0.5.0

• Revision lens: Toggle revision lens underlines what is worth rereading in the active note and opens a panel. Six rules: echoes, adverbs, gerunds (in English, "started to"), crutch words, name variants and long sentences, each with its own underline and its own switch in the settings. It only suggests and never changes your text. Portuguese (Brasil) and English; in another Obsidian language the panel offers Open settings to choose one.
• Panel measures: dialogue share (and each scene's share), readability (words per sentence, syllables per word and a reading-ease score with its band: Flesch adapted to Portuguese, or Flesch for English), and each rule's count per 1,000 words. They describe the text and don't grade it.
• Stepping: previous and next buttons for each rule ("3 / 12"), and the commands Next revision lens match and Previous revision lens match for the rule you stepped last. On a phone the drawer closes after a step and a short notice shows where you are.
• Ignore here: drop a match you disagree with from the editor's context menu or the panel. It is remembered by the note, the rule, the word and the words around it, follows renames, and the panel's "N ignored · Clear" brings the matches back.
• Word lists note: a note you choose in the settings with ## Vícios / ## Crutch words, ## Nomes / ## Names and ## Ignorar / ## Ignore. Create the word lists note makes one with a short starter list and never touches an existing note.
• Revision settings: language, word lists note, echo window, long sentence length, Skip quotes, a toggle per rule, and Show dialogue share and Show readability.
• Stemmers: small Portuguese and English stemmers (core/stem/) that group olhar / olhou / olhando and keep casa and casamento apart. Internal for now; the universe will use them later for matching names.
• Editor loose ends: the old editor helpers are gone and the editor reads the Markdown segmenter everywhere. Two behaviour changes follow.
  • A --- inside a code block or a comment no longer counts as a scene break next to a beat in the outline.
  • Removing a trailing scene break in a note that is closed keeps the note's own line endings.