



Produced by Eric Eldred and Chetan K Jain.










The Crescent Moon


By Rabindranath Tagore

Translated from the original Bengali by the author

with eight illustrations in colour

London and New York: Macmillan and Company, 1913


TO T. STURGE MOORE


[Frontispiece: From a drawing by Nandalall Bose--see cbeach.jpg]




  CONTENTS


  THE HOME
  ON THE SEASHORE
  THE SOURCE
  BABY'S WAY
  THE UNHEEDED PAGEANT
  SLEEP-STEALER
  THE BEGINNING
  BABY'S WORLD
  WHEN AND WHY
  DEFAMATION
  THE JUDGE
  PLAYTHINGS
  THE ASTRONOMER
  CLOUDS AND WAVES
  THE CHAMPA FLOWER
  FAIRYLAND
  THE LAND OF THE EXILE
  THE RAINY DAY
  PAPER BOATS
  THE SAILOR
  THE FURTHER BANK
  THE FLOWER-SCHOOL
  THE MERCHANT
  SYMPATHY
  VOCATION
  SUPERIOR
  THE LITTLE BIG MAN
  TWELVE O'CLOCK
  AUTHORSHIP
  THE WICKED POSTMAN
  THE HERO
  THE END
  THE RECALL
  THE FIRST JASMINES
  THE BANYAN TREE
  BENEDICTION
  THE GIFT
  MY SONG
  THE CHILD-ANGEL
  THE LAST BARGAIN




  LIST OF COLOURED ILLUSTRATIONS


  FRONTISPIECE
  THE HOME
  THE BEGINNING
  FAIRYLAND
  PAPER BOATS
  THE MERCHANT
  THE HERO
  BENEDICTION




  INDEX OF THE FIRST LINES


  Ah, these jasmines
  Ah, who was it coloured that little frock
  Bless this little heart
  Child, how happy you are sitting in the dust
  Come and hire me
  Day by day I float my paper boats
  I am small because I am a little child
  If baby only wanted to, he could fly
  If I were only a little puppy
  If people came to know where my king's palace is
  I long to go over there
  Imagine, mother
  I only said, "When in the evening"
  I paced alone
  It is time for me to go, mother
  I want to give you something, my child
  I wish I could take a quiet corner
  Mother, I do want to leave off my lessons
  Mother, let us imagine we are travelling
  Mother, the folk who live up in the clouds
  Mother, the light has grown grey
  Mother, your baby is silly
  On the seashore of endless worlds
  O you shaggy-headed banyan tree
  Say of him what you please
  Sullen clouds are gathering
  Supposing I became a _champa_ flower
  The boat of the boatman Madhu
  The night was dark when we went away
  The sleep that flits on baby's eyes
  They clamour and fight
  This song of mine
  When I bring you coloured toys
  When storm clouds
  When the gong sounds ten
  Where have I come from
  Who stole sleep from baby's eyes
  Why are those tears in your eyes, my child
  Why do you sit there on the floor
  You say that father writes a lot of books






[Illustration: The Home--from a drawing by Nandalall Bose--see
chome.jpg]


THE HOME


I paced alone on the road across the field while the sunset was
hiding its last gold like a miser.

The daylight sank deeper and deeper into the darkness, and the
widowed land, whose harvest had been reaped, lay silent.

Suddenly a boy's shrill voice rose into the sky.  He traversed
the dark unseen, leaving the track of his song across the hush of
the evening.

His village home lay there at the end of the waste land, beyond
the sugar-cane field, hidden among the shadows of the banana and
the slender areca palm, the cocoa-nut and the dark green
jack-fruit trees.

I stopped for a moment in my lonely way under the starlight, and
saw spread before me the darkened earth surrounding with her arms
countless homes furnished with cradles and beds, mothers' hearts
and evening lamps, and young lives glad with a gladness that
knows nothing of its value for the world.




ON THE SEASHORE


On the seashore of endless worlds children meet.

The infinite sky is motionless overhead and the restless water is
boisterous.  On the seashore of endless worlds the children meet
with shouts and dances.

They build their houses with sand, and they play with empty
shells.  With withered leaves they weave their boats and
smilingly float them on the vast deep.  Children have their play
on the seashore of worlds.

They know not how to swim, they know not how to cast nets.
Pearl-fishers dive for pearls, merchants sail in their ships,
while children gather pebbles and scatter them again.  They seek
not for hidden treasures, they know not how to cast nets.

The sea surges up with laughter, and pale gleams the smile of the
sea-beach.  Death-dealing waves sing meaningless ballads to the
children, even like a mother while rocking her baby's cradle.
The sea plays with children, and pale gleams the smile of the
sea-beach.

On the seashore of endless worlds children meet.  Tempest roams
in the pathless sky, ships are wrecked in the trackless water,
death is abroad and children play.  On the seashore of endless
worlds is the great meeting of children.




THE SOURCE


The sleep that flits on baby's eyes--does anybody know from where
it comes?  Yes, there is a rumour that it has its dwelling where,
in the fairy village among shadows of the forest dimly lit with
glow-worms, there hang two shy buds of enchantment.  From there
it comes to kiss baby's eyes.

The smile that flickers on baby's lips when he sleeps--does
anybody know where it was born?  Yes, there is a rumour that a
young pale beam of a crescent moon touched the edge of a
vanishing autumn cloud, and there the smile was first born in the
dream of a dew-washed morning--the smile that flickers on baby's
lips when he sleeps.

The sweet, soft freshness that blooms on baby's limbs--does
anybody know where it was hidden so long?  Yes, when the mother
was a young girl it lay pervading her heart in tender and silent
mystery of love--the sweet, soft freshness that has bloomed on
baby's limbs.




BABY'S WAY


If baby only wanted to, he could fly up to heaven this moment.

It is not for nothing that he does not leave us.

He loves to rest his head on mother's bosom, and cannot ever bear
to lose sight of her.

Baby knows all manner of wise words, though few on earth can
understand their meaning.

It is not for nothing that he never wants to speak.

The one thing he wants is to learn mother's words from mother's
lips.  That is why he looks so innocent.

Baby had a heap of gold and pearls, yet he came like a beggar on
to this earth.

It is not for nothing he came in such a disguise.

This dear little naked mendicant pretends to be utterly helpless,
so that he may beg for mother's wealth of love.

Baby was so free from every tie in the land of the tiny crescent
moon.

It was not for nothing he gave up his freedom.

He knows that there is room for endless joy in mother's little
corner of a heart, and it is sweeter far than liberty to be
caught and pressed in her dear arms.

Baby never knew how to cry.  He dwelt in the land of perfect
bliss.

It is not for nothing he has chosen to shed tears.

Though with the smile of his dear face he draws mother's yearning
heart to him, yet his little cries over tiny troubles weave the
double bond of pity and love.




THE UNHEEDED PAGEANT


Ah, who was it coloured that little frock, my child, and covered
your sweet limbs with that little red tunic?

You have come out in the morning to play in the courtyard,
tottering and tumbling as you run.

But who was it coloured that little frock, my child?

What is it makes you laugh, my little life-bud?

Mother smiles at you standing on the threshold.

She claps her hands and her bracelets jingle, and you dance with
your bamboo stick in your hand like a tiny little shepherd.

But what is it makes you laugh, my little life-bud?

O beggar, what do you beg for, clinging to your mother's neck
with both your hands?

O greedy heart, shall I pluck the world like a fruit from the sky
to place it on your little rosy palm?

O beggar, what are you begging for?

The wind carries away in glee the tinkling of your anklet bells.

The sun smiles and watches your toilet.  The sky watches over you
when you sleep in your mother's arms, and the morning comes
tiptoe to your bed and kisses your eyes.

The wind carries away in glee the tinkling of your anklet bells.

The fairy mistress of dreams is coming towards you, flying
through the twilight sky.

The world-mother keeps her seat by you in your mother's heart.

He who plays his music to the stars is standing at your window
with his flute.

And the fairy mistress of dreams is coming towards you, flying
through the twilight sky.




SLEEP-STEALER


Who stole sleep from baby's eyes?  I must know.

Clasping her pitcher to her waist mother went to fetch water from
the village near by.

It was noon.  The children's playtime was over; the ducks in the
pond were silent.

The shepherd boy lay asleep under the shadow of the _banyan_
tree.

The crane stood grave and still in the swamp near the mango
grove.

In the meanwhile the Sleep-stealer came and, snatching sleep from
baby's eyes, flew away.

When mother came back she found baby travelling the room over on
all fours.

Who stole sleep from our baby's eyes?  I must know.  I must find
her and chain her up.

I must look into that dark cave, where, through boulders and
scowling stones, trickles a tiny stream.

I must search in the drowsy shade of the _bakula_ grove,
where pigeons coo in their corner, and fairies' anklets tinkle in
the stillness of starry nights.

In the evening I will peep into the whispering silence of the
bamboo forest, where fireflies squander their light, and will ask
every creature I meet, "Can anybody tell me where the
Sleep-stealer lives?"

Who stole sleep from baby's eyes?  I must know.

Shouldn't I give her a good lesson if I could only catch her!

I would raid her nest and see where she hoards all her stolen
sleep.

I would plunder it all, and carry it home.

I would bind her two wings securely, set her on the bank of the
river, and then let her play at fishing with a reed among the
rushes and water-lilies.

When the marketing is over in the evening, and the village
children sit in their mothers' laps, then the night birds will
mockingly din her ears with:

"Whose sleep will you steal now?"




[Illustration: From a drawing by Asit Kumar Haldar--see
cbegin.jpg]


THE BEGINNING


"Where have I come from, where did you pick me up?"  the baby
asked its mother.

She answered half crying, half laughing, and clasping the baby to
her breast,-- "You were hidden in my heart as its desire, my
darling.

You were in the dolls of my childhood's games; and when with clay
I made the image of my god every morning, I made and unmade you
then.

You were enshrined with our household deity, in his worship I
worshipped you.

In all my hopes and my loves, in my life, in the life of my
mother you have lived.

In the lap of the deathless Spirit who rules our home you have
been nursed for ages.

When in girlhood my heart was opening its petals, you hovered as
a fragrance about it.

Your tender softness bloomed in my youthful limbs, like a glow in
the sky before the sunrise.

Heaven's first darling, twin-born with the morning light, you
have floated down the stream of the world's life, and at last you
have stranded on my heart.

As I gaze on your face, mystery overwhelms me; you who belong to
all have become mine.

For fear of losing you I hold you tight to my breast.  What magic
has snared the world's treasure in these slender arms of mine?"




BABY'S WORLD


I wish I could take a quiet corner in the heart of my baby's very
own world.

I know it has stars that talk to him, and a sky that stoops down
to his face to amuse him with its silly clouds and rainbows.

Those who make believe to be dumb, and look as if they never
could move, come creeping to his window with their stories and
with trays crowded with bright toys.

I wish I could travel by the road that crosses baby's mind, and
out beyond all bounds;

Where messengers run errands for no cause between the kingdoms of
kings of no history;

Where Reason makes kites of her laws and flies them, and Truth
sets Fact free from its fetters.




WHEN AND WHY


When I bring you coloured toys, my child, I understand why there
is such a play of colours on clouds, on water, and why flowers
are painted in tints--when I give coloured toys to you, my child.

When I sing to make you dance, I truly know why there is music in
leaves, and why waves send their chorus of voices to the heart of
the listening earth--when I sing to make you dance.

When I bring sweet things to your greedy hands, I know why there
is honey in the cup of the flower, and why fruits are secretly
filled with sweet juice--when I bring sweet things to your greedy
hands.

When I kiss your face to make you smile, my darling, I surely
understand what pleasure streams from the sky in morning light,
and what delight the summer breeze brings to my body--when I kiss
you to make you smile.




DEFAMATION


Why are those tears in your eyes, my child?

How horrid of them to be always scolding you for nothing?

You have stained your fingers and face with ink while writing--is
that why they call you dirty?

O, fie!  Would they dare to call the full moon dirty because it
has smudged its face with ink?

For every little trifle they blame you, my child.  They are ready
to find fault for nothing.

You tore your clothes while playing--is that why they call you
untidy?

O, fie!  What would they call an autumn morning that smiles
through its ragged clouds?

Take no heed of what they say to you, my child.

Take no heed of what they say to you, my child.

They make a long list of your misdeeds.  Everybody knows how you
love sweet things--is that why they call you greedy?

O, fie!  What then would they call us who love you?




THE JUDGE


Say of him what you please, but I know my child's failings.

I do not love him because he is good, but because he is my little
child.

How should you know how dear he can be when you try to weigh his
merits against his faults?

When I must punish him he becomes all the more a part of my
being.

When I cause his tears to come my heart weeps with him.

I alone have a right to blame and punish, for he only may
chastise who loves.




PLAYTHINGS


Child, how happy you are sitting in the dust, playing with a
broken twig all the morning.

I smile at your play with that little bit of a broken twig.

I am busy with my accounts, adding up figures by the hour.

Perhaps you glance at me and think, "What a stupid game to spoil
your morning with!"

Child, I have forgotten the art of being absorbed in sticks and
mud-pies.

I seek out costly playthings, and gather lumps of gold and
silver.

With whatever you find you create your glad games, I spend both
my time and my strength over things I never can obtain.

In my frail canoe I struggle to cross the sea of desire, and
forget that I too am playing a game.




THE ASTRONOMER


I only said, "When in the evening the round full moon gets
entangled among the branches of that _Kadam_ tree, couldn't
somebody catch it?"

But dada [_elder brother_] laughed at me and said, "Baby,
you are the silliest child I have ever known.  The moon is ever
so far from us, how could anybody catch it?"

I said, "Dada how foolish you are!  When mother looks out of her
window and smiles down at us playing, would you call her far
away?"

Still said, "You are a stupid child!  But, baby, where could you
find a net big enough to catch the moon with?"

I said, "Surely you could catch it with your hands."

But dada laughed and said, "You are the silliest child I have
known.  If it came nearer, you would see how big the moon is."

I said, "Dada, what nonsense they teach at your school!  When
mother bends her face down to kiss us does her face look very
big?"

But still dada says, "You are a stupid child."




CLOUDS AND WAVES


Mother, the folk who live up in the clouds call out to me--

"We play from the time we wake till the day ends.

We play with the golden dawn, we play with the silver moon.

I ask, "But, how am I to get up to you?"  They answer, "Come to
the edge of the earth, lift up your hands to the sky, and you
will be taken up into the clouds."

"My mother is waiting for me at home," I say.  "How can I leave
her and come?"

Then they smile and float away.

But I know a nicer game than that, mother.

I shall be the cloud and you the moon.

I shall cover you with both my hands, and our house-top will be
the blue sky.

The folk who live in the waves call out to me--

"We sing from morning till night; on and on we travel and know
not where we pass."

I ask, "But, how am I to join you?"  They tell me, "Come to the
edge of the shore and stand with your eyes tight shut, and you
will be carried out upon the waves."

I say, "My mother always wants me at home in the evening--how can
I leave her and go?"

Then they smile, dance and pass by.

But I know a better game than that.

I will be the waves and you will be a strange shore.

I shall roll on and on and on, and break upon your lap with
laughter.

And no one in the world will know where we both are.




THE CHAMPA FLOWER


Supposing I became a _champa_ flower, just for fun, and
grew on a branch high up that tree, and shook in the wind with
laughter and danced upon the newly budded leaves, would you know
me, mother?

You would call, "Baby, where are you?"  and I should laugh to
myself and keep quite quiet.

I should slyly open my petals and watch you at your work.

When after your bath, with wet hair spread on your shoulders, you
walked through the shadow of the _champa_ tree to the
little court where you say your prayers, you would notice the
scent of the flower, but not know that it came from me.

When after the midday meal you sat at the window reading
_Ramayana_, and the tree's shadow fell over your hair and
your lap, I should fling my wee little shadow on to the page of
your book, just where you were reading.

But would you guess that it was the tiny shadow of your little
child?

When in the evening you went to the cow-shed with the lighted
lamp in your hand, I should suddenly drop on to the earth again
and be your own baby once more, and beg you to tell me a story.

"Where have you been, you naughty child?"

"I won't tell you, mother."  That's what you and I would say
then.




[Illustration: From a drawing by Abanindranath Tagore--see
cfairy.jpg]


FAIRYLAND


If people came to know where my king's palace is, it would vanish
into the air.

The walls are of white silver and the roof of shining gold.

The queen lives in a palace with seven courtyards, and she wears
a jewel that cost all the wealth of seven kingdoms.

But let me tell you, mother, in a whisper, where my king's palace
is.

It is at the corner of our terrace where the pot of the
_tulsi_ plant stands.

The princess lies sleeping on the far-away shore of the seven
impassable seas.

There is none in the world who can find her but myself.

She has bracelets on her arms and pearl drops in her ears; her
hair sweeps down upon the floor.

She will wake when I touch her with my magic wand, and jewels
will fall from her lips when she smiles.

But let me whisper in your ear, mother; she is there in the
corner of our terrace where the pot of the _tulsi_ plant
stands.

When it is time for you to go to the river for your bath, step up
to that terrace on the roof.

I sit in the corner where the shadows of the walls meet together.

Only puss is allowed to come with me, for she knows where the
barber in the story lives.

But let me whisper, mother, in your ear where the barber in the
story lives.

It is at the corner of the terrace where the pot of the
_tulsi_ plant stands.




THE LAND OF THE EXILE


Mother, the light has grown grey in the sky; I do not know what
the time is.

There is no fun in my play, so I have come to you.  It is
Saturday, our holiday.

Leave off your work, mother; sit here by the window and tell me
where the desert of Tepantar in the fairy tale is?

The shadow of the rains has covered the day from end to end.

The fierce lightning is scratching the sky with its nails.

When the clouds rumble and it thunders, I love to be afraid in my
heart and cling to you.

When the heavy rain patters for hours on the bamboo leaves, and
our windows shake and rattle at the gusts of wind, I like to sit
alone in the room, mother, with you, and hear you talk about the
desert of Tepantar in the fairy tale.

Where is it, mother, on the shore of what sea, at the foot of
what hills, in the kingdom of what king?

There are no hedges there to mark the fields, no footpath across
it by which the villagers reach their village in the evening, or
the woman who gathers dry sticks in the forest can bring her load
to the market.  With patches of yellow grass in the sand and only
one tree where the pair of wise old birds have their nest, lies
the desert of Tepantar.

I can imagine how, on just such a cloudy day, the young son of
the king is riding alone on a grey horse through the desert, in
search of the princess who lies imprisoned in the giant's palace
across that unknown water.

When the haze of the rain comes down in the distant sky, and
lightning starts up like a sudden fit of pain, does he remember
his unhappy mother, abandoned by the king, sweeping the cow-stall
and wiping her eyes, while he rides through the desert of
Tepantar in the fairy tale?

See, mother, it is almost dark before the day is over, and there
are no travellers yonder on the village road.

The shepherd boy has gone home early from the pasture, and men
have left their fields to sit on mats under the eaves of their
huts, watching the scowling clouds.

Mother, I have left all my books on the shelf--do not ask me to
do my lessons now.

When I grow up and am big like my father, I shall learn all that
must be learnt.

But just for to-day, tell me, mother, where the desert of
Tepantar in the fairy tale is?




THE RAINY DAY


Sullen clouds are gathering fast over the black fringe of the
forest.

O child, do not go out!

The palm trees in a row by the lake are smiting their heads
against the dismal sky; the crows with their draggled wings are
silent on the tamarind branches, and the eastern bank of the
river is haunted by a deepening gloom.

Our cow is lowing loud, tied at the fence.

O child, wait here till I bring her into the stall.

Men have crowded into the flooded field to catch the fishes as
they escape from the overflowing ponds; the rain water is running
in rills through the narrow lanes like a laughing boy who has run
away from his mother to tease her.

Listen, someone is shouting for the boatman at the ford.

O child, the daylight is dim, and the crossing at the ferry is
closed.

The sky seems to ride fast upon the madly-rushing rain; the water
in the river is loud and impatient; women have hastened home
early from the Ganges with their filled pitchers.

The evening lamps must be made ready.

O child, do not go out!

The road to the market is desolate, the lane to the river is
slippery.  The wind is roaring and struggling among the bamboo
branches like a wild beast tangled in a net.




[Illustration: From a drawing by Surendranath Ganguli--see
cboat.jpg]


PAPER BOATS


Day by day I float my paper boats one by one down the running
stream.

In big black letters I write my name on them and the name of the
village where I live.

I hope that someone in some strange land will find them and know
who I am.

I load my little boats with _shiuli_ flowers from our
garden, and hope that these blooms of the dawn will be carried
safely to land in the night.

I launch my paper boats and look up into the sky and see the
little clouds setting their white bulging sails.

I know not what playmate of mine in the sky sends them down the
air to race with my boats!

When night comes I bury my face in my arms and dream that my
paper boats float on and on under the midnight stars.

The fairies of sleep are sailing in them, and the lading is their
baskets full of dreams.




THE SAILOR


The boat of the boatman Madhu is moored at the wharf of Rajgunj.

It is uselessly laden with jute, and has been lying there idle
for ever so long.

If he would only lend me his boat, I should man her with a
hundred oars, and hoist sails, five or six or seven.

I should never steer her to stupid markets.  I should sail the
seven seas and the thirteen rivers of fairyland.

But, mother, you won't weep for me in a corner.

I am not going into the forest like Ramachandra to come back only
after fourteen years.

I shall become the prince of the story, and fill my boat with
whatever I like.

I shall take my friend Ashu with me.  We shall sail merrily
across the seven seas and the thirteen rivers of fairyland.

We shall set sail in the early morning light.

When at noontide you are bathing at the pond, we shall be in the
land of a strange king.

We shall pass the ford of Tirpurni, and leave behind us the
desert of Tepantar.

When we come back it will be getting dark, and I shall tell you
of all that we have seen.

I shall cross the seven seas and the thirteen rivers of
fairyland.




THE FURTHER BANK


I long to go over there to the further bank of the river,

Where those boats are tied to the bamboo poles in a line;

Where men cross over in their boats in the morning with ploughs
on their shoulders to till their far-away fields;

Where the cowherds make their lowing cattle swim across to the
riverside pasture;

Whence they all come back home in the evening, leaving the
jackals to howl in the island overgrown with weeds,

Mother, if you don't mind, I should like to become the boatman of
the ferry when I am grown up.

They say there are strange pools hidden behind that high bank,

Where flocks of wild ducks come when the rains are over, and
thick reeds grow round the margins where waterbirds lay their
eggs;

Where snipes with their dancing tails stamp their tiny footprints
upon the clean soft mud;

Where in the evening the tall grasses crested with white flowers
invite the moonbeam to float upon their waves.

Mother, if you don't mind, I should like to become the boatman of
the ferryboat when I am grown up.

I shall cross and cross back from bank to bank, and all the boys
and girls of the village will wonder at me while they are
bathing.

When the sun climbs the mid sky and morning wears on to noon, I
shall come running to you, saying, "Mother, I am hungry!"

When the day is done and the shadows cower under the trees, I
shall come back in the dusk.

I shall never go away from you into the town to work like father.

Mother, if you don't mind, I should like to become the boatman of
the ferryboat when I am grown up.




THE FLOWER-SCHOOL


When storm clouds rumble in the sky and June showers come down,

The moist east wind comes marching over the heath to blow its
bagpipes among the bamboos.

Then crowds of flowers come out of a sudden, from nobody knows
where, and dance upon the grass in wild glee.

Mother, I really think the flowers go to school underground.

They do their lessons with doors shut, and if they want to come
out to play before it is time, their master makes them stand in a
corner.

When the rains come they have their holidays.

Branches clash together in the forest, and the leaves rustle in
the wild wind, the thunder-clouds clap their giant hands and the
flower children rush out in dresses of pink and yellow and white.

Do you know, mother, their home is in the sky, where the stars
are.

Haven't you seen how eager they are to get there?  Don't you know
why they are in such a hurry?

Of course, I can guess to whom they raise their arms: they have
their mother as I have my own.




[Illustration: From a drawing by Asit Kumar Haldar--see
cmerchant.jpg]


THE MERCHANT


Imagine, mother, that you are to stay at home and I am to travel
into strange lands.

Imagine that my boat is ready at the landing fully laden.

Now think well, mother, before you say what I shall bring for you
when I come back.

Mother, do you want heaps and heaps of gold?

There, by the banks of golden streams, fields are full of golden
harvest.

And in the shade of the forest path the golden _champa_
flowers drop on the ground.

I will gather them all for you in many hundred baskets.
Mother, do you want pearls big as the raindrops of autumn?

I shall cross to the pearl island shore.  There in the early
morning light pearls tremble on the meadow flowers, pearls drop
on the grass, and pearls are scattered on the sand in spray by
the wild sea-waves.

My brother shall have a pair of horses with wings to fly among
the clouds.

For father I shall bring a magic pen that, without his knowing,
will write of itself.

For you, mother, I must have the casket and jewel that cost seven
kings their kingdoms.




SYMPATHY


If I were only a little puppy, not your baby, mother dear, would
you say "No" to me if I tried to eat from your dish?

Would you drive me off, saying to me, "Get away, you naughty
little puppy?"

Then go, mother, go!  I will never come to you when you call me,
and never let you feed me any more.

If I were only a little green parrot, and not your baby, mother
dear, would you keep me chained lest I should fly away?

Would you shake your finger at me and say, "What an ungrateful
wretch of a bird!  It is gnawing at its chain day and night?"

Then, go, mother, go!  I will run away into the woods; I will
never let you take me in your arms again.




VOCATION


When the gong sounds ten in the morning and I walk to school by
our lane,

Every day I meet the hawker crying, "Bangles, crystal bangles!"

There is nothing to hurry him on, there is no road he must take,
no place he must go to, no time when he must come home.

I wish I were a hawker, spending my day in the road, crying,
"Bangles, crystal bangles!"

When at four in the afternoon I come back from the school,

I can see through the gate of that house the gardener digging the
ground.

He does what he likes with his spade, he soils his clothes with
dust, nobody takes him to task if he gets baked in the sun or
gets wet.

I wish I were a gardener digging away at the garden with nobody
to stop me from digging.

Just as it gets dark in the evening and my mother sends me to
bed,

I can see through my open window the watchman walking up and
down.

The lane is dark and lonely, and the street-lamp stands like a
giant with one red eye in its head.

The watchman swings his lantern and walks with his shadow at his
side, and never once goes to bed in his life.

I wish I were a watchman walking the streets all night, chasing
the shadows with my lantern.




SUPERIOR


Mother, your baby is silly!  She is so absurdly childish!

She does not know the difference between the lights in the
streets and the stars.

When we play at eating with pebbles, she thinks they are real
food, and tries to put them into her mouth.

When I open a book before her and ask her to learn her a, b, c,
she tears the leaves with her hands and roars for joy at nothing;
this is your baby's way of doing her lesson.

When I shake my head at her in anger and scold her and call her
naughty, she laughs and thinks it great fun.

Everybody knows that father is away, but if in play I call aloud
"Father," she looks about her in excitement and thinks that
father is near.

When I hold my class with the donkeys that our washerman brings
to carry away the clothes and I warn her that I am the
schoolmaster, she will scream for no reason and call me dada.
[_elder brother_ ]

Your baby wants to catch the moon.  She is so funny; she calls
Ganesh Ganush.  [_Ganesh, a common name in India, also that of
the god with the elephant's head._]

Mother, your baby is silly, she is so absurdly childish!




THE LITTLE BIG MAN


I am small because I am a little child.  I shall be big when I am
as old as my father is.

My teacher will come and say, "It is late, bring your slate and
your books."

I shall tell him, "Do you not know I am as big as father?  And I
must not have lessons any more."

My master will wonder and say, "He can leave his books if he
likes, for he is grown up."

I shall dress myself and walk to the fair where the crowd is
thick.

My uncle will come rushing up to me and say, "You will get lost,
my boy; let me carry you."

I shall answer, "Can't you see, uncle, I am as big as father.  I
must go to the fair alone."

Uncle will say, "Yes, he can go wherever he likes, for he is
grown up."

Mother will come from her bath when I am giving money to my
nurse, for I shall know how to open the box with my key.

Mother will say, "What are you about, naughty child?"

I shall tell her, "Mother, don't you know, I am as big as father,
and I must give silver to my nurse."

Mother will say to herself, "He can give money to whom he likes,
for he is grown up."

In the holiday time in October father will come home and,
thinking that I am still a baby, will bring for me from the town
little shoes and small silken frocks.

I shall say, "Father, give them to my dada [_elder
brother_], for I am as big as you are."

Father will think and say, "He can buy his own clothes if he
likes, for he is grown up."




TWELVE O'CLOCK


Mother, I do want to leave off my lessons now.  I have been at my
book all the morning.

You say it is only twelve o'clock.  Suppose it isn't any later;
can't you ever think it is afternoon when it is only twelve
o'clock?

I can easily imagine now that the sun has reached the edge of
that rice-field, and the old fisher-woman is gathering herbs for
her supper by the side of the pond.

I can just shut my eyes and think that the shadows are growing
darker under the _madar_ tree, and the water in the pond
looks shiny black.

If twelve o'clock can come in the night, why can't the night come
when it is twelve o'clock?




AUTHORSHIP


You say that father writes a lot of books, but what he writes I
don't understand.

He was reading to you all the evening, but could you really make
out what he meant?

What nice stories, mother, you can tell us!  Why can't father
write like that, I wonder?

Did he never hear from his own mother stories of giants and
fairies and princesses?

Has he forgotten them all?

Often when he gets late for his bath you have to go and call him
an hundred times.

You wait and keep his dishes warm for him, but he goes on writing
and forgets.

Father always plays at making books.

If ever I go to play in father's room, you come and call me,
"what a naughty child!"

If I make the slightest noise, you say, "Don't you see that
father's at his work?"

What's the fun of always writing and writing?

When I take up father's pen or pencil and write upon his book
just as he does,--a, b, c, d, e, f, g, h, i,--why do you get
cross with me, then, mother?

You never say a word when father writes.

When my father wastes such heaps of paper, mother, you don't seem
to mind at all.

But if I take only one sheet to make a boat with, you say,
"Child, how troublesome you are!"

What do you think of father's spoiling sheets and sheets of paper
with black marks all over on both sides?




THE WICKED POSTMAN


Why do you sit there on the floor so quiet and silent, tell me,
mother dear?

The rain is coming in through the open window, making you all
wet, and you don't mind it.

Do you hear the gong striking four?  It is time for my brother to
come home from school.

What has happened to you that you look so strange?

Haven't you got a letter from father to-day?

I saw the postman bringing letters in his bag for almost
everybody in the town.

Only, father's letters he keeps to read himself.  I am sure the
postman is a wicked man.

But don't be unhappy about that, mother dear.

To-morrow is market day in the next village.  You ask your maid
to buy some pens and papers.

I myself will write all father's letters; you will not find a
single mistake.

I shall write from A right up to K.

But, mother, why do you smile?

You don't believe that I can write as nicely as father does!

But I shall rule my paper carefully, and write all the letters
beautifully big.

When I finish my writing, do you think I shall be so foolish as
father and drop it into the horrid postman's bag?

I shall bring it to you myself without waiting, and letter by
letter help you to read my writing.

I know the postman does not like to give you the really nice
letters.




[Illustration: From a drawing by Nandalall Bose--see chero.jpg]


THE HERO


Mother, let us imagine we are travelling, and passing through a
strange and dangerous country.

You are riding in a palanquin and I am trotting by you on a red
horse.

It is evening and the sun goes down.  The waste of
_Joradighi_ lies wan and grey before us.  The land is
desolate and barren.

You are frightened and thinking--"I know not where we have come
to."

I say to you, "Mother, do not be afraid."

The meadow is prickly with spiky grass, and through it runs a
narrow broken path.

There are no cattle to be seen in the wide field; they have gone
to their village stalls.

It grows dark and dim on the land and sky, and we cannot tell
where we are going.

Suddenly you call me and ask me in a whisper, "What light is that
near the bank?"

Just then there bursts out a fearful yell, and figures come
running towards us.

You sit crouched in your palanquin and repeat the names of the
gods in prayer.

The bearers, shaking in terror, hide themselves in the thorny
bush.

I shout to you, "Don't be afraid, mother.  I am here."

With long sticks in their hands and hair all wild about their
heads, they come nearer and nearer.

I shout, "Have a care!  you villains!  One step more and you are
dead men."

They give another terrible yell and rush forward.

You clutch my hand and say, "Dear boy, for heaven's sake, keep
away from them."

I say, "Mother, just you watch me."

Then I spur my horse for a wild gallop, and my sword and buckler
clash against each other.

The fight becomes so fearful, mother, that it would give you a
cold shudder could you see it from your palanquin.

Many of them fly, and a great number are cut to pieces.

I know you are thinking, sitting all by yourself, that your boy
must be dead by this time.

But I come to you all stained with blood, and say, "Mother, the
fight is over now."

You come out and kiss me, pressing me to your heart, and you say
to yourself,

"I don't know what I should do if I hadn't my boy to escort me."

A thousand useless things happen day after day, and why couldn't
such a thing come true by chance?

It would be like a story in a book.

My brother would say, "Is it possible?  I always thought he was
so delicate!"

Our village people would all say in amazement, "Was it not lucky
that the boy was with his mother?"




THE END


It is time for me to go, mother; I am going.

When in the paling darkness of the lonely dawn you stretch out
your arms for your baby in the bed, I shall say, "Baby is not
there!"--mother, I am going.

I shall become a delicate draught of air and caress you; and I
shall be ripples in the water when you bathe, and kiss you and
kiss you again.

In the gusty night when the rain patters on the leaves you will
hear my whisper in your bed, and my laughter will flash with the
lightning through the open window into your room.

If you lie awake, thinking of your baby till late into the night,
I shall sing to you from the stars, "Sleep mother, sleep."

On the straying moonbeams I shall steal over your bed, and lie
upon your bosom while you sleep.

I shall become a dream, and through the little opening of your
eyelids I shall slip into the depths of your sleep; and when you
wake up and look round startled, like a twinkling firefly I shall
flit out into the darkness.

When, on the great festival of _puja_, the neighbours'
children come and play about the house, I shall melt into the
music of the flute and throb in your heart all day.

Dear auntie will come with _puja_-presents and will ask,
"Where is our baby, sister?  Mother, you will tell her softly,
"He is in the pupils of my eyes, he is in my body and in my
soul."




THE RECALL


The night was dark when she went away, and they slept.

The night is dark now, and I call for her, "Come back, my
darling; the world is asleep; and no one would know, if you came
for a moment while stars are gazing at stars."

She went away when the trees were in bud and the spring was
young.

Now the flowers are in high bloom and I call, "Come back, my
darling.  The children gather and scatter flowers in reckless
sport.  And if you come and take one little blossom no one will
miss it."

Those that used to play are playing still, so spendthrift is
life.

I listen to their chatter and call, "Come back, my darling, for
mother's heart is full to the brim with love, and if you come to
snatch only one little kiss from her no one will grudge it."




THE FIRST JASMINES


Ah, these jasmines, these white jasmines!

I seem to remember the first day when I filled my hands with
these jasmines, these white jasmines.

I have loved the sunlight, the sky and the green earth;

I have heard the liquid murmur of the river through the darkness
of midnight;

Autumn sunsets have come to me at the bend of a road in the
lonely waste, like a bride raising her veil to accept her lover.

Yet my memory is still sweet with the first white jasmines that I
held in my hand when I was a child.

Many a glad day has come in my life, and I have laughed with
merrymakers on festival nights.

On grey mornings of rain I have crooned many an idle song.

I have worn round my neck the evening wreath of _bakulas_
woven by the hand of love.

Yet my heart is sweet with the memory of the first fresh jasmines
that filled my hands when I was a child.




THE BANYAN TREE


O you shaggy-headed banyan tree standing on the bank of the pond,
have you forgotten the little child, like the birds that have
nested in your branches and left you?

Do you not remember how he sat at the window and wondered at the
tangle of your roots that plunged underground?

The women would come to fill their jars in the pond, and your
huge black shadow would wriggle on the water like sleep
struggling to wake up.

Sunlight danced on the ripples like restless tiny shuttles
weaving golden tapestry.

Two ducks swam by the weedy margin above their shadows, and the
child would sit still and think.

He longed to be the wind and blow through your rustling branches,
to be your shadow and lengthen with the day on the water, to be a
bird and perch on your top-most twig, and to float like those
ducks among the weeds and shadows.




[Illustration: From a drawing by Surendranath Ganguli--see
cbene.jpg]


BENEDICTION


Bless this little heart, this white soul that has won the kiss of
heaven for our earth.

He loves the light of the sun, he loves the sight of his mother's
face.

He has not learned to despise the dust, and to hanker after gold.

Clasp him to your heart and bless him.

He has come into this land of an hundred cross-roads.

I know not how he chose you from the crowd, came to your door,
and grasped your hand to ask his way.

He will follow you, laughing and talking, and not a doubt in his
heart.

Keep his trust, lead him straight and bless him.

Lay your hand on his head, and pray that though the waves
underneath grow threatening, yet the breath from above may come
and fill his sails and waft him to the haven of peace.

Forget him not in your hurry, let him come to your heart and
bless him.




THE GIFT


I want to give you something, my child, for we are drifting in
the stream of the world.

Our lives will be carried apart, and our love forgotten.

But I am not so foolish as to hope that I could buy your heart
with my gifts.

Young is your life, your path long, and you drink the love we
bring you at one draught and turn and run away from us.

You have your play and your playmates.  What harm is there if you
have no time or thought for us.

We, indeed, have leisure enough in old age to count the days that
are past, to cherish in our hearts what our hands have lost for
ever.

The river runs swift with a song, breaking through all barriers.
But the mountain stays and remembers, and follows her with his
love.




MY SONG


This song of mine will wind its music around you, my child, like
the fond arms of love.

This song of mine will touch your forehead like a kiss of
blessing.

When you are alone it will sit by your side and whisper in your
ear, when you are in the crowd it will fence you about with
aloofness.

My song will be like a pair of wings to your dreams, it will
transport your heart to the verge of the unknown.

It will be like the faithful star overhead when dark night is
over your road.

My song will sit in the pupils of your eyes, and will carry your
sight into the heart of things.

And when my voice is silent in death, my song will speak in your
living heart.




THE CHILD-ANGEL


They clamour and fight, they doubt and despair, they know no end
to their wranglings.

Let your life come amongst them like a flame of light, my child,
unflickering and pure, and delight them into silence.

They are cruel in their greed and their envy, their words are
like hidden knives thirsting for blood.

Go and stand amidst their scowling hearts, my child, and let your
gentle eyes fall upon them like the forgiving peace of the
evening over the strife of the day.

Let them see your face, my child, and thus know the meaning of
all things; let them love you and thus love each other.

Come and take your seat in the bosom of the limitless, my child.
At sunrise open and raise your heart like a blossoming flower,
and at sunset bend your head and in silence complete the worship
of the day.




THE LAST BARGAIN


"Come and hire me," I cried, while in the morning I was walking
on the stone-paved road.

Sword in hand, the King came in his chariot.

He held my hand and said, "I will hire you with my power."

But his power counted for nought, and he went away in his
chariot.

In the heat of the midday the houses stood with shut doors.

I wandered along the crooked lane.

An old man came out with his bag of gold.

He pondered and said, "I will hire you with my money."

He weighed his coins one by one, but I turned away.

It was evening.  The garden hedge was all aflower.

The fair maid came out and said, "I will hire you with a smile."

Her smile paled and melted into tears, and she went back alone
into the dark.

The sun glistened on the sand, and the sea waves broke waywardly.

A child sat playing with shells.

He raised his head and seemed to know me, and said, "I hire you
with nothing."

From thenceforward that bargain struck in child's play made me a
free man.




THE END










End of Project Gutenberg's The Crescent Moon, by Rabindranath Tagore

*** 