



Produced by Dagny; John Bickers





THE WITCH OF PRAGUE

A FANTASTIC TALE

By F. Marion Crawford




CHAPTER I

A great multitude of people filled the church, crowded together in
the old black pews, standing closely thronged in the nave and aisles,
pressing shoulder to shoulder even in the two chapels on the right and
left of the apse, a vast gathering of pale men and women whose eyes
were sad and in whose faces was written the history of their nation. The
mighty shafts and pilasters of the Gothic edifice rose like the stems of
giant trees in a primeval forest from a dusky undergrowth, spreading out
and uniting their stony branches far above in the upper gloom. From the
clerestory windows of the nave an uncertain light descended halfway to
the depths and seemed to float upon the darkness below as oil upon the
water of a well. Over the western entrance the huge fantastic organ
bristled with blackened pipes and dusty gilded ornaments of colossal
size, like some enormous kingly crown long forgotten in the lumber
room of the universe, tarnished and overlaid with the dust of ages.
Eastwards, before the rail which separated the high altar from the
people, wax torches, so thick that a man might not span one of them with
both his hands, were set up at irregular intervals, some taller, some
shorter, burning with steady, golden flames, each one surrounded with
heavy funeral wreaths, and each having a tablet below it, whereon were
set forth in the Bohemian idiom, the names, titles, and qualities of
him or her in whose memory it was lighted. Innumerable lamps and tapers
before the side altars and under the strange canopied shrines at the
bases of the pillars, struggled ineffectually with the gloom, shedding
but a few sickly yellow rays upon the pallid faces of the persons
nearest to their light.

Suddenly the heavy vibration of a single pedal note burst from the
organ upon the breathing silence, long drawn out, rich, voluminous,
and imposing. Presently, upon the massive bass, great chords grew up,
succeeding each other in a simple modulation, rising then with the
blare of trumpets and the simultaneous crash of mixtures, fifteenths
and coupled pedals to a deafening peal, then subsiding quickly again
and terminating in one long sustained common chord. And now, as the
celebrant bowed at the lowest step before the high altar, the voices of
the innumerable congregation joined the harmony of the organ, ringing
up to the groined roof in an ancient Slavonic melody, melancholy
and beautiful, and rendered yet more unlike all other music by the
undefinable character of the Bohemian language, in which tones softer
than those of the softest southern tongue alternate so oddly with rough
gutturals and strident sibilants.

The Wanderer stood in the midst of the throng, erect, taller than the
men near him, holding his head high, so that a little of the light from
the memorial torches reached his thoughtful, manly face, making the
noble and passionate features to stand out clearly, while losing its
power of illumination in the dark beard and among the shadows of his
hair. His was a face such as Rembrandt would have painted, seen under
the light that Rembrandt loved best; for the expression seemed to
overcome the surrounding gloom by its own luminous quality, while the
deep gray eyes were made almost black by the wide expansion of the
pupils; the dusky brows clearly defined the boundary in the face between
passion and thought, and the pale forehead, by its slight recession into
the shade from its middle prominence, proclaimed the man of heart, the
man of faith, the man of devotion, as well as the intuitive nature of
the delicately sensitive mind and the quick, elastic qualities of the
man's finely organized, but nervous bodily constitution. The long white
fingers of one hand stirred restlessly, twitching at the fur of his
broad lapel which was turned back across his chest, and from time to
time he drew a deep breath and sighed, not painfully, but wearily and
hopelessly, as a man sighs who knows that his happiness is long past
and that his liberation from the burden of life is yet far off in the
future.

The celebrant reached the reading of the Gospel and the men and women
in the pews rose to their feet. Still the singing of the long-drawn-out
stanzas of the hymn continued with unflagging devotion, and still the
deep accompaniment of the ancient organ sustained the mighty chorus of
voices. The Gospel over, the people sank into their seats again, not
standing, as is the custom in some countries, until the Creed had
been said. Here and there, indeed, a woman, perhaps a stranger in the
country, remained upon her feet, noticeable among the many figures
seated in the pews. The Wanderer, familiar with many lands and many
varying traditions of worship, unconsciously noted these exceptions,
looking with a vague curiosity from one to the other. Then, all at once,
his tall frame shivered from head to foot, and his fingers convulsively
grasped the yielding sable on which they lay.

She was there, the woman he had sought so long, whose face he had not
found in the cities and dwellings of the living, neither her grave in
the silent communities of the dead. There, before the uncouth monument
of dark red marble beneath which Tycho Brahe rests in peace, there she
stood; not as he had seen her last on that day when his senses had left
him in the delirium of his sickness, not in the freshness of her bloom
and of her dark loveliness, but changed as he had dreamed in evil dreams
that death would have power to change her. The warm olive of her cheek
was turned to the hue of wax, the soft shadows beneath her velvet eyes
were deepened and hardened, her expression, once yielding and changing
under the breath of thought and feeling as a field of flowers when
the west wind blows, was now set, as though for ever, in a death-like
fixity. The delicate features were drawn and pinched, the nostrils
contracted, the colourless lips straightened out of the lines of beauty
into the mould of a lifeless mask. It was the face of a dead woman, but
it was her face still, and the Wanderer knew it well; in the kingdom
of his soul the whole resistless commonwealth of the emotions revolted
together to dethrone death's regent--sorrow, while the thrice-tempered
springs of passion, bent but not broken, stirred suddenly in the palace
of his body and shook the strong foundations of his being.

During the seconds that followed, his eyes were riveted upon the beloved
head. Then, as the Creed ended, the vision sank down and was lost to his
sight. She was seated now, and the broad sea of humanity hid her from
him, though he raised himself the full height of his stature in the
effort to distinguish even the least part of her head-dress. To move
from his place was all but impossible, though the fierce longing to be
near her bade him trample even upon the shoulders of the throng to reach
her, as men have done more than once to save themselves from death by
fire in crowded places. Still the singing of the hymn continued, and
would continue, as he knew, until the moment of the Elevation. He
strained his hearing to catch the sounds that came from the quarter
where she sat. In a chorus of a thousand singers he fancied that he
could have distinguished the tender, heart-stirring vibration of her
tones. Never woman sang, never could woman sing again, as she had once
sung, though her voice had been as soft as it had been sweet, and tuned
to vibrate in the heart rather than in the ear. As the strains rose
and fell, the Wanderer bowed his head and closed his eyes, listening,
through the maze of sounds, for the silvery ring of her magic note.
Something he heard at last, something that sent a thrill from his ear to
his heart, unless indeed his heart itself were making music for his
ears to hear. The impression reached him fitfully, often interrupted and
lost, but as often renewing itself and reawakening in the listener the
certainty of recognition which he had felt at the sight of the singer's
face.

He who loves with his whole soul has a knowledge and a learning which
surpass the wisdom of those who spend their lives in the study of things
living or long dead, or never animate. They, indeed, can construct
the figure of a flower from the dried web of a single leaf, or by the
examination of a dusty seed, and they can set up the scheme of life of a
shadowy mammoth out of a fragment of its skeleton, or tell the story
of hill and valley from the contemplation of a handful of earth or of
a broken pebble. Often they are right, sometimes they are driven deeper
and deeper into error by the complicated imperfections of their own
science. But he who loves greatly possesses in his intuition the
capacities of all instruments of observation which man has invented and
applied to his use. The lenses of his eyes can magnify the infinitesimal
detail to the dimensions of common things, and bring objects to his
vision from immeasurable distances; the labyrinth of his ear can choose
and distinguish amidst the harmonies and the discords of the world,
muffling in its tortuous passages the reverberation of ordinary sounds
while multiplying a hundredfold the faint tones of the one beloved
voice. His whole body and his whole intelligence form together an
instrument of exquisite sensibility whereby the perceptions of his
inmost soul are hourly tortured, delighted, caught up into ecstasy, torn
and crushed by jealousy and fear, or plunged into the frigid waters of
despair.

The melancholy hymn resounded through the vast church, but though the
Wanderer stretched the faculty of hearing to the utmost, he could no
longer find the note he sought amongst the vibrations of the dank and
heavy air. Then an irresistible longing came upon him to turn and force
his way through the dense throng of men and women, to reach the aisle
and press past the huge pillar till he could slip between the tombstone
of the astronomer and the row of back wooden seats. Once there, he
should see her face to face.

He turned, indeed, as he stood, and he tried to move a few steps. On all
sides curious looks were directed upon him, but no one offered to make
way, and still the monotonous singing continued until he felt himself
deafened, as he faced the great congregation.

"I am ill," he said in a low voice to those nearest to him. "Pray let me
pass!"

His face was white, indeed, and those who heard his words believed him.
A mild old man raised his sad blue eyes, gazed at him, and while trying
to draw back, gently shook his head. A pale woman, whose sickly features
were half veiled in the folds of a torn black shawl, moved as far as
she could, shrinking as the very poor and miserable shrink when they are
expected to make way before the rich and the strong. A lad of fifteen
stood upon tiptoe to make himself even slighter than he was and thus to
widen the way, and the Wanderer found himself, after repeated efforts,
as much as two steps distant from his former position. He was still
trying to divide the crowd when the music suddenly ceased, and the
tones of the organ died away far up under the western window. It was the
moment of the Elevation, and the first silvery tinkling of the bell,
the people swayed a little, all those who were able kneeling, and those
whose movements were impeded by the press of worshippers bending towards
the altar as a field of grain before the gale. The Wanderer turned again
and bowed himself with the rest, devoutly and humbly, with half-closed
eyes, as he strove to collect and control his thoughts in the presence
of the chief mystery of his Faith. Three times the tiny bell was rung, a
pause followed, and thrice again the clear jingle of the metal broke the
solemn stillness. Then once more the people stirred, and the soft sound
of their simultaneous motion was like a mighty sigh breathed up from the
secret vaults and the deep foundations of the ancient church; again the
pedal note of the organ boomed through the nave and aisles, and again
the thousands of human voices took up the strain of song.

The Wanderer glanced about him, measuring the distance he must traverse
to reach the monument of the Danish astronomer and confronting it with
the short time which now remained before the end of the Mass. He saw
that in such a throng he would have no chance of gaining the position he
wished to occupy in less than half an hour, and he had not but a
scant ten minutes at his disposal. He gave up the attempt therefore,
determining that when the celebration should be over he would move
forward with the crowd, trusting to his superior stature and energy
to keep him within sight of the woman he sought, until both he and she
could meet, either just within or just without the narrow entrance of
the church.

Very soon the moment of action came. The singing died away, the
benediction was given, the second Gospel was read, the priest and the
people repeated the Bohemian prayers, and all was over. The countless
heads began to move onward, the shuffling of innumerable feet sent
heavy, tuneless echoes through vaulted space, broken every moment by the
sharp, painful cough of a suffering child whom no one could see in the
multitude, or by the dull thud of some heavy foot striking against the
wooden seats in the press. The Wanderer moved forward with the rest.
Reaching the entrance of the pew where she had sat he was kept back
during a few seconds by the half dozen men and women who were forcing
their way out of it before him. But at the farthest end, a figure
clothed in black was still kneeling. A moment more and he might enter
the pew and be at her side. One of the other women dropped something
before she was out of the narrow space, and stooped, fumbling and
searching in the darkness. At the minute, the slight, girlish figure
rose swiftly and passed like a shadow before the heavy marble monument.
The Wanderer saw that the pew was open at the other end, and without
heeding the woman who stood in his way, he sprang upon the low seat,
passed her, stepped to the floor upon the other side and was out in
the aisle in a moment. Many persons had already left the church and the
space was comparatively free.

She was before him, gliding quickly toward the door. Ere he could reach
her, he saw her touch the thick ice which filled the marble basin, cross
herself hurriedly and pass out. But he had seen her face again, and he
knew that he was not mistaken. The thin, waxen features were as those of
the dead, but they were hers, nevertheless. In an instant he could be by
her side. But again his progress was momentarily impeded by a number of
persons who were entering the building hastily to attend the next Mass.
Scarcely ten seconds later he was out in the narrow and dismal passage
which winds between the north side of the Teyn Kirche and the buildings
behind the Kinsky Palace. The vast buttresses and towers cast deep
shadows below them, and the blackened houses opposite absorb what
remains of the uncertain winter's daylight. To the left of the church a
low arch spans the lane, affording a covered communication between the
north aisle and the sacristy. To the right the open space is somewhat
broader, and three dark archways give access to as many passages,
leading in radiating directions and under the old houses to the streets
beyond.

The Wanderer stood upon the steps, beneath the rich stone carvings which
set forth the Crucifixion over the door of the church, and his quick
eyes scanned everything within sight. To the left, no figure resembling
the one he sought was to be seen, but on the right, he fancied that
among a score of persons now rapidly dispersing he could distinguish
just within one of the archways a moving shadow, black against the
blackness. In an instant he had crossed the way and was hurrying through
the gloom. Already far before him, but visible and, as he believed,
unmistakable, the shade was speeding onward, light as mist, noiseless as
thought, but yet clearly to be seen and followed. He cried aloud, as he
ran,

"Beatrice! Beatrice!"

His strong voice echoed along the dank walls and out into the court
beyond. It was intensely cold, and the still air carried the sound
clearly to the distance. She must have heard him, she must have known
his voice, but as she crossed the open place, and the gray light fell
upon her, he could see that she did not raise her bent head nor slacken
her speed.

He ran on, sure of overtaking her in the passage she had now entered,
for she seemed to be only walking, while he was pursuing her at a
headlong pace. But in the narrow tunnel, when he reached it, she was
not, though at the farther end he imagined that the fold of a black
garment was just disappearing. He emerged into the street, in which he
could now see in both directions to a distance of fifty yards or more.
He was alone. The rusty iron shutters of the little shops were all
barred and fastened, and every door within the range of his vision was
closed. He stood still in surprise and listened. There was no sound to
be heard, not the grating of a lock, nor the tinkling of a bell, nor the
fall of a footstep.

He did not pause long, for he made up his mind as to what he should do
in the flash of a moment's intuition. It was physically impossible that
she should have disappeared into any one of the houses which had their
entrances within the dark tunnel he had just traversed. Apart from the
presumptive impossibility of her being lodged in such a quarter, there
was the self-evident fact that he must have heard the door opened and
closed. Secondly, she could not have turned to the right, for in that
direction the street was straight and without any lateral exit, so that
he must have seen her. Therefore she must have gone to the left, since
on that side there was a narrow alley leading out of the lane, at some
distance from the point where he was now standing--too far, indeed, for
her to have reached it unnoticed, unless, as was possible, he had been
greatly deceived in the distance which had lately separated her from
him.

Without further hesitation, he turned to the left. He found no one
in the way, for it was not yet noon, and at that hour the people were
either at their prayers or at their Sunday morning's potations, and the
place was as deserted as a disused cemetery. Still he hastened onward,
never pausing for breath, till he found himself all at once in the
great Ring. He knew the city well, but in his race he had bestowed no
attention upon the familiar windings and turnings, thinking only of
overtaking the fleeting vision, no matter how, no matter where. Now, on
a sudden, the great, irregular square opened before him, flanked on the
one side by the fantastic spires of the Teyn Church, and the blackened
front of the huge Kinsky Palace, on the other by the half-modern Town
Hall with its ancient tower, its beautiful porch, and the graceful oriel
which forms the apse of the chapel in the second story.

One of the city watchmen, muffled in his military overcoat, and
conspicuous by the great bunch of dark feathers that drooped from his
black hat, was standing idly at the corner from which the Wanderer
emerged. The latter thought of inquiring whether the man had seen a lady
pass, but the fellow's vacant stare convinced him that no questioning
would elicit a satisfactory answer. Moreover, as he looked across the
square he caught sight of a retreating figure dressed in black, already
at such a distance as to make positive recognition impossible. In his
haste he found no time to convince himself that no living woman could
have thus outrun him, and he instantly resumed his pursuit, gaining
rapidly upon her he was following. But it is not an easy matter to
overtake even a woman, when she has an advantage of a couple of
hundred yards, and when the race is a short one. He passed the ancient
astronomical clock, just as the little bell was striking the third
quarter after eleven, but he did not raise his head to watch the
sad-faced apostles as they presented their stiff figures in succession
at the two square windows. When the blackened cock under the small
Gothic arch above flapped his wooden wings and uttered his melancholy
crow, the Wanderer was already at the corner of the little Ring, and
he could see the object of his pursuit disappearing before him into the
Karlsgasse. He noticed uneasily that the resemblance between the woman
he was following and the object of his loving search seemed now to
diminish, as in a bad dream, as the distance between himself and her
decreased. But he held resolutely on, nearing her at every step, round
a sharp corner to the right, then to the left, to the right again, and
once more in the opposite direction, always, as he knew, approaching
the old stone bridge. He was not a dozen paces behind her as she turned
quickly a third time to the right, round the wall of the ancient house
which faces the little square over against the enormous buildings
comprising the Clementine Jesuit monastery and the astronomical
observatory. As he sprang past the corner he saw the heavy door just
closing and heard the sharp resounding clang of its iron fastening. The
lady had disappeared, and he felt sure that she had gone through that
entrance.

He knew the house well, for it is distinguished from all others in
Prague, both by its shape and its oddly ornamented, unnaturally narrow
front. It is built in the figure of an irregular triangle, the blunt
apex of one angle facing the little square, the sides being erected on
the one hand along the Karlsgasse and on the other upon a narrow alley
which leads away towards the Jews' quarter. Overhanging passages are
built out over this dim lane, as though to facilitate the interior
communications of the dwelling, and in the shadow beneath them there is
a small door studded with iron nails which is invariably shut. The main
entrance takes in all the scant breadth of the truncated angle which
looks towards the monastery. Immediately over it is a great window,
above that another, and, highest of all, under the pointed gable, a
round and unglazed aperture, within which there is inky darkness. The
windows of the first and second stories are flanked by huge figures of
saints, standing forth in strangely contorted attitudes, black with the
dust of ages, black as all old Prague is black, with the smoke of the
brown Bohemian coal, with the dark and unctuous mists of many autumns,
with the cruel, petrifying frosts of ten score winters.

He who knew the cities of men as few have known them, knew also
this house. Many a time had he paused before it by day and by night,
wondering who lived within its massive, irregular walls, behind those
uncouth, barbarously sculptured saints who kept their interminable watch
high up by the lozenged windows. He would know now. Since she whom
he sought had entered, he would enter too; and in some corner of that
dwelling which had long possessed a mysterious attraction for his eyes,
he would find at last that being who held power over his heart, that
Beatrice whom he had learned to think of as dead, while still believing
that somewhere she must be yet alive, that dear lady whom, dead or
living, he loved beyond all others, with a great love, passing words.



CHAPTER II

The Wanderer stood still before the door. In the freezing air, his
quick-drawn breath made fantastic wreaths of mist, white and full of
odd shapes as he watched the tiny clouds curling quickly into each other
before the blackened oak. Then he laid his hand boldly upon the chain of
the bell. He expected to hear the harsh jingling of cracked metal, but
he was surprised by the silvery clearness and musical quality of the
ringing tones which reached his ear. He was pleased, and unconsciously
took the pleasant infusion for a favourable omen. The heavy door swung
back almost immediately, and he was confronted by a tall porter in dark
green cloth and gold lacings, whose imposing appearance was made still
more striking by the magnificent fair beard which flowed down almost to
his waist. The man lifted his heavy cocked hat and held it low at
his side as he drew back to let the visitor enter. The latter had not
expected to be admitted thus without question, and paused under the
bright light which illuminated the arched entrance, intending to make
some inquiry of the porter. But the latter seemed to expect nothing of
the sort. He carefully closed the door, and then, bearing his hat in one
hand and his gold-headed staff in the other, he proceeded gravely to the
other end of the vaulted porch, opened a great glazed door and held it
back for the visitor to pass.

The Wanderer recognized that the farther he was allowed to penetrate
unhindered into the interior of the house, the nearer he should be to
the object of his search. He did not know where he was, nor what he
might find. For all that he knew, he might be in a club, in a great
banking-house, or in some semi-public institution of the nature of a
library, an academy or a conservatory of music. There are many such
establishments in Prague, though he was not acquainted with any in which
the internal arrangements so closely resembled those of a luxurious
private residence. But there was no time for hesitation, and he ascended
the broad staircase with a firm step, glancing at the rich tapestries
which covered the walls, at the polished surface of the marble steps
on either side of the heavy carpet, and at the elaborate and beautiful
iron-work of the hand-rail. As he mounted higher, he heard the quick
rapping of an electric signal above him, and he understood that the
porter had announced his coming. Reaching the landing, he was met by a
servant in black, as correct at all points as the porter himself, and
who bowed low as he held back the thick curtain which hung before the
entrance. Without a word the man followed the visitor into a high room
of irregular shape, which served as a vestibule, and stood waiting to
receive the guest's furs, should it please him to lay them aside. To
pause now, and to enter into an explanation with a servant, would have
been to reject an opportunity which might never return. In such an
establishment, he was sure of finding himself before long in the
presence of some more or less intelligent person of his own class, of
whom he could make such inquiries as might enlighten him, and to whom he
could present such excuses for his intrusion as might seem most fitting
in so difficult a case. He let his sables fall into the hands of the
servant and followed the latter along a short passage.

The man introduced him into a spacious hall and closed the door, leaving
him to his own reflections. The place was very wide and high and without
windows, but the broad daylight descended abundantly from above through
the glazed roof and illuminated every corner. He would have taken the
room for a conservatory, for it contained a forest of tropical trees and
plants, and whole gardens of rare southern flowers. Tall letonias,
date palms, mimosas and rubber trees of many varieties stretched their
fantastic spikes and heavy leaves half-way up to the crystal ceiling;
giant ferns swept the polished marble floor with their soft embroideries
and dark green laces; Indian creepers, full of bright blossoms, made
screens and curtains of their intertwining foliage; orchids of every
hue and of every exotic species bloomed in thick banks along the walls.
Flowers less rare, violets and lilies of the valley, closely set and
luxuriant, grew in beds edged with moss around the roots of the larger
plants and in many open spaces. The air was very soft and warm, moist
and full of heavy odours as the still atmosphere of an island in
southern seas, and the silence was broken only by the light plash of
softly-falling water.

Having advanced a few steps from the door, the Wanderer stood still and
waited, supposing that the owner of the dwelling would be made aware
of a visitor's presence and would soon appear. But no one came. Then
a gentle voice spoke from amidst the verdure, apparently from no great
distance.

"I am here," it said.

He moved forward amidst the ferns and the tall plants, until he found
himself on the farther side of a thick network of creepers. Then he
paused, for he was in the presence of a woman, of her who dwelt among
the flowers. She was sitting before him, motionless and upright in a
high, carved chair, and so placed that the pointed leaves of the palm
which rose above her cast sharp, star-shaped shadows over the broad
folds of her white dress. One hand, as white, as cold, as heavily
perfect as the sculpture of a Praxiteles or a Phidias, rested with
drooping fingers on the arm of the chair. The other pressed the pages
of a great book which lay open on the lady's knee. Her face was turned
toward the visitor, and her eyes examined his face; calmly and with no
surprise in them, but not without a look of interest. Their expression
was at once so unusual, so disquieting, and yet so inexplicably
attractive as to fascinate the Wanderer's gaze. He did not remember that
he had ever seen a pair of eyes of distinctly different colours, the one
of a clear, cold gray, the other of a deep, warm brown, so dark as to
seem almost black, and he would not have believed that nature could so
far transgress the canons of her own art and yet preserve the appearance
of beauty. For the lady was beautiful, from the diadem of her red gold
hair to the proud curve of her fresh young lips; from her broad, pale
forehead, prominent and boldly modelled at the angles of the brows, to
the strong mouldings of the well-balanced chin, which gave evidence of
strength and resolution wherewith to carry out the promise of the high
aquiline features and of the wide and sensitive nostrils.

"Madame," said the Wanderer, bending his head courteously and advancing
another step, "I can neither frame excuses for having entered your house
unbidden, nor hope to obtain indulgence for my intrusion, unless you are
willing in the first place to hear my short story. May I expect so much
kindness?"

He paused, and the lady looked at him fixedly and curiously. Without
taking her eyes from his face, and without speaking, she closed the book
she had held on her knee, and laid it beside her upon a low table. The
Wanderer did not avoid her gaze, for he had nothing to conceal, nor any
sense of timidity. He was an intruder upon the privacy of one whom he
did not know, but he was ready to explain his presence and to make such
amends as courtesy required, if he had given offence.

The heavy odours of the flowers filled his nostrils with an unknown,
luxurious delight, as he stood there, gazing into the lady's eyes; he
fancied that a gentle breath of perfumed air was blowing softly over his
hair and face out of the motionless palms, and the faint plashing of the
hidden fountain was like an exquisite melody in his ears. It was good to
be in such a place, to look on such a woman, to breathe such odours, and
to hear such tuneful music. A dreamlike, half-mysterious satisfaction of
the senses dulled the keen self-knowledge of body and soul for one
short moment. In the stormy play of his troubled life there was a brief
interlude of peace. He tasted the fruit of the lotus, his lips were
moistened in the sweet waters of forgetfulness.

The lady spoke at last, and the spell left him, not broken, as by a
sudden shock, but losing its strong power by quick degrees until it was
wholly gone.

"I will answer your question by another," said the lady. "Let your reply
be the plain truth. It will be better so."

"Ask what you will. I have nothing to conceal."

"Do you know who and what I am? Do you come here out of curiosity, in
the vain hope of knowing me, having heard of me from others?"

"Assuredly not." A faint flush rose in the man's pale and noble face.
"You have my word," he said, in the tone of one who is sure of being
believed, "that I have never, to my knowledge, heard of your existence,
that I am ignorant even of your name--forgive my ignorance--and that I
entered this house, not knowing whose it might be, seeking and following
after one for whom I have searched the world, one dearly loved, long
lost, long sought."

"It is enough. Be seated. I am Unorna."

"Unorna?" repeated the Wanderer, with an unconscious question in his
voice, as though the name recalled some half-forgotten association.

"Unorna--yes. I have another name," she added, with a shade of
bitterness, "but it is hardly mine. Tell me your story. You loved--you
lost--you seek--so much I know. What else?"

The Wanderer sighed.

"You have told in those few words the story of my life--the unfinished
story. A wanderer I was born, a wanderer I am, a wanderer I must ever
be, until at last I find her whom I seek. I knew her in a strange land,
far from my birthplace, in a city where I was known but to a few, and
I loved her. She loved me, too, and that against her father's will. He
would not have his daughter wed with one not of her race; for he himself
had taken a wife among strangers, and while she was yet alive he had
repented of what he had done. But I would have overcome his reasons and
his arguments--she and I could have overcome them together, for he did
not hate me, he bore me no ill-will. We were almost friends when I last
took his hand. Then the hour of destiny came upon me. The air of that
city was treacherous and deadly. I had left her with her father, and my
heart was full of many things, and of words both spoken and unuttered. I
lingered upon an ancient bridge that spanned the river, and the sun went
down. Then the evil fever of the south laid hold upon me and
poisoned the blood in my veins, and stole the consciousness from my
understanding. Weeks passed away, and memory returned, with the strength
to speak. I learned that she I loved and her father were gone, and none
knew whither. I rose and left the accursed city, being at that time
scarce able to stand upright upon my feet. Finding no trace of those I
sought, I journeyed to their own country, for I knew where her father
held his lands. I had been ill many weeks and much time had passed, from
the day on which I had left her, until I was able to move from my bed.
When I reached the gates of her home, I was told that all had been
lately sold, and that others now dwelt within the walls. I inquired of
those new owners of the land, but neither they or any of all those whom
I questioned could tell me whither I should direct my search. The father
was a strange man, loving travel and change and movement, restless and
unsatisfied with the world, rich and free to make his own caprice his
guide through life; reticent he was, moreover, and thoughtful, not given
to speaking out his intentions. Those who administered his affairs in
his absence were honourable men, bound by his especial injunction not to
reveal his ever-varying plans. Many times, in my ceaseless search, I met
persons who had lately seen him and his daughter and spoken with them.
I was ever on their track, from hemisphere to hemisphere, from continent
to continent, from country to country, from city to city, often
believing myself close upon them, often learning suddenly that an ocean
lay between them and me. Was he eluding me, purposely, resolutely, or
was he unconscious of my desperate pursuit, being served by chance alone
and by his own restless temper? I do not know. At last, some one told me
that she was dead, speaking thoughtlessly, not knowing that I loved her.
He who told me had heard the news from another, who had received it on
hearsay from a third. None knew in what place her spirit had parted;
none knew by what manner of sickness she had died. Since then, I have
heard others say that she is not dead, that they have heard in their
turn from others that she yet lives. An hour ago, I knew not what to
think. To-day, I saw her in a crowded church. I heard her voice, though
I could not reach her in the throng, struggle how I would. I followed
her in haste, I lost her at one turning, I saw her before me at the
next. At last a figure, clothed as she had been clothed, entered your
house. Whether it was she I know not certainly, but I do know that in
the church I saw her. She cannot be within your dwelling without your
knowledge; if she be here--then I have found her, my journey is ended,
my wanderings have led me home at last. If she be not here, if I have
been mistaken, I entreat you to let me set eyes on that other whom I
mistook for her, to forgive then my mannerless intrusion and to let me
go."

Unorna had listened with half-closed eyes, but with unfaltering
attention, watching the speaker's face from beneath her drooping lids,
making no effort to read his thoughts, but weighing his words and
impressing every detail of his story upon her mind. When he had done
there was silence for a time, broken only by the plash and ripple of the
falling water.

"She is not here," said Unorna at last. "You shall see for yourself.
There is indeed in this house a young girl to whom I am deeply attached,
who has grown up at my side and has always lived under my roof. She is
very pale and dark, and is dressed always in black."

"Like her I saw."

"You shall see her again. I will send for her." Unorna pressed an ivory
key in the silver ball which lay beside her, attached to a thick cord of
white silk. "Ask Sletchna Axenia to come to me," she said to the servant
who opened the door in the distance, out of sight behind the forest of
plants.

Amid less unusual surroundings the Wanderer would have rejected with
contempt the last remnants of his belief in the identity of Unorna's
companion, with Beatrice. But, being where he was, he felt unable to
decide between the possible and the impossible, between what he might
reasonably expect and what lay beyond the bounds of reason itself.
The air he breathed was so loaded with rich exotic perfumes, the woman
before him was so little like other women, her strangely mismatched eyes
had for his own such a disquieting attraction, all that he saw and felt
and heard was so far removed from the commonplaces of daily life as to
make him feel that he himself was becoming a part of some other person's
existence, that he was being gradually drawn away from his identity, and
was losing the power of thinking his own thoughts. He reasoned as
the shadows reason in dreamland, the boundaries of common probability
receded to an immeasurable distance, and he almost ceased to know where
reality ended and where imagination took up the sequence of events.

Who was this woman, who called herself Unorna? He tried to consider the
question, and to bring his intelligence to bear upon it. Was she a great
lady of Prague, rich, capricious, creating a mysterious existence for
herself, merely for her own good pleasure? Her language, her voice,
her evident refinement gave colour to the idea, which was in itself
attractive to a man who had long ceased to expect novelty in this
working-day world. He glanced at her face, musing and wondering,
inhaling the sweet, intoxicating odours of the flowers and listening to
the tinkling of the hidden fountain. Her eyes were gazing into his, and
again, as if by magic, the curtain of life's stage was drawn together
in misty folds, shutting out the past, the present, and the future, the
fact, the doubt, and the hope, in an interval of perfect peace.

He was roused by the sound of a light footfall upon the marble pavement.
Unorna's eyes were turned from his, and with something like a movement
of surprise he himself looked towards the new comer. A young girl was
standing under the shadow of a great letonia at a short distance from
him. She was very pale indeed, but not with that death-like, waxen
pallor which had chilled him when he had looked upon that other face.
There was a faint resemblance in the small, aquiline features, the dress
was black, and the figure of the girl before him was assuredly neither
much taller nor much shorter than that of the woman he loved and sought.
But the likeness went no further, and he knew that he had been utterly
mistaken.

Unorna exchanged a few indifferent words with Axenia and dismissed her.

"You have seen," she said, when the young girl was gone. "Was it she who
entered the house just now?"

"Yes. I was misled by a mere resemblance. Forgive me for my
importunity--let me thank you most sincerely for your great kindness."
He rose as he spoke.

"Do not go," said Unorna, looking at him earnestly.

He stood still, silent, as though his attitude should explain itself,
and yet expecting that she would say something further. He felt that her
eyes were upon him, and he raised his own to meet the look frankly, as
was his wont. For the first time since he had entered her presence
he felt that there was more than a mere disquieting attraction in her
steady gaze; there was a strong, resistless fascination, from which he
had no power to withdraw himself. Almost unconsciously he resumed his
seat, still looking at her, while telling himself with a severe effort
that he would look but one instant longer and then turn away. Ten
seconds passed, twenty, half a minute, in total silence. He was
confused, disturbed, and yet wholly unable to shut out her penetrating
glance. His fast ebbing consciousness barely allowed him to wonder
whether he was weakened by the strong emotions he had felt in the
church, or by the first beginning of some unknown and unexpected malady.
He was utterly weak and unstrung. He could neither rise from his seat,
nor lift his hand, nor close the lids of his eyes. It was as though
an irresistible force were drawing him into the depths of a fathomless
whirlpool, down, down, by its endless giddy spirals, robbing him of a
portion of his consciousness at every gyration, so that he left behind
him at every instant something of his individuality, something of the
central faculty of self-recognition. He felt no pain, but he did
not feel that inexpressible delight of peace which already twice had
descended upon him. He experienced a rapid diminution of all perception,
of all feeling, of all intelligence. Thought, and the memory of thought,
ebbed from his brain and left it vacant, as the waters of a lock subside
when the gates are opened, leaving emptiness in their place.

Unorna's eyes turned from him, and she raised her hand a moment, letting
it fall again upon her knee. Instantly the strong man was restored to
himself; his weakness vanished, his sight was clear, his intelligence
was awake. Instantly the certainty flashed upon him that Unorna
possessed the power of imposing the hypnotic sleep and had exercised
that gift upon him, unexpectedly and against his will. He would have
more willingly supposed that he had been the victim of a momentary
physical faintness, for the idea of having been thus subjected to the
influence of a woman, and of a woman whom he hardly knew, was repugnant
to him, and had in it something humiliating to his pride, or at least
to his vanity. But he could not escape the conviction forced upon him by
the circumstances.

"Do not go far, for I may yet help you," said Unorna, quietly. "Let us
talk of this matter and consult what is best to be done. Will you accept
a woman's help?"

"Readily. But I cannot accept her will as mine, nor resign my
consciousness into her keeping."

"Not for the sake of seeing her whom you say you love?"

The Wanderer was silent, being yet undetermined how to act, and still
unsteadied by what he had experienced. But he was able to reason, and he
asked of his judgment what he should do, wondering what manner of woman
Unorna might prove to be, and whether she was anything more than one of
those who live and even enrich themselves by the exercise of the unusual
faculties of powers nature has given them. He had seen many of that
class, and he considered most of them to be but half fanatics, half
charlatans, worshipping in themselves as something almost divine that
which was but a physical power, or weakness, beyond their own limited
comprehension. Though a whole school of wise and thoughtful men had
already produced remarkable results and elicited astounding facts by
sifting the truth through a fine web of closely logical experiment,
it did not follow that either Unorna, or any other self-convinced,
self-taught operator could do more than grope blindly towards the light,
guided by intuition alone amongst the varied and misleading phenomena
of hypnotism. The thought of accepting the help of one who was probably,
like most of her kind, a deceiver of herself and therefore, and thereby,
of others, was an affront to the dignity of his distress, a desecration
of his love's sanctity, a frivolous invasion of love's holiest ground.
But, on the other hand, he was stimulated to catch at the veriest
shadows of possibility by the certainty that he was at last within the
same city with her he loved, and he knew that hypnotic subjects are
sometimes able to determine the abode of persons whom no one else can
find. To-morrow it might be too late. Even before to-day's sun had set
Beatrice might be once more taken from him, snatched away to the ends
of the earth by her father's ever-changing caprice. To lose a moment now
might be to lose all.

He was tempted to yield, to resign his will into Unorna's hands, and his
sight to her leading, to let her bid him sleep and see the truth. But
then, with a sudden reaction of his individuality, he realized that
he had another course, surer, simpler, more dignified. Beatrice was in
Prague. It was little probable that she was permanently established in
the city, and in all likelihood she and her father were lodged in one of
the two or three great hotels. To be driven from the one to the other of
these would be but an affair of minutes. Failing information from this
source, there remained the registers of the Austrian police, whose
vigilance takes note of every stranger's name and dwelling-place.

"I thank you," he said. "If all my inquiries fail, and if you will let
me visit you once more to-day, I will then ask your help."

"You are right," Unorna answered.



CHAPTER III

He had been deceived in supposing that he must inevitably find the
names of those he sought upon the ordinary registers which chronicle
the arrival and departure of travellers. He lost no time, he spared
no effort, driving from place to place as fast as two sturdy Hungarian
horses could take him, hurrying from one office to another, and again
and again searching endless pages and columns which seemed full of all
the names of earth, but in which he never found the one of all others
which he longed to read. The gloom in the narrow streets was already
deepening, though it was scarcely two hours after mid-day, and the
heavy air had begun to thicken with a cold gray haze, even in the broad,
straight Przikopy, the wide thoroughfare which has taken the place and
name of the moat before the ancient fortifications, so that distant
objects and figures lost the distinctness of their outlines. Winter in
Prague is but one long, melancholy dream, broken sometimes at noon by an
hour of sunshine, by an intermittent visitation of reality, by the shock
and glare of a little broad daylight. The morning is not morning,
the evening is not evening; as in the land of the Lotus, it is ever
afternoon, gray, soft, misty, sad, save when the sun, being at his
meridian height, pierces the dim streets and sweeps the open places with
low, slanting waves of pale brightness. And yet these same dusky streets
are thronged with a moving multitude, are traversed ever by ceaseless
streams of men and women, flowing onward, silently, swiftly, eagerly.
The very beggars do not speak above a whisper, the very dogs are dumb.
The stillness of all voices leaves nothing for the perception of the
hearing save the dull thread of many thousand feet and the rough rattle
of an occasional carriage. Rarely, the harsh tones of a peasant, or the
clear voices of a knot of strangers, unused to such oppressive
silence, startle the ear, causing hundreds of eager, half-suspicious,
half-wondering eyes to turn in the direction of the sound.

And yet Prague is a great city, the capital of the Bohemian Crownland,
the centre of a not unimportant nation, the focus in which are
concentrated the hottest, if not the brightest, rays from the fire of
regeneration kindled within the last half century by the Slavonic race.
There is an ardent furnace of life hidden beneath the crust of ashes:
there is a wonderful language behind that national silence.

The Wanderer stood in deep thought under the shadow of the ancient
Powder Tower. Haste had no further object now, since he had made every
inquiry within his power, and it was a relief to feel the pavement
beneath his feet and to breathe the misty frozen air after having been
so long in the closeness of his carriage. He hesitated as to what
he should do, unwilling to return to Unorna and acknowledge himself
vanquished, yet finding it hard to resist his desire to try every means,
no matter how little reasonable, how evidently useless, how puerile
and revolting to his sounder sense. The street behind him led directly
towards Unorna's house. Had he found himself in a more remote quarter,
he might have come to another and a wiser conclusion. Being so near to
the house of which he was thinking, he yielded to the temptation. Having
reached this stage of resolution, his mind began to recapitulate the
events of the day, and he suddenly felt a strong wish to revisit the
church, to stand in the place where Beatrice had stood, to touch in the
marble basin beside the door the thick ice which her fingers had touched
so lately, to traverse again the dark passages through which he had
pursued her. To accomplish his purpose he need only turn aside a few
steps from the path he was now following. He left the street almost
immediately, passing under a low arched way that opened on the
right-hand side, and a moment later he was within the walls of the Teyn
Kirche.

The vast building was less gloomy than it had been in the morning.
It was not yet the hour of vespers, the funeral torches had been
extinguished, as well as most of the lights upon the high altar, there
were not a dozen persons in the church, and high up beneath the roof
broad shafts of softened sunshine, floating above the mists of the city
without, streamed through the narrow lancet windows and were diffused
in the great gloom below. The Wanderer went to the monument of Brahe and
sat down in the corner of the blackened pew. His hands trembled a little
as he clasped them upon his knee, and his head sank slowly towards his
breast.

He thought of all that might have been if he had risked everything that
morning. He could have used his strength to force a way for himself
through the press, he could have thrust the multitude to the right and
left, and he could have reached her side. Perhaps he had been weak,
indolent, timid, and he accused himself of his own failure. But then,
again, he seemed to see about him the closely packed crowd, the sea of
faces, the thick, black mass of humanity, and he knew the tremendous
power that lay in the inert, passive resistance of a vast gathering
such as had been present. Had it been anywhere else, in a street, in a
theatre, anywhere except in a church, all would have been well. It had
not been his fault, for he knew, when he thought of it calmly, that the
strength of his body would have been but as a breath of air against the
silent, motionless, and immovable barrier presented by a thousand men,
standing shoulder to shoulder against him. He could have done nothing.
Once again his fate had defeated him at the moment of success.

He was aware that some one was standing very near to him. He looked up
and saw a very short, gray-bearded man engaged in a minute examination
of the dark red marble face on the astronomer's tomb. The man's head,
covered with closely-cropped gray hair, was half buried between his
high, broad shoulders, in an immense collar of fur, but the shape of
the skull was so singular as to distinguish its possessor, when hatless,
from all other men. The cranium was abnormally shaped, reaching a great
elevation at the summit, then sinking suddenly, then spreading forward
to an enormous development at the temple just visible as he was then
standing, and at the same time forming unusual protuberances behind the
large and pointed ears. No one who knew the man could mistake his head,
when even the least portion of it could be seen. The Wanderer recognised
him at once.

As though he were conscious of being watched, the little man turned
sharply, exhibiting his wrinkled forehead, broad at the brows, narrow
and high in the middle, showing, too, a Socratic nose half buried in the
midst of the gray hair which grew as high as the prominent cheek bones,
and suggesting the idea of a polished ivory ball lying in a nest of
grayish wool. Indeed all that was visible of the face above the beard
might have been carved out of old ivory, so far as the hue and quality
of the surface were concerned; and if it had been necessary to sculpture
a portrait of the man, no material could have been chosen more fitted
to reproduce faithfully the deep cutting of the features, to render the
close network of the wrinkles which covered them like the shadings of a
line engraving, and at the same time to give the whole that appearance
of hardness and smoothness which was peculiar to the clear, tough skin.
The only positive colour which relieved the half tints of the face lay
in the sharp bright eyes which gleamed beneath the busy eyebrows like
tiny patches of vivid blue sky seen through little rifts in a curtain of
cloud. All expression, all mobility, all life were concentrated in those
two points.

The Wanderer rose to his feet.

"Keyork Arabian!" he exclaimed, extending his hand. The little man
immediately gripped it in his small fingers, which, soft and delicately
made as they were, possessed a strength hardly to have been expected
either from their shape, or from the small proportions of him to whom
they belonged.

"Still wandering?" asked the little man, with a slightly sarcastic
intonation. He spoke in a deep, caressing bass, not loud, but rich in
quality and free from that jarring harshness which often belongs to very
manly voices. A musician would have discovered that the pitch was that
of those Russian choristers whose deep throats yield organ tones, a full
octave below the compass of ordinary singers in other lands.

"You must have wandered, too, since we last met," replied the taller
man.

"I never wander," said Keyork. "When a man knows what he wants,
knows where it is to be found, and goes thither to take it, he is not
wandering. Moreover, I have no thought of removing myself or my goods
from Prague. I live here. It is a city for old men. It is saturnine. The
foundations of its houses rest on the silurian formation, which is more
than can be said for any other capital, as far as I know."

"Is that an advantage?" inquired the Wanderer.

"To my mind. I would say to my son, if I had one--my thanks to a blind
but intelligent destiny for preserving me from such a calamity!--I would
say to him, 'Spend thy youth among flowers in the land where they are
brightest and sweetest; pass thy manhood in all lands where man strives
with man, thought for thought, blow for blow; choose for thine old age
that spot in which, all things being old, thou mayest for the longest
time consider thyself young in comparison with thy surroundings.' A man
can never feel old if he contemplates and meditates upon those
things only which are immeasurably older than himself. Moreover the
imperishable can preserve the perishable."

"It was not your habit to talk of death when we were together."

"I have found it interesting of late years. The subject is connected
with one of my inventions. Did you ever embalm a body? No? I could tell
you something singular about the newest process."

"What is the connection?"

"I am embalming myself, body and mind. It is but an experiment,
and unless it succeeds it must be the last. Embalming, as it is now
understood, means substituting one thing for another. Very good. I
am trying to purge from my mind its old circulating medium; the new
thoughts must all be selected from a class which admits of no decay.
Nothing could be simpler."

"It seems to me that nothing could be more vague."

"You were not formerly so slow to understand me," said the strange
little man with some impatience.

"Do you know a lady of Prague who calls herself Unorna?" the Wanderer
asked, paying no attention to his friend's last remark.

"I do. What of her?" Keyork Arabian glanced keenly at his companion.

"What is she? She has an odd name."

"As for her name, it is easily accounted for. She was born on the
twenty-ninth day of February, the year of her birth being bisextile.
Unor means February, Unorna, derivative adjective, 'belonging to
February.' Some one gave her the name to commemorate the circumstance."

"Her parents, I suppose."

"Most probably--whoever they may have been."

"And what is she?" the Wanderer asked.

"She calls herself a witch," answered Keyork with considerable scorn. "I
do not know what she is, or what to call her--a sensitive, an hysterical
subject, a medium, a witch--a fool, if you like, or a charlatan if you
prefer the term. Beautiful she is, at least, whatever else she may not
be."

"Yes, she is beautiful."

"So you have seen her, have you?" The little man again looked sharply up
at his tall companion. "You have had a consultation----"

"Does she give consultations? Is she a professional seer?" The Wanderer
asked the question in a tone of surprise. "Do you mean that she
maintains an establishment upon such a scale out of the proceeds of
fortune-telling?"

"I do not mean anything of the sort. Fortune-telling is excellent! Very
good!" Keyork's bright eyes flashed with amusement. "What are you doing
here--I mean in this church?" He put the question suddenly.

"Pursuing--an idea, if you please to call it so."

"Not knowing what you mean I must please to call your meaning by your
own name for it. It is your nature to be enigmatic. Shall we go out?
If I stay here much longer I shall be petrified instead of embalmed. I
shall turn into dirty old red marble like Tycho's effigy there, an awful
warning to future philosophers, and an example for the edification of
the faithful who worship here."

They walked towards the door, and the contrast between the appearance
of the two brought the ghost of a smile to the thin lips of the pale
sacristan, who was occupied in renewing the tapers upon one of the
side altars. Keyork Arabian might have stood for the portrait of the
gnome-king. His high and pointed head, his immense beard, his stunted
but powerful and thickset limbs, his short, sturdy strides, the fiery,
half-humorous, half-threatening twinkle of his bright eyes gave him
all the appearance of a fantastic figure from a fairy tale, and the
diminutive height of his compact frame set off the noble stature and
graceful motion of his companion.

"So you were pursuing an idea," said the little man as they emerged into
the narrow street. "Now ideas may be divided variously into classes,
as, for instance, ideas which are good, bad, or indifferent. Or you may
contrast the idea of Plato with ideas anything but platonic--take it
as you please. Then there is my idea, which is in itself, good,
interesting, and worthy of the embalming process; and there is your
idea, which I am human enough to consider altogether bad, worthless,
and frivolous, for the plain and substantial reason that it is not mine.
Perhaps that is the best division of all. Thine eye is necessarily,
fatally, irrevocably evil, because mine is essentially, predestinately,
and unchangeably good. If I secretly adopt your idea, I openly assert
that it was never yours at all, but mine from the beginning, by the
prerogatives of greater age, wider experience, and immeasurably superior
wisdom. If you have an idea upon any subject, I will utterly annihilate
it to my own most profound satisfaction; if you have none concerning any
special point, I will force you to accept mine, as mine, or to die the
intellectual death. That is the general theory of the idea."

"And what does it prove?" inquired the Wanderer.

"If you knew anything," answered Keyork, with twinkling eyes, "you would
know that a theory is not a demonstration, but an explanation. But, by
the hypothesis, since you are not I, you can know nothing certainly.
Now my theory explains many things, and, among others, the adamantine,
imperishable, impenetrable nature of the substance vanity upon which
the showman, Nature, projects in fast fading colours the unsubstantial
images of men. Why do you drag me through this dismal passage?"

"I passed through it this morning and missed my way."

"In pursuit of the idea, of course. That was to be expected. Prague is
constructed on the same principle as the human brain, full of winding
ways, dark lanes, and gloomy arches, all of which may lead somewhere,
or may not. Its topography continually misleads its inhabitants as
the convolutions of the brain mislead the thoughts that dwell there,
sometimes bringing them out at last, after a patient search for
daylight, upon a fine broad street where the newest fashions in thought
are exposed for sale in brightly illuminated shop windows and showcases;
conducting them sometimes to the dark, unsavoury court where the
miserable self drags out its unhealthy existence in the single room of
its hired earthly lodging."

"The self which you propose to preserve from corruption," observed the
tall man, who was carefully examining every foot of the walls between
which he was passing with his companion, "since you think so poorly
of the lodger and the lodging, I wonder that you should be anxious to
prolong the sufferings of the one and his lease of the other."

"It is all I have," answered Keyork Arabian. "Did you think of that?"

"That circumstance may serve as an excuse, but it does not constitute a
reason."

"Not a reason! Is the most abject poverty a reason for throwing away the
daily crust? My self is all I have. Shall I let it perish when an effort
may preserve it from destruction? On the one side of the line stands
Keyork Arabian, on the other floats the shadow of an annihilation, which
threatens to swallow up Keyork's self, while leaving all that he has
borrowed of life to be enjoyed, or wasted by others. Could Keyork be
expected to hesitate, so long as he may hope to remain in possession
of that inestimable treasure, his own individuality, which is his only
means for enjoying all that is not his, but borrowed?"

"So soon as you speak of enjoyment, argument ceases," answered the
Wanderer.

"You are wrong, as usual," returned the other. "It is the other way.
Enjoyment is the universal solvent of all arguments. No reason can
resist its mordant action. It will dissolve any philosophy not founded
upon it and modelled out of its substance, as Aqua Regia will dissolve
all metals, even to gold itself. Enjoyment? Enjoyment is the protest of
reality against the tyranny of fiction."

The little man stopped short in his walk, striking his heavy stick
sharply upon the pavement and looking up at his companion, very much as
a man of ordinary size looks up at the face of a colossal statue.

"Have wisdom and study led you no farther than that conclusion?"

Keyork's eyes brightened suddenly, and a peal of laughter, deep and
rich, broke from his sturdy breast and rolled long echoes through
the dismal lane, musical as a hunting-song heard among great trees in
winter. But his ivory features were not discomposed, though his white
beard trembled and waved softly like a snowy veil blown about by the
wind.

"If wisdom can teach how to prolong the lease, what study can be
compared with that of which the results may beautify the dwelling?
What more can any man do for himself than make himself happy? The
very question is absurd. What are you trying to do for yourself at the
present moment? Is it for the sake of improving the physical condition
or of promoting the moral case of mankind at large that you are dragging
me through the slums and byways and alleys of the gloomiest city on this
side of eternal perdition? It is certainly not for my welfare that
you are sacrificing yourself. You admit that you are pursuing an idea.
Perhaps you are in search of some new and curious form of mildew, and
when you have found it--or something else--you will name your discovery
_Fungus Pragensis_, or _Cryptogamus minor Errantis_--'the Wanderer's
toadstool.' But I know you of old, my good friend. The idea you pursue
is not an idea at all, but that specimen of the _genus homo_ known
as 'woman,' species 'lady,' variety 'true love,' vulgar designation
'sweetheart.'"

The Wanderer stared coldly at his companion.

"The vulgarity of the designation is indeed only equalled by that
of your taste in selecting it," he said slowly. Then he turned away,
intending to leave Keyork standing where he was.

But the little man had already repented of his speech. He ran quickly
to his friend's side and laid one hand upon his arm. The Wanderer paused
and again looked down.

"Is it of any use to be offended with my speeches? Am I an acquaintance
of yesterday? Do you imagine that it could ever be my intention to annoy
you?" the questions were asked rapidly in tones of genuine anxiety.

"Indeed, I hardly know how I could suppose that. You have always been
friendly--but I confess--your names for things are not--always----"

The Wanderer did not complete the sentence, but looked gravely at
Keyork as though wishing to convey very clearly again what he had before
expressed in words.

"If we were fellow-countrymen and had our native language in common,
we should not so easily misunderstand one another," replied the other.
"Come, forgive my lack of skill, and do not let us quarrel. Perhaps I
can help you. You may know Prague well, but I know it better. Will you
allow me to say that I know also whom it is you are seeking here?"

"Yes. You know. I have not changed since we last met, nor have
circumstances favoured me."

"Tell me--have you really seen this Unorna, and talked with her?"

"This morning."

"And she could not help you?"

"I refused to accept her help, until I had done all that was in my own
power to do."

"You were rash. And have you now done all, and failed?"

"I have."

"Then, if you will accept a humble suggestion from me, you will go back
to her at once."

"I know very little of her. I do not altogether trust her--"

"Trust! Powers of Eblis--or any other powers! Who talks of trust? Does
the wise man trust himself? Never. Then how can he dare trust any one
else?"

"Your cynical philosophy again!" exclaimed the Wanderer.

"Philosophy? I am a mysosophist! All wisdom is vanity, and I hate it!
Autology is my study, autosophy my ambition, autonomy my pride. I am the
great Panegoist, the would-be Conservator of Self, the inspired prophet
of the Universal I. I--I--I! My creed has but one word, and that word
but one letter, that letter represents Unity, and Unity is Strength. I
am I, one, indivisible, central! O I! Hail and live for ever!"

Again the little man's rich bass voice rang out in mellow laughter. A
very faint smile appeared upon his companion's sad face.

"You are happy, Keyork," he said. "You must be, since you can laugh at
yourself so honestly."

"At myself? Vain man! I am laughing at you, and at every one else, at
everything except myself. Will you go to Unorna? You need not trust her
any more than the natural infirmity of your judgment suggests."

"Can you tell me nothing more of her? Do you know her well?"

"She does not offer her help to every one. You would have done well to
accept it in the first instance. You may not find her in the same humour
again."

"I had supposed from what you said of her that she made a profession of
clairvoyance, or hypnotism, or mesmerism--whatever may be the right term
nowadays."

"It matters very little," answered Keyork, gravely. "I used to wonder at
Adam's ingenuity in naming all living things, but I think he would have
made but a poor figure in a tournament of modern terminologists. No.
Unorna does not accept remuneration for her help when she vouchsafes to
give it."

"And yet I was introduced to her presence without even giving my name."

"That is her fancy. She will see any one who wishes to see her, beggar,
gentleman, or prince. But she only answers such questions as she pleases
to answer."

"That is to say, inquiries for which she is already prepared with a
reply," suggested the Wanderer.

"See for yourself. At all events, she is a very interesting specimen. I
have never known any one like her."

Keyork Arabian was silent, as though he were reflecting upon Unorna's
character and peculiar gifts, before describing them to his friend. His
ivory features softened almost imperceptibly, and his sharp blue eyes
suddenly lost their light, as though they no longer saw the outer
world. But the Wanderer cared for none of these things, and bestowed
no attention upon his companion's face. He preferred the little man's
silence to his wild talk, but he was determined, if possible, to extract
some further information concerning Unorna, and before many seconds had
elapsed he interrupted Keyork's meditations with a question.

"You tell me to see for myself," he said. "I would like to know what I
am to expect. Will you not enlighten me?"

"What?" asked the other vaguely, as though roused from sleep.

"If I go to Unorna and ask a consultation of her, as though she were
a common somnambulist, and if she deigns to place her powers at my
disposal what sort of assistance shall I most probably get?"

They had been walking slowly forward, and Keyork again stopped, rapping
the pavement with his iron-shod stick, and looking up from under his
bushy, overhanging eyebrows.

"Of two things, one will happen," he answered. "Either she will herself
fall into the abnormal state and will answer correctly any questions you
put to her, or she will hypnotise you, and you will yourself see--what
you wish to see."

"I myself?"

"You yourself. The peculiarity of the woman is her duality, her
double power. She can, by an act of volition, become hypnotic,
clairvoyant--whatever you choose to call it. Or, if her visitor is at
all sensitive, she can reverse the situation and play the part of the
hypnotiser. I never heard of a like case."

"After all, I do not see why it should not be so," said the Wanderer
thoughtfully. "At all events, whatever she can do, is evidently done by
hypnotism, and such extraordinary experiments have succeeded of late--"

"I did not say that there was nothing but hypnotism in her processes."

"What then? Magic?" The Wanderer's lip curled scornfully.

"I do not know," replied the little man, speaking slowly. "Whatever her
secret may be, she keeps it, even when speaking in sleep. This I can
tell you. I suspect that there is some other being, or person, in that
queer old house of hers whom she consults on grave occasions. At a loss
for an answer to a difficult scientific question, I have known her to
leave the room and to come back in the course of a few minutes with a
reply which I am positive she could never have framed herself."

"She may have consulted books," suggested the Wanderer.

"I am an old man," said Keyork Arabian suddenly. "I am a very old man;
there are not many books which I have not seen and partially read at one
time or at another, and my memory is surprisingly good. I have excellent
reasons for believing that her information is not got from anything that
was ever written or printed."

"May I ask of what general nature your questions were?" inquired the
other, more interested than he had hitherto been in the conversation.

"They referred to the principles of embalmment."

"Much has been written about that since the days of the Egyptians."

"The Egyptians!" exclaimed Keyork with great scorn. "They embalmed their
dead after a fashion. Did you ever hear that they embalmed the living?"
The little man's eyes shot fire.

"No, nor will I believe in any such outrageous impossibilities! If that
is all, I have little faith in Unorna's mysterious counsellor."

"The faith which removes mountains is generally gained by experience
when it is gained at all, and the craving for explanation takes the
place, in some minds, of a willingness to learn. It is not my business
to find explanations, nor to raise my little self to your higher level,
by standing upon this curbstone, in order to deliver a lecture in the
popular form, upon matters that interest me. It is enough that I have
found what I wanted. Go and do likewise. See for yourself. You have
nothing to lose and everything to gain. You are unhappy, and unhappiness
is dangerous, in rare cases fatal. If you tell me to-morrow that Unorna
is a charlatan, you will be in no worse plight than to-day, nor will
your opinion of her influence mine. If she helps you to find what you
want--so much the better for you--how much the better, and how great the
risk you run, are questions for your judgment."

"I will go," answered the Wanderer, after a moment's hesitation.

"Very good," said Keyork Arabian. "If you want to find me again, come to
my lodging. Do you know the house of the Black Mother of God?"

"Yes--there is a legend about a Spanish picture of our Lady once
preserved there--"

"Exactly, it takes its name from that black picture. It is on the corner
of the Fruit Market, over against the window at which the Princess
Windischgratz was shot. I live in the upper story. Good-bye."

"Good-bye."



CHAPTER IV

After the Wanderer had left her, Unorna continued to hold in her
hand the book she had again taken up, following the printed lines
mechanically from left to right, from the top of the page to the foot.
Having reached that point, however, she did not turn over the leaf. She
was vaguely aware that she had not understood the sense of the words,
and she returned to the place at which she had begun, trying to
concentrate her attention upon the matter, moving her fresh lips to form
the syllables, and bending her brows in the effort of understanding,
so that a short, straight furrow appeared, like a sharp vertical cut
extending from between the eyes to the midst of the broad forehead. One,
two and three sentences she grasped and comprehended; then her thoughts
wandered again, and the groups of letters passed meaningless before
her sight. She was accustomed to directing her intelligence without any
perceptible effort, and she was annoyed at being thus led away from her
occupation, against her will and in spite of her determination. A third
attempt showed her that it was useless to force herself any longer, and
with a gesture and look of irritation she once more laid the volume upon
the table at her side.

During a few minutes she sat motionless in her chair, her elbow leaning
on the carved arm-piece, her chin supported upon the back of her
half-closed hand, of which the heavy, perfect fingers were turned
inwards, drooping in classic curves towards the lace about her throat.
Her strangely mismatched eyes stared vacantly towards an imaginary
horizon, not bounded by banks of flowers, nor obscured by the fantastic
foliage of exotic trees.

Presently she held up her head, her white hand dropped upon her knee,
she hesitated an instant, and then rose to her feet, swiftly, as though
she had made a resolution and was about to act upon it. She made a step
forward, and then paused again, while a half-scornful smile passed like
a shadow over her face. Very slowly she began to pace the marble floor,
up and down in the open space before her chair, turning and turning
again, the soft folds of her white gown following her across the smooth
pavement with a gentle, sweeping sound, such as the breeze makes among
flowers in spring.

"Is it he?" she asked aloud in a voice ringing with the joy and the
fear of a passion that has waited long and is at last approaching the
fulfilment of satisfaction.

No answer came to her from among the thick foliage nor in the scented
breath of the violets and the lilies. The murmuring song of the little
fountain alone disturbed the stillness, and the rustle of her own
garments as she moved.

"Is it he? Is it he? Is it he?" she repeated again and again, in
varying tones, chiming the changes of hope and fear, of certainty
and vacillation, of sadness and of gladness, of eager passion and of
chilling doubt.

She stood still, staring at the pavement, her fingers clasped together,
the palms of her hands turned downward, her arms relaxed. She did not
see the dark red squares of marble, alternating with the white and
the gray, but as she looked a face and a form rose before her, in
the contemplation of which all her senses and faculties concentrated
themselves. The pale and noble head grew very distinct in her inner
sight, the dark gray eyes gazed sadly upon her, the passionate features
were fixed in the expression of a great sorrow.

"Are you indeed he?" she asked, speaking softly and doubtfully, and yet
unconsciously projecting her strong will upon the vision, as though to
force it to give the answer for which she longed.

And the answer came, imposed by the effort of her imagination upon the
thing imagined. The face suddenly became luminous, as with a radiance
within itself; the shadows of grief melted away, and in their place
trembled the rising light of a dawning love. The lips moved and the
voice spoke, not as it had spoken to her lately, but in tones long
familiar to her in dreams by day and night.

"I am he, I am that love for whom you have waited; you are that dear one
whom I have long sought throughout the world. The hour of our joy has
struck, the new life begins to-day, and there shall be no end."

Unorna's arms went out to grasp the shadow, and she drew it to her in
her fancy and kissed its radiant face.

"To ages of ages!" she cried.

Then she covered her eyes as though to impress the sight they had seen
upon the mind within, and groping blindly for her chair sank back
into her seat. But the mechanical effort of will and memory could not
preserve the image. In spite of all inward concentration of thought,
its colours faded, its outlines trembled, grew faint and vanished, and
darkness was in its place. Unorna's hand dropped to her side, and a
quick throb of pain stabbed her through and through, agonising as the
wound of a blunt and jagged knife, though it was gone almost before she
knew where she had felt it. Then her eyes flashed with unlike fires, the
one dark and passionate as the light of a black diamond, the other keen
and daring as the gleam of blue steel in the sun.

"Ah, but I will!" she exclaimed. "And what I will--shall be."

As though she were satisfied with the promise thus made to herself, she
smiled, her eyelids drooped, the tension of her frame was relaxed, and
she sank again into the indolent attitude in which the Wanderer had
found her. A moment later the distant door turned softly upon its hinges
and a light footfall broke the stillness. There was no need for Unorna
to speak in order that the sound of her voice might guide the new comer
to her retreat. The footsteps approached swiftly and surely. A young man
of singular beauty came out of the green shadows and stood beside the
chair in the open space.

Unorna betrayed no surprise as she looked up into her visitor's face.
She knew it well. In form and feature the youth represented the noblest
type of the Jewish race. It was impossible to see him without thinking
of a young eagle of the mountains, eager, swift, sure, instinct with
elasticity, far-sighted and untiring, strong to grasp and to hold,
beautiful with the glossy and unruffled beauty of a plumage continually
smoothed in the sweep and the rush of high, bright air.

Israel Kafka stood still, gazing down upon the woman he loved, and
drawing his breath hard between his parted lips. His piercing eyes
devoured every detail of the sight before him, while the dark blood rose
in his lean olive cheek, and the veins of his temples swelled with the
beating of his quickened pulse.

"Well?"

The single indifferent word received the value of a longer speech from
the tone in which it was uttered, and from the look and gesture
which accompanied it. Unorna's voice was gentle, soft, half-indolent,
half-caressing, half-expectant, and half-careless. There was something
almost insolent in its assumption of superiority, which was borne out by
the little defiant tapping of two long white fingers upon the arm of the
carved chair. And yet, with the rising inflection of the monosyllable
there went a raising of the brows, a sidelong glance of the eyes, a
slowly wreathing smile that curved the fresh lips just enough to
unmask two perfect teeth, all of which lent to the voice a meaning,
a familiarity, a pliant possibility of favourable interpretation, fit
rather to flatter a hope than to chill a passion.

The blood beat more fiercely in the young man's veins, his black eyes
gleamed yet more brightly, his pale, high-curved nostrils quivered at
every breath he drew. The throbbings of his heart unseated his thoughts
and strongly took possession of the government of his body. Under an
irresistible impulse he fell upon his knees beside Unorna, covering her
marble hand with all his lean, dark fingers and pressing his forehead
upon them, as though he had found and grasped all that could be dear to
him in life.

"Unorna! My golden Unorna!" he cried, as he knelt.

Unorna looked down upon his bent head. The smile faded from her face,
and for a moment a look of hardness lingered there, which gave way to
an expression of pain and regret. As though collecting her thoughts she
closed her eyes, as she tried to draw back her hand; then as he held it
still, she leaned back and spoke to him.

"You have not understood me," she said, as quietly as she could.

The strong fingers were not lifted from hers, but the white face, now
bloodless and transparent, was raised to hers, and a look of such fear
as she had never dreamed of was in the wide black eyes.

"Not--understood?" he repeated in startled, broken tones.

Unorna sighed, and turned away, for the sight hurt her and accused her.

"No, you have not understood. Is it my fault? Israel Kafka, that hand is
not yours to hold."

"Not mine? Unorna!" Yet he could not quite believe what she said.

"I am in earnest," she answered, not without a lingering tenderness in
the intonation. "Do you think I am jesting with you, or with myself?"

Neither of the two stirred during the silence which followed. Unorna sat
quite still, staring fixedly into the green shadows of the foliage, as
though not daring to meet the gaze she felt upon her. Israel Kafka still
knelt beside her, motionless and hardly breathing, like a dangerous wild
animal startled by an unexpected enemy, and momentarily paralysed in
the very act of springing, whether backward in flight, or forward in the
teeth of the foe, it is not possible to guess.

"I have been mistaken," Unorna continued at last. "Forgive--forget--"

Israel Kafka rose to his feet and drew back a step from her side.
All his movements were smooth and graceful. The perfect man is most
beautiful in motion, the perfect woman in repose.

"How easy it is for you!" exclaimed the Moravian. "How easy! How simple!
You call me, and I come. You let your eyes rest on me, and I kneel
before you. You sigh, and I speak words of love. You lift your hand and
I crouch at your feet. You frown--and I humbly leave you. How easy!"

"You are wrong, and you speak foolishly. You are angry, and you do not
weigh your words."

"Angry! What have I to do with so common a madness as anger? I am more
than angry. Do you think that because I have submitted to the veering
gusts of your good and evil humours these many months, I have lost all
consciousness of myself? Do you think that you can blow upon me as upon
a feather, from east and west, from north and south, hotly or coldly, as
your unstable nature moves you? Have you promised me nothing? Have you
given me no hope? Have you said and done nothing whereby you are bound?
Or can no pledge bind you, no promise find a foothold in your slippery
memory, no word of yours have meaning for those who hear it?"

"I never gave you either pledge or promise," answered Unorna in a harder
tone. "The only hope I have ever extended to you was this, that I would
one day answer you plainly. I have done so. You are not satisfied. Is
there anything more to be said? I do not bid you leave my house for
ever, any more than I mean to drive you from my friendship."

"From your friendship! Ah, I thank you, Unorna; I most humbly thank
you! For the mercy you extend in allowing me to linger near you, I am
grateful! Your friend, you say? Ay, truly, your friend and servant, your
servant and your slave, your slave and your dog. Is the friend impatient
and dissatisfied with his lot? A soft word shall turn away his anger. Is
the servant over-presumptuous? Your scorn will soon teach him his duty.
Is the slave disobedient? Blows will cure him of his faults. Does your
dog fawn upon you too familiarly? Thrust him from you with your foot and
he will cringe and cower till you smile again. Your friendship--I have
no words for thanks!"

"Take it, or take it not--as you will." Unorna glanced at his angry face
and quickly looked away.

"Take it? Yes, and more too, whether you will give it or not," answered
Israel Kafka, moving nearer to her. "Yes. Whether you will, or whether
you will not, I have all, your friendship, your love, your life, your
breath, your soul--all, or nothing!"

"You are wise to suggest the latter alternative as a possibility," said
Unorna coldly and not heeding his approach.

The young man stood still, and folded his arms. The colour had returned
to his face and a deep flush was rising under his olive skin.

"Do you mean what you say?" he asked slowly. "Do you mean that I shall
not have all, but nothing? Do you still dare to mean that, after all
that has passed between you and me?"

Unorna raised her eyes and looked steadily into his.

"Israel Kafka, do not speak to me of daring."

But the young man's glance did not waver. The angry expression of his
features did not relax; he neither drew back nor bent his head. Unorna
seemed to be exerting all the strength of her will in the attempt to
dominate him, but without result. In the effort she made to concentrate
her determination her face grew pale and her lips trembled. Kafka
faced her resolutely, his eyes on fire, the rich colour mantling in his
cheeks.

"Where is your power now?" he asked suddenly. "Where is your witchery?
You are only a woman, after all. You are only a weak woman!"

Very slowly he drew nearer to her side, his lithe figure bending a
little as he looked down upon her. Unorna leaned far back, withdrawing
her face from his as far as she could, but still trying to impose her
will upon him.

"You cannot," he said between his teeth, answering her thought.

Men who have tamed wild beasts alone know what such a moment is like. A
hundred times the brave man has held the tiger spell-bound and crouching
under his cold, fearless gaze. The beast, ever docile and submissive,
has cringed at his feet, fawned to his touch, and licked the hand that
snatched away the half-devoured morsel. Obedient to voice and eye, the
giant strength and sinewy grace have been debased to make the sport of
multitudes; the noble, pliant frame has contorted itself to execute the
mean antics of the low-comedy ape--to counterfeit death like a poodle
dog; to leap through gaudily-painted rings at the word of command; to
fetch and carry like a spaniel. A hundred times the changing crowd has
paid its paltry fee to watch the little play that is daily acted behind
the stout iron bars by the man and the beast. The man, the nobler,
braver creature, is arrayed in a wretched flimsy finery of tights and
spangles, parading his physical weakness and inferiority in the
toggery of a mountebank. The tiger, vast, sleepy-eyed, mysterious, lies
motionless in the front of his cage, the gorgeous stripes of his velvet
coat following each curve of his body, from the cushions of his great
fore paws to the arch of his gathered haunches. The watchfulness and
flexible activity of the serpent and the strength that knows no master
are clothed in the magnificent robes of the native-born sovereign. Time
and times again the beautiful giant has gone through the slavish
round of his mechanical tricks, obedient to the fragile creature of
intelligence, to the little dwarf, man, whose power is in his eyes and
heart only. He is accustomed to the lights, to the spectators, to the
laughter, to the applause, to the frightened scream of the hysterical
women in the audience, to the close air and to the narrow stage behind
the bars. The tamer in his tights and tinsel has grown used to his
tiger, to his emotions, to his hourly danger. He even finds at last that
his mind wanders during the performance, and that at the very instant
when he is holding the ring for the leap, or thrusting his head into the
beast's fearful jaws, he is thinking of his wife, of his little child,
of his domestic happiness or household troubles, rather than of what
he is doing. Many times, perhaps many hundreds of times, all passes off
quietly and successfully. Then, inevitably, comes the struggle. Who
can tell the causes? The tiger is growing old, or is ill fed, or is not
well, or is merely in one of those evil humours to which animals are
subject as well as their masters. One day he refuses to go through with
the performance. First one trick fails, and then another. The public
grows impatient, the man in spangles grows nervous, raises his voice,
stamps loudly with his foot, and strikes his terrible slave with his
light switch. A low, deep sound breaks from the enormous throat, the
spectators hold their breath, the huge, flexible limbs are gathered for
the leap, and in the gaslight and the dead silence man and beast are
face to face. Life hangs in the balance, and death is at the door.

Then the tamer's heart beats loud, his chest heaves, his brows are
furrowed. Even then, in the instant that still separates him from
triumph or destruction, the thought of his sleeping child or of his
watching wife darts through his brain. But the struggle has begun and
there is no escape. One of two things must happen: he must overcome or
he must die. To draw back, to let his glance waver, to show so much as
the least sign of fear, is death. The moment is supreme, and he knows
it.

Unorna grasped the arms of her chair as though seeking for physical
support in her extremity. She could not yield. Before her eyes arose a
vision unlike the reality in all its respects. She saw an older face,
a taller figure, a look of deeper thought between her and the angry man
who was trying to conquer her resistance with a glance. Between her and
her mistake the image of what should be stood out, bright, vivid, and
strong. A new conviction had taken the place of the old, a real passion
was flaming upon the altar whereon she had fed with dreams the semblance
of a sacred fire.

"You do not really love me," she said softly.

Israel Kafka started, as a man who is struck unawares. The monstrous
untruth which filled the words broke down his guard, sudden tears veiled
the penetrating sharpness of his gaze, and his hand trembled.

"I do not love you? I! Unorna--Unorna!"

The first words broke from him in a cry of horror and stupefaction. But
her name, when he spoke it, sounded as the death moan of a young wild
animal wounded beyond all power to turn at bay.

He moved unsteadily and laid hold of the tall chair in which she sat.
He was behind her now, standing, but bending down so that his forehead
pressed his fingers. He could not bear to look upon her hair, still less
upon her face. Even his hands were white and bloodless. Unorna could
hear his quick breathing just above her shoulder. She sat quite still,
and her lips were smiling, though her brow was thoughtful and almost
sad. She knew that the struggle was over and that she had gained the
mastery, though the price of victory might be a broken heart.

"You thought I was jesting," she said in a low voice, looking before her
into the deep foliage, but knowing that her softest whisper would reach
him. "But there was no jest in what I said--nor any unkindness in what
I meant, though it is all my fault. But that is true--you never loved me
as I would be loved."

"Unorna----"

"No, I am not unkind. Your love is young, fierce, inconstant; half
terrible, half boyish, aflame to-day, asleep to-morrow, ready to turn
into hatred at one moment, to melt into tears at the next, intermittent,
unstable as water, fleeting as a cloud's shadow on the mountain side--"

"It pleased you once," said Israel Kafka in broken tones. "It is not
less love because you are weary of it, and of me."

"Weary, you say? No, not weary--and very truly not of you. You will
believe that to-day, to-morrow, you will still try to force life into
your belief--and then it will be dead and gone like all thoughts which
have never entered into the shapes of reality. We have not loved each
other. We have but fancied that it would be sweet to love, and the knife
of truth has parted the web of our dreams, keenly, in the midst, so that
we see before us what is, though the ghost of what might have been is
yet lingering near."

"Who wove that web, Unorna? You, or I?" He lifted his heavy eyes and
gazed at her coiled hair.

"What matters it whether it was your doing or mine? But we wove it
together--and together we must see the truth."

"If this is true, there is no more 'together' for you and me."

"We may yet glean friendship in the fields where love has grown."

"Friendship! The very word is a wound! Friendship! The very dregs and
lees of the wine of life! Friendship! The sour drainings of the heart's
cup, left to moisten the lips of the damned when the blessed have drunk
their fill! I hate the word, as I hate the thought!"

Unorna sighed, partly, perhaps, that he might hear the sigh, and put
upon it an interpretation soothing to his vanity, but partly, too,
from a sincere regret that he should need to suffer as he was evidently
suffering. She had half believed that she loved him, and she owed him
pity. Women's hearts pay such debts unwillingly, but they do pay them,
nevertheless. She wished that she had never set eyes upon Israel Kafka;
she wished that she might never see him again; even his death would
hardly have cost her a pang, and yet she was sorry for him. Diana, the
huntress, shot her arrows with unfailing aim; Diana, the goddess, may
have sighed and shed one bright immortal tear, as she looked into the
fast-glazing eyes of the dying stag--may not Diana, the maiden, have
felt a touch of human sympathy and pain as she listened to the deep note
of her hounds baying on poor Actaeon's track! No one is all bad, or all
good. No woman is all earthly, nor any goddess all divine.

"I am sorry," said Unorna. "You will not understand----"

"I have understood enough. I have understood that a woman can have
two faces and two hearts, two minds, two souls; it is enough, my
understanding need go no farther. You sighed before you spoke. It was
not for me; it was for yourself. You never felt pain or sorrow for
another."

He was trying hard to grow cold and to find cold words to say, which
might lead her to believe him stronger than he was and able to master
his grief. But he was too young, too hot, too changeable for such a
part. Moreover, in his first violent outbreak Unorna had dominated him,
and he could not now regain the advantage.

"You are wrong, Israel Kafka. You would make me less than human. If
I sighed, it was indeed for you. See--I confess that I have done you
wrong, not in deeds, but in letting you hope. Truly, I myself have hoped
also. I have thought that the star of love was trembling just below the
east, and that you and I might be one to another--what we cannot be now.
My wisdom has failed me, my sight has been deceived. Am I the only
woman in this world who has been mistaken? Can you not forgive? If I
had promised, if I had said one word--and yet, you are right, too, for
I have let you think in earnest what has been but a passing dream of
my own thoughts. It was all wrong; it was all my fault. There, lay your
hand in mine and say that you forgive, as I ask forgiveness."

He was still standing behind her, leaning against the back of her chair.
Without looking round she raised her hand above her shoulder as though
seeking for his. But he would not take it.

"Is it so hard?" she asked softly. "Is it even harder for you to give
than for me to ask? Shall we part like this--not to meet again--each
bearing a wound, when both might be whole? Can you not say the word?"

"What is it to you whether I forgive you or not?"

"Since I ask it, believe that it is much to me," she answered, slowly
turning her head until, without catching sight of his face, she could
just see where his fingers were resting on her chair. Then, over her
shoulder, she touched them, and drew them to her cheek. He made no
resistance.

"Shall we part without one kind thought?" Her voice was softer still and
so low and sweet that it seemed as though the words were spoken in the
ripple of the tiny fountain. There was magic in the place, in the air,
in the sounds, above all in the fair woman's touch.

"Is this friendship?" asked Kafka. Then he sank upon his knees beside
her, and looked up into her face.

"It is friendship; yes--why not? Am I like other women?"

"Then why need there be any parting?"

"If you will be my friend there need be none. You have forgiven me
now--I see it in your eyes. Is it not true?"

He was at her feet, passive at last under the superior power which he
had never been able to resist. Unorna's fascination was upon him, and
he could only echo her words, as he would have executed her slightest
command, without consciousness of free will or individual thought. It
was enough that for one moment his anger should cease to give life to
his resistance; it was sufficient that Unorna should touch him thus,
and speak softly, his eyelids quivered and his look became fixed, his
strength was absorbed in hers and incapable of acting except under her
direction. So long as she might please the spell would endure.

"Sit beside me now, and let us talk," she said.

Like a man in a dream, he rose and sat down near her.

Unorna laughed, and there was something in the tone that was not good to
hear. A moment earlier it would have wounded Israel Kafka to the quick
and brought the hot, angry blood to his face. Now he laughed with her,
vacantly, as though not knowing the cause of his mirth.

"You are only my slave, after all," said Unorna scornfully.

"I am only your slave, after all," he repeated.

"I could touch you with my hand and you would hate me, and forget that
you ever loved me."

This time the man was silent. There was a contraction of pain in his
face, as though a violent mental struggle were going on within him.
Unorna tapped the pavement impatiently with her foot and bent her brows.

"You would hate me and forget that you ever loved me," she repeated,
dwelling on each word as though to impress it on his consciousness. "Say
it. I order you."

The contraction of his features disappeared.

"I should hate you and forget that I ever loved you," he said slowly.

"You never loved me."

"I never loved you."

Again Unorna laughed, and he joined in her laughter, unintelligently,
as he had done before. She leaned back in her seat, and her face grew
grave. Israel Kafka sat motionless in his chair, staring at her with
unwinking eyes. But his gaze did not disturb her. There was no more
meaning in it than in the expression of a marble statue, far less than
in that of a painted portrait. Yet the man was alive and in the full
strength of his magnificent youth, supple, active, fierce by nature,
able to have killed her with his hands in the struggle of a moment. Yet
she knew that without a word from her he could neither turn his head nor
move in his seat.

For a long time Unorna was absorbed in her meditations. Again and again
the vision of a newer happiness took shape and colour before her, so
clearly and vividly that she could have clasped it and held it and
believed in its reality, as she had done before Israel Kafka had
entered. But there was a doubt now, which constantly arose between her
and it, the dark and shapeless shadow of a reasoning she hated and yet
knew to be strong.

"I must ask him," she said unconsciously.

"You must ask him," repeated Israel Kafka from his seat.

For the third time Unorna laughed aloud as she heard the echo of her own
words.

"Whom shall I ask?" she inquired contemptuously, as she rose to her
feet.

The dull, glassy eyes sought hers in painful perplexity, following her
face as she moved.

"I do not know," answered the powerless man.

Unorna came close to him and laid her hand upon his head.

"Sleep, until I wake you," she said.

The eyelids drooped and closed at her command, and instantly the man's
breathing became heavy and regular. Unorna's full lips curled as she
looked down at him.

"And you would be my master!" she exclaimed.

Then she turned and disappeared among the plants, leaving him alone.



CHAPTER V

Unorna passed through a corridor which was, indeed, only a long balcony
covered in with arches and closed with windows against the outer air.
At the farther end three steps descended to a dark door, through the
thickness of a massive wall, showing that at this point Unorna's house
had at some former time been joined with another building beyond, with
which it thus formed one habitation. Unorna paused, holding the key
as though hesitating whether she should put it into the lock. It was
evident that much depended upon her decision, for her face expressed
the anxiety she felt. Once she turned away, as though to abandon her
intention, hesitated, and then, with an impatient frown, opened the
door and went in. She passed through a small, well-lighted vestibule and
entered the room beyond.

The apartment was furnished with luxury, but a stranger would have
received an oddly disquieting impression of the whole at a first glance.
There was everything in the place which is considered necessary for a
bedroom, and everything was perfect of its kind, spotless and dustless,
and carefully arranged in order. But almost everything was of an unusual
and unfamiliar shape, as though designed for some especial reason to
remain in equilibrium in any possible position, and to be moved from
place to place with the smallest imaginable physical effort. The carved
bedstead was fitted with wheels which did not touch the ground, and
levers so placed as to be within the reach of a person lying in it. The
tables were each supported at one end only by one strong column, fixed
to a heavy base set on broad rollers, so that the board could be run
across a bed or a lounge with the greatest ease. There was but one chair
made like ordinary chairs; the rest were so constructed that the least
motion of the occupant must be accompanied by a corresponding change
of position of the back and arms, and some of them bore a curious
resemblance to a surgeon's operating table, having attachments of
silver-plated metal at many points, of which the object was not
immediately evident. Before a closed door a sort of wheeled conveyance,
partaking of the nature of a chair and of a perambulator, stood upon
polished rails, which disappeared under the door itself, showing that
the thing was intended to be moved from one room to another in a certain
way and in a fixed line. The rails, had the door been opened, would have
been seen to descend upon the other side by a gentle inclined plane
into the centre of a huge marble basin, and the contrivance thus made
it possible to wheel a person into a bath and out again without
necessitating the slightest effort or change of position in the body. In
the bedroom the windows were arranged so that the light and air could
be regulated to a nicety. The walls were covered with fine basket work,
apparently adapted in panels; but these panels were in reality movable
trays, as it were, forming shallow boxes fitted with closely-woven
wicker covers, and filled with charcoal and other porous substances
intended to absorb the impurities of the air, and thus easily changed
and renewed from time to time. Immediately beneath the ceiling were
placed delicate glass globes of various soft colours, with silken
shades, movable from below by means of brass rods and handles. In the
ceiling itself there were large ventilators, easily regulated as might
be required, and there was a curious arrangement of rails and wheels
from which depended a sort of swing, apparently adapted for moving a
person or a weight to different parts of the room without touching the
floor. In one of the lounges, not far from the window, lay a colossal
old man, wrapped in a loose robe of warm white stuff, and fast asleep.

He was a very old man, so old, indeed, as to make it hard to guess his
age from his face and his hands, the only parts visible as he lay at
rest, the vast body and limbs lying motionless under his garment, as
beneath a heavy white pall. He could not be less than a hundred years
old, but how much older than that he might really be, it was impossible
to say. What might be called the waxen period had set in, and the high
colourless features seemed to be modelled in that soft, semi-transparent
material. The time had come when the stern furrows of age had broken
up into countless minutely-traced lines, so close and fine as to seem
a part of the texture of the skin, mere shadings, evenly distributed
throughout, and no longer affecting the expression of the face as
the deep wrinkles had done in former days; at threescore and ten, at
fourscore, and even at ninety years. The century that had passed had
taken with it its marks and scars, leaving the great features in their
original purity of design, lean, smooth, and clearly defined. That last
change in living man is rare enough, but when once seen is not to be
forgotten. There is something in the faces of the very, very old which
hardly suggests age at all, but rather the vague possibility of a
returning prime. Only the hands tell the tale, with their huge, shining,
fleshless joints, their shadowy hollows, and their unnatural yellow
nails.

The old man lay quite still, breathing softly through his snowy beard.
Unorna came to his side. There was something of wonder and admiration
in her own eyes as she stood there gazing upon the face which other
generations of men and women, all long dead, had looked upon and known.
The secret of life and death was before her each day when she entered
that room, and on the very verge of solution. The wisdom hardly gained
in many lands was striving with all its concentrated power to preserve
that life; the rare and subtle gifts which she herself possessed were
daily exercised to their full in the suggestion of vitality; the most
elaborate inventions of skilled mechanicians were employed in reducing
the labour of living to the lowest conceivable degree of effort. The
great experiment was being tried. What Keyork Arabian described as the
embalming of a man still alive was being attempted. And he lived. For
years they had watched him and tended him, and looked critically for
the least signs of a diminution or an augmentation in his strength. They
knew that he was now in his one hundred and seventh year, and yet he
lived and was no weaker. Was there a limit; or was there not, since the
destruction of the tissues was arrested beyond doubt, so far as the most
minute tests could show? Might there not be, in the slow oscillations
of nature, a degree of decay, on this side of death, from which a return
should be possible, provided that the critical moment were passed in a
state of sleep and under perfect conditions? How do we know that all
men must die? We suppose the statement to be true by induction, from
the undoubted fact that men have hitherto died within a certain limit of
age. By induction, too, our fathers, our grandfathers, knew that it was
impossible for man to traverse the earth faster than at the full speed
of a galloping horse. After several thousand years of experience that
piece of knowledge, which seemed to be singularly certain, was suddenly
proved to be the grossest ignorance by a man who had been in the habit
of playing with a tea-kettle when a boy. We ourselves, not very long
ago, knew positively, as all men had known since the beginning of the
world, that it was quite impossible to converse with a friend at a
distance beyond the carrying power of a speaking trumpet. To-day, a
boy who does not know that one may talk very agreeably with a friend
a thousand miles away is an ignoramus; and experimenters whisper among
themselves that, if the undulatory theory of light have any foundation,
there is no real reason why we may not see that same friend at that same
distance, as well as talk with him. Ten years ago we were quite sure
that it was beyond the bounds of natural possibility to produce a bad
burn upon the human body by touching the flesh with a bit of cardboard
or a common lead pencil. Now we know with equal certainty that if upon
one arm of a hypnotised patient we impress a letter of the alphabet
cut out of wood, telling him that it is red-hot iron, the shape of the
letter will on the following day be found on a raw and painful wound
not only in the place we selected but on the other arm, in the exactly
corresponding spot, and reversed as though seen in a looking-glass;
and we very justly consider that a physician who does not know this and
similar facts is dangerously behind the times, since the knowledge is
open to all. The inductive reasoning of many thousands of years has
been knocked to pieces in the last century by a few dozen men who have
reasoned little but attempted much. It would be rash to assert that
bodily death may not some day, and under certain conditions, be
altogether escaped. It is nonsense to pretend that human life may not
possibly, and before long, be enormously prolonged, and that by some
shorter cut to longevity than temperance and sanitation. No man can say
that it will, but no man of average intelligence can now deny that it
may.

Unorna had hesitated at the door, and she hesitated now. It was in her
power, and in hers only, to wake the hoary giant, or at least to
modify his perpetual sleep so far as to obtain from him answers to her
questions. It would be an easy matter to lay one hand upon his brow,
bidding him see and speak--how easy, she alone knew. But on the other
hand, to disturb his slumber was to interfere with the continuity of the
great experiment, to break through a rule lately made, to incur the risk
of an accident, if not of death itself.

She drew back at the thought, as though fearing to startle him, and then
she smiled at her own nervousness. To wake him she must exercise her
will. There was no danger of his ever being roused by any sound or touch
not proceeding from herself. The crash of thunder had no reverberation
for his ears, the explosion of a cannon would not have penetrated into
his lethargy. She might touch him, move him, even speak to him, but
unless she laid her hand upon his waxen forehead and bid him feel and
hear, he would be as unconscious as the dead. She returned to his side
and gazed into his placid face. Strange faculties were asleep in that
ancient brain, and strange wisdom was stored there, gathered from
many sources long ago, and treasured unconsciously by the memory to be
recalled at her command.

The man had been a failure in his day, a scholar, a student, a searcher
after great secrets, a wanderer in the labyrinths of higher thought.
He had been a failure and had starved, as failures must, in order that
vulgar success may fatten and grow healthy. He had outlived the few that
had been dear to him, he had outlived the power to feed on thought, he
had outlived generations of men, and cycles of changes, and yet there
had been life left in the huge gaunt limbs and sight in the sunken eyes.
Then he had outlived pride itself, and the ancient scholar had begged
his bread. In his hundredth year he had leaned for rest against Unorna's
door, and she had taken him in and cared for him, and since that time
she had preserved his life. For his history was known in the ancient
city, and it was said that he had possessed great wisdom in his day.
Unorna knew that this wisdom could be hers if she could keep alive the
spark of life, and that she could employ his own learning to that end.
Already she had much experience of her powers, and knew that if she once
had the mastery of the old man's free will he must obey her fatally and
unresistingly. Then she conceived the idea of embalming, as it were, the
living being, in a perpetual hypnotic lethargy, from whence she recalled
him from time to time to an intermediate state, in which she caused
him to do mechanically all those things which she judged necessary to
prolong life.

Seeing her success from the first, she had begun to fancy that the
present condition of things might be made to continue indefinitely.
Since death was to-day no nearer than it had been seven years ago, there
was no reason why it might not be guarded against during seven years
more, and if during seven, why not during ten, twenty, fifty? She had
for a helper a physician of consummate practical skill--a man whose
interest in the result of the trial was, if anything, more keen than
her own; a friend, above all, whom she believed she might trust, and who
appeared to trust her.

But in the course of their great experiment they had together made
rules by which they had mutually agreed to be bound. They had of late
determined that the old man must not be disturbed in his profound rest
by any question tending to cause a state of mental activity. The test of
a very fine instrument had proved that the shortest interval of positive
lucidity was followed by a slight but distinctly perceptible rise
of temperature in the body, and this could mean only a waste of the
precious tissues they were so carefully preserving. They hoped and
believed that the grand crisis was at hand, and that, if the body did
not now lose strength and vitality for a considerable time, both would
slowly though surely increase, in consequence of the means they were
using to instill new blood into the system. But the period was supreme,
and to interfere in any way with the progress of the experiment was to
run a risk of which the whole extent could only be realised by Unorna
and her companion.

She hesitated therefore, well knowing that her ally would oppose her
intention with all his might, and dreading his anger, bold as she was,
almost as much as she feared the danger to the old man's life. On the
other hand, she had a motive which the physician could not have, and
which, as she was aware, he would have despised and condemned. She had a
question to ask, which she considered of vital importance to herself,
to which she firmly believed that the true answer would be given, and
which, in her womanly impetuosity and impatience, she could not bear
to leave unasked until the morrow, much less until months should have
passed away. Two very powerful incentives were at work, two of the very
strongest which have influence with mankind, love and a superstitious
belief in an especial destiny of happiness, at the present moment on the
very verge of realisation.

She believed profoundly in herself and in the suggestions of her own
imagination. So fixed and unalterable was that belief that it amounted
to positive knowledge, so far as it constituted a motive of action. In
her strange youth wild dreams had possessed her, and some of them, often
dreamed again, had become realities to her now. Her powers were natural,
those gifts which from time to time are seen in men and women, which are
alternately scoffed at as impostures, or accepted as facts, but which
are never understood either by their possessor or by those who witness
the results. She had from childhood the power to charm with eye and hand
all living things, the fascination which takes hold of the consciousness
through sight and touch and word, and lulls it to sleep. It was
witchery, and she was called a witch. In earlier centuries her hideous
fate would have been sealed from the first day when, under her childish
gaze, a wolf that had been taken alive in the Bohemian forest crawled
fawning to her feet, at the full length of its chain, and laid its
savage head under her hand, and closed its bloodshot eyes and slept
before her. Those who had seen had taken her and taught her how to
use what she possessed according to their own shadowy beliefs and dim
traditions of the half-forgotten magic in a distant land. They had
filled her heart with longings and her brain with dreams, and she had
grown up to believe that one day love would come suddenly upon her and
bear her away through the enchanted gates of the earthly paradise; once
only that love would come, and the supreme danger of her life would be
that she should not know it when it was at hand.

And now she knew that she loved, for the place of her fondness for
the one man had been taken by her passion for the other, and she felt
without reasoning, where, before, she had tried to reason herself into
feeling. The moment had come. She had seen the man in whom her happiness
was to be, the time was short, the danger great if she should not grasp
what her destiny would offer her but once. Had the Wanderer been by her
side, she would have needed to ask no question, she would have known and
been satisfied. But hours must pass before she could see him again, and
every minute spent without him grew more full of anxiety and disturbing
passion than the last. The wild love-blossom that springs into existence
in a single moment has elements which do not enter into the gentler
being of that other love which is sown in indifference, and which grows
up in slowly increasing interest, tended and refreshed in the pleasant
intercourse of close acquaintance, to bud and bloom at last as
a mild-scented garden flower. Love at first sight is impatient,
passionate, ruthless, cruel, as the year would be, if from the calendar
of the season the months of slow transition were struck out; if the
raging heat of August followed in one day upon the wild tempests of the
winter; if the fruit of the vine but yesterday in leaf grew rich and
black to-day, to be churned to foam to-morrow under the feet of the
laughing wine treaders.

Unorna felt that the day would be intolerable if she could not hear from
other lips the promise of a predestined happiness. She was not really in
doubt, but she was under the imperious impulse of a passion which
must needs find some response, even in the useless confirmation of its
reality uttered by an indifferent person--the spirit of a mighty cry
seeking its own echo in the echoless, flat waste of the Great Desert.

Then, too, she placed a sincere faith in the old man's answers to her
questions, regardless of the matter inquired into. She believed that
in the mysterious condition between sleep and waking which she could
command, the knowledge of things to be was with him as certainly as the
memory of what had been and of what was even now passing in the outer
world. To her, the one direction of the faculty seemed no less possible
than the others, though she had not yet attained alone to the vision of
the future. Hitherto the old man's utterances had been fulfilled to the
letter. More than once, as Keyork Arabian had hinted, she had consulted
his second sight in preference to her own, and she had not been
deceived. His greater learning and his vast experience lent to his
sayings something divine in her eyes; she looked upon him as the
Pythoness of Delphi looked upon the divinity of her inspiration.

The irresistible longing to hear the passionate pleadings of her own
heart solemnly confirmed by the voice in which she trusted overcame at
last every obstacle. Unorna bent over the sleeper, looking earnestly
into his face, and she laid one hand upon his brow.

"You hear me," she said, slowly and distinctly. "You are conscious of
thought, and you see into the future."

The massive head stirred, the long limbs moved uneasily under the white
robe, the enormous, bony hands contracted, and in the cavernous eyes the
great lids were slowly lifted. A dull stare met her look.

"Is it he?" she asked, speaking more quickly in spite of herself. "Is it
he at last?"

There was no answer. The lips did not part, there was not even the
attempt to speak. She had been sure that the one word would be spoken
unhesitatingly, and the silence startled her and brought back the doubt
which she had half forgotten.

"You must answer my question. I command you to answer me. Is it he?"

"You must tell me more before I can answer."

The words came in a feeble piping voice, strangely out of keeping with
the colossal frame and imposing features.

Unorna's face was clouded, and the ready gleam of anger flashed in her
eyes as it ever did at the smallest opposition to her will.

"Can you not see him?" she asked impatiently.

"I cannot see him unless you lead me to him and tell me where he is."

"Where are you?"

"In your mind."

"And what are you?"

"I am the image in your eyes."

"There is another man in my mind," said Unorna. "I command you to see
him."

"I see him. He is tall, pale, noble, suffering. You love him."

"Is it he who shall be my life and my death? Is it he who shall love me
as other women are not loved?"

The weak voice was still for a moment, and the face seemed covered with
a veil of perplexity.

"I see with your eyes," said the old man at last.

"And I command you to see into the future with your own!" cried Unorna,
concentrating her terrible will as she grew more impatient.

There was an evident struggle in the giant's mind, an effort to obey
which failed to break down an obstacle. She bent over him eagerly and
her whole consciousness was centered in the words she desired him to
speak.

Suddenly the features relaxed into an expression of rest and
satisfaction. There was something unearthly in the sudden smile that
flickered over the old waxen face--it was as strange and unnatural as
though the cold marble effigy upon a sepulchre had laughed aloud in the
gloom of an empty church.

"I see. He will love you," said the tremulous tones.

"Then it is he?"

"It is he."

With a suppressed cry of triumph Unorna lifted her head and stood
upright. Then she started violently and grew very pale.

"You have probably killed him and spoiled everything," said a rich bass
voice at her elbow--the very sub-bass of all possible voices.

Keyork Arabian was beside her. In her intense excitement she had not
heard him enter the room, and he had surprised her at once in the
breaking of their joint convention and in the revelation of her secret.
If Unorna could be said to know the meaning of the word fear in any
degree whatsoever, it was in relation to Keyork Arabian, the man who
during the last few years had been her helper and associate in the great
experiment. Of all men she had known in her life, he was the only one
whom she felt to be beyond the influence of her powers, the only one
whom she felt that she could not charm by word, or touch, or look. The
odd shape of his head, she fancied, figured the outline and proportions
of his intelligence, which was, as it were, pyramidal, standing upon a
base so broad and firm as to place the centre of its ponderous gravity
far beyond her reach to disturb. There was certainly no other being of
material reality that could have made Unorna start and turn pale by its
inopportune appearance.

"The best thing you can do is to put him to sleep at once," said the
little man. "You can be angry afterwards, and, I thank heaven, so can
I--and shall."

"Forget," said Unorna, once more laying her hand upon the waxen brow.
"Let it be as though I had not spoken with you. Drink, in your sleep,
of the fountain of life, take new strength into your body and new blood
into your heart. Live, and when I next wake you be younger by as many
months as there shall pass hours till then. Sleep."

A low sigh trembled in the hoary beard. The eyelids drooped over the
sunken eyes, there was a slight motion of the limbs, and all was still,
save for the soft and regular breathing.

"The united patience of the seven archangels, coupled with that of Job
and Simon Stylites, would not survive your acquaintance for a day,"
observed Keyork Arabian.

"Is he mine or yours?" Unorna asked, turning to him and pointing to the
sleeper.

She was quite ready to face her companion after the first shock of his
unexpected appearance. His small blue eyes sparkled angrily.

"I am not versed in the law concerning real estate in human kind in the
Kingdom of Bohemia," he answered. "You may have property in a couple of
hundredweight, more or less, of old bones rather the worse for the wear
and tear of a century, but I certainly have some ownership in the life.
Without me, you would have been the possessor of a remarkably fine
skeleton by this time--and of nothing more."

As he spoke, his extraordinary voice ran over half a dozen notes of
portentous depth, like the opening of a fugue on the pedals of an organ.
Unorna laughed scornfully.

"He is mine, Keyork Arabian, alive or dead. If the experiment fails,
and he dies, the loss is mine, not yours. Moreover, what I have done is
done, and I will neither submit to your reproaches nor listen to your
upbraidings. Is that enough?"

"Of its kind, quite. I will build an altar to Ingratitude, we will bury
our friend beneath the shrine, and you shall serve in the temple. You
could deify all the cardinal sins if you would only give your attention
to the subject, merely by the monstrously imposing proportions you would
know how to give them."

"Does it ease you to make such an amazing noise?" inquired Unorna,
raising her eyebrows.

"Immensely. Our friend cannot hear it, and you can. You dare to tell me
that if he dies you are the only loser. Do fifty years of study count
for nothing? Look at me. I am an old man, and unless I find the secret
of life here, in this very room, before many years are over, I must
die--die, do you understand? Do you know what it means to die? How can
you comprehend that word--you girl, you child, you thing of five and
twenty summers!"

"It was to be supposed that your own fears were at the root of your
anger," observed Unorna, sitting down upon her chair and calmly folding
her hands as though to wait until the storm should pass over.

"Is there anything at the root of anything except Self? You moth, you
butterfly, you thread of floating gossamer! How can you understand the
incalculable value of Self--of that which is all to me and nothing to
you, or which, being yours, is everything to you and to me nothing? You
are so young--you still believe in things, and interests, and good and
evil, and love and hate, truth and falsehood, and a hundred notions
which are not facts, but only contrasts between one self and another!
What were you doing here when I found you playing with life and death,
perhaps with my life, for a gipsy trick, in the crazy delusion that this
old parcel of humanity can see the shadows of things which are not yet?
I saw, I heard. How could he answer anything save that which was in your
own mind, when you were forcing him with your words and your eyes to
make a reply of some sort, or perish? Ah! You see now. You understand
now. I have opened your eyes a little. Why did he hesitate, and suffer?
Because you asked that to which he knew there was no answer. And you
tortured him with your will until his individuality fell into yours, and
spoke your words."

Unorna's head sank a little and she covered her eyes. The truth of what
he said flashed upon her suddenly and unexpectedly, bringing with it the
doubt which had left her at the moment when the sleeper had spoken. She
could not hide her discomfiture and Keyork Arabian saw his advantage.

"And for what?" he asked, beginning to pace the broad room. "To know
whether a man will love you or not! You seem to have forgotten what
you are. Is not such a poor and foolish thing as love at the command of
those who can say to the soul, be this, or be that, and who are obeyed?
Have you found a second Keyork Arabian, over whom your eyes have no
power--neither the one nor the other?"

He laughed rather brutally at the thought of her greatest physical
peculiarity, but then suddenly stopped short. She had lifted her face
and those same eyes were fastened upon him, the black and the gray, in a
look so savage and fierce that even he was checked, if not startled.

"They are certainly very remarkable eyes," he said, more calmly, and
with a certain uneasiness which Unorna did not notice. "I wonder whom
you have found who is able to look you in the face without losing
himself. I suppose it can hardly be my fascinating self whom you wish to
enthrall," he added, conscious after a moment's trial that he was proof
against her influence.

"Hardly," answered Unorna, with a bitter laugh.

"If I were the happy man you would not need that means of bringing me to
your feet. It is a pity that you do not want me. We should make a very
happy couple. But there is much against me. I am an old man, Unorna. My
figure was never of divine proportions, and as for my face, Nature made
it against her will. I know all that--and yet, I was young once, and
eloquent. I could make love then--I believe that I could still if it
would amuse you."

"Try it," said Unorna, who, like most people, could not long be angry
with the gnome-like little sage.



CHAPTER VI

"I could make love--yes, and since you tell me to try, I will."

He came and stood before her, straightening his diminutive figure in a
comical fashion as though he were imitating a soldier on parade.

"In the first place," he said, "in order to appreciate my skill, you
should realise the immense disadvantages under which I labour. I am a
dwarf, my dear Unorna. In the presence of that kingly wreck of a Homeric
man"--he pointed to the sleeper beside them--"I am a Thersites, if not
a pigmy. To have much chance of success I should ask you to close your
eyes, and to imagine that my stature matches my voice. That gift at
least, I flatter myself, would have been appreciated on the plains of
Troy. But in other respects I resemble neither the long-haired Greeks
nor the trousered Trojans. I am old and hideous, and in outward
appearance I am as like Socrates as in inward disposition I am totally
different from him. Admit, since I admit it, that I am the ugliest and
smallest man of your acquaintance."

"It is not to be denied," said Unorna with a smile.

"The admission will make the performance so much the more interesting.
And now, as the conjurer says when he begins, observe that there is no
deception. That is the figure of speech called lying, because there is
to be nothing but deception from beginning to end. Did you ever consider
the nature of a lie, Unorna? It is a very interesting subject."

"I thought you were going to make love to me."

"True; how easily one forgets those little things! And yet no woman ever
forgave a man who forgot to make love when she expected him to do so.
For a woman, who is a woman, never forgets to be exigent. And now there
is no reprieve, for I have committed myself, am sentenced, and
condemned to be made ridiculous in your eyes. Can there be anything more
contemptible, more laughable, more utterly and hopelessly absurd, than
an old and ugly man declaring his unrequited passion for a woman who
might be his granddaughter? Is he not like a hoary old owl, who leaves
his mousing to perch upon one leg and hoot love ditties at the evening
star, or screech out amorous sonnets to the maiden moon?"

"Very like," said Unorna with a laugh.

"And yet--my evening star--dear star of my fast-sinking evening--golden
Unorna--shall I be cut off from love because my years are many? Or
rather, shall I not love you the more, because the years that are left
are few and scantily blessed? May not your dawn blend with my sunset and
make together one short day?"

"That is very pretty," said Unorna, thoughtfully. He had the power of
making his speech sound like a deep, soft music.

"For what is love?" he asked. "Is it a garment, a jewel, a fanciful
ornament which only boys and girls may wear upon a summer's holiday? May
we take it or leave it, as we please? Wear it, if it shows well upon our
beauty, or cast it off for others to put on when we limp aside out of
the race of fashion to halt and breathe before we die? Is love beauty?
Is love youth? Is love yellow hair or black? Is love the rose upon the
lip or the peach blossom in the cheek, that only the young may call it
theirs? Is it an outward grace, which can live but so long as the other
outward graces are its companions, to perish when the first gray hair
streaks the dark locks? Is it a glass, shivered by the first shock
of care as a mirror by a sword-stroke? Is it a painted mask, washed
colourless by the first rain of autumn tears? Is it a flower, so tender
that it must perish miserably in the frosty rime of earliest winter? Is
love the accident of youth, the complement of a fresh complexion, the
corollary of a light step, the physical concomitant of swelling pulses
and unstrained sinews?"

Keyork Arabian laughed softly. Unorna was grave and looked up into his
face, resting her chin upon her hand.

"If that is love, if that is the idol of your shrine, the vision of your
dreams, the familiar genius of your earthly paradise, why then, indeed,
he who worships by your side, and who would share the habitation of
your happiness, must wear Absalom's anointed curls and walk with Agag's
delicate step. What matter if he be but a half-witted puppet? He is
fair. What matter if he be foolish, faithless, forgetful, inconstant,
changeable as the tide of the sea? He is young. His youth shall cover
all his deficiencies and wipe out all his sins! Imperial love, monarch
and despot of the human soul, is become the servant of boys for the wage
of a girl's first thoughtless kiss. If that is love let it perish out of
the world, with the bloom of the wood violet in spring, with the flutter
of the bright moth in June, with the song of the nightingale and the
call of the mocking-bird, with all things that are fair and lovely and
sweet but for a few short days. If that is love, why then love never
made a wound, nor left a scar, nor broke a heart in this easy-going
rose-garden of a world. The rose blooms, blows, fades and withers and
feels nothing. If that is love, we may yet all develop into passionless
promoters of a flat and unprofitable commonwealth; the earth may yet be
changed to a sweetmeat for us to feed on, and the sea to sugary lemonade
for us to drink, as the mad philosopher foretold, and we may yet all be
happy after love has left us."

Unorna smiled, while he laughed again.

"Good," she said. "You tell me what love is not, but you have not told
me what it is."

"Love is the immortal essence of mortal passion, together they are as
soul and body, one being; separate them, and the body without the soul
is a monster, the soul without the body is no longer human, nor earthly,
nor real to us at all, though still divine. Love is the world's maker,
master and destroyer, the magician whose word can change water to blood,
and blood to fire, the dove to a serpent, and the serpent to a dove--ay,
and can make of that same dove an eagle, with an eagle's beak, and
talons, and air-cleaving wing-stroke. Love is the spirit of life and the
angel of death. He speaks, and the thorny wilderness of the lonely heart
is become a paradise of flowers. He is silent, and the garden is but a
blackened desert over which a destroying flame has passed in the arms of
the east wind. Love stands at the gateway of each human soul, holding in
his hands a rose and a drawn sword--the sword is for the many, the rose
for the one."

He sighed and was silent. Unorna looked at him curiously.

"Have you ever loved, that you should talk like that?" she asked. He
turned upon her almost fiercely.

"Loved? Yes, as you can never love; as you, in your woman's heart, can
never dream of loving--with every thought, with every fibre, with
every pulse, with every breath; with a love that is burning the old oak
through and through, root and branch, core and knot, to feathery ashes
that you may scatter with a sigh--the only sigh you will ever breathe
for me, Unorna. Have I loved? Can I love? Do I love to-day as I loved
yesterday and shall love to-morrow? Ah, child! That you should ask that,
with your angel's face, when I am in hell for you! When I would give my
body to death and my soul to darkness for a touch of your hand, for as
much kindness and gentleness in a word from your dear lips as you give
the beggars in the street! When I would tear out my heart with my hands
to feed the very dog that fawns on you--and who is more to you than
I, because he is yours, and all that is yours I love, and worship, and
adore!"

Unorna had looked up and smiled at first, believing that it was all but
a comedy, as he had told her that it should be. But as he spoke, and the
strong words chased each other in the torrent of his passionate speech,
she was startled and surprised. There was a force in his language, a
fiery energy in his look, a ring of half-desperate hope in his deep
voice, which moved her to strange thoughts. His face, too, was changed
and ennobled, his gestures larger, even his small stature ceased, for
once, to seem dwarfish and gnome-like.

"Keyork Arabian, is it possible that you love me?" she cried, in her
wonder.

"Possible? True? There is neither truth nor possibility in anything else
for me, in anything, in any one, but you, Unorna. The service of my love
fills the days and the nights and the years with you--fills the world
with you only; makes heaven to be on earth, since heaven is but the air
that is made bright with your breath, as the temple of all temples is
but the spot whereon your dear feet stand. The light of life is where
you are, the darkness of death is everywhere where you are not. But I am
condemned to die, cut off, predestined to be lost--for you have no pity,
Unorna, you cannot find it in you to be sorry for the poor old man whose
last pulse will beat for you; whose last word will be your name; whose
last look upon your beauty will end the dream in which he lived his
life. What can it be to you, that I love you so? Why should it be
anything to you? When I am gone--with the love of you in my heart,
Unorna--when they have buried the ugly old body out of your sight, you
will not even remember that I was once your companion, still less that
I knelt before you, that I kissed the ground on which you stood; that I
loved you as men love whose hearts are breaking, that I touched the hem
of your garment and was for one moment young--that I besought you to
press my hand but once, with one thought of kindness, with one last and
only word of human pity--"

He broke off suddenly, and there was a tremor in his voice which lent
intense expression to the words. He was kneeling upon one knee beside
Unorna, but between her and the light, so that she saw his face
indistinctly. She could not but pity him. She took his outstretched hand
in hers.

"Poor Keyork!" she said, very kindly and gently. "How could I have ever
guessed all this?"

"It would have been exceedingly strange if you had," answered Keyork, in
a tone that made her start.

Then a magnificent peal of bass laughter rolled through the room, as the
gnome sprang suddenly to his feet.

"Did I not warn you?" asked Keyork, standing back and contemplating
Unorna's surprised face with delight. "Did I not tell you that I was
going to make love to you? That I was old and hideous and had everything
against me? That it was all a comedy for your amusement? That there was
to be nothing but deception from beginning to end? That I was like a
decrepit owl screeching at the moon, and many other things to a similar
effect?"

Unorna smiled somewhat thoughtfully.

"You are the greatest of great actors, Keyork Arabian. There is
something diabolical about you. I sometimes almost think that you are
the devil himself!"

"Perhaps I am," suggested the little man cheerfully.

"Do you know that there is a horror about all this?" Unorna rose to her
feet. Her smile had vanished and she seemed to feel cold.

As though nothing had happened, Keyork began to make his daily
examination of his sleeping patient, applying his thermometer to the
body, feeling the pulse, listening to the beatings of the heart with
his stethoscope, gently drawing down the lower lid of one of the eyes
to observe the colour of the membrane, and, in a word, doing all those
things which he was accustomed to do under the circumstances with a
promptness and briskness which showed how little he feared that the
old man would wake under his touch. He noted some of the results of his
observations in a pocket-book. Unorna stood still and watched him.

"Do you remember ever to have been in the least degree like other
people?" she asked, speaking after a long silence, as he was returning
his notes to his pocket.

"I believe not," he answered. "Nature spared me that indignity--or
denied me that happiness--as you may look at it. I am not like other
people, as you justly remark. I need not say that it is the other people
who are the losers."

"The strange thing is, that you should be able to believe so much of
yourself when you find it so hard to believe good of your fellow-men."

"I object to the expression, 'fellow-men,'" returned Keyork promptly.
"I dislike phrases, and, generally, maxims as a whole, and all their
component parts. A woman must have invented that particular phrase of
yours in order to annoy a man she disliked."

"And why, if you please?"

"Because no one ever speaks of 'fellow-women.' The question of woman's
duty to man has been amply discussed since the days of Menes the
Thinite--but no one ever heard of a woman's duty to her fellow-women;
unless, indeed, her duty is to try and outdo them by fair means or foul.
Then why talk of man and his fellow-men? I can put the wisest rule of
life into two short phrases."

"Give me the advantage of your wisdom."

"The first rule is, Beware of women."

"And the second?"

"Beware of men," laughed the little sage. "Observe the simplicity and
symmetry. Each rule has three words, two of which are the same in each,
so that you have the result of the whole world's experience at your
disposal at the comparatively small expenditure of one verb, one
preposition, and two nouns."

"There is little room for love in your system," remarked Unorna, "for
such love, for instance, as you described to me a few minutes ago."

"There is too much room for it in yours," retorted Keyork. "Your system
is constantly traversed in all directions by bodies, sometimes nebulous
and sometimes fiery, which move in unknown orbits at enormous rates of
speed. In astronomy they call them comets, and astronomers would be much
happier without them."

"I am not an astronomer."

"Fortunately for the peace of the solar system. You have been sending
your comets dangerously near to our sick planet," he added, pointing to
the sleeper. "If you do it again he will break up into asteroids. To use
that particularly disagreeable and suggestive word invented by men, he
will die."

"He seems no worse," said Unorna, contemplating the massive, peaceful
face.

"I do not like the word 'seems,'" answered Keyork. "It is the refuge
of inaccurate persons, unable to distinguish between facts and
appearances."

"You object to everything to-day. Are there any words which I may use
without offending your sense of fitness in language?"

"None which do not express a willing affirmation of all I say. I will
receive any original speech on your part at the point of the sword.
You have done enough damage to-day, without being allowed the luxury
of dismembering common sense. Seems, you say! By all that is unholy! By
Eblis, Ahriman, and the Three Black Angels! He is worse, and there is
no seeming. The heat is greater, the pulse is weaker, the heart flutters
like a sick bird."

Unorna's face showed her anxiety.

"I am sorry," she said, in a low voice.

"Sorry! No doubt you are. It remains to be seen whether your sorrow
can be utilized as a simple, or macerated in tears to make a tonic, or
sublimated to produce a corrosive which will destroy the canker, death.
But be sorry by all means. It occupies your mind without disturbing
me, or injuring the patient. Be sure that if I can find an active
application for your sentiment, I will give you the rare satisfaction of
being useful."

"You have the art of being the most intolerably disagreeable of living
men when it pleases you."

"When you displease me, you should say. I warn you that if he dies--our
friend here--I will make further studies in the art of being unbearable
to you. You will certainly be surprised by the result."

"Nothing that you could say or do would surprise me."

"Indeed? We shall see."

"I will leave you to your studies, then. I have been here too long as it
is."

She moved and arranged the pillow under the head of the sleeping giant
and adjusted the folds of his robe. Her touch was tender and skilful in
spite of her ill-suppressed anger. Then she turned away and went towards
the door. Keyork Arabian watched her until her hand was upon the latch.
His sharp eyes twinkled, as though he expected something amusing to
occur.

"Unorna!" he said, suddenly, in an altered voice. She stopped and looked
back.

"Well?"

"Do not be angry, Unorna. Do not go away like this."

Unorna turned, almost fiercely, and came back a step.

"Keyork Arabian, do you think you can play upon me as on an instrument?
Do you suppose that I will come and go at your word like a child--or
like a dog? Do you think you can taunt me at one moment, and flatter me
the next, and find my humour always at your command?"

The gnome-like little man looked down, made a sort of inclination of his
short body, and laid his hand upon his heart.

"I was never presumptuous, my dear lady. I never had the least intention
of taunting you, as you express it, and as for your humour--can you
suppose that I could expect to command, where it is only mine to obey?"

"It is of no use to talk in that way," said Unorna, haughtily. "I am not
prepared to be deceived by your comedy this time."

"Nor I to play one. Since I have offended you, I ask your pardon.
Forgive the expression, for the sake of the meaning; the thoughtless
word for the sake of the unworded thought."

"How cleverly you turn and twist both thoughts and words!"

"Do not be so unkind, dear friend."

"Unkind to you? I wish I had the secret of some unkindness that you
should feel!"

"The knowledge of what I can feel is mine alone," answered Keyork, with
a touch of sadness. "I am not a happy man. The world, for me, holds but
one interest and one friendship. Destroy the one, or embitter the other,
and Keyork's remnant of life becomes but a foretaste of death."

"And that interest--that friendship--where are they?" asked Unorna in a
tone still bitter, but less scornful than before.

"Together, in this room, and both in danger, the one through your young
haste and impetuosity, the other through my wretched weakness in being
made angry; forgive me, Unorna, as I ask forgiveness----"

"Your repentance is too sudden; it savours of the death-bed."

"Small wonder, when my life is in the balance."

"Your life?" She uttered the question incredulously, but not without
curiosity.

"My life--and for your word," he answered, earnestly. He spoke so
impressively, and in so solemn a tone, that Unorna's face became grave.
She advanced another step towards him, and laid her hand upon the back
of the chair in which she previously had sat.

"We must understand each other--to-day or never," she said. "Either we
must part and abandon the great experiment--for, if we part, it must be
abandoned--"

"We cannot part, Unorna."

"Then, if we are to be associates and companions--"

"Friends," said Keyork in a low voice.

"Friends? Have you laid the foundation for a friendship between us?
You say that your life is in the balance. That is a figure of speech, I
suppose. Or has your comedy another act? I can believe well enough that
your greatest interest in life lies there, upon that couch, asleep. I
know that you can do nothing without me, as you know it yourself. But in
your friendship I can never trust--never!--still less can I believe that
any words of mine can affect your happiness, unless they be those you
need for the experiment itself. Those, at least, I have not refused to
pronounce."

While she was speaking, Keyork began to walk up and down the room, in
evident agitation, twisting his fingers and bending down his head.

"My accursed folly!" he exclaimed, as though speaking to himself. "My
damnable ingenuity in being odious! It is not to be believed! That a man
of my age should think one thing and say another--like a tetchy girl
or a spoilt child! The stupidity of the thing! And then, to have the
idiotic utterances of the tongue registered and judged as a confession
of faith--or rather, of faithlessness! But it is only just--it is only
right--Keyork Arabian's self is ruined again by Keyork Arabian's vile
speeches, which have no more to do with his self than the clouds on
earth have with the sun above them! Ruined, ruined--lost, this time. Cut
off from the only living being he respects--the only being whose
respect he covets; sent back to die in his loneliness, to perish like
a friendless beast, as he is, to the funereal music of his own
irrepressible snarling! To growl himself out of the world, like a
broken-down old tiger in the jungle, after scaring away all possible
peace and happiness and help with his senseless growls! Ugh! It is
perfectly just, it is absolutely right and supremely horrible to think
of! A fool to the last, Keyork, as you always were--and who would make a
friend of such a fool?"

Unorna leaned upon the back of the chair watching him, and wondering
whether, after all, he were not in earnest this time. He jerked out his
sentences excitedly, striking his hands together and then swinging
his arms in strange gestures. His tone, as he gave utterance to his
incoherent self-condemnation, was full of sincere conviction and of
anger against himself. He seemed not to see Unorna, nor to notice her
presence in the room. Suddenly, he stopped, looked at her and came
towards her. His manner became very humble.

"You are right, my dear lady," he said. "I have no claim to your
forbearance for my outrageous humours. I have offended you, insulted
you, spoken to you as no man should speak to any woman. I cannot even
ask you to forgive me, and, if I tell you that I am sorry, you will not
believe me. Why should you? But you are right. This cannot go on. Rather
than run the risk of again showing you my abominable temper, I will go
away."

His voice trembled and his bright eyes seemed to grow dull and misty.

"Let this be our parting," he continued, as though mastering his
emotion. "I have no right to ask anything, and yet I ask this of you.
When I have left you, when you are safe for ever from my humours and my
tempers and myself--then, do not think unkindly of Keyork Arabian. He
would have seemed the friend he is, but for his unruly tongue."

Unorna hesitated a moment. Then she put out her hand, convinced of his
sincerity in spite of herself.

"Let bygones be bygones, Keyork," she said. "You must not go, for I
believe you."

At the words, the light returned to his eyes, and a look of
ineffable beatitude overspread the face which could be so immovably
expressionless.

"You are as kind as you are good, Unorna, and as good as you are
beautiful," he said, and with a gesture which would have been courtly in
a man of nobler stature, but which was almost grotesque in such a dwarf,
he raised her fingers to his lips.

This time, no peal of laugher followed to destroy the impression he had
produced upon Unorna. She let her hand rest in his a few seconds, and
then gently withdrew it.

"I must be going," she said.

"So soon?" exclaimed Keyork regretfully. "There were many things I had
wished to say to you to-day, but if you have no time----"

"I can spare a few minutes," answered Unorna, pausing. "What is it?"

"One thing is this." His face had again become impenetrable as a mask
of old ivory, and he spoke in his ordinary way. "This is the question. I
was in the Teyn Kirche before I came here."

"In church!" exclaimed Unorna in some surprise, and with a slight smile.

"I frequently go to church," answered Keyork gravely. "While there, I
met an old acquaintance of mine, a strange fellow whom I have not seen
for years. The world is very small. He is a great traveller--a wanderer
through the world."

Unorna looked up quickly, and a very slight colour appeared in her
cheeks.

"Who is he?" she asked, trying to seem indifferent. "What is his name?"

"His name? It is strange, but I cannot recall it. He is very tall, wears
a dark beard, has a pale, thoughtful face. But I need not describe him,
for he told me that he had been with you this morning. That is not the
point."

He spoke carelessly and scarcely glanced at Unorna while speaking.

"What of him?" she inquired, trying to seem as indifferent as her
companion.

"He is a little mad, poor man, that is all. It struck me that, if you
would, you might save him. I know something of his story, though not
much. He once loved a young girl, now doubtless dead, but whom he still
believes to be alive, and he spends--or wastes--his life in a useless
search for her. You might cure him of the delusion."

"How do you know that the girl is dead?"

"She died in Egypt, four years ago," answered Keyork. "They had taken
her there in the hope of saving her, for she was at death's door
already, poor child."

"But if you convince him of that."

"There is no convincing him, and if he were really convinced he would
die himself. I used to take an interest in the man, and I know that you
could cure him in a simpler and safer way. But of course it lies with
you."

"If you wish it, I will try," Unorna answered, turning her face from the
light. "But he will probably not come back to me."

"He will. I advised him very strongly to come back, very strongly
indeed. I hope I did right. Are you displeased?"

"Not at all!" Unorna laughed a little. "And if he comes, how am I to
convince him that he is mistaken, and that the girl is dead?"

"That is very simple. You will hypnotise him, he will yield very
easily, and you will suggest to him very forcibly to forget the girl's
existence. You can suggest to him to come back to-morrow and the next
day, or as often as you please, and you can renew the suggestion
each time. In a week he will have forgotten--as you know people can
forget--entirely, totally, without hope of recalling what is lost."

"That is true," said Unorna, in a low voice. "Are you sure that the
effect will be permanent?" she asked with sudden anxiety.

"A case of the kind occurred in Hungary last year. The cure was effected
in Pesth. I was reading it only a few months ago. The oblivion was still
complete, as long as six months after the treatment, and there seems no
reason to suppose that the patient's condition will change. I thought it
might interest you to try it."

"It will interest me extremely. I am very grateful to you for telling me
about him."

Unorna had watched her companion narrowly during the conversation,
expecting him to betray his knowledge of a connection between the
Wanderer's visit and the strange question she had been asking of the
sleeper when Keyork had surprised her. She was agreeably disappointed in
this however. He spoke with a calmness and ease of manner which disarmed
suspicion.

"I am glad I did right," said he.

He stood at the foot of the couch upon which the sleeper was lying, and
looked thoughtfully and intently at the calm features.

"We shall never succeed in this way," he said at last. "This condition
may continue indefinitely, till you are old, and I--until I am older
than I am by many years. He may not grow weaker, but he cannot grow
stronger. Theories will not renew tissues."

Unorna looked up.

"That has always been the question," she answered. "At least, you have
told me so. Will lengthened rest and perfect nourishment alone give a
new impulse to growth or will they not?"

"They will not. I am sure of it now. We have arrested decay, or made it
so slow as to be imperceptible. But we have made many attempts to renew
the old frame, and we are no farther advanced than we were nearly four
years ago. Theories will not make tissues."

"What will?"

"Blood," answered Keyork Arabian very softly.

"I have heard of that being done for young people in illness," said
Unorna.

"It has never been done as I would do it," replied the gnome, shaking
his head and gathering his great beard in his hand, as he gazed at the
sleeper.

"What would you do?"

"I would make it constant for a day, or for a week if I could--a
constant circulation; the young heart and the old should beat together;
it could be done in the lethargic sleep--an artery and a vein--a vein
and an artery--I have often thought of it; it could not fail. The new
young blood would create new tissue, because it would itself constantly
be renewed in the young body which is able to renew it, only expending
itself in the old. The old blood would itself become young again as it
passed to the younger man."

"A man!" exclaimed Unorna.

"Of course. An animal would not do, because you could not produce the
lethargy nor make use of suggestion for healing purposes--"

"But it would kill him!"

"Not at all, as I would do it, especially if the young man were very
strong and full of life. When the result is obtained, an antiseptic
ligature, suggestion of complete healing during sleep, proper
nourishment, such as we are giving at present, by recalling the patient
to the hypnotic state, sleep again, and so on; in eight and forty hours
your young man would be waked and would never know what had happened to
him--unless he felt a little older, by nervous sympathy," added the sage
with a low laugh.

"Are you perfectly sure of what you say?" asked Unorna eagerly.

"Absolutely. I have examined the question for years. There can be no
doubt of it. Food can maintain life, blood alone can renew it."

"Have you everything you need here?" inquired Unorna.

"Everything. There is no hospital in Europe that has the appliances we
have prepared for every emergency."

He looked at her face curiously. It was ghastly pale with excitement.
The pupil of her brown eye was so widely expanded that the iris looked
black, while the aperture of the gray one was contracted to the size
of a pin's head, so that the effect was almost that of a white and
sightless ball.

"You seem interested," said the gnome.

"Would such a man--such a man as Israel Kafka answer the purpose?" she
asked.

"Admirably," replied the other, beginning to understand.

"Keyork Arabian," whispered Unorna, coming close to him and bending down
to his ear, "Israel Kafka is alone under the palm tree where I always
sit. He is asleep, and he will not wake."

The gnome looked up and nodded gravely. But she was gone almost before
she had finished speaking the words.

"As upon an instrument," said the little man, quoting Unorna's angry
speech. "Truly I can play upon you, but it is a strange music."

Half an hour later Unorna returned to her place among the flowers, but
Israel Kafka was gone.



CHAPTER VII

The Wanderer, when Keyork Arabian had left him, had intended to revisit
Unorna without delay, but he had not proceeded far in the direction of
her house when he turned out of his way and entered a deserted street
which led towards the river. He walked slowly, drawing his furs closely
about him, for it was very cold.

He found himself in one of those moments of life in which the
presentiment of evil almost paralyses the mind's power of making
any decision. In general, a presentiment is but the result upon the
consciousness of conscious or unconscious fear. This fear is very often
the natural consequence of the reaction which, in melancholy natures,
comes almost inevitably after a sudden and unexpected satisfaction
or after a period in which the hopes of the individual have been
momentarily raised by some unforeseen circumstance. It is by no means
certain that hope is of itself a good thing. The wise and mournful
soul prefers the blessedness of that non-expectancy which shall not be
disappointed, to the exhilarating pleasures of an anticipation which may
prove empty. In this matter lies one of the great differences between
the normal moral state of the heathen and that of the Christian. The
Greek hoped for all things in this world and for nothing in the next;
the Christian, on the contrary, looks for a happiness to come hereafter,
while fundamentally denying the reality of any earthly joy whatsoever
in the present. Man, however, is so constituted as to find it almost
impossible to put faith in either bliss alone, without helping his
belief by borrowing some little refreshment from the hope of the other.
The wisest of the Greeks believed the soul to be immortal; the sternest
of Christians cannot forget that once or twice in his life he had been
contemptibly happy, and condemns himself for secretly wishing that he
might be as happy again before all is over. Faith is the evidence of
things unseen, but hope is the unreasoning belief that unseen things may
soon become evident. The definition of faith puts earthly disappointment
out of the question; that of hope introduces it into human affairs as a
constant and imminent probability.

The development of psychologic research in our day has proved beyond
a doubt that individuals of a certain disposition may be conscious of
events actually occurring, or which have recently occurred, at a great
distance; but it has not shown satisfactorily that things yet to happen
are foreshadowed by that restless condition of the sensibilities which
we call presentiment. We may, and perhaps must, admit that all that is
or has been produces a real and perceptible impression upon all else
that is. But there is as yet no good reason for believing that an
impression of what shall be can be conveyed by anticipation--without
reasoning--to the mind of man.

But though the realisation of a presentiment may be as doubtful as any
event depending upon chance alone, yet the immense influence which a
mere presentiment may exercise is too well known to be denied. The human
intelligence has a strong tendency to believe in its own reasonings,
of which, indeed, the results are often more accurate and reliable than
those reached by the physical perceptions alone. The problems which can
be correctly solved by inspection are few indeed compared with those
which fall within the province of logic. Man trusts to his reason, and
then often confounds the impressions produced by his passions with the
results gained by semi-conscious deduction. His love, his hate, his
anger create fears, and these supply him with presentiments which he is
inclined to accept as so many well-reasoned grounds of action. If he is
often deceived, he becomes aware of his mistake, and, going to the other
extreme, considers a presentiment as a sort of warning that the contrary
of what he expects will take place; if he chances to be often right he
grows superstitious.

The lonely man who was pacing the icy pavement of the deserted street on
that bitter winter's day felt the difficulty very keenly. He would not
yield and he could not advance. His heart was filled with forebodings
which his wisdom bade him treat with indifference, while his passion
gave them new weight and new horror with every minute that passed.

He had seen with his eyes and heard with his ears. Beatrice had been
before him, and her voice had reached him among the voices of thousands,
but now, since the hours has passed and he had not found her, it was as
though he had been near her in a dream, and the strong certainty took
hold of him that she was dead and that he had looked upon her wraith in
the shadowy church.

He was a strong man, not accustomed to distrust his senses, and his
reason opposed itself instantly to the suggestion of the supernatural.
He had many times, on entering a new city, felt himself suddenly elated
by the irresistible belief that his search was at an end, and that
within a few hours he must inevitably find her whom he had sought so
long. Often as he passed through the gates of some vast burying-place,
he had almost hesitated to walk through the silent ways, feeling all at
once convinced that upon the very first headstone he was about to
see the name that was ever in his heart. But the expectation of
final defeat, like the anticipation of final success, had been always
deceived. Neither living nor dead had he found her.

Two common, reasonable possibilities lay before him, and two only. He
had either seen Beatrice, or he had not. If she had really been in the
Teyn Kirche, she was in the city and not far from him. If she had not
been there, he had been deceived by an accidental but extraordinary
likeness. Within the logical concatenation of cause and effect there was
no room for any other supposition, and it followed that his course was
perfectly clear. He must continue his search until he should find the
person he had seen, and the result would be conclusive, for he would
again see the same face and hear the same voice. Reason told him that he
had in all likelihood been mistaken after all. Reason reminded him that
the church had been dark, the multitude of worshippers closely
crowded together, the voices that sang almost innumerable and wholly
undistinguishable from each other. Reason showed him a throng of
possibilities, all pointing to an error of his perceptions and all in
direct contradiction with the one fact which his loving instinct held
for true.

The fear of evil, the presentiment of death, defied logic and put its
own construction and interpretation upon the strange event. He neither
believed, nor desired to believe, in a supernatural visitation, yet
the inexplicable certainty of having seen a ghostly vision overwhelmed
reason and all her arguments. Beatrice was dead. Her spirit had passed
in that solemn hour when the Wanderer had stood in the dusky church; he
had looked upon her shadowy wraith, and had heard the echo of a voice
from beyond the stars, whose crystal tones already swelled the diviner
harmony of an angelic strain.

The impression was so strong at first as to be but one step removed from
conviction. The shadow of a great mourning fell upon him, of a grief
too terrible for words, too solemn for tears, too strong to find any
expression save in death itself. He walked heavily, bending his head,
his eyes half closed as though in bodily pain, the icy pavement rang
like iron under his tread, the frozen air pierced through him, as his
sorrow pierced his heart, the gloom of the fast-sinking winter's day
deepened as the darkness in his own soul. He, who was always alone, knew
at last what loneliness could mean. While she had lived she had been
with him always, a living, breathing woman, visible to his inner eyes,
speaking to his inward hearing, waking in his sleepless love. He had
sought her with restless haste and untiring strength through the length
and breadth of the whole world, but yet she had never left him, he had
never been separated from her for one moment, never, in the years of his
wandering, had he entered the temple of his heart without finding her
in its most holy place. Men had told him that she was dead, but he had
looked within himself and had seen that she was still alive; the dread
of reading her sacred name carved upon the stone that covered her
resting-place, had chilled him and made his sight tremble, but he had
entered the shrine of his soul and had found her again, untouched by
death, unchanged by years, living, loved, and loving. But now, when
he shut out the dismal street from view, and went to the sanctuary and
kneeled upon the threshold, he saw but a dim vision, as of something
lying upon an altar in the dark, something shrouded in white, something
shapely and yet shapeless, something that had been and was not any more.

He reached the end of the street, but he felt a reluctance to leave
it, and turned back again, walking still more slowly and heavily than
before. So far as any outward object or circumstance could be said to be
in harmony with his mood, the dismal lane, the failing light, the bitter
air, were at that moment sympathetic to him. The tomb itself is not more
sepulchral than certain streets and places in Prague on a dark
winter's afternoon. In the certainty that the last and the greatest of
misfortunes had befallen him, the Wanderer turned back into the gloomy
by-way as the pale, wreathing ghosts, fearful of the sharp daylight
and the distant voices of men, sink back at dawn into the graves out
of which they have slowly risen to the outer air in the silence of the
night.

Death, the arch-steward of eternity, walks the bounds of man's entailed
estate, and the headstones of men's graves are landmarks in the great
possession committed to his stewardship, enclosing within their narrow
ring the wretched plot of land which makes up all of life's inheritance.
From ever to always the generations of men do bondsmen's service in that
single field, to plough it and sow it, and harrow it and water it, to
lay the sickle to the ripe corn if so be that their serfdom falls in the
years of plenty and the ear is full, to eat the bread of tears, if
their season of servitude be required of them in a time of scarcity and
famine. Bondsmen of death, from birth, they are sent forth out of the
sublime silence of the pathless forest which hems in the open glebe
land of the present and which is eternity, past and to come; bondsmen
of death, from youth to age, they join in the labour of the field,
they plough, they sow, they reap, perhaps, tears they shed many, and of
laughter there is also a little amongst them; bondsmen of death, to the
last, they are taken in the end, when they have served their tale of
years, many or few, and they are led from furrow and grass land, willing
or unwilling, mercifully or cruelly, to the uttermost boundary, and they
are thrust out quickly into the darkness whence they came. For their
place is already filled, and the new husbandmen, their children, have in
their turn come into the field, to eat of the fruit they sowed, to sow
in turn a seed of which they themselves shall not see the harvest, whose
sheaves others shall bind, whose ears others shall thresh, and of whose
corn others shall make bread after them. With our eyes we may yet see
the graves of two hundred generations of men, whose tombs serve but to
mark that boundary more clearly, whose fierce warfare, when they fought
against the master, could not drive back that limit by a handbreadth,
whose uncomplaining labour, when they accepted their lot patiently,
earned them not one scant foot of soil wherewith to broaden their
inheritance as reward for their submission; and of them all, neither
man nor woman was ever forgotten in the day of reckoning, nor was one
suffered to linger in the light. Death will bury a thousand generations
more, in graves as deep, strengthening year by year the strong chain of
his grim landmarks. He will remember us every one when the time comes;
to some of us he will vouchsafe a peaceful end, but some shall pass
away in mortal agony, and some shall be dragged unconscious to the other
side; but all must go. Some shall not see him till he is at hand, and
some shall dream of him in year-long dreams of horror, to be taken
unawares at the last. He will remember us every one and will come to us,
and the place of our rest shall be marked for centuries, for years, or
for seconds, for each a stone, or a few green sods laid upon a mound
beneath the sky, or the ripple on a changing wave when the loaded sack
has slipped from the smooth plank, and the sound of a dull splash has
died away in the wind. There be strong men, as well as weak, who shudder
and grow cold when they think of that yet undated day which must close
with its black letter their calendar of joy and sorrow; there are
weaklings, as well as giants, who fear death for those they love,
but who fear not anything else at all. The master treats courage and
cowardice alike; Achilles and Thersites must alike perish, and none will
be so bold as to say that he can tell the dust of the misshapen varlet
from the ashes of the swift-footed destroyer, whose hair was once so
bright, whose eyes were so fierce, whose mighty heart was so slothless,
so wrathful, so inexorable and so brave.

The Wanderer was of those who dread nothing save for the one
dearly-beloved object, but who, when that fear is once roused by a real
or an imaginary danger, can suffer in one short moment the agony which
should be distributed through a whole lifetime. The magnitude of his
passion could lend to the least thought or presentiment connected with
it the force of a fact and the overwhelming weight of a real calamity.

In order to feel any great or noble passion a man must have an
imagination both great and sensitive in at least one direction. The
execution of a rare melody demands as a prime condition an instrument
of wide compass and delicate construction, and one of even more rich and
varied capabilities is needed to render those grand harmonies which are
woven in the modulation of sonorous chords. A skilful hand may draw a
scale from wooden blocks set upon ropes of straw, but the great musician
must hold the violin, or must feel the keys of the organ under his
fingers and the responsive pedals at his feet, before he can expect to
interpret fittingly the immortal thought of the composer. The strings
must vibrate in perfect tune, the priceless wood must be seasoned and
penetrated with the melodies of years, and scores of years, the latent
music must be already trembling to be free, before the hand that draws
the bow can command the ears and hearts of those who hear. So, too,
love, the chief musician of this world, must find an instrument worthy
of his touch before he can show all his power, and make heart and soul
ring with the lofty strains of a sublime passion. Not every one knows
what love means; few indeed know all that love can mean. There is no
more equality among men than there is likeness between them, and no two
are alike. The many have little, the few have much. To the many is given
the faint perception of higher things, which is either the vestige, or
the promise, of a nobler development, past or yet to come. As through a
veil they see the line of beauty which it is not theirs to trace; as
in a dream they hear the succession of sweet tones which they can
themselves never bring together, though their half-grown instinct feels
a vague satisfaction in the sequence; as from another world, they listen
to the poet's song, wondering, admiring, but powerless over the great
instrument of human speech, from whose 15,000 keys their touch can
draw but the dull, tuneless prose of daily question and answer; as in a
mirage of things unreal, they see the great deeds that are done in
their time for love or hate, for race or country, for ambition and for
vengeance, but though they see the result, and know the motive, the
inward meaning and spirit of it all escapes them. It is theirs to be,
and existence is in itself their all. To think, to create, to act, to
feel can be only for the few. To one is given the transcendent genius
that turns the very stones along life's road to precious gems of
thought; whose gift it is to find speech in dumb things and eloquence in
the ideal half of the living world; to whom sorrow is a melody and joy
sweet music; to whom the humblest effort of a humble life can furnish
an immortal lyric, and in whom one thought of the Divine can inspire a
sublime hymn. Another stoops and takes a handful of clay from the earth,
and with the pressure of his fingers moulds it to the reality of an
unreal image seen in dreams; or, standing before the vast, rough
block of marble, he sees within the mass the perfection of a faultless
form--he lays the chisel to the stone, the mallet strikes the steel, one
by one the shapeless fragments fly from the shapely limbs, the
matchless curves are uncovered, the breathing mouth smiles through the
petrifaction of a thousand ages, the shroud of stone falls from
the godlike brow, and the Hermes of Olympia stands forth in all his
deathless beauty. Another is born to the heritage of this world's power,
fore-destined to rule and fated to destroy; the naked sword of destiny
lies in his cradle; the axe of a king-maker awaits the awakening of his
strength; the sceptre of supreme empire hangs within his reach. Unknown,
he dreams and broods over the future; unheeded, he begins to move among
his fellows; a smile, half of encouragement, half of indifference,
greets his first effort; he advances a little farther, and thoughtful
men look grave, another step, and suddenly all mankind cries out and
faces him and would beat him back; but it is too late; one struggle
more, and the hush of a great and unknown fear falls on the wrangling
nations; they are silent, and the world is his. He is the man who
is already thinking when others have scarcely begun to feel; who is
creating before the thoughts of his rivals have reached any conclusion;
who acts suddenly, terribly and irresistibly, before their creations
have received life. And yet, the greatest and the richest inheritance of
all is not his, for it has fallen to another, to the man of heart, and
it is the inheritance of the kingdom of love.

In all ages the reason of the world has been at the mercy of brute
force. The reign of law has never had more than a passing reality, and
never can have more than that so long as man is human. The individual
intellect and the aggregate intelligence of nations and races have alike
perished in the struggles of mankind, to revive again, indeed, but as
surely to be again put to the edge of the sword. Here and there great
thoughts and great masterpieces have survived the martyrdom of a
thinker, the extinction of a school, the death of a poet, the wreck of a
high civilisation. Socrates is murdered with the creed of immortality on
his very lips; hardly had he spoken the wonderful words recorded in the
_Phaedo_ when the fatal poison sent its deathly chill through his limbs;
the Greeks are gone, yet the Hermes of Olympia remains, mutilated and
maimed, indeed, but faultless still, and still supreme. The very name
of Homer is grown wellnigh as mythic as his blindness. There are those
to-day who, standing by the grave of William Shakespeare, say boldly
that he was not the creator of the works that bear his name. And still,
through the centuries, Achilles wanders lonely by the shore of the
sounding sea; Paris loves, and Helen is false; Ajax raves, and Odysseus
steers his sinking ship through the raging storm. Still, Hamlet the
Avenger swears, hesitates, kills at last, and then himself is slain;
Romeo sighs in the ivory moonlight, and love-bound Juliet hears the
triumphant lark carolling his ringing hymn high in the cool morning
air, and says it is the nightingale--Immortals all, the marble god, the
Greek, the Dane, the love-sick boy, the maiden foredoomed to death. But
how short is the roll-call of these deathless ones! Through what raging
floods of destruction have they lived, through what tempests have they
been tossed, upon what inhospitable shores have they been cast up by
the changing tides of time! Since they were called to life by the
great, half-nameless departed, how often has their very existence been
forgotten by all but a score in tens of millions? Has it been given to
those embodied thoughts of transcendent genius to ride in the whirlwind
of men's passions or to direct the stormy warfare of half frantic
nations? Since they were born in all their bright perfection, to live
on in unchanging beauty, violence has ruled the world; many a time since
then the sword has mown down its harvest of thinkers, many a time has
the iron harrow of war torn up and scarred the face of the earth. Athens
still stands in broken loveliness, and the Tiber still rolls its tawny
waters heavily through Rome; but Rome and Athens are to-day but places
of departed spirits; they are no longer the seats of life, their broken
hearts are petrified. All men may see the ports through which the
blood flowed to the throbbing centre, the traces of the mighty arteries
through which it was driven to the ends of the earth. But the blood is
dried up, the hearts are broken, and though in their stony ruins those
dead world-hearts be grander and more enduring than any which in our
time are whole and beating, yet neither their endurance nor their
grandeur have saved them from man, the destroyer, nor was the beauty
of their thoughts or the thoughtfully-devised machinery of their
civilisation a shield against a few score thousand rough-hammered
blades, wielded by rough-hewn mortals who recked neither of intellect
nor of civilisation, nor yet of beauty, being but very human men, full
of terribly strong and human passions. Look where you will, throughout
the length and breadth of all that was the world five thousand, or five
hundred years ago; everywhere passion has swept thought before it, and
belief, reason. And we, too, with our reason and our thoughts, shall be
swept from existence and the memory of it. Is this the age of reason,
and is this the reign of law? In the midst of this civilisation of ours
three millions of men lie down nightly by their arms, men trained to
handle rifle and sword, taught to destroy and to do nothing else; and
nearly as many more wait but a summons to leave their homes and join the
ranks. And often it is said that we are on the eve of a universal war.
At the command of a few individuals, at the touch of a few wires, more
than five millions of men in the very prime and glory of strength,
armed as men never were armed since time began, will arise and will kill
civilisation and thought, as both the one and the other have been slain
before by fewer hands and less deadly weapons. Is this reason, or is
this law? Passion rules the world, and rules alone. And passion is
neither of the head, nor of the hand, but of the heart. Passion cares
nothing for the mind. Love, hate, ambition, anger, avarice, either
make a slave of intelligence to serve their impulses, or break down its
impotent opposition with the unanswerable argument of brute force, and
tear it to pieces with iron hands.

Love is the first, the greatest, the gentlest, the most cruel, the most
irresistible of passions. In his least form he is mighty. A little love
has destroyed many a great friendship. The merest outward semblance of
love has made such havoc as no intellect could repair. The reality has
made heroes and martyrs, traitors and murderers, whose names will not
be forgotten, for glory or for shame. Helen is not the only woman whose
smile has kindled the beacon of a ten years' war, nor Antony the only
man who has lost the world for a caress. It may be that the Helen who
shall work our destruction is even now twisting and braiding her golden
hair; it may be that the new Antony, who is to lose this same old world
again, already stands upon the steps of Cleopatra's throne. Love's day
is not over yet, nor has man outgrown the love of woman.

But the power to love greatly is a gift, differing much in kind, though
little in degree, from the inspiration of the poet, the genius of the
artist, or the unerring instinct and eagle's glance of the conqueror;
for conqueror, artist and poet are moved by passion and not by reason,
which is but their servant in so far as it can be commanded to move
others, and their deadliest enemy when it would move themselves. Let the
passion and the instrument but meet, being suited to each other, and all
else must go down before them. Few, indeed, are they to whom is given
that rich inheritance, and they themselves alone know all their wealth,
and all their misery, all the boundless possibilities of happiness that
are theirs, and all the dangers and the terrors that beset their path.
He who has won woman in the face of daring rivals, of enormous odds, of
gigantic obstacles, knows what love means; he who has lost her, having
loved her, alone has measured with his own soul the bitterness of
earthly sorrow, the depth of total loneliness, the breadth of the
wilderness of despair. And he who has sorrowed long, who has long been
alone, but who has watched the small, twinkling ray still burning upon
the distant border of his desert--the faint glimmer of a single star
that was still above the horizon of despair--he only can tell what utter
darkness can be upon the face of the earth when that last star has
set for ever. With it are gone suddenly the very quarters and cardinal
points of life's chart, there is no longer any right hand or any left,
any north or south, any rising of the sun or any going down, any forward
or backward direction in his path, any heaven above, or any hell below.
The world has stood still and there is no life in the thick, black
stillness. Death himself is dead, and one living man is forgotten
behind, to mourn him as a lost friend, to pray that some new destroyer,
more sure of hand than death himself, may come striding through the
awful silence to make an end at last of the tormented spirit, to bear it
swiftly to the place where that last star ceased to shine, and to let it
down into the restful depths of an unremembering eternity. But into
that place, which is the soul of man, no destroyer can penetrate; that
solitary life neither the sword, nor pestilence, nor age, nor eternity
can extinguish; that immortal memory no night can obscure. There was a
beginning indeed, but end there can be none.

Such a man was the Wanderer, as he paced the deserted street in the
cruel, gloomy cold of the late day. Between his sight and the star of
his own hope an impenetrable shadow had arisen, so that he saw it no
more. The memory of Beatrice was more than ever distinct to his inner
sense, but the sudden presentiment of her death, real in its working as
any certainty, had taken the reality of her from the ground on which he
stood. For that one link had still been between them. Somewhere, near
or far, during all these years, she, too, had trodden the earth with
her light footsteps, the same universal mother earth on which they both
moved and lived. The very world was hers, since she was touching it,
and to touch it in his turn was to feel her presence. For who could
tell what hidden currents ran in the secret depths, or what mysterious
interchange of sympathy might not be maintained through them? The air
itself was hers, since she was somewhere breathing it; the stars, for
she looked on them; the sun, for it warmed her; the cold of winter,
for it chilled her too; the breezes of spring, for they fanned her pale
cheek and cooled her dark brow. All had been hers, and at the thought
that she had passed away, a cry of universal mourning broke from the
world she had left behind, and darkness descended upon all things, as a
funeral pall.

Cold and dim and sad the ancient city had seemed before, but it was a
thousandfold more melancholy now, more black, more saturated with the
gloom of ages. From time to time the Wanderer raised his heavy lids,
scarcely seeing what was before him, conscious of nothing but the horror
which had so suddenly embraced his whole existence. Then, all at once,
he was face to face with some one. A woman stood still in the way, a
woman wrapped in rich furs, her features covered by a dark veil which
could not hide the unequal fire of the unlike eyes so keenly fixed on
his.

"Have you found her?" asked the soft voice.

"She is dead," answered the Wanderer, growing very white.



CHAPTER VIII

During the short silence which followed, and while the two were still
standing opposite to each other, the unhappy man's look did not change.
Unorna saw that he was sure of what he said, and a thrill of triumph, as
jubilant as his despair was profound ran through her. If she had cared
to reason with herself and to examine into her own sincerity, she would
have seen that nothing but genuine passion, good or bad, could have lent
the assurance of her rival's death such power to flood the dark street
with sunshine. But she was already long past doubt upon that question.
The enchanter had bound her heart with his spells at the first glance,
and the wild nature was already on fire. For one instant the light shot
from her eyes, and then sank again as quickly as it had come. She had
other impulses than those of love, and subtle gifts of perception
that condemned her to know the truth, even when the delusion was most
glorious. He was himself deceived, and she knew it. Beatrice might,
indeed, have died long ago. She could not tell. But as she sought in the
recesses of his mind, she saw that he had no certainty of it, she saw
the black presentiment between him and the image, for she could see the
image too. She saw the rival she already hated, not receiving a vision
of the reality, but perceiving it through his mind, as it had always
appeared to him. For one moment she hesitated still, and she knew
that her whole life was being weighed in the trembling balance of that
hesitation. For one moment her face became an impenetrable mask, her
eyes grew dull as uncut jewels, her breathing ceased, her lips were set
like cold marble. Then the stony mask took life again, the sight grew
keen, and a gentle sigh stirred the chilly air.

"She is not dead."

"Not dead!" The Wanderer started, but fully two seconds after she had
spoken, as a man struck by a bullet in battle, in whom the suddenness of
the shock has destroyed the power of instantaneous sensation.

"She is not dead. You have dreamed it," said Unorna, looking at him
steadily.

He pressed his hand to his forehead and then moved it, as though
brushing away something that troubled him.

"Not dead? Not dead!" he repeated, in changing tones.

"Come with me. I will show her to you."

He gazed at her and his senses reeled. Her words sounded like rarest
music in his ear; in the darkness of his brain a soft light began to
diffuse itself.

"Is it possible? Have I been mistaken?" he asked in a low voice, as
though speaking to himself.

"Come!" said Unorna again very gently.

"Whither? With you? How can you bring me to her? What power have you to
lead the living to the dead?"

"To the living. Come."

"To the living--yes. I have dreamed an evil dream--a dream of death. She
is not--no, I see it now. She is not dead. She is only very far from
me, very, very far. And yet it was this morning--but I was mistaken,
deceived by some faint likeness. Ah, God! I thought I knew her face!
What is it that you want with me?"

He asked the question as though again suddenly aware of Unorna's
presence. She had lifted her veil and her eyes drew his soul into their
mysterious depths.

"She calls you. Come."

"She? She is not here. What can you know of her? Why do you look at me
so?"

He felt an unaccountable uneasiness under her gaze, like a warning of
danger not far off. The memory of his meeting with her on that same
morning was not clear at that moment, but he had not forgotten the odd
disturbance of his faculties which had distressed him at the time. He
was inclined to resist any return of the doubtful state and to oppose
Unorna's influence. He felt the fascination of her glance, and he
straightened himself rather proudly and coldly as though to withdraw
himself from it. It was certain that Unorna, at the surprise of meeting
her, had momentarily dispelled the gloomy presentiment which had
given him such terrible pain. And yet, even his disturbed and anxious
consciousness found it more than strange that she should thus press him
to go with her, and so boldly promise to bring him to the object of his
search. He resisted her, and found that resistance was not easy.

"And yet," said she, dropping her eyes and seeming to abandon the
attempt, "you said that if you failed to-day you would come back to me.
Have you succeeded, that you need no help?"

"I have not succeeded."

"And if I had not come to you--if I had not met you here, you would have
failed for the last time. You would have carried with you the conviction
of her death to the moment of your own."

"It was a horrible delusion, but since it was a delusion it would have
passed away in time."

"With your life, perhaps. Who would have waked you, if I had not?"

"I was not sleeping. Why do you reason? What would you prove?"

"Much, if I knew how. Will you walk with me? It is very cold."

They had been standing where they had met. As she spoke, Unorna looked
up with an expression wholly unlike the one he had seen a few moments
earlier. Her strong will was suddenly veiled by the most gentle and
womanly manner, and a little shiver, real or feigned, passed over her as
she drew the folds of her fur more closely round her. The man before her
could resist the aggressive manifestation of her power, but he was far
too courteous to refuse her request.

"Which way?" he asked quietly.

"To the river," she answered.

He turned and took his place by her side. For some moments they walked
on in silence. It was already almost twilight.

"How short the days are!" exclaimed Unorna, rather suddenly.

"How long, even at their shortest!" replied her companion.

"They might be short--if you would."

He did not answer her, though he glanced quickly at her face. She was
looking down at the pavement before her, as though picking her way, for
there were patches of ice upon the stones. She seemed very quiet. He
could not guess that her heart was beating violently, and that she found
it hard to say six words in a natural tone.

So far as he himself was concerned he was in no humour for talking. He
had seen almost everything in the world, and had read or heard almost
everything that mankind had to say. The streets of Prague had no
novelty for him, and there was no charm in the chance acquaintance of a
beautiful woman, to bring words to his lips. Words had long since grown
useless in the solitude of a life that was spent in searching for one
face among the millions that passed before his sight. Courtesy had
bidden him to walk with her, because she had asked it, but courtesy did
not oblige him to amuse her, he thought, and she had not the power that
Keyork Arabian had to force him into conversation, least of all into
conversing upon his own inner life. He regretted the few words he had
spoken, and would have taken them back, had it been possible. He felt no
awkwardness in the long silence.

Unorna for the first time in her life felt that she had not full control
of her faculties. She who was always so calm, so thoroughly mistress of
her own powers, whose judgment Keyork Arabian could deceive, but whose
self-possession he could not move, except to anger, was at the present
moment both weak and unbalanced. Ten minutes earlier she had fancied
that it would be an easy thing to fix her eyes on his and to cast the
veil of a half-sleep over his already half-dreaming senses. She had
fancied that it would be enough to say "Come," and that he would follow.
She had formed the bold scheme of attaching him to herself, by visions
of the woman whom he loved as she wished to be loved by him. She
believed that if he were once in that state she could destroy the old
love for ever, or even turn it to hate, at her will. And it had seemed
easy. That morning, when he had first come to her, she had fastened her
glance upon him more than once, and she had seen him turn a shade paler,
had noticed the drooping of his lids and the relaxation of his hands.
She had sought him in the street, guided by something surer than
instinct, she had found him, had read his thoughts, and had felt him
yielding to her fixed determination. Then, suddenly, her power had left
her, and as she walked beside him, she knew that if she looked into his
face she would blush and be confused like a shy girl. She almost wished
that he would leave her without a word and without an apology.

It was not possible, however, to prolong the silence much longer. A
vague fear seized her. Had she really lost all her dominating strength
in the first moments of the first sincere passion she had ever felt?
Was she reduced to weakness by his presence, and unable so much as to
sustain a fragmentary conversation, let alone suggesting to his mind
the turn it should take? She was ashamed of her poverty of spirit in the
emergency. She felt herself tongue-tied, and the hot blood rose to her
face. He was not looking at her, but she could not help fancying that he
knew her secret embarrassment. She hung her head and drew her veil down
so that it should hide even her mouth.

But her trouble increased with every moment, for each second made it
harder to break the silence. She sought madly for something to say,
and she knew that her cheeks were on fire. Anything would do, no
matter what. The sound of her own voice, uttering the commonest of
commonplaces, would restore her equanimity. But that simple, almost
meaningless phrase would not be found. She would stammer, if she tried
to speak, like a child that has forgotten its lesson and fears the
schoolmaster as well as the laughter of its schoolmates. It would be so
easy if he would say something instead of walking quietly by her side,
suiting his pace to hers, shifting his position so that she might step
upon the smoothest parts of the ill-paved street, and shielding her, as
it were, from the passers-by. There was a courteous forethought for her
convenience and safety in every movement of his, a something which a
woman always feels when traversing a crowded thoroughfare by the side of
a man who is a true gentleman in every detail of life, whether husband,
or friend, or chance acquaintance. For the spirit of the man who
is really thoughtful for woman, as well as sincerely and genuinely
respectful in his intercourse with them, is manifest in his smallest
outward action.

While every step she took increased the violence of the passion which
had suddenly swept away her strength, every instant added to her
confusion. She was taken out of the world in which she was accustomed
to rule, and was suddenly placed in one where men are men, and women are
women, and in which social conventionalities hold sway. She began to
be frightened. The walk must end, and at the end of it they must part.
Since she had lost her power over him he might go away, for there would
be nothing to bring him to her. She wondered why he would not speak, and
her terror increased. She dared not look up, lest she should find him
looking at her.

Then they emerged from the street and stood by the river, in a lonely
place. The heavy ice was gray with old snow in some places and black in
others, where the great blocks had been cut out in long strips. It was
lighter here. A lingering ray of sunshine, forgotten by the departing
day, gilded the vast walls and turrets of venerable Hradschin, far
above them on the opposite bank, and tinted the sharp dark spires of
the half-built cathedral which crowns the fortress. The distant ring of
fast-moving skates broke the stillness.

"Are you angry with me?" asked Unorna, almost humbly, and hardly knowing
what she said. The question had risen to her lips without warning, and
was asked almost unconsciously.

"I do not understand. Angry? At what? Why should you think I am angry?"

"You are so silent," she answered, regaining courage from the mere sound
of her own words. "We have been walking a long time, and you have said
nothing. I thought you were displeased."

"You must forgive me. I am often silent."

"I thought you were displeased," she repeated. "I think that you were,
though you hardly knew it. I should be very sorry if you were angry."

"Why would you be sorry?" asked the Wanderer with a civil indifference
that hurt Unorna more than any acknowledgment of his displeasure could
have done.

"Because I would help you, if you would let me."

He looked at her with sudden keenness. In spite of herself she blushed
and turned her head away. He hardly noticed the fact, and, if he had,
would assuredly not have put upon it any interpretation approaching to
the truth. He supposed that she was flushed with walking.

"No one has ever helped me, least of all in the way you mean," he said.
"The counsels of wise men--of the wisest--have been useless, as well as
the dreams of women who fancy they have the gift of mental sight beyond
the limit of bodily vision."

"Who fancy they see!" exclaimed Unorna, almost glad to find that she was
still strong enough to feel annoyance at the slight.

"I beg your pardon. I do not mean to doubt your powers, of which I have
had no experience."

"I did not offer to see for you. I did not offer you a dream."

"Would you show me that which I already see, waking and sleeping? Would
you bring to my hearing the sound of a voice which I can hear even now?
I need no help for that."

"I can do more than that--for you."

"And why for me?" he asked with some curiosity.

"Because--because you are Keyork Arabian's friend." She glanced at his
face, but he showed no surprise.

"You have seen him this afternoon, of course," he remarked.

And odd smile passed over Unorna's face.

"Yes. I have seen him this afternoon. He is a friend of mine, and of
yours--do you understand?"

"He is the wisest of men," said the Wanderer. "And also the maddest," he
added thoughtfully.

"And you think it was in his madness, rather than in his wisdom, that he
advised you to come to me?"

"Possibly. In his belief in you, at least."

"And that may be madness?" She was gaining courage.

"Or wisdom--if I am mad. He believes in you. That is certain."

"He has no beliefs. Have you known him long, and do not know that? With
him there is nothing between knowledge and ignorance."

"And he knows, of course, by experience what you can do and what you
cannot do?"

"By very long experience, as I know him."

"Neither your gifts nor his knowledge of them can change dreams to
facts."

Unorna smiled again.

"You can produce a dream--nothing more," continued the Wanderer, drawn
at last into argument. "I, too, know something of these things. The
wisdom of the Egyptians is not wholly lost yet. You may possess some
of it, as well as the undeveloped power which could put all their magic
within your reach if you knew how to use it. Yet a dream is a dream."

"Philosophers have disputed that," answered Unorna. "I am no
philosopher, but I can overthrow the results of all their disputations."

"You can do this. If I resign my will into your keeping you can cause
me to dream. You can call up vividly before me the remembered and
unremembered sights of my life. You can make me see clearly the sights
impressed upon your own memory. You might do that, and yet you could
be showing me nothing which I do not see now before me--of those things
which I care to see."

"But suppose that you were wrong, and that I had no dream to show you,
but a reality?"

She spoke the words very earnestly, gazing into his eyes at last without
fear. Something in her tone struck him and fixed his attention.

"There is no sleep needed to see realities," he said.

"I did not say that there was. I only asked you to come with me to the
place where she is."

The Wanderer started slightly and forgot all the instinct of opposition
to her which he had felt so strongly before.

"Do you mean that you know--that you can take me to her----" he could
not find words. A strange, overmastering astonishment took possession
of him, and with it came wild hope and the wilder longing to reach its
realisation instantly.

"What else could I have meant? What else did I say?" Her eyes were
beginning to glitter in the gathering dusk.

The Wanderer no longer avoided their look, but he passed his hand over
his brow, as though dazed.

"I only asked you to come with me," she repeated softly. "There is
nothing supernatural about that. When I saw that you did not believe me
I did not try to lead you then, though she is waiting for you. She bade
me bring you to her."

"You have seen her? You have talked with her? She sent you? Oh, for
God's sake, come quickly!--come, come!"

He put out his hand as though to take hers and lead her away. She
grasped it eagerly. He had not seen that she had drawn off her glove. He
was lost. Her eyes held him and her fingers touched his bare wrist. His
lids drooped and his will was hers. In the intolerable anxiety of the
moment he had forgotten to resist, he had not even thought of resisting.

There were great blocks of stone in the desolate place, landed there
before the river had frozen for a great building, whose gloomy,
unfinished mass stood waiting for the warmth of spring to be completed.
She led him by the hand, passive and obedient as a child, to a sheltered
spot and made him sit down upon one of the stones. It was growing dark.

"Look at me," she said, standing before him, and touching his brow. He
obeyed.

"You are the image in my eyes," she said, after a moment's pause.

"Yes. I am the image in your eyes," he answered in a dull voice.

"You will never resist me again, I command it. Hereafter it will be
enough for me to touch your hand, or to look at you, and if I say,
'Sleep,' you will instantly become the image again. Do you understand
that?"

"I understand it."

"Promise!"

"I promise," he replied, without perceptible effort.

"You have been dreaming for years. From this moment you must forget all
your dreams."

His face expressed no understanding of what she said. She hesitated
a moment and then began to walk slowly up and down before him. His
half-glazed look followed her as she moved. She came back and laid her
hand upon his head.

"My will is yours. You have no will of your own. You cannot think
without me," She spoke in a tone of concentrated determination, and a
slight shiver passed over him.

"It is of no use to resist, for you have promised never to resist me
again," she continued. "All that I command must take place in your mind
instantly, without opposition. Do you understand?"

"Yes," he answered, moving uneasily.

For some seconds she again held her open palm upon his head. She seemed
to be evoking all her strength for a great effort.

"Listen to me, and let everything I say take possession of your mind for
ever. My will is yours, you are the image in my eyes, my word is your
law. You know what I please that you should know. You forget what I
command you to forget. You have been mad these many years, and I am
curing you. You must forget your madness. You have now forgotten it. I
have erased the memory of it with my hand. There is nothing to remember
any more."

The dull eyes, deep-set beneath the shadows of the overhanging brow,
seemed to seek her face in the dark, and for the third time there was
a nervous twitching of the shoulders and limbs. Unorna knew the symptom
well, but had never seen it return so often, like a protest of the body
against the enslaving of the intelligence. She was nervous in spite
of her success. The immediate results of hypnotic suggestion are
not exactly the same in all cases, even in the first moments; its
consequences may be widely different with different individuals. Unorna,
indeed, possessed an extraordinary power, but on the other hand she had
to deal with an extraordinary organisation. She knew this instinctively,
and endeavoured to lead the sleeping mind by degrees to the condition in
which she wished it to remain.

The repeated tremor in the body was the outward sign of a mental
resistance which it would not be easy to overcome. The wisest course was
to go over the ground already gained. This she was determined to do by
means of a sort of catechism.

"Who am I?" she asked.

"Unorna," answered the powerless man promptly, but with a strange air of
relief.

"Are you asleep?"

"No."

"Awake?"

"No."

"In what state are you?"

"I am an image."

"And where is your body?"

"Seated upon that stone."

"Can you see your face?"

"I see it distinctly. The eyes in the body are glassy."

"The body is gone now. You do not see it any more. Is that true?"

"It is true. I do not see it. I see the stone on which it was sitting."

"You are still in my eyes. Now"--she touched his head again--"now, you
are no longer an image. You are my mind."

"Yes. I am your mind."

"You, my Mind, know that I met to-day a man called the Wanderer, whose
body you saw when you were in my eyes. Do you know that or not?"

"I know it. I am your mind."

"You know, Mind, that the man was mad. He had suffered for many years
from a delusion. In pursuit of the fixed idea he had wandered far
through the world. Do you know whither his travels had led him?"

"I do not know. That is not in your mind. You did not know it when I
became your mind."

"Good. Tell me, Mind, what was this man's delusion?"

"He fancied that he loved a woman whom he could not find."

"The man must be cured. You must know that he was mad and is now sane.
You, my Mind, must see that it was really a delusion. You see it now."

"Yes. I see it."

Unorna watched the waking sleeper narrowly. It was now night, but the
sky had cleared and the starlight falling upon the snow in the lonely,
open place, made it possible to see very well. Unorna seemed as
unconscious of the bitter cold as her subject, whose body was in a
state past all outward impressions. So far she had gone through all the
familiar process of question and answer with success, but this was not
all. She knew that if, when he awoke, the name he loved still remained
in his memory, the result would not be accomplished. She must
produce entire forgetfulness, and to do this, she must wipe out every
association, one by one. She gathered her strength during a short pause.
She was greatly encouraged by the fact that the acknowledgment of the
delusion had been followed by no convulsive reaction in the body. She
was on the very verge of a complete triumph, and the concentration of
her will during a few moments longer might win the battle.

She could not have chosen a spot better suited for her purpose. Within
five minutes' walk of streets in which throngs of people were moving
about, the scene which surrounded her was desolate and almost wild. The
unfinished building loomed like a ruin behind her; the rough hewn blocks
lay like boulders in a stony desert; the broad gray ice lay like a floor
of lustreless iron before her under the uncertain starlight. Only afar
off, high up in the mighty Hradschin, lamps gleamed here and there from
the windows, the distant evidences of human life. All was still. Even
the steely ring of the skates had ceased.

"And so," she continued, presently, "this man's whole life has been a
delusion, ever since he began to fancy in the fever of an illness that
he loved a certain woman. Is this clear to you, my Mind?"

"It is quite clear," answered the muffled voice.

"He was so utterly mad that he even gave that woman a name--a name, when
she had never existed except in his imagination."

"Except in his imagination," repeated the sleeper, without resistance.

"He called her Beatrice. The name was suggested to him because he had
fallen ill in a city of the South where a woman called Beatrice
once lived and was loved by a great poet. That was the train of
self-suggestion in his delirium. Mind, do you understand?"

"He suggested to himself the name in his illness."

"In the same way that he suggested to himself the existence of the woman
whom he afterwards believed he loved?"

"In exactly the same way."

"It was all a curious and very interesting case of auto-hypnotic
suggestion. It made him very mad. He is now cured of it. Do you see that
he is cured?"

The sleeper gave no answer. The stiffened limbs did not move, indeed,
nor did the glazed eyes reflect the starlight. But he gave no answer.
The lips did not even attempt to form words. Had Unorna been less
carried away by the excitement in her own thoughts, or less absorbed in
the fierce concentration of her will upon its passive subject, she would
have noticed the silence and would have gone back again over the old
ground. As it was, she did not pause.

"You understand therefore, my Mind, that this Beatrice was entirely the
creature of the man's imagination. Beatrice does not exist, because she
never existed. Beatrice never had any real being. Do you understand?"

This time she waited for an answer, but none came.

"There never was any Beatrice," she repeated firmly, laying her hand
upon the unconscious head and bending down to gaze into the sightless
eyes.

The answer did not come, but a shiver like that of an ague shook the
long, graceful limbs.

"You are my Mind," she said fiercely. "Obey me! There never was any
Beatrice, there is no Beatrice now, and there never can be."

The noble brow contracted in a look of agonising pain, and the
whole frame shook like an aspen leaf in the wind. The mouth moved
spasmodically.

"Obey me! Say it!" cried Unorna with passionate energy.

The lips twisted themselves, and the face was as gray as the gray snow.

"There is--no--Beatrice." The words came out slowly, and yet not
distinctly, as though wrung from the heart by torture.

Unorna smiled at last, but the smile had not faded from her lips when
the air was rent by a terrible cry.

"By the Eternal God of Heaven!" cried the ringing voice. "It is a
lie!--a lie!--a lie!"

She who had never feared anything earthly or unearthly shrank back. She
felt her heavy hair rising bodily upon her head.

The Wanderer had sprung to his feet. The magnitude and horror of the
falsehood spoken had stabbed the slumbering soul to sudden and terrible
wakefulness. The outline of his tall figure was distinct against the
gray background of ice and snow. He was standing at his full height, his
arms stretched up to heaven, his face luminously pale, his deep eyes
on fire and fixed upon her face, forcing back her dominating will upon
itself. But he was not alone!

"Beatrice!" he cried in long-drawn agony.

Between him and Unorna something passed by, something dark and soft and
noiseless, that took shape slowly--a woman in black, a veil thrown back
from her forehead, her white face turned towards the Wanderer, her white
hands hanging by her side. She stood still, and the face turned, and the
eyes met Unorna's, and Unorna knew that it was Beatrice.

There she stood, between them, motionless as a statue, impalpable as
air, but real as life itself. The vision, if it was a vision, lasted
fully a minute. Never, to the day of her death, was Unorna to forget
that face, with its deathlike purity of outline, with its unspeakable
nobility of feature.

It vanished as suddenly as it had appeared. A low broken sound of pain
escaped from the Wanderer's lips, and with his arms extended he fell
forwards. The strong woman caught him and he sank to the ground gently,
in her arms, his head supported upon her shoulder, as she kneeled under
the heavy weight.

There was a sound of quick footsteps on the frozen snow. A Bohemian
watchman, alarmed by the loud cry, was running to the spot.

"What has happened?" he asked, bending down to examine the couple.

"My friend has fainted," said Unorna calmly. "He is subject to it. You
must help me to get him home."

"Is it far?" asked the man.

"To the House of the Black Mother of God."



CHAPTER IX

The principal room of Keyork Arabian's dwelling was in every way
characteristic of the man. In the extraordinary confusion which at first
disturbed a visitor's judgment, some time was needed to discover the
architectural bounds of the place. The vaulted roof was indeed apparent,
as well as small portions of the wooden flooring. Several windows, which
might have been large had they filled the arched embrasures in which
they were set, admitted the daylight when there was enough of it in
Prague to serve the purpose of illumination. So far as could be seen
from the street, they were commonplace windows without shutters and with
double casements against the cold, but from within it was apparent that
the tall arches in the thick walls had been filled in with a thinner
masonry in which the modern frames were set. So far as it was possible
to see, the room had but two doors; the one, masked by a heavy curtain
made of a Persian carpet, opened directly upon the staircase of the
house; the other, exactly opposite, gave access to the inner apartments.
On account of its convenient size, however, the sage had selected for
his principal abiding place this first chamber, which was almost large
enough to be called a hall, and here he had deposited the extraordinary
and heterogeneous collection of objects, or, more property speaking, of
remains, upon the study of which he spent a great part of his time.

Two large tables, three chairs and a divan completed the list of all
that could be called furniture. The tables were massive, dark, and
old-fashioned; the feet at each end consisted of thick flat boards sawn
into a design of simple curves, and connected by strong crosspieces
keyed to them with large wooden bolts. The chairs were ancient folding
stools, with movable backs and well-worn cushions of faded velvet.
The divan differed in no respect from ordinary oriental divans in
appearance, and was covered with a stout dark Bokhara carpet of no great
value; but so far as its use was concerned, the disorderly heaps of
books and papers that lay upon it showed that Keyork was more inclined
to make a book-case of it than a couch.

The room received its distinctive character however neither from its
vaulted roof, nor from the deep embrasures of its windows, nor from
its scanty furniture, but from the peculiar nature of the many curious
objects, large and small, which hid the walls and filled almost all
the available space on the floor. It was clear that every one of the
specimens illustrated some point in the great question of life and death
which formed the chief study of Keyork Arabian's latter years; for by
far the greater number of the preparations were dead bodies, of men,
of women, of children, of animals, to all of which the old man had
endeavoured to impart the appearance of life, and in treating some of
which he had attained results of a startling nature. The osteology of
man and beast was indeed represented, for a huge case, covering one
whole wall, was filled to the top with a collection of many hundred
skulls of all races of mankind, and where real specimens were missing,
their place was supplied by admirable casts of craniums; but this
reredos, so to call it, of bony heads, formed but a vast, grinning
background for the bodies which stood and sat and lay in half-raised
coffins and sarcophagi before them, in every condition produced by
various known and lost methods of embalming. There were, it is true,
a number of skeletons, disposed here and there in fantastic attitudes,
gleaming white and ghostly in their mechanical nakedness, the bones of
human beings, the bones of giant orang-outangs, of creatures large and
small down to the flimsy little framework of a common bull frog, strung
on wires as fine as hairs, which squatted comfortably upon an old book
near the edge of a table, as though it had just skipped to that point in
pursuit of a ghostly fly and was pausing to meditate a farther spring.
But the eye did not discover these things at the first glance. Solemn,
silent, strangely expressive, lay three slim Egyptians, raised at an
angle as though to give them a chance of surveying their fellow-dead,
the linen bandages unwrapped from their heads and arms and shoulders,
their jet-black hair combed and arranged and dressed by Keyork's hand,
their faces softened almost to the expression of life by one of his
secret processes, their stiffened joints so limbered by his art that
their arms had taken natural positions again, lying over the edges of
the sarcophagi in which they had rested motionless and immovable through
thirty centuries. For the man had pursued his idea in every shape
and with every experiment, testing, as it were, the potential
imperishability of the animal frame by the degree of life-like plumpness
and softness and flexibility which it could be made to take after a
mummification of three thousand years. And he had reached the conclusion
that, in the nature of things, the human body might vie, in resisting
the mere action of time, with the granite of the pyramids. Those had
been his earliest trials. The results of many others filled the room.
Here a group of South Americans, found dried in the hollow of an
ancient tree, had been restored almost to the likeness of life, and were
apparently engaged in a lively dispute over the remains of a meal--as
cold as themselves and as human. There, towered the standing body of
an African, leaning upon a knotted club, fierce, grinning, lacking only
sight in the sunken eyes to be terrible. There again, surmounting a
lay figure wrapped in rich stuffs, smiled the calm and gentle face of a
Malayan lady--decapitated for her sins, so marvellously preserved
that the soft dark eyes still looked out from beneath the heavy,
half-drooping lids, and the full lips, still richly , parted a
little to show the ivory teeth. Other sights there were, more ghastly
still, triumphs of preservation, if not of semi-resuscitation, over
decay, won on its own most special ground. Triumphs all, yet almost
failures in the eyes of the old student, they represented the mad
efforts of an almost supernatural skill and superhuman science to
revive, if but for one second, the very smallest function of the living
body. Strange and wild were the trials he had made; many and great
the sacrifices and blood offerings lavished on his dead in the hope
of seeing that one spasm which would show that death might yet be
conquered; many the engines, the machines, the artificial hearts, the
applications of electricity that he had invented; many the powerful
reactives he had distilled wherewith to excite the long dead nerves,
or those which but two days had ceased to feel. The hidden essence
was still undiscovered, the meaning of vitality eluded his profoundest
study, his keenest pursuit. The body died, and yet the nerves could
still be made to act as though alive for the space of a few hours--in
rare cases for a day. With his eyes he had seen a dead man spring half
across a room from the effects of a few drops of musk--on the first day;
with his eyes he had seen the dead twist themselves, and move and grin
under the electric current--provided it had not been too late. But that
"too late" had baffled him, and from his first belief that life might
be restored when once gone, he had descended to what seemed the simpler
proposition of the two, to the problem of maintaining life indefinitely
so long as its magic essence lingered in the flesh and blood. And now he
believed that he was very near the truth; how terribly near he had yet
to learn.

On that evening when the Wanderer fell to the earth before the shadow of
Beatrice, Keyork Arabian sat alone in his charnel-house. The brilliant
light of two powerful lamps illuminated everything in the place, for
Keyork loved light, like all those who are intensely attached to life
for its own sake. The yellow rays flooded the life-like faces of his
dead companions, and streamed upwards to the heterogeneous objects that
filled the shelves almost to the spring of the vault--objects which all
reminded him of the conditions of lives long ago extinct, endless heaps
of barbarous weapons, of garments of leather and of fish skin, Amurian,
Siberian, Gothic, Mexican, and Peruvian; African and Red Indian
masks, models of boats and canoes, sacred drums, Liberian idols, Runic
calendars, fiddles made of human skulls, strange and barbaric ornaments,
all producing together an amazing richness of colour--all things in
which the man himself had taken but a passing interest, the result of
his central study--life in all its shapes.

He sat alone. The African giant looked down at his dwarf-like form
as though in contempt of such half-grown humanity; the Malayan lady's
bodiless head turned its smiling face towards him; scores of dead
beings seemed to contemplate half in pity, half in scorn, their would-be
reviver. Keyork Arabian was used to their company and to their silence.
Far beyond the common human horror of dead humanity, if one of them had
all at once nodded to him and spoken to him he would have started with
delight and listened with rapture. But they were all still dead, and
they neither spoke or moved a finger. A thought that had more hope in it
than any which had passed through his brain for many years now occupied
and absorbed him. A heavy book lay open on the table by his side, and
from time to time he glanced at a phrase which seemed to attract him.
It was always the same phrase, and two words alone sufficed to bring
him back to contemplation of it. Those two words were "Immortality"
and "Soul." He began to speak aloud to himself, being by nature fond of
speech.

"Yes. The soul is immortal. I am quite willing to grant that. But it
does not in any way follow that it is the source of life, or the seat
of intelligence. The Buddhists distinguished it even from the
individuality. And yet life holds it, and when life ends it takes its
departure. How soon? I do not know. It is not a condition of life,
but life is one of its conditions. Does it leave the body when life is
artificially prolonged in a state of unconsciousness--by hypnotism,
for instance? Is it more closely bound up with animal life, or with
intelligence? If with either, has it a definite abiding place in the
heart, or in the brain? Since its presence depends directly on life, so
far as I know, it belongs to the body rather than to the brain. I once
made a rabbit live an hour without its head. With a man that experiment
would need careful manipulation--I would like to try it. Or is it all
a question of that phantom, Vitality? Then the presence of the soul
depends upon the potential excitability of the nerves, and, as far as
we know, it must leave the body not more than twenty-four hours after
death, and it certainly does not leave the body at the moment of dying.
But if of the nerves, then what is the condition of the soul in the
hypnotic state? Unorna hypnotises our old friend there--and our young
one, too. For her, they have nerves. At her touch they wake, they sleep,
they move, they feel, they speak. But they have no nerves for me. I can
cut them with knives, burn them, turn the life-blood of the one into
the arteries of the other--they feel nothing. If the soul is of the
nerves--or of the vitality, then they have souls for Unorna, and none
for me. That is absurd. Where is that old man's soul? He has slept for
years. Has not his soul been somewhere else in the meanwhile? If we
could keep him asleep for centuries, or for scores of centuries, like
that frog found alive in a rock, would his soul--able by the hypothesis
to pass through rocks or universes--stay by him? Could an ingenious
sinner escape damnation for a few thousand years by being hypnotised?
Verily the soul is a very unaccountable thing, and what is still more
unaccountable is that I believe in it. Suppose the case of the ingenious
sinner. Suppose that he could not escape by his clever trick. Then
his soul must inevitably taste the condition of the damned while he is
asleep. But when he is waked at last, and found to be alive, his soul
must come back to him, glowing from the eternal flames. Unpleasant
thought! Keyork Arabian, you had far better not go to sleep at present.
Since all that is fantastic nonsense, on the face of it, I am inclined
to believe that the presence of the soul is in some way a condition
requisite for life, rather than depending upon it. I wish I could buy a
soul. It is quite certain that life is not a mere mechanical or chemical
process. I have gone too far to believe that. Take man at the very
moment of death--have everything ready, do what you will--my artificial
heart is a very perfect instrument, mechanically speaking--and how long
does it take to start the artificial circulation through the carotid
artery? Not a hundredth part so long a time as drowned people often lie
before being brought back, without a pulsation, without a breath. Yet
I never succeeded, though I have made the artificial heart work on a
narcotised rabbit, and the rabbit died instantly when I stopped the
machine, which proves that it was the machine that kept it alive.
Perhaps if one applied it to a man just before death he might live on
indefinitely, grow fat and flourish so long as the glass heart worked.
Where would his soul be then? In the glass heart, which would have
become the seat of life? Everything, sensible or absurd, which I can
put into words makes the soul seem an impossibility--and yet there is
something which I cannot put into words, but which proves the soul's
existence beyond all doubt. I wish I could buy somebody's soul and
experiment with it."

He ceased and sat staring at his specimens, going over in his memory the
fruitless experiments of a lifetime. A loud knocking roused him from his
reverie. He hastened to open the door and was confronted by Unorna.
She was paler than usual, and he saw from her expression that there was
something wrong.

"What is the matter?" he asked, almost roughly.

"He is in a carriage downstairs," she answered quickly. "Something has
happened to him. I cannot wake him, you must take him in--"

"To die on my hands? Not I!" laughed Keyork in his deepest voice. "My
collection is complete enough."

She seized him suddenly by both arms, and brought her face near to his.

"If you dare to speak of death----"

She grew intensely white, with a fear she had not before known in her
life. Keyork laughed again, and tried to shake himself free of her grip.

"You seem a little nervous," he observed calmly. "What do you want of
me?"

"Your help, man, and quickly! Call your people! Have him carried
upstairs! Revive him! do something to bring him back!"

Keyork's voice changed.

"Is he in real danger?" he asked. "What have you done to him?"

"Oh, I do not know what I have done!" cried Unorna desperately. "I do
not know what I fear----"

She let him go and leaned against the doorway, covering her face with
her hands. Keyork stared at her. He had never seen her show so much
emotion before. Then he made up his mind. He drew her into his room and
left her standing and staring at him while he thrust a few objects into
his pockets and threw his fur coat over him.

"Stay here till I come back," he said, authoritatively, as he went out.

"But you will bring him here?" she cried, suddenly conscious of his
going.

The door had already closed. She tried to open it, in order to follow
him, but she could not. The lock was of an unusual kind, and either
intentionally or accidentally Keyork had shut her in. For a few moments
she tried to force the springs, shaking the heavy wood work a very
little in the great effort she made. Then, seeing that it was useless,
she walked slowly to the table and sat down in Keyork's chair.

She had been in the place before, and she was as free from any
unpleasant fear of the dead company as Keyork himself. To her, as to
him, they were but specimens, each having a peculiar interest, as a
thing, but all destitute of that individuality, of that grim, latent
malice, of that weird, soulless, physical power to harm, with which
timid imaginations endow dead bodies.

She scarcely gave them a glance, and she certainly gave them no thought.
She sat before the table, supporting her head in her hands and trying
to think connectedly of what had just happened. She knew well enough how
the Wanderer had lain upon the frozen ground, his head supported on her
knee, while the watchman had gone to call a carriage. She remembered how
she had summoned all her strength and had helped to lift him in, as few
women could have done. She remembered every detail of the place, and
everything she had done, even to the fact that she had picked up his hat
and a stick he had carried and had taken them into the vehicle with her.
The short drive through the ill-lighted streets was clear to her. She
could still feel the pressure of his shoulder as he had leaned heavily
against her; she could see the pale face by the fitful light of the
lanterns as they passed, and of the lamps that flashed in front of the
carriage with each jolting of the wheels over the rough paving-stones.
She remembered exactly what she had done, her efforts to wake him, at
first regular and made with the certainty of success, then more and more
mad as she realised that something had put him beyond the sphere of her
powers for the moment, if not for ever; his deathly pallor, his chilled
hands, his unnatural stillness--she remembered it all, as one remembers
circumstances in real life a moment after they have taken place. But
there remained also the recollection of a single moment during which
her whole being had been at the mercy of an impression so vivid that
it seemed to stand alone divested of any outward sensations by which
to measure its duration. She, who could call up visions in the minds of
others, who possessed the faculty of closing her bodily eyes in order to
see distant places and persons in the state of trance, she, who expected
no surprises in her own act, had seen something very vividly, which
she could not believe had been a reality, and which she yet could not
account for as a revelation of second sight. That dark, mysterious
presence that had come bodily, yet without a body, between her and the
man she loved was neither a real woman, nor the creation of her own
brain, nor a dream seen in hypnotic state. She had not the least idea
how long it had stood there; it seemed an hour, and it seemed but a
second. But that incorporeal thing had a life and a power of its own.
Never before had she felt that unearthly chill run through her, nor
that strange sensation in her hair. It was a thing of evil omen, and the
presage was already about to be fulfilled. The spirit of the dark woman
had arisen at the sound of the words in which he denied her; she had
risen and had come to claim her own, to rob Unorna of what seemed most
worth coveting on earth--and she could take him, surely, to the place
whence she came. How could Unorna tell that he was not already gone,
that his spirit had not passed already, even when she was lifting his
weight from the ground?

At the despairing thought she started and looked up. She had almost
expected to see that shadow beside her again. But there was nothing.
The lifeless bodies stood motionless in their mimicry of life under the
bright light. The swarthy <DW64> frowned, the face of the Malayan woman
wore still its calm and gentle expression. Far in the background the
rows of gleaming skulls grinned, as though at the memory of their four
hundred lives; the skeleton of the orang-outang stretched out its long
bony arms before it; the dead savages still squatted round the remains
of their meal. The stillness was oppressive.

Unorna rose to her feet in sudden anxiety. She did not know how long
she had been alone. She listened anxiously at the door for the sound
of footsteps on the stairs, but all was silent. Surely, Keyork had not
taken him elsewhere, to his lodgings, where he would not be cared for.
That was impossible. She must have heard the sound of the wheels as
the carriage drove away. She glanced at the windows and saw that the
casements were covered with small, thick curtains which would muzzle
the sound. She went to the nearest, thrust the curtain aside, opened the
inner and the second glass and looked out. Though the street below was
dim, she could see well enough that the carriage was no longer there.
It was the bitterest night of the year and the air cut her like a knife,
but she would not draw back. She strained her sight in both directions,
searching in the gloom for the moving lights of a carriage, but she saw
nothing. At last she shut the window and went back to the door. They
must be on the stairs, or still below, perhaps, waiting for help to
carry him up. The cold might kill him in his present state, a cold that
would kill most things exposed to it. Furiously she shook the door. It
was useless. She looked about for an instrument to help her strength.
She could see nothing--no--yes--there was the iron-wood club of the
black giant. She went and took it from his hand. The dead thing trembled
all over, and rocked as though it would fall, and wagged its great head
at her, but she was not afraid. She raised the heavy club and struck
upon the door, upon the lock, upon the panels with all her might. The
terrible blows sent echoes down the staircase, but the door did not
yield, nor the lock either. Was the door of iron and the lock of
granite? she asked herself. Then she heard a strange, sudden noise
behind her. She turned and looked. The dead <DW64> had fallen bodily from
his pedestal to the floor, with a dull, heavy thud. She did not desist,
but struck the oaken planks again and again with all her strength. Then
her arms grew numb and she dropped the club. It was all in vain. Keyork
had locked her in and had taken the Wanderer away.

She went back to her seat and fell into an attitude of despair. The
reaction from the great physical efforts she had made overcame her. It
seemed to her that Keyork's only reason for taking him away must be that
he was dead. Her head throbbed and her eyes began to burn. The great
passion had its will of her and stabbed her through and through with
such pain as she had never dreamed of. The horror of it all was too deep
for tears, and tears were by nature very far from her eyes at all times.
She pressed her hands to her breast and rocked herself gently backwards
and forwards. There was no reason left in her. To her there was no
reason left in anything if he were gone. And if Keyork Arabian could not
cure him, who could? She knew now what that old prophecy had meant,
when they had told her that love would come but once, and that the
chief danger of her life lay in a mistake on that decisive day. Love had
indeed come upon her like a whirlwind, he had flashed upon her like
the lightning, she had tried to grasp him and keep him, and he was gone
again--for ever. Gone through her own fault, through her senseless folly
in trying to do by art what love would have done for himself. Blind,
insensate, mad! She cursed herself with unholy curses, and her beautiful
face was strained and distorted. With unconscious fingers she tore at
her heavy hair until it fell about her like a curtain. In the raging
thirst of a great grief for tears that would not flow she beat her
bosom, she beat her face, she struck with her white forehead the heavy
table before her, she grasped her own throat, as though she would tear
the life out of herself. Then again her head fell forward and her body
swayed regularly to and fro, and low words broke fiercely from her
trembling lips now and then, bitter words of a wild, strong language in
which it is easier to curse than to bless. As the sudden love that had
in a few hours taken such complete possession of her was boundless, so
its consequences were illimitable. In a nature strange to fear, the fear
for another wrought a fearful revolution. Her anger against herself was
as terrible as her fear for him she loved was paralysing. The instinct
to act, the terror lest it should be too late, the impossibility of
acting at all so long as she was imprisoned in the room, all three came
over her at once.

The mechanical effort of rocking her body from side to side brought no
rest; the blow she struck upon her breast in her frenzy she felt no more
than the oaken door had felt those she had dealt it with the club. She
could not find even the soothing antidote of bodily pain for her intense
moral suffering. Again the time passed without her knowing or guessing
of its passage.

Driven to desperation she sprang at last from her seat and cried aloud.

"I would give my soul to know that he is safe!"

The words had not died away when a low groan passed, as it were, round
the room. The sound was distinctly that of a human voice, but it seemed
to come from all sides at once. Unorna stood still and listened.

"Who is in this room?" she asked in loud clear tones.

Not a breath stirred. She glanced from one specimen to another, as
though suspecting that among the dead some living being had taken a
disguise. But she knew them all. There was nothing new to her there. She
was not afraid. Her passion returned.

"My soul!--yes!" she cried again, leaning heavily on the table, "I would
give it if I could know, and it would be little enough!"

Again that awful sound filled the room, and rose now almost to a wail
and died away.

Unorna's brow flushed angrily. In the direct line of her vision stood
the head of the Malayan woman, its soft, embalmed eyes fixed on hers.

"If there are people hidden here," cried Unorna fiercely, "let them show
themselves! let them face me! I say it again--I would give my immortal
soul!"

This time Unorna saw as well as heard. The groan came, and the wail
followed it and rose to a shriek that deafened her. And she saw how
the face of the Malayan woman changed; she saw it move in the bright
lamp-light, she saw the mouth open. Horrified, she looked away. Her eyes
fell upon the squatting savages--their heads were all turned towards
her, she was sure that she could see their shrunken chests heave as they
took breath to utter that terrible cry again and again; even the fallen
body of the African stirred on the floor, not five paces from her. Would
their shrieking never stop? All of them--every one--even to the white
skulls high up in the case; not one skeleton, not one dead body that did
not mouth at her and scream and moan and scream again.

Unorna covered her ears with her hands to shut out the hideous,
unearthly noise. She closed her eyes lest she should see those dead
things move. Then came another noise. Were they descending from their
pedestals and cases and marching upon her, a heavy-footed company of
corpses?

Fearless to the last, she dropped her hands and opened her eyes.

"In spite of you all," she cried defiantly, "I will give my soul to have
him safe!"

Something was close to her. She turned and saw Keyork Arabian at her
elbow. There was an odd smile on his usually unexpressive face.

"Then give me that soul of yours, if you please," he said. "He is quite
safe and peacefully asleep. You must have grown a little nervous while I
was away."



CHAPTER X

Unorna let herself sink into a chair. She stared almost vacantly at
Keyork, then glanced uneasily at the motionless specimens, then stared
at him again.

"Yes," she said at last. "Perhaps I was a little nervous. Why did you
lock me in? I would have gone with you. I would have helped you."

"An accident--quite an accident," answered Keyork, divesting himself of
his fur coat. "The lock is a peculiar one, and in my hurry I forgot to
show you the trick of it."

"I tried to get out," said Unorna with a forced laugh. "I tried to
break the door down with a club. I am afraid I have hurt one of your
specimens."

She looked about the room. Everything was in its usual position, except
the body of the African. She was quite sure that when she had head that
unearthly cry, the dead faces had all been turned towards her.

"It is no matter," replied Keyork in a tone of indifference which was
genuine. "I wish somebody would take my collection off my hands. I
should have room to walk about without elbowing a failure at every
step."

"I wish you would bury them all," suggested Unorna, with a slight
shudder.

Keyork looked at her keenly.

"Do you mean to say that those dead things frightened you?" he asked
incredulously.

"No; I do not. I am not easily frightened. But something odd
happened--the second strange thing that has happened this evening. Is
there any one concealed in this room?"

"Not a rat--much less a human being. Rats dislike creosote and corrosive
sublimate, and as for human beings----"

He shrugged his shoulders and smiled.

"Then I have been dreaming," said Unorna, attempting to look relieved.
"Tell me about him. Where is he?"

"In bed--at his hotel. He will be perfectly well to-morrow."

"Did he wake?" she asked anxiously.

"Yes. We talked together."

"And he was in his right mind?"

"Apparently. But he seems to have forgotten something."

"Forgotten? What? That I had made him sleep?"

"Yes. He had forgotten that too."

"In Heaven's name, Keyork, tell me what you mean! Do not keep me--"

"How impatient women are!" exclaimed Keyork with exasperating calm.
"What is it that you most want him to forget?"

"You cannot mean----"

"I can, and I do. He has forgotten Beatrice. For a witch--well, you are
a very remarkable one, Unorna. As a woman of business----" He shook his
head.

"What do you mean, this time? What did you say?" Her questions came in
a strained tone and she seemed to have difficulty in concentrating her
attention, or in controlling her emotions, or both.

"You paid a large price for the information," observed Keyork.

"What price? What are you speaking of? I do not understand."

"Your soul," he answered, with a laugh. "That was what you offered to
any one who would tell you that the Wanderer was safe. I immediately
closed with your offer. It was an excellent one for me."

Unorna tapped the table impatiently.

"It is odd that a man of your learning should never be serious," she
said.

"I supposed that you were serious," he answered. "Besides, a bargain
is a bargain, and there were numerous witnesses to the transaction," he
added, looking round the room at his dead specimens.

Unorna tried to laugh with him.

"Do you know, I was so nervous that I fancied all those creatures were
groaning and shrieking and gibbering at me, when you came in."

"Very likely they were," said Keyork Arabian, his small eyes twinkling.

"And I imagined that the Malayan woman opened her mouth to scream, and
that the Peruvian savages turned their heads; it was very strange--at
first they groaned, and then they wailed, and then they howled and
shrieked at me."

"Under the circumstances, that is not extraordinary."

Unorna stared at him rather angrily. He was jesting, of course, and she
had been dreaming, or had been so overwrought by excitement as to have
been made the victim of a vivid hallucination. Nevertheless there was
something disagreeable in the matter-of-fact gravity of his jest.

"I am tired of your kind of wit," she said.

"The kind of wit which is called wisdom is said to be fatiguing," he
retorted.

"I wish you would give me an opportunity of being wearied in that way."

"Begin by opening your eyes to facts, then. It is you who are trying
to jest. It is I who am in earnest. Did you, or did you not, offer your
soul for a certain piece of information? Did you, or did you not, hear
those dead things moan and cry? Did you, or did you not, see them move?"

"How absurd!" cried Unorna. "You might as well ask whether, when one
is giddy, the room is really going round? Is there any practical
difference, so far as sensation goes, between a mummy and a block of
wood?"

"That, my dear lady, is precisely what we do not know, and what we most
wish to know. Death is not the change which takes place at a moment
which is generally clearly defined, when the heart stops beating, and
the eye turns white, and the face changes colour. Death comes some time
after that, and we do not know exactly when. It varies very much in
different individuals. You can only define it as the total and final
cessation of perception and apperception, both functions depending on
the nerves. In ordinary cases Nature begins of herself to destroy the
nerves by a sure process. But how do you know what happens when decay
is not only arrested but prevented before it has begun? How can you
foretell what may happen when a skilful hand has restored the tissues of
the body to their original flexibility, or preserved them in the state
in which they were last sensitive?"

"Nothing can ever make me believe that a mummy can suddenly hear and
understand," said Unorna. "Much less that it can move and produce
a sound. I know that the idea has possessed you for many years, but
nothing will make me believe it possible."

"Nothing?"

"Nothing short of seeing and hearing."

"But you have seen and heard."

"I was dreaming."

"When you offered your soul?"

"Not then, perhaps. I was only mad then."

"And on the ground of temporary insanity you would repudiate the
bargain?"

Unorna shrugged her shoulders impatiently and did not answer. Keyork
relinquished the fencing.

"It is of no importance," he said, changing his tone. "Your dream--or
whatever it was--seems to have been the second of your two experiences.
You said there were two, did you not? What was the first?"

Unorna sat silent for some minutes, as though collecting her thoughts.
Keyork, who never could have enough light, busied himself with another
lamp. The room was now brighter than it generally was in the daytime.

Unorna watched him. She did not want to make confidences to him, and yet
she felt irresistibly impelled to do so. He was a strange compound of
wisdom and levity, in her opinion, and his light-hearted moods were
those which she most resented. She was never sure whether he was in
reality tactless, or frankly brutal. She inclined to the latter view of
his character, because he always showed such masterly skill in excusing
himself when he had gone too far. Neither his wisdom nor his love of
jesting explained to her the powerful attraction he exercised over her
whole nature, and of which she was, in a manner, ashamed. She could
quarrel with him as often as they met, and yet she could not help being
always glad to meet him again. She could not admit that she liked him
because she dominated him; on the contrary, he was the only person she
had ever met over whom she had no influence whatever, who did as he
pleased without consulting her, and who laughed at her mysterious power
so far as he himself was concerned. Nor was her liking founded upon any
consciousness of obligation. If he had helped her to the best of his
ability in the great experiment, it was also clear enough that he had
the strongest personal interest in doing so. He loved life with a mad
passion for its own sake, and the only object of his study was to find
a means of living longer than other men. All the aims and desires and
complex reasonings of his being tended to this simple expression--the
wish to live. To what idolatrous self-worship Keyork Arabian might be
capable of descending, if he ever succeeded in eliminating death from
the equation of his immediate future, it was impossible to say. The
wisdom of ages bids us beware of the man of one idea. He is to be feared
for his ruthlessness, for his concentration, for the singular strength
he has acquired in the centralization of his intellectual power, and
because he has welded, as it were, the rough metal of many passions and
of many talents into a single deadly weapon which he wields for a single
purpose. Herein lay, perhaps, the secret of Unorna's undefined fear of
Keyork and of her still less definable liking for him.

She leaned one elbow on the table and shaded her eyes from the brilliant
light.

"I do not know why I should tell you," she said at last. "You will only
laugh at me, and then I shall be angry, and we shall quarrel as usual."

"I may be of use," suggested the little man gravely. "Besides, I have
made up my mind never to quarrel with you again, Unorna."

"You are wise, my dear friend. It does no good. As for your being of use
in this case, the most I can hope is that you may find me an explanation
of something I cannot understand."

"I am good at that. I am particularly good at explanations--and,
generally, at all _post facto_ wisdom."

"Keyork, do you believe that the souls of the dead can come back and be
visible to us?"

Keyork Arabian was silent for a few seconds.

"I know nothing about it," he answered.

"But what do you think?"

"Nothing. Either it is possible, or it is not, and until the one
proposition or the other is proved I suspend my judgment. Have you seen
a ghost?"

"I do not know. I have seen something----" She stopped, as though the
recollections were unpleasant.

"Then" said Keyork, "the probability is that you saw a living person.
Shall I sum up the question of ghosts for you?"

"I wish you would, in some way that I can understand."

"We are, then, in precisely the same position with regard to the belief
in ghosts which we occupy towards such questions as the abolition of
death. The argument in both cases is inductive and all but conclusive.
We do not know of any case, in the two hundred generations of men, more
or less, with whose history we are in some degree acquainted, of any
individual who has escaped death. We conclude that all men must die.
Similarly, we do not know certainly--not from real, irrefutable evidence
at least--that the soul of any man or woman dead has ever returned
visibly to earth. We conclude, therefore, that none ever will. There
is a difference in the two cases, which throws a slight balance of
probability on the side of the ghost. Many persons have asserted that
they have seen ghosts, though none have ever asserted that men do not
die. For my own part, I have had a very wide, practical, and intimate
acquaintance with dead people--sometimes in very queer places--but I
have never seen anything even faintly suggestive of a ghost. Therefore,
my dear lady, I advise you to take it for granted that you have seen a
living person."

"I never shivered with cold and felt my hair rise upon my head at the
sight of any living thing," said Unorna dreamily, and still shading her
eyes with her hand.

"But might you not feel that if you chanced to see some one whom you
particularly disliked?" asked Keyork, with a gentle laugh.

"Disliked?" repeated Unorna in a harsh voice. She changed her position
and looked at him. "Yes, perhaps that is possible. I had not thought of
that. And yet--I would rather it had been a ghost."

"More interesting, certainly, and more novel," observed Keyork, slowly
polishing his smooth cranium with the palm of his hand. His head, and
the perfect hemisphere of his nose, reflected the light like ivory balls
of different sizes.

"I was standing before him," said Unorna. "The place was lonely and
it was already night. The stars shone on the snow, and I could see
distinctly. Then she--that woman--passed softly between us. He cried
out, calling her by name, and then fell forward. After that, the woman
was gone. What was it that I saw?"

"You are quite sure that it was not really a woman?"

"Would a woman, and of all women that one, have come and gone without a
word?"

"Not unless she is a very singularly reticent person," answered Keyork,
with a laugh. "But you need not go so far as the ghost theory for an
explanation. You were hypnotised, my dear friend, and he made you see
her. That is as simple as anything need be."

"But that is impossible, because----" Unorna stopped and changed colour.

"Because you had hypnotised him already," suggested Keyork gravely.

"The thing is not possible," Unorna repeated, looking away from him.

"I believe it to be the only natural explanation. You had made him
sleep. You tried to force his mind to something contrary to its firmest
beliefs. I have seen you do it. He is a strong subject. His mind
rebelled, yielded, then made a final and desperate effort, and then
collapsed. That effort was so terrible that it momentarily forced your
will back upon itself, and impressed his vision on your sight. There are
no ghosts, my dear colleague. There are only souls and bodies. If the
soul can be defined as anything it can be defined as Pure Being in the
Mode of Individuality but quite removed from the Mode of Matter. As for
the body--well, there it is before you, in a variety of shapes, and in
various states of preservation, as incapable of producing a ghost as
a picture or a statue. You are altogether in a very nervous condition
to-day. It is really quite indifferent whether that good lady be alive
or dead."

"Indifferent!" exclaimed Unorna fiercely. Then she was silent.

"Indifferent to the validity of the theory. If she is dead, you did not
see her ghost, and if she is alive you did not see her body, because,
if she had been there in the flesh, she would have entered into an
explanation--to say the least. Hypnosis will explain anything and
everything, without causing you a moment's anxiety for the future."

"Then I did not hear shrieks and moans, nor see your specimens moving
when I was here along just now?"

"Certainly not! Hypnosis again. Auto-hypnosis this time. You should
really be less nervous. You probably stared at the lamp without
realising the fact. You know that any shining object affects you in
that way, if you are not careful. It is a very bright lamp, too.
Instantaneous effect--bodies appear to move and you hear unearthly
yells--you offer your soul for sale and I buy it, appearing in the nick
of time? If your condition had lasted ten seconds longer you would have
taken me for his majesty and lived, in imagination, through a dozen
years or so of sulphurous purgatorial treatment under my personal
supervision, to wake up and find yourself unscorched--and unredeemed, as
ever."

"You are a most comforting person, Keyork," said Unorna, with a faint
smile. "I only wish I could believe everything you tell me."

"You must either believe me or renounce all claim to intelligence,"
answered the little man, climbing from his chair and sitting upon the
table at her elbow. His short, sturdy legs swung at a considerable
height above the floor, and he planted his hands firmly upon the board
on either side of him. The attitude was that of an idle boy, and was
so oddly out of keeping with his age and expression that Unorna almost
laughed as she looked at him.

"At all events," he continued, "you cannot doubt my absolute sincerity.
You come to me for an explanation. I give you the only sensible one that
exists, and the only one which can have a really sedative effect upon
your excitement. Of course, if you have any especial object in
believing in ghosts--if it affords you any great and lasting pleasure to
associate, in imagination, with spectres, wraiths, and airily-malicious
shadows, I will not cross your fancy. To a person of solid nerves
a banshee may be an entertaining companion, and an apparition in a
well-worn winding-sheet may be a pretty toy. For all I know, it may be
a delight to you to find your hair standing on end at the unexpected
appearance of a dead woman in a black cloak between you and the person
with whom you are engaged in animated conversation. All very well, as
a mere pastime, I say. But if you find that you are reaching a point on
which your judgment is clouded, you had better shut up the magic lantern
and take the rational view of the case."

"Perhaps you are right."

"Will you allow me to say something very frank, Unorna?" asked Keyork
with unusual diffidence.

"If you can manage to be frank without being brutal."

"I will be short, at all events. It is this. I think you are becoming
superstitious." He watched her closely to see what effect the speech
would produce. She looked up quickly.

"Am I? What is superstition?"

"Gratuitous belief in things not proved."

"I expected a different definition from you."

"What did you expect me to say?"

"That superstition is belief."

"I am not a heathen," observed Keyork sanctimoniously.

"Far from it," laughed Unorna. "I have heard that devils believe and
tremble."

"And you class me with those interesting things, my dear friend?"

"Sometimes: when I am angry with you."

"Two or three times a day, then? Not more than that?" inquired the sage,
swinging his heels, and staring at the rows of skulls in the background.

"Whenever we quarrel. It is easy for you to count the occasions."

"Easy, but endless. Seriously, Unorna, I am not the devil. I can prove
it to you conclusively on theological grounds."

"Can you? They say that his majesty is a lawyer, and a successful one,
in good practice."

"What caused Satan's fall? Pride. Then pride is his chief
characteristic. Am I proud, Unorna? The question is absurd, I have
nothing to be proud of--a little old man with a gray beard, of whom
nobody ever heard anything remarkable. No one ever accused me of pride.
How could I be proud of anything? Except of your acquaintance, my dear
lady," he added gallantly, laying his hand on his heart, and leaning
towards her as he sat.

Unorna laughed at the speech, and threw back her dishevelled hair with a
graceful gesture. Keyork paused.

"You are very beautiful," he said thoughtfully, gazing at her face and
at the red gold lights that played in the tangled tresses.

"Worse and worse!" she exclaimed, still laughing. "Are you going to
repeat the comedy you played so well this afternoon, and make love to me
again?"

"If you like. But I do not need to win your affections now."

"Why not?"

"Have I not bought your soul, with everything in it, like a furnished
house?" he asked merrily.

"Then you are the devil after all?"

"Or an angel. Why should the evil one have a monopoly in the
soul-market? But you remind me of my argument. You would have distracted
Demosthenes in the heat of a peroration, or Socrates in the midst of his
defence, if you had flashed that hair of yours before their old eyes.
You have almost taken the life out of my argument. I was going to say
that my peculiarity is not less exclusive than Lucifer's, though it
takes a different turn. I was going to confess with the utmost frankness
and the most sincere truth that my only crime against Heaven is a most
perfect, unswerving, devotional love for my own particular Self. In that
attachment I have never wavered yet--but I really cannot say what may
become of Keyork Arabian if he looks at you much longer."

"He might become a human being," suggested Unorna.

"How can you be so cruel as to suggest such a horrible possibility?"
cried the gnome with a shudder, either real or extremely well feigned.

"You are betraying yourself, Keyork. You must control your feelings
better, or I shall find out the truth about you."

He glanced keenly at her, and was silent for a while. Unorna rose slowly
to her feet, and standing beside him, began to twist her hair into a
great coil upon her head.

"What made you let it down?" asked Keyork with some curiosity, as he
watched her.

"I hardly know," she answered, still busy with the braids. "I was
nervous, I suppose, as you say, and so it got loose and came down."

"Nervous about our friend?"

She did not reply, but turned from him with a shake of the head and took
up her fur mantle.

"You are not going?" said Keyork quietly, in a tone of conviction.

She started slightly, dropped the sable, and sat down again.

"No," she said, "I am not going yet. I do not know what made me take my
cloak."

"You have really no cause for nervousness now that it is all over,"
remarked the sage, who had not descended from his perch on the table.
"He is very well. It is one of those cases which are interesting as
being new, or at least only partially investigated. We may as well speak
in confidence, Unorna, for we really understand each other. Do you not
think so?"

"That depends on what you have to say."

"Not much--nothing that ought to offend you. You must consider, my
dear," he said, assuming an admirably paternal tone, "that I might be
your father, and that I have your welfare very much at heart, as well as
your happiness. You love this man--no, do not be angry, do not interrupt
me. You could not do better for yourself, nor for him. I knew him years
ago. He is a grand man--the sort of man I would like to be. Good. You
find him suffering from a delusion, or a memory, whichever it be. Not
only is this delusion--let us call it so--ruining his happiness and
undermining his strength, but so long as it endures, it also completely
excludes the possibility of his feeling for you what you feel for him.
Your own interest coincides exactly with the promptings of real, human
charity. And yours is in reality a charitable nature, dear Unorna,
though you are sometimes a little hasty with poor old Keyork. Good
again. You, being moved by a desire for this man's welfare, most kindly
and wisely take steps to cure him of his madness. The delusion is
strong, but your will is stronger. The delusion yields after a violent
struggle during which it has even impressed itself upon your own senses.
The patient is brought home, properly cared for, and disposed to
rest. Then he wakes, apparently of his own accord, and behold! he is
completely cured. Everything has been successful, everything is perfect,
everything has followed the usual course of such mental cures by means
of hypnosis. The only thing I do not understand is the waking. That is
the only thing which makes me uneasy for the future, until I can see it
properly explained. He had no right to wake without your suggestion, if
he was still in the hypnotic state; and if he had already come out of
the hypnotic state by a natural reaction, it is to be feared that the
cure may not be permanent."

Unorna had listened attentively, as she always did when Keyork delivered
himself of a serious opinion upon a psychiatric case. Her eyes gleamed
with satisfaction as he finished.

"If that is all that troubles you," she said, "you may set your mind
at rest. After he had fallen, and while the watchman was getting the
carriage, I repeated my suggestion and ordered him to wake without pain
in an hour."

"Perfect! Splendid!" cried Keyork, clapping his hands loudly together.
"I did you an injustice, my dear Unorna. You are not so nervous as I
thought, since you forgot nothing. What a woman! Ghost-proof, and able
to think connectedly even at such a moment! But tell me, did you not
take the opportunity of suggesting something else?" His eyes twinkled
merrily, as he asked the question.

"What do you mean?" inquired Unorna, with sudden coldness.

"Oh, nothing so serious as you seem to think. I was only wondering
whether a suggestion of reciprocation might not have been wise."

She faced him fiercely.

"Hold your peace, Keyork Arabian!" she cried.

"Why?" he asked with a bland smile, swinging his little legs and
stroking his long beard.

"There is a limit! Must you for ever be trying to suggest, and trying
to guide me in everything I do? It is intolerable! I can hardly call my
soul my own!"

"Hardly, considering my recent acquisition of it," returned Keyork
calmly.

"That wretched jest is threadbare."

"A jest! Wretched? And threadbare, too? Poor Keyork! His wit is failing
at last."

He shook his head in mock melancholy over his supposed intellectual
dotage. Unorna turned away, this time with the determination to leave
him.

"I am sorry if I have offended you," he said, very meekly. "Was what I
said so very unpardonable?"

"If ignorance is unpardonable, as you always say, then your speech
is past forgiveness," said Unorna, relenting by force of habit, but
gathering her fur around her. "If you know anything of women--"

"Which I do not," observed the gnome in a low-toned interruption.

"Which you do not--you would know how much such love as you advise me to
manufacture by force of suggestion could be worth in a woman's eyes. You
would know that a woman will be loved for herself, for her beauty, for
her wit, for her virtues, for her faults, for her own love, if you will,
and by a man conscious of all his actions and free of his heart; not by
a mere patient reduced to the proper state of sentiment by a trick of
hypnotism, or psychiatry, or of whatever you choose to call the effect
of this power of mine which neither you, nor I, nor any one can explain.
I will be loved freely, for myself, or not at all."

"I see, I see," said Keyork thoughtfully, "something in the way Israel
Kafka loves you."

"Yes, as Israel Kafka loves me, I am not afraid to say it. As he loves
me, of his own free will, and to his own destruction--as I should have
loved him, had it been so fated."

"So you are a fatalist, Unorna," observed her companion, still stroking
and twisting his beard. "It is strange that we should differ upon so
many fundamental questions, you and I, and yet be such good friends. Is
it not?"

"The strangest thing of all is that I should submit to your exasperating
ways as I do."

"It does not strike me that it is I who am quarrelling this time," said
Keyork.

"I confess, I would almost prefer that to your imperturbable coolness.
What is this new phase? You used not to be like this. You are planning
some wickedness. I am sure of it."

"And that is all the credit I get for keeping my temper! Did I not say a
while ago that I would never quarrel with you again?"

"You said so, but--"

"But you did not expect me to keep my word," said Keyork, slipping from
his seat on the table with considerable agility and suddenly standing
close before her. "And do you not yet know that when I say a thing I do
it, and that when I have got a thing I keep it?"

"So far as the latter point is concerned, I have nothing to say. But you
need not be so terribly impressive; and unless you are going to break
your word, by which you seem to set such store, and quarrel with me, you
need not look at me so fiercely."

Keyork suddenly let his voice drop to its deepest and most vibrating
key.

"I only want you to remember this," he said. "You are not an ordinary
woman, as I am not an ordinary man, and the experiment we are making
together is an altogether extraordinary one. I have told you the truth.
I care for nothing but my individual self, and I seek nothing but the
prolongation of life. If you endanger the success of the great trial
again, as you did to-day, and if it fails, I will never forgive you.
You will make an enemy of me, and you will regret it while you live,
and longer than that, perhaps. So long as you keep the compact there
is nothing I will not do to help you--nothing within the bounds of your
imagination. And I can do much. Do you understand?"

"I understand that you are afraid of losing my help."

"That is it--of losing your help. I am not afraid of losing you--in the
end."

Unorna smiled rather scornfully at first, as she looked down upon the
little man's strange face and gazed fearlessly into his eyes. But as she
looked, the smile faded, and the colour slowly sank from her face,
until she was very pale. And as she felt herself losing courage before
something which she could not understand, Keyork's eyes grew brighter
and brighter till they glowed like drops of molten metal. A sound as of
many voices wailing in agony rose and trembled and quavered in the air.
With a wild cry, Unorna pressed her hands to her ears and fled towards
the entrance.

"You are very nervous to-night," observed Keyork, as he opened the door.

Then he went silently down the stairs by her side and helped her into
the carriage, which had been waiting since his return.



CHAPTER XI

A month had passed since the day on which Unorna had first seen the
Wanderer, and since the evening when she had sat so long in conversation
with Keyork Arabian. The snow lay heavily on all the rolling moorland
about Prague, covering everything up to the very gates of the black
city; and within, all things were as hard and dark and frozen as ever.
The sun was still the sun, no doubt, high above the mist and the gloom
which he had no power to pierce, but no man could say that he had seen
him in that month. At long intervals indeed, a faint rose- glow
touched the high walls of the Hradschin and transfigured for an instant
the short spires of the unfinished cathedral, hundreds of feet above
the icebound river and the sepulchral capital; sometimes, in the dim
afternoons, a little gold filtered through the heavy air and tinged the
snow-steeples of the Teyn Kirche, and yellowed the stately tower of
the town hall; but that was all, so far as the moving throngs of silent
beings that filled the streets could see. The very air men breathed
seemed to be stiffening with damp cold. For that is not the glorious
winter of our own dear north, where the whole earth is a jewel of
gleaming crystals hung between two heavens, between the heaven of the
day, and the heaven of the night, beautiful alike in sunshine and in
starlight, under the rays of the moon, at evening and again at dawn;
where the pines and hemlocks are as forests of plumes powdered thick
with dust of silver; where the black ice rings like a deep-toned bell
beneath the heel of the sweeping skate--the ice that you may follow a
hundred miles if you have breath and strength; where the harshest voice
rings musically among the icicles and the snow-laden boughs; where the
quick jingle of sleigh bells far off on the smooth, deep track brings
to the listener the vision of our own merry Father Christmas, with snowy
beard, and apple cheeks, and peaked fur cap, and mighty gauntlets,
and hampers and sacks full of toys and good things and true northern
jollity; where all is young and fresh and free; where eyes are bright
and cheeks are red, and hands are strong and hearts are brave; where
children laugh and tumble in the diamond dust of the dry, driven snow;
where men and women know what happiness can mean; where the old are as
the giant pines, green, silver-crowned landmarks in the human forest,
rather than as dried, twisted, sapless trees fit only to be cut down and
burned, in that dear north to which our hearts and memories still turn
for refreshment, under the Indian suns, and out of the hot splendour of
calm southern seas. The winter of the black city that spans the frozen
Moldau is the winter of the grave, dim as a perpetual afternoon in a
land where no lotus ever grew, cold with the unspeakable frigidness of a
reeking air that thickens as oil but will not be frozen, melancholy as a
stony island of death in a lifeless sea.

A month had gone by, and in that time the love that had so suddenly
taken root in Unorna's heart had grown to great proportions as love will
when, being strong and real, it is thwarted and repulsed at every turn.
For she was not loved. She had destroyed the idol and rooted out the
memory of it, but she could not take its place. She had spoken the truth
when she had told Keyork that she would be loved for herself, or not at
all, and that she would use neither her secret arts nor her rare gifts
to manufacture a semblance when she longed for a reality.

Almost daily she saw him. As in a dream he came to her and sat by her
side, hour after hour, talking of many things, calm, apparently, and
satisfied in her society, but strangely apathetic and indifferent.
Never once in those many days had she seen his pale face light up with
pleasure, nor his deep eyes show a gleam of interest; never had the tone
of his voice been disturbed in its even monotony; never had the touch of
his hand, when they met and parted, felt the communication of the thrill
that ran through hers.

It was very bitter, for Unorna was proud with the scarcely reasoning
pride of a lawless, highly gifted nature, accustomed to be obeyed and
little used to bending under any influence. She brought all the skill
she could command to her assistance; she talked to him, she told him of
herself, she sought his confidence, she consulted him on every matter,
she attempted to fascinate his imagination with tales of a life which
even he could never have seen; she even sang to him old songs and
snatches of wonderful melodies which, in her childhood, had still
survived the advancing wave of silence that has overwhelmed the Bohemian
people within the memory of living man, bringing a change into the daily
life and temperament of a whole nation which is perhaps unparalleled in
any history. He listened, he smiled, he showed a faint pleasure and a
great understanding in all these things, and he came back day after
day to talk and listen again. But that was all. She felt that she could
amuse him without charming him.

And Unorna suffered terribly. Her cheek grew thinner and her eyes
gleamed with sudden fires. She was restless, and her beautiful hands,
from seeming to be carved in white marble, began to look as though they
were chiselled out of delicate transparent alabaster. She slept little
and thought much, and if she did not shed tears, it was because she
was too strong to weep for pain and too proud to weep from anger and
disappointment. And yet her resolution remained firm, for it was part
and parcel of her inmost self, and was guarded by pride on the one hand
and an unalterable belief in fate on the other.

To-day they sat together, as they had so often sat, among the flowers
and the trees in the vast conservatory, she in her tall, carved chair
and he upon a lower seat before her. They had been silent for some
minutes. It was not yet noon, but it might have been early morning in a
southern island, so soft was the light, so freshly scented the air, so
peaceful the tinkle of the tiny fountain. Unorna's expression was sad,
as she gazed in silence at the man she loved. There was something gone
from his face, she thought, since she had first seen him, and it was to
bring that something back that she would give her life and her soul if
she could.

Suddenly her lips moved and a sad melody trembled in the air. Unorna
sang, almost as though singing to herself. The Wanderer's deep eyes met
hers and he listened.

     "When in life's heaviest hour
     Grief crowds upon the heart
     One wondrous prayer
     My memory repeats.

     "The harmony of the living words
     Is full of strength to heal,
     There breathes in them a holy charm
     Past understanding.

     "Then, as a burden from my soul,
     Doubt rolls away,
     And I believe--believe in tears,
     And all is light--so light!"

She ceased, and his eyes were still upon her, calm, thoughtful,
dispassionate. The colour began to rise in her cheek. She looked down
and tapped upon the carved arm of the chair with an impatient gesture
familiar to her.

"And what is that one prayer?" asked the Wanderer. "I knew the song long
ago, but I have never guessed what that magic prayer can be like."

"It must be a woman's prayer; I cannot tell you what it is."

"And are you so sad to-day, Unorna? What makes you sing that song?"

"Sad? No, I am not sad," she answered with an effort. "But the words
rose to my lips and so I sang."

"They are pretty words," said her companion, almost indifferently. "And
you have a very beautiful voice," he added thoughtfully.

"Have I? I have been told so, sometimes."

"Yes. I like to hear you sing, and talk, too. My life is a blank. I do
not know what it would be without you."

"I am little enough to--those who know me," said Unorna, growing pale,
and drawing a quick breath.

"You cannot say that. You are not little to me."

There was a long silence. He gazed at the plants, and his glance
wandered from one to the other, as though he did not see them, being
lost in meditation. The voice had been calm and clear as ever, but it
was the first time he had ever said so much, and Unorna's heart stood
still, half fire and half ice. She could not speak.

"You are very much to me," he said again, at last. "Since I have been
in this place a change has come over me. I seem to myself to be a man
without an object, without so much as a real thought. Keyork tells me
that there is something wanting, that the something is woman, and that
I ought to love. I cannot tell. I do not know what love is, and I never
knew. Perhaps it is the absence of it that makes me what I am--a body
and an intelligence without a soul. Even the intelligence I begin to
doubt. What sense has there ever been in all my wanderings? Why have I
been in every place, in every city? What went I forth to see? Not even a
reed shaken by the wind! I have spoken all languages, read thousands of
books, known men in every land--and for what? It is as though I had once
had an object in it all, though I know that there was none. But I have
realised the worthlessness of my life since I have been here. Perhaps
you have shown it to me, or helped me to see it. I cannot tell. I ask
myself again and again what it was all for, and I ask in vain. I am
lonely, indeed, in the world, but it has been my own choice. I remember
that I had friends once, when I was younger, but I cannot tell what has
become of one of them. They wearied me, perhaps, in those days, and the
weariness drove me from my own home. For I have a home, Unorna, and I
fancy that when old age gets me at last I shall go there to die, in one
of those old towers by the northern sea. I was born there, and there
my mother died and my father, before I knew them; it is a sad place!
Meanwhile, I may have thirty years, or forty, or even more to live.
Shall I go on living this wandering, aimless life? And if not what shall
I do? Love, says Keyork Arabian--who never loved anything but himself,
but to whom that suffices, for it passes the love of woman!"

"That is true, indeed," said Unorna in a low voice.

"And what he says might be true also, if I were capable of loving. But
I feel that I am not. I am as incapable of that as of anything else. I
ought to despise myself, and yet I do not. I am perfectly contented, and
if I am not happy I at least do not realise what unhappiness means. Am I
not always of the same even temper?"

"Indeed you are." She tried not to speak bitterly, but something in her
tone struck him.

"Ah, I see! You despise me a little for my apathy. Yes, you are
quite right. Man is not made to turn idleness into a fine art, nor to
manufacture contentment out of his own culpable indifference! It is
despicable--and yet, here I am."

"I never meant that," cried Unorna with sudden heat. "Even if I had,
what right have I to make myself the judge of your life?"

"The right of friendship," answered the Wanderer very quietly. "You are
my best friend, Unorna."

Unorna's anger rose within her. She remembered how in that very place,
and but a month earlier, she had offered Israel Kafka her friendship,
and it was as though a heavy retribution were now meted out to her for
her cruelty on that day. She remembered his wrath and his passionate
denunciations of friendship, his scornful refusal, his savage attempt to
conquer her will, his failure and his defeat. She remembered how she had
taken her revenge, delivering him over in his sleep to Keyork Arabian's
will. She wished that, like him, she could escape from the wound of the
word in a senseless lethargy of body and mind. She knew now what he had
suffered, for she suffered it all herself. He, at least, had been free
to speak his mind, to rage and storm and struggle. She must sit still
and hide her agony, at the risk of losing all. She bit her white lips
and turned her head away, and was silent.

"You are my best friend," the Wanderer repeated in his calm voice,
and every syllable pierced her like a glowing needle. "And does not
friendship give rights which ought to be used? If, as I think, Unorna,
you look upon me as an idler, as a worthless being, as a man without as
much as the shadow of a purpose in the world, it is but natural that you
should despise me a little, even though you may be very fond of me. Do
you not see that?"

Unorna stared at him with an odd expression for a moment.

"Yes--I am fond of you!" she exclaimed, almost harshly. Then she
laughed. He seemed not to notice her tone.

"I never knew what friendship was before," he went on. "Of course, as
I said, I had friends when I was little more than a boy, boys and young
men like myself, and our friendship came to this, that we laughed, and
feasted and hunted together, and sometimes even quarrelled, and caring
little, thought even less. But in those days there seemed to be nothing
between that and love, and love I never understood, that I can remember.
But friendship like ours, Unorna, was never dreamed of among us. Such
friendship as this, when I often think that I receive all and give
nothing in return."

Again Unorna laughed, so strangely that the sound of her own voice
startled her.

"Why do you laugh like that?" he asked.

"Because what you say is so unjust to yourself," she answered, nervously
and scarcely seeing him where he sat. "You seem to think it is all on
your side. And yet, I just told you that I was fond of you."

"I think it is a fondness greater than friendship that we feel for each
other," he said, presently, thrusting the probe of a new hope into the
tortured wound.

"Yes?" she spoke faintly, with averted face.

"Something more--a stronger tie, a closer bond. Unorna, do you believe
in the migration of the soul throughout ages, from one body to another?"

"Sometimes," she succeeded in saying.

"I do not believe in it," he continued. "But I see well enough how men
may, since I have known you. We have grown so intimate in these few
weeks, we seem to understand each other so wholly, with so little
effort, we spend such happy, peaceful hours together every day, that
I can almost fancy our two selves having been together through a whole
lifetime in some former state, living together, thinking together,
inseparable from birth, and full of an instinctive, mutual
understanding. I do not know whether that seems an exaggeration to you
or not. Has the same idea ever crossed your mind?"

She said something, or tried to say something, but the words were
inaudible; he interpreted them as expressive of assent, and went on, in
a musing tone, as though talking quite as much to himself as to her.

"And that is the reason why it seems as though we must be more than
friends, though we have known each other so short a time. Perhaps it is
too much to say."

He hesitated, and paused. Unorna breathed hard, not daring to think of
what might be coming next. He talked so calmly, in such an easy tone,
it was impossible that he could be making love. She remembered the
vibrations in his voice when, a month ago, he had told her his story.
She remembered the inflection of the passionate cry he had uttered when
he had seen the shadow of Beatrice stealing between them, she knew the
ring of his speech when he loved, for she had heard it. It was not there
now. And yet, the effort not to believe would have been too great for
her strength.

"Nothing that you could say would be--" she stopped herself--"would pain
me," she added, desperately, in the attempt to complete the sentence.

He looked somewhat surprised, and then smiled.

"No. I shall never say anything, nor do anything, which could give you
pain. What I meant was this. I feel towards you, and with you, as I can
fancy a man might feel to a dear sister. Can you understand that?"

In spite of herself she started. He had but just said that he would
never give her pain. He did not guess what cruel wounds he was
inflicting now.

"You are surprised," he said, with intolerable self-possession. "I
cannot wonder. I remember to have very often thought that there are few
forms of sentimentality more absurd than that which deceives a man into
the idea that he can with impunity play at being a brother to a young
and beautiful woman. I have always thought so, and I suppose that in
whatever remains of my indolent intelligence I think so still. But
intelligence is not always so reliable as instinct. I am not young
enough nor foolish enough either, to propose that we should swear
eternal brother-and-sisterhood--or perhaps I am not old enough, who can
tell? Yet I feel how perfectly safe it would be for either of us."

The steel had been thrust home, and could go no farther. Unorna's
unquiet temper rose at his quiet declaration of his absolute security.
The colour came again to her cheek, a little hotly, and though there
was a slight tremor in her voice when she spoke, yet her eyes flashed
beneath the drooping lids.

"Are you sure it would be safe?" she asked.

"For you, of course there can be no danger possible," he said, in
perfect simplicity of good faith. "For me--well, I have said it. I
cannot imagine love coming near me in any shape, by degrees or unawares.
It is a strange defect in my nature, but I am glad of it since it makes
this pleasant life possible."

"And why should you suppose that there is no danger for me?" asked
Unorna, with a quick glance and a silvery laugh. She was recovering her
self-possession.

"For you? Why should there be? How could there be? No woman ever loved
me, then why should you? Besides--there are a thousand reasons, one
better than the other."

"I confess I would be glad to hear a few of them, my friend. You were
good enough just now to call me young and beautiful. You are young too,
and certainly not repulsive in appearance. You are gifted, you have led
an interesting life--indeed, I cannot help laughing when I think how
many reasons there are for my falling in love with you. But you are very
reassuring, you tell me there is no danger. I am willing to believe."

"It is safe to do that," answered the Wanderer with a smile, "unless you
can find at least one reason far stronger than those you give. Young
and passably good-looking men are not rare, and as for men of genius who
have led interesting lives, many thousands have been pointed out to me.
Then why, by any conceivable chance, should your choice fall on me?"

"Perhaps because I am so fond of you already," said Unorna, looking away
lest her eyes should betray what was so far beyond fondness. "They say
that the most enduring passions are either born in a single instant,
or are the result of a treacherously increasing liking. Take the latter
case. Why is it impossible, for you or for me? We are slipping from mere
liking into friendship, and for all I know we may some day fall headlong
from friendship into love. It would be very foolish no doubt, but it
seems to me quite possible. Do you not see it?"

The Wanderer laughed lightly. It was years since he had laughed, until
this friendship had begun.

"What can I say?" he asked. "If you, the woman, acknowledge yourself
vulnerable, how can I, the man, be so discourteous as to assure you that
I am proof? And yet, I feel that there is no danger for either of us."

"You are still sure?"

"And if there were, what harm would be done?" he laughed again. "We have
no plighted word to break, and I, at least, am singularly heart free.
The world would not come to an untimely end if we loved each other.
Indeed, the world would have nothing to say about it."

"To me, it would not," said Unorna, looking down at her clasped hands.
"But to you--what would the world say, if it learned that you were in
love with Unorna, that you were married to the Witch?"

"The world? What is the world to me, or what am I to it? What is my
world? If it is anything, it consists of a score of men and women who
chance to be spending their allotted time on earth in that corner of
the globe in which I was born, who saw me grow to manhood, and who most
inconsequently arrogate to themselves the privilege of criticising my
actions, as they criticise each other's; who say loudly that this is
right and that is wrong, and who will be gathered in due time to their
insignificant fathers with their own insignificance thick upon them, as
is meet and just. If that is the world I am not afraid of its judgments
in the very improbable case of my falling in love with you."

Unorna shook her head. There was a momentary relief in discussing the
consequences of a love not yet born in him.

"That would not be all," she said. "You have a country, you have a home,
you have obligations--you have all those things which I have not."

"And not one of those which you have."

She glanced at him again, for there was a truth in the words which hurt
her. Love, at least, was hers in abundance, and he had it not.

"How foolish it is to talk like this!" she exclaimed. "After all, when
people love, they care very little what the world says. If I loved any
one"--she tried to laugh carelessly--"I am sure I should be indifferent
to everything or every one else."

"I am sure you would be," assented the Wanderer.

"Why?" She turned rather suddenly upon him. "Why are you sure?"

"In the first place because you say so, and secondly because you have
the kind of nature which is above common opinion."

"And what kind of nature may that be?"

"Enthusiastic, passionate, brave."

"Have I so many good qualities?"

"I am always telling you so."

"Does it give you pleasure to tell me what you think of me?"

"Does it pain you to hear it?" asked the Wanderer, somewhat surprised at
the uncertainty of her temper, and involuntarily curious as to the cause
of the disturbance.

"Sometimes it does," Unorna answered.

"I suppose I have grown awkward and tactless in my lonely life. You must
forgive me if I do not understand my mistake. But since I have annoyed
you, I am sorry for it. Perhaps you do not like such speeches because
you think I am flattering you and turning compliments. You are wrong if
you think that. I am sincerely attached to you, and I admire you very
much. May I not say as much as that?"

"Does it do any good to say it?"

"If I may speak of you at all I may express myself with pleasant
truths."

"Truths are not always pleasant. Better not to speak of me at any time."

"As you will," answered the Wanderer bending his head as though in
submission to her commands. But he did not continue the conversation,
and a long silence ensued.

He wandered what was passing in her mind, and his reflections led to no
very definite result. Even if the idea of her loving him had presented
itself to his intelligence he would have scouted it, partly on the
ground of its apparent improbability, and partly, perhaps, because
he had of late grown really indolent, and would have resented any
occurrence which threatened to disturb the peaceful, objectless course
of his days. He put down her quick changes of mood to sudden caprice,
which he excused readily enough.

"Why are you so silent?" Unorna asked, after a time.

"I was thinking of you," he answered, with a smile. "And since you
forbade me to speak of you, I said nothing."

"How literal you are!" she exclaimed impatiently.

"I could see no figurative application of your words," he retorted,
beginning to be annoyed at her prolonged ill humour.

"Perhaps there was none."

"In that case--"

"Oh, do not argue! I detest argument in all shapes, and most of all when
I am expected to answer it. You cannot understand me--you never will--"
She broke off suddenly and looked at him.

She was angry with him, with herself, with everything, and in her anger
she loved him tenfold better than before. Had he not been blinded by his
own absolute coldness he must have read her heart in the look she gave
him, for his eyes met hers. But he saw nothing. The glance had been
involuntary, but Unorna was too thoroughly a woman not to know all that
it had expressed and would have conveyed to the mind of any one not
utterly incapable of love, all that it might have betrayed even to this
man who was her friend and talked of being her brother. She realised
with terrible vividness the extent of her own passion and the appalling
indifference of its objet. A wave of despair rose and swept over her
heart. Her sight grew dim and she was conscious of sharp physical pain.
She did not even attempt to speak, for she had no thoughts which could
take the shape of words. She leaned back in her chair, and tried to draw
her breath, closing her eyes, and wishing she were alone.

"What is the matter?" asked the Wanderer, watching her in surprise.

She did not answer. He rose and stood beside her, and lightly touched
her hand.

"Are you ill?" he asked again.

She pushed him away, almost roughly.

"No," she answered shortly.

Then, all at once, as though repenting of her gesture, her hand sought
his again, pressed it hard for a moment, and let it fall.

"It is nothing," she said. "It will pass. Forgive me."

"Did anything I said----" he began.

"No, no; how absurd!"

"Shall I go. Yes, you would rather be alone----" he hesitated.

"No--yes--yes, go away and come back later. It is the heat perhaps; is
it not hot here?"

"I daresay," he answered absently.

He took her hand and then left her, wondering exceedingly over a matter
which was of the simplest.

It was some time before Unorna realised that he was gone. She had
suffered a severe shock, not to be explained by any word or words
which he had spoken, as much as by the revelation of her own utter
powerlessness, of her total failure to touch his heart, but most
directly of all the consequence of a sincere passion which was assuming
dangerous proportions and which threatened to sweep away even her pride
in its irresistible course.

She grew calmer when she found herself alone, but in a manner she grew
also more desperate. A resolution began to form itself in her mind
which she would have despised and driven out of her thoughts a few hours
earlier; a resolution destined to lead to strange results. She began to
think of resorting once more to a means other than natural in order to
influence the man she loved.

In the first moments she had felt sure of herself, and the certainty
that the Wanderer had forgotten Beatrice as completely as though she had
never existed had seemed to Unorna a complete triumph. With little or no
common vanity she had nevertheless felt sure that the man must love
her for her own sake. She knew, when she thought of it, that she was
beautiful, unlike other women, and born to charm all living things.
She compared in her mind the powers she controlled at will, and the
influence she exercised without effort over every one who came near
her. It had always seemed to her enough to wish in order to see the
realisation of her wishes. But she had herself never understood how
closely the wish was allied with the despotic power of suggestion which
she possessed. But in her love she had put a watch over her mysterious
strength and had controlled it, saying that she would be loved for
herself or not at all. She had been jealous of every glance, lest it
should produce a result not natural. She had waited to be won, instead
of trying to win. She had failed, and passion could be restrained no
longer.

"What does it matter how, if only he is mine!" she exclaimed fiercely,
as she rose from her carved chair an hour after he had left her.



CHAPTER XII

Israel Kafka found himself seated in the corner of a comfortable
carriage with Keyork Arabian at his side. He opened his eyes quite
naturally, and after looking out of the window stretched himself as
far as the limits of the space would allow. He felt very weak and very
tired. The bright colour had left his olive cheeks, his lips were pale
and his eyes heavy.

"Travelling is very tiring," he said, glancing at Keyork's face.

The old man rubbed his hands briskly and laughed.

"I am as fresh as ever," he answered. "It is true that I have the
happy faculty of sleeping when I get a chance and that no preoccupation
disturbs my appetite."

Keyork Arabian was in a very cheerful frame of mind. He was conscious
of having made a great stride towards the successful realisation of his
dream. Israel Kafka's ignorance, too, amused him, and gave him a fresh
and encouraging proof of Unorna's amazing powers.

By a mere exercise of superior will this man, in the very prime of youth
and strength, had been deprived of a month of his life. Thirty days were
gone, as in the flash of a second, and with them was gone also something
less easily replaced, or at least more certainly missed. In Kafka's mind
the passage of time was accounted for in a way which would have
seemed supernatural twenty years ago, but which at the present day is
understood in practice if not in theory. For thirty days he had been
stationary in one place, almost motionless, an instrument in Keyork's
skilful hands, a mere reservoir of vitality upon which the sage had
ruthlessly drawn to the fullest extent of its capacities. He had been
fed and tended in his unconsciousness, he had, unknown to himself,
opened his eyes at regular intervals, and had absorbed through his ears
a series of vivid impressions destined to disarm his suspicions, when
he was at last allowed to wake and move about the world again. With
unfailing forethought Keyork had planned the details of a whole series
of artificial reminiscences, and at the moment when Kafka came to
himself in the carriage the machinery of memory began to work as Keyork
had intended that it should.

Israel Kafka leaned back against the cushions and reviewed his life
during the past month. He remembered very well the afternoon when,
after a stormy interview with Unorna, he had been persuaded by Keyork to
accompany the latter upon a rapid southward journey. He remembered how
he had hastily packed together a few necessaries for the expedition,
while Keyork stood at his elbow advising him what to take and what to
leave, with the sound good sense of an experienced traveller, and he
could almost repeat the words of the message he had scrawled on a sheet
of paper at the last minute to explain his sudden absence from his
lodging--for the people of the house had all been away when he was
packing his belongings. Then the hurry of the departure recalled itself
to him, the crowds of people at the Franz Josef station, the sense
of rest in finding himself alone with Keyork in a compartment of the
express train; after that he had slept during most of the journey,
waking to find himself in a city of the snow-driven Tyrol. With
tolerable distinctness he remembered the sights he had seen, and
fragments of conversation--then another departure, still southward,
the crossing of the Alps, Italy, Venice--a dream of water and sun and
beautiful buildings, in which the varied conversational powers of his
companion found constant material. As a matter of fact the conversation
was what was most clearly impressed upon Kafka's mind, as he recalled
the rapid passage from one city to another, and realised how many
places he had visited in one short month. From Venice southwards,
again, Florence, Rome, Naples, Sicily, by sea to Athens and on to
Constantinople, familiar to him already from former visits--up the
Bosphorus, by the Black Sea to Varna, and then, again, a long period of
restful sleep during the endless railway journey--Pesth, Vienna, rapidly
revisited and back at last to Prague, to the cold and the gray snow and
the black sky. It was not strange, he thought, that his recollections
of so many cities should be a little confused. A man would need a fine
memory to catalogue the myriad sights which such a trip offers to the
eye, the innumerable sounds, familiar and unfamiliar, which strike
the ear, the countless sensations of comfort, discomfort, pleasure,
annoyance and admiration, which occupy the nerves without intermission.
There was something not wholly disagreeable in the hazy character of the
retrospect, especially to a nature such as Kafka's, full of undeveloped
artistic instincts and of a passionate love of all sensuous beauty,
animate and inanimate. The gorgeous pictures rose one after the other
in his imagination, and satisfied a longing of which he felt that he had
been vaguely aware before beginning the journey. None of these lacked
reality, any more than Keyork himself, thought it seemed strange to the
young man that he should actually have seen so much in so short a time.

But Keyork and Unorna understood their art and knew how much more easy
it is to produce a fiction of continuity where an element of confusion
is introduced by the multitude and variety of the quickly succeeding
impressions and almost destitute of incident. One occurrence, indeed,
he remembered with extraordinary distinctness, and could have affirmed
under oath in all its details. It had taken place in Palermo. The heat
had seemed intense by contrast with the bitter north he had left behind.
Keyork had gone out and he had been alone in a strange hotel. His head
swam in the stifling scirocco. He had sent for a local physician, and
the old-fashioned doctor had then and there taken blood from his arm.
He had lost so much that he had fainted. The doctor had been gone when
Keyork returned, and the sage had been very angry, abusing in most
violent terms the ignorance which could still apply such methods. Israel
Kafka knew that the lancet had left a wound on his arm and that the
scar was still visible. He remembered, too, that he had often felt tired
since, and that Keyork had invariably reminded him of the circumstances,
attributing to it the weariness from which he suffered, and indulging
each time in fresh abuse of the benighted doctor.

Very skilfully had the whole story been put together in all its minutest
details, carefully thought out and written down in the form of a
journal before it had been impressed upon his sleeping mind with all
the tyrannic force of Unorna's strong will. And there was but little
probability that Israel Kafka would ever learn what had actually been
happening to him while he fancied that he had been travelling swiftly
from place to place. He could still wonder, indeed, that he should
have yielded so easily to Keyork's pressing invitation to accompany the
latter upon such an extraordinary flight, but he remembered then his
last interview with Unorna and it seemed almost natural that in his
despair he should have chosen to go away. Not that his passion for
the woman was dead. Intentionally, or by an oversight, Unorna had not
touched upon the question of his love for her, in the course of her
otherwise well-considered suggestions. Possibly she had believed that
the statement she had forced from his lips was enough and that he would
forget her without any further action on her part. Possibly, too, Unorna
was indifferent and was content to let him suffer, believing that his
devotion might still be turned to some practical use. However that may
be, when Israel Kafka opened his eyes in the carriage he still loved
her, though he was conscious that in his manner of loving a change had
taken place, of which he was destined to realise the consequences before
another day had passed.

When Keyork answered his first remark, he turned and looked at the old
man.

"I suppose you are tougher than I," he said, languidly. "You will hardly
believe it, but I have been dozing already, here, in the carriage, since
we left the station."

"No harm in that. Sleep is a great restorative," laughed Keyork.

"Are you so glad to be in Prague again?" asked Kafka. "It is a
melancholy place. But you laugh as though you actually liked the sight
of the black houses and the gray snow and the silent people."

"How can a place be melancholy? The seat of melancholy is the liver.
Imagine a city with a liver--of brick and mortar, or stone and cement,
a huge mass of masonry buried in its centre, like an enormous fetish,
exercising a mysterious influence over the city's health--then you may
imagine a city as suffering from melancholy."

"How absurd!"

"My dear boy, I rarely say absurd things," answered Keyork
imperturbably. "Besides, as a matter of fact, there is nothing absurd.
But you suggested rather a fantastic idea to my imagination. The brick
liver is not a bad conception. Far down in the bowels of the earth, in
a black cavern hollowed beneath the lowest foundations of the oldest
church, the brick liver was built by the cunning magicians of old, to
last for ever, to purify the city's blood, to regulate the city's life,
and in a measure to control its destinies by means of its passions. A
few wise men have handed down the knowledge of the brick liver to each
other from generation to generation, but the rest of the inhabitants are
ignorant of its existence. They alone know that every vicissitude of
the city's condition is traceable to that source--its sadness, its
merriment, its carnivals and its lents, its health and its disease, its
prosperity and the hideous plagues which at distant intervals kill one
in ten of the population. Is it not a pretty thought?"

"I do not understand you," said Kafka, wearily.

"It is a very practical idea," continued Keyork, amused with his own
fancies, "and it will yet be carried out. The great cities of the
next century will each have a liver of brick and mortar and iron and
machinery, a huge mechanical purifier. You smile! Ah, my dear boy, truth
and phantasm are very much the same to you! You are too young. How
can you be expected to care for the great problem of problems, for the
mighty question of prolonging life?"

Keyork laughed again, with a meaning in his laughter which escaped his
companion altogether.

"How can you be expected to care?" he repeated. "And yet men used to say
that it was the duty of strong youth to support the trembling weakness
of feeble old age."

His eyes twinkled with a diabolical mirth.

"No," said Kafka. "I do not care. Life is meant to be short. Life is
meant to be storm, broken with gleams of love's sunshine. Why prolong
it? If it is unhappy you would only draw out the unhappiness to greater
lengths, and such joy as it has is joy only because it is quick, sudden,
violent. I would concentrate a lifetime into an instant, if I could,
and then die content in having suffered everything, enjoyed everything,
dared everything in the flash of a great lightning between two total
darknesses. But to drag on through slow sorrows, or to crawl through a
century of contentment--never! Better be mad, or asleep, and unconscious
of the time."

"You are a very desperate person!" exclaimed Keyork. "If you had the
management of this unstable world you would make it a very convulsive
and nervous place. We should all turn into flaming ephemerides,
fluttering about the crater of a perpetually active volcano. I prefer
the system of the brick liver. There is more durability in it."

The carriage stopped before the door of Kafka's dwelling. Keyork got out
with him and stood upon the pavement while the porter took the slender
luggage into the house. He smiled as he glanced at the leathern
portmanteau which was supposed to have made such a long journey while
it had in reality lain a whole month in a corner of Keyork's great room
behind a group of specimens. He had opened it once or twice in that
time, had disturbed the contents and had thrown in a few objects from
his heterogeneous collection, as reminiscences of the places visited
in imagination by Kafka, and of the acquisition of which the latter was
only assured in his sleeping state. They would constitute a tangible
proof of the journey's reality in case the suggestion proved less
thoroughly successful than was hoped, and Keyork prided himself upon
this supreme touch.

"And now," he said, taking Kafka's hand, "I would advise you to rest as
long as you can. I suppose that it must have been a fatiguing trip for
you, though I myself am as fresh as a May morning. There is nothing
wrong with you, but you are tired. Repose, my dear boy, repose, and
plenty of it. That infernal Sicilian doctor! I shall never forgive him
for bleeding you as he did. There is nothing so weakening. Good-bye--I
shall hardly see you again to-day, I fancy."

"I cannot tell," answered the young man absently. "But let me thank
you," he added, with a sudden consciousness of obligation, "for your
pleasant company, and for making me go with you. I daresay it has done
me good, though I feel unaccountably tired--I feel almost old."

His tired eyes and haggard face showed that this at least was no
illusion. The fancied journey had added ten years to his age in thirty
days, and those who knew him best would have found it hard to recognise
the brilliantly vital personality of Israel Kafka in the pale and
exhausted youth who painfully climbed the stairs with unsteady steps,
panting for breath and clutching at the hand-rail for support.

"He will not die this time," remarked Keyork Arabian to himself, as he
sent the carriage away and began to walk towards his own home. "Not
this time. But it was a sharp strain, and it would not be safe to try it
again."

He thrust his gloved hands into the pockets of his fur coat, so that the
stick he held stood upright against his shoulder in a rather military
fashion. The fur cap sat a little to one side on his strange head, his
eyes twinkled, his long white beard waved in the cold wind, and his
whole appearance was that of a jaunty gnome-king, well satisfied with
the inspection of his treasure chamber.

And he had cause for satisfaction, as he knew well enough when he
thought of the decided progress made in the great experiment. The cost
at which that progress had been obtained was nothing. Had Israel Kafka
perished altogether under the treatment he had received, Keyork Arabian
would have bestowed no more attention upon the catastrophe than would
have been barely necessary in order to conceal it and to protect himself
and Unorna from the consequences of the crime. In the duel with death,
the life of one man was of small consequence, and Keyork would have
sacrificed thousands to his purposes with equal indifference to their
intrinsic value and with a proportionately greater interest in the
result to be attained. There was a terrible logic in his mental process.
Life was a treasure literally inestimable in value. Death was the
destroyer of this treasure, devised by the Supreme Power as a sure means
of limiting man's activity and intelligence. To conquer Death on his own
ground was to win the great victory over that Power, and to drive back
to an indefinite distance the boundaries of human supremacy.

It was assuredly not for the sake of benefiting mankind at large that
he pursued his researches at all sacrifices and at all costs. The
prime object of all his consideration was himself, as he unhesitatingly
admitted on all occasions, conceiving perhaps that it was easier to
defend such a position than to disclaim it. There could be no doubt
that in the man's enormous self-estimation, the Supreme Power occupied a
place secondary to Keyork Arabian's personality, and hostile to it. And
he had taken up arms, as Lucifer, assuming his individual right to live
in spite of God, Man and Nature, convinced that the secret could be
discovered and determined to find it and to use it, no matter at what
price. In him there was neither ambition, nor pride, nor vanity in the
ordinary meaning of these words. For passion ceases with the cessation
of comparison between man and his fellows, and Keyork Arabian
acknowledged no ground for such a comparison in his own case. He had
matched himself in a struggle with the Supreme Power, and, directly,
with that Power's only active representative on earth, with death.
It was well said of him that he had no beliefs, for he knew of no
intermediate position between total suspension of judgment, and the
certainty of direct knowledge. And it was equally true that he was no
atheist, as he had sanctimoniously declared of himself. He admitted
the existence of the Power; he claimed the right to assail it, and he
grappled with the greatest, the most terrible, the most universal and
the most stupendous of Facts, which is the Fact that all men die. Unless
he conquered, he must die also. He was past theories, as he was beyond
most other human weaknesses, and facts had for him the enormous value
they acquire in the minds of men cut off from all that is ideal.

In Unorna he had found the instrument he had sought throughout half a
lifetime. With her he had tried the great experiment and pushed it to
the very end; and when he conducted Israel Kafka to his home, he already
knew that the experiment had succeeded. His plan was a simple one. He
would wait a few months longer for the final result, he would select his
victim, and with Unorna's help he would himself grow young again.

"And who can tell," he asked himself, "whether the life restored by such
means may not be more resisting and stronger against deathly influences
than before? Is it not true that the older we grow the more slowly
we grow old? Is not the gulf which divides the infant from the man of
twenty years far wider than that which lies between the twentieth and
the fortieth years, and that again more full of rapid change than the
third score? Take, too, the wisdom of my old age as against the folly
of a scarce grown boy, shall not my knowledge and care and forethought
avail to make the same material last longer on the second trial than on
the first?"

No doubt of that, he thought, as he walked briskly along the pavement
and entered his own house. In his great room he sat down by the table
and fell into a long meditation upon the most immediate consequences of
his success in the difficult undertaking he had so skilfully brought
to a conclusion. His eyes wandered about the room from one specimen to
another, and from time to time a short, scornful laugh made his white
beard quiver. As he had said once to Unorna, the dead things reminded
him of many failures; but he had never before been able to laugh at
them and at the unsuccessful efforts they represented. It was different
to-day. Without lifting his head he turned up his bright eyes, under the
thick, finely-wrinkled lids, as though looking upward toward that Power
against which he strove. The glance was malignant and defiant, human and
yet half-devilish. Then he looked down again, and again fell into deep
thought.

"And if it is to be so," he said at last, rising suddenly and letting
his open hand fall upon the table, "even then, I am provided. She cannot
free herself from that bargain, at all events."

Then he wrapped his furs around him and went out again. Scarce a hundred
paces from Unorna's door he met the Wanderer. He looked up into the
cold, calm face, and put out his hand, with a greeting.

"You look as though you were in a very peaceful frame of mind," observed
Keyork.

"Why should I be anything but peaceful?" asked the other, "I have
nothing to disturb me."

"True, true. You possess a very fine organisation. I envy you your
magnificent constitution, my dear friend. I would like to have some of
it, and grow young again."

"On your principle of embalming the living, I suppose."

"Exactly," answered the sage with a deep, rolling laugh. "By the bye,
have you been with our friend Unorna? I suppose that is a legitimate
question, though you always tell me I am tactless."

"Perfectly legitimate, my dear Keyork. Yes, I have just left her. It is
like a breath of spring morning to go there in these days."

"You find it refreshing?"

"Yes. There is something about her that I could describe as soothing, if
I were aware of ever being irritable, which I am not."

Keyork smiled and looked down, trying to dislodge a bit of ice from the
pavement with the point of his stick.

"Soothing--yes. That is just the expression. Not exactly the quality
most young and beautiful women covet, eh? But a good quality in its way,
and at the right time. How is she to-day?"

"She seemed to have a headache--or she was oppressed by the heat.
Nothing serious, I fancy, but I came away, as I fancied I was tiring
her."

"Not likely," observed Keyork. "Do you know Israel Kafka?" he asked
suddenly.

"Israel Kafka," repeated the Wanderer thoughtfully, as though searching
in his memory.

"Then you do not," said Keyork. "You could only have seen him since you
have been here. He is one of Unorna's most interesting patients, and
mine as well. He is a little odd."

Keyork tapped his ivory forehead significantly with one finger.

"Mad," suggested the Wanderer.

"Mad, if you prefer the term. He has fixed ideas. In the first place,
he imagines that he has just been travelling with me in Italy, and is
always talking of our experiences. Humour him, if you meet him. He is in
danger of being worse if contradicted."

"Am I likely to meet him?"

"Yes. He is often here. His other fixed idea is that he loves Unorna to
distraction. He has been dangerously ill during the last few weeks but
is better now, and he may appear at any moment. Humour him a little if
he wearies you with his stories. That is all I ask. Both Unorna and I
are interested in the case."

"And does not Unorna care for him at all?" inquired the other
indifferently.

"No, indeed. On the contrary, she is annoyed at his insistance, but sees
that it is a phase of insanity and hopes to cure it before long."

"I see. What is he like? I suppose he is an Israelite."

"From Moravia--yes. The wreck of a handsome boy," said Keyork
carelessly. "This insanity is an enemy of good looks. The nerves give
way--then the vitality--the complexion goes--men of five and twenty
years look old under it. But you will see for yourself before long.
Good-bye. I will go in and see what is the matter with Unorna."

They parted, the Wanderer continuing on his way along the street with
the same calm, cold, peaceful expression which had elicited Keyork's
admiration, and Keyork himself going forward to Unorna's door. His face
was very grave. He entered the house by a small side door and ascended
by a winding staircase directly to the room from which, an hour or two
earlier, he had carried the still unconscious Israel Kafka. Everything
was as he had left it, and he was glad to be certified that Unorna had
not disturbed the aged sleeper in his absence. Instead of going to her
at once he busied himself in making a few observations and in putting
in order certain of his instruments and appliances. Then at last he went
and found Unorna. She was walking up and down among the plants and he
saw at a glance that something had happened. Indeed the few words spoken
by the Wanderer had suggested to him the possibility of a crisis, and he
had purposely lingered in the inner apartment, in order to give her time
to recover her self-possession. She started slightly when he entered,
and her brows contracted, but she immediately guessed from his
expression that he was not in one of his aggressive moods.

"I have just rectified a mistake which might have had rather serious
consequences," he said, stopping before her and speaking earnestly and
quietly.

"A mistake?"

"We remembered everything, except that our wandering friend and Kafka
were very likely to meet, and that Kafka would in all probability refer
to his delightful journey to the south in my company."

"That is true!" exclaimed Unorna with an anxious glance. "Well? What
have you done?"

"I met the Wanderer in the street. What could I do? I told him that
Israel Kafka was a little mad, and that his harmless delusions referred
to a journey he was supposed to have made with me, and to an equally
imaginary passion which he fancies he feels for you."

"That was wise," said Unorna, still pale. "How came we to be so
imprudent! One word, and he might have suspected--"

"He could not have suspected all," answered Keyork. "No man could
suspect that."

"Nevertheless, I suppose what we have done is not exactly--justifiable."

"Hardly. It is true that criminal law has not yet adjusted itself to
meet questions of suggestion and psychic influence, but it draws
the line, most certainly, somewhere between these questions and the
extremity to which we have gone. Happily the law is at an immeasurable
distance from science, and here, as usual in such experiments, no one
could prove anything, owing to the complete unconsciousness of the
principal witnesses."

"I do not like to think that we have been near to such trouble," said
Unorna.

"Nor I. It was fortunate that I met the Wanderer when I did."

"And the other? Did he wake as I ordered him to do? Is all right? Is
there no danger of his suspecting anything?"

It seemed as though Unorna had momentarily forgotten that such a
contingency might be possible, and her anxiety returned with the
recollection. Keyork's rolling laughter reverberated among the plants
and filled the whole wide hall with echoes.

"No danger there," he answered. "Your witchcraft is above criticism.
Nothing of that kind that you have ever undertaken has failed."

"Except against you," said Unorna, thoughtfully.

"Except against me, of course. How could you ever expect anything of the
kind to succeed against me, my dear lady?"

"And why not? After all, in spite of our jesting, you are not a
supernatural being."

"That depends entirely on the interpretation you give to the word
supernatural. But, my dear friend and colleague, let us not deceive
each other, though we are able between us to deceive other people into
believing almost anything. There is nothing in all this witchcraft of
yours but a very powerful moral influence at work--I mean apart from the
mere faculty of clairvoyance which is possessed by hundreds of common
somnambulists, and which, in you, is a mere accident. The rest, this
hypnotism, this suggestion, this direction of others' wills, is a
moral affair, a matter of direct impression produced by words. Mental
suggestion may in rare cases succeed, when the person to be influenced
is himself a natural clairvoyant. But these cases are not worth taking
into consideration. Your influence is a direct one, chiefly exercised by
means of your words and through the impression of power which you
know how to convey in them. It is marvellous, I admit. But the very
definition puts me beyond your power."

"Why?"

"Because there is not a human being alive, and I do not believe that a
human being ever lived, who had the sense of independent individuality
which I have. Let a man have the very smallest doubt concerning his own
independence--let that doubt be ever so transitory and produced by any
accident whatsoever--and he is at your mercy."

"And you are sure that no accident could shake your faith in yourself?"

"My consciousness of myself, you mean. No. I am not sure. But, my dear
Unorna, I am very careful in guarding against accidents of all sorts,
for I have attempted to resuscitate a great many dead people and I have
never succeeded, and I know that a false step on a slippery staircase
may be quite as fatal as a teaspoonful of prussic acid--or an unrequited
passion. I avoid all these things and many others. If I did not, and if
you had any object in getting me under your influence, you would
succeed sooner or later. Perhaps the day is not far distant when I will
voluntarily sleep under your hand."

Unorna glanced quickly at him.

"And in that case," he added, "I am sure you could make me believe
anything you pleased."

"What are you trying to make me understand?" she asked, suspiciously,
for he had never before spoken of such a possibility.

"You look anxious and weary," he said in a tone of sympathy in which
Unorna could not detect the least false modulation, though she fancied
from his fixed gaze that he meant her to understand something which he
could not say. "You look tired," he continued, "though it is becoming
to your beauty to be pale--I always said so. I will not weary you. I was
only going to say that if I were under your influence--you might easily
make me believe that you were not yourself, but another woman--for the
rest of my life."

They stood looking at each other in silence during several seconds. Then
Unorna seemed to understand what he meant.

"Do you really believe that is possible?" she asked earnestly.

"I know it. I know of a case in which it succeeded very well."

"Perhaps," she said, thoughtfully. "Let us go and look at him."

She moved in the direction of the aged sleeper's room and they both left
the hall together.



CHAPTER XIII

Unorna was superstitious, as Keyork Arabian had once told her. She
did not thoroughly understand herself and she had very little real
comprehension of the method by which she produced such remarkable
results. She was gifted with a sensitive and active imagination, which
supplied her with semi-mystic formulae of thought and speech in place
of reasoned explanations, and she undoubtedly attributed much of her own
power to supernatural influences. In this respect, at least, she was
no farther advanced than the witches of older days, and if her inmost
convictions took a shape which would have seemed incomprehensible to
those predecessors of hers, this was to be attributed in part to the
innate superiority of her nature, and partly, also, to the high degree
of cultivation in which her mental faculties had reached development.

Keyork Arabian might spend hours in giving her learned explanations of
what she did, but he never convinced her. Possibly he was not convinced
himself, and he still hesitated, perhaps, between the two great theories
advanced to explain the phenomena of hypnotism. He had told her that he
considered her influence to be purely a moral one, exerted by means of
language and supported by her extraordinary concentrated will. But
it did not follow that he believed what he told her, and it was not
improbable that he might have his own doubts on the subject--doubts
which Unorna was not slow to suspect, and which destroyed for her the
whole force of his reasoning. She fell back upon a sort of grossly
unreasonable mysticism, combined with a blind belief in those hidden
natural forces and secret virtues of privileged objects, which formed
the nucleus of mediaeval scientific research. The field is a fertile
one for the imagination and possesses a strange attraction for certain
minds. There are men alive in our own time to whom the transmutation of
metals does not seem an impossibility, nor the brewing of the elixir of
life a matter to be scoffed at as a matter of course. The world is full
of people who, in their inmost selves, put faith in the latent qualities
of precious stones and amulets, who believe their fortunes, their
happiness, and their lives to be directly influenced by some trifling
object which they have always upon them. We do not know enough to state
with assurance that the constant handling of any particular metal, or
gem, may not produce a real and invariable corresponding effect upon
the nerves. But we do know most positively that, when the belief in such
talismans is once firmly established, the moral influence they exert
upon men through the imagination is enormous. From this condition of
mind to that in which auguries are drawn from outward and apparently
accidental circumstances, is but a step. If Keyork Arabian inclined to
the psychic rather than to the physical school in his view of Unorna's
witchcraft and in his study of hypnotism in general, his opinion
resulted naturally from his great knowledge of mankind, and of the
unacknowledged, often unsuspected, convictions which in reality direct
mankind's activity. It was this experience, too, and the certainty to
which it had led him, that put him beyond the reach of Unorna's power so
long as he chose not to yield himself to her will. Her position was
in reality diametrically opposed to his, and although he repeated his
reasonings to her from time to time, he was quite indifferent to the
nature of her views, and never gave himself any real trouble to make her
change them. The important point was that she should not lose anything
of the gifts she possessed, and Keyork was wise enough to see that the
exercise of them depended in a great measure upon her own conviction
regarding their exceptional nature.

Unorna herself believed in everything which strengthened and developed
that conviction, and especially in the influences of time and place. It
appeared to her a fortunate circumstance, when she at last determined
to overcome her pride, that the resolution should have formed itself
exactly a month after she had so successfully banished the memory of
Beatrice from the mind of the man she loved. She felt sure of producing
a result as effectual if, this time, she could work the second change
in the same place and under the same circumstances as the first. And to
this end everything was in her favour. She needed not to close her eyes
to fancy that thirty days had not really passed between then and now, as
she left her house in the afternoon with the Wanderer by her side.

He had come back and had found her once more herself, calm, collected,
conscious of her own powers. No suspicion of the real cause of the
disturbance he had witnessed crossed his mind, still less could he guess
what thing she meditated as she directed their walk towards that lonely
place by the river which had been the scene of her first great effort.
She talked lightly as they went, and he, in that strange humour of
peaceful, well-satisfied indifference which possessed him, answered her
in the same strain. It was yet barely afternoon, but there was already a
foretaste of coming evening in the chilly air.

"I have been thinking of what you said this morning," she said, suddenly
changing the current of the conversation. "Did I thank you for your
kindness?" She smiled as she laid her hand gently upon his arm, to cross
a crowded street, and she looked up into his quiet face.

"Thank me? For what? On the contrary--I fancied that I had annoyed you."

"Perhaps I did not quite understand it all at first," she answered
thoughtfully. "It is hard for a woman like me to realise what it would
be to have a brother--or a sister, or any one belonging to me. I needed
to think of the idea. Do you know that I am quite alone in the world?"

The Wanderer had accepted her as he found her, strangely alone,
indeed, and strangely independent of the world, a beautiful, singularly
interesting woman, doing good, so far as he knew, in her own way,
separated from ordinary existence by some unusual circumstances, and
elevated above ordinary dangers by the strength and the pride of her own
character. And yet, indolent and indifferent as he had grown of late, he
was conscious of a vague curiosity in regard to her story. Keyork either
really knew nothing, or pretended to know nothing of her origin.

"I see that you are alone," said the Wanderer. "Have you always been
so?"

"Always. I have had an odd life. You could not understand it, if I told
you of it."

"And yet I have been lonely too--and I believe I was once unhappy,
though I cannot think of any reason for it."

"You have been lonely--yes. But yours was another loneliness more
limited, less fatal, more voluntary. It must seem strange to you--I do
not even positively know of what nation I was born."

Her companion looked at her in surprise, and his curiosity increased.

"I know nothing of myself," she continued. "I remember neither father
nor mother. I grew up in the forest, among people who did not love me,
but who taught me, and respected me as though I were their superior, and
who sometimes feared me. When I look back, I am amazed at their learning
and their wisdom--and ashamed of having learned so little."

"You are unjust to yourself."

Unorna laughed.

"No one ever accused me of that," she said. "Will you believe it? I do
not even know where that place was. I cannot tell you even the name of
the kingdom in which it lay. I learned a name for it and for the forest,
but those names are in no map that has ever fallen into my hands. I
sometimes feel that I would go to the place if I could find it."

"It is very strange. And how came you here?"

"I was told the time had come. We started at night. It was a long
journey, and I remember feeling tired as I was never tired before or
since. They brought me here, they left me in a religious house among
nuns. Then I was told that I was rich and free. My fortune was brought
with me. That, at least, I know. But those who received it and who take
care of it for me, know no more of its origin than I myself. Gold tells
no tales, and the secret has been well kept. I would give much to know
the truth--when I am in the humour."

She sighed, and then laughed again.

"You see why it is that I find the idea of a brother so hard to
understand," she added, and then was silent.

"You have all the more need of understanding it, my dear friend," the
Wanderer answered, looking at her thoughtfully.

"Yes--perhaps so. I can see what friendship is. I can almost guess what
it would be to have a brother."

"And have you never thought of more than that?" He asked the question
in his calmest and most friendly tone, somewhat deferentially as though
fearing lest it should seem tactless and be unwelcome.

"Yes, I have thought of love also," she answered, in a low voice. But
she said nothing more, and they walked on for some time in silence.

They came out upon the open place by the river which she remembered
so well. Unorna glanced about her and her face fell. The place was the
same, but the solitude was disturbed. It was not Sunday as it had been
on that day a month ago. All about the huge blocks of stone, groups
of workmen were busy with great chisels and heavy hammers, hewing and
chipping and fashioning the material that it might be ready for use in
the early spring. Even the river was changed. Men were standing upon the
ice, cutting it into long symmetrical strips, to be hauled ashore. Some
of the great pieces were already separated from the main ice, and sturdy
fellows, clad in dark woollen, were poling them over the dark water to
the foot of the gently sloping road where heavy carts stood ready to
receive the load when cut up into blocks. The dark city was taking in a
great provision of its own coldness against the summer months.

Unorna looked about her. Everywhere there were people at work, and she
was more disappointed than she would own to herself at the invasion of
the solitude. The Wanderer looked from the stone-cutters to the ice-men
with a show of curiosity.

"I have not seen so much life in Prague for many a day," he observed.

"Let us go," answered Unorna, nervously. "I do not like it. I cannot
bear the sight of people to-day."

They turned in a new direction, Unorna guiding her companion by a
gesture. They were near to the Jewish quarter, and presently were
threading their way through narrow and filthy streets thronged with
eager Hebrew faces, and filled with the hum of low-pitched voices
chattering together, not in the language of the country, but in a base
dialect of German. They were in the heart of Prague, in that dim quarter
which is one of the strongholds of the Israelite, whence he directs
great enterprises and sets in motion huge financial schemes, in which
Israel sits, as a great spider in the midst of a dark web, dominating
the whole capital with his eagle's glance and weaving the destiny of the
Bohemian people to suit his intricate speculations. For throughout the
length and breadth of Slavonic and German Austria the Jew rules, and
rules alone.

Unorna gathered her furs more closely about her, in evident disgust at
her surroundings, but still she kept on her way. Her companion, scarcely
less familiar with the sights of Prague than she herself, walked by her
side, glancing carelessly at the passing people, at the Hebrew signs, at
the dark entrances that lead to courts within courts and into labyrinths
of dismal lanes and passages, looking at everything with the same serene
indifference, and idly wondering what made Unorna choose to walk that
way. Then he saw that she was going towards the cemetery. They
reached the door, were admitted and found themselves alone in the vast
wilderness.

In the midst of the city lies the ancient burial ground, now long
disused but still undisturbed, many acres of uneven land, covered so
thickly with graves, and planted so closely with granite and sandstone
slabs, that the paths will scarce allow two persons to walk side by
side. The stones stand and lie in all conceivable positions, erect,
slanting at every angle, prostrate upon the earth or upon others already
fallen before them--two, three, and even four upon a grave, where
generations of men have been buried one upon the other--stones large
and small, covered with deep-cut inscriptions in the Hebrew character,
bearing the sculpture of two uplifted hands, wherever the Kohns, the
children of the tribe of Aaron, are laid to rest, or the gracefully
chiselled ewer of the Levites. Here they lie, thousands upon thousands
of dead Jews, great and small, rich and poor, wise and ignorant,
neglected individually, but guarded as a whole with all the tenacious
determination of the race to hold its own, and to preserve the
sacredness of its dead. In the dim light of the winter's afternoon it
is as though a great army of men had fallen fighting there, and had
been turned to stone as they fell. Rank upon rank they lie, with that
irregularity which comes of symmetry destroyed, like columns and files
of soldiers shot down in the act of advancing. And in winter, the gray
light falling upon the untrodden snow throws a pale reflection upwards
against each stone, as though from the myriad sepulchres a faintly
luminous vapour were rising to the outer air. Over all, the rugged
brushwood and the stunted trees intertwine their leafless branches and
twigs in a thin, ghostly network of gray, that clouds the view of the
farther distance without interrupting it, a forest of shadowy skeletons
clasping fleshless, bony hands one with another, from grave to grave, as
far as the eye can see.

The stillness in the place is intense. Not a murmur of distant life from
the surrounding city disturbs the silence. At rare intervals a strong
breath of icy wind stirs the dead branches and makes them crack and
rattle against the gravestones and against each other as in a dance of
death. It is a wild and dreary place. In the summer, indeed, the thick
leafage lends it a transitory colour and softness, but in the depth of
winter, when there is nothing to hide the nakedness of truth, when the
snow lies thick upon the ground and the twined twigs and twisted
trunks scarce cast a tracery of shadow under the sunless sky, the utter
desolation and loneliness of the spot have a horror of their own, not to
be described, but never to be forgotten.

Unorna walked forward in silence, choosing a path so narrow that
her companion found himself obliged to drop behind and follow in her
footsteps. In the wildest part of this wilderness of death there is a
little rising of the ground. Here both the gravestones and the stunted
trees are thickest, and the solitude is, if possible, even more complete
than elsewhere. As she reached the highest point Unorna stood still,
turned quickly towards the Wanderer and held out both her hands towards
him.

"I have chosen this place, because it is quiet," she said, with a soft
smile.

Hardly knowing why he did so, he laid his hands in hers and looked
kindly down to her upturned face.

"What is it?" he asked, meeting her eyes.

She was silent, and her fingers did not unclasp themselves. He looked at
her, and saw for the hundredth time that she was very beautiful. There
was a faint colour in her cheeks, and her full lips were just parted
as though a loving word had escaped them which she would not willingly
recall. Against the background of broken neutral tints, her figure stood
out, an incarnation of youth and vitality. If she had often looked weary
and pale of late, her strength and freshness had returned to her now
in all their abundance. The Wanderer knew that he was watching her, and
knew that he was thinking of her beauty and realising the whole extent
of it more fully than ever before, but beyond this point his thoughts
could not go. He was aware that he was becoming fascinated by her eyes,
and he felt that with every moment it was growing harder for him to
close his own, or to look away from her, and then, an instant later, he
knew that it would be impossible. Yet he made no effort. He was passive,
indifferent, will-less, and her gaze charmed him more and more. He was
already in a dream, and he fancied that the beautiful figure shone with
a soft, rosy light of its own in the midst of the gloomy waste. Looking
into her sunlike eyes, he saw there twin images of himself, that drew
him softly and surely into themselves until he was absorbed by them
and felt that he was no longer a reality but a reflection. Then a deep
unconsciousness stole over all his senses and he slept, or passed into
that state which seems to lie between sleep and trance.

Unorna needed not to question him this time, for she saw that he was
completely under her influence. Yet she hesitated at the supreme moment,
and then, though to all real intents she was quite alone, a burning
flush of shame rose to her face, and her heart sank within her. She felt
that she could not do it.

She dropped his hands. They fell to his sides as though they had been of
lead. Then she turned from him and pressed her aching forehead against
a tall weather-worn stone that rose higher than her own height from the
midst of the hillock.

Her woman's nature rebelled against the trick. It was the truest thing
in her and perhaps the best, which protested so violently against the
thing she meant to do; it was the simple longing to be loved for her own
sake, and of the man's own free will, to be loved by him with the love
she had despised in Israel Kafka. But would this be love at all, this
artificial creation of her suggestion reacting upon his mind? Would it
last? Would it be true, faithful, tender? Above all, would it be real,
even for a moment? She asked herself a thousand questions in a second of
time.

Then the ready excuse flashed upon her--the pretext which the heart will
always find when it must have its way. Was it not possible, after all,
that he was beginning to love her even now? Might not that outburst of
friendship which had surprised her and wounded her so deeply, be the
herald of a stronger passion? She looked up quickly and met his vacant
stare.

"Do you love me?" she asked, almost before she knew what she was going
to say.

"No." The answer came in the far-off voice that told of his
unconsciousness, a mere toneless monosyllable breathed upon the murky
air. But it stabbed her like the thrust of a jagged knife. A long
silence followed, and Unorna leaned against the great slab of carved
sandstone.

Even to her there was something awful in his powerless, motionless
presence. The noble face, pale and set as under a mask, the thoughtful
brow, the dominating features, were not those of a man born to be a
plaything to the will of a woman. The commanding figure towered in the
grim surroundings like a dark statue, erect, unmoving, and in no way
weak. And yet she knew that she had but to speak and the figure would
move, the lips would form words, the voice would reach her ear. He would
raise this hand or that, step forwards or backwards, at her command,
affirm what she bid him affirm, and deny whatever she chose to hear
denied. For a moment she wished that he had been as Keyork Arabian,
stronger than she; then, with the half-conscious comparison the passion
for the man himself surged up and drowned every other thought. She
almost forgot that for the time he was not to be counted among the
living. She went to him, and clasped her hands upon his shoulder, and
looked up into his scarce-seeing eyes.

"You must love me," she said, "you must love me because I love you so.
Will you not love me, dear? I have waited so long for you!"

The soft words vibrated in his sleeping ear but drew forth neither
acknowledgment nor response. Like a marble statue he stood still, and
she leaned upon his shoulder.

"Do you not hear me?" she cried in a more passionate tone. "Do you not
understand me? Why is it that your love is so hard to win? Look at me!
Might not any man be proud to love me? Am I not beautiful enough for
you? And yet I know that I am fair. Or are you ashamed because people
call me a witch? Why then I will never be one again, for your sake! What
do I care for it all? Can it be anything to me--can anything have worth
that stands between me and you? Ah, love--be not so very hard!"

The Wanderer did not move. His face was as calm as a sculptured stone.

"Do you despise me for loving you?" she asked again, with a sudden
flush.

"No. I do not despise you." Something in her tone had pierced through
his stupor and had found an answer. She started at the sound of his
voice. It was as though he had been awake and had known the weight of
what she had been saying, and her anger rose at the cold reply.

"No--you do not despise me, and you never shall!" she exclaimed
passionately. "You shall love me, as I love you--I will it, with all
my will! We are created to be all, one to the other, and you shall not
break through the destiny of love. Love me, as I love you--love me with
all your heart, love me with all your mind, love me with all your soul,
love me as man never loved woman since the world began! I will it, I
command it--it shall be as I say--you dare not disobey me--you cannot if
you would."

She paused, but this time no answer came. There was not even a
contraction of the stony features.

"Do you hear all I say?" she asked.

"I hear."

"Then understand and answer me," she said.

"I do not understand. I cannot answer."

"You must. You shall. I will have it so. You cannot resist my will, and
I will it with all my might. You have no will--you are mine, your body,
your soul, and your thoughts, and you must love me with them all from
now until you die--until you die," she repeated fiercely.

Again he was silent. She felt that she had no hold upon his heart or
mind, seeing that he was not even disturbed by her repeated efforts.

"Are you a stone, that you do not know what love is?" she cried,
grasping his hand in hers and looking with desperate eyes into his face.

"I do not know what love is," he answered, slowly.

"Then I will tell you what love is," she said, and she took his hand and
pressed it upon her own brow.

The Wanderer started at the touch, as though he would have drawn back.
But she held him fast, and so far, at least, he was utterly subject to
her. His brow contracted darkly, and his face grew paler.

"Read it there," she cried. "Enter into my soul and read what love is,
in his own great writing. Read how he steals suddenly into the sacred
place, and makes it his, and tears down the old gods and sets up his
dear image in their stead--read how he sighs, and speaks, and weeps,
and loves--and forgives not, but will be revenged at the last. Are you
indeed of stone, and have you a stone for a heart? Love can melt even
stones, being set in man as the great central fire in the earth to burn
the hardest things to streams of liquid flame! And see, again, how very
soft and gentle he can be! See how I love you--see how sweet it is--how
very lovely a thing it is to love as woman can. There--have you felt it
now? Have you seen into the depths of my soul and into the hiding-places
of my heart? Let it be so in your own, then, and let it be so for ever.
You understand now. You know what it all is--how wild, how passionate,
how gentle and how great! Take to yourself this love of mine--is it not
all yours? Take it, and plant it with strong roots and seeds of undying
life in your own sleeping breast, and let it grow, and grow, till it
is even greater than it was in me, till it takes us both into itself,
together, fast bound in its immortal bonds, to be two in one, in life
and beyond life, for ever and ever and ever to the end of ends!"

She ceased and she saw that his face was no longer expressionless and
cold. A strange light was upon his features, the passing radiance of
a supreme happiness seen in the vision of a dream. Again she laid her
hands upon his shoulder clasped together, as she had done at first. She
knew that her words had touched him and she was confident of the result,
confident as one who loves beyond reason. Already in imagination she
fancied him returning to consciousness, not knowing that he had slept,
but waking with a gentle word just trembling upon his lips, the words
she longed to hear.

One moment more, she thought. It was good to see that light upon
his face, to fancy how that first word would sound, to feel that the
struggle was past and that there was nothing but happiness in the
future, full, overflowing, overwhelming, reaching from earth to heaven
and through time to eternity. One moment, only, before she let him
wake--it was such glory to be loved at last! Still the light was there,
still that exquisite smile was on his lips. And they would be always
there now, she thought.

At last she spoke.

"Then love, since you are mine, and I am yours, wake from the dream to
life itself--wake, not knowing that you have slept, knowing only that
you love me now and always--wake, love wake!"

She waved her delicate hand before his eyes and still resting the other
upon his shoulder, watched the returning brightness in the dark pupils
that had been glazed and fixed a moment before. And as she looked, her
own beauty grew radiant in the splendour of a joy even greater than she
had dreamed of. As it had seemed to him when he had lost himself in her
gaze, so now she also fancied that the grim, gray wilderness was full of
a soft rosy light. The place of the dead was become the place of life;
the great solitude was peopled as the whole world could never be for
her; the crumbling gravestones were turned to polished pillars in the
temple of an immortal love, and the ghostly, leafless trees blossomed
with the undying flowers of the earthly paradise.

One moment only, and then all was gone. The change came, sure, swift and
cruel. As she looked, it came, gradual, in that it passed through every
degree, but sudden also, as the fall of a fair and mighty building,
which being undermined in its foundations passes in one short minute
through the change from perfect completeness to hopeless and utter ruin.

All the radiance, all the light, all the glory were gone in an instant.
Her own supremely loving look had not vanished, her lips still parted
sweetly, as forming the word that was to answer his, and the calm
indifferent face of the waking man was already before her.

"What is it?" he asked, in his kind and passionless voice. "What were
you going to ask me, Unorna?"

It was gone. The terribly earnest appeal had been in vain. Not a trace
of that short vision of love remained impressed upon his brain.

With a smothered cry of agony Unorna leaned against the great slab of
stone behind her and covered her eyes. The darkness of night descended
upon her, and with it the fire of a burning shame.

Then a loud and cruel laugh rang through the chilly air, such a laugh as
the devils in hell bestow upon the shame of a proud soul that knows
its own infinite bitterness. Unorna started and uncovered her eyes, her
suffering changed in a single instant to ungovernable and destroying
anger. She made a step forwards and then stopped short, breathing hard.
The Wanderer, too, had turned, more quickly than she. Between two tall
gravestones, not a dozen paces away, stood a man with haggard face and
eyes on fire, his keen, worn features contorted by a smile in which
unspeakable satisfaction struggled for expression with a profound
despair.

The man was Israel Kafka.



CHAPTER XIV

The Wanderer looked from Unorna to Kafka with profound surprise. He had
never seen the man and had no means of knowing who he was, still less of
guessing what had brought him to the lonely place, or why he had broken
into a laugh, of which the harsh, wild tones still echoed through the
wide cemetery. Totally unconscious of all that had happened to himself
during the preceding quarter of an hour, the Wanderer was deprived of
the key to the situation. He only understood that the stranger was for
some reason or other deeply incensed against Unorna, and he realised
that the intruder had, on the moment of appearance, no control over
himself.

Israel Kafka remained where he stood, between the two tall stones, one
hand resting on each, his body inclined a little forward, his dark,
sunken eyes, bloodshot and full of a turbid, angry brightness, bent
intently upon Unorna's face. He looked as though he were about to move
suddenly forwards, but it was impossible to foresee that he might not
as suddenly retreat, as a lean and hungry tiger crouches for a moment in
uncertainty whether to fight or fly, when after tracking down his man
he finds him not alone and defenceless as he had anticipated, but
well-armed and in company.

The Wanderer's indolence was only mental, and was moreover transitory
and artificial. When he saw Unorna advance, he quickly placed himself
between her and Israel Kafka, and looked from one to the other.

"Who is this man?" he asked. "And what does he want of you?"

Unorna made as though she would pass him. But he laid his hand upon
her arm with a gesture that betrayed his anxiety for her safety. At his
touch, her face changed for a moment and a faint blush dyed her cheek.

"You may well ask who I am," said the Moravian, speaking in a voice
half-choked with passion and anger. "She will tell you she does not know
me--she will deny my existence to my face. But she knows me very well. I
am Israel Kafka."

The Wanderer looked at him more curiously. He remembered what he had
heard but a few hours earlier from Keyork concerning the young fellow's
madness. The situation now partially explained itself.

"I understand," he said, looking at Unorna. "He seems to be dangerous.
What shall I do with him?"

He asked the question as calmly as though it had referred to the
disposal of an inanimate object, instead of to the taking into custody
of a madman.

"Do with me?" cried Kafka, advancing suddenly a step forwards from
between the slabs. "Do with me? Do you speak of me as though I were a
dog--a dumb animal--but I will----"

He choked and coughed, and could not finish the sentence. There was a
hectic flush in his cheek and his thin, graceful frame shook violently
from head to foot. Unable to speak for the moment, he waved his hand in
a menacing gesture. The Wanderer shook his head rather sadly.

"He seems very ill," he said, in a tone of compassion.

But Unorna was pitiless. She knew what her companion could not know,
namely, that Kafka must have followed them through the streets to the
cemetery and must have overheard Unorna's passionate appeal and must
have seen and understood the means she was using to win the Wanderer's
love. Her anger was terrible. She had suffered enough secret shame
already in stooping to the use of her arts in such a course. It had cost
her one of the greatest struggles of her life, and her disappointment
at the result had been proportionately bitter. In that alone she had
endured almost as much pain as she could bear. But to find suddenly that
her humiliation, her hot speech, her failure, the look which she knew
had been on her face until the moment when the Wanderer awoke, that
all this had been seen and heard by Israel Kafka was intolerable. Even
Keyork's unexpected appearance could not have so fired her wrath. Keyork
might have laughed at her afterwards, but her failure would have been no
triumph to him. Was not Keyork enlisted on her side, ready to help her
at all times, by word or deed, in accordance with the terms of their
agreement? But of all men Kafka, whom she had so wronged, was the one
man who should have been ignorant of her defeat and miserable shame.

"Go!" she cried, with a gesture of command. Her eyes flashed and her
extended hand trembled.

There was such concentrated fury in a single word that the Wanderer
started in surprise, ignorant as he was of the true state of things.

"You are uselessly unkind," he said gravely. "The poor man is mad. Let
me take him away."

"Leave him to me," she answered imperiously. "He will obey me."

But Israel Kafka did not turn. He rested one hand upon the slab and
faced her. As when many different forces act together at one point,
producing after the first shock a resultant little expected, so the many
passions that were at work in his face finally twisted his lips into a
smile.

"Yes," he said, in a low tone, which did not express submission. "Leave
me to her! Leave me to the Witch and to her mercy. It will be the end
this time. She is drunk with her love of you and mad with her hatred of
me."

Unorna grew suddenly pale, and would have again sprung forward. But the
Wanderer stopped her and held her arm. At the same time he looked into
Kafka's eyes and raised one hand as though in warning.

"Be silent!" he exclaimed.

"And if I speak, what then?" asked the Moravian with his evil smile.

"I will silence you," answered the Wanderer coldly. "Your madness
excuses you, perhaps, but it does not justify me in allowing you to
insult a woman."

Kafka's anger took a new direction. Even madmen are often calmed by the
quiet opposition of a strong and self-possessed man. And Kafka was not
mad. He was no coward either, but the subtlety of his race was in him.
As oil dropped by the board in a wild tempest does not calm the waves,
but momentarily prevents their angry crests from breaking, so the
Israelite's quick tact veiled the rough face of his dangerous humour.

"I insult no one," he said, almost deferentially. "Least of all her whom
I have worshipped long and lost at last. You accuse me unjustly of that,
and though my speech may have been somewhat rude, yet may I be forgiven
for the sake of what I have suffered. For I have suffered much."

Seeing that he was taking a more courteous tone, the Wanderer folded his
arms and left Unorna free to move, awaiting her commands, or the
further development of events. He saw in her face that her anger was not
subsiding, and he wondered less at it after hearing Kafka's insulting
speech. It was a pity, he thought, that any one should take so seriously
a maniac's words, but he was nevertheless resolved that they should not
be repeated. After all, it would be an easy matter, if the man again
overstepped the bounds of gentle speech, to take him bodily away from
Unorna's presence.

"And are you going to charm our ears with a story of your sufferings?"
Unorna asked, in a tone so cruel, that the Wanderer expected a quick
outburst of anger from Kafka, in reply. But he was disappointed in this.
The smile still lingered on the Moravian's face, when he answered, and
his expressive voice, no longer choking with passion, grew very soft and
musical.

"It is not mine to charm," he said. "It is not given to me to make
slaves of all living things with hand and eye and word. Such power
Nature does not give to all, she has given none to me. I have no spell
to win Unorna's love--and if I had, I cannot say that I would take a
love thus earned."

He paused a moment and Unorna grew paler. She started, but then did not
move again. His words had power to wound her, but she trembled lest the
Wanderer should understand their hidden meaning, and she was silent,
biding her time and curbing her passion.

"No," continued Kafka, "I was not thus favoured in my nativity. The
star of love was not in the ascendant, the lord of magic charms was
not trembling upon my horizon, the sun of earthly happiness was not
enthroned in my mid-heaven. How could it be? She had it all, this Unorna
here, and Nature, generous in one mad moment, lavished upon her all
there was to give. For she has all, and we have nothing, as I have
learned and you will learn before you die."

He looked at the Wanderer as he spoke. His hollow eyes seemed calm
enough, and in his dejected attitude and subdued tone there was
nothing that gave warning of a coming storm. The Wanderer listened,
half-interested and yet half-annoyed by his persistence. Unorna herself
was silent still.

"The nightingale was singing on that night," continued Kafka. "It was a
dewy night in early spring, and the air was very soft, when Unorna first
breathed it. The world was not asleep but dreaming, when her eyes first
opened to look upon it. Heaven had put on all its glories--across its
silent breast was bound the milk-white ribband, its crest was crowned
with God's crown-jewels, the great northern stars, its mighty form was
robed in the mantle of majesty set with the diamonds of suns and worlds,
great and small, far and near--not one tiny spark of all the myriad
million gems was darkened by a breath of wind-blown mist. The earth was
very still, all wrapped in peace and lulled in love. The great trees
pointed their dark spires upwards from the temple of the forest to the
firmament of the greater temple on high. In the starlight the year's
first roses breathed out the perfume gathered from the departed sun, and
every dewdrop in the short, sweet grass caught in its little self the
reflection of heaven's vast glory. Only, in the universal stillness, the
nightingale sang the song of songs, and bound the angel of love with the
chains of her linked melody and made him captive in bonds stronger than
his own."

Israel Kafka spoke dreamily, resting against the stone beside him,
seemingly little conscious of the words that fell in oriental imagery
from his lips. In other days Unorna had heard him speak like this to
her, and she had loved the speech, though not the man, and sometimes for
its sake she had wished her heart could find its fellow in his. And even
now, the tone and the words had a momentary effect upon her. What would
have sounded as folly, overwrought, sentimental, almost laughable,
perhaps, to other women, found an echo in her own childish memories and
a sympathy in her belief in her own mysterious nature. The Wanderer had
heard men talk as Israel Kafka talked, in other lands, where speech is
prized by men and women not for its tough strength but for its wealth of
flowers.

"And love was her first captive," said the Moravian, "and her first
slave. Yes, I will tell you the story of Unorna's life. She is angry
with me now. Well, let it be. It is my fault--or hers. What matter? She
cannot quite forget me out of mind--and I? Has Lucifer forgotten God?"

He sighed, and a momentary light flashed in his eyes. Something in the
blasphemous strength of the words attracted the Wanderer's attention.
Utterly indifferent himself, he saw that there was something more
than madness in the man before him. He found himself wondering what
encouragement Unorna had given the seed of passion that it should have
grown to such strength, and he traced the madness back to the love,
instead of referring the love to the madness. But he said nothing.

"So she was born," continued Kafka, dreaming on. "She was born amid
the perfume of the roses, under the starlight, when the nightingale
was singing. And all things that lived, loved her, and submitted to her
voice and hand, and to her eyes and to her unspoken will, as running
water follows the course men give it, winding and gliding, falling
and rushing, full often of a roar of resistance that covers the deep,
quick-moving stream, flowing in spite of itself through the channel that
is dug for it to the determined end. And nothing resisted her. Neither
man nor woman nor child had any strength to oppose against her magic.
The wolf hounds licked her feet, the wolves themselves crouched fawning
in her path. For she is without fear--as she is without mercy. Is that
strange? What fear can there be for her who has the magic charm, who
holds sleep in the one hand and death in the other, and between whose
brows is set the knowledge of what shall be hereafter? Can any one harm
her? Has any one the strength to harm her? Is there anything on earth
which she covets and which shall not be hers?"

Though his voice was almost as soft as before, the evil smile flickered
again about his drawn lips as he looked into Unorna's face. He wondered
why she did not face him and crush him and force him to sleep with
her eyes as he knew she could do. But he himself was past fear. He had
suffered too much and cared not what chanced to him now. But she should
know that he knew all, if he told her so with his latest breath. Despair
had given him a strange control of his anger and of his words, and
jealousy had taught him the art of wounding swiftly, surely and with a
light touch. Sooner or later she would turn upon him and annihilate him
in a dream of unconsciousness; he knew that, and he knew that such faint
power of resisting her as he had ever possessed was gone. But so long as
she was willing to listen to him, so long would he torture her with
the sting of her own shame, and when her patience ended, or her caprice
changed, he would find some bitter word to cast at her in the moment
before losing his consciousness of thought and his power to speak.
This one chance of wounding was given to him and he would use it to the
utmost, with all subtlety, with all cruelty, with all determination to
torture.

"Whatsoever she covets is hers to take. No one escapes the spell in the
end, no one resists the charm. And yet it is written in the book of her
fate that she shall one day taste the fruit of ashes, and drink of the
bitter water. It is written that whosoever slays with the sword shall
die by the sword also. She has killed with love, and by love she shall
perish. I loved her once. I know what I am saying."

Again he paused, lingering thoughtfully upon the words. The Wanderer
glanced at Unorna as though asking her whether he should not put a
sudden end to the strange monologue. She was pale and her eyes were
bright; but she shook her head.

"Let him say what he will say," she answered, taking the question as
though it had been spoken. "Let him say all he will. Perhaps it is the
last time."

"And so you give me your gracious leave to speak," said Israel Kafka.
"And you will let me say all that is in my heart to say to you--before
this other man. And then you will make an end of me. I see. I accept the
offer. I can even thank you for your patience. You are kind to-day--I
have known you harder. Well, then, I will speak out. I will tell my
story, not that any one may judge between you and me. There is neither
judge nor justice for those who love in vain. So I loved you. That is
the whole story. Do you understand me, sir? I loved this woman, but she
would not love me. That is all. And what of it, and what then? Look at
her, and look at me--the beginning and the end."

In a manner familiar to Orientals the unhappy man laid one finger upon
his own breast, and with the other hand pointed at Unorna's fair young
face. The Wanderer's eyes obeyed the guiding gesture, and he looked from
one to the other, and again the belief crossed his thoughts that there
was less of madness about Israel Kafka than Keyork would have had him
think. Trying to read the truth from Unorna's eyes, he saw that they
avoided his, and he fancied he detected symptoms of distress in her
pallor and contracted lips. And yet he argued that if it were all true
she would silence the speaker, and that the only reason for her patience
must be sought in her willingness to humour the diseased brain in its
wanderings. In either case he pitied Israel Kafka profoundly, and his
compassion increased from one moment to another.

"I loved her. There is a history in those three words which neither the
eloquent tongue nor the skilled pen can tell. See how coldly I speak.
I command my speech, I may pick and choose among ten thousand words and
phrases, and describe love at my leisure. She grants me time; she is
very merciful to-day. What would you have me say? You know what love
is. Think of such love as yours can have been, and take twice that, and
three times over, and a hundred thousand times, and cram it, burning,
flaming, melting into your bursting heart--then you would know a tenth
of what I have known. Love, indeed! Who can have known love but me? I
stand alone. Since the dull, unlovely world first jarred and trembled
and began to move, there has not been another of my kind, nor has man
suffered as I have suffered, and been crushed and torn and thrown aside
to die, without even the mercy of a death-wound. Describe it? Tell
it? Look at me! I am both love's description and the epitaph on his
gravestone. In me he lived, me he tortured, with me he dies never to
live again as he has lived this once. There is no justice and no mercy!
Think not that it is enough to love and that you will be loved in
return. Do not think that--do not dream that. Do you not know that the
fiercest drought is as a spring rain to the rocks, which thirst not and
need no refreshment?"

Again he fixed his eyes on Unorna's face and faintly smiled. Apparently
she was displeased.

"What is it that you would say?" she asked coldly. "What is this that
you tell us of rocks and rain, and death-wounds, and the rest? You
say you loved me once--that was a madness. You say that I never loved
you--that, at least, is truth. Is that your story? It is indeed short
enough, and I marvel at the many words in which you have put so little!"

She laughed in a hard tone. But Israel Kafka's eyes grew dark and the
sombre fire beamed in them as he spoke again. The weary, tortured smile
left his wan lips, and his pale face grew stern.

"Laugh, laugh, Unorna!" he cried. "You do not laugh alone. And yet--I
love you still, I love you so well in spite of all that I cannot laugh
at you as I would, even though I were to see you again clinging to the
rock and imploring it to take pity on your thirst. And he who dies for
you, Unorna--of him you ask nothing, save that he will crawl away and
die alone, and not disturb your delicate life with such an unseemly
sight."

"You talk of death!" exclaimed Unorna scornfully. "You talk of dying for
me because you are ill to-day. To-morrow, Keyork Arabian will have cured
you, and then, for aught I know, you will talk of killing me instead.
This is child's talk, boy's talk. If we are to listen to you, you must
be more eloquent. You must give us such a tale of woe as shall draw
tears from our eyes and sobs from our breasts--then we will applaud you
and let you go. That shall be your reward."

The Wanderer glanced at her in surprise. There was a bitterness in her
tone of which he had not believed her soft voice capable.

"Why do you hate him so if he is mad?" he asked.

"The reason is not far to seek," said Kafka. "This woman here--God made
her crooked-hearted! Love her, and she will hate you as only she has
learned how to hate. Show her that cold face of yours, and she will love
you so that she will make a carpet of her pride for you to walk on--ay,
or spit on either, if you deign to be so kind. She has a wonderful kind
of heart, for it freezes when you burn it, and melts when you freeze
it."

"Are you mad, indeed?" asked the Wanderer, suddenly planting himself in
front of Kafka. "They told me so--I can almost believe it."

"No--I am not mad yet," answered the younger man, facing him fearlessly.
"You need not come between me and her. She can protect herself. You
would know that if you knew what I saw her do with you, first when I
came here."

"What did she do?" The Wanderer turned quickly as he stood, and looked
at Unorna.

"Do not listen to his ravings," she said. The words seemed weak and
poorly chosen, and there was a strange look in her face as though she
were either afraid or desperate, or both.

"She loves you," said Israel Kafka calmly. "And you do not know it. She
has power over you, as she has over me, but the power to make you love
her she has not. She will destroy you, and your state will be no better
than mine to-day. We shall have moved on a step, for I shall be dead and
you will be the madman, and she will have found another to love and
to torture. The world is full of them. Her altar will never lack
sacrifices."

The Wanderer's face was grave.

"You may be mad or not," he said. "I cannot tell. But you say monstrous
things, and you shall not repeat them."

"Did she not say that I might speak?" asked Kafka with a bitter laugh.

"I will keep my word," said Unorna. "You seek your own destruction. Find
it in your own way. It will not be the less sure. Speak--say what you
will. You shall not be interrupted."

The Wanderer drew back, not understanding what was passing, nor why
Unorna was so long-suffering.

"Say all you have to say," she repeated, coming forward so that she
stood directly in front of Israel Kafka. "And you," she added, speaking
to the Wanderer, "leave him to me. He is quite right--I can protect
myself if I need any protection."

"You remember how we parted, Unorna?" said Kafka. "It is a month to-day.
I did not expect a greeting of you when I came back, or, if I did expect
it, I was foolish and unthinking. I should have known you better. I
should have known that there is one half of your word which you never
break--the cruel half, and one thing which you cannot forgive, and
which is my love for you. And yet that is the very thing which I cannot
forget. I have come back to tell you so. You may as well know it."

Unorna's expression grew cold, as she saw that he abandoned the strain
of reproach and spoke once more of his love for her.

"Yes, I see what you mean," he said, very quietly. "You mean to show me
by your face that you give me no hope. I should have known that by other
things I have seen here. God knows, I have seen enough! But I meant to
find you alone. I went to your home, I saw you go out, I followed you,
I entered here--I heard all--and I understood, for I know your power,
as this man cannot know it. Do you wonder that I followed you? Do you
despise me? Do you think I still care, because you do? Love is stronger
than the woman loved and for her we do deeds of baseness, unblushingly,
which she would forbid our doing, and for which she despises us when
she hates us, and loves us the more dearly when she loves us at all. You
hate me--then despise me, too, if you will. It is too late to care. I
followed you like a spy, I saw what I expected to see, I have suffered
what I knew I should suffer. You know that I have been away during this
whole month, and that I have travelled thousands of leagues in the hope
of forgetting you."

"And yet I fancied I had seen you within the month," Unorna said, with a
cruel smile.

"They say that ghosts haunt the places they have loved," answered Kafka
unmoved. "If that be true I may have troubled your dreams and you may
have seen me. I have come back broken in body and in heart. I think I
have come back to die here. The life is going out of me, but before it
is quite gone I can say two things. I can tell you that I know you at
last, and that, in spite of the horror of knowing what you are, I love
you still."

"Am I so very horrible?" she asked scornfully.

"You know what you are, better than I can tell you, but not better than
I know. I know even the secret meaning of your moods and caprices. I
know why you are willing to listen to me, this last time, so patiently,
with only now and then a sneer and a cutting laugh."

"Why?"

"In order to make me suffer the more. You will never forgive me now, for
you know that I know, and that alone is a sin past all forgiveness, and
over and above that I am guilty of the crime of loving when you have no
love for me."

"And as a last resource you come to me and recapitulate your misdeeds.
The plan is certainly original, though it lacks wit."

"There is least wit where there is most love, Unorna. I take no account
of the height of my folly when I see the depth of my love, which has
swallowed up myself and all my life. In the last hour I have known its
depth and breadth and strength, for I have seen what it can bear. And
why should I complain of it? Have I not many times said that I would die
for you willingly--and is it not dying for you to die of love for you?
To prove my faith it were too easy a death. When I look into your face I
know that there is in me the heart that made true Christian martyrs----"

Unorna laughed.

"Would you be a martyr?" she asked.

"Nor for your Faith--but for the faith I once had in you, and for the
love that no martyrdom could kill. Ay--to prove that love I would die a
hundred deaths--and to gain yours I would die the death eternal."

"And you would have deserved it. Have you not deserved enough already,
enough of martyrdom, for tracking me to-day, following me stealthily,
like a thief and a spy, to find out my ends and my doings?"

"I love you, Unorna."

"And therefore you suspect me of unimaginable evil--and therefore you
come out of your hiding-place and accuse me of things I have neither
done nor thought of doing, building up falsehood upon lie, and lie
upon falsehood in the attempt to ruin me in the eyes of one who has my
friendship and who is my friend. You are foolish to throw yourself upon
my mercy, Israel Kafka."

"Foolish? Yes, and mad, too! And my madness is all you have left
me--take it--it is yours! You cannot kill my love. Deny my words, deny
your deeds! Let all be false in you--it is but one pain more, and my
heart is not broken yet. It will bear another. Tell me that what I saw
had no reality--that you did not make him sleep--here, on this spot,
before my eyes--that you did not pour your love into his sleeping ears,
that you did not command, implore, entreat--and fail! What is it all to
me, whether you speak truth or not? Tell me it is not true that I would
die a thousand martyrdoms for your sake, as you are, and if you were a
thousand times worse than you are! Your wrong, your right, your truth,
your falsehood, you yourself are swallowed up in the love I bear you! I
love you always, and I will say it, and say it again--ah, your eyes! I
love them, too! Take me into them, Unorna--whether in hate or love--but
in love--yes--love--Unorna--golden Unorna!"

With the cry on his lips--the name he had given her in other days--he
made one mad step forwards, throwing out his arms as though to clasp
her to him. But it was too late. Even while he had been speaking her
mysterious influence had overpowered him, as he had known that it would,
when she so pleased.

She caught his two hands in the air, and pressed him back and held him
against the tall slab. The whole pitilessness of her nature gleamed like
a cold light in her white face.

"There was a martyr of your race once," she said in cruel tones. "His
name was Simon Abeles. You talk of martyrdom! You shall know what it
means--though it be too good for you, who spy upon the woman whom you
say you love."

The hectic flush of passion sank from Israel Kafka's cheek. Rigid,
with outstretched arms and bent head, he stood against the ancient
gravestone. Above him, as though raised to heaven in silent
supplication, were the sculptured hands that marked the last
resting-place of a Kohn.

"You shall know now," said Unorna. "You shall suffer indeed."



CHAPTER XV[*]

     [*] The deeds here described were done in Prague on the
     twenty-first day of February in the year 1694. Lazarus and
     his accomplice Levi Kurtzhandel, or Brevimanus, or "the
     short-handed," were betrayed by their own people. Lazarus
     hanged himself in prison, and Levi suffered death by the
     wheel--repentant, it is said, and himself baptized. A full
     account of the trial, written in Latin, was printed, and a
     copy of it may be seen in the State Museum in Prague. The
     body of Simon Abeles was exhumed and rests in the Teyn
     Kirche, in the chapel on the left of the high altar. The
     slight extension of certain scenes not fully described in
     the Latin volume will be pardoned in a work of fiction.

Unorna's voice sank from the tone of anger to a lower pitch. She spoke
quietly and very distinctly as though to impress every word upon the ear
of the man who was in her power. The Wanderer listened, too, scarcely
comprehending at first, but slowly yielding to the influence she exerted
until the vision rose before him also with all its moving scenes, in all
its truth and in all its horror. As in a dream the deeds that had been
passed before him, the desolate burial-ground was peopled with forms
and faces of other days, the gravestones rose from the earth and piled
themselves into gloomy houses and remote courts and dim streets and
venerable churches, the dry and twisted trees shrank down, and broadened
and swung their branches as arms, and drew up their roots out of the
ground as feet under them and moved hither and thither. And the knots
and bosses and gnarls upon them became faces, dark, eagle-like and
keen, and the creaking and crackling of the boughs and twigs under the
piercing blast that swept by, became articulate and like the voices of
old men talking angrily together. There were sudden changes from day to
night and from night to day. In dark chambers crouching men took counsel
of blood together under the feeble rays of a flickering lamp. In the
uncertain twilight of winter, muffled figures lurked at the corner of
streets, waiting for some one to pass, who must not escape them. As the
Wanderer gazed and listened, Israel Kafka was transformed. He no longer
stood with outstretched arms, his back against a crumbling slab, his
filmy eyes fixed on Unorna's face. He grew younger; his features were
those of a boy of scarcely thirteen years, pale, earnest and brightened
by a soft light which followed him hither and thither, and he was not
alone. He moved with others through the old familiar streets of
the city, clothed in a fashion of other times, speaking in accents
comprehensible but unlike the speech of to-day, acting in a dim and
far-off life that had once been.

The Wanderer looked, and, as in dreams, he knew that what he saw was
unreal, he knew that the changing walls and streets and houses and
public places were built up of gravestones which in truth were deeply
planted in the ground, immovable and incapable of spontaneous motion; he
knew that the crowds of men and women were not human beings but gnarled
and twisted trees rooted in the earth, and that the hum of voices which
reached his ears was but the sound of dried branches bending in the
wind; he knew that Israel Kafka was not the pale-faced boy who glided
from place to place followed everywhere by a soft radiance; he knew that
Unorna was the source and origin of the vision, and that the mingling
speeches of the actors, now shrill in angry altercation, now hissing
in low, fierce whisper, were really formed upon Unorna's lips and made
audible through her tones, as the chorus of indistinct speech proceeded
from the swaying trees. It was to him an illusion of which he understood
the key and penetrated the secret, but it was marvellous in its way,
and he was held enthralled from the first moment when it began to unfold
itself. He understood further that Israel Kafka was in a state different
from this, that he was suffering all the reality of another life, which
to the Wanderer was but a dream. For the moment all his faculties had a
double perception of things and sounds, distinguishing clearly between
the fact and the mirage that distorted and obscured it. For the moment
he was aware that his reason was awake though his eyes and his ears
might be sleeping. Then the unequal contest between the senses and the
intellect ceased, and while still retaining the dim consciousness that
the source of all he saw and heard lay in Unorna's brain, he allowed
himself to be led quickly from one scene to another, absorbed and taken
out of himself by the horror of the deeds done before him.

At first, indeed, the vision, though vivid, seemed objectless and of
uncertain meaning. The dark depths of the Jews' quarter of the city
were opened, and it was towards evening. Throngs of gowned men, crooked,
bearded, filthy, vulture-eyed, crowded upon each other in a narrow
public place, talking in quick, shrill accents, gesticulating, with
hands and arms and heads and bodies, laughing, chuckling, chattering,
hook-nosed and loose-lipped, grasping fat purses in lean fingers,
shaking greasy curls that straggled out under caps of greasy fur,
glancing to right and left with quick, gleaming looks that pierced the
gloom like fitful flashes of lightning, plucking at each other by the
sleeve and pointing long fingers and crooked nails, two, three and four
at a time, as markers, in their ready reckoning, a writhing mass of
humanity, intoxicated by the smell of gold, mad for its possession, half
hysteric with the fear of losing it, timid, yet dangerous, poisoned to
the core by the sweet sting of money, terrible in intelligence, vile
in heart, contemptible in body, irresistible in the unity of their
greed--the Jews of Prague, two hundred years ago.

In one corner of the dusky place there was a little light. A boy stood
there, beside a veiled woman, and the light that seemed to cling about
him was not the reflection of gold. He was very young. His pale face had
in it all the lost beauty of the Jewish race, the lips were clearly cut,
even, pure in outline and firm, the forehead broad with thought, the
features noble, aquiline--not vulture-like. Such a face might holy
Stephen, Deacon and Protomartyr, have turned upon the young men who laid
their garments at the fee of the unconverted Saul.

He stood there, looking on at the scene in the market-place, not
wondering, for nothing of it was new to him, not scorning, for he felt
no hate, not wrathful, for he dreamed of peace. He would have had it
otherwise--that was all. He would have had the stream flow back upon
its source and take a new channel for itself, he would have seen the
strength of his people wielded in cleaner deeds for nobler aims. The
gold he hated, the race for it he despised, the poison of it he
loathed, but he had neither loathing nor contempt nor hatred for the men
themselves. He looked upon them and he loved to think that the carrion
vulture might once again be purified and lifted on strong wings and
become, as in old days, the eagle of the mountains.

For many minutes he gazed in silence. Then he sighed and turned away. He
held certain books in his hand, for he had come from the school of the
synagogue where, throughout the short winter days, the rabbis taught him
and his companions the mysteries of the sacred tongue. The woman by his
side was a servant in his father's house, and it was her duty to attend
him through the streets, until the day when, being judged a man, he
should be suddenly freed from the bondage of childish things.

"Let us go," he said in a low voice. "The air is full of gold and heavy.
I cannot breathe it."

"Whither?" asked the woman.

"Thou knowest," he answered. And suddenly the faint radiance that was
always about him grew brighter, and spread out arms behind him, to the
right and left, in the figure of a cross.

They walked together, side by side, quickly and often glancing behind
them as though to see whether they were followed. And yet it seemed as
though it was not they who moved, but the city about them which changed.
The throng of busy Jews grew shadowy and disappeared, their shrill
voices were lost in the distance. There were other people in the street,
of other features and in different garbs, of prouder bearing and hot,
restless manner, broad-shouldered, erect, manly, with spur on heel and
sword at side. The outline of the old synagogue melted into the
murky air and changed its shape, and stood out again in other and
ever-changing forms. Now they were passing before the walls of a noble
palace, now beneath long, low galleries of arches, now again across the
open space of the Great Ring in the midst of the city--then all at once
they were standing before the richly carved doorway of the Teyn Kirche,
the very doorway out of which the Wanderer had followed the fleeting
shadow of Beatrice's figure but a month ago. And then they paused, and
looked again to the right and left, and searched the dark corners with
piercing glances.

"Thy life is in thine hand," said the woman, speaking close to the boy's
ear. "It is yet time. Turn with me and let us go back."

The mysterious radiance lit up the youth's beautiful face in the dark
street and showed the fearless yet gentle smile that was on his lips.

"What is there to fear?" he asked.

"Death," answered the woman in a trembling tone. "They will kill thee,
and it shall be upon my head."

"And what is Death?" he asked again, and the smile was still upon his
face as he led the way up the steps.

The woman bowed her head and drew her veil more closely about her and
followed him. Then they were within the church, darker, more ghostly,
less rich in those days than now. The boy stood beside the hewn stone
basin wherein was the blessed water, and he touched the frozen surface
with his fingers, and held them out to his companion.

"Is it thus?" he asked. And the heavenly smile grew more radiant as he
made the sign of the Cross.

Again the woman inclined her head.

"Be it not upon me!" she exclaimed earnestly. "Though I would it might
be for ever so with thee."

"It is for ever," the boy answered.

He went forward and prostrated himself before the high altar, and the
soft light hovered above him. The woman knelt at a little distance from
him, with clasped hands and upturned eyes. The church was very dark and
silent.

An old man in a monk's robe came forward out of the shadow of the choir
and stood behind the marble rails and looked down at the boy's prostrate
figure, wonderingly. Then the low gateway was opened and he descended
the three steps and bent down to the young head.

"What wouldest thou?" he asked.

Simon Abeles rose until he knelt, and looked up into the old man's face.

"I am a Jew. I would be a Christian. I would be baptized."

"Fearest thou not thy people?" the monk asked.

"I fear not death," answered the boy simply.

"Come with me."

Trembling, the woman followed them both, and all were lost in the gloom
of the church. They were not to be seen, and all was still for a space.
Suddenly a clear voice broke the silence.

"_Ego baptizo te in nomine Patris, et Filii, et Spiritus Sancti._"

Then the woman and the boy were standing again without the entrance in
the chilly air, and the ancient monk was upon the threshold under the
carved arch; his thin hands, white in the darkness, were lifted high,
and he blessed them, and they went their way.

In the moving vision the radiance was brighter still and illuminated the
streets as they moved on. Then a cloud descended over all, and certain
days and weeks passed, and again the boy was walking swiftly toward
the church. But the woman was not with him, and he believed that he was
alone, though the messengers of evil were upon him. Two dark figures
moved in the shadow, silent, noiseless in their walk, muffled in long
garments. He went on, no longer deigning to look back, beyond fear as he
had ever been, and beyond even the expectation of a danger. He went into
the church, and the two men made gestures, and spoke in low tones, and
hid themselves in the shade of the buttresses outside.

The vision grew darker and a terrible stillness was over everything, for
the church was not opened to the sight this time. There was a horror of
long waiting with the certainty of what was to come. The narrow street
was empty to the eye, and yet there was the knowledge of evil presence,
of two strong men waiting in the dark to take their victim to the place
of expiation. And the horror grew in the silence and the emptiness,
until it was unbearable.

The door opened and the boy was with the monk under the black arch.
The old man embraced him and blessed him and stood still for a moment
watching him as he went down. Then he, also, turned and went back, and
the door was closed.

Swiftly the two men glided from their hiding-place and sped along the
uneven pavement. The boy paused and faced them, for he felt that he was
taken. They grasped him by the arms on each side, Lazarus his father,
and Levi, surnamed the Short-handed, the strongest and the cruellest and
the most relentless of the younger rabbis. Their grip was rough, and the
older man held a coarse woollen cloth in his hand with which to smother
the boy's cries if he should call out for help. But he was very calm and
did not resist them.

"What would you?" he asked.

"And what doest thou in a Christian church?" asked Lazarus in low fierce
tones.

"What Christians do, since I am one of them," answered the youth,
unmoved.

Lazarus said nothing, but he struck the boy on the mouth with his hard
hand so that the blood ran down.

"Not here!" exclaimed Levi, anxiously looking about.

And they hurried him away through dark and narrow lanes. He opposed no
resistance to Levi's rough strength, not only suffering himself to
be dragged along but doing his best to keep pace with the man's long
strides, nor did he murmur at the blows and thrusts dealt him from time
to time by his father from the other side. During some minutes they were
still traversing the Christian part of the city. A single loud cry for
help would have brought a rescue, a few words to the rescuers would have
roused a mob of fierce men and the two Jews would have paid with their
lives for the deeds they had not yet committed. But Simon Abeles uttered
no cry and offered no resistance. He had said that he feared not death,
and he had spoken the truth, not knowing what manner of death was to be
his. Onward they sped, and in the vision the way they traversed seemed
to sweep past them, so that they remained always in sight though always
hurrying on. The Christian quarter was passed; before them hung the
chain of one of those gates which gave access to the city of the Jews.
With a jeer and an oath the bearded sentry watched them pass--the martyr
and his torturers. One word to him, even then, and the butt of his heavy
halberd would have broken Levi's arm and laid the boy's father in the
dust. The word was not spoken. On through the filthy ways, on and on,
through narrow courts and tortuous passages to a dark low doorway. Then,
again, the vision showed but an empty street and there was silence for a
space, and a horror of long waiting in the falling night.

Lights moved within the house, and then one window after another was
bolted and barred from within. Still the silence endured until the ear
was grown used to it and could hear sounds very far off, from deep down
below the house itself, but the walls did not open and the scene did not
change. A dull noise, bad to hear, resounded as from beneath a vault,
and then another and another--the sound of cruel blows upon a human
body. Then a pause.

"Wilt thou renounce it?" asked the voice of Lazarus.

"_Kyrie eleison, Christie eleison!_" came the answer, brave and clear.

"Lay on, Levi, and let thy arm be strong!"

And again the sound of blows, regular, merciless, came up from the
bowels of the earth.

"Dost thou repent? Dost thou renounce? Dost thou deny?"

"I repent of my sins--I renounce your ways--I believe in the Lord--"

The sacred name was not heard. A smothered groan as of one losing
consciousness in extreme torture was all that came up from below.

"Lay on, Levi, lay on!"

"Nay," answered the strong rabbi, "the boy will die. Let us leave him
here for this night. Perchance cold and hunger will be more potent than
stripes, when he shall come to himself."

"As though sayest," answered the father in angry reluctance.

Again all was silent. Soon the rays of light ceased to shine through the
crevices of the outer shutters, and sleep descended upon the quarter
of the Jews. Still the scene in the vision changed not. After a long
stillness a clear young voice was heard speaking.

"Lord, if it be Thy will that I die, grant that I may bear all in Thy
name, grant that I, unworthy, may endure in this body the punishments
due to me in spirit for my sins. And if it be Thy will that I live, let
my life be used also for Thy glory."

The voice ceased and the cloud of passing time descended upon the vision
and was lifted again and again. And each time the same voice was heard
and the sound of torturing blows, but the voice of the boy was weaker
every night, though it was not less brave.

"I believe," it said, always. "Do what you will, you have power over the
body, but I have the Faith over which you have no power."

So the days and the nights passed, and though the prayer came up in
feeble tones, it was born of a mighty spirit and it rang in the ears
of the tormentors as the voice of an angel which they had no power to
silence, appealing from them to the tribunal of the Throne of God Most
High.

Day by day, also, the rabbis and the elders began to congregate together
at evening before the house of Lazarus and to talk with him and with
each other, debating how they might break the endurance of his son and
bring him again into the synagogue as one of themselves. Chief among
them in their councils was Levi, the Short-handed, devising new tortures
for the frail body to bear and boasting how he would conquer the
stubborn boy by the might of his hands to hurt. Some of the rabbis shook
their heads.

"He is possessed of a devil," they said. "He will die and repent not."

But others nodded approvingly and wagged their filthy heads and said
that when the fool had been chastised the evil spirit would depart from
him.

Once more the cloud of passing time descended and was lifted. Then the
walls of the house were opened and in a low arched chamber the rabbis
sat about a black table. It was night and a single smoking lamp was
lighted, a mere wick projecting out of a three-cornered vessel of copper
which was full of oil and was hung from the vault with blackened wires.
Seven rabbis sat at the board, and at the head sat Lazarus. Their
crooked hands and claw-like nails moved uneasily and there was a lurid
fire in their vulture's eyes. They bent forward, speaking to each other
in low tones, and from beneath their greasy caps their anointed
side curls dangled and swung as they moved their heads. But Levi the
Short-handed was not among them. Their muffled talk was interrupted from
time to time by the sound of sharp, loud blows, as of a hammer striking
upon nails, and as though a carpenter were at work not far from the room
in which they sat.

"He has not repented," said Lazarus, from his place. "Neither
many stripes, nor cold, nor hunger, nor thirst, have moved him to
righteousness. It is written that he shall be cut off from his people."

"He shall be cut off," answered the rabbis with one voice.

"It is right and just that he should die," continued the father. "Shall
we give him over to the Christians that he may dwell among them and
become one of them, and be shown before the world to our shame?"

"We will not let him go," said the dark man, and an evil smile flickered
from one face to another as a firefly flutters from tree to tree in the
night--as though the spirit of evil had touched each one in turn.

"We will not let him go," said each again.

Lazarus also smiled as though in assent, and bowed his head a little
before he spoke.

"I am obedient to your judgment. It is yours to command and mine to
obey. If you say that he must die, let him die. He is my son. Take him.
Did not our father Abraham lay Isaac upon the altar and offer him as a
burnt sacrifice before the Lord?"

"Let him die," said the rabbis.

"Then let him die," answered Lazarus. "I am your servant. It is mine to
obey."

"His blood be on our heads," they said. And again, the evil smile went
round.

"It is then expedient that we determine of what manner his death shall
be," continued the father, inclining his body to signify his submission.

"It is not lawful to shed his blood," said the rabbis. "And we cannot
stone him, lest we be brought to judgment of the Christians. Determine
thou the manner of his death."

"My masters, if you will it, let him be brought once more before us. Let
us all hear with our ears his denial, and if he repent at the last,
it is well, let him live. But if he harden his heart against our
entreaties, let him die. Levi hath brought certain pieces of wood hither
to my house, and is even now at work. If the youth is still stubborn in
his unbelief, let him die even as the Unbeliever died--by the righteous
judgment of the Romans."

"Let it be so. Let him be crucified!" said the rabbis with one voice.

Then Lazarus rose and went out, and, in the vision, the rabbis remained
seated, motionless in their places awaiting his return. The noise of
Levi's hammer echoed through the low vaulted chamber, and at each blow
the smoking lamp quivered a little, casting strange shadows upon the
evil faces beneath its light. At last footsteps, slow and uncertain,
were heard without, the low door opened, and Lazarus entered, holding up
the body of his son before him.

"I have brought him before you for the last time," he said. "Question
him and hear his condemnation out of his own mouth. He repents
not, though I have done my utmost to bring him back to the paths of
righteousness. Question him, my masters, and let us see what he will
say."

White and exhausted with long hunger and thirst, his body broken by
torture, scarcely any longer sensible to bodily pain, Simon Abeles would
have fallen to the ground had his father not held him under the arms.
His head hung forward and the pale and noble face was inclined towards
the breast, but the deep, dark eyes were open and gazed calmly upon
those who sat in judgment at the table. A rough piece of linen cloth was
wrapped about the boy's shoulders and body, but his thin arms were bare.

"Hearest thou, Simon, son of Lazarus?" asked the rabbis. "Knowest thou
in whose presence thou standest?"

"I hear you and I know you all." There was no fear in the voice though
it trembled from weakness.

"Renounce then thy errors, and having suffered the chastisement of thy
folly, return to the ways of thy father and of thy father's house and of
all thy people."

"I renounce my sins, and whatsoever is yet left for me to suffer,
I will, by God's help, so bear it as to be not unworthy of Christ's
mercy."

The rabbis gazed at the brave young face, and smiled and wagged their
beards, talking one with another in low tones.

"It is as we feared," they said. "He is unrepentant and he is worthy of
death. It is not expedient that the young adder should live. There
is poison under his tongue, and he speaks things not lawful for an
Israelite to hear. Let him die, that we may see him no more, and that
our children be not corrupted by his false teachings."

"Hearest thou? Thou shalt die." It was Lazarus who spoke, while holding
up the boy before the table and hissing the words into his ear.

"I hear. I am ready. Lead me forth."

"There is yet time to repent. If thou wilt but deny what thou hast said
these many days, and return to us, thou shalt be forgiven and thy days
shall be long among us, and thy children's days after thee, and the Lord
shall perchance have mercy and increase thy goods among thy fellows."

"Let him alone," said the rabbis. "He is unrepentant."

"Lead me forth," said Simon Abeles.

"Lead him forth," repeated the rabbis. "Perchance, when he sees the
manner of his death before his eyes, he will repent at the last."

The boy's fearless eyes looked from one to the other.

"Whatsoever it be," he said, "I have but one life. Take it as you
will. I die in the faith of the Lord Jesus Christ, and into His hands I
commend my spirit--which you cannot take."

"Lead him forth! Let him be crucified!" cried the rabbis together. "We
will hear him no longer."

Then Lazarus led his son away from them, and left them talking together
and shaking their heads and wagging their filthy beards. And in the
vision the scene changed. The chamber with its flickering lamp and its
black table and all the men who were in it grew dim and faded away, and
in its place there was a dim inner court between high houses, upon which
only the windows of the house of Lazarus opened. There, upon the ground,
stood a lantern of horn, and the soft yellow light of it fell upon two
pieces of wood, nailed one upon the other to form a small cross--small,
indeed, but yet tall enough and broad enough and strong enough to bear
the slight burden of the boy's frail body. And beside it stood Lazarus
and Levi, the Short-handed, the strong rabbi, holding Simon Abeles
between them. On the ground lay pieces of cord, ready, wherewith to bind
him to the cross, for they held it unlawful to shed his blood.

It was soon done. The two men took up the cross and set it, with the
body hanging thereon, against the wall of the narrow court, over against
the house of Lazarus.

"Thou mayest still repent--during this night," said the father, holding
up the horn lantern and looking into his son's tortured face.

"Ay--there is yet time," said Levi, brutally. "He will not die so soon."

"Lord, into Thy hands I commend my spirit," said the weak voice once
more.

Then Lazarus raised his hand and struck him once more on the mouth, as
he had done on that first night when he had seized him near the church.
But Levi, the Short-handed, as though in wrath at seeing all his
torments fail, dealt him one heavy blow just where the ear joins the
neck, and it was over at last. A radiant smile of peace flickered over
the pale face, the eyelids quivered and closed, the head fell forward
upon the breast and the martyrdom of Simon Abeles was consummated.

Into the dark court came the rabbis one by one from the inner chamber,
and each as he came took up the horn lantern and held it to the dead
face and smiled and spoke a few low words in the Hebrew tongue and then
went out into the street, until only Lazarus and Levi were left alone
with the dead body. Then they debated what they should do, and for a
time they went into the house and refreshed themselves with food and
wine, and comforted each other, well knowing that they had done an evil
deed. And they came back when it was late and wrapped the body in the
coarse cloth and carried it out stealthily and buried it in the Jewish
cemetery, and departed again to their own houses.

"And there he lay," said Unorna, "the boy of your race who was faithful
to death. Have you suffered? Have you for one short hour known the
meaning of such great words as you dared to speak to me? Do you know now
what it means to be a martyr, to suffer for standing on the very spot
where he lay, you have felt in some small degree a part of what he must
have felt. You live. Be warned. If again you anger me, your life shall
not be spared you."

The visions had all vanished. Again the wilderness of gravestones and
lean, crooked trees appeared, wild and desolate as before. The Wanderer
roused himself and saw Unorna standing before Israel Kafka's prostrate
body. As though suddenly released from a spell he sprang forward and
knelt down, trying to revive the unconscious man by rubbing his hands
and chafing his temples.



CHAPTER XVI

The Wanderer glanced at Unorna's face and saw the expression of
relentless hatred which had settled upon her features. He neither
understood it nor attempted to account for it. So far as he knew, Israel
Kafka was mad, a man to be pitied, to be cared for, to be controlled
perhaps, but assuredly not to be maltreated. Though the memories of the
last half hour were confused and distorted, the Wanderer began to be
aware that the young Hebrew had been made to suffer almost beyond the
bounds of human endurance. So far as it was possible to judge, Israel
Kafka's fault consisted in loving a woman who did not return his love,
and his worst misdeed had been his sudden intrusion upon an interview
in which the Wanderer could recall nothing which might not have been
repeated to the whole world with impunity.

During the last month he had lived a life of bodily and mental
indolence, in which all his keenest perceptions and strongest instincts
had been lulled into a semi-dormant state. Unknown to himself, the
mainspring of all thought and action had been taken out of his existence
together with the very memory of it. For years he had lived and moved
and wandered over the earth in obedience to one dominant idea. By
a magic of which he knew nothing that idea had been annihilated,
temporarily, if not for ever, and the immediate consequence had been the
cessation of all interest and of all desire for individual action.
The suspension of all anxiety, restlessness and mental suffering had
benefited the physical man though it had reduced the intelligence to a
state bordering upon total apathy.

But organisations, mental or physical, of great natural strength, are
never reduced to weakness by a period of inactivity. It is those minds
and bodies which have been artificially developed by a long course of
training to a degree of power they were never intended to possess, which
lose that force almost immediately in idleness. The really very strong
man has no need of constant gymnastic exercise; he will be stronger than
other men whatever he does. The strong character needs not be constantly
struggling against terrible odds in the most difficult situations in
order to be sure of its own solidity, nor must the deep intellect be
ever plodding through the mazes of intricate theories and problems that
it may feel itself superior to minds of less compass. There is much
natural inborn strength of body and mind in the world, and on the whole
those who possess either accomplish more than those in whom either is
the result of long and well-regulated training.

The belief in a great cruelty and a greater injustice roused the man who
throughout so many days had lived in calm indifference to every aspect
of the humanity around him. Seeing that Israel Kafka could not be
immediately restored to consciousness, he rose to his feet again and
stood between the prostrate victim and Unorna.

"You are killing this man instead of saving him," he said. "His crime,
you say, is that he loves you. Is that a reason for using all your
powers to destroy him in body and mind?"

"Perhaps," answered Unorna calmly, though there was still a dangerous
light in her eyes.

"No. It is no reason," answered the Wanderer with a decision to which
Unorna was not accustomed. "Keyork tells me that the man is mad. He may
be. But he loves you and deserves mercy of you."

"Mercy!" exclaimed Unorna with a cruel laugh. "You heard what he
said--you were for silencing him yourself. You could not have done it. I
have--and most effectually."

"Whatever your art really may be, you use it badly and cruelly. A moment
ago I was blinded myself. If I had understood clearly while you were
speaking that you were making this poor fellow suffer in himself the
hideous agony you described I would have stopped you. You blinded me, as
you dominated him. But I am not blind now. You shall not torment him any
longer.

"And how would you have stopped me? How can you hinder me now?" asked
Unorna.

The Wanderer gazed at her in silence for some moments. There was an
expression in his face which she had never seen there. Towering above
her he looked down. The massive brows were drawn together, the eyes were
cold and impenetrable, every feature expressed strength.

"By force, if need be," he answered very quietly.

The woman before him was not of those who fear or yield. She met his
glance boldly. Scarcely half an hour earlier she had been able to steal
away his senses and make him subject to her. She was ready to renew the
contest, though she realised that a change had taken place in him.

"You talk of force to a woman!" she exclaimed, contemptuously. "You are
indeed brave!"

"You are not a woman. You are the incarnation of cruelty. I have seen
it."

His eyes were cold and his voice was stern. Unorna felt a very sharp
pain and shivered as though she were cold. Whatever else was bad and
cruel and untrue in her wild nature, her love for him was true and
passionate and enduring. And she loved him the more for the strength he
was beginning to show, and for his determined opposition. The words he
had spoken had hurt her as he little guessed they could, not knowing
that he alone of men had power to wound her.

"You do not know," she answered. "How should you?" Her glance fell and
her voice trembled.

"I know enough," he said. He turned coldly from her and knelt again
beside Israel Kafka.

He raised the pale head and supported it upon his knee, and gazed
anxiously into the face, raising the lids with his finger as though to
convince himself that the man was not dead. Indeed there seemed to be
but little life left in him as he lay there with outstretched arms and
twisted fingers, scarcely breathing. In such a place, without so much as
the commonest restorative to aid him, the Wanderer saw that he had but
little chance of success.

Unorna stood aside, not looking at the two men. It was nothing to her
whether Kafka lived or died. She was suffering herself, more than she
had ever suffered in her life. He had said that she was not a woman--she
whose whole woman's nature worshiped him. He had said that she was the
incarnation of cruelty--and it was true, though it was her love for him
that made her cruel to the other. Could he know what she had felt, when
she had understood that Israel Kafka had heard her passionate words and
seen her eager face, and had laughed her to scorn? Could any woman at
such a time be less than cruel? Was not her hate for the man who loved
her as great as her love for the man who loved her not? Even if she
possessed instruments of torture for the soul more terrible than those
invented in darker ages to rack the human body, was she not justified
in using them all? Was not Israel Kafka guilty of the greatest of all
crimes, of loving when he was not loved, and of witnessing her shame and
discomfiture? She could not bear to look at him, lest she should lose
herself and try to thrust the Wanderer aside and kill the man with her
hands.

Then she heard footsteps on the frozen path, and turning quickly she saw
that the Wanderer had lifted Kafka's body from the ground and was moving
rapidly away, towards the entrance of the cemetery. He was leaving her
in anger, without a word. She turned very pale and hesitated. Then she
ran forward to overtake him, but he, hearing her approach, quickened his
stride, seeming but little hampered in his pace by the burden he bore.
But Unorna, too, was fleet of foot and strong.

"Stop!" she cried, laying her hand upon his arm. "Stop! Hear me! Do not
leave me so!"

But he would not pause, and hurried onward towards the gate, while
she hung upon his arm, trying to hinder him and speaking in desperate
agitation. She felt that if she let him go now, he would leave her for
ever. In that moment even her hatred of Kafka sank into insignificance.
She would do anything, bear anything, promise anything rather than lose
what she loved so wildly.

"Stop!" she cried again. "I will save him--I will obey you--I will be
kind to him--he will die in your arms if you do not let me help you--oh!
for the love of Heaven, wait one moment! Only one moment!"

She so thrust herself in the Wanderer's path, hanging upon him and
trying to tear Kafka from his arms, that he was forced to stand still
and face her.

"Let me pass!" he exclaimed, making another effort to advance. But she
clung to him and he could not move.

"No,--I will not let you go," she murmured. "You can do nothing without
me, you will only kill him, as I would have done a moment ago--"

"And as you will do now," he said sternly, "if I let you have your way."

"By all that is Holy in Heaven, I will save him--he shall not even
remember--"

"Do not swear. I shall not believe you."

"You will believe when you see--you will forgive me--you will
understand."

Without answering he exerted his strength and clasping the insensible
man more firmly in his arms he made one or two steps forward. Unorna's
foot slipped on the frozen ground and she would have fallen to the
earth, but she clung to him with desperate energy. Seeing that she was
in danger of some bodily hurt if he used greater force, the Wanderer
stopped again, uncertain how to act; Unorna stood before him, panting a
little from the struggle, her face as white as death.

"Unless you kill me," she said, "you shall not take him away so. Hold
him in your arms, if you will, but let me speak to him."

"And how shall I know that you will not hurt him, you who hate him as
you do?"

"Am I not at your mercy?" asked Unorna. "If I deceive you, can you not
do what you will with me, even if I try to resist you, which I will not?
Hold me, if you choose, lest I should escape you, and if Israel Kafka
does not recover his strength and his consciousness, then take me with
you and deliver me up to justice as a witch--as a murderess, if you
will."

The Wanderer was silent for a moment. Then he realised that what she
said was true. She was in his power.

"Restore him if you can," he said.

Unorna laid her hands upon Kafka's forehead and bending down whispered
into his ear words which were inaudible even to the man who held
him. The mysterious change from sleep to consciousness was almost
instantaneous. He opened his eyes and looked first at Unorna and then at
the Wanderer. There was neither pain nor passion in his face, but only
wonder. A moment more and his limbs regained their strength, he stood
upright and passed his hand over his eyes as though trying to remember
what had happened.

"How came I here?" he asked in surprise. "What has happened to me?"

"You fainted," said Unorna quietly. "You remember that you were very
tired after your journey. The walk was too much for you. We will take
you home."

"Yes--yes--I must have fainted. Forgive me--it comes over me sometimes."

He evidently had complete control of his faculties at the present
moment, when he glanced curiously from the one to the other of his two
companions, as they all three began to walk towards the gate. Unorna
avoided his eyes, and seemed to be looking at the irregular slabs they
passed on their way.

The Wanderer had intended to free himself from her as soon as Kafka
regained his senses, but he had not been prepared for such a sudden
change. He saw, now, that he could not exchange a word with her without
exciting the man's suspicion, and he was by no means sure that the first
emotion might not produce a sudden and dangerous effect. He did not even
know how great the change might be, which Unorna's words had brought
about. That Kafka had forgotten at once his own conduct and the fearful
vision which Unorna had imposed upon him was clear, but it did not
follow that he had ceased to love her. Indeed, to one only partially
acquainted with the laws which govern hypnotics, such a transition
seemed very far removed from possibility. He who in one moment had
himself been made to forget utterly the dominant passion and love of his
life, was so completely ignorant of the fact that he could not believe
such a thing possible in any case whatsoever.

In the dilemma in which he found himself there was nothing to be done
but to be guided by circumstances. He was not willing to leave Kafka
alone with the woman who hated him, and he saw no means of escaping her
society so long as she chose to impose it upon them both. He supposed,
too, that Unorna realized this as well as he did, and he tried to be
prepared for all events by revolving all the possibilities in his mind.

But Unorna was absorbed by very different thoughts. From time to time
she stole a glance at his face, and she saw that it was stern and
cold as ever. She had kept her word, but he did not relent. A terrible
anxiety overwhelmed her. It was possible, even probable, that he would
henceforth avoid her. She had gone too far. She had not reckoned upon
such a nature as his, capable of being roused to implacable anger by
mere sympathy for the suffering of another. Then, understanding it at
last, she had thought it would be enough that those sufferings should
be forgotten by him upon whom they had been inflicted. She could not
comprehend the horror he felt for herself and for her hideous cruelty.
She had entered the cemetery in the consciousness of her strong will
and of her mysterious powers certain of victory, sure that having once
sacrificed her pride and stooped so low as to command what should have
come of itself, she should see his face change and hear the ring of
passion in that passionless voice. She had failed in that, and utterly.
She had been surprised by her worst enemy. She had been laughed to
scorn in the moment of her deepest humiliation, and she had lost the
foundations of friendship in the attempt to build upon them the hanging
gardens of an artificial love. In that moment, as they reached the gate,
Unorna was not far from despair.

A Jewish boy, with puffed red lips and curving nostrils, was loitering
at the entrance. The Wanderer told him to find a carriage.

"Two carriages," said Unorna, quickly. The boy ran out. "I will go home
alone," she added. "You two can drive together."

The Wanderer inclined his head in assent, but said nothing. Israel
Kafka's dark eyes rested upon hers for a moment.

"Why not go together?" he asked.

Unorna started slightly and turned as though about to make a sharp
answer. But she checked herself, for the Wanderer was looking at her.
She spoke to him instead of answering Kafka.

"It is the best arrangement--do you not think so?" she asked.

"Quite the best."

"I shall be gratified if you will bring me word of him," she said,
glancing at Kafka.

The Wanderer was silent as though he had not heard.

"Have you been in pain? Do you feel as though you had been suffering?"
she asked of the younger man, in a tone of sympathy and solicitude.

"No. Why do you ask?"

Unorna smiled and looked at the Wanderer, with intention. He did not
heed her. At that moment two carriages appeared and drew up at the end
of the narrow alley which leads from the street to the entrance of the
cemetery. All three walked forward together. Kafka went forward and
opened the door of one of the conveyances for Unorna to get in. The
Wanderer, still anxious for the man's safety, would have taken his
place, but Kafka turned upon him almost defiantly.

"Permit me," he said. "I was before you here."

The Wanderer stood civilly aside and lifted his hat. Unorna held out her
hand, and he took it coldly, not being able to do otherwise.

"You will let me know, will you not?" she said. "I am anxious about
him."

He raised his eyebrows a little and dropped her hand.

"You shall be informed," he said.

Kafka helped her to get into the carriage. She drew him by the hand so
that his head was inside the door and the other man could not hear her
words.

"I am anxious about you," she said very kindly. "Make him come himself
to me and tell me how you are."

"Surely--if you have asked him--"

"He hates me," whispered Unorna quickly. "Unless you make him come he
will send no message."

"Then let me come myself--I am perfectly well--"

"Hush--no!" she answered hurriedly. "Do as I say--it will be best for
you--and for me. Good-bye."

"Your word is my law," said Kafka, drawing back. His eyes were bright
and his thin cheek was flushed. It was long since she had spoken so
kindly to him. A ray of hope entered his life.

The Wanderer saw the look and interpreted it rightly. He understood
that in that brief moment Unorna had found time to do some mischief. Her
carriage drove on, and left the two men free to enter the one intended
for them. Kafka gave the driver the address of his lodgings. Then
he sank back into the corner, exhausted and conscious of his extreme
weakness. A short silence followed.

"You are in need of rest," said the Wanderer, watching him curiously.

"Indeed, I am very tired, if not actually ill."

"You have suffered enough to tire the strongest."

"In what way?" asked Kafka. "I have forgotten what happened. I know that
I followed Unorna to the cemetery. I had been to her house, and I saw
you afterwards together. I had not spoken to her since I came back from
my long journey this morning. Tell me what occurred. Did she make me
sleep? I feel as I have felt before when I have fancied that she has
hypnotised me."

The Wanderer looked at him in surprise. The question was asked as
naturally as though it referred to an everyday occurrence of little or
no weight.

"Yes," he answered. "She made you sleep."

"Why? Do you know? If she has made me dream something, I have forgotten
it."

The Wanderer hesitated a moment.

"I cannot answer your question," he said, at length.

"Ah--she told me that you hated her," said Kafka, turning his dark eyes
to his companion. "But, yet," he added, "that is hardly a reason why you
should not tell me what happened."

"I could not tell you the truth without saying something which I have no
right to say to a stranger--which I could not easily say to a friend."

"You need not spare me--"

"It might save you."

"Then say it--though I do not know from what danger I am to be saved.
But I can guess, perhaps. You would advise me to give up the attempt to
win her."

"Precisely. I need say no more."

"On the contrary," said Kafka with sudden energy, "when a man gives such
advice as that to a stranger he is bound to give also his reasons."

The Wanderer looked at him calmly as he answered.

"One man need hardly give a reason for saving another man's life. Yours
is in danger."

"I see that you hate her, as she said you did."

"You and she are both mistaken in that. I am not in love with her and
I have ceased to be her friend. As for my interest in you, it does not
even pretend to be friendly--it is that which any man may feel for a
fellow-being, and what any man would feel who had seen what I have seen
this afternoon."

The calm bearing and speech of the experienced man of the world carried
weight with it in the eyes of the young Moravian, whose hot blood knew
little of restraint and less of caution; with the keen instinct of
his race in the reading of character he suddenly understood that his
companion was at once generous and disinterested. A burst of confidence
followed close upon the conviction.

"If I am to lose her love, I would rather lose my life also, and by her
hand," he said hotly. "You are warning me against her. I feel that you
are honest and I see that you are in earnest. I thank you. If I am in
danger, do not try to save me. I saw her face a few moments ago, and she
spoke to me. I cannot believe that she is plotting my destruction."

The Wanderer was silent. He wondered whether it was his duty to do
or say more. Unorna was a changeable woman. She might love the man
to-morrow. But Israel Kafka was too young to let the conversation drop.
Boy-like he expected confidence for confidence, and was surprised at his
companion's taciturnity.

"What did she say to me when I was asleep?" he asked, after a short
pause.

"Did you ever hear the story of Simon Abeles?" the Wanderer inquired by
way of answer.

Kafka frowned and looked round sharply.

"Simon Abeles? He was a renegade Hebrew boy. His father killed him.
He is buried in the Teyn Kirche. What of him? What has he to do with
Unorna, or with me? I am myself a Jew. The time has gone by when we Jews
hid our heads. I am proud of what I am, and I will never be a Christian.
What can Simon Abeles have to do with me?"

"Little enough, now that you are awake."

"And when I was asleep, what then? She made me see him, perhaps?"

"She made you live his life. She made you suffer all that he suffered--"

"What?" cried Israel Kafka in a loud and angry tone.

"What I say," returned the other quietly.

"And you did not interfere? You did not stop her? No, of course, I
forgot that you are a Christian."

The Wanderer looked at him in surprise. It had not struck him that
Israel Kafka might be a man of the deepest religious convictions, a
Hebrew of the Hebrews, and that what he would resent most would be the
fact that in his sleep Unorna had made him play the part and suffer
the martyrdom of a convert to Christianity. This was exactly what took
place. He would have suffered anything at Unorna's hands, and without
complaint, even to bodily death, but his wrath rose furiously at the
thought that she had been playing with what he held most sacred, that
she had forced from his lips the denial of the faith of his people and
the confession of the Christian belief, perhaps the very words of the
hated Creed. The modern Hebrew of Western Europe might be indifferent in
such a case, as though he had spoken in the delirium of a fever, but the
Jew of the less civilised East is a different being, and in some ways
a stronger. Israel Kafka represented the best type of his race, and his
blood boiled at the insult that had been put upon him. The Wanderer saw,
and understood, and at once began to respect him, as men who believe
firmly in opposite creeds have been known to respect each other even in
a life and death struggle.

"I would have stopped her if I could," he said.

"Were you sleeping, too?" asked Kafka hotly.

"I cannot tell. I was powerless though I was conscious. I saw only Simon
Abeles in it all, though I seemed to be aware that you and he were one
person. I did interfere--so soon as I was free to move. I think I saved
your life. I was carrying you away in my arms when she waked you."

"I thank you--I suppose it is as you tell me. You could not move--but
you saw it all, you say. You saw me play the part of the apostate, you
heard me confess the Christian's faith?"

"Yes--I saw you die in agony, confessing it still."

Israel Kafka ground his teeth and turned his face away. The Wanderer was
silent. A few moments later the carriage stopped at the door of Kafka's
lodging. The latter turned to his companion, who was startled by the
change in the young face. The mouth was now closely set, the features
seemed bolder, the eyes harder and more manly, a look of greater dignity
and strength was in the whole.

"You do not love her?" he asked. "Do you give me your word that you do
not love her?"

"If you need so much to assure you of it, I give you my word. I do not
love her."

"Will you come with me for a few moments? I live here."

The Wanderer made a gesture of assent. In a few moments they found
themselves in a large room furnished almost in Eastern fashion, with few
objects, but those of great value. Israel Kafka was alone in the world
and was rich. There were two or three divans, a few low, octagonal,
inlaid tables, a dozen or more splendid weapons hung upon the wall,
and the polished wooden floor was partly covered with extremely rich
carpets.

"Do you know what she said to me, when I helped her into the carriage?"
asked Kafka.

"No, I did not attempt to hear."

"She did not mean that you should hear her. She made me promise to send
you to her with news of myself. She said that you hated her and would
not go to her unless I begged you to do so. Is that true?"

"I have told you that I do not hate her. I hate her cruelty. I will
certainly not go to her of my own choice."

"She said that I had fainted. That was a lie. She invented it as an
excuse to attract you, on the ground of her interest in my condition."

"Evidently."

"She hates me with an extreme hatred. Her real interest lay in showing
you how terrible that hatred could be. It is not possible to conceive of
anything more diabolically bad than what she did to me. She made me her
sport--yours, too, perhaps, or she would at least have wished it. On
that holy ground where my people lie in peace she made me deny my faith,
she made me, in your eyes and her own, personate a renegade of my race,
she made me confess in the Christian creed, she made me seem to die for
a belief I abhor. Can you conceive of anything more devilish? A moment
later she smiles upon me and presses my hand, and is anxious to know of
my good health. And but for you, I should never have known what she had
done to me. I owe you gratitude, though it be for the worst pain I have
ever suffered. But do you think I will forgive her?"

"You would be very forgiving if you could," said the Wanderer, his own
anger rising again at the remembrance of what he had seen.

"And do you think that I can love still?"

"No."

Israel Kafka walked the length of the room and then came back and stood
before the Wanderer and looked into his eyes. His face was very calm and
resolute, the flush had vanished from his thin cheeks, and the features
were set in an expression of irrevocable determination. Then he spoke,
slowly and distinctly.

"You are mistaken. I love her with all my heart. I will therefore kill
her."

The Wanderer had seen many men in many lands and had witnessed the
effects of many passions. He gazed earnestly into Israel Kafka's
face, searching in vain for some manifestation of madness. But he was
disappointed. The Moravian had formed his resolution in cold blood
and intended to carry it out. His only folly appeared to lie in the
announcement of his intention. But his next words explained even that.

"She made me promise to send you to her if you would go," he said. "Will
you go to her now?"

"What shall I tell her? I warn you that since--"

"You need not warn me. I know what you would say. But I will be no
common murderer. I will not kill her as she would have killed me. Warn
her, not me. Go to her and say, 'Israel Kafka has promised before God
that he will take your blood in expiation, and there is no escape from
the man who is himself ready to die.' Tell her to fly for her life, and
that quickly."

"And what will you gain by doing this murder?" asked the Wanderer,
calmly. He was revolving schemes for Unorna's safety, and half amazed to
find himself forced in common humanity to take her part.

"I shall free myself of my shame in loving her, at the price of her
blood and mine. Will you go?"

"And what is to prevent me from delivering you over to safe keeping
before you do this deed?"

"You have no witness," answered Kafka with a smile. "You are a stranger
in the city and in this country, and I am rich. I shall easily prove
that you love Unorna, and that you wish to get rid of me out of
jealousy."

"That is true," said the Wanderer, thoughtfully. "I will go."

"Go quickly, then," said Israel Kafka, "for I shall follow soon."

As the Wanderer left the room he saw the Moravian turn toward the place
where the keen, splendid Eastern weapons hung upon the wall.



CHAPTER XVII

The Wanderer knew that the case was urgent and the danger great. There
was no mistaking the tone of Israel Kafka's voice nor the look in his
face. Nor did the savage resolution seem altogether unnatural in a man
of the Moravian's breeding. The Wanderer had no time and but little
inclination to blame himself for the part he had played in disclosing to
the principal actor the nature of the scene which had taken place in
the cemetery, and the immediate consequences of that disclosure, though
wholly unexpected, did not seem utterly illogical. Israel Kafka's nature
was eastern, violently passionate and, at the same time, long-suffering
in certain directions as only the fatalist can be. He could have loved
for a lifetime faithfully, without requital; he would have suffered in
patience Unorna's anger, scorn, pity or caprice; he had long before now
resigned his free will into the keeping of a passion which was degrading
as it enslaved all his thoughts and actions, but which had
something noble in it, inasmuch as it fitted him for the most heroic
self-sacrifice.

Unorna's act had brought the several seemingly contradictory elements of
his character to bear upon one point. He had realised in the same moment
that it was impossible for her to love him; that her changing treatment
of him was not the result of caprice but of a fixed plan of her own, in
the execution of which she would spare him neither falsehood nor insult;
that to love such a woman was the lowest degradation; that he could
nevertheless not destroy that love; and, finally, that the only escape
from his shame lay in her destruction, and that this must in all
probability involve his own death also. At the same time he felt that
there was something solemn in the expiation he was about to exact,
something that accorded well with the fierce traditions of ancient
Israel, and the deed should not be done stealthily or in the dark.
Unorna must know that she was to die by his hand, and why. He had
no object in concealment, for his own life was already ended by the
certainty that his love was hopeless, and on the other hand, fatalist as
he was, he believed that Unorna could not escape him and that no warning
could save her.

The Wanderer understood most of these things as he hastened towards her
house through the darkening streets. Not a carriage was to be seen, and
he was obliged to traverse the distance on foot, as often happens at
supreme moments, when everything might be gained by the saving of a few
minutes in conveying a warning.

He saw himself in a very strange position. Half an hour had not elapsed
since he had watched Unorna driving away from the cemetery and had
inwardly determined that he would never, if possible, set eyes on her
again. Scarcely two hours earlier, he had been speaking to her of the
sincere friendship which he felt was growing up for her in his heart.
Since then he had learned, almost beyond the possibility of a doubt,
that she loved him, and he had learned, too, to despise her, he had left
her meaning that the parting should be final, and now he was hurrying
to her house to give her the warning which alone could save her from
destruction. And yet, he found it impossible to detect any inconsistency
in his own conduct. As he had been conscious of doing his utmost to save
Israel Kafka from her, so now he knew that he was doing all he could to
save Unorna from the Moravian, and he recognised the fact that no man
with the commonest feelings of humanity could have done less in either
case. But he was conscious, also, of a change in himself which he did
not attempt to analyse. His indolent, self-satisfied apathy was gone,
the strong interests of human life and death stirred him, mind and body
together acquired their activity and he was at all points once more
a man. He was ignorant, indeed, of what had been taken from him. The
memory of Beatrice was gone, and he fancied himself one who had never
loved woman. He looked back with horror and amazement upon the emptiness
of his past life, wondering how such an existence as he had led, or
fancied he had led, could have been possible.

But there was scant time for reflection upon the problem of his own
mission in the world as he hastened towards Unorna's house. His present
mission was clear enough and simple enough, though by no means easy of
accomplishment. What Israel Kafka had told him was very true. Should he
attempt a denunciation, he would have little chance of being believed.
It would be easy enough for Kafka to bring witnesses to prove his own
love for Unorna and the Wanderer's intimacy with her during the past
month, and the latter's consequent interest in disposing summarily of
his Moravian rival. A stranger in the land would have small hope of
success against a man whose antecedents were known, whose fortune was
reputed great, and who had at his back the whole gigantic strength of
the Jewish interest in Prague, if he chose to invoke the assistance of
his people. The matter would end in a few days in the Wanderer being
driven from the country, while Israel Kafka would be left behind to work
his will as might seem best in his own eyes.

There was Keyork Arabian. So far as it was possible to believe in the
sincerity of any of the strange persons among whom the Wanderer found
himself, it seemed certain that the sage was attached to Unorna by some
bond of mutual interests which he would be loth to break. Keyork had
many acquaintances and seemed to posses everywhere a certain amount of
respect, whether because he was perhaps a member of some widespread,
mysterious society of which the Wanderer knew nothing, or whether this
importance of his was due to his personal superiority of mind and wide
experience of travel, no one could say. But it seemed certain that if
Unorna could be placed for the time being in a safe refuge, it would be
best to apply to Keyork to insure her further protection. Meanwhile that
refuge must be found and Unorna must be conveyed to it without delay.

The Wanderer was admitted without question. He found Unorna in her
accustomed place. She had thrown aside her furs and was sitting in an
attitude of deep thought. Her dress was black, and in the soft light of
the shaded lamps she was like a dark, marble statue set in the midst of
thick shrubbery in a garden. Her elbow rested on her knee, her chin upon
her beautiful, heavy hand; only in her hair there was bright colour.

She knew the Wanderer's footstep, but she neither moved her body nor
turned her head. She felt that she grew paler than before, and she could
hear her heart beating strongly.

"I come from Israel Kafka," said the Wanderer, standing still before
her.

She knew from his tone how hard his face must be, and she would not look
up.

"What of him?" she asked in a voice without expression. "Is he well?"

"He bids me say to you that he has promised before Heaven to take your
life, and that there is no escape from a man who is ready to lay down
his own."

Unorna turned her head slowly towards him, and a very soft look stole
over her strange face.

"And you have brought me his message--this warning--to save me?" she
said.

"As I tried to save him from you an hour ago. But there is little time.
The man is desperate, whether mad or sane, I cannot tell. Make haste.
Determine where to go for safety, and I will take you there."

But Unorna did not move. She only looked at him, with an expression he
could no longer misunderstand. He was cold and impassive.

"I fancy it will not be safe to hesitate long," he said. "He is in
earnest."

"I do not fear Israel Kafka, and I fear death less," answered Unorna
deliberately. "Why does he mean to kill me?"

"I think that in his place most every human men would feel as he does,
though religion, or prudence, or fear, or all three together, might
prevent them from doing what they would wish to do."

"You too? And which of the three would prevent you from murdering me?"

"None, perhaps--though pity might."

"I want no pity, least of all from you. What I have done, I have done
for you, and for you only."

The Wanderer's face showed only a cold disgust. He said nothing.

"You do not seem surprised," said Unorna. "You know that I love you?"

"I know it."

A silence followed, during which Unorna returned to her former attitude,
turning her eyes away and resting her chin upon her hand. The Wanderer
began to grow impatient.

"I must repeat that, in my opinion, you have not much time to spare,"
he said. "If you are not in a place of safety in half an hour, I cannot
answer for the consequences."

"No time? There is all eternity. What is eternity, or time, or life to
me? I will wait for him here. Why did you tell him what I did, if you
wished me to live?"

"Why--since there are to be questions--why did you exercise your cruelty
upon an innocent man who loves you?"

"Why? There are reasons enough!" Unorna's voice trembled slightly. "You
do not know what happened. How should you? You were asleep. You may as
well know, since I may be beyond telling you an hour from now. You may
as well know how I love you, and to what depths I have gone down to win
your love."

"I would rather not receive your confidence," the Wanderer answered
haughtily. "I came here to save your life, not to hear your
confessions."

"And when you have heard, you will no longer wish to save me. If you
choose to leave me here, I will wait for Israel Kafka alone. He may kill
me if he pleases. I do not care. But if you stay you shall hear what I
have to say."

She glanced at his face. He folded his arms and stood still. Whatever
she had done, he would not leave her alone at the mercy of the desperate
man whom he expected every moment to enter the room. If she would not
save herself, he might nevertheless disarm Kafka and prevent the deed.
As his long sleeping energy revived in him the thought of a struggle was
not disagreeable.

"I loved you from the moment when I first saw you," said Unorna, trying
to speak calmly. "But you loved another woman. Do you remember her? Her
name was Beatrice, and she was very dark, as I am fair. You had lost her
and you had sought her for years. You entered my house, thinking that
she had gone in before you. Do you remember that morning? It was a month
ago to-day. You told me the story."

"You have dreamed it," said the Wanderer in cold surprise. "I never
loved any woman yet."

Unorna laughed bitterly.

"How perfect it all was at first!" she exclaimed. "How smooth it
seemed! How easy! You slept before me, out there by the river that very
afternoon. And in your sleep I bade you forget. And you forgot wholly,
your love, the woman, her very name, even as Israel Kafka forgot to-day
what he had suffered in the person of the martyr. You told him the
story, and he believes you, because he knows me, and knows what I can
do. You can believe me or not; as you will. I did it."

"You are dreaming," the Wanderer repeated, wondering whether she were
not out of her mind.

"I did it. I said to myself that if I could destroy your old love, root
it out from your heart and from your memory and make you as one who had
never loved at all, then you would love me as you had once loved her,
with your whole free soul. I said that I was beautiful--it is true, is
it not? And young I am, and I loved as no woman ever loved. And I said
that it was enough, and that soon you would love me, too. A month has
passed away since then. You are of ice--of stone--I do not know of what
you are. This morning you hurt me. I thought it was the last hurt
and that I should die then--instead of to-night. Do you remember? You
thought I was ill, and you went away. When you were gone I fought with
myself. My dreams--yes, I had dreamed of all that can make earth Heaven,
and you had waked me. You said that you would be a brother to me--you
talked of friendship. The sting of it! It is no wonder that I grew faint
with pain. Had you struck me in the face, I would have kissed your hand.
But your friendship! Rather be dead than, loving, be held a friend! And
I had dreamed of being dear to you for my own sake, of being dearest,
and first, and alone beloved, since that other was gone and I had burned
her memory. That pride I had still, until that moment. I fancied that it
was in my power, if I would stoop so low, to make you sleep again as
you had slept before, and to make you at my bidding feel all I felt. I
fought with myself. I would not go down to that depth. And then I said
that even that were better than your friendship, even a false semblance
of love inspired by my will, preserved by my suggestion. And so I fell.
You came back to me and I led you to that lonely place, and made you
sleep, and then I told you what was in my heart and poured out the
fire of my soul into your ears. A look came into your face--I shall not
forget it. My folly was upon me, and I thought it was for me. I know the
truth now. Sleeping, the old memory revived in you of her whom waking
you will never remember again. But the look was there, and I bade you
awake. My soul rose in my eyes. I hung upon your lips. The loving word
I longed for seemed already to tremble in the air. Then came the
truth. You awoke, and your face was stone, calm, smiling, indifferent,
unloving. And all this Israel Kafka had seen, hiding like a thief almost
beside us. He saw it all, he heard it all, my words of love, my agony of
waiting, my utter humiliation, my burning shame. Was I cruel to him? He
had made me suffer, and he suffered in his turn. All this you did not
know. You know it now. There is nothing more to tell. Will you wait here
until he comes? Will you look on, and be glad to see me die? Will you
remember in the years to come with satisfaction that you saw the witch
killed for her many misdeeds, and for the chief of them all--for loving
you?"

The Wanderer had listened to her words, but the tale they told was
beyond the power of his belief. He stood still in his place, with folded
arms, debating what he should do to save her. One thing alone was clear.
She loved him to distraction. Possibly, he thought, her story was but an
invention to excuse her cruelty and to win his commiseration. It failed
to do either at first, but yet he would not leave her to her fate.

"You shall not die if I can help it," he said simply.

"And if you save me, do you think that I will leave you?" she asked with
sudden agitation, turning and half rising from her seat. "Think what you
will be doing, if you save me. Think well. You say that Israel Kafka is
desperate. I am worse than desperate, worse than mad with my love."

She sank back again and hid her face for a moment. He, on his part,
began to see the terrible reality and strength of her passion, and
silently wondered what the end would be. He, too, was human, and pity
for her began at last to touch his heart.

"You shall not die, if I can save you," he said again.

She sprang to her feet very suddenly and stood before him.

"You pity me!" she cried. "What lie is that which says that there is
a kinship between pity and love? Think well--beware--be warned. I have
told you much, but you do not know me yet. If you save me, you save
me but to love you more than I do already. Look at me. For me there is
neither God, nor hell, nor pride, nor shame. There is nothing that I
will not do, nothing I shall be ashamed or afraid of doing. If you save
me, you save me that I may follow you as long as I live. I will never
leave you. You shall never escape my presence, your whole life shall be
full of me--you do not love me, and I can threaten you with nothing more
intolerable than myself. Your eyes will weary of the sight of me and
your ears at the sound of my voice. Do you think I have no hope? A
moment ago I had none. But I see it now. Whether you will, or not,
I shall be yours. You may make a prisoner of me--I shall be in your
keeping then, and shall know it, and feel it, and love my prison for
your sake, even if you will not let me see you. If you would escape from
me, you must kill me, as Israel Kafka means to kill me now--and then,
I shall die by your hand and my life will have been yours and given to
you. How can you think that I have no hope! I have hope--and certainty,
for I shall be near you always to the end--always, always, always! I
will cling to you--as I do now--and say, I love you, I love you--yes,
and you will cast me off, but I will not go--I will clasp your feet,
and say again, I love you, and you may spurn me--man, god, wanderer,
devil,--whatever you are--beloved always! Tread upon me, trample on me,
crush me--you cannot save yourself, you cannot kill my love!"

She had tried to take his hand and he had withdrawn his, she had fallen
upon her knees, and as he tried to free himself had fallen almost to
her length upon the marble floor, clinging to his very feet, so that he
could make no step without doing her some hurt. He looked down, amazed
and silent, and as he looked she cast one glance upward to his stern
face, the bright tears streaming like falling gems from her unlike eyes,
her face pale and quivering, her rich hair all loosened and falling
about her.

And then, neither body, nor heart, nor soul, could bear the enormous
strain that was laid upon them. A low cry broke from her lips, a stormy
sob, another and another, like quick short waves breaking over the bar
when the tide is low and the wind is rising suddenly.

The Wanderer was in sore straits, for the minutes were passing quickly
and he remembered the last look on Kafka's face, and how he had left the
Moravian standing before the weapons on the wall. And nothing had been
done yet, not so much as an order given not to admit him if he came to
the house. At any moment he might be upon them. And the storm showed no
signs of being spent. Her wild, convulsive sobbing was painful to hear.
If he tried to move, she dragged herself frantically at his feet so that
he feared lest he should tread upon her hands. He pitied her now most
truly, though he guessed rightly that to show his pity would be but to
add fuel to the blazing flame.

Then, in the interval of a second, as she drew breath to weep afresh, he
fancied that he heard sounds below as of the great door being opened
and closed again. With a quick, strong movement, stooping low he put his
arms about her and raised her from the floor. At his touch, her sobbing
ceased for a moment, as though she had wanted only that to soothe her.
In spite of him she let her head rest upon his shoulder, letting him
still feel that if he did not support her weight with his arm she would
fall again. In the midst of the most passionate and real outburst of
despairing love there was no artifice which she would not use to be
nearer to him, to extort even the semblance of a caress.

"I heard some one come in below," he said, hurriedly. "It must be he.
Decide quickly what to do. Either stay or fly--you have not ten seconds
for your choice."

She turned her imploring eyes to his.

"Let me stay here and end it all--"

"That you shall not!" he exclaimed, dragging her towards the end of the
hall opposite to the usual entrance, and where he knew that there must
be a door behind the screen of plants. His hold tightened upon her
yielding waist. Her head fell back and her full lips parted in an
ecstasy of delight as she felt herself hurried along in his arms,
scarcely touching the floor with her feet.

"Ah--now--now! Let it come now!" she sighed.

"It must be now--or never," he said almost roughly. "If you will leave
this house with me now, very well. But leave this room you shall. If I
am to meet that man and stop him, I will meet him alone."

"Leave you alone? Ah no--not that----"

They had reached the exit now. At the same instant both heard some one
enter at the other end and rapid footsteps on the marble pavement.

"Which is it to be?" asked the Wanderer, pale and calm. He had pushed
her through before him and seemed ready to go back alone.

With violent strength she drew him to her, closed the door and slipped
the strong steel bolt across below the lock. There was a dim light in
the passage.

"Together, then," she said. "I shall at least be with you--a little
longer."

"Is there another way out of the house?" asked the Wanderer anxiously.

"More than one. Come with me."

As they disappeared in the corridor, they heard behind them the noise of
the door-lock as some one tried to force it open. Then a heavy sound as
though a man's shoulder struck against the solid panel. Unorna led the
way through a narrow, winding passage, illuminated here and there by
small lamps with shades of soft colours, blown in Bohemian glass.

Pushing aside a curtain they came out into a small room. The Wanderer
uttered an involuntary exclamation of surprise as he recognised the
vestibule and saw before him the door of the great conservatory, open
as Israel Kafka had left it. That the latter was still trying to pursue
them through the opposite exit was clear enough, for the blows he was
striking on the panel echoed loudly out into the hall. Swiftly and
silently Unorna closed the entrance and locked it securely.

"He is safe for a little while," she said. "Keyork will find him there
when he comes, an hour hence, and Keyork will perhaps bring him to his
senses."

She had regained control of herself, to all appearances, and she spoke
with perfect calm and self-possession. The Wanderer looked at her in
surprise and with some suspicion. Her hair was all falling about her
shoulders, but saving this sign, there was no trace of the recent storm,
nor the least indication of passion. If she had been acting a part
throughout before an audience, she would have seemed less indifferent
when the curtain fell. The Wanderer, having little cause to trust her,
found it hard to believe that she had not been counterfeiting. It seemed
impossible that she should be the same woman who but a moment earlier
had been dragging herself at his feet, in wild tears and wilder
protestations of her love.

"If you are sufficiently rested," he said with a touch of sarcasm which
he could not restrain, "I would suggest that we do not wait any longer
here."

She turned and faced him, and he saw now how very white she was.

"So you think that even now I have been deceiving you? That is what you
think. I see it in your face."

Before he could prevent her she had opened the door wide again and was
advancing calmly into the conservatory.

"Israel Kafka!" she cried in loud clear tones. "I am here--I am
waiting--come!"

The Wanderer ran forward. He caught sight in the distance of a pair of
fiery eyes and of something long and thin and sharp-gleaming under the
soft lamps. He knew then that all was deadly earnest. Swift as thought
he caught Unorna and bore her from the hall, locking the door again and
setting his broad shoulders against it, as he put her down. The daring
act she had done appealed to him, in spite of himself.

"I beg your pardon," he said almost deferentially. "I misjudged you."

"It is that," she answered. "Either I will be with you or I will die,
by his hand, by yours, by my own--it will matter little when it is done.
You need not lean against the door. It is very strong. Your furs are
hanging there, and here are mine. Let us be going."

Quietly, as though nothing unusual had happened, they descended the
stairs together. The porter came forward with all due ceremony, to open
the shut door. Unorna told him that if Keyork Arabian came while she was
out, he was to be shown directly into the conservatory. A moment later
she and her companion were standing together in the small irregular
square before the Clementinum.

"Where will you go?" asked the Wanderer.

"With you," she answered, laying her hand upon his arm and looking
into his face as though waiting to see what direction he would choose.
"Unless you send me back to him," she added, glancing quickly at the
house and making as though she would withdraw her hand once more. "If it
is to be that, I will go alone."

There seemed to be no way out of the terrible dilemma, and the Wanderer
stood still in deep thought. He knew that if he could but free himself
from her for half an hour, he could get help from the right quarter and
take Israel Kafka red-handed and armed as he was. For the man was caught
as in a trap and must stay there until he was released, and there would
be little doubt from his manner, when taken, that he was either mad or
consciously attempting some crime. There was no longer any necessity,
he thought, for Unorna to take refuge anywhere for more than an hour. In
that time Israel Kafka would be in safe custody, and she could re-enter
her house with nothing to fear. But he counted without Unorna's
unyielding obstinacy. She threatened if he left her for a moment to
go back to Israel Kafka. A few minutes earlier she had carried out her
threat and the consequence had been almost fatal.

"If you are in your right mind," he said at last, beginning to walk
towards the corner, "you will see that what you wish to do is utterly
against reason. I will not allow you to run the risk of meeting Israel
Kafka to-night, but I cannot take you with me. No--I will hold you,
if you try to escape me, and I will bring you to a place of safety by
force, if need be."

"And you will leave me there, and I shall never see you again. I will
not go, and you will find it hard to take me anywhere in the crowded
city by force. You are not Israel Kafka, with the whole Jews' quarter at
your command in which to hide me."

The Wanderer was perplexed. He saw, however, that if he would yield the
point and give his word to return to her, she might be induced to follow
his advice.

"If I promise to come back to you, will you do what I ask?" he inquired.

"Will you promise truly?"

"I have never broken a promise yet."

"Did you promise that other woman that you would never love again, I
wonder? If so, you are faithful indeed. But you have forgotten that.
Will you come back to me if I let you take me where I shall be safe
to-night?"

"I will come back whenever you send for me."

"If you fail, my blood is on your head."

"Yes--on my head be it."

"Very well. I will go to that house where I first stayed when I came
here. Take me there quickly--no--not quickly either--let it be very
long! I shall not see you until to-morrow."

A carriage was passing at a foot pace. The Wanderer stopped it, and
helped Unorna to get in. The place was very near, and neither spoke,
though he could feel her hand upon his arm. He made no attempt to shake
her off. At the gate they both got out, and he rang a bell that echoed
through vaulted passages far away in the interior.

"To-morrow," said Unorna, touching his hand.

He could see even in the dark the look of love she turned upon him.

"Good-night," he said, and in the next moment she had disappeared
within.



CHAPTER XVIII

Having made the necessary explanations to account for her sudden
appearance, Unorna found herself installed in two rooms of modest
dimensions, and very simply though comfortably furnished. It was quite a
common thing for ladies to seek retreat and quiet in the convent during
two or three weeks of the year, and there was plenty of available space
at the disposal of those who wished to do so. Such visits were indeed
most commonly made during the lenten season, and on the day when Unorna
sought refuge among the nuns it chanced that there was but one other
stranger within the walls. She was glad to find that this was the case.
Her peculiar position would have made it hard for her to bear with
equanimity the quiet observation of a number of woman, most of whom
would probably have been to some extent acquainted with the story of her
life, and some of whom would certainly have wished out of curiosity to
enter into nearer acquaintance with her while within the convent, while
not intending to prolong their intercourse with her any further. It
could not be expected, indeed, that in a city like Prague such a woman
as Unorna could escape notice, and the fact that little or nothing
was known of her true history had left a very wide field for the
imaginations of those who chose to invent one for her. The common story,
and the one which on the whole was nearest to the truth, told that she
was the daughter of a noble of eastern Bohemia who had died soon after
her birth, the last of his family, having converted his ancestral
possessions into money for Unorna's benefit, in order to destroy all
trace of her relationship to him. The secret must, of course, have
been confided to some one, but it had been kept faithfully, and Unorna
herself was no wiser than those who mused themselves with fruitless
speculations regarding her origin. If from the first, from the moment
when, as a young girl, she left the convent to enter into possession of
her fortune she had chosen to assert some right to a footing in the
most exclusive aristocracy in the world, it is not impossible that the
protection of the Abbess might have helped her to obtain it. The secret
of her birth would, however, have rendered a marriage with a man of that
class all but impossible, and would have entirely excluded her from
the only other position considered dignified for a well-born woman
of fortune, unmarried and wholly without living relations or
connections--that of a lady-canoness on the Crown foundation. Moreover,
her wild bringing-up, and the singular natural gifts she possessed, and
which she could not resist the impulse to exercise, had in a few months
placed her in a position from which no escape was possible so long as
she continued to live in Prague; and against those few--chiefly men--who
for her beauty's sake, or out of curiosity, would gladly have made her
acquaintance, she raised an impassable barrier of pride and reserve.
Nor was her reputation altogether an evil one. She lived in a strange
fashion, it is true, but the very fact of her extreme seclusion had kept
her name free from stain. If people spoke of her as the Witch, it
was more from habit and half in jest than in earnest. In strong
contradiction to the cruelty which she could exercise ruthlessly when
roused to anger, was her well-known kindness to the poor, and her
charities to institutions founded for their benefit were in reality
considerable, and were said to be boundless. These explanations seem
necessary in order to account for the readiness with which she turned
to the convent when she was in danger, and for the facilities which were
then at once offered her for a stay long or short, as she should please
to make it. Some of the more suspicious nuns looked grave when they
heard that she was under their roof; others, again, had been attached
to her during the time she had formerly spent among them; and there were
not lacking those who, disapproving of her presence, held their peace,
in the anticipation that the rich and eccentric lady would on departing
present a gift of value to their order.

The rooms which were kept at the disposal of ladies desiring to make a
religious retreat for a short time were situated on the first floor of
one wing of the convent overlooking a garden which was not within the
cloistered precincts, but which was cultivated for the convenience of
the nuns, who themselves never entered it. The windows on this side were
not latticed, and the ladies who occupied the apartments were at liberty
to look out upon the small square of land, their view of the street
beyond being cut off however by a wall in which there was one iron gate
for the convenience of the gardeners, who were thus not obliged to pass
through the main entrance of the convent in order to reach their work.
Within the rooms all opened out upon a broad vaulted corridor, lighted
in the day-time by a huge arched window looking upon an inner court, and
at night by a single lamp suspended in the middle of the passage by a
strong iron chain. The pavement of this passage was of broad stones,
once smooth and even but now worn and made irregular by long use. The
rooms for the guests were carpeted with sober colours and warmed by high
stoves built up of glazed white tiles. The furniture, as has been said,
was simple, but afforded all that was strictly necessary for ordinary
comfort, each apartment consisting of a bedroom and sitting-room, small
in lateral dimensions but relatively very high. The walls were thick
and not easily penetrated by any sounds from without, and, as in many
religious houses, the entrances from the corridor were all closed by
double doors, the outer one of strong oak with a lock and a solid bolt,
the inner one of lighter material, but thickly padded to exclude sound
as well as currents of cold air. Each sitting-room contained a table,
a sofa, three or four chairs, a small book-shelf, and a praying-stool
provided with a hard and well-worn cushion for the knees. Over this a
brown wooden crucifix was hung upon the gray wall.

In the majority of convents it is not usual, nor even permissible, for
ladies in retreat to descend to the nuns' refectory. When there are many
guests they are usually served by lay sisters in a hall set apart for
the purpose; when there are few, their simple meals are brought to them
in their rooms. Moreover they of course put on no religious robe, though
they dress themselves in black. In the church, or chapel, as the case
may be, they do not take places within the latticed choir with the
sisters, but either sit in the body of the building, or occupy a side
chapel reserved for their use, or else perform their devotions kneeling
at high windows above the choir, which communicate within with rooms
accessible from the convent. It is usual for them to attend Mass,
Vespers, the Benediction and Complines, but when there are midnight
services they are not expected to be present.

Unorna was familiar with convent life and was aware that the Benediction
was over, and that the hour for the evening meal was approaching. A fire
had been lighted in her sitting-room, but the air was still very cold
and she sat wrapped in her furs as when she had arrived, leaning back
in a corner of the sofa, her head inclined forward, and one white hand
resting on the green baize cloth which covered the table.

She was very tired, and the absolute stillness was refreshing and
restoring after the long-drawn-out emotions of the stormy day. Never, in
her short and passionate life, had so many events been crowded into the
space of a few hours. Since the morning she had felt almost everything
that her wild, high-strung nature was capable of feeling--love, triumph,
failure, humiliation--anger, hate, despair, and danger of sudden death.
She was amazed when, looking back, she remembered that at noon on that
day her life and all its interests had been stationary at the point
familiar to her during a whole month, the point that still lay within
the boundaries of hope's kingdom, the point at which the man she loved
had wounded her by speaking of brotherly affection and sisterly regard.
She could almost believe, when she thought of it all, that some one had
done to her as she had done to others, that she had been cast into a
state of sleep, and had been forced against her will to live through the
storms of years in the lethargy of an hour. And yet, despite all, her
memory was distinct, her faculties were awake, her intellect had lost
none of its clearness, even in the last and worst hour of all. She could
recall each look on the Wanderer's face, each tone of his cold speech,
each intonation of her own passionate outpourings. Her strong memory had
retained all, and there was not the slightest break in the continuity of
her recollections. But there was little comfort to be derived from the
certainty that she had not been dreaming, and that everything had really
taken place precisely as she remembered it. She would have given all she
possessed, which was much, to return to the hour of noon on that same
day.

In so far as a very unruly nature can understand itself, Unorna
understood the springs of the actions, she regretted and confessed that
in all likelihood she would do again as she had done at each successive
stage. Indeed, since the last great outbreak of her heart, she realised
more than ever the great proportions which her love had of late
assumed; and she saw that she was indeed ready, as she had said, to dare
everything and risk everything for the sake of obtaining the very least
show of passion in return. It was quite clear to her, since she had
failed so totally, that she should have had patience, that she ought
to have accepted gratefully the man's offer of brotherly devotion, and
trusted in time to bring about a further and less platonic development.
But she was equally sure that she could never have found the patience,
and that if she had restrained herself to-day she would have given way
to-morrow. She possessed all the blind indifference to consequences
which is a chief characteristic of the Slav nature when dominated by
passion. She had shone it in her rash readiness to face Israel Kafka
at the moment of leaving her own home. If she could not have what she
longed for, she cared as little what became of her as she cared for
Kafka's own fate. She had but one object, one passion, one desire, and
to all else her indifference was supreme. Life and death, in this world
or the next, were less weighty than feathers in a scale that measures
hundreds of tons. The very idea of balance was for the moment beyond
her imagination. For a while indeed the pride of a woman at once
young, beautiful, and accustomed to authority, had kept her firm in the
determination to be loved for herself, as she believed that she deserved
to be loved; and just so long as that remained, she had held her head
high, confidently expecting that the mask of indifference would soon be
shivered, that the eyes she adored would soften with warm light, that
the hand she worshipped would tremble suddenly, as though waking to
life within her own. But that pride was gone, and from its disappearance
there had been but one step to the most utter degradation of soul to
which a woman can descend, and from that again but one step more to a
resolution almost stupid in its hardened obstinacy. But as though to
show how completely she was dominated by the man whom she could not win
even her last determination had yielded under the slightest pressure
from his will. She had left her house beside him with the mad resolve
never again to be parted from him, cost what it might, reputation,
fortune, life itself. And yet ten minutes had not elapsed before she
found herself alone, trusting to a mere word of his for the hope of
ever seeing him again. She seemed to have no individuality left. He
had spoken and she had obeyed. He had commanded and she had done his
bidding. She was even more ashamed of this than of having wept, and
sobbed, and dragged herself at his feet. In the first moment she had
submitted, deluding herself with the idea she had expressed, that he
was consigning her to a prison and that her freedom was dependent on his
will. The foolish delusion vanished. She saw that she was free, when she
chose, to descend the steps she had just mounted, to go out through the
gate she had lately entered, and to go whithersoever she would, at the
mere risk of meeting Israel Kafka. And that risk she heartily despised,
being thoroughly brave by nature, and utterly indifferent to death by
force of circumstance.

She comforted herself with the thought that the Wanderer would come to
her, once at least, when she was pleased to send for him. She had that
loyal belief inseparable from true love until violently overthrown by
irrefutable evidence, and which sometimes has such power as to return
even then, overthrowing the evidence of the senses themselves. Are there
not men who trust women, and women who trust men, in spite of the vilest
betrayals? Love is indeed often the inspirer of subjective visions,
creating in the beloved object the qualities it admires and the virtues
it adores, powerless to accept what it is not willing to see, dwelling
in a fortress guarded by intangible, and therefore indestructible,
fiction and proof against the artillery of facts. Unorna's confidence
was, however, not misplaced. The man whose promise she had received had
told the truth when he had said that he had never broken any promise
whatsoever.

In this, at least, there was therefore comfort. On the morrow she would
see him again. The moment of complete despair had passed when she had
received that assurance from his lips, and as she thought of it, sitting
in the absolute stillness of her room, the proportions of the storm
grew less, and possible dimensions of a future hope greater--just as the
seafarer when his ship lies in a flat calm of the oily harbour thinks
half incredulously of the danger past, despises himself for the anxiety
he felt, and vows that on the morrow he will face the waves again,
though the winds blow ever so fiercely. In Unorna the master passion was
as strong as ever. In a dim vision the wreck of her pride floated still
in the stormy distance, but she turned her eyes away, for it was no
longer a part of her. The spectre of her humiliation rose up and tried
to taunt her with her shame--she almost smiled at the thought that she
could still remember it. He lived, she lived, and he should yet be hers.
As her physical weariness began to disappear in the absolute quiet and
rest, her determination revived. Her power was not all gone yet. On the
morrow she would see him again. She might still fix her eyes on his, and
in an unguarded moment cast him into a deep sleep. She remembered that
look on his face in the old cemetery. She had guessed rightly; it had
been for the faint memory of Beatrice. But she would bring it back
again, and it should be for her, for he should never wake again. Had she
not done as much with the ancient scholar who for long years had lain in
her home in that mysterious state, who obeyed when she commanded him to
rise, and walk, to eat, to speak? Why not the Wanderer, then? To outward
eyes he would be alive and awake, calm, natural, happy. And yet he would
be sleeping. In that condition, at least, she could command his actions,
his thoughts, and his words. How long could it be made to last? She did
not know. Nature might rebel in the end and throw off the yoke of the
heavily-imposed will. An interval might follow, full again of storm and
passion and despair; but it would pass, and he would again fall under
her influence. She had read, and Keyork Arabian had told her, of the
marvels done every day by physicians of common power in the great
hospitals and universities of the Empire, and elsewhere throughout
Europe. None of them appeared to be men of extraordinary natural gifts.
Their powers were but weakness compared with hers. Even with miserable,
hysteric women they often had to try again and again before they could
produce the hypnotic sleep for the first time. When they had got as far
as that, indeed, they could bring their learning, their science, and
their experience to bear--and they could make foolish experiments,
familiar to Unorna from her childhood as the sights and sounds of
her daily life. Few, if any of them, had even the power necessary to
hypnotise an ordinarily strong man in health. She, on the contrary,
had never failed in that, and at the first trial, except with Keyork
Arabian, a man of whom she said in her heart, half in jest and half
superstitiously, that he was not a man at all, but a devil or a monster
over whom earthly influences had no control.

All her energy returned. The colour came back to her face, her eyes
sparkled, her strong white hands contracted and opened, and closed
again, as though she would grasp something. The room, too, had become
warmer and she had forgotten to lay aside her furs. She longed for more
air and, rising, walked across the room. It occurred to her that the
great corridor would be deserted and as quiet as her own apartment, and
she went out and began to pace the stone flags, her head high, looking
straight before her.

She wished that she had him there now, and she was angry at the thought
that she had not seen earlier how easily it could all be done. However
strong he might be, having twice been under her influence before he
could not escape it again. In those moments when they had stood together
before the great dark buildings of the Clementinum, it might all have
been accomplished; and now, she must wait until the morning. But her
mind was determined. It mattered not how, it mattered not in what state,
he should be hers. No one would know what she had done. It was nothing
to her that he would be wholly unconscious of his past life--had she not
already made him forget the most important part of it? He would still be
himself, and yet he would love her, and speak lovingly to her, and act
as she would have him act. Everything could be done, and she would risk
nothing, for she would marry him and make him her lawful husband, and
they would spend their lives together, in peace, in the house wherein
she had so abased herself before him, foolishly believing that, as a
mere woman, she could win him.

She paced the corridor, passing and repassing beneath the light of the
single lamp that hung in the middle, walking quickly, with a sensation
of pleasure in the movement and in the cold draught that fanned her
cheek.

Then she heard footsteps distinct from the echo of her own and she stood
still. Two women were coming towards her through the gloom. She waited
near her own door, supposing that they would pass her. As they came
near, she saw that the one was a nun, habited in the plain gray robe and
black and white head-dress of the order. The other was a lady dressed,
like herself, in black. The light burned so badly that as the two
stopped and stood for a moment conversing together, Unorna could not
clearly distinguish their faces. Then the lady entered one of the rooms,
the third or the fourth from Unorna's, and the nun remained standing
outside, apparently hesitating whether to turn to the right or to the
left, or asking herself in which direction her occupations called
her. Unorna made a movement, and at the sound of her foot the nun came
towards her.

"Sister Paul!" Unorna exclaimed, recognising her as her face came under
the glare of the lamp, and holding out her hands.

"Unorna!" cried the nun, with an intonation of surprise and pleasure. "I
did not know that you were here. What brings you back to us?"

"A caprice, Sister Paul--nothing but a caprice. I shall perhaps be gone
to-morrow."

"I am sorry," answered the sister. "One night is but a short retreat
from the world." She shook her head rather sadly.

"Much may happen in a night," replied Unorna with a smile. "You used to
tell me that the soul knew nothing of time. Have you changed your mind?
Come into my room and let us talk. I have not forgotten your hours. You
can have nothing to do for the moment, unless it is supper-time."

"We have just finished," said Sister Paul, entering readily enough.
"The other lady who is staying here insisted upon supping in the guests'
refectory--out of curiosity perhaps, poor thing--and I met her on the
stairs as she was coming up."

"Are she and I the only ones here?" Unorna asked carelessly.

"Yes. There is no one else, and she only came this morning. You see it
is still the carnival season in the world. It is in Lent that the great
ladies come to us, and then we have often not a room free."

The nun smiled sadly, shaking her head again, in a way that seemed
habitual with her.

"After all," she added, as Unorna said nothing, "it is better that they
should come then, rather than not at all, though I often think it would
be better still if they spent carnival in the convent and Lent in the
world."

"The world you speak of would be a gloomy place if you had the ordering
of it, Sister Paul!" observed Unorna with a little laugh.

"Ah, well! I daresay it would seem so to you. I know little enough of
the world as you understand it, save for what our guests tell me--and,
indeed, I am glad that I do not know more."

"You know almost as much as I do."

The sister looked long and earnestly into Unorna's face as though
searching for something. She was a thin, pale woman over forty years
of age. Not a wrinkle marked her waxen skin, and her hair was entirely
concealed under the smooth head-dress, but her age was in her eyes.

"What is your life, Unorna?" she asked suddenly. "We hear strange tales
of it sometimes, though we know also that you do great works of charity.
But we hear strange tales and strange words."

"Do you?" Unorna suppressed a smile of scorn. "What do people say of me?
I never asked."

"Strange things, strange things," repeated the nun with a shake of the
head.

"What are they? Tell me one of them, as an instance."

"I should fear to offend you--indeed I am sure I should, though we were
good friends once."

"And are still. The more reason why you should tell me what is said. Of
course I am alone in the world, and people will always tell vile tales
of women who have no one to protect them."

"No, no," Sister Paul hastened to assure her. "As a woman, no word has
reached us that touches your fair name. On the contrary, I have heard
worldly women say much more that is good of you in that respect than
they will say of each other. But there are other things, Unorna--other
things which fill me with fear for you. They call you by a name that
makes me shudder when I hear it."

"A name?" repeated Unorna in surprise and with considerable curiosity.

"A name--a word--what you will--no, I cannot tell you, and besides, it
must be untrue."

Unorna was silent for a moment and then understood. She laughed aloud
with perfect unconcern.

"I know!" she cried. "How foolish of me! They call me the Witch--of
course."

Sister Paul's face grew very grave, and she immediately crossed herself
devoutly, looking askance at Unorna as she did so. But Unorna only
laughed again.

"Perhaps it is very foolish," said the nun, "but I cannot bear to hear
such a thing said of you."

"It is not said in earnest. Do you know why they call me the Witch? It
is very simple. It is because I can make people sleep--people who are
suffering or mad or in great sorrow, and then they rest. That is all my
magic."

"You can put people to sleep? Anybody?" Sister Paul opened her faded
eyes very wide. "But that is not natural," she added in a perplexed
tone. "And what is not natural cannot be right."

"And is all right that is natural?" asked Unorna thoughtfully.

"It is not natural," repeated the other. "How do you do it? Do you use
strange words and herbs and incantations?"

Unorna laughed again, but the nun seemed shocked by her levity and she
forced herself to be grave.

"No, indeed!" she answered. "I look into their eyes and tell them to
sleep--and they do. Poor Sister Paul! You are behind the age in the dear
old convent here. The thing is done in half of the great hospitals of
Europe every day, and men and women are cured in that way of diseases
that paralyse them in body as well as in mind. Men study to learn how it
is done; it is as common to-day, as a means of healing, as the medicines
you know by name and taste. It is called hypnotism."

Again the sister crossed herself.

"I have heard the word, I think," she said, as though she thought there
might be something diabolical in it. "And do you heal the sick in this
way by means of this--thing?"

"Sometimes," Unorna answered. "There is an old man, for instance, whom
I have kept alive for many years by making him sleep--a great deal."
Unorna smiled a little.

"But you have no words with it? Nothing?"

"Nothing. It is my will. That is all."

"But if it is of good, and not of the Evil One, there should be a prayer
with it. Could you not say a prayer with it, Unorna?"

"I daresay I could," replied the other, trying not to laugh. "But that
would be doing two things at once; my will would be weakened."

"It cannot be of good," said the nun. "It is not natural, and it is not
true that the prayer can distract the will from the performance of a
good deed." She shook her head more energetically than usual. "And it
is not good either that you should be called a witch, you who have lived
here amongst us."

"It is not my fault!" exclaimed Unorna, somewhat annoyed by her
persistence. "And besides, Sister Paul, even if the devil is in it, it
would be right all the same."

The nun held up her hands in holy horror, and her jaw dropped.

"My child! My child! How can you say such things to me!"

"It is very true," Unorna answered, quietly smiling at her amazement.
"If people who are ill are made well, is it not a real good, even if the
Evil One does it? Is it not good to make him do good, if one can, even
against his will?"

"No, no!" cried Sister Paul, in great distress. "Do not talk like
that--let us not talk of it at all! Whatever it is, it is bad, and I do
not understand it, and I am sure that none of us here could, no matter
how well you explained it. But if you will do it, Unorna, my dear child,
then say a prayer each time, against temptation and the devil's works."

With that the good nun crossed herself a third time, and unconsciously,
from force of habit, began to tell her beads with one hand, mechanically
smoothing her broad, starched collar with the other. Unorna was silent
for a few minutes, plucking at the sable lining of the cloak which lay
beside her upon the sofa where she had dropped it.

"Let us talk of other things," she said at last. "Talk of the other lady
who is here. Who is she? What brings her into retreat at this time of
year?"

"Poor thing--yes, she is very unhappy," answered Sister Paul. "It is a
sad story, so far as I have heard it. Her father is just dead, and she
is alone in the world. The Abbess received a letter yesterday from the
Cardinal Archbishop, requesting that we would receive her, and this
morning she came. His eminence knew her father, it appears. She is only
to be here for a short time, I believe, until her relations come to take
her home to her own country. Her father was taken ill in a country place
near the city, which he had hired for the shooting season, and the poor
girl was left all alone out there. The Cardinal thought she would be
safer and perhaps less unhappy with us while she is waiting."

"Of course," said Unorna, with a faint interest. "How old is she, poor
child?"

"She is not a child, she must be five and twenty years old, though
perhaps her sorrow makes her look older than she is."

"And what is her name?"

"Beatrice. I cannot remember the name of the family."

Unorna started.



CHAPTER XIX

"What is it?" asked the nun, noticing Unorna's sudden movement.

"Nothing; the name of Beatrice is familiar to me, that is all. It
suggested something."

Though Sister Paul was as unworldly as five and twenty years of
cloistered life can make a woman who is naturally simple in mind and
devout in thought, she possessed that faculty of quick observation which
is learned as readily, and exercised perhaps as constantly, in the midst
of a small community, where each member is in some measure dependent
upon all the rest for the daily pittance of ideas, as in wider spheres
of life.

"You may have seen this lady, or you may have heard of her," she said.

"I would like to see her," Unorna answered thoughtfully.

She was thinking of all the possibilities in the case. She remembered
the clearness and precision of the Wanderer's first impression, when
he first told her how he had seen Beatrice in the Teyn Kirche, and she
reflected that the name was a very uncommon one. The Beatrice of his
story too had a father and no other relation, and was supposed to be
travelling with him. By the uncertain light in the corridor Unorna had
not been able to distinguish the lady's features, but the impression she
had received had been that she was dark, as Beatrice was. There was no
reason in the nature of things why this should not be the woman whom
the Wanderer loved. It was natural enough that, being left alone in
a strange city at such a moment, she should have sought refuge in a
convent, and this being admitted it followed that she would naturally
have been advised to retire to the one in which Unorna found herself, it
being the one in which ladies were most frequently received as guests.
Unorna could hardly trust herself to speak. She was conscious that
Sister Paul was watching her, and she turned her face from the lamp.

"There can be no difficulty about your seeing her, or talking with
her, if you wish it," said the nun. "She told me that she would be at
Compline at nine o'clock. If you will be there yourself you can see her
come in, and watch her when she goes out. Do you think you have ever
seen her?"

"No," answered Unorna in an odd tone. "I am sure that I have not."

Sister Paul concluded from Unorna's manner that she must have reason to
believe that the guest was identical with some one of whom she had heard
very often. Her manner was abstracted and she seemed ill at ease. But
that might be the result of fatigue.

"Are you not hungry?" asked the nun. "You have had nothing since you
came, I am sure."

"No--yes--it is true," answered Unorna. "I had forgotten. It would be
very kind of you to send me something."

Sister Paul rose with alacrity, to Unorna's great relief.

"I will see to it," she said, holding out her hand. "We shall meet in
the morning. Good-night."

"Good-night, dear Sister Paul. Will you say a prayer for me?" She added
the question suddenly, by an impulse of which she was hardly conscious.

"Indeed I will--with all my heart, my dear child," answered the nun
looking earnestly into her face. "You are not happy in your life," she
added, with a slow, sad movement of her head.

"No--I am not happy. But I will be."

"I fear not," said Sister Paul, almost under her breath, as she went out
softly.

Unorna was left alone. She could not sit still in her extreme anxiety.
It was agonising to think that the woman she longed to see was so near
her, but that she could not, upon any reasonable pretext, go and knock
at her door and see her and speak to her. She felt also a terrible doubt
as to whether she would recognise her, at first sight, as the same
woman whose shadow had passed between herself and the Wanderer on that
eventful day a month ago. The shadow had been veiled, but she had a
prescient consciousness of the features beneath the veil. Nevertheless,
she might be mistaken. It would be necessary to seek her acquaintance
by some excuse and endeavour to draw from her some portion of her story,
enough to confirm Unorna's suspicions, or to prove conclusively that
they were unfounded. To do this, Unorna herself needed all her strength
and coolness, and she was glad when a lay sister entered the room
bringing her evening meal.

There were moments when Unorna, in favourable circumstances, was able
to sink into the so-called state of second sight, by an act of volition,
and she wished now that she could close her eyes and see the face of the
woman who was only separated from her by two or three walls. But that
was not possible in this case. To be successful she would have needed
some sort of guiding thread, or she must have already known the person
she wished to see. She could not command that inexplicable condition as
she could dispose of her other powers, at all times and in almost all
moods. She felt that if she were at present capable of falling into the
trance state at all, her mind would wander uncontrolled in some other
direction. There was nothing to be done but to have patience.

The lay sister went out. Unorna ate mechanically what had been set
before her and waited. She felt that a crisis perhaps more terrible than
that through which she had lately passed was at hand, if the stranger
should prove to be indeed the Beatrice whom the Wanderer loved. Her
brain was in a whirl when she thought of being brought face to face with
the woman who had been before her, and every cruel and ruthless instinct
of her nature rose and took shape in plans for her rival's destruction.

She opened her door, careless of the draught of frozen air that rushed
in from the corridor. She wished to hear the lady's footstep when
she left her room to go to the church, and she sat down and remained
motionless, fearing lest her own footfall should prevent the sound from
reaching her. The heavy-toned bells began to ring, far off in the night.

At last it came, the opening of a door, the slight noise made by a light
tread upon the pavement. She rose quietly and went out, following in the
same direction. She could see nothing but a dark shadow moving before
her towards the opposite end of the passage, farther and farther
from the hanging lamp. Unorna could hear her own heart beating as she
followed, first to the right, then to the left. There was another light
at this point. The lady had noticed that some one was coming behind her
and turned her head to look back. The delicate, dark profile stood
out clearly. Unorna held her breath, walking swiftly forward. But in a
moment the lady went on, and entered the chapel-like room from which a
great balconied window looked down into the church above the choir. As
Unorna went in, she saw her kneeling upon one of the stools, her hands
folded, her head inclined, her eyes closed, a black veil loosely thrown
over her still blacker hair and falling down upon her shoulder without
hiding her face.

Unorna sank upon her knees, compressing her lips to restrain the
incoherent exclamation that almost broke from them in spite of her,
clasping her hands desperately, so that the faint blue veins stood out
upon the marble surface.

Below, hundreds of candles blazed upon the altar in the choir and sent
their full yellow radiance up to the faces of the two women, as they
knelt there almost side by side, both young, both beautiful, but utterly
unlike. In a single glance Unorna had understood that it was true. An
arm's length separated her from the rival whose very existence made her
own happiness an utter impossibility. With unchanging, unwilling gaze
she examined every detail of that beauty which the Wanderer had so
loved, that even when forgotten there was no sight in his eyes for other
women.

It was indeed such a face as a man would find it hard to forget. Unorna,
seeing the reflection of it in the Wanderer's mind, had fancied it
otherwise, though she could not but recognise the reality from the
impression she had received. She had imagined it more ethereal, more
faint, more sexless, more angelic, as she had seen it in her thoughts.
Divine it was, but womanly beyond Unorna's own. Dark, delicately
aquiline, tall and noble, the purity it expressed was of earth and not
of heaven. It was not transparent, for there was life in every feature;
it was sad indeed almost beyond human sadness, but it was sad with the
mortal sorrows of this world, not with the unfathomable melancholy of
the suffering saint. The lips were human, womanly, pure and tender, but
not formed for speech of prayer alone. The drooping lids, not drawn,
but darkened with faint, uneven shadows by the flow of many tears, were
slowly lifted now and again, disclosing a vision of black eyes not meant
for endless weeping, nor made so deep and warm only to strain their
sight towards heaven above, forgetting earth below. Unorna knew that
those same eyes could gleam, and flash, and blaze, with love and hate
and anger, that under the rich, pale skin, the blood could rise and ebb
with the changing tide of the heart, that the warm lips could part
with passion and, moving, form words of love. She saw pride in the wide
sensitive nostrils, strength in the even brow, and queenly dignity in
the perfect poise of the head upon the slender throat. And the clasped
hands were womanly, too, neither full and white and heavy like those
of a marble statue, as Unorna's were, nor thin and over-sensitive like
those of holy women in old pictures, but real and living, delicate in
outline, but not without nervous strength, hands that might linger in
another's, not wholly passive, but all responsive to the thrill of a
loving touch.

It was very hard to bear. A better woman than Unorna might have felt
something evil and cruel and hating in her heart, at the sight of so
much beauty in one who held her place, in the queen of the kingdom where
she longed to reign. Unorna's cheek grew very pale, and her unlike eyes
were fierce and dangerous. It was well for her that she could not speak
to Beatrice then, for she wore no mask, and the dark beauty would have
seen the danger of death in the face of the fair, and would have turned
and defended herself in time.

But the sweet singing of the nuns came softly up from below, echoing
to the groined roof, rising and falling, high and low; and the full
radiance of the many waxen tapers shone steadily from the great altar,
gilding and warming statue and cornice and ancient moulding, and casting
deep shadows into all the places that it could not reach. And still the
two women knelt in their high balcony, the one rapt in fervent prayer,
the other wondering that the presence of such hatred as hers should have
no power to kill, and all the time making a supreme effort to compose
her own features into the expression of friendly sympathy and interest
which she knew she would need so soon as the singing ceased and it was
time to leave the church again.

The psalms were finished. There was a pause, and then the words of the
ancient hymn floated up to Unorna's ears, familiar in years gone by.
Almost unconsciously she herself, by force of old habit, joined in the
first verse. Then, suddenly, she stopped, not realising, indeed, the
horrible gulf that lay between the words that passed her lips, and the
thoughts that were at work in her heart, but silenced by the near sound
of a voice less rich and full, but far more exquisite and tender than
her own. Beatrice was singing, too, with joined hands, and parted lips,
and upturned face.

"Let dreams be far, and phantasms of the night--bind Thou our Foe," sang
Beatrice in long, sweet notes.

Unorna heard no more. The light dazzled her, and the blood beat in
her heart. It seemed as though no prayer that was ever prayed could be
offered up more directly against herself, and the voice that sang
it, though not loud, had the rare power of carrying every syllable
distinctly in its magic tones, even to a great distance. As she knelt,
it was as if Beatrice had been even nearer, and had breathed the words
into her very ear. Afraid to look round, lest her face should betray her
emotion, Unorna glanced down at the kneeling nuns. She started. Sister
Paul, alone of them all, was looking up, her faded eyes fixed on
Unorna's with a look that implored and yet despaired, her clasped hands
a little raised from the low desk before her, most evidently offering
up the words with the whole fervent intention of her pure soul, as an
intercession for Unorna's sins.

For one moment the strong, cruel heart almost wavered, not through fear,
but under the nameless impression that sometimes takes hold of men and
women. The divine voice beside her seemed to dominate the hundred voices
below; the nun's despairing look chilled for one instant all her love
and all her hatred, so that she longed to be alone, away from it all,
and for ever. But the hymn ended, the voice was silent, and Sister
Paul's glance turned again towards the altar. The moment was passed and
Unorna was again what she had been before.

Then followed the canticle, the voice of the prioress in the versicles
after that, and the voices of the nuns, no longer singing, as they made
the responses; the Creed, a few more versicles and responses, the short,
final prayers, and all was over. From the church below came up the soft
sound that many women make when they move silently together. The nuns
were passing out in their appointed order.

Beatrice remained kneeling a few moments longer, crossed herself and
then rose. At the same moment Unorna was on her feet. The necessity
for immediate action at all costs restored the calm to her face and the
tactful skill to her actions. She reached the door first, and then, half
turning her head, stood aside, as though to give Beatrice precedence in
passing. Beatrice glanced at her face for the first time, and then by
a courteous movement of the head signified that Unorna should go out
first. Unorna appeared to hesitate, Beatrice to protest. Both women
smiled a little, and Unorna, with a gesture of submission, passed
through the doorway. She had managed it so well that it was almost
impossible to avoid speaking as they threaded the long corridors
together. Unorna allowed a moment to pass, as though to let her
companion understand the slight awkwardness of the situation, and then
addressed her in a tone of quiet and natural civility.

"We seem to be the only ladies in retreat," she said.

"Yes," Beatrice answered. Even in that one syllable something of the
quality of her thrilling voice vibrated for an instant. They walked a
few steps farther in silence.

"I am not exactly in retreat," she said presently, either because she
felt that it would be almost rude to say nothing, or because she wished
her position to be clearly understood. "I am waiting here for some one
who is to come for me."

"It is a very quiet place to rest in," said Unorna. "I am fond of it."

"You often come here, perhaps."

"Not now," answered Unorna. "But I was here for a long time when I was
very young."

By a common instinct, as they fell into conversation, they began to walk
more slowly, side by side.

"Indeed," said Beatrice, with a slight increase of interest. "Then you
were brought up here by the nuns?"

"Not exactly. It was a sort of refuge for me when I was almost a child.
I was left here alone, until I was thought old enough to take care of
myself."

There was a little bitterness in her tone, intentional, but masterly in
its truth to nature.

"Left by your parents?" Beatrice asked. The question seemed almost
inevitable.

"I had none. I never knew a father or a mother." Unorna's voice grew sad
with each syllable.

They had entered the great corridor in which their apartments were
situated, and were approaching Beatrice's door. They walked more and
more slowly, in silence during the last few moments, after Unorna had
spoken. Unorna sighed. The passing breath traveling on the air of the
lonely place seemed both to invite and to offer sympathy.

"My father died last week," Beatrice said in a very low tone, that was
not quite steady. "I am quite alone--here and in the world."

She laid her hand upon the latch and her deep black eyes rested upon
Unorna's, as though almost, but not quite, conveying an invitation,
hungry for human comfort, yet too proud to ask it.

"I am very lonely, too," said Unorna. "May I sit with you for a while?"

She had but just time to make the bold stroke that was necessary. In
another moment she knew that Beatrice would have disappeared within. Her
heart beat violently until the answer came. She had been successful.

"Will you, indeed?" Beatrice exclaimed. "I am poor company, but I shall
be very glad if you will come in."

She opened her door, and Unorna entered. The apartment was almost
exactly like her own in size and shape and furniture, but it already
had the air of being inhabited. There were books upon the table, and a
square jewel-case, and an old silver frame containing a large photograph
of a stern, dark man in middle age--Beatrice's father, as Unorna at once
understood. Cloaks and furs lay in some confusion upon the chairs, a
large box stood with the lid raised, against the wall, displaying a
quantity of lace, among which lay silks and ribbons of soft colours.

"I only came this morning," Beatrice said, as though to apologise for
the disorder.

Unorna sank down in a corner of the sofa, shading her eyes from the
bright lamp with her hand. She could not help looking at Beatrice, but
she felt that she must not let her scrutiny be too apparent, nor
her conversation too eager. Beatrice was proud and strong, and could
doubtless be very cold and forbidding when she chose.

"And do you expect to be here long?" Unorna asked, as Beatrice
established herself at the other end of the sofa.

"I cannot tell," was the answer. "I may be here but a few days, or I may
have to stay a month.

"I lived here for years," said Unorna thoughtfully. "I suppose it would
be impossible now--I should die of apathy and inanition." She laughed
in a subdued way, as though respecting Beatrice's mourning. "But I was
young then," she added, suddenly withdrawing her hand from her eyes, so
that the full light of the lamp fell upon her.

She chose to show that she, too, was beautiful, and she knew that
Beatrice had as yet hardly seen her face as they passed through the
gloomy corridors. It was an instinct of vanity, and yet, for her
purpose, it was the right one. The effect was sudden and unexpected, and
Beatrice looked at her almost fixedly, in undisguised admiration.

"Young then!" she exclaimed. "You are young now!"

"Less young than I was then," Unorna answered with a little sigh,
followed instantly by a smile.

"I am five and twenty," said Beatrice, woman enough to try and force a
confession from her new acquaintance.

"Are you? I would not have thought it--we are nearly of an age--quite,
perhaps, for I am not yet twenty-six. But then, it is not the years--"
She stopped suddenly.

Beatrice wondered whether Unorna were married or not. Considering the
age she admitted and her extreme beauty it seemed probable that she must
be. It occurred to her that the acquaintance had been made without any
presentation, and that neither knew the other's name.

"Since I am a little the younger," she said, "I should tell you who I
am."

Unorna made a slight movement. She was on the point of saying that she
knew already--and too well.

"I am Beatrice Varanger."

"I am Unorna." She could not help a sort of cold defiance that sounded
in her tone as she pronounced the only name she could call hers.

"Unorna?" Beatrice repeated, courteously enough, but with an air of
surprise.

"Yes--that is all. It seems strange to you? They called me so because I
was born in February, in the month we call Unor. Indeed it is strange,
and so is my story--though it would have little interest for you."

"Forgive me, you are wrong, It would interest me immensely--if you would
tell me a little of it; but I am such a stranger to you----"

"I do not feel as though you are that," Unorna answered with a very
gentle smile.

"You are very kind to say so," said Beatrice quietly.

Unorna was perfectly well aware that it must seem strange, to say the
least of it, that she should tell Beatrice the wild story of her life,
when they had as yet exchanged barely a hundred words. But she cared
little what Beatrice thought, provided that she could interest her. She
had a distinct intention in making the time slip by unnoticed, until it
should be late.

She related her history, so far as it was known to herself, simply and
graphically, substantially as it has been already set forth, but with an
abundance of anecdote and comment which enhanced the interest and at the
same time extended its limits, interspersing her monologues with remarks
which called for an answer and which served as tests of her companion's
attention. She hinted but lightly at her possession of unusual power
over animals, and spoke not at all of the influence she could exert upon
people. Beatrice listened eagerly. She could have told, on her part,
that for years her own life had been dull and empty, and that it was
long since she had talked with any one who had so roused her interest.

At last Unorna was silent. She had reached the period of her life which
had begun a month before that time, and at that point her story ended.

"Then you are not married?" Beatrice's tone expressed an interrogation
and a certain surprise.

"No," said Unorna, "I am not married. And you, if I may ask?"

Beatrice started visibly. It had not occurred to her that the question
might seem a natural one for Unorna to ask, although she had said that
she was alone in the world. Unorna might have supposed her to have lost
her husband. But Unorna could see that it was not surprise alone that
had startled her. The question, as she knew it must, had roused a deep
and painful train of thought.

"No," said Beatrice, in an altered voice. "I am not married. I shall
never marry."

A short silence followed, during which she turned her face away.

"I have pained you," said Unorna with profound sympathy and regret.
"Forgive me! How could I be so tactless!"

"How could you know?" Beatrice asked simply, not attempting to deny the
suggestion.

But Unorna was suffering too. She had allowed herself to imagine that in
the long years which had passed Beatrice might perhaps have forgotten.
It had even crossed her mind that she might indeed be married. But in
the few words, and in the tremor that accompanied them, as well as in
the increased pallor of Beatrice's face, she detected a love not less
deep and constant and unforgotten than the Wanderer's own.

"Forgive me," Unorna repeated. "I might have guessed. I have loved too."

She knew that here, at least, she could not feign and she could not
control her voice, but with supreme judgment of the effect she allowed
herself to be carried beyond all reserve. In the one short sentence her
whole passion expressed itself, genuine, deep, strong, ruthless. She
let the words come as they would, and Beatrice was startled by the
passionate cry that burst from the heart, so wholly unrestrained.

For a long time neither spoke again, and neither looked at the other.
To all appearances Beatrice was the first to regain her self-possession.
And then, all at once the words came to her lips which could be
restrained no longer. For years she had kept silence, for there had been
no one to whom she could speak. For years she had sought him, as best
she could, as he had sought her, fruitlessly and at last hopelessly. And
she had known that her father was seeking him also, everywhere, that
he might drag her to the ends of the earth at the mere suspicion of the
Wanderer's presence in the same country. It had amounted to a madness
with him of the kind not seldom seen. Beatrice might marry whom she
pleased, but not the one man she loved. Day by day and year by year
their two strong wills had been silently opposed, and neither the one
nor the other had ever been unconscious of the struggle, nor had either
yielded a hair's-breadth. But Beatrice had been at her father's mercy,
for he could take her whither he would, and in that she could not resist
him. Never in that time had she lost faith in the devotion of the man
she sought, and at last it was only in the belief that he was dead that
she could discover an explanation of his failure to find her. Still she
would not change, and still, through the years, she loved more and more
truly, and passionately, and unchangingly.

The feeling that she was in the presence of a passion as great, as
unhappy, and as masterful as her own, unloosed her tongue. Such things
happen in this strange world. Men and women of deep and strong feedings,
outwardly cold, reserved, taciturn and proud, have been known, once in
their lives, to pour out the secrets of their hearts to a stranger or a
mere acquaintance, as they could never have done to a friend.

Beatrice seemed scarcely conscious of what she was saying, or of
Unorna's presence. The words, long kept back and sternly restrained,
fell with a strange strength from her lips, and there was not one of
them from first to last that did not sheathe itself like a sharp knife
in Unorna's heart. The enormous jealousy of Beatrice which had been
growing within her beside her love during the last month was reaching
the climax of its overwhelming magnitude. She hardly knew when Beatrice
ceased speaking, for the words were still all ringing in her ears, and
clashing madly in her own breast, and prompting her fierce nature to do
some violent deed. But Beatrice looked for no sympathy and did not see
Unorna's face. She had forgotten Unorna herself at the last, as she sat
staring at the opposite wall.

Then she rose quickly, and taking something from the jewel-box, thrust
it into Unorna's hands.

"I cannot tell why I have told you--but I have. You shall see him too.
What does it matter? We have both loved, we are both unhappy--we shall
never meet again."

"What is it?" Unorna tried to ask, holding the closed case in her
hands. She knew what was within it well enough, and her self-command was
forsaking her. It was almost more than she could bear. It was as though
Beatrice were wreaking vengeance on her, instead of her destroying her
rival as she had meant to do, sooner or later.

Beatrice took the thing from her, opened it, gazed at it a moment, and
put it again into Unorna's hands. "It was like him," she said, watching
her companion as though to see what effect the portrait would produce.
Then she shrank back.

Unorna was looking at her. Her face was livid and unnaturally drawn, and
the extraordinary contrast in the colour of her two eyes was horribly
apparent. The one seemed to freeze, the other to be on fire. The
strongest and worst passions that can play upon the human soul were all
expressed with awful force in the distorted mask, and not a trace of the
magnificent beauty so lately there was visible. Beatrice shrank back in
horror.

"You know him!" she cried, half guessing at the truth.

"I know him--and I love him," said Unorna slowly and fiercely, her eyes
fixed on her enemy, and gradually leaning towards her so as to bring her
face nearer and nearer to Beatrice.

The dark woman tried to rise, and could not. There was worse than anger,
or hatred, or the intent to kill, in those dreadful eyes. There was
a fascination from which no living thing could escape. She tried to
scream, to shut out the vision, to raise her hand as a screen before it.
Nearer and nearer it came, and she could feel the warm breath of it upon
her cheek. Then her brain reeled, her limbs relaxed, and her head fell
back against the wall.

"I know him, and I love him," were the last words Beatrice heard.



CHAPTER XX[*]

     [*] The deeds here recounted are not imaginary. Not very
     long ago the sacrilege which Unorna attempted was actually
     committed at night in a Catholic church in London, under
     circumstances that clearly proved the intention of some
     person or persons to defile the consecrated wafers. A case
     of hypnotic suggestion to the committal of a crime in a
     convent occurred in Hungary not many years since, with a
     different object, namely, a daring robbery, but precisely as
     here described. A complete account of the case will be
     found, with authority and evidence, in a pamphlet entitled
     _Eine experimentale Studie auf dem Gebiete des Hypnotismus_,
     by Dr. R. von Krafft-Ebing, Professor of Psychiatry and for
     nervous diseases, in the University of Gratz. Second
     Edition, Stuttgart, Ferdinand Enke, 1889. It is not
     possible, in a work of fiction, to quote learned authorities
     at every chapter, but it may be said here, and once for all,
     that all the most important situations have been taken from
     cases which have come under medical observation within the
     last few years.

Unorna was hardly conscious of what she had done. She had not had the
intention of making Beatrice sleep, for she had no distinct intention
whatever at that moment. Her words and her look had been but the natural
results of overstrained passion, and she repeated what she had said
again and again, and gazed long and fiercely into Beatrice's face before
she realised that she had unintentionally thrown her rival and enemy
into the intermediate state. It is rarely that the first stage of
hypnotism produces the same consequences in two different individuals.
In Beatrice it took the form of total unconsciousness, as though she had
merely fainted away.

Unorna gradually regained her self-possession. After all, Beatrice had
told her nothing which she did not either wholly know or partly guess,
and her anger was not the result of the revelation but of the way in
which the story had been told. Word after word, phrase after phrase had
cut her and stabbed her to the quick, and when Beatrice had thrust the
miniature into her hands her wrath had risen in spite of herself.
But now that she had returned to a state in which she could think
connectedly, and now that she saw Beatrice asleep before her, she did
not regret what she had unwittingly done. From the first moment when,
in the balcony over the church, she had realised that she was in the
presence of the woman she hated, she had determined to destroy her. To
accomplish this she would in any case have used her especial weapons,
and though she had intended to steal by degrees upon her enemy, lulling
her to sleep by a more gentle fascination, at an hour when the whole
convent should be quiet, yet since the first step had been made
unexpectedly and without her will, she did not regret it.

She leaned back and looked at Beatrice during several minutes, smiling
to herself from time to time, scornfully and cruelly. Then she rose and
locked the outer door and closed the inner one carefully. She knew from
long ago that no sound could then find its way to the corridor without.
She came back and sat down again, and again looked at the sleeping face,
and she admitted for the hundredth time that evening, that Beatrice was
very beautiful.

"If he could see us now!" she exclaimed aloud.

The thought suggested something to her. She would like to see herself
beside this other woman and compare the beauty he loved with the beauty
that could not touch him. It was very easy. She found a small mirror,
and set it up upon the back of the sofa, on a level with Beatrice's
head. Then she changed the position of the lamp and looked at herself,
and touched her hair, and smoothed her brow, and loosened the black lace
about her white throat. And she looked from herself to Beatrice, and
back to herself again, many times.

"It is strange that black should suit us both so well--she so dark and I
so fair!" she said. "She will look well when she is dead."

She gazed again for many seconds at the sleeping woman.

"But he will not see her, then," she added, rising to her feet and
laying the mirror on the table.

She began to walk up and down the room as was her habit when in deep
thought, turning over in her mind the deed to be done and the surest and
best way of doing it. It never occurred to her that Beatrice could
be allowed to live beyond that night. If the woman had been but an
unconscious obstacle in her path Unorna would have spared her life, but
as matters stood, she had no inclination to be merciful.

There was nothing to prevent the possibility of a meeting between
Beatrice and the Wanderer, if Beatrice remained alive. They were in
the same city together, and their paths might cross at any moment.
The Wanderer had forgotten, but it was not sure that the artificial
forgetfulness would be proof against an actual sight of the woman once
so dearly loved. The same consideration was true of Beatrice. She, too,
might be made to forget, though it was always an experiment of uncertain
issue and of more than uncertain result, even when successful, so far as
duration was concerned. Unorna reasoned coldly with herself, recalling
all that Keyork Arabian had told her and all that she had read. She
tried to admit that Beatrice might be disposed of in some other way,
but the difficulties seemed to be insurmountable. To effect such a
disappearance Unorna must find some safe place in which the wretched
woman might drag out her existence undiscovered. But Beatrice was
not like the old beggar who in his hundredth year had leaned against
Unorna's door, unnoticed and uncared for, and had been taken in and had
never been seen again. The case was different. The aged scholar, too,
had been cared for as he could not have been cared for elsewhere, and,
in the event of an inquiry being made, he could be produced at any
moment, and would even afford a brilliant example of Unorna's charitable
doings. But Beatrice was a stranger and a person of some importance
in the world. The Cardinal Archbishop himself had directed the nuns to
receive her, and they were responsible for her safety. To spirit her
away in the night would be a dangerous thing. Wherever she was to be
taken, Unorna would have to lead her there alone. Unorna would herself
be missed. Sister Paul already suspected that the name of Witch was more
than a mere appellation. There would be a search made, and suspicion
might easily fall upon Unorna, who would have been obliged, of course,
to conceal her enemy in her own house for lack of any other convenient
place.

There was no escape from the deed. Beatrice must die. Unorna could
produce death in a form which could leave no trace, and it would be
attributed to a weakness of the heart. Does any one account otherwise
for those sudden deaths which are no longer unfrequent in the world?
A man, a woman, is to all appearances in perfect health. He or she was
last seen by a friend, who describes the conversation accurately, and
expresses astonishment at the catastrophe which followed so closely upon
the visit. He, or she, is found alone by a servant, or a third person,
in a profound lethargy from which neither restoratives nor violent
shocks upon the nerves can produce any awakening. In one hour, or a
few hours, it is over. There is an examination, and the authorities
pronounce an ambiguous verdict--death from a syncope of the heart. Such
things happen, they say, with a shake of the head. And, indeed, they
know that such things really do happen, and they suspect that they do
not happen naturally; but there is no evidence, not even so much as
may be detected in a clever case of vegetable poisoning. The heart has
stopped beating, and death has followed. There are wise men by the score
to-day who do not ask "What made it stop?" but "Who made it stop?" But
they have no evidence to bring, and the new jurisprudence, which in some
countries covers the cases of thefts and frauds committed under hypnotic
suggestion, cannot as yet lay down the law for cases where a man has
been told to die, and dies--from "weakness of the heart." And yet it is
known, and well known, that by hypnotic suggestion the pulse can be made
to fall to the lowest number of beatings consistent with life, and that
the temperature of the body can be commanded beforehand to stand at a
certain degree and fraction of a degree at a certain hour, high or low,
as may be desired. Let those who do not believe read the accounts of
what is done from day to day in the great European seats of learning,
accounts of which every one bears the name of some man speaking with
authority and responsible to the world of science for every word he
speaks, and doubly so for every word he writes. A few believe in the
antiquated doctrine of electric animal currents, the vast majority are
firm in the belief that the influence is a moral one--all admit that
whatever force, or influence, lies at the root of hypnotism, the
effects it can produce are practically unlimited, terrible in their
comprehensiveness, and almost entirely unprovided for in the scheme of
modern criminal law.

Unorna was sure of herself, and of her strength to perform what she
contemplated. There lay the dark beauty in the corner of the sofa, where
she had sat and talked so long, and told her last story, the story of
her life which was now to end. A few determined words spoken in her ear,
a pressure of the hand upon the brow and the heart, and she would never
wake again. She would lie there still, until they found her, hour after
hour, the pulse growing weaker and weaker, the delicate hands colder,
the face more set. At the last, there would be a convulsive shiver of
the queenly form, and that would be the end. The physicians and the
authorities would come and would speak of a weakness of the heart, and
there would be masses sung for her soul, and she would rest in peace.

Her soul? In peace? Unorna stood still. Was that to be all her vengeance
upon the woman who stood between her and happiness? Was there to be
nothing but that, nothing but the painless passing of the pure young
spirit from earth to heaven? Was no one to suffer for all Unorna's pain?
It was not enough. There must be more than that. And yet, what more?
That was the question. What imaginable wealth of agony would be a just
retribution for her existence? Unorna could lead her, as she had led
Israel Kafka, through the life and death of a martyr, through a life
of wretchedness and a death of shame, but then, the moment must come at
last, since this was to be death indeed, and her spotless soul would be
beyond Unorna's reach forever. No, that was not enough. Since she could
not be allowed to live to be tormented, vengeance must follow her beyond
the end of life.

Unorna stood still and an awful light of evil came into her face. A
thought of which the enormity would have terrified a common being had
entered her mind and taken possession of it. Beatrice was in her power.
Beatrice should die in mortal sin, and her soul would be lost for ever.

For a long time she did not move, but stood looking down at the calm and
lovely face of her sleeping enemy, devising a crime to be imposed upon
her for her eternal destruction. Unorna was very superstitious, or the
hideous scheme could never have presented itself to her. To her mind
the deed was everything, whatever it was to be, and the intention or
the unconsciousness in doing it could have nothing to do with
the consequences to the soul of the doer. She made no theological
distinctions. Beatrice should commit some terrible crime and should die
in committing it. Then she would be lost, and devils would do in
hell the worst torment which Unorna could not do on earth. A crime--a
robbery, a murder--it must be done in the convent. Unorna hesitated,
bending her brows and poring in imagination over the dark catalogue of
all imaginable evil.

A momentary and vague terror cast its shadow on her thoughts. By some
accident of connection between two ideas, her mind went back a month,
and reviewed as in a flash of light all that she had thought and done
since that day. She had greatly changed since then. She could think
calmly now of deeds which even she would not have dared then. She
thought of the evening when she had cried aloud that she would give her
soul to know the Wanderer safe, of the quick answer that had followed,
and of Keyork Arabian's face. Was he a devil, indeed, as she sometimes
fancied, and had there been a reality and a binding meaning in that
contract?

Keyork Arabian! He, indeed, possessed the key to all evil. What would
he have done with Beatrice? Would he make her rob the church--murder the
abbess in her sleep? Bad, but not bad enough.

Unorna started. A deed suggested itself so hellish, so horrible in its
enormity, so far beyond all conceivable human sin, that for one moment
her brain reeled. She shuddered again and again, and groped for support
and leaned against the wall in a bodily weakness of terror. For one
moment she, who feared nothing, was shaken by fear from head to foot,
her face turned white, her knees shook, her sight failed her, her teeth
chattered, her lips moved hysterically.

But she was strong still. The thing she had sought had come to her
suddenly. She set her teeth, and thought of it again and again, till she
could face the horror of it without quaking. Is there any limit to the
hardening of the human heart?

The distant bells rang out the call to midnight prayer. Unorna stopped
and listened. She had not known how quickly time was passing. But it was
better so. She was glad it was so late, and she said so to herself, but
the evil smile that was sometimes in her face was not there now. She
had thought a thought that left a mark on her forehead. Was there any
reality in that jesting contract with Keyork Arabian?

She must wait before she did the deed. The nuns would go down into the
lighted church, and kneel and pray before the altar. It would last some
time, the midnight lessons, the psalms, the prayers--and she must be
sure that all was quiet, for the deed could not be done in the room
where Beatrice was sleeping.

She was conscious of the time now, and every minute seemed an hour, and
every second was full of that one deed, done over and over again before
her eyes, until every awful detail of the awful whole was stamped
indelibly upon her brain. She had sat down now, and leaning forwards,
was watching the innocent woman and wondering how she would look when
she was doing it. But she was calm now, as she felt that she had never
been in her life. Her breath came evenly, her heart beat naturally, she
thought connectedly of what she was about to do. But the time seemed
endless.

The distant clocks chimed the half hour, three-quarters, past midnight.
Still she waited. At the stroke of one she rose from her seat, and
standing beside Beatrice laid her hand upon the dark brow.

A few questions, a few answers followed. She must assure herself that
her victim was in the right state to execute minutely all her commands.
Then she opened the door upon the corridor and listened. Not a sound
broke the intense stillness, and all was dark. The hanging lamp had been
extinguished and the nuns had all returned from the midnight service to
their cells. No one would be stirring now until four o'clock, and half
an hour was all that Unorna needed.

She took Beatrice's hand. The dark woman rose with half-closed eyes and
set features. Unorna led her out into the dark passage.

"It is light here," Unorna said. "You can see your way. But I am blind.
Take my hand--so--and now lead me to the church by the nun's staircase.
Make no noise."

"I do not know the staircase," said the sleeper in drowsy tones.

Unorna knew the way well enough, but not wishing to take a light with
her, she was obliged to trust herself to her victim, for whose vision
there was no such thing as darkness unless Unorna willed it.

"Go as you went to-day, to the room where the balcony is, but do not
enter it. The staircase is on the right of the door, and leads into the
choir. Go!"

Without hesitation Beatrice led her out into the impenetrable gloom,
with swift, noiseless footsteps in the direction commanded, never
wavering nor hesitating whether to turn to the right or the left, but
walking as confidently as though in broad daylight. Unorna counted the
turnings and knew that there was no mistake. Beatrice was leading her
unerringly towards the staircase. They reached it, and began to descend
the winding steps. Unorna, holding her leader by one hand, steadied
herself with the other against the smooth, curved wall, fearing at
every moment lest she should stumble and fall in the total darkness.
But Beatrice never faltered. To her the way was as bright as though the
noonday sun had shone before her.

The stairs ended abruptly against a door. Beatrice stood still. She had
received no further commands and the impulse ceased.

"Draw back the bolt and take me into the church," said Unorna, who could
see nothing, but who knew that the nuns fastened the door behind them
when they returned into the convent. Beatrice obeyed without hesitation
and led her forward.

They came out between the high carved seats of the choir, behind the
high altar. The church was not quite as dark as the staircase and
passages had been, and Unorna stood still for a moment. In some of the
chapels hanging lamps of silver were lighted, and their tiny flames
spread a faint radiance upwards and sideways, though not downwards,
sufficient to break the total obscurity to eyes accustomed for some
minutes to no light at all. The church stood, too, on a little eminence
in the city, where the air without was less murky and impenetrable with
the night mists, and though there was no moon the high upper windows
of the nave were distinctly visible in the gloomy height like great
lancet-shaped patches of gray upon a black ground.

In the dimness, all objects took vast and mysterious proportions. A huge
giant reared his height against one of the pillars, crowned with a high,
pointed crown, stretching out one great shadowy hand into the gloom--the
tall pulpit was there, as Unorna knew, and the hand was the wooden
crucifix standing out in its extended socket. The black confessionals,
too, took shape, like monster nuns, kneeling in their heavy hoods and
veils, with heads inclined, behind the fluted pilasters, just within the
circle of the feeble chapel lights. Within the choir, the deep shadows
seemed to fill the carved stalls with the black ghosts of long dead
sisters, returned to their familiar seats out of the damp crypt below.
The great lectern in the midst of the half circle behind the high altar
became a hideous skeleton, headless, its straight arms folded on its
bony breast. The back of the high altar itself was a great throne
whereon sat in judgment a misty being of awful form, judging the dead
women all through the lonely night. The stillness was appalling. Not a
rat stirred.

Unorna shuddered, not at what she saw, but at what she felt. She had
reached the place, and the doing of the deed was at hand. Beatrice stood
beside her erect, asleep, motionless, her dark face just outlined in the
surrounding dusk.

Unorna took her hand and led her forwards. She could see now, and the
moment had come. She brought Beatrice before the high altar and made
her stand in front of it. Then she herself went back and groped for
something in the dark. It was the pair of small wooden steps upon
which the priest mounts in order to open the golden door of the high
tabernacle above the altar, when it is necessary to take therefrom the
Sacred Host for the Benediction, or other consecrated wafers for the
administration of the Communion. To all Christians, of all denominations
whatsoever, the bread-wafer when once consecrated is a holy thing. To
Catholics and Lutherans there is there, substantially, the Presence of
God. No imaginable act of sacrilege can be more unpardonable than the
desecration of the tabernacle and the wilful defilement and destruction
of the Sacred Host.

This was Unorna's determination. Beatrice should commit this crime
against Heaven, and then die with the whole weight of it upon her soul,
and thus should her soul itself be tormented for ever and ever to ages
of ages.

Considering what she believed, it is no wonder that she should have
shuddered at the tremendous thought. And yet, in the distortion of her
reasoning, the sin would be upon Beatrice who did the act, and not upon
herself who commanded it. There was no diminution of her own faith
in the sacredness of the place and the holiness of the consecrated
object--had she been one whit less sure of that, her vengeance would
have been vain and her whole scheme meaningless.

She came back out of the darkness and set the wooden steps in their
place before the altar at Beatrice's feet. Then, as though to save
herself from all participation in the guilt of the sacrilege which was
to follow, she withdrew outside the Communion rail, and closed the gate
behind her.

Beatrice, obedient to her smallest command, and powerless to move or
act without her suggestion, stood still as she had been placed, with her
back to the church and her face to the altar. Above her head the richly
wrought door of the tabernacle caught what little light there was and
reflected it from its own uneven surface.

Unorna paused a moment, looked at the shadowy figure, and then glanced
behind her into the body of the church, not out of any ghostly fear, but
to assure herself that she was alone with her victim. She saw that all
was quite ready, and then she calmly knelt down just upon one side of
the gate and rested her folded hands upon the marble railing. A moment
of intense stillness followed. Again the thought of Keyork Arabian
flashed across her mind. Had there been any reality, she vaguely
wondered, in that compact made with him? What was she doing now? But the
crime was to be Beatrice's, not hers. Her heart beat fast for a moment,
and then she grew very calm again.

The clock in the church tower chimed the first quarter past one. She
was able to count the strokes and was glad to find that she had lost no
time. As soon as the long, singing echo of the bells had died away, she
spoke, not loudly, but clearly and distinctly.

"Beatrice Varanger, go forward and mount the steps I have placed for
you."

The dark figure moved obediently, and Unorna heard the slight sound of
Beatrice's foot upon the wood. The shadowy form rose higher and higher
in the gloom, and stood upon the altar itself.

"Now do as I command you. Open wide the door of the tabernacle."

Unorna watched the black form intently. It seemed to stretch out its
hand as though searching for something, and then the arm fell again to
the side.

"Do as I command you," Unorna repeated with the angry and dominant
intonation that always came into her voice when she was not obeyed.

Again the hand was raised for a moment, groped in the darkness and sank
down into the shadow.

"Beatrice Varanger, you must do my will. I order you to open the door
of the tabernacle, to take out what is within and to throw it to the
ground!" Her voice rang clearly through the church. "And may the crime
be on your soul for ever and ever," she added in a low voice.

A third time the figure moved. A strange flash of light played for a
moment upon the tabernacle, the effect, Unorna thought, of the golden
door being suddenly opened.

But she was wrong. The figure moved, indeed, and stretched out a hand
and moved again. A sudden crash of something very heavy, falling upon
stone, broke the great stillness--the dark form tottered, reeled and
fell to its length upon the great altar. Unorna saw that the golden door
was still closed, and that Beatrice had fallen. Unable to move or act by
her own free judgment, and compelled by Unorna's determined command, she
had made a desperate effort to obey. Unorna had forgotten that there was
a raised step upon the altar itself, and that there were other obstacles
in the way, including heavy candlesticks and the framed Canon of the
Mass, all of which are usually set aside before the tabernacle is opened
by the priest. In attempting to do as she was told, the sleeping woman
had stumbled, had overbalanced herself, had clutched one of the great
silver candlesticks so that it fell heavily beside her, and then, having
no further support, she had fallen herself.

Unorna sprang to her feet and hastily opened the gate of the railing. In
a moment she was standing by the altar at Beatrice's head. She could see
that the dark eyes were open now. The great shock had recalled her to
consciousness.

"Where am I?" she asked in great distress, seeing nothing in the
darkness now, and groping with her hands.

"Sleep--be silent and sleep!" said Unorna in low, firm tones, pressing
her palm upon the forehead.

"No--no!" cried the startled woman in a voice of horror. "No--I will not
sleep--no, do not touch me! Oh, where am I--help! Help!"

She was not hurt. With one strong, lithe movement, she sprang to the
ground and stood with her back to the altar, her hands stretched out to
defend herself from Unorna. But Unorna knew what extreme danger she was
in if Beatrice left the church awake and conscious of what had happened.
She seized the moving arms and tried to hold them down, pressing her
face forward so as to look into the dark eyes she could but faintly
distinguish. It was no easy matter, however, for Beatrice was young and
strong and active. Then all at once she began to see Unorna's eyes, as
Unorna could see hers, and she felt the terrible influence stealing over
her again.

"No--no--no!" she cried, struggling desperately. "You shall not make me
sleep. I will not--I will not!"

There was a flash of light again in the church, this time from behind
the high altar, and the noise of quick footsteps. But neither Unorna nor
Beatrice noticed the light or the sound. Then the full glow of a strong
lamp fell upon the faces of both and dazzled them, and Unorna felt a
cool thin hand upon her own. Sister Paul was beside them, her face very
white and her faded eyes turning from the one to the other.

It was very simple. Soon after Compline was over the nun had gone to
Unorna's room, had knocked and had entered. To her surprise Unorna
was not there, but Sister Paul imagined that she had lingered over her
prayers and would soon return. The good nun had sat down to wait for
her, and telling her beads had fallen asleep. The unaccustomed warmth
and comfort of the guest's room had been too much for the weariness
that constantly oppressed a constitution broken with ascetic practices.
Accustomed by long habit to awake at midnight to attend the service, her
eyes opened of themselves, indeed, but a full hour later than usual.
She heard the clock strike one, and for a moment could not believe her
senses. Then she understood that she had been asleep, and was amazed
to find that Unorna had not come back. She went out hastily into the
corridor. The lay sister had long ago extinguished the hanging lamp, but
Sister Paul saw the light streaming from Beatrice's open door. She went
in and called aloud. The bed had not been touched. Beatrice was not
there. Sister Paul began to think that both the ladies must have gone to
the midnight service. The corridors were dark and they might have lost
their way. She took the lamp from the table and went to the balcony at
which the guests performed their devotion. It had been her light that
had flashed across the door of the tabernacle. She had looked down into
the choir, and far below her had seen a figure, unrecognisable from
that height in the dusk of the church, but clearly the figure of a woman
standing upon the altar. Visions of horror rose before her eyes of the
sacrilegious practices of witchcraft, for she had thought of nothing
else during the whole evening. Lamp in hand she descended the stairs to
the choir and reached the altar, providentially, just in time to save
Beatrice from falling a victim again to the evil fascination of the
enemy who had planned the destruction of her soul as well as of her
body.

"What is this? What are you doing in this holy place and at this hour?"
asked Sister Paul, solemnly and sternly.

Unorna folded her arms and was silent. No possible explanation of the
struggle presented itself even to her quick intellect. She fixed her
eyes on the nun's face, concentrating all her will, for she knew that
unless she could control her also, she herself was lost. Beatrice
answered the question, drawing herself up proudly against the great
altar and pointing at Unorna with her outstretched hand, her dark eyes
flashing indignantly.

"We were talking together, this woman and I. She looked at me--she was
angry--and then I fainted, or fell asleep, I cannot tell which. I awoke
in the dark to find myself lying upon the altar here. Then she took
hold of me and tried to make me sleep again. But I would not. Let her
explain, herself, what she has done, and why she brought me here!"

Sister Paul turned to Unorna and met the full glare of the unlike eyes,
with her own calm, half heavenly look of innocence.

"What have you done, Unorna? What have you done?" she asked very sadly.

But Unorna did not answer. She only looked at the nun more fixedly and
savagely. She felt that she might as well have looked upon some ancient
picture of a saint in heaven, and bid it close its eyes. But she would
not give up the attempt, for her only safety lay in its success. For a
long time Sister Paul returned her gaze steadily.

"Sleep!" said Unorna, putting up her hand. "Sleep, I command you!"

But Sister Paul's eyes did not waver. A sad smile played for a moment
upon her waxen features.

"You have no power over me--for your power is not of good," she said,
slowly and softly.

Then she quietly turned to Beatrice, and took her hand.

"Come with me, my daughter," she said. "I have a light and will take
you to a place where you will be safe. She will not trouble you any more
to-night. Say a prayer, my child, and do not be afraid."

"I am not afraid," said Beatrice. "But where is she?" she asked
suddenly.

Unorna had glided away while they were speaking. Sister Paul held the
lamp high and looked in all directions. Then she heard the heavy door of
the sacristy swing upon its hinges and strike with a soft thud against
the small leathern cushion. Both women followed her, but as they opened
the door again a blast of cold air almost extinguished the lamp. The
night wind was blowing in from the street.

"She is gone out," said Sister Paul. "Alone and at this hour--Heaven
help her!" It was as she said, Unorna had escaped.



CHAPTER XXI

After leaving Unorna at the convent, the Wanderer had not hesitated as
to the course he should pursue. It was quite clear that the only person
to whom he could apply at the present juncture was Keyork Arabian. Had
he been at liberty to act in the most natural and simple way, he would
have applied to the authorities for a sufficient force with which to
take Israel Kafka into custody as a dangerous lunatic. He was well
aware, however, that such a proceeding must lead to an inquiry of a more
or less public nature, of which the consequences might be serious, or
at least extremely annoying, to Unorna. Of the inconvenience to which he
might himself be exposed, he would have taken little account, though his
position would have been as difficult to explain as any situation could
be. The important point was to prevent the possibility of Unorna's name
being connected with an open scandal. Every present circumstance in
the case was directly or indirectly the result of Unorna's unreasoning
passion for himself, and it was clearly his duty, as a man of honour, to
shield her from the consequences of her own acts, as far as lay in his
power.

He did not indeed believe literally all that she had told him in her mad
confession. Much of that, he was convinced, was but a delusion. It might
be possible, indeed, for Unorna to produce forgetfulness of such a dream
as she impressed upon Kafka's mind in the cemetery that same afternoon,
or even, perhaps, of some real circumstance of merely relative
importance in a man's life; but the Wanderer could not believe that
it was in her power to destroy the memory of the great passion through
which she pretended that he himself had passed. He smiled at the idea,
for he had always trusted his own senses and his own memory. Unorna's
own mind was clearly wandering, or else she had invented the story,
supposing him credulous enough to believe it. In either case it did not
deserve a moment's consideration except as showing to what lengths her
foolish and ill-bestowed love could lead her.

Meanwhile she was in danger. She had aroused the violent and deadly
resentment of Israel Kafka, a man who, if not positively insane, as
Keyork Arabian had hinted, was by no means in a normal state of mind or
body, a man beside himself with love and anger, and absolutely
reckless of life for the time being, a man who, for the security of all
concerned, must be at least temporarily confined in a place of safety,
until a proper treatment and the lapse of a certain length of time
should bring him to his senses. For the present, he was wholly
untractable, being at the mercy of the most uncontrolled passions and of
one of those intermittent phases of blind fatalism to which the Semitic
races are peculiarly subject.

There were two reasons which determined the Wanderer to turn to Keyork
Arabian for assistance, besides his wish to see the bad business end
quickly and without publicity. Keyork, so far as the Wanderer was aware,
was himself treating Israel Kafka's case, and would therefore know what
to do, if any one knew at all. Secondly, it was clear from the message
which Unorna had left with the porter of her own house that she expected
Keyork to come at any moment. He was then in immediate danger of being
brought face to face with Israel Kafka without having received the least
warning of his present condition, and it was impossible to say what the
infuriated youth might do at such a moment. He had been shut up, caught
in his own trap, as it were, for some time, and his anger and madness
might reasonably be supposed to have been aggravated rather than cooled
by his unexpected confinement. It was as likely as not that he would use
the weapon he carried upon the first person with whom he found himself
face to face, especially if that person made any attempt to overpower
and disarm him.

The Wanderer drove to Keyork Arabian's house, and leaving his carriage
to wait in case of need, ascended the stairs and knocked at the door.
For some reason or other Keyork would not have a bell in his dwelling,
whether because, like Mahomet, he regarded the bell as the devil's
instrument, or because he was really nervously sensitive to the sound
of one, nobody had ever discovered. The Wanderer knocked therefore, and
Keyork answered the knock in person.

"My dear friend!" he exclaimed in his richest and deepest voice, as he
recognised the Wanderer. "Come in. I am delighted to see you. You will
join me at supper. This is good indeed!"

He took his visitor by the arm and led him in. Upon one of the tables
stood a round brass platter covered, so far as it was visible, with
Arabic inscriptions, and highly polished--one of those commonly used all
over the East at the present day for the same purpose. Upon this were
placed at random several silver bowls, mere hemispheres without feet,
remaining in a convenient position by their own weight. One of these
contained snowy rice, in that perfectly dry but tender state dear to
the taste of Orientals, in another there was a savoury, steaming mess of
tender capon, chopped in pieces with spices and aromatic herbs, a third
contained a pure white curd of milk, and a fourth was heaped up
with rare fruits. A flagon of Bohemian glass, clear and bright as
rock-crystal, and covered with very beautiful traceries of black and
gold, with a drinking-vessel of the same design, stood upon the table
beside the platter.

"My simple meal," said Keyork, spreading out his hands, and smiling
pleasantly. "You will share it with me. There will be enough for two."

"So far as I am concerned, I should say so," the Wanderer answered with
a smile. "But my business is rather urgent."

Suddenly he saw that there was a third person in the room, and glanced
at Keyork in surprise.

"I want to speak a few words with you alone," he said. "I would not
trouble you but----"

"Not in the least, not in the least, my dear friend!" asseverated
Keyork, motioning him to a chair beside the board.

"But we are not alone," observed the Wanderer, still standing and
looking at the stranger. Keyork saw the glance and understood. He broke
into peals of laughter.

"That!" he exclaimed, presently. "That is only the Individual. He will
not disturb us. Pray be seated."

"I assure you that my business is very private--" the Wanderer objected.

"Quite so--of course. But there is nothing to fear. The Individual is my
servant--a most excellent creature who has been with me for many years.
He cooks for me, cleans the specimens, and takes care of me in all ways.
A most reliable man, I assure you."

"Of course, if you can answer for his discretion----"

The Individual was standing at a little distance from the table
observing the two men intently but respectfully with his keen little
black eyes. The rest of his square, dark face expressed nothing. He had
perfectly straight, jet-black hair which hung evenly all around his head
and flat against his cheeks. He was dressed entirely in a black robe
of the nature of a kaftan, gathered closely round his waist by a black
girdle, and fitting tightly over his stalwart shoulders.

"His discretion is beyond all doubt," Keyork answered, "and for the best
of all reasons. He is totally deaf and dumb and absolutely illiterate.
I brought him years ago in Astrakhan, of a Russian friend. He is very
clever with his fingers. It is he who stole for me the Malayan lady's
head over there, after she was executed. And now, my dear friend, let us
have supper."

There were neither plates nor knives nor forks upon the table, and at
a sign from Keyork the Individual retired to procure those Western
incumbrances to eating. The Wanderer, acquainted as he had long been
with his host's eccentricities, showed little surprise, but understood
that whatever he said would not be overheard, any more than if they had
been alone. He hesitated a moment, however, for he had not determined
exactly how far it was necessary to acquaint Keyork with the
circumstances, and he was anxious to avoid all reference to Unorna's
folly in regard to himself. The Individual returned, bringing, with
other things, a drinking-glass for the Wanderer. Keyork filled it and
then filled his own. It was clear that ascetic practices formed no part
of his scheme for the prolongation of life. As he raised his glass to
his lips, his bright eyes twinkled.

"To Keyork's long life and happiness," he said calmly, and then sipped
the wine. "And now for your story," he added, brushing the brown drops
from his white moustache with a small damask napkin which the Individual
presented to him and immediately received again, to throw it aside as
unfit for a second use.

"I hardly think that we can afford to linger over supper," the Wanderer
said, noticing Keyork's coolness with some anxiety. "The case is urgent.
Israel Kafka has lost his head completely. He has sworn to kill Unorna,
and is at the present moment confined in the conservatory in her house."

The effect of the announcement upon Keyork was so extraordinary that
the Wanderer started, not being prepared for any manifestation of what
seemed to be the deepest emotion. The gnome sprang from the table with a
cry that would have been like the roar of a wounded wild beast if it had
not articulated a terrific blasphemy.

"Unorna is quite safe," the Wanderer hastened to say.

"Safe--where?" shouted the little man, his hands already on his furs.
The Individual, too, had sprung across the room like a cat and was
helping him. In five seconds Keyork would have been out of the house.

"In a convent. I took her there, and saw the gate close behind her."

Keyork dropped his furs and stood still a moment. The Individual, always
unmoved, rearranged the coat and cap neatly in their place, following
all his master's movements, however, with his small eyes. Then the sage
broke out in a different strain. He flung his arms round the Wanderer's
body and attempted to embrace him.

"You have saved my life!--the curse of the three black angels on you for
not saying so first!" he cried in an agony of ecstasy. "Preserver! What
can I do for you?--Saviour of my existence, how can I repay you! You
shall live forever, as I will; you shall have all my secrets; the gold
spider shall spin her web in your dwelling; the Part of Fortune shall
shine on your path, it shall rain jewels on your roof; and your winter
shall have snows of pearls--you shall--"

"Good Heavens! Keyork," interrupted the Wanderer. "Are you mad? What is
the matter with you?"

"Mad? The matter? I love you! I worship you! I adore you! You have saved
her life, and you have saved mine; you have almost killed me with fright
and joy in two moments, you have--"

"Be sensible, Keyork. Unorna is quite safe, but we must do something
about Kafka and--"

The rest of his speech was drowned in another shout from the gnome,
ending in a portentous peal of laughter. He had taken his glass again
and was toasting himself.

"To Keyork, to his long life, to his happiness!" he cried. Then he
wet his lips again in the golden juice, and the Individual, unmoved,
presented him with a second napkin.

The wine seemed to steady him, and he sat down again in his place.

"Come!" he said. "Let us eat first. I have an amazing appetite, and
Israel Kafka can wait."

"Do you think so? Is it safe?" the Wanderer asked.

"Perfectly," returned Keyork, growing quite calm again. "The locks are
very good on those doors. I saw to them myself."

"But some one else--"

"There is no some one else," interrupted the sage sharply. "Only three
persons can enter the house without question--you, I, and Kafka. You and
I are here, and Kafka is there already. When we have eaten we will go to
him, and I flatter myself that the last state of the young man will be
so immeasurably worse than the first, that he will not recognise himself
when I have done with him."

He had helped his friend and began eating. Somewhat reassured the
Wanderer followed his example. Under the circumstances it was as well
to take advantage of the opportunity for refreshment. No one could tell
what might happen before morning.

"It just occurs to me," said Keyork, fixing his keen eyes on his
companion's face, "that you have told me absolutely nothing, except that
Kafka is mad and that Unorna is safe."

"Those are the most important points," observed the Wanderer.

"Precisely. But I am sure that you will not think me indiscreet if I
wish to know a little more. For instance, what was the immediate cause
of Kafka's extremely theatrical and unreasonable rage? That would
interest me very much. Of course, he is mad, poor boy! But I take
delight in following out the workings of an insane intellect. Now there
are no phases of insanity more curious than those in which the patient
is possessed with a desire to destroy what he loves best. These cases
are especially worthy of study because they happen so often in our day."

The Wanderer saw that some explanation was necessary and he determined
to give one in as few words as possible.

"Unorna and I had strolled into the Jewish Cemetery," he said. "While
we were talking there, Israel Kafka suddenly came upon us and spoke and
acted very wildly. He is madly in love with her. She became very angry
and would not let me interfere. Then, by way of punishment for his
intrusion I suppose, she hypnotised him and made him believe that he was
Simon Abeles, and brought the whole of the poor boy's life so vividly
before me, as I listened, that I actually seemed to see the scenes. I
was quite unable to stop her or to move from where I stood, though I was
quite awake. But I realised what was going on and I was disgusted at her
cruelty to the unfortunate man. He fainted at the end, but when he came
to himself he seemed to remember nothing. I took him home and Unorna
went away by herself. Then he questioned me so closely as to what had
happened that I was weak enough to tell him the truth. Of course, as
a fervent Hebrew, which he seems to be, he did not relish the idea of
having played the Christian martyr for Unorna's amusement, and amidst
the graves of his own people. He there and then impressed me that he
intended to take Unorna's life without delay, but insisted that I should
warn her of her danger, saying that he would not be a common murderer.
Seeing that he was mad and in earnest I went to her. There was some
delay, which proved fortunate, as it turned out, for we left the
conservatory by the small door just as he was entering from the other
end. We locked it behind us, and going round by the passages locked the
other door upon him also, so that he was caught in a trap. And there he
is, unless some one has let him out."

"And then you took Unorna to the convent?" Keyork had listened
attentively.

"I took her to the convent, promising to come to her when she should
send for me. Then I saw that I must consult you before doing anything
more. It will not do to make a scandal of the matter."

"No," answered Keyork thoughtfully. "It will not do."

The Wanderer had told his story with perfect truth and yet in a way
which entirely concealed the very important part Unorna's passion for
him had played in the sequence of events. Seeing that Keyork asked no
further questions he felt satisfied that he had accomplished his purpose
as he had intended, and that the sage suspected nothing. He would have
been very much disconcerted had he known that the latter had long been
aware of Unorna's love, and was quite able to guess at the cause of
Kafka's sudden appearance and extreme excitement. Indeed, so soon as he
had finished the short narrative, his mind reverted with curiosity to
Keyork himself, and he wondered what the little man had meant by his
amazing outburst of gratitude on hearing of Unorna's safety. Perhaps
he loved her. More impossible things than that had occurred in the
Wanderer's experience. Or, possibly, he had an object to gain in
exaggerating his thankfulness to Unorna's preserver. He knew that
Keyork rarely did anything without an object, and that, although he was
occasionally very odd and excitable, he was always in reality perfectly
well aware of what he was doing. He was roused from his speculations by
Keyork's voice.

"There will be no difficulty in securing Kafka," he said. "The real
question is, what shall we do with him? He is very much in the way
at present, and he must be disposed of at once, or we shall have more
trouble. How infinitely more to the purpose it would have been if he had
wisely determined to cut his own throat instead of Unorna's! But young
men are so thoughtless!"

"I will only say one thing," said the Wanderer, "and then I will leave
the direction to you. The poor fellow has been driven mad by Unorna's
caprice and cruelty. I am determined that he shall not be made to suffer
gratuitously anything more."

"Do you think that Unorna was intentionally cruel to him?" inquired
Keyork. "I can hardly believe that. She has not a cruel nature."

"You would have changed your mind, if you had seen her this afternoon.
But that is not the question. I will not allow him to be ill-treated."

"No, no! of course not!" Keyork answered with eager assent. "But
of course you will understand that we have to deal with a dangerous
lunatic, and that it may be necessary to use whatever means are most
sure and certain."

"I shall not quarrel with your means," the Wanderer said quietly,
"provided that there is no unnecessary brutality. If I see anything of
the kind I will take the matter into my own hands."

"Certainly, certainly!" said the other, eyeing with curiosity the
man who spoke so confidently of taking out of Keyork Arabian's grasp
whatever had once found its way into it.

"He shall be treated with every consideration," the Wanderer continued.
"Of course, if he is very violent, we shall have to use force."

"We will take the Individual with us," said Keyork. "He is very strong.
He has a trick of breaking silver florins with his thumbs and fingers
which is very pretty."

"I fancy that you and I could manage him. It is a pity that neither of
us has the faculty of hypnotising. This would be the proper time to use
it."

"A great pity. But there are other things that will do almost as well."

"What, for instance?"

"A little ether in a sponge. He would only struggle a moment, and
then he would be much more really unconscious than if he had been
hypnotised."

"Is it quite painless?"

"Quite, if you give it gradually. If you hurry the thing, the man feels
as though he were being smothered. But the real difficulty is what to do
with him, as I said before."

"Take him home and get a keeper from the lunatic asylum," the Wanderer
suggested.

"Then comes the whole question of an inquiry into his sanity," objected
Keyork. "We come back to the starting-point. We must settle all this
before we go to him. A lunatic asylum is not a club in this country.
There is a great deal of formality connected with getting into it, and
a great deal more connected with getting out. Now, I could not get a
keeper for Kafka without going to the physician in charge and making
a statement, and demanding an examination, and all the rest of it. And
Israel Kafka is a person of importance among his own people. He comes of
great Jews in Moravia, and we should have the whole Jews' quarter--which
means nearly the whole of Prague, in a broad sense--about our ears
in twenty-four hours. No, no, my friend. To avoid an enormous scandal
things must be done very quietly indeed."

"I cannot see anything to be done, then, unless we bring him here," said
the Wanderer, falling into the trap from sheer perplexity. Everything
that Keyork had said was undeniably true.

"He would be a nuisance in the house," answered the sage, not wishing,
for reasons of his own, to appear to accept the proposition too eagerly.
"Not but that the Individual would make a capital keeper. He is as
gentle as he is strong, and as quick as a tiger-cat."

"So far as that is concerned," said the Wanderer coolly, "I could take
charge of him myself, if you did not object to my presence."

"You do not trust me," said the other, with a sharp glance.

"My dear Keyork, we are old acquaintances, and I trust you implicitly
to do whatever you have predetermined to do for the advantage of your
studies, unless some one interferes with you. You have no more respect
for human life or sympathy for human suffering than you have belief
in the importance of anything not conducive to your researches. I am
perfectly well aware that if you thought you could learn something by
making experiments upon the body of Israel Kafka, you would not scruple
to make a living mummy of him, you would do it without the least
hesitation. I should expect to find him with his head cut off, living
by means of a glass heart and thinking through a rabbit's brain. That is
the reason why I do not trust you. Before I could deliver him into your
hands, I would require of you a contract to give him back unhurt--and a
contract of the kind you would consider binding."

Keyork Arabian wondered whether Unorna, in the recklessness of her
passion, had betrayed the nature of the experiment they had been making
together, but a moment's reflection told him that he need have no
anxiety on this score. He understood the Wanderer's nature too well to
suspect him of wishing to convey a covert hint instead of saying openly
what was in his mind.

"Taste one of these oranges," he said, by way of avoiding an answer.
"they have just come from Smyrna." The Wanderer smiled as he took the
proffered fruit.

"So that unless you have a serious objection to my presence," he said,
continuing his former speech, "you will have me as a guest so long as
Israel Kafka is here."

Keyork Arabian saw no immediate escape.

"My dear friend!" he exclaimed with alacrity. "If you are really in
earnest, I am as really delighted. So far from taking your distrust ill,
I regard it as a providentially fortunate bias of your mind, since it
will keep us together for a time. You will be the only loser. You see
how simply I live."

"There is a simplicity which is the extremest development of refined
sybarism," the Wanderer said, smiling again. "I know your simplicity of
old. It consists of getting precisely what you want, and in producing
local earthquakes and revolutions when you cannot get it. Moreover you
want what is good--to the taste, at least."

"There is something in that," answered Keyork with a merry twinkle in
his eye. "Happiness is a matter of speculation. Comfort is a matter of
fact. Most men are uncomfortable, because they do not know what they
want. If you have tastes, study them. If you have intelligence, apply it
to the question of gratifying your tastes. Consult yourself first--and
nobody second. Consider this orange--I am fond of oranges and they
suit my constitution admirably. Consider the difficulty I have had in
procuring it at this time of year--not in the wretched condition in
which they are sold in the market, plucked half green in Spain or Italy
and ripened on the voyage in the fermenting heat of the decay of those
which are already rotten--but ripe from the tree and brought to me
directly by the shortest and quickest means possible. Consider this
orange, I say. Do you vainly imagine that if I had but two or three like
it I would offer you one?"

"I would not be so rash as to imagine anything of the kind, my dear
Keyork. I know you very well. If you offer me one it is because you have
a week's supply at least."

"Exactly," said Keyork. "And a few to spare, because they will only
keep a week as I like them, and because I would no more run the risk
of missing my orange a week hence for your sake, than I would deprive
myself of it to-day."

"And that is your simplicity."

"That is my simplicity. It is indeed a perfectly simple matter, for
there is only one idea in it, and in all things I carry that one idea
out to its ultimate expression. That one idea, as you very well put it,
is to have exactly what I want in this world."

"And will you be getting what you want in having me quartered upon you
as poor Israel Kafka's keeper?" asked the Wanderer, with an expression
of amusement. But Keyork did not wince.

"Precisely," he answered without hesitation. "In the first place you
will relieve me of much trouble and responsibility, and the Individual
will not be so often called away from his manifold and important
household duties. In the second place I shall have a most agreeable and
intelligent companion with whom I can talk as long as I like. In the
third place I shall undoubtedly satisfy my curiosity."

"In what respect, if you please?"

"I shall discover the secret of your wonderful interest in Israel
Kafka's welfare. I always like to follow the workings of a brain
essentially different from my own, philanthropic, of course. How could
it be anything else? Philanthropy deals with a class of ideas wholly
unfamiliar to me. I shall learn much in your society."

"And possibly I shall learn something from you," the Wanderer answered.
"There is certainly much to be learnt. I wonder whether your ideas upon
all subjects are as simple as those you hold about oranges."

"Absolutely. I make no secret of my principles. Everything I do is for
my own advantage."

"Then," observed the Wanderer, "the advantage of Unorna's life must be
an enormous one to you, to judge by your satisfaction at her safety."

Keyork stared at him a moment and then laughed, but less heartily and
loudly than usual his companion fancied.

"Very good!" he exclaimed. "Excellent! I fell into the trap like a rat
into a basin of water. You are indeed an interesting companion, my dear
friend--so interesting that I hope we shall never part again." There was
a rather savage intonation in the last words.

They looked at each other intently, neither wincing nor lowering his
gaze. The Wanderer saw that he had touched upon Keyork's greatest and
most important secret, and Keyork fancied that his companion knew more
than he actually did. But nothing further was said, for Keyork was far
too wise to enter into explanation, and the Wanderer knew well enough
that if he was to learn anything it must be by observation and not by
questioning. Keyork filled both glasses in silence and both men drank
before speaking again.

"And now that we have refreshed ourselves," he said, returning naturally
to his former manner, "we will go and find Israel Kafka. It is as well
that we should have given him a little time to himself. He may have
returned to his senses without any trouble on our part. Shall we take
the Individual?"

"As you please," the Wanderer answered indifferently as he rose from his
place.

"It is very well for you not to care," observed Keyork. "You are big
and strong and young, whereas I am a little man and very old at that.
I shall take him for my own protection. I confess that I value my life
very highly. It is a part of that simplicity which you despise. That
devil of a Jew is armed, you say?"

"I saw something like a knife in his hand, as we shut him in," said the
Wanderer with the same indifference as before.

"Then I will take the Individual," Keyork answered promptly. "A man's
bare hands must be strong and clever to take a man's life in a scuffle,
and few men can use a pistol to any purpose. But a knife is a weapon of
precision. I will take the Individual, decidedly."

He made a few rapid signs, and the Individual disappeared, coming back a
moment later attired in a long coat not unlike his master's except that
the fur of the great collar was of common fox instead of being of sable.
Keyork drew his peaked cape comfortably down over the tips of his ears.

"The ether!" he exclaimed. "How forgetful I am growing! Your charming
conversation had almost made me forget the object of our visit!"

He went back and took the various things he needed. Then the three men
went out together.



CHAPTER XXII

More than an hour had elapsed since the Wanderer and Unorna had finally
turned the key upon Israel Kafka, leaving him to his own reflections.
During the first moments he made desperate efforts to get out of the
conservatory, throwing himself with all his weight and strength against
the doors and thrusting the point of his long knife into the small
apertures of the locks. Then, seeing that every attempt was fruitless,
he desisted and sat down, in a state of complete exhaustion. A reaction
began to set in after the furious excitement of the afternoon, and he
felt all at once that it would be impossible for him to make another
step or raise his arm to strike. A man less sound originally in bodily
constitution would have broken down sooner, and it was a proof of Israel
Kafka's extraordinary vigour and energy that he did not lose his senses
in a delirious fever at the moment when he felt that his strength could
bear no further strain.

But his thoughts, such as they were, did not lack clearness. He saw that
his opportunity was gone, and he began to think of the future, wondering
what would take place next. Assuredly when he had come to Unorna's house
with the fixed determination to take her life, the last thing that
he had expected had been to be taken prisoner and left to his own
meditations. It was clear that the Wanderer's warning had been conveyed
without loss of time and had saved Unorna from her immediate fate.
Nevertheless, he did not regret having given her the opportunity of
defending herself. He had not meant that there should be any secret
about the deed, for he was ready to sacrifice his own life in executing
it.

Yet he was not altogether brave. He had neither Unorna's innate
indifference to physical danger, nor the Wanderer's calm superiority to
fear. He would not have made a good soldier, and he could not have faced
another man's pistol at fifteen paces without experiencing a mental and
bodily commotion not unlike terror, which he might or might not have
concealed from others, but which would in any case have been painfully
apparent to himself.

It is a noticeable fact in human nature that a man of even ordinary
courage will at any time, when under excitement, risk his life rather
than his happiness. Moreover, an immense number of individuals,
naturally far from brave, destroy their own lives yearly in the moment
when all chances of happiness are temporarily eclipsed. The inference
seems to be that mankind, on the whole, values happiness more highly
than life. The proportion of suicides from so-called "honourable
motives" is small as compared with the many committed out of despair.

Israel Kafka's case was by no means a rare one. The fact of having been
made to play a part which to him seemed at once blasphemous and ignoble
had indeed turned the scale, but was not the motive. In all things,
the final touch which destroys the balance is commonly mistaken for the
force which has originally produced a state of unstable equilibrium,
whereas there is very often no connection between the one and the other.
The Moravian himself believed that the sacrifice of Unorna, and of
himself afterwards, was to be an expiation of the outrage Unorna had put
upon his faith in his own person. He had merely seized upon the first
excuse which presented itself for ending all, because he was in reality
past hope.

We have, as yet, no absolute test of sanity, as we have of fever in the
body and of many other unnatural conditions of the human organism.
The only approximately accurate judgments in the patient's favour
are obtained from examinations into the relative consecutiveness and
consistency of thought in the individual examined, when the whole
tendency of that thought is towards an end conceivably approvable by a
majority of men. A great many philosophers and thinkers have accordingly
been pronounced insane at one period of history and have been held up
as models of sanity at another. The most immediately destructive
consequences of individual reasoning on a limited scale, murder and
suicide, have been successively regarded as heroic acts, as criminal
deeds, and as the deplorable but explicable actions of irresponsible
beings in consecutive ages of violence, strict law and humanitarianism.
It seems to be believed that the combination of murder and suicide is
more commonly observed under the last of the three reigns than it was
under the first; it was undoubtedly least common under the second. In
other words it appears probable that the practice of considering certain
crimes as the result of insanity has a tendency to make those crimes
increase in number, as they undoubtedly increase in barbarity, from year
to year. Meanwhile, however, no definite conclusion has been reached as
to the state of mind of a man who murders the woman he loves and then
ends his own life.

Israel Kafka may therefore be regarded as mad or sane. In favour of the
theory of his madness the total uselessness of the deed he contemplated
may be adduced; on the other hand the extremely consecutive and
consistent nature of his thoughts and actions gives evidence of his
sanity.

When he found himself a prisoner in Unorna's conservatory, his intention
underwent no change though his body was broken with fatigue and his
nerves with the long continued strain of a terrible excitement. His
determination was as cool and as fixed as ever.

These somewhat dry reflections seem necessary to the understanding of
what followed.

The key turned in the lock and the bolt was slipped back. Instantly
Israel Kafka's energy returned. He rose quickly and hid himself in the
shrubbery, in a position from which he could observe the door. He had
seen Unorna enter before and had of course heard her cry before the
Wanderer had carried her away, and he had believed that she had wished
to face him, either with the intention of throwing herself upon his
mercy or in the hope of dominating him with her eyes as she had so often
done before. Of course, he had no means of knowing that she had already
left the house. He imagined that the Wanderer had gone and that Unorna,
being freed from his restraint, was about to enter the place again. The
door opened and the three men came in. Kafka's first idea, on seeing
himself disappointed, was that they had come to take him into custody,
and his first impulse was to elude them.

The Wanderer entered first, tall, stately, indifferent, the quick glance
of his deep eyes alone betraying that he was looking for some one. Next
came Keyork Arabian, muffled still in his furs, turning his head sharply
from side to side in the midst of the sable collar that half buried
it, and evidently nervous. Last of all the Individual, who had divested
himself of his outer coat and whose powerful proportions did not escape
Israel Kafka's observation. It was clear that if there were a struggle
it could have but one issue. Kafka would be overpowered. His knowledge
of the disposition of the plants and trees offered him a hope of escape.
The three men had entered the conservatory, and if he could reach the
door before they noticed him, he could lock it upon them, as it had
been locked upon himself. He could hear their footsteps on the marble
pavement very near him, and he caught glimpses of their moving figures
through the thick leaves.

With cat-like tread he glided along in the shadows of the foliage until
he could see the door. From the entrance an open way was left in a
straight line towards the middle of the hall, down which his pursuers
were still slowly walking. He must cross an open space in the line of
their vision in order to get out, and he calculated the distance to be
traversed, while listening to their movements, until he felt sure that
they were so far from the door as not to be able to reach him. Then he
made his attempt, darting across the smooth pavement with his knife in
his hand. There was no one in the way.

Then came a violent shock and he was held as in a vice, so tightly that
he could not believe himself in the arms of a human being. His
captors had anticipated that he would try to escape and has posted the
Individual in the shadow of a tree near the doorway. The deaf and dumb
man had received his instructions by means of a couple of quick signs,
and not a whisper had betrayed the measures taken. Kafka struggled
desperately, for he was within three feet of the door and still believed
an escape possible. He tried to strike behind him with his sharp blade
of which a single touch would have severed muscle and sinew like silk
threads, but the bear-like embrace seemed to confine his whole body,
his arms and even his wrists. Then he felt himself turned round and the
Individual pushed him towards the middle of the hall. The Wanderer was
advancing quickly, and Keyork Arabian, who had again fallen behind,
peered at Kafka from behind his tall companion with a grotesque
expression in which bodily fear and a desire to laugh at the captive
were strongly intermingled.

"It is of no use to resist," said the Wanderer quietly. "We are too
strong for you."

Kafka said nothing, but his bloodshot eyes glared up angrily at the tall
man's face.

"He looks dangerous, and he still has that thing in his hand," said
Keyork Arabian. "I think I will give him ether at once while the
Individual holds him. Perhaps you could do it."

"You will do nothing of the kind," the Wanderer answered. "What a coward
you are, Keyork!" he added contemptuously.

Going to Kafka's side he took him by the wrist of the hand which held
the knife. But Kafka still clutched it firmly.

"You had better give it up," he said.

Kafka shook his head angrily and set his teeth, but the Wanderer
unclasped the fingers by quiet force and took the weapon away. He handed
it to Keyork, who breathed a sigh of relief as he looked at it, smiling
at last, and holding his head on one side.

"To think," he soliloquised, "that an inch of such pretty stuff as
Damascus steel, in the right place, can draw the sharp red line between
time and eternity!"

He put the knife tenderly away in the bosom of his fur coat. His whole
manner changed and he came forward with his usual, almost jaunty step.

"And now that you are quite harmless, my dear friend," he said,
addressing Israel Kafka, "I hope to make you see the folly of your ways.
I suppose you know that you are quite mad and that the proper place for
you is a lunatic asylum."

The Wanderer laid his hand heavily upon Keyork's shoulder.

"Remember what I told you," he said sternly. "He will be reasonable now.
Make your fellow understand that he is to let him go."

"Better shut the door first," said Keyork, suiting the action to the
word and then coming back.

"Make haste!" said the Wanderer with impatience. "The man is ill,
whether he is mad or not."

Released at last from the Individual's iron grip, Israel Kafka staggered
a little. The Wanderer took him kindly by the arm, supporting his steps
and leading him to a seat. Kafka glanced suspiciously at him and at the
other two, but seemed unable to make any further effort and sank back
with a low groan. His face grew pale and his eyelids drooped.

"Get some wine--something to restore him," the Wanderer said.

Keyork looked at the Moravian critically for a moment.

"Yes," he assented, "he is more exhausted than I thought. He is not
very dangerous now." Then he went in search of what was needed. The
Individual retired to a distance and stood looking on with folded arms.

"Do you hear me?" asked the Wanderer, speaking gently. "Do you
understand what I say?"

Israel Kafka nodded, but said nothing.

"You are very ill. This foolish idea that has possessed you this evening
comes from your illness. Will you go away quietly with me, and make no
resistance, so that I may take care of you?"

This time there was not even a movement of the head.

"This is merely a passing thing," the Wanderer continued in a tone of
quiet encouragement. "You have been feverish and excited, and I daresay
you have been too much alone of late. If you will come with me, I will
take care of you, and see that all is well."

"I told you that I would kill her--and I will," said Israel Kafka,
faintly but distinctly.

"You will not kill her," answered his companion. "I will prevent
you from attempting it, and as soon as you are well you will see the
absurdity of the idea."

Israel Kafka made an impatient gesture, feeble but sufficiently
expressive. Then all at once his limbs relaxed, and his head fell
forward upon his breast. The Wanderer started to his feet and moved him
into a more comfortable position. There were one or two quickly drawn
breaths and the breathing ceased altogether. At that moment Keyork
returned carrying a bottle of wine and a glass.

"It is too late," said the Wanderer gravely. "Israel Kafka is dead."

"Dead!" exclaimed Keyork, setting down what he had in his hands,
and hastening to examine the unfortunate man's face and eyes. "The
Individual squeezed him a little too hard, I suppose," he added,
applying his ear to the region of the heart, and moving his head about a
little as he did so.

"I hate men who make statements about things they do not understand,"
he said viciously, looking up as he spoke, but without any expression
of satisfaction. "He is no more dead than you are--the greater pity!
It would have been so convenient. It is nothing but a slight
syncope--probably the result of poorness of blood and an over-excited
state of the nervous system. Help me to lay him on his back. You ought
to have known that was the only thing to do. Put a cushion under his
head. There--he will come to himself presently, but he will not be so
dangerous as he was."

The Wanderer drew a long breath of relief as he helped Keyork to make
the necessary arrangements.

"How long will it last?" he inquired.

"How can I tell?" returned Keyork sharply. "Have you never heard of a
syncope? Do you know nothing about anything?"

He had produced a bottle containing some very strong salt and was
applying it to the unconscious man's nostrils. The Wanderer paid no
attention to his irritable temper and stood looking on. A long time
passed and yet the Moravian gave no further signs of consciousness.

"It is clear that he cannot stay here if he is to be seriously ill," the
Wanderer said.

"And it is equally clear that he cannot be taken away," retorted Keyork.

"You seem to be in a very combative frame of mind," the other answered,
sitting down and looking at his watch. "If you cannot revive him, he
ought to be brought to more comfortable quarters for the night."

"In his present condition--of course," said Keyork with a sneer.

"Do you think he would be in danger on the way?"

"I never think--I know," snarled the sage.

The Wanderer showed a slight surprise at the roughness of the answer,
but said nothing, contenting himself with watching the proceedings
keenly. He was by no means past suspecting that Keyork might apply
some medicine the very reverse of reviving, if left to himself. For
the present there seemed to be no danger. The pungent smell of salts
of ammonia pervaded the place; but the Wanderer knew that Keyork had a
bottle of ether in the pocket of his coat, and he rightly judged that a
very little of that would put an end to the life that was hanging in
the balance. Nearly half an hour passed before either spoke again. Then
Keyork looked up. This time his voice was smooth and persuasive. His
irritability had all disappeared.

"You must be tired," he said. "Why do you not go home? Or else go to my
house and wait for us. The Individual and I can take care of him very
well."

"Thanks," replied the Wanderer with a slight smile. "I am not in the
least tired, and I prefer to stay where I am. I am not hindering you, I
believe."

Now Keyork Arabian had no interest in allowing Israel Kafka to die,
though the Wanderer half believed that he had, though he could not
imagine what that interest might be. The little man was in reality on
the track of an experiment, and he knew very well that so long as he was
so narrowly watched it would be quite impossible to try it. In spite of
his sneers at his companion's ignorance, he was aware that the latter
knew enough to make every effort conducive to reviving the patient if
left to himself, and he submitted with a bad grace to doing what he
would rather have left undone.

He would have wished to let the flame of life sink yet lower before
making it brighten again, for he had with him a preparation which he
had been carrying in his pocket for months in the hope of accidentally
happening upon just such a case as the present, and he longed for an
opportunity of trying it. But to give it a fair trial he wished to apply
it at the precise point when, according to all previous experience, the
moment of death was past--the moment when the physician usually puts
his watch in his pocket and looks about for his hat. Possibly if
Kafka, being left without any assistance, had shown no further signs of
sinking, Keyork would have helped him to sink a little lower. To produce
this much-desired result, he had nothing with him but the ether, of
which the Wanderer of course knew the smell and understood the effects.
He saw the chances of making the experiment upon an excellent subject
slipping away before his eyes and he grew more angry in proportion as
they seemed farther removed.

"He is a little better," he said discontentedly, after another long
interval of silence.

The Wanderer bent down and saw that the eyelids were quivering and that
the face was less deathly livid than before. Then the eyes opened and
stared dreamily at the glass roof.

"And I will," said the faint, weak voice, as though completing a
sentence.

"I think not," observed Keyork, as though answering. "The people who do
what they mean to do are not always talking about will." But Kafka had
closed his eyes again.

This time, however, his breathing was apparent and he was evidently
returning to a conscious state. The Wanderer arranged the pillow more
comfortably under his head and covered him with his own furs. Keyork,
relinquishing all hopes of trying the experiment at present, poured a
little wine down his throat.

"Do you think we can take him home to-night?" inquired the Wanderer.

He was prepared for an ill-tempered answer, but not for what Keyork
actually said. The little man got upon his feet and coolly buttoned his
coat.

"I think not," he replied. "There is nothing to be done but to keep him
quiet. Good-night. I am tired of all this nonsense, and I do not mean
to lose my night's rest for all the Israels in Jewry--or all the Jews in
Israel. You can stay with him if you please."

Thereupon he turned on his heel, making a sign to the Individual, who
had not moved from his place since Kafka had lost consciousness, and who
immediately followed his master.

"I will come and see to him in the morning," said Keyork carelessly, as
he disappeared from sight among the plants.

The Wanderer's long-suffering temper was roused and his eyes gleamed
angrily as he looked after the departing sage.

"Hound!" he exclaimed in a very audible voice.

He hardly knew why he was so angry with the man who called himself his
friend. Keyork had behaved no worse than an ordinary doctor, for he had
stayed until the danger was over and had promised to come again in the
morning. It was his cool way of disclaiming all further responsibility
and of avoiding all further trouble which elicited the Wanderer's
resentment, as well as the unpleasant position in which the latter found
himself.

He had certainly not anticipated being left in charge of a sick man--and
that sick man Israel Kafka--in Unorna's house for the whole night, and
he did not enjoy the prospect. The mere detail of having to give some
explanation to the servants, who would doubtless come before long to
extinguish the lights, was far from pleasant. Moreover, though Keyork
had declared the patient out of danger, there seemed no absolute
certainty that a relapse would not take place before morning, and Kafka
might actually lay in the certainty--delusive enough--that Unorna could
not return until the following day.

He did not dare to take upon himself the responsibility of calling some
one to help him and of removing the Moravian in his present condition.
The man was still very weak and either altogether unconscious, or
sleeping the sleep of exhaustion. The weather, too, was bitterly cold,
and the exposure to the night air might bring on immediate and fatal
consequences. He examined Kafka closely and came to the conclusion that
he was really asleep. To wake him would be absolutely cruel as well as
dangerous. He looked kindly at the weary face and then began to walk
up and down between the plants, coming back at the end of every turn to
look again and assure himself that no change had taken place.

After some time he began to wonder at the total silence in the house,
or, rather, the silence which was carefully provided for in the
conservatory impressed itself upon him for the first time. It was
strange, he thought, that no one came to put out the lamps. He thought
of looking out into the vestibule beyond, to see whether the lights were
still burning there. To his great surprise he found the door securely
fastened. Keyork Arabian had undoubtedly locked him in, and to all
intents and purposes he was a prisoner. He suspected some treachery,
but in this he was mistaken. Keyork's sole intention had been to insure
himself from being disturbed in the course of the night by a second
visit from the Wanderer, accompanied perhaps by Kafka. It immediately
occurred to the Wanderer that he could ring the bell. But disliking the
idea of entering into an explanation, he reserved that for an emergency.
Had he attempted it he would have been still further surprised to find
that it would have produced no result. In going through the vestibule
Keyork had used Kafka's sharp knife to cut one of the slender
silk-covered copper wires which passed out of the conservatory on
that side, communicating with the servants' quarters. He was perfectly
acquainted with all such details of the household arrangement.

Keyork's precautions were in reality useless and they merely illustrate
the ruthlessly selfish character of the man. The Wanderer would in all
probability neither have attempted to leave the house with Kafka that
night, nor to communicate with the servants, even if he had been left
free to do either, and if no one had disturbed him in his watch. He was
disturbed, however, and very unexpectedly, between half-past one and a
quarter to two in the morning.

More than once he had remained seated for a long time, but his eyes
were growing heavy and he roused himself and walked again until he
was thoroughly awake. It was certainly true that of all the persons
concerned in the events of the day, except Keyork, he had undergone the
least bodily fatigue and mental excitement. But even to the strongest,
the hours of the night spent in watching by a sick person seem endless
when there is no really strong personal anxiety felt. He was undoubtedly
interested in Kafka's fate, and was resolved to protect him as well as
to hinder him from committing any act of folly. But he had only met him
for the first time that very afternoon, and under circumstances which
had not in the first instance suggested even the possibility of a
friendship between the two. His position towards Israel Kafka was
altogether unexpected, and what he felt was no more than pity for his
sufferings and indignation against those who had caused them.

When the door was suddenly opened, he stood still in his walk and faced
it. He hardly recognised Unorna in the pale, dishevelled woman with
circled eyes who came towards him under the bright light. She, too,
stood still when she saw him, starting suddenly. She seemed to be very
cold, for she shivered visibly and her teeth were chattering. Without
the least protection against the bitter night air she had fled
bareheaded and cloakless through the open streets from the church to her
home.

"You here!" she exclaimed, in an unsteady voice.

"Yes, I am still here," answered the Wanderer. "But I hardly expected
you to come back to-night," he added.

At the sound of his voice a strange smile came into her wan face and
lingered there. She had not thought to hear him speak again, kindly
or unkindly, for she had come with the fixed determination to meet her
death at Israel Kafka's hands and to let that be the end. Amid all the
wild thoughts that had whirled through her brain as she ran home in the
dark, that one had not once changed.

"And Israel Kafka?" she asked, almost timidly.

"He is there--asleep."

Unorna came forward and the Wanderer showed her where the man lay upon a
thick carpet, wrapped in furs, his pale head supported by a cushion.

"He is very ill," she said, almost under her breath. "Tell me what has
happened."

It was like a dream to her. The tremendous excitement of what had
happened in the convent had cut her off from the realisation of what
had gone before. Strange as it seemed even to herself, she scarcely
comprehended the intimate connection between the two series of events,
nor the bearing of the one upon the other. Israel Kafka sank into such
insignificance that she had began to pity his condition, and it was hard
to remember that the Wanderer was the man whom Beatrice had loved, and
of whom she had spoken so long and so passionately. She found, too,
an unreasoned joy in being once more by his side, no matter under
what conditions. In that happiness, one-sided and unshared, she forgot
everything else. Beatrice had been a dream, a vision, an unreal shadow.
Kafka was nothing to her, and yet everything, as she suddenly saw, since
he constituted a bond between her and the man she loved, which would at
least outlast the night. In a flash she saw that the Wanderer would
not leave her alone with the Moravian, and that the latter could not
be moved for the present without danger to his life. They must watch
together by his side through the long hours. Who could tell what the
night would bring forth?

As the new development of the situation presented itself, the colour
rose again to her cheeks. The warmth of the conservatory, too, dispelled
the chill that had penetrated her, and the familiar odours of the
flowers contributed to restore the lost equilibrium of mind and body.

"Tell me what has happened," she said again.

In the fewest possible words the Wanderer told her all that had occurred
up to the moment of her coming, not omitting the detail of the locked
door.

"And for what reason do you suppose that Keyork shut you in?" she asked.

"I do not know," the Wanderer answered. "I do not trust him, though I
have known him so long."

"It was mere selfishness," said Unorna scornfully. "I know him better
than you do. He was afraid you would disturb him again in the night."

The Wanderer said nothing, wondering how any man could be so elaborately
thoughtful of his own comfort.

"There is no help for it," Unorna said, "we must watch together."

"I see no other way," the Wanderer answered indifferently.

He placed a chair for her to sit in, within sight of the sick man, and
took one himself, wondering at the strange situation, and yet not caring
to ask Unorna what had brought her back, so breathless and so pale, at
such an hour. He believed, not unnaturally, that her motive had been
either anxiety for himself, or the irresistible longing to see him
again, coupled with a distrust of his promise to return when she should
send for him. It seemed best to accept her appearance without question,
lest an inquiry should lead to a fresh outburst, more unbearable now
than before, since there seemed to be no way of leaving the house
without exposing her to danger. A nervous man like Israel Kafka might
spring up at any moment and do something dangerous.

After they had taken their places the silence lasted some moments.

"You did not believe all I told you this evening?" said Unorna softly,
with an interrogation in her voice.

"No," the Wanderer answered quietly, "I did not."

"I am glad of that--I was mad when I spoke."



CHAPTER XXIII

The Wanderer was not inclined to deny the statement which accorded well
enough with his total disbelief of the story Unorna had told him. But he
did not answer her immediately, for he found himself in a very difficult
position. He would neither do anything in the least discourteous beyond
admitting frankly that he had not believed her, when she taxed him
with incredulity; nor would say anything which might serve her as a
stepping-stone for returning to the original situation. He was, perhaps,
inclined to blame her somewhat less than at first, and her changed
manner in speaking of Kafka somewhat encouraged his leniency. A man
will forgive, or at least condone, much harshness to others when he is
thoroughly aware that it has been exhibited out of love for himself;
and a man of the Wanderer's character cannot help feeling a sort of
chivalrous respect and delicate forbearance for a woman who loves him
sincerely, though against his will, while he will avoid with an almost
exaggerated prudence the least word which could be interpreted as an
expression of reciprocal tenderness. He runs the risk, at the same time,
of being thrust into the ridiculous position of the man who, though
young, assumes the manner and speech of age and delivers himself of
grave, paternal advice to one who looks upon him, not as an elder, but
as her chosen mate.

After Unorna had spoken, the Wanderer, therefore, held his peace. He
inclined his head a little, as though to admit that her plea of madness
might not be wholly imaginary; but he said nothing. He sat looking at
Israel Kafka's sleeping face and outstretched form, inwardly wondering
whether the hours would seem very long before Keyork Arabian returned in
the morning and put an end to the situation. Unorna waited in vain for
some response, and at last spoke again.

"Yes," she said, "I was mad. You cannot understand it. I daresay you
cannot even understand how I can speak of it now, and yet I cannot help
speaking."

Her manner was more natural and quiet than it had been since the moment
of Kafka's appearance in the cemetery. The Wanderer noticed the tone.
There was an element of real sadness in it, with a leaven of bitter
disappointment and a savour of heartfelt contrition. She was in earnest
now, as she had been before, but in a different way. He could hardly
refuse her a word in answer.

"Unorna," he said gravely, "remember that you are leaving me no choice.
I cannot leave you alone with that poor fellow, and so, whatever you
wish to say, I must hear. But it would be much better to say nothing
about what has happened this evening--better for you and for me. Neither
men nor women always mean exactly what they say. We are not angels. Is
it not best to let the matter drop?"

Unorna listened quietly, her eyes upon his face.

"You are not so hard with me as you were," she said thoughtfully, after
a moment's hesitation, and there was a touch of gratitude in her voice.
As she felt the dim possibility of a return to her former relations of
friendship with him, Beatrice and the scene in the church seemed to be
very far away. Again the Wanderer found it difficult to answer.

"It is not for me to be hard, as you call it," he said quietly. There
was a scarcely perceptible smile on his face, brought there not by any
feeling of satisfaction, but by his sense of his own almost laughable
perplexity. He saw that he was very near being driven to the ridiculous
necessity of giving her some advice of the paternal kind. "It is not
for me, either, to talk to you of what you have done to Israel Kafka
to-day," he confessed. "Do not oblige me to say anything about it. It
will be much safer. You know it all better than I do, and you understand
your own reasons, as I never can. If you are sorry for him now, so much
the better--you will not hurt him any more if you can help it. If you
will say that much about the future I shall be very glad, I confess."

"Do you think that there is anything which I will not do--if you ask
it?" Unorna asked very earnestly.

"I do not know," the Wanderer answered, trying to seem to ignore
the meaning conveyed by her tone. "Some things are harder to do than
others----"

"Ask me the hardest!" she exclaimed. "Ask me to tell you the whole
truth----"

"No," he said firmly, in the hope of checking an outburst of passionate
speech. "What you have thought and done is no concern of mine. If you
have done anything that you are sorry for, without my knowledge, I
do not wish to know of it. I have seen you do many good and kind acts
during the last month, and I would rather leave those memories untouched
as far as possible. You may have had an object in doing them which in
itself was bad. I do not care. The deeds were good. Take credit for
them and let me give you credit for them. That will do neither of us any
harm."

"I could tell you--if you would let me--"

"Do not tell me," he interrupted. "I repeat that I do not wish to know.
The one thing that I have seen is bad enough. Let that be all. Do
you not see that? Besides, I am myself the cause of it in a
measure--unwilling enough, Heaven knows!"

"The only cause," said Unorna bitterly.

"Then I am in some way responsible. I am not quite without blame--we men
never are in such cases. If I reproach you, I must reproach myself as
well--"

"Reproach yourself!--ah no! What can you say against yourself?" she
could not keep the love out of her voice, if she would; her bitterness
had been for herself.

"I will not go into that," he answered. "I am to blame in one way or
another. Let us say no more about it. Will you let the matter rest?"

"And let bygones be bygones, and be friends to each other, as we were
this morning?" she asked, with a ray of hope.

The Wanderer was silent for a few seconds. His difficulties were
increasing. A while ago he had told her, as an excuse for herself, that
men and women did not always mean exactly what they said, and even now
he did not set himself up in his own mind as an exception to the rule.
Very honourable and truthful men do not act upon any set of principles
in regard to truth and honour. Their instinctively brave actions and
naturally noble truthfulness make those principles which are held up to
the unworthy for imitation, by those whose business is the teaching of
what is good. The Wanderer's only hesitation lay between answering the
question or not answering it.

"Shall we be friends again?" Unorna asked a second time, in a low tone.
"Shall we go back to the beginning?"

"I do not see how that is possible," he answered slowly.

Unorna was not like him, and did not understand such a nature as his as
she understood Keyork Arabian. She had believed that he would at least
hold out some hope.

"You might have spared me that!" she said, turning her face away. There
were tears in her voice.

A few hours earlier his answer would have brought fire to her eyes and
anger to her voice. But a real change had come over her, not lasting,
perhaps, but strong in its immediate effects.

"Not even a little friendship left?" she said, breaking the silence that
followed.

"I cannot change myself," he answered, almost wishing that he could. "I
ought, perhaps," he added, as though speaking to himself. "I have done
enough harm as it is."

"Harm? To whom?" She looked round suddenly and he saw the moisture in
her eyes.

"To him," he replied, glancing at Kafka, "and to you. You loved him
once. I have ruined his life."

"Loved him? No--I never loved him." She shook her head, wondering
whether she spoke the truth.

"You must have made him think so."

"I? No--he is mad." But she shrank before his honest look, and suddenly
broke down. "No--I will not lie to you--you are too true--yes, I loved
him, or I thought I did, until you came, and I saw that there was no
one----"

But she checked herself, as she felt the blood rising to her cheeks. She
could blush still, and still be ashamed. Even she was not all bad, now
that she was calm and that the change had come over her.

"You see," the Wanderer said gently, "I am to blame for it all."

"For it all? No--not for the thousandth part of it all. What blame have
you in being what you are? Blame God in Heaven--for making such a man.
Blame me for what you know; blame me for all that you will not let me
tell you. Blame Kafka for his mad belief in me and Keyork Arabian for
the rest--but do not blame yourself--oh, no! Not that!"

"Do not talk like that, Unorna," he said. "Be just first."

"What is justice?" she asked. Then she turned her head away again. "If
you knew what justice means for me--you would not ask me to be just. You
would be more merciful."

"You exaggerate----" He spoke kindly, but she interrupted him.

"No. You do not know, that is all. And you can never guess. There is
only one man living who could imagine such things as I have done--and
tried to do. He is Keyork Arabian. But he would have been wiser than I,
perhaps."

She relapsed into silence. Before her rose the dim altar in the church,
the shadowy figure of Beatrice standing up in the dark, the horrible
sacrilege that was to have been done. Her face grew dark with fear of
her own soul. The Wanderer went so far as to try and distract her from
her gloomy thoughts, out of pure kindness of heart.

"I am no theologian," he said, "but I fancy that in the long reckoning
the intention goes for more than the act."

"The intention!" she cried, looking back with a start. "If that be
true----"

With a shudder she buried her face in her two hands, pressing them to
her eyes as though to blind them to some awful sight. Then, with a short
struggle, she turned to him again.

"There is no forgiveness for me in Heaven," she said. "Shall there be
none on earth! Not even a little, from you to me?"

"There is no question of forgiveness between you and me. You have not
injured me, but Israel Kafka. Judge for yourself which of us two, he or
I, has anything to forgive. I am to-day what I was yesterday and may be
to-morrow. He lies there, dying of his love for you, if ever a man
died for love. And as though that were not enough, you have tortured
him--well, I will not speak of it. But that is all. I know nothing of
the deeds, or intentions, of which you accuse yourself. You are tired,
overwrought, worn out with all this--what shall I say? It is natural
enough, I suppose--"

"You say there is no question of forgiveness," she said, interrupting
him, but speaking more calmly. "What is it then? What is the real
question? If you have nothing to forgive why can we not be friends as we
were before?"

"There is something besides that needed. It is not enough that of two
people neither should have injured the other. You have broken something,
destroyed something--I cannot mend it. I wish I could."

"You wish you could?" she repeated earnestly.

"I wish that the thing had not been done. I wish that I had not seen
what I saw to-day. We should be where we were this morning--and he
perhaps would not be here."

"It must have come some day," Unorna said. "He must have seen that I
loved--that I loved you. Is there any use in not speaking plainly now?
Then at some other time, in some other place, he would have done what he
did, and I should have been angry and cruel--for it is my nature to
be cruel when I am angry, and to be angry easily, at that. Men talk so
easily of self-control, and self-command and dignity, and self-respect!
They have not loved--that is all. I am not angry now, nor cruel. I
am sorry for what I did, and I would undo it, if deeds were knots and
wishes deeds. I am sorry, beyond all words to tell you. How poor it
sounds now that I have said it! You do not even believe me."

"You are wrong. I know that you are in earnest."

"How do you know?" she asked bitterly. "Have I never lied to you? If you
believed me, you would forgive me. If you forgave me, your friendship
would come back. I cannot even swear to you that I am telling the truth.
Heaven would not be my witness now if I told a thousand truths, each
truer than the last."

"I have nothing to forgive," the Wanderer said, almost wearily. "I have
told you so, you have not injured me, but him."

"But if it meant a whole world to me--no, for I am nothing to you--but
if it cost you nothing, but the little breath that can carry the three
words--would you say it? Is it much to say? Is it like saying, I love
you, or, I honour you, respect you? It is so little, and would mean so
much."

"To me it can mean nothing, unless you ask me to forgive you deeds of
which I know nothing. And then it means still less to me."

"Will you say it, only say the three words once?"

"I forgive you," said the Wanderer quietly. It cost him nothing, and, to
him, meant less.

Unorna bent her head and was silent. It was something to have heard him
say it though he could not guess the least of the sins which she made it
include. She herself hardly knew why she had so insisted. Perhaps it was
only the longing to hear words kind in themselves, if not in tone, nor
in his meaning of them. Possibly, too, she felt a dim presentiment of
her coming end, and would take with her that infinitesimal grain of
pardon to the state in which she hoped for no other forgiveness.

"It was good of you to say it," she said at last.

A long silence followed during which the thoughts of each went their
own way. Suddenly Israel Kafka stirred in his sleep. The Wanderer went
quickly forward and knelt down beside him and arranged the silken pillow
as best he could. Unorna was on the other side almost as soon. With a
tenderness of expression and touch which nothing can describe she moved
the sleeping head into a comfortable position and smoothed the cushion,
and drew up the furs disturbed by the nervous hands. The Wanderer let
her have her way. When she had finished their eyes met. He could not
tell whether she was asking his approval and a word of encouragement,
but he withheld neither.

"You are very gentle with him. He would thank you if he could."

"Did you not tell me to be kind to him?" she said. "I am keeping my
word. But he would not thank me. He would kill me if he were awake."

The Wanderer shook his head.

"He was ill and mad with pain," he answered. "He did not know what he
was doing. When he wakes, it will be different."

Unorna rose, and the Wanderer followed her.

"You cannot believe that I care," she said, as she resumed her seat. "He
is not you. My soul would not be the nearer to peace for a word of his."

For a long time she sat quite still, her hands lying idly in her lap,
her head bent wearily as though she bore a heavy burden.

"Can you not rest?" the Wanderer asked at length. "I can watch alone."

"No. I cannot rest. I shall never rest again."

The words came slowly, as though spoken to herself.

"Do you bid me go?" she asked after a time, looking up and seeing his
eyes fixed on her.

"Bid you go? In your own house?" The tone was one of ordinary courtesy.
Unorna smiled sadly.

"I would rather you struck me than that you spoke to me like that!" she
exclaimed. "You have no need of such civil forbearance with me. If you
bid me go, I will go. If you bid me stay, I will not move. Only speak
frankly. Say which you would prefer."

"Then stay," said the Wanderer simply.

She bowed her head slightly and was silent again. A distant clock chimed
the hour. The morning was slowly drawing near.

"And you," said Unorna, looking up at the sound. "Will you not rest? Why
should you not sleep?"

"I am not tired."

"You do not trust me, I think," she answered sadly. "And yet you
might--you might." Her voice died away dreamily.

"Trust you to watch that poor man? Indeed I do. You were not acting just
now, when you touched him so tenderly. You are in earnest. You will be
kind to him, and I thank you for it."

"And you yourself? Do you fear nothing from me, if you should sleep
before my eyes? Do you not fear that in your unconsciousness I might
touch you and make you more unconscious still and make you dream dreams
and see visions?"

The Wanderer looked at her and smiled incredulously, partly out of scorn
for the imaginary danger, and partly because something told him that she
had changed and would not attempt any of her witchcraft upon him.

"No," he answered. "I am not afraid of that."

"You are right," she said gravely. "My sins are enough already. The evil
is sufficient. Do as you will. If you can sleep, then sleep in peace. If
you will watch, watch with me."

Then neither spoke again. Unorna bent her head as she had done before.
The Wanderer leaned back resting comfortably against the cushion of
the high carved chair, his eyes directed towards the place where Israel
Kafka lay. The air was warm, the scent of the flowers sweet but not
heavy. The silence was intense, for even the little fountain was still.
He had watched almost all night and his eyelids drooped. He forgot
Unorna and thought only of the sick man, trying to fix his attention on
the pale head as it lay under the bright light.

When Unorna looked up at last she saw that he was asleep. At first
she was surprised, in spite of what she had said to him half an hour
earlier, for she herself could not have closed her eyes, and felt that
she could never close them again. Then she sighed. It was but one proof
more of his supreme indifference. He had not even cared to speak to her,
and if she had not constantly spoken to him throughout the hours they
had passed together he would perhaps have been sleeping long before now.

And yet she feared to wake him and was almost glad that he was
unconscious. In the solitude she could gaze on him to her heart's
desire, she could let her eyes look their fill, and no one could say her
nay. He must be very tired, she thought, and she vaguely wondered why
she felt no bodily weariness, when her soul was so heavy.

She sat still and watched him. It might be the last time, she thought,
for who could tell what would happen to-morrow? She shuddered as she
thought of it all. What would Beatrice do? What would Sister Paul say?
How much would she tell of what she had seen? How much had she really
seen which she could tell clearly? There were terrible possibilities in
the future if all were known. Such deeds, and even the attempt at such
deeds as she had tried to do, could be judged by the laws of the land,
she might be brought to trial, if she lived, as a common prisoner, and
held up to the execration of the world in all her shame and guilt. But
death would be worse than that. As she thought of that other Judgment,
she grew dizzy with horror as she had been when the idea had first
entered her brain.

Then she was conscious that she was again looking at the Wanderer as he
lay back asleep in his tall chair. The pale and noble face expressed the
stainless soul and the manly character. She saw in it the peace she had
lost, and yet knew that through him she had lost her peace for ever.

It was perhaps the last time. Never again, perhaps, after the morning
had broken, should she look on what she loved best on earth. She would
be gone, ruined, dead perhaps. And he? He would be still himself. He
would remember her half carelessly, half in wonder, as a woman who had
once been almost his friend. That would be all that would be left in him
of her, beyond a memory of the repulsion he had felt for her deeds.

She fancied she could have met the worst in the future less hopelessly
if he could have remembered her a little more kindly when all was over.
Even now, it might be in her power to cast a veil upon the pictures in
his mind. But the mere thought was horrible to her, though a few hours
before she had hardly trembled at the doing of a frightful sacrilege. In
that short time the humiliation of failure, the realisation of what she
had almost done, above all the ever-rising tide of a real and passionate
love, had swept away many familiar landmarks in her thoughts, and had
turned much to lead which had once seemed brighter than gold. She hated
the very idea of using again those arts which had so directly wrought
her utter destruction. But she longed to know that in the world whither
he would doubtless go to-morrow he would bear with him one kind memory
of her, one natural friendly thought not grafted upon his mind by her
power, but growing of its own self in his inmost heart. Only a friendly
memory--nothing more than that.

She rose noiselessly and came to his side and looked down into his
face. Very long she stood there, motionless as a statue, beautiful as a
mourning angel.

It was so little that she asked. It was so little compared with all
she had hoped, or in comparison with all she had demanded, so little in
respect of what she had given. For she had given her soul. And in return
she asked only for one small kindly thought when all should be over.

She bent down as she stood and touched his cool forehead with her lips.

"Sleep on, my beloved," she said in a voice that murmured softly and
sadly.

She started a little at what she had done, and drew back, half afraid,
like an innocent girl. But as though he had obeyed her words, he seemed
to sleep more deeply still. He must be very tired, she thought, to sleep
like that, but she was thankful that the soft kiss, the first and last,
had not waked him.

"Sleep on," she said again in a whisper scarcely audible to herself.
"Forget Unorna, if you cannot think of her mercifully and kindly. Sleep
on, you have the right to rest, and I can never rest again. You have
forgiven--forget, too, then, unless you can remember better things of me
than I have deserved in your memory. Let her take her kingdom back. It
was never mine--remember what you will, forget at least the wrong I did,
and forgive the wrong you never knew--for you will know it surely some
day. Ah, love--I love you so--dream but one dream, and let me think
I take her place. She never loved you more than I, she never can. She
would not have done what I have done. Dream only that I am Beatrice for
this once. Then when you wake you will not think so cruelly of me. Oh,
that I might be she--and you your loving self--that I might be she for
one day in thought and word, in deed and voice, in face and soul! Dear
love--you would never know it, yet I should know that you had had one
loving thought for me. You would forget. It would not matter then
to you, for you would have only dreamed, and I should have the
certainty--for ever, to take with me always!"

As though the words carried a meaning with them to his sleeping senses,
a look of supreme and almost heavenly happiness stole over his sleeping
face. But Unorna could not see it. She had turned suddenly away, burying
her face in her hands upon the back of her own chair.

"Are there no miracles left in Heaven?" she moaned, half whispering lest
she should wake him. "Is there no miracle of deeds undone again and of
forgiveness given--for me? God! God! That we should be for ever what we
make ourselves!"

There were no tears in her eyes now, as there had been twice that night.
In her despair, that fountain of relief, shallow always and not apt
to overflow, was dried up and scorched with pain. And, for the time at
least, worse things were gone from her, though she suffered more. As
though some portion of her passionate wish had been fulfilled, she felt
that she could never do again what she had done; she felt that she
was truthful now as he was, and that she knew evil from good even as
Beatrice knew it. The horror of her sins took new growth in her changed
vision.

"Was I lost from the first beginning?" she asked passionately. "Was I
born to be all I am, and fore-destined to do all I have done? Was she
born an angel and I a devil from hell? What is it all? What is this
life, and what is that other beyond it?"

Behind her, in his chair, the Wanderer still slept. Still his face wore
the radiant look of joy that had so suddenly come into it as she turned
away. He scarcely breathed, so calmly he slept. But Unorna did not raise
her head nor look at him, and on the carpet near her feet Israel Kafka
lay as still and as deeply unconscious as the Wanderer himself. By a
strange destiny she sat there, between the two men in whom her whole
life had been wrecked, and she alone was waking.

When she at last raised her eyes the dawn was breaking. Through the
transparent roof of glass a cold gray light began to descend upon the
warm, still brightness of the lamps. The shadows changed, the colours
grew more cold, the dark nooks among the heavy foliage less black.
Israel Kafka's face was ghostly and livid--the Wanderer's had the
alabaster transparency that comes upon some strong men in sleep. Still,
neither stirred. Unorna turned from the one and looked upon the other.
For the first time she saw how he had changed, and wondered.

"How peacefully he sleeps!" she thought. "He is dreaming of her."

The dawn came stealing on, not soft and blushing as in southern lands,
but cold, resistless and grim as ancient fate; not the maiden herald of
the sun with rose-tipped fingers and grey, liquid eyes, but hard, cruel,
sullen, and less darkness following upon a greater and going before a
dull, sunless and heavy day.

The door opened somewhat noisily and a brisk step fell upon the marble
pavement. Unorna rose noiselessly to her feet and hastening along the
open space came face to face with Keyork Arabian. He stopped and looked
up at her from beneath his heavy brows, with surprise and suspicion. She
raised one finger to her lips.

"You here already?" he asked, obeying her gesture and speaking in a low
voice.

"Hush! Hush!" she whispered, not satisfied. "They are asleep. You will
wake them."

Keyork came forward. He could move quietly enough when he chose. He
glanced at the Wanderer.

"He looks comfortable enough," he whispered, half contemptuously.

Then he bent down over Israel Kafka and carefully examined his face. To
him the ghastly pallor meant nothing. It was but the natural result of
excessive exhaustion.

"Put him into a lethargy," said he under his breath, but with authority
in his manner.

Unorna shook her head. Keyork's small eyes brightened angrily.

"Do it," he said. "What is this caprice? Are you mad? I want to take his
temperature without waking him."

Unorna folded her arms.

"Do you want him to suffer more?" asked Keyork with a diabolical smile.
"If so I will wake him by all means; I am always at your service, you
know."

"Will he suffer, if he wakes naturally?"

"Horribly--in the head."

Unorna knelt down and let her hand rest a few seconds on Kafka's brow.
The features, drawn with pain, immediately relaxed.

"You have hypnotised the one," grumbled Keyork as he bent down again. "I
cannot imagine why you should object to doing the same for the other."

"The other?" Unorna repeated in surprise.

"Our friend there, in the arm chair."

"It is not true. He fell asleep of himself."

Keyork smiled again, incredulously this time. He had already applied
his pocket-thermometer and looked at his watch. Unorna had risen to her
feet, disdaining to defend herself against the imputation expressed in
his face. Some minutes passed in silence.

"He has no fever," said Keyork looking at the little instrument. "I will
call the Individual and we will take him away."

"Where?"

"To his lodging, of course. Where else?" He turned and went towards the
door.

In a moment, Unorna was kneeling again by Kafka's side, her hand upon
his forehead, her lips close to his ear.

"This is the last time that I will use my power on you or upon any one,"
she said quickly, for the time was short. "Obey me, as you must. Do you
understand me? Will you obey?"

"Yes," came the faint answer as from very far off.

"You will wake two hours from now. You will not forget all that has
happened, but you will never love me again. I forbid you ever to love me
again! Do you understand?"

"I understand."

"You will only forget that I have told you this, though you will obey.
You will see me again, and if you can forgive me of your own free will,
forgive me then. That must be of your own free will. Wake in two hours
of yourself, without pain or sickness."

Again she touched his forehead and then sprang to her feet. Keyork was
coming back with his dumb servant. At a sign, the Individual lifted
Kafka from the floor, taking from him the Wanderer's furs and wrapping
him in others which Keyork had brought. The strong man walked away with
his burden as though he were carrying a child. Keyork Arabian lingered a
moment.

"What made you come back so early?" he asked.

"I will not tell you," she answered, drawing back.

"No? Well, I am not curious. You have an excellent opportunity now."

"An opportunity?" Unorna repeated with a cold interrogative.

"Excellent," said the little man, standing on tiptoe to reach her ear,
for she would not bend her head. "You have only to whisper into his ear
that you are Beatrice and he will believe you for the rest of his life."

"Go!" said Unorna.

Though the word was not spoken above her breath it was fierce and
commanding. Keyork Arabian smiled in an evil way, shrugged his shoulders
and left her.



CHAPTER XXIV

Unorna was left alone with the Wanderer. His attitude did not change,
his eyes did not open, as she stood before him. Still he wore the look
which had at first attracted Keyork Arabian's attention and which had
amazed Unorna herself. It was the expression that had come into his face
in the old cemetery when in his sleep she had spoken to him of love.

"He is dreaming of her," Unorna said to herself again, as she turned
sadly away.

But since Keyork had been with her a doubt had assailed her which
painfully disturbed her thoughts, so that her brow contracted with
anxiety and from time to time she drew a quick hard breath. Keyork had
taken it for granted that the Wanderer's sleep was not natural.

She tried to recall what had happened shortly before dawn but it was
no wonder that her memory served her ill and refused to bring back
distinctly the words she had spoken. Her whole being was unsettled and
shaken, so that she found it hard to recognise herself. The stormy hours
through which she had lived since yesterday had left their trace; the
lack of rest, instead of producing physical exhaustion, had brought
about an excessive mental weariness, and it was not easy for her now to
find all the connecting links between her actions. Then, above all else,
there was the great revulsion that had swept over her after her last and
greatest plan of evil had failed, causing in her such a change as could
hardly have seemed natural or even possible to a calm person watching
her inmost thoughts.

And yet such sudden changes take place daily in the world of crime and
passion. In one uncalled-for confession, of which it is hard to trace
the smallest reasonable cause, the intricate wickednesses of a lifetime
are revealed and repeated; in the mysterious impulse of a moment the
murderer turns back and delivers himself to justice; under an influence
for which there is often no accounting, the woman who has sinned
securely through long years lays bare her guilt and throws herself
upon the mercy of the man whom she has so skilfully and consistently
deceived. We know the fact. The reason we cannot know. Perhaps, to
natures not wholly bad, sin is a poison of which the moral organization
can only bear a certain fixed amount, great or small, before rejecting
it altogether and with loathing. We do not know. We speak of the
workings of conscience, not understanding what we mean. It is like that
subtle something which we call electricity; we can play with it, command
it, lead it, neutralise it and die of it, make light and heat with it,
or language and sound, kill with it and cure with it, while absolutely
ignorant of its nature. We are no nearer to a definition of it than the
Greek who rubbed a bit of amber and lifted with it a tiny straw, and
from amber, Elektron called the something electricity. Are we even as
near as that to a definition of the human conscience?

The change that had come over Unorna, whether it was to be lasting or
not, was profound. The circumstances under which it took place are plain
enough. The reasons must be left to themselves--it remains only to tell
the consequences which thereon followed.

The first of these was a hatred of that extraordinary power with which
nature had endowed her, which brought with it a determination never
again to make use of it for any evil purpose, and, if possible, never
even for good.

But as though her unhappy fate were for ever fighting against her good
impulses, that power of hers had exerted itself unconsciously, since
her resolution had been formed. Keyork Arabian's words, and his evident
though unspoken disbelief in her denial, showed that he at least was
convinced of the fact that the Wanderer was not sleeping a natural
sleep. Unorna tried to recall what she had done and said, but all was
vague and indistinct. Of one thing she was sure. She had not laid her
hand upon his forehead, and she had not intentionally done any of those
things which she had always believed necessary for producing the results
of hypnotism. She had not willed him to do anything, she thought and she
felt sure that she had pronounced no words of the nature of a command.
Step by step she tried to reconstruct for her comfort a detailed
recollection of what had passed, but every effort in that direction was
fruitless. Like many men far wiser than herself, she believed in the
mechanics of hypnotic science, in the touches, in the passes, in the
fixed look, in the will to fascinate. More than once Keyork Arabian had
scoffed at what he called her superstitions, and had maintained that
all the varying phenomena of hypnotism, all the witchcraft of the darker
ages, all the visions undoubtedly shown to wondering eyes by mediaeval
sorcerers, were traceable to moral influence, and to no other cause.
Unorna could not accept his reasoning. For her there was a deeper and
yet a more material mystery in it, as in her own life, a mystery which
she cherished as an inheritance, which impressed her with a sense of
her own strange destiny and of the gulf which separated her from other
women. She could not detach herself from the idea that the supernatural
played a part in all her doings, and she clung to the use of gestures
and passes and words in the exercise of her art, in which she fancied
a hidden and secret meaning to exist. Certain things had especially
impressed her. The not uncommon answer of hypnotics to the question
concerning their identity, "I am the image in your eyes," is undoubtedly
elicited by the fact that their extraordinarily acute and, perhaps,
magnifying vision, perceives the image of themselves in the eyes of
the operator with abnormal distinctness, and, not impossibly, of a
size quite incompatible with the dimensions of the pupil. To Unorna the
answer meant something more. It suggested the actual presence of the
person she was influencing, in her own brain, and whenever she was
undertaking anything especially difficult, she endeavoured to obtain the
reply relating to the image as soon as possible.

In the present case, she was sure that she had done none of the things
which she considered necessary to produce a definite result. She was
totally unconscious of having impressed upon the sleeper any suggestion
of her will. Whatever she had said, she had addressed the words to
herself without any intention that they should be heard and understood.

These reflections comforted her as she paced the marble floor, and yet
Keyork's remark rang in her ears and disturbed her. She knew how vast
his experience was and how much he could tell by a single glance at
a human face. He had been familiar with every phase of hypnotism long
before she had known him, and might reasonably be supposed to know
by inspection whether the sleep were natural or not. That a person
hypnotised may appear to sleep as naturally as one not under the
influence is certain, but the condition of rest is also very often
different, to a practised eye, from that of ordinary slumber. There is
a fixity in the expression of the face, and in the attitude of the
body, which cannot continue under ordinary circumstances. He had perhaps
noticed both signs in the Wanderer.

She went back to his side and looked at him intently. She had scarcely
dared to do so before, and she felt that she might have been mistaken.
The light, too, had changed, for it was broad day, though the lamps were
still burning. Yet, even now, she could not tell. Her judgment of what
she saw was disturbed by many intertwining thoughts.

At least, he was happy. Whatever she had done, if she had done anything,
it had not hurt him. There was no possibility of misinterpreting the
sleeping man's expression.

She wished that he would wake, though she knew how the smile would fade,
how the features would grow cold and indifferent, and how the grey eyes
she loved would open with a look of annoyance at seeing her before him.
It was like a vision of happiness in a house of sorrow to see him lying
there, so happy in his sleep, so loving, so peaceful. She could make
it all to last, too, if she would, and she realised that with a sudden
pang. The woman of whom he dreamed, whom he had loved so faithfully and
sought so long, was very near him. A word from Unorna and Beatrice could
come and find him as he lay asleep, and herself open the dear eyes.

Was that sacrifice to be asked of her before she was taken away to the
expiation of her sins? Fate could not be so very cruel--and yet the mere
idea was an added suffering. The longer she looked at him the more the
possibility grew and tortured her.

After all, it was almost certain that they would meet now, and at the
meeting she felt sure that all his memory would return. Why should she
do anything, why should she raise her hand, to bring them to each other?
It was too much to ask. Was it not enough that both were free, and both
in the same city together, and that she had vowed neither to hurt nor
hinder them? If it was their destiny to be joined together it would so
happen surely in the natural course; if not, was it her part to join
them? The punishment of her sins, whatever it should be, she could bear;
but this thing she could not do.

She passed her hand across her eyes as though to drive it away, and
her thoughts came back to the point from which they had started. The
suspense became unbearable when she realised that she did not know in
what condition the Wanderer would wake, nor whether, if left to nature,
he would wake at all. She could not endure it any longer. She touched
his sleeve, lightly at first, and then more heavily. She moved his arm.
It was passive in her hand and lay where she placed it. Yet she would
not believe that she had made him sleep. She drew back and looked at
him. Then her anxiety overcame her.

"Wake!" she cried, aloud. "For God's sake, wake! I cannot bear it!"

His eyes opened at the sound of her voice, naturally and quietly. Then
they grew wide and deep and fixed themselves in a great wonder of many
seconds. Then Unorna saw no more.

Strong arms lifted her suddenly from her feet and pressed her fiercely
and carried her, and she hid her face. A voice she knew sounded, as she
had never heard it sound, nor hoped to hear it.

"Beatrice!" it cried, and nothing more.

In the presence of that strength, in the ringing of that cry, Unorna was
helpless. She had no power of thought left in her, as she felt herself
borne along, body and soul, in the rush of a passion more masterful than
her own.

Then she was on her feet again, but his arms were round her still, and
hers, whether she would or not, were clasped about his neck. Dreams,
truth, faith kept or broken, hell and Heaven itself were swept away, all
wrecked together in the tide of love. And through it all his voice was
in her ear.

"Love, love, at last! From all the years, you have come back--at
last--at last!"

Broken and almost void of sense the words came then, through the storm
of his kisses and the tempest of her tears. She could no more resist him
nor draw herself away than the frail ship, wind-driven through crashing
waves, can turn and face the blast; no more than the long dry grass
can turn and quench the roaring flame; no more than the drooping willow
bough can dam the torrent and force it backwards up the steep mountain
side.

In those short, false moments, Unorna knew what happiness could mean.
Torn from herself, lifted high above the misery and the darkness of
her real life, it was all true to her. There was no other Beatrice but
herself, no other woman whom he had ever loved. An enchantment greater
than her own was upon her and held her in bonds she could neither bend
nor break.

She was sitting in her own chair now and he was kneeling before her,
holding her hands and looking up to her. For him the world held nothing
else. For him her hair was black as night; for him the unlike eyes
were dark and fathomless; for him the heavy marble hand was light,
responsive, delicate; for him her face was the face of Beatrice, as
he had last seen it long ago. The years had passed, indeed, and he had
sought her through many lands, but she had come back to him the same, in
the glory of her youth, in the strength of her love, in the divinity of
her dark beauty, his always, through it all, his now--for ever.

For a long time he did not speak. The words rose to his lips and failed
of utterance, as the first mist of early morning is drawn heavenwards to
vanish in the rising sun. The long-drawn breath could have made no sound
of sweeter meaning than the unspoken speech that rose in the deep gray
eyes. Nature's grand organ, touched by hands divine, can yield no chord
more moving than a lover's sigh.

Words came at last, as after the welcome shower in summer's heat the
song of birds rings through the woods, and out across the fields, upon
the clear, earth-scented air--words fresh from their long rest within
his heart, unused in years of loneliness but unforgotten and familiar
still--untarnished jewels from the inmost depths; rich treasures from
the storehouse of a deathless faith; diamonds of truth, rubies of
passion, pearls of devotion studding the golden links of the chain of
love.

"At last--at last--at last! Life of my life, the day is come that is not
day without you, and now it will always be day for us two--day without
end and sun for ever! And yet, I have seen you always in my night, just
as I see you now. As I hold your dear hands, I have held them--day by
day and year by year--and I have smoothed that black hair of yours that
I love, and kissed those dark eyes of yours many and many a thousand
times. It has been so long, love, so very long! But I knew it would come
some day. I knew I should find you, for you have been always with me,
dear--always and everywhere. The world is all full of you, for I have
wandered through it all and taken you with me and made every place yours
with the thought of you, and the love of you and the worship of you. For
me, there is not an ocean nor a sea nor a river, nor rock nor island
nor broad continent of earth, that has not known Beatrice and loved
her name. Heart of my heart, soul of my soul--the nights and the
days without you, the lands and the oceans where you were not, the
endlessness of this little world that hid you somewhere, the littleness
of the whole universe without you--how can you ever know what it has
been to me? And so it is gone at last--gone as a dream of sickness in
the morning of health; gone as the blackness of storm-clouds in the
sweep of the clear west wind; gone as the shadow of evil before the face
of an angel of light! And I know it all. I see it all in your eyes.
You knew I was true, and you knew I sought you, and would find you at
last--and you have waited--and there has been no other, not the thought
of another, not the passing image of another between us. For I know
there has not been that and I should have known it anywhere in all these
years, the chill of it would have found me, the sharpness of it would
have been in my heart--no matter where, no matter how far--yet say it,
say it once--say that you have loved me, too--"

"God knows how I have loved you--how I love you now!" Unorna said in a
low, unsteady voice.

The light that had been in his face grew brighter still as she spoke,
while she looked at him, wondering, her head thrown back against the
high chair, her eyelids wet and drooping, her lips still parted, her
hand in his. Small wonder if he had loved her for herself, she was so
beautiful. Small wonder it would have been if she had taken Beatrice's
place in his heart during those weeks of close and daily converse.
But that first great love had left no fertile ground in which to plant
another seed, no warmth of kindness under which the tender shoot might
grow to strength, no room beneath its heaven for other branches than its
own. Alone it had stood in majesty as a lordly tree, straight, tall, and
ever green, on a silent mountain top. Alone it had borne the burden
of grief's heavy snows; unbent, for all its loneliness, it had stood
against the raging tempest; and green still, in all its giant strength
of stem and branch, in all its kingly robe of unwithered foliage.
Unscathed, unshaken, it yet stood. Neither storm nor lightning, wind
nor rain, sun nor snow had prevailed against it to dry it up and cast it
down that another might grow in its place.

Yet this love was not for her to whom he spoke, and she knew it as she
answered him, though she answered truly, from the fulness of her heart.
She had cast an enchantment over him unwittingly, and she was taken in
the toils of her own magic even as she had sworn that she would never
again put forth her powers. She shuddered as she realised it all. In a
few short moments she had felt his kisses, and heard his words, and been
clasped to his heart, as she had many a time madly hoped. But in those
moments, too, she had known the truth of her woman's instinct when it
had told her that love must be for herself and for her own sake, or not
be love at all.

The falseness, the fathomless untruth of it, would have been bad enough
alone. But the truth that was so strong made it horrible. Had she but
inspired in him a burning love for herself, however much against his
will, it would have been very different. She would have heard her name
from his lips, she would have known that all, however false, however
artificial, was for herself, while it might last. To know that it was
real, and not for her, was intolerable. To see this love of his break
out at last--this other love which she had dreaded, against which she
had fought, which she had met with a jealousy as strong as itself, and
struggled with and buried under an imposed forgetfulness--to feel its
great waves surging around her and beating up against her heart, was
more than she could bear. Her face grew whiter and her hands were cold.
She dreaded each moment lest he should call her Beatrice again, and say
that her fair hair was black and that he loved those deep dark eyes of
hers.

There had been one moment of happiness, in that first kiss, in the first
pressure of those strong arms. Then night descended. The hands that held
her had not been yet unclasped, the kiss was not cold upon her cheek,
the first great cry of his love had hardly died away in a softened
echo, and her punishment was upon her. His words were lashes, his
touch poison, his eyes avenging fires. As in nature's great alchemy the
diamond and the blackened coal are one, as nature with the same elements
pours life and death from the same vial with the same hand, so now the
love which would have been life to Unorna was made worse than death
because it was not for her.

Yet the disguise was terribly perfect. The unconscious spell had
done its work thoroughly. He took her for Beatrice, and her voice for
Beatrice's there in the broad light, in the familiar place where he had
so often talked with her for hours and known her for Unorna. But a few
paces away was the very spot where she had fallen at his feet last night
and wept and abused herself before him. There was the carpet on which
Israel Kafka had lain throughout the long hours while they had watched
together. Upon that table at her side a book lay which they had read
together but two days ago. In her own chair she sat, Unorna still,
unchanged, unaltered save for him. She doubted her own senses as she
heard him speak, and ever and again the name of Beatrice rang in her
ears. He looked at her hands, and knew them; at her black dress,
and knew it for her own, and yet he poured out the eloquence of his
love--kneeling, then standing, then sitting at her side, drawing her
head to his shoulder and smoothing her fair hair--so black to him--with
a gentle hand. She was passive through it all, as yet. There seemed to
be no other way. He paused sometimes, then spoke again. Perhaps, in
the dream that possessed him, he heard her speak. Possibly, he was
unconscious of her silence, borne along by the torrent of his own long
pent-up speech. She could not tell, she did not care to know. Of one
thing alone she thought, of how to escape from it all and be alone.

She feared to move, still more to rise, not knowing what he would do. As
he was now, she could not tell what effect her words would have if
she spoke. It might be but a passing state after all. What would the
awakening be? Would his forgetfulness of Beatrice and his coldness to
herself return with the subsidence of his passion? Far better that than
to see him and hear him as he was now.

And yet there were moments now and then when he pronounced no name, when
he recalled no memory of the past, when there was only the tenderness
of love itself in his words, and then, as she listened, she could almost
think it was for her. It was bitter joy, unreal and fantastic, but it
was a relief. Had she loved him less, such a conflict between sense and
senses would have been impossible even in imagination. But she loved
him greatly and the deep desire to be loved in turn was in her still,
shaming her better thoughts, but sometimes ruling her in spite of
herself and of the pain she suffered with each word self-applied. All
the vast contradictions, all the measureless inconsistency, all the
enormous selfishness of which human hearts are capable, had met in hers
as in a battle-ground, fighting each other, rending what they found
of herself amongst them, sometimes uniting to throw their whole weight
together against the deep-rooted passion, sometimes taking side with it
to drive out every other rival.

It was shameful, base, despicable, and she knew it. A moment ago she had
longed to tear herself away, to silence him, to stop her ears, anything
not to hear those words that cut like whips and stung like scorpions.
And now again she was listening for the next, eagerly, breathlessly,
drunk with their sound and revelling almost in the unreality of the
happiness they brought. More and more she despised herself as the
intervals between one pang of suffering and the next grew longer, and
the illusion deeper and more like reality.

After all, it was he, and no other. It was the man she loved who was
pouring out his own love into her ears, and smoothing her hair and
pressing the hand he held. Had he not said it once, and more than once?
What matter where, what matter how, provided that he loved? She had
received the fulfilment of her wish. He loved her now. Under another
name, in a vision, with another face and another voice, yet, still, she
was herself.

As in a storm the thunder-claps came crashing through the air, deafening
and appalling at first, then rolling swiftly into a far distance,
fainter and fainter, till all is still and only the plash of the
fast-falling rain is heard, so, as she listened, the tempest of her pain
was passing away. Easier and easier it became to hear herself called
Beatrice, easier and easier it grew to take the other's place, to accept
the kiss, the touch, the word, the pressure of the hand that were all
another's due, and given to herself only for the mask she wore in his
dream.

And the tide of the great temptation rose, and fell a little, and rose
higher again each time, till it washed the fragile feet of the last
good thought that lingered, taking refuge on the highest point above the
waves. On and on it came, receding and coming back, higher and higher,
surer and surer. Had she drawn back in time it would have been so easy.
Had she turned and fled when the first moment of senseless joy was
over, when she could still feel all the shame, and blush for all the
abasement, it would have been over now, and she would have been safe.
But she had learned to look upon the advancing water, and the sound of
it had no more terror for her. It was very high now. Presently it would
climb higher and close above her head.

There were long intervals of silence now. The first rush of his speech
had spent itself, for he had told her much and she had heard it all,
even through the mists of her changing moods. And now that he was silent
she longed to hear him speak again. She could never weary of that voice.
It had been music to her in the days when it had been full of cold
indifference--now each vibration roused high harmonies in her heart,
each note was a full chord, and all the chords made but one great
progression. She longed to hear it all again, wondering greatly how it
could never have been not good to hear.

Then with the greater temptation came the less, enclosed within it,
suddenly revealed to her. There was but one thing she hated in it all.
That was the name. Would he not give her another--her own perhaps? She
trembled as she thought of speaking. Would she still have Beatrice's
voice? Might not her own break down the spell and destroy all at once?
Yet she had spoken once before. She had told him that she loved him and
he had not been undeceived.

"Beloved--" she said at last, lingering on the single word and then
hesitating.

He looked into her face as he drew her to him, with happy eyes. She
might speak, then, for he would hear tones not hers.

"Beloved, I am tired of my name. Will you not call me by another?" She
spoke very softly.

"By another name?" he exclaimed, surprised, but smiling at what seemed a
strange caprice.

"Yes. It is a sad name to me. It reminds me of many things--of a time
that is better forgotten since it is gone. Will you do it for me? It
will make it seem as though that time had never been."

"And yet I love your own name," he said, thoughtfully. "It is so
much--or has been so much in all these years, when I had nothing but
your name to love."

"Will you not do it? It is all I ask."

"Indeed I will, if you would rather have it so. Do you think there is
anything that I would not do if you asked it of me?"

They were almost the words she had spoken to him that night when they
were watching together by Israel Kafka's side. She recognised them and a
strange thrill of triumph ran through her. What matter how? What matter
where? The old reckless questions came to her mind again. If he loved
her, and if he would but call her Unorna, what could it matter, indeed?
Was she not herself? She smiled unconsciously.

"I see it pleases you," he said tenderly. "Let it be as you wish. What
name will you choose for your dear self?"

She hesitated. She could not tell how far he might remember what was
past. And yet, if he had remembered he would have seen where he was in
the long time that had passed since his awakening.

"Did you ever--in your long travels--hear the name Unorna?" she asked
with a smile and a little hesitation.

"Unorna? No. I cannot remember. It is a Bohemian word--it means 'she of
February.' It has a pretty sound--half familiar to me. I wonder where I
have heard it."

"Call me Unorna, then. It will remind us that you found me in February."



CHAPTER XXV

After carefully locking and bolting the door of the sacristy Sister Paul
turned to Beatrice. She had set down her lamp upon the broad, polished
shelf which ran all round the place, forming the top of a continuous
series of cupboards, as in most sacristies, used for the vestments
of the church. At the back of these high presses rose half way to the
spring of the vault.

The nun seemed a little nervous and her voice quavered oddly as she
spoke. If she had tried to take up her lamp her hand would have shaken.
In the moment of danger she had been brave and determined, but now that
all was over her enfeebled strength felt the reaction from the strain.
She turned to Beatrice and met her flashing black eyes. The young girl's
delicate nostrils quivered and her lips curled fiercely.

"You are angry, my dear child," said Sister Paul. "So am I, and it seems
to me that our anger is just enough. 'Be angry and sin not.' I think we
can apply that to ourselves."

"Who is that woman?" Beatrice asked. She was certainly angry, as the
nun had said, but she felt by no means sure that she could resist the
temptation of sinning if it presented itself as the possibility of
tearing Unorna to pieces.

"She was once with us," the nun answered. "I knew her when she was a
mere girl--and I loved her then, in spite of her strange ways. But she
has changed. They call her a Witch--and indeed I think it is the only
name for her."

"I do not believe in witches," said Beatrice, a little scornfully. "But
whatever she is, she is bad. I do not know what it was that she wanted
me to do in the church, upon the altar there--it was something horrible.
Thank God you came in time! What could it have been, I wonder?"

Sister Paul shook her head sorrowfully, but said nothing. She knew
no more than Beatrice of Unorna's intention, but she believed in the
existence of a Black Art, full of sacrilegious practices, and credited
Unorna vaguely with the worst designs which she could think of, though
in her goodness she was not able to imagine anything much worse than
the saying of a _Pater Noster_ backwards in a consecrated place. But she
preferred to say nothing, lest she should judge Unorna unjustly. After
all, she did not know. What she had seen had seemed bad enough and
strange enough, but apart from the fact that Beatrice had been found
upon the altar, where she certainly had no business to be, and that
Unorna had acted like a guilty woman, there was little to lay hold of in
the way of fact.

"My child," she said at last, "until we know more of the truth, and have
better advice than we can give each other, let us not speak of it to
any one of the sisters. In the morning I will tell all I have seen in
confession, and then I shall get advice. Perhaps you should do the same.
I know nothing of what happened before you left your room. Perhaps you
have something to reproach yourself with. It is not for me to ask. Think
it over."

"I will tell you the whole truth," Beatrice answered, resting her elbow
upon the polished shelf and supporting her head in her hand, while she
looked earnestly into Sister Paul's faded eyes.

"Think well, my daughter. I have no right to any confession from you. If
there is anything----"

"Sister Paul--you are a woman, and I must have a woman's help. I have
learned something to-night which will change my whole life. No--do not
be afraid--I have done nothing wrong. At least, I hope not. While my
father lived, I submitted. I hoped, but I gave no sign. I did not even
write, as I once might have done. I have often wished that I had--was
that wrong?"

"But you have told me nothing, dear child. How can I answer you?" The
nun was perplexed.

"True. I will tell you. Sister Paul--I am five-and-twenty years old,
I am a grown woman and this is no mere girl's love story. Seven years
ago--I was only eighteen then--I was with my father as I have been ever
since. My mother had not been dead long then--perhaps that is the reason
why I seemed to be everything to my father. But they had not been
happy together, and I had loved her best. We were travelling--no
matter where--and then I met the man I have loved. He was not of our
country--that is, of my father's. He was of the same people as my
mother. Well--I loved him. How dearly you must guess, and try to
understand. I could not tell you that. No one could. It began gradually,
for he was often with us in those days. My father liked him for his wit,
his learning, though he was young; for his strength and manliness--for a
hundred reasons which were nothing to me. I would have loved him had
he been a <DW36>, poor, ignorant, despised, instead of being what he
was--the grandest, noblest man God ever made. For I did not love him
for his face, nor for his courtly ways, nor for such gifts as other men
might have, but for himself and for his heart--do you understand?"

"For his goodness," said Sister Paul, nodding in approval. "I
understand."

"No," Beatrice answered, half impatiently. "Not for his goodness either.
Many men are good, and so was he--he must have been, of course. No
matter. I loved him. That is enough. He loved me, too. And one day we
were alone, in the broad spring sun, upon a terrace. There were lemon
trees there--I can see the place. Then we told each other that we
loved--but neither of us could find the words--they must be somewhere,
those strong beautiful words that could tell how we loved. We told each
other--"

"Without your father's consent?" asked the nun almost severely.

Beatrice's eyes flashed. "Is a woman's heart a dog that must follow at
heel?" she asked fiercely. "We loved. That was enough. My father had
the power, but not the heart, to come between. We told him, then, for
we were not cowards. We told him boldly that it must be. He was a
thoughtful man, who spoke little. He said that we must part at once,
before we loved each other better--and that we should soon forget. We
looked at each other, the man I loved and I. We knew that we should love
better yet, parted or together, though we could not tell how that could
be. But we knew also that such love as there was between us was enough.
My father gave no reasons, but I knew that he hated the name of my
mother's nation. Of course we met again. I remember that I could cry in
those days. My father had not learned to part us then. Perhaps he was
not quite sure himself, at all events the parting did not come so soon.
We told him that we would wait, for ever if it must be. He may have been
touched, though little touched him at the best. Then, one day, suddenly
and without warning, he took me away to another city. And what of him?
I asked. He told me that there was an evil fever in the city and that
it had seized him--the man I loved. 'He is free to follow us if he
pleases,' said my father. But he never came. Then followed a journey,
and another, and another, until I knew that my father was travelling
to avoid him. When I saw that I grew silent, and never spoke his name
again. Farther and farther, longer and longer, to the ends of the earth.
We saw many people, many asked for my hand. Sometimes I heard of him,
from men who had seen him lately. I waited patiently, for I knew that he
was on our track, and sometimes I felt that he was near."

Beatrice paused.

"It is a strange story," said Sister Paul, who had rarely heard a tale
of love.

"The strange thing is this," Beatrice answered. "That woman--what is her
name? Unorna? She loves him, and she knows where he is."

"Unorna?" repeated the nun in bewilderment.

"Yes. She met me after Compline to-night. I could not but speak to her,
and then I was deceived. I cannot tell whether she knew what I am to
him, but she deceived me utterly. She told me a strange story of her own
life. I was lonely. In all those years I have never spoken of what has
filled me. I cannot tell how it was. I began to speak, and then I forgot
that she was there, and told all."

"She made you tell her, by her secret arts," said Sister Paul in a low
voice.

"No--I was lonely and I believed that she was good, and I felt that I
must speak. Then--I cannot think how I could have been so mad--but I
thought that we should never meet again, and I showed her a likeness of
him. She turned on me. I shall not forget her face. I heard her say that
she knew him and loved him too. When I awoke I was lying on the altar.
That is all I know."

"Her evil arts, her evil arts," repeated the nun, shaking her head.
"Come, my dear child, let us see if all is in order there, upon the
altar. If these things are to be known they must be told in the right
quarter. The sacristan must not see that any one has been in the
church."

Sister Paul took up the lamp, but Beatrice laid a hand upon her arm.

"You must help me to find him," she said firmly. "He is not far away."

Her companion looked at her in astonishment.

"Help you to find him?" she stammered. "But I cannot--I do not know--I
am afraid it is not right--an affair of love--"

"An affair of life, Sister Paul, and of death too, perhaps. This woman
lives in Prague. She is rich and must be well known--"

"Well known, indeed. Too well known--the Witch they call her."

"Then there are those who know her. Tell me the name of one person
only--it is impossible that you should not remember some one who is
acquainted with her, who has talked with you of her--perhaps one of the
ladies who have been here in retreat."

The nun was silent for a moment, gathering her recollections.

"There is one, at least, who knows her," she said at length. "A great
lady here--it is said that she, too, meddles with forbidden practices
and that Unorna has often been with her--that together they have called
up the spirits of the dead with strange rappings and writings. She
knows her, I am sure, for I have talked with her and she says it is
all natural, and that there is a learned man with them sometimes, who
explains how all such things may happen in the course of nature--a
man--let me see, let me see--it is George, I think, but not as we
call it, not Jirgi, nor Jegor--no--it sounds harder--Ke-Keyrgi--no,
Keyork--Keyork Aribi----"

"Keyork Arabian!" exclaimed Beatrice. "Is he here?"

"You know him?" Sister Paul looked almost suspiciously at the young
girl.

"Indeed I do. He was with us in Egypt once. He showed us wonderful
things among the tombs. A strange little man, who knew everything, but
very amusing."

"I do not know. But that is his name. He lives in Prague."

"How can I find him? I must see him at once--he will help me."

The nun shook her head with disapproval.

"I should be sorry that you should talk with him," she said. "I fear he
is no better than Unorna, and perhaps worse."

"You need not fear," Beatrice answered, with a scornful smile. "I am not
in the least afraid. Only tell me how I am to find him. He lives here,
you say--is there no directory in the convent?"

"I believe the portress keeps such a book," said Sister Paul still
shaking her head uneasily. "But you must wait until the morning, my
dear child, if you will do this thing. Of the two, I should say that you
would do better to write to the lady. Come, we must be going. It is very
late."

She had taken the lamp again and was moving slowly towards the door.
Beatrice had no choice but to submit. It was evident that nothing more
could be done at present. The two women went back into the church, and
going round the high altar began to examine everything carefully. The
only trace of disorder they could discover was the fallen candlestick,
so massive and strong that it was not even bent or injured. They climbed
the short wooden steps, and uniting their strength, set it up again,
carefully and in its place, restoring the thick candle to the socket.
Though broken in the middle by the fall, the heavy wax supported itself
easily enough. Then they got down again and Sister Paul took away the
steps. For a few moments both women knelt down before the altar.

They left the church by the nuns' staircase, bolting the door behind
them, and ascended to the corridors and reached Beatrice's room.
Unorna's door was open, as the nun had left it, and the yellow light
streamed upon the pavement. She went in and extinguished the lamp, and
then came back to Beatrice.

"Are you not afraid to be alone after what has happened?" she asked.

"Afraid? Of what? No, indeed." Then she thanked her companion again and
kissed Sister Paul's waxen cheek.

"Say a prayer, my daughter--and may all be well with you, now and ever!"
said the good sister as she went away through the darkness. She needed
no light in the familiar way to her cell.

Beatrice searched among her numerous belongings and at last brought out
a writing-case. Then she sat down to her table by the light of the lamp
that had illuminated so many strange sights that night.

She wrote the name of the convent clearly upon the paper, and then wrote
a plain message in the fewest possible words. Something of her strong,
devoted nature showed itself in her handwriting.


"Beatrice Varanger begs that Keyork Arabian will meet her in the parlour
of the convent as soon after receiving this as possible. The matter is
very important."


She had reasons of her own for believing that Keyork had not forgotten
her in the five years or more since they had been in Egypt together.
Apart from the fact that his memory had always been surprisingly good,
he had at that time professed the most unbounded admiration for her, and
she remembered with a smile his quaint devotion, his fantastic courtesy,
and his gnome-like attempts at grace.

She folded the note, to wait for the address which she could not
ascertain until the morning. She could do nothing more. It was nearly
two o'clock and there was evidently nothing to be done but to sleep.

As she laid her head upon the pillow a few minutes later she was
amazed at her own calm. Strong natures, in great tests, often surprise
themselves far more than they surprise others. Others see the results,
always simpler in proportion as they are greater. But the actors
themselves alone know how hard the great and simple can seem.

Beatrice's calmness was not only of the outward kind at the present
moment. She felt that she was alone in the world, and that she had taken
her life into her own hands. Fate had lent her the clue of her happiness
at last and she would hold it firmly to the end. It would be time enough
then to open the flood-gates. It would have been unlike her to dwell
long upon the thought of Unorna or to give way to any passionate
outbreak of hatred. Why should Unorna not love him? The whole world
loved him, and small wonder. She feared no rival.

But he was near her now. Her heart leaped as she realised how very near
he might well be, then sank again to its calm beating. He had been near
her a score of times in the past years, and yet they had not met. But
she had not been free, then, as she was now. There was more hope than
before, but she could not delude herself with any belief in a certainty.

So thinking, and so saying to herself, she fell asleep, and slept
soundly without dreaming as most people do who are young and strong, and
who are clear-headed and active when they are awake.

It was late when she opened her eyes, and the broad cold light filled
the room. She lost no time in thinking over the events of the night, for
everything was fresh in her memory. Half dressed, she wrapped about her
a cloak that came down to her feet, and throwing a black veil over her
hair she went down to the portress's lodge. In five minutes she had
found Keyork's address and had despatched one of the convent gardeners
with the note. Then she leisurely returned to her room and set about
completing her toilet. She naturally supposed that an hour or two must
elapse before she received an answer, certainly before Keyork appeared
in person, a fact which showed that she had forgotten something of the
man's characteristics.

Twenty minutes had scarcely passed, and she had not finished dressing
when Sister Paul entered the room, evidently in a state of considerable
anxiety. As has been seen, it chanced to be her turn to superintend the
guest's quarters at that time, and the portress had of course informed
her immediately of Keyork's coming, in order that she might tell
Beatrice.

"He is there!" she said, as she came in.

Beatrice was standing before the little mirror that hung upon the wall,
trying, under no small difficulties, to arrange her hair. He turned her
head quickly.

"Who is there? Keyork Arabian?"

Sister Paul nodded, glad that she was not obliged to pronounce the name
that had for her such an unChristian sound.

"Where is he? I did not think he could come so soon. Oh, Sister Paul, do
help me with my hair! I cannot make it stay."

"He is in the parlour, down stairs," answered the nun, coming to her
assistance. "Indeed, child, I do not see how I can help you." She
touched the black coils ineffectually. "There! Is that better?" she
asked in a timid way. "I do not know how to do it--"

"No, no!" Beatrice exclaimed. "Hold that end--so--now turn it that
way--no, the other way--it is in the glass--so--now keep it there while
I put in a pin--no, no--in the same place, but the other way--oh, Sister
Paul! Did you never do your hair when you were a girl?"

"That was so long ago," answered the nun meekly. "Let me try again."

The result was passably satisfactory at last, and assuredly not wanting
in the element of novelty.

"Are you not afraid to go alone?" asked Sister Paul with evident
preoccupation, as Beatrice put a few more touches to her toilet.

But the young girl only laughed and made the more haste. Sister Paul
walked with her to the head of the stairs, wishing that the rules would
allow her to accompany Beatrice into the parlour. Then as the latter
went down the nun stood at the top looking after her and audibly
repeating prayers for her preservation.

The convent parlour was a large, bare room, lighted by a high and grated
window. Plain, straight, modern chairs were ranged against the wall
at regular intervals. There was no table, but a square piece of green
carpet lay upon the middle of the stone pavement. A richly ornamented
glazed earthenware stove, in which a fire had just been lighted,
occupied one corner, a remnant of former aesthetic taste and strangely
out of place since the old carved furniture was gone. A crucifix of
inferior workmanship and realistically painted hung opposite the door.
The place was reserved for the use of ladies in retreat and was situated
outside the constantly closed door which shut off the cloistered part of
the convent from the small portion accessible to outsiders.

Keyork Arabian was standing in the middle of the parlour waiting for
Beatrice. When she entered at last he made two steps forward, bowing
profoundly, and then smiled in a deferential manner.

"My dear lady," he said, "I am here. I have lost no time. It so happened
that I received your note just as I was leaving my carriage after a
morning drive. I had no idea that you were in Bohemia."

"Thanks. It was good of you to come so soon."

She sat down upon one of the stiff chairs and motioned to him to follow
her example.

"And your dear father--how is he?" inquired Keyork with suave
politeness, as he took his seat.

"My father died a week ago," said Beatrice gravely.

Keyork's face assumed all the expression of which it was capable. "I
am deeply grieved," he said, moderating his huge voice to a soft and
purring sub-bass. "He was an old and valued friend."

There was a moment's silence. Keyork, who knew many things, was well
aware that a silent feud, of which he also knew the cause, had existed
between father and daughter when he had last been with them, and he
rightly judged from his knowledge of their obstinate characters that
it had lasted to the end. He thought therefore that his expression of
sympathy had been sufficient and could pass muster.

"I asked you to come," said Beatrice at last, "because I wanted your
help in a matter of importance to myself. I understand that you know a
person who calls herself Unorna, and who lives here."

Keyork's bright blue eyes scrutinized her face. He wondered how much she
knew.

"Very well indeed," he answered, as though not at all surprised.

"You know something of her life, then. I suppose you see her very often,
do you not?"

"Daily, I can almost say."

"Have you any objection to answering one question about her?"

"Twenty if you ask them, and if I know the answers," said Keyork,
wondering what form the question would take, and preparing to meet a
surprise with indifference.

"But will you answer me truly?"

"My dear lady, I pledge you my sacred word of honour," Keyork answered
with immense gravity, meeting her eyes and laying his hand upon his
heart.

"Does she love that man--or not?" Beatrice asked, suddenly showing him
the little miniature of the Wanderer, which she had taken from its case
and had hitherto concealed in her hand.

She watched every line of his face for she knew something of him, and
in reality put very little more faith in his word of honour than he did
himself, which was not saying much. But she had counted upon surprising
him, and she succeeded, to a certain extent. His answer did not come as
glibly as he could have wished, though his plan was soon formed.

"Who is it! Ah, dear me! My old friend. We call him the Wanderer. Well,
Unorna certainly knew him when he was here."

"Then he is gone?"

"Indeed, I am not quite sure," said Keyork, regaining all his
self-possession. "Of course I can find out for you, if you wish to know.
But as regards Unorna, I can tell you nothing. They were a good deal
together at one time. I fancy he was consulting her. You have heard that
she is a clairvoyant, I daresay."

He made the last remark quite carelessly, as though he attached no
importance to the fact.

"Then you do not know whether she loves him?"

Keyork indulged himself with a little discreet laughter, deep and
musical.

"Love is a very vague word," he said presently.

"Is it?" Beatrice asked, with some coldness.

"To me, at least," Keyork hastened to say, as though somewhat confused.
"But, of course, I can know very little about it in myself, and nothing
about it in others."

Not knowing how matters might turn out, he was willing to leave Beatrice
with a suspicion of the truth, while denying all knowledge of it.

"You know him yourself, of course," Beatrice suggested.

"I have known him for years--oh, yes, for him, I can answer. He was not
in the least in love."

"I did not ask that question," said Beatrice rather haughtily. "I knew
he was not."

"Of course, of course. I beg your pardon!"

Keyork was learning more from her than she from him. It was true that
she took no trouble to conceal her interest in the Wanderer and his
doings.

"Are you sure that he has left the city?" Beatrice asked.

"No, I am not positive. I could not say with certainty."

"When did you see him last?"

"Within the week, I am quite sure," Keyork answered with alacrity.

"Do you know where he was staying?"

"I have not the least idea," the little man replied, without the
slightest hesitation. "We met at first by chance in the Teyn Kirche, one
afternoon--it was a Sunday, I remember, about a month ago."

"A month ago--on a Sunday," Beatrice repeated thoughtfully.

"Yes--I think it was New Year's Day, too."

"Strange," she said. "I was in the church that very morning, with my
maid. I had been ill for several days--I remember how cold it was.
Strange--the same day."

"Yes," said Keyork, noting the words, but appearing to take no notice of
them. "I was looking at Tycho Brahe's monument. You know how it annoys
me to forget anything--there was a word in the inscription which I could
not recall. I turned round and saw him sitting just at the end of the
pew nearest to the monument."

"The old red slab with a figure on it, by the last pillar?" Beatrice
asked eagerly.

"Exactly. I daresay you know the church very well. You remember that
the pew runs very near to the monument so that there is hardly room to
pass."

"I know--yes."

She was thinking that it could hardly have been a mere accident which
had led the Wanderer to take the very seat she had occupied on the
morning of that day. He must have seen her during the Mass, but she
could not imagine how he could have missed her. They had been very near
then. And now, a whole month had passed, and Keyork Arabian professed
not to know whether the Wanderer was still in the city or not.

"Then you wish to be informed of our friend's movements, as I understand
it?" said Keyork going back to the main point.

"Yes--what happened on that day?" Beatrice asked, for she wished to hear
more.

"Oh, on that day? Yes. Well, nothing happened worth mentioning. We
talked a little and went out of the church and walked a little way
together. I forget when we met next, but I have seen him at least a
dozen times since then, I am sure."

Beatrice began to understand that Keyork had no intention of giving her
any further information. She reflected that she had learned much in
this interview. The Wanderer had been, and perhaps still was, in Prague.
Unorna loved him and they had been frequently together. He had been in
the Teyn Kirche on the day she had last been there herself, and in all
probability he had seen her, since he had chosen the very seat in which
she had sat. Further, she gathered that Keyork had some interest in
not speaking more frankly. She gave up the idea of examining him any
further. He was a man not easily surprised, and it was only by means
of a surprise that he could be induced to betray even by a passing
expression what he meant to conceal. Her means of attack were exhausted
for the present. She determined at least to repeat her request clearly
before dismissing him, in the hope that it might suit his plans to
fulfil it, but without the least trust in his sincerity.

"Will you be so kind as to make some inquiry, and let me know the result
to-day?" she asked.

"I will do everything to give you an early answer," said Keyork. "And
I shall be the more anxious to obtain one without delay in order that
I may have the very great pleasure of visiting you again. There is much
that I would like to ask you, if you would allow me. For old friends,
as I trust I may say that we are, you must admit that we have exchanged
few--very few--confidences this morning. May I come again to-day? It
would be an immense privilege to talk of old times with you, of our
friends in Egypt and of our many journeys. For you have no doubt
travelled much since then. Your dear father," he lowered his voice
reverentially, "was a great traveller, as well as a very learned man.
Ah, well, my dear lady--we must all make up our minds to undertake
that great journey one of these days. But I pain you. I was very much
attached to your dear father. Command all my service. I will come again
in the course of the day."

With many sympathetic smiles and half-comic inclinations of his short,
broad body, the little man bowed himself out.



CHAPTER XXVI

Unorna drew one deep breath when she first heard her name fall with a
loving accent from the Wanderer's lips. Surely the bitterness of despair
was past since she was loved and not called Beatrice. The sigh that came
then was of relief already felt, the forerunner, as she fancied, too,
of a happiness no longer dimmed by shadows of fear and mists of rising
remorse. Gazing into his eyes, she seemed to be watching in their
reflection a magic change. She had been Beatrice to him, Unorna to
herself, but now the transformation was at hand--now it was to come. For
him she loved, and who loved her, she was Unorna even to the name, in
her own thoughts she had taken the dark woman's face. She had risked all
upon the chances of one throw and she had won. So long as he had called
her by another's name the bitterness had been as gall mingled in the
wine of love. But now that too was gone. She felt that it was complete
at last. Her golden head sank peacefully upon his shoulder in the
morning light.

"You have been long in coming, love," she said, only half consciously,
"but you have come as I dreamed--it is perfect now. There is nothing
wanting any more."

"It is all full, all real, all perfect," he answered, softly.

"And there is to be no more parting, now----"

"Neither here, nor afterwards, beloved."

"Then this is afterwards. Heaven has nothing more to give. What is
Heaven? The meeting of those who love--as we have met. I have forgotten
what it was to live before you came----"

"For me, there is nothing to remember between that day and this."

"That day when you fell ill," Unorna said, "the loneliness, the fear for
you----"

Unorna scarcely knew that it had not been she who had parted from him so
long ago. Yet she was playing a part, and in the semi-consciousness of
her deep self-illusion it all seemed as real as a vision in a dream so
often dreamed that it has become part of the dreamer's life. Those
who fall by slow degrees under the power of the all-destroying opium
remember yesterday as being very far, very long past, and recall faint
memories of last year as though a century had lived and perished since
then, seeing confusedly in their own lives the lives of others, and
other existences in their own, until identity is almost gone in the
endless transmigration of their souls from the shadow in one dream-tale
to the wraith of themselves that dreams the next. So, in that hour,
Unorna drifted through the changing scenes that a word had power to call
up, scarce able, and wholly unwilling, to distinguish between her real
and her imaginary self. What matter how? What matter where? The very
questions which at first she had asked herself came now but faintly as
out of an immeasurable distance, and always more faintly still. They
died away in her ears, as when, after long waiting, and false starts,
and turnings back and anxious words exchanged, the great race is at last
begun, the swift long limbs are gathered and stretched and strained
and gathered again, the thunder of flying hoofs is in the air, and the
rider, with low hands, and head inclined and eyes bent forward, hears
the last anxious word of parting counsel tremble and die in the rush of
the wind behind.

She had really loved him throughout all those years; she had really
sought him and mourned for him and longed for a sight of his face;
they had really parted and had really found each other but a short hour
since; there was no Beatrice but Unorna and no Unorna but Beatrice, for
they were one and indivisible and interchangeable as the glance of
a man's two eyes that look on one fair sight; each sees alone, the
same--but seeing together, the sight grows doubly fair.

"And all the sadness, where is it now?" she asked. "And all the
emptiness of that long time? It never was, my love--it was yesterday
we met. We parted yesterday, to meet to-day. Say it was yesterday--the
little word can undo seven years."

"It seems like yesterday," he answered.

"Indeed, I can almost think so, now, for it was all night between.
But not quite dark, as night is sometimes. It was a night full of
stars--each star was a thought of you, that burned softly and showed me
where heaven was. And darkest night, they say, means coming morning--so
when the stars went out I knew the sun must rise."

The words fell from her lips naturally. To her it seemed true that she
had indeed waited long and hoped and thought of him. And it was not all
false. Ever since her childhood she had been told to wait, for her love
would come and would come only once. And so it was true, and the dream
grew sweeter and the illusion of the enchantment more enchanting still.
For it was an enchantment and a spell that bound them together there,
among the flowers, the drooping palms, the graceful tropic plants and
the shadowy leaves. And still the day rose higher, but still the lamps
burned on, fed by the silent, mysterious current that never tires,
blending a real light with an unreal one, an emblem of Unorna's self,
mixing and blending, too, with a self not hers.

"And the sun is risen, indeed," she added presently.

"Am I the sun, dear?" he asked, foretasting the delight of listening to
her simple answer.

"You are the sun, beloved, and when you shine, my eyes can see nothing
else in heaven."

"And what are you yourself--Beatrice--no, Unorna--is that the name you
chose? It is so hard to remember anything when I look at you."

"Beatrice--Unorna--anything," came the answer, softly murmuring.
"Anything, dear, any name, any face, any voice, if only I am I, and you
are you, and we two love! Both, neither, anything--do the blessed souls
in Paradise know their own names?"

"You are right--what does it matter? Why should you need a name at all,
since I have you with me always? It was well once--it served me when I
prayed for you--and it served to tell me that my heart was gold while
you were there, as the goldsmith's mark upon his jewel stamps the pure
metal, that all men may know it."

"You need no sign like that to show me what you are," said she, with a
long glance.

"Nor I to tell me you are in my heart," he answered. "It was a foolish
speech. Would you have me wise now?"

"If wisdom is love--yes. If not----" She laughed softly.

"Then folly?"

"Then folly, madness, anything--so that this last, as last it must, or I
shall die!"

"And why should it not last? Is there any reason, in earth or Heaven,
why we two should part? If there is--I will make that reason itself
folly, and madness, and unreason. Dear, do not speak of this not
lasting. Die, you say? Worse, far worse; as much as eternal death is
worse than bodily dying. Last? Does any one know what for ever means,
if we do not? Die, we must, in these dying bodies of ours, but part--no.
Love has burned the cruel sense out of that word, and bleached its
blackness white. We wounded the devil, parting, with one kiss, we killed
him with the next--this buries him--ah, love, how sweet----"

There was neither resistance nor the thought of resisting. Their lips
met and were withdrawn only that their eyes might drink again the
draught the lips had tasted, long draughts of sweetness and liquid light
and love unfathomable. And in the interval of speech half false,
the truth of what was all true welled up from the clear depths and
overflowed the falseness, till it grew falser and more fleeting
still--as a thing lying deep in a bright water casts up a distorted
image on refracted rays.

Glance and kiss, when two love, are as body and soul, supremely human
and transcendently divine. The look alone, when the lips cannot meet,
is but the disembodied spirit, beautiful even in its sorrow, sad,
despairing, saying "ever," and yet sighing "never," tasting and knowing
all the bitterness of both. The kiss without the glance? The body
without the soul? The mortal thing without the undying thought? Draw
down the thick veil and hide the sight, lest devils sicken at it, and
lest man should loathe himself for what man can be.

Truth or untruth, their love was real, hers as much as his. She
remembered only what her heart had been without it. What her goal might
be, now that it had come, she guessed even then, but she would not ask.
Was there never a martyr in old times, more human than the rest, who
turned back, for love perhaps, if not for fear, and said that for love's
sake life still was sweet, and brought a milk-white dove to Aphrodite's
altar, or dropped a rose before Demeter's feet? There must have been,
for man is man, and woman, woman. And if in the next month, or even the
next year, or after many years, that youth or maid took heart to bear a
Christian's death, was there then no forgiveness, no sign of holy
cross upon the sandstone in the deep labyrinth of graves, no crown, no
sainthood, and no reverent memory of his name or hers among those of men
and women worthier, perhaps, but not more suffering?

No one can kill Self. No one can be altogether another, save in the
passing passion of a moment's acting. I--in that syllable lies the whole
history of each human life; in that history lives the individuality; in
the clear and true conception of that individuality dwells such joint
foreknowledge of the future as we can have, such vague solution as to
us is possible of that vast equation in which all quantities are unknown
save that alone, that I which we know as we can know nothing else.

"Bury it!" she said. "Bury that parting--the thing, the word, and the
thought--bury it with all others of its kind, with change, and old age,
and stealing indifference, and growing coldness, and all that cankers
love--bury them all, together, in one wide deep grave--then build on it
the house of what we are--"

"Change? Indifference? I do not know those words," the Wanderer said.
"Have they been in your dreams, love? They have never been in mine."

He spoke tenderly, but with the faintest echo of sadness in his voice.
The mere suggestion that such thoughts could have been near her was
enough to pain him. She was silent, and again her head lay upon his
shoulder. She found there still the rest and the peace. Knowing her own
life, the immensity of his faith and trust in that other woman were made
clear by the simple, heartfelt words. If she had been indeed Beatrice,
would he have loved her so? If it had all been true, the parting, the
seven years' separation, the utter loneliness, the hopelessness, the
despair, could she have been as true as he? In the stillness that
followed she asked herself the question which was so near a greater and
a deadlier one. But the answer came quickly. That, at least, she could
have done. She could have been true to him, even to death. It must be so
easy to be faithful when life was but one faith. In that chord at least
no note rang false.

"Change in love--indifference to you!" she cried, all at once, hiding
her lovely face in his breast and twining her arms about his neck. "No,
no! I never meant that such things could be--they are but empty words,
words one hears spoken lightly by lips that never spoke the truth, by
men and women who never had such truth to speak as you and I."

"And as for old age," he said, dwelling upon her speech, "what is that
to us? Let it come, since come it must. It is good to be young and fair
and strong, but would not you or I give up all that for love's sake,
each of us of our own free will, rather than lose the other's love?"

"Indeed, indeed I would!" Unorna answered.

"Then what of age? What is it after all? A few gray hairs, a wrinkle
here and there, a slower step, perhaps a dimmer glance. That is all
it is--the quiet, sunny channel between the sea of earthly joy and the
ocean of heavenly happiness. The breeze of love still fills the sails,
wafting us softly onward through the narrows, never failing, though it
be softer and softer, till we glide out, scarce knowing it, upon the
broader water and are borne swiftly away from the lost land by the first
breath of heaven."

His words brought peace and the mirage of a far-off rest, that soothed
again the little half-born doubt.

"Yes," she said. "It is better to think so. Then we need think of no
other change."

"There is no other possible," he answered, gently pressing the shoulder
upon which his hand was resting. "We have not waited and believed, and
trusted and loved, for seven years, to wake at last--face to face as
we are to-day--and to find that we have trusted vainly and loved two
shadows, I yours, and you mine, to find at the great moment of all that
we are not ourselves, the selves we knew, but others of like passions
but of less endurance. Have we, beloved? And if we could love, and
trust, and believe without each other, each alone, is it not all the
more sure that we shall be unchanging together? It must be so. The whole
is greater than its parts, two loves together are greater and stronger
than each could be of itself. The strength of two strands close twined
together is more than twice the strength of each."

She said nothing. By merest chance he had said words that had waked
the doubt again, so that it grew a little and took a firmer hold in her
unwilling heart. To love a shadow, he had said, to wake and find self
not self at all. That was what might come, would come, must come,
sooner or later, said the doubt. What matter where, or when, or how? The
question came again, vaguely, faintly as a mere memory, but confidently
as though knowing its own answer. Had she not rested in his arms, and
felt his kisses and heard his voice? What matter how, indeed? It matters
greatly, said the growing doubt, rearing its head and finding speech at
last. It matters greatly, it said, for love lies not alone in voice,
and kiss, and gentle touch, but in things more enduring, which to endure
must be sound and whole and not cankered to the core by a living lie.
Then came the old reckless reasoning again: Am I not I? Is he not he? Do
I not love him with my whole strength? Does he not love this very self
of mine, here as it is, my head upon his shoulder, my hand within his
hand? And if he once loved another, have I not her place, to have and
hold, that I may be loved in her stead? Go, said the doubt, growing
black and strong; go, for you are nothing to him but a figure in his
dream, disguised in the lines of one he really loved and loves; go
quickly, before it is too late, before that real Beatrice comes and
wakes him and drives you out of the kingdom you usurp.

But she knew it was only a doubt, and had it been the truth, and had
Beatrice's foot been on the threshold, she would not have been driven
away by fear. But the fight had begun.

"Speak to me, dear," she said. "I must hear your voice--it makes me know
that it is all real."

"How the minutes fly!" he exclaimed, smoothing her hair with his hand.
"It seems to me that I was but just speaking when you spoke."

"It seems so long--" She checked herself, wondering whether an hour had
passed or but a second.

Though love be swifter than the fleeting hours, doubt can outrun a
lifetime in one beating of the heart.

"Then how divinely long it all may seem," he answered. "But can we not
begin to think, and to make plans for to-morrow, and the next day, and
for the years before us? That will make more time for us, for with the
present we shall have the future, too. No--that is foolish again. And
yet it is so hard to say which I would have. Shall the moment linger
because it is so sweet? Or shall it be gone quickly, because the next is
to be sweeter still? Love, where is your father?"

Unorna started. The question was suggested, perhaps, by his inclination
to speak of what was to be done, but it fell suddenly upon her ears, as
a peal of thunder when the sky has no clouds. Must she lie now, or break
the spell? One word, at least, she could yet speak with truth.

"Dead."

"Dead!" the Wanderer repeated, thoughtfully and with a faint surprise.
"Is it long ago, beloved?" he asked presently, in a subdued tone as
though fearing to wake some painful memory.

"Yes," she answered. The great doubt was taking her heart in its strong
hands now and tearing it, and twisting it.

"And whose house is this in which I have found you, darling? Was it
his?"

"It is mine," Unorna said.

How long would he ask questions to which she could find true answers?
What question would come next? There were so many he might ask and few
to which she could reply so truthfully even in that narrow sense of
truth which found its only meaning in a whim of chance. But for a moment
he asked nothing more.

"Not mine," she said. "It is yours. You cannot take me and yet call
anything mine."

"Ours, then, beloved. What does it matter? So he died long ago--poor
man! And yet, it seems but a little while since some one told me--but
that was a mistake, of course. He did not know. How many years may it
be, dear one? I see you still wear mourning for him."

"No--that was but a fancy--to-day. He died--he died more than two years
ago."

She bent her head. It was but a poor attempt at truth, a miserable lying
truth to deceive herself with, but it seemed better than to lie the
whole truth outright, and say that her father--Beatrice's father--had
been dead but just a week. The blood burned in her face. Brave natures,
good and bad alike, hate falsehood, not for its wickedness, perhaps, but
for its cowardice. She could do things as bad, far worse. She could lay
her hand upon the forehead of a sleeping man and inspire in him a deep,
unchangeable belief in something utterly untrue; but now, as it was, she
was ashamed and hid her face.

"It is strange," he said, "how little men know of each other's lives
or deaths. They told me he was alive last year. But it has hurt you to
speak of it. Forgive me, dear, it was thoughtless of me."

He tried to lift her head, but she held it obstinately down.

"Have I pained you, Beatrice?" he asked, forgetting to call her by the
other name that was so new to him.

"No--oh, no!" she exclaimed without looking up.

"What is it then?"

"Nothing--it is nothing--no, I will not look at you--I am ashamed." That
at least was true.

"Ashamed, dear heart! Of what?"

He had seen her face in spite of herself. Lie, or lose all, said a voice
within.

"Ashamed of being glad that--that I am free," she stammered, struggling
on the very verge of the precipice.

"You may be glad of that, and yet be very sorry he is dead," the
Wanderer said, stroking her hair.

It was true, and seemed quite simple. She wondered that she had not
thought of that. Yet she felt that the man she loved, in all his
nobility and honesty, was playing the tempter to her, though he could
not know it. Deeper and deeper she sank, yet ever more conscious that
she was sinking. Before him she felt no longer as loving woman to loving
man--she was beginning to feel as a guilty prisoner before his judge.

He thought to turn the subject to a lighter strain. By chance he glanced
at his own hand.

"Do you know this ring?" he asked, holding it before her, with a smile.

"Indeed, I know it," she answered, trembling again.

"You gave it to me, love, do you remember? And I gave you a likeness of
myself, because you asked for it, though I would rather have given you
something better. Have you it still?"

She was silent. Something was rising in her throat. Then she choked it
down.

"I had it in my hand last night," she said in a breaking voice. True,
once more.

"What is it, darling? Are you crying? This is no day for tears."

"I little thought that I should have yourself to-day," she tried to say.

Then the tears came, tears of shame, big, hot, slow. They fell upon his
hand. She was weeping for joy, he thought. What else could any man think
in such a case? He drew her to him, and pressed her cheek with his hand
as her head nestled on his shoulder.

"When you put this ring on my finger, dear--so long ago----"

She sobbed aloud.

"No, darling--no, dear heart," he said, comforting her, "you must not
cry--that long ago is over now and gone for ever. Do you remember that
day, sweetheart, in the broad spring sun upon the terrace among the
lemon trees. No, dear--your tears hurt me always, even when they are
shed in happiness--no, dear, no. Rest there, let me dry your dear
eyes--so and so. Again? For ever, if you will. While you have tears,
I have kisses to dry them--it was so then, on that very day. I can
remember. I can see it all--and you. You have not changed, love, in all
those years, more than a blossom changes in one hour of a summer's day!
You took this ring and put it on my finger. Do you remember what I said?
I know the very words. I promised you--it needed no promise either--that
it should never leave its place until you took it back--and you--how
well I remember your face--you said that you would take it from my hand
some day, when all was well, when you should be free to give me another
in its stead, and to take one in return. I have kept my word, beloved.
Keep yours--I have brought you back the ring. Take it, sweetheart. It
is heavy with the burden of lonely years. Take it and give me that other
which I claim."

She did not speak, for she was fighting down the choking sobs,
struggling to keep back the burning drops that scalded her cheeks,
striving to gather strength for the weight of a greater shame. Lie, or
lose all, the voice said.

Very slowly she raised her head. She knew that his hand was close to
hers, held there that she might fulfil Beatrice's promise. Was she not
free? Could she not give him what he asked? No matter how--she tried to
say it to herself and could not. She felt his breath upon her hair. He
was waiting. If she did not act soon or speak he would wonder what held
her back--wonder--suspicion next and then? She put out her hand to touch
his fingers, half blinded, groping as though she could not see. He made
it easy for her. He fancied she was trembling, as she was weeping, with
the joy of it all.

She felt the ring, though she dared not look at it. She drew it a little
and felt that it would come off easily. She felt the fingers she loved
so well, straight, strong and nervous, and she touched them lovingly.
The ring was not tight, it would pass easily over the joint that alone
kept it in its place.

"Take it, beloved," he said. "It has waited long enough."

He was beginning to wonder at her hesitation as she knew he would. After
wonder would come suspicion--and then? Very slowly--it was just upon the
joint of his finger now. Should she do it? What would happen? He would
have broken his vow--unwittingly. How quickly and gladly Beatrice would
have taken it. What would she say, if they lived and met--why should
they not meet? Would the spell endure that shock--who would Beatrice be
then? The woman who had given him this ring? Or another, whom he would
no longer know? But she must be quick. He was waiting and Beatrice would
not have made him wait.

Her hand was like stone, numb, motionless, immovable, as though some
unseen being had taken it in an iron grasp and held it there, in
mid-air, just touching his. Yes--no--yes--she could not move--a hand
was clasped upon her wrist, a hand smaller than his, but strong as fate,
fixed in its grip as an iron vice.

Unorna felt a cold breath, that was not his, upon her forehead, and she
felt as though her heavy hair were rising of itself upon her head. She
knew that horror, for she had been overtaken by it once before. She was
not afraid, but she knew what it was. There was a shadow, too, and a
dark woman, tall, queenly, with deep flashing eyes was standing beside
her. She knew, before she looked; she looked, and it was there. Her own
face was whiter than that other woman's.

"Have you come already?" she asked of the shadow, in a low despairing
tone.

"Beatrice--what has happened?" cried the Wanderer. To him, she seemed to
be speaking to the empty air and her white face startled him.

"Yes," she said, staring still, in the same hopeless voice. "It is
Beatrice. She has come for you."

"Beatrice--beloved--do not speak like that! For God's sake--what do you
see? There is nothing there."

"Beatrice is there. I am Unorna."

"Unorna, Beatrice--have we not said it should be all the same!
Sweetheart--look at me! Rest here--shut those dear eyes of yours. It is
gone now whatever it was--you are tired, dear--you must rest."

Her eyes closed and her head sank. It was gone, as he said, and she
knew what it had been--a mere vision called up by her own over-tortured
brain. Keyork Arabian had a name for it.

Frightened by your own nerves, laughed the voice, when, if you had not
been a coward, you might have faced it down and lied again, and all
would have been well. But you shall have another chance, and lying is
very easy, even when the nerves are over-wrought. You will do better the
next time.

The voice was like Keyork Arabian's. Unstrung, almost forgetting all,
she wondered vaguely at the sound, for it was a real sound and a real
voice to her. Was her soul his, indeed, and was he drawing it on slowly,
surely to the end? Had he been behind her last night? Had he left an
hour's liberty only to come back again and take at last what was his?

There is time yet, you have not lost him, for he thinks you mad. The
voice spoke once more.

And at the same moment the strong dear arms were again around her, again
her head was on that restful shoulder of his, again her pale face was
turned up to his, and kisses were raining on her tired eyes, while
broken words of love and tenderness made music through the tempest.

Again the vast temptation rose. How could he ever know? Who was to
undeceive him, if he was not yet undeceived? Who should ever make him
understand the truth so long as the spell lasted? Why not then take what
was given her, and when the end came, if it came, then tell all boldly?
Even then, he would not understand. Had he understood last night, when
she had confessed all that she had done before? He had not believed one
word of it, except that she loved him. Could she make him believe it
now, when he was clasping her so fiercely to his breast, half mad with
love for her himself?

So easy, too. She had but to forget that passing vision, to put her arms
about his neck, to give kiss for kiss, and loving word for loving word.
Not even that. She had but to lie there, passive, silent if she could
not speak, and it would be still the same. No power on earth could undo
what she had done, unless she willed it. Neither man nor woman could
make his clasping hands let go of her and give her up.

Be still and wait, whispered the voice, you have lost nothing yet.

But Unorna would not. She had spoken and acted her last lie. It was
over.



CHAPTER XXVII

Unorna struggled for a moment. The Wanderer did not understand, but
loosed his arms, so that she was free. She rose to her feet and stood
before him.

"You have dreamed all this," she said. "I am not Beatrice."

"Dreamed? Not Beatrice?" she heard him cry in his bewilderment.

Something more he said, but she could not catch the words. She was
already gone, through the labyrinth of the many plants, to the door
through which twelve hours earlier she had fled from Israel Kafka. She
ran the faster as she left him behind. She passed the entrance and the
passage and the vestibule beyond, not thinking whither she was going, or
not caring. She found herself in that large, well-lighted room in which
the ancient sleeper lay alone. Perhaps her instinct led her there as to
a retreat safer even than her own chamber. She knew that if she would
there was something there which she could use.

She sank into a chair and covered her face, trembling from head to foot.
For many minutes after that she could neither see nor hear--she would
hardly have felt a wound or a blow. And yet she knew that she meant to
end her life, since all that made it life was ended.

After a time, her hands fell in a despairing gesture upon her knees and
she stared about the room. Her eyes rested on the sleeper, then upon
his couch, lying as a prophet in state, the massive head raised upon a
silken pillow, the vast limbs just outlined beneath the snow-white robe,
the hoary beard flowing down over the great breast that slowly rose and
fell.

To her there was a dreadful irony in that useless life, prolonged in
sleep beyond the limits of human age. Yet she had thought it worth the
labour and care and endless watchfulness it had cost for years. And now
her own, strong, young and fresh, seemed not only useless but fit only
to be cut off and cast away, as an existence that offended God and man
and most of all herself.

But if she died then, there, in that secret chamber where she and her
companion had sought the secret of life for years, if she died now--how
would all end? Was it an expiation--or a flight? Would one short moment
of half-conscious suffering pay half her debt?

She stared at the old man's face with wide, despairing eyes. Many a
time, unknown to Keyork and once to his knowledge, she had roused the
sleeper to speak, and on the whole he had spoken truly, wisely, and
well. She lacked neither the less courage to die, nor the greater
to live. She longed but to hear one honest word, not of hope, but of
encouragement, but one word in contrast to those hideous whispered
promptings that had come to her in Keyork Arabian's voice. How could she
trust herself alone? Her evil deeds were many--so many, that, although
she had turned at last against them, she could not tell where to strike.

"If you would only tell me!" she cried leaning over the unconscious
head. "If you would only help me. You are so old that you must be wise,
and if so very wise, then you are good! Wake, but this once, and tell me
what is right!"

The deep eyes opened and looked up to hers. The great limbs stirred, the
bony hands unclasped. There was something awe-inspiring in the ancient
strength renewed and filled with a new life.

"Who calls me?" asked the clear, deep voice.

"I, Unorna----"

"What do you ask of me?"

He had risen from his couch and stood before her, towering far above her
head. Even the Wanderer would have seemed but of common stature beside
this man of other years, of a forgotten generation, who now stood erect
and filled with a mysterious youth.

"Tell me what I should do----"

"Tell me what you have done."

Then in one great confession, with bowed head and folded hands, she
poured out the story of her life.

"And I am lost!" she cried at last. "One holds my soul, and one my
heart! May not my body die? Oh, say that it is right--that I may die!"

"Die? Die--when you may yet undo?"

"Undo?"

"Undo and do. Undo the wrong and do the right."

"I cannot. The wrong is past undoing--and I am past doing right."

"Do not blaspheme--go! Do it."

"What?"

"Call her--that other woman--Beatrice. Bring her to him, and him to
her."

"And see them meet!"

She covered her face with her hands, and one short moan escaped her
lips.

"May I not die?" she cried despairingly. "May I not die--for him--for
her, for both? Would that not be enough? Would they not meet? Would they
not then be free?"

"Do you love him still?"

"With all my broken heart----"

"Then do not leave his happiness to chance alone, but go at once. There
is one little act of Heaven's work still in your power. Make it all
yours."

His great hands rested on her shoulders and his eyes looked down to
hers.

"Is it so bitter to do right?" he asked.

"It is very bitter," she answered.

Very slowly she turned, and as she moved he went beside her, gently
urging her and seeming to support her. Slowly, through vestibule
and passage, they went on and entered together the great hall of the
flowers. The Wanderer was there alone.

He uttered a short cry and sprang to meet her, but stepped back in awe
of the great white-robed figure that towered by her side.

"Beatrice!" he cried, as they passed.

"I am not Beatrice," she answered, her downcast eyes not raised to look
at him, moving still forward under the gentle guidance of the giant's
hand.

"Not Beatrice--no--you are not she--you are Unorna! Have I dreamed all
this?"

She had passed him now, and still she would not turn her head. But her
voice came back to him as she walked on.

"You have dreamed what will very soon be true," she said. "Wait here,
and Beatrice will soon be with you."

"I know that I am mad," the Wanderer cried, making one step to follow
her, then stopping short. Unorna was already at the door. The ancient
sleeper laid one hand upon her head.

"You will do it now," he said.

"I will do it--to the end," she answered. "Thank God that I have made
you live to tell me how."

So she went out, alone, to undo what she had done so evilly well.

The old man turned and went towards the Wanderer, who stood still in the
middle of the hall, confused, not knowing whether he had dreamed or was
really mad.

"What man are you?" he asked, as the white-robed figure approached.

"A man, as you are, for I was once young--not as you are, for I am very
old, and yet like you, for I am young again."

"You speak in riddles. What are you doing here, and where have you sent
Unorna?"

"When I was old, in that long time between, she took me in, and I have
slept beneath her roof these many years. She came to me to-day. She told
me all her story and all yours, waking me from my sleep, and asking me
what she should do. And she is gone to do that thing of which I told
her. Wait and you will see. She loves you well."

"And you would help her to get my love, as she had tried to get it
before?" the Wanderer asked with rising anger. "What am I to you, or you
to me, that you would meddle in my life?"

"You to me? Nothing. A man."

"Therefore an enemy--and you would help Unorna--let me go! This home is
cursed. I will not stay in it." The hoary giant took his arm, and the
Wanderer started at the weight and strength of the touch.

"You shall bless this house before you leave it. In this place, here
where you stand, you shall find the happiness you have sought through
all the years."

"In Unorna?" the question was asked scornfully.

"By Unorna."

"I do not believe you. You are mad, as I am. Would you play the
prophet?"

The door opened in the distance, and from behind the screen of plants
Keyork Arabian came forward into the hall, his small eyes bright, his
ivory face set and expressionless, his long beard waving in the swing of
his walk. The Wanderer saw him first and called to him.

"Keyork--come here!" he said. "Who is this man?"

For a moment Keyork seemed speechless with amazement. But it was anger
that choked his words. Then he came on quickly.

"Who waked him?" he cried in fury. "What is this? Why is he here?"

"Unorna waked me," answered the ancient sleeper very calmly.

"Unorna? Again? The curse of The Three Black Angels on her! Mad again?
Sleep, go back! It is not ready yet, and you will die, and I shall lose
it all--all--all! Oh, she shall pay for this with her soul in hell!"

He threw himself upon the giant, in an insane frenzy, clasping his arms
round the huge limbs and trying to force him backwards.

"Go! go!" he cried frantically. "It may not be too late! You may yet
sleep and live! Oh, my Experiment, my great Experiment! All lost----"

"What is this madness?" asked the Wanderer. "You cannot carry him, and
he will not go. Let him alone."

"Madness?" yelled Keyork, turning on him. "You are the madman, you the
fool, who cannot understand! Help me to move him--you are strong and
young--together we can take him back--he may yet sleep and live--he must
and shall! I say it! Lay your hands on him--you will not help me? Then I
will curse you till you do----"

"Poor Keyork!" exclaimed the Wanderer, half pitying him. "Your big
thoughts have cracked your little brain at last."

"Poor Keyork? You call me poor Keyork? You boy! You puppet! You ball,
that we have bandied to and fro, half sleeping, half awake! It drives me
mad to see you standing there, scoffing instead of helping me!"

"You are past my help, I fear."

"Will you not move? Are you dead already, standing on your feet and
staring at me?"

Again Keyork threw himself upon the huge old man, and stamped and
struggled and tried to move him backwards. He might as well have spent
his strength against a rock. Breathless but furious still, he desisted
at last, too much beside himself to see that he whose sudden death he
feared was stronger than he, because the great experiment had succeeded
far beyond all hope.

"Unorna has done this!" he cried, beating his forehead in impotent rage.
"Unorna has ruined me, and all,--and everything--so she has paid me for
my help! Trust a woman when she loves? Trust angels to curse God, or
Hell to save a sinner! But she shall pay, too--I have her still. Why do
you stare at me? Wait, fool! You shall be happy now. What are you to me
that I should even hate you? You shall have what you want. I will bring
you the woman you love, the Beatrice you have seen in dreams--and then
Unorna's heart will break and she will die, and her soul--her soul----"

Keyork broke into a peal of laughter, deep, rolling, diabolical in its
despairing, frantic mirth. He was still laughing as he reached the door.

"Her soul, her soul!" they heard him cry, between one burst and another
as he went out, and from the echoing vestibule, and from the staircase
beyond, the great laughter rolled back to them when they were left
alone.

"What is it all? I cannot understand," the Wanderer said, looking up to
the grand calm face.

"It is not always given to evil to do good, even for evil's sake," said
the old man. "The thing that he would is done already. The wound that he
would make is already bleeding; the heart he is gone to break is broken;
the soul that he would torture is beyond all his torments."

"Is Unorna dead?" the Wanderer asked, turning, he knew now why, with a
sort of reverence to his companion.

"She is not dead."

Unorna waited in the parlour of the convent. Then Beatrice came in, and
stood before her. Neither feared the other, and each looked into the
other's eyes.

"I have come to undo what I have done," Unorna said, not waiting for the
cold inquiry which she knew would come if she were silent.

"That will be hard, indeed," Beatrice answered.

"Yes. It is very hard. Make it still harder if you can, I could still do
it."

"And do you think I will believe you, or trust you?" asked the dark
woman.

"I know that you will when you know how I have loved him."

"Have you come here to tell me of your love?"

"Yes. And when I have told you, you will forgive me."

"I am no saint," said Beatrice, coldly. "I do not find forgiveness in
such abundance as you need."

"You will find it for me. You are not bad, as I am, but you can
understand what I have done, nevertheless, for you know what you
yourself would do for the sake of him we love. No--do not be angry with
me yet--I love him and I tell you so--that you may understand."

"At that price, I would rather not have the understanding. I do not care
to hear you say it. It is not good to hear."

"Yet, if I did not love him as I do, I should not be here, of my own
free will, to take you to him. I came for that."

"I do not believe you," Beatrice answered in tones like ice.

"And yet you will, and very soon. Whether you forgive or not--that is
another matter. I cannot ask it. God knows how much easier it would have
been to die than to come here. But if I were dead you might never have
found him, nor he you, though you are so very near together. Do you
think it is easier for me to come to you, whom he loves, than it is for
you to hear me say I love him, when I come to give him to you? If you
had found it all, not as it is, but otherwise--if you had found that in
these years he had known me and loved me, as he once loved you, if he
turned from you coldly and bid you forget him, because he would be happy
with me, and because he had utterly forgotten you--would it be easy for
you to give him up?"

"He loved me then--he loves me still," Beatrice said. "It is another
case."

"A much more bitter case. Even then you would have the memory of his
love, which I can never have--in true reality, though I have much to
remember, in his dreams of you."

Beatrice started a little, and her brow grew dark and angry.

"Then you have tried to get what was not yours by your bad powers!" she
cried. "And you have made him sleep--and dream--what?"

"Of you."

"And he talked of love?"

"Of love for you."

"To you?"

"To me."

"And dreamed that you were I? That too?"

"That I was you."

"Is there more to tell?" Beatrice asked, growing white. "He kissed you
in that dream of his--do not tell me he did that--no, tell me--tell me
all!"

"He kissed the thing he saw, believing the lips yours."

"More--more--is it not done yet? Can you sting again? What else?"

"Nothing--save that last night I tried to kill you, body and soul."

"And why did you not kill me?"

"Because you woke. Then the nun saved you. If she had not come, you
would have slept again, and slept for ever. And I would have let his
dreams last, and made it last--for him, I should have been the only
Beatrice."

"You have done all this, and you ask me to forgive you?"

"I ask nothing. If you will not go to him, I will bring him to you--"

Beatrice turned away and walked across the room.

"Loved her," she said aloud, "and talked to her of love, and kissed--"
She stopped suddenly. Then she came back again with swift steps and
grasped Unorna's arm fiercely.

"Tell me more still--this dream has lasted long--you are man and wife!"

"We might have been. He would still have thought me you, for months
and years. He would have had me take from his finger that ring you put
there. I tried--I tell you the whole truth--but I could not. I saw you
there beside me and you held my hand. I broke away and left him."

"Left him of your free will?"

"I could not lie again. It was too much. He would have broken a promise
if I had stayed. I love him--so I left him."

"Is all this true?"

"Every word."

"Swear it to me."

"How can I? By what shall I swear to you? Heaven itself would laugh at
any oath of mine. With my life I will answer for every word. With my
soul--no--it is not mine to answer with. Will you have my life? My last
breath shall tell you that I tell the truth. The dying do not lie."

"You tell me that you love that man. You tell me that you made him think
in dreams that he loved you. You tell me that you might be man and wife.
And you ask me to believe that you turned back from such happiness
as would make an angel sin? If you had done this--but it is not
possible--no woman could! His words in your ear, and yet turn back? His
lips on yours, and leave him? Who could do that?"

"One who loves him."

"What made you do it?"

"Love."

"No--fear--nothing else----"

"Fear? And what have I to fear? My body is beyond the fear of death, as
my soul is beyond the hope of life. If it were to be done again I should
be weak. I know I should. If you could know half of what the doing cost!
But let that alone. I did it, and he is waiting for you. Will you come?"

"If I only knew it to be true----"

"How hard you make it. Yet, it was hard enough."

Beatrice touched her arm, more gently than before, and gazed into her
eyes.

"If I could believe it all I would not make it hard. I would forgive
you--and you would deserve better than that, better than anything that
is mine to give."

"I deserve nothing and ask nothing. If you will come, you will see, and,
seeing, you will believe. And if you then forgive--well then, you will
have done far more than I could do."

"I would forgive you freely----"

"Are you afraid to go with me?"

"No. I am afraid of something worse. You have put something here--a
hope----"

"A hope? Then you believe. There is no hope without a little belief in
it. Will you come?"

"To him?"

"To him."

"It can but be untrue," said Beatrice, still hesitating. "I can but go.
What of him!" she asked suddenly. "If he were living--would you take me
to him? Could you?"

She turned very pale, and her eyes stared madly at Unorna.

"If he were dead," Unorna answered, "I should not be here."

Something in her tone and look moved Beatrice's heart at last.

"I will go with you," she said. "And if I find him--and if all is well
with him--then God in Heaven repay you, for you have been braver than
the bravest I ever knew."

"Can love save a soul as well as lose it?" Unorna asked.

Then they went away together.

They were scarcely out of sight of the convent gate when another
carriage drove up. Almost before it had stopped, the door opened and
Keyork Arabian's short, heavy form emerged and descended hastily to the
pavement. He rang the bell furiously, and the old portress set the
gate ajar and looked out cautiously, fearing that the noisy peal meant
trouble or disturbance.

"The lady Beatrice Varanger--I must see her instantly!" cried the little
man in terrible excitement.

"She is gone out," the portress replied.

"Gone out? Where? Alone?"

"With a lady who was here last night--a lady with unlike eyes--"

"Where? Where? Where are they gone?" asked Keyork hardly able to find
breath.

"The lady bade the coachman drive her home--but where she lives--"

"Home? To Unorna's home? It is not true! I see it in your eyes. Witch!
Hag! Let me in! Let me in, I say! May vampires get your body and the
Three Black Angels cast lots upon your soul!"

In the storm of curses that followed, the convent door was violently
shut in his face. Within, the portress stood shaking with fear, crossing
herself again and again, and verily believing that the devil himself had
tried to force an entrance into the sacred place.

In fearful anger Keyork drew back. He hesitated one moment and then
regained his carriage.

"To Unorna's house!" he shouted, as he shut the door with a crash.

"This is my house, and he is here," Unorna said, as Beatrice passed
before her, under the deep arch of the entrance.

Then she lead the way up the broad staircase, and through the small
outer hall to the door of the great conservatory.

"You will find him there," she said. "Go on alone."

But Beatrice took her hand to draw her in.

"Must I see it all?" Unorna asked, hopelessly.

Then from among the plants and trees a great white-robed figure came
out and stood between them. Joining their hands he gently pushed them
forward to the middle of the hall where the Wanderer stood alone.

"It is done!" Unorna cried, as her heart broke.

She saw the scene she had acted so short a time before. She heard the
passionate cry, the rain of kisses, the tempest of tears. The expiation
was complete. Not a sight, not a sound was spared her. The strong arms
of the ancient sleeper held her upright on her feet. She could not fall,
she could not close her eyes, she could not stop her ears, no merciful
stupor overcame her.

"Is it so bitter to do right?" the old man asked, bending low and
speaking softly.

"It is the bitterness of death," she said.

"It is well done," he answered.

Then came a noise of hurried steps and a loud, deep voice, calling,
"Unorna! Unorna!"

Keyork Arabian was there. He glanced at Beatrice and the Wanderer,
locked in each other's arms, then turned to Unorna and looked into her
face.

"It has killed her," he said. "Who did it?"

His low-spoken words echoed like angry thunder.

"Give her to me," he said again. "She is mine--body and soul."

But the great strong arms were around her and would not let her go.

"Save me!" she cried in failing tones. "Save me from him!"

"You have saved yourself," said the solemn voice of the old man.

"Saved?" Keyork laughed. "From me?" He laid his hand upon her arm. Then
his face changed again, and his laughter died dismally away, and he hung
back.

"Can you forgive her?" asked the other voice.

The Wanderer stood close to them now, drawing Beatrice to his side. The
question was for them.

"Can you forgive me?" asked Unorna faintly, turning her eyes towards
them.

"As we hope to find forgiveness and trust in a life to come," they
answered.

There was a low sound in the air, unearthly, muffled, desperate as of
a strong being groaning in awful agony. When they looked, they saw that
Keyork Arabian was gone.

The dawn of a coming day rose in Unorna's face as she sank back.

"It is over," she sighed, as her eyes closed.

Her question was answered; her love had saved her.





End of Project Gutenberg's The Witch of Prague, by F. Marion Crawford

*** 