Sill 1.0

It works, it plays: the first main version.

No brass section: KEYS (a soft keyboard chord) on STABS in place of HORNS. A light solo trumpet, CORNET, on HOOK in
place of ROBOT, picked by some SKANK and PARTY songs.
ORCH is an effect: no song picks it for its stabs any more; it stays on the card.
The footer shows the style and the song's number on every page.
Each new version on main is tagged and released on GitHub with its package.

Runs on the FM-1. To go back: Felucca's or Tuna's installer, or the official V15.

Sill 0.4.1

The choir.

VOX brings a choir instead of the crowd: the chord's third and fifth sung on OH or AH (CHOIR on the VOX page, or a
MIX) at the top of each bar of the chorus, in the verse too with VOX ALL. The shouts are gone.
No bells: STABS has EPIANO and HOOK has POP in their place. No brass: STABS has PWM, pulse-width strings.
The stabs sit 2 dB lower.
A hook's tuplet plays the chord playing, up or down, so it always fits.

Runs on the FM-1. To go back: Felucca's or Tuna's installer, or the official V15.

Variety.

Sixteen sounds a part. STABS: HOUSE, DEEP, HORNS, CHOIR, VIOLINS, TRANCE; BASS: ORGAN, SYNTH, SINE, TRANCE, DX,
GROWL; HOOK: REEDS, ANTHEM, CHOIR, WHISTLE, TRANCE, ROBOT. FRETLESS is called SLIDE.
Every style has four sounds a part: song 1 plays its own, every other song picks from the four, so a style's
songs do not all sound alike.
Tuplets: a song's hook may hold a triplet, a quadruplet, a quintuplet or a sextuplet; a fill may be a snare
triplet or a sextuplet roll.
Less drive: the mix has 2 dB of headroom against the limiter, the styles' DRIVE is lower and reaches half as
deep, and the hottest sounds carry less drive of their own.

Runs on the FM-1. To go back: Felucca's or Tuna's installer, or the official V15.

The fill.

HOOK SPEED PAD: no tune but a pad on the chords, held as long as each lasts, through the verse and the pre-chorus
too. A new HOOK sound, PAD, in place of CHIP. PIANOHOUSE starts with it, behind the piano.
The piano plays plain triads (root, third, fifth), over a loop of sevenths too and in its held chords; 2 dB
softer, level with the pad, under the bass.

Runs on the FM-1. To go back: Felucca's or Tuna's installer, or the official V15.

The piano.

PIANO is a real piano now: six notes of a Kawai grand (VCSL, CC0), bright and hard as the club pianos of the 90s,
with a high-pass at 180 Hz, a low-pass at about 5 kHz and a room of its own, sitting under the bass and the hook.
The FM house piano is gone.
PIANO on STABS plays the offbeat piano chords in any style: a chord on every "and", now and then the last one
early or a sixteenth after; through the verse too, softer. HEARTACHE and PIANOHOUSE start with it.
The site: each branch's pages keep their own try page; before a release the start page points to the test build.

Runs on the FM-1. To go back: Felucca's or Tuna's installer, or the official V15.

The first release.

Ten styles on two sides: CLUB (EUROSTOMP, VIKING, BUBBLEGUM, HEARTACHE, RAVE) and RADIO (SKANK, PIANOHOUSE,
PARTY, BALLAD, ITALO); a song for every ALGORITHM number; style and song change on the bar line.
A song's form: intro, verse, pre-chorus, chorus, break, the last chorus a key up; round again with a new hook.
LIFT, PUMP, VOX and ENERGY on the four knobs; BREAK on REC (tapped or held), KEY UP on SEQ.
The keys play the hook, snapped to the scale; their LEDs show the chord.
Thirty sounds on Felucca's engines, levels evened out; a house piano and an orchestra hit of Sill's own on FM6, a
supersaw hook in unison, a sung OOH on the VOICE engine.
A drum kit of Sill's own (CC0) with a crowd that shouts HEY, HO and WHOA, and Felucca's DRUM engine kits.
Eight sets; settings saved while stopped; MIDI out on channels 1, 2, 3 and 10.
The LASER palette, by default.
In the browser: the same firmware on Felucca's emulator.

Runs on the FM-1. To go back: Felucca's or Tuna's installer, or the official V15.