Updated Verification (markdown)
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Updated Patch Formats (markdown)
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Updated Parameter Storage (markdown)
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Updated Patch Archetypes (markdown)
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Updated Synthesis Theory (markdown)
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Updated Synthesis Theory (markdown)
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Updated Synthesis Theory (markdown)
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Updated MIDI Control (markdown)
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Updated Mathematics (markdown)
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Updated Architecture (markdown)
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Updated Banks And Patches (markdown)
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Updated The Panel (markdown)
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Updated Getting Started (markdown)
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Updated _Sidebar (markdown)
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Document the banks, the browser and the MIDI control
Two pages the manual did not have, for two things it did not have when
it was written.
Banks and patches: why a bank is a hundred and twenty-eight slots and
not as many as it holds, the browser and the four shapes a Synth1 bank
arrives in, why writing a patch cannot load on click, and where a sound
is kept in each of the three builds -- which differs because who owns
the persisting differs.
MIDI control: what the specification decides and what is left to you,
the Sound Controllers and why honouring them means a keyboard works on
being plugged in, and the three quite different routes these messages
take into a browser, a CLAP and a VST3. That last one is worth writing
down: VST3 has no event for a controller or a program change at all, and
a program list is what a host looks for before it will route one.
Getting started now has the CLAP, including that all three files have to
travel together -- a .clap copied on its own plays and shows the host's
generic controls, which reads as a broken plugin rather than a missing
folder.
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Just the pronunciation
Where the name comes from is not the reader's problem; how to say it
is.
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Say how the name is pronounced
It is a portmanteau nobody can be expected to guess at: the first
syllable is Spanish, not English, so it is keh and not kwee.
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Split the manual into pages
One 27 KB page was a scroll, not a manual. The sections were already
self-contained, so each becomes a page: the landing page keeps what a
reader arriving cold needs -- what the instrument is and how it is wired
-- and hands off from there.
Adds a sidebar on every page and previous/next links at the foot of
each, so the whole thing still reads in order for anyone who wants to
read it in order. Every internal anchor that pointed at another section
is now a link to that page.
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The manual: theory, mathematics, and the patch archetypes
Replaces the placeholder page. Covers what the instrument is and how to
run it, the signal path, the synthesis theory behind each section, the
formulas the DSP actually uses, how the 99 parameters are stored -- which
is the part most likely to bite anyone generating patches -- the sixteen
factory archetypes and how to build each one, both patch formats, the
layering, and the measurement habits the project relies on.
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