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  A BOOK OF
  THE CEVENNES




  BY THE SAME AUTHOR

  MEHALAH
  THE TRAGEDY OF THE CÆSARS
  THE DESERTS OF SOUTHERN FRANCE
  STRANGE SURVIVALS
  SONGS OF THE WEST
  A GARLAND OF COUNTRY SONG
  OLD COUNTRY LIFE
  AN OLD ENGLISH HOME
  YORKSHIRE ODDITIES
  HISTORIC ODDITIES
  OLD ENGLISH FAIRY TALES
  THE VICAR OF MORWENSTOW
  FREAKS OF FANATICISM
  A BOOK OF FAIRY TALES


  UNIFORM WITH THIS VOLUME

  A BOOK OF BRITTANY
  A BOOK OF DARTMOOR
  A BOOK OF THE WEST
     I. DEVON
    II. CORNWALL
  A BOOK OF NORTH WALES
  A BOOK OF SOUTH WALES
  A BOOK OF THE RHINE
  A BOOK OF THE RIVIERA
  A BOOK OF THE PYRENEES




[Illustration: THE TAMARGUE FROM LA SOUCHE]




  A BOOK OF
  THE CEVENNES

  BY S. BARING-GOULD, M.A.

  "ILLE TERRARUM MIHI PRÆTER OMNES
  ANGULUS RIDET, UBI NON HYMETTO
  MELLA DECEDUNT, VIRIDIQUE CERTAT
              BACCA VENAFRO;
  VER UBI LONGUM, TEPIDASQUE PRÆBET
  JUPITER BRUMAS."

                   _Hor._ Od. ii. 6.

  [Illustration]

  WITH FORTY-FOUR ILLUSTRATIONS
  EIGHT OF WHICH ARE IN COLOUR, AND A MAP


  London
  John Long
  Norris Street, Haymarket

  [_All rights reserved_]




  _First Published in 1907_


  Illustrations reproduced by the Hentschel-Colourtype Process




CONTENTS


  CHAPTER                                                          PAGE

     I. THE CRESCENT                                                  1

    II. LE VELAY                                                     15

   III. LE PUY                                                       34

    IV. ROUND ABOUT LE PUY                                           60

     V. L'AUBERGE DE PEYRABEILLE                                     84

    VI. LES BOUTIÈRES                                               103

   VII. THE VOLCANOES OF THE VIVARAIS                               114

  VIII. THE CANON OF THE ARDÈCHE                                    137

    IX. THE WOOD OF PAÏOLIVE                                        153

     X. THE RAVINE OF THE ALLIER                                    161

    XI. THE CAMISARDS                                               177

   XII. ALAIS                                                       203

  XIII. GANGES                                                      221

   XIV. LE VIGAN                                                    237

    XV. L'AIGOUAL                                                   248

   XVI. THE LAND OF FERDINAND FABRE                                 262

  XVII. THE HÉRAULT                                                 282

        INDEX                                                       305




ILLUSTRATIONS


  IN COLOUR

  THE TAMARGUE FROM LA SOUCHE                            _Frontispiece_
    From a photograph by Artige frères.

  LACEMAKER, LE PUIS                                                 25

  LACEMAKERS                                                        102
    From a photograph by Margerite-Brémont.

  CASTLE OF VENTADOUR                                               128
    From a photograph by Bigot-Croze.

  PEASANTS OF THE CAUSSES                                           176

  THE GOAT'S LEAP, LE VIGAN                                         241

  PEASANT GIRLS OF THE CAUSSES                                      248

  DOLMEN OF GRANDMONT                                               293
    From a photograph by L. Froment.


  IN MONOTONE

  THE CYCLOPSES AT MOURÈZE                                            2
    From a photograph by L. Froment.

  LE SUC DE SARA                                                     14
    From a photograph by Margerite-Brémont.

  LA VOUTE-SUR-LOIRE                                                 23
      From a photograph by Margerite-Brémont.

  CASCADE DES ESTREYS                                                23
    From a photograph by Margerite-Brémont.

  LA BÉATE                                                           27
    From a photograph by Margerite-Brémont.

  CEVENOL PEASANT                                                    29
    From a photograph by Margerite-Brémont.

  CATHEDRAL, WEST FRONT, LE PUY                                      34
    From a photograph by Margerite-Brémont.

  PORCH, CATHEDRAL, LE PUY                                           40
    From a photograph by Margerite-Brémont.

  L'AIGUILHE                                                         42
    From a photograph by Margerite-Brémont.

  BASALT, ESPALY                                                     61
    From a photograph by Vazelle.

  LA ROCHE LAMBERT                                                   64
    From a photograph by Margerite-Brémont.

  MÉZENC                                                             69
    From a photograph by Artige frères.

  GERBIER DE JONC                                                    72
    From a photograph by Artige frères.

  THE TAVERN OF PEYRABEILLE                                          84
    From a photograph by Margerite-Brémont.

  MAYRES                                                             97
    From a photograph by Artige frères.

  THE VIVARAIS CHAIN                                                114
    From a photograph by Artige frères.

  THE VOLANE VALLEY                                                 121
    From a photograph by Artige frères.

  LE FAUTEUIL DU DIABLE                                             123
    From a photograph by Artige frères.

  FALL AT ANTRAIGUES                                                125
    From a photograph by Bigot-Croze.

  IN THE ARDÈCHE                                                    129
    From a photograph by Artige frères.

  CRATER OF LA GRAVENNE                                             130
    From a photograph by Bigot-Croze.

  FALLS OF RUY PIC                                                  132
    From a photograph by Artige frères.

  GORGES OF THE ARDÈCHE                                             137
    From a photograph by Artige frères.

  PONT DE L'ARC                                                     144
    From a photograph by Artige frères.

  "THE CATHEDRAL"                                                   147
    From a photograph by Artige frères.

  PAÏOLIVE                                                          155
    From a photograph by Artige frères.

  CASTLE OF GANGES                                                  225
    From a photograph by J. Bernard.

  BRAMABIAU                                                         253
    From a photograph by C. Bernheim.

  CHEESEMAKERS, ROQUEFORT                                           275
    From a photograph by E. Carrère.

  S. GUILHEM-LE-DÉSERT                                              283
    From a photograph by L. Froment.

  IN THE CIRQUE, MOURÈZE                                            284
    From a photograph by L. Froment.

  GROUP AT MOURÈZE                                                  287
    From a photograph by L. Froment.

  THE SENTINEL AT MOURÈZE                                           288
    From a photograph by L. Froment.

  ON THE HÉRAULT                                                    296
    From a photograph by L. Froment.

  S. GUILHEM-LE-DÉSERT                                              298
    From a photograph by L. Froment.

  MILLS ON THE HÉRAULT                                              298
    From a photograph by L. Froment.


  IN THE TEXT
                                                                   PAGE
  SKETCH MAP OF THE CÉVENNES                                          4




PREFACE


The Cévennes are a mountain fringe to the uplifted plateau of
Central France, and are less visited by English tourists than any
other mountainous district in la belle France. They have been most
unjustly neglected. The scenery is singularly varied. The historical
associations are rich, but mainly tragic.

This is not a guide-book, but an introduction to the country, to be
supplemented by guide-books. The area is so extensive, that I have had
to exercise restraint and limit myself to a few of the most salient
features and most profitable centres whence excursions may be made.
The Cévennes should be visited from March to June, afterwards the heat
is too great for travelling to be comfortable. For inns, consult the
annual volume of the French Touring Club; Baedeker and Joanne cannot
always be relied on, as proprietors change, either for the better or
for the worse. I have been landed in unsatisfactory quarters by relying
on one or other of these guide-books, owing to the above-mentioned
reason.

The "Touring-Club de France," Avenue de la Grande Armée 65, Paris,
is doing excellent work in refusing to recommend a hotel unless the
sanitary arrangements be up-to-date.




THE CEVENNES




CHAPTER I

THE CRESCENT

     The great central plateau—The true Cévennes—The character of
     the range—The watershed—The Garrigues—The Boutières—Mézenc—The
     Coiron—The mountains of the Vivarais—The Ardèche—Volcanoes—The
     Camisard country—Larzac—The Hérault—The Espinouse—The Montagne
     Noire—Neglect of the Cévennes—Their great interest.


The great central plateau of France that serves as the watershed
between the Atlantic and the Mediterranean, and severs France
proper—the old medieval France—from Languedoc, is due to a mighty
upheaval of granite, carrying with it aloft on its back beds of schist,
Jura limestone, chalk, coal, and red sandstone. The granite has not
everywhere reached the surface, it has not in all parts shaken off the
burden that lay on it. The superincumbent beds do not lie in position
one above another, like ranges of books on shelves. Many of them over a
large tract have been carried away by denudation through the action of
water.

The plateau under consideration stretches over an area of 3,000 square
miles. It dies down towards the north-west, but reaches its highest
elevation in the east and in the south. This great upland district
had to be crossed before the peoples dwelling north and south of it
could be fused into one. The plateau extends through the old provinces
of Marche and Limousin, Auvergne, Forez, the Velay, the Vivarais,
Rouergue, and the Gévaudan. But it was disturbed, broken up, and
overlaid by volcanic eruptions at a comparatively recent date, pouring
forth floods of lava and clouds of ash in Auvergne, le Velay, and le
Vivarais. In its upheaval, moreover, the granite turned up, snapped,
and exposed the superposed beds, and left them as bristling ridges to
the east and south. It is this fringe that constitutes the Cévennes.
These describe a half-moon, with its convexity towards the basin of the
Rhône. Locally, indeed, the name Cévennes is limited to a tangle of
schist ridges and deep-cleft ravines, constituting that portion of the
arc which is between the Coiron and the limestone plateau of Larzac.
But such is not the original limitation. The Romans undoubtedly,
looking from the basin of the Rhône on the long purple chain, behind
which set the sun in a glow of amber, as they passed up and down
between Arles and Vienne—designated that range Cebennæ, and geographers
still are disposed to so name the entire series, as constituting
an orological entity, although the several portions have received
distinguishing appellations.

They all belong to the same system, were all in their main lines thrown
up at the same time, though not by any means all of the same geological
formation; and they are all peopled by the same race, all speaking the
Langue d'Oc.

[Illustration: THE CYCLOPSES, MOURÈZE]

It seems therefore reasonable to take the entire curve as forming the
Cévennes from the depression of the Jarrêt, through which runs the line
from Lyons to the coalfields of S. Etienne, as the northern limit, and
the Montagne Noire, east of the gap of Revel, by which the road by
which Castelnaudary and Castres are linked, as the western termination.

     "The Cévennes," says Onésime Reclus, "have this striking feature,
     that they separate two climates, two vegetations, two natures.
     To the north and to the west are rain, snow, light fog silvered
     by the moon, and dense vapours which the sun cannot pierce; and
     the streams that water the smallest valleys nourish rich green
     meadows; to the south and east is a blazing sun, are glare, heat,
     drought, barrenness, dust, the vine, the olive, springs of water
     few and far between, but where they do issue, copious and clear;
     here—contrasts of colour, sharp-cut horizons, more beautiful than
     those of the north. What a contrast within a few leagues' distance
     between the verdure of Mezamet and the vari- marbles of
     Cannes, between the Agout and the Salvetat d'Angles ... between
     the valley of the Dourbie at Nant and the Hérault at Ganges,
     between the Tarn at Pont-de-Montvert and the embattled gorges of
     the Gardons, between the Allier at La Bastide and the ravines down
     which rushes the Cèze, between the young Loire and the terrible
     rapids of the Ardèche ... on one side a French Siberia, on the
     other an Africa where the sirocco does not parch up the harvests,
     but where the mistral shrieks, itself producing a brief winter."[1]

The chain of the Cévennes, of which Mézenc may be regarded as the
hinge, forms a ridge on the right bank of the Rhône, running for a
while parallel to the French Alps upon the left bank. But whereas these
latter turn and curve to the east, forming the Maritime Alps, the
Cévennes have bent in exactly the opposite direction.

Geographically and historically the Cévennes divide into two great
sections—the Cévennes Méridionales and the Cévennes Septentrionales.
This continuous mountain ridge, in fact, forms a line of separation of
waters very distinct, without solution of continuity, and which, in
spite of the variety of its geological structure, has been determined
by the same fold in the earth's crust, by one and the same act of
pressure.

From the main chain, like the rib of a fern, extend lateral offshoots,
between which are valleys watered by the drainage of the principal
spinal chain. On the east side of the Cévennes these are all
approximately at right angles to the axis. But this is not the case
on the west side; nor is it so on the south. On this latter, before
the main range a sort of outwork has been thrown up that deflects the
streams, where they have not cut through it. These bastions are the
Garrigues and the Espinouse.

The eastern face of the Cévennes towards the Rhône is torn and steep.
That towards the west exhibits a different aspect altogether, as there
the range starts out of a high uplifted plain but little eroded.

The Garrigues above mentioned form a barren, waterless bastion, with
little growing on them but the dwarf Kirmes oak (_Quercus coccifera_)
evergreen, with spiky leaves, locally called _garrus_, giving the name
to the range. They are full of pot-holes (_avens_), down which the rain
that falls sinks to travel underground and reappear often at great
distances in copious springs.

[Illustration: Sketch Map of THE CEVENNES]

The northernmost portion of the Cévennes is the chain of the
Boutières, composed of granite and gneiss, and they are the least
interesting portion of the series. Few of the summits surpass 3,600
feet, but they throw out a spur that is a supreme effort, the Mont
Pilat, 4,700 feet; precisely as the Pyrenees, before expiring in the
east, have projected to the north-east, and tossed aloft the noble
pyramid of the Canigou. The Boutières attach themselves at their
southern extremity to Mézenc, the loftiest peak of the Cévennes, 5,750
feet. So also does the chain of the Mégal, separated from the Boutières
by the valley of the Lignon. Seen from Le Puy, this ridge is fine,
broken into peaks. The Mégal itself attains to the height of 4,345
feet. This cone formerly belched forth a torrent of lava reaching to a
thickness of 450 feet, and extending to a distance of fifty miles by
eight miles wide.

From the volcanic nucleus of Mézenc branches south-east the chain
of the Coiron, volcanic as well, stretching to the Rhône, where its
last deposits of lava are crowned by the ruins of Rochemaure. The
geologist Cordier, who had travelled in Auvergne, Italy, Syria, and
Egypt, declared that he had never seen a volcanic region comparable
to the Coiron. This chain is of special interest to the geologist,
and is full of surprises to the ordinary traveller, for the lava bed
caps the mountains, composed of friable limestone, that once formed a
great calcareous plain. The Rhône has lowered its bed a thousand feet
since the liquid stone flowed, and torrents have cut through lava and
limestone, fashioning deep and even broad valleys. Next, the weather
ate into the flanks where the stone was soft, undermined the basalt,
that came down for lack of support in huge masses.

Not only so, but man from the remotest period has burrowed into the
rock to form habitations for himself. Near S. Jean-le-Centenier are the
Balmes de Montbrul, a volcanic crater 300 feet in diameter and 480 feet
deep. Men have scooped out rudimentary dwelling places in the sides
in fifteen to twenty stages, one above another; a chapel and a prison
were among these excavations. A troglodyte family lived in one of these
caves at the end of the eighteenth century.

The mountains of the Vivarais are the finest portion of the Cévennes,
so noble are their outlines, so deep are the clefts that seam them, so
tumbled is the aspect of range heaped on range; and they are supremely
interesting on account of the volcanic vents that remain in good
preservation, and the wondrous walls of prismatic basalt that line the
rivers.

The Ardèche is certainly the most extraordinary river in Europe; after
leaping, and burrowing, and sawing its way through basalt, it passes
down a cleft of lias disposed in beds completely horizontal, and rising
like the walls of houses. In fact, it traverses a long white street,
many miles in length, and then enters the great ravine between lofty
precipices of Dolomitic limestone, where runs no road, and where one
must descend in a boat, shooting rapid after rapid in the midst of
scenery only rivalled by the noted gorges of the Tarn.

It is not necessary to do more than indicate the general aspect of this
portion of the Cévennes, to give an outline that may be filled in with
details later on.

But before quitting this department, I must quote some words of Mr.
Hammerton, no mean judge of landscape:—

     "The department of Ardèche on the right bank of the Rhône is
     but little visited by tourists, and does not contain a single
     mountain whose name is known in England. It is natural that the
     hills of the Ardèche should be little known, as the fame of them
     is extinguished by the Alps; yet they are highly picturesque and
     full of geological interest. As to the altitudes, they are not
     considered high mountains in France, but there are twelve of them
     that exceed Ben Nevis."

The volcanic region of Mézenc and the Coiron to the east of the
granitic plateau separates the southern from the northern Cévennes. The
first volcanic cones are met with immediately north of Mont Tanargue
(4,785 feet). The southernmost is the Coupe de Jaujac. There are six of
these volcanoes lying at the foot of the granite plateau, but they are
insignificant in comparison with those of the principal range, which
forms the watershed between the Loire and the Rhône, in the centre
of which range is the three-toothed Mézenc, surrounded by subsidiary
cones, among which is the Gerbier de Jonc (5,090 feet), which was 5,610
feet high before a landslip occurred in 1821, that reduced its height.
On the flank of this mountain rises the Loire.

The department of Gard takes it name from several Gardons, a name as
common in this part of the Cévennes as Gave is in the Pyrenees.

We are now in the midst of the Camisard country, an inextricable
network of mountains of lacerated schist and of deeply furrowed
valleys, in which the revolted Cevenols held at bay the armies of
Louis XIV. At the present day the department of Gard contains more
Protestants than any other in France, and whole villages are entirely
Calvinist, with scarce a Catholic in them.

The Cévennes are drifting westward. In Hérault they take a definitely
western direction. Here comes in the limestone plateau of Larzac, that
feeds the countless flocks from which are derived Roquefort cheese.
This is a barren land. It was not always so, but man has devastated
it with the axe, and the sheep devour every plant that shoots, and
kill the future of Larzac. Little soil now remains on this elevated
white tableland; what there is is swept away by the rains and carried
underground in the _avens_ or pot-holes. M. Martel says:—

     "Nowadays that atmospheric condensation is weak, the rains so soon
     as they touch the calcareous rock are engulfed in its thousands
     of fissures, at once, as if evaporated by contact with red-hot
     iron. The porosity of the soil is guilty of this legerdemain.
     Save on the morrow of great storms, drunk up thirstily by the
     parched causse in a few hours, there is not a drop of water on
     the plateau. In the stony bed of the torrents one may make almost
     a complete circuit of such a peninsula as that circumscribed by
     the Vis on the east, and the Virenque on the north, west, and
     south, where run their trenches, cut to the depth of 600 to 900
     feet, forming tortuous chaplets of rubble beds, grey and sunburnt.
     Torrent beds these, sufficiently large to accommodate the Dordogne
     with ease, but now only rivers of ballast, where the flood of
     a passing storm rarely troubles the sleep of the sand and the
     solitary pebbles."

The river Hérault, that gives its name to the department, flows through
a ravine, up which runs no road, save to S. Guilhem-le-Désert. Another
river not easy to be explored is its tributary, the Vis. One can look
down into the cañon from above, but not thread it.

We come next to the coalfields that are more or less energetically
exploited. Some talk has been about running a special line from
them to Marseilles, so as to furnish the vessels with home-produced
steam-coal. But the fuel here turned out has not the heating power of
the anthracite of Cardiff, and it has proved cheaper to obtain a supply
by water from Wales than to employ that which is dug out of the flanks
of the Cévennes 150 miles distant.

The Espinouse gives birth on one <DW72> to affluents of the Tarn,
that discharges its waters into the Garonne and finally into the
Atlantic. On the southern face, which is not a <DW72> but a precipice,
through chasms it sends feeders to the Orb that throws its waters into
the Mediterranean. The Espinouse is composed of gneiss and schist,
penetrated by veins of eruptive matter. Although the actual heights are
not great, rarely exceeding 3,300 feet, yet the sheer cliffs, and the
manner in which they have been cleft by torrents, gives them a grandeur
which makes this portion of the Cévennes well deserving of a visit.

The Monts de Lacaune, almost wholly sterile, link the Cévennes of
Hérault to those of Aveyron. The highest crest is the Pic de Montalet,
3,810 feet. They are composed of mica-schists, granite, and porphyry,
and stretch in barren plateaux, or monotonous rolling ground, frozen
for a great part of the year. The Montagne Noire, on the other hand, is
well wooded. From its wretched hamlets come the men who help to gather
in the vintage in the more fertile plains.

     "These mountaineers arrive," says Mme. L. Figuier, "to earn in
     one month enough to support them and their families all the rest
     of the year in their contracted valleys, rich in vegetation but
     very poor in products. The Languedoc peasants treat them harshly.
     The unfortunate mountaineers, who ought to inspire compassion,
     are often enough badly treated, and serve as butts for chaff to
     the grape gatherers of the country to which they have come as
     assistants. The farmer who has hired a band of these _montagnards_
     gives them a granary and some hay in and on which to rest after
     the fatigues of the day. Here they are huddled together, men,
     women, and children, living on the grapes and on a coarse soup
     which they cook in common in the evening, and eat together out of
     one porringer. But these veritable pariahs are linked together
     by strong ties of affection. They rise, walk, work, eat, sleep
     together always in herds. In the evening, on returning from the
     vineyards, they dance their national _bourées_, not so much for
     enjoyment, as to bring back to their minds their native country,
     and sometimes great tears may be seen rolling down the cheeks of
     the young girls, who think of the happy times when they danced so
     merrily on the earthen floors of their cottages. The most fertile
     plains, the most brilliant cities, cannot compensate, to these
     poor people, for the century-old nut trees and the chestnuts which
     nourish them in their miserable hovels. Their hearts crave for the
     freshness of their valleys, the fragrance of their meadows, their
     snowy mountains, and the distaff over the fire of the winter's
     evenings."[2]

I have not in this book included the Montagne Noire. I have not
described the range beyond the Espinouse westward, nor the mountains
about Annonais and Mont Pilat, as these portions of the Cévennes are
less interesting than that which intervenes, and, also, lest I should
unduly extend the book.

It is strange that the region of the Cévennes should have been
neglected by tourists to such an extent as it has; but it is explicable.

Those who seek sunshine during the winter in the Riviera leave the
Cévennes far away as a bank of cloud silver-fringed on their right
hand beyond the Rhône. On their way back to England in spring they are
disinclined to loiter, and break their home journey for the sake of
excursions into this region, so little explored. In like manner, those
who go to Pau are carried by the railway far away to the west, and see
nothing of the plateau, because it slants downwards from the lofty
ridge to the east.

Those who travel from Toulouse to Montpellier by the railway have their
eyes attracted south to the snows and glaciers of the Pyrenees, and do
not turn their heads to look north at the range that is so unassertive,
sheltering itself behind the desolate Garrigues.

In 1894 I published a book, _The Deserts of Central France_, in which I
described the great tableland high uplifted that lies in the penumbra
of the great crescent, and I shall say nothing in this of the plateaux
of Lot, Tarn, and Lozère, dealt with in the former work, but confine
myself to the marginal range. Since M. Martel first drew attention to
the gorges of the Tarn, and possibly due in a measure to my work, these
gorges are becoming annually frequented more and more by tourists.
However fine they may be, there are others in the departments of
Ardèche, Gard, and Hérault, that fall but little, if at all, short of
them in savagery and strangeness.

There are no great towns in the Cévennes. Such as there are are sleepy
and stationary; but from Béziers, Montpellier, Nîmes, Le Puy, where
every comfort may be found, it is easy to run into the mountains,
and return from them to recruit. Hotels are vastly improved of late
years owing to the insistence of the Touring Club on the sanitary
arrangements being at least decent, which they were not ten years ago.

Enough has been said to show that the Cévennes abound in scenes of
great beauty, and that they are of special interest to geologists.
They are interesting in another way. The limestone hills are overgrown
with aromatic herbs, mint, marjoram, thyme, sage, lavender, rosemary,
so as to be veritable spice mountains over which the warm air wafts
fragrance. The shrubs and trees present to our eyes, familiar with
northern vegetation, an unfamiliar appearance. They are for the most
part evergreens, where the chestnuts do not spread in forests, or the
mulberry is not cultivated for silkworm culture.

For the geology of the volcanic district of Haute Loire and Ardèche, an
excellent guide is Mr. Paulett Scrope's _Geology and Extinct Volcanoes
in Central France_, London, second edition, 1858.

Lovers of the writings of Robert Louis Stevenson know his _Travels with
a Donkey in the Cévennes_—a delightful book, but dealing very little
with the Cévennes proper, mainly with the Upper Gévaudan, and with that
portion of Lozère threaded by the Tarn, and with neither of these do I
deal in this volume.

[Illustration: LE SUC DE SARA]


FOOTNOTES:

[1] _France: Algérie et Colonies_, Paris, Hachette et Cie.

[2] FIGUIER (L). _Mos de Lavène_, Paris, Marpon.




CHAPTER II

LE VELAY

     Haute Loire—Geological structure of the plateau—Trap
     <DW18>s—Volcanoes—Crater of Bar—The Lac de Bouchet—Legends—Offerings
     made to lakes—Mézenc—Direction of the rivers—Peculiarities
     in their course—How the basalt was broken through—The River
     Loire—The Borne—The Ceysac—Process of valley formation—The
     climate—Lacemaking—La Béate—The peasantry—Costume—History of Le
     Velay—The Polignacs—The Mint—The Revolution.


The department of Haute Loire is made up mainly, but not wholly, of the
ancient province of Le Velay. It is situated at the limit of the Langue
d'Oc, on the confines of the region of the Langue d'Oïl. Le Velay forms
a rude triangle of which the bounds are the mountains of the Vivarais
on the east, those of the Velay on the west, and the broad basis of
the triangle is to the north towards Auvergne and Forez, fringed there
by lower heights. It consists of an uplifted plateau with an average
elevation above the sea of 2,700 feet, and is the least rainy portion
of France. The summers there are never oppressively hot; but, on the
other hand, in winter it is a Southern Siberia. Originally composed
of granite, it has been pierced by volcanic cones, and covered with
igneous dejections. As many as a hundred craters have been counted in
it, and through the rents in the granite and schist opened during the
throes of eruption, <DW18>s of trap have been thrust, forming spires
and truncated columns. The heat of the molten matter so altered and
disintegrated the rocks through which it was driven, that in many
places these rocks have crumbled away, and have left the <DW18>s erect in
black nakedness high above the surrounding level. Such is the Aiguilhe
by Le Puy, 210 feet high, to reach the summit of which a flight of
steps has been hewn in the side, and on the top, in 962, Truan, Dean
of Le Puy, erected a church in honour of S. Michael, and called it
Seguret, The Secure Refuge; the church was consecrated in 980. Another
of these obelisks is at Fay le Froid, another basaltic monolith is La
Roche Rouge on the banks of the Gagne.

But sometimes the eruptive <DW18>s are more massive, and form stone
tables with precipitous sides, as at Polignac, the cradle of an
illustrious family, and at Arlempdes on the Loire.

There are few crags of basalt or tufa in the Velay that are not crowned
by a ruined castle, and to enumerate these would be a tedious and
unprofitable task.

The last of all the volcanoes to explode was the Denise, near Le Puy,
and that erupted when man was on the earth, for under the lava, in a
bed of breccia or volcanic ash, was found in 1884 the skeleton of a
man; another was discovered shortly after, and a third is reported to
have been recently disinterred. In the case of the first of these,
the man seems to have been overtaken by the shower of falling ash, to
have sat down, placed his head between his knees, and held his hands
over his skull to protect it, and so perished, and the rain of cinders
finally enveloped and buried him. No weapons or ornaments have been
found with these bodies. The relics of plants and animals in the same
bed belong to species still existing in the neighbourhood.

Of the craters the most perfect is that of Bar, thus described by
Georges Sand:—

     "This ancient volcano rises isolated above a vast plateau that
     is as bare as it is sad. It stands there as if planted as a
     boundary mark between the old Velay and Auvergne. From the summit
     of its truncated cone a superb view is obtained extending to the
     Cévennes. A vast forest of beech crowns the mountain and clothes
     its sides, which are much rifted towards the base. The crater
     is a mighty bowl full of verdure, perfectly circular, and with
     the bottom covered with a turfy sward in which grow pale birch
     trees thinly scattered. Here was at one time a lake, dried up
     in the times of Roman occupation. The tradition of the country
     is strange. It was said that this tarn bred storms; and the
     inhabitants of Forez accordingly came hither, sword in hand, and
     forcibly drained it."[3]

The Lac de Bouchet is not a sheet of water filling an ancient crater,
but occupies a hollow produced by the bursting of a great bubble of
air in the molten lava. It is almost circular, and the ground around
it is very slightly raised. Curiously enough, Roman substructures have
been traced in the lake. Probably some Gallo-Roman noble had his summer
villa there, overhanging the water, as at Baiæ.

    "Nullus in orbe sinus Baiis prælucet amœnis,
    Si dixit dives—lacus et mare sentit amorem
    Festinantis heri."

This originated a tale told by the peasantry to the effect that a city
lay submerged under the crystal water. The story is this: Our Lord
visited Le Velay to see what way the Gospel was making there. He lodged
with an aged widow, who nourished herself on the milk of a single goat.
The people received Christ badly, and pelted Him with stones. Then He
laid hold of the widow by the hand and drew her away; and she, leading
the goat, followed. They had not proceeded far before she turned and
looked back. And lo! where the town had been was now a lake. Three
stones mark the spot where the widow took up her final residence, and
on one of these she is said to have sat to milk her goat. The same
story is told of another of these lakes, that of Arconne, near Fay le
Froid, and there also are found three blocks ranged in a line.

That these lakes were held sacred admits of no dispute.

Gregory of Tours, in the sixth century, says that in the land of the
Gabali (the adjoining Gévaudan) was a Mount Helanus, where was a lake.
Every year the inhabitants of the country flocked thither and cast
oblations into the water—linen, weaving-materials, cheese, wax, bread,
and coins. They arrived in wagons, bringing their food with them, and
feasted by the lakeside during three days. On the last day a storm of
thunder, lightning, and hail was wont to break over the sheet of water.
This usage lasted till a bishop of Clermont went thither, and preached
to the people; but as he found it impossible to dissuade the natives
from the practice, he built there a chapel to S. Hilary, and exhorted
them to leave their gifts there instead of throwing them into the tarn.
This lake is now called Lac S. Andéol, on the mountains of Aubrac, and
the ruined chapel of S. Hilary remains. The people still reverence the
pool, which they call the Father of Hail Storms, and till last century
continued to cast offerings into the water. The visible result of the
efforts of the good bishop so many centuries ago was no more than the
construction of a chapel now in ruins.

It is probable enough that were the Lac de Bouchet drained, it would
yield a rich spoil of coins. The lake is 2,800 feet across and 98 feet
deep. In the morass occupying the bowl of Bar have been found a great
many early coins, a necklace, and bracelets of bronze.

The loftiest of the Cévennes is Mézenc, on the frontier of Haute Loire.
It is 5,750 feet high, and was at one time the central point of violent
Plutonic eruptions. Several craters poured forth trachyte, phonolith,
and basalt, which overflowed the granite, gneiss, clay deposits, and
limestone to a great distance.

One of the craters, La Croix-des-Boutières, remains very distinct.

     "The phonolith of which Mézenc is composed," says Elisée Reclus,
     "appears to have issued from the crater in a state of high
     fluidity, and to have spread very rapidly over the <DW72>s of the
     crystalline plateau. The result is that the volcanic cones have,
     relatively to the anterior formations that support them, but
     a feeble elevation. The lavas which issued from the crater of
     Mézenc, of very unequal texture, have been attacked by storms, so
     as to represent a range of distinct cones on which grow forests of
     oak and pine."

If the map be studied, it will be seen that there are two features in
the water system of this region that merit notice.

In the first place, we have the Allier on the west, and the Loire in
the midst of this tableland flowing due north to shed their waters
ultimately into the Atlantic. Parallel with them, divided from the
Loire only by the chain just described, distant from it from forty to
fifty miles, is the Rhône, running in a precisely opposite direction,
due south, to discharge into the Mediterranean.

Then, again, going west, we have the Lot, the Tarn, the Jonte, the
Truyère, and the Dordogne, all in their early youth streaming from east
to west, their sources, or those of some of them, twenty miles from
the Allier, which is racing as hard as it can run to the north. The
explanation of this last feature is easy. When the granite was upheaved
it lifted a crust of Dolomite on its back like a huge shell, and in
lifting split the shell in many places.

The rivers, rising in the granite of the Margeride, the Mont d'Aubrac,
the Aigoual, the Monts de Lozère, and slipping off their impervious
sides looking for outlets, found these fissures, took possession of
them, and rushed down them on their way to the plains in the west.

The average depth of these chasms is from 1,300 to 1,500 feet, and
their width at the bottom varies from 160 to 1,500 feet. Their rocky
walls are carved by rain and frost into the most fantastic forms. At
one time I held, with M. Martel, that these cañons were originally
subterranean watercourses, and that the caverns formed by the
underground waters became open valleys by the falling in of their
roofs. But this idea is untenable, as I now see. The rivers descending
from the granitic range must have found a passage, and they found it
in the already cleft masses of the Causses. They rise outside the
limestone area, and cut right through it, separating one Causse from
another.[4]

A second feature in the river system of Haute Loire is that a certain
number of the affluents of the Loire run into it from the direction
in which it is flowing, and their mouths are more or less against the
stream they are about to feed. A river usually affects the form of a
deciduous tree, of which the branches represent the tributaries. The
branches are attached to the trunk at an obtuse angle, as seen from
below. With pines it is different; with them the limbs are attached in
the reverse fashion, at an acute angle as seen from below. Some of the
affluents of the Loire come into it in the way in which a fir branch
grows out of the main trunk. This is notably the case with the Arzon
and the Borne. The reason for this is that the basin of Le Velay has a
rim to the north, and the drainage from the north naturally runs down
to the lowest point in the basin. But on reaching this spot the streams
come on the Loire, which has cut for itself a huge gap through the
northern lip of the bowl, and is able to discharge its waters through
that.

How this was done demands some explanation. The Rhône is the mightiest
of the rivers of France, but its sources are in the Swiss Alps, and
it does not enter France till after it has passed through the Lake of
Geneva. But the Loire is next in size and importance, and it flows
through French soil only. The source is under the Gerbier de Jonc, in
the department of Ardèche, but flows in it for a short course only. It
is still a feeble stream when it enters the department of Haute Loire,
through which it makes its way till it leaves it for Forez. The Loire
rises 4,500 feet above the sea, and when it quits the department it has
fallen to 1,450 feet. When the volcanoes of Le Velay were in eruption
and the tableland was overflowed with molten lava, the Loire must have
been arrested and have mounted to heaven in a column of steam. In time
the lava cooled, and the stream groped for beds of scoria and fallen
dust through which it could nibble its way with ease. But when it
encountered a barrier of basalt the case was altered. This blocked its
course as with rows of iron piles rammed into the ground and running
far back. But the crystallisation of the lava into basaltic prisms
helped the river to break through.

The molten matter, of the consistency of treacle, flowing over the
country followed its undulations, filling hollows here and rounding
obstructions there. When it cooled it began to crystallise, and form
hexagonal columns that are upright. But when the surface of the
original soil would not allow of regular crystallisation, there the
columns shaped themselves in all directions and in great confusion; the
result being that in many places the basalt was fractured, fissured,
and ruinous from the very first. The water speedily detected these weak
points, worked at them, tumbled the columns down, overleaped them,
bored further, and did not rest till it had cut its way completely
through the barrier.

Hercules in his cradle strangled a couple of serpents, and the infant
Loire, a ridiculously small stream for the work it effected, on
entering the department laid hold of and split the bed of Plutonic
deposit, and held on its way between basaltic escarpments. It is,
however, below Le Puy, after the Sumène has entered it, under the
mighty rocks of Peyredeyre that begin its finest achievements. The
eruptions that took place in this part were later than those which had
obstructed it in its infancy. They entirely blocked the exit, and the
Loire was dammed back in the basin of Le Puy, where it spread into an
extensive lake. In time, however, it succeeded in sawing a way through.
The railway from Le Puy to St. Etienne runs through the furrow that it
formed. The barrier had been thrown up from both sides by the meeting
and overlapping of lava floods from the volcanoes of Velay in the west,
and those of the Vivarais in the east, and the beds were piled one upon
another. It is marvellous to see the passage which the river forced for
itself through these superincumbent beds, from Peyredeyre to La Voute.
The rock at this latter place sustains a restored castle belonging to
the Duke of Polignac.

[Illustration: CASTLE OF LA VOUTE-SUR-LOIRE]

[Illustration: CASCADE DES ESTREYS]

Below this point the gorge ceases for a while, till another barricade
was reached below Vorey, where the Arzon enters the Loire.

There the river struggles between the Miaune and the Gerbizon, in the
defiles of Chambon and Chamalières. The beds of phonolith of these
mountains, which formerly corresponded unbrokenly, are now separated by
a gash 1,500 feet deep, which the waters of the Loire have achieved,
cutting through the lava to the granite beneath.

The Borne, on which is Le Puy, also traverses gorges, notably that of
Estreys, and passes the well-preserved castle of the Leaguer Baron
de S. Vidal. Then it sweeps under the pillared rocks of Espaly and
slides beneath l'Aiguilhe. Perhaps as interesting an example as any
of the way in which an insignificant stream has overmastered all
difficulties may be seen in the Valley of Ceyssac. The rill flows
into the Borne at an acute angle against the current. The valley was
choked with a mass of tufa ejected from La Denise, and the current
was arrested in its downward course. The stream then formed a lake
that rose till it overflowed the dam in two places, leaving between
them a prong of somewhat harder rock. When the water had poured for a
considerable time over the left-hand lip, and it had worn this down to
the depth of about seventy feet, it all at once abandoned this mode
of outlet and concentrated its efforts on the right-hand portion of
the barrier, where it found that the tufa was less compact, and it
sawed this down till it reached its present level, leaving the prong
of rock in the middle rising precipitously out of the valley with the
water flowing below it, but attached to the mountain-side by the neck
it had abandoned. The Polignacs seized on the fang of tufa and built
a castle on the top, only to be reached by steps cut in the face of
the rock; and the villagers covered the neck with their houses. They
then proceeded to scoop out a great vault in the body of the living
rock, blocked the entrance with a wall in which is inserted a pretty
Romanesque doorway, and so provided themselves with a parish church at
very little expense. On a saddle overhead they constructed a belfry for
three bells.

In no part of Europe can be studied with greater facility the process
of valley formation, for here that process is comparatively recent.
That which has been accomplished elsewhere in hundreds of thousands of
years, has here been achieved in thousands only. The great elevation of
the valley, and the fact that it lies open to the north cause it to be
a cold country. The high tableland is swept by the winds, of which
the most dreaded is that of the south, _le vent blanc_, bringing with
it tempest that devastates the harvest.

     "In these quasi-Alpine regions," says M. Malegue, "snow, scourged
     by the blasts, flies in clouds, heaps itself up in drifts,
     encumbers the roads that have to be marked out with poles to guide
     the traveller, buries the cottages of the poor mountaineers,
     holding them prisoners for months at a time in their dwellings,
     and by its long stay, as by the intensity of the cold, makes
     administrative and commercial relations often impossible and
     sometimes perilous."

To this fact is due the creation of the great industry of the
land—lacemaking.

[Illustration: A LACEMAKER, LE PUY]

In feudal times Le Velay was a small province inaccessible for half
the year, obliged accordingly to depend on itself for its existence.
Auvergne, Forez, the Vivarais circumscribed it; these were rich
provinces. Moreover, the Velaviens had to pay tax and tithe and toll to
the barons, the clergy, the king. Such burdens might be borne elsewhere
with a grumble, but here they ate into the sinews of life, unless the
culture of the soil were supplemented from some other source. And it
was precisely this that created the industry of Le Velay—lacemaking.

So soon as the first snows appeared, the men abandoned their farms
and cottages, and went, some to Le Puy, where they occupied an entire
quarter, and gained their livelihood as tapsters, farriers, weavers,
carpenters, pin-makers, etc., or else departed for Lyons, Nîmes,
Montpellier, and Toulouse, to work as masons. All the women of the
country pressed into Le Puy. There they formed congregations under the
name and patronage of some saint. Each of these congregations had its
hall, and in this gathered the wives and daughters of the absent men,
and spent their days and evenings in making pillow-lace, in singing,
telling tales, and in gossip. There they remained working at their
little squares with flying bobbins, till the spring sun brought back
fathers and husbands and brothers, when the women put aside their
bobbins and returned to their several farms.

Lacemaking was a flourishing business till the year 1547, when a
sumptuary law was promulgated by the Parliament of Toulouse and
sanctioned by the King, forbidding the wearing of lace by any save
nobles, for the odd reason that there was no means of obtaining
domestic servants in Le Velay, as every girl was a lacemaker.

Great consternation was caused by this edict. That same year a late
frost smote the vines, corn was dear, and a pestilence broke out. In
the midst of this discontent, Huguenot preachers appeared in the land,
and they did their utmost to direct the disaffection of the people
against the Church. Happily, S. Francis Regis arrived in Le Velay on
a preaching mission, and speedily saw that the limitations imposed
on the production of lace was the real grievance angering the people
and inducing them to hit out blindly at all authority. He hurried to
Toulouse and obtained the withdrawal of the law. He did more: his
brethren of the Jesuit Order, incited by him, spread abroad the passion
for lace in the New World, became in fact _commis voyageurs_ for the
industry, and thus opened out fresh fields for the produce. It is due
to this that the memory of S. Francis Regis is still fragrant in the
land, and that his figure so often adorns the pillows on which the
lace is made, and that his tomb at Lalouvesc, where he died on December
31st, 1640, receives such streams of pilgrims.

[Illustration: LA BÉATE]

The paralysis of the industry had hit more than the women of Le Velay.
It had affected the colporteurs who brought to the market of Le Puy the
linen thread out of which the lace was made. It is remarkable that at a
time when roads were execrable, and means of communication faulty, the
lacemakers were dependent on Holland for the material with which they
worked. The linen of the district was too coarse to serve, and all that
was used by them was derived from the Low Countries.

Lacemaking continues to be the main industry of the country. In fact,
Haute Loire is the most important centre in the world. In the report
on the lace at the Exhibition at Chicago, it is stated that the number
of women there engaged on this dainty and beautiful art was 92,000,
whereas in Belgium but 65,000 are thus employed.

In the most remote hamlets, in the most solitary cottages among the
mountains, the societies of lace workers still gather, in summer before
their doors, in winter in the cottage of _la béate_. The house of this
woman is surmounted by a little bell-cott. One such is to be found in
the smallest cluster of cottages. The house consists uniformly, on the
ground floor, of one large room that serves as chapel, refuge, school,
and place of assembly. In the upper story lives la Béate. This woman,
whose official title is _Dame de l'Instruction_, fulfils many duties.
In a land where the children are occupied in the fields throughout
the summer, they can attend school only in winter, precisely when
communications are difficult and are often impossible. It is then
that they flock to the house of the Béate, who gives them the first
elements of instruction. She also teaches the young girls how to use
the bobbins. During the summer she has a crêche, and attends to the
infants whilst their mothers are in the fields; she nurses the sick,
lays out the dead, and exerts her influence, which is second only to
that of the curé, to counsel those who are in perplexity, to console
the sorrowful, and to reconcile those who have quarrelled. She is the
peace-maker in every little agglomeration of cottages. As a return for
her services she obtains her lodging gratis, corn and wood sufficient
for her needs. Every well-to-do peasant also contributes fifty centimes
per month for her maintenance. In her house in the winter evenings the
women gather to work together, and each meeting is begun and concluded
with prayer. How valuable are the services of these women may be judged
by the fact that in Haute Loire there are 265 parishes, but made up of
3,300 widely-scattered hamlets.

The peasant of the uplands of Le Velay and Le Vivarais is of medium
height, is strongly built, and of a vigorous constitution. Accustomed
from childhood to follow his sheep and oxen in their leisurely
movements, he also becomes a being of slow habit of body and even
slower of mind. He is shy, timorous, and cautious of compromising
himself in any way with his neighbours, above all with the officials.

A writer in 1829 says:—

     "His broad-brimmed hat shades a face that when calm seems to be
     incapable of expression. Chestnut hair flows over his shoulders.
     His eye is calm and assured. In speech he is curt, to the point;
     but he is often figurative in his expressions. He makes no
     distinction in his address to any one to whatever rank he may
     belong, and however wealthy he may be. Communicative when on
     terms of familiarity with him, an expression of goodwill steals
     out on and overspreads his usually rugged and harsh features,
     like the flowers that open on the face of a rock. But should one
     inadvertently offend his pride, at once wrath, prompt and fierce,
     flames forth, an oath breaks from his lips, and in a moment the
     weapon, hidden but never quitted, is drawn and raised, and often
     blood flows to efface a quite trivial offence."

[Illustration: CEVENOL PEASANT]

Descriptions of character of a people are never satisfactory. I shall
give in a subsequent chapter the story of the Tavern of Peyrabeille,
that shows what the character of this people is in a way unmistakable.

Robert Louis Stevenson's account of the people of Le Velay is
peculiarly unpleasant. He speaks of their discourtesy, and accentuates
their brutality of manner and speech. I venture, with all due
deference, to differ from him. The peasant in Languedoc is much towards
you as you are to him. If you meet him with courtesy and kindliness it
is cordially reciprocated, and my experience is altogether the reverse
of his. I do not think that R. L. Stevenson treated the French peasant
quite as he expects to be treated. Here is one instance:—

     "At the bridge of Langogne a lassie of some seven or eight
     addressed me in the sacramental phrase, 'D'où 'st que vous venez?'
     She did it with so high an air that she set me laughing; and
     this cut her to the quick. She was evidently one who reckoned on
     respect, and stood looking after me in silent dudgeon as I crossed
     the bridge."

But I will quote again, and this time from Georges Sand:—

     "I find here a race very marked in its characteristics, altogether
     in harmony with the soil that supports it; meagre, gloomy, rough,
     and angular in its forms and in its instincts. At the tavern every
     one has his knife in his belt, and he drives the point into the
     lower face of the table, between his legs; after that they talk,
     they drink, they contradict one another, they become excited,
     and they fight. The houses are of an incredible dirtiness. The
     ceiling, made up of a number of strips of wood, serves as a
     receptacle for all their food and for all their rags. Alongside
     with their faults I cannot but recognise some great qualities.
     They are honest and proud. There is nothing servile in the manner
     in which they receive you, with an air of frankness and genuine
     hospitality. In their innermost soul they partake of the beauties
     and the asperities of their climate and their soil. The women have
     all an air of cordiality and daring. I hold them to be good at
     heart, but violent in character. They do not lack beauty so much
     as charm. Their heads capped with a little hat of black felt,
     decked out with jet and feathers, give to them, when young, a
     certain fascination, and in old age a look of dignified austerity.
     But it is all too masculine, and the lack of cleanliness makes
     their toilette disagreeable. It is an exhibition of discoloured
     rags above legs long and stained with mud, that makes one totally
     disregard their jewellery of gold and even the rock crystals about
     their necks."

The elder women alone preserve a distinctive costume, and that is
confined to the head-dress. Its main feature consists in a white
frilled cap with a highly  broad ribbon forming a bow in front;
the ends are carried back over the ears, and a little peculiarly shaped
black felt hat, fit only for a child, is perched on the front of the
head. It is not becoming, therefore the young women will have none of
it. But in flying the smoke they fall into the smother, for in place of
this they adopt the most tawdry modern hats, a congeries of feathers
and cheap sham flowers.

The history of Le Velay is involved in that of the bishops of Le Puy,
who were counts under the sovereignty of the King of France. They were
either under the domination of the Polignacs, or were fighting with
them over the rights to coin money. This right had been conceded to
the bishops in 924. But the viscounts of Polignac also had their mint,
and neither could debase his coinage lest his rival should obtain a
predominant circulation for his currency. In the twelfth century Pons
de Polignac fought the bishop on this question. Louis VII. had to
intervene. He carried off the viscount and his son Heracleus prisoners
to Paris, and the strife was only concluded four years later, in 1173,
by a compact, by virtue of which the bishop and the viscount were to
share equally the profits of a mint held in common.

The Polignacs were a thorn in the side of the Bishop and Chapter of Le
Puy. Sometimes by menace with the sword they determined the elections
to the see, and when it suited them they appointed one of the family to
the throne. At the close of the eleventh century, one of these Polignac
prelates, Stephen Taillefer, surnamed "The Ravager," brought down
on his head the anathema of Pope Gregory VII. He had been Bishop of
Clermont, but in 1073, when the see of Le Puy was vacant, transferred
himself to it as the wealthier of the two. Another Stephen had been
elected by the Chapter, and there was fighting in the streets.
Taillefer summoned his kinsman of Polignac to his aid, and drove the
rival candidate out of the city. But as the canonicity of his election
was disputed, he deemed it advisable to visit Rome with a valise
stuffed with gold, and establish his claim by the most cogent of all
arguments. He persuaded the Pope to consent to his retaining the see,
but the case was so gross, and his hands were so steeped in blood, that
Gregory imposed the condition that he should not exercise episcopal
functions, which were to be delegated to a suffragan, and that he
should revisit Rome with another load of gold somewhat later. This was
in 1074, but in 1076 the Pope excommunicated him because he had not
fulfilled his promise of again visiting Rome. Gregory was in the midst
of his strife with the Emperor Henry IV., whom he deposed in that year,
and he was sorely in need of money wherewith to support William of
Utrecht, whom he had set up in opposition.

It is remarkable how sensitive Rome was to simony when practised
anywhere else save in Rome itself.

At a council held at Clermont in 1077, Stephen was deposed by order of
Gregory. Nevertheless, he managed to retain the see till 1078.

After a while open oppression of the Church by the Polignacs came to
an end; cadets of the family quietly appropriated to themselves the
canonries and best benefices; and the last bishop of the name, William
de Chalençon, has left a memory that was even savoury.

But if the Polignacs were meddlesome neighbours of the see, they lent
lustre to Le Velay. These masters of the rock were brave nobles.
They fought in the Crusades; they fought the English. They espoused
the faith, the passions, the fervour of their native land. In every
generation illustrious marriages added to the splendour of their
escutcheon. As the feudal towers of Polignac dominated, and dominate
still, the green and flowery land that lies spread below it, so does
the name of Polignac dominate the history of Velay. The race was one
that abounded in energy, was robust and patriotic.

Velay was ravaged by the Free Companies, and summoned Du Guesclin to
its aid against them. Of its troubles in the Wars of Religion I shall
have to speak in the next chapter. Le Puy was occupied by the Leaguers,
who made themselves masters of nearly every stronghold in Velay, and it
was not till some years after Henry IV. had come to the throne that it
submitted to his authority.

The Revolution brought the same results in Velay as elsewhere; the
cathedral of Le Puy was pillaged, the monasteries destroyed, and a
certain amount of blood was shed; sixty priests were hung or shot,
and many nobles guillotined. Since then it has enjoyed tranquillity,
only recently ruffled by the taking of the Inventories, leading to the
breaking open of the church doors.


FOOTNOTES:

[3] _Jean de la Roche_, Paris, Calmann-Lévy.

[4] See "The Cañons of Southern France," by A. T. Jukes-Browne, in
_Natural Science_, vol. vi., 1895.




CHAPTER III

LE PUY

     The basin of Le Puy—Situation of the city—Mont Anis
     and l'Aiguilhe—How to reach Le Puy—The Velauni—Their
     capital—Transferred—The feverstone—Temple of Adido—Monument of
     Scutarius—Baptistery—The Black Virgin—The cathedral—Murder of a
     chorister by Jews—Western entrance and façade—Cloister—Vaulting
     of nave—Tower—Lay canonry—Paintings—Walls—Old houses—S. Michel de
     l'Aiguilhe—How did the builders work?—S. Laurent—Du Guesclin—The
     Bible of Theodulf—Wealth of the see—Bad bishops—Bertrand de
     Chalençon—William de la Roue—Revolt of the people—Murder
     of the bailiff—The White Hoods—Antoine de S. Nectaire—His
     sister—Massacre ordered—The bishop at Fay-le-Froid—Espaly—Vidal
     Guyard—Capture of castle—Defence of Le Puy—Church militant—The old
     gunner—Christopher d'Allègre—The Huguenots retire—The Revolution.


Assuredly no city in Europe occupies a site so fantastic as does the
capital of the Velay. The high wind-and-snow-swept tableland to south
and west falls away and forms a pleasant basin covered with vineyards
and sprinkled over with white villas or summer-houses of the citizens,
as if there had been a giant's wedding and much rice had been thrown.

The Borne, that has hitherto struggled through ravines and tumbled in
cascades, here ceases to be boisterous, and puts on an air of placidity
as it glides past the cathedral city.

[Illustration: WEST FRONT OF CATHEDRAL, LE PUY]

In this basin the climate is mild compared with that of the uplands,
and the soil is fertile. The train from Arvant curves round the town
before it settles into the station, much as a dog turns about before he
lies down to snooze.

What at once arrests the eye on approaching Le Puy is that out of the
very midst of the basin up start two rocks; the largest is Mont Anis,
and about this, up its steep sides, the town scrambles. On a ledge
above all the houses is the cathedral, and soaring above that again
is the rock of Corneille, crowned by a colossal statue of the Virgin
fifty-two feet high, and the largest in the world. It is run out of two
hundred Russian cannons taken at Sebastopol, and stands on a pedestal
of twenty feet. It is a disfigurement to the town, for it dwarfs the
venerable cathedral. The site was formerly occupied by a ruined tower.

The other rock is the Aiguilhe, the Needle, on the summit of which
stands the church of S. Michel, reached by 265 steps cut in the face of
the rock.

The town is composed of houses grappling to every ledge; the streets
are stone stairs, and the _place_ is staged on steps. When to this is
added that the cathedral is unique in its way, a marvel of Romanesque
architecture, treated in original fashion, then it will be conceived
that Le Puy is an attractive place to visit.

But when we come to consider how it may be reached we are beset with
difficulties. The direct line from Paris is undoubtedly that leading
to Vichy, but the trains from Vichy onward do not correspond, and are
moreover omnibus trains that loiter for six hours and a half over
seventy-four miles.

Nor can we reach Le Puy by the main line from Paris to Nîmes in a
day, for at the junction, S. George's d'Aubrac, the trains do not
communicate, and there is no tolerable inn at this junction where one
can spend the night.

The third way is by Lyons and S. Etienne, and this is by far the best,
for by it the whole journey can be effected in a day; but for that one
must travel by express first-class as far as Lyons.

The people anciently occupying Le Velay were the Velauni, and they had
their capital at Rheusio, so called from _rhew_, the Celtic for cold;
and that was at S. Paulien. There also was the first seat of a bishop,
but S. Evodius (351-374), whose name has been corrupted into Vosy,
transferred his throne to Le Puy, then called Anisium. It is supposed
that a dolmen stood on the platform now occupied by the cathedral, and
that a large slab of trachyte laid down in the porch, its blue colour
distinguishing it from the rest, was the capstone. This slab is called
the Feverstone, and those with fire in their blood were wont to sleep a
night upon it. The earliest mention of a cure performed by this means
is in the time of S. Vosy. To the dolmen, if it ever existed, succeeded
a Gallo-Roman temple dedicated to a local deity, Adido, conjointly with
Augustus.

When Scutarius, the second bishop of Le Puy, was buried, a monument
was erected over him. To save the trouble of shaping a stone for the
purpose, the mason of that day took a slab on which was an inscription,
"Adidoni et Augusto Sex. Tolonius musicus D. S. P.," turned this about
and carved on the other side a monogram of Christ, and under that
"Scutari Papa vive Deo." The form of the letters, the title of Pope
applied to the bishop, not yet restricted to the pontiff at Rome, and
the expression of hope so like those found in the Catacombs, speak for
the antiquity of this inscription. But it was not allowed to remain
where placed; when the present cathedral was built, this stone was
employed as lintel to one of the north doorways.

The oldest building in Le Puy is the baptistery of S. John, near to
the cathedral. It was much altered in the Middle Ages, but is still an
interesting relic of the fourth century. From it was removed the white
marble sarcophagus of the fifth century, now in the museum of the town,
on which are figured the cure of the paralytic, the cursing of the
barren fig tree, and other scriptural themes.

This baptistery was in use till 1791, as the exclusive place where
children of Le Puy could be christened. In this Le Puy resembled
Florence, Pisa, and other North Italian towns, where baptism was a
sacrament reserved for administration at the Mother Church.

The fame acquired by Le Puy as the chief seat of the worship of the
Virgin dates from an early but unknown period. Charlemagne in 803
founded ten poor canonries _la pauperad_ in connection with the
church; but the great prosperity of the church as an attractive point
for pilgrims is due to a black image said to have been brought from
the East by Louis IX. But as it happens, the Eastern Church does not
tolerate carved images, and contents herself with paintings of sacred
subjects. Le Puy was, however, an objective of pilgrimage long before
that, for in 1062, Bernard, Count of Bigorre, went thither, and in a
fit of devotion vowed himself and his county to Our Lady of Le Puy, and
undertook to pay to this church annually a considerable sum of money.

High above the altar is now set up what looks like an Aunt Sally at
a fair. It has a black head, from which the garments are spread out
like the feathers of a shuttlecock. But this is not the original
doll, for that was burned at the Revolution. One might have supposed,
perhaps expected, that the clergy on returning to the church would have
rejoiced to be rid of such an object of degrading superstition. But
not so, they had another black virgin made by a joiner, and dressed it
in frills and furbelows, and set it up to receive the adoration of the
ignorant and the stupid. One thing they did change; the new doll was
made a little less grotesque and uncouth than was the first, of which
representations remain.

The original image was of cedar wood, swathed about with bands of
papyrus glued to it and partly inscribed. Upon this the features of the
face, of <DW64> tint, the flesh of hands and feet and the draperies were
painted in distemper, in an archaic style. One story relative to it
was that it came from Mount Carmel, and had been carved by the prophet
Jeremiah in prophetic ecstasy. What seems most probable is that it was
an Egyptian idol representing Isis and the infant Horus. S. Louis may
have found this on his crusade to Egypt, and have frankly believed that
it was a representation of the Virgin and Child, and so have presented
it to the church of Le Puy. It certainly had a suspiciously Egyptian
appearance.

Devotion to the original image brought kings and nobles to it, and
made them open their purses and pour forth gold, and sign charters
delivering over to bishop and chapter vast estates and privileges. The
church became extremely wealthy, and it was owing to its wealth that
the glorious cathedral was built. The basilica is approached from the
west by the Rue des Tables, so named on account of the stalls set out
there at the time of the great pilgrimages. At the foot of the ascent
is a fountain erected in commemoration of a choirboy, supposed to
have been murdered by the Jews in 1320 and thrown into a well. He was
given up as lost, when on Palm Sunday he reappeared, took his place in
the procession, and told how he had been slaughtered, and how, by the
intervention of Our Lady, he had been resuscitated. The mob believed
the story, burst into the Jew's house, tore him to pieces, and cast his
dismembered limbs to be devoured by dogs.

If they had but looked closer into the matter, they would have
discovered that the urchin had been playing truant, and disguised his
idleness by a lie.

From the Rue des Tables the remarkable west front of the minster may be
seen in full. It is Romanesque in style, of the Auvergnat character,
the façade is enriched with stones white and red and black, arranged
in alternating bands, in lozenges and in lattice work. The zebra-like
appearance is not pleasing. The eye desires repose, and is teased with
the intricacy of the pattern.

This western façade is actually the frontispiece of a vast porch or
narthex that stretches back through four of the bays of the nave, with
flights of steps, eleven in each, and with landings between. Half-way
up the porch are two chapels, one on each side, with large oak doors
carved and painted. They represent groups of figures from the story of
the Gospel. The background is sunk, but the surface left smooth, and is
painted. The chapel on the right is dedicated to S. Stephen, that on
the left to S. Giles. Neither is now used.

On two of the steps of the ascent is inscribed in Latin, "Ni caveas
crimen, caveas contingere limen, Nam Regina poli vult sine sorde
coli." "Unless free from guilt shun this threshold, for the Queen of
Heaven will be worshipped only by a guiltless soul."

Formerly at the head of the fourth landing was a central doorway
leading into the nave by another flight of steps continued inside
the church; and it was said of Notre Dame du Puy, that you went in
at the navel and came out at the ears, _i.e._ at the lateral doors
in the transepts. But the central entrance has been walled up, and a
floor been laid over these steps. Access is now obtained to the nave
by a side flight that turns round the church and gives admission in
the south transept. The corresponding lateral flight gives access to
the magnificent cloister, partially closed by a gate of intricate and
beautiful ironwork. The arcade in the cloister rests on twin columns
with richly carved capitals, no two alike, and the wall space above the
arcade is filled in with mosaic work of red, yellow, white, and black.

The interior of the church is not less remarkable than the exterior.
Originally it consisted of a small square basilica, now forming the
retro-choir; this was prolonged into nave with aisles, and transepts
were added forming a Greek cross, with a dome at the intersection.
Later on the church was carried further westward, and the singular
western portion, a nave over a porch, was raised in the twelfth century.

[Illustration: PORCH, CATHEDRAL, LE PUY]

Each bay of the nave is surmounted by an octagonal cupola. Two sides
contain windows looking north and south. Two sides have also windows
sustained on an arch flung across the nave, and looking into it. The
four other sides of the octagons are in the depth of the wall. The
lateral south porch, opening on to the little Place du For, where is
the episcopal palace, is a noble piece of work. Two bold arches give
access to it. To the left is a doorway only opened for a pope to pass
through; the other gives admission to ordinary personages into the
transept.

The tower is a campanile detached from the church, unbuttressed, and
though fine, is too small for the size of the minster. But this is due
to the fact that every inch of space on the rock was precious, and had
to be economised. Accordingly a tower of greater bulk at base would
have encroached on the way of access to the basilica. There are two
more doorways, one, further on, a bold and daring sweep that spans not
the entrance only, but also the little street. A third is on the north
side.

Until this year, 1906, the head of the French State, King, Emperor or
President was _ex officio_ lay canon of Le Puy, just as our King is a
lay canon of S. David's. But with the separation of Church and State in
France, this has ceased, and M. Loubet was the last of the lay canons
of Le Puy.

At one time there existed a promising school of painting in Le Velay,
but it was killed by the troubles of the Wars of Religion. The frescoes
in the cathedral and in some of the churches exhibit great merit. Such
as remain, unfortunately very few, may be best studied in the Museum,
where are accurate copies.

The finest of all represents the liberal arts, and was discovered by
Mérimée in the capitular hall of the cathedral, in 1856. It is of the
fifteenth century, and is conjectured, but on insufficient grounds,
to have been the work of Jean Perréal, painter to Kings Charles
IX. and Francis I. In the Museum may be seen reproductions of some
paintings from Langeac, in which the figures are in gold on a brown
diapered background. One series represents the Annunciation, the
Nativity, Christ among the Doctors, speaking from a pulpit, and the
Good Shepherd. The Incarnation is figured allegorically by the Blessed
Virgin alluring to her the Lamb of God.

The city of Le Puy was formerly surrounded by walls erected by
the citizens against the Routiers, the Free Companies, and those
troublesome near neighbours the Polignacs. But their house was divided
against itself, for bishop and chapter were continually at strife with
the citizens, and to protect themselves against the turbulence of these
latter, the ecclesiastics drew an inner ring of walls about themselves
on the height above the town.

In the tortuous streets may be seen many specimens of medieval domestic
architecture, angle-turrets, doorways richly carved, and if one can
look into the courtyards, some dainty subjects for the pencil may be
obtained.

But after having seen the cathedral and the old town, the feet are
attracted to S. Michel l'Aiguilhe.

     "The rock of S. Michel," says M. Paulett Scrope, "seems to contain
     a <DW18>, which may probably have been erupted on this spot. It
     is, however, of course evident that the conglomerate of which it
     is composed must have been originally enveloped and supported by
     surrounding beds of softer materials, since worn away by aqueous
     erosion."

[Illustration: L'AIGUILHE, LE PUY]

The plan of the church on the pinnacle of rock is peculiar, resembling
the attitude of a sleeping dog. The chancel lies beside the main
entrance, at a higher level, and the nave is curved and has an aisle
also on a curve, divided from it by columns and arches, the former
with carved capitals of the end of the twelfth century, but with
one or two of an earlier date. The entrance is a superb specimen of
Byzantine-Romanesque work. The carving in tufa is delicate, and every
portion of surface not sculptured is inlaid with mosaic. The chancel is
the oldest part of the church, and may possibly belong to the original
structure consecrated in 980; but all the rest is two centuries later,
and the tower is a copy in small of that of the cathedral.

How did the builders of those days construct churches and donjons on
the tops of these obelisks? The Rabbis say that an angel can pirouette
on the point of a needle, but the work done here is more wonderful than
that of balancing for a few minutes on an acute point, for the masons
had to fill in all the rifts of the rock so as to form a terrace on
which to build. They must have been let down in cradles. As to the
tower, it was probably built up from within, as is done nowadays with
a factory chimney. On a lower level than the doorway are the ruins of
the habitation of the chaplain who served the church. He could obtain
plenty of fresh air there to fill his lungs, but could not get exercise
to circulate his blood, save by running up and down the stair in the
face of the rock.

On the way up to the chapel may be noticed recesses cut out of the
cliff. These formerly contained statues of saintly helpers in all kinds
of difficult and unpleasant situations. Among these was S. Wilgefortis,
a young lady with beard and moustache, much invoked by women with
vexatious husbands, who wanted to be rid of them. A fine statue of her
is in Henry VII.'s Chapel at Westminster. The Huguenots destroyed all
these figures in the niches. They were restored and again broken up at
the Revolution, but have not been reinstated.

In the same hamlet of l'Aiguilhe is a circular Romanesque chapel,
called the Temple of Diana, but which is actually a structure of the
twelfth century. It is now undergoing repair.

The church of St. Laurent has been given a modern gable with pinnacles
to the west front out of keeping with the character of the original
architecture. The western doorway was once rich, and had on it two
ranges of angels, twelve in each. The Huguenots broke the figures
in their hatred of everything beautiful, and mutilated the delicate
foliage as well.

The church has a broad nave with narrow side aisles. It contains a
carved stone organ gallery once rich with statuary, but the niches
are now empty. On the north side in the aisle is the tomb of Du
Guesclin, who did more than any other, except the Maid of Orléans, to
drive the English out of France. Even this monument did not escape
the iconoclastic rage of the Calvinists; but it has been judiciously
restored.

Guyenne, Poitou, Saintonge, Perigord, Brittany had been in turn the
theatre of his victories; but the war continued in Languedoc. Bands
of the Free Companies desolated the Gévaudan, Auvergne, and Le Velay.
The nobles and towns unassisted could not expel them, and appealed
to Charles V. to send them an experienced captain who would aid them
against these brigands, and he despatched thither Du Guesclin. In
August, 1380, the Constable entered Le Puy, and in a few days had
assembled an army. He then departed for the Gévaudan to lay siege to
Châteauneuf Randon, the head-quarters of the English routiers. The
Constable besieged the place, attempted to take it by assault, but
failed; and he vowed that he would not withdraw till it was captured.
The garrison defended themselves valiantly, but at length agreed
to capitulate. Du Guesclin was suffering at the time from a mortal
sickness, and he lay on his deathbed when the terms of capitulation
were agreed upon.

He died on the 13th of July according to history, on the 14th as stated
on his monument; and upon the day fixed for the surrender the Governor
laid the keys on the coffin of the deceased Constable. Charles V.
ordered the body to be transported to S. Denys; but it was first taken
to the Dominican church of Saint Laurent, there to be embalmed. The
intestines of the great warrior that were removed alone occupy the tomb
there erected.

The recumbent statue well answers to the description he gave of
himself: "Les épaules larges, le col court, la tête monstreuse; je suis
fort laid, jamais je ne serai bienvenu des dames, mais saurais me faire
craindre des ennemis de mon roi."

The cathedral library of Le Puy contains a copy of the Bible written
by Theodulf, Bishop of Orléans (788-821), a friend of Alcuin of York.
This MS. was written by his own hand whilst in prison at Angers for
having been involved in the conspiracy of Bernard, King of Italy,
against Louis "le Débonaire," a son of Charlemagne. On Palm Sunday the
King was at Angers and rode through the streets. As he passed under the
prison, Theodulf thrust his head out of the window, and at the top of
his voice chanted a poem he had composed in honour of Louis. The prince
drew rein and listened. Flattery, however fulsome, goes a long way. He
was pleased with it, though "laid on with a trowel," and ordered the
release of the Bishop. It is said that, when in captivity, Theodulf had
vowed to give to the church of Le Puy the Bible he had transcribed in
his dungeon.

The MS. is written partly on white vellum and partly on vellum stained
purple. On the white sheets the letters are in black, with the
capitals in vermilion; but on the purple pages are in silver, and the
capitals in goldleaf. The cover was repaired in the reign of Francis
I., the velvet of the ninth century being overlaid with velvet of the
sixteenth. At the Revolution this precious relic would have been flung
into the flames that consumed the Black Virgin had it not been for
the richness of the cover, with its ornaments of silver-gilt and the
precious stones with which it was encrusted. The text is not divided
into verses, and there is no punctuation, for the use of punctuation
did not become general till the tenth century. The text is that of the
Vulgate as corrected by Alcuin. Several of the passages in the Vulgate
as now used differ from those in the version employed by Theodulf; and
the Psalter is not that of the Vulgate. The preservation of the writing
is due to pieces of fine tissue having been placed between the leaves,
and of these fifty-three remain, and are interesting specimens of the
textures of the time of Charles the Great. The Bible has poems composed
by Theodulf prefixed to and following the sacred text.

Five of the early bishops of Le Puy are accounted saints, though almost
nothing is known about them. They must have monopolised the stock
of sanctity allotted to that Church, for of their successors none
could lay claim to much holiness, and many were a disgrace to their
order. But Le Puy was one of the richest sees in France, as the bishop
was count as well as prelate. The volcanic soil was extraordinarily
fertile, and the Black Virgin acted as a magnet, attracting to it an
inexhaustible stream of gold; and this made the see to be coveted
by ambitious and appropriated by unscrupulous prelates. Add to this
that the bishop was under the jurisdiction of no archbishop, and was
responsible to the Pope alone, who was too far off and too busy with
affairs of greater importance to trouble himself about the misdeeds of
the prelate princes of Le Puy.

It is open to debate which does most harm to the Church, the occasional
torrential rush through the ranks of the episcopate of some wild blood,
whose life is conspicuously at variance with his profession, or a
continuous and unabating flood invading every see of smug, smooth, and
colourless nonentities, who dilute the quality, abate the force, and
lower the temperature of the Church to insipidity, lukewarmness, and
inertia.

Some instances will suffice to show what manner of men they were who
now and then were bishops of Le Puy.

Adhelmar (1087-98), who died at Antioch as a Crusader, was succeeded
by Ponce de Tournon, who was an assassin. Bertrand de Chalençon's
hands were also stained by blood; he exasperated his flock to madness
by his exactions, heavily fining widows who remarried, and levying
exorbitant fees on burials. When Innocent III. proclaimed a holy war
against the Albigenses, and promised pardon for all sins to such as
should outrage, rob, and murder these heretics, Bertrand headed an army
of Crusaders, composed of the riff-raff of Velay, Auvergne, and the
Gévaudan, and marched south. The citizens of one town at his approach,
terrified at the prospect presented to them, fired their city and fled
to the dens and caves of the earth. They were premature. Bertrand was
more greedy of gold than of blood, and he made the towns as he passed
buy exemption from destruction, and pocketed the money himself, to
the rage and resentment of his followers. But they had full scope for
their brutal instincts at Béziers on June 22nd, 1209, when, at the
most moderate calculation, 20,000 persons, men, women, and children,
indiscriminately Catholics and heretics, were butchered, and the papal
legate looking on, is reported to have said, smiling, "Kill all; God
will know His own!"

Bernard de Montaigu (1237-48), to enforce recognition of his
seigneurial rights, subjected the city to an interdict, and
excommunicated the flock he was set to feed.

William de la Roue (1263-82) had appointed De Rochebaron as his
bailiff. This man fell in love with the beautiful wife of a butcher
in the town, lured her within the precincts of the ecclesiastical
fortifications, and outraged her. The guild of the butchers complained
to the prelate, who scoffed at the deputation, and refused to reprimand
his bailiff. The city was in commotion. When a party of the prelate's
men-at-arms returned from an expedition, after harrying the peasantry
in the country, and were laden with the spoils, the people rose. The
tocsin sounded. The butchers came down with their cleavers. There
was fighting in the streets. The troopers were despoiled of their
plunder, and were obliged to take refuge within the walls of the
bishop's fortress. William de la Roue was furious. He sent down the
obnoxious bailiff with all the force he could muster to chastise the
citizens. But they were surrounded by the enraged populace, and driven
to take refuge in the Franciscan convent. The butchers with their
choppers hewed down the door and slew the provost and six sergeants. De
Rochebaron fled up the tower. The butchers pursued, caught him hiding
among the bells, flung him down, and his mangled body was hewn to
pieces.

Eventually the bishop reduced the city to subjection. He had its
consuls hung in chains, and put to death all the butchers on whom he
could lay his hands. The old town, built about a volcanic <DW18>, was
ill provided with water. The wells tapped no springs, and were filled
with surface-water only, and the soil was impregnated with sewage
soaking down from every street and yard and lane through the joints in
the rock. As a natural result typhoid fever—or the Pestilence, as the
people called it—broke out, and became endemic. Frantic at this, the
citizens looked about for a cause, and looked in the wrong direction.
It did not occur to them that they poisoned their own wells. They
assumed that the sickness was due to a league among the lepers, jealous
of the health and happiness of sound men, and that they insidiously
poured poison into the pits. In 1321, after a great outbreak of the
plague, the citizens complained to the bishop, Durand de S. Pourcain.
Perhaps he shared their conviction, perhaps he sought only to gratify
the people. He swept together all the lepers in the county and burned
them alive.

Le Puy saw the formation of a remarkable confederacy that promised at
first to achieve the liberation of the country from the scourge of the
routiers.

These bands of lawless men, under captains of their own selection,
overran the country, levying blackmail, and pretending that they were
in the service of the English King; or, if it suited them better,
in that of the King of France. They passed from one allegiance to
the other indifferently. Actually they served neither one side nor
the other, but themselves. The merchants were robbed, the farmers
despoiled, towns plundered. Existence became intolerable. Castles
were erected on the top of rocks accessible only by a goat-path, or
by steps cut in the stone, and there nests were built by the robbers
for themselves. In these strongholds the captains and their companies
lived riotously with bold women, sometimes nuns, whom they had carried
off. The routiers held churches in special aversion, and plundered them
without scruple. At their orgies they drank out of chalices, and vested
their harlots in the silks and velvets of ecclesiastical wardrobes.

Such was the condition of affairs when, in 1182, a carpenter of Le Puy,
named Pierre Durand, announced that a paper had fluttered down to him
from heaven bearing on it a likeness of the Blessed Virgin, and that
he had been commanded to found a society to combat and extinguish the
routiers. At first the Bishop of Le Puy looked coldly on the carpenter.
But the man obtained adherents. The need of combination to rid the
country of a general nuisance was so largely felt, that Durand readily
obtained a hearing and enrolled followers. According to the Laon
Chronicle, the carpenter was a tool in the hands of one of the canons,
who got a young man to dress up and pose as an apparition of the Virgin
and so influence Durand. Be that as it may, the movement grew with
rapidity. Durand gave to his adherents a white hood, with a medal to
be worn on the breast, bearing a representation of N. D. du Puy, and
the invocation, "Lamb of God, that takest away the sins of the world,
grant us Thy peace." Bishop Peter IV., now that the movement promised
to be a success, thought well to assume a lead in it. He had a platform
erected, on which he took his stand along with the carpenter; he
flourished the heaven-sent daub, asserted its genuineness, and exhorted
his hearers to assume the white hood. The growth of the confraternity
was now rapid. Clergy, monks, merchants, farmers, artisans, nobles
joined it. Great armies of these Brethren of Peace marched against the
routiers, defeated them in pitched battles, stormed their castles and
burnt them. After a victory, no quarter was accorded. For the nonce
the freebooters were quelled, and quailed before the people risen in
a body to lynch their tormenters. But the victories they had won, the
applause they had drawn on themselves, made the White Hoods headstrong
and presumptuous. They knew well enough that the routiers only existed
because the princes and nobles were at strife with one another; and
now they pressed on the feudal lords, to insist on the abolition of
private war, and to threaten such as would not submit, with the same
treatment as that dealt out to the routiers. At the same time they
adopted communistic notions, and refused submission to all authorities
save those of their own election. They swarmed over the country and
devoured the produce of the land. They had lost all appetite for
peaceful avocations; and they threatened to become as great a peril as
had been the freebooters. The nobles leagued against them, the royal
forces were set in motion; the White Hoods were defeated and butchered
without compunction, and the society founded for a good purpose came to
an end, and its disappearance gave free scope for the great Companies
to reorganise and resume their depredations.

When the massacre of S. Bartholomew was determined on in 1572, sealed
orders were sent to the Count-Bishop of Le Puy as to all other
governors to order a butchery of the Huguenots. Antoine de S. Nectaire
was bishop at the time. He was the brother of the famous Madelaine
who had been married to Guy de Miremont. Left a widow when young,
beautiful, and rich, she was surrounded by aspirants after her hand.
Madelaine had embraced the reform of Calvin. She enrolled her sixty
lovers in a corps to serve as bodyguard. A word, a look sufficed to
send this enthusiastic corps to smash crucifixes, burn villages, and
storm castles. She rode in armour at the head of her suitors, and of
an army that had gathered about her eager for plunder. She advanced
to the gates of Riom and Clermont at its head, taking fortresses and
burning towns and villages on her way. The King's Lieutenant, the Sieur
de Montal, was routed by her in several encounters, and he, exasperated
at his humiliation, resolved on storming and destroying her castle of
Miremont, to which she had withdrawn. So soon as he appeared before
it, at the head of the royal troops, she issued from the gates, her
visor raised and mounted on a noble steed, sword in hand, followed by
her bodyguard, engaged the lieutenant in single combat and smote him
from his steed. Finally, after an ineffectual siege that lasted forty
days, Madelaine forced the royal host to retire. "Ventre saint gris!"
exclaimed Henry of Navarre, "if I were not king, I would desire to be
Madelaine de Saint Nectaire!" This by the way.

Her brother was Bishop of Le Puy, and by no means inclined to accept
Calvinism. When the order came to him requiring a massacre of the
Huguenots in Le Puy, he called the consuls together, and read to them
the royal letter. "Messieurs," said he, "this concerns only rebels
and disloyal Calvinists, and there are none such here. We read in the
Gospel that the love of God and of our neighbours form the sum of the
Law and the Prophets. Let us live together as a Christian people in all
good charity."

This was excellent. If we knew no more of him than this, we would set
him down as an enlightened prelate and a man of high principle. But
unhappily it is not all.

Next year the Calvinists had entered the Province, and had captured
several places; amongst others Fay-le-Froid. The Bishop at once, with
promptitude, marched thither at the head of five hundred men. He rode a
richly caparisoned mule, clad in black armour, with a gold cross on his
breast, and his arms, five silver spindles on a field azure, emblazoned
on his mantle. He was a magnificent man, ruddy-faced, with bright blue
eyes and a flowing white beard. He was of Herculean strength, and as
canon law forbade a Churchman shedding blood, he bore a heavy club with
which to brain the enemies of the King and of the Church. In his train
were two cannons. As he arrived unexpectedly before Fay-le-Froid, the
town surrendered. He swept the inhabitants and the rebel garrison
together, and hung as many as were involved in the insurrection. "What
a lamentable scene it was," wrote a contemporary author; "poor women
weeping, tearing their hair, pleading for the lives of their husbands,
their brothers, and their friends; but Mgr. de Saint Nectaire would not
so much as vouchsafe them a look."

Then, with the bodies dangling from the gibbets, he had an altar
erected in the public square and a Mass sung, whilst his pikemen
prodded the Calvinists at the proper moment to oblige them to cross
themselves and to kneel.

The Bishop returned to Le Puy highly elated at his success, but his
elation was damped on his arrival by hearing that in the meantime the
Huguenots had captured his castle at Espaly, at the very door of Le
Puy, and were menacing the capital. He made his way in with all speed,
and despatched a courier to the Baron de S. Vidal to come to his aid.

Espaly was then a walled town at the foot of a trap <DW18> that shoots
above the Borne, and on which stood a castle, the summer residence of
the bishops.

The castle had been erected in the thirteenth century by William de la
Roue, of whose misdeeds I have already told. It was completed by Jean
de Bourbon (1443-85). The part taken by this prelate in the League
of the Public Good brought on Espaly the horrors of a siege. But it
suffered especially in the Wars of Religion. Within thirty years it was
taken and retaken by Huguenots and Catholics eight times.

The story of the last siege is sufficiently curious to be told.

In 1574, Vidal Guyard, a hatmaker of Le Puy, placed himself at the
head of a hundred and twenty Calvinists, and, favoured by the moon,
on the night of January 9th approached Espaly, and by penetrating
into the castle by a drain succeeded in surprising the garrison and
making themselves masters of the place. The news reached Le Puy through
fugitives from the town, and next day the young men of the city, acting
against the advice of the Bishop, determined on retaking the fortress.
A crowd of citizens armed, assumed a white cross on their breasts, and
marched against the place. But heavy rain came on, they were drenched
to the skin, and their powder and courage were damped, so they returned
having effected nothing. The Calvinists now set to work to destroy the
houses in the little town, sparing only such as were redeemed by their
owners with a heavy money payment.

On January 20th the Baron de S. Vidal, whom the Bishop had summoned to
his aid, assembled troops at Le Puy and marched to Espaly, forced his
way into the town, but could effect nothing against the castle, that
was accessible by one path only, cut in the face of the rock. One of
the garrison with his arquebus wounded S. Vidal in the shoulder. After
that they made a sortie and did much execution among the besiegers.

S. Vidal, despairing of reducing the place by force of arms, resolved
on trying negotiation. But Guyard demanded such an exorbitant sum for
its surrender that it was refused. S. Vidal now tried stratagem. He
framed a letter, as from Guyard, addressed to the consuls of Le Puy,
offering to deliver up the castle, his lieutenant Morfouse, and the
garrison, if his own life were spared and he were liberally rewarded.
This letter was smuggled into the fortress, read by Morfouse, and in
a paroxysm of jealousy and alarm he and the rest fell on Guyard and
killed him. Then they entered into communication with S. Vidal, and
surrendered on February 3rd, the day on which the baron received the
news of his nomination by the King to be governor of Le Velay. Le Puy
itself had undergone a siege by the Huguenots twelve years before this.

In 1562 the terrible Baron des Adrets, who was in Dauphiné stamping out
every spark of Catholicism, deputed his lieutenant, Blacons, to secure
Le Puy. Blacons was a man as ruthless as his commander, but without
his military genius. It was settled that Blacons should assemble an
army at Pont-en-Peyrat, a village on the borders of Forez and Velay.
Thither accordingly gathered the Calvinists and a horde of adventurers
thirsting for the pillage of the wealthy city and the shrine of the
Madonna. The consuls of Le Puy sent the brother of their seneschal,
Christopher d'Allègre, with 20,000 livres to treat with Blacons, and
offer this sum if he would divert his column on some other town.
Christopher d'Allègre, who was himself a Calvinist, and had been
selected for the embassy on that ground, pocketed the money without
intimating to Blacons the purpose for which it had been confided to
him, and was instant in urging the Huguenot captain to capture and sack
the city. The consuls, bishop, and chapter met in consultation and
armed all the male inhabitants of the place, and hastily repaired the
fortifications.

On August 4th arrived the citizens of S. Paulien, escaping with their
goods and chatels from the Calvinists with terrible stories of outrage
and murder committed by them. The alarm-bells pealed; a message was
sent to the Viscount Polignac for aid, but he remained inert on the
top of his rock, alleging that he had not a force sufficient at his
disposal to be able materially to assist the citizens.

On the night of the same day the siege began. The Huguenots crossed the
Borne, which was then dry, and planted their cannon. After a steady
bombardment they rushed to the assault, and a desperate struggle
ensued. Towards evening of August 5th the resistance of the citizens
slackened, and the Calvinists pressed on, when a postern was thrown
open and out poured a body of monks and friars variously armed. They
fell upon the enemy in flank and put them to rout. The members of the
monasteries and convents round Le Puy had fled to the city at the
approach of Blacons, and had been clustered on the top of the rock
Corneille watching events. Observing the progress of the Huguenots,
and knowing that if the city fell every one of them would be hung or
hurled down the rock, they had gone to the episcopal armoury and seized
whatever weapons came to hand; and these men determined the fate of the
engagement.

The disconcerted Huguenots retired for the night to Espaly. Next day
they returned to the assault, and planted their cannon on a height
whence they could play on the town. The suburb of Aiguilhe fell into
their hands and was sacked. The hospital and the monasteries were
burnt, the church of S. Laurence and the chapel of S. Michael were
plundered and the carved work mutilated. If the latter escaped better
than the former, it was due to the height at which it stood, and the
danger attending any who climbed aloft to smash the sculptures with
axes and hammers.

On the third day the Calvinists met with no better success. One man
troubled them greatly, an aged hermit from the Mont Denise, who had
been an artillery officer in his younger days. He was now very old
and bent double; but the fire of battle kindled in his veins, and he
undertook the disposition of the artillery and pointed the guns. "That
holy man," says a contemporary historian, "did so well that he killed
more men than did all the arquebusiers together."

The Huguenots lost heart and demanded a parley. They sent Christopher
d'Allègre as their envoy into the city. This man must have been endowed
with considerable effrontery to accept such an office, after having
betrayed and robbed his fellow-citizens. He appeared before the consuls
with a confident air, and demanded that the gates should be thrown open
to Blacons. "How can you suppose," said he, "that we intend harm, we
who are zealous propagators of the Reformed religion and the defenders
of the oppressed? We are incapable of committing acts of violence. We
will not exact of you any contribution, not even food for our men. All
that we seek is to hew in pieces the gods of wood and stone and emblems
that profane the temple of the living God."

But the consuls knew what such protestations were worth, by the
experience of the refugees of S. Paulien, which had offered no
resistance to the Huguenots. They dismissed the envoy, and he returned
to stimulate the investing army to renewed exertions. At once, in a
paroxysm of zeal, the host rushed again to the attack; but the citizens
sallied forth, cut them down, and made many captures.

Next day the consuls and the bishop hoisted flags on every tower, and
minstrels paraded the walls playing lively tunes on hautboys, fifes,
and clarions.

Blacons supposed that they must have received reinforcements. He called
his officers together and said, "See, gentlemen, how the citizens of
Le Puy mock us! Let us chastise them severely for such imprudent and
unseemly mirth." But he could no longer rouse his host to venture
on another assault. His soldiery dispersed over the open country to
sack and burn villages, desecrate churches, and hang such priests as
they could take. They completely wrecked five or six monasteries, the
castles of the bishop, and they set fire to the peasants' harvests, so
that a sheet of flame ran over the country as far as the eye could see.
In a few days the cannon were withdrawn, and not a Calvinist in arms
remained before the walls of Le Puy.

So the city can boast proudly, "Civitus non vincitur, nec vincetur," or
in the words of Odo de Gissey, "Ne fut oncq' surmontée, ni le sera."




CHAPTER IV

ROUND ABOUT LE PUY

     Limitations of language—Guides to Le Velay—Espaly—The
     castle—Death of Charles VI.—The Orgues—Baron de S. Vidal—La
     Roche Lambert—Polignac—The oracle of Apollo—S. Paulien—Roman
     remains—Julien, the sculptor—Barrier of the Loire—Vorey—La
     Lepreuse—Chamalières—Mézenc—Les Estables—Ascent—La Foire
     aux Violettes—The violet harvest—Flora of Mézenc—Gerbier de
     Jonc—View—Lake of Issarlès—Menaced—A man without a chance
     in life—Le Monastier—Stevenson's estimate of the people—The
     abbey—Change of names—Arlempdes—Caves of Chacornac—Mandrin—The
     haunted mill of Perbet.


There exist but a limited number of terms wherewith to describe an
infinite variety of natural objects that possess one common character,
but differ from one another in every other particular. Needle, spike,
pinnacle, spire, obelisk have to serve for all rocks that start up from
the soil and terminate in a point. Ravine, gorge, fissure, chasm, cañon
have to be employed indiscriminately for those clefts in the surface,
rents formed by the contraction on cooling of the earth's crust, or by
the erosion of water. And yet all the difference in the world exists
between spires of tufa and trap and those of granite or of limestone.
The gorge down which swirls the river between calcareous walls is one
thing, that which is cleft into a street lined with basaltic columns
is another, yet the same term must be employed for both.

[Illustration: BASALT, ESPALY]

If it fell to me to describe all the most remarkable sites in Le Velay,
I should have to use these expressions _ad nauseam_, and leave off with
the consciousness that I had conveyed to the mind of the reader but a
poor idea of the wonders of a wondrous land.

Happily for me, my purpose is not so extensive. I have not undertaken
to write a guide-book. Baedeker has given us the skeleton of a tour in
this region in five pages. Joanne has clothed the bones with flesh and
blood in thirteen or fourteen, and Ardouin Dumazet has breathed into it
the breath of life in three hundred and seventy. Moreover, a Syndicat
d'Initiative exists at Le Puy that distributes gratis a capital guide
to the sights around. But it does more than this. Throughout the
summer, at a trifling cost, it organises excursions, provides vehicles
to every point of interest that can be visited in a day.

A farmer does not take to market all the corn thrashed out of his
stack, but a sample of his produce. He opens his hand and displays
the grain to a would-be purchaser, and all I can pretend to do in
this chapter is to give a few samples of what Le Velay has to show to
a visitor, and I shall begin with Espaly, easily reached by electric
tram. There, out of the valley of the Borne, rise two volcanic crags,
washed by the river. One of these is surmounted by a toy castle, a
battlemented summer-house that belongs to a gentleman of Le Puy. The
other, and by far the finer, was once capped by the castle of the
bishops of Le Puy. In this a bishop-designate halted the night before
making his entry into the city, and here, before he was suffered to
enter, the consuls of the town exacted from him an oath to respect
its liberties. Charles the Dauphin, son of Charles VI., was staying in
this castle in 1422, on October 25th, when, at 7 p.m., he received the
tidings of the death of his father, which had taken place five days
before. He at once ordered the _De profundis_ to be chanted, and put
on mourning, which he quitted on the 27th to array himself in purple
velvet. Mass was performed, and then the banner of France was unfurled
to shouts of "Vive le Roy!" After that he departed for Poitiers, where
he was crowned.

By far the finest view of the rocks is to be had from the bridge over
the Borne.

Of the castle almost nothing remains. It was blown up by order of
S. Vidal, and now the fragments are incorporated in a wall set with
peepholes, and surmounted by what looks like a gigantic gasholder, but
which is intended to serve as a pedestal for a colossal statue of S.
Joseph.

The Orgues d'Espaly attract visitors. The organ front forms the face of
a spur of Mont Denise, and is composed of ranges of basaltic columns.
We shall see others far finer in the gorge of the Allier and in the
mountains of Vivarais.

Some way up the valley of the Borne stand the well-preserved ruins of
the castle of Saint Vidal, the sturdy Leaguer. Near this are a cascade
of the Borne and the ravine of Estreys.

Antoine, Baron de la Tour, and de Segard, and de S. Vidal, Governor of
Le Velay, made a desperate and ineffectual effort, conjointly with the
Governor of the Vivarais, in 1572, to capture the castle of Beaudiné in
Velay, held by the Huguenot captain, La Vacheresse, who had secured
it by stratagem, and who from it issued to ravage the country, destroy
churches, hang priests and monks, and levy blackmail on the villages.

Two months later he was wounded at Espaly, as related. In the same
year he was successful in dispossessing the Calvinists of five other
castles. Then he besieged and took the town of Tence, hung the pastors,
and gave up the inhabitants to massacre.

In 1577 he laid siege to Ambert in Auvergne, but failed to take it,
and retired discomfited. By royal command, in 1580 he advanced upon
S. Agrève, which had become the head-quarters of the Calvinists in
the Vivarais. During the siege he lost an eye. After having taken
measures for the defence of Le Puy, which was menaced by Polignac, who
was at war with the city, he hastened to the relief of Bédoués in the
Gévaudan, that was besieged by the redoubted Captain Merle, but was
unsuccessful.

A few years later, in 1586, he left Le Puy with six cannons to assist
the Duke of Joyeuse in the siege of Malziac. It was taken, and he was
appointed governor; he also obtained the governorship of Marvejols,
which capitulated after a siege of eight days. In 1588 he was before S.
Agrève for the second time, and he took it and levelled the town walls.
Devoted to the cause of the League, he hotly and zealously contested
the governorship of Velay with De Chattes, who had been appointed by
Henry IV. In 1590 he besieged Espaly again, burnt the town, and blew
up the castle. In a negotiation in 1591 between the Royalists and the
Leaguers the quarrel took so personal a turn that S. Vidal and the
commandant of Le Puy challenged De Chattes and another to duel, and in
it S. Vidal fell.

Still further up this picturesque stream is the Castle de La Roche
Lambert, the theatre of Georges Sand's novel _Jean de la Roche_.

     "I may say without exaggeration that I was reared in a rock. The
     castle of my fathers is strangely incrusted into an excavation in
     a wall of basalt five hundred feet high. The base of this wall,
     with that face to face with it of identically the same rock,
     form a narrow and sinuous valley, through which winds and leaps
     an inoffensive torrent in impetuous cascades, athwart delicious
     meadows shaded by willows and nut trees.

     "This Château de la Roche is a nest—a nest of troglodites,
     inasmuch as the whole flank of the rock we occupy is riddled
     with holes and irregular chambers which tradition points to as
     the residence of ancient savages, and which antiquaries do not
     hesitate to attribute to a prehistoric people.

     "The castle of my fathers is planted high up on a ledge of rock,
     but so that the tops of the conical roofs of the towers just reach
     above the level of the plain. One detail will illustrate our
     situation. My mother having poor health, and having no other place
     to walk save one little platform before the castle on the edge of
     the abyss, took it into her head to create for herself a garden at
     the summit of the crag on which we were perched."

[Illustration: CASTLE OF LA ROCHE LAMBERT]

The castle, which Georges Sand describes as in a dilapidated condition,
and a "vrai bijou d'architecture," is small, and its chambers are
scooped out of the rock. It has been carefully restored, and is a
museum of medieval antiquities, armour, old cabinets, and tapestry.

The road from Le Puy to Paris quits the valley of the Borne, and
ascends the <DW72>s of Mont Denise. As it mounts it commands grand
views. To the east is stretched the long chain culminating in Mézenc,
and Mégal with its group of _sucs_. M. Paulett Scrope's panorama
should be taken so as to identify the peaks.

After turning the flank of Mont Denise, the most modern of the
volcanoes, a basin opens before one, out of which starts up the lava
mass, like a huge pork-pie, that supports the scanty remains of the
Castle of Polignac, the eagle nest of this mighty family. At the foot
of the crag lies the village like a red girdle encircling it. Only the
donjon of the fortress remains perfect, repaired in 1893-7 by Heracleus
Armand XXV., Duke of Polignac. The entire platform was at one time
covered with buildings; now only foundations can be traced. But the
fallen masses have revealed the fact that this was a stronghold before
the Polignacs were thought of. It was certainly a prehistoric fortress,
then a Gaulish oppidum, next a Roman station. The name has been
supposed to derive from Apollo, who is thought to have had a temple
here, whence oracles were delivered. Within the precincts is a vault in
which is the mouth of a well 250 feet deep reaching to a spring. It is
conjectured that a colossal mask of stone, with open mouth, represents
the bearded head of a local Apollo, and that priests concealed in the
subterranean chamber uttered oracles which were made to issue from the
mouth. What is more certain is that an inscription of the time of the
Emperor Claudius has been found here, and that Roman tablets are built
into the walls of the little Romanesque church below the rock.

The Paris road leads onwards to S. Paulien, the ancient Ruessio capital
of the tribe of the Velavi. It has little to interest the visitor. A
stone now surmounted by a cross is called _Lou Peyrou dou tresvirs_,
the stone of the Triumviri, on which are carved three heads; the
church, reconstructed in the ninth century, stands on the ruins of an
edifice of the fourth. Some Roman fragments are incrusted in the walls.
Above the town, built into modern constructions, are many fragments of
the old city. The chapel of N. Dame du Haut-Solier has been regarded
as occupying the site of a temple dedicated to the sun, and is built
up of Gallo-Roman materials. Hereabouts the spade is continually
turning up relics, among others were found a head of Jupiter Serapis,
and inscriptions, of which one is commemorative of Etruscilla, wife of
the Emperor Decius. The chapel of the Sisters of S. Joseph possesses a
Romanesque doorway with bold zigzag ornament, removed from the ruined
commandery of Montredon.

S. Paulien was the birthplace of the sculptor Julien, of whose work
some specimens may be seen in the museum at Le Puy. He was a shepherd
boy, the son of very poor parents, but he had an uncle in the Jesuit
Order. One day this priest, walking on a bit of wild moor scantily
covered with coarse grass and juniper bushes, lit on his nephew, then
aged fourteen, guarding his flock, and engaged in modelling a figure
out of clay with a bit of stick. The lad looked up with his brown,
intelligent eyes, , and said—

"Sorry, mon père, that the figure is so bad."

"Bad!" exclaimed the priest. "Do you call that bad? On the contrary,
I pronounce it admirable. Go on and prosper." He hastened back to
S. Paulien, burst in on the Julien family, and insisted on their
surrendering the lad to him. "He is moulding a saint out of clay," said
the Jesuit. "Give me that lump of humanity, and I will shape it into
a great artist." So the uncle carried off young Julien and committed
him to the sculptor Samuel at Le Puy. The pupil speedily surpassed
his master, and went to Lyons, and thence to Paris, where he was
under Coustin, sculptor to the King. He was elected to the Academy in
1778, and was highly favoured by Louis XVI. But evil days came, not
for nobles only, but also for artists. The Revolution broke out, and
men were more busy in framing constitutions than in fostering art.
Not till the times of the Consulate and Empire was occupation found
for sculptors and painters. However, Julien had made sufficient money
before the upheaval to be able to purchase for himself a little estate
near Le Puy, and to that he retired till better days came. He was born
in 1731, and died in the Louvre, in 1804. His bust as a shepherd boy
adorns a fountain at S. Paulien.

After traversing the basin of Emblavès below Le Puy, the Loire enters
a second defile, where its passage was barred by a great current of
clinkstone, or laminated lava, poured forth from Mézenc, and of this
two colossal remnants exist, the rocks Miaune and Gerbison, rising one
on each side of the river to a height of 1,800 feet above it. This
enormous <DW18> suddenly thrown across the valley must have caused the
waters of the Loire to accumulate into a vast lake, till they effected
their escape by sawing through it.

Where, further up, the Arzon flows into the Loire is Vorey, lapped in
a fold of the mountains, facing Gerbison, which is striated with rills
descending in small cascades.

On June 16th, annually, is celebrated at Vorey a Mass "de la Lepreuse,"
which is attended by the people of the hamlets of Vertaure and
Eyravazet. Once upon a time a ragged leper woman arrived at the latter
cluster of houses and begged for food. No one would give her even a
crust of bread or a bowl of milk. She went on to Vertaure, and there
fared as ill; and she crept for the night into an abandoned shed, where
she remained too exhausted to proceed further, and there she died.
Whereupon the people dug a deep pit and cast in the corpse and the
woodwork and thatch of the shed, and heaped earth over the grave. The
spot is still pointed out, and is called Las Cabannas. After that, for
several years in succession, hailstorms smote the harvests and blighted
the vines, whereas about Las Cabannas all remained green and flowery.
Then the inhabitants of the two hamlets conceived that they were being
punished for their lack of charity, and vowed a Mass in perpetuity for
the repose of the leper-woman's soul. Her body was exhumed, conveyed
to Vorey, and there buried in holy ground, and she herself received a
popular canonisation as Ste. Juliette.

The Loire receives a goodly addition of water through the Arzon, and
below Vorey descends through profound gorges to Chamalières, a village
inhabited by quarry-men, and preserving one of the most curious and
interesting Romanesque churches of the department. It is of the twelfth
century, and has an arcaded clerestory. There are three windows in
this clerestory on each side, and between the windows blind arches,
some circular, some trefoil-headed. The tower is of two stages, with
four windows on the first and two on the second, on each side; it is
capped by a curious octagonal stone spire, rising from an octagonal
lantern, with trefoil-headed windows, and nothing but a slight moulding
indicates the junction.

[Illustration: MÉZENC]

The Mézenc, the highest of the Cévennes, rises out of a dreary plateau.
It is, says M. Paulett Scrope:—

     "The most elevated of an extensive system of volcanic rocks,
     resting partly on granite or gneiss, and in part on the Jurassic
     formation, which by their position and constitution prove
     themselves to be the remains of a single and powerful volcano,
     of the same character as those in the Mont Dore and Cantal. Its
     products, however, are disposed in a somewhat different manner,
     being spread over an almost equally extensive surface without
     accumulating into such mountainous masses around their centre
     of eruption. Two causes seem to have contributed to occasion
     this diversity of aspect, namely: first, that the eruptions of
     this volcano appear to have been less frequent than in the other
     instances; secondly, that its lavas consist either of basalt or
     clinkstone almost exclusively. They therefore were possessed
     of great comparative fluidity; and having burst out on one of
     the highest eminences of the primary platform, which afforded a
     considerable <DW72> in most directions, they appear to have flowed
     to great distances immediately upon their protrusion from the
     volcanic vent.

     "We shall be fully justified, by the universal declination of
     these volcanic beds from the Mont Mézenc, in fixing the site of
     the eruptions in its immediate proximity; and on the south-east of
     this rocky eminence, in the vicinity of the Croix des Boutières,
     there still exists a semicircular basin whose steep sides are
     entirely formed of scoriæ and loose masses of very cellular and
     reddish- clinkstones."

The desolate tableland over which one travels to reach Mézenc is well
described by Georges Sand in her novel _Le Marquis de Villemer_, and
the backward and unprogressive character of the inhabitants has not
altered since her time.

The carriage is left at the village of Les Estables, a poor and dirty
place, where the natives shiver through half the year. Their condition
is indeed miserable. Their cottages, built of lava-blocks, are thatched
with straw, or roofed with clinkstone (_phonolith_). The street is
filthy, encumbered with stones and deep in slime. Were it not for the
lace industry and for the violet harvest, the place would be deserted.
The cattle are lean and poor in quality, from lack of lime in the
soil; the harvests ripen so late that when gathered in the crops are
frequently spoilt.

At Ste. Eulalie, on the Sunday after the 12th July, is held the
Foire aux Violettes. To that stream the cottagers from Les Estables
and all the hamlets about Mézenc, laden with baskets heaped up with
violets, and not violets only, but also the thousand aromatic herbs
that luxuriate in this desolate region. The violets of Mézenc are so
numerous and so large that in spring the mountain is arrayed in royal
purple. The Mézenc violet is, moreover, more intense in colour than
that of the Alps, and it retains its colour longer when dried. To this
fair come the merchants of Lyons, Marseilles, and Nîmes. Every kind
of simple used by druggists, every herb used for the production of
essences, is there to be procured. But the violet is the staple of the
trade. The air is scented with it, but the sweetness cannot neutralise
the bad savour of the village—that defies suppression.

The flowers are gathered at the end of May by women and children. Then
they are dried in the hayloft, never allowed so to do in the sun. And
when we buy the crystallised violet at Gunters, or try the withered
flowers as a cure for cancer, ten to one but we are employing the
produce of Mézenc, and putting a few _petits sous_ into the pockets of
those leading a hard life in this southern Siberia.

The flora of Mézenc is subalpine, with many gaps. One rare plant alone
is found on it, the _Senecio leucophyllus_, that flowers in August and
September, and is found also on the Pyrenees at heights between 3,000
and 6,000 feet. It resembles the _Senecio maritimus_ that grows on
the Mediterranean littoral, which is cultivated in our gardens as an
ornamental plant on account of its imbricated and silvery foliage.

Oaks here are low-growing and yield acorns once in six years, and beech
once in four, whereas the service tree gives its fruit every year. This
arrest of oak and beech is due to spring frosts when the trees are in
flower, and an early winter forbids the glands and mast to ripen even
when formed.

It is quite easy to "do" Mézenc from Le Puy in a day. That admirable
institution, the Syndicat d'Initiative, provides a conveyance, starting
from the capital every Sunday morning in summer at 5 a.m., and from
Estables the mountain may be climbed in an hour and a half. The
conveyance is back at Le Puy at 10 p.m., and the cost of a seat is but
five francs. But if the visitor desires to extend his expedition, he
should seek the Gerbier de Jonc and the lake of Issarley and return by
Le Monastier. But this will occupy two days.

The Gerbier de Jonc is a conical clinkstone mountain, not so high
as the Mézenc, but commanding quite as fine a prospect. It has been
compared not inaptly to a pine cone, bristling with foils of phonolith
that make the ascent by no means easy. Indeed, from the source of the
Loire at its foot it is but a climb of 530 feet, but the dislocation
of the rock and the steepness make the climb somewhat laborious.

[Illustration: GERBIER DE JONC]

     "Yet—how one is repaid for the labour! The view over the Vivarais
     is one of inexpressible beauty. No other belvedere offers a view
     of such an ocean of peaks, puys, ridges, and precipices, such
     folds of mountains, such abysses, and such plateaux. I do not know
     any impression I have received quite comparable to that produced
     by the view from the Gerbier. The glare of southern sunlight gives
     extraordinary relief to the rocks and woods, the vast stretches
     of turf, to this illimitable world of mountains of every shape.
     There are panoramas more vast and sublime, but none more striking.
     The clouds drifting across the sky cast great patches of shadow
     over the storm-tossed and solidified ocean; and when the wind
     disperses the veil, it seems as though the abysses gaped suddenly
     under one's eye, so deep are the clefts, so tumultuous are the
     crests of the mountains. And the Alps! yonder they are, far away
     on the horizon. To the south is the immeasurable mass of the
     tossed Cévennes; blue to the north stands the great boundary heap
     of Mont Pilat. Above the haze to the east calcareous walls rear
     themselves, much hacked about, and some heights thrusting forward
     their cliffs like the beaks of birds. On the side of Le Velay is a
     platform bristling with _sucs_. At the foot of the Gerbier is the
     nascent rill of the Loire crossing the road and flowing through a
     vast prairie in which ooze forth a thousand springs that plunge
     into the ravine in which the Loire gathers its waters."—_Ardouin
     Dumazet._

The lake of Issarlès is indisputably the most beautiful of the sheets
of water in the Cévennes. It is circular, and has no visible exit. It
swarms with trout, yet they do not breed in it, as these fish will not
spawn unless they can go up stream to a suitable gravelly bed, and no
stream enters Issarlès.

But if no stream issues visibly from the lake, numerous springs rise
at the bottom of the bank that bounds it, due doubtless to filtration
through the scoria, and unite to form a current sufficient to turn a
mill before it reaches the Loire distant three-quarters of a mile.

This beautiful tarn, 330 feet deep in the middle, has been menaced more
than once. The lake belonged in the Middle Ages to the Chartreuse of
Bonnefoy, the ruins of which are in the neighbourhood, and which was
founded in 1156 by a Seigneur of Mézenc. The Carthusians used the lake
not only as a fishpond to furnish their table, but also as a reservoir
for the irrigation of their meadows by means of canals.

In 1793 it ran its first risk. With the laudable object of draining
marshy land and rendering such lake bottoms as could be reclaimed
serviceable for culture, a law was passed on the 14th to 16th Frimaire
(4th to 6th December), and at the beginning of 1794 the Citizen
Auzillon was deputed to inspect and report on Issarlès. But he was
driven back by storms of snow, and obliged to postpone his examination
of the lake. He started again in July, and was accompanied by the
deputy sent down from Paris to organise an expedition for hunting
out and bringing to the lamp-post or the guillotine the priests and
royalists who were supposed to be in concealment in the neighbourhood.
Auzillon declared in his report that the draining of the lake would
cause an unwarrantable expense and prove unprofitable. It lay, he said,
in the crater of an extinct volcano, and that he had been unable by
sounding to discover the depth.

The lake has been again threatened, this time with conversion into a
reservoir for the water-supply of factories, to be established at a
lower level.

A scene, however beautiful it may be, always acquires additional charm
when with it is connected something of human interest. And this must
serve as an excuse for my introducing here a story that attaches to
Issarlès.

Beside the lake some years ago resided a man of singular character, a
man over whose fortunes Fate seemed to have decreed "pas de chance."
A memoir of this man was written after his death by an acquaintance.
Pierre Noirot was born at Nîmes of a Protestant father and a Catholic
mother. His father, Jacques, was a descendant of one of the Camisards,
who had run his knife into the heart of the Abbé du Chayla at the Pont
de Montvert. Noirot père had inherited from his ancestors nothing
but an implacable hatred of Catholicism. He was a coarse-minded man
of a brutal character, and was wholly uneducated. Having become a
soldier, he passed from barrack to barrack, always quarrelsome, always
discontented, always finding fault, so that he acquired the name of
Captain Grumbler. When he left the army, he retired to Nîmes and lived
on his pension. Inconsistently enough, he married a Catholic, a little
needlewoman. Pierre was the fruit of this union. Mme. Noirot had him
baptised privately by a priest of her religion. Jacques heard of this
the same day, and mad with rage he fell on his wife and beat her so
severely, though only just recovering from her confinement, that she
died of the injuries inflicted upon her. From this moment the father
bore an implacable dislike to his son. He sent him into the mountains
to be fostered by peasants in the village of Issarlès, and thenceforth
cared no further for him than to send grudgingly the meagre sum
necessary for his keep.

Pierre grew up in rough surroundings. His foster-parents, Antoine and
Véronique Vidil, had three children, two boys and a girl, but lost
their sons in one day by typhoid fever. Only the little Geneviève
remained to them, and the orphan, Pierre, whom thenceforth the Vidils
regarded as their own. But among these rude peasants affection
displayed itself uncouthly. Antoine Vidil was a man who rarely spoke,
and expressed himself in monosyllables only, and when he corrected
the children it was without discretion and with a heavy hand. The
woman Vidil, stout and florid, was the reverse of her husband. She was
effusive, noisy, variable in temper. Sometimes she treated the little
Pierre with plenty of food and smothered him with caresses, at another
time she stinted him in his diet and scolded him for nothing at all.

Pierre's sensitive soul was wounded by the injustice wherewith he was
treated, and he found his only happiness in the society of Geneviève.

The Vidils, without consulting the "Captain," brought up Pierre in the
Catholic faith, and sent him to the village school. There from the
first he became the butt of the children. Pale, delicate, taciturn, and
a dreamer, he consorted with none, and he obtained the nickname of _lou
mou_, the Dumb One. Endowed with exceptional intelligence, he rapidly
made his way, and in three months had learned to read. Then he begged
to be sent to college. The case was embarrassing. It was necessary to
consult the Captain. Vidil wrote in two lines to the père Noirot: "The
child desires to go to college. Where shall he be put?" The Captain
replied even more laconically, "Where you will." The Vidils, at their
own cost, sent him to the college at Aubenas; and by the death of an
aunt he was furnished with small means to relieve them and to defray
the cost of his education. He was not more happy at Aubenas than he
had been at Issarlès. He had no friend. Always alone, he spent his
time when out of class in reading. His father held no communication
with him, and Aubenas was too far from Issarlès for the Vidils to see
him. He tasted of happiness only in the holidays, when he returned to
Geneviève. Study was his great consolation. Philosophy and mathematics
proved an irresistible attraction to his eager mind. Always first in
his class, he surprised the professors, and sometimes alarmed them by
his precocity.

At the age of seventeen he entered the Polytechnic School, and was
the first to pass in his examination. The régimen of this institution
suited him. He spent all his spare hours in the library. Pierre read
voraciously books treating of the destiny of man and the problems of
the universe, even at this early age. He felt assured of being able
to enter one of the learned professions, when an event occurred that
dashed his hopes. On the eve of All Saints, 1856, he was seated at his
examination, when a despatch, "Very urgent," was put into his hand. On
opening it he read: "Nîmes, 31st October, 1856. Captain Noirot is dead.
Apoplexy. Come at once. Doctor Moulon."

Pierre packed his valise and departed. He found that his father's
affairs were in a deplorable condition. He had taken to cards and to
drinking. Pierre paid all old Noirot's debts with the money left him
by his aunt, but in so doing exhausted that sum. He was consequently
unable to return to college, and nothing else was left him but to
enlist. He was, however, too young by six months, and accordingly
returned to the Vidils, who received him with a warm welcome. These
good people had planned to marry him to Geneviève, but he was too shy
to speak, and when he departed left without a word to her to intimate
his affection. He was sent to garrison Toulouse. There he proved quiet,
orderly, attentive to his duties, respectful to his officers, and
courteous to his comrades-in-arms. But he made no friends. One day he
received this letter:—

                                        "ISSARLÈS, _May 1st, 1859_.

     "MY LITTLE ONE,

     "I am obliged to apply to the béate, who is more skilled in
     writing than myself, to inform you that misfortune has overtaken
     us. Father is dead—may God rest his soul!—and Geneviève has died
     of a languor. I am growing old, and am alone. Come and comfort
     maman Véronique, who loves you, and has none but you left to her
     in the world.

                                                             "V. VIDIL.

     "P.S.—You will find in a fold of this letter a thousand francs
     wherewith to buy a substitute."

Geneviève was dead—had died of despondency, perhaps because he had not
spoken that which would have given her an object for which to live.
From that day no smile ever brightened up his features. He returned to
Issarlès. The Vidils had done well, and had amassed a little money.

Twenty years passed. In 1879 M. Firmin Boissin, who had been at college
at Aubenas with Noirot, went to Issarlès to visit his friend there,
the Curé Téraube; and when there learned that his old schoolfellow
lived near, but in strange fashion—solitary, speaking to few, spending
his time in study and in contemplation, still wrapped in philosophic
pursuits. He had brought away with him from Nîmes some of the doctrinal
books that had belonged to his ancestors, but which père Noirot had not
read. All his spare cash was expended in the purchase of others.

M. Boissin visited him. Noirot's first words were: "Explain to me, if
you can, the contradiction that exists between the foreknowledge of God
and free-will in man. How can man be a free agent when his course, his
every act is irrevocably predestined?"

The iron of Calvinism had entered into his soul, and was festering it.

M. Boissin and he had many disputes on this perplexing theme. Pierre
was ever revolving the question in his mind fruitlessly, making no
further progress than does a squirrel in its rotating cage. At last,
one day, he exclaimed bitterly, "How well I can understand the saying
of Ackermann, 'I have lost all faith—I believe now in nothing but in
the existence of evil.' And the evil is the Great Cause—is God."

A few days later Pierre disappeared. Mme. Vidil came in alarm to the
presbytère to inform the Curé that she could not find her foster-son,
and that she fancied he had fallen into the lake. The alarm was given,
the whole village turned out, and he was discovered in the water. The
Curé managed to drag him out by the hair of his head. Pierre Noirot
was conveyed to his bed. Life was not quite extinct. The Abbé Téraube,
stooping over him, said, "Monsieur Noirot, do you recognise me?" The
dying man made a sign in the affirmative. "Do you commit yourself into
the hands of God, and put your trust in the infinite mercy of Christ?"

At these words the eyes of Noirot opened; he looked up and said in a
whisper: "Je vois—je sais—je crois—je suis désabusé."

The Abbé, laying his hand on the unfortunate man's head, pronounced
Absolution. Then kneeling at his side, he recited the Lord's Prayer. At
the words, "Thy will be done," the spirit of him, qui n'avait pas de
chance, passed away.[5]

Le Monastier is the place whence Robert Louis Stevenson started with
his donkey after having spent there a month.

He says:—

     "Monastier is notable for the making of lace, for drunkenness,
     for freedom of language, and for unparalleled political
     discussion. There are adherents of each of the four French
     parties—Legitimists, Orleanists, Imperialists, and Republicans—in
     this little mountain town, and they all hate, loathe, decry,
     and calumniate each other. Except for business purposes, or to
     give each other the lie in a tavern brawl, they have laid aside
     even the civility of speech. 'Tis a mere mountain Poland. In the
     midst of the Babylon I find myself a rallying point; everyone was
     anxious to be kind and helpful to a stranger."

The book was published in 1879. Since then Legitimists, Orleanists,
and Imperialists are no more such. They have acquiesced in being good
Republicans. Perhaps they have found other themes on which to contend.
I do not think that the peasant has much respect for the Republic, but
he is content to live quietly under it. As for the deputies he sends to
the National Assembly, for them he has no respect at all. They go up
needy attorneys and return flush with money.

A peasant said to me one day: "Have you been at a chase and seen the
poor brute down, all the hounds tearing at it and fighting each other
for scraps of the carcass? That prey is France, and the hounds are the
parties."

In 680 Calminius, Count of Auvergne, founded a Benedictine monastery
under the red crags of La Moulette that rises to the east of the
monastery. The abbey buildings which had suffered in the Wars of
Religion were rebuilt in 1754 and are characterless. They have been
converted into mairie and corn market. Everywhere in France we see
Virgil's _Sic vos non vobis_ exemplified. Monks erect monasteries that
serve as barracks and schools, asylums and municipal buildings to a
future generation.

The abbatial church remains, an edifice of the eleventh century, but
with an apse of the fifteenth. The façade is Romanesque with mosaic
work of lava, and the arcades of window and doorway are striped in the
same manner.

On the south side of the choir is the pretty renaissance chapel of S.
Chaffre, the second abbot, who was martyred by the Saracens in 732.
This chapel with its painted roof dates from 1543. Names of saints
became marvellously altered in the south. Theofred has been transformed
into Chaffre, we have seen Evodius become Vozy, and in Hérault we come
on St. Agatha disguised under the form of Ste. Chatte, and in Ardèche,
Mélany is rendered Boloni. At the entrance of the town is another
church, built of blocks of lava, of the twelfth century, S. Jean, but
it has undergone alterations.

From Monastier one can drive to Goudet and thence walk to Arlempdes,
distant but three miles, one of the most picturesque sites, with one
of the most interesting castles in the Velay. At Goudet itself are the
ruined castles of Goudet and Beaufort. At Arlempdes the Loire has cut
its way through a mass of lava exposing prismatic columns, and the
village is commanded by a castle flanked by round and square towers
on a basaltic rock above it, and looking down from a sheer precipice
on the Loire that glides below. The summit of the rock was irregular,
and the feudal remains were grouped about on the platform equally
irregularly. The chapel of Arlempdes is of the twelfth century. The Lac
du Bouchet has been already spoken of. It is visited from Cayres. It is
not the only object worth seeing in that direction; three-quarters of a
mile off the main road from Le Puy to Langonne at Chacornac are caves
excavated by the hand of man, that served Mandrin as one of his mints
for forged coins. He was a native of S. Etienne; his principal factory
of coins was at S. André on the sea coast, but when disturbed there
he set up his workshop at Chacornac. Caught repeatedly, he managed to
break out of prison again and again, but finally was broken on the
wheel in 1755 at the age of forty-one. For some time he used an old
castle as his place for coining, first scaring the owner out of it by
spectral appearances and keeping up the idea among the peasantry around
that it was haunted.

Some commotion was caused in the spiritualistic world in 1903 by
stories circulating relative to a haunted mill at Perbet between Le
Puy and S. Front. It was occupied by a miller, Joubert, and his wife
and two daughters, Marie aged fourteen, and Philomène aged twelve.
On November 27th, 1902, three peasants were returning from market at
Lausanne, and had reached the glen of the Aubépine, when they heard
startling noises issue from the mill of Perbet accompanied by screams
of terror, and the bellowing of the cattle in the stable that was under
the same roof. Next moment they saw the miller's wife—he himself was
absent at the time—at the door gesticulating and calling for help.
The men hastened to the door, and beheld the two girls writhing in
convulsions on the floor, the crockery flying about the kitchen, and
the furniture performing a waltz. Next moment a volley of stones was
discharged at their heads. The men, panic-struck, crossed themselves
and departed to talk about what they had seen. Next day and during
several that followed crowds visited the ramshackle mill of Perbet,
to witness the performances that continued till the clock, the sacred
pictures, the window-panes, the crockery, every article the poor
dwelling contained, had been reduced to wreckage. The children were
conducted to the parish priest, who exorcised them, but all to no
purpose. The editor of the Radical _l'Avenir_ at Le Puy went to the
scene, but saw none of the performances. He contented himself with
collecting evidence from eye-witnesses, and convinced himself that the
phenomena were due to some supernatural cause.

That the two girls were at the bottom of the _diablerie_ admitted of no
doubt. It was obvious to all. When they were removed to their uncle's
elsewhere, the phenomena ceased at the mill and recommenced in the
house into which they had been received.

Nevertheless it occurred to no one, not even to the free-thinking
editor, that all was due to clever legerdemain.

A precisely similar exhibition took place in my own neighbourhood many
years ago, and was investigated by my father. In this instance there
was one girl instead of two who called the performances into existence.
My father speedily satisfied himself that they were due to sleight of
hand. When a stone flew across the room and smashed a window every
eye was turned in the direction taken by the projectile, and the girl
obtained thereby an opportunity of providing herself with something
fresh to throw. Plates and bowls were made to dance by horsehairs which
had been attached to them by dabs of wax.

In the case of the mill of Perbet, it was noticed that the stones flung
were _warm_, in itself a significant token that they had been in the
hands of the children or secreted about their persons.

The witnesses at Perbet were doubtless all honourable men and disposed
to speak the truth, but it is open to question whether there was one
among them capable of observing correctly.

An account of the manifestations at the mill at Perbet found its way
into the transactions of the Psychical Research Society in London.
But one may say without hesitation that the whole "show was run" by
Marie and Philomène, and that the only spirits responsible for the
disturbance and damage done were the spirits of the two mischievous
girls, who ought to have been exorcised by the use of a stick across
their backs instead of Latin prayers.


FOOTNOTE:

[5] _Révu du Vivarais_, 1893.




CHAPTER V

L'AUBERGE DE PEYRABEILLE

     Roman road—The inn—Pierre Martin, his wife, and man—Haussmann
     at the inn—Number of murders committed never known—Claude
     Béraud—Assassination of an unknown man—A body boiled—Vincent
     Boyer—Murder of an old man—Marriage of the youngest
     daughter—Michel Hugon—Robbery of a pedlar woman—Marriage of the
     eldest daughter—Murder of Anjolras—Testud and the barrel of
     bran—Arrest of the Martins and their man—Difficulty of procuring
     evidence—Execution.


[Illustration: THE TAVERN OF PEYRABEILLE]

The story of the Tavern of Peyrabeille is, perhaps, the most ghastly in
the annals of crime, but I give it here partly because it has been so
overladen and altered by fiction that the facts have disappeared in a
cloud of fable; mainly because that story reveals, in a manner nothing
else could, some of the characteristics of the Cevenol peasant.

The facts have been gathered from the archives of the Court of Justice
at Privas, and published there by M. Paul d'Albigny. But the book is
very scarce, long out of print, and I had great difficulty in procuring
a copy. It is a book of 495 pages, and I shall have to compress the
contents into one chapter.

In the valley of the Ardèche, above Aubenas, at Pont de la Baume, is a
Roman milestone now bearing a cross on its summit. Above the road tower
the ruins of the castle of Ventadour commanding the valley. Both
indicate that a great high road of ancient date led this way. In fact,
that road was the main artery of communication between France proper
and Languedoc. It was up this road that Cæsar pressed in his memorable
winter march when he surprised the Arverni.

The great road came down from Clermont to Le Puy, passed over the
tableland to near the source of the Ardèche, and followed down that
river to Aubenas and thence into the Rhône valley. At almost the
highest point, 3,850 feet above the sea, in a bleak spot away from
other human habitations, stood a hostelry, Peyrabeille, at which
travellers were almost bound to halt to refresh or to pass the night.
Faujas de Saint Fond, who was almost the first man to draw attention
to the volcanic phenomena of the district, visited Peyrabeille in or
about 1770, and he wrote: "There is no habitation so isolated as this
inn; and not a year passes that solitary travellers do not find their
safety in this shelter." If he had lived seventy years later he would
not have used the same flattering language about it, for after that the
family of Martin-Blanc took the tavern; for twenty-five years it became
a murderous den, in which the travellers who lodged there were robbed
and sent to their long rest. It was never known how many were there
murdered, but it was believed that some sixty had become the victims of
Pierre Martin, his wife, and his serving-man, and with what was taken
from them the taverner bought up land and extended his possessions
on all sides. Not till 1833 was this murderous band convicted and
guillotined beside the inn, the scene of their crimes.

Pierre Martin, called also Blanc, with his wife Marie, came first of
all as tenant farmer to a man named Beyraud, in a small habitation
near the inn, in or about 1802. They had two daughters, Jeanne, born
in 1800, and Marguerite, born after they came to this farm, in 1805.
Martin and his wife did well there, by what means we do not know, but
he speedily grew so easy in his circumstances that he purchased a site
and land of Beyraud, and built a new inn which was completed in 1808.

This building still stands, very slightly altered. It is a long, low
structure of granite and lava, with a huge stable, coachhouse, and loft
over it adjoining. The front door from the road gave access to the
kitchen, dimly lighted by one small hole of a window. In this kitchen
was a large fireplace, beside which was the staircase leading to the
upper floor, where were the principal bedrooms. On the left a door gave
access to the salle-à-manger, lighted by two small windows. Beyond this
was a washhouse, within it a huge oven in which Martin and his wife
cremated the bodies of their victims. It must have been contrived for
this purpose when the house was built, for it could serve no other,
and since their time it has been destroyed. There was and is still
an oven for domestic purposes in the kitchen. Behind this range of
apartments was the bedroom of the Martins, husband and wife, adjoining
it that of the two daughters and the servant-man Jean Rochette, and in
rear of the washhouse a cellar. From the kitchen access was obtained
by a door to the coachhouse. The vast stable had a door on to the
road, and another at the further end. Above the stable the hayloft was
reached by a sloping ascent from the ground. In the upper story of the
dwelling-house were four bedrooms opening out of a wide passage in
which was a fold-up cupboard bed, and from which a doorway led into
the hayloft.

Pierre Martin, towards the end of his life, had an appearance somewhat
patriarchal, with long flowing hair almost white. He had a high colour
in his cheeks, and was a short, thick-set man. His forehead was
retreating, his mouth firm. In manner he was unctuous, and he affected
to be gracious.

His wife Marie, or Marion as commonly called, was a woman of
avaricious, violent character, with a strength of will and decision
capable of urging on her husband and servant to the worst deeds. Their
servant, Jean Rochette, was born in 1785; he was a strongly built man,
with auburn hair, large bright eyes, and a face at variance with the
ferocity of his character; he was aged forty-eight when executed.

The new inn at Peyrabeille (the Old Stone) was much frequented, lying
on the main road from Clermont and Le Puy to Aubenas and Viviers,
consequently linked with the Rhône valley as also with Langonne,
the great cattle market for the farmers and cattle-breeders of the
Margeride; merchants, dealers, colporteurs passed and repassed it, and
as habitations were few and inns still fewer, and such as there were of
the most wretched description, Peyrabeille could not be gone by without
some refreshment being taken there, and in stormy and cold weather the
blazing fire kept up in the kitchen out of wood from the forest of
Bauzon lured travellers to stay.

Baron Haussmann, in his _Memoirs_, relates a visit made to this inn in
1832. He was then sous-préfet of Yssingeaux:—

     "It was six o'clock at night. We decided reluctantly to stay
     anywhere for the night, dine, and rest our horses. We halted at a
     lonely inn at the crossing of two roads on a bleak plateau of most
     melancholy appearance. Darkness settled down, and the stars did
     not suffice to show the way. We were reluctantly induced to spend
     the night there. But it was stifling in the kitchen, which served
     also as salle-à-manger and as salon, and to take a breath of air
     we had opened the door, which the host had already barricaded. A
     light appeared between the mountains, and we soon became aware
     that the moon was about to rise. The prospect of escaping from
     beds of doubtful cleanliness to go elsewhere to rest where less
     suspicious, made us, late as it was, determine to proceed. We
     ordered our horses to be saddled, turning a deaf ear to the
     solicitations of our hosts, whom we urged to draw up our bill.
     Midnight struck when we arrived, greatly exhausted, at Le Puy."

Eight months later the papers rang with news of the arrest of the
host and hostess and servant of the inn for repeated murders of
their guests, whose bodies they burned in an oven. Among those who
had disappeared was a stout cattle-dealer whom Haussmann and his
companion had that night met in the tavern, and with whom they had held
discussion.

It is doubtful whether the Martins would have ventured to assassinate
two men so well known as Haussmann and his comrade, M. Dumoulin.
Possibly, had they stayed the night, it would have saved the life of
the cattle-dealer.

The Martins were cautious to treat well and leave unmolested persons
of some condition, whose disappearance would rouse inquiry. Moreover,
they did not always assassinate their victims in the house, but waylaid
them at a distance, and disposed of the bodies in lava chasms or
snow-drifts.

Only a fraction of their misdeeds came to light. At their trial
such cases alone were brought up against them of which evidence was
procurable to convict. Indubitably other persons were involved, sending
information of intending lodgers well furnished with money, in advance
of the arrival of the guests. Furthermore, André Martin, the nephew,
aged thirty-five, was acquitted, although no doubt whatever existed
that he had assisted in some of the murders. I will give a summary of
the cases proved against the Martins and their man.

In 1808 Europe was the theatre of considerable wars, there was the
continental blockade, the war in Spain and Portugal. The difficulties
with Rome obliged Napoleon to raise 270,000 conscripts, torn from their
families to lay their bones on foreign battlefields. The dislike to
conscription caused many young men to retire into hiding away from
their homes, and others to desert after enrolment. These were the
object of incessant research by the imperial gendarmerie. Among such
was a young fellow of twenty called Claude Béraud, son of well-to-do
parents near Le Puy, who had already lost one son at Jena, and another
was with the army of occupation of Naples, but had not been heard of
for long. His parents furnished Claude with money sewn into a leather
belt he was to wear next his skin, and bade him hide till the search
was over. One winter night, in 1808, this unfortunate young man came
to the inn at Peyrabeille and asked to be taken in. Snow was falling,
and a storm raging. He was received, and incautiously told his hosts
what he was and that he was well supplied with money. They made up
for him a roaring fire, and gave him hot spiced wine as he sat over
it. The change from the cold without to the heat within made him
drowsy, and as he nodded, Pierre Martin struck the leg of his chair
and upset the youth, about whose neck Rochette at once slipped a thong
and strangled him. The body was searched, the belt taken off, and the
pockets emptied. From the belt 350 francs were taken; from the pockets
a peculiarly ornamented knife, which Jean Rochette appropriated, and a
watch from which hung a piece of cornelian in the form of a disc. It
was by identifying these latter articles twenty-five years later that
the parents of Claude first learned his fate.

When he was dead, Pierre Martin and the serving-man carried the body
to a distance, leaving a little loose silver in the pocket, and threw
it into a snow-drift that filled a ditch. Not till late in the spring
was the corpse found, and then it was so disfigured by wolves that
identification was impossible, and the money in the pocket led the
police to suppose that the death was due to accident.

In the month of July, 1812, Jean Rochette received news through a
wagoner who halted at the inn that a stranger, presumedly a merchant
and well-to-do, was on his way thither, and might or might not spend
the night at Peyrabeille. He was riding on an apple-grey horse with a
long tail, and had holsters to his saddle with pistols in them.

At six o'clock in the evening this man arrived, looked at the tavern,
and not relishing its appearance was pushing on, when Jeanne, then aged
fourteen, ran out, and standing before the horse, entreated the man
to make proof of her mother's kitchen; at the same time Rochette came
out and joined in persuading him to alight. The traveller was on his
way, he said, to Pradelles, and could not reach it till well on in the
night. The merchant allowed himself to be persuaded, and surrendered
the horse to the servant, who took it to the stables and at once
removed the pistols from their cases. The stranger, whose name never
transpired, remained in the inn and dined there; he did not leave till
eight o'clock, when night was falling. He had not observed that whilst
he was at his meal the two men, Martin and his servant, had disappeared.

After departing, he had gone some way on the road to Pradelles, when
from a coppice the host and Rochette leaped out on him, and Martin
dealt him a blow with a cudgel on the back of his head which sent him
from his horse. Martin then laid hold of the bridle and bade his man
finish the stranger. So soon as the traveller was dead he was robbed,
despoiled of most of his clothes, and then the body flung across the
saddle, the horse led to a great distance, and the corpse thrown into a
cleft in the rock, and pieces of granite heaped upon it.

Some days later a couple of poachers after a fox pursued the animal
till it took refuge in this very cleft, and in removing the stones to
reach it discovered the dead man. The tidings of what had been found
was buzzed about, but the police acted in such leisurely fashion that
they did not go to the spot till three days after its discovery, and
then—the body had disappeared. Pierre Martin had removed and cremated
it in his oven. He took the horse, after having docked its tail, to Le
Puy to sell it at a fair, but a dealer there seemed to recognise it,
and asked inconvenient questions, so Martin hastily left, and he and
Rochette killed the beast and buried it.

In the same year a farmer named Brisac, living at no great distance,
having sold some hay to Pierre Martin, went one morning very early,
as dawn was breaking, to claim his money. On reaching Peyrabeille his
surprise was great to see a strong light gleaming from the crevices of
the door and the curtained window. He knocked with his stick, but only
after some delay did a voice from within ask who he was and what he
wanted. He stated his business; the woman Martin opened, and seemed to
be somewhat disconcerted and in a very bad temper. The morning was raw,
and Brisac went to the hearth, where he saw it piled up into <DW19>s,
making a huge blaze about a cauldron suspended in the flames, and the
ebullition was so great that the lid of the cauldron was in constant
agitation to emit the steam. At the same time, whatever was boiling
sent forth a peculiar and disagreeable odour, as from something decayed.

Pierre Martin and his wife were obviously impatient to be rid of their
creditor, and Pierre left the room to fetch the money that was due.
Brisac seized the opportunity as Marie Martin's back was turned to lift
the lid of the cauldron, and to his horror beheld a human hand. As
he dropped the lid Pierre re-entered, observed what he had done, and
fixing his eyes on Brisac, said to him sternly: "Here is your money. Be
off, and take care that not a word as to what you have seen here passes
your lips. If you forget my warning, you are a lost man."

Brisac took the money and fled the house, and never again set foot
across its threshold. Such, however, is the cowardice of the peasant,
his fear of compromising himself, his shyness of having anything to do
with the police, that it was not till the Martins were in prison that
he ventured to relate what he had seen, and he appeared in court with
his evidence only when it was certain that they could do him no harm.
The next case illustrates this timidity even more clearly. I will quote
the deposition of the witness textually. It is that of Vincent Boyer,
tinner, aged twenty-nine.

     "One day, in the winter of 1824, I was going to my family at
     Aubenas, when I was surprised by the bad weather (the land was
     covered with snow), and I was forced to stay at the Martins' inn
     at Peyrabeille. I saw several persons there, notably an old man
     also delayed by the bad weather and forced to pass the night
     there. Martin's wife having invited me to draw near to the fire,
     entered into conversation with me, and questioned me on my gains
     in my trade, and as to how much money I had with me. She told me
     that there was a band of robbers in the neighbourhood, and she
     asked me what I would do if attacked by them. 'I would give up to
     them the thirty sous I have with me and be off.' 'But,' said she,
     'supposing that they were disposed to kill another man and let you
     alone, what would you do?' 'I would defend him at the peril of my
     life if I saw there was a chance of saving him. If not, I would
     let be.' 'Are you a heavy sleeper?' 'Very. When once asleep you
     might remove the house without awaking me.'

     "This strange questioning frightened me; I saw clearly enough
     into what company I had got. However, I did my best to disguise
     my suspicions. After having catechised me, the woman Martin went
     to the old man and asked him the cause of his journey. He replied
     without mistrust that he had sold a cow and was taking the money
     back with him. This lack of reticence further alarmed me.

     "Bed-time arrived. The people of the house told us plainly enough
     to go to our respective chambers aloft. Then only did some
     suspicion cross the mind of the old man, and he asked to share the
     same room with me, but this was peremptorily refused.

     "They led us to our separate bedrooms at some little distance
     apart. I heard the old man make some demur as to his, and a voice
     replied: 'Manage as you will. There is no other room for you.'
     Then I heard the door of his chamber shut, and whoever had led
     him to his room descended. One of the girls had conducted me to
     my chamber, and she recommended me not to leave my door open,
     speaking in a tone that expressed an order.

     "As soon as the girl Martin had left I examined my bed, and was
     horrified to find on the bolster splashes of blood as big as the
     bottom of a pail. I went to bed more dead than alive. At the end
     of about an hour some one entered my room, thinking that I was
     asleep—I made good pretence that I was so—and searched my pockets,
     and finding in them no more than the thirty sous, left them there
     and descended again.

     "Two or three hours later I heard strokes at the old man's
     door, and a voice call, 'Get up, it is time.' There was,
     however, no response. Then those who had made this noise went
     back below, but returned in half an hour. They knocked again
     at the door, repeating the words as before. But seeing that
     the stranger persisted in refusing to reply, they burst in the
     door. Immediately I heard cries of 'Help! Help!' But soon the
     victim uttered no more articulate cries, but such as I can only
     liken to the squeals of a pig that is being killed. During the
     accomplishment of the crime—that is to say, whilst the unhappy man
     was uttering these cries of distress—the two Martin girls, aged
     twenty-eight and thirty, were keeping guard at my door, laughing
     in fits and singing. I could compare them only to demons from hell.

     "Next morning I rose late, to give the scoundrels time to conceal
     their crime, and by this means make it safer for myself. The woman
     Martin asked me how I had slept and if I had heard anything. I
     said that I had been sound asleep all night. I was so frightened,
     that when I had got a hundred paces from the house I ran the rest
     of my way as hard as my legs could carry me."

This self-revelation of abject cowardice and meanness in a young man
drew from the judges no comment. It was in the nature of the peasant
to be such, and comment would be useless. Only they remarked on Boyer
having said nothing of what had occurred to the police or any one else
for fourteen years. But this also was characteristic.

By means of repeated crimes Pierre Martin had amassed a good deal of
money. He bought more land to round off his property, also another
house, at a few paces from his own. He was also able to announce
that he would give a handsome _dot_ with each of his daughters. This
brought a suitor, Philemon Pertuis, son of a well-to-do farmer, above
the Martins in position, to ask the hand of Marguerite. They were
married, and installed in the house that Pierre had bought. Young
Pertuis was a mild, inoffensive man. There is no evidence that he took
any part in the crimes, but he became aware of them, and cautioned his
father-in-law to be more circumspect; and finally, in 1830, four years
after his marriage, quitted the house and went to a distance so as
to avoid implication in the misdeeds of the old man and his wife. He
also said nothing to the police or to any one else of what he knew or
suspected.

In 1826, just two months after the marriage, another crime was
attempted, that came to light later.

A farmer, named Michel Hugon, was at the fair at Jaujac, where he sold
a drove of young bullocks. He was annoyed at being followed and watched
by a little hunchback named Pannard, who endeavoured to get into
conversation with him and learn where he intended to pass the night on
his way home to Pradelles. He curtly informed him that he would sleep
at the house of a friend at Mayres.

Hugon was on his way home when he was passed by Pannard riding a
mountain pony, and going the same way as himself. In fact, the
hunchback was on the road to Peyrabeille to announce to the Martins
that some good game was coming to their net. After sleeping at Mayres,
Hugon pursued his journey on the following morning, and halted at the
inn of the Martins to breakfast, but saw none there save the women.
When about to leave, Marie Martin strongly advised him to take a short
cut which she pointed out, and which would save him over a mile.
Without suspicion he followed her directions, and had gone some way,
when out of the bushes leaped Pierre Martin and Jean Rochette, armed
with picks; and the former with his weapon dealt a blow at Hugon that
cut his head open and wounded his back, but happily failed to stun him
or split his skull. The farmer at once whirled his cudgel and struck
Martin under the knee with such force as to bring him to the ground.
Rochette, who was behind, yelled to his master, "Strike on! strike
on!" But Pierre was unable to rise for a moment, and Hugon took to
his heels and ran before Jean could deal him another blow. Pierre got
up now, and he and Rochette pursued the farmer, who fled and did not
draw breath till he reached the high road on which were passengers,
and where he felt himself safe. He also breathed not a word of his
adventure and escape till the Martins were under lock and key. Not long
after this Pannard was arrested on a charge of theft and imprisoned
for six months. In gaol he opened his mouth and complained to his
fellow-prisoners that he had helped the innkeeper at Peyrabeille to
do a good stroke of business, and that he had not been paid for his
assistance; for he could not believe that Hugon had escaped with his
money. This got spoken of. Moreover, ugly rumours began to circulate
relative to the tavern, but no one was willing to speak out and lay a
definite charge against the Martins.

[Illustration: MAYRES]

The attempt on Hugon was in May. In June of the same year a
pedlar-woman, named Catherine Vercasson, on a very hot day, came to
the inn and showed her wares to the Martin girls and their mother, in
the hopes that they would purchase. They bought a few trifles, and
then Catherine locked her box with a key that she carried suspended to
her belt. As she was hot and tired, she asked leave to lie down on a
bed for a rest. This was readily accorded. She was given a tumbler of
drugged wine, and led to one of the upper rooms, where she was soon
fast asleep. As she lay unconscious Jeanne Martin possessed herself
of the key, opened the box, and took from it several articles of
jewellery, and the mother relieved the pedlar's purse of some of its
contents.

Catherine Vercasson woke after a long sleep and unsuspiciously went on
her way, but had not gone far before she sat down to count her money,
when to her alarm she found that she had been robbed of two louis d'or.
She went into the nearest village to sell more of her goods, and, on
opening her box, found that that also had been rifled. She was now
positive that she had been pillaged at Peyrabeille. She confided her
distress to the innkeeper at Lanarce, the village where she was. He
shrugged his shoulders and bade her put a good face on it, and not
venture back to reclaim the money and goods. But Catherine was not
disposed to accept her losses so easily, and with great difficulty
she induced two young men to accompany her to Peyrabeille. They went
with her, but no persuasion would induce them to enter the house. The
determined woman went in and charged the mother and daughters with the
theft, which they stoutly denied. "I will not leave till I receive
my money and goods," said she. The women exchanged glances, and the
mother bade one of her daughters go out and fetch Pierre and the
servant. The girl returned in haste to say that two men were watching
the house, but hiding their faces so as not to be recognised. Under
these circumstances the three women deemed it expedient to restore the
major part of what they had taken, and to pretend that the whole was a
practical joke. The story got wind, and increased the suspicion with
which the Martins were regarded.

In 1831, the eldest of the daughters was married to a man named
Deleyrolles, he also occupying a better social position than the
Martins; he was drawn to ask for her by the rich _dot_ that went with
her, and he took his wife with him to Vans.

One would have supposed that now all reason for amassing money by crime
was taken away. The Martins had no more children for whom to save, and
they were very comfortably off themselves. But avarice is insatiable.

Other crimes and attempted crimes I will pass over, to come to the last
which led to the arrest of the Martins and their man.

In October, 1831, an old man of seventy-two, named Anjolras, a
relative of Pierre Martin, had sold to him a cow at the fair at S.
Cirgues, and as he wanted his money asked Martin to pay for it at once.
The taverner said he had not the sum by him, but invited Anjolras to
accompany him to Peyrabeille, where he would give him what was owed.
The old man consented, and went with his kinsman to the fatal inn,
which they reached at nightfall.

There were in the house at the time André, the nephew of Pierre Martin,
and a girl named Marie Arnaud, the betrothed of André, engaged there
at needlework, a pale, serious-faced girl, whose part in what follows
is difficult to discover. There was also in the house at the time a
beggar named Laurent Chaze, who had asked to be taken in for the night.
Pierre Martin, as soon as he entered, demanded roughly what this fellow
wanted, and when Chaze stated his requirements he was bidden be off,
there was no bed at his disposal. Chaze went forth into the dark,
walked some way along the road, then bethought himself of the hayloft,
stole back, and finding the loft door unbarred went in and concealed
himself in a corner beneath the hay. When bedtime arrived, under some
excuse the host induced Anjolras to sleep in the loft and not in one
of the bedrooms, and the beggar heard Martin bring his kinsman in and
point out a place where he could lie, near the door of communication
with the house. About an hour later Chaze saw Jean Rochette with a lamp
enter and examine Anjolras to ascertain if he were asleep. Then he
descended, but returned with Marie Martin, she carrying a large iron
ladle full of scalding soup. Having satisfied themselves that the old
man was sound, she said to Jean Rochette, "Strike!" and he brought a
hammer down on the sleeper's head. As Anjolras started and opened his
mouth she threw the scalding contents of the ladle into it. The old man
fell. "Strike again," said the woman, "he is not dead yet." Jean obeyed
till the skull was beaten in.

Before dawn the beggar had fled the scene.

The disappearance of Anjolras caused a commotion, and search was made
for him in all directions. It was heard that he had been last seen
along with Pierre Martin on his way to Peyrebeille.

The murder had been committed on the night of the 12th October. On the
25th, thirteen days after, the authorities began to bestir themselves,
and as every trace pointed to the inn, the Mayor of Lanarce,
accompanied by a party of young men, went to Peyrabeille to institute
inquiries. On entering the kitchen, Marie Martin informed him that the
Juge de Paix of Coucouron was already there in the parlour, and would
speak with him. No one knew what passed between these magistrates, but
presently the mayor came out and said to his attendants: "Gentlemen,
you may depart, there is nothing to be done"; and, in fact, nothing
was done. No search was made; some politenesses passed between the two
officials and the hostess, and they retired with bows. Yet the corpse,
all the while, was within a few yards of the house. It was discovered
in a startling manner.

Philemon Pertuis, son-in-law of the Martins, who had left the house
in which he had been for a few years at Peyrabeille, had retained the
little farm about it, and employed the sheds and stable and cellars for
his crops, etc.

One day he sent his servant, Jean Testud, with a tumbril to fetch away
his potatoes that were in the cellar. Testud went in with a lamp and
saw in a corner a barrel of bran. He was aware of an unpleasant smell
in the cellar, which he could not explain. On one of his journeys the
lamp went out, and he returned to grope for it. In so doing he put his
hand into the barrel and encountered the cold remains of a human body.
Frozen with horror, he staggered to the inn, sank in a chair, and said
he was ill, and must go home to his parents at Banne.

Pierre Martin and his wife were uneasy. They went to the cellar and
found there the lamp of Testud, and at once saw that the corpse must be
removed. This was done during the night on the back of a mule, and was
conveyed to a precipice at Lespéron and flung over it, so as to give an
idea that Anjolras had fallen accidentally.

The body was discovered on October 26th, was identified and examined,
and it was soon seen that this was no case of an accidental fall, but
of murder. On November 1st, Martin and his wife and his nephew André,
and after that Jean Rochette, were arrested, but were not brought
to trial for three years, as the prosecution met with extraordinary
difficulty in getting together evidence against them, so timorous were
the peasants, so afraid of appearing in court and being subjected to
cross-questioning, and of incurring the resentment of the relatives of
the Martins, who were numerous. The two daughters were not arrested.
Nothing could be wrung from the girl Marie Arnaud, who preserved
throughout remarkable self-possession and self-restraint. André, as
already said, was acquitted, but Pierre and his wife and Jean Rochette
were guillotined close to the inn on October 2nd, 1833.

Pierre Martin affected to be penitent, made loud professions of
remorse. Rochette was sullenly penitent, but Marion literally kicked
the prison chaplain out of the cart in which he purposed attending her
to the gallows, was resentful and hardened to the last, and when, on
the scaffold, another priest held up the crucifix before her eyes as
she was being bound to be placed under the fatal knife, she turned away
her face from it with a scowl.

Vast crowds attended the execution, and when the bloody scene was over
and the scaffold removed, the crowd spent the rest of the day till late
into the night dancing over the spot where the blood had flowed, to the
strains of a piper, whilst the old folks got fuddled over the liquor
from the cellar of the inn, sold to them by the nearest relatives of
the Martins, who had inherited it through the execution a few hours
previously. To Peyrabeille may be applied the words of Jules Claretie,
relative to Paris after the Terror: "Il y avait encore dans Paris une
odeur de sang, et Paris cependant s'ammusait; folle de joie."

[Illustration: A GROUP OF LACEMAKERS]




CHAPTER VI

LES BOUTIÈRES

     Geological formation—Characteristics of the Boutières and of
     the people—S. Peray and its wine—Castle of Crussol—Valley
     of the Erieux—A masterpiece of engineering—La Voute—Its
     decay—The chapel of the castle—Vernoux, the Geneva of the
     Huguenots—The Momiens—Party feeling—Massacre of S. Bartholomew—La
     Pourasse—The Cachard family—The drummer—Gorge of the Dunnière—La
     Tourette—Chalençon—Diana of Poitiers—Le Cheylard.


Les Boutières have already had some sentences devoted to them. They
differ geologically, and consequently in scenery, altogether from the
high range of volcanic peaks of the mountains of the Vivarais below
Privas. They are composed of granite and gneiss, and continue the
Cévennes chain northwards. There are among them no craters, no floods
of crystallised lava. Their heights are not extraordinary; they throw
out long lateral spurs towards the Rhône. The scenery is tamer than in
any other part of the Cévennes; that portion from Annonay to S. Etienne
is given up to factories, which makes the country people prosperous but
the country unattractive.

But from Annonay south to Privas there is pleasant if not fine scenery,
and it is very rarely visited.

     "It is," says Dr. Francus (A. Mazon), "a land that has a stamp of
     its own; its mountains, its agriculture, its customs, even its
     religion are peculiar to it. A land of steep <DW72>s, boisterous
     rivers, rude summits, with pines above and chestnut trees below,
     with Biblical types of men, bullet-headed, and with brains not
     altogether like other men's brains. Nature herself puts on a
     severe countenance; the woods look like gloomy conspirators, the
     wind seems to chant psalms, and with a little imagination it is
     possible to fancy that one hears a far-off echo of some Assembly
     of the Desert that Time has forgotten to sweep away in its onward
     march."

Looking westward from Valence is seen the little town of S. Peray, and
towering above it the ruined castle of Crussol on a limestone cliff.

S. Peray is famous, with a limited fame, for its sparkling wine.

The white wine of S. Peray always had a certain celebrity. The wine
merchants of Burgundy and Champagne, seeing that very good juice of
the grape was to be had there cheap, bought it up and sold it as their
own _crus_, or else doctored it. They purchased whole vintages at the
time of the gathering in and crushing of the grape, and by means of the
navigation of the Rhône and Saône, were able to bring them into the
heart of France.

But after a while the owners of the vineyards of S. Peray saw their way
to selling direct to the consumer. In 1798 one of them discovered the
secret how to make the wine effervesce, and he set to work to produce
sparkling S. Peray, which soon obtained great favour.

The phylloxera came in 1874 and devastated the vineyards. But they have
been replanted with stocks from America, grafted with the indigenous
vine, and these are strong and flourishing, and yield abundantly, the
wine somewhat coarse at first, but mellowing as the vine becomes more
and more accustomed to the soil.

The huge crag surmounted by the ruins of the castle of Crussol is
extensively quarried. The stone is of a fawn colour, and receives a
polish. The huge castle, with its rifted donjon called the Horns of
Crussol, at one time contained a town within its enclosure. Now, all is
ruin.

The family of Crussol was not of much note till Louis de Crussol gained
the favour of Louis XI., and was appointed governor of Dauphiné. The
son married the heiress of Uzès, and with her the title of viscount
passed to their son Charles, whose son Antoine was created Duke of
Uzès. The ruined castle belongs still to the Uzès family.

The castle was destroyed by Richelieu in 1623.

In my book, _In Troubadour Land_, I have told the story of how the
Uzès race sprang from a strolling company of three travelling comedian
brothers, and so will not here repeat it. On a terrace above the Miolan
that enters the Rhône at S. Peray is the castle of Beauregard, formerly
a State prison, now a café restaurant with a speciality in tripe. So
the whirligig of Time brings about its revenges.

The most interesting excursion among the Boutières is up the valley of
the Erieux, that takes its rise above S. Agrève. It is a capricious
river, at one time a small stream, at another a boiling torrent. In the
great flood of 1876 it rose forty feet, and rolled down three times the
amount of water that does the Seine at Paris. It brings with it from
the granite particles of gold, but not in sufficient amount to make it
worth while searching for the precious metal.

The line up the valley is a masterpiece of engineering; in places it
is carried in cornice along the face of the gorge, now cut out of the
rock, and now on a terrace built up on arches. The river enters the
Rhône a couple of miles above La Voute, but the junction of the line
to Le Cheylard is at this place. La Voute sur Rhône is an ancient
town planted at the foot of and scrambling up a rock crowned with the
ruins of a castle of the great family of Ventadour. The old town, with
its tortuous streets, its venerable but crumbling houses, its steep,
ladder-like ascent, is almost deserted, life has run down and settled
in modern houses at the foot. But even the new town is death-struck.

The iron mines which made the place prosperous, and in 1870 yielded
60,000 tons of ore, produced but 12,683 tons in 1891, and in the
following year only 520; and now, none. Ruin has fallen on La Voute,
and it is doubtful if it will ever recover. In the old castle of the
Ventadours was set up the bureau of the company that worked the mines.
Now the offices are ruinous and deserted, like the halls and towers of
the feudal princes.

The fortress was begun in 1319, and enlarged and made splendid in 1582.
Ichabod! Its glory is departed. The beautiful Renaissance chapel with
its marbles and sculpture is crumbling away. The chapel is vaulted
with delicate ribs, and against the walls are carved a Resurrection
and statues of the Duke and Duchess of Ventadour. But all, sculptured
capitals of pilasters, dainty cornices, figures, have suffered under
the hammers of the Revolutionary fanatics.

In the valley of Erieux, where it opens out, vineyards have been staged
up the mountain sides, in narrow walled terraces, with infinite
labour, and where there are not vines there are chestnuts and cherry
trees. At S. Fortunat, the Dunière enters the Erieux, and hence a road
leads to Vernoux, the Geneva of the Protestants of Upper Ardèche. It
is mainly occupied by descendants of the Huguenots, but there are
Catholics as well, living in a separate quarter. The Protestants are
much divided among themselves. One sect is that of the Momiens, whose
head-quarters are S. Agrève and Vernoux. They represent the original
Huguenots far more truly than those who call themselves Evangelicals,
for these latter have lapsed into Freethought, Indifference,
Agnosticism, and the best are Deists. The Momiens do not attend the
"Temples Protestants," but hold their assemblies in the open air, in
fact have camp meetings. Every one brings his provisions with him; they
have exercises of prayer, psalm-singing, and exhortation, and then all
dine peaceably under the chestnut trees. They come into town only on
Sundays and market-days, and do not frequent the public-houses. They
have the character of being scrupulously honest.

Many of the Evangelicals never attend public worship. Out of eleven
thousand inhabitants of Vernoux, about eight thousand are Protestants;
they are able, accordingly, to engross all the offices and determine
the elections. Conversions one way or the other are most rare, perhaps
four or five in thirty years, and these only on account of marriages.
The Protestant young men are desirous of getting Catholic wives, as the
girls of this latter confession have a better moral character—being
more carefully looked after by the clergy and sisters than are the
others; but the curés in every way oppose mixed marriages, which
is a mistake, for no more effective missionary can be found than a
God-fearing, consistent wife.

Unhappily party feeling runs strong. An old curé of Vernoux named
Chifflet, with the help of a M. Demars, who was a large contributor,
founded a hospital, and when it was complete handed it over to the
town for general use without regard to denomination. At once the town
council elected a governing board, from which it excluded the principal
donor, M. Demars, because he was a Catholic, and struck off the name
of M. Lanthois, the only Protestant in the place who had given a sou
towards the hospital.

So when the Calvinist temple wanted rebuilding a rate was imposed on
all the citizens, and the Catholics had to contribute as well as the
Evangelicals. But when the Catholics desired to erect a church for
themselves a rate was refused. If the proportions had been the other
way on, without a doubt the Catholics would have acted with precisely
the same intolerance.

As a curé said to me the other day: "Live and let live is not a
principle we understand in France, and never have. We who are bullied
to-day, if we get the upper hand to-morrow would bully in our turn."

Charles IX. could not have made a more grateful present to French
Protestantism than the massacre of S. Bartholomew. It is to them
a perpetual and cherished grievance. They would not be without it
any more than a professional mendicant would be without his sore.
The massacre is introduced into every sermon, alluded to in every
contingency, thrown in the face of a Catholic in every dispute,
flourished even at a wedding-breakfast. A Calvinist infant is brought
up on it. It is the first historic fact he has to acquire, and often
when grown to man's estate is the only historic fact that he remembers.
The massacre has been so rubbed into the minds of the Evangelicals that
they cannot look in the face of their fellow-citizens of the other
persuasion except through blood-red glass.

This temper sometimes produces vexatious results. In a village in the
Boutières, where the meeting-house happened to possess a bell, one
Sunday an old woman went to sleep during the discourse, and did not
wake when the congregation dispersed; and being overlooked, was locked
in. When she roused from her slumber, she went to the bell-rope and
pulled long and hard. At the sound of the tocsin all the Protestants
within hearing were roused. Now at last the long-expected massacre was
coming off. Women and children fled to the woods. The men barricaded
their houses, loaded their rifles, and prepared to sell their lives
dearly. The bell pealed on, every scrap of courage save among the
most heroic sank to their stocking-soles, when the old woman, having
failed to summon relief, took to relieving herself from her situation
by flinging the rope out of a window and crawling down it. _Parturiunt
montes nascetur ridiculus mus._

In 1885, when at the election for the Legislature the Conservative
list passed in its entirety, the Protestants of Les Boutières were so
impressed with the revival of Catholic hopes and their successes that
one of these panics fell on them. Indeed, they have a name for such,
_la pourasse_.

Before the outbreak of the Revolution there were many little nobles
and landed gentry in the country whose châteaux are now in ruins or
turned into farm-houses. They lived sociably, giving dances, meeting
for shooting-parties or games of tennis.

One of these was the Monsieur de Cachard. On June 24th, 1786, he gave a
dance to his neighbours, but found a difficulty in getting musicians.
He applied to the garrison at Valence, and was offered the drummer of
the regiment, who could also play the fife, and courteously he extended
the invitation to any of the officers who would care to take a part in
the entertainment. A young lieutenant accepted, his name was Napoleon
Bonaparte, and he brought with him the drummer, Victor Beausoleil.
Towards the conclusion of the ball, M. de Cachard went to the musician
and asked how he could repay his services. "Only by letting me have a
dance with mademoiselle your daughter." "By all means," replied the
master of the house, and Beausoleil led out the young lady.

The Revolution came. The family of Cachard was dispersed; some were
guillotined, some emigrated. At the Restoration, the head of the family
went to Paris to solicit the restitution of some of the confiscated
and sold estates. He solicited an audience with Marshal Victor, Duke
of Belluno, minister of war. No sooner was he introduced, than the
Duke started forward, grasped his hand and said: "Monsieur! we have
not met since Midsummer Day, 1786, when I piped, and had the honour
to dance with mademoiselle." The minister was, in fact, the drummer
from Valence. He interested himself in the case and obtained for M. de
Cachard the recovery of the ancient château and a portion of his lands.
The Duke was wont to joke over his title. "As a drummer-boy I was
Beausoleil. I have lost, not gained, by becoming a duke, for now I am
only Belluno (Belle Lune)."

The river Dunière sweeps past Vernoux, and the road from S. Fortunat to
this town presents a succession of striking scenes. The gorge through
which the Dunière enters the Erieux has precipitous sides, above which
the mountains rise bare, or but meagrely dotted with evergreen oaks,
that grow low and stunted. Below rolls, leaps, and foams the torrent.
In the contracted throat of Pontpierre, after the bursting of storms in
the Cévennes, the water rises and writhes to escape, and issues from
it into the valley of the Erieux as from a spout. The road follows the
edge of the chasm as far as Roumézoux, after which the hills fall back
and allow of cultivation. Then again they contract, but the gorge is
less savage, and is commanded on the left bank by one of the noblest
ruins in the Vivarais. The Dunière flowing from the east receives a
torrent descending from the north, and at this point rises a mighty
crag on the top of which two lofty towers stand out sharply against
the sky. They belong to the castle of La Tourette, close to Vernoux.
According to popular tradition it was built by the Saracens; it was
the feudal centre of the district and occupied by a Marquess de La
Tourette. The castle was intact till the Revolution, and was a scene of
much hospitality extended to the bourgeoisie of Vernoux, who danced in
the great hall, hung with stamped and gilded leather. At the Revolution
the castle was unroofed and ruin set in rapidly, as every one who
wanted to build a pigsty or a factory used its walls as a quarry.
Happily of late years the family of La Tourette, that has its residence
at Tournon, has repurchased the eagle nest of its ancestors and has
put a stop to the destruction. From its isolated rock the castle was
connected by a drawbridge with a terrace, beyond which was the farm,
a building of the sixteenth century, that had not been molested. The
terrace is sustained by a wall and was originally planted with trees,
and must have been a delightful walk, suspended above the precipice,
and from which one could look down on the birds of prey darting and
fluttering in the depths, and which also had their habitations in these
rocks.

In 1671, the Marquess de La Tourette bought the barony of Chalençon to
the south of Vernoux. This was at one time one of the most powerful
baronies in the country. It extended its jurisdiction over eighty
parishes, all of which were bound to furnish men-at-arms when summoned
to do so by the Seigneur of Chalençon.

In 1523, Jean de Poitiers, father of the famous Diana, Baron of
Chalençon, was condemned to death for felony. But the beauty and the
tears of his daughter saved his life; and after her father's death
Diana became Baroness Chalençon and Privas. She seems never to have set
foot in either. This left-handed queen died in 1566, and bequeathed
the barony to the youngest of her daughters, Louise, who had married
in 1546 Claude de Lorraine, Duc d'Aumale. In the square of Chalençon
may be seen a gigantic elm, a _Sully_, one of the trees planted
in all parishes on the conversion of Henry IV. The old castle was
flanked by three towers, but was almost totally destroyed. It has been
reconstructed.

The railway from S. Fortunat, where we abandoned it, deserves to be
followed to its terminus at Le Cheylard, as it runs through some of the
finest scenery in the Boutières to the cone of Mézenc, to which the
chain hitches itself on. Moreover, it has been finely engineered the
whole way. But Le Cheylard itself is not a place of interest, being a
modern manufacturing town, created by Lyons speculators calculating on
the cheapness and abundance of labour in that part, where agriculture
is hampered by the elevation. The château of La Mothe is picturesque,
but has had the tops of its towers knocked off and rehatted.

Le Cheylard may be employed as quarters for a visit to Mézenc and the
Gerbier de Jonc, if these have not been made an object of pilgrimage
from Le Puy, and from this side they present a better appearance than
from the other.




CHAPTER VII

THE VOLCANOES OF THE VIVARAIS

     Attraction of cohesion—Vals—Aubenas—Factory girls—Anomalies
     in the department—View from the terrace—When the volcanoes
     ceased to erupt—The castle—The Ornano family—The poisoning of
     the Marshal—Attractions of Vals—Intermittent spring—Castle
     of Boulogne—The Lestranges—Antraigues—The Count—Cascades—The
     Marquesses—Fête of S. Roch—The Coupe d'Aizac—Castle of
     Ventadour—Pretended Jewish origin of the family of Levis—Valley
     of the Lignon—Jaujac—The Coupe—The Gravenne—Castle of
     Pourcheirolles—The Flandrins—Bourzet—Good Friday there—Prismatic
     basalt—Montpezat—Le Pal—Huge crater—Suc de Bauzon—Thueyts—Pavé des
     Géants—The royal ladder—Mayres—The great eagle—What medieval men
     thought about basalt—First discovery of the Vivarais mountains
     being volcanoes.


The attraction of cohesion is one of the mightiest and most active
forces in nature. It went towards the formation out of molecules of the
terrestrial globe, it acts in the accumulation of large fortunes in
the hands of millionaires, and it draws together great masses of human
beings to one spot. Even when the heat of summer and the dispersion
of schools scatter them to the north and south, east and west, out
of cities, they draw together and coagulate in knots. But why one of
these centres of concentration should be Vals and not Aubenas is to
me a puzzle. Why when engaging a lodging should one select the cellar
instead of an upper suite of apartments?

[Illustration: THE VIVARAIS CHAIN]

Vals-les-Bains lies in a hole shut in between steep hills, it commands
no view, it trails like an ugly worm along the bank of a petty stream;
whereas Aubenas, hard by, accessible by electric tram, is throned on
a height, sits as a queen on a platform of rock, and commands such a
prospect as is worth going thither from England to see if that were its
only attraction.

Are there good hotels in Vals? So there are in Aubenas. Shops? As
good in both. Electric illumination, telegraph and telephone? Each is
similarly supplied. That which draws a crowd in the season to Vals is
the baths. But the baths are a mere excuse. The fashion has set in and
the crowd follow the fashion.

The river Ardèche, after having ploughed its way through beds of
basaltic lava, runs between the prismatic columns as though sweeping
through a forest of petrified bulrushes. It emerges above Aubenas into
a broad, luxuriant, and well-peopled valley, where white walls smile
and glass windows wink in the sun as far down as the eye can reach, and
as far up the sides of the hills as folk choose to climb to their homes.

Moreover, factories stretch their long roofs below the rock of Aubenas
and throw up their smoke, but without disfigurement to the scene or
vitiation of the limpid air.

Come to Aubenas from the junction at Vogué on a Sunday evening, and you
will see something of merry girl-life. The factory-hands from the lower
country are returning from their homes to resume their work on Monday
morning. They swarm into every carriage, crowding in at every station,
each with a basket in one hand and a sack over the shoulder or under
the arm. All are chattering, laughing; one wiping away a tear either
because she is suffering from toothache or heartache at parting with
her intended. But neither ache is very enduring. Before the train has
gone a thousand mètres, she is laughing and chirping like the rest.
When settled into their seats they open their baskets to show each
other the posies of flowers they are taking to Aubenas to brighten the
poor little attic bedrooms and diffuse through them a fragrance and
memory of home. But the sacks—what do they contain? As I helped some
of the girls to heave these into the carriage and stow them under the
seats or into the shelf above, I could guess from the feel, and see
when the sack mouth gaped and discharged some of its contents. It holds
their factory clothing washed by their mothers—aprons, bibs, and among
them huge loaves of bread and greasy sausages, these latter wrapped
round with a newspaper that has transferred its information reversed on
to the skin of the _saucisson_.

These mill-hands do not wear the pretty scarlet or blue handkerchief
over the head that adorns the Lancashire and Yorkshire factory girl,
the theme of one of our most charming folk-songs.

    "Why wear you that kerchief tied over your head?
    'Tis the country girls' fashion, kind sir, then she said;
    And the fashion young maidens will always be in,
    So I wear a blue kerchief tied under the chin.

    Why wear a _blue_ kerchief, sweet maiden? I said.
    Because the blue colour is not one to fade.
    As a sailor's blue jacket who fights for the king,
    So's my bonny blue kerchief tied under the chin."

These Vivarais girls wear no costume. There is not much beauty among
them; but their honest faces are good to look on. The glorious southern
sun has penetrated to their hearts and shines back on you from their
merry eyes.

They do not leave the train at the Aubenas station, but go on to the
next, the group of factories at the foot of the hill at the head of the
basin, between the town and the opening of the Valley of Vals.

From the station is a long ascent to the town; there is a gradual
inclined road for carriages, and a short, steep climb for foot
travellers.

Aubenas is, next to Annonay, the most important town in the Vivarais;
neither is the seat of the préfet, nor of the bishop, nor of a
university.

The department of Ardèche has been treated somewhat perversely in this
respect. Its capital is Privas, of difficult access at the extremity of
a branch line served by trains that run forward and back, advance and
retreat again to pick up or to discharge luggage trucks, and that is
ignorant of any other train than an _omnibus_.

The cathedral city is at one end of the department at its extreme
verge, at Viviers, one of the deadest of dead cities, with a population
of three thousand. The lycée is near the other end of the department,
also at its eastern limit, with only a streak of water between it and
Drôme. That is Tournon, which has indeed a population of a little
over five thousand, whereas in Annonay it is seventeen thousand, and
in Aubenas above eight thousand. Moreover, Aubenas is not even a
_chef-lieu d'arrondissement_, which Largentière is, numbering 2,780.

Aubenas stands 930 feet above the sea. You can breathe there; you
stifle at Vals. And what a prospect it commands! To the west the wild
heights of the mountains of the Vivarais, volcanoes that have burst
through the rocks, and flung them aloft in rents that reveal to this
day the agony through which the earth passed when fire and fury broke
forth. To the north the Coiron, a chain of huge lava beds overlying
other rocks, that have given way and left the chain a mighty hacked and
battered saw standing up against the sky. A look at a geological map of
the Vivarais shows the Plutonic deposits extended like the fingers of a
hand or the nerves of a vine-leaf over the mountain tops.

When did these explosions cease? Some of the deposits are of great age,
others are comparatively recent. As we have seen, the bones of men have
been found under the lavas of Mont Denise, near Le Puy. Nothing of this
kind has been so far discovered in the Vivarais, only the skeletons of
the mastodon. But there is historic evidence that leads us to suspect
that the last expiring throe was in A.D. 468. S. Mamertus, Bishop of
Vienne, instituted Rogation processions, and drew up a litany for use
there, because the people were panic-stricken by the earthquakes, by
a glare of light in the sky and the falling of ashes, and by loud
explosions that were heard. The stags, the wolves even, fled from the
Cévennes and took refuge in the towns, laying aside their instinctive
fear of men.

Aubenas was erected about a large castle that was begun in the twelfth
century and completed in the sixteenth by the Ornano family. It
afterwards passed into the possession of the Count of Vogué, who held
it till the Revolution. It has happily not been destroyed, and now
serves as mairie, tribunal of commerce, etc. The façade is imposing,
flanked by round towers and commanded by a square keep. The whole
was roofed with glazed brown and yellow tiles. A portion was ripped
by a storm and has been repaired with green tiles, and the effect is
singular, as if a huge pot of green paint had been spilled over the
roof.

The church, with a vulgar modern west-front, is wholly modernised
within, but without, where not built into houses, shows that the
original church was of the fourteenth century. The buttresses were
round turrets that have been deprived of their tops. In a chapel of the
church is the monument in black marble of the Marshal Ornano, raised by
his wife the Duchess. It was mutilated at the Revolution.

The Ornano family was that of the Sovereign Counts of Corsica,
descended from Ugo Colonna whom Leo III. charged with the expulsion of
the Saracens from that isle. He was invested with the title of Count by
Charlemagne, and he obtained at the same time sovereign rights.

The Genoese, by making themselves masters of Corsica, drove out the
Ornanos, and Sanpietro, who went into the service of France, was
engaged all his life in fighting the Genoese; and he succeeded in
gaining the whole island for France, but Henry II. basely restored it
to the Genoese. His son, Alphonso d'Ornano, born in 1548, died in 1610.
He fought the Genoese like his father, and with equal success, and was
created Marshal of France. His son, Jean Baptiste, was born in 1583,
and died in 1626. He was brought up at the Court and was appointed
governor of Pont-Esprit, and he was there when tidings reached him of
the assassination of Henry IV. He married the Countess of Montlaure, an
heiress. Under De Luynes he was appointed tutor to the Duke of Orléans,
the King's brother, and governor for the King in Normandy. The favour
in which he was held raised him many enemies, and they persuaded Louis
XIII. to withdraw his offices from him, and bid him retire to his
estates. Ornano at once demanded admittance to the young King, and
placed his person at his disposal. Let him be sent to prison, he urged,
for he was resolved not to go back into Languedoc with the stigma of
disgrace upon him. This bold conduct confounded his foes, and satisfied
the King as to his innocence. His former offices were restored to him,
and he was named Marshal of France. But Ornano was a bad courtier. He
refused to go cap in hand and thank Richelieu for his restoration to
honour, and he was so imprudent as to advise the King that he was old
enough no longer to be held in leading-strings. The Cardinal, in alarm,
had him arrested and thrown into the Castle of Vincennes and summarily
poisoned, before any steps could be taken to obtain his release under
the King's hand and seal. The Marshal died at the age of forty-three
without issue, and his sorrowing widow had the magnificent mausoleum
erected to him in the church of Aubenas.

From Aubenas an electric tram conveys one in ten minutes to Vals on
the Volane, a lively spot during the season, dead out of it when the
hotels are shut and the shops containing wares to attract visitors are
closed. The only object of interest in Vals itself is the intermittent
spring on the left bank of the stream. This rises in a paved basin
with no outlet; and springs forth five times during the day. The hours
are not certain, but almost invariably it jets at eleven o'clock or a
few minutes later, sometimes leaping to the height of fifteen feet,
sometimes rising no more than three, and emitting sulphuretted
hydrogen, which phthisic patients inhale eagerly. When the water falls
it is sucked back into the bore.

[Illustration: THE VOLANE VALLEY, BY VALS]

     "For the inhabitants of the plains of Gard and the
     Bouches-du-Rhône," says Ardouin-Dumazet, "lands roasted by the
     sun, without shade or water, the valley of the Volane, with
     its growling torrents, its green chestnuts, the freshness of
     its <DW72>s, is a little Switzerland. Vals has become to these
     exuberant populations what Dieppe and Trouville are to the
     Parisian. But it must not be concluded that folk come here only to
     be intoxicated with the gas from the springs that rise at every
     step under cupolas or from amidst rockwork. I have met here with
     many and genuine bathers, who have come to cure their livers and
     other internal vessels, by drinking the waters of the spring La
     Précieuse or that of Saint Jean. Those of the former are not only
     agreeable to the palate, they have also their _clientelle_ which
     finds health in this mineralised draught. On tasting this light,
     sparkling, pleasant water one has some wish to be a patient so as
     to linger at the taps under the shade of the great trees, and to
     listen to the murmur of the Volane."

The splendid ruins of the Castle of Boulogne attract a host of visitors
from Vals annually during the season. It is reached by carriage,
quitting the high road from Aubenas to Privas by a branch road from
Auriolles to S. Etienne. The castle was built by a Count of Valentinois
in the eleventh century. It remained in the hands of the Grimaldi,
Counts of Valentinois, to 1344. In 1384 it became the property of the
Lestranges, and they retained it to 1579; when it passed to the de
Hautefort de Lestranges till 1632. After that it shifted proprietors
rapidly. At the Revolution it belonged to Fay-Gerlande till 1794, when
it was sold. The Count, seeing what was coming, disposed of most of
his land to one Blaise Comte on condition that he should every year
present a violet at the castle on the 15th of March. Nevertheless it
was disposed of to a man of S. Etienne, who pulled much of it down
and sold the materials. It was then purchased by the Abbé Volle, curé
of Asperjoc, to rescue it from complete demolition, and he retained
it for thirty years and then disposed of it to the Marquess Theodore
de Lestrange. The magnificent gateway with twisted columns and the
arms of Montlaun was erected by Claude René d'Hautefort de Lestrange,
who brought to him the barony of Privas; he it was who transformed a
feudal stronghold into a sumptuous palace. The façade is sustained on a
structural terrace.

A favourite walk of but an hour above Vals and through the valley of
the Volane leads to Antraigues. The river has worked its laborious
course through masses of basalt and beds of scoria overlying granite
and porphyry. At every step some fresh picture opens or some fresh
object of interest arrests the eye. Here is a precipice over which
leaps a stream in a beautiful fall; there colonnades of prismatic form;
further on masses of scoriæ brought down by the rains from the mountain
side, whose flanks have been bared. The road plunges even deeper into
the ravine that narrows. Then a stream bounds in a double fall over a
basaltic face of rock, the second leap being formed by a ledge entitled
the Devil's Chair, on which His Majesty is said to cool himself in
the water on leaving his heated realms below. Next the Cheese Rock is
reached, a mass of basalt standing by itself, and Antraigues appears
as an eagle's nest perched on a peninsula of crag between three
valleys, those of the Mas, the Bise, and the Volane. The tower of the
church is all that remains of the old fortress of the Marquesses of
Antraigues. The site is savage, amidst green chestnuts, black lava
rocks, and red volcanic cinders. The Marquesses of Antraigues bore an
evil name as robbers, lawless and violent in the extreme, for which
several were executed at Toulouse. The story of the last of those who
owned and for a while occupied the castle forms the theme of Jules
Claretie's _Les Muscadins_.

[Illustration: VALÉE DE LA VOLANE (LE FAUTEUIL DU DIABLE)]

Emmanuel-Louis-Henri de Launez, Comte d'Antraigues, was born at
Villeneuve de Berg, in the Vivarais, in 1755. In 1788 he published a
_Mémoire sur les états généraux_, which attracted attention, as in
it he denounced the hereditary nobility as the greatest scourge with
which heaven could chastise a free people. It is an ill bird that
befouls its own nest, and that the Count was sincere in his attack
on the prerogatives of the aristocracy in France is doubtful judging
by his subsequent conduct. This pamphlet caused him to be elected to
the States-General convoked for the following year. But no sooner
had he taken his seat in the Assembly than he changed his note, and
spoke for the retention of the privileges of his class. This sudden
conversion caused great offence, and he did not long retain his seat.
In consequence of the events of the 5th and 6th October he quitted the
Assembly, and left France in 1790 and went first to Switzerland, then
to Russia, and after that to Vienna. The coalition of princes forgot
his early encouragement of the Revolution and charged him with divers
secret missions, and granted him a pension of 36,000 francs. He became
the chief organiser of various plots to effect a counterrevolution
in France, that "guerre de pots de chambre," as Napoleon called it in
his highly  language; and he was at the bottom of the intrigue
that provoked the treason of Pichegru. In 1797 he was in Venice, but
when he saw that the capital of the Adriatic was about to succumb
he fled, but fell into the hands of an outpost of the French army
in Italy, and was arrested with all his papers that contained full
evidence of the conspiracy of Pichegru. However, he managed to escape
by the contrivance of Mme. Sainte-Huberti, who, after having been his
mistress, later became his wife. Then he fled to Russia, where he
joined the Greek Church, was accorded a pension by the Emperor, and was
sent to Dresden as attaché to the Russian Legation. There he published
a pamphlet against Bonaparte so violent and scurrilous, that the Saxon
Government was constrained to expel him so as to avoid a conflict with
France. He departed for London, carrying with him certain documents
containing secret articles of the Treaty of Tilsit, of which he had
obtained a copy. He communicated these to the English ministry, and in
return was granted a liberal pension.

He still maintained relations with Paris, and was mixed up in every
plot for the restoration of the Bourbons.

However, it was not given to him to see the realisation of his schemes.
The imperial police had sent two emissaries to London, who managed
to seduce Lorenzo, the Italian valet of the Count, and through him
to obtain notes and despatches which his master was preparing for
transmission to the Cabinet of the Prime Minister. On July 22nd, 1812,
the Count d'Antraigues having expressed his intention to visit the
Prime Minister to obtain his opinion on a certain memoir, Lorenzo,
who had purloined it and committed it to the spies of Napoleon that
they might make a transcript of it, saw that his faithlessness was at
the point of being discovered. Then he resolved on killing his master
and mistress and on blowing out his own brains.

This he did. Such was the version of the story as given in the English
newspapers. The only witness to the murder was the Count's coachman.
The circumstances of the assassination and suicide were never sifted;
the whole matter was hushed up; and it became a matter of mutual
recrimination between the French and English Governments, each casting
on the other the blame of the murder of this miserable man—a man
without a respectable quality.

The name of Antraigues is taken from its position, Inter Aquæ, between
the three streams—the Volane, the Bise, and the Mas.

[Illustration: FALL AT ANTRAIGUES]

On August 16th, the fête of S. Roch, a great pilgrimage is made to
Antraigues, attended by many thousand persons. The neighbouring
villages send their processions with clergy, crosses, and banners
waving. The bells of Antraigues clash merrily. The whole bourg is in
gala costume. At nine o'clock a.m. all the processions unite and form
one long, many-, winding line that creeps up the hill towards
the chapel of S. Roch, hid among chestnut trees. The path is rough,
stony, sun-scorched. At intervals are little shrines constructed of
boughs and adorned with flowers, roses, broom, lavender. In each of
these is a little girl dressed in white with a chaplet on her head,
holding a scroll that bears an inscription in honour of the patron
saint, lavishing on him every possible expression of love and respect.
The procession advances, now murmuring a litany, now breaking into
hymn, and in the rear come the clergy in white, with the blue smoke of
incense rising and spreading in the clear summer air.

On reaching the chapel the pilgrims separate their files to allow the
ecclesiastics to pass. The priest ascends to the altar for Mass, and
the crowd falls into a living stair along the <DW72> of the mountain,
kneeling in ranges, some among the chestnut trees, athwart whose leaves
the sun shoots arrows of fire that make the white caps and the gold
chains of the women flash. The Mass ended, the procession descends in
the same order as that in which it mounted, and disperses. The second
scene is less edifying—it is changed to the cabaret, where the pilgrims
refresh themselves, and the men, in too many cases, carouse.

S. Roch was a native of Montpellier. His story is an ecclesiastical
romance. The earliest biographer states candidly that he found "nothing
trustworthy about him" in record, and so compiled his life from popular
legend. In or about 1350 a squalid-looking man, a beggar, was taken up
by the authorities of Montpellier and cast into gaol, where he died. On
the removal of the body for burial, it was discovered that the vagabond
was Roch, a nephew of the governor of the town, who had embraced a life
of dirt and poverty out of "sheer cussedness." There always have been
and always will be men who, like Falstaff, "have a kind of alacrity in
sinking"; who revolt against the restraints and refinements of social
life, and find their pleasure in living like swine. S. Roch had his
parallel in Bampfylde Moore Carew.

There is nothing edifying in the story, nothing in his career to
justify canonisation. Nevertheless he is in vast repute as a patron
against plague and fever and sores, and he has been given a place in
the Roman martyrology, accepted and held up to be invoked, although
absolutely nothing trustworthy is known of him. Can slackness and
carelessness go further? In fact, the Roman martyrology, possessing the
sanction of the self-entitled Vicar of Christ, is a veritable Noah's
Ark containing clean and unclean beasts.

From Antraigues, a climb of an hour leads to the Coupe d'Aizac, the
best-preserved crater in the Vivarais. M. Paulett Scrope thus describes
it:—

     "The Coupe d'Aizac rises on the ridge of one of the granitic
     abutments that project from the steep escarpment of the Haut
     Vivarais. It has a beautiful crater slightly broken down towards
     the north-west, and from the breach a stream of basalt may be seen
     to descend the flank of the hill, and turning to the north-east
     enter the valley of the river Volane, which has subsequently
     cut it entirely across, and discloses three distinct storied
     ranges; the lowermost very regularly columnar, that in the middle
     less so, and the upper nearly amorphous, cellular, and with a
     ragged scoriform surface. This current, which appears originally
     to have occupied the bottom of the gorge in an extent of four
     miles, from the village of Antraigues nearly to Vals, has been
     worn away and carried off on many points by the violence of the
     torrent. Its relics adhere in vast masses to the granite rocks on
     both sides, sometimes reaching the height of 160 feet above it.
     The lower portion of this bed is very beautifully columnar, the
     upper obscurely so; this latter has been in parts destroyed, and
     a pavement or causeway left, formed by an assemblage of upright
     and almost geometrically regular columns fitted together with the
     utmost symmetry."

One interesting lesson one learns from the overflow of this crater, and
that is that the prismatic structure of basalt is due to pressure from
above. Except under great superincumbent weight it has not crystallised
regularly.

A beautiful fall in four dives under the bridge of the road to
Genestelle, on the road to Antraigues, irresistibly obliges one with
a camera to take views. But indeed the whole neighbourhood is weeping
these beautiful tears—tears of joy that the fire floods are over.

The valley of the Ardèche above where it falls into the basin of
Aubenas is finer still; it leads into the heart of the noblest volcanic
heights.

At Pont de la Beaume one has the stately tower of the castle of
Ventadour rising from the summit of a rock that commands the road up to
Thueyts (pronounced Two-ets) and that to Jaujac, where the Lignon flows
into the Ardèche.

[Illustration: CASTLE OF VENTADOUR]

The Ventadour family were Levis by origin, and claimed to be
descendants of the tribe of Levi of the seed of Aaron, and therefore
justified in meddling to any extent in ecclesiastical matters. It is
really wonderful what changes can be rung on the name of Levi. It
becomes in England Lewis and Levison, Lowe and Lyons, and Lawson.

But there was absolutely no justification in the Ventadour family
asserting to themselves a Hebraic origin. It is strange how eager these
Levis were to assert a fabulous descent, and how desirous the modern
sons of Levi are to obscure the traces of what is undoubtedly theirs.

The Levis first appear in history in the eleventh century, and derive
their name not from Levi, but from their castle of Levis near
Chevreuse; they became Seigneurs of Mirepoix. Philippe IV. de Levis,
who died in 1440, was the father of Bermond, the ancestor of the
Ventadour branch. He became Baron of La Voute, and was father of Louis,
who married the heiress of the Count of Ventadour. Gilbert III. de
Levis was created Duke of Ventadour and peer of France, the former in
1578, the latter in 1589. The castle was blown up by that determined
wrecker of feudal strongholds, Richelieu, in 1626.

[Illustration: IN THE ARDÈCHE]

At Pont-de-la-Beaume a steep ascent leads to a level road, over a
terrace of lava through which the Lignon has cleft a way from Jaujac,
clean cut as by a knife, with basaltic ranges on both sides. The
mountain forms here are very fine; to the right is the Gravenne de
Soulhiol, rent by a ravine down which flows a thread of silver. On the
left La Tanargue, 4,330 feet, and the rock of Abraham, 4,630 feet,
closing up the scene. The whole when powdered with snow, as I saw it,
of Alpine grandeur.

The Coupe de Jaujac, that sent a flood of lava down the valley of
the Lignon, rises to an insignificant height above the village, and
is easily visited. At the foot of the cone of scoria rises a spring
where picnickers from Vals settle to lunch, and amuse themselves
with smashing there the bottles of wine they have brought with them,
and raising a pile of the fragments. The side of the cone of Jaujac
is indeed so strewn with broken pots of _foie gras_ and battered
sardine-tins, that the volcanic vent conveys the impression of having
been the eruption of a great establishment of grocery and preserves.

The sides of the bowl of the crater are dotted with chestnut trees, so
as somewhat to disguise its character. Volcanic dust and cinder seem to
be peculiarly favourable to the vegetation of the Spanish chestnut.

The village of Jaujac stands on the bed of lava that issued from this
cone, on the edge of a mural precipice, 150 feet high, and is connected
with old Jaujac on the further side by a stone bridge. There are the
scanty remains of a castle in this latter. The château, in close
proximity to the village or town, is now converted into a school.

The Gravenne de Soulhiol also disgorged its lava into the valley of the
Lignon, about three hundred yards above the junction of this river with
the Ardèche.

     "A wide and massive plateau of basalt thus formed, after entering
     the valley of La Beaume, prolongs itself to some distance below
     Neigles, bordering the Ardèche on the south with a bold and
     precipitous wall which may be seen to rest on a layer of pebbles,
     the ancient bed of the river."

At Pont-de-la-Beaume a road to the right leads up the valley of
Fontollière to the fertile basin of Champagne, at the head of which
stands Montpezat, the foot of the mountain, as its name implies, and
it lies, in fact, under the Gravenne, that has poured its flood of
molten lava into the valley and filled it to a depth of 150 feet. The
Gravenne de Montpezat has a very regular crater dipping slightly to
the north, and it was on this side that the stream of basalt flowed
for a width of half a mile. It reached the point where the Bourges
entered the Fontollière and there stopped, the volcano having exhausted
its efforts. Before reaching Montpezat, the ruins of the Castle of
Pourcheirolles appear in a site truly marvellous, perched on a tongue
of land between the rivers Fontollière and Pourseilles.

[Illustration: CRATER OF LA GRAVENNE]

When the Gravenne had turned the former valley into a lake of molten
stone, and when that lake had chilled, then the watery elements began
their work. The two rivers laboured to fray themselves a course. The
Pourseilles has cut through an upper and amorphous bed of lava, then it
leaps over a lower and very regular bed of prismatic basalt that rests
on softer material, which has been worn away by weather and water so
that the basalt forms a cornice and canopy overhead. Pourcheirolles is
undoubtedly one of the most picturesque points in Ardèche. The castle,
perched as a vultures' lair in the midst of the valley of Montpezat,
suspended between precipices, seems calculated to evade and defy
assault. The castle was, however, erected not by a man of war, but
a man of peace, Cardinal Pierre Flandrin, born on the flanks of the
Mézenc in 1312. He was created Cardinal by Gregory XI., who employed
him in various delicate negotiations. He died in 1378. His tomb was at
Viviers, but was destroyed by the Huguenots. His nephew, Jean Flandrin,
after having been Archbishop of Auch, was created Cardinal by Clement
VII. The choice of the valley of Montpezat for their residence in
summer heats was due to proximity to Avignon, at that time the seat of
the papacy. The castle was never very large, and its importance was due
to its position, not to its walls and towers.

The river Burzet flows into the Fontollière, and a road leads up the
valley to the little town of the same name as the stream. The church,
with nave and side aisles, dates from 1400. When the three bells in the
tower are rung, the tower sways eight inches out of the perpendicular.
A walk of from three to four hours from Burzet leads to the very fine
cascade of Ray-Pic, where the river leaps over a basaltic escarpment
that had been vomited by the volcano of the same name, which filled the
valley of the Burzet to the distance of ten miles. "He who has not seen
Ray-Pic has seen nothing" is a saying among the peasantry.

[Illustration: FALLS OF RUY PIC]

At Burzet, on Good Friday, a procession perambulates the little place,
bearing representations on cars of the scenes of the Passion, much like
that which is famous at Seville, but here on a much smaller scale.

The river of Burzet has not, like other streams, sawn its way through
the basalt, only through the upper uncrystallised portion which it has
carried away, and it slides on its course over a paved bed of the tops
of the prisms, "not unlike the Roman roads in Italy, but arranged with
far greater neatness and accuracy of design." The columns in Lower
Vivarais, says Mr. Scrope, are usually hexahedral, often five-sided;
those of four occur rarely, of seven still more rarely.

But to return to the valley of Montpezat. Of this small town not much
need be said. It is a very ancient place, and was the second stage on
the high road to Gergovia. It contained a temple to Jupiter Olympus,
and a medieval castle of which very little remains. But at Montpezat
quarters must be found for the night, if it be desired to ascend so
as to explore the Vestide du Pal, the most formidable mouth by which
subterranean fires were belched, in all France, and perhaps even in all
Europe.

An excellent road following the course of the Roman highway mounts
here to the miserable village of Le Pal, 3,600 feet above the sea,
where in winter the snow heaps itself up before the raging winds and
buries the houses so that not infrequently a week passes before
the inhabitants see daylight. The Vestide rises above this village
to the height from the sea of 4,220 feet. The name Vestide in patois
signifies a sheltered place, and is applied to the crater itself, the
only sheltered spot thereabouts, and indeed this huge basin is an Eden
to the peasants of Le Pal. The bottom is cultivated, but the sides
are covered with timber. The volcano is remarkable not only for its
enormous proportions, the bottom of the crater being over two miles in
circumference, but also for its alternate dejections of lava, mud, and
cinders. The depth of the crater is 900 feet, and its diameter 5,500
feet.

In the midst of the crater a slight cone has been raised by the
expiring efforts of the volcanic fires. Each eruption has left its
traces written in ineffaceable characters on the <DW72>s of the crater.
Here was one of sand and mud, there one of lava and scoriæ ejected over
the bed of mud. Then again an outpour of lava, and after that another
of mud containing great boulders of granite burnt red and rendered
friable.

     "Imagination is roused," says M. A. Mazon, "at the thought of what
     must have been the scene when the volcano of la Vestide belched
     forth tempests of fire which agitated, upset, and shaped the soil
     of the Vivarais. The huge bowl, incessantly active, threw out
     showers of cinders into the basins alike of the Rhône and of the
     Loire. When winter came with its hurricanes of snow, deluges of
     water were precipitated into the furnace, but quenched the fires
     for a moment only, and then burst forth in torrents of mud mingled
     with steam. It was thus that the walls of the crater were built up
     into veritable mountains."[6]

From the foot of the cone issues the source of the Fontollière, strong
enough at ten paces down to turn a mill. Near the Vestide is the little
lake Forraud, not situated in a crater, but formed in a depression of
the surface. Also, near at hand, is the Suc de Bauzon, another volcanic
vent, red-headed, and 4,430 feet high. On the summit is a large stone
table, at which, according to tradition, every year the four Seigneurs
of Montpezat, Roux, Urclades, and S. Cirgues met, and each sat on a
seat in his own territory, as all their lands met in the midst of this
table. There is no crater on this _suc_.

We return again to the valley of the Ardèche and mount to Thueyts,
leaving on the left the pretty little bathing establishment of Neyrac.

The road ascends along the flank of the Petit Gravenne on the left
bank of the river and crosses a bridge thrown over the stream of the
Mordaric, whose waters form the cascade of the Gueule d'Enfer. The
huge basaltic wall now comes into sight that sustains the plateau
of Thueyts, on which the town is built. The river has carved for
itself a channel through this mass of lava and the granite below, and
exhibits a majestic colonnade of basalt 150 feet high, and extending
with few breaks for a mile and a half along the valley. But one of
these breaks forms the Echelle du Roy, a rift due to dislocation of
the flow. To visit the Pavé des Géants, the finest basaltic causeway
in the Vivarais, it is well to descend to the river at the Gueule
d'Enfer, sometimes on basaltic prisms, then on masses of granite. The
columnar basalt now becomes regular; some prisms 60 feet long, others
shorter jointed. The black walls rise like those of a fortress, and the
path follows the base till the Royal Ladder is reached, a staircase
in a natural chimney, where every step is a basaltic prism that has
been broken. The view of the valley from the top of the ladder is of
striking beauty. The ascent is 240 feet.

In Thueyts itself there is not much to be seen of architectural
interest.

Still further up the valley of the Ardèche, by the fine road
constructed by the Estates of Languedoc for communication with Le Puy
as easier than that followed by the Romans by Montpezat, is Mayres in
the bottom of a valley and in a delightful situation surrounded by
mountains. It is the last station before ascending the pass over the
backbone of the Cévennes.

Here flutters and soars a great black eagle, that carries off lambs to
the nest in the rocks of Astel rising over 900 feet from the valley.
It is believed to come from the Alps to spend its breeding season in
the Vivarais, both in these rocks and in those of Abraham, and that it
returns to the Alps in winter. This is not the _Aquila fulva_, which is
common enough, but the _Aquila imperialis_. It soars so high and keeps
so well at a distance from men that the hunters very rarely are able to
kill one.

How greatly one would like to know what the men in medieval days
thought of the volcanic phenomena of Auvergne and the Velay and the
Vivarais. Possibly enough they did not give a thought to them, any more
than does the peasant of to-day. But the baron who built his castle on
the top of a rock compiled of basaltic prisms thick-set as reeds by
a river side, the builders of churches who exploited these naturally
faced columns—did they never ask how these came into existence, what
their origin was? One can understand how they explained the existence
of fossil shells on the mountains—they were relics of the universal
deluge. But these marvellous prisms, as neatly made and put together
as the cells of wax in a honeycomb—did they look at them and not
exercise their minds over them? There is not a particle of evidence
that they did, although there were men of inquiring and eager minds
in all ages. No suspicion that volcanoes had raged and spluttered on
French soil occurred to any man till the year 1751, when Guettard and
Malesherbes arrived at Montélimar on their way to Paris from Italy,
when they halted in amazement at the pavement of the streets composed
of polygonal cubes of basalt. "Why!" exclaimed Guettard, "these are
precisely the same sort of stones we have seen paving the Roman roads
of Rome and Naples—and those came from volcanoes." The two men asked
to be shown the quarries whence these blocks came, and they were taken
to Rochemaure. They turned aside from their direct course, visited
the mountains of Vivarais, but not till they reached Auvergne were
their minds thoroughly convinced. In 1751, that same year, Guettard
published his _Mémoire sur quelques Montagnes de la France qui ont
été des Volcans_. It roused a storm of jeers and objections. A savant
of Clermont even wrote to controvert his thesis, and argued that the
cinders were the remains of forges established by the Romans. But at
Montélimar Guettard and Malesherbes had dined with an Abbé Faujas de
S. Fond, living on the spot. His eyes were unsealed, his interest was
kindled, and he went through the Vivarais and explored the basaltic
beds and the craters. Finally, the works of this man in 1778, and of
de Soulaire in 1870, placed the further existence of volcanoes beyond
possibility of dispute.


FOOTNOTE:

[6] _Voyage aux Pays Volcaniques du Vivarais_, Privas, 1878.




CHAPTER VIII

THE CAÑON OF THE ARDÈCHE

     Ruoms—The church—Aven of Réméjadou—Sampson—Vallon—Captain
     Merle—The last Marquess—Tapestries—Clotilde de Surville—Pont
     de l'Arc—Salavas—Slaughter of the garrison—Caves—Goule de
     Foussoubie—Chames—Castle of Ebbo—Pas du Mousse—Grotte of
     Oustalas—Rapids—La Madeleine—Tour d'Aiguilles—Aiguèze—S.
     Martin—The return journey—Two men in a boat—Grotte de S.
     Marcel—The Gours—Dolmens—The Aven of Vigneclose.


[Illustration: THE GORGES OF THE ARDÈCHE]

Ruoms is a quaint little town on the Ardèche, where that river issues
from between parallel walls of lias, not of great elevation, laid in
regular horizontal beds. The road follows the river upwards for a
short way only, and then turns up the Ligne towards Argentière. Ruoms
was a walled town, and a considerable portion of the fortifications
remains enclosing the church, old houses, and narrow and dirty lanes.
The church is interesting, very early and rude Romanesque, lofty, with
three bays and side aisles. There are quasi-transepts, not extending
beyond the aisles. The east end is square. The piers and arches are
unmoulded. A curious feature is a window on the south, apparently to
serve for a clerestory light, with pilasters and sculptured capitals,
but it has never been pierced through, so that it acts merely as a
relieving arcade in the wall. Another unusual feature is that the wall
of the south aisle has in it narrow square-headed lights in recesses
under relieving arches. The tower has a zigzag ornament above the bell
windows in black lava alternating with white limestone.

The Ardèche is joined below the town by the river of La Beaume, that
flows through a cañon very similar to that through which the Ardèche
itself has run before it reaches the bridge of Ruoms. These cañons
through the lias are curious rather than picturesque, the strata lie
horizontally as regularly disposed as stones in an artificial wall.
On the high ground some way up the Beaume, on the plateau, or _gras_,
is the _aven_ or pot-hole of Réméjadou, twenty-five feet in diameter
and eighty feet deep. One can hear the rush of water below, and this
issues from the rock in the spring of Bourbouillet, two miles off, with
sufficient volume to turn a mill. M. Janet says:—

     "This _aven_ has water flowing in its depths, filling the entire
     bottom. This stream issues from an arcade on one side about
     eighteen feet high, and disappears under a similar arch. It
     flows from north to south, which agrees with what the shepherd
     of Bourbouillet asserted, that this subterranean stream issues
     at the spring of that name. According to him, the inhabitants of
     Bourbouillet were much surprised one day to see the water of this
     spring charged with sawdust, and the explanation of the phenomenon
     was obtained only some days later, when they ascertained that
     some woodcutters who had been sawing up a good deal of timber
     had ridded themselves of the sawdust by throwing it into the
     _aven_."[7]

This pot-hole was explored in 1892 by M. Gaupillat, and he established
the curious fact that the underground stream enters and leaves the
_aven_ by natural syphons, and not through galleries, so that it is
not possible to track the stream up or down.

Standing high above the junction of the Chassezac and Ardèche are the
mountain and rock of Sampson, supporting a little village and church
with spire on a _col_ between the mighty crest of perpendicular rock
and the crag that falls abruptly to the Chassezac. A small omnibus
conveys travellers to Vallon, which is the place at which to stay,
whence to make the descent of the cañon of the Ardèche. But the visitor
who does this must be prepared either to return to Vallon by carriage
over the Causse, some twenty miles, or he must be without luggage,
and catch the train at S. Just or S. Marcel, and meet his impedimenta
elsewhere, perhaps at Le Teil, for the canoes that shoot the rapids of
the Ardèche are too small to accommodate baggage.

Vallon is not a town in itself of much interest, but it contains the
château of the redoubtable Huguenot captain, Merle de Lagorce, who
sacked Malzieu and Issoire, and burnt the cathedral at Mende. Vallon
was in the hands of the Reformed, but, on the other hand, old Vallon
with its castle on the height above it remained to the Catholics.
Opposite that, on the further side of the river, is Salavas, where a
strong and extensive castle, now in ruins, occupied the crest of a
precipitous rock. These two positions Merle was determined on taking;
he succeeded, and died in the castle of Salavas at the end of January,
1584, at the age of thirty-five. I have given his life in my _Deserts
of Central France_.

His son Hérail de Merle, Baron de Lagorce, joined the Church, and
entered into the service of the King.

On February 6th, 1842, died in the château of Vallon the Marquess
Emmanuel de Merle de Lagorce, last male descendant of the eldest
branch of the family, and left the château to his sister, married to
the Count de Chapelain, who sold it to the town of Vallon in 1846.
When the citizens came to take possession and convert the castle into
a mairie, school, etc., they discovered in a loft a whole series of
superb tapestries rolled up and forgotten. These came from the château
of Montréal in L'Argentière, brought thence in 1783. They are from
Aubusson looms, and are in seven panel pictures representing scenes
from the "Jerusalem Delivered" of Tasso. They adorn the chamber now
used by the magistracy. Very fine is the hammered ironwork of the
balustrade of the great staircase.

Vallon had its hour of celebrity under the Empire and the Restoration,
when Vanderbourg published the medieval poems of Clotilde de Surville,
who lived at Vallon at the period when Joan of Arc was fighting against
the English.

Marguerite Eléonore Clotilde de Vallon-Chalys, or de Surville, was
supposed to have been a noble lady authoress of a series of sentimental
poems. She was said to have been born in 1405 in the château of Vallon.
Her mother, Pulchérie de Fay Collon, had lived in the court of Gaston
Phœbus, Count of Foix, and had taken advantage of his library to enrich
her mind by the study of Greek and Latin authors, of French and Italian
poets, and she brought up the young Clotilde with the same tastes.
The girl was a precocious genius, and composed verses at the age of
twelve. In 1421 she married the Chevalier Béranger de Surville, who
quitted her early to fight under the command of the Dauphin, afterwards
Charles VII. It was then that she wrote a Héroïde, opening with the
words "Clotilde au sien amy doulce mande accolade." But the composition
contains allusions, and repeats ideas of a period so much later, that
suspicions were aroused as to its authenticity when published in 1803.
Vanderbourg, the editor, insisted on it being genuine. He had obtained
the MSS. from the heirs of the Marquess Joseph Etienne de Surville, a
noble who during the period of the Revolution had been executed at Le
Puy in 1798. But this de Surville was himself a poet, of a mediocre
quality certainly, and it was from his leavings that the editor
produced Clotilde's compositions. According to the Memoir prefixed to
her poems, from the pen of the Marquess, her graceful verses attracted
the attention of Margaret of Scotland, who sent her a crown of golden
leaves bearing the inscription: "Marguerite d'Ecosse à Marguerite
d'Hélicon."

Clotilde lost her husband at the siege of Orléans after a union that
had lasted but one year. About 1450 she married her son to Héloise de
Goyon de Vergy. Both died in 1468, leaving to Clotilde a grandchild,
Camille, who never married, and Clotilde closed a long life at the
end of the fifteenth century, after having celebrated the victory of
Fornoue in a poem that she dedicated to Charles VIII.

That the poems are a late fabrication by the marquess, who was shot
at Le Puy, cannot be doubted. In the "Verselets à mon premier né"
that begin "O cher enfantelet, vray pourtraict de ton père," there
is obvious imitation of a romance by Bérguin, published in 1775. But
the whole tone and character of the poems make it quite certain that
they were composed in the eighteenth century, to be palmed off as
the literary achievements of a lady of the forger's ancestry in the
fifteenth. Villemain, after showing that they are _fictions antiques_,
concludes: "After one has recognised that the poems of Clotilde are
a modern fabrication, betraying itself by the very perfection of the
artifice employed, yet the fraud once established, the merit of the
fraud remains incontestable."

A good road leads down the Ardèche to the Pont de l'Arc, one of
the great natural curiosities of the south of France. The river in
descending the ravine between walls of Jura limestone encountered a
long spur that barred its way, and drove it to describe a great loop.
But the limestone is full of holes, caves, and cracks, and the torrent
rushing down and beating against the great escarpment, impatient to get
through and resenting the detour, bored till at last it burst a way
through, and having once penetrated proceeded to enlarge the portal,
till the river even in its greatest floods can rush through. The
measurements are 193 feet from side to side, 110 feet to the crown of
the arch, and to the summit of the rock 215 feet. Formerly the people
of the country used this natural bridge to pass from one side of the
river to the other. In the sixteenth century a fortress was erected
on it, the possession of which was sharply contested by Catholics and
Protestants, and Louis XIII. had it destroyed. The passage can still
be made by means of a very narrow path cut in a ledge of the rock, but
only one person, and he with a steady head, can traverse it. Louis
XIII. had this path broken down, but the gap has been bridged over by
poles.

The descent of the cañon is made from Vallon to S. Martin, and takes
from five to eight hours according to the amount of water in the river,
and costs 30 francs. Rapids are numerous, and some not a little
dangerous. The gorge, cut through the lower cretaceous limestone, has
not its walls as lofty as those of the famous cañon of the Tarn, but
the scenery in it is more varied, and it is of the wildest beauty.

Opposite old Vallon, as already mentioned, is Salavas. Hérail de Merle,
son of the great Huguenot captain, abjured Protestantism, and married
the daughter of Montréal, chief of the Catholics of the Vivarais.
Profiting by his absence, his Huguenot vassals in Vallon revolted,
and aided by a locksmith of Salavas entered the castle and butchered
all the garrison. They captured the baroness and her children. But as
Salavas was unimportant as a stronghold without the Tour du Moulin in
the river, the Calvinists brought the Baroness Lagorce and the children
under its walls in a boat, drew their long knives and threatened to cut
all their throats unless the tower surrendered.

Salavas again fell into the hands of the Catholics, and was held by
M. de la Chadenède in 1628, with forty-five men against the Duke de
Rohan, head of the Calvinists, at the head of 500 men, 200 cavalry, two
cannon, and a body of sappers and miners. Salavas was not taken till
200 of the assailants were killed and wounded. The castle, though in
ruins, still has portions of its walls and a gate intact. Le Tour du
Moulin, mentioned above, is built on a rock in the middle of the river,
and was the key of the passage. It was captured by the Huguenots in
1570 by artifice. The small Catholic garrison one evening saw a train
of women leading mules with sacks of corn come down to the waterside.

The garrison at once went over to assist them in unloading. But
scarcely had they left their boat than they were fallen upon. The
women were, in fact, Huguenot men disguised in female attire. They shot
down every one of the soldiers and took possession of the tower.

[Illustration: LE PONT DE L'ARC]

Before reaching the Pont de l'Arc the cañon begins; rocky walls, grey,
yellow, and fawn colour, stand up above the river, leaving no space
between them but for the river; the road has been cut in cornice in
the rock above it. The caves of the Bear, the Temple, and the Pulpit
are but some of the thousands that open in cliffs that are honeycombed
with them. The two latter were employed for meetings during the time
of the revolt of the Camisards. The Prophetess Isabeau, clothed in
white and wearing a gold circlet on her head, here went into ecstasies
and harangued the insurgents, bidding them slay and spare none of the
Philistines, and promising to them invulnerability.

A little further down is the Goule de Foussoubie, a stream that issues
from the rocks just above the level of the Ardèche. The water that
feeds it consists of seven rills on the Causse, three miles distant,
that plunge into a pot-hole and disappear. Various attempts have been
made to follow the underground course, but all have failed and one
ended fatally. In dry weather very little water issues from the Goule,
but it comes forth in volumes after a storm.

The boat shoots under the Pont de l'Arc; the rock that has been
pierced is ninety feet thick. As already said, a fortress stood above,
destroyed by Louis XIII., on a bit of rising ground on the left bank.
There are still remains of the octagonal tower and enclosing wall
and of some of the chambers tenanted by the garrison. But it was an
_oppidum_, a place of refuge from prehistoric times, as early stone
weapons, and later Gallo-Roman ware, have been found there, as well
as accumulations of pebbles to serve as sling-stones. The road down
the river ends at Chames, where is a boatman, who lives by fishing and
ferrying over any of the inhabitants of S. Remèze or la Bastide de
Verac, who desire to cross. A stream issues from a grotto; it is the
Fontaine de Vamale. The cave is apparently closed at the end, but on
entering one finds on the right hand an opening into a valley, giving
access to a terrace above the river, lighted by the setting sun, in
which luxuriate lavender, Judas trees, evergreen dwarf oaks, juniper,
and wild asparagus. This tiny valley is bounded on the west by a lofty
calcareous wall in which is a rent, and a narrow path leads up this
gap among bushes to the top of the plateau. It is by this track that
the inhabitants of Vic descend and ascend before or after crossing the
river.

Hard by is a natural cave on the right bank, partly closed by a wall,
so overgrown with ivy that were it not pointed out one might pass
without discovering that man built himself a residence here. This
is called the Castle of Ebbo, and the tradition is current that the
Templars of La Madeleine fled to it and hid there when sentence had
gone forth against them by Philip the Fair in 1312; but it was probably
a post that belonged to the Seigneur of Verac to watch his fisheries.

Chames is a little hamlet on the left bank of the Ardèche, where
the rocks fall back and allow of <DW72>s on which can grow olive
trees, vines, plums, and almonds. The water is here still and seems
transformed to a mirror, so that from the opposite side, that of
the Castle of Ebbo, when the sun is full on the white cottages and
gleaming limestone rocks, they as well as the fruit trees are reflected
with intensity in the glassy surface.

The Rock of the Five Windows seems to block the way. Below Chames the
river bends around a peninsula which is called the Pas du Mousse, so
called in satire, for no moss grows there or can grow; it is all rubble
brought down and deposited there by the river. A rock shooting up
some eighty or ninety feet to a sharp point and pierced at bottom is
called the Needle, and the cave is its eye. A little further down is
the Grotto of Oustalas in the face of a cliff above a narrow meadow,
with trees and a farmhouse and sheds. In order to reach the entry, that
is like a giant's mouth yawning, steps have been cut in the rock; so
also within to reach portions of the cave that have been employed as
chambers. There are remains of a wall that formerly closed the mouth,
and this cave was undoubtedly inhabited at some time, but when cannot
be said. One can see the notches in the wall for beams of a roof, and
recesses employed as cupboards.

As we continue our descent, the heights of the sheer walls full of
holes are as slices of Gruyère cheese, streaked here black, there
flaming red, then of a ghastly white, now forming into needles, then
with their crests riddled as though the walls of a ruined castle
pierced with windows. Evergreen oaks, the spiky-leafed kermes, bursts
of flame from yellow broom, flashes of pink when the Judas tree is in
bloom; not a house, not a field—all silent, the only sound the roar of
the water over a rapid. The canoe dances, bounds, shoots; by a skilful
turn of the oar avoids a fang of rock, escapes a huge boulder, darts
into still water, where the boatman bails out that which has poured
over the gunwale, for it is over your ankles. Then, again, the growl
of another rapid, more swinging down between rocks in races of water
green as grass, then gliding over shallow portions where we can see
the stones and gravel at the bottom and the fish darting; then over
a depression, the water bottle-green, too deep for the sunlight to
penetrate, close under an overhanging cliff.

[Illustration: "THE CATHEDRAL"]

A long green tongue of land shoots out with ruins on the summit, La
Madeleine, a leper-hospital, where these unfortunates were nursed
and kept in seclusion under the Templars. Again, huge fawn-
precipices, caves out of which the drip of water has hung stalactitic
deposits like dropping veils, one in which it has built up a huge
finger; and then, right before one, a Gothic cathedral with spires—Le
Tour des Aiguilles. We are carried round, and the forms have completely
changed.

Then after five hours or more the walls begin to sink, a stream breaks
in through a doorway on the left, and we issue through a portal. The
river runs more smoothly, and on the summit of the rock, creeping down
its side, studded with ruins, is the imposing dead town of Aiguèze,
long a subject of dispute between the counts of Toulouse and the
bishops of Viviers. There were houses near the river bank, but all
are now in ruins, destroyed by the great floods of 1890 and 1895. On
the left bank is the little village of S. Martin, where we disembark,
and think we have seen a succession of marvels the like of which are
not to be seen elsewhere save—with a difference—on the Tarn. But just
here, to spoil the last tableau, a company has erected huge and hideous
factories for silk-weaving on the top of the rock opposite S. Martin,
to disfigure the last spur of crag on the Ardèche. Failure has attended
the attempt, and the factories are abandoned. Even if they fall into
ruins, their ruins cannot possibly become picturesque.

Below is a light and graceful suspension bridge flung across the river
to take the place of a stone bridge, swept away by the great flood of
1895, that rose halfway up the church of S. Martin and filled most of
the houses.

And now, to conclude this chapter, I must give my personal experiences,
which I am usually unwilling to obtrude, but which I give as they may
be valuable to others who descend the cañon.

There are humours in travelling; some make you laugh out at once,
others only after the experience is past. To this latter belong mine on
the day I descended the Ardèche.

The beginning of the trouble was this. I had arranged that the hotel
keeper at Vallon should furnish me and my wife and the boatmen with
a sound lunch, to be taken on our way down, and when we arrived at
the place where the boat was to attend to us we found that neither
the garçon of the inn who guided us had brought the food, nor had the
boatmen fetched it from the hotel. Time was precious, the distance was
considerable, and we could not wait to send back for it. Any one who
knows what a French _café au lait_ means will understand how internally
unprovided we were for many hours without food. We started, and for
five hours were descending the rapids. When we reached S. Martin there
was no carriage, but after an hour we obtained at five o'clock an
excellent _déjeuné_, having eaten nothing since 8 a.m.; but we had
hardly felt hunger, so gorgeous had been the scenery through which we
had passed. At 6 p.m. the carriage from Vallon arrived, and the horses
had to be baited for two hours. At 7 p.m. we started. Now the high road
to Vallon makes a long detour; it passes by S. Just and S. Marcel, and
crawls slowly up to the causse. The horses were put in at 7 p.m., and
we departed. As it happened, I had tipped the boatmen at S. Martin,
thinking I had seen the last of them, and they were flush of money.
They had thirty francs, plus the tips to both of them, and during three
hours they had been imbibing absinthe, cognac, and wine.

We had not proceeded far before I heard voices behind the carriage in
lively conversation, not to say in altercation, and standing up and
looking back I saw that we were dragging behind the carriage a cart
laden with the canoe and the two men in the boat.

I stopped the carriage and inquired the meaning of this, and the driver
informed me that he had drawn the cart behind him from Vallon to S.
Martin for the express purpose of bringing back the boat and the men,
as it was not possible for the canoe to make its way up the rapid on
the return journey. Twenty miles uphill with a trailer behind and
dark night setting in was a serious prospect, especially after the
horses had already done all the miles from Vallon to S. Martin. When
we reached S. Just, but a few miles out of S. Martin, the bright light
from a tavern and the voices of happy men within were too much for the
two men in a boat behind; they unhitched the cart and dropped into the
cabaret to recruit. As we drove on our coachman found that the horses
went freer. He looked behind and saw that the cart and boat were not
attached. He swore freely and copiously, but drove into the next
village, S. Marcel, where he halted in front of a public-house, and no
words of mine could induce him to proceed till he knew what had become
of the trailer. After a while up came the cart and the boat. One of
the men had a cousin at S. Just, and he had cajoled him into lending
his horse to draw the cart so as to catch us up. Our coachman, with a
volley of expletives not worth recording, bade them hitch on again. And
he drove forward. I, sitting back in the carriage, heard a dialogue
proceed behind.

"But, Jean, my cousin lent me his horse."

"That is certain."

"But I cannot let him return to S. Just without refreshment. I must
assuredly give him a glass of something to warm him."

"That is reasonable."

"Then let us unhitch."

So again the trailer was unfastened, and the cart, boat, and men in the
boat fell away into the darkness behind.

After a while the coachman rose from his seat, and looking back saw
that the trailer was no longer in its place. He exploded east, he
exploded west, also to north and south; and would have halted again,
but that I interfered and insisted that he should proceed. After some
demur he did so. We reached Vallon at midnight. The night was pitch
dark and cold; the month was March. When we would have reached the town
had we been encumbered with the trailer, goodness only knows. We left
Vallon next day at 11 a.m., and the two boatmen had not arrived by that
time, nor do I know when they did arrive, and what is more, I do not
care.

This I relate as a caution to future visitors to the cañon of the
Ardèche. If they intend to return by carriage to Vallon, let them
remember that they will have to drag back with them the boat _en queue_.

At S. Marcel is a notable cavern that may be visited from the village
or from the river, near the bank of which is a lodge for the man
who undertakes to act as guide through its halls and galleries, and
illumine them with Bengal lights. The grotto was discovered in 1838 by
a man in pursuit of a rabbit. The cavern extends for several kilometres
underground, and is rich in stalactites and stalagmites. The main
gallery was the channel of an ancient river formed by the drainage of
the fissured causse of Bidon and S. Remèze. This corridor, which is
without incrustations, leads to le Balcon, a vertical wall thirty feet
high, over which the ancient river fell in cascade. This is surmounted
by an iron ladder. The second portion of the cavern consists of another
long gallery conducting to the Forêt-Noire, a stone cascade of sixty
feet, up which one mounts by a second iron ladder, to attain to the
third portion of the cave, the Cathedral, where is the finest group
of stalagmites in the whole grotto. Two more ladders lead to the
Catacombs, a chaos of blocks fallen from the roof, and remarkable for
its "bassins de dentelles," or "gours"—that is to say, a series of
basins as holy-water stoups, formed by incrustations. I will let M.
Martel describe them:—

     "Here begins one of the most curious and admirable stalagmitic
     formations to be found in these caverns. Imagine if you can a
     series of irregular basins set in the wall and superposed in
     retreat one above the other, forming steps—they are of various
     widths and depths, from a few décimètres to several mètres—their
     walls so transparent that they allow the light of the candles put
     in them to shine through. Their lips are capriciously twisted like
     writhing serpents, and they are lined with minute needles and
     tiny prisms of carbonate of lime, as delicate in their details as
     the antennæ of polypi, all either white, yellow, or rose colour,
     forming all together a vast pyramid of water-basins in onyx set
     with diamonds."[8]

Further ladders and galleries are traversed, and more splendid masses
of stalactite and stalagmite are seen.

Formerly there were collections of these in the outer galleries, but
they were wantonly destroyed by the peasants and by visitors.

This cavern was anciently occupied by man not only in the prehistoric
age, but later, for Gaulish black pottery has been found in it. I may
add that on the Causse Grand Champ and on the Champ Vermeil are dolmens.

An _aven_ of a really appalling character is that of Vigne Close, near
the hamlet of Fontlongue. It was explored by M. Martel in 1892, and
descends 575 feet into the bowels of the causse, or grasse, as the
limestone plateau is here called.

A well had to be descended 165 feet deep. Then came a redan, a <DW72>,
and this had to be gone down and a second ladder of ropes attached.
The second well was 135 feet. Then a second inclined plain or redan,
and a third well 60 feet; after that a succession of slides and drops
in stages for another 60 feet. Then a well of 150 feet. It demands no
little daring to descend into such an abyss entirely shut off from the
light of day, and where a few falling stones caused by the vibration of
the ladder might prove fatal.


FOOTNOTES:

[7] A. Janet, _Annuaire du Club Alpin_, 1891.

[8] _Les Abîmes_, Paris, 1894.




CHAPTER IX

THE WOOD OF PAÏOLIVE

     Curiosity of the wood—How the rock disintegrated—Extraordinary
     shapes—A labyrinth—La Gleyzasse—Hermitage—the King of Païolive—The
     Royalists of 1792—Jalès—The Bailli of Suffren—Taking the
     inventories.


Le Bois de Païolive is in repute among the inhabitants of the plain
and its great cities as one of the wonders of the world, at least of
that self-contained world of France, in which is everything, outside
of which nothing. Païolive is _Pagus Olivæ_. Curious the wood is,
but cannot compare with Mourèze or Montpellier le Vieux, which have
characteristics in common with it. The characteristics are these.
There is an extensive elevated platform of cretaceous limestone of
very unequal consistency. The result of this inequality has been
that the softer matter has been washed away, whether at the retreat
of the Tertiary ocean, or whether by atmospheric degradation alone
is uncertain, leaving the cores of greater resistance isolated, as
turrets, obelisks, bridges. And these cores themselves containing
soluble matter have been riddled in all directions by the rain that,
resting on them for a moment, has been then absorbed, and has carried
forth through every crevice what it was able to dissolve. But even the
masses of hardest texture are so soft that the rain soaking into them
and then running out at every perforation has furrowed the white face
with its trickling tears.

The wood measures three miles in each direction, and a guide is needed
through the labyrinth of galleries and masses of insulated rock,
all buried in a wood of oaks, here and there cleared for mulberry
plantations.

It lies beside the road from the station of S. Paul le Jeune to Les
Vans, and reaches to the river Chassezac, that has cut its way through
the plateau in a profound ravine. In fact, the same formation continues
on the further side of the stream, but the shapes of the rocks assumed
there are less eccentric. A guide lives in a cottage where a road to
the right joins that coming from S. Paul, and he charges three francs
for showing visitors the principal sights in the wood, five francs for
a complete exploration.

The path, or track rather, changes direction at every moment, wriggling
in and out among the rocks, over fallen masses, down descents where the
brambles throw long streamers across one's path to arrest progress;
the thorns claw and rend ladies' dresses. But the turf is purple with
violets, and the fantastic shapes of the rocks draw one forward in
defiance of thorn and prickle.

Some rocks resemble monstrous beasts. Near the road are the Lion and
the Bear, engaged in a wrestle. There are castles with windows and
doors, pointed arches, a very orgy of natural architecture in which
every style is represented. We pass through narrow rifts into which the
sun never penetrates, arrive by long galleries at culs-de-sac, and are
forced to retrace our steps. Everywhere cavities, grottoes, piercing
the rock that glares white in the sun and almost blinds the eye. We
arrive in a great cirque, in the midst of which are mulberries. In and
out, everywhere grow oaks and broom; suddenly we come forth upon the
gaping chasm through which rolls the Chassezac. A narrow and dangerous
path down a rift enables one to descend to the river.

[Illustration: PAÏOLIVE: THE LION AND THE BEAR]

By scrambling among fallen blocks, after having passed under a little
natural arch, a tunnel is reached in which a score of persons might
shelter from the rain. Then a path emerging into the light leads along
a terrace above the abyss, and by climbing and sliding and clinging to
the bushes La Gleyzasse (the Church) is reached, a rift and cavern,
once inhabited, as has been proved by the discovery under the soil of
flint weapons and fragments of pottery.

This is the best known of the caverns of Païolive. But the mysterious
wood grows above a whole subterranean world of vaults and passages.
The entrances to these grottoes are known only to the guide; they are
hidden among bushes, and often they are pot-holes, wells that open
without warning, and down which an incautious visitor might fall.
Stones thrown in strike the sides with a sound that becomes ever
feebler till they reach the unexplored bottom.

M. de Malbos describes some of these:—

     "I visited as well a grotto forming a gallery, on a very rapid
     <DW72>. I would not speak of it but that, entering it without a
     candle, I found that my right foot did not touch the ground; so I
     retraced my steps to light a candle, and thus illumined I saw with
     horror that I had had half my body suspended over a precipice,
     sustaining myself only by my left foot on a slide of loose stones.

     "On ascending the river of Chassezac, on top of the precipice
     one can reach the Grotte of the Chouans. One descends, or rather
     jumps, down to it, where it opens on a precipice with a ledge
     before it. Down to this cave one has to climb with difficulty. It
     divides into several galleries, that are lighted by small cracks,
     visible at the height of one hundred feet above the Chassezac.
     It was in this grotto that seven Royalists, who had fled to it,
     were taken by means of fires of straw and sulphur lighted in the
     entrance. They were shot at a little distance from it. One only,
     Gavidel, managed to escape, having managed to breathe through the
     barrel of his gun, which he had unscrewed and thrust through one
     of the cracks I have mentioned."

Near the entrance to the wood is the group that goes by the name of the
Lion and the Bear, already mentioned. There is a Lot's Wife, there is a
nun, a sphynx, and so on. The Castle of the Trois Seigneurs does seem
actually to have possessed a little fortress, built in and out among
the spires of rock, for fragments of wall are worked into the fissures
and surmount some of the points.

But perhaps the most remarkable spot is the Cros de la Perdrix, where
the limestone is in a craggy jumble of all kinds of forms.

One enters this sort of fortified circus with precipitous sides by
a noble rock, pierced by a natural arch, at the entry to a cleft,
something like that of Gleyzasse—already described.

If we follow the edge of the ravine of the Chassezac we see the river
gliding smoothly below through green pastures between sheer walls. On
the promontory of Cornillon are the remains of an ancient village.

At the north-west of the wood is the hermitage of S. Eugène, at the
fringe of the forest. It is as though suspended above the valley,
standing on the limestone, which here lies in narrow, almost horizontal
beds. Architecturally it is nothing. Only a poor, ruinous, abandoned
structure; no hermit has occupied it for many years.

According to tradition, for many generations the wood was inhabited
by a family, the head of which assumed the title of King of Païolive.
Louis XIV. was informed of the existence of this sovereign in a
corner of his province of Languedoc, and ordered that the man should
be arrested and tried. Several detachments of troops were sent to
surround the wood and to explore its depths. No one was to be seen in
it; all was silent, till a crack of a firearm sounded, and a man fell.
After a quarter of an hour, those who had ventured into the labyrinth
struggled out, but with the loss of ten of their number, each of whom
had received a ball in his heart. The troops retired, and as there was
no question of rebellion against royal authority or of religion, Louis
was content to let the matter rest; only he succeeded in entering into
communication with the petty king by means of the hermit of S. Eugène,
and requiring of him as recognition of suzerainty annually a pair of
partridges—a tribute, however, that was never paid. The succession of
kings of Païolive continued till the Revolution, when it was not safe
on French soil for any man to bear a royal title, and the last king,
rather than run the risk of losing his head on the scaffold, assumed
the red cap and sank into a plain citoyen.

In 1792, the Royalist bands of the Count of Saillans took refuge in
the wood of Païolive, confident that it would not be possible for the
Republican troops to dislodge them, and their head-quarters was in the
Grotto of Gleyzasse, three hundred feet above the river. The Directory
of Ardèche, however, found means of securing the conspirators when they
met at the Château of Jalès, and they were taken to Les Vans and there
put to death, the Count among them. Jalès had belonged to the Templars,
but these, sacrificed by Clement V. to the cupidity of Louis the Fair,
were taken to Aigues Mortes and there burnt alive on false charges.
To the Templars succeeded the Knights of Malta. The most celebrated
commander among these, who resided at Jalès, was the Bailli of Suffren,
whom the vassals complained of as devouring forty pounds of meat in
a day. But the Bailli was a fire-eater as well, and his exploits in
the Mediterranean, fighting the English, form the theme of a ballad
introduced by Mistral into "Mirèio." The Bailli was killed in a duel by
the Marquess of Mirepoix, in 1788.

                "Our Captain was Bailly Suffren;
                  We had sail'd from Toulon,
                Five-hundred seafaring Provençeaux,
                  Stout-hearted and strong:
    'Twas the sweet hope of meeting the English that made our hearts
          burn,
    And till we had thrashed them we vowed we would never return."

And, of course, these stout-hearted Provençeaux thrash the English like
curs, just as our bluejackets always thrash the French—in ballads.

Between the wood and Berrias on the bare plateau are many dolmens.

On the lovely day in early spring upon which I visited the Bois de
Païolive, the inventories were being taken in the churches of Banne and
Berrias. As we drove to the wood the bell of Banne church was pealing
the alarm; as we left, that of Berrias was sounding, and we drove
thither. The village was occupied by soldiers, and these surrounded the
church, and held every avenue, whilst a body of gendarmes with axes
smashed the barricaded west door. Outside the village was an ambulance
wagon, rendered necessary, as the people were offering a strenuous
resistance. In the adjoining village of Beaulieu on the preceding day
they had thrown quicklime in the faces of the assailants, and had
blinded one soldier, who had to be conveyed to the hospital.

The hostility provoked by the Government by ordering the taking of the
inventories of the contents of the churches is not very explicable, for
there was no threat made of confiscation. The reasons given me were
these. At the first Revolution every church had been pillaged and its
treasures seized. Only in some cases had certain of these latter been
saved before the sacred buildings were plundered, by being confided to
the custody of reliable men in the parish, who restored them when the
churches were reopened for divine worship. The people suppose that the
taking of the inventories is a preliminary step to confiscation, and to
protect the State against the secretion of any of the church treasures
when that confiscation takes place. As, however, it is exceedingly
unlikely that such a step will occur, the violent excitement over the
taking of the inventories is not very reasonable. "We," say the people,
"our fathers and grandsires, gave the furniture to the church; it
belongs to the Commune, and not to the State."

The attitude assumed by the bishops and curés has been diverse. Here
the taking of the inventory has been opposed by force, there permitted
under protest. At Lodève, where very fine new wrought-iron gates have
lately been added to the porch, the clergy took good care not to
fasten them and expose them to be damaged, but bolted the inner door
of wood, very thin, and easily cut through. That was the form of their
protest. At Alais the curé received the State officials at the door and
contented himself with reading a written remonstrance, after which he
drew aside and allowed them to do their duty.

Actually, the curés in most places took no lead in the demonstrations,
which were often organised by reactionaries so as to excite hostility
to the Republic, in view of the approaching elections for the Chamber
of Deputies. They failed utterly in their purpose, as the election,
when it did take place, proved to demonstration. But in many a country
place the resistance was due to the excited passions of the people
ungoaded on by their superiors. A man said to me when I asked him the
object of these futile resistances to authority: "Mais, il nous faut, à
tout prix—des émotions."




CHAPTER X

THE RAVINE OF THE ALLIER

     The Allier—Difficulty of ascent—Remarkable engineering of
     the line—Summer visitors—Difference between the Allier
     and the Ardèche—Langeac—Chanteuges—Disorderly monks—Fête
     on Whit-Sunday—The Lafayettes—The Margeride and its
     inhabitants—Sauges—The Drac—Church—Tour de la Clauze—Tomb
     of an English captain—La Voute-Chilhac—Basalt—Used on the
     roads—Monistrol d'Allier—S. Privat—Find of an oculist's
     tools—Alleyras—Bed of old lake—Langogne—Church—N. D.
     du Tout Pouvoir—the Vogué—Proprietorship _versus_
     tenancy—Pradelles—Delivered from the Huguenots—Château of De
     Belsunce—S. Alban—Cave—Trappist monastery—The Liborne—The rule of
     La Trappe.


I pass now from the east to the west by direct flight from the Vivarais
over the plateau of Le Puy to where the Allier descends into the plains
from the lofty ridge of the southern Cévennes.

Almost from its source the Allier has met with difficulties. It has had
to contend with granite, schist, and finally with basalt, and it has
had to form for itself a ravine that widens into a valley below Langeac
where are coal-beds.

That ravine is peculiarly tantalising, because it is difficult to
explore satisfactorily. From Langeac a road runs up the riverside only
till it encounters that from Sauges to S. Privat. Beyond that there is
none. The line, indeed, does follow the stream, and it is of all French
lines the most remarkable for the engineering feats achieved. The road
for the rails has been hewn as a cornice in the face of the cliff,
every salient buttress has been bored through, and every inconvenient
lateral gorge overleaped. In 132 kilometres (81 miles) from the
confluence of the Dège with the Allier up to La Levade, there are
ninety tunnels, which happens to be precisely the number of kilometres
between those points as the crow flies.

Precisely this fact makes the ascent of the ravine by train prove so
unsatisfactory. It consists in a rapid succession of flashes followed
by darkness—a constant flutter, as it were, of the eyelid. Moreover,
the tunnels are carried through the shoulders of the mountain, avoiding
the finest parts of the cañon.

The only possible way of doing justice to the scenery is to halt at the
little stations where poor villages have been planted at the opening of
lateral ravines, and thence follow the river by a footpath as far as it
will lead.

The ascent of the river by train is indeed one of the great curiosities
of the country, and it will be done generally in this way till the
authorities of the department undertake to drive a carriage-road up
the gorge. It is true that the villages are few, the population small,
and trade a negligible quantity at present. But the scenery and the
coolness of the mountain air, and the abundance of crystal water,
are drawing annually more and ever more from the sweltering plains
of Languedoc and the burning zone of Provence to this region for the
summer, and it is accordingly to be regretted that they are debarred by
lack of roadway from exploring what is the most magnificent feature of
the country.

I have described the cañon of the Ardèche; this of the Allier is also
a cañon, but they are as unlike as is a blonde beauty to one who is
dark. They are both superb, but in manner totally different. The Allier
runs through rough basalt and crystalline rocks; the Ardèche flows
between bluffs of limestone. The latter can be descended in a boat, the
Allier cannot. The Allier looks north—the colouring, the vegetation,
the climate are northern; the Ardèche in every one of these particulars
is southern. The Ardèche has cut its way through a level plateau; the
Allier flows between ranges of mountains. The cañon of the Ardèche is a
street; the defile of the Allier is a lane. We cannot seek the Ardèche
in the height of summer; it is just then when we would refresh in the
cool draughts and the blue shadows of the Allier.

The chasm of this latter river has been formed at the point of contact
of the lava with the granite. The volcanoes of Le Velay poured forth
their molten floods which beat against the granitic mass of the
Margeride, and the lava in cooling may have shrunk and cracked and so
allowed the river an opportunity of escaping into the plain. In places
it has cut through granite and schist. It had cut this channel before
the volcanic vents opened. What these latter did was to deposit what
they threw out in the trough of the Allier, and force that stream to
renew its work of excavation; in the latter part of its course the
ravine is cut through lava.

Langeac will serve as a starting-point for visits if the tourist be
not very particular as to accommodation. It does possess one passable
inn, and that is at some distance from the station in the town. The
place itself is of no great interest. It has manufactures, favoured
by the presence of coal-beds near at hand. The church, however, is
curious. It consists of a nave without aisles, but with chapels between
the buttresses, and with an apse, lined within with well-carved oak
stalls of the sixteenth century; once occupied at Mass by canons, now
by schoolboys. The tower is at the east end, and supports an octagonal
campanile.

From Langeac Chanteuges is easily reached. It clusters about a basaltic
hunch at the junction of the Dège with the Allier. The village creeps
up the side of the hill, the summit of which is occupied by a church
and the ruins of a priory. The original church was a fine example of
Romanesque, but is now a sad jumble of styles; every age as it passed
has left a trace on the building. The platform on which it stands is
ascended by a zigzag path; basaltic prisms, range above range, form the
mass of the rock.

The main entrance to the old priory is on the north, and was defended
by a tower. On one of the blocks at the top of the wall may be read the
date 1115. The monks had evidently converted their habitation into a
fortress, and it was precisely this that led to their suppression and
the dispersion of the fraternity.

One Iter de Maudulf, a knight who had led a lawless life, felt a twinge
of compunction, and resolved on quitting the world and embracing a life
of religion. Accordingly he assumed the cowl in Chanteuges. But the
old Adam was not dead in him. _Cucullus non facit monachum._ The choir
offices proved tedious, the meagre fare unacceptable, and the wine
was vinegar. His temper gave way, and with it his good resolutions.
He became restive. In the refectory he talked to the other monks of
the good old days when he roistered and roved over the country; ate
and drank and did wild deeds of devilry. They listened; their mouths
watered, and their fingers itched. Eventually Maudulf succeeded in
corrupting the whole fraternity. The monks abandoned their reading and
psalmody to fortify the height. Every night a diabolical horde issued
from the gate of the monastery, clothed in mail armour under their
serge habits. They swept the country, levied blackmail on the farmers,
stopped and robbed merchants, and plundered the pilgrims bound for the
shrine of Our Lady of Le Puy. In the dead of night they forced their
way into convents, and romped and revelled with the nuns, or else
carried off comely peasants' daughters _en croupe_ to their stronghold
at Chanteuges.

Of all the confraternity, the abbot alone kept his head; but his
objurgations were disregarded, his authority was flouted. In despair he
appealed to the Bishop of Clermont, who at once visited the monastery,
but took the precaution of doing so at the head of a body of armed
men. "I saw," said he, "the abbey in the most deplorable condition.
The buildings were in ruins, the sanctuary was despoiled, the church
converted into a fortress, no one serving God, the holy habitation
transformed into a den of thieves and murderers."

Accordingly the monastery was suppressed, the monks dispersed among
other houses, and the abbey converted into a priory under the rule and
supervision of Chaisedieu. To the present day the belief prevails among
the peasantry that in winter, at night, when a storm rages and the snow
is driving, a black cavalcade issues from the gate, with cowls drawn
over grinning skulls, and with serge habits flapping in the wind, that
it sweeps over the plateau till cock-crow, when it returns through the
portal and vanishes.

East of the church is a little chapel of flamboyant character with
richly sculptured doorway, surmounted by a representation of the
Assumption. It is the sole specimen of this style in the department. At
the Revolution it was converted into a haystore.

The fête at Chanteuges is on Whitsun Day, and has a peculiar
observance. It begins in the Pré du Fou. This field may not be mown
till after Pentecost. A beggar is induced to hide in the long grass.
The youths of the parish, wearing hats decked with cock's feathers,
march to the field in two files led by fifes and drums and preceded by
a banner. The procession circles thrice about the field, and some of
the young men detach themselves from it and beat it in search of the
beggar. If they do not find him at once, others come to their aid. When
the _fou_ has been discovered, he is grasped by the legs, thrown on his
back, and spun round once by each of the youths forming the procession.
Then a pistol is discharged, the procession reforms, and the train
mounts to the church, taking the poor fool along with it. There he is
again thrown down and undergoes the same process of spinning. After
this he is indemnified by a few coppers from each of the spinners,
and every seller of cakes and buns who has a stall there is bound to
supply him with sufficient food to satisfy his maw. The spinning over,
the young men enter the church for Mass. At Chanteuges the festival
of Pentecost is devoted partly to God, partly to dancing, partly to
drinking. God is often forgotten, dancing sometimes, the bottle never.

Opposite Chanteuges is S. Arcons, where the Fioule flows into the
Allier. It rises among the pine-clad heights of Fix S. Genys, and
receives the stream that issues from the Lake of Limagne, a volcanic
basin like that of Bourget, but not of like regularity of outline.

Above Langeac is the land of the Lafayettes. They were great seigneurs
in the Middle Ages. They derive from Gilbert Motier, lord of Lafayette,
who was one of the great captains that drove the English out of France.
He died in 1463, and was grandson of a Gilbert who fell on the field of
Poitiers, 1356, also with his face set against the English. So Marie
Jean Paul, the famous marquess, fought the English on the side of the
Americans, 1777-1785. The Marquess was born at Chavagnac, 1757, on the
tableland about the junction of lines at S. Georges d'Aurac. The castle
was built in 1701.

From Langeac one can explore the granitic Margeride, peopled by a
race distinct from the Cevenols. They are pale, often fair-headed and
blue-eyed, grave, dignified, and intensely conservative. They are and
ever have been sturdy Catholics, have never been shaken, even ruffled,
by the shock to faith given by Calvin and his followers. Whereas a
Cevenol is ready at all times for a prophecy, a revelation, a new
doctrine, the upset of one that is old, taking up what is fresh with
fanaticism, and then letting it drop and lapsing into indifference,
the man of the Margeride remains as constant, as unmoved as his own
rocky mountains. The Margeride, "as seen from the Pec Finiels, is a
long black line drawn against the sky of central France, a wall without
battlements, without towers, without a keep." It is in reality a long
series of successive undulating plains high uplifted, covered with
forests of oaks, beech and pines, or else with pastures on which feed
during the summer the sheep of Basse Languedoc and the oxen of the
Camargue. It is composed of granite, and its loftiest points reach
only 4,650 feet. A visitor will probably content himself with an
expedition to Sauges, that lies in scenery called the Switzerland of
the Margeride. The rich green swath, the dark pine-woods, the abundance
of crystal rills contrast with the bare lava plain and mountain cones
of Le Velay.

The Sauge stream falls in cascade over a <DW18> of trap that has been
forced through a rent in the granite, near the farm of Luchadou,
built on and out of the ruins of a castle. There a phantom horse,
magnificently caparisoned, is said to be seen grazing. It neighs when
it sees children approach, and invites them to mount its back, which
will lengthen conveniently to accommodate as many as desire to have a
ride. When the horse has received a full complement, it dashes into
the river, and buck-jumps till it has flung all the riders against the
rocks or into the pools.

One day when a couple of dozen children were on its back, as the
steed was galloping towards the stream one little boy sang out
"Gloria Patri," etc., whereby he was able to master the "Drac" and
make it gallop round and round the field till exhausted, when it let
the children descend unmolested. This is none other than the Irish
Pooka. The celebrated fall of the Liffey, near Ballymore Eustace, is
named Pool-a-Phooka, and precisely the same story is told there of
a phantom horse as here at Sauges. The same also in North Wales of
the Ceffyl-y-Dwyr, the water-horse of Marchlyn. Can this myth have
originated and been told by the Celtic race before its separation into
several branches? I can see no other explanation of the puzzle.

The church at Sauges has an early and remarkable belfry. An immense
arch, richly moulded, admits to a porch. Above this is a still larger
relieving arch to sustain the octagonal tower that is on two stages.
Granite and black basalt are employed in bands and in the arches of the
windows, two-light in the tower story, single in that above, and the
whole is capped by a dwarf spire.

Near Sauges is the Tour de la Clauze, erected on a protuberant mass
of granite fissured into blocks. The rest of the castle is completely
ruined. But that which is most curious at Sauges is a monumental
structure composed of a cubical base, on which stand four pillars
supporting arches and a vault with groined ribs. This goes by the name
of the Tombeau du Général Anglais, and is supposed to have been set
up in honour of a Captain MacHarren, who commanded one of the mixed
companies of English and Gascons that held the land or harried it for
the English Crown nominally, actually for themselves. This MacHarren
was probably one of the English garrison that held Sauges till 1360,
when they were driven out by the Viscount Polignac.

La Voute-Chilhac down the river stands on a peninsula between the
Allier and the Avesne that here debouches into it. It possesses a
church of the fifteenth century that has taken the place of one erected
by S. Odilo of Cluny in 1075. The original door-valves remain, but
injured by cutting to make them fit the ogee portal. In the midst it
bears the inscription:—

    "Hic tibi rex regum hoc condidit Odilo templum
    Agminibus superis quem miscuit arbiter orbis."

There were other inscriptions, but they have been mutilated. Chilhac
stands on a rock composed in the lower portion of beautiful prismatic
columnar basalt, capped with an amorphous flow. It is curious how sharp
the line of demarcation is between the two beds. The situation is
pretty, the church Romanesque.

The course of the Allier above Langeac presents many faces like organ
fronts of basalt; in places the pillars form a _pavé de géants_. The
prisms are employed along the roads to mark distances, and might easily
be supposed to have been specially cut for the purpose. But all lava
does not crystallise into prisms; under pressure it does. When not
squeezed by superincumbent beds it is cinderous. But there is another
form it assumes, that of phonolith or clinkstone, flakes that can be
cut like slates and divided into laminæ. As slates they are employed
extensively in Velay. But why the ejected lava should form films here
and prismatic pillars there, I do not comprehend.

At Monistrol d'Allier the Ance du Sud comes in from the Margeride after
traversing a picturesque gorge. Here may be studied a fine basaltic
face, called Escluzels. There are grottoes in the neighbourhood
excavated in the tufa by the hand of man, but when is not known. A
chapel dedicated to the Magdalen has been scooped out of the rock, but
given a frontage of wall, and is an object of pilgrimage on the Sunday
following July 22nd, when and where may be seen some of the costumes of
the neighbourhood not yet wholly discarded.

On the opposite bank of the Allier is S. Privat, where the stream of
Bouchoure comes down writhing between high precipices. The tower of
Rochegude occupies the summit of a peak 1,500 feet high, commanding
the river and the roads. In 1865 a discovery was made at S. Privat
of a cache of a Roman oculist of the third century. Along with his
little store of coins lay his delicate instruments, and a cube as well,
bearing on each face the name of one of the medicaments employed by
him, and the cube used probably by him for sealing up his packets.
The man seems to have known his business, or at all events of having
both instruments and remedies not by any means barbarous. On reaching
Alleyras the valley opens into a basin. Above the little town shoots up
a mass of rock looking like a gigantic thumb as we approach from the
north, but changing form as Alleyras is passed. It is actually a huge
slab of rock that is detached from the mountain by a wide fissure.

The basin of Alleyras was once a lake, where the river paused to
rest before it renewed its efforts to break a way through the lava.
From this point upwards the scenery is less savage and gloomy. At
Chapeauroux the railway describes a great curve, and pursues its way
through tunnel and over viaduct till it draws up at Langogne, a busy
little town of the Gévaudan, of some commercial importance. A monastery
was founded here in 998 by Stephen Count of the Gévaudan, and Silvester
II. presented to it the relics of SS. Gervasius and Protasius, and
further conferred on the town the more than doubtful privilege of being
out of episcopal jurisdiction, to be looked after or let alone by the
Holy See only. The place suffered severely in the Hundred Years War,
and again and worse even in those of religion. From 1562 for nearly a
century and a half the Gévaudan was devastated turn and turn about by
Protestants and Catholics, and Langogne passed from the hands of one
party to those of the other. In 1568 the Huguenots sacked the town and
set fire to the church and monastery.

The church comprises a nave and side aisles, and is substantially
in the Romanesque style, but with many alterations. There are three
arcades resting on piers with engaged columns in granite, with capitals
carved to represent fruit, acanthus leaves, and the seven deadly
sins. A pretty flamboyant doorway replaces the western porch, which
had been destroyed. Over it is a window in the same style. On the
right of the entrance a doorway, that seems to give access only to a
passage, communicates with a chapel below the soil, dimly lighted, and
containing an image of N. D. de tout Pouvoir, supposed to have been
given by Agelmodis, the widow of the founder of church and monastery.
It was accorded a crown in 1900 by the Pope, and the anniversary of
this ceremony, July 29th, is kept as a fête at Langogne. But the great
festival in the town is on the Sunday following June 19th, when is
the _vogue_, in honour of the two patrons, Gervasius and Protasius.
On that occasion cars are drawn through the streets bearing groups of
allegorical figures; but the special sport of the day is the "chute
d'eau." A species of gallows is erected in the main street, with a
vessel full of water balanced in the middle. The young men vie with one
another as to who by throwing a stick can upset the vessel, and then
dash under it so speedily as not to be splashed by the falling water.
He who succeeds receives a prize.

Langogne is becoming annually more and more a summer resort. The
Languiron here flows into the Allier; it does not fill its bed, which
is the receptacle for the refuse from the abattoir and the town, and
the odours arising from these dejections infect the otherwise pure
mountain air.

It is doubtless excellent in principle that every man should be able
to dwell under his own fig tree and inhabit his own house; but this
has its drawbacks. The theory may be sound, yet the results other than
those anticipated. In England, where most householders are tenants,
if a slate be blown off the landlord is applied to. If the putty be
cracked that retains a window-pane, the landlord must see to it less
the glass fall out. If the plaster scales off in one patch the size
of a leaf, the landlord must replaster the whole face of the house.
If the rats have gnawed through the floor, "Please, squire, have
the boards relaid lest my child puts its leg through." If the well
be contaminated, he is called upon to clear it, under the threat of
complaint to the Local Government Board. But in France, where every man
owns his own habitation, the habitations are allowed to fall into a
ragged and measly condition. If a slate be carried away, the _patron_
tells his wife to put a basin where it can catch the drip whenever it
rains. If the putty falls from the glass, the pane is retained by the
gummed border of postage stamps, renewed when necessary. If the rats
have eaten through the floor, the child must learn to avoid the hole;
it affords a useful lesson in circumspection. If the plaster peals
away in masses from the front of the house, "Shall I squander money in
titivating it?" asks the owner. "My relatives would consign me to an
asylum as incapable of managing my affairs." And as for the well, M. le
propriétaire says to himself, "_I_ never drink water, only wine. If
some of my children get diphtheria, it will leave more money for those
who survive."

This it is that gives to so many of the towns and nearly every village
in France a palsied, neglected look, as if the houses had lost their
self-respect, like a man who has gone down in the world and sunk to be
a tramp.

Pradelles is four miles from Langogne, built in an amphitheatre on the
flanks of the mountains of Le Velay, surrounded by rich meadows, from
which it derives its name (_pratellæ_). The many Prades that occur in
the south are all so called from the pratæ that spread about them.
In 1588 Chambaud, at the head of a large body of Huguenots, besieged
the town. As it had but a scanty garrison, he shouted to those on the
walls, "Ville prise, ville gagnée!" To which a young woman called
back, "Pa'ncaro!" (not yet) and flung a great stone at him which broke
in his skull. This act of heroism saved Pradelles from being sacked
and its citizens from massacre. The memory of that woman, Jeanne de
Verdette, is still green there, and in 1888 the third centenary of the
deliverance was commemorated at Pradelles.

At Naussac, in the opposite direction, on a granite tableland that
goes by the name of the Kidney of Lozère, is an ancient house with a
tower that formed a portion of the château of Mgr. de Belsunce, the
brave Bishop of Marseilles, who was so devoted in his attentions to the
plague-stricken in the terrible pestilence of 1720, which carried off
forty thousand of its population. S. Alban-en-Montagne is four miles
from Langonne in the department of Ardèche. It lies high—3,565 feet.
On the face of an enormous basaltic rock is a remarkable cave divided
into several chambers, and large enough to contain all the villagers.
It was employed as a place of refuge during the wars of feudal times,
and again in those of religion. Access to it is not easy. As the
railway reaches the watershed, barricades on both sides protect it from
snow-drifts. Luc is passed, having an old castle on a rock, the donjon
braced to sustain a colossal statue of the Virgin. Then the train halts
at La Bastide, where is a branch line to Mende.

The Trappist monks have an establishment near this on these bleak
heights. Their buildings are tasteless. Hitherto the monks have been
left unmolested by Government, due possibly to the fact that they
receive and examine the silkworm moths that have laid their eggs,
sent to them from great distances round, to examine if they are free
from the disease that so fatally threatened the silk industry in the
Cévennes.

The breaking out of this complaint caused consternation some years
ago, and M. Pasteur was sent down to investigate it. He found that no
remedial efforts availed, and that the sole way of getting rid of the
disorder was to stamp it out. Accordingly every moth after it has laid
its eggs is enclosed along with the seed that has been deposited in a
muslin bag and sent to be inspected. Each bag is numbered and ticketed
with the name of the sender. The body of the moth is pounded up and
submitted to examination under a powerful microscope, and this reveals
the presence of the germs of _fibrine_ if they exist. Should these be
detected, the eggs of that particular moth are destroyed by fire.

In addition to this service rendered by the Trappists, they have shown
the peasantry of the High Cévennes how to improve the quality of the
land by the use of lime and artificial manures, and they have also
improved the breed of the sheep and cattle.

But these are side products of monachism, and they are benefits that
might just as well be rendered by laymen; and, in fact, the examination
of the silkworm moths is carried out in laboratories established for
the purpose in some of the large towns of Languedoc.

The Trappist Order is the severest of all. The members are condemned
never to speak, never to eat meat or fish, are denied even butter and
oil. They have but two meals a day, and these of vegetables only. They
never take off their garments to wash or to sleep, and do not wear
linen. They go to bed at 8 p.m. in the summer, at 7 p.m. in winter, and
rise at 2 a.m., but have no meal of any sort till midday. Every day
part of their duty is to dig a portion of their future grave.

In Quarles' _Hieroglyphics of the Life of Man_, published in 1635, is
an emblem of a dark lantern placed on a coffin and the sun in total
eclipse, and this is above a poem, of which I give two stanzas:—

    "Was it for this, the breath of Heav'n was blown
      Into the nostrils of this heavenly creature?
    Was it for this, that the sacred Three in One
      Conspired to make this quintessence of Nature?
          Did heav'nly Providence intend
          So rare a fabric for so poor an end?

    "Tell me, recluse monastre, can it be
      A disadvantage to thy beams to shine?
    A thousand tapers may gain light from thee:
      Is thy light less or worse for light'ning mine?
          If wanting light I stumble, shall
          Thy darkness not be guilty of my fall?"

[Illustration: PEASANTS OF THE CAUS]




CHAPTER XI

THE CAMISARDS

     The country of the Camisards—Revocation of the Edict of
     Nantes—Shepherdess and angel—Corbière—Gabriel Astier—Excitement in
     the Boutières—Expectations of help from England—Prophecies—Murder
     of Tirbon—Prophetic gifts at Porchères—Attack of Cheilaret—What
     the prophetic gift really was—Isabeau Charras—Vivens—Battle of
     Florac—Assassinations—Correspondence with Schomberg—Capture
     of Vivens—Peace of Ryswick—Second outbreak of prophetic
     ecstasies—Children prophets—Cruelties—Break-up of
     meetings—Massacre of Creux de Vaie—Durand Fage—The Abbé du
     Chayla—Séguier—Pont de Montvert—Fresh murders—Séguier taken and
     burnt—Catinat—Murder of Saint Cômes—Laporte—Roland—Additional
     murders—Battle of Ste. Croix—Four degrees of inspiration—The
     prophet Clary passes through fire—Fight at Mas de Gaffard—Death
     of Captain Poul—Moussac—Jean Cavalier—Defeat of Du Roure—Rout
     of Camisards—Flight of Cavalier—Massacre of Chamborigaud—La
     Tour de Belot—Battle of Ste. Chatte—Marshal Villars—Change of
     tactics—Submission of Cavalier—Cessation of prophecy—What produced
     the prophetic exaltation.


We are now drawing near to the country of the Camisards, and I must
give a brief sketch of the rise of the movement due to prophets and
prophetesses, its culmination in revolt, and its suppression.

The Edict of Nantes had been revoked; shoals of Huguenots had left
France, where the exercise of their religion was no longer tolerated;
the temples had been levelled with the dust, the pastors arrested,
imprisoned, and executed. Those who escaped to Geneva or Holland
exhorted such of their flock as remained to continue steadfast to
their convictions and to their prejudices. In the spring of 1668, near
Castres, a shepherdess, aged ten, had a vision of an angel, who forbade
her to attend Mass. The news spread everywhere, and crowds went to see
the girl and hear her narrative from her own lips. This was the first
manifestation, but it was not till twenty years had elapsed that such
became common. A preacher, Corbière, from the same district, by some
trickery caused two angels armed with sticks to enter the assembly
where he was haranguing and to well thrash and expel such as had
attended Mass. The intendant of the province sent his agents to take
him. Corbière was surprised whilst holding a meeting in a wood. He drew
a circle about him with a stick, and thundered, "Get thee behind me,
Satan!" The dragoons hesitated, but the commandant shot him through the
head.

Now appeared in Dauphiné la belle Isabeau, a shepherdess of about
seventeen, who went into trances and preached and prophesied when in
them. When she emerged from one of these ecstasies she remembered
nothing about what she had said and done when in it. Usually to
prophesy she lay on a bed, and this was the position almost always
adopted by the prophets and prophetesses who succeeded her.

She was arrested and imprisoned, but treated with the utmost kindness,
well fed, and visited daily by good charitable ladies. Under this
influence, and when well nourished, her fits became fewer, and finally
totally left her. Then she married a lusty young peasant, and ceased to
be of consequence in the movement.

Meanwhile a pastor, Jurieu, from the place of his exile, Rotterdam, had
proclaimed himself to be inspired. He had a medal struck with "Jurius
Propheta" on it, and largely circulated in the Cévennes. Moreover, he
printed his prophecies in 1686, and they passed from hand to hand. In
them he announced that the Papacy would fall in the year 1690, and that
the Reformation would be established throughout France.

But the spirit was not quenched when la belle Isabeau gave up
prophesying. It broke out in a peasant of twenty-two named Gabriel
Astier, of Clieu. His first solicitude was to communicate the spirit
to his father, his mother, and his sisters; then he inoculated his
neighbours and all the inhabitants of his village. Finding himself
an object of pursuit by the police, he escaped over the Rhône into
the Vivarais, and, followed by a troup of prophets and prophetesses,
he went through the Boutières. His words propagated the agitation;
men, women, and children went into fits and preached and announced
the future. The epidemic passed through the country with the rapidity
of a fire driven by the wind. No preacher, even at the time when the
inspiration was at its height, possessed the power over crowds that
Astier exercised.

Vast multitudes attended his assemblies in the mountains, and the
meetings were always held in places which commanded a view of the
country round, so that they might be dispersed in the event of the
dragoons being seen to approach. Often the wandering multitude remained
for many days away from their homes, feeding on apples and chestnuts.
Nothing like it had been seen since John the Baptist drew crowds to the
banks of the Jordan, or the Son of Man had preached in the wilderness
of Judea.

The theme of the preacher was always the same: "Repent; do penance
for having attended Mass." And the thrilled congregation fell on the
ground, screaming out, "Pardon, Lord, O pardon!"

At this very time it was that the Revolution occurred in England, when
James II. fled and the nation summoned William of Orange to the throne.
William, it must be remembered, drew his title from the Principality of
Orange, which he held, and this adjoined Dauphiné, where the prophetic
afflatus had first been felt. It was concluded as certain that William
would come to the aid of his afflicted co-religionists. Astier was
so confident, that he ventured to predict the day on which William
would arrive at the head of an army of a hundred thousand men, led by
an exterminating angel. Then all the levelled temples would sprout
up, built without hands, and the Catholic churches which had replaced
them would go off in a puff of smoke. A star would fall from heaven on
Babylon and consume the papal chair. He assured his hearers that God
had made them invulnerable, so that neither sword nor ball could hurt
them. Another prophet, named Palette, made the same assurances to the
Calvinists, and as he and his congregation came upon a Captain Tirbon
with his soldiers, they rushed on them, flinging stones, and killed the
captain and nine of his soldiers, but not till some of the elect had
fallen.

This event alarmed Colonel Folleville, in command of the troops in the
province.

M. de Broglie, brother-in-law of Bâville, intendant of Languedoc,
went to Porchères where he heard that a religious assembly was to be
held. In this hamlet lived a poor old man named Paul Béraut, who had
for long resisted the Spirit; but one day he heard his children tell
of the marvels that took place in the assemblies, and all at once a
convulsion shook him; he jumped up in bed, pulled down the canopy of
the four-poster and flung it into the middle of the room, uttering
incoherent words. This sublime victory of the Spirit over their father
filled his children with joy. They ran through the village, entering
every house, saying, "Come and see our father who has received the
Spirit, and is prophesying!" The old man was in wild excitement when
M. de Broglie arrived in the village. Béraut and his eldest daughter
Sarah, at the head of all those who had been listening to his prophetic
utterances, rushed on de Broglie and his troop, throwing stones. The
soldiers retaliated, the new-made prophet and a dozen others were
killed, and Sarah was taken prisoner.

Folleville, learning that Gabriel Astier was holding an assembly on the
height of Cheilaret, surrounded the mountain. As soon as the dragoons
were seen, Astier harangued the faithful: "Children of God, be without
fear. I promise you that your bodies will be as adamant against ball
and sabre. The angels of the Lord will fight for us."

Before attacking, Folleville sent the provost of his regiment to urge
the fanatics to disperse and return to their duty. He was met with
shouts of "Tartara! Get thee behind me, Satan!" The cry of Tartara
was supposed to have the power to paralyse the enemy. Then one of the
Calvinists rushed upon the provost and pelted him with stones, so that
he was forced to fly. Folleville, reluctant to proceed to extremities,
sent another parliamentary to the crowd; he was received with a volley
of stones. The fanatics could be seen breathing on one another to
communicate the gift of the Spirit to all. Then they marched in a
solid body against the soldiers, shouting Tartara! Some were armed with
guns, most carried large stones. They fought valiantly, but their ranks
were broken; three hundred were left dead on the field, fifty who were
wounded were taken to Privas, and those who recovered were hung.

The prophetic inspiration was really nothing more than an epidemic
malady, such as is found among the North American Indians, the
tribes in Siberia, and such as broke out among the early Quakers
and Wesleyans. It is a nervous disorder, as natural as chicken-pox,
though not so common. Roman Catholic nuns have it, so had the pagan
prophetesses of old.

Some Calvinist women professed to have received the gift of shedding
tears of blood, and showed the crimson streaks washing their cheeks.
This was by no means necessarily a fraud. Roman Catholic ecstatics have
had the same, and the stigmata as well.

Fléchier, a contemporary, thus describes the ecstasy of Isabeau
Charras, one of the principal prophetesses, and not to be confounded
with la belle Isabeau. He gives it from the relation of an ecclesiastic
who with some friends entered her cottage to see what really took place.

     "Ils furent surpris du spectacle qui s'offrit à leurs yeux.
     La prophétesse était couchée à la renverse dans une cuisine,
     les jambes nues et l'estomac tout à fait découvert. Tous les
     assistants, à genoux autour d'elle, étaient attentifs à ces
     pieuses nudités. Le prêtre voulut faire quelque remontrance à la
     fille, mais la mère indignée lui dit: 'Quoi! malheureux que tu
     êtes, vous ne respectez pas ma fille qui a le Saint Esprit dans
     l'estomac!'"

Gabriel Astier was finally taken and broken on the wheel in 1690.

François Vivens was a wool-comber of Valleraux, a small man and lame,
but with a robust and indefatigable body. He had gone to Holland, but,
on the accession of William to the English throne, felt so confident
that the Prince of Orange would bring all the power of his kingdom to
assist the Calvinists of Languedoc, that he returned thither. When he
arrived in the Cévennes he found the people agitated by the spirit of
prophecy. He was the first to organise rebellion. He exhorted to it,
and collected arms, manufactured powder, and cast bullets. He soon had
four hundred men under arms, and he met Bâville and de Broglie near
Florac at the head of a considerable body. A fight ensued. Vivens was
obliged to fly and hide in a wood; he lost three men killed, and some
prisoners, who were hung next day.

Bâville executed several persons charged with having given him
shelter. To revenge this Vivens, with his own hand, killed the curé of
Conguérac, and had the priest of S. Marcel and the vicaire stabbed and
four officers assassinated, either in their houses or on the roads.
"This Cevenol," says Peyrat in his _Histoire des Pasteurs du Desert_,
"had in his soul something of the Tishbite who had four hundred and
fifty of the prophets of Baal slain by the brook of Carmel."

Whilst Vivens was ordering these bloody reprisals he was carrying on
a correspondence with Schomberg, late Marshal of France, who was at
this time in Savoy in command of a regiment of refugee Protestants.
He proposed to Schomberg a plan. He was to raise an army of several
thousands, make a sudden descent on Aigues-Mortes, march across
the plain, and join hands with the Cevenols. The correspondence was
intercepted, and Bâville, seeing he had to do with a dangerous man, put
a price on his head.

A preacher named Languedoc, a companion of Vivens, was arrested,
and made revelations—amongst others that Vivens had converted four
dragoons, who kept him informed of every movement of the royal troops.
These men were taken, and one betrayed where Vivens hid, in a cave. The
commandant of Alais with a body of soldiers went to the place, which
was not far off. The cavern was in a rock that had to be surmounted,
and descent to the cave was by a narrow path. Vivens, who was there
with two of his lieutenants, was only aware of his danger when the
enemy were close at hand. His first assailant, a sergeant, he shot as
he descended. Vivens had several guns loaded that were passed out to
him by his companions. He killed two more soldiers and wounded the
lieutenant, but was himself shot by a man who had succeeded in creeping
down in his rear. All but one of the pastors in the Cévennes, Pierre
Roman, had been captured and hung. The death of Vivens and the peace of
Ryswick deprived the Calvinists there of hope of assistance from the
Protestant powers, and resistance ceased. However, although all seemed
quiet, the authorities redoubled their measures of severity. Everywhere
new excesses of cruelty were committed by the governors of the
provinces, the judges and the provosts of the mounted police, against
poor creatures who desired only to be let alone to serve God according
to their dim lights.

     "In 1700," says Court, the historian of the Camisards, "the
     country groaned with the crowds languishing in prison and in
     irons. In April a chain of sixty-three were sent to the galleys,
     whose only crime was fidelity to and zeal for their religion, and
     among them were several fathers of families with grey heads."

The death of Charles II., King of Spain, at the close of 1700, roused
expectations of a new foreign war, into which England and Holland would
be drawn to take part with Austria against France. The news of the War
of Succession breaking out, spread through the provinces, and revived
the hopes of the Reformed; the spirit of prophecy that had languished
since the execution of Gabriel Astier burst forth again. At the end of
that year, 1700, an old maid who earned her livelihood by tailoring
in the villages on the Ardèche brought the prophetic gift into the
Cévennes. She communicated it to a number of young boys and girls, and
they in turn transmitted it to the population of the mountains. This
was done by wild gesticulation, loud invocation of the Spirit, and by
breathing into the mouths of those who were to be inspired. The winter
had not passed before the epidemic had spread with astounding rapidity,
and prophets prophesied by the thousands. Women and children were
especially liable to take the contagion. It was calculated that as many
as eight thousand children in the Cévennes preached and prophesied. The
Governor of Languedoc had a number of them arrested and put in prison,
and required the faculty of medicine at Montpellier to examine into the
nature of the phenomenon. The doctors observed, discussed, wrangled,
and produced an opinion that these children were _fanatics_. That was
the sum of what they had to say.

Bâville released the youngest of the children, but sent the rest
either to the galleys or to serve in the army. He announced that he
would hold the parents responsible for their offspring who prophesied,
and that they should be fined. Dragoons were quartered upon those
who could not cure their children or prevent them from taking this
epidemic. Things went so far that some parents denounced their own
children so as to shelter themselves from these violent measures. They
handed them over to the magistrates, and said, "There, take them, and
do with them what you will; cure them if you can."

But the spirit of prophecy did not remain with the children, it
communicated itself to their elders. Bâville had such arrested as he
could lay hold on and hung or sent them to the galleys.

But in spite of these cruelties, or rather in consequence of them, the
prophets multiplied more and more. The prospect of the gallows, the
wheel, or the galleys only served to fire their zeal to madness.

The number and importance of the assemblies increased, and the Governor
of Languedoc began to deal with hearers as he had with prophets. In
October, 1701, he sent a company to disperse one of these meetings near
Alais. Three of the audience, unable to escape in time, were broken on
the wheel. But the most atrocious of these executions was that of Creux
de Vaie, in the Vivarais. The massacre was so great that, beside the
bodies left on the field, a boat and two wagons were laden with the
wounded who were taken captive, and these were conveyed to Montpellier.
Among them was a prophet with his four sons. The prophet was hung, one
son died of his wounds in prison, three were sent to the galleys; and
his house was torn down. Thus, in one day, the wife was deprived of
husband, children, home, and substance.

Throughout the Cévennes spirits were stirred with expectation of a
great deliverance. A prophetess announced that the millennium was at
hand. A prophet declared that a ladder was about to be let down from
heaven.

In February, 1702, Durand Fage was at an assembly, carrying arms. The
prophetess Marguerite Bolle, aged twenty-three, fell into an ecstasy,
and announced that the sword of Durand would smite the enemies of the
truth hip and thigh. Later on the great prophets of the mountains,
Abraham Mazel, Solomon Couderc, and Pierre Séguier, received similar
revelations.

The Abbé du Chayla, arch-priest and inspector of missions in the
Cévennes, had a house in which he sometimes dwelt at Pont-de-Montvert.
He had been a missionary in China, and had there suffered martyrdom,
was left for dead, and brought back to life by the charity of a poor
Chinese. One Massys, a muleteer, was guiding a party of fugitives who
were escaping to Geneva, and on him, with his convoy, consisting mostly
of women dressed as men, Du Chayla laid his hands. He was a cruel man;
he plucked out the beards and eyebrows with pincers, he put live coals
into the hands of his victims and then forced them to clench their
fists. Sometimes he surrounded their fingers with cotton steeped in oil
and set fire to it.

On the Sunday following the capture of the convoy there was a gathering
of the Protestants in the woods of Altefage, on Mount Bougès, when
Séguier fell into ecstasy and prophesied. He was a wool-carder,
tall, black-faced, and toothless, but a man full of energy and
self-confidence. He declared that the Spirit announced that arms must
be taken, the prisoners at Pont-de-Montvert delivered, and the priest
of Moloch destroyed.

On July 24th, 1702, at half-past ten at night, were heard at
Pont-de-Montvert strains of distant psalmody drawing nearer and nearer;
it was Esprit Séguier, the terrible prophet, who was on his way with
fifty-three of his men, and as they marched they sang Marot's psalm—

    "Nous as-tu rejeté, Seigneur, sans espérance
        De ton sein paternel?
    N'apaiseras-tu pas, après tant de soufferances,
        Ton courroux éternel?
    Sion, qui dut avoir l'éclat et la durée
        Du céleste flambeau,
    Regarde, hélas! Seigneur, ta Sion adorée
        N'est qu'un vaste tombeau!"

Du Chayla heard the chant, and did not trouble himself much about it.
He went to the window and saw the assembled crowd. "Get away with you!"
he shouted; "dogs of Huguenots!"

But the door was burst in by a beam of wood driven against it, and the
house was invaded. The fanatics occupied the ground floor. Du Chayla
and his men held the staircase. "Children of God!" shouted the prophet,
"let us set fire to the house of Baal and burn it and its priest." The
flames spread. Du Chayla and his men lowered themselves into the garden
by means of knotted sheets; some escaped across the river under the
fire of the insurgents, but the Inspector of Missions fell and broke
his thigh, and could only crawl among some bushes. The Calvinists went
through the house shouting for his blood. Finding on the staircase a
priest who had not escaped, they murdered him. They hunted for their
arch-enemy, and at last, by the light of the flames, found him. To the
last he maintained his composure. "If I be damned," said he, "will you
damn yourselves also?" Séguier gave the order, and he was despatched,
in the _place_ of the little town to which they dragged him. According
to Brueys, Séguier fell into an ecstasy, and offered Du Chayla his life
if he would apostatise. The priest peremptorily refused. "Then die,"
said the prophet, and stabbed him. Then began a horrible scene. All the
insurgents one after another approached, and driving their weapons into
the bleeding body, reproached Du Chayla for some of the barbarities he
had committed. "This thrust," said one, "is for my father, whom you
caused to be executed on the wheel." "And this for my brother," said
another, "whom you sent to the galleys." "And this for my mother,"
exclaimed a third, as he ran his sword through the body, "who died of
grief." The body of the Abbé du Chayla received fifty-three stabs,
every one of which he had richly deserved. But the astounding thing in
the whole story is that he, a man who had suffered all but absolute
martyrdom for the Faith in China, should not have seen that barbarities
could not turn a soul from one conviction to another.

Séguier and his companions employed the remainder of the night in
prayer, kneeling around the corpses. They had murdered all found in the
house, except the prisoners whom they had released, one soldier and a
servant. When dawn broke they retired in good order, still singing, and
ascended the Tarn to Frugères. When the last notes of their psalmody
died away, two Capuchins who had managed to conceal themselves in a
cellar of one of the houses in the town, crept from their retreat
and carried off the body of Du Chayla to the church of S. Germain de
Colberte, for burial.

But during the funeral a cry was heard outside, "The insurgents are
coming! Frugères, S. Maurice, S. André de Lancize, have been given up
to fire and massacre!" At once all the assembled clergy fled for their
lives, and some did not stay their feet till they had found refuge
behind the walls of Alais.

However, the storm that threatened to break over S. Germain rolled away
to the west.

Séguier, whose name in the patois signifies The Mower, had assumed the
appellation of Esprit, as he deemed himself a channel through whom the
Holy Spirit spoke. He was subject to frequent ecstasies, and he had no
doubt but that it was due to direct inspiration that he was prompted
to the deeds of blood of which he was guilty. It is deserving of note
that when he or any of the prophets and prophetesses gave forth their
oracles it was never in their own names. They always spoke as if the
Holy Spirit were uttering commands through their mouths, as, "I, the
Spirit of God, command."

Whilst the funeral of Du Chayla was in progress, actually Séguier,
followed by a band of thirty men singing psalms, had entered Frugères
and shot the parish priest. They went on to S. Marcel, but thence the
vicaire had escaped. At S. André the curé, hearing of the approach of
the band, rang the alarm bell. Séguier's men pursued him, flung him out
of a belfry window, and then hacked him to death. The school-master
was also murdered and his body mutilated. Wherever he went Séguier
destroyed the crosses and every emblem of Catholicism. On the night
of the 29th July the band surrounded the Castle of Ladevèse, where was
a store of arms taken from the Protestants. When summoned to deliver
them up, the seigneur replied by a volley which killed two men. The
insurgents, furious at their loss, broke in and massacred all the
inhabitants of the château, not sparing even a mother aged eighty, or a
young girl who on her knees prayed for her life.

The authorities, in serious alarm, took immediate measures to repress
the insurrection, and gave the command of the troops to a Captain
Poul, who managed to capture Esprit Séguier, and The Mower was tried
at Florac and sentenced to have his hand cut off and then to be
burnt alive. On August 12th, 1702, Séguier underwent his sentence at
Pont-de-Montvert. Neither the blow of the axe nor the violence of the
flames could draw from him a cry or a groan. He shouted from his pyre,
"Brethren, await and hope in the Eternal One! Carmel that is desolate
will flourish; Lebanon that is left barren will blossom as a rose."

The command of the insurgents, who now were given the name of Camisards
by their enemies, but called themselves the Children of God, was
assumed by Laporte, an ironmonger. He was joined by Castanet, a
forester of the Aigoual, by Jean Cavalier, a baker's boy, and by
Abdias Morel, an old soldier, who went by the name of Catinat, on
account of his admiration for the general of that name; also by the two
arch-prophets, Abraham Mazel and Solomon Couderc. Many other prophets
and prophetesses joined the band, and excited it to undertake the most
daring enterprises.

The execution of Séguier was avenged on the following day. The band,
knowing that the Baron de Saint-Cômes, who was especially obnoxious
to them as a convert to the Church from Calvinism, was going in his
carriage to Calvisson, Catinat and six of his men laid an ambush for
him, stopped the carriage, blew out the brains of the baron, and
murdered his valet.

The insurrection spread rapidly. Laporte declared: "The God of Hosts
is with us! We will thunder forth the psalm of battle, and from the
Lozère to the sea all Israel will rise." His prediction was fulfilled;
the revolt extended from the mountains to the plain, even to the shores
of the Mediterranean. Laporte had sent his nephew Roland into lower
Languedoc to collect recruits. Circumstances favoured his project.
Executions had multiplied of persons merely suspected of having
attended the religious assemblies, so that the Calvinists alarmed fled
their homes and in great numbers joined the bands of insurgents. The
Camisards next caught and killed the secretary of Du Chayla, the prior
of S. Martin, and Jourdan, a militia captain who had shot Vivens. Panic
fell on the Catholics; fifteen churches were in flames, and great
numbers of the curés had fled.

On October 22nd, 1702, being a Sunday, Captain Poul and his corps, led
by a traitor, surprised Laporte on a hill at Ste. Croix with a body of
the faithful. Laporte had barely time to marshal his men for defence.
Unfortunately for him a heavy rain came on that disabled their guns;
only three could be fired. Poul, who saw the disadvantage, charged with
impetuosity. Laporte fell shot through the heart, but the Children of
God effected their retreat without disorder, having left nine of their
comrades dead on the field.

Roland, nephew of Laporte, now assumed the command. He had served
in the army under Catinat in the campaigns of the Alps, and had
consequently acquired military experience in mountainous country.
Roland was a middle-sized man with a robust constitution; he had a
broad face marked by small-pox, large grey eyes, flowing brown hair. He
was naturally grave, silent, imperious, and was aged twenty-five.

The Catholics in derision called him Count Roland, but he assumed
the title of General of the Children of God. It was not his military
experiences or capacity that gave the young chief the ascendancy over
his co-religionists, but his prophetic ecstasies. There were four
degrees of inspiration. The first was the Announcement, or Call; the
second was the Breathing. Those who had received the _breath_ were
highly regarded, but not considered capable of becoming leaders. The
third degree was Prophecy, and such as had this were regarded as
vehicles for the communication of the will of God. But the highest of
all was the Gift. Those who had received this could work miracles; they
disdained to prophesy, but were supposed to be exalted into personal
communication with God. Roland had passed through all these degrees.

There were now five legions of insurgents under their several captains,
but all subject to the supreme control of Roland. This remarkable man
now set to work to collect the material of war. He created magazines,
powder mills, arsenals, and even hospitals in the caverns that abound
in the Cévennes, notably in the limestone mountains. He also required
all his co-religionists to pay a tax in money or goods for the
maintenance of the army. He formed wind and water mills on heights
or by streams, and as the chestnut woods produced abundance of food
there was little fear of starvation. When the hosts were assembled
the prophets prophesied, and pointed out men here and there whom they
declared to be false brethren; these men were at once led aside and
summarily shot.

On one occasion a prophet, Clary, pointed out two traitors and demanded
their execution. Cavalier had them bound, but a good many of those
present murmured and expressed doubts. Clary, who was in a condition of
delirious elevation, cried out: "Oh, men of little faith! Do you doubt
my power? I will that ye light a great fire, and I say to thee, my son,
that I will carry thee unhurt through the flames." The people cried out
that they no longer needed the ordeal; they were satisfied, and the
traitors should be executed. But Clary, still a prey to his exaltation,
insisted, and a huge bonfire was made. An eye-witness, quoted in the
"Théâtre sacré des Cévennes," describes what follows:—

     "Clary wore a white smock, and he placed himself in the midst of
     the <DW19>s, standing upright and having his hands raised above
     his head. He was still agitated, and spoke by inspiration. Some
     told me that he himself set the pile on fire by merely touching
     it—a miracle I observed often, especially when one cried, _A sac!
     à sac!_ against the temples of Babylon. The wife of Clary and his
     father-in-law and sisters and his own relatives were there, his
     wife crying loudly. Clary did not leave the fire till the wood
     was completely consumed, and no more flames arose. The Spirit did
     not leave him all the while, for about a quarter of an hour. He
     spoke with convulsive movements of the breast and great sobs. M.
     Cavalier made prayer. I was one of the first to embrace Clary and
     examine his clothing and hair, which the flames had respected,
     even to having left no trace on them. His wife and kinsfolk were
     in raptures, and all the assembly praised and glorified God for
     the miracle. I saw and heard these things."

This seems precise and conclusive, but Court, in his account, gives
another colour to the story. He says:—

     "This incident made a great noise in the province; it was
     attested in its main features by a great many witnesses, but the
     information I obtained on the spot went to establish these three
     points:

     "1. Clary did not remain in the midst of the fire.

     "2. He dashed through it twice.

     "3. He was so badly burnt in the neck and arms that he was forced
     to be taken to Pierredou to have his wounds attended to. The
     Brigadier Montbonnoux, an intimate friend of Clary, and one who
     lived with him long after this event, confirmed all these three
     points, but nevertheless considered that he would have been more
     seriously injured but for miraculous intervention."

The condition of wild excitement in which the Calvinists were rendered
them incapable of calm observation, and led them involuntarily to
pervert facts and imagine miracles. It is curious, moreover, that
although the prophecies of the inspired were almost always belied by
the event, the insurgents never lost their confidence in these oracles
of God.

At this point it becomes necessary to devote a few words to Jean
Cavalier, the ablest commander of the Camisards. He was born at Ribaut,
near Anduze, was the son of a labourer, had been a swineherd and then
a baker's boy. He was short and stoutly built, had a big head, broad
shoulders, and the neck of a bull. His eyes were blue, his hair long
and fair. Sent as a boy to school, he was encouraged by his mother,
a venomous Calvinist, to oppose and hate everything that savoured of
Catholicism. Every evening, on his return from school, she sought
to undo all the doctrinal teaching that had been given him there.
His father, a Catholic, urged him to attend Mass; the boy refused.
The persecution to which the Huguenots were subjected led him to
quit the land at the age of sixteen, and he went to Geneva, where he
resumed his occupation as a baker. Meeting a Cevenol refugee in the
streets of Geneva, he was told that his mother had been imprisoned
at Aigues-Mortes, and his father, as suspected, at Carcassonne. He
determined to return to the Cévennes, and he crossed the frontier in
1702. He found that his father and mother had been released, she on
promising conformity. He at once dissuaded her from attending Mass, and
he succeeded equally with his father.

A few days later occurred the murder of the arch-priest Du Chayla, at
Pont-de-Montvert. Cavalier at once offered his hands to The Mower, and
he speedily gathered about him a body of followers, and they secured
arms by forcing the doors of the parsonage of S. Martin-de-Durfort,
where was a collection of weapons, but no injury was done to the prior
in charge there, who had taken no part in the persecution of the
Calvinists.

The area of insurrection extended through six dioceses, those of Mende,
Alais, Viviers, Uzès, Nîmes and Montpellier—in fact, over the present
departments of Lozère, Ardèche, Gard and Hérault.

In January, 1703, the Marshal de Broglie, with a considerable force of
dragoons and militia, went to Vaunage in quest of Cavalier, but could
not find him, for he, in fact, was then in Nîmes, disguised, purchasing
powder. De Broglie was on his way back when some dragoons, who were
reconnoitring, came to him to announce that a large body of Camisards
was assembled, with drums beating and singing psalms, at two farms
forming a hamlet called the Mas de Gaffard. He gave immediate orders
to Captain Poul, who was in command, to dislodge them. De Broglie
was in the centre, Poul on the right wing, and La Dourville, captain
of dragoons, on the left. When the insurgents saw the royal troops
approach they drew up, prepared for battle, in a situation naturally
adapted for defence. The insurgents received the first volley without
breaking formation; they replied by a musket discharge that disordered
the left wing and centre of the enemy. The militia were seized with
panic, and in turning to fly threw the dragoons into confusion. Poul
alone rushed forwards brandishing his sword, when a boy threw a stone
at him that brought him down from his saddle, and Catinat rushing
forward despatched him. Then seeing the royal troops in rout the
Camisards pursued, shouting "Voilà votre Poul (cock)! We have plucked
his feathers; stay to eat him."

Immediately after this success the Camisards marched to Roquecourbe,
near Nîmes, and on the way set fire to the church and village of Pouls
and massacred several of the inhabitants. Thence they directed their
attentions to Moussac, where was a garrison of militia commanded by M.
de Saint-Chattes. They took the place, and the whole detachment was
either slaughtered by them or were drowned in the endeavour to escape
across the Gardon.

Cavalier now departed at the head of eight hundred men to rouse the
Vivarais. The Count du Roure, at the head of the militia, attempted
to stop him; a desperate conflict ensued in the night. The Baron de
Largorce, wounded in the thigh, a very old man, fell from his horse. Du
Roure was forced to retreat with only sixty men. Five hundred corpses
of his men strewed the battlefield. Largorce was lying on the snow. He
was clubbed to death by Cavalier's men.

But this victory was a preliminary to a disaster. Cavalier was drawn
into an ambuscade by S. Julien, the new commander of the troops; he
lost two hundred of his men, was obliged to fly and hide himself, and
make his way back to his comrades in the Cévennes as best he might.

As the contest went on, each side became more cruel. Forests were set
on fire that were supposed to serve as hiding-places for the Camisards,
villages were burnt that were known to harbour them.

On their side the insurgents did not spare even the Protestant nobles
who hesitated about joining in the insurrection. In December, 1702,
the Camisards burnt the church of S. Jean de Ceyrargues, and taking
the curé they bound him hand and foot, and putting knives into the
children's hands, bade them stab him to death, encouraging them with
the words, "Dip your hands in the blood of the ungodly."

In January, 1703, Cavalier burnt the church and thirteen houses in S.
Jean de Marvejols, that belonged to Catholics, and massacred twenty of
these latter, among them four women and a child of two years old.

In February, 1703, at Robiac, the insurgents murdered seven persons,
among these a woman whom they dismembered alive because she refused to
abjure her religion.

On the 17th of the same month, in the same year, the band under Joany
entered Chamborigaud and committed atrocious acts. They tied three
children up in sacks and threw them into a furnace. A mother flying
with her five children was caught; her eldest son was stabbed with a
bayonet and his tongue torn out, the youngest had his eyes scooped
out, the third was dismembered; the mouth of the fourth was filled
with burning coals, and the fifth was brained with clubs. The mother
was then stabbed to death. The six victims were then put on a bed,
along with other inhabitants of the place, in one heap, and the whole
consumed by fire. Twenty-four victims perished. When Joany left, the
Catholics retaliated by destroying the houses of the Protestants, so
that only two houses remained standing, those of the Catholics having
been burnt by Joany. The two last were burnt by the fanatics on August
27th, 1703, and three more Catholics killed. Next year seven houses
that had been rebuilt or repaired were again set on fire and three
Catholic families slaughtered.

At S. Génies de Malgoire, Cavalier took the place in April, 1704, and
cut the whole garrison to pieces. He set fire to the church and the
houses of the Catholics, and burnt in them seven of the inhabitants and
the curé and vicaire.

At Ambais Sommière, on September 27th, 1703, the band of Cavalier
roasted a girl of three years old over a slow fire.

The war was degenerating into fiendish reprisals on one side as well
as the other. But the sad feature in this was that the victims in most
cases were not those who had been actively engaged in hostilities, but
inoffensive peasants.

Thirty-one parishes in the Cévennes, by order of the governor, were
destroyed, every house was required to be burnt, and three days only
were accorded to the inhabitants to retire with their cattle and their
substance.

It is unnecessary to relate all the engagements in which the Camisards
were either victorious or defeated by the royal troops. Cavalier and
Roland marked themselves out as the most able commanders, but Roland
was defeated at Pompignan, with the loss of three hundred men. A month
later, April, 1703, a body of the same number were surrounded in La
Tour de Belot; Cavalier, who was with them, escaped; the rest perished
by fire, the place catching from the hand grenades cast in.

The last and final victory gained by Cavalier was at Ste. Chatte at
the end of 1704, against the royal troops commanded by La Jonquière,
who was himself wounded. A whole regiment of six hundred soldiers and
twenty-five officers was swept away by the Camisards.

Montrevel, the governor after Bâville, had shown equal incapacity
and barbarity. He was now replaced by the Marshal Villars, who at
once inaugurated a different system in dealing with the insurgents.
He recognised that the cruelties committed had exasperated the evil.
He announced that he was come to pacify spirits, not to outrage
consciences; all he desired was to bring those who were in revolt into
allegiance to the King. He was ready to accept the submission of the
Camisard leaders, to grant them commissions in the army, and to let the
past be forgotten. Cavalier received a pension and retired, first to
Holland and then to England. The revolt lingered on, the most fanatical
refusing all compromise; but gradually opposition died away, prophecy
ceased—prophecy that had always proved false and had led to terrible
disaster. And very many years had not passed before dead indifference
had settled down over a people that had gone mad with zeal.

When we come to look at what was the creed and what the moral code of
these Cevenols, we are not surprised at this collapse of faith. They
had but one article of belief—conviction that they themselves were
the infallible oracles of the Holy Ghost. They had but one duty—to
overthrow and root out whatever pertained to Catholic faith and
worship. They recognised but one sin—attendance at Mass.

Their fanaticism was the natural and irresistible outcome of the cruel
persecution to which they were subjected. Their prophetic trances,
revelations, visions, ecstasies were due to nervous and cerebral
exaltation caused by lack of wholesome nourishment. Had they been
treated as was la belle Isabeau at the first, inspiration, as they
considered it, would have ceased. Cavalier, with tears in his eyes,
when well nourished on English beef and ale, lamented that the spirit
of prophecy had left him.

And finally, what was gained to the Church of Rome by these forcible
conversions and these butcheries? Ferdinand Fabre well says:—

     "No land bears so deeply impressed on it the scars of battles
     fought for liberty of conscience as does our Cevenol country.
     Nowhere else in the world were fire and sword employed with
     more savagery to conquer the human being to God, and nowhere
     has it succeeded worse. It is the chastisement of all criminal
     enterprises to lead to ends the reverse of those aimed at. Our
     mountaineers have remained what the Romans found them—energetic,
     sober, satirical. Certainly we have no end of processions;
     corporations and pious congregations abound. But it is a
     remarkable fact, that these gatherings of the faithful lack that
     gravity which a religious character should impress upon them.
     There is prayer, perhaps, but most assuredly there is diversion as
     well."

Cavalier in England was made a great deal of; he was fêted as a hero,
received into the best society, and died Governor of Jersey in receipt
of a handsome income; which he certainly did not deserve, as he had
shown himself atrociously cruel, not to priests only, but to harmless
peasant men and women, whose only crime consisted in adherence to the
faith of their fathers.




CHAPTER XII

ALAIS

     Descent from La Bastide—Viaduct of the Luech—Coal-beds—The
     town of Alais—Rochebelle—Ancient oppidum—Hermitage—The last
     hermit—Sidonius Apollinaris—The Citadel—Family quarrels—The
     Cambis family—A ghost story—Making polemical use of a
     ghost—Huguenots take Alais—Murders—The Bishopric—The
     Cathedral—Silk culture—Introduction of the mulberry and the worm
     to Europe—Silk husbandry in France—Favoured by Henry IV.—Olivier
     de Serre—Colbert—The Magnanerie—Silk-weaving introduced into
     England—A disaster that proved a blessing—Transformations of the
     caterpillar—Florian—The faults of an Englishman.


When the train, after quitting La Bastide, has passed through a tunnel
at the highest point of the pass, you rush out of a northern clime,
with northern vegetation, into a climate with tree, shrub, and flower
wholly southern. The Allier and its tributaries were making full gallop
for the Atlantic; you see at once torrents racing down gorges to fling
themselves into the Mediterranean in which no Greenland icebergs ever
float to chill alike the currents and the air. Gulfs open beside the
line clothed in chestnuts, mulberries, almonds, vines; oleanders
appear, and the kermes oak with its varnished leaves covering the
<DW72>s.

The line does not descend the first valley entered, but bores its way
through spur after spur of the mountain chain till it reaches the
furrow through which flows the Gardon d'Alais. Génolhac is passed,
that suffered cruelly from Catholic and Camisard alike, whence
Pont-de-Montvert may be visited, and the house seen where lived the
Abbé du Chayla.

A magnificent curved viaduct crosses the basin of the Luech, carried
on two stages of arcades 180 feet above the river to Chamborigaud,
the tragic story of which has been told in the preceding chapter. The
line traverses the masses of a rock and earth slide from the Montagne
du Gouffre, and enters a region of coal-beds. The coal seams can be
seen between sandstone in the cuttings for the line. On the right is
the donjon of La Tour commanding the abbey of Cendras, burnt by the
Camisards, then gorges and smoking cinder heaps, and we arrive at
Alais, a neat, pleasant, cheerful town, once the seat of a bishop,
situated in a loop formed by the Gardon, with the lofty rock of
Rochebelle opposite on the further side of the river. This height was
the site of the primitive oppidum of Alesia, or Alestia. The cyclopean
walls remain in places fairly perfect, and the enclosure can be traced
throughout. Alais never was a Roman city; it was, however, probably
a place where the iron mines were worked. A hermitage was there till
the Revolution. When the plague raged in Alais in 1721, a Carmelite,
Esprit Boyer, worked indefatigably among the sick, and on its cessation
obtained leave to retire to this hermitage, where he planted a garden
and reared a chapel. On his death another hermit took his place, and
he assumed the honoured name of Esprit, but as he was a drunkard he
was nicknamed Esprit de Vin. He ran away, carrying with him the chapel
bell, but was caught and ordered to return to his hermitage. In 1793
he was denounced as suspect, and some individuals were sent up the
height to arrest him. He refused to open to them, and threw stones at
their heads and threatened to shoot the first man who entered. They,
however, stove in the door with a pole, whereupon Esprit escaped out of
a window, but in trying to crawl away unseen fell over the rocks and
broke his leg. He was taken to the hospital and died there.

In the year 472 that magnificent prelate, Sidonius Apollinaris, Bishop
of Clermont, and a great noble to boot, came to Alais to pay a visit to
Tonantius Ferreolus, Prefect of Gaul, who had his villa at Prusianus,
now Brégis, a little to the south-west of Alais. Another friend, a
Roman senator, had his country house on the opposite or Alesian side
of the river. Sidonius says: "The Vardo (Gardon) separates the two
domains. These splendid dwellings were commanded by hills covered with
vines and olives; before one of them stretched a rich and vast plain,
the other looked out on woods. Every morning there was a strife between
our two hosts, very flattering to myself, as to which should have our
society for the day, which should make his kitchen smoke on our behalf.
With them we flew from pleasure to pleasure. Hardly had we set foot
in the vestibule of one or the other, before there appeared bands of
those who played tennis, and above their noisy shouts we could hear the
braying of cornets.... Whilst any one of us was occupied in reading or
in playing, the butler would come to inform us that it was time for us
to take our places at table. We dined promptly, after the manner of
senators."

Where stands now the citadel of Alais stood formerly two castles
frowning at one another side by side. The lordship of Alais was in the
family of De Pelet, but the last of the name died in 1405, leaving two
daughters and the barony to be divided between them. Naturally they
quarrelled. Each would have the rock and a castle on the summit, and as
neither could be induced to yield a right, they had their two castles
and scolded and swore at one another out of the windows. At last the
situation became so intolerable that first one and then the other sold
their half baronies to a De Cambis, and he ran the two castles into one.

Jacques de Cambis, lord of Alais, was engaged in Catalonia under the
great Condé. His war-cry was "Allez comme Alès!" and on his son's sword
was inscribed:

    "Je suis Cambis pour ma foi,
    Ma maitresse et mon roi,
    Si tu m'attends, confesse toi!"

Both Jacques and his son died on the same day, August 21st, 1653, of
wounds received at the taking of Tortosa. With them died out the male
branch of the barons of Alais.

On November 15th, 1323, died a citizen of Alais, named Guy de Corbian.
A week after his burial his widow came in great agitation to the
Dominican convent to say that her husband walked and made unpleasant
noises in the house, and she begged that the prior would lay his
spirit. Jean Gobi was prior at the time. He took three brethren with
him and went to the house. As soon as darkness settled in, all at
once the widow screamed out, "There he is! There is my husband!" All
present were dreadfully frightened, but the prior recovered first,
and bade the woman question the ghost. She asked, "Are you a good
or a bad spirit?" _Answer_: "Good."—"Where are you now?" _Ans._:
"In purgatory."—"Why do you trouble the house?" _Ans._: "A sin was
committed in it by my mother."—"What did she commit?" _Ans._: "That
is a delicate question, which I decline to answer."—"Can you make the
sign of the cross?" _Ans._: "Do not ask silly questions. How can I
when I have no hands?"—"How then is it that you can hear, having no
ears?" was the shrewd repartee. The ghost hesitated a moment and then
replied, "By a special privilege of God." Now it so happened that
at this very period a furious controversy was going on between the
Dominicans and the Franciscans as to whether the disembodied spirits
of the just had the sight of the Face of God. The Franciscans said
they had not, the Dominicans asserted that they had. The strife became
so hot and acrimonious that Pope John XXII. on November 12th, 1323,
issued a decision condemning the opinion of the Friars Minor. They
refused to surrender their tenet. The General of the Order appealed
from an ill-informed Pope to a General Council. Such an appeal is
absurd, argued their adversaries. A council derives all its authority
from the Pope. Philip of Valois threatened that unless John withdrew
his judgment he would have him burned as a heretic. But he had not the
power to carry his threat into execution. Now this ghost story occurred
a week or fortnight after John XXII. had issued his homily, in which
he asserted that the dead did enjoy the beatific vision. Jean Gobi saw
his opportunity. He published at once an account of his interview with
a good spirit, and related how that he had catechised the ghost on the
very point under dispute, and that the departed Guy de Corbian had
affirmed precisely the doctrine for which the Dominicans contended,
and which the Pope had ratified. What better evidence could be desired:

The Franciscans might have replied that they had no better evidence
than the word of Gobi, and that they doubted his veracity. But they
said nothing, they saw that every sensible man would judge that Jean
Gobi told fibs.

     "The tenet," says Milman, "had become a passion with the Pope;
     benefices and preferments were showered on those who inclined to
     his opinions—the rest were regarded with coldness and neglect."

Jean Gobi doubtless had hopes of reaping some solid advantages by his
opportune revelation. But he was disappointed. John XXII. died, and
his successor, Benedict XII., published his judgment on the question,
determining that the holy dead did not immediately behold the Godhead,
thus at least implying the heresy of his predecessor.

In 1567 the Huguenots occupied Alais, and massacred six of the
canons in the church whilst they were singing Matins, as also two
cordeliers and several other ecclesiastics. But Alais was retaken.
In 1575 they again surrounded Alais, under their captains Guidau and
Broise, the latter of whom managed to escalade the walls by means of
a vine-trellis. One part of the population was massacred; those who
could fled into the castle. Damville came to the aid of the besiegers,
and on Easter Eve, after nine weeks of gallant defence, the castle
surrendered. The see of Alais was constituted in 1694. The cathedral
was consecrated in 1780, and is a heavy and hideous building. Only
the west tower remains of the old church. At the Revolution it was
turned into a place for clubs to assemble; but as the church was
inconveniently large for the purpose, it was decided to pull it down.
No one in Alais, however, could be found to set his hand to its
destruction.

The last bishop, De Bausset, escaped into Switzerland at the time of
the outbreak; but unable to endure exile from France he incautiously
returned, was arrested, and thrown into prison. It was only due to his
having been forgotten that he escaped the guillotine. In 1801, by order
of Pius VII., he resigned the see to facilitate the reorganisaton of
the dioceses under the Concordat, and he died in Paris in 1824. The
great esplanade above the Gardon before the Place de la République,
planted with plane trees, commands an extensive view over the plain
green with mulberries and chestnut, and with here and there the
silver-grey of the olive rising from among the darker leaves like a
puff of smoke.

Alais is one of the principal centres of silkworm culture in Languedoc,
and it has raised a statue to Pasteur, representing him holding a twig
of mulberry in his hand, in gratitude for his discovery of the fibrine,
the malady which threatened the industry, and for indicating the means
of arresting the plague.

Neither the white mulberry nor the bombyx—the silkworm that feeds on
its leaves—is a native of Europe. Both come from China. The history of
the origin of the silkworm culture and the introduction of both the
mulberry and the worm into Europe is sufficiently curious, and may be
summed up in a few lines.

The Chinese assert that the discovery of the use of silk and how
to weave it took place in the year B.C. 2,697, and great secrecy
was observed as to how the silkworm was reared and how the cocoon
was unwound; and Chinese laws forbade under penalty of death the
divulgation of the secret and the exportation beyond the limits of the
Celestial Empire of the seed of the mulberry and the eggs of the worm.

However, about three thousand years later, in the year A.D. 400,
a Chinese princess married the King of Khotan on the borders of
Turkestan, and she, at the peril of her life, carried off some of the
grains of mulberry and the eggs of the caterpillar, and by this means
introduced the culture of silk into the domains of the king. Some years
later, in 462, Japan got possession of the means of sericulture by a
similar method.

From Khotan the industry slowly spread to Persia and India.

A century and a half later, about 550, two monks of Mount Athos, but
of Persian origin, went to preach Christianity in the unknown regions
beyond the Caspian Sea. These courageous apostles penetrated to Khotan,
and there discovered whence came the silk stuffs that found their way
into Europe in small quantities, and which were so costly that they
sold for their weight in gold.

Rejoiced at their discovery, the monks schemed how they might make
Greece benefit by it. This, however, was not easy, as the inhabitants
of Khotan, knowing the value of their industry, had, like the Chinese,
forbidden the exportation of the seeds of the mulberry and the eggs
of the silkworm. The monks employed craft. In all caution and secrecy
they collected mulberries, crushed them in water, and obtaining thus
the seed alone, dried it and enclosed it in their hollow bamboo canes.
Then they departed on their return journey. On reaching Greece they
related their adventures and sowed the seed.

The young plants did not fail to spring up, and thus was Greece
supplied with the precious tree that is to-day spread along all the
coast of the Mediterranean.

But they had not done enough. Only half of their self-imposed task
was accomplished. The Emperor Justinian sent for the monks, listened
to their narrative, gave them money, and urged them to return into
the East and obtain a supply of the bombyx grain. Nothing loath they
started, arrived in Khotan, and in much the same manner as before
secreted and brought to Europe in all haste the eggs that would hatch
out in spring. The date of their return was 553.

Meanwhile the young mulberries had grown vigorously, and when the
worms issued from their shells they found abundant nourishment. They
passed through their several stages of development and gave vigorous
descendants.

European sericulture was created, but was slow in making progress.
However, in Greece the diffusion was so rapid that in a short time
what had been called the Peloponnesus changed its name to Morea, the
land of the mulberry. From the borders of the Ægean the culture spread
to Sicily, to Italy, and to Spain. The Arabs, who had already in the
East acquired a knowledge of how to produce silk, spread the industry
through all the countries that they conquered.

France was slow in acquiring it. The raw silk was indeed imported to
Lyons and Tours in the latter part of the fifteenth century, but it was
not till after the campaign in Naples of 1495 that the gentlemen who
had attended Charles VIII. brought back with them the seed of the white
mulberry and the eggs of the silkworm into Languedoc and Provence. The
first mulberries planted there were at Alban, near Montélimar, by Guy
Pape, Sieur de Saint-Alban.

The first steps taken in this new culture were slow and timid during
nearly a century. Francis I. accorded special favours. His successor,
Henry II., is said to have been the first King of France to wear silk
stockings, 1550. The religious troubles and the rivalries between the
great seigneurs did much to impede the progress of agriculture and of
sericulture. The cultivators of the soil were crushed by taxation and
exactions of every sort, as well as by the ravages of rival political
and religious factions.

But when Henry IV. was well settled on his throne, and the League was
at an end, it was possible for agriculture and all the trades save that
of the armourer to revive. Henry was keenly desirous to raise them from
the deplorable condition into which they had been plunged during the
long period of civil and religious discord which had marked the end of
the dynasty of the Valois.

The Béarnais, who had spent his early years among farmers, nourished
great ideas as to how to help them on and to make trade flourish in the
land, so great as sometimes to startle his most devoted councillors,
notably Sully, his finance minister. The King, seeing that the industry
of weaving silks was on the increase, and that to supply the looms
raw material had to be imported in great quantities, was desirous
of encouraging the production of silk in France, and he confided
to a gentleman of the Vivarais, Olivier de Serres, the mission of
developing sericulture by writing a treatise advocating it. De Serres
published his "La cueillette de la soie" in 1599. Two years later he
brought to Paris twenty thousand young mulberry trees, which were
planted in the gardens of the Tuileries. At the same time Traucat, a
gardener at Nîmes, with royal assistance, erected vast nurseries, which
in forty years supplied over five millions of mulberry stocks. Sully,
who had at first thought the King's projects chimerical, threw himself
eagerly into them when he saw that they were likely to increase the
wealth of the country; prizes were offered, subventions were promised
to such as should take active part in the development of the industry.
There exist still some of the old mulberry trees planted four centuries
ago, that the Cevenol peasants designated Sullys in commemoration of
the great minister of Henry.

Sériculture made no progress during the reign of Louis XIII. It lost
ground, and it was Colbert, the celebrated minister of Louis XIV., who
resumed forty years later the policy of Henry IV., and had to struggle
against just the same difficulties of inertia and indifference among
nobles and peasants alike. Colbert, following the same idea as his
predecessors, wished that France should produce the raw material needed
for the looms of Lyons, which were using 500,000 kilogrammes of foreign
silk, whereas the French harvest produced at the outside 20,000 kilos
of raw silk.

To attain this result, exemptions from taxation were accorded to
plantations of mulberry trees and to magnanaries of silk. In the
Langue d'Oc, the silkworm is called _magnan_, derived from the Latin
_magnus_, as giving the greatest profit to the farmer, and the sheds in
which the worm is brought to spin is called a magnanerie. A bonus of
twenty-four sols, equal to five francs, was given for every mulberry
plant that lived over three years. The Protestants of the south
devoted themselves especially and with great energy to the rearing of
silkworms. In 1650 De Comprieu, Consul of Le Vigan, introduced the new
industry into the Cévennes from the Vivarais where it had taken root,
due to the initiation of Olivier de Serres.

A few years later Colbert brought a silk-spinner, Pierre Benay, from
Bologna and installed him near Aubenas, in a factory for the spinning
of the thread.

The production of the cocoon and of silk was prospering and developing,
when in 1605 the Edict of Nantes was revoked, and this disastrously
affected the growing industry. The Protestants, hunted out and
persecuted, were forced to expatriate themselves, and carry their
knowledge and their energies elsewhere. The creation of silk-weaving
factories in Switzerland, Germany, and England was mainly due to these
refugees. Some 50,000 French Protestants had come to England. Of these
the silk-spinners settled in Spitalfields, and introduced several
new branches of their art. At this time foreign silks were freely
imported, and about 700,000 pounds' worth were annually admitted. But
the establishment of the refugees in this country led to monopolies and
restrictions. In 1692 they obtained a patent, giving them the exclusive
right to manufacture lute-strings and à-la-modes, the two fashionable
silks of the day, and in 1697 their solicitations were effectual in
obtaining from Parliament a prohibition, not only of the importation of
all European manufactured goods, but also of those of India and China.
From this period the smuggling of silks from France became extensive,
reaching, it is said, to the value of £500,000 per annum.

In France a disaster at the beginning of the eighteenth century gave
a new impulse to sericulture in the south. The winter of 1709 was
of exceptional severity, and froze the olive trees of Languedoc and
Provence. The farmers, obliged to root out their stricken olives,
replaced them by mulberries, and the rearing of silkworms, the spinning
and weaving of the silk made rapid progress. From this time sericulture
issued from a period of groping and hesitation to become a standard
industry. The production of cocoons rose to six and seven millions of
kilogrammes between 1760 and 1790, again to slacken during the period
of revolution. Nor were the first years of the nineteenth century,
marked as they were by the great wars of the Empire, favourable to the
industry. But an event that had considerable influence on the destinies
of agricultural France had taken place. The lands of the clergy and of
the emigrated nobility had been declared national property, and had
been sold at ridiculously low prices to the peasants on account of
the depreciation of the paper money of the period, the assignats. The
peasants worked with enthusiasm and energy on the land as proprietors
where they had lived painfully as common labourers. Great plantations
were made on ground newly cleared, and so soon as peace gave the people
breathing time, the production of France doubled as by enchantment.
From 500,000 kilogrammes, the output of silk passed to a million,
between 1826 and 1830, and between 1840 and 1854 it grew to two
millions.

     "The silkworm is the caterpillar of the mulberry-tree moth
     (_Bombyx mori_) belonging to the tribe of mealy-winged nocturnal
     insects, of which in the summer evenings we see so many examples.
     The eggs of this moth are smaller than grains of mustard-seed,
     very numerous, slightly flattened, yellowish at first, but
     changing in a few days to a slate colour. In temperate climates
     they can be preserved through the winter without hatching
     until the time when the mulberry tree puts forth its leaves in
     the following spring. This tree forms the entire food of the
     caterpillar, and seems almost exclusively its own; for while other
     trees and vegetables nourish myriads of insects, the mulberry
     tree is seldom attacked by any but this insect, which in many
     parts of its native country, China, inhabits the leaves in the
     open air, and goes through all its changes without any attention
     from man. The common mulberry (_Morus nigra_), so well known in
     Great Britain, is not the best species for the nourishment of the
     silkworm. The white-fruited mulberry (_M. alba_), a native of
     China, is the best, and is greatly preferred by the insect."[9]

The silkworm when first hatched is about a quarter of an inch long.
After eight days' feeding, it prepares to change its skin. It throws
out filaments of silk, attaching its skin to adjacent objects, becomes
sluggish, raises the forepart of its body, and finally the whole outer
case is cast off, including the feet and jaws. The newly moulted worm
is pale in colour, but speedily regains its appetite, which had failed
previous to the change, and it swells so fast that in five days another
uncasing becomes necessary. Four of these moults and renewals of the
skin bring the caterpillar to its full size, when its appetite becomes
voracious, and the succulent parts of the mulberry leaf disappear with
extraordinary rapidity. The insect is now nearly three inches long.
Beneath the jaw are two small orifices through which the worm draws the
silken lines out of its body.

Having acquired full size in the course of twenty-five to thirty
days, and ceasing to eat during the remainder of its life, it begins
to discharge a viscid secretion in the form of pulpy twin lines that
rapidly harden in the air. It begins now to climb and seek out a
suitable place for spinning the cocoon. For this purpose broom and
heath-bushes are erected about the trays in which they have hitherto
lived and fed and sloughed their skins. The insect first forms a
loose structure of floss-silk, and then within it the closer texture
of its nest, of an ovoid shape; within this the caterpillar remains
working out of sight, spinning its own beautiful winding-sheet, the
production of which reduces its size to one-half. On the completion of
the cocoon it changes its skin once more and becomes a chrysalis. In
this corpse-like state it remains for a fortnight or three weeks. Then
it bursts its cerements and comes forth furnished with wings, antennæ
and feet for living in its new element—the atmosphere. The female moth
flutters its wings, but rarely uses them for flight, but the male
employs his for seeking a partner. As the moth is not furnished with
teeth, it perforates its tomb by knocking with its head against the
end of the cocoon, after moistening it with saliva, and thus rendering
the filaments more easily torn asunder by its claws. In the perfect
or _imago_ form the insect takes no food, and lives only two or three
days; the female dies after laying her eggs, and the male does not long
survive her.

The cocoons destined for filature are not suffered to remain many days
with the worms alive within them. Those containing male moths are
distinguished as being lighter than those that hold the female. Only
so many of each are retained as are required for the propagation of
the worm. The rest are plunged in boiling water or put into an oven to
extinguish the life in the chrysalis. The reeling off of the silk is
the next process.

The cocoons are softened by immersion in warm water, and then the
reeler stirs them with brushes, to which the loose threads adhere,
and are thus drawn out of the water. They are taken up four or five
together and twisted by the fingers into one thread, passed through a
metal loop, and reeled off. The silk husbandry is completed within six
weeks from the end of April.[10]

The life of the insect from leaving the egg has been about fifty days,
and in that period what a series of changes—transformations even—it
has gone through; and all for what, but the produce of one of the most
beautiful imaginable textures for the adornment of womankind! Verily
Nature has made laborious provision that she should be coquette.

Even the severe Quakeress, objecting on principle to all adornment,
must don a pearl-grey silk bonnet.

On the Place de la République is a bronze statue to Florian (Jean
Pierre Claris), born in the château of Florian, near Sauve, in 1755,
and who died in 1794. He wrote plays, stories, verses, and fables. Not
knowing much about his works, I went to a bookseller at Alais to ask
if he had them.

"The works of Florian!" he exclaimed. "We have his statue in the place."

"Yes; but that is the work of the sculptor Gaudez, not of Florian
himself."

"Les œuvres de Florian—mais—" The man looked puzzled. "He lived a very
long time ago. What did he write?"

"I fancy, fables."

"Ah, monsieur! you mistake. That was La Fontaine."

"There is an 'F' in each," said I, "as there is a river in Macedon, and
there is also a river in Monmouth, and there is salmon in both." Of
course, the allusion was lost on him.

"I think his works have never been reprinted," said the bookseller. "I
will tell my child to ask the school-master about him."

Now I happen to possess at home an edition of Florian, printed in
the year III. of the Republic, 1797, and on my return I read some of
his works—as much as was possible. Among them is an "English novel,"
very complimentary to our nation at the opening, but full of the most
amusing blunders. The characters are Sir Edouerd Selmours, Mistriss
Hartlay, a M. Pikle, and a Mekelfort. Florian gives a translation into
French verse of "Auld Robin Gray," but in an evil moment appended the
original Scottish text, which is rendered thus—

    "Vhen the shepare in the fauld, and the kyeat hame
    And all the weary warld asleop is gane,
    Thewaes o my heart fall in shovers fra my eye"—

and so on.

We have a fault, Florian is kind enough to inform us:—

     "Ils dédaignent d'ouvrir les yeux sur le mérite, sur les qualités
     qui sont propres à chaque peuple; cette insouciance donne à leurs
     vertus un air d'orgueil qui en diminue l'attrait; enfin, ils
     comptent pour fort peu de chose l'approbation, le suffrage des
     autres; et le seul moyen d'être aimable, c'est de les compter pour
     beaucoup."

I suspect that this criticism is more just than his rendering of
English surnames and his spelling of Scottish words.


FOOTNOTES:

[9] Tomlinson's _Cyclopedia of the Useful Arts_, _sub voce_.

[10] De l'Arbousset, _Les Cévennes Séricoles_, and _Cours de
Sériculture Pratique_, Alais, n.d. Maillot (E.), _Leçons sur le Ver à
Soie_, Paris, 1885.




CHAPTER XIII

GANGES

     Quissac—A tree gallows—The micocoulier—Sauve—Massacre by the
     Camisards—The abbot's summer-house—Manufacture of essences on the
     _garigue_—S. Hippolyte-du-Fort—Cruelties of Roland—Ganges—The
     murder of the marchioness—Grotto des Demoiselles—Manufactures of
     Ganges—Season for excursions.


From Alais the train that runs on to Nîmes drops one at Quissac, whence
diverges a branch to Le Vigan and Tournemire on the main line from
Paris to Bézier, Narbonne, and Barcelona. Quissac lies on the Vidourle,
that flows a thin stream in a vast bed of pebbles, on which the
washerwomen spread their linen. The esplanade by the river is planted,
and on it is the Protestant _temple_, a feeble imitation of the Maison
Carée at Nîmes. The parish church is in another part of the town, and
is an astounding bit of patchwork after wreckage by the Camisards. The
west front is an architectural curiosity. In the little _place_ in
front of it is a plane tree, serving, I presume, as a gallows for all
the vermin caught in the place and neighbourhood. When I was there,
rats, mice, weasels depended from the branches, and a sulky doll that
would not eat had been hoisted up as well, and was dangling by its
neck, whilst the little executioner stood below haranguing it.

The micocoulier, or nettle tree (_Celtis Australis_), is much grown
around Quissac. This tree flourishes along the south of Europe
bordering on the Mediterranean, in Italy, Greece, on the coast of Asia
Minor, and stretches to the south of the Caspian. The tree is at home
also in Algeria and Tunis. It is grown here for making whip-handles and
for pitchforks. For the latter purpose it is suffered to have but two
or three shoots at the top, and pains are taken to give the stem the
utmost regularity, as that is to serve as the handle to the fork. Of
the wood is also made the yokes for the oxen. The wood is heated in an
oven, and given the desired bend or shape when hot.

Sauve bears for its arms argent a mountain, on top of which grows a
plant of sage (_sauve_), and in chief the words _Sal-Sal_, that stand
for _Salvia Salvatrix_. Originally the town occupied the height where
is now the ruined castle, but the inhabitants drifted down to the
abbey, which was below. In the religious wars, Sauve was taken by the
Huguenots, and remained a stronghold of the Calvinists till 1629. In
the war of the Camisards the Protestants of the upper town offered to
open the gates to them disguised in the uniform of the royal soldiery,
but the plot was detected, and in resentment the Camisards set fire to
the abbey church and monastic buildings, murdered the old prior, aged
ninety-one, and the curé, aged seventy. They swept together forty of
the parish priests of the neighbourhood and mutilated them in the most
horrible manner.

The country-house of the abbots of the fourteenth century has the
inscription on it: "In urbe omnibus, in deserto mihi." (In the town
I am at everybody's beck and call, in the desert I belong to myself
only.)

And "desert" is not at all an inappropriate term for the country
between Sauve and S. Hippolyte. It is a land of disintegrated rock,
white as chalk, and assuming strange forms, fissured in parts
vertically, in others horizontally, the wide desert growing nothing
but aromatic herbs, as sage and juniper. The Vidourle sinks and flows
underground. The ruins of a castle stand above the dry bed at a curve
in the channel.

But even this desolate _garigue_ has its use, as have those further
south. It grows lavender, rosemary, thyme in abundance, savin, sage,
savory; and the peasants collect these herbs and distil essences from
them. To the fragrant essences is added bitter rue. The distillation
takes place on the _garigue_ by means of movable retorts that travel
about from one place to another. Vast quantities of herbs are required
for the purpose. Thus, to obtain one kilogramme of essence of thyme,
it requires 400 kilogrammes of leaves, except in May, when the plant
is in greatest vigour and most redolent, then only half that amount is
required.

The great centre of the industry is Sommières to the south of Quissac,
where the _garigues_ are more extensive than near Sauve.

A great rivalry exists between the manufacturers of scents in this part
of Languedoc and those of Provence. All have been hit alike of late
years by the fabrication of scents out of coal tar, that seems as ready
to produce sweet odours as it is to yield bright dyes.

These deserts of limestone apparently grow nothing but what is
fragrant. Their vegetation expires in sweet odours.

At S. Hippolyte-du-Fort the mountains draw near, terraced up for
olives. The town with its three churches, commanded by a castle with
its walls and towers, is eminently picturesque. The town was moved from
its ancient site, S. Hippolyte le Vieux, about a castle built on a
rock, Roquefourcade, so called from its form. The old parish church was
there to the Revolution when it was sold. The bulk of the population
of S. Hippolyte adopted the Reform of Calvin, and Catholic worship
was not restored till 1601, and then only intermittently. In 1774 the
bishop found that there were only two or three Catholic families in it.
All the rest were Huguenot "au dernier point," although the Protestant
temple had been pulled down at the revocation of the Edict of Nantes.
A garrison was placed in the castle. It was attacked by the Camisards
in vain. Roland entered the faubourgs on January 14th, 1704, burnt a
church, and slaughtered three girls and five men.

Ganges lies in a valley at the junction of the Sumène with the Hérault,
and near where the Vis emerges from its gorge to shed its waters into
the Hérault. It is a bright town, with good inns, and is an admirable
centre for several interesting excursions. The station is at a height
at some distance from the town, and near it is a huge modern convent,
very conspicuous, planted on a rock.

The town contains little of interest except the château of the
Marquesses of Ganges, which unhappily is doomed to destruction, as it
has been purchased by the town to be pulled down and the site to be
occupied by a market-hall. This is the more to be regretted, as it
is not only a very fine Renaissance structure, but is also rendered
famous by the murder of the Marchioness in 1667. The story has been
often told, but must not here be omitted on that account. All versions
rest on that of Pitaval, taken from the records of the Parliament of
Toulouse. Pitaval's narrative was published in 1734. Unhappily he has
decked it out with romantic features, drawn from conjecture, to explain
the motive of the murderers, and we shall be obliged to distinguish
between these and the facts that were proved.

[Illustration: CASTLE COURT, GANGES]

At the Court of Louis XIV. one of the great beauties was the Marquise
de Castellane, a woman as good as she was beautiful. Queen Christina of
Sweden, who was then at the Court, declared that she had never seen one
who was more lovely, and the painter, Mignard, took her portrait.

She was the daughter of a M. de Roussan, of Avignon, and after the
death of her father had been educated in the house of her grandfather,
M. de Nochères, who loved her as the apple of his eye. He was a very
wealthy man, and she would be his heiress. At the age of thirteen she
married the Marquess, who brought her to Paris. When aged twenty she
was a widow, as her husband was drowned in the Mediterranean. She then
returned to Avignon, and was at once surrounded by suitors. Her choice
fell on the Marquess de Ganges, younger than herself, a man of a weak
character, but with pleasant manners. The marriage took place in 1658.
By him she became the mother of two children, a son and a daughter.

After a while the affection of the Marquess for his wife died away. Her
superiority in mind and character offended his self-esteem, and to add
to this his brother, the Abbé de Ganges, did his utmost to estrange the
married couple.

The Marquess had three younger brothers. The elder, the Count de
Ganges, does not enter into the story except towards its close.
The second brother was the Abbé. This man was clever, cultured, of
insinuating manners. He was not really in Holy Orders, but was one of
those who at the period assumed a semi-ecclesiastical dress, and was
given a benefice _in commendam_, the duties of which he never performed
as unqualified, but the income of which he devoured. The third brother,
the Chevalier, was a poor, weak creature, completely in the hands of
the Abbé. The Marquess was much from home. He lived on bad terms with
his wife; he found life dull in a little country town, and he liked
the dissipation of a capital. He left his two younger brothers at the
château, and placed the management of his estates in the hands of the
Abbé.

According to Pitaval, both brothers fell in love with the far older
Marquise, and the Abbé ventured to declare his sentiments towards
her, and was repulsed with disdain so cutting as to fill him with
resentment. Soon after M. de Nochères died, and left his vast fortune
to his granddaughter in such a manner that her husband could not
touch a penny of it without her consent. The Marquise at once had her
will drawn up, bequeathing all her fortune to her mother, Mme. de
Roussan, in trust for her children, but with the singular proviso that
this old lady was to leave it entire to either one or other of her
grandchildren, whichever she chose. When she deposited this will with
the town councillor of Avignon, she added a codicil to the effect that
in the event of her death and a later will being found this later will
was to be regarded as invalid, as wrung from her against her intent,
and that the above will was alone to take effect. This provision was
witnessed by several persons of authority, and she insisted further
that it should be kept secret and in no way divulged.

On her return to Ganges she was cheerful, saw a good deal of company,
and seemed to be without suspicion of evil devised against her. What
made her the more easy was that her stepmother was there, and in her
presence the Abbé and the Chevalier were circumspect.

But before long the dowager marquise left for Montpellier, and her
husband also departed. Since she had become an heiress he had feigned
greater affection for her, and had treated her with courtesy. After
his departure the Abbé had conferences with her. He assured her that
the Marquess was deeply attached to her, but was wounded to the quick
by her having made a will that passed him over; that the only possible
way of concord being completely re-established was for her to alter the
terms of her will.

The Marquise was a woman. She allowed herself to be persuaded, and
under the dictation of the Abbé drew up a second will, whereby she
constituted her husband sole heir. But she did not revoke the other,
the former will deposited at Avignon, and the Abbé, knowing nothing of
her final declaration made there to vitiate any second disposition of
her property, was satisfied.

It is wholly unnecessary to accept the romance of the passion of the
Abbé for his sister-in-law imported into the story by Pitaval, and for
which no evidence was produced later. She was then aged twenty-nine,
older than the two elder brothers. The fact of the will having been
extorted from her, and the prospect of being able to share in the
spoils should she die, is sufficient to account for what follows. The
object of the Abbé now was to get rid of the Marquise.

She was not feeling well, and on the morning of May 17th, 1667, sent
for the doctor, and asked for a draught. But when this was brought
to her it looked dark and muddy, and she refused to drink it. It was
not proved that this was poisoned, but it is not improbable that it
was so. The Abbé and the Chevalier all day seemed restless, and were
continually inquiring as to her condition, and seemed little pleased to
learn that she was recovering from her indisposition.

The Marquise spent the day in bed. Several ladies of the town visited
her, and she invited them to remain for dinner. She appeared in very
good spirits; but it was noted that both her brothers-in-law spoke
little and seemed distracted in mind. She joked the Chevalier about
this, and he and the Abbé roused and attempted to talk, but manifestly
with an effort. Nor would either of them eat. Presently the party broke
up. The Abbé undertook the duties of host, and accompanied the ladies
to the door of the château. The Chevalier remained behind with his
sister-in-law. His manner was peculiar, he remained buried in thought.
She asked him the reason, but could get no answer from him; then the
door opened, the Abbé entered, and the solution to the puzzle was given.

So far we have the facts from the evidence of the witnesses before
the Parliament of Toulouse; what follows is from the narrative of the
Marchioness herself.

The Abbé entered the bedroom, a pistol in one hand and a tumbler
with some dark turbid liquid in the other. His features had changed
expression. Rage flared from his eyes. He locked the door behind him,
took his station before his sister-in-law, and signed to his brother,
who drew his sword. At first it seemed to her that hesitation appeared
in his face and movements, but if that were so, it passed rapidly away.
The Abbé broke the silence. He stepped up to the bed and said: "Madame,
you must die. Choose steel, lead, or poison."

She cried out, asking what she had done. She implored the two men to
spare her. She promised to forget their conduct if they would withdraw.
She turned to the Chevalier. She reminded him that she had frequently
furnished him with money, and had recently given him a bill for several
hundred livres. But in vain. He also spoke. "Enough, enough, Madame.
Make your selection, or we shall choose for you."

The miserable woman took the glass out of the hand of the Abbé. She
drank whilst he held the pistol to her breast, and the Chevalier
menaced her heart with his rapier. Some drops falling on her bosom
blistered it, and her lips were also blistered. The draught was
a composition of arsenic and sublimate of mercury dissolved in
aquafortis. The Chevalier noticed that she had not swallowed the dregs.
He took a silver hairpin and swept all that remained attached to the
side of the tumbler together into the bottom, and saying, "Be quick
about it; drain to the last drop," forced her to take it. She received
it into her mouth but did not swallow what she had taken, but sank back
into the bed, and in convulsive movements turned away and covering her
head with the bedclothes spat out what she had last taken. Then she
exclaimed, "For God's sake do not slay my soul as well as my body;
send for a confessor." Both brothers left the room. They had no reason
for refusing this last request, for the vicar was Perette, a bad man
who had been tutor to the Marquess, and was in the confidence of the
brothers.

No sooner was the door shut than the Marchioness sprang out of bed. In
haste she drew on her petticoat, and opened the window that looked into
the yard. The window was twenty-four feet from the ground, nevertheless
she leaped down. At the same moment the door had opened and Perette
entered; he sprang after her, and succeeded in laying hold of her dress
and retaining her for a moment or two. But the garment rent, and she
fell to the ground on her feet without serious injury.

The vicar laid hold of a silver water-jar and hurled it after her, but
missed his aim. The jug, instead of braining her, struck a stone and
broke.

The Marquise found every door of the courtyard fastened and locked. In
fear of the operation of the poison she thrust one of her tresses down
her throat, and this produced sickness. Fortunately she had partaken
of a good deal of pudding at the meal, and this in a measure prevented
the immediate working of the poison. She tried to escape through the
stable, but that was locked. A groom, however, came up. "Save me! Save
me! I must escape!" she cried. The man, overcome with terror and pity,
hesitated a moment, then caught her up in his arms, carried her through
the stables, and handed her over to the first woman he encountered in
the street.

The Marquise continued her flight. Already the brothers-in-law were in
pursuit, shouting, "Hold her fast! She is mad!" And whoever saw the
Marquise running in her nightshirt, with a torn skirt and with bare
feet over the pavement of the street, might well believe what they
called out.

The people were already assembling and preparing to stop her, when
the Chevalier caught her at the door of a Mme. de Prets, thrust her
in, and entering himself bolted the house door. The Abbé coming up,
pistol in hand, stood on the threshold and threatened to shoot any one
who interfered. His sister-in-law in her madness was not to be made a
spectacle of to every one.

In the house of Mme. de Prets a party of ladies was assembled. The
Marquise rushed into the midst of them, followed by the Chevalier,
crying out that she had been poisoned. The Chevalier declared before
the ladies that his sister was insane, and they did not know at first
what to make of this extraordinary scene. Mme. Brunette, the wife of
the Calvinist preacher in the place, gave her some treacle, at the time
supposed to be a sovereign remedy against poison. She swallowed it,
but the fire of the poison made the Marchioness entreat for water. A
tumbler was handed to her, but the Chevalier smashed it in her mouth
as she was drinking. He succeeded in persuading the ladies that his
unfortunate sister-in-law was out of her mind, and begged them to
excuse such an unseemly irruption into their midst.

Then the poor creature implored to be allowed to go into the adjoining
room; this was granted, but the Chevalier followed her, and with his
rapier stabbed her twice in the breast. She cried out, ran to the door
and entreated help. He followed, and, blind with rage, stabbed her
five times in the back. The last time the weapon broke and left the
blade sticking in her shoulder. She fell at the feet of the assembled
ladies drenched in blood. The Chevalier then ran downstairs, and cried
to his brother, "Away! away! the job is done!" But as they hurried
down the street they heard the women at the window crying for help
and for a surgeon. The Abbé, in the idea that the Marquise was still
living, had the incredible audacity to go back, enter the house, thrust
the women aside, and put the pistol to the breast of his victim. Mme.
Brunette struck up his hand, and the pistol did not go off. Thereupon
the Abbé hit Mme. Brunette on the head, and again attempted to kill
his sister-in-law, this time by braining her with the butt-end. Now,
however, all the women present fell on him, dragged, beat, thrust, and
succeeded eventually in expelling him from the house.

It was nine o'clock at night when the murderous attempt was made.
Darkness favoured the assassins; they knew that they would be pursued,
so they fled to an estate that belonged to the Marquess at Aubernas,
thence by boat down the river to the sea, and escaped pursuit by
fleeing from France.

The unfortunate Marquise lingered nineteen days. The surgeon was
obliged to plant his knee against her back in order to obtain leverage
for the extraction of the broken blade; but she died of the result of
the poison rather than of her wounds.

The two scoundrels before they fled had sent a message post-haste to
Avignon to inform the Marquess that his wife had been so treated by
them that she could not possibly live. He did not hurry himself to
go to Ganges, and when he arrived expressed no sympathy with her, no
concern for what had been done, but pestered the dying woman about her
will, for in Avignon he had got wind of what she had done to protect
it from being revoked.

The case was tried at Montpellier. The Marquess was decreed to have
forfeited his title and estates, which reverted to the Crown. The Abbé
and Chevalier were condemned to be broken on the wheel, but as they
were beyond reach the sentence could not be carried into effect. The
vicar, Perette, was sentenced to the galleys for life, and died on his
way to them. Louis XIV. conferred the estates of the Marquess on the
brother, the Count of Ganges; he held them till his nephew was of age,
and then surrendered them to him. The Chevalier entered the service of
Venice, and was killed by a Turkish bullet in Candia.

The Abbé escaped into Lippe, where, under the assumed name of
Montellière, he passed as a Huguenot refugee, was received into favour,
and was appointed tutor to the children of the Count of Lippe. He even
aspired to the hand of a kinswoman of the Count. The latter demurred.
He liked Montellière well enough, but objected that he was not noble.

"Oh! as to that, do not concern yourself," said the Abbé, "I am the
Abbé de Ganges, of whom you may possibly have heard."

The horrible story was known—it had been bruited about Europe. The
Count was horror-struck, and would have surrendered the miscreant to
the authorities in France, but that the pupil of the Abbé pleaded for
him, and he was allowed to escape into Holland, where the Count's
cousin, who had lost her heart to him although knowing what a ruffian
he was, followed him in disguise and married him. Six months after his
marriage, a stranger accosted him in the streets of Amsterdam. "You
are the Abbé de Ganges," he said. "I avenge the Marquise," and he blew
out the miscreant's brains. Who the avenger was, was never discovered.

Near Ganges is the Grotte des Demoiselles, a cave that has so long
enjoyed notoriety that the smoke of torches has somewhat spoilt its
freshness. It was, in fact, discovered in 1780. There are other
grottoes finer, as that of Dargilan. However, the great hall called
that of the Virgin, which is one hundred and forty-five feet in height,
is fine; in it is a stalagmite supposed to represent the Virgin, and
another forms a natural porch, eighteen feet high and nine feet wide.
It demands, I think, a special aptitude of the mind to appreciate
caverns. I, for my part, am so fond of the light of day that I do not
go underground before my time comes.

There is another at Ganges, L'Aven Laurien, as picturesque as it is
interesting from an archæological point of view. The phenomenon of this
pot-hole is one very common in this limestone district. A well gapes
before you descending to unknown depths. Honeysuckle, clematis, wild
vine droop down it, disguise its presence, and interlace about it in
the branches of the ilex and the wild fig, flinging their boughs across
the orifice. Bunches of scolopendria let their long fronds droop into
the depth, and laurels add their sombre verdure to the clear notes of
the deciduous plants.

At 150 feet below the mouth of this pot-hole on the mountain flank is
a cave, reduced by accumulations to a small opening. One can enter on
all fours only. But after having passed within, a spacious chamber is
reached about 120 feet in length, with branches as a cross, but at the
extremity opposite the entrance it opens abruptly on the verdant well
of the aven.

It is impossible not to be struck on reaching this point at the
picturesque appearance of the cave. It receives light that filters
down the aven through the network of foliage above, and long trails of
leaves fall from above as though to decorate the unsounded abyss that
opens below. Now this cavern was a habitation of neolithic man, as has
been shown by finds there of his handiwork. But think of the mothers of
families residing there on the brink of that awful gulf! What agonies
of apprehension they must have been in when the little urchins played
puss-in-the-corner there; when they saw them totter to the verge to
look up at the green descending light and the pendent leaves! If a
child tripped and went down, its little body could never be recovered.
But how docile and meek and mealy-mouthed the wives must have been
when, if one raised her voice to scold her lord and master, he could
point over his shoulder with his thumb to the unfathomed abyss where it
could be silenced for ever—by a push.

Another aven again is that of Rabanel, down which M. Martel has
descended. Nothing disguises the opening of this horrible well, that
sinks precipitously 390 feet. The explorers found a heap of debris at
the bottom.

     "It took us three days to construct the scaffolding for the
     windlass. I went down first, fastened by a double rope, and I
     spun round forty-seven times in the void, happy to discover that
     the only way to save myself from giddiness was to count the
     revolutions I made.

     "But what a spectacle when I reached the bottom! A <DW72> of
     rubbish inclined at thirty-five degrees which one can descend
     without difficulty for 60 feet, and then a great vault, like the
     nave of a cathedral, 300 feet long by 45 feet, and 450 feet high,
     lighted from above by a _lucarne_ of blue sky, the light falling
     down which, is sifted, strange, glinting with violet reflexions
     from the walls, whence depended stalactites formed drop by drop
     like crystal tears."

Ganges is a manufacturing town, its speciality being the most delicate
silk fabrics. Marvels of lightness are produced. Dyeing the silk is
also done here. The workers produce stockings so fine that a pair will
weigh only 185 grains. The spider does not spin a finer web, and not so
strong, for these impalpable tissues are remarkably resistant. The silk
is purchased in cocoons in the markets of Alais and S. Hippolyte in May
and June. The weaving is done only by day, and embroidresses work with
their needle adorning the tissues, and are remarkably dexterous and
tasteful.

The population is divided into Protestants, who have a large circular
meeting-house on the Grande Place, and the Catholics, who have a
stately new church opposite the old château of the Marquesses of
Ganges, in another part of the town.

Excursions may be made from Ganges to explore the gorges of the Vis
and the Hérault, but there is a dearth of roads. They do not penetrate
these ravines; and to traverse the glaring plateau or to thread the
burning ravines in summer is impossible. They must be visited in April
and May, but even March is not too early.




CHAPTER XIV

LE VIGAN

     Schist ravines—Valley of the Arre—Wolves—Vindomagus—Fountain of
     Isis—Saracens—Priory—Jean Peyrenc—Persecution of Huguenots—Murder
     of Daudé—Execution of Bénézet—Reprisals—Avèze—Pont de
     Mousse—Brigand barons—A long lawsuit—The Montcalm family—Aulos—A
     man of many duels—The Vis—Montdardier—The Ginestous—Causse de
     Blandas—Navacelles—Le Vigan—The Chevalier d'Assas—Triaire.


When the line leaves Ganges it leaves the white limestone crags and
plunges among broken schist mountains, and the curious rugged mass of
Esparon stands up before one as a fortress against the blue sky. The
valley of the Arre is entered, and presently we arrive at Le Vigan in a
pleasant site, a green smiling valley enclosed within a triple range,
first of hills terraced up, step above step, with walls to retain the
meagre deposit of soil laboriously cultivated. The second stage is
one of mountains dense with chestnuts. Above this rises the rugged
range of granite that forms the watershed between the Atlantic and the
Mediterranean. Among the higher rocks sprout a few twisted and stunted
beech, the relics of the ancient forests that formerly sheltered the
bear, the wild boar, and the wolf. These forests have disappeared,
partly through fires kindled to clear away the lurking-places of the
Camisards, partly to destroy the shelter of the wolves, mainly through
the improvidence of the peasantry. It has been found simpler to get
rid of the wolves by strychnine than by fire, and they are now very
nearly exterminated. But the destruction of the forests has had such
lamentable results that the Board of Forestry is engaged in replanting
large tracts.

Le Vigan is supposed to occupy the site of the old Gallo-Roman town
of Vindomagus. The name implies that a Celtic population was settled
there. _Magh_ signifies meadow or plain, and _vindo_ is the Latin form
given to the word we find in so many places to signify open country,
wind-swept, sun-scorched, rambled over by sheep, that still lingers
on upon the Welsh border, as Gwent. No descriptive appellation could
better suit Le Vigan.

The town gathered a little way below the great sacred spring that now
supplies its fountains and runnels with limpid water, once dedicated
to Isis, the Egyptian goddess, who was introduced into Rome and became
fashionable. It is still called the Fontaine d'Is, and the bath and
remains of her temple are under the present corn market.

The Saracens penetrated the defiles of the Cévennes, and attacked and
destroyed Vindomagus. They have left their traces in the terminology of
certain localities about the town, as Le Champ de Mâoureses and Le Camp
Sarrasin.

In the Middle Ages Le Vigan was a walled town, about a priory; the
prior exercised rights of high justice alternately with the King
of France, each for three years, turn and turn about, one of these
clumsy, confusing arrangements only possible in those topsy-turvy
days. It suffered the usual miseries also of those days from English
freebooters. It was always zealous on the national side. In the reign
of Louis XV. a grandson of a barber of Le Vigan became Minister of
Marine, and fitted out the fleets in the struggle against England for
the supremacy of the seas and the maintenance of French dominions in
North America. An epigram was written on this man, Jean Peyrenc:—

    "Pour raser l'Angleterre,
    On met au ministère
    Peyrenc dont le grand-père,
    Faisait fort proprement,
    Des barbes au Vigan."

The most woeful time of all for the place was that of persecution of
the Huguenots. The odious Edict of 1685 brought perturbation into
the town and neighbourhood, which had become Calvinist. Companies of
dragoons were quartered on the Protestants, and made them suffer such
vexations that the townsfolk passed bodily over to the Church in less
than a twelvemonth; but thirty families, rather than submit to forcible
conversion, expatriated themselves. Others were arrested and condemned
to deportation. Among these was a Seigneur du Fouquet, who died on the
voyage. His daughter, Madeleine, was sent to be educated in a convent,
and left it only when she had abjured heresy, and she became the
grandmother of the Chevalier d'Assas, a son of the soil, the hero of
Clostercamp, whose statue adorns a square in Le Vigan, and of whom more
presently.

On the night of October 6th, 1686, two thousand of the Reformed
assembled on a little plateau near the height of l'Oiselette, visible
from Le Vigan, to hear one of the pastors preach, when a body of
dragoons, guided by a traitor, Moreau, rushed upon them after having
shot down the sentinels. The Protestants were armed, and seeing the
military approach fired on them, and shot the captain in command; the
lieutenant was stabbed by a bayonet in the belly, and died two days
later. The assembly dispersed in all directions, but twenty-two persons
were arrested, and eight of them, among them three women, were hung in
the marketplace of Le Vigan.

On June 5th, 1704, the delegate of Bâville at Le Vigan, named Daudé,
was murdered by the Camisards. He was walking home from a little
property he had at La Valette when he was assailed by shots from
the insurgents, who had concealed themselves in a cornfield. They
blew out his brains, but they did no harm to Claude d'Assas, who
was accompanying him, other than depriving him of his sword and his
embroidered cap. They were caught, and convicted on the evidence of
that cap found on them. At the same time were taken two farmers, who
had given them asylum. One of these was proved not to be a Camisard,
and knew nothing of the plot. Nevertheless, at the instance of Judith,
the widow of the murdered man, he was condemned and hung.

Two days after, the implacable widow was found dead; she had died of
uterine hemorrhage.

The last of the assemblies of the Calvinists in the desert was on
Sunday, January 30th, 1752. It was presided over by the pastor,
Marazel, and a candidate for the ministry named Bénézet, who in his
prayer invoked God "for the King, the Queen, and the Royal Family."
That same evening the two preachers were in a house at Le Vigan, when
it was surrounded by the dragoons. Marazel managed to escape;
the other was conveyed a prisoner to Montpellier. Bénézet was not a
full-blown pastor, and it was hoped that he would be sentenced to exile
only, and his young wife made ready to accompany him. But on March
27th, by order of Louis XV., for whom he had prayed in the forest of
Quinte two months before, he was sentenced to the gallows. This drama
had its terrible epilogue. A few days later a woman, Marie Flavier, who
was suspected of having betrayed the ministers, was found dead, with
her tongue torn out of her head.

[Illustration: THE GOAT'S LEAP, LE VIGAN]

Above Le Vigan is Avèze, where is the sacred spring of Isis, the
source of the Vézénobres, a torrent that flows under a natural bridge
called Le Pont de Mousse. The spring is actually fed by the stream of
Coudeloux, that disappears in the fissures of the calcareous rocks near
Aulas. Avèze is a village built in amphitheatre above the junction of
the Gleppe and the Coudeloux, which disembouch into the Arre. Avèze
was founded by three Benedictine monks in the year 803. The castle
commanding the village was the seat of two seigneurs, who successively
occupied it, and who lived as brigands, pillaging the neighbourhood
and carrying off women from the very gates of Le Vigan. In consequence
of a colloquy, one of these robber nobles was induced to abandon the
castle. To bring the other to reason, the civil authorities at Le
Vigan implored the Constable Montmorency to lend them aid. This he
did, and the castle was subjected to a formal siege in 1607; it was
taken, and the sergeant was hung from the top of the keep. As to the
two seigneurs, both came to a violent end. The first, Jean d'Ayémard,
was assassinated on the high road by murderers sent after him by his
enemy, Jean de Vabres, who contested with him the ownership of the
castle. Three years later this second seigneur was shot on his way to
Arre. The castle of Avèze was a matter of a lawsuit that lasted over a
century and a half. Sentence was pronounced against De Beaufort, its
legitimate owner, but he refused submission to the judgment. He armed
his vassals, defended himself, and killed some of the constables sent
to demand the surrender of the castle. He had, however, finally to
yield; and the château became later, by a judgment of the Parliament
of Toulouse in 1788, the property of the family of Montcalm, descended
from the Sire de Beaufort. Next year the marquess, son of the heroic
defender of Quebec, came to inhabit Avèze, and it is a satisfaction to
know that during the turmoil of the Revolution the venerated name of
Montcalm preserved the château from being destroyed. It still belongs
to the family, and is surrounded by a handsome park—as parks go in
France.

Aulas, now a small village, was in the thirteenth century the chief
town of the barony of Hierle; and in 1621 it was one of the five
most important places in the district devoted to the principles of
the Reformation, that was fortified by De Châtillon, grandson of the
Admiral Coligny. Castle and walls have fallen; they were levelled after
the peace of Alais. Just beyond Aulas is the Château de Clapisse, in
which was born, in 1740, Henri de Celadon, Chevalier de Lanuéjols,
noted for his periodic duels. M. de Celadon left home every year on a
fixed day and took his way to the Isle of Basthellasse in the Rhône,
near Avignon. At the same time, annually, another gentleman left
Lyons, and made his way to the same spot, from which one or the other
returned wounded. This continued for twelve years; but on the last De
Celadon must have inflicted a more than ordinary wound, for on the
thirteenth visit to the isle, in the following year, his adversary
was not there. He withdrew, but in the fourteenth year returned, and
again he with whom he had crossed swords twelve successive times was
not there. Then he instituted inquiries, and ascertained that his foe
had died two years previously. What the cause of the long-protracted
quarrel was never came to light; De Celadon, who died in 1810, carried
the secret with him to the grave.

The source of the ravine of that strange river, half subterranean, the
Vis, is best visited from Le Vigan. The Vis, a river as large as the
Hérault, where it effects its junction with the latter, rises at S.
Guiral, near the frontier of Aveyron. It passes Alzon, flows below the
sheer limestone escarpments of the Larzac, and receives the immense
spring of the Foux, after which only does it become a river; passing
between the rocks of Tude and d'Aujean it traverses a fine ravine.
Montdardier (_mons arduus_) is five miles from Le Vigan, and to reach
it the Causse has to be passed under from Avèse. Here the limestone is
so compact that it can be exploited as lithographic stones. Much of the
way is shaded by chestnuts below the white escarpments of the rocks
of La Tude and of the Pic d'Anjeau, forming the edge of the Causse de
Blandas, an islet of limestone separated from Larzac by the Vis, as is
also the much smaller islet of Campestre, that lies between the Vis and
the Virenque. These causses are strewn with dolmens and bristle with
menhirs.

The Castle of Montdardier, that has been restored by Violet le Duc,
occupies a well-timbered height above the little stream that joins the
Arre at Avèze. The village clusters about the hill, the extremity of
which sustains the castle and the park.

In 1684, the last male heir of the Ginestous, lords of Montdardier, was
a Protestant pastor. He had an only child, a daughter, whom he married
to François d'Assas on condition that her descendants should assume the
name and bear the arms of Ginestous. The castle is now the property
of the Viscount de Ginestous at Montpellier. In the village are the
remains of a hospital of the Templars.

On leaving Montdardier the causse appears before one in all its nudity,
and the eye that has been gratified by the green woods and pastures of
the valley is now smitten and half blinded by the glare of the bald
limestone, with here and there only a little field of corn where some
snuff- earth has accumulated. Not a stream, not a spring, all
the water that falls is absorbed and disappears in the fissures to fill
the mysterious reservoirs that feed the rivers. Flocks of lean sheep
wander about the waste and eat the herbs and bushes that attempt to
grow, as well as the burnt and scanty grass. Even the droppings of the
sheep are not suffered to remain and enrich the meagre soil. They are
carefully collected and sold to the vinedressers of the plain.

Blandas is four miles from Montdardier. There are eleven megalithic
monuments in this commune alone. Nothing breaks the monotony of the
Causse, beyond the white plateau of which is the blue chain of distant
mountains, of pure cobalt. All at once, what seems to be a fold in the
plain gives way, and we stand at the edge of a tremendous depression
of 960 feet. Below, beneath the escarpments of white Jura limestone,
a silver line appears winding among green meadows, and flowing from a
cascade.

     "The view of Navacelles produces an impression never to be
     forgotten. I really do not know how better to advise those who
     accompany tourists than to make them halt at a great tree about
     two hundred yards from the gap. There they should have their eyes
     bandaged, and they should be led to the edge of the precipice,
     and their backs turned to it. The bandage removed, they would see
     before them only the nakedness of the Causse. But let them turn
     about, and they would spring back filled with amazement. Even the
     details of the spectacle presented before them are most curious.
     The position of the declivity against which leans the village
     of Navacelles has an extraordinary resemblance to a gigantic
     oyster-shell, whilst to right and to left the spirals of the Vis
     are surmounted by precipitous rocks in fangs.

     The source of this strange river is not less interesting than
     its cañon. In half an hour one reaches La Foux. There between
     the escarped flanks of the Causse the river pours out of a deep
     cavern, and at once puts a mill in movement."[11]

Neither pencil, camera, nor description can do justice to the
remarkable scene. The road, a zigzag, descends into a veritable
crater-like hollow down a shoulder less precipitous than the rest of
the sides of the abyss, here barred with the horizontal beds of rock,
there covered with rubble slides, scantily sprinkled over with box and
juniper. At the bottom a ring of green meadow encircles a cone of rock.
To live in Navacelles requires the constitution of a salamander, as the
sun's rays are reflected from every side.

Le Vigan is becoming annually more appreciated, and justly so, as a
summer residence. The knowledge that it is abundantly supplied with
pure water, that it is well drained, cleaner than most towns in the
Cévennes, enjoys fresh air, and is surrounded by scenery of a high
character, and that almost endless excursions may be made from it to
places of great interest, have drawn to it numerous visitors. I have
but touched on some of the attractions of the neighbourhood. I would
recommend those who feel disposed to stay there for a few weeks to
provide themselves with the little guide from which I have drawn my
last quotation.

And now, finally, for the Chevalier d'Assas, whose statue adorns one of
the squares.

Louis d'Assas was born at Le Vigan in 1733. He entered early on a
military career, and at the age of twenty-seven was captain in the
Auvergne regiment—that regiment in violet uniform which immortalised
itself on the field of Parma, in the war in Italy 1733-4. The king
of Sardinia, the ally of France, was in the battle. Seeing the field
strewn with the violet uniforms, he turned to a French marshal at his
side and asked, "Where are the rest of the violets?" "Those not cropped
are still fighting," was the reply.

The action that made the name of Assas one dear to the hearts of the
men of Le Vigan took place during the War of Seven Years. After the
disgraceful defeats of Rossbach and Crevelt, a detachment was sent
against the Prussians, and a battle was fought at Clostercamp in 1760;
the corps of d'Assas lost fifty-eight officers out of eighty, and eight
hundred soldiers. On the night of the 15th October, Captain Assas fell
into an ambuscade. Surrounded by the enemy, who threatened to run him
through with their bayonets if he uttered a cry of warning, he thought
only of patriotic devotion, and shouted, "A moi, Auvergne! ce sont les
ennemis!" and fell pierced through and through.

In 1777, Louis XVI. granted a pension for all time of a thousand livres
to the eldest son of the race. During the Revolution this ceased to be
paid, but it was restored by Napoleon I., and is still received by the
representative of the family.

But he is not the only hero Le Vigan has honoured by a monument. Pierre
Triaire was born there in 1771. He was sergeant of artillery in Egypt,
and was in the battle of the Pyramids, was at the taking of Cairo, and
was in El Arish, which according to Bonaparte was one of the two keys
to Egypt. It was defended by 300 men under the command of Cazal, when
it was invested by the Turks. A portion of the garrison, discouraged
by the desertion of his post by the General Commander in Egypt at a
critical moment, and having but one desire, to return, like Napoleon,
to France, paralysed the defence. Some traitors cast cords down to the
Turks, who climbed over the walls. At this moment Triaire, indignant
at the cowardice of a portion of the garrison, rushed to the powder
magazine, of which he had the key, and blew the fort up. According to
General Desaix, 3,000 Turks were destroyed by the explosion.

This was on December 30th, 1799, when Triaire was aged twenty-nine.

The statue in bronze of Triaire was inaugurated in 1891.


FOOTNOTE:

[11] Chante: _Un Coin des Cévennes_. Paris, Berger-Levrault.




CHAPTER XV

L'AIGOUAL

     Meteorological station—Battle of the winds—Warnings of
     floods—Different aspects of the Aigoual—The Garden of
     God—Meyrueis—Bramabiau—Exploration of—Valleraugue—Roman
     road—Barre—Limestone cirques—Causse de l'Hospitalet—Florac—Dirty
     streets—Mimente—Cassagnas—Fontaine du Pêcher—The
     Dourbie—Trèves—Baume de S. Firmin—Prehistoric man—Nant—Source of
     the Durzon—Cantobre—S. Veran—Roquesaltes.


The Aigoual is the hinge or knot of the inner range of the Cévennes,
as Mézenc is that of the outer range. On one of its summits sits a
meteorological observatory astride on the ridge of the watershed.
Indeed, so exactly is it so placed, that the rain pouring off the roof
on one side reaches the Mediterranean, whereas that off the other side
goes to replenish the Atlantic.

[Illustration: PEASANT GIRLS OF THE CAUSSES]

The station is admirably calculated for the purpose, as thence can be
watched the atmospheric currents as they sweep from the north or from
the south, and the battle of the winds may be contemplated when the
northern blast rolls back the moisture-laden currents from the south.
This battle of the winds is an interesting phenomenon. Occasionally
it happens that a veil of mist rising from the Mediterranean is
swept forward, obscuring the landscape as it gathers density, and is
propelled by the south-east wind till it reaches the Cévennes. It
gradually becomes thicker and darker, packing in the valleys and then
creeping up the heights. No sooner, however, has it reached the summit
of the chain, than it is caught by the north-west wind and sent back in
flying streamers, like the mare's tails we are accustomed to see in our
skies presaging a change of wind, but with this difference, that these
streamers are viewed from above.

The north wind gathering strength, as though mustering its forces
against the audacious invasion of the southern vapours, rages and
blusters for several days. Meanwhile the south-east wind is still
thrusting forward volumes of vapour and compacting them in the gorges
and valleys, cautiously throwing up a tentacle towards the heights, up
lateral ravines, as though to feel whether the north wind is still on
the alert. Should Boreas slacken his efforts, then the clouds climb
the mountain sides like storming parties and reach the battlements.
But their success is momentary only. The north wind has been dozing,
and awakes to resume the combat. The heavily charged clouds, packed
beyond endurance in the valleys, can make no progress, and the volleys
of ice-cold wind overhead condense the mist and bring about torrential
rains, accompanied by incessant explosions of thunder and lightning.
In a few minutes the granitic or limestone cliffs are seamed with
cascades. The silver thread that meandered through the meadows below is
transformed into a yellow raging torrent, carrying before it masses of
rock torn from the mountain side, trees, the wreckage of enclosures,
houses even with their inhabitants. The rivers hitherto sliding through
rubbly beds, vastly out of proportion to their diminutive size, swell
to the brim and overflow, carrying devastation on every side. As in
the story of Puss in Boots the magician transforms himself into a mouse
at one moment and into an elephant at another, so is it with these
Cevenol rivers—what is a rill to-day is like the Thames to-morrow.

Those in the Observatory on the Aigoual perform a most valuable
service. They can predict the coming of a flood, and they telegraph
to all villages and towns that are menaced, to be on their guard, and
evacuate dwellings on low ground, and remove their cattle to heights.

The inmates of the Observatory have become very weatherwise, and note
many indications of an approaching tempest. One that is infallible in
summer is the conduct of the bees. These shrewd insects, that have
been humming and honey-gathering among the wild thyme, fly to the
Observatory and cling to the panes, darkening them, and remaining
motionless till the atmospheric disturbance is over.

How furious the wind may be, and what a force it exercises on the
Aigoual, may be judged by looking at the refuge of the Touring Club
that is fastened to the rock by chains, like the ropes of a tent.

The Mont Lozère, though higher than the Aigoual, is not so subject to
these veritable tornadoes. There the wind blows almost invariably from
the north. The Cevenol peasant says:

    "Se lo nibou bén de l'Oual prén tons bioous et baï o l'oustal.
    Se lo nibou bén de Louzero, prén tons bioous et baï o lo rego";

which may be rendered, "If the cloud comes from the Aigoual, take your
oxen and go to the stable. If the cloud comes from the Lozère, take
your oxen and go to the furrow."

The Aigoual is a granitic mass, reaching to 5,140 feet, whereas the Roc
de Malpertus, in the Mont Lozère group, rises to 5,520 feet, but this
latter is far less suitable for meteorologic observation. Around the
Aigoual erosion has formed a labyrinth of gorges and profound valleys,
in the beds of which race torrents impatient to reach lower levels.

From the side of Merueys, the Aigoual does not present by any means
an imposing appearance. It is a domed green mass, on the top of which
gleam white the walls of the Observatory. From the side of La Luzette
it bears some resemblance to a huge antediluvian monster in a crouching
posture with fore paws extended.

On the south side the Aigoual is rugged and abrupt. Its precipices
descend to great depths. The stream of the Claron there in a succession
of falls drops to the depth of 3,000 feet in a very short distance.

The Aigoual has two heads, one of these, La Fayède, looking towards the
sun-bathed basin of the Rhône; the other, that of the Hort Dieu, the
loftiest but the least picturesque. Between these is a coombe, watered
by a thousand springs that ooze from the turf and nourish a rich
vegetation. It is this coombe really which is the Garden of God, as the
natives term it.

On the one side the Aigoual rises out of mulberry and chestnut woods,
torn and precipitous; on the other it is smooth and velvety, wooded
only with distorted beech. It has been ravaged by the merciless axe
of the peasant that has left it bald and desolate. From the summit
a superb view is obtained of the tossed and torn ridges of schist
mountain, some rounded, but furrowed like the face of one very aged,
some starting up into peaks, some stretching out saw-like ridges, some
flat-headed, according to the nature of the rock of which composed. To
the north rises the Tarnon that passes by Florac, below which it enters
the Tarn. A little to the north-east is the Signal de l'Hospitalet,
and beyond Barre des Cévennes. The old Roman road ran over this latter
col to penetrate into the heart of the Cévennes; it kept to the crest,
commanding glorious views.

The Aigoual should be ascended from Meyrueis, a little town half the
population of which is Protestant. Near it, and on the way, is the
Renaissance castle of Roquedols.

Here one passes abruptly from the limestone to the granite, and at once
notes a corresponding difference in the flora. Among the limestone
rocks the pinks show as drops of blood. On the granite are none. The
fields by Roquedols are white with narcissus poeticus, not a flower
of that bulb is in the calcareous fields. The distance from Meyrueis
to the Aigoual is just over nineteen miles, and a carriage should
be taken at least as far as to Camprieu, where Bramabiau demands a
visit. On the top of the Aigoual a dinner and a bed may be obtained
at the Observatory. Bramabiau may also be visited from Le Vigan. The
rivulet of the Bonheur, that descends from the Col de Séyrerède near
the Aigoual, after flowing over granite and schist, encounters a mass
of Dolomitic limestone, through which it has bored a channel for a
distance of 1,200 feet. The tunnel through which it flows is in one
place open to the sky through the falling in of the roof. The name
Bramabiau given to this cavern traversed by a stream is onomatopœic,
and signifies the bellowing of a bull, as the water in time of flood
gives forth angry sounds.

Nothing surprises one more than the apparent inadequacy of the means
to the end attained. The Bonheur is but a small stream, yet the work
it has achieved is tremendous. But it must be borne in mind that where
stands Camprieu was once a lake, the water held back by the barrier of
limestone, and that the accumulated force was brought to bear on the
rock to effect this tunnel of drainage. Moreover, the rock itself was
full of holes like a sponge, with large vaults like huge bubbles in its
interior, so that it was not a solid mass through which the stream had
to bore its way. It was further aided by several springs rising within
the rock, all working in their several courses to effect their escape.

[Illustration: BRAMABIAU]

The exploration of Bramabiau was accomplished in June, 1888, by M.
Martel and his guides. They attempted first to penetrate by the opening
through which the Bonheur leaps into light again, but found that the
gallery consisted of a series of ascents, with cascades and pools;
and although by wading and with ladders they succeeded in reaching
a considerable distance, they could not attain to the point where
the stream begins to dive underground. On the following day these
indefatigable explorers attacked the tunnel from above, where the
Bonheur enters, and were able to descend to the point reached on the
preceding day, and further to pursue their course till they came out
where the stream issues, a distance as the crow flies of a kilometre.

In January, 1888, a man of Camprieu disappeared, and there was reason
to suspect he had committed suicide. As his body could not be found,
it was supposed that he had flung himself down the abyss of the
Bonheur; and, in fact, when M. Martel searched the cavern he found
the body wedged into a spot where, in the cave itself, the stream
disappears underground for a while, to again reappear and continue
its subterranean course. It goes through these vagaries twice, and
perpetrates seven cascades.

     "To avoid repetitions," says M. Martel in his account of the
     exploration, "I will say no more of the magic of magnesium light
     under vaults lofty as Gothic naves; I must only ask of the reader
     to figure, if he can in the profound night of these caverns, the
     deafening roar of the falling water, the dispersion of the party
     groping in all directions for passages, the flicker of the feeble
     candles, the distant calls and signals, whistles, and horns, the
     cords strained, and the ladders set up against steep walls, our
     silhouettes magnified against the walls in shadows, and profiled
     against the boiling torrent, all under vaults 150 feet high and at
     the extremity of galleries of 300 feet.

     "One portion of our course was effected only by a series of
     gymnastics, according to the width of the gallery that varied
     from three feet to ten feet, according to how far the ledges were
     practicable—so we crept along, a few yards above the torrent,
     clinging to the rock with our fingers, our breasts against the
     wall, or else wading in the water up to our armpits. Often our
     candles went out, caused by our rapid movements, or by the rush
     of wind that swept through the tunnel; the drip of our soaked
     clothes, the difficulty of communication amidst the roar of the
     falling water, increased our difficulties tenfold."

Where the Bonheur escapes into daylight there is an immense rift in
the rocks, and out of this the stream leaps in a fall of some dignity.
Up to 1888 it was not thought possible that the Bonheur could be the
stream that issued at Bramabiau, for anything thrown in above never
issued below. But the exploration by M. Martel solved the mystery.
The stream sinks, filters through the rock, leaving above that which
is thrown in, and issues limpid at the cascade that rushes from the
entrance.

The descent of the Aigoual on the side of Valleraugue is by a thousand
steps hewn in granite and schist, and at the bottom of this is the
vegetable garden of the officials of the Observatory.

Valleraugue lies at the bottom of a cirque of mountains at the
confluence of the rivers of the Mallet and the Clareau, and it is after
their marriage that the united streams assume the name of Hérault. The
descent from the Aigoual to Valleraugue occupies two hours, the ascent
by the carriage road takes seven. Valleraugue is a busy factory town;
the population is mainly engaged in silk spinning and weaving. The
place is almost wholly Protestant. This valley of the Hérault as far
as Ganges is one of the most active in silk industry in the Cévennes.
The vegetation is wholly southern; the hillsides disposed in terraces
are planted with vines and mulberries; and ilexes abound, providing
the tanneries with their bark. "This valley," says Ardouin Dumazet,
"is a synthesis of all the somewhat severe graces of the Cevenol
land." The Roman road over l'Hospitalet has been already referred to.
It runs from Avignon to Anduze and then ascends the crest above the
Gardon, and passing under Barre stretches away to Florac. Barre itself
occupies a Gallo-Roman oppidum, of which traces remain, and throughout
the neighbourhood relics of the Roman tenure of the land are found.
After the Col d'Aire de Côte ensues a series of frightful cirques,
whose vertical walls crumble away by degrees under the action of the
weather. The flanks of the mountain are profoundly breached, and form
precipices. The nature of the rock contributes to augment the savagery
of the region. It is composed of schists steeply inclined towards the
north, and penetrated by numerous veins of porphyry that metamorphized
them. Here are needles, here masses of schist support tables of
limestone. A little triangular plateau, a lost islet of the Causse,
succeeds to the schists. This is the Can de l'Hospitalet.

     "Here, atmospheric agencies have carved the strangest edifices.
     Huge calcareous hats cover and overhang slender schistous
     supports, shaped like the tables in a glacier. Many of these
     gigantic mushrooms have reeled on their corroded stalks and are
     thrown into a sloping position like fallen dolmens. The plateau of
     l'Hospitalet is both picturesque and of scientific interest."[12]

Florac hardly comes within the range that I have marked out for
description, and yet some words must be given to it, as it was the
centre of the Cevenol revolt, and was the scene of several conflicts
and of the execution of Camisards.

It is a very dirty place, originally walled; the houses were so crowded
that the streets were contracted to the narrowest possible width. One
has to be careful not to walk down them before eight o'clock in the
morning, as all the slops are thrown from the windows into the street,
and may fall on the head of the incautious passenger; and here no
warning call is given, as in the narrow lanes of old Edinburgh, to put
the man in the street on his guard. What is cast forth remains where it
falls till torrential rains sweep away the accumulated filth of weeks
and even months. In the Languedoc towns that reek with evil odours, in
a country too where the hillsides are redolent with aromatic herbs,
lavender, sage, marjoram, rosemary, beds of violets, thyme in sheets,
one can hardly help repeating the lines of Bishop Heber:

    "What though the spicy breezes
      Blow sweet o'er Ceylon's isle,
    And every prospect pleases,
      Yet only man is vile."

But it is not man who is vile, _that_ he is nowhere, it is the refuse
he casts about him that is offensive, and the offensiveness is a
provision of nature to instruct him to remove it beyond the reach of
the nose. But familiarity must breed a liking for these disgusting
odours, or women would not sit on their doorsteps all day working and
chatting, and let their children play about amidst festering garbage.

Florac is, in spite of dragonades and gallows and the stake, almost
entirely Protestant. The large meeting-house contains nothing but
a pulpit and bare benches. The Catholic church is a new and mean
structure, the temple bare as a barn, the church ugly as a modern
French architect can make one.

Florac is near the influx of the Mimente into the Tarnon. The three
valleys of the Mimente, the Tarn, and the Tarnon lead into the
inextricable labyrinth of defiles in which the Camisards were able
to establish their arsenals, hospitals, and storehouses. The Mimente
rises in the mountain of Bougès, whose summit is crowned by the forest
of Altefage, where under three huge beech trees met the murderers of
the Abbé du Chayla. At Cassagnas, a village near the source of the
Mimente, the caverns may be inspected that served the Camisards as
magazines, filled with corn, wine, oil, and above all chestnuts. Roland
had established here a powder factory; the saltpetre was obtained, as
later during the European wars of Bonaparte, from the numerous caverns
that contained the bones of extinct beasts. Drugs were procured for
the wounded from Montpellier, where there were many well-wishers ready
to smuggle them into the mountains. When the water-mills for grinding
the corn were destroyed by the military commander of Languedoc, the
Camisards reverted to the use of querns. In some of the caves whole
flocks and herds were secreted; others were stored with salted meat.

Florac possesses its natural curiosity, the Fontaine du Pêcher, that
discharges the water infiltrated from the plateau of Méjan. It pours
forth in an abundant stream and forms a cascade, but the water is at
once eagerly captured for the purpose of irrigation. During the winter
and after a storm it vomits forth a torrent with a roar like that of a
lion.

After a visit to the summit of the Aigoual it would be well to
descend the Dourbie to Milau, reaching the Dourbie by the ravine of
the Trévesel. The Pas de l'Ase is a profound gorge, 1,200 feet deep,
between fiery-red dolomitic cliffs, in three stages superposed and
separated by <DW72>s of detritus. At midday, when the sun streams down
on these rocks, the effect is dazzling. At Trèves, where are coal
mines, is the cave called the Baume de S. Firmin, and near by the ruins
of a castle.

S. Firmin was the grandson of Tonantius Ferreolus, Prefect of Gaul,
who, as we have seen, was the host of Sidonius Apollinaris. He had a
villa here, Trevido, as the town was then called, and in it he died
in the year 470. Firminus was educated by his uncle Noricus, Bishop
of Uzès, the son of Tonantius, and he in turn became bishop of the
same see, and died at the early age of thirty-seven, in the year 553,
and was succeeded by his nephew, Ferreolus; so that at that time it
is pretty clear bishoprics had become the perquisites of members of
the great families of Gallo-Roman origin. When S. Firmin visited his
grandfather or his father, at Trèves, he was wont to retire to the
cave that bears his name, for reading and devotion. Possibly the
dampness of this grotto may have sowed the seeds of the disorder from
which he died. The cave runs deep into the mountain, and is adorned
with numerous white and graceful stalactites. But it is very damp;
notwithstanding this, prehistoric man occupied it, for in the first two
halls of the grotto have been found old hearths, remains of feasts,
broken and split bones, and fragments of badly burnt pottery.

About ninety feet above the Baume de S. Firmin is another cave
forming a great vault that is filled with water during heavy rains.
Nevertheless man inhabited it at a remote period; for thence also have
been excavated numerous fragments of vessels, which by their paste and
ornamentation show that they belonged to the age of polished stone.

How the men of that period must have suffered from rheumatism! And it
has been noticed that among the bones of prehistoric man, who was a
cave dweller, rheumatic swellings of the joints are common. Usually the
caves in limestone and chalk are tolerably dry. France must have teemed
with peoples at that early period, for not only on the Causse, but
also in the chalk districts of Dordogne and Lot, and in the sandstone
regions of Maine-et-Loire and Vienne, troglodite habitations abound.

After crossing the Col de la Pierre-Plantée, the road winds down into
the valley of the Dourbie, which wriggles along at a great depth below
between rocks of quartz and schist, then passes among chestnut trees,
and reaches S. Jean-du-Bruel, when we are in the valley of the Dourbie.
Here comes in the road from Saudières, where is a station on the line
from Le Vigan to the junction on the main line opposite Roquefort; and
the lower valley of the Dourbie can be visited from Le Vigan by taking
the train to Saudières and a carriage thence to Milau.

Nant, a little town on the left bank of the Dourbie, has a Celtic
name, very descriptive, for Nant signifies a valley or a river bottom.
Nantes in Brittany has the same derivation, as has also Devon in Welsh,
Dyffneint, the county of valleys. So also the Dourbie and the Durzon
proclaim that they were named by Celts, for _dour_ signifies water in
Welsh.

The church of S. Pierre of the twelfth century is all that remains of a
Benedictine abbey; the Romanesque chapel of S. Alban stands on a barren
rock 2,400 feet high. But the great attraction is the source of the
Durzon, as Reclus describes it:—

     "A little river issuing from a deep _foux_ some six or seven
     kilometres from Nant, near the Mas-de-Pommier, at the bottom of
     a cirque where walls, which are those of the Larzac, rise above
     the well to the height of 900 feet. There opens a great gulf,
     _un dormant qui ne dort pas toujours_. A slight rain on Larzac
     agitates it, and it begins to boil languidly in the centre of
     the well; but after a long rain, a storm, or the melting of the
     snows, the water rises in clashing floods like a cascade turned
     upside down; it is no longer a murmuring stream, but a growling
     torrent whose voice breaks the austere silence of the cirque."

Still descending the valley, we see perched high up on the right the
curious village of Cantobre, on a point of the Causse Bégon, shaded
by gigantic dolomitic mushrooms, and comprised within the walls of a
ruined castle that was destroyed in 1660, after its owner, Jean de
Fombesse, had been executed as a coiner.

But more curious even than Cantobre is the village of S. Veran,
plastered against the rocks which shoot up into needles. The ravine
opening behind it describes a circus bristling with pinnacles and rocks
scooped out and shaped into the most fantastic forms. The whole is
commanded by an immense wall of limestone on which, and intermingled
with which, are the artificial structures of a castle, the cradle of
the family of Montcalm, whose most illustrious member was the Marquess
who fell on the heights of Abraham, 14th September, 1759, in the
struggle over Quebec, that cost also the life of Wolfe. The inhabitants
of this poor hamlet, in a barren and waste land, are themselves
wretchedly poor. Some one said to one of them: "So, the Montcalms left
this place!" "Aye! and would to God we could leave it too," was the
reply.

Below this is La Roque, whence Roquesaltes may be visited, and the
Rajol, extraordinary groups of rocks little less curious than those
of Montpellier le Vieux, that are also reached from the valley of
the Dourbie. But these I have described elsewhere, and I am not so
garrulous that I care to repeat myself.


FOOTNOTE:

[12] Martel: _Les Cévennes_. Paris, 1891.




CHAPTER XVI

THE LAND OF FERDINAND FABRE

     Ferdinand Fabre—His novels—Biography—The uncle—Discouragement—Les
     Courbezon—Bédarieux—Ruined by a strike—Hérault—The
     Population—Iberians—Ligurians—Umbranici—The Gauls—Chestnuts—The
     Beaters—Ballad of the Chestnut-tree—The Séchoire—Fêtes in
     Hérault—Carotat at Béziers—Pepezuc—The Ass of Gignac—Roquefort
     Cheese—Le Bousquet d'Orbe—Lamalou—N. Dame de Capimont—Extinction
     of the hermits—Villemagne—Gorge of the Héric—S. Gervais—The church
     spire—The inhabitants of the Highland and of the Lowland—The
     Pillard.


The number of readers of the novels of Ferdinand Fabre in England
is but few, I fear; but those few recognise in him one of the most
graceful and delightful of writers. His novels may be divided into two
categories: those that deal with his reminiscences of early life in the
Cévennes about Bédarieux, and those in which he combats the intrigues
of the Jesuits, "they which creep into houses, and lead captive silly
women laden with sins"; or who meddle with and thwart the good work
of the simple country and town curés, acting as spies for Rome on the
bishops and the parochial clergy.

To the first class belong—I mention only the best—_Les Courbezon_,
_Julien Savignac_, _Mon Oncle Célestin_, _Barnabé_, _Monsieur Jean_,
and _Xavière_. To the latter a series—_La Paroisse du Jugement
Dernier_, _Le Calvaire de Mme. Fuster_, _Le Couvent de la Falosque
Bergonnier_, _L'Hospice des Enfants Assistés_; and the purely clerical
romances, _Lucifer_ and _l'Abbé Tigranne_.

The delicacy of touch, the exquisite delineation of character among the
peasantry of the Cévennes, and the beautiful descriptions of scenery
and bird life in the first category make these stories essential to a
knowledge of the country I am describing in this chapter, and no one
should visit it without having read at least some of them. Ferdinand
Fabre was born in 1830 at Bédarieux, and was the son of an architect.
After having spent his first school years in his native place, he was
committed to his uncle, the curé of Camplong, and he remained with him
for two years. These years left an indelible impression on his mind.
The happy life in the country, the habits of the villagers, the ways
of the birds, the bald causses, and the chestnut woods of the valleys;
above all, the kind, simple-minded old uncle, and the grumbling,
economising, but tender-hearted old housekeeper, filled the young heart
so full, that it was Fabre's delight in mature life to pour forth his
reminiscences of those two happy years. The uncle and the housekeeper
recur again and again, the former either as the Abbé Courbezon, the
Curé Fulcran, or Mon Oncle Célestin.

On leaving Camplong, Ferdinand entered the Petit Seminaire at S. Pons,
and thence passed in due time to the Grand Seminaire at Montpellier. It
was there that he made those experiences of clerical life that he has
given forth in the remarkable novel, _l'Abbé Tigranne_, remarkable if
only in this particular, that it is a novel without a woman in it. This
story represents the conflict of an ultramontane bishop imposed on the
diocese with his clergy, who are Gallican-minded.

Not feeling a vocation for the priesthood, Fabre went to Paris,
and was at first a lawyer's clerk, but was soon left to his own
resources. There he published his first literary venture, _Feuilles de
Lierre_, 1853, which attracted little notice, and, disheartened, with
enfeebled health, he returned to the south. Then he began to write
stories concerning scenes and personages with which he was intimate.
He produced _Les Courbezon_ in 1862, and this "caught on" at once.
The charm of style, the sweetness of mind it displayed, the keenness
of insight into character, and the daintiness of description caused
the literary world to realise that a writer of extraordinary merit
had risen as a star on the horizon. _Les Courbezon_ was crowned by
the Académie. Next year, 1863, appeared _Julien Savignac_, a study
of a mind affected with incipient insanity. The tale is powerful
and painful. _Le Chevrier_ was produced in 1868, a disappointing
performance, but, with the curious perversity that characterises many
an author, preferred by Fabre to his other works; and as it did not
obtain success as a novel, he converted it into a drama, which was
also a failure. _Barnabé_, an excellent study of a class of men now
completely passed away, appeared in 1875. Fabre died in Paris on 11
February, 1898.

Bédarieux is, or rather was, a busy manufacturing town, with forges
and glass works, indebted for its coal to the neighbouring mines of
Grassensac. But a few years ago a strike took place. The ironmasters
and glassmasters could not meet the demands of the men, and forges and
factories have since been closed, and the population has dwindled to
nearly half what it was. This also has seriously affected the miners of
Grassensac.

Bédarieux is on the Orb at the confluence into it of the Courbezon.
The station is three-quarters of a mile from the town. There is nothing
of interest in the place itself, except the church of S. Alexandre
of the fifteenth century, and that not remarkable. For a centre of
excursions it is good, but preferable is Lamalou-les-Bains, where are
excellent hotels; but Bédarieux must be tarried at for a few nights
if Rochefort, Lunas, and Boussagues are to be visited, or much time
will be lost in the trains. Bédarieux is the station of bifurcation of
three lines from the main trunk from Clermont to Béziers, and any one
who has had experience of French lines will know that as often as not
this implies a tedious halt, perhaps of an hour, at the station where a
change has to be made.

The nature of the mountains through and by which flows the Orb differs
greatly from that of the schisty Cévennes—the Cévennes proper—and the
limestone of the causses and of the garigues. They are a ripple rather
than a billow, and being sheltered from the north winds by the high
range at their back form a sort of natural hothouse, in which the
sweetest fruits of a southern clime ripen readily, where the spring
comes earliest and the autumn sun lingers longest.

In the Languedoc plain, in Roussillon, even to Perpignan, the icy
blasts from the Cévennes are dreaded. The olives, the planes, the
mulberries are bent, leaning towards the south, permanently given this
incline under the influence of these cruel winds. They scourge Béziers
and Montpellier as with a cat-o'-nine-tails dipped in water that has
been frozen. But these winds pass over Bédarieux and the valley of the
Orb to expend their violence elsewhere. Here in the upper reaches of
the Orb the vine, the fig, the olive, the pomegranate, the almond, the
nettle-tree luxuriate, untortured, unnipped.

Villages are many, clustering as so many sets of beehives in every warm
and sheltered nook that faces the sun, and has a mountain wall at its
back.

And it is precisely here, where least wanted, that a prodigal nature
lavishes heating material in beds of anthracite and other coal.

     "The peasants of the low hills of the Monts d'Orb are less
     accessible to superstition than those of the highlands, but they
     have less character and veritable greatness. The sun has not only
     heated their land, it has also sucked up from their brains all
     those vapours full of poetry that make of the men of the causses a
     type original and picturesque. Between the inhabitant of Servier,
     who never sowed a seed, and he of Camplong, who gets fuddled on
     new wine, the distance is immeasurable, and yet they are parted by
     nothing more than the granite mass of Bataillo."

This is what Fabre says of the natives. There are two types not due to
difference of blood, but of surroundings and of occupations. We are now
in the department of Hérault, of Lower Languedoc, and I may be allowed
a few words on the mixture of peoples of diverse origin that have been
fused together into a homogeneous race.

From a period before history began, this country was inhabited by
populations of diverse origins, habits, and language, drawn thither by
the delicious climate, its natural resources, or simply by the chance
of migration. One fact characterises the establishment of the tribes
or nationalities in these parts; so far as we can judge, it was their
attitude towards the people who preceded them. If some of them swept
away the indigenous race, more often they planted themselves beside
the earlier population peaceably and fused with them. Most of these
invaders seem to have possessed gentle manners, and were not goaded on
by the passion for extermination, for which there was no provocation
or need, as the land was wide and rich enough to sustain all. This
mode of colonisation had the result of filling Lower Languedoc with
very heterogeneous inhabitants, the complexity of which explains the
apparent contradictions of early writers. But on one point these
writers are unanimous: the variety of races or mixtures that occupied
the land in Gallia Narbonensis. In the first century before Christ,
Cicero notices this; and in the fourth century after Christ, Ausonius
sang: "Who can record all thy ports, thy mountains and thy lakes, who
the diversity of thy peoples, their vestures and their languages?"

The most ancient inhabitants recorded were the Iberians, who extended
their domination over the Spanish peninsula and to the Rhône on the
east, which formed the boundary between them and the Ligurians. But
at a time difficult to determine these latter crossed the river and
invaded the territories of the Iberians. But instead of expelling the
conquered peoples, the Ligurians, having an aptitude for absorption,
mingled with those whom they had subdued and formed the mixed race
of the Iberian-Ligurian. There was, however, already in the land
a third nation, that of the Umbranici, apparently the same as the
Umbrians of Northern Italy. They have left their name at Ambrussum,
now Pont-Ambroise, on the Vidourle. Twenty-three inscriptions remain,
mostly in Gard, in an unknown tongue, but written in Greek characters,
that bears an affinity alike to the Ossian and Umbrian language in
Italy.

The Greek trade of Marseilles spread through the land. At Murviel, a
cyclopean enclosure, not many miles from Montpellier, have been found
Greek coins of Marseilles.

In the fourth century before the Christian era a new ethnic element
came to add to what already existed. The Gauls appeared in the land.
A branch of this stock was that of the Volci. These established
themselves between the Rhône and the Garonne, and extended their
authority over the Ibero-Ligurians. These new arrivals seem to have
treated the conquered much as the Ligurians had the Iberians. They
established themselves peaceably among them or alongside of them. This
was the more easy, for, as Strabo says, though the Gauls belonged to a
wholly different stock, yet they resembled the Ligurians in their mode
of life.

Their dominion was not for long—not for more than two centuries—for in
B.C. 121 their country was conquered by the Romans.

Such, then, is the origin of the population of Lower Languedoc, and
explains the diverse origin of the names of rivers, mountains and
towns, some Iberic, some Celtic, some Latin, some of undiscoverable
derivation, given perhaps by the Umbrian colony.

The staple of life in the Cévennes, mainly in the southern portion, is
not corn, but the chestnut. That is why we see this tree everywhere,
old and twisted, but sturdy still, young and vigorous when recently
planted. But unhappily a malady has broken out among them, the cause of
which has not been discovered with certainty, nor has any remedy been
found efficacious. In some years the leaves fall in September, and the
fruit comes to nothing, reducing the people to a condition almost of
famine. In order to preserve the nuts through the winter and spring and
prevent the sprouting, they are subjected to desiccation in _clèdes_
that may be seen as a part of the outbuildings of every farmhouse and
of many cottages.

The Spanish chestnut is a beautiful tree. It was indigenous in England.
A few years ago I was draining a field by the river, and cut down to
glacial clay nearly nine feet below the surface, and lying on this was
a huge tree, black as ebony. With great labour I had it removed to
the sawmill, thinking it to have been black bog oak. It was Spanish
chestnut, and since then others have been found in the same valley.
It seems willing to grow anywhere. The peasants build up terraces no
larger than a doormat, and it grows there. But where there is plenty of
soil it will grow much more vigorously than on a ledge of rock.

     "I wish," said R. L. Stevenson, "I could convey a notion of the
     growth of these noble trees; of how they strike out boughs like
     the oak, and trail sprays of drooping foliage like the willow;
     of how they stand as upright fluted columns like the pillars of
     a church; or like the olive, from the most shattered bole can
     put out smooth and youthful shoots, and begin a new life upon
     the ruins of the old. Thus they partake of the nature of many
     different trees; and even their prickly top-knots, seen near at
     hand against the sky, have a certain palm-like air that impresses
     the imagination. But this individuality, although compounded of
     so many elements, is but the richer and the more original. And to
     look down upon a level filled with these knolls of foliage, or
     to see a clan of old unconquerable chestnuts cluster like herded
     elephants upon the spurs of a mountain, is to rise to higher
     thoughts of the powers that are in Nature."

I believe that the reason why we have so few old chestnuts in England,
why we have not woods of them, is that the rabbit dearly loves its
sweet bark when young. In planting chestnuts they must be protected by
wire, or every one will be pealed in early spring by these wretched
rodents. The beating of the trees and the gathering of the fallen
chestnuts is a great festival among the Cevenol, as is the vintage in
the plains. I will give an account of the beginning of the gathering in
from the pen of Ferdinand Fabre. I must premise that the mountaineers
from the bald causses come down to the zone where the precious tree
grows and hire themselves out as beaters and gatherers. A body of men,
mostly young, arrive in a village waving branches, and is met by the
old people in the street.

     "Our old men and women, very attached to the Fête of the Chestnuts
     which brightened their youthful years, had quitted the fireside
     and had advanced to the first house of the village. There they
     drew up in file, ranged against the south wall. From one end
     of the line to the other the features were grave with wrinkles
     and furrows, softened on some by their white hair. Warped,
     bowed, shivering, they looked ahead with glassy eyes kindled
     with curiosity. The young folk of the mountain were about to
     pass by and they desired to see them, and in seeing them revive
     recollections of their own young days, and warm themselves thereat.

     "At the first house the arrivals halted; then waving their boughs
     in salutation, asked altogether, 'Good folk, how go the chestnuts
     this year?' 'Very well, children,' replied the old people. Then
     a little woman, aged eighty-five, detached herself from her nook
     in the wall and advanced towards the beaters. 'You have not
     forgotten, friends, the Complaint of the Chestnut Tree?' 'To be
     sure, the Complaint of the Chestnut Tree,' cried all.

     "From the midst of the grove of boughs carried in their hands, and
     which seemed suddenly to have taken root in the soil of the road,
     rose the _Complainte_ (ballad), so popular among the Cevenols of
     the south, and which, like most of their popular songs, express
     their toil, their sweat, their sighs of hunger at last assuaged by
     labour.

        "Quand le châtaignier est planté
          Il monte, monte, monte!
        Quand le châtaignier est planté
          Nous buvons largement à sa santé.

        Quand le châtaignier est en fleur,
          Belle, belle, belle!
        Quand le châtaignier est en fleur,
          Le pays prend son odeur.

        Quand le châtaignier a grainé,
          Il graine, graine, graine!
        Quand le châtaignier a grainé,
          Chacun danse dans son pré.

        Quand les châtaignes nous avons,
          Bonnes, bonnes, bonnes!
        Quand les châtaignes nous avons,
          Nous les mangeons, puis nous mourons.

     "After the fourth couplet the ballad was interrupted. Our Cevenols
     raised their boughs, brandished the leaves, and made therewith the
     sign of the cross.

     'On your knees!' said the old woman, extending her hand. The
     beaters knelt at once. Then, all at once, from a thousand sturdy
     breasts young for the most part, rolled forth the final verse of
     the Complainte du Châtaignier. It was as grand, as beautiful, as
     sublime as any psalm, any hymn I have heard in any church.

        "Cévennes pleins de rochers,
          Hautes, hautes, hautes!
        Cévennes pleins de rochers,
          Faites nous forts et religieux."

When the chestnuts have been gathered, then in November they are dried
in _séchoirs_. These are small square structures with a door and window
on one side, and on the other three or more long narrow loopholes,
called in the country _carézéïros_, that are never closed. A fire of
coals is lighted and kept burning incessantly in the drying-house, and
the smoke passes through shelves on which the chestnuts are laid, in
stages, and escapes by the loopholes. To any one unaccustomed to the
atmosphere in these _séchoirs_, it is hard to endure the smoke, and
one stands the risk of being asphyxiated. Nevertheless the peasants
spend two months in the year in these habitations, amidst cobwebs and
soot, swarming with mice and rats, and the smoke at once acrid and
moist, for in drying the chestnuts exude a greenish fluid that falls
in a rain from the shelves. The natives do not seem to mind the dirt
and smell of these horrible holes. Moreover, if there be in a village
any one suffering from phthisis, at the end of autumn the patient is
taken by the relations in his or her bed, and this is deposited in a
corner of the _séchoir_. The sick person is not allowed to leave the
drying-house, and it is a singular phenomenon that not infrequently,
under the influence of the heat and the sulphurous smoke, the
tuberculosis is arrested, and the sufferer lives on for many long years.

It is economy that drives the peasants to live in the drying-houses. As
they are forced to light fires for the chestnuts, they extinguish those
on their hearths in the farm-houses. Why have two fires going when one
will suffice? So the peasant bids his wife and children cook their soup
at the brazier in the _séchoir_. And he himself, driven under shelter
by the rain and cold, brings to the common hearth his hatchet and long
strips of wild chestnut, of which he fashions hoops for barrels or
baskets for the collectors of olives. Through the two months from the
Jour des Morts to Christmas Eve the _séchoir_ is the village centre; to
it flock the poorest members of the commune, who have no drying-houses
of their own.

The fêtes in Hérault are often very curious, and evidently date from an
early period, and are reminiscences of paganism.

For instance, the Carotat at Béziers on Ascension Day has nothing
Christian about it. Till 1878, on the eve, the servants of the Consuls
were wont to parade the town with music going before them, and knock at
the doors of houses asking for contributions. They were followed by a
clumsy wooden structure covered with hide to represent a camel; and all
largesses received were put into the mouth of the beast.

Next day, to the sound of cannon and bells, the Corporation assembled
in three ranks, led by the Provost bearing a cake decked out with
ribbons and attached to his left arm, attended by a servant carrying
a basket of bread, followed by the camel. This fête is dead. But
what does survive at Béziers and at Montpellier and elsewhere is the
Danse des Treilles at the fête called Roumarin. The young people, in
their gala dresses and adorned with bunches of rosemary, carry hoops
similarly decorated, with which they perform the evolutions of a
graceful ballet in which there are seven figures; and the bystanders
pelt them with violets. At Montpellier the dance is considered to be
a commemoration of the marriage of Peter II. of Aragon to Marie de
Montpellier, June 15th, 1204.[13]

At Béziers no public festival formerly took place without a preliminary
visit to Pepezuc, a mutilated white marble statue with the head
knocked off and replaced by one of common stone. It is obviously a
representation of a Roman emperor, perhaps of Augustus. It stood on a
fluted column, and on the base is inscribed P.P.E.S.V. But the common
story was that it represented a gallant officer who had driven out the
English from the town, of which they had obtained possession. Pepezuc
was wont to be dressed up and decorated with flowers. That is stopped,
as the statue has been removed to the town museum.

The Ass of Gignac continues to be fêted. The town was besieged by
the Saracens. One night, after a hard day's fighting, the defenders,
wearied out, had gone to sleep, when an ass brayed long and loud. His
master had forgotten to feed him, and this he resented. The man awoke,
for the braying of an ass would rouse the Seven Sleepers, and he saw
that the enemy was escalading the walls. He roused the garrison, and
they succeeded in hurling back the ladders. However, the deliverance
was temporary, for a few days later the town was captured and burnt. In
gratitude for what the ass had done, the people of Gignac instituted an
annual commemoration, in which they march a figure of an ass through
the street to the sound of fife and tabor. Then in reminiscence of the
fight a contest takes place in a field called Le Senibelet, in which
one duellist wears a huge helmet, preserved in the town hall, to
represent the Christian warrior, whilst the adversary has a turban on
his head. They fight with sticks of the _garrigou_, that grows on the
otherwise barren limestone, till the Mussulman drops with exhaustion,
when the victor is divested of his helmet and conducted in triumph to
the house where the ass is supposed to have brayed.

A visit should certainly be made to Roquefort, where the famous cheese
is made from ewe's milk. The town is built not only against, but into
a rock of limestone that has been riddled with caves natural and
artificially bored to serve as cellars, in which the cheese is kept
at an even temperature, and is supposed then to attain its special
flavour. The cheese is, however, not all made there; it is brought
there from the Larzac, that maintains enormous flocks of sheep, and
indeed from throughout the arrondissement of Ste. Affrique. The cheeses
are conveyed to Roquefort, there to mature. The blue mould in them is
not, however, due to natural mildew in the cheese, but to mildewed
crumbs of bread blown into the curd in process of formation. The
cheeses are ranged on stages of wooden boards by over nine hundred
girls in short petticoats, called _cabanières_, whose special duty it
is to attend to the cheeses. They are clean, good-natured, happy-faced
lasses, who marry early, usually at sixteen. It is extraordinary if one
is still unmarried at nineteen.

[Illustration: CHEESEMAKERS, ROQUEFORT]

I have described the making of the cheese in my _Deserts of Central
France_. The natural caves in Roquefort number twenty-three, and there
are thirty-four in all. The rocks in part of the town overhang the
houses.

At Lunas, commanded by the escarpments of the Pioch, there is not
much more to be seen than the ruins of a castle and a church partly
Romanesque. Le Bousquet d'Orb occupies a picturesque situation, on a
mamelon in the midst of a basin. On the highest terrace the church
stands up boldly. This is a place with mines of coal and copper.
Boussagues is a very ancient village, once a town enclosed within
walls, and possessing two churches and two castles. The town has
retained its medieval physiognomy—and its smells.

The train from Bédarieux to Lamalou follows the Orb, that flows through
a green and smiling plain. Properly the Orb should pursue its further
course due south, but a low range of hills obstructs the way, and the
river is forced to turn abruptly round and flow due west. The hills to
the south rise; on a lofty isolated height above green forest gleams
white a pilgrimage chapel. We pass on to Lamalou, where every comfort
may be obtained.

Lamalou is picturesquely situated in a narrow lateral valley of the
Orb, in the midst of the buttresses of the Espinouse, or rather of the
Caroux, that links the Cévennes proper to the Montaigne Noire. This
thermal station is growing in importance, the waters being thought
specially and peculiarly beneficial in spinal troubles, above all in
cases of S. Vitus's Dance. In winter it has but 900 inhabitants, but
in summer arrive 10,000 visitors, and a special train-de-luxe starts
twice a week from Paris for Lamalou, enabling the journey to be made in
fifteen hours.

A favourite walk is to N. D. de Capimont, which occupies from two
hours to two and a half. This is a little chapel on the height above
the village, with a hermitage attached. There is no hermit there now.
The last died five years ago. He was found dead in his cell, some days
apparently after that he had expired. He was the last, and there are
not likely to be any successors to an Order that was by no means an
element of good in the country. Ferdinand Fabre has given a graphic
account of the hermits in _Barnabé_, and also in _Mon Oncle Célestin_.

     "I am in despair," says he. "Letters from the South inform me that
     one by one the hermitages are being closed; that the hermits,
     knapsack on back, are quitting their solitary chapels, and that
     they do not return. Did the order for their suppression issue from
     the Prefecture or from the Episcopal Palace? It is supposed from
     both simultaneously. What a pity! O how the picturesqueness of our
     South will be the poorer thereby."

The hermits, calling themselves Free Brothers of S. Francis, were a
begging fraternity; they rambled about the country selling sacred
pictures, rosaries, and other religious trifles; they frequented the
fairs and the taverns, and neither ate nor drank in moderation, and
their morals were not irreproachable. But they served a purpose. They
attended to the solitary chapels, and made ample provision for the
pilgrims who visited these shrines.

     "Mon Dieu!" says Fabre; "I know well enough that the Free Brothers
     of S. Francis, as they loved to entitle themselves, had allowed
     themselves a good deal of freedom, more than was decorous. For
     instance, it was not particularly edifying at Bédarieux on a
     market-day to see the hermits from the mountains round about leave
     the tavern of the Golden Grapes staggering, jolting against one
     another, shouting, and at nightfall describing ridiculous zigzags
     as they went on their way straying along the roads leading to
     their solitary dwellings.

     "But as these monastically habited gentry in no way scandalised
     the population of the South, who never confounded the occupants
     of the hermitages with the curés of the parishes, why sweep away
     these fantastic figures, who, without any religious character,
     recruited from the farms, never educated in seminaries, peasants
     at bottom, in no way priests, capable, when required, to give a
     helping hand with the pruning-knife in the vineyard or with the
     pole among the olives, or the sickle among the corn. Alas! they
     had their weaknesses, and these weaknesses worked their ruin."

At the French Revolution the Free Brothers of S. Francis did not creep
into their shells and hide their heads there—they knew better than
that. Though not even in minor orders, they did something smack of the
clerical, and might be sent _à la lanterne_. So they doffed the brown
habit and donned the blouse, went to farmers and served them till the
tyranny was over-passed. In 1806 the curés of the parishes were glad
to find any pious laymen who would keep the chapels clean and serve at
Mass on the days when pilgrims streamed to them. The men thus installed
assumed a Franciscan snuff- habit, and called themselves,
without other justification, Brethren of S. Francis.

When he was a child, Fabre says, there were six hermitages in the upper
valley of the Orb. Now most of the chapels are falling to decay, as
there is no one authorised to look after them. But N. D. de Capimont
is still in considerable repute, and is frequented by crowds on the
Feast of the Assumption. A curious old town, situated high, may be
visited from either Lamalou or Bédarieux. This is Villemagne, with a
ruined abbey and mint. The abbey was founded by Charlemagne in 780.
The church of the parish is dedicated to S. Majan, and is a vast
building; the choir alone was erected in the fourteenth century. It
contains a curious altar of the sixth century, now used as a bénitier.
The old church of S. Gregory, of the thirteenth century, long used as a
granary, has been restored. The old town is full of ancient buildings,
in narrow streets, and is very curious.

But the finest excursion of all is that to the gorge of Héric. For this
it is advisable to take the train to Colombières and walk thence, or
drive from Lamalou. The station of Trivalle is close to the entrance
of the gorge, but from that side it can rarely be ascended, as the
path built up against the precipice is often broken down and not
repaired. But from the other side the ascent is easily made. The view
up the ravine to the needle rocks of granite above is hardly to be
surpassed for beauty of colour and form. The sides are precipitous
for 900 feet. By the path one can reach the village of Héric, lost
at the extremity of this tremendous ravine, and by this is its only
means of communication with the outer world; and so dangerous is the
path that there is a saying in the country that no inhabitant of
Héric dies in his bed. What I have said before I repeat here. None of
the gorges in the Cévennes resemble one another; they have not even
a family likeness, for the Caroux from which the stream descends,
and into the bowels of which this gorge is cleft, is of granite; and
what resemblance can there be between granite and basalt or dolomitic
limestone? When I visited the ravine, snow powdered the silvery-grey
needles at the head and lay in the laps. So seen, the picture of that
ravine is indelibly impressed on my memory as one of surpassing savage
beauty.

S. Gervais is a picturesque little town situated at the junction of
the Casselouvres and the Mare, that takes its rise in the Signal de
l'Espinouse, 3,380 feet. Its church has the peculiarity of the spire
being a grove of trees and a bed of wallflowers that have rooted
themselves in the stonework and been allowed to grow there unmolested.
The town, notwithstanding that it preserves many relics of the Middle
Ages and a general aspect that is venerable, is but modern compared
with the older town, now abandoned, that was built on a jagged rock,
its ruins mingling with the rock and scarce distinguishable from it.
The more modern town is planted on a hillock standing by itself; the
streets are narrow, scrambling up the side of the hill, and the houses
are dingy, dirty, and dilapidated. The still more modern town lies
below the hill. There is an intermittent spring in the side of the
Hôtel Soulié. At Saint Gervais at fair time may be noted the contrast
that exists between the inhabitant of the sun-baked, semi-tropical
lower land, rich in oil, honey, and wine, and the mountaineer who
descends there to sell his cattle. Those who live in the sheltered
valleys are clothed in stout broadcloth and serge, or bottle-green
velvet. They arrive at a fair or market, noisy, sprightly, their mules
laden with corn and fruit. On the other hand, the inhabitant of the
heights of the Espinouse or Larzac is grave, reserved, uncommunicative,
clothed in a garment of coarse cloth called _grisaoud_, followed by
interminable flocks of sheep, goats, and oxen.

At Bédarieux—

     "They trade, they chaffer over almonds, olives, honey, cocoons,
     wheat, the produce of a sunny nature; at Saint Gervais is a cattle
     market, and is of a graver character, for though a man can
     dispose lightly of the fruits of the earth that he has tilled,
     of the tree he has planted, it is not without a pang that the
     shepherd can separate himself from the beast he has nourished.
     Between the pastor and his flock do there not exist, moreover,
     mutual sentiments of affection, even of love, that defy all
     psychology?"

But the market is not one of cattle and corn only, it is of human
beings as well, for hither come the shepherds to hire boys to attend
during the year on the sheep and herds of swine. These lads are
locally called _pillards_, and the token that one has been engaged is
that the shepherd buys the boy a pair of new sabots out of his own
money, a sort of investiture in the pastoral office. These lads and
the shepherds lead a lonely life in the mountains. The boys are not
unkindly treated, for the Cevenol, if rough and silent, has a gentle
and kindly heart. But what a life for a growing boy in wild nature,
among mountains and shrubs, birds of all kinds, and creeping things
innumerable, and at night with the stars shining above his head with
a sharpness and intensity as though they stabbed him to the heart,
but left an exquisite pain behind. He learns to know the signs of the
times, the winds, the voices of nature, to distinguish one bird's note
from another, and to ascertain the virtues of the aromatic herbs on the
limestone causse. The life may be hard, but it is healthy both to body
and mind and soul.


FOOTNOTE:

[13] Ferd. Troubat: _Danse des Treilles_. Toulouse, 1900.




CHAPTER XVII

THE HÉRAULT

     Clermont l'Hérault—Church and castle—Aimar Guilhem—Deserts
     the cause of his Count—Peyrolles the Potter—N.D.
     du Peyrou—Villeneuvette—Military cloth factory—Its
     semi-feudal organisation—Valley of the Dourbie—Mourèze—The
     quarries—Decomposition of the rock—Church—Lodève—The
     Count—Contest with him carried on by S. Fulcran—The
     bishops—Perjury—The people gain the victory—Cathedral—S.
     Michel-de-Grammont—Dolmen—Caverns—L'Escalette—Larzac—Le
     Caylar—Flora of Larzac—Abdias Maurel—La
     Couvertoirade—Aniane—Gorges of the Hérault—Mills—S.
     Guilhem-le-Désert—Guillaume de Courtenez—His parting from his
     wife—His visit to Paris—Church—Monuments—Cloister—Saracen
     inscriptions—Farewell to the Cévennes.


An admirable centre for several expeditions of no little interest is
Clermont l'Hérault, where is a good hotel.

Clermont, though called l'Hérault, is not actually on the river of that
name, though near it. The town is built at the base and up the sides of
a steep hill crowned by a ruined castle.

The church is one of the very few in the department with side aisles to
the nave. Indeed, the form affected throughout southern Languedoc is
a vast nave without pillars, and chapels between the buttresses. This
church was begun in 1275 and ended in 1313. It has a seven-sided apse.
Over the west window is a gallery with machicolations, so that it
could be used as a fortress, and melted lead or boiling pitch could be
thrown down on besiegers. Narrow, steep, and dirty streets climb the
hillside to the castle, now enclosed within the walls of a convent;
little remains, however, but a keep of this once sumptuous seigneural
residence of the barons of Clermont. Formerly it consisted of a
semicircular ring of wall defended at intervals by seven round towers,
and with an eighth on the side of the chord of the arc. The view from
the height extends over the plain watered by the Hérault and the
Lergue, that begins at the feet of the Lodève Mountains and extends to
the low range of the Taillades de Gignac. From thirty to forty towns,
villages, and hamlets dot this plain.

[Illustration: S. GUILHEM-LE-DÉSERT]

In 1209 Aimar Guilhem, seigneur of Clermont, was the ally of the
unfortunate Raymond, Count of Toulouse, against whom Innocent III.
hurled the thunders of excommunication because he would not butcher and
burn his subjects, who had embraced the Albigensian heresy; and Aimar
was accordingly involved in his sentence. Innocent called together the
riff-raff of Europe to join in a crusade against Raymond, promising
life eternal and absolution from all sins to those who would join in
an indiscriminate slaughter of the Albigenses, and placed Simon de
Montfort at the head of this horde of the Children of God, as they
called themselves, who swept over the land committing indescribable
horrors. After the massacre of the inhabitants of Béziers by the
crusaders, Aimar retired to his castle and awaited events. His conduct
may have been prudent, as he saved the town from sack and slaughter,
but it was unworthy of him; as had he roused the country of Lodève,
he would have menaced the rear of Simon de Montfort, and might have
forced this commander of the soldiers of the Papacy to deal less
cruelly with the seigneurs of Languedoc, whom he robbed of their
domains with impunity.

On the _Place_ under trees is a monument, surmounted by a bust
of Peyrolles, a potter of Clermont, who composed verses in the
Languedoc dialect. He became jealous of the fame acquired by Jasmin,
the hairdresser of Agen, the great vernacular poet, and sent him a
challenge. "I will go to Montpellier any day and hour you choose to
name. Let four men of literary notoriety give us three themes on
which to compose poems in twenty-four hours; and let us be shut up in
one room, with no admission of any one to us or of anything but our
food—and see who in the time will turn out most poetry." Jasmin replied
that he declined the contest. For his part, he could not produce verses
as fast as Peyrolles could pots; his powers did not reach further than
the composition of two or three verses in a day.

[Illustration: IN THE CIRQUE, MOURÈZE]

A delightful walk or drive is to Mourèze, up the valley of the Dourbie.
On the col crossed by the road leading into this valley is the quaint
chapel of N. D. du Peyrou. It is pointed, with an immense porch
composed of two flying buttresses sustaining a roof. A chapel at the
west end is out of line with the axis of the principal building. The
nave was rebuilt or altered at the Renaissance. In the choir on one
side are oval frames containing representations of girls who have made
their first communion, in white paper cut out with scissors, and on the
other side similar frames contain nuptial crowns. A largely attended
pilgrimage visits this chapel on Monday in Easter week. This shrine
is at the entrance to the beautiful basin of Villeneuvette, rich with
cork trees, micocouliers (_Celtis Australis_), mulberries, chestnuts,
tall ancient cypresses, pines, caper bushes, and the kermes-oak.

Here in the bottom, by the little river, is the industrial settlement
of Villeneuvette. An avenue of planes leads to a wall, with a gateway
in it, over which is the inscription, "Honneur au travail." Up to 1848
it bore the title "Manufacture royale." This is the last existing
example of the factories established by Colbert in 1666 for the weaving
of cloth for the Levant trade, and for each piece of cloth woven was
received a bonus of ten francs. It was found that the trade in the
Levant of French cloth was failing owing to English competition.
Colbert founded this among other colonies of workmen to ensure that the
cloth exported was of good quality, and agents in Constantinople and in
Pondicherry received and sold it. In order to protect the establishment
during the religious wars that desolated the Cévennes, the settlement
was surrounded by a rampart, crenelated and flanked by redoubts. Within
are the factory, a church, and the houses of the artisans, arranged on
a formal plan. The colony had its own municipal government, and elected
its own mayor. Every night the drawbridge was raised and the gate
fastened.

Villeneuvette owns a considerable territory around it, and the land is
parcelled out among the workmen engaged in the factory. Each family has
its garden, its vineyard, and its plantation of mulberries, so that
when work is slack in the factory there is plenty of occupation for the
hands in the fields.

For more than two centuries Villeneuvette has been in private hands.
It had failed to be a success financially in 1703, and was disposed of
to M. Castamé-d'Aurac, who built the church. A century later, in 1803,
it became the property of the family of Maistre, and it has remained in
the same hands ever since.

It now turns out exclusively cloth for the army and uniforms for
colleges and railway officials. Long stretches of dark blue and crimson
cloth are seen in the meadows outside the walls, destined to be cut
into the jackets and breeches of the military. Villeneuvette has
retained much of its curious patriarchal organisation. There is no
village outside the embattled walls; of the ninety-eight cottages all
are given rent free to the artisans, and nothing more is exacted of
them save respect for rules of decency and cleanliness. Here no slops
may be thrown out of the windows, nor may birds' nests be molested.
These restrictions have been indignantly protested against by the
Radicals, who charge the organisation of the little community with
being bound down by the chains of feudalism. Where is liberty if a
householder may not throw his slops down on the head of any one passing
in the street? Where is equality if the urchins of Clermont may rob
robins' nests and not those of Villeneuvette? Where is fraternity if
the artisans may not get fuddled together and roar and riot in drunken
bands?

The road ascends the valley of the Dourbie, but to reach Mourèze it
makes a circuit round the conical mountain, Le Puy de Bissou, on the
summit of which is a chapel where once lived a hermit, but to which no
pilgrimages are now made. A bridge has been thrown over the river, and
a new road has been begun which will give speedier access by carriage
to Mourèze, but which can now only be traced on foot. The sparkling
stream slides over contorted slate rocks, and trout dart through the
pools. The hillsides are covered with pale grey flowered heath and
the stunted kermes-oak with its glistening leaves. This, the _Quercus
coccifera_, never grows higher than five feet, the _garus_ it is that
gives its name to the _garigues_, the desolate regions of limestone on
which nothing else will grow. On its leaves feeds the kermes insect,
round as a ball, and formerly supposed to be the fruit growing out
of the rib of the leaf as does the berry of the butchers' broom. It
produces a red dye, less brilliant than cochineal, and some of the
Oriental reds are produced from it. The dye of the kermes is more
permanent than cochineal. Suddenly on our eyes bursts Mourèze, one of
the most fantastic groups of rock, castle, church, and village to be
seen anywhere. We are disposed to regard the pictures by Gustave Doré
of rock scenery interspersed with ruined towers as in his series, _Le
Juif errant_, to be the creations of a fevered dream. But they are not
so. He must have lived or travelled among the dolomitic formations of
Languedoc, and thence drawn his inspiration.

[Illustration: GROUP AT MOURÈZE]

The approach to Mourèze by the old carriage road is different; it is
through red sandstone, soft and friable, and torn by streams into
gullies. One would suppose that Mourèze had been founded originally by
refugees from a world devastated by wars. It is concealed from view
on all sides. It is Nature's hiding-place for persecuted men. At its
back start up sheer cliffs of limestone, pink and yellow and grey,
rising from 1,300 to 1,600 feet. Dolomitic limestone is composed of
carbonate of lime and carbonate of magnesia, and the texture is mostly
crystalline and granulated. Each grain, having a power of resistance
different from the other, yields or remains under the influence of the
air and rains, so that alongside of massive rocks, eroded, hollowed
out, perforated, or protruding in knots and elbows, are heaps of
sand formed by the decomposition of the cement that held the grains
in place. Thus are obtained the most bizarre and varied shapes of
rock. All that imagination can picture of what is strange is found
here—dismantled towers, gigantic monoliths, excavated walls, narrow
gullies between monstrous shapes, great porticoes, pyramids standing
on their heads, grouped together, and among them cottages clinging to
their sides, a church on a ledge above a precipice, and over all a
castle, the walls of which can hardly be distinguished from the rock
out of which they grow. Contrast adds to the picturesque effect. The
dolomite bristling with needles lies in the lap of a great cirque or
cradle of more compact calcareous rock, disposed in regular horizontal
beds, and attaining to a top over 1,610 feet that supports the ruins
of the Romanesque church of S. Jean d'Aureillan. These walls back the
scene on the north. The south is closed by the Puy de Bissou, clothed
in woods, 1,450 feet. To the west is the mountain of S. Scholastica,
1,500 feet, and wooded ranges to the east of less elevation complete
the enclosure and the screen that hides Mourèze from the world without.

[Illustration: THE SENTINEL, MOURÈZE]

The dolomite formation of Mourèze forms an almost continuous belt from
Bédarieux to Bories and the north of Clermont. The region of Carlencas
on this line presents an equally extraordinary appearance. The same
rock is found north of Lodève, above Pégairolles, where they
constitute the picturesque passage of l'Escalette.

The castle is mentioned in records from 790; it is called Castrum
Morelinum, or Morazios Villa; Mourezés in 1625, and Mourèze in 1659.

The church, of two bays, has a seven-sided apse, and is of the
thirteenth century. It is vaulted, and has no aisles. The tower is
square.

The train will take one to Lodève, an ancient cathedral city, and
before that a Roman Castrum Luteva. Paris was also a Luteva.

When Charlemagne completed the expulsion of the Arabs out of
Septimania, he made of Lodève a county under his empire, and granted
considerable privileges to the bishops.

There arose by degrees three powers to dispute possession of the land,
the Municipality, the Count, and the Bishop, representing the people,
the aristocracy, and the clergy. The history of Lodève is thenceforth
a history of their conflicts for pre-eminence. In the tenth century
arose a man who gave a new direction to affairs. Hitherto the counts
had retained the mastery; now the Church would attempt to grapple with
their power.

This man was Fulcran, who ascended the episcopal throne at the age
of thirty in 947. He was noted for his beauty, for his grace of
manner towards all men, so that, although a member of a noble family,
he was greatly beloved by the common people. He wrote nothing; he
was above all an orator and a man of action. He began to build a
tower to his cathedral. The Count Eldin, who occupied the Castle of
Montbrun, ordered him to pull it down. Fulcran refused. Meanwhile
the oppressions of the people by the count had become intolerable.
They were crushed with taxation and denied municipal rights. The
tower served as an excuse for a quarrel. Gentle as he was, Fulcran
was determined to come to conclusions with the count. At his word the
citizens rose, were aided by the country folk, Montbrun was stormed,
and the bishop held Count Eldin prisoner till he had given guarantees
not to continue his misrule. When Fulcran died in 1006 he had marked
out the course his successors were to follow. They continued to snatch
from the seigneur one right after another, and when the county passed
into the hands of the Duke of Rodez, the Castle of Montbrun went by way
of purchase to the bishops, and they became both spiritual and temporal
lords of the county.

But what all this while of the people? At the outset it had assisted
Fulcran in his strife with the count; it had contributed to effect the
revolution that finally transferred the temporal power from lay into
ecclesiastical hands. The ambition of Fulcran's successors knew no
limits. After having conquered the seigneur they attacked the municipal
liberties.

The people of Lodève soon saw that they had changed masters for the
worse. A struggle broke out between them and their masters that caused
much blood to flow. One bishop was driven from his palace. Later, in
1202, the inhabitants sent delegates to the prelate, Pierre de Frotier,
to complain of his unendurable exactions. He refused to admit them
to his presence. Then the mob broke in on him and made him swear to
grant concessions. He appealed to Innocent III., who at once relieved
him of his oath. The people, enraged at this bit of deceit, again
rose, broke into the palace, and killed the perjured bishop. The
punishment inflicted on the town for this act was severe. However, the
citizens were determined on resistance, and at last the controversy
was submitted to arbitration, and they gained most of what they had
demanded.

The cathedral is of the fourteenth century. The nave of three bays has
side aisles and chapels on the south side, one of which, dedicated
to S. Michael, is recessed behind richly moulded arches. The choir
consists of two bays, with a nine-sided apse with lofty narrow
two-light windows in each side. A curious arrangement is the walling
up on each side of the choir so as to transform the continuation of
the aisles into lengthy independent chapels. On the north side is the
richly adorned chapel of S. Fulcran. The west front has no doorway in
it, but a beautiful rose window between machicolated turrets. To see it
one must enter the gendarmerie which occupies this end of the building.
Poor fragmentary cloisters remain on the south.

Ferdinand Fabre thus describes the interior of the cathedral:—

     "It has a nave and side aisles. The choir is large, lengthy, and
     occupies almost half the church, which gives an impression of
     surprise, and awakes in one the unpleasant idea that there is a
     want of proportion in the general disposition of the monument. But
     when this vexatious impression has passed away, one admires the
     nine windows of the apse, of original design, enormously lofty,
     certainly not in the purest style. The Gothic of the South always
     retained something incomplete, coarse, disagreeable, and never
     attained to the marvellous proportion, to the supreme elegance,
     to the aerial grace of the North. Nevertheless, with all its
     faults, the clumsiness of hand of an unskilled artist, who opened
     these windows to let in the light of heaven;—these immense bays,
     enriched with little pillars having carved capitals, divided into
     two by a single mullion that rises unsustained to the point where
     the tracery begins, and receive the ribs of the vaulting, lay hold
     of and retain one's eyes. The vaults, distributed in five bays,
     are designed not without dignity. The whole edifice, in spite of
     gross and many architectural faults—faults of construction, faults
     of arrangement—breathes a certain robust grace, a barbaric charm,
     making it the most interesting and most grateful of sanctuaries in
     our land."

A pretty, late flamboyant, melting into early Renaissance, chapel is
between the cathedral and the cloister.

The old episcopal palace has been converted into municipal buildings,
and the gardens into a fine promenade; so that the long conflict that
endured for centuries has ended in the complete victory of the people.
The bishopric was suppressed at the Concordat.

Between Clermont and Lodève the line runs through a red sandstone
district, curiously bare and water-torn. The red stone seems to melt
like butter under the rain, and with the least rush of water it swims
away in masses, and grass can scarcely grow on the denuded surface.

At the distance of an hour and a half from Lodève is the well-preserved
monastery of S. Michel-de-Grammont, now converted into farm buildings.
It has a Romanesque cloister and a pointed chapter-house. The tower
bears an octagonal campanile, rising out of a square base, the four
windows of which are flamboyant.

The octagon is surmounted by a dome. The church is of great simplicity,
and consists of a nave, vaulted, with a circular apse. On the north
side is a pretty portal of three orders, resting on pillars with
foliaged capitals.

Near the church is a little chapel, on the front of which is inlaid an
inscription in characters of the twelfth century, stating that it was
consecrated on the 11th of the Calends of June in honour of S. Michael,
but without date of the year.

[Illustration: DOLMEN OF GRANDMONT]

At no considerable distance is a remarkably well-preserved dolmen. The
end stone is pierced with a triangular opening, through which food was
thrust for the dead who lay within. From Lodève the great upland causse
can be reached by the road that leads to Le Caylar, through the valley
of the Lergue and by the passage of l'Escalette. This was formerly a
scramble up a stair of rocks, but now a good road has been driven up
the heights to the vast plateau of Larzac, which has been seen as the
train passes over it from Le Vigan to Tournemire.

There are caves to be explored near Lodève by such as enjoy such
underground excursions; and these with marvellous stalagmitic and
stalactitic formations. Such are the Mas de Bouquet, in the commune of
Soubès. Another is the Grotte de Labeil, opening out of a cirque of
rocks above the source of the Baume-Bauède, that once found its issue
thence, but has now burrowed its way to a lower level.

Larzac (_Larga saxa_) is the most extensive and the most barren of all
the limestone causses—a Siberian tundra in winter, an Arabia Petræa in
summer.

It seems to be transpierced by the Cévennes, that penetrate it at the
Col de Sanctières, and issue from its huge bulk again at Mont Paon, a
distance of fifteen miles. But from its abrupt precipices above Milau
to the bold frontage of glaring white at L'Escalette is a distance of
twenty-four miles. Elisée Reclus says of it:—

     "The plateau of Larzac is a veritable table of stone. Water lacks
     on its surface. The soil, pierced by fissures, is hardly moistened
     by torrential rains. The drops falling on it pass through it as
     through a sieve and disappear. At certain spots the rifts in the
     rock are large, their walls have fallen in, and one sees huge
     funnels, avens, open in the calcareous surface, and descend to
     frightful depths. But almost everywhere the surface of the causse
     is uniform, and the subterranean wells are only indicated by
     superficial zigzags. Nowhere does a single spring rise.

     "The inhabitants have for their own use and that of their cattle
     but the rain-water collected in cisterns or _lavagnes_, carefully
     cemented inside. Where water lacks, vegetation lacks also, and so
     also inhabitants.

     "On most of the causses not a tree is to be seen, hardly a bush,
     save in dips offering some shelter from the wind. The rock is
     covered with naught but a short herbage, and the inhabitants, few
     in number, have utilised but scanty surfaces for the growth of
     barley, oats, and potatoes."

When the water in the cisterns fails, the caussenard has to make a
day's journey to descend into the valleys and fetch the pure liquid
from one of the springs that issue there, either in boisterous cascades
or welling up out of deep abysses, thrust forth silently by the
pressure of the water from above.

A century ago the Larzac could be reached from Lodève only by ladders
planted against the precipice at the Pas de l'Escalette.

Le Caylar stands 2,400 feet above the sea, and was once a walled town,
with its castle on a rock above it. From the summit the prospect is
strange, and not to be forgotten. The eye stretches over the vast
barren plain of the same white rock, that here and there assumes
strange forms. At night, when the moon glares over it, these rocks with
their black shadows stand up in the most fantastic shapes, and nothing
can be conceived more surprising. One is in la belle France, indeed—but
where is the beauty?

The flora of these plateaux is sufficiently interesting. A list of the
plants that the Larzac produces will be found in Fabre (A.), _Histoire
du Canton du Caylar_, Montpellier, 1895.

Le Caylar was the birthplace of Abdias Maurel, called Catinat, the
Camisard chief, of whom I have already related some of the achievements.

When Cavalier submitted, Catinat in wrath withdrew and vowed to
continue the conflict; but finally he also was compelled to abandon
the struggle, and he retired into Switzerland in September, 1704.
But he was restless, and two months later recrossed the frontier and
entered into a conspiracy, the object of which was to remove the
governor Bâville and the Duke of Berwick by assassination. The plot
was discovered whilst he was in Nîmes, 20th April, 1705, and Catinat
attempted to escape from the town in disguise, having shaved his face.
A price had been set on his head. At the gate of Nîmes something
suspicious in his appearance caused his arrest, and compromising
letters were discovered secreted about his person. He was led to the
Duke of Berwick. He demanded to be exchanged for Marshal Tallard, who
was a prisoner in the hands of the English, and threatened that if this
were not done the English would make Tallard suffer the same death that
was inflicted on him. His trial was short, and he was condemned to be
burnt alive along with Ravanel, his accomplice in the intended murder.

At the stake Ravanel thundered forth a psalm of Marot, but Catinat, who
was chained by him, died biting Ravanel's shoulder, possibly in the
delirium of his agony.

A very interesting walled town on the causse is La Couvertoirade, for
which there is a station on the line from Le Vigan. It was a commandery
of the Templars, and after their suppression of the Knights of S. John.

La Couvertoirade seems to attest to the present day the power of these
military orders, and to reveal to us as in a picture the story of their
greatness, their faults, and their misfortunes. The general plan is
that of an irregular hexagon; the southern portion is occupied by a
huge rock that sustains the castle and the church. The ramparts of the
town, that are almost perfect, were begun at the end of the thirteenth
century and finished at the beginning of the fourteenth. The houses of
the little place have a character that harmonises well with the ring
of walls enclosing them. If La Couvertoirade shows traces of decay
produced by time or the violence of men, the town is, nevertheless, one
of the most curious and best-preserved examples of a fortified place of
the Middle Ages that can be found in Southern France.

[Illustration: ON THE HÉRAULT]

S. Guilhem-le-Désert is one of the strangest and most picturesque
towns in France. It can be reached from Montpellier by taking the train
to Aniane and walking or driving thence, or from Clermont in a carriage.

The Hérault escapes from its gorges at S. Jean de Foss, a little walled
town, of which one gate remains. The church, crowded about by houses,
is very early Romanesque and peculiar in many ways. It underwent
alterations in the second Pointed period. There is a west tower, and
the chancel is bored out under another.

Aniane is an uninteresting place, with a church built in the eighteenth
century, very ugly. The huge abbey was also rebuilt about the same
period, and now serves as a prison. I have not stayed the night at
Aniane, and think that perhaps the inns may be better on the inside
than they appear without. They do not invite to try their internal
comforts.

The Hérault breaks out into the plain through a gorge of calcareous
rocks, and it has sawn for itself a deep cleft in the bed below the
roadway. The strata therein are strangely contorted. From Aniane a
bridge is crossed, Le Pont du Diable, not very alarming, in spite
of its name, and above is an aqueduct that conveys the water of the
Hérault by a channel into the plain to Gignac and beyond that to S.
André, carrying fertility with it.

Springs break forth from the cliffs, forming tables of calcareous
deposit. One of these, of a high temperature, has constructed a large
shelf extending towards the river, into which it flows.

The cliffs on each side of the ravine are very bare, striated, grey
and yellow and white, spotted here and there with shrubs, aromatic and
evergreen, and the wild pomegranate with its crimson flowers may be
found here and about Aniane.

As we ascend the valley, looking down into emerald green pools or
wreaths of foam, we light on curious domed structures by the water.
These are ancient mills, vaulted over with stone as a protection
against floods that sometimes cover them many feet with rolling water,
and in one place is a tower beside them up which the millers might fly
for refuge when the torrent came rolling down unexpectedly.

All at once we reach the opening of a narrow lateral valley, where are
the remains of a tower and walls, and where also are two humble inns,
in one of which, as I can vouch, at very short notice an excellent
_déjeuner_ can be improvised. "Go up and see S. Guilhem," said the old
woman of the inn, "and see what I shall have when you return." So we
went, and on coming back she produced crayfish just caught in a net,
also a rabbit; further, a couple of fieldfares plump with juniper
berries; these, with vegetable soup, _foie gras_, boiled beef, etc.,
made a rare lunch.

S. Guilhem is a little town drawn out in a thread alongside of a
small stream that rises at the base of a cirque of pink and yellow
Jura-limestone above the place. It is itself surmounted by a crag
towering high into the sky with what appears to be a lacework of stone
on top, actually the ruins of a castle, called of Don Juan. Half-way up
is a tower and gateway, through which alone the castle could be reached
by a stair cut in the rock, but now the summit can be attained by a
circuitous path cut for the purpose.

[Illustration: S. GUILHEM-LE-DÉSERT]

[Illustration: MILLS ON THE HÉRAULT]

The village, or little town, grew about an abbey founded by Guillaume,
Duke of Aquitaine, in 804. He was grandson of Charles Martel, and
he also was a hammer to smite the Saracens. In 793 he fought them at
Carcassonne and drove them back; in 797 he wrested Narbonne from them.
Then, pursuing them, he drove them out of Barcelona. War made him a
misanthrope, and misanthropy made a monk of him. He retired to this
desert, settled there with his sisters twain, Albara and Bertrara,
and died there on May 28th, 812; and when he died the bells pealed of
themselves. His heroic life and pious end became the theme of one of
the longest and finest of the Provençal _Chansons de Gestes_, that
of Guillaume de Courtenez—whence the honoured name of Courtenay in
England. This is what Fauriel says of the romance:—

     "William is the ideal of the Christian knight, fighting for the
     maintenance of his faith against the Saracens. The epic, in accord
     with history, does not always paint him as happy, as always
     victorious. It represents him sometimes as defeated, reduced
     to the most deplorable extremities, but never losing courage,
     and always vanquishing in the long run. No other epic of the
     Carlovingian cycle is so deeply impressed with a sentiment of
     shuddering apprehension, which one may assume to be a traditional
     reflection of the contemporary feelings excited by the terrible
     struggle that took place in the South and lasted two centuries
     against the Andalusian Arabs."

I think I must find place for a single episode from this poem. It
relates to the parting of Guillaume and his wife Gibors, when he was
about to go to Paris to ask for succour:—

     "Sire Guillaume," said she, "you go into France so highly lauded,
     and you leave me here, sad, among people that love me not. In the
     honoured land of France you will meet with many a fresh-faced
     damsel, many a well-dressed dame, and therefore will lose your
     heart. You will forget me and this land where you have suffered
     such pains and endured hunger and thirst."

It must be known that at this time Guillaume and Gibors had been
married something like five-and-twenty years. They were not a young
couple just out of their honeymoon. Then he replied, kissing Gibors
tenderly:—

     "Gentle lady, do not concern yourself about me. Receive now my
     solemn vow, which I will keep faithfully. During my journey I will
     not change my linen or my coat. I will not taste meat or anything
     peppered. I will not drink wine nor water out of a goblet; only
     such of the latter as I can scoop up in my hand. And know further
     that never shall another mouth be joined to mine, which has been
     kissed and made spicy by your lips."

On reaching Paris, Guillaume was very badly received. The reason was
that Louis the Emperor had married Blanchefleur, the sister of the
Duke; that she was white only in name; was, in fact, a disreputable
character; so dreading a scolding from her pious brother she had
prejudiced her husband against him. When he reached the door of the
palace, no squire came to his aid, no one saluted him, no groom offered
to take his horse, which he accordingly tied to an olive tree. The
southern poet, never having been in the north, supposed that the same
trees grew there as in Provence and Languedoc. Guillaume entered the
royal hall and saw the Emperor on his throne and the Empress in ermine
and gold at his side, both crowned. Neither took notice of him, and
all the princes and nobles turned the cold shoulder to him. And indeed
he cut a sorry figure. His garments were threadbare and ragged, his
linen had obviously not been washed for months, nor was his hair
combed and brushed. He was constrained to take a stool far back in the
hall. Presently his wrath overcame his astonishment at this insulting
reception. He stood up, as he saw his own father and mother, the Count
and Countess of Narbonne, received with favour and seated beside the
Emperor and Empress. In a loud and terrible voice he cried: "Louis!
for all the great services I have rendered you, for all the battles
I have fought for you—is this my reward?" "Set your mind at rest,"
answered the King; "you shall be rewarded by and by." "What!" cried
the Queen, "will you rob me of my heritage to give it to him?" Then
Guillaume shouted: "Tais-toi, impure chienne!" and he recited before
all the court some of his sister's escapades. Then, striding through
the crowd of nobles, he mounted to the throne, plucked the crown from
his sister's head, and dashed it on the floor.

The abbey church is a fine Romanesque building, not earlier than the
first years of the eleventh century. Of that date are the nave and
side aisles. Choir, transepts, and porch were added at the end of the
twelfth century. The nave communicates with the side aisles by five
great arches supported by cruciform piers, and is lighted by three
loftily placed windows. The ornamentation of the church is on the
outside. To each transept is an apse. The principal apse has an arcade
externally like the Lombardic churches on the Rhine. In the apse of the
north aisle are the sarcophagi of Guillaume Courtenez and his sisters.
That of the founder was so broken by the Camisards that it was not
possible to piece it together again, as has been done with the tomb of
the ladies, which they also broke. Their sarcophagus is a Christian
tomb of the fourth century, with Christ and the evangelists, or
apostles, carved on it; at the extremities Adam and Eve and the Three
Children in the Furnace. Perhaps the greatest treasure in the church
is a black marble altar with panels of white marble and inlaid work of
 glass, very beautiful, of the date 1138.

Pilgrimages arrive at S. Guilhem on Monday in Easter week and October
1st.

On the south side of the church is the cloister, very early,
contemporary with the nave, and with traces of painting in it; but it
has been pulled to pieces. In the midst stood a fountain that spouted
water in as many jets as there are days in the year. But it was sold to
a Paris dealer in antiquities, and where it now is cannot be said. The
old monastic buildings, burnt by the Camisards, were reconstructed, and
are now occupied by a Baron d'Albenas.

Some of the houses in the town are certainly Romanesque. There was a
second church in the place, but it is now in ruins.

Returning to Aniane, it is worth mentioning that in destroying the old
presbytery a marble slab was found bearing an Arabic inscription: "In
the name of Allah, the clement and merciful, peace be with Mahomed.
There is but one God. It is to Him, and to Him alone, that all power is
due." A precisely identical inscription has been found at Montpellier,
and this shows that the Saracens were in Languedoc not only as
destroyers and raiders, but as inhabitants. Guillaume planted himself
very close to where they had been, and whence he had turned them out.

And now my account is ended: not that I have exhausted the country. I
have done no more than touch upon some points in it. It is a country
that fascinates any one who visits it, that lays hold of his heart in
strange fashion, and he is inclined when back in England to say, with
Ferdinand Fabre:—

     "Quand mon cerveau à vidé sur le papier blanc sa mince provision
     d'idées journalières, les coudes à la barre d'appui (de ma
     fenêtre) je coule là, en une paresse délicieuse, de longues heurs
     à rêver. Mon âme alors s'envole au pays si profondément incrusté
     en elle, ce pays que je rétrouve dans le moindre plis de mes
     pensées, ce pays qui, le plus ordinairement, lorsque j'ose écrire,
     me commande, et auquel j'obéis."




INDEX


  Aigoual, Mt., 20, 248-58

  Aiguèze, 147

  Aiguilhe, the, 16-35, 42-4

  Alais, 160, 186, 204-19

  Albigensian crusade, 47-8, 283

  Alleyras, 171

  Allier, River, 19, 161-71

  Alzon, 243

  Aniane, 297, 302

  Antraigues, 122-5;
    Comte d', 123-5

  Arabic inscriptions, 302

  Ardèche, River, 8, 128, 137-48, 163

  Arlempdes, 16, 81

  Arzon, River, 68

  Assas, Claude d., 240;
    Louis, 246-7

  Astier, Gabriel, 179-83

  Aubenas, 114-15, 117-20

  Auvergne violets, 246

  Avens, 4, 138, 152, 155, 234-6

  Avèze, 241-2, 243


  Balmes de Montbrul, 8

  Bar, crater of, 17

  Barre des Cévennes, 252, 255

  Basalt, 16, 22, 62, 81, 122, 129, 134, 135-6, 170

  Bastide, La, 175, 203

  Battle of the winds, 248-50

  Bâville, 180, 183, 185, 240, 295

  Béate, La, 27-8

  Bédarieux, 262, 264-5

  Belsunce, Mgr. de, 174

  Benedict XII., 208

  Bénézet, 240-1

  Berrias, 158-9

  Béziers, 273-4

  Bible of Theodulf, 45-6

  Blacons, 56-9

  Blandas, 244

  Bonaparte, 110

  Borne, River, 23, 34, 62

  Boulogne, Château de, 121-2

  Bousquet d'Orb, 276

  Boussagues, 265

  Boutières Mountains, 7, 103-13

  Bramabiau, 252-5

  Broglie, M. de, 180-1, 183, 196-7

  Burzet, 131-2


  Cachard, M. de, 110-11

  Cambis family, 206

  Camisards, 9, 177-202, 221-2, 224, 240, 256-8

  Camplong, 263

  Camprieu, 252-3

  Cantobre, 261

  Carotat, 273

  Castle of Ebbo, 145

  Catinat, 191-2, 295

  Causses, 10, 13, 144, 244, 256, 261, 263, 269, 293

  Cavalier, Jean, 191, 195-202

  Caylar, le, 293-5

  Cendras, 204

  Ceyssac, 24

  Chacornac, 81

  Chamalières, 68

  Chamborigaud, massacre at, 199-204

  Chames, 145

  Chanteuges, 164-5

  Chapeauroux, 171

  Chassezac, River, 139, 154

  Chayla, Abbé du, 187-90, 196, 204

  Cheese, 275

  Chestnut, 268-73

  Cheylard, le, 113

  Chilhac, 170

  Chorister murdered, 39

  Clary, prophet, 194-5

  Climates, N. and S., 3, 121, 203, 251, 265

  Clotilde de Surville, 140-2

  Coalfields, 3, 11, 161, 264

  Coiron Mountains, 7, 9, 118

  Colbert, 285

  Companions, the Free, 33, 50-2

  Costume, 30-1

  Coupe d'Aizac, 127;
    de Jaujac, 9, 129-30

  Couvertoirade, la, 296

  Craters, 9, 15, 17, 19, 127, 129, 130, 132-4

  Creux de Vaie, massacre, 180

  Crussol, Castle, 104-5


  Danse des Treilles, 273-4

  Daudé, murder of, 240

  Denise, la, 16, 62, 65

  Diana of Poitiers, 112

  Dolmens, 243, 293

  Dolomitic limestone, 8, 252, 287-8;
    _see also_ Jura limestone

  Dourbie, River, 258-61

  Drac, 168-9

  Duel, a strange, 242-3

  Du Guesclin, 33, 44-5

  Dunière, River, 111

  Durzon, source, 260-1


  Eagle, 135

  Echelle du Roy, 134

  Ecstasy, 178, 182, 187, 190

  Erieux, River, 105-7, 111

  Espaly, 54-6, 61-2

  Espinouse, 11, 276, 280

  Essences, 223

  Estables, Les, 69-70

  Estreys, 23


  Fabre, Ferdinand, 262-4, 291, 303

  Factory girls, 115-16

  Fauteuil du Diable, 122

  Faye le Froid, 16, 53-4

  Flandrin, Cardinal, 131

  Florac, 191, 255-7

  Florian, 218-20

  Fontollière, 131, 134


  Ganges, 224-36;
    Marquise de, murder of, 225-34

  Garigues, 4, 223, 287

  Gerbier de Jonc, 9, 71-2, 113

  Ghost story, 206-8

  Gignac, 274-5

  Gleyzasse, cave of, 155, 158

  Gobi, Jean, 206-8

  Goule de Foussoubie, 144

  Goudet, 81

  Grassensac, 264

  Gravenne de Montpezat, 130-1;
    de Soulhiol, 130

  Gregory VII., 31-2

  Grotte des Demoiselles, 234

  Guetard, 136

  Gueule d'Enfer, 134

  Guillaume Courtenez, 298-301


  Haunted Mill, 81-3

  Haute Loire, department, 15

  Hérault, fêtes in, 273-4;
    River, 10, 236, 297-8

  Hermits, 204-5, 276-8, 286

  Héric, gorges of, 279

  Hort Dieu, 251

  Hierle, 242

  Huguenots, 52-9, 62-3, 107-9, 139, 143-4, 172, 177-202, 208, 222,
    224, 239-41


  Iberians, 267

  Innocent III., 47, 283, 290

  Inspiration, degrees of, 193

  Intermittent spring, 120-1

  Inventories, taking the, 158-60

  Isabeau, la belle, 178-9

  — another prophetess, 144


  Jalès, 158

  Jaujac, 129-30

  Joany, a Camisard, 199

  John XXII., 207-8

  Julien, sculptor, 66-7

  Jura limestone, 1, 142, 245; _see_ Dolomitic limestone

  Jurieu, pastor, 178-9


  Kermes oak, 4, 287


  Lac d'Anconne, 18

  — de S. Andéol, 18

  — de Bouchet, 17, 19

  — d'Issarlés, 72-3, 77

  — Lemagne, 167

  Lacemaking, 25-7

  Lafayette, 167

  Lagorce, murder of, 198

  Lamalou-les-Bains, 265, 276

  Langeac, 161, 163-4

  Langue d'Oc, 2, 15;
    population of, 266-7

  Larzac, 2, 10, 293-5

  La Voute, 23

  Lay canons, 41

  Lepers burnt, 49;
    hospital for, 147

  Lepreuse, la, 67-8

  Le Puy, 31-3, 34-59, 61, 63, 66, 67, 71, 81

  Levis family, 128-9

  Lodève, 160, 289-92

  Loire, River, 20-3, 67-8

  Luc, 175

  Lunas, 275-6


  MacHarren, Captain, 169

  Madelaine, Ste., chapel of, 170

  — de S. Nectaire, 52-3

  Margeride, 163, 167-8

  Mayres, 96, 135

  Mamertus, S., 118

  Mandrin, 81

  Martin family, 84-102

  Massacre of S. Bartholomew, 52, 108

  Mégal, 7, 65

  Méjan, Causse de, 258

  Merle, Captain, 139

  Mézenc, 3, 9, 19, 67, 69-71, 113, 248

  Micocoulier, 222

  Mimente, River, 257

  Monastier, 79, 80

  Monistrol d'Allier, 170

  Montaigne Noire, 11

  Montcalm, 242, 261

  Montdardier, 243-4

  Montpellier le Vieux, 261

  Montpezat, 132

  Murriel, 268


  Nant, 260

  Noirot, Pierre, 74-9

  Naussac, 174

  Navacelles, 245


  Oculist, Roman, 171

  Oracle, 65

  Orange, William of, 180

  Orbe, River, 264-5

  Ordeal by fire, 194-5

  Ornano dukes, 118-20

  Oustalas, 146


  Païolive, wood of, 153-7

  Peasants, 28-30, 79-80, 167, 266, 280-1

  Pepezuc, 274

  Perbet mill, 81-3

  Peyrabeille, tavern of, 84-102

  Peyrenc, Jean, 239

  Peyrolles, 284

  Phonolith (clinkstone), 19, 70, 170

  Pilat, Mont, 7

  Pillard, le, 281

  Plateau, great central, 1

  Polignac, 16, 23, 31-3, 65-6

  Pont de l'Arc, 142, 144;
    de la Beaume, 128-9, 130;
    de Montvert, 187-9, 191, 204;
    de Mousse, 241

  Poul, Captain, 191-2, 197

  Pourasse, la, 109

  Pourceilles, River, 131

  Pourcheirolles, Castle, 131

  Pradelles, 174

  Private ownership, 173-4

  Prophetic inspiration, 182, 185

  Prophets, _see_ Camisards


  Quissac, 221-2, 223


  Rabanel, cave of, 235-6

  Ray-Pic, cascade, 132

  Red sandstone, 292

  Réméjadou, aven of, 138

  Revolution, 33, 46, 106, 166, 209, 278

  Rochebelle, 204

  Roche Lambert, Castle, 64

  Roland, Camisard, 193, 200, 224, 258

  Roquefort, 275

  Roquesaltes, 261

  Roure, Baron de, 198

  Ruoms, 137-8


  S. Alban, 174-5

  S. Arcons, 166

  S. Evodius, 36

  S. Firmin, 258-9

  S. Fulcran, 289-90

  S. Gervais, 280

  S. Guilhem-le-Désert, 296, 298-302

  S. Hippolyte-le-Fort, 223-4

  S. Jean de Foss, 297

  S. Marcel, cave, 151-2

  S. Martin-sur-Ardèche, 147-9

  S. Michel-de-Grammont, 292-3

  S. Paulien, 36, 65-6

  S. Peray, 104

  S. Privat, 170-1

  S. Veran, 261

  Salavas, 143

  Sampson, 139

  Sauges, 168-9

  Sauve, 222

  Scutarius, tomb of, 36

  Séguier, Pierre, 187-91

  Sidonius Apollinaris, 205, 258

  Silkworm culture, 204-18;
    disease, 175, 209

  Suc de Bauzon, 134

  Suffren, the Bailli of, 158

  Sully, 112


  Tanargue, Mount, 9, 129

  Tapestries, 140

  Tartara, cry of, 181-2

  Tears of blood, 182

  Templars, 145, 147, 158, 296

  Thueyts, 134-5

  Trappist monks, 175-6

  Trèves, 258

  Triaire, 247

  Tourette, la, 111-12

  Two men in a boat, 149-50


  Umbranici, 267-8

  Uzès, 105


  Valleraugue, 255

  Vallon, 139-40

  Vals, 114-15, 120-2

  Vans, les, 154

  Velay, le, 15-33, 34, 44, 61

  Ventadour, 106, 128

  Vernoux, 107-8, 111

  Vestide du Pal, 132-4

  Viaduct, 204

  Vidal, Baron de S., 23, 54-6, 62-3

  Vidourle, River, 223, 267

  Vigan, le, 237-47

  Villars, Marshal, 200

  Villemagne, 278-9

  Villeneuvette, 285-6

  Violets, fair of, 70-1

  Vis, River, 10, 236, 243

  Vision, 178

  Vivarais chain, 8, 114-36

  Vivens, François, Camisard 183-4

  Viviers, 117

  Volane, River, 120, 122

  Vorey, 67-8

  Voute Chilhac, 169-70

  — sur Loire, 23;
    sur Rhône, 106


  White Hoods, the, 51-2




PLYMOUTH

WILLIAM BRENDON AND SON, LIMITED, PRINTERS




  Telegrams & Cables "Longing, London"
  Telephone No. 9313 Central

  JUNE—SEPT. 1907

  MR. JOHN LONG'S
  SUMMER AND EARLY
  AUTUMN BOOKS 1907


SIX SHILLING NOVELS

Crown 8vo., cloth gilt


 =ITINERANT DAUGHTERS= By DOROTHEA GERARD (Mme. LONGARD DE LONGGARDE)

In this story Dorothea Gerard tells of the result of an experiment,
invented and tried on four girls, to whom home life had become irksome,
by an up-to-date doctor. This experiment forms, in the main, the peg on
which the story hangs, and which dissects and lays bare the characters
of the heroines. The manner in which the girls meet the fate falling
to them provides a great variety from the ordinary love-story, and the
novel promises to be one of the most original and amusing published for
some considerable time.


=ONLY BETTY= By CURTIS YORKE. With  Frontispiece by E. J.
  SHERIE

In "Only Betty" Curtis Yorke has imagined a story which gives full
rein for the display of those gifts of tenderness, naturalness, and
distinction which readers and critics alike associate with her work.
"Only Betty" is one of a large family left in poverty by the death of
their father, and she answers an advertisement for services in a remote
Welsh village. Betty obtains the post, and the authoress proceeds
with great vivacity and charm to describe the lively series of events
which follow. Curtis Yorke's popularity grows with every new book she
produces, and her public will be immeasurably increased by her latest.


=MRS. BARRINGTON'S ATONEMENT= By VIOLET TWEEDALE

In Violet Tweedale's new novel an excellent plot is unfolded with
subtlety and force. It would spoil the reader's pleasure to enter fully
into details—the curious psychic experiences, the tragedy and pathos of
an immature soul, misunderstanding and misunderstood—but we can promise
to those who read the novel that they will not find a dull page in
this newest work of a writer to whom we can always look for novelty,
brilliance and substantial interest.


=THE WHITE HAND AND THE BLACK= By BERTRAM MITFORD

Mr. Bertram Mitford has done for South Africa what Mr. Rudyard Kipling
has done for India. He has brought home to the English people the
character of the work that Britons are doing in the outposts of Empire.
Mr. Mitford's knowledge, like Mr. Kipling's, has been acquired at first
hand, by living in the land and among the people he describes. In his
new novel the author chooses as background a Rising of the Blacks
against the Whites. The reader is brought into contact with various
kinds of natives, good and bad, with the British official of the better
class, and with the grit and solidity and daring of the ordinary
Britisher who finds himself in a tight corner and fights with his back
against the wall. Trickling through the stirring incidents of the
story is a love romance. Mr. Mitford has intimate knowledge, insight,
sympathy and imagination, and he has written a novel of virility and
vigour whose superiority to most fiction may be observed on every page.


=DELILAH OF THE SNOWS= By HAROLD BINDLOSS

No living writer has a more intimate knowledge of colonial manners than
Mr. Harold Bindloss. He describes for the stay-at-home Englishman not
so much the well-ordered life in the great settlements as the virile,
rugged, desperate, and often lawless struggles among the colonists in
the undeveloped outposts of Empire. The earlier scenes in "Delilah
of the Snows" take place in England. Later on the characters are
transplanted bodily to Western Canada among the gold-seekers. In such
surroundings Mr. Harold Bindloss, as may be conjectured, is in his
element, and he develops a story of consummate artistry and strength.
The spirit of adventure and tragedy and comedy is over it all, and an
unconventional ending is in keeping with the rest of this brilliant
book.


=DR. MANTON= By MORICE GERARD

Mr. Morice Gerard has advanced with rapid strides to the position of
one of the most popular writers of the day. "Dr. Manton" is a splendid
instance of his power in weaving a dramatic story, made up of the great
elements of love, mystery and conflict between opposing forces, with a
wonderful _dénouement_, which no reader can read without being moved.
Mr. Morice Gerard believes in a happy ending; hero and heroine find
their happiness and peace achieved after stress and struggle. The story
is up to date in every respect.


=A WOMAN PERFECTED= By RICHARD MARSH

A new story by Mr. Richard Marsh is an event which is eagerly
anticipated; and "A Woman Perfected" will not disappoint the
expectations, however high, of any of Mr. Marsh's innumerable
admirers. The starting-point of the story is the sudden death of a man
of mysterious habits and ostentatious wealth, whose only daughter,
Nora, is apparently left unprovided for. The young girl has been led
to believe that she would be a great heiress, but the secret of her
father's past and the source of his income cannot be discovered. A
series of events follow, which excite a curiosity that amounts to
anxiety. The author marshals his plot and characters with conscious
mastery; and he has written what may, with very truth, be described as
a brilliant book.


=CYNTHIA IN THE WILDERNESS= By HUBERT WALES. Author of "Mr. and Mrs.
  Villiers," "The Yoke"

This book almost reverses the question raised by the author's earlier
work, "Mr. and Mrs. Villiers." It is a study of a wife who, through the
incapacity of her husband to understand or respond to the deeper woman
in her, finds herself shut out upon the wilderness of joyless things.
Mr. Hubert Wales has made his mark as an author, and his first two
books, "Mr. and Mrs. Villiers" and "The Yoke," have been out-standing
successes.


=HER FATHER'S SOUL= By LUCAS CLEEVE

An incident which occurs in India between a Native Prince and an
English Peeress is the source whence the subsequent events spring. The
power of the story lies in its imagination and its phantasy. Lucas
Cleeve has the great gift of expression, and in "Her Father's Soul,"
she enables the reader to realize something of the weird, mysterious
beauty and fascination of the land of the Oriental.


=THE WHITE COUNTESS= By FLORENCE WARDEN

It may safely be stated of Miss Florence Warden's new story, "The
White Countess," that before the reader has reached the end of the
first chapter he will find himself immersed in a mystery of baffling
complexity, and that the sensational events which follow in swift
succession will give him no pause until the last lines are in sight.
"The White Countess" is a story of action and plot, and it will uphold
Miss Florence Warden's reputation as a writer of straightforward,
dramatic, and exciting fiction.


=THE CURSE OF THE FEVERALS= By L. T. MEADE. With  Frontispiece
  by E. J. SHERIE

Mrs. L. T. Meade has chosen the subject of heredity as the theme of
her new novel; but, as might be imagined, there is nothing unpleasant
or technical in her treatment of "The Curse of the Feverals." On the
contrary, Mrs. Meade invariably looks at the brighter side of life—upon
its joys rather than its sorrows—and she has brought her best talents
to bear in the construction of this effective and moving story of
domestic life.


=THE HOUSE ON THE THAMES= By G. W. APPLETON

A boating accident on the Thames, the rescue of Jeannie, a beautiful
girl, and her sudden disappearance almost immediately afterwards, are
the events which occur in the first chapter of Mr. G. W. Appleton's new
novel. Thenceforward the reader's perplexity is mingled with an intense
desire to probe the mystery. Mr. Appleton keeps well within the region
of probability, and his sunny outlook upon life peeps forth in this
exciting, dramatic, and withal humorous story.


=KINDRED SPIRITS= By L. T. MEADE

Deals with the passionate love of two girls for one man, and shows
how the one whose love he did not return yet loved him so thoroughly,
so nobly, so unselfishly, that in the end she was the means of his
salvation. The story largely deals with an old family curse, and a
strange mystery which is partially founded on fact. The characters of
some of the most important persons are taken from life. In a word, this
is the most exciting story that Mrs. Meade has ever produced, and the
publisher predicts a more than ordinary success for it.


=IN HIS GRIP= By DAVID CHRISTIE MURRAY

Mr. David Christie Murray has imagined in his new story a combination
of circumstances which afford ample scope for the exercise of his
uncommon powers. A merchant of character is left, by a dying friend,
in the position of trustee without documentary conditions, and the
property, which he thinks to be worthless, proves to be of untold
value. His own financial embarrassments create the temptation to which
he momentarily succumbs. The story gallops along at a furious pace amid
an atmosphere of stirring events, through which runs a delightful love
episode.


=A JACOBITE ADMIRAL= By R. H. FORSTER

In the opinion of the critics, Mr. R. H. Forster knows Northumbria
as Mr. Hardy knows Wessex, as Mr. Crockett knows Galloway, and as
Mr. Blackmore knew Exmoor. Higher praise for a writer of historical
fiction it would be difficult to imagine. In "A Jacobite Admiral" the
Jacobite rebellion of 1715 forms the superstructure of the story, and
the hero's adventures in his loyalty to the doomed house of Stuart,
as conspirator, rebel, fugitive, and lover, afford ample scope for
the description of scenes and localities of great natural beauty and
historic interest. Over and above this, Mr. R. H. Forster has written a
novel which is instinct with the finest romantic spirit.


=IN THE QUEEN'S SERVICE= By DICK DONOVAN

Dick Donovan has gone back to the troublous times of Mary Queen of
Scots for the incidents which form the basis of his new romance, "In
the Queen's Service." Manners and morals were doubtless less refined
and less humane in those days, and objects were pursued with more
violence and more disregard of consequences. From the novelist's
standpoint, the period is rich in materials and possibilities.
Intrigue, treachery, murder, disaster, chivalry, gallantry, passion,
self-sacrifice—these are the constituents of "In the Queen's Service,"
and the author has, with his accustomed skill, created from them a
story of great and penetrating interest.


=PURPLE HEATHER= By ALAN ST. AUBYN

The late Hawley Smart was a master of the true sporting novel, and Alan
St. Aubyn has run him very close in "Purple Heather." In this she has
given us a picture of the wilds of Exmoor the whole year round, with
vivid descriptions of some of the inhabitants, and at the same time has
woven about them a story of very human interest which centres on the
packs of stag and fox hounds.


=THE SECRET SYNDICATE= By FRED WHISHAW

To the English reader there is a perennial fascination in the
conditions of life in the mighty realms of the Czar, and few English
writers have a more intimate knowledge of the various revolutionary
currents in Russian affairs than Mr. Fred Whishaw. The action of "The
Victims" transpires mainly in St. Petersburg, and the characters are
wholly Russian. A young journalist and a young girl of the landed class
are the central figures, and around these two are described the events
which culminate in the recent peasant revolt. The story is graphically
told, and has the air of being a veritable transcript from life.


=THE PLEASURE MONGER= By C. RANGER-GULL

The novel which tells of a complete, triumphant, and overwhelming
success is always delightful to read. This is the case in Mr. Ranger
Gull's new book, "The Pleasure Monger," one which will be found to
be the best of all the brilliant studies of modern life which this
author has given us. The character studies are especially strong and
vivid, and the keen love-interest, which runs like a scarlet thread
through the warp and woof of the tale, is novel and daring. It is
very rarely, moreover, that a well-known author lifts the veil of the
modern literary life and shows it as it really is. Stories which deal
in part with literary life are nearly always written by amateurs. "The
Pleasure Monger," in short, will be found full of force, brilliancy,
and interest.


=THE SIN OF GABRIELLE= By Mrs. COULSON KERNAHAN

In this story Mrs. Kernahan has shown in the character of Gabrielle
Desturnelle a beautiful young French adventuress, who has all the
seductive charm of "Fanchette," without that heroine's innocence. The
story shows how, by her arts and unscrupulous cleverness, she wrecks
the life of Donovan Fitzgerald, a man of high ideals. The heartlessness
of Gabrielle is put forth with power, while the nobility of Fitzgerald
will win the sympathy of the reader.


=THE SECOND BEST= By CORALIE STANTON & HEATH HOSKEN

The work of Coralie Stanton and Heath Hosken stands out from the
fiction of to-day in bold outline; there is nothing commonplace or
anæmic about it. Their new novel, "The Second Best," is a realistic
story of modern English society; the characters are vivid and natural,
and the incidents palpitate with drama. The title is in keeping with
the underlying idea, but "The Second Best" is, in point of fact, the
authors' very best; it grips from the first, and a rich treat is in
store for those who come within the spell of this rousing story.


=A LOVELY LITTLE RADICAL= By ALICE M. DIEHL

The work of Alice M. Diehl has two main recommendations—its freedom
from the unpleasant and its polished and artistic setting. "A Lovely
Little Radical," however, is not a placid story. It recounts the love
of a young girl of patrician birth and heritage for a simple man of
the people. The author manipulates her theme with unfailing tact and
discrimination, and succeeds in eliciting the reader's sympathies from
the commencement. "A Lovely Little Radical" may be regarded as the
crowning achievement of this popular romanticist.


=THE LADY OF THE BLUE MOTOR= By G. SIDNEY PATERNOSTER. With 
  Frontispiece

Mr. Paternoster seems determined to prove in this novel that the
motor-car provides inimitable opportunities for the rebirth of romance
in an unromantic twentieth century. The central character, "My Lady
Melodé," is a veritable heroine of romance. From the time she makes her
appearance, enshrouded in a cloud of mystery, in the salon of a hotel
at Versailles, she is the centre of a series of thrilling adventures
and dramatic situations which enchain the reader's attention until the
happy outcome is reached.


=INNOCENT MASQUERADERS= By SARAH TYTLER

This story is founded on an incident which happened at Blackheath
upwards of thirty years ago. Two baby girls were exposed and left
on the same night at opposite points of the heath to the charity of
wayfarers. There is abundance of interest and incident before the
mystery of their origin is solved. On one occasion the wrong waif is
installed with an old city knight and his lady as their lost grandchild
and heiress, but all comes right in the end. Best of all, the two waifs
are innocent, good girls, although their adventures should appeal to
every lover of true romance.


=RUBINA= By JAMES BLYTH. With  Frontispiece

Mr. James Blyth stands almost alone among English novelists as a
realist of the Zola School, but superadded to his realism is a strain
of thought at once subtle and poetical. "Rubina" is the story of a
girl of the people, and her life is passed wholly in a village in the
heart of the Fens. Surrounded by the sights and sounds of nature, she
herself is a child of nature, untrammelled by the niceties and scruples
of modern conventions. Mr. Blyth pursues his theme in a legitimate
and logical fashion, and he has produced a work which is a veritable
piece of life, the poignant emotional power and truth of which will be
acknowledged by every thoughtful reader.


=THE PASSING OF NIGHT= By J. FOVARGUE BRADLEY

"The Passing of Night" is a political novel written with a purpose.
The author is a Congregational Minister who does not write at random,
but whose views will be found worthy of attention, if they do not
find acceptance. The story, from its argumentative side, treats of
the attitude of the Church Association towards the Ritual excesses in
the Church of England, and of Disestablishment in the interests of
religious and social life; but the author challenges the advocates of
Disendowment to show the equity of their case. "The Passing of Night"
is polemical and controversial, but it is also a romance of consummate
interest; there is wit, imagination, insight, sense of character, and
high literary quality in it. It is a first work, but it is certain to
be regarded as one of the most remarkable novels of the year.


=A BRIAR ROSE= By SARAH TYTLER

It is a characteristic of most fiction that the last chapters close
to the sound of wedding bells. In "A Briar Rose" the order has been
reversed, and the marriages take place at the commencement of the
story. Miss Sarah Tytler has chosen the everyday lives of two young
couples as her foundation, and around their joys and sorrows she has
written a domestic story of quiet and penetrating charm. In this book,
as in all her works, Miss Sarah Tytler's delicate literary gifts are
distinctively apparent.


=LITTLE JOSEPHINE= By L. T. MEADE. With  Frontispiece by
  E. J. SHERIE

There is scarcely a household in which the novels of Mrs. L. T. Meade
are not known and appreciated; her work is infinite in its variety,
and never dull. The thesis of her new story, "Little Josephine," is
the marriage of a good and charming young girl with a man of blemished
character. Incidentally, the follies and vices of the worst side of
society are exposed and castigated in the manner of Father Vaughan.
Mrs. L. T. Meade has never written with greater effect than in this
poignant story.


=A WOMAN'S AYE OR NAY= By _Lucas Cleeve_

All who are interested in the suffragette movement—and who is
not?—will read Lucas Cleeve's new novel with profit and pleasure.
The story is set some ten years ahead, when women are allowed to
vote for Parliament; but although there is much in the novel of
a quasi-political character, it is the love side of it which is
uppermost, and which will call for highest appreciation. As an exponent
of the "tender passion," few living novelists can compare with Lucas
Cleeve.


=VALDORA= By THOMAS PINKERTON

"Valdora" belongs to the order of romance which is a perpetual joy to
the novel reader. A Princess of a small State secures the services of
an Englishman to defend her possessions from the attacks of envious
neighbours. There is the clash of arms, and the delight of love.
"Valdora" suggests the method of Mr. Anthony Hope, with whose work it
will well bear comparison.


=A WIFE FROM THE FORBIDDEN LAND= By ARCHER PHILIP CROUCH

The particular fascination of Mr. A. P. Crouch's new story is that
the scene of its operations is placed in that weird, mysterious land,
Thibet. A young Englishman of the self-reliant, strong, and adventurous
type determines to visit Lhasa—the sacred Thibetan capital—a city which
the foreigner is not allowed to explore upon pain of death. How the
Englishman succeeds in his object, and how he brings back with him "A
Wife from the Forbidden Land," is the function of the story to tell.
Mr. Crouch knows the peoples of the wonderful East like a native; and
his book is not only an engrossing romance: it is a vivid presentment
of the customs, institutions, and manners of a land which is as yet but
little known to the European.


=A YANKEE NAPOLEON= By JOHN F. MACPHERSON

The "Yankee Napoleon" is a scientist who manufactures a brain serum,
by which his own intellect and will-power are so enormously increased
that the whole of America lies helpless at his feet. He uses his power,
not like a benevolent genius, but like a criminal lunatic who is held
in check by no law, human or divine. How, after a devastating war,
in which East and West are involved, the "Yankee Napoleon's" plans
are frustrated and brought to nothingness by an English scientist
and a Japanese Marquis, the reader must discover for himself. He is
confidently promised a story unique in plot and inventive power, full
of amazing thrills, and written with the pen of a wizard.


=A FULL-LENGTH PORTRAIT OF EVE= By DANIEL DOUGLAS BREWER

The action of this story is placed in Paris, and the characters
are wholly French, but "A Full-Length Portrait of Eve" will appeal
with irresistible force to English readers. In its essence it is a
love-story—a fiery, passionate, overwhelming love-story; and it is
written with a beauty of phrase and a distinctive style rarely to be
found in the work of a new writer.


=THE JEWEL HOUSE= By Mrs. ISABEL SMITH

Mrs. Isabel Smith has already achieved a reputation by her first work,
"The Minister's Guest." In her new story, "The Jewel House," the same
qualities of quiet charm and literary style will be found united to a
fine gift of portraiture. The incidents happen in the country, and the
chief characters are a baronet, the scion of an ancient house, and a
young and beautiful girl of the yeoman class. "The Jewel House" is a
love-story; but it is natural, healthy, and wholly delightful, and it
cannot fail to win fresh admirers for an authoress whose work has only
to be known to be justly appreciated.


=IN SEARCH OF JÉHANNE= By AVIS HEKKING

A new historical romance which can bring effectively before the reader
the life and manners of a bygone age, and make real flesh and blood
of the characters which it introduces, is a rarity, and sure of a
warm welcome. Such is "In Search of Jéhanne." Miss Avis Hekking has
taken the sixteenth century and the Massacre of the Huguenots as a
background. The characters are French, and the events happen wholly
in France. "In Search of Jéhanne" is a romance of first-rate quality,
and it should create for the author a high position among writers of
historical novels.


=A LIGHT-HEARTED REBELLION= By JOHN LANGFIELD

In this story the author unwinds a plot in which there is nothing
hackneyed or commonplace, but which in character and incident is
fresh and natural and wholesome, and brimming with delightful comedy.
Humorists are rare, and readers will assuredly be glad to have their
attention directed to this light, bright, laughable, captivating book.


=THE WAY OF WAR= By HEW SCOT

Of late there have been attempts (feeble, it must be admitted) to
portray in fiction the jealousy of Continental nations against our
realm, but in no case has one of them approached the realistic and
thrilling description of the sudden and secretly planned attempted
invasion by Germany of Great Britain, as set forth in Hew Scot's
splendid work, "The Way of War." Commencing with the admittance of a
German patient into an Edinburgh hospital, and the suggestion of a
strong love interest, we are carried swiftly through seven days of
intense stress and adventure, during which the fate of our country
seems to hang on the skill and resource of a single individual, by
whose adroitness and courage the secret designs of the enemy are
discovered, and as far as possible prepared for, until the climax is
reached in a naval battle, when the steel-clad might of England, being
at length let loose, swoops down in all its tremendous power and sweeps
the foe from our waters. This is a book full of life and movement, and
one it is impossible to lay aside, having once commenced.


=ONE EVENTFUL SUMMER= By ETHEL GRACE TAPNER

"One Eventful Summer" is the work of a new writer, but not since the
days of "Lorna Doone" has a story been written which conveys so much
of the subtle charm of Devonshire. The central idea of the story is
whimsical, but there is comedy and tragedy in it—love and laughter
and tears. "One Eventful Summer" differs essentially from fiction in
general, and upon that account, as well as upon its undoubted intrinsic
merits, it will be greatly appreciated by those who are fortunate
enough to read the book.


=A HUMAN BACILLUS= By ROBERT EUSTACE

A story that will make some demand upon the nerves of the reader, and
leave behind it a burning remembrance. Such is "A Human Bacillus." It
describes the life and love of a strange being—partly genius, partly
saint, and partly madman—whose subtle acts of renunciation and revenge
lead to an extraordinary _dénouement_. The story is written by Robert
Eustace, who is well known as the collaborator of L. T. Meade in "The
Brotherhood of the Seven Kings," "The Sanctuary Club," "The Sorceress
of the Strand," etc.


=INCAPABLE LOVERS, LIMITED= By W. W. WARD

A new work of humour is rare in these days, and if the humour is of the
right sort—if it is wholesome and natural and unforced—such a book is
something to be thankful for. "Incapable Lovers" is written in great
good spirits, and the characters and incidents sparkle and bubble over
with delightful fun. Not since the days of "Three Men in a Boat" has so
popular and infectious a work of humour appeared.


=THE SHADE OF THE ACACIA= By JESSIE E. LIVESAY

To say that "The Shade of the Acacia" fulfils the high promise which
was held out in the author's previous story, "The Little Tin Gods,"
does not adequately describe the fine qualities of this novel. It not
only shows literary gifts of an unusual order, but there are flashes
of insight and penetration in it of rare power. The plot is taken up
with the marriage of a baronet to a young girl who loves her husband's
best friend; and the eternal duel between love and duty is presented in
an entirely original form; even the minor characters are distinct and
individual. In a word, "The Shade of the Acacia" belongs to the higher
rank of fiction.


=THE SACRED HERB= By FERGUS HUME

This story deals with a herb, brought from the South Seas, which is
used for religious ceremonial, and is called the "Devil Root" by the
natives. When burnt, the fumes produce insensibility, and release the
spirit, which can see all that takes place on the physical world,
without being able to interfere. The hero is a witness (while in such a
trance) to a murder, for which he is afterwards blamed; but he cannot
prove his innocence, until assisted by the heroine, whose psychic
powers enable her to clear his character. The book is a new departure
for Mr. Fergus Hume, as, although the mystery is still retained, the
tale deals largely with the power of the occult in modern life.


THE AUTHOR WITH THE LARGEST PUBLIC

The Sales of Nat Gould's Novels exceed =5,000,000= (five million)
  Copies


NAT GOULD'S NEW NOVELS

MR. JOHN LONG is now the exclusive Publisher of all =Mr. Nat Gould's
New Novels=, with cover designs in _four_ colours by MR. HARINGTON
BIRD, the well-known horse painter.

The following is the List to October, 1907:

_Price_ =2s.= _each, illustrated boards; or in cloth gilt_, =2s. 6d.=
_each. Crown 8vo., 288 pages_

  ONE OF A MOB              _Ready_
  THE SELLING PLATER        _Ready_
  THE LADY TRAINER          _Ready_
  A STRAIGHT GOER           _Ready_
  A HUNDRED TO ONE CHANCE   _Ready_
  A SPORTING SQUATTER       _Ready_
  CHARGER AND CHASER        _Ready_
  THE CHANCE OF A LIFE-TIME _Ready_
  THE LITTLE WONDER         _July_
  THE TOP WEIGHT            _October_


FIFTH YEAR OF PUBLICATION

NAT GOULD'S ANNUAL, 1907

A STROKE OF LUCK

_Price_ =1s.=, _large demy 8vo., 160 pages, sewed, cover in colours_

[***] Orders are now being taken for NAT GOULD'S ANNUAL for 1907

_Ready in October_


NAT GOULD'S NEW SIXPENNY NOVELS

_In large demy 8vo., sewed. Striking cover in colours_

  ONE OF A MOB              _Ready_
  THE SELLING PLATER        _Ready_
  A BIT OF A ROGUE          _Ready_
  THE LADY TRAINER          _Ready_
  A STRAIGHT GOER           _June_
  A HUNDRED TO ONE CHANCE   _August_


A REPLY TO THE "NEW THEOLOGY"

BY THE AUTHOR OF "WHEN IT WAS LIGHT"

THE FOOL HATH SAID ——

"The fool hath said in his heart, 'There is no God'"

_Crown 8vo., paper cover_, =1s.= _net; or in cloth gilt_, =2s. 6d.=
  _net_


"=A real triumph of modern publishing.="—PALL MALL GAZETTE

"=A marvel of cheapness.="—SPECTATOR

JOHN LONG'S LIBRARY OF MODERN CLASSICS

     A series of great works of fiction by modern authors. Not pocket
     editions, but large, handsome, and fully-illustrated volumes
     for the bookshelf, printed in large type on the best paper.
     Biographical Introductions and Photogravure Portraits. Size, 8
     in. by 5-½ in.; thickness, 1-¼ in. Prices: Cloth Gilt, =2s.= net
     each; Leather, gold blocked and silk marker, =3s.= net each; or in
     Classic Half-Vellum, =5s.= net each.

  =THE THREE CLERKS=               (480 pp.) ANTHONY TROLLOPE
  =THE CLOISTER AND THE HEARTH=    (672 pp.) CHARLES READE
  =THE WOMAN IN WHITE=             (576 pp.) WILKIE COLLINS
  =ADAM BEDE=                      (480 pp.) GEORGE ELIOT
  =THE HISTORY OF HENRY ESMOND=    (432 pp.) W. M. THACKERAY
  =WESTWARD HO!=                   (600 pp.) CHARLES KINGSLEY
  =TOM BROWN'S SCHOOLDAYS=         (320 pp.) THOMAS HUGHES
  =A TALE OF TWO CITIES=           (384 pp.) CHARLES DICKENS

_Other Volumes to follow._


SHILLING NET EDITIONS OF THREE FAMOUS BOOKS

_Each in Crown 8vo., thread sewn, printed on superior antique wove
paper. With beautiful cover designs in colour by_ CHARLES E. DAWSON


CONFESSIONS OF A PRINCESS

Being the astounding Revelations of Manners and Morals in European
Courts.

The late editor of the _Saturday Review_ writes: "The book gives one an
extraordinary impression of reality; it is true, truer even than the
shorthand account of a trial in our Divorce Court. I have enjoyed the
book, and I will maintain before all and sundry that it is a good book,
an excellent book, a book that had to be written."

=N.B.=—The Sales of this remarkable book in the more Expensive Edition
exceeded =200,000 copies=.


WILHELMINA IN LONDON

By BARRY PAIN, Author of "Eliza," etc.

_Standard. _—"A most amusing and delightful book. Take it along in the
train, and you won't have to struggle for sleep against comfortless
cushions and exiguous seats."

_Pall Mall Gazette._—"A light, charming piece of literary frivolity."


MR. AND MRS. VILLIERS

By HUBERT WALES, Author of "The Yoke"

_The Times_: "The situations and the dialogue are handled with sureness
and skill, and the two sisters present feminine character studies of
singular beauty."—_Daily Telegraph_: "Hubert Wales is a capable writer,
and has produced a story which is worth being read."—_Daily Chronicle_:
"The story is extremely well written, the characterization admirable.
Mr. Wales has amused us, and we have enjoyed his book."—_Morning
Leader_: "There is no denying the cleverness of the book."—_Athenæum_:
"Powerfully written."—_Tatler_: "A very notable book."


GENERAL LITERATURE


=A BOOK OF THE CEVENNES= By S. BARING-GOULD, M.A.

_With upwards of 40 Illustrations on art paper, printed in sepia,
_with 8 plates in colours_ and a Map. Crown 8vo., cloth gilt,
price_ =6s.=

[***] This work is uniform in scope and size with the author's
well-known books on Devon, Cornwall, Dartmoor, Brittany, the Riviera,
etc.

_Prospectus post free_


=PICTURES FROM NATURE'S GARDEN= Or, Stories from Life in Wood and
Field. By H. W. SHEPHEARD-WALWYN, M.A., F.Z.S., F.E.S., etc. Author
of "Nature's Nursery," "Nature's Riddles," "The Lay of the Wee Brown
Wren," etc.

_With 78 Illustrations on art paper, printed in sepia, from the
author's photographs direct from Nature. Crown 8vo., cloth gilt_, =6s.=

_Prospectus post free_


=TERRIERS: Their Points and Management= By FRANK TOWNEND BARTON,
M.R.C.V.S.

_With upwards of 40 Illustrations from photographs on art paper,
printed in sepia. Crown 8vo., cloth, heavily gilt, price_ =5s.= _net_.

[_Prospectus post free_]

This is an entirely new and important work on Terriers, and the only
one of its kind yet published. It is a departure from the style usually
followed by authors in canine literature. In a word, it is a book for
everybody who wants to know all about terriers.


THREE NEW VOLUMES OF POEMS

_In royal 16mo, cloth gilt and gilt top, with silk marker, price_ =3s.
6d.= _net each_.


=THE TESTAMENT OF OMAR KHAYYAM= (The Wasiyyat), comprising his
Testament (or Last Words), A Song, Hymn of Prayer, The Word in the
Desert, Hymn of Praise, also the Maráthi, or Odes of the Disciples. By
LOUIS C. ALEXANDER


=THE COMING OF SPRING; and Other Poems= By ROWE LINGSTON


=VOCES AMORIS= By JOHN B. RANKIN

"Will outbid all rivals."—_The Bookman._

"Certainly wonderful."—_Athenæum._

"It has remained for Mr. John Long to undersell all rivals by
his 'Carlton Classics.' The copy before us—Thackeray's 'English
Humorists'—is extremely well printed and nicely got up, and must
certainly be reckoned as the last word in cheap editions."—_Daily News._


JOHN LONG'S CARLTON CLASSICS

     Prices: Artistic Cloth, gilt, =6d.= net; Leather, gilt top,
     gold-blocked back and side, =1s.= net; postage, 1-½d. per vol.
     Length from 160 to 320 pages, newly set in clear, new type, and
     printed on the best paper. Each Volume contains a Biographical
     Introduction by the Editor, Mr. HANNAFORD BENNETT. _The first
     twelve only are bound in decorative paper covers._

  1. =THE FOUR GEORGES=                              W. M. THACKERAY
  2. =CHILDE HAROLD'S PILGRIMAGE=                    LORD BYRON
  3. =MUCH ADO ABOUT NOTHING=                        SHAKESPEARE
  4. =WARREN HASTINGS=                               LORD MACAULAY
  5. =THE LIFE OF NELSON=                            ROBERT SOUTHEY
  6. =TALES (Selected)=                              EDGAR ALLAN POE
  7. =CHRISTABEL, and other Poems=                   S. T. COLERIDGE
  8. =A SENTIMENTAL JOURNEY=                         LAURENCE STERNE
  9. =THE BLESSED DAMOZEL, and other Poems=          DANTE GABRIEL
                                                       ROSSETTI
  10. =ON HEROES AND HERO WORSHIP=                   THOMAS CARLYLE
  11. =SONNETS AND POEMS=                            SHAKESPEARE
  12. =RASSELAS=                                     SAMUEL JOHNSON
  13. =SONNETS AND POEMS=                            EDMUND SPENSER
  14. =ESSAYS (Selected)=                            JOSEPH ADDISON
  15. =HIS BOOK=                                     ARTEMUS WARD
  16. =THE DUNCIAD, and other Poems=                 ALEXANDER POPE
  17. =ENGLISH HUMORISTS OF THE EIGHTEENTH CENTURY=  W. M. THACKERAY
  18. =THE JUMPING FROG, and Other Sketches=         MARK TWAIN
  19. =SONGS=                                        ROBERT BURNS
  20. =ESSAYS (Selected)=                            LEIGH HUNT
  21. =LETTERS OF JUNIUS=                            ANONYMOUS
  22. =HUMOROUS POEMS=                               THOMAS HOOD
  23. =CONFESSIONS OF AN ENGLISH OPIUM EATER=        THOMAS DE QUINCEY
  24. =A VOYAGE TO LILLIPUT=                         DEAN SWIFT
  25. =GRACE ABOUNDING=                              JOHN BUNYAN
  26. =ESSAYS=                                       MATTHEW ARNOLD
  27. =POEMS=                                        PERCY BYSSHE
                                                       SHELLEY
  28. =MR. GILFIN'S LOVE STORY=                      GEORGE ELIOT
  29. =SCENES FROM LORREQUER=                        CHARLES LEVER
  30. =POEMS=                                        BEN JONSON
  31. =COUNSELS CIVIL AND MORAL=                     FRANCIS BACON
  32. =MINOR POEMS=                                  JOHN MILTON
  33. =SELECTIONS=                                   EDMUND BURKE
  34. =SONNETS=                                      WILLIAM WORDSWORTH
  35. =A VOYAGE TO LISBON=                           HENRY FIELDING
  36. =ESSAYS=                                       JAMES ANTHONY
                                                      FROUDE

_Other Volumes in Preparation_


THE HAYMARKET NOVELS

     A Series of Copyright Novels by Popular Authors. The Volumes are
     printed upon a superior Antique Wove Paper, handsomely bound in
     specially designed cover, red cloth, heavily Gold Blocked at back.
     The size of the volumes is 7-½ in. by 5-¼ in. by 1-¼ in.,
     the length from 300 to 350 pages, and the price =2s. 6d.= each.

_VOLUMES NOW READY_

  =FATHER ANTHONY (Illustrated)=            ROBERT BUCHANAN
  =A CABINET SECRET (Illustrated)=          GUY BOOTHBY
  =AN OUTSIDER'S YEAR=                      FLORENCE WARDEN
  =FUGITIVE ANNE=                           MRS. CAMPBELL PRAED
  =THE FUTURE OF PHYLLIS=                   ADELINE SERGEANT
  =BENEATH THE VEIL=                        ADELINE SERGEANT
  =THE SCARLET SEAL=                        DICK DONOVAN
  =AN ILL WIND=                             MRS. LOVETT CAMERON
  =MIDSUMMER MADNESS=                       MRS. LOVETT CAMERON
  =THE SILENT HOUSE IN PIMLICO=             FERGUS HUME
  =THE CRIMSON CRYPTOGRAM=                  FERGUS HUME
  =A TRAITOR IN LONDON=                     FERGUS HUME
  =THE MACHINATIONS OF JANET=               SARAH TYTLER
  =THE MAGNETIC GIRL=                       RICHARD MARSH
  =A FLIRTATION WITH TRUTH=                 CURTIS YORKE
  =DELPHINE=                                CURTIS YORKE
  =THE OTHER MRS. JACOBS=                   MRS. CAMPBELL PRAED
  =A JILT'S JOURNAL=                        RITA
  =THE INDISCRETION OF GLADYS=              LUCAS CLEEVE
  =PARTNERS THREE=                          MAY CROMMELIN
  =ONCE TOO OFTEN=                          FLORENCE WARDEN
  =THE LADY OF THE ISLAND (Illustrated)=    GUY BOOTHBY
  =THE WORLD MASTERS=                       GEORGE GRIFFITH
  =HIS MASTER PURPOSE=                      HAROLD BINDLOSS
  =TREWINNOT OF GUY'S=                      MRS. COULSON KERNAHAN
  =MRS. MUSGRAVE AND HER HUSBAND=           RICHARD MARSH
  =THE CRIME OF THE CENTURY=                DICK DONOVAN
  =CURIOS: or, the Strange Adventures of
    Two Bachelors (Illustrated)=            RICHARD MARSH
  =A BRIDE FROM THE SEA=                    GUY BOOTHBY
  =ROSAMOND GRANT=                          MRS. LOVETT CAMERON
  =THE JADE EYE=                            FERGUS HUME
  =MISS ARNOTT'S MARRIAGE=                  RICHARD MARSH
  =AN IMPOSSIBLE HUSBAND=                   FLORENCE WARDEN
  =THE GIRL IN GREY CURTIS=                 YORKE
  =IN SPITE OF THE CZAR (Illustrated)=      GUY BOOTHBY
  =SAINT ELIZABETH OF LONDON=               LUCAS CLEEVE
  =THE OPAL SERPENT=                        FERGUS HUME
  =THE MAID OF THE RIVER=                   MRS. CAMPBELL PRAED
  =THE FACE IN THE FLASHLIGHT=              FLORENCE WARDEN
  =ALIX OF THE GLEN=                        CURTIS YORKE

_VOLUMES IN PREPARATION_

  =THE SECRET PASSAGE=                      FERGUS HUME
  =OLIVE KINSELLA=                          CURTIS YORKE
  =ADVENTURES OF MIRANDA=                   L. T. MEADE
  =WATERS OF OBLIVION=                      ADELINE SERGEANT
  =THE MASK=                                WILLIAM LE QUEUX
  =CONFESSIONS OF A YOUNG LADY=             RICHARD MARSH
  =THE NIGHT OF RECKONING=                  FRANK BARRETT


RECENT POPULAR NOVELS

_SIX SHILLINGS EACH_


  =THE WORLD AND DELIA=                     CURTIS YORKE
  =THE PENNILESS MILLIONAIRE=          DAVID CHRISTIE MURRAY
  =THE DUST OF CONFLICT=               HAROLD BINDLOSS
  =THE HOUSE IN THE CRESCENT=          ADELINE SERGEANT
  =THE DUKE'S DILEMMA=                 SIR WM. MAGNAY, BART.
  =THE MISTRESS OF AYDON=              R. H. FORSTER
  =THE DUCHESS OF PONTIFEX SQUARE=     G. W. APPLETON
  =IZELLE OF THE DUNES=                C. GUISE MITFORD
  =THE LUCK OF THE LEURA=              MRS. CAMPBELL PRAED
  =THE SWEETS OF OFFICE=               VIOLET TWEEDALE
  =THE YOKE= (Author of "Mr. and
      Mrs. Villiers")                  HUBERT WALES
  =THE ROMANCE OF A MAID OF HONOUR=    RICHARD MARSH
  =SELMA=                              LUCAS CLEEVE
  =THE MAN WITH THE AMBER EYES=        FLORENCE WARDEN
  =THE HOUSE OF HOWE=                  MAY CROMMELIN
  =AMAZEMENT=                          JAMES BLYTH
  =THE MILLIONAIRE AND THE LADY=       GERTRUDE WARDEN
  =KINDRED SPIRITS=                    L. T. MEADE
  =A BUTTERFLY=                        BARONESS VON GOLDÄCKER
  =DEYNCOURT OF DEYNCOURT=             DAISY HUGH PRYCE
  =THE FOLLY OF THE WISE=              G. SIDNEY PATERNOSTER
  =INNOCENT MASQUERADERS=              SARAH TYTLER
  =THE END OF A PASSION=               ALICE M. DIEHL
  =THE SECOND EVIL=                    SADI GRANT
  =THE TWO FORCES=                     E. WAY ELKINGTON
  =ALL THAT A MAN HATH=                CORALIE STANTON AND HEATH HOSKEN
  =THE DICTIONARY OF FOOLS=            G. G. CHATTERTON
  =TWO WOMEN AND A MAHARAJAH=          MRS. C. E. PHILLIMORE
  =A SERPENT IN HIS WAY=               SUZANNE SOMERS
  =A MINISTER OF FATE=                 CHARLES DAWSON
  =LEONE=                              LADY DUNBAR OF MOCHRUM
  =THE STAIN ON THE SHIELD=            MRS. DARENT HARRISON
  =A BEGGAR ON HORSEBACK=              S. R. KEIGHTLEY
  =FROM THE HAND OF THE HUNTER=        L. T. MEADE
  =THE GIRLS OF INVERBARNS=            SARAH TYTLER


JOHN LONG'S SIXPENNY NOVELS

In Striking Picture Covers, 9 in. by 6 in.

_NEW VOLUMES (JANUARY-SEPTEMBER, 1907)_

  58 =A BRIDE FROM THE SEA=           GUY BOOTHBY
  59 =WHEN IT WAS LIGHT (A Reply to
      "When It was Dark")=              WELL-KNOWN AUTHOR
  60 =A BIT OF A ROGUE=               NAT GOULD
  61 =THE GIRL IN GREY=               CURTIS YORKE
  62 =HIS ITALIAN WIFE=               LUCAS CLEEVE
  63 =THE LADY TRAINER=               NAT GOULD
  64 =THE SECRET PASSAGE=             FERGUS HUME
  65 =IN SPITE OF THE CZAR=           GUY BOOTHBY
  66 =A STRAIGHT GOER=                NAT GOULD
  67 =AN INNOCENT IMPOSTOR=           MAXWELL GRAY
  68 =THE STORM OF LONDON=            F. DICKBERRY
  69 =A LOST CAUSE=                   GUY THORNE
  70 =ONE HUNDRED TO ONE CHANCE=      NAT GOULD
  71 =FUGITIVE ANNE=                  MRS. CAMPBELL PRAED
  72 =THE NIGHT OF RECKONING=         FRANK BARRETT
  1 =AN OUTSIDER'S YEAR=              FLORENCE WARDEN
  2 =SOMETHING IN THE CITY=           FLORENCE WARDEN
  3 =THE LOVELY MRS. PEMBERTON=       FLORENCE WARDEN
  4 =THE MYSTERY OF DUDLEY HORNE=     FLORENCE WARDEN
  5 =KITTY'S ENGAGEMENT=              FLORENCE WARDEN
  6 =OUR WIDOW=                       FLORENCE WARDEN
  7 =No. 3, THE SQUARE=               FLORENCE WARDEN
  8 =THE JADE EYE=                    FERGUS HUME
  9 =THE TURNPIKE HOUSE=              FERGUS HUME
  10 =THE GOLDEN WANG-HO=             FERGUS HUME
  11 =THE SILENT HOUSE IN PIMLICO=    FERGUS HUME
  12 =THE CRIMSON CRYPTOGRAM=         FERGUS HUME
  13 =A TRAITOR IN LONDON=            FERGUS HUME
  14 =WOMAN—THE SPHINX=               FERGUS HUME
  15 =A WOMAN'S "NO"=                 MRS. LOVETT CAMERON
  16 =THE CRAZE OF CHRISTINA=         MRS. LOVETT CAMERON
  17 =A PASSING FANCY=                MRS. LOVETT CAMERON
  18 =BITTER FRUIT=                   MRS. LOVETT CAMERON
  19 =AN ILL WIND=                    MRS. LOVETT CAMERON
  20 =MIDSUMMER MADNESS=              MRS. LOVETT CAMERON
  22 =MRS. MUSGRAVE AND HER HUSBAND=  RICHARD MARSH
  23 =ADA VERNHAM, ACTRESS=           RICHARD MARSH
  24 =THE MAGNETIC GIRL=              RICHARD MARSH
  25 =MISS ARNOTT'S MARRIAGE=         RICHARD MARSH
  26 =THE MASK=                       WILLIAM LE QUEUX
  27 =THE EYE OF ISTAR=               WILLIAM LE QUEUX
  28 =THE VEILED MAN=                 WILLIAM LE QUEUX
  29 =A MAN OF TO-DAY=                HELEN MATHERS
  30 =THE SIN OF HAGAR=               HELEN MATHERS
  31 =THE JUGGLER AND THE SOUL=       HELEN MATHERS
  32 =FATHER ANTHONY=                 ROBERT BUCHANAN
  33 =THE WOOING OF MONICA=           L. T. MEADE
  34 =THE BURDEN OF HER YOUTH=        L. T. MEADE
  35 =A JILT'S JOURNAL=               RITA
  36 =THE SIN OF JASPER STANDISH=     RITA
  37 =A CABINET SECRET=               GUY BOOTHBY
  38 =THE LADY OF THE ISLAND=         GUY BOOTHBY
  39 =THE FUTURE OF PHYLLIS=          ADELINE SERGEANT
  40 =BENEATH THE VEIL=               ADELINE SERGEANT
  41 =DELPHINE=                       CURTIS YORKE
  42 =THE COUNTESS OF MOUNTENOY=      JOHN STRANGE WINTER
  43 =THE SELLING PLATER=             NAT GOULD
  44 =ONE OF A MOB=                   NAT GOULD
  45 =THE OTHER MRS. JACOBS=          MRS. CAMPBELL PRAED
  46 =THE FLUTE OF PAN=               JOHN OLIVER HOBBES
  47 =THE KINGDOM OF MAMMON=          VIOLET TWEEDALE
  48 =THE STOLEN EMPEROR=             MRS. HUGH FRASER
  49 =A BEAUTIFUL REBEL=              ERNEST GLANVILLE
  51 =THE WORLD MASTERS=              GEORGE GRIFFITH
  52 =IN SUMMER SHADE=                MARY E. MANN
  53 =LE SELVE=                       OUIDA
  54 =SWEET "DOLL" OF HADDON HALL=    J. E. MUDDOCK
  55 =GEORGE AND SON=                 EDWARD H. COOPER
  56 =THE SCARLET SEAL=               DICK DONOVAN
  57 =THE THREE DAYS' TERROR=         J. S. FLETCHER

JOHN LONG, 12, 13 & 14 Norris Street, Haymarket, London


BILLING AND SONS, LIMITED, PRINTERS, GUILDFORD




┌───────────────────────────────────────────────────────────────────┐
│ Transcriber's Note:                                               │
│                                                                   │
│ Minor punctuation errors have been corrected without note.        │
│                                                                   │
│ Punctuation and spelling were made consistent when a predominant  │
│ form was found in this book; otherwise they were not changed.     │
│                                                                   │
│ Ambiguous hyphens at the ends of lines were retained.             │
│                                                                   │
│ An inverted asterism appears on pages 15 and 18 of the            │
│ advertisements. They are shown as [***].                          │
│                                                                   │
│ Footnotes were moved to the end of chapters and numbered in one   │
│ continuous sequence.                                              │
│                                                                   │
│ Mid-paragraph illustrations have been moved between paragraphs    │
│ and some illustrations have been moved closer to the text that    │
│ references them. The list of Illustrations paginations were       │
│ changed accordingly.                                              │
│                                                                   │
│ Italicized words are surrounded by underline characters,  _like   │
│ this_. Words in bold characters are surrounded by equal signs,    │
│ =like this=.                                                      │
│                                                                   │
│ Other corrections:                                                │
│                                                                   │
│ p. 14: Footnote 2: 'Nos' de Lavène replaced by 'Mos' de Lavène.   │
│                                                                   │
│ p. 63: 'beseiged' replaced by 'besieged' (In 1590 he besieged     │
│ Espaly again).                                                    │
│                                                                   │
│ p. 69: 'protusion' replaced by 'protrusion' (upon their           │
│ protrusion from the volcanic vent).                               │
│                                                                   │
│ p. 76: 'irresitible' replaced by 'irrestistible' (proved an       │
│ irresistible attraction).                                         │
│                                                                   │
│ p. 79: 'pronouned replaced by 'pronounced.' (pronounced           │
│ absolution).                                                      │
│                                                                   │
│ p. 94: 'aleep' replaced by 'asleep' (thinking that I was asleep). │
│                                                                   │
│ p. 100: 'Payrabeille' replaced by 'Peyrebeille' (on his way to    │
│ Peyrebeille).                                                     │
│                                                                   │
│ p. 121: 'clientelle' replaced by 'clientele' (they have also      │
│ their clientele).                                                 │
│                                                                   │
│ p. 128: 'wonful' replaced by 'wonderful' (it is really wonderful  │
│ what changes).                                                    │
│                                                                   │
│ p. 83 Footnote 5: 'Vivavais' replaced by 'Vivarais' (Pays         │
│ Volcaniques du Vivarais).                                         │
│                                                                   │
│ p. 139: 'abrubtly' replaced by 'abruptly' (the crag that falls    │
│ abruptly).                                                        │
│                                                                   │
│ p. 156: 'Grott' replaced by 'Grotte' (reach the Grotte of the     │
│ Chouans).                                                         │
│                                                                   │
│ p. 197: 'insurgeuts' replaced by 'insurgents' (when the           │
│ insurgents saw).                                                  │
│                                                                   │
│ p. 225: 'Christian' replaced by 'Christina' (Queen Christina      │
│ of Sweden).                                                       │
│                                                                   │
│ Pp. 248, 306: 'Valerauge' replaced by 'Vallerauge.'               │
│                                                                   │
│ p. 264: 'Courbeson' replaced by 'Courbezon' (He produced Les      │
│ Courbezon in 1862).                                               │
│                                                                   │
│ p. 264: 'Orbe' replaced by 'Orb' (Bédarieux is on the Orb).       │
│                                                                   │
│ p. 305: 'Belzunce' replaced by 'Belsunce' (Belsunce, Mgr.         │
│ de, 174).                                                         │
│                                                                   │
│ p. 305: 'Chassizac' replaced by 'Chassezac' (Chassezac, River,    │
│ 139, 154).                                                        │
│                                                                   │
│ p. 308: 'Rouve' replaced by 'Roure' (Roure, Baron de, 198).       │
│                                                                   │
│ p. 308: 'Hippolite-du-Fort' replaced by 'Hippolyte-le-Fort'       │
│(S. Hippolite-le-Fort, 223-4).                                     │
│                                                                   │
│ Advertisements, p. 24: Number 21 in the list is missing. Also,    │
│ the sequence starting with no. 1 on p. 24 is continued on p. 23   │
│ with no. 58. These were not corrected.                            │
└───────────────────────────────────────────────────────────────────┘





End of Project Gutenberg's A Book of The Cevennes, by S. Baring-Gould

*** 