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The SunZenithReducer modifier has been implemented in #2556 to have a nice, smooth and artefact-free transition into nighttime when Rayleigh correction is applied to VIS-based composites (see PR for details).
As reported by Cris (MetOffice) in the mailing list, the current defaults for the reducer are making imagery at high solar angles too dark.
How come? The defaults were defined for the FCI First Image publications, which was taken close to the equinox (rather uniform illumination), and with the goal to produce imagery with very smooth day/night transitions. Now that we're entering the first winter season on the North hemisphere, with permanently high solar zenith angles, the issue is emerging.
I've done some experiments, trying to optimise the tradeoffs between (in descending order of importance):
keeping as much data as possible close to the terminator, with usable brightness
avoiding the reddish artefacts
avoiding the limb-glow caused by the sunzen correction, particularly the "peak" line at the terminator
keeping a natural transition appearance
What I came up with was increasing the limit angle (where the reduction starts to kick-in) from 55° to 80°, and decrease the strength (defining the shape of the reduction function, see plot here ) from 1.5 to 1.3.
A few examples from a few days ago (20231117) Northern Europe
Settings
8UTC
12UTC
No reduction ( reddish artefacts + glow)
55° limit, 1.5 strength (current main - no artefacts, no glow, but too dark too early)
80° limit, 1.3 strength (proposal)
Full-disc
Settings
8UTC
12UTC
No reduction ( reddish artefacts + glow)
55° limit, 1.5 strength (current main - no artefacts, no glow, but too dark too early)
80° limit, 1.3 strength (proposal)
First Image (for comparison for an equinox scene)
Settings
No reduction
55° limit, 1.5 strength - Current main, very similar to published version
80° limit, 1.3 strength (proposal)
We (with @strandgren ) think the new setting satisfies well the tradeoff points above, let me know what you think!
In any case, I would propose to add in the FCI composites the version without reduction, so that it's easily accessible for users that need to keep as much data as possible, at the cost of introducing some artefacts. What should the name be? true_color_nosunzreduction?
PS: if someone wants to experiment with the parameters, the full definition of the modifier looks like this:
Very nice work summing this up with examples!
I agree the proposal looks like a very good compromise of the different requirements. I also agree a version with no reduction is good to have. How about true_color_fully_normalizedfor the name?
Thanks, glad you like it :)
mmm tbh I'm not convinced by the fully_normalized, since it sounds a bit "absolute" and there are probably more normalizations one could apply that are not included here. Along that line, maybe fully_sunzencorrected could work?
The SunZenithReducer modifier has been implemented in #2556 to have a nice, smooth and artefact-free transition into nighttime when Rayleigh correction is applied to VIS-based composites (see PR for details).
As reported by Cris (MetOffice) in the mailing list, the current defaults for the reducer are making imagery at high solar angles too dark.
How come? The defaults were defined for the FCI First Image publications, which was taken close to the equinox (rather uniform illumination), and with the goal to produce imagery with very smooth day/night transitions. Now that we're entering the first winter season on the North hemisphere, with permanently high solar zenith angles, the issue is emerging.
I've done some experiments, trying to optimise the tradeoffs between (in descending order of importance):
What I came up with was increasing the limit angle (where the reduction starts to kick-in) from 55° to 80°, and decrease the strength (defining the shape of the reduction function, see plot here ) from 1.5 to 1.3.
A few examples from a few days ago (20231117)
Northern Europe
Full-disc
First Image (for comparison for an equinox scene)
We (with @strandgren ) think the new setting satisfies well the tradeoff points above, let me know what you think!
In any case, I would propose to add in the FCI composites the version without reduction, so that it's easily accessible for users that need to keep as much data as possible, at the cost of introducing some artefacts. What should the name be?
true_color_nosunzreduction
?PS: if someone wants to experiment with the parameters, the full definition of the modifier looks like this:
(to be modified either in local custom composite configuration, or here)
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