



Produced by V-M Österman, Charles Franks and the Online
Distributed Proofreading Team










SHORT STORIES AND SELECTIONS

FOR USE IN THE SECONDARY SCHOOLS

COMPILED AND ANNOTATED, WITH QUESTIONS FOR STUDY
BY
EMILIE KIP BAKER




[Illustration: Walter Scott's Library at Abbotsford]




TABLE OF CONTENTS

A LEAF IN THE STORM, _by_ Louise de la Ramee,
_from_ A Leaf in the Storm and Other Stories

CATS, _by_ Maurice Hewlett,
_from_ Earthwork out of Tuscany

AN ADVENTURE, _by_ Honore de Balzac,
_from_ A Passion in the Desert

FOR THOSE WHO LOVE MUSIC, _by_ Axel Munthe,
_from_ Vagaries

OUT OF DOORS, _by_ Richard Jefferies,
_from_ Saint Guido

THE TABOO, _by_ Herman Melville,
_from_ Typee

SCHOOL DAYS AT THE CONVENT, _by_ George Sand,
_from_ The Story of My Life (adapted)

IN BRITTANY, _by_ Louisa Alcott,
_from_ Aunt Jo's Scrap Bag

THE ADIRONDACKS, _by_ John Burroughs,
_from_ Wake Robin

AN ASCENT OF KILAUEA, _by_ Lady Brassey,
_from_ Around the World in the Yacht Sunbeam

THE FETISH, _by_ George Eliot,
_from_ The Mill on the Floss

SALMON FISHING IN IRELAND, _by_ James A. Froude,
_from_ A Fortnight in Kerry

ACROSS RUNNING WATER, _by_ Fiona Macleod,
_from_ Sea Magic and Running Water

THE PINE-TREE SHILLINGS, _by_ Nathaniel Hawthorne,
_from_ Grandfather's Chair

THE WHITE TRAIL, _by_ Stewart Edward White,
_from_ The Silent Places

A DISSERTATION ON ROAST PIG, _by_ Charles Lamb,
_from_ Essays of Elia

THE LAST CLASS, _by_ Alphonse Daudet,
_from_ Monday Tales

AN ARAB FISHERMAN, _by_ Albert Edwards,
_from_ The Barbary Coast

THE ARCHERY CONTEST, _by_ Walter Scott,
_from_ Ivanhoe

BABY SYLVESTER, _by_ Bret Harte,
_from_ Bret Harte's Writings

THE ADDRESS AT GETTYSBURG, _by_ Abraham Lincoln,
_from_ Lincoln's Speeches

THE SECOND INAUGURAL ADDRESS, _by_ Abraham Lincoln,
_from_ Lincoln's Speeches

AN APPRECIATION OF LINCOLN, _by_ John Hay,
_from_ Life of Lincoln

THE ELEPHANTS THAT STRUCK, _by_ Samuel White Baker,
_from_ Eight Years in Ceylon

THE LUCK OF ROARING CAMP, _by_ Bret Harte

THE STORY OF MUHAMMAD DIN, _by_ Rudyard Kipling,
_from_ Plain Tales from the Hills

A CHILD, _by_ John Galsworthy,
_from_ Commentary

TOO DEAR FOR THE WHISTLE, _by_ Benjamin Franklin,
_from_ The Autobiography

A LODGING FOR THE NIGHT, _by_ Robert Louis Stevenson,
_from_ The New Arabian Nights

A BAD FIVE MINUTES IN THE ALPS, _by_ Leslie Stephen,
_from_ Freethinking and Plainspeaking (adapted)

THE GOLD TRAIL, _by_ Stewart Edward White,
_from_ Gold

TWENTY YEARS OF ARCTIC STRUGGLE, _by_ J. Kennedy McLean,
_from_ Heroes of the Farthest North and South (adapted)

THE SPEECH IN MANCHESTER, _by_ Henry Ward Beecher,
_from_ Addresses and Sermons

A GREEN DONKEY DRIVER, _by_ Robert Louis Stevenson,
_from_ Travels with a Donkey

A NIGHT IN THE PINES, _by_ Robert Louis Stevenson,
_from_ Travels with a Donkey

LIFE IN OLD NEW YORK, _by_ Washington Irving,
_from_ Knickerbocker's History of New York

THE BAZAAR IN MOROCCO, _by_ Pierre Loti,
_from_ Into Morocco

A BATTLE OF THE ANTS, _by_ Henry D. Thoreau,
_from_ Walden (adapted)

AN AFRICAN PET, _by_ Paul B. du Chaillu,
_from_ The African Forest and Jungle

ANIMAL INTELLIGENCE, _by_ Lloyd Morgan,
_from_ Animal Sketches (adapted)

BUCK'S TRIAL OF STRENGTH, _by_ Jack London,
_from_ The Call of the Wild

ON THE SOLANDER WHALING GROUND, _by_ Frank Bullen,
_from_ Idylls of the Sea

AN EPISODE OF THE FRENCH REVOLUTION, _by_ Charles Dickens,
_from_ A Tale of Two Cities

THE COMMANDER OF THE FAITHFUL, _by_ Pierre Loti,
_from_ Into Morocco (adapted)

WALT WHITMAN, _by_ John Burroughs,
_from_ Whitman--A Study (adapted)

HEROISM IN HOUSEKEEPING, _by_ Jane Welsh Carlyle,
_from_ Letters

A YOUTHFUL ACTOR, _by_ Thomas Bailey Aldrich,
_from_ The Story of a Bad Boy

WAR, _by_ Thomas Carlyle, _from_ Sartor Resartus

<DW53>-HUNTING, _by_ Ernest Ingersoll,
_from_ Wild Neighbors (adapted)

SIGHT IN SAVAGES, _by_ W. H. Hudson,
_from_ Idle Days in Patagonia

THE VILLAGE SCHOOLMASTER, _by_ Washington Irving,
_from_ The Sketch Book




INTRODUCTION


The testimony of librarians as to the kind of books people are reading
nowadays is somewhat discouraging to the book-lover who has been brought
up in the old traditions. We are told that Scott and Thackeray and
George Eliot cannot compete with the year's "best sellers," and that the
old classics are read only by the few who have a cultivated taste and a
trained intelligence.

The interest of novelty, the dislike of mental effort, the temptation to
read merely for a mild sensation,--all these undoubtedly tend to keep
down the level of literary taste. To many readers of good average
ability, neither the esthetic nor the purely intellectual makes a strong
appeal. Even minds of fine quality often find a welcome diversion in
trivial reading. In fact, to expect every one and at all times to have
his mind keyed up to the higher levels is neither sincere nor
reasonable. And yet, making due allowance for intellectual limitations,
for the busy and distracting conditions of modern life, and for the real
need of light reading at times when recreation is of more value than
instruction, it would seem that a fair proportion of our reading could
and should be on a higher plane.

To put it on this high plane is one of the fixed objects of the school.
For this end the schools have given English an important place, have
broadened the list of recommended books year by year, and have sought to
improve the method of teaching literature. Especially have they hoped to
create in the pupil the habit of reading good books and of discovering
new material on his own initiative. Thus far their success has fallen
much below their hopes, as the testimony of librarians, adduced above,
plainly indicates.

There is one significant fact which both librarians and teachers have
observed. The average reader, child or adult, seldom knows how or where
to find things to read. He is lost in a library, whether among the
book-shelves or at a card-catalogue. He is like a traveler who is
ignorant of the geography of the country and cannot use the compass. And
worse still, he has not the explorer's instinct. If he possessed this,
he would somehow find his way himself,--a thing which occasionally
happens when the reader has more than usual ability. Between the covers
of those books, turning to him their uncommunicative backs, behind those
labels--to him so unexpressive--there may be passages, whole chapters or
more, that would give him entertainment, if he only knew!

To introduce him to an author may be to give him a new friend.
Introductions need not imply long and intimate companionship. This
author may hold him for half an hour, and never again; that one may
claim his attention for a day; and another may come to rank as one of
his old friends. In each case the acquaintance may depend upon the fact
of an introduction, and not upon the reader's own initiative in
discovery. More than the acquaintances thus made, is the sense of
at-homeness among books which they gradually bring about. We all know
that feeling of the unreality of a book of which we have merely heard
the title, and how soon we forget it. A book that we have seen and
handled, however, and especially one which we have read or from which we
have seen a passage quoted in another volume, is somehow real,--an
entity. Through continued experiences of this sort we come to feel
really acquainted with books, to know where to find the things we are
looking for, to judge and appreciate,--in brief, to feel at home among
them.

It is as a series of such introductions to the larger world of
literature that this volume has been compiled. Some of the selections
are from books whose titles are already familiar to high school
students; many others are from sources that few pupils will know. All of
them, it is confidently believed, are within the interest and
comprehension of boys and girls of high school age. The notes and
questions at the end of each selection will, it is hoped, be of some
help to the students in getting at the author's meaning, and in
suggesting interesting topics for discussion. If, after finishing the
Short Stories and Selections, a few more students will have formed the
habit of good reading and will feel, not merely willing, but eager, to
enlarge their acquaintance among good books, this volume has
accomplished its purpose.

EMILIE K. BAKER




SHORT STORIES AND SELECTIONS




A LEAF IN THE STORM


Bernadou clung to his home with a dogged devotion. He would not go from
it to fight unless compelled, but for it he would have fought like a
lion. His love for his country was only an indefinite shadowy existence
that was not clear to him; he could not save a land that he had never
seen, a capital that was only to him as an empty name; nor could he
comprehend the danger that his nation ran; nor could he desire to go
forth and spend his lifeblood in defence of things unknown to him. He
was only a peasant, and he could not read nor greatly understand. But
affection for his birthplace was a passion with him,--mute indeed, but
deep-seated as an oak. For his birthplace he would have struggled as a
man can struggle only when supreme love as well as duty nerves his arm.
Neither he nor Reine Allix could see that a man's duty might lie from
home, but in that home both were alike ready to dare anything and to
suffer everything. It was a narrow form of patriotism, yet it had
nobleness, endurance, and patience in it; in song it has been oftentimes
deified as heroism, but in modern warfare it is punished as the blackest
crime.

So Bernadou tarried in his cottage till he should be called, keeping
watch by night over the safety of his village and by day doing all he
could to aid the deserted wives and mothers of the place by tilling
their ground for them and by tending such poor cattle as were left in
their desolate fields. He and Margot and Reine Allix, between them, fed
many mouths that would otherwise have been closed in death by famine,
and denied themselves all except the barest and most meagre subsistence,
that they might give away the little they possessed.

And all this while the war went on, but seemed far from them, so seldom
did any tidings of it pierce the seclusion in which they dwelt. By and
by, as the autumn went on, they learned a little more. Fugitives coming
to the smithy for a horse's shoe; women fleeing to their old village
homes from their light, gay life in the city; mandates from the
government of defence sent to every hamlet in the country; stray
news-sheets brought in by carriers or hawkers and hucksters,--all these
by degrees told them of the peril of their country,--vaguely, indeed,
and seldom truthfully, but so that by mutilated rumors they came at last
to know the awful facts of the fate of Sedan, the fall of the Empire,
the siege of Paris. It did not alter their daily lives: it was still too
far off and too impalpable. But a foreboding, a dread, an unspeakable
woe settled down on them. Already their lands and cattle had been
harassed to yield provision for the army and large towns; already their
best horses had been taken for the siege-trains and the forage-wagons;
already their ploughshares were perforce idle, and their children cried
because of the scarcity of nourishment; already the iron of war had
entered into their souls.

The little street at evening was mournful and very silent: the few who
talked spoke in whispers, lest a spy should hear them, and the young
ones had no strength to play: they wanted food.

Bernadou, now that all means of defence was gone from him, and the only
thing left to him to deal with was his own life, had become quiet and
silent and passionless, as was his habit. He would have fought like a
mastiff for his home, but this they had forbidden him to do, and he was
passive and without hope. He closed his door, and sat down with his hand
in that of Reine Allix and his arm around his wife. "There is nothing to
do but wait" he said sadly. The day seemed very long in coming.

The firing (which had come nearer each day) ceased for a while; then its
roll commenced afresh, and grew still nearer to the village. Then again
all was still.

At noon a shepherd staggered into the place, pale, bleeding, bruised,
covered with mire. The Prussians, he told them, had forced him to be
their guide, had knotted him tight to a trooper's saddle, and had
dragged him with them until he was half dead with fatigue and pain. At
night he had broken from them and had fled: they were close at hand, he
said, and had burned the town from end to end because a man had fired at
them from a house-top. That was all he knew. Bernadou, who had gone out
to hear his news, returned into the house and sat down and hid his face
within his hands.

It grew dark. The autumn day died. The sullen clouds dropped scattered
rain. The red leaves were blown in millions by the wind. The little
houses on either side the road were dark, for the dwellers in them dared
not show any light that might be a star to allure to them the footsteps
of their foes. Bernadou sat with his arms on the table, and his head
resting on them. Margot nursed her son: Reine Allix prayed.

Suddenly in the street without there was the sound of many feet of
horses and of men, the shouting of angry voices, the splashing of quick
steps in the watery ways, the screams of women, the flash of steel
through the gloom. Bernadou sprang to his feet, his face pale, his blue
eyes dark as night. "They are come!" he said under his breath. It was
not fear that he felt, nor horror: it was rather a passion of love for
his birthplace and his nation,--a passion of longing to struggle and to
die for both. And he had no weapon!

He drew his house-door open with a steady hand, and stood on his own
threshold and faced these, his enemies. The street was full of
them,--some mounted, some on foots crowds of them swarmed in the woods
on the roads. They had settled on the village as vultures on a dead
lamb's body. It was a little, lowly place: it might well have been left
in peace. It had had no more share in the war than a child still unborn,
but it came in the victor's way, and his mailed heel crushed it as he
passed. They had heard that arms were hidden and francs-tireurs
sheltered there, and they had swooped down on it and held it hard and
fast. Some were told off to search the chapel; some to ransack the
dwellings; some to seize such food and bring such cattle as there might
be left; some to seek out the devious paths that crossed and recrossed
the field; and yet there still remained in the little street hundreds of
armed men, force enough to awe a citadel or storm a breach.

The people did not attempt to resist. They stood passive, dry-eyed in
misery, looking on whilst the little treasures of their household lives
were swept away forever, and ignorant what fate by fire or iron might be
their portion ere the night was done. They saw the corn that was their
winter store to save their offspring from famine poured out like
ditch-water. They saw oats and wheat flung down to be trodden into a
slough of mud and filth. They saw the walnut presses in their kitchens
broken open, and their old heirlooms of silver, centuries old, borne
away as booty. They saw the oak cupboard in their wives' bedchambers
ransacked, and the homespun linen and the quaint bits of plate that had
formed their nuptial dowers cast aside in derision or trampled into a
battered heap. They saw the pet lamb of their infants, the silver
earrings of their brides, the brave tankards they had drunk their
marriage wine in, the tame bird that flew to their whistle, all seized
for food or spoil. They saw all this, and had to stand by with mute
tongues and passive hands, lest any glance of wrath or gesture of
revenge should bring the leaden bullets in their children's throats or
the yellow flame amidst their homesteads. Greater agony the world cannot
hold.

--LOUISE DE LA RAMEE (Ouida).

[Footnote: This extract is taken from a story by the same title. The
chief characters are the peasant Bernadou, his wife Margot, and his old
grandmother Reine Allix. The scene is laid during the Franco-Prussian
War of 1870. The great defeat of the French at Sedan, and the surrender
of Paris from starvation after a long siege brought the war to an end.
The victorious Prussians took from France an indemnity of five billion
francs ($1,000,000,000), and two of their richest provinces, Alsace and
Lorraine.

What words in the first sentence show that it is not the beginning of
the story? Note the repeated use of antithesis (contrast) in the first
paragraph. By what details do you learn the state of the country? How
did the war affect even the people remote from the battlefields? How are
the terror and suffering of the people indicated? Notice the
effectiveness of the author's use of details. Have you read any prose or
poetry in which war is made to seem glorious? How does it seem here?
Does the author make the scene of the arrival of the Prussians vivid?
How is this done? Note the dramatic contrast between the arrival of the
Prussians and the actions of the peasants. How has the author drawn the
character of Bernadou? By what details does the author give special
poignancy to the pathos of her account? What is the significance of the
title "A Leaf in the Storm"?]




CATS


There was once a man in Italy--so the story runs--who said that animals
were sacred because God had made them. People didn't believe him for a
long time; they came, you see, of a race which had found it amusing to
kill such things, and killed a great many of them too, until it struck
them one fine day that killing men was better sport still, and watching
men kill each other the best sport of all because it was the least
trouble. Animals said they, why, how can they be sacred; things that you
call beef and mutton when they have left off being oxen and sheep, and
sell for so much a pound? They scoffed at this mad neighbour, looked at
each other waggishly and shrugged their shoulders as he passed along the
street. Well! then, all of a sudden, as you may say, one morning he
walked into the town--Gubbio it was--with a wolf pacing at his heels--a
certain wolf which had been the terror of the country-side and eaten I
don't know how many children and goats. He walked up the main street
till he got to the open Piazza in front of the great church. And the
long grey wolf padded beside him with a limp tongue lolling out between
the ragged palings which stood him for teeth. In the middle of the
Piazza was a fountain, and above the fountain a tall stone crucifix. Our
friend mounted the steps of the cross in the alert way he had (like a
little bird, the story says) and the wolf, after lapping apologetically
in the basin, followed him up three steps at a time. Then with one arm
around the shaft to steady himself, he made a fine sermon to the
neighbours crowding in the Square, and the wolf stood with his fore-paws
on the edge of the fountain and helped him. The sermon was all about
wolves (naturally) and the best way of treating them. I fancy the people
came to agree with it in time; anyhow when the man died they made a
saint of him and built three churches, one over another, to contain his
body. And I believe it is entirely his fault that there are a
hundred-and-three cats in the convent-garden of San Lorenzo in Florence.
For what are you to do? Animals are sacred, says Saint Francis. Animals
are sacred, but cats have kittens; and so it comes about that the people
who agree with Saint Francis have to suffer for the people who don't.

The Canons of San Lorenzo agree with Saint Francis, and it seems to me
that they must suffer a good deal. The convent is large; it has a great
mildewed cloister with a covered-in walk all around it built on arches.
In the middle is a green garth [Footnote: Garth: an inclosure, a yard.]
with cypresses and yews dotted about; and when you look up you see the
blue sky cut square, and the hot tiles of a huge dome staring up into
it. Round the cloister walk are discreet brown doors, and by the side of
each door a brass plate tells you the name and titles of the Canon who
lives behind it. It is on the principle of Dean's yard at Westminster;
only here there are more Canons--and more cats.

The Canons live under the cloister; the cats live on the green garth,
and sometimes die there. I did not see much of the Canons; but the cats
seemed to me very sad--depressed, nostalgic even, might describe them,
if there had not been something more languid, something faded and
spiritless about their habit. It was not that they quarrelled. I heard
none of those long-drawn wails, gloomy yet mellow soliloquies, with
which our cats usher in the crescent moon or hymn her when she swims at
the full: there lacked even that comely resignation we may see on any
sunny window-ledge at home;--the rounded back and neatly ordered tail,
the immaculate fore-paws peering sedately below the snowy chest, the
squeezed-up eyes which so resolutely shut off a bleak and (so to say)
unenlightened world. That is pensiveness, sedate chastened melancholy;
but it is soothing, it speaks a philosophy, and a certain balancing of
pleasures and pains. In San Lorenzo cloister, when I looked in one hot
noon seeking a refuge from the glare and white dust of the city, I was
conscious of a something sinister that forbade such an even existence
for the smoothest tempered cat. There were too many of them for
companionship and perhaps too few for the humour of the thing to strike
them: in and out the chilly shades they stalked gloomily, hither and
thither like lank and unquiet ghosts of starved cats. They were of all
colours--gay orange-tawny, tortoise shell with the becoming white patch
over one eye, delicate tints of grey and fawn and lavender, brindle,
glossy sable; and yet the gloom and dampness of the place seemed to
mildew them all so that their brightness was glaring and their softest
gradations took on a shade as of rusty mourning. No cat could be
expected to do herself justice.

To and fro they paced, balancing sometimes with hysterical precision
[Footnote: Hysterical precision. What does this mean?] on the ledge of
the parapet, passing each other at whisker's length, but cutting each
other dead. [Footnote: Cutting each other dead. Have you ever thought of
the quaint absurdity of this figurative expression?] Not a cat had a
look or a sniff for his fellow; not a cat so much as guessed at
another's existence. Among those hundred-and-three restless Spirits
there was not a cat that did not affect to believe that a
hundred-and-two were away! It was horrible, the inhumanity of it. Here
were these shreds and waifs, these "unnecessary litters" of Florentine
households, herded together in the only asylum (short of the Arno
[Footnote: Arno: the river that flows through Florence.]) open to them,
driven in like dead leaves in November, flitting dismally round and
round for a span, and watching each other die without a mew or a lick!
Saint Francis was not the wise man I had thought him. [Footnote: St.
Francis not the wise man, etc. Why not?]

It was about two o'clock in the afternoon. I had watched these beasts at
their feverish exercises for nearly an hour before I perceived that they
were gradually hemming me in. They seemed to be forming up, in ranks, on
the garth. Only a ditch separated us--I was in the cloister-walk, a
hundred-and-three gaunt, expectant, desperate cats facing me. Their
famished pale eyes pierced me through and through; and
two-hundred-and-two hungry eyes (four cats supported life on one apiece)
is more than I can stand, though I am a married man with a family. These
brutes thought I was going to feed them! I was preparing weakly for
flight when I heard steps in the gateway; a woman came in with a black
bag. She must be going to deposit a cat on Jean-Jacques [Footnote: Jean
Jacques Rousseau: a French philosophical writer of the last part of the
eighteenth century. His chief works are "Emile," "Social Contract,"
"Confessions."] ingenious plan of avoiding domestic trouble; it was
surely impossible she wanted to borrow one! Neither: she came
confidently in, beaming on our mad fellowship with a pleasant smile of
preparation. The cats knew her better than I did. Their suspense was
really shocking to witness. While she was rolling her sleeves up and
tying on her apron--she was poor, evidently, but very neat and wholesome
in her black dress and the decent cap which crowned her hair--while she
unpacked the contents of the bag--two newspaper parcels full of rather
distressing viands, scissors, and a pair of gloves which had done duty
more than once,--while all these preparations were soberly fulfilling,
the agitation of the hundred-and-three was desperate indeed. The air
grew thick, it quivered with the lashing of tails; hoarse mews echoed
along the stone walls, paws were raised and let fall with the rhythmical
patter of raindrops. A furtive beast played the thief: he was one of the
one-eyed fraternity, red with mange. Somehow he slipped in between us;
we discovered him crouched by the newspaper raking over the contents.
This was no time for ceremony; he got a prompt cuff over the head and
slunk away shivering and shaking his ears. And then the distribution
began. Now, your cat, at the best of times, is squeamish about his food;
he stands no tricks. He is a slow eater, though he can secure his dinner
with the best of us. A vicious snatch, like a snake, and he has it. Then
he spreads himself out to dispose of the prey--feet tucked well in, head
low, tail laid close along, eyes shut fast. That is how a cat of
breeding loves to dine. Alas! many a day of intolerable prowling, many a
black vigil, had taken the polish off the hundred-and-three. As a matter
of fact they behaved abominably; they leaped at the scraps, they clawed
at them in the air, they bolted them whole with staring eyes and
portentous gulpings, they growled all the while with the smothered
ferocity of thunder in the hills. No waiting of turns, no licking of
lips and moustaches to get the lingering flavors, no dalliance. They
were as restless and suspicious here as everywhere; their feast was the
horrid hasty orgy of ghouls in a church-yard. But an even distribution
was made: I don't think any one got more than his share. Of course there
were underhand attempts in plenty and, at least once, open violence--a
sudden rush from opposite sides, a growling and spitting like sparks
from a smithy; and then, with ears laid flat, two ill-favoured beasts
clawed blindly at each other, and a sly and tigerish brindle made away
with the morsel. My woman took the thing very coolly I thought, served
them all alike, and didn't resent (as I should have done) the
unfortunate want of delicacy there was about these vagrants. A cat that
takes your food and growls at you for the favor, a cat that would eat
you if he dared, is a pretty revelation. _Ca donne furieusement a
penser._ [Footnote: Ca donne furieusement a penser: "That makes one
think very hard."] It gives you a suspicion of just how far the polish
we most of us smirk over will go. My cats at San Lorenzo knew some few
moments of peace between two and three in the afternoon. That would have
been the time to get up a testimonial to the kind soul who fed them. Try
them at five and they would ignore you. But try them next morning!

My knowledge of the Italian tongue, in those days, was severely limited
to the necessaries of existence; to try me on a fancy subject, like
cats, was to strike me dumb. But at this stage of our intercourse
(hitherto confined to smiles and eye-service) it became so evident my
companion had something to say that I must perforce take my hat off and
stand attentive. She pointed to the middle of the garth, and there,
under the boughs of a shrub, I saw the hundred-and-fourth cat, sorriest
of them all. It was a newcomer she told me, and shy. Shy it certainly
was, poor wretch; it glowered upon me from under the branches like a bad
conscience. Shyness could not hide hunger--I never saw hungrier eyes
than hers--but it could hold it in check: the silkiest speech could not
tempt her out, and when we threw pieces she only winced! What was to be
done next was my work. Plain duty called me to scale the ditch with some
of those dripping, slippery, nameless cates [Footnote: Cates: viands;
things to eat. Why "slippery"? Nameless. What are they called in the
third sentence from the end of the paragraph?] in my fingers and to
approach the stranger where she lurked bodeful under her tree. My
passage toward her lay over the rank vegetation of the garth, in whose
coarse herbage here and there I stumbled upon a limp white form
stretched out--a waif the less in the world! I don't say it was a happy
passage for me: it was made to the visible consternation of her I wished
to befriend. Her piteous yellow eyes searched mine for sympathy; she
wanted to tell me something and I wouldn't understand! As I neared her
she shivered and mewed twice. Then she limped painfully off--poor soul,
she had but three feet!--to another tree, leaving behind her,
unwillingly enough, a much-licked dead kitten. That was what she wanted
to tell, then. As I was there, I deposited the garbage by the side of
the little corpse, knowing she would resume her watch, and retired. My
friend who had put up her parcels was prepared to go. She thanked me
with a smile as she went out, looking carefully round lest she had
missed out some other night-birds.

One of the Canons had come out of his door and was leaning against the
lintel, thoughtfully rubbing his chin. He was a spare dry man who seemed
to have measured life and found it childish business. He jerked his head
toward the gateway as he glanced at me. "That is a good woman," he said
in French, "she lendeth unto the Lord.... Yes," he went on, nodding his
head slowly backwards and forwards, "lends Him something every day." The
cats were sitting in the shady cloister-garth licking their whiskers:
one was actually cleaning his paw. I went out into the sun thinking of
Saint Francis and his wolf.

[Footnote: St. Francis was born in 1182 in the little town of Assissi,
Italy. He came of a rich and noble family, and was taken into business
partnership with his father, a wealthy merchant, at the age of fourteen.
In his twenty-fourth year he suddenly abandoned his friends and work,
and took up a life of penance and utter poverty. His austerities, his
sincerity, and his simple eloquence attracted much attention, and he
soon had many followers. Later on he founded the Franciscan Order of
monks, and did much missionary work by traveling in the East. He died at
Assissi in 1226.]

--MAURICE HEWLETT.

[Footnote: What reference in the first sentence to the sports in the
arena of Rome?

Notice how many times the author refers to the number of cats. Why?

Is the description of the scene objective or subjective? Cf. "A Leaf in
the Storm."

Notice the suggestiveness of the adjectives as in the reference to
"Discrete brown doors" on page 7.

How do these cats differ from cats as you know them? What qualities have
they that you recognize? Where does the author indicate that he is about
to begin a story? Does the author win your sympathy for the cats? How?
In what does the humor of the story lie? What is the climax of the
story? What do you think of the priest and his comment? Does the whole
sketch interest you because it describes a strange scene, or because it
raises the question of the humanity of keeping alive one hundred and
three cats?]




AN ADVENTURE


During the expedition to Upper Egypt under General Desaix, a Provencal
[Footnote: Provencal. Provence was an ancient government of southeastern
France. It became part of the crown lands in 1481 under Louis XI. The
term Provencals is used loosely to include dwellers in the south of
France.] soldier, who had fallen into the clutches of the Maugrabins,
was marched by these marauders, these tireless Arabs, into the deserts
lying beyond the cataracts of the Nile.

So as to put a sufficient distance between themselves and the French
army, to insure their greater safety, the Maugrabins [Footnote:
Maugrabins: a savage tribe of northern Africa.] made forced marches and
rested only during the night. They then encamped around a well shaded by
palm-trees, under which they had previously concealed a store of
provisions. Never dreaming that their prisoner would think of escaping,
they satisfied themselves by merely tying his hands, then lay down to
sleep, after having regaled themselves with a few dates and given
provender to their horses.

When the courageous Provencal noted that they slept soundly and could no
longer watch his movements, he made use of his teeth to steal a
scimitar, [Footnote: Scimitar: a short Turkish sword, carbine: a short
light rifle.] steadied the blade between his knees, cut through the
thongs which bound his hands; in an instant he was free. He at once
seized a carbine and a long dirk, [Footnote: Dirk: a dagger.] then took
the precaution of providing himself with a stock of dried dates, a small
bag of oats, some powder and bullets, and hung a scimitar around his
waist, mounted one of the horses and spurred on in the direction in
which he supposed the French army to be. So impatient was he to see a
bivouac [Footnote: Bivouac: an encampment without tents.] again that he
pressed on the already tired courser at such a speed that its flanks
were lacerated with the spurs, and soon the poor animal, utterly
exhausted, fell dead, leaving the Frenchman alone in the midst of the
desert.

After walking for a long time in the sand, with all the courage and
firmness of an escaped convict, the soldier was obliged to stop, as the
day had already come to an end. Despite the beauty of an Oriental night,
with its exquisite sky, he felt that he could not, though he fain would,
continue on his weary way. Fortunately he had come to a small eminence,
on the summit of which grew a few palm-trees whose verdure shot into the
air and could be seen from afar; this had brought hope and consolation
to his heart.

(Here follows a description of the cave which the soldier finds in the
rocks.)

His fatigue was so great that he threw himself down on a block of
granite, capriciously fashioned [Footnote: Capriciously fashioned.
Explain this term.] by nature into the semblance of a camp-bed, and,
without taking any precaution for defense, was soon fast in sleep. In
the middle of the night his sleep was disturbed by an extraordinary
sound. He sat up; the profound silence that reigned around enabled him
to distinguish the alternating rhythm of a respiration whose savage
energy it was impossible could be that of a human being.

A terrible terror, increased yet more by the silence, the darkness, his
racing fancy, froze his heart within him. He felt his hair rise on end,
as his eyes, dilated to their utmost, perceived through the gloom two
faint amber lights. At first he attributed these lights to the delusion
of his vision, but presently the vivid brilliance of the night aided him
to gradually distinguish the objects around him in the cave, when he
saw, within the space of two feet of him, a huge animal lying at rest.
Was it a lion? Was it a tiger? Was it a crocodile?

The Provencal was not sufficiently well educated to know under what
sub-species his enemy should be classed; his fear was but the greater
because his ignorance led him to imagine every terror at once. He
endured most cruel tortures as he noted every variation of the breathing
which was so near him; he dared not make the slightest movement.

An odor, pungent like that of a fox, but more penetrating as it were,
more profound, filled the cavern. When the Provencal became sensible of
this, his terror reached the climax, for now he could no longer doubt
the proximity of a terrible companion, whose royal lair [Footnote: Royal
lair. Why royal?] he had utilized as a bivouac.

Presently the reflection of the moon as it slowly descended to the
horizon, lighted up the den, rendering gradually visible the gleaming,
resplendent, and spotted skin of a panther.

This lion of Egypt lay asleep curled up like a great dog, the peaceful
possessor of a kennel at the door of some sumptuous hotel; its eyes
opened for a moment, then closed again; its face was turned towards the
Frenchman. A thousand confused thoughts passed through the mind of the
tiger's prisoner. Should he, as he at first thought of doing, kill it
with a shot from his carbine? But he saw plainly that there was not room
enough in which to take proper aim; the muzzle would have extended
beyond the animal--the bullet would miss the mark. And what if it were
to wake!--this fear kept him motionless and rigid.

He heard the pulsing of his heart beating in the so dread silence and he
cursed the too violent pulsations which his surging blood brought on,
lest they should awaken from sleep the dreadful creature; that slumber
which gave him time to think and plan over his escape.

Twice did he place his hand upon his scimitar, intending to cut off his
enemy's head; but the difficulty of severing the close haired skin
caused him to renounce this daring attempt. To miss was certain death.
He preferred the chance of a fair fight, and made up his mind to await
the daylight. The dawn did not give him long to wait. It came.

He could now examine the panther at his ease; its muzzle was smeared
with blood.

"It's had a good dinner," he said, without troubling himself to
speculate whether the feast might have been of human flesh or not. "It
won't be hungry when it wakes."

It was a female. The fur on her thighs was glistening white. Many small
spots like velvet formed beautiful bracelets round her paws; her sinuous
tail was also white, ending in black rings. The back of her dress was
yellow, like unburnished gold, very lissome, [Footnote: Lissome: supple,
nimble.] and soft, and had the characteristic blotches in the shape of
pretty rosettes, which distinguish the panther from every other species
felis. [Footnote: Species felis. Latin "felis," a cat.]

This formidable hostess lay tranquilly snoring in an attitude as
graceful and easy as that of a cat on the cushion of an ottoman. Her
bloody paws, nervous and well armed, were stretched out before her head,
which rested on the back of them, while from her muzzle radiated her
straight, slender whiskers, like threads of silver.

If he had seen her lying thus, imprisoned in a cage, the Provencal would
doubtless have admired the grace of the creature and the vivid contrasts
of color which gave her robe an imperial splendour; but just then his
sight was jaundiced [Footnote: Jaundiced. Explain this term.] by
sinister forebodings.

The presence of the panther, even asleep, had the same effect upon him
as the magnetic eyes of a snake are said to have on the nightingale.

The soldier's courage oozed away in the presence of this silent danger,
though he was a man who gathered courage at the mouth of a cannon
belching forth shot and shell. And yet a bold thought brought daylight
to his soul and sealed up the source from whence issued the cold sweat
which gathered on his brow. Like men driven to bay, who defy death and
offer their bodies to the smiter, so he, seeing in this merely a tragic
episode, resolved to play his part with honor to the last.

"The day before yesterday," said he, "the Arabs might have killed me."

So considering himself as already dead, he waited bravely, but with
anxious curiosity, the awakening of his enemy.

When the sun appeared the panther suddenly opened her eyes; then she
stretched out her paws with energy, as if to get rid of cramp. Presently
she yawned and showed the frightful armament of her teeth, and the
pointed tongue rough as a rasp.

"She is dainty as a woman," thought the Frenchman, seeing her rolling
and turning herself about so softly and coquettishly. She licked off the
blood from her paws and muzzle, and scratched her head with reiterated
grace of movement.

"Good, make your little toilet" said the Frenchman to himself; he
recovered his gayety with his courage. "We are presently about to give
each other good-morning," and he felt for the short poniard that he had
abstracted from the Maugrabins. At this instant the panther turned her
head toward him and gazed fixedly at him, without otherwise moving.

The rigidity of her metallic eyes and their insupportable lustre made
him shudder. The beast approached him; he looked at her caressingly,
staring into those bright eyes in an effort to magnetize her--to soothe
her. He let her come quite close to him before stirring; then with a
gentle movement, he passed his hand over her whole body, from the head
to the tail, scratching the flexible vertebrae, [Footnote: Vertebrae:
the bones of the spinal column.] which divided the yellow back of the
panther. The animal slightly moved her tail voluptuously, and her eyes
grew soft and gentle; and when for the third time the Frenchman had
accomplished this interested flattery, she gave vent to those purrings
like as cats express their pleasure; but it issued from a throat so
deep, so powerful, that it resounded through the cave like the last
chords of an organ rolling along the vaulted roof of a church. The
Provencal seeing the value of his caresses, redoubled them until they
completely soothed and lulled this imperious creature.

When he felt assured that he had extinguished the ferocity of his
capricious companion, whose hunger had so luckily been appeased the day
before, he got up to leave the grotto. The panther let him go out, but
when he reached the summit of the little knoll she sprang up and bounded
after him with the lightness of a sparrow hopping from twig to twig on a
tree, and rubbed against his legs, arching her back after the manner of
a domestic cat. Then regarding her guest with eyes whose glare had
somewhat softened, she gave vent to that wild cry which naturalists
compare to the grating of a saw.

"Madame is exacting," said the Frenchman, smiling.

He was bold enough to play with her ears; he stroked her body and
scratched her head good and hard with his nails. He was encouraged with
his success, and tickled her skull with the point of his dagger,
watching for an opportune moment to kill her, but the hardness of the
bone made him tremble, dreading failure.

The sultana of the desert [Footnote: Why does the author call the tiger
the sultana of the desert?] showed herself gracious to her slave; she
lifted her head, stretched out her neck, and betrayed her delight by the
tranquillity of her relaxed attitude. It suddenly occurred to the
soldier that, to slay this savage princess with one blow, he must stab
deep in the throat.

He raised the blade, when the panther, satisfied, no doubt, threw
herself gracefully at his feet and glanced up at him with a look in
which, despite her natural ferocity, a glimmer of goodwill was apparent.
The poor Provencal, thus frustrated for the nonce, [Footnote: For the
nonce: for the present.] ate his dates as he leaned against one of the
palm-trees, casting an interrogating glance from time to time across the
desert in quest of some deliverer, and on his terrible companion,
watching the chance of her uncertain clemency.

The panther looked at the place where the date-stones fell; and each
time he threw one, she examined the Frenchman with an eye of commercial
distrust. [Footnote: An eye of commercial distrust. Explain this term.]
However, the examination seemed to be favorable to him, for, when he had
eaten his frugal meal, she licked his boots with her powerful, rough
tongue, cleaning off the dust, which was caked in the wrinkles, in a
marvellous manner.

"Ah! but how when she is really hungry?" thought the Provencal. In spite
of the shudder caused by this thought, his attention was curiously drawn
to the symmetrical proportions of the animal, which was certainly one of
the most splendid specimens of its race. He began to measure them with
his eye. She was three feet in height at the shoulders and four feet in
length, not counting her tail; this powerful weapon was nearly three
feet long, and rounded like a cudgel. The head, large as that of a
lioness, was distinguished by an intelligent, crafty expression. The
cold cruelty of the tiger dominated, and yet it bore a vague resemblance
to the face of a woman. [Footnote: Face of a woman. The creature, part
tiger and part woman, suggests what famous monument?] Indeed, the
countenance of this solitary queen had something of the gayety of a Nero
[Footnote: Nero: a Roman Emperor notorious for his cruelty.] in his
cups; her thirst for blood was slaked, now she wished for amusement.

The soldier tried if he might walk up and down, the panther left him
freedom, contenting herself with following him with her eyes, less like
a faithful dog watching his master's movements with affectionate
solicitude, than a huge Angora cat uneasy and suspicious of every
movement.

When he looked around, he saw, by the spring, the carcass of his horse;
the panther had dragged the remains all that distance, and had eaten
about two-thirds of it already. The sight reassured the Frenchman, it
made it easy to explain the panther's absence and the forbearance she
had shown him while he slept.

This first good-luck emboldened the soldier to think of the future. He
conceived the wild idea of continuing on good terms with his companion
and to share her home, to try every means to tame her, and endeavoring
to turn her good graces to his account.

With these thoughts he returned to her side, and had the unspeakable joy
of seeing her wag her tail with an almost imperceptible motion as he
approached. He sat down beside her, fearlessly, and they began to play
together. He took her paws and muzzle, twisted her ears, and stroked her
warm, delicate flanks. She allowed him to do whatever he liked, and,
when he began to stroke the fur on her feet, she carefully drew in her
murderously savage claws, which were sharp and curved like a Damascus
sword. [Footnote: Damascus sword: A Damascus blade was famed for its
excellence.]

The Frenchman kept one hand on his poniard, and thought to watch his
chance to plunge it into the belly of the too confiding animal; but he
was fearful lest he might be strangled in her last convulsive struggles;
beside this, he felt in his heart a sort of remorse which bade him
respect this hitherto inoffensive creature that had done him no hurt. He
seemed to have found a friend in the boundless desert, and,
half-unconsciously, his mind reverted to his old sweetheart whom he had,
in derision, nicknamed "Mignonne."

This recollection of his youthful days suggested the idea of making the
panther answer to this name, now that he began to admire with less fear
her graceful swiftness, agility, and softness. Toward the close of the
day he had so familiarized himself with his perilous position that he
was half in love with his dangerous situation and its painfulness. At
last his companion had grown so far tamed that she had caught the habit
of looking up at him whenever he called in a falsetto voice, "Mignonne."

From that time the desert was inhabited for him. It contained a being to
whom he could talk and whose ferocity was now lulled into gentleness,
although he could not explain to himself this strange friendship.
Anxious as he was to keep awake and on guard, as it were, he gradually
succumbed to his excessive fatigue of body and mind; he threw himself on
the floor of the cave and slept soundly.

On awakening Mignonne was absent; he climbed the hillock and afar off
saw her returning in the long bounds characteristic of those animals who
cannot run owing to the extreme flexibility of the vertebral column.

Mignonne arrived with bloody jaws; she received the wonted caresses, the
tribute her slave hastened to pay, and showed by her purring how
transported she was. Her eyes, full of languor, rested more kindly on
the Provencal than on the previous day, and he addressed her as he would
have done a domestic animal.

"Ah! mademoiselle, you're a nice girl, ain't you? Just see now! we like
to be petted, don't we? Are you not ashamed of yourself? So you've been
eating some Arab or other, eh? Well, that doesn't matter. They're
animals, the same as you are; but don't take to crunching up a
Frenchman, bear that in mind, or I shall not love you any longer."

She played like a dog with its master, allowing herself to be rolled
over, knocked about, stroked, and the rest, alternately; at times she
would coax him to play by putting her paw upon his knee and making a
pretty gesture of solicitation.

One day, under a bright midday sun, a great bird hovered in the sky. The
Provencal left his panther to gaze at this new guest; but after pausing
for a moment the deserted sultana uttered a deep growl.

"God take me! I do believe that she is jealous," he cried, seeing the
rigid look appearing again in the metallic eyes. "The soul of Virginie
has passed into her body, that's sure!"

The eagle disappeared in the ether, and the soldier admired her again,
recalled by the panther's evident displeasure, her rounded flanks, and
the perfect grace of her attitude. There was youth and grace in her
form. The blonde fur of her robe shaded, with delicate gradations, to
the dead-white tones of her furry thighs; the vivid sunshine brought out
in its fulness the brilliancy of this living gold and its variegated
brown spots with indescribable lustre.

The Provencal and the panther looked at each other with a look pregnant
with meaning. She trembled with delight (the coquettish creature) when
she felt her friend scratch the strong bones of her skull with his
nails. Her eyes glittered like lightning-flashes--then she closed them
tightly.

"She has a soul!" cried he, looking at the stillness of this queen of
the sands, golden like them, white as their waving light, solitary and
burning as themselves.

(Here the narrative breaks off somewhat abruptly and continues in the
first person--that of the soldier.)

"Suddenly she turned on me in a fury, seizing my thigh with her sharp
teeth, and yet (I thought of this afterwards) not cruelly. I imagined
that she intended devouring me, and I plunged my poniard in her throat.
She rolled over with a cry that rent my soul; she looked at me in her
death-struggle, but without anger. I would have given the whole
world--my cross, which I had not yet gained, all, everything--to restore
her life to her. It was as if I had assassinated a real human being, a
friend. When the soldiers who had seen my flag came to my rescue they
found me in tears.

"Ah! well, monsieur, I went through the wars in Germany, Spain, Russia,
and France; I have marched my carcass well-nigh the world over, but I
have seen nothing comparable to the desert."

--HONORE DE BALZAC (adapted).

[Footnote: Note the detailed description. Does it add to the reality of
the scene? Does the author succeed in making the panther appeal to our
sympathy? Does the story seem plausible or merely fantastic? Where do
you find surprises in the story that add to its interest?]




FOR THOSE WHO LOVE MUSIC


I had engaged him by the year. Twice a week he came and went through his
whole repertoire, and lately, out of sympathy for me, he would play the
_Miserere_ of the _Trovatore_, [Footnote: Miserere of the
Trovatore. Trovatore is an opera by Verdi.] which was his show piece,
twice over. He stood there in the middle of the street looking
steadfastly up at my windows while he played, and when he had finished
he would take off his hat with an "Addio, Signor!" [Footnote: Addio
Signer: "Good-by, Sir."]

It is well known that the barrel-organ, like the violin, gets a fuller
and more sympathetic tone the older it is. The old artist had an
excellent instrument, not of the modern noisy type which imitates a
whole orchestra with flutes and bells and beats of drums, but a
melancholy old-fashioned barrel-organ [Footnote: A melancholy barrel
organ. What does the author mean by this?] which knew how to lend a
dreamy mystery to the gayest allegretto, [Footnote: Allegretto: lively,
a musical term to denote the tempo of a composition.] and in whose
proudest tempo di Marcia [Footnote: Tempo di Marcia: marching time.]
there sounded an unmistakable undertone of resignation. And in the
tenderer pieces of the repertoire, where the melody, muffled and
staggering like a cracked old human voice, groped its way amongst the
rusty pipes of the treble, then there was a trembling in the bass like
suppressed sobs. Now and then the voice of the tired organ failed it
completely, and then the old man would resignedly turn the handle during
some bars of rest more touching in their eloquent silence than any
music.

True, the instrument was itself very expressive, but the old man had
surely his share in the sensation of melancholy which came over me
whenever I heard his music. He had his beat in the poor quarter behind
the Jardin des Plantes, [Footnote: Jardin des Plantes: the botanical
garden.] and many times during my solitary rambles up there had I
stopped and taken my place among the scanty audience of ragged street
boys which surrounded him.

It was not difficult to see that times were hard--the old man's clothes
were doubtful, and the pallor of poverty lay over his withered features,
where I read the story of a long life of failure. He came from the
mountains around Monte Cassino, [Footnote: Monte Cassino: a monastery on
a hill near Cassino, Italy, about forty-five miles from Naples.] so he
informed me, but where the monkey hailed from I never quite got to know.

Thus we met from time to time during my rambles in the poor quarters.
Had I a moment to spare I stopped for a while to listen to a tune or
two, as I saw that it gratified the old man, and since I always carried
a lump of sugar in my pocket for any dog acquaintance I might possibly
meet, I soon made friends with the monkey also. The relations between
the little monkey and her impressario [Footnote: Impressario: the
conductor of an opera or a concert.] were unusually cordial, and this
notwithstanding that she had completely failed to fulfil the
expectations which had been founded upon her--she had never been able to
learn a single trick, the old man told me. Thus all attempts at
education had long ago been abandoned, and she sat there huddled
together on her barrel-organ and did nothing at all. Her face was sad,
like that of most animals, and her thoughts were far away. But now and
then she woke up from her dreams, and her eyes could then take a
suspicious, almost malignant expression, as they lit upon some of the
street boys who crowded round her tribune [Footnote: Round her tribune:
a curious use of this word, which means a pulpit or bench from which
speeches were made.] and tried to pull her tail, which stuck out from
her little gold-laced garibaldi. [Footnote: Garibaldi: a jacket which
took its name from its likeness in shape to the red shirt worn by the
Italian patriot Garibaldi.] To me she was always very amiable;
confidently she laid her wrinkled hand in mine and absently she accepted
the little attentions I was able to offer her. She was very fond of
sweetmeats, and burnt almonds were, in her opinion, the most delectable
thing in the world.

Since the old man had once recognized his musical friend on a balcony of
the Hotel de L'Avenir, [Footnote: Hotel de L'Avenir: literally, "Hotel
of the Future."] he often came and played under my windows. Later on he
became engaged, as already said, to come regularly and play twice a
week,--it may, perhaps, appear superfluous for one who was studying
medicine, but the old man's terms were so small, and you know I have
always been so fond of music. Besides it was the only recreation at
hand--I was working to take my degree in the spring.

So passed the autumn, and the hard times came. The rich tried on the new
winter fashions, and the poor shivered with the cold. It became more and
more difficult for well-gloved hands to leave the warm muff or the
fur-lined coat to take out a copper for the beggar, and more and more
desperate became the struggle for bread amongst the problematical
existences [Footnote: The problematical existences. Explain this
expression.] of the street.

Now and then I came across my friend, and we always had, as before, a
kind word for one another. He was now, wrapped up in an old Abruzzi
cloak, [Footnote: Abruzzi cloak. Abruzzi is a division of western Italy
including three provinces.] and I noticed that the greater the cold
became the faster did he turn the handle to keep himself warm; and
towards December the _Miserere_ itself was performed in allegretto.

The monkey had now become civilian, and wrapped up her little thin body
in a long ulster such as Englishmen wear; but she was fearfully cold
notwithstanding, and, forgetful of all etiquette, more and more often
she jumped from the barrel-organ and crept in under the old man's cloak.

And while they were suffering out there in the cold I sat at home in my
cosy, warm room, and instead of helping them, I forgot all about them,
more and more taken up as I was with my coming examination, with no
thought but for myself. And then one day I suddenly left my lodgings and
removed to the Hotel Dieu to take the place of a comrade, and weeks
passed before I put my foot out of the hospital.

I remember it so well, it was on New Year's Day we met each other again.
I was crossing the Place de Notre Dame, [Footnote: Place de Notre Dame.
The square in front of Notre Dame Cathedral.] mass was just over, and
the people were streaming out of the old cathedral. As usual, a row of
beggars was standing before the door, imploring the charity of the
church-goers. At the farther end, and at some distance from the others,
an old man stood with bent head and outstretched hat, and with painful
surprise I recognized my friend in his threadbare old coat without the
Abruzzi cloak, without the barrel-organ, without the monkey. My first
impulse was to go up to him, but an uneasy feeling of I do not know what
held me back; I felt that I blushed and I did not move from my place.
Every now and then a passer-by stopped for a moment and made as if to
search his pockets, but I did not see a single copper fall into the old
man's hat. The place became gradually deserted, and one beggar after
another trotted off with his little earnings. At last a child came out
of the church, led by a gentleman in mourning; the child pointed towards
the old man, and then ran up to him and laid a silver coin in his hat.
The old man humbly bowed his head in thanks, and even I, with my
unfortunate absent-mindedness, was very nearly thanking the little donor
also, so pleased was I. My friend carefully wrapped up the precious gift
in an old pocket-handkerchief, and stooping forward, as if still
carrying the barrel-organ on his back, he walked off.

I happened to be quite free that morning, and thinking that a little
walk before luncheon could do me no harm after the hospital air, I
followed him at a short distance across the Seine. [Footnote: Seine.
Paris is on the River Seine. "buon giorno": "Good day."] Once or twice I
nearly caught him up, and all but tapped him on the shoulder, with a
"Buon giorno, Don Gaetano!" Yet, without exactly knowing why, I drew
back at the last moment and let him get a few paces ahead of me again.

We had just crossed the Place Maubert [Footnote: Place Maubert:
Boulevard St. Germain: streets in Paris.] and turned into the Boulevard
St. Germain; the boulevard was full of people, so that, without being
noticed, I could approach him quite close. He was standing before an
elegant confectioners' shop, and to my surprise he entered without
hesitation. I took up my position before the shop window, alongside some
shivering street arabs [Footnote: Street Arabs. What is meant by this
term?] who stood there, absorbed in the contemplation of the
unattainable delicacies within, and I watched the old man carefully
untie his pocket-handkerchief and lay the little girl's gift upon the
counter. I had hardly time to draw back before he came out with a red
paper bag of sweets in his hand, and with rapid steps he started off in
the direction of the Jardin des Plantes.

I was very much astonished at what I had seen, and my curiosity made me
follow him. He slackened his pace at one of the little slums behind
Hopital de la Pitie, [Footnote: Hopital de la Pitie: literally,
"Hospital of Pity."] and I saw him disappear into a dirty old house. I
waited outside a minute or two and then I groped my way through the
pitch-dark entrance, climbed up a filthy staircase, and found a door
slightly ajar. An icy, dark room, in the middle three ragged little
children crouched together around a half-extinct braziero, [Footnote:
Brazier: a pan for burning coals. Tuscan. Tuscany is one of the
divisions of northern Italy.] in the corner the only furniture in the
room--a clean iron bedstead, with crucifix and rosary hung on the wall
above it, and by the window an image of the Madonna adorned with gaudy
paper flowers; I was in Italy, in my poor, exiled Italy. And in the
purest Tuscan the eldest sister informed me that Don Gaetano lived in
the garret. I went up there and knocked, but got no answer, so I opened
the door myself. The room was brightly lit by a blazing fire. With his
back towards the door, Don Gaetano was on his knees before the stove
busy heating a saucepan over the fire; beside him on the floor lay an
old mattress with the well-known Abruzzi cloak thrown over it, and close
by, spread out on a newspaper, were various delicacies--an orange,
walnuts, and raisins, and there also was the red paper bag. Don Gaetano
dropped a lump of sugar into the saucepan, stirred it with a stick, and
in a persuasive voice I heard him say, "Che bella roba, che bella roba,
quanto e buono questa latte con lo zucchero! Non piange anima mia,
adesso siamo pronti!" [Footnote: "What nice things, what nice things,
how good this milk with sugar is! Don't cry, my darling, it is ready
now!"]

A slight rustling was heard beneath the Abruzzi cloak and a black little
hand was stretched out toward the red paper bag.

"Primo il latte, primo il latte" admonished the old man. "Non importa,
piglio tu una," [Footnote: "The milk first, the milk first--never mind,
take one."] he repeated, and took a big burnt almond out of the paper
bag; the little hand disappeared, and a crunching was heard under the
cloak. Don Gaetano poured the warm milk in a saucer, and then he
carefully lifted up a corner of the cloak. There lay the poor little
monkey with heaving breast and eyes glowing with fever. Her face had
become so small and her complexion was ashy gray. The old man took her
on his knees, and tenderly as a mother he poured some spoonfuls of the
warm milk into her mouth. She looked with indifferent eyes towards the
delicacies on the table, and absently she let her fingers pass through
her master's beard. She was so tired that she could hardly hold her head
up, and now and then she coughed so that her thin little body trembled,
and she pressed both her hands to her temples. Don Gaetano shook his
head sadly, and carefully laid the little invalid back under the cloak.

A feeble blush spread over the old man's face as he caught sight of me.
I told him that I happened to be passing by just as he was entering his
house, and that I took the liberty of following him upstairs in order to
bid him good-morning and to give him my new address, in the hope that he
would come and play to me as before. I involuntarily looked round for
the barrel-organ as I spoke, and Don Gaetano, who understood, informed
me that he no longer played the organ--he sang. I glanced at the
precious pile of wood beside the fire-place, at the new blanket that
hung before the window to keep out the draught, at the delicacies on the
newspaper--and I also understood.

The monkey had been ill three weeks--"la febbre," [Footnote: La febbre:
the fever.] explained the old man. We knelt one on each side of the bed,
and the sick animal looked at me with her mute prayer for help. Her nose
was hot, as it is with sick children and dogs, her face wrinkled like
that of an old, old woman, and her eyes had got quite a human
expression. Her breathing was so short, and we could hear how it rattled
in her throat. The diagnosis was not difficult--she had consumption. Now
and again she stretched out her thin arms as if she implored us to help
her, and Don Gaetano thought that she did so because she wished to be
bled. I would willingly have given in in this case, although opposed in
principle to this treatment, if I had thought it possible that any
benefit could have been derived from it; but I knew only too well how
unlikely this was, and I tried my best to make Don Gaetano understand
it. Unhappily I did not know myself what there was to be done. I had at
that time a friend amongst the keepers of the monkey-house in the Jardin
des Plantes, and the same night he came with me to have a look at her;
he said that there was nothing to be done, and that there was no hope.
And he was right. For one week more the fire blazed in Don Gaetano's
garret, then it was left to go out, and it became cold and dark as
before in the old man's home.

True, he got his barrel-organ out from the pawn-shop, and now and then a
copper fell into his hat. He did not die of starvation, and that was
about all he asked of life.

The spring came and I left Paris; and God knows what become of Don
Gaetano.

If you happen to hear a melancholy old barrel-organ in the courtyard, go
to the window and give a penny to the poor errant [Footnote: Errant:
wandering.] musician--perhaps it is Don Gaetano! If you find that his
organ disturbs you, try if you like it, better by making him stand a
little farther off, but don't send him away with harshness! He has to
bear so many hard words as it is; why should not we then be a little
kind to him--we who love music?

--AXEL MUNTHE (adapted).

[Footnote: What interested the author in the old organ-grinder? What was
the music like? Explain the title of the story. By what incidents does
the author show the unselfish devotion of the old musician for his pet?
Was his pet winning or lovable? Why did the old man care so much for it?
Is the picture of the old man dignified or sordid?

Why? Point out instances of dramatic contrast. Are the descriptions in
the story simple or elaborate?]




OUT OF DOORS


St. Guido [Footnote: Saint Guido was a fanciful name given to the little
boy because his shock of golden curls looked like the nimbus around a
saint's head.] ran out at the garden gate into a sandy lane, and down
the lane till he came to a grassy bank. He caught hold of the bunches of
grass and so pulled himself up. There was a footpath on the top which
went straight in between fir-trees, and as he ran along they stood on
each side of him like green walls. They were very near together, and
even at the top the space between them was so narrow that the sky seemed
to come down, and the clouds to be sailing but just over them, as if
they would catch and tear in the fir-trees. The path was so little used
that it had grown green, and as he ran he knocked dead branches out of
his way. Just as he was getting tired of running he reached the end of
the path, and came out into a wheat-field. The wheat did not grow very
closely, and the spaces were filled with azure corn-flowers. St. Guido
thought he was safe away now, so he stopped to look.

There were the fir-trees behind him--a thick wall of green--hedges on
the right and left, and the wheat sloped down towards an ash-copse in
the hollow. No one was in the field, only the fir-trees, the green
hedges, the yellow, wheat, and the sun overhead. Guido kept quite still,
because he expected that in a minute the magic would begin, and
something would speak to him. His cheeks, which had been flushed with
running, grew less hot, but I cannot tell you the exact color they were;
for his skin was so white and clear, it would not tan under the sun, yet
being always out of doors it had taken the faintest tint of golden brown
mixed with rosiness. His blue eyes which had been wide open, as they
always were when full of mischief, became softer, and his long eyelashes
drooped over them. But as the magic did not begin, Guido walked on
slowly into the wheat, which rose nearly to his head, though it was not
yet so tall as it would be before the reapers came. He did not break any
of the stalks, or bend them down and step on them; he passed between
them, and they yielded on either side. The wheat-ears were pale gold,
having only just left off their green, and they surrounded him on all
sides as if he were bathing.

A butterfly painted a velvety red with white spots came floating along
the surface of the corn, [Footnote: Corn. In England corn means wheat,
or sometimes rye or barley or oats. What we call corn the English call
maize.] and played round his cap, which was a little higher, and was so
tinted by the sun that the butterfly was inclined to settle on it. Guido
put up his hand to catch the butterfly, forgetting his secret in his
desire to touch it. The butterfly was too quick--with a snap of his
wings, disdainfully mocking the idea of catching him, away he went.
Guido nearly stepped on a humble-bee--buzz-zz! the bee was so alarmed he
actually crept up Guido's knickers to the knee, and even then knocked
himself against a wheat-ear when he started to fly. Guido kept quite
still while the humble-bee was on his knee, knowing that he should not
be stung if he did not move. He knew, too, that humble-bees have stings
though people often say they have not, and the reason people think they
do not possess them is because humble-bees are so good-natured and never
sting unless they are very much provoked.

Another bumble-bee went over along the tips of the wheat--burr-rr--as he
passed; then a scarlet fly, and next a bright yellow wasp who was
telling a friend flying behind him that he knew where there was such a
capital piece of wood to bite up into tiny pieces and make into paper
for the nest in the thatch, but his friend wanted to go to the house
because there was a pear quite ripe there on the wall. Next came a moth,
and after the moth a golden fly, and three gnats, and a mouse ran along
the dry ground with a curious sniffing rustle close to Guido. A shrill
cry came down out of the air, and looking up he saw two swifts
[Footnote: Swifts: swallows.] turning circles, and as they passed each
other they shrieked--their voices were so shrill they shrieked. They
were only saying that in a month their little swifts in the slates would
be able to fly. While he sat so quiet on the ground and hidden by the
wheat, he heard a cuckoo such a long way off it sounded like a watch
when it is covered up. "Cuckoo" did not come full and distinct--it was
such a tiny little "cuckoo" caught in the hollow of Guido's ear. The
cuckoo must have been a mile away.

Suddenly he thought something went over, and yet he did not see
it--perhaps it was the shadow--and he looked up and saw a large bird not
very far up, not farther than he could fling, or shoot his arrows, and
the bird was fluttering his wings, but did not move away farther, as if
he had been tied in the air. Guido knew it was a hawk, and the hawk was
staying there to see if there was a mouse or a little bird in the wheat.
After a minute the hawk stopped fluttering and lifted his wings together
as a butterfly does when he shuts his, and down the hawk came, straight
into the corn. "Go away!" shouted Guido jumping up, and flinging his
cap, and the hawk, dreadfully frightened and terribly cross, checked
himself and rose again with an angry rush. So the mouse escaped, but
Guido could not find his cap for some time. Then he went on, and still
the ground sloping sent him down the hill till he came close to the
copse.

Some sparrows came out from the copse, [Footnote: Copse: a wood of small
trees.] and he stopped and saw one of them perch on a stalk of wheat,
with one foot above the other sideways, so that he could pick at the ear
and get the corn. Guido watched the sparrow clear the ear, then he
moved, and the sparrows flew back to the copse, where they chattered at
him for disturbing them. There was a ditch between the corn and the
copse, and a streamlet; he picked up a stone and threw it in, and the
splash frightened a rabbit, who slipped over the bank and into a hole.
The boughs of an oak reached out across to the corn, and made so
pleasant a shade that Guido, who was very hot from walking in the sun,
sat down on the bank of the streamlet with his feet dangling over it,
and watched the floating grass sway slowly as the water ran. Gently he
leaned back till his back rested on the sloping ground--he raised one
knee, and left the other foot over the verge where the tip of the
tallest rushes touched it. Before he had been there a minute he
remembered the secret which a fern had taught him.

First, if he wanted to know anything, or to hear a story, or what the
grass was saying, or the oak-leaves singing, he must be careful not to
interfere as he had done just now with the butterfly by trying to catch
him. Fortunately, that butterfly was a nice butterfly, and very
kindhearted, but sometimes, if you interfered with one thing, it would
tell another thing, and they would all know in a moment, and stop
talking, and never say a word. Once, while they were all talking
pleasantly, Guido caught a fly in his hand; he felt his hand tickle as
the fly stepped on it, and he shut up his little fist so quickly he
caught the fly in the hollow between the palm and his fingers. The fly
went buzz, and rushed to get out, but Guido laughed, so the fly buzzed
again, and just told the grass, and the grass told the bushes, and
everything knew in a moment, and Guido never heard another word all that
day. Yet sometimes now they all knew something about him; they would go
on talking. You see, they all rather petted and spoiled him. Next, if
Guido did not hear them conversing, the fern said he must touch a little
piece of grass and put it against his cheek, or a leaf, and kiss it, and
say, "Leaf, leaf, tell them I am here."

Now, while he was lying down, and the tip of the rushes touched his
foot, he remembered this, so he moved the rush with his foot and said,
"Rush, rush, tell them I am here." Immediately there came a little wind,
and the wheat swung to and fro, the oak-leaves rustled, the rushes
bowed, and the shadows slipped forwards and back again. Then it was
still.

--RICHARD JEFFERIES (adapted).

[Footnote: Whore do you imagine this scene is laid? What things in the
text suggest this? Do you get a single picture, or a rapid succession of
pictures? Which is the author really giving you: nature as it is, or as
it seems to the boy? Has any of it ever seemed so to you? Note the
appeal to sight, hearing, and touch; note the use of color. Does the
author show a love for, and knowledge of, nature? Select the passages in
which the sympathy between the boy and all nature is dwelt on.]




THE TABOO


There is a marked similarity, almost an identity, between the religious
institutions of most of the Polynesian islands; [Footnote: Polynesian
Islands: in the Pacific, just east of Australia.] and in all exists the
mysterious "Taboo," restricted in its uses to a greater or less extent.
So strange and complex in its arrangements is this remarkable system,
that I have in several cases met with individuals who, after residing
for years among the islands in the Pacific, and acquiring a considerable
knowledge of the language, have nevertheless been altogether unable to
give any satisfactory account of its operations. Situated as I was in
the Typce valley, I perceived every hour the effects of this
all-controlling power, without in the least comprehending it. Those
effects were indeed wide-spread and universal, pervading the most
important as well as the minutest transactions of life. The savage, in
short, lives in the continual observance of its dictates, which guide
and control every action of his being.

For several days after entering the valley, I had been saluted at least
fifty times in the twenty-four hours with the talismanic [Footnote:
Talismanic: having the properties of a charm.] word "Taboo" shrieked in
my ears, at some gross violation of its provisions, of which I had
unconsciously been guilty. The day after our arrival I happened to hand
some tobacco to Toby over the head of a native who sat between us. He
started up as if stung by an adder; while the whole company, manifesting
an equal degree of horror, simultaneously screamed out "Taboo!" I never
again perpetrated a similar piece of ill-manners, which indeed was
forbidden by the canons of good breeding as well as by the mandates of
the taboo. But it was not always so easy to perceive wherein you had
contravened [Footnote: Contravened: come into conflict with.] the spirit
of this institution. I was many times called to order, if I may use the
phrase, when I could not for the life of me conjecture what particular
offense I had committed.

One day I was strolling through a secluded portion of the valley; and
hearing the musical sound of the cloth-mallet at a little distance, I
turned down a path that conducted me in a few moments to a house where
there were some half-dozen girls employed in making tappa. [Footnote:
Tappa: a kind of cloth made from the inner bark of the paper mulberry.]
This was an operation I had frequently witnessed, and had handled the
bark in all the various stages of its preparation. On the present
occasion the females were intent upon their occupation; and after
looking up and talking gayly to me for a few moments, they resumed their
employment. I regarded them for awhile in silence, and then carelessly
picking up a handful of the material that lay around, proceeded
unconsciously to pick it apart. While thus engaged, I was suddenly
startled by a scream, like that of a whole boarding-school of young
ladies just on the point of going into hysterics. Leaping up with the
idea of seeing a score of Happar warriors about to perform anew the
Sabine atrocity, [Footnote: Sabine atrocity: referring to the carrying
off of the Sabine women by the Romans in the legendary history of early
Rome.] I found myself confronted by the company of girls, who, having
dropped their work, stood before me with staring eyes, swelling bosoms,
and fingers pointed in horror towards me.

Thinking that some venomous reptile must be concealed in the bark which
I held in my hand, I began cautiously to separate and examine it. Whilst
I did so the horrified girls redoubled their shrieks. Their wild cries
and frightened motions actually alarmed me; and throwing down the tappa,
I was about to rush from the house, when in the same instant their
clamors ceased, and one of them, seizing me by the arm, pointed to the
broken fibres that had just fallen from my grasp, and screamed in my ear
the fatal word "Taboo!"

I subsequently found out that the fabric they were engaged in making was
of a peculiar kind, destined to be worn on the heads of females; and
through every stage of its manufacture was guarded by a rigorous taboo,
which interdicted the whole masculine gender from even so much as
touching it.

Frequently in walking through the groves, I observed bread-fruit and
cocoanut trees with a wreath of leaves twined in a peculiar fashion
about their trunks. This was the mark of the taboo. The trees
themselves, their fruit, and even the shadows they cast upon the ground,
were consecrated by its presence. In the same way a pipe which the King
had bestowed upon me was rendered sacred in the eyes of the natives,
none of whom could I ever prevail upon to smoke from it. The bowl was
encircled by a woven band of grass, somewhat resembling those Turks'
heads occasionally worked in the handles of our whip-stalks. A similar
badge was once braided about my wrist by the royal hand of Mehevi
himself, who, as soon as he had concluded the operation, pronounced me
"Taboo." This occurred shortly after Toby's disappearance; and were it
not that from the first moment I had entered the valley the natives had
treated me with uniform kindness, I should have supposed that their
conduct afterwards was to be ascribed to the fact that I had received
this sacred investiture.

--HERMAN MELVILLE.

[Footnote: The author, Herman Melville, was born in New York in 1819. In
his youth he ran away from home and became a sailor on a whaling vessel.
Escaping from the cruel tyranny of the captain, he reached the Marquesas
Islands, where he had strange adventures as the captive of a tribe of
cannibals in the Typee Valley. He lived here many months, and finally
returned home in an Australian ship.]

[Footnote: Many writers on the customs of primitive people suppose the
taboo to be the earliest form of law. It is commonly imposed by the king
or the high priest of the tribe. Does the "taboo" here seem to you to be
a matter of law or religion? Have we any "taboos" in our social system?
What do we mean when we say of an act or a thing that it is "taboo," or
"tabooed"? Does ceremoniousness increase or decrease with civilization?]




SCHOOL DAYS AT THE CONVENT


I waited for night and supper very impatiently. Recreation time began as
soon as we left the refectory. [Footnote: Refectory: the dining hall.]
In summer the two classes went to the garden. In winter each class went
to its own room: the seniors to their fine and spacious study; we to our
forlorn quarters, where there was no room to play, and where our teacher
forced us to "amuse" ourselves quietly,--that is, not at all. Leaving
the refectory always made a momentary confusion, and I admired the way
the "devils" of the two classes managed to create the slight disorder
under whose favor one could easily escape. The cloister [Footnote:
Cloister: the covered arched passage on the side of a court.] had but
one little lamp to light it: this left the other three galleries in
semi-darkness. Instead of walking straight ahead towards the juniors'
room, you stepped to the left, let the flock pass on, and you were free.
I did so, and found myself in the dark with my friend Mary and the other
"devils" she had told me would be there. They were all armed, some with
logs, others with tongs. I had nothing, but was bold enough to go to the
school-room, get a poker, and return to my accomplices without being
noticed.

Then they initiated me into the great secret, and we started on our
expedition.

The great secret was the traditional legend of the convent: a dream
handed down from generation to generation, and from "devil" to "devil,"
for about two centuries; a romantic fiction which may have had some
foundation of truth at the beginning, but now rested merely on the needs
of our imagination. Its object was to "deliver the victim." There was a
prisoner, some said several prisoners, shut up somewhere in an
impenetrable retreat: either a cell hidden and bricked up in the
thickness of the walls, or in a dungeon under the vaults of the immense
sub-basements extending beneath the monastery as well as under a great
part of the Saint-Victor district. There were indeed magnificent cellars
there,--a real subterranean city, whose limits we never found,--and they
had many mysterious outlets at different points within the vast area of
the inclosure. We were told that at a great distance off, these cellars
joined the excavations running under the greater part of Paris and the
surrounding country as far as Vincennes. [Footnote: Vincennes: a town
about two miles from Paris.] They said that by following our convent
cellars you could reach the Catacombs, [Footnote: Catacombs:
subterranean passages.] the quarries, the baths of Julian, [Footnote:
Baths of Julian: a Roman emperor of the fourth century.] and what not.
These vaults were the key to a world of darkness, terrors, mysteries: an
immense abyss dug beneath our feet, closed by iron gates, whose
exploration was as perilous as the descent into hell of AEneas or Dante.
For this reason it was absolutely imperative to get there, in spite of
the insurmountable difficulties of the enterprise, and the terrible
punishments the discovery of our secret would provoke.

Entering these subterranean domains was one of those unhoped-for strokes
of good luck that occurred once, or at most twice, in the life of a
"devil," after years of perseverance and mental effort. It was of no use
thinking of getting in by the main door. That door was at the bottom of
a wide staircase next to the kitchens, which were cellars too; and here
the lay sisters [Footnote: Lay sisters: the nuns who are not in holy
orders.] congregated.

But we were sure that the vaults could be reached by a thousand other
ways, even by the roof. According to us, every nailed-up door, every
dark corner under a staircase, every hollow-sounding wall, might
communicate mysteriously with the subterranean region; and we looked for
that communication most earnestly up to the very attic.

I had read Mrs. Radcliffe's "Castle of the Pyrenees" [Footnote: Castle
of the Pyrenees. Mrs. Radcliffe's novels were the first "mystery and
horror" tales to become popular.] at Nohant, with terror and delight. My
companions had many another Scotch and Irish legend in their heads, all
fit to set one's hair on end. The convent too had innumerable stories of
its own lamentable events,--about ghosts, dungeons, inexplicable
apparitions, and mysterious noises. All this, and the thought of finally
discovering the tremendous secret of the victim, so kindled our
imaginations that we were sure we heard sighs and groans start from
under the stones, or breathe through the cracks of doors and walls.

We started off, my companions for the hundredth, I for the first time,
in search of that elusive captive,--languishing no one knew where, but
certainly somewhere, and whom perhaps we were called to discover. She
must have been very old, considering how long she had been sought in
vain! She might have been over two hundred years old, but we did not
mind that! We sought her, called her, thought of her incessantly, and
never despaired.

That evening I was led into the oldest and most broken-up part of the
buildings,--perhaps the most exciting locality for our exploration. We
selected a little passage with wooden railings overlooking an empty
space without any known outlet. A staircase with banisters led to this
unknown region, but an oaken door forbade access to the stairs. We had
to get around the obstacle by passing from the railing to the banisters,
and walk down the outside of the worm-eaten balusters. There was a dark
void below us whose depth we could not fathom. We had only a little
taper (a "rat"), and that hardly let us see more than the first steps of
the mysterious staircase.

We were at the bottom in a moment; and with more joy than disappointment
found that we were directly under the passage, in a square space without
any opening. Not a door nor a window, nor any explicable purpose for
this sort of closed vestibule. Why was there a staircase leading into a
blind space? Why was there a strong padlocked door shutting off the
staircase?

The little taper was divided into several lengths, and each one began
examining for herself. The staircase was made of wood. A secret spring
in one of the steps must lead to a passage, another staircase, or a
hidden trap. While some explored the staircase, and tried to force its
old planks apart, others groped along the wall in search of a knob, a
rack, a ring, or any of the thousand contrivances mentioned in the
chronicles of old manors as moving a stone, turning a panel, or opening
an entrance into unknown regions.

Alas, there was nothing! The wall was smooth and plastered. The pavement
sounded dull; not a stone was loose, and the staircase hid no spring.
One of us looked further. She declared that in the extreme corner under
the staircase the wall had a hollow sound; we struck it, and found it
true. "It's here!" we all exclaimed. "There's a walled-up passage in
there, but that passage leads to the awful dungeon. That is the way down
to the sepulchre holding the living victims." We glued our ears to the
wall, heard nothing; still the discoverer maintained that she could hear
confused groans and clanking chains. What was to be done?

"Why, it's quite plain," said Mary: "we must pull the wall down. All of
us together can surely make a hole in it."

Nothing seemed easier to us; and we all went to work,--some trying to
knock it down with their logs, others scraping it with their shovels and
tongs,--never thinking that by worrying those poor shaky walls, we
risked tumbling the building down on our heads. Fortunately we could not
do much harm, because the noise made by the logs would have attracted
some one.

We had to be satisfied with pushing and scratching. Yet we had managed
to make quite a noticeable hole in the plaster, lime, and stones, when
the bell rang for prayers. We had just time to repeat our perilous
escapade, [Footnote: Escapade: prank.] put out our lights, separate, and
grope our way back to the schoolrooms. We put off the continuation of
the enterprise till the next day, and appointed the same place of
meeting. Those who got there first were not to wait for those who might
be detained by punishment or unusual surveillance. Each one was to do
her best to scoop out the wall. It would be just so much done toward the
next day's work. There was no chance of any one's noticing it, as no one
ever went down into that blind hallway given over to mice and spiders.

We dusted each other off, regained the cloister, slipped into our
respective class-rooms, and were ready to kneel at prayers with the
others. I forget whether we were noticed and punished that evening. It
happened so often that no single event of the kind has any special date
in the great number. Still we could often carry on our work with
impunity.

The search for the great secret and the dungeon lasted the whole winter
I spent in the junior class. The wall was perceptibly damaged, but we
were stopped by reaching wooden girders. We looked elsewhere, ransacked
twenty different places, never having the least success, yet never
losing hope.

One day we thought we would look for some mansard [Footnote: Mansard:
having two <DW72>s.] window which might be, so to speak, the upper key to
the so ardently desired subterranean world. There were many such
windows, whose purpose we ignored. There was a little room in the attic
where we practiced on one of the thirty pianos scattered through the
establishment. We had an hour for this practice every day, and very few
of us cared for it. As I always loved music, I liked to practice. But I
was becoming more of an artist in romance than music; for what more
beautiful poem could there be than the romance in action we were
pursuing with our joint imaginations, courage, and palpitating emotions?

In this way the piano hour became the daily hour for adventures, without
detriment, however, to the evening ones. We appointed meetings in one of
these straggling rooms, and from there would go to the "I don't know
where" or the "As you please" of fancy.

From the attic where I was supposed to be playing scales, I could see a
labyrinth of roofs, sheds, lofts, and <DW72>s, all covered with
moss-grown tiles and decorated with broken chimneys, offering a vast
field for new explorations. So on the roof we went. It was not hard to
jump out of the window. Six feet below us there was a gutter joining two
gables. It was more imprudent than difficult to scale these gables, meet
others, jump from <DW72> to <DW72>, and run about like cats; and danger,
far from restraining, only seemed to stimulate us.

There was something exceedingly foolish, but at the same time heroic, in
this mania of "seeking the victim"; foolish, because we had to suppose
that the nuns, whose gentleness and kindness we worshipped, were
practicing horrible tortures upon some one; heroic, because we risked
our lives every day to deliver an imaginary creature, who was the object
of our most generous thought and most chivalrous undertakings.

We had been out about an hour, spying into the garden, looking down on a
great part of the courts and buildings, and carefully hiding behind
chimneys whenever we saw a black-veiled nun, who might have raised her
head and seen us in the clouds, when we asked ourselves how we should
get back. The arrangement of the roofs had allowed us to step or jump
down. Going up was not so easy. I think it would have been impossible
without a ladder. We scarcely knew where we were. At last we recognized
a parlor-boarder's window,--Sidonie Macdonald's, the celebrated
general's daughter. It could be reached by a final jump, but would be
more dangerous than the others. I jumped too hurriedly, and caught my
heel in a flat sky-light, through which I should have fallen thirty feet
into a hall near the junior's room, if by chance my awkwardness had not
made me swerve. I got off with two badly flayed knees, but did not give
them a second thought. My heel had broken into a part of the sash of
that deuced window, and smashed half a dozen panes, which dropped with a
frightful crash quite near the kitchen entrance. A great noise arose at
once among the lay sisters, and through the opening I had just made, we
could hear Sister Theresa's loud voice screaming, "Cats!" and accusing
Whisky--Mother Alippe's big tom-cat--of fighting with all his fellows,
and breaking all the windows in the house. But sister Mary defended the
cat's morals, and Sister Helen was sure that a chimney had fallen on the
roof. This discussion started the nervous giggle that nothing can stop
in little girls. We heard the sisters on the stairs, we should be caught
in the very act of walking on the roofs, and still we could not stir to
find refuge. Then I discovered that one of my shoes was gone,--that it
had dropped through the broken sash into the kitchen hall. Though my
knees were bleeding, my laughter was so uncontrollable that I could not
say a word, but merely showed my unshod foot and explained what had
happened by dumb show. A new explosion of laughter followed, although
the alarm had been given and the lay sisters were near.

We were soon reassured. Being sheltered and hidden by overhanging roofs,
we could hardly be discovered without getting up to the broken window by
a ladder, or following the road we had taken. And that was something we
could safely challenge any of the nuns to do. So when we had recognized
the advantage of our position, we began to me-ouw Homerically, so that
Whisky and his family might be accused and convicted in our stead. Then
we made for the window of Sidonie, who did not welcome us. The poor
child was practicing on the piano, and paying no attention to the feline
howls vaguely striking her ear. She was delicate and nervous, very
gentle, and quite incapable of understanding what pleasure we could find
in roaming over roofs. As she sat playing, her back was turned to the
window; and when we burst into it in a bunch, she screamed aloud. We
lost little time in quieting her. Her cries would attract the nuns; so
we sprang into the room and scampered to the door, while she stood
trembling and staring, seeing all the strange procession flit by without
understanding it nor recognizing any one of us, so terrified was she. In
a moment we had all dispersed: one went to the upper room whence we had
started, and played the piano with might and main; another took a
round-about way to the school-room. As for me, I had to find my shoe,
and secure that piece of evidence, if I still had the time. I managed to
avoid the lay sisters, and to find the kitchen entry free. "Audaces
fortuna juvat," [Footnote: Audaces fortuna juvat: "Fortune favors the
brave."] said I to myself thinking of the aphorisms Deschartres
[Footnote: Deschartres: the tutor of George Sand's father.] had taught
me And indeed I found the lucky shoe, where it had fallen in a dark
corner and not been seen. Whisky alone was accused. My knees hurt me
very much for a few days but, I did not brag of them; and the
explorations did not slacken.

--GEORGE SAND (adapted).

[Footnote: George Sand is a nom de plume. The author's real name is
Armandine Lucile Aurore Dupin. She was a famous French novelist and
playwright--born 1804, died 1876.]

[Footnote: Could you tell from the context where the scene is laid? What
kind of child do you imagine the writer was? Has the narrative the stamp
of a real experience? Do you know any books similar to what you may
imagine the "Castle of the Pyrenees" to be?]




IN BRITTANY


She [the writer, L. M. A.] soon ceased to be surprised at any
demonstration of feminine strength, skill, and independence, for
everywhere the women took the lead.

They not only kept house, reared children, and knit every imaginable
garment the human frame can wear, but kept the shops and the markets,
tilled the gardens, cleaned the streets, and bought and sold cattle,
leaving the men free to enjoy the only pursuits they seemed inclined to
follow,--breaking horses, [Footnote: Breaking horses: training horses to
work, an expression familiar to every country child.] mending roads, and
getting drunk.

The markets seemed entirely in the hands of the women, and lively scenes
they presented to unaccustomed eyes, especially the pig-market, held
every week, in the square before Madame C.'s house. At dawn the
squealing began, and was kept up till sunset. The carts came in from all
the neighboring hamlets, with tubs full of infant pigs, over which the
women watched with maternal care till they were safely deposited among
the rows of tubs that stood along the walk facing Anne of Bretaigne's
[Footnote: Anne of Bretaigne: the daughter of Francis II, duke of
Brittany; born at Nantes, 1476.] gray old tower, and the pleasant
promenade which was once the fosse [Footnote: Fosse: a moat; a ditch.]
about the city walls.

Here Madame would seat herself and knit briskly till a purchaser
applied, when she would drop her work, dive among the pink innocents,
and hold one up by its unhappy leg, undisturbed by its doleful cries,
while she settled its price with a blue-gowned, white-capped neighbor,
as sharp-witted and shrill-tongued as herself. If the bargain was
struck, they slapped their hands together in a peculiar way, and the new
owner clapped her purchase into a meal-bag, slung it over her shoulder,
and departed with her squirming, squealing treasure as calmly as a
Boston lady with a satchel full of ribbons and gloves.

More mature pigs came to market on their own legs, and very long, feeble
legs they were, for a more unsightly beast than a Breton pig was never
seen out of a toy Noah's ark. Tall, thin, high-backed, and sharp-nosed,
these porcine [Footnote: Porcine: relating to swine; hoglike.] victims
tottered to their doom, with dismal wailings, and not a vestige of
spirit till the trials and excitement of the day goaded them to
rebellion, when their antics furnished fun for the public. Miss Livy
observed that the women could manage the pigs when men failed entirely.
The latter hustled, lugged, or lashed, unmercifully and unsuccessfully;
the former, with that fine tact which helps them to lead nobler animals
than pigs, would soothe, sympathize, coax, and gently beguile the poor
beasts, or devise ways of mitigating their bewilderment and woe, which
did honor to the sex, and triumphantly illustrated the power of moral
suasion.

One amiable lady, who had purchased two small pigs and a coop full of
fowls, attempted to carry them all on one donkey. But the piggies
rebelled lustily in the bags, the ducks remonstrated against their
unquiet neighbors, and the donkey indignantly refused to stir a step
till the unseemly uproar was calmed. But the Bretonne was equal to the
occasion; for, after a pause of meditation, she solved the problem by
tying the bags round the necks of the pigs so that they could enjoy the
prospect. This appeased them at once, and produced a general lull; for
when the pigs stopped squealing, the ducks stopped quacking, the donkey
ceased his bray, and the party moved on in dignified silence, with the
youthful pigs, one black, one white, serenely regarding life from their
bags.

Another time, a woman leading a newly bought cow, came through the
square, where the noise alarmed the beast so much that she became
unruly, and pranced in a most dangerous manner. Miss Livy hung out of
the window, breathless with interest, and ready to fly with brandy and
bandages at a minute's notice, for it seemed inevitable that the woman
would be tossed up among the lindens before the cow was conquered. The
few men who were lounging about, stood with their hands in their
pockets, watching the struggle without offering to help, till the cow
scooped the lady up on her horns ready for a toss. Livy shrieked, but
Madame just held on, kicking so vigorously that the cow was glad to set
her down, when, instead of fainting she coolly informed the men, who,
seeing her danger, had approached, that she "could arrange her cow for
herself and did not want any help," which she proved by tying a big blue
handkerchief over the animal's eyes, producing instant docility; and
then she was led away by her flushed but triumphant mistress, who calmly
settled her cap, and took a pinch of snuff to refresh herself, after a
scuffle which would have annihilated most women.

When Madame C.'s wood was put in, the newcomers were interested in
watching the job, for it was done in a truly Bretonesque manner. It
arrived in several odd carts, each drawn by four great horses, with men
to each team; and as the carts were clumsy, the horses wild, and the men
stupid, the square presented a lively spectacle. At one time there were
three carts, twelve horses, and six men all in a snarl, while a dozen
women stood at their doors and gave advice. One was washing a lettuce,
another dressing her baby, a third twirling her distaff, and a fourth
with her little bowl of soup, which she ate in public while
gesticulating so frantically that her sabots [Footnote: Sabots: wooden
shoes.] clattered on the stones.

The horses had a free fight, and the men swore and shouted in vain, till
the lady with the baby suddenly went to the rescue. Planting the naked
cherub on the doorstep, this energetic matron charged in among the
rampant animals, and by some magic touch untangled the teams, quieted
the most fractious, a big gray brute prancing like a mad elephant, then
returned to her baby, who was placidly eating dirt, and with a polite
"Voila, messieurs!" [Footnote: Voila Messieurs: "There you are,
gentlemen."] she whipped little Jean into his shirt, while the men sat
down to smoke.

It took two deliberate men nearly a week to split the gnarled logs, and
one brisk woman carried them into the cellar and piled them neatly. The
men stopped about once an hour to smoke, drink cider, or rest. The woman
worked steadily from morning till night, only pausing at noon for a bit
of bread and the soup good Coste sent out to her. The men got two francs
a day, the woman half a franc; and, as nothing was taken out of it for
wine or tobacco, her ten cents probably went farther than their forty.

This same capable lady used to come to market with a baby on one arm, a
basket of fruit on the other, leading a pig, driving a donkey, and
surrounded by sheep, while her head bore a pannier [Footnote: Pannier.
Panniers are a pair of baskets slung across the back of a horse or
donkey.] of vegetables, and her hands spun busily with a distaff. How
she ever got on with these trifling incumbrances, was a mystery; but
there she was, busy, placid, and smiling, in the midst of the crowd, and
at night went home with her shopping well content.

The washerwomen were among the happiest of these happy souls, and
nowhere were seen prettier pictures than they made, clustered round the
fountains or tanks by the way, scrubbing, slapping, singing, and
gossiping, as they washed or spread their linen on the green hedges and
daisied grass in the bright spring weather. One envied the cheery faces
under the queer caps, the stout arms that scrubbed all day, and were not
too tired to carry some chubby Jean or little Marie when night came,
and, most of all, the contented hearts in the broad bosoms under the
white kerchiefs, for no complaint did one hear from these hard-working,
happy women. The same brave spirit seems to possess them now as that
which carried them heroically to their fate in the Revolution, when
hundreds of mothers and children were shot at Nantes [Footnote: Nantes:
a town near the mouth of the Loire River.] and died without murmur.

--LOUISA ALCOTT.

[Footnote: What traits does the author find most admirable in the women
of Brittany? Show how these traits are brought out by contrast with the
behavior of the men. Do women in this country do the same kinds of work
as the European peasant women? What other things might the descriptions
have included if the author had not been so much interested in the
people? What parts of the sketch are humorous? Point out passages that
are effective through contrast. Show how the women of Brittany are made
to seem womanly and dignified in spite of the amusement they furnish
us.]




THE ADIRONDACKS


One day we visited a cave some two miles down the stream, which had
recently been discovered. We squeezed and wriggled through a big crack
or cleft in the side of the mountain, for about one hundred feet, when
we emerged into a large dome-shaped passage, the abode, during certain
seasons of the year, of innumerable bats, and at all times of primeval
darkness. There were various other crannies and pit-holes opening into
it, some of which we explored. The voice of running water was heard
everywhere, betraying the proximity of the little stream by whose
ceaseless corroding the cave and its entrance had been worn. This
streamlet flowed out of the mouth of the cave, and came from a lake on
the top of the mountain; this accounted for its warmth to the hand,
which surprised us all.

Birds of any kind were rare in these woods. A pigeon-hawk came prowling
by our camp, and the faint piping call of the nuthatches, leading their
young through the high trees, was often heard.

On the third day our guide proposed to conduct us to a lake in the
mountains where we could float for deer.

Our journey commenced in a steep and rugged ascent, which brought us,
after an hour's heavy climbing, to an elevated region of pine-forest,
years before ravished by lumbermen, and presenting all manner of
obstacles to our awkward and incumbered pedestrianism. The woods were
largely pine, though yellow birch, beech and maple were common. The
satisfaction of having a gun, should any game show itself, was the chief
compensation to those of us who were thus burdened. A partridge would
occasionally whir up before us, or a red squirrel snicker and hasten to
his den; else the woods appeared quite tenantless. The most noted object
was a mammoth pine, apparently the last of a great race, which presided
over a cluster of yellow birches, on the side of the mountain.

About noon we came out upon a long, shallow sheet of water which the
guide called Bloody Moose Pond, from the tradition that a moose had been
slaughtered there many years before. Looking out over the silent and
lovely scene, his eye was the first to detect an object, apparently
feeding upon lily-pads, which our willing fancies readily shaped into a
deer. As we were eagerly waiting some movement to confirm this
impression, it lifted up its head, and lo! a great blue heron. Seeing us
approach, it spread its long wings and flew solemnly across to a dead
tree on the other side of the lake, enhancing rather than relieving the
loneliness and desolation that brooded over the scene. As we proceeded
it flew from tree to tree in advance of us, apparently loth to be
disturbed in its ancient and solitary domain. In the margin of the pond
we found the pitcher-plant growing, and here and there in the sand the
closed gentian lifted up its blue head.

In traversing the shores of this wild, desolate lake, I was conscious of
a slight thrill of expectation, as if some secret of Nature might here
be revealed, or some rare and unheard-of game disturbed. There is ever a
lurking suspicion that the beginning of things is in some way associated
with water, and one may notice that in his private walks he is led by a
curious attraction to fetch all the springs and ponds in his route, as
if by them was the place for wonders and miracles to happen. Once, while
in advance of my companions, I saw, from a high rock, a commotion in the
water near the shore, but on reaching the point found only the marks of
musquash [Footnote: Musquash: muskrat.] degrees.

Passing on through the forest, after many adventures with the pine
knots, we reached, about the middle of the afternoon, our destination,
Nate's Pond--a pretty sheet of water, lying like a silver mirror in the
lap of the mountain, about a mile long and half a mile wide, surrounded
by dark forests of balsam, hemlock, and pine, and, like the one we had
just passed, a very picture of unbroken solitude.

It is not in the woods alone to give one this impression of utter
loneliness. In the woods are sounds and voices, and a dumb kind of
companionship; one is little more than a walking tree himself; but come
upon one of these mountain lakes, and the wildness stands revealed and
meets you face to face. Water is thus facile and adaptive, that it makes
the wild more wild, while it enhances culture and art.

The end of the pond which we approached was quite shoal, the stones
rising above the surface as in a summer brook, and everywhere showing
marks of the noble game we were in quest of,--footprints, dung, and
cropped and uprooted lily-pads. After resting for a half hour, and
replenishing our game-pouches at the expense of the most respectable
frogs of the locality, we filed on through the soft, resinous pinewoods,
intending to camp near the other end of the lake, where, the guide
assured us, we should find a hunter's cabin ready built. A half hour's
march brought us to the locality, and a most delightful one it was, so
hospitable and inviting that all the kindly and beneficent influences of
the woods must have abided there. In a slight depression in the woods,
about one hundred yards from the lake, though hidden from it for a
hunter's reasons, surrounded by a heavy growth of birch, hemlock, and
pine, with a lining of balsam and fir, the rude cabin welcomed us. It
was of the approved style, three sides inclosed, with a roof of bark and
a bed of boughs, and a rock in front that afforded a permanent back-log
to all fires. A faint voice of running water was heard near by, and,
following the sound, a delicious spring rivulet was disclosed, hidden by
the moss and debris as by a new fall of snow, but here and there rising
in little well-like openings, as if for our special convenience.

--JOHN BURROUGHS.

[Footnote: What does this power of minute observation tell you about the
writer? What other qualities of the naturalist does Burroughs show in
this account? What things in nature seem most to attract his attention?
Do you know what science now says about "the beginning of things" being
"associated with water"? What do you imagine were the "adventures with
the pine knots" that Burroughs speaks of?]




AN ASCENT OF KILAUEA


[Footnote: Kilauea: a volcano on the island of Hawaii.]

At last we found ourselves at the very edge of the old crater, the bed
of which, three or four hundred feet beneath us, was surrounded by steep
and in many places overhanging sides. It looked like an enormous
cauldron, four or five miles in width, full of a mass of cooled pitch.
In the center was the still glowing stream of dark red lava flowing
slowly toward us, and in every direction were red-hot patches, and
flames, and smoke, issuing from the ground.

Yet the first sensation is rather one of disappointment, as one expects
greater activity on the part of the volcano; but the new crater was
still to be seen, containing the lake of fire, with steep walls rising
up in the midst of the sea of lava.

We spent the night at the Volcano House, and at three o'clock the next
afternoon we set out, a party of eight, with two guides, and three
porters to carry our wraps and provisions, and to bring back specimens.

First of all we descended the precipice, three hundred feet in depth,
forming the wall of the old crater, but now thickly covered with
vegetation. It is so steep in many places that flights of zigzag wooden
steps have been inserted in the face of the cliff in some places, in
order to render the descent practicable.

At the bottom we stepped straight on to the surface of cold boiled lava,
which we had seen from above last night. Even here, in every crevice
where a few grains of soil had collected, delicate little ferns might be
seen struggling for life, and thrusting out their green fronds towards
the light.

It was the most extraordinary walk imaginable, over that vast plain of
lava, twisted and distorted into every conceivable shape and form,
according to the temperature it had originally attained and the rapidity
with which it had cooled, its surface, like half-molten glass, cracking
and breaking beneath our feet.

Sometimes we came to a patch that looked like the contents of a pot,
suddenly petrified in the act of boiling; sometimes the black,
iridescent lava had assumed the form of waves, or more frequently of
huge masses of rope, twisted and coiled together; sometimes it was piled
up like a collection of organ pipes, or had gathered into mounds and
cones of various dimensions.

As we proceeded, the lava became hotter and hotter, and from every crack
arose gaseous fumes, affecting our noses and throats in a painful
manner; till at last, when we had to pass to leeward [Footnote: Leeward:
away from the wind.] of the molten stream flowing from the lake, the
vapors almost choked us, and it was with difficulty we continued to
advance.

The lava was more glassy and transparent-looking, as if it had been
fused at a higher temperature than usual; and the crystals of sulphur,
alum, and other minerals, with which it abounded, reflected the light in
bright prismatic colors. In places it was quite transparent, and we
could see beneath it the long streaks of a stringy kind of lava, like
brown spun glass, called "Pele's hair."

At last we reached the foot of the present crater, and commenced the
ascent of the outer wall. Many times the thin crust gave way beneath our
guide, and he had to retire quickly from the hot, blinding, choking
fumes that immediately burst forth. But we succeeded in reaching the
top, and then what a sight presented itself to our astonished eyes! I
could neither speak nor move at first, but could only stand and gaze at
the horrible grandeur of the scene.

We were standing on the extreme edge of a precipice, overhanging a lake
of molten fire, a hundred feet below us, nearly a mile across. Dashing
against the cliffs on the opposite side, with a noise like the roar of a
stormy ocean, waves of blood-red fiery liquid lava hurled their billows
upon an iron-bound headland, and then rushed up the face of the cliffs
to toss their gory spray high in the air.

The restless, heaving lake boiled and bubbled, never remaining the same
for two minutes together. Its normal color seemed to be a dull dark red,
covered with a thin gray scum, which every moment and in every part
swelled and cracked, and emitted fountains, cascades, and whirlpools of
yellow and red fire, while sometimes one big golden river, sometimes
four or five, flowed across it.

As the sun set and as darkness enveloped the scene, it became more awful
than ever. We retired a little way from the brink to breathe some fresh
air, and to try and eat the food we had brought with us; but this was an
impossibility. Every instant a fresh explosion or glare made us jump up
to survey the scene.

The violent struggles of the lava to escape from its fiery bed, and the
loud and awful noises by which they were at times, accompanied,
suggested the idea that some imprisoned monsters were trying to release
themselves from their bondage, with shrieks and groans, and cries of
agony and despair at the futility of their efforts. Sometimes there were
at least seven spots on the borders of the lake where the molten lava
dashed up furiously against the rocks--seven fire fountains playing at
the same time.

I had for some time been feeling very hot and uncomfortable, and on
looking round, the cause was at once apparent. Not two inches beneath
the surface, the gray lava on which we were standing and sitting was red
hot. A stick thrust through it caught fire, a piece of paper was
immediately destroyed, and the gentlemen found the heat from the
crevices so great that they could not approach near enough to light
their pipes.

One more long last look, and then we turned our faces away from the
scene that had enthralled us for so many hours. The whole of the lava we
had crossed in the extinct crater was now aglow in many patches, and in
all directions flames were bursting forth, fresh lava flowing, and steam
and smoke were issuing from the surface.

It was a toilsome journey back again, walking as we did in single file,
and obeying the strict charges of our head guide to follow him closely,
and to tread exactly in his footsteps. On the whole, it was easier by
night than by day to distinguish the route to be taken, as we could now
see the dangers that before we could only feel; and many were the fiery
crevices we stepped over and jumped across. Once I slipped, and my foot
sank through the thin crust. Sparks issued from the ground, and the
stick on which I leaned caught fire before I could fairly recover
myself.

--LADY BRASSEY.

[Footnote: Note the purely objective description. What colors
predominate? Point out the similes in use. Do they heighten the picture?
Does the author succeed in giving a clear picture of the volcano?]




THE FETISH


Before this remonstrance was finished, Maggie was already out of
hearing, making her way towards the great attic that ran under the old
high-pitched roof, shaking the water from her black locks as she ran,
like a Skye terrier escaped from his bath. This attic was Maggie's
favorite retreat on a wet day, when the weather was not too cold; here
she fretted out all her ill-humors, and talked aloud to the worm-eaten
floors and the worm-eaten shelves, and the dark rafters festooned with
cobwebs; and here she kept a Fetish [Footnote: Fetish (also spelt
"fetich"): a material object, venerated by certain African tribes; a
sort of idol, which is sometimes punished by its owner in disappointment
or anger.] which she punished for all her misfortunes. This was the
trunk of a large wooden doll, which once stared with the roundest of
eyes above the reddest of cheeks, but was now entirely defaced by a long
career of vicarious [Footnote: Vicarious: suffered or performed in place
of another.] suffering. Three nails driven into the head commemorated as
many crises in Maggie's nine years of earthly struggle; that luxury of
vengeance having been suggested to her by the picture of Jael [Footnote:
Jael: referring to the story of how Jael drove the nail into the
forehead of Sisera. _Judges_ IV: 17 to 22.] destroying Sisera in
the old Bible. The last nail had been driven in with a fiercer stroke
than usual, for the Fetish on that occasion represented Aunt Glegg. But
immediately afterwards Maggie had reflected that if she drove many nails
in, she would not be so well able to fancy that the head was hurt, when
she knocked it against the wall, nor to comfort it, and make believe to
poultice it, when her fury was abated; for even Aunt Glegg would be
pitiable when she had been hurt very much, and thoroughly humiliated, so
as to beg her niece's pardon. Since then she had driven no more nails
in, but had soothed herself by alternately grinding and beating the
wooden head against the rough brick of the great chimneys that made two
square pillars supporting the roof. That was what she did this morning
on reaching the attic, sobbing all the while with a passion that
expelled every other form of consciousness,--even the memory of the
grievance that had caused it. As at last the sobs were getting quieter,
and the grinding less fierce, a sudden beam of sunshine, falling through
the wire lattice across the worm-eaten shelves, made her throw away the
Fetish and run to the window. The sun was really breaking out; the sound
of the mill seemed cheerful again; the granary doors were open; and
there was Yap, the queer white-and-brown terrier, with one ear turned
back, trotting about and sniffing vaguely, as if he were in search of a
companion. It was irresistible. Maggie tossed her hair back and ran
downstairs, seized her bonnet without putting it on, peeped, and then
dashed along the passage lest she should encounter her mother, and was
quickly out in the yard, whirling round like a Pythoness, and singing as
she whirled, "Yap, Yap, Tom's coming home!" while Yap danced and barked
round her, as much as to say, if there was any noise wanted he was the
dog for it.

--GEORGE ELIOT.

[Footnote: What traits of character does Maggie show? Do children think
of their dolls as alive? Or as representing people they know? Did you
ever have the impulse to "take your spite out" on something, animate or
inanimate? Did you feel any better for relieving your feelings so? There
is an interesting account of a savage beating his idol in Melville's
"Typee."]




SALMON FISHING IN IRELAND


The pool has been cut through a peat bog, [Footnote: Peat-bog. Peat is a
kind of turf that is used for fuel.] and the greater part of it is
twenty feet deep. A broad fringe of water-lilies lines the banks,
leaving, however, an available space for throwing a fly upon between
them. This is the great resting-place of the fish on their way to the
lake and the upper river. The water is high, and almost flowing over the
bog. The wind catches it fairly, tearing along the surface and sweeping
up the crisp waves in white clouds of spray. The party of strangers who
had cards to fish were before us, but they are on the wrong side, trying
vainly to send their flies in the face of the southwester, which whirls
their casting-lines back over their heads. They have caught a peal
[Footnote: Peal: a small salmon.] or two, and one of them reports that
he was broken by a tremendous fish at the end of the round-pool. Jack
directs them to a bend higher up, where they will find a second pool as
good as this one, with a more favorable slant of wind, while I put my
rod together and turn over the leaves of my fly-book. Among the marvels
of art and nature I know nothing equal to a salmon-fly. It resembles no
insect, winged or unwinged, which the fish can have seen. A shrimp,
perhaps, is the most like it, if there are degrees to utter
dissimilarity. Yet every river is supposed to have its favorite flies.
Size, color, shape, all are peculiar. Here vain tastes prevail for
golden pheasant and blue and crimson paroquet. There the salmon are as
sober as Quakers, and will look at nothing but drabs and browns. Nine
parts of this are fancy, but there is still a portion of truth in it.
Bold hungry fish will take anything in any river; shy fish will
undoubtedly rise and splash at a stranger's fly, while they will swallow
what is offered them by any one who knows their ways. It may be
something in the color of the water: it may be something in the color of
the banks: experience is too uniform to allow the fact itself to be
questioned. Under Jack's direction, I select small flies about the size
of green drakes: one a sombre gray, with a silver twist about him, a
claret hackle, [Footnote: Claret hackle. A hackle is an artificial fly
made of feathers.] a mallard wing, [Footnote: Mallard wing. A mallard is
the drake of the wild duck. The artificial fly imitates its wing.]
streaked faintly on the lower side with red and blue. The drop fly is
still darker, with purple legs and olive green wings and body.

We move to the head of the pool and begin to cast in the gravelly
shallows, on which the fish lie to feed in a flood, a few yards above
the deep water. A white trout or two rise, and presently I am fast in
something which excites momentary hopes. The heavy rod bends to the
butt. A yard or two of line runs out, but a few seconds show that it is
only a large trout which has struck at the fly with his tail, and has
been hooked foul. He cannot break me, and I do not care if he escapes,
so I bear hard upon him and drag him by main force to the side, where
Harper slips the net under his head, and the next moment he is on the
bank. Two pounds within an ounce or so, but clean run from the sea,
brought up by last night's flood, and without a stain of the bog-water
on the pure silver of his scales. He has disturbed the shallow, so we
move a few steps down.

There is an alder bush on the opposite side, where the strength of the
river is running. It is a long cast. The wind is blowing so hard that I
can scarcely keep my footing, and the gusts whirl so unsteadily that I
cannot hit the exact spot where, if there is a salmon in the
neighborhood, he is lying.

The line flies out straight at last, but I have now thrown a few inches
too far; my tail fly is in the bush, dangling across an overhanging
bough. An impatient movement, a jerk, or a straight pull, and I am "hung
up," as is the phrase, and delayed for half an hour at least. Happily
there is a lull in the storm. I shake the point of the rod. The
vibration runs along the line; the fly drops softly like a leaf upon the
water--and as it floats away something turns heavily, and a huge brown
back is visible for an instant through a rift in the surface. But the
line comes home. He was an old stager, as we could see by his color, no
longer ravenous as when fresh from the salt-water. He was either lazy
and missed the fly, or it was not entirely to his mind. He was not
touched, and we drew back to consider. "Over him again while he is
angry," is the saying in some rivers, and I have known it to answer
where the fish feed greedily. But it will not do here; we must give him
time; and we turn again to the fly-book. When a salmon rises at a small
fly as if he meant business, yet fails to take it, the rule is to try
another of the same pattern a size larger. This too, however, just now
Jack thinks unfavorably of. The salmon is evidently a very large one,
and will give us enough to do if we hook him. He therefore, as one
precaution, takes off the drop fly lest it catch in the water-lilies. He
next puts the knots of the casting-line through a severe trial; replaces
an unsound joint with a fresh link of gut, and finally produces out of
his hat a "hook"--he will not call it a fly--of his own dressing. It is
a particolored father-long-legs, a thing which only some frantic
specimen of orchid ever seriously approached, a creature whose wings
were two strips of the fringe of a peacock's tail, whose legs descended
from blue jay through red to brown, and terminated in a pair of pink
trailers two inches long. Jack had found it do, and he believed it would
do for me. And so it did. I began to throw again six feet above the
bush, for a salmon often shifts his ground after rising. One cast--a
second--another trout rises which we receive with an anathema,
[Footnote: Anathema: a curse.] and drag the fly out of his reach. The
fourth throw there is a swirl like the wave which arises under the blade
of an oar, a sharp sense of hard resistance, a pause, and then a rush
for dear life. The wheel shrieks, the line hisses through the rings, and
thirty yards down the pool the great fish springs madly six feet into
the air. The hook is firm in his upper jaw; he had not shaken its hold,
for the hook had gone into the bone--pretty subject of delight for a
reasonable man, an editor of a magazine, and a would-be philosopher,
turned fifty! The enjoyments of the unreasoning part of us cannot be
defended on grounds of reason, and experience shows that men who are all
logic and morals, and have nothing of the animal left in them, are poor
creatures after all.

Any way, I defy philosophy with a twenty-pound salmon fast hooked, and a
pool right ahead four hundred yards long and half full of water-lilies.
"Keep him up the strame," shrieked a Paddy, who, on the screaming of the
wheel, had flung down his spade in the turf bog and rushed up to see the
sport. "Keep him up the strame, your honor--bloody wars! you'll lost him
else." We were at fault, Jack and I. We did not understand why down
stream was particularly dangerous, and Pat was too eager and too busy
swearing to explain himself. Alas, his meaning became soon but too
intelligible. I had overtaken the fish on the bank and had wheeled in
the line again, but he was only collecting himself for a fresh rush, and
the next minute it seemed as if the bottom had been knocked out of the
pool and an opening made into infinity. Round flew the wheel again;
fifty yards were gone in as many seconds, the rod was bending double,
and the line pointed straight down; straight as if there was a lead at
the end of it and unlimited space in which to sink. "Ah, didn't I tell
ye so?" said Pat; "what will we do now?" Too late Jack remembered that
fourteen feet down at the bottom of that pool lay the stem of a fallen
oak, below which the water had made a clear channel. The fish had turned
under it, and whether he was now up the river or down, or where he was
who could tell? He stopped at last. "Hold him hard," said Jack, hurling
off his clothes, and while I was speculating whether it would be
possible to drag him back the way that he had gone, a pink body flashed
from behind me, bounded off the bank with a splendid header, and
disappeared. He was under for a quarter of a minute; when he rose he had
the line in his hand between the fish and the tree.

"All right," he sputtered, swimming with the other hand to the bank and
scrambling up. "Run the rest of the line off the reel and out through
the rings." He had divined by a brilliant instinct the only remedy for
our situation. The thing was done, fast as Pat and I could ply our
fingers. The loose end was drawn round the log, and while Jack was
humoring the fish with his hand, and dancing up and down the bank
regardless of proprieties, we had carried it back down the rings,
replaced it on the reel, wound in the slack, and had again command of
the situation.

The salmon had played his best stroke. It had failed him, and he now
surrendered like a gentleman. A mean-spirited fish will go to the
bottom, bury himself in the weed, and sulk. Ours set his head towards
the sea, and sailed down the length of the pool in the open water
without attempting any more plunges. As his strength failed, he turned
heavily on his back, and allowed himself to be drawn to the shore. The
gaff [Footnote: Gaff: a large hook fixed on the end of a pole or
handle.] was in his side and he was ours. He was larger than we had
guessed him. Clean run he would have weighed twenty-five pounds. The
fresh water had reduced him to twenty-two, but without softening his
muscle or touching his strength.

--JAMES FROUDE (adapted).

[Footnote: Is the first part of the narrative a typical story of
"fisherman's luck"? Show how the story illustrates that a real lover of
fishing is enthusiastic over every detail of his experience. Is the
story technical at the expense of the reader's interest? How does the
element of suspense add to the interest? Is the account more interesting
by being told in the first person? Why?]




ACROSS RUNNING WATER


At a running water, that comes out at a place called Srath-namara, near
the sea-gates of Loch Suibhne, there is a pool called the Pool of the
Changeling. None ever goes that way from choice, for only the crying of
the curlew is heard there, or the querulous wailing lapwing.

It was here that one night, in a September of many storms, a woman stood
staring at the sea. The screaming seamews [Footnote: Seamews: gulls.]
wheeled and sank and circled overhead, and the solanders [Footnote:
Solanders: a kind of wild geese.] rose with heavy wing and hoarse cries,
and the black scarts screeched to the startled guillemots [Footnote:
Guillemots: birds similar to the auks.] or to the foam-white terns
[Footnote: Terns: a species of birds allied to the gulls.] blown before
the wind like froth. The woman looked neither at the seafowl nor at the
burning glens of scarlet flame which stretched dishevelled among the
ruined lands of the sunset.

Between the black flurries of the wind, striking the sea like flails,
came momentary pauses or long silences. In one of these the woman raised
her arms, she the while unheeding the cold tide wash about her feet,
where she stood insecurely on the wet slippery tangle.

Seven years ago this woman had taken the one child she had, that she did
not believe to be her own but a changeling, and had put it on the shore
at the extreme edge of the tide-reach, and had left it for the space of
an hour. When she came back, the child she had left with a numbness on
its face and with the curse of dumbness, was laughing wild, and when she
came near, it put out its arms and gave the cry of the young of birds.
She lifted the "leanav" in her arms and stared into its eyes, but there
was no longer the weary blankness, and the little one yearned with the
petulant laughing and idle whimpering of the children of other mothers.
And that mother there gave a cry of joy, and with a singing heart went
home.

It was in the seventh year after that finding by the sea, that one day,
when a cold wind was blowing from the west, the child Morag came in by
the peat-fire, where her mother was boiling the porridge, and looked at
her without speaking. The mother turned at that, and looked at Morag.
Her heart sank like a pool-lily at shadow, when she saw that Morag had
woven a wreath of brown tangled seaweed into her hair. But that was
nothing to the bite in her breast when the girl began singing a song
that had not a word in it she had ever heard on her own or other lips,
but was wild as the sound of the tide calling in dark nights of cloud
and wind, or as the sudden coming of waves over a quiet sea in the
silence of the black hours of sleep.

"What is it, Morag-mo-run?" she asked, her voice like a reed in the
wind.

"It's time," says Morag, with a change in her eyes, and her face shining
with a gleam on it.

"Time for what, Morag?"

"For me to be going back to the place I came from."

"And where will that be?"

"Where would it be but to the place you took me out of, and called
across?"

The mother gave a cry and a sob. "Sure, now, Morag-a-ghraidh, you will
be my own lass and no other?"

"Whist, woman," answered the girl; "don't you hear the laughing in the
burn, [Footnote: Burn: a small stream.] and the hoarse voice out in the
sea?"

"That I do not, O Morag-mo-chridh, and sure it's black sorrow to you and
to me hearing that hoarse voice and that thin laughing."

"Well, sorrow or no sorrow, I'm off now, poor woman. [Footnote: Poor
woman: a friendly term of address in Ireland.] And it's good-bye, and a
good-bye to you I'll be saying to you, poor woman. Sure it's a sorrow to
me to leave you in grief, but if you'll go down to the edge of the
water, at the place you took me from, where the runnin' water falls into
the sea-pool, you'll be having there against your breast in no time the
child of your own that I never was and never could be."

"And why that, and why that, O Morag, lennavanmo?"

"Peace on your sorrow, woman, and good-bye to you now;" and with that
the sea-changeling went laughing out at the door, singing a wave-song
that was so wild and strange the mother's woe was turned to a fear that
rose like chill water in her heart.

When she dared follow--and why she did not go at once she did not
know--she saw at first no sight of Morag or any other on the lonely
shore. In vain she called, with a great sorrowing cry. But as, later,
she stood with her feet in the sea, she became silent of a sudden, and
was still as a rock, with her ragged dress about her like draggled
seaweed. She had heard a thin crying. It was the voice of a
breast-child, and not of a grown lass like Morag.

When a gray heron toiled sullenly from a hollow among the rocks she went
to the place. She was still now, with a frozen sorrow. She knew what she
was going to find. But she did not guess till she lifted that little
frail child she had left upon the shore seven years back, that the
secret people of the sea or those who call across running water could
have the hardness and coldness to give her again the unsmiling dumb
thing she had mothered with so much bitterness of heart.

Morag she never saw again, nor did any other see her, except Padruig
Macrae, the innocent, who on a New Year's eve, that was a Friday, said
that as he was whistling to a seal down by the Pool at Srath-na-mara he
heard someone laughing at him; and when he looked to see who it was he
saw it was no other than Morag--and he had called to her, he said, and
she called back to him, "Come away, Padruig dear," and then had swum off
like a seal, crying the heavy tears of sorrow.

And as for the child she had found again on the place she had left her
own silent breast-babe seven years back; it never gave a cry or made any
sound whatever, but stared with round, strange eyes only, and withered
away in three days, and was hidden by her in a sand-hole at the root of
a stunted thorn that grew there.

At every going down of the sun thereafter, the mother of the changeling
went to the edge of the sea, and stood among the wet tangle of the
wrack, [Footnote: Wrack: coarse seaweed.] and put out her supplicating
hands, but never spoke word nor uttered cry.

But on this night of September, while the gleaming sea-fowl were flying
through the burning glens of scarlet flame in the wide purple wildness
of the sky, with the wind falling and wailing and wailing and falling,
the woman went over to the running water beyond the seapool, and put her
skirt over her head and stepped into the pool, and, hooded thus and thus
patient, waited till the tide came in.

--FIONA MACLEOD.

[Footnote: Notice how the author describes the wildness of nature so as
to make it seem in sympathy with the strangeness of the human story.
Pick out words and passages that convey this as: "screaming seamews,"
"screeched," "dishevelled," "black flurries," etc. Have you ever read
any stories or fairy tales that tell about changelings? Among what kind
of people would a story like this be believed? Read Yeats, "The Land of
Hearts' Desire" and compare with this story. Is the story too fantastic
to gain the reader's sympathy?]




THE PINE-TREE SHILLINGS


The Captain John Hull aforesaid was the mint-master of Massachusetts,
and coined all the money that was made there. This was a new line of
business; for, in the earlier days of the colony, the current coinage
consisted of gold and silver money of England, and Portugal, and Spain.
These coins being scarce, the people were often forced to barter their
commodities instead of selling them.

For instance, if a man wanted to buy a coat, he perhaps exchanged a
bear-skin for it. If he wished for a barrel of molasses, he might
purchase it with a pile of pine boards. Musket-bullets were used instead
of farthings. The Indians had a sort of money, called wampum, which was
made of clam-shells; and this strange sort of specie was likewise taken
in payment of debts by the English settlers. Bank-bills had never been
heard of. There was not money enough of any kind, in many parts of the
country, to pay the salaries of the ministers; so that they sometimes
had to take quintals [Footnote: Quintals: hundredweights.] of fish,
bushels of corn, or cords of wood, instead of silver or gold.

As the people grew more numerous, and their trade one with another
increased, the want of current money was still more sensibly felt. To
supply the demand, the General Court passed a law for establishing a
coinage of shillings, sixpences, and threepences. [Footnote: Shillings:
Sixpences, and three-pences. What country did use and still uses this
system?] Captain John Hull was appointed to manufacture this money, and
was to have about one shilling out of every twenty to pay him for the
trouble of making them.

Hereupon all the old silver in the colony was handed over to Captain
John Hull. The battered silver cans and tankards, [Footnote: Tankards:
large drinking vessels.] I suppose, and silver buckles, and broken
spoons, and silver buttons of wornout coats, and silver hilts of swords
that had figured at court,--all such curious old articles were doubtless
thrown into the melting pot together. But by far the greater part of the
silver consisted of bullion [Footnote: Bullion: uncoined gold or silver
in the mass.] from the mines of South America, which the English
buccaneers [Footnote: Buccaneers: pirates.]--who were little better than
pirates--had taken from the Spaniards, and brought to Massachusetts.
All this old and new silver being melted down and coined, the result was
an immense amount of splendid shillings, sixpences, and threepences.
Each had the date, 1652, on the one side, and the figure of a pine-tree
on the other. Hence they were called pine-tree shillings. And for every
twenty shillings that he coined, you will remember, Captain John Hull
was entitled to put one shilling into his own pocket.

The magistrates soon began to suspect that the mint-master would have
the best of the bargain. They offered him a large sum of money if he
would but give up the twentieth shilling which he was continually
dropping into his own pocket. But Captain Hull declared himself
perfectly satisfied with the shilling. And well he might be; for so
diligently did he labor that, in a few years, his pockets, his
money-bags, and his strong box were overflowing with pine-tree
shillings. This was probably the case when he came into possession of
Grandfather's chair; and, as he had worked so hard at the mint, it was
certainly proper that he should have a comfortable chair to rest himself
in.

When the mint-master had grown rich, a young man, Samuel Sewell by name,
came a-courting to his only daughter. His daughter--whose name I do not
know, but we will call her Betsey--was a fine, hearty damsel, by no
means so slender as some young ladies of our own days. On the contrary,
having always fed heartily on pumpkin-pies, doughnuts, Indian puddings,
and other Puritan dainties, she was as round, and plump as a pudding
herself. With this round, rosy Miss Betsey did Samuel Sewell fall in
love. As he was a young man of good character, industrious in his
business, and a member of the church, the mint-master very readily gave
his consent.

"Yes, you may take her," said he, in his rough way, "and you'll find her
a heavy burden enough!"

On the wedding day, we may suppose that honest John Hull dressed himself
in a plum- coat, all the buttons of which were made of pine-tree
shillings. The buttons of his waistcoat were sixpences; and the knees of
his smallclothes [Footnote: Smallclothes: knee breeches.] were buttoned
with silver threepences. Thus attired, he sat with great dignity in
Grandfather's chair; and, being a portly old gentleman, he completely
filled it from elbow to elbow. On the opposite side of the room, between
her bridemaids, sat Miss Betsey. She was blushing with all her might,
and looked like a full-blown peony, or a great red apple.

There, too, was the bridegroom, dressed in a fine purple coat and
gold-lace waistcoat, with as much other finery as the Puritan laws and
customs would allow him to put on. His hair was cropped close to his
head, because Governor Endicott [Footnote: Governor Endicott: governor
of the Massachusetts colony from 1647 to 1665.] had forbidden any man to
wear it below the ears. But he was a very personable young man; and so
thought the bridemaids and Miss Betsey herself.

The mint-master also was pleased with his new son-in-law; especially as
he had courted Miss Betsey out of pure love, and had said nothing at all
about her portion. So, when the marriage ceremony was over, Captain Hull
whispered a word to two of his men-servants, who immediately went out,
and soon returned, lugging in a large pair of scales. There were such a
pair as wholesale merchants use for weighing bulky commodities; and
quite a bulky commodity was now to be weighed in them.

"Daughter Betsey," said the mint-master, "get into one side of these
scales."

Miss Betsey--or Mrs. Sewell, as we must now call her--did as she was
bid, like a dutiful child, without any question of the why and
wherefore. But what her father could mean, unless to make her husband
pay for her by the pound (in which case she would have been a dear
bargain), she had not the least idea.

"And now," said honest John Hull to the servants, "bring that box
hither."

The box to which the mint-master pointed was a huge square, iron-bound,
oaken chest; it was big enough, my children, for all four of you to play
hide-and-seek in. The servants tugged with might and main, but could not
lift this enormous receptacle, and were finally obliged to drag it
across the floor. Captain Hull then took a key from his girdle, unlocked
the chest, and lifted its ponderous lid. Behold! it was full to the brim
of bright pine-tree shillings, fresh from the mint; and Samuel Sewell
began to think that his father-in-law had got possession of all the
money in the Massachusetts treasury. But it was only the mint-master's
honest share of the coinage.

Then the servants, at Captain Hull's command, heaped double handfuls of
shillings into one side of the scales, while Betsey remained in the
other. Jingle, jingle, went the shillings, as handful after handful was
thrown in, till, plump and ponderous as she was, they fairly weighed the
young lady from the floor.

"There, son Sewell!" cried the honest mint-master, resuming his seat in
Grandfather's chair, "take these shillings for my daughter's portion.
Use her kindly, and thank Heaven for her. It is not every wife that's
worth her weight in silver!"

--NATHANIEL HAWTHORNE.

[Footnote: Notice the kindly quality of the humor. Do you know any other
stories written in this vein? Does the author seem to think that Miss
Betsey's charms or her money were her attraction?]




THE WHITE TRAIL


For the space of nearly ten weeks these people travelled thus in the
region of the Kabinikagam. Sometimes they made long marches; sometimes
they camped for the hunting; sometimes the great, fierce storms of the
north drove them to shelter, snowed them under, and passed on shrieking.
The wind opposed them. At first of little account, its very insistence
gave it value. Always the stinging snow whirling into the face; always
the eyes watering and smarting; always the unyielding opposition against
which to bend the head; always the rush of sound in the ears,--a
distraction against which the senses had to struggle before they could
take their needed cognisance of trail and of game. An uneasiness was
abroad with the wind, an uneasiness that infected the men, the dogs, the
forest creatures, the very insentient trees themselves. It racked the
nerves. In it the inimical Spirit of the North seemed to find its
plainest symbol; though many difficulties she cast in the way were
greater to be overcome.

Ever the days grew shorter. The sun swung above the horizon, low to the
south, and dipped back as though pulled by some invisible string.
Slanting through the trees it gave little cheer and no warmth. Early in
the afternoon it sank, silhouetting the pointed firs, casting across the
snow long, crimson shadows, which faded into gray. It was replaced by a
moon, chill and remote, dead as the white world on which it looked.

In the great frost continually the trees were splitting with loud,
sudden reports. The cold had long since squeezed the last drops of
moisture from the atmosphere. It was metallic, clear, hard as ice,
brilliant as the stars, compressed with the freezing. The moon, the
stars, the earth, the very heavens glistened like polished steel. Frost
lay on the land thick as a coverlid. It hid the east like clouds of
smoke. Snow remained unmelted two feet from the camp-fire.

And the fire alone saved these people from the enemy. If Sam stooped for
a moment to adjust his snow-shoe strap, he straightened his back with a
certain reluctance,--already the benumbing preliminary to freezing had
begun. If Dick, flipping his mitten from his hand to light his pipe, did
not catch the fire at the second tug, he had to resume the mitten and
beat the circulation into his hand before renewing the attempt, lest the
ends of his fingers become frosted. Movement, always and incessantly,
movement alone could keep going the vital forces on these few coldest
days until the fire had been built to fight back the white death.

It was the land of ghosts. Except for the few hours at midday these
people moved in the gloom and shadow of a nether world. The long
twilight was succeeded by longer night, with its burnished stars, its
dead moon, its unearthly aurora. On the fresh snow were the tracks of
creatures, but in the flesh they glided almost invisible. The
ptarmigan's [Footnote: Ptarmigan: a species of grouse that is brown in
summer but turns white, or nearly white, in winter.] bead eye alone
betrayed him, he had no outline. The ermine's black tip was the only
indication of his presence. Even the larger animals--the caribou, the
moose--had either turned a dull gray, or were so rimed by the frost as
to have lost all appearance of solidity. It was ever a surprise to find
these phantoms red, to discover that their flesh would resist the knife.
During the strife of the heavy northwest storms one side of each tree
had become more or less plastered with snow, so that even their dark
trunks flashed mysteriously into and out of view. In the entire world of
the great white silence the only solid, enduring, palpable reality was
the tiny sledge train crawling with infinite patience across its
vastness.

White space, a feeling of littleness and impotence, twilight gloom,
burnished night, bitter cold, unreality, phantasmagoria, [Footnote:
Phantasmagoria: illusive images.] ghosts like those which surged about
Aeneas, [Footnote: Ghosts about Aeneas: referring to the descent of
Aeneas into Hades as told in Virgil's "Aeneid."] and finally clogging,
white silence,--these were the simple but dreadful elements of that
journey which lasted, without event, from the middle of November until
the latter part of January.

--STEWART EDWARD WHITE.

[Footnote: What is the effect of the repeated use of "always" in the
first paragraph? Cite the passages that help most in giving you a clear
picture of the scene. What effect is produced by the absence of color in
the description? Why does the author use almost entirely the short
sentences? What possibilities of tragedy are hinted at in the narrative?
How is the sense of silence and isolation conveyed?]




A DISSERTATION ON ROAST PIG


Mankind, says a Chinese manuscript, which my friend M. was obliging
enough to read and explain to me, for the first seventy thousand ages
ate their meat raw, clawing it or biting it from the living animal, just
as they do in Abyssinia to this day. This period is not obscurely hinted
at by their great Confucius [Footnote: Confucius: a celebrated Chinese
philosopher, born about 550 B.C.] in the second chapter of his Mundane
Mutations, where he designates a kind of golden age by the term
Cho-fang, literally the Cooks' holiday.

The manuscript goes on to say, that the art of roasting, or rather
broiling (which I take to be the elder brother) was accidentally
discovered in the manner following. The swineherd, Ho-ti, having gone
out into the woods one morning, as his manner was, to collect mast
[Footnote: Mast-acorns: nuts.] for his hogs, left his cottage in the
care of his eldest son Bo-bo, a great lubberly boy, who being fond of
playing with fire, as younkers [Footnote: Younkers: youngsters.] of his
age commonly are, let some sparks escape into a bundle of straw, which
kindling quickly, spread the conflagration over every part of their poor
mansion, till it was reduced to ashes. Together with the cottage (a
sorry antediluvian makeshift of a building, you may think it), what was
of much more importance, a fine litter of young pigs, no less than nine
in number, perished. China pigs [Footnote: China pigs. What adjective
would we use now?] have been esteemed a luxury all over the East from
the remotest periods that we read of.

Bo-bo was in the utmost consternation, as you may think, not so much for
the sake of the tenement, which his father and he could easily build up
again with a few dry branches, and the labor of an hour or two, at any
time, as for the loss of the pigs. While he was thinking what he should
say to his father, and wringing his hands over the smoking remnants of
one of those untimely sufferers, an odor assailed his nostrils, unlike
any scent which he had before experienced.

What could it proceed from?--not from the burnt cottage--he had smelled
that smell before--indeed this was by no means the first accident of the
kind which had occurred through the negligence of this unlucky young
firebrand. Much less did it resemble that of any known herb, weed, or
flower. A premonitory moistening at the same time overflowed his nether
lip. He knew not what to think.

He next stooped down to feel the pig, if there were any signs of life in
it. He burned his fingers, and to cool them he applied them in his booby
fashion to his mouth. Some of the crumbs of the scorched skin had come
away with his fingers, and for the first time in his life (in the
world's life indeed, for before him no man had known it) he
tasted--crackling! [Footnote: Crackling: the brown crisp rind of roasted
pork.] Again he felt and fumbled at the pig.

It did not burn him so much now, still he licked his fingers from a sort
of habit.

The truth at length broke into his slow understanding, that it was the
pig that smelt so, and the pig that tasted so delicious; and,
surrendering himself to the newborn pleasure, he fell to tearing whole
handfuls of the scorched skin with the flesh next it, and was cramming
it down his throat in his beastly fashion, when his sire entered amid
the smoking rafters, armed with retributory cudgel, and finding how
affairs stood, began to rain blows upon the young rogue's shoulders, as
thick as hailstones, which Bo-bo heeded not any more than if they had
been flies. The tickling pleasure which he experienced in his lower
regions, had rendered him quite callous to any inconveniences he might
feel in those remote quarters.

His father might lay on, but he could not beat him from his pig, till he
had fairly made an end of it, when, becoming a little more sensible of
his situation, something like the following dialogue ensued:--

"You graceless fellow, what have you got there devouring? Is it not
enough that you have burned down three houses with your dog's tricks,
but you must be eating fire and I know not what--what have you got
there, I say?"

"O father, the pig, the pig, do come and taste how nice the burnt pig
eats."

The ears of Ho-ti tingled with horror. He cursed his son, and he cursed
himself that ever he should have a son that should eat burnt pig.

Bo-bo, whose scent was wonderfully sharpened since morning, soon raked
out another pig, and fairly rending it asunder, thrust the lesser half
by main force into the fists of Ho-ti, still shouting out, "Eat, eat,
eat the burnt pig, father, only taste,"--with such like ejaculations,
cramming all the while as if he would choke.

Ho-ti trembled in every joint while he grasped the abominable thing,
wavering whether he should not put his son to death for an unnatural
young monster, when the crackling scorching his fingers, as it had done
his son's, and applying the same remedy to them, he in his turn tasted
some of its flavor, which, make what sour mouths he would for a
pretence, proved not altogether displeasing to him. In conclusion (for
the manuscript here is a little tedious) both father and son fairly sat
down to the mess, and never left off till they despatched all that
remained of the litter.

Bo-bo was strictly enjoined not to let the secret escape, for the
neighbors would certainly have stoned them for a couple of abominable
wretches, who could think of improving upon the good meat God had sent
them. Nevertheless, strange stories got about. It was observed that
Ho-ti's cottage was burned down now more frequently than ever.

Nothing but fires from this time forward. Some would break out in broad
day, others in the night-time. And Ho-ti himself, which was the more
remarkable, instead of chastising his son, seemed to grow more indulgent
to him than ever.

At length they were watched, the terrible mystery discovered, and father
and son summoned to take their trial at Pekin, then an inconsiderable
assize town. [Footnote: Assize town: the place where the court sits to
conduct trials.] Evidence was given, the obnoxious food itself produced
in court, and verdict about to be pronounced, when the foreman of the
jury begged that some of the burnt pig, of which the culprits stood
accused, might be handed into the box.

He handled it, and they all handled it, and burning their fingers, as
Bo-bo and his father had done before them, and nature prompting to each
of them the same remedy, against the face of all the facts, and the
clearest charge which the judge had ever given,--to the surprise of the
whole court, townsfolk, strangers, reporters, and all present--without
leaving the box, or any manner of consultation whatever, they brought in
a simultaneous verdict of Not Guilty.

The judge, who was a shrewd fellow, winked at the manifest iniquity of
the decision; and when the court was dismissed, went privily, and bought
up all the pigs that could be had for love or money. In a few days his
Lordship's town house was observed to be on fire. The thing took wing,
and now there was nothing to be seen but fires in every direction. Fuel
and pigs grew enormously dear all over the district. The insurance
offices one and all shut up shop. People built slighter and slighter
every day, until it was feared that the very science of architecture
would in no long time be lost to the world.

Thus this custom of firing houses continued, till in process of time,
says my manuscript, a sage arose, like our Locke, [Footnote: Locke: John
Locke, a celebrated English philosopher of the seventeenth century.] who
made a discovery, that flesh of swine, or indeed of any other animal,
might be cooked (burnt, as they called it) without the necessity of
consuming a whole house to dress it. Then first began the rude form of a
gridiron.

Roasting by the string, or spit, came in a century or two later, I
forget in whose dynasty. By such slow degrees, concludes the manuscript,
do the most useful, and seemingly the most obvious arts, make their way
among mankind.

--CHARLES LAMB.

[Footnote: In this essay where does the humor lie? Is it in the
absurdity of the story told? In the exaggerations? What stories, of
those you have studied, does this most resemble? Why? Notice how bare
the story is of any description except that which is essential to the
theme. What is the effect of this? Does the author describe the taste of
roast pig sympathetically? Does any article of food arouse your
enthusiasm? If so, try writing an essay on it. Why does the author
introduce such incongruous terms as "foreman of the jury," "jury box,"
"insurance offices"?]




THE LAST CLASS


I was very late for school that morning, and I was afraid of being
scolded, especially as Monsieur Hamel had told us that he should examine
us on participles, and I did not know the first thing about them. For a
moment I thought of staying away from school and wandering about the
fields. It was such a warm, lovely day. I could hear the blackbirds
whistling on the edge of the wood, and in the Rippert field, behind the
sawmill, the Prussians going through their drill. [Footnote: Prussians
going through their drill. The time of the story is laid at the end of
the Franco-Prussian War.] All that was much more tempting to me than the
rules concerning participles; but I had the strength to resist, and I
ran as fast as I could to school. As I passed the Mayor's office, I saw
that there were people gathered about the little board on which notices
were posted. For two years all our bad news had come from that
board--battles lost, conscriptions, [Footnote: Conscription: compulsory
enrollment for military service.] orders from headquarters; and I
thought without stopping:

"What can it be now?"

Then, as I ran across the square, Wachter the blacksmith, who stood
there with his apprentice, reading the placard, called out to me:

"Don't hurry so, my boy; you'll get to your school soon enough!"

I thought that he was making fun of me, and I ran into Monsieur Hamel's
little yard all out of breath.

Usually, at the beginning of school, there was a great uproar which
could be heard in the street, desks opening and closing, lessons
repeated aloud in unison, with our ears stuffed in order to learn
quicker, and the teacher's stout ruler beating on the desk:

"A little more quiet!"

I counted on all this noise to reach my bench unnoticed, but as it
happened, that day everything was quiet, like a Sunday morning. Through
the open window I saw my comrades already in their places, and Monsieur
Hamel walking back and forth with the terrible iron ruler under his arm.
I had to open the door and enter, in the midst of that perfect silence.
You can imagine whether I blushed and whether I was afraid!

But no! Monsieur Hamel looked at me with no sign of anger and said very
gently:

"Go at once to your seat, my little Frantz; we were going to begin
without you."

I stepped over the bench and sat down at once at my desk. Not until
then, when I had partly recovered from my fright, did I notice that our
teacher had on his handsome blue coat, his plaited ruff, and the black
embroidered breeches, which he wore on days of inspection or of
distribution of prizes. Moreover, there was something extraordinary,
something solemn about the whole class. But what surprised me most was
to see at the back of the room, on the benches which were usually empty,
some people from the village sitting, as silent as we were: old Hauser
with his three-cornered hat, the ex-mayor, the ex-postman, and others
besides. They all seemed depressed; and Hauser had brought an old
spelling-book with gnawed edges, which he held wide-open on his knee,
with his great spectacles askew.

While I was wondering at all this, Monsieur Hamel had mounted his
platform, and in the same gentle and serious voice with which he had
welcomed me, he said to us:

"My children, this is the last time that I shall teach you. Orders have
come from Berlin to teach nothing but German in the schools of Alsace
and Lorraine. The new teacher arrives to-morrow. This is the last class
in French, so I beg you to be very attentive."

Those few words overwhelmed me. Ah! the villains! that was what they had
posted at the mayor's office.

My last class in French!

And I barely knew how to write! So I should never learn! I must stop
short where I was! How angry I was with myself because of the time I had
wasted, the lessons I had missed, running about after nests, or sliding
on the Saar! [Footnote: Saar: a river just beyond the northeast border
line of the province of Lorraine.] My books, which only a moment before
I thought so tiresome, so heavy to carry--my grammar, my sacred
history--seemed to me now like old friends, from whom I should be
terribly grieved to part. And it was the same about Monsieur Hamel. The
thought that he was going away, that I should never see him again, made
me forget the punishments, the blows with the ruler.

Poor man! It was in honor of that last lesson that he had put on his
fine Sunday clothes; and I understood now why those old fellows from the
village were sitting at the end of the room. It seemed to mean that they
regretted not having come oftener to the school. It was also a way of
thanking our teacher for his forty years of faithful service, and of
paying their respects to the fatherland which was vanishing.

I was at that point in my reflections, when I heard my name called. It
was my turn to recite. What would I not have given to be able to say
from the beginning to the end that famous rule about participles, in a
loud, distinct voice, without a slip! But I got mixed up at the first
words, and I stood there swaying against my bench, with a full heart,
afraid to raise my head. I heard Monsieur Hamel speaking to me:

"I will not scold you, my little Frantz; you must be punished enough;
that is the way it goes; every day we say to ourselves: 'Pshaw! I have
time enough. I will learn to-morrow.' And then you see what happens. Ah!
it has been the great misfortune of our Alsace always to postpone its
lessons until to-morrow. 'What! you claim to be French, and you can
neither speak nor write your language!' In all this, my poor Frantz, you
are not the guiltiest one. We all have our fair share of reproaches to
address to ourselves.

"Your parents have not been careful enough to see that you were
educated. They preferred to send you to work in the fields or in the
factories, in order to have a few more sous. And have I nothing to
reproach myself for? Have I not often made you water my garden instead
of studying? And when I wanted to go fishing for trout, have I ever
hesitated to dismiss you?"

Then passing from one thing to another, Monsieur Hamel began to talk to
us about the French language, saying that it was the most beautiful
language in the world, the most clear, the most substantial; that we
must always retain it among ourselves, and never forget it, because when
a people falls into servitude, "so long as it clings to its language, it
is as if it held the key to its prison." Then he took the grammar and
read us our lesson. I was amazed to see how readily I understood.
Everything that he said seemed so easy to me, so easy. I believed, too,
that I had never listened so closely, and that he, for his part, had
never been so patient with his explanations. One would have said that,
before going away, the poor man desired to give us all his knowledge, to
force it all into our heads at a single blow.

When the lesson was at an end, we passed to writing. For that day
Monsieur Hamel had prepared some entirely new examples, on which was
written in a fine, round hand: "France, Alsace, France, Alsace." They
were like little flags, waving all about the class, hanging from the
rods of our desks. You should have seen how hard we all worked and how
silent it was! Nothing could be heard save the grinding of the pens over
the paper. At one time some cockchafers [Footnote: Cockchafers: a
species of beetle.] flew in; but no one paid any attention to them not
even the little fellows, who were struggling with their straight lines,
with a will and conscientious application, as if even the lines were
French. On the roof of the schoolhouse, pigeons cooed in low tones, and
I said to myself as I listened to them:

"I wonder if they are going to compel them to sing German too!"

From time to time, when I raised my eyes from my paper, I saw Monsieur
Hamel sitting motionless in his chair and staring at the objects about
him as if he wished to carry away in his glance the whole of his little
schoolhouse. Think of it! For forty years he had been there in the same
place, with his yard in front of him and his class just as it was! But
the benches and desks were polished and rubbed by use; the walnuts in
the yard had grown, and the hop-vine which he himself had planted now
festooned the windows even to the roof. What a heartrending thing it
must have been for that poor man to leave all those things, and to hear
his sister walking back and forth in the room overhead, packing their
trunks! For they were to go away the next day--to leave the province
forever.

However, he had the courage to keep the class to the end. After the
writing, we had the lesson in history; then the little ones sang all
together the ba, be, bi, bo, bu. Yonder, at the back of the room, old
Hauser had put on his spectacles, and, holding his spelling-book in both
hands, he spelled out the letters with them. I could see that he too was
applying himself. His voice shook with emotion, and it was so funny to
hear him, that we all longed to laugh and to cry. Ah! I shall remember
that last class.

Suddenly the church struck twelve, then the Angelus [Footnote: Angelus:
the angelus bell, which is rung at morning, noon, and night.] rang. At
the same moment, the bugles of the Prussians returning from drill blared
under our windows. Monsieur Hamel rose, pale as death, from his chair.
Never had he seemed to me so tall.

"My friends," he said, "my friends, I--I--"

But something suffocated him. He could not finish the sentence.

Thereupon he turned to the blackboard, took a piece of chalk, and,
bearing on with all his might, he wrote in the largest letters he could:

"Vive La France!" [Footnote: Vive la France: "Long live France."]

Then he stood there with his head resting against the wall, and without
speaking, he motioned to us with his hand:

"That is all; go."

--ALPHONSE DAUDET.

[Footnote: Compare this story with "A Leaf in the Storm." What do such
stories make you think of "the glory of conquest"? Why was the decree
made that this was to be "the last class in French"? Does the author
make this story a personal tragedy or the tragedy of France? Where is
the climax of the story? Is it effective? What kind of spirit does it
show? Does that spirit live in France to-day?]




AN ARAB FISHERMAN


This morning I reached the rocks before the dawn had begun to break. It
was too dark to fish; but I crept out to the very edge of the ledge, and
sat down beside a great boulder to wait for the light. I lit my pipe and
smoked impatiently. It seemed as though the dawn came up out of the
water itself; long before I could notice any increase of light the waves
began to change color from the dark, oily olive tint of night to a
lighter green, and gradually, just as it began to dawn, to their daytime
blue. A long trailing cloud, which stretched clean across the sky like
an exaggerated Milky Way, suddenly caught fire at its eastern end.
Rapidly the red flame along ran its entire length to the other horizon.
Then countless unexpected shadows woke up on the rocks about me, weird,
undefined shapes, which became clear-cut only when the rim of the sun
came up over Cap Rouge.

But a swish in the water beside me, as the first fish rose, recalled me
to the business in hand. I opened my little tin tackle-box, put the rod
together, and just as I was tying on the flies I was disturbed by human
voices. I said several things I shouldn't have, and looked up over my
rock to motion back the intruders. For a moment I thought I was back in
Old Greece, the Old Greece where early morning fishers were often
interrupted by the sea-nymphs. But a second glance reassured me--it was
only an Arab and his wife hunting crabs.

Their method was typical. He was a sombre old chap, with long, scanty
white beard, a soiled burnous, [Footnote: Burnous: a cloak-like garment
with a hood, worn by the Arabs.] and thin, scrawny brown legs. He sat
stolidly on a dry rock, a basket under his feet, and--this was the
typical part--watched his wife work. I did not blame him for watching.
It was a pretty sight. She was a supple young Mauresque, [Footnote:
Mauresque: Moorish (girl).] slim and graceful as the water-nymph for
whom I had first mistaken her. She had laid aside her outer cloak-like
garment, and was clad only in a light cotton tunic. It was very simple
affair--two small holes for her arms, a bigger one for her head, and a
still bigger one at the bottom to get in by. I could make one myself. It
was bound about her waist with a heavy dark red woollen sash, the ends
of which, hanging down at her side, were adorned with a most amazing
collection of  strings, bright yellow, startling orange, pale
blue, and flaming crimson. It sounds discordant, and I must admit that,
as it hangs now in my room, it almost makes my head ache. But out there
on the red, wet rocks it was toned down by the faint morning light, and
mingled charmingly with the greens on the bank and the far-reaching blue
of the sea. In her hand was a spear--a stick sharpened in a fire.

If the old gentleman took it sedately and placidly, it was just the
reverse with her. She was fairly running over with the joy of life. She
would crawl about deftly until she saw a crab, then she would make a
long detour to get it between her and the sun, so that her shadow should
not frighten it. When she got within striking distance, she would wave
her hand at her husband, as though she thought he could increase the
intensity of his silence. With a graceful, dextrous thrust she would
stab her game, and, gathering up her scant skirts, she would dash into
the water after it. The moment she got her hand on it she would let out
a delighted little scream of glee, and go bounding over the rocks to
exhibit it to her lord and master. I wanted to wring his scrawny old
neck for not being more enthusiastic about it. But he never once lost
his blase manner. He would look at the crab a moment critically, then
lift up his foot and let her put it in the basket. Not a word would he
say. But off she would go again with undimmed ardor. It was a sight for
the gods. And for half an hour I forgot all about my fishing-rod.

At last their basket was full, and the old man got up and began to come
my way. She picked up her mantle and the basket and followed him. They
saw me at the same moment. She gave a startled little squeal and started
to retreat; but the old man grunted "Roumi," so she stopped.

"Roumi," being translated, means "Infidel." It was as though he had
said, "Don't get excited; it is only a dog." If I had been a Mussulman,
she would have run screaming to the woods, and would have had to do--I
don't know what penance--because I had seen her face unveiled. But I was
only an infidel dog and didn't count. The old man made the "Sign of
Peace," and the two sat down beside me.

I didn't return his salute. I had never felt so entirely, so shamefully
insulted in my life. I have always read a deep contempt for me in the
eyes of the Mussulmans I have met. The Arab boy who cleans my boots and
cares for "Citron," my mare, looks down on me from a perfectly
unspeakable height of superiority. The men do not matter, but to be
insulted so by a woman, a very pretty woman, made my hair crinkle! I had
heard that the Mohammedan women do not veil before the infidels. But I
had never realized the overpowering weight of the insult before. She
would have been utterly confused if an Arab had seen her face. She sat
there before me, almost within reach of my hand, in a thin, short, very
short, tunic, which was wet, and she never turned a hair. I was a
"Roumi," not a man, a dog. That was all there was to it. I felt that
unless I could shake her composure I would explode. I tried to convince
her I was a man by staring at her. I might just as well have tried to
embarrass the statue of Venus de Milo!

"Bonjour," [Footnote: Bonjour: "good day."] the old man said. He had
probably learned French working for a colonist; or perhaps he had served
in the Spahis [Footnote: Spahis: Algerian cavalrymen serving in the
French army.] when he was younger. I was too mad to return his greeting.

"Fishing?" he asked.

Such insane questions, when the answer is so evident, generally
infuriate me; and I probably would have told him I was skating if I had
not been afraid he would get mad and walk off with his wife, and I had
not yet given up hope of embarrassing her.

"Yes," I replied. "And you?"

"I've been crab-fishing," he said solemnly, and he showed me his basket.
"I'm a good fisher," he added.

I looked at his wife, but she did not seem to see anything funny in his
choice of pronouns. I tied another fly on my leader.

"No good," he said. "Use crab meat. Fish don't like feathers."

I made a couple of casts without making a strike. "No good!" he kept
repeating. He began to get on my nerves. At last I had better luck and
landed a beautiful three-pounder. I dangled it triumphantly before his
eyes.

"No good," he said stolidly. "Use crab meat. Fish don't like feathers."

Then I had a run of luck. Almost every cast I got a rise, and soon I had
a nice string of eight, all from two to five pounds. I noticed that all
the strikes had been on the same fly, so I stopped for a minute to
change the other two flies to this variety. I thought that if I should
have the luck to raise two at once--as sometimes happens--I might
convince him. When I opened the box to get the new flies, both of them
came close to look in. In one compartment were some bare hooks on which
I had not yet built flies. The old man pounced on them at once.

"There!" he cried. "These are good. Use these with crab meat and you
will catch fish!"

I sat back in dumb amazement. Once upon a time, way back in the dimness
before history, this chap's ancestors had begun to fish off these rocks
with a bent wire and a piece of crab meat. Century after century they
had sat there unchanging. Sat there all day long, and had been lucky to
catch half as many fish as I had done in fifteen minutes. And glaring
ocular demonstration did not shake his faith in the methods of his
ancestors. I began to understand the hopeless discouragement with which
my host talks of the "Native Question." The Arabs are starving off
because the French have stolen their land. But the fact remains that
most of the natives have more land than the colonists. An Arab will
starve to death on a piece of land which will support two French
families, simply because the Arabs do not know--and will not learn--how
to intensify their culture. Somehow--nobody knows just how--the Romans,
during the long centuries of their occupation, succeeded in teaching
them to put an iron point on the end of the crooked stick with which
they scratch the earth. It is the last thing they have learned.

The Arabs employed by my host are good workmen. They seem perfectly
intelligent; six days a week they yoke his stout oxen before a great
American plow, turn his soil, scatter his fertilizer, after the harvest
help him sort out the best grain for the next sowing, and so forth; but
the seventh day of the week they hitch their wives beside an ass, and
tickle the soil with their iron-pointed stick. "Why should we put on
fertilizer?" they ask. "Allah, the Just, will give us the harvest our
piety deserves."

My speculations about the fate of the race were interrupted by the voice
of the young woman. Her eye had been caught by a gaudy red-feathered
trolling-spoon and its polished brass disk. She pointed to it, and said
something in Arabic. The old man shook his head.

"No good" he repeated his deadly refrain.

"Use these. Crab meat. You will catch fish. Fish don't like feathers."

But I'd lost interest in fishing. I realized that if I pulled up Jonah's
whale it would not convince the old man. So I started to put up my
things.

--ALBERT EDWARDS.

[Footnote: Note the use of color. What things in the scene should you
like to see for yourself? Is the humor of the story one of situation or
character? Was the old Arab vain or only stupid? Is his attitude toward
the author a typically Eastern one? Do you know Kipling's ballad, "The
East and the West"?]




THE ARCHERY CONTEST


At the beginning of the contest a stranger appears to take part in the
shooting. He tells Prince John that his name is Locksley.

A target was placed at the upper end of the southern avenue which led to
the lists. [Footnote: Lists: fields of combat.] The contending archers
took their station in turn, at the bottom of the southern access, the
distance between that station and the mark allowing full distance for
what was called a shot at rovers. The archers, having previously
determined by lot their order of precedence, were to shoot each three
shafts in succession. The sports were regulated by an officer of
inferior rank, termed the Provost of the Games; for the high rank of the
marshals of the lists would have been held degraded, had they
condescended to superintend the sports of the yeomanry. [Footnote:
Yeomanry: the yeomen in England were the freeholders, the class next in
order to the gentry.]

One by one the archers, stepping forward, delivered their shafts
yeomanlike and bravely. Of twenty-four arrows, shot in succession, ten
were fixed in the target, and the others ranged so near it, that,
considering the distance of the mark, it was accounted good archery. Of
the ten shafts which hit the target, two within the inner ring were shot
by Hubert, a forester in the service of Malvoisin, who was accordingly
pronounced victorious.

"Now, Locksley," [Footnote: Locksley: a name for Robin Hood who was
supposed to have been born in Locksley, Nottinghamshire, about 1160.]
said Prince John [Footnote: Prince John was the brother of King Richard,
and ruled in England during the time that Richard was absent on the
Crusades.] to the bold yeoman with a bitter smile, "wilt thou try
conclusions with Hubert, or wilt thou yield up bow, baldric, [Footnote:
Baldric: a broad belt worn over one shoulder and under the opposite arm.
Drew a long bow at Hastings. The archers of that time used what were
called "long bows." The battle of Hastings was fought in 1066, when
William of Normandy defeated the English.] and quiver, to the Provost of
the sports?"

"Sith it be no better," said Locksley, "I am content to try my fortune;
on condition that when I have shot two shafts at yonder mark of Hubert's
he shall be bound to shoot at that which I shall propose."

"That is but fair," answered Prince John, "and it shall not be refused
thee. If thou dost beat this braggart, Hubert, I will fill the bugle
with silver-pennies for thee."

"A man can do but his best," answered Hubert; "but my grandsire drew a
good long bow at Hastings, and I trust not to dishonor his memory."

The former target was now removed, and a fresh one of the same size
placed in its room. Hubert, who, as victor in the first trial of skill,
had the right to shoot first, took his aim with great deliberation, long
measuring the distance with his eye, while he held in his hand his
bended bow, with the arrow placed on the string. At length he made a
step forward, and raising the bow at the full stretch of his left arm,
till the centre or grasping-place was nigh level with his face, he drew
his bowstring to his ear. The arrow whistled through the air, and
lighted within the inner ring of the target, but not exactly in the
centre.

"You have not allowed for the wind, Hubert," said his antagonist,
bending his bow, "or that had been a better shot."

So saying, and without showing the least anxiety to pause upon his aim,
Locksley stept to the appointed station, and shot his arrow as
carelessly in appearance as if he had not even looked at the mark. He
was speaking almost at the instant that the shaft left the bowstring,
yet it alighted in the target two inches nearer to the white spot which
marked the centre than that of Hubert.

"By the light of heaven!" said Prince John to Hubert, "an' thou suffer
that runagate knave to overcome thee, thou art worthy of the gallows!"

Hubert had but one set speech for all occasions.

"An' your highness were to hang me," he said, "a man can do but his
best. Nevertheless, my grandsire drew a good bow"--

"The foul fiend on thy grandsire and all his generation!" interrupted
John, "shoot, knave, and shoot thy best, or it shall be the worse for
thee!"

Thus exhorted, Hubert resumed his place, and not neglecting, he made the
necessary allowance for a very light air of wind, which had just arisen,
and shot so successfully that his arrow alighted in the very centre of
the target.

"A Hubert!" shouted the populace, more interested in a known person than
in a stranger. "In the clout!--in the clout!--a Hubert for ever!"

"Thou canst not mend that shot, Locksley," said the Prince, with an
insulting smile.

"I will notch his shaft for him, however," replied Locksley.

And letting fly his arrow with a little more precaution than before, it
lighted right upon that of his competitor, which it split to shivers.
The people who stood around were so astonished at his wonderful
dexterity, that they could not even give vent to their surprise in their
usual clamor. "This must be the devil, and no man of flesh and blood,"
whispered the yeomen to each other; "such archery was never seen since a
bow was first bent in Britain."

"And now," said Locksley, "I will crave your Grace's permission to plant
such a mark as is used in the North Country; and welcome every brave
yeoman who shall try a shot at it to win a smile from the bonny lass he
loves best."

He then turned to leave the lists. "Let your guards attend me," he said,
"if you please--I go but to cut a rod from the next willow-bush."

Prince John made a signal that some attendants should follow him in case
of his escape: but the cry of "Shame! shame!" which burst from the
multitude, induced him to alter his ungenerous purpose.

Locksley returned almost instantly with a willow wand about six feet in
length, perfectly straight, and rather thicker than a man's thumb. He
began to peel this with great composure, observing at the same time,
that to ask a good woodsman to shoot at a target so broad as had
hitherto been used, was to put shame upon his skill. "For his own part,"
he said, "and in the land where he was bred, men would as soon take for
their mark King Arthur's round-table, [Footnote: King Arthur's round
table. This was the famous table, made by the magician Merlin, which was
given to King Arthur as a wedding gift by the father of Guinevere. It
could seat 150 knights.] which held sixty knights around it. A child of
seven years old," he said, "might hit yonder target with a headless
shaft; but," added he, walking deliberately to the other end of the
lists, and sticking the willow wand upright in the ground, "he that hits
that rod at five-score yards, I call him an archer fit to bear both bow
and quiver before a king, an it were the stout King Richard himself."

"My grandsire," said Hubert, "drew a good bow at the battle of Hastings,
and never shot at such a mark in his life,--and neither will I. If this
yeoman can cleave that rod, I give him the bucklers--or rather I yield
to the devil that is in his jerkin, and not to any human skill; a man
can but do his best, and I will not shoot where I am sure to miss. I
might as well shoot at the edge of our parson's whittle, or at a wheat
straw, or at a sunbeam, as at a twinkling white streak which I can
hardly see."

"Cowardly dog!" said Prince John.--"Sirrah Locksley, do thou shoot, but,
if thou hittest such a mark, I will say thou art the first man ever did
so. Howe'er it be, thou shalt not crow over us with a mere show of
superior skill."

"I will do my best, as Hubert says," answered Locksley, "No man can do
more."

So saying, he again bent his bow, but on the present occasion looked
with attention to his weapon, and changed the string, which he thought
was no longer truly round, having been a little frayed by the two former
shots. He then took his aim with some deliberation, and the multitude
awaited the event in breathless silence. The archer vindicated their
opinion of his skill: his arrow split the willow rod against which it
was aimed. A jubilee of acclamations followed; and even Prince John, in
admiration of Locksley's skill, lost for an instant his dislike to his
person. "These twenty nobles," [Footnote: Twenty nobles. A noble was an
old coin worth about one dollar and sixty cents.] he said, "which, with
the bugle, thou hast fairly won, are thine own; we will make them fifty,
if thou wilt take livery and service with us as a yeoman of our
bodyguard, and be near to our person. For never did so strong a hand
bend a bow, or so true an eye direct a shaft."

"Pardon me, noble Prince," said Locksley; "but I have vowed, that if
ever I take service, it should be with your royal brother King Richard.
[Footnote: King Richard: Richard Coeur de Lion. He was born about 1157
and became king of England in 1189. He reigned until his death in 1199.
whittle: a pocket or sheath knife.] These twenty nobles I leave to
Hubert, who has this day drawn as brave a bow as his grandsire did at
Hastings. Had his modesty not refused the trial, he would have hit the
wand as well as I."

Hubert shook his head as he received with reluctance the bounty of the
stranger, and Locksley, anxious to escape further observation, mixed
with the crowd, and was seen no more.

--WALTER SCOTT.

[Footnote: State some qualities of Locksley and Prince John that are
brought out in the narrative. What is the effect of Hubert's repetition
of the words "my grandsire drew a long bow," etc.? Can you get any hint
of the social conditions at the time of the story? Is there anything in
the narrative to suggest the identity of Locksley? Did Robin Hood ever
take service with King Richard? Why did Locksley refuse the money?]




BABY SYLVESTER


(The writer has taken up temporary quarters in the cabin of his friend
Sylvester, a California miner).

I do not remember how long I slept. I must have been conscious, however,
during my slumber, of my inability to keep myself covered by the serape,
[Footnote: Serape: a blanket or shawl commonly worn by the Mexicans.]
for I awoke once or twice clutching it with a despairing hand as it was
disappearing over the foot of the couch. Then I became suddenly aroused
to the fact that my efforts to retain it were resisted by some equally
persistent force, and letting it go, I was horrified at seeing it
swiftly drawn under the couch. At this point I sat up, completely awake;
for immediately after, what seemed to be an exaggerated muff began to
emerge from under the couch. Presently it appeared fully, dragging the
serape after it. There was no mistaking it now--it was a baby bear. A
mere suckling, it was true--a helpless roll of fat and fur--but
unmistakably, a grizzly cub!

I cannot recall anything more irresistibly ludicrous than its aspect as
it slowly raised its small wondering eyes to mine. It was so much taller
in its haunches than its shoulders--its fore legs were so
disproportionately small--that in walking, its hind feet invariably
took precedence. It was perpetually pitching forward over its pointed,
inoffensive nose, and recovering itself always, after these involuntary
somersaults, with the gravest astonishment. To add to its preposterous
appearance, one of its hind feet was adorned by a shoe of Sylvester's,
[Footnote: Sylvester: the author's friend in whose cabin he was staying
at the time of the story.] into which it had accidentally and
inextricably [Footnote: Inextricably: in a hopelessly involved manner.]
stepped. As this somewhat impeded its first impulse to fly, it turned to
me; and then, possibly recognizing in the stranger, the same species as
its master, it paused. Presently, it slowly raised itself on its hind
legs, and vaguely and deprecatingly [Footnote: Deprecatingly:
regretfully, entreatingly.] waved a baby paw, fringed with little hooks
of steel. I took the paw, and shook it gravely. From that moment we were
friends. The little affair of the serape was forgotten.

Nevertheless, I was wise enough to cement our friendship by an act of
delicate courtesy. Following the direction of his eyes, I had no
difficulty in finding, on a shelf near the ridge-pole, the sugar box and
the square lumps of white sugar that even the poorest miner is never
without. While he was eating them I had time to examine him more
closely. His body was a silky, dark, but exquisitely modulated gray,
deepening to black in his paws and muzzle. His fur was excessively long,
thick, and soft as eider-down, the cushions of flesh beneath perfectly
infantine in their texture and contour. He was so very young that the
palms of his half-human feet were still tender as a baby's. Except for
the bright blue, steely hooks, half sheathed in his little toes, there
was not a single harsh outline or detail in his plump figure. He was as
free from angles as one of Leda's [Footnote: Leda: the maiden who was
wooed by Jupiter in the form of a swan.] offspring. Your caressing hand
sank away in his fur with dreamy languor. To look at him long was an
intoxication of the senses; to pat him was a wild delirium; to embrace
him, an utter demoralization of the intellectual faculties.

When he had finished the sugar he rolled out of the door with a
half-diffident, half-inviting look in his eye, as if he expected me to
follow. I did so, but the sniffing and snorting of the keen-scented
Pomposo [Footnote: Pomposo: the writer's horse.] in the hollow, not only
revealed the cause of his former terror, but decided me to take another
direction. After a moment's hesitation he concluded to go with me,
although I am satisfied, from a certain impish look in his eye, that he
fully understood and rather enjoyed the fright of Pomposo. As he rolled
along at my side, with a gait not unlike a drunken sailor, I discovered
that his long hair concealed a leather collar around his neck, which
bore for its legend the single word, "Baby!" I recalled the mysterious
suggestion of the two miners. This, then was the "baby" with whom I was
to "play."

How we "played"; how Baby allowed me to roll him downhill, crawling and
puffing up again each time, with perfect good humor; how he climbed a
young sapling after my Panama hat, which I had "shied" into one of the
topmost branches; how after getting it he refused to descend until it
suited his pleasure; how when he did come down he persisted in walking
about on three legs, carrying my hat, a crushed and shapeless mass,
clasped to his breast with the remaining one; how I missed him at last,
and finally discovered him seated on a table in one of the tenantless
cabins, with a bottle of syrup between his paws, vainly endeavoring to
extract its contents--these and other details of that eventful day I
shall not weary the reader with now. Enough, that when Dick Sylvester
returned, I was pretty well fagged out, and the baby was rolled up, an
immense bolster at the foot of the couch, asleep.

--BRET HARTE (adapted).

[Footnote: Why had the miners chosen the name "Baby Sylvester" for the
bear cub? Read the story and explain the author's surprise at the
appearance of the "Baby." Does the author describe the bear
sympathetically and lovingly or as a naturalist? Illustrate. What
qualities had the cub that endeared it to the author? Which of the
senses predominates in the description? Illustrate. Would you consider
"Baby Sylvester" capable of training? Why? Read the entire story and
tell what becomes of the "Baby."]




ADDRESS AT GETTYSBURG


Fourscore and seven years ago our fathers brought forth on this
continent a new nation, conceived in liberty, and dedicated to the
proposition that all men are created equal. Now we are engaged in a
great civil war, testing whether that nation, or any nation so conceived
and so dedicated, can long endure. We are met on a great battlefield of
that war. We have come to dedicate a portion of that field as a final
resting-place for those who here gave their lives that that nation might
live. It is altogether fitting and proper that we should do this. But,
in a larger sense, we cannot dedicate, we cannot consecrate, we cannot
hallow, this ground. The brave men, living and dead, who struggled here,
have consecrated it far above our poor power to add or detract. The
world will little note, nor long remember, what we say here; but it can
never forget what they did here.

It is for us, the living, rather, to be dedicated here to the unfinished
work which they who fought here have thus far so nobly advanced. It is
rather for us to be here dedicated to the great task remaining before
us;--that from these honored dead, we take increased devotion to that
cause for which they gave the last full measure of devotion;--that we
here highly resolve that these dead shall not have died in vain; that
this nation, under God, shall have a new birth of freedom; and that
government of the people, by the people, for the people, shall not
perish from the earth.

--ABRAHAM LINCOLN.

[Footnote: Does the style and sentiment expressed remind you of an older
literature? Illustrate. Do Lincoln's statements about war apply to the
present great European conflict? Illustrate. Point out the effectiveness
of repetition. Note the places where the prose becomes almost poetical.
Is the appeal in the speeches to reason or to feeling? Do you feel the
personality of Lincoln in these speeches? The Gettysburg speech is
commonly considered one of the greatest speeches ever made. Can you
mention any other famous speeches that are regarded as fine literature?]




SECOND INAUGURAL ADDRESS


Fellow Countrymen: At this second appearing to take the oath of the
presidential office, there is less occasion for an extended address than
there was at the first. Then, a statement, somewhat in detail, of a
course to be pursued, seemed fitting and proper. Now, at the expiration
of four years, during which public declarations have been constantly
called forth on every point and phase of the great contest which still
absorbs the attention and engrosses the energies of the nation, little
that is new could be presented. The progress of our arms, upon which all
else chiefly depends, is as well known to the public as to myself; and
it is, I trust, reasonably satisfactory and encouraging to all. With
high hope for the future, no prediction in regard to it is ventured.

On the occasion corresponding to this four years ago, all thoughts were
anxiously directed to an impending civil war. All dreaded it, all sought
to avert it. While the inaugural address was being delivered from this
place, devoted altogether to saving the Union without war, insurgent
agents were in the city seeking to destroy it without war--seeking to
dissolve the Union, and divide effects by negotiation. Both parties
deprecated war; but one of them would make war rather than let the
nation survive; and the other would accept war rather than let it
perish. And the war came.

One-eighth of the whole population were  slaves, not distributed
generally over the Union, but localized in the southern part of it.
These slaves constituted a peculiar and powerful interest. All knew that
this interest was, somehow, the cause of the war. To strengthen,
perpetuate, and extend this interest was the object for which the
insurgents would rend the Union, even by war; while government claimed
no right to do more than to restrict the territorial enlargement of it.
Neither party expected for the war the magnitude or the duration which
it has already attained. Neither anticipated that the cause of the
conflict might cease with, or even before, the conflict itself should
cease. Each looked for an easier triumph, and a result less fundamental
and astounding. Both read the same Bible, and pray to the same God; and
each invokes his aid against the other. It may seem strange that any men
should dare to ask a just God's assistance in wringing their bread from
the sweat of other men's faces; but let us judge not, that we be not
judged. The prayers of both could not be answered,--that of neither has
been answered fully. The Almighty has his own purposes. "Woe unto the
world because of offenses! for it must needs be that offenses come; but
woe to that man by whom the offense cometh." If we shall suppose that
American slavery is one of these offenses which, in the providence of
God, must needs come, but which, having continued through his appointed
time, He now wills to remove, and that He gives to both North and South
this terrible war as the woe due to those by whom the offense came,
shall we discern therein any departure from those divine attributes
which the believers in a living God always ascribe to Him? Fondly do we
hope, fervently do we pray, that this mighty scourge of war may speedily
pass away. Yet, if God wills that it continue until all the wealth piled
by the bondsman's two hundred and fifty years of unrequited toil shall
be sunk, and until every drop of blood drawn with the lash shall be paid
by another drawn with the sword, as was said three thousand years ago,
so still it must be said, "The judgments of the Lord are true and
righteous altogether."

With malice toward none, with charity for all, with firmness in the
right, as God gives us to see the right, let us strive on to finish the
work we are in; to bind up the nation's wounds; to care for him who
shall have borne the battle, and for his widow and his orphan,--to do
all which may achieve and cherish a just and lasting peace among
ourselves, and with all nations.

--ABRAHAM LINCOLN.




AN APPRECIATION OF LINCOLN


To these qualifications of high literary excellence, and easy practical
mastery of affairs of transcendent importance, we must add as an
explanation of his immediate and world-wide fame, his possession of
certain moral qualities rarely combined in such high degree in one
individual. His heart was so tender that he would dismount from his
horse in a forest to replace in their nest young birds which had fallen
by the roadside; he could not sleep at night if he knew that a
soldier-boy was under sentence of death; he could not, even at the
bidding of duty or policy, refuse the prayer of age or helplessness in
distress. Children instinctively loved him; they never found his rugged
features ugly; his sympathies were quick and seemingly unlimited. He was
absolutely without prejudice of class or condition. Frederick Douglass
[Footnote: Frederick Douglass: a noted orator and journalist. He was
born (a slave) in 1817 and died in 1895.] says he was the only man of
distinction he ever met who never reminded him, by word or manner, of
his color; he was as just and generous to the rich and well-born as to
the poor and humble--a thing rare among politicians. He was tolerant
even of evil: though no man can ever have lived with a loftier scorn of
meanness and selfishness, he yet recognized their existence and counted
with them. He said one day, with a flash of cynical wisdom worthy of a
La Rochefoucauld, [Footnote: La Rochefoucauld: Francois La Rochefoucauld
was a French writer and moralist of the seventeenth century.] that
honest statesmanship was the employment of individual meanness for the
public good. He never asked perfection of any one; he did not even
insist, for others, upon the high standards he set up for himself. At a
time before the word was invented he was the first of opportunists. With
the fire of a reformer and a martyr in his heart, he yet proceeded by
the ways of cautious and practical statecraft. He always worked with
things as they were, while never relinquishing the desire and effort to
make them better. To a hope which saw the Delectable Mountains of
absolute justice and peace in the future, to a faith that God in his own
time would give to all men the things convenient to them, he added a
charity which embraced in its deep bosom all the good and the bad, all
the virtues and the infirmities of men, and a patience like that of
nature, which in its vast and fruitful activity knows neither haste nor
rest.

--JOHN HAY.

[Footnote: Do you know any facts of Lincoln's life that would support
some of these statements? What has come to be the universally accepted
estimate of Lincoln? What qualities of Lincoln seem most to impress the
writer? Can you point to anything in Lincoln's addresses that proves the
correctness of the popular judgment of him? Point out instances of
contrast in this selection. Do you know anything about the "Lincoln
Mythology" that has grown up since the war?]




THE ELEPHANTS THAT STRUCK


I remember an occasion, many years ago, when in Ceylon, I, in connection
with my brother, had organized a scheme for the development of a
mountain sanitarium at Newera Ellia. We had a couple of tame elephants
employed in various works; but it was necessary to obtain the assistance
of the government stables for the transport of very heavy machinery,
which could not be conveyed in the ordinary native carts. There were
accordingly a large number of elephant wagons drawn by their colossal
teams, some of which required four elephants.

It was the wet season upon the mountains. Our settlement was 6200 feet
above the sea, and the zigzag pass from Rambodde, at the base of the
steep ascent, was fifteen miles in length. The crest of the pass was
7000 feet in altitude, from which we descended 800 feet to the Newera
Ellia plain.

The elephant wagons having arrived at Rambodde from Colombo, about 100
miles distant, commenced the heavy uphill journey. The rain was
unceasing, the roads were soft, and the heavily laden wagons sunk deeply
in the ruts; but the elephants were mighty beasts, and, laying their
weight against the work, they slowly dragged the vehicles up the
yielding and narrow way.

The abrupt zigzags bothered the long wagons, and their still longer
teams. The bridges over dangerous chasms entailed the necessity of
unloading the heavier carts, and caused great delay. Day after day
passed away; but although the ascent was slow, the wagons still moved
upwards, and the region of everlasting mist (at that season) was
reached. Dense forests clothed the mountain sides; the roar of
waterfalls resounded in the depths of black ravines; tangled bamboo
grass crept upwards from the wet soil into the lower branches of the
moss-covered trees, and formed a green curtain impenetrable to sight.

The thermometer fell daily as the altitude increased. The elephants
began to sicken; two fine animals died. There was plenty of food, as the
bamboo grass was the natural provender, and in the carts was a good
supply of paddy; [Footnote: Paddy: unhusked rice.] but the elephants'
intelligence was acting against them--they had reasoned, and had become
despondent.

For nine or ten days they had been exposed to ceaseless wet and cold,
dragging their unmanageable wagons up a road that even in dry weather
was insufficient to sustain the weight. The wheels sank deep below the
metal foundation, and became hopelessly imbedded. Again and again the
wagons had to be emptied of their contents, and extra elephants were
taken from the other carts and harnessed to the empty wagons, which were
by sheer weight of animals dragged from the deep mire.

Thus the time had passed, and the elephants had evidently reasoned upon
the situation, and had concluded that there was no summit to the
mountain, and no end to the steep and horrible ascent; it would be,
therefore, useless to persevere in unavailing efforts. They determined,
under these heart-breaking circumstances, to strike work; ... and they
did strike.

One morning a couple of the elephant drivers appeared at my house in
Newera Ellia, and described the situation. They declared that it was
absolutely impossible to induce the elephants to work; they had given it
up as a bad job!

I immediately mounted my horse and rode up to the pass, and descended
the road upon the other side, timing the distance with my watch. Rather
under two miles from the summit I found the road completely blocked with
elephant carts and wagons; the animals were grazing upon bamboo grass in
the thick forest; the rain was drizzling, and a thick mist increased the
misery of the scene. I ordered four elephants to be harnessed to a cart
intended for only one animal. This was quickly effected, and the drivers
were soon astride the animals' necks, and prodded them with the
persuasive iron hooks. Not an elephant would exert itself to draw. In
vain the drivers, with relentless cruelty, drove the iron points deep
into the poor brutes' necks and heads, and used every threat of their
vocabulary; the only response was a kind of marking time on the part of
the elephants, which simply moved their legs mechanically up and down,
and swung their trunks to and fro; but none would pull or exert the
slightest power, neither did they move forward a single inch.

I never saw such an instance of passive and determined obstinacy; the
case was hopeless.

An idea struck me. I ordered the drivers to detach the four elephants
from the harness, and to ride them thus unfettered up the pass,
following behind my horse. It appeared to me that if the elephants were
heart-broken, and in despair at the apparently interminable mountain
pass, it would be advisable to let them know the actual truth, by
showing them that they were hardly two miles from the summit, where they
would exchange their uphill labor for a descent into Newera Ellia; they
should then have an extra feed, with plenty of jaggery (a coarse brown
sugar), and be introduced to the companionship of our two female
elephants. If they passed an agreeable night, with the best of food and
warm quarters, they would possibly return the following day to their
work, and with lighter hearts put their shoulders to the wheel, instead
of yielding to a dogged attitude of despair.

The success of this ruse was perfect. The elephants accompanied me to
Newera Ellia, and were well fed and cared for. On the following day we
returned to the heavy work, and I myself witnessed their start with the
hitherto unyielding wagon. Not only did they exert their full powers,
and drag the lumbering load straight up the fatiguing hill without the
slightest hesitation, but their example, or some unaccountable
communication between them, appeared to give general encouragement. I
employed the most willing elephants as extras to each wagon, which they
drew to the summit of the pass, and then returned to assist the
others,--thus completing what had been pronounced by the drivers as
utterly impossible. There can be no doubt that the elephants had at once
perceived the situation, and in consequence recovered their lost
courage.

--SAMUEL WHITE BAKER.

[Footnote: What part do you imagine the writer had in the expedition he
describes? How would the natives have solved the problem? Have you ever
heard other stories of elephants that seem to show the power of
reasoning?]




THE LUCK OF ROARING CAMP


The next day Cherokee Sal had such rude sepulture [Footnote: Sepulture:
burial.] as Roaring-Camp afforded. After her body had been committed to
the hillside, there was a formal meeting of the camp to discuss what
should be done with her infant. A resolution to adopt it was unanimous
and enthusiastic. But an animated discussion in regard to the manner and
feasibility of providing for its wants at once sprung up. It was
remarkable that the argument partook of none of those fierce
personalities with which discussions were usually conducted at Roaring
Camp. [Footnote: It was remarkable--Roaring Camp. What does this mean?]
Tipton proposed that they should send the child to Red Dog,--a distance
of forty miles,--where female attention could be procured. But the
unlucky suggestion met with fierce and unanimous opposition. It was
evident that no plan which entailed parting from their new acquisition
would for a moment be entertained. "Besides," said Tom Ryder, "them
fellows at Red Dog would swap it, and ring in somebody else on us." A
disbelief in the honesty of other camps prevailed at Roaring Camp as in
other places.

Stumpy advanced nothing. Perhaps he felt a certain delicacy in
interfering with the selection of a possible successor in office. But
when questioned, he averred stoutly that he and "Jinny" [Footnote:
Jinny: the she-ass that had been procured as a nurse.]--the mammal
before alluded to--could manage to rear the child. There was something
original, independent, and heroic about the plan that pleased the camp.
Stumpy was retained. Certain articles were sent for to Sacramento.
"Mind," said the treasurer, as he pressed a bag of gold-dust into the
expressman's hand, "the best that can be got,--lace, you know, and
filigree-work and frills, never mind the cost!"

Strange to say, the child thrived. Perhaps the invigorating climate of
the mountain camp was compensation for material deficiencies. Nature
took the foundling to her broader breast. In that rare atmosphere of the
Sierra foot-hills,--that air pungent with balsamic odor, that ethereal
cordial at once bracing and exhilarating--he may have found food and
nourishment, or a subtle chemistry that transmuted ass's milk to lime
and phosphorus. Stumpy inclined to the belief that it was the latter and
good nursing. "Me and that ass," he would say, "has been father and
mother to him! Don't you," he would add, apostrophizing [Footnote:
Apostrophizing: using a special form of personal address.] the helpless
bundle before him, "never go back on us."

By the time he was a month old, the necessity of giving him a name
became apparent. He had generally been known as "the Kid," "Stumpy's
boy," "the Coyote" [Footnote: Coyote: also called prairie wolf.] (an
allusion to his vocal powers), and even by Kentuck's endearing
diminutive of "the little cus." But these were felt to be vague and
unsatisfactory, and were at last dismissed under another influence.
Gamblers and adventurers are generally superstitious, and Oakhurst one
day declared that the baby had brought "the luck" to Roaring Camp. It
was certain that of late they had been successful. "Luck" was the name
agreed upon, with the prefix of Tommy for greater convenience. No
allusion was made to the mother, and the father was unknown. "It's
better," said the philosophical Oakhurst, "to take a fresh deal all
round. Call him Luck and start him fair."

And so the work of regeneration began in Roaring Camp. Almost
imperceptibly a change came over the settlement. The cabin assigned to
"Tommy Luck"--or "The Luck," as he was more frequently called--first
showed signs of improvement. It was kept scrupulously clean, and
white-washed. Then it was boarded, clothed, and prepared. The rosewood
cradle--packed eighty miles by mule--had, in Stumpy's way of putting it,
"sorter killed the rest of the furniture." So the rehabilitation of the
cabin became a necessity. The men who were in the habit of lounging in
at Stumpy's to see "how The Luck got on" seemed to appreciate the
change, and, in self-defence, the rival establishment of "Tuttle's
grocery" bestirred itself, and imported a carpet and mirrors. The
reflections of the latter on the appearance of Roaring Camp tended to
produce stricter habits of personal cleanliness. Again, Stumpy imposed a
kind of quarantine upon those who aspired to the honor and privilege of
holding "The Luck." It was a cruel mortification to Kentuck--who, in the
carelessness of a large nature and the habits of frontier life, had
begun to regard all garments as a second cuticle, [Footnote: Cuticle:
outer skin.] which, like a snake's, only sloughed off through decay--to
be debarred this privilege from certain prudential reasons. [Footnote:
Certain prudential reasons. What were they?] Yet such was the subtle
influence of innovation that he thereafter appeared regularly every
afternoon in a clean shirt, and face still shining from his ablutions.
Nor were normal and social sanitary laws neglected. "Tommy," who was
supposed to spend his whole existence in a persistent attempt to repose,
must not be disturbed by noise. The shouting and yelling which had
gained the camp its infelicitous title were not permitted within hearing
distance of Stumpy's. The men conversed in whispers, or smoked with
Indian gravity. Profanity was tacitly given up in these sacred
precincts, and throughout the camp a popular form of expletive, known as
"Curse the luck!" was abandoned, as having a new personal bearing. Vocal
music was not interdicted, [Footnote: Interdicted: forbidden.] being
supposed to have a soothing, tranquillizing quality, and one song, sung
by "Man-o'-War Jack," an English sailor, from her majesty's Australian
colonies, was quite popular as a lullaby. It was a lugubrious recital of
the exploits of "the Arethusa, Seventy-four," in a muffled minor, ending
with a prolonged dying fall at the burden of each verse, "On b-o-o-o-ard
of the Arethusa." It was a fine sight to see Jack holding The Luck,
rocking from side to side as if with the motion of a ship, and crooning
forth this naval ditty. Either through the peculiar rocking of Jack or
the length of his song,--it contained ninety stanzas, and was continued
with conscientious deliberation to the bitter end,--the lullaby
generally had the desired effect. At such times the men would lie at
full length under the trees, in the soft summer twilight, smoking their
pipes and drinking in the melodious utterances. An indistinct idea that
this was pastoral happiness pervaded the camp. "This 'ere kind o'
think," said the Cockney Simmons, meditatively reclining on his elbow,
"is 'evingly." It reminded him of Greenwich.

On the long summer days The Luck was usually carried to the gulch from
whence the golden store of Roaring Camp was taken. There, on a blanket
spread over pine boughs, he would lie while the men were working in the
ditches below. Latterly there was a rude attempt to decorate this bower
with flowers and sweet-smelling shrubs, and generally some one would
bring him a cluster of wild honeysuckles, azaleas, or the painted
blossoms of Las Mariposas. [Footnote: Las Mariposas: the Mariposa
lilies; also called butterfly lilies.] The men had suddenly awakened to
the fact that there were beauty and significance in these trifles, which
they had so long trodden carelessly beneath their feet. A flake of
glittering mica, a fragment of variegated quartz, a bright pebble from
the bed of the creek, became beautiful to eyes thus cleared and
strengthened, and were invariably put aside for The Luck. It was
wonderful how many treasures the woods and hillsides yielded that "would
do for Tommy." Surrounded by playthings such as never child out of
fairyland had before, it is to be hoped that Tommy was content. He
appeared to be serenely happy, albeit there was an infantine gravity
about him, a contemplative light in his round gray eyes, that sometimes
worried Stumpy. He was always tractable and quiet, and it is recorded
that once, having crept beyond his "corral," [Footnote: Corral: an
inclosure for animals.]--a hedge of tessellated [Footnote: Tessellated:
checkered.] pine boughs which surrounded his bed,--he dropped over the
bank on his head in the soft earth, and remained with his mottled legs
in the air in that position for at least five minutes with unflinching
gravity. He was extricated without a murmur. I hesitate to record the
many other instances of his sagacity, which rest, unfortunately, upon
the statements of prejudiced friends. Some of them were not without a
tinge of superstition. "I crep' up the bank just now," said Kentuck one
day, in a breathless state of excitement, "and dern my skin if he wasn't
a-talking to a jaybird as was a-sittin' on his lap. There they was, just
as free and sociable as anything you please, a-jawin' at each other just
like two cherrybums." Howbeit, whether creeping over the pine boughs or
lying lazily on his back blinking at the leaves above him, to him the
birds sang, the squirrels chattered, and the flowers bloomed. Nature was
his nurse and playfellow. For him she would let slip between the leaves
golden shafts of sunlight that fell just within his grasp; she would
send wandering breezes to visit him with the balm of bay and resinous
gum; to him the tall redwoods nodded familiarly and sleepily, the
bumblebees buzzed, and the rooks cawed an accompaniment.

Such was the golden summer of Roaring Camp. They were "flush times," and
the luck was with them. The claims had yielded enormously. The camp was
jealous of its privileges and looked suspiciously on strangers. No
encouragement was given to immigration, and, to make their seclusion
more perfect, the land on either side of the mountain wall that
surrounded the camp they duly preempted. [Footnote: Pre-empted: claimed
by special privilege of purchase.] This, and a reputation for singular
proficiency with the revolver, kept the reserve of Roaring Camp
inviolate. The expressman--their only connecting link with the
surrounding world--sometimes told wonderful stories of the camp. He
would say, "They've a street up there in 'Roaring' that would lay over
any street in Red Dog. They've got vines and flowers round their houses,
and they wash themselves twice a day. But they're mighty rough on
strangers, and they worship an Ingin baby."

With the prosperity of the camp came a desire for further improvement.
It was proposed to build a hotel in the following spring, and to invite
one or two decent families to reside there for the sake of The Luck, who
might perhaps profit by female companionship. The sacrifice that this
concession to the sex cost these men, who were fiercely skeptical in
regard to its general virtue and usefulness, can only be accounted for
by their affection for Tommy. A few still held out. But the resolve
could not be carried into effect for three months, and the minority
meekly yielded in the hope that something might turn up to prevent it.
And it did. The winter of 1851 will long be remembered in the foot
hills. The snow lay deep on the Sierras, and every mountain creek became
a river, and every river a lake. Each gorge and gulch was transformed
into a tumultuous watercourse that descended the hillsides, tearing down
giant trees and scattering its drift and debris along the plain. Red Dog
had been twice under water, and Roaring Camp had been forewarned. "Water
put the gold into them gulches," said Stumpy. "It's been here once and
will not be here again!" And that night the North Fork suddenly leaped
over its banks and swept up the triangular valley of Roaring Camp. In
the confusion of rushing water, crashing trees, and crackling timber,
and the darkness which seemed to flow with the water and blot out the
fair valley, but little could be done to collect the scattered camp.
When the morning broke, the cabin of Stumpy, nearest the river-bank, was
gone. Higher up the gulch they found the body of its unlucky owner; but
the pride, the hope, the joy, The Luck, of Roaring Camp had disappeared.

--BRET HARTE (adapted.)

[Footnote: Where is the scene of the story laid? What is the probable
time? It was Bret Harte's peculiar power to find tenderness and fineness
of feeling among rough men. Where do you see these things in this story?
Does the story show "poetic insight"? Cf. Hawthorne's definition.
[Footnote: "What is called poetic insight is the gift of discerning,
in this sphere of strangely mingled elements, the beauty and majesty
that are compelled to assume a garb so sordid."--House of the
Seven Gables, Chap. II.] Why did the miners insist on "frills" for
Tommy? Does the change wrought in Roaring Camp seem to you to be
reasonable? What was the real "luck" that Tommy brought to Roaring
Camp?]




THE STORY OF MUHANNAD DIN


The polo-ball was an old one, scarred, chipped, and dinted. It stood on
the mantelpiece among the pipe-stems which Imam Din, khitmatgar, was
cleaning for me.

"Does the Heaven-born want this ball?" said Imam Din deferentially.

The Heaven-born set no particular store by it; but of what use was a
polo-ball to a khitmatgar?

"By Your Honour's favour, I have a little son. He has seen this ball,
and desires it to play with. I do not want it for myself."

No one would for an instant accuse portly old Imam Din of wanting to
play with polo-balls. He carried out the battered thing into the
verandah; and there followed a hurricane of joyful squeaks, a patter of
small feet, and the thud-thud-thud of the ball rolling along the ground.
Evidently the little son had been waiting outside the door to secure his
treasure. But how had he managed to see that polo-ball?

Next day, coming back from office half an hour earlier than usual, I was
aware of a small figure in the dining-room--a tiny, plump figure in a
ridiculously inadequate shirt which came, perhaps, half-way down the
tubby stomach. It wandered round the room, thumb in mouth, crooning to
itself as it took stock of the pictures. Undoubtedly this was the
"little son."

He had no business in my room, of course; but was so deeply absorbed in
his discoveries that he never noticed me in the doorway. I stepped into
the room and startled him nearly into a fit. He sat down on the ground
with a gasp. His eyes opened, and his mouth followed suit. I knew what
was coming, and fled, followed by a long, dry howl which reached the
servants' quarters far more quickly than any command of mine had ever
done. In ten seconds Imam Din was in the dining-room. Then despairing
sobs arose, and I returned to find Imam Din admonishing the small
sinner, who was using most of his shirt as a handkerchief.

"This boy," said Imam Din judicially, "is a budmash [Footnote: Budmash:
a disreputable fellow.]--a big budmash. He will, without doubt, go to
the jail-khana for his behaviour." Renewed yells from the penitent, and
an elaborate apology to myself from Imam Din.

"Tell the baby," said I, "that the Sahib [Footnote: Sahib: a respectful
title given to Europeans by the natives of India.] is not angry, and
take him away." Imam Din conveyed my forgiveness to the offender, who
had now gathered all his shirt round his neck, stringwise, and the yell
subsided into a sob. The two set off for the door. "His name," said Imam
Din, "is Muhammad Din, and he is a budmash." Freed from present danger,
Muhammad Din turned round in his father's arms, and said gravely, "it is
true that my name is Muhammad Din, Tahib, but I am not a budmash. I am a
man!"

From that day dated my acquaintance with Muhammad Din. Never again did
he come into my dining-room, but on the neutral ground of the garden, we
greeted each other with much state, though our conversation was confined
to "Talaam, Tahib" from his side, and "Salaam, Muhammad Din" from mine.
Daily on my return from office, the little white shirt and the fat
little body used to rise from the shade of the creeper-covered trellis
where they had been hid; and daily I checked my horse here, that my
salutation might not be slurred over or given unseemly.

Muhammad Din never had any companions. He used to trot about the
compound, [Footnote: Compound: an inclosure containing a house and
outbuildings.] in and out of the castor-oil bushes, on mysterious
errands of his own. One day I stumbled upon some of his handiwork far
down the grounds. He had half buried the polo-ball in the dust, and
stuck six shrivelled old marigold flowers in a circle round it. Outside
that circle again was a rude square, traced out in bits of red brick
alternating with fragments of broken china; the whole bounded by a
little bank of dust. The water-man from the well-curb put in a plea for
the small architect, saying that it was only the play of a baby and did
not much disfigure my garden.

Heaven knows that I had no intention of touching the child's work then
or later; but, that evening, a stroll through the garden brought me
unawares full on it; so that I trampled, before I knew, marigold-heads,
dust-bank, and fragments of broken soap-dish into confusion past all
hope of mending. Next morning, I came upon Muhammad Din crying softly to
himself over the ruin I had wrought. Some one had cruelly told him that
the Sahib was very angry with him for spoiling the garden, and had
scattered his rubbish, using bad language the while. Muhammad Din
laboured for an hour at effacing every trace of the dust-bank and
pottery fragments, and it was with a tearful and apologetic face that he
said, "Talaam, Tahib," when I came home from office. A hasty inquiry
resulted in Imam Din informing Muhammad Din that, by my singular favour,
he was permitted to disport himself as he pleased. Whereat the child
took heart and fell to tracing the ground-plan of an edifice which was
to eclipse the marigold-polo-ball creation.

For some months the chubby little eccentricity revolved in his humble
orbit among the castor-oil bushes and in the dust; always fashioning
magnificent palaces from stale flowers thrown away by the bearer, smooth
water-worn pebbles, bits of broken glass, and feathers pulled, I fancy,
from my fowls--always alone, and always crooning to himself.

A gaily-spotted sea-shell was dropped one day close to the last of his
little buildings; and I looked that Muhammad Din should build something
more than ordinarily splendid on the strength of it. Nor was I
disappointed. He meditated for the better part of an hour, and his
crooning rose to a jubilant song. Then he began tracing in the dust. It
would certainly be a wondrous palace, this one, for it was two yards
long and a yard broad in ground-plan. But the palace was never
completed.

Next day there was no Muhammad Din at the head of the carriage-drive,
and no "Talaam, Tahib" to welcome my return. I had grown accustomed to
the greeting, and its omission troubled me. Next day Imam Din told me
that the child was suffering slightly from fever and needed quinine. He
got the medicine, and an English Doctor.

"They have no stamina, these brats," said the Doctor, as he left Imam
Din's quarters.

A week later, though I would have given much to have avoided it, I met
on the road to the Mussulman burying-ground Imam Din, accompanied by one
friend, carrying in his arms, wrapped in a white cloth, all that was
left of little Muhammad Din.

--RUDYARD KIPLING.

[Footnote: Point out the characteristics of Muhammad Din that are common
to all childhood, and those that are more especially Oriental. Why do
you think Muhammad Din always played alone? Note the simple direct way
of telling the story. What other stories have been told in this way?
Would you have been able to recognize Muhammad Din from the author's
description? Would the destruction of the sand-house be a tragedy to
most Western children? Why was it to Muhammad Din? Notice the simple
pathos of the ending. Is it made more poignant by being unexpected?]




A CHILD


In Kensington Gardens, [Footnote: Kensington Gardens: in southwest
London.] that February day, it was very still. Trees, stripped of every
leaf, raised their bare clean twigs towards a sky so grey and so
unstirring that there might never have been wind or sun. And on those
branches pigeons sat, silent, as though they understood that there was
no new life as yet; they seemed waiting, loth to spread their wings lest
they should miss the coming of the Spring.

Down in the grass the tiniest green flames were burning, a sign of the
fire flowers that would leap up if the sun would feed them.

And on a seat there sat a child.

He sat between his father and his mother, looking straight before him.
It was plain that the reason why he looked so straight before him was
that he really had not strength to care to look to right or left--so
white his face was, so puny were his limbs. His clothes had evidently
been designed for others, and this was fortunate, for they prevented the
actual size of him from being seen. He was not, however, what is called
neglected; his face was clean, and the utmost of protection that Fate
and the condition of his parents had vouchsafed was evidently lavished
on him, for round his neck there was a little bit of draggled fur which
should have been round the neck of her against whose thin shabby side he
leaned. This mother of his was looking at the ground; and from the
expression of her face she seemed to think that looking at the ground
was all life had to offer.

The father sat with his eyes shut. He had shabby clothes, a grey face,
and a grey collar that had once been white. Above the collar his thin
cheeks had evidently just been shaved--for it was Saturday, and by the
colour of those cheeks, and by his boots, whose soles, hardly thicker
than a paper sheet, still intervened between him and the ground, he was
seen not to be a tramp or outdoor person, but an indoor worker of some
sort, and very likely out of work, who had come out to rest in the
company of his wife and family. His eyes being shut, he sat without the
pain of looking at a single thing, moving his jaw at intervals from side
to side.

And between the man and the woman, the child sat, very still, evidently
on good terms with them, not realising that they had brought him out of
a warm darkness where he had been happy, out of a sweet nothingness,
into which, and soon perhaps, he would pass again--not realising that
they had so neglected to keep pace with things, or that things had so
omitted to keep pace with them, that he himself had eaten in his time
about one half the food he should have eaten, and that of the wrong
sort. By the expression of his face, that pale small ghost had evidently
grasped the truth that things were as they had to be. He seemed to sit
there reviewing his own life, and taking for granted that it must be
what it was, from hour to hour, and day to day, and year to year.

And before me, too, the incidents of his small journey passed. I saw him
in the morning getting off the family bed, where it was sometimes warm,
and chewing at a crust of bread before he set off to school in company
with other children, some of whom were stouter than himself; saw him
carrying in his small fist the remnants of his feast, and dropping it,
or swopping it away for peppermints, because it tired him to consume it,
having no juices to speak of in his little stomach. I seemed to
understand that, accustomed as he was to eating little, he almost always
wanted to eat less, not because he had any wish to die--nothing so
extravagant--but simply that he nearly always felt a little sick; I felt
that his pale, despondent mother was always urging him to eat, when
there were things to eat, and that this bored him, since they did not
strike him as worth all that trouble with his jaws. She must have found
it difficult indeed to persuade him that there was any point at all in
eating; for, from his looks, he could manifestly not now enjoy anything
but peppermints and kippered herrings. I seemed to see him in his
school, not learning, not wanting to learn anything, nor knowing why
this should be so, ignorant of the dispensations of a Providence
who--after hesitating long to educate him lest this should make his
parents paupers--now compelled his education, having first destroyed his
stomach that he might be incapable of taking in what he was taught. That
small white creature could not as yet have grasped the notion that the
welfare of the future lay, not with the future, but with the past. He
only knew that every day he went to school with little in his stomach,
and every day came back from school with less.

All this he seemed to be reviewing as he sat there, but not in thought;
his knowledge was too deep for words; he was simply feeling, as a child
that looked as he looked would naturally be feeling, on that bench
between his parents. He opened his little mouth at times, as a small
bird will open its small beak, without apparent purpose; and his lips
seemed murmuring:

"My stomach feels as if there were a mouse inside it; my legs are
aching; it's all quite natural, no doubt!"

To reconcile this apathy of his with recollections of his unresting,
mirthless energy down alleys and on doorsteps, it was needful to
remember human nature, and its exhaustless cruse [Footnote: Exhaustless
cruse. See I Kings XVII: 8-16.] of courage. For, though he might not
care to live, yet, while he was alive he would keep his end up, because
he must--there was no other way. And why exhaust himself in vain regrets
and dreams of things he could not see, and hopes of being what he could
not be! That he had no resentment against anything was certain from his
patient eyes--not even against those two who sat, one on either side of
him--unaware that he was what he was, in order that they who against his
will had brought him into being, might be forced by law to keep a
self-respect they had already lost, and have the insufficiency of things
he could not eat. For he had as yet no knowledge of political economy.
He evidently did not view his case in any petty, or in any party,
spirit; he did not seem to look on himself as just a half-starved child
that should have cried its eyes out till it was fed at least as well as
the dogs that passed him; he seemed to look on himself as that
impersonal, imperial thing--the Future of the Race.

So profound his apathy!

And, as I looked, the "Future of the Race" turned to his father:

"'Ark at the bird!" he said.

It was a pigeon, who high upon a tree had suddenly begun to croon. One
could see his head outlined against the grey unstirring sky, first
bending back, then down into his breast, then back again; and that soft
song of his filled all the air, like an invocation of fertility.

"The Future of the Race" watched him for a minute without moving, and
suddenly he laughed. That laugh was a little hard noise like the
clapping of two boards--there was not a single drop of blood in it, nor
the faintest sound of music; so might a marionette [Footnote:
Marionette: a puppet moved by strings.] have laughed--a figure made of
wood and wire.

And in that laugh I seemed to hear innumerable laughter, the laughter in
a million homes of the myriad unfed.

So laughed the Future of the richest and the freest and the proudest
race that has ever lived on earth, that February afternoon, with the
little green flames lighted in the grass, under a sky that knew not wind
or sun--so he laughed at the pigeon that was calling for the Spring.

--JOHN GALSWORTHY.

[Footnote: Why could the child enjoy only "peppermints and kippered
herring"? Why does the author call the child the "Future of the Race"?
Is the term used seriously or ironically? What plea does the author make
for all childhood? Does the portrait of the child seem real or
exaggerated? Does the author place the blame for such conditions as made
this child an unhappy weakling? Compare this portrait with that of
Muhammad Din.]




TOO DEAR FOR THE WHISTLE


When I was a child of seven years old, my friends, on a holiday, filled
my pockets with coppers. I went directly to a shop where they sold toys
for children; and being charmed with the sound of a whistle, that I met
by the way in the hands of another boy, I voluntarily offered and gave
all my money for one. I then came home, and went whistling all over the
house, much pleased with my whistle, but disturbing all the family. My
brothers, and sisters, and cousins, understanding the bargain I had
made, told me I had given four times as much for it as it was worth; put
me in mind of what good things I might have bought with the rest of the
money; and laughed at me so much for my folly, that I cried with
vexation; and the reflection gave me more chagrin than the whistle gave
me pleasure.

This, however, was afterwards of use to me, the impression continuing on
my mind; so that often, when I was tempted to buy some unnecessary
thing, I said to myself, "Don't give too much for the whistle"; and I
saved my money. As I grew up, came into the world, and observed the
actions of men, I thought I met with many, very many, "who gave too much
for the whistle." When I saw one too ambitious of court favor,
sacrificing his time in attendance on levees, his repose, his liberty,
his virtue, and perhaps his friends, to attain it, I have said to
myself--

"This man gives too much for his whistle." When I saw another fond of
popularity, constantly employing himself in political bustles,
neglecting his own affairs, and ruining them by that neglect, "He pays,
indeed," said I, "too dear for his whistle."

If I knew a miser, who gave up every kind of comfortable living, all the
pleasure of doing good to others, all the esteem of his fellow-citizens,
and the joys of benevolent friendship, for the sake of accumulating
wealth--"Poor man," said I, "you pay too dear for your whistle." When I
met a man of pleasure, sacrificing every laudable improvement of the
mind, or of his fortune, to mere corporeal sensations, and ruining his
health in their pursuit--"Mistaken man," said I, "you are providing
pain for yourself, instead of pleasure; you are paying too dear for your
whistle." If I see one fond of appearance or fine clothes, fine houses,
fine furniture, fine equipages, all above his fortune, for which he
contracts debts, "Alas," say I, "he has paid dear, very dear for his
whistle." In short, I conceive that a great part of the miseries of
mankind are brought upon them by the false estimate they have made of
the value of things, and by their giving "too much for their whistles."

--BENJAMIN FRANKLIN.

[Footnote: This extract was taken from a letter which Franklin wrote
from Passy in 1779 to Madame Brillon.

The phrase, "paying too dear for his whistle," has become proverbial.
What does it mean? What famous book of maxims was written by Franklin?
Can you quote any of the sayings in it? Do you know anything of
Franklin's life that showed whether he lived up to the moral he sets
forth in this story?]




A LODGING FOR THE NIGHT


He (Villon) [Footnote: Francois Villon: born 1431, died 1484. Stevenson
characterizes him as "poet, student, and housebreaker."] went boldly to
the door and knocked with an assured hand. On both previous occasions,
he had knocked timidly and with some dread of attracting notice; but now
when he had just discarded the thought of a burglarious entry, knocking
at a door seemed a mighty simple and innocent proceeding. The sound of
his blows echoed through the house with thin, phantasmal [Footnote:
Phantasmal: ghostly.] reverberations, as though it were quite empty; but
these had scarcely died away before a measured tread drew near, a couple
of bolts were withdrawn, and one wing was opened broadly, as though no
guile or fear of guile were known to those within. A tall figure of a
man, muscular and spare, but a little bent, confronted Villon. The head
was massive in bulk, but finely sculptured; the nose blunt at the
bottom, but refining upward to where it joined a pair of strong and
honest eyebrows; the mouth and eyes surrounded with delicate markings,
and the whole face based upon a thick white beard, boldly and squarely
trimmed. Seen as it was by the light of a flickering hand-lamp, it
looked perhaps nobler than it had a right to do; but it was a fine face,
honourable rather than intelligent, strong, simple, and righteous.

"You knock late, sir," said the old man in resonant, courteous tones.

Villon cringed, and brought up many servile words of apology; at a
crisis of this sort, the beggar was uppermost in him, and the man of
genius hid his head with confusion.

"You are cold," repeated the old man, "and hungry? Well, step in." And
he ordered him into the house with a noble enough gesture.

"Some great seigneur," [Footnote: Seigneur: lord.] thought Villon, as
his host, setting down the lamp on the flagged pavement of the entry,
shot the bolts once more into their places.

"You will pardon me if I go in front," he said, when this was done; and
he preceded the poet upstairs into a large apartment, warmed with a pan
of charcoal and lit by a great lamp hanging from the roof. It was very
bare of furniture: only some gold plate on a sideboard; some folios;
[Footnote: Folios: large books.] and a stand of armor between the
windows. Some smart tapestry hung upon the walls, representing the
crucifixion of our Lord in one piece, and in another a scene of
shepherds and shepherdesses by a running stream. Over the chimney was a
shield of arms.

"Will you seat yourself," said the old man, "and forgive me if I leave
you? I am alone in my house to-night, and if you are to eat I must
forage for myself."

No sooner was his host gone than Villon leaped from the chair on which
he had just seated himself, and began examining the room, with the
stealth and passion of a cat. [Footnote: With the stealth and passion of
a cat. Does this give you any clue to Villon's character?] He weighed
the gold flagons in his hand, opened all the folios, and investigated
the arms upon the shield, and the stuff with which the seats were lined.
He raised the window curtains, and saw that the windows were set with
rich stained glass in figures, so far as he could see, of martial
[Footnote: Martial: warlike.] import. Then he stood in the middle of the
room, drew a long breath, and retaining it with puffed cheeks, looked
round and round him, turning on his heels, as if to impress every
feature of the apartment on his memory.

"Seven pieces of plate," he said. "If there had been ten, I would have
risked it. A fine house, and a line old master, so help me all the
saints!"

And just then, hearing the old man's tread returning along the corridor,
he stole back to his chair and began humbly toasting his wet legs before
the charcoal pan.

His entertainer had a plate of meat in one hand and a jug of wine in the
other. He set down the plate upon the table, motioning Villon to draw in
his chair and going to the sideboard, brought back two goblets, which he
filled.

"I drink your better fortune," he said, gravely touching Villon's cup
with his own.

"To our better acquaintance," said the poet, growing bold. A mere man of
the people would have been awed by the courtesy of the old seigneur, but
Villon was hardened in that matter; he had made mirth for great lords
before now, and found them as black rascals as himself. And so he
devoted himself to the viands [Footnote: Viands: food.] with a ravenous
gusto, while the old man, leaning backward, watched him with steady,
curious eyes.

"Have you any money?" asked the old man.

"I have one white," [Footnote: White: a small coin.] returned the poet
laughing. "I got it out of a dead jade's stocking in a porch. She was as
dead as Caesar, poor wench, and as cold as a church, with bits of ribbon
sticking in her hair. This is a hard world in winter for wolves and
wenches and poor rogues like me."

"I," said the old man, "am Enguerrand de la Feuillee, seigneur de
Brisetout, bailly du Patatrac. [Footnote: Bailly: bailiff.] Who and what
may you be?"

Villon rose and made a suitable reverence. "I am called Francis Villon,"
he said, "a poor Master of Arts of this university. I know some Latin,
and a deal of vice. I can make chansons, ballades, lais, virelais, and
roundels, [Footnote: Lais: ... virilais. Chansons ... roundels: different
types of versification.] and I am very fond of wine. I was born in a
garret, and I shall not improbably die upon the gallows. I may add, my
lord, that from this night forward I am your lordship's very obsequious,
servant to command."

"No servant of mine," said the knight, "my guest for this evening, and
no more."

"A very grateful guest;" said Villon politely, and he drank in dumb show
to his entertainer.

"You are shrewd," began the old man, tapping his forehead, "very shrewd;
you have learning; you are a clerk; [Footnote: Clerk: the term formerly
applied to a man of letters.] and yet you take a small piece of money
off a dead woman in the street. Is it not a kind of theft?"

"It is a kind of theft much practiced in the wars, my lord."

"The wars are the field of honor," returned the old man proudly. "There
a man plays his life upon the cast; he fights in the name of his lord
the king, his Lord God, and all their lordships the holy saints and
angels."

"Put it," said Villon, "that I were really a thief, should I not play my
life also, and against heavier odds?"

"For gain but not for honor."

"Gain?" repeated Villon with a shrug. "Gain! The poor fellow wants
supper, and takes it. So does the soldier in a campaign. Why, what are
all these requisitions [Footnote: Requisitions: demands, generally of
money and supplies, made by invaders upon the people of the invaded
country.] we hear so much about? If they are not gain to those who take
them, they are loss enough to the others. The men-at-arms drink by a
good fire, while the burgher bites his nails to buy them wine and wood.
I have seen a good many ploughmen swinging on trees about the country;
ay, I have seen thirty on one elm, and a very poor figure they made; and
when I asked someone how all these came to be hanged, I was told it was
because they could not scrape together enough crowns to satisfy the
men-at-arms."

"These things are a necessity of war, which the lowborn must endure with
constancy. It is true that some captains drive overhard; there are
spirits in every rank not easily moved by pity; and indeed many follow
arms who are no better than brigands."

"You see," said the poet, "you cannot separate the soldier from the
brigand; and what is a thief but an isolated brigand with circumspect
[Footnote: Circumspect: wary.] manners? I steal a couple of mutton
chops, without so much as disturbing people's sleep; the farmer grumbles
a bit, but sups none the less wholesomely on what remains. You come up
blowing gloriously on a trumpet, take away the whole sheep, and beat the
farmer pitifully into the bargain. I have no trumpet; I am only Tom,
Dick or Harry; I am a rogue and a dog, and hanging's too good for
me--with all my heart; but just ask the farmer which of us he prefers,
just find out which of us he lies awake to curse on cold nights."

"Look at us two," said his lordship. "I am old, strong and honored. If I
were turned from my house tomorrow, hundreds would be proud to shelter
me. Poor people would go out and pass the night in the streets with
their children, if I merely hinted that I wished to be alone. And I find
you up, wandering homeless, and picking farthings off dead women by the
wayside! I fear no man and nothing; I have seen you tremble and lose
countenance at a word. I wait God's summons contentedly in my own house,
or, if it please the king to call me out again, upon the field of
battle. You look for the gallows; a rough, swift death, without hope or
honor. Is there no difference between these two?"

"As far as to the moon" Villon acquiesced. "But if I had been born lord
of Brisetout, and you had been the poor scholar Francis, would the
difference have been any the less? Should not I have been warming my
knees at this charcoal pan, and would not you have been groping for
farthings in the snow? Should not I have been the soldier, and you the
thief?"

--ROBERT LOUIS STEVENSON (adapted).

[Footnote: What hints does the sketch give you of the period in which
the story is laid? What characteristics of Villon are brought out? Is
there any suggestion of the poet in his remarks? What is the real
difference between the two men? Does Villon make out a good case? Is his
description of war a fair one? Why did Villon not steal the goblets?]




A BAD FIVE MINUTES IN THE ALPS


It was time to return, and the demon who amuses himself by beguiling
Alpine travellers suggested the memory of a certain short cut which
involved a bit of amusing scrambling. I was speedily occupied in
fighting my way downwards through a steep ravine, cloven by a vicious
little torrent from a lofty glacier, when--how it happened I know not,
for all forms of earth and grassy <DW72> were obliterated at a few yards
by the descending showers--I suddenly found that I had left the right
track and was descending too sharply towards the stream. At the same
time I saw, or thought I saw, that by crossing the face of the cliff for
a few yards I should regain the ordinary route. The first step or two
was easy; then came a long stride, in which I had to throw out one hand
by way of grappling-iron to a jutting rock above. The rock was reeking
with moisture, and as I threw my weight upon it my hand slipped, and
before I had time to look round I was slithering downwards without a
single point of support. Below me as I well knew, at a depth of some two
hundred feet, was the torrent. One plunge through the air upon its
rugged stones and I should be a heap of mangled flesh and bones.
Instinctively I flung abroad arms and legs in search of strong supports;
in another moment I was brought up with a jerk. My hands now rested on
the narrow ledge where my feet had been a moment before, and one foot
was propped by some insecure support whose nature I could not precisely
determine.

Desperately choking back the surging emotions that seemed to shake my
limbs I sought for some means of escape. By slowly moving my left hand I
managed to grasp a stem of rhododendron which grew upon the ledge of
rock, and felt tolerably firm; next I tried to feel for some support
with the toe of my left boot; the rock, however, against which it rested
was not only hard, but exquisitely polished by the ancient glacier which
had forced its way down the gorge. A geologist would have been delighted
with this admirable specimen of the planing powers of nature; I felt, I
must confess, rather inclined to curse geology and glaciers. Not a
projecting edge, corner, or cranny could I discover; I might as well
have been hanging against a pane of glass. With my right foot, however,
I succeeded in obtaining a more satisfactory lodgment; had it not been
for this help I could have supported myself so long as my arms would
hold out, and I have read somewhere that the strongest man cannot hold
on by his arms alone for more than five minutes. I am, unluckily, very
weak in the arms, and was therefore quite unable to perform the
gymnastic feat of raising myself till I could place a knee upon the
ledge where my hands were straining. Here, then, I was, in an apparently
hopeless predicament. I might cling to the rocks like a bat in a cave
till exhaustion compelled me to let go; on a very liberal allowance,
that might last for some twenty minutes, or, say half an hour. There
was, of course, a remote chance that some traveler or tourist might pass
through the glen; but the ordinary path lay some hundred yards above my
head, on the other side of the rock-pinnacle, and a hundred yards was,
for all practical purposes, the same thing as a hundred miles; the
ceaseless roar of the swollen torrent would drown my voice as
effectually as a battery of artillery; but, for a moment or two, I
considered the propriety of shouting for help. The problem was, whether
I should diminish my strength more by the effort of shouting than the
additional chance of attracting attention was worth.

A puff of wind had driven aside the wreaths of mist; and high above me I
could see towering into the gloomy skies a pinnacle of black rock. Sharp
and needle-like it sprang from its cloud-hidden base, and scarcely a
flake of snow clung to its terrible precipices. Only a day or two before
I had been lounging in the inn garden during a delusive sunset gleam of
bright weather, and admiring its noble proportions. I had been
discussing with my friends the best mode of assaulting its hitherto
untrodden summit, on which we had facetiously conferred the name of
Teufelshorn. Lighted up by the Alpine glow, it seemed to beckon us
upward, and had fired all my mountaineering zeal. Now, though it was not
a time for freaks of fancy, it looked like a grim fiend calmly frowning
upon my agony. I hated it, and yet had an unpleasant sense that my
hatred could do it no harm. If I could have lightened and thundered, its
rocks would have come down with a crash; but it stood immovable,
scornful, and eternal. There is a poetry in the great mountains, but the
poetry may be stern as well as benevolent. If, to the weary Londoner,
they speak of fresh air and healthful exercise and exciting adventure,
they can look tyrannous and forbidding enough to the peasant on whose
fields they void their rheum--as Shakespeare pleasantly puts it--or to
the luckless wretch who is clinging in useless supplication at their
feet. Grim and fierce, like some primeval giant, that peak looked to me,
and for a time the whole doctrine preached by the modern worshippers of
sublime scenery seemed inexpressibly absurd and out of place.

It was becoming tempting to throw up the cards and have done with it.
Even the short sharp pang of the crash on the rocks below seemed
preferable to draining the last dregs of misery. I gathered myself up,
crouching as low as I dared, and then springing from the right foot, and
aiding the spring with my left hand, I threw out my right at the little
jutting point. The tips of my fingers just reached their aim, but only
touched without anchoring themselves. As I fell back, my foot missed its
former support, and my whole weight came heavily on the feeble left
hand. The clutch was instantaneously torn apart, and I was falling
through the air. All was over! The mountains sprang upwards with a
bound. But before the fall had well begun, before the air had begun to
whistle past me, my movement was arrested. With a shock of surprise I
found myself lying on a broad bed of deep moss, as comfortably as in my
bed at home.

--LESLIE STEPHEN (adapted).

[Footnote: What do you imagine has preceded this selection? What things
are contrasted in the account? Do you think that philosophizing helped
or hindered the climber? Do you know anything about the difficulties of
Alpine climbing from other accounts you have read? Compare the style of
this selection with "The Luck of Roaring Camp" and "A Leaf in the
Storm."]




THE GOLD TRAIL


We came upon the diggings quite suddenly. The trail ran around the
corner of a hill; and there they were below us! In the wide, dry stream
bottom perhaps fifty men were working busily, like a lot of ants. Some
were picking away at the surface of the ground, others had dug
themselves down waist deep, and stooped and rose like legless bodies.
Others had disappeared below ground, and showed occasionally only as
shovel blades. From so far above, the scene was very lively and
animated, for each was working like a beaver, and the red shirts made
gay little spots of colour. On the hillside clung a few white tents and
log cabins; but the main town itself, we later discovered, as well as
the larger diggings, lay around the bend and upstream.

We looked all around us for some path leading down to the river, but
could find none; so perforce we had to continue on along the trail. Thus
we entered the camp of Hangman's Gulch for if it had been otherwise, I
am sure we would have located promptly where we had seen those
red-shirted men.

The camp consisted merely of a closer-knit group of tents, log shacks,
and a few larger buildings constructed of a queer combination of heavy
hewn timbers and canvas. We saw nobody at all, though in some of the
larger buildings we heard signs of life. However, we did not wait to
investigate the wonders of Hangman's Gulch, but drove our animals along
the one street, looking for the trail that should lead us back to the
diggings. We missed it, somehow, but struck into a beaten path that took
us upstream. This we followed a few hundred yards. It proceeded along a
rough, boulder-strewn river-bed, around a point of rough, jagged rocks,
and out to a very wide gravelly flat through which the river had made
itself a narrow channel. The flat swarmed with men, all of them busy,
and very silent.

Leading our pack-horses we approached the nearest pair of these men, and
stood watching them curiously. One held a coarse screen of willow which
he shook continuously above a common cooking-pot, while the other slowly
shovelled earth over this sieve. When the two pots, which with the
shovel seemed to be all the tools these men possessed, had been half
filled thus with the fine earth, the men carried them to the river. We
followed. The miners carefully submerged the pots, and commenced to stir
their contents with their fists. The light earth muddied the water,
floated upward, and then flowed slowly over the rim of the pots and down
the current. After a few minutes of this, they lifted the pots
carefully, drained off the water, and started back.

"May we look?" ventured Johnny.

The taller man glanced at us, and our pack-horses, and nodded. This was
the first time he had troubled to take a good look at us. The bottom of
the pot was covered with fine black sand in which we caught the gleam
and sparkle of something yellow.

"Is that gold?" I asked, awed.

"That's gold," the man repeated, his rather saturnine features lighting
up with a grin. Then seeing our interest, he unbent a trifle. "We dry
the sand, and then blow it away," he explained; and strode back to where
his companion was impatiently waiting.

We stumbled on over the rocks and debris. There were probably something
near a hundred men at work in the gulch. We soon observed that the pot
method was considered a very crude and simple way of getting out the
gold. Most of the men carried iron pans full of the earth to the
waterside, where, after submerging until the lighter earth had floated
off, they slopped the remainder over the side with a peculiar twisting,
whirling motion, leaving at last only the black sand--and the gold!
These pan miners were in the great majority. But one group of four men
was doing business on a larger scale. They had constructed what looked
like a very shallow baby-cradle on rockers into which they poured their
earth and water. By rocking the cradle violently but steadily, they
spilled the mud over the sides. Cleats had been nailed in the bottom to
catch the black sand.

We wandered about here and there, looking with all our eyes. The miners
were very busy and silent, but quite friendly, and allowed us to examine
as much as we pleased the results of their operations. In the pots and
cradles the yellow flake gold glittered plainly, contrasting with the
black sand. In the pans, however, the residue spread out fan-shaped
along the angle between the bottom and the side, and at the apex the
gold lay heavy and beautiful all by itself. The men were generally
bearded, tanned with working in this blinding sun, and plastered
liberally with the red earth. We saw some queer sights, however; as when
we came across a jolly pair dressed in what were the remains of
ultra-fashionable garments up to and including plug hats! At one side
working some distance from the stream were small groups of native
Californians or Mexicans. They did not trouble to carry the earth all
the way to the river; but, after screening it roughly, tossed it into
the air above a canvas, thus winnowing out the heavier pay dirt.
[Footnote: Pay dirt: dirt that has gold enough in it to pay for working
it.] I thought this must be very disagreeable.

As we wandered about here and there among all these men so busily
engaged, and with our own eyes saw pan after pan show gold, actual
metallic guaranteed gold, such as rings and watches and money are made
of, a growing excitement possessed us, the excitement of a small boy
with a new and untried gun. We wanted to get at it ourselves. Only we
did not know how.

Finally Yank approached one of the busy miners.

"Stranger," said he, "we're new to this. Maybe you can tell us where we
can dig a little of this gold ourselves."

The man straightened his back, to exhibit a roving humorous blue eye,
with which he examined Yank from top to toe.

"If," said he, "it wasn't for that eighteen-foot cannon you carry over
your left arm, and a cold gray pair of eyes you carry in your head, I'd
direct you up the sidehill yonder, and watch you sweat. As it is, you
can work anywhere anybody else isn't working. Start in!"

"Can we dig next to you, then?" asked Yank, nodding at an unbroken piece
of ground just upstream.

The miner clambered carefully out of his waist-deep trench, searched his
pockets, produced a pipe and tobacco. After lighting this he made Yank a
low bow.

"Thanks for the compliment; but I warn you, this claim of mine is not
very rich. I'm thinking of trying somewhere else."

"Don't you get any gold?"

"Oh, a few ounces a day."

"That suits me for a beginning," said Yank decidedly. "Come on boys!"

The miner hopped back into his hole, only to stick his head out again
for the purpose of telling us:

"Mind you keep fifteen feet away!"

With eager hands we slipped a pick and shovels from beneath the pack
ropes, undid our iron bucket, and without further delay commenced
feverishly to dig.

--STEWART EDWARD WHITE.

[Footnote: Where do you imagine this scene is laid? Why was the miner
willing to admit the newcomers? What success do you think they had? Note
the simplicity of the style and the diction. Can you tell anything about
the first rush of gold seekers to California? Read the novel, "Gold,"
from which this selection is taken. You will find it very interesting.]




TWENTY YEARS OF ARCTIC STRUGGLE


On the 28th of February the various parties took their departure from
Cape Hecla, and following in the rear, Peary hurried on with all
possible speed, hopeful of reaching the Pole at last.

For some days the ice was in motion everywhere; but it gradually became
quieter, and as there was very little wind the travelling was
particularly good. Full of impatience as he tramped along, and grudging
every moment given to rest, Peary dreaded lest he should meet with some
obstacle, such as open water or impassable ice, that would put an end to
the journey northwards.

Delayed by gales and open water, and driven out of his course seventy
miles to the eastward, Peary was cut off from communication with his
supporting parties; and finding that he could no longer depend upon
them, he determined to make a dash for the Pole with the party, eight in
all, and the supplies which he had with him.

Abandoning everything not absolutely essential and bending every energy
to set a record pace, they travelled thirty miles in a ten hours' march.
Storms of wind and snow added considerably to the difficulties of the
journey, the strain of which told severely on both men and dogs.

The 20th of April brought the weary travellers into a region of open
leads, [Footnote: Open leads: open ways in an ice-field.] bearing north
and south. Resting here for a few hours, Peary and his companions
resumed their march at midnight, pushing on with feverish haste to
lessen the distance between them and the goal that was luring them on.
Travelling as fast as they could till noon of the 21st, they then came
to a final halt.

Disappointed at once more having to stop before the object of all his
striving had been reached, Peary would have liked to make the last dash
with only one or two of his men; but he dared not do this in view of the
condition of the ice, and reluctantly he had to confess that once again
the prize had eluded his grasp. Making observations, he found that they
were in 87 deg, 6' north latitude, the most northerly point that had yet
been reached by man.

Warned by the haggard faces of his comrades and the skeleton figures of
the few remaining dogs, Peary saw that no time must be lost in turning
back. After hoisting a flag from the summit of the highest pinnacle, and
leaving a bottle containing a record of the journey, the exhausted men
turned their backs on the Pole, and began the weary march homeward.

Trying as the outward march had been, the dangers of the return journey
were even greater. Besides, there was no longer the excitement of
possible victory to encourage the men in the face of hardships. Killing
their dogs for food, and breaking up the sledges to provide fires for
cooking, the tired and dispirited explorers pushed on till they found
themselves stranded on an island of ice. Was this, then, to be the end
of the enterprise, and were they to meet death in that cold and pitiless
sea? Such a fate seemed inevitable. But just as they were preparing for
the worst, two of the Eskimo scouts came hurrying back to the camp with
the report that, a few miles farther on, the water was covered with a
film of young ice, and that there was a possibility of their being able
to cross on snow-shoes.

It was a desperate chance, but they were prepared to take it; and
carefully fixing on their snow-shoes, they made the venture, the
lightest and most experienced Eskimo taking the lead, with the few
remaining dogs attached to the long sledge following, "and the rest of
the party abreast, in widely extended skirmish line, some distance
behind the sledge." They crossed in silence, the ice swaying beneath
them as they skimmed along. What the result would be none could tell;
but they all felt the greatness of their peril.

Peary himself confesses that this was the first and only time in all his
Arctic experience that he felt doubtful as to what would happen. "When
near the middle of the lead," he says, "the toe of one of my snow-shoes,
as I slid forward, broke through twice in succession; then I thought to
myself, 'This is the finish.' A little later there was a cry from some
one in the line, but I dared not take my eyes from the steady gliding of
my snow-shoes. When we stepped upon the firm ice on the southern side of
the lead, sighs of relief from the two men nearest me were distinctly
audible. The cry I had heard had been from one of my men, whose toe,
like mine, had broken through the ice." The crossing had been made just
in time, for, as the travellers looked round for a moment before turning
their faces southward, they saw that the sheet of ice on which they had
crossed was in two pieces. "The lead was widening again."

All were safely across; but they were not yet out of danger. Unable to
find a route which they might traverse with any degree of safety, Peary
and his men ascended a high mass of ice to have a better view of their
surroundings, and to look for a way of escape. What they beheld from
their elevated position might well have struck terror into the boldest
heart. Before them extended "such a mass of shattered ice" as Peary had
never seen before and hoped never to see again, "a confused mass of
fragments, some only the size of paving-stones, others as large as the
dome of the Capitol at Washington, but all rounded by the terrific
grinding they had received."

Once again death was looking them in the face, for it seemed an utter
impossibility to find a path through that frozen wilderness. But as long
as they could keep a footing they determined to struggle on; and
stumbling forward at every step, bruised and sore, they at last struck a
better road. They made their way to Britannia Island, [Footnote:
Britannia Island: one of the most northern islands of the Arctic Ocean.]
and thence to Cape May and Cape Bryant.

The brave party suffered much from want of food. For days on end they
were on the verge of starvation. A hare that was shot gave them the
first full meal for nearly forty days. With snow falling around them,
and without tent or covering of any kind, they lay down on the ground to
sleep.

Waking in the morning as tired and hungry as ever, they found the tracks
of musk-oxen [Footnote: Musk-oxen: the musk-ox has long shaggy hair and
somewhat resembles a buffalo.] in the snow, and their hopes rose as they
endeavoured to follow the trail. Sweeping the valley with their
field-glass, they could see no sign of a living thing; but later on they
espied several black dots at a distance, and knew that they had located
the herd. Pushing on towards them, Peary and a companion lay down behind
a big boulder to rest and gather strength, for they dared not risk a
shot before they were sure of their aim. Resolving at last on an attack,
the two men grasped their rifles, and, rushing out from behind their
place of shelter, made straight for the animals, now less than two
hundred yards away. An old bull that was standing guard gave the signal
to charge, and in a minute the "black avalanche of thundering beasts"
was bearing down on their enemies.

Fortunately for Peary his shot went true, and the great bull fell dead.
The maddened rush was stopped; and before the oxen could make their
retreat over the ridges six of their number lay dead upon the frozen
ground; and for the next few days the party revelled in the delights of
a continuous feast.

Reaching the Roosevelt [Footnote: Roosevelt: Peary's ship.] at the end
of July, the expedition returned to America a few months later. After
twenty years of heroic striving, Peary had again missed the prize; but
the victory was postponed only for a little while.

--J. KENNEDY McLEAN.

[Footnote: How does the heroism shown in this account of Peary's
struggle compare with military courage? What qualities of the true
explorer does Peary show? What picture do you get of the country in
which the travelers journeyed? What do you know of Peary's later
expedition? Do you think the descriptions would be so purely objective
if they were written by the explorer himself? Would the account seem
more real or more interesting if it had been told in the first person?]




HENRY WARD BEECHER'S ACCOUNT OF
HIS SPEECH IN MANCHESTER


I went to my hotel, and when the day came on which I was to make my
first speech, I struck out the notes of my speech in the morning; and
then came up a kind of horror--"I don't know whether I can do anything
with an English audience--I have never had any experience with an
English audience. My American ways, which are all well enough with
Americans, may utterly fail here, and a failure in the cause of my
country now and here is horrible beyond conception to me!" I think I
never went through such a struggle of darkness and suffering in all my
life as I did that afternoon. It was about the going down of the sun
that God brought me to that state in which I said, "Thy will be done. I
am willing to be annihilated; I am willing to fail if the Lord wants me
to." I gave it all up into the hands of God, and rose up in a state of
peace and serenity simply unspeakable, and when the coach came to take
me down to Manchester Hall I felt no disturbance nor dreamed of anything
but success.

We reached the hall. The crowd was already beginning to be tumultuous,
and I recollect thinking to myself as I stood there looking at them, "I
will control you! I came here for victory, and I will have it, by the
help of God!" Well, I was introduced, and I must confess that the things
that I had done and suffered in my own country, according to what the
chairman who introduced me said, amazed me. The speaker was very English
on the subject, and I learned that I belonged to an heroic band, and all
that sort of thing, with Abolitionism [Footnote: Abolitionism: The
policy of those who worked for the abolition of slavery before the Civil
War.] mixed in, and so on. By the way, I think it was there that I was
introduced as the Rev. Henry Ward Beecher Stowe. But as soon as I began
to speak the great audience began to show its teeth, and I had not gone
on fifteen minutes before an unparalleled scene of confusion and
interruption occurred. No American that has not seen an English mob can
form any conception of one. I have seen all sorts of camp meetings and
experienced all kinds of public speaking on the stump; I have seen the
most disturbed meetings in New York City, and they were all of them as
twilight to midnight compared with an English hostile audience. For in
England the meeting does not belong to the parties that call it, but to
whoever chooses to go; and if they can take it out of your hands, it is
considered fair play. This meeting had a very large multitude of men in
it who came there for the purpose of destroying the meeting and carrying
it the other way when it came to a vote.

I took the measure of the audience and said to myself, "About one fourth
of this audience are opposed to me, and about one fourth will be rather
in sympathy; and my business now is, not to appeal to that portion that
is opposed to me nor to those that are already on my side, but to bring
over the middle section." How to do this was a problem. The question
was, who could hold out longest. There were five or six storm-centres,
boiling and whirling at the same time: here some one pounding on a group
with his umbrella and shouting, "Sit down there;" over yonder a row
between two or three combatants; somewhere else a group all yelling
together at the top of their voices. It was like talking to a storm at
sea. But there were the newspaper reporters just in front, and I said to
them, "Now, gentlemen, be kind enough to take down what I say. It will
be in sections, but I will have it connected by and by." I threw my
notes away, and entered on a discussion of the value of freedom as
opposed to slavery in the manufacturing interest, arguing that freedom
everywhere increases a man's necessities, and what he needs he buys, and
that it was, therefore, to the interest of the manufacturing community
to stand by the side of labor through the country. I never was more
self-possessed and never in more perfect good temper, and I never was
more determined that my hearers should feel the curb before I got
through with them. The uproar would come in on this side and on that,
and they would put insulting questions and make all sorts of calls to
me, and I would wait until the noise had subsided, and then get in about
five minutes of talk. The reporters would get that down, and then up
would come another noise. Occasionally I would see things that amused me
and would laugh outright, and the crowd would stop to see what I was
laughing at. Then I would sail in again with a sentence or two. A good
many times the crowd threw up questions which I caught at and answered
back. I may as well put in here one thing that amused me hugely. There
were baize doors that opened both ways into side alleys, and there was a
huge, burly Englishman standing right in front of one of those doors and
roaring like a bull of Bashan; [Footnote: Bull of Bashan: _Psalm_
XXII, 12-13] one of the policemen swung his elbow around and hit him in
the belly and knocked him through the doorway, so that the last part of
the bawl was outside in the alleyway; it struck me so ludicrously to
think how the fellow must have looked when he found himself "hollering"
outside that I could not refrain from laughing outright. The audience
immediately stopped its uproars, wondering what I was laughing at, and
that gave me another chance, and I caught it. So we kept on for about an
hour and a half before they got so far calmed down that I could go on
peaceably with my speech. They liked the pluck. Englishmen like a man
that can stand on his feet and give and take; and so for the last hour I
had pretty clear sailing. The next morning every great paper in England
had the whole speech. I think it was the design of the men there to
break me down on that first speech, by fair means or foul, feeling that
if they could do that it would be trumpeted all over the land. I said to
them then and there, "Gentlemen, you may break me down now, but I have
registered a vow that I will never return home until I have been heard
in every county and principal town in the Kingdom of Great Britain. I am
not going to be broken down nor put down. I am going to be heard, and my
country shall be vindicated." Nobody knows better than I did what it is
to feel that every interest that touches the heart of a Christian man
and a patriotic man and a lover of liberty is being assailed wantonly,
to stand between one nation and your own, and to feel that you are in a
situation in which your country rises or falls with you. And God was
behind it all; I felt it and knew it; and when I got through and the
vote was called off, you would have thought it was a tropical
thunderstorm that swept through that hall as the ayes were thundered,
while the noes were an insignificant and contemptible minority. It had
all gone on our side, and such enthusiasm I never saw. I think it was
there that when I started to go down into the rooms below to get an
exit, a big burly Englishman in the gallery wanted to shake hands with
me, and I could not reach him, and he called out, "Shake my umbrella!"
and he reached it over; I shook it, and as I did so he shouted, "By
Jock! Nobody shall touch that umbrella again!"

--HENRY WARD BEECHER.

[Footnote: Henry Ward Beecher was born in 1813 and died in 1887. He was
a noted lecturer, reformer, author, and clergyman. He was also among the
most prominent of anti-slavery orators, and delivered many addresses in
England on subjects relating to the Civil War.

Why do you suppose Mr. Beecher was introduced as Henry Ward Beecher
Stowe? Name some characteristics of Mr. Beecher as revealed in this
selection. What qualities would you attribute to an English audience,
judging from this account? Do you know anything about the custom of
"heckling" in England? How much was the success of the speech due to Mr.
Beecher's sense of humor? Do you imagine that Mr. Beecher was successful
in his addresses to the English people? Why?]




A GREEN DONKEY DRIVER


There dwelt an old man in Monastier, [Footnote: Monastier: a little
village in southern France.] of rather unsound intellect according to
some, much followed by street-boys, and known to fame as Father Adam.
Father Adam had a cart, and to draw the cart a diminutive donkey, not
much bigger than a dog, the color of a mouse, with a kindly eye and a
determined under-jaw. There was something neat and high-bred, a
Quakerish elegance, about the rogue that hit my fancy on the spot.

Our first interview was in Monastier market-place. To prove her good
temper, one child after another was set upon her back to ride, and one
after another went head over heels into the air; until a want of
confidence began to reign in youthful bosoms, and the experiment was
discontinued from a dearth of subjects. I was already backed by a
deputation [Footnote: Deputation: a group of persons sent to act in
behalf of others.] of my friends; but as if this were not enough, all
the buyers and sellers came around and helped me in the bargain; and the
ass and I and Father Adam were the centre of a hubbub for near half an
hour. At length she passed into my service for the consideration of
sixty-five francs and a glass of brandy. The sack had already cost
eighty francs and two glasses of beer; so that Modestine, as I instantly
baptized her, was upon all accounts the cheaper article.

By the advice of a fallacious [Footnote: Fallacious: misleading,
deceptive.] local saddler, a leather pad was made for me with rings to
fasten on my bundle; and I thoughtfully completed my kit and arranged my
toilette. By way of armory and utensils, I took a revolver, a little
spirit lamp and pan, a lantern and some halfpenny candles, a jack-knife
and a large leather flask. The main cargo consisted of two entire
changes of warm clothing, besides my travelling wear of country
velveteen, pilot coat, and knitted spencer, some books, and my
railway-rug, which, being also in the form of a bag, made me a double
castle for cold nights. The permanent larder was represented by cakes of
chocolate and tins of Bologna sausage. All this, except what I carried
about my person, was easily stowed into the sheepskin bag; and by good
fortune I threw in my empty knapsack, rather for convenience of carriage
than from any thought that I should want it on my journey. For more
immediate needs, I took a leg of cold mutton, a bottle of Beaujolais,
[Footnote: Beaujolais: a red wine made in southeastern France.] an empty
bottle to carry milk, an egg-beater, and a considerable quantity of
black bread and white for myself and donkey.

On the day of my departure I was up a little after five; by six we began
to load the donkey; and ten minutes after, my hopes were in the dust.
The pad would not stay on Modestine's back for half a moment. I returned
it to its maker, with whom I had so contumelious [Footnote:
Contumelious: rude and abusive.] a passage that the street outside was
crowded from wall to wall with gossips looking on and listening. The pad
changed hands with much vivacity; perhaps it would be more descriptive
to say that we threw it at each other's heads; and, at any rate, we were
very warm and unfriendly, and spoke with a deal of freedom.

I had a common donkey pack-saddle fitted upon Modestine; and once more
loaded her with my effects.

The bell of Monastier was just striking nine as I got quit of these
preliminary troubles and descended the hill through the common. As long
as I was within sight of the windows, a secret shame and the fear of
some laughable defeat withheld me from tampering with Modestine. She
tripped along upon her four small hoofs with a sober daintiness of gait;
from time to time she shook her ears or her tail; and she looked so
small under the bundle that my mind misgave me. We got across the ford
without difficulty--there was no doubt about the matter, she was
docility itself--and once on the other bank, where the road begins to
mount through pine-woods, I took in my right hand the unhallowed staff,
and with a quaking spirit applied it to the donkey. Modestine brisked up
her pace for perhaps three steps, and then relapsed into her former
minuet. [Footnote: Minuet: a slow, stately dance.] Another application
had the same effect, and so with the third. I am worthy the name of an
Englishman, and it goes against my conscience to lay my hand rudely on a
female. I desisted, and looked her all over from head to foot; the poor
brute's knees were trembling and her breathing was distressed; it was
plain that she could not go faster on a hill. God forbid, thought I,
that I should brutalize this innocent creature; let her go at her own
pace, and let me patiently follow.

What that pace was, there is no word mean enough to describe, it was
something as much slower than a walk as a walk is slower than a run; it
kept me hanging on each foot for an incredible length of time; in five
minutes it exhausted the spirit and set up a fever in all the muscles of
the leg. And yet I had to keep close at hand and measure my advance
exactly upon hers; for if I dropped a few yards in to the rear, or went
on a few yards ahead, Modestine came instantly to a halt and began to
browse. The thought that this was to last from here to Alais [Footnote:
Alais: a town in southeastern France not far from the Rhone River.]
nearly broke my heart. Of all conceivable journeys, this promised to be
the most tedious. I tried to tell myself it was a lovely day; I tried to
charm my foreboding spirit with tobacco; but I had a vision ever present
to me of the long long roads, up hill and down dale, and a pair of
figures ever infinitesimally moving, foot by foot, a yard to the minute,
and, like things enchanted in a nightmare, approaching no nearer to the
goal.

In the meantime there came up behind us a tall peasant, perhaps forty
years of age, of an ironical snuffy countenance, and arrayed in the
green tail-coat of the country. He overtook us hand over hand, and
stopped to consider our pitiful advance.

"Your donkey," says he, "is very old?"

I told him, I believed not.

Then, he supposed, we had come far.

I told him we had but newly left Monastier.

"Et vous marchez comme ca!" [Footnote: Et vous marchez comme ca! "and
you are moving like that!"] cried he; and, throwing back his head, he
laughed long and heartily. I watched him, half prepared to feel
offended, until he had satisfied his mirth; and then, "You must have no
pity on these animals," said he; and, plucking a switch out of a
thicket, he began to lace Modestine about the stern works, uttering a
cry. The rogue pricked up her ears and broke into a good round pace,
which she kept up without flagging, and without exhibiting the least
symptom of distress, as long as the peasant kept beside us. Her former
panting and shaking had been, I regret to say, a piece of comedy.

My _deus ex machina_, [Footnote: Deus ex machina: "the god out of
the machine"; some supernatural intervention.] before he left me,
supplied some excellent, if inhumane, advice; presented me with the
switch, which he declared she would feel more tenderly than my cane; and
finally taught me the true cry or masonic word of donkey-drivers,
"Proot!" All the time, he regarded me with a comical incredulous air, as
I might have smiled over his orthography or his green tail-coat. But it
was not my turn for the moment.

I hurried over my midday meal, and was early forth again. But, alas, as
we climbed the interminable hill upon the other side, "Proot!" seemed to
have lost its virtue. I prooted like a lion, I prooted melliflously
[Footnote: Melliflously: sweetly. Find this allusion in "Midsummer
Night's Dream," Act I, Scene 2.] like a sucking-dove; but Modestine
would be neither softened nor intimidated. She held doggedly to her
pace; nothing but a blow would move her, and that only for a second. I
must follow at her heels, incessantly belaboring. A moment's pause in
this ignoble toil, and she relapsed into her own private gait. I think I
never heard of any one in as mean a situation. I must reach the lake of
Bouchet, where I meant to camp, before sundown; and, to have even a hope
of this, I must instantly maltreat this uncomplaining animal. The sound
of my blows sickened me. Once, when I looked at her, she had a faint
resemblance to a lady of my acquaintance who formerly loaded me with
kindness; and this increased my horror of my cruelty.

It was blazing hot up the valley, windless, with vehement sun upon my
shoulders; and I had to labor so consistently with my stick that the
sweat ran into my eyes. Every five minutes, too, the pack, the basket,
and the pilot-coat would take an ugly slew [Footnote: Slew: twist.] to
one side or the other; and I had to stop Modestine, just when I had got
her to a tolerable pace of about two miles an hour, to tug, push,
shoulder, and re-adjust the load. And at last, in the village of Ussel,
[Footnote: Ussel: a town about one hundred miles northwest of Alais.]
saddle and all, the whole hypothec [Footnote: Hypothec: literally, the
property of a tenant held by a landlord as security for rent. Here, of
course, the property insufficiently secured on the donkey.] turned round
and grovelled in the dust, below the donkey's belly. She none better
pleased, incontinently drew up and seemed to smile; and a party of one
man, two women, and two children came up, and, standing round me in a
half-circle, encouraged her by their example.

I disposed it, Heaven knows how, so as to be mildly portable, and then
proceeded to steer Modestine through the village. She tried, as was
indeed her invariable habit, to enter every house and every courtyard in
the whole length, and, encumbered as I was, without a hand to help
myself, no words can render an idea of my difficulties. A priest, with
six or seven others, was examining a church in process of repair, and
his acolytes [Footnote: Acolytes: assistants of the priest during mass.]
laughed loudly as they saw my plight. I remembered having laughed myself
when I had seen good men struggling with adversity in the person of a
jackass, and the recollection filled me with penitence. That was in my
old light days, before this trouble came upon me. God knows at least
that I shall never laugh again, thought I. But O, what a cruel thing is
a farce to those engaged in it!

A little out of the village, Modestine, filled with the demon, set her
heart upon a by-road, and positively refused to leave it. I dropped all
my bundles, and, I am ashamed to say, struck the poor sinner twice
across the face. It was pitiful to see her lift up her head with shut
eyes, as if waiting for another blow. I came very near crying; but I did
a wiser thing than that, and sat squarely down by the roadside to
consider my situation. Modestine in the meanwhile, munched some black
bread with a contrite hypocritical air. It was plain that I must make a
sacrifice to the gods of shipwreck. I threw away the empty bottles
destined to carry milk; I threw away my own white bread, and, disdaining
to act by general average, kept the black bread for Modestine; lastly I
threw away the cold leg of mutton and the egg whisk, although this last
was dear to my heart.

Thus I found room for everything in the basket, and even stowed the
boating-coat on the top. By means of an end of cord I slung it under one
arm; and although the cord cut my shoulder, and the jacket hung almost
to the ground, it was with a heart greatly lightened that I set forth.

--ROBERT LOUIS STEVENSON (adapted).

[Footnote: Would you judge that this was the writer's first experience
in camping? Why? What is added to the story by attributing human
qualities to Modestine? How did she seem to be always putting him in the
wrong? Do people ever work such tricks? What characteristics of the
author are shown in this sketch? Is the humor of the story one of
situation merely? What other selections are similar to this in the style
of writing? in the humor?]




A NIGHT IN THE PINES


The trees were not old, but they grew thickly round the glade: there was
no outlook, except northeastward upon distant hill-tops, or straight
upward to the sky; and the encampment felt secure and private like a
room. By the time I had made my arrangements and fed Modestine, the day
was already beginning to decline. I buckled myself to the knees into my
sack and made a hearty meal; and as soon as the sun went down, I pulled
my cap over my eyes and fell asleep.

Night is a dead monotonous period under a roof; but in the open world it
passes lightly, with its stars and dews and perfumes, and the hours are
marked by changes in the face of Nature. What seems a kind of temporal
death to people choked between walls and curtains, is only a light and
living slumber to the man who sleeps afield. All night long he can hear
Nature breathing deeply and freely; even as she takes her rest she turns
and smiles; and there is one stirring hour unknown to those who dwell in
houses, when a wakeful influence goes abroad over the sleeping
hemisphere, and all the out-door world are on their feet. It is then
that the cock first crows, not this time to announce the dawn, but like
a cheerful watchman speeding the course of night. Cattle awake on the
meadows; sheep break their fast on dewy hillsides, and change to a new
lair among the ferns; and houseless men, who have lain down with the
fowls, open their dim eyes and behold the beauty of the night.

The stars were clear, , and jewel-like, but not frosty. A faint
silvery vapor stood for the Milky Way. All around me the black
fir-points stood upright and stock-still. By the whiteness of the
pack-saddle, I could see Modestine walking round and round at the length
of her tether; I could hear her steadily munching at the sward; but
there was not another sound, save the indescribable quiet talk of the
runnel over the stones. I lay lazily smoking and studying the color of
the sky, as we call the void of space, where it showed a reddish gray
behind the pines to where it showed a glossy blue-black between the
stars. As if to be more like a pedler, I wear a silver ring. This I
could see faintly shining as I raised or lowered the cigarette; and at
each whiff the inside of my hand was illuminated, and became for a
second the highest light in the landscape.

A faint wind, more like a moving coolness than a stream of air, passed
down the glade from time to time; so that even in my great chamber the
air was being renewed all night long. I thought with horror of the inn
at Chasserades and the congregated night caps; with horror of the
nocturnal prowesses of clerks and students, of hot theatres, and
passkeys and close rooms. I have not often enjoyed a more serene
possession of myself, nor felt more independent of material aids. The
outer world, from which we cower into our houses, seemed after all a
gentle, habitable place; and night after night a man's bed, it seemed,
was laid and waiting for him in the fields, where God keeps an open
house.

As I lay thus, between content and longing, a faint noise stole towards
me through the pines. I thought, at first, it was the crowing of cocks
or the barking of dogs at some very distant farm; but steadily and
gradually it took articulate shape in my ears, until I became aware that
a passenger was going by upon the high-road in the valley, and singing
loudly as he went. There was more of good-will than grace in his
performance; but he trolled with ample lungs; and the sound of his voice
took hold upon the hillside and set the air shaking in the leafy glens.
I have heard people passing by night in sleeping cities, some of them
sang; one, I remember, played loudly on the bagpipes. I have heard the
rattle of a cart or carriage spring up suddenly after hours of
stillness, and pass for some minutes, within the range of my hearing as
I lay abed. There is a romance about all who are abroad in the black
hours, and with something of a thrill we try to guess their business.
But here the romance was double; first this glad passenger, lit
internally with wine, who sent up his voice in music through the night;
and then I, on the other hand, buckled into my sack, and smoking alone
in the pine-woods between four and five thousand feet towards the stars.

--ROBERT LOUIS STEVENSON.

[Footnote: What use does the author make of contrast? What things does
he notice? Did you ever sleep at night out of doors? If so, was the
night empty of impressions or did you hear and see things? What
characteristic things has Stevenson chosen to give you in the picture of
camping out at night? What things do you suppose Stevenson most enjoyed
in his life out of doors?]




LIFE IN OLD NEW YORK


In those good old days of simplicity and sunshine, a passion for
cleanliness was the leading principle in domestic economy, and the
universal test of an able housewife.

The front door was never opened, except for marriages, funerals, New
Year's Day, the festival of St. Nicholas, or some such great occasion.
It was ornamented with a gorgeous brass knocker, which was curiously
wrought,--sometimes in the device of a dog, and sometimes in that of a
lion's head,--and daily burnished with such religious zeal that it was
often worn out by the very precautions taken for its preservation.

The whole house was constantly in a state of inundation, [Footnote:
Inundation: a flood.] under the discipline of mops and brooms and
scrubbing brushes; and the good housewives of those days were a kind of
amphibious [Footnote: Amphibious: able to live in water and on land.]
animal, delighting exceedingly to be dabbling in water,--insomuch that
an historian of the day gravely tells us that many of his townswomen
grew to have webbed fingers, "like unto ducks."

The grand parlor was the sanctum, where the passion for cleaning was
indulged without control. No one was permitted to enter this sacred
apartment, except the mistress and her confidential maid, who visited it
once a week for the purpose of giving it a thorough cleaning. On these
occasions they always took the precaution of leaving their shoes at the
door, and entering devoutly [Footnote: Entering devoutly, etc. What
Oriental custom is the author alluding to?] in their stocking feet.

After scrubbing the floor, sprinkling it with fine white sand,--which
was curiously stroked with a broom into angles and curves and
rhomboids,--after washing the windows, rubbing and polishing the
furniture, and putting a new branch of evergreens in the fireplace, the
windows were again closed to keep out the flies, and the room was kept
carefully locked, until the revolution of time brought round the weekly
cleaning day.

As to the family, they always entered in at the gate, and generally
lived in the kitchen. To have seen a numerous household assembled round
the fire, one would have imagined that he was transported to those happy
days of primeval simplicity which float before our imaginations like
golden visions.

The fireplaces were of a truly patriarchal magnitude, where the whole
family, old and young, master and servant, black and white,--nay, even
the very cat and dog,--enjoyed a community of privilege, and had each a
right to a corner. Here the old burgher would sit in perfect silence,
puffing his pipe, looking in the fire with half-shut eyes, and thinking
of nothing, for hours together; the good wife on the opposite side,
would employ herself diligently in spinning yarn or knitting stockings.

The young folks would crowd around the hearth, listening with breathless
attention to some old crone of a <DW64>, who was the oracle of the
family, and who, perched like a raven in a corner of the chimney, would
croak forth, for a long winter afternoon, a string of incredible stories
about New England witches, grisly ghosts, and bloody encounters among
Indians.

In these happy days, fashionable parties were generally confined to the
higher classes, or noblesse; that is to say, such as kept their own
cows, and drove their own wagons. The company usually assembled at three
o'clock, and went away about six, unless it was in winter time, when the
fashionable hours were a little earlier, that the ladies might reach
home before dark.

The tea table was crowned with a huge earthen dish, well stored with
slices of fat pork, fried brown, cut up into morsels, and swimming in
gravy. The company seated round the genial board, evinced their
dexterity in launching their forks at the fattest pieces in this mighty
dish,--in much the same manner that sailors harpoon porpoises at sea,
or our Indians spear salmon in the lakes.

Sometimes the table was graced with immense apple pies, or saucers full
of preserved peaches and pears; but it was always sure to boast an
enormous dish of balls of sweetened dough, fried in hog's fat and called
doughnuts or olykocks, a delicious kind of cake, at present little known
in this city, except in genuine Dutch families.

The tea was served out of a majestic Delft teapot, ornamented with
paintings of fat little Dutch shepherds and shepherdesses tending
pigs,--with boats sailing in the air, and houses built in the clouds,
and sundry other ingenious Dutch fancies. The beaux distinguished
themselves by their adroitness in replenishing this pot from a huge
copper teakettle. To sweeten the beverage, a lump of sugar was laid
beside each cup, and the company alternately nibbled and sipped with
great decorum; until an improvement was introduced by a shrewd and
economic old lady, which was to suspend, by a string from the ceiling, a
large lump directly over the tea table, so that it could be swung from
mouth to mouth.

At these primitive tea parties, the utmost propriety and dignity
prevailed,--no flirting nor coquetting; no romping of young ladies; no
self-satisfied struttings of wealthy gentlemen, with their brains in
their pockets, nor amusing conceits and monkey divertisements [Footnote:
Divertisements: diversions, amusements.] of smart young gentlemen, with
no brains at all.

On the contrary, the young ladies seated themselves demurely in their
rush-bottomed chairs, and knit their own woolen stockings; nor ever
opened their lips, excepting to say yah, Mynheer, or yah, Vroww,
[Footnote: Yay, Mynheer: "yes, sir." Yay, Vrow: "yes, madam."] to any
question that was asked them; behaving in all things like decent,
well-educated damsels. As to the gentlemen, each of them tranquilly
smoked his pipe, and seemed lost in contemplation of the blue and white
tiles with which the fireplaces were decorated; wherein sundry passages
of Scripture were piously portrayed. Tobit [Footnote: Tobit. The Book of
Tobit is part of the Apocrypha.] and his dog figured to great advantage;
Haman [Footnote: Haman is the king's counselor in the Book of Esther.]
swung conspicuously on his gibbet; and Jonah appeared most manfully
leaping from the whale's mouth, like Harlequin [Footnote: Harlequin: the
clown in early Italian and later French comedy.] through a barrel of
fire.

The parties broke up without noise and without confusion. They were
carried home by their own carriages, that is to say, by the vehicles
nature had provided them, excepting such of the wealthy as could afford
to keep a wagon.

--WASHINGTON IRVING.

[Footnote: Are there any parts of the country where the traditions of
the "best parlor" are still kept? Does the early life in New York appear
to you attractive or uninteresting? Does the description seem like
ridicule? The descendants of the old Dutch families resented Irving's
way of making fun of their ancestors. Point out passages which might
justify this complaint. Compare this sketch with "A Pine Tree Shilling"
in the style of writing, method of description, and humor.]




THE BAZAAR IN MOROCCO


How can I describe the swarming crowds of the bazaar, the constant,
noiseless stir of all those bournouses [Footnote: Bournouses: cf. "An
Arab Fisherman."] in the semi-darkness! The little labyrinthine avenues
cross each other in every direction, covered with their ancient roofing
of wood, or else with trellises of cane, over which grape-vines are
trained. Fronting on these passages are the shops, something like holes
in a wall as regards size, and in them the turbaned dealers sit
squatted, stately and impassible, among their rare knick-knacks. Shops
where the same kind of goods are sold are grouped in quarters by
themselves. There is the street of the dealers in clothing, where the
booths are bright with pink, blue, and orange silks, and with brocades
of gold and silver, and where ladies, veiled and draped like phantoms,
are posted. There is the street of the leather merchants, where
thousands of sets of harness of every conceivable color, for horses,
mules, and asses, are hanging from the walls; there are all sorts of
objects of strange and ancient fashion for use in the chase or in war:
powder-horns inlaid with gold and silver, embroidered belts for sword
and musket, travelling bags for caravans and amulets [Footnote: Amulets:
ornaments worn as a charm against evil.] to charm away the dangers of
the desert. Then there is the street of the workers in brass, where from
morning till night is heard the sound of hammers at work on the
arabesques [Footnote: Arabesques: a kind of low-relief carving of man
and animal figures fantastically interlaced.] of vases and plates; the
street of the papooch embroiderers, where all the little dens are filled
with velvet, pearls and gold; the street of the furniture decorators;
that of the naked, grimy blacksmiths; that of the dyers, with purple or
indigo-bedaubed arms, Finally, the quarter of the armorers, who make
long flint-lock muskets, thin as cane-stalks, the silver inlaid butt of
which is made excessively large so as to receive the shoulder. The
Moroccans [Footnote: The Moroccans ... in this country. What similar
statement was made in "An Arab Fisherman"?] never have the slightest
idea of changing the form adopted by their ancestors, and the shape of
their musket is as immutable as all things else are in this country; it
seems like a dream to see them at this day making such quantities of
these old-fashioned arms.

A stifled hum of unceasing activity arises from the mass of people, clad
in their gray woolen robes, thus congregated from afar to buy and sell
all sorts of queer small objects. There are sorcerers performing their
incantations; bands of armed men dancing the war-dance, with firing of
guns, to the sound of the tambourines and the wailing pipes; beggars
exposing their sores; <DW64> slaves wheeling their loads; asses rolling
in the dust. The ground, of the same grayish shade as the multitude upon
it, is covered with all kinds of filth: animal refuse, chicken feathers,
dead mice; and the crowd tread down the revolting mass under their
trailing slippers.

How far removed is all this life from ours! The activity of this people
is as foreign to us as its stagnation and its slumberousness. An
indifference which I cannot explain, a disregard of everything, to us
quite unknown, characterized these burnous-clad folk even in their
greatest stir and bustle. The cowled heads of the men and the veiled
heads of the women are occupied by one unchanging dream, even in the
midst of their bargaining; five times a day they offer up their prayer,
and their thoughts turn, to the exclusion of all besides, upon eternity
and death. You will see squalid beggars with the eyes of an inspired
man; ragged fellows who have noble attitudes and faces of prophets.

People of all the different tribes meet and mingle promiscuously among
themselves. <DW64>s from the Soudan [Footnote: Soudan: the region south
of the Sahara Desert.] and light-<DW52> Arabs: Mussulmans [Footnote:
Mussulmans: Mohammedans.] without conviction of the faith, whose women
veil only their mouths; and the green-turbaned Derkaouas, merciless
fanatics, who turn their heads and spit upon the ground at the sight of
a Christian. Every day the "Holy woman," with wild eyes and
vermilion-painted cheeks, is to be seen prophesying in some public
place. And the "Holy man," too, who is incessantly walking like the
wandering Jew, always in a hurry and all the while mumbling his prayers.

What queer old jewelry finds a market in Mequinez! [Footnote: Mequinez
(Mekinez): a city not far from Fez.] When could the things ever have
been new?--There is not one which has not an air of extreme antiquity;
old rings for wrists or ankles, worn smooth by centuries of rubbing
against human flesh; great clasps for fastening veils; little old silver
bottles with coral pendants to hold the black dye with which the eyes
are painted, with hooks to fasten them at the belt; boxes to enclose
Korans, [Footnote: Korans: the Koran is the sacred book of the
Mohammedans.] carved in arabesques and bearing Solomon's seal; old
necklaces of gold sequins, defaced by wear on the necks of women long
since dead; and quantities of those large trefoils [Footnote: Trefoil: a
shape similar to that of the clover leaf.] in hammered silver, enclosing
a green stone, which are hung about the neck to avert the bad effect of
the evil-eye. These things are all spread out on little dirty worm-eaten
tables, in front of the squatting merchants, in the little dens in the
old walls.

The bazaar is very near the Jewish quarter, and several of that race,
knowing us to be here, come and offer us trinkets, bracelets, quaint old
rings and emerald earrings,--things which they take from the pockets of
their black robes with furtive airs, after having cast distrustful looks
around. We are also approached by the dealers in the fine woolen rugs
and carpets of R'bat, which they throw upon the ground, among the dust,
refuse, and bones, to show us the rare designs and splendid colors of
their wares.

The sun is getting low; it is time for us to end our bargaining, which
has not been conducted without some wrangling, and to leave the sacred
city which we are to behold no more, and betake ourselves to our tents.

Before passing the last gate of the enclosure, we halt in a sort of
small bazaar, of whose existence we were not previously aware. It is
that of the bric-a-brac merchants, and the Lord only knows what queer
oddities this kind of shop can display. Ancient arms constitute the
principal stock in trade; rusty yataghans, long Souss muskets; then old
leather amulets for war or for the chase; ridiculous powder-horns, and
also musical instruments; guitars covered with snake-skin, pipes and
tambourines. To keep the rubbish which they are selling in countenance,
no doubt, the dealers are mostly all broken-down, worn-out, old men.

Undoubtedly the people in this bazaar are very poor and have need to
sell their goods, for they crowd around us and press us with their
wares. We make several surprising bargains. As the sky grows yellow and
the cold breeze of sunset springs up, we are still there, near the
lonely gate, beneath the branches of the old trees.

--PIERRE LOTI.

[Footnote: Pierre Loti is the nom-de-plume of a well-known French
writer. His real name is Louis Marie Julien Viaud, and he is an officer
in the French army. His work is particularly celebrated for the
vividness and brilliancy of his descriptions. He has described scenes in
Africa, India, China, and on the ocean. One of his best books is "An
Iceland Fisherman."]

[Footnote: Select some of the best examples of minute detail in the
descriptions. Note the use of color, form, and smell. How has the author
contrasted the civilizations of East and West? Notice how the rapid
enumeration of objects gives the effect of passing through the bazaar.
Why would a painter find it easy to paint a picture from these written
descriptions? What things are sold in the bazaar that show the Eastern
skill in handicraft? that show superstition? What contrasts between
beauty and sordidness are made in the descriptions?]




A BATTLE OF THE ANTS


One day when I went out to my wood-pile, or rather my pile of stumps, I
observed two large ants, the one red, the other much larger, nearly half
an inch long and black, fiercely contending with one another. Having
once got hold they never let go, but struggled and wrestled and rolled
on the chips incessantly. Looking farther, I was surprised to find that
the chips were covered with such combatants, that it was not a
"duellum," but a "bellum," [Footnote: Duellum ... bellum: war.] a war
between two races of ants, the red always pitted against the black, and
frequently two red ones to one black. The legions of these Myrmidons
[Footnote: Myrmidons: a fierce tribe that accompanied Achilles, their
king, to the Trojan War.] covered all the hills and vales in my
wood-yard, and the ground was already strewn with the dead and dying,
both red and black. It was the only battle which I had ever witnessed,
the only battle-field I ever trod while the battle was raging;
internecine [Footnote: Internecine: mutually destructive.] war; the red
republicans on the one hand and the black imperialists on the other
hand. On every side they were engaged in deadly combat, yet without any
noise that I could hear, and human soldiers never fought so resolutely.
I watched a couple that were fast locked in each other's embraces, in a
little sunny valley amid the chips; now at noon-day prepared to fight
till the sun went down, or life went out. The smaller red champion had
fastened himself like a vice to his adversary's front, and through all
the tumblings on that field never for an instant ceased to gnaw at one
of his feelers near the root, having already caused the other to go by
the board; while the stronger black one dashed him from side to side,
and, as I saw on looking nearer, had already divested him of several of
his members. They fought with more pertinacity [Footnote: Pertinacity:
persistency, obstinacy.] than bull-dogs. Neither manifested the least
disposition to retreat. It was evident that their battle-cry was Conquer
or die. In the meanwhile there came along a single red ant on the
hillside of this valley, evidently full of excitement, who either had
dispatched his foe, or had not yet taken part in the battle; probably
the latter, for he had lost none of his limbs; whose mother had charged
him to return with his shield or upon it. [Footnote: Return with his
shield or upon it. What is the allusion? See Brewer's _Reader's
Handbook_ under "Spartan Mother."] He drew near with rapid pace till
he stood on his guard within half an inch of the combatants; then,
watching his opportunity, he sprang upon the black warrior, and
commenced his operations near the root of his right fore-leg, leaving
the foe to select among his own members; and so there were three united
for life, as if a new kind of attraction had been invented which put all
other locks and cements to shame. I should not have wondered by this
time to find that they had their respective musical bands stationed on
some eminent chip, and playing their national airs the while, to excite
the slow and cheer the dying combatants. I was myself excited somewhat
even as if they had been men. The more you think of it, the less the
difference.

I took up the chip on which the three I have particularly described were
struggling, carried it into my house, and placed it under a tumbler on
my window-sill, in order to see the issue. Holding a microscope to the
first-mentioned red ant, I saw that, though he was assiduously
[Footnote: Assiduously: diligently, laboriously.] gnawing at the near
foreleg of his enemy, having severed his remaining feeler, his own
breast was all torn away, exposing what vitals he had there to the jaws
of the black warrior, whose breast-plate was apparently too thick for
him to pierce; and the dark carbuncles of the sufferer's eyes shone with
ferocity such as war only could excite. They struggled half an hour
longer under the tumbler, and when I looked again the black soldier had
severed the heads of his foes from their bodies, and the still living
heads were hanging on either side of him like ghastly trophies at his
saddle-bow, still apparently as firmly fastened as ever, and he was
endeavoring with feeble struggles, being without feelers and with only
the remnant of a leg, and I know not how many other wounds, to divest
himself of them; which at length, after half an hour more, he
accomplished. I raised the glass, and he went off over the window-sill
in that crippled state. Whether he finally survived that combat, and
spent the remainder of his days in some Hotel des Invalides, [Footnote:
Hotel des Invalides: an establishment founded in 1670 at Paris for
disabled and infirm soldiers. It contains military trophies and
paintings, and a remarkable collection of armor.] I do not know; but I
thought that his industry would not be worth much thereafter. I never
learned which party was victorious, nor the cause of the war; but I felt
for the rest of that day as if I had had my feelings excited and
harrowed by witnessing the struggle, the ferocity and carnage, of a
human battle before my door.

--HENRY THOREAU.

[Footnote: What things in the account of the battle show that the writer
is a trained observer? Does it add to the interest of the battle to
attribute human qualities to the combatants? Why? What touches of humor
do you find in the description? Does the author show a sympathetic
attitude toward war? Illustrate. What do you know of Thoreau's life at
Walden Pond?]




AN AFRICAN PET


Toward twelve o'clock, when we were crossing a kind of high table-land,
we heard the cry of a young animal, which we all recognized to be a
nshiego mbouve. [Footnote: Nshiego mbouve: a species of ape.] Then all
my troubles at once went away out of mind, and I no longer felt either
sick or hungry.

We crawled through the bush as silently as possible, still hearing the
baby-like cry. At last, coming out into a little cleared space, we saw
something running along the ground toward where we stood concealed. When
it came nearer, we saw it was a female nshiego running on all fours,
with a young one clinging to her breasts. She was eagerly eating some
berries, and with one arm supported her little one.

Querlaouen, who had the fairest chance, fired, and brought her down. She
dropped without a struggle. The poor little one cried, "Hew! hew! hew!"
and clung to the dead body, burying its head there in its alarm at the
report of the gun.

We hurried up in great glee to secure our capture. I cannot tell my
surprise when I saw that the nshiego baby's face was pure
white--_very_ white indeed--pallid, but as white as a white
child's.

I looked at the mother, but found her black as soot in the face. The
little one was about a foot in height. One of the men threw a cloth over
its head and secured it till we could make it fast with a rope; for,
though it was quite young, it could walk. The old one was of the
bald-headed kind, of which I had secured the first known specimen some
months before.

I immediately ordered a return to the camp, which we reached toward
evening. The little nshiego had been all this time separated from its
dead mother, and now when it was put near her body, a most touching
scene ensued. The little fellow ran instantly to her, but, touching her
on the face and breast, saw evidently that some great change had
happened. For a few minutes he caressed her, as though trying to coax
her back to life. Then he seemed to lose all hope. His little eyes
became very sad, and he broke out in a long, plaintive wail, "Ooee!
ooee! ooee!" which made my heart ache for him. He looked quite forlorn,
and as though he really felt his forsaken lot. The whole camp was
touched at his sorrows, and the women were especially moved.

All this time I stood wonderingly staring at the white face of the
creature. It was really marvelous, and quite incomprehensible; and a
more strange and weird-looking animal I never saw.

While I stood there, up came two of my hunters and began to laugh at me.
"Look, Chelly," said they, calling me by the name I was known by among
them; "look at your friend. Every time we kill gorilla, you tell us look
at your black friend. Now, you see, look at your white friend." Then
came a roar at what they thought a tremendous joke.

"Look! he got straight hair, all same as you. See white face of your
cousin from the bush! He is nearer to you than gorilla is to us!" And
another roar.

"Gorilla no got woolly hair like we. This one straight hair, like you."
"Yes," said I, "but when he gets old his face is black; and do you not
see his nose, how flat it is, like yours?"

Whereat there was a louder laugh than before; for so long as he can
laugh, the <DW64> cares little against whom the joke goes. I may as well
add here some particulars of the little fellow who excited all this
surprise and merriment. He lived five months, and became as tame and
docile as a cat. I called him Tommy, to which name he soon began to
answer.

In three days after his capture he was quite tame. He then ate crackers
out of my hand; ate boiled rice and roasted plantains; [Footnote:
Plantain: a fruit which closely resembles the banana.] and drank milk of
a goat. Two weeks after his capture he was perfectly tamed, and no
longer required to be tied up. He ran about the camp, and, when he went
back to Obindij's town, found his way about the village and into the
huts just as though he had been raised there.

He had a great affection for me, and used constantly to follow me about.
When I sat down, he was not content till he had climbed upon me and hid
his head in my breast. He was extremely fond of being petted and
fondled, and would sit by the hour while any one stroked his head or
back.

He soon began to be a very great thief. When the people left their huts
he would steal in and make off with their plantains or fish. He watched
very carefully till all had left the house, and it was difficult to
catch him in the act. I flogged him several times, and, indeed, brought
him to the conviction that it was wrong to steal; but he could never
resist the temptation.

From me he stole constantly. He soon found out that my hut was better
furnished with ripe bananas and other fruit than any other; and also he
discovered that the best time to steal from me was when I was asleep in
the morning. At that time he used to crawl in on his tiptoes, move slyly
toward my bed, look at my closed eyes, and, if he saw no movement, with
an air of great relief go up and pluck several plantains. If I stirred
in the least he was off like a flash, and would presently reenter for
another inspection. If my eyes were open when he came in on such a
predatory [Footnote: Predatory: plundering.] trip, he at once came up to
me with an honest face, and climbed on and caressed me. But I could
easily detect an occasional wishful glance toward the bunch of
plantains.

My hut had no door, but was closed with a mat, and it was very funny to
see Tommy gently raising one corner of this mat to see if I was asleep.
Sometimes I counterfeited sleep, and then stirred just as he was in the
act of taking off his prize. Then he would drop everything, and make off
in the utmost consternation.

He kept the run of mealtimes, and was present at as many meals as
possible; that is, he would go from my breakfast to half a dozen others,
and beg something at each. But he never missed my breakfast and dinner,
knowing by experience that he fared best there. I had a kind of rude
table made, on which my meals were served in the open part of my house.
This was too high for Tommy to see the dishes; so he used to come in
before I sat down, when all was ready, and climb up on the pole which
supported the roof. From here he attentively surveyed every dish on the
table, and having determined what to have, he would descend and sit down
at my side.

If I did not immediately pay attention to him, he began to howl, "Hew!
hew! hew!" louder and louder, till, for peace's sake, his wants were
satisfied. Of course, I could not tell what he had chosen for dinner of
my different dishes, and would offer him first one, then another, till
the right one came. If he received what he did not want, he threw it
down on the ground with a little shriek of anger and a stamp of his
foot; and this was repeated till he was served to his liking. In short,
he behaved very much like a badly spoiled child.

If I pleased him quickly, he thanked me by a kind of gentle murmur, like
"hooboo," and would hold out his hand to shake mine. He was very fond of
boiled meat,--particularly boiled fish,--and was constantly picking
bones he picked up about the town. He wanted always to taste of my
coffee, and, when Makondai brought it, would beg of me, in the most
serious manner, for some.

I made him a little pillow to sleep on, and this he was very fond of.
When he was once accustomed to it he never parted from it more, but
dragged it after him wherever he went. If by any chance it was lost, the
whole camp knew it by his howls; and sometimes I had to send people to
look for it when he had mislaid it on some forest excursion, so that he
would stop his noise. He slept on it always, coiled up into a little
heap, and only relinquished it when I gave him permission to accompany
me into the woods.

As he became more and more used to our ways, he became more impatient of
contradiction and more fond of being caressed; and whenever he was
thwarted he howled in his disagreeable way. As the dry season came on,
it became colder, and Tommy began to wish for company when he slept, to
keep him warm. The <DW64>s would not have him for a companion, for he
was for them too much like one of themselves. I would not give him room
near me. So poor Tommy was reduced to misery, as he seemed to think. But
soon I found that he waited till everybody was fast asleep at night, and
then crawled in softly next some of his black friends, and slept there
till earliest dawn. Then he would up and away undiscovered. Several
times he was caught and beaten, but he always tried it again.

He had a great deal of intelligence; and if I had had leisure I think I
might have trained him to some kind of good behavior, though I despaired
of his thieving disposition. He lived so long, and was growing so
accustomed to civilized life, that I began to have great hopes of being
able to carry him to America. But alas! poor Tommy. One morning he
refused his food, seemed downcast, and was very anxious to be petted and
held in the arms. I got all kinds of forest berries for him, but he
refused all. He did not seem to suffer, but ate nothing; and the next
day, without a struggle, died. Poor fellow! I was very sorry, for he had
grown to be quite a pet companion for me; and even the <DW64>s, though
he had given them great trouble, were sorry at his death.

--PAUL B. DU CHAILLU.

[Footnote: Paul du Chaillu was born in Paris in 1835. At the age of
sixteen he made some exploratory tours around his father's trading
station in West Africa, and in 1855 he came to America, where he made
his home. Later he undertook a botanic and zoologic exploration to
Africa which lasted for four years.]

[Footnote: What qualities of "Tommy" endeared him to his captors? Do you
know whether the monkey family is capable of the training which the
author hoped to give to his pet? Does the author succeed in making you
like or dislike "Tommy"? What human qualities does "Tommy" show? Does
this story seem to justify a belief in the origin of species? Could you
infer anything about the writer's character from this sketch?]




ANIMAL INTELLIGENCE


The long-tailed cows of the Lama [Footnote: Lama: a priest or monk of
Thibet and Mongolia who professes Lamaism, a kind of Buddhism.]
herdsmen, they say, are so restive and difficult to milk, that, to keep
them at all quiet, the herdsman has to give them a calf to lick
meanwhile. But for this device not a single drop of milk could be
obtained from them. One day a herdsman, who lived in the same house with
ourselves, came, with a dismal face, to announce that the new-born calf
of a favorite cow was dying. It died in the course of the day. The Lama
forthwith skinned the poor beast and stuffed it with hay. This
proceeding surprised us at first, for the Lama had by no means the air
of a man likely to give himself the luxury of a cabinet of natural
history. When the operation was completed we found that the hay-calf had
neither feet nor head; whereupon it occurred to us that, after all,
perhaps it was a pillow that the Lama contemplated. We were in error;
but the error was not dissipated till the next morning, when our
herdsman went to milk his cow. Seeing him issue forth, the pail in one
hand and the hay-calf under the other arm, the fancy occurred to us to
follow him. His first proceeding was to put the hay-calf down before the
cow; he then turned to milk the cow herself. The mother cow at first
opened enormous eyes at her beloved infant; by degrees she stooped her
head towards it, then smelt it, sneezed three or four times, and at last
began to lick it with the most delightful tenderness.

This spectacle grated against our sensibilities; it seemed to us that he
who first invented this parody [Footnote: Parody: a burlesque or
mimicking of something, usually written.] upon one of the most touching
incidents in nature must have been a man without a heart. A somewhat
burlesque circumstance occurred one day to modify the indignation with
which this treachery inspired us. By dint of caressing and licking her
little calf, the tender parent one fine morning unripped it; the hay
issued from within, and the cow, manifesting not the slightest surprise
or agitation, proceeded tranquilly to devour the unexpected provender.
[Footnote: Provender: food, provisions.]

Poor, simple-minded old cow! But let us laugh at her in the right place.
That she should fail to distinguish between the dead bundle and her
living offspring is surprising. But being deceived, why should she think
it odd to find hay inside? Ignorant of anatomy and physiology, she knows
nothing about insides. Had she considered the matter--and it doesn't
fall in the line of bovine rumination [Footnote: Bovine rumination:
chewing a cud.]--she would doubtless have expected to find in her calf
not hay but condensed milk. But if not milk, why not hay? She was well
acquainted with the process of putting hay inside, why therefore should
she be surprised to find hay inside? But of course she had never
bothered her dear sleepy old head about any matter of the sort. And the
moral is that we must not expect to find in animals that kind of
intelligence which has no bearing whatever upon the life that they lead.

       *        *        *        *        *

In Scandinavia, as elsewhere, the bear is sometimes domesticated, and if
taken young becomes quite tame, and is gentle in its disposition. It is
not well, however, to annoy even a well-disposed bear; for Bruin, like
the rest of us, resents practical jokes of too unpleasant a nature. A
Swedish peasant had one who used to stand on the back of his sledge when
he was on a journey, and the beast had so good a balance that it was
next to impossible to upset him. One day, however, the peasant amused
himself with driving over the very worst ground he could find with the
intention, if possible, of throwing the bear off his balance. In this he
succeeded, but not in the manner he expected. The bear retained his
balance of body, but lost his balance of mind, becoming so irritated
that he fetched his master, who was in front of him, a tremendous thump
on the shoulder, which frightened the man so much that he had poor Bruin
killed immediately.

An American writer gives another instance of ursine [Footnote: Ursine:
pertaining to a bear.] irritability. A friend of his would persist in
practising the flute near his tame black bear. Bruin bore this in
silence for a while, went so far indeed as himself to try and play the
flute on his favorite stick; but at last he could stand it no longer,
and one morning knocked the flutist's tall hat over his eyes. If any act
of retribution is justifiable this was. To practise the flute anywhere
within earshot is annoying; to do so in a tall hat would be simply
exasperating.

It would be easy to fill a small volume with anecdotes of captive bears.
They would show that Bruin is not so stupid as he is sometimes painted,
even if they did not altogether justify the Swedish saying that the bear
unites the wit of one man with the strength of ten. Frank Buckland's
bear, Tiglath Pileser, was cute enough to know where to find the sweet
stuff, of which he, in common with his race, was so inordinately fond;
for one day when he had broken his chains he was found in a small
grocer's shop seated on the counter, and helping himself with liberal
paw to brown sugar and lollipops, to the no small discomfort of the good
woman who kept the shop. A black bear in America had a weakness for
chickens. His master noticed the thinning of the poultry yard, and
suspicion fell on Bruin owing to the feathers which lay round his pole.
They could not catch him in the act however. He was too sharp for that,
and if disturbed, when he had but half demolished [Footnote: Demolished:
destroyed.] a pullet he would hastily sit on the remainder and look as
innocent as could be. He was discovered at last, however, by the
cackling of a tough old hen which he had failed to silence.

--LLOYD MORGAN (adapted).

[Footnote: Do the incidents related seem real or exaggerated? Has the
author used the element of surprise effectively? Illustrate. Would you
judge that the writer was a scientist? Why?]




BUCK'S TRIAL OF STRENGTH


John Thornton, owner of the dog, Buck, had said that Buck could draw a
sled loaded with one thousand pounds of flour. Another miner bet sixteen
hundred dollars that he couldn't, and Thornton, though fearing it would
be too much for Buck, was ashamed to refuse; so he let Buck try to draw
a load that Matthewson's team of ten dogs had been hauling.

The team of ten dogs was unhitched, and Buck, with his own harness, was
put into the sled. He had felt the general excitement, and he felt that
in some way he must do a great thing for John Thornton. Murmurs of
admiration at his splendid appearance went up. He was in perfect
condition, without an ounce of superfluous [Footnote: Superfluous:
unnecessary.] flesh, and the one hundred and fifty pounds that he
weighed were so many pounds of grit and virility. His furry coat shone
with the sheen of silk. Down the neck and across the shoulders, his
mane, in repose as it was, half bristled and seemed to lift with every
movement, as though excess of vigor made each particular hair alive and
active. The great breast and heavy forelegs were no more than in
proportion with the rest of the body, where the muscles showed in tight
rolls underneath the skin. Men felt these muscles and proclaimed them
hard as iron, and the odds went down two to one.

"Sir, sir," stuttered a member of the latest dynasty, [Footnote:
Dynasty: race or succession of kings.] a king of the Skookum Benches. "I
offer you eight hundred for him, sir, before the test, sir; eight
hundred just as he stands."

Thornton shook his head and stepped to Buck's side.

"You must stand off from him," Matthewson protested. "Free play and
plenty of room."

The crowd fell silent; only could be heard the voices of the gamblers
vainly offering two to one. Everybody acknowledged Buck a magnificent
animal, but twenty fifty-pound sacks of flour bulked too large in their
eyes for them to loosen their pouch-strings.

Thornton knelt down by Buck's side. He took his head into his two hands
and rested cheek on cheek. He did not playfully shake him, as he was
wont, or murmur soft love curses; but he whispered in his ear. "As you
love me, Buck. As you love me," [Footnote: As you love me, Buck. Compare
this incident with the words whispered to his horse by the rider in
Browning's "Ghent to Aix."] was what he whispered. Buck whined with
suppressed eagerness.

The crowd was watching curiously. The affair was growing mysterious. It
seemed like a conjuration. [Footnote: Conjuration: an invoking of
supernatural aid.] As Thornton got to his feet, Buck seized his mittened
hand between his jaws, pressing in with his teeth and releasing slowly,
half-reluctantly. It was the answer, in terms, not of speech, but of
love. Thornton stepped well back.

"Now, Buck," he said.

Buck tightened the traces, then slacked them for a matter of several
inches. It was the way he had learned.

"Gee!" Thornton's voice rang out, sharp in the tense silence.

Buck swung to the right, ending the movement in a plunge that took up
the slack, and, with a sudden jerk, arrested his one hundred and fifty
pounds. The load quivered, and from under the runners arose a crisp
crackling.

"Haw!" Thornton commanded.

Buck duplicated the maneuver, [Footnote: Maneuver: dexterous movement.]
this time to the left. The crackling turned into a snapping, the sled
pivoting and the runners slipping and grating several inches to the
side.

The sled was broken out. Men were holding their breaths, intensely
unconscious of the fact. "Now, Mush!"

Thornton's command cracked out like a pistol shot. Buck threw himself
forward, tightening the traces with a jarring lunge. His whole body was
gathered tightly together in a tremendous effort, the muscles writhing
and knotting like live things under the silky fur. His great chest was
low to the ground, his head forward and down, while his feet were flying
like mad, the claws scarring the hard-packed snow in grooves. The sled
swayed and trembled, half-started forward. One of his feet slipped, and
one man groaned aloud. Then the sled lurched ahead in what appeared a
rapid succession of jerks, though it really never came to a dead stop
again--half an inch--an inch--two inches. The jerks became less as the
sled gained momentum, he caught them up, till it was moving steadily
along.

Men gasped and began to breathe again, unaware that for a moment they
had ceased to breathe. Thornton was running behind, encouraging Buck
with short, cheery words. The distance had been measured off, and as he
neared the pile of firewood which marked the end of the hundred yards, a
cheer began to grow and grow, which burst into a roar as he passed the
firewood and halted at command. Every man was tearing himself loose,
even Matthewson, who had lost his wager. Hats and mittens were flying in
the air. Men were shaking hands, it did not matter with whom, and
bubbling over in a general incoherent babel. But Thornton fell on his
knees beside Buck. Head was against head, and he was shaking him back
and forth.

"I'll give you a thousand for him, sir, a thousand," sputtered the
Skookum Bench king, "twelve hundred, sir."

Thornton rose to his feet. His eyes were wet. The tears were streaming
frankly down his cheeks. "Sir," he said to the Skookum Bench king, "no,
sir. You can hold your tongue, sir. It's the best I can do for you,
sir."

Buck seized Thornton's hand in his teeth. Thornton shook him back and
forth. As though moved by a common feeling, the onlookers drew back to a
respectful distance; nor did they again interrupt.

--JACK LONDON.

[Footnote: Notice the simple direct style of writing. Why does the
writer dwell on the physical fitness of Buck? Does the understanding
between Buck and his master seem unusual? What glimpses of the character
of the miners does the story give you? Show how the element of suspense
adds to the dramatic force of the story. What is the most interesting
point in the narrative?]




ON THE SOLANDER WHALING GROUND


A bright sunny morning; the gentle north-easterly breeze just keeping
the sails full as the lumbering whaling-barque "Splendid" dips jerkily
to the old southerly swell. Astern, the blue hills around Preservation
Inlet [Footnote: Preservation Inlet ... Solander (island) ... Foveaux
(strait) ... Stewart Island: places situated on or near the southern end of
New Zealand.] lie shimmering in the soft spring sunlight, and on the
port beam the mighty pillar of the Solander Rock, lying off the
south-western extremity of the New Zealand, is sharply outlined against
the steel-blue sky. Far beyond that stern sentinel, the converging
shores of Foveaux Strait are just discernible in dim outline through a
low haze. Ahead the jagged and formidable rocks of Stewart Island,
bathed in a mellow golden glow, give no hint of their terrible
appearance what time the Storm-fiend of the south-west cries havoc and
urges on his chariot of war.

The keen-eyed Kanaka [Footnote: Kanaka: a native of the Sandwich
Islands.] in the fore crow's nest [Footnote: Crow's nest: a perch near
the top of the mast to shelter the man on the lookout.] shades his eyes
with his hand, peering earnestly out on the weather bow at something
which has attracted his attention. A tiny plume of vapor rises from the
blue hollows about ten miles away, but so faint and indefinable that it
may be only a breaking wavelet's crest caught by the cross wind. Again
that little bushy jet breaks the monotony of the sea; but this time
there is no mistaking it. Emerging diagonally from the water, not high
and thin, but low and spreading, it is an infallible indication to those
piercing eyes of the presence of a sperm-whale. The watcher utters a
long, low musical cry, "Blo-o-o-o-w," which penetrates the gloomy
recesses of the fo'ksle [Footnote: Fo'ksle: the forward part of the
vessel, under the deck, where the sailors live.] and cuddy, [Footnote:
Cuddy: small cabin.] where the slumberers immediately engage in fierce
conflict with whales of a size never seen by waking eyes. The officer
and white seamen at the main now take up the cry, and in a few seconds
all hands are swiftly yet silently preparing to leave the ship. She is
put about, making a course which shortly brings her a mile or two to
windward of the slowly-moving cachalot. Now it is evident that no
solitary whale is in sight, but a great school, gambolling in the bright
spray. One occasionally, in pure exuberance of its tremendous vitality,
springs twenty feet into the clear air, and falls, a hundred tons of
massive flesh, with earthquake-like commotion, back into the sea.

Having got the weather-gage, the boats are lowered; sail is immediately
set, and, like swift huge-winged birds, they swoop down upon the prey.
Driving right upon the back of the nearest monster, two harpoons are
plunged into his body up to the "hitches." [Footnote: Hitches: a knot or
noose that can be readily undone.] The sheet [Footnote: Sheet: the rope
that regulates the angle of the sail.] is at once hauled aft, [Footnote:
Hauled aft: hauled toward the stern of the ship.] and the boat flies up
into the wind; while the terrified cetacean [Footnote: Cetacean: marine
mammal.] vainly tries, by tremendous writhing and plunging, to rid
himself of the barbed weapon. The mast is unshipped, and preparation
made to deliver the coup de grace. [Footnote: Coup de grace: the
decisive, finishing stroke.] But finding his efforts futile, the whale
has sounded, and his reappearance must be awaited. Two boats' lines are
taken out before the slackening comes, and he slowly rises again. Faster
and faster the line comes in; the blue depths turn a creamy white, and
it is "Stern all" for dear life. Up he comes, with jaws gaping twenty
feet wide, gleaming teeth and livid, cavernous throat glittering in the
brilliant light. But the boat's crew are seasoned hands, to whom this
dread sight is familiar, and orders are quietly obeyed, the boat
backing, circling and darting ahead like a sentient thing under their
united efforts. So the infuriated mammal is baffled and dodged, while
thrust after thrust of the long lances are got home, and streamlets of
blood trickling over the edges of his spouthole give warning that the
end is near. A few wild circlings at tremendous speed, jaws clashing and
blood foaming in torrents from the spiracle, [Footnote: Spiracle: the
nostril of a whale.] one mighty leap into the air, and the ocean monarch
is dead. He lies just awash, gently undulated by the long, low swell,
one pectoral fin slowly waving like some great stray leaf of _Fucus
gigantea_. [Footnote: Fucus gigantea: fucus is a kind of tough
seaweed.] A hole is cut through the fluke and the line secured to it.
The ship, which has been working to windward during the conflict, runs
down and receives the line; and in a short time the great inert mass is
hauled alongside and secured by the fluke [Footnote: Fluke: one of the
lobes of a whale's tail.] chain.

The vessel, bound to that immense body, can only crawl tortoise-like
before the wind--lucky, indeed, to have a harbor ahead where the whale
may be cut in, even though it be forty miles away. Without that refuge
available, she could not hope to keep the sea and hold her prize through
the wild weather, now so near. The breeze is freshening fast, and all
sail is made for Port William. So slow is the progress, that it is past
midnight before that snug shelter is reached, although for the last four
hours the old ship is terribly tried and strained by the press of sail
carried to such a gale.

--FRANK BULLEN.

[Footnote: Show how the rapid action in the narrative makes it more
dramatic. Why does the danger of the enterprise take so small a part in
the narrative? Can you characterize this kind of description?]




AN EPISODE OF THE FRENCH REVOLUTION


With a wild rattle and clatter, and an inhuman abandonment of
consideration not easy to be understood in these days, the carriage
dashed through streets and swept round corners, with women screaming
before it, and men clutching each other and clutching children out of
its way. At last, swooping at a street corner by a fountain, one of its
wheels came to a sickening little jolt, and there was a loud cry from a
number of voices, and the horses reared and plunged.

But for the latter inconvenience, the carriage probably would not have
stopped; carriages were often known to drive on, and leave their wounded
behind, and why not? But the frightened valet had got down in a hurry,
and there were twenty hands at the horses' bridles.

"What has gone wrong?" said Monsieur, calmly looking out.

A tall man in a nightcap had caught up a bundle from among the feet of
horses, and had laid it on the basement of the fountain, and was down in
the mud and wet, howling over it like a wild animal.

"Pardon, Monsieur the Marquis!" said a ragged and submissive man, "it is
a child."

"Why does he make that abominable noise? Is it his child?"

"Excuse me, Monsieur the Marquis--it is a pity--yes."

The fountain was a little removed; for the street opened, where it was,
into a space some ten or twelve yards square. As the tall man suddenly
got up from the ground, and came running at the carriage, Monsieur the
Marquis clapped his hand for an instant on his sword hilt.

"Killed!" shrieked the man, in wild desperation, extending both arms at
their length above his head, and staring at him. "Dead!"

The people closed round, and looked at Monsieur the Marquis. There was
nothing revealed by the many eyes that looked at him but watchfulness
and eagerness; there was no visible menacing or anger. Neither did the
people say anything; after the first cry, they had been silent, and they
remained so. The voice of the submissive man who had spoken, was flat
and tame in its extreme submission. Monsieur the Marquis ran his eyes
over them all, as if they had been mere rats come out of their holes.

He took out his purse.

"It is extraordinary to me," said he, "that you people cannot take care
of yourselves and your children. One or the other of you is for ever in
the way. How do I know what injury you have done my horses. See! Give
him that."

He threw out a gold coin for the valet to pick up, and all the heads
craned forward that all the eyes might look down at it as it fell. The
tall man called out again with a most unearthly cry. "Dead!"

He was arrested by the quick arrival of another man, for whom the rest
made way. On seeing him, the miserable creature fell upon his shoulder,
sobbing and crying, and pointing to the fountain, where some women were
stooping over the motionless bundle, and moving gently about it. They
were as silent, however, as the men.

"I know all, I know all," said the last comer. "Be a brave man, my
Gaspard! It is better for the poor little plaything to die so, than to
live. It has died in a moment without pain. Could it have lived an hour
as happily?"

"You are a philosopher, you there," said the Marquis, smiling. "How do
they call you?"

"They call me Defarge."

"Of what trade?"

"Monsieur the Marquis, vendor [Footnote: Vendor: seller.] of wine."

"Pick up that, philosopher and vendor of wine," said the Marquis,
throwing him another gold coin, "and spend it as you will. The horses
there; are they right?"

Without deigning to look at the assemblage a second time, Monsieur the
Marquis leaned back in his seat, and was just being driven away with the
air of a gentleman who had accidentally broke some common thing, and had
paid for it, and could afford to pay for it; when his case was suddenly
disturbed by a coin flying into his carriage, and ringing on its floor.

"Hold!" said Monsieur the Marquis. "Hold the horses! Who threw that?"

He looked to the spot where Defarge the vendor of wine had stood a
moment before; but the wretched father was grovelling on his face on the
pavement in that spot, and the figure that stood beside him was the
figure of a dark stout woman, knitting.

"You dogs!" said the Marquis, but smoothly, and with an unchanged front,
except as to the spots on his nose; "I would ride over any of you very
willingly, and exterminate you from the earth. If I knew which rascal
threw at the carriage, and if that brigand were sufficiently near it, he
should be crushed under the wheels."

So cowed was their condition, and so long and hard their experience of
what such a man could do to them, within the law and beyond it, that not
a voice or a hand, or even an eye was raised. Among the men, not one.
But the woman who stood knitting looked up steadily, and looked the
Marquis in the face. It was not for his dignity to notice it; his
contemptuous eyes passed over her, and over all the other rats; and he
leaned back in his seat again, and gave the word "Go on!"

--CHARLES DICKENS.

[Footnote: What things are contrasted in the story? Does the incident
seem probable from what you know of the period? Can you give any
instances from history or fiction to show the attitude of the French
aristocracy before the Revolution? Do you know what happened to the
Marquis in the "Tale of Two Cities"? Compare the condition of the people
in this episode with those in a "Leaf in the Storm."]




THE COMMANDER OF THE FAITHFUL


These events are succeeded by a few moments of silent waiting. Then
suddenly the long lines of soldiers vibrate under a thrill of religious
awe; the band, with its great basses and its drums, strikes up a
deafening, mournful air. The fifty little black slaves run, run as if
their lives were at stake, deploying [Footnote: Deploying: unfolding,
opening out.] from their base like the sticks of a fan, resembling bees
swarming, or a flock of birds. And yonder, in the shadowy light of the
ogive, [Footnote: Ogive: the arch which crosses a Gothic vault
diagonally.] upon which all eyes are turned, there appears a tall,
brown-faced mannikin, all veiled in white muslin, mounted on a splendid
white horse led in hand by four slaves; over his head is held an
umbrella of antique form, such an one as must have protected the Queen
of Sheba, [Footnote: Queen of Sheba: the queen who came to test the
wisdom of Solomon.] and two gigantic <DW64>s, one in pink, the other in
blue, wave fly-flaps around the person of the sovereign.

While the strange mannikin, or mummy, almost shapeless, but majestic
notwithstanding in his robes of snowy white, is advancing towards us,
the music, as if exasperated to madness, wails louder and louder and in
a shriller key; it strikes up a slow and distressful religious air, the
time of which is accentuated by a frightful beating of the bass-drums.
The mannikin's horse rears wildly, restrained with difficulty by the
four black slaves, and this music, so mournful and so strange to us,
affects our nerves with an indescribable agonizing sensation.

Here, at last, drawn up close beside us, stands this last authentic
descendant of Mahomet, crossed with Nubian blood. His attire, of the
finest mousseline-de-laine, is of immaculate whiteness. His charger,
too, is entirely white, his great stirrups are of gold, and his saddle
and equipments are of a very pale green silk, lightly embroidered in a
still paler shade of green. The slaves who hold his horse, the one who
carries the great red umbrella, and the two--the pink and blue ones--who
shake napkins in the monarch's face to drive away imaginary flies, are
all herculean <DW64>s whose countenances are wrinkled into fierce
smiles; they are all old men, and their gray or white beards contrast
with the blackness of their features. This ceremonial of a bygone age
harmonizes with the wailing music, and could not suit better the huge
walls around us, which rear their crumbling summits high in the air.

This man, who thus presents himself before us with the surroundings
which I have described, is the last faithful exponent of a religion, a
civilization that is about to die. He is the personification, in fact,
of ancient Islam. [Footnote: Islam: the religion of the Mohammedans.]
What result can we expect to obtain from an embassy to such a man, who,
together with his people, spends his life torpid and motionless among
ancient dreams of humanity that have almost disappeared from the surface
of the earth? There is not a single point on which we can understand
each other; the distance between us is nearly that which would separate
us from a caliph [Footnote: Caliph: the head of the Moslem state and
defender of the faith.] of Cordova [Footnote: Cordova: a city of Spain.
It is famous for its manufactures of leather and silverware. It contains
many Moorish antiquities, and is celebrated for its cathedral--once a
mosque.] or Bagdad [Footnote: Bagdad: a city of Mesopotamia on the
Tigris. It was formerly a city of great importance, and was a celebrated
centre of Arabic learning and civilization.] who should come to life
again after a slumber of a thousand years. What do we wish to obtain
from him, and why have we brought him forth from his impenetrable
palace?

His brown, parchment-like face in its setting of white muslin, has
regular and noble features; dull, expressionless eyes, the whites of
which appear beneath the balls that are half concealed by the drooping
lashes; his expression is that of exceeding melancholy, a supreme
lassitude, a supreme ennui. He has an appearance of benignity, and is
really kindhearted, according to what they say who know him. (If the
people of Fez [Footnote: Fez: a city in northern Morocco.] are to be
believed, he is even too much so--he does not chop off as many heads as
he ought to for the holy cause of Islam.) But this kindheartedness, no
doubt, is relative in degree, as was often the case with ourselves in
the middle ages; a mildness which is not over-sensitive in the face of
shedding blood when there is a necessity for it, nor in face of an array
of human heads set up in a row over the fine gateway at the entrance to
the palace. Assuredly he is not cruel; he could not be so with that
gentle, sad expression. He punishes with severity sometimes, as his
divine authority gives him the right to do, but it is said that he finds
a still keener pleasure in pardoning. He is a priest and a warrior, and
carries each of these characters perhaps to excess; feeling as deeply as
a prophet the responsibility of his heavenly mission, chaste in the
midst of his seraglio, [Footnote: Seraglio: a harem.] strict in his
attention to onerous [Footnote: Onerous: burdensome.] religious
observances, and hereditarily very much of a fanatic--he aims to form
himself upon Mahomet [Footnote: Mahomet (Mohammed): the founder of
Mohammedanism. Born about 570 in Mecca(?) and died in 632.] as perfectly
as may be: all this, moreover, is legible in his eyes, upon his fine
countenance, in the upright majesty of his bearing. He is a man whom we
can neither understand nor judge in the times we live in, but he is
surely a great man, a man of mark.

--PIERKE LOTI (adapted).

[Footnote: What things in the description would tell you that the scene
was Oriental? What observations does the author make on the difference
between East and West? As a spectator, what things would you find most
interesting in the scene? Do you know why the author calls the Sultan's
palace impenetrable? Why does the author think that his interview with
the Sultan may be useless?]




WALT WHITMAN


I first heard of him among the sufferers on the Peninsula [Footnote:
Peninsula: that part of Virginia between the York and James rivers.]
after a battle there. Subsequently I saw him, time and again, in the
Washington hospitals, or wending his way there, with basket or haversack
[Footnote: Haversack: a bag in which a soldier carried his rations when
on a march.] on his arm, and the strength of beneficence suffusing his
face. His devotion surpassed the devotion of woman. It would take a
volume to tell of his kindness, tenderness, and thoughtfulness.

Never shall I forget one night when I accompanied him on his rounds
through a hospital filled with those wounded young Americans whose
heroism he has sung in deathless numbers. There were three rows of cots,
and each cot bore its man. When he appeared, in passing along, there was
a smile of affection and welcome on every face, however wan, and his
presence seemed to light up the place as it might be lighted by the
presence of the God of Love. From cot to cot they called him, often in
tremulous tones or in whispers; they embraced him; they touched his
hand; they gazed at him. To one he gave a few words of cheer; for
another he wrote a letter home; to others he gave an orange, a few
comfits, [Footnote: Comfits: sweetmeats.] a cigar, a pipe and tobacco, a
sheet of paper or a postage-stamp, all of which and many other things
were in his capacious haversack. From another he would receive a dying
message for mother, wife, or sweetheart; for another he would promise to
go an errand; [Footnote: To go an errand. What is the usual form?] to
another, some special friend very low, he would give a manly farewell
kiss. He did things for them no nurse or doctor could do, and he seemed
to leave a benediction [Footnote: Benediction: blessing.] at every cot
as he passed along. The lights had gleamed for hours in the hospital
that night before he left it, and, as he took his way towards the door,
you could hear the voices of many a stricken hero calling, "Walt, Walt,
Walt! come again! come again!"

He carried among them no sentimentalism nor moralizing; spoke not to any
man of his "sins," but gave something good to eat, a buoying [Footnote:
Buoying: enlivening, cheering.] word, or trifling gift and a look. He
appeared with ruddy face, clean dress, with a flower or a green sprig in
the lapel of his coat. Crossing the fields in summer, he would gather a
great bunch of dandelion blossoms, and red and while clover, to bring
and scatter on the cots, as reminders of out-door air and sunshine.

When practicable, he came to the long and crowded wards of the maimed,
the feeble, and the dying, only after preparations as for a
festival--strengthened by a good meal, rest, the bath and fresh
under-clothes. He entered with a huge haversack slung over his shoulder
full of appropriate articles, with parcels under his arms, and
protuberant [Footnote: Protuberant: bulging.] pockets. He would
sometimes come in summer with a good-sized basket filled with oranges,
and would go round for hours paring and dividing them among the feverish
and thirsty.

Walt Whitman was of the people, the common people, and always gave out
their quality and atmosphere. His commonness, his nearness, as of the
things you have always known,--the day, the sky, the soil, your own
parents,--were in no way veiled, or kept in abeyance, by his culture or
poetic gifts. He was redolent of the human and the familiar. Though
capable, on occasions, of great pride and hauteur, yet his habitual mood
and presence was that of simple, average, healthful humanity,--the
virtue and flavor of sailors, soldiers, laborers, travelers, or people
who live with real things in the open air. His commonness rose into the
uncommon, the extraordinary, but without any hint of the exclusive or
specially favored. He was indeed "no sentimentalist, no stander above
men and women or apart from them."

The spirit that animates every page of his book, and that it always
effuses, [Footnote: Effuses: sheds, pours out.] is the spirit of common,
universal humanity,--humanity apart from creed, schools, conventions,
from all special privileges and refinements, as it is in and of itself
in its relations to the whole system of things, in contradistinction to
the literature of culture which effuses the spirit of the select and
exclusive.

His life was the same. Walt Whitman never stood apart from or above any
human being. The common people--workingmen, the poor, the illiterate,
the outcast--saw themselves in him, and he saw himself in them: the
attraction was mutual. He was always content with common, unadorned
humanity.

--JOHN BURROUGHS (adapted).

[Footnote: What picture do you get of Whitman in this account? What
qualities of Whitman's do you think most endeared him to the soldiers?
Was Whitman's carefulness about his personal appearance an evidence of
egotism or altruism? Compare this estimate of Whitman with the
"Appreciation of Lincoln." Are there any points of likeness?]




HEROISM IN HOUSEKEEPING


So many talents are wasted, so many enthusiasms turned to smoke, so many
lives spoiled for want of a little patience and endurance, for want of
understanding and laying to heart the meaning of THE PRESENT--for want
of recognizing that it is not the greatness or littleness of the duty
nearest hand, but the spirit in which one does it, which makes one's
doing noble or mean! I can't think how people who have any natural
ambition, and any sense of power in them, escape going mad in a world
like this, without the recognition of that. I know I was very near mad
when I found it out for myself (as one has to find out for oneself
everything that is to be of any real practical use to one).

Shall I tell you how it came into my head? Perhaps it may be of comfort
to you in similar moments of fatigue and disgust. I had gone with my
husband to live on a little estate of peat-bog, that had descended to me
all the way down from John Welsh, the Covenanter, [Footnote: Covenanter:
one who defends the "Solemn League and Covenant" made to preserve the
reformed religion in Scotland.] who married a daughter of John Knox.
[Footnote: John Knox: a celebrated Scottish reformer, statesman, and
writer. Born 1505, died in 1572.] That didn't, I'm ashamed to say, make
me feel Craigenputtock [Footnote: Craigenputtock: a town fifteen miles
from Dumfries. Here much of Carlyle's best work was done.] a whit less
of a peat-bog and a most dreary, untoward place to live at. In fact, it
was sixteen miles distant on every side from all the conveniences of
life, shops, and even post-office. Further, we were very poor, and
further and worst, being an only child, and brought up to great
prospects, I was sublimely ignorant of every branch of useful knowledge,
though a capital Latin scholar and very fair mathematician.

It behooved me in these astonishing circumstances to learn to sew.
Husbands, I was shocked to find, wore their stockings into holes, and
were always losing buttons, and I was expected to "look to all that";
also it behooved me to learn to cook! no capable servant choosing to
live at such an out-of-the-way place, and my husband having bad
digestion, which complicated my difficulties dreadfully. The bread,
above all, brought from Dumfries, [Footnote: Dumfries: a town in
southern Scotland.] "soured on his stomach" and it was plainly my duty
as a Christian wife to bake at home.

So I sent for Cobbett's "Cottage Economy," and fell to work at a loaf of
bread. But, knowing nothing about the process of fermentation or the
heat of ovens, it came to pass that my loaf got put into the oven at the
time that myself ought to have been put into bed; and I remained the
only person not asleep in a house in the middle of a desert.

One o'clock struck! and then two!! and then three!!! And still I was
sitting there in the midst of an immense solitude, my whole body aching
with weariness, my heart aching with a sense of forlornness and
degradation. That I, who had been so petted at home, whose comfort had
been studied by everybody in the house, who had never been required to
do anything but cultivate my mind, should have to pass all those hours
of the night in watching a loaf of bread--which mightn't turn out bread
after all!

Such thoughts maddened me, till I laid down my head on the table and
sobbed aloud. It was then that somehow the idea of Benvenuto Cellini
[Footnote: Benvenuto Cellini: a famous Italian sculptor and worker in
gold and silver. Born in 1500(?) died in 1571. His autobiography is one
of the most famous of Italian classics. The Perseus of Cellini stands in
the Loggia dei Lanzi in Florence, and represents the helmeted hero
holding up the severed head of Medusa.] sitting up all night watching
his Perseus in the furnace came into my head, and suddenly I asked
myself: "After all, in the sight of the upper Powers, what is the mighty
difference between a statue of Perseus and a loaf of bread, so that each
be the thing that one's hand has found to do? The man's determined will,
his energy, his patience, his resource were the really admirable things
of which his statue of Perseus was the mere chance expression. If he had
been a woman, living at Craigenputtock with a dyspeptic husband, sixteen
miles from a baker, and he a bad one, all these qualities would have
come out more fitly in a good loaf of bread!"

I cannot express what consolation this germ of an idea spread over my
uncongenial life during the years we lived at that savage place, where
my two immediate predecessors had gone mad, and a third had taken to
drink.

--JANE WELSH CARLYLE.

[Footnote: Does the opening paragraph give you any hint as to the source
of this extract? What traits of character does the writer show? Can you
show the evidence of Scotch Covenanter inheritance in the writer's
philosophy? Do you imagine that the writer learned to make bread? Why?
In what does the humor of the account lie?]




A YOUTHFUL ACTOR


My dramatic career was brought to a close by an unfortunate
circumstance. We were playing the drama of "William Tell, the Hero of
Switzerland." Of course I was William Tell, in spite of Fred Langdon,
who wanted to act that character himself. I wouldn't let him, so he
withdrew from the company, taking the only bow and arrow we had. I made
a cross-bow out of a piece of whalebone, and did very well without him.
We had reached that exciting scene where Gessler, the Austrian tyrant,
commands Tell to shoot the apple from his son's head. Pepper Whitcomb,
who played all the juvenile and women parts, was my son. To guard
against mischance, a piece of pasteboard was fastened by a handkerchief
over the upper portion of Whitcomb's face, while the arrow to be used
was sewed up in a strip of flannel. I was a capital marksman, and the
big apple, only two yards distant, turned its russet cheek fairly
towards me.

I can see poor little Pepper now, as he stood without flinching, waiting
for me to perform my great feat. I raised the cross-bow amid the
breathless silence of the crowded audience,--consisting of seven boys
and three girls, exclusive of Kitty Collins, who insisted on paying her
way in with a clothes-pin. I raised the cross-bow, I repeat. Twang! went
the whipcord; but, alas! instead of hitting the apple, the arrow flew
right into Pepper Whitcomb's mouth, which happened to be open at the
time, and destroyed my aim.

I shall never be able to banish that awful moment from my memory.
Pepper's roar, expressive of astonishment, indignation, and pain, is
still ringing in my ears. I looked upon him as a corpse, and, glancing
not far into the dreary future, pictured myself led forth to execution
in the presence of the very same spectators then assembled.

Luckily poor Pepper was not seriously hurt.

--T. B. ALDRICH.

[Footnote: Would you imagine, from this extract, that the book from
which it was taken would be interesting? Why? Notice the easy
conversational way of telling the incident. What is gained by this? Do
you sympathize with Pepper or the author? Why?]




WAR


What, speaking in quite unofficial language, is the net purpose and
upshot of war? To my own knowledge, for example, there dwell and toil in
the British village of Dumdrudge [Footnote: Dumdrudge: a fictitious
name.] usually some five hundred souls. From these there are
successfully selected, during the French war, say thirty able-bodied
men. Dumdrudge, at her own expense, has suckled and nursed them. She
has, not without difficulty and sorrow, fed them up to manhood, and even
trained them to crafts, so that one can weave, another build, another
hammer, and the weakest can stand under thirty stone avoirdupois.
Nevertheless, amid much weeping and swearing, they are selected; all
dressed in red; and shipped away at the public charges some two thousand
miles, or say only to the south of Spain; and fed there until wanted.
And now to that same spot in the south of Spain, are thirty similar
French artisans, from a French Dumdrudge, in like manner wending. At
length, after infinite effort, the two parties come into actual
juxtaposition; and thirty stands fronting thirty, each with a gun in his
hand. Straightway the word "Fire!" is given, and they blow the souls out
of one another. And in place of sixty brisk useful craftsmen, the world
has sixty dead carcasses, which it must bury and anew shed tears for.
Had these men any quarrel? Busy as the Devil is, not the smallest! They
lived far enough apart, were the entirest strangers, nay, in so wide a
universe, there was even unconsciously, by commerce, some mutual
helpfulness between them. How then? Simpleton' their Governors had
fallen out, and instead of shooting one another, had the cunning to make
these poor blockheads shoot.

--CARLYLE.

[Footnote: Does Carlyle write from the usual military standpoint? Does
war seem glorious or heroic from this point of view? Is ridicule an
effective weapon against wrongs? Do you know of any abuses or wrongs
that have been abolished by being shown up as ridiculous? Do you think
it likely that the militaristic type of mind can have much sense of
humor?]




<DW53>-HUNTING


'<DW53>-Hunting [Footnote: <DW53>: raccoon, an animal allied to the bears
but much smaller. Its body is gray, varied with black and white, and it
has a long full tail banded with black and gray.] is one of the truly
American sports of the chase, though its devotees have found difficulty
in persuading folks to take their sport seriously. It is, in truth, a
comical aspect of hunting, and is scarcely less wanting in dignity than
a 'possum [Footnote: Possum: opposum; this animal carries its young in a
pouch, like the kangaroo.] chase, which confessedly has none at all. If
'<DW53>-hunting be regarded, as a step higher than that, it loses the
advantage at the end, for a fat 'possum is certainly better eating than
a '<DW53>, however rotund. The chase, nevertheless, calls for endurance,
since an old '<DW53> may run four or five miles after he has been started,
zigzagging hither and yon, circling round and round trees, leaving a
track calculated to make a dog dizzy, swimming streams, and running
along the tops of logs and snake-fences, [Footnote: Snake-fence (same as
a worm-fence): a zigzag fence of rails which cross at the ends.] hiding
his trail with the craftiness of a fox.

The hunt is always organized late at night. Nobody ever heard of a real
'<DW53>-hunt by daylight. The animals are moving about then, leaving
trails that, starting at the edge of the woods, lead into the fastnesses
where they take refuge. Such trails would grow "cold" before noonday.

There are dogs called '<DW53>-dogs, but of no particular breed or
pedigree. A local pack will consist of Rag, Tag, and Bobtail, with all
of Bobtail's friends and connections. One of them is known to be best
and takes the lead. They call him the trailer. The rest rush yelping
after, and as fast as possible follow the hunters, with torches or
lanterns or by moonlight, carrying axes and hatchets, guns, and
antidotes for snake-bite in flat, black bottles. Trailer's motley crew
catch a sniff of the trail and disappear in the darkness of the brushy
woods, baying, barking, yelping, squealing, each after its kind. After
them go the whooping hunters, following by ear as the dogs do by nose,
for none can use the sense of sight.

Finally a chorus of eager barking in a different tone from what has thus
far been heard announces to experienced ears that the dogs have some
game at bay. The hunters dispute as to what it is as they crash and
stagger on through the gloom, each swearing he knows by his cur's voice
what sort of an animal he has in view. Arrived at the scene of the
clamor, the dogs are found in frantic excitement around the foot of a
tree, in whose shadowy foliage something is supposed to be hidden. Will
it be a '<DW53>, or will it turn out a 'possum, a wild-cat, or mayhap an
owl?

First of all a fire is lighted, and its upreaching blaze sends fitful
rays of yellow light far among the overhanging branches. Now there may
be discerned a hollow near the summit of the trunk, and as dead branches
are heaped upon the fire, sharp eyes may detect a triangular head
peering out of what was once, perhaps, the front door of a woodpecker's
home, and the glints of green are reported to be the glare of a
raccoon's eyes.

The nimblest man in the party is sent up the tree, and given a stick
wherewith to frighten or poke or pry the cornered animal out of his
castle. Compelled to leave the hole, it creeps out upon a limb, and
squatting down, snarls at the stranger, who tries to shake loose its
hold. But this is a vain attempt. A raccoon can cling like a burr. Try
to drag your pet '<DW53> off the top of a fence, and if he chooses to
resist, you may pull him limb from limb before he will let go. So they
take the severer method of chopping the branches, until the poor little
beast has none left to clutch in falling, and comes down a heap of fur
and teeth and claws into the midst of the dogs. Instantly there follows
a scrimmage, where often an honest bark is changed in the middle to a
yelp of pain, until many a time the melee changes to a ring of hurt and
angry but vanquished curs around a '<DW53> lying on his back, with bloody
teeth and claws ready to try it again; and then he is shot by the
hunters, merciless to the last. More often the whole tree must be cut
down, and the brave '<DW53> falls with it, and is dashed out among his
enemies to fight for his life at the end of his fall.

--ERNEST INGERSOLL (adapted).

[Footnote: What does the phrase "the trails would grow cold" mean? What
sense would you find most active if you were on the <DW53>-hunt? Does the
author write as an enthusiastic hunter? What impresses you most in the
account: the fun or the cruelty of hunting? Does the author succeed in
giving you an idea of the excitement of <DW53>-hunting? Would the account
have any added interest if it were told in the first person?]




SIGHT IN SAVAGES


In Patagonia [Footnote: Patagonia: the southern part of Argentine
Republic.] I added something to my small stock of private facts
concerning eyes--their appearance, color, and expression--and vision,
subjects which have had a mild attraction for me as long as I can
remember. When, as a boy, I mixed with the gauchos [Footnote: Gauchos:
these people are of Spanish-American descent. They are the native
inhabitants of the pampas, and live chiefly by cattle-raising.] of the
pampas, [Footnote: Pampas: vast plains in the southern part of South
America, chiefly in the Argentine Republic.] there was one among them
who greatly awed me by his appearance and character. He was
distinguished among his fellows by his tallness, the thickness of his
eyebrows and the great length of his crow-black beard, the form and
length of his "facon," or knife, which was nothing but a sword worn
knife-wise, and the ballads he composed, in which were recounted, in a
harsh tuneless voice to the strum-strum of a guitar, the hand-to-hand
combats he had had with others of his class--fighters and
desperadoes--and in which he had always been the victor, for his
adversaries had all been slain to a man. But his eyes, his most
wonderful feature, impressed me more than anything else; for one was
black and the other dark blue. All other strange and extranatural things
in nature, of which I had personal knowledge, as, for instance,
mushrooms growing in rings, and the shrinking of the sensitive plant
when touched, and Will-o'-the-wisps, and crowing hens, and the murderous
attack of social birds and beasts on one of their fellows, seemed less
strange and wonderful than the fact that this man's eyes did not
correspond, but were the eyes of two men, as if there had been two
natures and souls in one body. My astonishment was, perhaps, not
unaccountable, when we reflect that the eye is to us the window of the
mind or soul, that it expresses the soul, and is, as it were, the soul
itself materialized.

Some person lately published in England a book entitled "Soul-Shapes,"
treating not only of the shapes of souls but also of their color. The
letter-press of this work interests me less than the  plates
adorning it. Passing over the mixed and vari- souls, which
resemble, in the illustrations,  maps in an atlas, we come to the
blue soul, for which the author has a very special regard. Its blue is
like that of the commonest type of blue eye. This curious fancy of a
blue soul probably originated in the close association of eye and soul
in the mind. It is worthy of note that while the mixed and other 
souls seem very much out of shape, like an old felt hat or a stranded
jelly fish, the pure  blue soul is round, like an iris, and only
wanted a pupil to be made an eye.

Here again I recall an incident of my boyhood, and am not sure that it
was not this that first gave me an interest in the subject.

One summer day, at home, I was attentively listening, out of doors, to a
conversation between two men, both past middle life and about the same
age, one an educated Englishman, wearing spectacles, the other a native,
who was very impressive in his manner, and was holding forth in a loud
authoritative voice on a variety of subjects. All at once he fixed his
eyes on the spectacles worn by the other, and, bursting into a laugh,
cried out, "Why do you always wear those eye-hiding glasses straddled
across your nose? Are they supposed to make a man look handsomer or
wiser than his fellows, or do you, a sensible person, really believe
that you can see better than another man because of them? If so, then
all I can say is that it is a fable, a delusion; no man can believe such
a thing."

He was only expressing the feeling that all persons of his class, whose
lives are passed in the semi-barbarous conditions of the gauchos on the
pampas, experience at the sight of such artificial helps to vision as
spectacles. They look through a pane of glass, and it makes the view no
clearer, but rather dimmer--how can the two diminutive circular panes
carried before the eyes produce any other effect? Besides, their sight
as a rule is good when they are young, and as they progress in life they
are not conscious of decadence in it; from infancy to old age the world
looks, they imagine, the same; the grass as green, the sky as blue as
ever, and the scarlet verbenas in the grass just as scarlet. The man
lives in his sight; it is his life; he speaks of the loss of it as a
calamity great as the loss of reason. To see spectacles amuses and
irritates him at the same time; he has the monkey's impulse to snatch
the idle things from his fellow's nose; for not only is it useless to
the wearer, and a sham, but it is annoying to others, who do not like to
look at a man and not properly see his eyes and the thought that is in
them.

To the mocking speech he had made, the other good humoredly replied that
he had worn glasses for twenty years, that not only did they enable him
to see much better than he could without them, but they had preserved
his sight from further decadence. Not satisfied with defending himself
against the charge of being a fantastical person for wearing glasses, he
in his turn attacked the mocker. "How do you know," he said, "that your
own eyesight has not degenerated with time? You can only ascertain that
by trying on a number of glasses suited to a variety of sights, all in
some degree defective. A score of men with defective sight may be
together, and in no two will the sight be the same. You must try on
spectacles, as you try on boots, until you find a pair to fit you. You
may try mine, if you like; our years are the same, and it is just
possible that our eyes may be in the same condition."

The gaucho laughed a loud and scornful laugh, and exclaimed that the
idea was too ridiculous. "What, see better with this thing!" and he took
them gingerly in his hand, and held them up to examine them, and finally
put them on his nose--something in the spirit of the person who takes a
newspaper twisted into the shape of an extinguisher, and puts it on his
head. He looked at the other, then at me, then stared all round him with
an expression of utter astonishment, and in the end burst out in loud
exclamations of delight. For, strange to say, the glasses exactly suited
his vision, which, unknown to him, had probably been decaying for years.
"Angels of heaven, what is this I see!" he shouted. "What makes the
trees look so green--they were never so green before! And so distinct--I
can count their leaves! And the cart over there--why, it is red as
blood!" And to satisfy himself that it had not just been freshly
painted, he ran over to it and placed his hand on the wood. It proved
hard to convince him that objects had once looked as distinct, and
leaves as green, and the sky as blue, and red paint as red, to his
natural sight, as they now did through those magical glasses. The
distinctness and brightness seemed artificial and uncanny. But in the
end he was convinced, and then he wanted to keep the spectacles, and
pulled out his money to pay for them there and then, and was very much
put out when their owner insisted on having them back. However, shortly
afterwards a pair was got for him; and with these on his nose he
galloped about the country, exhibiting them to all his neighbors, and
boasting of the miraculous power they imparted to his eyes of seeing the
world as no one else could see it.

--W.H. HUDSON.

[Footnote: What things in nature do you think most interested the
writer? Do you imagine that he would be a good out-of-doors companion?
Why? Was the native in the story the sort of person whom you would
expect to "hold forth in an authoritative voice on a variety of
subjects"? Do you know what the general attitude of the savage and
semi-civilized people is toward strange things? Note the rambling,
conversational style in which this sketch is written. Compare it with
Stevenson, Aldrich, and Edwards. Note the delightfully whimsical quality
of the humor. Can you see any likeness in this to Lamb and Hawthorne?]




THE VILLAGE SCHOOLMASTER


In this by-place of nature there abode, in a remote period of American
history, that is to say, some thirty years since, a worthy wight
[Footnote: Wight: a person.] of the name of Ichabod Crane; who
sojourned, or as he expressed it, "tarried," in Sleepy Hollow, for the
purpose of instructing the children of the vicinity. He was a native of
Connecticut, a state which supplies the Union with pioneers for the mind
as well as for the forest, and sends forth yearly its legions of
frontier woodmen and country schoolmasters. The cognomen of Crane was
not inapplicable to his person. He was tall, but exceedingly lank, with
narrow shoulders, long arms and legs, hands that dangled a mile out of
his sleeves, feet that might have served for shovels, and his whole
frame most loosely hung together. His head was small, and flat at the
top, with huge ears, large green glassy eyes, and a long snipe nose, so
that it looked like a weathercock perched upon his spindle neck to tell
which way the wind blew. To see him striding along the profile of a hill
on a windy day, with his clothes bagging and fluttering about him, one
might have mistaken him for the genius of famine descending upon the
earth, or some scarecrow eloped from a cornfield.

In addition to his other vocations, he was the singing-master of the
neighborhood, and picked up many bright shillings by instructing the
young folks in psalmody. It was a matter of no little vanity to him on
Sundays, to take his station in front of the church gallery, with a band
of chosen singers, where, in his own mind, he completely carried away
the palm from the parson. Certain it is his voice resounded far above
all the rest of the congregation, and there are peculiar quavers still
to be heard in that church, and which may even be heard half a mile off,
quite to the opposite side of the mill-pond, on a still Sunday morning,
which are said to be legitimately descended from the nose of Ichabod
Crane. Thus, by divers little makeshifts, in that ingenious way which is
commonly denominated "by hook and by crook" the worthy pedagogue got on
tolerably enough, and was thought, by all who understood nothing of this
labor of head-work, to have a wonderful easy life of it. The
schoolmaster is generally a man of some importance in the female circle
of a rural neighborhood; being considered a kind of idle gentleman-like
personage, of vastly superior taste and accomplishments to the rough
country swains, and, indeed, inferior in learning only to the parson.
His appearance, therefore, is apt to occasion some little stir at the
tea-table of a farm-house, and the addition of a supernumerary
[Footnote: Supernumerary: superfluous, unnecessary.] dish of cakes or
sweetmeats, or, peradventure, the parade of a silver teapot. Our man of
letters, therefore, was peculiarly happy in the smiles of all the
country damsels. How he would figure among them in the churchyard,
between services on Sundays! gathering grapes for them from the wild
vines that overrun the surrounding trees, reciting for their amusement
all the epitaphs on the tombstones; or sauntering with a whole bevy of
them, along the banks of the adjacent millpond, while the more bashful
country bumpkins hung sheepishly back, envying his superior elegance and
address.

From his half-itinerant life, he was a kind of travelling gazette,
carrying the whole budget of local gossip from house to house, so that
his appearance was always greeted with satisfaction. He was, moreover,
esteemed by the women as a man of great erudition, [Footnote: Erudition:
learning, scholarship.] for he had read several books quite through, and
was a perfect master of Cotton Mather's "History of New England
Witchcraft," in which, by the way, he most firmly and potently believed.

He was, in fact, an odd mixture of small shrewdness and simple
credulity. His appetite for the marvellous, and his powers of digesting
it, were equally extraordinary; and both had been increased by his
residence in this spellbound region. No tale was too gross or monstrous
for his capacious swallow. It was often his delight, after his school
was dismissed in the afternoon, to stretch himself on the rich bed of
clover bordering the little brook that whimpered by his school-house,
and there con over old Mather's [Footnote: Cotton Mather: an American
clergyman, author, and scholar. Born in 1663, died in 1728. He took an
active part in the persecutions for witchcraft.] direful tales, until
the gathering dusk of the evening made the printed page a mere mist
before his eyes. Then as he wended his way by swamp and stream and awful
woodland, to the farm-house where he happened to be quartered, every
sound of nature, at that witching hour, fluttered his excited
imagination,--the moan of the whippoorwill from the hillside, the boding
cry of the tree-toad, that harbinger of storm, the dreary hooting of the
screech-owl, or the sudden rustling in the thicket of birds frightened
from their roost. The fire-flies, too, which sparkled most vividly in
the darkest places, now and then startled him, as one of uncommon
brightness would stream across his path; and if by chance a huge
blackhead of a beetle came winging his blundering flight against him,
the poor varlet [Footnote: Varlet: rascal.] was ready to give up the
ghost, with the idea that he was struck with a witch's token. His only
resource on such occasions, either to drown thought or drive away evil
spirits, was to sing psalm-tunes; and the good people of Sleepy-Hollow,
as they sat by their doors of an evening, were often filled with awe at
hearing his nasal melody, "in linked sweetness long drawn out," floating
from the distant hill or along the dusky road.

Another of his sources of fearful pleasure was to pass long winter
evenings with the old Dutch wives, as they sat spinning by the fire,
with a row of apples roasting and spluttering along the hearth, and
listen to their marvellous tales of ghosts and goblins, and haunted
brooks, and haunted bridges, and haunted houses, and particularly of the
headless horseman, or Galloping Hessian of the Hollow, as they sometimes
called him. He would delight them equally by his anecdotes of
witchcraft, and the direful omens and portentous sights and sounds in
the air, which prevailed in the earlier times of Connecticut; and would
frighten them wofully with speculations upon comets and shooting stars;
and with the alarming fact that the world did absolutely turn round and
that they were half the time topsy-turvy!

But if there was a pleasure in all this, while snugly cuddling in the
chimney corner of a chamber that was all of a ruddy glow from the
crackling wood fire, and where, of course, no spectre dared to show its
face, it was dearly purchased by the terror of his subsequent walk
homewards. What fearful shapes and shadows beset his path, amidst the
dim and ghastly glare of a snowy night! With what wistful look did he
eye every trembling ray of light streaming across the waste fields from
some distant window! How often was he appalled by some shrub covered
with snow, which like a sheeted spectre beset his very path! How often
did he shrink with curdling awe at the sound of his own steps on the
frosty crust beneath his feet! and dread to look over his shoulder, lest
he should behold some uncouth being tramping close behind him! and how
often was he thrown into complete dismay by some rushing blast, howling
among the trees, in the idea that it was the galloping Hessian on one of
his nightly scourings!

--WASHINGTON IRVING.

[Footnote: Is this style of writing similar to that of any other
selections you have studied? Illustrate. Compare the kind of words used
here with the simple diction in "A Youthful Actor," "In Brittany," "The
Gold Trail." Does the author's humor seem to you unkindly? What other
selections have you studied in which this sort of humor is shown? What
courses of study do you imagine were given in Ichabod's school? Does
Ichabod seem a real character or only a caricature?]










End of the Project Gutenberg EBook of Short Stories and Selections for Use
in the Secondary Schools, by Emilie Kip Baker

*** 