teutonic Weland, in many
romantic legends. The fame of Luno, the son of Leven, who made the
swords of Fingal and his heroes, is preserved in old traditional poems,
which figure him as a wild savage clad in a mantle of black hide, and
with an apron of similar materials. The additional features of the
picture furnish no inapt personification of the classic Vulcan. He is
described as lame; going on one leg, with a staff in his hand, yet
remarkable for his swiftness.[262] Dr. Macculloch, in demonstrating
the affinity between the Celtic and Teutonic superstitions and the
Oriental and classic mythology, remarks,--"Fingal is not an absolute
original himself. His sword is the sword of sharpness of the Edda,
made by Velent or Weyland, the hyperborean Vulcan. It is the wonderful
sword Skoffnung, and also Balmung, and it is the Mimmung in Ettin
Langshanks. It is equally Tyrsing, the fairy blade of Suafurlami; and
it is also the sword which Jack begged of the giant. It is the sword
Durandal, with which Orlando cuts rocks in two; and it is Escalibor,
the sword of Arthur."[263] Thus common as the metal from which it is
forged is some form or other of the mythic legend which commemorates
the restoration of old Tubal-Cain's weapon of war. Still the venerable
Teutonic myth does not appear to have been preserved by the Scottish
medieval chroniclers or romancers, unless in some extremely modified
form, or it could hardly have escaped the notice of Dunbar, in his
satire of "The Fenyeit Freir of Tungland." The incident which gave
rise to this whimsical effusion of our great Scottish poet against the
Italian charlatan occurred in 1507, (a year famous for the introduction
of the printingpress into Scotland,) and is thus described by Bishop
Lesley.[264] Referring to an embassy sent to France in that year, he
remarks,--"This tyme thair wes ane Italiane with the king, quha wes
maid Abbott of Tungland, and wes of curious ingyne. He causet the king
believe that he, be multiplyinge and utheris his inventions, wold make
fine golde of uther mettall, quhilk science he callit the quintassence;
quhairupon the king maid greit cost, bot all in vaine. This Abbott tuik
in hand to flie with wingis, and to be in Fraunce befoir the saidis
ambassadouris; and to that effect he causet mak ane pair of wingis of
fedderis, quhilkis beand fessinit apoun him, he flew of the Castell
wall of Striveling, bot shortlie he fell to the ground and brak his
thee bane. Bot the wyt thairof he ascryvit to that thair was sum hen
fedderis in the wingis, quhilk yarnit and covet the mydding and not the
skyis." The Scottish historian compares him to "ane king of Yngland
callit Bladud." The poet's similes are still more pertinent; though
since we learn from the Scottish Treasurers' Accounts, that the Abbot
of Tungland was paid, in 1513, "to pass to the myne of Crawfurd-moor,"
which the king was then working for gold: and from the satire, that he
sometimes practised the Blacksmith's craft: Dunbar could scarcely have
avoided the addition of the Weland legend to his other similes, had it
been known to him, since the points of resemblance are such, that, with
less historic evidence for the truth of the Abbot's history, we might
assume it as the rude Scottish version of the Vœlundar Quida:--

    "Sum held he had bene Dedalus,
    Sum the Mynataur mervaluss,
    Sum Mertis blak smyth Vulcanus,
        And sum Saturnus cuk.
    And evir the cuchettis at him tuggit,
    The rukis him rent, the ravynis him druggit,
    The huddit crawis his hair furth ruggit,
        The hevin he micht nocht bruke."

FOOTNOTES:

[224] Ellis's Specimens. The abundance of wild beasts and game of
all kinds in the Caledonian forests is frequently alluded to. Boece
describes "gret plente of haris, hartis, hindis, dayis, rais, wolffis,
wild hors, and toddis." (Bellenden's Boece. Cosmographe, chap. xi.)
The following curious enumeration in Gordon's History of the House of
Sutherland, (fol. p. 3,) written about 1630, furnishes a tolerably
extensive list of wild natives of Sutherland even in the seventeenth
century:--"All these forrests and schases are verie profitable for
feiding of bestiall, and delectable for hunting. They are full of
reid deir and roes, woulffs, foxes, wyld catts, brocks, skuyrrells,
whittrets, weasels, otters, martrixes, hares, and fumarts. In these
forrests, and in all this province, ther is great store of partriges,
pluivers, capercalegs, blackwaks, murefowls, heth-hens, swanes,
bewters, turtledoves, herons, dowes, steares or stirlings, lair-igigh
or knag, (which is a foull lyk vnto a paroket or parret, which maks
place for her nest with her beck in the oak trie,) duke, draig,
widgeon, teale, wildgouse, ringouse, routs, whaips, shot-whaips,
woodcok, larkes, sparrowes, snyps, blakburds or osills, meweis,
thrushes, and all other kinds of wildfowle and birds, which ar to be
had in any pairt of this kingdome. Ther is not one strype in all these
forrests that wants trouts and other sorts of fishes.... Ther is vpon
these rivers, and vpon all the cost of Southerland, a great quantitie
of pealoks, sealghes or sealls, and sometymes whaills of great bignes,
with all sorts of shell fish, and dyvers kynds of sea-foull." When
we remember that this ample inventory is of a late date, and lacks
not only the Caledonian bull, the elk, and "the wild-bore, killed by
Gordoun, who for his valour and great manhood was verie intire with
King Malcolme-Kean-Moir," but also, in all probability, many more of
the older prizes of the chase, we can readily perceive the abundant
stores that lay within reach of the thinly-peopled districts of the
primitive era. One of the most interesting of the extinct animals
of Scotland, on many accounts, is the beaver, (_Castor Europæus_,)
already referred to among the mammals of the primeval transition. Its
remains have been discovered under circumstances indicative of equal
antiquity with the extinct mammoth, (Owen, p. 191.) But their most
frequent situation is at the bottom of the peat-bog; as in the Newbury
peat-valley, where they were found twenty feet below the present
surface, associated with the remains of the wild-boar, roebuck, goat,
deer, and wolf. Fine specimens of a skull, under-jaw, and haunch bone,
found in Perthshire, and now in the Museum of the Scottish Antiquaries,
have been made the subject of a valuable memoir by Dr. P. Neill, a
Fellow of the Society, in the Edinburgh Philosophical Journal, (vol. i.
p. 183, and Wern. Mem. vol. iii. p. 207.) Dr. Neill, Professor Fleming,
and subsequent writers, including Professor Owen, in referring to the
historical notices of the beaver, remark on the absence of any mention
of such an animal in the Scottish public records. This, however, is an
error. In an Act of David I. fixing the rate of custom-duties, beavers'
skins are mentioned among the Scottish exports, along with those of
the fox, the weasel, the martin, the wild cat, the ferret, &c.--"Of
Peloure.--Of a tymmyr of skynnis of toddis, quhytredis, mertrikis,
cattis, _beueris_, sable firettis, or swylk vthyr of ilk tymmyr at þe
outpassing, iiij ᵭ. Of þe tymmer of skurel, ij ᵭ.," &c., (Act. Parl.
Scot. vol. i. p. 303.) Dr. Neill has pointed out the interesting fact,
that the Scottish Highlanders still retain a peculiar Gaelic name for
the beaver, _Dobran losleathan_, the broad-tailed otter. By the
Welsh it is called _Llosdlydan_, and Pennant refers to waters in the
principality still bearing the name of the Beaver Lake.

[225] Numbers xxxi. 22.

[226] Ezekiel xxvii. 12.

[227] Borlase's Cornwall, vol. i. p. 317. Plate XXVIII.

[228] Archæologia, vol. xvi. p. 137. Plates IX. and X.

[229] Collectanea Curiosa Antiqua Dumnonia, by W. T. P. Shortt, Esq.,
p. 71.

[230] Mémoires de la Société d'Emulation d'Abbeville, 1844-1848, p. 135.

[231] W. T. P. Shortt, Esq. of Heavitree, near Exeter. Antiqua
Dumnonia, Pref. p. iv. _Vide_ also Sylva Antiqua Iscana, pp. 79, 88,
89, 90, 91, 93-105. Gent.'s Mag., Aug. and Sep. 1837, &c., for notices
of the discovery of numerous early Greek and Egyptian, and some
Phœnician coins.

[232] Numismatic Chronicle, vol. i. p. 3. _Vide_ also the able series
of Articles by the Rev. Beale Post, on the coins of Cunobeline, and of
the Ancient Britons. Journ. of Archæol. Assoc. vols. i. ii. iii. iv.
and v.

[233] Boece assigns the earliest native Scottish coinage to an
apocryphal king Donald, _circa_ A.D. 200. This account, however,
includes some interesting notices of hoards discovered in his own day:
"King Donald was the first king of Scottis that prentit ane penny of
gold or silver. On the ta side of this money was prentit ane croce, and
his face on the tothir. The Scottis usit na money, bot merchandice,
quhen thay interchangeit with Britonis and Romanis, afore thir dayis,
except it war money of the said Romanis or Britonis, as may be previt
be sindry auld hurdis and treasouris, found in divers partis of
Scotland, with uncouth cunye. For in the yeir of God M.DXIX. yeris, in
Fiffe, nocht far fra Levin, war certane penneis found, in ane brasin
veschell, with uncouth cunye; sum of thaim war prentit with doubill
visage of Janus; otheris with the stam of ane schip; otheris had the
figure of Mars, Venus, Mercurius, and siclike idolis; on otheris war
prentit Romulus and Remus soukand ane wolf; and on the tothir side
war prentit S. P. Q. R. Siclike, in Murray-land, beside the see, in
the ground of ane auld castill, the yeir of God M.CCCCLX. yeris, was
found ane veschell of merbill, full of uncouth money; on quhilkis was
prentit the image of ane ganar fechtant with edderis,"--_i.e._, a goose
fighting with adders.--Bellenden's Boece, book iv. chap. xvi.

[234] Sylva Antiqua Iscana, p. 79, Plate VI.

[235] Ibid. p. 90, where a minute account of the coins is given. Also
pp. 76, 88, 91, 93, &c.

[236] New Statist. Acco. vol. iv. p. 292.

[237] Archæologia, vol. ii. p. 92; vol. iii. pp. 234, 332. A monumental
tablet, dedicated to the memory of Antiochus Lysimachus, now in the
Museum of the Scottish Antiquaries, is engraved and described by
mistake in Stuart's "Caledonia Romana" as _the only Greek inscription
which has been met with north of the Tweed_. It was found, along with
a statue of Esculapius and other fine marbles, near the fountain of
Cyrene, on the site of an ancient Greek colony in Africa.

[238] Gibson's Camden, p. 926.

[239] Primeval Antiquities, p. 135.

[240] Primeval Antiquities, p. 45.

[241] Layard's Nineveh, vol. ii p. 418.

[242] Natural History of Man, p. 191.

[243] Archæologia, vol. xxx. p. 248.

[244] Schlegel's Philosophy of History, Lecture II.

[245] Archæol. Journal, vol. vii. p. 68.

[246] Pennant, vol. ii. p. 250.

[247] "It seems our ancestors had more gold than silver, and indeed
there are several places in Scotland where there has been much digging
for gold. I have had the curiosity to consider the nature of them,
and always found them just the same with those the Emperor has on the
borders of Hungary, at two places, Nitria and Presburg. Those, like
ours, consist of a vein or stratum of sand and gravel, which being
brought up some fathoms from below ground, and washed, produce gold in
very small particles."--Sir John Clerk to Mr. Gale, August 6, 1732;
_Biblo. Topog. Brit._ vol. ii. p. 299.

In the _Miscellanea Scotica_, printed in 1710, various notices of the
ancient working of gold in Scotland occur. Pieces of gold, mixed with
spar and other substances, weighing thirty ounces, are described among
the fruits of the Laughain and Phinland mines. See also Pennant's Tour,
App. x. vol. iii. for a curious account "of the gold mines of Scotland."

The introduction of the metals into southern Europe in ancient times
appears to have borne no analogy to that in the north. Gold was not
used in the Roman coinage till B.C. 207, sixty-two years after the
adoption of a silver coinage. So, too, in the records of sacred
history, Abraham weighed unto Ephron 400 shekels of silver, current
money with the merchant. The earliest notice of gold used otherwise
than for jewels and ornaments only occurs in the reign of David, when
he purchased the threshing-floor of Ornan for 600 shekels of gold by
weight; 1 Chron. xxi. 25. Compare this with 2 Samuel xxiv. 24.

[248] Regist. de Dunferm. p. 16.

[249] Miscel. Scot., Napier of Merchiston, p. 228.

[250] "Account of the late discovery of native gold in Ireland."
Philosoph. Transac. London, 1796, p. 34.

[251] Ibid. p. 38. "A Mineralogical Account of the native gold lately
discovered in Ireland," by Abraham Mills, Esq.

[252] Philosoph. Transac. London, 1796, p. 43.

[253] Ibid. p. 45.

[254] Wayland Smith, by W. S. Singer, from the French of Depping and
Michel, Preface.

[255] Ibid. p. lxxvi.

[256] Humboldt's Researches, vol. i. p. 94.

[257] Archæologia, vol. xxxii. p. 321.

[258] MS. de la Bib. Roy. Supplem. Française, No. 540, fol. 33.
Singer's Wayland Smith, p. lvii.

[259] Singer's Wayland Smith, p. lxx.

[260] _Die Hieroglyphen in dem Mythus des Æsculapius._ Meiningen, 1819.
Singer, p. lxx.

[261] _Vide_ Thomas Wright on the Legend of Weland the Smith.
_Archæologia_, vol. xxxii. p. 315. Also his article on Alfred, in the
_Biographia Literaria_ of the Royal Society of Literature regarding the
authorship of this metrical version.

[262] Logan's Scottish Gael, vol. ii. p. 195.

[263] Macculloch's Highlands and Western Isles of Scotland, vol. iv. p.
327.

[264] Bishop Lesley's Hist. Bannatyne Club. 4to. Edinburgh, 1830. P. 76.




CHAPTER II.

THE METALLURGIC TRANSITION.


In the earliest glimpse we are able to catch of the British Isles with
the dawning light of historic records, we learn of them as already
celebrated for their mineral wealth. So long, however, as Britain
retained its vast tracts of natural forests, and was only occupied
by thinly scattered nomade tribes, the tin mines of Cornwall, and
the foreign trade which they invited to the southern shores of the
island, might reward the toil and sagacity of the ancient Cornubii or
other primitive colonists of Cornwall and the Scilly Isles, without
exercising any perceptible influence on neighbouring tribes, or
being known to the remoter dwellers beyond the Solway and the Tyne.
The spoils of war, more probably than any peaceful interchange of
commodities, would first introduce the bronze weapons imported into
Cornwall to the knowledge of the northern tribes. But the superiority
of the sword and spear of metal over the old lance of flint or bone
would speedily be appreciated, and we accordingly find abundant traces
of one of the first elements of civilisation, viz., an interchange
of commodities and the importation of foreign manufactures, having
accompanied the advent of the Bronze Period. The rude aboriginal Briton
no longer confined his aim in the chase to the supply of his own table
and simple wardrobe. The Phœnicians traded to Britain for its furs as
well as its metals, and for these the products of a wider district than
the tin country would be required. The Caledonian hunter would learn
to hoard up the skins won in the chase, to barter with them for the
coveted sword and spear of bronze,--and thus the first elements of
civilisation would precede the direct knowledge of the metallurgic arts.

The advent of the Bronze Period, however, cannot be held to have been
fairly introduced until the native Caledonian had learned, at least
to melt the metals, and to mould the weapons and implements which he
used, if not to quarry and smelt the ores which abound in his native
hills. The progress consequent on the indirect introduction of the
metals would speedily create new wants and the desire for modifications
and improvements on the implements of foreign manufacture. The demands
on his sagacity and skill would increase with the gradual progress in
intelligence and civilisation consequent on the new impulses brought
into operation; and thus would the arts of the smith and the jeweller
be superinduced on the originally barbarian devices of the Caledonian.
Once introduced, by whatever means, he was not slow to improve on the
lessons furnished in the novel art; and while, with a pertinacious
adherence to ancient models singularly characteristic of primitive
races, we find implements and personal ornaments of the modern Scottish
Highlander not greatly differing from those of fully ten centuries
ago, we also find the natives of isolated districts, beyond the reach
of changing influences, practising the ingenious arts of this remote
period when every man was his own armourer and goldsmith.

It needs not either the authority of revelation, or the demonstrations
of ethnology, to prove that God has made of one blood all that dwell
upon the earth. Man, placed under the same conditions, everywhere
exhibits similar results. The ancient Stone Period of Assyria and
Egypt resembles that of its European successor, and that again finds a
nearly complete parallel in the primitive remains of the valley of the
Mississippi, and in the modern arts of the barbarous Polynesians. So,
too, with the higher state which succeeds this. The characteristics
of the early Bronze Period are long since familiar to us. Milton, who
accords equally stinted honours to Mulciber and to Mammon, by whose
suggestion taught, men

    "Ransack'd the centre, and with impious hands
    Rifled the bowels of their mother earth
    For treasures better hid,"--

refers to the introduction of the metallurgic arts as first among those
great sources of change which the Archangel Michael makes known to Adam
when exhibiting to him the future destiny of his seed. The knowledge
of working in metals is there also introduced in contrast to the
simpler arts of the pastoral state, and as the chief source of social
progress with all its accompanying development of luxury and crime. On
one side Adam sees the shepherds' huts and grazing herds;

    "In other part stood one who, at the forge
    Labouring, two massy clods of iron and brass
    Had melted, (whether found where casual fire
    Had wasted woods on mountain or in vale,
    Down to the veins of earth; thence gliding hot
    To some cave's mouth; or whether washed by stream
    From under ground,) the liquid ore he drained
    Into fit moulds prepared, from which he formed
    First his own tools, then what might else be wrought
    Fusil, or graven in metal."

Amid the highly artificial results of modern civilisation we might
find some difficulty in conceiving of such a social state, in which
considerable taste and ingenuity were displayed in the forging of arms
and tools, and in the manufacture of personal ornaments. But not only
are we able to compare the results of the division of labour with the
fruits of such isolated skill, in races only now beginning to develop
these first elements of civilisation; we can also look upon the living
representatives of the Caledonian at the dawn of his historic era.
Dr. Layard, in describing a visit to an ancient copper mine in the
Tiyari Mountains, remarks,--"In these mountains, particularly in the
heights above Lizan, and in the valley of Berwari, mines of iron, lead,
copper, and other minerals, abound. Both the Kurds and the Chaldæans
make their own weapons and implements of agriculture, and cast bullets
for their rifles--collecting the ores which are scattered on the
declivities, or brought down by the torrents."[265] This affords a
parallel modern picture of such a state of society as that we have to
conceive of in the early dawn of the British Bronze Period. Martin, in
his description of the Western Isles, written at the commencement of
the eighteenth century, remarks of the islanders,--"When they travel
on foot the plaid is tied on the breast with a bodkin of bone or wood,
just as the spina worn by the Germans, according to the description of
Tacitus." He then furnishes a detailed account of the ancient dress,
even then becoming rare, and of the breast-buckle or brooch, of silver
or brass, which appears to have formed, from the very earliest times,
the most favourite personal ornament of both sexes. "I have seen some
of the former," says he, "of an hundred marks value: it was broad as
any ordinary pewter plate, the whole curiously engraven with various
animals, &c. There was a lesser buckle, which was worn in the middle
of the larger, and about two ounces weight. It had in the centre a
large piece of crystal, or some finer stone, and this was set all
round with several stones of a lesser size."[266] The Rev. John Lane
Buchanan, visiting these islands nearly a century later, found the same
customs unchanged, and the primitive metallurgic arts of the ingenious
Hebrideans not greatly in advance of the modern Asiatic Kurds. This
writer remarks of the females,--"All of them wear a small plaid, a yard
broad, called _guilechan_, about their shoulders, fastened by a large
brooch. The brooches are generally round, and of silver, if the wearer
be in tolerable circumstances; if poor, the brooches, being either
circular or triangular, are of baser metal and modern date. The first
kind has been worn time immemorial even by the ladies. The married
women bind up their hair with a large pin into a knot on the crown of
their heads."[267] The same writer thus describes the practice of every
necessary art and trade by the simple islanders:--"It is very common
to find men who are tailors, shoemakers, stocking-weavers, coopers,
carpenters, and sawyers of timber. Some of them employ the plane, the
saw, the adze, the wimble, and they even groove the deals for chests.
They make hooks for fishing, cast metal buckles, brooches, and rings
for their favourite females."[268] They were, in fact, at that very
recent period practising nearly the same arts as we may trace out at
a time when the Phœnician traders were still seeking the harbours of
Cornwall, and exchanging the manufactures of Carthage, and perhaps of
Tyre, for the products of the English mines. A no less unquestionable
proof of the unchanging character of the Celtic arts is to be found in
the fact that the ornamentation, not only on many of the old Highland
brooches and drinking horns, but invariably employed in decorating the
handle of the Highland dirk and knife, down to the last fatal struggle
of the clans on Culloden Moor which abruptly closed the tradition
of many centuries, is exactly the same interlaced knotwork which we
are familiar with on the most ancient class of sculptured standing
stones in Scotland. The annexed figure of a Highland powder-horn of
the seventeenth century is from one in the possession of Mr. James
Drummond, bearing inscribed on it the initials and date, G. R. 1685.
The triple knot, so common on early Scottish and Irish relics that it
has been supposed to have been used as a symbol of the Trinity, is no
less frequently introduced on the Highland targets and brooches of last
century, and is shewn along with other interlaced ornaments, on an
example of the latter introduced in a subsequent chapter.

[Illustration: _Engraved by Wm. Douglas, from Drawings in possession
of the Soc. Antiq. Scot._

THE GLENLYON BROOCH.]

[Illustration]

On the theory of the introduction of metallurgic arts assumed here,
not altogether without evidence, it is not requisite that we should
conceive of the aboriginal Caledonians disturbed by the invasion
of foreign tribes armed with weapons scarcely less strange to them
than those with which the Spanish discoverers astonished the simple
natives of the New World. The changes, however, already noted in the
forms and modes of sepulture, the abandonment of the long barrow,
the introduction of cremation, of the sitting or folded posture of
the dead with the correspondingly abbreviated cist, and of a uniform
and defined direction of laying the dead, are all suggestive of the
probable intrusion of new races in earlier as well as in later times.
The facilities afforded by the more pliable metal tools would speedily
work no less remarkable changes on the mansions of the living than on
the sepulchres of the dead. The subterranean weem would give place
to the wooden structure, which the new arts rendered at once a more
convenient and simpler style of architecture; while the inroads on
the forests which such changes led to would necessitate the clearing
of the neighbouring lands preparatory to the extended labours of the
agriculturist. To the same cause also we may probably trace the
origin of many of those extensive tracts of bog and peat-moss which
still encumber the limited level areas of Scotland. The wasteful
profusion of the natives of a thinly peopled country would lead to the
destruction of the forests with little heed to aught but the supply of
their own immediate wants. In the extensive mosses of Kincardine and
Blair-Drummond, which have yielded such valuable archæological relics,
when the surface of the underlying clay was exposed by the removal
of the moss, it was in many places covered with trees, chiefly oak
and birch, of a great size. These were found lying in all directions
beside their roots, which continued firm in the ground in their natural
position; and from impressions still visible it was evident that they
had been cut with an axe or some similar instrument.[269] The like
discoveries in other Scottish mosses prove their origin from the same
wasteful inroads of early times.

The occupants of the country at this period were necessarily isolated
tribes and clans, with no common interest, and little peaceful
intercourse. The arts were therefore practised as in their primeval
dawn described by Milton, when the artist formed

        "First his own tools, then what might else be wrought."

Among all the varied primitive relics which have been from time to
time discovered, both in Scotland and other countries of northern
Europe, none exceed in interest the stone and bronze moulds in which
the earliest tools and weapons of the native metallurgist were formed.
They have been found in Scotland, England, Ireland, and in the Channel
Islands, exhibiting much diversity of form, and various degrees of
ingenuity and fitness for the purpose in view. Some of them are of
bronze, and highly finished, examples of which from the British Museum
are engraved in the Archæological Journal, (vol. iv. p. 336,) in
_Plate_ VII. vol. v. of the Archæologia, and elsewhere. If the account,
however, furnished by Warburton to Stukely may be relied upon, such
objects are by no means rare. According to him, a bushel of celts,
each inclosed in a brass mould or case, was found in 1719, at Brough,
in the Humber. Mr. Worsaae refers to another example of a number of
bronzes found in Mecklenburg, accompanied by the moulds in which they
were cast, together with pieces of unwrought metal; and similar bronze
celt-moulds have been discovered at various times in different parts of
France. In the Museum of the Society of Antiquaries of Scotland there
are casts of a pair of large and very perfect bronze celt-moulds, of
unusual size and peculiar form, found at Theville, Arrondissement de
Cherbourg.

[Illustration: Celt-Moulds, Ross-shire.]

But still more interesting are the ruder stone moulds, in some of
which we may trace the first efforts of the aborigines of the Stone
Period to adapt the materials with which they were familiar to the
novel arts of the metallurgist. This is particularly observable in a
mould-stone preserved in the Belfast Museum. It is polygonal in form,
and exhibits upon four of its surfaces indented moulds for axe-heads
of the simplest class. In this example there is no reason to believe
that any corresponding half was used to complete the mould. The melted
metal was simply poured into the indented surface, and left to take
shape by its equilibrium on the exposed surface. Weapons formed in
this way may frequently be detected, while others, full of air-holes,
and roughly granulated on the surface, appear to have been made in the
still simpler mould formed by an indentation in sand. Others of the
stone moulds have consisted of pairs, like those of bronze. A very
curious example of this description was found a few years since in the
Isle of Anglesea, and is engraved in the Archæological Journal.[270]
It is a cube of hone-stone, nine inches and a quarter in length, by
four inches in breadth at its widest extremity. Each of the four sides
is indented for casting different weapons: two varieties of spear, a
lance or arrow-head, and a celt with two loops. Only the one stone was
found, but another corresponding one is obviously requisite, by means
of which four complete moulds would be obtained. At the Congress of
the Archæological Institute, held at Salisbury in 1849, the temporary
Museum contained a mould of serpentine, found in Dorsetshire, designed
for casting spear-heads, and another of granite, found near Amesbury
in Wiltshire, intended to cast ornamented celts of two sizes. Of the
same class are two pairs of celt-moulds recently discovered in the
parish of Rosskeen, Ross-shire. The site of this interesting discovery
is about four miles inland, on the north side of the Cromarty Frith,
on a moor which the proprietor is reclaiming from the wild waste, and
restoring once more to the profitable service of man. In the progress
of this good work abundant evidence demonstrated the fact, that the
same area from which the accumulated vegetable moss of many centuries
is now being removed, had formed the scene of a busy, intelligent, and
industrious population ere the first growth of this barren produce
indicated its abandonment to solitude and sterility. Near to the spot
where the moulds were discovered there stood till recently a large
sepulchral cairn; and in forming a road through the moss several
cists were exposed containing human bones and cinerary urns. Amid
these evidences of ancient population the two pairs of moulds were
discovered, at a depth of only sixteen inches from the surface. They
are very perfect, and are composed of a hard and very close-grained
stone. One pair is notched and perforated through both moulds, so as
to admit of their being exactly fitted and tied together for casting.
Close to the spot where they were discovered there was also disclosed
the remains of a rude inclosure or building of stone, containing a
bed of ashes and scoriæ; so that here no doubt had been the forge of
the primitive metallurgist, from whence, perhaps, the natives of an
extensive district obtained their chief supplies of weapons and tools.
These Scottish moulds give evidence both of taste and ingenuity. In
one of them is also a matrix for forming a smaller implement, the use
of which is not easy to determine, while both the celts are large and
elegant in form. The woodcut represents one of the celts cast from the
mould, which measures fully five inches long.

[Illustration: Celt-Moulds, Ross-shire.]

[Illustration]

In most cases, however, it may be assumed that the earliest weapons
of metal were furnished, as the modern sportsman casts his bullets,
by each warrior or craftsman becoming his own smith and founder; and
when we consider the slow and tedious process indispensable for the
completion of the stone hammer or lance-head of flint, we may readily
perceive that it would be from the scarcity of the metals and not from
any preference for primitive and more familiar arts, that the Briton
of the transition-period continued to use the weapons of his fathers,
or intermingled them with the more efficient ones which the new art
supplied. Still it was probably long before he overcame the difficulty
of casting metal in metal, and learned to model and cast his mould
instead of laboriously cutting it from stone.

In these, as in other stages of improvement, we detect, as it were,
the old tide-marks in the progress of civilisation. The rude chip-axe
improves into the highly polished wedge and celt; this in its turn
gives way to the rude sand-cast axe, or to the similar weapon moulded
in the indented stone. The celt and spear-head follow, gracefully
formed and looped in the double mould of stone or bronze. The taste of
the more experienced metallurgist also finds room for the exercise of
the decorative arts, and transfers to the bronze implements the incised
and chevron patterns which were first introduced on his vessels of
unbaked clay. Still further evidences of progress will come under our
notice, showing the extent to which civilisation had advanced before
the late and more familiar metal superseded the works of bronze.

In the romantic outskirts of the old Scottish capital some of the
most remarkable evidences of the abundant remains of this era have
been discovered. Reference has been made in a former chapter to the
finding of stone cists and cinerary urns as the modern city extended
over the suburban fields which lay beyond the old North Loch. Towards
the close of the eighteenth century, when the spirit of agricultural
improvement, which has been productive of such important results to
Scotland, was beginning to take effect, the use of marl as a valuable
manure was advocated and practised with a zeal no less wide spread and
enthusiastic than has resulted in our own day from the discovery of the
Guano Islands of the Pacific. One of the most zealous of these Scottish
agriculturists was Sir Alexander Dick of Prestonfield, whose estate is
bounded on the north by the romantic Duddingstone Loch, which there
separates it from the ancient royal demesne of Holyrood Palace. In 1775
he constructed a canal, and prepared a couple of flat-bottomed boats,
with the requisite dredging machinery attached to them. These were set
afloat on the loch, and their projector thus describes some of the
most interesting results of his labours in a letter communicated to the
Earl of Buchan, the founder of the Society of Antiquaries of Scotland,
shortly after its institution in 1780.

    "In the third year of my progress in dragging successfully
    great quantities of marl, now and then in the middle of the
    lake I met with large fragments of deer's horns of an uncommon
    magnitude. As my operations were proceeding northward, about
    one hundred and fifty yards from the verge of the lake next
    the King's Park, the people employed in dredging in places
    deeper than usual, after having removed the first surfaces of
    fat blackish mould, got into a bed of shell marl from five to
    seven feet deep, from which they brought up in the collecting
    leather bag a very weighty substance, which when examined as it
    was thrown into the marl boat, was a heap of swords, spears,
    and other lumps of brass, mixed with the purest of the shell
    marl. Some of the lumps of brass seemed as if half melted; and
    my conjecture is that there had been upon the side of the hill,
    near the lake, some manufactory for brass arms of the several
    kinds for which there was a demand."[271]

Rarely has a more interesting discovery been made, or one on an
equally extensive scale, illustrative of the Scottish Bronze Period.
Some of the most perfect and beautiful of these ancient weapons were
presented to His Majesty George III.; others, doubtless also among the
best specimens, were retained as family heirlooms, some of which were
afterwards given to Sir Walter Scott;[272] but the remainder, including
upwards of fifty pieces of swords, spear-heads, and fragments of other
weapons, most of them more or less affected by fire, were presented
to the Society of Antiquaries of Scotland, and formed the very first
donation towards the founding of their valuable collection of national
antiquities. The royal gifts and nearly all the family heirlooms have
disappeared, but the whole of those presented to the Society still
remain in their Museum. The swords are of the usual leaf-shaped form,
with perforated handles, to which horn or wood has been attached. Some
of the larger broken spear-heads have been pierced with a variety of
ornamental perforations, and in addition to these there were bronze
rings and staples, similar to those found on various occasions with
other remains of the same period. The accompanying woodcut represents
one of these, measuring three inches in diameter, along with a larger
one in the Scottish Museum, which was found along with several bronze
celts and swords, on the estate of Kilkerran, Ayrshire, in 1846, and
more closely resembles the examples most frequently met with both in
style and dimensions.

[Illustration: Rings and Staples.]

The discovery of gigantic deer's horns and fragments of others along
with the weapons and masses of melted bronze, would seem to add to the
probability that some considerable manufacture of such weapons had
been carried on, at some remote period, on the margin of the loch,
and that these were collected for supplying them with handles. But
other relics besides those which speak to us of the ingenious arts
of the metallurgist, were dredged, along with the shell marl, from
the bottom of the loch. "There were likewise brought up," says Sir
Alexander Dick, "out of the same place with these brass arms, several
human skulls and bones, which had been undoubtedly long preserved in
the shell marl, which Dr. Monro and I examined very accurately, and
by their very black colour we concluded they had been immersed in the
marl for an immense time." Unfortunately neither the skulls nor the
horns have been preserved. In this, as in a thousand other instances,
we seek in vain for the minuter details that would confer so much value
on the vague glimpses of archæological truths scattered through old
periodicals, Statistical Accounts, and other unsatisfactory sources
of information. Here we might say, with tolerable confidence, lay the
manufacturer beside his tools. It becomes an interesting question to
know if the deer's horns exhibited marks of artificial cutting, as
this would go far to prove their use in the completion of the weapons
beside which they lay, and might further help us in forming an opinion
as to how they were applied. But still more, we would seek to learn if
these skulls corresponded with either of the old types of the tumuli,
or if they exhibited the later Celtic type intermediate between the
lengthened and shortened oval, and were characterized by superior
cerebral development such as their progress in the arts might lead
us to expect. It is possible that some record of these facts has
been preserved, since the skulls were submitted to one of the most
distinguished anatomists of his day; but I have failed to discover any
clue to such, after inquiries submitted both to Dr. Alexander Monro,
and to Professor Goodsir who now fills the Chair of Anatomy in the
University of Edinburgh.

[Illustration]

[Illustration: Bronze Sword. Arthur Seat.]

Fully seventy years after the marl-dredgers had brought to light the
remarkable primitive relics buried beneath the alluvium at the bottom
of Duddingstone Loch, the Honourable Board of Commissioners of Her
Majesty's Woods and Forests determined on constructing a carriage-way
round the neighbouring Royal Park, which includes both Arthur Seat
and Salisbury Crags. In the progress of the necessary operations
for carrying this plan into execution, and while the workmen were
excavating the soil immediately above the singular group of basaltic
columns popularly styled "Samson's Ribs," they uncovered a sepulchral
deposit containing a cinerary urn, which was unfortunately broken to
fragments by a stroke of the workman's shovel. Further to the eastward
two, at least, and probably more bronze celts of large size were found,
along with a small drinking-cup, engraved on a subsequent page. Still
further to the east, almost directly above Duddingstone Loch--where the
magnificent "Queen's Drive" is carried along the steep side of the hill
at an elevation of nearly 300 feet above the level of the neighbouring
loch--two most beautiful and perfect leaf-shaped bronze swords were dug
up, in a bed of vegetable charcoal, but with no remains which would
indicate its having been a sepulchral deposit. The largest of the two
swords measures 26¼ inches long; the other 24¾ inches by 1¾
inches in greatest breadth. In other respects they entirely agree,
resembling in figure the usual form of this graceful weapon, as will
be observed from the annexed engraving of one of them. The swords and
the largest of the bronze celts, figured above, are now in the Museum
of the Society of Antiquaries. The other celt and the cup are in my
own possession; and as they were obtained from an Irish labourer, who
shewed no little reluctance to be questioned, it is extremely probable
that these are but a portion of the valuable treasures disclosed in
the course of the excavations. How many more may lie interred for the
gratification and instruction of future generations covered only by a
foot or two of soil!

It naturally becomes a question of considerable interest to us,--Are
these weapons, of beautiful and varied forms, the product of native
genius and skill? or were they brought hither by foreign conquerors, to
remain only as the evidences of national inferiority in arts and arms?
The question is one which no Briton can deem worthless; albeit we do
not esteem ourselves the pure lineal descendants of the Allophylian
aborigines, or of the primitive Celtæ, but, on the contrary, are
content to derive our peculiar modern national characteristics as the
product of mingled races of Picts, Scots, Romans, Tungrians and other
barbarian legionary colonists, Norwegians, Danes, Anglo-Saxons, and
Normans.[273] Such are indeed the strange and diverse elements which
make up the genealogy of the modern Scot. Nevertheless, his nationality
is not the less strong because he derives his inheritance from so
many sources; nor is his interest lessened in the aboriginal root. A
very simple theory has heretofore sufficed for the classification of
all Scottish, and, until very recently, of all British antiquities.
Whatever was rude and barbarous, such as unhewn standing stones and
monolithic circles, stone hammers and axes, and flint arrows, were
native and Druidical; whatever manifested skill, invention, or any
progress in the arts, was either Phœnician, Roman, or Danish! Britain,
it was tacitly assumed, was sunk in the lowest state of barbarism,
until humanized by the bloody missionaries of Roman civilisation. Such
ignorant assumption will no longer suffice.

Mr. Worsaae adopts an era extending over about eleven centuries for
the continuation of the Danish bronze period. From geological evidence
he arrives at the conclusion, which is not improbable, that bronze
weapons and implements were in use fully five centuries before the
Christian era. But that the Archaic Period continued so long after it,
when the neighbouring countries to the south were long familiar with
the common and more useful metal, and when the Norwegians, who, it is
acknowledged, appear never to have known a bronze period, were already
taking their position among the Scandinavian nations, preparatory to
making their piratical descents on the British shores, seems altogether
improbable and opposed to established truths.

No description furnished either by Julius Cæsar or any later classical
writer, of the weapons used by the native Britons of the first or
second century, in any degree corresponds with the familiar form of the
bronze sword so frequently found in the earlier tumuli.[274] Tacitus
describes the Caledonians as "a powerful warlike nation, using swords
large and blunt at the point (_sine mucrone_) and targets wherewith
they skilfully defend themselves against the Roman missiles." The
bronze leaf-shaped sword in no respect corresponds with this. It is a
short and small, though formidable weapon, and is not only designed
for thrusting rather than striking with,--as a heavy, blunt-pointed
sword could alone be used,--but was evidently adapted for a warfare in
which the chief tactics of the swordsman consisted in the bold thrust;
since no example of a bronze sword has ever been found with a guard,
that simple and most natural contrivance for defending the hand from
the downward stroke of the foe. With such unmistakable evidence before
us, the conclusion seems inevitable that the era of the bronze sword
had passed away ere the hardy Caledonian encountered the invading
legions of Rome. Nevertheless, while there is abundant evidence of the
native manufacture of the articles of the Bronze Period, there are no
less manifest traces of considerable intercourse throughout Europe
during this era, from the near resemblance discoverable in all the
bronze articles. The British bronze sword bears a general likeness to
those not only of Denmark, but of Gaul, Germany, and even of Italy and
Greece; but it has also its peculiar characteristics. It is broader
and shorter than the Danish bronze sword, swelling out more towards
the middle, so as to suggest the term _leaf-shaped_, by which it is
now distinguished. A very remarkable guide to the probable era of such
weapons in the south of Europe is furnished by a comparison of some
specimens of Hellenic fictile art with a beautiful vase discovered at
Vulci by the Prince of Canino, and described in the Archæologia[275]
by Mr. Samuel Birch. The same subject occurs on three vases, and has
been supposed to represent the quarrel of Agamemnon and Achilles. On
one, a Vulcian hydria of archaic style, a naked and bearded combatant
bears a leaf-shaped sword without a guard. On a second, a cylix of
later style from the Canino Collection, the combatants are armed with
leaf-shaped swords, but with guards; while on the beautiful vase which
Mr. Birch refers to as a specimen of Greek art contemporary with the
Orestes of Æschylus, the same scene occurs, but the assailant has
substituted for the primitive weapon a straight two-edged sword of
modern form. Such comparisons cannot be deemed without their value;
but independent of these, the variations in the bronze relics of the
same type suffice to prove that neither the British antiquities of
bronze were brought from Denmark, nor the Danish ones from Britain. The
handles of the British weapon especially appear to have been always of
wood or horn, while many are met with in Denmark with bronze handles,
ornamented with a peculiar pattern, and even sometimes inlaid with
gold, but all invariably without a guard.

Among an interesting collection of bronze weapons discovered near
Bilton, Yorkshire, in 1848, parts of two broken swords were found,
on which Mr. C. Moore Jessop makes the following observations:--"The
portions of swords have each been broken off a few inches down the
blade, thus leaving the metallic part of the handle entire; which has
been covered on both sides with horn or some similar substance, affixed
by rivets, which having become loose have allowed the horn to move
slightly each way, thus wearing away the metal. They have left evident
traces of the shape of the hilt, and likewise prove the weapons to have
been long in use."[276] Gordon engraves a fine bronze sword, twenty-six
inches long, which was found near Carinn, on the line of the wall of
Antoninus Pius, and deposited in the Advocates' Library at Edinburgh.
Its most remarkable feature is its handle, which is of brass, but after
examining the original, I am satisfied that the latter is a modern
addition.[277]

It is especially worthy of note in relation to the makers and owners
of these swords, that the handles are invariably small. One of the
most marked ethnological characteristics of the pure Celtic race, in
contrast to the Teutonic, is the small hands and feet; a feature
so very partially affected by the mingling of Teutonic with the old
Celtic blood of Scotland, that many of the older basket-hilted Highland
swords will scarcely admit the hand of a modern Scotsman of ordinary
size. This has been observed in various primitive races, and is noted
by Mr. Stephens as characteristic of the ancient temple builders of
Yucatan. In describing the well-known symbol of the _red hand_, first
observed at Uxmal, Mr. Stephens remarks,--"Over a cavity in the mortar
were two conspicuous marks, which afterwards stared us in the face in
all the ruined buildings of the country. They were the prints of a red
hand, with the thumb and fingers extended, not drawn or painted, but
stamped by the living hand, the pressure of the palm upon the stone.
There was one striking feature about these hands--they were exceedingly
small. Either of our own spread over and completely hid them."[278]
This is another of the physical characteristics of the earlier races
well worthy of further note. While the delicate small hand and foot
are ordinarily looked upon as marks of high-breeding, and are justly
regarded as pertaining to the perfect beauty of the female form,
the opposite are found among the masculine distinctions of the pure
Teutonic races,--characteristic of their essentially practical and
aggressive spirit,--and are frequently seen most markedly developed in
the skilful manipulator and ingenious mechanician.

The spear-heads of this period are also marked by national distinctive
features; the exceedingly common British form, for example, with loops
to secure it to the shaft, being unknown in Denmark, and a variety of
pierced heads common in Scotland and Ireland being rarely or never
found in England. So it is with other varieties of weapons, implements,
and personal ornaments: some which are common in Denmark are unknown
here, or assume different forms; others with which we are familiar
are unknown to the Danish archæologist; while both are in like manner
distinguished from those of Germany, France, and the south of Europe.
The distinctive peculiarities may indeed be most aptly compared to
those which mark the various national developments of medieval art,
and give to each an individuality of character without impairing the
essential characteristics of the style. The extent of international
communication was only so much greater and more direct in the twelfth
and thirteenth centuries, than in those older centuries before the
Christian era, as to produce a more rapid interchange of thought and
experience.

This national individuality, accompanying such remarkable
correspondence to a common type, may therefore be assumed as justifying
the conclusion that some considerable intercourse must have prevailed
among the different races of Europe during that remote period to
which we refer; and hence we are led to assume an additional evidence
of early civilisation, while at the same time no sufficient proof
appears to point to such a sudden transition as necessarily to lead
to the conclusion that the bronze relics belong entirely to a new
people. On the contrary, the evidence of slow transition is abundantly
manifest. The metallurgic arts, and the models by which their earliest
application was guided, were in all probability introduced by a new
race, who followed in the wake of the older wanderers from the same
Eastern cradle-land of the human race. But the rude stone moulds,
the sand-cast celts and palstaves, and the relics of the primitive
forges in which they were wrought, all point to aboriginal learners
slowly acquiring the new art, while perhaps its originators were
introducing those works of beautiful form and great finish and delicacy
of workmanship, which the antiquary of the eighteenth century could
ascribe to none but the Roman masters of the world.

Mr. Worsaae remarks, after pointing out the correspondence, in many
respects, between the bronze relics of Denmark and those of other
countries of Europe, these "prove nothing more than that certain
implements and weapons had the same form among different nations."[279]
And again, "from these evidences it follows that the antiquities
belonging to the Bronze Period, which are found in the different
countries of Europe, can neither be attributed exclusively to the
Celts, nor to the Greeks, Romans, Phœnicians, Sclavonians, nor to the
Teutonic tribes. They do not belong to any one people, but have been
used by the most different nations at the same stage of civilisation;
and there is no historical evidence strong enough to prove that the
Teutonic people were in that respect an exception. The forms and
patterns of the various weapons, implements, and ornaments, are so
much alike, because such forms and patterns are the most natural and
the most simple. As we saw in the Stone Period how people at the
lowest stage of civilisation, by a sort of instinct, made their stone
implements in the same shape, so we see now, in the first traces of a
higher civilisation, that they exhibit in the mode of working objects
of bronze a similar general resemblance."[280] But are the forms and
patterns thus natural and simple? This argument, which abundantly
satisfies us as to the universal correspondence of the majority of
tools and weapons of the Stone Period, entirely fails when thus applied
to the works of the Bronze Period. The former are in most cases of the
simplest and most rudimentary character: the perforated oblong stone
for a hammer, the pointed flint for an arrow-head, and the longer edged
and pointed flint for a knife or spear. Human intelligence, in its most
barbarous state, suggests such simple devices with a universality akin
to the narrower instincts of the lower animals. They are, in truth,
mathematically demonstrable as the simplest shapes. But the beauty and
variety of form and decoration in the productions of the Bronze Period
bring them under a totally different classification. They are works of
art, and though undoubtedly exhibiting an indefiniteness peculiarly
characteristic of its partial development, are scarcely less marked
by novel and totally distinct forms than the products of the many
different classic, medieval, or modern schools of design. The form of
the leaf-shaped sword, indeed, is unsurpassed in beauty by any later
offensive weapon. We are justified, therefore, in assuming that the
general correspondence traceable throughout the productions of the
European Bronze Period, affords evidence of considerable international
intercourse having prevailed; while the peculiarities discoverable on
comparing the relics found in different countries of Europe compel
us to conclude that they are the products of native art, and not
manufactures diffused from some common source. We have already traced
them as pertaining to the infantile era of Greece, and may yet hope
to find them among the indications of primitive Asiatic population,
thereby supplying a new line of evidence in illustration of the
north-western migration of the human race, and probably also a means
of approximation towards the date of the successive steps by which the
later nomades advanced towards the coasts of the German Ocean.

In the former section numerous instances have been referred to of
the discovery of canoes belonging, by indisputable evidence, to the
Primeval Period. One example, at least, has been recorded of a ship
apparently belonging to the succeeding era of bronze, and which, both
in size and mode of construction, amply accords with the assumed
characteristics of the more advanced period, and with the idea of
direct intercourse with the continent of Europe. "In this town,"
(Stranraer,)says the old historian of Galloway, writing in 1683, "the
last year, while they were digging a water-gate for a mill, they
lighted upon a ship a considerable distance from the shore, unto which
the sea at the highest spring tides never comes. It was transversely
under a little bourn, and wholly covered with earth a considerable
depth; for there was a good yard, with kail growing in it, upon the
one end of it. By that part of it which was gotten out, my informers,
who saw it, conjecture that the vessel had been pretty large; they
also tell me that the boards were not joined together after the usual
fashion of our present ships or barks, as also that it had nailes
of copper."[281] Here we find remarkable evidence of progress. The
rude arts of the aboriginal seaman, by which he laboriously hollowed
the oaken trunk and adapted it for navigating his native seas, have
been superseded by a systematic process of ship-building, in which
the metallic tools sufficed to hew and shape the planks as well as
to furnish the copper fastenings by which they were secured. Vessels
thus constructed were doubtless designed for wider excursions than the
navigation of native estuaries and inland seas; nor must we assume,
because the records of ancient history have heretofore concentrated
our interest on the countries bordering on the Mediterranean, that
therefore the German Ocean and the British seas were a waste of
unpeopled waters, save, perhaps, when some rude canoe, borne beyond
its wonted shelter on the coasts, timorously struggled to regain the
shore. Enough has already been advanced to disabuse us of the fallacy,
that where no annals of a people have been preserved nothing worth
chronicling can have existed.

Much will be gained if faith can be established in the fact, that deeds
worth recording were enacted in Britain in these old times when no
other chronicler existed but the bard who committed to tradition his
unwritten history, and the more faithful mourner who entrusted to the
grave the records of his reverence or his love. Faith is required for
the honest and zealous study of the subject; but with this we doubt not
that many links will be supplied which are still wanting to complete
the picture of the past. This much, however, seems already established,
that at a period long prior to the first century of the Christian era
the art of working in metals was introduced into Britain, and gradually
superseded the rude primitive implements of stone. The intelligent
British savage, supplied with this important element of civilisation,
wrought and smelted the ores, melted and mixed the metals, formed
moulds, and improved on early and imperfect models, until he carried
the art to such perfection that even now we look upon his later bronze
works with admiration, and are hard to be persuaded that they are not
the creations of Phœnician or Roman, rather than of native British
civilisation prior to the introduction of letters.

How remote the origin of this transition-period of civilisation dates
we cannot as yet presume to say; but with our preconceived notions,
derived chiefly from an exclusively classical education, we are more
apt to err on the side of too modern than of too remote a date. Mr.
Worsaae, after discussing and rejecting the idea of a Roman origin
for the bronze relics of Denmark, adds,--"Nor in all probability have
these bronzes reached us from Greece, although, both with regard to
their form and ornaments, particularly the spiral ornaments, a greater
similarity appears to exist between those which occur in the north and
those found in the most ancient tombs of Greece. For independently of
the fact, that the latter have hitherto occurred but seldom, so that
our knowledge of them is extremely imperfect, they belong to so very
remote a period--1000 or 1400 years before the birth of Christ--that we
can by no means be justified in supposing that any active intercourse
then existed between countries so remote from each other."[282] But why
not? Active it might be, though indirect; or, what is equally likely,
both might derive their models from a common source--perhaps Phœnician,
the apparent source of Greek metallurgic art; perhaps from the older
regions of central Asia, whence both were sprung. We see, at least,
from evidence which appears to me incontrovertible, that at a much
more remote period a human population occupied the British Isles; and
we shall allow our judgments to be misled by very fallacious reasoning
if we conclude that they could not have attained to any degree of
civilisation at the period referred to, merely because no notice of
them occurs in the pages of classic writers. The Greeks and Romans
looked with contempt on all other nations. Partly from this national
pride, but still more perhaps from a want of that philological talent
peculiar to modern times, they gave little heed to the languages of
their most civilized contemporaries, and looked on their barbarian arts
and manners with contempt. Yet among the _barbarians_ of the Greeks we
must include the Egyptians, the Phœnicians, and the Hebrews; even as we
ourselves rank among the barbarians of the modern Chinese, whose annals
at most will tell of us as a roving race who first appeared in history
towards the end of the seventeenth century!

The civilisation of the British Bronze Period does not appear to have
been of so active a nature as to have produced any very rapid social
changes. It did not break up the isolated tribes of Britain, and unite
them into kingdoms or associated states. Its material element was never
so abundant as to admit of any such great contemporaneous development.
It was rather such a change as might slowly operate over many
centuries; and that it did so is rendered most probable by the many
relics of it which still remain. The Toltecans and Yucatecs of the New
World achieved much in their Bronze Period unknown to medieval Europe;
nor is it altogether impossible that even now, beyond the vast forests
so recently explored by Mr. Stephens, a native race may be found
practising arts akin to those of Montezuma's reign. Certain it is that
the British Bronze Period was passing away in the transition-state of a
later era when the Roman galleys first crossed the English Channel, and
from the last century B.C. we must reckon backward up to that remote
and altogether undetermined era, when the elder Stone Period passed by
slow transition into that of Bronze.

FOOTNOTES:

[265] Nineveh and its Remains, vol. i. p. 224.

[266] Martin's Western Isles. Lond. 1703, p. 208. The Glenlyon
brooch and the brooch of Lorn--worn according to the tradition of
the Macdougals, by Robert the Bruce, and still preserved in that
family--beautiful examples of this favourite Celtic ornament, are
engraved on Plates II. and III. The Lorn brooch corresponds in some
degree to the description in the text; and a common brass one, probably
of the seventeenth century, in the Collection of C. K. Sharpe, Esq.,
figured on a later page, furnishes a good example of native Celtic art.

[267] Travels in the Western Hebrides from 1782 to 1790. London, 1793,
p. 87.

[268] Ibid. p. 83.

[269] Kincardine Moss. General Append. Sinclair's Stat. Acc. vol. xxi.
p. 154.

[270] Archæol. Jour. vol. iii. p. 257.

[271] MS. Letter Book, vol. i. p. 43, 1780-1781, Libr. Soc. Antiq.
Scot. In a subsequent letter, (Ibid. p. 70,) Sir Alexander Dick
describes several very large deer's horns, in addition to the fragments
previously found. The results of a careful analysis of some of these
bronze relics are given in the succeeding chapter.

[272] They are figured in the Abbotsford Edition, vol. ii. p. 103.

[273] A curious illustration of the mixed stock of the Scottish
Lowlanders is furnished in a charter of Malcolm IV., which is addressed
to the bishops, abbots, priors, barons, and king's lieges in general,
whether French, English, Scots, or Galwegians, and describes the
inhabitants of the burgh of St. Andrews as Scots, French, Flemings, and
Englishmen.--_Lib. Cart. Prior. Sancti Andree_, p. 193.

[274] _Vide_ Biblio. Topog. Britan. vol. ii. Part 3, for a learned
controversy "On brass arms and other antiquities of Scotland," in
a series of letters between Sir John Clerk and Mr. Gale.--Reliquiæ
Galeanæ, pp. 226-232.

[275] Vol. xxxii. Plates IX. X. XII.

[276] Journal of Archæological Association, vol. v., p. 350.

[277] Itinerar. Septent., p. 118. Sir Robert Sibbald also engraves one
with a handle, perfect and more elegant than the former, but he gives
no description of it further than naming it a sword of brass.

[278] Stephens' Travels in Yucatan, vol. i. p. 178.

[279] Primeval Antiquities of Denmark, p. 41.

[280] Primeval Antiquities, p. 138.

[281] "A large Description of Galloway, by Mr. Andrew Symson," p. 83.
App. vol. ii. Hist. of Galloway from the earliest period to the present
time. Kirkcudbright, 1841.

[282] Primeval Antiquities of Denmark, p. 41.




CHAPTER III.

PRIMITIVE BRONZE.


Among the various means of arriving at definite truths in relation to
primitive works in metal, that of chemical analysis has not been lost
sight of, and a number of ascertained results are now on record. Before
proceeding to examine in detail the relics of this second period, it
will be useful to glance at the bearings of this branch of scientific
evidence on the general question.

It may now be received as an established fact, that the manufactures
of this period consist entirely of bronze and not of brass--that is,
of an alloy of copper and tin, and not of copper and zinc; but also
including other metals, and especially a proportion of lead, in some
examples exceeding the quantity of tin present. Even among the Romans
we have abundant evidence that the alloy of copper and zinc was rarely
used, although it is now known to be both more economical, and easier
to work into a variety of forms. Mr. Worsaae, after remarking on the
resemblance observable among the weapons, implements, and ornaments
of bronze found in various countries, both in the north and south
of Europe, adds,--"They have all been cast in moulds, and the metal
is of the same composition--nine-tenths copper, and one-tenth tin.
From this there would be farther reason to suppose that they all
originated with one people."[283] This country, as has been already
shewn, he elsewhere supposes may be England. From a careful examination
and comparison of the antiquities themselves, however, the Danish
archæologist is led to the conclusion that the bronze objects were
manufactured in the various countries of Europe, where they are now
found, and that only the metal was imported from some common centre.
The same idea appears at one period to have been adopted by the Rev.
Dr. Robinson, an Irish archæologist still more distinguished for his
devotion to astronomical science than for his intelligent elucidation
of antiquarian investigations; but the results of more extended
observation, communicated by him to the Royal Irish Academy in 1848,
shew that he was ultimately led to a different conclusion. Minute
examination of the bronzes themselves will be found to throw fully as
much doubt on the probability of a common origin for the mixed metal,
as for the weapons into which it has been fashioned. The difference
even in colour and texture is very great, and in some cases still only
imperfectly accounted for. Many of the bronze weapons found both in
Scotland and Ireland, are of a bright yellow colour, like brass, or
rather resembling gilded metal; it does not tarnish, and, on analysis,
is found to contain no zinc. Others are more of a copper colour,
also little liable to tarnish or corrode; while a third quality, if
polished, rapidly resumes a dark and nearly black colour, and is
frequently found covered with verd antique. To the first of these the
term _Celtic brass_ is often applied, though it is in common use for
all the varieties of primitive bronze. Analysis of these relics by no
means bears out the idea of any uniform system of combination of the
pure metals, or of their being derived from a single source in the form
of bronze. The variations in the proportionate admixture of the metals
were indeed necessarily confined within a limited range, especially in
the manufacture of weapons. It did not require any mutual intercourse
between the old Scandinavian and British armourer to teach them the
most useful combinations of the new alloy. If the sword or spear proved
either too ductile or too brittle for use, it would be consigned anew
to the furnace, with such additions to the mixed metals as experience
must soon suggest. The same would hold good even if we suppose that,
as Cæsar affirms, the Britons used imported bronze, (_ære utuntur
importato_.) Whether the tin and copper were mixed by Phœnician, Roman,
or British metallurgists, similar proportional combinations of the
two would necessarily be the result of experience. It will be seen,
however, that the "Celtic brass" of British archæologists is neither
invariably composed of exactly the same proportions of tin and copper,
nor even solely of these two metals.

One of the most elaborate and valuable reports published on this
subject is contained in a communication read to the Royal Society of
London, June 9, 1796, and printed in the Philosophical Transactions
of that year. It is entitled, "Observations on some metallic arms and
utensils, with experiments to determine their composition," by George
Pearson, M.D., F.R.S. His experiments were both analytic and synthetic,
and consequently enable us to trace the probable experience of the
primitive metallurgist, before he had ascertained the most useful
proportions of the metals for practical purposes. Copper, we know,
is not unfrequently found native in its metallic state, and fit for
immediate use. Tin, though never found in this state, occurs in England
in the same locality with the copper, and often near the surface. It
might, therefore, even accidentally be combined with the former metal.
The fact of the two possessing, when in combination, the requisite
hardness for domestic or warlike purposes which neither of them has
when alone, appears to have been ascertained at a very remote period.
In addition to this indispensable property, the combination possesses
the valuable qualities of being more readily fusible and continuing
longer in the fluid state. Hence the mixture of two of the metals most
readily accessible to the native Briton greatly facilitated all his
other operations.

The synthetic experiments of Dr. Pearson furnish the following results
applicable to the present argument:--The bronze relics submitted
to analysis and comparison consisted--1. of a lituus, or musical
wind-instrument, found in the river Witham, Lincolnshire, in 1768; 2.
A spear-head of the common unperforated form, "made of cast metal, as
appears from its rough surface, figure, texture, and grain.... It is
open grained almost as copper, and porous, as if made of bad metal, of
a blackish-brown or dark-grey colour;" 3. A sauce-pan, (Anglo-Roman
patella,) also made of cast metal, open grained, impressed on the
handle with a stamp, C. ARAT.; 4. A bronze scabbard, with a sword of
iron within it, thought to be Danish; and, 5. Three celts, (Nos. 1
and 3, what we now term axe-heads, No. 2 an axe-shaped palstave,) all
found in the bed of the river Witham. In his comparative experiments
Dr. Pearson fused fifty grains of tin with 1000 grains of copper;
_i.e._, one part of tin to twenty parts of copper. The result, when
polished, differed in shade of colour from that of the celt metals,
being much darker--a point not unworthy of note in determining some of
the characteristics of primitive bronze relics. Its fracture shewed a
colour inclining to the peculiar red of copper. One hundred grains of
tin united by fusion with 1500 grains of copper; _i.e._, one part of
the former to fifteen parts of the latter, resembled the celt metals,
Nos. 1 and 2 in colour, polished surface, grain and brown colour of
the fracture, the red of the copper being no longer apparent. It was
stronger than the celt metals, but not so hard, while it was harder
than the spear-head and the patella. No very remarkable differences are
observable in the experiments of the combinations of twelve, ten, nine,
and eight parts of copper with one of tin. When, however, the copper
is reduced to seven parts to one of tin, the increase in hardness
and brittleness becomes very apparent, while the alloy is decidedly
paler in colour. The same characteristics were still more marked on
successively reducing the proportions of copper to seven, six, five,
four, and three; and when an alloy was made of two parts of copper
with one part of tin, it "was as brittle almost as glass." It is not
difficult, from these results, to imagine the process pursued by the
old worker in bronze, who, having ascertained that he could harden his
copper by alloying it with tin, would not fail to diminish the added
quantities of the latter till he had secured an efficient practical
admixture for the purposes of his manufacture, in which it is apparent,
from the above results, that no very great nicety of apportionment
of the ingredients was required. The most fit proportions for the
manufacture of weapons and tools Dr. Pearson considers to be one part
of tin to nine parts of copper.

The result of a comparison of numerous analyses of primitive bronze
relics will, I think, lead to the conclusion that their correspondence
is not greater than might be anticipated to arise from the experience
acquired by isolated workers, when dealing with the same metals, with
similar objects in view, while the frequent presence of other metals
besides tin and copper may, in the majority of cases, be accepted as
additional proof of the unsystematic processes of the old metallurgist;
though in some instances we may trace, in the adaptation to a special
purpose, the evidence of design.

The results of Dr. Pearson's analytic experiments are as follows:--

_The Lituus_ contained a little more than twelve per cent. of tin;
_i.e._, about one part of tin to seven and a half parts of copper.
Specific gravity, (_before melting_,) 8.3.

_The Spear-head_; fourteen per cent. of tin, or somewhat less than one
part of tin to six parts of copper; in addition to which it contained
the proportion of fifteen grains of silver in a troy pound of the mixed
metal. Specific gravity, 7.795.

_The Patella_; a little more than fourteen per cent. of tin, or about
one part of tin and six parts of copper. Specific gravity, 7.960.

_Bronze Scabbard_; a little more than ten per cent. of tin, or about
one part of tin to nine parts of copper. Specific gravity, 8.5.

_Celts_, Nos. 1 and 2; a little more than nine per cent. of tin, or
about one part of tin to ten parts of copper. Specific gravity, No. 1,
8.780; No. 2, 8.680; No. 3, a little more than twelve per cent. of tin,
or about one part of tin to seven and a half parts of copper. Specific
gravity, (_after melting_,) 8.854.

In the month of August 1816, some labourers employed in lowering the
road on the top of a small eminence, called Huckeridge Hill, near
Sawston, Cambridgeshire, discovered the remains of a human skeleton,
at the feet of which stood two large bronze vessels. On the left side
of the skeleton were also found an iron sword greatly corroded, and
fragments of a very coarse urn, half an inch in thickness. The rim
of the largest bronze vessel was ornamented with a row of bosses,
indented from the under side. Dr. Clarke, Professor of Mineralogy
in the University of Cambridge, subjected portions of the bronze to
analysis, and communicated the result to the Society of Antiquaries
of London. The conclusion he arrived at was, that they consisted of
88/100 of copper with 12/100 of tin, or about one part of tin to seven
and a half parts of copper. Dr. Clarke also assigns exactly the same
proportions of copper and tin as constituting the bronze coinage of
Antoninus Pius, and of his successor Marcus Aurelius; which it will be
seen correspond with those of the lituus and one of the celts analyzed
by Dr. Pearson. The process adopted by the former, however, in the
chemical analysis of those bronzes is much less satisfactory than that
of Dr. Pearson, as he appears to have assumed the absence of all other
metals, and sought only for copper and tin.[284] A bronze sword, found
in France, proved on analysis to contain 87.47 parts of copper to 12.53
of tin in every 100 parts, with a portion of zinc so small as not to be
worth noticing, or capable of affecting the bronze.[285] The analyses
of various specimens of antique bronze, including a helmet with an
inscription, found at Delphi, and now in the British Museum, some nails
from the Treasury of Atreus at Mycenæ, an ancient Corinthian coin, and
a portion of a breastplate or cuirass of exquisite workmanship, also
in the British Museum, are stated to have afforded about eighty-seven
or eighty-eight parts copper to about twelve or thirteen of tin per
cent.[286]

In the communication of Dr. Robinson to the Royal Irish Academy,
previously referred to, he laid before that body a report of a most
valuable discovery made about eighteen years since in King's County.
It consisted of a large bronze vessel, which contained, in addition
to various relics acquired by the late Dean of St. Patrick's and
other individuals, thirteen litui or trumpets of bronze, the largest
having their seams rivetted; thirty-one bronze celts of different
sizes; twenty-nine spear-heads; three gouges; and thirty-one bells,
believed to be for sheep or cattle--all of bronze. The account of this
remarkable discovery had been reserved for sixteen years, owing to the
strange suspiciousness of the Irish peasants by whom it was found, who
imposed on the purchaser the promise of keeping the details secret
during their lives. The last of them died in the winter of 1848, and
then he felt himself at liberty to communicate the particulars which
Dr. Robinson laid before the Academy.

    "The vessel, which is now in the collection of the Earl of
    Rosse, was found in the townland marked Dooros Heath, in sheet
    30 of the Ordnance Map of King's County, near Whigsborough,
    in what appears from the description to have been a piece
    of cut-out bog, about eighteen inches below the surface. It
    is composed of two pieces neatly connected by rivets. The
    bronze of which the sheets are formed possesses considerable
    flexibility, but is harder than our ordinary brass, and it
    must have required high metallurgic skill to make them so thin
    and uniform. On the other hand, it is singular that neither in
    this or any other bronze implements with which I am acquainted,
    are there any traces of the art of soldering; if it might be
    supposed objectionable in vessels exposed to heat, yet in
    musical instruments this would not apply. Such vessels have
    often been found, but the contents of this are peculiar. When
    discovered (without any cover) it seemed full of marl, on
    removing which it was found to contain an assortment of the
    instruments which may be supposed most in request among the
    rude inhabitants of such a country as Ireland must have been
    at that early epoch.... It seems likely that the collection
    was the stock of a travelling merchant, who, like the pedlar
    of modern times, went from house to house provided with the
    commodities most in request, and it is easily imagined that if
    entangled in a bog with so heavy a load, a man must relinquish
    it.

    "This is connected with another question, the source from which
    the ancient world was supplied with the prodigious quantity of
    bronze arms and utensils which we know to have existed. This
    caught my imagination many years since, and I then analyzed
    a great variety of bronzes, with such uniform results that I
    supposed this identity of composition was evidence of their all
    coming from the same manufactures. Afterwards I found that the
    peculiar properties of the atomic compound already referred
    to are sufficiently distinct to make any metallurgist who was
    engaged in such a manufacture select it. It also appears to me
    more permanent in the crucible."

Dr. Robinson states that this alloy, when used for weapons, is a
constant chemical compound containing fourteen equivalents of copper
and one of tin, or nearly eighty-eight parts of the former and twelve
of the latter by weight. But no account is given by him of the process
of analysis, and the results justify the supposition that in these
experiments, as in those of Dr. Clarke of Cambridge, he had assumed the
absence of all other metals, and sought only for copper and tin.[287]
Notwithstanding the opinions quoted above, Dr. Robinson still inclines,
on other grounds, to the conclusion that we are justified in tracing
the bronze to some common source, and this he conceives to be the
Phœnicians. In all the weapons and implements the points are entire and
sharp, and the edges unbroken. The spear-heads are the most remarkable
as specimens of workmanship. They are of various sizes, and of great
diversity of pattern, and also have their points and edges perfect
as if they had never been used. They prove, as Dr. Robinson remarks,
not only that the workmen who made them were masters of the art of
casting, but also that they possessed high mechanical perceptions;
their productions shewing a skilful adaptation of the material to the
end in view. These indications appear to him to confirm the idea of
their derivation from some foreign source. "Yet," he also adds, "in
many of them the colour of the bronze is such as, at first sight, to
excite a suspicion that they were gilded." This has already been noted
as a peculiarity observed hitherto almost exclusively in the primitive
bronze relics of Scotland and Ireland, and even there occurring in
greatest abundance in certain districts. Dr. Petrie observed, at the
meeting of the Academy, that all the bronze relics found in King's
County have the characteristic golden tinge referred to, and added
that the number of beautiful moulds for hatchets and other implements
of warfare found from time to time in Ireland, prove that the ancient
Irish understood the art of manufacturing bronze instruments such as
those discovered in the vessel found at Dooros Heath.

With the desire of testing as far as possible the exact bearing of the
chemical evidence on this interesting inquiry in relation to relics of
the Scottish Bronze Period, I obtained permission from the Council of
the Society of Antiquaries of Scotland to submit various specimens of
bronze in the Society's collection to chemical analysis. The results
will be found to differ very remarkably from that ideal uniformity
which has been supposed to establish the conclusion of some single
common origin for the metal, if not indeed for the manufactured weapons
and implements. The experiments have been made in the laboratory
and under the directions of my brother, Dr. George Wilson, whose
acknowledged experience as an analyst is sufficient guarantee for the
accuracy of the results. In these analyses it will be seen that the
presence of lead has been detected in every instance in greatly varying
quantities, but in two of the examples exceeding the tin.

Five of the examples were selected from specimens in the Museum of
the Society of Antiquaries, the sixth (No. 4) is an axe in my own
possession.[288] They are arranged according to the quantity of copper
present in each. No. 1 is a piece of a large bronze cauldron found
in the neighbourhood of Lauder, Berwickshire. The chief portions of
it, which still remain in the Scottish Museum, appear to have been
partially melted by excessive heat, so as to make a large hole in
the side of the vessel, and above this a thin plate of metal has
been rudely rivetted to repair the injury. No. 2 is a piece of a
leaf-shaped sword dredged out of Duddingstone Loch near Edinburgh;
No. 3, part of one of the large bronze vessels usually styled Roman
camp-kettles, found at Huntly Wood, near West Gordon, Berwickshire;
No. 4, an axe-head in my own possession, which was found in draining
a field near the village of Pentland, Mid-Lothian. This was of the
bright yellow metal so common in the earlier bronze relics of Scotland
and Ireland, and of the very rudest workmanship, having apparently
been cast in sand. It was full of air-holes, and only ground at the
edge like the most primitive axe-heads of flint. Its specific gravity,
however, it will be observed, is high, so that it must have been
hammered in order to give firmness and consistency to the imperfect
results of the crucible and mould. No. 5 is a piece of a bronze
cauldron dredged up from Duddingstone Loch, which appears, like
other large vessels of this period, to have had bronze rings attached
to it for suspension, one of which has been figured on a previous
page, from the original in the Scottish Museum. No. 6 is one of the
implements to which the name of Palstave is now given. It was found
in the parish of Denino, Fifeshire, and appears to have been very
imperfectly cast--probably in loam. Like the axe-head No. 4, it was
rough and full of air-holes, while from its peculiar form it could not
be subjected to the after-process of hammering. Its specific gravity
is accordingly unusually small. The examples, it will be seen, present
every requisite of variety, including weapons, implements, and vessels,
from Fife, Mid-Lothian, and Berwickshire, selected solely as furnishing
a comprehensive diversity in the elements of comparison. The following
are the results of the analyses and the description of the process by
which they were obtained, nearly the whole of the experiments having
been repeated several times:--

                     ANALYSES OF ANCIENT BRONZES.

  +------------------+-------+-------+-------+-------+-------+-------+
  |                  |No. 1. |No. 2. |No. 3. |No. 4. |No. 5. |No. 6. |
  +------------------+-------+-------+-------+-------+-------+-------+
  |Copper,           | 92.89 | 88.51 | 88.22 | 88.05 | 84.08 | 81.19 |
  |Tin,              |  5.15 |  9.30 |  5.63 | 11.12 |  7.19 | 18.31 |
  |Lead,             |  1.78 |  2.30 |  5.88 |  0.78 |  8.53 |  0.75 |
  |                  +-------+-------+-------+-------+-------+-------+
  |                  | 99.82 |100.11 | 99.73 | 99.95 | 99.80 |100.25 |
  |Loss,             |  0.18 |  ···  |  0.27 |  0.05 |  0.20 |  ···  |
  |Gain,             | ···   |  0.11 |  ···  |  ···  |  ···  |  0.25 |
  |                  +-------+-------+-------+-------+-------+-------+
  |                  |100.   |100.   |100.   |100.   |100.   |100.   |
  |                  +-------+-------+-------+-------+-------+-------+
  |Specific Gravity, |  6.37 |  6.23 |  6.77 |  8.27 |  7.75 |  6.16 |
  +------------------+-------+-------+-------+-------+-------+-------+

    "These bronzes were first carefully qualitatively analyzed,
    and found to consist of copper, tin, and lead. Zinc, bismuth,
    antimony, and silver were carefully sought for, but could not
    be found. It is probable, however, that a minute trace of the
    last metal, too small to admit of detection, was present, not,
    however, as an artificial addition to the alloy, but as a
    natural accompaniment of the lead.

    "In the quantitative analysis, a weighed portion of the bronze
    was digested in nitric acid, which dissolved the copper and
    lead, and converted the tin into the insoluble white peroxide.
    This was collected on a filter, carefully washed, dried,
    and weighed, after the filter had been burned. The filtered
    solution containing the copper and the lead was then evaporated
    to dryness along with a portion of sulphuric acid, which
    converted the lead into the insoluble sulphate of that metal.
    This was collected on a filter, treated like the oxide of tin,
    and weighed. The solution of copper which passed through the
    filter was precipitated by solution of caustic potass added in
    excess, and kept at the boiling point till the oxide of copper
    became dark brown. It was then collected on a filter, washed
    with boiling water, and weighed after the combustion of the
    filter.

    "The number obtained by adding together the quantities of
    copper, tin, and lead exceeds that of the quantity of bronze
    taken in the second and sixth analysis. The increase is marked
    as excess, and is subtracted from the added numbers, so as to
    reduce their sum to 100. It should probably be deducted from
    the copper, which in the state of oxide is not easily deprived
    of the whole of the potass employed to precipitate it, and is
    liable, moreover, to retain a little moisture even when it
    appears quite dry. The presence, accordingly, of potass or
    water, or both, increases the apparent weight of the copper.
    As the excess, however, amounts in the one case only to
    11/10,000th of the weight of the bronze analyzed, and in the
    other to 25/10,000th of it, it does not materially influence
    the result, whether as deducted from the entire alloy, or only
    from the copper."

To this chemical evidence I am able, through the kindness of Mr. Bell
of Dungannon, to add the following results of an analysis recently made
for him by Professor Davy of portions of two leaf-shaped bronze swords
found in Ireland:--

                       "No. 1.--_Very brittle._

                    Copper,                   88.63
                    Tin,                       8.54
                    Lead and Iron,             2.83

    The lead and iron in this alloy are most likely impurities in
    copper and tin.

                    No. 2.--_Much more malleable._

                    Copper,                   83.50
                    Lead,                      8.35
                    Tin,                       5.15
                    Iron,                      3.00

    The iron in this alloy is probably an impurity in the other
    metals."

These are not the only instances in which the presence of iron has
been ascertained in Irish bronze swords. In 1774 Governor Pownall laid
before the Society of Antiquaries of London an account of some Irish
antiquities, including two bronze swords found in a bog at Cullen,
county Tipperary. In the communication he remarks,--"That the Society
might have a precise and philosophic description of the metal, I
applied to the Master of the Mint; and by his direction Mr. Alchorn,
His Majesty's Assay-master, made an accurate assay of the metal. 'It
appears,' he says, 'to be chiefly copper, interspersed with particles
of iron, and perhaps some zinc, but without containing either gold
or silver. It seems probable that the metal was cast in its present
state, and afterwards reduced to its proper figure by filing. The
iron might either have been obtained with the copper from the ore,
or added afterwards in the fusion, to give the necessary rigidity
of a weapon. But I confess myself unable to determine anything with
certainty.'"[289] The analysis here appears to have been merely
qualitative; and from the indefinite reference to the possible presence
of zinc, it cannot be assumed to have been made with great strictness.
The presence of iron, however, may be assumed as undoubted, whether it
was the result of accident or design.

One important result which these experiments furnish is, that the
composition of the mixed metal of the Bronze Period indicates no such
uniformity as might be anticipated in manufactures derived entirely
from one source; but, on the contrary, that different examples of it
belonging to the same period exhibit all the degrees of variation that
might be expected in the work of isolated manufacturers, very partially
acquainted with the chemical properties of the standard compound, and
guided, for the most part, by the practical experience of the result
of their labours. The variations in the proportions of the elements
of the bronze are obviously such as to preclude all comparison with
any ancient type. In regard to the favourite theory of Phœnician
origin for these relics comparison is impossible, as we possess no
authentic remains of Phœnician art. An analysis of Egyptian bronze
relics, however, would furnish interesting results in regard to the
ancient metallurgic arts practised in the countries bordering on the
Mediterranean. Such arts, however, were by no means confined to the few
ancient historic races, among whom the Tyrians and Phœnicians generally
rank the foremost for skill in the working of metals. The Turditani,
a tribe occupying the province of Andalusia, in Spain, are described
by Polybius as related to the Celtæ, though Dr. Prichard conceives it
more probable that they were of Iberian than of Celtic kindred.[290]
They are stated to have been the most learned and polished people in
Spain. They had books, poems, and laws composed in verse, and boasted
of a knowledge of the use of letters for 6000 years. It is said of this
people, that when the Carthaginians made an expedition into Spain they
found the Turditani possessed of furniture and vessels of silver, and
far advanced in wealth and luxury. It is not, therefore, indispensable
that Irish antiquaries should trace their metallurgic arts to a
Phœnician source, when a country so much nearer their own, and with
which many of their historic traditions indicate an early intercourse,
was in possession of similar arts at so remote a period.

The other point of greatest importance brought out in the above
analyses is the uniform presence of lead, though in greatly varying
quantities; amounting in the palstave to only 75/10,000; while in the
cauldron dredged from Duddingstone Loch, along with leaf-shaped swords,
perforated spear-heads, &c., it exceeds the whole tin present in the
compound; amounting to 8.53 per cent. of the whole. Lead is known to
have been used by the Romans in a similar manner, possibly from motives
of economy, as in their brass coinage, in which the antiquary has long
been familiar with the presence of this metal.[291] It is also worthy
of special note how greatly all the ingredients of No. 2 and No. 5
vary in proportion, though both were found together, and undoubtedly
belong to the same period. Possibly the very marked difference in the
proportion of the alloys may prove to be the result of design, as the
only other example at all resembling the Duddingstone cauldron, No.
5, is the so-called Roman camp-kettle, No. 3, from Berwickshire. The
difference between them is considerable, but in both the quantity of
lead present is greater than of tin. No such conclusion, however, can
by any possibility be assumed in reference to the weapons analyzed by
Professor Davy. These were both swords, similar in form, and designed
for the same purpose; yet in one the proportion of lead present
greatly exceeds that of tin, while in the other it is so small as to
suggest the possibility of its presence being accidental. A greatly
more limited scale of variations would afford evidence enough to
establish the certainty of a local and independent manufacture carried
on throughout the Bronze Period, by numerous native metallurgists
possessed of just such an amount of crude practical skill as sufficed
to render the new material available for their use.

FOOTNOTES:

[283] Primeval Antiquities, p. 137.

[284] Archæologia, vol. xviii. p. 343.

[285] Mongez, Mém. de l'Instit.

[286] Article _Bronze_, Penny Cyclopædia, vol. v. p. 468.

[287] The extracts from Dr. Robinson's interesting communication
are copied from a report of the Second Meeting of the Royal Irish
Academy, session 1848-9, in Freeman's Dublin Journal. From the length
of the report, its minuteness, and explanatory footnotes, it appears
to have been furnished by the author; but like all newspaper reports
of scientific proceedings, it must be liable to errors for which the
author is not responsible. From a personal opportunity courteously
afforded me, during the meeting of the British Association at Edinburgh
this year, of consulting Dr. Robinson on the subject, I learned that
the uniformity of results in his analyses was only comparative, and
that lead had not been tested for.

[288] It may be proper to add, that in selecting specimens of native
bronze implements from the Scottish collection for the purpose of
analysis, no difficulty was found in obtaining broken fragments
suitable for the purpose, without destroying any perfect example of
primitive art.

[289] Archæologia, vol. iii. p. 355.

[290] Prichard's Hist. of Mankind, vol. ii. p. 92.

[291] Biblio. Topog. Britan. vol. ii. p. 303.




CHAPTER IV.

WEAPONS AND IMPLEMENTS.


The works of the Bronze Period possess an entirely new and distinct
source of interest from those which preceded them, in so far as
they exhibit not only the skill and ingenuity which is prompted by
necessity, but also the graceful varieties of form and decoration which
give evidence of the pleasurable exercise of thought and fancy. Were
we indeed to select the most perfect and highly finished productions
resulting from the knowledge of working in metals, and to place these
alongside of the best works of the Stone Period, we could hardly avoid
the conclusions, already adopted by northern archæologists, that the
works in metal belong to an entirely new and distinct race.[292] A
more careful investigation, however, tends greatly to modify such
conclusions in regard to the British bronze remains. Independently
of the probable presence of Allophylian races in Britain prior
to the earliest arrival of the Celtæ--which the evidence already
adduced of the very remote period to which the existence of a human
population must be assigned seems alone sufficient to determine in
the affirmative--there can be no doubt that stone implements were
in use even within the Celtic era, and that it was not by an abrupt
substitution but by a gradual transition that they were entirely
displaced by those of metal. Reference has already been made to some
striking indications of this in the various moulds which have been
discovered from time to time in the British Isles. It is still more
obvious in the numerous examples of weapons and tools. When classified
on the same simple and natural principle which induces us to recognise
the Stone Period as prior to that of bronze, we detect the evidences
of a slow and very gradual change, and discover the link which unites
the two periods as in regular and orderly succession. In the earliest
bronze axes the form of their prototype in stone is repeated with
little or no variation. Both are equally deficient in any stop-ridge,
loop, or perforation to facilitate the securing of them to a handle;
and we cannot avoid recognising in the latter the new materials in the
hands of the old worker in stone. Another and no less suggestive class
of illustrative examples of this transition-period may be detected
in the stone implements occasionally discovered, obviously made in
imitation of bronze weapons. Mr. G. V. Dunoyer remarks in a valuable
article on bronze celts,[293] in referring to a stone axe in the Museum
of the Royal Irish Academy, very closely resembling the simplest form
of bronze axe,--"So remarkable is this similarity, that it is possible
to suppose this class of weapon to be the last link between the rude
wedge-shaped stone celt and that of bronze; or in it we may perceive an
attempt to revert to the old material, improving the form after that
of the earliest metal implement." It is perhaps still more legitimate
to infer from it the scarcity of the metals at this early period
compelling the axe-maker, while adopting the newer models, to retain
the only material at his command.

Much learned and very profitless controversy has been carried on
respecting the weapons of the Bronze Period. The archæological works
of last century and of the early years of the present century, abound
with elaborate demonstrations of the correspondence of celts and
spear-heads to the Roman securis, hasta, and pilum. It may be doubted
if some of the more recent attempts to determine the exact purpose
for which each variety of bronze implement was designed tend to much
more satisfactory results. When it is considered that the most expert
and sagacious archæologist would probably be puzzled to determine the
purpose of one-half the tools of a modern carpenter or lock-smith, it
is surely assuming too much, when he stumbles on the hoarded weapons
and implements of the old Briton, who has reposed underneath his
monumental tumulus, with all the secrets of his craft buried with him,
for full two thousand years, to pretend to more than a very general
determination of their uses. Much mischief indeed is done in the
present stage of the science by such attempts at "being wise above that
which is written." These relics are our written records of the old
ages, and it is well that we should avoid bringing their chroniclings
into discredit by forcing on them an interpretation they will not
legitimately bear.

The capabilities of the new material introduced to the old workers
in stone, were pregnant with all the elements of progress, and one
of the most interesting features belonging to the Archaic Period is
the gradual development of skill, inventive ingenuity, and artistic
decorative fancy, in the series of bronze weapons and implements. The
following examples found in Scotland, while they serve to illustrate
this feature of progressive improvement, may also in some degree
help towards the establishment of a fixed nomenclature; the want of
which renders so many "Statistical" and other accounts of important
discoveries utterly useless for all practical purposes.

The following is an attempt to define such a system of classification
as the Scottish examples naturally admit of, assuming every additional
improvement, complexity, or ornamentation as evidence of progress, and
therefore of work of a later date.[294]

CLASS I. consists of bronze implements made apparently in imitation
of the older ones of stone, and to which the name of Celt-axes may
therefore be very consistently applied. Of these a very primitive
specimen in the Scottish Museum is little more than an imperfectly
squared oblong piece of yellow bronze, or "Celtic brass," full of
air-holes, and evidently cast in sand. It was found in the Moss of
Cree, near Wigtown, in Galloway. The analysis of another nearly similar
to this, and found a few miles from Edinburgh, has been given in the
previous chapter. To this class also have belonged the implements
cast in the polygonal stone mould now in Belfast.[295] The simplicity
of the mould completely corresponds with the primitive character
of the manufactures in which it was employed; the axe-heads having
been fashioned merely by pouring the melted metal into the exposed
indentation in the stone, as the previous examples were moulded in an
impression in sand.

CLASS II.--In this group may with considerable propriety be placed
a peculiar class of bronze axes, of comparatively rare occurrence
in Scotland, and apparently unknown in English collections, though
frequently met with in Ireland. To these I would propose to apply the
name of Spiked Axe. The accompanying woodcut, which represents one
found along with other bronze relics at Strachur, Argyleshire, will
convey a better idea of the peculiar characteristics of the second
class of axes than any description. It might be taken for the normal
type of the medieval battle-axe, which the mail-clad knights of the
thirteenth century bore at their saddle-bow. The few examples met with
almost invariably exhibit the same uniformity of thickness throughout,
accompanied with an imperfect adaptation for hafting, so as to leave us
in little doubt as to the true place of the spiked axe, first in order
after its simpler prototype.

[Illustration]

[Illustration]

CLASS III. consists of axe-heads, not greatly dissimilar in general
form to those of the first class, but larger, and exhibiting manifest
evidence of the improvements of experienced workmen. For these the
term Axe-blades, plain or incised, appears most suitable. They are
sometimes finished with a broad flange along the sides, thereby
securing at once economy of material with lightness and strength; and
are, oftener than any other bronze relics, decorated with incised
ornamental patterns corresponding to those which occur on the pottery
of the same period. This kind of ornamentation, though frequently
executed with considerable taste, presents a striking contrast to the
graceful mouldings and perforations of the more advanced period. It
appears to have been produced in the most simple manner, by striking
the surface with a punch, sometimes (as in an example in the Scottish
Museum, which measures 5¾ inches long) with no very marked attempt
at a definite pattern. Other, however, are characterized by much more
taste and evidences of design. The very fine specimen figured here,
from a drawing by Sir Thomas Dick Lauder, Bart., is like the former,
of bright yellow metal. It was discovered in the year 1818, a few
inches below the surface on the Moor of Sluie, and not far from the
river Findhorn, Morayshire. Various interesting relics have been found
in this locality. In the month of March, of the same year, a cist was
uncovered on the moor, within which lay a bronze spear-head of the
primitive type, 11¼ inches in length, and perforated with four
holes for attaching it to a handle. The point is considerably corroded
and imperfect, and was apparently above an inch longer when complete:
beside it lay two unusually large bronze celt-axes, about half an inch
thick, and six inches long. Drawings and a description of these were
communicated to the Society of Antiquaries of Scotland at the time
of their discovery, by Sir Thomas Dick Lauder, and are now preserved
among the Society's MSS. Various examples of similarly ornamented
axe-blades, in the Museum of the Royal Irish Academy, are engraved in
the fourth volume of the Archæological Journal. A very beautiful and
unique specimen, found in the county of Tipperary in 1843, and now in
the collection of the British Museum, is figured in the sixth volume
of the same Journal.[296] An English engraved axe-blade, of analogous
type, found near Clare, in Suffolk, along with eighteen others of
various sizes, and with several similarly ornamented, is figured in
the Archæologia;[297] and a few other examples of this rare class of
primitive decorated weapons, from various localities, are preserved in
the British Museum. These incised lines are supposed by many to have
been designed for use as well as ornament, and several allusions, by
ancient Irish writers, to the employment of poisoned weapons by the
Celtic natives, are referred to in confirmation of the probability
that the indented patterns were wrought on the axe-blade to adapt it
for retaining the poison with which it was anointed preparatory to the
conflict. The rarity of the occurrence of such incised lines militates
in some degree against this theory; but it will be seen hereafter that
other devices of more frequent adoption may have answered the same
barbarous and deadly purpose.

[Illustration]

CLASS IV. includes a variety of the implements to which archæologists
are now generally agreed in applying the old Scandinavian term
Paalstab, or its recently adopted English synonyme, Palstave,
originally designating a weapon employed in battering the shields of
the foe. Their general characteristics partake more of carpentering
tools than of weapons of war, but in this, as in many other instances,
it is difficult to draw the distinction with any certainty, where
the objects might be of equal avail for both purposes. The palstave
consists of a wedge, more or less axe-shaped, having a groove on each
side, generally terminating in a stop-ridge, by means of which it was
united to a cleft haft, and with projecting lateral ridges, designed
still farther to secure its hold on the handle. Various improvements
on the primitive form have obviously been suggested by experience.
The woodcut represents a fine example in the Museum of the Scottish
Antiquaries, found on the farm of Kilnotrie, parish of Crossmichael,
in the Stewartry of Kirkcudbright. The original measures 6¾ inches
in length. Notwithstanding the axe-like shape of a few of the largest
of these implements, I cannot but think that the idea of the mode
of hafting them by means of a bent stick, as recently assumed,[298]
appears forced and improbable. In all the additions, apparently
suggested by experience, for the purpose of more effectually securing
it to the handle, no single example has been found with a bent groove,
a hollow socket or perforation, or any other of the most simple and
obvious adaptations of the metal to such a purpose. It cannot for
a moment be supposed that such an improvement was beyond the skill
or ingenuity of the metallurgist. In the example figured here, the
hole through the end appears to have been produced in the casting.
The labour of hewing the mould, or hammering the palstave into the
desired shape, with which the old worker in stone was already familiar,
would scarcely exceed that involved in the adaptation of each wooden
haft. Mr. James Yates has suggested, in an ingenious communication
to the Archæological Institute, that one of the most important uses
to which bronze celts were applied was in destroying fortifications,
entrenchments, and similar military works.[299] In illustration of
this the author engraves two examples from the Nimroud Marbles, in
which Assyrian soldiers are seen breaking through a wall of brick or
small stones, by means of chisels not greatly dissimilar to our bronze
celts, but fitted to a straight wooden handle. For such operations
many of the larger palstaves would be no less suitable. The one here
figured, from the original, measuring 7½ inches in length, in the
valuable collection formed by Sir John Clerk at Penicuick House, seems
peculiarly adapted for the purpose. Mr. Yates accordingly arrives
at the conclusion, that "wherever we should now use the spade, the
crow-bar, or the pick-axe, the ancients used the palstave or the
hollow celt, fastened to a straight wooden shaft; and this was the
practice, not only of the Romans, but of the Greeks and Macedonians,
the Hebrews, Assyrians, and Carthaginians, and of all nations to which
they extended the knowledge of their arts, or which were sufficiently
advanced in civilisation to dwell in fortified places."[300] This
farther conclusion inevitably follows, if we adopt the ingenious theory
of Mr. Yates,--that the Britons of the Bronze Period had advanced to a
similar state of civilisation; nor is it inconsistent with the ideas
we are led to form of their skill and progress in the arts, that they
had already reared the ingenious earth-works which still crown the
summit of many a height both in England and Scotland. Against such
works, however, even the largest of the bronze palstaves would prove
but an inefficient implement, whether used as a crow-bar or hatchet,
and if employed as a spade, the most of them would be of somewhat
less avail than an ordinary tablespoon! It is not always easy to
discriminate unhesitatingly between the true axe-head and the palstave.
In many examples, where the general shape is completely that of the
axe-blade, both the stop-ridge and side flanges are formed, while the
narrow palstave no less frequently wants the stop-ridge. In Sir Robert
Sibbald's History of Fife and Kinross, one of the latter class of
palstaves is engraved, with a broad double flange, evidently adapted
for insertion in a cleft handle, and which he has entitled a "brass
axe found in a cairn of stones." Numerous other examples have been
discovered under similar circumstances, leaving no room to doubt of
their native origin, or of the estimation in which they were held by
their primitive owners.

[Illustration]

CLASS V. includes an improved variety of palstaves having a loop or
ear attached to them, and in many instances the sides overlapping
to a considerable extent, occasionally so much so as to meet, and
form a perforation or socket for receiving the handle. In this class
the overlapping flange is often only on one side, especially where
it is turned over so as to form a socket; but in no example which I
have examined is there any adaptation of it properly suggestive of
the assumed theory of a bent handle, designed to admit of its use
as an axe. If such was its mode of hafting, it exhibits a degree of
clumsiness and inefficiency very inconsistent with the numerous traces
of inventive skill and ingenuity observable in other relics of the same
period. The example figured here is from one found in draining a field
to the west of Blackford Hill, near Edinburgh. It is of the most common
form, and measures 5¾ inches in length.

[Illustration]

CLASS VI. consists of the un-looped Bronze Celt, which is of
comparatively rare occurrence in Scotland, though frequently met with
in Denmark. It differs only from the more common celt in the absence of
the loop; but it is generally of a small size, and is never found of
the proportions of the largest British celts.

[Illustration]

CLASS VII.--The Bronze Celt is the most common of all the relics
of this period, found of various sizes and degrees of ornament,
from the plain small celt of scarcely an inch and half, to those of
five and six inches long, fluted, and encircled with mouldings or
cable-pattern borders, and ornamented with incised lines and embossed
figures on the blade. In Sir Robert Sibbald's Portes, Coloniæ, &c.,
a Scottish example of the engraved celt is figured, with its blade
decorated with the herring-bone pattern, in the same style, and
perhaps with the same object as has been assumed for the origin of
the incised axe-blades of the period. Examples of engraved celts are
of much rarer occurrence than axe-blades, if indeed this one is not
unique.[301] The use of the loop so generally attached to the bronze
celt, as well as to one class of the palstaves, has been a subject of
scarcely less industrious speculation than the probable purpose of the
implement itself. The idea which has been repeatedly suggested of
its design as a means of securing the celt, as an axe-head, to a bent
shaft, is scarcely less unsatisfactory than in the previous class of
looped palstaves. If it was used with a thong or cord, the fastening
would be so readily exposed to injury, while at the same time it so
imperfectly accomplished the object in view, that it appears altogether
inconsistent with the general manifestation of ingenuity and skill
in the workers in metal to conceive of them adhering to this clumsy
device. The unique specimen found at Tadcaster, with an oval bronze
ring attached to the loop, and a small ring or bead of jet upon it,
so far from confirming such a theory, seems much more consistent with
its use as a means of suspension or of securing a number together for
convenient deportation.[302]

Such is an attempt to assign a consistent classification and
nomenclature to a variety of bronze implements, hitherto most
frequently described by British archæologists under the general name
of Celts,--a matter perhaps of no very great moment, yet at least
calculated to give facility and precision to future descriptions of the
discovery of similar objects, and thereby to render such observations
of greater avail to the archæologist. They are all more or less
applicable to a variety of uses, both as mechanical tools and warlike
weapons; and it is not improbable that in entering upon any very nice
attempts at discriminating between the various purposes for which they
were designed, we shall only ingraft on the products of primitive art
a subdivision peculiar to modern civilisation. At a period much nearer
our own time the same implement sufficed the Scottish border trooper
for table-knife, couteau de chasse, and dagger; and it seems most
probable that the older Briton carried the same bronze axe with him to
battle with which he waged war against the giant oaks of his native
forests. It is a matter worthy of note, however, and calculated to
excite in us some surprise, that no bronze axe has yet been discovered,
if I mistake not, either in Britain or Ireland, with a perforation
through it,--the simplest of all means of securing it to a handle, and
one which was already familiar to the workers in stone. The following
description might indeed lead to a different conclusion, if we could
depend on the strict use of the terms employed:--"On the banks of the
Cree, in Galloway, there were several tumuli. In some of these, when
they were opened in 1754, there were found the remains of weapons of
brass, which were very much corroded. One of these was formed like a
halbert; another was shaped like a hatchet, having in the back part
an instrument resembling a paviour's hammer. A third was formed like
a spade, but of a much smaller size, and each of these weapons had _a
proper aperture for a handle_."[303] Unfortunately the researches of
the Scottish archæologist are continually arrested by such tantalizing
descriptions, conveyed in vaguest terms, and with no accompanying
illustrations to help him to the true character of the objects; leaving
him to mourn the apathy of Government, which refuses all aid to those
who are striving to arrest such fleeting records of the past, and
deposit them, where alone they ought to be, in national museums.

[Illustration: Lever. Pettycur.]

Numerous other weapons and implements, of the same metal and character
of workmanship, have been found in the Scottish tumuli, or in the
chance hoards of bogs or alluvial deposits. Bronze gouges and chisels
are among the most common of these, though hitherto apparently less
frequently noted in Scotland than in England and Ireland. Of rarer
implements of the same era, the bronze crow-bar, or lever, represented
in the annexed woodcut, half the length of the original, is, I think,
unique. It was found in 1810, in a barrow near Pettycur, Fifeshire, and
is now in the collection of the Hon. James Talbot. It is figured in the
Archæological Journal, in illustration of Mr. Yates's communication
on the use of bronze celts in military operations, and is described
as very strong.[304] Its longer end, bent perhaps accidentally, seems
intended to be fixed in a stout handle of wood, to which it could be
firmly secured by the perforated wings. Mr. Yates adds in describing
it:--"The circumstance of its discovery in a barrow is an evidence
that it was used for some military purpose, for barrows were not the
tombs of agriculturists, gardeners, masons, or carpenters, but of
chiefs and warriors." But in making use of such an argument it may
be doubted if we are not applying the results of modern civilisation
as the standard of primitive ideas. Most probably the greatest chief
of the early Bronze Period was in many cases also the best mason,
carpenter, and military engineer, and the most skilful worker in
metals,--the literal chief, in fact, and true Teutonic _king_, or
most knowing man of his tribe. Perhaps a better argument is to be
found in the frequent decoration of the bronze celt. There is a sense
of fitness in all minds, and most surely developed in the primitive
stages of civilisation, where it acts intuitively, which teaches man
to reserve the decorative arts for objects of luxury and pleasurable
enjoyment,--then including war and the chase,--but not to expend them
on tools of handicraft and implements of toil.[305]

The variety of lance and spear-heads is no less characteristic of the
gradual progress of the primitive worker in bronze, from the imitation
of the rude types of his obsolete stone weapons, to the production of
the large and beautiful myrtle-leaf spear-heads, finished with the
most graceful symmetry, and fully equal in character to the finest
medieval workmanship. The earliest examples are mere pieces of hammered
metal, reduced to the shape of a rude spear-head, but without any
socket for attaching them to a shaft. They manifestly belong to the
primitive transition-period, in all probability before the northern
Briton had learned to smelt or mould the newly introduced metal.
Lance and arrow-heads of the same form, or slightly improved by being
made somewhat in the shape of the barbed flint arrow-head, are also
preserved in the Museum of the Scottish Antiquaries; and a curious
example of the spear-head of the latter type, measuring 10½ inches
in length, is engraved in the Archæological Journal.[306] It was found
in 1844 by some workmen while dredging in the bed of the Severn, about
a mile and a half below Worcester, and is made, like so many others of
the simpler forms, of metal of very bright colour and hard quality,
in appearance more nearly resembling brass than bronze. Others of the
earlier forms of bronze spear-heads are perforated with holes at
the broad end, and not unfrequently retain the rivets by which they
have been attached to the shaft. A spear-head of this class, in the
Museum of the Scottish Antiquaries, measuring 14¾ inches in length,
has been secured by three large rivets, two of which still remain. A
drawing by Sir Thomas Dick Lauder, in the collections of the Society,
preserves the figure of another of the same type, but with four rivets,
found in a cist on the moor of Sluie, Morayshire, in 1818. A third
example, closely resembling the last, and found on the Eildon Hills,
Roxburghshire, is in the Abbotsford collection.[307] They have been
cast, but obviously by workmen chiefly familiar with the older forms of
flint and stone. This class of weapons, or Spear-blades, as they may be
termed, is by no means rare.

The earlier implements, chiefly constructed in imitation of the
primitive stone models, were intended, for the most part, to be secured
to the shaft by means of cords or leather thongs. But the worker in
the new material soon learned its capabilities. The hollow socket was
speedily superadded, generally accompanied with a projecting middle
ridge to strengthen the weapon, and admit of its receiving more readily
an acute edge and point. To these again were added the double loops,
designed apparently for still further securing it to the shaft; and
with this addition the merely useful and essential features may be
supposed to terminate, though there is considerable variety in the
forms which spear-heads of this class display. The most common and
graceful shape might seem to be borrowed from the myrtle leaf. Several
are engraved in Gordon's Itinerarium Septentrionale, (_Plates_ L. and
LI.,) from the collection of Sir John Clerk of Penicuick, including
some interesting varieties. One, of very rude form, and which the
author of course styles _Roman_, was found under a cairn in Galloway.
Another, curiously incised with alternate chequers of diamond shape, is
described as a _hasta pura_. A spear-head, decorated in the same style,
though with a different pattern, was found near Bilton, Yorkshire,
along with a quantity of other bronze weapons, in 1848.[308] But the
most singular of all the "several sorts of _hastæ or Roman spears_,"
as Gordon delights to call them, is one figured on _Plate_ LI., No.
6, of the Itinerarium, and which may be most fitly described as
fiddle-shaped.[309] Neither of these remarkable examples is now to be
found in the Penicuick collection. The woodcut represents a spear-head
with two loops, which is one of the very commonest forms of the smaller
class of Scottish bronze spears, most generally of the bright yellow
metal, apparently peculiar to Scotland and Ireland. The other is a
singular form of socketed spear, differing from any example I have met
with elsewhere. It was found, along with various other bronze weapons
and implements, in a moss near Campbeltown, Argyleshire, and is now the
property of J. W. Mackenzie, Esq. It measures nearly seven inches in
length, by one and a half inch in greatest breadth, and is covered with
verd antique.

[Illustration]

[Illustration]

A very great variety is now discernible in the weapons of the period.
The metallurgist had at length mastered the new art, and was rapidly
advancing in taste as well as skill. His inventive powers supplied
constant novelty in the multiplication of new forms and ornamental
devices. The woodcut represents a very fine double-looped spear-head,
five and two-fifth inches long, found near the river Dean, Angusshire,
and now in the collection of Mr. Bell of Dungannon. Javelin and
spear-heads, decorated with similar indented ornaments, have been
met with both in Scotland and Ireland. The larger spear-heads also
now occur "eyed," as it is termed, or perforated with a variety of
ornamental openings, frequently surrounded with a raised border,
and otherwise decorated according to the fancy of the designer.
Among the broken and half-melted arms dredged out of Duddingstone
Loch are numerous fragments of such Eyed Spear-heads, and several
very beautiful perfect specimens are preserved in the Museum of the
Scottish Antiquaries, as well as at Abbotsford, and in other private
collections. They are extremely various in form, exhibiting such
a diversity of design even in the simple patterns, as well as of
ornamental details in the more elaborate ones, as amply to confirm
the idea suggested by so many remains of the bronze period, that these
relics were the products of no central manufactory, much less the
importation of foreign traders, but were designed and moulded according
to the taste and skill of the local artificer, most frequently for his
own use. One remarkable feature in the largest and most elaborate of
those in the Scottish Museum, represented in the annexed engraving,
abundantly confirms the system of classification which gives it place
among the later products of the Bronze Period. It measures fully
nineteen inches in length, and was found on the lands of Denhead, in
the parish of Cupar-Angus, Perthshire, about the year 1831. The bronze,
like that of many other works of the same period, is extremely brittle,
and the spear-head is broken and imperfect. One of the fractures
near the point of the blade shews that a thin rod of iron has been
inserted in the centre of the mould to give additional strength to this
unusually large weapon, and suffices to connect it with the second
transition-period, when the bronze was giving way to the more useful
and abundant metal which now nearly supersedes all others in the useful
arts. Of the simpler forms of the eyed or perforated spear, one of the
most common is pierced with two segmental openings placed opposite
to each other, or more rarely disposed irregularly so as to convey
somewhat the appearance of an S or ogee perforation. I am indebted to
Mr. Albert Way for a sketch of a very fine example of the former type,
found at Ardersier Point, Inverness-shire, about 1750. It measures in
length fourteen inches by two and three quarters in greatest breadth.
This remarkably fine specimen was discovered in a tumulus lying by the
side of a human skeleton. A similar spear was found in Northumberland
in 1847, along with a bronze sword and other relics, the whole of
which are now in the possession of the Hon. H. Liddell. But the eyed
spear-head, which is common both in Scotland and Ireland, appears to
be of rare occurrence in England, and is, I believe, unknown among
the native antiquities of Denmark, though it has been so long the
fashion with Scottish and Irish antiquaries to assign to these relics a
Scandinavian origin. The Scottish bronze dagger of the same period is
almost invariably found to consist of a two-edged blade, tapering to
a point, and perforated with two or more holes for attaching a handle
to it by means of rivets, but without the simpler, and, as it would
seem, more obvious and secure fastening of a prolongation of the broad
end of the blade for inserting into a haft. These weapons are also
occasionally found elaborately ornamented, according to the prevailing
style of the era. They generally retain the bronze rivets, thereby
shewing that the handles had been of wood or horn, and not of metal,
as is most frequently the case with the swords and daggers of the same
era found in Denmark. The annexed figure represents a fine example of
the Scottish bronze dagger, found at Pitcaithly, Perthshire, and now in
the valuable collection of Mr. Bell of Dungannon. It measures fully six
inches in length, by two inches in greatest breadth.

[Illustration]

[Illustration]

But the most characteristic and beautiful of all the relics of the
Bronze Period is the leaf-shaped sword, which has been frequently
found with both point and edge as sharp as when it first was used.
The examples already referred to, which were found, in 1846, on the
south side of Arthur's Seat, near Edinburgh, during the construction
of the "Queen's Drive," are equal to any that could be produced.
The largest of the two is one of the finest ever found in Scotland,
measuring twenty-six and a quarter inches in extreme length, and one
and three quarter inches at the broadest part of the blade. The form
is exceedingly simple, though graceful and well proportioned; but
a small engraving conveys a very imperfect idea of the weapon when
held in the hand.[310] The section of the sword shews the art with
which it is modelled, so as to secure the indispensable requisite of
strength along with a fine edge, the blade swelling in the middle, and
tapering off towards the line which runs round the entire blade within
the edge. The metal is indeed too soft, apparently, to retain a sharp
edge, or to resist the contact with any hard body; but it has been
found that when this alloy has been cast into such forms, if the edge
be hammered till it begins to crack, and then ground, it acquires a
hardness, and takes an edge not greatly inferior to the ordinary kinds
of steel. Several of the bronze swords in the Scottish Museum are
broken in two, and some of them imperfect, most of such having been
found with sepulchral deposits. One of these was discovered, alongside
of a cinerary urn, in a tumulus at Memsie, Aberdeenshire. Another
was found, lying beside a human skeleton, in a cist under Carlochan
Cairn, one of the largest sepulchral cairns in Galloway, which formerly
stood on the top of a high hill on the lands of Chappelerne, parish of
Crossmichael. It was demolished in the year 1776 for the purpose of
furnishing materials to inclose a plantation. From such discoveries
we are led to infer that one of the last honours paid to the buried
warrior was to break his well-proved weapon and lay it at his side, ere
the cist was closed, or the inurned ashes deposited in the grave, and
his old companions in arms piled over it the tumulus or memorial cairn.
No more touching or eloquent tribute of honour breaks upon us amid the
curious records of ages long past. The elf-bolt and the stone axe of
the older barrow, speak only of the barbarian anticipation of eternal
warfare beyond the grave: of skull-beakers and draughts of bloody wine,
such as the untutored savage looks forward to in his dreams of heaven.
But the broken sword of the buried chief seems to tell of a warfare
accomplished, and of expected rest. Doubtless the future which he
anticipated bore faint enough resemblance to the "life and immortality"
since revealed to men; but the broken sword speaks in unmistakable
language of elevation and progress, and of nobler ideas acquired by the
old Briton, when he no longer deemed it indispensable to bear his arms
with him to the elysium of his wild creed.

This graceful custom would appear to have been peculiar to Britain, or
it has escaped the attention of northern antiquaries. Mr. Worsaae makes
no mention of it in describing corresponding Scandinavian weapons,
but rather seems to imply the opposite when thus referring to a later
period,--"Skilful armourers were then in great request, and although
in other cases the Danish warrior would have thought it unbecoming and
dangerous to disturb the peace of the dead, he did not scruple to break
open a barrow or a grave, if by such means he could obtain the renowned
weapon which had been deposited beside the hero who had wielded
it."[311] Thus we learn that from the remotest times even to our own
day, the northern warrior has esteemed his sword the most sacred emblem
of military honour. In later ages the leaders of medieval chivalry
gave names to their favoured weapons, the Trobadours celebrated their
virtues with all the extravagance of Romaunt fable, and still the
soldier's favourite sword is laid on his bier when his comrades bear
him to his rest.

Associations with these ancient weapons of an altogether different
nature have been suggested, chiefly in consequence of some resemblance
of the indented mouldings on the bronze swords to the ribs and grooves
frequently found on the modern Malay Creess. The design of the latter,
it is well known, is to retain poison, and it has been supposed, not
without some appearance of evidence, that such practices were not
unknown to the ancient Caledonian. This has been already referred
to as the purpose which perhaps first suggested those rude incised
lines on the earlier axe-blades, afterwards turned to account as a
means of tasteful decoration. In the ancient Irish poem on the death
of Oscar, printed in the first volume of the Royal Irish Academy's
Transactions, the spear of Cærbre is said to be poisoned, seemingly
in no figurative sense. The era of the bronze sword is of an earlier
date; but notwithstanding the graceful symbolism apparent in some of
the sepulchral rites, we have little reason for assuming that there was
anything in the degree of civilisation attained by the Briton of that
period incompatible with such savage practices.

Fewer primitive relics of armour or of personal covering have been
found than of weapons of war, as might naturally be expected among
a people whose partial civilisation could not so far have overcome
the natural habits acquired in the chase and the sudden foray, as to
induce them to cumber themselves with any great amount of defensive
accoutrements. Skins and furs no doubt formed their chief articles
of clothing and protection, and moreover, abundantly admitted of the
degree of ornament which the taste indicated in the decoration of their
weapons would lead them to aim at.

Helmets or head pieces of any kind belonging to the native Pagan era
are of extremely rare occurrence. In a tumulus at Drimnamucklach,
Argyleshire, pieces of a rudely adorned bronze helmet were found,
and are now in the possession of Mr. Campbell, the proprietor of the
estate. Gordon describes another example found in a cairn, near
the water of Cree, Galloway, but it was so cracked and brittle, and
probably also so rudely handled, that it fell to pieces on being
removed.[312] There is every reason to believe that this piece of
defensive armour was not generally used among the native Britons, nor
indeed among the Scandinavian warriors of the Bronze Period. Only one
imperfect fragment of a bronze helmet exists in the ample collections
of the Christiansborg Palace at Copenhagen. Diodorus refers to the
brazen helmet of the Gauls, but both Herodian and Xiphiline speak of
the Britons as destitute of this defensive head-piece. Their matted
locks, which they decorated with the large and massive hair-pins
of gold, silver, or bronze, so frequently found with other relics,
sufficed them alike for protection and ornament. This custom was
probably common to all the northern races. But the indispensable
defensive armour of the old British warrior was his shield, frequently
made entirely of bronze or of wood covered with metal, and sometimes
adorned with plates of silver and even gold.

[Illustration: Bronze Buckler, Ayrshire.]

The ancient bronze shield is of common occurrence both in Britain and
Ireland, and forms one of the most ingenious specimens of primitive
metallurgic art. In 1780 a singular group of five or six bronze
bucklers was discovered in a peat moss, six or seven feet below the
surface, on the farm of Luggtonrigge, near Giffin Castle, Ayrshire. The
shields were regularly disposed in a circle, and one of them, which
passed into the possession of Dr. Ferris, was subsequently presented
by him to the Society of Antiquaries of London. It has a semi-globular
umbo, surrounded by twenty-nine concentric rows of small studs, with
intervening ribs, and measures 26¾ inches in diameter.[313] Like all
the primitive British bucklers, it will be seen that it was designed
to be held in the hand, the raised umbo in the centre being hollow to
receive and protect the hand where it grasped the cross bar, seen on
the under side in the annexed engraving. The central umbo is surrounded
with a series of rings of bronze set with small studs, and the two pins
seen on the inner side have perhaps secured a strap for suspending it
to the neck of the wearer when not in use. In 1837 two remarkably fine
bronze shields of this description were exhibited to the Society of
Antiquaries of Scotland by Mr. George Wauchope of Niddry, which were
found near Yetholm, about eight miles from Kelso, at a depth of four
feet, by a labourer engaged in digging a drain. Sir Robert Sibbald
describes among Scottish antiquities obtained on the sites of ancient
camps, "pieces of harness of brass: some for the arms and some for the
legs. Shields also are found; some oblong and oval, and some orbicular.
Some of these are of brass and some of wood full of brass nails."[314]
It is probable that many of the shields of the same period were made
chiefly of wood and leather, with the central umbo of bronze; the
latter being occasionally discovered alone in barrows. In the circular
Highland target, which is still to be met with among collected relics
of the clans, we find a curious example of the imitation of the earlier
model of the Bronze Period. Though the Roman example of wearing the
shield on the arm has been followed by the Scottish mountaineer,
rendering the hollow umbo no longer of use, yet it appears to the last
in the boss of his target, furnishing another striking proof of the
unreasoning tenacity with which the Celtic races are found to cling to
ancient customs.

Among the specimens of defensive armour preserved in the Museum of the
Scottish Antiquaries, are two pieces of thin copper, decorated with
indented ornaments, which were presented to the Society by Sir George
Mackenzie of Coull, Bart., in 1828. They are described by the donor
as pieces of copper, supposed to be plate armour, or the covering
of a shield, found in a cairn, under an oak tree at Craigdarroch,
Ross-shire. Various other portions were found along with these,
and their appearance seems fully to justify the supposition of the
donor. In the autumn of 1849 a remarkable discovery of bronze arms
and other antiquities was made in the Isle of Skye. They included
swords, spear-heads, celts, and a bronze pin with a hollow cup-shaped
head similar to one figured in the Archæological Journal, a relic of
one of the Irish Crannoges, or island strengths.[315] A gold armilla
and other ornaments of the same precious metal are also said to have
been obtained along with these ancient remains, and beside them lay
the fragments of an oaken chest in which the whole appeared to have
been deposited. The most of these valuable relics were secured by
Lord Macdonald, but one curious and probably unique implement fell
into private hands, and has since been deposited in the Museum of
the Scottish Antiquaries. In general appearance it resembles a bent
spear-head; but it has a raised central ridge on the inside, while it
is nearly plain and smooth on the outer side. It has a hollow socket,
and is perforated with holes for securing it to a handle by means of a
pin. The most probable use for which it has been designed would seem
to be for scraping out the interior of canoes and other large vessels
made from the trunk of the oak. But we necessarily reason from very
imperfect data when we ascribe a specific purpose to the implements of
a period the arts and habits of which must have differed so essentially
from our own.

[Illustration]

Another class of bronze implements not uncommon in Ireland, and
occasionally mentioned among those discovered in Scotland, includes
what are generally described as reaping or pruning-hooks. One of these,
which was found at a depth of six feet in a bog in the neighbourhood
of Ballygawley, county of Tyrone, now preserved in the British Museum,
is figured in the Archæological Journal.[316] Another engraved in
General Vallancey's Collectanea,[317] is described as "a small securis,
called by the Irish a _searr_, to cut herbs, acorns, mistletoe, &c."
About the year 1790, a similar instrument was discovered at Ledberg,
in the county of Sutherland, by some labourers cutting peats, and
was pronounced by the Earl of Bristol, then Bishop of Derry, to whom
it was presented, to be a Druidical pruning-hook, similar to several
found in England.[318] Perhaps among the same relics of primitive
agricultural skill ought also to be reckoned a curious weapon or
implement of bronze, occasionally found in Scotland, two examples
of which are figured here. One of them is from the original in the
Museum of the Scottish Antiquaries. It was found among the remains
of many large oak trees, on the farm of Rottenmoss or Moss-side, in
the vicinity of Crossraguel Abbey, Argyleshire, and is not inaptly
described by its donor as nearly resembling one of the common forms of
the Malay Creess. It measures fourteen inches in length. The other and
more finished implement of the same kind is in the collection formed
by the distinguished Scottish antiquary, Sir John Clerk, at Penicuick
House. It is furnished with a hollow shaft or socket for the handle.
The same interesting and valuable collection includes other specimens
of this primitive implement, constructed like that in the Museum of
the Scottish Antiquaries, with only a metal spike for insertion into
the haft. Some examples of this relic of old agricultural skill are of
extremely small dimensions, measuring only from six to eight inches in
the length of the blade, and should perhaps more correctly be described
as pruning-hooks or knives. But in this, as in so many other attempts
to assign a use to obsolete implements, the most probable suggestions
of their original purpose are at best but guesses after the truth.

[Illustration]

FOOTNOTES:

[292] Mr. Worsaae remarks, (Primeval Antiquities, p. 24,) "We must not
by any means believe that the Bronze Period developed itself among the
aborigines gradually or step by step out of the Stone Period. On the
contrary, instead of the simple and uniform implements and ornaments
of stone, bone, and amber, we meet suddenly with a number and variety
of splendid weapons, implements, and jewels of bronze, and sometimes
indeed with jewels of gold. The transition is so abrupt that from the
antiquities we are enabled to conclude that the Bronze Period must have
commenced with the irruption of a new race of people, possessing a
higher degree of cultivation than the early inhabitants."

[293] Archæological Journal, vol. iv. p. 327, Plate I. fig. 1.

[294] I have to acknowledge obligations in this attempt at
classification to Mr. Dunoyer's valuable papers in the Archæological
Journal, though adopting a different arrangement and terminology. In
the present very imperfect state of the science, it is hardly to be
looked for that any single system will satisfy all requirements, and
prove of general acceptance. But an important point will have been
gained when a fixed nomenclature has been established.

[295] Archæol. Jour. vol. iv. Plate VI. p. 335.

[296] Archæological Journal, vol. iv. p. 328; vol. vi. p. 410.

[297] Archæologia, vol. xxxi. p. 497.

[298] Archæol. Journal, vol. iv. p. 4.

[299] Archæol. Journal, vol. vi. p. 363.

[300] Archæological Journal, vol. vi. p. 392.

[301] Portes, Coloniæ, &c. 1711. Tabula III. fig. 5 et 6.

[302] _Vide_ Note, Archæological Journal, vol. vi p. 376.

[303] Caledonia, vol. i p. 81.

[304] I am indebted for the use of this woodcut to the Council of the
Archæological Institute, with the courteous permission of Mr. Yates, by
whom it was originally contributed to the Archæological Journal.

[305] _Vide_ Bibliotheca Topog. Brit. vol. ii. Part 3, for an
interesting correspondence on the _questio vexata_ of the origin and
use of bronze celts, on which so much ink has been spilled to very
small profit. The correspondence includes an account of the singular
discovery at Alnwick, in 1726, of twenty bronze swords, sixteen
spear-heads, and forty-two bronze celts, and anticipates, to very good
purpose, much which has been written at greater length since.

[306] Vol. ii. p. 187.

[307] It is figured in the Antiquary, Abbotsford Edition, vol. ii. p.
17.

[308] Journal of the Archæol. Association, vol. v. p. 349.

[309] Itinerar. Septent. p. 117.

[310] _Ante_, p. 228.

[311] Primeval Antiquities, p. 49.

[312] Itiner. Septent. Appendix, p. 172. Two helmets are said to be
preserved by Lord Rollo at Duncruib House, Perthshire, which were dug
up in the neighbourhood along with various bronze relics. _Vide_ New
Statistical Account, vol. x. p. 717.

[313] Catalogue of Antiquities, &c., Soc. Antiquar. Lond. 1847, by
Albert Way, Esq. p. 16. Mr. Way adds in a note, "The description of the
shield found in Ayrshire, as given in the minutes, corresponds with the
buckler now in the Society's possession in every particular, with the
exception of the diameter, which is stated to have been about 15¼
inches, possibly an error of transcript."

[314] Portes, Coloniæ, &c., App. pp. 17, 18.

[315] Vol. iii. p. 48.

[316] Vol. ii. p. 186.

[317] No. 13, Plate X. fig. 4.

[318] Sinclair's Statist. Acco. vol. xvi. p. 206.




CHAPTER V.

DOMESTIC AND SEPULCHRAL VESSELS.


Along with the weapons and implements of this period there have also
been found at various times drinking cups, culinary vessels, horns,
and other similar relics calculated to throw some additional light
on the manners and domestic habits of the people by whom they were
wrought and used. There have not indeed been discovered, or at least
preserved, among the sepulchral deposits or the chance disclosures of
the Scottish bogs and alluvial strata, anything to be compared with
the celebrated Danish golden horns, or the beautiful silver cups of a
later era, such as that taken from the grave of Queen Thyre Danebod,
at Jellinge in Denmark. There are not wanting, however, undefined
but not the less certain traces of the like costly memorials of
primitive native art, discovered only to be destroyed. On the lands
of Garthland, Wigtownshire, two vessels made of gold, and described
as lachrymatories, were discovered in 1783.[319] At the village of
Lower Largo, Fifeshire, a treasure was found in a sepulchral deposit,
sufficient it is believed to enrich the original finder. The only
relics which escaped destruction are two armillæ of pure gold, and
remarkable for their elegance and skilful workmanship.[320] In 1839
a tenant engaged in levelling and improving a field on the estate of
Craigengelt, near Stirling, opened a large circular cairn, which bore
the popular name of "The Ghost's Knowe." It measured exactly 300 feet
in circumference, and nearly fifty feet in height, and around its base
twelve large stones were disposed at regular intervals. Underneath this
cairn a large cromlech or stone chamber was found, the upright stones
of which were about five feet high, and within it lay a skeleton,
imbedded in matter which emitted a strong resinous odour, but the
bones rapidly crumbled to dust on exposure to the air. The gentleman
on whose estate this remarkable cairn stood,[321] and to whom I am
chiefly indebted for its description, had given strict orders to send
for him if a cist or coffin was discovered; but while operations were
delayed in expectation of his arrival, one of the labourers plundered
the hoard and fled. Many valuable articles are reported to have been
found; among which was a golden horn or cup, weighing fourteen ounces,
and ornamented with chased or embossed figures. This interesting relic
was purchased from one of the labourers by a gentleman in Stirling,
and is believed to be still in existence, though I have failed, after
repeated applications, in obtaining access to it. The exact nature or
value of the whole contents of this cairn is not likely ever to be
ascertained. The only articles secured by the proprietor, and now in
his possession, are a highly polished stone axe or hammer, eight inches
long, rounded at one end, and tapering at the other; a knife or dagger
of the same material, eighteen inches long, which was broken by one of
the stones falling on it when opening the cist; and a small gold finger
ring, chased and apparently originally jewelled, though the settings
have fallen out. Several other large cairns still remain unexplored at
Craigengelt, some of them of much larger dimensions than the one which
yielded such interesting results. English tumuli and primitive deposits
have occasionally furnished still more valuable gold relics; such as
the native gold corslet found in Wales, now in the British Museum.[322]
Golden vessels have also been found under similar circumstances, as in
a cairn near the Cheese Wring, in Linkenhorne parish, Cornwall, which
was accidentally broken into in 1818, and a gold cup found lying beside
the sepulchral remains. It was opened by some miners, who had selected
the mound as an appropriate site on which to erect an engine-house.
Within the cairn was a large cromlech, and underneath this lay a flat
stone measuring nine feet long by about four broad, which covered the
sepulchral deposit. In this chamber a thin slab, placed in a shelving
direction against one of the sides, protected its valuable contents
from injury. The remains of a skeleton lay extended on the floor of the
cist, and about the position of the breast stood an earthen vessel,
within which was placed the gold cup. It is bell-shaped and rounded
below, like the Danish gold cups found under similar circumstances and
engraved in the "Guide to Northern Archæology." The earthen vessel
was unfortunately broken by the fall of the stone that covered it,
but its fragments exhibited the usual incised ornamentation of the
early British pottery. A bronze spear was likewise found with these
remarkable relics. The gold cup was claimed for the Crown as Lord
of the Duchy of Cornwall, and it is believed to be still at Windsor
Castle.[323] It would find a more appropriate place in the long
desiderated British department of the British Museum.

As we cannot doubt but that these buried records of primitive native
history have as yet been only very partially disclosed, so also we may
hope that the rarer and more curious relics of the precious metals are
also unexhausted, and that golden horns and silver beakers, adorned
with the well-defined decorations of the Archaic era of native art,
may still lie safely garnered in the same store-house and registry
from whence so many historic records have been drawn forth, reserved
for better times, when their discovery shall no longer involve their
destruction. It will be seen from the number and variety of personal
ornaments of the same precious metals described in future chapters,
that such ideas are not mere chimerical dreams. Whencesoever the metal
was derived, gold appears to have been used in Scotland to a very great
extent, from the earliest period of the introduction of the metals,
and to have been frequently deposited in the sepulchres of the most
honoured dead, with no fear that sacrilegious hands would disturb the
sacred deposit.

Vessels of bronze are by no means so rare as those of the precious
metals. They are not indeed often found in the tumuli, and have
obviously been held in less esteem than the weapons and personal
ornaments of the same metal. But among the interesting disclosures
brought to light by the draining of bogs and lakes, and the ordinary
processes of agriculture, no class of relics have been more frequently
discovered than the various culinary and domestic utensils of bronze,
generally known by the names of Roman tripods and camp-kettles. Some of
these do undoubtedly belong to the Anglo-Roman era; but the whole have
been much too indiscriminately assigned to the legionary invaders and
colonists, whose occupation of Scotland was equally brief and partial,
and whose relics must therefore form a very small proportion even of
those of the later period to which they belong.

[Illustration: Bronze Cauldron, Kincardine Moss.]

In the "Account of the Dominion of Farney," by Evelyn Philip Shirley,
Esq., an engraving is given of a singular cauldron, made with
considerable taste and skill, of plates of hammered bronze, rivetted
together with pins of the same metal, the heads of which are conical
in form, and being regularly disposed, serve to decorate as well as
to secure the vessel. Two bronze rings are fastened to the inside
of the rim by ornamental staples, and with these it was obviously
designed to be suspended over the fire. This remarkable relic, which
measures sixty inches in widest circumference, was discovered in the
year 1834, at a depth of twelve feet below the surface of a bog,
in the barony of Farney, Ulster. Bronze rings and staples, similar
to those attached to this ancient cauldron, have been frequently
found in Scotland. One of them has been already referred to, which
was dredged out of Duddingstone Loch, near Edinburgh, along with a
large quantity of bronze arms. Several others are preserved in the
Museum of the Scottish Antiquaries, two of which (measuring each
4¾ inches in diameter) were found along with the bronze cauldron
here represented. Its dimensions are twenty-five inches in greatest
diameter, and sixteen inches in height. No question can exist of its
native workmanship. The rings and staples are neatly designed, but
rudely and imperfectly cast and finished, and are decorated exactly
as those of the Farney cauldron. The circles embossed on the side of
the vessel are in like manner such as have been frequently noted on
objects of the Bronze Period, both in Britain and on the Continent.
Nevertheless, in accordance with the classical system of designation
which is even yet only partially exploded, this remarkable native relic
figures in the printed list of donations in the Archæologia Scotica as
a Roman camp-kettle. It was dug up in the year 1786, from the bottom
of the peat-moss of Kincardine, some miles west from Stirling, where
it was discovered lying upon a stratum of clay beneath the moss,
which generally ranges from seven to twelve feet deep. Evidence has
already been referred to which leads to the conclusion that the moss of
Kincardine was in the same state at the period of Agricola's invasion
as it continued to be till nearly the close of the eighteenth century.
A curious allusion to this locality, in Blind Harry's Life of Sir
William Wallace, which refers to the moss as incapable of passage on
horseback, leaves us in no doubt as to its condition in the fourteenth
century. After Wallace and his adherents had surprised an English
garrison in the Peel of Gargunnoch,

    "Yai bownyt yaim our Forth for to ryde;
    The moss was strang, to ryde yaim was na but,
    Wallace was wycht, and lychtyd on hys fute;
    Stewyn of Irland he was yair gyd that nycht
    Towart Kincardyn, syne restyt thar atright,
    In a forest, that was bathe lang and wyde,
    Rycht fra the moss grew to the wattir-syde."[324]

Another large shallow vessel of hammered copper, made entirely
of one piece, is in the same collection with the above. It bears
considerable resemblance to one discovered at Huckeridge Hill, near
Sawston, Cambridgeshire, in 1816, and figured with other "Celtic
remains" in the Archæologia, (vol. xviii. _Pl._ XXIV.,) but wants the
embossed ornaments which encircle the rim of the latter. It measures
fully eighteen inches in diameter by six inches deep, and was found
at a depth of eighteen feet below the present level of the Cowgate,
Edinburgh. Notwithstanding the difficulty of accounting for so great
an accumulation of soil, there is perhaps greater probability in
assigning this as part of the _curta supellex_ of some wealthy citizen
of the Scottish capital, at a period belonging to the latest epoch
of the archæologist.[325] But no doubt can be entertained as to the
remote era of another such relic already referred to,--the large bronze
cauldron dug up about eighteen years since in a bog in King's County,
and now in the collection of the Earl of Rosse. Among the smaller
examples of Scottish bronze vessels, one is specially deserving of
notice, which was found by a labourer while cutting turf in Lochar
Moss, Dumfriesshire, about two miles north from Cumlongan Castle,
accompanied by relics of pure native character. It is a small bowl of
graceful form, measuring six and a half inches in diameter and three
in depth, formed of thin bronze plate of the bright colour common to
many of our primitive relics, and very skilfully wrought. Within it lay
one of the curious ornamental collars more particularly described in
a later page,[326] to which the name of Beaded Torc is now assigned.
Lochar Moss, where these interesting antiquities were discovered, has
proved a fertile field for archæological treasures of many different
eras,--primitive canoes, native stone and bronze relics, products of
Roman civilisation and medieval art; while within it lie embedded the
trunks of gigantic oaks and other natives of the forest, which once
occupied the area of this ancient and extensive morass.

Of the more usual forms of tripods, kettles, and cauldrons of bronze,
which are commonly assigned to the Romans, I must speak with more
hesitation, though both the circumstances under which these have been
found, and the style of some of their decorations, are sufficient to
shew that they have been much too summarily classed among foreign
productions. So long as bronze continued to be the rare and precious
metal which we find good evidence for concluding it to have been during
a transition-period of considerable duration, we may be well assured
that neither domestic utensils, nor such implements of common use
as the older material could supply, would be manufactured of it. We
have abundant proof, however, that the supply of the metals kept pace
with the increasing demands of progressive civilisation; and as this
gradually displaced the old barbarian habits of the Caledonian savage
by more refined tastes, the gratification of the palate would be aimed
at along with the simpler desire for the mere supply of animal wants.
Hence we may trace in the bronze cauldron and the tripod evidences
of native civilisation, though doubtless of a late period, and not
improbably, in many cases, coeval with the era of Roman invasion.
Bronze vessels, of the description to which we refer, have been
frequently found not only in the north of Scotland and in Ireland,
but in Denmark and Sweden, where no Roman legions ever established a
footing; though we must, of course, bear in remembrance that Roman
culinary implements, like Roman coins, might reach many regions
which their makers never visited. But classical writers make special
reference to the abundance of such vessels among the Gauls, and even
ascribe to the Bituriges the invention of the art of tinning them.[327]
In the _Samlingar för Nordens Fornälskare_, (_Plate_ XXII. vol. ii.,)
an ancient Swedish bronze vessel is represented, in no way differing
from the common form of what is here invariably designated a Roman
camp-kettle, but surrounded with an ornamental belt, decorated with
what appear in the engraving somewhat like Runic characters. A still
more remarkable medieval example of the bronze kettle is engraved in
the Archæologia[328] under the name of an ancient hunting pot. It is
of the same common form, but is ornamented in relief with the symbols
of the Evangelists, and with various devices, chiefly relating to the
chase, and is encircled with the following inscriptions:--~Vilelmus
Angetel me fecit fieri~. And underneath, in smaller characters, this
couplet,--

    ~Je sui pot de graunt honhur
    Viaunde a fere de bon savhur.~

[Illustration]

Many bronze vessels discovered in Scotland have been found on the
draining or cutting of mosses, into which they may be supposed to
have been thrown on the sudden flight either of the native Briton
or the Roman invader, according as we incline to assign them to the
one or the other. I am not aware, however, of such having yet been
met with, either at any of the great Scoto-Roman coloniæ, such as
Inveresk or Cramond, or on the sites of the legionary stations on the
wall of Antoninus, though the remarkable discovery of Roman relics at
Auchindavy, in 1771, including five altars and a statue, all huddled
together in one pit, furnishes no doubtful evidence of the precipitancy
with which the legionary cohorts were compelled to abandon the
Caledonian wall.[329] An interesting discovery of such bronze vessels
was made a few years since in the grounds immediately adjoining the
cloisters of Melrose Abbey, and distant only a few miles from the
Roman station, near Eildon. Similar objects have in like manner been
frequently discovered in Galloway, Nithsdale, and in the district
surrounding Birrenswork Hill, the celebrated _Blatum Bulgium_, where,
among other curious relics of the Roman invaders, was found the winged
figure of the goddess Brigantia, a supposed native deity adopted by
the complaisant conquerors into the orthodox Pantheon of the Roman
world. All these districts, however, abound still more with traces
of native occupation, such as the most classical of modern Oldbucks
would hesitate to ascribe to a Roman origin. While, however, I feel
satisfied that many of these bronze vessels are the products of native
art, others are unquestionably Roman, and many more have probably been
made after Roman models, so that the attempt to discriminate between
them is attended with difficulty. The mere rudeness of workmanship
of many of them is not in itself a conclusive argument against their
Roman manufacture, since we are hardly justified in looking for all the
refinements of classic art in the furniture of the camp kitchen. It may
fairly, however, suggest doubts, which receive stronger confirmation
when we find it associated with forms peculiar to the northern
designer: as in the snake-head with which the spout is frequently
terminated. Such is the case with one of the so-called Roman tripods in
the Museum of the Scottish Antiquaries, which was found in its present
imperfect state at a depth of five feet below the surface, in a moss
near Closeburn Hall, Dumfriesshire. It is of a form of very frequent
occurrence, and the decoration of the spout, though also not uncommon,
is such as an unprejudiced critic would be much more inclined to
ascribe to British or Scandinavian than Roman art. It is figured here
along with another of rarer form dug up in the neighbourhood of Dundee,
and now preserved at Dalmahoy House.[330] The superstitious veneration
which ignorance attaches more or less readily to whatever is derived
from a remote or unknown origin, has not failed to include these
ancient utensils among the objects of its devotion or fear. In Ireland,
more especially, this feeling is still powerful in its influence on the
peasantry, and not unfrequently throws additional obstacles in the way
of antiquarian research. But in Scotland it was also equally powerful
at no very remote date, nor was its influence limited to the unlettered
peasant. In the great hall of Tullyallan Castle, near Kincardine,
there formerly hung suspended from one of the bosses of its richly
sculptured roof an ancient bronze kettle of the most usual form, which
bore the name of _The Lady's Purse_. It was traditionally reputed to
be filled with gold; and the old family legend bore, that so long as
it hung there the Castle would stand and the Tullyallan family would
flourish. Whether the Blackadders of Tullyallan ever had recourse to
the treasures of the lady's purse in their hour of need can no longer
be known, for the castle roof has fallen, and the old race who owned it
is extinct. The ancient cauldron, however, on the safety of which the
fate of the owners was believed to hang, is preserved. It was dug out
of the ruins by a neighbouring tenant, and is still regarded with the
veneration due to the fatal memorial of an extinct race. It measures
8¼ inches in diameter by 5⅛ inches in height as it stands, and is
simply what would be called by antiquaries a Roman camp-kettle, and by
old Scottish dames a brass kail-pot! This medieval tradition suffices
at least to show that the object of its superstitious veneration
pertained to an older era than that of the Baron's Hall.

A remarkable discovery of a number of bronze vessels of the class
alluded to here, was made in the autumn of 1848, by some labourers
engaged in trenching a piece of mossy ground, situated under a peculiar
ridge of trap rock about a mile and a half due south of North-Berwick
Law, on the Balgone estate, the property of Sir George Grant Suttie,
Bart. The whole ground, extending to above twenty acres, was formerly
a morass. It has been partially drained of late years, in consequence
of which the mean level has sunk three to four feet. In the centre of
this morass the relics were found, consisting of a large bronze pot
or cauldron, several tripods, goblets, and various fragments of thin
plates of bronze, all much corroded. One of the bronze goblets lay
within the large cauldron, and the whole were found close together,
at a depth of about three feet from the surface, apparently just as
they had been thrown into the morass, probably not less than seventeen
centuries ago.

Another class of works of ancient art and constructive skill, which
come under the notice of the archæologist, admit of much more decided
and unhesitating assignment to the native manufacturer. These are the
specimens of pottery of such frequent occurrence in the tumuli and
cists, and which present, in every respect, so striking a contrast to
the fictile manufactures of the Roman colonists. It is not from any
doubt of the use of the sepulchral urn, and of the rites of cremation,
during the primitive period, that all notice of native fictile ware has
been reserved till now, though both furnish undoubted evidence of some
progress attained by the primitive Briton. It is altogether impossible,
however, with the very limited amount of accurately observed facts with
which the Scottish archæologist has to deal, to pretend to classify
into distinct periods the pottery found in the ancient tumuli and
cairns. Many of these fictilia are so devoid of art as to furnish no
other sign of advancement in their constructors from the most primitive
state of barbarism, than such as is indicated by the piety which
provided a funeral pyre for their dead, and even so rude a vase wherein
their ashes might be inurned.

One obvious distinction is at once apparent between the unsymmetrical
hand-made urn and that which has been turned and fashioned into regular
shape. Yet even this very marked subdivision will not suffice for
chronological arrangement; for the very rudest and most unsymmetrical
of all the hand-made urns in the Scottish Museum, devoid of grace,
and destitute of the very slightest attempt at ornament, was found to
cover a pair of gold armillæ somewhat roughly finished with the hammer,
and three smaller rings of the same metal, two of which are neatly
ornamented with parallel grooves.[331] It seems, indeed, as if some
pious hand may have hastily fashioned the clay into shape while the
flames of the funeral pile were preparing the ashes it was to hold.

It is obvious even from this single instance, that any assignment
of special examples or classes of native fictilia to the primeval
period can only be done on the distinct ground of their being found
accompanied solely with the relics of flint and stone. Still, setting
aside the idea of a precise chronological arrangement, somewhat may
be done as an approximation towards a system of classification. The
early British pottery, though at best sufficiently rude, exhibits
considerable variety both in form and workmanship, from the coarsest
specimens of unshapely sun-dried clay to the graceful and elaborately
decorated vases evidently made by workmen who had acquired a knowledge
of the potter's wheel. Though the whole of these are found with
sepulchral deposits, it is rarely difficult to discriminate between
domestic vessels and cinerary urns, independently of the contents of
the latter. The presence of the cup and bowl alongside the weapons and
implements deposited with the ashes of the deceased warrior, is readily
accounted for. The difficulty which the uncultivated mind experiences
in realizing any adequate conception of death, or of a future state,
apart from the daily necessities and cravings of the body, has led in
many different stages of social progress to the custom of depositing
food and drink, unguents, perfumes, and similar necessaries or luxuries
of life beside the body of the loved dead, or even along with the
cinerary urn. The archæologist has accordingly been long familiar with
the fact, that some at least of the fictile vessels found in the tumuli
are not sepulchral, and the names of "drinking cups" or "incense cups"
have been given to one class of small vases frequently deposited in
cists and barrows.

The first and most obvious subdivision which the early British
fictile ware admits of, is into hand-made and wheel-made pottery.
Notwithstanding the remarkable example above referred to of the
discovery of the former along with gold relics, it is most probable
that the hand-made pottery will be generally found to belong to the
earliest period. The inverse argument is at any rate indisputable,
which assigns the wheel-made pottery to the period of partially
developed art and tutored skill. Even in the case of the rude example
found in Banffshire, the gold armillæ are roughly wrought with the
hammer, and may have been fashioned from the native gold by a workman
who knew of its ductility, but had yet to learn the use of the furnace,
the crucible, and the mould. We know from the most ancient records
both of sacred and profane history, that the potter's wheel is among
the earliest inventions of primitive art. It is referred to by the
prophets Isaiah and Jeremiah as the most familiar illustration of
creative power; and the hieroglyphics and symbolic paintings still
visible on the temples of Egypt, prove that the simile is older
by many generations than that day when the Hebrew prophet "went
down to the potter's house, and behold he wrought a work on the
wheels." On the wall of a chamber in the ruined temple of Philæ,
which, however, belongs to the era of the Ptolemies, one of the most
striking adaptations of the prophetic symbol has been noted. Kneph,
the ram-headed god, is represented seated at a potter's wheel, which
he turns with his foot, while he fashions the mass of clay on it
with his hands. The hieroglyphic inscription which accompanies it is
thus rendered:--"Knum, the Creator, moulds on his wheel the Divine
members of Osiris, (the father of men,) in the house of life." It is
an old Egyptian version of the simple but sublime language of Isaiah:
"O Lord! thou art our Father, we are the clay, and thou our potter."
The contents of the earliest Egyptian tombs furnish abundant evidence
of the perfection to which the potter's art had been carried; and
the recent discoveries at Nimroud and along the banks of the Tigris
disclose no less satisfactory proofs of equal skill among the ancient
dwellers in the great central plains of Asia, from whence the nomade
colonists of Britain have been traced. The ignorance, therefore, of
the simple contrivance of the potter's wheel furnishes more conclusive
proof of a rude and barbarous state of society even than the stone
weapons and implements of the same period. In the one instance we see
the intelligent barbarian ingeniously turning to the best account his
very limited materials, and effectively supplying the want of metals
apparently from the most inadequate resources. In the other we find
him fashioning the plastic clay with far less skill or symmetry than
the thrush or the common barn-swallow displays in the construction
of its nest. It may therefore be assumed as a general rule, that the
unsymmetrical hand-made urn belongs to a very early period, and must in
most cases be considered the work of an era prior to the introduction
of the wheel, or the practice of the decorative arts so abundantly
employed in the adornment of later specimens of the same ware.

[Illustration: Urns found at Banchory.]

The rudimentary form of the cinerary urn is the common flower-pot
shape, which the potter still finds the easiest and simplest into
which the plastic clay can be fashioned. The later fictile ware,
however, which is found deposited in the sepulchres, apparently for the
purpose of holding food or preserving other tributes of affection or
reverence, is characterized by considerable variety both in shape and
decoration. Vases of a peculiar form, and apparently not sepulchral but
domestic--in so far as they lay beside unburnt bones, and contained no
incinerated remains--were discovered in several stone cists dug up in
the years 1833 and 1834, in the parish of Whitsome, Berwickshire. The
cists measured internally four and a half feet in length, and lay north
and south. "Each chest had also its urn of unglazed earthenware, and of
a triangular shape, the original contents of which had been converted
into a quantity of black dust."[332] I have in vain attempted to
ascertain if any of these singular examples of primitive fictile ware
are still in existence. The two urns here represented were found under
circumstances which seem in like manner to indicate their original use
as domestic rather than sepulchral vessels, though they differ little
from shapes of frequent occurrence in cinerary urns. They were found in
the year 1817 by a party of men employed in levelling a piece of ground
on a farm at Banchory, Aberdeenshire.[333] In the progress of their
work their tools struck on a stone, which proved to be the cover of a
cist of unusually large dimensions, lying nearly due NE. and SW. It was
composed of six stones, so arranged that the skeleton which lay within
at full length was bent at the pelvis to fit the angular construction
of the cist. It measured internally, in a straight line, six feet, by
two and a quarter feet at the north end, where the head lay, and only
one foot ten inches at the lower end. The whole was composed of rough
undressed mica-slate of from three to five inches thick. Within this
the skeleton was disposed in the singular position above described,
with the vases on its right side, one opposite the knee and the other
at the thigh-joint. Nothing was found in them but some sand which had
fallen in on opening the cist. The largest measured six and a half
inches, and the other five inches in height. They are described as
"composed of the common stones of the country pounded,--granite,
mica-slate, apparently some moss-earth, and a little clay on the
outside. They are wonderfully accurately made, and the patterns meet
so well that one would think they had been done in a lathe or stamped.
They are perfectly circular, and seem to have been only baked in the
sun." Several cists have been discovered in the same neighbourhood,
but no other example is known to have corresponded to this either in
disposition or contents. The whole skeleton crumbled into dust after
being exposed for a short time to the air; but it would appear to
have exhibited the wonted characteristic of a remarkably small head
in proportion to the body. The discoverer remarks: "The teeth are
perfectly fresh; and from the appearance of the jaws the skeleton must
be that of a full-grown person, though of small stature."

A still more remarkable example of pottery somewhat similarly disposed,
was discovered more recently on the demolition of the old town steeple
of Montrose. This venerable belfry tower, which was ascribed to the
twelfth century, occupied the highest ground in the centre of the
ancient burgh. After serving for centuries as clock-tower, belfry, and
prison, the fabric at length became so ruinous that it was taken down
in 1833. In digging the foundations for the new steeple, which occupies
its site, the workmen excavated the ground about nine feet below the
surface, and fully three feet below the base of the old tower. Remains
of several bodies were found in the new ground: one of which lay with
the head towards the west, and had a small pile driven through the
skull. In another part, directly underneath the foundations of the
old tower, was a skeleton disposed at full length in a rude stone
cist, and with four urns beside it: two at the head and two at the
feet. The skeleton measured six feet in length, and the skull, which
has been already referred to, is now in the Edinburgh Phrenological
Museum.[334] Only two of the urns were preserved; one of which is now
in the Montrose Museum, and the other in the collection of the Scottish
Antiquaries. The latter is a neat vessel of common form, and decorated
with the usual style of incised chevron ornaments. There is something
peculiarly interesting in the recovery of these memorials of long
forgotten generations, over which later builders had reared the massive
tower unconscious of their presence. The strong old Gothic masonry,
after withstanding the storms of some seven centuries, has decayed
and been swept away, and from beneath its foundations we recover the
fragile yet more enduring memorials of primitive skill pertaining
to a far older era, when the infant nation was just struggling into
intelligent youth.

[Illustration]

Among the most remarkable classes of domestic pottery found in the
tumuli, are those evidently designed for suspension, and occasionally
provided with a cover or lid made of the same material. Some of them
are made round on the bottom, so as to be unfitted for setting on the
ground, and it seems no improbable inference that in these we possess
examples of the earliest artificial cooking vessels manufactured by
native skill. They are familiar to continental as well as to British
archæologists, and are figured in several works on Scandinavian
antiquities. The example engraved here, from the original in the
Scottish Museum, measures 4½ inches in height, and about 6½
inches in extreme diameter. It was found in one of a group of cists,
under a large cairn, situated at a place called Sheal Loch, in the
parish of Borthwick, near Edinburgh, and is minutely described by Dr.
Jamieson in the Archæologia Scotica.[335] Five perforated projections
are disposed at nearly equal distances around it, and the interior of
the vessel bears evident marks of fire. Nothing but clay was found
either in it or the inclosing cist, and no urns were discovered in any
of the adjoining graves. It appears to be made of fine baked clay, and
is of a much harder and more durable consistency than the majority of
specimens of Celtic pottery. Urns perforated for suspension, though
by no means common, are occasionally found in the British tumuli. The
fragments of another, found in Fifeshire, with perforated ears, are
preserved in the same collection with the above; and a third example,
found in a cairn at Crakraig, Sutherlandshire, in 1818, and engraved
in the Archæologia,[336] appears to have been of the same class.
Reference has already been made to a small cup discovered during the
construction of the "Queen's Drive" round Arthur Seat in 1846, and,
as is believed, alongside of the cinerary urn, alluded to in a former
chapter, which was broken in pieces by the workmen. The little cup is
formed with great regularity, and ornamented with a uniform pattern,
the lines of which seem as if they had been impressed on the soft clay
with a fine twisted cord. It measures 1¾ inches in height, 3¼
inches in extreme diameter, and fully half an inch in thickness.[337]
Another cup, in the Museum of the Scottish Antiquaries, of still more
regular proportions, and a higher style of ornamentation, was dug out
of the foundation of an ancient ruin in the island of Ronaldshay,
Orkney, and presented to the Society in 1831. Like the larger urns
referred to above, it is perforated for suspension. Similar cups are
of comparatively frequent occurrence; sometimes devoid of ornament,
but generally symmetrical, and finished with a degree of art and
skill indicative of their construction, and of the adoption of the
ideas which led to their being deposited with the funeral urn, at a
considerably later period than that of the rude hand-made pottery of
the early tumuli.

[Illustration]

In striking contrast to these minute sepulchral relics, many of the
Scottish cinerary urns are of an unusually large size. So far as my
opportunities of observation extend, it is much more common in Scotland
than either in England or on the Continent to meet with urns measuring
thirteen, fourteen, and even sixteen inches high. In the cairns,
more especially where several urns are grouped together, one is very
frequently much larger than the others, though not more ornamented; for
the pottery of the largest size is generally comparatively plain. The
woodcut represents one, now in the Museum of the Scottish Antiquaries,
measuring 11½ inches in height. It was found within the area of
the modern Scottish capital, in digging for the foundation of the
north pier of the Dean Bridge that spans a deep ravine through which
the Water of Leith finds its way to the neighbouring port. Numerous
cists and urns have been discovered in the extension of the New Town
of Edinburgh towards the sea, attesting the presence of a busy and
ingenious native race in ages long prior to the dawn of authentic
history, on the same spot which has formed the centre of nearly all the
most memorable events in the national annals in more recent centuries.
Another urn in the Scottish Museum, measuring 12½ inches in height,
was found near Abden House, in the parish of Kinghorn, Fifeshire,
in 1848, by workmen engaged in cutting through the rocks on the
sea-shore, preparatory to the formation of the Northern Railway. When
discovered it lay in an inverted position on the flat surface of the
rock, at a depth of five feet from the surface, and was full of ashes
and burnt bones. In examples discovered under similar circumstances,
it is not unfrequently observed that the inside of the urn exhibits
considerable marks of exposure to heat and smoke. The incinerated
remains would appear to have been carefully gathered together in a
little heap while yet the glowing embers had only partially consumed
the bones, and over this the inverted urn was laid, quenching the last
fires that glowed within the ashes once ardent with impetuous life.

[Illustration]

None of those examples of primitive Scottish pottery have been
accompanied by relics which would enable us to assign them with
absolute certainty to the period when the introduction of the
metallurgic arts had stimulated native skill and ingenuity into
action; unless perhaps in the case of the small cup found on Arthur
Seat, alongside of which I have reason to believe the bronze celt now
in my possession was found. But most of them, in all probability, do
belong to that period; nor is it at all improbable that the practice
of cremation may itself be traced to the same source from whence
the ingenious workers in stone learned to fuse the metallic ores,
and fashion them into every variety of form. There are not wanting,
however, numerous examples both of native domestic pottery and of
cinerary urns, found along with relics which leave no room to question
their belonging to the Bronze Period. The larger of the two vases
represented in the annexed woodcut was discovered under a tumulus at
Memsie, Aberdeenshire, and beside it lay a bronze leaf-shaped sword,
broken in two. It is scarcely a quarter of an inch in thickness, and
otherwise exhibits in symmetrical proportions and durable material
the evidences of experienced workmanship. In style of ornament it
differs little from the ruder specimens of Celtic pottery. But from the
well-baked material and the unusual thinness of the ware, it furnishes
a good example of the highest perfection attained in the potter's art
prior to the introduction of the vitrified glazing which is found
for the first time in connexion with the relics of the latest Pagan
era. Some similarity of form may be traced between this vessel and the
larger of the two discovered in the cist at Banchory. It is a peculiar
shape, and no doubt designed for some special purpose, possibly a
pitcher for liquids--the Pictish _heather ale_, perchance, of vulgar
tradition,--while the shallower vase which accompanied the former
example would more fitly receive the solid food provided to appease
the anticipated cravings of the dead. Alongside of the urn from Memsie
another is figured belonging to the same period, which was dug up in
the parish of Ratho, a few miles from Edinburgh. It was found filled
with ashes and fragments of human bones, mingled with which were the
fragments of bronze rings, and the handle of a small vessel of the same
metal. Both of these specimens of primitive fictile ware are now in the
Scottish Museum. A third, in the same collection, somewhat similar to
the last, was discovered in trenching a field near the old castle of
Kineff, Kincardineshire. A bronze spear lay beside it, and within it
were found, mingled with the ashes of the dead, two large bronze rings,
possibly designed to be worn as bracelets, and the broken and corroded
fragments of several others of smaller proportions.

The numerous discoveries of cinerary urns and sepulchral pottery of
various kinds, which have been made in Scotland, abundantly prove the
very extensive and long continued practice of the rite of cremation by
the early Britons. It is a just subject of regret that so very limited
a number of examples of these curious specimens of native art have been
preserved. The statistical accounts of nearly every parish in Scotland
report such discoveries, frequently in considerable numbers. Many
pass into private hands, to be forgotten and abandoned to neglect and
decay, when the transient influence of novelty has passed away; many
more are destroyed so soon as discovered. To the casual observer they
appear mere rude clay urns characterized by little variety or art. A
closer examination of them, however, shews that they are divisible by
periods, classes, and the adaptation to various purposes; and it is
hardly to be doubted that, with an ample and systematically arranged
collection, a much more minute classification might become apparent.
A more general diffusion of knowledge on this subject will, it is to
be hoped, aid in the accomplishment of so desirable an end. With the
hearty cooperation of landed proprietors, clergy, and the educated
classes who have influence in rural districts, it might be effected
at little cost or trouble; and it is impossible fully to anticipate
the important inferences that might become obvious, in relation to
the primeval history of our country, by such an accumulation of the
productions of native archaic art. Egyptian, Assyrian, Greek, Roman,
and medieval manufactures, have all been patiently and enthusiastically
traced back to their first rude efforts. It is to the study of the
infancy of medieval art especially that the sculptors and painters of
Germany, France, and England, have now turned in their enthusiastic
anticipations of a new revival. Why should the infantile efforts of
our own national ancestry be alone deemed unworthy of regard, rude
though they be, and little akin to the favourite models of modern
schools? They form an important first-link in the history of native
design, and manifestly were among the earliest products of skilled
labour and inventive ingenuity. It is obvious, moreover, that the art
must have been in use for many generations. Amid the evidences of a
thinly scattered population, examples of it are still of very frequent
occurrence, after all the ravages of the spade and the plough. In these
we trace its gradual improvement, and from thence very effectually
discover proofs of the progress of their constructors. First in order
is the shapeless hand-made urn, merely dried in the sun. To this
succeed the imperfect efforts at decoration and symmetrical design,
and also the subjection of the moist clay to the process of the kiln.
Then comes the important discovery of the potter's wheel, in the train
of which many other improvements follow. Taste is displayed in a
variety of forms and ornamental patterns. In the source to which it is
conceived some of the more complicated of these designs are referrible,
we have another evidence of civilizing arts. Among the rarer contents
of the British sepulchral mounds, fragments of manufactured clothing
have been repeatedly found. These appear to have been invariably
wrought with the knitting-needle, and in their texture may be traced
the various patterns of herring-bone, chevron, and saltire work, as
well as nearly all the more complicated designs employed in ornamenting
the contemporary pottery. After a careful examination of the examples
within my reach, I have little doubt of this being the source of the
earliest imitative ornamentation, in advance of the first simple
attempts at combinations of incised lines. The subject will come again
under review in a future chapter; but, meanwhile, it may be noted here
as suggestive of the possible first source of decoration of the rude
cinerary urn, that its fragile texture may have been strengthened
by being surrounded with a platting of cords or rushes, which, in
tasteful hands, would assume the same forms as in the work of the
knitting needles, and thus lead to the reproduction of such patterns
by a more durable process on the clay. Humboldt describes a similar
practice which came under his notice at the village of Maniquarez in
South America, where the Indian women fashioned their rude vessels out
of a decomposed mica-slate, which they bound together with twigs, and
baked in the sun. It is certain that very many of the indented patterns
on British pottery have been produced by the impress of twisted cords
on the wet clay,--the intentional imitation, it may be, of undesigned
indentations originally made by the platted net-work on ruder urns,--so
simple and yet so natural may be the source to which we must look for
the first glimmering dawn of British art. Painters have delighted to
picture the Grecian maiden tracing her lover's shadow on the wall.
Perchance some British artist may not think it beneath his pencil to
restore to us the aboriginal potter marvelling at the unsought beauty
which his own hands have wrought.

Along with such evidences of taste and inventive ingenuity as the works
of the primitive potter display, the increasing demands of progressive
civilisation also become apparent in the adaptation of vessels to the
various requirements of domestic convenience or luxury; the clay-made
pottery improves from the clumsy, friable, ill-baked urn, into a vessel
of light and durable consistency, fitted for all the common purposes
of fictile ware. To this extent it was carried during the archaic era
of native art to which we give the name of the Bronze Period. It will
be seen in a future section that it received further improvements from
native skill before it was superseded by more ingenious arts indirectly
derived from Roman civilisation.

FOOTNOTES:

[319] Sinclair's Statist. Acco. vol. ii. p. 56.

[320] Archæological Journal, vol. vi. p. 53.

[321] John Dick, Esq. of Craigengelt.

[322] Archæologia, vol. xxvi. p. 422. _Vide_ also Walker's Hist. Essay
on the Dress of the Ancient Irish, (Dublin, 1788,) for a notice of a
gold corslet, found near Lismore, and sold to a goldsmith at Cork for
£600.

[323] MS. Letters, W. T. P. Shortt, Esq. of Heavitree, Exeter.

[324] Blind Harry's Wallace, b. iv. l. 272.

[325] Memorials of Edinburgh, vols. ii, iii.

[326] The Bowl and Torc are both engraved on Plate III.

[327] Pliny, xxxvi. 22.

[328] Vol. xiv. p. 278, Plates LI., LII., LIII.

[329] Roy's Military Antiquities, p. 201. Plate XXXVIII.

[330] A group of similar bronze vessels of commoner forms, including
an example of the Roman sacrificial patera, preserved in the
Abbotsford collection, is engraved among the illustrations to the
"Antiquary."--_Abbotsford Edit._ vol. ii. p. 12.

[331] Archæologia Scotica, vol. iv. p. 298, and Plate XII.

[332] New Statist. Acc. vol. ii. Berwickshire, p. 171.

[333] MS. Letters and Drawings, Alexander Thomson of Banchory, Esq.,
1st Nov. 1817. Libr. Soc. Antiq. Scot. The small cup figured along with
them is the one found on Arthur's Seat, near Edinburgh. _Ante_, p. 228.

[334] _Ante_ p. 170, No. 10 of cranial measurements.

[335] Vol. ii. p. 76.

[336] Vol. xix. Plate XLIII.

[337] It is engraved along with the Banchory urns, _ante_ p. 283.




CHAPTER VI.

PERSONAL ORNAMENTS.


In nothing is the singular inequality so characteristic of archaic art
more strikingly apparent than in the contrast frequently observable
between the rude clay urn of the Scottish tumulus or cairn and the
valuable and beautiful relics which it contains. Many of the latter,
indeed, are scarcely admissible under any classification of archaic
art. They differ more in characteristic peculiarities of style than in
inferiority of design when compared with the relics of the Anglo-Roman
period. Reference has already been made to the probable sources from
whence the abundant supplies of gold were derived by the primitive
Caledonian metallurgist. But whencesoever they are assumed to have been
procured, the fact is unquestionable, that while silver was exceedingly
rare, if not, indeed, entirely unknown, until almost the close of the
Bronze Period, gold appears to have been one of the very first metals
wrought, and to have been obtained in such abundance as to supply
material for numerous personal ornaments of large size and great weight.

But the skill and ingenuity of the primitive artist was not solely
confined to ornaments wrought in gold or bronze. The humblest materials
assumed new value by the aid of his ingenuity and taste; and not
a few of the personal ornaments of a comparatively late stage of
progression in the Bronze Period are still formed of stone, or of the
more easily wrought jet and bituminous shale. Beads and necklaces of
the latter materials are of very frequent occurrence, and while some
are characterized by little evidence of taste or ingenuity, many more
are the manifest products of experienced mechanical skill. In these
especially we detect the evidence of the use of the turning-lathe,
and its ingenious adaptation to the production of a great variety
of articles. This we may fairly regard as another important step in
advance of the improvements already detected in the native fictile
wares by the introduction of the potter's wheel. Some antiquaries,
indeed, have been inclined to class those, as well as so many other
evidences of native skill, either among the direct products of Roman
art, or as the fruits of the civilizing influence resulting from
intercourse with the Roman colonists; but if previous evidences of
the priority of the early native eras are of the slightest value, the
circumstances under which many jet and shale ornaments and relics have
been found leave no room to doubt that they are the products of unaided
native ingenuity and mechanical skill. These materials, however,
continued to be used during the Anglo-Roman period, and to partake
of the influences of Italian art in the forms which they assumed. It
therefore becomes necessary to exercise the same care in discriminating
between the products of native and foreign taste in the relics of jet
or shale, as in those of the metals, or of glass and ivory. According
to Solinus jet was one of the articles of export from Britain; and
Bede speaks of British jet as abundant and highly valued.[338] But
from these evidences of its later foreign use we may infer its early
adoption for construction of personal ornaments by the native Britons,
among whom its fitness for such purposes was very probably first
recognised. The style of many of the relics of this class found in the
primitive cists and cairns, and especially of those which are presumed
to be female ornaments, totally differs from Anglo-Roman or classic
remains, and abundantly confirms their native origin, already rendered
so exceedingly probable from their discovery in early sepulchral
mounds. An interesting discovery of such relics, made in the parish of
Houstoun, Renfrewshire, during the latter part of last century, is thus
described in the Old Statistical Account:

    "When the country people were digging for stones to inclose
    their farms, they met with several chests or coffins of
    flag-stones, set on their edges, sides, and ends, and covered
    with the same sort of stones above, in which were many human
    bones of a large size, and several skulls in some of them. In
    one was found many trinkets of a jet black substance, some
    round, others round and oblong, and others of a diamond shape,
    &c., all perforated. Probably they were a necklace. There was a
    thin piece, about two inches broad at one end, and perforated
    with many holes, but narrow at the other; the broad end, full
    of holes, seemed to be designed for suspending many trinkets as
    an ornament on the breast."[339]

In 1841 a stone cist was discovered on the estate of Burgie, in the
parish of Rafford, Elginshire, which measured internally three feet
in length by two feet in breadth. It contained a skeleton, believed
to be that of a female from the small size of the bones, in a sitting
posture, and with the head in contact with the knees. Beside the
skeleton stood an urn ten inches high, rudely decorated with incised
lines; and alongside of it were found a ring of polished shale or
cannel coal, two and a half inches in diameter; four rhomboidal pieces
of the same material, the largest pair two inches long; two triangular
pieces, and about an hundred large beads, all perforated for the
purpose of being strung together for a necklace. Various other cists
have been discovered on the same estate, generally containing urns; but
this is believed to have been the only example of the ring and necklace
of polished shale.

A necklace formed in part of similar ornaments is now in the
interesting collection of Adam Arbuthnot, Esq., of Peterhead. It
was found a few years since in a tumulus in the parish of Cruden,
Aberdeenshire, and consists of alternate beads of jet and perforated
but irregular pieces of amber. The largest beads measure about four
inches in length, from which they diminish to about an inch. The only
other object beside them was a flint hatchet about seven inches long;
so that this curious example of primitive personal ornaments may be
assumed to belong to the earliest period, or perhaps to that of the
transition from stone to metallic weapons and implements.

On opening a cairn on the hill of Auchmacher, Aberdeenshire, about
1790, an urn was exposed, in the mouth of which lay a number of
circular perforated beads of black shale.[340] About the same period
another urn was dug up in the parish of Ceres, Fifeshire, within which
a smaller one was inclosed, and in it, in addition to the incinerated
remains, lay a small brass implement, probably a hair-pin, (described
as resembling a shoemaker's awl,) and a small black bead cut in diamond
form.[341]

[Illustration: Jet Necklace, Ross-shire.]

Various interesting personal ornaments obtained under similar
circumstances, are preserved in the Museum of the Scottish Antiquaries,
and one set in particular, found inclosed in an urn within a rude stone
cist, on the demolition of a tumulus near the Old House of Assynt,
Ross-shire, in 1824, very closely correspond in appearance to the
description of the Renfrewshire relics. They include a necklace of
irregular oval jet beads, which appear to have been strung together
like a common modern string of beads, and are sufficiently rude to
correspond with the works of a very primitive era. The other ornaments
which are represented here, about one-fourth the size of the original,
are curiously studded with gold spots, arranged in patterns similar
to those with which the rude pottery of the British tumuli are most
frequently decorated, and the whole are perforated with holes, passing
obliquely from the back through the edge, evidently designed for
attaching them to each other by means of threads.[342] Several other
urns were discovered in a large cairn, a few miles distant from the
tumulus which contained these interesting and tasteful relics of female
adornment, as they are with great probability assumed to be; though
it is well known that the modes of personal decoration which modern
taste and refinement reserve for the fair sex are very differently
apportioned in ruder states of society. The comparative anatomist can
alone absolutely determine this question by future observations on the
bones discovered along with similar remains. Meanwhile these examples
are of peculiar value from the conclusion previously assumed by Sir
Richard Colt Hoare, after examination of various sepulchral deposits
containing similar relics, that the female barrow very rarely contains
urns. Another sepulchral deposit of similar personal ornaments,
including two fibulæ or discs of bituminous shale measuring one and
a half inches in diameter, found in a grave at Letham, was presented
to the Scottish Museum in 1820 by Sir David Brewster. It probably
formed a portion of the contents of a group of cists discovered in a
round gravel knoll or tumulus, near the Den of Letham, and described
in the New Statistical Account of Dunnichen Parish, Forfarshire. They
contained urns of red clay with rude ornaments upon them, and human
bones irregularly disposed. "The neck-bones of some were adorned with
strings of beads of a beautiful glossy black colour, neatly perforated
longitudinally, and strung together by the fibres of animals. They were
of an oval figure; large and small ones were arranged alternately,
the large ones flat on the two opposite surfaces, the small ones
round. They seemed to consist of ebony, or of some fine-grained wood
which had been charred and then finely polished. On keeping them some
time they split into plates, and the woody fibres separated. In some
of these graves rusty daggers were found, which fell in pieces by
handling."[343] One is almost tempted to challenge the completeness of
this account, and to suspect the position of the necklaces, and perhaps
the fibre-strings also, to be creations of the statist's imagination,
more especially as the graves contained no perfect skeleton, but only
loose bones. The woodcut represents a fibula of the same material,
in the possession of James Drummond, Esq. It is drawn one-half the
size of the original, which was recently found in a moss at Crawford
Moor, near Carstairs, Lanarkshire. Simple as its form is it is not
unfamiliar to the British antiquary. Sir R. C. Hoare describes and
figures one exactly similar, found on opening a bell-shaped barrow at
Blandford, and examples are referred to in the Ancient Wiltshire and
other works.[344] Whether we regard this uniformity of type as evidence
of the extent of intercourse anciently carried on among the most widely
severed tribes, or of some system by which such relics were diffused
by the wandering trader throughout the whole British islands, such
comparisons cannot fail to interest the student of primitive history,
trifling though they may appear, and to stimulate him to further
investigation of such analogies.

[Illustration]

English antiquaries have long been familiar with relics of this class,
under the local name of ornaments of Kimmeridge Coal, and also with a
more mysterious variety formed of the same material, on which the name
of "Kimmeridge Coal Money" was conferred, from the idea that these
symmetrical pieces of shale were used as a circulating medium before
the introduction of the metals. The material of which the whole of
this class of relics are composed has obviously been applied to the
manufacture of personal ornaments from a very remote era, though the
so-called coal money probably belongs to a comparatively late period.
Some interesting examples of necklaces and other ornaments, precisely
similar in style and character to those found in the Renfrew, Ross,
and Fifeshire tumuli, were discovered on opening some Derbyshire
barrows in 1846. These "female decorations of Kimmeridge coal," as
they are styled in the account of the discovery in the Journal of
the Archæological Association,[345] were deposited beside a female
skeleton, in a cist formed of large stones. "The other instruments
found on this occasion were all of flint, not the least fragment of
metallic substance being visible. The ornament appears to have been a
kind of necklace, with a central decoration, enriched by bone or ivory
plates, ornamented with the chevron pattern so prevalent on articles of
presumed Celtic manufacture, terminating with two laterally perforated
studs of the coal; the remainder of the ornament consists of two rows
of bugle-shaped beads of the same material." A few days later, two
more necklaces, of similar design and material, were found in a cist
under a barrow in the same county, in like manner accompanied only
with implements of flint and bone. Engravings of some of these relics
accompany the narrative of their discovery; and their remarkable
similarity to those of the early Scottish tumuli, leaves no doubt
that both belong to the same period. It is remarked of the Derbyshire
relics by their discoverer,--"On the most superficial examination,
it is quite evident that these articles have never received their
form from the lathe, as the armlets of Kimmeridge coal are clearly
proved to have done. This, coupled with the fact that the perforation
through the length of the bead is in no instance carried through from
one end, but is bored each way towards the centre, (as would be the
case if a rude drill of flint were used for the purpose,) bespeaks a
far more remote period than the one in which the use of the lathe was
prevalent."[346] Both the unsymmetrical form, and the perforation of
the beads found in the Ross-shire tumulus, fully correspond with these
in the indications of the imperfect skill and rude instruments of their
manufacturers. But the slow progress of native art was first aided,
as we have seen, by the introduction of the potter's wheel; and from
this, in all probability, originated the more ingenious contrivance of
the turning-lathe. Whencesoever derived, its influence is abundantly
apparent on the later relics of native art.

The "coal money" of the elder school of English antiquaries is found
almost exclusively in two little secluded valleys at Purbeck, on the
southern coast of Dorsetshire, known as Kimmeridge and Worthbarrow
Bays. Similar relics, however, it will be seen, are not unknown in
Scotland, though designated by other names than the local term derived
from Kimmeridge Bay. They consist of flat circular pieces of shale,
with bevelled and moulded edges, varying in size from 1¼ to nearly 3
inches in diameter, and frequently perforated or indented with one or
more holes. The actual purpose for which this coinage of the Kimmeridge
Mint was destined, long formed an antiquarian riddle, which baffled the
acutest English archæologists; for the popular name was rather adopted
as a convenient term, than seriously regarded as properly applicable to
articles so fragile and valueless. One ingenious but somewhat fanciful
theorist did, indeed, attempt to prove these relics to be the work of
Phœnician artists, designed, not as an actual circulating medium, "but
as representatives of coin, and of some mystical use in sacrificial or
sepulchral rites!" All such ideas, however, are now entirely exploded,
and it is no longer doubted that these are the waste pieces produced
in the formation of rings from the shale on the turning-lathe. The
fragments of pottery, and other relics discovered along with these
curious exuviæ of early art, leave little room to doubt that during
the Anglo-Roman period a manufacture of amulets, beads, and other
personal ornaments of Kimmeridge shale, must have been carried on to a
considerable extent in the Isle of Purbeck.[347]

The popular idea of the use of such circular pieces of shale as money
is found attached to them in Scotland as well as in England. In the
account of the parish of Portpatrick, it is remarked,--"Circular
pieces, from two to three inches diameter, cut out of a black slate
not found in the parish, are frequently dug up in the churchyard, along
with rings out of which these pieces seem to have been cut. Both of
these are supposed by the people here to have been used as money."[348]

Similar relics have been found in Kirkcudbright and other southern
shires; and Mr. Joseph Train describes others, not greatly differing
in character, found near the large moat or tumulus on the farm
of Hallferne, parish of Crossmichael, where also a beautiful
Druidical bead was discovered, nearly an inch in diameter, composed
of pale- glass, with a waving stripe of yellow round the
circumference. In Kirkcudbrightshire, these ornaments of shale have
retained nearly to our own day the same rank in popular estimation for
their medicinal virtues, or supernatural powers, as we find ascribed
to the ornaments and amulets of jet among the Romans.[349] Mr. Train
remarks,--

    "There have been found, at different times, near the same moat,
    several round flat stones, each five or six inches diameter,
    perforated artificially in the centre. Even within the memory
    of some persons yet alive, these perforated stones were used
    in Galloway to counteract the supposed effects of witchcraft,
    particularly in horses and black cattle. 'The cannie wife
    o' Glengappoch put a boirt stane into ane tub filled with
    water, and causit syne the haill cattell to pass by, and, when
    passing, springled ilk ane o' them with a besome dipped in it.'
    One of these perforated stones, as black and glossy as polished
    ebony, is also in my possession. It was recently found in the
    ruins of an old byre, where it had evidently been placed for
    the protection of the cattle."[350]

Ure remarks in his History of Kilbride, "a ring of a hard black
schistous, found in a cairn in the parish of Inchinan, has performed,
if we believe report, many astonishing cures. It is to this day
preserved in the parish as an inestimable specific."[351] Similar
proofs of the superstitious reverence attached to these ancient relics
are by no means rare.

From evidence already referred to, it is abundantly obvious that
ornaments both of shale and jet were in use at the period of the
Roman colonization of Britain, and this is further confirmed by
their discovery along with Anglo-Roman sepulchral remains. Most of
those, however, exhibit a degree of finish and ornamentation which
distinguishes them from works in the same materials of an older date.
Still it is the more needful to examine with care the circumstances
under which the latter have been found, and to ascertain, if possible,
whether they are contemporary works of ruder execution, or really
pertain to an earlier era. Relics of this class, it is obvious, are by
no means uncommon; and it is with a view to the discrimination of those
of native origin from the later products of foreign art, that so many
examples are here referred to.

Sir Robert Sibbald thus notices the occurrence of rings or armlets
of shale in Scottish sepulchral mounds:--"Some full circles, of a
black colour, very smooth, two or three inches in diameter, are found
in the cairns or burroughs. They are very light, and when fire is
put to them they burn and give a good smell, and seem to be made of
odoriferous gums."[352] Mr. Ure appears to have tried the same costly
experiment, and remarks as its result, that they burn with a clear
flame. There formerly existed in the district of Logie, Forfarshire,
a remarkable group of tumuli, called the Three Laws of Logie; which
agricultural operations have since nearly obliterated. On opening one
of these, it proved to contain four human skeletons, near to which
was one of the above relics, described "as a beautiful ring, supposed
to be of ebony, as black as jet, of a fine polish, and in perfect
preservation. It is of a circular form, flat in the inside, and rounded
without. Its circumference is about twelve inches, and its diameter
four inches."[353] A large cairn, in the parish of East Kilbride, bore
the name of Queen Mary's Mount, from the tradition that the unhappy
Queen witnessed from its summit the Battle of Langside, and beheld the
sceptre of a kingdom pass for ever from her grasp. But such touching
historical associations could not suffice to rescue the venerable
memorial from the hands of the destroyer. For years it supplied the
whole neighbouring districts with materials for building stone fences,
until some workmen employed in removing the remaining stones, in 1792,
discovered a chamber containing about twenty-five urns full of earth
and human bones. These urns, some of which have been engraved in Ure's
History, were of the most primitive shape and character, "rudely
formed, seemingly with no other instrument than the hand, and so soft
as easily to be scratched with the nail. They were of different sizes,
mostly about twelve inches deep, and six wide at the mouth. None of
them were destitute of ornaments; but these were extremely rude, and
seem to have been done in a hurry, with a sharp-pointed instrument.
They were all placed with their mouths undermost upon flat stones; and
a piece of white quartz was found in the centre of the mouth of each,
larger and smaller, in proportion to the dimensions of the several
urns."[354] A cist of about four feet square was placed exactly in the
centre of the cairn, near to which was a bronze fibula of extremely
rude form; another, still simpler in design, was found in one of the
urns, and a bronze comb, equally characteristic of primitive arts, in
a second; while alongside of them lay one of the rings of bituminous
shale. The bronze relics are all engraved by Ure, so that a tolerably
perfect idea can be formed of their design and workmanship. He
pronounces them, according to the fashion of his time, to be Roman, but
they bear no resemblance to the rudest specimens of Anglo-Roman art.
Similar ornaments of shale have been discovered both in the Northern
and Western Isles, furthest removed from Roman arts and influence.
One example, which is here engraved one half the natural size, was
found in the Isle of Skye, and presented to the Scottish Society of
Antiquaries in 1782. It is supposed to be designed for the clasp of a
belt. Two rings of the same material, each measuring 3½ inches in
diameter, were discovered about two years later on the same island, and
added to the Scottish Museum. Another, four inches in diameter, flat
on the inside, and rounded without, as is most frequently the case,
was obtained from a tumulus in the parish of Logie, Forfarshire, along
with an urn full of ashes, and the remains of four skeletons.[355] In
1832, some labourers levelling a sandy field at Dubbs, in the parish
of Stevenston, Ayrshire, came upon a paved area five feet under the
surface, measuring six yards long and two broad. Across the one end lay
a stone of about a ton weight, and at the other there was found a stone
cist, measuring three feet in length by two in breadth. Within it were
two urns, one of gray and the other of black pottery, both apparently
filled only with earth, and beside them lay five studs or buttons of
different sizes, formed of highly polished jet. The urns were broken,
but the studs were preserved by the late Colonel Hamilton. They are
convex on the one side, and concave on the other, with knobs left in
the latter, seemingly for attaching them to the dress. The largest is
more than an inch in diameter.[356] Two other rings of polished shale,
similar to those already described, were discovered in 1786, lying
beside a skeleton, on removing a large flat stone within the area of
one of those circular towers in Caithness, commonly termed burghs, or
Pictish Forts. Beside them lay a bone pin, and two fine oval brooches,
(the _Skaalformet Spande_ of Danish antiquaries,) such as have been
frequently discovered in the Northern and Western Isles, and are now
generally ascribed to the era of the Vikings.

[Illustration]

Such examples, it is obvious, might be greatly multiplied, but enough
have been cited to enable us to trace the use of those ornaments from
probably the earliest years of the Bronze Period to the close of the
latest Pagan era. The rings, which form the most common articles
manufactured of shale, have been usually considered as armlets, but
it is very doubtful if such was their real use. Many of them, indeed,
are too small to admit of the hand passing through them, and rings of
similar size and form are discovered of various other materials. One in
the Scottish Museum, apparently of glazed earthenware, and measuring
nearly three inches in diameter, was found under a large cairn at
Bogheads, Kintore parish, Aberdeenshire, in 1789, and beside it lay
four oblong squared pieces of polished shale, the two largest two
inches in length, the other two an inch and a half, and an inch broad.
Between each pair were three oval beads of the same substance, nearly
an inch long. They were described, when presented to the Society, as
having been suspended from the ring; but it is more probable that they
formed, as in other cases, a separate necklace. A number of cairns,
some of them of very large dimensions, still remain on the extensive
moor which occupies a considerable area in both the parishes of
Kinellar and Kintore. Another ring in the same collection, formed of a
white translucent stone, was found on the Flanders Moss, Perthshire;
and a third made of hard dark wood, 3½ inches in diameter, and 1¾
inches broad, was discovered near a cairn on the north side of Hatlock,
in Tweeddale, on first subjecting the neighbouring heath to the plough
in 1784. It has been suggested that these rings formed part of the
female head gear, through which the hair was drawn; and a sculptured
female head, found at Bath, is referred to, on which an ornament
somewhat resembling them is represented so applied.[357] The discovery
of such rings alongside of female ornaments, such as the necklaces and
pendants already described, seems to justify the classification of
them among objects of mere personal adornment; and where found singly,
their supposed use in the arrangement of the long locks of their owners
furnishes a very feasible explanation of the purpose for which they
were designed. Nevertheless, the frequency of their occurrence, under
a great variety of circumstances, suggests the idea that these rings
may possess a higher value as the records of long obsolete rites and
customs, than pertains to the mere objects of personal adornment. They
have been found accompanying female ornaments, and apparently with
female remains; but they have also been discovered no less certainly
in the sepulchres of warriors and chiefs, and under cairns which seem
to mark the last resting-place of those who fell in the grim strife of
war. We shall not perhaps greatly err, if we trace in these relics of
such frequent occurrence something analogous to the sacramental ring of
the Scandinavians, described in the Eyrbiggia-Saga, and referred to in
a former chapter in illustration of the perforated stone at Stennis, in
Orkney, and the vow of Odin of which it was the seal. Dr. Hibbert has
already observed on this subject,--

    "In Iceland a less bulky ring for the ratification of
    engagements was introduced. Within the hof was a division, like
    a choir in a church, where stood an elevation in the middle
    of the floor, and an altar. Upon the altar was placed a ring,
    without any joint, of the value of two oras. These rings (idly
    named Druidical amulets) are variously formed of bone, of jet,
    of stone, and even of the precious metals. Some are so wide as
    to allow the palm of the hand to be passed through them, which
    rings were used when parties entered into mutual compacts.
    In a woodcut given in an old edition of Olaus Magnus, the
    solemnization of a betrothing contract is represented by the
    bridegroom passing his four fingers and palm through a large
    ring, and in this manner receiving the hand of the bride. This
    is similar to the mode practised in Orkney, where contracting
    parties join hands through the perforation, or more properly
    speaking the ring, of a stone pillar. In the oath administered
    to an individual as a test of veracity, it was sufficient that
    he held in his hand a ring of small size, dipped in the blood
    of sacrificial victims."[358]

An illustration of the mode of administering such an oath occurs
in Viga Glum's Saga. In the midst of a wedding party Glum calls upon
Thorarin, his accuser, to hear his oath, and taking in his hand a
silver ring, which had been dipped in sacrificial blood, he cites two
witnesses to testify to his oath on the ring, and his having appealed
to the gods in his denial of the charge. These customs belong to a more
recent era than that to which we refer the Scottish Bronze Period. But
it is impossible to say to how remote an era we must look for their
origin, or how long before the time of the Vikings, the Scandinavian
and Celtic races, as well as their Allophylian precursors, had been
familiar in their common cradle-land in the far east, with rites and
usages from which the sacredness of this sacramental ring may have
sprung.

Viewed in this light the frequent occurrence of such relics in the
cist, or under the memorial cairn, may be pregnant with a far higher
meaning than the mere ornamental fibula or amulet. When found with the
spear and sword, the ring may indicate the grave of the warrior-priest
or lawgiver,--a union of offices so consistent with society in a
primitive state; while, in the female barrow, amid the bracelets and
necklaces which once adorned the primitive British matron, the curious
relic may, with no undue indulgence of fancy, be looked upon as the
spousal pledge, and the literal wedding-ring. It seems, indeed, most
probable, that the little golden ring with which, in these modern
centuries, we wed, is none other than the symbolic memorial of the old
sacramental ring which witnessed the vows of our rude island fathers,
and was made the pledge of their plighted troth. This, however, is
perhaps trespassing beyond the pale of legitimate induction into the
seductive regions of fancy, where antiquaries have too frequently
chosen to wander at their own sweet will.

[Illustration]

In some degree akin to the personal ornaments of jet and shale are the
large beads of glass or vitreous paste, and amber, so well known among
the contents of British tumuli, and associated even in our own day,
with the same superstitious virtues ascribed to them in the writings
of the philosophic but credulous Pliny. The very same story, in fact,
is told of the _Adder-stane_ in the popular legends of the Scottish
Lowlands as Pliny records of the origin of the _Ovum Anguinum_.
The various names by which these relics are designated all point to
their estimation as amulets or superstitious charms, and the fact of
their occurrence, most frequently singly, in the sepulchral cist or
urn, seems to prove that it was as such, and not merely as personal
ornaments, that they were deposited along with the ashes of the dead.
They are variously known as Adder Beads, Serpent Stones, Druidical
Beads, and among the Welsh and Irish by the synonymous terms of _Gleini
na Droedh_, and _Glaine nan Druidhe_, signifying the Magician's
or Druid's glass. Many of them are exceedingly beautiful, and are
characterized by considerable ingenuity in the variations of style.
Among those in the Museum of the Scottish Antiquaries there is one of
red glass, spotted with white; another of dark brown glass, streaked
with yellow; others of pale green and blue glass, plain and ribbed;
and two of curiously figured patterns, wrought with various colours
interwoven on their surface. The specimens engraved here are selected
from these. Among a curious collection of antiquities discovered in
a barrow on Barnham Downs, and exhibited by Lord Landesborough at a
meeting of the Society of Antiquaries of London, March 7, 1850, there
was a large glass bead, which had been broken and ingeniously repaired
with a hoop of bronze,--a significant indication of the great value
attached to it.

[Illustration]

Beads of amber, stone, clay, and porcelain, as well as of horn
and bone, are all more or less common among the early sepulchral
deposits, and may be regarded with little hesitation as of native
workmanship. Amber, though not indigenous to this country, is of
sufficiently frequent occurrence to abundantly account for its use
in the manufacture of personal ornaments, without assuming its
importation from the Baltic, where it most largely abounds. Both
Boece[359] and Camden notice the finding of pieces of extraordinary
size at Buchanness, on the coast of Aberdeenshire. The clergyman of
the parish of Peterhead, in the same county, in drawing up an account
of his parish for Sir John Sinclair, mentions having in his possession
"a pretty large piece of amber," recently found on the sea-beach near
the manse; and in 1783, Mr. George Paton presented to the Society of
Antiquaries of Scotland two pieces found on the sea-shore in the Frith
of Forth, near Queensferry. The fact, indeed, of amber being obtained
in the greatest quantities on the southern coasts of the Baltic Sea,
is abundantly sufficient to account for its also frequently occurring
in smaller quantities on the east coast of Scotland. It appears
accordingly to have formed one of the most favourite articles for
adorning and setting brooches, hair-pins, and other personal ornaments,
from the earliest practice of the jeweller's art, until our native
tastes and customs were merged, by increasing intercourse with other
nations, into the common characteristics of later medieval art.

The source from whence the "Adder Beads" were derived is more
difficult of solution. The most probable means of accounting for their
introduction to Britain is by the Phœnicians, or by traders in direct
communication with that people, whose early skill in the manufacture
of glass is familiar to us, and to whom we in all probability owe the
initiative suggestions and examples which originated the most important
improvements characteristic of the period now under consideration.
Still it must be borne in remembrance, that after all we know extremely
little, and almost nothing precise or definite, concerning Phœnician
intercourse with Britain. Druids, Picts, and Danes have all been very
convenient names which have too often saved Scottish antiquaries, and
indeed English antiquaries also, the trouble of reasoning, and helped
to conceal the fact, from themselves as well as others, that they
really knew nothing about the questions they undertook to discuss. If
we merely substitute for these the name of the Phœnicians little indeed
will be gained by the exchange.

Sir William Hamilton has undertaken to prove the Italian workmanship
of the glass beads found in Britain, on the very slender evidence
of the discovery of one at Naples similar to British examples.
They have undoubtedly been found both in England and Scotland
accompanied with Roman relics, though much more frequently in
native sepulchres apparently long prior to the Anglo-Roman era. Ure
describes and engraves one of ribbed blue glass--bearing considerable
resemblance to another in the Scottish Museum from the Isle of
Skye--which was discovered in a large inclosed tumulus in Rutherglen
parish, Lanarkshire, along with what appear to have been two Roman
patellæ.[360] But the same relics have been found along the coasts of
the Baltic and the Mediterranean; they abound equally in Ireland and
the north of Scotland, where the Romans rarely or never were, and in
England and Gaul, which they so long occupied and colonized. They have
been obtained also not unfrequently in Egyptian catacombs accompanying
relics long prior to the Roman era. Raspe, in his introduction to
Tassie's Gems, refers to the so-called Druid's beads as belonging to
the same class as the "rich  glass and enamels found amongst
the Egyptian antiquities;" and Colonel Howard Vyse mentions them
among the numerous relics found in exploring "Campbell's Tomb" at
Gizeh, which appears to have been constructed during the reign of
Psammetichus II., about B.C. 600. But indeed the most conclusive and
altogether incontrovertible evidence of the remote antiquity to which
these singular and widely-diffused relics belong, is to be found in
the fact, that their origin and virtues were the subjects of the same
superstitious fables in the age of Pliny, as in the British folk-lore
of the eighteenth century. We shall not, I think, overstep the limits
of fair induction in viewing these beads as affording another proof
of the extensive, though probably indirect intercourse, by means of
which the races of the north of Europe participated in the reflex of
southern civilisation many centuries before we can trace any allusion
to them in the world's elder literature; unless where the fond Briton
seeks to include his sea-girt home amid "the isles of the Gentiles" of
the Hebrew Scriptures, or dimly discerns them in the Cassiterides of
Herodotus. It should be noted, in connexion with this subject, that
other glass relics have occasionally been found among the contents
of British tumuli, though much too rarely to afford any countenance
to the idea of a primitive native manufacture of glass. One imperfect
example in the Museum of the Scottish Antiquaries, found in a cist in
the island of Westray, Orkney, apparently deposited on the breast of
the deceased, is described by its donor as "the only specimen hitherto
discovered of glass contained in these cemeteries." It appears to have
been a cup, not improbably of Roman manufacture, the bottom of which
is marked with concentric circles in relief. The extreme rarity of
such articles probably characterizes this as another example of the
ungrudging generosity of affectionate reverence for the deceased, no
less marked than the more valued sepulchral deposits of the precious
metals.

Of the beautiful gold and silver relics exposed from time to time on
the opening of Scottish sepulchral tumuli, or brought to light in the
course of agricultural operations, only the most trifling moiety has
escaped the clutches of ignorant cupidity. But even the few existing
specimens are sufficient to excite the deepest sorrow that such works
of early native art, frequently characterized by a style altogether
unique, and exceedingly beautiful in design and ornament, should
be discovered only to be destroyed. Some idea of the great variety
of Scottish gold relics may be formed even from the few examples
preserved or minutely described; but a much greater number might be
noted which are known to have been destroyed, without any opportunity
having been afforded even of accurately observing their form, or
learning of the circumstances under which they were discovered. The
plain gold armillæ from Banffshire, already referred to, and engraved
along with the urn in which they lay, in the Archæologia Scotica,[361]
furnish sufficiently rude specimens of primitive personal ornaments.
Though it can hardly admit of a doubt that they have been designed
as armillæ or bracelets, yet the difference in weight, and even more
in apparent bulk, sufficiently illustrates the inexperience of their
maker. Their respective weights are--1 oz. 5 dwts. 14 grs., and 1 oz.
14 grs. But along with them were examples of one of the simplest yet
most interesting class of gold relics discovered in the British Isles.
These are described in the Archæologia Scotica as nose and ear-rings,
but they are simply formed of bars of gold bent in a circular form,
and the extremities left disunited. Two of them are ornamented with
parallel grooves along the outer side, but they are of unequal sizes,
and in no degree differ from the numerous class of penannular relics
now designated by most antiquaries as "ring-money"; though the idea
of their use as nose-rings had been formerly advanced by Colonel
Vallancey,[362] and has been more than once revived.[363] In a valuable
article by Mr. Albert Way, on the ornaments of gold discovered in the
British Islands, examples of British ring-money are engraved, including
the simple penannular ornament, the crescent, and beaded and torquated
rings.[364] It is not necessary to enter at large on the disputed
question of the use of these relics as currency. Many ingenious, and as
I think satisfactory arguments, have been adduced in favour of their
original purpose as a circulating medium; though this was in no degree
incompatible with their use as personal ornaments. That such rings
passed for money among the Egyptians is proved by representations of
the weighing of gold and silver ring-money on their paintings; as, for
example, in one of the grottos in the hill of Shek Abd el Qoorneh,
which bears the cartouche of Amunoph II. inscribed on its walls. The
same metallic currency is obviously alluded to in the incident of the
Hebrew patriarchs on their first visit to Egypt: "Every man's money
was in the mouth of his sack, our money _in full weight_." It was
perhaps even better suited than a regular coinage for furnishing an
acceptable substitute for barter among a comparatively rude people, and
may therefore be assumed with considerable probability as one of the
improvements resulting from intercourse with the Phœnician traders.
Such a system of exchange will also suffice to account for one foreign
source of the abundant supply of gold during this primitive era; thus
introduced in a form well suited to the imperfect ideas of a people
whose trade probably long retained more of the original character of
barter than that of sale and purchase, and who would receive the gold
rings only as so much metal. There is reason to believe, however, that
both in Scotland and Ireland the ring-money continued in use long after
Cunobeline and other British princes had sought to rival the Roman
mintage. In the Irish annals there is frequent mention of gold rings
of different sizes offered at the shrines of Icolmkill, St. Patrick,
&c. The inferior metals appear also to have been current in this simple
form. Rings of bronze, exactly corresponding to the gold "ring-money"
have been found both in the ruins of Persepolis and of Carthage,
as well as in Egypt. They are well known to Irish antiquaries, and
are probably more common in Scotland than is generally supposed. The
imperfect bronze rings already referred to among the contents of a
cinerary urn dug up in the parish of Ratho, Mid-Lothian, are of this
description; and similar relics are occasionally described among the
contents of the weems or subterranean dwellings. In 1835 a large
tumulus, near the summit of Carmylie Hill, Forfarshire, popularly known
as the "Fairy Hillock," was invaded, and among a deposit of half-burnt
bones and charcoal several penannular bronze rings were discovered,
varying in size from about two inches to two-thirds of an inch in
diameter. They are quite plain, as if they had been formed by simply
cutting and bending into shape a rod of bronze wire. This ancient
and primitive form of currency which we detect along with the first
elements of British civilisation, has perhaps never ceased to be used
in some parts of the African continent since that remote era when it
sufficed for payment of the exactions of the Egyptian Pharaohs. Mr.
Way remarks,--"I am indebted to the Duke of Northumberland for the
opportunity of examining specimens of African gold money, especially
interesting as having been made under his own inspection at Sennaar.
His Grace favoured me with the following particulars:--He chanced to
notice a blacksmith occupied in forming these rings; and inquiring
as to their use, the man replied, that having no work in hand for
his forge he was making money. The gold wire being very flexible was
bent into rings without precise conformity in regard to weight, and
was thus converted into money. It passed current by weight. The gold
is so flexible that the rings are readily opened, to be linked into
a chain for the convenience of keeping them together, and as readily
detached when a payment was to be made."[365] Manillas, as they are
now generally termed, are regularly manufactured at Birmingham for the
African traders. They are made of copper, or of an alloy of copper
and iron, and are sold at the rate of £105 per ton for copper, and
£22 for iron rings. The copper ring weighs two and a half ounces, and
passes current in Africa at a value equivalent to fourpence sterling.
The Banffshire gold relics furnish examples both of plain and grooved
ring-money. Of the former class one of about £2 value is described in
the Old Statistical Account, found at Tiree, Argyleshire, in 1792.[366]
Mr. Paton of Dunfermline possesses a gold torquated ring, obtained in
that neighbourhood. Another, found in one of the weems or subterranean
dwellings on the island of Shapinshay, Orkney, "composed, as it were,
of three cords twisted or plaited together," is minutely described
in the Statistical Account of the parish;[367] and in the London
Numismatic Society's Museum, African gold relics, exactly corresponding
to these, are preserved among the primitive types of coinage. Plated
rings of similar form have also been occasionally discovered both in
Scotland and Ireland, which it is more difficult to conceive of as a
substitute for current coin, unless we assume the perverse ingenuity
of the forger, usually ranked among the vices of modern civilisation,
to be even as ancient as the era of British ring-money. One of these
composite penannular relics, in the Museum of the Scottish Antiquaries,
was found in the Isle of Skye. It is of copper, covered with a thick
plating of pure gold, and when perfect must have bid defiance to
detection of its internal inferiority. It is thicker than the usual
ring-money, so that the gold has been forced into folds or wrinkles on
the inner side in bending it into shape.[368]

[Illustration]

The most simple gold ornaments of larger size found in the British
Islands are the massive rings with dilated ends, disunited, but
generally brought nearly in contact, which are of frequent occurrence
in connexion with the rarer objects of the Bronze Period. They are
generally assumed to have been worn as armillæ, and to have their ends
disunited for the convenience of the wearer. One strong objection
to this supposition is to be found in the frequent extension of the
dilated edges of the two ends to the inner side of the ring, in a way
that must have rendered them exceedingly uncomfortable if worn as
armlets.[369] This is the case with one of two fine examples preserved
in the Scottish Museum, both found in the same cist at Alloa in 1828;
and such also appears from drawings in my possession to be the form
of several of a remarkable group discovered in January of the present
year (1850) at Bowes, near Barnard Castle, Yorkshire. Relics of the
same character, though differing in detail, are found under similar
circumstances in Denmark. The dilation of the ends in the examples
preserved in the palace of Christiansborg, at Copenhagen, is much
more conspicuous than in the British type, being in the form of cones
attached by the narrow end to the annular bar of gold, and therefore
still less adapted for being worn on the arm. Some specimens are found
without this peculiarity, the dilation being only outward, as in one
found near Patcham, Sussex, engraved in the Archæological Journal,[370]
and another almost exactly corresponding in form, but considerably
thicker, found in Galloway in 1784, and of which a drawing is possessed
by the Society of Antiquaries of Scotland. These rings are generally
much too massive and rigid, notwithstanding the purity and consequent
softness of the gold, to admit of their being unbent for the purpose of
clasping on the arm, without injuring their form and leaving marks of
such a process; in addition to which, another though less conclusive
argument against their use as armillæ is, that they are rarely if ever
found in pairs. A gold relic, seemingly of this class, was discovered
in 1794, on opening a large sepulchral mound at Upper Dalachie,
Banffshire, popularly styled the Green Cairn. "About two feet from the
surface," says Chalmers,[371] "was found an urn of rude workmanship,
which, when the ashes of the dead were shaken out, disclosed a piece
of polished gold like the handle of a vase, three inches in diameter,
and more than one-eighth of an inch thick." The finder sold this relic
for bullion, at the price of thirteen guineas. Where two or more
occur together, they generally differ both in size and form, as well
as in weight. The two found in the same cist at Alloa,--the largest
of which is here represented, half the size of the original,--differ
in all these respects; and the same is the case with those recently
discovered at Bowes,--no two of the whole six correspond, though they
all lay close together, with what was thought to be the remains of a
bag in which they had been inclosed. This will be apparent from the
following table of their weights:--

        Found at Bowes, near Barnard Castle, Yorkshire, 1850,--

                   1.  Weight 6 oz. 10 dwts. 17 grs.
                   2.     "   5  "  12  "     0  "
                   3.     "   2  "  17  "    12  "
                   4.     "   1  "  10  "    10  "
                   5.     "   1  "  10  "     5  "
                   6.     "   0  "  19  "    15  "

               Found at Alloa, Clackmannanshire, 1828,--

                   1.  Weight 3 oz. 4 dwts. 14 grs.
                   2.     "   2  "  7  "    20  "

                      Found in Galloway, 1784,--

                      Weight 3 oz. 5 dwts. 5 grs.

                 Found near Aspatria, in Cumberland,--

                      Weight 5 oz. 10 dwts. 6 grs.

                     Found near Patcham, Sussex,--

                   1.  Weight 5 oz. 5 dwts. 12 grs.
                   2.     "   2  "  5  "     6  "

The quality in the metal of the two last, though found in the same
locality, greatly differs, the first being largely alloyed with silver.
The weights of several other English examples are given by Mr. Way,
in his interesting contribution to the Archæological Journal.[372]
The record of the precise weights of these curious relics may help
to test the theory which has been occasionally advanced, that they
also belong to the class of primitive currency; since a uniform
rule of subdivision by weight has been thought discoverable in
relation to Irish ring-money. The idea, however, seems altogether
untenable with reference to these larger rings. The simplicity and
gracefulness of the form adhered to, with very slight variations, in
a relic of such frequent occurrence, while armillæ, torcs, and even
the small penannular rings supposed to have formed the currency of
these primitive metallurgists, exhibit so many varieties and modes
of decoration, seem rather to point out the former as appropriated
to some peculiar and perhaps sacred purpose. What that was we shall
probably never know. One example, indeed, found near Aspatria, in
Cumberland, in 1828, not only differs in being slightly ornamented
with circular lines and small notches, but certain antiquaries
discerned and undertook to read a supposed Runic inscription upon it.
It has accordingly been engraved, both in the Archæologia (vol. xxii.
p. 439) and in the Archæologia Æliana (vol. ii. p. 268.) But it seems
probable that it must rank with the more celebrated Runamo inscription,
which, after being proved to be in "the old northern or Icelandic
tongue, in regular alliterative verse, of the sort called _Fornyrdalag_
or _Starkadarlag_;" its precise date assigned, and its historic value
as an authentic document admitted by Danish scholars, is once more
acknowledged to be neither more nor less than the accidental cracks
and fissures in the rock! A golden relic was, however, discovered
during the latter part of last century, of the inscription on which
no doubt can be entertained. But it differs essentially in form from
the curious rings now referred to, and, indeed, appears to be unique.
It is engraved in the Archæologia, (vol. ii. _Plate_ III. fig. 4,)
and consists of a round bar of pure and very soft and pliable gold,
gradually thickening at both ends, which are bent. On the one end
is engraved HELENVS F., and on the other, in dotted characters,
the letters M. B. It was found about eighteen inches under ground
in a moss, on the estate of Mr. Irvine of Cove, near Ecclefechan,
Dumfriesshire. The author of the communication in which this is noted,
adds, that "several of the same sort have been occasionally found in
Scotland, but whether with the same impresses is not mentioned." An
observation, however, of this indefinite character, can, at most, be
received only in further proof of the well-known fact, that numerous
gold relics have been discovered in Scotland from time to time, though
most frequently described in terms sufficiently vague and obscure.
The _Dilated Penannular Rings_ (as I would propose, for the sake
of convenience, to call this class of relics) found at Alloa, were
discovered, along with two cinerary urns, on the top of a stone cist
of the usual circumscribed proportions,[373] in which lay an entire
skeleton, of great size, and therefore, it may be presumed, a male.
They were accordingly designated by their discoverers Coffin-handles!
Other cists, and, in all, twenty-two cinerary urns, some of them
of very large size and highly decorated, were found in the same
neighbourhood, chiefly on the line of the old road from Stirling to
Queensferry, where it skirts along the base of Mar's Hill. Another such
group of cists has been discovered near the point of Largiebeg, on the
south-east coast of the Island of Arran; and in one of them, says the
parish minister, writing in 1840, in a cist which a labourer discovered
a few years ago, in making a fence round his garden, "there was found
a piece of gold in the form of a _handle of a drawer_, with some iron
or steel, much corroded, at each end. The man concealed his prize till
he got it disposed of to a jeweller in Glasgow, who melted it down
into rings and brooches."[374] It would not be difficult to multiply
examples, derived from similar sources, of the ignorant and wilful
destruction of such relics of primitive native art and skill; but it
could answer little other purpose than to excite in every intelligent
reader lively but unavailing regrets.

Somewhat analogous to the dilated penannular rings are another class
of gold ornaments, which, so far as I am aware, have never yet been
discovered except in the British Isles. They consist of a solid
cylindrical gold bar, bent into a semicircle or segmental arc, most
frequently tapering from the centre, and terminated at both ends
with hollow cups, resembling the mouth of a trumpet, or the expanded
calix of a flower. One remarkable example of these curious native
relics, which is engraved in the Archæological Journal, presents the
characteristics of an intermediate type between the simpler forms of
the relics last described, and these _Calicinated Rings_.[375] The
cups are formed merely by hollows in the slightly dilated ends; but it
is further interesting from being decorated with the style of incised
ornaments of most frequent occurrence on the primitive British pottery.
It was dug up at Brahalish, near Bantry, county Cork, and weighs 3 oz.
5 dwts. 6 grs. In contrast to this, another is engraved in the same
Journal, found near the entrance lodge at Swinton Park, Yorkshire,
scarcely two feet below the surface. In this beautiful specimen the
terminal cups are so unusually large, that the solid bar of gold
dwindles into a mere connecting link between them. The annexed figure
of a very fine example found by a labourer while cutting peats in the
parish of Cromdale, Inverness-shire, somewhat resembles that of Swinton
Park in the size of its cups. It is from a drawing by the late Sir
Thomas Dick Lauder, and represents it about two-thirds the size of the
original. Similar relics of more ordinary proportions have been brought
to light, at different times, in various Scottish districts. One found
in an urn in the north of Scotland, in the year 1731, is described in
a letter from Sir John Clerk to Mr. Gale, written shortly after its
discovery; and is further illustrated in the Reliquiæ Galeanæ, by an
engraved figure the size of the original.[376] Shortly afterwards, Sir
John Clerk writes to his correspondent announcing the discovery of
several valuable gold relics, including two other calicinated rings,
brought to light in consequence of the partial draining of a loch on
an estate belonging to the Earl of Stair. "I begin to think," exclaims
the astonished antiquary, "that there are treasures of all kinds in
Britain; for lately in a loch in Galloway there have been found three
very curious pieces of gold: one a bracelet, consisting of two circles,
very artificially folding or twisting into one another; now in the
hands of the Countess of Stair." The other relics are described as
corresponding to an example of the calicinated ring found in Galway,
and engraved in the Archæologia. (Vol. ii. _Plate_ III. fig. 1.) One
of these must have been an unusually massive and valuable example, as
its weight is stated to have been 15 oz. Another smaller one found
along with it, and weighing only 1 oz. 4 dwts., more nearly approaches
to the type of the dilated penannular ring, the cup or bulb being
covered with a flat oval plate of gold. A bronze relic, of the latter
shape, formerly in the collection of Dr. Samuel Hibbert, is now in
the Museum of the Scottish Antiquaries. Bronze calicinated rings have
occasionally, though very rarely, been found in Ireland. The only
example I know of is in the collection of Councillor Waller of Dublin.

[Illustration]

The most recent discovery in Scotland of gold relics of this singular
type, was made in the year 1838, on the estate of the late Walter
Campbell, Esq. of Sunderland, on the Island of Islay, Argyleshire. At
the period referred to, a large standing stone, which had long been
overthrown, and lay prostrate at a little distance from Sunderland
House, was blasted with gunpowder, and removed, in the process of
levelling and draining the ground for agricultural purposes. The soil
immediately underneath the stone consisted of a rich black mould, in
which were found a broad fluted gold armilla, and a fine specimen of
the calicinated ring, both lying alongside of a stone cist, within
which were several rude cinerary urns. The armilla was of a peculiar
type, being a broad band of gold beaten out so as to form a convex
centre, on each side of which was a fluted ornamental border, and a
raised rim returned at the edge. Unfortunately, this interesting relic
was carried off by a dishonest servant, but through the kindness of
Mrs. Campbell, I am able to give the annexed representation (about
one-fourth the size of the original) of the calicinated ring, which is
now in that lady's possession. Mrs. Campbell remarks, in a letter with
which I have been favoured,--"The bracelet was large enough to encircle
a woman's arm above the elbow. Of many specimens which I examined at
the British Museum, chiefly Irish, there was none like mine, which
makes me the more regret its loss." Various tumuli exist in the
neighbourhood of Sunderland House, several of which have been opened,
and found to cover cists of the usual limited size, none of them
exceeding three feet in greatest internal dimensions. In some of them
were found cinerary urns, while others contained the entire skeleton.

[Illustration]

Some antiquaries have sought to assign a sacred significance to these
singular relics, and to associate them with the mysterious rites of
Druidical worship. Vallancey, in particular, supposes them to have
been sacrificial pateræ. There is fully as much probability, however,
in the simple conjecture that they served as clasps or fastenings
for the mantle. The cups, which appear to possess such a mystic
significance, were not probably left void in their original state. In
the example first referred to, in the Reliquiæ Galeanæ, Sir John Clerk
remarks,--"The parts at the extremities are hollow, like little cups or
sockets, and the sides are very thin. There is a small circle within
the verge, which has had a red substance adhering to it like cement,
as if it had served to fix some kind of body within the sockets." A
similar appearance is still more markedly observable in an example in
the possession of Thomas Brown, Esq. of Lanfine, Ayrshire. Upon showing
it to an experienced jeweller, he assured me it cannot admit of a doubt
that the sockets have originally contained pebbles or jewels. If it
be indeed the case that in this curious gold relic we have the clasp
of the ancient British chlamys, worn by the native chief or by the
arch-priest when robed in his most stately pontificals, then we see in
it a British personal ornament which may stand comparison with the most
costly and elegant Roman fibulæ, while its essential dissimilarity from
every known classic type adds to the probability of its belonging to an
earlier era than the Anglo-Roman period.

[Illustration]

[Illustration]

Of the commoner British gold ornaments, the torc and armilla,
numerous examples have been discovered, though of these the few which
have escaped destruction are mostly in private hands, and not very
readily accessible. Three beautiful gold torcs, found at Cairnmure,
Peeblesshire, in 1806, are figured in the Archæologia Scotica.[377]
They were found, along with various other relics, by a herd-boy, who
going early in the morning to his sheep, observed something glitter
in the sun, and on scraping with his feet, brought the whole valuable
treasure to light. It consisted of three gold torcs or collars for
the neck; the beautiful gold ornament, supposed to have been the head
of a staff or sceptre, engraved here about one-half the size of the
original; and a number of flattened circular gold pellets, each marked
with a cross in relief. The value of the articles discovered in mere
bullion exceeded £100, and it is doubtful if the treasure-finder did
not privately dispose of more before his good fortune was known. The
staff-head and two of the gold beads or pellets are now in the Museum
of the Scottish Antiquaries. The latter are elsewhere referred to,
along with other examples, as the primitive type of native minted
currency. The defined character, however, of the ornamentation on the
sceptre-head adds, along with the presence of these indications of
increasing civilisation, to the probability that this valuable hoard
belongs to the later transition-period, in which the age of bronze
drew to a close. Simple indeed as is the usual style of ornament and
workmanship of the funicular torc, it appears to have been retained
in use for a very long period, and is reproduced in silver and bronze
along with the latest relics of the succeeding iron age. The annexed
woodcut represents a remarkably fine example, greatly reduced, of
what may be designated the knotted funicular torc. It was found about
sixty years ago by a labourer trenching within the area of a circular
camp on the summit of a hill in the parish of Penicuick, Mid-Lothian,
known by the name of Braidwood Castle. It was of gold, and met with
the usual fate of relics of the precious metals, having been sold by
the discoverer to a jeweller in Edinburgh for the sum of twenty-eight
guineas, as a Roman girdle of _brass_. It was doubtless worth a much
larger sum as mere bullion. A drawing of it, however, had been taken,
it is not now apparent by whom, and is preserved in the Library of the
Scottish Antiquaries.[378] The history indeed of Scottish gold relics
is only a sad commentary on the miserable fruits resulting chiefly from
the operation of the law of treasure-trove. A short way to the east
of Chesterlees Station, in the parish of Dolphinton, Lanarkshire, an
ornament of pure gold was found, which is said to have resembled the
snaffle-bit of a horse's bridle.[379] As this is usually a twisted
iron rod, there can be little doubt that the Chesterlees relic was
a funicular torc. A "gold chain" ploughed up on the glebe lands of
Mortlach parish, Banffshire, and described in the Old Statistical
Account of the parish, as "like an ornament for the neck of one of the
chiefs;" and another "golden chain" found at Thrumster, in the parish
of Wick, Caithness, "which in a year of famine the discoverer sold to a
bailie in Wick for a boll of oatmeal," may both be assumed, with little
hesitation, to have been golden torcs. The term, indeed, has been
used by experienced antiquaries. Gale describes a torc found near Old
Verulam in 1748, as "a wreathed or vermicular ornament, being a solid
chain of gold." One example, however, is on record of a gold linked
chain found in an early Scottish sepulchral deposit. Nearly a mile to
the east of Newton of Tillicairn, Aberdeenshire, on the top of a ridge
on which are several cairns, there is one of unusually large size,
appropriately designated Cairnmore. In 1818 this was partially opened
to obtain a supply of stones for building materials, when a quantity of
bones were found, among which lay "a small gold chain of four links,
attached to a pin of such size as might have been used in a brooch for
fastening the Celtic plaid."[380] A relic found towards the close of
last century on the farm of Balmae, Kirkcudbrightshire, and sold by the
discoverer for about £20, may also be classed among the lost examples
of Scottish gold torcs. It is described as "a straight plate of gold,
which was somewhat thick at each end and at the middle. It bent easily
at the centre, so as to admit the two extremities to meet."[381] It
must either have been a solid torc, or an unusually large dilated
penannular ring. Amongst the native personal ornaments in the Scottish
Museum, is a massive but plain penannular ring of the class to which
the name of solid torc is now applied. It appears to be composed of
nearly pure copper, and weighs twenty-five and a quarter ounces. It is
rudely finished, retaining the rough marks of the hammer.

No less beautiful than the finest examples of gold torcs are the
numerous armillæ which have been found in Scotland. Two funicular
bracelets, discovered apparently on draining the same lake in
Galloway previously referred to, are described and engraved in the
Reliquiæ Galeanæ. Sir John Clerk, writing from Edinburgh in 1732,
remarks,--"Since my last to you I have seen two other bracelets and a
large ring, found on the draining of a lake or part of it. There are
no letters or inscription, and the make is very clumsy. Each bracelet
is in weight six or seven guineas, and their shape thus,[382] of two
pieces of gold twisted. The ring is large, and about a guinea in
weight."[383]

Another example found about forty years ago in Argyleshire was
sold for a trifle to a Glasgow goldsmith, and consigned to the
crucible.[384] In 1834, some workmen quarrying stones near the bridge
over Douglas Water, Carmichael, Lanarkshire, discovered a pair of
armillæ weighing twenty-nine sovereigns, which were destined to the
same fate; but fortunately the Marquess of Douglas learned of the
discovery in time to repurchase them ere they had been converted into
modern trinkets, and they are now safe in that nobleman's possession.
Mr. Albert Way illustrates his communication to the Archæological
Journal, "On Ancient Armillæ of Gold," &c, with an engraving of one of
a very beautiful pair, found in 1848 on the estate of Mr. Dundas of
Arniston, at Largo, in Fifeshire, of the same type as those previously
discovered in the Loch of Galloway. Mr. Way remarks of them,--"These
beautiful ornaments are formed of a thin plate or riband of gold,
skilfully twisted, the spiral line being preserved with singular
precision. It would be easy to multiply examples of torc ornaments
more or less similar in type found in this country, and especially in
Ireland; but none that I have seen possess an equal degree of elegance
and perfection of workmanship."[385] Mr. Dundas furnishes the following
interesting note in relation to the discovery:--"The gold bracelets
were found last winter on the top of a steep bank which <DW72>s down
to the sea, among some loose earth which was being dug to be carted
away. The soil is sandy, and the men had dug about three feet, where
the bracelets lay. It was at a place close to the sea-shore, called
the Temple, which is part of the village of Lower Largo. An old woman
who has lived close to the spot all her days, says that in her youth
some coffins were found there, and one man was supposed to have found
a treasure, having suddenly become rich enough to build a house." The
neighbourhood of Largo Bay is celebrated in the annals of Scottish
Archæology for one of the most remarkable hoards ever discovered,
described in a later chapter as the "silver armour of Norrie's Law."
Only a very small portion of this collection was rescued from the
crucible; and the moiety of the Largo Bay relics which escaped the same
fate appears to have been even less, if we may credit the extremely
probable tradition of the locality. With the wonted perverse modesty of
Scottish antiquaries, Mr. Dundas accompanies his account of the latter
discovery with a reference to the advantages of the neighbouring bay as
a safe anchorage, and the probability of its having been a favourite
landing-place of the northern freebooters. How strange is it, that
rather than believe in the possibility of the existence of early native
art, this improbable theory should have been fostered and bandied
about by intelligent writers without contradiction for upwards of a
century. If there were no native arts and costly treasures, what, it
may be asked, brought northern freebooters to our shores? Surely some
less extravagant hypothesis may be suggested than that they crossed
the ocean to bury their own golden treasures in our sands. It would
seem, on the contrary, to afford undoubted evidence of a tumulus or
sepulchral chamber being the work of natives or of resident colonists
when it is found to contain objects of value. Only the confidence
inspired by the universal recognition of the sacredness of such
deposits could induce the abandonment of them under cover only of a
few feet of soil. It was not until a very late period--towards the end
of the ninth century--that the northmen established a footing even on
the remoter Scottish islands; while their possession of any but a very
small portion of the mainland in the immediate vicinity of their Orkney
possessions was so brief and precarious, that it might well excite our
surprise to discover any traces of their presence on the shores of the
Forth.

[Illustration: Largo Armilla.]

A variety of independent proofs, some of which have already been
referred to, amply justify the archæologist in assigning the relics of
the Archaic Period of British art to an era long prior to that of the
Scandinavian Vikings. But there is not wanting evidence to shew that
at the latter period also golden armillæ and other native personal
ornaments were common in Scotland, and, indeed, frequently furnished
the chief attractions not only to the piratical Vikings who first
infested our shores, but to the more civilized northmen who supplanted
them, and established trading colonies in the northern and western
isles. Though the full consideration of the influence of Scandinavian
aggression on early Scottish history belongs to a subsequent section,
it will not be out of place to glance at some of these proofs here,
tending as they do to shew that there is in reality greater probability
in favour of some of the gold relics found in Denmark and Norway being
of British origin, than that our native relics should be ascribed to a
Scandinavian source.

Snorro tells us of two thanes from _Fiord-riki_, or the kingdom of
the bay, as the southern coast of Fife was called, who, dreading the
descent of Olave of Norway on their shores, put themselves under the
protection of Canute. Snorro's account is literally,--"To Canute came
two kings from Scotland in the north, from Fife; and he gave them up
his, and all that land which they had before, and therewith received
store of winning gifts, (_vingiafir_.) This quoth Sigvatr--

    'Princes, with bowed heads,
    Have purchased peace from Canute,
    From the coast,
    From the midst of Fife, in the north.'"[386]

_Ringa eldingham_, or bright rings, are frequently mentioned among
the spoils of the Norse rovers; but it is not always easy to tell
whether they refer to ornamental rings and bracelets, or to tribute
paid with ring-money. In the Norwegian account of Haco's celebrated
expedition against Scotland, A.D. 1263, frequent allusions occur to
such golden spoils, and especially in the extracts from the "Raven's
Ode," a song of Sturla, the Scandinavian bard, whose nephew, Sigvat
Bodvarson, attended Haco in this expedition, and most probably supplied
to Sturla materials for the narrative of his poem. The Scottish foes
are described as terrified by "the steel-clad exactor of rings;" and
Haco's reduction of the island of Bute is thus celebrated:--"The
wide-extended Bute was won from the forlorn wearers of rings by the
renowned and invincible hosts of the promoter of conquest. They wielded
the two-edged sword; the foes of our Ruler fell, and the raven, from
his field of slaughter, winged his flight for the Hebrides."[387]
We find also, in the same poem, Haco restoring the island of Ila to
Angus on similar terms to those by which the favour of Canute was
purchased:--"Our sovereign, sage in council, the imposer of tribute
and brandisher of the keen falchion, directed his long galleys through
the Hebrides. He bestowed Ila, taken by his warriors, on the valiant
Angus, the distributor of the beauteous ornaments of the hand," _i.e._,
rings or bracelets. Here then we find the northern bard scornfully
designating the Scottish foemen as "the forlorn wearers of rings,"
and their tributary chiefs as the "distributors of the beauteous
bracelets." It is by the same name claimed by the Scandinavian poet,
"exactors of rings," that the early Irish bards describe the northern
warriors who infested their coasts from the ninth to the eleventh
centuries; while older allusions abundantly prove their familiarity
with the "rings" long before the first descent of the Vikings on their
shores. An interesting passage illustrates this in an ancient MS. of
the Brehon Laws, preserved in the Library of Trinity College, Dublin.
The reference is to the wife of Nuada Neacht, King of Leinster, in the
first century:--"The Righ of the wife of Nuada, she was used to have
her hand (or arm) covered with rings of gold for bestowing them on
poets."[388] It is abundantly manifest, therefore, that native artists
had learned at a very early period to fabricate the golden armilla, so
that the theory of Danish, or of any other foreign origin for these
ancient relics, may at once and for ever be dismissed as equally
unnecessary and untenable.

[Illustration: Rannoch Armilla.]

Returning from this digression, which more properly belongs to the
succeeding section, I am fortunately able, through the kind services
of Sir James Ramsay, Bart. of Banff, to present an engraving of
another gold armilla, of the same type as those discovered at Largo,
in Fifeshire, but found alike remote from any convenient anchorage,
or from any known Norwegian settlement on the Scottish shores. It
is now the property of Lady Menzies, and though inferior in point
of workmanship to those found at Largo, is an exceedingly tasteful
example of primitive skill. The original bears obvious traces of the
rough marks of the hammer, though they interfere very little with
the beautiful reflected lights which its elegant spirals produce.
It was found in the north-west of Perthshire, in what is described
in Chambers' Gazetteer as "the black wilderness called the Moor of
Rannoch; a level tract of country sixteen or twenty miles long, and
nearly as many broad, bounded by distant mountains; an open, silent,
and solitary scene of desolation; an ocean of blackness and bogs,
with a few pools of water, and a long dreary lake." Yet how many
such evidences may it contain of an era when the Scottish bogs were
luxuriant forests, and such relics were the personal ornaments of
the hunters that pursued the chase through their sylvan glades, or
of the maidens and matrons that awaited their return! The Rannoch
armilla is of sufficient size to encircle a lady's arm; and though
exhibiting unmistakable traces of the imperfectly developed art and
mechanical skill of the Archaic Period, its beauty is sufficient, in
the estimation of its present noble owner, to induce her frequently
to wear it along with the more elaborate productions of the modern
jeweller's skill. A still more beautiful armilla, of a different type,
and manifestly belonging to a later and more perfectly developed era of
art, was discovered in 1846, at Slateford, about three miles west from
Edinburgh, during the progress of the works required in constructing
the Caledonian Railway. The labourer who found it decamped immediately
with his prize. It was shewn by him to the Treasurer of the Society
of Antiquaries of Scotland, but while negotiations were pending for
its purchase, the discoverer took fright under the apprehension of
having his spoil reclaimed, and before the clue could be recovered,
it was consigned to the melting-pot. It was justly described by the
distinguished Danish antiquary, Mr. Worsaae, who saw it during his
visit to Scotland, as a relic that would have adorned any museum in
Europe. Its loss affords another painful evidence of the necessity for
some modification of the Scottish law of treasure-trove, as well as
for a comprehensive system for the preservation of primitive works of
native art. Fortunately a fac-simile was made of it previous to its
destruction, and is now preserved in the Scottish Museum. Torcs of a
similar type, terminating in solid cylindrical ends, are described by
Mr. Birch as not uncommon, and are referred to a late period, possibly
the fourth or fifth century.[389] Unfortunately no account could be
obtained of the circumstances under which the Slateford Armilla was
discovered. One nearly similar, found in Cheshire, and now in the
possession of Sir Philip de Grey Egerton, is engraved in Dr. Smith's
"Dictionary of Greek and Roman Antiquities," with other so-called Roman
relics of unquestionable native origin.

[Illustration: Slateford Armilla]

The bronze armillæ clearly assignable to the Archaic Period are mostly
of a very simple character, consisting either of solid or penannular
rings, or more rarely of a thin spiral band of the metal. They are much
rarer, however, in any form than those of gold. The following account
of the discovery of bracelets _in situ_, in the parish of Glenholm,
Peeblesshire, is possessed of peculiar interest, though we have to
regret, as in so many other instances, the absence of more precise
information. "There is a plain by the side of Tweed on which there are
several mounts, apparently artificial. The proprietor had the curiosity
to cause one of them to be digged, and there found the skeleton of
a man, with bracelets on his arms. The body was inclosed in a stone
building, with a stone cover, and nigh him was an urn."[390] In another
grave opened at Westray in Orkney, a gold ring was found encircling one
of the thigh-bones of the skeleton.[391] Similar examples are familiar
to Scandinavian antiquaries.

The torc as well as the funicular armilla and other relics of
corresponding type, though known to the Romans, were regarded by them
as barbarian decorations. Like so many others of the characteristic
peculiarities of the Celtæ, they are clearly traceable to an Eastern
origin. The torc is introduced at Persepolis among the tribute brought
to Darius; and in the mosaic of Pompeii, Darius and his officers are
represented wearing it at the battle of Arbela.[392] Titus Manlius
Torquatus took the golden torc from whence he derived his name from a
Gaul he slew in single combat B.C. 361: and its first appearance in
Italian art is round the neck of the moustached Gaulish hero, whose
head forms the obverse of the As of Arminium, decorated probably
according to the fashion of his country, four centuries before the
Christian era. Still more interesting is its occurrence on the neck of
the dying gladiator, the masterpiece of Ctesilaus. In this historic
example of the torc, it is funicular with bulbous terminations,
resembling one seen on the Sarcophagus of the Vigna Amendola,
representing, as is believed, the exploits of the Romans over the Gauls
or Britons. So far then from the torc being either Romish or Danish,
it may be regarded as the most characteristic relic of primitive
Celtic and Teutonic art, brought with the British Celtæ from the East
centuries before the era of Rome's foundation, and familiar only to the
Roman as one of the barbaric spoils which adorned the procession of a
triumphant general, or marked the foreign captive that he dragged in
his reluctant train.

In addition to torcs, armlets, and other ornaments for the neck and
arms, metal rings of various kinds have been found in Scotland as in
other countries, to which, though apparently designed for personal
ornament, it is more difficult to assign an exact purpose. Several
of these will fall to be described in the following section, as from
their well defined characteristics more probably pertaining to the
latest Pagan era; but others completely agree in their archaic style
and workmanship with undoubted relics of the Bronze Period. To this
class belong various bronze rings, generally with broad expanded
ends overlapping each other, corresponding to a well-known class of
continental antiquities, which the northern archæologists believe to
have been worn about the head and entwined with the hair. Two of
these, of very rude workmanship, now in the Museum of the Scottish
Antiquaries, were found a few years since about 300 yards from a large
cairn, in the parish of Lumphanan, Aberdeenshire, which popular local
tradition affirms to mark the spot where Macbeth fell by the hand of
the Thane of Fife. One of these is figured here on a small scale.
Its dimensions, however, are abundantly sufficient to admit of its
encircling the head, and both ends terminate in broad flattened plates,
probably designed to rest on the forehead. Similar features occur in
those of a later date and much more ornamental character, some of
which are referred to in a future chapter. With this class also may be
noted, among the relics belonging to the period in the same collection,
an annulus of bronze, hollowed on the under side, measuring two and
three-fourths inches in greatest diameter; and several bronze rings
of various sizes, the largest three and a quarter inches in diameter,
found in an urn in the parish of Kinneff, Kincardineshire.

[Illustration]

[Illustration]

Smaller personal ornaments were also made of bronze, and occur among
the works of a later period frequently characterized by great beauty
of form and delicacy of ornament. The woodcut represents a bronze
ring-fibula, of simple but somewhat peculiar design, and a spiral
bronze ring, both the size of the originals. They were found about
nine years since, during the construction of a new road leading from
Granton Pier to Edinburgh, in a small stone cist, distant only about
twenty yards from the sea-shore. It contained two skeletons, which from
the position of the bones and the square and circumscribed form of the
cist, appeared to have been interred in a sitting posture. Mr. C. R.
Smith has figured a bronze fibula of the same type, though of ruder
workmanship, among the numerous relics pertaining to various periods
found at Richborough in Kent.[393] Several examples of the spiral
finger-ring have been found in Britain with remains of different
periods. They are also known to northern antiquaries among the older
relics of Denmark and Sweden. This may indeed be regarded as one of
the earliest forms of the ring, since it is only at a comparatively
late period that we discover any traces of a knowledge of the art of
soldering among the native metallurgists. A silver ring of the same
early type, formed one of the personal ornaments in the celebrated
Norrie's Law hoard, found on the opposite shores of the Frith of Forth.

Hair-pins and bodkins are another class of relics contained in
the tombs of this period, generally of bronze, though they have
occasionally been met with, and especially in Ireland, both of gold and
silver, and richly set with jewels. Charles Kirkpatrick Sharp, Esq.,
has in his possession three magnificent ornaments of the latter class,
formerly in the collection of Major Surr, such as might rival the most
costly and elaborate works of the modern jeweller. Among the rarest
and most curious forms of the bronze pin is that with a head hollowed
like a cup; one of which has already been referred to, found along
with a variety of other bronze relics, in a bog in the Isle of Skye,
and now in the possession of Lord Macdonald. It exactly corresponds
to an Irish example engraved in the Archæological Journal. Others
have the head decorated with a variety of grooves and mouldings, and
occasionally perforated, as if for attaching to them some pendulous
ornament. Perforated bronze implements are likewise found, which it can
hardly be doubted were used as needles; and among the rare and most
perishable contents of the tumuli have occasionally been recovered
small fragments of knitted or woven tissues, the productions of the
primitive weaver whose bones crumble into dust on being exposed, and
almost literally vanish before our eyes. Douglas engraves in the
Nenia some interesting fragments of such ancient manufactures, of the
herring-bone pattern, found on opening some tumuli in Greenwich Park.
But by far the most perfect specimen I have ever seen was procured by
Dr. Samuel Hibbert, about the year 1838, from some labourers who had
found it on the chance exposure of a stone cist, while excavating for
railway work, near Micklegate Bar, York. This valuable relic is now
in the Museum of the Scottish Antiquaries. It appears to be a sleeve,
or the covering for the leg, and somewhat resembles the hose worn by
the south-country Scottish farmers, drawn over their ordinary dress
as part of their riding gear. It has been knitted, a process which
doubtless preceded the art of weaving, probably by many centuries.
The fabric is still strong, and, in careful keeping, may long suffice
to illustrate the domestic manufactures of the ancient Briton. This
is one of the examples to which reference has been made in a former
chapter, as shewing the source to which it is conceived some of the
ornamental designs on the early British pottery are traceable; though
the resemblance is less striking here than in some more imperfect
specimens of such products of the primitive knitting needle or loom.
The accompanying woodcut, representing a portion of the knitted fabric,
will enable the reader who is familiar with the style of ornamentation
on the pottery of the tumuli, to judge for himself how far this idea is
justified by the correspondence traceable between them.

In 1786 a much more complete specimen was found, seventeen feet below
the surface of an Irish bog in the county of Longford. It is described
by Mr. Richard Lovell Edgeworth, in a Report to the Commissioners for
improving the bogs in Ireland, as "a woollen coat of coarse but even
net-work, exactly in the form of what is now called a spencer." Iron
arrow-heads, large wooden bowls, some only half made, with what were
supposed to be the remains of turning tools, lay alongside of it. The
coat was presented by Mr. Edgeworth to the Society of Antiquaries,
but is no longer known to exist. Possibly it rapidly decayed, as all
such relies must be apt to do on exposure to the air; or perchance its
history was lost sight of, in which case its value would appear very
slight in the estimation of the ordinary class of curators.

[Illustration]

In 1822 Professor Stuart of Aberdeen communicated to the Society of
Antiquaries of Scotland an interesting account of the opening of a
tumulus at Fetteresso, Kincardineshire.[394] Within it was found a
stone cist about four feet in length, containing a skeleton, with
the legs so bent back that the knees almost touched the lower end
of the cist. The bottom was strewed with round sea pebbles from the
neighbouring beach. Above this appeared some vegetable substance, in
which the body had been imbedded, and over that, covering the whole, a
tissue of wrought net-work, beautifully executed, but which, along with
all the other contents, crumbled to dust soon after being exposed to
the air. A great number of small black balls were found surrounding the
body, plainly vegetable, and described as closely resembling acorns.
At the top of the cist there seemed to have been placed a fresh sod
or turf, which still retained the impression of the head that had
been pillowed on it ages before, though no parts of the skull, nor
even any of the teeth, were found. Some of the hair, however, four or
five inches long, and of an auburn colour, still remained, and over
the breast were seen the remains of a small box of an oval shape,
apparently of wood elegantly carved; but this also speedily crumbled
to powder. In the month of November 1847, another cist was discovered
about an hundred yards to the south of the Fetteresso tumulus, which
may with much probability be assumed as a female grave; and if so,
adds another to the examples already noted of the occurrence of the
Scottish sepulchral urn accompanying female remains. The cist measured
only three feet in length, by two feet in breadth, and contained a
human skeleton which appeared to have been laid on the right side with
the face to the south. The limbs were bent according to the usual
disposition of the body in the circumscribed cist, and one of the leg
bones seemed to have been broken. A rude urn, about six inches deep,
lay as if it had been folded in the arms of the deceased, and upwards
of a hundred jet beads, which had no doubt formed a necklace, were
found beside the breast.

FOOTNOTES:

[338] Solinus, c. xxii. Bede Hist. lib. i. c. 1. Collectanea Antiqua,
C. R. Smith, vol. i. p. 174.

[339] Sinclair's Stat. Acc. vol. i. p. 330.

[340] Ibid. vol. xvi. p. 482.

[341] Ibid. vol. v. p. 392.

[342] Archæol. Scot. vol. iii. p. 49.

[343] New Stat. Acc. vol. xi. p. 147.

[344] Ancient Wiltshire, Plates XII. and XXXIV.

[345] Journal of Archæol. Assoc. vol. ii. p. 234.

[346] Vol. ii. p. 235.

[347] _Vide_ John Sydenham "On the Kimmeridge Coal Money,"
Archæological Journal, vol. i. p. 347; and Journal of the Archæological
Association, vol. i. p. 325, where accurate engravings of the "coal
money" are given.

[348] New Statistical Account, vol. iv., Wigtonshire, p. 142.

[349] "Fugat serpentes ita, recreatque vulvæ strangulationes.
Deprehendit sonticum morbum, et virginitatem suffitus. Hoc dicuntur uti
Magi in ea, quam vocant axinomantiam: et peruri negant, si eventurum
sit, quod aliquis optet."--_Pliny_, lib. xxxvi. cap. 34.

[350] Communication by Mr. Joseph Train to the New Statist. Acc. vol.
iv., Kirkcudbrightshire, p. 196.

[351] Ure's Hist. of Rutherglen and Kilbride, p. 219.

[352] Portes, Coloniæ, &c. Append. 18, and Plate III.

[353] Sinclair's Statistical Account, vol. ix. p. 53.

[354] Ure's Rutherglen and Kilbride, p. 217, and Plate I.

[355] Sinclair's Statistical Account, vol. ix. p. 52.

[356] New Statist. Acc. vol. v. p. 454.

[357] Collectanea Antiqua, C. R. Smith, vol. i. p. 174.

[358] On the Tings of Orkney and Shetland. Archæol. Scotica, vol. iii.
p. 120.

[359] Boece gives the following quaint description of amber, affording
evidence of the mode of its introduction, though sufficiently
extravagant in the style of its theorizing:--"Amang the rochis and
craggis of thir ilis growis ane maner of electuar and goum, hewit like
gold, and sa attractive of nature, that it drawis stra, flox, or hemmis
of claithis to it, in the samin maner as dois ane adamont stane. This
goume is generat of see froith, quhilk is cassin up be continewal
repercussion of craggis againis the see wallis; and throw ithand
motioun of the see it growis als teuch as glew, ay mair and mair;
quhill, at last, it fallis doun of the crag in the see.... Twa yeir
afore the cumin of this buke to licht, arrivit ane gret lomp of this
goum in Buchquhane, als mekle as ane hors; and wes brocht hame be the
hirdis quhilkis wer kepand thair beistis, to thair housis, and cassin
in the fire. And becaus thay fand ane smelland odour thairwith, thay
schew to thair maister that it wes ganand for the sens that is made in
the kirkis. Thair maister wes ane rud man as thay wer, and tuke bot
ane litill part thairof. The maist pairt wes destroyit afore it come
to ony wise mannis eris; of quhome may be verifyit the proverb,--'The
sow curis na balme.' Als sone as I wes advertist thairof, I maid
sic diligence, that ane part of it wes brocht to me at Abirdene."
Bellenden's Boece. The Cosmographie, chap. xv.

[360] Ure's Rutherglen, p. 164, Plate I.

[361] Vol iv. Plate XII.

[362] Collectanea de Rebus Hibernicis, vol. vi. p 270.

[363] Archæol. Journal, vol. vi. p. 57.

[364] Ibid. p. 48.

[365] Archæol. Jour. vol. vi. p. 56.

[366] Sinclair's Stat. Acc. vol. x. p. 402.

[367] Sinclair's Statist. Acc. vol. xvii. p. 238.

[368] Sir R. C. Hoare describes a somewhat similar plated relic, found
in a tumulus near Amesbury, along with objects of gold.--_Ancient
Wilts._ vol. i. p. 201, Plate XXV.

[369] This may be assumed possibly as affording some confirmation of a
theory suggested to me by an ingenious friend, that these rings were
used in _infibulation_; a practice not unknown to the Romans. Martial
thus alludes to it, (lib. ix. epig. 28):--

    "Occurrit aliquis inter ista si draucus,
    Jam pædagogo liberatus, et cujus
    Refibulavit turgidum faber penem."

The subject is treated at great length in "Recherches Philosophiques
sur les Américains," &c., par M. de P... London, 1771.--"Pour brider
les garçons, on leur mettoit dans le prépuce un anneau d'or ou
d'argent, tellement rejoint par les extrémités qu'on ne pouvoit plus
l'ouvrir qu'avec une lime; et c'est ce que les Romains nommoient
_refibulare_."--Vol. ii. p. 123. The same _Recherches Philosophiques_
include minute details of several kindred processes under the head,
_La manière d'infibuler le sexe_,--_e.g._, "Parmi d'autres nations de
l'Asie et de l'Afrique, on fait passer par les extrémités des nymphes
opposées un anneau, qui dans les filles est tellement enchassé qu'on ne
peut le déplacer qu'en le limant," &c.--Ibid. pp. 119-121.

[370] Vol. vi. p. 56.

[371] Caledonia, vol. i. p. 129.

[372] Archæol. Jour. vol. vi. p. 59.

[373] The skeleton is described by Mr. James Drummond, surgeon, Alloa,
in a letter to the Secretary of the Scottish Society of Antiquaries, of
date 8th March 1828, as "bearing no marks of the action of fire, but
from the position of the bones, the body must have been placed neck and
heels together when interred." A third urn was found a few feet from
the cist, filled, like the two others, with ashes and half-burnt bones.

[374] New Stat. Acc. vol. v. Buteshire, p. 23.

[375] Archæol. Journal, vol. vi. p. 60. It is only from analogy, and
the want of more appropriate terms, that these relics can be called
rings, many being less than semicircles. Possibly, however, the term
suggested in the text may suffice to designate them by, at least till
the establishment of some theory as to their use shall supply a more
precise name. The term _calicinated fibulæ_ would be preferable, did
it not assume a use still open to challenge.

[376] Bibliotheca Topog. Brit. vol. ii. p. 280. Plate VI. fig. 5.

[377] Vol. iv. p. 217, Plate X.

[378] The drawing is simply marked "a gold collar found at Braidwood
Castle, Edinburghshire," but there can be little doubt of its being the
same referred to in the text. The additional particulars concerning
it have been communicated to me by a lady who had often heard of this
discovery in her younger days, as one of the remarkable events of her
native place.

[379] New Statist. Acc. vol. vi. p. 57.

[380] New Statist. Acc. vol. xii. p. 1061.

[381] Sinclair's Statist. Acc. vol. xi. p. 24.

[382] Biblio. Topog. Brit. vol. ii. Plate VI. fig. 8.

[383] Ibid. p. 299.

[384] New Statist. Acc. vol. vii. p. 206.

[385] Archæol. Journal, vol. vi. p. 54.

[386] Notes to "Lodbrokar-Quida." Rev. J. Johnstone. Denmark, 1782.

[387] Haco's Expedition, Rev. J. Johnstone, p. 65.

[388] Ecclesiastical Architecture of Ireland. 8vo. P. 215.

[389] Archæological Journal, vol. ii. p. 379.

[390] Sinclair's Statist. Acc. vol. iv. p. 435.

[391] Nenia Britannica, p. 76. In the Guide to Northern Archæology,
p. 54, reference is made to similar discoveries in Denmark; and I am
informed by Dr. Ludwig Becker of a skeleton with several penannular
bronze rings on the arm bones, found recently in a large tumulus near
Mayence.

[392] This interesting inquiry is entered on at large by Mr. Samuel
Birch, in two able articles on the Torc of the Celts. Archæological
Journal, vol. ii. p. 360, and vol. iii. p. 27.

[393] Antiquities of Richborough, Reculver, and Lymne, p. 85.

[394] Archæologia Scotica, vol. ii. p. 462.




CHAPTER VII.

SEPULCHRES.


The tombs of the Bronze Period appear to differ, in various important
respects, from those which are clearly assignable to the Primeval
Period. Some of their peculiar features have already been noticed,
in describing the circumstances under which sepulchral pottery and
their relics have been met with; but others equally characteristic of
the first era of development and progress remain to be described. To
this epoch, as has been already observed, it seems probable that we
must assign the introduction of the practice of cremation, while the
huge cromlechs and chambered barrows and cairns, appear to have been
abandoned along with the simpler rites of primitive inhumation, for
the smaller cist and cinerary urn. To this period also we can have
little hesitation in ascribing the earliest attempts at sculpture or
inscription which are met with on primitive sepulchral memorials.
The two most remarkable examples of sculptured monolithic structures
hitherto explored are the celebrated chambered cairn of Newgrange,
in the county of Meath, and that on the small island of Gavr' Innis
in Brittany. These gigantic and complicated works appear indeed to
pertain to the transition between the Primeval and Archaic Periods, and
partake at once of the earliest cyclopean characteristics and the later
ornamental decorations.

An abridged extract of the account furnished by Mr. J. W. Lukis of the
remarkable structure of Gavr' Innis will best illustrate the peculiar
features of such decorated sepulchral chambers. Gavr' Innis is a small
island, about a quarter of a mile in length, situated in the department
du Morbihan, Brittany. It is elevated somewhat above the neighbouring
islands, and with its tumulus, which still covers the cromlech,
forms one of the most conspicuous objects of the inland Archipelago.
The tumulus is about thirty feet high, and three hundred feet in
circumference. The cromlech beneath forms a large central chamber, with
a passage, constructed like it of huge masses of granite, leading out
to the south side of the mound.

    "Being furnished," says Mr. Lukis, "with candles, I entered
    the cromlech Gavr' Innis by a small opening at the south end,
    which is between three and four feet wide, by about the same in
    height. Having reached the third and fourth props, my attention
    was at once arrested by finding them covered with engraved
    lines, forming patterns resembling the tattooing of the New
    Zealander. On proceeding farther into the interior the height
    increased, rendering the passage to the end more easy; and I
    found nearly the whole of the props covered with similarly
    engraved lines. Here there is much to excite admiration at
    the regularity and beauty of so extraordinary a place; and
    on turning to a prop on the western side, the imagination is
    farther exercised to perceive the purpose or use of three
    circular holes, sunk into the face of the stone, each about six
    inches deep, and the same in diameter: they communicate with
    each other, and form a sort of trough within the stone. It is
    divided in front by two raised parts resembling in form the
    handles to a jar."[395]

[Illustration: Coilsfield Stone.]

Other cromlechs in Brittany are similarly decorated; and Mr. Lukis
arrives at the conclusion that in some of them the stones must have
been engraved prior to their erection, from the ornaments extending
round the sides which are now covered by adjoining stones. The
sculptured decorations at Newgrange are no less remarkable, and the
same observation has been made in regard to them, that the carvings
must have been executed before the stones upon which they appear had
been placed in their present positions. We shall not probably err in
assigning as contemporaneous works with these rare and most primitive
examples of sculptured sepulchral chambers, the rude cists occasionally
found decorated with similar devices, though otherwise entirely unhewn.
The annexed view of one of these incised slabs is engraved from a
drawing presented to the Royal Society of Edinburgh by Colonel Hugh
Montgomery of Shielmorly, in 1785, and subsequently transferred to
the Society of Antiquaries. It formed the cover of a cist, discovered
in digging a gravel-pit at Coilsfield, in Ayrshire, and underneath it
was found an urn filled with incinerated bones. The dimensions of the
stone were about five feet in length by two and a half feet in breadth.
The original drawing includes the representation of the portion of
the urn shewn here, which it will be seen presents only the usual
characteristics of primitive sepulchral pottery. A subsequent discovery
of cinerary urns at the same spot has been assumed to authenticate
one of the many dubious incidents recorded by our earlier chroniclers
in relation to a no less celebrated hero than "Old King Coil." Near
Coilsfield House is a large tumulus, crowned with two huge blocks of
granite, which local tradition affirmed to mark the place of sepulture
of the redoubted hero, of whom Boece records,--"King Coyll, unwarly
kepit be his nobilis, was slane, in memory wherof the place quhare he
was slane wes namit efter Coyll; quhilk regioun remanis yit under the
same name, or litill different thairfra, callit now Kyle."[396] Certain
zealous local antiquaries having resolved to put tradition to the test,
the tumulus was opened in 1837, and found to inclose a cist covered by
a circular stone about three feet in diameter, beneath which four plain
urns were disposed, the largest of which measured nearly eight inches
in height. The author of a recent topographical work on the district of
Kyle has gravely assumed this discovery as giving "to the traditionary
evidence, and to the statements of early Scottish historians in regard
to Coil, _except with respect to the date_, a degree of probability
higher than they formerly possessed!"[397] What more might not the
antiquaries of Kyle have been able to establish had they known of the
older discovery on the same spot, and of the mysterious symbols traced
on the sepulchral stone!

[Illustration]

[Illustration: Annan Street Stone.]

Another cist, decorated with concentric circles in a manner nearly
similar to the Coilsfield stone, was exposed a few years since in
constructing the road which leads from South Queensferry through the
Craigiehall estate. It still remains, nearly perfect, in the high bank
on the side of the road, the end of the cist only having been removed,
and the covering slab left in its place. It contained bones and ashes,
without any urn. In Mr. J. Walker Ord's "History and Antiquities of
Cleveland," an interesting account is given of the opening of some
tumuli on Bernaldby Moor, in 1843, in one of which--a bell-shaped
barrow--was found a remarkably fine cinerary urn sixteen and a half
inches high, covered with an unhewn slab carved with rude devices
similar in style to those described above. Of the same class also is
another slab figured here, the drawing of which was made by George
Scott, the friend of Mungo Park, who accompanied him to Africa and
died there. It was forwarded to the Society of Antiquaries of Scotland
by Sir Walter Scott, in 1828, who described the original as a rough
sandstone, about six feet long by perhaps two and a half broad, which
was raised by the plough at a place called Annan Street, upon the farm
of Wheathope. The drawing is designated, probably by the original
draftsman, "a Druid stone found at Annan Street, figured with the sun
and moon." Little doubt can be entertained that it had formed the
cover of a cist, though few probably will now be inclined to attempt
a solution of the enigmatic devices rudely traced on its surface. The
spot where it was found is about half a mile from the church of Yarrow,
and close by there are two large stones, about 120 yards apart, which
are believed to mark the scene of the memorable struggle that has given
"The dowie houms of Yarrow" so touching a place in the beautiful
legendary poetry of Scotland. Thus does the human mind delight to
give a local habitation to the mythic and traditional characters
and incidents that take hold on the fancy, whether it be the old
mythological smith Wayland, associated with the cromlech of Berkshire;
the fabulous King Coil, and the sepulchral barrow of Ayrshire; or The
Flower of Yarrow, the creation of some nameless Scottish minstrel,
whose pathetic ballad will live as long as our language endures.

The rude attempts at sculpture figured here are certainly as artless,
and to us as meaningless, as the chance traces of wind and tide on
the deserted sea-beach. Doubtless they had a meaning and an object
once, and were not produced without the expenditure both of time and
labour by the primitive artist, provided almost for the first time with
metallic tools. To us they are simply of value as probably indicating
the infantile efforts of the old British sculptor, and the rudiments
of the art to which we owe such gorgeous piles as the Cathedral of
Salisbury, and such sculptures as those of Wells and York. Even as
the parent delights to trace in the prattle of his child the promises
of future years, the archæologist may be pardoned if he is sometimes
tempted to linger too fondly on those infantile efforts of the human
race until he sees in them the germ of future arts, the first attempts
at symbolic prefigurements, and the rudiments of those representative
signs from which have sprung letters and all that followed in their
train.

The most interesting and characteristic features, however, which the
tombs of the Bronze Period disclose, are the weapons and implements
deposited alongside of the deceased, or inclosed with his ashes in the
cinerary urn. Much variety is traceable in the design as well as in the
mode of disposing of these enduring tokens of reverence and affection.
But we have already examined them with sufficient minuteness, and have
found a distinctive uniformity traceable throughout the whole; marking
with no doubtful features the products of an epoch in which we discern
the germ of all future progress, and the dawn of that civilisation the
full development of which we are now privileged to enjoy.

FOOTNOTES:

[395] Journal of the Archæological Association, vol. iii. p. 272.

[396] Bellenden's Boece, book i. chap. ix.

[397] Land of Burns, vol. i. p 82.




CHAPTER VIII.

RELIGION, ARTS, AND DOMESTIC HABITS.


The title of this chapter, as of some others of those relating to
British history prior to the first century of the Christian era, may
perhaps appear to readers of indices as not a little presumptuous.
These chapters deal exclusively with a period believed to have long
preceded written history, and of which we possess no other records than
those that have been garnered in the grave, wherein is "no knowledge,"
or chance-found amid the alluvium and peat-mosses, in which the
geologist discerns many evidences of antiquity, but from which he has
yet failed to deduce any defined measure that will help us to their
age. Still we have found, in the ruder productions of the primitive
period, that the simplest works of man bear some ineffaceable traces
of his intelligence. The sagacious inductions of Cuvier have met with
universal acceptation in their definition of the form, the size, the
food, and the general haunts and habits of the Megalonyx, a gigantic
antediluvian sloth, only a few disjointed bones of which are known to
exist. We need not therefore despair of learning somewhat of the early
Caledonian, of his habits, his thoughts, and even of his faith, when we
are able to refer to so many specimens of his handiwork and inventive
design, and retain some relics of his ruined temples, and abundant
illustrations of his sepulchral rites. It is by simple induction,
however, that the discovery of such truths is aimed at. Intentionally,
at least, no rein is given here to fanciful speculation, nor are
any theories advanced but such as are believed to be based on the
suggestive aspects of ascertained truths.

We have no reason to assume that the aboriginal Caledonian of the
Bronze Period ever carried civilisation so far as materially to affect
the social character of the community. The patriarchal system of
tribes or clans, we may presume, continued nearly as we know them to
have existed at the first dawn of written history, or, at most, were
only modified by the union of a greater or less number of petty tribes
under some general chief. Many improvements on the accommodation and
conveniencies of the native hut and its furnishings would necessarily
result from the possession of metallic tools. With these only could
the art of the carpenter be developed, and the implements of husbandry
and the chase, as well as the weapons of war, be moulded into useful
and convenient forms. The clothing also, we have seen, was aided by
the ingenuity and skill of feminine arts. The skins of the deer or the
wild bull, as well as of the fox, the hare, and the smaller fur-clad
animals, would thus be superseded in part, and fashioned, where they
were retained, with such improved taste as made them correspond to the
beautiful ornaments of the period. Of very much of this all evidence
has disappeared, but enough remains to prove that the Caledonian of
the Bronze Period was no naked painted savage. Whether the ingenious
knitters of the garments, the precious fragments of which have
occasionally been rescued from the tumuli, had learned to adorn them
with any interwoven parti-colours may be doubted; but the learned
Scottish antiquary, Dr. Jamieson, has already suggested the Gaelic
_breac_, signifying parti-, and _breacan_, a tartan plaid, as
perhaps the true source of derivation of the name _Gallia Braccata_,
which would thus refer to the colour rather than to the fashion of
the Celtic dress. We know certainly, from the sculptures on Trajan's
column, that the _Bracæ_ were not so unfamiliar to the Romans as to be
adopted as the peculiar characteristic of a single race. It is to be
borne in remembrance, however, that in so far as this archæological
period is strictly defined to include only the era of Archaic art, and
the working in gold, copper, and bronze, prior to the knowledge or
economic use of iron, it must be assigned to an epoch which had drawn
to a close before the Britons were known to the Romans, unless by vague
traditions indirectly acquired through Carthage or Spain, or by the
imperfect notices of the Cassiterides to be found in the pages of early
Greek writers.

An interesting inquiry suggests itself in relation to this as to all
unknown states of society--What was the social position of woman?
To this the answer we can at present give is very uncertain. But
the traces already noted are not such as to discourage all hope
of attaining to greater definiteness and certainty. The frequent
occurrence of what appear to be female personal ornaments among
the contents of the Scottish tumuli, seems to afford satisfactory
indications that woman possessed, at that early era, somewhat of the
equality of social position which still peculiarly characterizes the
races of Northern Europe. Further investigations can hardly fail to
add more certainty to our deductions, while they may also greatly
enlarge the evidence on which they are based. For the rest, we infer
with more certainty that the dog was the chosen companion of man in
these old days, as he is still; for the bones of the buried favourite
have been frequently found laid beside his master's urn. Doubtless his
value in the chase was well known, and his fidelity fully recognised
at the hearth. Whether the horse had also become, thus early, man's
useful companion and servant, appears still open to further inquiry.
Probably not till the succeeding era had fairly brought its civilizing
influences into full operation, did the Briton establish his dominion
over the noble and intelligent quadruped which assumed so important a
place in the symbolism and mythology of his latest Pagan creed; though
the investigations of the geologist leave no room to question its
presence prior to, if not contemporarily with the earliest colonists of
the British Isles. From diverse points, and by various means, we thus
seek to catch a glimpse of those old historic eras. But, with all such
aids, our view must be owned to be sufficiently slight, and our outline
to stand in need of much filling in, before we can picture as we would
wish to do, the intelligent Briton of that old time when he was still,
perhaps, a barbarian, but had ceased to be a savage, and is therefore
the just object of our earnest sympathy as the originator of much the
beneficent results of which we even now inherit.

This first era of civilisation, which succeeded the introduction
of metals and is known as the Bronze or Archaic Period, manifestly
differs, in many essential points, from that primeval period previously
considered. It is the birth-time of native arts wherein we discern the
possibility of still better things. There pertains to it an interest
altogether peculiar. Its acquired knowledge probably long exceeded its
means. Copper and bronze could at no time be so plentifully supplied
as to admit of the facilities to which the abundance and cheapness
of iron have for so many centuries accustomed us. With a thorough
knowledge of the superiority of metals, the ingenious artificer was
compelled, throughout the whole Bronze Period, to manufacture nearly
all his bulkier implements of stone. Still he was being educated, so
that when the greater facilities did come within his reach, he was
able to avail himself of them. We must look, indeed, upon this whole
period, as upon the early years of an intelligent child--rich with the
freshness, the originality, and the unconscious simplicity of youth.
Its efforts are extremely unequal, blending the most Archaic works
with occasional productions rivalling the ingenuity and taste of the
polished eras which have succeeded. We detect, moreover, the evidences
of a social state wherein the value of combined operations had still
to be learned, and where isolation led to abundant manifestations of
ingenuity and skill, without producing any immediate results beyond the
little sphere of the native hut, or hamlet, or patriarchal clanship.
We discover, indeed, nothing inconsistent with such a social and
political state as we know to have pertained among the most civilized
British tribes in the century immediately preceding the Christian era,
when, for the first time, we are able to look upon them with the aid
of definite, though somewhat prejudiced and disparaging narratives of
classic historians. I would only add, that there appears no shadow
of evidence thus far discoverable, on which to found a single doubt
as to the indigenous character of British relics of the Primeval and
Archaic Periods. As to the favourite idea of their Danish origin, it
is altogether absurd and irreconcilable with known facts. Nothing is
more certainly established in the history of these northern races, and,
indeed, involved in the nature of things, than that, long before the
Scandinavian races emerged from the _viks_ and _fiords_ of the north,
the Archaic Periods both of Scandinavian and British arts had been
superseded by others more compatible with the social status which such
aggressive movements very manifestly indicate.

The term _Archaic_ has been adopted as a definition of this era,
because, in the sense which is now most generally attached to it, it
peculiarly applies to the artistic productions of the period. The
ornamentation is almost without exception only improvements on the
accidents of manufacture. The incised decorations of the pottery
appear, in many cases, to have been produced simply by passing twisted
cords round the soft clay. More complicated designs, most frequently
consisting of chevron, saltire, or herring-bone patterns, where they
are not merely the primary results of a combination of such lines,
have been suggested, as I conceive, by the few and half-accidental
patterns of the industrious female knitter. In no single case is any
attempt made at the imitation of a leaf or flower, of animals, or any
other simple natural objects. It is curious, indeed, and noteworthy, to
find how entirely every trace of imitative art is absent in the British
Archaic relics, for it is by no means an invariable characteristic
of the primitive arts of Allophylian nations. The objects recovered
from the sepulchral mounds of the Great Valley of the Mississippi,
as well as in the regions of Mexico and Yucatan, display, along with
the weapons and implements of stone, silex, and obsidian, numerous
indications of imitative design. Among the relics of the aboriginal
mound-builders of the Great Valley especially, pipe-heads, tubes,
masks, and a great variety of nondescript articles, are often
characterized by evidences of very considerable ingenuity and imitative
skill. Even the pottery is occasionally moulded into the forms of
animals, and when only decorated with lines these are very frequently
arranged in such definite or flowing patterns as suggest their
derivation from flowers and other objects in nature.[398] The natives
of the Polynesian Islands display a similar though perhaps inferior
taste in their clubs, paddles, and mallets, the prows of their boats,
and numerous other objects, carving them into grotesque imitations of
human and other animal forms.

The indefinite and Archaic character which marks the ornamentation
of the early British pottery, characterizes the most elaborate and
costly ornaments of gold. Though the peculiar form of one class of
gold ornaments found in the British Isles has suggested a name for it
derived from the calix of a flower, which the cups of its rings seem
in some degree to resemble, yet no example has been found bearing the
slightest traces of ornament suggestive of such similarity having
been detected by the old British goldsmith. Where incised lines are
superinduced upon the flower-like forms, they are the old chevron
and saltire patterns of the rude clay pottery, though executed
with considerable delicacy and taste. It is obvious that ideas of
comparison, which enter so largely into the spirit of modern artistic
design, and also form so considerable an element in the more artificial
poetic compositions of modern bards, were altogether undeveloped
in these old times. Art was, in fact, the child of necessity, and
continued to receive the adjuncts of adornment from the same sources
from whence it had first derived its convenient but arbitrary forms.

[Illustration: Gold Rod. Circle of Leys.]

The gold "sceptre head" found at Cairnmure in Peeblesshire, and
engraved on a former page, is one of the very few examples of defined
forms of ornamentation found along with objects some of which at least
may admit of being classed with those belonging to this period. They
are still arbitrary, and, strictly speaking, not imitative, though they
approach towards forms directly imitative, or at least designed to be
representative, with which we shall become familiar in the succeeding
era. Little doubt, however, can be entertained that the sceptre head
belongs to the succeeding era. The funicular torc was undoubtedly
in use in the latest Pagan period, and the whole Cairnmure hoard
may very consistently be assigned to it. The large ornaments on the
sceptre head, though very partially defined, resemble in some degree
the "snake-pattern," which forms one of the commonest decorations of
the last Pagan era. The woodcut exhibits a much more characteristic
primitive symbol of office. It is the gold lituus dug up in the year
1824, within the monolithic circle of Leys, Inverness-shire. The parts
united together form a rod nearly eighteen inches long, the rude
workmanship of which strikingly contrasts with the delicate though
imperfectly defined ornamentation of the Cairnmure sceptre head.[399]
This entire absence of imitation in the primitive British arts is
an important fact in its bearing on our present inquiries, seeing
that it is not a universal or even a very general characteristic of
Allophylian nations. The relics, as we have seen, recovered from the
sepulchral mounds of the Great Valley of the Mississippi, as well as
in the regions of Mexico and Yucatan, display numerous indications
of imitative skill. The same is observable in the arts of various
tribes of Africa, Polynesia, and of other modern races in an equally
primitive state. What is to be specially noted in connexion with this
is, that both in the ancient and modern examples, the imitative arts
accompany the existence of idols, and the abundant evidences of an
idolatrous worship. So far as we yet know the converse holds true in
relation to the primitive British races, and as a marked importance
is justly attached to the contrasting creeds and modes of worship and
polity of the Allophylian and Arian nations, I venture to throw out
this suggestion as not unworthy of further consideration.[400] Yet
we are not entirely dependent on negative evidence in relation to
the primitive creed. We are led to the conclusion that the ancient
Briton lived in the belief of a future state, and of some doctrine of
probation and of final retribution, from the constant deposition beside
the dead, not only of weapons, implements, and personal ornaments, but
also of vessels which may be presumed to have contained food and drink.
That his ideas of a future state bore little resemblance to "the life
and immortality brought to light by the Gospel," is abundantly manifest
from the same evidence. Somewhat, however, is added to our knowledge
of his religion, if the inference be admitted to be a legitimate one
which deduces from the absence of all imitation of natural objects in
his ornamental designs, the conclusion that idolatry has pertained
under no form to the worship of the native Briton. Whether his religion
was a fetish-worship, with spells and strange magical rites; or that
he brought from his far eastern birthland the Chaldean star-worship
or the Persian fire-worship; or knelt to Sylvanus and the _Campestres
Æterni Britanniæ_,--the supposed haunters of his native fields and
forests, to whom the Roman legions afterwards reared altars and poured
out libations,--it seems consistent with all analogy to conclude that
no visible forms were worshipped within the Caledonian groves or
monolithic temples. Julius Cæsar, in his oft-quoted account of the
Druids, describes the Gauls as much addicted to religious observances,
and names Mars, Apollo, Jupiter, Minerva, and Mercury, as objects of
their worship. Of Mercury especially, he adds, they have many images,
and they esteem him as the inventor of the arts. This, however, might
be true enough of the continental Gauls of that late period, who had
then long been partially brought into contact with the Romans, and yet
be totally inapplicable to the Caledonians, who had no direct knowledge
of them for fully a century after the date of Cæsar's first landing
on the white cliffs of England. As to the theories relating to Celtic
Druidism, concerning which so much has been written, an opinion has
already been expressed. It is one of the many branches of primitive
history, in which, after having perused all the ponderous tomes which
have been devoted to its elucidation, the archæologist returns with
renewed satisfaction to the trustworthy though imperfect and scanty
records which he finds in the relics of primitive invention and archaic
design. The truths contained in these ample dissertations are mostly
too few and uncertain to be worth the labour of sifting them from the
heap in which they may be buried, at the rate of about a grain of truth
to a bushel of fancy. Still, from the authentic allusions of classic
writers, we may safely conclude thus far, that a native priesthood
exercised a most important influence over the later Celtic and Teutonic
races of Britain, as appears to have been the case among most of the
nations of the Indo-European family.

In the present state of archæological inquiry, it would be presumptuous
to assign dogmatically the precise races to which the arts of each
period pertain. Still the indications both of archæological and direct
historical evidence manifestly point to the Celtæ as comparatively
late intruders, and leave us to seek, with little hesitation, in
their Allophylian precursors for the metallurgists of the Archaic
Period. In the Kumbe-kephalic Allophyliæ, we may expect to trace the
rude primeval workers in stone, with undefined sepulchral rites, and
no distinct evidences of a faith or hope beyond the grave. Upon this
meanly gifted race the Brachy-kephalic Allophyliæ intruded, bringing
with them, in all probability, the knowledge of metallurgic arts, yet
effecting their aggressions by such slow degrees that, as we have seen,
their arts appear to have reached our northern regions long before the
rude aborigines were called upon to employ them in repelling their
originators. From these as well as other arguments we infer, that when
the earliest Celtic nomades first reached our coasts, they found the
older natives already in possession of weapons of bronze, and familiar
with the most essential processes of the metallurgist. Whether the
Celtæ had acquired any knowledge of iron at the period of their arrival
in Europe must have depended to a great extent on the nature of their
previous intercourse with the civilized nations of Central Asia; but
the smelting of the iron ore and the working of the metal to any great
extent, are manifestly altogether incompatible with the condition of
a nomade people, migrating across a continent the partial clearings of
which were already occupied by hostile races. Some reference has been
made in a former chapter to evidence which an investigation of the
languages of the Indo-European nations furnishes as to the degree of
progress to which they had attained at the period of their dispersion.
It would lead us to infer that they were either entirely ignorant of
the use of the metals, or had lost this useful knowledge amid the
exigencies and privations of their nomade life. In so far, therefore,
this important source of ethnological evidence involves nothing
essentially inconsistent with the idea of the metallurgic arts being
introduced in Britain for the first time among a Celtic population
already established on the soil. The earliest knowledge, however,
which we acquire of the continental Celtæ exhibits them as skilled
workers in metals, and even the Romans appear to have acquired their
principal supplies of iron and the art of converting it into steel,
from the Norici, a Celtic race who occupied a considerable tract of
country south of the Danube. Whatever was the precise state to which
this race had sunk at the period of its earliest pioneers intruding on
the Allophylian nations of Europe, the supremacy acquired by them is
sufficient evidence of their innate superiority. Possessed originally
of good mental capacity, so soon as the successive wandering hordes
of the Indo-European stock formed permanent locations, it is to be
presumed that evidences of their powers would be manifested; but even
in their nomade state they bore with them some of the elements by
which the Arian tribes are held to be distinguishable from the older
Allophylian nations.

    "They had bards or scalds, _vates_, ἀοιδοι, who were supposed
    under a divine influence to celebrate the history of ancient
    times, and connect them with revelations of the future, and
    with a refined and metaphysical system of dogmas, which were
    handed down from age to age, and from one tribe to another,
    as the primeval creed and possession of the enlightened race.
    Among them, in the West as well as in the East, the doctrine
    of metempsychosis held a conspicuous place, implying belief
    in an after state of rewards and punishments, and a moral
    government of the world. With it was connected the notion that
    the material universe had undergone and was destined to undergo
    a repetition of catastrophes by fire and water; and after each
    destruction to be renewed in fresh beauty, when a golden age
    was again to commence, destined in a fated time to corruption
    and decay. The emanation of all beings from the soul of the
    universe, and their refusion in it, which were tenets closely
    connected with this system of dogmas, border on a species of
    Pantheism, and are liable to all the difficulties attendant
    upon that doctrine.

    "Among most of the Indo-European nations the conservation
    of religious dogmas, patriarchal tradition, and national
    poetry, was confided not to accidental reminiscences and
    popular recitations, but to a distinct order of persons, who
    were venerated as mediators between the invisible powers and
    their fellow-mortals, as the depositaries of sacred lore, and
    interpreters of the will of the gods expressed of old to the
    first man, and handed down orally in divine poems, or preserved
    in a sacred literature known only to the initiated. In most
    instances they were an hereditary caste, Druids, Brahmans, or
    Magi. Among the Allophylian nations, on the other hand, a rude
    and sensual superstition prevailed, which ascribed life and
    mysterious powers to the inanimate objects."[401]

The contrasting religion of fetisses and spells, ascribed to the
Allophylian nations, has already been referred to. It still exists
among the Finns and Lappes of the north of Europe, and the Vogules,
Ostiakes, and Esquimaux, occupying the northern regions of Asia and
America, whither we may naturally conclude they have been driven by the
intrusion of the superior races. To these, perhaps, we must look for
the living type of the primeval Briton, and to their rude superstitions
for some shadowy tradition of the creed by which his untutored mind
took hold of the unseen. How much of the refined system of metaphysical
dogmas ascribed by Dr. Prichard as a general characteristic of the
Arian nations, pertained to those of them that colonized Britain,
we can only partially surmise. We know, however, that at the period
when the annals of our island are first embraced within the limits of
authentic written history, a native priesthood existed, combining not
only the sacerdotal and judicial characters, so frequently found united
in the priesthood of even comparatively civilized races, but also such
influence as leaders and chiefs that the Romans found in them their
most implacable and unrelenting foes. Hence their religious rites were
early proscribed by the imperial lieutenants; and the Druid priest,
who held fast by his mysterious faith and passionate love of national
independence, fell back before the advancing legions of Rome, till
he found partial and temporary repose within the ancient groves of
the Caledonian Celt, beyond the Tyne and Solway. The traces of this,
however, are extremely indistinct and uncertain; and so little evidence
does Celtic tradition preserve of the distinction between the refined
pantheistic creed of the Arian races, and the spells and superstitions
of Allophylian aborigines, that the name of Druid, or _Druidheadh_, is
used only by the modern Gael as significant of a magician or wizard.
Before, however, the hereditary British priesthood had been driven
into the northern fastnesses of the island, if not, indeed, before his
race had effected a landing on its shores, the proofs which we possess
seem clearly to manifest that the Archaic Period of native art had come
to an end, and the last great change within the Pagan era, resulting
from the introduction of the more abundant and more useful metal, iron,
had begun to operate. Within that closing primitive era we arrive at
the first glimpses of authentic records. Thus much has, meanwhile,
proved to be recoverable, in the form of suggestive inferences, if not
of ascertained truths, from amid the dim shadows that have for ages
covered, as with the pall of oblivion, the history of our national
infancy, and of its first youth.

FOOTNOTES:

[398] Smithsonian Contributions to Knowledge, vol. i. pp. 193, 194,
244-271, &c.

[399] After making vain inquiries about this very remarkable relic,
I have been fortunate enough, since the previous notice (_ante_, p.
114) was printed, to recover a drawing of it from a cast taken from
the original, and now in the possession of J. Anderson, Esq., W.S., of
Inverness. The shorter pieces appear to have formed the two extremities.

[400] The views here advanced were submitted to the Ethnological
Section of the British Association for the Advancement of Science, at
its meeting at Edinburgh, in 1850, along with those on the crania of
the tumuli, in a communication entitled "An Inquiry into the Evidence
of the Existence of Primitive Races in Scotland prior to the Celtæ."

[401] Prichard's Natural History of Man, p. 187.




PART III.

THE TEUTONIC OR IRON PERIOD.




CHAPTER I.--THE INTRODUCTION OF IRON.


The changes consequent on the introduction of Iron, to a people already
familiar with the smelting of tin and copper ores and the fabrication
of weapons and implements of bronze, were not necessarily of a radical
character, and undoubtedly were first experienced in the gradual
acquirement of the new metal from foreign sources. Had bronze been
obtainable in sufficient quantities to admit of its application to
the numerous purposes for which iron has since been used, there was
nothing to prevent the accomplishment of nearly all to which European
civilisation has since attained, without the knowledge of the new
metal. The opposite, however, was the case. The metal was costly and
scarce, and hence one of the most obvious sources of the lengthened
period over which we have seen reason to believe that the Archaic
era extended. Throughout that whole period metal in every form was a
rare and valued luxury, and it was as such that iron, the most widely
diffused, the most abundant and most useful of all the metals, was
first introduced into the British Isles. This is sufficiently accounted
for from the fact, that iron rarely, if ever, occurs in nature in a
metallic state; and that it requires great labour and a most intense
heat to fuse it.

The age of iron was introduced by a transition-period, occupying
possibly as long a time as that which marked the gradual introduction
of the era of bronze; but it was not characterized by results of the
same direct value. So long as the knowledge of the new metal merely
extended to the substitution, by barter or other means, of iron for
bronze weapons or implements, its influence could be little more
noteworthy than may be the substitution of percussion-caps for flints
in our British standing army, to some archæologist or historian of the
year 1950. But even such traffic, no doubt, tended through time to make
metals more abundant, and metallic weapons and implements more readily
attainable, so that the artisan and fabricator were at length enabled
to dispense entirely with the primeval stone-hammer and hatchet, and
greatly to extend the application of the new and useful material.

It was only when iron had become thus plentiful that it could be
productive of any effective change on the characteristics of the races
by whom it was used. But though iron is the most abundant of all the
metals, and was the latest to be introduced into use, it is at the
same time the most perishable, rapidly oxidizing, unless preserved by
the most favourable circumstances. Accordingly, very few iron relics,
properly pertaining to the closing Pagan era, have been found in such
a state of preservation as to enable us to make the use of them, in
judging of the skill of their fabricators, which has already been
done with those of the Bronze Period. The new and more useful metal,
however, did not supersede the gold and bronze in their application
to purposes of personal adornment; neither did it put a stop to the
manufacture of pottery, to the use of bronze in the construction of
vessels for sacred or domestic purposes, nor to those sepulchral
rites by which so many evidences of primitive arts and manners have
been chronicled for our instruction. It rather increased all these,
superadding the additional material of silver, wherewith to multiply
the personal ornaments which extending civilisation and refinement
more largely demanded. The superior fitness of the new metal for the
construction of weapons of war would, no doubt, be first discovered
and turned to account. The absence of the guard on all the swords of
the Bronze Period, to which attention has been directed, no doubt
originated mainly in the mode of using the weapon, which its own
capabilities rendered indispensable. The fence and clash of weapons
consequent on modern swordsmanship, in which the sword is made to
supply both offensive and defensive arms, was altogether incompatible
with weapons of cast bronze, liable to shiver like glass at a violent
blow. Experience would soon teach the old swordsman the true use of his
weapon; and so long as he had only to contend with neighbouring tribes
equally armed, he would deem his graceful leaf-shaped sword and his
massy spear of bronze the perfect models of a warrior's arms. But while
the changes which we have aimed at tracing out in the previous section
were progressing slowly but effectively within our sea-girt isle, very
remarkable occurrences were affecting the continent of Europe, and
extending their influences towards its remotest limits. Carthage had
risen from a Tyrian colony, planted on the site of an older Phœnician
settlement on the African coast, to be one of the chief commercial and
maritime states of the world. The younger builders on the banks of the
Tiber had founded the capital destined twice to form the centre of
universal empire. Rome and Carthage had come into collision, as was
inevitable, according to the notions of these elder times, which held
it impossible that two ambitious republics should exist as neighbours.
The Punic wars followed, and for upwards of a century--till 147 B.C.
when the African capital was razed to the ground--the seat of war was
far removed from the British Isles. The second Punic war carried the
arms of the rival republics into Spain, and then possibly some faint
rumour of it may have reached the Cassiterides, stimulating for a time
the trade of their ports, and checking it again, as disasters thickened
around the devoted African kingdom. Spain still continued the seat
of war after the total annihilation of the Carthaginian power; and
during the intestine struggles which followed in the Jugurthan war,
there appeared for the first time on the northern frontiers of Italy,
hosts of the Teutones, Cimbri, and other northern barbarians. By these
several Roman armies were defeated, and the growing power threatened
with annihilation from this unexpected source, at the very time when
it seemed to be without a rival. From an incidental notice of Polybius
we learn the important fact that these northern tribes were already
familiar with iron, and possessed of weapons of that metal, though
apparently ignorant of the art of converting it into steel. One of the
earliest European sources of iron, of which we know anything definite,
was the country of the Norici, a tribe occupying a considerable
region to the south of the Danube, the exact boundaries of which are
only imperfectly known. The invention of the art of converting iron
into steel is ascribed to this Celtic race. Noricum was conquered by
Augustus, and, in his time, the Noric swords were as celebrated at
Rome as the Damascus blades or Andrea Ferraras in more recent times.
To this source, therefore, we should probably look for the earliest
supplies of iron weapons. Polybius also refers to the country of the
Norici as abounding in gold; so that they appear to have excelled in
all the metallurgic arts, and may be supposed to have supplied the arms
with which the Teutones and the Cimbri invaded the Roman frontiers. The
latter, indeed, advanced through Noricum, and bore perhaps from thence
the sword which the haughty Gaul flung into the balance of the Capitol
when Quintus Sulpicius purchased the safety of Rome, not with iron but
gold.

The argument deduced from the apparently independent origin of the
oldest European names of the metals, confirms the evidence derived
from other sources in proof of the ignorance of the Arian nomades of
the working of metals on their first settlement in Europe. The same
line of argument, however, adds strong confirmation to the conclusion
suggested here, that the Celtæ had obtained considerable mastery of
the metallurgic arts at the time when they were brought into direct
intercourse and collision with the growing power of Rome, and renders
it probable that the Romans derived both the names of some at least of
the metals, and their knowledge of their economic uses from this older
race. The Saxon _gold_ differs not more essentially from the Greek
χρυσος, than that from the Latin _aurum_; or iron, from σιδηρος, or
_ferrum_; but when we come to examine the Celtic names of the metals it
is otherwise. The Celtic terms are:--Gold--Gael. _or_; golden, _orail_;
Welsh, _aur_; Lat. _aurum_. Silver--Gael. _airgiod_; made of silver,
_airgiodach_; Welsh, _ariant_; Lat. _argentum_, derived in the Celtic
from _arg_, white or milk, like the Greek αργος, whence they also
formed their αργυρος. Nor is it improbable that the Latin _ferrum_ and
the English _iron_ spring indirectly from the same Celtic root:--Gael.
_iarunn_; Welsh, _haiarn_; Sax. _iren_; Dan. _iern_; Span. _hierro_,
which last furnishes no remote approximation to _ferrum_. Nor with
the older metals is it greatly different: as bronze--Gael. _umha_ or
_prais_; Welsh, _pres_, whence our English _brass_--a name bearing no
very indistinct resemblance to the Roman _æs_. Lead in like manner
has its peculiar Gaelic name, _luaidhe_, like the Saxon _læd_, while
the Welsh, _plwm_, closely approximates to the Latin, _plumbum_. It
may undoubtedly be argued that the Latin is the root instead of the
offshoot of these Celtic names, but the entire archæological proofs
are opposed to this idea; and the direct historic evidence of the
early Noric arts, and of the arms of the barbarian invaders of Italy
who dictated terms to Quintus Sulpicius in the Roman Capitol, prove
that the Celtic and Teutonic races of the north of Europe preceded
the Romans in their mastery of the art of working in metals. To this
period, (circa B.C. 113-100,) or probably a little earlier, while Rome
was preoccupied with the struggle for existence, we may refer the close
of the isolated state of the British Isles, and the irruption of newer
races among the original occupants of the country. This it is, and not
the mere alteration of the old metallurgist's materials, which gives
a totally new character to the Iron Period. The gold and the bronze
are still there, but the shapes which express to us the intellectual
progress of their artificers and owners are essentially changed. The
indefiniteness of archaic art gives place to forms and ornaments as
positive and characteristic as any in which we recognise the expressive
types of medieval art, or the changing fashions of the Elizabethan and
Louis Quatorze styles. It is important that we should fix as nearly
as possible the true date of this change, when for the first time we
find our inquiries bringing us in contact with ascertained epochs and
recorded facts. From this, as from a central point, we may perhaps yet
be able to reckon backward as well as forward, and at least secure a
basis for future observations.

When iron first became known to the native Britons its value was
naturally estimated in accordance with its rarity, and it was applied
to such uses as we now devote the precious metals. Converted into
personal ornaments, it formed rare, if not beautiful trinkets, and in
the shape of ring-money it even superseded or supplemented the older
gold. Julius Cæsar speaks of the Britons as using such a rude currency;
but we may infer from other evidence already referred to that this
did not arise, at that comparatively late period, from its extreme
rarity. Herodian indeed speaks still later of the Britons wearing "iron
about their bellies and necks, which they esteem as fine and rich an
ornament as others do gold." But we have abundant evidence that they
were familiar with the value and beauty of gold, and we shall not, I
think, overstrain the allowances to be made for the prejudiced accounts
of the most intelligent Roman, in receiving even the narrative of Cæsar
with some limitations. His personal opportunities of observation could
extend only to a very limited section of the native Britons, and these
seen under the most disadvantageous circumstances; while the polished
and haughty Roman was little likely to trouble himself with attempting
any very impartial estimate of what were in his eyes only different
phases of barbarism.

The fact has already been adverted to, that all the descriptions of
the weapons of the Gauls furnished by classic writers, lead us to
the conclusion that the ancient bronze leaf-shaped sword had been
entirely superseded by the more effective iron weapon prior to their
collision with the veteran legions of Rome. The same is no less true
of the contemporary Britons. Tacitus describes the Caledonians as
"a strong, warlike nation, using large swords without a point, and
targets, wherewith they artfully defended themselves against the Roman
missiles." We know, moreover, that before the Romans effected a landing
in Britain, they were familiar with the fact of an intimate intercourse
having been long maintained with Gaul. The former is described by
Julius Cæsar as the chief seat of a religion common to both; and the
evidence is no less explicit which shews that many of the southern
British tribes were of the same race, and differed little in arts or
customs from the Gauls of the neighbouring continent. But still more,
the reason assigned by Cæsar for the first invasion of Britain was the
provocation its natives had given him by the aid which they furnished
to his enemies in Gaul. There could not therefore exist any great
disparity in their arts or military accoutrements; while we discover
in this no slight evidence of the maritime skill to which they must
have attained even at that early period, to enable them to embark
such bodies of auxiliaries for the help of the continental tribes as
attracted the notice and excited the indignation of the Roman general.

To the early part of this Age of Iron should most probably be assigned
the construction of the vast monolithic temple of Stonehenge. Its
difference from the older temples of Avebury and Stennis, as well
as from all other British monuments of this class, has already been
referred to. Rude and amorphous as its vast monoliths are, they are
characterized by such a degree of regularity and uniformity of design,
as marks them to belong to a different era from the Avebury or the
Stennis circle, when the temple-builders had acquired the mastery of
tools with which to hew them into shape. Much greater mechanical skill,
moreover, was required to raise the superincumbent masses and fit
them into their exact position, than to rear the rude standing stone,
or upheave the capstone of the cromlech on to the upright trilith.
Stonehenge, therefore, is certainly not a work of the Stone Period,
and probably not of the Bronze Period, with the exception of its
little central circle of unhewn stones, which may date back to a very
remote era, and have formed the nucleus round which the veneration of
a later and more civilized age reared the gigantic columns, still so
magnificent and so mysterious even in ruin.

The isolation which we have reason to believe had hitherto exercised
so much influence on the native tribes of Britain, is now seen to be
finally at an end. The Celtic races are once more nomade, or mingling
their blood with the more civilized tribes which are gradually securing
a footing in the south-eastern portions of the island. The first stream
of Teutonic colonization had set in, which, followed successively
by the Romans with their legions of foreign auxiliaries, by Saxons,
Angles, Scoti, Norwegians, Danes, and Normans, produced the modern
hardy race of Britons. The term Teutonic has been adopted here as at
once the most comprehensive and definite one by which to characterize
this period. In Scotland the Celtic races maintained a progressive
civilisation which ultimately developed itself in new forms, producing
an essentially Celtic style and era of art at a later period; but
throughout the last Pagan era, the arts of the Celtic Caledonians
appear to have been modified by the same Teutonic influence as those
of South Britain, Gaul, Germany, and Scandinavia. The tribes of
North Britain were indeed only indirectly affected by the aggressive
movements of the earlier Teutonic invaders, and were probably a pure
Celtic race when the Roman legions penetrated into the Caledonian
fastnesses in the second century of our era. But the close affinity
between the relics of North and South Britain abundantly proves the
rapid influence resulting alike from the friendly interchange of
useful commodities and personal ornaments, and doubtless also from the
frequent spoils of war. The beautiful coinage of the British Prince
Cunobeline, (circa A.D. 13 to A.D. 41,) and supposed to be the work
of a Roman, or of a native monier familiar with Roman art, exhibits
the type which the Gauls imitated from the Didrachmas and Staters
of Macedonia upwards of three centuries before. Little doubt is now
entertained by our best numismatists that the coins of Comius and
others of an earlier date than Cunobeline or the first Roman invasion,
include native British mintage. There is no question, at any rate,
that they circulated as freely in Britain as in Gaul, and have been
found in considerable quantities in many parts of the island. The iron
or bronze and copper ring-money of the first century must therefore be
presumed as only analogous to our modern copper coinage, and not as the
sole barbarous substitute for a minted circulating medium.

Several interesting discoveries of the primitive iron ring-money
have been made in Scotland, though in no case as yet in such a state
as to admit of its preservation. In a minute description of various
antiquities in the parish of Kilpatrick-Fleming, Dumfriesshire,
superadded to the Old Statistical Account, the contents of several
tumuli opened about the year 1792 are detailed. In one was discovered a
cist, inclosing an urn of elegant workmanship, filled with ashes. The
urn was found standing with its mouth up, and covered with a stone. At
a small distance from it, within the cist, lay several iron rings, each
about the circumference of a half-crown piece, but so much corroded
with rust that they crumbled to pieces on being touched.[402] A similar
discovery made in Annandale is thus described by an eyewitness: "In
the centre of the tumulus was found a red flag-stone laid level on the
earth, on which were placed two other slabs of equal size, parallel to
each other; and other two, one at each end; another was laid on the
top as a cover. In the interior of this was an urn containing ashes,
with a few very thin plates of iron in the form of rings, so completely
corroded that when exposed to the air they crumbled into dust."[403] In
these frail relics of the new material we can have little hesitation in
recognising the _annuli ferrei_ of Julius Cæsar, used by the Britons of
the first century as their accredited native currency.

Assuming it as an established fact that the native Britons of the
southern parts of the island, at least, had carried the arts of
civilisation so far as to coin their own money, we perceive therein
the evidence of a totally different era from the Archaic Period,
in which direct imitation of the simplest positive forms is hardly
traceable. Bronze, as has been already observed, continued to be used
no less than in the former era, of which it has been assumed as the
characteristic feature, in the manufacture of personal ornaments,
domestic utensils, &c. In Denmark, indeed, some remarkably interesting
relics have been found, seemingly belonging to the very dawn of the
last transition-period, when iron was more precious than copper or
bronze.

These include axes consisting of a broad blade of copper edged with
iron, and bronze daggers similarly furnished with edges of the harder
metal. Even in Denmark such examples are extremely rare, and no
corresponding instance that I am aware of has yet been discovered in
Britain. A great similarity is traceable between the bronze relics of
the various northern races of Europe, belonging to the Iron age, and
that not of an indefinite character, like the stone hammer or flint
lance and arrow-heads of the Primeval Period, but a distinct uniformity
of design and ornament, which has mainly contributed to confirm the
prevalent opinion that the majority of British and especially of
Scottish bronze relics are of Danish origin. In examining these relics
in detail, I shall endeavour honestly to assign to Scandinavia whatever
is her own, but if the arguments advanced here have any foundation in
truth, it is obvious that the British Iron age had lasted well-nigh
a thousand years, and as a Pagan era was at an end before we have
any historical evidence of Scandinavian invaders effecting permanent
settlements on our shores. The whole evidence of history manifestly
leads to the conclusion that Britain long preceded the Scandinavian
races in civilisation, nor was it till she had been enervated alike by
Roman luxury and by the succeeding intestine jealousies and rivalries
of native tribes, that Scandinavia, fresh in her young barbarian
vigour, made of her a spoil and a prey.

On none of the native arts did Roman intercourse effect a more
remarkable change than on British fictile ware. From the English
Channel to the Frith of Tay, Roman and Anglo-Roman pottery have been
met with in abundance, including the fine Samian ware, probably
of foreign workmanship, the rude vessels of the smother kiln, and
the common clay urns and coarse amphoræ and mortaria, designed for
daily domestic use. Numerous Anglo-Roman kilns have been discovered,
some of them even with the half-formed and partially baked vessels
still standing on the form or disposed in the kiln, as they had been
abandoned some fifteen or sixteen centuries ago. Cinerary urns of
the same class have been frequently found accompanied with relics
corresponding to the era of Roman occupation. But, be it observed,
the bronze relics of the Teutonic type corresponding in general style
and ornamentation to those discovered in the Scandinavian countries,
when found in British sepulchral deposits are almost invariably
accompanied with the primitive pottery, or with a class of urns,
described in a succeeding chapter, in which we trace the first elements
of improvement in the manufacture of native fictile ware. This must
settle the question of the priority of their deposition to the earliest
conceivable era of Scandinavian invasion. The native Britons did
unquestionably greatly degenerate after being abandoned by their Roman
conquerors; but it is opposed alike to evidence and probability to
imagine that they resumed the barbarous arts of an era some centuries
prior--a proceeding more akin to the ideas of the modern antiquary than
to the practice of a semi-civilized race.

The devices most frequently employed in the decoration of the gold,
silver, and bronze relics of this period, are what are called the
serpentine and dragon ornaments. They are common to the works of all
the northern Teutonic races, and are manifestly to be referred to
the same Eastern origin as the wild legends of the Germano-Teutonic
and Scandinavian mythic poems, in which dragons, snakes, and other
monsters, play so conspicuous a part. Along with these, however, there
are other patterns indirectly traceable to Greek and Roman models,
as is also observable in the dies of the early Gaulish and British
coins. This, however, will be more fully considered in treating of
the personal ornaments of the period, but meanwhile we may draw the
general conclusion, that the arts of the Iron age pertained to the
whole Teutonic races of Northern Europe, and reached both Denmark
and Britain from a common source, long prior to the natives of these
two countries coming into direct collision. We see that an intimate
intercourse was carried on between Britain and Gaul at the very period
when the transition to the fully developed Iron age was progressing in
the former country: it is easy, therefore, to understand how similar
arts would reach the Danish Peninsula and the Scandinavian countries
beyond the Baltic. But Scandinavia had long passed her Bronze Period,
and succeeding transition era, when she sent forth her hardy Vikings
to plunder the British coasts. It was with other weapons than the
small leaf-shaped bronze sword that the Norse rovers came to spoil and
desolate our shores.

In recent cuttings, during the construction of the Dublin and Cashel
Railway, there were found a number of large and heavy iron swords,
which are now deposited in the Museum of the Royal Irish Academy.
These Mr. Worsaae examined during his visit to Ireland in 1846, and
unhesitatingly pronounced them to be Norwegian. "The swords are long
and straight, formed for cutting as well as thrusting, and terminate
in points formed by rounding off the edge towards the back of the
blade. The spears are long and slender, and similar in form to the
lance-heads used in some cavalry corps."[404] They are formed of a
soft kind of iron, like those referred to by Polybius, as in use
among the Gauls more than a century prior to the invasion of Julius
Cæsar; and, like them, they differ nearly as much in every essential
point, as can well be conceived possible, from the bronze sword of
the previous era, which has been so perseveringly bandied about by
modern antiquaries between Romans and Danes. Mr. Worsaae especially
referred to the great size and weight of the swords found in Ireland,
and contrasted them with the lighter weapons of the same metal which
he believed to be contemporary swords of the native Irish, from whence
he drew the inference that Ireland was--like England, France, Germany,
&c.--so weak, from about the eighth till the twelfth century, in
consequence of intestine wars, that she fell an easy prey to small
numbers of Scandinavian invaders. Mr. Worsaae farther remarked of the
weapons found at Kilmainham:--"They are so like the Norse swords, that
if they were mixed with the swords found in Norwegian, Swedish, and
Danish tombs, and now in the collections of Christiania, Stockholm, and
Copenhagen, it would be difficult to distinguish one from the other.
The form of the handle, and particularly of the knob at the end of the
handle, is quite characteristic of the Norse swords. Along with them
some other antiquities of undoubtedly Scandinavian origin were also
discovered."[405]

The source from whence Europe derived this great gift of iron has yet
to be ascertained. It certainly was not from Rome. The Norici, it has
already been observed, furnished the chief supplies of iron to Rome,
and taught her metallurgists the art of converting it into steel. It is
not impossible, however, that it was from the remote North that this
source of civilisation was sent to the Mediterranean coasts. British
antiquaries have obtained as yet only a partial view of Scandinavian
archæology, notwithstanding the valuable publications of Mr. Worsaae.
The ancient land of the Scandinavian races includes Denmark,--a country
of peculiar geological formation, having abundant stores of silex in
its chalk strata, but no minerals to tempt the skill of its aboriginal
occupants,--and Sweden, including Norway, a country abounding in
minerals, and still furnishing Europe with the finest iron from
its native ores. It is remarkable that this latter country appears,
from its primitive relics, to have had its primeval stone period and
birth-time of the mechanical arts, but, with the exception of the small
district of Sweden adjacent to Denmark, so far as yet appears, this
was immediately succeeded by the Iron Period. No bronze archaic era is
indicated in its archæological annals. We cannot assume from this, as
some are inclined to do, that therefore Norway must have remained an
unpeopled waste, while Denmark was advancing into the period of well
developed mechanical and ornamental arts. With our present imperfect
materials for judging, we are better perhaps to assume nothing, but
wait for some able Norwegian archæologist doing that for his native
antiquities which Thomsen and Worsaae have done for those of Denmark.
Yet good evidence has been furnished in part, especially in one
important department, by Professor Nillson's _Skandinaviska Nordens
Urinvänare_, or Primitive Inhabitants of Northern Scandinavia, though
in this he assigns to the true Swea race, and the first workers of
the native iron, no earlier a date as the colonists of Sweden than
the sixth century. The _Samlingar för Nordens fornälskare_, already
referred to, is also of considerable avail, especially from its copious
illustrations. From these we learn that the primitive tumuli-builders
of Denmark and Norway are of the same race, and that Norway had her
monolithic era, of which no less remarkable traces remain than that of
Denmark. Hence we are led to ask the question,--May not her Archaic
Period have been an iron instead of a bronze one, and her forges the
source from whence the Norici and other Teutonic and Celtic races
of Europe learned that the iron-stone was also an ore, and could be
smelted and wrought like the more ductile bronze? Northern mythological
traditions throw some imperfect and uncertain light on this subject.
They refer, for example, to their Gnomes and Dwarfs, their Alfes, and
other supernatural metallurgists, as inhabiting mountain regions lying
beyond and around them. This is peculiarly noticeable in all the oldest
mythic fables, mixed up with the wild inventions of dragons, serpents,
and the like fanciful machinery, which tell of their far birthland
in the older continent of Asia. But it is worthy of notice, that the
topography of these mythological legends in no way corresponds with
the natural features of the Scandinavian peninsulas, lying as they do
between two seas. May we not infer, therefore, that they had their
origin while yet the Scandinavian nomades were wandering towards
their final destination between the Baltic and the German Ocean,
and that these distant mountains, with their metallurgic Gnomes and
Alfes, were none other than the mountain ranges of Norway, the mineral
treasures of which now furnish so valuable a source of national wealth
to their descendants? The Germanic tradition has already been noticed
which places the forge of the mythic Weland in the Caucasus, a fading
memorial, perhaps, of the wanderings of their Teutonic fathers towards
their western home. Such wild traditions must necessarily be used
with much doubt and caution; yet they are not meaningless, nor the
mere baseless offspring of fancy. Other and more direct evidence may
possibly be within reach of the Norwegian archæologist, to induce the
belief that the Alfes of his ancestral myths may have been a hardy
race of Finnish, Celtic, or other primitive metallurgists, who, like
the Norici, supplied the weapons by which themselves were subjugated.
All this, however, is advanced with the greatest hesitation, not as a
theory which it is proposed to maintain, but only as guessings at truth
which lies at present beyond our grasp. By far the most important iron
ore wrought in Norway and Sweden is Magnetite, which appears to pertain
nearly as exclusively to the North as tin does to the British Isles.
The largest known masses occur in Scandinavia, Lapland, Siberia, and
in North America. In Norway, Arendal is the most important locality;
and in Sweden, Dannemora, Utoe, Norberg, and Taberg. The fine quality
of the Magnetite ores is ascribed to their being mixed with calc-spar,
thallite, hornblende, and other natural adjuncts advantageous for their
reduction, so that the granular ores often require no other flux. Such
a condition of the iron ore was manifestly peculiarly calculated to
facilitate the processes of smelting and fusing, and thereby to adapt
it for working by the primitive metallurgist. Magnetite is not unknown
in several of the remoter parts of Scotland, but the distance from fuel
has hitherto prevented its application to economic purposes, at least
in modern times. Bog iron ore, an hydrated oxide of iron still more
readily fused, is also common in Sweden, and abundant in the northern
and western islands of Scotland; but though well adapted for castings,
it is inapplicable for other purposes. Hæmatite, or specular iron, is
another of the most abundant iron ores specially worthy of notice here,
because it is found in a state more nearly resembling the metal than
any other ore of iron, and occurs in the most ancient metallurgic
districts of England, where the previous native industrial arts were
so well calculated to suggest its economic use when observed in such a
form. It appears at Lostwithiel, in Cornwall, in the form of fine red
crystals of pure iron peroxide, and is also found at Tincroft and St.
Just in the same district, and in Devonshire, Wales, Cumberland, and
Perthshire. Such are some of the lights by which mineralogy enables us
to trace out the probable origin of the working of iron in Europe; but
after all, it is to Asia we are forced to return for the true source
of nearly all our primitive arts, nor will the canons of Archæology
be established on a safe foundation till the antiquities of that
older continent have been explored and classified. The advocate of
Druidical theories may find his so-called "Druidical temple" in the
steppes of Asia as well as on Salisbury Plain; and probably very many
other supposed national relics, exclusively appropriated by the local
antiquary, will yet be discovered to have their types and counterparts
in the evidences of primitive Asiatic art.

    "Sepulchral tumuli are spread over all the northern and
    western parts of Europe, and over many extensive regions in
    northern Asia, as far eastward at least as the river Yenisei.
    They contain the remains of races either long ago extinct,
    or of such as have so far changed their abodes and manner of
    existence, that the ancestors can no longer be recognised in
    their descendants. They abound on the banks of the great rivers
    Irtisch and Yenisei, where the greatest numbers of the then
    existing people were collected, by the facilities afforded to
    human intercourse. In Northern Asia these tombs are ascribed
    to Tschudes, or barbarians, nations foreign and hostile to
    the Slavic race. The erectors of these sepulchral mounds were
    equally distinct and separate from the Tartar nations, who
    preceded Slaves; for the tombs of the Tartars, and all edifices
    raised by them, indicate the use of iron tools; and the art
    of working of iron mines has ever been a favourite attribute
    of the Tartar nations. But silver and golden ornaments of
    rude workmanship, though in abundant quantity, are found in
    the Siberian tombs. The art of fabricating ornaments of the
    precious metals seems to have preceded by many ages the use of
    iron in the northern regions of Asia."[406]

Keeping these important facts in view, which so entirely coincide
with the ascertained truths of primitive European history, it is
still worthy of note that there appears to be something altogether
remarkable in the archæology of Sweden and Norway, destitute as these
countries would appear to be of the traces of the primitive metallurgic
arts discoverable elsewhere, equally in the Asiatic seats of earliest
population, and in the other European countries colonized by the
Arian nomades. If we accept the conclusions arrived at by Professor
Nillson, that the Swea race did not settle in Scandinavia till the
sixth century, we shall be the more certainly forced to the conclusion
that they were then a people far advanced in the arts of civilisation;
since it is the same race whose powerful fleets are found ravaging the
northern coasts of Europe in the ninth century, establishing colonies
on their shores, and soon after planting Scandinavian settlements
in Iceland, Greenland, and in Vinland on the continent of North
America. Leaving, however, the question of dates to further inquiry,
the curious coincidence of these northern mythological fables with
the topography of the country and the peculiar characteristics of
its primitive antiquities, suggest the conclusion that the latest
intruding race brought with it--probably from Asia--a knowledge of
the art of working the metals; and found on settling in the northern
Scandinavian countries that their predecessors were already familiar
with the mineral treasures of the North, and knew how to smelt the dark
iron-stone and convert it to economic purposes. The latter, according
to the craniological investigations of Professor Nillson, were a race
of Celtic origin, having skulls longer than the first and broader
than the second of the two elder races of the Scandinavian barrows.
There is therefore nothing in the ethnological character of the race
inconsistent with such metallurgic skill, but, on the contrary, much to
add to the probability of an early practice of the arts of the founder
and the smith, the Celtæ having shewn, wherever circumstances favoured
it, a remarkable aptitude for working in metals.

This digression pertains, perhaps, more to general Archæology than
to the direct elucidation of Scottish antiquities. But independently
of the legitimate interest attached to the inquiry into the origin
of these metallurgic arts which brought civilisation in their train,
the history of Scotland at the period we are now approaching is more
intimately connected with Norway than with any other country, except
Ireland. To the primitive Scandinavian literature we still look
for some of the earliest traces of authentic national history; and
whatever tends to illuminate the Iron Period of the North can hardly
fail to throw some light upon our own. This must be the work of the
archæologists of Scandinavia; nor are they insensible to its importance.

The traditional Vœlund-myth has already been attempted to be connected
with a definite historic epoch, the reign of King Nidung, king of
Nerika, in Sweden, in the sixth century. Such a mode of interpretation,
however, shews a very imperfect appreciation of the true nature of
this remarkable myth, which belongs in reality to no single country,
but is as essential a link in the history of the human race as are to
each of us the momentous years which form the stage between infancy
and manhood. We cannot, indeed, too speedily abandon this misdirected
aim, of seeking for precise dates of epochs in primitive history. With
these the archæologist, in his earlier historical investigations, has
generally little more to do than the geologist. Both must rest content
with a relative chronology, which yet further investigation will
doubtless render more definite and precise. Where dates are clearly
ascertainable, the archæologist will gladly avail himself of them; and
in this Iron Period much of the indefiniteness of primeval annals gives
place to authentic history. But while rejecting the localization of the
Vœlund-myth at the court of Nerika, it is of importance for our present
purpose to note the general evidences of Scandinavian progress in the
arts by which nations attain their majority. Not in the ninth century
only, but perhaps in this era of King Nidung, in the sixth century, or
in the fifth or fourth--we know not indeed how early--the Northmen may
have begun to build ships, and learned boldly to quit their fiords for
the open sea. Our annals prior to the ninth century are so meagre that
we must lie open to the recovery of many traces of important events
unnoted by them, in the interval between that ascertained epoch and
the older one when the Roman legions were compelled to abandon the
vallum of Antoninus, and repair the barrier beyond the Tyne. We cannot
too speedily disabuse ourselves of the idea, that because no Celtic
or Scandinavian Herodotus has left us records of our old fatherland,
therefore the North had no history prior to its Christian era. We
owe to the Romans the history of centuries which otherwise must have
remained unwritten, yet not the less amply filled with the deeds of
Cassivelaunus, Boadicea, Galgacus, and many another hero and heroine,
all unsung; though they wanted but their British Homer, or Northern
Hermes with his graphic runes, to render the sieges of the White
Caterthun as world-famous as that of Troy.

FOOTNOTES:

[402] Sinclair's Statist. Acc. vol. xiii. p. 272.

[403] New Statist. Acc. vol. iv. p. 97.

[404] Hand-Book of Irish Antiquities, p. 166.

[405] The Antiquities of Ireland and Denmark, by J. J. A. Worsaae, Esq.
Dublin, 1846. P. 14.

[406] Prichard's Natural History of Man.




CHAPTER II.

THE ROMAN INVASION.


The fashion of Scottish archæologists in dealing with our national
antiquities has heretofore most frequently been to write a folio volume
on the Anglo-Roman era, and huddle up in a closing chapter or appendix
some few notices of such obdurate relics of primitive nationality as
could in no way be forced into a Roman mould. Some valuable works have
been the result of this exclusive devotion to one remarkable epoch; but
since this has been so faithfully explored by Camden, Sibbald, Horsley,
Gordon, Roy, Chalmers, and Stuart, there is good reason why we may be
excused following the example of the Antiquary _par excellence_, and
plunging, "nothing loth, into a sea of discussion concerning urns,
vases, votive altars, Roman camps, and the rules of castrametation,"
with copious notations on the difference between the mode of
entrenching _castra stativa_ and _castra æstiva_, "things confounded
by too many of our historians!"

To English archæologists the Anglo-Roman Period is one of the greatest
importance; for the Romans conquered and colonized their country,
taught its inhabitants their religion, sepulchral rites, arts, and
laws, and, after occupying the soil for centuries, left them a totally
different people than they had found them. There is something,
moreover, in the very geological features of the south-eastern
districts of England, which the Romans first and chiefly occupied,
at once more readily susceptible and more in need of such external
influences. It cannot, indeed, be overlooked, among the elements of
ethnological science, that the geological features of countries and
districts exercise no unimportant influence on the races that inhabit
them. The intelligent traveller detects many indications besides the
mere difference of building materials, when he passes from the British
chalk and clay to the stone districts. To the Romans it can hardly be
doubted that England owes the art of converting her clay into bricks
and tiles; and that in all probability, the P. P. BRI. LON.--_præfectus
primæ [cohortis] Britonum Londinii_?--stamped on recently discovered
Roman tiles found on the site of modern London,[407] indicate some of
the products of the kilns by which the inexhaustible bed of London
clay was first converted to economical uses. The Roman mansion, with
its hypocaust and sudatorium, its mosaic paving and painted walls,
its sculptures, bronzes, and furnishings of all sorts, introduced the
refinements of classic Italy into the social life of England; while
the disciplined hardiness of legionary colonists tempered the excesses
of Roman luxury. New wants were speedily created, and many dormant
faculties excited into action among the intelligent native tribes. The
older British pottery entirely disappeared, superseded by the skilful
products of the Anglo-Roman kiln, or the more beautiful imported Samian
ware. England might, and indeed did, greatly degenerate when deserted
by her conquerors, but it was altogether impossible that she could
return to her former state. The footmark of the Roman on the soil of
England is indelible. It forms a great and most memorable epoch between
two widely different periods, the influence of which has probably never
since ceased to operate, and hence the important place which it still
continues to occupy in English archæology.

The history of the Scoto-Roman invasion is altogether different from
this. It is a mere episode which might be altogether omitted without
very greatly marring the integrity and completeness of the national
annals. It was, for the most part, little more than a temporary
military occupation of a few fenced stations amid hostile tribes.
Julius Cæsar effected his first landing on the shores of Britain in the
year B.C. 55; but it was not till after a lapse of 135 years--as nearly
as may now be guessed, in the summer of A.D. 80--that Agricola led the
Roman army across the debatable land of the Scottish border, and began
to hew a way through the Caledonian forests. Domitian succeeded to the
throne of Titus in the following year, while the Roman legions were
rearing their line of forts between the Forth and the Clyde; and the
jealousy of the tyrant speedily wrested the government of our island
from the conqueror of Galgacus. From that period till the accession
of the Emperor Hadrian, in A.D. 117, the Roman historians are nearly
silent about Britain; but we then learn that the Roman authority was
maintained with difficulty in its island province; and when Hadrian
visited Britain the chief memorial he left of the imperial presence
was the vallum which bore his name, extending between the Solway and
the Tyne. Up to this period, therefore, it is obvious that the Roman
legions had established no permanent footing in Caledonia--using that
term in its modern and most comprehensive sense; nor was it till the
accession of Titus Antoninus Pius to the Imperial throne, and the
appointment of Lollius Urbicus to the command in Britain, nearly two
centuries after the first landing of Cæsar in England, that any portion
of our northern kingdom acquired a claim to the title of _Caledonia
Romana_. Lollius Urbicus, the legate of Antoninus Pius, fixed the
northern limits of Roman empire on the line previously marked out by
the forts of Agricola; and beyond that boundary, extending between the
Forth and the Clyde, nearly the sole traces of the presence of the
Romans are a few earth-works, with one or two exceptions, of doubtful
import, and some chance discoveries of pottery and coins, mostly
ascribable, it may be presumed, to the fruitless northern expedition
of Agricola, after the victory of Mons Grampius, or to the still more
ineffectual one of his successor, Severus. In this extra-mural region,
indeed, lies the celebrated Roman military work, Ardoch Camp, within
the area of which was discovered the sepulchral memorial of Ammonius
Damionis, the only Roman inscription yet found north of the Forth.
Such an exception is the strongest evidence that could be produced of
the transitory nature of Roman occupation in the region beyond the
boundaries fixed by Lollius Urbicus.

Here, then, we have the proprætor of Antoninus Pius established within
the line of ramparts which bear the Emperor's name, A.D. 140. The
Roman soldiers are busy building forts; raising each their thousand
or two paces of the wall, and recording the feat on the legionary
tablets which still attest the same; constructing roads and other
military works; and establishing here and there coloniæ and oppida,
with a view to permanent settlement. For a period of about twenty
years, during which Lollius Urbicus remained governor of the province,
peace appears to have prevailed; and to this brief epoch, when a Roman
navy was stationed on the coasts of Britain, we may, with great
probability, ascribe the rise of Inveresk, Cramond or Alaterva, and
other maritime Roman colonial or municipal sites. With the death of
the able Titus Antoninus, whom grateful Roman citizens surnamed Pius,
all this was at an end. Calphurnius Agricola had to be despatched by
the new emperor, Marcus Aurelius, to put down an insurrection of the
British tribes. The reign of his successor Commodus was marked by a
still more determined rising of the North. The Caledonian Britons again
took to arms, assailed the legions with irresistible force, defeated
them and slew their general, broke through the rampart of Antoninus,
and penetrated unchecked into the most fertile districts of the Roman
province of Valentia, as it was subsequently named, comprehending the
whole district between the walls of Hadrian and Antoninus which at a
later period became the Saxon kingdom of Northumbria. Another legate,
Ulpius Marcellus, had to hasten from Rome to arrest the Caledonian
invaders, and a few more years of doubtful peace were secured to the
northern province. Lucius Septimius Severus succeeded to the purple
A.D. 197, learned that the Caledonian Britons were once more within
the ineffectual ramparts; and after a few years of timid negotiation,
rather than of determined opposition to these hardy northern tribes,
Virius Lupus, the legate of Severus, was compelled to own that the
occupation of Caledonia was hopeless. The aged emperor immediately
commenced preparations for marching in person against the Caledonians.
About A.D. 208 he effected his purpose, and entered Caledonia at the
head of an overwhelming force; but it was in vain. He penetrated indeed
as far, it is thought, as the Moray Frith, but only to return, with
numbers greatly reduced, to fix once more the limits of Roman empire
where they had been before marked out by the wall of Hadrian, between
the Solway and the Tyne. It is possible, indeed, that the northern wall
was not immediately abandoned. At Cramond have been found both coins
and medals of Caracalla and Diocletian. The Roman tenure of the North,
however, was manifestly insecure; and the successor of Severus was
little likely to recover what that able emperor had been compelled to
abandon.

A period of sixty-eight years is thus the utmost that can be assigned
for this occupation of Caledonia as a Roman province, and the history
of that brief era is amply sufficient to justify the oft-claimed
title--whatever be its value--of the unconquered Caledonians. The
tribes in the immediate vicinity of the garrisoned strongholds of the
invaders might be overawed and forced into apparent submission; but
the country was no more subdued and rendered a tributary province than
when Edward made himself the arbiter between Baliol and the Bruce.

The successors of Severus were glad to secure the forbearance of
the Caledonians on any terms; and for seventy-three years after the
departure of his sons from Britain its name is scarcely mentioned by
any Roman writer. In subsequent allusions to the restless inroads of
the Caledonians on the southern province, they are mentioned for the
first time in the beginning of the fourth century by the name of Picts;
but it is not till the reign of the Emperor Valentinian, in the latter
part of the fourth century, A.D. 367, that we find the Roman legions
under Theodosius effectually coping with the northern invaders, and
recovering the abandoned country between the walls of Antoninus and
Severus. This was now at length converted into a Roman province, and
received the name of VALENTIA, in honour of the emperor; and to this
latter occupation should probably be ascribed the rise of most of the
inland coloniæ, the traces of which are still recoverable. But its
meagre history is that of a frontier province. The Picts were ever
ready to sally forth from their mountain fastnesses on the slightest
appearance of insecurity or intermitted watchfulness. Again and again
they ravaged the southern provinces, and returned loaded with spoil;
and it is chiefly to the notices of their inroads and repulsions that
we owe the possession of any authentic history of North Britain in
the fourth century. Early in the fifth century, about the year 422, a
Roman legion made its appearance in Scotland for the last time. They
succeeded in driving back the Picts beyond the northern wall, as a
disciplined force must ever do when brought into direct collision with
untrained barbarian tribes; but it was no longer possible to retain
the province of Valentia. The legionary colonists and the Romanized
Britons were advised to abandon it, and once more withdraw within the
older limits fixed by Severus on the line of Hadrian's Wall. So ended
the second and last Roman occupation of Scotland, extending over a
period of about fifty years. It is to this latter era that we should
probably assign the establishment of the Roman town near the Eildon
Hills, as well as of other sites in the interior of the country,
bearing traces of Roman occupation, which it has been customary to
seek for among the stations mentioned by Ptolemy. Roy, for example,
adhering to one of the names given by Ptolemy, while he rejects
the locality which he assigned to it, fixes the site of Τριμοντιον,
or _Trimontium_, in the neighbourhood of the Eildons, because "the
aspect of the hills corresponds exactly with the name."[408] In this
he has been implicitly followed by later writers. But _Trimontium_
is a mere Latinized version of Ptolemy's Τριμοντιον, and does not
necessarily signify _Tres Montes_, the supposed designation suggested
by the triple summits of the Eildon Hills; unless, as is possible, the
name is only a Greek rendering of the original _Tres Montes_, which
has been anew transformed into the later Latin form. Still the mere
resemblance of the name to certain features of an ascertained Roman
site is very insufficient evidence in contradiction to the more precise
information of the old geographer, as well as to the probability of the
later origin of the Eildon town. We must therefore leave Trimontium
where Ptolemy places it, in the district of the Selgovæ, not far
from the military station at Birrens, although it will be shewn that
very extensive Roman traces, unknown to General Roy, do exist in the
neighbourhood of the Eildon Hills. The first period of the Roman
presence in Scotland in the second century was obviously little more
than an occupation of military posts; the second, in the latter end
of the fourth century, was the precarious establishment of a Roman
province on a frontier station, and within sight of a foe ever watching
the opportunity for invasion and spoil.

Hence the paucity of Roman remains in Scotland, and the trifling
influence exercised by Roman civilisation on its ancient arts.
Roman pottery has been found in considerable quantities on the
sites of well-known forts and stations, but no Roman kiln has yet
been discovered in Scotland, such as suffices in England to shew
how completely native arts were superseded by those of the Italian
colonists. Few, indeed, of the memorials which the Romans have left
of their presence in Scotland pertain to the practice of the peaceful
arts. Their inscriptions, their altars, and their sepulchral tablets,
all relate to the legionary, and shew by how precarious a tenure
his footing was maintained beyond the Tyne. No evidence serves more
completely to prove this transitory and exotic character of the
occupation of the country than the traces of Roman masonry. Passing
beyond the limits assigned by Hadrian to Roman dominion, the legions
entered on a country the geological features of which are totally
dissimilar to any part of Britain which they had previously acquired.
Yet the ruins of their buildings, discovered in the very centre of the
Lothians, shew that they brought with them the art of the brickmaker,
and manufactured their building materials by the same laborious process
above the fine sandstone strata of the Frith of Forth, as within the
chalk and clay districts of England, where their earliest settlements
were effected.

This evidence of the practice of exotic arts becomes still more
noticeable on the sites of some of the wall-stations. At Castlehill,
for example, the third station from the west end of the rampart of
Antoninus, though the fort no longer exists, its materials have been
employed in erecting the farm-offices and inclosures which now occupy
its commanding site. Here, so recently as 1849, an inscribed tablet
of the Twentieth Legion was discovered. On visiting the station the
intelligent observer can hardly fail to be struck with the peculiar
character of the stones built into the new walls, and lying about where
they have been turned up by the plough. The legionary builders would
seem to have found clay unattainable, or inconvenient to work, and were
sufficiently remote from the Clyde to render importation unadvisable.
They have accordingly been compelled to resort to stone; but true to
the more familiar material, they have with perverse ingenuity hewn it
into the shape and size of the common Roman brick, making in fact, as
nearly as possible, bricks of stone. It is not improbable that similar
relics may still exist at some places on the line of Hadrian's Wall;
such, however, is not the case with its more substantial successor.
When Severus abandoned the northern rampart and rebuilt a wall
nearly on the line of that of Hadrian, the Anglo-Roman occupants of
Northumbria were no longer strangers to the peculiar facilities of the
district, and the wall of Severus accordingly exhibits many traces of
substantial masonry, such as antiquaries familiar only with the Roman
remains of the clay districts can scarcely persuade themselves are the
work of the same builders who wrought with chalk and brick, or bonded
even their stone walls in the south with courses of Roman tile.

Another conclusive proof of the temporary and mere military occupation
of Scotland by the Romans, appears from the fact, that with a very
few exceptions the Scoto-Roman remains have been brought to light on
the line of the Antonine Wall. A very remarkable altar was found at
Inveresk, near Edinburgh, so early as 1565, dedicated APOLLINI GRANNO,
by Quintus Lusius Sabinianus, proconsul of Augustus, which possesses a
singular interest to us from the fact that it attracted the special
notice of Queen Mary of Scotland. In her treasurer's accounts appears
the charge of twelve pence paid "to ane boy passand of Edinburgh with
ane charge of the Queenis Grace, direct to the Baillies of Mussilburgh,
charging thame to tak diligent heid and attendance that the monument
of grit antiquitie, new fundin, be nocht demolisit nor broken down;"
an evidence of archæological taste and reverence for _monuments of
idolatry_, which probably did not in any degree tend to raise the queen
in the estimation of the bailies of the burgh. The same ancient relic
became an object of interest to Randolph and Cecil, the ambassador and
minister of Queen Elizabeth,[409] and afterwards furnished Napier of
Merchiston with an illustration of the idols of pagan Rome when writing
his Commentary on the Apocalypse. This remarkable monument of the Roman
colonists of Inveresk must have been preserved for some generations,
as Sir Robert Sibbald mentions having seen it.[410] He died about the
year 1712, and the Itinerarium Septentrionale of Gordon, in which no
notice of it occurs, was published only fourteen years later. The
remains of Roman villas with their hypocausti, flue-tiles, pottery,
and other traces of Italian luxury, have been found at various times
in the same neighbourhood, leaving no room to doubt that an important
Roman town was once located on the spot. A few miles to the west,
along the coast of the Forth, the little fishing village of Cramond is
believed to occupy the site of the chief Roman sea-port on the east
of Scotland. There also altars, inscribed tablets, coins, and other
relics, attest the importance of the ancient _Alaterva_. Newstead, near
the Eildons, has also furnished one altar, and Birrens, the old _Blatum
Bulgium_, several inscriptions and sculptures. But even these are
nearly all military relics, chiefly of the first and second Tungrian
cohorts; and if to them are added some few fragments of sculpture and
pottery, and examples of bronze culinary vessels, we have a summary
of nearly the whole Roman remains found in Scotland, apart from the
stations on the wall of Antoninus, and the celebrated Arthur's Oon,
the supposed _Templum Termini_, of which so much has been written to
so little purpose. The earliest writer who notices this remarkable
architectural relic is Nennius, abbot of Bangor, as is believed, in the
early years of the seventh century. His own era, however, is matter of
dispute, and his account sufficiently confused and contradictory. Its
masonry appears to have differed entirely from any authentic remains
of Roman building found in Scotland, and, indeed, to have had no
very close parallel anywhere; though its form very closely coincided
with the round or bee-hive houses of Ireland, and its masonry was not
greatly dissimilar to that of the Scottish round towers of the same
builders, by whom it was more probably erected. The total absence of
cement must at least be sufficient with most English antiquaries, to
throw no little doubt on its Roman origin. The modern archæologist may
be pardoned if he smile at the enthusiasm of elder antiquaries, who
discovered in this little sacellum, or stone bee-hive, of twenty-eight
feet in diameter and twenty-two feet in height, a fac-simile of "the
famous Pantheon at Rome, before the noble portico was added to it by
Marcus Agrippa," to which Gordon--the ever-memorable Sandy Gordon of
the Antiquary--resolved not to be outdone by Dr. Stukely, adds, "The
Pantheon, however, being only built of brick, whereas Arthur's Oven
is made of regular courses of hewn stone!" Sir John Clerk, writing
to Mr. Gale, shortly after the destruction of the Oon, remarks,--"In
pulling these stones asunder, it appeared there had never been any
cement between them, though there is limestone and coal in abundance
very near it. Another thing very remarkable is, that each stone had
a hole in it which appeared to have been made for the better raising
them to a height by a kind of forceps of iron, and bringing them so
much the easier to their several beds and courses."[411] These facts
we owe to the barbarian cupidity of Sir Michael Bruce, on whose estate
of Stonehouse this remarkable and indeed unique relic stood. The same
zealous Scottish antiquary, quoted above, writing from Edinburgh to his
English correspondent in June 1743, remarks with quaint severity,--"He
has pulled it down, and made use of all the stones for a mill-dam, and
yet without any intention of preserving his fame to posterity, as the
destroyer of the Temple of Diana had. No other motive had this Gothic
knight but to procure as many stones as he could have purchased in his
own quarries for five shillings!... We all curse him with bell, book,
and candle,"--an excommunicatory service not yet fallen wholly into
disuse. Of this unique architectural relic sufficiently minute drawings
and descriptions have been preserved to render it no difficult matter
to reconstruct, in fancy, its miniature cupola and concentric courses
of stone; but it still remains an archæological enigma, which the magic
term _Roman_ seems by no means satisfactorily to solve.

The course of Antoninus's rampart and military road lay through a part
of the country since repeatedly selected by later engineers from its
presenting the same facilities which first attracted the experienced
eye of Agricola, and afterwards of Lollius Urbicus, as the most
suitable ground for the chief Roman work in Scotland. Gordon, it is
understood, acquired his chief knowledge of the Roman remains of this
district while examining the ground with a view to the formation of a
projected Forth and Clyde Canal.[412] General Roy again surveyed the
same ground, through which at length the Canal, and still more recently
the Edinburgh and Glasgow Railway, have been carried; in each case
leading to interesting discoveries of Roman remains.

The most remarkable of these disclosures took place at Auchindavy
during the construction of the Forth and Clyde Canal, when a pit was
discovered within the area of the Roman fort, containing five altars, a
mutilated statue, and two ponderous iron hammers. Four of the altars,
and probably the fifth, had been erected by one individual, M. Cocceius
Firmus, a centurion in the Second Legion, Augusta. Their position, thus
hastily thrown together and covered up on the spot where they were
destined to lie undiscovered for so many centuries, seems to tell,
in no unmistakable language, of the precipitate retreat of the Roman
garrison from the fort of Auchindavy, which had been committed to the
charge of the devout centurion who was thus compelled to abandon his
desecrated aræ. All these, as well as most of the other relics found
from time to time along the line of the Roman wall, have been deposited
in the Hunterian Museum at Glasgow. They mark most emphatically the
dawn of a totally new era in Scottish archæology. Definite historic
annals henceforth come to the aid of induction. Dates take the place
of periods, and individuals that of races. Unhappily also, with the
definiteness of written records, we come in contact with doubts far
more difficult to solve than many of those which have to be unravelled
from the unwritten primeval records, since it is no longer the accuracy
of the induction, but the veracity of the annalist, that has most
anxiously to be looked to. Such, however, is not the case with the
inscribed evidences of the presence of the Roman legions.

Fortunately for the Scottish antiquary the builders of the Caledonian
Wall appear to have taken a peculiar and unprecedented pleasure in
recording their share in this great work, actuated thereto, in part
perhaps, by the reverence with which the name of Titus Antoninus
was regarded alike by Roman soldiers and citizens. These legionary
inscriptions, peculiar to the Scottish wall, indicating the several
portions of it erected by the different legions and cohorts, are most
frequently dedications of the fruit of their labours to the Emperor,
Father of his Country. They are objects of just interest and historical
value, supplying definite records of the legions by whom the country
was held during the brief period of Roman occupation, and meting out
to the modern investigator a measure of information more suited to his
desires than he could hope to recover of so remote and poor a province
of the Roman empire, from the notices of any contemporary author.

Only one of all the Roman historians, Julius Capitolinus, the
biographer of the Emperor Antoninus Pius, makes any allusion to the
erection of the Caledonian Wall; and on his sole authority, for fully
fourteen centuries, rested the statement that the imperial legate,
Lollius Urbicus, reared the vallum which still in its ruins perpetuates
the name of the Emperor, and preserves, as a visible link between the
present and the past, the northern limit of the Roman world. The very
site of the several British walls was accordingly matter of dispute,
when fortunately, towards the close of the seventeenth century, a rude
and very imperfect fragment of an inscribed tablet was discovered at
or near the fort of Bemulie,[413] which in point of historical value
surpasses any Roman relic yet found in Scotland. The inscription is
such a mutilated fragment that the farmer might have turned it up
with his plough and flung it from the furrow, or the mason broken
it up to build into his fence, without either of them dreaming that
it differed in value from any other stone, though its few roughly
inscribed letters supply a fact indispensable to the integrity of
Scottish history. Gordon pronounces it "the most invaluable jewel of
antiquity that ever was found in the island of Britain since the time
of the Romans." It is the fragment of a votive tablet, so imperfect
that it is doubtful whether it be a dedication by the Second Legion
in honour of the Imperial Legate, or by the latter in honour of the
Emperor. It contains, however, the names of both, and establishes the
only essential fact, that the wall between the Forth and the Clyde is
the work referred to by Julius Capitolinus. The stone, which now forms
one of the treasures of the Hunterian Museum, measures seventeen by ten
inches, and bears the abbreviated and mutilated inscription:--

                          P · LEG · II · A ·
                            Q · LOLLIO · VR
                          LEG · AVG · PR · PR

No great error can be committed in thus extending it as a votive
tablet in honour of the Legate, rather than of the Emperor: POSUIT
LEGIO SECUNDA AUGUSTA QUINTO LOLLIO URBICO LEGATO AUGUSTI PROPRÆTORI.
The ordinary legionary inscriptions include the name and distinctive
titles of the legion, cohort, or vexillation, by whom the number of
paces of the wall recorded on them have been erected; and dedicate
the work in honour of the emperor. The larger tablets are generally
adorned with sculptured decorations, and frequently bear the device of
the legion; that of the Twentieth Legion being the Boar; and probably
that of the Second Legion, surnamed Augusta, the Sea-Goat. One singular
sculptured legionary tablet, however, found at Castlehill, the site of
the third station on the wall, seems to leave little room for doubt
that this fanciful hybrid of the goat and seal was also employed as
the emblematical symbol of Caledonia, and may have been adopted by
the Second Legion to commemorate their victories over the hardy race
whom it not inaptly symbolized. It is a tablet recording with less
abbreviation than usual the completion of 4666 paces of the wall by the
Second Legion, Augusta:

                      IMP · CAES · TITO · AELIO ·
                         HADRIANO · ANTONINO ·
                     AVG · PIO · P · P · LEG · II
                     AVG · PER · M · P · IIII · DC
                               LXVI · S

On one side of this inscription appears a literal representation of
imperial triumph:--captives stripped and bound, above them a mounted
Roman armed and in full career, and over all a female figure, supposed
to bear a wreath emblematic of Victory. On the other side is the Roman
eagle perched on the prostrate sea-goat, the manifest counterpart of
the literal exhibition of the conquered Caledonians. The origin of
the singular emblem, however, is still open to question. It may be
doubted if it was a Roman emblematic device, though familiar to them
as the most usual form of Capricornus, for the imperial conquerors
more generally adopted the most characteristic literal representations
of the vanquished. It occurs on a rare coin figured by Gough, and now
ascribed to Comius, about B.C. 45; but it may also be seen as the
zodiacal sign, on a very remarkable calendar cut in marble, which was
found in a ruined villa of Pompeii.

[Illustration]

The Roman fort at Castlehill, where the above tablet was dug up, was
one of the inferior class; its small dimensions arising, in part at
least, perhaps, from the natural advantages of its position. The
discoveries on its site, however, are possessed of greater interest
than those yet known belonging to some of the largest stations on
the wall. In the year 1826, a votive altar was brought to light on
the same locality, dedicated, as Mr. Stuart renders it,[414] to the
Eternal Field-Deities of Britain--CAMPESTRIBUS ET BRITANNI--by Quintus
Pisentius Justus, prefect of the fourth cohort of Gaulish auxiliaries;
a cohort which we learn from another altar discovered in Cumberland was
afterwards stationed on the wall of Severus.

There are altogether in the Hunterian Museum six altars, twelve
legionary inscriptions, and several centurial stones, all found along
the line of the Caledonian Wall, besides a few more of each known to be
in private hands. But nearly the whole of these have been so frequently
described and engraved, that it would be superfluous to repeat their
inscriptions here. One interesting discovery, however, made at
Castlehill, since the publication of the Caledonia Romana, deserves
to be noted. It was found during the spring of 1847, by the plough
striking against it, where it lay imbedded in the soil with its edge
upward, as if it had been purposely buried at some former period, in
the shady ravine called the Peel Glen: a dark and eerie recess, where
the _Campestres Æterni Britanniæ_, the fairies of Scottish folk-lore,
have not yet entirely ceased to claim the haunt accorded to them by
immemorial popular belief. The Roman relic discovered here is a square
slab, considerably injured at the one end, but with the inscription
fortunately so slightly mutilated that little difficulty can be felt
in supplying the blank. The stone measures two feet six inches in
greatest length, and two feet four inches in breadth. A cable-pattern
border surrounds it, within which is the inscription.

[Illustration: Roman tablet, Castlehill.]

This sculptured tablet is nearly the exact counterpart of another
legionary inscription found about one hundred and fifty years since in
the neighbourhood of Duntocher. In the latter the number of paces is
defaced in the inscription, and unfortunately the duplicate recently
discovered, which should have supplied the deficiency, is also
mutilated, the break passing through where probably the additional
mark of the fourth thousand originally stood. Both Horsley and Stuart
guessed from the smallness of the space left for the figures in the
former, that it must have been a round number, either III. or IIII.
This argument is equally conclusive in regard to the inscription
recently found, and little doubt can be entertained that the reading
should be four thousand paces. It will doubtless appear to most men
of this nineteenth century a matter of sufficient indifference, now
that the Edinburgh and Glasgow Railway occupies the line of the Roman
vallum, whether the vexillation of the Twentieth Legion dedicated three
or four thousand paces of their long obliterated wall to the Emperor
whose name it bore. This tablet, however, establishes an additional
fact suggested by some previous discoveries, that the legionaries
were wont to erect these stones in pairs at the beginning and the end
of their labours, thereby the more distinctly defining the extent of
the work dedicated by them to the favourite emperor. The inscriptions
heretofore found at the Castlehill Station, furnish no evidence of the
presence of the Twentieth Legion as the garrison of that fort. At one
time it appears to have been held by a detachment of the Second Legion,
Augusta--the sculptors of the curious emblematic relievo of Caledonian
defeat; and at another by the fourth cohort of Gaulish auxiliaries,
as we learn from the votive altar of their prefect. The former were
doubtless the contemporaries of the Twentieth Legion who, located at
Duntocher, reared there the Roman fort, and constructed the vallum
eastward till it joined the work of the Second Legion at Castlehill.
This is confirmed by the diversity of the sculpture on the two slabs.
Underneath each inscription is the wild boar, the symbol almost
invariably figured on the works of the Twentieth Legion. They are
disposed, however, in opposite directions, so that when the slabs were
placed on the southern or Roman side of the wall, where they would be
seen from the adjacent military road, the boars of the twin legionary
stones would be facing each other.[415] Still more recent agricultural
operations on the Castlehill farm have brought to light during the
autumn of the present year, 1850, extensive indications of the remains
of buildings in the immediate vicinity of the Peel Glen, where the
tablet of the Twentieth Legion was discovered. The most remarkable
feature hitherto exposed by these later operations is the singularly
sculptured base of a column figured here; but these chance discoveries
leave little room to doubt that a systematic trenching of the area of
the fort would amply repay the antiquary for his labour.

[Illustration]

Thus minute and circumstantial is the information still recoverable
at this distance of time regarding the Roman colonists of Britain.
Every century yields up some further additional records, and were we
in possession of all the inscriptions graven on votive altars or set
up on tablets and centurial stones, we would possess more ample and
authentic elements for the history of the Roman occupation of Scotland
than all that classic historians supply. Sufficient, however, has been
preserved to furnish a very remarkable contrast between the relics of
the Roman invasion and every other class of the archæological records
of primitive Scottish history.

The whole of the legionary inscriptions and nearly all the altars and
other remarkable Roman remains found on the line of the ancient vallum,
have been discovered at its western end. No railway or other great
public work has traversed its eastern course. The sites of its forts
are uncertain or altogether unknown, and its famous _Benval_ is not yet
so entirely settled as to preclude all controversy, should antiquaries
think the theme worthy of further contest. From time to time some new
discovery adds to our materials for the history of the Roman occupation
of Scotland, and many records of the builders of the ineffectual
rampart of Antoninus probably still lie imbedded beneath its ruined
course. It is more important for our present purpose to observe that
the discoveries which have been made on some single Anglo-Roman sites
greatly exceed all that has ever been brought to light in Scotland
truly traceable to the Roman occupancy. No archæological relics can
surpass in interest or value the legionary inscriptions peculiar to our
Scottish wall, so precise and definitely minute in the information they
have hoarded for behoof of later ages. But they are purely military
records, the monuments, in reality, of Roman defeat; while of the
evidences of Roman colonization and the introduction of their arts and
social habits, it is far short of the truth to say, that more numerous
and valuable Anglo-Roman antiquities have been brought to light within
the last few years at York, Colchester, or Cirencester, than all the
Roman remains brought together from every public and private museum of
Scotland could equal.

    "How profitless the relics that we cull,
    Troubling the last holds of ambitious Rome,
    Unless they chasten fancies that presume
    Too high, or idle agitations lull!
    . . . . . . . Our wishes what are they?
    Our fond regrets tenacious in their grasp?
    The sage's theory? the poet's lay?--
    Mere fibulæ, without a robe to clasp;
    Obsolete lamps, whose light no time recalls;
    Urns without ashes, tearless lachrymals!"[416]

It is of importance to our future progress that this should be
thoroughly understood. English archæologists, we may be permitted
to think, have devoted their attention somewhat too exclusively to
the remains of a period on which information was less needed than
on most other sections of archæological inquiry. Still the field of
Anglo-Roman antiquities is an ample one, and therefore well-merited to
be explored. But when Scottish archæologists, following their example,
fall to discussing the weary battle of Mons Grampius--the site of
Agricola's Victoria, founded at Abernethy, or elsewhere--and the like
threadbare questions, they are but thrashing straw from which the very
chaff has long since been gleaned to the last husk, and can only bring
well-deserved ridicule on their pursuits.

In the present brief glance at the indications of Roman occupation
of Scotland little more is needed for fulfilling the plan of the
work than to note a few of the most interesting Scoto-Roman relics,
including such as have either been discovered since the publication of
the "Caledonia Romana," or have escaped the notice of its industrious
and observant author. It is surprising, however, that under the
latter class has to be mentioned the most beautiful specimen of Roman
sculpture existing in Scotland. In the front of an old house in the
Nether-Bow of Edinburgh there have stood, since the early part of
last century--and how much longer it is now vain to inquire--two fine
profile heads in high relief, the size of life, which, from the close
resemblance traceable to those on the coins of Severus, there can be
no hesitation in pronouncing to be designed as representations of
the Emperor Septimius Severus and his Empress Julia. They were first
noticed by Gordon in 1727, and are described by Maitland about twenty
years later, in a sufficiently confused manner, but with the additional
local tradition that they had formerly occupied the wall of a house on
the opposite side of the street. A medieval inscription, corresponding
in reading as well as in the probable date of its characters, to the
Mentz Bible, printed about the year 1455, has been intercalated between
the heads of the emperor and empress, and seems, as it were, to furnish
an earlier witness from the fifteenth century, to say that the Roman
sculpture is still _in situ_.

It admits of serious doubt whether the discovery at Copenhagen, in the
last century, of the work of Richard of Cirencester ought to be viewed
as any great benefit conferred on British archæology. The compilation
of a monk of the fourteenth century, even as supplementary to the
geographical details of Ptolemy, can hardly be received with too
great caution, but used as it has been almost entirely to supersede
the elder authority, it has in many instances, and especially in
relation to our northern Roman geography, proved a source of endless
confusion and error. Without, however, aiming at reconstructing the
Ptolemaic map of Caledonia, we have abundant evidence that various
important Coloniæ were established, which have received no notice,
either in Ptolemy's geography or the "De Situ Britanniæ" of the monk
of Westminster, whom antiquaries may be pardoned suspecting to have
assumed the cowl for the purpose of disguise, being in truth a monk
not of the fourteenth but of the eighteenth century.[417] Attracted by
the supposed correspondence of the triple heights of the Eildon Hills
to the designation of Ptolemy's _Trimontium_, General Roy sought in
their neighbourhood for the evidences of a Roman station, and though
less successful than he desired, he found sufficient indications of
the convergence of the great military roads towards this point, to
induce him to conclude "that the ancient Trimontium of the Romans was
situated somewhere near these three remarkable hills, at the village
of Eildon, Old Melros, or perhaps about Newstead, where the Watling
Street hath passed the Tweed."[418] Though the propriety of assuming
this as the site of Trimontium is questioned, the sagacious conclusions
as to a Roman site detected by the practical eye of General Roy, have
since been amply confirmed by the discovery of undoubted traces of a
Roman town at the base of the Eildon Hills. Stuart has engraved an
altar dedicated to the forest deity Silvanus, by Carrius Domitianus, a
centurion of the Twentieth Legion, which he describes as "a few years
since discovered, not far from the village of Eildon."[419] As this
discovery is of considerable value as a clue to the true site of this
central Roman town within the province of Valentia, it is worthy of
note that it was found on the 15th of January 1830, in digging a drain,
about three feet below the surface, in a field called the Red Abbey
Stead, near Newstead, a village to the north of Eildon, and directly
east of Melrose.

More recently the Hawick Railway has been carried through the vale
of Melrose, and in its progress has added further evidence of the
presence of the Roman colonists on the site, while the ordinary
course of agricultural operations has exposed numerous foundations
of buildings, Roman medals and coins, and a regular causewayed road,
undoubtedly the ancient Watling Street. This road was laid bare only
a year or two before, in the progress of draining a field called the
"Well Meadow," immediately to the west of the Red Abbey Stead. It was
about twenty feet broad, and was entirely excavated by the tenant,
in order to employ its materials for constructing a neighbouring
fence. In the course of removing it the foundations of various houses
were exposed, and a sculptured stone was discovered, considerably
mutilated, but still bearing on it, in high relief, the wild boar,
the well-known device of the Twentieth Legion. As this corresponds
with the inscription on the altar previously discovered, there can
be little question that the roadway and other military works of this
important station, were executed by the same legion. Another sculptured
portion of an inscribed tablet, found in the same field, evidently of
Roman workmanship, retains only the fragmentary letters CVI. Among the
numerous foundations of ancient buildings much Roman pottery has been
dug up, including the fine red Samian ware, the black, and the coarser
yellowish or grey fragments of mortaria and other common domestic
utensils. It is not improbable, indeed, that the name of Red Abbey
Stead has been conferred on the site of the Roman colonia, owing to the
colour of the soil and the characteristics of the remains of ancient
building so frequently exposed, arising from the presence of numerous
fragments of Roman brick and pottery. By the same means the course of
the Antonine Wall may frequently be traced in the new ploughed fields
on its site, where all other indications have disappeared. There is no
evidence of any abbey having ever existed on the site; but surrounded
as the district is with Newstead and New and Old Melrose, the seats
of ancient ecclesiastical establishments, the discovery of the brick
foundations of extensive buildings would very naturally suggest the
local name of the Red Abbey. It was in the immediate neighbourhood of
this Roman site that one of those curious subterranean structures was
discovered, which has been referred to in an earlier chapter.[420]

[Illustration]

Towards the close of 1846, during the excavations for the Hawick branch
of the North British Railway, several circular pits or shafts were laid
open a little to the east of the village of Newstead, and nearly on
the line of the Roman road, an additional portion of which was exposed
by the railway-cutting. Two of these shafts were regularly built round
the sides with stones, apparently gathered from the bed of the river,
and measured each two feet six inches in diameter, and about twenty
feet deep. The others greatly varied both in width and depth, and were
filled with a black fetid matter, mixed with earth, and containing
numerous fragments of pottery, oyster shells, antlers of the red deer,
and bones and skulls of cattle, apparently the _Bos Longifrons_:
the skulls being broken on the frontal bone as if with the blow of a
pole-axe, or possibly of the sacrificial securis. A piece of a skull
discovered in the same place seems to have been that of a small-sized
horse. In one of the pits the skeleton of a man was found standing
erect with a spear beside him, and accompanied with mortaria and other
undoubted remains of Roman pottery. The spear-head, which measures
fourteen inches in length, and only one and a quarter in greatest
breadth of blade, is figured here. The skull has been already described
and compared with the crania of the Scottish tumuli in a previous
chapter;[421] and the weapon represented here, as well as various
mortaria, urns, coins, and other relics from the same locality, are now
in the possession of John Miller, Esq., C.E., under whose direction
the railway was constructed. A bronze kettle, lachrymatories, bricks,
clay tubes, stones cut with the cable-pattern and the like familiar
classic mouldings, and numerous other Roman remains, all attest the
important character of the Roman town on this site. Coins from the same
locality are also in the possession of Thomas Tod, Esq., of Drygrange,
and Dr. J. A. Smith. In so far as these are to be received in evidence
of the length of time during which the Eildon station was occupied,
they extend over a longer period than we have any reason to believe
the Roman colonists possessed the province of Valentia; including
those of Vespasian, Domitian, Hadrian, Antoninus Pius, and Severus,
as well as of Diocletian, Maximianus, Carausius, Constantius Chlorus,
and Constantine. It is to be borne in remembrance, however, that among
the Britons of that early period a coin was money whose ever image or
superscription it bore, and doubtless the Roman mintage continued to
circulate long after the last of the military colonists had abandoned
the province of Valentia.

Directly to the north, on the line of the road discovered in the Well
Meadow, there existed, in the memory of some few village patriarchs,
the foundations of a bridge on the banks of the Tweed, which also
may be assumed as the work of the Twentieth Legion. It appears to
have attracted the notice of General Roy, as he speaks of the Watling
Street having crossed the Tweed about Newstead. Continuing our course
northward along this ascertained Roman route, we are once more left to
the guidance of the recent interpreters of Ptolemy and the believers
in Richard of Cirencester, though it is possible with the aid both of
new and old evidence to fix another portion of the route which has
heretofore been misplaced. The assigned old Roman Iter proceeds from
Eildon to the supposed _Curio_ or _Curia_, near Borthwick--a site
still requiring confirmation--and thence directly to the Roman port of
Cramond or Alaterva.

[Illustration: Bronze Lamp found at Currie.]

The southern shores of the _Bodotria Æstuarium_, or Frith of Forth,
bear more abundant traces than almost any other Scottish district of
continuous occupation by Roman colonists; doubtless owing, in part
at least, to the frequent presence of the fleet in the neighbouring
estuary. If Alaterva, to whose Deæ Matres one of its altars was
dedicated, be indeed the ancient name of Cramond, no such epithet is to
be found in the old itineraries, nor has a classic name been suggested
for the no less important Roman town at Inveresk; unless that one
zealous local antiquary[422] has recently conceived the possibility
of establishing its claims to be the true Curia, hitherto located
elsewhere on very slender and inconclusive evidence.

Following the course of the assigned Roman route from the supposed
_Curia_ at Currie, near Borthwick, it is carried by Roy, in his revised
map, by a westerly sweep towards Cramond, leaving the rocky heights of
Edinburgh some two miles to the east of it, and joining Inveresk, in
the maps of Chalmers and Stuart, by imaginary crossroads, sufficiently
satisfactory on paper. A totally different arrangement may, however,
be shewn to have been followed in laying down the Roman military roads
of this district. Earlier writers were not so ready to exclude the
Scottish capital from Roman honours: _e.g._,--"The town of Eaden," says
Camden, "commonly called Edenborow, the same undoubtedly with Ptolemy's
Στρατοπεδον Πτερωτον, _i.e._, Castrum Alatum."[423] Sir Robert Sibbald
was one of the first of our Scottish authors to place a Roman colonia
at Edinburgh, but without advancing any satisfactory grounds for such
a conclusion.[424] "Some," says he, "think Edinburgh the _Caer-Eden_
mentioned in the ancient authors." Others, equally bent on maintaining
the honour of the Scottish metropolis, found in it the Alauna of
Ptolemy, and in the neighbouring Water of Leith the Alauna Fluvius--a
discovery perhaps not unworthy to match with that of Richie Moniplies
when he sneered down the Thames with ineffable contempt in comparison
with the same favourite stream! Such arguments, like those for too
many other Romano-Scottish sites, were mere theories, unsupported by
evidence, and little more can be advanced in favour of the supposed
_Castrum Alatum_.[425] Later writers on the Roman antiquities of
Scotland have accordingly excluded Edinburgh from the list of classic
localities. There are not wanting, however, satisfactory traces of
Roman remains on the site of the Scottish capital, a due attention to
which may help to furnish materials for a revised map of the Roman Iter.

There passes across the most ancient districts of Edinburgh, and
skirting the line of its oldest fortifications, a road leading
through the Pleasance,--so called from an old convent once dedicated
to S. Maria de Placentia,--St. Mary's Wynd,--another conventual
memorial,--Leith Wynd, St. Ninian's Row, Broughton, and Canonmills,
right onward in the direction of the ancient port of Alaterva. Probably
more than fourteen hundred years have elapsed since Curia and Alaterva
were finally abandoned by their Roman occupants, and the dwellings of
the Eildon colony were left to crumble into ruins; yet the traces of
the Romans' footsteps have not been so utterly obliterated but that
we can still recover them along the line of this old road, so deeply
imprinted with the tread of later generations.

In the year 1782 a coin of the Emperor Vespasian was found in a garden
in the Pleasance, and presented by Dr. John Aitken to the Society of
Antiquaries of Scotland,--the first recent recovery, so far as is
known, of any indications of the Roman presence on the highway which
it is now sought to retrace to a Roman origin. Much more conclusive
evidence has, however, since been brought to light. In digging in
St. Ninian's Row, on the west side of the Calton Hill, in 1815, for
the foundations of the Regent Bridge, a quantity of fine red Samian
ware, of the usual embossed character, was discovered. It was secured
by Thomas Sivright, Esq. of Southhouse, and remained in his valuable
collection of antiquities till the whole was sold and dispersed after
his death.[426] In 1822, when enlarging the drain by which the old
bed of the North Loch, at the base of Edinburgh Castle, is kept dry,
portions of an ancient causeway were discovered fully four feet below
the modern level of the road. Some evidence of its antiquity was
furnished on the demolition, in 1845, of the Trinity Hospital, formerly
part of the prebendal buildings of the collegiate foundation of Queen
Mary of Gueldres, founded in 1462, when it was discovered that the
foundations rested on part of the same ancient causeway;[427] and
on the demolition of the venerable collegiate church an opportunity
was afforded me of examining another portion of it above which the
apsis of the choir and part of the north aisle had been founded. The
conclusion which its appearance and construction immediately suggested,
was that which further investigation so strongly confirms, that these
various remains indicate the course of a Roman road. It was composed
of irregular rounded stones, closely rammed together, and below them
was a firm bed of forced soil  with fragments of brick, bearing
a very close resemblance to the more southern portions of the same
Roman military way recently exposed to view in the vale of Melrose.
The portions of it discovered in 1822 included a branch extending a
considerable way eastward along the North Back of Canongate, in a
direct line towards the well-known Roman road in the neighbourhood
of Edinburgh, popularly styled "The Fishwives' Causeway."[428] Here,
therefore, we recover the traces of the Roman way in its course from
Eildon to Alaterva, with a diverging road to the important town and
harbour at Inveresk, shewing beyond doubt that Edinburgh had formed
an intermediate link between these several Roman sites. The direction
of the road, as still visible in the neighbourhood of Cramond in the
early part of the eighteenth century, completely coincided with the
additional portion of it thus recovered. "From this same station of
Cramond," says Gordon, "runs a noble military way towards _Castrum
Alatum_, or Edinburgh; but as it comes near that city, it is wholly
levelled and lost among the ploughed lands."[429]

Within a few yards of the point where this ancient Roman road crosses
the brow of the hill on which the ancient Scottish capital is built,
are the beautiful bas-reliefs above referred to, the heads of the
Emperor SEPTIMIUS SEVERUS and his wife JULIA. I have already suggested
elsewhere[430] that these sculptures, which in Maitland's time, 1750,
were said to have been removed from a house on the opposite side of
the street, have probably been discovered in digging the foundations
of that building. This idea has received striking confirmation during
the present year, (1850.) In the progress of laying a new and larger
set of pipes for conveying water to the palace of Holyrood, the whole
line of the High Street has been opened up, the workmen in many places
digging into natural soil, and even through the solid rock. In the
immediate neighbourhood of the site of the old "Heart of Mid-Lothian,"
several coins were found, including one of Henry IV. of France, bearing
the date 1596; and lower down the street, two silver denarii of the
Emperor Septimius Severus were discovered, in good preservation, not
many feet from the locality of the Roman sculptures. The reverse of the
one represents a soldier armed, and bearing the figure of victory in
his right hand--legend, AVGG · VICT., and of the other a female figure
in flowing drapery, bearing in the right hand a wreath, and in the left
a cornucopia--the legend illegible. The prejudices of a strong local
partiality induce me to look upon these traces of Roman presence on a
spot which formed the battle-ground of Scotland during the "Douglas
Wars," as well as in older struggles, with an interest which I cannot
hope to communicate to archæologists in general, but which to many of
them may perhaps seem a pardonable excess. The visit of the Emperor
Septimius Severus, and still more, of his Empress,[431] to this
distant corner of the Roman world, were incidents of a sufficiently
unusual occurrence to be commemorated by those who have left records of
every few thousand paces of an earthen vallum which they erected. If
we suppose the road which has been traced out in continuation of the
Watling Street to have been the route by which the Emperor journeyed
northward--as there is good probability that it must have been--we may
imagine him pausing on the brow of the hill, just above the steep <DW72>
occupied by Leith Wynd, and catching the first view of the Bodotrian
Frith, with the Roman galleys gliding along its shores, or urged with
sail and oar towards the busy sea-port of Alaterva, now the humble
fishing village of Cramond. On this spot it seems probable that some
important memorial of this distinguished Emperor's visit had been
erected, of which the beautiful sculptures still remaining there formed
a prominent feature. Overthrown amid the wreck of Roman empire, they
may have lain interred for many centuries; for within a very short
distance of their present site, recent discoveries have brought to
light medieval sculptures and remains of buildings many feet below the
foundations of those of the sixteenth century.[432]

These, however, are not the sole evidences of the occupation of
Edinburgh by the Romans. In the Reliquiæ Galeanæ, of date March
1742, Sir John Clerk thus describes "a Roman arch discovered at
Edinborough,"--"Just about the time that your structure at York was
pulled down, we had one at Edinborough which met with the same fate.
It was an old arch that nobody ever imagined to be Roman, and yet it
seems it was, by an urn discovered in it, with a good many silver
coins, all of them common, except one of Faustina Minor, which I
had not. It represents her bust on one side, and on the reverse a
_lectisternium_ with this inscription, SÆCULI FELICITAS."[433] It is
much to be regretted that this information is not more precise, both
about the other coins and the arch in which so remarkable a deposit was
found. Such as it is, however, it is of great value. To these traces
of the Roman presence there remain to be added the sculptured heads
which formerly adorned the old Cross of Edinburgh, demolished in 1756,
and described by Arnot as apparently of the Lower Empire--an opinion
to be received with some doubt. In digging the foundation of a large
reservoir erecting on the Castlehill, during the present season, among
various very remarkable discoveries, to be afterwards noticed, there
was found another relic of the Lower Empire, a single copper coin, in
excellent preservation, struck under Constantine the Great.

Pennant describes in his Second Tour, "certain curiosities in a small
but select private cabinet," found in the neighbourhood of Edinburgh,
which had escaped his notice on his former visit. Notwithstanding
their very great local value they have experienced the usual fate of
private collections, and are no longer known. "Among other antiquities
in the cabinet of Mr. John Macgouan, discovered near this city, is an
elegant brass image of a beautiful Naiad, with a little satyr in one
arm. On her head is a wine-vat or some such vessel, to denote her an
attendant on Bacchus; and beneath one foot a subverted vase, expressive
of her character as a nymph of the fountains." If this beautiful group
still exists the description must render it easily identified. Other
relics in the same private collection, and it may be assumed, from
the connexion, included in Pennant's description as discovered in the
neighbourhood of Edinburgh, are a bronze vessel with a perforated top,
possibly designed for incense, and an iron scourge or _flagrum_, one
of the dreadful instruments of torture used by the Romans, chiefly for
the discipline of slaves, but afterwards employed in the persecutions
of the primitive Christians. Lastly, it is not unworthy of note,
in passing, that in the foundations of the ancient Chapel of St.
Margaret, in the Castle, an early Romanesque work, there are bricks
which may possibly be only fragments of medieval floor-tiles, but
which more readily suggest the idea of their being traces of older
Roman buildings, similar to those which remained in the contemporary
Church of St. Michael at Inveresk, until its recent demolition, and
are still recognised amid the later masonry of Dumbarton Castle, the
THEODOSIA of Richard of Cirencester. Independently of this, however,
evidence enough has, I think, been adduced to establish the fact that a
Roman colonia existed on the site of Edinburgh. Yet it was not without
reason that this was assumed as probable by older Scottish antiquaries
in the absence of such proof, since the admirable military positions
presented by the locality are too obvious to have escaped the practised
eyes of the Roman engineers established on the neighbouring coast;
especially as they had previously been occupied by the native Britons,
as is manifest by the discoveries of their cists and cinerary urns, as
well as of their primitive weapons, in the immediate vicinity. Taking
these latter arguments into consideration, the mere fact of the Roman
roads from Newstead--and perhaps Curia--from Cramond and Inveresk,
all meeting in the valley between the Calton and the Castle Hills, is
of itself good presumptive evidence in favour of a Roman post having
occupied the site.

It need not excite surprise that traces of Roman occupation should be
found in localities unnoted in the pages of Ptolemy. We may rather
wonder that history should furnish the amount of information it
does regarding the brief presence of the legions in a country from
which they returned with such dubious accounts of triumph. Among the
Romano-British relics in the Museum of the Society of Antiquaries of
Scotland, are a circular bronze ornament, an elegant foot of a bronze
tripod in form of a horse's leg and hoof, and a small figure of Minerva
on a pedestal of brass gilt, measuring nearly three inches high, all
found at different times in East-Lothian. The last relic is not to be
compared, however, to another bronze in the same collection, a figure
of the goddess Pallas Armata, five inches in height, dug up in the
neighbourhood of the Kirkintilloch station on the Roman wall, and
presented to the Society in 1786. It is a beautiful work of art; but
the most remarkable feature about it is the spear which the goddess
holds in her hand, bearing an exact resemblance to the tilting-spear of
the middle ages.

[Illustration]

In the same collection are also preserved a bronze stamp, discovered
near the village of Carrington, Mid-Lothian, bearing the inscription,
which is reversed, in bold relief, TVLLIAE TACITAE; and a bronze key
of undoubted Roman workmanship, found within a camp-kettle, in a moss
near North-Berwick Law,--probably the same locality where a quantity of
bronze vessels were recently dug up, as already described. In addition
to these must be noted the exceedingly beautiful bronze lamp four and
three-fifth inches in length, figured on a previous page, found along
with a small and rudely executed bronze eagle, at Currie, Mid-Lothian.
These remarkable Roman relics will probably be considered sufficient
to establish the fact, that the Roman road had passed through that
line of country. They will add, however, only a very slight addition
to the unsatisfactory evidence on which the last named place has been
assumed to be the site of the Roman Curia--heretofore on little better
authority than the correspondence between the ancient and modern names.
Gordon describes another "most curious Roman lamp of brass, adorned
with a variety of engravings," found at Castlecary.[434]

"As you very well notice," writes Sir John Clerk to his friend and
correspondent Mr. Roger Gale, "Ptolemy mistook several Latin names
when he rendered them into Greek. Of this kind, as I suspect, is
his Πτερωτον Στρατοπεδον, _Castrum Alatum_, which our antiquarians
have applied to Edinburgh. I rather believe that the place designed
by Ptolemy is an old Roman station on the sea-coast, which we call
Cramond, and that it was anciently called, not _Castra Alata_ but
_Alatervum_, or _Castra Alaterva_." To this Mr. Gale replies, with
equally cogent arguments for restoring the Castra Alata to the winged
heights of Edinburgh, on which we need not enter here, having already
sufficiently discussed the question of the latter's claims as a Roman
site. While, however, Edinburgh has undergone the ceaseless changes
which centuries bring round to a densely populated locality, Cramond
was in all probability abandoned to solitude, or at most occupied by
a few fishermen's huts when deserted by its Roman founders. Hence the
traces of its ancient colonists have been discovered in great abundance
in recent times. An almost incredible number of coins and medals, in
gold, silver, and bronze, have been found at different periods, of
which Gordon mentions between forty and fifty of special note which
he examined in Sir John Clerk's possession. Sibbald, Horsley, and
Wood, all refer in similar terms to the valuable numismatic treasures
gathered on this Roman site, including an almost unbroken series of
imperial coins from Augustus to Diocletian; and thereby proving that
the ancient Alaterva had not been abandoned to utter solitude on the
retreat of Severus. Some rare and valuable medals have also been
discovered among its ruins, including one of the Emperor Septimius
Severus, inscribed on the reverse, FVNDATOR PACIS, and supposed to
have been struck to give the character of a triumph to the doubtful
peace effected by him with the Caledonians.[435] Three altars have
been found at Cramond; one sacred to Jove, one to the Deæ Matres of
Alaterva, and the third, figured by Horsley, and assigned by him, as
well as by later writers, to the favourite forest deity Silvanus. The
obvious resemblance, however, of the sculpture on the last altar to an
Anglo-Roman mosaic, now in the British Museum, representing the sea-god
Neptune with horns of lobster's claws, and dolphins proceeding from his
mouth, leaves little room for doubt that the colonists of the chief
Roman port on the Bodotrian Frith had more appropriately dedicated
their altar to the ruler of the waves.[436] The large altar found at
Cramond, dedicated to the Supreme Jove, formerly in the Advocates'
Library, and now deposited in the Scottish Antiquarian Museum, has been
frequently engraved. It is thus inscribed,--

                                 I O M
                            COH · V · GALL·
                            CVI · PRÆEST
                            IMINE · HONVIS
                            TERTVLLVS
                            PRAEF · V · SL
                                 L · M

Its well-known inscription is repeated here, in order to associate it
with another relic found at Cramond, probably prior to the discovery
of this altar, which attests the presence of the same Roman Prefect,
Imineus Honorius Tertullus, at the station of Alaterva. Among the
numerous Roman remains acquired by Sir John Clerk from this interesting
locality, and now preserved at Penicuick House, is a bronze stamp,
measuring two and three-eighths by one and a half inches. It is
surmounted by a crescent, and bears the words, in raised letters of
half an inch in height, TERTVLL. PROVINC. The inscription is reversed,
having evidently been designed for use as a stamp, and on the back
is a ring handle in form of a bay leaf. A centurial inscription of
the Second Legion, Augusta, a sculptured figure of the imperial eagle
grasping the lightning in its talons, with numerous carved stones,
bricks, flue-tiles, and pottery, have from time to time been recovered
on the same Roman site. To these may be added another inscription,
derived from the Morton MS., presented in 1827 to the Society of
Antiquaries of Scotland, by Susan, Countess-Dowager of Morton.

It is indorsed, "Ancient inscriptions on stones found in Scotland,"
and is supposed to have been written by James, Earl of Morton,
president of the Royal Society, who died in 1786. Some of the
inscriptions appear to have been derived from Camden and other
well-known authorities; but others, including the following imperfect
relic, are probably nowhere else preserved. Even in its extremely
mutilated and fragmentary state, it is, perhaps, not altogether
unworthy of preservation. It is thus described,--"This inscription is
on a stone on the east end of the church of Cramond, in West-Lothian,
[_Mid-Lothian_,] being three foot long, and one foot and a half broad,
having four lyons drawn on it, all being almost worn out,"

                       . . . . G PVBLIVS CR. . .
                       . . . IN POMPONIAN .  . .
                       . . . . . . . . . . . . .
                       . PAT · P · D · D . . . .

This inscription escaped the notice of Wood when preparing his history
of the parish, or was perhaps thought to be too imperfect to be worth
recording, and it now no longer exists.

Another Scottish stream bearing the name of the Almond forms a
tributary of the Tay, and is also associated, by the remarkable
discoveries on its banks, with the memory of the legionary invaders.
A Roman camp, once in good preservation, has been nearly obliterated
by the encroachment of the stream on its banks; but the changes
which destroyed its entrenchments have brought to light still more
satisfactory traces of their constructors. The most interesting of
these is a bar of lead of 73 lbs. weight, marked thus--[Illustration:
(X J XXXX II], beside which lay the remains of a helmet and spear,
nearly consumed by rust. Another stamped pig of lead was found at
Kirkintilloch, on the line of the wall; and examples from various
English localities, inscribed with the names and titles of Roman
Emperors, are preserved in the British Museum, and in private
collections. One of these, marked IMP. ADRIANI. AVG, supplies a new
argument relative to ancient British metallurgy. It was found near
the lead mines of Mr. More of Linley Hall, county Salop, where an old
drift, distinguished from those of modern date by various evidences of
imperfect mining, is still designated the Roman Vein. Ancient mining
tools have been found in it, and Sir R. I. Murchison states his opinion
that the block of lead is the product of the neighbouring British
mine.[437] Another pig of lead, with its Roman inscription partially
defaced by oxidation, was recently dug up at Chester, and is figured in
the Journal of the Archæological Association,[438] along with one found
at Broughton Brook, Hants, and still preserved at Bossington Park. The
latter is inscribed NERONIS. AVG. EX. KIAN. IIII. COS. BRIT., and
supplies a remarkably interesting example of the historical value
frequently pertaining to such relics. The inscription refers to the
Cangi or Kiangi, immediately prior to the reverses experienced by the
Romans from the courage and skill of the heroic Boadicea. The precise
date is furnished, Nero having been consul for the fourth time only the
year before; and it is suggested, with great probability, that this
block of lead was on its way for exportation, composing part of the
tribute, the harsh exaction of which contributed to incite the Britons
to resistance.

[Illustration]

Among minuter relics belonging to the same period, the dentated
bronze ring figured here, from the original in the Museum of the
Scottish Antiquaries, is worthy of some note from the rarity of such
objects in Britain. It was discovered near Merlsford, on the river
Eden, Fifeshire, and closely corresponds to another example found in
Suffolk, and figured in the Archæological Journal, where it is remarked
that objects of this kind are frequently met with in Continental
collections, but have rarely, if ever, been found in this country.[439]
They occur with one, two, and three rows of teeth. Sir Samuel Meyrick
describes them as dentated rings, the form apparently suggested by the
_Murex_ shell, and supposes them to have been attached to the whirling
arm of a military flail.

[Illustration]

But by far the most remarkable of the recently discovered remains
of the Roman occupants of Scotland is a medicine stamp, acquired by
the Society of Antiquaries of Scotland, along with a very valuable
collection of antiquities, bequeathed to them by E. W. A. Drummond Hay,
Esq., formerly one of the secretaries of the Society. From his notes it
appears that it was found in the immediate vicinity of Tranent Church,
East-Lothian, in a quantity of debris, broken tiles, and brick-dust,
which may not improbably have once formed the residence and laboratory
of Lucius Vallatinus, the Roman oculist, whose name this curious relic
supplies. It consists of a small cube of pale green stone, two and
three-fifth inches in length, and engraved on two sides as in the
annexed woodcut; the letters being reversed for the purpose of stamping
the unguents or other medicaments retailed by its original possessor.

[Illustration]

[Illustration]

The inscriptions admit of being extended thus on the one side:
L. VALLATINI EVODES AD CICATRICES ET ASPRITUDINES, which may be
rendered--The evodes of Lucius Vallatinus for cicatrices and
granulations. The reverse, though in part somewhat more obscure, reads:
L. VALLATINI A PALO CROCODES AD DIATHESES--The crocodes, or preparation
of saffron, of L. Vallatinus of the Palatine School,(?) for affections
of the eyes.[440] Both the Euodes and the Crocodes are prescriptions
given by Galen, and occur on other medicine stamps. Several examples
have been found in England, and many in France and Germany, supplying
the names of their owners and the terms of their preparations. Many of
the latter indicate their chief use for diseases of the eye, and hence
they have most commonly received the name of Roman oculists' stamps.
No example, however, except the one figured here, has ever occurred
in Scotland; and amid legionary inscriptions, military votive altars,
and sepulchral tablets, it is peculiarly interesting to stumble on
this intelligent memento, restoring to us the name of the old Roman
physician who ministered to the colonists of the Lothians the skill,
and perchance also the charlatanry, of the healing art.

A remarkable gold relic of a semicircular form was found in 1787 in
a moss on the borders of Moffat parish, Annandale, near the track of
the Roman way. It measured from three to four inches in length, but
was evidently imperfect, and had on the exterior edge an ornamental
raised rim, inscribed in characters perforated through the gold: IOVI.
AVG. VOT. XX. An exceedingly beautiful bronze flagon, twelve inches
in height, plated with gold, and of undoubted Roman workmanship,
discovered in the bottom of a small burn, on the edge of an extensive
moss, in the parish of Lesmahagow, Lanarkshire, is now in the Hunterian
Museum, and has been engraved in the Archæologia.[441] A pair of
patellæ, found near Frier's Carse, Dumfriesshire, in 1790, one of them
inscribed on the handle ANSIEPHARR, are also engraved and described in
the Archæologia.[442] Two others are noticed by Ure, which were found
in a chambered tumulus, in the parish of Rutherglen, and stamped with
the name of CONGALLUS. The handle of another of the same type, the name
on which is too indistinct to be deciphered, was found at a depth of
five feet in the Moss of Ballat, Stirlingshire, in 1849, and is now in
the Museum of the Scottish Antiquaries. In addition to these, among
the MSS. in the library of the Society, is a sketch of what appears
to be justly described as "one of the most elegant Roman cups ever
discovered in Britain, of the finest Corinthian brass, beautifully
embellished with a dance of the Bacchantæ in the centre, a wreath of
vine leaves tastefully encircling the neck in _alto relievo_, the
whole highly finished. It was found about nine feet under the surface
of Lochar Moss, Dumfriesshire, and long preserved in the family of
a gentleman in that county, but has now been lost sight of for some
years." The drawing, which is by Mr. W. S. Irvine, was forwarded to
the Society through the present Sir David Brewster in 1815, along with
sketches of Roman altars and other antiquities, and proposals for
publishing a work on the antiquities of what the author calls _Regnum
Cambrense_. The drawings are slight, and sadly out of perspective, but
they furnish some interesting materials relative to the Scottish Roman
invasion, which have escaped the notice of Stuart--the only writer who
has treated of the subject since their discovery. The vessel above
described is an exceedingly beautiful vase, with floriated handles,
curving up into birds' heads where they are attached at the lower
ends to the vase. Its dimensions are not given, and the sketch is
unfortunately too imperfect to be engraved.

Apart from the stations on the Antonine Wall and the fertile regions
of the Lothians, no district of Scotland has been so fruitful in
remains of Roman art and military skill as the country of the Selgovæ,
and especially Birrens, the supposed BLATUM BULGIUM of Antoninus.
To the materials for the Scoto-Roman history of this province I am
fortunately able to make additions from various sources. The following
tablet, thus oddly located in the Morton MS., belongs to the district
of the Selgovæ,--"This inscription is in a house of Jockie Graham's
in Eskdale, fixed in a wall, set up, as appears by the Legio Augusta
Secunda, in memorial of the Emperor Hadrian;"

                         IMP · CÆS · TRA · HAD
                             RIANO · AVG ·
                          LEG II · AVG · F ·

The successor of Trajan, we know, visited our island soon after his
accession to the purple, but he was hastily summoned away to quell an
insurrection at another extremity of his unwieldy empire on the banks
of the Nile, and was glad to abandon the line where Agricola had reared
his forts for that finally adopted by Septimius Severus as the northern
limit of imperial sway. Camden mentions an inscription, the counterpart
of this, dug up at Netherby,[443] and Pennant describes another nearly
similar, (possibly indeed the Eskdale tablet,) which he examined
among the antiquities at Hoddam Castle, Dumfriesshire.[444] All the
inscriptions, however, transcribed by the latter at Hoddam Castle, are
understood, where not otherwise specified, to be from the neighbouring
station of Birrens, in which case the Eskdale tablet forms an important
addition to the traces of the Roman Emperor's presence in Scotland.
It is curious that neither Pennant, nor Stuart in his more elaborate
Caledonia Romana,[445] makes any comment on the singular discovery of
a legionary dedication to the elder Emperor Hadrian, found thus far
within the transmural province of Valentia. The legionary tablets of
the Scottish Wall are its most interesting relics. Notwithstanding the
very great number of altars and other Anglo-Roman inscriptions found
along the line of the southern wall, only two or three have borne the
name of either of the Emperors by whom it was erected, and none of them
exactly correspond to the Scottish legionary stones. So rare indeed
are memorials of Septimius Severus, even in the south, that Gordon
characterizes the discovery by Roger Gale of one bearing the name of
that Emperor, in the foundation of Hexham Church, Northumberland, as "a
very precious jewel of antiquity."[446]

Leaving Eskdale for Annandale, we find ourselves within the
interesting locality which includes both the stations of Birrens and
Birrenswork Hill. Here have been discovered hypocausti, granaries,
altars; a ruined temple, with the full figure, as is supposed, of the
goddess Brigantia, inscribed with the name of AMANDUS the architect,
who erected it in obedience to Imperial commands; the pedestal and
torso of a colossal statue of the god Mercury; a mutilated statue of
Fortune, the fruit of a vow in gratitude for restored health, performed
by a Prefect of one of the Tungrian cohorts; a sepulchral tablet,
dedicated by her mother to the shade of Pervica, a Roman maiden who
faded under our bleak northern skies; with numerous other evidences
of an important Roman colonia. A few of the Birrens inscriptions and
other antiquities belong to the earlier years of the Roman presence in
Scotland, but the greater number appear to be clearly referrible to
the later era of the province of Valentia, subsequent to the retreat
of the Emperor Septimius Severus. This is proved by the debased style
of art which stamps nearly all the provincial Roman works of the third
and fourth centuries. Confining any detailed accounts, however, to
such relics as have not been previously described: in 1810 a beautiful
altar, dedicated to Minerva, was dug up at Birrens by Mr. Clow of
Laud, and is described in Mr. W. S. Irvine's MS. as serving (in 1815)
as the pedestal to a sun-dial in the garden of George Irving, Esq.,
at his seat of Burnfoot, near Ecclefechan. It measures fifty inches
in height by twenty-two inches in breadth, and about nine inches in
thickness, the back being as usual roughly cut for standing against
the wall. It presents an unusual display of ornament, being decorated
with vine leaves, birds, fishes, and various architectural details. The
inscription, which is in the highest state of preservation, is--

                                 DEAE
                               MINERVAE
                              COH II TVN
                                GRORVM
                              MIL EQ C L
                            CVI PRÆEST CS L
                              AVSPEX PRÆF

which may be rendered: DEÆ MINERVÆ, COHORTIS SECUNDÆ TUNGRORUM,
MILITIA EQUESTRIS CONSTANTINI LEGIONIS, CUI PRÆEST CAIUS LUCIUS AUSPEX
PRÆFECTUS. This altar remained a few years since, and I believe still
exists, as here described. But it is no solitary addition to the relics
of this second cohort of the Tungrians, whose memorials are even more
abundant than those of the Second Legion, Augusta, on the wall of
Antoninus. The Tungrians were among the first Roman legions to enter
Scotland, and appear to have been long stationed at Blatum Bulgium. It
was indeed to two Tungrian and three Batavian cohorts that Agricola
was principally indebted for his victory over Galgacus. The valuable
collection of Charles Kirkpatrick Sharp, Esq., includes three other
altars, found about the year 1812 at Birrens, all of them the fruits
of pious vows by the same Tungrian cohort. The largest of these is a
beautiful altar, in the very finest state of preservation, of which the
woodcut conveys a good idea. It measures fifty-five and a half inches
in height by thirty inches in greatest breadth at top, and twenty and
a quarter inches across the inscribed front. The inscription may be
thus rendered: MARTI ET VICTORIÆ AUGUSTÆ CENTURIÆ TIRONUM MILITUM IN
COHORTE SECUNDA TUNGRORUM, CUI PRÆEST SILVIUS AUSPEX, PRÆFECTUS. VOTUM
SOLVERUNT LUBENTES MERITO.

[Illustration]

The second of these altars found at Birrens is a small but neat one,
measuring thirty-six inches high, by fourteen and five-eighth inches in
greatest breadth, thus inscribed:--

                               DIB · DE
                                AB · Q
                                 OMNB
                                FRVMENT
                            IVS MIL COH II
                                TVNGR ·

It may be read: DIIS DEABUSQUE OMNIBUS FRUMENTIUS MILES COHORTIS
SECUNDÆ TUNGRORUM. The third altar, which is of simpler and ruder
workmanship, measures forty-three and three-quarter inches in height,
by twenty-three and three-quarter inches in greatest breadth. It
appears to be dedicated by Pagus Vellaus to one of those obscure local
deities, apparently provincial names with Latin terminations, which
are more familiar than intelligible to the antiquary. It belongs to a
class of Romano-British relics peculiarly interesting, notwithstanding
the obscurity of their dedications, as the transition-link between
the Roman and British mythology. These altars of the adopted native
deities are generally rude and inferior in design, as if indicative of
their having their origin in the piety of some provincial legionary
subaltern. In the obscure gods and goddesses thus commemorated, we
most probably recognise the names of favourite local divinities of the
Romanized Britons, originating for the most part from the adoption
into the tolerant Pantheon of Rome of the older objects of native
superstitious reverence. Another altar found at Birrens is sacred to
the goddess Harimella; but the most comprehensive, as well, perhaps,
as the most interesting inscription of the whole class, is that on
one of the altars of Marcus Cocceius Firmus, found at Auchindavy, and
dedicated GENIO TERRAE BRITANNICAE. With the exception of the name,
which adds a new one to our list of local divinities, the inscription
on the altar now referred to presents no unwonted difficulties. It
pertains, like the other Birrens altars, to the second Tungrian cohort,
and is thus inscribed:--

                              DEAE RICAGM
                              BEDAE PAGVS
                             VELLAVS MILIT
                              COH II TVNG
                                V S L M

Besides these interesting memorials of the Tungrians, Mr. Sharp
possesses a fourth altar from the same locality, which, though seen
by Pennant at Hoddam Castle, has been so inaccurately transcribed
by him, that it deserves a place among the unnoted Roman remains.
The inaccuracies, though great literally, are not of very essential
importance, except in the name assumed by the cohort, which he
renders NERVIORUM MILLE. It measures forty-eight inches in height,
by twenty-two and three-eighth inches in breadth at top, and is thus
dedicated to the fickle goddess:--

                               FORTVNAE
                                 COH I
                                NERVANA
                               GERMANOR
                                  EQ

By means of the Irvine MS. in the Scottish Antiquaries' Library,
another altar pertaining to the same cohort is recovered, dedicated
to the Father of Olympus. It is a plain squared stone, measuring four
feet in height, two feet in breadth, and thirteen inches in thickness,
without any ornament or moulding to relieve its bald form. It is
stated by Mr. Irvine to have been taken out of the heart of the wall
of the old church at Hoddam, when demolished, in 1815. The inscription
is complete, and clearly legible; the mark ∞ is by no means of rare
occurrence, signifying a thousand. Several of the letters in this, as
well as in some of the previous examples, are joined for the purpose of
abbreviation, but without affecting the reading.

                                 I O M
                           COH · I · NERVANA
                           GERMANOR · ∞ · EQ
                           CVI PRÆEST L FANI
                             VS FELIX TRIB

To these altars there only remains to be added another dedicated to
Jove, derived from the same MS. It was dug up in 1814, in what Mr.
Irvine describes as a small vicinal camp on the banks of the Kirtle,
near Springkell, the elegant mansion of Sir J. H. Maxwell, Bart. It is
of simple form, being relieved only by a small moulding a little way
from the top. But the thuribulum is very carefully executed, and on the
right side is a præfericulum sculptured in relief. The inscription is
slightly mutilated: I.O.M ...NINVS..I FECIT.PP.

[Illustration]

But besides these relics of Pagan worship, another sepulchral tablet
preserves a contemporary memorial of fraternal affection such as
pertains exclusively to no creed or time. It is figured on a note of
Mr. Irvine's, which appears to have accompanied the drawing of the
altar of Minerva, found at Birrens, and may therefore be presumed, like
that dedicated to the shade of Pervica, to have formed another of the
numerous Roman remains which attest the importance of the station of
Blatum Bulgium. It is thus dedicated to the manes of Constantia, the
infant daughter of Philus Magnius, who died at the age of one year,
eight months, and nine days,--apparently by her brother: assuming that
the letters on the pediment should be read, Frater fieri curavit.

These examples, while they serve to illustrate the traces of the Roman
invasion which are found in Scotland, furnish additional materials
for its history. The circumstances under which some of them have been
discovered, and the fact that so many unedited inscriptions should
remain to be described, after the very recent researches of the author
of the Caledonia Romana, may suffice to shew how many more such relics
must have disappeared from time to time, without an opportunity being
afforded to the archæologist of noting their pregnant records.

To these may be added the following meagre list of Potters'
Stamps,--all that I have been able to recover pertaining to Roman
Scotland. This, however, arises from no paucity of materials. Mr. C.
K. Sharp informs me that in his early years he remembers to have seen
large accumulations of broken Samian ware and other Roman pottery dug
up at Birrenswork. The same is also known to have occurred both at
Inveresk and Cramond; and during the progress of construction of the
Edinburgh and Glasgow Railway in 1841, a mass of debris about twelve
feet deep was cut through on the site of the Castlecary Fort, which
led to the exposure of a quantity of broken pottery, including some
very fine fragments of embossed Samian ware, now in the possession of
the Earl of Zetland, the owner of the ground. Had the person entrusted
by the noble proprietor to take care of any relics that might be
discovered, been sufficiently aware of the interest now attached to the
potters' stamps, a large addition to the Scottish list would probably
have been the result. As it was, however, he only served effectually
to prevent this being accomplished. My friend, Mr. John Buchanan, a
zealous Scottish antiquary, who visited Castlecary for the purpose,
was prohibited from touching anything within the charmed circle; and,
accordingly, these evidences of Roman art are mostly buried below
the railway embankment, for rediscovery by other generations, when
railway viaducts shall be as obsolete relics as Roman vallums now are.
Within the area of the station a neatly cut centurial inscription was
discovered, and is now preserved by the Earl of Zetland. It bears the
inscription,--COHORTIS SEXTÆ CENTURIA ANTONII ARATI, thus abbreviated:

                                CHO VI
                                Ↄ ANTO
                                ARATI.

It is only very recently, even in England, that the names of the
potters stamped on Roman fictile ware, have attracted much attention
or been carefully recorded. Through the exertions of Mr. Charles Roach
Smith and other zealous archæologists, we are now in possession of
ample means for comparing new discoveries with the potters' stamps of
London, Colchester, and York; but no collection of Scoto-Roman pottery
exists, so far as I am aware, with the exception of the few specimens
in the Museum of Scottish Antiquaries. The following _apology_ for a
Scottish list must therefore meanwhile suffice. It may perhaps form
the nucleus of a more ample one at a subsequent period, by which to
enable us to test the question of native or foreign manufacture, and
to trace out the sources from whence the Roman colonists of Britain
imported their finer fictile wares. The Scottish Museum furnishes a
few curious specimens from Castlecary, some of which are given here
in fac-simile. The first occurs on fine black ware, and looks like
the imperfect attempt of some native or provincial potter to imitate
a Roman stamp which he probably could not read. The second and third
may be most fitly described as cuneiform. The larger of the two is
on thin unglazed red ware. The fourth is on a patera of fine glazed
Samian ware, and furnishes a good example of the mode of joining the
letters together, with which English antiquaries are familiar, not
only on the pottery, but also on the altars and inscribed tablets of
the Anglo-Roman period. All these impressions are clear and distinct,
so that their peculiarities are designed. Two of the other Castlecary
stamps are furnished me by Mr. Buchanan, and the remainder are in my
own possession, having been picked up in the neighbourhood of the
railway embankment since its completion. For those from Newstead I am
chiefly indebted to Dr. J. A. Smith.

[Illustration]

  Castlecary.
  PATIRATI OF       SACIRAPO
  VNFO IO (?)[447]  AESTIV M
  IΛIV              PRISCVS F
  LIBER IM          Λ · I · BIN · I · M
  IRSECΛ            AHIM
  WILIIVI           [ΛEST][V]M

  Falkirk--On a Terra Cotta Lamp.
  MARCI

  Duntocher.
  BRVSC F[448]

  Cramond.
  CARVS F
  ADIECTI
  OF VΛLO
  OF IVCVN

  Birrens.
  SAC · EROR

  Newstead, near Eildon.
  W · SEC · V · F · O
  DVRIVS · F
  OXMII
  RVRFI · MA
  OIVSCI[448]
  CIVs[448]
  M · I · M[447]

A handle of a Scoto-Roman amphora in the Museum of the Scottish
Antiquaries, the exact locality of the discovery of which is unknown,
is stamped with the letters M. P. F. The Roman fictilia in the same
collection also include terra cotta lamps from several Scottish
localities. One of singular type, in the form of a broad leaf, with
the veins strongly marked in relief, was found at Chester Knowes, near
Chirnside, Berwickshire, the site as is believed of a temporary camp.
Another is from Castlecary, and a third from Birrens. Besides these,
various urns, lachrymatories, fragments of mortaria, amphoræ, and
Samian, and other wares, all suffice to shew the correspondence of the
Roman fictile ware of Scotland and England.

Such are some of the traces of the Roman occupation of Scotland. If we
believe the direct statements of the few classic historians who have
thought our northern region worthy of notice, the natives were in a
state of extreme degradation and barbarism. Yet from the same authors
we are able to discover that these barbarians fought in chariots, were
armed with swords, lances, bucklers, and poniards, and were capable
of offering the most formidable resistance to the veteran legions.
Still more, we find that the Caledonians never settled down either in
contented peace or in passive despair under the Roman yoke. Experience
of the legions did not intimidate them; and at length Septimius
Severus, one of the ablest of the Roman emperors, was compelled to
employ the arts of the diplomatist rather than of the soldier ere he
abandoned them once more to their wild freedom. We may indeed question
if this remote region could be worth the labour of conquest; but when
once occupied we see in the remains of Roman works abundant reasons
why the conquerors should wish to retain it. Our chief inquiry however
is, to what extent did this brief and partial Roman occupation affect
the native manners and arts? The answer, I think, must be, that its
influence was slight, partial, and transitory. Like an unwonted tide,
the flood of Roman invasion swept beyond its natural limits, disturbing
and unsettling many things long unaffected by change. But the tide
ebbed as rapidly as it had flowed, and at most only helped to prepare
the soil for a new growth. Neither the manners, the faith, nor the
social habits of these foreign occupants of the country could be at
all acceptable to the natives, though their superior arts and military
skill would not fail to be appreciated, and must have been turned to
good account. As, however, we have traced earlier arts and discoveries
passing onward from the south to the tribes of the north, and
effectually revolutionizing all their primitive habits: so, too, the
increasing civilisation of the Anglo-Roman provinces must have extended
its fruits beyond the wall of Severus, and effected a more immediate
and rapid change than the influence of the same Roman civilisation is
seen to have done on Ireland or Denmark, where no legionary invaders
ever constructed their intrenchments or established their colonies.

By far the most remarkable native structure which appears to be
traceable to the influence and example of Roman arts is the "Deil's
Dike," a vast rampart of earth and stone strengthened by a fosse, which
passes across many miles of country, through Galloway and Nithsdale.
This singular British vallum has excited much less attention than its
magnitude and great extent seem to demand. It has been traced through a
much larger district of country than the whole length of the Antonine
Wall; and though it lacks the historic interest of that structure,
and the valuable legionary inscriptions found along its line, it is
nevertheless a remarkable evidence of combined action and primitive
engineering skill. Mr. Joseph Train remarks of it,--"As it passes from
Torregan to Dranandow, it runs through a bog, and is only perceptible
by the heather growing long and close on the top of it; whereas, on
each side the soil only produces rushes and moss. Near the centre of
the bog I caused the peat to be cleared away close to the dike, and
thereby found the foundation to be several feet below the surface,
which appeared to me a sure indication of its great antiquity." This
ancient wall measures eight feet broad at the base, and is mostly built
of rough unhewn blocks of moorstone or trap. In districts where stone
is more inaccessible it is constructed of stones mixed with earth and
clay, and at some few points it is entirely of earth. It has been
strengthened at intervals with fortified stations, like the Roman walls
from which its model is supposed to be derived. One of these, on the
height above Glendochart, is a circular fort 190 yards in diameter.
Another fort is situated on a well-chosen, commanding height, called
the Hill of Ochiltree, on the east side of Loch Maberrie. The fosse,
which is still traceable along a great part of the wall, is on its
north side, from whence we are justified in inferring that the vallum
was reared by the natives of the southern districts. It is, of course,
impossible to assign the age or the builders of this ancient structure
with absolute certainty. History is utterly silent on the subject; and
it is a fact well worthy of note, in reference to previous remarks on
the possibility of many noteworthy deeds having passed unchronicled to
oblivion, that everything connected with this defensive erection is
involved in the darkest obscurity. The very name which ascribes its
origin to the Master Fiend shews how completely tradition has lost
every clue to its builders. Yet the civilisation which led to such
combined exertion as was needed both for the erection and defence
of such an extent of wall must have been considerable. History has
doubtless burdened itself with the charge of many meaner themes. The
correspondence of the general design to the two Roman walls seems very
clearly to point to its erection by the southern Britons after the
departure of the Romans, when we know that they frequently suffered
from inroads of the northern tribes. The circular forts along the
line of the Deil's Dike also furnish a curious link connecting it
at once with the older Roman and native military works, while they
present a striking contrast to the camps and wall stations of the Roman
legionaries.

Cæsar refers to the Britons in his time as using imported bronze.
But he had no personal knowledge of the south-western districts of
England, where copper and tin had been wrought for ages prior to
the Roman invasion. Whether iron was manufactured in Britain before
the Roman Invasion it is now perhaps impossible to ascertain, but
the familiarity of the Romans with the mineral wealth of England at
an early period gives some probability to the supposition that they
found native workings of iron and lead as well as of tin and copper.
Tacitus refers in general terms to the metallic wealth of Britain;
Pliny alludes to the smelting of iron; and Solinus speaks of its use
in the manufacture of weapons and agricultural implements. But whether
the Romans originated, or only followed up the native workings, in
mining for lead and iron, it is unquestionable that they gave a new
impetus to the application of the metals to economic purposes. Roman
pottery and glass, coins of Nero, Vespasian, and Diocletian, and other
undoubted evidences of a Roman origin, have been discovered among
the accumulated beds of scoriæ and other refuse of ancient forges in
Sussex. Similar traces of iron-foundries accompanied with Roman coins
have been observed near the wall of Hadrian, in Yorkshire and other
counties. Two altars found at different times, the last at Benwell,
in Northumberland, dedicated to Jupiter Dolichenus, the protector of
iron-works, add still further evidence of the extent to which this
useful metal was wrought during the Anglo-Roman period.[449]

The forest of Dean also is familiar to English archæologists for its
extensive mines and shafts, its beds of scoriæ, and other remains of
ancient forges, among which have been found unquestionable traces of
the Roman presence. Similar works are not to be looked for in Scotland,
where no indisputable traces have yet been detected even of the working
of the superficial clay. Many remains of ancient forges are, however,
known in various districts both to the north and south of the Antonine
Wall, though generally unaccompanied by relics which can enable us to
assign them unhesitatingly to any precise period. The traces of an
extensive iron forge are still obvious on the "Fir Isle," a peninsular
promontory on the Carlinwark Loch, Kirkcudbrightshire, a locality
peculiarly rich in its stores of archæological relics, including even
the rude primitive canoes and other records of the primeval era. During
the construction of the great military road through the same district,
a large mound was levelled at a place called "Buchan's Croft, near
the three thorns of the Carlinwark," which proved to be a mass of
scoriæ and cinders, such as are generally left from a forge. This the
ancient traditions of Galloway assign to a comparatively recent date,
marking it as the spot where the famed Scottish cannon Mons Meg was
manufactured in the fifteenth century.[450] Similar remains in the
Roman districts of Lanarkshire are unhesitatingly attributed, in the
Old Statistical Account of the parish of Dalziel, to operations of the
Roman colonists:--"The great Roman highway, commonly called Watling
Street, went along the summit of this parish from east to west, but
its course is now much defaced by modern improvements. In one place,
however, near the centre of that parish, it has been preserved entire,
so as to point out the line to after times; the cross stone, the emblem
of the baron's jurisdiction, being placed upon it, and that fenced by a
large clump of trees planted around. At this place lies a large heap of
the cinders of the Roman forges still untouched."[451]

In many of the uncultivated districts of Scotland iron ore occurs in
the forms already noted as the most easily adapted for conversion into
metal; and it is by no means improbable that such sources may have
supplied it to the Celtic metallurgists, long before they had learned
the difficult processes requisite for converting the native iron-stone
into metal. Whencesoever the art was derived, numerous Highland
traditions and even the names of particular localities point to the
excellency of the ancient Celtic smiths. In Blair-Atholl, for example,
a district abounding with cairns and other primitive memorials, is
_Dail-na-Cardoch_--the dale of the smith's shop, or rather of the iron
work; and _Dail-na-mein_--the dale of the mineral. "Near these," says
the old Statist of the parish of Blair-Atholl, "and along the side of
the hill, down to Blair, are still to be seen the holes wherein they
smelted the iron ore." Similar pits scattered over the northern moors
are described as the kilns in which peats were charred for smelting.
"There is still to be seen in Glenturret," says Logan in his Scottish
Gael, "a shieling called Renna Cardick--the smith's dwelling--with
the ruins of houses, heaps of ashes, and other indications of an iron
manufactory. Old poems mention it as a work where the metal, of which
swords and other arms were made some miles lower down the valley, was
prepared. In Sutherland also are distinct marks of the smelting and
working of iron with fires of wood."[452] In Islay is still shewn the
spot where stood the forge of its once celebrated smiths, and the rocks
from whence the iron was dug which they fabricated into the renowned
"Lann-Ila," or Islay blades.[453] In the _Sean Dana le Oisian_ also
occurs the elaborated poetic description of the ancient bow and quiver,
concluding _'S ceann o'n cheard Mac Pheidearain_; _i.e._, and the
head of the arrow from the smith MacPhedran. Among the curious relics
preserved in the Museum of the Scottish Antiquaries is the rude pair
of iron forge-tongs figured above. They measure thirty and a half
inches in length in their present imperfect state, and are described
in the minutes of the Society as having been discovered buried under
the steep bank of a river in Glenorchy, thirty feet below the surface.
It is farther added, in the neighbourhood of the spot great quantities
of charcoal were found, and other indications that anciently there had
been a smelting work there, though no trace of it now exists in the
history or traditions of the country.

[Illustration: Iron Forge-Tongs.]

FOOTNOTES:

[407] Collectanea Antiqua, vol. i. p. 144.

[408] Roy's Military Antiquities, p. 116.

[409] Archæol. Scot. vol. ii.

[410] Historical Inquiries, p. 41.

[411] Biblo. Topog. Britan. vol. ii. p. 385.

[412] Caledonia Romana, p. 270. I am informed, however, by Sir George
Clerk, Bart., of Penicuick, that the author of the _Itinerarium
Septentrionale_ was originally a teacher of music at Aberdeen, and
according to the traditions of the Penicuick family, was usually known
by the name of _Galgacus_, being no doubt apt to carry his enthusiasm
for his favourite hero of Mons Grampius to an extent somewhat amusing,
if not troublesome, to friends and patrons.

[413] Roy's Military Antiquities, p. 152.

[414] Caledonia Romana, p. 305.

[415] The preservation of this Scoto-Roman relic is due to the zeal of
John Buchanan, Esq., its present possessor, who secured it after it had
been in vain offered to the curators of the Hunterian Museum, as an
appropriate addition to its Roman collection.

[416] Wordsworth.

[417] C. R. Smith, no mean authority on such a subject, defends
the authenticity of Richard of Cirencester in his recent valuable
work on "The Antiquities of Richborough, Reculver, and Lime," p.
177. The illustrations of our Northern _itinera_ have led me to an
opposite conclusion; but even should the genuineness of the "_De Situ
Britanniæ_" be established, its value to Northern antiquaries must
still be open to question.

[418] Roy's Military Antiquities, p. 116.

[419] Caledonia Romana, p. 150.

[420] _Ante_, p. 87.

[421] _Ante_, p. 171.--I am indebted for much of the information
relative to the recent discoveries at Newstead, to the notes and
personal observations of Dr. J. A. Smith, and to John Miller, Esq.,
C.E., in whose possession the spear now is. The dimensions of the skull
are given in the table of cranial measurements, p. 166, No. 16.

[422] D. M. Moir, (_Delta_,) in a communication to the Society of
Antiquaries of Scotland.

[423] Gough's Camden, vol. iii. p. 304.

[424] Sibbald's Historical Inquiry, p. 41.

[425] Itinerarium Septentrionale, Appendix, pp. 180-183.

[426] I owe this information to Mr. A. Handyside Ritchie, the
well-known sculptor, who examined the Roman ware while in Mr.
Sivright's collection. Probably all record of its locality has been
lost sight of by its new possessor, if indeed it has been preserved.

[427] In 1846 Mr. Brown presented to the Society of Antiquaries of
Scotland "a stone ball, found at the Trinity Hospital, three feet below
the surface, and upon a piece causeway." Minutes of Society, 21st Dec.
1846.

[428] Memorials of Edin. vol. ii. p. 176.

[429] Itiner. Septent. p. 117.

[430] Memorials of Edinburgh, vol. ii. p. 50.

[431] "About this time it would appear that Julia, the wife of Severus,
and the greatest part of the imperial family, were in the country
of Caledonia; for Xephilin, from Dio, mentions a very remarkable
occurrence which then happened to the Empress Julia and the wife of
Argentocoxus, a Caledonian," &c.--Itiner. Septent. p. 104.

[432] Memorials of Edinburgh, vol. ii. p. 34.

[433] Biblio. Topog. Britan. vol. ii. p. 348.

[434] Itiner. Septent. p. 57.

[435] Sibbald, p. 83; Itiner. Septent. p. 117; Horsley, p. 205; Wood's
Cramond, p. 4; Caledon. Romana, p. 163.

[436] Archæologia, vol. xviii. p. 120.

[437] Silurian System, p. 279.

[438] Archæol. Journal, vol. v. p. 226.

[439] Archæol. Journal, vol. vi. p. 181.

[440] A PALº may either refer to the school of the Mediciner, and
signify _of Palermo_, _Palatino_, or the like; or, as is perhaps more
probable, it is the _Crocodes of Palermo_, or elsewhere. Between
sixty and seventy of these medicine stamps are now known, and two
specimens of pottery have been found in France impressed with similar
prescriptions,--evidently the vessels in which the preparations were
preserved.

[441] Vol. xvi. Plate LI.

[442] Vol. xi. p. 105.

[443] Camden, p. 834.

[444] Pennant's Tour, vol. iii. p. 411.

[445] Caledonia Romana, p. 129.

[446] Itiner. Septent. p. 84.

[447] Amphoræ.

[448] Mortaria.

[449] M. A. Lower on the Manufacture of Iron in Britain by the Romans.
Journal of the Archæological Association, vol. iv. p. 265.

[450] New Statistical Account, vol. iv., Kirkcudbrightshire, p. 159.

[451] Sinclair's Statistical Account, vol. iii. p. 458.

[452] Logan's Scottish Gael, vol. ii. p. 195.

[453] Stuart's Costume of the Clans, Introd. p. li.




CHAPTER III.

STRONGHOLDS.


Next to the sepulchral monuments and the temples of remote ages, the
fortifications frequently furnish the most durable and characteristic
evidences of skill, and of the civilisation of the era to which they
belong. In the Great Valley of the Mississippi, after Anglo-Saxon
colonists have for upwards of two centuries been effecting settlements
on the soil of the Red Indian, and obliterating every trace of
him by their more enduring arts, the burial mounds and the forts
of a race still older than the Red Indian remain to attest the
pre-existence of civilisation in the American continent. Here, too,
where for nine centuries at least, we can find authentic records
of builders, sculptors, ecclesiastical architects, and military
engineers, fashioning rude materials into goodly fabrics, of which
traces are still discernible: we also can discover the wrecks of older
structures reared in those dim and remote eras, into the secrets of
which we long to penetrate. "How cold is all history, how lifeless
all imagery, compared to that which the living nation writes, and the
uncorrupted marble bears! How many pages of doubtful record might we
not often spare, for a few stones left one upon another! The ambition
of the old Babel-builders was well directed for this world. There
are but two strong conquerors of the forgetfulness of men, Poetry
and Architecture; and the latter in some sort includes the former,
and is mightier in its reality. It is well to have not only what men
have thought and felt, but what their hands have handled, and their
strength wrought, and their eyes beheld all the days of their life.
The age of Homer is surrounded with darkness, his very personality
with doubt. Not so that of Pericles: and the day is coming when we
shall confess that we have learned more of Greece out of the crumbled
fragments of her sculpture, than even from her sweet singers or soldier
historians."[454] The Scottish "Caterthun" is no Athenian Acropolis,
and our monolithic temples, though not ineloquent memorials of their
builders, must rank with the primeval cyclopean structures of Greece,
and not with her Parthenon or Colonna. But the aboriginal strongholds,
though mostly of a sufficiently rude and primitive character, must
not be overlooked in reviewing those "conquerors of the forgetfulness
of men." The construction of offensive and defensive weapons is one
of the earliest evidences afforded by man, in a savage state, of that
intelligence and design by which he is distinguished from the brutes.
Domestic and social relationships follow, from whence spring society,
ranks, laws, and all the primary elements of civilisation. Among the
first indications of such progress is the union for mutual defence, and
the erection of strongholds for the safety of the community and the
protection of property when threatened by invading foes. Herein lie the
essential rudiments of a commonwealth, when the weal of the community
and of its individual members have been recognised as the same.

A very slight review of the more simple class of British hill-forts
will suffice, since we fortunately possess, in many of the contemporary
records already described, more precise and definite history than
they can now yield. It is for this reason that all notice of the
aboriginal strongholds has been reserved till now, though it cannot
admit of doubt that some of the simplest of them are contemporary
with the pit-dwellings of the Stone Period, while others manifest
such improvements as seem best to accord with the arts and weapons of
the Archaic era which succeeded. Of these we have the circumscribed
mote-hill or earthen-mound, steeply escarped, and with the remains
of its little vallum of earth surmounted originally by the stronger
palisades for which the neighbouring forest supplied abundant material.
Nearly akin to these are the small circular forts of earth and loose
stones which still crown the summits of so many Scottish hills; their
lofty sites having secured them from the inroads of the agriculturist,
while his aggressive ploughshare has obliterated all traces of the
far more skilfully constructed Roman camp and military road which
once occupied the neighbouring valleys. Within the area of some of
these, or scattered about their neighbourhood, flint arrows and other
primitive weapons have been frequently found, accompanied occasionally
by more valuable relics. On removing, in 1830, the rich black mould
nearly filling the trenches of three such forts, the remains of which
still crown the ridge of a rising ground above the valley of Dalrymple,
Ayrshire, human skulls and bones, deer's horns, and a horn-lance or
spear-head of primitive type, were discovered. Similar records of the
aboriginal fort-builders must no doubt frequently be turned up in the
course of agricultural operations: but they can only tell us what is
already obvious, that this class of strongholds, or duns, as they are
locally termed, pertain to a people whose arts were still in their
infancy. Some, however, of the small hill-forts must be regarded as
the mere temporary lodge-ments of British outposts, in times of actual
open war. Of this class probably are the earth-works on the summit of
Birrenswork Hill, in Annandale, while the more extensive intrenchments
of the Roman legions occupy the level areas at its base. Similar works
are also to be met with in the Western Highlands. At Knoc Scalbert,
near Campbelton, Argyleshire, is a fort of larger size and more
complicated design, covering an area of about fifty paces in diameter;
but the neighbouring heights retain the traces of the smaller outpost
stations, indicative, when thus found in combination, of considerable
skill and warlike strategy. Such also may be presumed to be the origin
of these small hill-forts, where we trace a line of them on a series
of successive heights, as may be seen on the Lammermoors and in other
Scottish districts, and is especially noteworthy along the southern
<DW72>s of the Kilsyth and Campsie hills, immediately to the north of
the great Roman wall. These are obviously the outposts of the hardy
Caledonian, from whence he watched his opportunity for some sudden
foray or midnight surprise of the garrisons occupying the stations
along the wall, and which he maintained with such persevering success
that the Roman conquerors had at length to give way, and to fix the
northern limits of empire on the older line of Hadrian, between the
Solway and the Tyne.

The circular British forts or camps surmounting the heights of
Galloway and the Lothians, and more or less common in nearly every
district of Scotland, generally occupy an area of from three hundred
to four hundred feet in diameter, and are inclosed with ramparts of
earth and stone, or occasionally entirely of loose heaps of stone,
which have lost through time every trace of any definite form of
masonry they no doubt once possessed. But the subject has already
been treated of with ample details in Chalmers' Caledonia;[455] and
little that is worth recording can be added to his careful researches.
Roy also includes the most important of these native strongholds in
his "Military Antiquities," superadding to his descriptions, plans
and sections, by which a very perfect idea can be formed of their
original design. These include Wood Castle, a very remarkable circular
fort near Lochmaben, in Annandale,[456] which General Roy describes
as a Roman post, though it differs in every possible feature from
any known example of Roman castrametation. That it is a British
stronghold is not now likely to be called in question. It bears,
indeed, a singularly close affinity to the circular earth-works which
so frequently accompany the Scottish monolithic circles. Others of the
supposed Roman forts bear scarcely less conclusive marks of native
workmanship, as the intrenched post on Inch Stuthill, near the Tay,
(_Plate_ XVIII.;) Liddell-Moat, near the junction of the Liddel with
the Esk, (_Plate_ XXIII.;) Castle Over, situated on a high point of
land, formed by the junction of the Black and White Esks, (_Plate_
XXVI.) supposed by Roy to be the Roman Uxellum; and Burgh-Head, on the
Murray Frith, (_Plate_ XXXIII.) which he unhesitatingly assigns as
the Ultima Pteroton of Richard of Cirencester, and the Alata Castra
of Ptolemy. All of these bear a curious general resemblance to some
of the aboriginal forts of the Mississippi Valley; thus affording,
under another aspect, evidence of the mind of man operating in the
same way when placed in similar circumstances, and with a force not
perhaps greatly differing from the unerring instincts of the lower
animals. The last example, that of Burgh-Head, possibly includes some
remains of Roman works. The straight wall and rounded angles, so
characteristic of the legionary earth-works, are still discernible, and
were probably much more obvious when General Roy explored the fort; but
its character is that of a British fort, and its site, on a promontory
nearly inclosed by the sea, is opposed to the practice of the Romans
in the choice of an encampment. The remarkable general correspondence
of the Scottish "Deil's Dike," described in the last chapter, to the
Scoto and Anglo-Roman walls, proves that the native Britons were not
slow to avail themselves of the superior engineering skill of the
invaders, displayed in military works of more importance than the
mere rectangular vallum.[457] The fortifications here specified are
not, however, to be classed with the simple circular hill-forts first
noted, wherein we trace the mere rudimentary efforts of a people in the
infancy of the arts. They display equal skill in the choice of site,
and in the elaborate adaptation of their earth-works to the natural
features of the ground. Though undoubtedly of native workmanship many
of these are not improbably contemporary erections thrown up by the
native Caledonian to withstand the encroachments of the Roman invader.

But the most remarkable British fort to the north of the Tweed, if
not indeed in the whole island, is that which crowns the summit of
Caterthun, looking across the valley of Strathmore. Two neighbouring
heights are occupied with British forts. The larger of these, called
the White Caterthun, from the colour of its walls, is an elaborate,
skilfully constructed stronghold, which must have formed a place of
great strength when held by a hardy and well-armed native garrison.
It is of an oval form, inclosing an inner area of four hundred and
thirty-six feet in length, by two hundred feet in breadth. But this
only constitutes what may be regarded as the citadel. Beyond it a
succession of ramparts and ditches surround the height at lower
elevations, including a much larger area, and affording scope for a
more numerous body of defenders. The hollow is still visible, though
now nearly filled up, which was once the well of the fort, and probably
this strength was maintained as a rendezvous and place of temporary
retreat for the entire population of the surrounding district. The
White Caterthun has been repeatedly engraved, and its construction
and details will be best understood by a reference to the plans and
sections in Roy's Military Antiquities.[458] The Brown Caterthun, which
crowns another hill about a mile to the north, is also a specimen of
ingenious native fortification. Its ramparts are nearly circular, and
a series of concentric intrenchments extend down the <DW72>s of the
height.[459] Both of these native military works have been constructed
with immense labour. The astonishing dimensions of the rampart of the
former, composed of an accumulation of large loose stones, upwards of
a hundred feet thick at the base, and fully twenty-five feet thick at
the top, with its extensive lower earth-works and ditches, excite
surprise and wonder in the mind of every observer. General Roy remarks
after a careful survey of it,--"The vast labour it must have cost to
amass so incredible a quantity of stones, and carry them to such a
height, surpasses all description."

Another remarkable hill-fort of the same class is at the Barmekyn of
Echt, in Aberdeenshire; and at Dundalaiv, on an unusually steep and
rugged height in Glenshiora, Badenoch, is one smaller, but perhaps
more striking, from the superior masonry of its walls. These are from
twelve to fourteen feet in thickness, and being built of thin flat
schistose slate, the walls remain in parts fully fourteen feet high,
and apparently as perfect as when first erected. The inclosed area of
this ancient fortress also contains a well, and considerable ingenuity
has been shewn in strengthening the weaker points of the position.
Altogether, it is the most perfect relic of a British stronghold of the
class that I know of in Scotland.

The so-called "Vitrified Forts" of Scotland which have been the subject
of so many ingenious and baseless theories, form another interesting
class of native works. Attention was first drawn to them by Mr. John
Williams, in his "Account of some remarkable Ancient Ruins, lately
discovered in the Highlands and northern parts of Scotland," published
in 1777. Mr. Williams had been employed by the trustees of the Scottish
estates forfeited in the last rebellion, to superintend some operations
in his capacity of a civil engineer, and in the course of this he for
the first time investigated the singular remains to which he gave
the name of Vitrified Forts. So entirely new was the discovery that
it was generally received at first as an extravagant fiction, and
no London publisher could be persuaded to undertake the publication
of Mr. Williams's Account. His facts, however, proved indisputable,
and theorists thereupon undertook to combat his conclusions, and to
assign to the supposed forts a volcanic origin. The appearance of some
of the most remarkable of these works is well calculated to sustain
such a theory. The fortified area on the Top-o-Noth, near the village
of Rhynie, Aberdeenshire, for example,--one of the most remarkable
specimens of a vitrified fort in Scotland,--could not be more
accurately described than by comparing it to the crater of an extinct
volcano.

Since the first announcement of Mr. Williams's remarkable discovery
there has been no lack of observation or controversy on the subject,
though not always with very satisfactory results. In 1825 the Society
of Antiquaries of Scotland directed special attention to it, and the
results of a series of careful investigations are published in the
fourth volume of the Archæologia Scotica, made chiefly under the
direction of the late Dr. Samuel Hibbert, one of the secretaries of
the Society, and further qualified for the duty as an experienced
practical geologist. The fruit of these investigations may be thus
stated:--Dr. Hibbert arrives at the conclusion that the vitrification
is an incidental and not a designed effect,--having formed no part
of the process of erection of the forts or cairns on which it is now
traceable, but resulting accidentally from the frequent kindling
of beacon-fires as the signals of war or invasion, as well as from
bonfires which formed a part of festive or religious rejoicings; and
indeed from numerous independent causes, probably no less widely
dissimilar in dates than in origination. The nature of the sites,
also, where vitrification has been detected proves that it is by no
means confined to fortified positions; nor when it does occur on such
is it generally found diffused throughout the ramparts of stone, or
even restricted to their limits. Dr. Hibbert accordingly rejects the
name of _vitrified fort_ for the more comprehensive and untheoretical
one of _vitrified site_, as most descriptive of remains which appear
to include small inclosures for the protection of beacon-fires; sites
of bonfires periodically lighted at the ancient places of rendezvous
for tribes or clans; and hearths of fort-beacons and signal-fires,
occasionally occupying not the ramparts but the ditch.

The only argument which tends to throw any doubt on the result of Dr.
Hibbert's conclusions is that of Dr. Macculloch,--a shrewd observer,
little inclined generally to extend toleration to any antiquarian
hobbies but his own,--who affirms, that in situations where the most
accessible materials for constructing a stone fort are such as are
incapable of being vitrified, suitable materials have been selected
and brought with considerable labour from a distance.[460] But the
evidence of design in the choice of such materials is by no means
apparent. The examples referred to by Dr. Macculloch only confirm the
fact, already familiar to the chemist and geologist, that there are
very few districts in Scotland where rocks do not occur capable of
being more or less vitrified. This subject is fully illustrated by an
interesting series of experiments carried on by Sir James Hall, towards
the close of last century, with a view to test some of the geological
theories in reference to the igneous formation of rocks, which then
furnished a fertile theme of controversy between the disciples of
Werner and Hutton.[461] All the varieties of trap are so peculiarly
susceptible of fusion, that they have been recently selected as the
most efficient and economical flux in the smelting of copper ores. I
am indebted to Dr. Francis Hay Thomson, the inventor and patentee of
the ingenious application of the common rocks to this novel purpose,
for communicating to me the results of his experiments. His invention
chiefly consists in "the application of what are commonly called
whinstones, and of other stones similar to whinstone--such as trap,
basalt, sienite, and the like, being fusible silicates, as a flux
in the smelting of copper ores." He has found all these materials
capable of easy and complete fusion in a reverberatory furnace; but
a much more moderate degree of heat would suffice to produce the
conglomerated masses usually found on vitrified sites, where the larger
stones are merely inclosed and cemented together by the fused matter.
In reply to inquiries as to the probable effect of bale-fires kept
blazing repeatedly on the same ramparts or heaps of stones, where a
gradual accumulation of ashes from the burning pile must fill up the
intervening spaces, and supply a flux capable of combining for the
ultimate fusion of the whole, Dr. Thomson remarks:--

    "Granite is _per se_ very infusible; that of Aberdeen almost
    entirely so, in consequence of the presence of an overplus of
    silica. Sandstone is _per se_ quite infusible, being almost
    entirely silica. Your supposition may, however, be correct,
    for the addition of the alkali produced from the wood-ashes
    would much assist the fusion of all kinds of stone that might
    be used in building these forts. Whinstone contains at least
    four per cent. of pure soda, fifteen of iron, and from twelve
    to twenty of lime. All these form a most fusible mixture, and
    the silica present is only in such proportion as is necessary
    for vitrification. Limestone is of itself not fusible except
    at a very high temperature; but the addition of either iron or
    soda with silica renders it at once vitreous. Although I am
    not certain as to the exact degrees of heat requisite for the
    fusion of these materials, I may mention that, in an ordinary
    reverberatory furnace, I have fused five cwt. of whinstone in
    one hour and a half, the product being a dark mass similar to
    bottle-glass; and I have no doubt, were proper precautions
    taken, that large slabs might easily be moulded for building
    purposes."

The degree of heat attainable in a reverberatory furnace manifestly
greatly exceeds any temperature that could be produced by an exposed
fire of wood; but the usual appearance of the vitrified masses found
on the sites of forts or beacon-hills is such as proves them to be
the product of a more moderate heat. The larger pieces are not fused
into a homogeneous mass, but blocks of trap, granite, and sandstone,
or occasionally all three in juxtaposition, are enveloped in a
vitrified coating of irregular thickness, and bound into a solid piece
by this extraneous substance. The alkali supplied by wood-ashes is
abundantly sufficient to produce such a result. Carbonate of potash
in contact with trap will readily melt at a red heat, and has a
power of uniting with the constituents of the trap to form a fusible
compound which hardens into glass in cooling. Fire-clay, which is
altogether infusible, and less liable to be affected by heat than most
of the known natural rocks, is employed on this account in making
the chemists' crucibles; but if an alkali is melted in a fire-clay
crucible, it forms a vitreous covering on the surface, and where
large quantities are used even goes through the crucible. This is a
fact familiar to the chemist, and so impossible is it to keep fused
alkalis in contact with silicates, that only crucibles of platina or
silver can be used for the analysis of silicious minerals. In this way
even sandstone, though _per se_ infusible, is perfectly capable of
vitrification, and indeed is, under certain circumstances, peculiarly
susceptible of it, as its great porosity admits of the ready absorption
of the melted alkali.

This susceptibility of the degree of fusion usually observable
on vitrified sites, which trap and others of the common rocks of
Scotland possess, has long been recognised by able chemists; and
when it is taken into consideration along with the very diversified
and dissimilar circumstances under which vitrification has been
observed, the conclusion seems inevitable, that it is an incidental
and not a designed result of the application of fire. But neither the
interest nor the importance of this inquiry is exhausted when we have
established the undesigned origin of vitrified sites. The question
still remains,--Are they peculiar to Scotland? because, even if we
reject the idea that the cementing of stone buildings by means of fire
is among the _artes deperditæ Scotiæ_, still the discovery of so many
vitrified sites in nearly every district of Scotland, would seem to
indicate the practice of peculiar customs and observances during those
early centuries in which the primeval forests furnished an unlimited
supply of fuel. It is at all times a precarious and unsatisfactory
basis of argument which depends chiefly on the absence of contrary
evidence. Nevertheless it is worthy of some note, that although upwards
of seventy years have elapsed since Mr. Williams published his account
of vitrified forts, no single example, so far as I am aware, has been
discovered south of the Tweed.[462] This cannot be ascribed to the
subject being one of mere local or temporary interest. It has excited
much controversy, not only among English antiquaries, but among the
students of various kindred sciences; and while the geological features
of some districts preclude the possible existence of such structures,
it will, I think, involve very important conclusions as to the peculiar
customs of the early Caledonians, if it be recognised as an established
fact, that neither in the Welsh Highlands nor in the stone districts
of England, are any traces of vitrified forts or sites visible. It has
been the fashion of late years to give the whole question the go-by
in very summary terms as one that has already commanded undue notice.
Such, however, is a more convenient than satisfactory mode of dealing
with the inquiry. Dr. Hibbert has appended to his "Observations on
Vitrified Forts," a list of forty-four sites already noted, extending
over twelve Scottish counties, including the most northern and the
most southern districts of the kingdom. To these others have since
been added, both north and south, in the Orkney Islands, and in the
vicinity of Jedburgh, near the English border. It will suffice,
meanwhile, to note these facts, in the hope that English Archæologists
may, on fitting occasion, seek a reply to the inquiries which they
involve:--Were the southern Britons, whether Celtic or Saxon, or the
intruding Scandinavians or Gauls, wont to kindle bayle or beacon-fires
on cairns, forts, or elevated sites, with such frequency as to leave
similar traces to those which are so common in Scotland? Or must we
infer that these abundant remains are the result of ancient rites and
customs peculiar to the races of the northern kingdom?

Dr. Hibbert has already invited the investigations of Scandinavian
Archæologists, with a like view, anticipating, from the notices of
Olaus Magnus, Snorro, and others, that vitrified sites should be found
on the mountain tops in Norwegian provinces. Nineteen years have
elapsed since Scottish Antiquaries appealed to those of Scandinavia for
a reply. They have not been unmindful of the interests of archæological
science in the interval, but still we wait in the uncertain negative
which their silence furnishes; casting, meanwhile, some curious
thoughts backward on the old Scottish festival of Beltane, and its
apparent affinity to the rites of the Assyrian Baal.[463]

To attempt to assign a date for these primitive forts or vitrified
sites would be manifest folly, but even to apportion them to one
or more of those less definite periods is difficult. Some of them
doubtless pertain to the earliest era of combined action, of which
they would form one of the first results, while others may belong
to a comparatively recent period; and, in particular, such border
sites as those of Cowdenknowes and Howden Moor[464] perchance date no
farther back than to those eventful times of watch and ward on the
Scottish borders, quaintly referred to in the Act of James the Second's
Parliament, in 1455, "for bailes making" to warn of the approach of the
Southron foe: "Ane baile is warning of their cumming, quhat power that
ever they bie of; twa bailes togidder at anis, they are cumming indeed;
four bailes, ilk ane beside uther, and all at anis as foure candelles,
suithfast knawledge that they ar of great power and meanis far."

The duns and vitrified forts of Scotland have long been the subject of
observation and controversy; but there is another class of defensive
earth-works observable in various Scottish districts, which, so far
as I am aware, have not yet attracted the notice of the antiquary,
though sufficiently familiar to rustic observers. These consist of
artificial trenches, generally dug in the side of a hill, and obviously
designed for the hasty concealment of cattle from predatory bands of
marauders, though in some cases tradition associates them with more
remarkable events. One, for example, of considerable extent, situated
between Kintore and Inverury, in Aberdeenshire, is popularly known as
_Bruce's Howe_, from an old tradition that it had afforded the means
of concealment to a party of Robert the Bruce's army before the battle
of Inverury. Its depth, like that of most others, is about eight feet,
affording effective shelter and concealment both to men and horses.
Another of these artificial trenches has been cut out of the side
of a hill, near its summit, on the farm of Altyre, parish of Dalry,
Kirkcudbrightshire. It is capable of containing about an hundred men,
while a person concealed in it can see to a considerable distance, in
the two principal directions of approach, without being observed. From
the convenient retreat it afforded to the persecuted Covenanters in
the time of Charles II., it still bears the name of the _Whig Hole_. A
larger trench of the same kind exists along the side of a steep hill
forming one of the range of Scuir-na-fion in Glencoe. This has been
constructed with considerable skill, the trench running parallel with
the range of hills, and opening at its west end in a gully formed by
a small mountain stream, which joins the river Coe somewhat farther
down. From a distance, or from any lower part of the Glen, the trench
is quite indistinguishable, as the embankment, which in this case has
been formed on the side of the hill, is sloped so as completely to
coincide with the angle at which the latter rises from the valley. An
intelligent correspondent, familiar with this part of the Highlands,
informs me that he had frequently visited the Glen without being aware
of the existence of the trench, though passing it at no great distance,
and his attention was first called to it by observing the fresh colour
of the herbage on the upper edge of the embankment, in contrast with
the more olive hue of the hill-side beyond,--a phenomenon easily
accounted for by the fall of the heavier and coarser debris of the
embankment towards its base, thus leaving a finer soil along the ridge.
Angus M'Donald, an old and intelligent native of the Glen, at once
assigned its origin to troublous times, for the purpose of sheltering
the natives and cattle of the Glen when surprised by an invading foe,
and stated that it includes ample space for concealing three hundred
head of cattle.

Various examples corresponding to those occur in different parts of
the Highlands, belonging to no definite period, but indicating the
dangers and the resources of a pastoral people, liable to sudden and
frequent invasion by powerful warlike foes. A similar state of society,
though at a period more advanced in civilisation and the practice of
the constructive arts, appears to be indicated in that remarkable
class of structures peculiar to Scotland, and generally known as
Burghs or Pictish-towers. These, like so many other of our native
antiquities, it has been customary to ascribe to a Danish origin; but
the increasing interest now manifested by native antiquaries in our
northern antiquities, and the frequent communications which have taken
place of late years between Scandinavian and British Archæologists,
have sufficed to establish the important fact that no such structures
are known in the old lands of the Northmen.[465]

The Scottish Burghs are large circular fortresses, or bell-shaped
structures, built of unhewn stone, and entirely without cement. The
most perfect example of these remarkable edifices is situated upon the
island of Mousa, near to the mainland of Zetland; but many remains of
them can still be traced, both on the northern and western isles, in
Caithness and Sutherland, and on various parts of the north and west
coasts of Scotland. They are nearly all formed precisely on the same
plan, though differing considerably in size. The form is a truncated
cone, occasionally slightly varied, as in that of Mousa, where the
wall curves inward till it attains a certain height, and then returns
gradually outward again, apparently with the same design as the
corbelled battlements of a later date, which enabled the defenders more
effectually to annoy any assailant who ventured to approach the base.
With this exception the exterior displays no ornamental projections, or
any provision for defensive operations, by means of window, loop-hole,
or machicolation. The rude but very substantial masonry of the exterior
is only broken by a plain narrow doorway, which, from the absence of
gate-posts, grooves, or any of the ordinary refinements of more modern
architecture, it is not improbable was secured, when danger was
imminent, by building it up with a pile of stones. Within the exterior
cone a second cylindrical structure is reared, the walls of which are
either perpendicular, or constructed at an angle which, leaving a space
between the two of about six feet at the base, brings them together
at the top. Within this space between the walls a rude staircase, or
rather inclined passage, communicates round the whole, and a series
of chambers or tiers of interspaces, formed by means of long stones
laid across from wall to wall, so as to form flooring and ceiling,
are lighted by square apertures looking into the interior area. This
central space is open to the sky, and the fact of the only light to
the chambers and passages within being derived by means of apertures
opening into it, seems to preclude the idea of its ever having been
roofed. It is not apparent, however, by what means the occupants could
obtain access to the ramparts, so as to resist an assault, and prevent
the walls from being scaled, though a sufficiently rude and simple
wooden structure may have supplied this very obvious defect.

Cordiner and Pennant have each given a very full account of Dun
Dornadil, a Burgh or Pictish tower in Glenelg, and one of the largest
of this singular class of military structures.[466] Gordon furnishes
descriptions and engravings of Castle Tellve and Castle Troddan, two
other examples which he examined;[467] and Dr. Macculloch also supplies
a minute account and measurements of one of those, in Glenelg.[468]
"The masonry," he remarks, "is without lime, but remarkably well laid,
and the lines of the curvature are beautifully preserved throughout.
The floors of the galleries consist of single flags, and the window
apertures are, in a similar manner, divided by transoms of stone."

One necessary consequence of the plan on which all these buildings are
constructed is, that while the lower galleries are roomy, and admit of
free passage, the space narrows so rapidly that the upper ones are too
straitened even to admit a child. This is particularly observable in
the Burgh of Mousa, which, though more perfect, is considerably smaller
than that of Dun Dornadil, and consequently a much greater proportion
of the internal galleries must have been totally unavailable, either
for occupation or the storing of property. No great difficulty,
however, need be made about this, even where windows are found made in
the inner wall, equally for the wide and the most straitened tiers of
galleries. One model, and that a very simple one, supplied the design
for all; and it would not be difficult to find corresponding examples
in modern masonry where the same unreasoning fidelity to the original
is shewn, as in the latest structures of the Tudor style, where
unperforated gargoyles project from solid walls, and flying buttresses
are thrown where there is nothing to support.

The most remarkable deviation from the common arrangement of these
singular structures is where, as in the Burgh of Achir-na-Kyle,
Sutherland, regular conical chambers are constructed in the solid
wall. This is a manifest refinement upon the original design, and
may be regarded as the first progressive step in the art of military
architecture. Cordiner remarks of this example:--

    "It is situated with peculiar taste on the top of a lofty
    rock, opposite to some pleasant woods, and near excellent
    pasture; and round the precipice which overhangs the Brora, the
    river tumbles over its rocky channel in a number of irregular
    cascades. This building would have doubtless merited a very
    particular description, had it not corresponded with your
    account of those in Glenelg.[469] I must except the apartments
    within the walls, which are of an oval form, distinct and
    entire, about eight feet long, six high, and four wide. Those
    on the ground-floor are still a retreat from the storm for
    the goats that feed on the neighbouring hills. The stairs
    from the first to the second row of chambers are regular and
    commodiously made out. The apartments are carefully lighted by
    windows from within, a strong evidence that the area within
    these towers had never been closed above, or entirely covered.
    The door looks over the precipice towards the river, and is
    full six feet high.... One chamber had several plans of a
    level entry to it, and measured nine feet in height; this had
    been probably intended for the chieftain. The whole structure
    seems to me so well contrived that it is not easy to conceive a
    people who could not work in wood or iron could have been more
    conveniently accommodated in places of defence."[470]

Considerable skill and ingenuity is frequently shewn, both in the
choice of a site for these defences and in turning it to the best
account. They most frequently occupy capes, headlands, or small
islands, either in a lake or on the open sea. Sir Walter Scott
describes a curious device which he observed employed for guarding one
of those in Shetland against the approach of strangers. "I remember,"
he remarks, "the remains of one upon an island in a small lake near
Lerwick, which at high tide communicates with the sea, the access to
which is very ingenious by means of a causeway or <DW18>, about three
or four inches under the surface of the water. This causeway makes a
sharp angle in its approach to the Burgh. The inhabitants, doubtless,
were well acquainted with this, but strangers, who might approach in a
hostile manner, and were ignorant of the curve of the causeway, would
probably plunge into the lake, which is six or seven feet deep at the
least. This must have been the device of some Vauban or Cohorn of those
early times."

These remarkable buildings can hardly be viewed with too great an
interest by the Scottish archæologist. They are the earliest native
architectural remains which we possess, the cromlechs and stone circles
being at best only rudimentary and symbolic or representative forms
of architecture. They constitute, therefore, a most important element
in our national history, supplying very definite facts relating to
an ancient era of which we have received no other information in any
degree so trustworthy. The first point accordingly is to ascertain,
with such accuracy and minuteness as may now be possible, the precise
nature of these facts. Careful investigations have accordingly been
carried on of late years, accompanied in several instances with
excavations around the buildings and within the inclosed area, the
results of which are worthy of note. In more than one instance human
remains have been found on removing the accumulated rubbish and
debris from these ancient ruins, suggesting the possibility of their
correspondence to the _Nuraghes_ of Sardinia, which they somewhat
resemble in outward form. It is altogether inconceivable, however, to
ascribe a sepulchral origin to these chambered towers; while the same
excavations which have discovered the remains of the dead have also in
most cases furnished no less conclusive evidence of the former presence
of the living. But, it has been already observed, the archæologist
finds both "knowledge and understanding" in the grave, and esteems it
a conceivable source of valuable insight to have even these dead to
question on the subject. Dr. Macculloch mentions the discovery of human
bones in the Burgh of Glenelg, but without entering into details; but
the results of a careful examination of another of these towers, near
Dunrobin, in the summer of 1849, elicited more definite information. On
removing the rubbish from the chambers and galleries, a human skeleton
was found in one of them, while excavations within the open area
disclosed abundant traces of a fire in the centre, and also discovered
several stone quernes or hand-mills. The skeleton here appeared
obviously to belong to a later period than the quernes and the central
fire; but no accompanying relics of the deceased were found to tell how
long the fire of the old garrison had been extinguished ere the chamber
of their fort was made a receptacle for the dead. More satisfactory
results attended the examination of the Burgh of Burghar, another of
these singular towers in the parish of Evie, Orkney. It is described by
Mr. A. Peterkin, in a letter addressed to Dr. Hibbert in 1825, as the
most perfect though not the largest of several in the neighbourhood.
Several barrows occur in the vicinity, some of which have been opened
and found to contain urns. The central area of the Burgh of Burghar was
nearly filled up with the accumulated ruins and rubbish of centuries,
and resisted more than one effort to explore it; but the son of the
clergyman of the parish renewed the attempt in the spring of 1825, and
succeeded in partially investigating the contents of the ruined area.
On digging out the earth and rubbish, he found a human skeleton, beside
which lay part of a deer's horn, and the rude bone comb represented
here, about one-third the size of the original, which is now deposited
in the Museum of the Scottish Antiquaries. Mr. Peterkin appears also
to have forwarded the skull to Dr. Hibbert, though it has not been
preserved. His description of it has already been noticed in a former
chapter.[471]

[Illustration]

More extensive excavations were made within the ruined burgh at a
subsequent period, and led to the discovery of some very valuable
relics, including two fine gold armillæ, now in the possession of the
Earl of Zetland. In this example also there can be little hesitation
in assuming that the deposition of the dead body did not take place
till the abandonment of the burgh, perhaps not till it had been long in
ruins, as it does not appear from the description to have been below
the level of the original floor, but within the accumulated soil which
encumbered the area. This, however, is open to doubt, as the letter is
not quite explicit; and if the interment was at some depth below the
floor, it might have taken place while the burgh was occupied, and an
assailing force precluded access to the neighbouring downs on which
the aboriginal sepulchral tumuli are still visible. It may be doubted
whether the gold relics were placed there as a sepulchral deposit, or
only for security or concealment. They belong possibly to a period long
subsequent to that of the first interment with its simple and rude
accompaniment of the bone comb. The latter discovery, indeed, seems to
furnish some approximation to the period of those buildings. It shews,
what we might expect, that they are the work of a people whose arts
were extremely rude, and so far as any general reasoning may be built
on a solitary instance, it seems to point to the erection of the burghs
at a period long prior to the earliest recorded traces of Scandinavian
invasion. The discovery, however, is not altogether without precedent.
Another bone comb in the Museum of the Scottish Antiquaries, of even
ruder construction, though nearly resembling the one found at Burghar
in its general form, was found, in 1782, in the ruins of another burgh
in Caithness, and a third discovered under similar circumstances
is in the museum at Kirkwall. There appears, indeed, to have been
a predilection for burying among the debris of the ruined forts,
which must be supposed to have been formed long subsequent to their
abandonment as strongholds and places of abode, and therefore adds to
the evidence of their great antiquity. Some of these interments are
undoubtedly traceable to the period of the Scandinavian occupation of
the Orkney Isles.

[Illustration: How of Hoxay.]

Mr. W. H. Fotheringham of Kirkwall, Orkney, has communicated to me an
account of the recent exploration of another ruin of a circular fort,
apparently belonging to the same class of buildings as those previously
described. It occupies as usual an isolated promontory, called the
How of Hoxay, in South Ronaldshay, immediately opposite to the Bay of
Scupa. Rising abruptly from the small Bay of Hoxay is the How or Height
of Hoxay, on the top of which are the remains of a circular building.
Until brought to light in the course of recent excavations it was
entirely buried beneath the accumulated soil, and presented only the
appearance of an earthen tumulus. It has now been completely exposed
externally, and the inclosed area excavated to the surface of the rock,
so that the work of exploration has been most effectually performed.
The external wall measures fourteen feet in thickness, and about eight
feet in greatest height, and incloses an area of about thirty feet
in diameter. The construction of the wall is singular, the exterior
and interior facings appearing to have been carefully built with
unhewn stones fitted together with great nicety, and the intervening
space filled up with stones thrown in with little care or design. No
cement had been used, but the wall is still strong and without any
displacement in the facings, though so much ruined that no certain idea
can now be formed of its original height. The great quantity of stones
which lay both within and about it served, however, to shew that only a
small portion of the original fabric remains. The accompanying view of
the most perfect side of the interior will convey a better idea of the
general appearance and details than any description could do. The two
upright stones about half way up the wall on the left of the drawing
appear to be the side-posts either of a door or outlook, to which the
projecting step below was probably designed to give access; but it was
found built up like the other parts of the walls, and the proprietor
having since, in a misdirected zeal for the preservation of the ruin,
had the whole pointed with lime, it is no longer possible to detect the
additions of later builders. Round the inner circumference of the wall
upright flag-stones project at intervals of six feet apart. Only six
of these now remain, but the fragments of others were discovered among
the debris. In the recesses formed by these projecting stones there
were found several stone quernes, a shallow stone mortar and pestle,
or corn-crusher, of the rudest and most primitive construction, and
also two smaller circular stone vessels, the one seven and the other
five inches in diameter, and both about four and a half inches deep.
The remains of the doorway in the eastern and most ruined part of the
wall appear to have been of an unusually intricate construction, but
these also have unfortunately been obliterated by later repairs, the
whole wall having been raised to a uniform height, and a platform and
flagstaff superadded in very questionable taste. The proprietor was
actuated in his labours by a sincere desire for the preservation of
this venerable ruin, and antiquaries must respect his motives, though
he has not effected it exactly in the way they would have wished. I
am favoured by Mr. Fotheringham with the following description and
sketch:--"As to the door on the east side, the information I have got
is that it was contracted by means of slates thus; and that at the
side of the door was a chamber in the thickness of the wall leading
from the interior, from which there was an aperture or slit to the
widest part of the doorway, either for the purpose of outlook, or for
projecting a weapon against a hostile intruder." This arrangement in
the construction of the doorway more nearly approaches the plans for
outlook and defence with which we are familiar in medieval military
architecture. It is greatly to be regretted that no opportunity was
afforded for more accurate observation.

[Illustration]

The result of these investigations is highly satisfactory and
encouraging, giving promise of further information from the labours of
future explorers. Meanwhile some important conclusions may be arrived
at. It is not necessary that we should follow Cordiner in his learned
arguments concerning King Dornadil, a successor of Fergus I., who
ascended the throne A.D. 263, and signalized his reign by erecting
the Burgh of Dun Dornadil on the north-west coast of Inverness-shire.
With precise dates the archæologist can rarely, if ever, have aught to
do while treating of primitive antiquities; but this at least seems
established, that they are native erections, and belong for the most
part to a period long prior to the era of Scandinavian invasion. Where
the Teutonic and Scandinavian races ultimately prevailed they bear
the name of Burghs; where the older Celtic race and language survive
they retain the name of Duns: and Sir Walter Scott has pointed out,
in an ingenious note appended to Ivanhoe, that the venerable Saxon
stronghold of Conigsburgh is only a refinement on the older model
of the Scottish burghs. This has been illustrated by drawings and
sections in the Abbotsford edition of the novels, and the resemblance
is certainly sufficient to carry much probability with it, though at
the same time the complicated arrangements, and the provisions for
aggressive operations against assailants in the burgh of the southern
Saxon, cannot but add to the conviction that the Scottish strongholds
of this class belong to a much earlier period. They are manifestly the
work of an ingenious and patient race, who aimed far more at defence
than aggression. Strongholds they undoubtedly are, but they retain no
trace of features strictly adapting them to military posts. The Saxon
burghs of England were rapidly superseded by the more efficient keep
of their Norman conquerors; yet when we institute a comparison between
Conigsburgh and Mousa or Dun Dornadil, it seems to present a contrast
not unlike that which distinguishes the defensive operations of the
wild-cat and the hedgehog!--a contrast which either marks a very great
change on the character of the hardy tribes that withstood the Roman
legions, or indicates a marked difference between the races which
occupied the northern and southern regions of Caledonia.

Dr. Macculloch remarks of these Scottish burghs,--"From the expensive
nature of their construction, or the power of hands that must have been
employed on them, it might be supposed that they were the palaces or
castles of the chiefs or kings of the days in which they were erected.
But it seems an insuperable objection to this notion, that four should
have existed within so small a distance from each other in Glenelg,
or that so many should be found in Sutherland and in Shetland not far
asunder. The limits of territory that surround any one are too narrow
for any chief; and where all chiefs were in a state of general and
constant hostility, it is not likely that they should have chosen
to build so near to each other. It is equally impossible that they
should have been the dwellings of the inhabitants in general, as the
expense of erection bears no proportion to the limited accommodation
they could afford." The expense of erection is, in other words, the
labour, time being of small value in a primitive state of society; and
when their number is taken into consideration along with their limited
accommodation, it is difficult to evade the conclusion that they were
the temporary places of shelter of a people liable to sudden inroads
from powerful foes, like the palisaded log-house or fort which the
first settlers in the backwood frontiers of America were wont to erect
as a place of safe retreat on any attack of the treacherous aborigines.
There is no period that we know of in early Scottish history to which
this description so aptly applies as to that immediately preceding the
conquest of the Orkneys by Harold Harfager, about the year 880. Prior
to this the rude Norse Vikings were wont to make sudden descents on
these islands, as well as along the whole Scottish coast, spoiling and
slaying with the most remorseless cruelty. At such a period, therefore,
we can most readily conceive the natives of a district combining to
build a burgh, whither they could retreat so soon as the fleet of the
northmen was espied in the offing, and driving thither their cattle,
and carrying with them all their most valuable moveables, they could
lie secure till the spoilers set sail again in quest of some less
watchful prey. Experience would teach the necessary improvements
requisite for rendering these structures effectual against such foes;
while the improbability of the northmen abandoning their ships and
attempting a regular siege of one of these burghs, may account for
the absence of the very distinct provisions for offensive operations
against assailants which are so characteristic of the Anglo-Saxon burgh.

The Burgh of Mousa, which is still the most perfect of these ancient
strongholds, is the only one of which we have any distinct historical
notice. Torfæus tells us that Erland, the son of Harold the Fairspoken,
carried off the mother of Harold, a Norwegian jarl, who was famed for
her beauty, and took shelter with his prize in the Castle of Mousa.
Earl Harold followed and laid siege to the place, endeavouring first
to take it by assault, and afterwards to reduce it by famine. But both
means proved equally ineffectual, and the wrathful Jarl was forced at
length to agree to terms by which his mother became the wife of her
ravisher. This burgh is not only the most perfect, but also the best
adapted for defence of any that now exist; and it is not improbable
that it owes its projecting parapet, as well as the more effective
repair which has secured its preservation, to its later Norwegian
occupants.

Still it does not necessarily follow from the correspondence of the
state of society in the north of Scotland in the ninth century, as
a weak people, constantly liable to sudden inroads by powerful and
merciless invaders, with the apparent indications of these strongholds,
that we must therefore assume the origin of all of them to that period.
The conquest of the Orkneys, and the occupation of the northern
districts of Scotland by the northmen in the ninth century, marks the
close of a period which is still involved in almost total darkness. How
long before this the natives had learned to watch the horizon for the
dreaded fleets of the northmen, or in what form the earliest migration
of the Cruithne to the north took place, we have yet to learn; but the
very fact of the frequent descents of the former on our coasts must be
viewed as affording some evidence that the arts of civilisation had
advanced far beyond the rude state indicated by such primitive relics
as those which were discovered in the How of Hoxay. The "exactors of
rings" could have found little to tempt a second visit to the barbarian
Orcades of the Stone Period; for the wandering Vikings knew not the
pride of conquest which could tempt a Cæsar to guide his legions to
the Ultima Thule, that he might return to the proud honours of a Roman
triumph. The disappointed Viking might indeed be not inaptly supposed
to apostrophize the outlooking Orcadian, as the English poet Cowper has
done the "Gentle Savage" of Tahiti:--

    "Expect it not. We found no bait
    To tempt us in thy country.
    We travel far, 'tis true, but not for nought;
    And must be bribed to compass earth again
    By other hopes and richer fruits than yours."

Without attempting to deduce from such evidence as is now attainable,
more than it seems fairly to warrant, it is obvious that we have
followed down the unwritten history of our island from that remote and
imperfectly defined era in which we catch the first glimpses of its
occupation by wanderers from the eastern home of our common race, to
the period when definite history begins, and written records supply to
some extent the information heretofore painfully sought amid the relics
of older times. There still remains, however, some few pages more of
these archæological annals to be deciphered before we attempt to sift
the perplexing mixture of truth and fable which makes up our earlier
written history.

FOOTNOTES:

[454] Ruskin's Seven Lamps of Architecture, p. 164.

[455] Vol. i. pp. 87-96.

[456] Roy's Military Antiquities, Plate VIII.

[457] A still more striking proof of such acquired skill is furnished
by the existence of a similar moat and rampart in the north of Ireland,
of which an account is given by Dr. Stuart in his Historical Memoirs of
Armagh.

[458] Plate XLVII. It is also engraved in King's Munimenta Antiqua,
Plates I. and II.; and in Pennant's Tour, vol. iii. Plate XVI.

[459] Roy, Plate XLVIII.

[460] "I remarked that at Dun Mac Sniochain the materials of the hill
itself were not vitrifiable, but that a very fusible rock was present
at a short distance, or scattered in fragments about the plain. The
same is true here, (Dunadeer); and in both cases the forts are not
erected out of the materials nearest at hand, which are infusible, but
collected with considerable labour from a distance. It is hence evident
that the builders of these works were aware of the qualities of these
various rocks; and it is equally evident that they chose the fusible in
preference to the infusible, although with a considerable increase of
labour. The obvious conclusion is that they designed from the beginning
to vitrify their walls."--Highlands and Western Isles of Scotland, vol.
i. p. 292.

[461] Experiments on Whinstone and Lava, by Sir J. Hall, Bart. Trans.
Royal Soc. Edin. vol. v. p. 45; Series of Experiments on the Action of
Heat, vol. vi. p. 71.

[462] I know of only one example yet noted out of Scotland, but it
is a very remarkable one, and has been thought to confirm the idea
of designed vitrification. (_Vide_ Account of the _Pierres Brulées_,
or Camp of Peran, a French primitive fort in the Commune of Clédran.
Journal of Archæol. Association, vol. ii. p. 278.) The researches
of Mr. Squier and Dr. Davis among the ancient monuments of the
Mississippi Valley, reveal various examples of partial vitrification,
tending to confirm the more consistent idea of accidental and varying
origin.--Smithsonian Contributions to Knowledge, vol. i. pp. 12, 17,
28, 36.

[463] _Vide_ Jamieson, _voce Beltane_, for a curious collection of
notices of various dates, illustrative of this ancient Scottish
festival.

[464] Archæol. Scot. vol. iv. p. 297.

[465] Sir Walter Scott takes the Scandinavian origin of these
structures for granted, while Dr. Macculloch, who delights to overturn
the assumptions of every other antiquary, jumps to the far more
extraordinary conclusion, that "there seems little reason to doubt
the Picts and Scandinavians were radically one and the same people."
The latter author then produces "perfect and incontrovertible proof
of their real origin," by referring to certain examples said to be
still visible in Norway. To this it is a very satisfactory reply that
Mr. Worsaae, the distinguished Danish antiquary, has expressed his
opinion that nothing at all resembling them is to be found in any of
the Scandinavian countries; and Professor Munch of the University
of Christiania, one of the most learned northern archæologists,
completely confirms this, and assures me, after a personal inspection
of several, that he is convinced they are of native origin, and
peculiar to Scotland. There can be little doubt that Dr. Macculloch's
"incontrovertible proofs" are derived, without acknowledgment, from the
very dubious authority of the Rev. George Barry, D.D., of Shapinshay.
Compare Macculloch, vol. ii. p. 257, and Barry's Orkney, p. 97.

[466] Pennant's Tour, vol. ii. p. 391.

[467] Itiner. Septent. p. 166.

[468] Highlands and Western Islands, vol. ii. p. 250.

[469] Pennant's Tour, vol. ii. p. 391.

[470] Cordiner's Antiquities and Scenery of the North of Scotland.

[471] _Ante_, p. 178.




CHAPTER IV.

WEAPONS, IMPLEMENTS, AND POTTERY.


The state of isolation, with all its attendant influences, must now be
considered finally at a close. The effects of European civilisation
rapidly modified the primitive native arts; and during this era,
to which the name of Iron Period is applied, that strange mingling
of races was chiefly effected which has resulted in our singular
British nationality, in our peculiar virtues and our equally peculiar
deficiencies. The Roman influence also failed not, even while
indirectly operating, greatly to accelerate the development of the new
era. Long before the invasion of Julius Cæsar, or the Roman working of
lead and iron mines in England, the increasing demands for iron in the
south of Europe could not fail to add somewhat also to the supplies of
the north; nor is it improbable that the impetus communicated to the
European workers in metals during the protracted struggles of the Punic
wars, and the civil commotions which followed on the final supremacy of
Rome, mainly contributed to furnish the native Britons with the arms by
means of which they withstood both Julius Cæsar and Agricola.

Whatever effect the long occupation of England as a Roman province
may have had on the native mythology and sepulchral rites, we have no
reason to think that any change was produced on those of Scotland.
Relics of the Roman period have been found in tumuli and cairns
alongside of the rude British cinerary urn, the bronze spear, and even
the stone celt; nor was it till the introduction of Christianity that
the Scottish circumscribed cist was entirely abandoned for a sepulchre
of ampler proportions. Sepulchral pottery is found alongside of relics
of all periods, from the rudest primeval era to that of the general
adoption of Christianity; but even where it is accompanied with Roman
relics it betrays no indications of any familiarity with the artistic
design or manufacturing processes of the Roman potter. The transition
is at once from the primitive pottery apparently to that introduced by
the Anglo-Saxons. On warlike implements, however, it is probable that
the collision with the Roman legions exercised an important influence,
though it is now difficult to ascertain its precise character or
extent. The state of decomposition in which iron relics are usually
found frequently renders it impossible to discriminate between those of
Pagan and medieval eras. A few Scottish examples which have been noted
from time to time, will, however, supply the means of forming some
conclusions relative to the arts of this period.

Lieutenant-Colonel Miller in his "Inquiry respecting the Site of the
Battle of Mons Grampius," thus describes some of the antiquities of
the locality, which he conceives, with considerable probability, to
be relics of native art contemporary with the Roman invasion of North
Britain in the second century:--"At a point near Gateside a vast cairn
stood until about forty-two years ago, and there the last stand of the
Caledonians in a body seems to have been made. Upon removing this cairn
many bones were found, and great quantities of iron. Many of the pieces
were very small, so as to be called knives and forks by the workmen.
Others again were very large; too much so, one might almost suppose,
from the account I have had of them, even for the _enormes gladios_
of the Caledonians. None of them have unfortunately been preserved,
as they were probably completely oxidized, and reckoned of no value.
Great numbers of beads were also found in the cairn, and distributed
about the country at the time as curiosities. A few of these are still
preserved, and serve to convey rather a favourable idea of the state of
the arts at the time. Some of them were of a long elliptical form, and
made of jet; others were made of a bluish glass, and shaded with spiral
or circular lines; while others were white, enamelled with red and
blue spots, the colours of which are as vivid as ever."[472] The same
writer describes a great variety of stone and bronze relics found under
a variety of circumstances throughout that district of Fifeshire. Many
of these, however, must have belonged to very different periods, and
most probably also to different races that succeeded each other in the
occupation of the fertile region of country lying between the estuaries
of the Forth and Tay, though all are pressed by him into the service,
in order to add to the accumulated evidence by which he seeks to assign
a precise site to the famed battle-field of Agricola and Galgacus. On
the 22d November 1849, some farm-servants engaged in draining a field
at East Langton, in the parish of Kirknewton, Mid-Lothian, found a
skeleton about three and a half feet below the surface. The body lay
south-west by north-east, imbedded in moss about three inches thick.
Near the feet were found an iron knife, and a dagger with the remains
of a wooden handle and a square gold plate and knob on the end of
the haft, both greatly corroded and adhering together from the rust.
There were also found in the same grave a wooden comb, broken and very
much decayed, and a rude bodkin of bone measuring three and a quarter
inches long, which had doubtless been employed in fastening the dress
of the deceased. The knife is perforated with three holes, by which
a handle must have been attached to it, but it is too much corroded
to afford any correct idea of its original form. Near to these lay a
wooden vessel and an earthen urn coated with green glaze, and rudely
ornamented with a waved pattern; both of which were broken by the
carelessness of the workmen. The accompanying woodcut represents the
dagger and bone pin, the former of which measures with the handle
thirteen and a quarter inches long. Nearly at the same time a quantity
of billon pennies of James II., of the Edinburgh Mint,[473] were
discovered in the field where this interesting sepulchral deposit was
found. But it had been in cultivation upwards of fifty years, and there
is no reason to think that any connexion was traceable between the two
discoveries.

[Illustration: Iron Dagger and Pin, East Langton]

The glazed pottery accompanying the iron weapons at East Langton is a
characteristic feature of the sepulchral deposits of the last Pagan
period in Scotland, and is perhaps one of the earliest indications
of Anglo-Saxon influence. During the progress of the railway works
for constructing a branch line of the North British Railway to
North-Berwick, in 1848, two stone cists were discovered on the Abbey
Farm, both of them measuring a little more than four feet in length,
and each containing a human skeleton. In one of them was found an
iron sword and dagger, both so much corroded as to break and crumble
to pieces in the careless hands of the railway navies. At the side of
the skeletons, in both cists, were urns of rough grey ware, ornamented
externally with parallel grooves running round them, and internally
covered with a green glaze. The woodcut represents one of these rescued
in a partially dilapidated state from the railway excavators, and
now in the possession of Andrew Richardson, Esq. It measures fully
six inches in height, and it will be seen bears a singularly close
resemblance to another urn of somewhat smaller dimensions, found in
Aberdeenshire, and described below.

[Illustration]

In 1791, four urns were discovered under a large stone near Drumglow
Hill, Kincardineshire, and some others in a neighbouring cairn, of
which the sole description given is that they were made of very
coarse materials, and the outside glazed and ornamented with dotted
lines.[474] In 1832, Lieutenant-Colonel Miller presented to the Society
of Scottish Antiquaries "a finely formed barbed arrow-head of flint,
and a fragment of what is supposed by the donor to have been a glazed
sepulchral vase, found at Merlsford, at the foot of the Lomond Hill,
Fifeshire."[475] This specimen is too imperfect to furnish any idea
of the form of the vase, though it affords additional evidence of the
introduction of this characteristic change in the primitive Scottish
pottery at an early period.

The Old Statistical Account of the parish of Rathen contains a
description of three cairns at Memsie, on the eastern coast of
Aberdeenshire, which, it is remarked, "were very large, till of late,
that great quantities of the stones have been taken away from two of
them. The remains of human bones were lately found in one of them."
The renewed invasion of one of these cairns about the year 1824 led to
the discovery of the small urn here engraved. It measures four and a
quarter inches in height, three inches in diameter at the bottom, and
four at the top. Externally it is rough and destitute of any ornament,
except the six parallel grooves which appear in the woodcut. Within it
is entirely coated with a dark green glaze. Unfortunately, however, its
most remarkable features no longer exist. Mr. John Gordon of Cairnbulg
remarks in a letter with which he accompanied the donation of the urn
to the Society in 1827,--"The urn has two projecting ears opposite each
other, which fitted into corresponding double ones attached to a lid,
by which the vessel, when found, was closely covered; and the whole
of the projections were perforated to admit a pin which completed the
fastening. The lid was unfortunately broken in opening the urn. It was
made of the same materials, and fitted into the mouth which was formed
for its reception." Part of the rim has also been broken away, but
enough remains to shew, that above each projecting ear is an opening
into which the lid had fitted as an additional security. No mention
is made of anything having been found within the urn thus carefully
secured, but beside it lay a sword, unfortunately no longer known to
exist. It is described as "one-edged; the hilt of brass, the blade
iron, seventeen inches and a quarter long, one inch and a quarter broad
at the guard, from whence it tapers to the point; when found it was
enclosed in a wooden scabbard." It appears to have borne considerable
resemblance to an iron sword found by Sir Richard Colt Hoare, in a
tumulus opened by him at King's Barrow, in the Vale of Warminster,
"which had a handle of oakwood. The blade was about eighteen inches
long, two inches wide, and single-edged."

[Illustration]

In the year 1800, Mr. Robert Dalyell presented to the Society of
Antiquaries of Scotland, a sword fractured in several pieces, portions
of a helmet, battle-axe, and spear, all of iron, found under a cairn
on his estate of Hunthills, Roxburghshire. But the whole are too much
corroded to convey any very distinct idea of their original forms,
though they add additional evidence in proof of the continued use of
the sepulchral cairn, after the full development of the Teutonic era,
with its characteristic implements of iron. In 1834 Professor Traill
exhibited at a meeting of the Scottish Antiquaries the fragments of
an iron sword, apparently that of a man of distinction, found along
with the boss of a shield, at a place called Swenedrow, in Rowsey,
Orkney. In the same place many fragments of ancient armour have been
discovered; and the Professor believed the sword to have belonged to
one of the Norwegian jarls.[476] Pennant engraves another ancient sword
discovered in the island of Islay;[477] nor are such discoveries rare,
though they have seldom obtained the minute attention they merit. A
remarkable discovery of arms and other iron relics was made in the
month of August 1834, at Fendoch Camp, an intrenchment on the river
Almond, about five miles north-east of Crieff, in Perthshire. It is
commonly described as a Roman camp, and the urns found in numerous
cairns which surrounded it are no less unhesitatingly assigned to the
legionary invaders. A drawing which I possess of one of the urns found
inverted within a cist under one of the cairns, leaves no room to
doubt that these sepulchral mounds, at least, are of British origin,
and probably of a date long prior to the era of Roman invasion. On the
occasion above referred to, while a labourer was digging across the
eastern rampart of Fendoch Camp, he discovered at some depth below
the surface three iron pots or kettles, the largest of which broke in
pieces while he was in the act of raising it from the ground. The other
two measured ten inches in diameter by four and a half in depth, and
eight and a half inches in diameter by three inches in depth. They were
each composed of a series of concentric circles rivetted together, the
larger one having a straight handle twenty-one inches in length. Along
with these were also found three heads of spears or javelins seven
inches in length, a portion of a sword-blade eighteen and a half inches
in length, three pairs of bits, two pairs of shears eleven inches
long, the blades alone measuring four inches, a sort of spoon or ladle
ten inches in extreme length of handle and bowl, a beautiful hinge of
yellowish metal four inches long, carved and plated with silver, in
excellent preservation, besides various other implements. The most of
these interesting relics were carefully packed in the largest kettle,
and a flat stone placed on its mouth. This curious hoard was purchased
by my friend, Mr. John Buchanan of Glasgow, under whose zealous care
they might have been deemed secure of a safe asylum, but the weighty
box in which they were packed tempted some covetous knave, and our only
poor consolation for their loss is to picture the mortification of the
thief when he unlocked his treasure and found only a chest full of
rusty iron!

But this unhappily is no solitary example of the destruction
of ancient Scottish relics. "Vast quantities of arms," says the
author of the Statistical Account of the parish of Cummertrees,
Dumfriesshire, writing in 1834, "were lately found in a field on the
farm of Corrieknows, near the burgh of Annan. The farmer who found
them had them all, but a brass battle-axe, converted into husbandry
utensils."[478] From inquiries since made, I find that the brass
battle-axe was a bronze celt, so that, if we may assume, as seems most
probable, that the iron weapons belonged to the same era, we have here
most interesting examples of the weapons of the Teutonic Period. The
farmer describes the swords as about two feet in length, edged on the
one side to the handle, and on the other for the half length of the
blade. Beside them lay some long spear-heads, nearly all broken, and
more injured by rust than the swords. In the same field he also found a
number of horse-shoes, some of which were an entire circle, and others
curiously turned in at the heel. On the farm of Broom, in the same
parish, there is a field called Bruce's Acres, where King Robert is
said to have been defeated by the English; but the singular form of the
horses' shoes found at Corrieknows adds additional evidence of these
relics belonging to an earlier period. In the Museum of the Scottish
Antiquaries there are horse-shoes from the field of Bannockburn and
from that of Nisbetmuir, Berwickshire, fought 24th June 1355, after
the captivity of King David Bruce. They are chiefly remarkable for
their very diminutive size, and in no way correspond to those described
above. Antique horse-shoes of a different form have repeatedly been
found in the neighbourhood of Carlinwark Loch, Kirkcudbrightshire, a
prolific source of valuable archæological relics. The ancient name of
Castle Douglas, on the margin of the loch, is Causeway End, from its
position in relation to an ancient causeway constructed through the
marsh, and believed to be a part of one of the great Roman roads. About
this place most of the ancient horse-shoes have been discovered. One
of them in the collection of Mr. Joseph Train is described by him as
consisting of a solid piece of iron, not made to go round the edge of
the hoof, but to cover the whole. On the inside, especially towards
the heel, it is hollowed so as not to press upon the soft part of the
foot. Though much worn in front this cumbrous lump of iron still weighs
about six pounds, so that four of them must have formed no slight
impediment to a horse. To what period these equestrian furnishings
should be assigned it is not easy to determine. No relic yet discovered
along with the remains of horses, so frequently found in the later
tumuli, suggests the idea of the early Britons having shod the horses
which they attached to their war-chariots. Montfaucon, however,
describes a small iron horse-shoe which was discovered in 1653, in the
tomb of Childeric, founder of the French monarchy, whose horse had
been interred along with him, A.D. 481. The Rev. Samuel Pegge, in an
ingenious paper "On the Shoeing of Horses among the Ancients,"[479]
conceives that the custom was introduced into England by William
the Conqueror; but it seems exceedingly improbable that either the
Anglo-Romans or the Anglo-Saxons should have remained ignorant of a
device which some allusions of Homer would lead us to suppose was not
unknown even to the Greeks of the Bronze Period.

Ure describes and engraves in his History of the Parish of East
Kilbride,[480] a very interesting discovery made at Castlemilk in
1792, of a helmet, gorget, dagger, and other iron relics, along with
which were two bronze vessels, one of them of peculiar form, and also
the remains of a leaden vase; but these it is probable were medieval
antiquities. No doubt, however, can be entertained of the era of
another iron relic described by him, but of which unfortunately no
engraving exists. Some workmen engaged in demolishing a cairn in the
same parish found in it a large urn filled with human bones, and close
by it an iron implement designated "an old spade of a clumsy shape,"
but which was more probably an ancient bill or battle-axe. Mr. Robert
Riddell describes two such weapons, figured in the Archæologia.[481]
They were found in a moss near Terregles, Dumfriesshire, and measure
each two and a half feet long, and above two inches thick at the back,
though greatly corroded with rust. The Kilbride discoverers, on finding
the urn, had confidently anticipated that its contents would prove a
golden treasure, which they magnanimously resolved should be equitably
divided. Having gulped down their mortification as best they might on
finding their whole treasure dwindle to an old iron bill, "it was at
length unanimously agreed that it should not be sold; it might, for
anything they knew, be uncommonly ominous, especially as it was iron,
and taken out of a grave which was generally believed to be haunted."
So the desired division of the spoil was at length secured by having
the curious relic converted into tackets or hobnails for their
shoes![482]

The general character of the older Scottish superstitions in regard to
iron, of which we have here some indications, more frequently refer to
it rather as a charm against spells and malign influences of all sorts,
entirely corresponding in this respect with the popular creed of Norway
at the present day. In describing the "Adder Stone," Ure remarks,
"It is thought by superstitious people to possess many wonderful
properties. It is used as a charm to insure prosperity, and to prevent
the malicious attacks of evil spirits. In this case, it must be closely
kept in an iron box to secure it from the fairies, who are supposed to
have an utter abhorrence at iron." This may be compared with another
canon of northern folk-lore, referred to in a former chapter,[483] in
relation to the flint arrow-head or elf-bolt. The inferences suggested
by both are the same, pointing to an epoch when iron, as a novel
introduction, could in no way be associated with the Elves and Gnomes,
old as the primitive stone weapons of the aborigines. Pennant, however,
describes a curious charm against witchcraft, in use in the Hebrides,
where the milk of enchanted kine is boiled along with both flints and
untempered steel--the bane and the antidote--which was held to give the
operator complete power over the enchanter. We are still familiar with
the rustic faith in the efficiency of the iron horse-shoe affixed to
the stable-door as a certain protection against all supernatural evil
influences.

A remarkable class of urns, so far as I yet know peculiar to Scotland,
appears to belong for the most part to the Iron Period. They vary in
form, but all agree in the singular characteristic of being open at
both ends. One of these was discovered within the area of a stone
circle at Barrach, Aberdeenshire, by a peasant digging for stones. It
lay under a flat stone, with another placed below it, and was found
to be filled with human bones.[484] Others are described in the old
Statistical Reports as resembling chimney cans. But the most minute
account of this singular class of sepulchral urns is furnished by
Ure, to whose indefatigable researches within the limited district of
which he has treated we owe so many valuable reminiscences of bygone
discoveries. "In the bottom of a very small cairn on the lands of East
Rogerton, the property of his Grace the Duke of Hamilton, were found
five urns not of the ordinary shape. They were about eighteen inches
high; six wide at the one end and four at the other. Both ends were
open. They were said by the workmen to be glazed, and ornamented with
flowers; and narrower in the middle than at either end. They stood upon
smooth stones distant from each other about three-quarters of a yard,
and placed in a circular form. The top of each urn was covered with
a thin piece of stone. They were all totally destroyed by the rustic
labourers." Such is the lamentable yet ever-recurring history of our
national antiquities. Vallancey has engraved a very beautiful bronze
vase, dug up in 1769, near the church of Fahan, county of Donegal. The
handles are horses' heads, very closely corresponding to the usual
artistic style of this period; and the vase has the same remarkable
peculiarity as the class of Scottish urns referred to, in being open at
both ends.[485]

The iron relics of the Teutonic Period by no means yield the same
amount of information as we have been able to derive from the older
weapons and implements of bronze, chiefly owing to the extreme
susceptibility of the newer metal to oxidation under nearly all the
circumstances in which both classes of antiquities are discovered.
This want, however, we shall find abundantly supplied from other
sources, including the contemporary works in bronze. Among the
most characteristic remains of the defensive armour of this period
frequently met with, the umbones of shields occupy a prominent place.
The larger ones are of sufficient size to admit the hand, and resemble
in this, as well as in other respects, those frequently met with in
England. They suffice to shew that the shield was not worn on the arm
like the Roman clypeus, but held by a bar crossing the centre of the
projecting boss, the hollow of which received and protected the hand.
In this it closely corresponded to the bronze buckler of the previous
period, which probably continued to be used contemporarily with it. An
example of an iron umbo found in Morayshire is figured on a subsequent
page. Another, referred to in a brief summary given in the Nenia
Britannica, of relics found at Westray, Orkney, is described as "a very
small iron vessel like a head-piece, only four and a half inches in
the hollow, bruised apparently by a sword or an axe." In the Scottish
Museum is a small iron boss, found at Corbiehall, near Carstairs,
Lanarkshire, which is only slightly raised in the centre. The locality
where it was discovered has furnished many Roman remains, among which
it most probably ought to be classed. In general form it closely
resembles an exceedingly beautiful boss of a Roman shield in the same
collection, made of bronze, and decorated in relief with a crowned
female figure seated, holding Victory in her hand, and surrounded with
the spoils of war.

[Illustration]

A rarer and more remarkable object pertaining to this period is the
iron sword, inclosed in its bronze sheath, several very fine examples
of which have been found at different times. One of these occurred in
the very valuable collection of antiquities discovered at Stanwich,
now deposited in the British Museum. Another similar example, found on
a moor near Flasby, parish Gargrave, in the West Riding of Yorkshire,
was exhibited during the meeting of the Archæological Institute at
York in 1846. In both of these the iron blade of the sword was still
inclosed in the sheath. The annexed illustration is copied from a very
perfect bronze scabbard closely resembling the two found in England,
now in the Museum of the Society of Antiquaries of Scotland. It
appears from an inscription roughly scratched on it to have been found
on the Mortonhall estate, at the foot of the Pentland Hills, in the
immediate vicinity of the Scottish capital. The blade of this sword
must have measured twenty-two and a half inches in length by one inch
in breadth,--an exceedingly small and light weapon compared with the
_enormes gladii_ which Tacitus describes the Caledonians as using. It
appears to have been a straight two-edged weapon, with a sharp point,
and was perhaps designedly adapted for more convenient and ready use
by the charioteer than the more ponderous sword generally borne by the
native Britons. The different examples which have been heretofore noted
are furnished with the same large bronze loop which is shewn in the
woodcut, attached to the middle of the scabbard, the precise use of
which is not quite apparent. The style of ornament entirely corresponds
to that employed in decorating the personal ornaments and the
horse-furniture of this period, and supplies evidence of a remarkable
change from the undefined ornamentation of the Archaic works in bronze.

FOOTNOTES:

[472] Archæol. Scot. vol. iv. p. 43.

[473] Lindsay, Plate XXI. No. 6.

[474] Sinclair's Stat. Acc. vol. iii. p. 561.

[475] Minutes S.A. Scot., January 23, 1832.

[476] Minutes S.A. Scot., May 19, 1834.

[477] Pennant's Tour, vol. ii. Plate xliv.

[478] New Statistical Account, vol. iv. p. 249.

[479] Archæologia, vol. iii. p. 39.

[480] Ure's Rutherglen and Kilbride, p. 159.

[481] Archæologia, vol. x. Pl. XL

[482] Ure's Rutherglen and Kilbride, p. 212.

[483] _Ante_, p. 125.

[484] Scot. Mag. 1772, p. 581.

[485] Collect. de Reb. Hibern. No. XIII. p. 71, Pl. XIII.




CHAPTER V.

PERSONAL ORNAMENTS.


It has been already noticed that silver appears to have been a metal
very little known in Britain, or the north of Europe, prior to the
changes which we associate with the introduction of iron; nor is it
difficult, as we have seen, to account for this. The rarity of iron
during the primitive periods arises chiefly from the occurrence of the
ore in a form least resembling metal, and requiring the most laborious
and difficult processes to reduce it to a state fit for use; while the
absence of silver is no less satisfactorily accounted for from the
mining operations requisite for reaching the argentiferous veins, which
were only possible when the introduction of the more useful metals had
supplied an abundance of the requisite tools. One class of the earliest
silver ornaments, however, retains the same primitive and indefinite
style of decoration which has already been described as occurring on
the pottery, and also on some of the bronze and gold ornaments found
in the tumuli. A very valuable series of examples of this type are
figured in the Archæological Journal, in illustration of an account
by Mr. Hawkins of the discovery of a number of armlets, and various
other silver relics, at Cuerdale, near Preston, along with Anglo-Saxon,
Cufic, and other coins.

In the month of November 1830, some labourers engaged in digging for
stones, in a field near Quendale, Orkney, came upon the remains of an
old building, and, in digging among the rubbish, they found a decayed
horn, which appeared to have been wrapped up in a piece of cloth, but
the whole crumbled to pieces on exposure to the air. On the outside of
the horn were what were at first supposed to be metal hoops, but which
proved to be six silver bracelets. They were penannular, and tapered
nearly to a point at the ends. The largest of them were square, and
ornamented with a kind of herring-bone pattern; the remainder were
round. The weight of the heaviest was nearly six ounces, that of the
least one ounce, and one which weighed nearly one and a-half ounce,
had silver wire coiled round it. Within the horn were pieces of other
bracelets, and a quantity of Anglo-Saxon silver coins, including those
of Ethered, Athelstan, Edwg, Eadgar, and Ethelred; and alongside were
also discovered several broken stone basins. A few of the coins were
preserved, but the armillæ, and the remainder of the hoard, were
disposed of to a goldsmith in Lerwick, and melted down. Slight sketches
of the armillæ, and a deposition taken before the sheriff-substitute of
Zetland by the discoverers, are deposited in the library of the Society
of Antiquaries of Scotland. Barry describes another hoard extremely
similar to this, found at Caldale near Kirkwall. Two horns were
discovered by a man while digging peats: they contained about three
hundred silver coins of Canute the Great, and near them lay "several
pieces of fine silver, in the form of crescents or fibulæ, differing
from one another a good deal, both in figure and dimensions. Some of
them were flat, others angled; some round, some nearly met at the
ends; others were wider at the extremities; one resembled in shape the
staple of a door, and another a loop for hanging clothes upon."[486]
A portion of the coins alone escaped the usual fate of British relics
of the precious metals. A silver armilla, of the same type as those
discovered at Cuerdale, was found, in the year 1756, in a cist, along
with a quantity of burnt human bones, underneath a large cairn at
Blackerne, Kirkcudbrightshire, when the stones composing the cairn were
taken to inclose a plantation. It is now in the Museum of the Scottish
Antiquaries. A silver bracelet, of a rarer and more artistic design,
was found at Brough Head, Morayshire, by labourers engaged in digging
the foundation for a new house, and is figured of the full size in the
Archæologia Scotica.[487] The woodcut represents another remarkable
Scottish relic, a massive silver chain, found in the year 1808, near
Inverness, in the course of the excavations for the Caledonian Canal.
It now forms one of the most valued treasures of the Museum of the
Scottish Antiquaries. It weighs a little more than ninety-three ounces,
and each link is open, and only bent together, so that it may perhaps
be assumed with considerable probability, that it was designed to be
used in barter, being in fact silver ring money. There are thirty-three
links in all, each of them measuring one and nine-tenths inches in
diameter, and about two-fifths of an inch in thickness, excepting two
at one extremity, and one at the other, each of which are two and
one-fifth inches in diameter. With this exception the links appear
to be of uniform size, and would probably be found to correspond in
weight. An additional link, which was in an imperfect state, was
destroyed by the original discoverers, in an attempt to ascertain the
nature of the metal. Another silver chain is described in the New
Statistical Account, which was found within the area of an intrenched
camp, about two miles above Greenlaw, Berwickshire, at the confluence
of the Blackadder and Faungrass rivers.

[Illustration: Silver Chain, Caledonian Canal]

Reference has already been made to the discovery of nine lunar
ornaments of silver, on opening one of the great tumuli, or Knowes of
Brogar, at Stennis, in Orkney. Notices of fibulæ, and other relics
of the same metal, are to be found scattered through the Statistical
Accounts, but mostly described in such vague terms as to render them
of little avail to the archæologist. The information is usually added
that they were immediately concealed or destroyed. A rude chain, now
in my own possession, was found during the present season in the Isle
of Skye; two of the links are of silver, and the third of bronze. It
corresponds to relics composed of fragments of rings broken in pieces
for the purpose of exchange, with which both British and Scandinavian
antiquaries are familiar. They are not uncommonly linked together, as
in the example now referred to.

The bronze relics of this period are much more abundant, and here
it is that we, for the first time, come in contact with examples
bearing undoubted traces of Scandinavian art, though these belong
more correctly to the succeeding era, and will be treated of in
detail, among objects of the primitive Christian Period of Scotland.
The distinguishing characteristic of the ornamentation of the last
Pagan era, as has already been remarked, is its definiteness and
positive development of a peculiar style, along with the imitation of
natural forms. A very great similarity, however, is traceable in the
ornamentation of the whole northern races of Europe throughout a very
considerable period; and in numerous cases it is only by a careful
discrimination of details, or from some well-defined objects peculiar
to certain districts or countries, that we are able to assign a
specific epoch or nationality to discoveries. The interlaced ornament,
or "runic knotwork," as it is customary to call it, is not unfrequently
referred to as of Scandinavian origin; but of this there is not the
slightest evidence.[488] It was familiar to the Greeks and Romans, and
in its classic forms is known to architects by the term _Guilloche_,
borrowed from the French. A beautiful and early example of its use
occurs on the torus of the Ionic columns of the Erectheum at Athens.
It pertains, in like manner, to Scandinavian, Anglo-Saxon, Irish and
Scottish Celtic art, and more or less to that of all the Northern
races of the last Pagan era; while it forms a no less characteristic
ornament of early Christian art. In Scotland especially it is the
commonest decoration of a very remarkable class of monuments, more
particularly referred to hereafter, but of which it is sufficient
meanwhile to say that they do not occur, so far as I am aware, in any
part of the Hebrides, or in the Orkney and Shetland Islands, where the
Scandinavian influence was longest predominant in Scotland, and its
relics are still most frequently found. The suggestive source of the
beautiful interlaced patterns may be very naturally traced, as in the
ornamentation of the earlier pottery, to the knitting and netting of
the primitive industrial arts; nor is it at all necessary to assume
that it was introduced from Greece to the north of Europe, though it
is found, to a certain extent, common to both. But, indeed, many of
the earlier decorations of the Scandinavian Bronze Period are also to
be found in use by the Romans. The annular ornaments figured in the
Guide to Northern Archæology occur on almost every Anglo-Roman patella;
the spiral and double spiral ornaments are both frequently met with on
mosaics; and an urn, shewn in the same work, is surrounded with one of
the simplest varieties of the _frette_, a still more familiar classic
pattern.[489] The only essentially characteristic ornaments of the arts
of the northern European races are the serpentine and dragon patterns.
In so far as these are not the obvious creations of fancy, they are
clearly traceable to an eastern source, the traditions of which, it
will be seen, are even more obvious in monuments of Scottish than of
Scandinavian art.

[Illustration]

So much has been already said in reference to the legitimate
conclusions deducible from the various relics of primitive art, that it
will now suffice to indicate a few of the objects most characteristic
of this period. One of the most familiar of these is the snake
bracelet. Examples of it have been very frequently found in Scotland,
and several very fine ones are preserved in the Museum of the Scottish
Antiquaries. The annexed woodcut represents one of these, weighing
thirty-one ounces. It was found at Pitalpin, near Dundee, in 1732, and
bears considerable resemblance to another, and still more beautiful
one, found, about the year 1823, among the sand-hills of Culbin, near
the estuary of the river Findhorn, Morayshire. The circumstances
attending the discovery of the latter are thus narrated by Sir Thomas
Dick Lauder, in a communication which accompanied a drawing of it
exhibited to the Society of Antiquaries of Scotland:--"Some of the
sand-hills of Culbin are a hundred feet in perpendicular height; but
the material composing them being an extremely comminuted granite
sand, is so loose and light, that, except in a dead calm, it is in
eternal motion, so that parts of the original soil are laid entirely
bare. Though flints are not included in the mineralogical list of this
country, yet there is one small spot among the sand-hills where flinty
fragments are often picked up; and as elf-bolts, or flint arrow-heads,
have been not unfrequently found on this spot, it is supposed that a
manufactory of those rude aboriginal weapons may have once existed
there. The finder having accidentally lost his gun-flint, went to the
spot to look for a flint to replace it, and in searching about he
discovered the antique."[490] The weight of the bracelet is two pounds
nine ounces avoirdupois, and the form of the snake-heads, with which
both ends terminate, seems to indicate that they have been originally
jewelled. It can hardly be supposed that either of the above beautiful,
but ponderous ornaments, were designed to be worn on the wrist. Such
a weight would cumber the sword-arm of the most athletic hero; and
this is still further confirmed by the form of the example found at
Pitalpin, the inner edges of which are so sharp that they would not
only gall the arm, but would even be apt to wound it on any violent
action. Such ponderous bracelets were, in all probability, honorary
gifts or votive offerings, though there is also reason to believe that
they may have been regarded in the same light as the Scandinavian
sacramental rings previously referred to. A very remarkable passage in
illustration of this occurs in the Saxon Chronicle, A.D. 876, where it
is recorded that when the Danes made peace with Alfred, at Wareham in
Wessex, they gave him the noblest amongst them as hostages, and swore
oaths to him upon the holy bracelet. (Halza Beage.)[491] Examples,
however, of bronze snake bracelets of lighter weight, and evidently
designed to be worn, are of more frequent occurrence. In 1833 there
were exhibited at a meeting of the Society of Scottish Antiquaries,
two bronze bracelets in the shape of serpents, found in the district
of Bunrannoch, Perthshire, on the northern declivity of the mountain
Schehallion. The one weighed one pound two ounces, the other, one pound
fourteen and a-half ounces avoirdupois, and they are described as
similar to the armilla found at Findhorn.[492] Another example in the
Society's Museum, covered with verd antique, is a light and beautiful
bracelet, of the same type, weighing only ten ounces.

[Illustration]

Among the earliest definite forms of Northern art, the serpent or
dragon is the most common subject adopted for direct imitation, or as
a suggestive basis for the play of fancy, by the primitive artist. The
woodcut represents a singular bronze ornament in the Museum of the
Scottish Antiquaries, the history of which is uncertain, though its
style of workmanship completely accords with that of other well-known
native relics. It is figured about one-third the size of the original.
The protuberances on the snake-formed bracelets and other relics,
evidently designed originally to represent the scales of the serpent,
appear to have latterly become a conventional ornament, and are to be
found on bronze relics unaccompanied by any more defined features of
the snake or dragon. The annexed woodcut represents a very curious
bronze relic in the Scottish Museum, whereon the triple snakelike form
and scales are represented, but without the head or any more distinct
characteristic of the reptile. It measures five inches in its greatest
diameter, exclusive of the projecting scale-like ornaments. The exact
locality where it was found has not been noted; but another example
in the same collection, a little smaller in size, is believed to have
been dug up in Argyleshire. It measures externally four and four-fifths
inches in greatest diameter. Its most probable use is as a decoration
of the arm, or possibly as a neck ornament; but it is quite inflexible,
and if worn on the neck must have been permanently affixed to the
inheritor of this cumbrous badge of honour. The larger of the two,
which is figured here, weighs fully two pounds avoirdupois.

[Illustration]

[Illustration: _D. McInnes. Delᵗ._

_W. Douglas. Sculpᵗ._

BRONZE BEADED TORC, (Lochar Moss.) and BROOCH OF LORN.]

Of the commoner forms of torcs, head-rings, armlets, and other personal
ornaments of this period, examples are not rare in Scotland, though
the want of any efficient system for securing them from destruction,
when of the precious metals, or of being buried in private collections
and almost as effectually lost for nearly all useful purposes, renders
it difficult to obtain accurate accounts of the great majority of
discoveries. Some of the simpler bronze torcs and head-rings have
already been described among the relics of the Archaic Period. But
one of the most beautiful neck ornaments ever found in Scotland is a
beaded torc discovered by a labourer while cutting turf in Lochar Moss,
Dumfriesshire, about two miles to the north of Cumlongan Castle; and
exhibited by Mr. Thomas Gray of Liverpool at the York Meeting of the
Archæological Institute. It is engraved on _Plate_ III., along with
the bronze vessel in which it was inclosed. The beads, which measure
rather more than an inch in diameter, are boldly ribbed and grooved
longitudinally. Between every two ribbed beads there is a small flat
one formed like the wheel of a pulley, or the vertebral bone of a
fish. The portion which must have passed round the nape of the neck
is flat and smooth on the inner edge, but chased on the upper side
in an elegant incised pattern corresponding to the ornamentation
already described as characteristic of this period, and bearing
some resemblance to that on the beautiful bronze diadem found at
Stitchel in Roxburghshire, figured on a subsequent page. The beads are
disconnected, having apparently been strung upon a metal wire, as was
the case in another example found in the neighbourhood of Worcester.
A waved ornament chased along the outer edge of the solid piece seems
to have been designed in imitation of a cord; the last tradition, as
it were, of the string with which the older necklace of shale or jet
was secured. Altogether this example of the class of neck ornaments
to which Mr. Birch has assigned the appropriate name of Beaded Torcs,
furnishes an exceedingly interesting illustration of the development of
imitative design, in contradistinction to the more simple and archaic
funicular torc, which, though continued in use down to a late period,
pertains to the epoch of primitive art.

Various other personal ornaments have been discovered in Scotland,
manifestly belonging to this later era when artistic design had been
fully developed, and its works were characterized by a well-defined
style. Of one of the most remarkable of these a drawing has fortunately
been preserved, made to illustrate a communication to the Scottish
Society of Antiquaries in 1787, though the original, it is to be
feared, must no longer be sought for. The cairn in which the relic was
found is thus described: "At Cluinmore, near Blair-Atholl, there is
a beautiful green cairn, called Sithain-na-Cluana, _i.e._, the Fairy
Hill of Clune. It is about twenty paces high obliquely, and about one
hundred and twenty paces in circumference. Upon the top of it there are
the two side stones of the altar still remaining, upon which there are
engraven some hieroglyphics, so much defaced that they are not readable
unless the stones were turned over and narrowly examined."[493] A rough
square outline is marked, "the urn, now open, 1½ ft. long;" and
following it is the sketch, of which the annexed woodcut is an exact
copy, of the same size. It is described as the "Large bronze ring found
in the cairn of Clunemore." Rings of a similar character to this,
though differing greatly in their details, have been frequently found
in Denmark, and various fine examples are preserved in the valuable
collection at Copenhagen. But the most remarkable feature of this very
curious relic is the hooded snake's head which terminates one of the
ends, the other having been most probably finished in like manner.
It appears to have almost exactly corresponded to those on the large
snake bracelet found near Findhorn, and like it seems to have been
jewelled. Objects of this class are named by the Danish antiquaries,
Rings for the Hair. A comparison of this example, with one engraved
in Mr. Thom's edition of Mr. Worsaae's Primeval Antiquities, (p. 34,)
will best illustrate their general resemblance, and the very marked
difference of their details. Whether we assume it to have been designed
as an ornament for the head or the neck, the Clunemore ring, with its
singular snake-head finials, could not fail to prove a very striking
article of personal adornment. Besides these hair-rings, the Danish
tumuli furnish numerous gold and bronze bands, diadem and coronet
shaped ornaments, and other head-dresses, nothing similar to which are
known in this country. Various examples of these are engraved both
by Lord Ellesmere and Mr. Worsaae, including a very remarkable one
figured in the Primeval Antiquities, which was found a few years since
in the neighbourhood of Haderslev, and has an inscription engraved on
the inner side, in Runic characters, supposed to denote the name of
the original possessor. Other rings which occur among Scandinavian
sepulchral deposits are classified by Danish antiquaries among articles
supposed to have been connected with Pagan worship. These include
several varieties of penannular rings not greatly differing in general
form from the British gold relics already described under that name.
But besides these there are others of a much larger size, one of
which, figured by Mr. Worsaae, is described as "a large ring or girdle
of massive gold mixed with silver, which is rivetted together in the
middle of the front, and is conceived to have been the ornament of an
idol; for it can scarcely be supposed that any human being could have
constantly worn such a ring."[494]

[Illustration: Ring for Hair. Cairn of Clunemore.]

[Illustration: Head-Ring. Roxburghshire.]

The woodcut represents an exceedingly beautiful bronze relic,
apparently of the class of head rings, in the collection of the Society
of Antiquaries of Scotland, which was discovered in the year 1747,
about seven feet below the surface, when digging for a well, at the
east end of the village of Stitchel, in the county of Roxburgh. It
bears a resemblance in some respects to relics of the same class in
the Christiansborg Palace, yet nothing exactly similar to it has yet
been found among Scandinavian relics; while some of its ornamental
details closely correspond to those which characterize the British
horse furniture and other native relics of this period. One of its most
remarkable peculiarities is, that it opens and shuts by means of a
hinge, being clasped when closed by a pin which passes through a double
catch at the line intersecting the ornament; and so perfect is it that
it can still be opened and secured with ease. It is probable that this
also should rank among the ornaments of the head, though it differs
in some important respects from any other object of the same class.
The oval which it forms is not only too small to encircle the head,
but it will be observed from the engraving that its greatest length is
from side to side, the internal measurements being five and nine-tenth
inches by five and one-tenth inches.

Montfaucon, Vallancey, and other continental and Irish antiquaries,
have traced the original of the lunar head-ornaments to the well-known
head-dress so common in Egyptian sculpture, and, following out their
favourite Druidical theories, have assumed them to be the special badge
of the Druid priests.[495] There are not wanting, however, traces of
ancient customs among the races of Northern Europe which would lead
us rather to assign them as a part of female adornment, as Mr. Birch
has already done to the analogous gorgets, so nearly resembling them
in form.[496] The maiden coronet, or tire for the hair, in use among
the northern races of Europe, and its correspondence to the snood or
cockernonie of Scottish maidens, are very happily illustrated in Mr.
Robert Jamieson's notes to "Child Axelvold."[497] One of the most
touching passages of the old northern ballad derives its chief beauty
from the allusion to the ancient usage of the maiden head-dress,--

    "Lang stuid she, the proud Elinè,
      Nor answer'd ever a word;
    Her cheeks sae richly-red afore,
      Grew haw as ony eard.
    She doffed her studded stemmiger,
      And will of rede she stuid:
    'I bure nae bairn, sae help me God,
      But and our Lady gude!'"

To _tyne her snood_ is still a sufficiently intelligible phrase in
Scotland for the loss which forfeits the privileges of a maiden,
without admitting to those of a matron. The Greek poets also abound
with allusions to the nuptial ceremony of taking off the bride's
coronet,[498] and the Jews still preserve a similar usage; so that
in this, as in so many other northern customs, we recover additional
traditions of the Asiatic origin of the Teutonic races.

FOOTNOTES:

[486] Barry's Orkney, p. 225.

[487] Vol. iii. Plate V.

[488] The term _Runic knot_, as thus applied to the interlaced
ornament, is a ridiculous misnomer, which, if it has any meaning, must
signify the Alphabet knot!

[489] Guide to Northern Archæology, pp. 43, 70.

[490] Archæol. Scot. vol. iii. p. 99. It is engraved in a superior
style in Archæologia, vol. xxii. Plate XXXV.

[491] Chron. Sax. edit Gibs. p. 83, quoted by H. Ellis, Esq., Archæol.
vol. xxii. p. 292.

[492] Minutes of S.A. Scot., April 22, 1833.

[493] MS. Soc. Antiq. Scot., read May 1, 1787.

[494] Primeval Antiquities, p. 64.

[495] Collect. de Reb. Hiber. No. xiii. p. 70.

[496] Archæol. Journal, vol. iii. p. 35.

[497] Illustrations of Northern Antiquities, p. 354.

[498] "The translators of the Greek poets generally interpret μίτρη by
the _zone_ or girdle, (of plaited rushes,) which among the Greeks and
Romans was not properly a virgin zone, because it was to be worn by
the wife till it became too short."--"In later times the unbinding the
coronet and unbuckling the girdle, in putting the bride to bed, were
so nearly connected with each other, that the zone and coronet were
sometimes put for each other, and μίτρη applied to the former, as in
the _Argon._ of Apoll. Rhod. b. 2. l. 287:--

         ------ᾧ ἔπι μούνῳ
    Μίτρην πρῶτον ἔλυσα καὶ ὕστατον."

--R. Jamieson's notes to Child Axelvold.




CHAPTER VI.

SEPULCHRES OF THE IRON PERIOD.


The descriptions already given of the circumstances under which
objects belonging to this era have been found, have supplied some
sufficiently characteristic illustrations of the sepulchral rites
of the period. Very few well-defined examples, however, of tombs
of the era immediately preceding the introduction of Christianity
have yet fallen under the notice of observers competent to furnish
a satisfactory report of their appearance, or of the peculiarities
which have marked the mode of interment in Scotland during this last
Pagan age. They are indeed comparatively rare, arising, in part at
least, from the period having been one probably of greatly shorter
duration than those which have been previously considered; but also
we may assume, from increasing civilisation having limited the
sepulchral honours of the cairn, or the huge barrow, with its costly
deposits, to a very few of the most distinguished chiefs. This latter
conclusion receives ample confirmation from many cists found without
any superincumbent heap, the contents of which, though of little
moment, frequently suffice to connect them with the age of iron. To
those tombs of this period, already referred to in previous chapters,
one or two additional examples of special interest, however, remain
still to be added. Lieutenant-Colonel Miller thus describes a discovery
made on his estate of Urquhart, Fifeshire, in the autumn of 1832:--"In
trenching the ground within about three hundred yards of Melford, on
the Eden, I came upon the remains of two cairns, adjoining which was
dug up a spear-head. It was under the root of a tree about an hundred
years old, about three feet under the surface, and is the only one
of iron that I have met with." The spear-head, which is figured here,
measures, in its present imperfect state, only six and a half inches
long. The Colonel also describes a dagger, which had very much the
appearance of a breakfast knife, but was completely oxidized. There
was dug up along with these a small vase, quite entire when found,
and in form somewhat resembling a tea-cup, but which was carelessly
left on the ground, and broken in the course of subsequent operations.
Besides this, several pieces of pottery were met with, one of the
thickest of which was strongly vitrified, and also a bronze fibula,
and a considerable quantity of bones and ashes.[499] In another cairn,
called Gaskhill, near the village of Collessie, in the same county,
there was discovered, a few years since, an iron sword, now preserved
at Kinloch House. Though greatly corroded, its original form is still
sufficiently distinguishable. It measures fully eighteen inches in
length, with one edge, returned from the point a short way on the back;
differing in this respect from the pointless sword of the ancient
Caledonian, as described by Tacitus, though corresponding to other
examples found in Scotland, such as those already referred to, which
were discovered in the parish of Cummertrees, Dumfriesshire, in 1834.
In the course of the following year, a large tumulus on the farm of
Dasholm, near Garscube, Dumbartonshire, was partially demolished,
within which was a stone-chamber containing a bronze or copper relic,
described as the visor of a helmet, with a spear-head, the blade of
a sword, two small picks, and various other relics, all of iron, but
concerning the original use of many of which the discoverers could form
no idea.[500] The tumulus has been only very partially explored, and it
is not improbable that it may furnish equally interesting contents to
some future excavator. In 1836, another large tumulus was opened in the
neighbourhood of the Clyde Iron Works, Lanarkshire, which contained,
besides two cinerary urns filled with ashes, two bronze bridle-bits,
and various other relics, supposed to have formed portions of horse
furniture. The relics included in the latter class may justly rank
among the most interesting remains peculiar to the Iron Period.

[Illustration]

We know from the accounts of the Roman historians, that when the
invading army of Agricola was withstood by the united forces of the
Caledonians, one of their most formidable provisions for assailing
the legions was the native war-chariot. The incidents preserved to
us in the narrative of that memorable campaign of the Roman general,
furnish the chief historical evidence we now possess of the degree of
civilisation to which the native tribes of North Britain had attained
at the period when they came into direct collision with the disciplined
veterans of Agricola's army. But the most favourable view of the
progress then attained by the natives which can be deduced from the
allusions of classic historians, is amply borne out by contemporary
archæological evidence. The union of so large a force under one native
leader for the purpose of withstanding the general enemy, is in itself
no slight evidence of an advanced social civilisation. We learn,
moreover, that the British warrior had subdued and trained the horse
to his service, and was accustomed to yoke it to the war-chariot; an
ingenious and complicated piece of workmanship, requiring no slight
mastery of the mechanical arts to execute.

This is perhaps the most important characteristic of the last Pagan
era which the tumuli reveal to us; while we discover from them also
the remarkable fact, that in the sepulchral rites accorded to the most
honoured dead, not only the warrior's weapons, but even his chariot and
horses, were sometimes interred beside him, not improbably with the
idea that they might still suffice for his use in the strange Elysium
whither the thoughts of survivors followed their departed chief. The
horns of the deer, and other remains of the spoils of the chase, are
frequently found in the older tumuli, with also occasionally the
skeleton of the dog lying beside that of the hunter. But it is only in
this last period when we have reason to believe the Teutonic colonists
had brought with them to the British Isles many new arts and customs,
that we clearly trace the remains of the horse, or find the relics of
the war-chariot among the contents of the tomb, or beside the urn.

The researches of the geologist establish beyond doubt that the wild
horse was a native of the British Islands prior to their occupation
by the earliest Allophylian colonists, and even prove the existence
of several species. "The best authenticated associations of bones
of the extremities, with jaws and teeth, clearly indicate that the
fossil-horse had a larger head than the domesticated races; resembling
in this respect the wild horses of Asia described by Pallas."[501] A
smaller species of _Equus_, the _Asinus fossilis_, is also found in
the more recent or diluvial formations, along with existing as well
as extinct species. Professor Owen remarks,--"From the peculiar and
well marked specific distinction of the primogenial or slender-legged
horses, (_Hippotherium_,) which ranged from Central Europe to the then
rising chain of the Himalayan Mountains, it is most probable that they
would have been as little available for the service of civilized man as
is the zebra or the wild ass of the present day; and we can as little
infer the docility of the later or pliocene species, _Equus plicidens_,
and _Equus fossilis_, the only ones hitherto detected in Britain, from
any characters deducible from their known fossil remains. There are
many specimens, however, that cannot be satisfactorily distinguished
from the corresponding parts of the existing species, _Equus caballus_,
which, with the wild ass, may be the sole existing survivors of the
numerous representatives of the genus _Equus_ in the Europæo Asiatic
continent."[502] Whether any of the fossil species existed at the
period of earliest colonization in Britain is still open to question;
but the occasional discovery of teeth and bones of the horse, along
with the culinary debris of the Scottish weems and other primitive
dwellings, seems to indicate its existence here among the British Fauna
prior to its domestication and training for the Caledonian war-chariot.

A very curious discovery of the tomb of a British charioteer, with the
skeleton of his horse, was made in the year 1829, in the neighbourhood
of Ballindalloch, a small post-town in the county of Moray. It is thus
communicated in a letter to the secretary of the Society of Antiquaries
of Scotland:--"A labourer in digging for moor-stones here, a few weeks
since, on a moor about a mile from Ballindalloch, found at a depth of
above a foot from the surface, a quantity of bones, among which appear
to have been a human skeleton, and also the skull and bones of a horse.
The whole had been covered up, to my great regret, before I heard of
it; but the labourer tells me that there were a quantity of rings
and bits of iron, one of them like a great hoop: but all completely
rusted. I have been fortunate enough to get hold of what I take to be
the bridle [bit] of the horse, two bronze rings, joined by a double
link of iron, and also some bronze rings which may have belonged to
its harness. There were also some bits of wood, oak I find it to be
from a fragment I have; but it was all too much decayed to tell what
it had been."[503] The letter is accompanied with a sketch of what is
described as "a curious little iron cup found in the grave." It is
shewn in the annexed woodcut, and will be at once recognised by the
archæologist as the umbo which formed the centre of the shield, and
received and protected the hand of its wearer. The fragments of oak
found along with it may have also included part of the shield, as well
as portions of the war-chariot. Scarcely a doubt can be entertained
that in this discovery we have one of the rare examples of the tomb of
a British chief, with his arms and his chariot and steed laid beside
him,--a piece of wild barbarian pomp which puts all the modern "boast
of heraldry" to shame. A bridle-bit in the Museum of the Scottish
Antiquaries, which answers closely to the above description, was found
in 1822, along with the remains of the horse and rider, about two feet
below the surface, in levelling May Street, in the New Town of Largs;
and was accordingly assumed as a relic of the celebrated battle fought
there with the Norwegian king, Haco, in 1263.[504] It consists of two
plain bronze rings, measuring each three and three-quarter inches in
diameter, and united by a double link of iron.

[Illustration]

Independently of the great interest which justly attaches to the
British war-chariot, as an evidence of skill and of considerable
progress in civilisation, the horse furniture which usually accompanies
it furnishes one of the most illustrative class of relics of the
artistic skill of the period. Among these the bridle-bits have most
frequently attracted attention. The examples found in Scotland differ
in no very remarkable degree from those with which the archæologists
both of England and Ireland are familiar. They consist generally of
two large bronze rings, united by two or sometimes three links of
the same metal. They are frequently highly ornamented, and the marks
of later repair observable on many of them suffice to shew the great
value attached to them. The beautiful example figured here, was found
about the year 1785, in the bottom of a deep moss at the east end of
Birrenswork Hill, Dumfriesshire, a locality rich in the remains of
Roman and British arts, and where the traces both of Roman and native
intrenchments are still visible. The outer diameter of the rings of
the bridle-bit measures two and seven-tenth inches, and the ornamental
appendages projecting into each ring still retain considerable traces
of the red and blue enamel with which they have been filled. It
must have been made for a small horse, as the centre piece measures
somewhat less than two inches within the perforated loops. It appears
to have been long in use. The large rings are much worn, and have been
ingeniously repaired by rivetting a new piece to each. The small loops
or eyes also attaching them to the bit have had a fresh coating of
metal superadded where they were partially worn through.

[Illustration: Bronze Bridle-bit. Annandale.]

[Illustration]

A remarkable discovery of ornaments, bronze rings, bridle-bits, and
other portions of horse furniture was made in a moss at Middleby,
Annandale, in the year 1737. The whole of these were secured by the
zealous Scottish antiquary, Sir John Clerk, and are still preserved,
along with numerous other objects collected by him, at Penicuick House.
The bridle-bits, though plainer than the one figured above, are of the
same type, and one of them corresponds to it in the want of uniformity
of the two rings, which is probably to be accounted for from their
being designed for a pair of charioteer's horses, the more ornamental
ring being designed for the outside, where it would be most exposed to
view. The duplicate of this appears, from a note in the handwriting of
Sir John Clerk attached to the example still preserved at Penicuick
House, to have been presented by him to Mr. Roger Gale. Drawings of
the principal objects of this valuable collection were forwarded to
the Society of Antiquaries of London at the time of their discovery,
by Sir John Clerk, and are still preserved.[505] One or two of the
most remarkable objects found at Annandale are figured here from the
originals at Penicuick House. They are nearly identical in type with
the collection of antiquities found within the extensive intrenchments
at Stanwick, on the estate of the Duke of Northumberland, and since
presented by His Grace to the British Museum. Some of the principal
objects are engraved in the York volume of the Archæological Institute,
the Stanwick relics having been exhibited during the Congress of 1846.
Another discovery of nearly similar character was made at Polden
Hill, Somersetshire, in 1800.[506] These also have been secured for
the British Museum, and correspond with the Annandale bridle-bit,
figured above, in the beauty of their enamel as well as in the form
and ornamental details of many of the articles. The great beauty of
these objects and the amount of decoration expended on the horse
furniture, prove at once the high state of the arts at the period
to which they belong, and also the wealth and luxury of the people,
which enabled them to lavish such costly ornamentation even on their
harness and the furnishings of their war-chariots. No account is known
to have been preserved of the circumstances attending the interesting
discovery at Middleby, but the place where they were found precludes
the idea of their having belonged to a sepulchral deposit. By far
the most ample notice we possess of one of the latter, affording a
valuable illustration of the precise use of the objects of antiquity
described above, as well as of the rites and customs of their owners,
occurs in an account of the opening of some barrows on the Wolds of
Yorkshire, communicated to the Archæological Institute by the Rev. E.
W. Stillingfleet, Vicar of South Cave, in that county. The following
account of the contents of one of these, which proved to be the
sepulchre of a British charioteer, is abridged from Mr. Stillingfleet's
interesting narrative.

[Illustration]

[Illustration]

    "The elevation of the barrow was uncertain, from its crown
    having being levelled; its diameter was from eight to nine
    yards. The cist was nearly a circle of eleven or twelve feet.
    In this cist, excavated to the depth of about a foot and a
    half in the chalky rock, and on a nearly smooth pavement, the
    skeleton of a British charioteer presented itself, surrounded
    by what in life formed the sources of his pride and delight,
    and no inconsiderable part of his possessions. The head of the
    charioteer was placed to the north with an eastern inclination.
    He rested on his back, his arms crossed on his breast, and his
    thigh and leg-bones appearing to have been crossed in opposite
    directions. Very near to his head were found the heads of two
    wild boars. Inclining from the skeleton, on each side, had
    been placed a wheel; the iron tire and ornaments of the nave
    only remaining. In diameter the wheels had been a trifle more
    than two feet eleven inches. The diameter of the ornaments of
    iron, plated with copper, which had encircled the nave as a
    kind of rim, was very nearly six inches. Each of the wheels had
    originally rested on a horse, the bones of which were found
    under or adjoining to them; the head of each horse being not
    far from that of the charioteer on opposite sides. From the
    size of their leg-bones these horses were of unequal height,
    but probably neither of them reached thirteen hands."

In the charioteer's cist were also found the bridle-bits, rings,
buckles, and others of the metallic furnishings of the harness. Many of
these objects closely correspond to those found both at Stanwick and
in the Middleby Moss, leaving no room to question their native origin
and workmanship, and thus freeing us from any uncertainty apparent
in the communication by Sir John Clerk to the London Antiquaries,
who has thus cautiously labelled his drawings,--"Horse-furniture
found in a moss in Annandale in Scotland, _supposed to be Roman or
old Danish, or British_!" The chariot and horses, as well as the
personal ornaments and weapons of war, deposited beside the buried
chief, were no mere idle funeral pomp, but destined for his use in
a future world. Doubtless his faithful attendants anticipated, when
lavishing such costly rites on his sepulture, that they were furnishing
them for his entrance into the Valhalla of the Gods, proudly borne
in the chariot in which he had been wont to charge amid the ranks
of the enemy, and achieve such deeds of valour as form the highest
attainments of barbarian virtue. It is to be remarked, however,
that the articles found in the Yorkshire barrows differ from those
discovered in Annandale, in being of iron plated with copper; whereas
the latter appear to be entirely formed of bronze, and perhaps should,
on this account, be assumed to be of a somewhat earlier date; unless,
as is fully more probable, they mark a period when the use, or the
full knowledge of the working of iron, was very partially diffused
throughout the British islands, and when, therefore, the older and
more familiar metal was still to be looked for among the more northern
tribes.

It is obvious, from the various examples already cited, that much
diversity existed in the modes of interment practised in Scotland
during the last heathen period. The cairn and tumulus, the cist
and cinerary urn, all occur accompanied with contemporary relics.
The Danish antiquaries are able to refer to a definite period when
cremation was abandoned for inhumation. But if the date assigned by
Mr. Worsaae for the close of the Danish Bronze Period be correct, it
very nearly corresponds with that of the introduction of Christianity
into Scotland, when our later Iron Period came to a close. Perhaps
it is to this closing period of the Pagan era that we shall most
consistently refer the substitution of the earliest forms of rude oaken
coffins for the primitive cist of stone. Mr. Worsaae has described
the investigation of a remarkable barrow in 1827, at the village of
Vollerslev, containing a cist hollowed out of a very thick oaken
stem, about ten feet in length, within which was found the remains of
a woollen mantle, a sword, dagger, palstave, and brooch of bronze,
a horn comb, and a round wooden vessel with two handles. English
archæologists are familiar with a corresponding oaken cist brought to
light a few years since, on the opening of a tumulus at Gristhorpe,
near Scarborough, within which lay a skeleton, and beside it a bronze
spear-head, flint javelin and arrow heads, ornaments of bone, and a
small shallow basket of wicker-work. The whole of these interesting
relics are now deposited in the Scarborough Museum. So far as this
single example goes, it rather tends to connect the remarkable deposit
with a much earlier period. It is referred to in Mr. Thom's interesting
preface to the English edition of the Primeval Antiquities of Denmark,
as, with one exception, the only discovery of the kind known to have
taken place in England. Probably, however, such examples are less
rare than is supposed. They have already been observed in more than
one instance in Scotland, though little calculated to excite interest
in the minds of those under whose observation unfortunately such
discoveries most frequently come. On the removal of a tumulus, a few
years since, on the estate of Cairngall, in the parish of Longside,
Aberdeenshire, two such oaken cists were exposed. They are thus
described by Mr. Roderick Gray:--"One of them was entire; the other was
not. They had been hollowed out of solid trees, and measured each seven
by two feet. The sides were parallel, and the ends were rounded, and
had two projecting knobs to facilitate their carriage. The bark of the
trees of which they had been formed remained on them, and was in the
most perfect state of preservation. No vestige of bones was found in
either of them. They had been covered over with slabs of wood, and lay
east and west."[507] A more remarkable ancient sepulchre of somewhat
similar character was discovered in the parish of Culsalmond, in the
same county, in the month of May 1812. The following account of it is
furnished by the Rev. F. Ellis:--

    "In preparing a field for turnips, the plough, at a spot from
    which a large cairn of stones and moss had been removed about
    thirty years before, struck against something which impeded
    its progress. On examination this proved to be a wooden coffin
    of uncommon size, and of the rudest conceivable workmanship.
    It had been formed from the trunk of a huge oak, divided into
    three parts of unequal length, each of which had been split
    through the middle with wedges and stone axes, or perhaps
    separated with some red-hot instrument of stone, as the inside
    of the different pieces had somewhat the appearance of having
    been charred. The whole consisted of six parts,--two sides,
    two gables, a bottom, and a lid. Only a small part of the lid
    remained, the greater part of it having been splintered and
    torn up by the plough. The coffin lay due east and west,--the
    head of it being in the east end of the grave. The sides were
    sunk into the ground thirteen and a half inches below the
    bottom piece. In the middle of them were grooves of rough and
    incomplete workmanship, and of the same length at the bottom.
    The projecting parts of the sides rested on a hard substance
    much mixed with ashes which had undergone the action of a very
    strong fire, and on which part of the grave had evidently been
    erected the funeral pile. In a corner of the coffin was an urn
    which was broken in the digging out. It had been formed of a
    mixture of clay and sand; narrowest at bottom, very wide at the
    top, and about ten or eleven inches deep. After the different
    pieces were placed in the grave in their proper order, it
    appears to have been surrounded with a double row of unhewn
    stones."[508]

It was my good fortune to witness the exhumation during the present
year of examples of this remarkable class of oaken cists, under
circumstances of peculiar interest. In the course of constructing an
immense reservoir on the Castlehill of Edinburgh for supplying the city
with water, an excavation was made on this, the highest ground, and
in the very heart of the ancient capital, to a depth of twenty-five
feet.[509] After removing some buildings of the seventeenth century
and several feet of soil, in which were found various coins of the
Charleses and of James VI., a considerable portion of a massive stone
wall was discovered, which there can be little doubt formed part of
the defences of the city, erected by authority of James II., exactly
four centuries before: A.D. 1450. Lower down, and entirely below the
foundations of the ancient civic ramparts, the excavators came upon
a bed of clay, and beneath this a thick layer of moss or decayed
animal and vegetable matter, in which was found a coin of the Emperor
Constantine, thus suggesting a date approximating to the beginning of
the fourth century. Immediately underneath this were two coffins, each
formed of a solid trunk of oak, measuring about six feet in length.
They were rough and unshapen externally, as when hewn down in their
native forest, and appeared to have been split open. But within they
were hollowed out with considerable care, a circular space being formed
for the head, and recesses for the arms; and indeed the interior of
both bore considerable resemblance to what is usually seen in the stone
coffins of the twelfth and thirteenth centuries. They lay nearly due
east and west, with the heads towards the west. One of them contained
a male and the other a female skeleton, unaccompanied by any weapons
or other relics, but between the two coffins the skull and antlers
of a gigantic deer were found, and alongside of them a portion of
another horn, artificially cut, and most probably the head of the
lance or spear with which the old hunter armed himself for the chase.
The discovery of such primitive relics in the very heart of a scene
of busy population, and the theatre of not a few memorable historical
events, is even more calculated to awaken our interest, by the striking
contrast which it presents, than when found beneath the lone sepulchral
mound, or exposed by the chance operations of the agriculturist. An
unsuccessful attempt was made to remove one of the coffins. Even the
skulls were so much decayed that they went to pieces on being lifted,
but the skull and horns of the deer found alongside of them are
now deposited in the Museum of the Scottish Antiquaries. It is not
altogether unworthy of notice here, as possibly indicating the Celtic
origin of this early substitute for the primitive stone cist, that our
term coffin appears to be derived from the Gaelic, _cobhan_, a coffer
or wooden chest; Greek, κοφινος, a wicker-basket or coffer, though the
more usual modern Gaelic name applied to the coffin is _ciste-mairbh_,
or chest of the dead.

The great diversity in the later heathen sepulchral rites may be traced
with much probability to the causes which have suggested the term
Teutonic as most applicable to the period immediately preceding the
introduction of Christianity. The isolation of the British Celtæ was
at an end. Not only were the Teutonic races of the Continent effecting
numerous settlements in the British Isles, and falling back on the
more northern and purely Celtic tribes, as they were compelled to give
way to the inroads of the Roman legions on their earlier scenes of
colonization; but even where the Celtic population maintained their
ground, we have abundant evidence that very extensive intercourse with
the south was familiarizing them with the arts and civilisation of the
continent of Europe. Such intercourse could not fail also to introduce
to them many novel rites and superstitions such as are still traceable
in the folk-lore of the whole Teutonic races. Numerous independent
proofs unite in confirmation of the fact of an entirely new era having
taken the place of the early Bronze Period. The uses and relative
values of the metals had obviously been finally adjusted. The Scottish
bridle-bit shews the adaptation of the iron for use and the bronze for
ornament; and this is even more apparent in the plated harness of the
British charioteer found on the wolds of Yorkshire. All the evidence
concurs in shewing how great was the change that had taken place since
the primitive metallurgist laboriously fashioned his weapons from the
rare and costly bronze, still supplying numerous deficiencies with
implements of horn and stone. The variety, moreover, in the sepulchral
deposits, and in the character of objects designed for the same
purpose, is no less indicative of the important changes superinduced
on primitive arts, than are the various modes of sepulture suggestive
of a diversity of national customs and creeds, or of the indifference
and scepticism which are the forerunners of change. Everything betokens
the close of the long Pagan era which we have followed down from
that remote dawn of archæological annals in which we catch the first
dim traces of the aboriginal Briton mingled among alluvial relics of
strange animal life, to the commencement of authentic written history
and inscriptions, preparatory to a new period of which our own century
forms a part.

FOOTNOTES:

[499] MS. Letter, S.A. Scot., Dec. 1832.

[500] New Statist. Acc. vol. viii. p. 48.

[501] Owen's British Fossil Mammalia, p. 385.

[502] Ibid. p. 397.

[503] MS. Letter, J. Stewart, Libr. S.A. Scot.

[504] MS. Letter, John Smith, Esq. of Swindrigemuir, to John Dillon,
Esq., 28th March 1822. Libr. S.A. Scot.

[505] S. A. L. Collection of Drawings, vol. ii. p. 61. I am indebted to
the obliging attention of Mr. Albert Way for learning of the existence
of these drawings, as well as for sketches, which enabled me afterwards
to identify the objects in the collection at Penicuick House. The
original drawings are by no means minutely correct.

[506] Archæologia, vol. xiv. p. 90.

[507] New Statistical Account, vol. xii. p. 354.

[508] New Statist. Acco. vol. xii. p. 733.

[509] The excavation extended to a depth of fully thirty-three feet
below the highest part of the area included within the reservoir, but
at the point referred to in the text the lowest perpendicular depth was
about twenty-five feet.




PART IV.

THE CHRISTIAN PERIOD.

    "Tantum ergo sacramentum
      Veneremur cernui,
    Et antiquum documentum
      Novo cedat ritui,
    Præstet fides supplementum
      Sensuum defectui."

                                             S. THOMÆ AQUINATIS
                                     HYMNUS DE CORPORE CHRISTI.




CHAPTER I.--HISTORICAL DATA.


By whatever course the earlier colonists of the British Isles reached
our shores and diffused the first influences of the presence of man, as
well as those succeeding evidences of his progress, the traces of which
have been reviewed in the preceding sections, it is unquestionable
that that latest and most important of all sources of change, the
introduction of Christianity, took place by a very different route
from that of the Straits of Dover. All the affinities indicated by
the later and well-defined relics of native art point to a more
intimate intercourse and community of customs and arts between the
natives of Scotland and Ireland than between those of the northern and
southern parts of the island of Great Britain, taking as its natural
intermediate boundary the Highlands of Northumberland and Cumberland.
South of this the tribes partook of the characteristics of those of the
neighbouring continent. They shared in the civilisation of the north of
Europe, held by its mythology, and were involved in its enslavement
by the aggressive expansion of the overgrown Roman empire; while the
nations both of northern Albany and of the Irish isle were left to the
unmitigated influences, for good or evil, of their wild independence.
The geographical position of the British and Irish coasts sufficiently
accounts for frequent intercourse between the natives of Scotland and
Ireland from the earliest periods. While the narrowest part of St.
George's Channel has a breadth of about sixty-five miles, the opposite
coasts of the Mull of Cantyre and of Fair Head in the county of Antrim,
are only fourteen miles apart. The remarkable ancient historical Gaelic
poem, generally termed the ALBANIC DUAN, written in its present form in
the reign of Malcolm Canmore about the middle of the eleventh century,
thus refers to the first peopling of Scotland and the Irish origin of
the northern Picts:--

    "Ye learned of all Albin,
    Ye wise, yellow-haired race,
    Learn who was the first
    To acquire the districts of Albin.

    "Albanus acquired them with his race,
    The illustrious son of Isiscon,
    Brother to Britus, without treachery:
    From him Albin of ships takes its name.
           *       *       *       *       *
    "The Cruithne acquired the western region,
    After they had come from the plains of Erin:
    Seventy noble kings of them
    Acquired the Cruithen plains."[510]

Of the history of the neighbouring island during the first centuries
of the Christian era our knowledge is necessarily extremely imperfect
and uncertain; nor have the over-zealous exertions of Irish antiquaries
to clear up this period of their national annals greatly added to our
information. Without, however, entering upon the controverted ground
of primitive Irish history, it is sufficient for our present purpose
to know that at the period of the introduction of Christianity into
Ireland it was occupied by the Hiberni, an ancient if not aboriginal
Celtic race, by the Cruithne, as the inhabitants of Ulster are called
by the native annalists, and also by the Scoti, a race who had then
apparently established themselves in Ireland, and secured a complete
supremacy over the elder native population, at no very distant date.
Whencesoever this latter race was derived, we have evidence that they
were considerably advanced in civilisation, though their superiority
appears to have been less in arts than in arms, the traces of early
artistic skill being generally ascribed on satisfactory grounds to
the older races who acknowledged their supremacy. So effectual was
their superiority in arms, however, in effacing every trace of the
independence and nationality of the more ancient tribes, that towards
the close of the third century at the latest, the name of Scotia
appears to have been generally applied to Ireland, and for nearly seven
centuries continued to indicate the Hibernia of Latin writers.

Christianity had already gained some partial footing in Ireland
prior to the apostolic mission of St. Patrick, who was consecrated
for that purpose by Pope Celestine, A.D. 433. Both the parentage and
country of the Irish apostle have been made the subject of recent
controversy, but, according to the most commonly accepted history, the
little village of Kilpatrick, on the north bank of the Clyde, between
Glasgow and Dumbarton, claims the honour of having given birth to the
patron saint of Ireland; in return for which the Scottish apostle,
St. Columba, is acknowledged as of Irish origin. Though Ireland was
not unknown to the Romans no attempt appears to have been made to
subject it to their grasping sway, and it was accordingly left to
reap by indirect means the advantages of southern civilisation. This
the introduction of the new religion most effectually promoted. Greek
and Roman literature received the attention of the clergy in a way
that produced far more direct and beneficial results than any which
flowed from the intrusion of Roman civilisation and supremacy into the
neighbouring island. A native literature was developed and fostered,
native arts sprung up, and architecture assumed a peculiar national
character. From the middle of the fifth till nearly the close of the
eighth century, Ireland was among the most civilized and prosperous of
the nations of Europe, and wanted only a native Alfred or a Canmore to
give the same unity to its independent tribes which St. Patrick had
conferred on its ecclesiastical state.

It was during this prosperous era, in the very beginning of the sixth
century,[511] that a small colony of these Irish Scoti effected a
settlement in the district of Scotland now known as the county
of Argyle, and conferred on it the name of Dalriada, according to
spurious monkish traditions, in honour of their leader, Cairbre Riada,
a celebrated Scottic warrior whose epoch is assigned by older Irish
annalists to the third century. This, however, was certainly not the
first interchange of races between Scotland and Ireland, nor did it
exercise any immediate influence on Scottish history. The earliest
authentic records succeeding the era of Roman invasion exhibit Scotland
divided into the kingdoms of the Cruithne, or Northern Picts, and the
Piccardach, or Southern Picts. The Irish Cruithneans were doubtless
a Celtic colony originally from Scotland. Early writers agree in
recognising both by the same name of Picts, though few subjects have
excited more fruitless controversy than the attempts to assign historic
consistency to the half-fabulous race of Scottish Picti, or even to
agree on the derivation or meaning of their name. The _nec falso nomine
Picti_ of Claudian was long assumed as decisive of their being mere
naked savages, who decorated their bodies with paint. But this error
is now generally abandoned. A more consistent derivation may be sought
in the Welsh _peith_, _to scream_, _to fight_, whence _pic-t-a_,
_fighting man_. In accordance with such a derivation it appears to have
been common to more than one native tribe or kingdom, and to have been
rarely or never used unaccompanied by some distinctive epithet, such as
the _Gwyddyl Ffichti_, or Gaelic Picts of the Welsh Triads.

Into the long disputed question of the origin of the Pictish race,
it is happily no longer needful to enter at large. Much learning and
acrimony have been expended on it, not altogether without reason;
for its proper understanding involves the consistent resolution of
that period, of no slight importance in Scottish history, intervening
between the year 296 of our present era, when the first mention of the
Scottish Picti occurs,[512] and the intrusion of the Saxon race in
the eleventh century into the kingdom of the Southern Picts. To the
critical researches of one or two recent writers, and especially to
the consistent narrative of Skene in his able work on the Highlanders
of Scotland, we owe the rescue of this portion of Scottish history
from the confusion and mystery to which monkish legends and modern
controversy had consigned it. During this important era which
intervenes between the final retreat of the Romans and the accession
of Malcolm Canmore, we find North Britain divided into the three
kingdoms of the Northern and Southern Picts and the Dalriads. The
Irish derivation of the latter being undoubted, further research
into their origin has been left to Hibernian antiquaries, while our
native writers long sought in vain to discover any clue either to the
intrusion or extrusion of the Pictish race, which if distinct from the
old Celtic population, must have appeared and disappeared like the
winter's snow. By some they have been supposed to have been utterly
eradicated by successive invaders, or to have gradually disappeared as
a distinct race by marriage and intermingling with their supplanters.
Others have maintained that the Northern and Southern Picts were
two distinct races, of which the latter alone were exterminated or
driven from the soil by the successive invasions of the Lowlands,
while the former maintained their ground, which is still possessed by
their descendants the Scottish Highlanders. The weight of evidence,
however, and the manifest coincidence between the ancient topographical
nomenclature throughout the whole of Scotland, leave no room to doubt
that both the Northern and Southern Picts, who have long formed a
mythic and half-fabulous race in the popular traditions of Scotland,
were none other than the original Celtæ, who so resolutely withstood
the Roman invaders. Ptolemy gives the names of thirteen Caledonian
tribes; in some editions of the Old Geographer the number is extended
to seventeen; and to these the questionable authority of Richard of
Cirencester adds at least four more. In all probability the greater
number of these existed as independent and frequently rival tribes,
up to the period of Roman invasion, and were for the first time
united under one leader or chief when Galgacus led them against the
legions of Agricola. The immense host, however, which he brought
into the field, shews that Scotland was then no longer a savage and
thinly-peopled country, while their war-chariots, their shields, huge
iron swords, and other effective accoutrements, have already been
referred to in evidence of the progress which they had then made in
the useful arts. This union against a common enemy, maintained as we
have good reason for believing it was, throughout the whole period
of the Roman occupation of Scotland, was perhaps the most important
of all the fruits which Scotland reaped from the intrusion of the
civilized Romans; and to it we may with much probability ascribe
the permanent coalition of the numerous independent tribes, and the
consequent establishment of the two Pictish kingdoms, the limits of
which were to a great extent determined by the natural features of the
country. Both spoke dialects of the same Celtic language, to which
the philologist still turns for explanation of the more ancient name
of Lowland as well as Highland localities, and which still exists as
a living tongue among the Scottish Gael. In the Welsh Triads, which
are believed to be fully as old as the sixth century, the Picts are
uniformly designated, without distinction, as the _Gwyddyl Ffichti_,
that is the Gaelic or Celtic Picts; and Bede, in enumerating the
different languages in which the gospel was taught in Britain, speaks
of the _lingua Pictorum_ as one tongue, though it is apparent elsewhere
that he was familiar with the distinction between Northern and Southern
Picts. Even Ritson, while fiercely opposing the idea of any community
of origin between the Caledonian Britons and the Picts, admits that the
language of the latter was a Celtic idiom.[513] They were in fact the
descendants of the only primitive Scottish race of which we possess
any authentic historical evidence: the Albiones of Festus Avienus; the
race of Albanus of the "Albanic Duan;" the Albanich of Welsh and native
writers; and the most numerous and powerful representatives of a people
which we have reason to believe continued exclusively to occupy the
British Islands from a period the commencement of which we must seek in
those dim unchronicled centuries we have already attempted to explore,
down to the fifth or perhaps the fourth century B.C. Then began what we
should call the Teutonic Invasion, and the long quiescent Celtæ once
more renewed their old nomadic life. Yet the lapse of so many centuries
has not sufficed to efface the ancient characteristics by which we
still recognise as one race the Cornish, Welsh, Gaelic, and Irish Celtæ.

Of six modern Celtic dialects still recognised in Europe, four belong
to the British Isles. A fifth, the Cornish, now extinct, also pertained
to the same insular home of the Κέλται, while the only remaining one,
the Armorican, or dialect of Brittany, belongs to a country intimately
associated in the history of its early colonization with Britain.
The table of the modern Celtic dialects of Europe, as modified by
Dr. Charles Meyer, and adopted by Dr. Latham,[514] from that given
by Dr. Prichard in his "Eastern Origin of the Celtic Nations," is as
follows--divided primarily into two great dialects, each composed of
three separate idioms:--

  I. THE GALLIC OR BRITISH.

  1. Cymric or Welsh.
  2. Cornish.
  3. Armorican, or dialect of Brittany.

  II. THE GAELIC OR ERSE.

  1. Fenic or Irish.
  2. Gaelic or Highland Scottish.
  3. Manx.

But a new race of strangers acquired a footing in Scotland, who were
destined to bear no unimportant part in its history. The colony of
Irish Scoti, or Dalriadic Scots, having effected a settlement in
the district of Argyle, continued to occupy this limited locality
for upwards of three hundred years, without seeking to extend their
possessions beyond the natural boundaries which inclose the Western
Highlands. To this period we may with little hesitation assign many
of the traces of ancient population, civilized arts, and extensive
cultivation, which have been described in a former chapter.[515] A
close intercourse appears to have been always maintained between the
Scottish Dalriads and their Irish progenitors, and the history of the
Dalriadic kingdom is still chiefly derivable from Irish annalists.
From these we are led to conclude that the number and influence of
the Dalriadic Scots had gradually increased, while the attention of
the Northern and Southern Picts was chiefly engrossed by their own
rival jealousies; but their position was frequently precarious, and
for nearly three centuries they owed their safety fully as much to the
natural isolation of their little kingdom, as to the dissensions of
the Picts and the fidelity with which the Irish Scoti adhered to this
colonial offshoot from the parent stock. The cooperation and alliance
of the Dalriads at length became objects of consideration to these
neighbouring rivals, and we learn of a union between the Scots and
the Northern Picts, entered upon in the year 731, for the purpose of
supplanting Angus MacFergus, a Southern Pict, who then occupied the
throne.

At first the Cruithne and their allies were completely worsted, and
for upwards of eighty years the larger portion of the kingdom of
Dalriada appears to have been subjected to the rule of the Southern
Picts. There is abundant evidence, however, that the Irish Scoti
continued to maintain a close intercourse with their Dalriadic
descendants, and made common cause with them against the Piccardach.
The Irish annals occasionally afford the only evidence we now possess
of the wars then waged between Scots and Picts, by recording the death
of their native kings and chiefs, slain in Albany when fighting with
their Dalriadic kindred. But for this powerful aid, it is difficult
to conceive how the Dalriads could have held their ground within the
small territory which they occupied, in opposition to a powerful
kingdom united under one sovereign, even with all the skilful tact with
which they availed themselves of the jealousies and rivalry existing
between the northern and southern tribes. The struggle between the
Dalriads and Picts assumed latterly in some degree the character of
a war of succession. There is reason to believe, from several of the
names of the Dalriadic kings, that they had not failed to strengthen
their alliances with the Northern Picts by intermarriage, so that it
is not improbable, owing to the peculiar Celtic ideas of succession by
the female line, that the Dalriads may have acquired a claim to the
Pictish throne. There appears, however, not only to have existed lines
of hereditary sovereigns, succeeding according to the peculiar Pictish
laws of succession to the supreme rule, but also a hereditary _nobile
genus_, or patrician class, holding as tenaciously by the purity of
their blood and lineage, as under the most stringent rule of the lyon
kings-at-arms of a later age.[516] Much obscurity still rests on this
period of our national history. Partially and at intervals we discover
glimpses of the struggle then going on, amid which, however, increasing
evidences suffice to shew that fortune favoured the Dalriadic Scots,
until in the year 843 the whole of Scotland is found united under the
sceptre of Kenneth MacAlpin, originally sovereign of the little kingdom
of Dalriada.

This is that remarkable epoch in our national history known by the
name of the Scottish Conquest. It has naturally formed the subject of
much investigation and of still more debate. Our earlier historians,
assuming the results to have corresponded with the term Conquest,
attribute to Kenneth the total extermination of the Piccardach or
Southern Picts; the consequence of which has been, that later and more
accurate writers, seeking in vain for any evidence of so complete a
revolution, have been inclined to pronounce the whole a fable. But
it still remains for us to inquire if no other elements of friendly
alliance and permanent union existed between the Picts and Scots than
those which sprung from cooperation against a common foe. A tradition
of a Spanish origin appears to have been ascribed to the Irish Scoti
from the earliest period. It is interwoven into all the fables and
monkish legends of our earlier chroniclers, and has already been
alluded to in reference to the Lia Fail. It is now perhaps vain to
attempt to analyze this obscure and doubtful tradition, though we are
not without evidence of its probability.[517] The period of their
arrival in Ireland is necessarily very partially ascertained, though
our information is perhaps sufficiently authentic and minute if we
assume, from the notice of Avienus, already referred to, that they
were unknown in Ireland in the fourth century before Christ, while we
have good evidence of their presence there at the period of Julius
Cæsar's British invasion. During this interval history furnishes very
satisfactory means of accounting for such a migration. In the year B.C.
218, the second and fiercest struggle between the rival republics of
Carthage and Rome was commenced by Hannibal taking Saguntum, a town on
the eastern coast of Spain. The Peninsula thereafter became the theatre
of a war afterwards carried by Hannibal into Italy, which was not
concluded till B.C. 202, when Spain was added to the growing empire of
the Italian Republic. But the natives of Spain did not willingly bow to
the yoke. One of the bloodiest of all the Roman wars commenced in Spain
B.C. 153, and did not finally terminate for twenty years, during which
cities were razed to the ground, multitudes massacred and made slaves,
and the triumphant arms of Rome borne to the Atlantic shores. Here
therefore is an epoch in the history of the Spanish peninsula which
seems completely to coincide with the ancient traditions of the Scoti,
and the knowledge we possess of the period of their arrival in Ireland.

Such coincidences are not of course to be accepted as absolute proof;
but in the absence of more direct evidence they are well worthy of
attention, as guiding us to some knowledge of that race which had
acquired a footing in Ireland, and partially displaced the aboriginal
Hiberni shortly before the Roman invasion of England. But we have still
the evidence of philology, the prevailing topographical nomenclature
of Ireland, and the dialects of its earliest native literature, all
adding confirmation to the conclusion that the Scoti were only another
branch of the great Celtic family, which, after enjoying the advantages
of commercial intercourse with Phœnicia and Carthage, and sharing in
the civilisation of the distinguished nations then bordering on the
Mediterranean, had at length been driven forth from their settlements
on the western shores of Spain by the encroachments of the Roman
Republic. The brief and very partial presence of a Scandinavian race
in Scotland is still traceable in its dialects and topographical
nomenclature; but no such indications within the limits of the ancient
Dalriada, or in the Erse as contrasted with the British dialects of
the Celtic language, betray indications of the Irish Scoti having
interfused any elements of a foreign tongue into the ancient language
of the Scottish Gael. Assuming, therefore, their Celtic origin we can
readily understand how a race speaking a cognate dialect, and seeking
the shores of Ireland, not as invaders, but as refugees, might rapidly
acquire the supremacy over the older Celtic races inferior to them in
the arts of war. Such a superior Celtic race were no less fitted to
become the colonists and chiefs of Caledonia; and to this consanguinity
between the Irish Scoti and the Scottish Picts, which rests more on
philological evidence than on any theory of the direct origin of the
former, we must look for one of the most important elements in that
remarkable revolution of the ninth century known as the Scottish
Conquest. The subdivisions of the great Celtic family are of much more
importance in relation to the early history of the British islands, and
especially of Scotland, than the later Teutonic migrations. There are,
first, two great subdivisions, arising apparently from the different
routes by which the Celtæ migrated from Asia to the north-west of
Europe; and secondly, there are the minor subdivisions,--of greater
importance in their bearing on the present inquiry,--resulting from
successive arrivals in this country of offshoots from both the great
streams of migration, modified by previous sojourn in different
countries of Europe, and probably also by some intermingling with
foreign races. Thus, the Cruithne and Piccardach, or Northern and
Southern Picts of Scotland, are frequently distinguished by the Welsh
chroniclers as the _Gwyddyl duon_ and the _Gwyddyl gwyn_, or _black_
and _fair Gaels_. Perhaps the term _Du-Caledones (Di-Caledones)_, by
which the Romans distinguished the Northern from the _Vecturiones_ or
Southern Picts, is only a combination of the Celtic _du_ or _dubh_,
black, with the generic name adopted by them. The Scoti appear also to
have been _of the fair race_, which may, perhaps, be assumed as the
indication of a purer Caucasian origin than the Cruithne or _Gwyddyl
duon_ of the north. They are termed in the Welsh Triads the _Gwyddyl
coch_ or _Red Gaels_; while the name of _Scot_, which has adhered to
them and to the later country of their adoption, is none other than
that of Nomade, _Scuta_, wanderer, first applied to the refugees--as we
conceive from Spain--who in the second century B.C. sought a new home
amid the Irish Celtæ.[518] It is to be noted, however, in reference to
the former appellations, that both the Scots and Irish were wont to
distinguish the Scandinavian invaders by the name of _Dubh-Ghaill_, the
black strangers,--a term derived not from their complexion but their
costume.

The presence of a Pictish race--the Cruithne--in Ireland, contemporary
with the Scottish Piccardach and Cruithne, and the very great
correspondence between many of the gold and bronze relics, as well as
the older architectural and monumental antiquities of Scotland and
Ireland, all point to a very close intercourse maintained between the
two countries at an early period, while the remarkable historical poem,
the Albanic Duan, already quoted, assigns to the Cruithne of Scotland
an Irish origin. Under such circumstances the occupation of Dalriada
by a Scotic colony speaking a dialect of the same language as the
Caledonian Picts would be too unimportant a change to excite any notice
beyond the limits of the Western Highlands. The native tribes whose
borders were encroached upon would settle their disputes according to
the summary diplomacy of primitive courts; and that done, intercourse,
alliances, and intermarriages would follow as naturally between Scots
and Picts as between Piccardach and Cruithne. So, in like manner, when
the Scots in alliance with the Cruithne or Northern Picts conquered
the Piccardach or Southern Picts, it was merely transferring the
supremacy to a more powerful branch of the same great Celtic family.
There existed few of the causes for lasting or deadly feud which occur
in the struggle for power between rival races, such as the Moors and
Goths of Spain, or the English and Irish. The struggle in England
between the Normans and Saxons owed its chief elements of bitterness to
other causes, as is proved by the readiness with which the two races
intermingled when they met on common ground and on an equal footing in
the Scottish Lowlands, under Malcolm Canmore. Aided by the very summary
processes adopted in rude periods for getting quit of the elements of
a disputed regal succession, the lapse of a single generation would
suffice to obliterate the animosities between Scot and Pict, and to
establish the former in undisputed possession of such supremacy as
the Normans had to compel and to maintain for several generations in
England, at the point of the sword. Perhaps it formed another element
of interfusion among the various Celtic races that the supremacy of
the Scoti was solely as warriors. The old native race are always
referred to by the Irish bards as superior to them in the knowledge of
the arts; a fact perhaps sufficiently accounted for on the presumption
of their arrival in Ireland as refugees, after a protracted strife
extending over more than one generation, during which the refined
arts and luxuries of civilisation would disappear in the struggle for
existence. This also may in some degree account for the fact that the
Scoti allied themselves with the inferior and most dissimilar race
in Scotland, compelled thereto obviously by the superiority of the
Piccardach or Fair Picts. But the superior race finally triumphed. The
Scoti, indeed, with the aid of the Cruithne, gained the ascendency; but
on the extinction of the Scotic line of princes descended from Kenneth
MacAlpin, or on the transference of the crown to a collateral branch,
according to ancient Pictish law, it seems to have returned to the fair
race of the Piccardach. The ultimate ground of dispute between the
two, which proved the chief stumblingblock, and prevented a complete
union of the southern and northern kingdoms during the reign of the
Scottish dynasty, was this Celtic idea of succession through brothers,
in opposition to the hereditary succession aimed at by the Dalriadic
race, and which was not so effectually forced on the Northern Picts
even by the Saxon Conquest as to prevent its revival by Donald Bain,
on the death of Malcolm Canmore in 1093. The concluding stanzas of the
_Albanic Duan_, written in the early part of Malcolm's reign, are
peculiarly characteristic of the revived claims of the _Gwyddyl duon_,--

    "Malcolm is now the king,
    Son of Duncan of the yellow countenance,
    His duration no one knoweth
    But the knowing one who alone is knowing.

    Two kings and fifty,--listen,--
    To the son of Duncan of the ruddy countenance,
    Of the race of Erc high, clear in gold,
    Possessed Alban,--ye learned."

But though a variety of evidence seems to refer to the Scoti as
inferior in arts to the native Irish, it is still probable that
Ireland owes to them the introduction from the southern seats of
European civilisation of some of the useful and ornamental arts, the
traces of which are so abundant throughout the island. It is, however,
chiefly to their undoubted superiority in arms over the kindred races
that previously were in possession of the ancient kingdoms both of
Hibernia and of Albany, that we must ascribe the singular and almost
unparalleled occurrence of the conquerors transferring their own name
to the whole race and country subject to their rule.

Such is a hasty glance at the most important events pertaining to the
civil history of Scotland during the first centuries of the Christian
era, with an attempt to account for some of the changes that have
heretofore seemed most difficult to reconcile with ascertained facts.
But other and no less remarkable changes were, meanwhile, being wrought
on the native tribes of Caledonia. The legionaries of Rome had in
vain attempted to penetrate into their fastnesses; but other Roman
missionaries of civilisation followed with more abundant success.
Towards the latter end of the fourth century, ere yet the little
kingdom of Dalriada had a being, a youth, the son of a British Prince
of Cumberland, visited Rome during the Pontificate of Damasus, elected
Bishop of Rome, A.D. 366. Young Nynias, or Ninian, remained there till
the succession of Siricius to the Popedom, A.D. 384, who, according
to Bede, finding the young Briton trained in the faith and mysteries
of the truth, ordained him, and sent him as a Christian missionary to
preach the faith to the heathen tribes of North Britain. This is the
celebrated British Bishop St. Ninian, or St. Ringan, as he is more
frequently styled in Scotland, where numerous churches, chapels, holy
wells, as also caves and other noted localities, still bear his name.
Arriving in Britain towards the close of the fourth century, he tarried
not among his native mountains of Cumberland, but crossing the Solway,
established the chief seat of his mission at Whithern, in Wigtonshire,
a prominent headland of the old province of Galloway, where he erected
the celebrated _Candida Casa_, according to Bede, "a church of stone,
built in a manner unusual among the Britons."[519] The fact is of
great value, as disproving the assumption of both Scottish and Irish
antiquaries, prior to Dr. Petrie, that the earliest British churches
were constructed of wattles. The remains of Roman buildings in Scotland
suffice to shew that the Britons of the fourth century had not then to
learn, for the first time, the art of masonry, though the facilities
offered by a thickly wooded country frequently led the first Christian
missionaries to employ its oak and plaited reeds in the construction of
their chapels and cells. We are told by Bede that the first church of
Lindisfarne was built by St. Finan, _more Scotorum, non de lapide, sed
de robore secto et arundine_.

The brethren of Iona, too, as Adomnan incidentally mentions, were
challenged by the proprietor, from whose lands they had gathered
stakes and wands for the repair of their dwellings. Yet notable as
the cathedral church of Whithern doubtless was, we can have little
hesitation in picturing it to our own minds as a sufficiently humble
and primitive structure, though distinguished among contemporary
edifices, and dear to us in no ordinary degree, as the first British
temple consecrated to the rites of the true faith. The Candida Casa,
or white-walled cathedral of Whithern, though dedicated originally to
St. Martin,[520] became the shrine of the Scottish apostle St. Ninian,
and the resort of many a royal and noble pilgrimage, down even to the
Reformation; but it would be vain now to look for any relics of this
most interesting primitive structure on the bold headland of Galloway,
though the fragments of a later ruined chancel still mark the site of
St. Ringan's famous shrine.

The death of the primitive Scottish Bishop St. Ninian took place A.D.
432. According to the accepted biography of St. Patrick it was in
the following year that Pope Celestine consecrated him a Bishop, and
sent him on his mission to Ireland. But the labours of the Scottish
missionary had not been in vain. "The brethren of St. Ninian at
Whithern" became the centre of an important movement, influencing a
large and rapidly increasing sphere, and from their labours there is
reason to believe that both England and Ireland received the first
impressions towards that great movement which ultimately included the
British Isles within the ecclesiastical unity of papal Christendom. It
furnishes no inconclusive evidence of the progress of the new faith
in the British Isles, that St. Palladius was sent from Rome to the
Christian Scots, towards the middle of the fifth century, for the
purpose of uprooting the Pelagian heresy. His chief mission was to
Ireland, where the Scots were then settled, but he also cared for the
converts of the neighbouring isle, then connected with Ireland both by
frequent intercourse and by affinity of races. He personally visited
the Christian Picts of North Britain, and despatched his disciple St.
Servanus, or St. Serf, as he is more usually styled, to the Northern
Islands, for the purpose of preaching the true faith to the natives of
Orkney and Shetland. That he also was successful many local names and
traditions, and even some ecclesiological relics, hereafter referred
to, suffice to prove, and thus we arrive at the important fact, that
Christianity had already established a firm footing, both in the
Scottish mainland and the isles, long before we have any evidence of
the presence of the Scandinavians, even as roving marauders, on our
coasts. The value of this will be at once apparent, as shewing the
necessity which authentic history imposes upon us of referring to a
period long anterior to the intrusion of the earliest Scandinavian
colonists into Scotland, the erection of the monolithic structures,
memorial cairns, and other primitive monuments, which fanciful
theorists have assigned, without evidence, to such foreign origin.
It is uncertain how long St. Palladius was in Scotland, but his last
days were spent there, and he died among his Cruithnean converts at
Fordun, in _Mag-girgin_, or the Mearns. We find good evidence that the
influence of his preaching was not evanescent. Before the end of the
fifth century churches had been founded, and brotherhoods of priests
established, both in the islands and on the mainland; and Bede relates
that, in the beginning of the eighth century, while yet the Dalriadic
Scots remained within the narrow limits of their first possessions in
the Western Highlands, the Pictish king sent to his own monastery of
Jarrow, craving that builders might be commissioned to construct for
him a church of stone after the Roman manner. From this we are led to
infer that the "mos Scotorum" referred to by Bede, of building both
houses and churches of timber and wattles, was also the "mos Pictorum"
of the same period; but Dr. Petrie has already conclusively established
the fact that this custom prevailed only to a very limited extent in
Ireland, and contemporarily with the erection of religious structures
of so substantial a nature that characteristic examples of them still
remain in sufficient preservation to shew perfectly what they had
been in their original state. It is indeed from Adomnan's Life of St.
Columba that Dr. Petrie produces the earliest historical authority
which satisfactorily proves the erection of a round tower in the sixth
century.[521] We search in vain for such primitive ecclesiastical
structures in Scotland, or even for the stone churches which Boniface
and other Italian builders, sent at King Nectan's desire, are said
to have built at Invergowrie, Tealing, and Restennet in Angus, at
Rosemarky in Ross, as well as in other parts of the kingdom of the
Northern Picts. Yet it will be hereafter seen that we are not without
some evidence of the character of primitive Scottish churches "built
after the Roman manner."

Besides the primitive Christian missionaries referred to as bringing
tidings of the new faith to Scotland, St. Rule, St. Adrian, St. Woloc,
St. Kieran, and St. Kentigern, must each be noted as sharing in the
good work. But the religious establishment which ST. COLUMBA founded
at Iona, in the middle of the sixth century, is justly regarded as the
true centre of all the most sacred and heart-stirring associations
connected with the establishment of Christianity in Scotland. "That
illustrious island, which was once the luminary of the Caledonian
regions," still awakens feelings in the mind of every thoughtful
visitor, such as no other Scottish locality can give birth to, unless
a Scotsman may be pardoned if he associate with it, not "the plain
of Marathon," but the field of Bannockburn. We look in vain for any
natural features in this remarkable island to account for its selection
as the centre of primitive Christian missions in Britain. It is only
about two and a half miles in length, and one in breadth. The waves
of the Atlantic dash, with almost unceasing roar, against the rugged
granite cliffs which guard its southern and western coasts; and but for
the memory of its sacred historical associations, and of its ancient
magnificence which has utterly passed away, there is nothing about the
little island, placed far amid the melancholy main, that could now
tempt the most curious traveller to approach its shores. St. Kieran,
the favourite Celtic saint, was the precursor of St. Columba, and even
it is said his instructor in the faith. He came from Ireland in 503,
with the sons of Ere, thus celebrated in the Albanic Duan as converts
of St. Patrick,--

    "The sons of Erc, son of Eathach the prosperous,
    The three who obtained the blessing of Saint Patrick."

The cave of St. Kieran is still shewn in Kintyre, where the first
Christian teacher of the Western Highlands is believed to have made his
abode. If the dates of this remote era may be relied on, it was not
till upwards of half a century after the arrival of St. Kieran, that
the great Apostle of Scotland landed on its shores. The record of Bede
is equally simple and precise,--"Anno DLXV. Columba presbyter de Scotia
venit Brittaniam ad docendos Pictos, et in insula Hii monasterium
fecit." The isolation of that little island might perhaps be thought
to have proved an attraction to Colum M'Felim M'Fergus, when he
abandoned Ireland in his rude _currach_, or boat of hides, and sought
an asylum among the Scottish Picts. But the old Celtic traditions seem
rather to indicate, that in the true missionary spirit he bearded the
ancient faith in its stronghold, and reared the primitive Christian
fane of Iona, where of old the Pagan circle had stood. The name of
Hii, or I, by which the sacred isle is most generally known, signifies
emphatically THE ISLAND. It is also familiar to us as Ii-Cholum Chille,
or the Island of Columba's Cell; but the Highlanders, to the present
day, frequently apply to it the name of _Innis nan Druidheanach_,
or the Island of the Druids, or magicians. The first structure reared
by St. Columba and his followers on Iona, was doubtless as humble
as the little _currach_ by which they had reached its shores. One
curious passage, already referred to, speaks of the Abbot as sending
forth his monks to gather bundles of twigs with which to build their
Hospice. The little chapel of St. Oran, the first follower of St.
Columba who found a grave in the sacred soil, still exists, and has
been frequently described as a work of the sixth century, but the
experienced ecclesiologist will feel little hesitation in dating it
full six centuries later. It is not indeed at such spots as Whithern
or Iona that we are to look for the existence of primitive structures.
The veneration which made these the favourite resorts of pilgrims for
many centuries, was little likely to permit the first homely fane to
continue, at a period when the re-edifying of churches and monasteries,
on a larger and more magnificent scale, was one of the readiest
exponents of the piety or contrition which the Church inculcated on
its disciples. If any of the primitive Scottish churches still exist,
they must be looked for in localities less favoured by the fidelity of
medieval piety or superstition.

Christianity we thus perceive was established in Scotland at a very
early period, altogether apart from any contemporary intercourse
which England may have maintained more directly with the converts of
the neighbouring continent. Several important centres were fixed at
various points, including the extreme south-west of Scotland, the
remote northern, and the western Isles. From these the faith rapidly
radiated to the whole surrounding regions, and was even carried by the
youthful zeal of the new converts to distant shores. The Icelandic
Sagas furnish abundant proof of the conversion of the natives of
North Britain and Ireland long prior to Scandinavia, and of the
direct influence which they exercised in the Christianizing of the
north. When Norsemen first visited Iceland in the latter half of the
ninth century, it was uninhabited, but they discovered traces of the
former presence of Irish monks, and found their books, crosiers, and
bells. This account, derived from the Sagas, receives independent
confirmation from the narrative of Dicuil, an Irish monk of the ninth
century, who states that monks from Ireland had resided in Iceland
for six months, and also visited the Færo Islands, and found them
uninhabited.[522] There also existed in ancient times a church in
Iceland dedicated to St. Columba, and a native Icelander is described
as having been educated by an abbot named Patrick, in the Western Isles
of Scotland or Ireland. We likewise find in the names of several of
the northern Scottish Islands, and in the traces of the dedications
of their earliest churches, ample confirmation of their inhabitants
having been Christianized prior to any Scandinavian settlement.
The islands of North and South Ronaldshay are now distinguished by
their relative positions, but their ancient names are _Rinansey_ and
_Rögnvalsey_. Professor P. A. Munch, of Christiania, adds in a letter
referring to this subject,--"I have no doubt that the name of the
island, before the Scandinavian settlement, was St. Ninian's Island,
Ringan's Island, Ronan's Island, which involves the Christianity of
the ancient Celtic population before the Norwegian settlement." It is
not, however, with Scandinavian antiquaries that we have to contend
in clearing up these points of national history, but with British
writers, who vainly seek the sources of native arts and civilisation in
those of nations younger than our own. Mr. Worsaae acknowledges that
Ireland was Christianized several centuries before Scandinavia, and
largely contributed towards the conversion of the latter to the new
faith. Interesting traces still remain in the names of many Scottish
localities of the primitive Christian colonies, and of the collegiate
establishments founded, like that of Iona, in many of the northern and
western Isles, several of which are mentioned by Adomnan in his Life of
St. Columba. In the curious diploma addressed to Eric, king of Norway,
respecting the genealogy of William Saint Clair, Earl of Orkney,
drawn up by Thomas Tulloch, bishop of Orkney, about 1443,--wherein,
for the sake of brevity, he lets pass many "notable operationis and
gestis, and referrs ws till auld cronikis and genealogiis, autentik and
approbat," the following notice occurs: "Sua we find that in the tyme
of Harald Comate, first king of Norwege, this land, or contre insulare
of Orchadie, was inhabitat and mainerit be twa nations callit _Peti_
and _Pape_, quhilk twa nations, indeid, war all wterlie and clenlie
destroyit be Norwegens, of the clan or tribe of the maist stowt Prince
Rognald."[523] These were undoubtedly the native Celtic population, or
Picts--of the total extermination of whom a document of the fifteenth
century cannot be regarded as very conclusive evidence--and the Papæ
or ecclesiastical fraternities sent forth from Iona. In the Life of
St. Columba it is stated, that the Saint chancing to meet a prince of
the Orkneys at the palace of King Brude, commended to his care some
monks who had lately sailed to the Northern Seas, and the missionaries
afterwards owed their life to his intercession.[524] The Landnáma
states, that wherever the Norwegian settlers found monks, or remains
of their establishments, they called the places by some name beginning
with Pap, from _pfaff_, _Papa_, πάππας, a priest,--as _Papey_, the
Priest's Island; _Papuli_, the Priest's district. In Orkney there are
two _Papeys_; the larger Papa Westray, the smaller Papa Stronsay. In
the mainland also there is Paplay, (_Papuli_); another Paplay in South
Ronaldshay; in Shetland two _Papeys_, Papa Stour and Papa Little; and a
Papill (_Papilia_) in Unst. In the Hebrides also there are two _Pabbys,
(Papey,)_ and a _Pappadill_ in Rum. Adomnan mentions, besides his own
monastery, those of Achaluing, Himba, Elanna-oma, and Kilduin; the
three last supposed to be Oransay, Colonsay, and Loch Awe. Eig, Islay,
Urquhart, Inchcolm in the Frith of Forth, Govan on the Clyde, and many
other religious sites, are also ascribed, on more or less trustworthy
authority, to the missionary zeal of St. Columba, and his immediate
followers; while a still earlier origin is assigned, not without some
evidence, to various of the ancient Culdee Houses reformed by David
I., or merged by him in the magnificent monastic establishments which
he founded. Great as was the influence of the Northmen in retarding
the fruits of early missionary zeal, it is obvious that they rarely so
effectually despoiled the Christian establishments as to permanently
eradicate them, or break the traditional sanctity which has consecrated
their sites to the service of religion even to our own day. Iona,
burned in 802, was rebuilt in 806. Sixty-eight of the brethren perished
by the hands of the Pagan Northmen the same year: yet in 814, we again
find them founding and building. It is impossible, therefore, to
avoid the conclusion that Christianity was very extensively diffused
throughout North Britain, and that numerous ecclesiastical fraternities
had been established on the mainland and surrounding islands long
before the natives learned to watch the horizon for the plundering
fleets of the Norse rovers.

It is not till the ninth century that we find authentic traces of
the Scandinavian Vikings on the Scottish shores. While, however, we
regard the Pagan Northmen in the light of lawless spoilers, preying
on weaker or defenceless neighbours, we must beware of the error of
supposing that they were no more than a barbarian race of pirates. On
the contrary, they speedily substituted conquest for spoliation both
in Scotland and Ireland, colonized the possessions they acquired, and
established trade and commerce in lieu of robbery. They bore, indeed,
no slight resemblance to the bold adventurers of a more civilized age,
who followed Drake and Raleigh in their reprisals against Spanish
America, and won reputation, still honoured in our naval annals, by
means as inconsistent with the modern law of nations as the plundering
expeditions of these old Scandinavian Vikings. The war-songs of the
Northmen shew that such expeditions were the paths to honour as well
as to wealth; nor was it till the milder tenets of Christianity had
superseded the warrior-creed of Thor, that their plundering voyages
came to an end. But unlike the British and Irish, the Scandinavians
have a Pagan literature, contemporary with those scenes of adventure
and bold deeds of arms: and so much the more valuable that it preserves
a picture of the period uninfluenced by that corporate spirit which
detracts so much from the contemporary monkish annals of our own and
other countries. They had their _sagaman_, and their bard or _skjalde_,
like the minstrel or troubadour of medieval Europe, whose chief
business it was to rehearse the Sagas, and to compose songs and odes
in commemoration of their victories and individual prowess. We must
not, therefore, rob the old Pagan Norseman of the wild virtues of his
age and creed, by bringing them to the standard of modern ideas and
principles; but rather accept the characteristic picture of his Sagas
as furnishing no unlikely portraiture of the hardy Caledonian warrior
of an earlier age.

We know little that is definite regarding the Scandinavian expeditions
to our shores till Harold Harfager, king of Norway, in the latter part
of the ninth century, conquered first the Zetlands and then the Orkney
Islands and Hebrides, and made himself master of the Isle of Man. The
change from having the Norsemen as plunderers to that of having them as
masters, was probably altogether beneficial, though not unaccompanied
with much violence and suffering. Previously to this period, their
ravages appear to have been incessant, and very frequently successful,
both on the Scottish and Irish coasts. They repeatedly assailed and
plundered the Christian community of Iona; and the annals of Ulster
record that the Gentiles, as they are usually termed, completely
spoiled the establishment in the year 802, and expelled the family of
Iona from the sacred Isle. They seem to have treated in a like manner
the various religious communities settled on the different islands
above referred to, and still commemorated in the old Scandinavian names
which they conferred on them; though, as has been shewn, the followers
of St. Columba, and no doubt other fraternities, speedily rebuilt
their establishments. Even at that early period, some amount of wealth
would be accumulated in the muniment chests of the monasteries, and
doubtless the poorest of them would endeavour to provide the chalice,
paten, and other indispensable furniture of the church and altar, of
the precious metals. These must have supplied a fresh incentive to
the plundering Vikings, and thus the early incursions of the Northmen
largely contributed to <DW44> the diffusion of the faith among the
native Britons, while their own divisions and internal struggles
furnished frequent opportunities for the unchecked descent of the
spoilers on their coasts. Nor was it plunder alone that the fierce
Northmen bore away from our shores. Both the Irish annals and the
Icelandic Sagas testify to the fact, that they frequently loaded their
vessels with captives, both male and female, who were sold elsewhere
for slaves. There even appear to have been regular markets in Norway
and Sweden where the captive Scots and Picts were disposed of, and
some of the names still in use in Iceland are believed to be derived
from such foreign captives: the female slave having occasionally won
the favour of her master, and been wedded even to leaders and kings.
While, however, the Norse marauders were making descents with increased
frequency on our shores, a revolution was taking place in Norway,
somewhat akin to that which placed the Dalriadic chief on the Pictish
throne. Harold Harfager, after a protracted struggle, established
himself as absolute king of Norway; and such of the Vikings as had been
active in opposing his ambitious projects could no longer winter in
safety within the _viks_ or inlets of their indented coast, from whence
they derive their name. Many of these, therefore, who had before paid
occasional visits to our shores, now established their head-quarters in
the Scottish Hebrides, the numerous bays and inlets of which afforded
the shelter and protection for their long-oared galleys formerly sought
in their native fiords. From this _point d'appui_ they made incessant
incursions on the newly-established kingdom of Norway, while they
failed not also to harass and spoil the neighbouring Scottish coasts.
Thus deprived of any settled home, and without an acknowledged leader,
the Vikings assumed more than ever a piratical character, and became
the terror of the whole north of Europe. King Harold failed not to
offer effectual resistance to these rebellious Norsemen. Every summer
the Norwegian fleet scoured the Scottish Seas, and compelled them to
abandon their Hebridean settlements; but the hardy Vikings had little
to fear from assailants who only drove them to the open sea, from
whence, after a successful descent on some unguarded coast, and not
unfrequently on that of their assailant, they returned in winter to the
shelter of their old retreat.

After repeated expeditions of the same fruitless character against
the rebellious Vikings, King Harold determined to put an end to their
predatory incursions by making himself master of the islands which
afforded them shelter. Accordingly, in the year 875, he collected
a powerful fleet, which he commanded in person, and setting sail
from Norway, he bore down on the Shetland and Orkney Isles and the
Hebrides, slaying or driving out the piratical Vikings, spoiling their
settlements, and taking possession of the islands. He then proceeded to
the Isle of Man, which he found entirely deserted of its inhabitants,
who had fled to the Scottish mainland on the approach of the fleet.
Harold failed not to enrich his followers with the spoils of the
Scottish coasts as they returned from this successful expedition,
so that the unhappy natives were exposed to equal dangers from the
Vikings and their Norwegian conquerors. They were not, however,
reduced to abject fear by such repeated assaults. Harold bestowed the
possession of the Northern Isles on Sigurd, the brother of Rognwald,
a distinguished Norwegian chief, who accordingly became first Jarl of
the Orkneys; and the fleet returned to Norway, leaving a force deemed
sufficient to secure the newly conquered possessions. But the native
chiefs of the islands and neighbouring coasts who had been spoiled and
driven from their possessions by the Vikings, took advantage of their
dispersion, and so soon as the Norwegian fleet had left the Scottish
seas, they seized possession of the Hebrides, expelled or put to the
sword the whole of the Norwegians left by Harold to hold them in his
right, and resumed the occupation of their ancient possessions. A
second Norwegian expedition followed under the guidance of Ketil, a
distinguished chief, on whom Harold bestowed by anticipation the title
of Jarl; and it is curious that in the "Islands Landnamabok," the
natives who had recovered possession of the islands are termed Scottish
and Irish Vikings, (_Vikinger Skotar ok Irar_,) sufficiently shewing
the sense in which that term was understood by the Northmen in the
beginning of the twelfth century. The Islesmen were unable to resist
the overwhelming force, and appear to have been taken entirely by
surprise. The Hebridean Jarl entered quietly into possession of his new
dominions, and then took the first favourable opportunity of renouncing
his allegiance to Harold and declaring himself independent King of the
Hebrides.

It is not necessary to do more than glance at the subsequent history of
the Scoto-Norwegian kingdoms. In 894, Thorstein the Red, the grandson
of Ketil, formed a close alliance with Sigurd, then jarl of Orkney, and
with their united forces they made themselves masters of the northern
districts of Scotland, including Caithness, Sutherland, Ross, and
Moray. Sigurd lost his life in this expedition in a remarkable manner.
Having, according to the narration of the Ynglinga Saga,[525] slain
Melbrigda Tönn, or Maolbride the Bucktoothed, one of the Scottish
maormors or chiefs who derived his appellation from a peculiarly
prominent tooth, he cut off the Maormor's head and hung it at his
bridle. But from the violent motion as he galloped over the field, the
tooth inflicted a wound on his leg, which inflamed, and ultimately
caused his death. The record of this incident in contemporary sagas
may suffice as an illustration of the barbarous warfare of the period.
Sigurd was succeeded by his son Guttorm, as Jarl of Orkney, while
Thorstein the Red assumed the title of king of the newly acquired
possessions on the mainland; and thus within half a century after
the Dalriadic king Kenneth had obtained possession of the throne of
the Southern Picts by the aid of the Cruithne or Northern Picts, a
large portion of the possessions of the latter were wrested from
them and erected into a new kingdom under their foreign conqueror.
The sovereignty of Thorstein, however, was of brief duration. He had
scarcely held his newly acquired territories for six years when he
had to take the field to oppose a force collected by the chiefs of
the conquered possessions, under the command of Duncan, the maormor
of Caithness. A fierce battle ensued, in which Thorstein was slain,
his followers completely routed, and the Norwegians expelled from
the Scottish mainland. This took place A.D. 900, and for nearly a
century no farther aggression was attempted by the Norwegians, with
the exception of the annexation of a part of Caithness to the Orkney
jarldom, the result, as is believed, of an alliance between Thorfinn,
the Orkney jarl, and the daughter of Duncan, maormor of Caithness.
In A.D. 986 Sigurd, jarl of Orkney, once more conquered the north of
Scotland, after having defeated Finlay, son of Ruari, maormor of Moray,
in an attempt to recover Caithness from its Norwegian possessors.
Frequent battles followed. The Norwegians were repeatedly defeated
and driven from the mainland: but they returned with increased force
and re-established their ground. Meanwhile, by the defeat and death
of Kenneth M'Duff, Malcolm, maormor of Moray, became king of Scotland
A.D. 1004, and soon after effected a reconciliation with Sigurd, jarl
of Orkney, and gave him his daughter in marriage. Thus a mixture of
Norwegian and Scottish blood took place, the fruit of which is still
discernible in the striking contrast between the population of the
northern islands and Scottish mainland and the Celtic races of the
neighbouring Highlands.

Alternate friendly alliances and open warfare followed till A.D.
1034, when the Norwegians once more triumphed and obtained effectual
possession of the greater part of the north of Scotland, where they
established a kingdom under the powerful and talented Jarl Thorfinn,
the son of Sigurd and of his wife, the daughter of the Scottish king
Malcolm, who thereby ultimately acquired a hereditary right to the
Scottish crown, similar to that which is believed to have paved the
way to the previous accession of the first Dalriadic king of Scotland.
We have thus reached a period of Scottish history over which modern
literature has thrown a fictitious but singularly romantic interest.
The lineal race of Kenneth MacAlpin, the Dalriadic king, having
become extinct, the succession reverted to Duncan the son of Crinan,
a powerful chief who had married the daughter of the last king of
the Scottish race. But the old Celtic ideas of succession proved
irreconcilable with his assumption of the crown, and the personal
character of Duncan was little fitted to cope with the difficulties
of his situation. His unambitious spirit indeed prevented his forcing
himself into collision with the Norwegians, or disputing with Thorfinn
his newly acquired dominions; and had he been able to communicate the
same disposition to his subjects, his reign might have terminated in
peace. But after enjoying his throne for about six years, his people
took advantage of the absence of Thorfinn on an expedition to England,
and putting him at their head, forced their way into the district of
Moray with little opposition. But the Pictish natives of the north
refused to recognise the right of Duncan to the crown, or to accept
him as a deliverer from the Norwegian yoke, and headed by Macbeth, the
maormor of Moray, they attacked him in the neighbourhood of Elgin,
routed his army and put him to the sword. Macbeth pursued his success,
made himself master of the whole kingdom, and with the sanction of the
Norwegian jarl assumed the title of King of Scotland. Thus strangely
were the questions of regal legitimacy and national independence at
variance. It appears to have been solely as a tributary to Thorfinn
that Macbeth reigned over the southern half of Scotland. Repeated
unsuccessful attempts were made by the adherents of Duncan's party
to recover possession of the throne for his son. In one of these,
A.D. 1045, Crinan the father of Duncan was slain, who is styled in
the Annals of Ulster "Abbot of Dunkeld,"--lay impropriation and the
marriage of the clergy having both been common in Scotland prior to
the reform of its church by the Saxon princess who became the wife
of Duncan's son. The expedition of Duncan had been undertaken while
Thorfinn and the chief Norwegian forces were engaged in assailing
the Saxon possessions in England. The sons of Duncan accordingly
sought refuge at the English court; and when Malcolm Canmore,
Duncan's eldest son, returned to avenge his father's wrongs, he was
accompanied by a Saxon army under the command of his uncle, Siward Earl
of Northumberland. In securing by such means the possession of the
Lothians, which was all that Malcolm was able at that time to wrest
from Macbeth, he paved the way for that second and most important
change, known in Scottish annals as the Saxon Conquest. Four years
afterwards Macbeth was defeated and slain in the battle of Lumphanan,
and on the death of Thorfinn, in 1064, Malcolm Canmore obtained final
possession of the entire Scottish mainland, though the Norwegian jarls
continued to retain undisputed hold of the Northern and Western Isles.

Such is a slight sketch of that important era in Scottish history;
from the intrusion of the Scottish race into the Western Highlands,
to the final ejectment of the Norwegians from the Scottish mainland,
and the restoration of the crown to a Celtic prince at the head of a
Saxon army. It is impossible to conceive of the presence of Norwegian
settlers for so long a period on the mainland of Scotland without
their greatly affecting the character of the native population. From
A.D. 895, when the first Norwegian kingdom was established in the
north of Scotland, to A.D. 1064, when that of Thorfinn came to an
end at his death, a very large portion of the north of Scotland had
been repeatedly held possession of for a considerable period by the
Norwegians. Long periods of peace and friendly alliance afforded
abundant opportunities for intermarriage; and we see in the marriage
of the Orkney jarl with the daughter of the Scottish maormor, a clear
proof that no prejudices interfered to prevent such unions. This was
still less likely to be the case during the reign of Macbeth, which
lasted for eighteen years, as the closest alliance and community of
interests then subsisted between the Northern Celtic and Norwegian
races, and to this period therefore we probably owe the chief changes
on the aboriginal Scottish race which still distinguish their
descendants from the purer Celtic races of the south and west of
Ireland. The genealogies of many of the old Highland chiefs, and the
history of the clans, furnish evidence of this intermixture of the
races; and the physical characteristics of the natives of several
northern districts of the Scottish Highlands abundantly confirm the
same fact. Yet it is surprising how very partial the influence of the
Northmen must have been. We have proofs of the introduction of Runic
literature, and also of the use of Runic characters by the natives;
yet if we except the Isle of Man, a dependency of Scotland both before
and after its occupation by the Northmen, we have only the merest
fragments of inscriptions in the northern runes found in Scotland.
On the mainland some few local names are traceable to a Scandinavian
origin. In the Scottish Lowland dialect a considerable number of words
and many peculiarities of pronunciation are manifestly derived from
the same source; while in the Orkney and Shetland Isles, customs,
superstitions, language, and even legal formulas, all clearly point
to their long occupation as an independent Norse jarldom, or as a
dependency of the Danish crown. In the Western Isles, however, it has
proved otherwise. There the language and race are still purely Celtic,
and the ancient topographical nomenclature has been but slightly
affected from their occupation by the Vikings and their Scandinavian
successors. This is probably to be accounted for to a great extent
by the fact, that the Hebrideans, like the natives of Man, fled on
the occupation of their islands by the pirate Norsemen, and only very
partially returned after the establishment of law and order under
Ketil, the independent Norwegian jarl; so that these islands have been
to a great extent colonized anew from the neighbouring mainland. Still
extensive and durable traces remain to commemorate the intrusion of
this race of northern warriors on the older colonists of Scotland, nor
can we hesitate to ascribe somewhat of our peculiar national character
and physical conformation to that intimate intercourse which prevailed
more or less extensively for nearly two centuries, and indeed in the
Orkney and Shetland Islands for a much longer period, between the
Norwegian and Celtic races. On Scotland, as a whole, the influence of
this Scandinavian colonization and conquest has been much more direct
and effective than any results of the Roman Invasion. But both of these
historic changes suffice to account for only a very few of the national
peculiarities, or of the distinctive features of our earlier arts,
and still require us to look to native sources for the larger number
of archæological relics, and for the most characteristic classes of
monumental remains.

FOOTNOTES:

[510] _A Eolcha Albain Uile_, translated from the Codex Stowensis,
No. XLI. Collect. de Reb. Albanicis, Iona Club, p. 71. Albanus, from
the Celtic god, _Alw_--Gaelic, _Aluin_, bright, beautiful; _Alw-ion_,
Αλουίων, Albion, _i.e._, the island of Alw; Britus, _Pryd_, _Prydain_,
_i.e._, Pryd, god of Britain. Welsh Archæologia, vol. i. p. 72. Meyer
on the Celtic Dialects. Report, 1847, Brit. Assoc. Advancement of
Science, p. 301. _Bryt_ or _Pryd_, the god of the Britons, the _Prydyn
ap Ædd Mawr_ of the Welsh Triads.

[511] Skene's Highlanders of Scotland, vol. i. pp. 19, 23.

[512] Eumenius, Ritson's Caledonians, vol. i. p. 71.

[513] Ritson's Caledonians, vol. i. p. 120.

[514] Dr. Latham in treating of the Κέλται, sets down under the head
of _Phenomena of the System_: "the Druids; the bards; the monumental
remains of the character of Stonehenge--_Máenhír_, long stones;"
and under the head of their _Antiquities_: "Coins, images, tumuli,
and their contents."--_Nat. Hist. of Man_, p. 530. But this is a
sweeping system of generalization, which takes for granted various
points still open to question, if not already disproved. The derivation
suggested, (_ante_, p. 68,) for the term Cromlech, if the correct
one, seems to indicate that the true origin and character of these
sepulchral memorials were as little known to the ancient Celtæ as to
the "Druidical" antiquaries of last century.

[515] _Ante_, pp. 122-124.

[516] Adomnan, b. 2, c. 33; Skene's Highlanders, vol. i. p. 40.

[517] "As far as regards the Irish tradition of the Fena having
arrived from Spain and Africa, to deny it all foundation in history
would be inconsistent with what we ourselves have said of the route
of the western Celts. I do not hesitate to detect in this tradition a
reference either to that migration or to one anterior, which seems to
have led likewise by the African coast to Spain, as well as to this
country, a nation of Scytho-Celtic (_Finno-Celtic_) race, including
the ancient Iberi and the still extant Basque, nation."--Dr. C. Meyer,
Report of the British Association for Advancement of Science, 1847. It
is scarcely necessary to add, however, that the Celtic character of the
Basque, as assumed here, is now generally disallowed.

[518] "The Celtic _Scuta_ denotes _a vagabond_, _a restless wanderer_,
_one perpetually roving about_. This word is the original of the
Greek Σκυθα, Scytha, a Scythian; applied to the Scythians with a
view to the restless roving disposition of the people. Analogous to
this idea, the Persians called the same people Σακαι, Herod. l. 7,
cap. 74. Ὁιδε Περσαι παντας τους Σκυθας καλεουσι Σακας. _Sacæ_. The
Persian _Sack_ is plainly a cognate of the Hebrew _Shakak_, discurrere,
discursitare, &c. In confirmation of this etymon, it may be observed
that the Scots borderers used to call themselves _Scuytes_ and
_Skytes_, as we learn from Camden. The Saxon-Scots readily adopted
this name, being ignorant of its original import; but the Highlanders
have always deemed it a term of reproach, and consequently retain
their original denomination, _Albanich_."--Abridged from notes to
"_The Gaberlunzie_," by Callander of Craigforth, 1782. _Vide_ also
"Illustrations of Northern Antiquities," Glossary, _v. Scouts_, p. 520;
and "Jamieson's Scottish Dictionary," _v. Scouth_.

In connexion with this, it is of importance to note the observations of
Major Rawlinson in reference to the indications of the aboriginal races
of Asia afforded by the Cuneatic inscriptions. He conceives that the
Sacæ or Cymri frequently mentioned on the inscriptions at Khorsabad,
and who appear to have been generally introduced into the Assyrian
empire about the thirteenth century before Christ, were probably of
Scythian origin. He, however, thinks it impossible to identify this
tribe immediately with the Gaelic Cymri. It appears more probable that,
under the name of Cymri, the Assyrians included all the Nomade tribes
with whom they were acquainted, without respect to ethnological family;
but he suggests that the Celtæ subsequently applied this generic name
specifically to themselves, as among the Moguls of the present day
a particular tribe have taken the name of "Eluth" or "Ilyat," which
properly denotes a mere Nomadic population. The other tribes with which
the Assyrians were chiefly brought in contact, were the Shetta or Khyta
in Syria, and the Ludi in Lower Babylonia. The former tribe are well
known from the inscriptions of Egypt, and the latter were probably the
same people who are mentioned in Ezekiel under the name of "Lud," in
connexion with "Phut" and "Elam." These tribes of Khita and Luda were
both undoubtedly of Semitic origin.

We may confidently anticipate that these researches into the races
and languages of the central region of Asia, from whence we believe
the human family to have been gradually diffused over remoter
countries, until the first colonists reached our own western island,
will yet furnish much of the precise information we require relative
to the earliest Asiatic migrations of the Celtæ, and the degree of
civilisation possessed by them when they began the north-western
movement that finally led them to the remotest countries of Europe,
bordering on the Atlantic.

[519] Beda, l. 3, c. 4. Ritson, vol. ii. p. 308.

[520] Vita Niniani, Ritson, vol. ii. p. 144.

[521] Ecclesiastical Architecture of Ireland, p. 387.

[522] Dicuil's work was discovered at Paris, and published there in
1807 and 1814.--Antiquities of Ireland and Denmark. Worsaae, p. 17.

[523] Bannatyne Miscellany, voL iii. pp. 73, 74, (in the press,)
translated by Dean Guild. 1554.

[524] Adomnan, vol. ii. p. 43; Smith's Life of Columba, p. 55.

[525] Ynglinga Saga, Coll. de Rebus Albanicis, p. 65.




CHAPTER II.

SCULPTURED STANDING STONES.


The progress of our inquiry into the peculiar characteristics of
Scottish Archæology brings under consideration one of the most
interesting, yet most puzzling classes of monuments of early native
art. While England has her Anglo-Saxon ecclesiastical remains
exhibiting more or less distinct traces of the transition by which
the debased Roman passed into the pure Romanesque or Norman style,
Scotland, along with Ireland, possesses examples of an early native
style of ecclesiastical architecture and of Christian monuments,
belonging to the same undefined period prior to the Norman invasion of
England.

Of the Sculptured Standing Stones of Scotland, including these
primitive Christian monuments, a few of the best known examples have
been repeatedly engraved, but generally on so small a scale, and with
so little attention to accuracy of detail, that they have failed
to secure that interest among British archæologists which their
great number and the very beautiful and singular character of their
sculptures merit. The reproach of leaving these remarkable national
monuments unillustrated has, however, been to a great extent removed
by the publication of Mr. Patrick Chalmers' magnificent work on the
Ancient Monuments of the County of Angus,[526] which furnishes an
extensive series of examples of the various sculptured stones long
ascribed to a Danish origin, but now nearly all recognised as peculiar
to Scotland. Attempts to decorate Scottish sepulchral memorials by
means of sculptured ornaments appear to have been made from an early
period. Several curious examples have already been noted of stone
cists, otherwise entirely unhewn, the covers of which have been rudely
ornamented with incised patterns similar to those which are seen on
the gigantic chambered cairn of New Grange, near Drogheda. But greater
interest perhaps attaches to another though more simply decorated
Scottish cist pertaining apparently to a much later period than the
cairn of New Grange, or the incised cists which have been classed
with that remarkable primitive sepulchre. On a rising ground about
half a mile to the east of the town of Alloa, called the Hawkhill, is
the large upright block of sandstone sculptured with a cross which is
represented in the annexed engraving. It measures ten and a quarter
feet in height, though little more than seven feet are now visible
above ground. A similar cross is cut on both sides of the stone, as
is not uncommon with such simple memorials. During the progress of
agricultural operations in the immediate vicinity of this ancient
cross, in the spring of 1829, Mr. Robert Bald, C.E., an intelligent
Scottish antiquary, obtained permission from the Earl of Mar to make
some excavations around it, when, at about nine feet north from
the monumental stone, a rude cist was found, constructed of unhewn
sandstone, measuring only three feet in length, and at each end of the
cover, _on the under side_, a simple cross was cut. The lines which
formed the crosses were not rudely executed, but straight and uniform,
and evidently finished with care, though the slab itself was unusually
rude and amorphous. The cist lay east and west, and contained nothing
but human bones greatly decayed. Drawings of the cross and cist, and
a plan of the ground, executed by Mr. Bald, are in the possession of
the Society of Antiquaries. Here we possess a singularly interesting
example of the union of Christian and Pagan sepulchral rites: the
cist laid east and west, according to the early Christian custom, yet
constructed of the old circumscribed dimensions, and of the rude but
durable materials in use for ages before the new faith had superseded
the aboriginal Pagan creeds.

[Illustration]

[Illustration: Dunnichen Stone]

To this same transition-period there can now be little hesitation
in assigning that remarkable class of Scottish sculptured stones,
decorated most frequently on the one side with the figure of the cross,
and on the other with a few mystic symbols of constant recurrence which
still remain an enigma to British Antiquaries, and to most others a
subject of perfect indifference or contempt; though had they been
discovered on the banks of the Tigris or the Nile they would have
been thought worthy of the united efforts of European scholars for
their solution. Some of these monuments most probably belong to Pagan
times, as they contain only the mysterious symbols, unaccompanied by
the emblem of the Christian faith, and are usually of ruder execution,
and cut on unhewn stones. Of this class are the Standing Stones at
Kinellar and Newton, Aberdeenshire;[527] and those of Aberlemno,[528]
and Kirktown of Dunnichen, in Angusshire.[529] Theorists who have
deemed it indispensable to assign to these singular monuments an
antiquity long prior to the Christian era have supposed that the cross
has been superadded to the older Pagan sculptures. No traces of any
such hybrid union are now discoverable, but, on the contrary, where
we find the Christian and Pagan symbols combined, they are almost
invariably accompanied with elaborately interlaced patterns and figures
of dragons, serpents, and nondescript monsters, bearing a close and
unmistakable resemblance to the decorations of some of the most ancient
Irish manuscripts, nearly corresponding to the era of the introduction
of Christianity into Scotland. Several of the beautiful initials from
the Book of Kells, an Irish MS. of the sixth century, as engraved in
Mr. Westwood's Palæographia, bear a close resemblance to the style
of ornament of these sculptures; while the interlaced knotwork on the
case of the shrine of St. Maidoc, which Dr. Petrie conceives cannot be
later than the eighth century, though less distinctly characteristic,
and by no means peculiar to Ireland, very nearly corresponds in its
details to the ornamentation frequently introduced on these Scottish
monuments. Others, such as the Aberlemno and one of the Meigle crosses,
are decorated with raised pellets or nail-heads, manifestly derived
from the ornamental studs of the old British buckler, also to be found
elsewhere; as on one of the Manx sanctuary crosses to be seen about a
mile from St. Maughold's Church, in the Isle of Man. The arrangements
of the figures in some of the Scottish monuments of this period,
as in the celebrated Forres column, are also strikingly suggestive
of intimate intercourse between Scotland and Ireland at the period
of their erection, from their correspondence to such works as the
beautiful crosses at Monasterboice. In this case, however, the Irish
are evidently the later works, and are, indeed, assigned by Dr. Petrie
to the early part of the tenth century.

The locality in which these remarkable monuments are found is also
worthy of notice. No example occurs within the ancient limits of
Dalriada, or on the western coast in the vicinity of Ireland, nor has
any one been discovered south of the Forth, though met with both at
Largo and St. Andrews, or north of the ancient southern limits of the
Norse kingdom, if we except one now erected in the pleasure-grounds of
Dunrobin Castle. Yet it is within the same limited range of country,
extending along our eastern coast, that the only examples of primitive
ecclesiastical architecture occur undoubtedly pertaining to the
Scottish Celtic Church prior to its remodelling in the eleventh century.

No sculptured memorials of the singular class so abundant in Scotland,
have been discovered in Ireland, any more than in Norway, Sweden, or
Denmark, though so long ascribed to a Scandinavian origin. They are
manifestly native monuments, though betraying the same traces of the
influence of early Irish art, or at least indications of a period when
the peculiar style of their ornamentation was common both to Scotland
and Ireland, with which we are familiar in the works of the closing
Pagan era. Only one known period of Scottish history answers to these
requirements, and seems to point out the ruder class of sculptured
standing stones as the monuments of the Pagan Picts, and the more
elaborate ones, accompanied with the symbol of the Christian faith,
as belonging to that period which has been slightly sketched in a
preceding chapter, when Christianity was introduced to the Scottish
Picts at the very time in which we possess numerous proofs of the most
intimate intercourse between the two countries. What we chiefly want
at present for the elucidation of Scottish Archæology is not theories
but facts; yet such historical coincidences, though doubtless open to
challenge, are not unworthy of note, and cannot justly be ranked along
with the vague theoretical speculations, destitute of any foundation
but the fancy of their originators, which have discovered in these
Scottish sculptures Egyptian, Phœnician, Braminical, or Druidical
symbols, as it chanced to suit the favourite theory of the hour.

[Illustration]

The Dunnichen Stone affords a good example of the most frequent
symbolic figures: the =Z= shaped symbol, sometimes, as in this case,
intersecting two circles decorated within with foliated lines, and
united most frequently by two reversed curves, or occasionally
intertwined with a serpent. Along with these, there is also often
introduced a crescent-shaped device--the favourite emblem of Druidical
theorists--intersected by a =V= figure, more or less floriated, as
on St. Orland's Stone at Cossins,[530] the Aberlemno Cross,[531] and
many others. Ingenious theorists have recognised in these the initial
Z, L, S, of Zodiacus, Sol, and Luna, and the key to a whole system of
mystical enigmas! Another figure which occurs on the Dunnichen Stone
has been discovered to be the _Atf_, or high cap of the Egyptian Osiris
surmounted by a lotus! The same combination of symbols, however, is
engraved on one of the remarkable silver relics found at Norrie's Law,
Fifeshire, as shewn here the same size as the original. From this there
can be no doubt that it represents an animal's, probably a dog's, head;
and this is equally apparent on one of the crosses in the churchyard
of Meigle, and also on what is called "King Malcolm's grave-stone" at
Glammis, where the same figure accompanies the two-handed mirror. A
writer in the Archæological Journal mentions having met with an almost
precisely similar ornament to one of these symbols on Gnostic gems and
coins bearing cabalistic inscriptions; and "hence he is led to think
that the carvings on the reverse sides of these stones may have been
intended to refer to the perpetual conflict between the Cross on the
one hand, and false doctrines and worldly pursuits on the other. The
Gnostic emblem being intended as an indication of the former of these
principles, counteracting and opposing the spreading of the doctrines
of the Cross, and the scenes of the chase (so frequently accompanying
these sculptured emblems) as indicating the latter."[532] Such abstruse
and recondite ideas, however, seem altogether irreconcilable with the
age to which the monuments must be assigned, while they leave the
main point still unsolved, as to how these symbols do indicate false
doctrines or a Pagan faith. Two objects of domestic use, the mirror and
comb, frequently accompany the more mysterious figures, and after being
assumed by earlier antiquaries as the indications of a female monument,
have more recently been traced to the supposed emblems of Christian
martyrdom found sculptured on the tombs of the Roman catacombs. Dr.
Maitland, however, has successfully combated this mode of explaining
what were often no more than the implements of a trade or profession.
Above the figures of a mirror, comb, and pair of shears, on one of
the primitive Roman tombs, are the simple words VENERIÆ IN PACE, _To
Veneria in peace_,[533]--indications apparently solely of the sex,
or possibly of the occupation of the deceased. That these symbols
were used in Scotland for the same purpose at a much later period, is
proved by the sculptures on some medieval tombs, and in particular on
that of the prioress Anna at Iona, who, though a religious, looks no
martyr on her tomb. It is engraved by Pennant, (vol. ii. _Pl._ XXIV.
fig. 2,) and more minutely, though in a greatly more imperfect state,
in Mr. H. D. Graham's admirable illustrations of the Antiquities of
Iona, (_Pl._ XLV.) Two angels arrange the pillow of the good prioress,
a lady neither of spare nor youthful figure; while on either side of
her are her little lap-dogs, each with a riband and bell to its neck,
and over all the mirror and comb: possibly designed on this, as well
as on the Roman lady's tomb, to indicate the virginity or celibacy
of the dead. Besides these figures of most frequent occurrence,
however, others are also occasionally found curiously referrible to
an eastern origin, and, in particular, a symbolic elephant, as on
Martin's Stone at Ballutheron, on one of the crosses in the churchyard
of Meigle,[534] and on the Maiden Stone on Bennochie, Aberdeenshire,
where it accompanies the comb and mirror, from which the monument
has probably derived its name.[535] The peculiar character of these
singular representations of the elephant is well worthy of study from
the evidence they afford of the existence of eastern traditions at
the period of their execution. It is impossible to mistake the object
intended by the design, while at the same time it is obvious that
the artist can never have seen an elephant. What should be the feet
are curled up into scrolls, and the trunk is occasionally thrown in
a straight line over the back, whereas horses and other animals with
which he is familiar are executed with great spirit and truth. Fabulous
and monstrous figures also accompany these, such as the centaur
occasionally bearing the cross in its hands, and what appears in some
to be a branch of mistletoe, as on the reverse of another of the
singular crosses in the churchyard at Meigle. On a stone near Glammis
a man with a crocodile's head is introduced; on one of the Meigle
crosses, among sundry other nondescript animals, is the capricornus
or sea-goat; and on the inscribed cross of St. Vigeans a grotesque
hybrid, half-bird half-beast, stalks among the fantastic animals and
intertwining snakes which decorate its border.

A most lively fancy is apparent in many of these designs; but others
are possessed of a much higher value as illustrations of the manners,
customs, dresses, weapons, musical instruments, &c., in use at the
period when these monuments were erected. Thus in the very curious
piece of sculpture figured in the annexed engraving, we have a
representation of the use of the bow and arrow, and of a car drawn
by two horses. It is now preserved at Meigle along with others, the
supposed relics of the tomb of the frail Guanora, Arthur's queen,
who, according to Hector Boece, was made captive by the Picts, after
the defeat and death of Modred on the banks of the Humber, and passed
the remainder of her life in captivity within the strong fortress of
Dunbarré or Barry Hill. Thus strangely do we find the romantic tales of
the old troubadours, once familiar through medieval Europe, located
by popular tradition in the district of Strathmore. Mr. Chalmers
conceives that scarcely a doubt can be entertained of the reference
to the monument at Meigle ascribed to Queen Guanora, and of which the
engraving represents one of the most curious portions, in the following
note, under the year 1569, in the Extracta e Cronicis Scotiæ:--"At
Newtylde[536] thair is ane stane, callit be sum the Thane Stane, iii
eln of heicht, v quarteris braid, ane quarter thik and mair, with ane
cors at the heid of it, and ane goddes next that in ane cairt, and
twa hors drawand hir, and horsmen under that, and fuitmen and dogges,
halkis and serpentis: on the west side of it, ane cors curiouslie
grauit; bot all is maid of ane auld fassane of schap. It is allegit
that the Thane of Glammis set thir tua stanis quhen that cuntrey wes
all ane greit forrest." This description is of great value, not only
as preserving a tradition associated with the stone at a period very
near the time of Boece, yet differing entirely from his romantic tale
of Queen Guanora, but much more so, in that it conveys a tolerably
definite idea of what the monument actually was in the sixteenth
century.

[Illustration: Meigle Stone Car.]

The traditions associated with these singular monuments, whether
gathered directly from vague local traditions, or culled from the
marvellous pages of the monkish chroniclers, are equally contradictory
and valueless, as throwing any light on their origin, whether
associated with King Arthur and his ravished Queen, or, like the
remarkable Forres obelisk, popularly called King Sueno's Stone,
believed to commemorate the final defeat and ejection of the Norsemen
from the Scottish mainland. This beautiful monument, which measures
twenty three feet in height, has been repeatedly engraved;--by
Gordon, on a sufficiently large scale, but with little attempt at
accuracy of detail, and more carefully by Cordiner in his Scottish
Antiquities.

[Illustration: _Daniel Wilson Delᵗ._

_William Douglas Sculpᵗ._

ST ANDREWS' SARCOPHAGUS]

There can be no question that many of those sculptured monuments are
designed to commemorate particular events, though they have long since
proved faithless to their trust. Most of such, however, would probably
be of less interest to us than the minute and varied information which
we are still able to deduce from the primitive historic memorials. We
see in them the warrior on horseback and on foot, armed with sword,
spear, battle-axe, and dirk, and bearing his circular buckler on his
arm,--a much larger shield than that previously described among the
later relics of the Pagan era, and, indeed, closely resembling the
Highland target, which continued in use in Scotland till the final
extinction of the patriarchal system and hereditary customs of the
Highland clans, after their last struggle on Culloden Moor. Nor are
the sculptures less minute in their illustrations of domestic habits
and social arts. In Plates II. and VI. of Mr. Chalmers' valuable work,
we have representations of ancient chairs, and figures apparently
of priests and monks. In the former, also, and in Plate XIII., are
a harp and harper, the latter executed with much spirit, though now
greatly defaced; while hunting and hawking scenes frequently occur,
accompanied with very graphic representations of the beasts of chase.
There is, moreover, a peculiar style running throughout the whole of
these sculptures, and a certain action and contour in the figures and
animals, which mark them with as distinctive a character as belongs
to any medieval or modern school of art. The engraving on Plate IV.
represents one of the most elaborate of these Pictish hunting scenes,
fully answering to the description of the old Scottish chronicler, of
"horsemen, fuitmen, and dogges, halkis and serpentis." It occurs on
what is believed to have formed part of a stone coffin, which was dug
up in the immediate vicinity of St. Andrew's cathedral, and is now
preserved in St. Mary's College there. Along with this slab, which
measures five and three-fourths feet long, by two and one-fourth feet
broad, there was found what appears to have formed one end, and part of
the other, of the same sarcophagus or monument. Both are covered with
intricate knotwork, and in the more perfect of the two there are four
compartments, two of which are occupied each with a pair of apes, and
the others with globes, each encircled with two serpents. Not the least
curious feature of this elaborate design is the introduction of well
executed apes and other animals, which we would have supposed entirely
unknown to the ancient sculptor. Besides these the ram, the horse and
hawk, the fawn, the greyhound pursuing the fox in the thicket, and the
tiger or leopard, as the fierce assailant of the horseman seems to be,
are all executed with great fidelity and spirit. In addition to these
there is a nondescript monster, a sort of winged griffin, preying
upon a prostrate ass. But by far the most valuable portions of this
curious design are the human figures, with their variety of character
and costume. Here manifestly is the Patrician, with his long locks
and flowing robes, and his richly decorated dirk at his side, while
the plebeian huntsman betrays his humble rank, not only in his homely
dress and accoutrements, but even in the lean and half-bred cur which
forms his companion in the chase. But the engraving will furnish a much
more satisfactory idea of these curious details than any description
could convey. The most common decoration of this remarkable class
of native Scottish monuments, apart from the symbols and sculptured
figures so frequently introduced, is the interlaced knotwork which
appears to have been so favourite a device of Celtic art. It occurs
on the sculptures, the jewelry, the manuscripts, and the decorated
shrines and book-cases of early Irish Christian art, and has been
perpetuated almost to our own day on the weapons and personal ornaments
of the Scottish Highlanders. The annexed illustration represents
a very characteristic example of the common Highland brooch, from
the original in the collection of C. K. Sharp, Esq. It is of brass,
rudely engraved, evidently with the imperfect tools of the native
mountaineer. The tongue is of copper, and the brooch measures four and
one-tenth inches in diameter. Amid its decorations will be recognised
the triple knot, the supposed emblem of the Trinity, along with other
interlaced patterns, such as occur in the bosses of sepulchral and
monumental crosses of the seventh and eighth centuries. Precisely the
same ornaments may be seen on the Highland targets, preserved among
the memorials of the field of Culloden; while other combinations of
this favourite pattern formed the universal decoration on the handle of
the Highland dirk, from the earliest known examples to those belonging
to the same fatal field, on which the unbroken Celtic traditions of
Scotland were involved in the fortunes of the fated Stuart race.

[Illustration]

[Illustration: Celtic Dirks.]

Only two of the ancient sculptured standing stones peculiar to Scotland
are accompanied with inscriptions. One of them, discovered about
thirty years since, on demolishing the ancient Church of Fordoun, in
the Mearns, was then apparently undecipherable,[537] and has since
become illegible; the other is on a beautiful though mutilated cross
in the churchyard of St. Vigeans. That of St. Vigeans is in the common
Celtic character familiar to us on early Irish monuments, and on the
oldest tombs at Iona, and therefore in so far adds confirmation to
the idea advanced as to the probable era of these sculptures. But
it is imperfect and perhaps too mutilated to admit of intelligible
translation, though sufficient remains in the first words, Aꞅoil en,
to shew that it is of the usual character of Scottish and Irish Celtic
monumental inscriptions.

"Mr. Petrie," says Mr. Chalmers, "is of opinion, from a portion of
it which he has deciphered, that the monument is Pictish, and he
expresses a hope that he will be able to explain the inscription." But
as the legible fragment seems to consist of only three words and part
of a fourth, no very valuable information can be looked for from its
fractional remainder.

One other peculiar and indeed altogether unique inscription occurs
on a rude unhewn standing stone of granite in the vicinity of the
Maiden Stone, with its mysterious symbols, at Newton, in Garioch,
Aberdeenshire. The column measures fully six feet in height, and about
two feet in greatest breadth. On its upper part is the inscription,
extending to six lines, in large and sufficiently distinct, but
entirely novel and unintelligible characters. It has been more than
once engraved, and repeatedly submitted to eminent antiquaries, but
still remains undeciphered. General Vallancey, the well-known Irish
antiquary, professed to read the two first words of it. What indeed
would he not have undertaken to decipher? These he rendered _Gylf
Gomarra_, Prince Gomarra, apparently from some slight or fancied
resemblance of the characters to the corresponding Roman letters, but
his G and F are manifestly the same, and the whole still remains an
enigma. The side of the same stone, however, bears another inscription,
also shewn in part in the annexed engraving, which appears to have
escaped the notice of earlier observers, though introduced as a mere
ornament in the representation inserted in the Transactions of the
Scottish Society of Antiquaries. It has recently been pronounced by
Irish antiquaries an Ogham inscription, and as such, is an object of
considerable interest, no other example of the use of that simple and
extremely primitive character, which the older antiquaries of Ireland
have made the subject of so many extravagant theories, having been
discovered in Scotland. It does not necessarily follow that the two
inscriptions belong to the same period, though found on one stone; but
both are as yet equally dumb and irresponsive oracles.

[Illustration]

Various early inscriptions in the same old Celtic character as that
engraved on the St. Vigeans' Cross are still to be found in Scotland,
and particularly in the Western Isles, where it had doubtless been in
general use, prior to the adoption of the later Church letters common
to medieval Europe. Of this class are two stones at Iona, adorned
with simple crosses, one of which has been made the subject of some
very fruitless speculation. "No one of the inscriptions in Iona,"
says Mr. H. D. Graham, "has been so much written about as this, and
antiquarians do not agree as to its signification. It is in the old
Gaelic character, and has been usually interpreted into _Donull fada
Chasach_--The cross of Donald Longshanks."[538] An older decipherer
reads it, "_Cormac Ulphada hic est situs_," indicative of the sepulchre
of Cormac Barbatus, one of the kings of Ireland, buried there A.D.
213; and a third assigns it as the memorial of a king of France, who
according to equally credible tradition found his last resting-place
in the sacred isle. Mr. Graham has accordingly designated it in his
Illustrations of the Monuments of Iona, "the disputed inscription,"
though finding for it a new reading, which assigns it to a Macdonald
of the Glengary line, A.D. 1461. The inscription reads: Oꞃ̄ ꝺo mail
Ꝼaꞇaꞃic, or with the first word extended:

                        ✠ OROƖꞆ ꝹO MⱭƖɭ ꝻⱭꞆⱭRƖC
                 _A Prayer for the servant of Patrick._

Its modest memorial is sufficiently indefinite, yet it may be assumed
with much probability to mark the tomb of Bishop Patrick, whose demise
is thus recorded in the Annals of the Four Masters, under A.D. 1174:
"Maol Patrick O'Banan, Bishop of Conor and Dal Araidhe, a venerable
man, full of sanctity, meekness, and purity of heart, died happily in
Hy of Columkille, at a good old age."[539]

[Illustration: Bishop Patrick's Tomb, Iona.]

Another rude and unsquared slab, with a slightly ornamented cross,
bears the still simpler inscription: Oꞃ̄ ɑꞃ ɑꞃmɩn ϵoᵹɑɩn, _armin_, or
more commonly _armunn_, being a brave man or chief. Extended it reads:

                         OROƖꞆ ⱭR ⱭRMƖN ΕOꝽⱭƖN
                _A Prayer for the Chief Eogain or Ewen._

Eogan or Eoganan, of the Albanic Duan, commenced his reign over the
Dalriads in A.D. 801, and subsequently wrested from the Southern Picts
the territories conquered by Angus MacFergus, and governed for a time
by princes of his line.[540] The name is not uncommon among the early
western chiefs; and the Lord of Argyle at the period of Haco's invasion
in 1263, as appears from various early charters, was Eugene or Ewen,
son of Duncan, a descendant of the great Somerled.

Various other stones, with crosses cut upon them, evidently of the same
date as those thus inscribed, lie scattered among the remarkable tombs
of the RELIG ORAN, or St. Oran's Burial Ground,--that sacred spot, the
resting-place of saints, and kings, and old island chiefs, so deeply
interesting to every Scottish heart,--but these are the only examples
of this early class on which inscriptions are now decipherable.
Many of the tombs of a later date are ornamented with figures and
floriated patterns in relief, characterized by singular beauty and
great variety of design. The style of ornamentation on some of them is
peculiar to the Western Isles and the neighbouring Scottish mainland:
but such ample justice has been done to them in the recent beautiful
series of views of the "Antiquities of Iona," by Mr. H. D. Graham,
that it is unnecessary to resort to the less intelligible process
of verbal description. The intermingling of foliage, scroll-work,
chain-work, geometric patterns, and knotwork, with animals, figures,
and sacred or warlike implements, is characterized by a profuseness
and variety of design such as the sepulchral monuments of scarcely any
other single locality or age can equal. The greater number of them,
however, belong to a later period than that now under consideration,
but on this very account, as well as for other reasons, we must
dissent from the conclusions as to the origin of their style of art,
advanced by the Rev. J. S. Howison, in his valuable papers on the
Antiquities of Argyleshire. The well-ascertained dates of some of the
most remarkable of these monuments fix their era from the fourteenth
to the sixteenth century. The accompanying illustration supplies a
characteristic example, in the mutilated cross of Lauchlan M'Fingon,
the father of Abbot John of Iona, who died A.D. 1500, and had a more
important tomb, adorned with his recumbent figure in full canonicals,
within the cathedral, though his name figures on the cross in St.
Oran's Chapel, erected as we may presume by himself. It is a valuable
illustration for our present purpose, as the inscription and date are
still perfectly legible: ✠ Hec: est: Crux: Laeclanni: Maic: Fingone:
et: eius: filii: Johannis: abbatis: de: Hy: facta anno: domini: Mº:
CCCCº: LXXXº IXº. The _lymphad_, which figures as one of the herald's
quarterings of the Mackinnons, is indeed believed to have been derived
from the Northmen, but in the form it assumes on this and other Iona
sculptures, it bears as little resemblance to the long-oared war galley
so frequently engraved on native Scandinavian monuments and relics
as the accompanying ornaments do to any known device of Northern
origin. The late era to which some of the most characteristic of these
sculptures belong, should alone suffice to disprove the idea "that
the Scandinavians were the authors of this particular kind of art
exhibited by the stone crosses, as also by the sepulchral monuments
of Argyleshire;"[541] but no such monuments are now to be found in
any of the Scandinavian kingdoms, and since the style must have
arisen somewhere, it is surely not more difficult to conceive of it
originating in Scotland than in Norway, Sweden, or Denmark. In so far
as it is derived, its suggestive originals appear to have been much
more Irish than Scandinavian. Its peculiar individuality, however,
arises from the same cause as the very singular characteristics of
Irish ecclesiology. Both Scotland and Ireland stood more apart than
any other of the kingdoms of Christendom from the Crusades and other
great movements which conferred so remarkable a homogeneity on medieval
Europe. The earlier arts were consequently left there to develop new
forms and modifications long after they had been elsewhere entirely
superseded by the later styles of medieval art. At the period to which
the beautiful monuments of Argyleshire are referrible that district
stood singularly isolated, sharing only very partially even in the
influences of Scottish art, and still less in its social progress,
while at the same time the peculiar sanctity indissolubly associated
with its ancient shrines kept alive the spirit in which these
originated. Scarcely any circumstances can be conceived more favourable
for the development of a new style of art; and hence not only the
peculiarity but the endless variety discoverable on the monuments of
Argyleshire, and especially in the Relig Oran of Iona. A Scotsman may
be pardoned even for some excess of zeal in advancing his claims for
sole hereditary right to that historic ground, and the moss-grown
sculptures with which it is paved, where

    "You never tread upon them but you set
    Your feet upon some reverend history."

[Illustration: Iona Cross.]

FOOTNOTES:

[526] The Ancient Sculptured Monuments of the County of Angus,
including those at Meigle in Perthshire, and one at Fordoun in Mearns,
by Patrick Chalmers, of Auldbar, Esq. Bannatyne Club.

[527] Archæol. Scot. vol. ii. Pl. VI. fig. 3; Pl. IX. fig. 3.

[528] Sculptured Mon. of Angus, Pl. VI. fig. 3.

[529] Ibid., Pl. XIV. fig. 1.

[530] Sculptured Monuments of Angus, Plate XV.

[531] Ibid., Plate V.

[532] Archæol. Journal, vol. vi. p. 90.

[533] The Church in the Catacombs, p. 180.

[534] Sculptured Monuments of Angus, Plates VII. and XVII.

[535] Archæologica Scotica, vol. ii. Plate VI. fig. 2.

[536] Newtyle and Meigle are villages within two miles of each other.

[537] Archæol. Scot, vol ii. Plate V.

[538] Monuments of Iona, by H. D. Graham, Esq., p. 16.

[539] Annals of the Four Masters, translated by Owen Connellan, Esq.,
p. 8.

[540] Skene's Highlanders, vol. i. p. 53.

[541] Antiquities of Argyleshire, Trans. Camb. Camden Soc., Part III.
p. 177.




CHAPTER III.

THE NORRIE'S LAW RELICS.


The most remarkable discovery of ancient personal ornaments and
other relics of a remote period ever made in Scotland, was that
of "THE SILVER ARMOUR OF NORRIE'S LAW," a tumulus or artificial
mound which stands on the marches of the two estates of Teasses and
Largo, in Fifeshire. The correspondence of the engraved devices on
this collection of silver relics with the mysterious symbols which
constantly recur on the sculptured standing stones of Scotland, has
served, along with the singular character and great beauty of some of
the ornaments, to confer on this discovery an interest attached to no
other Scottish hoard. This feeling has not been lessened by the fact
that only a very few of these precious relics have been preserved;
while the imperfect, vague, and probably exaggerated descriptions, of
such as were destroyed, have not lessened the feelings of disappointed
curiosity and regret with which archæologists refer to the discovery.

The Bay of Largo, on the northern shores of the Frith of Forth, is a
large and well-sheltered indentation, furnishing the most accessible
position for a safe anchorage and haven near the mouth of the Frith. In
the sandy <DW72> near the shore, at the head of the bay, the beautiful
gold armillæ were found, in 1848, which have been already figured and
described among the relics of a remoter period than that of which we
now treat.[542] The remarkable tumulus which furnished the silver
ornaments now referred to is situated on the estate of Largo, about
three miles from the bay, and is affirmed to have been reputed in old
local traditions, to cover the chief of a great army, deposited there
with his steed, and armed in panoply of massive silver. Instances of
the like popular belief have occasionally received such remarkable
confirmation that they cannot be pronounced by the archæologist as
altogether valueless.[543] In this case, however, it may admit of doubt
if the origin of the tradition be not subsequent to the discovery. The
Old Statistical Account refers to the tradition, that the Stones of
Lundin "are the grave-stones of some Danish chiefs who fell in battle
with the Scots near the place;"[544] but the only allusion made to
Norrie's Law is to be gathered from an addition to the description
of Largo Law, a well-known hill which rises about eight hundred feet
above the level of the sea, and formed of old one of the most prominent
beacon-hills of Fife. "Besides this," the Statist remarks, "there are
two other Laws. But it is evident that these have been artificial. When
the cairn was removed from one of them a few years ago a stone coffin
was found at the bottom. From the position of the bones it appeared
that the person had been buried in a singular manner: the legs and arms
had been carefully severed from the trunk and laid diagonally across
it."[545]

The precise facts connected with the opening of the tumulus of Norrie's
Law, and even the year in which it occurred, are very uncertain, though
the person by whom the valuable hoard was purloined still resides, in
good circumstances, at Pitlessie in Fife. Conscious as he is of the
appropriation of treasure which was not his own, and not yet entirely
free from apprehension of the interference of the Scottish Exchequer
to reclaim the fruits of his ill-gotten wealth, he naturally declines
all communication on the subject, and thus, as too frequently results
from the operation of the present Scottish law of treasure-trove, the
history of the discovery is involved in impenetrable mystery. It may
be permitted us to reflect with some satisfaction, that by the fears
thus excited the depredator has not entirely escaped punishment for the
irreparable mischief which his wretched cupidity has occasioned.

So far as can now be ascertained, in or about the year 1817 an opening
was made in the tumulus of Norrie's Law by a hawker or pedlar who
frequented the district, and it is possible may have had his attention
attracted to the mound by the popular tradition already referred to,
which, if it then existed, could scarcely escape him in his annual
rounds of the parish. A stone cist was exposed within the tumulus,
containing, it is said, no bones or other indications of human remains;
but either in or near it were found the silver relics, which the
discoverer removed piecemeal, and sold, as opportunity offered, to
various silversmiths to be melted down and destroyed. In 1839, upwards
of twenty years after this remarkable discovery, the attention of Mr.
George Buist of Cupar was directed to the subject, in consequence of
discovering that among a few fragments of the original hoard which had
been rescued by General Durham, the proprietor of the estate, there
were several relics marked with the same peculiar symbols which form
so singular a characteristic of the sculptured standing stones of
Scotland. Mr. Buist was then engaged in investigating this remarkable
class of antiquities, and to the report which he published we are
chiefly indebted for the knowledge we now possess regarding "The
Silver Armour of Norrie's Law." Mr. Buist, with much industry and
perseverance, gathered such information as was then recoverable from
persons cognizant of the discovery, and in particular obtained from
the country silversmith, who had been one of the chief purchasers of
the stolen treasure, the following notes of various sales, by which we
obtain a very satisfactory means of estimating the great extent and
value of the original deposit:--

    "For the information in regard to the lost portion of the
    Norrie's Law armour I have been indebted to Mr. R. Robertson,
    jeweller, Cupar, or to individuals to whom I have been by
    him referred. Mr. Robertson first made a purchase of £5,
    subsequently two of £10, and knew of another made by some one
    about Edinburgh to the amount of about £20, and is under the
    belief that perhaps as much as that here accounted for may have
    been carried away, and bestowed on various uses. This, by rough
    computation, may, together with what remains, be reckoned not
    much under 400 ounces of pure bullion. Mr. Robertson has, as
    may be readily supposed, a peculiarly distinct recollection of
    the forms of the various portions of the armour procured by
    him, and gives a most vivid description in particular of the
    rich carving of the shield, the helmet, and the sword-handle,
    which were brought to him crushed in pieces, to permit
    convenient transport and concealment.... A considerable part
    of the armour was partially corroded, the alloy having been
    eaten away as if by some weak acid, exactly after the manner
    of that employed in certain operations of modern silversmiths.
    The bullion in this case was much more pure than in those cases
    where it remained solid and untouched. It was, in fact, reduced
    to the state of porous, brittle, spongy silver. The parts
    chiefly affected in this way were those lowest down, which seem
    to have suffered from long exposure to some subtle corrosive.
    The upper portions were fresh, compact, and entire. In them
    the silver was nearly the same as our present standard."[546]

The report from which the above is extracted is illustrated with
lithographic drawings of the relics in the possession of General
Durham, and also with representations of the shield and sword-hilt,
drawn apparently from the recollections of the silversmith. But even
when brought to him, crushed and broken, it must have been difficult
to form a just opinion of their original appearance; and after the
lapse of upwards of twenty years, any attempt to recover their precise
form or details from memory must be utterly worthless. Judging indeed
from the fragments which remain, it may even admit of doubt if these
silver relics ever included any armour or weapons of war. In 1849, Mrs.
Durham of Largo House entrusted the silver ornaments rescued by General
Durham, to the care of Mr. Albert Way for exhibition at a meeting of
the Archæological Institute; and through the liberality of the Council
I am now enabled to avail myself of the engravings then made from
them. Profound as the regret must ever be with which we refer to this
discovery, it is yet no slight matter of congratulation that even these
few memorials of so remarkable a sepulchral deposit remain to furnish
some evidence of its character, and the period to which it belongs.
They were mostly picked up by the brother-in-law of the tenant, and
another person, both now deceased; having, it may be presumed, been
dropped by their original discoverer in his secret and guilty haste.
The inquiry instituted by Mr. Buist led to the recovery of one of the
bodkins, and also of one of the engraved scale plates mentioned in
the following description. It is perhaps hardly now to be hoped for
that any further additions will be made to the rescued waifs of this
ravished treasure.

The most interesting of the whole relics are the two leaf-shaped plates
of silver, engraved with the mystic symbol of such frequent occurrence
on Scottish sculptured Standing Stones. One of the monuments of this
class, though destitute of the peculiar symbols here referred to, was
found in fragments on the Largo estate, and through the good taste of
the late General Durham, has been again reunited, and erected upon a
pedestal near the spot where it was discovered. On one side it bears
as usual the figure of a cross, and on the other, horsemen, dogs, and
other animals, most prominent among which is the symbolic elephant
frequently found on the same singular class of memorials. Though
destitute of the peculiar devices which confer so great an interest
on the silver relics found in its vicinity, this monument is of great
value as furnishing independent evidence of the prevalence of the same
arts in this locality at the dawn of the Scottish Christian Period. The
two leaf-shaped plates, one of which has already been figured,[547] are
almost precisely similar. On one the marginal line is wanting which
appears in the representation given in the last chapter, but some
indications seem to shew that it has been burnished out. The devices on
both are deeply engraved, and it is possible may have been enamelled.
Mr. Buist describes in his report small lozenge-shaped plates of
silver, which formed part of a rich coat of scale armour; referring,
there can be little doubt, to these leaf-shaped plates, both of which
he has figured. The one already engraved is the size of the original,
which weighs 598 grains; the other corresponds in size, but is somewhat
above eighty grains lighter in weight. But there is no indication of
any means of attachment so as to unite them in a suit of armour, or
suspend them to the dress of the wearer. The spirally decorated bosses
at the broader ends are concave on the under side, and present no
appearance of having ever had anything attached to them. The original
destination of these singular relics is indeed involved in the same
mystery as the peculiar symbols with which they are engraved.

Next in interest to these scale plates of silver are a pair of
bodkins, measuring in length rather more than six and a half inches,
and engraved here the size of the originals. They are both alike,
with the exception that on the reverse side of one is an imperfect
indication of the =Z= symbol, the figure of which is interrupted by the
attachment of the pin. The form of the head is peculiar, though not
unique, pins of nearly similar fashion having been found in Ireland. A
brass bodkin of this type, in the Museum of Trinity College, Dublin,
is almost precisely the same in form and dimensions, and only differs
in the ornament introduced in the front of the head.[548] Another
example of the same type, found at Lagore, County Meath, is figured in
the Archæological Journal.[549] It is made of bronze, and is inferior
in point of workmanship, but is equally valuable from the undoubted
evidence it affords of the native origin of this peculiar form of pin,
and of the other relics discovered along with it. The front of the
head in the Largo bodkin is beautifully chased in the same style of
ornaments as the scale plates, and the central projecting stud bears
a Greek cross patée, thus presented, as on the Scottish sculptured
stones, in connexion with these mysterious symbols. The mode of
introducing the symbol on the bodkin is peculiarly suggestive of its
use as a charm. It is engraved where it was evidently not intended
to be seen, and where indeed its form is by no means adapted as a
decoration to the peculiar shape of the work on which it is introduced.
The spiral ornaments on the opposite side are, on the contrary,
arranged for effect; and though corresponding to those on the double
circles of the scale plate, are suggestive only of decorative design,
the same peculiar form being greatly varied in pattern, and even
frequently left blank on the sculptured stones. Another smaller pin of
the same class is in the Durham collection. It appears to have been
jewelled, but is very imperfect. It measures one and a quarter inch in
length.

[Illustration: Silver Bodkins, Largo]

Two ornaments, described by Mr. Buist as "circles or armlets," appear
to be the large ring fibulæ of a type common both as Irish and early
Highland brooches. The most perfect of the two, which measures five and
three-quarter inches in diameter, is represented here half the size
of the original. The acus or tongue is wanting in both of them. The
torquated hoop is a rare feature in such ornaments, and indeed much
seldomer found in works of silver than of gold. It forms the simplest
style of ornamentation, and, though by no means inelegant, corresponds
very imperfectly with the fully developed style of art indicated in
the other contents of the Largo tumulus, with perhaps the exception of
a silver disc, figured in the Archæological Journal, half the size of
the original.[550] This measures three inches in diameter, and has a
central boss with a circular depression, which may not improbably have
been set with a jewel of amber or stone. The torquated hoop of the
silver fibula does not appear the best adapted for the free movement of
the _acus_, but this seems rarely to have been much attended to. Where,
as in these examples, the hoop is disunited, the _acus_ is generally
of great length, not infrequently measuring two, and even two and a
half times the diameter of its circle. Nothing more was required for
fastening such a fibula after the tongue had been passed through the
dress, than to turn it slightly past the opening, for which purpose
its perforation is always sufficiently wide. The revived taste for
archæological pursuits has once more restored this ancient form adapted
to the fashions of modern dress, and one of the most favourite Scottish
patterns bears the name of the Maid of Norway's Brooch.

[Illustration: Ring Fibula.]

[Illustration]

It is less easy to assign a use for another of the Norrie's Law
relics, engraved here half the size of the original. Mr. Albert Way
describes it as "a plate of silver, enriched with singular scrolls or
foliated ornaments in very high relief. Three of these remain; there
was obviously a fourth, connected with the corresponding scroll by a
narrow neck, the plate being formed with an irregular oblong opening
in the centre. Dimensions of the plate, four and a half inches by
four inches; length of the opening, two and a half inches; projection
of the ornaments more than a quarter of an inch. They appear to have
been cast, and are formed with great elegance of outline and skilful
workmanship." It is obvious that the plate when complete had not been
uniform. It would now be vain to speculate on its original purpose,
though this appears to be the object described in Mr. Buist's report as
the mouthpiece of a sword-scabbard; his whole ideas having obviously
been modified by the local belief in the "suit of silver armour" in
which the mounted warrior was interred. There is manifestly but little
correspondence in it either to a modern sword-guard or the mouthpiece
of its scabbard, and it bears not the slightest resemblance to any
known appendage of ancient weapons.

The remaining relics of this hoard include two fragments of armillæ,
formed of plain silver plates, beaten out so as to present a convex
outer face; a double hook, one inch in length, in form of an S; a
narrow band, like a riband of silver, about half an inch in width,
and upwards of a yard long: one end, which appears perfect, tapering
to a point; a fragment of fine interlaced silver; and a spiral silver
ring, almost precisely similar in form to one of bronze found in a cist
near Edinburgh, and figured in a former chapter.[551] It weighs 120
grains, and is ornamented only with a minute serrated pattern wrought
along part of the inner edge of the spiral bar of silver towards either
extremity.

Such are the few but valuable relics which have escaped the crucible,
amounting altogether only to about twenty-four ounces out of the
estimated 400 ounces of pure silver found in the Norrie's Law tumulus
by its unprincipled ravisher. That they exhibit the high progress
attained by native artists at the period to which they belong can
hardly admit of a doubt. The analogy which the forms both of the
fibulæ and bodkins suggest--so clearly traceable to types of most
frequent occurrence in Ireland--fully corresponds to the historic
origin of the races and the arts of Scotland, already traced out in the
previous chapter. Their peculiar devices, found only on the earliest
Christian monuments of Scotland, no less distinctly refer these
remarkable relics to that native transition-period from the fourth
to the eighth century, when Pagan and Christian rites were obscurely
mingled; and the revelations of the old sepulchral mound shew that
the anticipations of the dying warrior still derived their most vivid
power more from the heathen valhalla than the Christian paradise. We
shall not perhaps greatly err in limiting the era of the Norrie's Law
tumulus from the third to the sixth century. We must even allow for
the lapse of a sufficient interval between the last surviving witness
of the deposition of its treasures, and the advent of that new creed
and system which finally abolished the sacredness that formed the old
safeguard of the Pagan treasures of the dead. But in addition to every
other cause of regret for the barbarous destruction of these beautiful
examples of the arts as practised in Scotland a thousand years ago,
we have reason to believe that an opportunity was lost--perhaps the
only one that can ever occur--of ascertaining the precise epoch, and
even the meaning of the remarkable Scottish symbols with which they
were decorated. Mr. Buist remarks in his report,--"A considerable
number of coins, now wholly lost sight of, and said to have borne
these symbolic markings, were found along with the armour at Norrie's
Law, and about forty of the same kind were found in an earthen pot at
Pittenweem in 1822. It is said that these were destitute of inscription
or written character." No great importance can be attached to such
vague descriptions of coins chiefly derived from the recollections of
persons probably little familiar with any but those of the present
currency. But of the fact of coins having been found no doubt can be
entertained. Nor is this the only instance of such being met with in a
Scottish tumulus, though hitherto they have only been discovered to be
destroyed.

[Illustration]

The most primitive form of Scottish coinage is evidently the simple
gold pellets usually marked with a cross in relief. The two examples
engraved here, the size of the originals, are from the remarkable hoard
discovered at Cairnmuir, Peeblesshire, in 1806.[552] They resemble
two segments of a sphere irregularly joined, and appear to have been
cast in a mould. Forty of the same simple class of early currency were
found, along with what appears to have been a gold funicular torc,
in the parish of Dolphinton, Lanarkshire, and marked, like those of
Cairnmuir, "with the impression of a star."[553] Little hesitation can
be felt in assigning to the same class a discovery, in the parish of
Dunnichen, Forfarshire, of "a number of small gold bullets, which seem
to have been the current coin of the times when they were formed."[554]
A correspondent describes to me a quantity of silver coins found about
two years since in a cist exposed on the demolition of a cairn on the
lands of Sauchie, Stirlingshire: "They were so thin that they readily
broke in the workmen's fingers; they seemed struck through from the
back, and had figures only on the one side; some of them had loops to
hang them by." The whole of these are now dispersed or lost, their
ignorant discoverers having seemingly contented themselves with the
interesting experiment of trying how readily they could break them in
pieces. There can be little doubt from the description that they were
silver bracteates; and if so, their loss is greatly to be regretted.
A cairn of peculiar construction is described in the Statistical
Account of the parish of Garvoch, Kincardineshire, within which was
found a silver brooch of ancient workmanship, and towards the margin
upwards of twenty coins, but these would appear to have been a later
deposit, as they included one of Alexander I., and another of Robert
Bruce.[555] The valuable numismatic collection of the Society of
Antiquaries of Scotland includes a few gold coins of the Gaulish
type, believed to have been found in Scotland, but their history or
exact locality is unknown. Mr. Lindsay, in his "View of the Coinage
of Scotland," justly remarks on the neglect of the investigation of
this interesting subject, which, until the publication of his work,
had been carried no farther back than the reign of William the Lion.
To this he has added the history of upwards of a century, and made us
familiar with some interesting early types. The earliest of these are
of the Crux type of Ethelred II., of whose coins they are evidently an
imitation, and are ascribed to the Norwegian jarls of the Hebrides. In
the autumn of 1782, some men engaged in clearing away the foundation of
an old wall in the island of Tyrie, one of the Hebrides, found an urn
containing from fifteen to twenty ounces of Anglo-Saxon silver coins in
fine preservation, ninety of these are now in the Scottish Society's
collection, and include silver pennies of Athelstan, Eadmund, Eadred,
Eadwy, Eadgar, and Eadweard the Martyr. In the present year, 1850, a
large hoard of Anglo-Saxon coins was discovered in the Isle of Skye:
upwards of ninety fell into the hands of one individual, and a much
greater number were dispersed. By far the greater number are stykas of
Eadgar. Barry mentions two horns found at Caldale near Kirkwall, in the
Orkneys, containing three hundred coins of Canute, including forty-two
varieties of mints, with silver fibulæ and other relics, already
described along with a more recent discovery of a similar kind.[556]
To these also should be added the occasional discovery of Cufic coins,
inscribed in the old Arabic character, and ranging from the latter
end of the seventh to the close of the tenth century. One of these, a
fine gold coin, was discovered in 1823, at a considerable depth, in
digging a grave in the churchyard of Monymusk, Aberdeenshire.[557] In
all the discoveries referred to it is of special importance to our
present inquiries to note that coins and other undoubted evidences of a
comparatively recent date are rarely, if ever, found with gold relics
of Archaic types. We rather see distinct reason to conclude that the
stores of native gold and the direct sources of foreign supply were
both nearly exhausted at an earlier period, and that silver, which
chiefly belongs to the Iron or last Pagan period, was the metal used
for purposes of personal adornment and display at the period when the
peculiar native arts were developed which appear to belong to the
dawn of the Scottish Christian Period. Whether derived from native or
foreign sources, silver appears to have been then in greater abundance,
and more lavishly employed for mere purposes of show than at any other
period of our national history.

FOOTNOTES:

[542] _Ante_, p. 321.

[543] Archæol. Journal, vol. vi. p. 259.

[544] Sinclair's Statist. Acc. vol. iv. p. 546.

[545] Sinclair's Statistical Account, vol. iv. p. 538.

[546] Report on the Silver Fragments in the possession of General
Durham, Largo, commonly called the Silver Armour of Norrie's
Law.--_Cupar_, 1839.

[547] _Ante_, p. 499.

[548] Historical Essay on the Dress of the ancient Irish, by Joseph C.
Walker, M.R.I.A. Dublin, 1788, p. 15, Plate II. No. 4.

[549] Archæol. Jour. vol. vi. p. 105.

[550] Archæol. Jour. vol. vi. p. 255.

[551] _Ante_, p. 327.

[552] _Ante_, p. 317.

[553] New Statistical Account, vol. vi. p. 57.

[554] New Statistical Account, vol. xi. p. 146.

[555] Ibid., p. 38.

[556] _Ante_, p. 443.

[557] Minute of Soc. Antiq. Scot., June 2, 1828.




CHAPTER IV.

SCOTO-SCANDINAVIAN RELICS.


From the slight historical sketch introduced in a preceding chapter,
we perceive that the plundering expeditions of the Norse Vikings, and
the establishment of Norwegian dominion by Harold in the Northern
and Western Isles, were rapidly superseded by the establishment of
an independent Scoto-Norwegian kingdom, which diminished the direct
intercourse with Scandinavia Proper, and led to some interfusion of
the Celtic and Scandinavian races. To this period, therefore, we
must look for the introduction of pure Scandinavian antiquities into
Scotland, and also for the production of those native relics which bear
manifest traces of the influence of Scandinavian art. In the Western
Isles especially, where the expatriated Vikings of Norway fixed their
head-quarters, and in Man, and the Orkney and Shetland Isles, where the
first independent Scoto-Norwegian kingdoms were established, we may
naturally look for many traces of Scandinavian arts.

To this period belongs the very characteristic and beautiful ornament,
usually designated the shell-shaped brooch, and which is equally
familiar to Scandinavian and British antiquaries. In Scotland
especially, many beautiful examples have been found: several of them
are preserved in the Museum of the Scottish Antiquaries, and from
these the following is selected as surpassing in beauty of design
and intricacy of ornament, any other example of which I am aware. It
consists, as usual, of a convex plate of metal, with an ornamental
border, surmounted by another convex plate of greater depth, highly
ornamented with embossed and perforated designs, the effect of which
appears to have been further heightened by the lower plate being gilded
so as to shew through the open work. In this example the gilding
still remains tolerably perfect. On the under side are the projecting
plates still retaining a fragment of the corroded iron pin, where it
has turned on a hinge, and at the opposite end the bronze catch into
which it clasped. The under side of the brooch appears to have been
lined with coarse linen, the texture of which is still clearly defined
on the coating of verd antique with which it is now covered. But its
peculiar features consist of an elevated central ornament resembling a
crown, and four intricately chased projections terminating in horses'
heads. It was found in September 1786, along with another brooch of the
same kind, lying beside a skeleton, under a flat stone, very near the
surface, above the ruins of a Pictish house or burgh, in Caithness.
It measures nearly four and a half inches in length, by three inches
in breadth, and two and two-fifth inches in height to the top of the
crown. Like many others of the same type, it appears to have been
jewelled. In several examples of these brooches which I have compared,
the lower convex plates so nearly resemble each other, as to suggest
the probability of their having been cast in the same mould, while the
upper plates entirely differ.

[Illustration]

These oval brooches are most frequently found in pairs, and may be
presumed to have been worn on the front of the shoulders or breast, as
shewn in a curious piece of sculpture, evidently of nearly the same
period, which is built into the church wall of Invergowrie. It is
engraved in Mr. Chalmers of Auldbar's "Ancient Sculptured Monuments of
Angus," (_Pl._ XXII.) and represents, apparently, three dignitaries,
probably priests, as two of them hold books in their hands. The two
outer figures are adorned with large brooches on their shoulders,
while the central, and perhaps more important figure, is without
them, but wears instead a circular ornament on the lower front of
his garment. Along with the pairs of oval brooches is frequently
found a third, flat and sometimes trefoiled. One of these, referred
to more particularly on a subsequent page, found along with a pair
of oval brooches, in a barrow on the Island of Westray, in 1839, was
first observed on the exposure of the skeleton, apparently laid on
the abdomen, while the others were beside the ribs, as if worn on
the breast. Another example from the Island of Sangay is figured in
the Vetusta Monumenta, (vol. ii. _Pl._ XX.) A beautiful pair, made
of a white- metal, found under peculiar circumstances in a
tumulus in Yorkshire, and another from the neighbourhood of Bedale, are
figured in the Archæological Journal.[558] Various other specimens are
preserved, both in public and private collections, but none of those
that I have seen appear to equal in elaborateness or beauty of design,
the Caithness brooch figured above.

[Illustration: Sculpture at Invergowrie.]

By far the most remarkable relic associated with the period of
Scandinavian invasion yet discovered in Scotland, is the beautiful
Runic brooch, engraved on _Plate_ I., which forms the frontispiece
to this volume. It was found in the autumn of 1830, on the estate of
Robert Hunter, Esq. of Hunterston, in the parish of West Kilbride,
Ayrshire, within about an hundred yards of the sea, by two workmen who
had commenced to quarry for stones. It lay quite close to the surface,
at the foot of a steep cliff, called the "Hawking Craig," where the
falcon still breeds,--a part of the Goldenberry hill, which bounds the
extreme western point of Ayrshire. Between the Hawking Craig and the
sea is a level piece of ground, where local tradition affirms that a
skirmish took place, shortly before the celebrated battle of Largs,
fought A.D. 1263,[559] when the fleet of King Haco was shattered by
a tempest, and the Norse foe, already dispirited and greatly reduced
in numbers, was totally routed, and finally driven from the Scottish
mainland. In further confirmation of the local tradition Mr. Hunter
adds,--"On the opposite side of the Hawking Craig, where the brooch
was found, I discovered, in making a fence, some graves, composed
merely of six rough stones, but with nothing inside but some charcoal,
the bones being quite decayed. A short distance from this, at the foot
of the hill, is the flat piece of ground assigned as the scene of the
skirmish, in confirmation of which I discovered some graves there. A
short way from this was a large cairn or tumulus of stones, wherein
were found coins, &c.; but I just recollect, as a boy, the stones
having been carted away: I found also an urn of unbaked clay, half
filled with bones partially burned." It might admit of doubt if the
Norsemen were likely to tarry on an enemy's coast, after so decisive
a defeat, long enough to construct the cist and cinerary urn, and to
rear the funeral pile, though we know that they were permitted to land,
after the battle of Largs, in order to bury their dead. But we may
dispense with the argument in this case, as we have not the slightest
reason to imagine that the cinerary urn was in use, either by Scots or
Norwegians, of the thirteenth century. In truth, the whole theory by
which the remarkable relic now referred to is sought to be connected
with the important historical event of the reign of Alexander III., is
destitute of any satisfactory foundation. The locality is far removed
from Largs, and not the slightest value can be attached to any local
tradition of Norwegian skirmishes or battles. A reference to the old
and new statistical accounts of the various parishes, along both the
Ayrshire and Argyleshire coasts, will suffice to shew that the battle
of King Haco has proved as infallible a source of explanation for the
discovery of cists, tumuli, cairns, and sepulchral relics of every
kind, as if it were a well authenticated fact that no one had died,
from the days of Noah to our own, but at the battle of Largs!

Sturla, the Norse skald, has celebrated the gorgeous armament of Haco
in the famous Raven's Ode, and disguises the extent of his monarch's
defeat with the skill of a courtly bard; but in vain. King Haco
gathered together the shattered remnant of his fleet, and bore away for
Orkney, where he died, not many weeks after, of a broken heart. The
old Norse skald thus refers to his earlier success, while the fleet
was gathering along the Scottish shores, in sight of the Ayrshire
coast:--"Our fierce veterans, feeders of wolves, hastened their fatal
course through the mountains. In the fell battle mingling, Aleinn the
Dauntless wreaked vengeance on the expiring foe. But now our sovereign
encountered the horrid powers of enchantment. A tempest, magic-raised,
blew upon our warriors ambitious of conquest, and against the floating
habitations of the brave. The roaring billows dashed shielded companies
on the Scottish strand."

In one of the skirmishes which preceded the fatal encounter fought
on Tuesday the 2d of October 1263, the beautiful brooch engraved on
_Plate_ I. is assumed to have been lost. Both the character of its
inscription and the style of its ornament suggest the probability of
its pertaining to a much earlier period; and even Danish antiquaries,
while not unwilling to authenticate its Scandinavian origin, have
sought for it a date one hundred and thirty-three years prior to the
defeat of King Haco, and the final abandonment of the Scottish mainland
by the Norwegian invader. The brooch is of silver, richly wrought
with gold filigree work, and measures four inches and nine-tenths
in greatest diameter. It is also set with amber, and is in a nearly
perfect condition. The only injury it has received, with the exception
of the point of the acus being broken off, is in some of the amber
settings, occasioned either by the action of the weather, to which
it was exposed from lying so near the surface, or possibly from the
frequent burning of the whins which abound along the cliff where it
was found. But the most remarkable feature of this beautiful personal
ornament is an inscription engraved in large Runic characters on its
under side.

Shortly after the discovery of this interesting relic, it was exhibited
to the Society of Scottish Antiquaries, and Mr. T. G. Repp, a native of
Iceland, familiar with Runic literature, read the inscription thus:--

[Illustration: ᛘᛆᛚᚮᚱᛁᚦᛆ᛬ᛆ᛬ᛐᛆᛚᚴ᛬ᚦᛁᛍ᛬᛬ᛐᚭᛚᚴ᛬ᚭᛍᚠᚱᛁᛑᚭ᛬]

Maloritha á dalk this; Dólk Osfriđo; which he thus translated:
Maloritha possidet hanc fibulam; Fibula Osfridie. At the same time
drawings of the brooch were made, and a cast in sulphur was taken from
the inscription, which is now deposited in the Museum of the Scottish
Antiquaries. This valuable historic relic, which is here for the first
time presented to British archæologists, has attracted considerable
attention among Danish antiquaries. It was made the subject of a
learned communication by Finn Magnusen, in the _Annaler for Nordisk
Oldkyndighed og Historie_ for 1846, (pp. 323-599,) but it admits of
doubt if he has been more successful in the correct rendering of this
than of the well-known Runamo or Ruthwell inscriptions, though he is
equally precise in assigning to our Ayrshire brooch a definite date and
owner, as in identifying Offa, and the other historical characters of
whom mention is made, according to certain readings of the Ruthwell
Runes.

The inscription on the brooch is traced in large Runic characters,
of which an exact fac-simile is introduced in the frontispiece, and
differs essentially from any readings hitherto given of it by Danish
antiquaries. Professor Magnusen's version, furnished by the late
Mr. Donald Gregory, then Secretary of the Society of Antiquaries of
Scotland, was probably only a copy of that made by Mr. Repp, though he
reads the second name ᚮᛍᚠᚱᛁᛐᚭ, and contrives to elicit a vast deal more
significance from the brief legend than its former translator dreamt
of. He renders the first part--MALFRIÞA A DALK ÞIS; and translates
it, _Malfritha is the owner of this brooch_. In this Malfritha he
ingeniously discovers the Norwegian Queen Malford, a Russian princess
who lived about A.D. 1130, while he finds in the Osfrido of the latter
part of his version, Astrith the wife of King Svenir. A passage,
moreover, in the Saga of King Haco, wherein the monarch complains of
having been despoiled in infancy of all his inheritance save a brooch
and a ring, completed the coveted cycle of historical identification,
and here accordingly we have the brooch of King Haco, and an undoubted
memorial of the Battle of Largs! A glance at the fac-simile of the
inscription will shew how much imagination had to do even with the
literal elements of this unparalleled discovery. In adapting the first
name to his historical romance, Professor Magnusen reads ᚮ as F, not
only without any authority, but even while recognising the regular ᚠ,
or Runic F, in the second name--a needless liberty as will appear. The
word ᚦᛁᛍ is no less a creation of the fancy. The mark which appears to
have been construed into the terminating circle of the ᛍ, and to have
given some show of probability to the others, being only the head of
one of the silver rivets, which chances there to protrude in the middle
of a line.

Meanwhile let us glance at the safer guidance which pure archæological
evidence supplies. In addition to the inscription, I have introduced
in the drawing, portions of the ornamental borders running along the
outer and inner edges of the brooch. The Irish antiquary especially
will recognise in these the familiar interlaced patterns to be found
on nearly every native ecclesiastical and personal ornament pertaining
to the early Christian period prior to the first appearance of the
Northern Vikings, and with these the entire design and ornamentation
correspond. But for the inscription, in fact, no one would have
dreamt of assigning to the brooch a foreign origin; yet it does not
seem to have ever occurred to the Scottish antiquaries to whom it was
submitted, that the inscription might also be native, and equally
Celtic with the workmanship. It will be seen that a rude chevron
pattern is engraved on the back of the brooch, cut in the same style
as the inscription, evidently the work of very different, and no doubt
later hands, than those of the original jeweller. The whole reasoning,
both of Scottish and Danish antiquaries in relation to this interesting
relic, has heretofore proceeded on the assumption that a Runic
inscription must have a direct Scandinavian origin: a conclusion by no
means necessarily resulting from the use of Runes in Scotland at the
date assigned to this one, after alliances and intermarriages had long
existed between the Scandinavian and Celtic races of Scotland.

The Runic monuments of the Isle of Man present some remarkable
features, manifestly pointing them out as the product of a Scandinavian
colony in close alliance with a native Celtic population, and possessed
both of a language and style of art resulting from the intercourse
of these diverse races. The Manx Runic alphabet appears also to have
some literal peculiarities altogether singular, though probably once
common to the Hebrides and Northern Isles, and found also, as might
have been anticipated, on the Hunterston brooch. To these features of
the Manx alphabet, my attention was called by Professor P. A. Munch of
Christiania, during the visit of that distinguished Northern scholar
to this country in 1849; by whom, indeed, they were for the first time
detected, when inspecting a series of casts of the Manx inscriptions in
the Museum of the Scottish Antiquaries. In these ᚮ is sometimes used
as B, so that the first name on the brooch reads _Malbritha_. From the
incidents already narrated relative to the Scandinavian acquirement of
possessions on the Scottish mainland, both by conquest and marriage, it
cannot be doubted that, in so far as the Celtic race had any literary
acquirements, they must have been familiarized both with the Northern
language and Runes. It need not, therefore, surprise us to find in the
owner of the Hunterston brooch not a Norwegian queen but a Scottish
chief of the same name as the Celtic Maormor, Melbrigda Tönn, slain by
Sigurd, the Orkney jarl, when he invaded the north of Scotland A.D.
894. The name, indeed, is familiar to the student of early Scottish
history, and its first syllable is one of the commonest Celtic
prefixes, as in the _Mail Pataric_ on the Iona tomb, and even in the
royal name of Malcolm, _Maol Columb_, the servant of Columba, as _Maol
Brigda_ signifies the servant of St. Bridget. In all cases it is a male
prefix, the Gaelic _maol_ meaning _bald_ as well as _subordinate_, and
being undoubtedly employed in its latter acceptation with reference
to the tonsure. It is accordingly frequently met with in the names
of ecclesiastics, as in the Pictish chronicle, A.D. 965, "_Maelbrigd
episcopus pausavit,_" and again repeatedly in an early Irish MS. copy
of the Gospels, preserved among the Harleian MSS. in the British
Museum,--n, 1802; as, for example, at the end of the Gospel of St.
John, the colophon, "Or. do Maelbrigte h-Ua Maeluanaig, qui scripsit
hunc librum."

Here, therefore, we have a probable key to the language of the whole
inscription, nor can it be regarded as an extravagant idea that a Celt
should write his native language in an alphabet already familiar to
him. The characters on the brooch, it will be seen, include various
_Binderuner_ or compound Runes, which add to the difficulty of
translation. Making allowance for these, the following version has this
merit at least, compared with previous ones, that it does not select
merely such letters as will conform to a preconceived theory, but takes
the whole in natural order. In the latter part of the inscription the
second letter is a compound Rune, consisting of ᛅᚭ, or perhaps of
ᛁᛅᚭ, the next of ᛚᛉ, and the fourth of ᛆᚭ--a construction entirely in
accordance with the usual mode of interpreting the _Binderuner_, which
were in common use at the very period of the most intimate Celtic and
Scandinavian intercourse. The whole will thus read:

[Illustration: ᛘᛆᛚᚮᚱᛁᚦᛆ᛬ᛆ᛬ᛐᛆᛁᛘᛁᚼᛂᚼ᛬ᛁ᛬ᛐᛅᚭᛚ᛬ᛘᛆᚭᛚᚠᚱᛁᛐᛁ]

The additional marks are mostly irregular lines, with no distinctive
character, and executed with so little care, that it is not improbable
they have been introduced merely to occupy the remaining space with
a uniform texture. What is decipherable reads in good Scottish
Celtic: _Malbritha a daimiheh i dæol Maolfridi_; _i.e._, Malbritha
his friend in recompense to Maolfridi: _a_ is the possessive pronoun
_his_; _daimheach_, a friend or relative; _i_ or _h-i_, the old
Celtic preposition _in_; and _dìol_, a reward for service done. It
must be borne in remembrance that the spelling of the Scottish Gaelic
is entirely modern. It is the sound therefore that is chiefly to be
looked to, but the variations even in the spelling are not important.
No Scandinavian scholar can examine the fac-simile of the inscription,
and question the fact that the concluding portion actually contains
the masculine name which Professor Magnusen was at such needless pains
to try and educe from that of Malbritha. The chief value, however,
to the Scottish antiquary of the reading now given, arises from no
identification of these old Celtic friends, but from its establishing
the fact--in itself so probable--that they did actually employ the
Scoto-Scandinavian Runes in writing their own native language.

[Illustration]

The annexed woodcut represents an exceedingly beautiful Scottish
brooch, the size of the original, now in the collection of John Bell,
Esq. of Dungannon. Like the Hunterston brooch, it is of silver, set
with amber, and with the pattern wrought in gold. The resemblance of
the two, both in style of ornament and in some of the details, can
hardly fail to be admitted. This very fine specimen was found in the
immediate vicinity of the celebrated mounds of Dunipace, Stirlingshire,
the subject of antiquarian speculation from the days of Buchanan to
our own. Another very fine large silver brooch, jewelled and plated
with gold, formerly in the celebrated collection of Major Sirr, and now
in that of C. K. Sharpe, Esq., has the acus exactly corresponding in
its form and peculiar construction to that of the Hunterston brooch,
while its other details are such as Scottish and Irish antiquaries are
familiar with on the native gold and silver work of Celtic Christian
art prior to the eleventh century. In point of workmanship and style
of art, therefore, we have no reason to ascribe to our Runic brooch a
foreign origin. Other evidence equally exposes the fallacy of assuming
a necessary connexion between the discovery of Runes on our western
coast and the fatal expedition of King Haco.

Directly opposite to the Ayrshire coast, and within sight of the Bay
of Largs, a small island protects the entrance to Lamlash Bay, in
the Isle of Arran, the well-known anchorage where Haco mustered his
shattered fleet after his overthrow. In the Norwegian account of the
expedition, after the narration of the fatal storm and conflict, it
is stated, "The king sailed past Kumbrey (Cumbray) to Melansay, where
he lay some nights."[560] This Melans ey, or isle, there can be little
doubt is Holy Island, in the Bay of Lamlash, which contains the cave
assigned by immemorial tradition as the residence of St. Molio or St.
Maoliosa, a disciple of Columba, and a favourite Celtic saint. The
island corresponds in geological structure to the southern district
of Arran, presenting along the shore the common red sandstone strata,
overflowed by a great mass of claystone and claystone porphyry, which
towers above it in rugged and picturesque cliffs, fringed by the dwarf
oak and birch, to a height of about a thousand feet. The cave of St.
Molio is little more than a waterworn recess in the sandstone rock at
an elevation of about thirty feet from the present level of the sea.
On the shore below, a circular well is pointed out as St. Molio's
Bath, and a large block of sandstone cut perfectly flat on the top,
and surrounded with a series of artificial recesses or seats, bears
the name of the Saint's Chair. Such relics are by no means rare in
Scotland. They appear to have been singularly characteristic of Celtic
hagiology. The Bath of St. Cuthbert was once a favourite resort in
Strathtay; that of St. Woloc exists in Strathdeveron; and that of St.
Fillan remains in the strath of Perthshire which still bears his name.
St. Kentigern also had once his "bath," "bed," and "chair," near the
Molendinar Burn. The Stone Chair of St. Marnan is still at Aberchirder;
that of St. Fillan was recently preserved at the Mill of Killin; while
another of these singular Celtic relics, placed at a commanding point,
near Achtereachan, Glencoe, where a bend of the glen enables it to
command both views, bears the name of _Cathair Malvina_, or the Chair
of Malvina, one of Ossian's heroines.

The roof and sides of the cave of St. Molio, on Holy Island, are
covered with rude marks and inscriptions of many different periods,
among which may be discerned the following Runic inscription, cut with
great regularity, in characters of about an inch and a half in length.

[Illustration: ❌ ᚿᛁᚴᚢᛚᚮᛌ⁝ᛆᚼᛅᚿᛂ⫶ᚱᛅᛁᛌᛐ᛫]

The reading is sufficiently simple and unmistakable. _Nikulos ahane
raist_. The first, ᚿᛁᚴᚢᛚᚮᛌ, is manifestly a proper name. No such word
as ᛆᚼᛅᚿᛂ is known in the Icelandic or ancient Norse tongue, unless it
be simply _a Hane_: of Hane, the name of a place. We may therefore,
perhaps, without impropriety, look for it in the native Celtic, where
_abhadh_, pronounced very nearly in accordance with the spelling of
_ahane_, signifies a hollow or abode. The last word, ᚱᛅᛁᛌᛐ, is of
common occurrence in Runic inscriptions, the preterite of _rísta, to
engrave_. In the present example, therefore, we shall not probably err
in reading the inscription _Nicholas engraved, or cut, this cave_.

According to established custom with all relics found in the
neighbourhood of the estuary of the Clyde, possessing the slightest
affinity to those of ancient Scandinavia, this Runic inscription will
no doubt be ascribed to the followers of King Haco in the thirteenth
century. But independently of the improbability of the defeated
Norsemen employing themselves in inscribing such a retreat, the
simplicity of the Runes favours the probability of its pertaining to
an earlier period. It is not altogether impossible, however, that even
now, after the lapse of at least six centuries, we may be able from the
brief Runes of St. Molio's Cave, to identify the anchorite who dwelt
in this rude retreat. From the initial ✠, the inscription appears to
be the work of an ecclesiastic; and in the Chronicon Manniæ, after
recording the death of Bishop Michael, the elevation of his successor
Nicholas, a native of Argyle, is thus noted: Huic successit Nicolaus
Archadiensis genere, qui jacet in monasterio Benchorensi.[561] He
appears to have succeeded to the see about the year 1193, and to have
held it for about fourteen years.[562] The coincidence both of name
and place of nativity certainly give probability to the supposition
that the recluse of Holy Island in the bay of Lamlash, and the old Manx
bishop, may have been one; at the same time it must be observed that
such attempts at identification rest on an extremely uncertain basis,
and have been the fruitful source of error.

The traces of the use of Runic characters are still abundant in the
Isle of Man, and undoubtedly belong to the period of the general
adoption of Christianity there, though it is not possible to assign to
them a precise date. But the above are not the only Runes inscribed on
St. Molio's cave. The whole surrounding surface of the rock is covered
with crosses, evidently the marks of pious but illiterate pilgrims, who
thus recorded their visit to the Holy Isle. Among these, however, are
also traceable initials, monograms, and other more perfect evidences
of the former concourse of pilgrims to the sacred spot. The annexed
fac-simile of a group of them shews the curious character of these
primitive holographs; but among them the experienced eye will at once
discern the Runic characters, not regularly and boldly cut as in the
former inscription, but irregularly scratched, as with the hasty hand
of the wayfaring pilgrim. It is hardly necessary now too curiously to
investigate the primitive record, though the letters are for the most
part sufficiently distinct and well defined. The ᚳ, or _k_, is not a
Scandinavian but an Anglo-Saxon Rune: a mixture by no means improbable
by a Celtic inscriber. The whole probably imply no more than the proper
name _Akiethir_, though it does not present, as in the former case, one
familiar to our ears. Possibly like some other Runic inscriptions, it
reads from right to left, in which case we should perhaps recognise it
as a female name, _Ritheika_.

[Illustration: Runic Inscription in St. Molio's Cave.]

The rounded Roman characters, from which the medieval church-lettering
ultimately sprung, were in use in the North more than a century prior
to the era of King Haco, though they had not entirely superseded the
Runes. But before this took place the Runic alphabet had been augmented
by various new characters, and the _Binderuner_, or compound Runes,
were in general use, especially in proper names, many of which are
united into a single monogram. Both of the inscriptions in St. Molio's
Cave are free from the later abridged mode of writing, and would
therefore seem more probably ascribable to an older date than the
thirteenth century, or indeed the not greatly earlier era of Bishop
Nicholas of Man.

In this conclusion Scandinavian scholars will probably concur, though
they may perhaps detect in other undecipherable groups of markings
on the same cave the characteristic _Binderuner_ of a later date.
It can hardly be expected that they will unhesitatingly concur in
another idea, advanced I believe for the first time, that the Celtic
population of Scotland were as familiar with the Northern Runes as
the natives of the kingdom of Northumbria are proved to have been with
the Anglo-Saxon Runes, in which the most remarkable Scottish Runic
monument--the Cross of Ruthwell--is inscribed. Of this, however, we
are not entirely without some direct indications. The earliest, if not
indeed the only medieval Scottish document which contains any allusion
to the Pictish race, is a charter of confirmation of the lands of
Burgie, in the reign of Alexander II., which occurs in the Chartulary
of Moray. In describing the marches of the lands of Burgie, as fixed
by perambulation, it refers to the various landmarks as follows:
"Scilicet a magna quercu in Malevin quam predictus comes Malcolumo
primo fecit cruce signari usque ad _Rune Pictorum_, et inde usque ad
_Tubernacrumkel_, et inde per sicum usque ad _Tubernafein_, et inde
usque ad _Runetwethel_, et inde per rivulam qui currit per meresiam
usque ad vadum quod dicitur _Blakeford_, quod est inter Burgyn et
Ulern."[563] To this interesting and curious charter another parchment
is attached, which professes to furnish an explanation of the local
names. They contain, it will be observed, an admixture of Celtic and
Saxon terminology, sufficiently characteristic of the previous history
of the locality; and the explanatory parchment is chiefly valuable as
shewing how effectually the intrusion of the later race had adulterated
or effaced the native traditions. The following is the explanatory
translation:--"_Rune[s] Pictorum_, the carne of the Pethis, or the
Pecht's fieldis. _Tubernacrumkel_, ane well with ane thrawine mowth, or
ane cassin well, or ane crwik in it." It is sufficiently obvious that
the explanations are given with uncertainty and doubt, and there can
be little hesitation in translating the first name, not as the Pictish
fields, but as the Pictish Runes, referring, as may be assumed, to an
inscribed Celtic monument which had of old marked one of the Burgie
marches; though in the reign of Alexander II., and long prior to the
Battle of Largs, the very meaning of the term had been forgotten in
Scotland. No attempt is made in the Burgie parchment to explain the
name _Runetwethel_, but its correspondence to that of Ruthwell, the
site of the celebrated Runic monument in Dumfriesshire, is perhaps not
unworthy of notice.[564] The form of the northern Runes, as of the
eastern Cuneatic characters, is manifestly traceable to a people whose
literature was confined to graven records, chiefly on stone. Many of
the medieval mason's marks are not only similar in general form, but
some of them are identical with the following characters of the Runic
alphabets:--ᚺᛋᛟᚻᚩᛖᛞᛘᚷᛗᛦ While this correspondence may be sufficiently
explained by the simplicity of such combinations of lines, and their
ready execution by the mason's _pen_, the absence of rounded forms,
such as predominate in the Roman alphabet, adds another proof that the
origin of medieval architecture, and perhaps also of Free Masonry, is
traceable to the northern countries of Europe. The medieval mason's
marks may undoubtedly be assumed with equal probability to retain the
traces of the obsolete Runes, as the _Bomœrker_ (literally house-marks)
employed by the peasantry in certain districts of Sweden and Norway
as signatures, or marks on personal property, in which the northern
antiquaries recognise surviving elements of the Runic alphabet. In
more recent times the term _Runic_ has been used in this country in
the vaguest and most uncertain fashion, occasionally without any very
definite meaning appearing to be attached to it, and not infrequently
as synonymous with Danish or Scandinavian.

These indications of the use of Runes by the native Celtic population
of Scotland, are--like many other ideas advanced in this elementary
treatise on our national antiquities--offered suggestively, and liable
to the correction which further discoveries may suggest. The Celtic
character of the name on the Hunterston brooch, the equally familiar
one, in its Greek form, of that in the cave of St. Molio--peculiarly
characteristic of the native Christian ascetics prior to the eleventh
century,--and the Runic characters mingling with the initials and
pilgrims' marks of the Holy Isle, are all suggestive of the same idea;
and this it will be seen receives further confirmation from other
Runic inscriptions. But whatever conclusion be finally adopted as to
the precise rendering of the Hunterston inscription, or the inferences
to be drawn from the various Runic memorials found in Scotland, it
will be universally acknowledged that the brooch on which the former
occurs is a relic of no ordinary interest or value. Though it may not
admit of comparison with the celebrated golden horns, it surpasses, I
believe, any other inscribed Runic relic hitherto discovered in Denmark
or Sweden. A gold head ring found a few years since at Starup, in the
neighbourhood of Haderslev, with Runic letters upon it, is engraved
in Mr. Worsaae's Primeval Antiquities of Denmark. The inscription is
simply the word _luþro_, traced on the inner side of the ring, and
assumed as probably denoting the name of the owner, which in this case
also is supposed to be that of a man.[565]

While the Isle of Man still retains many interesting traces of
Scandinavian influence, in its memorial crosses graven with
inscriptions in the Northern Runes, it is surprising how very partial
are the indications of the same influence in the older northern
jarldom. Only two imperfect Runic inscriptions have been observed
in Shetland, and are described by Dr. Hibbert from drawings by Mr.
Low.[566] One of them on a slab or grave-stone at Crosskirk, in
Northmavine, is too much mutilated to render any attempt at restoration
or decipherment of its meaning possible. The other was fixed in the
wall of the Parish Church of Sandness, where it probably still remains;
but, if there be no error in Dr. Hibbert's engraving of it, it only
adds another to the frequent examples in Scotland of the term _Runic_
being applied to designate any strange or incomprehensible device on
a sepulchral monument. In Orkney no Runic monument is known to exist,
though it cannot be doubted that many such must have been erected
during the earlier years of the independent occupation of the Northern
Islands by the Norwegian Jarls. Some of these, it is not impossible,
may even yet be brought to light; though the continuous presence
of a busy population during the intervening centuries affords too
satisfactory means of accounting for their destruction to render such
discoveries very probable at this late date. The annexed illustration
of a later and more complicated Runic inscription than any known
British example, is the remarkable memorial stone found in 1824 on
the Island of Kingiktorsoak, Greenland, under the parallel of 73°,
proving the zeal with which the old Scandinavian colonists pushed their
adventurous course even to the extreme north of the inhospitable region
of Greenland. It is introduced here chiefly to shew the complicated
and much more intricate character of Scandinavian inscriptions of a
later and well ascertained period; the era of the colonisation of
Greenland being sufficiently established as a historical fact. Mr. C.
C. Rafn finds in the concluding Runes the date 1135. During the recent
repairs executed on St. Magnus Cathedral at Kirkwall, some singularly
interesting discoveries were made connected with the period of its
earliest Scandinavian bishops. A tomb was opened accidentally in
the choir of the cathedral, which from the inscription accompanying
it appears to have been the place to which the remains of William,
according to Torfæus, first resident Bishop of Orkney, were translated,
after the elongation of the cathedral, towards the close of the twelfth
century. Along with the bones were interred a leaden plate inscribed in
the common Church letters of the period:--~H. Requiescit. Williamus.
Senex. felicis. memorie~. On the reverse of the plate are the words,
~pmus epis~. Further excavations in the east end of the choir, and
close to the presumed site of the high altar, led to the discovery of
two curious pieces of sculpture, in bas relief, representing ST. OLAF
and ST. MAGNUS. These, however, as well as the tomb of Bishop Tulloch,
with crosier, paten, and chalice inclosed, and other discoveries
made at the same period, belong to a later era than that of Runic
literature, and are only referred to now as suggesting the possibility
of still earlier relics of the Scandinavian period of Orcadian history
being yet brought to light, while the first of them shews that the
Runic character had fallen into disuse soon after the introduction of
Christianity in the north.

[Illustration: Greenland Runic Inscription.]

It is to the Manx monuments, however, that we must turn for the
most distinct and abundant traces of Scandinavian influence, though
modified both by the arts and the faith of the older Celtic population.
The Runic inscriptions are conjoined with the sacred emblem of the
Christian faith, and are associated with ornamental accompaniments,
some of which are sufficiently common on the sculptured memorials of
the Scottish mainland and isles, though never found on contemporary
native monuments of Scandinavia. The close resemblance of a peculiar
trefoil ornament on the upper part of one of these crosses at Kirk
Michael, to the device on the reverse of the coins of Aulaf, King
of Northumbria, has been pointed out;[567] but it is impossible
to limit to a single country or to a very narrow period much of
the common ornamentation vulgarly called Runic knotwork. It may be
traced on manuscripts, monuments, and relics of Scoto-Irish, Pictish,
Scandinavian, Anglo-Saxon, and Norman origin, from the sixth to
the twelfth century. It is, however, frequently found with other
accompaniments of a more precise character, and this in the case of the
Manx crosses of Kirk Andreas and Kirk Michael, approaches more nearly
to the style of the singular sculptured standing stones of Scotland
than to any other monuments of the north of Europe. Here, therefore,
sheltered by the isolation of this island, and by the veneration or
by the superstition of its inhabitants, examples have been preserved
of the style of Scoto-Norwegian monuments of the eleventh and twelfth
centuries, which must once have abounded in the Scottish Northern and
Western Isles, and on those parts of the mainland longest subject
to Scandinavian rule. "The fear of sacrilege evinced by the Manx
peasants is very great. The ruined chapels are still venerated, and
a Manx formula of cursing is,--May a stone of the church be found
in a corner of your house."[568] That the monuments of this period
should have disappeared cannot surprise us, when we reflect on the
very few memorials we now possess of that important era of Scottish
ecclesiastical history which intervenes between the building of the
white-walled cathedral of St. Ninian at Whithern, about the year 412,
and the founding of the Abbey of Dunfermline in the eleventh century.
I am fortunate in having obtained the assistance of Professor P. A.
Munch--whose name will, I believe, be sufficient authority among
northern scholars--in translating such of the Manx monuments as are
referred to here. Previous transcriptions made by copyists unfamiliar
with the Runic characters, or ignorant of the language in which they
are inscribed, have added much uncertainty and obscurity to the
subject, and produced so many various readings as to bring the whole
inquiry into disrepute.[569]

At Kirk Andreas, near Ramsey, at Kirk Michael, Kirk Bride, Kirk
Maughold, and Balsalla, are various of these interesting memorials
of the Scandinavian era, supplying us with examples of the art and
evidences of the faith of the period, and even furnishing some curious
personal information regarding the men of that time. Not the least
interesting of these minute records is that supplied by the inscription
on one of the Kirk Michael crosses, already referred to:--

[Illustration: ᛘᛆᛁᛚ᛬ᚮᚱᛁᚴᛐᛁ᛬ᛌᚢᚿᚱ᛬ᛅᚦᛆᚴᛆᚿᛌ᛬ᛌᛘᛁᚦ᛬ᚱᛆᛁᛌᛐᛁ᛬ᚴᚱᚢᛌ᛬

ᚦᛆᚿᚨ᛬ᚠᚢᚱ᛬ᛌᛆᛚᚢ᛬ᛌᛁᚿᛁ᛬ᛌᛁᚿ᛬ᚮᚱᚢᚴᚢᛁᚿ᛬ᚴᛆᚢᛐ[ᛋ]᛬

ᚴᛁᚱᚦᛁ᛬ᚦᛆᚿᚨ᛬ᛆᚢᚴ᛬ᛆᛚᛆ᛬ᛁᛘᛆᚢᚿ]

Rendered literally, according to the equivalent for each Runic
character, it is:--Mail orikti sunr aþakans smiþ raisti krus þana fur
salu sini sin oruguin gauts girþi þana auk ala i maun. And in pure
Norse it reads:--Mailorikti (Mailbrigdi) sunr Aþakans smiđar reisti
kross þenna fyrir sálu sinni sins öruggs vinar Gauts's gerđi þenna ok
alla i Mön; i.e., Mailbrikti, son of Athacan the smith, raised this
cross for his soul, and that of his faithful friend Gaut, who made this
[cross] and all [the crosses] in Man. The name of the faithful Gaut,
the old Manx sculptor, occurs on other inscriptions, as on a mutilated
fragment at Kirk Andreas:--

[Illustration: ᚦᚨᚿᛆ᛬ᚢᚠ᛬ᚢᚠᛆᛁᚴ᛬ᚠᛆᚢᚦᚢᚱ᛬ᛌᛁᚿ᛬ᛁᚿ᛬ᚴᛆᚢᛐᚱ᛬ᚴᛁᚱᚦᛁ᛬ᛌᚢᚿᚱ᛬

[ᛒᛁᛆ]ᚱᚿᛆᚱ᛬ᚴ᛬᛬᛬]

[Illustration: Kirk Michael Cross.]

Literally, þana uf ufaig fauþur sin in gautr girthi sunr ... rnar g ...
orthog. (N. N. reisti kross) þenna of Ufeig föđur sinn, en Gautr gerđi,
sunr Bjarnar g.... N. N. raised this cross over Ufeig his father,
_but Gaut_ made [it] the son of Björn.... Another of the Kirk Michael
crosses, which has been more frequently and diversely translated than
any British Runic inscription, consists of an upright square slab, with
a cross cut on both sides, according to the usual style of the Scottish
memorial stones, and decorated with a variety of sculptured figures and
animals, representing a stag hunt. One of the edges is ornamented with
interlaced work, as shewn in the annexed illustration, and along the
opposite edge is the legend, surmounted with a small incised figure of
a warrior in simple costume, with his arms extended, holding a spear in
his right hand, and bearing a round shield on the left arm. The letters
are sharply cut, and the author of "Ecclesiological Notes on the Isle
of Man" refers to this as the most perfect Runic inscription in the
three kingdoms:--

[Illustration: ᛆᚢᚮᛚᚠᛁᚱ᛬ᛌᚢᚿᚱ᛬ᚦᚢᚱᚢᛚᚠᛌ᛬ᚼᛁᚿᛌ᛬ᚱᛆᚢᚦᛆ᛬ᚱᛁᛌᛐᛁ᛬ᚴᚱᚢᛌ᛬
ᚦᚨᚿᚨ᛬ᛆᚠᛐ᛬ᚠᚱᛁᚦᚢ᛬ᛘᚢᚦᚢᚱ᛬ᛌᛁᚿᚨ]

Its literal rendering is:--Auolfir sunr þurulfs hins rauþa risti krus
þana aft friþu muþur sina; betraying like the others the variations of
a provincial dialect, or a foreign use of the old Norse tongue. More
correctly it is:--Eyolfr sunr þórolfs hins rauđa reisti kross þenna eft
Friđu móđur sína; _i.e._, Eyolf, the son of Thorolf the Red, raised
this cross after (or in memory of) Frida his mother. This exceedingly
simple memorial of affection, contrasting in its brevity so strikingly
with the inflated extravagancies of modern monumental inscriptions,
affords a good example of the most usual style of the Manx Runic
legends. One cross at Kirk Andreas is raised by Sandulfr suarte, or
Sandulf the Black, in memory of his sons and wife; while on another
imperfect fragment of a cross may still be traced the words:--Oskitil
uilti i trigu aiþsuara sinn; _i.e._, Oskitil betrayed in truce his
sworn friend. The precise object of this unusual memorial cannot
now be guessed at with any degree of certainty, though the fragment
preserves sufficient that is peculiar to excite our regret at its
recovery in so imperfect and dubious a state. Another mutilated cross
at Kirk Michael is interesting as an additional example of a Runic
inscription containing names essentially Celtic in character. Part of
the inscription is so much defaced by the weather as to baffle any
attempt at a consistent rendering of its meaning, but of the portion
copied below no doubt can be entertained. It is presented here in
fac-simile, as an illustration of the style of engraving of the Manx
inscriptions, though it differs in the use of ᛋᛏ for the more common
Runic characters introduced on the other crosses as equivalent to the
_s_ and _t_.

[Illustration: ᛘᛅᛚᛚᚤᛘᚴᚢᚾ᛬ᚱᛅᛁᛋᛏᛁ᛬ᚴᚱᚢᛋ᛬ᚦᛆᚾᛅ᛫ᛂᚠᛏᛁᚱ⁝ᛘᛅᛚ᛫ᛘᚢᚱᚢ᛬ᚠᚢᛋᛏᚱᛅᛋᚢᚾ]

The inscription literally reads:--Mal-lymkun raisti krus thana eftir
Mal-muru fustra sun; _i.e._, Mallymcun raised this cross, after
Malmor his foster-son. The frequent allusions in Runic inscriptions
to the foster-father, brother, or son, shews the singular estimation
in which such peculiar ties of adopted relationship were held by
the northern races at that early date, as they have continued to be
even to our own day among the Scottish Highlanders. But the most
thoroughly Scandinavian in character of all the Manx Runic crosses is
the beautiful one which stands in the churchyard at Kirk Braddan. I
am not aware if crosses of this form are found in Denmark or Norway,
but in nearly all the principal details, especially on the shaft, it
differs entirely from the other Manx crosses, and corresponds to those
on Scandinavian relics of the Iron Period. It has been broken in two,
and otherwise mutilated; but the two principal pieces have been clasped
together with iron bands, so that a good idea can still be formed of
it in its perfect state. The shaft is decorated with the common dragon
ornaments, intricately intertwined over its whole surface; thus greatly
differing in style from the Runic crosses wrought by the skilful hands
of Gaut, as well as from the contemporary standing stones of the
Scottish mainland. This, therefore, we may be justified in assuming, is
the work of some Norwegian artist, whose style was derived from his own
fatherland, though in some degree modified by the favourite models of
Celtic art which have influenced the form of other Christian monuments
in the island. It is probably one of the latest of all the Runic
memorials in Man, while at the same time it presents the Scandinavian
characters accompanying a style of art to some extent derived from
the same foreign source. It can hardly indeed admit of doubt, that in
some at least of the Manx monuments we must recognise the adaptation
of the Norse literature and dialect to native memorials. The cross
cut in relief on the flat slab, with the subordinate accompaniments
illustrative of feats of war or the chase, appear to be peculiarly
characteristic of primitive Pictish art; while the perforated head with
interlaced ornamentation, such as that which is here associated with
the old dragon pattern and other Pagan devices of Scandinavia, is
more directly traceable to the early Christian arts of Celtic Ireland.
The Society of Antiquaries of Scotland possesses a complete cast of
this beautiful cross, taken when the iron clamps were removed for the
purpose of being renewed, and which thus supplies a portion of the
Runic inscription which can no longer be seen. It is as follows:--

[Illustration: ᚦᚢᚱᛚᛁᚮᚱ᛬ᚾᛂᛅᚴᛁ᛬ᚱᛁᛌᛐᛁ᛬ᚴᚱᚢᛌ᛬ᚦᚨᚿᚨ᛬ᛆᚠᛐ᛬ᚠᛁᛅᚴ᛬ᛌᚢᚿ᛬
[ᛌ]ᛁᚿ᛬[ᛒ]ᚱᚢᚦᚢᚱ᛬ᛌᚢᚿ᛬ᛅᛆᚮᚱᛌ]

Literally,--þurlior neaki risti krus þana aft fiak sun sin bruþur sun
eaors. Orthogr.: Thorliótr neaki reisti kross þenna eft Fiak sun sinn,
bróđurson Eaors; _i.e._, Thorlior Neaki raised this cross after Fiak
his son, the nephew (brother's son) of Eaor. In addition to this the
following marks occur on the under side of the head of the cross, and
have been variously figured in the different editions of Camden, and
elsewhere. The Runic ᚢ appears to be used in its literal sense, and the
remainder may be assumed as rude attempts at Roman characters, in which
case I think there can be little hesitation in reading it as the sacred
name IHESVS--a curious example of the transition from the use of Runes
to Roman characters.

[Illustration]

[Illustration: Kirk Braddan Cross.]

It has already been noted that the term Runic is used in Scotland in
the vaguest sense, being frequently understood as synonymous with
Scandinavian. In the account of St. Madoes' Parish, Perthshire, for
example, we read: "In the churchyard there is a very beautiful specimen
of that class of monuments called Runic, from their imagined Norse or
Danish origin." It may be perhaps assumed that another stone in the
parish of Anwoth, Kirkcudbrightshire, has no better claims to rank
among the Runic monuments of Scotland, notwithstanding that the older
Statist applies the name in reference to its inscription. It is thus
described in the Old Statistical Account of the parish, along with a
large moat which occupies a steep rocky peninsula jutting out into the
sea: "Near to this moat stands a thin stone, nearly perpendicular,
five feet three inches high, engraved on both sides with the rude
figure of a cross, accompanied with several ornamental strokes, which
some antiquaries suppose to be Runic inscriptions."[570] But one other
remarkable Runic monument remains to be considered, surpassing in
extent and importance any of those yet described, and rendered not
the less interesting from the very curious literary controversy to
which it has given rise. This is the celebrated cross of Ruthwell, in
Dumfriesshire, inscribed not in Northern but Anglo-Saxon Runes. Like
the few English examples yet discovered, it is in the Northumbrian
dialect of Anglo-Saxon, and therefore is traceable, not to that
northern intrusion of the Scandinavian branch of the Teutonic races
which we have hitherto considered, and by which the old Celtic race
of Scotland has been so greatly modified, but to the influx of a
Teutonic race from the south, by which the Celtic occupants of the
Scottish Lowlands and the whole Northumbrian kingdom, were ultimately
superseded. Nevertheless the cross of Ruthwell may be referred to here
without any great risk of confusion, along with those inscribed in the
old Norse dialect; notwithstanding the justice of Mr. J. M. Kemble's
remarks, that "the characters of the Norwegians, Swedes, Danes, and
Icelanders, are not less distinct from those of the Goths, High and Low
Germans, and Anglo-Saxons, than the languages of the several nations
which they represented."[571] The Ruthwell cross is unquestionably by
far the most important Runic monument in Britain, and has excited an
attention fully equal to the great interest justly pertaining to it. A
beautiful engraving of this ancient monument in the fourth volume of
the Archæologia Scotica, accompanied with careful fac-similes of its
inscriptions, renders any minute description of it superfluous.

Setting aside certain old and sufficiently vague local traditions
recorded in the first Statistical Account of the Parish of Ruthwell,
we obtain the earliest authentic notice of it only in the seventeenth
century, at which time it appears to have still remained in the parish
church, uninjured by any of those earlier ebullitions of misdirected
popular zeal to which so many Scottish relics of Christian art fell a
prey. When, however, the struggle between Charles I. and his people was
rapidly hastening to a crisis, and religious differences were forced by
many concurrent influences into violent collision, the General Assembly
of the Presbyterian Church of Scotland, which met at St. Andrews in the
month of July 1642, passed an order decreeing the demolition of the
Ruthwell cross as a monument of idolatry. The order met with a less
hearty and thorough-going execution than might have been anticipated
from the spirit prevailing at a period when the whole course of public
events had tended to inflame men's minds to the uttermost. The column,
however, was thrown down and broken in several pieces; but it still
lay in the church, and was examined there by Pennant so recently as
1772. Soon after this, however, it was cast out into the churchyard,
where its exposure to weather, and its liability to careless and wanton
mutilation, threatened at length most effectually to accomplish the
object of the St. Andrews Assembly's Order of 1642, when fortunately
the Rev. Dr. Duncan was presented to the parish. Soon afterwards he had
the fragments of the venerable memorial pieced together, and re-erected
within the friendly shelter of the manse garden,--a monument to his own
good taste, with which his name will be associated by thousands who
know not the large-hearted benevolence and piety with which he adorned
the sacred office which he filled.

Not content, however, with merely restoring the venerable memorial,
Dr. Duncan executed careful drawings of it, from which the engravings
in the fourth volume of the Archæologia Scotica were made. These are
accompanied with a history from his pen, and an accurate translation
of the Latin inscription, which is cut in Roman characters on the back
and front of the cross. With the Runic inscription, which occupies the
remaining sides of the monument, Dr. Duncan attempted no more than to
furnish the Scottish antiquaries with an accurate copy, leaving those
who deemed themselves able for the task to encounter its difficulties,
and render an intelligible version of its meaning. This was accordingly
undertaken by Mr. Thorleif G. Repp, a learned northern scholar, and
a native of Iceland, then resident in Edinburgh, who, reading the
letters correctly enough, proceeded to weave them into imaginary
words and sentences, by means of which he makes out the inscription
to record "a gift for the expiation of an injury, of a _cristpason_
or baptismal fount, of eleven pounds weight, made by the authority
of the Therfusian fathers, for the devastation of the fields." Other
portions of the inscription were made to supply the name of the
devastated locality, "The dale of Ashlafr," a place as little heard
of before as were its holy conservators, the Monks of Therfuse! Dr.
Duncan remarks, in furnishing an abstract of Mr. Repp's rendering of
the Ruthwell Runes,--"It is obvious that, in future inquiries on this
subject, it will be of considerable importance to fix the locality of
_Ashlafardhal_ and _Therfuse_!" The accurate drawings of Dr. Duncan,
however, published as they were to the learned world by the Scottish
Antiquaries, had at length supplied the most important desiderata
towards the elucidation of the old Anglo-Saxon memorial. Professor
Finn Magnusen was the first to avail himself of the new elements for
the satisfactory investigation of this venerable Teutonic relic, and
published, in Danish, in the "Annaler for Nordisk Oldkyndighed og
Historie, 1836-37," and nearly at the same time in English, in the
"Report addressed by the Royal Society of Northern Antiquaries to
its British and American Members," a revised version of the Ruthwell
inscription, in which, while confirming the somewhat startling opinion
of Mr. Repp, that it was in a language consisting both of Anglo-Saxon
and old Northern words, he arrives at very different, but still more
precise conclusions. The learned Dane, however, had obtained, as he
conceived, a source of information which not even the zealous incumbent
of Ruthwell parish had access to.

    "Fortunately," says he, "we are in possession of what must be
    admitted to be an important document in the case before us,
    a document the existence of which was unknown as well to Mr.
    Repp as, to the best of our belief, to all others now living,
    that have devoted attention to the monument in question. Dr.
    Duncan observes that the capital of the column, which in the
    delineations he gives of it shews no characters or traces of
    such, had, however, formerly inscriptions, now quite illegible.
    The greater part of them, meanwhile, are found on a delineation
    of the two broader sides of the said capital, which together
    with the two Runic sides of the whole column, (consequently
    more of it than has been given by Hickes or Gordon,) is to be
    seen on a large folio copperplate engraving, now the property
    of me, Finn Magnusen. It was given to me some years ago by my
    much-lamented friend and predecessor, Professor Thorkelin, who,
    however, his memory being impaired by age, could not remember
    anything more about it than that it represented a column in
    Scotland, and that he had obtained it, he knew not how or of
    whom, during his travels in Britain."[572]

This rare and indeed seemingly unique print Professor Magnusen
accordingly designates the "Thorkelin Engraving." Its age he conceives
must be about 150 years, or perhaps still older. "Be this as it may,"
he adds, "it serves to throw a new and most important light--in
fact, the most important yet obtained--on the design and purpose of
the column, inasmuch as it has preserved the initial words of its
inscription, setting forth that one _Ofa_, a descendant of Voda, had
caused it to be cut," &c. Accordingly, setting aside the humbler
attempts of Mr. Repp, the Danish professor substitutes a _marriage_
for the _devastation_ of his predecessor, discovers four important
historical personages in the record, nearly fixes the precise year
A.D. 650 for the handfasting, and altogether furnishes an entirely new
chapter of Anglo-Saxon history, based almost entirely on this Thorkelin
print! Some able northern scholars, more familiar with Anglo-Saxon
literature than Professor Magnusen, adopted the very summary process
of dealing with the new element thus unexpectedly brought to bear on
the inquiry, by doubting the authenticity, if not even the existence,
of this unique print. Of its existence, however, there can be no
doubt, since, instead of being the rarity which Professor Magnusen
imagined, it is to be found in every archæological library in the
kingdom, being none other (as I think will no longer be doubted) than
one of two etchings, executed by the well-known Scottish antiquary, Mr.
Adam de Cardonnel, and forming _Plates_ LIV. and LV. of the Vetusta
Monumenta, vol. ii., published in 1789. These are accompanied by a
description furnished by R. G., (Roger Gale,) and to it the following
postscript has subsequently been added, which it will be seen supplies
the account Professor Magnusen failed to obtain from his aged friend:
"Since this account was read before the Society [of Antiquaries of
London,] the drawing has been shewn to Mr. Professor Thorkelin, who
has been investigating all such monuments of his countrymen in this
kingdom, but he has not returned any opinion." These engravings of the
Ruthwell inscription appear to have excited little interest, probably
on account of their being accompanied by no critical analysis or
attempt at translation. They would seem to have escaped the notice of
Mr. J. M. Kemble, otherwise he would have found there all that the
drawings of Dr. Duncan supply, with, indeed, some slight additions;
for it chances oddly enough that the old Scottish Antiquary has copied
the Anglo-Saxon Runes--about which it may reasonably be doubted if he
knew anything--a great deal more correctly than the Latin inscription
in familiar Roman characters, some of which he has contrived to render
totally unintelligible. It was probably a result of this carelessness,
that in arranging a broken fragment of the top of the cross, along
with the lower stem, he misplaced the parts, wedding the imperfect
upper fragments of the Latin, to the remainder of the Anglo-Saxon
inscription. The offspring of this misalliance was the _Ofa, Voden's
kinsman_, of Professor Magnusen, whose double genealogy is given with
amusing precision, "according to the Younger Edda!" The slightest
glance at Cardonnel's etchings will shew that the learned Dane, in
attempting to decipher this supposed invaluable addition, was only
torturing ill-copied Roman characters into convenient Northern or
Anglo-Saxon Runes.

In 1838, Mr. John M. Kemble, an English Anglo-Saxon scholar, undertook
to unwind this ravelled skein, and in an able paper "On Anglo-Saxon
Runes,"[573] pointed out the valuelessness of any amount of knowledge
of the Scandinavian languages as a means for deciphering Anglo-Saxon
inscriptions. Following out his own views he accordingly produced
a translation differing, _toto cœlo_, from either of those already
referred to, but which commends itself in some degree even to the mere
English student, who detects in the old Anglo-Saxon the radicals of his
native tongue; as in the original of Mr. Repp's _Cristpason_:--KRIST
WAES ON RODI,--_Christ was on the Rood or Cross_. Combating with
the difficulties arising solely from the mutilated and fragmentary
state of what Mr. Kemble so justly styles "this noble monument of
Anglo-Saxon antiquity," he demonstrates the rhythmic character of the
construction, deducing from this the strongest proof of the accuracy
of his reading. Still should the reader, who is thus compelled to
consider two learned versions of this inscription as no better than
the Antiquary's _Agricola dicavit libens lubens_, hesitate about
accepting the third as less open to challenge, his scepticism could
not perhaps be greatly blamed. A remarkable chance, however, threw
in the way of the intelligent Anglo-Saxon scholar an altogether
indisputable confirmation of the general accuracy of the conclusions he
had arrived at. A comparison of the various steps in this process of
elucidation furnishes one of the most singular modern contributions to
the curiosities of literature. A few years ago a MS. volume consisting
chiefly of Anglo-Saxon homilies, was discovered at Vercelli, in the
Milanese, but which also contained, intermingled with the prose, some
Anglo-Saxon religious poems. One of these, entitled a "Dream of the
Holy Rood," extends to 310 lines, and in this are found the whole
of the fragmentary lines previously translated by Mr. Kemble, along
with the context which fills up the numerous lacunæ of the time-worn
inscription on the Ruthwell cross. No confirmation of the accuracy
of conclusions previously published could well be more gratifying
or satisfactory than this; independently of which the beauty of the
Anglo-Saxon poem suffices to convey a singularly vivid idea of the
civilisation existing at the period--probably not later than the ninth
century--when it was engraved on the venerable Scottish monument which
has anew excited the veneration of the modern descendants of its old
Anglo-Saxon builders, and, with some portion of its former beauty
renewed by the piety of modern hands, is restored to the occupation of
its ancient site. Of the high civilisation of this period, however, the
student of Anglo-Saxon history can need no new proof when he bears in
mind, as Mr. Kemble has remarked, "that before the close of the eighth
century Northumberland was more advanced in civilisation than any other
portion of Teutonic Europe."

The "Dream of the Holy Rood" represents the sleeping Christian suddenly
startled by the vision of the Cross, the instrument of man's salvation,
which appears in the sky attended with angels, and manifesting, by
various changes, its sympathy in the passion and the glory of the
Redeemer. At length the Cross itself addresses the sleeper, and
describes its feelings on being made the instrument of the suffering
of the Son of God. It is from this beautiful part of the poem that the
verses have been selected for inscription on the Ruthwell cross. The
following extracts, in which the fragments still legible on the old
monument are printed in italics, will help the reader to form some idea
of the refinement of the period when the cross was erected, and may
also suffice to shew how little need there is to seek in Scandinavian,
or other foreign sources, for the taste or skill manifested in the
works of early native art. The Cross thus speaks in person:--

    'Twas many a year ago,
    I yet remember it,
    That I was hewn down
    At the wood's end,
    Stirred from out my dream.
    Strong foes took me there,
    They made me for a spectacle,
    They bade me uplift their outcasts:
    There men bore me upon their shoulders
    until they set me down upon a hill,
    There foes enough fastened me.
    There saw I the Lord of mankind
    hasten with mighty power,
    because he would mount on me.
    There then I dared not,
    against the Lord's command,
    bow down or burst asunder;
    There I saw tremble
    the extent of the earth.
    I had power all
    his foes to fell,
    but yet I stood fast.
    _Then the young hero prepared himself,
    That was Almighty God,
    Strong and firm of mood
    he mounted the lofty cross,
    courageously in sight of many_,
    when he willed to redeem mankind.
    I trembled when the hero embraced me,
    yet dared I not bow down to earth,
    fall to the bosom of the ground,
    but I was compelled to stand fast.
    A cross was I reared.
    _I raised the powerful king,
    the lord of the heavens;
    I dared not fall down._
    They pierced me with dark nails,
    on me are the wounds visible!

           *       *       *       *       *

    _They reviled us both together.
    I was all stained with blood
    poured from the man's side._

           *       *       *       *       *

    The shadow went forth,
    wan under the welkin:
    All creation wept;
    they mourned the fall of their king.
    _Christ was on the cross,
    yet thither hastening,
    unto the noble one.
    All that beheld I,
    With sorrow I was overwhelmed._

           *       *       *       *       *

    The warriors left me there
    Standing defiled with gore;
    _I was all wounded with shafts.
    They laid him down limb-weary,
    They stood at the corpse's head;
    They beheld the Lord of heaven_,
    and he rested himself there awhile,
    weary after his mighty contest.

This curious poem is marked by what Mr. Kemble has pronounced to betray
evidence of modern handling, and is perhaps the amplification by a
later Anglo-Saxon poet,--it may be of the simpler address originally
graven on the Ruthwell cross. Of the general identity between the poem
and the inscription, however, not the slightest doubt can exist; and we
therefore no longer depend on any future discovery for supplying the
deficiencies of the Runic legend, though we can only guess as to the
full extent to which it was carried in its original form. "It always
seemed probable," says Mr. Kemble in concluding his observations on
the old Scottish monument, "that much of the inscription was missing,
and the comparison instituted above renders this certain. The passages
which remain are too fragmentary ever to have constituted a substantive
whole, without very considerable additions, which there is no longer
room for upon the cross in its present form. Buried perhaps beneath
the soil of the churchyard, or worked into the walls of neighbouring
habitations, the supplementary fragments may yet be reserved for a
late resurrection. Should they ever again meet the eyes of men they
will add little to our knowledge; still we should rejoice to find them
once again resuming their old place in the pillar, and helping to
reconstruct in its original form the most beautiful as well as the most
interesting relic of Teutonic antiquity."[574]

It would be vain to speculate now on the probability of the former
existence of such monuments in other localities, when it is considered
that in the great majority of cases scarcely a relic remains even
of the ancient parish churches of Scotland, built after the final
establishment of a Saxon population in the low country. One other Runic
monument, however, is known to have existed in the same district down
to a very, recent period. Mr. Charles Kirkpatrick Sharp of Hoddam,
informs me that in the ancient church of Hoddam, a sculptured stone,
which was built into the wall, bore an inscription of some length, in
Runic characters. Of this he made a copy before the final demolition of
the ruined church in 1815, but he has since sought for the transcript
in vain. The original, it is to be feared, no longer exists; but
among various sculptured fragments rescued from the ruins, and now
in Mr. Sharp's collection, are portions of the shaft of a cross,
divided into compartments with sculptured figures in relief, bearing
a very considerable resemblance to the style of decoration on the
Ruthwell cross, with the addition in one compartment of the favourite
interlaced knotwork of Scottish and Irish sculptors. That the venerable
ecclesiastical edifice included in its masonry relics of still earlier
date, has already been shewn by the rescue of a Roman altar from its
ruined walls, dedicated by a cohort of German auxiliaries to imperial
Jove.[575]

Other remarkable Anglo-Saxon memorials have been discovered within
the ancient kingdom of Northumbria, as well as beyond its southern
limits. One of the most interesting of these is a square font, at
Bridekirk, in Cumberland. It is covered on each of its four sides with
singular sculptures, in some of which a resemblance may be traced to
the decorations of the Scottish standing stones. On the east side
a curious group represents the baptism of our Saviour, who stands
in a square font with a nimbus encircling his head, and over him is
the dove perched on a tree. On the south side is a Runic inscription
interwoven among ornaments, which still remains to be satisfactorily
explained.[576] Mr. Rolfe of Sandwick has in his possession the silver
hilt of a sword found in an Anglo-Saxon barrow, and inscribed in Runic
characters.[577] A few other examples of the use of the Anglo-Saxon
Runes in England have been discovered from time to time,[578] and
receive the attention justly due to objects of such high interest, now
that English archæologists have learned that it is to themselves and
not to Scandinavian scholars that they must look for the elucidation of
the literature of their own Anglo-Saxon progenitors.

[Illustration: Bronze Ring Pin.]

In the Orkney and Shetland Islands, which were so long occupied as
a Norse jarldom, the relics of Scandinavian art are, as might be
expected, more abundant than in any other part of the country. The
woodcut represents a bronze pin about one-fourth of the natural size,
which was found in a tumulus at Sandwick, in Orkney. Another nearly
similar to this, preserved in the local museum at Kirkwall, is said to
have been found in a cist containing a human skeleton, and sticking in
the skull, as if it had been the instrument of death. Other examples
of similar pins with rings attached to them have been discovered at
various times in the Orkney Islands. But not only have such relics
been met with singly from time to time, but occasionally whole groups
of graves have been exposed containing Scandinavian weapons and
personal ornaments, and in some cases at least appearing to indicate
the site of a battle-field in which many of the Northern warriors have
fallen. Wallace describes, in his Account of the Islands of Orkney,
the discovery of graves in the Links of Tranaby in Westray, "in one
of which was seen a man lying with his sword on the one hand and a
Danish axe on the other, and others that have had dogs, combs, and
knives buried with them." In the spring of 1849 the shifting of the
sands during the continuance of high easterly winds brought to light a
remarkable group of graves on the Links of Pier-o-waal at Westray. A
partial notice of this interesting discovery was communicated by Mr. T.
Crofton Croker to the Journal of the Archæological Association,[579]
accompanied with illustrations engraved from various of the articles
found deposited with the dead. The following details are chiefly
supplied from notes by Mr. William Rendall, surgeon, who repaired to
the Links of Pier-o-waal on learning of the discovery of the graves,
and wrote down these observations as they fell under his notice.[580]
Though in some cases less ample than might be desired, they supply
an exceedingly interesting series of data in illustration of the
sepulchral relics of Orkney belonging to the latest Pagan era.

The following group of graves was found near the sea-shore, on the
Links of Pier-o-waal, Orkney, on a line running north and south.

No. 1. This grave appeared to have been previously disturbed.
Sufficient traces of the skeleton were found to indicate that the body
had lain north and south, rather inclining to the right side, with the
face towards the sea. Only half of the skull remained, and from its
appearance it might have been cleft when interred. A small iron hatchet
lay before the body. Half of a helmet was also discovered, and small
pieces of iron were scattered around, apparently indicating that the
occupant of the grave had been buried in armour.

No. 2 contained part of a human skeleton along with that of a horse.
The horse lay on its belly, with its head towards the sea, and directly
north-east, with its hinder parts towards the south-west. The horse's
head, which was quite entire and of rather a small size, was resting
on the nose. On removing it, an iron-bit with one of the bridle-rings
attached, was found between its jaws. The remains of the human skeleton
were lying immediately in front of the horse's head, with the feet
towards the north, and the thigh bones crossed. No skull could be
found. On the right side of the skeleton lay a buckle and a piece of
bone which had been attached to metal. A piece of iron, either a small
sword or a spear-head, and considerable remains of iron rust, shewed
that in this case also the deceased warrior had been laid to rest
accompanied with the panoply of war. Part of the skeleton of a dog was
discovered in the same grave.--No. 3 also contained portions both of a
human skeleton and of a horse. The position of the former could not be
ascertained. Beside it lay a small dagger, and other remains of iron
weapons or armour were found in fragments in the grave. No. 4 contained
a skeleton, lying north and south, on its right side, and with the
knees drawn up towards the abdomen. No remains of armour were found.

This interesting group of early graves appears to have been entirely
distinct from those alluded to in Mr. T. Crofton Croker's account. The
second group, to which he refers, is described by Mr. Kendall as having
been discovered surrounding a tumulus, or mound of sand and small
stones, at a considerable distance from the sea, in a line running
north-west from the former site of graves.

No. 1 was found on the south-west side of the mound. It contained a
large male skeleton nearly entire, lying north and south, with the
head to the north, and having large stones set round it in a square
form: doubtless the usual rude cist so generally adopted in the Pagan
sepulture of the north of Europe. After carefully removing the sand,
the skeleton was discovered lying inclined towards the left side,
with the knees drawn up, and the arms crossing over the breast. About
two inches from the top of the head was found a cup-like piece of
iron, described by Mr. Rendall as "evidently the part of a helmet."
Notwithstanding its position, however, it was more probably the umbone
of a shield, of which other remains were discovered in the cist,
consisting of pieces of wood, with fragments of the iron covering still
adhering to them. On the left side of the skeleton lay an iron sword,
measuring about four feet in length; a large sharpening stone, a comb,
and several glass beads, were also found in the grave.

No. 2. On the north side of the mound a second grave was opened, which
contained a small skeleton, lying north and south, and supposed by
Mr. Rendall to have been a female. In this and following examples the
position differed from that previously described in having the head to
the south. No fragments of iron or indications of rust suggested the
former presence of arms or armour, but on the breast lay a pair of the
large oval or shell-shaped brooches, already described; and lower down,
right over the region of the stomach, was found another ornament of
the class of trefoil-shaped clasps, described by Mr. Worsaae, in his
"Primeval Antiquities of Denmark," as occasionally found in connexion
with the oval brooches.[581]--No. 3. A third grave, opened on the north
side of the mound, disclosed a small skeleton lying between two rows of
stones. This appears to have been the grave most minutely described and
illustrated in Mr. T. Crofton Croker's communication to the Journal of
the Archæological Society.[582]

It also contained a pair of the large oval brooches, one of which is
here figured one-fourth the original size. Two long combs, decorated
on each side with ornamental carvings, were found, one of them above
each shoulder. The teeth of the combs were fastened between two plates
of bone, rivetted together with copper nails. A small bronze pin
or bodkin was likewise picked up among the interesting contents of
this cist. In this case also the skeleton is believed by Mr. Rendall
to have been that of a female: an opinion which coincides with the
conclusions arrived at by Mr. Worsaae,[583] though the very large size
of the brooches seems more suited for the personal decorations of the
chieftain or the priest.

[Illustration: Oval Brooch.]

[Illustration]

No. 4 was another cist on the north side of the mound, but it had
been previously disturbed, and contained only portions of a human
skeleton.--No. 5 was opened on the north-east side of the mound. It
inclosed part of a small skeleton, which Mr. Rendall pronounces to
be "evidently that of a female." This also contained a pair of oval
brooches, an ornamental pin or bodkin, and a pair of combs. The woodcut
represents one of the combs, which was presented to Mr. Croker. It is
much to be regretted that the valuable series of Scoto-Scandinavian
relics, thus brought to light by the disturbance of this tumular
cemetery, have already been dispersed in many private hands, so as to
be irrecoverably lost. Their value would have been greatly augmented as
the illustrations of an important period in our national history, could
the entire collection have been kept together, and deposited in some
accessible public museum.[584]

One of the bronze pins found in the above graves is figured in the
Journal of the Archæological Association. Like others previously
noticed it has a ring at the head, though it is otherwise much
ruder than the example found at Sandwick. It is engraved here about
two-thirds of the size of the original, which was thickly encrusted
with verd antique when discovered. It is described in the notes
furnished to Mr. Croker as "a sharp-pointed metal instrument, hardly a
span in length, having a circular ring of the same metal for a head.
It was found lying on the abdomen. This was the skeleton of an aged
person, of the ordinary size. It was nearly entire. This grave was both
covered and surrounded by large flat stones."

[Illustration]

Such are some of the traces of Scandinavian influence which the
Scottish archæologist meets with in the course of his researches. They
all belong to a comparatively recent period; and of the beautiful class
of personal ornaments, the oval brooches, which are so frequently
found, Mr. Worsaae remarks, "that they are positively to be referred
to the last period of Paganism we know with complete certainty,
because they are frequently found in graves in Iceland, which country
was first peopled by Pagan Norwegians at the close of the ninth
century." Long before that date, however, Christianity had reached the
Scottish shores; and though impeded, and even frequently eradicated
from districts where it had taken deep root, chiefly by the malign
influence of these Pagan Northmen, we have no reason to think it was
ever entirely extinct. Hence we are abundantly justified in claiming
a native origin for the Pagan arts of Scotland, and in referring all
Scandinavian influence to a late period and a very limited locality.

[Illustration]

One other singular class of Northern relics of which analogous types
have been found in Scotland, remains to be noticed. These consist of a
curious variety of vessels, presumed to have been designed for holding
liquors, but invariably made in the form of some animal or monstrous
hybrid. They differ entirely from any class of antiquities hitherto
noticed, and more nearly resemble ancient Indian bronzes than any of
the relics of early Northern art. The annexed figure represents one
of these, in the collection of Charles Kirkpatrick Sharp, Esq., and
found by him among a hoard of long-forgotten family heirlooms, in a
vault of his paternal mansion of Hoddam Castle, Dumfriesshire. Of its
previous history nothing is known. It is made of bronze. The principal
figure is a lion, without a tail, measuring fourteen inches in length,
and nearly fourteen inches in greatest height. On the back is perched
a nondescript animal, half greyhound, half fish, apparently intended
for a handle to the whole, while from the breast projects a stag's
head with large antlers. This has a perforation in the back of the
neck, as if for the insertion of a stop-cock, and it appears probable
was designed for running off the liquid contained within the singular
vessel to which it is attached. A small square lid on the top of the
lion's head, opening with a hinge, supplies the requisite aperture for
filling it with whatever liquor it was designed to hold. A similar
relic, possessed by Sir John Maxwell, Bart., was dug up a few years
since on the Pollock estate, and another in the collection of the
late E. W. A. Drummond Hay, Esq., was also in the form of a lion. The
conclusion which the appearance of the whole of these relics would
suggest to an observer unfamiliar with Northern antiquities, would
certainly be that they were the products of ancient Indian rather than
of Scandinavian art. The following account, however, derived from
Kluver's Norwegian Antiquities,[585] will shew that they are well known
not only in Norway and Denmark, but even in Iceland--that interesting
Northern stronghold of the later relics of Scandinavian art.

    "On the farm of Vaaden, about five miles south-west from
    Drontheim, there was found some years ago in a field, and at no
    great distance from the surface, an animal form with beak and
    wings. In its beak it carries a man wearing a kirtle and closed
    helmet, booted and spurred. The figure, which is of brass
    composition, weighs five and one-half pounds. It is hollow
    internally. There is an aperture on the neck of the animal,
    which has been provided with a lid, and another aperture in the
    back of the helmet worn by the mailed figure which it carries
    in its beak. Another animal figure has been preserved from time
    immemorial, at Moldè, a small sea-port a little to the south
    of Drontheim. It resembles a unicorn, and has an aperture in
    the neck, to which obviously a lid had been attached. From
    the handle along the back, which represents a serpent, and
    the circumstance of the horn in the forehead being hollow, it
    may reasonably be conjectured to have been used as a liquor
    decanter. A third figure of a similar description, which is
    said to have been found under ground at Helgeland--a province
    situated to the northward of Drontheim--represents a knight
    mounted on a piebald horse in complete armour, wearing a coat
    of ring-mail, a square helmet with vizor down, and carrying a
    drawn sword in his hand. In this figure likewise there is an
    aperture in the upper part of the helmet, and another in the
    forehead of the horse."

The whole of these singular groups are figured in Kluver's work, and
it will be seen that they closely correspond to the Scottish example
from Hoddam Castle. The costume of the knights in two of them shews
that they cannot be assigned to an earlier date than the latter part of
the thirteenth century. They are all nearly of the same proportions,
measuring about ten inches in length, and six inches in height,
exclusive of the mailed knight mounted on the horse in the figure last
described. Another curious specimen of the same class of antiquities,
in which the principal figure is a lion, has been preserved for
ages in the church of St. Olaf, at Vatnsfjord, in Iceland, and is
described by Professor Sjöborg, who conceives it to have been used
as a lamp. It is also referred to by Professor Finn Magnusen in the
following remarks on those figured by Kluver:--"These curious liquor
decanters--of which various specimens exist in Denmark and other
countries--are of a very remarkable formation. The two first seem to
bespeak an origin in the heathen mythology. Assuming that even in the
middle ages or at a later period they were used in the rites of the
Catholic Church, as in the instance of a like vessel, known by the
name of the Thorlacian, presented to the church at Vatnsfjord, still
it is by no means certain that such was their original purpose. Many
articles, such as tapestries, cups, vases, candlesticks, &c., were used
as household commodities before they were diverted to ecclesiastical
purposes. In the same way these liquor decanters, which neither bear
the forms nor devices of Christian art, have probably been originally
adapted to another use." It will be readily admitted that these relics
present little appearance of having been designed as any of the
sacred vessels of the medieval church; nevertheless little doubt can
be entertained that they were so used in the north, and perhaps at
an early period throughout Christendom, as part of the furniture of
the altar. Professor Munch, who examined the example figured above,
in the collection of Mr. Sharp, during his recent visit to this
country, observes in a letter written since his return to Norway:
"Notwithstanding their fantastic shapes, of some four-footed beast,
they were used upon the altar as vessels containing the water which the
officiating Diaconus poured upon the hands of the priest before his
touching the host at the elevation. I understand from Mr. Thomsen, who
learned it from a Frenchman educated at Smyrna, that such vessels are
still used for the same purpose in the Roman Catholic chapels in the
Levant. It is therefore probable that those found in Norway have either
been brought from Byzantium, or made after Byzantine models."

The ecclesiastical character of these singular relics would therefore
seem to be more certainly established than their Scandinavian origin,
though it may still be doubted whether they were primarily designed for
any sacred purpose. It is, however, sufficient for our present object
to trace the analogy discernible between the Scottish relic figured
above and those Scandinavian antiquities discovered in the native
country of the old Northmen, or preserved in their ancient seat of
colonization on the verge of the Arctic Circle. In the latter instance,
at least, we find them devoted to the uses of the church and placed
alongside of its most sacred furniture; while to all appearance they
seem to be more adapted to social purposes, which, among the northern
nations especially, are most allied to excess.

These objects of Northern antiquity, however, form a class by
themselves, and bear no analogy to the prevailing types of the last
Pagan period, either in the Scandinavian countries or in Britain.
However clearly the facts above referred to shew that they pertain to
the antiquities of Norway and Denmark, they cannot be assigned to the
same era of Northern art, which produced the beautiful oval brooches
and other contemporary relics. They seem rather to point to a later
period of intercourse with the East, when the Cufic coins, which are
familiar to Northern antiquaries, were introduced. The oldest of these
date as early as the year 79 of the Hegira, or A.D. 698, but they have
been found of A.D. 1010, and may be presumed to have reached the north
of Europe at a somewhat later period than the last of these dates.

[Illustration]

Beautiful as some of the relics of Scandinavian art found in Scotland
are, they can hardly be considered equal to contemporary examples
of native workmanship, such as the very fine early Scottish brooch
found in the vicinity of the mounds of Dunipace, and figured on a
previous page. Compared with the Caithness oval brooch, selected as the
very best of its class, it will, I think, be generally acknowledged
as exhibiting both a more defined and a higher style of art. But
independently of the beauty of this native relic, nothing is more
remarkable than the striking contrast which it presents in form,
and style of ornament, to any known class of Scandinavian personal
ornaments, while, like most of the later native examples, it bears
a close affinity to the contemporary productions of Irish art. The
woodcut shews the ornamental interlaced knotwork on the upper portion
of the acus, which, in the complete view of the brooch, is concealed by
the central ornament.[586] In its imperfect state it is sufficiently
apparent that this had been of the same disproportionate length as
is frequently found in Irish examples, otherwise greatly varying in
form. This is particularly the case with the ring fibulæ, generally
of silver. One of these, found in county Antrim, and engraved in
the Archæological Journal, measures above six and one-fourth inches
long,[587] while a larger and still more beautiful one, in the Museum
of Trinity College, Dublin, is nearly fourteen inches in length. This
singular feature in the brooches of the early Christian Period both of
Scotland and Ireland, most probably had its origin in some peculiar
fashion of the Celtic dress, superseded in the former country during
the vital changes which affected it in the eleventh century. The
annexed woodcut shews another beautiful Scottish brooch, also from
the collection of Mr. John Bell of Dungannon. It is of less costly
material than the Dunipace brooch, being made of bronze, but, like
it, it has been jewelled, and is otherwise little inferior in point
of workmanship. It was found accidentally amongst old brass, in a
brazier's shop in Glasgow, and is engraved here the full size of the
original.

[Illustration]

The brooch has always been a favourite Celtic ornament, and is indeed
almost indispensable to the Highland costume. It is worn universally by
the Scottish Highlanders, both male and female; and in many Highland
families, of various ranks, favourite brooches have been preserved
through many generations, as heirlooms which no pecuniary inducement
would tempt their humblest owner to part with. The most celebrated of
these is the brooch of Lorn, dropt by Robert the Bruce after the defeat
of his followers at Methven, when he was compelled to abandon his
mantle and the brooch which fastened it, to rid himself of an assailant
who held it in his dying grasp. This interesting historic memorial
is still preserved by the lineal descendant of the Macdougals of
Lorn.[588] Another remarkable relic of the same class is the Glenlyon
brooch, which has been preserved in the family of the Campbells of
Glenlyon for many generations. It is circular, and of silver, richly
jewelled. An ornamental bar, also jewelled, crosses the centre, and
two tongues meet on this from opposite sides. It is engraved on _Plate_
II. from careful drawings made from the original. On the lower side are
the names of the three Kings of Cologne, a favourite inscription on
medieval amulets, thus,--

[Illustration: ~Caspar. Melchior. Baltazar. Consumatum.~]

Pennant has engraved this ancient Scottish brooch, but the figure
conveys a very partial idea of the rude magnificence of the original,
which measures five and a half inches in circumference.[589]

With these native personal ornaments, introduced here for the purpose
of comparison and contrast with those traceable to a Scandinavian
source, may also be noticed the silver brooches, of various forms,
which are frequently found in Scotland, and are also not unfamiliar
to English antiquaries. They are invariably inscribed with some
sacred formula or charm, the most common one being IESUS NAZARENUS.
One example, in the Museum of the Scottish Antiquaries, is a small
octagonal fibula, without ornament, which is said to have been
discovered in excavating the tomb of King Robert the Bruce, at
Dunfermline, in 1818. It is inscribed,--~Iesus. Nazarenus Rex.
Iudeorum~. Another of the same form, but larger, and of superior
workmanship, recently found among the ruins of Eilan Donan Castle,
on Loch Duich, the ancient stronghold of the M'Kenzies, bears the
abbreviated inscription, ~Iesus. Nazar~. Scottish examples of the same
class might be greatly multiplied, but the most of them belong to a
considerably later period than that to which we now refer.

FOOTNOTES:

[558] Archæological Journal, vol. v. p. 220; vol. vi. p. 74.

[559] MS. Letter from R. Hunter, Esq., 4th April 1850.

[560] Haco's Expedition, Rev. J. Johnston, 1782, p. 109.

[561] Chronicon Manniæ, Antiquitates Celto-Normanicæ. Copen. 1786, p.
44.

[562] Ibid. pp. 24, 25.

[563] Regist. Episc. Moraviensis, p. 456.

[564] It is not impossible that the latter name may have originally
referred to the Runes on its beautiful monument. The probability,
however, is lessened by the earlier forms of the name, as _Ryval_ and
_Ruthwald_. The reader of chartularies cannot have overlooked the
endless variations of local names.

[565] Primeval Antiquities of Denmark, p. 55.

[566] Hibbert's Shetland, pp. 531, 547.

[567] Journal of Archæol. Asso. vol. i. p. 48.

[568] Ecclesiastical Notes of the Isle of Man, &c., p. 46.

[569] Camden's Britannia; Gibson's Ed. p. 1458; Gough's Ed. vol. iv. p.
510; Archæol. Scot. vol. ii. pp. 490, 505; Archæol. Journal, vol. ii.
p. 75; Ecclesiol. Notes, p. 24, &c.

[570] Sinclair's Statistical Account, vol. xiii. p. 350. A local
correspondent informs me that the inscription is now quite illegible.

[571] Archæologia, vol. xxviii. p. 327.

[572] Report of R. S. of Northern Antiquaries to Brit, and Amer. Mems.,
1836, pp. 88,89.

[573] Archæologia, vol. xxviii. p. 327.

[574] Archæologia, vol. xxx. p. 38.

[575] _Ante_, p. 400.

[576] Archæologia, vol. ii. p. 131, Plate IX; vol. xiv p. 113; vol xix.
p. 379.

[577] Archæologia, vol. xxxii. p. 321.

[578] Archæologia, vol. xxviii. p. 346.

[579] Journ. Archæol. Assoc., vol. ii. p. 328.

[580] I am indebted for these to Lieutenant Thomas, R.N., to whom the
notes were supplied by Mr. Rendall.

[581] A drawing of this interesting relic, which I had an opportunity
of examining, was unfortunately lost, along with a valuable series
of notes and sketches made by Lieutenant Thomas, R.N., during his
residence in the Orkneys, as the officer in command of the Admiralty
Survey. I have since failed in an attempt to obtain access to the
original.

[582] Mr. Rendall's own notes are followed in the text, with only
such additional information as the notes and sketches of Lieutenant
Thomas have supplied. They differ considerably from the description
given in the Archæological Journal. In this grave, for example, Mr.
Rendall remarks, "no remains of iron were found." It appears probable,
therefore, that some confusion exists in the previous account. I
may add, the brooches are described as represented, one-half the
original size, in the Journal. They are in reality only one-half the
diameter,--an error of frequent occurrence in describing the figures of
objects of antiquity in archæological works.

[583] Primeval Antiquities of Denmark, p. 53.

[584] After repeatedly writing, I have, in most cases, failed in
obtaining any reply to my inquiries respecting these relics. They have
probably already experienced the usual fate of private collections of
objects of national antiquity: and have been thrown aside and forgotten
or lost so soon as the novelty of first possession was over.

[585] Norste Mindesmarter. Christiania, 1823, pp. 46-48, Plate II.
figs. _a_, _b_, _c_.

[586] _Ante_, p. 530.

[587] Archæol. Journal, vol. vi. p. 70.

[588] Sir Walter Scott, in his Notes to the "Lord of the Isles,"
remarks that the brooch of Lorn "was long preserved in the family
of Macdougal, and was lost in a fire which consumed their temporary
residence." This though true in fact conveys an erroneous impression.
The brooch was indeed lost under the circumstances referred to, but
being recovered from the ruins, it passed into other hands, and was
only restored to the representative of the Macdougals by General
Campbell of Lochnell, at the Argyleshire county meeting in 1825.--MS.
letter, John Macdougal of Macdougal, Esq., Captain R.N., to E. A.
Drummond Hay, Esq., March 1828. The engraving on Plate III. (_ante_, p.
49) is from a drawing taken from the original, which was forwarded for
that purpose by Captain Macdougal. Pennant engraves a fine early copy
of it, executed, as he conceived from the workmanship, in the time of
Queen Elizabeth. It differs very considerably from the original brooch
in the minuter details.--Pennant's Tour, vol. iii. p. 14.

[589] Pennant's Tour, vol. i. p. 104, Plate XIII.




CHAPTER V.

AMUSEMENTS.


[Illustration]

In the earliest and rudest states of society, war and the chase become
at once the business of life, and, with the needful preparations of
weapons and other requisites, suffice to supply each day with its
full complement of labour and pastime. A very slight rise, however,
in the social scale, creates the desire for some artificial means of
filling up the leisure hours of life; and the modes adopted for this
purpose often form no uncertain criterion of the age in which they
originate. We accordingly find traces of the existence of games both
of chance and skill from a very remote period. Reference has already
been made to spherical and truncated stones, measuring from an inch to
an inch and a half in diameter, which are frequently found in tumuli.
For the former the name of Bead-stones is proposed, and as they are
generally perforated, their use as personal ornaments has been assumed
as probable, notwithstanding their cumbrous size, and the unattractive
appearance of many of them. But as they are also very frequently flat
on one side, there is greater probability of the original purpose of
the latter class, at least, having been for table-stones (Anglo-Saxon,
_tæfelstan_) or draughtsmen, in which case the perforation might
serve to string them together, for carrying about. In Ireland, and
still more frequently in Norway, draughtsmen are found alongside of
the weapons and other relics buried with the warrior. They are made
generally of bone, of a conical or hemispherical shape, and with a
hole in the bottom, designed, as is presumed, to admit of their use on
shipboard. With these it is supposed the northmen beguiled the tedium
of their long voyages; and the estimation in which they are held is
implied in their deposition among the most favourite relics of the
dead. We learn from Tacitus that the Germans were so passionately
addicted to gambling, that they staked not only their property but
their personal liberty. The Romans were themselves scarcely less given
to such excesses. Among the many interesting relics restored to light
from the ruins of Pompeii, not the least valuable as illustrations of
the manners of the first century in Southern Italy, are the cogged
dice of the old Roman gamblers. But besides these games which mingled
the incentive and the excitement of chance and skill, there appears
also to have been in use, from a very early period, others of the
simpler class, still favourites among our rustic population, such as
bowling, nine-pins, and the like; which, under the various names of
skales or kayles, loggats, closh, &c., are frequently mentioned in
ancient statutes, and have been found represented on manuscripts of the
thirteenth and fourteenth centuries. The implements of such pastimes
are not such as were likely, in many cases, to be long preserved,
though it is by no means improbable that the spherical stone-balls
frequently found along with ancient relics, and even in the tumuli,
may have been used for some such purpose.[590] One interesting and
well-authenticated example, however, is known of the discovery of
a complete set of the implements for such a game, in the parish of
Balmaclellan, Kirkcudbrightshire. They are thus described by the
well-known antiquary, Mr. Joseph Train: "In the summer of 1834, as the
servants of Mr. Bell of Baryown, were casting peats on Ironmacaunnie
Moor, when cutting near the bottom of the moss, they laid open with
their spades what appeared to be the instruments of an ancient game,
consisting of an oaken ball, eighteen inches in circumference, and
seven wooden pins, each thirteen inches in length, of a conical shape,
with a circular top. These ancient _Reel Pins_, as they are termed by
Strutt, were all standing erect on the hard till, equidistant from
each other, with the exception of two, which pointed towards the ball
that lay about a yard in front, from which it may be inferred they
were overthrown in the course of the game. The ball has been formed of
solid oak, and, from its decayed state, must have remained undisturbed
for centuries, till discovered at a depth of not less than twelve
feet from the original surface. At Pompeii, utensils are often found,
seemingly in the very position in which they were last used. This may
be accounted for by the suddenness of the calamity that befell that
devoted city; but what induced or impelled the ancient gamesters, in
this remote corner of the Glenkens, to leave the instruments of their
amusements in what might be considered the middle of the game? These
relics, which are in my possession, can now only be prized for their
curiosity, the singular position in which they were found, and the
relation they bear to ancient times."[591] The moss in which this
remarkable discovery was made is described as a place where peats have
been cut from time immemorial. It were vain to speculate on the origin
or owners of these homely relics of obsolete pastimes; yet to the
curious fancy, indulging in the reanimation of such long-silent scenes,
they seem suggestive of the sudden intrusion, it may be, of invaders,
the hasty call to arms, the utter desolation of the scene, and then the
slow lapse of unnumbered centuries, during which the moss accumulated
above them so gently that it seems as if the old revellers were to
return and play out their unfinished game.

Amusements of the latter class scarcely admit of much refinement,
and may well be supposed to have exercised fully as much ingenuity
among the ancient players of the Glenkens, as they now do in the
bowling-green or skittle-ground. From them, indeed, modern refinement
has educed the practised art of the billiard-table. In a simpler age
the improvement assumed a more practical form, and gave way to putting
the stone, throwing the hammer, and the like trials of strength, which
appear to have been favourite pastimes among the Scottish Highlanders
from the earliest periods to which their traditions extend.

In complete contrast to these are the amusements indicated by the
bone draughtsmen or bead-stones of the tumuli. They are appropriately
classed by Strutt in his "Sports and Pastimes," under the general
title of "Sedentary Games;" and he furnishes much curious information
regarding medieval pastimes, of which traces may be detected in the
remoter periods into which we are inquiring. The construction of
regular draughtsmen and chessmen is in itself an evidence of increased
taste for such amusements. The ancients employed stones, shells, or
nuts as counters, and also, there is reason to think, as tablemen,
in games of this nature. Hence the Greek name ψηφοι, and the Roman
_calculi_ and _scrupuli_; from whence _scrupus_, a table-man, or
chessman. The Scandinavian terms are of similar import; and among
the ancient Northern games which have survived as popular pastimes
in Iceland and Lapland, we find the very same which figure among
the illuminations of medieval manuscripts, and have influenced the
grotesque decorations of our early ecclesiastical architecture. "Of
such games," says a writer in the Report of the Royal Society of
Northern Antiquaries, "we find that our Pagan ancestors were acquainted
with at least three different sorts, namely, _hnefatafl_, fist-play,
_i.e._, hand-play;[592] _hnottafl_, nut-play; and _skáktafl_, chess.
_Hnottafl_ signifies properly a game played with nuts, or pieces shaped
like nuts. A _húni_--_i.e._, a bear, or bear's cub--was anciently the
principal personage in it; but in Iceland, where the fox is the only
beast of prey, this animal eventually superseded the bear, and the game
then came to be denominated _refskál_. The other pieces represented
sheep, or lambs, pursued by Reynard. In the variety of this game, which
still forms one of the favourite diversions of the Laplanders, the
fox continues to play his part, with this difference, that he there
pursues geese instead of lambs; as in the _Gänsespiel_ of the Germans,
the _Fox and geese_ of the English, the _Ganzespeel_ of the Dutch,
the _Jeu d'oie_ of the French, &c. In Denmark a dog usually takes the
place of the fox, and hares of the geese; and hence the game is there
called _Hund og hare_, or hound and hare." According to the Irish
chroniclers, Cahir Mor, who died A.D. 177, left, among other legacies
to his son, both chessboards (_fichell_) and chessmen (_muintir_;)
and the Welsh laws of Howel Dha, (_circa_ A.D. 943,) refer to some
species of game played with pieces of different colours, (_werin_,) on
a table-board, (_tawlbwrdd_.) In Bishop Percy's "Translation of Runic
Poetry," a Northern hero says,--"I am master of nine accomplishments.
I play at chess; I know how to engrave Runic characters," &c.; and in
a curious Anglo-Saxon poem, translated for the first time into English
by Mr. J. M. Kemble in his paper on Anglo-Saxon Runes, this stanza
occurs:--

    Chessman is ever
    Play and laughter
    To the proud, where
    Warriors sit
    In the beer-hall
    Blithe together.

It is not necessary to assume that all, or indeed any of these
allusions necessarily apply to the game of chess, but only to one
of the old table-games, played with pieces, many of which will more
readily account for the "play and laughter" in the warrior's hall than
that skilful and complicated game. These, as well as so many other of
the primitive arts and rites of the North, were in all probability
brought with the earlier nomades from the eastern cradle-land of our
race; for more than one representation of such table-games has been
discovered among the pictorial decorations of the Egyptian temples. Dr.
Brunton has figured two of these at Medinat Haboo, in his _Excerpta
Hieroglyphica_, in one of which (_Plate_ XIII.) the table and pieces
are partly obliterated, but in the other (_Plate_ XI.) it is observable
that the pieces are all alike, resembling the most common modern form
of chess-pawns. The players are also in both cases moving their pieces
at the same time; so that the Egyptian game evidently bore very slight
resemblance to chess, and may with more probability be sought for among
the early table-games of the north of Europe.

The great antiquity of the game of chess has been long since
established on indisputable evidence. For its invention and earliest
form the best authorities agree in looking to India, whither the
simpler table-games of Egypt may have passed before the migration of
the Teutonic races from Asia, and been returned from thence to Europe
in their later and more complicated forms. In the ninth century,
while yet the Northmen were only known along the British coasts as
the dreaded marauding Vikings, Ragnar Lodbrog is reputed to have
visited the Hellespont, and the intercourse between the Scandinavians
and the Greeks of the Lower Empire, is an accredited feature of well
authenticated history. But pilgrimages to Rome, and the passing and
repassing of the clergy from Britain to the Continent, were matters
of common occurrence at an earlier date; so that there can be no
difficulty as to the means by which the game might be introduced from
Asia to the north of Europe. Into this curious question Sir Frederick
Madden has entered with great learning and ability, collecting the
numerous observations of previous writers, and illustrating them from
his own copious stores.[593] It will suffice for our present purpose
to notice the remarkable illustrations of the implements of this game
which have been discovered in Scotland, surpassing in number and value
any specimens of ancient chessmen known to exist, if we except the set
still preserved in the Cabinet of Antiquities in the Bibliothèque du
Roi at Paris, and which there is satisfactory evidence for believing
may be the very chessmen presented to Charlemagne by the Empress Irene,
or her successor Nicephorus.

In the spring of 1831, the inroads effected by the sea undermined and
carried away a considerable portion of a sandbank in the parish of
Uig, Isle of Lewis, and uncovered a small subterranean stone building
like an oven, at some depth below the surface. The exposure of this
singular structure having excited the curiosity, or more probably the
cupidity, of a peasant who chanced to be working in the neighbourhood,
he proceeded to break into it, when he was astonished to see what he
concluded to be an assemblage of elves or gnomes upon whose mysteries
he had unconsciously intruded. The superstitious Highlander flung
down his spade, and fled home in dismay; but incited by the bolder
curiosity of his wife he was at length induced to return to the spot,
and bring away with him the singular little ivory figures, which had
not unnaturally appeared to him the pigmy sprites of Celtic folk-lore.
They consisted in all of at least ninety-two pieces, including fourteen
tablemen or draughtsmen, eight of which are kings, eight queens,
thirteen bishops, fifteen knights, and twelve figures of footmen, to
which Sir Frederick Madden gives the name of warders.[594] These have
been so carefully and minutely illustrated in the valuable remarks in
the Archæologia, that a slight description will now suffice.

They form altogether portions of eight or more sets, none of which,
however, appear to be complete. They vary considerably in size, the
largest being four and one-eighth inches in height, while the smallest
measures fully an inch less; but the smaller sets are, upon the whole,
more carefully and elaborately carved. The annexed illustration
represents one of the smaller kings, now in the collection of Mr.
Sharp. In point of costume it closely resembles the example engraved
in the Archæologia, as well as the others of the set, though differing
somewhat in the fashion of the beard. The king is represented as an
old bearded man, with long hair falling in plaits over his shoulders,
and a low trefoil crown on his head. He is seated on a chair with
a high back, richly carved with intricate tracery and ornaments,
corresponding, for the most part, to the style of decoration with which
we are familiar on the Romanesque work of the twelfth century, and
holds a short sword with both hands across his knees, as if in the act
of drawing it.

[Illustration]

The queens are crowned and throned in like manner. They are represented
seated in a contemplative posture, resting the head upon the hand;
and two of them hold drinking horns in their left hands. The most
striking portion of their costume, represented in the accompanying
engraving from one of those in Mr. Sharp's collection, is a species
of hood depending from the back of the head, and spreading over the
shoulders.[595]

[Illustration]

Of the bishops some are seated in chairs similar to those occupied
by the kings and queens, while others are in a standing posture.
Sir F. Madden remarks, "all of the sitting figures and four of the
standing ones wear the chasuble, dalmatic, stole, and tunic of the form
anciently prescribed, and corresponding with representations of much
greater antiquity. The remainder have a cope instead of a chasuble,
but omit the stole and dalmatic. The mitres are very low, and in some
instances quite plain, but have the double band or _infulæ_ attached
behind. The hair is cut short round the head. They hold a crosier with
one or with both hands; and in the former instances, the other hand
holds a book or is raised in the attitude of benediction."

The knights afford perhaps the most characteristic examples of the
costume of the period. They are mounted on horseback, armed with a
heavy spear, and a long kite-shaped shield. Beneath the shield appears
the sword, attached to the waist by a belt. The helmets are mostly of
a conical shape, in addition to which several have nasals projecting
in front, and round flaps protecting the ears and neck. The horses
are caparisoned in high saddles, stirrups, and bridles, and with long
saddlecloths, fringed with ornamental borders, reaching to the ground.

The footmen or warders bear the same kite-shaped shields as the
horsemen, and are armed with swords and head-pieces of iron of
different forms. The costume otherwise worn by them has obviously been
made subservient to the convenience of the carver, as in the long
saddlecloths of the horsemen, and consists, for the most part, of an
ample flowing robe, reaching to the ground and concealing the feet.
Numerous variations occur in the details of these remarkable carvings,
and the utmost variety of design characterizes the ornamentation of
the chairs on which the kings, queens, and bishops are seated. Their
dresses also vary in ornamental detail, and each of the shields, both
of the knights and warders, is decorated with some peculiar device or
interlaced pattern, some of which approach very nearly to the heraldic
blazonry of a later period, and no doubt indicate the first accidental
rudiments of medieval cognizances.

The various details of costume and ornament indicated in this brief
description, furnish the chief evidence by which we may hope to assign
the period and place of manufacture of these interesting works of early
art. This question has already been discussed with much learning and
ability by Sir Frederick Madden, who remarks, "I shall now proceed to
develop the result of my inquiries in respect to the place where and
the period when these chessmen were in all probability manufactured. I
shall draw my inferences from three separate subjects of consideration;
the material of which they are made, the costume in which they appear,
and the historical passages to be found in the ancient writings of
Scandinavia; and from each I shall endeavour to prove that these
pieces were executed about the middle of the twelfth century, by the
same extraordinary race of people who, at an earlier period of time,
under the general name of _Northmen_, overran the greater part of
Europe." Against the conclusions carefully arrived at by following out
this proposed course of reasoning, with the exception of the period
to which they are assigned, I venture, in all deference, to enter a
demurrer. It has been so long the fashion to assign every indication
of early art and civilisation found in Scotland to these Scandinavian
invaders,--though, as I trust has already been shewn, in many cases
without evidence and upon false premises,--that it becomes the Scottish
archæologist to receive such conclusions with caution, even when
advanced by high authorities and supported by evidence. The farther we
pursue this investigation into the history of primitive native art we
find the less reason to assign to it a foreign origin, or to adopt the
improbable theory that the rude Scandinavian rovers brought with them
from the Pagan North new elements of civilisation and refinement to
replace the Christian arts which they eradicated at the point of the
sword. Singer justly remarks on the characteristic difference between
the Greek and Scandinavian traditions of the mythic artist, Dædalus or
Weland, that the Greeks ascribed to theirs: "Plastic works, and above
all images of the gods, while the Scandinavians attributed to their
workman principally weapons of a superior temper. It is that the Greeks
were a people alive to the beauty of mythologic representations. The
Scandinavians, on the contrary, valued nothing but good swords, with
which they conquered that which the rude climate of the North denied
them."[596] Doubtless, by the middle of the twelfth century a very
great change had taken place, but then we trace it not in the invention
of a northern Christian art, but in the tardy adoption of what was
already common to the ecclesiology and arts of Christendom.

As to the material of the Lewis chessmen, the mere fact of their being
made of the tusks of the _Rostungr_ or Walrus--the "huel-bone" of
Chaucer--can no more prove their Scandinavian origin, than that of
the still older set of Charlemagne being of ivory[597] (presuming
this to mean the elephant's tusk) affords any evidence of Indian
manufacture. By the middle of the twelfth century, the Northmen had
traded as well as warred with Scotland for nearly three centuries, and
were at that late period, as Mr. Worsaae remarks, "the central point
for an extensive commerce between the east and the northern parts
of Europe."[598] The author of the _Kongs-Skugg-sio_, or Speculum
Regale, composed, as Einersen concludes, between the years 1154-1164,
but certainly before the close of the century, takes particular
notice of the Rostungr, and mentions also the circumstance of its
teeth and hide being used as articles of commerce. Such indeed almost
of necessity follows from the evidence of the frequent voyages of
the Scandinavians in pursuit of these animals, at a time when they
had abandoned the old predatory habits of the Vikings for a regular
government and peaceful intercourse with other nations. The nature
of their settlements on the Scottish islands and mainland, and their
alliances and intermarriage with the aboriginal race, may also suffice,
if further proof be needed, to shew that the walrus ivory could be no
great rarity in Scotland, when it formed a special article of commerce
with the Northmen. We accordingly find distinct evidence of its native
use: "Ivory dirk-hilts, elegantly turned or wrought by the hand, were
manufactured in various parts of the Highlands and isles. Of these
specimens still remain at Fingask and Glengary,"[599] and a curious
large sword, evidently of early date, preserved at Hawthornden, near
Edinburgh, has the hilt made of the narwhal's tusk. The argument of
Scandinavian origin from the material is therefore of no value, and
the varied devices on the chairs and other highly decorated portions
of the Lewis chessmen are equally little indicative of Northern art.
They are the same details as are familiar to us on the Romanesque work
of the twelfth century, never yet traced to a Northern source. In
St. Magnus Cathedral we have a most valuable specimen of Romanesque
style, executed in obedience to the piety of a Scandinavian jarl of
the Scottish Isles, but so far from finding in it any trace of a style
peculiar to the Northmen, its oldest portions are characterized by
the usual features of the fully developed style, manifestly derived
from Southern models, and betraying in these the later date of its
foundation than the examples of the same class which still remain at
Durham and Dunfermline. No Scandinavian ecclesiologist, I believe,
doubts the foreign origin of the few examples of the earlier styles
of medieval ecclesiastical architecture still remaining in Norway
and Sweden; and the evidence already adduced tends to suggest the
conclusion that whatever military and naval skill the natives of
Scotland might acquire from their intercourse with the Northmen, they
were much more likely to impart than to receive a superior knowledge in
the arts of the sculptor and the carver. Christianity was introduced
into Scotland and Ireland some centuries before its acceptance by
the Scandinavians, yet the primitive Christian monuments of Denmark
or Norway will, as works of art, bear no comparison with those which
preceded them in Scotland.

[Illustration]

To the costume of the twelfth century we must therefore look for the
only safe guide to the origin of the Lewis chessmen. Those of the kings
and queens are of little value for this purpose, and those of the
bishops, though minutest of all, of none. It is to the military costume
of which the knights and footmen afford such curious examples that we
must have recourse for some solution of the question. But these also
are mostly of Southern and not of Scandinavian origin. Both the shield
and the pointed helmet are what would usually be styled Norman. We find
the kite-shaped shield represented in the Bayeux tapestry; a curious
example of it is engraved on a candlestick of the twelfth century, now
in the collection at Goodrich Court;[600] and a still more conclusive
instance is the remarkable group of warriors, each with nasal, spear,
and kite-shaped shield, sculptured on the lintel of the doorway of
Fordington Church, Dorchester, _circa_ 1160.[601] Sir S. R. Meyrick
conjectures that the Normans derived this shield from Sicily. There
is, at any rate, good evidence for believing that while it was in use
in Britain early in the twelfth century, the Northmen retained their
round shield till a later period. Judging from Mr. Worsaae's valuable
treatise, as well as from the "Guide to Northern Antiquities," the
round shield appears to be alone known among the defensive arms of the
latest Pagan period, which closes little more than a century prior to
the probable date of the Lewis chessmen. But Sir F. Madden has referred
to an authority the bearing of which on this point has escaped him,
although it seems conclusive. The passage is that in Giraldus, (quoted
from a MS. temp. John,) in which he describes the descent of the
Norwegians under Hasculph or Asgal, to attack the city of Dublin, then
defended by Miles de Cogan, about the year 1172, as follows: "A navibus
igitur certatim erumpentibus, duce Johanne ... viri bellicosi Danico
more undique ferro vestiti, alii loricis longis, alii laminis ferreis
arte consutis, _clipeis quoque rotundis et rubris_, circulariter ferro
munitis, homines tam animis ferrei quam armis, ordinatis turmis, ad
portam orientalem muros invadunt." Such shields, formed of wood bound
with iron, and with an iron umbo in the centre, are still preserved
in Norway, and correspond not only to the requisitions of the old
Gulathings-law, cap. 309, circa 1180, but even to a later one--circa
1270. Into the minuter details of _wambeys_, _gambeson_, _panzar_, &c.,
referred to in the Archæologia, it is needless to enter, because most
of them are wanting on the chessmen, or can at best only be guessed
at. Were the swords and shields removed from the warders, along with
their beards, so little would any one dream of detecting such traces
of medieval armour in their costume, that even their sex might be in
doubt, and some of their conical helmets and gambesons might serve
equally well for the scapulars and tunics of gentle nuns.[602] Of
the horsemen also little positive can be made out of anything but
the helmet and shield; and of the former scarcely two are alike on
knights or warders, the difference in some of them amounting to a total
dissimilarity in form and fashion. Perhaps the most remarkable feature
in the knight-pieces is the small size of the horses, so characteristic
of the old Scottish breed. But it is even matter of doubt if the Norse
warriors of the twelfth century ever fought on horseback. If they did
so at that period, it was a novelty borrowed, like their new faith and
arts, from the nations of the south.

A figure of a mounted warrior, apparently bearing a close resemblance
to the chess knights, with a peaked helmet, carrying a spear, and with
a long saddle cloth pendant from his horse, is sculptured in relief,
amid knotwork and floriated ornaments, on an early monumental slab in
the Relig Oran at Iona. A claymore of antique form occupies the centre
of the slab, but the shield is concealed by the position of the figure.
It is not, however, to the sculptured monuments either of Scotland or
of Norway and Denmark that we must look for identifying the costume
of these figures with any contemporary examples. Fortunately the same
class of evidence has been preserved, on perhaps still more trustworthy
authority, not in marble but in wax, in the royal and baronial seals
attached to early charters. From these we learn that prior to the date
of the Norwegians assailing Miles de Cogan, armed with their "shields,
round and red," both the peaked helmet and nasal, and the kite-shaped
shield, were the usual defensive armour of the Scottish baron. On the
seal, for example, appended to the charter of Robert de Lundres, c.
A.D. 1165, conveying a carucate of land in Roxburghshire to the Abbey
of Melros, the knight is represented on horseback in full armour, with
a flattened helmet with nasal and a kite-shaped shield.[603] So also
in the seals of Uchtred, son of Osulf: William son of John: Philip de
Valoniis, chamberlain of Scotland, c. A.D. 1176; and on that of Richard
de Morville, constable of Scotland, appended to a charter A.D. 1176:
all among the charters of the Abbey of Melros, about the middle of the
twelfth century, we find the kite-shaped shield, the nasal, and the
peaked helmet; while in the very beautiful seal of Patrick de Dunbar,
c. A.D. 1200, the nasal appears attached to a round chapel-de-fer,
very similar to those worn by some of the Lewis warders.[604] Such
examples might be greatly multiplied, but these are sufficient to shew
the entire correspondence of the chessmen found in Lewis, both with
the contemporary native costume and with other productions of Scottish
art of the twelfth century, while it still remains to be shewn that
such resemblance is traceable in any single undoubted Scandinavian work
of the same period. The intimate intercourse between the Scandinavian
and native races of the north of Scotland, and their offensive and
defensive alliances already referred to, would indeed render it
probable that in the twelfth century no great difference existed in
their weapons or defensive armour. Yet we find no traces in the arms
or armour of the Scottish Highlanders, with whom alone such close
alliances were formed, of anything resembling those in question. In the
Lothians, or Saxonia, as it is sometimes styled even in the Pictish
Chronicle, it was entirely different. Before the close of the eleventh
century, a mingled Saxon and Norman population occupied the old kingdom
of Northumbria, a Saxon queen shared the Scottish throne, and exercised
a most important influence in changing the manners of the people,
and in modifying and reforming their ecclesiastical system. To this
period, therefore, and from this source it is that we must look for the
introduction of the military costume of the South, as well as of the
minutiæ of clerical attire, which may be presumed to have previously
been as little in conformity with the Roman model as the other parts of
the system.

Founding on the supposed discovery of the Lewis chessmen within
tide-mark, and exposed to the sea on the shores of Lewis, it has
been suggested that they "formed part of the stock of an Icelandic
_kaup-mann_ or merchant, who carried these articles to the Hebrides
or Ireland for the sake of traffic; and the ship in which they were
conveyed being wrecked, these figures were swept by the waves on
shore, and buried beneath the sandbank."[605] This supposition,
however, was formed under imperfect information of the circumstances
attending the discovery, as they were found in a stone building,
which, from the general description furnished of it, there appears
reason to assume, must have been a Scottish Weem, and in the vicinity
of a considerable ruin. There is greater probability in the earlier
conjecture, that the carving of these ancient chessmen may have
helped to relieve the monotony of cloistral seclusion. The minuteness
of detail in the ecclesiastical costume is much more explicable on
such a supposition than by a theory which would ascribe either to an
Icelandic _kaup-mann_, or Norse carver of the twelfth century, such a
knowledge of Episcopal chasuble, dalmatic, stole, cope, and tunic, as
is traceable in the bishops of the Lewis chessmen.

[Illustration]

Danish antiquaries have naturally been little inclined to dispute
the idea of a Scandinavian origin assigned on such high authority to
the beautiful specimens of carved chessmen found in Scotland. A keen
spirit of nationality has been enlisted with the happiest effects in
the cause of Northern Archæology, and however honestly bent on the
discovery of truth, it was scarcely to be looked for that the Danish
archæologist should search too curiously into the evidence by which
such valuable relics were handed over to him. They are, accordingly,
referred to in the Report of the Northern Antiquaries for 1836, under
the title of Scandinavian Chessmen, and at length figure in the "Guide
to Northern Archæology," among articles from the Christian Period,
without its even being hinted that they were discovered, not in
Denmark but in Scotland. The subject is treated more at large in the
interesting paper on "Some Ancient Scandinavian Chessmen," included
in the Report of the Northern Antiquaries to its British and American
Members, in which several specimens found in Scandinavia are described
and engraved. One of these, a female figure on horseback, supposed to
be a queen-piece, (also figured in the Guide to Northern Archæology,
p. 75,) is in the private collection of Professor Sjöborg. On it
the writer remarks,--"The serpentine ornament upon it resembles, it
will be observed, those on several of the chessmen found at Lewis.
The mantle, too, or veil, hanging down the shoulders of the figure,
is another point of similitude between them." A comparison of the
engraving in Lord Ellesmere's translation of the Guide to Northern
Archæology, with the Lewis chessmen in the British Museum, will suffice
to shew how easily men are persuaded of what they wish to believe. The
character both of horse and rider essentially differ; the costumes in
no way resemble each other more than all female dresses necessarily
do; while the horses differ as much as is well possible. In the Lewis
knights their horses' manes are cut short and stand up, while the
hair hangs down over their foreheads. In the Scandinavian example the
mane is long, and the forehead uncovered; and what is no less worthy
of note, the horse, both in this and the following examples, differs
from the former in being of full size, as tested by the comparative
proportions of the rider. The horse-furniture is equally dissimilar:
but a still greater and more important disagreement is in the style of
art. A very great resemblance may be traced between the square forms
and most characteristic details of the Lewis horses' heads, and the
contemporary sculptures of Dalmeny Church, Linlithgowshire, where a
series of similar heads occur in the corbel-table of the Apse. Such
a comparison affords the best test of style, the peculiarities of
which are more easily illustrated than described. No such resemblance
could possibly be suggested by Professor Sjöborg's chesspiece; and the
similarity which the Danish antiquaries discover in its serpentine
ornament to those of the Lewis carvings, is little more satisfactory.
The difference in style is no less obvious in two carved groups from
the Christiansborg Collection at Copenhagen, (tab. vi. figs. 1, 2,)
representing, the one a king and the other a queen on horseback, and
surrounded each by four attendants. They are also formed of the tooth
of the _Rostungr_ or walrus, and are believed to be the king and queen
pieces of a set of chessmen. It is sufficient to say of them that
they bear equally little resemblance to the Lewis figures in arms,
armour, costume, or ornamental details. In Scotland it is otherwise.
Examples have been found there admitting of comparison with the Lewis
chessmen. Pennant engraves one discovered in the ruins of Dunstaffnage
Castle, Argyleshire, the ancient royal abode of the Dalriadic kings. It
represents a king seated in a chair of square form, holding a book in
the left hand. The costume differs from the kings of the Lewis sets,
and obviously belongs to a somewhat later period; but the general
arrangement of the figures correspond, and there can be no doubt that
the latter is the king-piece of a similar set of chessmen. It is
still preserved at Dunstaffnage, where it was examined by Pennant in
1772.[606]

Another of the chesspieces referred to is in the Museum of the Scottish
Antiquaries, and furnishes a most beautiful example of the skill of
the early carvers. It is also wrought from the walrus ivory, and may
be presumed to have formed a warder or rook-piece of the set. It
represents two mailed knights, armed with sword and shield, and may
be ascribed to the early part of the thirteenth century. The shields
are shorter than in the Lewis figures, and the devices afford an
interesting means of comparison. Several of the ornamental patterns
wrought on the shields of the former bear such close resemblance to
heraldic distinctions that they admit of intelligible description
according to rules of blazonry, yet they are all evidently mere
arbitrary ornaments and not bearings; whereas on one of the shields
of the latter knight we have a curious and very early example of
_dimidiation_ in heraldry,--a _fleur-de-lys_ dimidiated on a diapered
field,--a figure little likely to be chosen for mere ornament. The
history of this interesting relic is unknown. It was presented to
the Society by Lord Macdonald in 1782, as _the handle of a Highland
dirk_. From his extensive possessions in the Isle of Skye, it is
not improbable that it may have been found there, where the frequent
discovery of relics of different periods attests the ancient presence
of a population skilled in the useful and ornamental arts. It measures
three and five-eighth inches in height, and is fully equal, in point of
workmanship, to any of the Lewis figures, though certainly exhibiting
no characteristics which should suggest any doubt of its native
workmanship.

[Illustration: Chesspiece, Scottish Antiquarian Museum.]

The annexed woodcut exhibits another chesspiece, apparently of a still
later date, preserved in the collection formed by Sir John Clerk at
Penicuick House. Attached to it is a parchment label in the handwriting
of the old Scottish Antiquary, which thus describes it: "An ancient
piece of sculpture on the tooth of a whale. It was found by Jo. Adair,
geographer, in the north of Scotland, anno 1682. All the figures are
remarkable." John Adair, geographer for Scotland, was appointed by the
Lords of the Scottish Privy-Council, in 1682, to make a survey of the
whole kingdom, and maps of the different shires. This he effected, and
published the first part of his work, but, unfortunately, obstacles
arising apparently from the tardy advances of the necessary funds,
prevented the second part--including his voyage round the Western Isles
and an account of the Roman wall--from ever appearing, and his papers,
it is to be feared, no longer exist.[607] It was, no doubt, while he
was engaged on this survey, that the interesting relic was discovered
which is figured here. It has evidently formed a queen-piece, though
consisting in all of seven figures. The queen is represented crowned,
and seated on her throne, with a lap-dog on her knee, and apparently a
book in her right hand. On her left is a knight in full armour, with
drawn sword, and from whose costume we can have little hesitation in
assigning the work to the early part of the fourteenth century. On the
right hand of the throne stands a trouvere or minstrel playing on the
crowde, an ancient musical instrument somewhat resembling the violin.
Behind are four female figures, holding each other by the hand, and the
one next to the minstrel bearing a palm-branch. This curious chesspiece
is of great value; as adding another link to the chain of chronological
evidence by which we trace the continuous native production of these
costly relics of ancient pastime in our own country.

[Illustration: Queen-piece, Penicuick House.]

Mr. Albert Way has described two other very curious chessmen, both
knight-pieces. One of these, which is preserved in the Ashmolean
Museum, is also believed to be made of the walrus tooth, and is
interesting as an example of military costume, apparently belonging to
the early part of the reign of Henry III. The other figure is carved in
ivory, and furnishes a very minute and characteristic illustration of
the military costume and horse-armour in use during the reign of Edward
III.[608] But a much more remarkable relic of the same class, believed
to be a queen-piece, is figured and described in the Archæological
Journal.[609] It was found, about twenty years since, in the ruins of
Kirkstall Abbey, and is said to bear some resemblance to another of
inferior workmanship, discovered along with several chesspieces at
Woodperry, Oxfordshire. One of these, a bishop, is also engraved in the
Archæological Journal.[610] The form of the Kirkstall piece is further
illustrated by the illuminations of a German MS. of the fourteenth
century,[611] where Otho, Marquis of Brandenbourg, who died in 1298, is
represented playing at chess with a lady, and with such a piece before
him on the board. The details of this queen-piece are very peculiar.
The four-leaved flower and triangular foliation would suggest a date
not earlier than the close of the thirteenth century; nor is there
anything irreconcilable with this in the very singular figures which
they accompany. A parallel may be found to the most remarkable of them
in the sculptural details which the exuberant fancy of that period
lavished on cathedrals and shrines, without, we may suspect, always
troubling themselves for the meanings which modern symbolists insist on
deducing from them.

One other Scottish example of a chesspiece may be mentioned. It is
a small mutilated ivory figure, apparently of a king, in classic
costume, and with a drawn sword in his hand, found a few years since
among the ruins of North-Berwick Abbey. But it belongs to a much
more recent period than any of those previously referred to, and
is inferior to them as a work of art. Were it not, indeed, for the
Scandinavian origin so generally assigned to nearly all the early
examples of British chessmen, their manifest classification among the
productions of Christian art would have rendered it more consistent
with an orderly system of chronology to treat of them along with late
medieval antiquities. The "Collection of Inventories of the Royal
Wardrobe and Jewel House," among its many curious items, furnishes
this interesting notice of the tables and chessmen of James IV., and
possibly of older Scottish kings:--"Ane pair of tabillis of silvir,
ourgilt with gold, indentit with jasp and cristallyne, with table men
and chess men of jasp and cristallyne."[612] The entry sufficiently
shews the familiarity of the Scottish court with the use both of table
and chessmen at the date of its record, in the reign of James V., A.D.
1539. But evidence is hardly needed to prove the knowledge of a pastime
which was then a favourite in every European court. The tables and
chessmen are entered among the royal jewels, and unfortunately their
costly materials, which admitted of such a classification, render it
vain to hope that they may still be in existence, like the older but
more homely chessmen of Charlemagne.

FOOTNOTES:

[590] _Ante_, p. 139.

[591] Hist. of Galloway, vol. ii. App. p. 67. New Stat. Acc.,
Kirkcudbrightshire, vol. iv. p. 103.

[592] This game still survives among the juvenile sports of Scotland,
played with cherry stones, or _paips_, _Ang._ pips, and called
_nieves_, _i.e._, fists, from their being held in the closed hand. Some
of these games with _paips_ may perhaps claim a classic origin. Ovid
alludes to one played with nuts,--_Nux Elegia_, ver. 72. Hence the
phrase _nuces relinquere_, to put away childish things; to become a man.

[593] Archæologia, vol. xxiv. p. 203.

[594] The account in the text differs as to the number of pieces,
as well as in some other and more important points, from that given
in the Archæologia, (vol. xxiv. p. 212.) Sir F. Madden, however,
only describes those which were acquired by the Trustees of the
British Museum. Charles Kirkpatrick Sharp, Esq., to whom I owe these
particulars, possesses eleven pieces, consisting of two kings, three
queens, three bishops, one knight, and two warders. Ten of these he
selected from the whole, previous to their possessor, Mr. Roderick
Ririe, offering them to the Trustees. The remaining one was afterwards
obtained from a person residing in Lewis. Sir F. Madden is also
mistaken in speaking of their having been long subject to the action of
salt-water. They were found at some distance from the shore; a sudden
and very considerable inroad having been made by the sea. A minute
of the Society of Scottish Antiquaries, referring to the exhibition
of these chessmen, 11th April 1831, describes them as "found buried
fifteen feet under a bank of sand." Mr. Sharp has in his possession the
original receipt given to Mr. Ririe by the jeweller in Edinburgh, with
whom they were deposited, which describes them as "fifty-eight figures,
thirty-four pieces, and a buckle of ivory or bone."

[595] The queen figure, of which a back view is given in the engraving
in order to shew the peculiar form of the head-dress, holds in the left
hand a horn similar to that which one of the queen figures now in the
British Museum bears. In cutting this figure the carver has exposed the
core of the tooth, and the side of the chair here seen is formed of
another piece of ivory attached to it with pins of the same material.
This is so neatly done that Mr. Sharp's attention was called to it for
the first time when I was drawing the piece.

[596] Singer's Wayland Smith, p. lxxiii.

[597] "L'Empereur et Roy de France, Sainct Charlemagne, a donné, au
Thresor de Sainct Denys un jeu d'eschets, avec le tablier, _le tout
d'yvoire_."--Hist. Abbey of St. Denis, 1625.

[598] Primeval Antiquities of Denmark, p. 148.

[599] Stuart's Costume of the Clans, Introd. p. xxxiv.

[600] Archæologia, vol. xxiii. Plate XXVIII. p. 317.

[601] Glossary of Architecture, fifth edit. vol. ii. Plate LXXIII.

[602] _Vide_, in addition to figure shewn here, Archæol. vol. xxiv. Pl.
XLVIII. figs. 3, 4.

[603] Liber Sancti de Melros, p. 76, No. 88.

[604] _Vide_ Laing's Descriptive Catalogue of Ancient Scottish Seals.
Nos. 283, 593, 825, 828, 843. Edin. 1850.

[605] Archæologia, vol. xxviii. p. 290.

[606] It was exhibited at a meeting of the Society of Antiquaries of
Scotland, by the late Captain Campbell of Inistore, in 1833, but I
have been unsuccessful in several attempts since to ascertain in whose
custody it now is, in order to obtain access to it for the purpose of
making a drawing from the original.

[607] _Vide_ Papers relative to the Geographical Description, &c. of
Scotland, by John Adair, F.R.S., 1686-1723. Bannatyne Miscellany, vol.
ii. p. 347.

[608] Archæol. Journal, vol. iii. pp. 243, 244.

[609] Archæol. Journal, vol. vi. p. 170.

[610] Archæol. Journal, vol. iii. p. 121.

[611] Bibl. Du Roi, No. 7266. Ibid. vol. vi.

[612] Collection of Inventories, p. 49.




CHAPTER VI.

PRIMITIVE ECCLESIOLOGY.


With the introduction of Christianity into Britain an entirely new era
of art begins, derivable here, as elsewhere, from the central heart of
ancient Christendom, as in the celebrated example of the Candida Casa,
built at Whithern, in Galloway, in the Roman style.

[Illustration]

We have the authority of Bede for the fact already referred to,--that
the first churches of the Britons were constructed of timber. The
cathedral of St. Asaph, founded by St. Kentigern in the sixth century,
was a wooden church, after the manner of the Britons, and so also
we may believe was the first cathedral of Glasgow, the work of the
same founder. The first cathedral of the Isles seems not even to have
aspired to the dignity of a wooden church, but to have been only a
wattled inclosure, not unsuited to the simplicity of the primitive
apostle of the Picts. Similar erections were probably employed at
a much later period, for the temporary accommodation of the first
phalanx of the newly founded monastery. A very curious seal, attached
to one of the older charters of Holyrood Abbey, represents a structure
so entirely differing from all the usual devices of the earliest
ecclesiastical seals, that I am strongly inclined to look upon it
as an attempt to represent the original wooden church, reared by the
brethren of the Holyrood Abbey, on their first clearance in the forest
of Drumselch. It manifestly represents a timber structure. The round
tower is also curiously consistent with the older Scottish style,
which the Romanesque was then remodelling or superseding, but bears
no analogy to that of the Abbey of St. David. The contemporary seal
of St. Andrews, which has for its device the venerable metropolitan
church of St. Rule, proves that such portraiture was actually attempted
and successfully practised at the period.[613] Viewed in this light
the old Holyrood seal is one of the most interesting ecclesiological
relics we possess, figuring, it may be, the primitive structure first
reared on the site which is now associated with so many of the most
momentous occurrences both in the ecclesiastical and civil history of
Scotland. The earliest charter to which it has yet been found attached
is a notification by Alwyn, Abbot of Holyrood, A.D. 1141; but both
the style of workmanship and the curiously mixed lettering manifestly
belong to an earlier period, when the _mos Scotorum_ was still in
use, and perhaps point to the existence of a _familia_, or Christian
community established in the glades of Drumselch Forest, long before
the royal foundation of the Holyrood. Amid such primitive structures,
the Candida Casa of St. Ninian must have stood forth as a majestic
example of Italian art, and have furnished a model which succeeding
builders would strive to imitate. Yet as each country of Christian
Europe has its own peculiar variations from the theoretical standard,
or its provincialisms, as they may be fitly enough called, so Scotland
and Ireland, occupying originally a more isolated position than the
other kingdoms of Christendom, modified these to a remarkable extent,
and produced a style differing so greatly from the Italian model as to
confound the speculations of modern ecclesiologists. The masterly essay
of Dr. Petrie on "The Round Towers of Ireland," has at length freed
this inquiry from the cumbrous theories of older antiquaries, and given
consistency to the archæological records of native art.

While England has her Anglo-Saxon ecclesiastical remains, exhibiting
more or less of the transition by which the debased Roman passed into
the pure Romanesque, or Norman style, Scotland, along with Ireland,
possesses examples of an early native style belonging to the same
period, anterior to the Norman invasion, and distinguished by more
marked and clearly defined characteristics. The peculiarities of the
early masonry have generally been selected by judicious ecclesiologists
as one of the most unerring guides to genuine Saxon remains, including
such constructive features as the varieties of _long and short work_,
whether introduced plainly in the angles of the buildings, or in the
form of pilaster-strips, panels, arcades, and other decorations on
the surface of the walls, as in the celebrated Earl's Barton Tower,
Northamptonshire, and in Stanton Lacy Church, Shropshire. The latter
are only modifications of the simpler long and short work, and are
obviously introduced for the same purpose, namely, to supply the want
of a sufficiency of good building materials, and to bind together the
unsubstantial ruble-work between, much in the same way as beams and
brick-work are united in a timber-framed house. This difficulty of
obtaining a sufficient supply of stone accounts for the introduction
of herring-bone work, consisting of courses of bricks or tiles of
Roman shape, and not unfrequently the spoils of older Roman buildings,
disposed in alternate chevron rows. Such evidence is not of course in
itself sufficient to fix a building as undoubtedly belonging to the
Anglo-Saxon period, but as it generally occurs along with features more
or less markedly distinct from the earliest Romanesque buildings to
which an authentic date is assigned, it is a mere disputing about terms
to question the existence of many well known examples in England of a
style of ecclesiastical building popularly known as Saxon architecture.
In addition to these constructive features there are not wanting
peculiarities of detail, such as the belfry windows, divided with a
rude baluster, or a slender cylindrical shaft carrying a long impost
without any capital, and small apertures both in doors and windows,
formed by two or more stones laid so as to form a straight <DW72>, and
producing a class of pointed openings coeval with the earliest circular
arch in our ecclesiastical architecture. Sculptured decoration is rare,
and generally extremely rude. The imposts of arches most frequently
present imperfect imitations of Roman mouldings, where they are not
simple square blocks, though in some instances a modification of the
long and short work, consisting of rag-stone regularly disposed in
imitation of carved mouldings, serves as an economical substitute for
more laboured decorations.

Most of these characteristics of Anglo-Saxon architecture are, in the
true sense of the word, provincialisms, not indeed necessarily confined
to England, but pertaining to the earliest buildings of districts
where good stone is scarce, and not easily procured. They form
interesting examples of the legitimate origin of architectural details
from the necessities of the locality in which they are found. On this
very account, however, they are such as we should not expect to find,
either in Scotland or Ireland, where substantial building materials
abound. Examples, indeed, of analogous workmanship are not wanting in
either country, and some of those of Scotland will be referred to.
The celebrated ruin of St. Anthony's Chapel, near Edinburgh, though
certainly not earlier than the fourteenth, and more probably belonging
to the fifteenth century, affords a curious instance of the adaptation
of the rude materials of its immediate site, where others of the best
quality were of easy access. This, however, is a solitary example, and
no indication of a prevalent custom. Any evidence of such an exotic
style as that usually called Saxon in the south of England transplanted
to these localities, like the Scoto-Roman masonry already described,
would clearly point to a foreign origin, and to builders unfamiliar
with the facilities of a stone country.

The peculiar characteristics of the later ecclesiastical revolutions
of Scotland, which almost entirely eradicated all veneration for the
historical memorials of the ancient Scottish Church, have largely
contributed to obliterate the evidences of our primitive Christian
architecture. Some few examples of singular value, however, exist to
attest the correspondence of the earliest sacred structures with other
contemporary works of art. Scotland, as well as Ireland, has still
her round towers, among the earliest and most interesting relics of
native ecclesiastical architecture. Into the endless controversy of
which these have formed the subject it is happily no longer needful
to enter. Dr. Petrie's admirable work has sufficed to sweep away the
learned dust and cobwebs laboriously accumulated about the inquiry into
their origin, and exhibits the value of patient investigation and the
logical deductions of a thoroughly informed mind, in contrast to the
vague and visionary speculations of the fireside student. The field
which the Scottish antiquary has to investigate is narrow indeed when
compared with that which Ireland offers; but is on that very account
freed from some of the difficulties which beset the explorer into the
corresponding Irish examples of the architectural taste and skill of
a remote and long unknown period. It is even possible that a closer
investigation of the history of the round towers of Scotland may throw
some additional light on those of the sister isle.

It is with extreme hesitation that I venture to hint a doubt in
regard to any of the conclusions arrived at in the "Ecclesiastical
Architecture of Ireland anterior to the Anglo-Norman Invasion,"
regarding it, as I do, as a nearly perfect model of critical
analysis and research. Yet even Dr. Petrie occasionally seems not
to have entirely escaped the influence of that temptation to assign
the remotest conceivable antiquity to these national monuments,
which proved so effectual a stumblingblock to his predecessors.
Notwithstanding the evidence adduced for the date assigned to the
erection of the Round Tower of Kildare, it is impossible to overlook
the fact, that the doorways both of that and of the tower at Timahoe
are decorated with ornaments and mouldings, which, though not without
their own peculiar details, essentially correspond to those found
throughout Europe on works of the eleventh and twelfth centuries. If
the record of erection at a particular date, with the absence of any
notice of rebuilding, were to be accepted in proof of the date of
styles, there is probably no single phase of medieval ecclesiastical
architecture which might not be proved on such evidence to be coeval
with the earliest. The silence of all authorities as to the re-erection
of churches once built is a species of negative proof of the smallest
possible value. In the ruined nave of Holyrood Abbey at Edinburgh,
the experienced eye may detect work of nearly every period from the
twelfth to the seventeenth century; yet in some places the mouldings
of the fourteenth and fifteenth centuries are so ingeniously engrafted
on the original Romanesque work, that it is hardly possible precisely
to define the amount of change. The ingenuity with which the old
masons have thus remodelled churches to bring them into correspondence
with the progressive developments of pointed architecture, completely
baffles the attempt to fix from single examples, such as the remarkable
doorway of Timahoe, the work of a precise date. The form of arch, the
chevron mouldings, decorated capitals, the sculptures on the imposts,
are all such as the experienced eye would assign to the era of the
Romanesque or Anglo-Norman style; and this idea is rather strengthened
than weakened by the finely-jointed character of the ashlar-work, as
such well-finished masonry is rarely met with in any English edifice
prior to the twelfth century. The well-known details common to the
Romanesque style are undoubtedly accompanied, as might be expected,
by others peculiar to Ireland; but these examples referred to do not
differ more from any twelfth century building in England or Scotland
than does the beautiful stone-roofed Church of Cormac, on the Rock of
Cashel, to which Dr. Petrie assigns, on indisputable evidence, the date
of 1134. I am induced to direct attention to these points--otherwise
foreign to the subject in hand--because the few marked characteristics
which can be referred to on the round towers of Scotland correspond
with those in Ireland which, according to all received ecclesiological
analogies, seem to indicate an earlier date than the towers of Timahoe
or Kildare, or the presumed contemporary monastery of Rathairn, and
can hardly be supposed to be works of a later period. On this point I
find it difficult to follow Dr. Petrie, who assigns to these specimens
of ecclesiastical architecture, marked by details corresponding with
works of the eleventh and twelfth centuries in England and Scotland, a
date not later than the close of the eighth century, while the tower of
Donaghmore, which bears considerable resemblance to the Scottish round
tower at Brechin--though greatly inferior in the amount or richness of
ornament--is ascribed to the early part of the tenth century, or fully
a century prior to the date of the corresponding Scottish building.
Yet there are also points of resemblance of a sufficiently marked
character, both in the peculiar masonry and details of the Timahoe
and Brechin Towers. The pellet and bead moulding on the soffit of the
former also very closely corresponds with the finish of the architrave
in the Scottish doorway, though their decorations otherwise greatly
differ.

[Illustration: Doorway, Round Tower, Donaghmore.]

The well-known round towers of Scotland are those of Abernethy and
Brechin; but in addition to these we have the ancient church and tower
of St. Magnus, Egilshay, in Orkney, which, though hitherto generally
overlooked from its remote and inaccessible position, is no less
interesting and worthy of note. The little church of St. Magnus, on
the island of Egilshay, still remains in tolerably perfect condition
though roofless, consisting of a chancel, nave, and round tower at its
west end, which appears, when perfect, to have been between fifty and
sixty feet high. It was roofed with an irregular dome-shaped capping,
and both the nave and chancel were also protected, at no very distant
period, with a roofing of stone. Dr. Hibbert, in his "Description of
the Shetland Isles," refers to this little Orkney edifice as a specimen
of the ancient Scandinavian Church, corresponding, as he conceives,
to others which formerly existed in Shetland. After describing Burra,
St. Ronan's, and other localities in the Bay of Scalloway, he goes on
to remark,--"On an adjacent promontory, named Ireland, once stood a
church which was adorned with a lofty steeple. But of three buildings
of this kind situated in Ireland, Burra, and Tingwall, that were said
to have been erected by Norwegian sisters, it is unfortunate that not
one should now remain."[614] It is in illustration of the presumed
appearance of these that the church of Egilshay is referred to as "a
small religious edifice in Orkney, which these kirks of Shetland are
said to have much resembled."

The date of these churches, which tradition thus assigns to Norwegian
builders, is not known. If, however, we were to take the dedication
of the one still remaining on the island of Egilshay as a clue to the
whole, we should be compelled to assign them to a comparatively recent
period, and one later by more than a century than the most modern of
the round towers of the mainland.

According to well-known Scandinavian records, the introduction of
Christianity into the Orkney Islands was effected by the Norwegian
king Olaf Trigvason, better known to us as St. Olaf, on his return
from an expedition to Ireland in the year 998, having himself received
baptism not long before in the Scilly isles. This important change,
however, which the warrior missionary characteristically effected
at the edge of the sword, there is good reason for believing only
affected the Norwegian jarls. Christianity, as has been already shewn,
had long preceded the conquest of these islands by the Northmen.
The missionaries of Iona had not been so effectually scared by the
intrusion of these fierce invaders as to abandon the numerous scenes
of their early labours; and it is entirely consistent, both with
the history of the northern islands and the characteristics of the
primitive little edifice referred to, to believe that the church which
still stands, though in ruin, on the island of Egilshay was the scene
of Christian rites, amid "the storm-swept Orcades," when the rude Norse
king landed his strange missionary crew on the neighbouring isle.

It can hardly admit of doubt that the simple little church and tower
of St. Magnus, Egilshay, were built from Irish models. Even if its
origin were satisfactorily traced to Norwegian founders, the frequent
expeditions of the Northmen to Ireland would suffice to account for
this. St. Olaf visited Ireland before his memorable visit to the
Orkneys, on his way to Norway, bent on introducing the new faith into
his own country. Sigurd, the Jarl whom he converted by the summary
alternative of embracing Christianity or forfeiting his dominions,
fell in the great battle of Clontarf, in Ireland, A.D. 1014, in which
Danes and Northmen of Northumberland, the Orkneys, Hebrides, and Man,
fought along with other foreign auxiliaries, on behalf of the Danish
colonists of Ireland, against the famous Irish monarch, Brian Boru,
while among his allies were the Scottish Maormors of Lennox and Marr.
Gray's celebrated ode of "The Fatal Sisters" is a paraphrase of an
ancient poem in the Icelandic Saga, on the battle in which the Northmen
suffered so terrible a defeat. In this contemporary poem, Hilda,
the Scandinavian goddess of war and victory, is introduced with her
weird-sisters, the Valkyries, who attended on the field of slaughter
to convey the spirits of the dying heroes to the hall of Odin, and
otherwise received in the Scandinavian mythology nearly the same
attributes as the _Parcæ_ of the Greeks. These Scandinavian Fates are
represented as having been seen at Caithness, in Scotland, by a man
named Darraudar, on the very day of the battle of Clontarf. They were
on horseback, riding swiftly towards a hill, into which they entered,
and on looking through an opening of the rock he saw twelve gigantic
females weaving a web at a strange loom. Their shuttles were weapons
of war, their warp was weighted with human heads, and they wove with
human entrails the ghastly texture of "the loom of hell." As they plied
their shuttles they sang a dreadful incantation, on finishing which
they tore the web into twelve pieces, and each taking her portion they
mounted their black steeds and rode off, six to the north and six to
the south. That same day they appeared on the field of Clontarf busied
amid the heaps of the slain. Such was the creed of the Norse Jarls
sixteen years after the conversion of Sigurd of Orkney by St. Olaf,
and the sole fruit of their last visit to Ireland. It is not to them,
therefore, that we must look for the introduction of the models of the
first Christian churches of Orkney. It is much more probable that the
earlier missionaries of St. Columba were themselves the architects of
the humble little fane which remains on the island of Egilshay, as well
as of many others that once adorned the neighbouring isles. It closely
corresponds in general characteristics with Dr. Hibbert's account of
the ancient churches of Shetland, of which traces still exist. "All the
ecclesiastical buildings," he remarks, "appear to have been devoid of
the least show and ornament, the ingenuity of the architect extending
little farther than in constructing a round vaulted roof. The pointed
arch, the pinnacled buttresses, or rich stone canopy, never dignified
the chapels of humble Hialtland. The number of them, however, was
remarkably great. The parish of Yell, for instance, boasted twenty
chapels, where only two or three are used at the present day."[615]
The venerable little Church of Egilshay has fallen into like decay,
and the inhabitants are now compelled to seek a place of worship on a
neighbouring island.

[Illustration: St. Magnus's Church, Egilshay.]

Like other Orkney buildings of very different dates, this primitive
church is constructed almost entirely of the unhewn clay-slate of the
district. The tower is unsymmetrical, tapering somewhat irregularly
towards the top, and bulging considerably on the side attached to the
church. It differs from other examples in having no external doorway.
It has evidently been built contemporaneously with the church, and is
entered from the nave by means of a door through the west wall. The
accompanying view from the south-east will help to convey some idea of
its external appearance. Since the view engraved in Dr. Hibbert's Plate
of Antiquities was drawn, the stone roofs both of the church and tower
have disappeared, along with a portion of the walls of the latter,
which was taken down from the apprehended danger of its falling. The
following are the proportions of the church and tower. The greatest
circumference of the tower is forty-eight feet, and its present height
about forty-five feet. There is no appearance of any stair having been
constructed in it, but two beams of oak near the top, and two lower
down, still indicate the arrangement of the floors by which it has at
one time been subdivided. Directly above the door on the eastern side,
connecting it with the nave, are the only two windows in the tower, one
above the other, arched with unhewn stone. The doorway is only four
feet in height from the present floor, and two feet four inches broad.
The walls of the nave are about three feet thick, and it measures
thirty feet long by sixteen feet wide within the walls. It is entered
both on the north and south sides by doorways constructed "_more
Romano_," with a plain semicircular arch of unhewn stone. On the north
side there is but one small arched window, three feet three inches in
height, and only nine inches wide; while on the south side, in addition
to a corresponding window of similar size, there are two other plain
square-headed windows, measuring respectively two feet eleven inches
by one foot two inches, and one foot nine inches by one foot one inch.
The chancel is still covered in with a plain semicircular arch, above
which has been a chamber, constructed between it and the outer covering
of stone, and accessible only by an entrance over the chancel arch,
where in all probability was kept the muniment chest of the officiating
priest. Such an arrangement is traceable in early Irish churches, as in
the original work of the beautiful church at Rathain, in King's county,
which Dr. Petrie assigns as the work of St. Fidhairle Ua Suanaigh, who
died in 763.[616] The chancel measures within the walls eleven feet
by nine feet seven inches, and is lighted only by a small window in
the north and south walls, measuring each twenty by eleven inches. But
perhaps the most singular feature of this interesting structure is
the chancel arch, which, directly contrary to those of corresponding
edifices in Ireland, has its sides inclined inward towards the base, so
as to present a complete horse-shoe arch. It is scarcely possible to
examine the details of this most interesting relic of early Christian
art, without recognising its manifest correspondence with the primitive
Irish churches of the sixth and seventh centuries, which Dr. Petrie's
researches have rendered so familiar to us.

That the little Church of Egilshay existed long prior to the era
of St. Magnus cannot, I conceive, admit of doubt. A comparison of
it with the stately cathedral of Kirkwall, founded little more than
thirty years after the death of the sainted Earl, is alone sufficient
to prove its erection at a period essentially differing from the
era of the fully developed Romanesque. Its later dedication to that
favourite northern saint is abundantly accounted for by the remarkable
historical fact that in its immediate neighbourhood, if not indeed, as
the Aberdeen Breviary states, within this venerable fane, the gentle
Magnus Erlendson was hewn down by his fierce cousin Hacon, A.D. 1106.
It affords additional confirmation of the source of the Christianity
of the Northern Isles, that we are told in the same venerable
Scottish ecclesiastical authority, that Magnus commended his soul to
the Redeemer, to St. Mary, and to the old northern apostles, _St.
Palladius_ and _St. Serf_. The fame of the sanctity of the martyred
Earl of Orkney was speedily attested, according to the faith of the
period, by numerous miracles wrought at his tomb. Pilgrimages were
made to his shrine, and saintly honours accorded to him, not in Orkney
only, but throughout Norway, Sweden, Denmark, Iceland, and the Scottish
mainland. Within twenty years after his death the legendary incidents
of his life had been woven into an Icelandic Saga, strangely differing
from that of Hilda and her attendant Valkyries. Ronald, the nephew of
the martyred Earl, obtained a grant from the King of Norway of the
possessions which were his by right of succession to his uncle, and on
successfully establishing his claims the cathedral of St. Magnus at
Kirkwall was begun in or about the year 1138, in fulfilment of a vow he
had made while fortune still hung doubtful in the scale.

The reputation of the sainted Earl has outlived that of any other
Scottish saint, if we except the good St. Margaret. His name is still
spoken with reverence throughout Orkney and Shetland, independently
of all idea of saintship or martyrdom, to which indeed his claims
are greatly more doubtful than his just title to the character of an
upright ruler in a barbarous age. He died in a private quarrel with his
own cousin, in which no other questions than those of mutual interest
appear to have been involved. But the Church availed itself of the
reverence which his virtues had inspired; and to this it is no doubt
mainly owing that, notwithstanding the extreme veneration in which his
name was held, little trustworthy information is to be found regarding
him, even in the authorized records of hagiology. The Aberdeen
Breviary styles him "the Apostle of Orkney and the Hebrides." Other old
authorities refer to him as a bishop or missionary to the Pagans of the
north; and a writer in the first Statistical Accounts[617] winds up a
sufficiently amusing attempt at tracing his history, by shewing the
great probability that he was a knight templar!

The characteristics of the majestic cathedral of the Northern Isles
furnish valuable elements of comparison with other examples of early
ecclesiastical architecture in Scotland; while they completely confirm
the great antiquity of the simple edifice which was deserted as the see
of the Orkney bishops for the stately edifice at Kirkwall dedicated to
the sainted Earl of the Orkneys. If we except the one common feature
of the rounded arch, no elements of comparison exist. The cathedral
is a well-defined example of the late Romanesque style, bearing no
traces of the rudeness or imperfection which might be looked for in the
transition from an humble and homely fane to one of such pretensions,
but distinctly marked as belonging to a later period than Dunfermline,
Kelso, and other of the older Scottish abbeys in the same style.

Returning to the consideration of the round towers of the Scottish
mainland, the reader will probably be prepared by the previous
evidences of the close affinity traceable between the early Irish and
Scottish arts to assume that these erections, which find a parallel
only in Ireland, are either the work of the Irish Scots or the result
of the intimate intercourse with Ireland which was maintained at a
well-ascertained period of our history. When we consider the close
resemblance between the round towers of Brechin and Abernethy, and
many of those of Ireland, amounting to a complete identity of style,
it seems strange that Scottish antiquaries should have hesitated in
ascribing to the former a Christian origin, after the obscure annals
of the Dalriadic Scots had been cleared up. From these, as we have
already seen, the Irish Scoti had no footing beyond their little
territory in Argyleshire till the middle of the ninth century; and we
have unquestionable evidence that the Romanesque or Anglo-Norman style
had obtained general acceptance in Scotland in the very beginning
of the twelfth century. Between these two periods, therefore, must
the precise date of erection of both the round towers of Brechin and
Abernethy be sought. But this interval is further greatly limited
by the establishment of the third Norwegian kingdom by Thorfinn in
1034. It embraced nearly the whole of the north of Scotland, and
was successfully maintained for thirty years, so that we are almost
unavoidably compelled to assume their date as prior to this earlier
period. The triumph of Thorfinn involved the extinction of the house of
Kenneth MacAlpin, and the extermination of the most powerful chiefs of
the Scottish race. By this we are limited to a period somewhat short
of two centuries, within which it may be assumed that the Scottish
round towers were erected; and with this such historical evidence as
we possess in some degree accords. Neither of them, however, are the
primitive structures reared on these long sacred sites. The tower of
Abernethy, which stands solitary and unroofed, with all the ancient
ecclesiastical adjuncts of a collegiate foundation utterly effaced,
may be very briefly dismissed. Gordon[618] gives its dimensions as
follows: Its elevation is seventy-five feet, wanting the conical roof
which we may assume to have originally crowned its summit, adding ten
or twelve feet to the height. The doorway which faces the north, and
is, as usual, elevated several feet from the ground, is eight and a
half feet high, by two and a half feet wide, and consists of a plain
semicircular-headed opening. The tower now occupies an angle of the
inclosed churchyard, and serves both as a belfry and clock-tower for
the plain modern church; in addition to which the obsolete iron jougs
still attached to it shew that it was also enlisted in older times in
the execution of ecclesiastical discipline.

The Pictish Chronicle records the founding of a church at Abernethy, by
Necton, King of the Picts, who reigned about the year 455. He dedicated
the royal foundation to God and to St. Brigid, and endowed it with
lands, _usque ad diem judicii_, the boundaries of which are minutely
specified, "from the stone at Apurfeirt to the stone near Cairfuill,"
&c.,--an interesting example of the Hoare Stones or landmarks of the
fifth century. This is further confirmed by Fordun,[619] who quotes
an ancient chronicle of Abernethy in corroboration of the earlier
record. Of the precise character of this _ecclesia collegiata de
Abernethy_ of the fifth century, it is now vain to speculate, but
most probably, even for some centuries later, it was only a wooden
church after the manner of the Britons, and so remained until about
A.D. 711, when we learn from Bede of a second Naiton or Necton, King
of the Picts, who sent messengers to the venerable Ceolfrid, abbot of
the historian's own monastery of Jarrow, at the mouth of the Wear,
inquiring concerning sundry disputed questions, and praying him to
send architects who, according to the manner of the Romans, should
make a church of stone among his people. The Pictish monarch qualifies
a promise of future obedience to the holy Roman and Apostolic Church
thus naively: "In quantum dumtaxat tam longe a Romanorum loquela et
natione consegregati hunc ediscere potuissent."[620] At what time the
royal foundation of Abernethy was remodelled, according to the fashion
indicated by its ancient tower, is not recorded in any authority that
I know of, but it may not improbably be found noted by some of the
Irish annalists from whom Dr. Petrie has already recovered so large an
amount of well-authenticated history. The interest in it has naturally
been greatly diminished by the annihilation of every vestige of the
collegiate buildings except the tower. Its masonry, however, closely
corresponds to that of Brechin, while the character of its upper
windows is suggestive of even a more recent period, and it is probable
that they are additions of a later date than the original structure.

The ecclesiastical foundation of Brechin, so far as we know, is fully
four centuries later than that of Abernethy, and belongs to the era of
the kings of the Scottish race. The ancient Pictish Chronicle concludes
in the reign of Kenneth, the son of Malcolm, 967-991, and is supposed
to have been written at that early period. It sums up the brief record
of his reign in these words: "This is he who gave the great city of
Brechin to the Lord." It does not perhaps necessarily follow that no
earlier church existed at Brechin; but to this period we may assign, on
the authority of the ancient Chronicle, the first royal foundation; and
in the absence of other evidence, I should have felt little hesitation
in fixing it as the period when the present round tower was built.
Dr. Petrie, however, assigns a date about thirty years later, and
promises more precise information derived from the Irish annalists,
from whence we may hope for other valuable additions to the _Annales
Scotorum_. Meanwhile, we have obtained an approximation to the desired
date, concerning which the indefatigable investigator of the history of
these peculiar structures only remarks, "The round tower of Brechin in
Scotland there is every reason to believe was erected about the year
1020, and by Irish ecclesiastics."[621] In dimensions this ancient
structure somewhat exceeds that of Abernethy, measuring eighty-five
feet to the cornice,[622] above which a roof or spire of later date has
been added when the cathedral church was re-erected in the thirteenth
century. In every other respect it offers superior attractions to that
of Abernethy, surrounded as it is with the more recent yet venerable
and characteristic memorials of ancient ecclesiastical art, and adorned
with sculptures of a singular and very remarkable character. The
masonry of the tower, as will be seen from the drawing of the doorway,
is of that kind which has been traced as gradually arising out of the
cyclopean work of ancient Greece. The stones are polygonal, carefully
hewn, and fitted to each other with the utmost neatness and art; the
courses of masonry being mostly horizontal, though with more or less
irregularity, and the joints not uniformly vertical. It is the same
style of work which characterizes the walls of the ancient cities of
Etruria, and is also found in Ireland to have succeeded to the ruder
primitive cyclopean masonry. But the peculiar feature of the Brechin
Tower is its sculptured doorway. Its dimensions are as follows: The
breadth at the spring of the arch is one foot seven and a half inches,
and at the base one foot eleven inches. The height of the entrance to
the centre of the arch is six feet one and a half inch, and the entire
height of the doorway from the base of the external ornament to the
summit of the crucifix which surmounts the centre of the arch, is eight
feet eleven and a half inches.[623]

[Illustration: Doorway, Round Tower of Brechin.]

The sculptured figures cut in relief on the imposts and at the base
of the doorway, are unhappily too much defaced to admit of a very
distinct idea being now formed of their original appearance. Mr. Gough,
who examined and made drawings of them eighty years since, when they
may be presumed to have been somewhat more perfect, thus describes
this ancient doorway: "On the west front are two arches, one within
the other, in relief; on the point of the outermost is a crucifix,
and between both, towards the middle, are figures of the Virgin Mary
and St. John, the latter holding a cup with a lamb."[624] But it was
unhappily too much the fashion with antiquaries of the last century,
to see what they desired, and to make their drawings accordingly,
so that little value can be attached to this precise description.
One of the figures holds a pastoral staff, and the other may perhaps
have borne a mitre. They were, not improbably, originally designed
to represent St. Serf, St. Columba, or some other of the favourite
primitive Scottish saints. The larger of the two measures one foot
eleven inches in height, including the pedestal or block of stone on
which it stands. The nondescript animals below no less effectually
baffle any attempts at description. "If one of them," says Gough,
"by his proboscis had not the appearance of an elephant, I should
suppose them the supporters of the Scotch arms!" Pennant, undeterred
by the _proboscis_,--which, indeed, even now looks more like a fish
in the animal's mouth,--conceives them more probably to be the
Caledonian bear and boar. The lapse of eighty years has not added to
their distinctness, and little good can be hoped for from such random
guessings. But the two upper blocks supply curious and unmistakable
evidence of the fact, that the original design of the old sculptor has
been abruptly brought to a close. Additional figures--not improbably
ministering angels--have manifestly been intended to be introduced on
either side of the crucified Redeemer, but from some cause--possibly
yet ascertainable from the Irish annalists--the work of decoration has
been arrested, and the unshapen blocks have been left to be fashioned
by the tooth of time.

To these few examples of ecclesiastical buildings belonging to a
period prior to the development of the architecture of Medieval
Europe, I have little doubt that further research, particularly in
the Hebrides and the neighbouring coasts of the mainland, may still
supply some interesting additions. This volume has been delayed in
the hope of being able to accomplish a tour sketched out for that
purpose, but the plan must be executed at a future time, and most
probably by other investigators, who possess all the requisites for its
efficient accomplishment. It is exceedingly likely that some of the
primitive oratories of the first centuries of Scottish Christianity
still exist on the remote sites frequently chosen by the ascetic
missionaries of the faith. Martin, for example, after describing the
Eird Houses or Weems of the Western Isles, adds,--"There are several
little stone-houses built above ground, capable only of one person,
and round in form; one of them is to be seen in Portry, another at
Linero, and at Culunock. They are called _Tey-nin-druinich_, _i.e._,
Druid's House."[625] Again, the Old Account of the Parish of Orphir, in
Orkney, furnishes the following description:--"In the churchyard are
the remains of an ancient building, called the Girth House, to which
great antiquity is ascribed. It is a rotundo eighteen feet in diameter,
and twenty feet high, open at top; and on the east side is a vaulted
concavity, where probably the altar stood, with a slit in the wall to
admit the light; two-thirds of it have been taken down to repair the
parish church. The walls are thick, and consist of stones, strongly
cemented with lime. From its resemblance to the Pantheon, some have
ascribed this building to the Romans; but in all probability it has
been a chapel, dedicated by the piety of its founder to some favourite
saint."[626] These seem, like the more celebrated Arthur's Oon, to
answer in description to the small circular structures familiar to
Irish antiquaries as bee-hive houses, and which are believed to have
been the abodes of ancient ecclesiastics. Even on Arthur Seat, exposed
to the restless populace of the neighbouring city, some remains of
the simple cell of the Hermit of St. Anthony are still visible, and
on the Island of Inchcolm, in the Frith of Forth, a rudely arched
little vault, of uncertain age and sufficiently primitive construction,
adjoining the ruined monastery over which the historian, Abbot Bowar,
presided, is shewn as the cell of the good Hermit of St. Columba, where
he entertained King Alexander I. for three days, when driven on the
island by a tempest. The adjacent monastic buildings still include
remains of various early dates, some of which will come under review
in the following chapter; but an interesting memorial of the original
monastery has been preserved on the chapter seal, which--like some of
those of the metropolitan see figured with the primitive Cathedral
of St. Rule--is engraved with a view of the ancient Abbey Church of
Inchcolm. In style of art the seal bears considerable resemblance to
those of St. Andrews. The church is represented consisting of nave
and choir, with a central tower surmounted by a spire, and with plain
round-headed windows in the choir. The only impressions yet discovered
are very imperfect; but little doubt can be entertained that in these
we have a representation of the original structure of the twelfth
century, fully as accurate and trustworthy as we are enabled to
ascertain the ancient seals of St. Andrews to have been. Thus does wax
and parchment outlive the graven brass and the masonry which seemed to
bid defiance to time.

FOOTNOTES:

[613] Laing's Ancient Scottish Seals, Nos. 1103, 1105, 1106.

[614] Hibbert's Shetland, p. 457.

[615] Hibbert's Shetland, p. 530.

[616] Ecclesiastical Architecture of Ireland, 8vo, pp. 242, 245.

[617] Sinclair's Statistical Account, vol. xix. p. 44.

[618] Itinerar. Septent., p. 164.

[619] Fordun, vol. iv. p. 12.

[620] Beda, L. 5, c. 21.

[621] Ecclesiastical Architecture of Ireland, &c., 8vo, p. 410.

[622] Itiner. Septent., p. 165. Pennant says, height from ground to
roof eighty feet, and, including the spire, one hundred and three
feet.--Tour, vol. iii. p. 162.

[623] The drawing of the Brechin doorway is carefully made to scale,
and the measurements have been taken for me by an experienced practical
builder, so that they may be relied upon for accuracy.

[624] Archæologia, vol. ii. p. 85, Plate v.

[625] Martin's Western Isles, p. 154.

[626] Sinclair's Stat. Acc. vol. xix. p. 417.




CHAPTER VII.

MEDIEVAL ECCLESIOLOGY.


The subject of Medieval Ecclesiology is much too comprehensive to be
treated with attention proportionate to its extent, and the importance
justly ascribed to it, in the compass of a single chapter. But some
notice of it is indispensable to the completeness of any systematic
treatise on Scottish antiquities; and in attempting this it becomes
once more necessary to glance at the ethnological elements on which
depend the transition from the earlier and simpler characteristics
already noticed. Whatever value be attached to the attempts advanced
in the previous chapter to give some precision to the history of
Primitive Scottish Ecclesiology, little doubt can now be entertained
that throughout the whole period of Celtic rule in Scotland and
Ireland, a peculiar character pervaded the native arts, and greatly
modified the forms of Christian architecture introduced from Italy
along with the new faith. Long, however, before Thorfinn subjected the
Celtic population of the north to the Norwegian yoke, and sanctioned
Macbeth's usurpation of the throne of the Southern Picts, the Teutonic
races from the south were securing a footing in the Lothians. From the
middle of the seventh century the limits of the kingdom of Northumbria
extended to the Forth, and though the Angles maintained their varying
northern frontier only by a constant warfare with the Picts and Scots,
yet the population must have become almost entirely Teutonic before the
recognition of Egbert of Wessex as bretwalda or chief ruler of England,
in 829. In 867, the Danes, a different branch of the Scandinavian race
from the old Scottish Northmen, conquered the kingdom of Northumbria,
and it is not till after the accession of the Saxon Athelstane, in
925, that we again find it partially and temporarily incorporated with
the southern kingdoms. With these portions of English history we have
little further to do than simply to note the evidence they furnish
of the same remarkable changes having affected the population of the
Scottish Lowlands which divided the races of the south into Weals and
Engle-kin, or Celtic and Teutonic; Jutes, Angles, and Saxons, being
comprehended from a very early period under the common name of Englen
or English. The changes which followed on the Danish conquest again
temporarily isolated Northumbria, where Harold Harefoot established a
separate kingdom; and when Macbeth secured the concurrence of Thorfinn
in his accession to Duncan's throne, he included in his dominions
a large portion of the Scottish Northumbria. To this succeeded the
accession of Malcolm Canmore, Duncan's eldest son, a prince of the old
Celtic race, but sharing also through his mother in the Anglo-Saxon
blood, educated at the Court of Edward the Confessor, and restored to
the throne of his fathers chiefly by the aid of the Northumbrian Saxons.

The establishment of Malcolm on the Scottish throne dates from the
year 1058; but four years prior to this he had succeeded, with the aid
of his uncle, Siward, Earl of Northumberland, and a Saxon army, in
driving Macbeth beyond the Forth, notwithstanding the strenuous aid of
the Northmen, with whom a large portion of the native Celtic race were
then closely allied. From this important epoch in our national history
dates the commencement of that remarkable revolution known by the
name of the "Saxon Conquest." The Norman triumph at Hastings greatly
accelerated its progress. Already the Scottish Court was the resort
of numerous Anglo-Saxon nobles and leaders, whose services had given
them claims on the Scottish Crown, and whose retainers accompanied them
to settle on their new possessions in the Scottish Lowlands. But the
Norman invasion drove many more to seek from the northern ruler the
shelter which he had found in his adversity at the English Court; nor
must we forget that his own barbarous policy helped to colonize his
southern territories. Leaguing, when it suited his purpose, against
the Norman aggressors, he wasted the country as far as Durham in 1070,
bringing back with him so many prisoners of both sexes, that an old
chronicler remarks,--"So great was the number of captives, that for
many years they were to be found not only in every Scottish village,
but in every Scottish hovel."[627] Thus by the most opposite means was
a Saxon population invested in the possession of the Lothians. Norman
adventurers followed, dissatisfied with the Conqueror's rewards, as
the Saxons of old blood were impatient of the Norman yoke. The Saxon
Edward, it will be remembered, had Norman blood in his veins, spent
his early years in Normandy, and when he at length attained to the
English Crown, surrounded himself with Norman barons and churchmen,
and bestowed on them some of the highest preferments in the kingdom.
At his Court, therefore, Malcolm could acquire no such prejudices
against the Norman as animated the expatriated followers of Harold. To
him the discontented Norman baron with his hardy men-at-arms would be
as welcome as the Saxon thane with his faithful retinue. Both found
a ready portion in the fertile Lothians, in an age when even the
multitude of children were "as arrows in the hands of a mighty man." It
was a peaceful and nearly bloodless revolution, yet by it this northern
kingdom was more completely transformed than by all the protracted
struggles of Roman, Pict, or Northman. The sceptre was still swayed by
a prince of the Celtic line; but the power was passing away for ever
from the last independent representatives of the nomade colonists of
Europe.

The victory at Hastings was far less effectual in making England
Norman than in making Scotland Saxon. In this respect the usurpation
of Macbeth, which drove Malcolm to seek refuge and to acquire his
education at the English Court, exercised a remarkable influence on
the future history of both countries, and prepared in requital, a
home for the southern Saxon, which has proved the birthland of the
most vigorous offshoot of the race. But chief among the Anglo-Saxon
fugitives is the noble princess, sister of Edgar Atheling, who brought
to the Scottish throne the civilisation as well as the hereditary
rights of the race of the Confessor. The earlier years of Malcolm's
reign appear to have exhibited all the fiercest characteristics of a
disputed succession; and it is probable that during the long years
of conflict between Northman, Celt, and Saxon, the native arts and
civilisation were greatly deteriorated. Its ecclesiastical system had
suffered no less than its civil arts. The church of St. Columba had
been spoiled of its temporal possessions, and had parted with many
of its canonical usages, including the celibacy of the clergy, that
mainspring of the medieval church, which appears to have been so
heartily favoured by the good Abbot of Iona. It is no part of the plan
of this work to embrace ecclesiastical controversies, or to attempt
to settle disputed questions relative to the precise doctrines and
practice of the ancient Culdees. So interesting an inquiry could only
be injured by a superficial notice of the modern disputes relative to
their Episcopal or Presbyterian constitution, and the ancient ones
about the tonsure and the times of observing Easter. Trivial as such
controversies may be thought by some, they appear to have involved
questions of higher moment, including that of the independence of
the Celtic Church. The neglect, if not the entire abnegation of the
celibacy of the clergy for a considerable period prior to the Saxon
Conquest, is, however, indisputable; and the orthodox grandniece of
the Confessor, in giving her hand to Malcolm Canmore, plighted troth
with the legitimate grandchild of an Abbot of Dunkeld. To assume
the primitive purity or simplicity of our early northern Church on
such grounds would be erroneous. It is sufficient for our present
purpose to know that it differed in various important respects from
the Roman Church of western Christendom. The peculiar features which
have attracted our notice in previous chapters originated chiefly from
the isolation of the Scottish Church and nation; but that isolation
was now to come to an end. The Princess Margaret became the queen of
Malcolm Canmore, and the sharer of his throne. Her gentle spirit, not
untinctured by the asceticism of the age, softened the fierce passions
of her husband, and made his wild nature bend obedient to her will. The
grandniece of the Confessor became the reformer of the Scottish Church,
and the redresser of its abuses. Provincial councils were summoned
at her command, at which Malcolm became the interpreter between the
Saxon queen and his Celtic clergy. Her great aim was to assimilate
the Scottish Church to that of England, and indeed of Rome, neither
of which it would seem to have greatly resembled. To her we chiefly
owe the eradication of the Culdees, (_Gille-de_, servant of God,) the
successors of the first recluses and monks who established religious
fraternities in Scotland, and who differed latterly from other orders
probably more in their laxity as to monastic observances than on
points of faith. Yet there were not wanting among them even then some
worthy representatives of their primitive missionary founders. The
Chartulary of St. Andrews, which furnishes some curious evidence of
their absorption, partly by conformity and partly by force, into the
new orders of canons regular, also affords some insight into these
primitive religious societies not unsuited to awaken regrets at their
arbitrary extinction. The sons of St. Margaret, Edgar, Alexander, and
David, though differing in nearly every other respect, concurred in
carrying out the reformation by which the Scottish Church was restored
to uniformity with the ecclesiastical standards of the age. Worthy
descendants of the Confessor, they not only made the Church of England
their model, but frequently selected their spiritual directors from
its clergy, preferred English priests to the bishoprics, and peopled
their abbeys with its monks. The "Saxon Conquest" was in truth even
more an ecclesiastical than a civil revolution, and the evidences of
its influence are still abundant after the lapse of upwards of seven
hundred years. In the period which intervened between the landing of
the fugitive Saxon princess at St. Margaret's Hope and the death of
her younger son David, nearly all the Scottish sees were founded or
restored, many of the principal monasteries were instituted, their
chapels and other dependencies erected, and the elder order of Culdee
fraternities and missionary bishops for the first time superseded by
a complete parochial system. It was David I. who ejected the brethren
of St. Serf established on the secluded little isle of Lochleven, and
merged both that and the Culdee house of Monymusk into the new priory
of canons regular of St. Austin established at St. Andrews. We read
with no little interest the brief inventory of the Lochleven library,
thus unscrupulously seized by the "soir sanct." Among its sixteen
volumes were the Gospels, the Acts of the Apostles, and the three books
of Solomon, a Commentary on the Song of Solomon, and another on the
book of Genesis:[628] no discreditable indication of the studies of
these recluses of Lochleven, whom some have inclined to rank among the
Protestants of their age. But old things were then passing away under
the guidance of reformers not less zealous than those of the sixteenth
century. An entire change, moreover, necessarily resulted from the
novel relations subsisting between the northern and southern kingdoms.
The seat of Scottish civilisation had hitherto been chiefly in the
north and west, while the Lothians and the southern dales had been but
a debatable land--the battle-ground oftener than the secure possession
of the Pictish or Scottish kings. On this very account great facilities
existed for its settlement by the southern fugitives, ready to hold
it of the Scottish crown by feudal military tenure, and to defend it
against the aggressions of the new power established in England. A
charter preserved in the treasury at Durham, and belonging at latest
to the very commencement of the twelfth century, furnishes interesting
illustration of the new elements of strength and progress infused into
the kingdom by the colonization of its southern districts. The charter
relates to the founding of the church of Edenham, on the north bank
of the Tweed, in the rural manse of which the poet of the Seasons
was born in the year 1700,--one also of the many results which have
flowed from that old deed of piety, executed five centuries before.
The settler is Thor the Long, probably neither of Saxon nor Norman
blood, but a descendant of one of Hardacnute's Danish followers, who
established himself on the banks of the Tweed by invitation of Edgar,
the son and successor of Malcolm. The charter thus describes at once
the royal grant and the pious gift of the new settler, and may very
happily serve to illustrate the process of Teutonic colonization of
the Scottish Lowlands: "To all the sons of holy mother Church, Thor
the Long, greeting in the Lord: Be it known that Aedgar, my Lord, King
of Scots, gave to me Aednaham, a desert; that with his help and my own
money I peopled it, and have built a church in honour of St. Cuthbert;
which church, with a ploughgate of land, I have given to God, and to
St. Cuthbert and his monks, to be possessed by them for ever."[629]
Such was in reality the process by which the "Saxon Conquest" was
accomplished. No wonder that it should be unnoticed by contemporary
chroniclers, and remain a puzzle to historians who esteem wars and
regal successions the sole indices of the past. It was wastes not men
that had to be conquered, and therefore the victory is chronicled alone
in such brief parentheses as that of the Edenham charter.

It is easy to see how complete a change must necessarily have taken
place on the ecclesiastical architecture of Scotland at the period of
its receiving so great an impulse. The Christian arts, introduced to
a great extent along with the new faith from Ireland, had hitherto
been modified chiefly by local influences. The reformation effected
by Queen Margaret and her sons abruptly arrested the development of a
peculiar native style, and made the architecture of England as well
as its ecclesiastical system supply the new Scottish model. With the
elevation of the Saxon princess to the Scottish throne, we for the
first time discover a chronological coincidence in the styles of the
ecclesiastical architecture of Scotland and England. In the sixth
year of the reign of Malcolm II., the grandfather of Duncan, _i.e._,
in 1010, according to a charter of doubtful value, which has been the
subject of no little diversity of opinion,[630] he gave to God, the
blessed Mary, and all the saints, the church of Mortlach or Murthelach,
in perpetual gift, erecting it into an Episcopal see, in obedience,
as it is said, to a vow made in the immediate vicinity of the church
when battling with the Norwegian Invaders. In its present form the
charter seems to be unworthy of implicit credit, yet the circumstantial
accounts of Fordun and Boece agree with it in every essential point,
and it appears reasonable to assume that its most important features
are not without some authority and historical value. David I.
translated the see from Mortlach to Old Aberdeen in 1125, endowing it
for the first time with revenues proportionate to the dignity of the
bishopric. It appears, however, if we may so far trust the charter,
that Mortlach was the seat of a religious foundation prior to the
honours conferred on it by the victorious Malcolm, the humble church
of which was elevated, in fulfilment of the royal vow, to the rank of
a cathedral. At such a date we might expect a building corresponding
to those of which the remarkable relics remain at Abernethy and
Brechin; and even yet, though sorely defaced by modern additions, the
venerable parish church of Mortlach is believed to include portions of
the primitive cathedral. The holes are pointed out where the victor
is affirmed to have caused the heads of three of the vanquished Norse
leaders to be built into the wall as a votive offering: a singular but
sufficiently characteristic memorial of the ferocious spirit of the
age, though resting on little better authority than local tradition.
"At whatever time," says the Old Statist, writing about 1795, "three
skulls may have first been put there, there they surely were; and not
longer than about thirty years ago was the last of them picked out and
tossed about by the school-boys."[631] The former proportions of the
church were ninety feet long, including a chancel of twenty-seven feet,
while its greatest breadth was only twenty-eight feet. Within the last
twelve years great alterations and additions have been made, with the
usual inattention to the ancient features of the venerable edifice.
The original walls are very massive. The windows, where unaltered, are
extremely narrow and deeply splayed internally, the work probably of
the new era which we have now to consider, though it is not impossible
that some portions of the original church of Mortlach may still
remain.[632]

It was about the year 1070--the precise date is uncertain--that Malcolm
Canmore wedded the gentle and pious Saxon princess, whose amiable
disposition insensibly softened the rugged nature of her husband,
and swayed him by the influence of a most sincere affection, till he
became the docile minister of her will. We possess a narrative of the
private life of Malcolm and his Queen, on the authority of Turgot the
confessor of the latter, who had frequent opportunities of intimate
intercourse with both. Amid the austerities and superstitions which
belonged less to the individuals than the age, it is impossible not
to admire the rare picture of domestic charity and kindly affections
which it discloses. It was at Dunfermline, according to Turgot, that
the auspicious marriage of Malcolm and Margaret took place; and one
of the first works of the queen was to found a church in the place
where her nuptials had been celebrated, which she dedicated to the
Holy Trinity, and enriched with many costly gifts. Such was the origin
of the Benedictine Abbey of Dunfermline, though it can scarcely admit
of doubt that some church or chapel existed at this chosen place of
royal residence prior to the foundation of St. Margaret. The editor
of the "Registrum de Dunfermelyn" remarks, "The original church of
Canmore, perhaps hot of stone, must have been replaced by a new edifice
when it was dedicated in the reign of David I. If any part of that
structure remain, it must be little more than the foundations. Age, or
the accidents of a rough time, or the increasing consequence of the
house, gave rise to an enlarged and more magnificent structure about
the middle of the thirteenth century."[633] It cannot be difficult,
I think, to shew that such conclusions are erroneous, and at least
totally inadmissible in reference to the sombre and impressive nave of
Dunfermline, the oldest and perhaps most interesting specimen of the
Romanesque style now remaining in Scotland. But the whole reasoning
proceeds on the imperfect views hitherto entertained of the state of
civilisation and the progress of the arts in Scotland previous to the
commencement of its medieval era, dating from the reign of Malcolm,
when for the first time both its civil and ecclesiastical institutions
were assimilated to the rest of Europe.

So far from Malcolm Canmore's church being probably of wood, there are
some of the most substantial early Romanesque structures in England
which there is good reason for ascribing to the same builders who
erected the Church of the Holy Trinity at Dunfermline, in the lifetime
of its pious foundress. Malcolm was present at the laying of the
foundation stone of Durham Cathedral by the confessor and biographer
of his own pious queen, on the 11th of August 1093, shortly before his
last fatal rupture with England; and his son Alexander witnessed the
deposition of the relics of St. Cuthbert in the same sacred edifice in
1104. No one who has had the opportunity of examining both Durham and
Dunfermline, can have failed to observe the remarkable correspondence
of their character and details. The same massive and dissimilar
piers: the same chevron, spiral, and billet mouldings distinguishing
the compartments of the nave: the same chamfered cushion capitals
to the heavy cylindrical shafts: as well as a marked conformity in
many minor details, all point to a common origin for Durham Cathedral
and Dunfermline Abbey. St. Finnan, a monk of Iona, is said to have
built the first church of Lindisfarne, a timber erection, and the
original seat of the see of Durham, in the seventh century. Scottish
missionaries twice introduced the faith into Northumberland; Iona
and Melrose supplied successive heads to the southern house; and
even after the Conqueror compelled the chapter to receive a bishop
of his appointment of Norman blood, the intimate relations between
the see and the northern abbeys appear to have been very temporarily
interrupted. In so far as greater plainness and massive simplicity
afford any ground for assigning priority of date, the argument is in
favour of the greater antiquity of Dunfermline Abbey, which must have
been far advanced, if not indeed finished, according to the original
design, before the foundation of the Cathedral at Durham was laid in
1093, as the death of both of the royal founders took place before the
close of the year; and they were buried there before the rood altar.
Perhaps the fact of their interment there, and not in the choir,--to
which the bodies of both were translated with solemn ceremonial and,
according to the old chroniclers, with miraculous attestations of
their enduring affection,[634] four years after the canonization of
St. Margaret in 1246,--may be thought to afford presumptive evidence
that the abbey choir was then incomplete. This, however, is by no
means probable, as the choir was always the part of the church first
built. But it was no doubt with a view to receive into a structure
worthy of so sacred a depository the relics of the sainted queen that
the choir was remodelled according to the prevailing First-pointed
style of the thirteenth century. We possess a curious proof that even
the reconstruction of the choir was effected, not by demolishing and
rebuilding the whole, but merely by remodelling the original masonry
of the eleventh and twelfth centuries,--a process of common occurrence
with nearly all the large cathedral and abbey churches; for by a bull
of Pope Innocent IV., dated September 15, in the seventh year of his
pontificate,[635] (1250,) he dispenses with the reconsecration of the
abbey, because the walls of the former church for the most part still
remained.[636] No doubt the nave also underwent some modifications,
of which it now bears evidence, but all its essential features can be
assigned to no other period than that of the original foundation.

To the same early period must be assigned the erection of the
interesting little chapel of St. Margaret in the Castle of Edinburgh,
which it was my good fortune to rediscover a few years since, when
converted to the vile use of a powder magazine, after its very
existence had been lost sight of for upwards of a century.[637] Some of
its characteristic details have been thought rather to belong to the
later period of the Romanesque style; but a careful examination of the
simple capitals of the jam-shafts, and the low relief of the mouldings
on the chancel arch, has satisfied me that there is no evidence in its
structure inconsistent with the idea of its being the oratory of Queen
Margaret, which, according to Barbour, she caused to be decorated with
a painting of prophetic import, still remaining in his day,[638] (obiit
1396.) The plain coved vault of the apse, and the small roundheaded
and entirely unornamented windows, so different from the later work of
Dalmeny or Leuchars, confirm this opinion. By a charter bearing date
14th February 1390, King Robert II. endowed the altar of the chapel of
St. Margaret the Queen, in Edinburgh Castle, with a yearly rental of
eight pounds, but which was subsequently transferred to the chapel of
St. Mary the Virgin, in the same fortress, probably erected at that
period, and only demolished towards the close of the last century.[639]
The great improbability of the oratory of Queen Margaret having been
demolished, and so small and plain a chapel built in her honour either
in the reign of Alexander or David, seems to render the conclusion
unavoidable, that the interesting little chapel of St. Margaret is
directly associated with the pious queen, to whom there can be little
doubt Shakespear alludes in Macbeth, though he makes Macduff speak of
her not as the wife but the mother of Malcolm:--

    "The queen, that bore thee,
    Oftener upon her knees than on her feet,
    Died every day she lived."[640]

The portions which remain of the original Romanesque structure of
Alexander I.'s foundation on Inchcolm, erected about 1123, are
characterized by the same unornate simplicity; nor is it till the
reign of David I. that we have any certain examples of the highly
decorated late Romanesque work. Even in the Abbey of Jedburgh much of
the original work is heavy and plain, compared with the singularly
rich details which lighten the solid masses of Kelso Abbey. Of
Holyrood Abbey, founded by David I. in the same year with that of
Kelso, comparatively little use can be made in fixing the chronology
of Scottish medieval architecture. From its vicinity to the capital,
and its long occupation by the Court, every invading army spoiled or
burnt it, and almost every abbot made some new additions or repairs,
till it has become a complete ecclesiological enigma. In the cloister
doorway, on the south side of the nave, it presents undoubted remains
of the original foundation of David I. The west tower, the arcades in
the aisles, and various other portions, indicate that the main walls
of the building belong to the transition-period, prior to the complete
development of the First-pointed style; most probably in the minority
of Alexander III. The great west doorway and the centre aisle are in
the very best style of late First-pointed; while the external north
wall and its richly decorated buttresses, as well as various additions
on the south side, are reconstructions of Abbot Crawfurd, who succeeded
to the abbacy in 1457, as appears from his arms still visible on
various parts of the new work. The unique windows of the west front,
with segmental arches and nondescript tracery, though bearing some
resemblance to portions of the palace in Stirling Castle, ascribed to
the reign of James IV., will, we suspect, be more correctly assigned
to the era of his unfortunate descendant, Charles I., whose cipher is
carved on the beam of the great doorway below. The beautiful arcade of
early but unusually rich First-pointed work, and with sculptured heads
in the spandrils, which adorns the west front of the tower, is in some
respects unique, and is certainly unsurpassed in the richness of its
details by any contemporary work.

[Illustration]

[Illustration: Section of Arch Mouldings.]

[Illustration: Section of Pier.]

The cathedral of St. Magnus at Kirkwall, in the Orkneys, has already
been referred to as an exceedingly interesting specimen of late
Romanesque work, commenced about the year 1136; so that from the banks
of the Tweed to these remote northern isles we find the Romanesque
style universally adopted in the first years of the twelfth century.
One curious and unique example of this period, however, must not be
overlooked. The remarkable little church and tower of St. Rule, at St.
Andrews, have excited scarcely less interest than the round towers of
Brechin and Abernethy, and have been the subjects of equally vague
speculations. The slender tower, measuring upwards of an hundred feet
in height, by twenty feet eight inches in breadth at base, while the
choir is only thirty-one and a half feet long,[641] is well calculated
to arrest the attention, though the edifice is, as a whole, more
remarkable for its singular and perfectly unique features than for
the grace or consistency of its proportions. The remarkable excess in
height over all the other measurements of the tower prevails, though
to a less extent, in the entire design. The accumulated soil covers
the bases of the columns of the chancel arch, and thus detracts from
this peculiar characteristic of the primitive metropolitan cathedral;
but even now, while the interior of the choir measures only nineteen
feet ten inches in breadth, the present height of the chancel arch
is twenty-one and a half feet, and that of the arch in the tower,
formerly connecting the nave and choir, is twenty-four feet two inches;
from the floor to the top of the side walls is twenty-nine feet seven
inches, and to the apex of the original high-pointed roof, as shewn
on the tower wall, is fifty-five feet five inches.[642] Assuming the
existence of three steps at the chancel arch, we shall not probably err
in adding to all the latter measurements at the least from four to five
feet, thereby presenting a remarkably striking contrast to the very
narrow proportions of the choir. The details are extremely simple. The
sections of the piers and arch mouldings of the chancel figured here
will suffice to shew that they partake somewhat of the meagreness of
the larger features, while they are entirely devoid of the massiveness
so peculiarly characteristic of the older Romanesque. Nevertheless,
in this, as in other details of the building, the architect has shewn
much ingenuity in economizing the limited means and materials at his
command: the tenuity and apparent meagreness of design of the chancel
arch, as seen in section, producing in reality an effect of greater
breadth and solidity than a number of less distinct and boldly relieved
features could have effected. The columns are finished by simple
double-cushioned capitals, surmounted by a plain chamfered abacus,
from which springs the arch, one of the most singular features of this
curious building. Its details are shewn in the section, but the arch
considerably exceeds a semicircle; and mounted on its lofty piers,
with the tall, narrow tower beyond, presents a remarkable but by no
means unpleasing effect. From the excessive height which prevails
throughout all the most prominent features of the church of St. Rule,
it possesses, as a whole, little in common with such sombre and massive
structures as Kirkwall or Dunfermline, or with the more ornate little
Romanesque churches of Leuchars or Dalmeny. Its walls, indeed, which
have so well withstood the tooth of time, are only two feet seven
inches thick. A careful examination of its details, however, leaves
no room to doubt that it belongs to the twelfth century, when the
older Romanesque was being modified by many novel additions prior to
its abandonment for the First-pointed style; and there can be little
risk of error in recognising in the church of St. Rule the basilica
of Bishop Robert, the founder of the Priory of Canons Regular of St.
Andrews, about A.D. 1144. The bishop had much to reform at St. Andrews
ere either his new foundation or his Episcopal see were placed on the
creditable footing in which he left them to his successor; and we may,
with little hesitation, ascribe the singular proportions of the church
of St. Rule to the desire of giving with his first slender means the
utmost dignity that they admitted of to the metropolitan church. The
early chapter seals of St. Andrews afford some of the few undoubted
examples of a designed and tolerably accurate portraiture of an ancient
church. The oldest of these, a seal attached to a charter A.D. 1160,
but itself no doubt of a somewhat earlier date, shews the miniature
cathedral as it probably originally appeared, with central and west
towers, choir, and nave, but altogether of much smaller dimensions than
the greater number of parish churches. The windows of two lights in
the top of the tower may be compared to the plainer example, divided
by a cylindrical shaft, with cushioned capital, and moulded base, in
the lower part of the tower of Dunblane Cathedral, a fragment of the
first cathedral of St. Blane, possibly of the time of Canmore, and
certainly not later than the reign of Alexander I. But the lighter and
more ornate style of those of St. Rule fully accord with the later date
assigned to it here.

[Illustration: Chancel Arch, St. Rule's.]

Specimens of Romanesque parish churches are by no means rare in
Scotland. Besides those of Leuchars and Dalmeny may be named
Duddingston, Ratho, and Borthwick, Mid-Lothian; Gulane, East-Lothian;
Uphall, Abercorn, and Kirkliston, West-Lothian; St. Helen's,
Cockburnspath, Berwickshire; Mortlach and Monymusk, Aberdeenshire; St.
Columba's Southend, Kilchouslan, Campbeltown, and the beautiful little
ruined church of St. Blane, on the island of Bute, with its Romanesque
chancel arch and graceful First-pointed chancel; besides various others
more or less perfect still remaining in Argyleshire--all presenting
interesting features illustrative of the development of the Romanesque
style in Scotland, and furnishing evidence of the great impetus given
to church building at the period.

Such was the change effected on Scottish art by the remarkable
historical events which gave the throne of England to the Norman
invader, and established the descendants of the Saxon Alfred on that
of Scotland. For nearly a century the ecclesiastical architecture
of England and Scotland is one in style, coincident in date, and
uniform in the character of details. This unwonted uniformity,
however, is clearly traceable to causes the full effect of which was
ere long modified by other influences. Soon after the introduction
of the First-pointed or Early English style a marked difference is
discoverable, and thenceforth the dates and peculiar characteristics
of the ecclesiastical architecture of the two countries disagree in
many essential points. Notwithstanding the adoption of the somewhat
exclusive term _Early English_ for the First-pointed style, it appears
to have reached its limits at fully as early a period in Scotland as
in England. The choir of Glasgow Cathedral, built by Bishop Jocelin,
between 1188 and 1197, though not to be compared with the Cathedral
of Salisbury in loftiness of proportions, or grandeur of effect as a
whole, is certainly further advanced in the rich and finished character
of its beautiful capitals and other varied details, though the English
cathedral was not begun till A.D. 1220, or thirty-two years later than
that of St. Kentigern. The crypt of Glasgow Cathedral, which formed
the first work of Bishop Jocelin, is not surpassed by any structure
of its class, and hardly indeed equalled by any other crypt in the
kingdom. As a specimen of pure First-pointed work it is deserving of
the most careful study; and the recent judicious restorations effected
under the direction of the late Mr. William Nixon, have rendered it
an object which the student of medieval architecture may visit with
unqualified admiration and delight. So little has hitherto been done
in the way of investigating the history or peculiar character of
Scottish Ecclesiology, that very few examples have yet been assigned
to their true date. It has been customary to ascribe the founding of
the cathedral church of St. Andrews, for example, to Bishop Arnold,
A.D. 1159-1163, and loosely to assume from this that a considerable
portion of it was of that early date. But the mention by Wyntoun of
his interment in the "auld kyrk,"[643] _i.e._, the church of St.
Rule, must be accepted as some indication that the new cathedral had
made no great progress at his death. The beautiful fragment of its
choir which still remains may with little hesitation be ascribed to
the later episcopate of Bishop William, A.D. 1202-1233; during whose
occupation of the see we have evidence of considerable building being
in progress. Specimens of pure First-pointed work are by no means
rare in Scotland, ranging from the stately cathedral of St. Mungo,
or the ruined abbey of Dryburgh, to the chancel of the lovely little
church of St. Blane in the Isle of Bute. But with the exception of the
magnificent fragments of the abbey of Aberbrothoc which still remain
to us, no more characteristic specimen of the peculiar style which
arose in Scotland in the reign of William the Lion can be referred
to, than the three eastern bays added to the old Romanesque cathedral
of St. Magnus, in the remote Orkneys. The details are indeed for
the most part First-pointed, and the piers beautifully moulded and
clustered shafts, but the arches that rise from them are of the same
form as those of 1136, though also richly moulded in conformity with
the style which superseded the Romanesque in the latter part of the
twelfth century. Such work can neither be consistently classed with
the true First-pointed, of which Glasgow Cathedral is a type, nor
with the later Scottish Decorated. Down to the close of Malcolm IV.'s
reign the ecclesiastical architecture of Scotland and England may be
held to coincide alike in style and date: the Scottish First-pointed
being upon the whole both earlier and more fully developed than the
corresponding English style, according to the chronology assigned
by Mr. Rickman. But with the first symptoms of transition the
ecclesiastical architecture of Scotland begins to assume its peculiar
characteristic features, marked by a return to the use of the
semicircular arch, and a preference of circular to angular details,
employed not indiscriminately or at random, but on a fixed principle,
along with the consistent use of the pointed arch, and of details
peculiar to the later styles. The fact of such peculiarities is more
easily demonstrated than its cause. The intimacy and interchange of
races with England under Malcolm Canmore, and the complete assimilation
of the Church of Scotland to that of England, abundantly account for
the uniformity of the English and Scottish Romanesque Period. Perhaps
we shall not overrate the effect of the profuse zeal and liberality
of David I., and the fruits of his example, in assuming that the very
numerous specimens of beautiful late Romanesque work, on every scale,
from cathedrals and abbeys, to simple little village churches, built
almost entirely in his reign, may not have been without their influence
in stamping some of its most marked types with an enduring authority
on the national mind--in all periods of its history characterized by a
certain tenacity of adherence to a favourite idea. Be this, however,
as it may, the retention of the use of the semicircular arch, and of
forms of the same type, after their abandonment in the ecclesiastical
architecture of England, becomes the source of a style peculiar to
Scotland, and which it has been too much the custom hitherto to regard
as a mere provincialism little worthy of note. The worst fruit of this
has been, that our ancient Scottish edifices have been remodelled
in accordance with rules derived entirely from contemporary English
models; and our architects have employed themselves for nearly half a
century in deliberately obliterating the most characteristic features
of native art.

The influence which stamped its character on the age of David I.
was more ecclesiastical than civil. The intercourse with England,
though not uninterrupted, continued during his reign and that of his
imbecile successor sufficiently close and frequent to account for
much similarity in the arts and manners of the two kingdoms; nor was
it till the quarrel of William the Lion with Henry II., in 1172, his
subsequent imprisonment, and the disputed claims of independence both
of the Church and Crown, that the effectual alienation took place from
which we may trace in part the divergence of Scottish from English
models. The claim of the dependence of the Scottish Church on the
English archbishops was probably more effectual than any civil change
in severing the two Churches, with all that pertained to them. But
before this lasting disruption took place, the First-pointed style had
been fully developed, and was already expanding into the rudiments of
the next transition. There were indeed constructed, to some extent
contemporaneously, works in what may be correctly enough styled the
Early English, or pure First-pointed style, of which Glasgow choir
is an example, and others like the abbey of Aberbrothoc, essentially
peculiar in many respects. To the latter I would propose to apply the
term, _Scottish Geometric_, reserving for the more elaborate style,
ultimately developed after the War of Independence, the name of
_Scottish Decorated_.[644] The choir of Glasgow Cathedral exhibits a
series of extremely interesting examples of the pierced interspaces
of the First-pointed window, in which the tracery of the Decorated
Period originated; while the nave of the same beautiful edifice, the
work of Bishop William de Bondington, 1233-1258, is no less valuable as
an example of the succeeding stage, where the grouped lancet windows
have given place to a pointed arch divided by plain mullions and
intersecting tracery into several lights, which again have in some
cases been filled in with geometric figures, still very partially
blended into a homogeneous or consistent whole. The circular arch,
however, was never totally abandoned. In the chapter-house of the abbey
of Inchcolm, for example, a beautiful little octagonal structure of
two floors, the doorway is a semicircular arch, though with mouldings
entirely of the later style; the chapter-house is lighted with small
lancet windows, while the chamber above has corresponding apertures
with semicircular heads. This preference of the semicircular arch,
especially for doorways, was never afterwards laid aside. The great
west entrance of the magnificent abbey of Aberbrothoc, founded by
William the Lion in 1178, is an exceedingly rich and beautiful
Scottish doorway of the period, presenting in its details the blending
of forms derived both from the Romanesque and First-pointed styles.
The entire building furnishes a most interesting example of the
peculiarities of early Scottish Gothic, marking, as I conceive, the
historic epoch in which the native styles had their rise. In the
south transept, for example, this is exhibited with great freedom
and variety of character. Three tiers of arcades decorate the wall:
the lowest consists of a series of equilateral pointed arches, each
filled with a cusped trefoil head, and ranging with and repeating the
same mouldings is a small but finely proportioned semicircular headed
doorway. The arrangement is exceedingly happy, admitting of the greater
breadth of doorway without breaking the line formed by the top of the
arcade, or disturbing the uniformity of its series of engaged shafts.
So far from seeming to be incongruous, it has a most harmonious effect
to the eye. Above this is a second arcade, composed entirely of the
lancet arch; while the third, or highest tier, consists of a series of
semicircular arches, forming the continuation of the triforium, so that
the arrangement of the orders seems deliberately reversed. The pleasing
effect of the whole can only be judged of when seen _in situ_.

Meanwhile the arts continued to progress, advancing towards more
complete development of the medieval architecture, then common in all
its most essential features to nearly the whole of Europe. The Canons
of the General Council of the Scottish Church, in 1242, preserve to us
a remarkable ordinance for an annual national collection throughout
the kingdom in aid of the building of Glasgow Cathedral, the present
nave of which was then in progress. The translation of the relics
of St. Margaret to the choir of Dunfermline Abbey, in 1250, marks
the completion of that interesting contemporary work,--now unhappily
replaced by a pseudo-choir in the style of the year 1820. Works
manifestly of the same period, and more markedly Scottish, are still
common in many districts: as in parts of Dunblane Cathedral, of Paisley
Abbey, Brechin Cathedral, the east end, and other portions of the
Cathedral of the Orkneys, &c. But a great revolution was at hand,
which abruptly severed the already loosening cords that for a time had
brought the ancient kingdoms and the Churches of Scotland and England
into unwonted unity of purpose and feeling. In 1285 died the wise and
good king, Alexander III., leaving his kingdom to all the miseries
of a divided regency and a disputed succession. Margaret of Norway,
granddaughter of Alexander, an infant, at a foreign court, had been
acknowledged the heir to the crown of Scotland very shortly before
the sudden death of the king. Eric, king of Norway, alarmed at the
dissensions among the Scottish regents, appealed to Edward of England
to interpose, and thus commenced the series of memorable events in our
national history, ending in the war of independence, which placed the
Bruce upon the throne, and finally shut out England from all influence
on Scottish policy or art. Thenceforth to have "an English heart" was
the Scottish name for treason; and the term deliberately applied even
in the Acts of the Scottish Parliament to their southern neighbours is
"our auld enemies of England."

The year 1306, in which Robert Bruce ascended the throne of his
ancestors, almost exactly corresponds with the date (1307) assigned by
Rickman for the close of the First-pointed or Early English style. But
meanwhile a period of division, anarchy, and bloody war, had lasted
in Scotland for upwards of seventy years, during which the only arts
that found encouragement were those of the armourer and the military
architect; nor was this state of things brought to a close twelve
years after the coronation of the Bruce, when, in the year 1318,
the Pope, John XXII., the obsequious tool of England, renewed the
excommunication of Clement V. against the king and all his adherents.
The very registers and chartularies are ominously silent; though here
and there we find evidence that the old spirit of pious largess to
the Church was only temporarily overborne by the stern necessities
of the time. Bishops and abbots meanwhile fought alongside of their
fellow-countrymen in the foremost of the fight, or, like the good Abbot
of Inchaffray, animated them to strike for liberty and independence.
The results of all this are abundantly apparent in the earliest
succeeding examples of ecclesiastical architecture. They partake of the
mingled features of the First and Middle-pointed styles, and are in
many cases characterized by a degree of plainness and meagre simplicity
which renders the application of the term _Decorated_ occasionally
very inappropriate to what contain, nevertheless, the rudiments of the
style. What marks them still more with a novel character are features
such as the unusually small side doorways, the small windows, the
single aisle, and, above all, the plain vault, whether pointed or
round, all of which appear to be traceable to the almost exclusive
devotion to military architecture by the builders of that age. The
Church was then _militant_ in a peculiar sense, and found it difficult
to reassume the fitter and more becoming garb of peace.

The plainest, as well as the most ornate Scottish ecclesiastical
structures subsequent to this date, almost invariably exhibit some
interesting evidence of the adherence to the use of the semicircular
arch, and its cognate forms, not only in doors, windows, and arcades,
but in the tracery of pointed windows, which at length resulted in the
peculiar style of Scottish Decorated Gothic. The Scots, in truth, did
of necessity, and undesignedly, what the modern artists, especially
of Germany, have affirmed in their practice to be indispensable to
the revival of art. They returned nearly to the rudiments of pointed
architecture, and wrought out a system for themselves. From this date
the rules of English ecclesiology can only mislead the student of
Scottish ecclesiastical architecture.

The choir of the singular church of the monastery of Carmelites or
Whitefriars, at South Queensferry, founded by Dundas of Dundas in
1330, is an exceedingly interesting specimen of the simple style of
the period. The windows, which are few and small, divided by plain
mullions, with no other tracery than their bending into lancet and
interspaces in the head; the roof a plain vault without groining,
and with a singularly sombre look from its entire elevation above
all the windows except at the east end, there being no aisles, and
consequently no clere-story; the piscina, on the south side, a recessed
pointed arch, neatly moulded, but without cusping or other ornament;
the sedilia alongside of it, a flat-arched recess, rounded off at the
angles by a segmental curve, and divided into three spaces only by
pendant mouldings or cusps, too imperfect now to shew exactly what they
may have been: all these are characteristic chiefly of the extreme
simplicity of the details. But here also the semicircular arch occurs.
The credence in the east wall, on the north side of the altar, is
recessed with mouldings nearly similar to the piscina, and like it with
all the mouldings sunk within the recess, but with a rounded instead
of a pointed arch. The priest's door, on the south side of the choir,
is of the same form externally, though square-headed within; and a
plain ambry occupies the north wall, directly opposite to the piscina.
The eastern gable of the church is decorated externally in a novel
manner with a niche and various heraldic devices, probably of later
date, and coeval with the nave and south transept, which are curious
specimens of the Perpendicular style.[645] This extremely interesting
example of an important period of Scottish Ecclesiology is generally
overlooked, though it lies within a mile of Dalmeny, the favourite
example of the parochial church architecture of the twelfth century.
Its very existence is probably unknown to thousands who annually pass
the neighbouring ferry, as it lies beyond the route of travellers going
to the north.

The little ruined church of the village of Temple, East-Lothian,
is another simple but pleasing specimen of the transition from the
First-pointed to the Scottish Decorated style. Two long, narrow lancet
windows, now blocked up, probably indicate the original character of
the whole structure. The large east window is divided into three lights
by mullions and intersecting tracery in the head, into the two largest
openings of which plain circles are inserted. Still simpler is the
arrangement in the smaller windows on the south side. They are divided
into three lights, the mullions forming pointed heads at the two side
lights; but instead of being continued so as to form intersecting
tracery in the central space, a large circle is inserted between the
pointed heads of the side lights, the lower segment of which finishes
the head of the central light by its inverted curve. In this extremely
simple combination may be traced the rudiments of the beautiful and
richly decorated window in the south transept of Melrose Abbey. The
same mode of filling up the head of the window with circles inserted
in the intersecting tracery, may be seen on a large scale in the two
great windows of the west front of Paisley Abbey, founded by Walter,
the second of the family, Steward of Scotland, about 1163,[646] for
monks of the Cluniac order of reformed Benedictines. It likewise
occurs in some of the original windows of Glasgow Cathedral; while the
partial development of the same simple combinations, into intricate
and beautiful forms is most happily illustrated in the tracery of the
south side of the nave, evidently an insertion of later date than the
building, the north windows of which remain unaltered.

[Illustration]

A decorated window in the west gable of Paisley Abbey, belonging to
a period fully a century later than the lower portion of the same
front, exhibits the preference for the circular instead of the ogee
arch, which would have been combined with the other features of
its tracery in any English example of the style. The round-headed
light is found to prevail alike in the plainest and the most ornate
tracery, from the abandonment of the First-pointed style about the
middle of the thirteenth century, till the final close of Scottish
medieval ecclesiology in the troubled reign of James V. The curious
but remarkably simple window figured here is one of the original ones
in the nave of the beautiful little collegiate church of Corstorphine,
near Edinburgh, founded by Sir John Forrester in 1429. But it is not
in such minor features as tracery heads only that the rounded arch is
employed. Throughout the whole period from the introduction of the
Scottish geometric Gothic, in the reign of William the Lion, till the
abandonment of medieval art, it continued to be used interchangeably
with the pointed arch wherever convenience or taste suggested its
adoption. In the triforium of Paisley Abbey one of the most remarkable
examples occurs of its use in common with the later form of arch in the
main features of the architectural design. Corresponding in breadth to
each bay of the nave is a large semicircular arch spring from short
clustered columns, with moulded capitals, nearly resembling those of
the plainer First-pointed pillars of the nave. The rich mouldings of
the triforium arch are recessed to the same depth as the pointed arches
below, and are again subdivided by a slender clustered column into two
pointed and cusped cinquefoil arches, with a quaterfoil in the space
between. A similar arrangement, though executed in a less ornate style,
occurs in the nave of Dunkeld Cathedral, the work of Bishop Robert de
Cardeny, 1406,[647] while the practical end in view may be observed
in the nave of Holyrood Abbey, where a constructive semicircular arch
is thrown from pillar to pillar at the same elevation, though there
concealed by the triforium screen. The object in both cases obviously
was to throw the principal weight upon the supporting columns of the
centre aisle. These examples serve to shew the interchangeable use of
the round and pointed arch by the Scottish architect as it best suited
his purpose, or harmonized with the general arrangements of his design.
So also in the doorways, the clere-story windows, and the tracery,
the rounded arch is systematically used in the Scottish Decorated
period interchangeably with the later pointed forms. But the taste
for rounded forms also manifests itself in other ways: in circular
turret stair-cases, as at Linlithgow, and formerly in that attached to
the beautiful south porch of St. Giles's, Edinburgh; and again in the
vaulted roofs of belfry towers, where the converging ribs meet in a
large open moulded circle, as at St. Giles's, Edinburgh, St. Michael's,
Linlithgow, the collegiate churches of Seton and Torphichen, and till
recently in the rich groining, springing from large half figures of
angels bearing shields and scrolls, of the plain west tower of Glasgow
Cathedral,--most injudiciously removed to restore the west front to
a uniformity which but poorly repays the idea of size and elevation
formerly conveyed by the contrast between the central and west towers.

Examples of the semicircular-headed doorway are of constant occurrence
throughout the whole Scottish Decorated period, accompanied with the
utmost variety and extent of decoration. The west door of the Abbey
Church, Haddington, is a very pleasing example of two orders repeating
the favourite roll-and-fillet moulding, with a deep hollow between
filled with floriated decoration. It is divided into two doorways by
a central shaft, and both it and the jam-shafts have richly floriated
capitals and moulded bases. The triple, round-headed windows of the
tower, and indeed the whole style of its decoration, are no less
markedly characteristic of the peculiarities of the Scottish Decorated
period. A still more beautiful doorway, of similar construction,
formed, till the year 1829, the entrance to a chapel added to the south
aisle of the collegiate church of St. Giles at Edinburgh in 1387. It is
now rebuilt between two of the pillars of the central tower, but shorn
of many of its finest adjuncts. Similar illustrations might be greatly
multiplied, as in the vestry door of the cathedral at Iona, filled
in with a trefoil arch; in the beautiful cloister doorway of Melrose
Abbey; in the gracefully proportioned priests' door of the collegiate
church of Seton, on the south side of the choir, adorned with the arms
of Sir William Seton on a shield couche, about the year 1400, but more
probably the work of his son; who was buried there in 1441; and in the
richly decorated south doorway of Holyrood Abbey, with ogee canopy,
and flanking buttresses, the work of Abbot Crawfurd about 1458. The
same form of doorway was to be seen, accompanied with several varieties
of detail, in the collegiate church of the Holy Trinity at Edinburgh,
founded by Mary of Gueldres, the widow of James II., in 1462, and
recklessly demolished in the progress of the North British Railway
operations in 1848. In some respects this was the finest example of
late decorated work in Scotland. The entrance from the north transept
to the chantry chapel, latterly used as the vestry, was by a neat
round-headed doorway, with a simple roll-and-triple-fillet moulding,
with a broad hollow externally running continuously round the arch, and
with a hood-mould enriched with flowers in the hollow, springing from
moulded corbels.

[Illustration]

Another small round-headed doorway, with a similarly decorated hood
moulding, but with engaged jam-shafts with moulded capitals and bases,
latterly blocked up, had formed the entrance to the north transept; and
a large one, of like construction, but with the rich mouldings in the
jams carried round the head of the arch, without capitals, was placed
within a groined porch formed in the angle of the south transept, and
formed the principal entrance to the church. The decorations of this
fine doorway consisted entirely of a series of filleted quarter-roll
mouldings, continued round the recess of the doorway without any
break. The most beautiful portion of the whole building was the richly
decorated groined roof of the choir and apse, with its vaulting shafts
springing from corbels sculptured into all manner of grotesque forms
of imps, grinning masks, and caricatures of monks and friars, such as
the one here figured, which projected nearly over the site of the old
high altar, as if in purposed mockery of the rites on which it seemed
to look down. Yet above these unseemly drolls rose the ribbed groins
of the beautiful roof, in its eastern portion especially, hardly to
be surpassed in chaste design or elaborately varied details. In this
point, however, it more nearly approximated to the usual arrangement
of English roofs, being enriched with clustering ribs and bosses,
and divided by transverse pointed arches into vaulted bays. The most
striking peculiarity in the Scottish stone roof-work is the use of
the single vault instead of the transverse groined vaulting, deemed
essential elsewhere to ecclesiastical roofing. In its earliest and
simplest forms, as in the choir at South Queensferry, it differs
in no way from the contemporary baronial halls, as at Borthwick or
Crichton, from which it appears to have been directly derived. It is
probable, however, that pictorial decoration was employed to relieve
its otherwise bald surface, as was certainly the case in the baronial
halls, traces of which still remain both at Borthwick and Craigmillar.
It continued in use to the last in this very simple form, where little
decoration was required, as in the muniment room of the church of
the Holy Trinity at Edinburgh, while the choir of the same building
presented one of the chastest and richest specimens of a groined vault
in Scotland.

The single vaulted church roof, so like that of the baronial hall, may
be very fitly traced to the almost exclusive occupation of Scottish
builders, for nearly a century previous to its introduction in military
architecture. But while retaining its form they speedily learned to
restore it to harmony with the decorated work below. The chapel of St.
Mirinus, more frequently termed the sounding aisle, attached to the
south side of Paisley Abbey, furnishes a remarkably beautiful specimen
of a ribbed roof of this simple form, treated with great variety, and
an ingenious adaptation to the variations in the walls from which it
springs, which shews how entirely the architect was familiar with
this style of vaulting, so little known elsewhere. The choir of the
collegiate church of Bothwell, founded by the grim Earl of Douglas in
1398, is another very fine example, in which the richness of details
abundantly proves that economy had no influence in the choice of this
favourite form of ceiling. Another magnificent specimen of the richest
style of Scottish decorated Gothic is Lincluden Abbey, the work of the
same grim Earl; but its graceful vaulting-shafts no longer sustain
the branching ribs of stone. The choir at Seton is a plainer and less
complete example. Only the eastern portion, including the apse, is
decorated with moulded ribs, which spring from sculptured corbels, and
meet in the ridge rib, where they are tied by equally fine bosses at
the intersections. George, second Lord Seton, is said by the historian
of the house of Seton to have "pendit the choir and biggit the
vestry," about the year 1493;[648] but the chronology of this work is
manifestly wrong in some places, and is altogether a very unsafe guide
for the ecclesiologist. In nearly all those examples no side aisles
exist, and they are indeed very generally confined in Scotland to the
largest collegiate and abbey churches, being introduced evidently
less for ornament than for use, where an unusual amount of space was
required. Occasionally even the semicircular arch is employed in the
roof, as in the Lady Chapel at Roslin, where the greater elevation of
the pointed arch would be objectionable from its peculiar position. The
choir of the beautiful little cross-church of St. Monance, Fifeshire,
finished apparently in 1369, furnishes an interesting example of the
transition to the transverse vaulted roof, the ridge ribs of the
cross-vaults being bent down about half-way from the centre, where they
diverge from a boss into three groin ribs, the centre one springing
nearly from the top of each window, which is as usual considerably
below the vaulted roof. The choir-roof of the collegiate church of the
Holy Trinity at Edinburgh, A.D. 1462, may be considered as marking the
period when the peculiar Scottish vaulted roof was generally abandoned,
though more than one interesting example of its use at later dates
remain to be noticed. It is retained in the older portion of the north
aisle of the choir of St. Giles's Church at Edinburgh, while the two
eastern bays, as well as the beautifully groined centre aisle, the work
of the same period as the collegiate foundation of Mary of Gueldres,
are in conformity with the newer style.

The same convenience which suggested the use of the round instead of
the more elevated pointed arch, also occasionally led to the use of
the still more depressed segmental arch, as in the chantry doorway at
Bothwell; or even to the two-centred flat arch with segmental curves,
as in the great doorway of the beautiful screen and organ-loft at
Glasgow, and in a smaller doorway, the work of Abbot Crawfurd, circa
1460, now built into the east arch of the north aisle of Holyrood
Abbey. The segmental arch is most frequently employed in monumental
recesses, as at St. Bridget's Douglas, St. Kentigern's Borthwick,
and in the choir at Seton; but other Scottish churches exhibit the
semicircular arch employed for the same purpose, as in the magnificent
tomb of Margaret, countess of Douglas, at Lincluden, and in the
recesses under the great north and south windows of the transepts at
Seton. One of the most beautiful Scottish examples of a late segmental
arched doorway, which is figured here, is that of the vestry or chantry
chapel of Bothwell Church, Lanarkshire.

[Illustration: Bothwell Chantry Door.]

[Illustration: Dunkeld Cathedral.]

[Illustration: St. Michael's, Linlithgow.]

The window tracery of the same period, and accompanying the other
features of the Scottish Decorated style already described, partakes
of the like character and forms. The pointed window-head is subdivided
by round-headed lights, and these again are filled in with foliated
details, the result of which is exceedingly pleasing in the best
examples, from the striking contrasts produced by the combination
of pointed and circular forms, as well as from the flowing tracery
frequently resulting from the union of the two, and producing the
pear-shaped light which predominates in Scottish Decorated tracery.
This latter source of expression has led some writers to describe
Scottish tracery as exhibiting an approximation to the French
flamboyant style. Nothing, however, can be more unwarranted. The ogee
form is almost never designedly adopted, and even seems to be often
purposely avoided, as in the Paisley window already cited, and in many
similar examples. The window figured below, from the south aisle of
the nave of Dunkeld Cathedral, is a very characteristic example of the
mode of introducing the circular and semicircular forms, to modify the
ogee tracery lines which so greatly predominate in the true French
flamboyant. The multiplication of descriptions of minute details of
tracery could, however, very partially serve to convey any distinct
idea of the peculiar characteristics of Scottish window tracery.
The woodcut of one of the windows on the south side of the nave of
St. Michael's Church, Linlithgow, may suffice as a characteristic
illustration of the most familiar combinations of the style. Another
though greatly inferior example of the same class of Scottish Decorated
tracery from Melrose, is engraved in the Glossary of Architecture.
(_Plate_ CCXLVIII., vol. iii.) One remarkable Scottish specimen of
ecclesiastical architecture must not be omitted to be noticed, as a
singular instance of the local peculiarities developed by the building
materials of particular districts. The west front of the cathedral of
St. Machar at Old Aberdeen, is chiefly curious as shewing the form
which the style assumed when produced with the intractable granite
of the country. Its erection dates about 1380-1400;[649] but instead
of one large west window, divided by light monials and tracery into
numerous lights, the breadth of front is filled in with a series of
tall, narrow, lancet-like, but round-headed windows, with no other
ornament than a cusped trefoil in the head. The towers on either side
are equally simple and unornate, and are chiefly interesting as genuine
specimens of granite Gothic, of which the modern town exhibits some
more ornate, but greatly less satisfactory examples.

Another peculiar use of the semicircular arch is in clere-story
windows, as in the choir of the remarkable little cathedral of Iona,
built by Abbot Finlay, in the reign of Robert the Bruce, _i.e._, prior
to 1329;[650] in the nave of Sweetheart Abbey, erected, according to
Fordun, in 1275; and in the large collegiate church of St. Michael
at Linlithgow, perhaps added after the conflagration of the church
mentioned by Fordun as occurring in 1424. The latter windows are
divided by a neat mullion into two lights, with trifoliated pointed
heads. In this church may be also noted the occurrence of corby-stepped
gables, a favourite feature of Scottish domestic architecture,
occasionally transferred to ecclesiastical edifices. Interesting
examples of the tall, narrow, round-headed window, occur in the private
chapel of the neighbouring palace. Among the decorations of Linlithgow
Church should also be noted the shields attached to the columns, and
wrought into the bosses of the roof. These are of frequent occurrence
in Scottish churches. They abound in the beautiful ruin of Lincluden
Abbey; and are also employed in a peculiar manner as decorations of the
capitals of pillars, where they have frequently an exceedingly bold
effect, as in the eastmost pillars of St. Giles's choir at Edinburgh,
and also in the Rothesay chapel, in the nave, where large shields,
blazoned with royal and noble arms, project from the cardinal faces of
the abaci, and overhang the lower mouldings of the capital.

[Illustration: Bishop Kennedy's Arms, St. Giles's.]

No mention has yet been made of the celebrated collegiate church of
Roslin, founded by William St. Clair, Earl of Caithness, in 1466,
because it has hitherto been usual to regard it as an altogether unique
architectural monstrosity. It will be seen, however, from the preceding
sketch of the most characteristic peculiarities of the Scottish
Decorated style, that many of the most remarkable features of Roslin
Chapel are derived from the prevailing models of the period, though
carried to an exuberant excess. The circular doorway and segmental
porch, the dark vaulted roof, and much of the window tracery, are all
common to the style. Even the singular arrangement of its retro-choir,
with a clustered pillar terminating the vista of the centre aisle, is
nearly a repetition of that of the cathedral of St. Mungo at Glasgow.
Various portions of other edifices will also be found to furnish
examples of arrangement and details corresponding with those of
Roslin, as in the doorway of the south porch and other features of St.
Michael's, Linlithgow, and also in some parts of the beautiful ruined
church of St. Bridget, Douglas. It is altogether a mistake to regard
the singularly interesting church at Roslin, which even the critic
enjoys while he condemns, as an exotic produced by foreign skill. Its
counterparts will be more easily found in Scotland than in any other
part of Europe. It is a curious fact, worthy of note in passing, that
only twenty-two varieties of mason's marks occur throughout the whole
building, indicating perhaps the number of skilled workmen to whose
elaborate art we owe its intricate and endless variety of sculptured
details. Among these, notwithstanding the many descriptions and
drawings which have been made of the chapel, it is little known that
there exist the remarkable series of medieval religious allegories--the
seven acts of mercy, the seven deadly sins, and the dance of death:
the latter including at least twenty different groups and scenes--as
strange a story as was ever told in stone.

From some of the few dates which have been given it will be perceived
that the close of the Scottish Decorated period is as totally
disconnected with that of England as is the development of its peculiar
and most characteristic features. The large collegiate church of
St. Giles at Edinburgh, the cathedral of the bishopric during the
brief period of the existence of the see, exhibited, till its recent
remodelling, a most interesting progressive series of examples of this
style, from its simplest to its latest pure state. The destruction
of so much of this by the misdirected zeal of modern beautifiers
is a source of just regret to the Scottish ecclesiologist, as the
dates of many of the additions were ascertainable, and afforded a
safe guide in tracing out the gradual development of the style. But
enough still remains in the interior to be well worthy of study. The
oldest portion is the north aisle of the choir, with its longitudinal
vault, shewing what was the style of the centre aisle of the nave
previous to 1829, and also of the choir prior to the erection of the
present beautiful clere-story about 1466. The date of the north aisle
may not improbably be yet ascertained precisely; meanwhile, in the
absence of such evidence, its mouldings and other details appear to
justify the assignment of its erection immediately after the burning
of the church and town by Edward III. in 1355. A charter of David II.,
dated A.D. 1359, confirms under the great seal the endowment of the
altar of St. Catherine there with the upper lands of Merchiston. Like
the neighbouring abbey, however, it was repeatedly spoiled, burned,
repaired, and rebuilt. In the archives of the burgh a contract is
still preserved made in the year 1380 between the Provost and certain
masons to vault over a part of the church,--probably the simple but
fine ribbed vault of the nave demolished in 1829. A small aisle of
two bays, built between the north transept and a fine late Romanesque
porch,--only defaced in the latter end of the last century, and finally
demolished in our own day,--appeared from its style to be of nearly
the same date. The woodcut shews the singular sculptures on one of the
bosses in the eastern bay, which appeared from the original painted
glass formerly in its window to have been the chapel of St. Eloi, the
patron saint of the ancient corporation of Hammermen.

[Illustration]

In 1385 the church was again burned by the army of Richard II.;[651]
and in 1387, as appears by the agreement with "Johne Johne of Stone
and Johne Skayer, masounys," still preserved among the city archives,
the five chapels were added on the south side of the nave. One of
these included the beautiful porch and doorway already described,
which is required by the contract to be "in als gude maner als the
durre standand in the west gavyl of ye foresaid kyrk."[652] From
this, therefore, we may presume that the great west door--demolished
as appears from the burgh records, along with the whole west wall in
1561--was also in the favourite Scottish form of the rounded arch.
Various entries in the accounts of the Great Chamberlain of Scotland,
rendered at the Exchequer between the years 1390 and 1413, shew that
the cost of the restoration of the main building had been borne by
Government, while the city was engaged in extending it by the addition
of a second aisle on the south side of the nave; and to this period
there can be no hesitation in assigning the present south aisle of
the nave,--closely corresponding in style to the five chapels built
in fulfilment of the contract of 1387. The next addition was a second
aisle added to the north side of the nave, forming two bays to the west
of the ancient Romanesque porch defaced in 1760. This beautiful little
fragment still remains, with its light and elegant clustered pillar
adorned with large blazoned shields on a rich foliated capital, from
which spring the ribs of its groined roof and the arches which connect
it with the adjoining aisle. The heraldic devices on the shields
supply a clue to the date as well as to the singularly interesting
associations connected with this portion of the church, from which I
have given it the name of the Rothesay Chapel. They consist of the arms
of Robert Duke of Albany, second son of Robert II., and of Archibald
fourth Earl of Douglas, two Scottish nobles found acting in concert
only on one other occasion, when David Duke of Rothesay was starved to
death in the dungeon of Falkland Palace, A.D. 1401. It seems only a
legitimate inference to assume that this chapel may have been founded
by them as an expiatory offering for that dark deed, and a chaplain
appointed to say masses at its altar for their own and their victim's
souls. A Parliament holden at Holyrood, 16th May 1402, enacted the
solemn farce of examining them as to the causes of the prince's death,
and a public remission was drawn up under the King's seal, declaring
their innocence in terms which leave no doubt of their guilt.[653] It
amply accords with the spirit of the age to find the two perpetrators
of this ruthless murder, after having satisfied the formalities of an
earthly tribunal, proceeding to purchase peace with heaven.

[Illustration: Rothesay Chapel, St. Giles.]

The next addition to the Collegiate Church was the Preston aisle,
added to the south side of the choir by William Prestoune of Gortoune
in 1454, agreeably to a charter setting forth the great labour and
charges of his father, "for the gettyn of the arme bane of Saint
Gele--the quhilk bane he freely left to our moyr Kirk of Saint Gele
of Edinburgh." The curious charter has been repeatedly printed.[654]
The chaste and highly decorated groining of this portion of the church
shews the progress of the style, which is still farther illustrated
by the beautiful clere-story and east bays of the choir, added about
the year 1462,[655] at which time the burgh records furnish evidence
of considerable work being in progress. The latest addition to the
metropolitan church, with the exception of the rebuilding of the
beautiful crown tower in 1648, was the addition of a third aisle of
two bays, in 1513, between the south transept and the porch erected on
the south side of the nave in 1387. This formed a chapel dedicated to
the Virgin Mary and Gabriel the Archangel. It was an example of great
value to the Scottish ecclesiologist, as shewing the adherence to the
Decorated style, and its increasingly elaborate yet chaste adornment
with richly sculptured groining, at that late period, one hundred and
thirty-six years after the date assigned by Rickman for its abandonment
in England. Unhappily only a mutilated fragment of this most
interesting addition to the building survived the operations of 1829.
The favourite and beautiful Scottish crown towers must also be noted,
still preserved in St. Giles's, Edinburgh, King's College, Aberdeen,
and the Tolbooth of Glasgow, but once also surmounting the towers of
St. Michael's, Linlithgow, the Abbey Church of Haddington--styled from
its beauty the Lamp of the Lothians--and also, as seems probable
from its appearance, the lofty tower at Dundee. Nothing could more
effectually demonstrate the total freedom of our native architects
from all English influence than this remarkable disagreement in the
chronology of the styles practised in the two kingdoms; nor must it
be forgot that the passion of the previous sovereign, James III., was
for architecture, and that his favourite councillor and companion was
his architect, Cochrane, who fell a victim to the jealousy of the rude
Scottish barons, excited by the marks of royal favour he received. In
no country of Europe was architecture more zealously encouraged than
in Scotland during his reign. Our Scottish poet Drummond somewhat
quaintly sums up his character in terms more censorious than might
have been expected from his own dalliance with the muses: "He was much
given to buildings and trimming up of chapels, halls, and gardens, as
usually are the lovers of idleness; and the rarest frames of churches
and palaces in Scotland were mostly raised about his time: an humour,
which though it be allowable in men which have not much to do, yet
it is harmful in princes."[656] There was still less need to go to
foreign sources for instruction or for artistic models during the
prosperous reign of James IV., the favourer of learning and the arts;
the patron of our greatest national poets, Dunbar, Kennedy, Gawn
Douglas, and others of the Scottish Makars; of Chepman the introducer
of the Scottish printing-press; and indeed the encourager of all the
most liberal pursuits of a chivalrous age. Under his more popular rule,
architecture was encouraged no less royally than in that of his father,
and excited the Scottish nobles to emulation instead of jealousy.

Dunbar's noble poem of the THRISSILL AND THE ROIS commemorates the
reunion of Scotland and England in the affiancing of James IV. to
the Princess Margaret, daughter of Henry VII. of England in 1501;
and it is curious to note how completely coincident with this is the
manifestation of the influence of English models on the contemporary
architecture of Scotland. The Perpendicular or Third-pointed English
style appears in Scotland as a mere exotic, too temporarily tried to be
properly regarded as a national style, and when used at all, employed
contemporaneously with the pure native Decorated work. The earliest,
and if I mistake not the only entire example of a Third-pointed
building in Scotland is the parish church of Ladykirk, on the banks
of the Tweed, built by James IV. in the year 1500. It is a somewhat
stiff and formal structure externally, betraying the introduction of
an unfamiliar style. In the interior, however, the features of the
older native models predominate, and the plain single vaulted arch
is especially remarkable in connexion with other details of a style
which was wont in the hands of the southern architect to expend its
utmost exuberance in pendants, bosses, and fan-tracery on the groined
roof. The magnificent perpendicular work of the eastern portions of
Melrose Abbey, however, exhibit no such formality or plainness, though
probably a nearly contemporary structure. The arms of Andrew Hunter,
abbot of Melrose, prior to 1453, are cut on one of the buttresses of
the Decorated nave. John Fraser, a later abbot, promoted from Melrose
to the see of Ross in 1485, completed the cathedral at Fortrose; the
pure and elaborate Decorated work of which admits of no unfavourable
comparison with Melrose nave, and shews that we must look to a later
date, and most probably to the following century, for the introduction
of perpendicular details in the completion of its choir. In the
valuable little fragment of the roof of the latter, fortunately still
standing, where all else is gone, we once more see the influence of
Scottish taste modifying the characteristics of the new style. Here
too, instead of the fan-tracery and pendants of contemporary English
roofs, is the Scottish single vault, enriched only with additional ribs
and bosses, but preserving the favourite feature of carrying the roof
completely above the side lights, and making it depend for illumination
upon the great east window. The few other examples of Scottish
perpendicular work which exist are scarcely sufficient to admit of any
general deductions. The semi-hexagonal apse, both at Linlithgow and
Stirling, shew it modified at a later date by native peculiarities,
derived from the favourite Decorated style, and in the latter--ascribed
to Cardinal Beaton--also exhibiting a singular introduction of the
round-headed lights of the earlier period, into the tracery of large
perpendicular windows, as well as a peculiar adaptation of the Scottish
vaulted roof. Both, however, must be regarded as late and somewhat
debased examples. Along with these may also be noted the occasional use
of the square-headed window, as in the chantry chapel of the church of
the Holy Trinity at Edinburgh, and in the clere-story of St. Mary's at
Leith, both destroyed within the last few years. The singular church
at South Queensferry furnishes a very curious example of some of the
features of perpendicular Gothic applied in a novel fashion to an
ecclesiastical edifice. The north wall appears to have been almost
entirely occupied by the buildings of the monastery, so that it is
destitute of ornament, and only pierced with one small pointed window
of one light at the east end of the choir, near to which a round-headed
door--now blocked up--has communicated with the attached buildings.
There is no indication of a north transept having ever existed. Both
the nave and south transept are entirely lighted with square-headed
windows. That of the transept is divided into three lights, neatly
cusped in the head. The west end of the nave is furnished with a window
in the same style, while the door, which is small and plain, is at the
west end of the south side; two other square-headed windows of two
lights fill up this side of the nave, and a large and heavy rectangular
tower, measuring in greatest breadth, from north to south, across
the length of the church, occupies the intersection of the transept
with the nave and choir. Altogether the church is more curious than
admirable as a late specimen of Scottish medieval art.

While this transient attempt at the naturalization of the English
Tudor style of architecture in Scottish art has thus left some few
enduring traces, it is worthy of note that its most characteristic
feature, the four-centred arch, is nearly, if not quite unknown in
Scotland, otherwise than as a modern exotic which figures in the
favourite perpendicular rifacciamentos of ecclesiastical facades,
wedded too often to the bald church or meeting-house with about as much
congruity as the ill-assorted pair that figure in Hogarth's well-known
wedding scene. Whatever might have resulted under more favourable
circumstances, the new style was destined to no full development in
Scotland. By a charter dated 1st August 1513, Walter Chepman, burgess
of Edinburgh, memorable as the introducer of the printing-press to
Scotland, founded and endowed an altar in the south transept, or "Holy
Blood Aisle" of St. Giles's Church, "in honour of God, the Virgin Mary,
St. John the Evangelist, and all saints." It was a period of national
happiness and prosperity, in which learning and the arts met with the
most ample encouragement. Only one brief month thereafter all this
was at an end. James and the chief of his nobles lay dead on Flodden
Field; Scotland was at the mercy of Henry VIII.; the Crown devolved
to an infant; and faction, ignorance, and bigotry replaced all the
advantages of the wise and beneficent rule of James IV. It is not by
slow degrees, but abruptly, like the unfinished page of a mutilated
chronicle, that the history of Scottish medieval art comes to an end.
Yet the favourite forms and mouldings of the Decorated Period lingered
long after in the domestic architecture of the country. The ornamental
ambries found in the castellated mansions, and even in the wealthier
burghal dwellings of the sixteenth and seventeenth centuries, partake
so much of the character of earlier ecclesiastical features, that they
are frequently described as fonts, stoups, or piscinæ; and even when
standing, as is their usual wont, by the side of the huge old fashioned
fire-place, they have been assumed to afford evidence that the domestic
halls and kitchens of our ancestors were their chapels or baptistries.
Some few of these relics of obsolete tastes and manners still linger
about the old closes of Edinburgh, though now rapidly disappearing
before the ruthless strides of modern innovation. The vignette shews
the form of one of these ornamental ambries from a singular antique
mansion in the Old Town of Edinburgh, which bore the date 1557, and was
believed to have been occupied for a time as the residence of the Queen
Regent, Mary of Guise. Another large chamber in the same building bore
evidence of having been at one time used as a private oratory, and in
it was a curious and still more highly decorated niche, which, however,
exhibited somewhat of the debased excesses pertaining to that closing
period in which the pure Gothic passed into the picturesque but lawless
style of the Elizabethan age. Nevertheless its pierced stone-work
served to illustrate the lingering adherence to the earlier national
style of window-tracery far down into the sixteenth century.

[Illustration: Ambry, Kennedy's Close.]

[Illustration: Ambry, Guise Palace.]

Into the characteristics of the later baronial and domestic
architecture of Scotland it is impossible to enter here, though some of
their peculiarities well merit the increased degree of attention they
are now receiving. The picturesqueness of the turret stairs, with their
lintels decorated with monograms and armorial bearings, and inscribed
with quaint legends and pious mottos; the crow-stepped gables, finials,
and dormer windows, and the singular overhanging carved "timber lands"
of the old streets and closes of Edinburgh, are familiar to all. Some
of their features might still be borrowed with advantage to our modern
street architecture; but for the most part they are only valuable as
the memorials of a period and state of society which has for ever
passed away.

[Illustration: Monogram, Blyth's Close.]

Before quitting the interesting subject of medieval architecture as
developed in Scotland, some notice of the ancient and mysterious
fraternity of Free Masons seems necessary in order to embrace one
important source of that singular progressive unity of purpose
traceable throughout the various stages of medieval ecclesiology.
While Free Masonry was denounced in many countries of Europe, and was
placed for a time under the ban of the law by Henry VI. of England, its
chief protector, it appears to have met with no check or restraint in
Scotland; and having been made the subject of special royal favour by
James I., it has ever since continued to be cherished here with greater
zeal than in almost any other country of Christendom. With its modern
existence, however, apart from the practice of the art, we have here
as little to do as with its extravagant claims to an antiquity nearly
coeval with the art of building. We can trace the association of masons
into guilds or corporations in some parts of Europe at the very dawn of
medieval art. In Lombardy such a free guild of masons was established
in the tenth century; and the craft is believed to have first obtained
footing in England under the Saxon king, Athelstane, about the
same period.[657] In Normandy we only discover the rise of such an
association in the middle of the twelfth century; but the practice of
secret combination obviously emanated from an ecclesiastical source.
The whole system of guilds originated, in part at least, in the
necessity of preserving and extending such speculative and practical
knowledge as may now be safely committed to the press. Such a security
for the safe keeping of traditional knowledge was specially required
in regard to architecture, which depends so entirely on combined
operations, and needs the assistance of the chief branches of science
which were carried to any perfection during that period. The whole
decorative arts of the medieval era were subordinate to architecture,
and it was essentially the handmaid of the Church. Ecclesiastics were
at once its patrons and the chief practisers of its highest branches,
so that the establishment of an order which embraced within its
fellowship all the practical artificers as naturally sprung from the
requirements of the Church as its various monastic fraternities. Hence,
wherever any great ecclesiastical work was to be carried on, a guild
of masons was organized, which no doubt soon embraced practitioners of
every requisite branch of art. Accordingly we still find in Scotland
that the oldest masonic lodges are at Dunfermline, Elgin, Melrose,
Kilwinning, Arbroath, Glasgow, and other sites of remarkable early
ecclesiastical edifices, while generally some parish churches or other
minor ecclesiastical edifices still exist within the surrounding
district, betraying traces of the same workmanship as the parent
edifice. To the oneness of belief by which medieval Christendom was
held together under its common head, and to the practical unity of the
ecclesiastical corporation which constituted the Church, apart from the
laity, may be traced the rise and gradual development of the successive
styles of Gothic architecture. But to the operations of the masonic
lodges within their several districts must be ascribed the local
peculiarities and provincialisms which may be detected grouping around
almost every great abbey or other remarkable ecclesiastical structure.
The geographical and political isolation of Scotland, which gave to
its Church a degree of independence unknown to most other countries
of Papal Christendom, as well as its very partial share in the great
movements of medieval Europe, including the crusades, all tended to
give additional importance to those local influences which in other
countries were more subordinated by external sources of change. To this
source, therefore, we can hardly err in referring much of the peculiar
character ascribable to Scottish Ecclesiology, which it is attempted
here to reduce to some system.

[Illustration]

The revived interest in the study of medieval architecture, added
to the happy substitution of investigation for the older and more
convenient practice of theorizing, have led to considerable attention
being directed to the singular marks or symbols, apparently the
works of the original builders, which are observable on all ancient
churches. That masons' marks are old as the building of the Pyramids
is undoubted. They were discovered by Colonel Howard Vyse on forcing
his way into the chambers of construction of the great pyramid, where
there cannot be a doubt no human being had been before since the
completion of its vast masonry. Similar marks have also been observed
on Roman altars and on structures of an equally early era. The most,
however, that can now be inferred from such is the invariable practice
of each workman marking the stone he had cut, which remains in use
in our own day to distinguish the work of different individuals. But
much more than this appears to be deducible from the medieval masons'
marks. "The fact that in these buildings it is only a certain number
of the stones which bear symbols; that the marks found in different
countries (although the variety is great) are in many cases identical,
and in all have a singular accordance in character, seems to shew that
the men who employed them did so by system, and that the system, if
not the same in England, Germany, and France, was closely analogous
in one country to that of the others."[658] The observation and
collation of these marks have accordingly become objects of interest,
as calculated to aid in the elucidation of the history of the medieval
masonic guilds. It is not, however, sufficient merely to detect the
occasional identity of single mason-marks on different and widely
distant buildings. The following, for example, includes, I believe,
the entire set of mason-marks to be found on Roslin Chapel. Of these
the first, Δ, is only to be found on the altars and piscinæ, and the
two adjoining ones around the doors. A comparison of these with the
mason-marks of Gloucester Cathedral, Malmsbury Abbey Church, Furness
Abbey, &c.,[659] will shew that several of the symbols are common to
all these; but this can lead to no conclusion. Many of the subordinate
lines added to regular figures are still recognised among the craft as
additions given to distinguish the symbols of two masons when the mark
of a member admitted from another lodge was the same as that already
borne by one of their own number. If, however, the entire series, or
the greater number of the marks on one building could be detected on
another apparently of the same age, it would be such a coincidence as
could hardly be ascribed to any other cause than that both were the
work of the same masonic lodge. I should anticipate, for example, that
such would be found to be the case, to some considerable extent, on
the oldest portions of Dunfermline and Lindisfarne Abbeys, and Durham
Cathedral. The united cooperation of a very few zealous labourers may
soon bring such a question to the test, if sufficient care is taken to
discriminate between the original work and the additions or alterations
of subsequent builders. Meanwhile, when so much zeal is displayed in
the collection of Roman potters' stamps, medieval pilgrims' signs,
tradesmen's and tavern tokens of the seventeenth century, and even the
more recent provincial copper coinage, it may suffice to suggest that
the collection of complete sets of mason-marks from ecclesiastical
edifices,--discriminating those belonging to portions of different
dates,--may furnish a clue to the influence of masonic guilds on the
development of successive styles, or the prevalence of remarkable
provincial peculiarities.

We obtain from Father Hay's "Genealogie of the Sainte Claires of
Rosslyn," a curious account of the assembling of the needful band of
artificers for the building of the collegiate church founded by William
Saint Clair, Earl of Caithness:--

    "His adge creeping on him," says the genealogist, "to the
    end he might not seem altogither unthankfull to God for the
    benefices he receaved from him, it came in his minde to build a
    house for God's service, of most curious worke, the which that
    it might be done with greater glory and splendor, he caused
    artificers to be brought from other regions and forraigne
    kingdomes, and caused dayly to be abundance of all kinde of
    workemen present: as masons, carpenters, smiths, barrowmen, and
    quarriers, with others; for it is remembered that for the space
    of thirty-four years before, he never wanted great numbers of
    such workmen. The foundation of this rare worke he caused to
    be laid in the year of our Lord 1446; and to the end the worke
    might be the more rare: first he caused the draughts to be
    drawn upon Eastland boords, and made the carpenters to carve
    them according to the draughts thereon, and then gave them
    for patterns to the massons, that they might thereby cut the
    like in stone.... He rewarded the massones according to their
    degree."--Genealogie of the Sainte Claires of Rosslyn, p. 26.

From this curious notice it would seem that the Earl was himself the
chief designer and architect to whose ingenuity and inventive skill
we owe the remarkable and unique example of masonic art which still
remains at Roslin. Nor is this at all improbable. He was devoted to
building, in an age in which it became one of the most favourite
pastimes, and indeed engrossing pursuits of the Scottish kings. The
Saint Clairs continued, according to some authorities, from this early
date to be recognised as the chiefs of the whole body of Scottish Free
Masons, till in 1736 William St. Clair, Esq. of Rosslyn, resigned into
the hands of the Scottish lodges the hereditary office of Grand Master,
which, however, he continued to hold till his death. The evidence
of the creation of this office in the person of the founder of the
collegiate church of Roslin is defective, and the entire narrative
of Father Hay must be received with caution, though professedly
derived from original manuscripts. Of the existence, however, of the
hereditary office of Grand Master in the younger branch of the St.
Clairs, which terminated on the death of William St. Clair of Rosslyn
in 1778, there can be no question; and of the early connexion of the
St. Clairs with the masonic fraternity, there seems equally little
reason to doubt. On this account, therefore, the set of mason-marks
given above from the remarkable memorial of their masonic skill which
still exists at Roslin, possesses peculiar interest. While, however,
we find in Father Hay's curious notice that artificers were brought
from foreign kingdoms, that is not to be misunderstood as indicating
that either the design or entire execution of this remarkable edifice
is to be ascribed to a foreign guild. The same was done by Wykeham, in
order to secure the perfect execution of his own magnificent designs,
and in one or two of the mason-marks the additions may be traced
which probably indicate the admission of a stranger using, _with a
difference_, the symbol already belonging to some brother of the local
guild. The very small number of varieties, however, is remarkable,
though it of course only embraces one class of the numerous artificers
employed. The conclusions indicated by the traditions of the craft,
and the direct evidence which their works supply, seem equally opposed
to the ideas too hastily adopted by some enthusiastic elucidators of
medieval free masonry, that travelling lodges continued to perambulate
Europe, devoting their artistic skill to supply the wants of the
universal church, so that we might look for precisely the same details
being repeated in contemporary works of the Norman architects of
Sicily and of the Orkney Islands, or of Drontheim. We do indeed find
in the eighth century the Pictish king sending for builders to rear
a fitting edifice at Abernethy after the Roman manner, and, to the
last, skilled artificers were doubtless sought far and near--with the
ready facilities for foreign correspondence which the Church then
exclusively possessed--whenever any work of unusual importance was to
be executed; but long before the sons of St. Margaret had commenced
their magnificent foundations, the corresponding demands for the aid
of the free mason in every country of Christendom had removed all
necessity for the maintenance of peripatetic missionary guilds. The
order, however, flourished under this abundant patronage; nor did the
localization of its guilds interrupt that mutual recognition of members
of the privileged fraternity by means of which Gothic architecture
continued for upwards of four hundred years to be a living art,
expanding and developing itself under ever varying but progressive
forms of fitness and beauty.

We have witnessed in our own day an attempt to resuscitate medieval
architecture by a retrogression altogether opposed to the spirit of the
old builders, in whose hands it grew like a thing of life that returns
not upon the work of earlier years. Its results have been of value in
securing the restoration of many crumbling memorials of the past; and
in Scotland our best architects have yet much to learn in the same
reverent spirit, ere we can hope to see our national historic monuments
of medieval art preserved, instead of being defaced and obliterated
by the superinduction of spurious French or Anglo-Gothic details--a
restoration that "means the most total destruction which a building
can suffer; a destruction accompanied with false description of the
thing destroyed."[660] But a national style of architecture was never
reproduced by such means. It must grow up like the oak, unforced and in
its native soil; and, when thus originating, its living forms become
the embodiment of the polity, social history, and religious faith
of the nation. Yet architecture is on this very account essentially
a practical art, and even in the most gorgeous medieval cathedral
a sense of fitness, and ideas of direct utility, may be traced as
controlling powers influencing the whole design. From this overruling
utilitarian spirit sprang the element of picturesqueness, which we
look for in vain in modern Gothic. The old cathedral or abbey has
here a chapter-house, there a transept or cloister, a chantry chapel,
vestry, or porch, introduced simply because it was required, though
harmonized with all the skill of a perfect artist into an integral
part of the architectural design. In the modern Gothic everything is
balanced, proportioned, and reduced to strict rule and formality, but
it is lifeless as the men of the old centuries to which it properly
belongs. As to modern Protestant cathedrals, with "long-drawn aisles,"
constructed for no possible end connected with the worship for which
they profess to be designed, they are manifest absurdities, which
proclaim the lifelessness of the art in which they have originated.
The national peculiarities traceable in medieval architecture are
among the most remarkable evidences that it was a living art. Like
a transplanted flower, it was modified everywhere by the soil and
climate: the classic elements which are seen pervading that of Italy;
the substantial yet ornate but impure grandeur of that of Spain; the
compact, consistent, harmonious completeness of that of Germany; the
rich but lawless exuberance of the French Flamboyant; the stately
progression of the beautiful English Decorated into the profusely
overlaid, yet still strictly defined Perpendicular; and the massive but
comparatively plain and unchanging Scottish Decorated--all manifest
peculiarities which pertain to the several nations with which they
originated. "The essential modifications of architecture in each age
and country must depend in part on the natural materials, localities,
and in part on the artificial forms, social, civil, and religious, on
the acquired habits and manners of the peculiar nation for which it
labours, and the changes in these must produce corresponding variations
in architecture."[661] The revivalist who seeks to reproduce the
creations of the past in defiance of these manifest laws by which
they existed in harmony and just adaptation to their geographical or
social adjuncts, will find his self-imposed task not much less hopeless
than to reanimate the fossil Mastodon or Dinotherium. But meanwhile
the geologist, without seeking to reanimate these extinct vertebrata,
learns much regarding the past from the investigation of their colossal
remains, and so too may the archæologist see into the living spirit of
the medieval era by the earnest study of its creations, though he hopes
better things of his own age than that it should expect perfection in
those immature centuries, or seek for life in the beautiful sepulchres
wherein they lie entombed.

The consecutive view given above of the progressive development of the
various styles of ecclesiastical architecture, accompanied as it is
with some few elements for the construction of a chronological series
of examples, is sufficient, at least, to bear out the views advanced in
reference to the independent character and individuality of Scottish
Ecclesiology. It would be easy to multiply references to examples of
the various peculiar features referred to, but what is far more wanted
is the ascertainment of a larger number of well authenticated dates
of existing work. Even of the cathedrals and great abbeys scarcely
anything is known, though now that so many of the Scottish chartularies
are published, and as a valuable adjunct to them, their seals are being
systematically described, we may hope to discover, by a comparison with
the armorial sculpture of our ecclesiastical structures, a sufficient
number of dated examples by which to test the whole. Meanwhile, the
following table is offered with great diffidence, and merely as some
probable approximation to the true chronological arrangement of the
Scottish styles, placing alongside of it the English classification of
Rickman, as adopted with some later modifications, in the Fifth Edition
of the Glossary of Architecture, to shew the extent of coincidence
or disagreement. I shall be glad to find it speedily superseded by a
system much more complete; but anything which supplies the elements of
a recognised nomenclature and orderly classification will be of some
use as a help towards cooperation among Scottish ecclesiologists. The
styles distinguished here as _First-pointed_ and _Geometric_ are to
some extent synchronous, depending perhaps on the native or foreign
education of the ecclesiastics by whom the works were prosecuted;--a
remarkable circumstance, and probably without a parallel in the
history of medieval art. We find William de Bondington of Glasgow, for
example, in the last year of his episcopate, adopting the ritual and
customs of Sarum as the constitution of his cathedral.[662] It need not
therefore excite our surprise to find the portion of the nave executed
under his superintendence bearing an equally close affinity to the
Sarum model, then in progress. Scottish First-pointed differs very
little from the Early English, whereas the Scottish Geometric has no
parallel elsewhere, and in Scotland entirely superseded the other at
a very early date. It is, therefore, manifestly indispensable to the
prosecution of Scottish Ecclesiology, that what is peculiar to it shall
receive a nomenclature of its own. It can only lead to uncertainty and
confusion to continue to apply the term First-pointed[663] to such
work as the east end of St. Magnus's Cathedral, where not only the pier
and triforium arches are semicircular, but even the arch of the great
east window is filled in with a rose of twelve leaves, and being left
unpierced above, it is practically a round-headed light. A much more
elaborate treatment of the subject would be necessary than is possible
within the limits of a single chapter, in order to shew the peculiar
mouldings and other characteristic details. In the Scottish Decorated,
for example, cylindrical and octagonal piers are by no means uncommon;
both pier arches and windows are very frequently composed simply of
two or three plain chamfer orders. Square-edged hood-mouldings and
string-courses are also common; and in the more ornamental piers the
double-roll, and the roll and fillet mouldings almost invariably
predominate. In the windows also--among the most expressive features
of every style of Gothic architecture--one harmonious feeling is
observable throughout the endless varieties of tracery, giving to
them a national aspect not less marked than the physiognomy of their
builders. The most prevailing characteristics are well represented in
the example figured above, from one of the beautiful series of St.
Michael's, Linlithgow. Similar windows, though varying in detail, occur
at St. Monance, Fife, St. Mary's, Leith, at Mid-Calder and Duddingston,
in the Abbey Church, Haddington, in the collegiate churches of Seton,
Crichton, and Roslin, in Melrose Abbey, and the ancient church tower
of Dundee. They also existed in both the collegiate churches of St.
Giles and the Holy Trinity at Edinburgh; and are even found amid the
traces of declining art in the beautiful chapels of King's College,
Aberdeen, and Heriot's Hospital, Edinburgh--the latter of which has
been assigned, without a shadow of evidence, as the work of Inigo
Jones, the architect having in reality been William Wallace, styled in
the treasurer's accounts and other authentic documents relating to its
erection, by the old name of Master Mason. Such are some of the genuine
characteristics of our native styles; but at Dunfermline, Dunblane,
Corstorphine, or wherever the hand of the modern restorer has been, we
find them displaced by perpendicular tracery, English mouldings and
details, and the like evidences of irreverent ignorance.

                         MEDIEVAL ECCLESIOLOGY

  |-------------------+---------+--------------+-----------------------|
  |                     SCOTTISH ECCLESIOLOGY.                         |
  |-------------------+---------+--------------+-----------------------|
  |REIGN.             |  A.D.   |    STYLE.    |EXAMPLES.              |
  |-------------------+---------+--------------+-----------------------|
  |Kings of the       |         |              |                       |
  |Northern and       | 400-843 |Scoto-Italian.|St. Magnus, Egilshay.  |
  |Southern Picts,    |         |              |                       |
  |                   |         |              |                       |
  |Kenneth MacAlpin   |843-1057 |   Scottic.   |Round Tower,           |
  |to Malcolm Canmore,|         |              |Abernethy. Round       |
  |                   |         |              |Tower, Brechin.        |
  |                   |         |              |                       |
  |Donald Bane,       |  1093   | Romanesque,  |Dunfermline            |
  |                   |         |  1070-1170,  |Abbey--Nave.           |
  |Edgar,             |  1097   |  prevailed   |Inchcolm Abbey--part   |
  |                   |         |    about     |of the Dormitories     |
  |Alexander I.       |  1106   |  100 years.  |St. Rule's Church.     |
  |David I.           |  1124   |              |Jedburgh Abbey.        |
  |Malcolm IV.        |  1153   |              |Kelso Abbey.           |
  |William the Lion,  |1165-1170|              |Dalmeny Church.        |
  |                   |         |              |Leuchars Church.       |
  |                   |         |              |                       |
  |William,           |1170-1214|First-pointed,|Glasgow                |
  |                   |         |  1170-1242,  |Cathedral--Crypt and   |
  |                   |         |  prevailed   |Choir.                 |
  |Alexander II.      |  1214   |   about 70   |Dunblane               |
  |                   |         |    years.    |Cathedral--Nave.       |
  |Alexander III.     |  1249   |              |Kilwinning Abbey. St.  |
  |                   |         |              |Blane's, Bute--the     |
  |                   |         |              |Chancel.               |
  |                   |         |              |                       |
  |Margaret, Maid of  |  1285   |   Scottish   |Aberbrothoc Abbey.     |
  |    Norway,        |         |  Geometric,  |                       |
  |John Baliol,       |1292-1296|  1178-1285,  |Paisley Abbey--Nave.   |
  |Interregnum,       |1296-1306|  prevailed   |Kirkwall               |
  |                   |         |  about 100   |Cathedral--east end of |
  |                   |         |    years.    |Choir.                 |
  |                   |         |              |Sweetheart Abbey,      |
  |                   |         |              |Kirkcudbright.         |
  |                   |         |              |                       |
  |Robert I.          |  1306   |   Scottish   |Dunkeld                |
  |                   |         |  Decorated,  |Cathedral--Nave Aisles.|
  |David II.          |  1329   |  1300-1500,  |Melrose Abbey--Nave.   |
  |Robert II.         |  1370   |  prevailed   |Fortrose Cathedral.    |
  |Robert III.        |  1390   |    about     |St. Monance Church,    |
  |                   |         |  200 years.  |Fife.                  |
  |Regency of Albany, |  1407   |              |Bothwell Church.       |
  |James I.           |  1424   |              |Lincluden College.     |
  |James II.          |  1436   |              |St. Michael's,         |
  |                   |         |              |Linlithgow.            |
  |James III.         |  1460   |              |Trinity College,       |
  |                   |         |              |Edinburgh.             |
  |James IV.          |1488-1500|              |                       |
  |                   |         |              |                       |
  |James IV.          |1500-1513|Perpendicular,|Melrose Abbey--Chancel.|
  |James V.           |  1513   |  1500-1513.  |Ladykirk.              |
  |-------------------+---------+--------------+-----------------------|

  |------------+---------+---------------|
  |             ENGLISH.                 |
  |------------+---------+---------------|
  |REIGN.      |  A.D.   |    STYLE.     |
  |            |         |               |
  |Heptarchy.  | 457-800 |               |
  |            |         |               |
  |Egbert to   |800-1066 |    Saxon.     |
  |Harold II.  |         |               |
  |            |         |               |
  |William I.  |  1066   |    Norman,    |
  |William II. |  1087   |  or English   |
  |Henry I.    |  1100   |  Romanesque,  |
  |Stephen.    |  1135   |prevailed about|
  |Henry II.   |1154-1189|  124 years.   |
  |            |         |               |
  |Richard I.  |  1189   |Early English, |
  |John.       |  1199   |prevailed about|
  |Henry III.  |1216-1272|  100 years.   |
  |            |         |               |
  |Edward I.   |  1272   |   Decorated   |
  |Edward II.  |  1307   |   English,    |
  |Edward III. |1327-1377|prevailed about|
  |            |         |  100 years.   |
  |            |         |               |
  |Richard II. |  1377   | Perpendicular |
  |Henry IV.   |  1399   |   English,    |
  |Henry V.    |  1413   |prevailed about|
  |Henry VI.   |  1422   |  169 years.   |
  |Edward IV.  |  1461   |               |
  |Edward V.   |  1483   |               |
  |Richard III.|  1483   |               |
  |Henry VII.  |  1485   |               |
  |Henry VIII. |1509-1546|               |
  |------------+---------+---------------|

FOOTNOTES:

[627] Sim. Dunelm. p. 201. Hailes' Annals.

[628] Liber Cart. Sanct. Andree, p. 43.

[629] Raine's North Durham, App. p. 38.

[630] Registrum Episcopatis Aberdonensis, Pref. xii.-xvi. Keith's
Bishops, Append.

[631] Sinclair's Statistical Account, vol. xvii. p. 443.

[632] Not having had an opportunity of personally inspecting this
interesting but little heeded Scottish relic, I have had to depend
on the kindness of a local correspondent for the description of its
present state. It appears to be early and exceedingly plain Romanesque
work, with some later and many modern additions. Both in style and
singularity of proportions it bears very considerable resemblance to
the simple little Romanesque chapel of Kilcolmkill, in the parish of
Southend, Argyleshire.

[633] Regist. de Dunferm. Pref. xxv.

[634] Wyntownis Cronykil, b. vii. chap. x.

[635] Regist. de Dunferm., p. 184.

[636] The reference is no doubt also to so large a portion of the
original structure having been left entire, including the present
nave: "Licet ecclesia vera post consecracionem ipsius per nobilioris
structuræ fabricam fuit augmentata quia tamen proponitis quod antiqui
parietes ejus pro majori parte in pristino statu perdurent. Vobis
auctoritate præsentium indulgemus ut eisdem parietibus in pristino
statu perdurantibus nonnullis vos compellere valeat ad eandem Ecclesiam
propter hoc denuo consecrandam," &c.

[637] Memorials of Edinburgh in the Olden Time, vol. i. p. 128.

[638] Barbour's Bruce, book vii. l. 1037; Dr. Jamieson's Edition, vol.
i. p. 211.

[639] Memorials of Edinburgh, vol. i. p. 127. Notices of both chapels
repeatedly occur in the Chamberlain's Rolls; but with an obvious
confusion of the two--explicable perhaps on the supposition that the
chaplain was bound to serve both altars. A curious notice of a meeting
held in the chapel of the Castle of Edinburgh in 1447 occurs in the
_Registrum Episcopatus Glasguensis_, vol. i. p. 367, No. 351.

[640] Macbeth, Act IV. Scene 3.

[641] The dimensions of the choir of St. Rule's Church, as it now
stands with the chancel demolished, are, extreme length externally
thirty-one feet eight inches, breadth twenty-five feet, breadth of
chancel arch within the inner pillars nine feet, present height of the
chancel arch, the base of the pillars being covered, twenty-one feet
four and three-quarter inches, present height of external wall thirty
feet. The windows are small, round-headed, and quite plain, with a deep
internal splay, and an external one of little more than one-fourth of
the whole thickness of the wall. They measure in the daylight, or place
for inserting the glass frame, six feet five inches high, and one foot
eight inches broad.

[642] The marks of three successive roofs are traceable on the east
wall of the tower.

[643] Wyntownis Cronykil, book vii. chap. 7.

[644] It might perhaps better coincide with the newer English
nomenclature to characterize the Romanesque as _First-round_, the
succeeding style as First-pointed; and then the Scottish style
resulting from the two, as _Second-round_; and the peculiarly national
style into which it was finally developed as _Second-pointed_. The
great objection is the necessity of speaking in either case of
_Round-pointed_, or of _Pointed-round_ arches.

[645] However the proposed nomenclature of English ecclesiologists may
answer their native style, it is impossible to adapt it to Scotland.
First-pointed is undoubtedly preferable to Early English, when we
can shew still earlier Scottish. Middle-pointed, however, is a most
inconvenient and unsuitable term to our Scottish Decorated, where
many of its most characteristic forms are circular; and Third-pointed
becomes a misnomer, where, as in the nave and transept of South
Queensferry the only pointed arch is a small plain benatura on the east
side of the door, which is placed on the south side of the nave. The
windows are square-headed, and the door round-headed. The roof has been
open timber work.

[646] Regist. Monast. de Passelet. Preface.

[647] Vitæ Episcoporum Dunkel., p. 16.

[648] Historie of the House of Seytoun.

[649] The choir of the cathedral, now utterly demolished, appears to
have been the work of Bishop Alexander de Kyninmund, 1356-1380. An
interesting indenture relating to its progress is printed in _Regist.
Episcop. Aberdon_. A.D. 1366, vol. ii. p. 59. The same collection
contains two Papal bulls, granting indulgences to contributors towards
the building of the nave, A.D. 1379, 1380. The succeeding bishop Henry
de Lichtoun completed the nave, and built the west towers.

[650] Vitæ Episcoporum Dunkel. p. 13.

[651] Wyntown, b. ix. c. vii.

[652] Maitland's Hist. of Edin. p. 270.

[653] Tytler, vol. ii. p. 427. Hume of Godscroft's House of Douglas, p.
118.

[654] Archæol. Scot. vol. i. p. 375.

[655] The armorial shields on the pillars include the Royal arms, those
of France, of the Queen Dowager Mary of Gueldres, who died in 1462,
of the celebrated Bishop Kennedy, of Alexander Napier of Merchiston,
comptroller of the household, and vice-admiral of Scotland,--Temp.
James I. and II., (erroneously ascribed by me in the Memorials of
Edinburgh, vol. ii. p. 162, to the Countess of Lennox,) of Thomas de
Cranston, _Scutifer Regis_ to James II., &c.

[656] Drummond of Hawthornden's History of the Jameses, p. 61.

[657] Antiq. of Free Masonry in England. J. O. Halliwell,
Esq.--Archæol. vol. xxviii. p. 444.

[658] "On certain marks discoverable on the stones of various buildings
erected in the Middle Ages." By G. Godwin, Esq.--Archæol. vol. xxx. p.
117, accompanied with plates of masons' marks.

[659] Archæol. vol. xxx. Plates VI. VII. IX. X.

[660] Ruskin's Seven Lamps of Architecture, p. 179.

[661] Hope's Historical Essay on Architecture, p. 458.

[662] Registrum Episcopatus Glasguensis, vol. i. p. 166.

[663] It is so described in the "Ecclesiological Notes on the Isle of
Man," &c., an interesting and intelligent note-book, (p. 96); but no
reader would ever guess from the description, that excepting in some
of the minor details, it bears no resemblance to any known specimen of
English First-pointed work.




CHAPTER VIII.

ECCLESIASTICAL ANTIQUITIES.


Notwithstanding the systematic eradication of every relic associated
with the rites or dogmas of the old faith, carried on by the Scottish
Reformers of the sixteenth century, ecclesiastical remains are still
preserved in sufficient number to furnish out a much ampler list than
the limits of this work can embrace. The recumbent effigy, for example,
is to be met with in many districts of Scotland, sometimes mutilated
and defaced, but not unfrequently still exhibiting evidences of refined
taste and delicacy of manipulation pertaining to the best epoch of
medieval art. Perhaps no work of the period is more characteristic of
the change from the age of the tumulus builders than the recumbent
effigy of the Christian knight. It is one of the most significant
memorials of the mild influences of a purer faith on the arts and
sepulchral rites of the race. The armour and weapons of war are indeed
still there, but the sword is in its sheath; the position is that of
repose; and not unfrequently the hands are clasped in the attitude
of devotion, the symbol of prayer. The majority of these medieval
monuments belong to the fifteenth century, and some of those which
occur in Iona and the Hebrides are altogether peculiar in costume and
style of art. There is little, however, to distinguish the greater
number of the Scottish from the English recumbent effigies, unless one
peculiarity be worth noting, seemingly characteristic of a national
luxuriousness which is little applicable to the rude barons of the
Scottish middle ages. The crested tilting helmet, which is the most
frequent pillow of the recumbent English knight, is of rare occurrence
in Scotland, being more generally replaced by a richly sculptured
cushion. It is needless, however, to multiply illustrations of a point
involving no more than a conventional formula of art.[664] Sepulchral
brasses, though now almost unknown in Scotland, may once have been
little less abundant than the recumbent effigy. The "Oxford Manual"
mentions only one, that of the Stuarts of Minto, in the nave of Glasgow
Cathedral; bearing the date 1605. To this solitary example, however,
one or two additions can still be made. The "restorations" of the
collegiate church of St. Giles at Edinburgh in 1829, compassed, among
other lamentable defacements, the destruction of the tomb of "The Good
Regent," including the brass engraved with the figures of Justice and
Faith, and the epitaph from the pen of George Buchanan.[665] The brass
has fortunately been rescued, and is preserved in the possession of
the Hon. John Stuart, one of the lineal descendants of the Regent,
James Earl of Moray, by whom steps have been recently taken with a
view to its restoration. A charter granted by the city of Edinburgh to
William Preston of Gortoun, in 1454, in acknowledgment of his father's
invaluable gift of "the arme bane of Saint Gele," preserves the record
of at least one other brass that once adorned the same ancient church,
though long since gone, with so many other of its most interesting
features. It is described as "a plate of brase, with a writ specifiand
the bringing of that relik be him in Scotland, with his armis." A
small mural brass still remains in part of the church of St. Nicholas,
Aberdeen, known as Drum's Aisle, bearing two shields of arms--the
one bearing the three banded bunches of holly leaves for Irvine; and
the other three pales for Keith. It surmounted the recumbent effigy
of Alexander Irvine, third of the ancient family of Drum, who fell
at the battle of Harlaw in the year 1411, and of his wife Elizabeth
Keith, daughter of the Lord Robert de Keith. The knight is in full
armour, but crowned with a chaplet of flowers, and his feet resting
on a lion; while the lady's feet are supported by a dog. The monument
has obviously been executed during their lifetimes, from the blanks
still remaining on the brass, which tell, amid all the pomp of these
anticipatory sepulchral honours, that no pious hand was found to grave
the few simple additions requisite to have made of the dumb tablet a
true memorial of the dead. The imperfect inscriptions are,--

    ~Hic sub ista sepultura jacet honorabilis et famosus miles
    dns Alexander de Irvyn Secund qdz dns de Droum de Achyndor et
    Forglen qui obit. ... die mens ... anno dni MCCCC..~

    ~Hic etiam jacet nobilis dna dna Elizabeth Keth filia quan dni
    Roberti de Keth militis Marescalli Scocie uxoris dci dni dni.
    Alexander de Irvyn quæ obit ... dic mens ... Anno dni MCCCC..~

Principal Gordon, of the Scots College, Paris, describes in his
"Remarks on a Journey to the Orkney Islands," made in 1781, the
monument of Bishop Tulloch, the brass of which--"a plate of copper
full length of the grave"--was carried off by a party of Cromwell's
soldiers.[666] More recent plunderers have removed, within the
last twenty years, a brass which had escaped the hands of previous
devastators of the monastery of Inchcolm, in the Frith of Forth. Nor
is it altogether impossible that others may even now remain safe under
the protection of more modern flooring, or superincumbent debris.
The floor of St. Mary's Church at Leith was removed in the course
of extensive alterations effected on it in 1848, and was found to
cover the original paving with inscriptions and armorial shields of
early date. On the repair and reseating of Whitekirk parish church,
East-Lothian, a few years since, a large stone slab, which now lies in
the adjoining churchyard, was removed from its original site in the
chancel, and disclosed a remarkably fine matrix of what appears to
have been the full sized figure of an ecclesiastic, with canopy and
surrounding inscription. Similar matrices are even now by no means
rare. One of large size lies in the barn-yard of the Abbey Farm, in the
vicinity of the ruins of North-Berwick Abbey. Another has been recently
exposed within the area of the nave of Seton Church, East-Lothian.
Others are to be seen at Aberbrothoc, Dunfermline, and Dunblane, the
last exhibiting traces of a large ornamental cross. One of unusual
dimensions, which lies in the chancel of the cathedral of Iona, is
traditionally assigned to Macleod of Macleod. The representation of the
full length figure of a knight in armour may still be traced, with his
sword by his side, and his feet resting on some animal. It has been
surrounded with an inscription on an ornamental border, and tradition
adds, was completed by a plate, not of brass but of silver.[667]

Incised slabs are still more common. Some of those at Iona especially
are characterized by peculiar beauty and great variety of design.
Nearly the whole of the north and south aisles of the nave of Holyrood
Abbey are also still paved with incised slabs, including those of
various ecclesiastics, engraved with floriated or Calvary cross, and
generally with the paten and chalice on each side, or with the chalice
only, resting on the long limb of the cross. Roslin Chapel has a
curious example of an incised monumental slab, representing a knight
in full armour. In the church of Kinkill, Aberdeenshire, Sir Robert
Scrimgeour, high constable of Dundee, who fell at the battle of Harlaw
in 1411, is similarly portrayed at full length; and in the south aisle
of the church of Foveran, in the same county, two knights in complete
armour are represented on one slab, under an ornamental canopy.
Examples also occur at Dalmally and other ancient ecclesiastical sites
in Argyleshire and the Western Islands, but these are sufficient to
illustrate this class of medieval sepulchral memorials.

[Illustration: PLATE VI

_D. Wilson, Delᵗ._

_Wm. Douglas Sculpᵗ._

DUNVEGAN CUP

(_height 10½ inches_.)

KILMICHAEL-GLASSRIE BELL

(_height 6½ inches_.)]]

Stone coffins are no less abundant, but also rarely marked by any
peculiar features; the later Scottish sepulchral rites being no doubt
for the most part such as were common to medieval Europe. One of the
most interesting discoveries of this class was made during recent
repairs of the nave of Dunfermline Abbey. In the centre of the nave,
towards its east end, a stone coffin of the form and dimensions of
those of the thirteenth and fourteenth centuries was found under
the paving. On removing the lid it disclosed a singular leathern
shroud, which remained in good preservation, although the body it
was intended to protect had long mouldered into dust. The prepared
leathern skin is double, and has been wrapped entirely round the
body, like the bandages of a mummy; it is laced across the breast,
and stitched with a strong leathern thong entirely up the back from
the neck to the heels, and along the soles of the feet. It has been
removed to the Dunfermline Museum, where it is preserved suspended in
a glass case--in some respects a more eloquent _memento mori_ than
the Egyptian's "imperishable type of evanescence:" a shroud which has
escaped the mortality of the corpse within its folds. The coffin has
been assigned by local antiquaries as that of Edward, the eldest son
of Malcolm Canmore; but there is no evidence to justify multiplies
the evil tenfold, the Rev. J. S. Howson, on comparing it with the
numerous sculptured crosses of the district, so faithfully described by
him in the Cambridge Camden Society's Transactions, and finding that
"the scroll-work on the bell-case, and the figure of our Saviour, are
closely similar to the corresponding representations on the Argyleshire
crosses," jumps to the conclusion that they also must needs be
Scandinavian.[668] The very opposite conclusion would seem unavoidable,
were it not that this idea of the supremacy of Scandinavian art in
Scotland has superseded reasoning, and maintains its ground in defiance
of evidence. History leaves no room to doubt that the Scandinavian
invaders devastated and destroyed many native works, and greatly
retarded the full development of the arts of civilisation of the
Scottish Christian era. Scottish antiquaries certainly display a truly
forgiving spirit in crediting them with the invention of what little
escaped their sacrilegious ravages. I cannot avoid characterizing the
supplementary observations on the Kilmichael-Glassrie bell-shrine in
the Archæologia Scotica, which have furnished the basis of the later
conclusions, as extremely foolish. A woodcut, copied from an edition
of King Olave Tryggiason's Saga, printed in 1665, and with a scutcheon
of the debased form only introduced in the seventeenth century, is
gravely produced as an ancient representation of the Norwegian king,
in order that by comparing his crown with that worn by the crucified
Saviour on the bell-case, its decided _Scandinavian character_ may
be seen. The crown is neither more nor less than the common one,
surmounted by three _fleurs-de-lis_, which, had a native origin been
sought for it, might have been seen along with the Maltese or Greek
cross patée, referred to in the same article, on almost any Scottish
silver coin from Malcolm Canmore to James IV., when it is for the
first time superseded on our native currency by a close crown. It is
no less common on contemporary English, and indeed European coins; and
as an argument, one way or other in the present question, is utterly
valueless. On equally inconclusive grounds the Greek cross patée is
pronounced to be Scandinavian. In proof of the thorough consistency of
its form with the usages of the early British Church centuries before
the first Scandinavian convert had abandoned the Pagan creed of his
fathers, it may suffice to observe that it closely corresponds to the
beautiful gold cross found in a grave in the Cathedral of Durham, on
the breast of an ecclesiastic, believed, at the time of its discovery,
to be that of St. Cuthbert, which would assign it to the seventh
century. It is sufficient for our purpose, however, that both its style
and the circumstances under which it was discovered equally prove its
great antiquity and its native workmanship, points perhaps hardly
requiring to be discussed.[669] The "well-known Runic knots" are next
quoted, these being what we are familiar with on decorative borders of
Irish MSS., some of which date two centuries prior to the first known
descents of Scandinavian Vikings on our shores, and which are no less
common on Anglo-Saxon MSS. and relics, on Anglo-Norman and Scottish
Romanesque architecture, and indeed predominated in the prevailing
style of ornament for a time throughout Europe. Lastly, we have a
figure copied from an ancient "Runic monument," representing a person
ringing a large suspended belfry-bell, measuring--if any proportion
is preserved--about three feet in height.[670] This, therefore, can
manifestly have no possible bearing on the history of the little
Scottish hand-bell, or rather bell-case, which measures somewhat less
than six inches high.

[Illustration: Bell of St. Columba.]

It is not difficult to shew that bells were in use in Scotland
upwards of four centuries before the conversion of St. Olaf and his
Norwegian Jarls. They were indeed introduced by the first Christian
missionaries, and summoned the brethren of Iona to prayer, while yet
the _gloriosum cœnobium_ of the sacred isle was only a few wattled
huts. The reference which Adomnan makes to St. Columba's bell, when
he had notice that King Aidan was going forth to battle, sufficiently
indicates the use of it for that purpose:--"Sanctus subito ad suum
dicit ministratorem cloccam pulsa. Cujus sonitu fratres incitati ad
ecclesiam ocius currunt."[671] We have as little reason for supposing
that the frail currach of St. Columba was freighted with a ponderous
church bell, as that the first monastery of Iona was distinguished by
a lofty belfry tower. But the little hand-bell of the primitive bishop
would abundantly suffice to summon together the band of pioneers in
the wilderness of Iona. If the annexed engraving does not represent
the identical bell of the Scottish Apostle, it is one consecrated
to him, and sufficiently primitive in its character to have called
together the family of Iona to their orisons, beneath the osier groins
of the first cathedral of the isles. It is the bell of St. Columbkill,
now in the collection of John Bell, Esq. of Dungannon. The original,
which measures nearly seven inches in height, was preserved for many
generations in the family of the M'Gurks, from whose ancestors the
parish of Termon-Maguirk, in the county of Tyrone, takes its name.[672]
This bell was held by the native Irish even of the present generation
in peculiar veneration, and though usually called by them the _Clog
na Choluimchille_, or bell of St. Columbkill, it also bore the name
of Ꝺɩɑ ꝺɩoᵹ̇ɑɭꞇuꞅ, or God's Vengeance, alluding to the curse implicitly
believed to fall on any who perjure themselves by swearing falsely on
it. This bell was used until very lately, throughout the county of
Tyrone, in cases of solemn asseveration; but much of its essential
virtue must have exhaled on its transference to the repositories of
the antiquary. The Kilmichael-Glassrie bell, now in the Museum of the
Scottish Antiquaries, appears to have closely corresponded to the
simple iron _clag_ figured above. Within the beautiful brass shrine
figured on _Plate_ VI. is a rude iron bell, so greatly corroded that
its original form can only be imperfectly traced; yet this, and not the
shrine, was obviously the chief object of veneration, and may indeed
be assumed with much probability to be some centuries older than the
ornamental case in which it is preserved. The name of _Dia Dioghaltus_,
or God's Vengeance, specially appropriated to the bell of St. Columba,
is applicable to all the relics of this class, which we shall find were
among the most venerated objects of the primitive Celtic church.

It remains to be seen if any such ecclesiastical implements or symbols
of office ever pertained to the Scandinavian Church, though it is
not improbable that they may have been in general use throughout the
earlier Christian countries of Europe some centuries before Scandinavia
abandoned the creed of Odin. In Ireland, Scotland, and Wales, at any
rate, we have abundant evidence of their ancient prevalence, and of the
great sanctity universally attached to them; and, indeed, in Ireland,
from whence the bell of St. Columba, as well as so much else that
pertains to the early Christianity of Scotland, appear to have been
derived, the small consecrated bell is still comparatively common. In
the Museum of the Royal Irish Academy there are eighteen different
examples, including several of an exceedingly primitive character.
One of the most remarkable, though not the earliest, of these is the
inscribed Cɭoᵹ ḃeɑnuɩᵹhꞇ̇e, or Blessed Bell, called by Dr. Petrie
the Bell of Armagh, which may serve as an example of this singular
class of ecclesiastical Celtic relics. Giraldus Cambrensis, in his
Welsh Itinerary, refers to the universal veneration with which these
portable bells were regarded in Scotland and Ireland, as well as in
Wales, remarking that men were more afraid of swearing falsely by them
than by the Gospels, because of some hidden and miraculous power with
which they were gifted, as well as for fear of the saint to whom they
pertained. The following account of this unique relic furnished to me
by Mr. Bell of Dungannon affords a singularly lively illustration of
the superstitions with which such relics have been regarded even in our
own day:--

[Illustration]

    "The bell of Ballynaback, better known as the _Clog
    beanuighte_, was preserved in a family named Henning, whose
    residence is on the low road between Lurgan and Portadown, in
    the county of Armagh. Unlike other ancient Irish quadrilateral
    bells it bears on one of its sides an incised inscription,
    which renders it interesting, since the Church of Rome
    permitted only a cross or the image of the patron saint to be
    engraved on such ecclesiastical bells. It would be idle to
    attempt recounting the miraculous judgments visited on such
    as profaned or violated the oaths taken on the bell, or the
    wide-spread desolation which befell such as were anathematized
    by it; for, early in the twelfth century, as we are told by
    Meredith Hanmer, William of Winchester, by the authority of
    Celestine II., in a council held at London, brought in the use
    of cursing with bell, book, and candle, 'which liked the Irish
    priests well, to terrifie the laytie for their tithes.'

    "Paul Henning was the last keeper of the Clog beanuighte; and
    when any of his connexions died it was rung by him in front
    of the _namna gul_, the old women who, according to the Irish
    fashion, _caoine_ and bewail the dead. It was an ancient custom
    to place the bell near any of the Hennings when dangerously
    ill. I visited Mrs. Henning, the widow of Paul Henning, on her
    deathbed. She lay in a large badly lighted apartment crowded
    with people. The bell, which had remained several days near her
    head, seemed to be regarded by those who were present with much
    interest. The vapour of the heated chamber was so condensed on
    the cold metal of the bell, that occasionally small streams
    trickled down its sides. This 'heavy sweating' of the bell,
    as it was termed, was regarded by every one with peculiar
    horror, and deemed a certain prognostication of the death of
    the sick woman, who departed this life a few hours after I left
    the room. The agonized bell, I was told, had on many previous
    occasions given similar tokens as proofs of its sympathy on the
    approaching demise of its guardians."

The object of such profound veneration is now safely deposited in the
Museum of the Royal Irish Academy at Dublin. The inscription upon it--✠
Oꞃoɩꞇ ɑꞃ Chú mɑ Scɑ ch ṁ ɑɩɭeuo--has been thus read: _Oroil ar chum
ma scahan chun ecumn aileou_,--A prayer for him who shaped my frame
to sound Allelujah. Both the rounded form and the inscription on the
_Clog beanuighte_, are evidence of its being of a later date than the
simpler quadrangular form; and it is unhesitatingly assigned by Dr.
Petrie as a work executed towards the close of the ninth century.[673]
The same quadrangular form of hand-bell is represented on some of
the Irish stone crosses of the ninth and tenth centuries, and is
also introduced in a curious group sculptured on the pediment of a
remarkable little oratory called the Priest's Church, at Glendalough,
which Dr. Petrie ascribes to the middle of the eighth century.[674] The
following notice in the Annotations of Tirechan, in the Book of Armagh,
is extremely interesting, as shewing the bell among the ecclesiastical
gifts bestowed on Fiac, Bishop of Sletty, when St. Patrick conferred on
him the episcopal dignity, and may therefore suffice to account for its
possession by St. Columba as one of the most essential insignia of the
pastoral office:--"Patrick conferred the degree of bishop upon him, so
that he was the first bishop that was ordained among the Lagenians; and
Patrick gave a box to Fiacc, containing a bell, and a menstir, and a
crozier, and a poolire; and he left seven of his people with him."[675]

With such indubitable evidence of the use of the consecrated bell
as one of the most essential ecclesiastical implements of the first
missionary bishops, we can be at no loss to account for the origin of
the beautiful relic found on the farm of Torrebhlaurn, in the parish of
Kilmichael-Glassrie, Argyleshire. The accompanying accurate engraving
(_Plate_ VI.) renders any minute description unnecessary. It is an
ornamental square case or shrine, attached to the bottom of which is a
thin plate of brass pierced with a circular hole in the centre. Inside
this case, but entirely detached from it, is the rude and greatly
corroded iron bell. When first discovered it appeared to have been
carefully wrapped in a piece of woollen cloth then almost entirely
decayed. The hole in the lower plate is large enough to admit of the
insertion of the finger, and was perhaps designed to allow of the bell
being touched as a consecrated and miraculously gifted relic, without
removing it from its case. Dr. Petrie remarks on the quadrangular form
of the Irish portable bells as an evidence of their great antiquity,
and refers to the inscribed one in the Dublin Museum as a remarkable
example of the transition to the later circular form in the ninth
century.[676] A bell of the oblong rounded form rudely fashioned out
of a sheet of bronze, found at Marden, in Herefordshire, is engraved
in the Archæological Journal.[677] The simplicity of its form and
construction abundantly justify its assignment to nearly the same early
period.

[Illustration: Perthshire Bell.]

At no very remote date several of these ancient consecrated bells were
to be found in Scotland, and evidence of the most satisfactory kind
proves the former existence of others dedicated to primitive Scottish
saints, nor is it at all improbable that some of these may still be
preserved. The accompanying engraving represents one example manifestly
of the earliest and most primitive form. It was obtained some years
ago in Perthshire, and now forms one of the many valuable Scottish
relics in the collection of Charles Kirkpatrick Sharpe, Esq.; but
unfortunately no clue exists to its original dedication or the local
associations of its early history. This primitive bell measures four
and a quarter inches in height, including the handle, and three and
three-quarters, by one and three-quarters inches, at the mouth. It is
fashioned out of a single plate of sheet-iron; and the ring which forms
the handle externally projects internally, so as to form a loop, from
which the clapper was suspended.

Though no representations of these singular relics of the Celtic
church have been introduced on the sculptured crosses, they are
figured on various early Scottish seals. The bell of St. Kentigern,
the great apostle of Strathclyde, was an object of devout veneration
at Glasgow for many centuries; and after forming a prominent feature
in the armorial bearings of the archiepiscopal see, still figures in
the modern city's arms. There has even been thought to be sufficient
evidence to justify the belief of the original bell having escaped the
indiscriminate destruction of sacred relics at the Reformation, from
an entry in the accounts of the city treasurer for the year 1578, of a
charge of two shillings "for ane tong to Sanct Mungowe's bell."[678]
But it may be doubted if this could be the original bell of the western
saint, which is figured on the ancient seal of the community of the
city, used in the reign of Robert I., and also on the contemporary
chapter seal, and described by Father Innes as on the burgh seal
attached to a charter, now lost, of the year 1293.[679] On the former
of these its form is very distinctly shewn, completely corresponding
to the earliest square portable bells with looped handles. Its
introduction on these seals attests the great reverence with which it
was regarded; and various references both in the _Registrum Episcopatus
Glasguensis_, and in the _Liber Collegii Nostre Domine, Glasguensis_,
MDXLIX, to the _Campana Beati Kentegerni_, abundantly confirm the
evidence of its sanctity. It is also repeatedly referred to in the
Aberdeen Breviary, as in the anthem appointed for the day of the
apostle of Strathclyde:--

    Visitat alma pii vite septenta loca Petri
    Presul _campana_ cui seruit in ethere sacra.

An author of the seventeenth century affirms that the venerable relic
survived even in the reign of Charles I.;[680] nor is there anything
inconceivable in this, when so many others of the same kind are still
preserved. But it is not at all probable that the bell on which the
citizens of Glasgow, in 1587, expended two shillings in repair was
of so unpractical a form as their old burgh seal proves the original
_campana_ of their patron saint to have been. More probably it was a
large bell in the tower of St. Mungo's Cathedral, for the repair of
which the specified sum might then prove amply sufficient, as appears
from a somewhat earlier entry in the same Burgh Records: "Decimo Maii,
1577, to George Burell, for ane tag to þe towng of þe hie kirk bell,
xxd."[681] From the inscription on the present great bell of the
cathedral it appears that it was presented by Marcus Knox, a wealthy
citizen, in 1594, the old one, after repeated repairs, having at
length, it may be presumed, entirely given way. The woodcut represents
another of these ancient Celtic relics, which, though preserved along
with other memorials of Ireland's saints, in the valuable collection
of Mr. Bell of Dungannon, pertains to one of the primitive apostles of
his own native land, the celebrated Scottish missionary bishop, St.
Ninian or St. Ringan. The _Clog-rinny_, or bell of St. Ninian, is rude
enough to have been contemporary with the Candida Casa of Whithern
in Galloway, and to have summoned to the preaching of the missionary
bishop the first of the tribes of North Briton converted to the worship
of the true God.[682]

[Illustration]

The honour attached to the custody of the most sacred relics occasioned
in various cases the creation of special offices, with emoluments
and lands pertaining to their holders, and the transference of these
to lay impropriators on the overthrow of the ancient ecclesiastical
system, has led to the preservation of some few of the relics of
primitive Scottish saints, even to our own day. But for the rude
shock of civil war which, in the last century, involved so many of
our oldest nobility in the ruined fortunes of the fated Stuart race,
more of these might still have been in existence. Both the "_Sacra
Campana Sancti Kessogii_," and the "_Sacra Campana Sancti Lolani_,"
were included among the feudal investitures of the earldom of Perth--a
sufficiently significant proof of the value ascribed to them. They
are referred to so recently as the year 1675.[683] Less reverential
motives probably led to the preservation of the _Clagan_, or Little
Bell of St. Barry, a favourite old Celtic saint who gives name to the
district of Argyleshire where he is said to have ministered. This
relic, which remained till the close of last century in the possession
of the principal heritor of Kilberry parish, was somewhat larger, and
probably of less hoar antiquity, than the primitive ecclesiastical
memorials previously described. "The bell of St. Barry's Chapel," says
the compiler of the Old Account of the Parish of South Knapdale, "is
still in preservation at Kilberry Castle, and has been long prostituted
to the ignoble purpose of summoning the servants of that family to
their meals. It is inscribed with the saint's name in the Latin
language and Saxon character, but unfortunately without date."[684] I
learn on inquiry, from J. Campbell, Esq., the present proprietor of
Kilberry Castle, that the ancient bell of St. Barry no longer exists.
In a letter with which he has favoured me, he remarks,--"I have heard
my father say that it fell down and cracked. The metal was recast
into another bell, which is here now. I have heard him mention the
inscription, but do not believe there was any copy of it kept." A
remarkable stone cross, with the figure of our Saviour upon it, and
numerous sculptured and incised tombstones, still remain around the
site of the ancient chapel of St. Barry, the ruins of which were
only demolished a few years ago. An inscription upon it bore that it
had been plundered and burnt by Captain Pooley, an English rover, in
1513.[685]

More minute information relative to the preservation of another of the
ancient Scottish saints' bells, as the evidence of hereditary right to
the privileges attached to its custodier, is supplied by "The Airlie
Papers," printed in the Spalding Miscellany. One of these is a formal
resignation of the Bell of St. Meddan, by Michael Dauid, its hereditary
curator, to Sir John Ogilvy; and the transference of it by him to
his wife Margaret, Countess of Moray, of date 27th June 1447. It is
followed by "the instrument of sessyn of the bell," dated twenty-one
days later, from which we discover the substantial advantages
pertaining to the custody of this relic. The Countess was thereby put
in possession of a house or toft near the church of Luntrethin, which
pertained to the bell, of which it formed both the title and evidence
of tenure. "The instrument of sessyn" further describes the formal
process of investiture, the Countess having been shut into the house
by herself, after receiving the feudal symbols of resignation of the
property by the delivery to her of earth and stone.[686]

The Aberdeen Breviary commemorates another Scottish bell, pertaining
to St. Ternan, the apostle of the Picts, and presented to him by Pope
Gregory the Great. It was preserved, with other relics of the saint, at
the church which was erected over his tomb at Banchory, Aberdeenshire;
and legal deeds of the fifteenth century are extant to shew the
importance attached to the custody "of the bell of Sanct Ternan,
callit _the Ronecht_,"[687]--a name most probably derived from the
Gaelic _Ronnaich_, a poet, _rannach_, a songster, in allusion to its
melodious sounds, though such is by no means a usual characteristic of
these primitive bells, their _clogarnach_ or tinkling being anything
but musical. The Old Account of the Parish of Killin, in Perthshire,
furnishes the description of the bell of another favourite Celtic
saint--that of St. Fillan, who flourished in the middle of the seventh
century--not only preserved, but had in reverence for its miraculous
powers, almost to the close of the eighteenth century:--

    "There is a bell belonging to the chapel of St. Fillan, that
    was in high reputation among the votaries of that saint in
    old times. It seems to be of some mixed metal. It is about
    a foot high, and of an oblong form. It usually lay on a
    grave-stone in the churchyard. When mad people were brought
    to be dipped in the saint's pool, it was necessary to perform
    certain ceremonies, in which there was a mixture of Druidism
    and Popery. After remaining all night in the chapel bound with
    ropes, the bell was set upon their head with great solemnity.
    It was the popular opinion that, if stolen, it would extricate
    itself out of the thief's hands, and return home ringing all
    the way. For some years past this bell has been locked up to
    prevent its being used to superstitious purposes."[688]

Pennant visited the locality, and describes the peculiar gifts of
healing ascribed to the saint, but he does not appear to have known of
his bell. Some portions of the ruined chapel exist, and the pool of
Strathfillan remains as of yore, still distinguished by the peasantry
as the Holy Pool, and even visited by some who have faith in its
virtue; but if the bell is to be seen, it must be sought for among
the treasures of some private collector. "It was stolen," says the
author of the recent Account of Killin Parish, writing in 1843, "by an
English antiquarian about forty years ago." Unhappily the old virtues
of the bell had departed, or the saint no longer favours a faithless
generation, else its potent _clogarnach_ should long since have
announced its return to Strathfillan.

On the Island of Inniskenneth, which is affirmed to derive its
name from Kenneth, a friend of St. Columba, whom the prayer of
the saint rescued from drowning--probably the St. Kenanach of
Irish hagiology--there are the ruins of an ancient chapel of small
dimensions, about sixty feet in length, and near to it the remains
of a cross, with numerous tombstones both of early and recent date.
Here, towards the close of last century, according to the Old Account
of the Parish, an ancient bell, most probably that of St. Kenanach,
and described by the Statist as "a small bell used at the celebration
of mass," was then preserved in the chapel.[689] This example, it
is possible, may still be preserved in private hands; and with
so many evidences of the recent existence of these relics of the
first preachers of the faith in Scotland, it is not unreasonable to
conceive that others may also be in safe keeping among the heirlooms
of the older Highland families, which a wider diffusion of a just
spirit of reverence for our national antiquities may bring to light.
Meanwhile, these notices suffice to shew that the beautiful bell found
at Torrebhlaurn is by no means unique in Scotland. Probably none of
the earlier Christian missionaries were without such a potent relic;
and the only Scandinavian influence which history would justify us
in connecting with them, is the diminution of their number and the
spoiling and slaying of their owners, down to the comparatively late
date of St. Olaf's conversion, and his mission to the Pagan Norsemen
of the Orkneys, armed with more carnal weapons than the bishop's
crosier and consecrated bell. With these venerable memorials of the
first preachers of Christianity to the heathen Picts and Scots, may
also be mentioned a more modern relic of the same class, a graceful
little hand-bell, presented to the Society of Antiquaries of Scotland
in 1783, but of which the previous history is unknown. It is decorated,
in basso-relievo, on the one side with the temptation of Adam and Eve,
and on the other with the crucifixion. It is no doubt also an old
ecclesiastical bell, though belonging to a period long subsequent to
the era of St. Kentigern or St. Fillan.

But another and still more interesting relic of St. Fillan, even than
his bell, has descended safely to our own day. An English tourist of
last century communicated to the Society of Antiquaries the following
account of the crosier of St. Fillan, which, with the miracle-working
bell of the Saint of Strathfillan, continued then to occupy the ancient
scene of his ministration.

    "At Killin, July 5, 1782, in the house of Malice Doire, a
    day-labourer, I was shewn what he called the _Quigrich_. It is
    the head of a crosier, formerly belonging to St. Fillan, who
    gave name to a neighbouring Strath. I entreat the Society to
    excuse the rudeness of the representation annexed, it being
    the hasty sketch of a traveller, particularly as it is only
    meant to lead them to the possession of the original. With it
    is shewn a copy of the king's letters of appropriation and
    security, which I have carefully transcribed. The neighbours
    conducted me to the envied possessor of this relic, who
    exhibited it according to the intent of the royal investment.
    A youth of nineteen, the representative of his father's name,
    and presumptive heir to this treasure, lay drooping in an outer
    apartment, under the last gasp of a consumption."[690]

[Illustration]

The royal investment referred to in the letter is granted by James
III., in the year 1487, and sets forth that "Forasmekle as we have
understand that oure servitour Malice Doire and his forebears has had
ane relick of Saint Filane, callit the _Quigrich_, in keping of ws
and of oure progenitouris of maist nobill mynde, quham God assolyie,
sen the tyme of King Robert the Bruys and of before, and made nane
obedience nor answer to na persoun, spirituale nor temporale, in
ony thing concerning the said haly relick utherwayis than what is
contenit in the auld infeftment thareof, made and grantit be oure said
progenitouris, we charge," &c.; and the royal letters accordingly go on
to warrant the custodier of the precious relic to bear it through the
country without let or hindrance, as his fathers were wont to do.

The owner of the Quigrich afterwards emigrated to America, carrying the
ancient relic with him; and the following extract from a letter which
I have recently received from the Rev. Æneas M'Donell Dawson, whose
own immediate ancestors were for a time the guardians of St. Fillan's
crosier, will shew that it is still in safety, though unfortunately
severed from nearly all those national and local associations which
confer on it so peculiar an interest:--

    "The celebrated crook of St. Fillan is still in Canada, and
    in the keeping of the very family to whose ancestor it was
    confided on the Field of Bannockburn, when the king, displeased
    with the abbot for having abstracted from it the relics of St.
    Fillan previously to the battle, from want of confidence, it is
    alleged, in the success of the Scottish cause, deprived him of
    the guardianship.

    "This family, it appears, lost possession of the crosier for a
    time, having disposed of it for a sum of money to an ancestor
    of my mother's family, who adhered to the ancient faith. Soon
    after this transaction, however, ceasing to prosper, and
    attributing their change of circumstances to their indifference
    to a sacred object that had been solemnly entrusted to
    them, they persuaded the purchaser, or rather the person who
    inherited the crosier from him, to part with it in their
    favour. I am not aware of the date of their removal to Canada,
    but I could ascertain it through the kindness of a gentleman
    resident in the same parish, who went to their house expressly
    to see the crosier, in order that he might be able to satisfy
    the friends with whom I was corresponding as to its identity.
    He learned also that they were in treaty some time ago with
    a Mr. Bruce of London--possibly the late Lord Elgin(?)--for,
    I must not say the sale of it, but its restoration to this
    country. £500 was the sum they named at that time as its
    ransom."

A subsequent, but equally unsuccessful effort, for the recovery of the
Quigrich, was made by a gentleman who possesses estates within the
favoured district sanctified of old by the labours of St. Fillan, but
equally unfaithful as the bell of Strathfillan, it has failed to return
to its ancient locality. The accompanying view is taken from the sketch
above referred to, the general accuracy of which is corroborated by the
correspondent already quoted. The crosier is of silver-gilt, and weighs
about seven or eight pounds. It is hollow at the lower end for the
insertion of the staff. On the other extremity, which is flat, a cross
is engraved with a star on each side of it, and a large oval crystal is
set in the front of the short limb. The simple form of this remarkable
relic amply suffices to confirm the great antiquity assigned to it.

The ancient crosier of St. Molocus, another favourite Celtic saint,
has in like manner escaped the ravages of time, and the iconoclastic
zeal of the reformers of the sixteenth century, and after being
preserved for centuries in the immediate vicinity of the cathedral of
Lismore, has recently come into the possession of the present Duke
of Argyle. It is known in the district by the simple name of the
_Baculum More_, or big staff; and consists of a plain curved staff,
formerly decorated with silver at the top, but long since spoiled of
its costlier ornaments. The right of its curatorship, and probably
also of bearing it before the bishops of Argyle, appears to have been
hereditary, and conferred on its holders the possession of a small
freehold estate, which remained in the hands of the lineal descendant
of the old staff-bearer till within the last few years. This estate
was latterly held under a deed granted by the Earl of Argyle in 1544,
the ancient crosier being preserved in verification of the right, till
it was recently delivered up, in return for new titles granted, in
order to enable the late owner, the last of his race, to dispose of
the freehold, which could no longer descend to his heirs. The original
charter of confirmation grants,--"Dilecto signiffero nostro Johanni
M'Molmore vic Kevir, et heredibus suis masculis de suo corpore legitime
procreatis seu procreandis quibus deficientibus at nostram donationem
reuerten. omnes et singulas nostras terras de dimidietate terrarum de
Peynebachillen et Peynehallen extenden. ad dimidiatem merce terrarum
jacen. in Insula de Lismor, cum custodia magni bacculi beati Moloci,"
&c.[691]

[Illustration]

Two other ancient episcopal crosiers remain to be noticed, each of
them associated with Scottish sees. The one here engraved was found,
in its present imperfect state, along with a glove and other relics,
in the course of some excavations in the choir of the cathedral of
Fortrose, when a stone coffin was discovered, which doubtless contained
the remains of one of the old bishops of Ross. This interesting relic
was presented by Sir George Mackenzie to the Society of Antiquaries
of Scotland in 1822, and is now preserved in their Museum. It retains
traces both of colour and gilding, and though greatly decayed and
imperfect, is still characterized by considerable elegance. It measures
the segment of a circle of about five inches in diameter.

[Illustration]

The other crosier referred to belongs to the ancient see of St. Magnus
in the Orkneys, and likewise owes its preservation, like the relics of
more primitive eras, to the medieval practice of depositing the symbols
of the chief pastoral office beside the remains of the deceased bishop.
During the progress of the recent judicious restorations in the choir
of the cathedral at Kirkwall, in the month of August 1848, a modern
flooring was removed, which concealed the bases of the columns and
piers. Several ancient tombs were brought to light by this means, and
in one place on the north side of the altar steps, a finely carved slab
of stone was exposed. On removing this, a small vaulted chamber or
cist was discovered, within which lay a skeleton greatly decayed, and
beside it the crosier figured, carved in oak, and a chalice and paten,
both roughly modelled, apparently in the common white wax frequently
used in ancient seals. The chalice, though somewhat imperfect round
the lip, is otherwise entire, but the paten is greatly injured, and
both are little more than rude symbols of these most essential sacred
vessels used in the service of the mass. The oaken crosier measures
eleven and a half inches long as figured here, but it is notched at the
lower extremity, evidently for the purpose of attaching it to a staff.
The tomb has been supposed to be that of Thomas de Tulloch, circa
1422-1448--a date with which the style of ornament of the crosier very
well agrees, but there is no sufficient evidence to enable it to be
assigned with certainty to a particular individual. Nearly at the same
time as these interesting episcopal memorials were brought to light,
a very curious discovery was made of human remains inclosed in one of
the pillars of the western or most ancient portion of the choir, at a
height of nearly twelve feet from the floor. There was an indentation
or cut in the skull, which, with the singular position of the vault,
induced some of the northern antiquaries to hazard the conjecture that
they had discovered the remains of their patron saint, the good Earl
Magnus: a thing not altogether inconceivable. It was nearly at the
same time that the tomb of William, the first resident bishop of the
Northern Isles, was exposed, as already described.

The form of the ancient Scottish chalice, as indicated on early tombs,
corresponds, as might be expected, to the general usage of the medieval
Church. The wax model found in the supposed tomb of Bishop Tulloch at
Orkney, indicates the same conformity to the prevailing fashions of
the age. The peculiar arts, however, which modified the sepulchral and
monumental sculpture, as well as the architecture of the primitive
Scottish Church, doubtless also occasionally conferred equally
characteristic forms on the sacred vessels and other articles of Church
furnishing.

The chalice is figured on various early Scottish ecclesiastical seals,
as well as on sepulchral slabs and other medieval sculptures. But
an original Scottish chalice, a relic of the venerable abbey of St.
Columba, preserved till a very few years since an older example of
the sacred vessels of the altar than is indicated in any existing
memorial of the medieval Church. The later history of this venerable
relic is replete with interest. It was of fine gold, of a very simple
form, and ornamented in a style that gave evidence of its belonging
to a very early period. It was transferred from the possession of
Sir Lauchlan MacLean to the Glengarry family, in the time of Æneas,
afterwards created by Charles II. Lord Macdonell and Arross, under the
circumstances narrated in the following letter from a cousin of the
celebrated Marshal Macdonald, Duke of Tarentum, and communicated to me
by a clergyman,[692] who obtained it from the family of the gentleman
to whom it was originally addressed:--

    "The following anecdote I heard from the late bishop, John
    Chisholm, and from Mr. John M'Eachan, uncle to the Duke of
    Tarentum, who died at my house at Irin Moidart, aged upwards of
    one hundred years:--

    "Maclean of Duart expecting an invasion of his lands in Mull,
    by his powerful neighbour the Earl of Argyll, applied to
    Glengarry for assistance. Æneas of Glengarry marched at the
    head of five hundred men to Ardtornish, nearly opposite Duart
    Castle, and crossing with a few of his officers to arrange the
    passage of the men across the Sound of Mull, Maclean, rejoicing
    at the arrival of such a friend, offered some choice wine in
    a golden chalice, part of the plunder of Iona. Glengarry was
    struck with horror, and said, folding his handkerchief about
    the chalice, 'Maclean, I came here to defend you against mortal
    enemies, but since by sacrilege and profanation you have made
    God your enemy, no human means can serve you.' Glengarry
    returned to his men, and Maclean sent the chalice and some
    other pieces of plate belonging to the service of the altar,
    with a deputation of his friends, to persuade him to join him;
    but he marched home. His example was followed by several other
    chiefs, and poor Maclean was left to compete single-handed with
    his powerful enemy."

Such was the last historical incident connected with the golden chalice
of Iona, perhaps without exception the most interesting ecclesiastical
relic which Scotland possessed. Unfortunately its later history only
finds a parallel in that of the celebrated Danish golden horns. It was
preserved in the charter-chest of Glengarry, until it was presented
by the late Chief to Bishop Ronald M'Donald, on whose demise it came
into the possession of his successor, Dr. Scott, Bishop of Glasgow.
Only five years since the sacristy of St. Mary's Roman Catholic Church
in that city, where it was preserved, was broken into, and before the
police could obtain a clue to the depredators, the golden relic of
Iona was no longer a chalice. Thus perished by the hands of a common
felon a memorial of the spot consecrated by the labours of some of the
earliest Christian missionaries to the Pagan Caledonians, and which
had probably survived the vicissitudes of upwards of ten centuries.
In reply to inquiries made as to the existence of any drawing of the
chalice, or even the possibility of a trustworthy sketch being executed
from memory, a gentleman in Glasgow writes:--"I have no means of
getting even a sketch from which to make a drawing. Were I a good hand
myself I could easily furnish one, having often examined it. It was a
chalice that no one could look on without being convinced of its very
great antiquity. The workmanship was rude, the ornamental drawings or
engravings even more hard than medieval ones in their outlines, and the
cup bore mark of the original hammering which had beaten it into shape."

The oldest existing Scottish relic of this class is the "Dunvegan
Cup," celebrated by Sir Walter Scott in his "Lord of the Isles," and
still sacredly guarded in the Castle of Dunvegan, in Skye, along with
other Celtic heirlooms of the chiefs of MacLeod. "The Horn of Rorie
More," says Scott, "preserved in the family, and recorded by Dr.
Johnson, is not to be compared with this piece of antiquity, which is
one of the greatest curiosities in Scotland." Its dimensions are nine
inches and three quarters in inside depth, ten and a half in height
on the outside, the extreme measure over the lips being four inches
and a half. The engraving on _Plate_ VI. is from a private plate in
the possession of C. K. Sharpe, Esq., executed from a drawing by Mrs.
MacLeod. Another, but much less accurate or minute view of this curious
relic is given in the Archæologia, from a sketch by Mr. Daniell.[693]
These will serve better than any elaborate description to convey a
correct idea of its peculiar form. The material of the cup is wood, to
all appearance oak, most curiously wrought and embossed with silver
work. A series of projecting bosses appear to have been jewelled, and
two or three of them still retain their simple settings. The ledge,
the projecting brim, and the four legs which support the cup, are of
silver, which with the other silver mountings appear to have been gilt.
Around the exterior is an inscription in Gothic characters, which Sir
Walter Scott deciphered nearly as follows:[694]--

  ~Ufo : Johis : Mich : Mgn : Principis : De :
  Hi : Manæ : Vich : Liahia : Mgryneil :
  Et : Spat : Do : Jhu : Da : Clea : Ill : Dea : Ipa :
  Fecit : Ano : Di : Ix : 93º Onili : Oimi :~

It may be thus extended:--_Ufo Johannis Mich Magni Principis de Hi
Manæ Vich Liahia Magryneil et sperat Domino Jhesu dari clementiam
illi deæ ipsa. Fecit Anno Domini 993 Onili Oimi._ The inscription is
a curious specimen of early Celtic Latinity:--Ufo, the son of John,
the son of Magnus, Prince of the Isle of Man, the grandson of Liahia
Macgryneil, trusts in the Lord Jesus that mercy will be given to him
in that day. Oneil Oimi made this in the year of God nine hundred and
ninety-three. Within the mouth of the cup, on each of the four sides,
is the sacred monogram, ~i.h.s.~, which, coupled with the tenour of the
inscription, leaves little room to doubt, notwithstanding its unusual
form, that it had been originally designed for a chalice, and gifted by
Ufo for the service of the altar. The family legends of the Macleods
associate it with some old traditional chief or hero, Neil Ghlune-dhu,
or Black-knee, but it seems to have been a family heirloom from time
immemorial.

The use of wooden vessels as chalices was, for obvious reasons,
abandoned at an early period, so that the _calices lignei_ became
in later ages a proverbial illustration of the obsolete simplicity
of primitive ages. "We may now take up that old regrait," exclaims
Fountainhall, in moralizing on the immense wealth first acquired by
the Church, about A.D. 600, "when ther ware _calices lignei_ ther ware
then _sacerdotes aurei_, but now when our chalices are of gold and
silver, we have got _ligneos sacerdotes_."[695] Vessels of wood, even
though mounted and jewelled, like the Dunvegan chalice, were very early
disused in the services of the altar; and the mazer cup or maple bowl
constituted one of the most prominent implements in the conviviality
of the Middle Ages. The name indeed ceased at an early period to be
exclusively reserved for those manufactured from the wood of the maple
tree, from whence the mazer had derived its name, and was at length
applied to all drinking cups of a certain class, of whatever material.
Among the beautiful examples of medieval art recently exhibited
at the London Royal Society of Arts, was a beautiful mazer bowl of
silver-gilt, of fifteenth century workmanship, which belongs to Oriel
College, Oxford. Of the same class also, probably, were some of the
Scottish cups enumerated in a curious inventory of the treasure and
jewels of James III., "fundin in a bandit kist like a gardeviant,"
among which are the "FOURE MASARIS, CALLIT KING ROBERT THE BROCIS,
with a cover," and again, "the hede of silver of ane of the coveris
of masar." The same "Collection of Inventorys of Royal Wardrobe and
Jewell-house," from 1488 to 1606, furnishes some interesting minutiæ in
regard to the royal plate and jewels, and the consecrated vessels for
the service of the altar. Besides the mazers, there is "ane cowp callit
king Robert the Bruce coupe, of silver owirgilt,"--another pleasing
evidence of the reverence with which the name of the saviour of his
country continued to be regarded. The royal plate and jewels are of
an exceedingly curious and costly character, while among the "chapell
geir" we find "ane chesabill of purpour velvot, with the stoyle and
fannowne, orphis, twa abbis," &c. Another of "crammosie velvot,
furniset with a stole and a fannoun only;" another "of black velvot,
with croce upoune it, broderrit of clayth of gold." Altar cloths,
broidered and jewelled; "ane challeis and ane patene gilt;" "ane caise
of silver for the messbreid, with ane cover;" "ane litil cors with
precious stanis;" "ane lytill box of gold with the haly croce, send be
the Duk of Albany to the kingis graice;" "ane croce of silver, with
our Lady and Sanct Johne, gilt." Of silver, "ouregilt," in Edinburgh
Castle, "twa chandleris, ane chalice and ane patine, ane halie watter
fatt," &c.; "ane bell of silver;" "ane bassing; ane laver of fyne
massy gold, with thrissillis and lelleis crounit upoun the samen," &c.
The list indeed, of which these are only a few illustrations, greatly
exceeds what might have been anticipated at a period succeeding many
years of national disaster and suffering. It is to be regretted that
scarcely a solitary example of the medieval Scottish "_chapell geir_,"
or of the royal mazer, or convivial bowl, remains to illustrate the
usages of our ancestors. We learn, however, from these old inventories,
that there was no lack of either, and also that the value attached
to the mazer cup dates in Scotland, as elsewhere, from a very early
period. This probably originated in part from superstitious feelings,
arising from some special virtue attached to the wood of the maple
tree. But its close grain, the beauty of its variegated surface, and
its susceptibility of high polish, were doubtless the chief reasons
for its continued use as the material for the pledge-cup and wassail
bowl; and when it was replaced by other woods, or even by the precious
metals, the old name was still retained. The woodcut represents a
mazer of very simple form, and probably of an early age, made not
of the maple but the ash, a tree famed of old for many supernatural
qualities. It was found in the deep draw-well, in the ruined castle of
Merdon, near Hursly, built by Bishop Henry de Blois, A.D. 1138.[696]
The _ciphus de mazero_ frequently figures among the household
effects of citizens of the fourteenth and fifteenth centuries, and
is no less commonly alluded to by the elder poets, as in Robert de
Brunne's version of Wace's _Brut_, written in the latter part of the
thirteenth century, where "mazers of rich price" are specified among
the gifts bestowed by king Arthur on his foreign guests. The mazer
figures also in the inventory of goods of the Sheriff of Nottingham,
taken by "Lytell John," as printed by Wynken de Worde, in the popular
black-letter ballad,--"A Lytell geste of Robyn Hode;" and it is thus
introduced in the fine old Scottish ballad of "Gill Morice,"

    "Then up an' spak the bauld baron,
        An angry man was he;
    He's ta'en the table wi' his foot,
        Sae has he wi' his knee,
    Till siller cup an' mazer dish
        In flinders he garr'd flee."

[Illustration]

[Illustration: Mazer of the Fourteenth Century.]

The mazer cup was evidently regarded as a family heirloom, and as
such inscribed with quaint legends and pious aphorisms, and sometimes
decorated with rich chasing and carving, as Chaucer has so beautifully
described in the "Mazer yrought of the maple," mentioned in his
Shepherd's Callender. The quaint simplicity, both of the devices
and inscriptions of many of the wassail bowls, furnishes curious
illustration of the manners and ideas of the age to which they belong.
Our forefathers had a pious, but withal a very convenient fashion,
of uniting religion with their daily sports, and even, as it might
seem, seeking to sanctify their excesses. Both Chaucer and Dunbar wind
up their freest versions of the Decameron with a pious couplet, and
in like spirit the old toper invoked the Trinity on the rim of his
wassail bowl, and engraved the mystic saint Christopher within it. The
woodcut represents a very beautiful mazer of the time of Richard II.,
now in the possession of Evelyn Philip Shirley, Esq, M.P. It is made
of highly polished wood, apparently maple, and hooped with a richly
embossed rim of silver gilt, on which is inscribed, as shewn in the
annexed fac-simile of a portion of the "edgle of sylver," the following
characteristic invocation:--

[Illustration:

    ~In. the. name. of. the. trinitie
    fille. the. kup. and. drinke. to. me.~]

From the tenor of such legends frequently inscribed on these ancient
cups, it has not been uncommon to describe them as sacred vessels,
designed only for use in the service of the Church. Thus a maple cup,
bearing the date 1608, was forwarded for exhibition at a meeting of
the British Archæological Association in 1848, as a chalice;[697] and
another, apparently of the same character, made in the year 1611, was
shewn to the members of the Archæological Institute in 1850, which
it was also conjectured "might have served in some rural parish as
a chalice."[698] Such cups, however, were by no means rare in the
beginning of the seventeenth century, and though frequently inscribed
in terms calculated to suggest such a sacred character, there will
generally be found some accompaniment in the legend or devices no less
characteristic of mirth and good fellowship. On the 4th January 1667,
Mr. Pepys notes in his gossiping Diary, having "last of all, a flagon
of ale and apples, drunk out of a wood cup, as a Christmas draught,
which made all merry." Fountainhall in his "Decisions," records some
curious notes of an action brought by Sir Alexander Ogilvie, afterwards
Lord Forglen, in 1685, against Sir Alexander Forbes of Tolquhoun, for
stealing a gilded mazer cup out of his house, which was afterwards
accidentally discovered in the hands of a goldsmith in Aberdeen, with
whom its careless owner had left it some years before for repair. From
such glimpses as we recover of the history of the litigants, neither
of the old Scottish baronets seem characters likely to have gifted
chalices, even of maple or ashen wood, though probably well fitted
to match with Secretary Pepys in discussing a "Christmas draught."
One quaint, but very beautiful allusion, however, is made by an old
Scottish writer to the mazer cup, referring to it metaphorically, as
to a sacramental chalice. The passage occurs in Zacharie Boyd's "Last
Battell of the Soule," published at Edinburgh in 1629. "Take now," says
he, "the cup of salvation, the great _Mazer_ of His mercy, and call
upon the name of the Lord."

A curious wooden cup, in the collection of W. B. Johnstone, Esq.,
bearing the date 1611, serves to illustrate the character of the
pious legends graven on the mazers of the seventeenth century,--not
unsuited in part for the decoration of a sacramental chalice, but also
accompanied with other devices and allusions, which leave no doubt of
the real destination of the mazer for the convivial board. Its height
is nine inches, and its greatest circumference, a little below the
brim, nineteen inches. The outer surface of the bowl is divided into
ornamental compartments, within which are grouped the lion, unicorn,
stag, ostrich, hedgehog, dog, and cock, with trees, flowers, &c. The
ostrich is represented regaling himself with a horse-shoe![699] Around
the rim, bowl, stem, and even on the lower side of the stand, the
carver has indulged his moralizing vein, both in prose and verse. The
inscription on the bowl reads,--

      THE FOUNTAYNE OF ALL HEALTH AND WEALTH AND JOYES,
        TO THIRSTY SOULES HE GIVETH DRINK INDEED;
      SUCH AS TURN TO HIM FROM THEIR EVILL WAYES
        SHALL FINDE SOUND COMFORT IN THEIR GREATEST NEEDE;
      BUT EVILL WORKERS THAT IN SINNE REMAINE,
      THEY ARE ORDAYNED TO ETERNALL PAYNE.
    FOR EVERY ONE OF US SHALL BE REWARDED ACCORDING TO
    OUR WORKES; THEREFORE REPENT UNFAYNEDLY AND AMEND.

Round the rim of the stand are the words and date:--THEY THAT SEEKE
AFTER THE LORD SHALL PRAYSE HIM, THEIR HARTS SHALL LIVE FOR EVER.
1611.; and then on the underside of the stand the cup thus takes up the
hortatory strain, in a mixed vein, in _propria persona_:--

    MISSUSE ME NOT ALTHOUGH I AM NO PLATE;
    A MAPLE CUPP THAT IS NOT OUT OF DATE.
    DRINKE WELL, AND WELCOME, BUT BE NOT TOO FREE,
    EXAMINE WHETHER THAT IN CHRIST YOU BE;
    IF THAT YOUR FAITH BE TRUE, AND FIRM, AND SOUND,
    THEN IN ALL GOOD WORKS YOU WILL STILL ABOUND.
        SO RUN THAT YE MAY OBTAYNE.

There was perhaps a little quiet humour lurking in the mind of the
carver when he inscribed these latter excellent and very practical
maxims on the underside of the stand, where it is only possible to
peruse them when the cup is empty! It will be seen that this maple cup
bears a very close resemblance to the contemporary vessels of the same
class referred to in the Journals of the Archæological Association and
of the Institute. Their odd devices and quaint inscriptions are not
unworthy of note by the historian as indicative of the old Puritan
spirit manifesting itself in this simple guise during the reign of
James, preparatory to its stern outbreak in that of his son.

These spurious chalices of modern date have led us somewhat beyond the
legitimate bounds of the subject, though they cannot be considered
quite undeserving of a passing notice. Only one other early Scottish
relic remains to be noted,--a small brass box, closely resembling
several which have been found at various times in England, and have
been supposed to be pyxes, intended to hold the chrism, or by some as
designed only for containing pigments or unguents. Two similar boxes
discovered at Lewis are engraved in the Archæologia, and described as
small bronze pyxes;[700] and another found at Lincoln is figured in the
Archæological Journal.[701] The remarkably close resemblance of these
to the Scottish example manifestly points to some common purpose for
the whole; and the latter is of special value as supplying the means
which are wanting in the others of making some approximation to the
precise age to which they belong. It was found about the year 1818,
near Dalquharran Castle, in the parish of Daily, Ayrshire, filled with
coins of David II. of Scotland, Edwards I. and II. of England, and two
counterfeit sterlings of the Counts of Flanders and Porcieu. It is now
in the Museum of the Scottish Antiquaries.

Few as are the examples of Scottish ecclesiastical relics which we can
now refer to, they are more than we might reasonably anticipate in a
country where the fanes and altars of the medieval church have lain
in ruins for so many centuries, and even the existence of a single
ruined church pertaining to its primitive Christian era may be still
liable to dispute. Though such remains are of less esteem as sources
of information relative to the periods to which they belong than the
objects of earlier eras, they will not be regarded by the intelligent
historian as altogether devoid of value in relation to the peculiar
arts and customs or the degree of civilisation of ages, concerning
which much obscurity has still to be removed.

FOOTNOTES:

[664] A pretty large list of Scottish monumental effigies might still
be made. Descriptions of monuments furnished to me by the Rev. J. H.
Hughes, and George Seton, Esq., include nearly sixty, many of which
contain two recumbent figures, and to these considerable additions
might be made, while many more empty niches suffice to shew where
others once have lain.

[665] Memorials of Edin. vol. ii. p. 169.

[666] Archæologia Scotica, vol. i. p. 260.

[667] Graham's Monuments of Iona, p. 19. Plate XXXIII.

[668] Transactions Cambridge Camden Soc. vol. i. p. 177.

[669] Akerman's Archæological Index. Plate XIX. fig. 6.

[670] Archæol. Scotica, vol. iv. p. 122.

[671] Smith's St. Columba, p. 45.

[672] The word _Termon_ implies church lands, and is also used in the
sense of a sanctuary.

[673] Ecclesiastical Architecture of Ireland, 8vo, p. 252.

[674] Ibid., pp. 247, 251.

[675] _Menstir_, a reliquary; _poolire_, a leathern bookcase or
satchel. _Vide_ Dr. Petrie's illustrations, ibid., pp. 336-342.

[676] Eccles. Architecture of Ireland, 8vo, p. 252.

[677] Archæological Journal, vol. v. p. 329.

[678] Burgh Records of Glasgow. Mait. Club, p. 104.

[679] Regist. Epis. Glasgu., Plates II. and V.

[680] Davidis Camerarii de Scotorum, &c., Paris, 1631. Note in Liber
Col. Nost. Dom. Glasgu.

[681] Burgh Records of Glasgow, p. 100.

[682] Among the valuable ecclesiastical bells in Mr. Bell's collection
are those of St. Ringan, St. Ruadan, St. Columba, St. Patrick, and the
celebrated _Bearnan brighde_, or gapped bell of St. Brigid, so called
from the gap or injury which tradition affirms it to have received when
flung by St. Patrick in the midst of the venomous reptiles which he was
banishing from the green isle!

[683] Inquis. at Capit. Dom. Regis Retornatum Perth., NN. 708, 880.

[684] Sinclair's Stat. Acc., vol. xix. p. 318.

[685] MS. Letter from J. Campbell, Esq. of Kilberry Castle.

[686] Airley Papers, Spalding Miscellany, vol. iv. pp. 117, 118.

[687] Regist. Episc. Aberdon., vol i. pp. 327, 328; Spalding
Miscellany, vol. iv. Pref. p. xxii.

[688] Sinclair's Stat. Acc. vol. xvii. p. 377.

[689] Sinclair's Stat. Acc., vol. xiv. p. 208.

[690] Archæol. Scot., vol iii. p. 289.

[691] The Charter is printed in full in the _Reliquiæ Antiquæ Scoticæ_,
No. xxxv. p. 150.

[692] Rev. Æneas M'Donell Dawson.

[693] Archæologia, vol. xxii. Plate XXXIII.

[694] I have ventured on two slight alterations of Sir Walter Scott's
reading of the original inscription, which seem indispensable for
making sense of it. What he calls "the puzzling letters _Hr_," there
can be little doubt is the Celtic _Hi_, or island. The concluding
words of the first part, which Sir Walter renders _illdra. ipa_, and
then extends to _illorum opera_, somewhat to the confusion both of
derivation and grammar, become by the simple substitution of an _e_ for
an _r_--letters nearly similar in the old Gothic character--_ill. dea.
ipa_, fully admitting of the rendering above suggested. Not having seen
the cup myself, I must leave the date for determination by some future
observer; but from the character of the lettering it is probable that
it will prove at least a century later, the _ix._ being more likely
an _m_, which would assign it to the memorable year in which Malcolm,
Margaret, and Edgar died. _Vide_ note E., Lord of the Isles.

[695] Fountainhall's Historical Notices, Bann. Club, vol. ii. p. 498.

[696] Archæol. Journ., vol. iii. p. 361.

[697] Journal of the Archæological Association, vol. iv. p. 403.

[698] Archæological Journal, vol. vii. p. 81. _Vide_ also vol. vi. p.
189.

[699] This quaint version of an old popular error forms the crest of
more than one Scottish family, but there is no indication of its being
introduced on the mazer as a heraldic device, or symbolic reference to
its original owner.

[700] Archæologia, vol. xxxi. p. 437.

[701] Archæological Journal, vol. vi. p. 71.




CHAPTER IX.

MISCELLANEOUS ANTIQUITIES.


The numerous relics which illustrate the arts and manners of the
Medieval Period have already furnished English and foreign antiquaries
with copious materials for large and valuable treatises on single
selected departments, nor is the field of Scottish medieval art
greatly less productive. It is not, however, designed in this closing
chapter to do more than select a few characteristic examples of a very
miscellaneous character, which are worthy of a passing glance in a
treatise on Scottish Archæology, though they pertain to a branch of
the subject which can only be satisfactorily dealt with in detached
monographs. Of medieval personal ornaments it would be vain to attempt
the most cursory enumeration in a closing chapter; but their value as
elements of medieval history is altogether different from those of the
primitive periods heretofore referred to. Whatever exhibits to us the
artistic skill, the ingenuity, and the personal habits of a past age,
cannot be without interest to the historian; but we manifestly stand in
a very different position in relation to those accessories of history
when dealing with comparatively recent and literate ages.

[Illustration: Gold Ring, Flodden Field.]

One branch of medieval art--the fictile ware--naturally possesses
peculiar attraction to the Archæologist, as the offspring of the
primitive arts already minutely considered. So far as may be judged
of Scottish medieval pottery from the few examples preserved, it does
not greatly differ from contemporary English fictile ware. One curious
specimen found in 1833 at Perclewan, in the parish of Dalrymple,
Ayrshire, is described as "a pitcher of earthenware like that
represented in prints in the hand of the woman of Samaria, at the well
of Sychar."[702] It is glazed, as is most usual with medieval pottery,
of a greenish colour, and is curiously decorated on the front with the
face and hands of a man in relief. From the description it appears to
bear a close resemblance to a fictile vessel found at the bottom of an
old well, discovered under the foundation of houses in Cateaton Street,
City, London, taken down in 1841.[703]

Several fine specimens of medieval pottery were dug up a few years
since on the estate of Courthill, in the vicinity of Dalry, Ayrshire,
and are now in the possession of the proprietor, Andrew Crawford, Esq.
Nearly at the same time a remarkable antique sword was discovered at
Courthill. The blade, which was of iron, was so greatly corroded that
only a fragment of it could be removed; but the handle is of bronze, in
the form of a dragon, and is described as characterized by considerable
elegance.

[Illustration]

Fragments of pottery, of a similar character to the most abundant class
of early English medieval pottery, were dug up at a considerable depth,
during the progress of excavations on the Castlehill of Edinburgh in
1849, for constructing a large reservoir, but they were unfortunately
too much broken by the workmen to admit of any very definite idea
being formed of their shape. The annexed woodcut is from an example
in my own possession, which was dug up a few years since in the
ancient tumular cemetery in the neighbourhood of North-Berwick Abbey,
East-Lothian. It measures eleven and a quarter inches in height, and
about five and a half inches in greatest diameter, and is covered,
both externally and internally, with the usual greenish glaze, common
on contemporary English pottery. Various similar specimens appear to
have been discovered in the same locality, but in most cases only
to be destroyed,--such coarse earthenware being naturally regarded
as scarcely worth the trouble of removing. The example figured here
represents a small but very curious specimen of Scottish fictile
ware, in the collection at Penicuick House, of the precise age of
which we have tolerably accurate evidence. It was found on one of the
neighbouring farms in the year 1792, filled with coins of Alexander
III., and of Edward I. and II. of England. It measures only three and
three quarters inches in height; and is perforated at nearly uniform
intervals with holes, as shewn in the engraving. It is of rude unglazed
earthenware, and is unsymmetrical, as represented here.

[Illustration]

[Illustration]

Another class of relics found in considerable numbers at North-Berwick,
as well as in various other districts, are small tobacco pipes,
popularly known in Scotland by the names of _Celtic_ or _Elfin
pipes_, and in Ireland, where they are even more abundant, as _Dane's
pipes_. The woodcut represents one of those found at North-Berwick,
the size of the original. To what period these curious relics belong,
I am at a loss to determine. The popular names attached to them
manifestly point to an era long prior to that of Sir Walter Raleigh
and the Maiden Queen, or of the royal author of "A Counterblast to
Tobacco," and the objects along with which they have been discovered,
would also seem occasionally to lead to similar conclusions, in
which case we shall be forced to assume that the American weed was
only introduced as a superior substitute for older narcotics. Hemp
may in all probability have formed one of these. It is still largely
used in the East for this purpose; but Mr. C. K. Sharpe informs me
that even in his younger days it was common for the old wives of
Annandale to smoke a dried white moss gathered on the neighbouring
moors, which they declared to be much _sweeter_ than tobacco, and
to have been in use before the American weed was heard of. I leave
the subject, however, for further investigation, only adding one or
two examples of the circumstances under which these Elfin pipes have
been found. The ancient cemetery at North-Berwick is in the vicinity
of a small Romanesque building of the twelfth century, and close
upon the sea shore. Within the last fifty years the sea has made
great encroachments, carrying off a considerable ruin, and exposing
the skeletons of the old tenants of the cemetery, along with many
interesting relics of former generations, at almost every spring tide.
Notices of similar discoveries of the Elfin pipe occur in several of
the Scottish Statistical Accounts under various circumstances, but
some of them certainly suggestive of their belonging to a remote era:
_e.g._--

    "Many of the ancient British encampments appear in the
    parish [of Kirkmichael, Dumfriesshire.] Upon some of these
    being opened ashes have been found, likewise several broken
    querns or hand-mills, and in one of them, upon the farm of
    Gilrig, with a partition crossing it, and which seems to have
    been occupied during later times, there was dug out a sword
    having a basket-hilt, but so much covered with rust that it
    was impossible to form any accurate opinion respecting its
    antiquity. There was also seen a number of pipes of burnt clay,
    with heads somewhat smaller than that of the tobacco-pipe now
    in use, swelled at the middle and straiter at the top."[704]
    Again,

    "Till lately, one of those remarkable monuments of antiquity,
    called standing stones, stood at Cairney Mount, (parish of
    Carluke, Lanarkshire,) but the hope of finding a hidden
    treasure induced some rude hand to destroy it. It is supposed
    to have stood at the side of a Roman road passing from Lanark
    across the bridge of the Mouse beneath Cartland Crags....
    A celt or stone hatchet; Elfin-bolts, (flint and bone
    arrow-heads); Elfin pipes, (pipes with remarkably small bowls);
    numerous coins of the Edwards, and of later date, have been
    found in the neighbourhood."[705] An example is also noted of
    the discovery of a tobacco pipe in sinking a pit for coal at
    Misk, in Ayrshire, after digging through many feet of sand.[706]

Some of the Scottish and Irish Elfin pipes are even smaller than
the example figured above, and seem still better adapted for the
recreations of "the good people" to whom their origin is popularly
ascribed. Others are ornamented with patterns in relief, and many of
them, though not generally of the very smallest size, are stamped with
figures or devices. One example in the possession of Mr. C. K. Sharpe,
found at a depth of many feet on the Castlehill of Edinburgh, bears the
impress of the initials [Illustration: TB L]; and of upwards of seventy
specimens in the collection of Mr. Bell of Dungannon, some are stamped
R D, and on others are the letters G Λ, C L, [Illustration: o oHo], and
I P.

The annexed woodcut represents a still more curious relic, apparently
pertaining to the same class of objects, though greatly more primitive
in form and construction. It appears to be a tobacco pipe fashioned in
red sandstone in the form of an animal's head, and with the perforation
for inserting the straw or reed by which it must have been completed,
made obliquely through one of the eyes. It was found in digging a drain
at the village of Morningside, at the base of the Pentland Hills, where
numerous traces of primitive population have been brought to light, and
was presented to me by Dr. David Skae, Physician of the Royal Asylum
there. It is figured here about two-thirds the size of the original.

[Illustration]

In the Museum of the Scottish Antiquaries there is a curious collection
of Irish "Danes' pipes," precisely similar in form to those found in
Scotland. A variety of examples of the same kind, found both in England
and Ireland, are also figured in the Dublin Penny Magazine,[707]
along with certain "clay pipe-stoppers, evidently appendages to pipes
with small bowls," but which those who can still remember the obsolete
fashions of the past generation have no difficulty in recognising as
the periwig curlers of much more recent times than the Danes, if not
the Elves! The conclusion arrived at by the writer in the Dublin Penny
Magazine is, that these Danes' pipes are neither more nor less than
tobacco pipes, the smallest of them pertaining to the earlier years of
Queen Elizabeth's reign, when the rarity and value of tobacco rendered
the most diminutive bowl sufficiently ample for the enjoyment of so
costly a luxury. From this he traces them down to the reign of Charles
II., by the increasing dimensions of the bowl. It is not improbable
that these conclusions may be correct, notwithstanding the apparent
indications of a much earlier origin, which circumstances attendant
on their occasional discovery have seemed to suggest. The following
description of a curious Scottish memorial of the luxury would,
however, seem at least to prove that we must trace the introduction
of tobacco into this country to a date much nearer the discovery of
the New World by Columbus than the era of Raleigh's colonization of
Virginia. The grim old Keep of Cawdor Castle, associated in defiance
of chronology with King Duncan and Macbeth, is augmented, like the
majority of such Scottish fortalices, by additions of the sixteenth
century. In one of the apartments of this later erection, is a stone
chimney, richly carved with armorial bearings and the grotesque devices
common on works of the period. Among these are a mermaid playing the
harp, a monkey blowing a horn, a cat playing a fiddle, and a fox
smoking a tobacco pipe. There can be no mistake as to the meaning of
the last lively representation, and on the same stone is the date
1510--the year in which the wing of the castle is ascertained to have
been built.[708]

[Illustration: Ancient Claymore.]

The arms and armour are no less characteristic of the medieval than
of earlier periods, and are not without minuter national details
well worthy of note. There was indeed from the very commencement of
the Scottish medieval period in the eleventh century, to the final
disarming of the Highland clans in 1746, two completely diverse
modes of warfare and military accoutrement prevailing in Scotland.
The old Celtic population, occupying for the most part the Highland
fastnesses, retained many of the usages of their forefathers under
partially modified forms, and even in the decoration of their weapons
and defensive armour preserved the ancient style, which is still
traceable on the Pictish monuments of Scotland. Many of the circular
Highland targets of the seventeenth and eighteenth centuries present
exactly the same interlaced knotwork as may be seen on bosses and
limbs of early crosses, and even on relics belonging to the last Pagan
era. A mere glance, however, at a few characteristic examples must
suffice here; and among these none is more noticeable than the old
claymore with reversed guard, which is sculptured on so many of the
ancient tombstones of Iona and of the Western Isles. In the portrait
of James I. of Scotland, which accompanies the old folio edition
of the Scots Acts, the king bears a weapon of this description. It
occurs, however, on tombs of a much earlier period, and is now very
rarely to be met with. One good small example is in the Museum of the
Scottish Antiquaries, and another larger and very fine specimen, the
handle of which is here engraved, is in the valuable collection of W.
B. Johnstone, Esq. The claymore is figured in the sculptures both of
Iona and Oronsay with a considerable variety of details. In some the
blade is highly ornamented, and the handle varies in form, but all
present the same characteristic, having the guards bent back towards
the blade. A curious variety of this peculiar form is seen in a fine
large two-handed sword preserved at Hawthornden, the celebrated castle
of the Drummonds, where the Scottish poet entertained Ben Jonson
during his visit to Scotland in 1619. It is traditionally affirmed to
have been the weapon of Robert the Bruce, though little importance
can be attached to a reputation which it shares with one-half the
large two-handed swords still preserved. The handle appears to be
made from the tusk of the narwhal, and it has four reverse-guards,
as shewn in the cut. The object aimed at by this form of guard
doubtless was to prevent the antagonist's sword from glancing off, and
inflicting a wound ere he recovered his weapon, and in the last example
especially it seems peculiarly well adapted for the purpose. Among the
curious collection of ancient weapons in the Museum of the Scottish
Antiquaries, is a sword the blade of which measures thirty-two and
a half inches long, and has a waved edge, returned a short way over
the back. It was discovered among the ruins of Bog-Hall Castle, near
Biggar, Lanarkshire; while the handle, which is made of the section
of a deer's horn, and is still more remarkable than the blade, was
found at a great depth in a morass, on the property of Sir Thomas G.
Carmichael, Bart., in Tweeddale.

[Illustration: Hawthornden Sword.]

[Illustration]

The later two-handed sword, though still so familiar to us, is perhaps
the most interesting in an archæological point of view, of all the
military relics pertaining to the Medieval Period. The huge, ponderous,
and unwieldy weapon, seems the fittest emblem that could be devised,
of the rude baron of the thirteenth century, who lived by "the good
old rule" of physical force, and whose hardy virtues--not unsuited
to an illiterate age--are strangely mistaken for the evidences of a
chivalry such as later ages have not seen. Calmly reasoning from this
characteristic heirloom, as we have done from those of remoter and
less known periods, we discern in it the evidence of just such hardy,
skilless, overbearing power, as history informs us was the character
of the medieval baron, before the rise of the burgher class readjusted
the social balance by the preponderance of rival interests. The weapon
figured here is a remarkably fine and unusually large specimen of the
old Scottish two-handed sword, now in the possession of George Seton,
Esq., representative of the Setons of Cariston. It measures forty-nine
inches in the blade, five feet nine inches in entire length, and weighs
seven and a half pounds. But the chief interest of this old relic
arises from the well-authenticated family traditions which associate it
with the memory of its first knightly owner, Sir Christopher Seton of
that Ilk, from whom some of the oldest scions of the Scottish Peerage
have been proud to trace their descent. He was married to Christina,
sister of King Robert the Bruce, whom he bravely defended at the battle
of Methven. He was shortly after taken prisoner by Edward I., and
basely hanged as a traitor. "So dear to King Robert was the memory of
this faithful friend and fellow-warrior, that he afterwards erected on
the spot where he was executed a little chapel, where mass was said
for his soul."[709] Besides this fine example of a Scottish two-handed
sword, may be mentioned that ascribed to Sir William Wallace, preserved
at Dumbarton Castle; that of Sir John Graham of Dundaff, (slain 1298,)
in the possession of the Duke of Montrose; another "Wallace sword" at
Kinfauns Castle; and other specimens at Talyskir, in the Isle of Rasay;
at Abbotsford; and in the Museum of the Scottish Antiquaries.

Among the most recent additions to the same collection is another
remarkable weapon, which possesses undoubted historical value, and may
be associated with more confidence with the great victory of Robert
the Bruce than most of the relics that bear his name. It consists
of the head of a battle-axe, of iron, coated with bronze, which is
figured here. It was discovered in draining the morass at Bannockburn
in 1785, and is considerably broken on the edge, evidently from its
use upon the mailed panoply of the gallant knights who fought in that
hard-stricken field. It measures eight and a quarter inches in length,
and four and three quarters in height, from the point to the insertion
of the haft.

[Illustration: Battle-Axe, Bannockburn.]

Numerous other remarkable specimens of ancient Scottish arms and
armour are preserved both in the Museum of the Scottish Antiquaries
and in other public and private collections; but a mere reference
to these without copious illustrations could be of little avail to
the antiquary. The Scottish Museum includes a variety of specimens
of the old quarrel-head, or Wallace Bolt, as it is generally termed;
ancient swords, lance and spear heads, cross-bows, daggers, dirks,
hunting knives, and the old Highland Lochaber-axe, with the more modern
fire-arms, and other military accoutrements, including the singularly
complicated purse-clasp, described by Sir Walter Scott as that of the
celebrated outlaw Rob Roy, with four pistols ingeniously concealed
in it for defence of the contents of the purse. Still more recent
relics preserve associations with the victors of Prestonpans and the
vanquished of Culloden Moor. But such objects belong perhaps fully more
to the poet than to the archæologist, and are too frequently employed
to add a fictitious interest to collections, the real use and value of
which have yet to be appreciated.

[Illustration: Lochaber Axes.]

[Illustration: Sculpture, Edinburgh Castle. Mons Meg.]

Some remarkable pieces of ancient artillery also figure in Scottish
history, one or two of which have escaped the perils of siege and
the waste of time, though the most of them live only in the quaint
records of Scottish chroniclers, like the famed Seven Sisters, cast
by Robert Borthwick, the master-gunner of James IV., which did their
last Scottish service on Flodden Field. A better fate has attended the
still more celebrated Mons Meg, whose unwieldy proportions probably
proved her safety, by inducing the impetuous king to leave her behind,
when he carried the flower of Scottish chivalry to that fatal field.
The ancient barrier gateway of Edinburgh Castle, built most probably
soon after the siege of 1572, was surmounted with a curious piece of
sculpture, occupying a long narrow panel, which is chiefly filled
with representations of artillery and munitions of war, and among
these Mons Meg plays a prominent part. The old-fashioned narrow
wheel carriages of the sixteenth century having given place to more
substantial modern artillery waggons, the highly ornamental but narrow
gateway was demolished in the beginning of the present century, and
one-half of its sculptured panel, figured here, now surmounts the
entrance to the Ordnance Office in the Castle. At the left side is
the famed Mons Meg--or, as she is designated in the list of ordnance
delivered to Monk, on the surrender of the Castle in 1650, "_The great
iron murderer, Muckle Meg_"--mounted, in all probability, on her "new
cradill, with xiii stane of irne graith," which, as we learn from
the Treasurer's accounts, was provided in 1497, not long after her
safe return from the siege of Dumbarton Castle. This remarkable piece
of ordnance is not cast like a modern cannon, but built of wrought
iron hoops and bars, or staves, and with a narrow fixed chamber in
the breach for containing the charge. It appears to be of enormous
strength; but after doing good service for upwards of two centuries,
both in peace and war, it burst on the 29th October 1680, when firing a
salute in honour of James, Duke of York, on his arrival in Edinburgh;
an occurrence which, as Fountainhall records, failed not to be regarded
as an evil omen. This mode of fashioning artillery with separate staves
and hoops is the oldest method of which we have any account, and was
probably universally employed on the first introduction of gunpowder
in constructing what our old Scottish poet designates, in the earliest
known allusion to field artillery, _crakys of war_. This curious
reference of the old metrical historian, Barbour, is to the first
expedition of Edward III. against the Scots in 1327, and consequently
may be accepted as fixing the precise date of the introduction of
artillery into Scotland:--

    "Twa noweltyeis that dai thai saw,
    That forouth in Scotland had been nane;
    Tymmris for helmys were the tane,
    That t'other crakys wer of war,
    That thai before heard never er:
    Of thai tua things thai had ferly
    That nycht thai walkyt stalwartly."

Among the specimens of ancient pieces of ordnance in the Scottish
Museum is a curious pair of cannons, built in a similar manner to
Mons Meg, with hoops and staves of iron, bound with copper, measuring
each twenty-nine inches in length, and designed for mounting on one
stock. This double cannon was formerly stationed on the walls of Wemyss
Castle, Fifeshire, and is said to have belonged to the celebrated
Scottish admiral, Sir Andrew Wood of Largo. Double guns of the same
description, mounted on one carriage, are figured in the beautifully
illuminated MSS. of Froissart, believed to have been executed about
the beginning of the fifteenth century. They are also shewn on wheel
carriages among the Scottish artillery at the battle of Pinkie in a
very curious print belonging to the Bannatyne Club, entitled, "_The
Englishe victore agaynste the Schottes, by Muskelbroghe, 1547_."
Another piece of ancient artillery in the Scottish collection consists
of a still more complicated group of cannons of similar construction,
four being mounted on one carriage, and the whole united by an iron
rod at the breach. They are evidently designed to be fired at once,
so as to discharge a broadside on the enemy; and however tardy and
inconvenient the reloading of these pieces may have been, the first
broadside from a park of such artillery must have had no slight effect
on an advancing foe.

The second half of the curious sculptured memorial of ancient Scottish
artillery in Edinburgh, divorced from the group which includes Mons
Meg, on the demolition of the barrier gateway in 1800, lay long
neglected and buried in rubbish. It was at length rescued from
impending destruction, and safely lodged in the Museum of the Scottish
Antiquaries. It includes a singular group of ancient ordnance and
warlike appliances; chamber pieces or patereros, with chambers or
moveable breeches--frequently used separately for throwing small
shot; bombards, chiefly employed for throwing great stones; a curious
hexagonal cannon of large proportions, constructed, it may be presumed,
of separate bars; hand-cannons, or the earliest class of portable
fire-arms; with lintstocks, shot, barrels of powder, &c. Along with
these are also large guns of symmetrical form, which may be presumed to
represent brass cannon, as the art of casting cannon was introduced at
a much earlier period than the date suggested for the rebuilding of the
barrier gateway, though it is by no means improbable that the sculpture
may have belonged to a still older structure. Cannon are said to have
been cast even in the middle of the fourteenth century;[710] and a
brass cannon is still preserved at Toulouse, made in the year 1438.

One other class of relics, singularly characteristic of medieval
customs and civilisation, includes the instruments both of punishment
and of torture, of which Scotland may lay claim to the questionable
boast of having some peculiarly national examples. At a period when
criminal punishment avowedly assumed the character of retaliation and
revenge, and when torture was recognised as a legitimate means of
eliciting evidence, Scotland was not behind the other countries of
Europe in the full use of both. The execution at Edinburgh, in 1436, of
the murderers of James I., the poet king, and especially the horrible
scenes attending on the death of Sir Robert Graham and the Earl of
Athole,--crowned, in fearful mockery, with a red-hot iron diadem as
king of traitors,--sufficiently illustrate the ferocious spirit which
went hand in hand with medieval chivalry. One of the most curious
historical relics of this class is the Scottish Maiden, employed, so
far as we know, for the first time in the execution of some of the
inferior agents in the assassination of Rizzio. By this instrument
were beheaded the Regent Morton, Sir John Gordon of Haddo, President
Spottiswoode, the Marquis and Earl of Argyle, and many more of the
noblest and best blood in Scotland. The Earl of Argyle is reported
to have said, with a grave humour worthy of Sir Thomas More: it was
the sweetest maiden he had ever kissed. It now forms one of the most
remarkable national relics in the Scottish Museum, having, it may be
presumed, performed its last office as the instrument of death. It is
impossible to look without feelings of peculiar interest upon this
ancient Scottish guillotine, so directly associated with the great of
past ages; though the vindictive spirit which sought at times to give
an added ignominy to a violent death cheated it of the blood of the
gallant Kirkaldy, of Montrose and Warriston, as well as of others of
lesser note, who figure in the Scottish chronicles of the sixteenth and
seventeenth centuries.

[Illustration: The Scottish Maiden.]

The Boots and Thumbkins are two instruments of judicial torture,
especially associated in Scotland with the sufferings of the
Covenanters during the reign of Charles II. Neither of them, however,
were invented so recently. Torture, which the Roman law permitted
only to be used in compelling the evidence of slaves, bore no such
limitation in medieval Europe; and the name of _the Question_, commonly
applied to it, abundantly shews the direct purpose for which it was
employed. Examples of this barbarous mode of seeking to elicit the
truth are frequently to be met with in the earlier Acts of Sederunt
of the Court of Session: as in a case of suspected perjury, 29th June
1579, where the King's Advocate produces a royal warrant for examining
"Jhone Souttar, notar, dwelland in Dundee, and Robert Carmylie, vicar
of Ruthwenis, witnes in the action of improbatioun of ane reversioun
of the lands of Wallace-Craigy; and for the mair certane tryall of the
veritie in the said matter, to put thaim in the buttis, genis, or ony
uther tormentis, and thairby to urge them to declair the treuth." One
pair of thumb-screws in the Scottish Museum, of unusually large size,
is said to have been the instrument employed by the authorities of the
ancient burgh of Montrose for eliciting confession; and a ruder pair,
of peculiar form, in the Abbotsford collection, is figured in the
illustrated edition of the Waverley Novels.[711] Sir Walter Scott has
given fearfully vivid life, in his "Old Mortality," to the tribunal of
the Scottish Privy Council, where such horrible appliances were last in
vogue. Happily they too are consigned to the cabinet of the antiquary,
telling of times which are, we may hope, as truly left behind as the
aboriginal Stone Period, with its primitive arts and superstitions, and
its simple sepulchral rites.

[Illustration: Thumb-Screws, Antiq. Museum.]

The Scottish JOUGS and BRANKS are old instruments of punishment,
popularly associated, for the most part, with judicial visitations
of a more homely and less revolting character than those previously
referred to, though not altogether free from sterner associations.
The jougs, which consist of an iron collar attached by a chain to a
pillar or tree, form the corresponding Scottish judicial implement to
the English Stocks: applied, however, not to the legs or arms, but to
the neck. They are still to be met with attached to the porch of our
older village churches, or occasionally to some venerable tree in the
surrounding churchyard, their application having been most frequently
reserved in the olden time for the enforcement of ecclesiastical
discipline. The woodcut represents a fine old pair of jougs, the
property of Sir William Jardine, Bart., which were found imbedded in
a venerable ash tree, recently blown down, at the churchyard gate,
Applegirth, Dumfriesshire. The tree, which was of great girth, is
believed to have been upwards of three hundred years old, and the jougs
were completely imbedded in its trunk, while the chain and staple hung
down within the decayed and hollow core. The more usual form of the
jougs is simply a flat iron collar with distended loops, through which
a padlock was passed to secure the culprit in his ignominious durance.
Along with this may be mentioned a singular and probably unique relic
of old Scottish judicature, preserved in the Museum of the Scottish
Antiquaries, to which it was presented in 1784. It consists of the
brass collar of a Scottish slave of the eighteenth century. The collar
is inscribed in accordance with the terms of the following verdict,
which shews that the case was not singular; and having been dredged up
in the Frith of Forth, it seems sufficiently probable that the unhappy
victim may have chosen death in preference to the doom from which
there was no other release.

[Illustration: Jougs, Applegirth.]

    "At Perth, the fifth day of December 1701 years, the
    Commissioners of Justiciary of the south district, for securing
    the peace of the Highlands, considering that Donald Robertson,
    Alexander Steuart, John Robertson, and Donald M'Donald,
    prisoners within the Tolbooth of Perth, and indicted and
    tried at this court, are by verdict of the inquest returned,
    GUILTY OF DEATH; and that the Commissioners have changed their
    punishment of death to perpetual servitude; and that the said
    pannells are at the court's disposal. Therefore the said
    Commissioners have given and gifted, and hereby give and gift,
    the said Alexander Steuart, one of the said prisoners, as ane
    perpetual servant to Sir John Areskine of Alva, recommending
    him to cause provide an collar of brass, iron, or copper, which
    by his sentence or doom, (whereof an extract is delivered to
    the magistrates of the said burgh of Perth,) is to be upon his
    neck with this inscription: ALEXR. STEUART, FOUND GUILTY OF
    DEATH FOR THEFT, AT PERTH, THE 5TH OF DECEMBER 1701, AND GIFTED
    BY THE JUSTICIARS AS A PERPETUAL SERVANT TO SIR JOHN ARESKINE
    OF ALVA; and recommending also to him to transport him from the
    said prison once the next week; and the said Commissioners have
    ordained and hereby ordain the magistrates of Perth, and keeper
    of their Tolbooth, to deliver the said Alexander Steuart to
    the said Sir John Areskine of Alva, having the said collar and
    inscription conform to the sentence of doom foresaid."[712]

From another deed of gift, it appears that Donald M'Donald was bestowed
in like manner on John Earl of Tullibardine.[713] No doubt the other
two were similarly disposed of by gift, if not by positive sale--so
very recently was slavery a part and parcel of Scottish law: feudal
customs, and the singular ideas incident to the peculiar social
state of the Highlands, having remained little affected by all the
changes wrought on the Lowland Saxon and the Southron, until the final
overthrow of the clans on Culloden Moor abruptly broke the traditions
of many centuries.

The BRANKS is another Scottish instrument of ecclesiastical punishment,
chiefly employed for the coercion of female scolds, and those adjudged
guilty of slander and defamation. It may be described as a skeleton
iron helmet, having a gag of the same metal, which entered the mouth
and effectually _brankit_ that unruly member--the tongue.[714] It
is an instrument of considerable antiquity, and has probably not
unfrequently been employed for purposes of great cruelty, though in
most examples the gag is not designed to wound the mouth, but only to
hold down the tongue. In the Burgh Records of Glasgow, for example,
under date of April 1574, "Marione Smyt and Margaret Huntare" having
quarrelled, they appear, and produce two cautioners or sureties, "þat
þai sal abstene fra stryking of utheris in tyme cuming, under þe
pane of X lib., _and gif thai flyte to be brankit_."[715] One very
complete specimen still preserved at St. Mary's Church, St. Andrews,
is popularly known as the Bishop's Branks, and is usually said to
have been fixed on the head of Patrick Hamilton and of others of the
early Scottish martyrs who perished at the stake during the religious
persecution of James V.'s reign. This tradition, however, is not borne
out by history in the case of Hamilton, and is probably the addition
of a later age, though the instrument may possibly have supplied both
Archbishop and Cardinal Beaton with a ready means of restraining less
confirmed recusants, and thereby nipping the new heresy in the bud.
But the real origin of its present title is to be traced to the use of
it in much more recent times, by Archbishop Sharp, for silencing the
scandal which an unruly dame promulgated openly against him before the
congregation. A view of the Bishop's Branks is given in the Abbotsford
edition of _The Monastery_, where it is described as formerly kept
at St. Mary's Church. It still remains there, in the custody of the
sexton, and is regarded with such general interest as is likely to
secure its preservation. The annexed woodcut is drawn from another
example, which was discovered in 1848 behind the oak panelling in one
of the rooms of the ancient mansion of the Earls of Moray, in the
Canongate, Edinburgh. The term _Branks_, it may be added, is also used
in Scotland to designate a rude substitute for a horse's bridle and
bit, formed most frequently of a halter and stick. Some few years since
the frightful instrument represented below was preserved in the old
steeple at Forfar, where it bore the name of the _Witch's Branks_ or
_Bridle_, and is described in the Old Statistical Account of the parish
of Forfar as the bridle with which the wretched victims of superstition
were led to execution. The field, it is added, where they suffered is
pointed out to strangers as a place of curious interest. The witch's
bridle was carried off from Forfar to add to the antiquarian treasures
of the late well-known collector Mr. Alexander Deuchar of Edinburgh.
The date 1661 is punched on the circle, along with what seems to read
ANGUS S.[716] The object aimed at in applying so dreadful a gag to
those who were condemned to the stake as guilty of witchcraft and
dealing with the devil, was not so much the purposed cruelty which its
use necessarily involved, as to prevent the supposed possessors of such
unearthly gifts from pronouncing the potent formula by means of which
it was implicitly believed they could transform themselves at will to
other shapes, or transport themselves where they pleased, and thus
effectually outwit their tormentors. It furnishes a melancholy index
of the barbarism which prevailed in our own country at so very recent
a period, that educated men could be found to give credit to such
follies, or that even among the most illiterate and rude, executioners
could be enlisted to apply to a woman an instrument the very picture of
which is calculated to excite a shudder.

[Illustration: The Branks, Moray House.]

[Illustration: Witch's Bridle, Forfar.]

It would not be difficult to add to these common instruments of
punishment and of torture others equally characteristic of the spirit
of the age, though not brought into such general use. Registers of
various kirk-sessions recently printed by the Abbotsford Club, the
Spottiswoode Society, and others of the Scottish literary book clubs,
disclose much curious evidence of the petty tyranny and cruelty
too frequently exercised by these courts in the enforcement of
ecclesiastical discipline, most frequently by means little calculated
to promote reformation or good morals. In these, however, as in
the traces of earlier manners which we have sought to recover, the
historian finds a key to the character of the age to which they belong,
and indications of its degree of advancement in civilisation, such as
no contemporary historian could furnish, since it supplies elements
for comparing and for contrasting the present with the past, no less
available than the rude pottery and the implements of flint or bone
which reveal to us the simple arts of aboriginal races. The great
difference in point of value between the two classes of relics is, that
those more recent indices of obsolete customs supply to us only an
additional element wherewith to test and to supplement the invaluable
records which the printing press supplies, while the latter are the
sole chronicles we possess of ages more intimately associated with our
human sympathies than all the geological periods of the preadamite
earth.

FOOTNOTES:

[702] New Statist. Account, vol. v. p. 279.

[703] Journ. Archæol. Assoc., vol. iii. p. 63.

[704] New Stat. Account, vol. iv. p. 71.

[705] Ibid. vol. vi. p. 581.

[706] Ibid. vol. v. p. 430.

[707] Dublin Penny Magazine, vol. iii. p. 29.

[708] Carruthers' Highland Note-Book, p. 154.

[709] Tytler, third edition, vol. i. p. 229; Robertson's Index, pp.
135-138. The outer wood-casing of the handle is modern, and incorrectly
made in imitation of a small single-handed sword. That of the old
two-handed sword was invariably nearly straight, so as to admit of the
hand moving freely along it. The two-handed claymore figured on p. 682
is probably one of the very earliest examples of the transition to the
later unwieldy weapon. The handle measures fourteen inches, and the
blade three feet three and a half inches, in length.

[710] Archæologia, vol. v.; Ibid. vol. xxviii. pp. 383, 385.

[711] Abbotsford Edition, vol. ii. p. 24.

[712] From a copy in the possession of Alexander Macdonald, Esq.

[713] Transactions of the Society of Antiquaries of Perth.

[714] _To brank_, to bridle or restrain. _Vide_ Jamieson's Scot. Dict.

[715] Burgh Records of Glasgow, p. 7.

[716] Sir J. G. Dalyell's Darker Superstitions of Scotland, p. 686.




CHAPTER X.

CONCLUSION.


In the two previous chapters, as well as in that devoted to medieval
ecclesiology, some of the later exemplars of Scottish arts and
civilisation have been glanced at, coeval with many authentic
historical documents, to which the researches of the antiquary can only
add supplementary illustrations. These, however, though legitimately
included in the compass of archæological investigations, do not
strictly come within the plan of this work, except in so far as they
suffice to illustrate the remarkable contrast, both in character and
historical value, of the antiquities of the Primitive and Medieval
Periods. Viewing Archæology as one of the most essential means for the
elucidation of primitive history, it has been employed here chiefly
in an attempt to trace out the annals of our country prior to that
comparatively recent medieval period at which the boldest of our
historians have heretofore ventured to begin. The researches of the
ethnologist carry us back somewhat beyond that epoch, and confirm many
of those conclusions, especially in relation to the close affinity
between the native arts and Celtic races of Scotland and Ireland, at
which we have arrived by means of archæological evidence. Of the six
Celtic dialects known, either as living languages or preserved in
books, the Irish and the Scottish Gaelic most nearly approximate, the
former being to a great extent only a cultivated and more artificial
modification of the other. The Manx dialect, though belonging to
the same subdivision, differs much more considerably from both,
representing, it may be assumed, the northern Celtic tongue prior to
the intrusion of the Scoti into Ireland, or their later colonization
of Dalriada. Again, the three several dialects of the Celtic idiom
of the ancient Britons, the Welsh, the Cornish, and the Armorican,
differ essentially from all these; thus clearly indicating the early
separation which took place between the Southern Celtic Britons and
the Picts, and the modification of the peculiar characteristics of the
latter by local influences in which the former bore no share. In all
these respects the conclusions of the ethnologist receive not only
confirmation but much minute elucidation from archæological research.
But we have found from many independent sources of evidence, that the
primeval history of Britain must be sought for in the annals of older
races than the Celtæ, and in the remains of a people of whom we have as
yet no reason to believe that any philological traces are discoverable,
though they probably do exist mingled with later dialects, and
especially in the topographical nomenclature, adopted and modified,
but in all likelihood not entirely superseded by later colonists. With
the earliest intelligible indices of that primeval colonisation of
the British Isles our archæological records begin, mingling their dim
historic annals with the last giant traces of elder worlds; and, as an
essentially independent element of historical research, they terminate
at the point where the isolation of Scotland ceases by its being
embraced into the unity of medieval Christendom.

The subdivision of historic periods here indicated is by no means
peculiar to Scotland. The isolation of the elder nations was universal
prior to the diffusion of Christianity. Egypt, Nineveh, Babylon, Tyre,
Judea, Greece, Carthage, and even Rome, each stood solitary amid
its vastest conquests. It was reserved for the Popedom--that great
fact of medieval history--to create a unity by means of which the
isolation of the nations came to an end without the sacrifice of their
individuality. But that also was no final stage in the world's history;
and though the shadow of Papal supremacy still lingers as a medieval
relic which has outlived its use, time has developed nobler elements
of unity, in harmony with the true spirit of modern nationality. In
nothing is the practical character of modern scientific discovery
and mechanical skill--the steam-engine, the railway, the electric
telegraph--more apparent than in its antagonism to this antiquated
isolation of the nations. Between the modern and the primeval periods,
the medieval era interposes as the long stage of transition in which
the transforming influences of the new faith were changing the whole
social fabric, and moulding it into higher forms. But as these things
of the past have made way for the time which is, so too must it give
place, as a transition time and the precursor of a still brighter
future. The world itself is a transition stage, and all sublunary
things are but the preparatives for a mightier futurity. Viewed as
a part of the great cosmical history of which geology has recovered
so many chapters, the labours of the archæologist seem to add but a
few stray leaves. The strata of the earth's crust, deep as we can
penetrate, or lofty as we may climb, are filled with the evidences of
the organic life of preadamite orders of being; but it is only in the
latest diluvial superficies that we detect those traces of our own
race, which thus so unmistakably announce that man is but of yesterday.
If, however, the isolated individuality of the elder nations of the
world's history confers on each of them an interest which we seek
for in vain in those of the medieval era of transition, man also has
a peculiar individuality which gives a value to the most perishable
relics he casts behind him in his brief lifetime. To the geologist one
perfect example is a certain type of its species, and hence a complete
geological collection is a conceivable thing; but it is not so with
the labours of the archæologist. He aims at recovering a clue to the
esoteric no less than to the exoteric indices of past generations, and
sees in each varied relic the product of human thought, invention, and
intelligent design. Each human being of all the past ages, born into
time as an immortal being, had a personality and a destiny which give
to whatever traces may he recoverable of him an interest for all time.
Minutest variations may be the fruits and evidence of a mental labour
never repeated, and each device of fancy or caprice may contain a clue
to the character of the individual mind,--a reflex, as it were, of the
individuality, of the psychical physiognomy of its originator. If we
except, indeed, the treasures of the numismatist,--which are, strictly
speaking, a branch of written history,--there are no true duplicates in
the collection of the archæologist. His researches are conducted in a
boundless field, since their novelty is as inexhaustible as the phases
of human thought. Nor can the archæologist forget, while thus reviewing
his own study as a branch of human knowledge, and seeking for it its
just place among the Sciences, that he is little likely to overestimate
the dignity of a pursuit which embraces within its aim the primal
history of man.

The geologist, devoutly scanning the records of earlier Creation,
traces onward the development of higher organizations, not as an
embryonic life, passing by some innate or self-generated law of
vitality from the fœtal and immature to more perfect and higher states
of being, but as successive ideas of the Divine Creator thought out
into a recorded actuality; while each, by its embryonic organization,
or by its manifestations of the lower nature of a preliminary and
imperfect dispensation, reveals the mind of the Creator, and purposely
foreshadows the "better things to come." Literal types are these, but
shadows also pointing onward from the first days in that uterine week
of Creation when the Spirit of God moved on the face of the deep,
and the formless and the void became instinct with successive orders
of being, until at length man was made in the Divine image, and God
rested from his work. Into the original moral condition of that most
perfect fruit of Creation thus born in the fulness of time, it is not
our province here to enter. Archæology, in a peculiar sense, deals
with man mortal, not immortal--with man not as he was made at first,
"upright," but as the seeker out of "many inventions;" and as such
he too appears to us, like the elder offspring of Creation, in an
embryonic state, from which we follow him upward step by step until we
recognise in the present an harvest of all the past. The Archaic Period
presents, indeed, as one of its most peculiar characteristics, the
abundance of native gold, but the true GOLDEN AGE OF MAN lies before
him, not behind. Some nations do appear from the very dawn of history
possessed of a singularly developed civilisation. Such, however, was
indispensable to the existence of any history not purely mythic or
archæological; while in the very oldest of these we discover also the
traces of a still earlier embryonic period through which they have
passed.

A general system of Archæology remains as yet a desideratum. Egypt
stands alone in its strange old civilisation, as if, Minerva-like,
it had sprung forth at once a maiden nation, endowed with arts,
polity, and an organized social system; but even its unwritten
history, we have seen, retains the traces of an ante-historic Stone
Period--a childhood in common with the world's younger commonwealths.
Heretofore, however, the infancy of nations has been, for the most
part, contentedly left in the wrappages of their first swaddling
myths. Of Asia our knowledge of its primitive archæology is only by
means of the merest fragmentary and isolated data, which can piece
into no coherent system. India and China reveal much that illustrates
the maturity of an elder and superseded period, but nothing as yet
that takes hold of the beginnings of things. Nineveh and Babylon have
recently yielded up strange and most interesting records of the past;
but the more minutely we investigate these, the less reason we find
for imagining that they pertain to the infancy of Asiatic nations. The
primeval archæology of Asia remains yet to be explored. It must not
be sought for among the deserted scenes of barbaric pomp and oriental
magnificence, on the banks of the Tigris or the Euphrates, but in the
northern steppes, and on the less hospitable heights, and the outlying
valleys which skirt the seats of elder empire. There truths of the
deepest importance in relation to the history of man still lie recorded
in undeciphered annals. There only can we hope to find the types which
have been repeated, with endless variations, by the later wanderers,
not only into Europe, but throughout the diverse regions of the New
World. When this branch of knowledge has been thoroughly explored, we
shall possess a new argument for the unity of the human race, not less
conclusive than any which the ingenious learning of the philologist
has supplied. Of another chapter in the progress of man, bearing more
directly on the elucidation of the antehistorical period of Europe,
that of the north-western migration from central Asia, a comprehensive
general system of archæology has yet much to reveal. We owe to the
Asiatic researches of Humboldt a clear understanding of the systems
of mountain chains, both of Europe and Asia, which have exercised so
important an influence on the distribution of the entire Fauna of the
two continents. A remarkable simplicity of structure is discernible
in the arrangement of the continuous lines of greatest elevation,
which strikingly coincides with the traces we can recover of the route
pursued by the successive nomadic waves of population which have passed
from Asia to Europe. These chains of abrupt elevation, which appear
to have served as natural tracts, within the defined limitations of
which the nomade races were urged onward by as natural a law as the
river is borne seaward in its channel, are composed of four great
systems of mountains, almost uniformly directed from west to east,
and parallel with the greatest length of the continent. These are the
Altai, the Thianshan, the Kuenlun, and the Himalaya. A glance at the
map of Asia, and especially at the admirable physical charts prepared
by Mr. Alexander Keith Johnston, shews with singular precision the
courses of continuous migration, the localities where mountain barriers
arrested for a time some portion of the migrating nomades, as in the
eddies of a stream, and the vast yet isolated steppes in which they
may be assumed to have settled down for ages, and become the centres
of later migratory offshoots, tending ever to the north-east. Tracing
again the influence of the geographical features of the old world at
the imaginary line of separation between Europe and Asia, we discern
the physical causes of known historical facts. We see the inevitable
course of the old patriarchal tribes, from the table-land of Iran, and
the great Asiatic peninsulas beyond, directly to Asia Minor and the
narrow Straits of the Dardanelles, while the table-land of Syria and
Arabia is shut in to the western shores of Palestine, the seat of Tyre
and of Judea. Northward of this the Caspian Sea seems placed as it were
to exclude the wanderers for a time from their final settlements. South
of it a narrow shore appears to be the appointed channel by which one
early stream passed along the continuous line of the Kuenlun chain to
the base of the Caucasus, and from thence reached the ancient scenes of
Pelasgian colonization. But it is by the wider gorge, to the north of
the Caspian Sea, that the great nomadic tide must have flowed, while
we see there the Ural chain stretching southward to limit the European
portal of colonization, and to arrest and detain the wanderers who
pursued a more northerly course. Herein, therefore, may be discovered
the geographical elements in which important ethnological distinctions
have had their rise, while at the same time the archæologist discovers
in it an additional motive for pursuing his researches into the
primitive antiquities of the great northern Asiatic steppes, where the
true key to the sources of European primeval archæology, we cannot
doubt, is yet to be found.

Of this comprehensive system of antehistorical research the Archæology
of Scotland forms the merest fractional item. It is indispensable,
however, for the integrity of the whole; and as I believe that it is
not at Babylon or Nimrud, but in the northern steppes of Asia, that
the primeval history of the elder continent must be sought, so also
it is not in the annals of Greece or Rome, or in the antiquities
of the adjacent kingdoms, modified by their arts and arms, but in
Ireland, Scotland, and the Scandinavian countries, that we may hope
to recover the unadulterated first chapters of European history. The
precise conclusions to which we have been led, in relation to Scottish
Archæology, are such as amply accord with this idea. The Celtæ, we
have seen reason to believe, are by no means to be regarded as the
primal heirs of the land, but are on the contrary comparatively
recent intruders. Ages before their migration into Europe, an unknown
Allophylian race had wandered to this remote island of the sea,
and that in its turn gave place to later Allophylian nomades, also
destined to occupy it only for a time. Of these antehistorical nations
Archæology alone reveals any traces. Hitherto both the historian and
the ethnologist have ascribed their remains to the later Celtæ, the
first historical race of Northern Europe, introducing thereby confusion
and cumulative error into all reasoning on their data. These elements
of history can only be rectified and properly adjusted when the
primitive archæology of the various countries of Europe has been sifted
and treated in detail, and when each subdivision has been traced to
its origin, and most probably to its Asiatic source. We need not doubt
that an abundant phalanx of workers will ere long be found enlisted
in this interesting field of research. The mere gathering of curious
rarities commanded but a limited sympathy, while their possession was
the sole end to be attained, and the gratification of an impassive
acquisitiveness superseded the search for truth. The fossil encrinite
or the "witch bead"[717] was equally singular and valueless, so long
as it was merely an incomprehensible _lusus naturæ_. But when it
came to be recognised as the index to the history of a whole genus
of radiated polyps, both recent and fossil, it was taken from the
novelties of the curiosity-hunter, and permanently classified among
the illustrations of natural science. It were easy to shew why it is
that we have been slower in turning to account the no less manifest
illustrations of the history of the _Bimana_, first order in the class
of mammals. Some of the sources of this tardy recognition of their
value have already been glanced at; but it is sufficient that we are
now learning to discover their true use, and are at length aiming at
the recovery of a just view of man as a rational and immortal creature,
by means of the perishable trappings which he throws off behind him,
in his passage across this probationary stage of being. We are all
conscious of passionate longings after a knowledge of the past, no less
than of an instinctive desire to search into the future. Man "looks
before and after," he feels himself no isolated being, but one link in
a vast chain, the ends of which stretch away immeasurably into the past
and the future; and while he discovers in the preadamite periods of
creation a preparatory dispensation, he recognises in his own period a
more perfect one, not because he conceives it to be final, but because
he knows it to be probationary, and the preliminary to that which is
perfect. Thus, by thoughts in which the antiquary dwells on the yet
undeveloped designs of the Ancient of Days, does he perceive a new
dignity and sacredness in pursuits which not the ignorant only have
heretofore deemed puerile and worthless, recognising in them the means
of recovering lost links in that chain by which such mighty truths
depend. He looks upon the shadowy past by the clearer light of the
future; and while the revelation of "life and immortality" adds a new
force to his convictions of the unity which pervades creation, and is
manifested in Providence, it also stimulates with a more lively energy
his desire to lay hold upon "the evidence of things not seen."

FOOTNOTES:

[717] _Witch beads_, _Fairy beads_, _St. Cuthbert's beads_, are all
names by which the _Entrochi_, or joints which compose the stem of the
_Encrinite_ or Stone Lily, are popularly known in various districts of
Scotland and the north of England.




INDEX.


  Aberbrothoc Abbey, 617.

  Aberdeen, the Cathedral of St. Machar, Old, 628.

  Aberdeen, St Nicholas' Church, 649.

  Aberdeenshire, 37, 51, 53, 71, 74, 78, 111, 113, 121, 157, 265, 283,
      287, 293, 301, 305, 413, 419, 434, 439, 462, 497, &c.

  Aberlemno Stone, 497, 498, 499.

  Achir-na-Kyle, Burgh of, 422.

  Achnacreebeg, 67.

  Adair, John, the Geographer, 578.

  Adder-beads, 304.

  Adder Stone, 140.

  Airswood Moss, 61.

  Alaterva. _Vide_ Cramond.

  Alauna Fluvius, 384.

  Albanic Duan, 468, 478, 479.

  Albanich, 195, 472.

  Albiones, 195.

  Alexander I., 604, 608, 610.

  Alexander II., 534.

  Alexander III., 618, 679.

  Alexander the Great, Coin of, 200.

  Alfred the Great, 213.

  Alloa, 311, 313, 496.

  Allophyliæ, 161, 205, 343, 701.

  Almond, River, 392.

  Alvie, Parish of, 142.

  Amber, 304.

  Ambries, 637.

  American Antiquities, 102, 127, 134, 158, 210, 340, 417, &c.

  American Crania, 167.

  Amulets, 140, 298, 439.

  Amusements, 562.

  Analyses of Bronzes, 240-249.

  Anglo-Saxon Architecture, 584.

  Anglo-Saxon Barrows, 58.

  Anglo-Saxons, 470.

  Angul, 9.

  Angus MacFergus, 473.

  Angusshire, 262, 495, &c.,

  Animal-shaped Sacred Vessels, 556.

  Annan Street, 334.

  Annandale, 334, 394, 397, 411, 458, 679, &c.

  Annular Ornament, 445.

  Antimony, 196.

  Antiquaries, Danish, 8, 17, 271, 461.

  Antonine Wall, 365, 372.

  Anwoth Parish, 542.

  Applegirth, Jougs of, 691.

  Archæology, Classification of, 18.

  Archæology, connexion with Geology, 6, 21, 38, 697.

  Archaic Period, 191.

  Archaic, the Definition, 339.

  Architecture, Historic value of, 408.

  Architecture, Medieval Ecclesiastical, 600.

  Architecture, Primitive, 74, 103.

  Architecture, Primitive Ecclesiastical, 582.

  Ardchattan, Cromlech at, 67.

  Ardersier Point, 263.

  Ardnadam, 67.

  Ardoch Camp, 34.

  Argyleshire, 63, 67, 71, 76, 122, 129, 132, 253, 262, 266, 270, 309,
      316, 410, 448, &c.

  Armagh, Bell of, 656.

  Armillæ, Bronze, 325, 446.

  Armillæ, Gold, 307, 316, 320, 324, 424.

  Armillæ, Silver, 443.

  Armour, Bronze, 268.

  Armour, Iron, 435.

  Armour, Medieval, 574.

  Arran, 66, 530.

  Arrow-heads, Flint, 124, 126, 185, 212, 446.

  Arthur, King, 501, 502.

  Arthur Seat, 228, 283, 285.

  Arthur's Oon, 370, 598.

  Asiatic Antiquities, 204, 218, 360, 477, 699.

  Aspatria, Cumberland, 312.

  Assyrian Antiquities, 204, 255, 282.

  Astarte, the Syrian Goddess, 201.

  Astronomy, Science of, 4.

  Auchindavy, 277, 372.

  Auchmacher, Hill of, 293.

  Auld Wives' Lift, 66.

  Axe-blades, 253.

  Axes, Stone, 134, 136.

  Ayrshire, 31, 61, 142, 267, 300, 333, 410, 457, 678, &c.

  Aztecks, 167, 210.


  Badenoch, 413.

  Balgone, 279.

  Ballat, Moss of, 395.

  Ballinasloge, Discovery of Gold at, 207.

  Balls, Stone, 138, 563.

  Ballutheron, 501.

  Balmaclellan, Parish of, 563.

  Banca, Island of, 196.

  Banchory-Devenich, Parish of, 121, 167, 283.

  Banffshire, 61, 142, 311, &c.

  Bannockburn, Field of, 39, 437, 685.

  Barcly, Moor of, 60.

  Barmekyn of Echt, 413.

  Barnair, Valley of, 61.

  Barnkirk, Moss of, 31.

  Barrach, 439.

  Barrows, Anglo-Saxon, 58.

  Barrows, Classification of Scottish, 44.

  Barrows, Classification of English, 43.

  Barry Hill, 501.

  Basin, Stone, 149.

  Basques, 11.

  Battle-Axe, Ancient, 685.

  Battle-Axe, or Bill, Ancient, 438.

  Beaded Torc, 449.

  Beads, Glass, 303.

  Beads of Shale, 179.

  Bear, Cave, 23.

  Beauly, Frith of, 63.

  Beaver, 24, 193.

  Bede, 594.

  Belt Clasp of Shale, 300.

  Beltane, Scottish Festival of, 418.

  Beregonium, 63.

  Berwickshire, 245, 437, 444, &c.

  Bill, Ancient, 438.

  Bilton, Yorkshire, 231.

  Bell Barrow, 54.

  Bell, Kilmichael-Glassrie, 652.

  Bell of Ballynaback, 656.

  Bell of St. Columba, 654.

  Bell of St. Fillan, 662.

  Bell of St. Kenanach, 663.

  Bell of St. Kentigern, 659.

  Bell of St. Kessogius, 661.

  Bell of St. Lolanus, 661.

  Bell of St. Meddan, 661.

  Bell of St. Ninian, 660.

  Bell of St. Ternan, 662.

  Bell, Perthshire, 658.

  Berkshire, 213.

  Birrens, 368, 396, 397, 400.

  Birrenswork Hill, 277, 397, 457.

  Black Knowe, 55.

  Black Moss, 63, 76.

  Blackadders of Tullyallan, 279.

  Blackerne, 443.

  Blair Drummond Moss, 33, 70, 129, 152, 222.

  Blatum Bulgium, 368, 370, 396, 400.

  Boadicea, 392.

  Boar, Wild, 144.

  Bodkins, Bone, 143, 219.

  Bodkins, Bronze, 515.

  Bodkins, Gold, 328.

  Bodkins, Silver, 515.

  Bog Iron Ore, 359.

  Bogheads of Kintore, 301.

  Bone Arrow-heads, 184.

  Bone Bodkins, 143, 219, 433.

  Bone Dagger, 141.

  Bone Implements, 83.

  Bone Lance, 33, 142.

  Bone Ornaments, 155.

  Bonnington Mains, Cromlech at, 67.

  Bookan, Ring of, 45.

  Boots, the Scottish, 689.

  Borthwick, Parish of, 285.

  Bos Longifrons, 24, 382.

  Bos Primigenius, 23, 25.

  Boss Cairns, 60.

  Boss of Shield, 436, 440, 441, 456, 553.

  Bothwell, Collegiate Church of, 625, 627.

  Bouchard, M., 5.

  Bowes, Yorkshire, 311.

  Bowl Barrow, 54.

  Braccata, Gallia, 337.

  Bracelets, Bronze, 325, 446.

  Bracelets, Gold, 307, 316, 319, 322, 324.

  Bracelets, Silver, 443.

  Braco, 200.

  Bracteates, Silver, 520.

  Branks, The, 690, 692.

  Branks, The Bishop's, 692.

  Brass, Celtic, 239.

  Brasses, Sepulchral, 649.

  Brazen Age, 204.

  Breacan, 337.

  Brechin. _Vide_ Round Tower.

  Brechin Cathedral, 595.

  Brick-making, Origin of, 364, 369.

  Bridekirk, Font with Runic inscription at, 550.

  Brigantia, the Goddess, 277, 397.

  Britanni, 195.

  Broadford Bay, 157.

  Brogar, Bridge of, 107.

  Brogar, Ring of. _Vide_ Stennis.

  Broidgar, Knowes of, 44, 444.

  Bronze, Analyses of, 238-249.

  Bronze Implement, Curious, 269.

  Bronze, Original source of, 203, 238.

  Bronze Period, 191.

  Bronze Reaping-Hooks, 269.

  Bronze Rings, 227.

  Bronze Spear-heads, 226, 232, 241, 288.

  Bronze Swords, 226, 228, 242, 245, 247, 264.

  Bronze, The introduction of, 202, 238, 338.

  Bronze Weapons, 250.

  Brooch, Celtic, 219, 504, 559, 560.

  Brooch, Dunipace, 530, 559.

  Brooch, Glenlyon, 220, 560.

  Brooch, Hunterston Runic, 524.

  Brooch, Lorn, 220, 560.

  Brooch, Oval, 301, 523, 553, 554; _Pref._ xxiv.

  Brough, Shetland, 149.

  Bruce, Robert, The, 220, 560, 619, 671, 683, 684.

  Bruce, Sir Michael, 370.

  Bruce's Acres, 437.

  Bruce's Howe, 419.

  Bruntone, 61.

  Buchan, 78.

  Buchanness, 305.

  Buittle, Parish of, 123.

  Bunaw Ferry, 63.

  Bunrannoch, 447.

  Burghar, Burgh of, 178, 424.

  Burgh-Head, 411, 443.

  Burghs, 420.

  Burghs, Sepulchral Remains in, 423.

  Burgie, 293.

  Buteshire, 99, 530, 615.


  Cadiz, Phœnician colony of, 197.

  Cairn-a-vain, 141.

  Cairnie, 53, 71.

  Cairnlee, 64.

  Cairnmore, 319.

  Cairnmure, 317.

  Cairns, 59.

  Cairnwochel, 64.

  Caithness, 139, 142.

  Caithnesshire, 301, 420, 425, 523, 589, &c.

  Caiy Stone, 95.

  Caldale, 443, 521.

  Calicinated Rings, 314.

  Campbell, The Poet, 123.

  Campbeltown, 262, 410.

  Camp-Kettles, Bronze, 273, 274-279.

  Camp-Kettles, Iron, 436.

  Campsie Hills, 410.

  Camus Stone, 93.

  Candida Casa, 480, 582, 583.

  Canmore, Malcolm. _Vide_ Malcolm.

  Cannons, Ancient, 687.

  Cannons, Double, 687.

  Canoes, Primitive, 30-32, 34-38.

  Canute, King, 322.

  Capricornus, 374.

  Carinn, 231.

  Carlinwark Loch, 31, 437.

  Carlochan Cairn, 265.

  Carluke, Parish of, 680.

  Carmichael, 320.

  Carmyle Hill, 309.

  Carrington, Village of, 389.

  Carron, River, 32.

  Carstairs, 295, 440.

  Carthaginian Antiquities, 198.

  Cassiterides, 194.

  Cassiteron, 195.

  Castle Douglas, 437.

  Castle Over, 411.

  Castle Tellve, 421.

  Castle Troddan, 421.

  Castlecary, Roman Station of, 401.

  Castlehill, Roman Station, 369, 375.

  Castlemilk, 37, 438.

  Castor Europæus, 24.

  Castrum Alatum, 384, 390.

  Cat Stanes, 95.

  Caterthun, Brown, 412.

  Caterthun, White, 412.

  Cathkin Hills, 55.

  Catt Stane, 96.

  Cauldrons, Bronze, 274.

  Causeway End, 437.

  Caves, 88.

  Cawdor Castle, 681.

  Celt Moulds, 223.

  Celtæ, 11, 472.

  Celt-Axe, 252.

  Celtic Arts, 220, 559.

  Celtic Brass, 239.

  Celtic Brooch, 219, 504, 559, 560.

  Celtic Cranium, 163, 172.

  Celtic Dialects, 472, 695.

  Celtic Manners, 219, 504.

  Celtic Metallurgists, 215.

  Celtic Metallurgy, 406.

  Celtic Palæography, 529, 534.

  Celtic Pipes, 679.

  Celtic Use of Runes, 528, 532, 534, 535.

  Celts, Bronze, 224, 228, 242, 251, 255, 257.

  Celts, Stone, 35, 106, 129, 135, 251.

  Ceres, Parish of, 293.

  Cetacea, Fossil, 24, 33.

  Chain, Gold, 318.

  Chain, Silver, 448.

  Chairs, Stone, 531.

  Chalice, Golden, of Iona, 669.

  Chalice, Kirkwall, 667.

  Chappelerne, 265.

  Chariot, War, 455.

  Charioteer, Tomb of a British, 456, 460.

  Charlemagne, Chessmen of, 571.

  Charlemagne, The Sword of, 211.

  Charms, 140, 298, 439.

  Cheese Wring, Cornwall, 272.

  Chepman, Walter, 634, 636.

  Chess, Game of, 565.

  Chessmen, Lewis, 567.

  Chesterlees Station, 318.

  Chevron Ornament, 284, 289, 340, 608.

  Child, Axelvold, 452.

  Christian Period, 467.

  Christiansborg, Palace of, 18, 311, 577.

  Chroniclers, Medieval, 13.

  Chronology, 2, 19.

  Cinerary Urn, 69.

  Cists, 69, 122, 179, 224.

  Cists, Incised, 332, 334.

  Cists, Oaken, 461-464.

  Clach Bhuai, 140.

  Clach Stein, 97.

  Clachan of Inches, 114.

  Clackmannanshire, 312.

  Clasp of Belt, Shale, 300.

  Classernish, Temple of, 115, 150.

  Claymores, Ancient, 682.

  Clerk, Sir John, 32, 61, 255, 261, 270, 315, 317, 458, 578.

  Clog beanuighte, 656.

  Clontarf, Battle of, 589.

  Closeburn, 122.

  Closeburn Hall, 278.

  Cluinmore, 449.

  Clyde, River, 34.

  Cockenzie, 134, 142, 168.

  Cockernonie, 452.

  Coffin, Stone, 651. _Vide_ Cists.

  Coffins, Wooden, 176, 464.

  Coil, King, 333.

  Coilsfield, Incised Cist at, 332.

  Coins, Anglo-Saxon, 443, 521.

  Coins, British, 198, 213, 353.

  Coins, Cufic, 521, 558.

  Coins, Egyptian, 200.

  Coins, Gaulish, 198, 353.

  Coins, Greek, 200.

  Coins of Comius, 353, 375.

  Coins of Cunobeline, 198, 213, 353.

  Coins, Parthian, 200.

  Coins, Primitive, 199, 353, 519.

  Coins, Roman, 199, 383, 384, 387, 390.

  Coins, Scottish, 433, 519.

  Collessie, 454.

  Combs, Bone, 424, 554.

  Combs, Bronze, 300.

  Comrie, 76.

  Conigsburgh, 427.

  Copenhagen, Museum of, 18.

  Copper, 196, 202, 338.

  Copper, Tools of, 203.

  Corbiehall, 440.

  Corn-crushers, 139.

  Cornwall, 194, 197, 217, 360.

  Coronation Stone. _Vide_ Lia Fail.

  Corrie Knows, 437.

  Corslet, Gold, 272.

  Corstorphine Church, 622.

  Craig Phaidrick, 134.

  Craigdarroch, 268.

  Crakraig, 285.

  Cramond, 366, 370, 383, 386, 390, 392.

  Crania, 12, 160, 227.

  Cranial Measurements, 165.

  Crawfurd, Abbot, 611.

  Crawfurd Moor, 216, 295.

  Cree, Moss of, 252.

  Cremation, 49.

  Crinan, Abbot of Dunkeld, 491, 492, 603.

  Cromdale, Parish of, 315.

  Cromlech, 66, 271, 272.

  Cromlech, Origin of, 65, 68.

  Cromlix, 68.

  Crosier, Bishop Tulloch's, 667.

  Crosier, Fortrose Cathedral, 666.

  Crosier of St. Fillan, 664.

  Crosier of St. Molocus, 665.

  Crosses, Stone, 497, 498, 509, 514.

  Crosses, Stone, Isle of Man, 537.

  Crossmichael, Parish of, 255, 265, 298.

  Crowned Barrow, 56.

  Cruden, 51, 157, 293.

  Cruithne, 59, 430, 468, 470, 474, 477.

  Cufic Coins, 521, 558.

  Culbin, Sand Hills of, 446.

  Culdees, 603.

  Culloden, Field of, 63.

  Culsalmond, Parish of, 462.

  Culswick, Burgh of, 45.

  Cummertrees, Parish of, 437, 454.

  Cunobeline, 198, 213.

  Cupar-Angus, Parish of, 263.

  Cups, Drinking, 281.

  Cups, Incense, 281.

  Curia, 383, 390.

  Currie, 383, 390.

  Cymri, 477.


  Dædalus, 210.

  Dagger, Iron, 433.

  Daily, Parish of, 676.

  Dalgenross, 76.

  Dalmeny Church, 577, 613.

  Dalpatrick, 132, 138.

  Dalriads. _Vide_ Scoti.

  Dalry, Parish of, 419.

  Dalrymple, Parish of, 678.

  Dalrymple, Valley of, 410.

  Danes' Pipes, 679.

  David I., 604, 606, 610, 616.

  David II., 88, 676.

  Decorated Style, Scottish, 617.

  Deer's Horns in graves, 142, 463.

  Deil's Dike, 404.

  Dentated Bronze Ring, 393.

  Dia dioghaltus, 655.

  Dick, Sir Alexander, 225.

  Dirks, Celtic, 505.

  Divinities, Local, 277, 375, 398.

  Dog, remains of, found in tumuli, 51, 53, 552.

  Dolphinton, Parish of, 318.

  Donald Bane, 479.

  Donside, Monolithic circle at, 111.

  Doo-Cave, 88.

  Doon, Loch of, 31.

  Douglas, Archibald, fourth Earl of, 632.

  Down, Hill of, 61.

  Dragon Ornament, 356, 447, 448, 541.

  Dranandow, Moor of, 60.

  Draughtsmen, 562.

  Dream of the Holy Rood, 548.

  Dress, Remains of Ancient, 328.

  Drimnamucklach, 266.

  Druid stone, 334.

  Druidical Patera, 148.

  Druidical Theories, 109.

  Druids, 104, 109, 345.

  Druid's beads, 304.

  Drum of Knockman, 61.

  Drumandruin, Fingal's Cave at, 88.

  Drumduan, Moss of, 38.

  Drumlawhinnie, 60.

  Drumselch Forest, 583.

  Dublin, 573.

  Dublin, Phœnix Park, 67.

  Duddingstone Loch, 225, 245.

  Duich, Loch, 561.

  Dumbartonshire, 72, 138, 454, &c.

  Dumfriesshire, 30, 57, 61, 62, 200, 276, 278, 313, 354, 395, 437, 448,
      457, 543, 680, &c.

  Dun Dornadil, 421.

  Dunadeer, 414.

  Dunbarré, 501.

  Dunblane, 68.

  Dunblane Cathedral, 614, 618.

  Duncan, King, 491.

  Duncan, Maormor of Caithness, 491.

  Duncan, Rev. Dr., 544.

  Duncruib House, 48.

  Dunfermline Abbey, 607, 618, 641.

  Dunipace Brooch, 530.

  Dunipace, Mounds of, 530.

  Dunkeld Cathedral, 622, 628.

  Dun-Mac-Sniochain, 414.

  Dunmore Rock, 33.

  Dunnichen Parish, 295, 497, 499.

  Dunnichen Stone, 497, 499.

  Dunning, Parish of, 57.

  Dunoon, Parish of, 67, 71.

  Dunrobin Castle, 498.

  Duns. _Vide_ Burghs.

  Dunstaffnage Castle, 577.

  Dunstaffnage Chesspiece, 577.

  Duntocher, 376.

  Dunvegan Cup, 669.

  Durendal, The Sword, 211.

  Durham Cathedral, 608, 641.

  Dwarfie Stone of Hoy, 89.

  Dwellings, Primitive, 74.


  Early English Style, 614, 645.

  Earth Houses. _Vide_ Weems.

  East Broadlaw, 171.

  East Kilbride, Parish of, 299, 438.

  East Langton, 433.

  East-Lothian, 48, 56, 58, 133, 134, 142, 279, 394.

  East Rogerton, 489.

  Ecclefechan, 200, 313.

  Ecclesiastical Antiquities, 648.

  Ecclesiology, Chronological Table of, 647.

  Ecclesiology, Irish, 582, 587, 591.

  Ecclesiology, Medieval, 600.

  Ecclesiology, Primitive, 582.

  Edda, The, 211, 213.

  Edenham, Founding of the Church of, 605.

  Edgar, King, 604, 605.

  Edinburgh, 71, 275, 286, 383, 463, 678.

  Edinburgh Castle, 672, 687.

  Edinburgh, St. Giles's Church, 623, 629, 630, 649.

  Edinburgh, Trinity Collegiate Church, 624, 625, 635, 652.

  Egbert of Wessex, 600.

  Egilshay, St Magnus's Church, 587, 590.

  Egyptian Antiquities, 2, 5, 29, 197, 204, 306, 308, 698.

  Eigg, Island of, 147.

  Eilan Donan Castle, 561.

  Eildon, 277.

  Eildon Hills, 261, 368.

  Eirde Houses. _Vide_ Weems.

  Elephant, Fossil, 32, 33.

  Elephant, Symbolic, 501.

  Elf-arrow, 126.

  Elf-bolt, 124.

  Elf-furrows, 123.

  Elfin-pipes, 679.

  Elginshire, 293.

  Elk, Fossil, 22.

  Elphinstone Tower, 142.

  Emblems. _Vide_ Symbols.

  Encircled Barrow, 55.

  Enclosed Barrow, 55.

  Encrinite, 701.

  Entrochi, 701.

  Eric, King of Norway, 619.

  Erland, Son of Harold, 429.

  Eschricht, Professor, 10.

  Eskdale, 396.

  Ethnology, 10, 11, 160, 229, 350, 353, 698.

  Etive, Loch, 63, 76.

  Evie, Parish of, 424.

  Eyed Spear-heads, 262.


  Fairy Beads, 701.

  Fairy Hillock, 309.

  Falkirk, Carse of, 32, 39.

  Felis spelæa, 25.

  Fendoch Camp, 436.

  Feteress, Parish of, 179.

  Fetteresso, Tumulus at, 329.

  Fiac, Bishop, 657.

  Fibula of Jet, 295.

  Fibula, Ring, 516.

  Fibula, Roman, 378, 394.

  Fibulæ, Silver, found at Stennis, 46.

  Fictilia. _Vide_ Pottery.

  Fifeshire, 72, 91, 117, 129, 151, 199, 271, 286, 322, 393, 432, 453,
      511, &c.

  Fingal's Cave, Arran, 88, 90.

  Fingal's Cauldron Seat, Tormore, 99.

  Finger-Rings, 327, 328; _Pref._ xx.

  Finlay, son of Ruari, 491.

  Firmus, M. Cocceius, 372.

  First-Pointed Style, 614, 645.

  Fishwives' Causeway, 385.

  Flail-Stone, 132.

  Flanders Moss, 301.

  Flint Arrow-heads. _Vide_ Arrow-heads.

  Flint Flakes, 120, 185.

  Floor Tiles, 652.

  Fordun, 482.

  Forfarshire, 67, 77, 79, 127, 295, 300, 309.

  Forfar, Witches' Bridle at, 693.

  Forge-Tongs, Iron, 407.

  Forges, Ancient, 224, 405, 407.

  Forres Stone, 498, 502.

  Forth, Frith of, 305, 383, 387, 511.

  Fortrose Cathedral, 635, 666.

  Forts, Hill, 409.

  Forts, Ring, 409.

  Forts, Vitrified, 413.

  Fowlis, Village of, 59.

  Freemasonry, 534, 638.

  Frette Ornament, 446.

  Frier's Carse, 395.

  Frith of Forth, 305, 383, 387, 511.

  Fusion of Rocks, 415.


  Gadeira, 197.

  Galant. _Vide_ Weland.

  Galgacus, 39, 471.

  Galloway, 61, 123, 138, 235, 252, 258, 265, 315, &c.

  Games, 562.

  Garthland, 271.

  Gaskhill, 454.

  Gateside, 432.

  Gaulish Coinage, 198.

  Gauls, 11.

  Gavr' Innis, 331.

  Geology, 6, 21, 25, 38, 336, 455, 697.

  Geometric Style, Scottish, 617.

  Ghost's Knowe, 271.

  Gigantic Remains in Tumuli, 48.

  Gladsmuir Parish, 152.

  Glasgow, 34.

  Glasgow Cathedral, 614, 617.

  Glass Beads, 303.

  Glass Vessel, 307.

  Glencoe, 419.

  Glenelg, 421.

  Glenelg, Burgh of, 421, 423.

  Glenholm, Parish of, 325.

  Glenkens, 564.

  Glenkindrie, 78.

  Glenlyon Brooch, 220, 560.

  Glenorchy, 407.

  Glenquicken, Moor of, 131.

  Glenroy, 156.

  Glenshiora, 413.

  Gold, 204, 207, 214, 216, 291.

  Gold Corslet, 272.

  Gold Relics, 204.

  Gold Rings, 307-317.

  Gold Vessels, 271.

  Golden Age, 204, 210.

  Graitney Mains, 57.

  Greek Coins found in Britain, 200.

  Greek Inscriptions, 201.

  Greek Sepulchral Rites, 50.

  Greek Vases, 230.

  Green Cairn, 311.

  Greenlaw, 444.

  Gregory, Donald, 173, 527.

  Grey Cairn, 61.

  Gristhorpe, Remarkable Tumulus at, 461.

  Guanora's Tomb, Queen, 501.

  Guilloche Ornament, 445.

  Guise Palace, Edinburgh, 637.

  Guttorm, 490.


  Haco, King, 323, 525, 527, 530.

  Haddington, Abbey Church, 623, 633, 652.

  Hadrian, Legionary Inscription to, 396.

  Hæmatite, or Specular Iron, 359.

  Haer Cairns, 92.

  Hailes, Lord, 14.

  Hair-Pins, 328, 551, 554.

  Halkirk, Parish, 139.

  Hallivich, Cornwall, 197.

  Hall, Sir James, 415.

  Hammers, Stone, 134.

  Hare Stane, 92.

  Harlaw, 93.

  Harlaw, Battle of, 649, 651.

  Harold Harfager, 429, 487.

  Harold the Fair-Spoken, 429.

  Harpoon, Primitive, 33.

  Harray, Loch of, 106.

  Hatchet, Stone, 129.

  Hatlock, 301.

  Havard, Earl, 112.

  Havardsteigr, 112.

  Hawkhill, 496.

  Hawking Craig, Hunterston, 524.

  Hawk-Stane, 94.

  Hawthornden, Ancient Sword at, 683.

  Hawthornden, Caves at, 88.

  Head-Rings, Bronze, 326, 450, 451.

  Heather Ale, 76.

  Hebrides, 19, 323, 488, 489, 493, 598, 648.

  Helmet, Bronze, 266, 454.

  Helmet, Iron, 438, 552.

  Hercules, the Tyrian, 201.

  Heriot's Hospital, Edinburgh, 647.

  Herlaw, 64.

  Hiberni, 195, 468.

  Hibbert, Dr. Samuel, 109, 315, 328, 414, 417.

  Hieroglyphics, Egyptian, 5.

  Hill Forts, 409.

  Hirdmane Stein, 95.

  Historical Sculptures, 503.

  Hoare Stones, 92, 594.

  Hoddam, Ancient Church of, 400, 550.

  Hoddam Castle, 396.

  Holm in Orkney, 44.

  Holy Island, 89, 530.

  Holyrood, Abbey of, 582, 586, 610, 622.

  Holyrood, Seal of, 582.

  Holy Rood, Dream of, 548.

  Horse Collars of Stone, 156.

  Horse-Furniture, 454, 456, 458, 552.

  Horse-Shoes, Ancient, 437.

  Horse, Wild, 455.

  Horses, Skeletons of, found in Tumuli, 455, 456, 552.

  Horus, Statuette of, 198.

  Houstoun, Parish of, 292.

  Hoxay, How of, 425.

  Huly Hill, 56.

  Hunterian Museum, 36.

  Hunterston, Runic Brooch, 521; _Pref._ xxiv.

  Hunthills, 435.

  Hyæna spelæa, 25.


  Iberians, 11.

  Iceland, 8, 484, 556, 575.

  Identification, Archæological, 335, 427, 527, 532, 546.

  Imitation, Absence of, in primitive art, 340.

  Inch Colm, Monastery of, 599, 610.

  Inches, Temple of, 60.

  Inchinan, Parish of, 298.

  Inchture, Parish of, 94.

  Incised Axe-Blades, 253.

  Incised Celt, 257.

  Incised Sepulchral Slabs, 651.

  Incised Spear-heads, 261.

  Infibulation, 310.

  Inhumation, 50, 53.

  Interlaced Knotwork, 445, 538, 550.

  Inveresk, 369, 386, 388.

  Invergowrie, Sculpture at, 524.

  Inverness, 38, 443.

  Inverness-shire, 74, 87, 114, 142, 263, 315, 341, &c.

  Inverury, 419.

  Iona, 173, 483, 488, 506, 650, 654.

  Iona, Abbot John of, 508.

  Iona, Cross of Lauchlan M'Fingon, 503.

  Iona, Golden Chalice of, 668.

  Iona, Inscribed Tombs at, 506.

  Iona, Tomb of the Prioress Anna, 500.

  Iona, Tomb of Bishop Patrick, 507.

  Iona, Tomb of Eogain, 507.

  Iron Foundries, 405.

  Iron, Introduction of, 347.

  Ironmacaunnie Moor, 563.

  Iron Period, 347.

  Iron, Personal Ornaments of, 351.

  Iron Relics, 432, 435, 436, 437, 440, 454, 552.

  Iron, Source of, 349, 357.

  Iron, Superstitions regarding, 439.

  Iron Swords, 348, 352, 356, 435, 552.

  Isis, Bifrontal Bust of, 197.

  Islay, Island of, 316, 323, 407.


  James I., 638.

  James II., 633.

  James III., 634.

  James IV., 580, 634, 636.

  James V., 581.

  Jet, Ornaments of, 155, 258, 292, 330.

  Jet Rings, 298.

  Job, Era of, 2.

  Jougs, The, 690.

  Jura, Island of, 206.


  Kaimes Hill, 75.

  Kells, Book of, 497.

  Kells, Parish of, 118.

  Keltnie, Pass of, 54.

  Kenneth MacAlpin, 474.

  Kent's Hole Cave, 189.

  Ketil, 490, 494.

  Kettles. _Vide_ Cauldrons, Tripod, Camp-Kettles.

  Kilblain, 30.

  Kilbride, Parish of, 55, 64, 71.

  Kildrummie Castle, 78.

  Killin, Parish of, 662.

  Kilmorie, Parish of, 99.

  Kilmun, 71.

  Kilpatrick, 469.

  Kilpatrick-Fleming, Parish of, 354.

  Kilsyth, 170, 410.

  Kiltearn, 62.

  Kimmeridge Bay, 297.

  Kimmeridge Coal-Money, 296.

  Kinaven, 37.

  Kincardine Moss, 34, 224, 274.

  Kincardineshire, 179, 279, 288, 329.

  Kineff, Parish of, 288, 327.

  Kinellar Parish, 301.

  Kinellar, Standing Stones at, 497.

  King's Cave, Arran, 89.

  King's Stone, 87.

  Kinghorn, 286.

  Kinkill, Church of, 651.

  Kinross-shire, 141.

  Kintore Parish, 351, 419.

  Kintyre, 483.

  Kirchner, Father, 5.

  Kirkcudbrightshire, 31, 60, 76, 116, 131, 255, 419, 443, 542, 563, &c.

  Kirk Andreas Cross, 538.

  Kirk Braddan Cross, 542.

  Kirk Bride Cross, 538.

  Kirk Michael Crosses, 538, 540.

  Kirkintilloch, Parish of, 389, 392.

  Kirkintilloch, Roman Station at, 389, 392.

  Kirkmichael, Parish of, 680.

  Kirknewton, Parish of, 433.

  Kirkurd Parish, 132.

  Kirkwall Cathedral, 536, 571, 592, 593, 611, 667.

  Kneph, The God, 281.

  Knitted Tissues, 328.

  Knives, Flint, 127.

  Knocklegoil Cairn, 64, 65.

  Knock Scalbert Fort, 410.

  Knotted Funicular Torc, 318.

  Knotwork Ornament, 445, 538, 550.

  Kyle, District of, 333.


  Ladykirk, Parish Church of, 634.

  Lady's Purse, The, 279.

  Lamlash Bay, 530.

  Lamlash Bay, Cromlechs at, 66.

  Lamps, Roman Bronze, 383, 390.

  Lamps, Roman Terra Cotta, 403.

  Lanarkshire, 37, 55, 79, 132, 138, 200, 306, 318, 320, 395, 440, 680, &c.

  Lance, Bone, 33.

  Lance-heads. _Vide_ Spear-heads.

  Lanfine, 317.

  Langside, Battle of, 299.

  Langside, Field of, 56.

  Lapps, 11.

  Largiebeg, Point of, 314.

  Largo, 129, 271, 320.

  Largo, Bay of, 91, 320, 511.

  Largo Law, 511.

  Largo Stone Cross, 514.

  Largs, 457.

  Largs, Battle of, 523, 524.

  Leadhills, 206.

  Lead, Mines of, 206, 392.

  Lead, Roman Pigs of, 392.

  Leaf-shaped Swords, 226, 228, 264.

  Ledberg, 269.

  Legionary Inscriptions, 374.

  Leith, St. Mary's Church, 176, 635, 650.

  Lerwick, 129, 425.

  Lesmahagow, Parish of, 395.

  Letham, Den of, 295.

  Leuchar, Monolithic Group at, 113.

  Leuchar Moss, 74.

  Lever, Bronze, 259.

  Lewis, Island of, 97, 115, 150, 567.

  Leys, Circle of, 114, 341.

  Lia Fail, 97.

  Liddell Moat, 411.

  Lincluden Abbey, 625.

  Lindisfarne, 480.

  Linlithgow, St. Michael's Church, 623, 628, 633, 635.

  Linlithgowshire, 171, 577.

  Linlithgow, Parish of, 171, 577, 623.

  Lismore, 132.

  Lituus, or Bronze Wind Instrument, 240, 241.

  Lituus, Gold, or Rod of Office, 114, 341.

  Local Divinities, 277, 375, 397, 398.

  Lochaber Axes, 685, 686.

  Lochar Moss, 30, 276, 395, 448.

  Lochleven, Monastery of, 604.

  Lochwinnoch, 32.

  Logie, Parish of, 300.

  Logie, Three Laws of, 299.

  Long Barrow, 48, 54.

  Longside, Parish of, 462.

  Lollius Urbicus, 365, 373.

  Lorn, Brooch of, 220, 560.

  Lumphanan, Parish of, 132, 327, 491.

  Lunar Ornaments, Silver, 444.

  Lundin, Stones of, 91, 512.

  Luntrethin, Church of, 662.

  Lymphad, 509.


  Macbeth, 492, 600.

  Macbeth's Stane, 94.

  Machairodus Latidens, 22.

  Magnetite, Iron Ores, 359.

  Magnus, Erlendson. _Vide_ St. Magnus.

  Magnus, Prince of Man, 670.

  Maiden Coronet, 452.

  Maiden Stone on Bennochie, 501.

  Maiden, The Scottish, 689.

  Malacca, Mines of, 196.

  Malcolm I., 491, 529.

  Malcolm II., 606.

  Malcolm Canmore, 468, 479, 492, 601, 607.

  Malcolm's Grave-Stone, King, 500.

  Manillas, 309.

  Man, Isle of, 488, 489, 528, 536, 537.

  Manx Runic Alphabet, 528.

  Margaret, Queen, 602, 605, 607, 609.

  Margaret of Norway, 618.

  Mar's Hill, 314.

  Martin's Stone, 501.

  Mason-marks, 534, 640.

  Masonry, Anglo-Saxon, 584.

  Masonry, Roman, 368.

  Masonry, Scottish, 598.

  Mazer-Cups, 674.

  Mazer found at Castle Merdon, 672.

  Mazer of the fourteenth century, 673.

  Mazers, 671.

  Mazers, King Robert the Bruce's, 671.

  Mearns, The, 482.

  Medicine Stamp, Roman, 393.

  Medieval Arms and Armour, 682.

  Medieval Crania, 175.

  Megaceros Hibernicus, 22.

  Meigle Cross, 498.

  Meigle Stone, 502.

  Meiklewood Moss, 129.

  Melbrigda Tönn, 490, 528.

  Melford, 453.

  Melrose Abbey, 621, 623, 635.

  Memorial Stones, 91.

  Memsie, 265, 287, 434.

  Menes, Era of, 2.

  Menzie, Cairn of, 122.

  Merlsford, 393.

  Merton Mere, 31.

  Metals, Introduction of, 191.

  Metals, Names of, 162, 350.

  Middleby, 458.

  Mid-Lothian, 67, 71, 325, 327, 389, 433, 441.

  Minerva, Roman Bronze of, 389.

  Mines, Ancient Copper, 206, 219.

  Mines, Ancient Gold, 206, 207, 216.

  Mines, Ancient Iron, 219.

  Mines, Ancient Lead, 206, 219.

  Mines, Ancient Tin, 196.

  Minniegaff, 60.

  Mirror and Comb, The Symbol of the, 500.

  Moffat Parish, 394.

  Monogram of the Virgin, 638.

  Monolithic Art, 103.

  Mons Meg, 686.

  Montrose, 169, 284.

  Monumental Character of Tumuli, 52.

  Monymusk, Cufic Coin found at, 521.

  Monymusk, Culdee House of, 604.

  Monzie, Parish of, 77.

  Moray House, Branks found at, 693.

  Morayshire, 254, 261, 443, 446.

  Morningside, Village of, 681.

  Mortars, Stone, 139, 426.

  Mortlach, Church of, 606.

  Mortonhall, 441.

  Moss-Side, 270.

  Mos Scotorum, 480, 482.

  Moulds, Celt, 223.

  Moulds, Stone, 223.

  Moulds, Spear, 223.

  Mousa, Burgh of, 420, 429.

  Mythology, Scandinavian, 9.


  Nairn, River, 63.

  Names of Metals, 162, 350.

  Necklaces of Shells, 158.

  Necklaces of Jet, 292, 330.

  Nectan, King, 482, 594.

  Needles, Bronze, 328.

  Nether Urquhart Cairn, 169.

  Netted Garments, 328, 330.

  Newbattle, 56.

  Newstead, 87, 171, 370, 380, 401.

  Newgrange, Cairn of, 149, 332.

  Newton of Tillicairn, 319.

  Newton in Garioch, Inscribed Stone at, 506.

  Newton-Stewart, 31.

  Nicholas, Bishop of Man, 532.

  Nidung, King, 361.

  Niebelungen Lied, 213.

  Nillson, Professor, 10, 12, 25.

  Nisbetmuir, Field of, 437.

  Norici, 349, 358.

  Noricum, 360.

  Norrie's Law, Silver Relics of, 499, 511.

  North-Berwick, 133.

  North-Berwick Abbey, 580, 650.

  North-Berwick Law, 389.

  North-western Migration, Physical Causes of, 699.

  Nuada Neacht, King, 323.

  Nuraghes, 423.


  Oculist's Stamp, Roman, 393.

  Odin, Black Stone of, 101.

  Odin, Stone of, Stennis, 99.

  Ogham Inscription, 506.

  Olave, King, 322.

  Old Liston, 56.

  Orwell Parish, 141.

  Orkney, 44, 51, 55, 70, 81, 95, 99, 135, 138, 286, 307, 310, 325, 424,
      442, 487, 521, 551, 588.

  Ornaments. _Vide_ Annular, Guilloche, Dragon, Serpentine, Chevron,
      Spiral, Frette.

  Orphir, Parish of, 598.

  Orvar Odd's Saga, 125.

  Oval Brooch. _Vide_ Brooch, Oval.


  Paisley Abbey, 618, 621, 622, 625.

  Pallas Armata, Roman Bronze of, 389.

  Palstave, 254.

  Palstave, Looped, 256.

  Papa, Application of the term, 486.

  Papey, Holm of, 82.

  Parthian Coin, 200.

  Patella, Roman, 242, 395.

  Patera, Inscribed Tin, 197.

  Patera, Stone, 148.

  Patrick, Tomb of Bishop, at Iona, 507.

  Pear-shaped Weems, 87.

  Pech's Knife, 128.

  Peeblesshire, 132, 317, 325.

  Pelasgi, 11.

  Penicuick, 61.

  Penicuick House, 256, 261, 270, 458, 578.

  Pentland Hills, 129, 207.

  Perforated Stones, 99.

  Perpendicular Style, 634.

  Personal Ornaments, 144, 291, 442, 677.

  Perthshire, 54, 57, 59, 68, 115, 263, 264, 311, 324, 436, 447, 642, &c.

  Pettycur, 259.

  Phœnicians, 197, 198, 217, 248, 305, 349.

  Piccardach, 367, 470, 474, 477.

  Pictish Runes, 534.

  Pictish Towers. _Vide_ Burghs.

  Picts, 367.

  Picts' Houses, 83, 142.

  Picts' Kilns, 75.

  Picts, Northern. _Vide_ Cruithne.

  Picts, Southern. _Vide_ Piccardach.

  Pier-o-waal, Links of, 551.

  Pitalpin, 446.

  Pitcaithly, 264.

  Pit-dwellings, 74.

  Pitlessie, 512.

  Pitlochrie, Standing Stones at, 115.

  Pitlour House, 151.

  Pittenweem, Coins found at, 519.

  Poisoned Weapons, 266.

  Pond-Barrow, 75.

  Port Ellen, 122.

  Port Seaton, 48.

  Portpatrick Parish, 138, 297.

  Pot Querne, 152.

  Pot Quernes, Irish, 153.

  Potters' Stamps, Roman, 401.

  Potters' Wheel, 280, 281, 289, 292.

  Pottery, American, 290, 340.

  Pottery, Glazed, 433, 434.

  Pottery, Medieval, 678.

  Pottery, Ornamented, 339.

  Pottery, Primitive, 279, 333.

  Pottery, Roman, 355, 381.

  Powder-Horn, Highland, 221.

  Primitive Period, 21.

  Pruning-Hooks, Bronze, 269.

  Ptolemy I., Coins of, 200.

  Purbeck, Isle of, 297.

  Purgatory Hammer, 136.

  Pyxes, 676.


  Quanterness, Picts' House at, 84.

  Quarrel-head, 685.

  Queen Mary, 370.

  Queen Mary's Law, 56.

  Queen Mary's Mount, 299.

  Queensferry, South, 334.

  Queensferry, South, Monastery, 620, 635.

  Quendale, 442.

  Querne, Oaken, 34.

  Quernes, Stone, 150, 426.

  Quetzalcoath, 210.

  Quigrich, The, 664.


  Rafford, Parish of, 293.

  Rannoch, Moor of, 324.

  Rathen, Parish of, 434.

  Ratho, 67, 170.

  Ratho, Parish of, 75, 288.

  Rattray, Hill of, 57.

  Reaping-Hooks, Bronze, 269.

  Recumbent Effigies, 648.

  Red Abbey Stead, 380.

  Red-Hand, Symbol of, 232.

  Reel-Pins, 563.

  Relig Oran, 508, 510.

  Religion, 72, 100, 162, 265, 342, 344, 411.

  Rendale, 55.

  Renfrewshire, 32.

  Retzius, Professor, 10.

  Revival of Medieval Architecture, 643.

  Rhynie, Village of, 413.

  Richard of Cirencester, 379.

  Ring and Staple, 227.

  Ring, Calicinated, 314.

  Ring, Dilated Penannular, 310.

  Ring Fibula, Bronze, 327.

  Ring Fibula, Silver, 516.

  Ring, Inscribed Runic, _Pref._ xx.

  Ring Money, African, 309.

  Ring Money, Gold, 308.

  Ring Money, Iron, 351, 353.

  Ring Money, Silver, 444.

  Ring-Pin, Bronze, 551, 555.

  Rings, Bronze, 288.

  Rings, Finger, 327, 328.

  Rings for the Hair. _Vide_ Head-Rings.

  Rings, Sacramental, 302.

  Rings, Shale, 298.

  Rings, Stone, 301.

  Rings, Wedding, 303.

  Ritson, 15.

  Roag, Loch, 115.

  Robert, Bishop of St. Andrews, 613.

  Robert the Bruce, 220, 560, 619.

  Rocking Stones, 117.

  Rod of Office, Gold, 114.

  Rognwald, 489.

  Roman Arch, Edinburgh, 387.

  Roman Arts, Influence of, 20.

  Roman Bronze Lamp, 383, 390.

  Roman Coins, 199, 383, 384, 387, 390.

  Roman Invasion, 363.

  Roman Pigs of Lead, 392.

  Roman Sepulchral Rites, 50.

  Roman Shafts, 381.

  Roman Spear, 382.

  Roman Wall, 365, 372.

  Romanesque Parish Churches, 614.

  Romanesque Style, 607.

  Ronaldshay, Island of, 286, 425.

  Ronecht, The, 662.

  Rosetta Stone, 6.

  Roslin, Collegiate Church of, 626, 629, 641, 651.

  Rossie, 58.

  Rosskeen, Parish of, 223.

  Ross-shire, 63, 99, 223, 268, 294, &c.

  Rothesay Chapel, St. Giles's Church, 629, 632.

  Rothesay, David, Duke of, 632.

  Rottenmoss, 270.

  Round Arch, Use of, 616, 622, 626.

  Round Tower, Abernethy, 587, 593.

  Round Tower, Brechin, 587, 593, 595.

  Round Tower, Brechin, Doorway, 596.

  Round Tower, Egilshay, 587.

  Round Towers, Irish, 585, 587.

  Round Towers, Scottish, 585.

  Rowsey, Island of, 436.

  Roxburghshire, 23, 87, 261, 435, 451, &c.

  Runes, Anglo-Saxon, 534, 543.

  Runes, Pictish, 534.

  Runes, Scoto-Scandinavian, 528.

  Runic Brooch, Hunterston, 521; _Pref._ xxiv.

  Runic Inscription, Greenland, 537.

  Runic Inscription, Shetland, 536.

  Runic Inscriptions, 313, 493, 526, 531, 536, 539, 550; _Pref._ xx. xxv.

  Rutherglen, Parish of, 55, 306.

  Ruthwell Cross, 534, 543.


  Sacæ, 477.

  Sacramental Rings, 302.

  Samian Ware, 385, 401.

  Samoyedes, 11.

  Sanday, 70.

  Sandwick, 66, 143, 551.

  Sarcophagus, St. Andrews, 503.

  Savrock, Weem at, 82.

  Saxon Conquest, 601, 605.

  Scabbard, Bronze Sword, 441.

  Scales, Bay of, 143.

  Scalloway, Bay of, 588.

  Sceptre-head, Gold, 317.

  Schehallion, The mountain, 447.

  Scuir-na-fion, Glencoe, 419.

  Scandinavian Antiquities, 355, 461, 522, 541, 551, 559.

  Scandinavian Mythology, 9.

  Scoti, 469, 473, 476, 477, 593.

  Scoto-Scandinavian Relics, 522.

  Sculpture, Primitive, 331.

  Sculptured Standing Stones, 495.

  Sculptures, Historical, 503.

  Seals, Value of Ancient, 574, 582, 599, 613.

  Seamhill Moat, 142.

  Segmental Arch, Use of, 626.

  Semicircular Arch. _Vide_ Round Arch.

  Sepulchral Memorials of the Bronze Period, 331.

  Sepulchral Memorials of the Iron Period, 495.

  Sepulchral Memorials of the Stone Period, 41.

  Sepulchral Rites, 41, 48, 73, 280, 453, 456, 460.

  Sepulchral Tablet, Roman, 400.

  Sepulchral Vessels, 271.

  Sepulchres of the Bronze Period, 331.

  Sepulchres of the Iron Period, 453.

  Sepulchres of the Stone Period, 41.

  Serpentine Ornament, 356.

  Seton, Collegiate Church of, 623, 625.

  Seton, Sir Christopher, 684.

  Severus, Sculptured Head of, 386.

  Severus, Septimius, 366, 379, 386, 403.

  Shafts, Roman, 381.

  Shale, Ornaments of, 155, 179, 292, 300.

  Shapinshay, Parish of, 81, 310.

  Sheal Loch, 285.

  Shell-shaped Brooch. _Vide_ Brooch, Oval.

  Shetland, 129, 146, 149, 536, 588.

  Shields, Bronze, 267.

  Shields, Kite-shaped, 572.

  Ship, Ancient, 234.

  Ship Barrow, 57.

  Shoeing Horses, Antiquity of, 438.

  Shotts, Parish of, 200.

  Sidla, Hill of, 67.

  Sigurd, 489, 490, 589.

  Silbury Hill, 41, 43.

  Silver, 204, 208, 291, 442.

  Silver Armour of Norrie's Law, 511.

  Silver Relics, 442, 499, 511.

  Siward, Earl of Northumberland, 492, 601.

  Skara, 143.

  Skene, Parish of, 74, 113.

  Skye, Isle of, 126, 157, 269, 578.

  Slate, Plates of, 144, 184.

  Slateford, Parish of, 325.

  Slave's Collar, Scottish, 691.

  Sling Stones, 140.

  Sluie, Moor of, 254, 261.

  Smiths, Celtic, 406.

  Snake Bracelets, 446.

  Snake Ornament. _Vide_ Dragon.

  Spain, Ancient Mines of, 207.

  Spear-heads, Flint, 127.

  Spear-heads, Bronze, 226, 232, 241, 260.

  Spear-heads, Iron, 382, 435, 436, 437, 453.

  Spiked Axe, 253.

  Spiral Ornament, 445.

  Springfield, Glasgow, 36.

  St. Andrew's Cathedral, 615.

  St. Andrews, Priory of Canons Regular of, 604, 613.

  St. Andrews, Sarcophagus, 503.

  St. Anthony, Chapel of, 585, 598.

  St. Blane, 614.

  St. Blane, Church of, Bute, 615.

  St. Columba, 150, 469, 483.

  St. Columba, Bell of, 654.

  St. Columba, Mound of, 57.

  St. Cuthbert, 531, 608, 654.

  St. Cuthbert's Beads, 701.

  St. Donnan, Burial Place of, 147.

  St. Erth, Parish of, Cornwall, 197.

  St. Fillan, Bell of, 662.

  St. Fillan, Crosier of, 664.

  St. Fillan, Pool of, 663.

  St. Finan, 480, 608.

  St. Finnian, 150.

  St. Giles's Arm-bone, 633, 649.

  St. Giles's Church, Edinburgh, 628, 629, 630, 649.

  St. Kentigern, 592, 659.

  St. Kentigern, Bell of, 659.

  St. Kieran, Cave of, 483.

  St. Rule, 483.

  St. Rule, Cave of, 89.

  St. Rule, Church of, 611.

  St. Magnus, 592, 668.

  St. Magnus, Cathedral of, 536, 571, 592, 593, 611, 667.

  St. Magnus, Egilshay. _Vide_ Egilshay.

  St. Madoes, Parish of, 94, 542.

  St. Maoliosa. _Vide_ St. Molio.

  St. Margaret, 603, 605, 607, 609.

  St. Margaret, Chapel of, Edinburgh Castle, 388, 609.

  St. Marnan, 531.

  St. Michael's Church, Linlithgow, 623, 628, 633.

  St. Molio, 89, 531.

  St. Mungo. _Vide_ St. Kentigern.

  St. Ninian, 480, 485.

  St. Ninian, Bell of, 660.

  St. Olaf, 557, 588.

  St. Oran, 484.

  St. Oran, Chapel of, 484.

  St. Orland's Stone, 499.

  St. Palladius, 481, 592.

  St. Patrick, 469, 481, 657.

  St. Ringan. _Vide_ St. Ninian.

  St. Serf, 481, 592.

  St. Serf, Monastery of, Lochleven, 604.

  St. Servanus. _Vide_ St. Serf.

  St. Vigeans, Inscribed Cross of, 501, 505.

  St. Woloc, 531.

  Standing Stones, 91.

  Standing Stones, Sculptured, 495.

  Steeds' Stalls, The, 87.

  Stennis, Cromlech at, 66.

  Stennis, Loch of, 106.

  Stennis, Stones of, 44, 102, 105, 109.

  Stevenston, Parish of, 300.

  Stirling, Carse of, 39.

  Stirlingshire, 33, 66, 70, 271, 395, 530.

  Stitchel, Village of, 451.

  Stone Balls, 138.

  Stone Basin, 149.

  Stone Chairs, 531.

  Stone Coffins, 651.

  Stone Horse-Collars, 156.

  Stone Implements, 120, 206.

  Stone of Odin. _Vide_ Odin.

  Stone Period, 21.

  Stone Urn, 146.

  Stone Vessels, 146.

  Stonehenge, 353.

  Strachur, Parish of, 129, 253.

  Stranraer, 235.

  Strathblane, Parish of, 72.

  Strathdon, Parish of, 78.

  Strathfillan, 662.

  Stromness, 51.

  Strongholds, 408.

  Sturla the Skald, 525.

  Sunderland, Islay, 316.

  Sutherlandshire, 269, 285, 422, &c.

  Suttee System, 51.

  Swenedrow, 436.

  Sword, Silver Hilt of, with Runic Inscription, 550.

  Swords, Bronze, 226, 228, 242, 245, 247, 264.

  Swords, Iron, 348, 352, 356, 435, 436, 437, 441.

  Swords, Medieval, 682.

  Swords, Two-handed, 683.

  Sword-Sheath, Bronze, 441.

  Symbols, Christian, 499, 500, 504.

  Symbols, Pagan, 499.


  Tablemen, 565, 567, 581.

  Table-stones, 562.

  Tanist Stones, 97.

  Tealing, Parish of, 77.

  Teeth, State of, in Tumuli, 186.

  Tellve Castle, 421.

  Temple, The, Largo, 320.

  Terrnavie, 57.

  Teutonic Period, 347.

  Thane Stane, 502.

  Theodosia, 388.

  Thor, Stone of, 110.

  Thor, Temple of, 110.

  Thorfinn, 491, 594, 601.

  Thorstein, The Red, 490.

  Thrumster, 319.

  Thumbkins, 689.

  Tiger, Cave, 26.

  Tiles, Floor, 652.

  Tin, 195.

  Tin, Vessels of, 197.

  Tings, Law, 113.

  Tiree, 309.

  Toltecans, 167, 210.

  Tongland, Parish of, 116.

  Top-o-Noth, 413.

  Torcs, Beaded, 449.

  Torcs, Eastern Origin of, 326.

  Torcs, Gold, 317, 318, 326.

  Torthorwald Parish, 30.

  Torture, Instruments of, 688.

  Tracery, Scottish Window, 621, 627, 646.

  Tranaby, Links of, 551.

  Tranent, 394.

  Trenches, 418.

  Trimontium, 368, 380.

  Tripods, Bronze, 273, 276, 278.

  Troddan, Castle, 421.

  Tulloch, Bishop, 485, 650, 667.

  Tullyallan Castle, 279.

  Tullynessle, Parish of, 111, 148.

  Tumuli, Classification of Scottish, 44.

  Tumuli, Classification of English, 43.

  Tungland, Abbot of, 216.

  Tungland, Friar of, 215.

  Turditani, 248.

  Turning-Lathe, 292.

  Tweeddale, 301.

  Tynron, Parish of, 61.

  Tytler, 14.


  Uig, Parish of, 567.

  Umbone. _Vide_ Boss.

  Upper Dalachie, 311.

  Urns. _Vide_ Pottery.

  Urns open at both ends, 439.

  Urns, Sepulchral, 279-290, 299.

  Urquhart, 168, 453.

  Ursus spelæus, 23.

  Uxmal, 232.

  Uyea, Island of, 146.


  Vælund, 215.

  Valentia, Province of, 367.

  Vea, Stones of, 66.

  Vestrafiold, Cromlechs at, 66.

  Vikings, The, 111, 321, 322, 429, 486, 487, 490, &c.

  Vinland, 9.

  Vitrified Fort at Craig Phaidrick, 134.

  Vitrified Forts, 413.


  Wallace, Sir William, 275, 685.

  Wallace-Bolt, 685.

  Walls, Parish of, 129.

  War Chariot. _Vide_ Chariot.

  Watch Stone, Stennis, 107.

  Watling Street, 380.

  Wayland Smith, 209.

  Weapons and Implements of Bronze, 250.

  Weapons and Implements of Iron, 431.

  Weapons and Implements of Stone, 120.

  Wedding-Ring, 303.

  Weems, 78, 143, 575, 598.

  Weland, 210, 359, 361.

  Western Isles. _Vide_ Hebrides.

  West Kilbride, Parish of, 142, 524.

  Westray, 70, 134, 307, 325, 440, 551.

  Whales, Fossil, 24, 33.

  Whetstones, 133.

  Whig Hole, Altyre, 419.

  White Cairn, 61.

  White-Horse Hill, 213.

  Whithern, 480.

  Whithern, Cathedral of. _Vide_ Candida Casa.

  Whorle, 137.

  Wicklow, County, 207.

  Wick, Parish of, 319.

  Wideford Hill, Picts' House at, 84.

  Wigtonshire, 31, 61, 76, 138, 480, &c.

  Wild Beasts, Ancient, 192.

  Wild Boar, 144, 175, 193.

  William, Bishop of Orkney, 537.

  William the Lion, 617.

  Wiltshire, 24.

  Window Tracery, 621, 627, 646.

  Witch Beads, 701.

  Witch Stane, Cairnbeddie, 93.

  Witch's Bridle, Forfar, 693.

  Witches' Stone, Cromlech, 68.

  Woman, Primitive Social Position of, 337.

  Woodcastle, 411.

  Wormeston, 72.

  Worthbarrow Bay, 297.

  Wyntoun, 13.


  Xiphiline, 267, 387.


  Yarrow, 334.

  Yellow Flints, Bed of Wrought, 121.

  Yellow Flints, Weapons of, 122.

  Yetholm, Bronze Shields found near, 268.

  Yorkshire, 231, 311, 312, 328, 460.

  Young, Dr. Thomas, 6.

  Ythan, The River, 38.

  Yucatan Monuments, 203-341.

  Yucatan, Symbol of the Red Hand, 232.


  Z Symbol, 499, 515.

  Zetland, 420, 443, 487.

  Zetland, Earl of, 401, 424.

  Zodiacal Sign, Capricornus, 375.

                                THE END.

            EDINBURGH: T. CONSTABLE, PRINTER TO HER MAJESTY.




Transcriber's Notes:


    Simple spelling, grammar, and typographical errors were
    silently corrected.

    Anachronistic and non-standard spellings retained as printed.

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End of the Project Gutenberg EBook of The Archaeology and Prehistoric Annals
of Scotland, by Daniel Wilson

*** 