A browser-based video editor powered by ffmpeg.wasm. No uploads, no servers -- all processing happens locally in your browser using WebAssembly.
🚀 Live app: https://tejaswigowda.com/ffmpeg-webCLI/
- ✅ No Server Uploads — All video processing happens entirely on your device
- ✅ 30+ Video Operations — GIF creation, format conversion, compression, trimming, effects, filters, and more
- ✅ Offline-First PWA — Works completely offline after first use; install as a native app
- ✅ Screen Wake Lock — Screen stays active during video processing on any device
- ✅ Live Previews — See output size estimates and live settings adjustments
- ✅ Multi-Format Support — MP4, WebM, MKV, MOV, AVI, GIF, MP3, AAC, WAV, OGG, FLAC, JPG, PNG
- ✅ Advanced Features — Raw ffmpeg command access, subtitle embedding, concatenation, picture-in-picture, audio mixing
- ✅ Fast & Responsive — Uses Web Workers for background processing
- ✅ Privacy First — Zero data collection; works with your files locally
Convert any video clip into an animated GIF. Set the frame rate and output width; height scales automatically to preserve the aspect ratio. Uses a two-pass palette generation for the best possible color quality.
Re-encode a video to a different container and codec:
- MP4 -- H.264 + AAC, widest compatibility
- WebM -- VP9 + Opus, open format optimised for the web (~45% smaller than MP4 at similar quality)
- MKV / MOV -- H.264 + AAC in alternative containers
- AVI -- legacy compatibility
Reduce file size without changing the resolution. Dial in the quality with a CRF slider (18 = near-lossless → 51 = maximum compression) and pick an encoding preset (ultrafast → veryslow) to trade encoding speed for compression efficiency. A live size estimate updates as you adjust the settings.
Set a start and end point with the timeline sliders before running any operation. Trimming is applied on top of every other operation, so you can, for example, extract a short clip, compress it, and convert it to GIF all at once.
Change the output dimensions and compress in one pass. Width and height are auto-filled from the source video; edit either value or leave it blank to let ffmpeg maintain the aspect ratio. Combines a scale filter with CRF-based H.264 encoding.
Pull the audio track out of any video into a standalone audio file:
- MP3 -- universal playback
- AAC -- efficient lossy, great for mobile
- WAV -- uncompressed PCM
- OGG Vorbis -- open lossy format
- FLAC -- lossless compression
Strip the audio stream entirely. Output is the original video with no audio track -- useful for silent loops, social media clips, or before replacing the audio elsewhere.
Speed up or slow down playback (0.25× – 4×). Both the video PTS and the atempo audio filter chain are adjusted so audio pitch and sync are preserved. Chains multiple atempo stages automatically when the multiplier is outside the 0.5–2.0 range that a single filter accepts.
Correct orientation or create mirror effects without re-uploading. Options: 90° clockwise, 90° counter-clockwise, 180°, flip horizontal, flip vertical, or flip both axes.
Trim the frame to a specific region. X/Y offset and width/height are auto-filled from the source video dimensions so you can immediately drag values down rather than starting from scratch.
Pull a single frame from any point in the video and save it as a JPEG or PNG image. The timestamp field is pre-filled to the midpoint of the loaded clip.
Play the video (and audio) backwards using ffmpeg's reverse + areverse filters.
Add a smooth fade-in, fade-out, or both. Set the duration in seconds for each direction independently; the filter is applied after any trim.
Fine-tune the look of a clip with the eq filter. Three sliders control brightness (−1 → 1), contrast (0 → 2), and saturation (0 → 3). A Grayscale checkbox pins saturation to zero for instant black-and-white output.
Remove all embedded metadata -- GPS coordinates, camera make/model, creation timestamps, and any other tags -- before sharing a file. Uses -map_metadata -1 during re-encoding.
Mux an .srt, .vtt, or .ass subtitle file into the video as a soft subtitle track -- toggleable on/off in any media player (VLC, browser, etc.) without re-encoding the picture. Output format choices:
- MP4 -- subtitle stream encoded as
mov_text - MKV -- subtitle stream copied natively (preserves ASS/SSA styling)
Video and audio are stream-copied (zero quality loss, near-instant). Hard-burning subtitles into the picture requires a libass-enabled ffmpeg build and is not available in the standard WebAssembly core.
Boost or reduce the audio level of any video. A single slider sets the volume multiplier (0 = silence, 1.0 = unchanged, up to 4×). Audio is re-encoded using the volume filter; the video stream is stream-copied (no quality loss, no re-encode overhead).
Play the video N times back-to-back in a single output file. Set Total plays (2–50); ffmpeg uses -stream_loop with stream copy so there is no re-encoding and the output file is proportionally larger. Trim is not applied for this operation.
Stamp a logo, watermark, or any image (PNG with transparency works best) onto every frame. Controls:
- Image file — any PNG, JPG, GIF, or WebP
- Position — bottom-right, top-left, top-right, bottom-left, or centre
- Width (% of video) — scales the logo relative to the video width (default 15%)
Uses the overlay filter with a scale pre-pass. Video is re-encoded; audio is stream-copied.
Blend a second audio file into the video as background music. Controls:
- Music / audio file — MP3, WAV, OGG, AAC, FLAC, M4A
- Original audio volume slider (0–2, default 1.0)
- Music volume slider (0–2, default 0.30)
The music track loops automatically via -stream_loop -1 if it is shorter than the video. Both streams are mixed with the amix filter (duration=first so output matches the video length). Video is stream-copied.
Append a second video clip after the loaded file. Uses the concat filter with H.264/AAC re-encoding, so clips with different resolutions, frame rates, and codecs are handled automatically. Trim applies to the first clip only; the second clip is taken in full.
Place two video clips next to each other in a single frame:
- Layout — Horizontal (left / right using
hstack) or Vertical (top / bottom usingvstack) - Common dimension — target height in pixels for horizontal layout, or target width for vertical layout (both clips are scaled to match)
- Audio — take from the first clip, the second clip, or output no audio
Re-encodes to H.264/AAC. Useful for comparison videos, reaction videos, and split-screen content. Trim is ignored.
Overlay a second video on top of the main clip in a small inset window. Controls:
- Overlay video — the smaller video to appear as the inset
- Position — corner or centre (same options as Logo Overlay)
- Width (% of main video) — controls the inset size (default 30%)
The overlay video loops automatically if it is shorter than the main clip. Trim applies to the main clip. Audio from the main clip is preserved. Both streams are re-encoded to H.264/AAC.
Displays key metadata extracted from the browser's video element immediately when a file is loaded:
- File name, size, duration, resolution, estimated bitrate, and MIME type
Click Process Video to run a deep scan (ffmpeg -hide_banner -i …) and print full codec, stream, pixel format, and container details to the log panel below.
Full access to the ffmpeg command line directly in the browser. Type any arguments into the text area; they are inserted after -i input and before the output filename. Choose the output file extension and optionally bypass the trim range. A live full command preview updates as you type, showing the exact command that will be executed. Quoted values containing spaces are handled correctly.
An Example Commands library (collapsible) provides one-click recipes to get started:
| Example | What it does |
|---|---|
| 🔲 Color-bar watermark | Semi-transparent drawbox stamp in the bottom-right corner |
| 🎞 Cap framerate to 24 fps | fps=24 filter + H.264 re-encode |
| 🎨 Convert to grayscale | format=gray + H.264 re-encode |
| 🔊 Loudness normalize | loudnorm filter, stream-copies video |
| 📦 Lossless remux (copy) | -c copy — change container, zero quality loss |
| 📐 Letterbox / pillarbox | Scales to 1920×1080, pads with black bars |
| 🌀 Denoise (hqdn3d) | Temporal + spatial denoising |
| 🔍 Sharpen (unsharp) | unsharp mask filter |
| 🎯 Stabilize (deshake) | deshake motion stabilization |
| 🌑 Vignette effect | vignette filter darkens edges |
| 🔇 Extract audio as WAV | -vn -acodec pcm_s16le lossless audio export |
| 🖼 Extract first frame | -vframes 1 saves a single PNG |
| 🎵 Replace audio track | Strips original audio and muxes in input2.mp3; uses -map 0:v:0 -map 1:a:0 -shortest |
Clicking a recipe fills in the arguments and extension fields instantly.
Second input file — the Raw FFmpeg panel includes an optional Choose file picker. The selected file is written to ffmpeg's virtual filesystem as
input2.<ext>and can be referenced in your arguments (e.g.-i input2.mp3). Required by the Replace audio track recipe.
Add colored bars to bring a video to a specific aspect ratio without cropping or stretching it. The video is scaled down to fit entirely inside the target canvas; empty space is filled with the chosen pad color.
| Target Ratio | Typical use |
|---|---|
| 16:9 | YouTube, TV, most monitors |
| 9:16 | Instagram / TikTok Reels, Stories |
| 1:1 | Instagram square feed |
| 4:3 | Classic TV / legacy formats |
| 4:5 | Instagram portrait feed |
| 21:9 | Cinematic / ultrawide |
Pad colors: Black, White, Gray. Re-encodes to H.264/AAC.
Bring the perceived loudness of a clip to a broadcast-standard target using ffmpeg's loudnorm (EBU R128) filter. Choose a target integrated loudness level:
- -14 LUFS — YouTube / Spotify recommended level
- -16 LUFS — Podcasts / Apple Podcasts
- -23 LUFS — Broadcast standard (EBU R128)
The video stream is stream-copied (no re-encode); only the audio is processed.
Reduce video noise with the hqdn3d (high-quality 3D denoise) filter, which combines spatial and temporal noise reduction. Three presets:
| Strength | Parameters | Best for |
|---|---|---|
| Light | 2:2:3:3 |
Mild grain, HDR content |
| Medium | 4:4:6:6 |
Standard noise removal |
| Heavy | 10:10:15:15 |
Heavy noise / low-light footage |
Re-encodes video with H.264; audio is stream-copied.
Creates the classic boomerang loop effect: the clip plays forward then immediately in reverse in a single output file. Uses ffmpeg's reverse filter concatenated with the original via the concat filter. Trim is respected for the forward segment. Audio is removed (the reverse of audio rarely sounds intentional).
Apply a sharpening or blur effect to the entire video.
- Sharpen uses the
unsharpmask filter (luma + chroma):- Light:
unsharp=3:3:0.8:3:3:0 - Medium:
unsharp=5:5:1.5:5:5:0 - Heavy:
unsharp=7:7:3:7:7:0
- Light:
- Blur uses the
boxblurfilter:- Light:
boxblur=3:1 - Medium:
boxblur=6:1 - Heavy:
boxblur=12:1
- Light:
Video is re-encoded to H.264; audio is stream-copied.
Local Processing:
- Click Load ffmpeg -- downloads the ffmpeg-core WebAssembly binary (~31 MB, cached after first load).
- Drop or select a video file. The Process Video button activates; if ffmpeg is not yet loaded it reads Load ffmpeg & Process and will download it automatically on first click.
- Optionally set trim points with the timeline sliders.
- Pick an operation and adjust its settings. A live size estimate updates as you change parameters.
- Click Process Video -- ffmpeg runs entirely in a Web Worker inside your browser.
- Preview the result (video, audio player, or image depending on the operation) and download it.
All file I/O stays on your machine. Nothing is sent to any server.
Performance & Reliability:
- Video processing runs in background workers — the UI stays responsive
- Screen automatically stays active during long encoding operations
- Service worker caches all static assets and CDN resources for instant offline access
- Failed operations automatically clean up virtual filesystem
The editor works completely offline with intelligent caching and screen wake lock support:
- 🔌 Install as App — Use the browser's native install button to add the app to your home screen or app drawer. Works on desktop and mobile.
- 📦 Offline Support — Once ffmpeg is loaded and cached, all processing works without an internet connection.
- ⚡ Smart Caching
- Static assets (HTML, CSS, JS) are cached on first load
- ffmpeg.wasm library and dependencies are cached from CDN for offline use
- Service worker intercepts requests and serves from cache when network is unavailable
- 📱 Screen Wake Lock — The screen automatically stays on during video processing. Prevents device sleep or lock on mobile and desktop during encoding.
- 🌐 Works Everywhere
- Chrome, Edge, Firefox, Safari on desktop
- Chrome, Firefox, Samsung Internet on Android
- Safari on iOS (iOS PWA support is limited but available)
- Web browser: Visit the app at https://tejaswigowda.com/ffmpeg-webCLI/
- Install: Click the install button in your browser's address bar or menu → confirm installation
- Use offline: Load ffmpeg once online, then work offline without internet connection
- Screen stays active: Processing automatically keeps your screen on to prevent interruptions
git clone https://github.com/tejaswigowda/ffmpeg.wasm.editor.
cd ffmpeg.wasm.editor
node server.js # serves docs/ with the required COOP/COEP headersThe server sets Cross-Origin-Opener-Policy: same-origin and Cross-Origin-Embedder-Policy: require-corp, which are required for SharedArrayBuffer (used by ffmpeg.wasm).
Or serve the docs/ folder with any static server that sets those two headers:
# Alternative: using npx serve
npx serve docsThis project is licensed under the GNU General Public License v3.0 (GPL-3.0). See LICENSE for details.
You are free to:
- ✅ Use this software for any purpose
- ✅ Study and modify the source code
- ✅ Distribute copies of the software
- ✅ Distribute modified versions
With the requirement that you:
- 📋 Include a copy of the license
- 📝 Document changes made to the code
- 📢 Make source code available when distributing
This project builds on ffmpeg.wasm (LGPL-2.1) which is built from FFmpeg (LGPL-2.1+).