Extract stills, GIFs, and clips from any video — fast, local, no subscriptions. Now on iOS.
A native iOS app for filmmakers, editors, and creators to pull frames from footage on the go, without roundtripping through an NLE.
Select a video on your iPhone and FramePull Mobile automatically processes it for scene cuts. Mark your favorite stills, set clip ranges with one-handed ergonomic controls, and review your selections Tinder-style before exporting directly to your Camera Roll.
- Still frames — High quality snaps directly from the video track
- Video clips — MP4 clip extraction based on custom In/Out points
- "Auto Magic" — Automatically distribute a set number of stills and clips across the video
- Tinder-style Review — A fun, rapid-fire card interface to "Keep" or "Nope" your marked shots
Like its macOS sibling, FramePull Mobile scans your video for scene cuts locally on your iPhone. No cloud processing, no API calls — it uses Apple's native frameworks to keep your media private.
Using the Auto Magic feature, you can tell the app to generate 10 stills and 5 clips. It mathematically spreads them across the timeline, and smartly snaps the generated clips to the nearest detected scene cuts for perfect alignment.
| Ergonomic Controls | Big, thumb-friendly IN, SNAP, and OUT buttons for one-handed marking |
| Scrubbable Timeline | Fast visual timeline to scrub through footage and see all your markers |
| Auto Magic | Instantly generate evenly spaced stills and clips instantly across the video |
| Swipe to Review | A fun card stack interface to approve (Right) or reject (Left) your marks |
| Background Processing | Extracts and saves your media asynchronously without freezing the UI |
| Custom Album | Approved shots execute instantly and save to a clean FramePull album in Photos |
| Reset All | One-tap destructive clear to wipe the slate clean if you want to start over |
Zero external dependencies. FramePull Mobile is built entirely on native Apple frameworks:
AVFoundation · Photos · UIKit · SwiftUI
Copyright © 2026 Carlo Oppermann. All rights reserved.