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Two kinds of fill. A section's fill of its own (extra bars, 1 to 4) now plays whole, from the next bar line, past
the section's end if fewer bars are left, then the pattern from its top: press in the bar before you want it. A fill
embedded in the pattern as marks works as before, from the press to the section's end, like an arranger keyboard's.
Until now a fill of several bars ended on the section's last bar line, so a 2-bar fill asked in the last bar played
its second bar only. FILL AT THE END is gone from the screen.
No stray hit at a bar line. A bar's first step that humanize or a nudge had pulled a few milliseconds early
could play the bar before's content: a fill's second bar started with the fill's first step again (a second crash),
the bar after a fill or a section change doubled a hit. Such a step now waits for the bar line.
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The player follows: a fill of its own whole from the next bar line.
Marks or a fill of its own, never both. Adding a fill to a section folds its fill marks and conditions in; with a
fill the mark pens are off; a song file that has both is flagged, with Drop the marks beside Merge into the pattern.
Fill, Entry and Break = selected bars follow the section's division. The bars of a Guitar Pro file are 16ths;
on a 1/8 or 1/4 section they kept 16 steps a bar, so the device and the player read them as twice or four times the
bars. They are now put on the section's grid; hits that fall between its steps are dropped and listed (set a finer
division first to keep them). Pattern = selected bars re-grids a kept fill, entry or break to the new 1/16 as well.
The grid's top row labels the columns (ENTRY, PATTERN, FILL, BREAK). Its cells over the pattern used to set a
step's fill condition (F / N for every hit of the step); a mark belongs on the hit, with the mark pen.