***




Produced by Al Haines.




[Illustration: Cover art]




[Illustration: Facsimile of original cover of Poe's Tamerlane.
_Frontispiece_.  _See page_ 138.]




                             *THE ROMANCE*

                                  *OF*

                           *BOOK-COLLECTING.*


                                   BY

                            *J. H. SLATER,*

      EDITOR OF 'BOOK PRICES CURRENT;' AUTHOR OF 'EARLY EDITIONS,'
        'ROUND AND ABOUT THE BOOKSTALLS,' 'THE LIBRARY MANUAL,'
                'ENGRAVINGS AND THEIR VALUE,' ETC., ETC.



                               NEW YORK:
                           FRANCES P. HARPER.
                                 1898.




                              *CONTENTS.*


CHAPTER.

      I. IN EULOGY OF CATALOGUES
     II. A COMPARISON OF PRICES
    III. SOME LUCKY FINDS
     IV. THE FORGOTTEN LORE SOCIETY
      V. SOME HUNTING-GROUNDS OF LONDON
     VI. VAGARIES OF BOOK-HUNTERS
    VII. HOW FASHION LIVES
   VIII. THE RULES OF THE CHASE
     IX. THE GLAMOUR OF BINDINGS
      X. THE HAMMER AND THE END




                              *CHAPTER I.*

                       *IN EULOGY OF CATALOGUES.*


There are plenty of people--in fact, they are in the great majority even
among bookish men--who regard antiquated sale-catalogues in the light of
so much rubbish, and yet, when intelligently consulted, these memorials
of a bygone day not only have their uses, but are positively
interesting.  Truly enough they are not popular, like the last new novel
which, for one reason or another, has taken the town by storm, and it
would not pay to reprint a single one of them, even the best or most
important that has ever held the frequenters of auction-rooms
spell-bound.

Sometimes a 'parcel' will be sold for what it will fetch, and on
investigation may prove to contain a few simple-minded pamphlets on
subjects of no importance, 'and others,' the latter consisting of
book-catalogues of the last or the earlier portion of the present
century. This happens sufficiently often to make it possible for a
bookish enthusiast of an antiquarian turn of mind to lose himself with
marvellous rapidity in a maze of old-time dispersions.  But the
enthusiast, unless very determined indeed, knows better than to choke
his library with such material.  He is aware that an exhaustive index is
indispensable to the proper appreciation of such literature, and to make
that would occupy his nights indefinitely.

And so it comes to pass that old sale-catalogues of books are consigned
for the most part to the rubbish-heap, or perhaps sent to the mills, to
reappear later on in another guise.  They may be scarce in the sense
that, if you wanted a particular one, it could only be got with great
difficulty, and at considerable expense (here the art of selling to
advantage comes in), or perhaps not at all.  This, however, makes no
matter, for the fact remains that such things are not inquired for as a
general rule, and that an occasional demand is insufficient to give them
any kind of a status in the world of letters.

Some five or six years ago a member of the Johnson Club, a literary
society which meets at intervals in various parts of London, but more
particularly in Fleet Street, discovered a catalogue of the sale of the
old Doctor's library, neatly marked with the prices each book had
brought. Whether this was a sale _post mortem_ or a casual interlocutory
dispersal at the instance of some soulless creditor, I do not know.  In
any case the relic was a find--a fact which the bookseller who bought it
was not slow to appreciate, for he at once assessed its value, to the
society man, at something like forty shillings.  This was paid without
demur, because at the time all the other Johnson catalogues were in
mufti, and it had struck no one to exhibit them, and also because it
was, under the circumstances of the case, a very desirable memorial to
present to the society which flourishes on the fame of the great
lexicographer.  Here, at any rate, is one exceptional instance of an old
catalogue possessing a distinct pecuniary value up to L2, and though the
noise this discovery made in certain circles led to a general search and
the rescue of other copies, the circumstances are not in the least
affected on that account.

From a literary or even a sentimental standpoint, a long story, full of
speculation and romance, might be written on Dr. Johnson's
long-forgotten catalogue.  We might, for instance, trace, by the aid of
Boswell, many of the books mentioned in it to the very hand of the
master himself.  We might conjecture the use he made of this volume or
that in his 'Lives of the Poets,' 'The Vanity of Human Wishes,' or in
the ponderous Dictionary that cemented his fame, and by way of interlude
beguile an hour occasionally by contrasting the character of the books
he affected with the quality of those on the shelves of some modern
Johnson, assuming, of course, that his counterpart is to be found.  Then
we might look at the prices realized, and compare them with those ruling
at the present day.  Some books then in fashion are, we may be sure, now
despised and rejected, others have not been appreciably affected by the
course of time, while others, again, are now sought after throughout the
world, and are hardly to be met with at all.  There is no old catalogue
whatever which is not capable of affording considerable instruction if
we only read between the lines.

Then, again, there is one speculation that no true book-lover can
stifle; it haunts him as he passes the barrows with their loads of
sermons and scholastic primers, and it is this: 'Time works wonders.'
Some day may not this heterogeneous mass of rubbish produce as fine a
pearl as ever a diseased oyster was robbed of?  May not fashion go off
at a tangent, and dote on lexicons or what not?  There have been
men--Rossi, for example, who was so saturated with the suspicion that
fashion might change any moment that the stalls by which he passed were
'like towns through which Attila or the Tartars had swept, with ruin in
their train'--who would buy any book whatever, whether they wanted it or
not, on the bare chance of someone else wanting it, either at the time
or in the days to come.

Such may be the outcome of a too eager perusal of catalogues, focussed
till it produces an absorbing passion, which only departs with life
itself.  After a time discrimination, naturally enough, becomes
impossible, and whole masses of books are bought up for what they may
become, not for what they are. This may appear to be an ignoble sort of
pastime, but in reality it is far otherwise, since wholesale purchasers
of this stamp are invariably well read, and know more about their author
than his mere name.  I personally was acquainted with a bookworm who
absorbed whole collections at a time. His house was full of books; they
were under the beds, in cupboards, piled up along the walls, under the
tables and chairs, and even on the rafters under the roof.  If you
walked without due care, you would, more likely than not, tumble over a
folio in the dark, or bring down a wall of literature, good, bad, or
indifferent, on your head. This library was chaotic to the general,
though the worm himself knew very well where to burrow for anything he
required, and, what is more to the point, would feed for hours on
volumes that few people had ever so much as heard of. The monetary value
of his treasures did not trouble him, though one of his favourite
anecdotes related to the hunting down of a fourth folio Shakespeare,
which, after much haggling, he purchased for a song from a poor woman
who lived in an almshouse.  When the delight of the chase was over, he
recompensed her to the full market value, thereby proving that, in his
case at least, a greed for books does not necessarily carry with it a
stifled conscience.  Sad to relate, this bibliophile died like other
men, and the collection of a lifetime came to the inevitable hammer.
Most of his books then proved to be portions of sets. If a work were
complete in, say, ten volumes, he would perhaps possess no more than
five or six of the full number in various bindings and editions, while
others, though complete, were imperfect, and many were in rags.  Yet
among the whole there were some pearls of great price.  Even in his day
the fashion had changed in his favour.

Now, this changing of fashion which is always going on cannot be
prophesied at haphazard, or perhaps even at all; but if there is a way
of forestalling it, it is by the careful comparison of prices realized
for books of a certain kind at different periods of time, and this can
only be accomplished by a study of catalogues.  The book-man likes to
think that history repeats itself in this as in other matters, and that
what has happened once will probably occur again in process of time.
Nay, he might, without any great stretch of credulity. persuade himself
that it must occur, if only he live long enough.  That's the rub, for
half a dozen lifetimes might not be sufficient to witness a return to
favour of, say, the ponderous works of the Fathers, which were in such
great demand a couple of centuries ago.  As of them, so of many other
kinds of books which are only read now by the very few.  Some day they
will rise again after their long sleep, but not for us.

As a corollary to this eulogy of catalogues, let us take a few of them
and see where the book-man's steps are leading him.  In his wanderings
abroad he must many a time be painfully conscious of the fact that his
own quest is that of everyone else whose tastes are similar to his own.
Let a first edition of the immortal 'Angler' so much as peep from among
the grease and filth of a rag-and-bone shop, and a magnetic current
travels at lightning speed to the homes of a score or more of pickers-up
of unconsidered trifles, who forthwith race for the prize.  How they get
to know of its existence is a mystery.  Perhaps some strange
psychological influence is at work to prompt them to dive down a
pestilential alley for the first and last time in their lives.  Did you
ever see a millionaire groping in the gutter for a dropped coin?  His
energy is nothing to that of the book-man who has reason to suspect--why
he knows not--that here or there may perhaps lie hid and unrecognised a
volume which fashion has made omnipotent.  And his energy is not
confined to himself alone, for one decree of a naughty world changes
not--it is ever the same: What many men want, more men will search for;
what one man only has, many will want.  The path of the book-hunter is
trodden flat and hard with countless footsteps, and this is the reason
why it is so unsatisfactory to look specially for anything valuable.

We may take it, therefore, that, though hunting for books may be a
highly exhilarating pastime, it is seldom remunerative from a pecuniary
point of view.  There are, no doubt, hundreds of thousands of good and
useful volumes which can be bought at any time for next to nothing; but
they have no halo round them at the moment, and so they are abandoned to
their fate by the typical collector, who insists not only on having the
best editions in exchange for his money, but that his books shall be of
a certain description--that is to say, of a kind to please him, or which
for the time being is in great demand.

And men are pleased at various times by books of a widely different
character, as the old catalogues tell us plainly enough.  In 1676, when
William Cooper bookseller, dwelling at the Sign of the Pelican in Little
Britain, held the first auction sale ever advertised in England--that of
the library of Dr. Lazarus Seaman--works critical of the Fathers and
Schoolmen; learned and critical volumes of distressing profundity,
appealed to the comparative few who could read and write sufficiently
well to make reading a pleasurable experience.  Poetry is absent
entirely. Shakespeare and Milton are elbowed out by Puritan fanatics who
fulminate curses against mankind.  No doubt, if a book-man of those days
had been asked what kind of literature would be in vogue a couple of
centuries hence, he would have pointed to Seaman's collection and
replied, 'Books like those can never die.  So long as learning holds its
sway over the few, they will be bought and treasured by the many.'  In
this he would have been wrong, for few people care nowadays for volumes
such as these.  The times have changed utterly, and we with them.

At this same sale was a book which sold for less than almost any other,
and it lay hidden away under this bald and misleading title: 'Veteris et
Novi Testamenti in Ling. Indica, Cantabr. in Nova Anglia.'  Simply this,
and nothing more.  No statement as to date, condition or binding appears
in Cooper's catalogue, and yet this Bible is none other than John
Eliot's translation into the Indian language, with a metrical version of
the Psalms in the same vernacular, published at Cambridge, Mass., in
1663-61.  An auctioneer of the present day would print the title of this
volume in large capitals, and tell us whether or no it had the rare
dedication to King Charles II., of pious memory, which was only inserted
in twenty copies sent to England as presents.  If it had, then this
book, wherever it may be, is now worth much more than its weight in
gold, for at Lord Hardwicke's sale, held in London on June 29, 1888,
such a desirable copy was knocked down for L580.

Why this immense advance in price, seeing that probably there is no man
in England to-day who could read a single line of John Eliot's free
translation?  The reason is plain.  Since 1661 sleepy New England has
vanished like the light canoes of countless Indians, and in the busy
United States there has grown up a great demand for anything which
illustrates the early history of North America.  Had such a contingency
struck old Lazarus Seaman, he would have made his will to suit the
exigences of the case, and perhaps taken more interest in John Eliot and
his missionary enterprises than anyone did at the time, or has done
since.

It may perhaps be said that Seaman's library must have been of a special
kind, one which such a learned divine might be expected to gather within
his walls; but as a matter of fact this was not so.  Between 1676 and
1682, October to October in each of those years, exactly thirty sales of
books were held by auction in London, among them the libraries of Sir
Kenelm Digby, Dr. Castell, the author of the 'Lexicon Heptaglotton,' Dr.
Gataker, Lord Warwick, and other noted persons.  The general character
of all the seventeenth-century catalogues which time has spared for our
perusal is substantially the same. Every one of them reflects the taste
and fashion of the day, as did Agrippa's magic glass the forms of absent
friends.  Still harping chiefly on theology! as Polonius might say,
these catalogues are crammed with polemics and books of grave discourse.
Anything which could not, by hook or by crook, be dragged, as to its
contents, within the circumference of the fashionable craze, was
disposed of for a trifling sum.  Even in 1682 the learned world, or at
least our narrow corner of it, was inhabited almost entirely by
crop-eared Puritans, with sugar-loaf hats on their heads and broad
buckles to their shoes, and by Philosophers.  True!  Cromwell had gone
to his account, and Charles II. held Court at St. James's and elsewhere,
but the King and his merry companions were not reading men unless a
profound knowledge of 'Hudibras,' that book which Pepys could not abide
the sight of, could make them so.  The anti-Puritans patronized Butler,
and doted on Sir Charles Sedley, the Earl of Rochester and a few more,
who scribbled love-verses by day, and gambled and fought and drank at
night.  But these worshipped Thalia and Erato only, with music and
dancing and other delights, and knew nothing of solid hard work by the
midnight oil.  They had no books to speak of, and the few they had were
light and airy like themselves, and for the most part as worthless.

On November 25, 1678, a great sale was held at the White Hart, in
Bartholomew Close.  The books were 'bought out of the best libraries
abroad, and out of the most eminent seats of learning beyond the seas,'
or, more truthfully, had been removed from the shops of seven London
book-sellers who had combined to rig the market.  Books of all kinds
were dispersed at this sale, which continued _de die in diem_ till the
heptarchy was satisfied.  Were the members of this pioneer combination
alive now, they would weep to think that they gave away on that
occasion--practically gave away--scores of what have long since become
aristocrats among books. Americana were there in plenty, and some of
these are now so extremely rare and valuable that they are hardly to be
procured for love or money; some few, indeed, have completely
disappeared, tossed lightly aside, probably by disgusted purchasers, or
carted back again to the shops from whence they came, to be stacked once
more till they perished utterly of damp and neglect, moth, mice and
rust. On the other hand our old friends, the Puritans, revelled in grim
folios bought up at prices which, the change in the value of money
notwithstanding, would hardly be exceeded now.  Walton's 'Biblia Sacra
Polyglotta' was an immense favourite, a distinction it doubtless
deserved, and, indeed, deserves yet, though we can see that Walton must
have 'gone down' woefully in the last hundred years, when we come to
calculate the necessaries of life that could be bought then with a piece
of gold, and to contrast them with the meagre display such a sum would
purchase now. The truth perhaps, is that, although education was less
widely diffused in the days of the Stuarts, it was more deep and
thorough.  A savant was then like a huge octopus that devastates whole
districts, and daily grows fatter and more bloated at the expense of
everything that moves within reach of its spreading tendrils.

To this effect are we taught by these ancient catalogues, which,
however, do not exhaust all their interest in mere matters of prices and
fashion.  We can learn much from their pages and advertisements of the
manners and customs of our ancestors in Bookland.  It seems that there
were travelling auctioneers a couple of centuries ago who prefaced their
remarks with eulogies of the Mayor and Corporation of each town at which
they stopped, by way, no doubt, of securing their patronage.  Sales
began at eight o'clock in the morning then, and went on, with a mid-day
interval for refreshment, until late at night.  Sometimes the auctioneer
sold by the candle-end; that is to say, lit a morsel of candle on
putting up some coveted volume for competition, and knocked it down to
him who had bid the most when the light flickered out.  This was,
distinctly, an excellent method for bolstering up excitement, for every
splutter must have been good for a hasty advance, regretted very
possibly when the modicum of tallow entered on a fresh lease of life.
When not selling by the candle-end, an auctioneer would dispose of about
thirty lots in the course of an hour, and was quite willing to accept
the most trifling bids.  Business is more rapidly conducted now, for few
auctioneers stop to curse their fate, or to regale their audience with
anecdotes, as one George Smalridge, who in 1689 wrote and published a
skit on the prevalent way of doing business, says was quite the usual
custom in his day.  His tract is written in Latin, under the title
'Auctio Davisiana,' and gives a fanciful account of the extraordinary
proceedings that took place at the sale of the books of Richard Davis,
an ancient bookseller of Oxford, who had fallen into the clutches of the
bailiffs.  The auctioneer commences with a dirge said, or perhaps sung,
over the miserable Davis: 'O the vanity of human wishes!  O the
changeableness of fate and its settled unkindness to us,' etc.  Each
book is extolled at length, and there are pages of lamentation and woe
as Hobbes of Malmesbury, his 'Leviathan,' 'a very large and famous
beast,' is knocked down, by mistake, for the miserable sum of five
pieces of silver.

An exhaustive chapter on early book auctions would necessarily commence
with the dispersion of the stock of Bonaventure and Abraham Elzevir at
Leyden in April, 1653; but the Elzevirs must look to themselves, nor are
these remarks intended to be even approximately full.  Rather are they
discursive, and in praise of catalogues in the mass; intended merely to
put someone else with more space and time at his disposal in the way of
rescuing them from the neglect into which they have fallen.  The next
chapter is more specific, for in that we will take a very famous sale of
less antiquity, and endeavour to draw comparisons between then and now.
And these comparisons will perhaps be very odious, for they will
necessarily appeal directly to the cupidity of every bookworm that
breathes, to every book-hunter who prowls around in search of rarities,
and returns home--empty handed.




                             *CHAPTER II.*

                       *A COMPARISON OF PRICES.*


The important sale to which reference was made in the last chapter is
that of the library of John, Duke of Roxburghe, which was dispersed on
May 18, 1812, and forty-one following days, by Robert H. Evans, a
bookseller of Pall Mall.  This sale is of extreme interest for two
reasons.  In the first place, the collection was the most extensive,
varied, and important that had hitherto been offered for sale in
England, or indeed, anywhere else; and, secondly, it may fairly be
regarded in the light of a connecting-link between the old state of
things and the new. The Roxburghe library was not 'erected,' as Gabriel
Naudaeus has it, on traditional principles; it was of a general
character that appealed to all classes of book-men.  On the other hand,
it was not quite such a library as a collector of large means might be
expected to get together at the present day, for the tendency is now to
specialize, and in any case many of the books that the Duke obviously
took an interest in are of such little importance now, and so
infrequently inquired for, that they would most assuredly be refused
admission to any private library of equal importance and magnitude.
Even a general lover would hardly be likely to manifest much interest in
a number of volumes on Scots law or to hob-a-nob with Cheyne, who in
1720 wrote a book on the gout, or with Sir R. Blackmore, notwithstanding
that eminent physician's great experience of the spleen and vapours.
That lore of this kind has its merits I dispute in no way, but it is not
exactly of a kind to interest the modern collector, who, even if he aim
at all branches of literature alike, would much prefer to have his legal
and medical instruction boiled down, so to speak, to the compass of a
good digest or cyclopaedia.

Nevertheless, May 18, 1812, is among the _fasti_ of those who to a love
of letters add a passion for books.  It is the opening day of the new
regime--the birthday, in fact, of those who revel in first editions and
early English texts. Brunet said that the 'thermometer of
bibliomania'--objectionable word!--'attained its maximum in England'
during these forty-two days of ceaseless hammering, and Dibdin went
perfectly insane whenever he thought of this 'Waterloo among
book-battles,' as he called it.  Everyone of course knows the chief
episode; that struggle between Earl Spencer and the Marquis of Blandford
for the 1471 Boccaccio, in its faded yellow morocco binding, and how the
latter carried it off for L2,260, a most idiotic price to pay, as
subsequent events abundantly proved; for seven years later, when Lord
Blandford's library came to be sold, the coveted volume was acquired by
his former rival for considerably less than half the money. It now
reposes in state at Manchester, or, as some choose to say, is in prison
there, though it is perhaps too much to expect that all good things
should be forcibly removed to London, as some greedy Metropolitans wish
them to be.

The Duke of Roxburghe's library comprised rather more than 10,000 works
in about 30,000 volumes, and the auctioneer's method of classifying this
large assortment was so peculiar that he feels constrained to apologize
for it in a rather extensive preface.

'For instance,' says he, 'the _Festyvale_ of Caxton, printed in two
columns, of which no other copy is at present known, may be found
classed with a small edition of the Common Prayer of one shilling
value.'

The 'Festyval' brought L105, and the little Prayer-Book, which proves to
have been printed at London in 1707, 8s. 6d., which is more than it
would be at all likely to sell for now.  But what about Caxton's lordly
tome; how much might that be expected to bring in case it should once
again find its way into the open market?  Judging from the present price
of Caxtons, perhaps five or six times the money would not be an
impossible figure, but there is no telling.  It might bring more, even
though it has the misfortune to belong to the second edition, for only
six copies are known, and several of those are imperfect. Of the first
edition of 1483, only three perfect copies are to be met with, and that
is, of course, quite a different matter.  The auctioneer need not, as it
happens, have sought to excuse himself so energetically for placing good
and bad books side by side, for the whole catalogue is arranged under
subjects, and to do otherwise would have been manifestly impossible.  He
might, however, have entered somewhat more fully into detail as to
condition and binding, for some of the books were, confessedly, 'thumbed
to tatters,' and a suspicion that this or that 'lot' may be so afflicted
lurks in every page of the catalogue.

The first book brought to the hammer at this sale; the preliminary
bombshell which, to pursue Dibdin's metaphor, was the signal for a
furious cannonade, consisted of the 'Biblia Sacra Graeca,' printed by
Aldus in 1518.  This is the first complete edition of the Bible in
Greek, and an important book on that account.  It brought L4 15s., and
any book-hunter might heartily pray for half a dozen copies now, on the
same terms, for the present auction value runs to about six times as
much.  In fact, a sound copy sold only the other day for L27.  So, too,
Schoiffer's Latin Bible, printed at Mayence in 1472, folio, would be
considered cheap now at L8 8s., assuming nothing was wrong with it.  In
1893 a copy in oak boards brought L20 exactly.  On the other hand,
Baskerville's Bible, Cambridge, 1763, was excessively dear at L10 15s.,
seeing that a very fair copy can be got at the present time for about L1
10s. Collectors of Bibles are responsible for much of the terrible
confusion that takes place when we begin to draw comparisons in matters
of filthy lucre.  If a Bible come from a noted press, or is an original
edition of its version, or very old indeed, then up goes the price,
especially if it be printed in English.  One would have thought that
Baskerville being an Englishman, and a fine printer in his way, would
have been good for much more than L1 10s.  But no; he has not been dead
long enough, for the collectors have made it a rule that no English
Bible printed after 1717 is any good at all, and consequently that the
'Vinegar Bible' is the last book of the kind in point of date worth
looking at, unless, indeed, exception be made in favour of one of the
six large-paper copies of Bentham's Cambridge Bible of 1762, which are
reported to have luckily escaped a conflagration. The late Mr. Dore, who
was a strong man on the subject of old Bibles, says that a little
research would reveal the existence of many more than the traditional
half-dozen copies, so perhaps, after all, the conflagration is a myth.
But if Baskerville's Bible brought what we should now consider to be an
outrageous sum, what shall be said of 'The Holy Bible, illustrated with
Prints, published by T. Macklin, six volumes, folio, 1800,' which went
for L43, incomplete though it was.  Some L2 10s. for the whole seven
volumes is not at all an uncommon auction price at the present day, and
this amount and more would most certainly be swallowed up by the binding
alone.  What it comes to is that among all these books of theology,
Biblical comment, criticism, polemics, sermons, and works of the
Fathers, prices have fallen since 1812, except in those cases where
collectors have stepped in to rescue old Bibles, works associated with
some great religious revolution, or specimens of rare typography from
the presses of old and noted printers.

For instance, there was here another Caxton called 'The Prouffytable
boke for Mane's Soul,' folio, described as 'a beautiful copy,' which
went for L140, and 'A Lytell Treatyse called Lucydarye,' 4to., Wynkyn de
Worde, which brought L10.  During the last dozen years the former book
has appeared twice.  At the Earl of Aylesford's sale in March, 1888, it
brought (in company with 'The Tretyse of the Love of Jhesu Christ,' by
Wynkyn de Worde, 1493) L305, and in July, 1889, an inferior copy, badly
wormed, sold for L100.

These are the sort of books beloved by large public libraries, which are
fast swallowing up the few that remain.  From a pecuniary point of view
it would perhaps pay some rich book-hunter of the Lenox type to buy up
everything of the kind he could lay his hands on, though the worst of
speculations such as these is that the interest on the money invested
has a tendency to swell the principal, and so to add enormously to the
original cost.

Among books that have gone down in price since the Duke of Roxburghe
made his famed collection are those classical works of the ancients
which were at that time all the rage.  Virgil is no longer a name to
conjure with, unless he happen to rank as a sound copy of the _editio
princeps_.  The first edition of Virgil was printed by Sweynheym and
Pannartz at Rome, without date (1469?), and the Duke, notwithstanding
the search of a lifetime, never came across a copy of that.  Not more
than seven copies can now be traced, and only two of these have come to
the hammer for more than a hundred years.  One, though imperfect,
realized 4,101 francs at the La Valliere sale held at Paris in 1784, and
the other L590 at the Hopetoun House sale at London in February, 1889.
Then Homer is also a most desirable companion if he happen to have been
printed at Florence, in two volumes, folio, 1488. About L100 is his
price under those circumstances. Speaking generally, however, unless the
printer comes to the rescue of a Greek or Latin classic, it may fairly
be said to have fallen on an unappreciative generation.  Scores upon
scores of volumes, the very flowers of classic days, edited by
Cunningham, Heyne, Person, and other first-rate scholars of the last
century, are to be met with in this bulky catalogue at sums varying from
L2 to L3 each.  In an old book of this class, a copy of Epictetus,
edited by Heyne, and published at Dresden in 1756, was a slip of paper
with a memorandum of the price at which it had been purchased in 1760.
It was a bookseller's bill for L1 12s., made out to one 'Mr. Richard
Cosgrove,' doubtless a good customer in his day. I have the book now,
and it cost me fourpence, as much as it was worth.  At the Duke of
Roxburghe's sale a copy of this same edition brought L1 4s.  This, no
doubt, is rather an extreme case, but it will serve to illustrate the
general principle sought to be enunciated, namely, that
eighteenth-century classics are, for the most part, but wastepaper, for
the simple reason that only a comparatively small number of people can
read them. The learning of the schools may be deep and thorough--to
assert the contrary would be to offend many excellent scholars of our
own day; but it is nevertheless extremely probable, to say the least,
that there are more books of the kind than there is any demand for, and
so they litter the stalls, braving the wind and rain, till they are
rescued by the merest chance and given house-room for a brief space.

In the opinion of many collectors the word 'poetry' only embraces
English verse of a certain period, or written by certain people.  The
Duke's library was particularly rich in ancient English verse, lyric and
dramatic, and some of the prices realized were very high.  Webbe's 'A
Discourse of English Poetrie,' 4to., 1586, brought L64, and 'The
Paradyse of Daintie Devises,' 4to., 1580, L55.  A curious collection of
some thousands of ancient ballads, in three large folio volumes, sold
for L477 15s.  This collection, which was stated to be the finest in
England, was originally formed for the celebrated library of the Earl of
Oxford in the beginning of the eighteenth century, and was even then
supposed to excel the Pepys collection at Cambridge.  It came from the
Harleian Library, and was purchased and afterwards largely added to by
the Duke, who managed to secure a ballad printed by Leprevik at
Edinburgh in 1570, a ballad quoted in 'Hamlet,' of which no other copy
was known to exist, and many other extraordinary rarities. Dibdin was
present when the 'poetry' was competed for, and bought several hundred
pounds' worth of books, either on his own or somebody else's account,
the whole of which he could easily have stowed away in his capacious
pockets.

Naturally enough, the works of Shakespeare would first be turned to by
anyone who held this catalogue in his hand for the first time.  There
are nearly three pages of closely printed entries referring to the great
dramatist, and the only conclusion that can be arrived at is that in
1812 the early quartos must have been, if not exactly common, at any
rate of no great rarity.  It would be impossible to argue that
Shakespeare was not then appreciated, for the contrary is well known to
have been the fact.  The late Mr. Halliwell-Phillipps in after-years
talked of picking up early quartos for a few shillings each, and
lamented that, for some mysterious reason which he found himself unable
to explain, they had suddenly become scarce.  Very likely he himself had
excited a keen desire to possess them in the breasts of those who read
his numerous books, or--publish it not in Gath!--the bulk of them may
have fallen into unappreciative hands, and been used to light the fires
withal.

However this may be, the early Shakespearian quartos, now of great
price, were disposed of at the Roxburghe sale for only a little more,
and occasionally for less, than the first editions of Marlowe,
Massinger, and several other of the chief Elizabethan dramatists.  A
copy of the first folio sold, it is true, for L100, but the second only
brought L15, the third L35, and the fourth L6 6s. This record, in the
face of L84 for Boydell's edition in nine volumes, folio, 1802--a work
which may now be expected to sell for L5 or L6, even with some of the
illustrations after Smirke and others in proof state--is most
extraordinary.

But let us get to the quartos and compare the prices of then and now.
The first-named are those realized at the Roxburghe sale; those in
brackets are modern, and authenticated with dates and items complete.
There is more scope for reflection here, and a whole volume might be
written on the mutability of fashion.  'Much a-doe about Nothing,' first
edition, 4to., London, 1600, L2 17s. (the Gaisford sale, April 23, 1890,
L130); 'A Midsommer Night's Dreame,' first edition, 4to., 1600, L3 3s.
(_ibid._, L116); 'The Merchant of Venice,' by Roberts, first edition,
4to., 1600, L2 14s. (the Cosens sale, November 11, 1890, L270);
'Pericles, Prince of Tyre,' 4to., 1619, 5s. (the Lakelands Library,
March 12, 1891, L37); 'Pericles, Prince of Tyre,' 4to., 1635, 14s.
(_ibid._, L15); 'Romeo and Juliet,' second, or first complete edition,
4to., 1599, L12 12s. (the Perkins sale, July 10, 1889, L164); 'King
Lear,' 4to., 1608, L6 12s. (the Brayton-Ives sale, New York, March 5,
1891, $425); 'Sir John Oldcastle,' first edition, 4to., 1600, 19s. (the
Gaisford sale, April 23, 1890, L46).

These modern prices are small in comparison with what might have been,
for none of the copies above mentioned were in the finest condition.  If
we want first-rate records we must go further back--to the Daniell sale,
for instance, held in 1864, when thousands of pounds were paid as a
matter of course for a selection of these little quarto volumes, which
had successfully eluded the greasy fingers of generations of playgoers,
the fires of disgusted Puritans, and the ignorance of our own people.
Never shall we see nearly three thousand distinct lots of English poetry
as previously defined disposed of at one single sale again, never again
will prices rule so low.  Many of these books are not to be met with at
all in our generation, no matter what price may be offered for them,
seeing that, as an old book-hunting friend used to say, they have become
'scandalously uniquitous.'

In addition to early English texts, the great Duke had amassed a
splendid collection of romances of the Quixotic school, known in polite
circles as the _Table Ronde_.  He was not content, it seems, with the
printed editions, but also collected many manuscripts on vellum,
illustrated with beautiful illuminations.  Among these curious
manuscripts were several which had been used and translated by the
celebrated Walter de Mapes for the entertainment of his Sovereign, Henry
II.  The printed books of this character, some of which occasionally,
though very rarely, gladden the hearts of romantic bibliophiles,
included the twenty-four small volumes recounting the exploits of Amadis
of Gaul, published at Lyons and Paris in 1577, etc., and also several
duplicates, L16 16s.  A fairly good set, without the duplicates, brought
L4. 4s. in April, 1887--a dreadful drop, considering the demand there is
for books of the kind.  Still, this particular work has undoubtedly
fallen, for another copy produced only L6 the June following. Nor,
should I imagine, would 'L'Histoire du Noble Chavelier Berinus,' a
quarto book printed at Paris, without date, sell for as much as L7 7s.
at the present time, or 'Le Livre de Beufves de Hautonne,' folio, Paris,
1502, for L13 13s., or 'L'Histoire Merveilleuse du Grand Chan de
Tartarie,' folio, 1524, for L22.

The twelve pages devoted to the enumeration of works of chivalry and
romance glow with the martial achievements of Palmerin of England,
Godeffroy de Boulion, Perceforest, Roy de la Grande Bretaigne, Perceval
le Galleys, and scores of other champions who went about rescuing
damsels in distress, sleeping in enchanted castles, and challenging the
whole civilized race of men, one at a time, to mortal combat.
Perceforest, by the way, in six folio volumes, Paris, 1528, went for
L30, a fact worthy of note, inasmuch as another copy sold, a few months
ago, for L10 l0s. Of all the knights of ancient days, the regal
Perceforest was the least worthy of credence, which is saying a great
deal.  His folios bristle with dragons, necromancers of the worst type,
heroic rescues, combats with giants, devils, and all kinds of monsters
who strove, and in vain, to destroy this past-master of Quixotic
enterprise.  That such books did at one time exercise considerable
influence over adventurous spirits is undoubted. They were the only
novels of the day, the only bit of light reading to be had in the
interval between one tourney and another.

Passing by a large and almost complete collection of the separately
published works of Robin Greene, that unfortunate who bought a groat's
worth of wit with a million of repentance, we come to the Voyages and
Travels, and note, as before, the differences in prices.  Hakluyt's
'Collection of Voyages,' 2 vols., folio, 1589-99, brought L4. 14s. 6d.
(the Holding sale, January 17, 1895, L16; the Langham sale, June 19,
1894, L375, second edition, 3 vols., folio, which contained the map by
Molyneux, of which only twelve copies are known.  This copy belonged to
the first issue, without the cartouche about Sir Francis Drake, which
was subsequently added); 'Hakluytus Posthumus; or, Purchas his
Pilgrimes,' 5 vols., folio, 1625-26, L42 (the Toovey sale, February 26,
1894, L51); 'Sir Francis Drake Revived,' 1652, and 'The World
Encompassed by Sir Francis Drake,' 1652, the two pieces 7s. (the Hawley
sale, July 2, 1894, L6 5s.); 'Cooke's Voyages,' 8 vols., 4to., 1773-84,
with the large plates bound in two folio volumes, L63 (December 5, 1893,
at Christie's, L3 12s., and on many other occasions for about the same
amount); Eden's 'History of Travayle in the West and East Indies,'
London, 1577, L6 10s. (the Thornhill sale, April 15, 1889, L10 5s.; the
Wimpole Sale, June 29, 1888, L18 10s., original binding); Vancouver's
'Voyage of Discovery to the North Pacific Ocean,' 3 vols., 4to., and
folio atlas of plates, 1798, L8 18s. (the Holding sale, January 17;
l895, L5 5s.).  It would be more than tedious to pursue this comparative
analysis further. Suffice it to say that as a rule the prices realized
in 1812 for books of travel were greater than would be realized now
under similar circumstances, especially when the journeys undertaken
were about the foot-worn Continent of Europe or in the various English
counties.  Pennant's 'Journey from Chester to London,' for example, is
now a book of small account, yet the Duke of Roxburghe's copy sold for
L7 15s.

Works relating to America are, curiously enough, almost absent from the
Duke's catalogue, and it may fairly be taken for granted that at the
beginning of the present century no one cared much about them.  This
will explain the extreme scarcity of many of these books now, for what
people think lightly of they take no care to preserve.  Hundreds and
thousands of Americana must have been torn to fragments or otherwise
destroyed in past days.  Often of small size, they would escape the
notice of lovers of folios, nor is their general appearance sufficiently
imposing to appeal to those who value a book strictly in proportion to
its external beauty.  The Duke had only a few works of travel in any way
relating to America, and as the list may be interesting, I have thought
it best to transcribe it _verbatim et literatim_:

Schmidel 'Navigatio in Americam,' 4to., _Norib._, 1599.  L1 6s.

Las Casas's 'Discoveries, etc., of the Spaniards in America,' _Lond._,
1699, 3s. 6d.

'History of the Bucaniers of America,' 4to., _Lond._, 1684, L2 6s.

Hennepin's 'Discoveries in America,' 8vo., _Lond._, 1698, 3s.

'Voyage dans l'Amerique,' par La Hontan, 2 vols., 8vo.  _La Haye_, 1703,
and 'Dialogues avec un Sauvage de l'Amerique,' par La Hontan, 8vo.,
_Amst._, 1704, the two volumes 7s. 6d.

Hontan's 'Voyages to North America,' 2 vols., 8vo., _Lond._, 1735, 6s.
6d.

Joutel's 'Voyage to the Missisippi,' 8vo., _Lond._, 1714, 4s.

Jones' 'Present State of Virginia,' 8vo., _Lond._ 1724, 2s.

Carver's 'Travels in N. America,' with plates, 8vo., _Lond._, 1778, 10s.

Long's 'Voyages and Travels in N. America,' 4to., _Lond._, 1791, 11s.
6d.

'Histoire des Antilles,' par Pere du Tertre, 3 vols., 4to., _Paris,_
1667, L2 2s.

Blome's 'Description of Jamaica,' etc., 8vo., _Lond._, 1678, 8s.

Gage's 'Travels in America and the W. Indies,' 8vo., _Lond._, 1699, 2s.
6d.

Wafer's 'Description of the Isthmus of America,' 8vo., _Lond._, 1699,
9s.

'Collectio Peregrinationum in Indiam Orientalem et in Indiam
Occidentalem, 19 partibus comprehensa, cum multis figuris Fratrum De
Bry, 4 vols., folio, _Francof._, L51 9s.

This 'Collectio Peregrinationum,' or Grands Voyages of Theodore de Bry,
nearly always makes its appearance in the auction-room in sections.
Nine of the parts, including the Additamentum, all first editions, with
the plates and maps, sold on July 1, 1895, for L18 10s.

And now we must take a final leave of the Duke of Roxburghe and the
collection which he got together during the course of a long life of
painstaking and critical research.  His catalogue is worth comparing
with several important records of the present day, but to do this
thoroughly would involve a tabulated analysis quite out of keeping with
a work such as I am engaged upon. There is magic in comparisons, for
they tell us what to avoid, and it may be that by their aid we could in
a measure take fashion by the forelock and jump the years to come.  Such
a consummation is possible, but life is rounded too narrowly by the
present, and therefore too short to make it worth anyone's while to
endeavour to peep into futurity.




                             *CHAPTER III.*

                          *SOME LUCKY FINDS.*


The book-hunter whose heart is in his quest never tires of tales of
lucky discoveries, and of rare books bought for a song. This is natural
enough, and, moreover, authentic details of some great find invariably
stimulate his eagerness, and encourage him to persevere in the search
for what he is repeatedly being told--as though he of all men did not
know it already--is only to be met with casually, and by the merest of
accidents.  Now that all of us have settled among ourselves what books
are rare, and desirable to possess on that account, as well as for many
other reasons, everyone is, of course, naturally anxious to obtain the
credit and still more the solid advantages of a startling discovery.  It
is each man for himself, and that perhaps is the reason why book-men of
the old school invariably dressed in staid and sober black, like Sisters
of Charity, to show the world at large that charity in matters that
relate to their pursuit is dead.  What man among the whole fraternity
would give away his suspicions that, in such and such a place, something
may lie hidden?  Rather would he make his way to the spot, in fear lest
some other explorer might not, after all, have forestalled him, and
during his journey there look to the right and the left of him, and get
lost in crowds, as part of a deep design to shake off any other bookworm
who, knowing his hunting instincts and great experience, might perchance
be shadowing his footsteps.  It has, indeed, been seriously questioned
more than once by learned divines whether any collector, and more
especially a collector of books, can by any possibility reach the
kingdom of heaven, seeing that the inestimable gift of charity is by him
regarded of such little account that he would do anything rather than
practise it. It were best, however, to leave such polemical discussions
to those who take an interest in them, and content ourselves with saying
that the bookman's ways are necessarily tortuous, and his route through
life circuitous.

It is next to impossible to open any book about books without meeting
with instances of lucky finds, and the most curious part of the matter
is that the stories are invariably more or less the same.  Like the
literary man's collection of stock phrases, which he uses with or
without variation as occasion may require, and at judicious intervals,
so these records of the chase strike us as being peculiarly liable to
recur.  From their opening sentences we know them--nay, the very mention
of a place or a name is often sufficient to make an adept take up his
parable and finish the narration.  Let a man but whisper Hungerford
Market, and we know that he is going to tell us of the fishmonger's shop
where about half a century ago 'autograph signatures of Godolphin,
Sunderland, Ashley, Lauderdale, Ministers of James II.; Accounts of the
Exchequer Office, signed by Henry VII. and Henry VIII.; Wardrobe
Accounts of Queen Anne; Secret Service Accounts, marked with the "E.G."
of Nell Gwynne; a treatise on the Eucharist, in the boyish hand of
Edward VI.; and a disquisition on the Order of the Garter in the
scholarly writing of Elizabeth,' were rescued from the eaters of fried
plaice, and the tender mercies of the barbaric tradesman who supplied
them.  Mr. Rogers Rees, of 'Diversions of a Bookworm' fame, got this
story from somewhere, though he perhaps would not know it now, for it
has been altered and added to in a score or more of competing
publications.  Then there are stories of Resbecque, who had a nose for a
book second to that of no hound for a fox, of Naude, Colbert, the great
Pixerecourt, and many more.  It would be a shame to dish up these plats
again, for to make them palatable they would have to be seasoned with
imaginative details--an objectionable, not to say fraudulent, practice
at its best.

There is one story, however, which must be raked up, and then decently
buried again, for it is to be hoped that we shall hear no more of it.
It is perhaps not so well known as many of the rest, but in any case
would not be mentioned here except as an almost unique illustration of
the vicissitudes to which any book, however scarce and valuable it may
be, is occasionally liable.  It is, stripped of its glosses, to the
following effect: When the library at Thorneck Hall was weeded of its
superfluous books, the butler, who superintended the operation, came
across a perfect copy of Dame Juliana Berners' 'Boke of St. Albans,'
printed by an unknown typographer in 1486. One would have thought that
the quaintness of the type, to say nothing of the extraordinary
character of the  coats of arms and other illustrations, would
at least have prompted inquiry; but no! it was thrown lightly aside, and
in due course disposed of to a pedlar for ninepence.  He in his turn
sold it to a chemist at Gainsborough for four times the amount, and the
chemist got L2 for his bargain from a bookseller, who, notwithstanding
the fact that a very imperfect copy had been disposed of at the Duke of
Roxburghe's sale many years before, positively sold it to another
bookseller for L7.  He, at any rate, was somewhat better informed,
though not much, for once more the volume changed hands, this time to
Sir Thomas Grenville, for L80.  These transactions did not take place in
the Middle Ages, but in the forties of the present century, and the
wonder is that anyone with the slightest knowledge of books could have
flown in the face of Dibdin's valuation of L420, which was at the time a
matter of common knowledge.  The butler may be honestly forgiven, and
the pedlar commiserated with, the chemist even excused; but the two
booksellers have no hope of redemption.  The imperfect Roxburghe copy
brought L147, and was resold at the White Knights sale for L84.  In 1882
a perfect copy made its appearance at Christie's, and was knocked down
for L630, being about a third less than the purchaser had made up his
mind to pay for it had circumstances compelled.  The life of a book is
more often than not like the life of a horse.  You use it, and little by
little strip it of its value till it becomes a wreck and can be used no
more.  The 'Boke of St. Albans,' in company with many other treasured
volumes, is not, however, for use, but a thing of sentiment, with a
value that will probably continue to increase, till the leaves crumble
before the touch of time.

Stories such as this are the book-man's tonic; they pick him up from the
despondency into which he has fallen through lack of sustenance, and
encourage him to believe that extreme scarcity is not always the reason
of failure, but rather that all things come at last to him who can work
and can wait, as indeed they do, for instances of good luck in the
matter of discovering books, though perhaps not numerous when personal
experience alone is considered, are common enough in the aggregate.
Here is a comparatively recent instance of good fortune:

In the summer of the year 1893 a London bookseller, who must be
nameless, was offered a small library, then stored in a provincial town
some thirty miles away.  The owner copied the title-pages of a few of
the books, and these were of such a character that the bookseller went
over and eventually paid the price asked.  What that amount was I am
unable to state, but have good reason to suppose that it was less than
L50.  The majority of the volumes were, as is usually the case with
old-fashioned and not particularly noticeable libraries, almost
worthless.  There were sermons preached in the long-ago to sleeping
congregations, tracts and pamphlets on nothing in particular, an old and
well-thumbed Prayer-Book or two of no importance, and the usual
ponderous family Bible in tarnished gilt. On a casual survey, the whole
of the books might have passed muster at a third-rate auction, and yet
the bookseller was only too glad to see them safely housed in London.
The reason was this: Among the refuse were _Americana_, some of extreme
rarity, such as those who deal in such books are perpetually on the
look-out for, and rarely find, even at their full value.  As these books
were publicly sold the following December, we are in a position to see
what the bookseller got in return for his money, which, as I have said,
was probably less than L50.  The prices realized are given, so that
there may be no mistake about the matter:

1. An Act for Exportation of Commodities, Incourage Manufactures, Trade,
Plantations, four sheets, printed on one side only, in Black Letter,
1657, 8vo. L1 10s.

2. Hakluyt's Principal Navigations, Voyages, Traffiques, and Discoveries
of the English Nation, 3 vols. in 2, Black Letter, 1599-1600, folio.  L6
5s.

3. Josselyn's Account of Two Voyages to New England, 1674, 12mo.  L6
15s.

4. Gabriel's Historical and Geographical Account of the Province and
Country of Pennsilvania, and of New Jersey, 1698, 12mo.  L31.

5. The Book of the General Lawes and Liberties concerning the
Inhabitants of Massachusetts, 1658.  Printed according to the order of
the Court, Cambridge (Mass.), 1660, small folio.  L109.

6. Heath's A Journal of Travels from New Hampshire to Caratuck, on the
Continent of North America, 1706, 4to.  L5 15s.

7. Frampton's Joyfull Newes out of the New-found Worlde, 1596, 4to.  L4
15s.

8. Brereton's Briefe and True Relation of the Discoverie of the North
Part of Virginia, 1602, 4to.  L179.  This copy had a few leaves mended.

9. Captain John Smith's Description of New England, 1613, 4to.  L5.

10. Mourt's Relation or Journal of the Beginning and Proceedings of the
English Plantation Settled at Plimoth in New England, 1622, 4 to.  L40.
Title and corner of the first leaf mended.

11. A Briefe Relation of the Discovery and Plantation of New England,
1622, 4to.  L40.

12. Captain Thomas James's Strange and Dangerous Voyage in his intended
Discovery of the North-West Passage, 1633, 4to.  L17.

13. A Relation of Maryland, together with a Map of the Country.  These
Bookes are to be had at Master William Deasley, Esq., his house on the
back side of Drury Lane, neere the Cockpit Playhouse; or, in his
absense, at Master John Morgan's House in High Holborne, over against
the Dolphin, London, Sept. 8, A.D. 1635.  L76.  This copy had the rare
map.

14. Captain Luke Fox.  North-West Fox, or Fox from the North-West
Passage, 1635, 4to.  L18.

15. Castell's A Short Discoverie of the Coast and Continent of America,
1644, 4to.  L17.

16. Morton's New England's Memorial, printed at Cambridge (Mass.), 1669,
4to.  L47.

17. Lederer's Discoveries in Three Several Marches from Virginia to the
West of Carolina, 1672, 4to.  L36.

And a few others, realizing a grand total of L658 odd for twenty-four
works.

This remarkable collection of books of American interest is probably the
most important that has ever been met with in such a way.  It may have
been formed a couple of centuries ago by someone who took a burning
interest in the 'New-found Worlde,' as old Frampton calls America, and
for various reasons was unable to go there.  Or it may be that it was
got together at a later date, as the presence of Heath's 'Journal of
Travels' seems to suggest, by some bookish prophet, with an eye to the
main chance.  If so, it is a pity that he did not live long enough to
reap the reward of his foresight and energy, though, after all, even had
he done so, _cui bono_?  Suppose he gave L5 for the whole collection a
hundred years ago--and surely this is on the right side, for Hakluyt's
'Principal Navigations' would itself be worth as much in those
days--even then he would be woefully out of pocket for his pains, for
his L5 would, at compound interest, have increased to the best part of
L2,500.  It is this little matter of interest that upsets all
calculations, and makes us all lying prophets, so far as money is
concerned.

Another extremely fortunate find was made, in 1896, in Hampshire.  Can
such things be?  Can any man be born to such a heritage of luck?  It
seems that Mr. M. H. Foster, who recently bought the Cams Hall estate in
the county named, took it into his head to explore the mansion, and in
doing so came across a number of old volumes which had been abandoned by
the late proprietor. They lay, dusty and cobwebbed, in an old cupboard,
and instead of consisting of forgotten ledgers and day-books, as would
have been the case if any less fortunate gentleman had been concerned,
proved to be of the greatest value. There was Caxton, writ large, among
them--several Caxtons in fact, one being 'Justinian's Law,' such an
exceedingly scarce book that a later edition once sold in London for
L1,000--so at least it is said, though I have no record of the
circumstance.  At any rate, there is very little doubt that the volume
in question would bring that amount or near it, and again let it be
asked, Can any mortal living enjoy such favour from the gods?  As in the
case of the Thorneck Hall 'Boke of St. Albans,' so in that of the Cams
Hall 'Justinian's Law '; how can such books be overlooked?  Their very
type betrays them sufficiently, one would think, to make it impossible
for anyone, however careless, to pass them by.

Wholesale and very valuable discoveries like these are naturally of such
infrequent occurrence that when one is made the news of it is
disseminated far and wide, and commented upon in all the newspapers,
which are nothing now if not literary, at least to some extent.
Isolated finds, the picking up of some single object of interest or
value, is the most the book-man reasonably hopes for in these days, and
so long as he confines his desires within such narrow bounds it is hard
indeed if he never reap an occasional success, such as that reported of
a Melbourne gentleman, who only a few months ago picked out of a box
labelled 'Fourpence each' a first edition of 'Sordello,' with an
inscription in the handwriting of the author himself.  Browning had
written on the flyleaf, 'To my dear friend, R. H. Horne, from R. B.,'
which, though certainly autographically less important than if he had
signed his name in full, is yet a very pretty and cheap souvenir of an
eminent poet.  This R. H. Horne, who was himself a versifier, and once
celebrated as the author of 'Orion,' emigrated to Australia in 1852, and
became a Goldfields Commissioner at Ballarat.  When he left there and
came to England again, the book must have been left to the mercies of
the Melbourne streets, in which presumably it existed till rescued from
the low depth of misery which the miscellaneous box is supposed to
imply.

Amongst a lot of old paper recently received at a mill in Andover,
Connecticut, was a Bible which some Goth had sold by weight.  In it was
an inscription, 'This Bible was used in the pulpit by Rev. Stephen West,
pastor in Stockbridge, Mass., from 1759 to 1818.'  This book was perhaps
not so important from a worldly point of view as 'The Art of Cookery
made Plain and Easy; By a Lady,' which the late Mr. Sala rescued from
oblivion in the Lambeth Marshes, as will shortly be related; but the
Rev. Stephen West was a very noted personage in his day, and there are
hundreds of people, more particularly in America, who would be very glad
to possess a memorial of him.  He was the author of the well-known
'Essay on Moral Agency,' 1794, the 'Sketches of the Life of the Rev. S.
Hopkins,' 1805, and other books which in their day enjoyed a very
extensive circulation.

Mr. Sala's discovery of Mrs. Glasse's cookery-book was due to his habit
of prowling round the old bookstalls of the Metropolis, particularly
those which line the narrow streets of Lambeth Marshes and the New Cut.
On a Sunday morning these places are like a fair, and, literally, scores
of peripatetic booksellers, who for the most part follow another
occupation the remaining days of the week, take their stand with barrows
piled high with lore.  The mob pull the volumes about, and haggle over
the prices, so that the stock displayed is not, on the whole, in the
best possible condition.  Still, sometimes you do meet with a
well-preserved rarity, as Mr. Sala did when he purchased 'The Art of
Cookery made Plain and Easy,' 1747, thin folio, for six humble pennies.
He had the book bound by a first-rate craftsman, and when it came at
last to the inevitable hammer some two or three years ago, it sold for
L10, and was reasonably worth considerably more.  Only five or six
copies of this edition are known to be in existence, but of the second
edition, which also appeared in 1747, only one copy is known, according
to the Rev. Richard Hooper, whose unique specimen contains an
inscription worth reproducing.  It runs as follows:

'Steal not this Book my honest Frend for Fear
the Galowss should be your hend and when
you Die the Lord will say and wares that Book
you stole away.'


Cooks are proverbially greasy people, and a book passing through their
hands is apt to return like 'Tom and Jerry' from those of a
prize-fighter or sporting publican.  Still, 201 persons subscribed to
the first edition of Mrs. Glasse, and 282 to the second, and some were
neither cooks nor publicans, but members of the aristocracy, who might
be expected to treat their books with some show of respect.  But perhaps
they expressly bought them for the use of their cooks, and handed them
over to the kitchen authorities, in which case their rarity is accounted
for.  All old cookery-books, and not merely Mrs. Glasse's famous work,
are rare, because they are books of practical utility meant to be
consulted in a republic of pots and pans, and grease and litter; but
Mrs. Glasse's guide is more desirable than most other English books of
the kind, because there is a sentiment hanging around it like a halo, by
reason of words which are not to be found therein, 'First catch your
hare.'

For my part, whenever I see a cookery-book flaunting it on a street
barrow, I rescue it at once, for I have a belief, rightly or wrongly,
that some of these days there will be a very great demand for old works
of the kind.  There is a present disposition to return to ancestral
dishes which means the resuscitation of 'The Skilful Cook,' 'The Good
Housewife's Jewel,' 'The Queen's Closet Opened,' 'The Ladies' Practice,'
and many other volumes where the necessary recipes are to be found.  For
some time past, indeed, recipe-books of all kinds have practically
disappeared from the stalls where once they were so numerous. 'They're
miking a lot of 'em hup at the West Hend,' said a stall proprietor,
jerking his thumb in the direction of Belgravia, from which it must be
understood, not that any manufactory of forgeries is as yet established
there, but merely that the upper ten think a great deal of old
recipe-books, and are buying them up for their cooks to practise with.

It is sadly to be feared that the paper-mills grind many good books
exceeding small at times. This is to be conjectured by reason of the
fact that every now and then a consignment is stopped and rescued just
as it is about to be transformed into pulp.  What happens once, is, we
may be sure, repeated at intervals, though direct evidence may be
wanting to convict the paper-maker. Evidence of this character is,
however, occasionally forthcoming, as, for example, in the case of the
sixth volume of Dr. Vallancey's 'Collectanea de Rebus Hibernicis,' which
was published in two divisions in 1804.  The previous five volumes are
comparatively common, but both parts of volume six are very scarce,
nearly all the copies having been accidentally sold for waste-paper, and
treated as such.  Charles Dickens's 'Village Coquettes' and also
Swinburne's 'A Song of Italy' were once much rarer books than they are
now, and commanded a great deal more money in the market.  Neither book
sold well when published, and a very considerable 'remainder' was
stacked in quires in the publishers' cellars.  One day these Augean
stables were cleaned out, and the 'Village Coquettes' and 'A Song of
Italy' were saved from the mill by the merest of accidents, with the
result that the former book went down fifty per cent. in the market, and
the latter to next to nothing.  These finds were noised abroad, with the
result that they were robbed of most of their importance.  Imagine, if
we can, a great discovery of a hundred copies of Shakespeare's first
folio.  And imagine also a journal of credit getting hold of the news
and noising it abroad, as it would do when it had satisfied itself that
there was at least a substratum of truth in the story. The result we
know.  Half the value of the find would vanish away on the instant, and
rightly so, too, as a strict moralist would doubtless insist.

Sometimes, though not often, some of the literary auctioneers will make
a mistake, and in the most unaccountable manner include a rarity in a
'parcel' of rubbish.  A good copy of the first edition of Cocker's
'Decimal Arithmetic,' 1685, was picked up in this way a short time ago,
though not in London, and at Leeds a dealer bought an original and very
interesting letter in Shelley's autograph, which had somehow or other
slipped among a number of school-books of trifling value.  It is the
easiest thing in the world to make a mistake where books are concerned,
more particularly when they consist of pamphlets and other works which
lie in a small compass.  Folios can take care of themselves, but a man
needs to have a first-rate all-round knowledge who would essay to
catalogue a good old-fashioned miscellaneous library.

In France, sale-catalogues are prepared by experts, who are called in to
assist the auctioneers; in London the auctioneers keep their own
cataloguers, and in the country towns they seek the assistance of
booksellers, or do the work themselves.  If a sale is advertised to be
held at a house where furniture is the chief attraction, the presence of
a comparatively small number of books acts like a magnet, and people are
attracted from far and near in the hope that something good will fall to
their share.  Sometimes they are rewarded, more frequently not; for what
everybody is looking for is almost sure to be detected by several, if it
exist at all, and then, of course, the price is run up.  Still,
occasionally, a whole roomful of experts will miss a bargain which
stares them in the face. Unaccountable as it may seem, I myself once
bought for L1 a first-rate copy of Alken's 'National Sports of Great
Britain,' 1821, a scarce folio book full of  plates.  It was
wedged in among a quantity of furniture, and had escaped observation,
although there were several booksellers in the room.

The highest form of genius to be met with in book-men is, however, the
capacity possessed by a very few of them to detect the author of an
anonymous book by reference to the style in which it is written.  If we
happened to meet with 'Swellfoot the Tyrant' for a trifling sum, and
passed it by, we should deserve our fate, for the authorship is so
generally and widely known that there is no excuse for any book-man who
is unacquainted with the facts surrounding it. But were we to discover
another poem by Shelley, which no one had ever heard of before, and also
be able to prove conclusively that he must, _ex necessitate_, have been
the author of it, that indeed would be a triumph of skill.  Some few
books have been rescued in this way, 'Alaric at Rome,' for instance,
which was discovered and assigned to Matthew Arnold simply and solely by
reference to the style.  'Alaric at Rome' made a sensation when the
authorship came to be known, and book-hunters were searching high and
low, and giving commissions in hot haste.  A few copies were unearthed
in this way, but the number was exceedingly small, not more than two or
three, I believe, and the pamphlet, for it is nothing more, is at this
moment an object of deep interest to the few, who are in reality very
many, when we come to reflect that none but perhaps half a dozen can
ever hope to possess it.

When we get into bookland, more particularly into that secluded corner
of it where specialists assemble to compare notes and exhibit their
treasures, confusion springs up on the instant. The specialist cannot
always know his business thoroughly.  If you mention a particular book
which comes within his purview, he will probably tell you how many
copies of it are known to exist, and where they are, how many of the
total number are cropped, and to what extent, and whether the titles
have been 'washed' or otherwise renovated. He knows accurately the
original cost in money of each, and how much each would be likely to
sell for in case it were brought to the hammer. All this is, of course,
good and solid information, but it is too microscopically minute and
exact to interest anyone outside a very small circle.  To most of us
these details are unimportant, and yet every lucky find must pass some
specialist, who assigns to it its proper position in point of
excellence, and makes it keep its place.  For this reason I have been
charged with the offence of speaking about him as though he were a
common bookworm, ready to feed on anything that came in his way, which
is, of course, flat treason, not by any means to be silently borne by
the elite.




                             *CHAPTER IV.*

                     *THE FORGOTTEN LORE SOCIETY.*


Common-sense tells us that 'finds,' as they are popularly called, must
necessarily be made by the purest of accidents. Valuables of any kind,
though frequently lost or mislaid, seldom remain unappropriated for
long, and to search for them with intent is to be too late in such a
large preponderance of cases that it is not worth while to go to the
trouble of doing so.  A 'find,' as I take the word to mean in a popular
sense, is the discovery of something of special interest or value,
followed by its acquisition at a price which is, at market rates, very
much less than it is worth.  The price paid is the gist of the find in
the popular eye, though there is no denying that, in the case of genuine
literature, this is about the most unsatisfactory view that can be taken
of the matter.

If an extremely scarce or interesting book, for which one has, perhaps,
been searching for years, is at last acquired at any price whatever, the
'find' is none the less real, merely because the cost is great, though
we should have hard work to convince the ordinary book-buyer that this
is so.  He is of opinion that money can buy anything, books not
excepted, and in that he is assuredly wrong, for there are many books
which are not to be procured at any price, simply because they have
disappeared as though they had never been.  We know they once lived,
because they are referred to by name in contemporary reviews, or have
perhaps been reprinted; but now they are as dead as the 'Original
Poetry' of Victor and Cazire, which can be traced to the pages of the
_Morning Chronicle_ of September 18, 1810, and to a couple of reviews of
the day, but of which no copy is now known.

It was this 'Original Poetry' that first suggested the idea of a society
to promote the systematic search for 'rare and curious volumes of
forgotten lore,' as Edgar Poe felicitously has it.  These poems were the
production of Shelley and a friend--probably his cousin, Harriet
Grove--but had hardly been published a week when Stockdale, the
publisher, inspecting the book with more attention than he previously
had leisure to bestow, recognised one of the pieces as having been taken
bodily from 'The Monk.'  Shelley then suppressed the entire edition in
disgust, but not before nearly a hundred copies had been put into
circulation. The question is, Where are these derelicts now? It is
incomprehensible that all can have been consigned to the flames or torn
to pulp. Most probably one at least has survived the wrack of time and
neglect, and may be lying perdu in the garret or rubbish-heap of some
old farmhouse, in which Shelley is but little known, and 'Victor' and
'Cazire' absolute strangers both.  And if this particular book, why not
many others, which, though not absolutely lost, are yet so very rarely
met with that it is the ambition of every book-hunter, great or small,
to track them down?

As the world is not inhabited entirely by specialists, the inference is
that books of all kinds, good as well as indifferent, lie hidden away in
obscure places, waiting the coming of some appreciative explorer who
will rescue them from the neglect of many years, and restore them to the
world from whence they came.  It is no use advertising in these cases.
Every week, year in and year out, stereotyped advertisements appear in
all sorts of likely and unlikely journals, and nothing ever seems to
come of them.  They are read, doubtless, by the very people whose goods
and chattels stand in need of a thorough overhauling; but they do not
know the real extent of their possessions, and usually have a fine
contempt for articles of small bulk--a by no means unusual circumstance,
be it said, even in educated circles, for it is on record that, when
Sion College was burned down, many priceless volumes in the library were
destroyed simply because the attendants, at the risk of their lives,
devoted all the time available to the rescue of folios.

Thus it came to pass that Prynne's miscellaneous writings were for the
most part saved, while other treatises, of far more importance, but
smaller in size, were licked up by the flames, and so perished.  The
natural instinct of human beings is to place confidence in weight, and
to ascribe wisdom to bulk.  For centuries this idea prevailed throughout
Europe, and doubtless prompted Nicolai de Lyra to write those hundreds
of folios of commentary on the New Testament which at one time were the
mournful heritage of thousands.  So also the great Baxter reaped much
renown by reason of his seventy folios or quartos, causing Bayle to
remark, 'Perhaps no copying clerk who ever lived to grow old amidst the
dust of an office ever transcribed so much as this author has written.'

The real book-hunter of to-day is, however, fortunately free of the
ancient superstition, and knows very well that as a general rule the
scarcest printed books are those which are small in size.  To the people
at large this is not so, and thus it is that pamphlets of extreme
rarity, small volumes which you can hold in your hand with ease, or
carry in an inner pocket with comfort, are neglected and eventually
forgotten, and doubtless destroyed in sheer ignorance, more often than
we care to think of.  It was with the object of rescuing some of these
that the Forgotten Lore Society first saw the light seven years ago.
This, indeed, was not its real name, but the title is a good one, and as
descriptive of the objects sought to be attained as any other that could
be invented.  The idea was to search the country for neglected books in
the hope that something at least might be discovered among the heaps of
ancestral rubbish that time and the elements are fast bringing to decay.

Now, I venture to state that the more anyone of impartial judgment
considers facts and probabilities, the more he must be satisfied that
this was no Quixotic scheme.  In some instances it is plain that even
the most protracted and thorough search would be mere waste of time, as,
for instance, in the case of Byron's 'Fugitive Pieces,' 1806, which is
known to have been entirely destroyed, with the exception of three
copies, all of which can be accounted for.  But, then, the operations of
the society were not confined to odd volumes, but to rarities of any
kind and in any number that Providence might see fit to throw in its
way.  If not Byron, then Shelley, or Burns, or those older authors whose
very names are synonyms for extreme scarcity, such, for example, as
Brereton, Whitbourne, W. Hamond, Bullinger, and the scores who have
written seventeenth-century poems and composed old music to sing them
to.  Have all practically vanished, or are they merely under the lock of
a combination of indifference and ignorance for a time?  That was the
question.

With this society I was connected as an ordinary member, and allotted a
certain acreage over which to roam, on the distinct understanding that
any advantage was to accrue to the benefit of the members as a whole.
Elaborate rules were drawn up, and every imaginable contingency fully
provided for.  There was no lack of money, and no want of enterprise or
enthusiasm; yet the project failed for the simplest of all reasons--but
one which had apparently never entered into the calculations of the
promoters.  Spread over England, and some parts of Scotland and Ireland,
were over a hundred book-men, all of them thoroughly well versed in
literature of a certain kind, but, with few exceptions, rigorous
specialists, who affected particular authors or subjects, and knew
little outside the restricted circle they had made their own.  Let any
one of these be drawn within the vortex of his favourite branch of
study, and I am sure that he would have acquitted himself admirably; but
what was wanted in a matter of this kind was a general and extensive
acquaintance with the market, and not a knowledge, however deep or
profound, of the lives of authors long since dead, and of what they
wrote, and the circumstances that attended the publication of their
works.  This, unfortunately, was the information with which most of the
members set out to search the countryside, and the mistakes they made
would be sufficient to excite the laughter of even the tyro were they
but published. A perfect Iliad of woes tracked the footsteps of each
member of this society wherever he went, and it is not at all surprising
that it eventually languished and was finally dissolved.  A few of these
mistakes may, however, be set down with the object of showing how easy
it is to tumble into error, and at the same time to be perfectly
satisfied that the mistake, if any, is on the wrong shoulders.

Every collector of Mr. Ruskin's works knows that on December 14, 1864,
he delivered a lecture at the Town Hall, Manchester, and that this
lecture was printed and published in that city, in pamphlet form, under
the title of 'The Queens' Gardens.'  He is also aware that only three
copies of the pamphlet are known to exist, and if he is very well
informed indeed he will know who has them, and where they got them from,
and at what price.  A portion of this information was in the possession
of a member at Bath, who, as he said, had accidentally discovered a copy
of the 'book' in a parcel of odds and ends that was to be sold by
auction the following day.  In his letter he requested a reply by
telegram first thing in the morning saying to what price he was to go,
as he had reason to believe that other persons beside himself were aware
of the circumstance. There was no time for explanations, so the wire was
sent, though the word 'book' came with a very suspicious ring.  It was
as well perhaps that the limit was intentionally put low, or there is no
telling to what absurd price the parcel of miscellanea might not have
been forced by his eagerness.  As it was, it was bought for L2 10s., or
about six or seven times as much as it was worth, for 'The Queens'
Gardens' was not the coveted pamphlet at all, but the book known as
'Sesame and Lilies' (and not even the first edition of that), published
by Smith, Elder and Co. in 1865, which contains the reprints of the two
lectures (1) 'Of Kings' Treasuries,' (2) 'Of Queens' Gardens.'  It was
evident that this sort of thing had only to become general and the
society would be ruined, for all payments came from the common fund.
When the error was pointed out, the member cavilled and argued, but
could not be convinced.  He was certain that he had bought the true and
original 'Queens' Gardens,' and darkly hinted at secession.

On another occasion a member bought 'Friendship's Offering,' for 1840,
merely because it contains 'The Scythian Guest.'  He, too, could not be
persuaded that the error was his rather than that of the bookseller who
sold it him. Times without number one edition was mistaken for another;
over and over again were imperfect or tattered volumes bought at prices
that would have been impossible but for the London treasury of this
secret society.  'No good comes,' says old John Hill Burton, 'no good
comes of gentlemen buying and selling'--a dictum which was manifestly
applicable here.  Had the confident purchaser of 'Queens' Gardens' been
confronted with Nichols's 'Herald and Genealogist,' he would have been
in his element, for he was an adept in the lore of armorials and
pedigrees, and had a fine collection of volumes of that kind.  Outside
these subjects he knew but little, which for all practical purposes is
infinitely worse than knowing nothing at all.

Another grievous error resulted in the purchase of Shakespeare's 'Venus
and Adonis,' 'The Rape of Lucrece,' 'The Passionate Pilgrim,' and
'Sonnets to Sundry Notes of Musick,' at a good round sum.  The pieces
were bound up together in dilapidated calf, and as each had a separate
pagination there may have been just a shadow of excuse for the payment
of L2, which was the price demanded.  But this book was merely Lintott's
first collected edition, a work which might have been manufactured
expressly for the behoof of innocent purchasers, so antiquated and
primitive does it look.  Had it been Cote's collected edition of 1640,
instead of Lintott's comparatively worthless, and certainly very
careless, production, which he took good care not to date, all would
have been well; but this was never at any time likely to be the case,
for the price was dead against a supposition of the kind.  Price is,
indeed, often a most valuable guide to the real worth of a book; though
this is not always the case, as the following anecdote of a circumstance
that happened to myself abundantly proves.  I took the greatest pains to
trace every step in the history I am about to unfold, and know that the
details are true.

It is the custom of many booksellers to send out their catalogues in
alphabetical order, and had only my name been Abbot, or even Abrahams,
this account of an accident which can hardly fade from my memory would
probably have never been written.  The Forgotten Lore Society would have
reaped most of the benefit certainly, but, on the other hand, I should
have been rich in the consciousness of having obtained for a mere trifle
one of the finest known copies of an extremely rare piece, and one of
the few of any quality that have ever come into the market at any price.

The society had not been in working order a month, when one of those
extraordinary strokes of luck which often fall to the share of the
gambler at the commencement of his career, and as certainly desert him
at the end of it, happened to me.  It was brought late one evening by a
bookseller's catalogue which I, being much occupied at the time, threw
aside till a more convenient season.  They say that strange
psychological influences often work out the destiny of men, although
they know it not, and some such influence must have been haunting me
then, for contrary to all custom, and notwithstanding the fact that to
catch the last post was a matter of imperative necessity, I found that
the catalogue had an altogether exceptional if not unique attraction.
Do what I might, I could not forget its existence, nor could I make
satisfactory progress with the work which had, whether I liked it or
not, to be finished and out of the house half an hour before midnight at
the latest.  So the catalogue was opened, curiously enough, at a place
at which there was no reason it should open, for after a while I lost it
and had some difficulty in finding it again.  It had opened, however, at
page 8, and the first entry that caught my eye was this, word for word
exactly:


114. Hornem (Horace) The Waltz: an Apostrophic Hymn.  By Horace Hornem,
Esq.: 410., 1813, unbound. 3s. 6d.


Now, there are, of course, two early editions of 'The Waltz,' one the
quarto above-named, and the other an octavo published in 1821, and it
was quite likely, and indeed more than probable, that the bookseller,
with his mind's eye fixed on the excessively scarce issue of 1813, might
have unconsciously written it down instead of the comparatively common
octavo.  Another hypothesis suggested itself, namely, that the entry was
designed to bring customers to his place of business, and that 'The
Waltz' of 1813 had no existence there in fact.  Such devices for making
trade are not unknown, and this might very well be one of them.
Nevertheless, I determined to test the matter, and though the laugh is
greatly to my discomfort even at this distance of time, I do not mind
admitting that I was, metaphorically speaking, glued to the doorstep
long before the shop opened in the morning.  To sit there in reality I
could not for shame, so I walked about Oxford Street within bowshot,
ready to besiege the door in case any other snapper-up of unconsidered
trifles should show an anxiety to forestall his brethren of the chase.
Even when the shop opened, I did not walk in immediately, nor when there
did I brutally ask point-blank for the coveted treasure.  An uneasy
conscience pointed out that, if there were anything in the matter, too
great an anxiety might give rise to suspicion, and 'The Waltz' would in
that case be difficult to find.  I bought another book, which I did not
want, and not till then suggested number 114.

'Gone,' said the clerk, looking at his copy of the catalogue.

'Gone?' said I.

'Yes,' he replied, 'sold yesterday.'

I thought at the time that a trace of a smile played about the corners
of his mouth as he said this, and I should not wonder if that were so,
for the bookseller afterwards told me that his place had been besieged
for many days by hungry bookworms, who had sauntered in one after the
other in the most careless manner imaginable, and asked for this very
'Waltz.'  'They positively danced on the pavement,' he said, 'when they
found it had gone,' and with this small joke he was fain to mollify
himself, for it was the literal truth that in an evil moment he had sold
a pearl of great price for the beggarly sum of 3s. 6d.  He did not know
to whom; he had never seen the man before, and 'in all probability,' he
added with a sigh, 'I shall never see him again.'

The subsequent history of one of the finest, if not the finest, copies
of Byron's quarto 'Waltz' in existence is as follows: The original
purchaser sold it to a dabbler in books for 10s., and he in his turn
disposed of it for L4 to a man who, though not a bookseller,
occasionally acted as such, and was thoroughly conversant with every
move of the market.  He had no difficulty in selling it by telegram, and
the price paid--L60--was not, under the circumstances, in the least too
high, for the copy was as fresh and clean as when it left the publishing
offices of Sherwood, Neely, and Jones more than eighty years ago, and
had not been tampered with in any way.

The suggestion that the price demanded for a book is often a test of its
real worth is both proved and avoided by this story.  As I did not, as
it happened, secure the 'Waltz,' I feel sorry for the bookseller, and
would point out to him that it is impossible for anyone, bookseller or
not, to be acquainted with every volume and pamphlet that has ever been
published.  He made a mistake of such grave consequences to himself that
he is not at all likely to make another of the same kind.  His sin
merely consisted in either not knowing who 'Horace Hornem, Esq.,' really
was, or more probably in momentarily and yet irrevocably confusing that
pseudonym with some other which he may have had in his mind at the time.
This is a very common source of error, and very probably accounts for
the incident.  On the other hand, the action of the intermediate holder
in selling the book for L4 is inexplicable and inexcusable.  Had he said
10s. 6d., and thus made 6d. on the transaction, he would have had the
excuse of absolute ignorance in his favour, but L4 is such a curious and
yet significant amount that there can be no question that he at any rate
knew sufficiently well what he was about to make the absence of proper
inquiry on his part a positive crime.  Any such value as L4 placed on a
pamphlet of twenty-seven pages is in itself such an indication of value
that no anxious would-be purchaser of any scarce and yet
insignificant-looking book dare offer anything like the amount for it.
He must either pay the full price or near it, which is more honest, as
well as more satisfactory in the long-run or swallow his principles and
tender next to nothing with a nonchalant air.

Personally I feel sorry that the gotten Lore Society had such a small
measure of success, for it deserved well.  The management was too
vicarious for the times, and, moreover, its object was not the buying
and selling of books, which one man, if he have sufficient capital, can
do as well as twenty.  To rescue mean-looking but valuable literature
from certain destruction was its one and only study, and the realization
of its dreams was only accomplished very partially because, as I have
hinted, the members of the association were specialists moving in narrow
grooves.  The few successes that can be placed to its credit would,
however, have been its curse had it dealt hardly and uncharitably with
the ignorant people who on more than one occasion parted with small
fortunes (to them) for the price of a day's subsistence.  To buy a
perfectly clean copy of Thackeray's 'Second Funeral of Napoleon' for 2s.
was a work of art, for the old woman who sold it, in order to buy tea,
as it subsequently transpired, wanted more, and yet was so thoroughly
saturated with suspicion that she would probably have refused to sell at
any price had more been offered.  The book was acquired for that sum, as
I have said, after much discussion and with many misgivings, at least on
one side; but when bought, the circumstances altered, and she found
herself possessed of more money than she had had the control of at one
time in her life before, for it is, I think, to the credit of the
Forgotten Lore Society that it voluntarily paid into the Post-Office
Savings Bank a sum of L10 to the order of the seller a few days after
the transaction was carried through.  Such finds as these were, however,
few and far between.  In nearly every case such books as the ignorant
are possessed of are very inferior, and, what is perhaps not surprising,
assessed by their owners at ridiculous prices.

It was part of the business of the society to advertise for books in
country journals, and to while away a few moments I give the gist or the
actual text of some of the replies received.  One correspondent wrote to
say that he hadn't got no books, but would sell us a fox-terrier pup, if
that would do instead, and then he proceeded to enumerate at great
length what he called its 'pints,' concluding with the remark that he
had sent it off that very evening by passenger, train. It turned up,
sure enough, in the morning, sorrowful of countenance, a snarling,
disreputable cur, which we were only too glad to feed and return to its
home without delay.

This was an instance, fortunately very rare, of the wilful substitution
of one article for another of a totally different kind; but nearly every
letter we took the trouble to answer proved to be misleading in one way
or another, and not a few contained a series of palpable untruths. There
would be no advantage in reproducing many of these epistles, and,
moreover, the circumstances surrounding them are not of sufficient
interest to warrant more than a passing notice.  Suffice it to say that
they were mere vendors' glosses, not to be taken _au serieux_.  The
number of books with 'magnificent plates' or in 'splendid condition'
that turned out on inspection to be the tramps and tatterdemalions of
bookish society was very surprising.  Some few, however, were very
curious, and others so quaint in diction that I have no hesitation in
copying them either wholly or in part.  Here is one:


'Deer Sur i begs to state as ou i ave sume bukes their is Boosey
anecdoates of fishin for wich five bob and a lang his hanglin skeches
hopen to hoffers stackhouse new history of the Holy Bibel to pouns an a
lot moar to order deer Sur if you be willin and i wil sen to luke at for
2L on the nale your respectabul----.'


A 'bob,' I may explain for the benefit of my American readers, is the
slang equivalent of a shilling, or twenty-four cents.

The following reply, full of facetiousness and loaded with cunning, came
from a village near Kirkby Stephen, in Westmoreland:


'SIR

'Seeing your advt in the Gazete I hasten to copie out the titles of some
books which have been in my family for I dont know how long.  A
Bookseller come up from Lancaster last Toosday and wanted to have them
sore but as I could see he wanted to cheat me I thought it better tell
him so in plain English which is the way of yours truly who is a
wrestling man and champion chucker out of these parts round about.  Am
open to good offer for the lot but will sell any at following and no
discount.  Ellicot Lectures on J. Christ, 10s.  Durny Histoir de Romans,
vol. 4, 6s.  Stock Exchange year Book for 1884, 7s; Ante Baccus a choise
volume bound in calf, 17s. 6d.  Scrope Days and Nights of Fishing 1843,
12s.  The Female Parson 4s, and plenty more too numerous till I see what
you are made of.  Please write at once if you want any.

'Yours truly----.'


The upshot of this was that we said we should like to see Scrope and the
'Female Parson,' but our bellicose correspondent refused to part with
either till he got the money, for he did not, he said, intend to trouble
himself about useless references.  So the money was sent, and in due
course the books arrived, carriage not paid.  The 'Female Parson,' which
we had never heard of before, proved to be worthless, but Scrope's
'Salmon Fishing' was really a beautiful copy of the first edition in the
original cloth, and this it was that had doubtless tempted the Lancaster
bookseller.

Then there was a lady in Somersetshire who kept up a correspondence for
over a month.  She had a splendid copy, so she said, of Sturm's
'Reflections,' which she was ready to sell for 15s. In vain was she
informed that the book was not of a kind to interest us; she knew
better, and persistently lowered the price, 1s. at a bid, till her
letters had in sheer desperation to be put in the waste-paper basket.
We found ladies, as a rule, distressing correspondents, who flatly
refused to be put off with a courteous negative.  With them it was
simply a question of price, and had we been persuaded by their
blandishments, we should soon have had a cellar full of sermons, Gospel
Magazines, and all the rubbish that Time refuses to annihilate and men
to buy.

One of the most extraordinary letters we ever received came from a
clergyman in the Midlands, whose disgust for Pierce Egan and his school
was so great that he had determined to sacrifice 'Tom and Jerry' for
20s.:


'DEAR SIR,

'I much regret troubling you with a book which has, to me, been a source
of grievous disappointment, and positive danger to my children. How
anyone could have written such a wicked history of debauchery and human
extravagance is indeed surprising, and I have thought many a time of
consigning it to the flames, so that in a measure it might follow its
disreputable author. I allude to "Life in London; or the Day and Night
Scenes of Jerry Hawthorn, Esq., and his Elegant Friend, Corinthian Tom,
accompanied by Bob Logic, the Oxonian, in their Rambles and Sprees
through the Metropolis," by Pierce Egan. This work has, I regret to say,
been in my family for very many years--more than I care to count--and I
would willingly part with it, although there is nothing I dislike so
much as severing old associations, however much to my distaste they may
be.  If you like, I will dispose of the book for L1, which perhaps, from
a marketable point of view, it may be worth.

'I am, dear sir,
       'Yours very truly----.'


There is, of course, no denying that the morality of Jerry Hawthorn,
Esq., and his elegant friend would have to be searched for in case its
existence were seriously disputed; but it seems passing strange that so
small a sum as 20s. should be able to smooth away all remembrance of the
orgies of Drury Lane and the crapulence of its dirty gin vaults, cider
cellars and night-houses, which had so mortally offended the worthy
clergyman.

He was indeed quite right in removing the book from the reach of his
children; but what about our morality, and that of the person to whom,
for anything he knew to the contrary, we might sell Pierce Egan's free
and easy romance? The book came, and proved, as was half suspected, to
be Hotten's reprint of 1869, with which lovers of this class of
literature will have nothing whatever to do.

Such are a few of the experiences of the Forgotten Lore Society in its
efforts to rescue good but unfortunate books from the apathy of neglect.
The object was a good one, though the reward was practically nil.  Let
us reflect for a moment that even the few books of antiquity which have
come down to make us richer are for the most part imperfect, and we
shall see the necessity of taking extreme care of the important ones
that are written now, and of doing everything in our power to prevent
their destruction at the hands of unappreciative owners.

The mere fact of printed books being published in large quantities to
the edition does not seem to affect the question of their existence in
the long-run.  All alike, good, bad, and indifferent, will go down the
long road in time, and our descendants, more or less remote, will only
hear of them in a casual and traditional way.  Tacitus was one of the
most popular Roman authors of his time, and yet he only lives to us in
fragments, notwithstanding the fact that thousands upon thousands of
copies of his 'History' were disseminated throughout the empire.  Every
public library in Rome was compelled to have at least one copy, and no
fewer than ten transcriptions were made every year at the charge of the
State.  Plutarch wrote fourteen biographies that are missing now, and of
251 books quoted by him more than eighty are absolutely unknown.  The
Emperor Claudius wrote a 'History of the Etruscans,' which from the very
nature of the case must have had a wide circulation; Julius Caesar, a
slashing criticism of Cato's life and acts; Lucullus, a history of the
Marsi.  All these have vanished.  Of the forty plays of Aristophanes but
eleven remain.  Menander is unknown except by name, and AEschylus is in
rags.  Porphyry's diatribe against the Christians, the most important
book of its kind that any Christian could have at his command, has
vanished, and in all likelihood will never be restored.

Nor need we go to ancient Greece or Rome for such instances.  Several
poems by Shelley have completely disappeared already, and some of
Byron's have been, more than once, at their last gasp.  Old English
ballads and songs have been 'lost' by hundreds at a time, and nearly all
the records dealing with the private life of Oliver Cromwell are
missing.  The story of Carlyle's 'Squire Papers' is a characteristic
one, and distinctly to the point.  While that author was laboriously
collating the scraps of evidence relative to the great Protector that
had survived the honest but mistaken zeal of triumphing Royalists, he
received a letter from an unknown correspondent, who stated that he
possessed a mass of Parliamentary documents, among them the diary of an
ancestor, one Samuel Squire, a subaltern in the 'Stilton Troop' of
Ironsides.  The letter was accompanied by extracts from this diary and
other papers, and went on to say that the writer, who had been brought
up to regard Cromwell in the very worst possible light, and his own
ancestor with shame as the aider and abettor of an atrocious crime, was
undecided what to do with the originals. Several letters passed, and at
last Carlyle wrote to a friend living in the neighbourhood, asking him
to see his correspondent, and persuade him of his undoubted duty, which
was at least to submit documents of such great importance to
examination.

Unfortunately, the friend was absent, and by the time he returned the
papers had been destroyed. They may, of course, have had no existence,
but Carlyle himself was of a contrary opinion, for later on he received
a heavy packet containing copies of thirty-five letters of Oliver
Cromwell, written in a style apparently contemporary, and referring to
incidents that no one who had not made a careful and exhaustive study of
his life and times, and who was not thoroughly conversant with all the
available material, would have been in the least able to reproduce.

The records were destroyed because, as the owner said, he felt that, one
way or another, the manuscripts would be got from him and made public,
and 'what could that amount to but a new Guy Fawkes cellar and infernal
machine to explode the cathedral city where he lived, and all its
coteries, and almost dissolve Nature for the time being?'  Either this
man was a learned forger or a singularly narrow-minded and obstinate
type of destroyer whose ravages can be traced through the centuries, and
whose example will never cease to be followed so long as paper remains
unable to resist the assaults of the bigot and the outrages of the Goth.

That will be ever, and hence it is that in all things literary
preservation is the greatest of the virtues.  What part of a century's
product to preserve and what to destroy is a problem, not for us, but
for the century to come, and for many centuries after that.  In fact, it
is Time's problem, which Time alone can solve.




                              *CHAPTER V.*

                   *SOME HUNTING-GROUNDS OF LONDON.*


At the present time there are, if the Post-Office Directory is to be
believed, about 450 booksellers in London; but in this computation are
included publishers, stationers, and even bookbinders--in fact, almost
everyone who has anything whatever to do with books--so that the figures
are by no means to be relied upon.  The number of booksellers who make a
speciality of second-hand volumes is very much less than 450, if we
include only those who follow a single business, namely, that of buying
and selling books, and very much greater if we add to the list the army
of general dealers who sell books occasionally, or as an adjunct to some
other occupation.

The real book-hunter does not follow the Directory, but his nose, which
frequently leads him into strange places where there are no recognised
booksellers, yet booksellers in plenty--a seeming paradox, which is
readily explained by the fact that there are multitudes of what may,
without offence, be called 'book-jobbers,' whose names are either not in
the Directory at all, or appear there under some other designation.

A man may buy up a roomful of furniture, taking the books of necessity;
or a houseful, and with the mass of goods and chattels perhaps hundreds
of volumes which are not thought good enough to be disposed of
separately, and are therefore cleared out at a nominal figure, and
retailed anywhere and everywhere as circumstance and opportunity
suggest.  Are these dealers, brokers, and what not, booksellers?  Heaven
save the mark, no! not in a specific sense; but they sell books,
notwithstanding, and their shops are, in very truth, recognised
hunting-grounds of the Metropolis.  There are literally hundreds of
them, and they are to be met with, as a rule, close together, where
rents are low and the footsteps of the income-tax fiend are unknown.

This is one description of bookseller, but there are several others: the
man with the barrow, for instance, who works at his trade all the week,
and comes out on Saturday afternoons and Sunday mornings in certain
localities, to do what bartering he can with casual passers-by.

To compare these classes with the recognised booksellers, some of whom
have an immense turnover, would, of course, be absurd; but they have
their uses, and instances are not wanting in which mightily successful
dealers have begun in this humble manner, and literally forced their way
up from the pavements of the East End or the Surrey side to more
pleasant places in the West.  High or low, rich or poor, their shops or
stalls are alike objects of extreme interest to thousands who have
learned enough to know that the best books are generally the cheapest.
Whatever the size of the premises they own, they contribute in their
several degrees to the wants of all classes of book-men, whose delight
it is to forage for themselves, and to seek that they may find.  The
lordly collector who pays by cheque may or may not be a book-hunter. If
not, he misses much of the pleasure that accompanies the tracking down,
step by step, of some coveted volume which is, perhaps, more or less
easily obtainable almost at any time in exchange for plenty of money,
but is rarely met with casually.

It is this tracking down, hunting which is the true book-lover's chief
delight, and, needless to say, his primary object is not to secure books
of great price for a nominal sum.  If it were, he would at the end of a
long life have few successes to report, for the search for rarities is
so thorough and systematic that hardly anything of substantial pecuniary
value can run the gauntlet all the way to the shop-board or the barrow.
The harvest has all been gathered long ago, and nothing is now left but
gleanings in fields already raked. The book-lover eliminates as far as
possible the question of value from his walks abroad, and leaves his
gold at home to be expended as opportunity arises in the auction-room,
where open competition holds the market in a virtual equipoise, or in
the shops of recognised dealers, who hold his commissions and are always
on the look-out for important works.  He is aware, however, that
intrinsically good books are to be met with continually in all sorts of
places, and it is these that he hopes to obtain, and from these that his
library is most often recruited.  Between one edition of some
interesting or instructive book and another there may be an immense
disparity in cost, but very little textual difference, or even none at
all.  In some cases the cheaper volume may be the more accurate of the
two, and may also contain additional matter, which renders it more
important and desirable from every point of view, except a sentimental
one.

It is the search for volumes of this kind, sound and honest, yet not
aristocratic, that has kept the bookstalls open for 300 years and more,
for, to be precise, we know that St. Paul's Churchyard and Fleet Street
were, in addition to other less known localities, much frequented by
book-men as far back as the reign of Henry VIII. In these districts
Cardinal Wolsey's agents kept a sharp look-out for copies of 'A
Supplicacyon for the Beggars,' which Simon Fyshe, 'a zealous man for the
reformation of abuses in the Church,' had boldly published and was
scattering abroad in the year 1524, and which seems to have had a
stealthy run for six years, for it was not until 1530 that it was openly
prohibited by proclamation.  Neither Fleet Street nor St Paul's
Churchyard is, however, a hunting-ground for book-men now.  The former
is wholly given up to newspapers and machinery, and the latter to
drapers and warehousemen, and there is no room anywhere for small
dealers in second-hand books.

Indeed, the whole of London has been turned topsy-turvy so far as they
are concerned.  New localities they abhor, and the greater part of
London is new, in the sense that very many old districts and streets
have been rebuilt, or entirely swept away by the march of improvement
and the increasing desire for wide thoroughfares and open spaces.  What
place more famous once than Little Britain, which during the last twenty
or thirty years has swallowed up Duck Lane--another book-hunting
locality--bodily?  It was here that Thomas Britton, a coal-dealer,
prowled around during his spare moments, pouncing upon anything and
everything that took his fancy; rejoicing especially in works of magic,
witchcraft, and astrology, either printed or in manuscript. The
catalogue of his library is extant, and it is clear that he was a very
far-sighted and keen-scented man, and one, too, who was blessed with a
taste and discrimination most rare among dealers in small coal.  In
Little Britain 'Paradise Lost' went begging.  The stalls must have been
littered with the very first, or 1667, issue, for in that year the Earl
of Dorset had a copy of it thrust under his nose and pressed upon him by
a bookseller who complained most bitterly that he could not get rid of
his stock.  About the year 1760 the whole of the trade had vanished from
Little Britain, though at the present time the once-famous thoroughfare
boasts one bookseller and also one newsagent, the sole representatives
of past times.  As for the rest of the denizens, they follow the more
prosaic occupations of builders, bootmakers, butchers, hairdressers,
restaurant-keepers and publicans, the last-named being especially in
evidence.  In this locality, as in many others, the thirst for knowledge
has been quenched, and the thirst for beer become almighty.

So, too, Moorfields was once classic ground, as also the Poultry, but
both places have been dead to bookish fame this hundred years.  There
are now no booksellers' shops in the Poultry, though Moorfields just
saves itself, for it rejoices in the presence of a music publisher and a
stationer. Speaking generally, the second-hand book trade has been
driven bodily out of the central and eastern parts of London, and has
settled itself in the streets west of Temple Bar and Holborn Viaduct,
always avoiding the Strand, which, for some reason or other, has ever
been regarded as an inhospitable quarter.  There are certainly
booksellers' shops in this important thoroughfare, three, I believe, is
the precise number, but they are hardly sufficient to invest it with the
dignity and title of a 'locality.'

In contrast to this, Holborn and the streets adjoining have always been
a good hunting-ground, and are so to-day.  'The Vision of Piers Plowman'
was printed and sold in Ely Rents so long ago as 1550, and Snow Hill and
Gray's Inn Gate were both world-wide localities, though the glory of all
these places has since departed.  Up to within five years ago there was
a shop on the right-hand side of Gray's Inn Lane, just out of Holborn,
given up chiefly to the sale of newspapers.  It is shut up now, and,
according to all accounts, will never be opened again, which is a pity,
for it is a shop, or more probably the curtailment of much larger
premises, with a notable history.  Here, in 1750 or thereabouts, carried
on business one Thomas Osborne, who, although ignorant to a degree,
brutal in his manners, and surly beyond description, managed to build up
the largest business of its kind in London, or, indeed, anywhere else.
Customers ignored Tom Osborne's curses, and bought his books when they
could, for sometimes, when particularly morose, he would shut himself
up, like a hermit, 'with his lumber,' as a historian of the day termed
the thirty whole libraries which he had amassed, and refuse to treat at
all.  Nevertheless, Osborne prospered exceedingly, and in the latter
years of his life was the owner of a country house and 'dog and duck
shootings,' all purchased and kept up from the profits derived from this
shop in Gray's Inn Lane.  The prices he asked were the most he thought
he had the remotest chance of getting, and were often outrageous and
extortionate, though at other times very much below what he might have
obtained had he known his business properly.  He seems to have taken a
bird's-eye view of his stock, and to have appraised the value of
individual books, not by reference to their rarity, but by means of a
fractional calculation based upon the total cost--a rough-and-ready
method of trading which attracted book-buyers from every part of London,
and reconciled them to his insolence.  Though Osborne was not the first
dealer to issue a catalogue--one T. Green, of Spring Gardens, being
credited with having revived, in 1729, this time-worn method of selling
books--he carried on a more extensive business in this way than anyone
who had preceded him, and in addition had the supreme honour of being
knocked down by Dr. Johnson with a huge folio which the latter wanted to
buy, and he (Osborne) refused to sell at any price.  Either of these
claims to distinction would have made the fortune of any man.  It is
stated by Sir John Hawkins that the book which Dr. Johnson wielded with
such effect was the 'Biblia Greeca Septuaginta,' printed at Frankfort in
1594.  The identical volume was in the possession of Thorpe, a Cambridge
bookseller, in 1812, but what has become of it since I do not know.

Though Osborne's shop, or what remains of it, is now closed, the
neighbourhood is still as largely interested in the sale of books as
ever, or perhaps even more so, for there has been an immigration from
other quarters of London which improvements have converted into
uncongenial ground.

The new Law Courts and their approaches stand upon the sites of
Butchers' Row, Shire Lane, where Elias Ashmole lived, and countless
courts and alleys beside.  Clare Market has vanished within the last two
or three years, and Clement's Inn, with its narrow passages and dingy
chambers, has been entirely rebuilt.  Even Drury Lane, sacred to the
memory of an army of general dealers who, up to within a comparatively
short time ago, bought books by weight, is now past praying for to all
appearances, for hardly a book of any kind is to be met with from one
end of this grimy thoroughfare to the other.  Let us walk into Bozier's
Court, which is further to the west, and we miss the shop which Lord
Lytton has immortalized in 'My Novel'; in fact, the court itself is
plastered all over with advertisement posters, and awaits the wreckers,
for it is doomed. King William Street, Strand, was a booksellers' resort
for a century and more, but the fraternity are leaving one by one, and
only a very few are to be met there now.  Westminster Hall, for
centuries a virtual library, is shut up, and echoes spring from its
stones when any casual stranger, armed with an order, is allowed to
ramble through Rufus's deserted pile.  In fact, wherever we stray,
north, south, east, or west, we are forced to the conclusion that London
has changed so utterly within the last twenty or thirty years that it is
to all intents and purposes a different place.

And the booksellers appear to have changed, too, for there are no
'characters' among them, or, at any rate, very few.  Every now and then
you will meet with some strange mortal, who looks as though he had been
transported bodily from the last century and tumbled unceremoniously
into a brand new shop, with  glass above the portal, and fresh
paint about the front; but you have hardly time to ruminate on the
mutability of things under the sun and he is gone, to make way, perhaps,
for a dealer in something superlatively new.  An antiquary of the stamp
of Francis Grose, the 'chiel' who went about taking notes, would stand
aghast, then hasten to depart, could he but see the London of to-day.

It must not, however, be supposed that book-hunting as a pastime is
extinct in modern Babylon. On the contrary, there are yet plenty of
nooks and corners, and pestilential-looking alleys, that Death and the
jerry-builder have apparently forgotten, and these places, we may be
certain, harbour many folios.  As a fact, I know they do; for in my
time, and to some extent even yet, I have been and am a wanderer about
such places, and have, on occasion, picked up many interesting mementos
there.  What I merely wish to insist upon is that the older and
recognised localities, which our fathers would naturally have visited a
couple of decades or more ago in their search for old books, are not
those which would, as a rule, afford much scope for enterprise now.  We
must go further afield, and not expect to find a mass of stalls huddled
together in a single street, as though one locality had tapped and
drained the life-blood of the rest.  Circumstances have changed, and at
the close of the nineteenth century booksellers have, to a great extent,
ceased to be gregarious, except in Holywell Street, or, as it is more
generally called, 'Booksellers' Row,' once the abode of literary hacks
and bailiff-haunted debtors, which even yet has an old-world look with
its overhanging houses and narrow roadway.  Here there certainly is a
long double procession of bookshops, many open to the street, every one
of them crammed from floor to ceiling with great piles of lore.

And Holywell Street, be it said, is such historic and classic ground,
that it is threatened every day by the improver, who longs to lay its
north side open to the Strand, and will, we may be sure, effect his
purpose in the end.  It was here that Lord Macaulay used to take his
walks abroad in search of books.  As a rule he began and ended there;
for a whole day's pilgrimage would not suffice to unearth more than a
fractional part of the immense store of volumes that the labour of years
had accumulated, and which was continually being decimated and renewed.
In his day there were more books to be seen and handled there than now,
for some of the shops have since been devoted to other trades.  In
Holywell Street John Payne Collier was as well known as his own 'History
of English Dramatic Poetry,' which, nearly sixty years ago, littered the
stalls, doubtless to his great disgust, seeing that to be in evidence
there to any extent was then, as now, proof positive that the
'remainder-man' had been at work, to the bane of the author and
publisher alike.  Mr. W. Roberts, in his charming 'Book-hunter in
London,' narrates that Collier once picked up in Holywell Street for the
merest trifle a copy of John Hughes's 'Calypso and Telemachus,' an opera
in three acts, first published in 1712, which contained thirty-eight
unpublished couplets in the handwriting of Pope.  Halliwell-Phillipps
was also an inveterate rambler up and down this thoroughfare, and
several of his Shakespearean quartos came from there in days when these
small but almost priceless volumes were not so widely and persistently
sought for as they are now.  In fact, we have it in his own words that
when he first began to collect anything and everything that related in
whatever degree to the great dramatist, these early quartos were
frequently to be met with at prices which, comparatively speaking, sound
simply ludicrous in our ears.  Should anyone rescue a copy now from some
forgotten lumber-room, the fact is heralded by the press, and accounted
most extraordinary, as indeed it is; for everyone, the world over, is on
the look-out for rarities such as these. Though Holywell Street yet
stands, and does a thriving trade among the bookish, let not anyone
think that much is to be got for nothing there. On the contrary, the
dealers who inhabit it are better versed than most people in the
importance of each and every book they part with or throw into the boxes
which receive the outcasts of literature.  There are, however, good and
valuable books by the thousand to be met with by anyone who does not
object to pay a fair and reasonable price for them.  To this extent, and
in this particular, is Booksellers' Row the queen of London streets.
From these remarks I except, of course, the extremely important shops of
the West-End dealers into which correspondence flows from every part of
the world.

This chapter is devoted to the 'Hunting-grounds' of London, and I deny
that a collector who gives a standing order either verbally or by letter
to a bookseller for some work he particularly wants is a book-hunter at
all, at least so far as that particular transaction is concerned.  To my
mind Nimrod must handle his own bow and not entrust it to a deputy, even
though he might by the rules of the chase be absolutely entitled to the
quarry which the skill of the latter had brought down.  Let him go where
he will, East or West, the point of the compass makes no matter, he is a
hunter only when he prosecutes his own inquiries and carries out in
person all his arrangements.  So we will avoid the great firms of
book-sellers, although it may be taken for granted that almost any
scarce work could be procured sooner or later from them, and go off on a
chase in which we shall never, in all human probability, meet with any
great prize, and may have to be satisfied with a little, that little,
however, being much from many points of view.

At the present day books of all sorts are to be met with in great
profusion in Farringdon Street. Every Saturday morning throughout the
year light hand-carts to the number, perhaps, of thirty or forty, stand
in a long line against the curb, and each is packed with works of all
kinds.  I am bound to admit that obsolete school-books and forgotten
sermons constitute the great majority of these waifs and strays, but
there is always a wide choice of useful books to be got for purely
nominal sums, and occasionally one that is rare and valuable.
Personally I never met with a really scarce book in Farringdon Street,
but three years ago--and I mention this at the risk of being charged
with travelling from the subject--I bought there the undoubtedly
original study by Sir Joshua Reynolds for the portrait of the Right
Honourable George Seymour Conway, afterwards Lord George Seymour Conway.
The portrait was painted in 1770, and engraved in mezzotint by Edward
Fisher the year following.  The study is in oils, on thick paper of
about twelve inches in height, and is so remarkable as a work of art,
that it is a wonder it could have escaped recognition for an hour,
instead, as was the fact, for a whole morning.

Should Farringdon Street prove unpropitious, Sunday morning in any week
will see Lambeth Marshes and the New Cut, both on the Surrey side,
crowded with barrows, and the same remark applies to the streets about
the Elephant and Castle on Saturday evenings when the weather is fine.
Generally speaking, the peripatetic book-seller is only to be met with
on the first and last days of the week, but that he does manage to turn
over a considerable part of his stock in the short time available is not
to be doubted.  He may not change--many of these men have haunted the
same spot for years, and have their recognised stands--but his stock is,
in one sense, ever new. A few months ago I saw in the Whitechapel Road a
hand-cart full of small vellum-bound volumes, which proved to be Greek
and Latin classics, printed in Paris a couple of centuries ago. The
covers were remarkably fresh and clean, and somebody or other, or rather
a succession of owners, must have taken the greatest care of these
little books, which had thus ignobly fallen into the gutter at last.
Next week at the same hour, they had all gone, having been disposed of
to the more learned inhabitants of Bethnal Green at 2d. apiece.

If, however, wandering about the East End of London is not to the taste
of the picker-up of unconsidered trifles, there is still the more
primitive kind of shops to be visited.  Great Turnstile still boasts a
bookseller or two, and it was here, it will be remembered, that John
Bagford, many years ago, divided his attention between making boots and
shoes and ripping out the title-pages of the books that fell into his
sacrilegious hands.  He failed as a cobbler, but succeeded in amassing
the most disreputable collection of titles that has ever been got
together. The arch-Vandal failed in everything but his Vandalism, and
surely any success is better than none at all.  It is said of him that
he searched all his life for one of Caxton's impossible title-pages, and
died of disappointment, a story which is probably a gross libel on his
accomplishments, for Bagford was not by any means an uneducated man.

Then, Little Turnstile hard by is worth a casual visit, and there are
many shops in the streets extending east and west of St. Martin's Lane
where books are to be bought in almost any number.  The newly-built
Charing Cross Road appears to be under a cloud; in fact, at this point
we must turn back again, and make direct for Holborn, Bury Street, and
the neighbourhood of Red Lion Square and Queen Square.

In Red Lion Passage there are several of the quaintest shops imaginable,
one of them kept by a dealer who appears to have a mania for the very
largest folios, though I notice that of late he has somewhat fallen away
from his traditional custom in this respect.  The books stand on their
sides on the floor in columns of about six feet high; they are piled on
and under the counter, and are seen peeping out of the black darkness of
a room beyond.  Petrarch would have avoided this shop lest history
should repeat itself, and a folio break, not his leg merely this time,
but his neck.

On the other side of the Passage is another temple of gloom and mystery,
for it must be observed that the neighbourhood of Red Lion Square is
generally in semi-darkness all the year round, except in the winter, and
then it is frequently impossible to see at all when once the streets are
left.  The proprietors of this shop issue a periodical catalogue, which
can be taken from a box at the door, and it may safely be said that
there is no catalogue issued in London by anyone which is better worth
glancing over than this, notwithstanding an occasional misprint or two.
The books are, generally speaking, of such an unusual and out-of-the-way
kind that one cannot help wondering where they all come from.  For
instance, 'Ben Johnson's English Dictionary, 8vo., 1732,' must be a
remarkable volume, and the 'Wuremberg Chronicle, folio, numerous
wood-cuts, 1493,' equally curious.  Then there is 'Peasson on the
Creed,' 'Jewels, ----, Works, folio, 1611,' 'Locke, Humane
Understanding, folio, 1706,' 'Staunton: Shakispear,' and so on _ad
infinitum_.  Throughout the prices are moderate, extremely moderate;
that, at any rate, is a fact worthy of distinct recognition, and some of
the books, too, are anything but easy to procure, as witness Chaucer's
Works, folio, 1602, which is priced at L1 10s., Grafton's Chronicle,
folio, 1569, L1 5s., Swan's 'Speculum Mundi,' 4to., 1670, 3s., and many
others.  Dark though this shop may be to gaze upon, I regard it as a
typical book-man's paradise.

Paternoster Row, further east still, is now of course, the headquarters
of the publishers, though several second-hand booksellers still linger
there. Before the Great Fire reduced the whole district to ashes they
had it all their own way, and when the Row was rebuilt they flocked
there once more, to be gradually elbowed out by giant houses which sell
books wholesale.  There is one shop in this thoroughfare so completely
wedged up with books that it is a somewhat difficult matter to enter in
at the door.  Nobody who is not in the daily habit of passing by could
avoid stopping to glance at the rows of volumes which the proprietor has
reared up against a wall round the corner that leads into St. Paul's
Churchyard, for he has decorated them with innumerable strips of paper
writ large with pieces of advice on things in general, quotations from
classical writers, the Bible and the Koran, which, though they have for
the most part nothing whatever to do with the sale of books of any kind,
attract by reason of their quaintness and the strangeness of their
being.

And so we might go wandering for ever about New London, passing on every
side the shadows of the old, but seeing little of the substance.
Book-men of the true stamp are antiquaries, to whom novelty is
abhorrent.  The pleasantest places are to them those which time has
consecrated with a gentle touch, and which reflect all their imaginings,
even as they echo their footsteps.  These are departing under the
mandate of an inexorable law, and we go with them.




                             *CHAPTER VI.*

                      *VAGARIES OF BOOK-HUNTERS.*


Ten or fifteen years ago it was quite usual to meet with collections of
title-pages formed by followers of the immortal Bagford. These were to
be seen quoted in booksellers' catalogues and displayed in the auction
rooms, and were commonly disposed of for small sums of money--small,
that is to say, in comparison with what would have been realized for the
books themselves had they been allowed to remain in that state of life
to which the author and others had called them.  Of late, collections of
title-pages have not been very much in evidence anywhere, for it is
universally felt that there is little or no romance surrounding the
slaughter even of folios, to say nothing of smaller-sized victims, and
for that reason these scrappy collections are huddled out of sight like
family skeletons.  The book-hunter of the present day has his foibles,
it is true, but he has learned by experience and from the expostulatory
remarks of others that wild freaks are completely out of place in a
library, and so it has come to pass that books are treated in a
different way from what they were only a couple of decades ago, and no
one who has the smallest respect either for himself or his vocation
would now either care or dare to form a collection of title-pages.
Should he happen to own one either by purchase or under circumstances
beyond his control, he will produce it, if at all, with apologies and
sighs.  It is abundantly manifest that the wicked man hath turned away
from much of his wickedness.

The reason of this tremendous transformation must be put down to the
credit of a rule which, though formulated and preached at one time by
the elite only, has been insisted upon with such pertinacity that it has
gradually become diffused throughout the whole world of collectors, no
matter to what objects of interest they may direct their attention.
This rule is, that taste and the pocket alike demand that be a book
good, bad, or indifferent in its externals, it shall, nevertheless, be
left untouched by its owner, who is but its temporary custodian, and a
trustee for others who shall come after him.  To rip out the title-page,
no matter with what object, is an outrage on decency which, it is
pleasant to find, is now appraised at its proper pitch of enormity.  If
the stamp-collector rejoice in the possession of a specimen with
'original gum,' and rate its interest and value higher on that account,
shall the book-collector, who is the oldest, the most learned, and the
most aristocratic of all collectors, give place in the matter of
common-sense and discretion to the product of a frivolous age?  Shall he
cut initial letters from missals and other manuscripts, and insult the
shades of Fust and Schoeffer by making a senseless collection of
colophons?  These things were in vogue at one time, but are now frowned
down even by the most ignorant of mortals, since, to put the matter on
no higher ground, the money value of old books has considerably
increased of late years to his certain knowledge, and he believes that
anything with curious type, the f's made so--f, and villainous prints
scattered about the text, must _ex necessitate rei_ be worth its weight
in gold, and perhaps more.  What a contrast is this little false, but
preventative, store of knowledge to the crass stupidity of the early
years of the present century, as exemplified in the persons of the
Bishops, Canons, and Chaplains of Lincoln Cathedral, who permitted the
choir-boys to collect illuminated initials, and with that object to cut
up with their pen-knives scores of vellum manuscripts.  A good many of
the Caxtons from this same Cathedral were purchased by Dibdin for the
Althorpe collection, and will be found catalogued in 'A Lincolne
Nosegaye.'  The Dean and Chapter, knowing little about books, and caring
less, had disposed of them all for a 'consideration,' and thus without
thought stripped themselves of their choicest possessions next to the
Cathedral itself.

Of a truth, books have only recently come to be regarded as possessing a
sentimental value altogether distinct from considerations of utility,
and it is only within the compass of a comparatively few years that
collectors have sprung up from the very stones to cry aloud, and to
protest against such wanton acts of mutilation or destruction as the
records of past days almost choke themselves in the echoing of.  Only a
little while ago 'Grangerizing' was the favourite pastime of thousands
of persons of elegant leisure, as Griswold called the lazy dullards of
his generation, and what this involved would be whispered in corners but
for the fact that it was for 200 years unblushingly shouted in the open
day.

During all that period the teachings of the genuine bibliophiles had so
passed from deed and truth into mere monotony of unbelieved phrase that
no English was literal enough to convert the persons who went about
seeking material, at vast expense, wherewith to extra-illustrate some
inane book of polemics or proverbs.

Nicholas Ferrar, who kept the 'Protestant Nunnery' at Little Gidding, in
Huntingdonshire, was, I believe, the inventor of a system which was not
fully developed until the publication of Granger's 'Biographical History
of England,' but which is, nevertheless, directly or indirectly
responsible for the condition of most of the imperfect volumes which are
met with at every turn. The story of Nicholas Ferrar, assuming it to be
true, which there is little reason to doubt, makes it clear that King
Charles I. was as bad as or worse than anybody in this matter, for, had
he not affected to admire the handiwork of this first and chief of
sinners, the baneful practice of mutilating books for the sake of their
illustrations, title-pages, or frontispieces, might never have become an
aristocratic amusement, sanctified by tradition, and ennobled far beyond
its deserts by kingly patronage.  The Concordance which Ferrar showed
the King escaped the wrath of the fanatic Hugh Peters and his crew, and,
after many vicissitudes, is now safely lodged in the British Museum, a
warning to all who may at any time seek to revive a practice which
would, in these days of emulation and competition, burn with a white
heat.

In Wordsworth's 'Ecclesiastical Biography' the story of Nicholas Ferrar
is set out at length. There is no need to enter into minute details, as
the tale has since become stereotyped, and is found reproduced in a
dozen different places at least.  Shortly, it appears that in June,
1634, King Charles I. was staying with the Earl of Westmorland at
Apethorpe, and from thence sent one of his gentlemen to the home of
Nicholas Ferrar, hard by, to 'intreat' a sight of a Concordance which he
had heard had recently been completed.  When Ferrar was on the Continent
some time previously, he had bought up a great number of prints by the
best masters, illustrative of historical passages of the Old and New
Testaments, and these he afterwards used for ornamenting various
compilations of the Scriptures, among them a 'full harmony or
concordance of the four Evangelists, adorned with many beautiful
pictures, which required more than a year for the composition, and was
divided into 150 heads or chapters.'

This was the Concordance that King Charles was so anxious to look at,
and which, indeed, he admired so much that he never rested until he had
obtained one like it for his own library.  Both books are now in the
British Museum, the original having been acquired about three years ago,
and the one in the King's Library from George II., who had inherited the
royal collection of books and manuscripts.

From the point of view of Nicholas Ferrar, there was certainly no harm
in this process of extra-illustrating.  There is no reason to believe
that he had gone about tearing out plates from books, or done anything
else which in any respect, save one, could be regarded as objectionable
in the slightest degree.  There was, and is, however, one objection to
his procedure, namely, the very bad example he set to unscrupulous
people who, in after years, rose up in their thousands and commenced to
rip and tear with diabolical enterprise.  These were the days of
Granger's 'Biographical History of England'--hence the verb to
Grangerize--when people went about searching for portraits of
celebrities mentioned in the text to paste between the leaves in their
proper places.  If Granger incidentally mentioned that someone had been
conveyed to the Tower, and subsequently had the good fortune to escape
out of a certain window, books would be ransacked and mutilated to
provide illustrations of (1) the Tower of London from the N., S., E. or
W., as the case might be; (2) portrait of the prisoner; (3) view of the
window from which he let himself down; and finally, if, Laus Deo, a
letter in his handwriting or a section of the rope which had made his
escape possible could only be unearthed, great was the joy in the camp
of the Philistine.

This mania for Grangerizing grew till it assumed enormous proportions.
One enthusiast tried to illustrate Rees' 'Cyclopaedia,' but died before
he had accomplished very much in comparison with what remained to be
done. Mr. Crowle's copy of Pennant's 'History of London' cost that
gentleman L7,000 from first to last, and there is a book of this kind in
the Bodleian which has engulfed nearly double that amount.  It consists
of Clarendon's 'History of the Rebellion' swollen to sixty-seven large
volumes, representing forty years of intense application.  The vagaries
of a whole army of book-collectors are reflected from every page of
works such as these, for a man must necessarily be a book-collector
first, and a Grangerizer after, else would material fail him.  Happily
for the peace of books, the mania for extra-illustrating has practically
died out.  The expense is too great, life too short, the knowledge and
taste--of a kind--too laborious to acquire, to endow this pastime with a
permanent and stable interest.

And yet there is another vagary, eccentricity, freak, or what you will,
which, for cool, deliberate folly, has never been equalled even among
Ferrar's admirers.  The fun in this case consists in wilfully destroying
a certain number of scarce and valuable books in order to heighten the
importance and value of the survivors.  Three or four collectors whose
tastes are similar--that is to say, who accumulate works by the same
author--will take stock of their belongings.  Thanks to the
Grangerizers, a portrait will perhaps be missing from one volume, and a
plate from another; some disciple of an ancient Goth may have removed a
title-page or two; one copy may be fairer to look upon than another; a
leaf or two may be injured which in another copy, imperfect perhaps in
other respects, may be above suspicion.  Our collectors have duplicates,
for they have been striving all their lives to prevent anyone else from
obtaining any copy, good, bad or indifferent, of the scarcest works of
the author or authors they think they honour by their notice. They make
a 'pool' of all the volumes which are not immaculate; complete or
perfect as many of them as possible, apportion them, and destroy the
remainder.  They will burn a work which is perfect, provided each has a
copy in better condition, and this is to prevent you or me, or anyone
else, from sharing in their sacrilegious joy.  When we reflect that,
from the nature of things, it is only the scarcest books that can be so
treated with effect, we shall begin to realize the sinister importance
of the act.  Practices such as these are the product of the present age;
they are not common, far from it, but they are not unusual.  And yet the
perpetrators mean no harm, for, as they would very truly say, if their
practices were generally known and complaint were made, 'You can, if you
like, read So-and-so without the least difficulty, for his works have
been reprinted many times, and it is not either essential or advisable
that the very scarcest edition of all should be in your hands.'  There
is in this argument a little logical force, but no decency for anyone to
dissect.

Bookmen of the present day, or at least those among them who aspire to
the highest seats in the collectors' Pantheon, are invariably bound by
rule, and it is this hard and fast bondage that makes them do things
which, if left to themselves, they would probably be the first to
deprecate. To accumulate any considerable number of really scarce books
is the labour of a lifetime, and to obtain immaculate copies
necessitates not merely the possession of plenty of money, but a very
great deal of energy, discrimination, and tact. The old school of
general lovers is dying out. People now very seldom buy up whole
libraries, or send out colossal orders to gratify a mere love of
possession.  They work by the book of arithmetic, cautiously, slowly,
and with one main object ever in view.  In this they are right, but in
this also they fail, a paradox which is no paradox at all when it is
remembered that book-hunters are of many kinds and of varying degrees of
intelligence.

For instance, though there is undoubtedly something unique and strange
about the very appearance of a library of extremely diminutive books,
the collector of works of this kind is 'cabin'd, cribb'd, confin'd,'
within the compass of about two square inches at the most, and probably
does not expect to derive either instruction or amusement from their
pages when he has succeeded in reading them with the aid of a
microscope.  His rule is inflexible.  Shakespeare in folio must give
place to 'The Mite'; 'The English Bijou Almanac' for 1837 is, in his
eyes one of the choicest of all volumes.  Here literature and the rule
are in conflict, and books become bric-a-brac, as they must do when any
rule is too rigidly applied to them.  Yet there are many collectors of
small books both here and abroad, and prices rule inordinately high in
consequence.

Very probably 'The Mite' is the smallest book printed from movable type
in the world.  Its size is only 3/8 in. by 3/4 in., and it would
certainly be an exceedingly difficult matter to reduce this measurement.
If anybody could do so, it would be M. Salomon of Paris, who has long
been a collector of these microscopical curiosities, or the trustees of
the British Museum, who have a box full of them.  In 1781 a little book
called the 'Alarm Almanac' made its appearance in Paris, and though
printed with movable type and not engraved, like nearly all these little
works are, measured only 19 millimetres by 14.  There are very nearly
25-1/2 millimetres to the inch, and this specimen consequently runs 'The
Mite' very close indeed.  The 'English Bijou Almanac' for 1837, however,
completely eclipses both, but unfortunately it is engraved and not
printed from type. This book measures 3/4 in. in height, 1/2 in. wide,
and 1/8 in. in thickness.  The authoress was 'L.E.L.,' Letitia Elizabeth
Landon, an almost forgotten poetess, whose sad marriage and untimely
death are known to only a few students of Victorian literature.  Some of
her poems were printed in the 'Bijou' for the first and only time, so
that this tiny volume is of some literary importance.  Its title is so
minute that a magnifying glass is necessary to read it.  Its
thirty-seven leaves are devoted, _inter alia_, to several pages of music
and some portraits, including one of James Fenimore Cooper, the
novelist.  Even small books have a history and an importance of their
own, but to collect them to the exclusion of every other book is surely
a pronounced 'vagary.'

M. Salomon has more than 200 specimens, but then he does not absolutely
confine his attention to <DW40>s.  I never knew nor heard of more than
one collector who was so infatuated as to do so, and he had forty-five
volumes of the kind, all different, in which he took such extreme
delight that he was ever on the look out for more.

Another collector with whom I am personally acquainted has read this
chapter through at my express request, and consequently cannot
reasonably say that I have endeavoured to question the soundness of his
discretion behind his back.  He accumulates books with a history.  If a
book has no history, he will have none of it.  In his library are many
volumes which I must confess I have a great regard for, but which I know
can never be mine, for each is unique, and the whole collection is
destined for a public museum in the end.

He has a book bound in what looks like dry and hard parchment, warped
with damp, and stained here and there with reddish brown.  It is a copy
of Johnson's 'Lives and Adventures of the most Famous Highwaymen,
Murderers, and Street Robbers, etc.,' printed in folio in 1736, a scarce
book at any time, but under existing circumstances past praying for.
The parchment is human cuticle, stripped from the back of a criminal who
had swung at Tyburn for a series of atrocious butcheries, which are
chronicled with considerable minuteness in the pages of the 'Newgate
Calendar.'  When the corpse was cut down it was, according to the custom
then prevailing, carted 'home,' and exhibited to gaping crowds at so
much a head, and finally sold to the surgeons. From them a prior owner
of this delightful volume obtained the skin, which, when tanned, formed
an appropriate and never-to-be-forgotten binding, to all appearances
sweating great smears of blood. It is only the damp, of course, or
perhaps some defect in the curing process, which is responsible for
these blemishes; but they seem to cry for vengeance, still greater and
greater vengeance, against an inhuman wretch long since departed more or
less in peace.

This is the only gruesome thing in the library, and I know as a fact
that it excites more interest than all the rest of the books put
together, though many, not to say most, of them are distinctly worthy of
the closest attention.  One volume belonged to Charles Lamb, who has
made a perfect wreck of it, and half a dozen or more have the signature
of 'Will Shakespere' scribbled in an Elizabethan hand on the
title-pages, and in all sorts of places.  These were once among the
choicest possessions of Samuel Ireland, of Norfolk Street, Strand, the
father of William Henry Ireland, a liar and a solicitor's clerk, who, as
all the world knows, was for a time, and in very truth, mistaken for the
great dramatist himself. Then there are books with inscriptions,
undoubtedly genuine, of Bradshaw the regicide, Algernon Sidney, and many
other persons of the highest political eminence in their day; books,
too, which have belonged to Young the poet--distinguishable at a glance
by the multitude of turned-down leaves--and the unfortunate Louis XVI.

This library is, of its kind, perhaps as important as any that has ever
been formed, and yet it only numbers some 250 volumes, so supremely
difficult is it, as a rule, to trace the possession even of books for
more than a generation or two.  Great men have ever been chary of their
names, or at least it would seem so from the number of unimportant
signatures and inscriptions we meet with day by day.

A long and very interesting chapter might be written on 'Inscriptions in
Books,' and it must be confessed that a really important signature or
comment adds so very appreciably to the sentimental value of the volume
in which it is found, that it is not surprising that Oliver Wendell
Holmes conjured up a pleasant train of reflection, in his inimitable
style, based upon the name of a former owner of his own copy of the
'Colloquies of Erasmus,' which, by the way, my friend is extremely
anxious to possess himself of, but will probably never obtain.  In this
instance the personality of the 'Autocrat of the Breakfast-Table'
obscures all else, and gives the book a distinct history of its own--a
history that invests it with an importance and value it could never
claim of itself.  To find out all we can about the former owners of
books which we ourselves take pleasure in is no frivolous task, and the
pity is that our opportunities for doing so are limited.  The book-plate
has very nearly put an end to owner's autographs, and being easy to
remove, affords little or no guarantee of ownership.  And book-plates
have been in use in this country for more than 200 years.

No doubt everyone who has anything to do with books, whether as writer,
producer, or collector, can call to mind the eccentricities of his
neighbours with regard to them.  I call it extremely eccentric conduct
on the part of any man to persist in collecting odd volumes, and to
studiously ignore complete sets.  Yet I knew an old gentleman--now dead,
and his books littering the stalls of Farringdon Street and
elsewhere--who did this, year after year, and for many years, with the
inevitable result.  He was fond of literature, and the pleasure he
derived in reading was part and parcel of his existence.

It was an axiom with him, however, that anything which is worth having,
and any knowledge worth acquiring, must be laboriously worked for; and
he would instance numerous authorities who have taught this truth by
example as well as by precept.  He would say, 'If I go out and buy a
Bible for L500, because it is old and scarce, do you think I shall
derive as much benefit and solace from its pages as if I had invested a
trifle with the fixed determination to read what I had acquired and to
follow its teachings?'

'No, certainly not,' is the obvious and truthful reply to that; but this
would appear to be different from buying one volume of, say, Pope's
works when there ought to be twenty, and trusting to enterprise not
unmingled with luck to discover the remaining nineteen.  To this,
however, he would not agree, and, to do him justice, he did not preach
one thing and perform another.  His theory was that, if the perusal of
an odd volume leads the reader to long for the possession of its
fellows, it is better that he should search for them until he finds
them, than that he should have them to his hand, as it were, ready made.

Carlyle intimated that a man had far better study the title-page of any
book worth the trouble of looking at than read the whole text with a
vacant mind, and no doubt he was right, though this, too, seems to be an
entirely distinct matter from the general principle that nothing can be
learned without a maximum of inconvenience.  Such a conclusion is rather
a straining of the position insisted upon by Nero's tutor, that no one
should collect more books than he can read, and that a multitude of
books only distracts the mind.  Therefore was it that Francis Bissari in
the year 1750 designed a plate, which he pasted in the few volumes he
possessed, and which consequently is now extremely scarce.  'Ex-Libris
civis Francisci Bissari,' he says, 'Distrahit animum librorum multitude,
itaque cum legere non possis quantum habueris, sat est habere quantum
legas.  Seneca. Ep. 2.'

Still, as I have intimated, the old gentleman had his way and his day,
and when he died his books were all despatched to the auction rooms. It
took three men more than a week to pack them in boxes.  There were books
under every bed in the house, and every nook and cranny was full of
them.  There were, altogether, many thousands of volumes, and nearly all
were odd.  If a series were found to be complete, as sometimes happened,
it was sure to be made up of volumes belonging to different editions,
and, naturally enough, in different bindings.  The auctioneers did what
they could, and sold the vast majority in 'parcels' for a mere song,
which in truth was all they were worth.

This peculiar form of book-collecting, though apparently strange, is,
and always has been, very usual, for the vast majority of readers are
poor. One volume will cost less, proportionately, than the complete set
of which it forms part; and, moreover, we are again face to face with
the argument that it is better to master the contents of one volume than
to have a mere superficial knowledge of a dozen or more.  The only thing
is that, as the world wags at present, the advice is erratic, and the
system of buying books in sections one that cannot be recommended.  If
we could be sure of a hundred years of life, then things might be
different.  _Sed Ars longa, vita brevis est_.

And so it happens that the vagaries of book-hunters are often passing
strange.  Some, like Sir Thomas Phillipps, will buy largely, and never
even open the cases in which they arrive.  Others will hide them in all
sorts of out-of-the-way places, while others again will cut them to
pieces, or in some other way destroy them utterly.  It is the most usual
thing, for me, at any rate, and therefore presumably for others who are
known to write about books, or to give the reports of the auction-rooms,
to receive a bundle of title-pages as samples of the volumes to which
they belong, with a request for information as to how they ought to be
bound, and what they are worth. Some collectors--real _bona-fide_
collectors these--start life with strong opinions as to the usefulness
of books, and, after the manner of Grolier, though without his
discretion, open their doors to all sorts and conditions of men, only to
close them later with a firm resolve that, come what come may, they will
never again allow any friend whomsoever even to gaze upon their store.
Some, too, are so deeply immersed in their all-absorbing hobby that they
have no clear conception of the difference between _meum_ and _tuum_.
Estimable in every respect but one, and scrupulously honest to a degree
in all matters of daily intercourse, they yet fail in this one supreme
trial.  And yet they are absolved; for these unfortunates are not
thieves but eccentrics, who would no more think of selling the objects
they have mistaken for their own, than they would of getting wealth by
false pretences.  Pope Innocent X., when still Monsignor Pamphilio, was
found in the possession of a book he could not satisfactorily account
for, and the ludicrous part of the matter was that Du Moustier, who
claimed that it had been abstracted from his library, was subsequently
proved to have stolen it himself.  Then, again, Catherine de Medici
sequestered the entire library of Marshal Strozzi, and on complaint
promised to pay for it by instalments, which, of course, she never did.
Hearne hints more than once that Sir Thomas Bodley was eccentric, and
when Moore, Bishop of Ely, and father of English Black-Letter
Collectors, went to dine with a bibliophile, as was his wont, the latter
would, if he were wise, spend the morning in removing out of sight, and,
therefore, out of temptation's way, the choicest of his possessions.
But the king of all these suspicious characters was Libri, who, as
Inspector-General of French Libraries, under Louis Philippe, presented
himself, from first to last, with books of the value of more than
L20,000, among them a fine MS. of the Pentateuch, which he sold to the
late Lord Ashburnham on condition that it was not to be published for
twenty years.  In 1868 the time expired, and then the matter was traced
home, to his memory's shame.

This conduct of Libri in selling what did not belong to him puts him,
indeed, on a level, in point of turpitude, with the young divinity
student of Chicago commonly called 'The Champion Biblioklept of
America.'  In vastness of conception the latter was a mere tyro, for he
only stole a few hundred books of small value from the Chicago Public
Library.  The motive of both men was, however, the same, and it was that
which, according to some consciences, made them thieves.  After all, it
is this motive that must be primarily considered in all ethical
questions such as those which underlie, to some extent at least, the
vagaries of every book-hunter who ever was born to hunger and thirst for
Caxton's types, and paper white as snow, bound in a dream by the
Gascon's magic touch.




                             *CHAPTER VII.*

                          *HOW FASHION LIVES.*


The dim haze which, in the imagination of the populace, once floated
above the head of every hungry book-man, was never in those days
identified with a mass of tangled, waving hair, which, aureola-like,
'girt his occiput about,' for he was no minor poet, with pale, eager
face and love-locks everywhere, but a man, with a rugged front such as
Ben Jonson wore, and a heart that beat within.  The haze in which he
moved was from the dust of old-world tomes; it settled on his coat, and,
had he worn a bob-wig, it would have settled on that also, but, since
wigs had escaped the fashion of fifty years before, it merely clung to
his hair instead, and powdered it gray before its time.  Half a century
ago the England which for the most part was free from the shriek of the
railway-whistle and the rumble of traffic harboured such men as these in
their hundreds.  They came from the last century, and the further their
pilgrimage in this the more they haunted the rustic element in which
they moved.  They were, in their way, magicians, wearing the consecrated
pentacles of Agrippa, 'that man of parts, who dived into the secrets of
all arts, that second Solomon, the mighty Hee, that try'de them all, and
found them Vanity.'

Naturally enough, when one of these old-time bookworms left his
seclusion to mix with the whirl and throng of the London thoroughfares,
he was swallowed up, as though he had never been, in a huge vortex of
unappreciative apathy, for the man in the street never has time to
dream, and such books as he affects are ledgers.  But he might have
strayed into some square which the tide, ebbing westward, had left
desolate, and met his counterpart sitting, as he himself did when at
home, in the midst of vellum-bound classics far into the night.  Indeed,
when he came to London, which was but seldom, it would be to visit
another bookworm, just as the stage-doorkeeper of the present day spends
his evening off at the entrance to another theatre, because he cannot
get away, even in spirit, from his life's work and enterprise. Were we
to look for these old book-men now, we should look in vain, for the
century is fast drawing to its close, and a younger generation has
occupied their seats.

The transition from the old to the new in the matter of books and all
that pertains to them, has been very gradual.  It commenced about fifty
years ago, or a little earlier, and was due, perhaps, to the spirit of
unrest fostered by an improved and quicker system of communication in a
country of very small area, absolutely incapable of enlargement.  We see
a mighty change in everything external, and it is not surprising that
our social habits should have experienced a revolution.  Round goes the
wheel, slowly and persistently, and we go with it, though daily custom
and daily experience has a tendency to mask its motion.  One day, sooner
or later, we start up and look for the familiar landmarks.  They are
gone.  New ones, not at all familiar, but still recognisable, have taken
their place, and then we know that time has slipped away while we were
dreaming, and that nothing can possibly be done but to take the future
by the forelock, and to rush on for a brief space with the rest.

And so it is with books, and ever has been. Fifty years and more ago,
time waited upon them and stood still; now they are carried along
unceasingly, and have no rest.  Every year the speed increases.  Old
companions of the shelf are whirled into space and parted for ever; the
very men who buy them are changed in their aspirations, their tastes,
and their desires, and in a very short time they will change again, and
yet again. They are swayed and driven by Fashion, and this is how
Fashion lives.

There was something about the dry-as-dust bookworm which, however
consonant with antiquated modes of thought and action, was nevertheless
felt to be utterly unsuitable to changed conditions.  Men must and will
read, and to accumulate is equally natural.  A life of easy contentment
engenders one mode of thought, a life of enterprise another; and the
transition from the narrow limits of a prison-bound study to the open
air is precisely what might have been expected to occur.

Men there were, as I have said, in plenty, who refused to quit the
time-honoured traditions of their race; but on every side of them were
being born lighter spirits, to whom colossal and intricate volumes were
as heavy as lead.  We see the changed nature of their tastes in the
craving for art, and the outcome of it in scores and hundreds of
miscellanies which began to be published about the year 1830, and held
imperial sway on drawing-room tables for ten years or more.

Fisher's 'Scrap-Book,' and numerous other artistically got up volumes
full of excerpts and elegant extracts, illustrated by some of the first
engravers of the time, were extremely fashionable in those days, and for
light and casual reading very probably supplied all that was necessary.
The poets, from the Earl of Surrey onward, were served up in dainty
plats, and the best prose authors were disembowelled with remarkable
skill. The ingenious Martin Tupper, observing this transformation scene,
brought joy into many households by laying down, in the form of explicit
statements, matters of theological controversy which had in their day
fed the Smithfield fires till they roared and blazed like those of
Moloch.

These books were for the cultured, to whom the random books of Pierce
Egan and William Combe were positively distasteful, and who, having
neither the time nor the inclination to bury themselves deeply in
classic lore, eagerly welcomed anything which appealed to their better
selves and, at the same time, did not too severely tax their brains.
The very style and nature of the books which were published at this
period show as conclusively as anything can do the great change which
was gradually creeping over the public mind.

Smollett and Swift were becoming coarse, and Hogarth, in his realm of
art, was already much worse.  Mrs. Radcliffe and the Rev. Mr. Maturin
stalked like a couple of terrifying ghosts hung about with chains,
wailing their lost home.  They invariably spoke of haunted caverns, and
the wind rumbling itself to sleep in the recesses of ruined chimneys.
Their novels were the delight of these same dry-as-dusts, to whom the
new age had said farewell, but who, in their impenetrable fastnesses,
still revelled, though in numbers yearly decreasing, in 'The Raven,'
with its soul-quaking refrain, in the 'Castle of Otranto,' and 'The
Bravo of Venice.'  Things of graver mood they could not find had they
searched the entire catalogue of English literature, from the metrical
poems of Caedmon, chanted to the winds of Whitby, down to the newest
poem or novel.

The new school called the old 'unhealthy,' that being a not inapt
adjective with which to express the absence of brightness and chic,
qualities which came, as everything else comes, when called for, and
which were embodied to a nicety in 'Sketches by "Boz,"' 'The Pickwick
Papers,' and later on in 'The Yellowplush Correspondence,' and 'The
Paris Sketch-Book.'  The new poetry was represented by Tennyson,
Browning, Longfellow, and many more, and essays of better, or, at any
rate, more taking, style than those of the Rev. Vicessimus Knox, were
published every day, and what is more to the point, extensively read and
hoarded.

Collections which had their beginnings in materials such as these
authors afforded were, and necessarily must be, totally different in
every possible way from those of the prior century; this we find to be
the case on looking at the catalogues of sales by auction which were
issued under the new regime.  Fashion had indeed changed, and at this
particular period Hakluyt and Coryat, to say nothing of curious authors
like Brathwaite and Seller, were comparatively neglected.  They have
recovered themselves since, because a revulsion of feeling has taken
place in their favour, and many of the old books which were of immense
importance sixty or seventy years ago are, after suffering a period of
neglect, once more in vogue, and can hardly be met with when sought
after, so great is the demand for them.  That is the case now, but there
is a wide intervening period which needs to be analyzed.

In my opinion, Dickens among novelists, and Tennyson among poets, had
the greatest amount of influence upon modern collectors as a body. The
former was the more powerful at first, since he had the good fortune to
meet with extremely talented artists like George Cruikshank, Hablot
Browne, Seymour and Leech, to illustrate his works.  Cruikshank was
fresh from the glories of 'Life in London,' and 'The Life of Napoleon,'
which had between them carried his name far and wide, and Browne hit off
the meaning of the author in such a marvellous way, that he may almost
be said to have discovered him. Seymour's opportunities were few, as his
seven etchings for the 'Pickwick Papers' were all he ever accomplished
for Dickens; but these were, in their way, masterly, and no doubt
contributed greatly to the success of the earlier parts in which they
appeared.

Slowly but surely the collectors began to turn their thoughts to the new
author and the artists who were assisting him, and to accumulate the
numbers in which it was the fashion to issue illustrated novels at that
time.  We often see them now, almost as clean and fresh as when they
were first published, showing conclusively that every care has been
bestowed upon them. In later days, up to within a year or two in fact,
there was a great rush for any books or parts by popular authors
containing first-rate illustrations. There is a demand for them now, but
only when their condition is immaculate, for fashion has recently
changed in a marked degree, owing, perhaps, to the number of rich
collectors, who would have these things at any price, and, of course,
had their way to the exclusion of the vast majority who were not
sufficiently well off to compete with them.  And this fashion was the
parent, not of another fashion, but of a craze, which raged for two
years or more.

The years 1893 and 1894 I take to be those in which people, despairing
of obtaining their heart's desire, turned their attention to what were
known 'Limited Editions,' and raged furiously. Nothing but a thorough
grasp of the state of the book-market at the time, and a deep insight
into human nature, could have hit upon the 'Limited Edition' as a
stop-gap, and those who invented it are entitled to every credit for
their enterprise.  The apology for the life of the 'Limited Edition'
brought to its logical conclusion was this: Times have changed, and,
moreover, more people buy books than formerly, whether to read or to
store.  With the readers we have nothing to do, except incidentally; but
so far as the collectors are concerned, it is obvious that only about
one out of every ten can afford to pay the extremely high prices
demanded for most of the first editions of the authors of repute which
they affect.

Now comes the point, and upon this the whole argument succeeds or fails.
Do they want these coveted books to read or to accumulate?  If they wish
to read them they can do so at any time, for there are more editions
than one in the majority of instances, and the demand for the later and
cheaper ones is of a different character altogether; ergo, they really
want them, though they would perhaps be highly indignant if we said so,
to possess and not necessarily to read.  Let us, therefore, make new
books in the image of the old, decorating them artistically, and
printing them in the best possible style.  Let us cut down the edition
to a very small number of copies, in order to keep it out of the hands
of all but just enough buyers to make the venture pay well, and we ought
to succeed in establishing a furore that will continue precisely as long
as the strenuous efforts to obtain time-tried poems and essays remain
futile by reason of their cost.

The venture was purposely confined to poems and essays, because literary
wares of this kind good enough for the purpose could be bought for next
to nothing.  A novel, in order to compete on this particular ground with
the older works of Ainsworth, Thackeray, and the rest, would be costly
to buy in manuscript, and difficult as well as expensive to produce;
and, moreover, novels never pay unless they are sold in large
quantities. This argument was sound throughout, and, moreover, a fresh
departure of some kind was inevitable, if only to stem the tide that
flowed so aggressively in favour of the rich.  The venture succeeded,
for almost on the instant the collector, casting a lingering look behind
on the expensive works for which he craved, turned away from them, and
welcomed the 'dainty volumes of delicious verse' which came tumbling
down in almost endless variety.  There was a scramble for them which
continued exactly as long as had been predicted, namely, until the
prices of once coveted books began to fall, and then the 'Limited
Editions' fell too, and the craze was over, for the present at least.

One would have thought that the direct result of this procedure would
have been a fresh rush to former fields, but the fact is otherwise.
Original editions of the works of older poets and essayists of the
highest repute are still as costly as ever, but the general ruck have
fallen in the market, and remain fallen to this present day.  More than
that, the 'Limited Edition' brought within reasonable access innumerable
better books, now become cheaper, provided they are not in the very
finest condition.

Just at the moment there is no great 'boom' observable in the English
market, no great craze for books of a certain special kind, though some,
as usual, are sought for unceasingly, as, for example, many of those
older works of English literature which were seen in such profusion in
the collection of Mr. Charles B. Foote, dispersed in New York at the
beginning of 1895.

Whatever hard things may be said of collectors, however much they may be
likened to literary jackdaws, or to what extent their tastes may be
criticised and compared with those of other people, they have a
virtue--and a great one--one undisputed virtue, which, like charity,
covereth a multitude of sins.  This cardinal virtue is, that now, as in
past times, their primary aim is to appraise literature at its true
worth, and to make that the _raison d'etre_ of their enterprise.  The
inevitable red herring may lead them, for the moment, away from the
pleasant places they have made their home, but it has never yet
prevented their return.

And this home is among time-tried and intrinsically valuable books, and
not among those which are temporarily in vogue.  It is a home which
existed in Greece, and in Rome, and all through the so-called Dark Ages,
during the Renaissance, and down the centuries which succeeded right to
this present year of grace--a home furnished with genius and perfumed
with sentiment. Look there at Paul Lacroix snatching from a Paris stall
the very copy of 'Le Tartuffe' which had belonged to King Louis XIV.,
and later on sheltering not merely the great Pixerecourt founder of the
Societe des Bibliophiles Francais, but his whole library as well, until
such time as his creditors had drawn off their legions and departed.
Sentiment, as well as a passion for literature, was at the bottom of
these acts, for that very copy of 'Le Tartuffe' had been in Moliere's
coat-pocket, and Pixerecourt had a tale to tell of every scholarly
volume he possessed. You cannot manufacture genuine sentiment, nor is
the quality to be evolved from anything except genius.

Accordingly, we find that every book which excites the cupidity of the
true bibliophile derives its magic power primarily from within, and that
this power is often materially increased by reason of extraneous
considerations.  The instances in which external matters have at any
time been capable of investing an inferior book with a halo of
importance or romance are so extremely rare that they might almost be
counted on the fingers. A mere fleeting craze cannot do it, and it is
the greatest mistake in the world to suppose that a scarce book would be
sought for, and prized when found, merely because it is scarce, and for
no other reason.  As every book-collector is aware, there are hundreds
and thousands of volumes lying neglected on the book-stalls to-day which
would never be there if this were not so.  Some are scarce in the sense
of being difficult to meet with when wanted, but, if that be their only
merit, it has never yet been acknowledged.

But fashion, though it can never make a bad book good, has the power to
subordinate one good book to another, notwithstanding, and to play
shuttlecock with the names of authors and printers alike.  It was
fashion in excelsis which lived with the Elzevirs when men were saying
to one another, 'I have all the poets they ever printed.  I have ten
examples of every volume, and all have red letters, and are of the right
date.'  It was fashion, too, which assessed the value of Longpierre's
copy of Montaigne's 'Essais' (1659), with the buffalo's head on the
preface and at the commencement of each chapter, at 5,100 francs, and
only the other day (March 20, 1896) flung away a fine tall copy, bound
by Bozerian, for the paltry sum of L6 15s.

The same capricious mistress assessed Sir Walter Raleigh's 'Discoverie
of the Large, Rich and Bewtiful Empyre of Guiana,' 1626, at a
comparatively low rate--L3 3s., if the late Mr. Henry Stevens is to be
believed, and no one had a greater knowledge of such books than he--in
1858, notwithstanding the fact that it must be credited to Shakespeare's
library, as the 'still vex'd Bermoothes,' and his knowledge of the
breaking of the sea on the rugged rocks by which the Bermuda Islands are
surrounded, sufficiently demonstrate. Thirty years ago Smith's 'Generall
Historie of Virginia,' published for M. Sparkes in 1625, could have been
got for a twentieth part of the sum that would be asked for it now, and
this too is by Fashion's decree.

But in these and any number of typical instances there is no change in
the estimation in which good literature is held; no lifting a book from
an abyss of mediocrity and placing it on a pinnacle of fame.  Fashion
may swing men's minds to this or to that, and so indirectly and for the
time being cause those ups and downs in the book-market which are the
despair of everyone who has endeavoured to account for them, but further
than this she cannot go.

And therefore, when I said that book-men are swayed by fashion, I meant
that their tastes and inclinations are capricious, and not that they
would, even if they could, enter upon the task of passing judgment upon
the verdict of the world.  Fashion may and does make rules which cannot
be broken with impunity, so far as the pocket is concerned; it may even
create an extraordinary and exceptional interest in one author to-day,
and abandon him to-morrow, and do many other wonderful things to cause
our unsympathetic neighbours to blaspheme; but the romance of
book-collecting would be no romance were it stolidly kept at one dead
level of insensibility.  To employ a homely illustration--Fashion may
decorate a house, it can neither build one nor raze one to the ground.




                            *CHAPTER VIII.*

                       *THE RULES OF THE CHASE.*


There was a time, and that not so very many years ago, when old books
were, if only you got out of the central mart, difficult to procure, and
by no means easy to store. They were frequently in folio, huge ponderous
works which, unless they were of the very best, challenged the courage
of all but veterans, as they looked down from their dark corners.  There
was no escaping them, no getting away from their costly presence, and no
reading them either without sitting at a table; for 'literary machines'
were not then invented, and no one seemed to care about lingering with
arched back over a fire, with sixty or eighty pounds weight of paper on
his knees. Such a discipline would have been valuable, no doubt, but
learning grew lazy when it left the monasteries, and a table became a
virtual necessity for most folk.  After a time folios were turned into
octavos, and the price cheapened. The 'extraneous Tegg,' as Carlyle
calls the well-known bookseller, and our friends Cooke, Walker, Bell,
and many more, commenced to cut the throat of the trade, and to ruin the
honest author, by printing favourite books at such a very cheap rate
that the public soon became totally demoralized. Cooke made an enormous
fortune--for a book-seller--and died amid the plaudits of the mob and
the curses of his competitors, for he had out-Heroded Herod in
prostituting 'Tom Jones,' a thing deemed impossible, by publishing the
text in numbers, _verbatim et literatim_, at a scandalously cheap price.
Then he approached other 'British novelists' in turn, and went through
the entire pantheon, winding up with a series of sacred classics.  Cooke
was a man of immense resource, and no scruples; he got the author out of
the way (I don't say he murdered him), sold up his rivals, and
positively lived to an advanced age--three crimes which procured him
hosts of enemies, but nevertheless altered the whole system of
publishing, and solved for ever the problem whether it is better or
worse for the producer to sell fifty articles at a penny each, or a
single one of the same kind for four and two.

Now, Cooke's procedure, and that of the other booksellers who were wise
enough to follow his lead, not only had great influence in moulding the
character of the bibliophiles of that day, but is directly responsible
even now for many of those rules and regulations which their descendants
are sticklers in the preservation of.  A folio had always been bound in
a manner suitable to its bulk, and in such a way as to render a new
binding unnecessary for a very long time, and there was, consequently,
little or no necessity for rules of any kind for its preservation.  When
the folio was hoisted to its place, there it would stop, or, if taken
down, it would be with a considerable amount of caution.

Not so Cooke's cheap and easily handled productions.  They were light
and airy, and bound in millboard, which, after a moderate use, never
failed to come to pieces.  As a matter of fact, nearly all Cooke's books
met with on the stalls to-day show unmistakable evidence of honest
handling.  They are thumbed, perhaps torn, and always very feeble in the
cover.  Should it have been worth anyone's while to rebind one of these
cheap little volumes, we may be sure that it will show a stout leather
cover, and be scrupulously cut down to the headlines for the sake of the
shavings.  This cropping of margins was no crime then, because there was
no rule to the contrary, and Cooke turned out his books in such numbers
that they were really of very trifling value at any time.  Before his
day, it was a common practice for the publishers themselves to have
their books bound in leather, and for the binders to cut as much of the
margins away as they decently could.

For instance, let us revert to 'Tom Jones,' one of the first books
experimented upon by the first of really cheap publishers.  When this
novel came out, in 1749, it made its appearance in six small volumes
bound uniformly in leather, with edges more or less cropped.  This
cropping process seems to have pleased Fielding immensely, or at any
rate there is no doubt in the world that he preferred to see his
handiwork issued in the way common to folios, rather than in boards with
ragged edges, for a sample set of volumes was done up in the latter
style and rejected.

We think him foolish, because not very long ago the sample set was
discovered in an old farmhouse, and, after changing hands once or twice,
packed off to the auction-rooms, where it realized the handsome sum of
L69.  A little bit of paper made an immense difference in this case, for
its presence was in conformity with an imperative rule that has grown up
since Fielding's day, and which lays it down that never--no, never--must
a book be denuded of its margins if you wish to make the most of it.
Whatever its quality, do not deprive it of the minutest fraction of its
legitimate area of paper.  Of course, this drastic regulation came into
force when books began to be generally published, not in folio or
quarto, but in a smaller and more handy size.

Collectors, whether of books or anything else, are content at first with
a little.  Their requirements are indeed boundless, so far as number is
concerned; but they have not yet become solicitous of technical or
minute distinctions.  A book is a book, and a coin is a coin, and they
are satisfied without it, provided it is substantially the same as some
other copy of the same edition, or some other coin struck from the same
die, which they happen to have.  After a while, however, a very natural
desire to excel produces its inevitable result, and all sorts of
arbitrary variations are catalogued and insisted upon by those who have
plenty of money, and at the same time pride themselves on their
discrimination and taste.  Thus it is that a comparatively scarce book,
this first edition of 'Tom Jones,' for instance, may become excessively
scarce under exceptional circumstances.  True, the collector who is a
terrible stickler for detail may, and probably will, be charged sooner
or later with being a fool for his pains; but that penalty he is content
to accept, happy in the consciousness, that, when everything is said and
done, he has chosen the better part, which in all these cases consists
in leaving well alone.

Not long ago a London newspaper, which ought to have known better, was
very angry with a collector of the circumspect school because he had
boasted that all the books in his library were 'uncut.'  'This shows,'
said the sage who wrote the article, 'that he has a hundred or more
books which he has never read, and, what is worse, has no intention of
reading.'  He thought that 'uncut' meant 'not cut open,' and perhaps
thinks so still, for it was worth no one's while to teach him his
business, and so the matter dropped.

The cropping of books has, indeed, become as iniquitous as the old Star
Chamber practice of cropping of ears, or perhaps even more so, for some
at least of the delinquents who appeared to the usual Writ of Rebellion,
which it was the practice of that tribunal to issue from time to time,
richly deserved all they got.  The proper way to deal with a book is to
burn it if it be wicked, and if not, to leave it alone; though, if this
fact had always been recognised, there would have been no scope for us
in the matter of broad expanse of margin, since what everybody has no
one craves for.

Fine bindings are a law unto themselves, and require separate
consideration; but there is a matter connected with bindings generally,
or, rather, with the advisability of binding at all, which has created a
considerable amount of scandal in times past.  Let us take that scarce
book, 'The English Dance of Death,' which William Combe wrote in the
safe seclusion of the King's Bench Prison.  It appeared originally in
1815 in parts, each with its wrapper, and afterwards was bound up in two
volumes, whereupon it at once lost, according to present-day ideas on
the subject, five-sixths of its value.

The 'Tale of Two Cities' when in the original eight parts is worth three
times as much, at least, as when in the publisher's cloth binding, and
nearly all Thackeray's more important works are subject to a very
considerable reduction under identical circumstances.  Curiously enough,
the rule is imperative in certain specific instances, while in others it
has no application at all.  The question whether to apply it or not
depends on the character of the book.  We should insist upon the parts
being left unbound in the case of 'Bells and Pomegranates,' but not in
that of Trusler's 1833 edition of 'Hogarth Moralized,' for here the
twenty-six parts are a positive nuisance unless they are bound.
Trusler's melancholy production is not much good, bound or unbound, but
it will serve as an illustration, and certain it is that the cost of
binding will have to be taken into consideration when estimating the
worth of the numbers, in case anyone thrusts them upon a long-suffering
purchaser, and will not be denied.

'Fools you are!' says Sir Ensor Doone, under other circumstances, and
'Idiots!' adds the man in the street when he reads that somebody has
paid a large sum for 'Ask Mamma' in the 'original thirteen parts,' when
he could, had he been so minded, have got the entire book, nicely bound,
for a fourth of the money--plates, text, and all.  This is the cry
whenever a sum which appears exorbitant on the face of it is paid for
anything.

A short time ago L445 was obtained for a fiddle by Stradivari; L798 for
an imperfect silver cup made by Jacob Frolich, master of Nuremberg in
1555; and L246 odd for a rose-point flounce of Venetian lace three yards
long.  Nothing was said about the enormity of these sums, but let a
fiftieth part of the smallest amount be realized at any time for a book
'in parts,' and there is a chorus of disapprobation, for which, however,
it must be confessed, there is just a modicum of warrant.

It is really not at all easy to see why a series of numbers, liable at
any moment to injury, and always inconvenient to handle, should, the
quality of the plates, if there are any, and other accessories being
equal, be so greatly preferred to a volume bound in a proper manner.
Perhaps it is a matter of sentiment, perhaps of pure scarcity, or
perhaps the _bona-fide_ book-collector likes to give himself as much
trouble as he possibly can, by way of purifying his life and chastening
his soul. However this may be, there is no question that some books are
thought more highly of when in sections, and that the public in their
blindness fail to see the reason why.

Well, there is, at any rate, much less reason, one would think, in
paying L246 for a lace flounce wherewith to minister to the vanity of
some middle-aged dame than there is for incurring a fractional
obligation for classic works, which will outlast us by many a day, even
though they may have the fortune to be uncut and in parts as issued.
And besides, O shade of Mr. Burgess! did you not ignore in your lifetime
the rule that it were best to let well alone, and were not the
consequences terrible in the extreme?[#]


[#] The library of the late Mr. Frederick Burgess was sold by Messrs.
Sotheby on May 31 and three subsequent days, 1894.  It consisted almost
entirely of then 'Fashionable' books, illustrated by Cruikshank and
other talented artists.  Parts had been bound up, original cloth covers
removed, and expensive bindings substituted, not merely in a few
instances, but as a general rule.  The collection, though an excellent
one of its kind, was disposed of at an enormous sacrifice.


Whether any regulations are really necessary for the proper preservation
of books old or new let the bibliophiles determine; but so long as they
exist it is folly to ignore them.  Nay, further, to be as far upon the
safe side as possible, we must prefer to buy our books with due regard
to those rules and orders which our progenitors have in their wisdom
drawn up, selecting the very best copies we can afford to pay or obtain
credit for, and even going to the length of investing in 'parts' which
shall not shame us, or cause us loss when the inevitable hour of parting
arrives.

The cardinal rule of the game is triple-headed, and it is this: Buy the
best you can, spend what you find convenient without stint, and, above
all, keep to the track you have mapped out for yourself and have so far
followed.  Then will it be well with you now and hereafter in all things
bookish.  Act the contrary throughout, and every stiver you spend will
swell the total of your confusion; drop by drop the clepsydra of your
fortunes will run out to your bane.

But the rules which hem in the book-buyer, and direct his course, are
not solely confined to technical points and details such as those
mentioned.  On the contrary, they are equally stringent in many other
respects, and in particular as to the description of book to buy, its
condition, and so on; for it is taken for granted that no man, or at
least no bookman worthy the name, would purchase a bad or inferior
edition when he could get a better, or a volume that was imperfect or
had been shamefully used by a succession of careless owners.  Between
the quality of one edition and another there is often an immense
difference, as all the world knows, or ought to know.  That edition of
'"Paradise Lost," a Poem in twelve books, the author John Milton,
Printed for the Proprietors and sold by all the Booksellers,' no date,
but about 1780, is one of the very worst that any misguided man ever
picked up from a street stall.  The mistakes, not merely in punctuation,
but in spelling, are too gross and scandalous for mention; entire lines
are not infrequently missing, and whole sentences often perverted.
Contrast this with any copy of the first edition, no matter which
title-page may have heralded it into the world, and we have a different
book entirely.  The rule says that, though an ordinary copy of the first
edition may be three thousand times as valuable in money as this gutter
abortion, you must nevertheless not be attracted by the latter because
it is cheap--no, not even though you should think it good enough for
everyday use.

Naturally enough there are free-lances among book-men, people who are a
law unto themselves, and insist upon doing precisely as they like, but
it will be noticed that they very rarely fly in the face of any rule in
important cases.  Your free-lance has the courage of the Seven Champions
of Christendom when face to face with Stackhouse's 'History of the
Bible,' but let him, for example, come across 'Tamerlaine, and other
Poems, By a Bostonian;' not Herne Shepherd's London reprint, but the
original tract which Calvin F. S. Thomas printed at Boston in 1827.  Let
us suppose also that it is in its original tea-tinted paper covers, just
as Edgar Allen Poe sent it forth into the world.  What would our
free-lance do?  Have it rebound in defiance of the rule? Hardly, for if
he did he would reduce the importance of his exceptionally fortunate
find, and therefore its value, to such a considerable extent that even
he would hesitate long before committing himself to an act that could
never be recalled.  Moreover, he would have direct evidence with regard
to a copy of this very Pamphlet before his eyes, for a collector once
really did pick one up for a few pence.  In the first place, let it be
stated that only three copies of 'Tamerlaine' can now be traced.  One is
in the British Museum, which acquired it from the late Mr. Henry Stevens
for one shilling.  A second was found on a stall in America for the
equivalent of something less, and it is this latter copy which furnishes
the evidence referred to.  The fortunate finder sent it to Messrs. C. F.
Libbie and Co., the auctioneers of Boston, who sold it by auction in
1893 for the equivalent of L370 to the agents of Mr. George F. Maxwell,
of New York, who had the pamphlet rebound in magnificent style by Lortic
Fils, at a cost of several hundred dollars. Moreover, the covers were
bound in, and the edges left untrimmed.  No expense was spared;
everything was done in proper order according to rule of thumb.  Yet in
April, 1895, when Mr. Maxwell's valuable library was sold by the same
auctioneers, this copy of 'Tamerlaine,' vastly improved as one might
think, dropped to L290, showing a clear loss of L80, irrespective
altogether of the amount paid for binding, auctioneers' commission, and
so on.

It may, of course, be said that it is a common thing for the same book
to bring different amounts at different times, even when the sales take
place within a few months of each other.  A bookseller, dissatisfied
with the amount bid for some scarce work he has put on the market, will
frequently buy it in and offer it again later on with satisfactory
results.

But 'Tamerlaine' is an altogether exceptional piece, and, moreover,
where were the gentlemen who respectively bid L360 and L365 on the
occasion when Mr. Maxwell secured it for a slightly larger sum?
Wherever they were, they seem to have been fully alive to the fact that
'Tamerlaine' was not as it was when Poe sent it out for review ever so
many years ago.  'Ah, broken is the golden bowl,' and it is to be feared
by that talented binder, Lortic Fils.  If ever I find 'Tamerlaine,' I
shall keep every binder at arm's length, and not be tempted to paint the
lily--no, not even though Derome himself should rise from the dead and
offer to array it gratuitously in morocco, tooled to a heavenly pattern,
and powdered all over with the fleurs-de-lys of imperial France.  In
this spirit let us reproduce the title-page of 'Tamerlaine,' as a
Frontispiece to this Romance, so that we shall know it on the instant if
the gods should only guide our feet to where a fourth copy lies hidden
away.  Then let us remember the rule to let well alone, and be thankful,
for it is a rule of gold, the first and foremost of them all.

Never to outrage sentiment, always to identify one's self with the
author as far as possible, is to respect both the living and the dead,
and to make life comparatively easy, even though its path be strewn with
flints and cobble-stones.  May the person who has the maximum of respect
for the private life and character of one of the greatest of modern
poets eventually acquire the shabby copy of 'The Eve of St. Agnes' which
the luckless half-immortal thrust into his pocket as the _Don Juan_ was
sent to the bottom of the Gulf of Genoa.  It will come with a train of
associations that will on the instant forbid the elimination of a single
stain, or the slightest repair of its sea-swept cover.

The book-hunter who has the feelings and aspirations of an ancient race
properly diffused through his system would almost give his head for a
relic such as this, for his passion is not to be stifled.  He likes to
think that the books he reads and handles have a pedigree, that they
come to him laden with the fears and aspirations of the past, that they
are ghost-haunted, and that they who wrote them, though dead, yet speak,
not as man to man, but as soul to soul.




                             *CHAPTER IX.*

                       *THE GLAMOUR OF BINDINGS.*


There being in very truth no new thing under the sun, it would be
egotistical in the highest degree, and absurd, to assert positively that
the argument about to be advanced is at all novel, though it may
certainly appear strange.  It is, however, original so far as I am
concerned, for I have not seen it hinted at before by anyone, much less
carried to a conclusion. Whether there be any warrant for it or no is a
point for others, who have a greater capacity for distinguishing reason
in probabilities than I can lay claim to, to determine for themselves.

It is admitted by all writers who have studied the subject of
bookbinding from its historical aspect, that, as the monks of the Middle
Ages were the sole producers of books, so also they were the only
binders, and that the record of their achievements dates from about 520
A.D., when Dagaeus, the Irish monk, practised his art, to the invention
of printing from movable types by Gutenberg and Fust nearly a thousand
years later. Not merely in England, but all over Europe, the monks were
practically the sole custodians of knowledge during the earlier part of
this period; they alone produced books, they alone bound them, they
alone could read them.  There were, no doubt, laymen who could read and
write, but neither accomplishment was general in the outer world.  King
Alfred (A.D. 870) was a scholar; William the Conqueror, two centuries
later, could neither read nor write.

The Stowe MS. No. 960 contains all that remains of the register of Hyde
Abbey, Winchester, from the time of King Canute, one of its earliest
benefactors, to the Dissolution.  Among the many interesting articles in
this Stowe manuscript there is one which exceeds all the rest in
interest, for it bears the actual cross, sign or signature made by
William in testimony that he had granted 9 hides of land to the monks,
in exchange for the site of the cemetery in the city of Winchester.  The
King has drawn with a quill a rude and most illiterate cross, if such a
thing can be imagined.  The ink has not flown evenly from a pen
evidently held in a perpendicular position with tremulous and infirm
grip.  Each line begins with a splutter, and at the point of
intersection there is what looks suspiciously like a blot.  It is
obvious at the first glance that King William, though a man of many
accomplishments eminently useful in those days, was accustomed to wield
the battle-axe rather than the pen.  And this was so general for
centuries after his day that, but for the monks, there would have been
no learning at all, and no books all that time.

It is unnecessary to refer to this phase of the matter further than to
say that all the ancient and medieval European manuscripts which still
exist were written by ecclesiastics, and doubtless bound by them as
well.  Manuscripts of the ninth century, beautifully encased in ivory,
silver and gold, and sometimes encrusted with precious stones, are still
extant.  These are undoubtedly monkish, and the question arises, What
has become of the vast bulk of which these are but a remnant?  What has
become of the old English libraries that existed in hundreds at the time
of the Reformation?  Were they, all but a very few, wantonly destroyed
by those who undertook the spoliation of the monasteries, or did many
escape them? and if so, where are they now? The suggestion that
innumerable volumes, particularly those which were handsomely and
expensively bound, would never be seen by the raiders at all is not so
improbable as it may at first sight appear, when we come to consider the
facts.

In November, 1534, an Act of Parliament declared that 'the King's
Highness was the supreme head of the Church of England, and had
authority to reform and redress all errors, heresies, and abuses in the
same.'  This Act was speedily followed up, for in 1535 Cromwell, in his
capacity of Vicar-General, proceeded to make a visitation of the
monasteries, where he is said to have found such evidences of shameless
immorality that another Act was passed, transferring such of these
establishments to the Crown as were not of the annual value of L200.

The number of religious houses at this time dissolved, raided and sacked
amounted to 376. With diabolical minuteness the revenues of each and all
were estimated to the last penny.  Bangor was worth L151 3s., and was
accordingly seized on the spot.  St. David easily escaped for the time
being, for the revenue of that monastery proved to be L426 2s. 1d.  St.
Asaph, being assessed at L202 10s., escaped an early wreck by L2 10s.
It was the same all over England and Wales.  The revenue was estimated,
and if it fell below L200, the monastery was at once filled with armed
men, while Cromwell's experts stripped the walls of their arras, seized
the gold and silver vessels, tore up the books, scoured the
neighbourhood round about for game, tapped the vintage, and thoroughly
enjoyed themselves in their own peculiar way.

It is recorded that priceless books and manuscripts were wantonly
destroyed, tombs sacrilegiously broken to pieces for the sake of the
metal, often merely lead or brass, that extolled the virtues or the
lineage of those who slept below; silver and gold plate of exquisite
workmanship, and of a degree of antiquity rarely, if ever, seen now,
were melted down and sold by weight; buildings of an architectural
beauty unsurpassed anywhere were wantonly defaced, and in many cases
dismantled, for the sake of the materials, and in the midst of this
disgraceful scene of plunder and desecration, the destroyers fought with
one another as desperately as Roman gladiators of the days of Nero, for
the possession of some coveted jewel or ornament that all wanted and
only one could have.

Now here comes the crux of the argument. Only the smaller houses were
dissolved at this time, and unless human nature were totally different
in the days of Henry VIII. from what it is now, unless the Abbots of
Furness, Bolton, Fountains, and other large and extremely rich
monasteries, looked on unmoved while their humbler brethren were
stripped to the skin and flung destitute into the lanes and ditches to
die, then it is morally certain that they would take steps to protect
themselves, as far as lay in their power, from the fury of the storm
which they must have known would shortly burst over their heads.  Unless
they were wholly infatuated, they would cautiously and gradually remove
their choicest possessions, their basins, images, censers, crucifixes
and chalices, and above all their precious volumes, with which the very
history and fortunes of the abbey were associated, and bury them deep
down, perhaps fifteen or twenty feet, under the walls.

The ruin brought at this time upon all that was priceless by reason of
its antiquity and associations is incalculable, and the only ray of
consolation let in upon these dark days' doings is that the Abbots of
the larger monasteries, taking warning from what they saw going on all
around, may have buried their choicest possessions, where, perhaps, they
will be found some of these days, when the plough shall furrow up the
dust of Furness or Denever.

Many of the inventories taken by the King's agents are extant.  One of
them, that of Fountains, taken just before the Dissolution, will suffice
to show what is meant.  The value of all the plate, gold and silver,
amounted to L708 5s. 9-3/4d.--a comparatively small sum, seeing that the
cattle, sheep and swine belonging to the abbey were of much greater
value.  Not a single book of any kind is scheduled, and yet the library
of Fountains was at one time the most extensive and important in
Yorkshire.  As the Knights Templars buried their gold under the high
altar in the church of the New Temple, yet standing within sound of the
roar of Fleet Street, in order to protect it against the rapacity of
Edward I., so it is suggested that the Abbots of Fountains and other
surviving houses buried their treasures in the most sacred place they
could think of, thereby handing them over, as it were, to God and the
right, rather than abandon them to the tender mercies of man.

Now, this is merely an argument based upon probability; it cannot, from
the very nature of the case, be supported by a scrap of evidence, and
yet it carries with it such a ring of truth in my ears that, were I the
happy owner of one of those fast-crumbling piles which still rear their
rugged fronts to the sky, I would, by all the enamels of Limoges, by the
ivory, gold and silver, and rubies which make up this glamour of
bindings unseen, put the argument to the test without hesitation and
regardless of cost.

Monastic bindings of English workmanship are not, as we may well
understand, distinguished as a rule for extreme beauty.  The gorgeous
covers that protected illuminated manuscripts, themselves extremely
valuable, were in vogue at a very early period, long before the
invention of printing, and the vast majority were probably either hidden
away as suggested, or destroyed. In any case, however, they must have
been rare even a thousand years ago--as rare, indeed, as the
exceptionally fine missals and breviaries they protected, some of which
would take a monk his lifetime to produce.  We find that by the
fourteenth century monastic bindings were usually serviceable and plain,
and that it was only occasionally that rich materials were employed, as,
for example, when a King's library was added to, or some important
monastery gave a special order by way of continuing the traditions of
the house, and showing that time had not in any way curtailed its
glories.  The most interesting ancient bindings that yet survive to us
consist of a specimen of the work of the monk Dagaeus, which dates from
about 520 A.D., and a manuscript known as the 'Textus Sanctus
Cuthberti,' bound in velvet with a broad silver border, and inlaid with
gems, by the first English binder, one Bilfred, a monk of Durham, who
was living at the beginning of the eighth century.  This is the holy
volume that was swallowed up by the sea, and, according to the old
legend, restored out of respect for the memory of the saint, or perhaps
that of the monk or both.

We have, therefore, two styles of monastic bindings--one resplendent in
gold, ivory, and precious stones, and the other of a more sober
character for ordinary and daily use.  The latter were of wood covered
with embossed leather, or with plain shark skin, or even seal.  They
were ponderous, massive folios of great weight and durability, protected
in vulnerable parts with brass or iron bosses and corner-plates.  We
find them produced as a matter of course to about the time of the
Renaissance, when they gradually gave place to smaller books bound in
velvet or silk, and embroidered by abbesses and nuns, and so the custom
prevailed until the days of the first printers, when calf and morocco
were introduced from the East by the Venetians, and pigskin or thick
parchment became fashionable.  Prior to this time oaken boards formed
the groundwork of every binding, and to this day the word 'boards' is in
general use, although the reason for its existence obtains no longer.

The Italians were the first to awaken to a sense of the propriety of
things, and the modern collector to whom bindings appeal with an
irresistible force instinctively turns to the first Italian era to
supply him with some of the rarest and choicest examples of the art.
The commoner monastic bindings have no beauty in his eyes, and those of
a superior order and more costly finish are practically interred within
the walls of great public institutions, from which they will, in the
nature of things, never emerge.  For some reason or other the finest
binding loses its glamour, if not its interest, when exhibited in a
glass case. We must have these things for our own before we can
appreciate them to the full.  What more melancholy mortal than a public
curator trying to work himself up into a state of enthusiasm as he
describes the objects committed to his care? They are mere pots and pans
and 'things,' but yet how different if he had them all at home!

But to return to our bindings.  Let it be observed that with the
invention of printing, and the consequent production of books in a more
portable form, the modern style of binding was gradually introduced.
These were the days of deep-toned leathers, ornamented in gold and
variegated colours, and executed for wealthy and powerful Italian
families, who employed skilful artists to draw the designs, often
consisting of geometrical interfacings or foliage, such as Maioli and
Grolier rejoiced in.

This style of ornamenting leather came from the East, as did the
Saracenic rope ornament, which was perhaps the first design to take the
fancy of Italian workmen.  The general appearance of this rope design
reminds one of the frontispiece to a certain 'Biography of Jack Ketch,'
which someone brought out a few years ago.  The half-length portrait of
the hero is within a graceful border of ropes intertwined, there are
ropes tumbling from the clouds, and he holds a rope in his hand, as if
ready to begin.  Behind, so far as my memory serves me, there is the
frowning portal of Newgate, festooned with fetters.  A panel of
Saracenic rope-design set on end reminds one of this frontispiece, and
we listen instinctively for the tolling of the prison bell.

The celebrated printer Aldus Manutius seems to have been the first to
rebel against such sinister designs as these, and, moreover, he was the
friend of Jean Grolier and Thommaso Maioli, princes among book-lovers,
and artists by nature. Aldus often bound the books he printed in smooth,
rich morocco, tooled in gold to various patterns of elaborate design,
and to him we doubtless owe much of the improvement in binding which
became so marked at the beginning of the sixteenth century.  His were,
indeed, publishers' bindings produced by rule of thumb, but they are not
on that account less worthy of interest, for the name of Aldus is one to
conjure with in all things bookish.

The Thommaso Maioli to whom reference has been made exercised a much
greater influence than Aldus ever did in the matter of bindings, for his
were the models on which were fashioned the designs of later collectors,
not merely of Italy, but of France and other European countries.
Maioli's designs are free and open, in a style suggestive of Eastern
influence, but reduced to earth and reality by perpendicular and
perfectly straight lines.  His library was open to his friends, and most
of his books were lettered on the covers 'Tho. Maioli et amicorum,'
qualified sometimes by other words of different import, 'Ingratis
servire nephas.'  Very likely Maioli was on occasion the victim of some
too ardent bibliophile, who would think nothing of borrowing, and
perhaps also of some Philistine, who left ruin in the trail of his dirty
or heavy fingers.

So, too, Jean Grolier, whom Dibdin ludicrously turns into a bookbinder,
but who was, in fact, the French contemporary and twin soul of Maioli,
chose to follow the traditions of all true book-lovers, and his covers
also bear the courteous invitation to friends, 'Io Grolierii et
amicorum,' though he too found occasion to alter it from time to time.

The bindings of Maioli and Grolier, worked out and finished most
probably at Venice for the most part, are highly valued by collectors
all over the world, and they are indeed worthy of all the attention they
receive.

The bindings of Maioli are more difficult to meet with than those of
Grolier, because the library of the latter numbered some 8,000 volumes,
and was eventually sold by auction and dispersed broadcast.  Grolier's
descendants had no false sentiment in their composition; the 'amici'
were themselves, and they acted in their own interests, in strict
accordance with their interpretation of the family motto.  Besides, in
those days, though the love of books raged furiously in isolated
breasts, in general it was cold, and no one could probably have been
found to take over the entire library, or even that considerable portion
of it which at the last lay among the dust and cobwebs of the Hotel de
Vic.

Rarer than any of this period, however, are the medallion bindings of
Demetrio Canevari, physician to Pope Urban VII., who was living in the
year 1600.  In all probability Canevari merely inherited his books, for
their covers belong to an earlier period.  Still, whatever the fact in
this respect, they are called after his name, and are very scarce,
notwithstanding that the whole library was intact at Genoa until 1823.
Libri thought that these delicate and elaborate bindings had never been
surpassed, and certainly they are very beautiful, with their cameos in
gold, silver, and colours enriched with classical portraits and
mythological scenes.

But to the lover of bindings it is Grolier, Grolier, Grolier; from the
haunting music of that name there is no escape, and, moreover, Grolier
even in death was great.  The Emperor Charles V. did not disdain to
follow his taste, while Francis I. was completely carried away by it,
his bindings, as soon as he could shake off the early influence of
Etienne Roffet, being magnificently Grolieresque, blazing with gold and
the brightest colours. Then came Henri II. and the accomplished Diane de
Poictiers, whose emblems, the crescent moon, the bow, quiver and arrows
of the chase, are invariably found associated with the initial of the
King.  Diane was the royal mistress, and seems to have had a passion for
blending the two linked D's with the regal H.  This joint monogram was
on the walls and furniture of her Chateau of Anet, and still stares us
out of countenance occasionally from behind glass doors. Diane, however,
so long as she had it in her power--that is to say, until 1559, when the
King died--did everything she could to introduce a taste for magnificent
and sumptuous bindings into France; to eclipse once and for all time the
efforts of every book-lover who had preceded her. In a measure she
succeeded, and certainly no good books come to us, when they come at
all, which is but seldom, breathing more of romance than these volumes
which Diane treasured till her dying day, in spite of Court frowns and
persecution.  Her library, which was a very extensive one, remained
intact at Anet until 1723, when it was sold.

It would be almost an endless task to name all the patrons of artistic
bindings who lived in France up to about the time of the Revolution.
There was the legitimate Queen of Henri II., Catherine de Medicis, a
descendant of the great Lorenzo, called the Magnificent, whose books are
often covered in white calf, powdered with golden flowers.  This lady
was an enthusiastic book-lover, who, when she died, left a library of
some 4,000 volumes, most of which are still to be seen in the
Bibliotheque Nationale.

Then we must not forget her son, Francis II., who married the
unfortunate Mary, Queen of Scots.  His bindings, whether stamped with
the golden dolphin or with a monogram in which his own and the Queen's
initials are interlaced, are extremely scarce, and worth much gold.
Francis was only seventeen when he died, and had, consequently, no time
to become thoroughly saturated with the intense longing for beautiful
decorations which probably did much to set Catherine de Medicis and the
fair Diane by the ears.  His younger brother, afterwards Henri III., had
greater opportunities for indulging his tastes in this respect, and the
history of his bibliopegic life, so to speak, is full of strange
surprises.

Like all other bindings with a history, specimens from the library of
this gloomy and taciturn monarch are very rarely met with.  They are
distinctly worth looking at, however, especially by those of a morbid
turn of mind.  They are more suggestive than the Saracenic rope style,
and infinitely more eloquent of woe.  Henri ought to have married the
Princess Conde, but she died, and the young King, then about twenty-four
years old, and apparently influenced by the example of his father and
mother, turned for consolation to his library, and the designing of
emblems congenial to his mood.

These consist, at least at this period, when his grief was young and
fresh, of skulls garnished with cross-bones, tears, and other emblems of
the grave.  They are, in their way, absolutely unique, and much more
remarkable than the curled snake of Colbert or the three towers of
Madame de Pompadour.  The bindings of Henri III., though uncongenial to
most tastes, are of excellent design and workmanship, for Nicholas and
Clovis Eve were living in his day, and better artists than they proved
themselves to be it would be hopeless to look for.  It was one or other
of the brothers who introduced the fanfare style, which resolved itself
finally into a profusion of small flourished ornaments, so closely
worked together that a volume bound in this way looked as though picked
out ethereally with sprays, scrolls, and showers of golden rain.  The
fanfare style was, so it is said, introduced to put an end to the
suicidal gloom that had overtaken the Court of Henri III.

That monarch, though a bad man, was probably the most original thinker
in the matter of bindings who ever lived, for De Thou's plan of
inventing a fresh design every time he got married resolved itself into
nothing more than a series of heraldic changes, and De Thou is generally
credited with a considerable amount of ingenuity, and regarded as a
person distinctly worth collecting on account of the variations in which
he is found, and for other reasons.  Every book which touches, however
remotely, on the subject of bindings never fails to give the armorial
bearings of De Thou at different periods of his life; and we must pass
on to Marguerite de Valois; not the celebrated Queen of Navarre who
wrote the 'Heptameron' in her youth, but the daughter of Henri II.,
already mentioned as a great lover of bindings.  Marguerite very
appropriately, having regard to the origin of her name, chose designs of
daisies, which she placed in oval compartments bearing the quarterings
of Valois, the whole being surrounded with leafy and branching
scroll-work. Clovis Eve was her binder, and the work he turned out at
this period is in his best style.

The history of bookbinding takes a curious turn at this epoch.  Hitherto
we have heard more of the patron than of the artist, a state of things
which from this time forth exists no longer.  I would not commit myself
to the assertion that Marguerite de Valois, who, by the way, died in
1615, was the last of the great collectors who eclipsed the reputation
of the binders they employed; but I know that about this period we begin
to hear more of the workman and less of the patron.  When everybody of
the least importance begins to collect books, and to have them bound in
specially designed covers, the artist rises on the ashes of the amateur,
whose day is from that time forth over and gone, except in the limited
circle in which he moves.  So it was at the epoch which immediately
followed the death of Marguerite de Valois.  The Eves had forced their
way into notice in spite of the overwhelming presence of Henri II.,
Diane de Poictiers and Charles IX., Henri III. and IV., and other
less-exalted persons; and now Le Gascon made his presence felt still
more forcibly than they.

Le Gascon, who is identified with one Florimond Badier, introduced a
style of ornamentation known as _pointille_, consisting of graceful
geometrical designs worked out with innumerable minute gold dots,
usually on a ground of bright scarlet.  The effect of a perfectly fresh
and bright binding by Le Gascon must have been brilliant in the extreme;
but, alas! the cost was something phenomenal, and the style, after being
parodied and imitated by mechanical process, finally died out in France
some thirty-five years after its introduction.  Mazarin was the great
patron of Le Gascon, and many books which once belonged to the great
Cardinal are found with ornamentation, arms and motto--'His Fulta
Manebunt'--laboriously picked out in the beautiful _pointille_ style.

During the latter part of the sixteenth century, and during the whole of
the seventeenth, the French bookbinders had no equal, and if they
afterwards deteriorated, they had still many great names among their
ranks.  Padeloup's binding of a 'Daphne et Chloe' of 1718, with the arms
of the Duke of Orleans, then Regent of France, is a masterpiece; and
then there are his bindings in mosaic, looking like lace-work, and the
masterly designs worked out for Madame de Pompadour, Queen Maria
Leczinska, and many other celebrities.  Derome, the Abbe Du Sueil, and
Monnier were all fine binders, whose work is eagerly sought for.  And
then comes the French Revolution, which for the time being seems to have
utterly demoralized art in all its branches. Most modern collectors who
affect notable bindings have to look to later days, when the surge and
storm of the turmoil had passed away, and when Thouvenin, Bauzonnet,
Duru, Trantz, Lortic, Marius-Michel, and many more, were in their prime.

English bindings, so far as past times are concerned, were never
remarkable for refinement or taste.  Velvet or silk, frequently
embroidered and tasselled, was often used for royal books, and we also
meet with pasteboard covered with leather and studded with gilt
ornaments on the back. There is, however, not a trace of the genius of
Le Gascon or Derome in any of these productions, and the designs show
very little originality. Occasionally, however, an English binding is
produced which, bound in morocco--the introduction of which is placed to
the credit of James I.--has an extremely good effect, as in the case of
the 'Pontificale Romanum,' 1595, now in the British Museum.  This
specimen is elaborately gold-tooled with the arms and badges of the
King.  A facsimile of it will be found facing page 228 of Mr. W. Salt
Brassington's 'History of the Art of Bookbinding.'  It is a clever and
characteristic piece of work in brown morocco, and gives a very good
idea of the highest form of English art of the period which it was
possible to produce.

The English, however, have never been at any period particularly
conspicuous for their talent in the art of designing book-covers, and it
is probable that the majority of well-informed persons who have not made
a study of this branch of art would, in case they were asked to
enumerate half a dozen good binders of English nationality, find
themselves unable to mention more than one. They would begin and end
with the talented but eccentric and thirsty Roger Payne, whose bindings
are often original and elegant, and who might, had he been able to keep
himself respectable, have attained an excellence worthy of the palmy
days of France.  But Payne chose to live in a tumbledown garret, denuded
of plaster, and spent his money in the proportion of

For bacon .... 1 half-penny
For liquor ... 1 shilling


He was, moreover, dirty and ill-conditioned, and the only thing that
saved him from utter ruin even in his youth was the painful necessity of
having to work for a very long time in order to earn what any binder of
the present day would look upon as a trifle.  Nevertheless, Payne was,
when he applied himself, a most conscientious artist, and, although the
owner of some costly manuscript or volume would certainly have been
horrified to find it lying in a corner of his garret, waiting its turn
in company with an old shoe or two, and the remains of the food which
Payne had been consuming a week or two before, yet he might be sure that
he would get his treasure back in the end, not the worse for its
company, but bound in a style that could not be equalled anywhere but in
Paris, and not even there at the same small cost.

Some of Payne's bindings--for he had his moods--are beautiful,
classical, and surprisingly artistic, and, notwithstanding his failing,
it is clear that he worked hard on occasion.  In fact, it is the opinion
of many authorities that no English-born binder has ever succeeded, from
that day to this, in approaching the genius of Payne.  Walther,
Staggemeier, and Kalthoeber, though they worked in London, were all
Germans.  Lewis may or may not have equalled his predecessor, and the
same remark applies to Riviere and Bedford, whose names, however, are
too contemporary to invite comparison.  Besides, the question is one of
individual preference, after all, and any binder, however excellent, may
have to yield the palm to another in some specific matters of detail.

The glamour of a binding, indeed, vanishes when criticism steps forward.
The indescribable something, which is at the same time everything, falls
to pieces the instant dissecting implements are produced, and the effect
is gone on the instant. The whole work of art must be regarded, and no
single part of it, and we may then dream, if we like, of all the strange
things that happened when it was ushered into the world.  It is a pity
that antique and historic bindings are so extremely difficult to
procure.  No one but a millionaire could hope to stock his shelves with
a representative assortment of bindings of different epochs and schools,
and even he might spend his whole life in searching for them.

There is something in a binding which fascinates, and yet hurls back the
inspired sneer of Robbie Burns with interest:

    'Through and through the inspired leaves,
      Ye maggots, make your windings;
    But, oh! respect his lordship's taste,
      And spare his golden bindings.'

Yes! some bindings are of greater interest, from every possible point of
view, than the leaves they protect, and but for their kindly care other
leaves which exist among our choicest possessions might have been
utterly destroyed.  Many a book has been saved from death by the glamour
of its cover, and will yet be saved.




                              *CHAPTER X.*

                       *THE HAMMER AND THE END.*


The past ten years have witnessed rather more than 600 high-class sales
of books by auction in London alone, and the vast majority of the
collections dispersed to the winds during that period of time were not
fifty, nor forty, and, at a venture, not thirty years old. Nay! it would
be tolerably safe to go still further, and to say that the life of a
library is, as a rule, less than half that of a man.  Though it may
consist of the products of antiquity, it has but a short period of
existence before it as a whole; and as book is added to book, and
manuscript to manuscript, and the sum total of volumes of either kind
continues to increase, so, too, it is all but certain that the closing
scene of its dissolution draws nearer and nearer to the end.

Generally speaking, the larger and more important a collection, the
shorter its life.  There are exceptions, but they only prove the rule,
which may fairly be described as universal.  Books are a valuable
species of personal property, and next-of-kin often prove unsympathetic
and unsentimental in the custody of them; besides, books cannot be
divided so satisfactorily as coin, and the first and almost necessary
step is to turn them into money when an estate has to be distributed
among many.  This is the reason why there are so few great collections
in the hands of private individuals, and why they are in jeopardy every
day and hour.

In this respect, then, the life of a book is even less than that of a
man--an analogy which in no wise minimizes the value of existence to
either. A good deal of enjoyment can be crowded into a compass of thirty
years, and much information may be obtained in that period if only it be
sought for aright.  To ask _cui bono?_ is a beggarly interrogatory which
might with equal force be thrust before all life's actions, and I would
not have it supposed that in my opinion it is a proper or even a
satisfactory question to put where books are concerned.  I only deplore
the fact that to accumulate is usually to scatter the seeds of a
short-lived enjoyment which dies in October.  Hence it is that lovers of
books have been known to cheat time and the hour, and to gratify their
own inclinations as fully as possible, taking steps to secure their
treasures from the hammer and the end, and have with these objects
established national libraries of the very utmost importance--libraries
which may certainly be destroyed in some great conflagration or by the
rush of shot and shell, but can never be dispersed for the sake of the
money they would produce, and will practically, therefore, remain intact
for many centuries.

This, it would seem, is really the only effectual way of preserving the
good and permanent things of this life for the benefit of those who come
after us, for the hammer, though it never destroys directly, does so
indirectly, if it be a fact that the whole is greater in every quality,
save number, than the parts which compose it.  Here is an instance of
the contrary plan of hedging round our possessions with stipulations and
directions designed for their preservation.  Among the great failures of
book-men let this be chronicled.

The mind travels back some five or six years to one of the high-priests
of a fast-decaying cult. He lodged at a farm-house which, being in the
direct path of advancing streets, has perhaps by this time been pulled
down.  At the time of which I speak it stood in an ocean of mud, not far
from the highroad--a relic in the midst of surroundings so painfully new
that few strangers who wandered that way failed to pause at the
wicket-gate, and gaze on the thatched roof and warped windows that time
had doomed.  Once or twice a year, seldom oftener--for book-men of the
type of the one who held sway there hate to be disturbed--I used to
claim admission to the one moderately large room that the house
possessed. Its walls were lined with books from floor to ceiling, and a
number of movable cases mapped out the surface into narrow alleys.  Some
thousands of volumes, all bound alike, and consisting chiefly of
historical works in English and Latin, must have been here stored.
There were many rare books, and all were good of their kind, and most
had been well read.  The ways of their owner, the lifelong occupant of
this crumbling cottage, were peculiar.  He would get up at ten in the
morning to the minute, and after breakfast take a walk in the fields, or
perhaps to the city, returning at five precisely, winter and summer
alike.  He was so accurate in his movements that people used to set
their watches by him, the new clock being generally out of gear.  At
half-past five he drank tea out of an enormous basin, and smoked a clay
pipe, which it was his pleasure to light with a burning coal or at the
chimney of his lamp.  Matches he detested, on account of the sulphur,
which, he said, fouled the tobacco and made it unbearable.  At seven the
business of the day commenced, and was continued till two, and sometimes
three, in the morning--the business of reading hard without cessation,
except to take a pull at the basin or to fill and light the pipe.  Very
pleasant were the winter evenings, when the wind howled round the gables
of the house, as it often did, and the night was as black as pitch.
This had gone on for thirty years without much, if any, variation, until
one day the bookworm was found dead at his post, surrounded by the only
real friends he had in the world, for the safety of which he had
provided as follows:

By his will, made some twelve months previously, he directed that the
whole of his property of every description, books excepted, should be
turned into money and divided between two persons named in equal shares.
The books he bequeathed to another worm, who lived a mile or two away,
and who used occasionally to drop in to compare notes, subject, however,
to the express condition that they should neither be sold nor otherwise
parted with, and be kept in the same state in which they then were.  For
their further preservation he directed that the legatee should have the
use of the books for his life only, and that after his death they should
become the absolute property of a third person, at that time
comparatively young in years, a good scholar, and a man of money.  One
would certainly have thought that these precautions would have sufficed
to preserve this library intact for a very considerable length of time;
but, as events turned out, it was carted off within a month and sold
piecemeal by auction to the highest bidders.

In the first place, it seems, the owner for life had looked over the
books, and not finding them sufficiently representative of the
particular branch of study to which he devoted himself, went to the
reversioner and proposed a joint sale.  The latter demurred, not,
indeed, to the general principle, but to the suggested division of the
proceeds.  He said that a life interest in the hands of a man of fifty
was worth less than a prospective inheritance of the whole by one much
younger, and in this he was right.  An actuary very quickly calculated
the shares, and then came the hammer and the end.

There are hundreds and thousands of such cases, but not many bookworms
of the type I have mentioned.  They are fast dying out, for they belong
to a very old school, which has no part or lot in these go-ahead days.
It would be pitiable to hear a graybeard say farewell to a class of
boys, and to see him totter to the door, which, as Epictetus says, is
always open; and still more pitiable would it be if we could enter into
his thoughts and regrets.  Fortunately, we are as yet spared the pain of
such partings as these, for our school is new--brand new--and what few
old-time book-men are left feel out of place therein.  Rather do they
regard us in the light of merry roisterers growing wise by painful
stages, whose presence is not as yet mellowed by experience, nor
sanctified by the touch of time.

And so there are two schools of book-men, one closed to all but the very
few, the other open to all who choose to enter, and in each there is a
table laden with delights.  But at the head of each alike sits the
skeleton of Egyptian orgies, veiled, perhaps, after the manner of later
and more effeminate times, but still there.  It is the same skeleton
that startled the Epicurean in the heyday of his pleasures, and
threatened him ere the banquet was half over.  So also it menaces us,
for it clutches a hammer, and we know that it will very shortly proclaim



                                THE END.




              _Elliot Stock, 62, Paternoster Row, London._






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